Bova’s first professional sf sale was a Winston juvenile, The Star Conquerors (1959), and his first published short fiction was bought by Cele Goldsmith at Amazing – “A Long Way Back” (1961). During the Sixties he had nearly two dozen more novels and stories published.
He made several sales to Analog before meeting editor John W. Campbell, Jr. face-to-face at a Worldcon in Washington, D.C. After shaking his hand, Campbell provocatively said: “This is 1963. No democracy has ever lasted longer than 50 years, so this is obviously the last year of America’s democracy.”
Another story sold to Campbell, “Brillo” (1970), co-authored with Harlan Ellison, was his first story to be up for an award, a Hugo nominee. (And ten years later they won a judgment against ABC and Paramount, makers of Future Cop, for plagiarizing their idea.)
Bova also served as the science advisor for the Canadian television series Ellison created, The Starlost. Appalled by the production, Ellison assigned his credit to “Cordwainer Bird,” and Bova resigned but didn’t have the “contractual right to remove his name from the credits.” His novel The Starcrossed, is loosely based on those experiences.
Ben Bova studied journalism at Temple University in the Fifties, paying his way through by working as a copyboy at the Philadelphia Inquirer on a shift that started at 6 p.m. and went until 3 a.m. He learned “the basics of writing news copy are simple enough: be clear and deliver on time.”
He acquired his interest in science from visiting the Fels Planetarium, part of Philadelphia’s science museum, the Franklin Institute. “I never took a formal college course in science; I learned from the director of the Planetarium, I.M. Levitt, who became a lifelong friend and mentor.”
In 1956 he was hired by Glenn L. Martin Co. and worked on Project Vanguard, having marketed himself to recruiters as “someone who could understand what the engineers were doing and translate it into copy that the general public could understand.” In the 1960s he worked for the Avco Everett Research Laboratory.
When John W. Campbell, Jr. suddenly died in 1971, Bova was offered the job of editing Analog Science Fiction magazine. “It was like being drafted to run for president. You’re terribly afraid you’re not up to the task, but you can’t refuse to step up to it.” He eventually asked the publisher’s executive who had hired him why he was picked for the job, when much better-known science-fiction writers had been considered. The executive answered that he had made it a point to read the work of each person up for the job. “Ben,” he said, “you were the only one I could understand!”
Bova made Analog, already the prozine with the largest circulation, even more successful. His accomplishments included publishing Spider Robinson’s first sale, a Callahan’s Bar story, and during his tenure acquiring many Hugo-winning stories, among them Larry Niven’s “The Hole Man” and ”Borderland of Sol”, Vonda McIntyre’s Dreamsnake, George R.R. Martin’s “A Song for Lya,” The Forever War and “Tricentennial” by Joe Haldeman, “Home Is the Hangman” by Roger Zelazny, “Eyes of Amber” by Joan D. Vinge, and more. He was the winner of the first Best Professional Editor Hugo (1973), and collected five more while at the helm of the magazine.
He left Analog in 1978 to edit Omni, holding that post until 1982.
During Bova’s career he wrote over 120 fiction and nonfiction books. His novel, Titan, part of The Grand Tour series, won the prestigious John W. Campbell Memorial Award in 2007. Another in the series was Jupiter —
Bova served as President of Science Fiction and Fantasy Writers of America (SFWA) from 1990 to 1992. SFWA President Mary Robinette Kowal paid tribute: “I am devastated that our community has lost Ben Bova. He was so welcoming to new writers and embodied the philosophy of paying it forward.”
Bova taught science fiction at Harvard University and at the Hayden Planetarium in New York City, where he has also directed film courses. He received his doctorate in education in 1996 from California Coast University.
He was Worldcon Author Guest of Honor at Chicon 2000. He was awarded the Robert A. Heinlein Award in 2008 for his work in science fiction.
Bova was married three times. He had a son and a daughter with his first wife, Rose. They divorced in 1974. That same year he married Barbara, and their marriage lasted 35 years, until her death in 2009. In 2013, he married Rashida Loya.
By Cora Buhlert: After some confusion regarding the start time, the joint Zoom press conference of Alan Dean Foster and SFWA about Disney’s failure to pay royalties due to Mr. Foster, started with a slight delay. Present were Alan Dean Foster, his agent Vaughne Hansen and Mary Robinette Kowal, president of the Science Fiction and Fantasy Writers of America. The moderator was Kitty Kurth.
The press conference began with statements from Alan Dean Foster and Mary Robinette Kowal. Alan Dean Foster phrased his statement as an open letter to Mickey Mouse, while Mary Robinette Kowal talked about the broader implications of the issue. Both statements may be found on the SFWA website. After the statements were read, moderator Kitty Kurth opened the floor to questions from the audience.
Some time ago, Alan Dean Foster noticed that he no longer received either royalties or royalty statements for the novelization of the first Star Wars movie, the Star Wars tie-in novel Splinter of the Mind’s Eye as well as the novelizations of Alien, Aliens and Alien 3.
Alan Dean Foster contacted his agent Vaughne Hansen, who contacted the current publishers of the novels in question. It turned out that the problem was not with the publishers, but with Disney.
When Disney’s legal department kept stonewalling Vaughne Hansen, Alan Dean Foster contacted the SFWA grievance committee, who had no more luck getting a response from Disney. According to Alan Dean Foster, his agent and SFWA have been trying to talk to Disney without success for over a year now. So the matter was escalated to SFWA president Mary Robinette Kowal, who decided to take the unprecedented step to go public with the issue.
In essence, Disney claims that when they purchased Lucasfilm and 20th Century Fox, they purchased the rights to the five novels in question, but not the obligation to pay Alan Dean Foster the royalties he is entitled to.
Mary Robinette Kowal stated that according to US contract law, when a company is bought or merged, both rights and obligations are transferred to the legal successor of the original company. Vaughne Hansen confirmed that the original contract for the Alien novelisations also includes a clause stating that rights and obligations are transferred to the legal successor in case of a buyout or merger. No word on the two Star Wars novels, but it would be very unusual, if the contract did not contain a transference of rights and obligations clause.
In my day job as a translator, I see a lot of contracts and can confirm that every contract contains a clause regarding the transferences of rights and obligations in case of a buyout or merger. This is very much a legal and business standard.
Vaughne Hansen stated that the problem is not with the contracts, but with Disney. Mary Robinette Kowal also pointed out that Disney’s behaviour sets a dangerous precedent with potentially huge consequences for all creatives. Mary Robinette Kowal also implored any writers who have experienced similar issues with Disney or any other company to contact SFWA via this form on their website.
Alan Dean Foster’s experience does not seem to be an isolated incident, because during the Q&A part of the press conference Steve Davidson reported experiencing a similar issues regarding the trademark to Amazing Stories, which he holds, and the eponymous Apple TV series. Michael Capobianco also expressed concerns regarding the novelisation of Alien Resurrection, which his late wife A.C. Crispin wrote.
Mary Robinette Kowal once more stressed that SFWA and Alan Dean Foster’s representatives want to talk to Disney to find a solution to the problem and that they only decided to go public, because they could not get a reply from Disney. Mary Robinette Kowal also stated that whether the contracts in question continue or are cancelled, Disney must pay the outstanding royalties to Alan Dean Foster.
Here are the statements by Mary Robinette Kowal and Alan Dean Foster posted at the SFWA Blog:
A message from SFWA’s President, Mary Robinette Kowal:
Last year, a member came to SFWA’s Grievance Committee with a problem, which on the surface sounds simple and resolvable. He had written novels and was not being paid the royalties that were specified in his contract. The Grievance Committee is designed to resolve contract disputes like this. As part of our negotiating toolbox, we guarantee anonymity for both the writer and the publisher if the grievance is resolved.
When it is working, as president, I never hear from them.
When talks break down, the president of SFWA is asked to step in. We do this for any member.
In this case, the member is Alan Dean Foster. The publisher is Disney.
Here are his words.
We have a lot in common, you and I. We share a birthday: November 18. My dad’s nickname was Mickey. There’s more.
When you purchased Lucasfilm you acquired the rights to some books I wrote. STAR WARS, the novelization of the very first film. SPLINTER OF THE MIND’S EYE, the first sequel novel. You owe me royalties on these books. You stopped paying them.
When you purchased 20th Century Fox, you eventually acquired the rights to other books I had written. The novelizations of ALIEN, ALIENS, and ALIEN 3. You’ve never paid royalties on any of these, or even issued royalty statements for them.
All these books are all still very much in print. They still earn money. For you. When one company buys another, they acquire its liabilities as well as its assets. You’re certainly reaping the benefits of the assets. I’d very much like my miniscule (though it’s not small to me) share.
You want me to sign an NDA (Non-disclosure agreement) before even talking. I’ve signed a lot of NDAs in my 50-year career. Never once did anyone ever ask me to sign one prior to negotiations. For the obvious reason that once you sign, you can no longer talk about the matter at hand. Every one of my representatives in this matter, with many, many decades of experience in such business, echo my bewilderment.
You continue to ignore requests from my agents. You continue to ignore queries from SFWA, the Science Fiction and Fantasy Writers of America. You continue to ignore my legal representatives. I know this is what gargantuan corporations often do. Ignore requests and inquiries hoping the petitioner will simply go away. Or possibly die. But I’m still here, and I am still entitled to what you owe me. Including not to be ignored, just because I’m only one lone writer. How many other writers and artists out there are you similarly ignoring?
My wife has serious medical issues and in 2016 I was diagnosed with an advanced form of cancer. We could use the money. Not charity: just what I’m owed. I’ve always loved Disney. The films, the parks, growing up with the Disneyland TV show. I don’t think Unca Walt would approve of how you are currently treating me. Maybe someone in the right position just hasn’t received the word, though after all these months of ignored requests and queries, that’s hard to countenance. Or as a guy named Bob Iger said….
“The way you do anything is the way you do everything.”
I’m not feeling it.
Alan Dean Foster
Mary Robinette Kowal adds:
In my decade with the organization, the fact that we are forced to present this publicly is unprecedented. So too, are the problems. The simple problem is that we have a writer who is not being paid.
The larger problem has the potential to affect every writer. Disney’s argument is that they have purchased the rights but not the obligations of the contract. In other words, they believe they have the right to publish work, but are not obligated to pay the writer no matter what the contract says. If we let this stand, it could set precedent to fundamentally alter the way copyright and contracts operate in the United States. All a publisher would have to do to break a contract would be to sell it to a sibling company.
If they are doing this to Alan Dean Foster, one of the great science fiction writers of our time, then what are they doing to the younger writers who do not know that a contract is a contract?
To resolve the immediate issue regarding their breach of contract with Alan Dean Foster, Disney has three choices:
Pay Alan Dean Foster all back royalties as well as any future royalties.
Publication ceases until new contract(s) are signed, and pay all back royalties to Alan Dean Foster as well as any future royalties.
Publication ceases and pay all back royalties to Alan Dean Foster.
This starts with a conversation. You have our contact information and offer to sit down with a Disney representative, Alan’s agent Vaughne Lee Hansen, and a SFWA representative.
Regardless of choice, Disney must pay Alan Dean Foster.
If you’re a fan of Alan Dean Foster or believe that a writer’s work has value, please let Disney know.
If you are a writer experiencing similar problems with Disney or another company, please report your circumstances to us here.
(1) UK LOCKDOWN BEGINS. “England is going into a month (at least) of hard lockdown,” says Jonathan Cowie – see details at SF2 Concatenation. About that sff/science news publication Cowie reassures:
We have enough articles in and thirty or so book reviews in hand for a spring edition of SF² Concatenation in January.
If lockdown ends as planned in December, then there’ll also be a pre-Christmas Best of ‘Futures’ short story. If not then we’ll roll it into the Spring edition.
(2) ISS AT 20. [Item by Daniel Dern.] Today’s (Tues Nov 3) Science section of the New York Times is mostly about the International Space Station, celebrating “20 years of…”, including a two-page spread with like a dozen short items, three of which are by Mary Robinette Kowal. It looks like these are reprinted.
(3) NEW TAFF REPORT PUBLISHED. John Coxon’s 2011 Trans-Atlantic Fan Fund trip report is now available. Covers his perambulations through Canada and the USA, and attending Renovation (the 69th World Science Fiction Convention).
We’ve been talking a lot at Polygon about whether it’s possible for science fiction to model a positive future. Your earliest science fiction books felt utopian, but your recent books, especially the Little Brother series,is much more cynical and concerned about America. Has the way you think about technology and the possibility for a positive future changed since your early books?
I don’t know, Down and Out in the Magic Kingdom is definitely a complicated utopia, because it supposes that a non-monetary mechanism for allocating resources would just become money again, right? That it would just turn into another unequal rich-get-richer society. So it is, in some ways, a critique of the utopian idea of reputation economics.
Walkaway is about utopianism, in the sense that it’s a book in which crises are weathered. One of the things I recognized when I went out on tour with that book and started talking to people about it is that utopianism is not the assumption that nothing will go wrong. Being an engineer who builds a system on the assumption that it won’t break doesn’t make you an optimist, it makes you an asshole. That’s the thing that makes you decide we don’t need lifeboats for the Titanic.
Instead, being hopeful and utopian means believing that when things break down, we can rebuild them. One of the things we’re living through right now is people acting as though we have lost, as a species, the ability to weather big global crises, like we want to build the pyramids with Egyptian technology or something. Like it’s the practice of a lost civilization that we will never recover. To be an optimist, or to be utopian, is to believe that we can rise to challenges.
Not that challenges will be vanquished once and for all — even if you built a stable system where everything worked well, that system would be subjected to exogenous shocks….
(5) THE COMMONWEALTH, ER, FEDERATION OF PLANETS. The Royal Mail is taking pre-orders for their Star Trek Special Stamps.
Our Star Trek Special Stamps and limited edition collectibles celebrate classic characters from the ground-breaking TV series and big-screen blockbusters.
The Royal Mail blurb says of this panel —
Twelve new illustrations celebrate British actors who have boldly explored the final frontier as Starfleet captains or crew members.
(6) HEARD THAT VOICE BEFORE. [Item by Martin Morse Wooster.] SNL alum Darrell Hammond, who does a GREAT impression of Sean Connery, sent out a tweet with a highlight reel of his Connery dueling on Jeopardy! with Will Farrell as Alex Trebek.
(7) SESSIONS OBIT. John Sessions, an English actor whose genre credits include Gormenghast, The Adventures of Pinocchio, Dr Who, Outlander, and the audiobook versions of Asterix, died November 2. He was 67.
In the 2014 Doctor Who episode “Mummy on the Orient Express,” he provided the voice of Gus, a sentient computer controlling the titular train. He also co-created and starred in the cult ’90s comedy series Stella Street and made TV appearances in Skins, Outlander, and Friday Night Dinner.
His impeccable impression of his late friend Alan Rickman, which you can watch here, proved especially popular over the years.
(8) MEDIA BIRTHDAY.
November 3, 1967 — “I, Mudd” first aired as the eighth episode of the second season of the original Trek series. Written by Stephen Kandel from a story by Gene Roddenberry, it was directed by Marc Daniels. It reprised the character of Harry Mudd as played Roger C. Carmel who first appeared in “Mudd’s Women”, a season one episode. Although Kandel is the credited writer on the episode, though David Gerrold performed an uncredited extensive rewrite. Carmel was rumored to have been planned to reprise the character on Star Trek: The Next Generation but died before that could happen. He did voice the character in “Mudd’s Passion”, an episode of the animated series.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born November 3, 1921 — Charles Bronson. He didn’t do he a lot of genre acting but I’ve got him in One Step Beyond as Yank Dawson in “The Last Round” and he’s in The Twilight Zone in “Two” as The Man opposite Elizabeth Montgomery as The Women. He was also in Master of The World which is based on the Verne novels Robur the Conqueror and its sequel Master of the World. (Died 2003.) (CE)
Born November 3, 1925 – Monica Hughes, O.C. Twenty novels, half as many shorter stories, for us, not counting three dozen children’s books of which some are SF; various others. Dress designer in London and Bulawayo. Codebreaker in the Women’s Royal Naval Service. Gardener. Beachcomber. Phoenix Award, Hal Clement Award, Vicky Metcalf Award, Alberta Ross Annett Award. Order of Canada. (Died 2003) [JH]
Born November 3, 1929 — Neal Barrett, Jr. Heavily nominated for many awards including a number of Hugos but he never won any. He was Toastmaster at LoneStarCon 2. He was prolific writing over two dozen novels and some fifty pieces of short fiction including a novelization of the first Dredd film. As good much of his genre work was, I think his finest, best over the top work was the Wiley Moss series which led off with Pink Vodka Blues. He’s generously available at usual digital suspects. (Died 2014.) (CE)
Born November 3, 1933 – Jack Harness. Among much else he was the Fan With Too Many Names; Scribe JH, Jxtn Muir, Hawkman, the Golux; these bred variations, like “Wheet-wheet”. They all had origins. He’d been Hawkman in the Chicon III (20th Worldcon) Masquerade. Thurber’s Golux in The Thirteen Clocks wore an indescribable hat, Jack wore indescribable shirts. He dreamed up card games, fanart, cooking. For a while LASFS (L.A. Science Fantasy Society) played strange poker; I believe he invented Soft Shoe, where you could shuffle off to bluff a low. Once he sat staring upward so long that other players demanded to know what he was doing; he answered “I’m worshiping the ceiling”; this was put into song. The LASFS Secretary has been the Scribe ever since his term; he wrote, not the minutes, but the Menace of the LASFS; this too stuck. I could go on, but I won’t. (Died 2001) [JH]
Born November 3, 1933 — Jeremy Brett. Still my favorite Holmes of all time. He played him in four Granada TV series from 1984 to 1994 in a total of 41 stories. One web source said he was cast as Bond at one point, but turned the part down, feeling that playing 007 would harm his career. Lazenby was cast instead. (Died 1995.) (CE)
Born November 3, 1942 — Martin Cruz Smith, 78. Best remembered for Gorky Park, the Russian political thriller, but he’s also done a number of genre novels in The Indians Won (alternate history), Gypsy in Amber and Canto for a Gypsy (PI with psychic powers) and two wonderful pulpish novels, The Inca Death Squad and Code Name: Werewolf.
Born November 3, 1946 – Kathryn Davis, 74. Two novels, four shorter stories for us. Six other novels. Janet Heidinger Kafka Prize, Morton Dauwen Zaubel Award, Lannan Award for Fiction. “When you are lost in the uncanny woods of this astonishing, double-hinged book [Duplex], just keep reading, and remember to look up. Kathryn Davis knows right where you are”, NY Times 20 Sep 13. [JH]
Born November 3, 1956 — Kevin Murphy, 64. Best known as the voice and puppeteer of Tom Servo for nine years on the Mystery Science Theater 3000. He was also the writer for the show for eleven years. I’m surprised the series was never nominated for a Hugo in the Long Form or Shot Form. Does it not qualify? (CE)
Born November 3, 1957 – Dan Hollifield, 63. Editor of Aphelion. Two short stories there, collection Tales from the Mare Inebrium. Has read The Past Through Tomorrow, Ishmael, Rainbow Mars, One Flew Over the Cuckoo’s Nest, Jane Austen, and Dickens. [JH]
Born November 3, 1963 — Brian Henson, 57. Son of Jim Henson, he co-owns and runs the Jim Henson Company. Can we all agree that The Happytime Murders should never have been done? Thought so. Wash it out of your consciousness with Muppet Treasure Island or perhaps The Muppet Christmas Carol. If you want something darker, he was a puppeteer on The Witches, and the chief puppeteer on Teenage Mutant Ninja Turtles. And he voices Hoggle in Labyrinth. (CE)
Born November 3, 1968 – Janni Lee Simner, 52. Seven novels, thirty shorter stories. “Five Reasons Not to Self-Publish” in Reflection’s Edge, “Folkroots” about Icelandic folklore in Realms of Fantasy after Thief Eyes. Judy Goddard Award. Guest of Honor at CopperCon 31, TusCon 41. [JH]
Born November 3, 1995 – Kendall Jenner, 25. This top model and Kardashian relative wrote two SF novels (with a sister and ghostwriters). The amazing astounding planetary startling thing is that she did it at all; hard even for us to imagine in 1939. [JH]
(10) COMICS SECTION.
Wondermark’s entry “In which Armageddon awaits” illustrates a plan to unite humanity. But we are dealing with humans, after all. [H/t to David Langford.]
The Far Side often has thoughts I’ve never thunk before – this one’s about flying saucers.
(11) PHILADELPHIA FREEDOM. In “Honest Trailers: National Treasure” on YouTube, the Screen Junkies say if you like historical mysteries, National Treasure “places the setting on ‘easy’ for a scavenger hunt anyone can figure out –even kids and Americans!”
… “Wearing surgical face masks was [Laughton’s] least favorite part of being in a hospital. He hated the warm, damp feeling of his own breath coating his cheeks and nose, but it was the law.”
When I wrote that scene, the idea that I would be legally required to wear my own face mask in the months before the novel came out was impossible. The future I was writing towards was focused on humanoid, self-aware, artificial intelligences rather than the fictional pandemic that had given rise to the AI’s power. Artificial intelligence was the part of my novel that I envisioned for the future, not a plague.
While all fiction writing could be called a thought experiment, writing about the future is a special kind of thought experiment that doesn’t just ask how particular events affect particular people, but how collective historic events affect the way all people live. If one thing changes—technology, biology, history—what does life look like then?
(13) REACTIONS PREFERRED. In “Honest Game Trailers: Amnesia: Rebirth,” Fandom Games says this is a game for gamers who like solving “puzzles prepared for learning-impaired monkeys” with characters who chug far too much laudanum.
[Thanks to SF Concatenation’s Jonathan Cowie, John King Tarpinian, Mike Kennedy, Martin Morse Wooster, JJ. Cat Eldridge, John Hertz, Lise Andreasen, Daniel Dern, Michael Toman, John Coxon, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day johnstick.]
We are sorry that our program caused hurt and concern, thank you to those that commented. We are working with our team and panelists to amend this and will be revising it as an ongoing process.
And they pulled the panel descriptions, explaining on the convention’s Program webpage:
We are excited about the awesome panel discussions scheduled for the 2020 Virtual World Fantasy Convention. We have some terrific conversations planned, and our panelists are amazing.
But some of our original descriptions failed to live up to our members’ expectations. We apologize for offending the very people we hope to include in this year’s convention. We hear you, and we appreciate your feedback. We’re working to revise the descriptions – with the help of some of those amazing panelists! – and will update them here as they’re finalized.
WFC2020 Chair Ginny Smith also responded to File 770’spost in a comment here, saying in part:
We have sponsored 46 people of color to participate in the convention at no cost (so far – more to come I hope), and have worked very hard to ensure that every panel is comprised of people from a variety of ethnic backgrounds, cultures, and perspectives. The panelist list hasn’t been published yet, but when it is I hope the list demonstrates our commitment to equity and diversity.
But some authors who were going to be on the program have already seen enough to make up their minds.
David Levine wrote on Facebook and Twitter on October 8.
Very sorry to say this, but I’m going to have to withdraw from World Fantasy Convention 2020. Despite a lot of effort on many people’s part, the recent fiasco with panel descriptions demonstrates that the convention simply doesn’t understand how to operate in a diverse world without stepping on marginalized people. I hope that the World Fantasy Convention ? board recognizes that it has a serious, ongoing problem and takes strong action to change course in 2021 and beyond.
The Writing Excuses podcast hosted by authors Dan Wells, Brandon Sanderson, Mary Robinette Kowal, and author and web cartoonist Howard Tayler will not provide content for use by the virtual convention. (Note: Sanderson is one of WFC 2020’s Author Special Guests.)
Also, this tweet from K. Tempest Bradford was retweeted by Mary Robinette Kowal, a signal boost with extra impact because it was Kowal who led the effort to bail out the 2018 Worldcon program.
Jeff VanderMeer tweeted on October 7 that after being told what panel he was on, he was bowing out.
Yilin Wang dropped out October 6.
One writer who has not dropped out, Kate Heartfield, still has some misgivings:
There are three weeks to go before WFC 2020 begins. When the revised program descriptions and panel assignments come out, the decision of other program participants to stay or go will be revealed if they have not announced it before then.
Update: Kate Heartfield tweeted on October 9 that she has now withdrawn from WFC2020 program and membership.
(3) INSIDE THE HUGO CEREMONY. Erin Underwood, who presented the Best Fan Writer Hugo, told Facebook readers some specifics about the lack of support she received, and offered these general comments —
A few more thoughts, the ConZealand Hugo Awards Ceremony production team owned the production of the event (edited to be clear). It was their show. What we saw was what they created. George owns his words and choices, but they own the decision of using those videos. They produced the show that we saw.
… It is hard to push back against an iconic guest and to provide critical guidance for improved performance, but that was their job. ConZealand owned that Hugo Ceremony from start to finish. As con runners and volunteers, it’s our job to make sure that our speakers and guests are well-prepared and know exactly what’s expected of them, and if they fail, we fail.
CoNZealand Hugo administrators were as much in the dark about what was going on as you were. Probably more so in that we had no input at all, whereas at least you recorded a video.
Edited to add: practically the first thing we did with finalists was to ask the correct pronunciation of their names.
(4) AVOID FRIENDLY FIRE. Michi Trota is concerned about collateral damage from the social media response to the troubled Hugo Awards ceremony.
(5) ASPIRATION PLUS PERSPIRATION. Cheryl Morgan analyzes some of the challenges of managing Worldcons in “Why Worldcons Go Wrong” and says in conclusion:
…There’s a tendency in certain quarters to sneer when people say that running Worldcon is hard, but it is, and unless you have actually done it you probably don’t understand just how hard it is. Which is not to say that people don’t make terrible mistakes, and should not be called to account for them. I can assure you that I have done that often enough in my time (ask people about TorCon 3 if you don’t believe me). However, I have always tried to do so in the hope that we can learn from our mistakes and make Worldcon better. I hope you can see from the above that fixing things, or creating an alternative, is not simply a matter of vowing to “do better”.
(6) CLOSED CAPSHUNNING. The AI still needs some work.
The Eighties were a golden era for science-fiction. Cineplexes were chockablock with blockbusters like The Empire Strikes Back, Back to the Future, Aliens and The Terminator. On the small screen, you could get your space fix with Star Trek: The Next Generation. Sitcoms had aliens and androids as their stars in ALF and Small Wonder. Even the cars could talk on Knight Rider.
Of course, not everything was a hit. For every smash, there were scores of knock-offs. Every network attempted to launch its own time travel adventure, it seems. While these shows rarely made it to a second season, they remain cult favorites of those who watched them. They might have thrived today, in our geek culture of a thousand options…
13. THE POWERS OF MATTHEW STAR (1982–83)
Peter Barton starred alongside Lou Gossett, Jr., in this 1982 superhero series. Production began in 1981, though was put on hold after Barton fell onto a pyrotechnics flare, suffering severe third degree burns. Production was shut down, as the actor healed for several months in a hospital. Barton had edged Tom Cruise for the lead role, an alien prince hiding out in high school on earth. Star Trek fans take note: Leonard Nimoy directed an episode, and Walter Koenig wrote one.
I mean, in a novel. OK, a minor character, more like a cameo, but still — my name is the first that you see in the first chapter of “The Relentless Moon,” the new novel in Mary Robinette Kowal’s “Lady Astronaut” science fiction series. The novels are set in an alternate timeline that has the world, after a devastating meteorite strike and the resulting runaway global warming, greatly accelerating its space program to get humans off the doomed planet.
HALFWAY TO MARS John Schwartz, Special to the National Times KANSAS CITY, March 28, 1963 — If all goes as it should — and in space, that is no sure thing — then sometime today, thirteen brave voyagers will cross a Rubicon that no man ever has: the halfway point between our home planet and Mars.
Ms. Kowal, who has won Hugo and Nebula awards and who is president of the Science Fiction & Fantasy Writers of America, makes her novels something of a group project by relying on the expertise of others for thorny passages: She gets help with orbital mechanics and spacecraft piloting, for example, from actual astronauts. She puts the names of real people into her work, including astronauts.
But she tucks in other names, as well….
(9) DON COMES UP LIKE THUNDER. [Item by Martin Morse Wooster.] Last night I heard a 2019 podcast Leonard and Jessie Maltin did with Don Hahn. Hahn began his career at Disney in the mid-1970s, back when an animator who asked to “see a scene” could have an intern go to the storage area where the original cels were stored. Hahn’s been associated with Disney ever since, surviving the first attempt to revive the animation decision in the early 1980s and the second one when Disney shifted to musicals with The Little Mermaid. He was the producer of the first versions of Beauty and The Beast and The Lion King, and tells many stories about the era, including how The Lion King was nearly scored by ABBA. He’s also proud of spotting talent early, including seeing the potential in composer Hans Zimmer and director Tim Burton, and says Burton became a success because of “an incredible work ethic.”
Hahn also writes books, including books about animation and an edited version of Walt Disney’s memos about animators. He paints and published a collection of his art called Hahn Solo.
Hahn also directs documentaries about Disney. His most recent one is Howard, about Howard Ashman, who revived the American musical with his lyrics for The Little Mermaid and Beauty and The Beast but whose career was tragically cut short after he died of AIDS in the early 1990s. Howard is dropping on Disney+ on August 7,
Hahn was going to come to a movie convention Maltin held last year, and promised he would sign a book any way a customer wanted “as long as it was legal according to the laws of the state of California.”
John Clute, the co-editor of the six million-word Encyclopedia of Science Fiction, is pleading with me.
“Please don’t use it, it is deeply vulgar and very stupid. It’s really kind of reprehensible . . . I shouldn’t have mentioned it at all, and I didn’t.” But, John, it’s out there, it’s in your book. I really have no choice.
The term he loathes is “cli-fi”. It means climate-change fiction — stories about the world after a climate catastrophe, stories that used to be called science fiction. The purpose cli-fi serves is not noble, it is pure snobbery. It is, as the entry says, a way of “distancing from the perceived downmarket nature or Pulp roots of Genre SF”. “Speculative fiction” is another class-ridden term used by authors who don’t like to be seen slumming it. Even “sci-fi” is not welcome — in TV listings and the like it describes superhero nonsense.
Yet calling it SF will not, for many readers, drag it out of the lower ranks of the literary league table. Jessica Harrison, the editor of the new SF series from Penguin Modern Classics, admits that for her the term at first evoked book or magazine covers with “half-naked girls and purple planets”. Neither is present on the austere white covers of her list…
… Now, and here comes the optimism, SF has gone global, with new waves of Asian and African writers. One Chinese author in particular has to be mentioned, Liu Cixin. I’ve just started reading his book The Three-Body Problem — it is different from anything else and beautifully written. It is also brave, in that it starts with a vivid description of the horrors of Mao’s Cultural Revolution in the 1960s and 1970s. Barack Obama loved the book, not least because it made his “day-to-day problems with Congress seem fairly petty”. That, of course, is exactly what SF should do.
SF will survive even as technological progress seems to race ahead of some of its wildest imaginings. It will survive because it is a way of seeing — not aliens, time warps, superluminal travels and so on, but ourselves. Dr Snaut nailed it in the greatest of all SF movies, Tarkovsky’s Solaris (1972).
“We don’t want other worlds; we want a mirror. We seek contact and will never achieve it. We are in the foolish position of a man striving for a goal he fears and doesn’t want. Man needs man!”
(11) BRIMLEY OBIT. Actor Wilford Brimley, who appeared in Cocoon and its sequel, died August 1 at the age of 85. He was also in The Thing (1982), the Ewoks: Battle for Endor TV movie, Progeny, and in the genre-adjacent Remo Williams: The Adventure Begins (1985) as the head of C.U.R.E.
(12) BELATED MEDIA ANNIVERSARY.
In July 1997, Donnerjack was published by the Easton Press. This was the true first edition as the Avon Books hardcover edition wouldn’t be out for another month. Though it was started by Roger Zelazny, this novel was largely completed by Jane Lindskold. He completed a few hundred pages of the first draft and left detailed notes for its remainder. The outline Zelazny did was entitled ”Donnerjack, of Virtù: A Fable for the Machine Age“. It was to be the first novel in a trilogy but as Zelazny said in his Hugo Award winning “24 Views of Mt. Fuji, byby Hokusai“ novelette, “I know, too, that death is the only god who comes when you call.” (CE)
(13) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born August 2, 1916 — Elizabeth Russell. She’s best remembered as the Cat Woman (though the voice was dubbed by Simone Simon) in The Cat People. And she was Barbara Farren In The Curse of the Cat People — some of the same characters, not a sequel. She was also Countess Lorenz in The Corpse Vanishes where her co-star was Bela Lugosi. Lastly she was Dean of Women Grace Gunnison in Weird Women which was sort of based off Fritz Leiber’s Conjure Wife. (Died 2002.) (CE)
Born August 2, 1920 — Theodore Marcuse. He was Korob in “Catspaw”, a second-season Trek episode that aired just before Halloween aptly enough. He had appearances in The Twilight Zone (“The Trade-Ins” and “To Serve Man”), Time Tunnel, Voyage to the Bottom of the Sea, Wild, Wild West and The Man from U.N.C.L.E. in the episodes “The Re-collectors Affair”, “The Minus-X Affair”, and “The Pieces of Fate Affair”. (Died 1967.) (CE)
Born August 2, 1942 – Isabel Allende, 78. Adventures in and beside literature include ten novels for us, a score of shorter stories, translated into Dutch, French, German, Portuguese; many others (one of which, Chip Hitchcock, is Zorro). Fan of Shakespeare. Translator of romance novels into Spanish, fired for altering dialogue to show the heroines smarter, plots to show them more independent. First woman to receive the Gabriela Mistral Order of Merit. Harvard Litt.D. (Latin, Litterarum Doctor “doctor of letters”, in her case honoris causa “for the sake of the honor” i.e. honorary degree). Memoir, The Sum of Our Days. American Academy of Arts & Letters. Chilean Literature Prize. Gish Prize. US Medal of Freedom. [JH]
Born August 2, 1945 — Joanna Cassidy, 75. She is known for being the replicant Zhora Salome in Blade Runner and Dolores in Who Framed Roger Rabbit, two of my favorite films. She also did really bad horror films that don’t bear thinking about. I mean really bad horror. (CE)
Born August 2, 1948 — Robert Holdstock. Another one who died far too young. His Ryhope Wood series is simply amazing with Lavondyss being my favorite volume. And let’s not overlook his Merlin Codex series which is one of the more original takes on that character I’ve read. The Ragthorn, co-written with Garry Kilworth, is interesting as well. (Died 2009.) (CE)
Born August 2, 1949 — Craig Shaw Gardner, 71. Comic fantasy author whose work is, depending on your viewpoint, very good or very bad. For me, he’s always great. I adore his Ballad of Wuntvor sequence and highly recommend all three novels, A Difficulty with Dwarves, An Excess of Enchantments and A Disagreement with Death. Likewise his pun-filled Arabian Nights sequence will either be to your liking or really not. I think it’s worth it just for Scheherazade’s Night Out. (CE)
Born August 2, 1949 – Joe Siclari, F.N., 71. Collector, fanhistorian, active in cons and fanzines. New Yorker and Floridian. Chair of MagiCon the 50th Worldcon. Co-founded SMOFcon (“Secret Master Of Fandom”, as Bruce Pelz said a joke-nonjoke-joke) and FanHistoriCon. Published The Complete “Quandry” (Q being Lee Hoffman’s fanzine; note spelling), The Enchantment (Walt Willis), A Wealth of Fable (Harry Warner’s fanhistory of the 1950s); edited a photo-illustrated ed’n of All Our Yesterdays (HW fanhistory of the 1940s). Fellow of NESFA (New England SF Ass’n; service award). Chairman of FANAC (fanac has long been short for fan activity; in this case, the Florida Ass’n for Nucleation And Conventions) which sponsored MagiCon and now sponsors Fancyclopedia 3 and the FANAC Fan History Project. Fan Guest of Honor at MiniCon 31 (with wife Edie Stern), DeepSouthCon 34, Loscon XXVI, Lunacon 51. DUFF (Down Under Fan Fund) delegate (with Stern). Big Heart (our highest service award; with Stern). FAAn (Fan Activity Achievement Award) for Best Online Archive or Resource (i.e. the FANAC Fan History Pjt; with Stern). Named Fan Guest of Honor (with Stern) for Chicon 8 the scheduled 80th Worldcon. [JH]
Born August 2, 1952 – Hope Leibowitz, 68. Only person to have attended every Ditto (fanziners’ con; named for a brand of copying machine). Has lived in Toronto longer than New York (38 yrs, 30 yrs). Contributor to FLAP (Fannish Little Amateur Press, an apa). Sent a birthday card to Bob Madle (see here and here). Likes the cover for Mike Resnick’s Paradise – but I forgot to ask if she meant this one (Whelan) or maybe this one (Gauckler). [JH]
Born August 2, 1954 — Ken MacLeod, 66. Sometimes I don’t realize until I do a Birthday note just how much I’ve read a certain author. And so it was of MacLeod. I’ve read the entire Fall Revolution series, not quite all of the Engines of Light Trilogy, all of The Fall Revolution, just the first two of the Corporation Wars and every one of his one-off novels save Descent. I should go find his Giant Lizards from Another Star collection as I’ve not read his short fiction. Damn it’s not available digitally! (CE)
Born August 2, 1973 – Prapda Yun, 47. Writer, filmmaker, graphic designer. S.E.A. Write Award for Probability (short stories); The Sad Part Was, mostly therefrom, seems the first translation of Thai fiction published in the UK. PY himself has translated Lolita and Pnin, A Clockwork Orange, R.U.R. Songs and other music for Buahima and the Typhoon Band. [JH]
Born August 2, 1976 – Emma Newman, 44. Eleven novels, as many shorter stories (one for Wild Cards). Collection, From Dark Places. Audiobooks. “How LARP [Live-Action Role Playing] Changed My Life” here. Best-Fancast Hugo for Tea and Jeopardy (with husband Peter), see here. [JH]
Born August 2, 1994 – Dawson Vosburg, 16. Three novels. “I love my imagination. It’s the one thing I’m thankful for every day.” Here’s Chapter 2 of Incognito. [JH]
This week in The Full Lid! With the movie riding high I dig into the second volume of the original Old Guard comic series. Force Multiplied changes the game for the immortals in some big ways and is both a good read and a great basis for the almost certain sequel.
Elsewhere this issue I take a look at Fredrica and Stefon Bristol’s audacious and smart time travel movie See You Yesterday which is one of those films that will stay with you after viewing. Finally, I take a look at the first issue of Bleed Them Dry, a vampire/cyberpunk/murder mystery from Vault Comics and the team of Hiroshi Kuzumi, Elliot Rahal, Dike Ruan, Tim Daniel and Miquel Muerto. Our interstitials this week are remixes of classic Calvin and Hobbes strips by the Blindspotting team of Rafael Casal and Daveed Diggs.
The Full Lid is weekly, free and published every Friday at 5 p.m. BST. You can find an archive and a subscription link at the top of this week’s issue.
…my suggestions would be to focus on the award’s goal of introducing fans to lesser-known works and teaching us something about SF history. I’d suggest the following format changes: 1) make it a juried award, with the jury consisting of academics and critics who’ve done historical recovery work; 2) reduce the slate from 12 or so awards to 1 or 2, which would allow for more fan engagement with the work(s) in question; 3) make its guiding question not, ‘what works might have won in a given year’ but ‘Which lesser-known SF works from the years of eligibility most speak to the genre and the SF community in 2022?’”
We at BookNest.eu are incredibly excited to announce that we have reached the extraordinary milestone of TWO THOUSAND reviews! That’s an incredible number, considering all of the hours that go into crafting even a single review. We are proud of our reviewers, who have worked for years with passion and dedication to deliver our reviews to the fantasy community in the hopes of increasing awareness of authors and titles we are excited about.
In celebration of this occasion, our reviewers have compiled a list of our picks for the top one hundred fantasy novels that have been published this century. This list is, of course, subjective, so if your favourite book is missing, we apologize in advance. We have not read every book in the world, and the taste of our reviewers may not reflect your own.
(19) PRETTY COLORS. Goobergunch is definitely showing something here. Excuse me a minute while I go learn from the Wikipedia what it is….
Two NASA astronauts are back on Earth after their space capsule splashed down in the Gulf of Mexico, off the coast of Pensacola, Florida.
The last time any NASA astronauts came home by splashing down was in 1975—and back then, they were in an Apollo space vehicle. This time, the astronauts were in a white, bell-shaped capsule owned by SpaceX.
The success of their test flight, to the International Space Station and back, is a milestone for SpaceX, the first private company to send people to the outpost.
The company has been taking cargo to and from the station for years. This flight with people on board was the final test for SpaceX’s crew system to be certified by NASA as ‘operational’ for future astronaut missions.
That means the U. S. once again has its own ability to put people in orbit and return them safely. Since retiring its space shuttles in 2011, NASA has had to buy seats for its astronauts on Russian spaceships.
NASA can now rely on an American space taxi that takes off from Florida, and it’s already assigning astronauts to future SpaceX missions–including Megan McArthur, who happens to be married to one of the just-returned astronauts, Bob Behnken.
If you wanna watch, it’s live right now on Twitch.
(22) A HORSE, OF COURSE. Adam Thirwell says Bojack Horseman reminds him of everything from Don Quixote to Ibsen in “A Horse’s Remorse” at The New York Review of Books.
…I’m in no way an avid watcher of cartoons but, to risk a sense of disproportion, I began to feel something similar as the animated series BoJack Horseman unfolded on Netflix over six seasons and seventy-seven episodes, beginning in 2014 and ending early this year. “It’s not Ibsen,” went a repeated refrain in the show, which was funny not just because it was a form of immediate self-deprecation about the show itself—a cartoon comedy whose supporting cast includes a news anchor who’s an irascible blue whale and a film studio renamed Warbler Brothers—but also because this show was Ibsen in a way, just an opioid version: a wild investigation of self-deception and failure. Or rather, that’s what I concluded by the end. At first it was simply zany and delightful, this series about a talking horse who’s the washed-up star of a now-forgotten 1990s hit sitcom, Horsin’ Around, a saccharine confection about a horse who adopts three human orphans. But by the time it finished, it had become something much grander and more terrible. Exactly what, however, and exactly how, are conundrums that have preoccupied me….
[Thanks to John Hertz, Chip Hitchcock, rcade, Andrew Porter, JJ, John King Tarpinian, Michael Toman, Dann, N., Mike Kennedy, Cat Eldridge, Daniel Dern, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]
…At one point, Vladimir Nabakov said that Madame Bovary was really just an extremely well-written fairytale. There’s one sense in which, unlike other of my books, that was what I was hoping to accomplish with Shoat Rumblin. The book was never finished to my satisfaction, although I wrote an ending for it. Through looking over it again, I’m at least contented with what I’ve done—if still uncertain how believable it is. As I’ve said on Twitter, it’s an experiment in gay pornography and realistic storytelling. Parts of it are funny and parts of it, I confess, I think are pretty grim. Overall, I’d call it a comedy rather than a tragedy, if only because it does have a happy ending, however believable or unbelievable you find it. I’m also hoping that this makes it intriguing enough for some of you to take a chance on it.
… MRK: One of my favorite things is when I introduce a reader to an author who is, by any metric except to this reader, more famous than I am. And they have never heard of them. And they’re like, “oh, this new author Ursula K. Le Guin, I love her books!” (laughs)
JS: You’re like; I don’t know how to break this one to you, but… But, that actually brings up a really interesting point which is that because science fiction and fantasy is, as a literature, as opposed to every other aspect of media, because it is still sort of niche where you come into the genre matters. Because, if they come in with you, then a lot of your antecedents or people who influenced you will be new to them. And to them, those classics will seem almost derivative or not up to date. I’ve had that happen sometimes where people will read me first, especially people who are under the age of 35. They’ll read me first and then they’ll go backwards into someone like Heinlein and then they’re like—“hmm, I don’t know—his stuff’s OK, but I kind of like yours better.” And I’m like, well—one, thank you, and two, it’s definitely because this is the path that you took into this genre. And, it’s still something that is very possible to do in this genre that I don’t know if in mainstream it will happen as much.
While a space traveler’s greatest fear is typically what’s waiting out there in the great unknown, what they bring back to Earth could be much, much worse. That’s the premise of Russian filmmaker Egor Abramenko’s feature debut “Sputnik,” a sci-fi chiller with the stately echoes of Ridley Scott’s classic “Alien.” Set in the 1980s, “Sputnik” blends creature-feature effects with heady extraterrestrial thrills. An official selection of the canceled 2020 Tribeca Film Festival, the movie debuts from IFC Midnight in select theaters and on VOD August 14. Watch the trailer for the film below….
Here’s the YouTube intro:
Due to her controversial methods, young doctor Tatiana Yurievna (Oksana Akinshina) is on the precipice of losing her medical license. Her career may not be over, though. After she’s recruited by the military, Tatiana is brought to a secure science research facility to assess a very special case, that of Konstantin Sergeyevich (Pyotr Fyodorov), a cosmonaut who survived a mysterious space accident and has returned to Earth with a unique condition: there’s something living inside of him that only shows itself late at night. The military has nefarious plans for it. Tatiana wants to stop it from killing Konstantin. And the creature itself thrives on destruction.
There are no official casting breakdowns yet available, but many are speculating about the potential lead characters based on Martin’s book. Fire & Blood covers 150 years and includes the rise and fall of many leaders in Westeros so it’s not clear which characters and time period will be the focus of the series. But sources tell EW that the famed Dance of Dragons – the Targaryen Civil War that occasionally referenced in GoT that ripped apart Westeros – will be tackled at some point in the series. What would make sense is if the first season (or two) led up to those events. Some fans have suggested the show could also be an American Horror Story-style anthology series, covering a vastly different time period in each season.
A famous phrase that signals the end of many stories, from faerie tales to action movies to romance novels. Growing up, so many of the tv, film, comics, books, and more that I experienced said – implicitly, if not explicitly – that once a couple overcame whatever big trial happened in act three, the relationship itself was smooth sailing.
And depending on how you read those stories, it says something worse. It says that long-term, committed relationships are boring, or that they’re only interesting when they’re falling apart. “Happily Ever After” doesn’t prepare anyone for the lived reality of making a long-term relationship work. Sometimes the best romance works will illustrate those challenges and joys on the way, because romance writers are grand masters of characterization. But getting into my first romantic relationships, I had few fictional models for what it was like to negotiate the higher-level challenges and opportunities posed by a committed partnership. And being a storyteller by trade, that lack of narrative models became especially frustrating.
With Annihilation Aria, I set out to add to the count of works that unpack “Happily Ever After” and show that a committed couple can be exciting protagonists as well….
…The truth is, a book of modern fantasy is a treasure trove of marvels, a cabinet of curiosities, and, perhaps more importantly, a strong, strong testimony to the importance of imaginative literature, of non-realist literature, and of traditions other than the Anglo Saxon. We, personally, have been enriched by these stories and lifted up by them. We hope readers will find their own favorites and fond memories from reading herein.
(7) CAPCLAVE CHANGES PLANS. Bill Lawhorn, Capclave 2020 Chair, says they’re going virtual. The event will be over the same weekend, but won’t start until Saturday.
Due to the novel coronavirus, the Capclave team has made the decision to be virtual this year. We will be holding Capclave October 17-18. Yes, this is two days, but we will run longer on Sunday than is typical. We will be focused on presentations, panels, and small group activities such as author readings or discussions.
Going virtual does present the opportunity to include people who would likely not be able to participate in a normal year. Keep an eye on our website and social media for news regarding new participants.
We plan to use Zoom for most activities, but we are looking at adding a text chat area via Discord as well. We will be updating our Code of Conduct to reflect the online nature of the convention. If you have any questions, please feel free to contact firstname.lastname@example.org.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born July 21, 1929 — John Woodvine, 91. First role in our realm is as Macbeth at Mermaid Theatre back in the early Sixties. Shortly thereafter he’s Badger in Toad of Toad Hall at the Comedy Theatre before being The Marshal in the Fourth Doctor story, “The Armageddon Factor”. He did show up on The Avengers several times, each time as a different character, and he was Singri Rhamin for the episodes of Danger Man. He’s in An American Werewolf in London as Dr J. S. Hirsch, but shortly thereafter he’s Master West 468 in The Tripods and Prior Mordrin in the Knights of God children’s SF serial. Finally, he’s Justice Dimkind in A Perfect State which is at least genre adjacent. (CE)
Born July 21, 1933 — John Gardner. Grendel, the retelling of Beowulf from the monster’s viewpoint, is likely the only work he’s remembered for. Gudgekin The Thistle Girl (and Other Tales) are genre fairy tales as are The King of the Hummingbirds (and Other Tales); A Child’s Bestiary is, well, guess what it says it is. Mickelsson’s Ghosts, his final novel written before his untimely death in a motorcycle accident, is a ghost story. (Died 1982.) (CE)
Born July 21, 1944 – David Feintuch. Campbell Award (as it then was) for Best New Writer. Nine novels, of which seven portray Space navy officer Nick Seafort, translated into Czech, German, Japanese, Russian, Spanish. Said he’d completed an eighth, of which no more has emerged. (Died 2006) [JH]
Born July 21, 1950 — Asenath Hammond. She was was a fan who was a member of NESFA, New York City and LASFS fandoms. She was married for a time to Rick Sternbach. Mike has a write-up on her here. (Died 2010.) (CE)
Born July 21, 1950 – Bill Kunkel. Cartoons (sometimes as “Potshot”) in Algol, Checkpoint, The Frozen Frog, Trap Door; Chunga seemed to energize him, he gave it much (for the end, see here and here; corflu = mimeograph correction fluid, loc = letter of comment). Comics: DC, Marvel, Harvey; primary scripter for Richie Rich. Pro wrestling: photographed for, edited, published Main Event magazine, hosted The Main Event radio show, energized Pro Wrestling Torch, cartoons and columns for Wrestling Perspective. Video games: Electronic Games, Tips & Tricks magazines; designed a dozen games; memoir, Confessions of the Game Doctor. (Died 2011) [JH]
Born July 21, 1951 — Robin Williams. Suicides depress me. I remember a bootleg tape of a performance of him and George Carlin in their cocaine fueled days. No, not even genre adjacent but damn brilliant. Such manic energy. Genre wise, he was brilliant in most everything he did, be it Mork & Mindy, Hook which I adore, The Fisher King, Bicentennial Man or Jumanji. (Died 2014.) (CE)
Born July 21,1952 – Kathy Tyers, 68. Ten novels, half a dozen shorter stories translated into Dutch and German. A Star Wars novel was a NY Times Best Seller. Two CDs of folk music (she plays flute, Irish harp). Worked with Christopher Parkening on his memoir Grace Like a River. Lives in Montana. [JH]
Born July 21, 1956 – Todd Dashoff, 64. Chaired Philcon 1988 and the Millennium Philcon – what else should we name a Worldcon at Philadelphia in 2001? Knows Harry Warner upheld the rule that the local con there is Phillycon and only a Worldcon there is Philcon. Knows this rule has not been followed since 1947 and meanwhile (after HW’s death) a comics con has been calling itself Phillycon. Has been PSFS’ (Phil. SF Soc.) President and Treasurer. Stalwart helper from locals to Worldcons. Fan Guest of Honor (with wife Joni, another shining star) at Lunacon 46. [JH]
Born July 21, 1960 – John Wardale, 60. Balloon sculptor, hair braider, costumer, photographer, patiently giving balloon and braid workshops for beginners too. A pleasure, if that word may be used, to judge “Angels Take Motown” at Detcon the 11th NASFiC (North America SF Con, since 1975 held when the Worldcon is overseas) by Janine & John Wardale, Sharon & Hall Bass, which we awarded Best Motown Entry (Journeyman Class). Has also taught Science: Energy + Time = Change. [JH]
Born July 21, 1976 – Stephanie Law, 44. Two dozen covers including books in German and Polish, also cards and other games. Featured in Spectrum (six times) and Locus. Best in Art Show, DragonCon 2015. Art Guest of Honor at BayCon 2015, JordanCon 10, Philcon 2019; was scheduled for the 13th NASFiC this year. Artbook, Descants and Cadences. Website here. [JH]
Born July 21, 1976 — Jaime Murray, 44. If you watch genre television, you’ve most likely seen her as she’s been Helena G. Wells in the Warehouse 13, Stahma Tarr in Defiance, Fiona/the Black Fairy In Once Upon a Time, Antoinette in The Originals, and Nyssa al Ghul in Gotham. Film wise, she was Livinia in The Devil’s Playground and Gerri Dandridge in Fright Night 2: New Blood. (CE)
(9) COMICS SECTION.
Bizarro reports it was a hard day at the Frankenstein factory.
Garfield shows what would be – for these aliens – a fate worse than death.
Incidental Comics’ Grant Snider calls this “Contemplation.”
For any author, being able to describe yourself as a bona fide bestseller is key to conferring your career with a certain gravitas – and will often bring you even more sales. In the UK, while most book charts are tallied by Nielsen BookScan, the Sunday Times bestseller list – like the New York Times chart in the US – has become the gold standard. But making the bestseller list isn’t necessarily as straightforward as tallying sales. Not all is fair in romance and war (and other genres) when it comes to getting to the top of the charts.
Take the case of Mark Dawson, a British writer who just over a week ago hit No 8 on the Sunday Times hardback list with his thriller The Cleaner, released by the independent publisher Welbeck at the end of June. This is a great achievement for any author or small publishing house, but Dawson had done something remarkable: he bought 400 copies of his own book, at a cost of £3,600, to push his sales high enough to make the top 10….
First, a popular esports tournament was canceled. Next, top gaming studio executives stepped down. Then, a prominent talent management agency for video game streamers laid off its employees and closed.
The stream of reports of sexual harassment and assault in the gaming industry that began in June has continued unabated, as more women — and some men — have come forward with accusations of mistreatment.
Despite the actions that companies have taken in response to individual incidents, gaming experts say they are hesitant to call the moment an inflection point for an industry with a long and difficult history of sexist behavior and abuse. This is not the first time women have spoken up. In 2014, in what is known as Gamergate, women faced death threats for criticizing the gaming industry and its culture. Last year, women again came forward with stories of abuse in what was seen as gaming’s #MeToo moment.
So few expect the resignations this time to quickly change a culture that for decades has often been hostile to women.
“You can fire people all day long,” said Kenzie Gordon, a Ph.D. candidate at the University of Alberta who studies how games can be used to prevent sexual and domestic violence. But “if only the individual people are held accountable, that doesn’t have any impact on the culture of the organization as a whole, necessarily.”…
… It’s conditions such as these—monotony, idleness, tedium, sensory deprivation, loneliness—that concern NASA psychologists who want to send a crew to Mars. Using existing technologies, a trip to the red planet will take 200 to 300 days of travel. Most of the time will be spent inside a cramped capsule. There will be a communication delay with Earth of up to 24 minutes due to a span of hundreds of millions of miles. Real-time chatting or video calls with friends and family and mission support will be an impossibility—the limitation is the speed of light—that no new technology would be able to overcome.
Mars crews would likely need to operate with a high level of autonomy because of this communication delay. Many people believe autonomy, which implies freedom of choice, can stave off boredom. Indeed, work imbued with personal meaning can be a potential solution, but it can’t fix everything.
In addition to the isolation and sensory deprivation, there will still be repetition of meals and routines and clothing and conversations between crewmembers. The workloads will still likely be full of tedium, with narrow margins for error. In short, a mission to Mars has the perfect ingredient list for boredom and disaster borne of boredom.
Researchers from the University of Stirling, UK, have embedded ceramic spheres in aluminum foam to create a material that couldn’t be cut with angle grinders, power drills or water jet cutters. “They dubbed it Proteus after the shape-shifting Greek god, for the way the material metamorphosed in different ways to defend against attacks,” reports New Scientists
(14) THE SWARM. Could “swarm 3-D printing” become an endless opportunity for unanticipated results?
…What they appear to have developed is a kind of mobile robotic 3D printing concept. As you can see in the video, dual independent 3D printers are temporarily fixed to specific locations on a grid. From these locations the devices will print within a controlled zone (which AMBOTS calls a “Chunk”).
After completing a layer of a chunk, a mobile robot picks up each 3D printer and moves them to another spot on the grid where they can then access another chunk. By moving the 3D printers repeatedly through a series of access points they are able to build the entire structure — without interfering with each other.
One beast Serling struggled with during the run of The Twilight Zone continues to be an irritant today. That has to do with lightweight commercials that tended to deflate the intensity of a suspenseful Twilight episode.
“However moving and however probing and incisive the drama,” mused Serling at a UCLA speaking engagement in 1971, “it cannot retain any thread of legitimacy when after 12 or 13 minutes, out comes 12 dancing rabbits singing about toilet paper.”
(16) VIDEO OF THE DAY. In “Honest Trailers: Cowboy Bebop” on YouTube, Screen Junkies takes on the classic anime series, where everyone chain smokes and the gloomy atmosphere is heightened by introspective sax solos.
[Thanks to Michael Toman, Daniel Dern, Lise Andreasen, John Hertz, Cat Eldridge, Chip Hitchcock, JJ, John King Tarpinian, Mike Kennedy, Martin Morse Wooster, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Bill.]
(1) ONE WEEK LEFT TO VOTE FOR HUGOS. CoNZealand today reminded members the deadline is nearing – voting closes Wednesday, July 22 at 23:59 PDT (UTC-7), which in New Zeland is Thursday, July 23 at 18:59 NZST (UTC+12).
(2) PEAKE ARCHIVE PRESERVED. The British Library has acquired the Visual Archive of writer, artist and illustrator Mervyn Peake, best known for his series Gormenghast.
.. Mervyn Peake’s Visual Archive comprises over 300 original illustrations, including drawings from his critically acclaimed Gormenghast series, together with original illustrations for his own books for children Captain Slaughterboard Drops Anchor and Letters From a Lost Uncle and other classic works of English literature, such as Treasure Island, The Hunting of the Snark, Household Tales by the Brothers Grimm,and Dr Jekyll and Mr Hyde. Also included are unpublished early works, preliminary sketches, and drawings of famous literary, theatrical and artistic figures such as Laurence Olivier and W.H. Auden. This acquisition brings Peake’s archive together in one place, making it fully accessible to the public for the first time.
Mervyn Peake was an English writer, artist and illustrator, best known for creating the fantasy trilogy Gormenghast. A Royal Academy trained artist of great versatility and inventiveness, he has been seen as arguably the finest children’s illustrator of the mid-20th century. Combining technical mastery with an innate ability to evoke fear, delight and wonderment in young readers, he redefined the cosy nature of children’s book illustrations.
Despite his originality, Peake’s fondness and respect for the work of other artists is evident in the archive, from the influence of Hogarth, Doré and Blake to Dickens’ illustrator Phiz and Boys’ Own artist Stanley L. Wood.
The archive is notable for Peake’s exquisite Treasure Island illustrations from 1949, which remain some of his finest work, described by critics as ‘tense, eerie and dramatic’ and ‘one of the few editions which have come near to meeting the demands of the author’s text’. Treasure Island was Peake’s favourite book and his love for the story is evident in the archive from the watercolour illustrations he painted aged 15, to the large number of preliminary sketches and annotated proofs which show his commitment to perfecting the 1949 edition.
I think I speak for all of us when I say that 2020 has not gone exactly how I expected it to, and this StoryBundle has been no exception. I originally conceived of it as a hopepunk centered bundle, but as I sorted through possibilities, I found less punk than plenty of hopeful stories that reminded me that hope comes in all sorts of forms, not all of them as in your face as hopepunk.
Hope can find its origin in friendship, whether on an alien planet or a New York street corner. It can come from writing, in a myriad shades as multi-colored as the ink in which it’s inscribed. It glitters at the bottom of Pandora’s box, waiting to escape. Waiting to provide comfort and lightand renewed vigor for the fight….
… For StoryBundle, you decide what price you want to pay. For $5 (or more, if you’re feeling generous), you’ll get the basic bundle of four books in any ebook format—WORLDWIDE.
Diamondsong – Escape 01 by E.D.E. Bell
The Burglar of Sliceharbor by Jason A. Holt
Modern Surprises by Joan Marie Verba
The Traveling Triple-C Incorporeal Circus by Alanna McFall
If you pay at least the bonus price of just $15, you get all four of the regular books, plus seven more more books, for a total of eleven.
Diamondsong – Capture 02 by E.D.E. Bell
Tales of the Captain Duke – Vol. 1-4 by Rebecca Diem
The Voyage of the White Cloud by M. Darusha Wehm
Community of Magic Pens by Atthis Arts Anthology
Carpe Glitter by Cat Rambo
Missing Signal by Seb Doubinsky
The Legacy Human – Singularity 1 by Susan Kaye Quinn
(4) SCIENCE FICTION IS NEVER ABOUT THE FUTURE. (William Gibson and Margaret Atwood have both said so; the name of the person who actually said it first escapes me at the moment.) Abigail Nussbaum’s “The Political Hugo” discusses “the nominees on this year’s Hugo ballot that feel most relevant to our crazy, confusing political moment, and why I’d like them to win.” She advocates that the Hugo should be appropriated as an award for topical fiction.
….We’re coming off a decade in which the Hugo struggled with its own definition, and with a troupe of interlopers who claimed to want to save it from those who would “politicize” it. It’s a decade in which the award’s diversity has advanced considerably, with more women, POC, and LGBT people being recognized than ever before. And yet at the same time, the Hugo can be inward-looking (some might say that this is inevitable, given its nature and voting system). Its politics are often internal politics–as much as it reflected trends in the broader political discourse, the Puppy debacle was the ultimate in inside baseball. I would like this year’s winners to be more outward-looking, to reflect the upheaval in the world and the simple fact that we are all participating in that upheaval, whether we want to or not. What I want to write about in this post are the works on this year’s Hugo ballot that, besides being excellent examples of their type, speak to some of the issues we’ve been seeing in the real world.
…But, I know: horror? Don’t kids need “safe” programming, not nightmare fuel? My take is . . . no. Childhood already has a lot of the hallmarks of a horror movie, I think. Kids are small in a big place, they have no real power, they don’t know how even the simplest parts of the world work. Doors stretch dauntingly high, shadows can hold anything. Parents say one thing, mean another, and then take it all back anyway, change the rules for no reason other than that they “say so.” And everyone is always telling kids that the minute they’re alone, without tether to a trustworthy adult, that’s when the predators of the world will pounce, spirit them away to a place they never come back from.
Pretty terrifying, right?
My take is that when kids engage horror stories, they kind of . . . recognize that feeling, that terror, that uncertainty, that unfairness, and they maybe even understand that they’re not alone in feeling it. They’re not “weird,” they’re just human. Fear is our default setting. It’s what happens when you evolve on a savanna where everything wants to eat you.
… Some sponsors have publicly denounced Beatts on Twitter, including several who have reached out privately to PW to confirm that they will not renew their sponsorships.
One of the authors expressing such sentiments was children’s book author Maggie Tokuda-Hall, who has cohosted several “lovely” literary events there, including a May fundraiser with Rebecca Roanhorse and N.K. Jemisin that netted $6,000 for the store. In an email to PW, Tokuda-Hall wrote that it is her “dearest hope that Alan will divest from the store, and allow the staff and community to reclaim the space. The staff does not deserve to be associated with these allegations.”…
…Mary Robinette Kowal, who is the president of the Science Fiction Writers of America, told PW last week that a Tor representative called her and asked if she wished to cancel a scheduled July 23 virtual event for her new release, Relentless Moon.
“If your publisher comes to you and asks if you still want to do an event…maybe not,” Kowal said, adding that she was not “100% convinced” that she had made the right decision. “I don’t like the ripple effects,” she explained: canceling the event also “punishes” the store’s general manager, Jude Feldman, and its four other employees. “The decision an author has to make is a lot messier than the decision an individual customer has to make,” Kowal added. “It’s the thing we’re doing because it’s the only tool we have.”
Kowal disclosed that she sent an email to Beatts before Tor canceled the event, writing that “I needed him to step back from the store and to address his drinking.” Most of the other sources PW spoke to also referred to Beatts’ drinking habits; a former employee described the store to PW as having a “heavy drinking culture.”
In her capacity as SFWA president, Kowal said that it would be “inappropriate” for the organization to address these specific allegations, but that it has been discussing “the larger problem” of how to report unethical or abusive behavior within the science fiction and fantasy community. SFWA has recently implemented a diversity, equity, and inclusion committee, which will, among other tasks, explore ways to deal with such situations in ways that are “sustainable and safe.”
… Beatts dismissed the suggestion that he divest himself from the store by transferring ownership to [Jude] Feldman. “I cannot see any way in which Borderlands can possibly operate without me,” he wrote. “I’ve discussed this with Jude and she agrees. That is not an option.” Feldman, in addition to being the store’s general manager for 19 years, has been Beatts’s significant other for about 20 years….
(7) MEDIA ANNIVERSARY.
July 1997 — Christopher Golden’s The Lost Army was released by Dark Horse Comics. The first of seven Hellboy novels that Golden would write for Dark Horse over the next decade, it bore a cover done by Mike Mignola who also provided interior illustrations. It would have French and Spanish editions as well. It was the very first of the twelve original Hellboy novels done by Dark Horse over a twenty year period. If you’re interested all of them are available from the usual digital suspects.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born July 15, 1606 – Rembrandt van Rijn. Draftsman, painter, printer. Among the greatest visual artists. Master of light, texture, portraiture. We can claim his mythological pictures; perhaps also his Biblicals, at least when like The Evangelist Matthew and the Angel showing, besides what believers would deem historical, some element that could only be imagined. Here is The Sacrifice of Isaac. Here is Pallas Athena. Here is The Abduction of Persephone. See what he could do with a few lines. (Died 1669) [JH]
Born July 15, 1779 – Clement Moore. He was a Professor of Biblical Learning. “A Visit from St. Nicholas” was published anonymously; for twenty years he did not acknowledge it; some scholarship indicates he was not the author; and it must be said he owned slaves and opposed Abolition. But consider the poem as an achievement of fantasy – particularly since St. Nicholas was a 4th Century bishop in what is now Turkey. (Died 1863) [JH]
Born July 15, 1917 – Robert Conquest, Ph.D. For us, a novel, a few shorter stories, a few poems; five Spectrum anthologies with Kingsley Amis. Many other writings. Politically a conservative, and a brilliant one, which is a pain or a joy depending on your point of view (note that I put pain on the left and joy on the right). He might not like being remembered most for this, but we do: “SF’s no good, they bellow till we’re deaf. But this looks good.Well then, it’s not SF.” (Died 2015) [JH]
Born July 15, 1918 — Dennis Feltham Jones. His first novel Colossus was made into Colossus: The Forbin Project. He went on to write two more novels in the series, The Fall of Colossus and Colossus and the Crab, which in my opinion became increasingly weird. iBooks and Kindle have the Colossus trilogy plus a smattering of his other works available. ((Died 1981.) CE)
Born July 15, 1931 — Clive Cussler. Pulp author. If I had to pick his best novels, I’d say that would be Night Probe and Raise the Titanic, possibly also Vixen 03. His real-life National Underwater and Marine Agency, a private maritime archaeological group found several important wrecks including the Manassas, the first ironclad of the civil war. (Died 2020.) (CE)
Born July 15, 1944 — Jan-Michael Vincent. First Lieutenant Jake Tanner in the film version of Roger Zelazny’s Damnation Alley which somehow I’ve avoided seeing so far. Is it worth seeing? Commander in Alienator and Dr. Ron Shepherd in, and yes this is the name, Xtro II: The Second Encounter. Not to mention Zepp in Jurassic Women. (Don’t ask.) As Airwolf counts as genre, he was helicopter pilot and aviator Stringfellow Hawke in it. (Died 2019.) (CE)
Born July 15, 1957 — Forest Whitaker, 63. His best-known genre roles are Rogue One: A Star Wars Story as Saw Gerrera and in The Black Panther as Zuri. He’s had other genre appearances including Major Collins in Body Snatchers, Nate Pope in Phenomenon, Ker in Battlefield Earth for which he was nominated for a Golden Raspberry Award for Worst Supporting Actor, Ira in Where the Wild Things Are, Jake Freivald In Repo Men (anyone see this?) and he was, and Host of Twilight Zone. (CE)
Born July 15, 1958 – Pat Molloy, 62. Chaired ConCave 1980-1982, Con*Stellation IV & VII, DeepSouthCon 25 (some use Roman numerals, some don’t); Fan Guest of Honor at DSC 27, 52. After twenty years of the Rebel Award, co-founded and named the Rubble Award; punished by being given the Rebel Award. DUFF (Down Under Fan Fund) delegate (with Naomi Fisher), attended the 2001 Australian nat’l convention. [JH]
Born July 15, 1963 — Brigitte Nielsen, 57. Red Sonja! What a way to launch your film career. Mind you her next genre were 976-Evil II and Galaxis… She starred as the Black Witch in the Nineties Italian film series Fantaghiro, and played the Amazon Queen in the Danish Ronal the Barbarian. (CE)
Born July 15, 1964 – Elspeth Kovar, 56. Wrote the Joe Mayhew memorial for the Chicon 6 Souvenir Book (58th Worldcon); see her con report in File 770 137, p. 28 (PDF). Chaired Capclave 2006. Active in WSFA (Washington, D.C., SF Ass’n). Not true that one of her cats was in an iron lung and on dialysis. [JH]
Born July 15, 1967 — Christopher Golden, 53. Where to start? The Veil trilogy was most excellent as was The Hidden Cities series co-authored with Tim Lebbon. The Menagerie series co-authored with Thomas E. Sniegoski annoyed me because it never got concluded. Straight On ‘Til Morning is one damn scary novel. (CE)
Born July 15, 1983 – Tristan Tarwater, 37. Author of fantasy, comics, and RPG (role-playing games) bits. Six novels, recently The Marauders’ Island, laced with coconut wine, salt, and magic; a few shorter stories. Among her books read are the Vinland Saga (i.e. Makoto Yumimura’s), The Fifth Season, Blake’s Complete Illuminated Books, and The Glass Bead Game. Website here. [JH]
Shatner recently appeared as a guest via virtual chatroom at this year’s Galaxy Con, and given the prolific career he’s enjoyed in his 89 years, the idea of bringing his story to the big screen was sure to be on the minds of the collective Star Trek fandom.
“I want to play myself. I don’t want to die!,” Shatner said when asked who he’d like to have star in such a feature. “I don’t know. Chris Pine? Why doesn’t he play me? A good looking, talented guy,”
…Scarcely anyone had been prepared for what frame seven revealed, much less what they saw in the next dozen images. “My God, it’s the moon,” thought Norm Haynes, one of the systems engineers. There were craters in the image, all perfectly preserved, which meant the planet was in bleak stasis. The crust hadn’t been swallowed by the churn of plate tectonics, but, more important, the surface hadn’t been worn down by the ebb and flow of water. Preserved craters meant there had been no resurfacing, no aqueous weathering of any kind resembling that of the Earth. As with the moon, it appeared there had never been any significant quantity of liquid water on the surface—no rainfall, no oceans, no streams, no ponds.
Stunned, the Mariner 4 team didn’t publicly release the images for days as they tried to understand the implications of what they were seeing.
(13) GREEN CHEESE. [Item by Martin Morse Wooster.] I think the cheesy commercial for this is news
Second only to seeing @TheGreenKnight in theaters: playing The Green Knight RPG at home.
[Thanks to John Hertz, JJ, Mike Kennedy, Andrew Porter, Cat Eldridge, Chip Hitchcock, Michael Toman, John King Tarpinian, and Martin Morse Wooster for some of these stories. Title cedit goes to File 770 contributing editor of the day Peer.]
Whitehead, 50, is the youngest winner of the lifetime achievement prize, which the library has previously given to Toni Morrison, Philip Roth and Denis Johnson, among others. He is the first author to win Pulitzers for consecutive works of fiction — “The Underground Railroad” and “The Nickel Boys,” for which he won in April.
(2) WHY HE HAD TO LEAVE. Edmund Schluessel reports on his experiences with Finncon 2020, which took place this past Friday-Sunday online and was based in Tampere, Finland. “Finncon 2020. So.”
I was quite sanguine about Finncon 2019. I praised the “more thriving, more diverse, more accepting community” I had found in Finland.
Thus this post is difficult to write. I’ll start with the part of Finncon 2020 I was there for, then talk about why I had to leave….
(3) HOLIDAY ON KLENDATHU. [Item by Olav Rokne.] Writing at The Verge, Joshua Rivera examines the legacy and impact of Paul Verhoeven’s 1997 film adaptation of Starship Troopers, linking to several other articles that examine the movie’s newfound relevance to America’s current political divisions. I know this film gets debated endlessly around these parts, but to my eye, the fact that a quarter century later people outside the SFF community are still debating its meaning and parsing its subtext is a good indication that Starship Troopers has enduring value. “The world is finally coming around to Starship Troopers”
I’m here to see the fireworks, and rare is the blockbuster that is interested in forcing me to question that.
(5) SWEDISH HOPES UP. Fantastika, the Swedish national con or Swecon, is off for this year so they’ve named a date for the event in 2021. (We had the cancellation a few days ago, but not the new date.)
The Committee has decided to cancel the convention in October due to the corona pandemic. We have instead booked the venue, Dieselverkstaden, for the weekend April 9-11, 2021, i e the weekend after Easter. We sincerely hope that it will be possible to have the convention at that time. Please note that this is not the same date as the one that we previously considered.
If you wish to have the membership refunded you need to send me an e-mail with information on how I should send it, e g via PayPal. If you have already got a refund you are of course welcome to pay the membership again.
(6) DEEPSOUTHCON HOPES DOWN BUT NOT OUT. CONtraflow chair Frank Schiavo told Facebook followers the event (which is also this year’s DeepSouthCon) has been postponed to 2021. But there may be a virtual DeepSouthCon on the original weekend.
After much discussion, long board meetings, working back and forth with the host hotel, city/parish/state leadership, and Southern Fandom Confederation/Deep South Con representatives , the board of directors of CONtraflow has come to the following conclusion: under current conditions, we cannot give you the amazing Fan experience that you all have come to expect from the previous nine years of CONtraflow. We must reschedule CONtraflow 10, originally scheduled for this coming November 13-15. Hosting our convention as usual in 2020 is impossible in these pandemic conditions, as they currently are and will be for the foreseeable future. There are simply too many unknowns at play at this time. Our only responsible, reasonable, and possible choice is to reschedule CONtraflow 10. Please know this decision is as tough and painful for us as it is for all of you. We didn’t make it lightly and hope you will support our decision.
I am sure most of you have questions about the rescheduled event. I’ll try to answer a few of the big ones.
The new date for CONtraflow 10 is October 1-3, 2021 at the Airport Hilton in Kenner, Louisiana. We are currently working on guests and speakers for the new convention dates. We’ll have a first flier about the new dates up on social media for you to share in the next few days. We are planning to have a more detailed flier with guests and major events up and out there online before the end of September.
…As for the DeepSouthCon 58 (2020) to be hosted by CONtraflow this year, there are plans for a virtual DeepSouthCon 58 mini convention featuring panels, programming, the annual SFC meeting and the Hearts tournament, and more on the Saturday of the original convention weekend (November 14, 2020). We are working out the details of online hosting and any possible costs and will be updating you with details of the virtual DSC in the coming weeks….
(7) A STRANGE PROLOGUE. Rob Hansen has added “THE 1971 EASTERCON” to his THEN British fanhistory website, complete with the usual cornucopia of photos. It includes this account of a bizarre chain of events:
THE BRIAN ALDISS GoH SAGA – Peter Weston
At SCI-CON 70:
Brian confided that this was the second time he had been asked to be Guest of Honour but had then been required to step down. We were suitably shocked, as he went on to explain how he had been invited as GoH for 1969 in Oxford, but when a new committee had taken over, headed by John Brunner, they had wanted to have Judith Merril instead. George Hay had heard about this, thought it was a bit poor, and so he had asked Brian to be GoH in 1970, which he had accepted. Then George heard that James Blish was moving to England and he did exactly the same thing, pushing out Brian once again in favour of a supposed bigger “name.” Rog and I were suitably disgusted, and promptly offered to make amends. We would bid for the 1971 Eastercon and would do it properly. We promised to find a decent hotel and make Brian our Guest of Honour. (p.191)
Suddenly, however, we hit double trouble. Brian Aldiss resigned as Guest of Honour, and this was immediately followed by the start of a postal strike. Brian’s letter was a bombshell! The only reason Rog and I had taken on the convention was to do justice to him, and now he was dropping out for no very good reason, saying vaguely that he “might be living in Hong Kong for a while.”
What’s the biggest weakness in your writing these days, and how do you cope with it?
I mentioned cross-tension earlier, which I love. The thorn in my side, however, is forward tension.
To start us on the same page, by forward tension I mean the often external plot tension that pulls a reader through the story. In my Bourshkanya Trilogy, this tends to be resistance activities to weaken or tear down the fascist state. In general, fighting the big bad, and the sequence of events that leads to it, tends to be high in forward tension as the characters try and fail, as the villain pursues them, etc.
Cross-tension, by contrast, occurs between characters who have opposing, potentially unreconcilable beliefs. Both characters may try to do what they believe is right or necessary, may even care deeply for one another, but with the underpinnings of their belief structures in conflict, they’re forced onto opposite sides, e.g., a resistance fighter and a loyal State soldier. Secrets flourish in this soil, as do the juiciest (in my opinion) of all fiction elements: well-motivated, understandable yet heartbreaking betrayals. Or not. Opposing beliefs can be reconciled, which is part of what makes them so delightful. Cross-tension can also arise between a character and elements of the world, e.g., a resistance fighter who has to pretend loyalty to the State.
From my description, you can probably tell how much I love cross-tension. It makes my brain sing and is one reason I love having multiple POVs on both sides of a tricky moral line.
(9) HELP NEEDED. Jenny Parks, the author of Star Trek Cats (2017) and Star Trek: The Next Generation Cats (2018) has an online fundraiser for treatment of her Hodgkin’s lymphoma: “Jenny Parks Cancer Relief Fund”. As of today, people have donated $10,462 of the $25,000 goal. Ben Bird Person submitted the item with these images of “some of her art she’s done for me!”
(10) PRESTON OBIT. Actress Kelly Preston, whose best-known sff role was in the 1986 film Space Camp, died July 12 of cancer. (The New York Times tribute is here.) She had a brief cameo with her husband John Travolta in Battlefield Earth (2000). On This Date In Science Fiction History takes an extended look at her genre resume in “Stardate 07.13.2020.A: In Memoriam – Kelly Preston”.
(11) CRAWFORD OBIT. Small press publisher Gary William Crawford (1953-2020) died July 9.He founded Gothic Press in 1979, serving as its editor, as well as the author of many published works in Gothic literature.
From 1979 to 1987, Crawford produced six issues of the journal Gothic, and later, the press published the horror poetry magazine Night Songs. Crawford recently began the online journal, Le Fanu Studies.
(12) BRECHA OBIT. Sff writer F. Alexander Brejcha (1957-2019), whose first story was published in Analog in 1992, died in February 2019 it was recently learned. A collection of his short fiction, People First!!, was released in 2004, as was a collection of three novellas, No World Warranty.
(13) MEDIA BIRTHDAY.
July 13, 1960 — Irwin Allen’s version of The Lost World premiered. Based on the Arthur Conan Doyle novel. It was directed by him, produced by him with the assistance of Cliff Reid, and he wrote the screenplay with the help of Charles Bennett. The cast included Claude Rains, David Hedison, Fernando Lamas, Jill St. John, and Michael Rennie. Financing was so limited that the monsters were monitor lizards, iguanas, and crocodiles affixed with miniature horns and fins. Critics weren’t fond of it, it did poorly at the box office, and the audience reviewers at Rotten Tomatoes currently give it a scathingly poor 20% rating.
(14) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born July 13, 1796 – William Harvey. Engraver and designer. Woodblocks for e.g. Bewick’s Aesop, Northcote’s Fables, Lane’s Arabian Nights. Here is “Ali of Cairo”; here is “The Merchant and the Jinni” (note, jinni is the singular, jinn the plural); here is “Sayf al-Muluk and Badi’a al-Jamal”. Here is a portrait of Defoe, and title page, for Robinson Crusoe. (Died 1866) [JH]
Born July 13, 1864 – John Astor IV. Possibly the richest man in the world when he went down with the Titanic; wrote A Journey in Other Worlds set in what is now our past, the year 2000, with travel to Jupiter and Saturn powered by antigravity. (Died 1912) [JH]
Born July 13, 1904 — Norvell W. Page. Chief writer of The Spider pulp series as Grant Stockbridge. He started out by writing a backup story in the first issue of The Spider pulp: “Murder Undercover” and by the third issue was writing the main Spider stories which he did for some seventy stories. He also wrote The Black Bat and The Phantom Detective pulps. (Died 1961.) (CE)
Born July 13, 1926 — Robert H. Justman. Producer and director who worked on many a genre series including Adventures of Superman, The Outer Limits, Star Trek, Mission: Impossible, Man from Atlantis and Star Trek: The Next Generation. He was the assistant director for the first two Star Trek episodes: “The Cage” and “Where No Man Has Gone Before”. (Died 2008.) (CE)
Born July 13, 1926 – Dik Daniels. For years a prominent photographer, to whom we owe many such records. Widely, long, and uncelebratedly enough helpful that he was given the Big Heart, our highest service award. Some photos 1968-2001 on this Website. (Died about 2001) [JH]
Born July 13, 1937 — Jack Purvis. He appeared in three of director Terry Gilliam’s early fantasy films, with roles in Time Bandits, The Adventures of Baron Munchausen and Brazil. He’s in three of the Star Wars films, the only actor he claims to have played three different roles, and he’s also in Wombling Free (based on The Womblies, a UK Children’s series), The Dark Crystal and Willow. (Died 1997.) (CE)
Born July 13, 1940 — Sir Patrick Stewart OBE, 80. Jean-Luc Picard, starting with being Captain of the USS Enterprise (NCC-1701-D) on Star Trek: The Next Generation up though the current Star Trek: Picard. Also had some minor role in the MCU as Professor Charles Xavier, and played Leodegrance in Excalibur. Though not even genre adjacent, I’m fond of his role as King Henry II in The Lion in Winter. (CE)
Born July 13, 1942 — Harrison Ford, 78. Three great roles of course. First, being Dr. Henry Walton “Indiana” Jones, Jr. in the Indiana Jones franchise which is four films deep with a fifth on the way. The second, of course, being Han Solo in the Star Wars franchise, a role he’s done four times plus a brief cameo in The Rise of Skywalker. And the third being Rick Deckard in Blade Runner, a role he reprised for Blade Runner 2049. Oh ,and he played the older Indy at age fifty in the Young Indiana Jones Chronicles in the “Young Indiana Jones and the Mystery of the Blues” episode. (CE)
Born July 13, 1953 — Chip Hitchcock, 67. To quote Fancyclopedia, Chip Hitchcock “is a con-running fan living in the Boston area. He is a member of NESFA and MCFI and has worked on a great many conventions including Worldcons at the Division Head level, Boskones and numerous other regionals.“ Happy Birthday, Chip! (CE)
Born July 13, 1954 – Gary Feldbaum, 66. First SF con, Boskone 15 (Fancyclopedia 3 and some others call the first Boskones I-V i.e. through 1945; the current ones, starting in 1965, 1-57 so far). Moved to Philadelphia; happening to be a lawyer when one was wanted incorporated the Philadelphia SF Soc. (PSFS); chaired six Philcons. Has worked on Worldcons on three continents. Might be found heading a Division or ushering for the Masquerade. [JH]
Born July 13, 1965 – Tomoyuki Hoshino, 55. Two novels, a dozen shorter stories for us; nine more novels. Bungei, Mishima, Noma, Ôe, Yomiuri, Tanizaki Prizes. Born in Los Angeles, lived in Mexico long enough to get work in Japan translating Spanish-language movies. Teaches creative writing at his alma mater Waseda U. Me and the collection We, the Children of Cats are available in English. [JH]
Born July 13, 1981 – Monica Byrne, 39.The Girl in the Road won a Tiptree Award (as it then was); translated into German. Nine shorter stories in, on, or at Electric Velocipede, Fantasy, The Magazine of Fantasy and Science Fiction, Shimmer. Plays. A TED Talk (Technology, Entertainment, Design). Non-fiction in The Atlantic, Huffington Post, Virginia Quarterly Review. Website. [JH]
This week in The Full Lid we have a first!! Matt Wallace’s Savage Legion is out in a couple of weeks and as part of the coverage for it, I’m delighted to run an original flash fiction piece by Matt, along with one by myself. Matt’s one of my favorite writers and people and it’s a delight to see him doing excellent work like this piece and the upcoming novel.
Elsewhere I take a look at the graphic novel new Netflix movie The Old Guard was adapted from. Finally, I take a look at unfairly overlooked crime/science fiction/magic movie Sleight.
How did this all dovetail with your interest in science fiction?
There’s no point in my life when I don’t remember reading science fiction. My dad and I would — actually the whole family, but dad and I particularly — would listen to Hitchhiker’s Guide to the Galaxy when it was on the radio. We’d watch Star Trek, Battlestar Galactica; I read all of the things. But it is for me again, the thing that I said at the beginning about the ways science fiction and fantasy for me allows us to ask big questions.
Connie Willis set a thing once, which made me go “Oh, yes, that’s why I like it so much.” She said that she thinks that the difference between science fiction and fantasy and mimetic fiction or everyday fiction is that in mimetic fiction, you have ordinary problems, but then your character has to have an outsized or an extraordinary response to an ordinary problem. Like, someone’s husband is cheating on them, it’s not just, that they go stay with a family member; they go to the PTA and they stand on the table and they confront the person that he was having an affair with in order to drive the plot — you have to have this extraordinary reaction to cause the plot to move forward.
Whereas in science fiction and fantasy, we have extraordinary events taking place, which allows people to have normal, proportionate responses. And that made me understand part of why I like science fiction and fantasy, but it also made me realize that it gives us an opportunity to present a much more faithful representation of honest human emotion. The things that happen to us in our real world can be as as rocking or earth-shattering as a meteor hitting. There can be things that are as deeply traumatic. But most of those things aren’t enough to drive a plot. I feel like that’s doing a disservice to people who write mimetic naturalistic fiction, because I certainly have read stuff where people are having completely normal responses to completely normal events, but speaking in very general terms, it is an opportunity that science fiction offers.
…Robinson was one of the figures to come out of the mid-20th century sci-fi short story scene, penning techno-thrillers for various pulp publications. His thriller The Glass Inferno, written with Thomas Scortia, was one of two books that were combined to make the classic 1974 disaster film The Towering Inferno. He also was known for being the speechwriter for Harvey Milk, the gay San Francisco politician who was assassinated in 1978.
Hunting Season will follow a law officer from the future who is declared an enemy of the state and sentenced to be executed by being sent to the past and stalked by a posse. The man has three days to acclimate to his new era and find a way to survive.
While in grad school, one of the things my professors constantly warned against during discussions was falling into the trap of counterfactual speculation. When discussing and debating the causes and events of the medieval period, we were to confine ourselves to theories that could be supported by the primary sources and archaeological evidence. The fact that I did not become an historian and founded the Sidewise Award for Alternate History may give some indication of how well I adhered to those rules.
(20) PAGING DR. HOWARD, DR. FINE, DR. HOWARD… [Item by Mike Kennedy.] Pick six of your most intelligent, fittest friends. Now imagine the seven of you are on a mission to Mars & you have appendicitis. Which friend do you pick to be your surgeon? Mind you, none of them have medical training. “From floating guts to ‘sticky’ blood – here’s how to do surgery in space” at The Conversation.
… Surgery in microgravity is possible and has already been been carried out, albeit not on humans yet. For example, astronauts have managed to repair rat tails and perform laparoscopy – a minimally invasive surgical procedure used to examine and repair the organs inside the abdomen – on animals, while in microgravity.
These surgeries have led to new innovations and improvements such as magnetising surgical tools so they stick to the table, and restraining the “surgeonaut” too.
One problem was that, during open surgery, the intestines would float around, obscuring view of the surgical field. To deal with this, space travellers should opt for minimally invasive surgical techniques, such as keyhole surgery, ideally occurring within patients’ internal cavities through small incisions using a camera and instruments.
Now, the patrol robot has been adapted so it can also disinfect surfaces as it patrols, and is attracting interest from Tokyo’s Metro stations as well as other businesses.
In May, Japanese Prime Minister Shinzo Abe noted surging demand for unmanned deliveries and pledged to carry out tests to see if delivery robots were safe to use on roads and sidewalks by the end of the year.
Even the self-driving wheelchair can come into its own amid a coronavirus-filled world, the company said, potentially helping elderly people move around more independently without a helper who might be a vector for the virus.
Johnnie Walker, the whisky which traces its roots back 200 years, will soon be available in paper bottles.
Diageo, the drinks giant that owns the brand, said it plans to run a trial of the new environmentally-friendly packaging from next year.
While most Johnnie Walker is sold in glass bottles, the firm is looking for ways of using less plastic across its brands.
Making bottles from glass also consumes energy and creates carbon emissions.
To make the bottles, Diageo will co-launch a firm called Pulpex, which will also produce packaging for the likes of Unilever and PepsiCo.
Diageo’s paper whisky bottle, which will be trialled in spring 2021, will be made from wood pulp and will be fully recyclable, the company said.
The idea is that customers would be able to drop them straight into the recycling.
(24) TUCKER INTERVIEW, PART DEUX. Fanac.org has posted the second segment of the Bob Tucker interview done for Chicon 2000.
Dick Smith’s interview of Wilson “Bob” Tucker was done for Chicon 2000, that year’s World SF Convention. Here in Part 2, the stories keep coming (and Bob is an excellent storyteller). Tucker talks about Claude Degler’s first appearance in fandom and how Jack Speer (later Judge Speer) got into trouble. There’s more about Chicon 1, how he learned about the internet and how fandom has changed in the preceding 60 years. You’ll even hear how Bob ended up joining the N3F after decades in fandom. Videography by Tom Veal, Chairman of Chicon 2000.
[Thanks to Andrew Porter, Mlex, Olav Rokne, “Orange Mike” Lowrey, Mike Kennedy, Martin Morse Wooster, Ben Bird Person, John King Tarpinian, Rich Lynch, Steven H Silver, Michael Toman, John Hertz, JJ, Cat Eldridge, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Peer.]
(1) COMIC-CON ONLINE. More information has been released about the replacement for the annual San Diego event: “Comic-Con@Home Sets July Dates”. As Greg Weir joked on Facebook, “The virtual lines will be enormous.”
Comic-Con@Home was first teased in early May with a short video announcement and a promise of details to come. Pop culture enthusiasts will note that this initiative joins the Comic-Con Museum’s virtual endeavor, Comic-Con Museum@Home, already ongoing.
Although conditions prevent celebrating in person, the show, as they say, must go on. With Comic-Con@Home, SDCC hopes to deliver the best of the Comic-Con experience and a sense of its community to anyone with an internet connection and an interest in all aspects of pop culture. Plans for Comic-Con@Home include an online Exhibit Hall complete with everyone’s favorite exhibitors offering promotions, specials, and limited-edition products unique to the celebration. As well, Comic-Con@Home promises exclusive panels and presentations about comics, gaming, television, film, and a wide variety of topics from publishers, studios, and more. As if that weren’t enough, Comic-Con@Home will also have a Masquerade, gaming, and many other activities in which fans can participate from their own homes.
Although Comic-Con@Home will provide badges for fans to print and wear proudly, all aspects of the initiative are free and there are no limits to how many can attend…. Comic-Con@Home will be held on the same dates as the previously canceled Comic-Con, July 22-26, 2020, and online attendees are encouraged to use the official #ComicConAtHome hashtag to be included in the virtual activities. …Interested fans are encouraged to check Toucan, the official Comic-Con and WonderCon blog, SDCC’s website and social channels, and the official channels of their favorite pop culture creators in the weeks to come.
An increasing number of prominent board game industry and community members have pulled out of an upcoming show over The Game Manufacturers Association’s (GAMA) inability (or refusal) to make a statement about Black Lives Matter.
GAMA owns and operates Origins Online, a big virtual show running later this month that was intended to replace the usual Origins Games Fair (a physical event that has been postponed to October). It was supposed to feature panels, video and support appearances by notable board games people like Wingspan designer Elizabeth Hargrave, Blood Rage creator Eric Lang, Geek & Sundry’s Ruel Gaviola, Boardgamegeek and Man vs Meeple.
The Game Manufacturers Association believes that Black Lives Matter. We unequivocally condemn racism and violence against people of color. We have been too late in making that statement with force, and we apologize. The injustices of today demand that every person of good conscience make clear where they stand and we wish we had been more proactive, more strident, and more effective with our voices. Innocent people of color are being killed in the streets of the communities where we live, and it is not acceptable.
We cannot responsibly hold our virtual convention, Origins Online, in this setting. Even if it were possible to hold it, it would not be appropriate to do so. So, we are announcing here that Origins Online is cancelled.
Late last night, GAMA made an official statement to cancel Origins Online. Though this statement answered some concerns, it too contains several notable omissions that highlight some of the challenges facing any effort to make the hobby more inclusive. Specifically:
Their apology has no mention of the BIPOC members of the industry who stood up to them. It also fails to note that those voices were the catalyst for their decision to cancel Origins Online.
Their plan to make amends by asking attendees and publishers to forfeit their Origins Online payments shows a lack of initiative and imagination. As our industry’s governing body, we expect GAMA to take the lead without waiting for the initiation of others.
There is no actionable statement on how they can work on uplifting the BIPOC community or an attempt to broaden their board or staff, nor does it recognize the board’s failures in this regard.
(3) ROLLING OVER. Loscon 47, which the Los Angeles Science Fantasy Society planned to hold this Thanksgiving Weekend, has been postponed to 2021. Chair Scott Beckstead wrote:
With the effects of the Covid-19 pandemic being felt in many sectors, we are not immune I’m sorry to say. The fallout of these effects sadly means that we will be postponing Loscon 47 until next year. We are rescheduling Loscon 47 for Thanksgiving weekend (November 26th through November 28th 2021). We will be rolling Guests, members, and dealer room participants over to next yea
Writer Guest Dr. Gregory Benford, our Artist Guest Jeff Sturgeon and Fan Guests of Honor Dennis and Kristine Cherry have all agreed to be there and are looking forward to being there next year. There will be more info as we re-assemble our teams to bring this to fruition in November of 2021. As always you may ask questions at email@example.com and I look forward to seeing you all Thanksgiving weekend 2021
(4) RED SOFA LITIGATION. Publishers Lunch reports in “Briefs” that lawyers are getting involved in the Red Sofa Literary meltdown.
Agents Beth Phelan and Kelly Van Sant and author Isabel Sterling received cease & desist letters from an attorney representing agent Dawn Frederick at Red Sofa Literary after speaking out about Frederick’s response to protestors in St. Paul.
On June 8, 2020, we received cease and desist letters from a lawyer on behalf of Dawn Frederick, literary agent and founder of Red Sofa Literary. The letters demanded that we delete our respective posts regarding Dawn’s actions and further, publish retractions stating that “she did not make any racist or other improper statements,” validating the behaviors that we had previously condemned. Failing this, we were told Dawn will pursue legal action against us for defamation. We interpret these demands as an attempt to not only silence us, but to compel us to lie for her. We refuse.
After we and others spoke out against her tweets, Dawn posted a public apology on her website owning up to her wrongdoing, but then turned around to privately send threatening letters to people who spoke up. In that apology, Dawn admitted that her actions were “careless,” that “[t]he authors and agents who may now question whether or not we share the same ideals have every right to feel this way,” and that her “actions were tone-deaf and the product of [her] own privilege.” That she is now threatening to sue people for agreeing with her apology makes it impossible to interpret the apology as anything but insincere. So, which is it, Dawn? You said in your apology that you would “work to be better.” Is this what “better” looks like?…
They are asking for donations to their legal defense fund, which has raised $12,177 as of today.
In 1985, Universal Pictures, Amblin Entertainment, director Robert Zemeckis, and writer/producer Bob Gale gave the world an all-time classic motion picture, Back to the Future. Four years later, they tried to pull the wool over everyone’s eyes. Back to the Future Part II had a little secret, one the participants tried to keep from being discovered. It was slightly easier in that pre-internet time. As it turned out, a key actor from the original, Crispin Glover, decided not to return for the sequel. Since the character of George McFly was fairly prominent in the follow-up, that presented a rather large problem.
Their solution was unique, but it also got them entangled in some unpleasant legal action. Essentially, the filmmakers recreated Glover’s face with prosthetics, then put it on another actor. They wanted to make it seem as though Glover was in the sequel when, in fact, he was not. Glover was none too happy about this, so he sued everyone involved.
That’s the short version. The more detailed version is a fascinating tale of an actor desperate to protect his image, filmmakers desperate to protect their franchise, and the clash these dueling desires created. It’s also an account of a watershed moment in cinema history, when it became clear that modern technology was making it easier to “steal” someone’s likeness. The impact of Crispin Glover’s Back to the Future Part II case continues to reverberate today….
(6) PINSKER STORY POSTED. The latest story for the Center for Science and the Imagination’s Us in Flux project launched today: “Notice,” a story about unexpected mail and the limits of self-reliance by Sarah Pinsker.
Malachi happened to be mowing down by the gates when the mail carrier arrived in her ancient truck. He wasn’t supposed to talk to Outsiders until he turned twenty-five, another six years, but he couldn’t help trying on the rare occasions an opportunity presented itself….
On Monday, 6/15 at 4 p.m. Eastern, they’ll have another virtual event on Zoom with Sarah in conversation with Punya Mishra, an expert in integrating arts, creativity, design, and technology into learning. Registration required.
A group of creative horror fans just put together a 5-minute, zero-budget remake of Ridley Scott’s Alien while stuck at home!
Described as a “low-budget, high-cardboard remake of Alien,” the video comes courtesy of YouTube channel Cardboard Movie Co, which specializes in this sort of thing.
(8) MEDIA BIRTHDAY.
June 11, 1982 — E.T. – The Extraterrestrial premiered. It was directed by Steven Spielberg. Production credit was shared by Spielberg, Kathleen Kennedy and Frank Marshall. It was written by Melissa Mathison and starred Dee Wallace, Peter Coyote, and Henry Thomas. Special effects were by Carlo Rambaldi and Dennis Muren. Critics universally loved it, the box office was phenomenal and audience reviewers at Rotten Tomatoes give it a 99% rating.
June 11, 1993 — Eleven years after E.T. came out, Jurassic Park premiered. Directed by Steven Spielberg, and produced by Kathleen Kennedy and Gerald R. Molen. It’s based on the novel of the same name by Michael Crichton. It starred Samuel L. Jackson, Sam Neill, Laura Dern, Jeff Goldblum and Richard Attenborough. Like E.T., It was an overwhelming hit with the critics and the box office was quite stellar. The audience reviewers at Rotten Tomatoes give a 91% rating.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born June 11, 1572 – Ben Jonson. Among much else he and Inigo Jones (1573-1672) composed masques, a theatrical artform now long asleep through abandonment of its circumstances. At the court of a monarch, or some lesser court, elaborate scenery was built, in and around which elaborately costumed actors played, sometimes in mime, with music and dance, sometimes including courtiers. Jonson wrote and acted, Jones designed and built. We can claim at least Oberon, the Faery Prince, The Lady of the Lake with Merlin and Arthur, The Devil Is an Ass. We can and should read and imagine them (you can look at this Website to see text); if they were filmed and you saw them it would not be the same as if twenty or thirty people performed for you and your friends at one of your palaces. (Died 1637) [JH]
Born June 11, 1815 – Julia Cameron. Pioneer photographer, started at age 48, made portraits and allegories. She said “My aspirations are to ennoble Photography and to secure for it the character and uses of High Art by combining the real and Ideal and sacrificing nothing of the Truth by all possible devotion to Poetry and beauty.” Do find her portraits; but this is an SF Weblog, so here are The South-West Wind, Prospero (from Shakespeare’s Tempest), and The Parting of Sir Lancelot and Queen Guinevere which Bloomsbury used for its 1999 printing of The Princess Bride. (Died 1879) [JH]
Born June 11, 1927 — Kit Pedler. In the Sixties, he became the unofficial scientific adviser to the Doctor Who production team. One of his creation was the Cybermen. He also wrote three scripts — “The Tenth Planet” (co-writtenwith Gerry Davis), “The Moonbase” and “The Tomb of the Cybermen“. Pedler and Davis went in to create and co-write the Doomwatch Series. He wrote a number of genre novels including Mutant 59: The Plastic Eaters (co-written with Gerry Davis) and Doomwatch: The World in Danger. (Died 1981.) (CE)
Born June 11, 1929 — Charles Beaumont. He is remembered as a writer of Twilight Zone episodes such as “Miniature”, “Person or Persons Unknown”, “Printer’s Devil” and “The Howling Man” but also wrote the screenplays for several films among them 7 Faces of Dr. Lao and The Masque of the Red Death. He also wrote a lot of short stories, so let’s see if there’s digital collections available…. Yes, I’m pleased to say, including several ones by legit publishers. Yea! (Died 1967.) (CE)
Born June 11, 1933 — Gene Wilder. The first role I saw him play was The Waco Kid in Blazing Saddles. Of course, he has more genre roles than that, starting out with Willy Wonka in Willy Wonka & the Chocolate Factory followed by Blazing Saddles and then Dr. Frederick Frankenstein in Young Frankenstein. He was Sigerson Holmes in The Adventure of Sherlock Holmes’ Smarter Brother, a brilliantly weird film whose cast included Marty Feldman, Madeline Kahn, Dom DeLuise, Roy Kinnear and Leo McKern! I’ve also got him playing Lord Ravensbane/The Scarecrow in The Scarecrow, a 1972 TV film based based on Nathaniel Hawthorne’s short story, “Feathertop”. (Died 2016.) (CE)
Born June 11, 1934 – Jerry Uelsmann. Used photomontage long before Adobe Photoshop. Guggenheim and Nat’l Endowment for the Arts fellowships. Lucie Award. Here is a Boat and Moon. Here is a Tree Goddess. Here is his Website. [JH]
Born June 11, 1945 — Adrienne Barbeau, 75. She’s memorably in Swamp Thing. She’s also in the Carnivale series, a very weird affair. She provided the voice of Catwoman on Batman: The Animated Series. And she was in both Creepshow and The Fog. Oh, and ISFDB lists her as writing two novels, Vampyres of Hollywood (with Michael Scott) and presumably another vampire novel, Love Bites. (CE)
Born June 11, 1946 – Barry Levin. For thirty-five years his antiquarian bookshop in Santa Monica was a pearl beyond price. Here is an interview with Scott Laming of AbeBooks. Here is an appreciation by Scott Haffner of Haffner Press – scroll down; BL is third from top. (Died 2016) [JH]
Born June 11, 1959 – Galen Tripp. Active fan in Los Angeles, organizing the LASFS (L.A. Science Fantasy Society) 50th Anniversary banquet, 1984; given the Evans-Freehafer, our service award, 1986; moved to the San Francisco Bay Area, where he is BASFS (Bay Area SF Soc.) sergeant-at-arms, a position they take about as seriously as we take ours. [JH]
Born June 11, 1968 — Justina Robson, 52. Author of the excellent Quantum Gravity series which I loved. I’ve not started her Natural History series but have not added it to my digital To Be Read list, so would be interested in hearing from anyone here who has. (CE)
Born June 11, 1971 — P. Djèlí Clark, 49. Ok, I want a novel from this brilliant author whose The Haunting of Tram Car 015 is in the running for a Best Novella Hugo this year. (A Dead Djinn in Cairo is set in the same alternate universe.) The Black God’s Drums was a finalist for the same award last year. And yes, he has a novel coming out — Ring Shout, a take on the KKK with a supernatural twist. (CE)
Born June 11, 1993 – Anna Dittmann. Digital illustrator, once of San Francisco, now of Scotland. Here is her cover for Patricia Ward’s Skinner Luce. Here is her May 2018 cover for Apex magazine. This March 2020 interview with Affinity Spotlight has images and comment. [JH]
Tony Round says he was “stunned into silence” the first time he watched his family’s elaborate Rube Goldberg machine wind its way through their house and successfully drop a bar of soap into his daughter’s hands.That’s because it took the Toronto family more than 50 failed attempts and three weeks to make the machine work.
Amazon announced on Wednesday a one-year moratorium on police use of its facial-recognition technology, yielding to pressure from police-reform advocates and civil rights groups.
It is unclear how many law enforcement agencies in the U.S. deploy Amazon’s artificial intelligence tool, but an official with the Washington County Sheriff’s Office in Oregon confirmed that it will be suspending its use of Amazon’s facial recognition technology.
Researchers have long criticized the technology for producing inaccurate results for people with darker skin. Studies have also shown that the technology can be biased against women and younger people.
IBM said earlier this week that it would quit the facial-recognition business altogether. In a letter to Congress, chief executive Arvind Krishna condemned software that is used “for mass surveillance, racial profiling, violations of basic human rights and freedoms.”
And Microsoft President Brad Smith told The Washington Post during a livestream Thursday morning that his company has not been selling its technology to law enforcement. Smith said he has no plans to until there is a national law.
Scientists have been stunned to find that some ancient crocodiles might have moved around on two feet.
The evidence comes from beautifully preserved fossil tracks in South Korea.
Nearly a hundred of these 18-24cm-long indentations were left in what were likely the muddy sediments that surrounded a lake in the Early Cretaceous, 110-120 million years ago.
The international team behind the discovery says it will probably challenge our perception of crocodiles.
“People tend to think of crocodiles as animals that don’t do very much; that they just laze around all day on the banks of the Nile or next to rivers in Costa Rica. Nobody automatically thinks I wonder what this [creature] would be like if it was bipedal and could run like an ostrich or a T. rex,” Martin Lockley, an emeritus professor at the University of Colorado, US, told BBC News.
The study is sure to provoke a lively debate. Not all researchers will necessarily accept the team’s interpretation.
(15) JOHN ON THE DOTTED LINE. It’s never too late to study a historic document: Phyllis Irene Radford is in the middle of “Blogging the Magna Carta #12” at Book View Café. Today’s section is about administering the estates of the deceased.
…Those catalogs of chattels tell historians a lot about how people lived during the period and what they considered valuable, due to purchase price or import costs, or how labor intense to make. Historians love these.
I was fortunate enough to see one of the original copies when it was displayed in LA in the Seventies.
…There’s a lot going on in The Relentless Moon and Kowal keeps everything moving and flowing together with remarkable deftness and an underlying compassion that smooths the edges off even the harshest aspects of the novel – including Nicole’s eating disorder, racial issues, domestic terrorism, and a desperate fight for survival on the Moon. Everything is handled with sensitivity, though Kowal does not shy away from the emotion of the worst moments – it’s more that Kowal is such a smooth writer that the reader is in safe hands. The novel leans into the pain, but with a light touch.
… Have the anti-racism protests come for Paw Patrol? According to Amanda Hess of the New York TimesPaw Patrol fans have (albeit jokingly) called for the popular Nickelodeon show to be canceled as protests against police brutality continue to sweep the globe and shows like Cops and Live PD are cancelled by networks. While the Paw Patrol protests may not be totally real, Eric Trump and Sen. Ted Cruz seem to think fans are serious: both tweeted that the protests for Paw Patrol are “truly insane,” and they blasted the left for “targeting” cartoons.
…This is a long story with a short answer: as of now, Paw Patrol is not being cancelled despite the fake “protests” against it. In fact, Nickelodeon just renewed the series for an eighth season in February, and a theatrical film Paw Patrol: The Movie is currently scheduled for an August 2021 release.
(20) STAYING IN PRACTICE. The Screen Junkies, having no new summer blockbusters, decided to take on The Fifth Element in a trailer that’s two days old.
[Thanks to Andrew Porter, Chip Hitchcock, John Hertz, Michael Toman, John King Tarpinian, JJ, Cat Eldridge, Mike Kennedy, Joey Eschrich, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Rose Embolism, with an assist by Anna Nimmhaus.]
The 2020 Nebula Awards ceremony will be streamed live to conference attendees and the public alike at 8 p.m. Eastern/ 5 p.m. Pacific on May 30.
“The Nebula Awards Ceremony will be seen live online by people around the globe,” said Mary Robinette Kowal, SFWA President. “While the circumstances are difficult, we’re excited that the conference is more accessible than when in a physical location.”
NEBULA ANTHOLOGY AUDIOBOOK PLANNED. As part of the celebration of the Nebula Award winners, SFWA has partnered with audio-first entertainment studio Podium Audio to adapt, produce and distribute its 55th Nebula Awards Showcase Anthology, edited by Cat Valente, in audio format. A top publisher of science-fiction and fantasy audiobooks, Podium Audio is on the forefront of discovering new authors and voice artists from the U.S. and around the world.
“Since the first publication of the Nebula Anthology in 1966, the yearly collection has only been available in print. Expanding into the world of audiobooks offers new opportunities for expression and outreach,” says Kowal. “We’re delighted to partner with the innovative and experienced team at Podium Audio.”
The Nebula Awards® are voted on, and presented by, full members of Science Fiction and Fantasy Writers of America, Inc. Founded as the Science Fiction Writers of America in 1965 by Damon Knight, the organization began with a charter membership of 78 writers; it now has more than 2000 members, among them many of the leading writers of science fiction and fantasy.
[Based on a press release.]
Update 05/30/20: Added VR link from new press release.