Pixel Scroll 5/1/18 Pixel Longstocking

(1) CONTAGIOUS THINKER. The Outline’s Michael Huguenor recalls “That one time Felix Guattari tried to sell a script in Hollywood”.

By 1987, French philosopher Felix Guattari had already changed the world. He’d invented a new form of psychoanalysis, fought against the Algerian War, physically constructed part of the University of Zagreb, and pioneered the existence of pirate radio. At 57, his entire life was defined by tumult and surprising leaps of faith. Yet the most surprising of all came that year when he approached the French Centre National de la Cinematographie with a request for state funding for an unlikely project.

“I am a writer and psychoanalyst, as well as a director of a psychiatric clinic that employs methods of Institutional Psycho-therapy,” he began, in his Preamble. Then came the curve-ball: “Now I would like to direct what, at least in appearance, will be a science fiction film.”

Attached was a screenplay….

(2) WHERE IT ALL BEGAN. Timothy the Talking Cat supplies “Timothy’s Alternative MCU Running Order”. Reader, I LOL’d. You might not have known all these movies were part of the MCU.

The important element of Marvel films is not just that they are long and have pee breaks between films (sometimes lasting several years) but each film is an improvement on the last. Have we reached peak Marvel film yet? Oh no, not by a long chalk matey! That’s not how a shared universe works. You introduce pieces piece by pieces until you have all the pieces and WHAM perfect film probably with an interval like Chitty Chitty Bang Bang.

(3) THE MARVEL BRADY UNIVERSE. For The Tonight Show Starring Jimmy Fallon, the Avengers: Infinity War Cast Sings “The Marvel Bunch”

(4) TONY AWARDS. Harry Potter and the Cursed Child received 10 Tony Awards nominations.

{L-R) Noma Dumezweni, Susan Heyward, Paul Thornley, Olivia Bond, Ben Wheelwright, Jamie Parker, Poppy Miller, and Sam Clemmett in Harry Potter and the Cursed Child, Parts One and Two. Photo by: Manuel Harlan

(5) GOODREADS & HUGOS. Goodreads 2019 Hugo recommendation lists split into differing categories. Open to public votes and contributions.

(6) PRIX TIME. Europa SF reports the winners of a pair of French sff awards:

During the 2018 Intergalactiques Festival of Lyon, the Barjavel Prix was awarded to Céline Maltère for her new short-story “La Coupole”. The story will be available shortly (digital format) by Actusf Publishers.

The Planète SF Prix was awarded to Jo Walton for her novel “My Real Children”, 2014 (Nos vrais enfants) published in translation (Florence Dolisi) by Denoël Press.

(7) ROCKET QUEST. At Doctor Strangemind, Kim Huett asks “Hugo, Where Art Thou?”

While writing about the Hugo situation in 1955 the other day I mentioned that Ron Smith won a Hugo in 1956 for his fanzine, Inside. This particular award is of special interest to me because as far as I’m aware the rocket Ron was awarded is the only one that has had a long-term residency in Australia. I’ve read that it was displayed in the window of Merv Binns’ Space Ago Books in Melbourne for many years after Ron Smith moved to Australia in, I think, the early sixties. I can’t vouch for that because I only managed to visit Space Age a couple of times while the store was still a going concern and was too eager to get inside to be concerned about what might be in the window display. Space Age Books is of course has long been a thing of the past now and presumably Ron Smith has passed away too so that makes me wonder what happened to his rocket? I’m assuming that when Space Age Books stopped being a bricks and mortar establishment the rocket went back to Ron (if not before that) but I can’t be certain. Hopefully somebody living in Melbourne reading this will know the answer to my query or perhaps be able to dig an answer out of Merv.

Anyway, having begun this line of thought I started to wonder if anybody has made any attempt to track down the location of the various Hugo statues that have been handed out in the past 65 or so years….

(8) GIDLEY OBIT. Pamela Gidley (1965-2018): US actress, died April 16, aged 52. Genre appearances include the title role in Cherry 2000 (1987), Highway to Hell (1991), Twin Peaks: Fire Walk With Me (1992), Strange Luck (17 episodes, 1995-96), Aberration (1997), The Little Vampire (2000), Twin Peaks: The Missing Pieces (2014). She also directed and co-scripted a short drama in 2004, I Just Forgot.

(9) ANDERSON OBIT. The director of the Logan’s Run movie died last week:

Michael Anderson, a British director whose 1955 film ‘‘The Dam Busters’’ became one of the most popular wartime dramas ever made and launched him to a filmmaking career that included the all-star Oscar-winner ‘‘Around the World in 80 Days’’ and the sci-fi fantasy ‘‘Logan’s Run,’’ died April 25 at his home on the Sunshine Coast of British Columbia. He was 98.

He also directed the adaptation of 1984 released in 1956, starring Edmond O’Brien.

(10) PUT ANOTHER CANDLE ON. Don’t miss a one: Steven H Silver has posted “Birthday Reviews: April Index” at Black Gate.

(11) IMPOSSIBLE PODCAST. Into the Impossible, the Arthur C. Clarke Center for Human Imagination’s podcast, in episode 18 discusses the “Internet of All Kinds of Things”.

How is the internet changing our humanity, and what can we do about it? We explore these questions and more with Antonio Garcia Martinez (author of Chaos Monkeys: Obscene Fortune and Random Failure in Silicon Valley) and Douglas Rushkoff (author most recently of Throwing Rocks at the Google Bus and host of the fantastic podcast Team Human).

(12) FASHION NOTES. Yes, this shirt is loud enough: “Outer Space”.

(13) NO MATTER WHAT ELSE YOU MAY HAVE READ. The net is flip-flopping on flipping – now an Ars Technica headline says “Earth’s magnetic field may not be flipping”.

Going back millions of years into Earth’s history, our planet’s magnetic field has frequently gone its own way. The magnetic north pole has not only wandered through the north, but it has changed places with the south magnetic pole, taking up residence in the Antarctic. Going back millions of years, there’s a regular pattern of pole exchange, with flips sometimes occurring in relatively rapid succession.

In those terms, our current period of pole positioning is unusually long, with the last flip occurring nearly 800,000 years ago. But the magnetic field has grown noticeably weaker since we started measuring it more than a hundred years ago. The poles have wandered a bit, and there’s an area of even more dramatic weakening over the South Atlantic. Could these be signs that we’re due for another flip?

Probably not, according to new research published with the refreshingly clear title, “Earth’s magnetic field is probably not reversing.” In it, an international team of researchers reconstructs the history of some past flips and argues that what’s going on now doesn’t much look like previous events.

(14) ROUTE 66. Steve Vertlieb invites people to read “Two for the Road: Traveling ‘Route 66’”. (Another show I was too young to stay up and watch. But a few years after the show went off the air one of my English teachers who knew co-star Maharis got him to visit the class.)

The “Golden Age Of Television” lasted from the late nineteen forties until the early nineteen sixties where it thrived and flourished, presenting mostly “live” dramatic and musical presentations that captured the exhilaration and essence of fresh theatrical Broadway productions, staged and created expressly for the newly experimental format of the small home tv screen.  Television was a brand new medium, daring in its provocative concepts and artistic explorations, while revolutionary in its groundbreaking originality.  Everything was fresh and new, as this voracious, visionary monolith consumed original productions as rapidly as they could be produced.  Into this ravenous mix, and at the tail end of the medium’s legendary golden age, came a weekly television series produced by CBS (the famed Murrow “tiffany” network) concerning two friends (Martin Milner and George Maharis) from the often-cruel streets of New York, seeking meaning, value, and definition in their ongoing dramatic sojourn across the highways of America.  “Route 66” launched nationally on Friday night, October 7th, 1960, taking the country by storm.  Filming on location in virtually every state of the union until its final episode on March 20th, 1964, the powerful series introduced some of the finest anthology drama that television has ever witnessed, while showcasing stunning conceptual poetry by principal writer Stirling Silliphant, original music by composer Nelson Riddle, and ensemble guest performances by many of the finest actors and actresses in Hollywood, and from the New York stage.  The weekly series effectively changed the course and direction of my life when the program filmed two episodes in Philadelphia in the Fall of 1961.  This is the bittersweet story of the cultural evolution and significance of the iconic series, as well as its profound, transformative effect upon my own life, direction, and career.

This was the episode of the “Route 66” television series that forever changed the direction and “route” of both mine, and my brother’s lives. We were there on location with the cast and crew when they filmed this classic episode on the mean streets of Philadelphia and, with George Maharis and Martin Milner, together crossed that “Thin White Line.” The program aired as Season Two, Episode Eleven, over the CBS Television network on Friday evening, December 8th, 1961.

[Thanks to Beth in MA, John King Tarpinian, N, Steve Green, Cat Eldridge, JJ, Martin Morse Wooster, Carl Slaughter, Chip Hitchcock, Mike Kennedy, Steve Vertlieb, and Andrew Porter for some of these stories, Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Barkley — So Glad You (Didn’t) Ask: A Column of Unsolicited Opinions — #29

Avengers: Infinity War/A Film Review

By Chris M. Barkley:

Avengers: Infinity War (2018, ***1/2) with Robert Downey Jr., Chris Helmsworth, Mark Ruffalo, Chris Evans, Scarlett Johannson, Benedict Cumberbatch, Don Cheadle, Tom Holland, Chadwick Boseman, Paul Bettany, Elizabeth Olson, Anthony Mackie, Sebastian Stan, Danai Guria, Letitia Wright, Dave Bautista, Zoe Saldana, Chris Pratt and Josh Brolin. Screenplay by Christopher Markus and Stephen McFeely, based on The Avengers by Jack Kirby and Stan Lee, Directed by Anthony and Joe Russo.

Bechdel Test: Passes, in spades.

We’ve come a long way since we were first introduced to the cinematic version of Marvel Comic’s Tony Stark, the “billionaire genius playboy philanthropist”, the first protagonist of the Marvel’s movie universe. The success of the 2008 movie has spawned eighteen loosely interconnected sequels which culminate the ultimate Marvel extravaganza, Avengers: Infinity War, which premieres today.

This was the conflict that we have long-awaited since the tantalizing appearance of uber-villain Thanos in an extra scene at the end of the first Avengers film in 2012. He’s an alien with a very specific goal; obtaining the six mystical stones of Time, Mind, Reality, Power, Space and Soul, that when fitted into a specially designed gauntlet, to become the most powerful entity in the universe.

Although this story has already played out in a series of comics published in 1992, millions of movie fans are anxiously awaiting what screenwriters Christopher Markus and Stephen McFeely and co-directors Anthony and Joe Russo have in store for the twenty-two assembled heroes.

Looking back over the past decade’s worth of superhero films, Marvel Studios is clearly triumphant in every sense of the word, culturally, critically and especially financially. Despite their best efforts, the competition from DC Comic’s entries has only seen some marginal gains at the box office. Their next release, Aquaman, is scheduled far, far away from this weekend, which should see the record box office receipts either match or exceed the opening grossed of Marvel’s previous film, Black Panther.

And as all of this is unfolding, I cannot help but wonder if with this release, the superhero movie is approaching the apex of its popularity with the film going public. How can any studio, even Marvel, go any higher, keep up the esthetic pace and production values before it loses its audience and the whole enterprise collapses in on itself?

And the real question everyone should be asking is does Kevin Feige KNOW when these movies have reached a saturation point and go out on top? Speculation has been running rampant about which high-priced actors and/or characters character will die or survive the calamitous encounter with Thanos. Is there a calculated plan to keep the Marvel Cinematic Universe alive for another decade?

Needless to say, if Marvel keeps delivering films like Infinity War, it ‘s guaranteed that they’ll will be around for around for at least another decade.

As the film opens, Thanos and his enforcers have attacked and overrun the ship containing the survivors of the destruction of Asgard. Although a wounded Thor doesn’t know it at that moment, his brother Loki possesses the Space Stone (otherwise called “the Tesseract” in previous films).

Meanwhile, Thanos’s agents are on Earth seeking the Time Stone from Doctor Strange and the Mind Stone, which is resting in the forehead of one of the Avengers, The Vision. Wanda and Vision are ambushed in Scotland, Captain America, Black Widow and the Falcon arrive to help.

When alien craft land in Manhattan, Iron Man and Spider-Man swing into action. The Guardians of the Galaxy are drawn into the action when they rescue Thor and discover that Thanos has attacked the Nova Corps home base and has the Power Stone. Realizing that her step-father may be close to obtaining all six stones, Glamora makes a strange and compelling request of Peter Quill…

As these story threads are spun out on Earth and throughout the galaxy, other heroes and villains will be drawn together in a deadly game of pursuit and combat. And at the center of it all is Thanos, powerful, regal and seemingly omnipotent, he sees as the savior who must destroy half the universe in order to save. As portrayed in motion capture by Josh Brolin, he exudes a single-minded passion in his quest for genocide.

I must say that I have to admire the audaciousness and skill of the Russo brothers in making Infinity War. I have already heard some criticism regarding the story being too spread out and the short shrift some characters receive in the exposition of the story. My only comment as a long time reviewer and lifelong fan is that this movie could not have possible been executed any better and in any other way.

And believe me; nothing can prepare you for the ending of the movie. Prepare yourselves to be shocked, bewildered and dismayed. There is only one extra scene, a cryptic shot that takes place after all the credits have run. It provides a single ray of hope that may hold the key to salvation.

In the meantime, enjoy Ant-Man and the Wasp, which opens on July 6th.

If you can.

Pixel Scroll 4/11/18 Today’s Pixel Scroll Takes Place In An Alternate Universe Timeline!

(1) CITIZEN ROBOTS. Politico covers the latest legal uproar about robots:

Autonomous robots with humanlike, all-encompassing capabilities might still be decades away, but lawmakers, legal experts and manufacturers are already locked in a high-stakes debate about their legal status: whether it’s these machines or human beings who should bear ultimate responsibility for their actions. Last year, Luxembourgish MEP Mady Delvaux kicked a hornets’ nest when the Legal Affairs Committee suggested that self-learning robots could be granted some form of “electronic personality,” so they can be held liable for damage they cause if they go rogue….

No thanks: The opposition has galvanized. In a letter to the European Commission, seen by POLITICO, 156 artificial intelligence experts hailing from 14 European countries, including computer scientists, law professors and CEOs, warn that granting robots legal personhood would be “inappropriate” from a “legal and ethical perspective.” And as each side turns up the volume on its advocacy and lobbying, one thing is clear: Money is pouring into the field of robotics, and the debate is only set to turn louder.

See Janosch Delcker’s full story, “Europe divided over robot ‘personhood’”.

Think lawsuits involving humans are tricky? Try taking an intelligent robot to court.

While autonomous robots with humanlike, all-encompassing capabilities are still decades away, European lawmakers, legal experts and manufacturers are already locked in a high-stakes debate about their legal status: whether it’s these machines or human beings who should bear ultimate responsibility for their actions.

The battle goes back to a paragraph of text, buried deep in a European Parliament report from early 2017, which suggests that self-learning robots could be granted “electronic personalities.” Such a status could allow robots to be insured individually and be held liable for damages if they go rogue and start hurting people or damaging property.

Those pushing for such a legal change, including some manufacturers and their affiliates, say the proposal is common sense. Legal personhood would not make robots virtual people who can get married and benefit from human rights, they say; it would merely put them on par with corporations, which already have status as “legal persons,” and are treated as such by courts around the world.

This situation was anticipated decades ago by Alexis Gilliland’s character Corporate Skashkash in the Rosinante series.

(2) TOUGH SPOT. The commercial lives up to AdWeek’s promise: “This Film Festival’s Bleak, Intense Look Into the Future Will Leave You Feeling Frayed”.

As sure as the jacaranda trees bloom every spring in Southern California, the Newport Beach Film Festival launches a quirky, cinematic work of art to promote its weeklong event.

This year is no exception, with a beautiful and brutal 3-minute spot that looks like it could’ve been lifted directly from the mind of Ridley Scott. Instead, it’s the creation of director Jillian Martin, production company Untitled.tv and agency Garage Team Mazda in its first campaign for the festival.

“Quota: Who Made the Cut” centers on two beaten-down miners in space suits dangling by ropes from a massive, alien edifice, mining for crystal with hand drills and bad attitudes.

Are they the future’s exploited working class? Prisoners? They may be both. They’re certainly in competition with one another to find a mother lode of the precious substance and earn their way back home.

Their only respite from the bleak, oppressive scenario are VR memories from home now and again, which don’t so much provide the rest they need as remind them of the life they’re missing. Those vivid images they see in their fitful waking sleep—a lover with whip cream on a taut belly, for one—are both a tease and an incentive.

No wonder things get violent.

 

(3) SHIMMER PROGRAM. Steven H Silver’s SF Site News was first with the winners of the Shimmer Program’s stipends, Shi Ran (Sharon Shi) and Lin Jiayu (Mackenzie Lin), who each will get RMB 10,000 to attend and help staff Worldcon 76 in San Jose, California. Bios of the winners are available on Facebook at this link.

Mike Willmoth, Facilities DDH of Worldcon 76, and Yang Sumin, winner of Worldcon 75 Attending Funding & Media Event AH of Worldcon 75, worked as judges for the selection.

(4) JAMES PATRICK KELLY. Steven H Silver’s Black Gate series continues with “Birthday Reviews: James Patrick Kelly’s ‘Rat’”.

Kelly won the Hugo Award for his novelettes “Think Like a Dinosaur” and “1016 to 1.” His novella Burn won the Nebula Award as well as the Italia Award. His works have also been nominated for the Seiun Award, the Gaylactic Spectrum Award, the James Tiptree, Jr. Award, and the Theodore Sturgeon Memorial Award. He is the author most published in Asimov’s Science Fiction Magazine, with both fiction and a regular column appearing in the magazine.

(5) D’OH. This is the government’s best advice: “FCC On Hawaii’s Bogus Alert: Don’t Say ‘This Is Not A Drill’ During Drills”.

The Federal Communications Commission recommended on Tuesday that emergency workers drop the phrase “This is not a drill” when conducting emergency alert exercises.

A final report on a false missile alert, which left Hawaii residents fearing for their lives for 38 minutes, offered analysis on what went awry within the state’s emergency management agency and guidance on how to avoid more false warnings.

(6) PACIFIC RIMSHOT. The wheels on the jaeger go round and round…. “The World of Pacific Rim Uprising, A 360 Experience.”

(7) FOR TEN YEARS WE’VE BEEN ON OUR OWN. Marvel Cinematic Universe pays tribute to fans:

(8) FAMILY DRAMA. But it’s been a tough decade for Marvel’s iconic Stan Lee says The Hollywood Reporter: “Stan Lee Needs a Hero: Elder Abuse Claims and a Battle Over the Aging Marvel Creator”.

Back in early February, fighting what he later called “a little bout of pneumonia,” 95-year-old Stan Lee had an argument with his 67-year-old daughter, J.C. This was hardly unusual, but it seems to have been a breaking point.

The comic book legend — whose creative tenure at the helm of Marvel Comics beginning in New York in the early 1960s spawned Spider-Man, Black Panther and the X-Men and laid the foundation for superhero dominance in Hollywood that continues with the April 27 release of Avengers: Infinity War — sat in the office of his attorney Tom Lallas and signed a blistering declaration.

The Feb. 13 document, obtained by The Hollywood Reporter, begins with some background, explaining that Lee and his late wife had arranged a trust for their daughter because she had trouble supporting herself and often overspent. “It is not uncommon for J.C. to charge, in any given month, $20,000 to $40,000 on credit cards, sometimes more,” the document states. It goes on to describe how, when he and his daughter disagree — “which is often” — she “typically yells and screams at me and cries hysterically if I do not capitulate.”

Lee explains that J.C. will, “from time to time,” demand changes to her trust, including the transfer of properties into her name. He has resisted such changes, he states, because they “would greatly increase the likelihood of her greatest fear: that after my death, she will become homeless and destitute.”

(9) HOUSTON? This may not be what you remember when somebody mentions Apollo 13. Popular Science looks into the question: “Is a hot dog a sandwich? The Apollo 13 astronauts had some thoughts”.

During Apollo 13, Commander Jim Lovell settled the age old question of whether or not a hot dog is a sandwich in a communication with CAPCOM Joe Kerwin. Lovell did, however, screw up the question of “mustard or catsup” on a hot dog.

Jim Lovell (Commander): Hello Houston, Apollo 13.

Joe Kerwin (CAPCOM & Lead [White Team] Flight Director): Houston. Go ahead.

Lovell: Just a passing comment Joe, we’re having lunch right now and I just made myself a hot dog sandwich with catsup. Very tasty and almost unheard of in the old days.

Kerwin: That’s correct 13. As I recall the flight plan, you’re supposed to put mustard on the hot dogs and not catsup but I guess we’ll overlook that.

Jack Swigert (Command Module Pilot): We blew it.

Lovell: Right.

Kerwin: How’s everything going?

Lovell: About pretty good. We have about 4 different methods of spreading catsup, right now.

…but according to the book Apollo 13, co-written by the astronaut himself, the crew actually got quite a kick out of the frozen hot dogs, bouncing them off the walls of the cockpit.

The article has much more info about space cuisine, with the perhaps sad note that hot dogs are no longer on the menu for the International Space Station.

(10) ITS CUSTOMERS ARE PEOPLE! Gizmodo cheerful headline announces, “Good News, You Will Soon Be Able to Disrupt Eating Actual Food By Buying Soylent At Walmart”.

Per the Verge, Soylent’s maker Rosa Foods announced on Wednesday that it is bringing the signature brand of packaged, flavored sludge—which takes its name from the disheartening 1973 dystopian film Soylent Green, where it’s eventually revealed the product’s key ingredient is uh, “long pig”—to 450 Walmart stores across the country. Soylent CEO Bryan Crowley added in a statement that the move is “a significant step in providing more ways for consumers to get access to our brand,” expanding beyond its current placement in 7-Eleven stores.

[Thanks to JJ, John King Tarpinian, Steven H Silver, Chip Hitchcock, Mike Kennedy, Martin Morse Wooster, Cat Eldridge, Nicholas Whyte, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day JJ.]

Pixel Scroll 3/26/18 You Know How To Pixel, Don’t You Steve? You Just Put Your Files Together And Scroll

(1) BANKS WITH AND WITHOUT THE M. Abigail Nussbaum’s latest column for Lawyers, Guns & Money is “A Political History of the Future: Iain M. Banks”.

In this installment of A Political History of the Future, our series about how science fiction constructs the politics and economics of its future worlds, we discuss the late, great SF author Iain M. Banks, and specifically his Culture series.

Iain M. Banks died in 2013, and his last work of science fiction was published in 2012. In the context of this series, one might even argue that the last book Banks published that is relevant to our interests was Look to Windward (2000), or maybe The Algebraist (2004). There are, however, two reasons to go back to Banks in 2018. The first is that last summer, the University of Illinois Press’s Modern Masters of Science Fiction series (edited by Gary K. Wolfe), which produces short studies about important mid- and late-20th century science fiction authors, published what is to my knowledge the first complete critical study of Banks’s life and work. Iain M. Banks, by the Hugo-nominated British critic Paul Kincaid (by next week we will know whether he’s been nominated a second time for this volume), is both a biography of Banks’s life and his writing career, and an analysis of the themes running through his work. It is essential reading for any Banks fan.

(2) THIS SPACE NOT INTENTIONALLY LEFT BLANK. Farah Mendlesohn’s book about Heinlein now has a title.

One of the comments I’ve frequently made, is that in some ways I have been channelling the great man himself. Verbosity, intemperance, etc etc. But nowhere has this been truer than my inability to come up with a title. Heinlein had a terrible ear for titles. Most of his stories were titled by magazine editors, and most of his adult novels were titled by Virginia. His original title for Number of the Beast, for example, was The Panki-Barsoom Number of the Beast, or even just Panki-Barsoom.

So I did what Heinlein did and outsourced the problem, in this case to many friends on facebook.

And the title is…..

The Pleasant Profession of Robert A. Heinlein.

With a release date in March 2019.

(3) A WAY. In “Mountain and Forest” Nick Stember analyzes “the Tao of Ursula K. Le Guin.”

For science fiction fans, the fact that The Left-Hand of Darkness owes a debt of inspiration to Taoism is nothing new, of course. As early as 1974 Douglas Barbour was pointing out parallels in Le Guin’s earlier books in the Hainish cycle, and Le Guin herself said as much in  interviews. Perhaps more surprising is the fact that Le Guin’s last novel in the Hainish cycle, The Telling, was directly inspired by the Cultural Revolution:

I learned that Taoist religion, an ancient popular religion of vast complexity and a major element of Chinese culture, had been suppressed, wiped out, by Mao Tse-tung…In one generation, one psychopathic tyrant destroyed a tradition two thousand years old…And I knew nothing about it. The enormity of the event, and the enormity of my ignorance, left me stunned.

(4) SUSPICION. The authorities spent the day grilling two writers:

(5) DON’T BOTHER ME BOY. And yet they let this one go Scot-free! Richard Paolinelli, borrowing a page from Lou Antonelli’s book – the one printed on a thousand-sheet roll – tried to embroil Camestros Felapton with the Aussie cops:

(6) PRO TIP. This is the way professional writers handle feedback, says Cole McCade in “The Author’s Guide to Author/Reviewer Interactions”. Strangely enough, calling the cops isn’t on his list.

B-but…I read a bad review of my book!

Then stop reading your goddamn reviews.

…all right. Okay. I know you won’t. I still read my reviews sometimes, I just don’t talk about it. And I generally try to stay on the positive ones; they’re a good pick-me-up. Even those, though, I don’t talk about.

That’s the thing. You can read reviews all you want, but you can’t engage with them save for in very specific circumstances. Don’t like a review on GoodReads. Don’t flag it for removal unless it actually meets the guidelines, such as posting derogatory things about you as a person/author rather than reviewing the book. Don’t comment on the review. Don’t send your fans to comment on the review defending you. (I actually have a policy in my street team that anyone caught attacking negative reviewers gets booted from the group.) Don’t seek out tweets about your book and reply to them (particularly if you or the book aren’t mentioned by name; if you’re stalking reviewers on social media for the idlest sideways mention of your book, that’s fucking creepy and intrusive). If you happen to have friendly conversations with a reviewer, do not bring up their review or try to chat about it.

You know why?

Because reviews are not for you.

They’re for other readers.

(7) EXPLOITATION. At the SFWA Blog, John Walters is irate about “The Egregious Practice of Charging Reading Fees” – although his examples are from outside the sff field —

The sad state of affairs in the field of literary magazines is that a high percentage now charge reading fees. The amounts range from two dollars to five dollars or more, but the average is three dollars. They justify it in all sorts of ways. Some, to avoid the stigma of charging reading fees, call it a handling fee or a software fee. Evidently they haven’t heard that many email services are free. Some, even as they ask it of writers, say outright: This is not a reading fee. Yeah, right. As if calling it by another name makes it all better. Several sites explain that if you were to send the manuscripts by mail you would have to spend at least that much in postage, so send that postage money to them instead. Most modern magazines and anthologies are getting away from postal submissions anyway, both as a money saver and to protect the environment, so that argument doesn’t make any sense.

(8) BSFATUBE. The British Science Fiction Association’s publication Vector has branched out to producing YouTube videos. Here’s the first one:

Glasgow-based DJ Sophie Reilly, aka ‘Sofay’, talks about her love of science fiction and the connections that exist between some of her favourite records and novels such as Ursula Le Guin’s ‘The Left Hand of Darkness’ and Stanislaw Lem’s ‘Solaris’…

 

(9) CARRINGTON OBIT. Actress Debbie Lee Carrington has died at the age of 58:

She began her acting career in 1981, appearing in the Chevy Chase-starring comedy, Under the Rainbow. Later, Carrington landed a role in Return of the Jedi, famously playing the Ewok who consoles another Ewok that was blown up by a landmine. She ended up starring in The Ewok Adventure and Ewoks: Battle for Endor as Weechee, Wicket’s older brother. Carrington was also an advocate for the rights of people with disabilities in Hollywood and also had a degree in child psychology, which earned her much respect in the industry along with her giant body of work. Mike Quinn, who worked with Debbie Lee Carrington on Return of the Jedi, had this to say.

“So sad to hear of the passing of a fellow Return Of The Jedi performer Debbie Lee Carrington. She was an advocate for actors with disabilities and had a degree in child psychology. She had done so much, not only as an Ewok but was inside the costume for Howard The Duck, appeared in Total Recall, Grace & Frankie, Dexter, Captain Eo, the list goes on… Way too young. She was a real powerhouse! My condolences to all her family and friends at this time.”

(10) CAMERON OBIT. SF artist Martin G. “Bucky” Cameron died unexpectedly on March 26.

For over 35 years he worked as a professional artist. He was the first 3D artist at the Lucasfilm games division. Other game companies he worked for included NAMCO, Broderbund, and Spectrum Holobyte. He also did art for magazines including Analog and Penthouse, and for myriad companies.

His recent project was creating a shared Steampunk world with Robert E. Vardeman. The first issue came out in February.

MT Davis adds, “Martin was usually known as ‘Bucky’ at the Cons he attended and was part of the Sacramento/Bay Area Fan nexus that went into the computer Gaming industry as it rose in the late 80’s early 90’s. Very congenial and always cordial accepting of almost all.”

(11) TODAY’S YESTERDAY’S DAY

It’s Tolkien Reading Day!

Tolkien Reading Day is held on the 25th of March each year.

It has been organised by the Tolkien Society since 2003 to encourage fans to celebrate and promote the life and works of J.R.R. Tolkien by reading favourite passages. We particularly encourage schools, museums and libraries to host their own Tolkien Reading Day events.

Why 25 March?

The 25th of March is the date of the downfall of the Lord of the Rings (Sauron) and the fall of Barad-dûr. It’s as simple as that!

(12) TODAY IN HISTORY

  • March 26, 1985 Outer Limits was reincarnated for TV.
  • March 26, 1989 Quantum Leap made its TV premiere.
  • March 26, 2010 Hot Tub Time Machine appeared in theaters.

(13) TODAY’S BIRTHDAY BOY

  • Born March 26, 1931 – Leonard Nimoy

(14) TODAY’S BIRTHDAY VACCINE

On March 26, 65 years ago, Dr. Jonas Salk announced he had successfully tested a vaccine against polio. Look back at Dr. Salk’s achievement.

Alan Baumler comments, “If you are wondering ‘Who is the model for the heroic scientist who saves the world?’ as seen in thousands of SF stories, it is probably him.”

From the Wikipedia:

Author Jon Cohen noted, “Jonas Salk made scientists and journalists alike go goofy. As one of the only living scientists whose face was known the world over, Salk, in the public’s eye, had a superstar aura. Airplane pilots would announce that he was on board and passengers would burst into applause. Hotels routinely would upgrade him into their penthouse suites. A meal at a restaurant inevitably meant an interruption from an admirer, and scientists approached him with drop-jawed wonder as though some of the stardust might rub off.”

For the most part, however, Salk was “appalled at the demands on the public figure he has become and resentful of what he considers to be the invasion of his privacy”, wrote The New York Times, a few months after his vaccine announcement.

(15) CAPTAIN MY CAPTAIN. Not much about superhero movies has to make logical sense, but there’s an odd reason why this development does. Inverse reports that “‘Captain Marvel’ Will Bring Back Two ‘Guardians of the Galaxy’ Villains” who audiences have already seen killed off.

Captain Marvel may be the 22nd movie in the Marvel Cinematic Universe, but thanks to its Nineties setting, it’s chronologically the second film in the series, following Captain America’s World War II setting. That means that MCU characters who died in recent movies would still be alive during Captain Marvel’s time, and Marvel revealed on Monday that three somewhat unexpected deceased characters will be appearing in the upcoming film.

In a posting announcing the start of principal photography on Captain Marvel, starring Brie Larson as the titular hero, Marvel announced that Djimon Hounsou, Lee Pace, and Clark Gregg would all make appearances in the upcoming film. Hounsou and Pace played Guardians of the Galaxy villains Korath the Pursuer and Ronan the Accuser, respectively, while Gregg played the beloved Agent Coulson in the MCU’s Phase One (and continues to play the character on the TV show Agents of S.H.I.E.L.D.)

(16) OH BRAVE NEW WORD. Tor.com’s Emily Asher-Perrin investigates “What We Mean When We Call Something ‘Shakespearean’”.

It does seem a term that falls into two categories: (a) a term used to denote high quality, or (b) a term used to denote a certain type of story. Sometimes it is used to indicate both of these things at the same time. But we see it everywhere, and often reapplied past the point of meaning. When Marvel Studios released the first Thor film in 2011, it was heralded as Shakespearean. When Black Panther was released earlier this year, it was labeled the same. Why? In Thor, the characters are mythological figures who speak in slightly anachronistic dialects, and family drama is the three-dollar phrase of the hour. Black Panther also contains some elements of family drama, but it is primarily a story about royalty and history and heritage.

So what about any of this is Shakespearean?

(17) APOSTLE TO THE CURMUDGEONS. What do Ambrose Bierce and the fashion magazine Cosmo have in common? Doctor Strangemind’s Kim Huett says you might be surprised: “Ambrose Bierce Buries Jules Verne”.

In Cosmopolitan Magazine, Vol. XL No. 2, December 1905 [Bierce] reacted to what he considered to be a hagiographic response to the death of Jules Verne:

The death of Jules Verne several months ago is a continuing affliction, a sharper one than the illiterate can know, for they are spared many a fatiguing appreciation of his talent, suggested by the sad event. With few exceptions, these “appreciations,” as it is now the fashion of anthropolaters to call their devotional work, are devoid of knowledge, moderation and discrimination. They are all alike, too, in ascribing to their subject the highest powers of imagination and the profoundest scientific attainments. In respect of both these matters he was singularly deficient, but had in a notable degree that which enables one to make the most of such gifts and acquirements as one happens to have: a patient, painstaking diligence—what a man of genius has contemptuously, and not altogether fairly, called “mean industry.” Such as it was, Verne’s imagination obeyed him very well, performing the tasks set for it and never getting ahead of him—apres vous, monsieur. A most polite and considerate imagination, We are told with considerable iteration about his power of prophecy: in the “Nautilus,” for example, he foreshadows submarine navigation. Submarine navigation had for ages been a dream of inventors and writers; I dare say the Egyptians were familiar with it…

(18) STOKERS. The Horror Writers Association has posted video of the 2018 Bram Stoker Awards ceremony held at StokerCon in Providence, RI on March 3.

(19) ROBO PUNCHING. NPR’s Glen Weldon, in “‘Pacific Rim Uprising’ serves up another helping of mech and cheese”, holds a mock press conference:

REPORTER #1: … and then we clucked our tongues, the way we do, and sat there a while basking in our keenly developed aesthetic sense. Then we got to wondering who in the world would ever actually see it.

CRITIC: I mean … you shouldn’t.

REPORTER #1: So you agree. (Cluck.)

CRITIC: Do I agree that you shouldn’t see it? I very much do. I mean, listen to yourself. You expressly do not count yourself among the cohort of giant-robots-fight-giant-monsters potential filmgoers, safe to say. So clearly you shouldn’t see it. I mean … I would have thought that was obvious. Unless … I’m sorry, is someone forcing you to go see it? Are there armed gangs of street toughs employed by Universal Studios going house-to-house and frog-marching the hapless citizenry into Pacific Rim Uprising showings across this nation?

REPORTER #1: No. Look, I’m just sayi-

CRITIC: Yes, you are just saying, not asking, and I’m here to answer questions about the film Pacific Rim Uprising. This is not a forum for your smug condemnation of the fact that a given piece of popular culture is popular. This is a press conference, not Facebook. Security, kindly remove this person. Next question. Yes, you there….

Chip Hitchcock calls it, “Much kinder than the Boston Globe’s response: ‘If only they hadn’t made a movie that plays like a lost “Transformers” entry.’”

(20) RESISTANCE IS RUTILE. Got to love this. On Quora Nyk Dohne answers the question “Would a Borg Cube be any match for a Star Destroyer if the two ever met in battle?”

Here is what clearly will happen: The Borg beam over some scouts to investigate. Because the Death Star is so huge, let’s say it is only a few dozen scout Borg. Stormtroopers try to repulse them, and 2 Borg are killed before they adapt and become quite invulnerable. The Death Star predictably uses the superlaser to destroy the Borg Cube, which doesn’t have a chance to adapt because it is all over in one shot. Only a few components of the cube survive re-entry as they scatter and fall on the nearby forest moon; all the Borg humanoids are dead. All? Not quite: There are still a few dozen (-2) Borg on the Death Star. Those few dozen quickly begin Assimilating the Death Star and it’s crew. Because the Death Star is so huge, it takes a LONG time, but the Imperials are not known for the innovative tactics required to stop the onslaught. The battle lasts for months, but it is unstoppable. The Borg grows exponentially, despite reinforcements….

And Nyk goes on from there.

[Thanks to Mark Hepworth, Martin Morse Wooster, John King Tarpinian, MT Davis, JJ, Cat Eldridge, Chip Hitchcock, Alan Baumler, Michael Toman, Andrew Porter, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Jayn.]

Barkley — So Glad You (Didn’t) Ask: A Column of Unsolicited Opinions — #24

File 770’s Black History Month, Part One: Black Panther

By Chris M. Barkley:

Black Panther (2018, ****) with Chadwick Boseman, Michael B. Jordan, Lupita Nyong’o, Danai Gurira, Daniel Kaluuya, Angela Bassett, Winston Duke, Forest Whitaker, Andy Serkis and Martin Freeman. Written by Ryan Coogler and Joe Robert Cole, based on characters created by Jack Kirby and Stan Lee, Directed by Ryan Coogler.

Bechdel Test: PASS!!!!!

Ever since Marvel Studios first announced in 2014 it was developing a film version of the iconic black superhero, Black Panther, a great deal of hype and anticipation has surrounded its production. And now, I can tell you, without any hesitation, that this film has exceeded all my expectations.

Set shortly after the assassination of the King T’Chaka of Wakanda in Captain America: Civil War, heir apparent Prince T’Challa (a magnificently ripped Chadwick Boseman) is to be crowned the new King. But although T’Challa has trained and studied for this moment for a majority of his life, he feels as though he is unready and can never be the equal of his father.

T’Challa has bigger problems; the path to the crown does not go unchallenged. M’Baku (Winston Duke), the powerful leader of the agrarian northern tribe tries to depose him, a master criminal, Ulyssess Klaue (Andy Serkis) is at large peddling vibranium, the precious metal that fuels Wakanda’s existence and is distracted by his ex-lover by his concern over the safety of (Lupita Nyong’o), who spends most of her time outside the kingdom as a secret service agent.

But the sudden emergence of Erik Stevens (Michael B. Jordan), a previously unknown heir to the throne suddenly appears to pose the biggest threat to T’Challa and his kingdom. A trained killer, he aids Klaue’s activities and seeks to take Wakandan weapons and technology to “liberate” the oppressed minorities of the world in order to dominate the world for himself.

The Black Panther debuted June 1966 in Fantastic Four # 52 and 53 by Jack Kirby and Stan Lee. It is only natural to expect Marvel Comics, the innovative group of creators that gave us angst driven teenage heroes (Spider-Man and the X-Men) heroes and villains with anger issues (The Hulk, Namor, the Sub-Mariner and Doctor Doom) and physical disabilities (Daredevil) would bring the world the very first, true black superhero. I personally believe that they created the Black Panther out of their observations of the civil rights movement and seeing the potential of building bridges to the youthful African-American audience hungry for heroes they can identify with.

(In October of that year, Bobby Seale and Huey Newton created the influential revolutionary group, The Black Panthers for Self Defense as a reactionary counterpart of Martin Luther King’s non-violent movement. Neither man confirmed that the group was named after Marvel’s hero but just calling it merely a coincidence is a bit of stretch.)

I have had the privilege of watching the character of the Black Panther evolve over the decades to come to this particular moment in black cultural history.

There are several reasons why this particular film is important right now:

A) As the 17th film in the Marvel Cinematic Universe, writer-director Ryan Coogler has assembled of the largest and most diverse casts of black actors, both of American and international origins, in recent memory.

B) The story provides a different, but important slice of the Marvel Universe that many readers of comics were familiar with but most moviegoers were probably unaware of.

C) It also shows a fictionalized region of Africa that has never been colonized, despoiled or exploited by any outside forces, an idealized place where love of country goes hand in hand with advanced technology.

But beneath there are clearly cracks in Wakanda’s utopian vision here; much of the country’s internal success has come from a traditional intense sense of secrecy that does not allow any other points of view. When Erik “Killmonger” Stevens arrives to make his play for Wankandan crown, he finds a fertile ground to sow his nefarious plot. And what should be nagging in the back of every viewer’s mind is could there be a kernel of truth in what he’s seeking.

T’Challa may have a suit of vibranium and advanced weapons at his disposal but he knows he cannot prevail on his own. He is blessed with some serious backup; covert operator Nakia, the fearsome Okoye (Danai Gurira), the head of his all female special forces unit, his beloved mother Ramonda (Angela Bassett), a frenemy CIA agent Everett Ross (Martin Freeman) and his spunky and techno-genius sister Shuri (Letitia Wright) who steals practically every scene she’s in.

Ryan Coogler and co-writer Joe Robert Cole deserve an enormous amount of credit in balancing everyone’s role so the movie feels like a beautifully infectious fever dream of action, adventure and personal tragedy.

The advanced ticket sales of Black Panther have ensured its financial success, both here in America and overseas. But its cultural impact can only be measured by the number of new projects featuring racially and sexually diverse cast will made in the near future. I, along with you and many others, can only watch and wait.

ONWARD, WAKANDA!

Pixel Scroll 2/10/18 There Must Be Fifty Ways To Scroll Your Pixel

(1) STUDYING TOLKIEN. “The Past, Present, and Future of Tolkien Scholarship” conference will be held November 1-4, 2018 at Valparaiso University in Indiana.

This unique conference will examine the totality and comprehensiveness of Tolkien scholarship in three large groups:  the past (from the 1950s to the 2010s), the present (from the 2010s to the present), and the future (from the present to the next 20 years).  There will be four days of paper presentations, plenary speakers, discussions, film screenings, exhibits, book-signings, and music.…

The Call for Papers is out. Full details at the link.

The conference will be divided into three major days of conference papers:

  • Friday, November 2: The past of Tolkien scholarship

Plenary speaker:  Douglas A. Anderson

  • Saturday, November 3: The present of Tolkien scholarship

Plenary speaker:  Verlyn Flieger

  • Sunday, November 4: The future of Tolkien scholarship

A plenary panel discussion with Dr. Robin Reid, Dr. Dimitra Fimi, Dr. Andrew Higgins, and Dr. Brad Eden

Paper proposals on any topic or theme related to Tolkien scholarship are welcome.

(2) CTEIN AND CHTORR. David Gerrold, who has been foreshadowing good news for awhile, finally uncloaked some of the details:

I have contracts on three books. A novella section of one of those books (co-written with Ctein) will be appearing in the May/June issue of Asimov’s. I believe it is one of the better things I’ve been involved with.

The other two books are Chtorran novels and the final draft of one of them will be turned in by summer.

I have sold an option for a TV series based on one of my projects, and the option on another book was just (enthusiastically) renewed. I have also been approached to direct a film based on a favorite fantasy novel, I just finished my first rewrite of the script. (The first writer did a marvelous job of getting all the pieces on the board, my job was to energize them.)

(3) SUMMER OF ’42. Metafilter has a resource post for Retro-Hugo voters: “Some notable SF/F from 1942”.

Most of these texts are shown in the announcement video or have been discussed as possibilities in the F&SF forum or were previously selected as great SF stories of 1942 or have a record of anthologization at ISFDB. Their categorization by length derives from ISFDB also.

(4) SPECULATIVE MASCULINITIES. Galli Books has put out a call for submissions for its anthology Speculative Masculinities. Window closes April 15. Full details at the link.

Masculinity has, almost since the category of speculative fiction emerged in the early 20th century, been a concern of fiction written in the genre. A culturally dominant, Western, toxic form of masculinity has dominated storytelling in speculative fiction. In worlds as varied and diverse as the distant past of magical worlds and the far future of this one, models of maleness and masculinity tend to be the same toxic form of masculinity that dominates modern Western culture. We want to interrogate that model of masculinity, to problematise it, and to question it; we want to see other possible models of masculinity, models not centred on dominance and violence and repression of feelings; other role models for men. We are looking for fiction, essays and poetry which do this.

We are particularly looking for submissions from authors from marginalised identities and backgrounds, especially where those identities complicate the author’s relationship with masculinity, including but by no means limited to disabled writers, trans writers, and writers of colour.

(5) THIS WAY TO THE EGRESS. Bus stop 9-3/4?

(6) COMPOSER OBIT. Jóhann Jóhannsson (1969-2018): Icelandic composer, died 9 February, aged 48. Scores include Arrival (2016).

(7) GONE BUT NOT FORGOTTEN. Prozines of the past. Art by Tim Kirk.

(8) TODAY IN HISTORY

  • February 10, 1927 — Fritz Lang’s Metropolis premiered theatrically in his native Germany.

(9) TODAY’S BIRTHDAY BOY

  • Born February 10, 1906 — Creighton Tull Chaney, known by his stage name Lon Chaney Jr.

(10) COMICS SECTION.

  • John King Tarpinian saw Gort showing his rhythm at Bliss.
  • Chip Hitchcock says “He has a point” about this installment of Rhymes with Orange.

(11) WHAT WERE THEY THINKING? Yesterday’s Scroll included the class photo featuring 79 actors and filmmakers from across the Marvel Cinematic Universe. Now Unrolled thread from @UberKryptonian has done a humorous deconstruction that tells us the participants’ secret thoughts.

Has anyone really looked at the Marvel 10 year anniversary class photo? Because there is so much going on!

For example –

Chris Evans looks like he’s mad that he has to sit next to the man that tried to murder the love of his life!

(12) A SFF MOVIE LEADS THE PACK. The New York Times asks “How Did ‘The Shape of Water’ Become the Film to Beat at the Oscars?”.

This awards season has been all about hitting the zeitgeist, or at least that’s what the media, present company included, has been telling itself and you. Best picture nominees ought to tap into the #MeToo moment or, failing that, anxieties born in the age of Trump.

But is that narrative really true? And does it fully explain how a fairy tale about a janitor who hooks up with a fishman became the movie to beat?

The film, “The Shape of Water,” stars Sally Hawkins as a cleaning lady who falls for a merman held captive in a government lab, and leads the race with 13 Oscar nominations, more than any other movie. It has also scooped up key precursor awards that often culminate in Oscar gold — last weekend, the Directors Guild of America gave the filmmaker Guillermo del Toro its top prize, two weeks after the Producers Guild of America did the same.

(13) ANOTHER RED TESLA MEME. Randy’s Random has more to say about “Setting the Record”.

A 2010 Tesla Roadster achieves the highest speed and longest range of any electric car ever — and still going strong.

Plus, it can charge from solar.

The most amazing thing to me: it’s a real photo. It’s about time someone did something to capture the imagination of kids who are deciding what to be when they grow up. Engineering, science, technology, astrophysics — they have amazing opportunities.

If nothing else, the stereotype is proven true: red cars are the fastest!

(14) DEALING WITH THE BLUES. “Welcome to the Monkey House”? — “Blue Dye Kills Malaria Parasites — But There Is One Catch”.

It’s hard to imagine that a blue dye sold in pet food stores in the U.S. to fight fungal infections in tropical fish could be a potent weapon against malaria.

…Actually, the use of the dye to fight malaria is not quite as odd as it sounds. The blue dye in question, called methylene blue, is the oldest synthetic anti-malarial drug. A paper published in 1891 tells how two scientists successfully used it to treat a malaria patient.

But there was a catch.

“The treatment being followed by an intense blue coloring of the urine, and the faeces becoming blue on exposure to light, it is not very likely that methylene blue will be much used outside of hospitals,” reads an 1892 publication of the Proceedings of the American Pharmaceutical Association.

(15) HE LIKES IT. Black Panther reviewed by Mark Kermode on BBC Radio 5. Spoiler free review (as usual) from Mark, who seems to have really liked it.

Also Kermode on the attempt to game the Rotten Tomatoes audience score for Black Panther.

(16) SEATTLE FILM FEST. The 2018 “Science Fiction + Fantasy Short Film Festival” presented by MoPOP and SIFF will feature twenty short films from all over the world at Seattle’s historic Cinerama Theater on March 24. Tickets are now on sale.

The lineup is presented in two sessions of films with a 30-minute intermission and concludes with an awards ceremony.

SFFSFF brings together industry professionals in filmmaking and the genres of science fiction and fantasy to encourage and support new, creative additions to genre cinema arts. Admitted films are judged by a nationally recognized jury comprised of luminaries in the fields of science fiction and fantasy.

Session 1: Noon-2:00pm

  • FTL (dir. Adam Stern, Canada)
  • The Sea is Blue (dir. Vincent Peone, USA)
  • Everything & Everything &… (dir. Alberto Roldan, USA)
  • Cautionary Tales (dir. Christopher Barrett and Luke Taylor, UK)
  • After We Have Left Our Homes (dir. Marc Adamson, UK)
  • GEAR (dir. Kevin Adams and Joe Ksander, USA)
  • Niggun (dir. Yoni Salmon, Israel) – US Premiere
  • Fulfilament (dir. Rhiannon Evans, UK)
  • Voyage of the Galactic… (dir. Evan Mann, USA)
  • Dead Hearts (Stephen Martin, USA)

Session 2: 2:30pm–5:00pm

  • Time Chicken (dir. Nick Black, USA)
  • The Replacement (dir. Sean Miller, USA)
  • M.A.M.O.N. (dir. Alejandro Damiani, Uruguay/Mexico)
  • Die Lizenz (dir. Nora Fingscheidt, Germany/France) – US Premiere
  • Ghost Squad (dir. Kieran Sugrue, Australia)
  • Fizzy and Frank (dir. Randall McNair, USA)
  • Haskell (dir. James Allen Smith, USA)
  • Strange Beasts (dir. Magali Barbe, UK)
  • Jiminy (dir. Arthur Molard, France)
  • The Privates (dir. Dylan Allen, USA)

For more information including film synopses and director bios, visit MoPOP.org/SFFSFF.

(17) RETURN OF THE KESH. Wire Magazine says the record label Freedom to Spend will be reissuing Ursula K. Le Guin and Todd Barton’s 1985 recording Music And Poetry Of The Kesh in physical and digital formats on March 23 — “Music And Poetry Of The Kesh reissued on LP”.

Todd Barton and Ursula K Le Guin’s recording Music And Poetry Of The Kesh, originally released as a cassette accompanying Le Guin’s 1985 book Always Coming Home, will receive a long awaited reissue next month via Freedom To Spend. Part novel, part lengthy textbook, the publication tells the story of an invented Pacific Coast people called The Kesh and a woman called Stone Telling, weaving an anthropological narrative of folklore and fantasy. For its soundtrack, words and lyrics were put together by the late novelist while the sound was composed by Barton, an Oregon based musician and Buchla synthesist with whom Le Guin had worked on public radio projects….

Both Barton and Le Guin has started work on the reissue before the novelist’s death on 22 January of this year. Moe Bowstern, a writer and friend of Le Guin, wrote the sleevenotes for this new edition in which she explains that Barton had built and then taught himself to play several instruments of Le Guin’s design, among them ‘the seven-foot horn known to the Kesh as the Houmbúta and the Wéosai Medoud Teyahi bone flute.’”

Information on streaming and purchasing the recording is available at: http://smarturl.it/fts009

[Thanks to JJ, John King Tarpinian, Lise Andreasen, Steve Green, Lenore Jean Jones, Chip Hitchcock, Cat Eldridge, IanP, Mark Hepworth, Martin Morse Wooster, Rob Thornton, Carl Slaughter, Wobbu Palooza, and Andrew Porter for some of these stories, Title credit goes to File 770 contributing editor of the day Kip W.]

Pixel Scroll 2/9/18 Pixel, Pixel, Scrolling Bright, On The Servers Through The Night

(1) THE COURSE OF TRUE LOVE. Evil Mad Scientist has released downloadable “Evil Mad Scientist Valentines: 2018”.

This year’s set features parallel lines, friction, and activation energy:

What could be more romantic than telling someone that the second derivative of your potential energy is at its minimum when you’re around them?

Evil Mad Scientist has been doing this for awhile:

You can download the full set here, which includes all 36 designs from all six years (a 1.6 MB PDF document).

(2) WHERE APES HAVE GONE BEFORE. There will be a “50 Years of Planet of the Apes Exhibit and Film Retrospective” at the University of Southern California in LA through May 13.

The USC School of Cinematic Arts has partnered with 20th Century Fox Film to host an exclusive exhibit and retrospective celebrating the 50th anniversary of the Planet of the Apes franchise titled 50 Years of Planet of the Apes.

A vast collection of props, costumes, photos, posters and artwork from across all iterations of the longstanding franchise will be on display in the Hugh Hefner Exhibition Hall at USC this spring. The exhibit will be available to visit as a work-in-progress from January 26th – February 8th and all final displays will be open from February 9th through May 13th, 2018. A series of panels and screenings will complement the exhibit, including all feature films from the Planet of the Apes universe.

The exhibit is in conjunction with the 50th anniversary of the 1968 release of the first Planet of the Apes film, the original installment of the still expanding franchise that now includes four sequels, a TV series, an animated series, comic books, merchandise, and 20th Century Fox Film’s highly successful prequel film series Rise of the Planet of the Apes, Dawn of the Planet of the Apes, and War for the Planet of the Apes.

There is a schedule of associated film screenings at the link.

(3) ROOSTING. Watch the two Falcon Heavy boosters come booming back to Earth in this video at digg: “Seriously Cool Amateur Footage Of The Simultaneous Falcon Heavy Booster Landing”.

(4) ROASTING. Falcon Heavy’s third booster didn’t make it home intact: “SpaceX confirms it lost the center core of the Falcon Heavy”.

What’s more, it landed the two flanking boosters in perfect synchronized formation. But the fate of the core booster was unclear; now it appears that the center booster, which was supposed to land on a drone ship, was lost.

Elon Musk said on a conference call with reporters that the launch “seems to have gone as well as one could have hoped with the exception of center core. The center core obviously didn’t land on the drone ship” and he said that “we’re looking at the issue.” Musk says that the core ran out of propellant, which kept the core from being able to slow down as much as it needed for landing. Because of that, the core apparently hit the water at 300MPH, and it was about 100 meters from the ship. “It was enough to take out two thrusters and shower the deck with shrapnel,” Musk said. That should be worth seeing on video: “We have the video,” Musk confirmed, “it sounds like some pretty fun footage… if the cameras didn’t get blown up as well.”

(5) SFWA AUCTION. Steven H Silver tells about a SFWA fundraiser:

Did you miss our charity auctions in December? Good news! SFWA will be auctioning off five new items every month on Ebay. Available items in February include an autographed uncorrected proof copy of Fevre Dream by George RR Martin, uncorrected proof  13th Annual Year’s Best Fantasy and Horror (signed by Ellen Datlow), and a rare signed copy of This Island Earth by Raymond F. Jones.

The bidding began on February 5th and will run through February 12: Ebay.com/usr/sfwa65

All auction proceeds will be earmarked for the SFWA Givers Fund which is used to disperse grants to deserving applicants, along with bolstering the existing Emergency Medical (EMF) and Legal Funds.

For more information about our funds and what they support, please visit sfwa.org/donate. If you have items you would like to donate for future SFWA Charity Auction fundraisers, please contact Steven H Silver at steven.silver@sfwa.org for more information.

Use this search to find items.

(6) BOSKONE PROGRAM. Look forward to the panels and participants discussing “Black Science Fiction at Boskone”, February 16-18 in Boston.

This year Boskone features a program with a strong selection of panels and discussions dedicated to black science fiction authors, publishers, and fans. Our program includes everything from black publishers and Afrofuturism to works by authors such as Octavia Butler, science panels that include the future of medicine, writing discussions that tackle young adult fiction, and much, much more!

Here’s a quick list of some of our program items with an emphasis on black science fiction and the authors who will be joining us from across the country. For the full set of program items, view the Boskone 55 program….

(7) VOLCANO IN TOWSON. Scott Edelman’s Eating the Fantastic podcast visits with Norman Prentiss to sample the volcano shrimp at a Chinese restaurant in Towson, MD.

And who is this episode’s guest? Why, it’s Norman Prentiss, who won the 2010 Bram Stoker Award for Superior Achievement in Long Fiction for Invisible Fences, and the 2009 Stoker for Superior Achievement in Short Fiction for “In the Porches of My Ears.” His powerful, personal fiction has been reprinted in both Best Horror of the Year and The Year’s Best Dark Fantasy and Horror, and his poetry has appeared in Writer Online, Southern Poetry Review, and A Sea of Alone: Poems for Alfred Hitchcock.

 

Norman Prentiss

We discussed the day he wowed the other kids on his school playground by reading them Edgar Allan Poe’s “The Tell-Tale Heart,” the movies a Catholic Church newsletter’s warnings made him want to see even more, the supernatural superhero comic that led to a lawsuit against Harlan Ellison, the upside and (surprising) downside of having won a $35,000 college writing prize, how the freebies he got at a Horrorfind convention goosed him to start writing fiction again, why he wrote the last part of his novel Odd Adventures with Your Other Father first, how he’s been able to collaborate with other authors without killing them, what can be taught about writing and what can only be learned, why he ended up writing horror instead of science fiction, and much, much more.

(8) WONDER ANNUAL POWERS, ACTIVATE! Rich Horton announced the contents of
The Year’s Best Science Fiction and Fantasy, 2018 Edition so Jason went to work at Featured Futures and finished his “Collated Contents of the Big Year’s Bests (2017 Stories, with Links!)”

Last year, I collated and linked to the webzine stories picked by Clarke, Dozois, Horton, and Strahan for their annuals. This year, I’ve collated all the selections. (I’ve also noted whether I’ve read them and, if so, whether they got an honorable mention, a recommendation, or were recommendations which made my Web’s Best Science Fiction or Web’s Best Fantasy.)

(9) TODAY’S BIRTHDAYS

  • Born February 9, 1960 – Laura Frankos

(10) FRANKOS. Steven H Silver celebrated Frankos at Black Gate with “Birthday Reviews: Laura Frankos’s ‘A Late Symmer Night’s Battle’”.

… When a follow-up attack of reremice occur, the fairies must question what they are fighting for and what makes a race worthwhile. While Frankos could have told the story with tremendous amounts of gravitas, the venue for its publication was looking for more lighthearted fare and she managed to deliver, sprinkling her tale with wonderful puns….

(11) TODAY’S BIRTHDAY UNIVERSE. The BBC has the snapshot: “Marvel Cinematic Universe celebrates its 10th birthday with an epic cast photo”.

Over the past decade Marvel has brought us 18 films, starting with Iron Man in 2008 and including Thor, The Avengers and Captain America.

The class photo of 76 actors appeared on Twitter on Thursday.

It includes major players in the films like Robert Downey Jr, Vin Diesel, Scarlett Johansson and Letitia Wright.

The picture was shortly followed by a behind the scenes video.

It begins with Thor’s Chris Hemsworth saying: “It was sort of like being at the Academy Awards or something, every person had been in one or all of my favourite films.”

 

(12) COMICS SECTION.

  • Mike Kennedy asks, “Is Gumby genre? Perhaps so…” — The Flying McCoys.
  • And Mike learned from  Basic Instructions, “If you wish to be an evil Emperor, do not waste time taunting your nemesis. Especially in falsetto.”
  • Cath found another cat/book/humor connection in today’s Breaking Cat News.
  • Cath also knows I need proofreading advice —

(13) YOUTH WANTS TO KNOW. Is the work of comic book colorists inherently apolitical?

(14) MORE ON ACKERMAN. Adam-Troy Castro heard about Forrest J Ackerman’s behavior in 1997:

Yes, I knew about Forry Ackerman twenty years ago.

I was part of the committee that gave him the Bram Stoker Lifetime Achievement Award. I need you to know that I was outvoted. We were giving two awards that year and the Ackerman partisans were given what they wanted in order for those who were against the citation to be given what they wanted. Even so, the hell that went on behind the scenes was intense and lasted for months after the official announcement was made. But yes, one of the things that came up during the hellish brouhaha that followed was that he had, quote, “a house full of child pornography.”

The months of invective that went on, back and forth, behind the scenes, amounted to the worst period of my writing career….

(15) WET WORK. Beneath the waters of the Gulf: “Long-Buried Ice Age Forest Offers Climate Change Clues”.

Scientists say it’s a remarkable discovery.

“The underwater forest is like the Garden of Eden underwater,” says Christine DeLong, a paleo-climatologist at Louisiana State University. She says tests date the forest to be between 50,000 and 70,000 years old.

“It’s a huge deal,” DeLong says. “Because here we have this like perfectly preserved time capsule of an ice age forest.”

(16) LIGHTEN UP. Thanks to French scientists and a NASA probe, “Secrets of solar flares are unlocked”.

Flares can occur on their own, or be accompanied by powerful eruptions of plasma (charged gas) from the Sun.

If charged particles from these eruptions reach Earth, they can create havoc with infrastructure, such as satellite systems and power grids.

Now, researchers in France say the interaction of distinct magnetic structures controls these outbursts from our star.

Generally speaking, solar eruptions are caused by a sudden, violent rearrangement of the Sun’s magnetic field.

At a deeper level, the process is controlled by two types of structures that form in the magnetic field of the Sun: ropes and cages.

The rope is confined within the magnetic cage. If the cage is strong, it can contain the rope’s contortions, but when the cage is weak, an eruption can take place.

(17) WATER SIGN. Sydney has a unique solution to trucks trying to get into tunnels they’re too tall for: a water wall as a screen for a giant projected STOP sign. (Video at the link.) “That will stop them in their tracks! Virtual barrier made from curtain of water halts lorries from driving through too small tunnels”.

They had tried flashing signs, neon signs and staggered signs.

But when lorry drivers continued to keep on driving their over-sized trucks though low tunnels, Australian authorities took the extreme measure of warning drivers with water signs.

Drivers are greeted with a curtain of water falling from the entrance of tunnels with a huge ‘stop’ sign projected on to them….

Laservision said that the Sydney Harbour Tunnel has experienced more than 10,000 incidents of vehicles hitting the structure since it opened.

The damage caused by too large vehicles crashing into the overhead of the tunnel affected up to 12,000 motorists at peak time, the company said.

There’s also this TV clip of the sign in action –

And the manufacturer’s writeup: “Activated 8 times in 8 weeks, with 100% success!”

(18) BUGEYED. “What Scientists Learned From Putting 3-D Glasses on Praying Mantises”: The Atlantic has the story.

One might assume that any animal with two forward-facing eyes would automatically have stereopsis, but that’s not true. It’s a sophisticated skill that requires a lot of processing power and a complex network of neurons—one that not every animal can afford to build. Indeed, after stereopsis was first confirmed in humans in 1838, it took 132 years for scientists to show that other species had the same ability. Macaque monkeys were the first confirmed member of the stereopsis club, but they were soon joined by cats, horses, sheep, owls, falcons, toads—and praying mantises. In the 1980s, Samuel Rossel placed prisms in front of these insects to show that they do triangulate the images from both eyes to catch their prey.

When Jenny Read, from Newcastle University, first read about this, she was amazed. How could an insect pull off such a complicated trick with a brain that contains just 1 million neurons? (For comparison, our brains have 100,000 times that number.) To find out, she and Nityananda set up their mantis 3-D cinemas….

They presented the insects with screens full of black and white dots, with a slightly different pattern projected to each eye. Against these backgrounds, a small circle of dots—a target—would slowly spiral inward from the outside. “It’s meant to be like a little beetle moving against a background,” says Read.

By tweaking the dots, the team could change how far away this target would appear to the watching mantises. And they found that the insects would start to attack the target when it seemed to get within striking distance. Clearly, the insects have stereopsis.

But their stereopsis is not our stereopsis. We use brightness as a cue to align and compare the images that are perceived by our two eyes. Scientists can confirm this by presenting one eye with an image that’s a negative of the other—that has black dots where the other has white ones, and vice versa. “For us, that’s incredibly disruptive. We really can’t match up the images anymore, so our stereopsis falls apart,” says Read. “But the mantises are completely unfazed.” Brightness clearly doesn’t matter to them.

(19) THUMBRUNNERS. I’m not sure “parts is parts” when they’re human — “Special Report: U.S. body brokers supply world with torsos, limbs and heads”.

Demand for body parts from America — torsos, knees and heads — is high in countries where religious traditions or laws prohibit the dissection of the dead. Unlike many developed nations, the United States largely does not regulate the sale of donated body parts, allowing entrepreneurs such as MedCure to expand exports rapidly during the last decade.

No other nation has an industry that can provide as convenient and reliable a supply of body parts.

(Larry Niven once said he preferred Alexei Panshin’s “thumbrunners,” but having been beaten to the term, he’d come up with his alternative, “organleggers.”)

(20) SPACE MOUNTAIN. You get a glimpse inside the illusion created by a popular Disneyland attraction in this Orange County Register piece: “Space Mountain fan gets the roller coaster’s 87-year-old designer to ride it one last time at Disneyland”

How fast do you think you’re traveling when you’re in the rockets on Space Mountain?

Think of the speed of a car on the freeway. Is Space Mountain faster than that? Slower? Is it 100 miles per hour, like Bill Watkins has heard people telling each other?

Watkins contemplated the speed question for years in the early- to mid-1970s. He built his first Space Mountain at Walt Disney World in Florida. But it was bigger – a 300-ft. circle on two tracks. When the Disneyland Space Mountain opened in 1977, Watkins had completed what he always saw as a giant math problem.

Space Mountain is a gravity coaster. Unlike the Matterhorn, which relies on thrusters to help move its vehicles forward, Space Mountain simply starts up and goes down. Technically, it’s 75 seconds of free fall.

At its maximum speed (which can vary slightly depending on the combined weight of the riders) the car you’re riding in Space Mountain is traveling about 40 feet per second.

That’s 27.27 miles per hour.

That seems really slow.

But Watkins somehow made it just right. More than 250 million people have ridden Space Mountain since it opened. And while it’s unclear if it’s the best – Disneyland’s public relations department would only say that Space Mountain is, according to guests, “a top 10 attraction” – how many are better?

It is certainly arguable that Bill Watkins created the most popular roller coaster of all time.

“I seldom meet anyone who hasn’t ridden it,” he said.

(21) BEST PRO ARTIST RESOURCE. Rocket Stack Rank’s  “2018 Professional Artists” page is designed —

To help people make nominations for the 2018 Hugo Award for Best Professional Artist, we have set up a “lightbox” system to let fans quickly flip through the works of over 113 artists listed below and to set aside the ones they particularly liked.

Greg Hullender says —

This is aimed at helping people pick artists to nominate, based on covers for magazines and for books containing original novels or anthologies. We don’t have pictures for reprints.

Where possible, we have links to the artists’ portfolios, so readers can get a broader idea of any particular artist’s work. To simplify that a bit, for eligible artists who had just a few works published in 2017 we’ve padded their list of pictures with their art from earlier years. (They’re marked by date for the benefit of those who only want to see works published in 2017.)

(22) ROBOTECH RETURNS. Titan Comics will publish a new graphic novel based on the classic Robotech saga.

A mysterious ship crashes on a remote island… 10 years later, the ship’s ‘Robotechnology’ has helped humanity advance its own tech. But danger looms from the skies and an epic adventure is set to begin…

The world-famous, fan-favorite animated epic returns to comics with a classic transforming-jetfighters-versus-giant-aliens adventure! Written by Brian Wood (Star Wars, Briggs Land, X-Men), with art from Marco Turini (Assassin’s Creed) and colorist Marco Lesko! Return to the fan-favorite Macross Saga that began the classic Robotech franchise, as hotshot Veritech pilot Roy Fokker and skilled rookie Rick Hunter are pulled into an intergalactic war when the Earth is invaded by the insidious Zentraedi! Whether you’ve seen the classic cartoon to the point you can quote every episode, or whether you’ve never experienced Robotech before, this graphic novel collection is for you!

 

[Thanks to JJ, Martin Morse Wooster, Cat Eldridge, John King Tarpinian, Scott Edelman, Mike Kennedy, Chip Hitchcock, Cath, Andrew Porter, Will R., David K.M. Klaus, and Carl Slaughter for some of these stories. Title credit belongs to File 770 contributing editor of the day evilrooster.]

Marvel and DC Roundup

Compiled by Carl Slaughter:

MARVEL

(1) Dark Phoenix  –  first photo — “X-Men: Dark Phoenix heats up EW’s First Look Issue”.

This Phoenix has risen… again. On Nov. 2, 2018, Dark Phoenix will arrive in theaters and finally deliver the storyline X-Men fans have wanted for years. Simon Kinberg previously attempted to tell the iconic Jean Grey tale — about the telepath’s battle with demons in her own mind — with his screenplay for 2006’s X-Men: The Last Stand, but studio pressure squeezed her story into a reductive subplot. Kinberg, making his directorial debut, felt in his gut that this was the story that he needed to tell once Bryan Singer, who directed the previous two sequels, stepped aside. “[The film] was so clear in my head, emotionally and visually, that it would have killed me to hand this to somebody else to direct,” Kinberg says

(2) ScreenRant “15 Things Agents of S.H.I.E.L.D. Wants You To Forget About”.

As Marvel’s Agents of S.H.I.E.L.D. airs its fifth season, there are certainly some loose hanging threads left behind by previous seasons. But some of those loose ends go all the way back to season one, which means that those are probably plots and characters the series just wishes fans would forget.

However, fans are notoriously good at remembering many smaller details of their favorite shows. That means we still have a lot of questions about what happened to those hanging plot threads that sort of got tossed to the wayside. It’s bad enough that two characters, Bobbi and Lance got forced to leave the show for Marvel’s Most Wanted, a series that never made it to air. But it’s also even worst that never really said goodbye to Agent Grant Ward after he became a good guy in the Framework. And it’s just sad that Ian Quinn is still out there somewhere doing bad Hydra things. Also, there were a lot of Daisy LMDs running around: surely they’re still out there somewhere ready to create chaos?

Perhaps some of these questions will get answered in season five. But most of these will probably keep hanging in the ether as questions that will never get answered.

(3) CinemaBlend reports another round with Peggy Carter — “Check Out Hayley Atwell’s Return As Peggy Carter For Marvel’s Avengers: Secret Wars”.

Ever since Agent Carter left the air, fans of both the character and actress Hayley Atwell have been hoping Marvel would bring Peggy Carter back into the action on a more consistent basis. While the world continues to speculate on whether or not the actress will appear in Avengers: Infinity War, Atwell fans can definitely witness her return as Peggy in animated form on a new episode of Marvel’s Avengers: Secret Wars.

(4) WhatCulture: Predicting the fate of every Avenger in Infinity War

(5) ScreenRant says Marvel has the rights to 7000 characters:

Marvel Studios may not own the film rights to the X-Men or Fantastic Four, but they have thousands of other characters that could one day come to theaters. The story of Marvel Studios’ film and TV rights is a long and complex one, but the comics giant has been slowly regaining them over the years. By now, most of Marvel’s heroes and villains are under their roof save Fox’s ownership of various X-Men and Fantastic Four characters. There’s also Sony’s Spider-Man pantheon, though that’s become a bit of a gray area due to recent events.

Despite some major characters not being able to show up in the MCU, Marvel Studios has done a masterful job of elevating a roster of heroes and villains to household names. And given their working relationship with both Sony and Fox, a uniting of the entire Marvel Universe doesn’t seem unlikely. In the meantime, however, Marvel are gearing up for a team-up film like no other in Avengers: Infinity War. It’s sequel, Avengers 4, will then wrap up the current iteration of the MCU—and kick off a new era of films.

(6) “35 Avengers Characters Unite For Vanity Fair Infinity War Cover”Click through to see.

DC

(1) WhatCulture: 5 ways Justice League ruined its best characters

(2) Grunge: Why DC changed the way its characters look

(3) Cosmonaut  Variety Hour tells the problem with DC superheroes

(4) ScreenRant says The DC Movie Universe is Worse Without Zack Snyder

For those who felt that Zack Snyder was always the problem, not simply for his tone, but his entire method of storytelling, Justice League seemed the perfect chance to prove it. Considering the reactions to Justice League‘s ‘Frankenstein-ed’ identity (and some woeful CG mishaps), the problem was never that simple. And for the fans demanding Snyder’s version of Justice League be released, the movie that was supposed to jumpstart DC using Snyder’s successes has crushed it into the dust.

(5) ScreenRant opines about 8 Villains The Arrowverse Failed At Adapting (And 7 They Nailed)

The Arrowverse, which began with Arrow almost 6 years ago and has grown with The Flash, Legends of Tomorrow, and most recently Supergirl, has already seen a number of very successful crossovers and though its cast of characters is immense, it actually follows through on the promise of individual programs’ events having consequences throughout the universe.

Having said that, some of the villains they’ve attempted to adapt from the comics have been less than stellar. While it’s understandable that over multiple series some villainous interpretations are bound to fall short, there have been surprise successes as well

(6) ScreenRant says Arrow needs more female characters:.

Supergirlwhich has always been the most female-centric of the CW’s universe, continues to put its female characters front and center. Beyond the superheros and villains, though, Supergirl has also been focusing on female friendships this season. Kara (Melissa Benoist) and Lena (Katie McGrath) continue to develop their relationship, while also bringing newcomer Samantha (Odette Annable) into the fold. Along with Kara’s sister Alex (Chyler Leigh), they form a group that supports each other in a wonderful way. Legends of Tomorrow continues to add new female heroes to the team with Zari (Tala Ashe) bonding (slowly) with Amaya (Maisie Richardson-Sellers) while Sara (Caity Lotz) heads up the team as Captain. And The Flash pulled out all the stops in recent weeks to address the friendship between Iris (Candice Patton) and Caitlin (Danielle Panabaker). Finally, Joe’s (Jesse L Martin) new fiancee Cecile (Danielle Nicolet) and Cisco’s (Carlos Valdes) girlfriend Gypsy (Jessica Camacho) round out the women of Team Flash.

But where the rest of the Arrowverse is killing it, the one that spawned it all seems to be falling down. Arrow has fewer female main characters than ever, and no female friendships appear this season. What’s gone wrong with the women of Arrow, and how can they get back on track?