Lauren Raye Snow is a designer, illustrator, and arts activist from South Texas. During the course of her career, she has served as Creative Director for multiple nonprofits and mission-driven campaigns. Snow’s professional website is Raye Draws. She was a Mexicanx Intiative selectee and attended WorldCon 76 in San Jose (August 2018). She wrote the statement presented by the group (quoted below). She also attended Dublin 2019. She is currently Art Director for the Science Fiction and Fantasy Writers of America (SFWA). She will be the first Latinx to serve as a Worldcon Vice Chair.
Smith, who volunteered at her first Worldcon, Interaction (Glasgow, 2005) is now part of the Glasgow in 2024 Worldcon bid, hoping to bring the city its third Worldcon. She was on the Valley Forge in 2017 NASfiC bid committee, worked on the Worldcon’s YA Award Study Committee, and received a CanSMOF scholarship to attend SMOFcon 36 (2018). She joined the Dublin 2019 Worldcon team in 2016 as a volunteer, was soon advanced to Deputy Division head and then onto Division Head for Promotions. She served as WSFS Deputy Division Head for ConZealand in 2020. At this year’s Eastercon, Smith was a participant on the “Managing the Crisis” panel about how to manage con-related crises in an age of instantaneous, fast-moving social media.
“We are fortunate to have Marguerite and Lauren as Vice Chairs. Marguerite will be responsible for the mechanical aspects of the convention, such as logistics and back of house operations, and Lauren will focus on the aesthetics and everything in the front of house,” said Mary Robinette Kowal, Chair of DisCon III. “They each bring a unique set of talents and skills that will help make DisCon III a success.”
DisCon III will be held at the Omni Shoreham Hotel in Washington, DC, on December 15-19, 2021.
(1) FUTURE TENSE. The July 2021 entry in the Future Tense Fiction series is Justina Ireland’s “Collateral Damage”, about how an Army platoon responds when an experimental military robot is embedded with it.
…Unit 10003 interacted with assigned platoon during physical training and assisted in small tasks. Complete recordings are now available for download. Morale of assigned unit is high and no hostility was experienced. ENTRY COMPLETE…
…The development of the Greek phalanx helped protect soldiers from cavalry, the deployment of English longbows helped stymie large formations of enemy soldiers, new construction methods changed the shape of fortifications, line infantry helped European formations take advantage of firearms, and anti-aircraft cannons helped protect against incoming enemy aircraft. The technological revolution of warfare has not stopped, and today, robotics on the battlefield—through the use of drones, automated turrets, or the remote-controlled Flir PackBot—have made appearances in the most recent conflicts….
(2) BOUCHERCON CANCELLED. The 2021 Bouchercon, a convention for mystery fans that was scheduled to be held this month in New Orleans, has been cancelled by the organizers. Members received an email explaining the decision (which has not yet been published). Writers commenting on Facebook pointed to Louisiana’s COVID spike, The con will be held in the city in 2025, instead. The Anthony Awards are still happening and details of the online/virtual awards ceremony will be coming soon.
(3) LONGYEAR ACCEPTANCE SPEECH. Barry B. Longyear invites Facebook readers to hear his Prometheus Award acceptance speech via Zoom on August 21, followed by a panel discussion “SF, Liberty, Alternative Publishing Trends and the Prometheus Awards” hosted by LFS and sponsored by Reason Magazine. The Zoom event will take place 3:00-4:30 PM EDT on August 21 and it is open to the public. This is the Zoom event link.
(4) FLASH FICTION ROUNDUP. Space Cowboy Books in Joshua Tree, CA presents “An evening of Flash Science Fiction with stories by Christopher Ruocchio, Brent A. Harris and David Brin” on August 10 at 6:00 p.m Pacific. Register for the free Zoom event here.
A blue plaque has gone up in Withernsea to mark the time Lord of the Rings author JRR Tolkien and his wife spent there when he was a soldier during World War One.
The Lifeboat Café, where it has gone up, occupies the site of 76 Queen Street, where Tolkien’s wife Edith lodged in 1917, while he was stationed at nearby Thirtle Bridge Camp, three miles away, for a time as commander of the Humber Garrison, which was tasked with protecting the coast from invasion.
Tolkien, who was recovering from trench fever which he’d picked up in France, had not yet been published
…The plaque, funded by wellwishers, was organised by Phil Mathison, the author of Tolkien in East Yorkshire 1917-1918.
Two others have been installed at the Dennison Centre in Hull, which was Brooklands Hospital during the First World war, and in Hornsea, where his wife stayed at 1 Bank Terrace.
(6) KISWAHILI SF PRIZE. The Nyabola Prize for Science Fiction was announced earlier this year, inviting writers between the ages of 18 and 35 to submit sci-fi and speculative fiction in the Kiswahili language. Over 140 million people speak Kiswahili in Eastern and Southern Africa and it is the most widely spoken African language in the world. The deadline to enter was May 31. Read the March 24 announcement here. It offers $1,000 to the first place winner, and $500 and $250 to the second and third place winners. The top ten stories will be published in an anthology.
…Mokoma adds that fostering science fiction in African languages changes the narrative that African languages cannot accommodate scientific discourse:
“There is also the idea that African languages are social languages, emotive and cannot carry science. Most definitely not true. All languages can convey the most complex ideas but we have to let them. There is something beautiful about African languages carrying science, fictionalised of course, into imagined futures.”
There’s a difference between a con-artist and a grifter. A con-artist is just a gabby mugger, and when they vanish with your money, you know you’ve been robbed.
A grifter, on the other hand, is someone who can work the law to declare your stuff to be their stuff, which makes you a lawless cur because your pockets are stuffed full of their money and merely handing it over is the least you can do to make up for your sin.
IP trolls are grifters, not con artists, and that’s by design, a feature of the construction of copyright and trademark law.
Progressives may rail at the term “IP” for its imprecision, but truly, it has a very precise meaning: “‘IP’ is any law that lets me control the conduct of my customers, competitors and critics, such that they must arrange their affairs to my benefit.”…
(8) TALKING ABOUT PIRANESI. Susanna Clarke will discuss her Hugo-nominated and Kitschie-winning book Piranesi with Neil Gaiman in a free (or pay-what-you-can) online event September 2 at 11:30 a.m. Pacific. Get tickets here.
Step into the extraordinary and mysterious world of Sunday Times and New York Times bestselling author Susanna Clarke as she discusses her spectacular novel, Piranesi, with the one and only Neil Gaiman live and online exclusively for 5×15. Join us for what promises to be an unmissable conversation between two of our best loved, most powerfully imaginative writers.
(9) THE BOOK OF VAUGHN. Boing Boing reports there’s a “Vaughn Bode documentary in the works”. [Note: The line over the “e” in his name is not shown here because WordPress doesn’t support the character.]
…Those cartoons were basically 25-minute toy ads and I knew that even as a kid (especially since the commercial breaks helpfully ran ads for the very same toys). Nonetheless, I loved them. They also had a big influence on me – how big I wouldn’t realise until many years later. And I’m far from the only one. Look at how many reboots, reimaginationings, live action versions, etc… of 1980s kid cartoons there have been in recent years. For example, right now Snake Eyes, a pretty neat looking movie based on the ninja character from G.I. Joe, is in the theatres. They may only have been glorified toy commercials, but those cartoons influenced a whole generation and have outlasted many of the more serious and wholesome media of the same era. At any rate, I don’t see a big screen Löwenzahn reboot anywhere. As for wholesome and educational cartoons, how wholesome and educational does Fat Albert and the Cosby Kids look now, knowing what we know about Bill Cosby?…
(11) THREE COSTUMERS PASS AWAY. The International Costumers Guild has announced the deaths of three veteran masqueraders in recent days.
Rinzler had a prodigious career as a bestselling author of cinematic history books about Star Wars, Indiana Jones, and other 20th century blockbuster films. He joined Lucasfilm in 2001 and became the executive editor of its publishing arm, Lucasbooks. Over 15 years, he authored an extensive body of Star Wars-related publications, including The Making of Star Wars (a New York Times bestseller), The Making of The Empire Strikes Back, The Making of Return of the Jedi, Star Wars: The Blueprints, and The Sounds of Star Wars.
… In addition to his multiple books about the Star Wars and Indiana Jones franchises, he wrote The Making of Aliens, The Making of Planet of the Apes, The Making of Stanley Kubrick’s The Shining, and Howard Kazanjian: A Producer’s Life.
…In addition to his nonfiction works, Rinzler wrote two novels, the No. 1 best-selling graphic novel The Star Wars, which he co-authored with artist Mike Mayhew, and his recent space history novel All Up…
Mary Robinette Kowal added this note to the announcement:
(13) MEMORY LANE.
1972 – Forty-nine years ago at L.A.Con 1, Poul Anderson win the Best Novella Hugo for “The Queen of Air and Darkness”. (It was his fourth Hugo. All of his Hugo wins would be in the non-Novel categories.) Other nominated works “A Meeting with Medusa” by Arthur C. Clarke, “The Fourth Profession” by Larry Niven, “Dread Empire” by John Brunner and “A Special Kind of Morning” by Gardner R. Dozois. It would also win a Locus Award for Short Fiction and a Nebula Award for a Novelette. (One work, three different categories.) It’s available, not surprisingly, in The Queen of Air and Darkness: Volume Two of the Short Fiction of Poul Anderson which is available from the usual suspects.
(14) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born August 4, 1923 — Paul Schneider. He wrote scripts for the original Star Trek, Star Trek: The Animated Series, The Starlost, The Six Million Dollar Man, and Buck Rogers in the 25th Century. He’s best remembered for two episodes of the original Trek series: “Balance of Terror” and “The Squire of Gothos.” “Balance of Terror,” of course, introduced the Romulans. (Died 2008.)
Born August 4, 1937 — David Bedford. Composer who worked with Ursula K. Le Guin to produce and score her Rigel 9 album which the Encyclopedia of Science Fiction says is “a work that is musically pleasant although narratively underpowered.” I’ve not heard it, so cannot say how accurate this opinion is. (Died 2011.)
Born August 4, 1942 — Don S. Davis. He’s best-known for playing General Hammond on Stargate SG-1 and Major Garland Briggs on Twin Peaks. He had a small part in Beyond the Stars as Phil Clawson, and was in Hook as Dr. Fields. Neat factoid: on MacGyver for five years, he was the stunt double for Dana Elcar. (Died 2008.)
Born August 4, 1944 — Richard Belzer, 77. In the Third Rock from The Sun series as himself, also the Species II film and an adaption of Heinlein’s The Puppet Masters, along with series work too in The X-Files, The Invaders, Human Target, and a recurring role in the original Flash series to name a few of his genre roles.
Born August 4, 1950 — Steve Senn, 71. Here because of his Spacebread duology, Spacebread and Born of Flame. Spacebread being a large white cat known throughout the galaxy as an adventuress and a rogue. He’s also written the comic novels, Ralph Fozbek and the Amazing Black Hole Patrol and Loonie Louie Meets the Space Fungus. Spacebread is available at the usual suspects for a mere ninety cents as is Born of Flame: A Space Story!
Born August 4, 1968 — Daniel Dae Kim, 53. First genre role was in the NightMan series, other roles include the Brave New World tv film, the second Fantasy Island of three series, recurring roles on Lost, Angel and Crusade, the Babylon 5 spinoff Crusade series, Star Trek: Voyager, Charmed and voice work on Justice League Unlimited.
Born August 4, 1969 — Fenella Woolgar, 52. Agatha Christie in “The Unicorn and The Wasp” episode of Doctor Who where she more than capably played off against David Tennant’s Tenth Doctor. She was series regular Min in the Jekyll series. Her only other genre work was as Helena in A Midsummer Night’s Dream at the Royal Exchange Theatre, Manchester.
Born August 4, 1981 — Meghan, the former Duchess of Sussex, 40, Yes she’s done a genre performance or so. To be precise, she showed up on Fringe in the first two episodes of the second season (“A New Day in the Old Town” and “Night of Desirable Objects” as Junior FBI Agent Amy Jessup. She was also in the “First Knight” episode of Knight Rider as Annie Ortiz, and Natasha in “A Mind is a Terrible Thing to Lose” on Century City.
(16) FF@60. Fans will get to experience two of the Fantastic Four’s greatest adventures in a new way when Fantastic Four Anniversary Tribute #1 is published in November. In the tradition of Giant-Size X-Men: Tribute To Wein & Cockrum #1 and Captain America Anniversary Tribute #1, this giant-sized issue will present classic stories with new artwork by today’s leading artists.
Sixty years ago, Stan Lee and Jack Kirby made history and brought about the beginning of the Marvel Age of comics with the release of FANTASTIC FOUR #1. Now a bevy of Marvel’s finest creators will pay tribute to that monumental moment by reinterpreting, page by page, the story from that inaugural release as well as FANTASTIC FOUR ANNUAL #3, the wedding of Reed Richards and Sue Storm!
(17) HULL & POHL. Andrew Porter took these photos of Elizabeth Anne Hull and her husband Frederik Pohl in years gone by. Hull died this week, and Pohl in 2013.
(18) TRYING TO BE HELPFUL. Daniel Dern nominates these as the titles for Phillip Pullman Dark Materials sequels.
The Precient Wrench
His Uglee Mugge
The Ambitious Protractor
The Slye Pliers
The Open Source Aleitheometer
The Dust Buster
The Unworthy Hammer
The Book In The Stone
The Sword In The Scroll
(19) SOUL MAN. The dark year 2204, in a world that has seen 73 years of continuous war. A Shaman is sent on a mission to convert the soul of a giant battle colossus. “The Shaman” curated by DUST.
The dark year 2204, in a world that has seen 73 years of continuous war. Recently mankind re-discovered the arts of Shamanism. The Shaman’s school of thought believes that every person or object has a soul. During battle Shamans step over into the Netherworld to find and convert the souls of their enemies’ giant battle machines. This tactic enables a single man to overcome an invincibly seeming steel monster. This is the story of Joshua, a Shaman, who is sent on a mission to convert the soul of a giant battle colossus. He does not yet know that the soul is prepared for his coming and that the deadly psychological soul-to-soul confrontation in the Netherworld will be on eye level.
The animated series, which arrives on Disney+ next week, takes Loki‘s introduction of the multiverse and runs with it, presenting alternate outcomes for our favorite MCU heroes and villains. Overseeing all of these parallel dimensions is Uatu the Watcher (voiced by Wright), an omnipotent celestial being whose job it is to watch over the Earth without interfering….
(21) THE DRINK OF DRAGON CON. Makes me wonder what the official beverage of the Worldcon would be named.
“A research team has proposed a novel link between how fast our planet spun on its axis, which defines the length of a day, and the ancient production of additional oxygen,” reports Science Magazine. “Their modeling of Earth’s early days, which incorporates evidence from microbial mats coating the bottom of a shallow, sunlit sinkhole in Lake Huron, produced a surprising conclusion: as Earth’s spin slowed, the resulting longer days could have triggered more photosynthesis from similar mats, allowing oxygen to build up in ancient seas and diffuse up into the atmosphere.”
(23) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers: G.I. Joe: Rise of Cobra and Retaliation,” the Screen Junkies say the first two G.I. Joe movies are “like Team America but without the jokes” that mixes “generic military dudes and hot military babes.”
[Thanks to John King Tarpinian, Cat Eldridge, Mike Kennedy, Lise Andreasen, Daniel Dern, Jennifer Hawthorne, Joey Eschrich, Andrew Porter, Martin Morse Wooster, JJ, and Michael Toman for some of these stories. Title credit belongs to contributing editor of the day Soon Lee.]
(1) OMENANA. The new issue of Omenana Speculative Fiction Magazine is available to read online. The tri-monthly magazine takes submissions from speculative fiction writers from across Africa and the African Diaspora.
Omenana is the Igbo word for divinity – it also loosely translates as “culture” – and embodies our attempt to recover our wildest stories. We are looking for well-written speculative fiction that bridges the gap between past, present and future through imagination and shakes us out of the corner we have pushed ourselves into.
(2) WINNIPEG WORLDCON BID. The Winnipeg in 2023 Worldcon bid will hold a “Question Time” Zoom session on Sunday, July 25, at 1:00pm CDT. The session will also be streamed live on their YouTube channel.
We will start off with standard questions and then take submitted questions. Questions may be submitted via our social media accounts , Discord server and our “Contact Form“. During the session, questions may be submitted through Zoom and YouTube chat. As with all “Question Time”, moderation will be applied.
(3) SUMMIT MEETING. There’s a photo on the Chicago Worldcon Facebook page showing that Chicon 8 Chair, Helen Montgomery, and DisCon III Chair, Mary Robinette Kowal, “met up in DC yesterday for convention strategizing. They have Plans with a capital P for their attendees!”
Sources say that Outlier Society has hired a writer who is currently working on the script, though we were unable to ascertain their identity. Though it was initially unclear whether the Val-Zod project would be a movie or a limited series, sources have since reached out to clarify that as of right now, it is, in fact, being written as a limited series that Jordan will produce and possibly even star in, though he has yet to officially commit on the latter front.
As previously reported, J.J. Abrams and his company Bad Robot are set to produce a Black Superman movie for Warner Bros. that is expected to follow the Kal-El/Clark Kent version of the character. Though Clark Kent is traditionally depicted as white in the DC comics, the character will be played by a Black actor in the Bad Robot movie, which will likely be directed by a Black filmmaker, as Abrams is simply expected to produce. Author and cultural critic Ta-Nehisi Coates is already hard at work on the script for that project.
While Jordan did work with Warner Bros. on developing a Black Superman movie at one point, he recently shot down rumors that he would star in Abrams’ new film, saying “I’m flattered that people have me in that conversation. It’s definitely a compliment, but I’m just watching on this one.”
The question is, why?
A recent editorial penned by Jamie Broadnax for Black Girl Nerds provides some context and prompted Collider to do some digging, as Broadnax’s sources told her that “Jordan has not wanted to engage in conversations about racebending Kal-El for the same reasons many of the fans are pushing back on the current Warner Bros. re-imagined version of Clark Kent, but that he would be interested in engaging on a Black Superman project centering on the Val-Zod storyline.”
(5) CANADIAN SFF HALL OF FAME INDUCTEES. Stan Hyde, the late Monica Hughes, and Jean-Louis Trudel are the 2021 inductees into the Canadian Science Fiction and Fantasy Hall of Fame reports Robert J. Sawyer. He and Carolyn Clink, along with fellow jurors Clint Budd, Marcie Tentchoff, and Chris Sturges, made the selections. Here are excerpts from the citations (full text at the link).
Stan Hyde is an exemplar of passionate, lifelong devotion to SF&F fandom and fan activity, specifically in the areas of club organization, writing, film media, and model kit making, painting, and collecting.
Stan is also noted for the numerous articles he has written for G-Fest, a magazine devoted to the topic of Godzilla, about whom Stan is a world-renowned expert and recognized as such by Toho Studios where he is always welcome. (He visits once every two years on average.)
Monica Hughes (1925-2003), an Officer of the Order of Canada, wrote about 40 books including more than 20 that ISFDB covers as speculative fiction novels. Although she spent a large part of her life writing, she was almost fifty when her first book was published (Gold-Fever Trail: A Klondike Adventure, a Canadian historical novel.) …Invitation to the Game (Toronto: HarperCollins, 1990) won the Hal Clement Award as the year’s best science fiction novel for young adults.
Jean-Louis Trudel holds degrees in physics, astronomy, and the history and philosophy of science. Since 1994, he has authored (alone or in collaboration with Yves Meynard as Laurent McAllister) three science fiction novels published in France, four fiction collections, and twenty-six young adult books published in Canada…. He has received several literary distinctions, including the “Grand Prix de la Science-Fiction et du Fantastique québécois” in 2001 and several Prix Aurora Awards.
Can anyone explain how there’s a hole in the Earth — the kind that supernaturally swallows up hapless Los Angeles residents and spits them out in the frightening primeval past? That’s just the first mystery launching with NBC’sLa Brea, the highly awaited sci-fi series that’s set to make its TV debut this fall….
On the other side of the time warp are Gavin’s wife and son, all while a “disparate group of strangers” work alongside the family’s stranded half to “uncover the mystery of where they are and if there is a way back home,” according to NBC’s earlier series description. Are all these stuck strangers merely the random victims of fate, or might they be connected by something deeper?
Bob Gale is asking fans not to be too hard on Netflix for a censored version of Back to the Future: Part II, which was streaming for a short while.
Fans of the series were irate when they discovered a tiny portion of the 1989 sequel was changed, poorly. It has since been replaced with the standard version. The alteration happened when Marty (Michael J. Fox) finds the Oh La La magazine within the sports almanac dustcover. The moment was cut short, with the cover of the magazine edited out.
Gale, the screenwriter of the beloved trilogy, explained what happened and why it was not Netflix’s fault.
(10) PATRICIA KENNEALY-MORRISON (1946-2021). Author Patricia Kennealy-Morrison died a few days ago reported Liz Williams on Facebook. She wrote eight books and a collection of short stories in her genre series The Keltiad. She also wrote the Rennie Stride mystery series. She was a widely-read rock journalist, and widow of the late Jim Morrison of The Doors.
(11) MEMORY LANE.
2003 – Eighteen years ago at Torcon 3, Neil Gaiman wins a Hugo Novella for Coraline. (Other nominated works were “Bronte’s Egg” by Richard Chwedyk, “Breathmoss” by Ian R. MacLeod, “A Year in the Linear City” by Paul Di Filippo, “The Political Officer” by Charles Coleman Finlay and “In Spirit” by Pat Forde.) It also won a Nebula, a Locus Award for Best Young Adult Book and a BSFA Award for Short Fiction, along with a Stoker for Superior Achievement in a Work for Young Readers. It would become an animated film written and directed by Henry Selick, and both musicals and operas were based off it.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 24, 1878 — Lord Dunsany whose full name and title was a jaw dropping Edward John Moreton Drax Plunkett, 18th Baron of Dunsany. So ISFDB lists him as genre for the Jorkens body of work among works. H’h. Gary Turner, who some of you will recognize from Golden Gryphon Press and elsewhere, reviewed The Collected Jorkens: Volumes One, Two, and Three for Green Man, so I’ve linked to the review here. They also list The King of Elfland’s Daughter which I’m going to link to another review on Green Man as it’s a audio recording with a very special guest appearance by Christopher Lee. (Died 1957.)
Born July 24, 1916 — John D. MacDonald. Though better known for the Travis McGee series which I really like, he wrote three genre novels of which I think the best by far is The Girl, the Gold Watch & Everything. He also wrote some sixty genre short stories, many of them collected in End of The Tiger which is available from the usual digital suspects. (Died 1986.)
Born July 24, 1936 — Mark Goddard, 85. Major Don West, the adversary of Dr. Zachary Smith, on Lost in Space. Other genre appearances were scant. He played an unnamed Detective in the early Eighties Strange Invaders and he showed up on an episode of The Next Step Beyond which investigated supposed hauntings as Larry Hollis in “Sins of Omission”. Oh and he was an unnamed General in the Lost in Space film.
Born July 24, 1951 — Robert Hood, 70. Australian horror writer who won a William Atheling Jr. Award for Criticism or Review for “Weight of Water: Vengeance from Beyond the Grave?” and another Atheling for “Divided Kingdom: King Kong Versus Godzilla”. The latter is included in David Brin and Leah Wilson’s King Kong Is Back! An Unauthorized Look at One Humongous Ape. He won a Ditmar for his Daikaiju! Giant Monster Tales collection, and an Australian Shadows Award for his Peripheral Visions: The Collected Ghost Stories.
Born July 24, 1951 — Lynda Carter, 70. Wonder Woman of course. But also Principal Powers, the headmistress of a school for superheroes in Sky High; Colonel Jessica Weaver in the vampire film Slayer; Moira Sullivan, Chloe Sullivan’s Kryptonite-empowered mother in the “Prodigy” episode of Smallville; and President Olivia Marsdin In Supergirl. She has a mid credit appearance in Wonder Woman 1984 as Asteria.
Born July 24, 1964 — Colleen Doran, 57. Comics artist and writer. The work she’s done includes Warren Ellis’ Orbiter graphic novel, Wonder Woman, Legion of Superheroes, Teen Titans, the “Troll Bridge” by Neil Gaiman and her space opera series, A Distant Soil. She also did portions of The Sandman, the “Dream Country” and “A Game of You”. She’s tuckerized Into Sandman as the character Thessaly.
Born July 24, 1971 — Patty Jenkins, 50. Director of Wonder Woman and Wonder Woman 1984, she appears in Robert Kirkman’s Secret History of Comics as herself in ‘The Truth About Wonder Woman’ episode. She’s the director and producer of the forthcoming Star Wars film, Rogue Squadron. She’ll also be directing Gal Gadot in Cleopatra.
Born July 24, 1981 — Summer Glau, 40. An impressive run in genre roles as she’s was River Tam in the Firefly series and of course the Serenity film, followed by these performances: Tess Doerner in The 4400, as Cameron in Terminator: The Sarah Connor Chronicles, Bennett Halverson in Dollhouse (is this worth seeing seeing?), Skylar Adams in Alphas, and Isabel Rochev who is The Ravager in Arrow. Her latest role is Miss Jones (The Water Wu) on The Wu Assassins series.
(13) COMICS SECTION.
Speed Bump introduces a familiar character whose phone asks a well-known question.
Science Fiction was extraordinarily popular in the 1940s and 1950s — and so were books about U.F.O.s. Coverage of mysterious objects in the night sky was plentiful in The Times, too. On July 6, 1947, the front page featured an article headlined “Flying Saucers Mystify Experts; May Be Prank of Nature.” Two days later, a follow-up appeared, also on the front page, with a more provocative headline: “‘Disks’ Soar Over New York, Now Seen Aloft in All Colors.” It should perhaps come as no surprise that those years saw the Book Review filled with ads looking to sate this interest in the extraterrestrial and dystopian.
(16) LOOKS FAMILIAR. [Item by David Doering.] Surely this design is no accident! Whoever designed this high school in PA deserves a medal. (Or at least a Hugo.) I wonder if the school mascot is the Falcon??
(17) NOLAN APPRECIATION. Mr. Sci-Fi, Marc Scott Zicree, in “Logan’s Run Writer Passes Away”, remembers the help William F. Nolan gave him when Zicree was researching his Twilight Zone book.
…And he was an astonishing man. He was basically — the great thing about Bill Nolan was not only was he very articulate and very enthusiastic but he had kept notes on everything and recordings on everything and so he knew an enormous amount about Charles Beaumont and Ray Bradbury and all of these characters who were central to what i was working on but also central to science fiction…
(18) TALK TO THE DOCTOR. Louis Moorhouse, a blind fan who’s been raising money for Living Paintings, to make a set of Touch to See books about Doctor Who, interviews Tom Baker in this YouTube video.
Blind Doctor Who super fan meets one of his heroes, Tom Baker, thanks to inspirational fundraising campaign. Louis,19, from Bradford, has been blind since he was 18 months old. A few weeks ago, Louis launched a fundraising campaign on Crowd Funder in an attempt to raise £15,000 to make it possible for a charity, Living Paintings, to make a set of Touch to See books which will bring him and other blind and partially sighted people closer to the incredible world of Doctor Who. Having blasted through his first fundraising target Louis is now looking to raise an incredible total £25,000 to support the charity that has helped him since he was two years old. Louis says of his motivation to carry on with the campaign:“Living Paintings has had such a hugely positive impact on my life, from the first time I received a book and found out what Thomas the Tank Engine looks like (until then I had no idea what a train with a face could possibly mean), to helping me learn to read and express myself. I wouldn’t be who I am today without this wonderful charity and I hope people continue to support me on this journey so I can help other children facing the struggles I overcame with their help.” Louis and Living Paintings have been overwhelmed by the support shown by the Doctor Who community and this week he met one of his favourite ever Doctors on Zoom, the wonderful Tom Baker.
(19) MUSIC OF THE SPHERES. This is a NASA video that dropped on July 14 about June flybys of Jupiter and Ganymede.
[Thanks to Andrew Porter, Martin Morse Wooster, JJ, Jannie Shea, David K.M. Klaus, David Doering, Michael Toman, John King Tarpinian, Cat Eldridge and Mike Kennedy for some of these stories. Title credit belongs to contributing editor of the day Tom Becker.]
Ms. Funk’s trip to space with Jeff Bezos is reason to celebrate. But the launch this week, decades after she was denied the opportunity, also raises questions about whom space is for.
(2) APEX APPEAL. Apex Publications has launched a Kickstarter to fund Apex Magazine 2022. On the first day people have contributed $5,325 of its $10,000 goal. Editor-in-Chief Jason Sizemore says:
The last few years of Apex Magazine (including 2021), we’ve produced an incredible run of transformative and diverse fiction. We relaunched with Fargo Tbakhi’s “Root Rot,” a timely tale regarding colonization. “Mr. Death” by Alix E. Harrow threaded the needle between heartbreaking and hopefulness. Sam J. Miller celebrated the power of music in “A Love That Burns Hot Enough to Last: Deleted Scenes from a Documentary.”
We published back-to-back Hugo Award winners (2018 & 2019) in the category of Best Short Fiction (“Welcome to Your Authentic Indian Experience™” by Rebecca Roanhorse and “A Witch’s Guide to Escape: A Practical Compendium of Portal Fantasies” by Alix E. Harrow, respectively) and the 2017 Hugo Award winner in the category of Best Novelette (“The Tomato Thief” by Ursula Vernon). Fiction from Apex Magazine has also won the Nebula Award, Locus Award, and numerous others.
In addition to our phenomenal fiction, every issue of Apex Magazine offers evocative cover art, thought-provoking nonfiction, author and artist interviews, and a professional-quality podcast produced by KT Bryski.
All these wonderful things would exist if not for the community of readers, creators, and staff—the extended Apex family. Thank you so much for your love and continued support!
The Apex Magazine 2022 Kickstarter also promises: “Should we fund, we will commission new original fiction from five writers who we think embodies the type of bold, diverse work we seek to publish.” Those writers are: Gabino Iglesias, Jennifer Marie Brissett, Bonnie Jo Stufflebeam, Samit Basu, and Lavie Tidhar.
…For historical reasons—that throughout Earth history, first contact between dissimilar cultures was generally followed by vigorous efforts by whichever culture enjoyed a military advantage to strip-mine the other of goods and services—many science fiction authors (particularly during the mid-century period when various empires were winding down) gave their settings laws encouraging non-interference. One might call this a Prime Directive….
…She was also, through her own income, the chief support of our family. I am a writer and my money comes in irregularly, sometimes in decent sized chunks (like last week, but delayed for a year by COVID), sometimes in tiny little amounts. I am going to have to restructure my new life as a freshly minted widower, and I will, but in the interim our fragile climb back to solvency has been slammed back to the earth. I am in big, big trouble; destitute with debt still looming.
I damn the whims of fate.
I am not the kind of person who finds this easy. It hurts me to type these words, and I am intensely self-conscious about asking for help this soon after the last time. I can tell you that I did not want the prior worst period of my life to be followed so soon by another loss that is even more primal, even more destructive. I have had no time to think, just arranging the memorial — and I am sure that the bills for her time for the ICU, after insurance, will be coming, inevitable and unswayed by sentiment, even as we run late on bills that would have normally been her duty to pay. (She died in a distant city, in the home of a family we were pet-sitting for, so we are far from our records, from our mailing address, and…this is a pyramid, folks. It gets higher and higher.)
If you knew Judi at all, you loved her. If you know me at all, maybe you have some of that same feeling. I have to jettison pride. She has left me bereft. I will be deeply grateful for any help you can give,
(5) SPACE JAM RULES AT BOX OFFICE. Critical reviews did not keep Space Jam: A New Legacy from overtaking Black Widow in theater ticket sales last weekend.
The Hollywood Reporter starts the ball rolling:
Space Jam: A New Legacy, starring the basketball great [LeBron James], beat holdover Black Widow to top the chart with a better-than-expected domestic debut of $31.7 million from 3,956 theaters.
Marvel and Disney’s Black Widow fell to No. 2 in its second outing with $26.3 million. The superhero pic suffered a steep 67 percent decline, one of the biggest drops ever for a Marvel title, and the worst among the Marvel films released by Disney. The decline underscores that the box office recovery is far from over; also, the tentpole is available in the home via Disney+ Premier Access (piracy is another problem)….
…Fact: Black Widow was the most-pirated movie last week on Torrent Freak, ahead of The Tomorrow War in the No. 2 spot. I understand from sources that have seen several piracy reports that apparently Black Widow might be the most-pirated title to date during the pandemic, ahead of Wonder Woman 1984.
Studios go to extra lengths to encrypt and watermark their movies before release. Pristine copies of a tentpole spell death at the box office, and they further spell death here on both the box office and Disney+ Premier side.
Many of these piracy sites dress themselves up with images from the film to make it look like they’re legit. One industry analytics source informed me over the weekend that in one study they did for a studio, it showed that these piracy sites were the No. 1 means for those at home to watch movies, not Disney+ or any other streamer….
…Not many expected “Space Jam: A New Legacy” to pull off this win. The poorly reviewed film was pegged for an opening in the $20-million range. But a sizable number of families and millennials who grew up with the original “Space Jam” left the house and went to a theater to see it, even though it’s currently streaming on HBO Max free for subscribers. Not only that, audiences also gave the film a promising A- CinemaScore, suggesting word of mouth could be strong….
…After the premiere, James was surrounded by layers of fans. What could Bergman do to get the NBA star’s attention despite the distance and din? “I yelled out from about 20 feet away and said in Bugs Bunny’s voice, ‘Hey, Doc, we really are family,'” Bergman said. “He heard and saw me.” Bergman was ushered through the throng to greet him.
“He was holding his daughter and we embraced and thanked each other,” Bergman said. Even amid the crowd, it felt like “a very private congratulatory moment.”
(7) VISION AND REVISION. “At times it’s hard to believe what you see” it says on the cover of Dragons Walk Among Us, source of “The Big Idea: Dan Rice” at Whatever.
Is there a world before our eyes that most people overlook? What are the ramifications for someone who can see the unseeable? This is the big idea behind my debut novel Dragons Walk Among Us.
I first became interested in the world that most people overlook through photography. For example, star trails illuminate landscapes that most people never experience except through photographs taken by others. What really started to fascinate me years ago are water droplets––on blades of grass, flower petals, leaves, windows, etc. Individual little worlds are scattered across the dewy grass, and most people never take the time to appreciate them. Sometimes I imagine each dewdrop is a microcosmos populated by strange creatures. I suppose on the infinitesimal scale of microbes, this is true….
…Gearhart, a Virginia native, taught for many years at San Francisco State University, where in 1973 she became the first out lesbian to be named to a tenure-track position (at the school and, apparently, in the nation). At SF State, she established one of the first women’s and gender studies programs in the nation. She was an author of feminist science fiction as well….
…In 1978, her most famous novel, The Wanderground, was published, exploring themes of ecofeminism and lesbian separatism. She wrote two books as part of the Earthkeep trilogy, The Kanshou, published in 2002, and The Magister, published in 2003. Both stories explore a dystopian world where women outnumber men, and humans are the only beings on the planet.
(9) MEMORY LANE.
1976 – Forty-five years ago, Roger Zelazny’s “Home is The Hangman” novella wins the Hugo at MidAmeriCon. The other nominated works that year were “The Storms of Windhaven” by George R. R. Martin and Lisa Tuttle, “ARM” by Larry Niven, “The Silent Eyes of Time” by Algis Budrys, and “The Custodians” by Richard Cowper. It would also win a Nebula Award. His Doorways in the Sand would be nominated for Best Novel that year, finishing second to Joe Haldeman’s The Forever War.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 19, 1883 — Max Fleischer. Animator, film director and producer. He brought such animated characters as Betty Boop, Popeye and Superman to the screen and was responsible for a number of technological innovations including the Rotoscope and Stereoptical Processes. You can see Betty’s first screen appearance here in the 1930 Cartoon, “Dizzy Dishes”. (Died 1972.)
Born July 19, 1924 — Pat Hingle. He portrayed Jim Gordon in the Burton Batman film franchise. Genre wise, he had roles in Alfred Hitchcock Presents, The Twilight Zone, Carol for Another Christmas, Mission: Impossible, The Invaders, Tarantulas: The Deadly Cargo, Amazing Stories and The Land Before Time. He would reprise his Gordon role in the Batman OnStar commercials. (Died 2009.)
Born July 19, 1927 — Richard E. Geis. I met him at least once when I was living out West. Interesting person. He won the Hugo Award for Best Fan Writer twice; and whose science fiction fanzine Science Fiction Review won Hugo Awards for Best Fanzine four times. The Alien Critic won the Best Fanzine Hugo once (in a tie with Algol), and once by himself. And yes, I enjoyed reading the Science Fiction Review. I’ve not any of his handful of genre novels, and certainly haven’t encountered his softcore porn of which there’s a lot. (Died 2013.)
Born July 19, 1938 — Jayant Vishnu Narlikar, 82. He and Fred Hoyle developed the Hoyle–Narlikar theory, which Stephen Hawking would prove is incompatible with an expanding universe. He would write two genre novels, The Return of The Vaman (translated from Marathi) and The Message from Aristarchus. His autobiography is My Tale of Four Cities: An Autobiography.
Born July 19, 1957 — John Pelan. Committed (more or less) the act of opening serial small publishing houses in succession with the first being Axolotl Press in the mid-Eighties where he’d published the likes of de Lint and Powers (before selling it to Pulphouse Publishing) followed by Darkside Press, Silver Salamander Press and finally co-founding Midnight House. All have been inactive for quite awhile now and he’d been editing such anthologies as Tales of Terror and Torment: Stories from the Pulps, Volume 1 for other presses though even that has not happened for some years as near as I can tell. As a writer, he had more than thirty published stories and he had won both a Stoker for The Darker Side: Generations of Horror anthology and an International Horror Guild Award for his Darkside: Horror for the Next Millennium anthology. (Died 2021.)
Born July 19, 1963 — Garth Nix, 58. Writer of children’s and young adult fantasy novels, to wit the Keys to the Kingdom, Old Kingdom, and Seventh Tower series. The Ragwitch which I read quite some time ago is quite excellent and being a one-off can give you a good taste of him without committing to a series.
Born July 19, 1969 — Kelly Link, 52. First, let me note that along with Ellen Datlow, she and her husband Gavin Grant were responsible for the last five volumes of The Year’s Best Fantasy & Horror. They all did a magnificent job. All of her collections, Pretty Monsters, Magic for Beginners and Get in Trouble are astonishingly good. And she’s much honored having won a Hugo Award, three Nebula Awards, a World Fantasy Award, an Otherwise Award, a Sturgeon Award and received a MacArthur Genius Grant.
Born July 19, 1976 — Benedict Cumberbatch, 45. Confession time: I really didn’t care for him in the Sherlock Holmes series as that series didn’t work for me, nor did I think his Khan In Star Trek Into Darkness was all that interesting but his Stephen Strange In Doctor Strange was quite excellent. He did do a superb job of voicing Smaug in The Hobbit, and his Grinch-voicing in the latter film was also superb. And yes, he’s the voice of Satan in Good Omens.
… Multiple comic creators have publicly stated that DC’s payments for adaptations, in general, is higher. Comic creator Jim Starlin turned heads in 2017 when he publicly noted that Warner Bros. paid him more for a minor character that appeared in DC’s Batman v. Superman: Dawn of Justice than he received for Marvel’s major Guardians of the Galaxy characters Thanos, Gamora and Drax combined. After Starlin’s airing of grievances, Disney renegotiated his deal for Thanos, the villain of Avengers: Infinity War and Avengers: Endgame. Those films went on to gross $4.83 billion globally, and Starlin, while not sharing details of his deal, walked away happy. “The cliche is that the squeaky wheel gets the grease,” Starlin tells The Hollywood Reporter. “The way these agreements are written up, Disney can be more generous if they want. It is written right there that they can change the terms to make it better.”
There’s no legal obligation to make additional payments for adaptations, with companies such as Marvel viewing these payments as thank-you gifts — and a way to avoid the bad publicity of warring with a creator. “It’s ‘shut-up’ money,” as one Marvel creator who receives such payments, but also declined to share details of compensation, likes to call it. Even if companies have no legal obligation to compensate these writers and artists, paying more is akin to contract renegotiations with an actor. If a TV show or movie is a smash success, studios believe it makes sense to offer an actor more money for the sequel (or the next season of TV) to keep them happy. No one wants a bitter actor on set….
Welcome to hell—a.k.a. Belle Reve, the prison with the highest mortality rate in the US of A. Where the worst Super-Villains are kept and where they will do anything to get out—even join the super-secret, super-shady Task Force X. Today’s do-or-die assignment? Assemble a collection of cons, including Bloodsport, Peacemaker, Captain Boomerang, Ratcatcher 2, Savant, King Shark, Blackguard, Javelin and everyone’s favorite psycho, Harley Quinn. Then arm them heavily and drop them (literally) on the remote, enemy-infused island of Corto Maltese. Trekking through a jungle teeming with militant adversaries and guerrilla forces at every turn, the Squad is on a search-and-destroy mission with only Colonel Rick Flag on the ground to make them behave…and Amanda Waller’s government techies in their ears, tracking their every movement. And as always, one wrong move and they’re dead (whether at the hands of their opponents, a teammate, or Waller herself). If anyone’s laying down bets, the smart money is against them—all of them.
(14) WILLIAM F. NOLAN & CO. At the Rod Serling Memorial Foundation website, a 1999 article about the many-named writing group Christopher Conlon likes to call the “Southern California Sorcerers”.
…Group member William F. Nolan, whose film credits include Burnt Offerings and Trilogy of Terror, explains: “We’d talk plot, read stories we’d finished for opinions, talk about markets and what was selling and who was buying, discuss character development and structure, and, yes, we’d argue, but in a constructive way. We all helped each other…and inter-connected on projects.”
“Sometimes, of an evening,” Ray Bradbury has written, “Richard Matheson would toss up there merest dustfleck of a notion, which would bounce off William F. Nolan, knock against George Clayton Johnson, glance off me, and land in [Charles Beaumont’s] lap. ..Sometimes we all loved an idea so much we had to assign it to the writer present who showed the widest grin, the brightest cheeks, the most fiery eyes.”
Direct collaborations between Group members were common. And no wonder. In those early days, most of them, particularly the “inner circle” of Nolan, Charles Beaumont, George Clayton Johnson, and novelist John Tomerlin, were men in their twenties who were just beginning their careers. They found strength, encouragement, and a sense of solidarity in the company of other struggling young writers. Because of the Group, says Nolan, “We were not alone; we had each other to fire us creatively, to bounce ideas around, to solve plot problems. It was the best kind of writing class that could ever be imagined.”…
(15) YOUTH MOVEMENT. In the Washington Post, Dalvin Brown says that Facebook has come up with new software that lets robots walk like toddlers, which might be a good first step in letting robots walk like human adults. Especially if it lets robots learn to do so without falling down all the time, for which they’re less prepared than toddlers. “Facebook reveals AI development to help robots move in uncharted territory”
Facebook developed what it calls a foundational “breakthrough” in the race to create more humanlike robots: software that enables machines to learn to walk like toddlers.
Humans are very efficient at maneuvering. As kids, we figure out how to adjust our stride and cadence to trek through mud, water, and up and down hills with ease. Through trial and error, we adapt, figuring out the best ways to move our feet according to real-time situations. And we can do this while toting a variety of objects, either in our hands or on our backs.It’s tough to program robots to make instantaneous adjustments to their legs and feet to accommodate such a variety of tasks, mainly because it’s hard to train themto deal with corner cases, or objects and environments they’ve never seen before….
A team of astrophysicists recently used new models of neutron stars to map the mountains—tiny raised areas—on the stars’ otherwise perfectly spherical structures. They found that the greatest deviations were still extraordinarily small due to the intense gravitational pull, clocking in at less than a millimeter tall.
Neutron stars are the dead cores of once-huge stars that collapsed in on themselves. They are the densest objects in the Universe aside from black holes. They’re called neutron stars because their gravity is so intense that the electrons in their atoms collapse into the protons, forming neutrons. They’re so compact that they pack a mass greater than that of our Sun into a sphere no wider than a city.
(17) VIDEO OF THE DAY. Sleepy Hollow International Film Festival, Creature Features and La-La Land Entertainment present a virtual panel celebrating the 30th anniversary of Arachnophobia with director Frank Marshall and special guests.
Recorded in November 2020, moderator Mike Matessino hosts a lively and informative discussion with ARACHNOPHOBIA’s director / executive producer Frank Marshall, co-producer Richard Vane, actor Peter Jason, production designer James Bissell and entomologist Steve Kutcher.
No stranger to delighting audiences worldwide for decades, Mr. Marshall, producer of RAIDERS OF THE LOST ARK, POLTERGEIST and JURASSIC WORLD, made his directorial debut with ARACHNOPHOBIA in 1990, bringing rapt audiences to the edge of their seats with laughter and shrieks in equal measure. The film has remained a beloved fan favorite to this day and its appreciation continues to grow as it connects with a new generation. Now, Mr. Marshall and special guests take you behind the film, its production, and its astounding spider effects and action!
[Thanks to JJ, Michael Toman, Joel Zakem, James Davis Nicoll, David K.M. Klaus, Daniel Dern, John King Tarpinian, Cat Eldridge, Mike Kennedy, Andrew Porter, and Martin Morse Wooster for some of these stories. Title credit belongs to contributing editor of the day David Shallcross.]
The new DisCon III chair is Mary Robinette Kowal. The announcement came the day after Kowal completed her term as President of SFWA, which ended June 30.
DisCon III started out with two co-chairs, however, Colette Fozard resigned in January and Bill Lawhorn resigned in June. The challenges they had already confronted included the bankruptcy and closure of the hotel they planned to use as their main facility, moving the convention’s dates to December so that it could be an in-person event, removing GoH Toni Weisskopf, and the resignations of two teamsof Hugo administrators. Lawhorn’s resignation came as the convention faced a backlash about its policies toward Hugo finalists, discussed below, which he signed off, and are believed to have been behind the departure of the latest Hugo team, although they did not say so explicitly in their announcement.
The 2018 Worldcon’s program troubles involved such issues as the respect for people’s chosen pronouns (and related concerns about LGBTQAI+ and POC participation); whether new writers were being accepted onto programming (with skepticism fueled by the realization that several newer writers who were Hugo nominees were not on the program); and dissatisfaction with responses by the Worldcon 76 program division. And these questions had led several well-known writers and editors to announce they were dropping off the program to make slots available for those they felt were being shortchanged. Kowal made sure multiple voices were heard, while diplomatically acknowledging “WorldCon is a huge, complicated beast. We know about the mistakes, but there’s also a ton of stuff they’ve done right. I don’t want to throw things out that are working.”
As an author, Mary Robinette Kowal is well-known for The Glamourist Histories series, Ghost Talkers, and the Lady Astronaut series. She is part of the award-winning Writing Excuses podcast and has received the Astounding Award for Best New Writer, four Hugo awards, the Nebula and Locus awards. Her Lady Astronaut Universe is a 2021 finalist for the Best Series Hugo, and The Relentless Moon, a book in the series, is a finalist for Best Novel. New WSFS Division Head Linda Deneroff reports she has created the Hugo subcommittee provided in section 3.13 of the WSFS Constitution which makes it possible for others on a Worldcon committee to remain eligible for the award. Therefore, double-Hugo-finalist Kowal’s taking on the role of chair will not create any conflict of interest.
The committee produced an official press release but has not yet sent a copy to File 770. Readers may want to seek it out to see if it has any additional information.
A Zoom meeting between several 2021 Hugo finalists and DisCon III committee representatives Gadi Evron and Randall Shepherd, facilitated by Mary Robinette Kowal, took place June 23. Evron is the Events division head responsible for the Hugo Ceremony and reception. Evron has temporarily stepped in to maintain communications until the new Hugo administration team is in place.
The meeting reportedly resulted in progress in dealing with the issues that triggered the resignation of DisCon III’s Hugo administration team and have been the focus of heated comments on social media. After the meeting, Evron emailed this message to the 2021 finalists. Among other things, it retracts the four-person limit stated in the committee’s previous message:
To our 2021 Finalists: An apology and request for communication
I’m Gadi Evron, the head of Events, the division which is in charge of the Hugo Ceremony and Reception for DisCon III.
You may have heard that the DisCon III Hugo Administration team has resigned. I am sorry to confirm this is true. Their contributions to making the Hugo Awards a success can’t be overstated. They are amazing people, and we can only thank them for all their help. We will update you as we recruit a new team.
Last week we sent a communication to you regarding Ceremony and Reception issues. Instead of coming to you, we made a decision on our own. We should have asked for your input as we said we would. This was a mistake, and we apologize. We know this isn’t the first time, but we sincerely hope it will be the last.
As you may be aware there are serious space constraints this year, but we have decided to prioritize the attendance of the Finalists and will make space for all Finalists and their plus ones who wish to attend. There will be no four person limit.
The DisCon III ConCom will be meeting this weekend. Discussion of the communication issues with Hugo Finalists is on the agenda. We would like to include any additional concerns you have, Please respond by emailing email@example.com (CC:’d) to have them added.
Following the meeting we will contact you regarding your participation and attendance. We will also invite you to meet with us so that we can discuss these issues directly. As part of this conversation, we will create a plan for better communication and collaboration moving forward.
We look forward to celebrating the Hugo Awards and honoring your work in December.
File 770 was told yesterday’s meeting was positive, but the DisCon III representatives know they have a limited time to follow up with action.
What has writing horror taught you about the world and yourself?
I think that what a lot of people define as being monstrous just means being different from them, and this often stems from bigotry or prejudice. Most of the horror books that I’ve read growing up were about victims who were treated terribly simply for who they are (women relegated to second class citizens, prostitutes and sex workers not given agency, etc.), and then becoming their own monstrous vehicles for justice. I’m fascinated with stories where the real monsters are the humans who wind up creating the very demons they accuse others of being, often paying the price for it. When you shift your worldview and realize that the real demon in say, Frankenstein, is the monster’s creator instead of the creature itself, it opens up these new hidden layers to storytelling in horror that helps you explore the good and the bad sides of the human condition, work on that to make it more compelling to readers.
(2) ESSENCE OF WONDER. Mary Robinette Kowal, author of The Relentless Moon (Tor Books / Solaris), and Micaiah Johnson, author of The Space Between Worlds (Penguin Random House / Del Rey) joins Essence of Wonder with Gadi Evronto talk about their works and what they have coming down the pipeline — Saturday, June 26 at 3:00 p.m. Eastern. Register here. Can be viewed on Zoom, YouTube, and Facebook.
The Expedition 66 patch was designed by NASA graphic designer Blake Dumesnil. Blake decribes the background of the design, “Growing up around classic cars, collectibles, and Americana, I couldn’t pass up the opportunity to use the Route 66 sign as a starting point for this design, but going beyond the obvious numerical tie, I loved the idea of a journey being just as important as the destination – the Space Station is an incredible stop along the road back to the Moon and on to Mars!”
(4) BY ANY OTHER NAME. It’s not a crash test dummy, it’s a Moonikin – and it needs a name. NASA wants the public to “Name the ‘Moonikin’ Flying Aboard Artemis I” from among eight choices. Looks like the names will be offered for voting in pairs on various social media platforms, and move up in brackets.
As NASA gears up for the Artemis I mission around the Moon that will pave the way to send the first woman and the first person of color to the lunar surface, we have an important task for you (yes, you!). Artemis I will be an uncrewed flight test of the Space Launch System (SLS) rocket and the Orion spacecraft ahead of the first flight with crew on Artemis II. We want your help to select a name for the suited manikin, or Moonikin in this case, that will fly aboard Orion to help gather data before missions with astronauts!
A manikin is an anatomical model that simulates the human body and is commonly used in training for emergency rescues, medical education, and research. The manikin on Artemis I will be equipped with two radiation sensors, and sensors in the seat – one under the headrest and another behind the seat – to record acceleration and vibration throughout the mission as Orion travels around the Moon and back to Earth. Data from these and other sensors inside the spacecraft will help NASA understand how to best protect crew members for Artemis II and beyond.
We have eight names to choose from, but only one can win. Every other day starting Wednesday, June 16, we will be asking social media users on Twitter, Facebook, and Instagram, to vote between one of two names. The winners of each bracket compete with one another until the final showdown on Monday, June 28.
The final name of the Moonikin will be announced on Tuesday, June 29!
The 21st century is a veritable utopia, governed by United Energy and Transport (UET). A utopia, that is, where peace and security are assured by rigid class stratification and a punitive justice system. Few of the cowed citizens can imagine a better way of life. Those who do can look forward to midnight visits from large, unfriendly UET minions.
While winning the lottery might be seen as a forgivable mistake, welfare orphan Rissa Kerguelen commits the unforgivable sin of wanting to keep her winnings. UET’s reach is long and there is no safe place on Earth for reprobates like Rissa. But Earth is not Rissa’s only option. Head out for the stars on a sublight starship and she might escape UET…if she is willing to take the long view.
Our only hope to save the world is a bunch of supervillains — what could go wrong? Check out the new trailer for James Gunn’s #TheSuicideSquad in theaters and streaming exclusively on HBO Max* August 6.
(7) MEDIA BIRTHDAY.
June 22, 1990 — On this date in 1990, Robocop 2 premiered. It was directed by Irvin Kershner and produced by Jon Davison. It was written by Frank Miller and Walon Green. It stars Peter Weller once again as Robocop along with Nancy Allen, Dan O’Herlihy, Belinda Bauer, Tom Noonan and Gabriel Damon. Very few critics liked it and the Box Office barely covered the costs of making it. Audience reviewers at Rotten Tomatoes currently give it a rather poor rating of thirty six percent.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born June 22, 1856 — H. Rider Haggard. Writer of pulp fiction, often in the Lost World sub genre. King Solomon’s Mines was the first of his novels with Allan Quatermain as the lead and it, like its sequels, was successful. These novels are in print to this day. Haggard by the way decided to take ten percent royalties instead of a flat fee for writing, a wise choice indeed. And let’s not forget his other success, She: A History of Adventure, which has never gone print out of print either. (Died 1925.)
Born June 22, 1936 — Kris Kristofferson, 85. He first shows up in a genre film, The Last Horror Film, as himself. As an actor, his first role is as Bill Smith in Millennium which is followed by Gabriel in Knights, a sequel to Cyborg. (A lack of name creativity there.) Now comes his role as Abraham Whistlerin Blade and Blade II, a meaty undertaking indeed! Lastly I’ll note he voiced Karubi in Planet of the Apes.
Born June 22, 1947 — Octavia Butler. I think her Xenogenesis series is her most brilliant work though I’m also very, very impressed by the much shorter Parable series. Two Hugos, for “Speech Sounds” (Best Short Story – 1984) and “Bloodchild” (Best Novelette – 1985). Parable of the Sower was Book of Honor at Potlatch 17. MacArthur Fellowship recipient – the first SF author to receive one. SFWA’s Solstice Award. (Died 2006)
Born June 22, 1949 — Meryl Streep, 72. She’d make the Birthday list just for being Madeline Ashton in Death Becomes Her and her epic battle there with Goldie Hawn. She’s the voice of Blue Ameche in A.I. Artificial Intelligence, and a very real Aunt Josephine in Lemony Snicket’s A Series of Unfortunate Events. She’s the voice of Felicity Fox in Fantastic Mr. Fox, based off the on Dahl’s 1970 children’s novel. She voices Jennie in a short that bring Maurice Sendak’s dog to life, Higglety Pigglety Pop! or There Must Be More to Life. She’s The Witch in Into The Woods. I think that’s it.
Born June 22, 1952 — Graham Greene, 69. Primary ongoing genre role to date has been as Rafe McCawley In the Defiance series. He also played Humpstone John in Winter’s Tale based off the Mark Helprin of the same name, and was Whiskey Jack in an episode of American Gods. In The Twilight Saga: New Moon, he was Harry Clearwater.
Born June 22, 1958 — Bruce Campbell, 63. Where to start? Well let’s note that Kage loved the old rascal as she described him, so I’ve linked to her review of Jack of All Trades. I personally liked him just as much in The Adventures of Brisco County, Jr. and think it’s well worth checking out. I think his work as Ash Williams in the Evil Dead franchise can be both brilliant and godawful, often in the same film. Or the same scene. The series spawned off of it is rather good. Oh, and for popcorn reading, check out IfChins Could Kill: Confessions of a B Movie Actor, his autobiography.
Born June 22, 1971 — Laila Rouass, 50. She was Sarah Page, an Egyptologist on Primeval, a series I highly recommend if you’ve not seen it. She played Colonel Tia Karim, a traitorous UNIT officer in the two part “Death of The Doctor” on The Sarah Jane Adventures. This story was the last to feature Sarah Jane Smith and the Doctor, The Eleventh here, together onscreen. Jo Grant would also show up.
Born June 22, 1973 — Ian Tregillis, 48. He is the author of the Milkweed Triptych trilogy which is frelling brilliant. He’s contributed three stories to Max Gladstone’s The Witch Who Came in From the Cold rather good serial fiction narritive (if that’s the proper term) and he’s got another series, The Alchemy Wars, I need to check out. He’s also a contributor to George R. R. Martin’s Wild Cards series.
Ten years is a long time! In 10 light-years, you could get from Earth to a whole new solar system, Epsilon Eridani. And in the past 10 years, science fiction and fantasy have undergone a revolution — new voices, new perspectives and new stories, bright as stars in the night sky.
So we thought it would be a great time to revisit our original 2011 reader poll of favorite science fiction and fantasy. And not just because of all the fantastic new stuff that’s come out in the past decade, but because that 2011 list has some notable holes in it when it comes to race and gender. (Octavia Butler fans, I am SO sorry. But we do plan to address that with a supplement to first list.)
We’re doing things a little bit differently this year since we already know you guys love The Lord of the Rings. Instead of a grand survey of all of time and space, we’re zeroing in on titles from the past 10 years — that is, anything that has come out since the 2011 poll. And since we’re only looking at the past decade, our panel of expert judges will take your nominations and use them to curate a final list of 50 titles (rather than our usual 100)…
(10) HOMAGE TO THE MASTER. Artist Will Quinn did this tribute to Bob Eggleton’s “A Pint with a Mollusc” (1999):
Few calamities sting like being driven from the land one once called home. Exile is therefore a rich source of plots for authors seeking some dramatic event to motivate their characters. You might want to consider the following five books, each of which features protagonists (not all of them human) forced to leave their homes….
[Thanks to John King Tarpinian, Cat Eldridge, Mike Kennedy, Ben Bird Person, James Davis Nicoll, Andrew Porter, Martin Morse Wooster, JJ, and Michael Toman for some of these stories. Title credit belongs to contributing editor of the day Patrick Morris Miller.]
If you do a search for “comics” on that page, you’ll find that eBay has decided to retire the categories for “Superhero,” “Platinum Age”, “Golden Age”, “Silver Age”, etc. All listings are being moved into a general Comics & Graphic Novels category.
The LeVar Burton Book Club launches Tuesday via the “social reading app” Fable, with selections handpicked by the actor. To start off, he’s chosen three books that “represent how my identity as a reader has been shaped,” he says: James Baldwin‘s semi-autobiographical novel Go Tell It on the Mountain, Octavia Butler‘s modern sci-fi classic Parable of the Sower, and the essay and poetry collection The Fire This Time, edited by Jesmyn Ward. (Baldwin’s book will serve as the first month’s pick, with three new titles being revealed every three months.)
“For me, if I’m going to start a book club, I’m going to begin with who I am and my story as a reader,” Burton tells EW. “Obviously, there are hundreds of books that have shaped my identity as a reader, and these three are really representative of an important aspect of that journey for me.”
And while all three are by Black authors, Burton takes care to emphasize that to view his book club as an exclusively Black book club “does me and the literature that I promote a great disservice.”
“I know I have demonstrated over time that my attitude towards literature is ecumenical,” he says. “As it happens, the first three books are by people who look like me, and if one wants to pigeonhole that, then that would be, in my estimation, their shortcoming. It’s nothing more than a starting point that reflects who I am.”
(3) KENYAN BOOKTUBERS. SFF history is being made! Thread starts here.
A couple weeks ago, author Carmen Maria Machado got a message from a friend that a video was circulating online that involved her memoir and an angry mom wielding a pink strap-on dildo.
The clip was from a Feb. 25 school board meeting in Leander, Texas. The woman was upset that Machado’s memoir, In The Dream House, was on an approved reading list for high school students.
The book, which chronicles Machado’s experience of being in an abusive relationship with another woman, contains a sex scene involving a dildo. The protesting parent read it aloud during the meeting while waving the sex toy around, according to the Austin American Statesman.
That’s how Machado learned that her book is one of several that are up for review in Leander because of parents’ complaints. They are part of a book club program that allows students to pick and read one book each semester from a list of 15 chosen by their teachers for their grade level.
The school board told KVUE ABC that it has already removed six books from the program and is devising a policy to exclude “inappropriate literature for the assigned students’ ages.”
Also on the potential chopping block are books by Margaret Atwood, Jodi Picoult and Jacqueline Woodson, who, along with Machado, have penned an open letter with the free expression organization PEN America demanding the books remain available to students.
Machado spoke to As It Happens host Carol Off on Wednesday. Here is part of their conversation….
After this particular meeting, there’s a spokesperson for Leander [Independent] School District who said: “Our goal is to explore what the community feels are age-appropriate materials for classroom reading.” Is there a valid argument? Do you think that In The Dream House is a book that is age-appropriate for that group?
Professional educators chose the book for their students. This all started because a bunch of teachers were like: We want this book on this list. And that is their job. That is what they’re supposed to be doing.
Certainly there are books that are appropriate for certain ages, but I think saying that students at 17 and 18 can’t read anything with sex in it, and that there’s no value in a book like that for those students when your teachers have said otherwise, the people who you pay to educate your kids, that strikes me as very odd and very disingenuous.
The community is also not a monolith. Like, there are gay teens at that school. There are gay people in Leander, Texas. There gay people in Texas…. And it feels a little, I think, strange that this very conservative religious group can sort of make the agenda for all the other students.
Because the parents who want this, their kids did not have to read the book. They could have chosen a different book. They’re trying to remove the book from the list for all the students. So I don’t think it’s really about age-appropriateness. I mean, there’s a reason they they target books with gay content.
In addition to autographed books and manuscripts and other collectibles, the featured items include virtual career coaching and manuscript feedback sessions like these:
Virtual Career Coaching from N. K. Jemisin
A one-on-one 30-minute virtual career session with 2020 MacArthur Fellow N. K. Jemisin, the first writer to ever to win three consecutive Hugo Awards for Best Novel.
Virtual Career Coaching from Catherynne M. Valente
A one-on-one 30-minute virtual career session with Catherynne M. Valente, New York Times and USA Today bestselling author of fantasy and science fiction.
Virtual Manuscript Feedback from Mary Robinette Kowal
The winning bidder on this item will enjoy a 30 minute Zoom discussion providing feedback on a story or an excerpt of a longer work, up to 3,000 words. An amazing opportunity to receive personal feedback from Hugo and Nebula Award-winning science fiction and fantasy author Mary Robinette Kowal.
… Colin was diagnosed with Multiple sclerosis 10 years ago, this ridiculously talented artist, nature lover and extrovert.
Progressively as MS does it has taken away his mobility, his confidence and he has become more and more isolated. Unable to get outside with ease, making everything he does exhausting and unenjoyable.
We did buy a manual wheel chair, however it is heavy and he is now unable to use his arms to self propel and it’s so cumbersome and there is no pleasure or enthusiasm for him to use it. It’s become easier for him to stay home…. not good.
After doing tons of research I stumbled across this amazing wheel chair. For those of you who know Col, you’ll know what a huge fan of formula one he is. So you’ll know why I’ve chosen this model of wheel chair…. it has formula one technology… carbon fibre and super light….
(7) MEDIA ANNIVERSARY.
May 13, 1994 — On this day in 1994, The Crow premiered. It was directed by Alex Proyas, written by David J. Schow and John Shirley. It was produced by Jeff Most, Edward R. Pressman and Grant Hill. It starred Brandon Lee in his final film appearance as he was killed in a tragic accident during filming. It’s based on James O’Barr’s The Crow comic book, and tells the story of Eric Draven (Lee), a rock musician who is revived to avenge the rape and murder of his fiancée, as well as his own death. Critics in general loved it, it did well at the box office and audience reviewers at Rotten Tomatoes currently give it a ninety percent rating.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born May 13, 1907 – Daphne du Maurier. Two novels, a score of shorter stories for us; a dozen other novels, three dozen other shorter stories, three plays, nonfiction e.g. The Winding Stair about Francis Bacon, memoirs. “There are few strains more intolerable in life than waiting for the arrival of unwelcome guests,” The House on the Strand ch.13 (1969) – quoted as a reader’s favorite line on her Website. (Died 1989) [JH]
Born May 13, 1937 — Roger Zelazny. Where do I start? The first half of The Amber Chronicles are a favorite as is The Isle of The Dead, Eye Of The Cat, Home is The Hangman, To Die in Italbar, and well, there’s very there’s very little by him that I can’t pick him and enjoy for a night’s reading. There’s to my knowledge only one thing he recorded reading and that’s a book he said was one of his favorite works, A Night in the Lonesome October. (Died 1995.) (CE)
Born May 13, 1940 – Rachel Ingalls. One novel, ten shorter stories for us. British Authors’ Club Award. British Book Marketing Council named one of those ten, the novella “Mrs. Caliban”, among the twenty greatest from America since World War II. (Died 2019) [JH]
Born May 13, 1945 – Maria Tatar, Ph.D., age 76. Loeb Professor of Germanic Languages & Literatures, and Chair of the Committee on Degrees in Folklore & Mythology, at Harvard. Among her publications, The Hard Facts of the Grimms’ Fairy Tales, The Annotated Hans Christian Andersen, The Annotated African American Folktales (with Henry Gates). “Alice [notice I don’t have to identify it any further – JH] is the world’s greatest book. It’s one of the deepest books.” [JH]
Born May 13, 1946 — Marv Wolfman, 75. He worked for Marvel Comics on The Tomb of Dracula series for which he and artist Gene Colan created Blade, and the Crisis on Infinite Earths series in which he very temporarily untangled DC’s complicated history with George Pérez. And He worked with Pérez on the direct-to-DVD movie adaptation of the popular “Judas Contract” storyline from their tenure on Teen Titans. (I’m not going to list his IMDB credits here. Hell he even wrote a Reboot episode!) (CE)
Born May 13, 1949 — Zoë Wanamaker, 72. She’s been Elle in amazing Raggedy Rawney which was a far better fantasy than Harry Potter and the Philosopher’s Stone ever waswhere she was Madame Hooch. And she was Cassandra in two Ninth Doctor stories, ”The End of the World” and “New Earth”. (CE)
Born May 13, 1951 — Gregory Frost, 70. His retelling of The Tain is marvelous. Pair it with Ciaran Carson and China Miéville’s takes on the same legend taking an existing legend and making it fresh it through modern fiction writing is amazing. Fitcher’s Brides, his Bluebeard retelling is an fantastic novel though quite horrific. (CE)
Born May 13, 1951 – A.J. Austin, age 70. Two novels (with Ben Bova), nine shorter stories. Interviewed Forry Ackerman and Mike Resnick for Thrust. Ten years hosting a midday call-in radio program in Connecticut. [JH]
Born May 13, 1957 — Frances Barber, 64. Madame Kovarian, a prime antagonist during the time of The Eleventh Doctor showing up in seven episodes in totality. Fittingly she played Lady Macbeth in Macbeth at the Royal Exchange in Manchester. I’ve got her doing one-offs on Space Precinct, Red Dwarf and The IT Crowd. (CE)
Born May 13, 1981 – Kieran Yanner, age 40. A dozen covers, half a dozen interiors; games; Magic: the Gathering cards; concept art. Here is Before They Were Giants. Here is Demon in White. Here is Ghen, Arcanum Weaver. [JH]
Born May 13, 1983 – Nate Ball, age 38. Mechanical engineer, pole vaulter, beatboxer. Eight Alien in My Pocket science-adventure chapter books for kids. Here is Blast Off!Here is Ohm vs. Amp. [JH]
But recently a number of fanfic creators have received worrying demands from the BBC to remove their work from the public domain, arguing that they are infringing on copyright. Under the question “Can I create Doctor Who fan fiction?” on the show’s online FAQ page, the BBC advises that while anyone is “welcome to write Doctor Who fiction for your own enjoyment, but we should remind you that it is not permitted for you to publish this work either in print or online.”
The rules – which were published in 2014 – were unknown to the majority of creators but were widely shared on Twitter this week in response to the BBC’s demands. In response, 21-year-old student Jamie Cowan has started a petition calling for the BBC Studios, the production company behind Doctor Who to offer the fans a seat at the table in these decisions.
… The current experience of BBC Studios staff contacting fanfiction and fan audioplays about the own original non-profit ventures – is concerning.
The manual targeting of those who use clips of the show for review purposes or for ‘Top 10’ videos that strongly promote the episodes that they are discussing – is concerning.
We, of the Doctor Who fandom – both creators and the viewers of said creators – call upon you to make a strong reconsideration of the actions you are taking against passionate fans who are doing no damage to the sales or marketability of the brand….
…The “wench auction” was among the first to go in the exodus of classic-but-problematic Disney scenes. In 2018, the popular Pirates of the Caribbean ride got an overhaul when a redhead who had once been sold as a bride became a pirate instead.
Two years later, the theme park giant announced it was overhauling the Splash Mountain flume ride to lose its story line inspired by “Song of the South” — an outdated Disney film that the company no longer makes available to view because of its rosy view of post-Civil War plantation life. More recently, the company announced updates to the classic Jungle Cruise ride to remove “negative depictions of ‘natives’” and add new elements, just in time for a new movie out this summer….
But these changes aren’t taking place without pushback. Fans created a petition to “save” Splash Mountain from the new theme. Disney-focused sites are full of users who decry what they see as a progressive agenda in the parks, and announcements about updates are typically greeted with threats of a boycott. People who vocally advocate for revisions are often subjected to abusive messages….
The updates in the parks follow a shift in the company’s films over the past several decades. Anne Zimmermann, a lecturer in the Rollins College English department in Winter Park, Florida, said Disney’s princesses started becoming more inclusive, assertive and even feminist over the past couple of decades.
“Today’s generation, they are kind of expecting this of Disney, and they will tell you it’s long overdue,” said Zimmermann, who uses Disney stories in her classes.
At the same time, Disney has recognized that some of its older films include outdated and racist cultural stereotypes and has added warnings on its streaming platform or removed those movies from children’s profiles.
“They’re moving not just toward not being racist, but anti-racist,” Zimmermann said. “Changing the parks continues their own narrative of change.”
Her students visit Disney parks for field research — or, more recently, explore rides online — and flag those that strike them as problematic.
For now, there’s a laundry list of other nominees for eventual updates: the Peter Pan ride for stereotypical depictions of Indigenous people; a ride in Epcot’s Mexico area that includes broad stereotypes; Dumbo, which is based on a movie that includes racist tropes. Fan sites circulate longer lists of what rides might be under the microscope next, occasionally with outraged remarks: It’s a Small World, Hall of Presidents, Country Bear Jamboree.
Disney isn’t saying what is next, but the company has dedicated a team to making sure that updates are done right.
“You create experiences that will make people feel welcome, seen and heard and to let them know that their stories are just as important,” Carmen Smith, creative development and inclusion strategies executive for Walt Disney Imagineering, said in a video. “And so my responsibility is to look at what do we have now and does it resonate with our guest in making them more reflective of the world we live in.”
…So how do fans navigate these communities, to find the good parts while being aware of the bad? It’s about teaching kids that there are … many other people who like the same things that they do in the same enthusiastic ways and hopefully, helping kids feel more comfortable and confident.
Amy Ratcliffe, managing editor for the pop culture site Nerdist, addresses this as part of her new book, A Kid’s Guide to Fandom. She says it’s the book that she wishes she could have had when she was a young fan looking for others like her. Ratcliffe remembers growing up as a fan of the Wheel of Time series, using her family’s dial-up internet to visit online forums.
She says her objective is for kids to be aware of fandom, “that other people like the same things that you like … even if it’s one other person, like you’re not alone.”
“I still hear stories about young girls being bullied because they like Star Wars; they think they’re the only kid,” she says. “It’s about teaching kids that there are … many other people who like the same things that they do in the same enthusiastic ways and hopefully, helping kids feel more comfortable and confident.”
No one gets to decide who is a “real” fan
Ratcliffe explains in her book that some fans can become gatekeepers, people who want to decide who is or is not a “real fan.” Fans, she says, should never have to prove themselves.Ratcliffe herself has run into gatekeepers; once, at a Star Wars convention, a man saw her Rebel Alliance tattoo, “looked at the tattoo, looked at my then-boyfriend who was with me, and was like … completely serious by the way, no sarcasm, like, ‘oh that was really nice of you to get that tattoo for your boyfriend.'”
Her advice for younger fans who want to find communities is to start with groups or places that they know: a local library, or a game shop they go to with their family; to trust their instincts when they feel something is off; and to get an older sibling, a parent, or guardian involved….
Apollo-Soyuz Test Project Flown Silver Robbins Medallion, Serial Number 43F, Personally Presented by Deke Slayton to and Directly from the Estate of NASA Legend Chris Kraft, with Slayton’s Signed COA and Handwritten Letter of Appreciation. This 35mm sterling silver medal is one of only ninety-three flown (of 285 minted) aboard the Apollo-Soyuz Test Project, the first international manned space effort, July 17-19, 1975, with U.S. crewmembers Thomas Stafford, Vance Brand, & Deke Slayton and Soviet crewmembers Alexei Leonov & Valery Kubasov. The obverse features the mission insignia depicting the docking maneuver above the Earth and the names of the mission and crewmembers. The reverse features the title “First Joint U.S.-U.S.S.R. Space Flight” and the engraved dates. The serial number is on the rim along with the sterling and Robbins hallmarks. This mission effectively ended the “Space Race” between the U.S. and the U.S.S.R. We seldom are able to offer flown examples of this mission’s medal and this one is likely the nicest we have ever handled. A great candidate for grading and encapsulation.
If this were just a Robbins medal with astronaut or even crewmember-provenance, it would be desirable and valuable. When the history behind it is revealed, it becomes a very special item indeed. Deke Slayton was one of the original “Mercury Seven” but was the only one who never flew into space due to being grounded in 1962 with an atrial fibrillation. Ten years later, he was cleared to fly on Apollo-Soyuz with Dr. Kraft’s blessings. On December 1, 1975, Slayton met with Kraft and presented this medal to him loose in an envelope hand-addressed ” Dr. Chris Kraft/ Personal“. Additionally, inside was a December 1st-dated typed letter signed on NASA letterhead that reads: “I hereby certify that Apollo-Soyuz medallion, serial number 43F, was flown in space aboard the Apollo Command Module from July 15, 1975, through July 17, 1975, and that this medallion was presented to Dr. Christopher C. Kraft, Jr., on December 1, 1975. [signed] D. K. Slayton“.
[Thanks to Michael Toman, John King Tarpinian, Cat Eldridge, John Hertz, Ben Bird Person, Mike Kennedy, Andrew Porter, Martin Morse Wooster, Jason Sanford, and JJ for some of these stories. Title credit goes to File 770 contributing editor of the day Rob Thornton.]
SFWA reports that Alan Dean Foster’s missing royalties owed by Disney have been resolved, however, about a dozen additional authors have requested assistance from the organization, including the authors of Empire Strikes Back, Return of the Jedi, Indiana Jones, and multiple other properties. SFWA has provided Disney with the names of authors who are similarly missing royalty statements and payments going back years. (For details of Foster’s claims, see Cora Buhlert’s coverage of “The #DisneyMustPay Alan Dean Foster and SFWA Joint Press Conference” held in November 2020.)
Honor contracts now held by Disney and its subsidiaries.
Provide royalty payments and statements to all affected authors.
Update their licensing page with an FAQ for writers about how to handle missing royalties.
Create a clear, easy-to-find contact person or point for affected authors.
Cooperate with author organizations that are providing support to authors and agents.
The #DisneyMustPay Task Force reports they presented these steps to Disney and offered them an opportunity to include a statement in an email to their members. Disney declined.
Authors may be missing royalty statements or checks across a wide range of properties in prose, comics, or graphic novels. This list is incomplete and based on properties for which we have verified reports of missing statements and royalties:
LucasFilm (Star Wars, Indiana Jones, etc.)
Boom! Comics (Licensed comics including Buffy the Vampire Slayer, etc.)
Dark Horse Comics (Licensed comics including Buffy the Vampire Slayer, etc.)
20th Century Fox (Buffy the Vampire Slayer, Alien, etc.)
Marvel WorldWide (SpiderMan, Predator)
Disney Worldwide Publishing (Buffy, Angel)
“Writers must be paid or given missing royalty statements; these contracts must be honored,” said Mary Robinette Kowal, President, SFWA. “We urge all authors to review their statements to make certain they are in order.”
To get help in seeking resolution, an affected author does not need an agent or membership in any author organization. Writers who are missing royalties or royalty statements may fill out this form hosted by SFWA. Anonymity is guaranteed.
Last year, Alan Dean Foster came to SFWA’s Grievance Committee because he had written novels and was not being paid the royalties that were specified in his contract. During the investigation, SFWA discovered that Disney was now the rights holder and contacted them. The initial contact refused to pay.
Disney’s argument was that they had purchased the rights but not the obligations of the contract. SFWA was forced to take the matter public to get a resolution. SFWA suspected that other authors would be similarly affected.
SFWA says Disney is being reactive rather than proactively working with them to address the significant issue that has been brought to their attention.
SFWA reports that while in talks for Foster’s Alien novels, Disney was told that he was also missing statements and royalties for his Star Wars novelizations. They would not begin the process nor resume royalty statements until Mr. Foster contacted them with a formal claim.
“SFWA wishes to create a cooperative relationship with Disney, but the corporation flatly refuses to work with us,” said Kowal. “They say they are committed to paying the authors, but their actions make it clear that Disney is placing the onus to be paid on the authors, while at the same time attempting to isolate the authors from receiving counsel from their professional author organization.”
During the initial #DisneyMustPay campaign, SFWA proposed a hypothetical situation based on Disney’s position that they had purchased the rights but not the obligations to Mr. Foster’s work. In this scenario, Company A might sell a property to their sister Company B to get out of paying royalties.
This situation is no longer hypothetical. Fox had licensed the comics rights to Buffy the Vampire Slayer to Dark Horse. After Disney purchased Fox, they withdrew those rights from Dark Horse and granted them to Boom! Comics. When one Buffy author contacted Boom! about missing royalties, they were told that “royalties don’t transfer.”
Disney is one of the owners of Boom! Comics.
Since Disney has declined to cooperate with the task force in identifying affected authors, the #DisneyMustPay Joint Task Force is requesting help to contact everyone who might be affected. The joint task members ask writers, readers, and fans to alert authors who may be affected.
And the Task Force lists other ways to support this effort:
Do not boycott, as this will disproportionately affect those authors who are being paid.
Use #DisneyMustPay on social media. Help is needed to bring the task force’s five action items to the attention of Disney’s decision-makers.
Do purchase the works of affected authors for which they are receiving royalties.
The #DisneyMustPay Joint Task Force is making sure writers’ working conditions are fair and safe, but individual negotiations are, rightly, between the authors, their agents, and the rights holder. Hence, the Disney Task Force is looking at structural and systemic concerns.
One of those concerns is identifying the authors whose royalty payments may have been missed as a result of acquisition integration. Working with the task force would have streamlined identifying those authors for Disney—since the Task Force has current contact information for the various organizations’ members—and Disney knows when acquisitions happened and for which properties.
Without that cooperation, the #DisneyMustPay Joint Task Force is broadcasting, widely and loudly, to make sure that everyone who might be affected hears the message.
A task force made up of science fiction and fantasy, romance, crime and horror authors has been formed in an attempt to persuade Disney into paying authors outstanding royalties for novelisations and comics relating to their properties, including Star Wars, Alien and Indiana Jones.
The so-called DisneyMustPay Joint Task Force includes major writers Neil Gaiman, Tess Gerritsen, Mary Robinette Kowal and Chuck Wendig among its members. It has been formed by the Science Fiction and Fantasy Writers of America in partnership with the Author’s Guild, Horror Writers Association, National Writers Union, Novelists, Inc., Romance Writers of America, and Sisters in Crime.
The author organisations came together after the SFWA became involved in the author Alan Dean Foster’s battle to get Disney to pay him royalties for his bestselling novelisations of Star Wars and Alien. Foster was asked to write his novelisation of Star Wars: A New Hope by George Lucas himself, which was published in 1976. When Disney acquired Lucasfilm in 2012, it bought the rights to the Star Wars novel, while Disney’s acquisition of 20th Century Fox in 2019 meant it also bought rights to Foster’s novelisations of Alien, Aliens and Alien 3….
But despite the books still being in print, Foster claimed that Disney was not paying him royalties for them and that he’d had to go public after the company ignored multiple queries from his agents, legal representatives and the SFWA. The latter claimed that Disney had argued that it had purchased the rights, but not the obligations of the contract.
(2) SLF OLDER WRITERS GRANT. The Speculative Literature Foundation will be taking applications for the SLF $1000 Older Writers Grant from May 1-31. Complete guidelines here.
The SLF $1000 Older Writers Grant is awarded annually, since 2004, to a writer who is fifty years of age or older at the time of grant application, and is intended to assist such writers who are just starting to work at a professional level. We are currently offering a $1000 grant annually, to be used as each writer determines will best assist his or her work.
This grant will be awarded by a committee of SLF staff members on the basis of merit. If awarded the grant, the recipient agrees to provide a brief excerpt from their work, and an autobiographical statement describing themselves and their writing (500-1000 words) for our files, and for possible public dissemination on our website.
This grant, as with all SLF grants, is intended to help writers working with speculative literature. Speculative literature is a catch-all term meant to inclusively span the breadth of fantastic literature, encompassing literature ranging from hard science fiction to epic fantasy to ghost stories to horror to folk and fairy tales to slipstream to magical realism to modern myth-making — and more. Any piece of literature containing a fabulist or speculative element would fall under our aegis, and would potentially be work that we would be interested in supporting.
(3) IT’S ABOUT TO HATCH. Melinda Snodgrass invites readers to look over her shoulder as she explains “How I Plot”.
I mentioned on Twitter that I was getting ready to outline or break two new novels, and a follower asked if I could describe my process. It ended up being a really looong Tweet thread so I thought I would pull it all together here for folks who might not be on Twitter. I always outlined from the time I first started writing, I think it was a function of having been a lawyer and knowing that a brief has to take a judge or a jury to a certain conclusion so structure is important. I’m also the type of person who likes to have an itinerary when I travel and hotels booked in advance. But it wasn’t until I got my first job in Hollywood that I truly learned how to “break a story”. Ira Behr, Rick Manning and Hans Beimler were my teachers and they were very good ones. So without further ado….
First, I never start anything unless I know the ending. I don’t mean the wrap up, falling action, but the actual exciting climax. The next thing I ask myself is “What is the theme of this book?” What is it I want to impart about the human condition? The human heart in conflict with itself as William Faulkner wrote.
My short hand for this is “Plot is the shit that happens. Theme is why it matters.”…
(4) CHRIS GARCIA’S SFF FILM PODCASTS. Chris Garcia says he’s rediscovered a ton of episodes of his old podcasts and has started posting them on a new series of feeds.
Fantasy Film 101 is available from Pinecast or Apple. Its 16 episodes cover fantasy film history, emphasizing short films, foreign works, and the super-artsy.
(5) JOHN HODGMAN WEIGHS IN ON TIME TRAVEL CONTROVERSY. [Item by Martin Morse Wooster.] This is John Hodgman’s column from the April 18 New York Times Magazine.
Tony; “My son read that the director James Gunn’s favorite time-travel movie is A Christmas Carol. That isn’t time travel! Please find against Scrooge, my son, and James Gunn, just to be sure. (P.S. I was mistaken. Apparently, it was Robert Zemeckis who said this.”
Hodgman: “I had never thought of Scrooge’s big night as time travel! And for that reason I find against you. Back To The Future is wonderful but only one template for time travel in movies. There’s the multiple timelines concept, as in Avengers: Endgame, which would account, say, for an alternate universe in which Robert Zemeckis, director of Back To The Future, could be wrong about time travel. But as with all these stories, they are designed to inspire imagination, not stamp it out as you seek to do with your own Tiny Tim. G Buy your son the biggest goose in town as damages.”
(6) AND THAT’S NOT ALL! [Item by Daniel Dern.] The new season (starts May 2) of DC Legends Of Tomorrow looks like a wild whacky ride! Watch the trailer even if you currently don’t plan to watch the show! And io9’s post “Legends of Tomorrow Season 6 Trailer: Aliens, Disney, Reality TV” says that beyond what the trailer shows, the season will include other references —
… And that’s not all! Entertainment Weekly confirms there will also be a Clue episode, an ALF episode (because of course there is), and, according to showrunner Phil Klemmer, “another episode that’s virtually all Constantine (Matt Ryan) in the Spanish Civil War, and that could just as well be from the Constantine TV show,” which sounds completely awesome….
(7) FIRM GRASP ON THE CATNIP. In“Timothy Reviews The Dispossessed by Ursula Le Guin” at Camestros Felapton, Timothy the Talking Cat propounds literary truths about a great classic that were previously unsuspected by any human being. But fairly obvious to a cat, evidently.
Greetings, salutations and the assorted lyrics of Hello, Goodbye by the mop-headed foursome from Liverpool to you all. I am, once again, your inimitable host and master of ceremonies, Timothy the Talking Cat esquire, who shall be taking you on a journey into the foundational texts of modern scientifiction….
Doctor Who‘s John Barrowman and David Bradley are set to reprise their roles for the theatrical event Time Fracture.
The pair, who play Captain Jack Harkness and the First Doctor on the BBC sci-fi series respectively, have recorded cameo appearances for the Immersive Everywhere event.
… Time Fracture is set to take place at Immersive | LDN in London and will put fans in the middle of a new Doctor Who story set at the time of the Blitz.
(9) COLLINS OBIT. Apollo 11 astronaut Michael Collins died April 28. Acting NASA Administrator Steve Jurczyk had this to say:
“Today the nation lost a true pioneer and lifelong advocate for exploration in astronaut Michael Collins. As pilot of the Apollo 11 command module – some called him ‘the loneliest man in history’ – while his colleagues walked on the Moon for the first time, he helped our nation achieve a defining milestone. He also distinguished himself in the Gemini Program and as an Air Force pilot.
“Michael remained a tireless promoter of space. ‘Exploration is not a choice, really, it’s an imperative,’ he said. Intensely thoughtful about his experience in orbit, he added, ‘What would be worth recording is what kind of civilization we Earthlings created and whether or not we ventured out into other parts of the galaxy.’…”
(10) TODAY’S DAY.
April 28 – National Superhero Day. Marvel, naturally, celebrated by advertising a forthcoming production.
(11) MEDIA BIRTHDAY.
April 28, 1946 — On this night in 1946, The Shadow’s “Dreams of Death” episode first aired. It starred Lloyd Lamble (of Quatermass2 fame) as Lamont Cranston and The Shadow with Lyndall Barbour as Margot Lane and Lloyd Berrill as The Announcer. The Shadow in the radio series was quite different from the printed version as he was given the power to “cloud men’s minds so they cannot see him”. This was at odds with the pulp novel character who relied solely on stealth and his guns to get the job done. Likewise Margo Lane was a radio creation that would later be added to the pulps. You can hear the episode here.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born April 28, 1840 — Palmer Cox. He was known for The Brownies, his series of humorous books and comic strips about the troublesome but generally well meaning sprites. The cartoons were published in several books, such as The Brownies, Their Book for some forty years starting in the 1870s. Due to the immense popularity of his Brownies, one of the first popular handheld cameras was named after them, the Eastman Kodak Brownie camera. (Died 1924.) (CE)
Born April 28, 1910 – Sam Merwin. Edited Fantastic, Startling, Thrilling, Wonder, later Fantastic Universe; for a while editor of Satellite, associate editor of Galaxy; his letter columns were lively; he generally improved our field. Six novels, six dozen shorter stories for us; also romance and detective fiction, under various names. (Died 1996) [JH]
Born April 28, 1914 – Phil High. Working thirty years as a bus driver did not prevent, may have helped, his writing a dozen novels, fourscore shorter stories. See here. (Died 2006) [JH]
Born April 28, 1917 — Robert Cornthwaite. Actor in such Fifties films as The Thing From Another World, The War of the Worlds, Men Into Space and Destination Space. He would be active well in the Twentieth Century in such productions as The Twilight Zone, Voyage to the Bottom of the Sea, Colossus: The Forbin Project , The Six Million Dollar Man, Buck Rogers in the 25th Century and White Dwarf. (Died 2006.) (CE)
Born April 28, 1926 – Jim Bama, age 95. Fourscore covers, a few interiors for us; interviewed by Vincent Di Fate in SF Chronicle. Outside our field, Westerns, sports, commercial art. Here is The 480. Here is V.Here is He Could Stop the World. Illustrators Hall of Fame. Artbooks The Art of JB; The Western Art of JB; JB, American Realist with introduction by Harlan Ellison. [JH]
Born April 28, 1926 – Bill Blackbeard. One short story that I know of; correspondent of Amazing, Fantasy Times, Riverside Quarterly, Weird Tales; fanziner, in various apas including The Cult. Extraordinary collector of comics in newspapers and otherwise, eventually 75 tons; he produced 200 books, and that ain’t the half of it. See here (note by Our Gracious Host), here (Fancyclopedia 3), here (The Comics Journal). (Died 2011) [JH]
Born April 28, 1930 — Carolyn Jones. She began played the role of Morticia Addams (as well as her sister Ophelia and the feminine counterpart of Thing, Lady Fingers) in The Addams Family. Though she had an uncredited role in the original The War of the Worlds which was her first genre role as a Blonde Party Guest, and she was Theodora ‘Teddy’ Belicec in the Invasion of the Body Snatchers. She had a recurring role as Marsha, Queen of Diamonds on Batman. (Died 1983.) (CE)
Born April 28, 1948 — Terry Pratchett. Did you know that Steeleye Span did a superb job of turning his Wintersmith novel into a recording? You can read the Green Man review here as reviewed by Kage’s sister Kathleen. My favorite Pratchett? Well pretty much any of the Watch novels will do for a read for a night when I want something English and really fantastic. (Died 2015.) (CE)
Born April 28, 1959 – Fran Dowd, age 62. Chaired Eastercon 49; with husband John Dowd active in Eastercons and Novacons; F & J both Fan Guests of Honour at Eastercon 61. Sofa, i.e. chair when we need one, of the Sheffield Science Fiction and Fantasy Society. Posted her Books Read in 2020 here. [JH]
Born April 28, 1970 – Danielle Ackley-McPhail, age 51. Nine novels, five dozen shorter stories, a dozen poems; a score of anthologies with various co-editors. Member and supporter of Broad Universe. Was at the last known Lunacon in 2017, then in 2019 HELIOsphere. She and husband Mike McPhail publish ESpec Books. [JH]
Born April 28, 1971 — Chris Young, 50. Bryce Lynch in the Max Headroom series which I still hold is of the best SF series ever done. The only other genre I think he’s are two horror films, The Runestone and Warlock: The Armageddon. Unless you call voice roles in The Brave Little Toaster Goes to Mars and The Brave Little Toaster to the Rescue genre… (CE)
Born April 28, 1982 — Samantha Lockwood, 39. Daughter of Gary Lockwood of 2001: A Space Odyssey fame. And she apparently was in yet another video Trek fanfic though this may not have ever gotten done before Paramount squashed them, Star Trek Equinox: The Night Of Time. There’s a trailer but no actual episode that I can find, so her role in Sci-Fighters which as Girlfriend is her only genre role. (CE)
(13) COMICS SECTION.
The Far Side involves what happens when aliens are the ones posing a familiar nature question.
Dracula said, “I never drink…wine.” The zombies in Bliss say something else.
… Jupiter’s Legacy is based on Millar and artist Frank Quitely’s 2013 cross-generational saga about rifts in a super-powered family, whose conflicting politics and ideologies manifest themselves as a global power struggle, causing significant collateral damage. “People expected it to be like Kick-Ass or Kingsman,” he says, “which are quite nihilistic, really violent and ironic, whereas this show is very sincere. Kick-Ass is a pastiche of superheroes, but Jupiter’s Legacy is a love letter. The big question is: is it ethically correct, if you have the power to save the world, to stand back and do nothing?”
… The series contains what Millar calls a “boomer versus millennial argument”. This is reflected mostly through the Sampson family: Sheldon (AKA The Utopian) and Grace (AKA Lady Liberty) are the elder, age-defying leaders of The Union, a paramilitary team that has symbolised the American ideal ever since they gained their superpowers during the Great Depression of the 1930s. Cut to the present day and we find their children, Chloe and Brandon, are increasingly disillusioned by their parents’ code and expectations. “Superman is the best guy you could possibly have,” says Millar, “but imagine if he was your dad? That’s the idea with The Utopian, who the whole world loves. But what does that mean for your children? Because the pressures are incredible.”
Daniel P. Dern adds:
Like many-to-most supercapes these days, the issues of power/authority along with “hard to have a life when you’re a cape” fuel this. It’s not as extreme as The Boys.
Mark Millar has written bunches of superhero comics (including an entire publishing brand of his own creations).
Frank Quitely is one of my favorite comic artists. For example, All-Star Superman (1-12), Flex Mentallo (1-4), a great run on New X-Men.
Jupiter’s Legacy is based on a manageable-to-read # of comics — 24 issues across 5 books/volumes, plus 10 issues of JUPITER’S CIRCLE, a prequel series.
Buy the individual comic issues or the collected-into-books
Borrow the books from your library
Buy & e-read via Kindle, ComiXology.
I enjoyed the comics; I’m ready to watch the show and see how it goes.
(15) STRETCH RUN. [Item by Michael Kennedy.] After achieving all the basic goals on flights 1–3, Ingenuity is now ready for a little stretch. Stretch goal, that is. Flight 4 will go further, faster, and take more photos than ever before. As for what might happen on flight 5, project Chief Engineer Bob Balaram said, “We have been kicking around several options regarding what a flight five could look like. But ask me about what they entail after a successful flight four.” “With Goals Met, NASA to Push Envelope with Ingenuity Mars Helicopter”.
… The fourth Ingenuity flight from Wright Brothers Field, the name for the Martian airfield on which the flight took place, is scheduled to take off Thursday, April 29, at 10:12 a.m. EDT (7:12 a.m. PDT, 12:30 p.m. local Mars time), with the first data expected back at NASA’s Jet Propulsion Laboratory in Southern California at 1:21 p.m. EDT (10:21 a.m. PDT).
“From millions of miles away, Ingenuity checked all the technical boxes we had at NASA about the possibility of powered, controlled flight at the Red Planet,” said Lori Glaze, director of NASA’s Planetary Science Division. “Future Mars exploration missions can now confidently consider the added capability an aerial exploration may bring to a science mission.”
The Ingenuity team had three objectives to accomplish to declare the technology demo a complete success: They completed the first objective about six years ago when the team demonstrated in the 25-foot-diameter space simulator chamber of JPL that powered, controlled flight in the thin atmosphere of Mars was more than a theoretical exercise. The second objective – to fly on Mars – was met when Ingenuity flew for the first time on April 19. The team surpassed the last major objective with the third flight, when Ingenuity rose 16 feet (5 meters), flying downrange 164 feet (50 meters) and back at a top speed of 6.6 feet per second (2 meters per second), augmenting the rich collection of knowledge the team has gained during its test flight campaign.
“When Ingenuity’s landing legs touched down after that third flight, we knew we had accumulated more than enough data to help engineers design future generations of Mars helicopters,” said J. “Bob” Balaram, Ingenuity chief engineer at JPL. “Now we plan to extend our range, speed, and duration to gain further performance insight.”…
The moon’s surface is pockmarked with craters, the relics of violent impacts over cosmic time. A few of the largest are visible to the naked eye, and a backyard telescope reveals hundreds more. But turn astronomical observatories or even a space probe on our nearest celestial neighbor, and suddenly millions appear.
Bettina Forget, an artist and researcher at Concordia University in Montreal, has been drawing lunar craters for years. Ms. Forget is an amateur astronomer, and the practice combines her interests in art and science. “I come from a family of artists,” she said. “I had to fight for a chemistry set.”
Moon craters are named, according to convention, for scientists, engineers and explorers. Some that Ms. Forget draws have familiar names: Newton, Copernicus, Einstein. But many do not. Drawing craters with unfamiliar names prompted Ms. Forget to wonder: Who were these people? And how many were women?
“Once this question embeds itself in your mind, then you’ve got to know,” she said.
Ms. Forget pored over records of the International Astronomical Union, the organization charged with awarding official names to moon craters and other features on worlds around the solar system. She started underlining craters named for women.
“There was not much to underline,” Ms. Forget said.
Of the 1,578 moon craters that had been named at that time, only 32 honored women (a 33rd was named in February)….
A new trailer has been released for the upcoming documentary In Search of Tomorrow, which taps into the nostalgia of the sci-fi films of the 80s. For any of you who grew up in the 80s and enjoyed these films, this is the kind of doc that you can truly appreciate.
The film comes from journalist and filmmaker David A. Weiner and it’s a “four-hour-plus retrospective of ’80s sci-fi movies featuring interviews with actors, directors, writers, SFX experts, and composers.” They have over 75+ interviews and there are a lot of stories and revelations that come to light….
(19) COLBERT (ON FRESH AIR) TALKS ABOUT HIS INTRO TO SF & F. [Item by Daniel Dern.] Among other things. The SF stuff starts around minute 30, where he names a handful of authors that many Filers will know, including a few that you rarely hear in mainstream conversations, like A.E. Van Vogt Also, how Joe Biden is arguably (my word not his or Terri’s) part of his “origin” story going from playing a character to being a (night show) host as himself. “Stephen Colbert On Missing His Live Audience And Making Comedy A Family Business” on NPR.
On why he turned to sci-fi and fantasy in his grief when his brothers and father were killed in a plane crash when he was a kid
Anything is possible [in fantasy stories]. Often it’s a young man who finds himself with extraordinary powers that he didn’t have at the beginning of the story. There’s a “chosen one” in fantasy stories. Often there’s a missing father figure — if they’re not just orphans outright. … I think being able to make…an alternate world where there are new rules, or the character who you identify with can make his own rules, maybe even bring back the dead or make things impossible possible … I think that’s related to being in a constant state of grief and anxiety and needing a place to be able to escape to.
[Thanks to John King Tarpinian, Mike Kennedy, JJ, BravoLimaPoppa, Martin Morse Wooster, IanP, Andrew Porter, Cat Eldridge, John Hertz, Daniel Dern, and Michael Toman for some of these stories. Title credit goes to File 770 contributing editor of the day Lenora Rose.]