Pixel Scroll 5/3/20 NCIS: Ringworld

(1) B.C.V. / A.C.V. Kim Stanley Robinson argues “The Coronavirus Is Rewriting Our Imaginations” in an article for The New Yorker.

…On a personal level, most of us have accepted that we live in a scientific age. If you feel sick, you go to a doctor, who is really a scientist; that scientist tests you, then sometimes tells you to take a poison so that you can heal—and you take the poison. It’s on a societal level that we’ve been lagging. Today, in theory, everyone knows everything. We know that our accidental alteration of the atmosphere is leading us into a mass-extinction event, and that we need to move fast to dodge it. But we don’t act on what we know. We don’t want to change our habits. This knowing-but-not-acting is part of the old structure of feeling.

Now comes this disease that can kill anyone on the planet. It’s invisible; it spreads because of the way we move and congregate. Instantly, we’ve changed. As a society, we’re watching the statistics, following the recommendations, listening to the scientists. Do we believe in science?  Go outside and you’ll see the proof that we do everywhere you look. We’re learning to trust our science as a society. That’s another part of the new structure of feeling.

(2) SOMETIMES IT DOES TAKE A ROCKET SCIENTIST. Here’s an excerpt from yesterday’s Wait, Wait… Don’t Tell Me on NPR: “Who’s Bill This Time”

SAGAL: Yes. And what do you do there when you’re allowed out of your house?

TIBERI: I am an electrical test engineer for the spacecraft Orion, which is the world’s only deep space human exploration spacecraft.

JOEL KIM BOOSTER: Whoa.

SAGAL: No kidding. So, wait a minute. You’re helping to build the Orion, which is supposed to take us to Mars, right?

TIBERI: Yes, that is correct. So I work as a test engineer. I do software and electrical integration. And next year, we are launching for the moon.

(3) A VISIT WITH MANAGEMENT. “The Astronaut Maker: How One Mysterious Engineer Ran Human Spaceflight for a Generation” – video of a 2019 event.

The Baker Institute Space Policy Program hosts a conversation with senior space policy fellow George W.S. Abbey and author Michael Cassutt, whose new biography “The Astronaut Maker” chronicles Abbey’s rise from Air Force pilot to NASA power broker.

(4) YOU WOULDN’T GUESS THIS. CinemaBlend writer Adam Holmes, in “John Belushi’s Last Day On Earth Was Apparently Spent On The Set Of Star Trek II”, quotes Star Trek historian Mark A. Altman saying that John Belushi’s last activity before dying of a drug overdose was visiting the set of Star Trek II, because he “wanted to perfect his Shatner impersonation” and spent time watching William Shatner at work.

(5) RESISTING THE TEMPTATION. Roger Wolfson has “Advice for a Science Fiction Writer During the Time of Covid” – and where else but at ScienceFiction.com?

…Also like many writers, I have several projects in active development.  But all my projects require answering the same question.

“How much or how little Covid do I put into this project?”

This is particularly important in the realm of Science Fiction, which is at heart, social commentary.  And some of the best Science Fiction tries to take current social issues and expand them into the future in order to comment on them most effectively.

For me, when it comes to my projects, I want to talk about this pandemic. I want to talk about the social implications. The governmental implications. Personal implications.

Especially since I had Covid myself. I have a lot to say.

The problem is, any project I write won’t be on air – – if I’m lucky – for another year, or more…..  

(6) BREAKING IN AND REMAKING. “NK Jemisin: ‘It’s easier to get a book set in black Africa published if you’re white'” – so the author told Guardian interviewer Alison Flood

…She wrote another, The Killing Moon, which got her an agent. Set in a world based on ancient Egypt, it had an almost exclusively black cast – and didn’t find her a publisher. “It was the mid 2000s, and at that time science fiction and fantasy publishers were not super interested in stories with black casts by black writers. They had done some stories with black casts by white writers, but they were not interested in those stories coming from people who actually were black.” Rejection letters would say things like, “we like this, but we’re not sure how to market it. We like this but we’re not sure who its audience would be”– the implication from publishers being “that fantasy readers don’t want to read about black people. Black people don’t want to read fantasy. So what do we do?”

Jemisin decided to rewrite The Hundred Thousand Kingdoms, making nearly the entire cast white. “All of them were horrible people. They’d shank each other for, like, nothing. And I wrote this angry story about this lone brown girl going into this place full of mean white people,” she says. It went to auction, with three different publishers fighting over it. “And I’m like, this is what you want?” she says. “I was pretty bitter … I’d taken such care in [The Killing Moon] to include sympathetic white people, but that wasn’t what they wanted.” …

(7) MAY 8 DEADLINE IF YOU WANT IN. The UC San Diego Library is producing a new edition of Short Tales From the Mothership, time coming in a more futuristic/modern event format — via Zoom! The event is scheduled for May 19, 2020 from 4:00 pm – 5:00 pm.

In the 1970s, sci-fi magazine editor George Hay encouraged authors such as Arthur C. Clarke, the namesake of UC San Diego’s Clarke Center, to write short postcard stories. Taking inspiration from Hay, this annual sci-fi micro fiction event allows participants to submit short stories inspired by UC San Diego’s iconic Geisel Library building, designed by famed architect William Pereira.

You have a chance to participate. Submit a science fiction or fantasy story (250 words or less) to Exhibit and Events Coordinator Scott Paulson at spaulson@ucsd.edu by May 8. Participants will be invited to read their works at our virtual event on Zoom on May 19. This virtual event is free and open to the public. Registration details are forthcoming.

(8) TODAY IN HISTORY.

  • May 3, 1996 Barb Wire premiered.  Brad Wyman produced the film, and It was directed by David Hogan from a screenplay by Chuck Pfarrer and Ilene Chaiken. The story was by Ilene Chaiken based on Chris Warner’s Barb Wire comic series. It stars Pamela Anderson in the titular role with the additional cast of Temuera Morrison, Victoria Rowell, Xander Berkeley, Udo Kier and Steve Railsback. It received overwhelmingly negative reactions by critics and was a box office bomb. It holds a fourteen percent approval rating on Rotten Tomatoes among audience reviewers.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 3, 1896 Dodie Smith. English children’s novelist and playwright, best remembered for The Hundred and One Dalmatians which of course became the animated film of the same name and thirty years later was remade by Disney as a live action film.(Saw the first a long time ago, never saw the latter.) Though The Starlight Barking, the sequel, was optioned, by Disney, neither sequel film (101 Dalmatians II: Patch’s London Adventure and 102 Dalmatians) is based on it. Elizabeth Hand in her review column in F&SF praised it as one of the very best fantasies (“… Dodie Smith’s sophisticated canine society in The Hundred and One Dalmatians and The Starlight Barking…”) she read. (Died 1990.)
  • Born May 3, 1928 Jeanne Bal. In Trek’s “The Man Trap” episode, she played Nancy Crater, in reality a lethal shape-shifting alien. This was the episode that replaced “The Cage” which the Network didn’t like. She also had one-offs in Thriller and I-Spy. (Died 1996.)
  • Born May 3, 1939 Dennis O’Neil, 81. Writer and editor, mostly for Marvel Comics and DC Comics from the Sixties through the Nineties, and was the Group Editor for the Batman family of titles until his retirement which makes him there when Ed Brubaker’s amazing Gotham Central came out. He himself has written Wonder Woman and Green Arrow in both cases introducing some rather controversial storytelling ideas. He also did a rather brilliant DC Comics Shadow series with Michael Kaluta as the artist.
  • Born May 3, 1951 W. H. Pugmire. S. T. Joshi has described Pugmire as “perhaps the leading Lovecraftian author writing today.” Let the debate begin. I don’t have a dog in this fight as I’ve never even heard of him. I will note that he shows up in most of the digital Cthulhu anthologies from the usual suspects and of course he’s in all of the Joshi Cthulhu anthologies that I looked at. (Died 2019.)
  • Born May 3, 1962 Stephan Martinière, 58. French artist who was the winner of the Best Professional Artist Hugo at Devention 3. He’s done both genre covers such as Ken MacLeod‘s Newton’s Wake: A Space Opera, and conceptual work for such films as The Fifth ElementRed Planet, and, errr, Battlefield Earth.
  • Born May 3, 1969 Daryl Mallett, 51. By now you know that I’ve a deep fascination with the non-fiction documentation of our community. Mallett is the author of a number of works doing just that including several I’d love to see including Reginald’s Science Fiction and Fantasy Awards: A Comprehensive Guide to the Awards and Their Winners written with Robert Reginald. He’s also written some short fiction including one story with Forrest J. Ackerman that bears the charming title of “A Typical Terran’s Thought When Spoken to by an Alien from the Planet Quarn in Its Native Language“.  He’s even been an actor, appearing in several Next Gen episodes (“Encounter at Farpoint” and “Hide and Q”) and The Undiscovered Country as well, all uncredited. He also appeared in Doctor Who and The Legends Of Time, a fan film which you can see here.
  • Born May 3, 1982 Rebecca Hall, 38. Lots of genre work — her first role was as Sarah Borden in The Prestige followed by being Emily Wotton in Dorian Gray and then as Florence Cathcart in The Awakening which in turn led to her being Maya Hansen in Iron Man 3. Next up? Mary in Roald Dahl’s The BFG. Is she done yet? No as next up is the English dub of the voice of Mother of Mirai no Mirai. (She might’ve wanted to have stopped there as her most recent role was Dr. Grace Hart in Holmes & Watson which won an appalling four Golden Raspberries!) 
  • Born May 3, 1985 Becky Chambers, 35. Her Wayfarers series won the Best Series Hugo at Dublin 2019: An Irish Worldcon. A Closed and Common Orbit was a finalist at WorldCon 75 for Best Novel but lost out to another exemplary novel, N. K. Jemisin’s The Obelisk GateRecord of a Spaceborn Few would be on the ballot at Dublin 2019 but lost out to yet another exemplary novel, Mary Robinette Kowal’s The Calculating Stars. (A digression: The Wayfarers are the best series I’ve listened to in a long time.) “To Be Taught, if Fortunate” is a finalist this year at ConZealand in the Best Novella category and I’ve got in my short list to be listened to. 

(10) COMICS SECTION.

  • What might other planets be like? Here’s Garfield’s idea.
  • Free Range shows what happens when someone opens the wrong door.

(11) TIME TO REFILL YOUR LID. Alasdair Stuart’s “The Full Lid 1st May 2020” takes a look at newly announced Doctor Who transmedia story “Time Lord Victorious” and what it tells about the show and its relationship with fans and the world it exists in. 

Also, this week, Stuart looks at Lorcan Finnegan’s chilling suburban horror Vivarium and Jules Scheeles’ wonderful comics work. Interstitials are some of the best bits of week one of DC Comics’ daily digital offerings.  

The Full Lid publishes weekly at 5 p.m. GMT on Fridays. Signup is free and the last six months are archived here.  

Earlier this week, Time Lord Victorious was announced. It’s Doctor Who‘s first (as far as I can tell) trans-media project, telling one story from multiple perspectives across audio drama, books, comics, escape rooms (!!) and collectibles. It’s Crisis on infinite Gallifreys, it’s X-Men vs UNIT, it’s a crossover. A big ‘we fill the stage with goldfish and angst!’ crossover that will tell a massive flotilla of new stories forming one unified narrative. Oh and it features three of the Doctor’s best loved faces.

So of course a lot of people have decided this is a bad thing.

Let’s talk about the crossover, about why some folks feel that way, and why I don’t.

(12) SUPERMARIONATION REVIVED. Two episodes so far. Be sure to watch the “Making Of” at the end of the first episode – begins at 10:35.

‘Nebula-75’ is a new puppet lockdown drama made entirely during confinement in 2020 using only existing puppets and materials. Filmed in Supermarionation, it follows in the tradition of ‘Thunderbirds’, ‘Stingray’ and ‘Fireball-XL5’ while at the same time also being filmed in SuperIsolation and Lo-Budget! ‘Nebula-75’ charts the exploits of Commander Ray Neptune and the crew of the spaceship NEBULA-75 as they make their way across the stars, encountering strange worlds and forms of life hitherto unknown by mankind. It has been created and produced by a small group of filmmakers during the British lockdown on 2020. Although team members from around the world contributed remotely to pre and post production, the entirety of the filming for NEBULA-75 was undertaken by a crew of three who happened to already live together in a small flat in London. Their living room was transformed into a makeshift movie studio – with bookshelves, cardboard boxes and other household objects becoming the interior of the show’s hero spacecraft. This flat was also fortunately home to many of the puppets, props, and costumes that have been accumulated over the course of different productions.

(13) NOT MORE SPARKLY VAMPIRES! J-14 tries to interpret the cryptic clues — “OMG: Author Stephenie Meyer Drops Major Hint She’s Releasing New ‘Twilight’ Book”.

Get ready, people, because it looks like Bella Swan and Edward Cullen’s story may not be over just yet! Yep, that’s right. Almost 15 years after the first Twilight came out, the author of the book series, Stephenie Meyer, just dropped a major hint that she’s got a new book in the works, and fans are seriously freaking out over it!

Get this, you guys — Stephenie has upgraded her website with a very mysterious countdown that has everyone convinced she’s dropping another part of the series.

…The countdown is set to stop at midnight on May 4, 2020.

For those who forgot, back in 2008, rumors spread that the author was working on a new Twilight book, called Midnight Sun, which was going to be the same story but told from Edward’s point of view instead. The first twelve chapters were seemingly leaked online at the time, which in the end, caused Stephenie to shut down the book….

(14)NO TIME LIKE THE PRESENT. [Item by Martin Morse Wooster.] In “Stanley Johnson Pushes For New Release of His 40-Year-Old Virus Novel” in The Guardian, Mark Brown says the British prime minister Boris Johnson’s father, technothriller author Stanley Johnson, is trying to get British publishers to reissue his 1982 novel The Marburg Virus, saying it’s topical and that copies of the paperback are currently selling for 57 pounds on Amazon.

The SF Encyclopedia says this novel is sf (I looked it up!)

…In Johnson’s story, the equivalent of Wuhan is New York, the virus breaks out at the Bronx zoo. Soon the rest of the world bans planes travelling from the US. The main characters are involved in a desperate attempt to track down a rare breed of green monkey, which was the source of the virus.

Some subplots are more improbable than others. One involves the Brazilian head of the World Health Organization and his deputy, a sinister, monocle-wearing Russian with an upper-class English accent, travelling to the Congo to personally oversee the destruction of monkeys responsible for the virus … or so they thought….

(15) RETIRE TO A SAFE DISTANCE. “Coronavirus Fears Have NASA Urging Space Fans To Stay Away From Historic Launch” – NPR has the story.

Because of the coronavirus, NASA’s top official is asking space fans not to travel to Florida later this month to watch astronauts blast off from American soil for the first time since the retirement of the space shuttles in 2011.

“When we look back to the space shuttle launches, we had hundreds of thousands of people that would descend on the Kennedy Space Center,” NASA Administrator Jim Bridenstine said in a pre-flight briefing. But, he noted, now is unfortunately not a good time for people to gather in large crowds.

“We’re asking people not to travel to Kennedy, but to watch online or watch on your television at home,” said Bridenstine, who confessed that it made him feel “sad” to have to say this.

The upcoming test flight is historic because the two astronauts, Robert Behnken and Douglas Hurley, won’t be flying in a NASA vehicle. Instead, they’ll go up inside a capsule created by SpaceX, the rocket firm founded by wealthy entrepreneur Elon Musk.

This first launch of people in a company-owned spacecraft, currently scheduled for 4:32 p.m. EDT on May 27, will be a milestone for both NASA and commercial spaceflight.

(16) REMEMBER THAT MAN-MADE VIRUS? “Love Bug’s creator tracked down to repair shop in Manila”.

The man behind the world’s first major computer virus outbreak has admitted his guilt, 20 years after his software infected millions of machines worldwide.

Filipino Onel de Guzman, now 44, says he unleashed the Love Bug computer worm to steal passwords so he could access the internet without paying.

He claims he never intended it to spread globally.

And he says he regrets the damage his code caused.

“I didn’t expect it would get to the US and Europe. I was surprised,” he said in an interview for Crime Dot Com, a forthcoming book on cyber-crime.

The Love Bug pandemic began on 4 May, 2000.

Victims received an email attachment entitled LOVE-LETTER-FOR-YOU. It contained malicious code that would overwrite files, steal passwords, and automatically send copies of itself to all contacts in the victim’s Microsoft Outlook address book.

Within 24 hours, it was causing major problems across the globe, reportedly infecting 45 million machines. It also overwhelmed organisations’ email systems, and some IT managers disconnected parts of their infrastructure to prevent infection.

(17) FROST ON THE PUMPKIN. Bob Burns’ Hollywood Halloween shows a unique haunted house put together in 2002 by some well-known special effects creators.

[Thanks to Cat Eldridge, Chip Hitchcock, John King Tarpinian, JJ, Martin Morse Wooster, Lise Andreasen, Michael Toman, Contrarius, Mike Kennedy, Cliff Ramshaw, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 7/27/19 Baby Is 3, Jeffty Is 5, Now We Are Number 6, Who Is Number One?

(1) MACMILLAN APPLIES LIBRARY EMBARGO ACROSS THE BOARD. Publishers Weekly outlines the expanded policy — “After Tor Experiment, Macmillan Expands Embargo on Library E-books”.

More than a year after imposing a controversial four month “test” embargo on new release e-books in libraries from it’s Tor imprint, Macmillan announced today that it will now impose a two month embargo on library e-books across all of the company’s imprints. The terms take effect November 1.

Under the publisher’s new digital terms of sale for libraries, “library systems” will be now be allowed to purchase a single—that is, one—perpetual access e-book during the first eight weeks of publication for each new Macmillan release, at half price ($30). Additional copies will then be available at full price (generally $60 for new releases) after the eight-week window has passed. All other terms remain the same: e-book licenses will continue to be metered for two years or 52 lends, whichever comes first, on a one copy/one user model. A Macmillan spokesperson confirmed to PW that the single perpetual access copy will be available only for new release titles in the first eight weeks after publication—the option to buy a single perpetual access copy expires after that eight week window, and the offer is not available for backlist titles.

And the American Library Association goes on the warpath: “ALA denounces new Macmillan library lending model, urges library customers to voice objections”.

The American Library Association (ALA) denounces the new library ebook lending model announced today by Macmillan Publishers. Under the new model, a library may purchase one copy upon release of a new title in ebook format, after which the publisher will impose an eight-week embargo on additional copies of that title sold to libraries.

“Macmillan Publishers’ new model for library ebook lending will make it difficult for libraries to fulfill our central mission: ensuring access to information for all,” said ALA President Wanda Brown. “Limiting access to new titles for libraries means limiting access for patrons most dependent on libraries.

“When a library serving many thousands has only a single copy of a new title in ebook format, it’s the library – not the publisher – that feels the heat. It’s the local library that’s perceived as being unresponsive to community needs.

“Macmillan’s new policy is unacceptable,” said Brown. “ALA urges Macmillan to cancel the embargo.”

The new Macmillan ebook lending model is an expansion of an existing policy that went into effect in July 2018, when the company, without warning, issued a four-month embargo applying solely to titles from the company’s Tor imprint. At the time ALA stated that the delay would hurt readers, authors and libraries.

Since last fall, Hachette Book Group (HBG) and Penguin Random House (PRH) have eliminated “perpetual access” for libraries and replaced it with a two-year access model. Simon & Schuster changed from a one-year to two-year access model. While re-evaluating their business models, none of these firms implemented an embargo—deciding that equitable access to information through libraries is also in their business interest. HarperCollins continues with its 26-loan model. Macmillan now stands alone in its embargo policy among the largest (Big 5) publishers….

(2) FOOD OF THE GODZILLA. SYFY Wire browses the latest from Sideshow Collectibles and other toymakers in “Important Toy News: This ramen-eating Godzilla is priceless, Charlie Brown feels shame”.

But all of this money-spending is making us hungry. And what do you do when you’re hungry? That’s right: you eat. You eat ramen, and just like Godzilla, you look so unbelievably adorable when you do it that it makes your face explode and you cry tears of unyielding madness.

(3) BEST RELATED WORK. A writer who goes by “Building Worlds” has written an appeal to voters: “AO3, the Hugos, and Fandom” on Medium.

I’ve seen an argument online that a distinction voters are struggling with regarding AO3 is that they believe it is not noteworthy primarily for aspects other than the fictional text (all the fan fiction).

I’d argue that the most noteworthy thing about AO3, /r/Fantasy, and other online fan forums, is that they are venues for users to come together and discuss the speculative fiction they love, run by volunteers. To me, the Hugo Awards and WorldCon itself are about bringing fans together around the work we all love. Ultimately, that’s about the purest reason to vote for a Hugo as any I can think of.

(4) SFF ART GOES UNDER THE HAMMER. Bids are being taken by Heritage Auctions for the August 13 – 14 Glynn and Suzanne Crain Science Fiction Collection Signature Auction. Robert Emil Schulz’ cover for PKD’s The World Jones Made 1956 paperback is the poster for the event.

(5) COLLECTIVE NOUN. New Voices in Orbit #19 asks writers: “What do you call a group of dragons?” Kendall says, “And yes, I’m thinking of Meredith when I send you this. But also everyone.”

(6) SNAPS COURTESY OF THE HUT. Esquire has posted “133 Photos of Comic-Con 2019’s Biggest Celebrities”.

Jay and Silent Bob, Elizabeth Henstridge, Chloe Bennet and more stopped by the Getty Images Portrait Studio delivered by Pizza Hut.

Shohreh Aghdashloo, Frankie Adams, Dominique Tipper, (Bottom L-R) Steven Strait, Wes Chatham, and Cas Anvar of ‘The Expanse’ pose for a portrait during the Pizza Hut Lounge at 2019 Comic-Con International: San Diego on July 19, 2019 in San Diego, California.

 (7) WHEN E.T. COMES TO STAY. Science & Futurism with Isaac Arthur episode 196 discusses “Invasive Aliens.”

Alien Invasions have been a staple of science fiction for years, with motherships and UFOs assaulting Earth, but how realistic is such a thing? We’ll take a look at what might motivate an attack, how it might happen, what alternatives might make more sense, and what might prevent extraterrestrials from trying.

(8) TODAY IN HISTORY.

  • July 27, 1940 — Bugs Bunny made his cartoon debut.
  • July 27, 1994 Test Tube Teens From The Year 2000 went direct to video.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 27, 1874 Frank Shannon. He’s best remembered now as the scientist Dr. Alexis Zarkov in the three Flash Gordon serials starring Buster Crabbe between 1936 and 1940.  The serials themselves were Flash GordonFlash Gordon’s Trip to Mars and Flash Gordon Conquers the Universe. (Died 1959.)
  • Born July 27, 1938 Gary Gygax. Game designer and author best known for co-creating  Dungeons & Dragons with Dave Arneson. In addition to the almost beyond counting gaming modules he wrote, he wrote the Greyhawk Adventure series and the Dangerous Journeys novels. (Died 2008.)
  • Born July 27, 1939 Sydney J. van Scyoc, 80. Her first published story was “Shatter the Wall” in Galaxy in 1962. She continued to write short stories throughout the Sixties and Seventies, and published Saltflower, her first novel in the early Seventies. Over the next twenty years, she published a dozen novels and likewise number of short stories. For all practice purposes, she’s not available in digital format. 
  • Born July 27, 1948 Juliet Marillier, 71. She’s a New Zealand-born and Western Australian resident fantasy writer focusing entirely on historical fantasy. She has a number of series including Blackthorn & Grim which at two volumes is a good introduction to her, and Sevenwaters which at seven volumes is a serious reading commitment. She’s a regular contributor to the fiction writing blog, Writer Unboxed.
  • Born July 27, 1949 Robert Rankin, 70. Writer of what I’d call serious comic genre fiction. Best book by him? I’d single out The Hollow Chocolate Bunnies of the Apocalypse as the best work he ever did bar none. Hell, even the name is absolutely great. 
  • Born July 27, 1950 Simon Jones, 69. He’s well known for his portrayals of Arthur Dent, protagonist of Douglas Adams’ The Hitchhiker’s Guide to the Galaxy. He first portrayed the character on radio for the BBC and again on television for BBC Two. Jones also featured in The Hitchhiker’s Guide to the Galaxy film in a cameo role. He’s in Monty Python’s The Meaning of Life, Brazil and 12 Monkeys as well. 
  • Born July 27, 1968 Farah Mendlesohn, 51. She’s an historian and prolific writer on genre literature, and an active fan. Best works by her? I really like her newest work on Heinlein which I’m reading now, The Pleasant Profession of Robert A. Heinlein. Her work on Diana Wynne Jones, Diana Wynne Jones: Children’s Literature and the Fantastic Tradition, is a fascinating read. And I highly recommend her Rhetorics of Fantasy as we don’t get many good theoretical looks at fantasy. 
  • Born July 27, 1973 Cassandra Clare, 46. I read at least the first three or four volumes of her Mortal Instruments series which I see means I’ve almost completed it. Damn good series. Anyone read her Magnus Bane series? 

(10) COMICS SECTION.

  • Frank and Ernest encounter a vending machine that’s too intelligent.
  • When was the last time a B.C. strip made me laugh out loud? July 27….

(11) HE’S THE REASON FOR THE “GOOGLE 15”. Fast Company claims “This snack curator for Google is one of the most powerful people in food”.

…As urban legend has it, Google cofounder Sergey Brin once instructed office architects that “no one should be more than 200 feet away from food.” And so they rarely are. On any given day, the 1,300 “microkitchens” located within Google’s 70 or so offices around the world, from Pittsburgh to Istanbul, brim with dried seaweed, turkey jerky, kombucha, and other eclectic treats that rotate according to season, popularity with employees, local tastes, and food trends.

Google takes its snacking very seriously. That’s why it has a dedicated team overseeing it and a chef named Matt Colgan at the helm at many of its western campuses, where he (along with menu architects, wellness managers, and nutrition specialists at Google Food) has quietly emerged as one of the most powerful gatekeepers in the packaged-food world.

“When you’re feeding this many people,” says Colgan, culinary director for Google’s food operations in San Francisco, Los Angeles, Austin, Texas, and Boulder, Colorado, “you encounter every diet imaginable, every request.” You also get bombarded by sales reps at food companies, who are hungering after snackers—and these snackers in particular. They see Google employees, the drivers of Silicon Valley tech innovation, as having the clout, and appetite, to set snack trends.

(12) RIGHT TO THE SOURCE. Michael Cassutt was interviewed by the Washington Post’s Eryn Brown for the obituary of long-time Mission Control director Christoper C. Kraft, Jr., who died on July 22 at age 95.

When Gemini 4 astronaut Ed White lingered during the first U.S. spacewalk in 1965, enjoying the scenery, Mr. Kraft commandeered the communications system and ordered him, “Get back in!” the ship.

“This is the saddest day of my life,” White said, before heading back into the cockpit.

The incident was indicative of the culture that Mr. Kraft set.

“It was, ‘I, the flight director, am in charge. Not you the astronaut, and not the head of NASA. You come to me,’?” said author Michael Cassutt, who writes about the space program. “Much of the NASA culture as we envision it really derives from Chris Kraft.”

(13) BEHIND THE PAYWALL. An article in the July 20 Financial Times by David Cheal tells how musicians are inspired by space and space travel.

“In 2015 the British band Public Service Broadcasting released an album that celebrated the golden era of space travel.  The Race for Space knitted together propulsive, often funky music  with spoken-word clips (Kennedy:  ‘We go to the moon because it is hard’) to recapture the sheer excitement of Sputnik, the Moon landing–and also tragedies such as the deaths of three Apollo 1 astronauts in 1967.  The music was refreshing because it eschewed the notion that spsce has to be electronic, using a range of often acoustic instruments.  In 2018  the Northern Irish composer and artist Hannah Peel released Mary Casio; Journey to Casiopeia, which follows the dream of a fictional stargazer to travel from her home in Barnsley to the constellation of Cassiopeia.  Peel’s music combines synthesizers with brass.

But one band have gone further and faster than any other in their exploration of the possibilities of space and music:  Muse.  The British trio’s interstellar adventures show how far space-themed pop music has travelled since the early days of Joe Meek:  bass and synths that thrum and pulse like gravitational waves, guitars that shriek and howl like the geysers of Enceladus, wailing, otherworldly voices that sing of “Space Dementia,’ ‘Starlight’ and, most epically of all, a ‘Supermassive Black Hole.'”

(14) WHERE ARE YOU IN TIME? Doc Brown drove a DeLorean to his future – now your past! Today they’d like to sell you a watch whose look is inspired by the car — “DeLorean, the Eternal Design”.

(15) KEEPING TRACK OF YOU. Wired points out how “Netflix’s The Great Hack Brings Our Data Nightmare to Life”.

The new documentary about Cambridge Analytica uses thoughtful narration and compelling visuals to create a dystopian horror movie for our times.

If you’d rather not think about how your life is locked in a dystopian web of your own data, don’t watch the new Netflix documentary The Great Hack.

But if you want to see, really see, the way data tracking, harvesting, and targeting takes the strands of information we generate and ties them around us until we are being suffocated by governments and companies, don’t miss the film, which premieres today on the streaming platform and in theaters. […]

(16) THINKING INSIDE THE BOX. Where do you land in this grid of Writing Style Alignments?

(17) ACTING CREDENTIALS. Kittens recreate horror movies. (From 2015.)

You won’t believe how adorable these kitties are as they star in ‘The Purring’ (1980), ‘The Texas Chainpaw Meowsacre’ (1974), ‘Psycat’ (1960), and ‘Cattie’ (1976).

(18) THE POINT. Finland was a magnet for competitors in the inaugural Heavy Metal Knitting Championship.

The AP story: “Purl jam: Finland hosts heavy metal knitting championship”

Armed with needles and a yarn of wool, teams of avid knitters danced Thursday to the deafening sounds of drums beating and guitars slashing at the first-ever Heavy Metal Knitting World Championship in eastern Finland.

With stage names such as Woolfumes, Bunny Bandit and 9? Needles, the participants shared a simple goal: to showcase their knitting skills while dancing to heavy metal music in the most outlandish way possible.

“Heavy Metal Knitting World Champion 2019” was won by “Giga Body Metal” from Japan.

Finland is the promised land of heavy metal music. There are 50 heavy metal bands per 100 000 Finnish citizens, which is astonishingly many and actually more than anywhere else in the whole world. The number of needlework enthusiasts is equally high, as according to even the most modest estimates there are hundreds of thousands of people in Finland who are immersed various kinds of needlework crafts, knitting included. What combines them both is the great joy of creativity. When playing guitar as well as knitting stitches it is all about the pleasure of creating something cool with your hands. And – it’s all about the attitude!

(19) DOUBLE DOWN. Gemini Man Official Trailer 2 has dropped:

Who will save you from yourself? From visionary director Ang Lee, watch the official trailer for Gemini Man, starring Will Smith. In theatres October 11. Gemini Man (#GeminiMan) is an innovative action-thriller starring Will Smith (#WillSmith) as Henry Brogan, an elite assassin, who is suddenly targeted and pursued by a mysterious young operative that seemingly can predict his every move.

[Thanks to John King Tarpinian, Hampus Eckerman, Kendall, Mike Kennedy, Martin Morse Wooster, JJ, Cat Eldridge Chip Hitchcock, Carl Slaughter, SF Concatenation’s Jonathan Cowie, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 8/29/18 Scrollvolt Of The Pixeldestrians

(1) CASE DISMISSED. In May 2018, Fur Affinity, winner of the 2012 and 2013 Ursa Major Awards for Best Anthropomorphic Website, banned several dozen accounts for Code of Conduct violations — Section 2.7 “Do not identify with or promote real hate or terrorist organizations and their ideologies.”

Furry artist Scott Malcolmson (whose fursona is Roy Calbeck), filed suit in Arizona against IMVU, Fur Affinity’s parent company, on grounds of breach of contract and defamation of character.

The suit was dismissed on August 27. Boozy Badger analyzed the result in a Twitter thread which starts here.

IMVU is a Delaware corporation. The court did not find its connections to Arizona legally sufficient for IMVU to be sued there. The court further said:

Plaintiff objects that he is a per se litigant filing in forma pauperis. That may be so. However, in our legal system, there is but one law and it applies to rich and poor alike. That Mr. Malcomson is too impecunious to litigate in IMVU’s home state of Delaware cannot detract from IMVU’s constitutional right not to be sued in an improper forum.

Boozy Badger noted:

Jurisdiction, Forum, and Venue are literally most of a semester of Civil Procedure in law school. There are options OTHER than Delaware, but you can’t sue just anywhere.

Wikifur’s article on “History of Fur Affinity” has more background:

COC 2.7 bans (May 2018)[edit]

On May 15, 2018, several dozens FA accounts were banned from the site for presumed violations of the site’s updated Code of Conduct, Section 2.7 (“Do not identify with or promote real hate or terrorist organizations and their ideologies”).[68] This included personal and group accounts related to AltFurry (FurRight), Furry Raiders and other perceived Alt-Right connected accounts.

Complaints came in swift, from people claiming to be false positives[69][70] to banned and not banned users that argued that biased staff had failed to also struck down left-leaning “hate/terrorist” individuals and groups (e.g. Deo Tas DevilAntifa, “Far-Left”/”Alt-left” accounts and Communist Furs).[71][72] Instructions were passed among the affected and sympathizers to vacate to other sites, specifically, InkBunny,[73][74][75] and discussions were started to pin down who was to blame for the bans (from Antifa-cowered FA staff to outright ban demands/orders from the online news site Dogpatch Press).[76][77]

It would be three days later (May 18), when legal proceedings initiated by Roy Calbeck were to take the form of a lawsuit against FA’s parent company, IMVU, for:

Defamation/Breach of Contract against IMVU for actions taken by their wholly-owned subsidiary, @FurAffinity…

(2) GONDOLIN FALLS TOMORROW. Smithsonian says after two lifetimes of work this probably is it: “J.R.R. Tolkien’s Final Posthumous Book Is Published”.

Though J.R.R. Tolkien passed away in 1973, he has never really stopped publishing. For decades his son and literary executor Christopher Tolkien has painstakingly catalogued and edited his father’s papers, creating new books out of unfinished and unpublished manuscripts. Most of those tales delve deep into the history of Middle-earth, the fantasy realm where Tolkien’s best known works, The Hobbit and The Lord of the Rings series take place. Now, it’s likely that work will come to an end with one last Tolkien book. Critic Andrew Ervin at The Washington Post reports that The Fall of Gondolin, which will be released tomorrow, is likely J.R.R. and Christopher Tolkien’s swan song.

(3) SFF MARKETING. Cat Rambo appeared on the Science Fiction & Fantasy Marketing podcast: “Writing Tips, Selling Short Fiction, and What SFWA Can Do for You with Cat Rambo”. Here are a few of the many topics touched on during the conversation:

  • How Cat ended up publishing her first two Tabat novels through Kevin J. Anderson’s Wordfire Press (which he talked about when he was on Episode 194 and Episode 138) and how marketing goes when working with a small press.
  • Some tips from her recent non-fiction publication Moving from Idea to Finished Draft.
  • What’s been going on at SFWA since we had MCA Hogarth on the show back on Episode 20 (more than three years ago!) and why both trad and self-published may find a membership useful.
  • What it takes to qualify for SFWA membership.
  • Benefits that come with SFWA membership and how the Nebula convention has changed over the years to have helpful panels for all.

(4) FUTURE TENSE. This month’s entry in the Future Tense Fiction series: “When We Were Patched” by Deji Bryce Olukotun.

The last time we ever spoke, my partner Malik asked me whether I believed speed or power made for the best athlete. I was puzzled, of course, feeling that neither could explain why some athletes excelled more than others, even in straightforward competitions like sprinting or the javelin. “There are enough variables to make it unclear,” I observed, “whether speed or power offers a better advantage in competition, or whether some other factor confers the greatest advantage.” It seemed to me an unanswerable question….

It was published along with a response essay by algorithmic bias expert Jeanna Matthews, “Algorithms Could Create an Even Playing Field—if We Insist on It”.

Big decisions about our lives are increasingly made jointly by humans and computer systems. Do we get a loan? Are we invited for an interview? Who should we date? Which news stories should we read? Who won the tennis match? This is our reality today. In “When We were Patched,” Deji Olukotun explores what the boundaries of these human and machine partnerships will be. Could we get the best of both, or will we end up with the worst of both? …

Each month in 2018, Future Tense Fiction—a series of short stories from Future Tense and ASU’s Center for Science and the Imagination about how technology and science will change our lives—is publishing a story on a theme.

(5) FOLLOWING ARMSTRONG’S FOOTSTEPS. Slate compiles the early reviews: “Here’s What Critics Are Saying About First Man.

Space! Now that I’ve got your attention, the reviews of Damien Chazelle’s First Man, which had its world premiere at the Venice Film Festival, today are in—and fortunately, like the film itself, there’s really no way for them to spoil the ending. The space drama follows Neil Armstrong (Ryan Gosling) in his literal and metaphorical journey to become the first man on the moon.

It’s a story and a genre we know all too well, but this doesn’t hold the film back—it even improves upon its galactic forbearers. Critics agree that the story is masterfully handled by Chazelle, who mixes realism with reverence, without overblowing the drama.

And of course, it’s simply an irresistible opportunity to employ space metaphors, whether that’s about “soaring,” “sky-high expectations,” “slip[ping] the surly bonds of earth or “shoot[ing] the moon.” (Michael Nordine at IndieWire wins this space race: “Chazelle is an adept flight commander, guiding the action with the elegance of a space dance in one scene and the intensity of a rocket launch in the next … It may not be a giant leap for filmmaking, but it’s another small step for this filmmaker.”)

(6) A WRITER’S DAY. John Scalzi’s to-do list for Wednesday.

(7) NEW HORIZONS SPOTS TARGET. NASA’s New Horizons spacecraft — which performed a Pluto flyby about three years ago — has officially spotted its next target (“Ultima in View: NASA’s New Horizons Makes First Detection of Kuiper Belt Flyby Target”). The craft took a series of long-duration images from which the star field was subtracted to pick out the Kuiper Belt object (nicknamed Ultima Thule) New Horizons is headed toward. The closest encounter with Ultima Thule is expected to be early (EST) New Year’s Day 2019.

Mission team members were thrilled – if not a little surprised – that New Horizons’ telescopic Long Range Reconnaissance Imager (LORRI) was able to see the small, dim object while still more than 100 million miles away, and against a dense background of stars. Taken Aug. 16 and transmitted home through NASA’s Deep Space Network over the following days, the set of 48 images marked the team’s first attempt to find Ultima with the spacecraft’s own cameras.

“The image field is extremely rich with background stars, which makes it difficult to detect faint objects,” said Hal Weaver, New Horizons project scientist and LORRI principal investigator from the Johns Hopkins Applied Physics Laboratory in Laurel, Maryland. “It really is like finding a needle in a haystack. In these first images, Ultima appears only as a bump on the side of a background star that’s roughly 17 times brighter, but Ultima will be getting brighter – and easier to see – as the spacecraft gets closer.”

This first detection is important because the observations New Horizons makes of Ultima over the next four months will help the mission team refine the spacecraft’s course toward a closest approach to Ultima, at 12:33 a.m. EST on Jan. 1, 2019. That Ultima was where mission scientists expected it to be – in precisely the spot they predicted, using data gathered by the Hubble Space Telescope – indicates the team already has a good idea of Ultima’s orbit.

(8) REMEMBERING WILLY LEY. Steven Levy’s WIRED article “385 Feet of Crazy: The Most Audacious Flying Machine Ever” is about Paul Allen’s effort to build a giant airplane called a Stratolaunch which he wants to use to carry rockets to the edge of space and then launch from the stratosphere. It includes this sentimental memory about a writer who was important to a lot of fans back in the day.

As a teenager, Paul Allen was a sci-fi and rocketry nerd. He dreamed of becoming an astronaut, but that ambition was scuttled by nearsighted­ness. His childhood bedroom was filled with science fiction and space books. Bill Gates remembers Allen’s obsession. “Even when I first met him—he was in tenth grade and I was in eighth—he had read way more science fiction than anyone else,” says Gates, who later founded Microsoft with Allen. “Way more.” One of Allen’s favorites was a popular science classic called Rockets, Missiles, and Space Travel, by Willy Ley, first published in 1944. As Allen tells it in his memoir, he was crushed when he visited his parents as an adult and went to his old room to reference a book. He discovered that his mother had sold his collection. (The sale price: $75.) Using a blowup of an old photo of the room, Allen dispatched scouts to painstakingly re-create his boyhood library.

(9) OPTIMUS SOLUTION. Daniel Cohen’s Financial Times article “Tales from the storage unit: inside a booming industry”, in a survey of storage spaces, recommends Inner Space Stations in York:

A large model of the Optimus Prime character from TRANSFORMERS stands beide the entrance of its main store, on a busy road.  A Dalek is visible through a window; a model of a STAR WARS stormtrooper guards the reception.  The sizes of the units correspond to planet s in the solar system; the smallest lockers have an image of Mercury on the door, while the biggest show Jupiter.  ‘It’s just making fun,’ says Graham Kennedy, the owner.  ‘Quite often there’s a stressful reason for going into storage.  So I’ve decided to lighten it.’

(10) TODAY’S BIRTHDAYS

[Compiled by Cat Eldridge]

  • Born August 29, 1898 – C.S. Lewis. Author of the Narnia books and The Space Trilogy, also The Screwtape Letters which I got assigned in University a very long time ago. Ardent Christian, he wrote three dense book on that religion, Mere ChristianityMiracles, and The Problem of Pain. There’s a Doctor Who episode with Matt Smith that riffs off the Narnia book entry way if memory serves me right.
  • Born August 29 — Nancy Holder, 65. Perhaps best known for her myriad work, fiction and non-fiction, based off the Buffy the Vampire Slayer series. However I’ll single her out as a four-time winner of the Bram Stoker Award including Best Novel for Dead in the Water.
  • Born August 29 – Michael P. Kube-McDowell, 64. Extensive writing in the Star Wars genre but also has written such novels as The Quiet Pools which was a Hugo Award nominee and Emprise which was a Philip K. Dick nominee. Several of his short stories were adapted into episodes of theTales from the Darkside series.
  • Born August 29 — Lenny Henry, 60. Co-creator with Neil Gaiman and producer of the 1996 BBC drama serial Neverwhere. Narrator of Anansi Boys. Appeared, well appeared isn’t quite proper, in Harry Potter and the Prisoner of Azkaban as the voice of the Shrunken Head.

(11) COMICS SECTION.

(12) HISTORY REVEALED. Michael Cassutt will be signing The Astronaut Maker at Vroman’s Bookstore in Pasadena, CA on September 6. (More details at “Michael Cassutt discusses and signs The Astronaut Maker”).

One of the most elusive and controversial figures in NASA’s history, George W. S. Abbey was called “the Dark Lord,” “the Godfather,” and “UNO”–short for unidentified NASA official. He was said to be secretive, despotic, a Space Age Machiavelli. Yet Abbey had more influence on human spaceflight than almost anyone in history. His story has never been told–until now.   The Astronaut Maker takes readers inside NASA to learn the real story of how Abbey rose to power, from young pilot and wannabe astronaut to engineer, bureaucrat, and finally director of the Johnson Space Center. During a thirty-seven-year career, mostly out of the spotlight, he oversaw the selection of every astronaut class from 1978 to 1987, deciding who got to fly and when. He was with the Apollo 1 astronauts the night before the fatal fire in January 1967. He was in mission control the night of the Apollo 13 accident and organized the recovery effort. Abbey also led NASA’s recruitment of women and minorities as space shuttle astronauts and was responsible for hiring Sally Ride.   Written by Michael Cassutt, the coauthor of the acclaimed astronaut memoirs DEKE! and We Have Capture, and informed by countless hours of interviews with Abbey and his family, friends, adversaries, and former colleagues, The Astronaut Maker is the ultimate insider’s account of ambition and power politics at NASA. (Chicago Review Press)

(13) JUST DRAWN THAT WAY. Need a goat? Remember to smile: “Goats ‘drawn to happy human faces'”.

Scientists have found that goats are drawn to humans with happy facial expressions.

The result suggests a wider range of animals can read people’s moods than was previously thought.

The researchers showed goats pairs of photos of the same person, one of them featuring an angry expression, and the other a happy demeanour.

The goats made a beeline for the happy faces, the team reports in the journal Royal Society Open Science.

(14) THE ACME OF SOMETHING OR OTHER. Maybe this will be your cup of tea but I confess: I plan to be somewhere (anywhere) else when this picture is in theaters: “The ‘Wile E. Coyote’ Movie Has Ordered A Pair Of Writers Who Aren’t From ACME!”

The Roadrunner had better watch out as there is a new ‘Wile E. Coyote’ movie in the works and Warner Bros. has just tapped The Silberman Brothers (‘Living Biblically,’ ‘It’s Always Sunny In Philadelphia’) to write it! Jon and Josh are going to have a lot of work ahead of them to bring this iconic character to the big screen for an audience base that had significantly changed from when the toon was originally popular.

While this “Super Genius” will always be known for creative inventions that pave the way for perfect slapstick humor, the lack of dialogue for a feature film might mean that we’re getting some massive changes to the Wiley cartoon. While there is no mention of his arch nemesis and his uncatchable meal of The Roadrunner being part of the film, it would be hard to imagine a story that doesn’t include him.

(15) DIAL EIGHT. Another thing I didn’t get done at Worldcon 76 – meeting Galactic Journey’s Gideon Marcus. By now he’s back in 1963 keeping track of the myriad developments in outer space: “[August 29, 1963] Why we fly (August Space Round-up)”.

Bridging the Continents

Communication satellites continue to make our world a smaller place.  Syncom, built by Hughes and launched by NASA late last month, is the first comsat to have a 24-hour orbit.  From our perspective on the Earth’s surface, it appears to do figure eights around one spot in the sky rather than circling the Earth.  This means Syncom can be a permanent relay station between the hemispheres.

It’s already being used.  On August 4 the satellite allowed Nigerian journalists and folks from two U.S. services to exchange news stories as well as pictures of President Kennedy and Nigerian Governor General Dr. Nnamdi Zikiwe.  Five days later, voice and teletype was exchanged between Paso Robles, California and Lagos, Nigeria.  This 7,7700 mile conversation represents the longest range real-time communication ever made.

I think he means 7,700 miles – but of course I would!

(16) GAMING, IT’S NOT JUST FOR BREAKFAST ANYMORE. The BBC reports on the finding of an ancient gaming board and how it may be the clue to the location of an important lost monastery (“Medieval gaming board clue to lost monastery”).

The discovery of a medieval gaming board may have helped bring archaeologists closer to confirming the site of a lost early monastery.

Archaeologists have been actively seeking the Monastery of Deer in Aberdeenshire since about 2008.

Monks at the monastery wrote the important 10th Century illuminated manuscript, the Book of Deer.

Layers beneath the disc-shaped stone gaming board have been carbon dated to the 7th and 8th centuries.

Charcoal also found at the remains of a building uncovered by archaeologists during the latest dig at the site, near Mintlaw, has been dated to the same time, between 669 and 777AD.

Smithsonian follows up with more about the game board itself and its monastic connections (“Archaeologists Unearth Medieval Game Board During Search for Lost Monastery”).

According to The Scotsman’s Alison Campsie, monks likely used the board to play Hnefatafl, a Norse strategy game that pits a king and his defenders against two dozen taflmen, or attackers. As the king’s men attempt to herd him to safety in one of the four burgs, or refuges, located in the corners of the game board, taflmen work to thwart the escape. To end the game, the king must reach sanctuary or yield to captivity.

The board “is a very rare object,” archaeologist Ali Cameron of The Book of Deer Project, who is in charge of excavations, tells Campsie. “Only a few have been found in Scotland, mainly on monastic or at least religious sites. These gaming boards are not something everyone would have had access to.”

…The game board’s discovery and dating to the 7th and 8th centuries offer tantalizing indication that the dig site was, in fact, home to the medieval monastery, but as Mark Hall, a medieval games specialist at the Perth Museum and Art Gallery, cautions, “This temptation remains just that until further evidence presents itself to make a valid link between the disc and the date.”

(17) MORE COMICS CROSSOVERS. Daniel Dern is keeping an eye open for these: “Sometime within the last year we got a great bunch, notably the Batman/Elmer Fudd (including the narrated-by-Denny-ONeil video). A bunch just came out today, including Lex Luthor/Porky Pig, Joker/Daffy Duck, and Catwoman/Sylvester.”

And io9’s James Whitbrook looks ahead to when “All the Incredible New Comic Series to Cozy Up With This Fall”.

DC/Hanna-Barbera Crossovers—DC’s bizarro mashups between its comics universe and the animated antics of Hanna-Barbera’s most beloved creations continues with another wave of weird and wonderful adventures.

Deathstroke/Yogi Bear #1—Frank Tieri, Mark Texeira

Green Lantern/Huckleberry Hound #1—Mark Russell, Rick Leonardi

Nightwing/Magilla Gorilla #1—Heath Corson, Tom Grummett

Superman/Top Cat #1—Dan DiDio, Shane Davis

(18) GAME OVER. Camestros Felapton discovered spammers have taken over the abandoned Sad Puppies IV website  but kept most of the content to make it look like Kate Paulk is selling slot machines in Italian –

[Thanks to ULTRAGOTHA, John King Tarpinian, Cat Rambo, Mike Kennedy, JJ, Cat Eldridge, Martin Morse Wooster, Chip Hitchcock, Joey Eschrich, mlex, Daniel Dern, Michael Toman, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

Harlan Ellison Tribute Roundup

Acclaimed speculative fiction writer Harlan Ellison died today at the age of 84. Here is a selection of tributes and reactions posted in social media immediately following the announcement.

Stephen King

Samuel Delany on Facebook

Here’s the guy who started the notable part of my career. At the Tricon, he ran up to me and demand a story: I wrote it at the upcoming Milford–Aye and Gomorrah, which won the following year’s Nebula Award.

Patton Oswalt

Arthur Cover on Facebook

As most of the planet knows, Harlan Ellison passed away in his sleep last night. I am seriously bummed. Little did I know when I bought the first volume of the paperback edition on Dangerous Visions when I was a sophomore at Tech did those two words would have such a profound impact on my life. Harlan was responsible for my first sale, to the mythical Last Dangerous Visions, at a Clarion Workshop.

He became a big brother figure to me, and I stayed at Ellison Wonderland on and off during the many times when I was *ahem* between places in LA. I knew his dog Abu, who used to sneak out of the house to get some Hungarian Goulash from a couple down the street. I knew his maid Yosondua, a wonderful person. And I missed meeting his mother by a couple of weeks. There’s so much to remember about him that I can barely stand it.

I met a whole bunch of interesting people thanks to him. Forget the famous ones like Erica Jong; thanks to him, I met Pam Zoline, author of “The Heat Death of the Universe.” We saw Borges together. Thanks to him, I discovered Mahler and Bruckner. I turned him on to Kalinnikov. We both read comics and he liked to impersonate the Hulk with the voice of Ronald Coleman. (Try it.) He tried to set me up with young women; usually I ignored them, thus driving him stinking bonkers. And that was just the 70s.

Then there’s that Dangerous Visions thing – a whole bunch of autograph parties just for starters. (And let’s not forget the time he streaked A Change of Hobbit.) He was immensely supportive throughout the entire frustrating, rewarding enterprise. True, he had his faults; usually I ignored them too. But the exception of my family and friends from Tazewell, I wouldn’t know any of you today were it not for his generosity and friendship. He was a helluva guy, and I have been proud to be his friend forever.

Barbara Hambly on Facebook

Just got word that my friend Harlan Ellison passed away last night. An amazing man to know. I knew he was very ill – he’d never really recovered from a stroke a couple of years ago. So I feel no surprise. Just very, very sad.

Michael Cassutt on Facebook

A talented writer for sure, a self-made writer for absolutely sure…. I so remember “Repent, Harlequin” and “On the Downhill Side” and THE CITY ON THE EDGE OF FOREVER… and his columns that became THE GLASS TEAT, which sent me here to LA…. and more, the friendship that developed in the past decade or so, where I would pop up to Ellison Wonderland and have coffee with HE in his kitchen…. telling tales of George O. Smith and who else. I am actually bawling right now…..Harlan was my big brother and while his passing now, given his stroke three years back, is not a surprise…. it’ s still a shock.

Jaym Gates on Facebook

Harlan Ellison has died. My sympathies to those who will miss him. His voice was powerful, sometimes for good.

As a woman, I am not sad that there will be one less person who thinks it is funny to grope a woman on stage, and who was often used as a smoke screen for bad behavior by creative men.

Wil Wheaton on Twitter

Rest in Peace, Harlan. You always treated me like I was a person whose voice mattered, and I will cherish that memory for the rest of my life.

David Gerrold on Facebook

Harlan didn’t drink. I rarely drink.

Today I will drink.

Today I will toast a man who was a role model, a mentor, a critic, a friend — and ultimately my big brother.

He knew how much I loved him. I told him more than once.

The one thing he said about me that I cherish the most was shortly after I adopted Sean. He said, introducing me to someone else, “David Gerrold is the most courageous man I know.” Actually, it was Sean who needed the courage, but I understood what he was saying. He was acknowledging that I had finally grown up.

Harlan had a great public persona — but it was the private soul I loved the most. And goddammit, I’m going to miss that man.

Charles de Lint on Facebook

I’m very sad to have to write this but Harlan Ellison has passed away. He was a voice of reason, if somewhat contrary, and one of the best short story writers this field, or really any field, has known. He wore his “angry young man” persona lost after he was a young man but behind that bluster was a kind and generous man who would do anything for a friend. He will be greatly missed.

Cory Doctorow on Boing Boing

Ellison’s voice was infectious and has a tendency to creep into his fans’ writing. When I was 19, I attended a writing workshop at a local convention taught by Ann Crispin, who told me that I would be pretty good writer once I stopped trying to write like Harlan Ellison (I went on to sell that very Ellisonian story to Pulphouse).

Harlan was one of my Clarion instructors in 1992. He taught us remotely, by speakerphone, from his hospital bed in LA where he was recovering from angioplasty. I had attended that year because I couldn’t miss the opportunity to learn from Harlan Ellison, whom I held in highest regard (“hero worship” is not too strong a phrase to use here).

Ellison was not a good teacher (that year, at least). In fact, I think it’s safe to say that his instructional methods, which involved a combination of performative bullying and favorite-playing, were viewed as a disaster by all of my classmates, at least in hindsight.

Confronting the very real foibles of the object of my hero-worship was the beginning of a very important, long-running lesson whose curriculum I’m still working through: the ability to separate artists from art and the ability to understand the sins of people who’ve done wonderful things.

John Scalzi in the Los Angeles Times

…My second Harlan Ellison story was from 2011, the last time he was a finalist for the Nebula Award, given out by SFWA. Traditionally, SFWA contacts the Nebula finalists by phone to see if they’ll accept being on the ballot, and knowing of Harlan’s sometimes irascible phone manners, I was the one to call.

Harlan was not irascible. He wept into the phone. He had been ill, he said, and he wondered if what he was writing now still resonated and still mattered to people. To have his professional peers nominate him for one of the field’s most significant awards, he said, meant everything to him.

In that moment he wasn’t a giant of the field, a figure equally loved and loathed, a man about whom everyone had a story, or an opinion, about. He was simply a writer, happy to be in the company of, and remembered by, other writers.

Jeff VanderMeer on Facebook

He was a monumental personality who was influential in his day and to some extent today. He dove into the style and issues of his times with vigor, which sometimes makes his work feel dated but also resulted in classics that feel timeless. As an anthologist, he pushed boundaries in ways that, like his fiction, risked looking silly or actively terrible to modern audiences, but because of that also published a ton of innovative material and furthered the careers of writers who were quite experimental.

In erratic and sporadic fashion Ellison tended to be immensely helpful to some beginning writers and actively not helpful to others for no particular reason. Sometimes, I think, because he was too caught up in his mythology. Sometimes because he had a chip on his shoulder and was mercurial. I have mixed feelings about him for that reason, not to mention others, but there’s no denying he was a protean creative talent. I did learn to take risks in my writing from him, while also learning who I did not want to be as a teacher.

Richard Pini on Facebook

There are no words. He used them all anyway, and far better than most.

Robert Crais on Facebook

We lost Harlan Ellison today. The dedication to THE FIRST RULE reads as follows: “For my friend, Harlan Ellison, whose work, more than any other, brought me to this place.”. He cannot be replaced. He was a giant. He mattered.

David Brin on Facebook

Harlan was wickedly witty, profanely-provocative, yet generous to a fault. His penchant for skewering all authority would have got him strangled in any other human civilization, yet in this one he lived – honored – to 84… decades longer than he swore he would, much to our benefit with startling, rambunctious stories that will echo for ages.

John Hertz

I can’t remember who first remarked that “H.E.” stood equally for Harlan Ellison and High Explosive.

It also stands for His Excellency. Our H.E. being a whole-souled egalitarian would never have stood for that. But if one can break from the bonds of aristocratic associations – which in principle he was always for – it’s true.

I’m glad, not I hope without humility, that what pushed down the Montaigne piece was your notice of Brother Ellison’s death. Although Montaigne and the nature of zeal were two topics I never discussed with him, he might – and he did this sometimes – have approved.

David Doering

I feel a strong sense of loss with his passing. While he and I shared few opinions in common, I always appreciated his ability to stir up discussion.

To be clear, I did not have much personal interaction with Harlan over the years. The first tho was at a Worldcon in the 80s when he asked a large audience who had read a particular book he appreciated. Turned out that only he and I had done so. We chatted for a minute sharing comments, and, as a first encounter, I found him pleasant despite his reputation.

The other time was when Ray Bradbury suggested I call “his friend Harlan” about serving as a guest to LTUE. I can just imagine what must have gone through Harlan’s mind when he got a call from Utah, and from very Mormon BYU at that, asking about being a guest. (Had it happened, it would certainly have stirred things up here!) He was polite, straightforward, and nothing like his public “persona”. I came away appreciating him much more.

The last time was at a LASFS meeting at the old “Hooverville” building. He looked tired, but came to be with fen and seemed to have a good time. I’ll keep that image in my mind as I remember him.

Deadline.com“Harlan Ellison Dead: Legendary ‘Star Trek’, ‘A Boy And His Dog’ Sci-Fi Writer was 84”

Along with the Star Trek episode, Ellison’s 1964 Outer Limits installment “Demon with a Glass Hand” is widely considered among the best of its series. The bizarre, uncanny episode starred Robert Culp as a man who wakes with no memory but an apparently all-knowing glass hand. For years, rumors persisted that “Demon” inspired Terminator, though Ellison was quoted to have said, “Terminator was not stolen from ‘Demon with a Glass Hand,’ it was a ripoff of my OTHER Outer Limits script, ‘Soldier.’” According to a 1991 Los Angeles Times article, Ellison once again sued and settled.

ComicBook.comSci-Fi Writer Harlan Ellison Dies At 84

…Ellison also crafted a script for the Batman ’66 television series that would’ve introduced Two-Face into the show’s canon, but it was never shot. The story recently was turned into a comic titled Batman ’66: The Lost Episode, which officially brings the character into the series.

Variety Harlan Ellison Dead: Sci-Fi Writer Was 84

…When he dealt with Hollywood, he fearlessly said exactly what he thought again and again — often causing fallout as a result. In the wake of the 1977 release of “Star Wars,” a Warner Bros. executive asked Ellison to adapt Isaac Asimov’s short story collection “I, Robot” for the bigscreen.

Ellison penned a script and met with studio chief Robert Shapiro to discuss it; when the author concluded that the executive was commenting on his work without having read it, Ellison claimed to have said to Shapiro that he had “the intellectual capacity of an artichoke.” Needless to say, Ellison was dropped from the project. Ellison’s work was ultimately published with permission of the studio, but the 2004 Will Smith film “I, Robot” was not based on the material Ellison wrote.

Perhaps Ellison’s most famous story not adapted for the screen was 1965’s “Repent, Harlequin! Said the Ticktockman,” which celebrates civil disobedience against a repressive establishment. “Repent” is one of the most reprinted stories ever.

Shawn Crosby

[Editor’s note: The evil done to Harlan Ellison’s television scripts by cigar-chomping producers has long been part of his legend. In some of the worst cases he refused to have his name appear in the credits, and they aired with his pseudonym Cordwainer Bird shouldering the blame.]

Harlan’s death is accompanied by the passing of Cordwainer Bird, his writing partner of many years, described as “a short, choleric, self-possessed writer of mystery stories and science-fiction for television”, who “has no compunction about punching directors and producers two foot taller than himself right in the mouth.” Bird’s parents were Jason Bird and Rhonda Rassendyll, and he is nephew to The Shadow and a descendent of Leopold Bloom. As a member of the Wold Newton Family himself, Bird’s illustrious heritage has made him something of a fighter for justice in his own right.

Godspeed, gentlemen…

Mark Barsotti

A great voice silenced.

Until you pick up one of his books…

 

Michael Cassutt: Z Nation, and Space Exploration

michael-cassutt

Michael Cassutt

By Carl Slaughter: Michael Cassutt produces and writes for a different kind of zombie story. SyFy’s Z Nation is a post-apocalyptic science-humor show. He has 6 nonfiction books about space exploration and has been interviewed by Discovery Channel and History Channel on this topic.  He teaches television writing at USC.

CARL SLAUGHTER: Where does Z Nation fit into the zombie genre television landscape?   

MICHAEL CASSUTT: It depends on which scale you’re using – if judging by how grim the world is, you would put The Walking Dead at one end with Z Nation at the opposite end. Both of us are exploring life in the Zombie Apocalypse, but our characters frequently comment on the absurdity of their situation. (And they are also actively trying to take action to improve it.)

CS: What is the appeal of the zombie genre?  

MC: In some sense, it’s the same appeal that so many Cold War-era post-apocalyptic films of the 1950s and 1960s had, or classic SF like Earth Abides: it gives the viewer or reader a chance to play in a world without rules, where the old standards and restrictions no longer apply. In the Zombie Apocalypse, you get to be a badass survivor and killer, something you are not likely to be in real life.

George R.R. Martin guests on Z Nation.

George R.R. Martin guests on Z Nation.

CS: What’s your role as producer? Same question for script writer?   

MC: In television – and this has been the case for something like thirty years – a producer is almost always a script writer. And as a writer, I am part of a staff that can number as many as eight individuals who meet for 2-3 months and workshop – in TV we say “break” – every episode of the forthcoming season.

Then we go off to write as individuals; I typically write two episodes per season.

Our second drafts go to Karl Schaefer, the showrunner, who does his pass, sometimes light, sometimes heavy. Karl’s draft serves as the basis for prep and production, and in most cases a writer like me comes back into the episode at that point.

We have several writers on ZN who are also directors: Dan Merchant, Jodi Binstock, Abram Cox and Jen Derwingson. When they get their Karl draft, they not only deal with the material as writers, but as directors, too.

We all have input into post-production to some degree.

CS: What other speculative fiction television shows have you been involved with and in what capacity?   

MC: The Twilight Zone (1984-86), freelancer writer, then staff writer;

Max Headroom (1987), story editor, executive story editor;

Eerie, Indiana (1991-92), writer/producer;

The Outer Limits (1994), writer/producer;

Strangeluck (1995-96), writer/producer;

Seven Days (1998-99), writer/producer;

The Dead Zone (2003-04), creative consultant/writer;

Masters of Science Fiction (2005, short-lived ABC anthology), consultant;

Z NATION (2013-present), writer/producer;

I’ve contributed freelance scripts to Beauty & The Beast (CBS 1980s version) Seaquest DSV, Farscape, Stargate SG-1 and several animated series like Dungeons & Dragons, Centurions and even Transformers.

CS: Same question for screen adaptations.  

MC: At one time or another, I’ve adapted novels or short stories by Clifford Simak, Philip Jose Farmer, John Varley, Arthur C. Clarke, Clarke & Stephen Baxter, and Robert A. Heinlein.  None of these have ever been produced, though it doesn’t stop me from trying.

CS: What information about space flight do your nonfiction books contain? 

MC: My space-related non-fiction books – six of them, if you count the forthcoming Astronaut Maker (which may get a new title) – deal with the human side of that world. Who gets to go into space? What did he or she do?  What was it like? I am less interested in, or capable of evaluating, technical advances in rocketry, though I follow them.

deke-by-cassutt

CS: Same question for Astronaut Maker.   

MC: This book, which has been in the works for five years and consumed all of my non-TV writing time for the last couple, focuses on one individual who had a 37-year career at NASA, rising from systems engineer to director of the Johnson Space Center, where he was for several years the most powerful individual in the history of human space flight, leading development of the International Space Station and also being in charge of the Space Shuttle.

He was a USAF helicopter pilot who became an engineer on the long-forgotten Dyna-Soar spaceplane program, then was assigned to NASA to work on Apollo. He was deeply involved in the design and development of the Apollo command module – was with the Apollo 1 astronauts at the Cape the night before they died in the tragic fire on the launch pad. Was part of the team that had to disassemble the charred spacecraft.

In the 1970s he became the NASA official in charge of astronaut selection – recruiting the first women and minorities into the astronaut team. He also assigned the crews.

After some career setbacks following the Challenger disaster (he was the NASA official who picked that crew, and two of those who were killed were his best friends on the astronaut team), he sort of rose from the ashes to that position at JSC.

He is a brilliant, fascinating man with priceless stories of Apollo, Shuttle, the Russians, and ISS.

CS:Is there an overlap between your trilogy and your nonfiction books?  

MC: My non-fiction work on spaceflight was the reason David Goyer asked me to collaborate on Heaven’s Shadow. He had a notion for a near-future space adventure, and figured it was easier to bring me into the project than to spend a lot of time trying to research the subject.  (We had known each other for fifteen years by that time, so the offer wasn’t entirely out of nowhere.)

CS: Same question for your novels and short stories.   

MC: Three of my novels – Missing Man, Red Moon, and Tango Moment – came directly out of my research into the space program . . . its history and especially figures like Deke Slayton.  The first Heaven’s book, Heaven’s Shadow, incorporates that research, too. But the next two books don’t – they are pure SF, as was my first novel, The Star Country.

star-country-by-cassutt

A few of my short stories have dealt with space flight – “The Last Apostle” from Asimov’s is my favorite. “The Longer Voyage”, published in F&SF in 1994, was apparently too realistic for some readers. One wrote, “If I thought that Michael Cassutt’s vision of future interstellar travel was true, I’d die” – or words to that effect.

I’ve done a couple of spaceflight-related pieces for George R. R. Martin’s WILD CARDS series.

CS: What did you do for Discovery?  

MC: For Discovery and History Channel I have made half a dozen appearances in space-related documentaries. Most of these – especially the most recent, Secret Space Escapes – deal with history.  But in Universe: Space Weapons [2009], I am on camera a lot, hitting golf balls and taking part in the operation of a trebuchet.

CS: What do you tell your USC students?   

MC: I teach television drama writing and, every few years, do a survey lecture about the various types of SF, fantasy and horror series. For writing students, I try to give them tools and strategies for writing effective drama – not just the basic challenge of creating interesting characters, but dealing with settings and structures and season-long arcs.

It’s as educational for me as it is for them, perhaps more so.

CS: Any advice for print authors who want to break into screen?  

You have to have a book agent, and your book agent must have a relationship with some TV agency.  Then you can write spec pilot scripts and get them to that TV agent.

That’s the only pro-active step you can take that has a chance of working – unless you happen to have some friend or associate who is already a successful TV agent.

Other than that, you must wait for some producer to discover your print work – and option it. Then you can insist that you be involved in the adapation.

CS: How hard is it to break into showrunning?   

MC: If you are a senior writer-producer on the staff of a successful TV series, it’s not difficult at all: you will either move up when your original showrunner burns out, or you will sell your own series and move off to do that.

If you aren’t a senior writer-producer, it’s almost impossible to become a showrunner. You might get a shot if you are an acclaimed writer from, say, feature films, and a network or channel simply wants to work with you.

CS: What’s on the horizon for Z Nation

MC: All I can or should say, since we have surprises in store, is that in Season 3 ZN gets more science-fictional.

CS: What’s on the horizon for Michael Cassutt?  

MC: At the moment I’m completing Astronaut Maker for delivery to Chicago Review Press. When that’s done, I’m going back to writing short fiction and eventually a new novel.

As for TV – who knows? If there’s a Season 4 of ZN I’m eager to be involved. I also have a few projects of my own that I am pursuing.

SOCIAL MEDIA

Spotlight on The Heinlein Society

Heinlein Society logoKeith Kato was elected the fourth President of The Heinlein Society at its September 7, 2014 meeting. He succeeded LA-area fan and LASFS member Michael Sheffield, who chose not to run for the Board again.

Keith is someone I have known for over 40 years — and he has played host to many of you at his famed Worldcon chili parties. Keith hopes you will help him fund Heinlein’s bust for the Hall of Famous Missourians (click here).

In addition to President Keith Kato, the Society’s other new officers are Minnesota fan Geo Rule as Vice President-Secretary, and Baltimore fan John Tilden as Treasurer. The Board of Directors (in order of elected seniority) consists of Joe Haldeman, Jerry Pournelle, Michael Cassutt, Connie Willis, Washington fan John Seltzer, and Texas fan Betsey Wilcox.