Titan Comics adds another volume to The Moorcock Library with its Elric The Eternal Champion Collection.
Iconic sword-and-sorcery author Michael Moorcock weaves magic, heroism, and wonder as his legendary Eternal Champion Elric features in two rarely seen adventures illustrated by French artist Phillippe Druillet and veteran Moorcock interpreter James Cawthorn.
In Druillet’s “Return to Melniboné,” Elric, armed with his sentient runeblade Stormbringer, returns to the Dragon isle of Melniboné and to his cousin and lover Cymoril. Unbeknown to Elric, dark forces are gathering and there is a sinister conspiracy to steal Stormbringer and bring chaos to Melniboné.
James Cawthorn’s “Stormbringer” sees Elric’s wife, Zarozinia, kidnapped by servants of Chaos and ransomed for the runeblades, Mournblade and Stormbringer. Elric must enter the World of Chaos and confront Chardros the Reaper, Mabelode the Faceless, and Slortar the Old – the three most powerful Lords in the Realm of Chaos – and fight not just for the life of Zarozinia, but for all of mankind.
Hardcover, 56pp, $19.99, £17.99; On sale January 2021; ISBN: 9781785869556
About the Creators:
Michael Moorcock is a prolific and award-winning writer with more than eighty works of fiction and non-fiction to his name. He is the creator of Elric, Jerry Cornelius and Colonel Pyat, amongst many other memorable characters. In 2008, The Times named Moorcock in their list of “The 50 greatest British writers since 1945”.
Philippe Druillet is known for his innovative approach to visual design. Since the start of his career in 1966, Druillet has won multiple awards, including the European Sci-Fi award for comics in 1972, The Grand Prize for a Science Fiction Franchise in 1976, in 1990 he was inducted into the European Science Fiction Society Hall of Fame for his artistry, and in 1996 he won the National Art and Graphics Grand Prize.
James Cawthorn has had a long working relationship with Michael Moorcock, illustrating his prose serials, and the comic strip Planet Peril, and writing the three-part serial Handar the Red in Tarzan Adventures, and illustrating for the Sexton Blake Library. He drew graphic novels adaptations of Moorcock stories, including Stormbringer, The Jewel in the Skull, and The Crystal and the Amulet.
(1) WHATESNEW INTERZONE EDITOR. The PS Publishing newsletter (which I haven’t seen) announces Ian Whates is taking over the editorial reins of Interzone, Jonathan Strahan confirms. Whates follows Andy Cox, who has run the UK zine for years.
(2) WHO WROTE THE BOOK. Joyce Reynolds-Ward in “Writing the Revolution” argues that sff helped fuel the mindset behind yesterday’s debacle in DC.
…For every nuanced, mindful, well-thought-out version of Writing the Revolution, there are at least three or four crudely sketched out wish-fulfillment fantasies that are no more realistic than a first-person-shooter video game or their real-life variant, the run-and-gun tacticool classes that are nothing more than jumped up paintball, that allow the participants to fantasize that they are Real Warriors. Hell, I see several of these books pop up every day on my Facebook and Twitter feeds, either through ads or assorted promotional groups. And they’re churned out to fulfill a reader demand for romantic notions about what Rebellion or Revolution really is.
(Dare I mention Star Wars here? Um, maybe not.)
Couple that sort of romanticized view of revolution and warfare with the sort of political polemic dominating social media over the past five years (Um. Longer) and you end up with events like January 6th, 2021.
You end up with an angry mob seeking to interfere with the peaceful transfer of power because they’ve been fed lies about the legitimacy of the 2020 election and who view themselves as akin to their fictional heroes.
And the intersection of the two has created the foundation for that idealized conceptualization of revolution….
(3) FAAN AWARDS BALLOT AVAILABLE. Nic Farey, FAAn (Fanzine Activity Achievement) Awards Administrator, has published The Incompleat Register [PDF file] as a voters’ guide. The nominating ballot is within, and votes must be received before midnight PDT, Friday March 12, 2021. Voting is open to anyone with an interest in fanzines. Farey cautions that the Register —
should not be considered to be a definitive list of what you can and cannot vote for. My sources are primarily efanzines.com, Guy Lillian’s listzine ‘The Zine Dump’ and also paper zines personally received. As I can’t possibly be aware of everything, all votes received will be counted in good faith. A “fanzine”, for our purposes, is defined as an immutable artifact, once published not subject to revision or modification. The fanzine might not exist in a physical form. A pdf, for example, is an artifact.
And he adds —
You do NOT have to be a member of Corflu or anything else for that matter.
You do NOT have to have read or received any minimum number of fanzines to vote, although of course we encourage you to check out the contenders.
2. A BAD SCI-FI MOVIE INSPIRED OCTAVIA BUTLER TO START WRITING.
It was a 1954 movie called Devil Girl from Mars, which Butler saw when she was about 12 years old, that ignited the future author’s interest in science fiction. “As I was watching this film, I had a series of revelations,” Butler said during a 1998 talk at MIT. “The first was that ‘Geez, I can write a better story than that.’ And then I thought, ‘Gee, anybody can write a better story than that.’ And my third thought was the clincher: ‘Somebody got paid for writing that awful story.’ So, I was off and writing, and a year later I was busy submitting terrible pieces of fiction to innocent magazines.”
A genre polymath who does crime, horror, and SFF, she brings a delightfully pulpy twist to everything she writes, whether it’s mashing up fantasy or science fiction with mystery or penning weird westerns. (Her website is here.) But if you give one book a shot…
First off, I cannot get over this cover. (The cover for the sequel, A Theft Most Fowl, is also gorgeous.) Second, we have winged people following a Phoenix goddess, with a caste system that’s laid out as kind of birds. And our main character, Prentice Tasifa, is a Hawk, gifted with the supernatural ability to see things others can’t. And then it’s a well written procedural mystery where Prentice has to hunt down a serial killer.
…Moviemaking fans of other fantasy franchises have complex relationships with the companies that own them, and “Star Wars” fan films do walk a legal tightrope. Disney asks that they be clearly marked, not raise money through crowdfunding, omit copyrighted media, and not profit from ticket sales or online advertisements. The company doesn’t appear to discriminate between fan films made by professionals and those made by amateurs, provided they follow its rules. “There is a point where you do have to protect your copyright,” Hale said.
Not everybody complies. An Indiegogo campaign to finance “Kenobi” got help from James Arnold Taylor, who has voiced the character in “Star Wars” animated television shows. (He also plays the villain in “Kenobi.”) Others have turned to Kickstarter to crowdfund their work.
And some who try to observe the rules have run into trouble. Warner/Chappell, which shares some “Star Wars” music rights with Lucasfilm, in 2019 claimed copyright over a Darth Vader fan film, “Shards of the Past,” posted on YouTube. A torrent of onlinecriticism followed, accusing the company of seeking to profit from fan work. Lucasfilm ultimately intervened to lift the claim. (Hale said she could not comment about copyright claims.)
As technology stretches the capabilities of fan storytelling, questions of propriety could become even thornier. Severalfilms by Peter Csikasz, a Hungarian university student, combine digital assets from official “Star Wars” video games with original motion-capture animation. Csikasz said the games’ developers were aware of his work, even as fan-made “Star Wars” video games have been repeatedly shutdown.
As these films grow technically more artful, they have also grown more expensive. A two-minute animated movie can cost more than $5,000 to produce. The budget for “Kenobi” approached $100,000, Satterlund said. (Costly expectations can be prohibitive: last month, Ortiz indefinitely suspended his project after failing to raise $20,000 through crowdfunding.)
Disney’s rules mean many fan movies are financial losses, but a well-executed production can drive YouTube subscribers, attract sponsors for future work or open doors to professional opportunities. “It greases the wheels,” Satterlund said of his short. “It’s helped get me in the room to talk to somebody.”
Martha Wells’ cranky, TV-binging Murderbot, the star and narrator of four superb novellas before this novel, made for a perfect quarantine companion. Her SecUnit killing machine has favored a solitary existence ever since it hacked its way to sentience. It feels safest hunkered down in a storage bay, mainlining its favorite shows, far removed from the messy emotions and motives of people – a preference that only became more relatable as 2020 stretched on….
(8) MODEL CITIZEN. [Item by Martin Morse Wooster, Designated Financial Times Reader.] In a December 31 piece in the Financial Times about the failures of polling, Christine Zhang and Courtney Weaver note a prediction Isaac Asimov made in 1955.
In a fictional America, elections are decided by Multivac, a supercomputer that requires only the input of one ‘representative’ voter to statistically model the outcomes of thousands of nationa1, state, and local contests. This is the 2008 that science fiction author Isaac Asimov portrayed i his 1955 short story “Franchise,” published three years after Univac, one of the earliest commercial computers, successfully predicted Dwight Eisenhower’s landslide victory on US television network CBS.
Asimov’s dystopian democracy has not yet materialized. As it turns out–particularly in the two most recent US presidential races–the electorate is not so easy to reliably predict. Yet it is not from a lack of trying.
…When Narinder S. Kapany was in high school in the 1940s in Dehradun, an Indian city in the Himalayan foothills, his science teacher told him that light travels only in straight lines. By then he had already spent years playing around with a box camera, and he knew that light could at least be turned in different directions, through lenses and prisms. Something about the teacher’s attitude, he later said, made him want to go further, to prove him wrong by figuring out how to actually bend light.
By the time he entered graduate school at Imperial College London in 1952, he realized he wasn’t alone. For decades researchers across Europe had been studying ways to transmit light through flexible glass fibers. But a host of technical challenges, not to mention World War II, had set them back.
He persuaded one of those scientists, Harold Hopkins, to hire him as a research assistant, and the two clicked. Professor Hopkins, a formidable theoretician, provided the ideas; Dr. Kapany, more technically minded, figured out the practical side. In 1954 the pair announced a breakthrough in the journal Nature, demonstrating how to bundle thousands of impossibly thin glass fibers together and then connect them end to end.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born January 8, 1891 – Storm Jameson. Suffragette, took part in the Women’s Pilgrimage. World War II led her to recant pacifism. Four novels and a shorter story for us; forty other novels, novellas, criticism, history, memoirs. (Died 1986) [JH]
Born January 8, 1908 — William Hartnell. The very first Doctor when Doctor Who firstaired on November 23rd, 1963. He would be the Doctor for three years, leaving when a new Showrunner came on. He played The Doctor once more during the tenth anniversary story The Three Doctors (aired 1972–73) which was the last thing he filmed before his death. I scanned through the usual sources but didn’t find any other genre listing for him. Is that correct? (Died 1975.) (CE)
Born January 8, 1926 – Bob Pavlat. Co-founder of WSFA; chaired Disclave 4-5. Among his fanzines, Bobolings, Contour. With Bill Evans, the monumental Evans-Pavlat Fanzine Index. Had the good taste to marry Peggy Rae McKnight; Big Heart (our highest service award) given to both; after his death she found no one worth remarrying for sixteen years. Appreciations here. (Died 1983) [JH]
Born January 8, 1942 – Stephen Hawking, Ph.D., F.R.S. Physically active in college, coxed a rowing crew; in graduate school contracted Lou Gehrig’s disease, with which he lived, defying all, for fifty years. Fellow of the Royal Society. Lifetime member of the Pontifical Academy of Sciences – although an atheist; as Pope John Paul II said, “Both believing scientists and non-believing scientists are involved”. U.S. Presidential Medal of Freedom. A score of other substantial awards. Masterly communicator of science, e.g. best-seller A Brief History of Time. Appeared on Star Trek (The Next Generation), Futurama, The Big Bang Theory; foreword to The Physics of ”Star Trek”; five George’s Secret Key novels with daughter Lucy Hawking. (Died 2018) [JH]
Born January 8, 1945 – Nancy Bond, age 76. Newbery Honor and Tir na n-Og Award for A String in the Harp. Two more books for us, five others. Lived in Boston, Concord, London, and Borth. “Each of my books has a firm geographical setting.” [JH]
Born January 8, 1947 — David Bowie. First SF role was as Thomas Jerome Newton in The Man Who Fell to Earth. He next shows up in The Hunger, an erotic and kinky film worth seeing. He plays The Shark in Yellowbeard, a film that Monty Python could have produced but didn’t. Next up is the superb Labyrinth where he was Jareth the Goblin King, a role perfect for him. From that role, he went on to being Pontius Pilate in The Last Temptation of Christ, an amazing role by the way. He was in Twin Peaks: Fire Walk with Me as FBI Agent Phillip Jeffries, a role which was his last role when he appeared later in the Twin Peaks series. He also played Nikola Tesla in The Prestige from Christopher Priest’s novel. Ok, what did I am leaving y’all to mention? (Died 2016.) (CE)
Born January 8, 1954 – Sylvie Germain, Ph.D., age 67. Six novels for us translated into English; two dozen others, biography, a children’s book, essays. Prix Femina, Moncrieff Prize, Prix Goncourt des Lycèens, Prix mondial Cino del Duca. [JH]
Born January 8, 1977 — Amber Benson, 44. Best known for her role as Tara Maclay on Buffy the Vampire Slayer. Her post-BtVS genre credits are scant with a bit of work on Supernatural, a web series called The Morganville Vampires and, I kid you not, a film called One-Eyed Monster which is about an adult film crew encountering monsters. She is by the way a rather good writer. She’s written a number of books, some with Christopher Golden such as the Ghosts of Albion series and The Seven Whistlers novel which I read when Subterranean Press sent it to Green Man for review. Her Calliope Reaper-Jones series is quite excellent too. As an audiobook narrator her credits include works by Seanan McGuire and John Scalzi. (CE)
Born January 8, 1979 — Sarah Polley, 42. H’h what did I first see her in? Ahhhh she was in The Adventures of Baron Munchausen! Let’s see what else she’s done… She’s been in the animated Babar: The Movie, Existenz, No Such Thing (which is based very loosely on Beowulf), Dawn of the Dead, Beowulf & Grendel (well sort of based on the poem but, errr, artistic license was taken) and Mr. Nobody. (CE)
Born January 8, 1983 – Michael Ziegelwagner, age 38. Fifty short stories, e.g. “On the Unreality of Our Forests”, “Bee, Wasp, Bumblebee, Fish”, “New Rules for the Robot Car”. Mostly in German. [JH]
Born January 8, 1965 — Michelle Forbes, 56. Best remembered as Ensign Ro Laren in Star Trek: The Next Generation, she also showed up in the Battlestar Galactica: Razor film as Admiral Helena Cain, and the pilot of Warren Ellis scripted Global Frequency as Miranda Zero. She played Maryann Forrester on True Blood as well. (CE)
(11) FREUDIAN SPACE. Stephen Colbert makes a couple of (possibly NSFW) genre references in this installment of “Quarantinewhile…” on The Late Show.
Jigsaw Puzzle 1000 Pieces for Adults: This collage of vintage sci-fi magazine covers is nearly 28? across. Our thick cardboard construction and high-quality paper laminate makes for a durable and beautiful puzzle image. Includes puzzle image insert to help you complete the puzzle without the box image.
(13) FAME ON THE MENU. Here’s another of those food places that gives celebrity names to its fare. The Atomo minimart in Los Angeles:
jean luc batard
made with fresh brewed earl grey, oat milk and a touch of agave. make it so.
a moist vanilla cake with almond and rum notes, bedazzled with rainbow sprinkles and frosted with a vanilla butter cream. make everyday your birthday.
The oldest light in the universe is that of the cosmic microwave background (CMB). This light was formed when the dense matter at the beginning of the universe finally cooled enough to become transparent. It has traveled for billions of years to reach us, stretched from a bright orange glow to cool, invisible microwaves. Naturally, it is an excellent source for understanding the history and expansion of the cosmos.
The CMB is one of the ways we can measure the rate of cosmic expansion. In the early universe, there were small fluctuations of density and temperature within the hot dense sea of the big bang. As the universe expanded, the fluctuations expanded as well. So the scale of fluctuations we see in the cosmic microwave background today tells us how must the universe has grown. On average, the fluctuations are about a billion light-years across, and this gives us a value for the rate (the Hubble parameter) as somewhere between 67.2 and 68.1 km/sec/Mpc….
Sci-fi author Michael Moorcock has published a dizzying array of books since getting his start editing a Tarzan fanzine when he was still a teenager. In addition to his extensive literary career, Moorcock has also had some pretty praiseworthy experiences in the world of rock and roll including having played banjo for Hawkwind (as well as writing lyrics for the band) and penning three songs for Blue Öyster Cult. However, as excellent as Mr. Moorcock is, this post is about a man whose art adorned countless covers of books by Moorcock and others in the genre of fantasy and sci-fi for years, Bob Haberfield. If you are of a certain age you will very likely remember being in a store (especially in the UK) catching yourself staring right at one of Haberfield’s many contemplative psychedelic book covers that were staring right back at you…
(16) VIDEO OF THE DAY. In “Random lessons Learned From Making Films” on Vimeo, director David F. Sandberg offers lessons he’s learned from making his three sf/fantasy films, including the complexity of having multiple actors in a scene (he had 14 in one scene in SHAZAM, and camera angles had to be plotted for all of them) and why good sound is more important in a film than good images. BEWARE SPOILERS.
[Thanks to Daniel Dern, Rob Thornton, John Hertz, JJ, John King Tarpinian, Mike Kennedy, Martin Morse Wooster, Cat Eldridge, Michael Toman, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel “Tsunduko” Dern.]
Unreal and Unfit magazines use Thinkerbeat Reader to “chart… the authors that we thought did really well with a story submission.” But these are not stories they bought – six days ago they tweeted out a link to the list of stories they rejected. The page had names, titles, and a rating between one and five stars. One problem: none of the authors had given them permission to do so.
Why does the SFWA post fake news? Why do they exhibit so much bias? There are a number of cases, but let’s begin with a solid example.
The SFWA issued a warning (via Writer Beware) stating that Thinkerbeat was the publisher of both the Unfit and Unreal magazines. This has never been the case. They have always been published by us, Longshot Press. Why didn’t the SFWA check the facts? Why did they mislead the public? Why, most importantly, haven’t they removed the false statement? Here is the statement they made:
The Board of the Science Fiction and Fantasy Writers of America is issuing a warning regarding short fiction publisher Thinkerbeat (wrong!), which publishes the semi-pro magazines “Unfit” and “Unreal.” (wrong!) The publisher (wrong!) publicly posts lists of rejected stories along with the author’s name and a numeric score.
This publisher’s (wrong!) behavior is far outside of industry standards and is contrary to the interests of writers. Humiliating writers, betraying their trust, and violating their privacy is not acceptable.
Jim C. Hines breaks down Longshot Press’ case in a Twitter thread that starts here.
(3) THE LAST SALVO. Sarah Gailey winds up their Personal Canons series with a comment and a table of links to all the posts: “Personal Canons: On Endings”.
…I was absolutely staggered by the response to my open call for submissions. Many people published essays of their own. (One of my favorites belongs to Meg Elison, who wrote powerfully about The Neverending Story. DongWon Song also wrote beautifully about the notion of canon as “outdated, colonialist, racist, sexist, and anti-queer.”). Multiple anonymous donors sent generous funds to help me purchase a higher volume of essays than I would have been able to on my own. Several of my brilliant colleagues got in touch with contributions to the series, waiving payment so I could bring in more voices from among submissions.
And oh, wow, the submissions. They were an absolute embarrassment of riches. I had the honor of reading an incredible range of pieces from writers around the world. There were reflections on gender, sexuality, disability, nationality, race, ethnicity, upbringing, religion, and more. Some of the pieces were sharp and funny; some of them were meditative and nuanced; some of them grappled hard with tarnished legacies and shifting identities.
All of them were powerful love letters to the stories that made us who we are today….
… “The Hollow Lands is a beautiful piece of work, building on An Alien Heat with musical subtlety and intelligence,” says Moorcock. “I am delighted by the interpretation and can’t wait to hear the resolution to this amazing project! They are a wonderful complement to what is one of my own favourite sequences and I could not hope for a better interpretation.”
The Hollow Lands is a continuation of a trilogy of Moorcock’s stories, dubbed The Dancers At The Ends Of Time series, that began with An Alien Heat, released in 2018. For this second instalment, Falcone has assembled a stellar cast of progressive rock luminaries including Blue Öyster Cult members Albert Bouchard, Eric Bloom, Donald “Buck Dharma” Roeser and Joe Bouchard, Hawkwind associates Harvey Bainbridge, Steve Bemand, Bridget Wishart, Adrian Shaw and Dead Fred as well as Nektar’s Ron Howden, Strawbs‘ Chas Cronk, and many more!
It seems reasonable to distinguish between worlds that were lost by accident and those that were misplaced on purpose. Similarly, one can distinguish between worlds that have since been recontacted and ones that are still on their own. Thus, four basic flavours….
The director is returning to TV after 50 years, with a drama about two androids raising humans on a far planet. He talks about working through lockdown, doing big adverts for China – and living on £75 a week.
(7) MEDIA ANNIVERSARY.
Forty years ago, Manly Wade Wellman would win the World Fantasy Award for Lifetime Achievement. He’s known for his fantasy and horror stories set in the Appalachian Mountains, which draw on the native folklore of that region. His best known creations are John the Balladeer, Judge Pursuivant and John Thunstone. He would be inducted into the First Fandom Hall of Fame several years later.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born December 9, 1848 – Joel Chandler Harris. JCH’s Tales of Uncle Remus are brilliant fantasy. They’re also wretchedly racist. They weren’t originally; he collected them from Southern blacks, who were telling their own folklore; his retelling ran them through his own mind; he made them popular, and he slanted them. Should he be applauded? Here is a report on the Wren’s Nest, JCH’s house made into a museum by his great-great-great-grandson, whose name is – Shakespeare. Here is its Website. I could say JCH’s Shakespeare is a monkey’s uncle, or maybe godfather, but this is complicated enough. (Died 1908) [JH]
Born December 9, 1900 – Margaret Brundage. High-school classmate of Walt Disney (“I finished. He didn’t”). Working in pastels on illustration board she became the lead cover artist for Weird Tales. Her lead subject was nude and semi-nude women. Those issues sold; some found them offensive. Here is The Alluring Art of Margaret Brundage (from the Jan 38 WT; another cover used this from the Oct 33 WT). She was the first to illustrate Conan the Barbarian, and Jirel of Joiry; she seems to have been the first woman graphic artist in SF. We just voted her a Retrospective Hugo as Best Pro Artist of 1944. (Died 1976) [JH]
Born December 9, 1926 — Kirk Douglas. He’s best remembered as Spartacus, but he’s was on Dr. Jekyll and Mr. Hyde (in the lead roles), Saturn 3, Seven Days in May and 20,000 Leagues Under the Sea plus he showed up on Tales from the Crypt and Touched by an Angel. He was also the very last recipient of the Ray Bradbury Creativity Award which was presented to him by Bo Derek. Did you know that Kirk and Ray did a Japanese coffee commercial together? See here.(Died 2020.) (CE)
Born December 9, 1934 — Judi Dench, 86. M in a lot of Bond films. Aereon in The Chronicles of Riddick, Queen Elizabeth in Shakespeare in Love which is at genre adjacent, Society Lady in Pirates of the Caribbean: On Stranger Tides and Miss Avocet in Miss Peregrine’s Home for Peculiar Children. Her very first genre film in the late Sixties, A Midsummer Night’s Dream, was poorly received by critics and I recall her role being a mostly nude and sexy faerie. No, I’m not mentioning Cats. Really I’m not. (CE)
Born December 9, 1947 — Sarah Smith, 73. She has authored King of Space, a work of genre fiction published as a hypertext novel by Eastgate System, one of the first such works. She’s written two conventional genre novels, The Knowledge of Water and The Other Side of Dark, plus a double handful of short fiction and essays. (CE)
Born December 9, 1948 – Curt Stubbs. Central to Phoenix fandom, a founder of the Central Arizona SF Society and of LepreCon. Guest of Honor at MileHiCon 11 and TusCon 8. See this appreciation, with a tribute from Jeanne Grace Jackson and a short heartfelt note from Teresa Nielsen Hayden who rarely speaks here. (Died 2019) [JH]
Born December 9, 1952 – Nicki Lynch, age 68. She and husband Richard Lynch have done much together; his birthday was December 4th, so you can see their joint honors there; I can’t omit that their fanzine Mimosa won six Hugos; you can see it electronically here; and I point you again to a good write-up of them, with a good photo too, here. They contribute separately to SFPA (in this case not the SF Poetry Ass’n but the Southern Fandom Press Alliance, an apa), a fine fannish custom. [JH]
Born December 9, 1952 — Michael Dorn, 68. Best known for his role as the Klingon Worf in Trek franchise. Dorn has appeared on-screen in more Star Trek episodes and movies as the same character than anyone else. He also played at least one other character in the Trek universe. Rumoured to be appearing in the second season of Picard. (CE)
Born December 9, 1970 — Kevin Hearne, 50. I have really enjoyed the Iron Druid Chronicles. Though I’ll confess that I’ve not yet read the spin-off series, Oberon’s Meaty Mysteries. Yeah, it really, really does exist. Sausages figure prominently. (CE)
Born December 9, 1976 – Michelle Muenzler, age 44. Fifty short stories, two dozen poems, in Apex, Daily SF, The Colored Lens, Electric Velocipede, Space and Time, Star*Line. Also a Broken Cities novella. Also bakes Turkish-coffee shortbread. [JH]
Designed by Laura Jean Shannon (Titans, Black Lightning) and built by her LA-based supersuit team in conjunction with Creative Character Engineering, Hoechlin’s new costume feels very much in line with recent big-screen interpretations on the character. Shannon streamlined the look by ditching the thick cape straps, gave him a sleek new belt, and brightened the Man of Steel’s signature shield (Never forget, the S stands for “hope”).
Furthermore, there’s a very practical reason for why Hoechlin is receiving a new suit. “Originally, [Hoechlin] came on for the crossovers and that suit wasn’t built to sustain a series,” Superman & Lois showrunner Todd Helbing revealed at DC FanDome in September.
The newest addition to the CW’s superhero universe, Superman & Lois follows Clark Kent (Hoechlin) and Lois Lane (Tulloch) as they juggle working (and saving the world) and raising their two teenage sons, Jonathan (Jordan Elsass) and Jordan (Alexander Garfin) after moving back to Smallville.
(10) FOR PEANUTS FANS. The Library of America hosts a virtual event, “Peanuts at 70: Writers and Cartoonists on Charlie Brown, Snoopy & the Gang, and The Meaning of Life,” a conversation with Sarah Boxer, Jonathan Lethem, Clifford Thompson, and Chris Ware; Andrew Blauner, moderator, on Wednesday, December 16 from 6:00 – 7:00 p.m. Eastern. Registration required at Eventbrite.
In 1950 Charles M. Schulz debuted a comic strip that is one of the indisputable glories of American popular culture—hilarious, poignant, inimitable. The Peanuts characters continue to resonate with millions of fans, their beguiling four-panel adventures and television escapades offering lessons about happiness, friendship, disappointment, childhood, and life itself.
Join editor Andrew Blauner and four distinguished contributors to the LOA collection The Peanuts Papers: Writers and Cartoonists on Charlie Brown, Snoopy & the Gang, and the Meaning of Life, for a seventieth anniversary conversation reflecting on the deeper truths of Schulz’s deceptively simple strip and its impact on their lives and art and on the broader culture.
… Unlike that huge needle that went right through the amber and into the mosquito in that iconic scene from Jurassic Park, extracting DNA from fossilized insects in amber often involves soaking the sample in chloroform to free the inset. The researchers found out this only fast-forwards the degradation process. DNA starts breaking apart almost immediately after death. Amber that has survived a hundred million years has already gone through enough.
…First, creating and implementing national space policy needs to be a whole-of-government process that integrates perspectives, capabilities, and interests from across all relevant federal agencies. In 2016, the Trump administration revived the National Space Council to formalize a separate space policy process and raise its visibility within the federal bureaucracy and the public. The Biden administration should continue to use the National Space Council as the main body for developing and coordinating national space policy. They can build on the Council’s success by staffing it with experts who understand both the interagency process and the importance of space, and by reforming the Council’s existing User Advisory Group to increase the representation of a diverse range of users of space services and applications.
Of immediate concern to nearly everyone in the space industry is the growing risk from orbital debris, which consists of dead satellites, spent rocket stages, and other pieces that have accumulated in orbit around Earth over the last 60 years. The on-going deployment of large constellations of thousands of commercial satellites only heightens discussions concerning the risks of space debris and collision with other spacecraft, as well as challenges to space traffic management and risk of radiofrequency interference amongst all current and future spacecraft….
On April 13, 2029—a Friday the 13th—the asteroid Apophis will pass remarkably close to the Earth, coming within 31,000 kilometers of the Earth’s surface, or closer than satellites in geostationary orbit. In late 2004, shortly after its discovery, astronomers projected at one point a 1-in-37 chance of a collision in 2029, but additional observations soon ruled out any impact. A small risk of an impact in April 2036 lingered for a few years, particularly if the asteroid passed through a narrow “keyhole” of space near Earth during its 2029 flyby (see “Sounding an alarm, cautiously”, The Space Review, May 31, 2005), but that, too, has since been ruled out.
With the near-term risk of an impact eliminated, Apophis has shifted from a threat to an opportunity. That 2029 close flyby makes the asteroid, several hundred meters across, an ideal target for studies by ground-based telescopes and radars. It also puts it in reach of spacecraft missions, including relatively small, low-cost ones.
(15) LOG ON. The Doctor Who Festive Holiday Yule Log is part of Christmas on the TARDIS courtesy of BBC America.
Give your holiday season some cozy Doctor Who cheer with a crackling fire, some biscuits, and a few Thirteenth Doctor surprises! Can you spot all the hidden festive secrets?
(16) VIDEO OF THE DAY. In Avarya on Vimeo.
Embarked on a spaceship in the hope of finding a new habitable planet, the human trapped in his own ship after the robot overseer finds every single candidate planet unsuitable. Eventually the human finds a way out, but that will only reveal a dark secret
[Thanks to Rob Thornton, John King Tarpinian, Anne Marble, Michael Toman, Martin Morse Wooster, JJ, Cat Eldridge, John Hertz, Gordon Van Gelder, Kathy Sullivan, Cath Jackel, Mike Kennedy, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew (not Werdna).]
Doomsday Book—whose name is a nod to the Domesday Book, a 1086 survey commissioned by William the Conqueror—features two protagonists who try to stop the spread of deadly contagions 700 years apart. In the 2054 timeline of Doomsday Book, there are no cellphones, but thanks to a complex machine called the “net,” time travel exists. The net prevents time travelers from altering history, so its main use is for historians conducting research. In Oxford, England, history professor Dunworthy sends an undergraduate researcher back in time to what he thinks is 1320. Afterward, the time travel device technician who helped send the student back in time falls seriously ill with an unknown virus. The very night he is hospitalized, public health workers begin tracking down his primary and secondary contacts and researchers begin sequencing the virus. In this future, there are governmental and scientific systems in place to respond rapidly to a new contagion. Indeed, that’s the easier part. Willis underscores a poignant truth, particularly for contemporary readers: A pandemic’s true toll is determined not by doctors and politicians, but by everyone else.
…As a leading Tolkien organisation, the Trustees considered whether Project Northmoor would help achieve the Society’s objective to educate the public in, and promote research into, the life and works of J.R.R. Tolkien. The Trustees unanimously concluded that it did not.
The Trustees’ specific concerns include that:
Project Northmoor’s two-page plan lacked sufficient detail;
No prominent members of the Tolkien community – be they writers, academics, artists etc – are directors of the company, or are named as running the project;
Project Northmoor’s primary intention appears to be to run creative workshops, rather than educational programmes about Tolkien;
Project Northmoor’s plan includes spiritual retreats, which falls outside the scope of the Society’s objective;
Their business model includes running a bed and breakfast, with a full-time resident warden;
The property itself is a listed building in a conservation area – with a blue plaque proudly showing its connection to Tolkien – meaning the property is well protected under the law and not in need of rescue;
The relationship between the US and UK organisations appeared unclear; and
As a new organisation – Project Northmoor having only existed for a month – it is difficult to assess their ability, capability, and capacity to deliver the project successfully.
The Trustees wanted to provide this transparency of their conversation for the benefit of the Tolkien community. The Trustees – as is their legal duty under the law in England and Wales – were considering the best interests of the charity and whether it achieved the charity’s objective. For the above reasons they felt it did not.
Across Britain, there has been a recent explosion of road signage. These are designed to establish safer traffic rules and to give people direction on how to use the area who would otherwise be unfamiliar. The one flaw with this is most people are confused as to what they mean….
Pedestrians do not fare much better. Only a small fraction knew that a white bar on a red circle means no entry, with many believing it meant something different, such as a pedestrian crossing.
This responses to the signage is similar to the relationship between science fiction readers and the new wave. For some they are stories full of meaningless symbols that go nowhere, for others it is an essential step in moving science fiction forward. And right at the centre of the new wave is Michael Moorcock.
In spite of being only 25 years old, Moorcock is one of the core figures in British science fiction. He previously edited both Tarzan Adventures and The Sexton Blake Library before taking over New Worlds magazine last year. For the last 5 years he has been a regular contributor to Carnell’s trio of magazines and has published books before such as The Stealer of Souls.
For an episode celebrating litRPG, a hugely successful genre ruled by indie authors, joining Gadi and Karen will be Shemer Kuznits, Avi Freedman, John Dodd, Avril Sabine, and Storm Petersen.
From what makes litRPG tick and our favorite authors, to the weird tropes hidden within, we fully intend to geek out.
(7) #DISNEYMUSTPAY. YouTuber Daniel Greene interviewed Alan Dean Foster and Mary Robinette Kowal about the #DisneyMustPay issue. Some interesting updates, including SFWA President Kowal confirming that Alan Dean Foster is not the only author affected.
After test pilot Chuck Yeager became the first man to break the sound barrier, he confessed to the highly un-Yeager-like emotion of fear.
“I was scared,” he wrote in a memoir, “knowing that many of my colleagues thought I was doomed to be blasted to pieces by an invisible brick wall in the sky. But I noticed that the faster I got, the smoother the ride. Suddenly, the Mach needle began to fluctuate, then tipped right off the scale.”
For 18 seconds on Oct. 14, 1947, Yeager was supersonic — a feeling he later likened to “a poke through Jell-O.” The achievement made Yeager an aeronautic legend — “the foremost in the Olympus,” according to author Tom Wolfe, “the most righteous of all the possessors of the right stuff.”…
NASA Administrator Jim Bridenstine issued a statement that concludes: “His path blazed a trail for anyone who wanted to push the limits of human potential, and his achievements will guide us for generations to come.”
(9) WALTER HOOPER OBIT. Walter Hooper (1931-2020). a literary advisor of the estate of C.S. Lewis, died December 7 of COVID-19. He served briefly in 1963 as C.S. Lewis’s private secretary prior to Lewis’s death, and became a custodian of Lewis papers and editor of his works. Joseph Loconte profiled him for National Review:“Remembering Walter Hooper: C.S. Lewis Expert Brought Author’s Work to World”.
…Hooper never tired of drawing attention to Lewis’s talent for making Christian thought persuasive to the layman. In his encyclopedic book C.S. Lewis: Companion and Guide, Hooper relates how Lewis gained national attention for his BBC broadcasts defending Christianity during World War II, receiving many speaking invitations. He engaged with fellow dons, members of the Royal Air Force, factory workers, and university students. “It was partly due to this varied experience,” Hooper writes, “that he came to see why the professional theologians could not make Christianity understandable to most people.” In the Protestant tradition to which he belonged (the Anglican Church), Lewis combined reason and imagination to translate the gospel into terms everyone could grasp.
“At times it embarrassed me, when Lewis was talking about God, that I hardly believed in the same way that he did,” Hooper told me. In this case, admiration generated a lifelong calling: What Christopher Tolkien achieved in excavating the work of his famous father, Walter Hooper accomplished for C.S. Lewis. At a recent conference in Slovakia, Hooper was asked to explain why he invested so much of his life quietly serving someone else’s legacy. He did not hesitate in answering: “I said, ‘It’s been wonderful. I wish to God I could do it all again.’”
(10) MEDIA ANNIVERSARY.
In 1982,Shadows of Sanctuary, the third Thieves’ World as edited by Robert Lynn Asprin, and published by Ace Books, wins the Balrog Award. It was not the first nominated as both Thieves’ World, the first anthology, and Tales from the Vulgar Unicorn, the second anthology, were also nominated. The Balrogs which were given out from 1979 to 1985 were created by editor Jonathan Bacon in Issue #15 of Fantasy Crossroads and first presented at the Fool-Con II convention on April Fool’s Day, 1979.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born December 8, 1861 — Georges Méliès. Best known as a film director for A Trip to the Moon (Le Voyage dans la Lune) which he said was influenced by sources including Verne’s From the Earth to the Moon and Around the Moon. (Died 1938.) (CE)
Born December 8, 1894 – James Thurber.The 13 Clocks, The Wonderful O, The White Deer are fantasy, supposedly but not necessarily for children. The Last Flower seems to be science fiction. What are we to make of his seventy-five “Fables for Our Time” – are they fantasy? “The Rabbits Who Caused All the Trouble”? “The Owl Who Was God”? In “The Unicorn in the Garden” there really is a unicorn but denying it is wiser. “If Grant Had Been Drinking at Appomattox” is a spoof of alternative history. What of his cartoons? In any event, his particular subtle, almost sour humor excels. (Died 1961) [JH]
Born December 8, 1894 — E. C Segar. Best known as the creator of Popeye who first appeared in 1929 in Segar’s comic strip Thimble Theatre. Popeye’s first line in the strip, upon being asked if he was a sailor, was “Ja think I’m a cowboy?” J. Wellington Wimpy was another character in this strip that I’m fond of. (Died 1938.) (CE)
Born December 8, 1917 – James Taurasi. A founder of fandom. Attended the 1938 Philadelphia Conference. One of the “triumvirate” (with Moskowitz and Sykora) who produced Nycon I the first Worldcon. Ran “Fandom’s Corner” in Super Science Stories. His Fantasy Times, later Science Fiction Times, won the 1955 & 1957 Best-Fanzine Hugo. Big Heart (our highest service award). (Died 1991) [JH]
Born December 8, 1930 – John Morressy. A score of novels, eighty shorter stories, some dark, some light-hearted. In fantasy, Kedrigern is a reluctant wizard first shown as an adult, then prequels of his youth. In science fiction, Nail Down the Stars and two more paint the same interstellar intrigue from three viewpoints while none sees the whole. Professor of English at Franklin Pierce College. (Died 2006) [JH]
Born December 8, 1939 — Jennie Linden, 81. She’s here for being Barbara in Dr. Who and the Daleks, the 1965 non-canon film. Her next genre forays were both horror comedies, she was in A Severed Head as Georgie Hands, and she’d later be in Vampira as Angela. She’d show up in Sherlock Holmes and The Saint as well. (CE)
Born December 8, 1950 — Rick Baker, 70. Baker won the Academy Award for Best Makeup a record seven times from a record eleven nominations, beginning when he won the first award given for An American Werewolf in London. So what else is he known for? Oh, I’m not listing everything but his first was The Thing with Two Heads and I’ll single out The Exorcist, Star Wars, The Howling which I quite love, Starman for the Starman transformation, Beast design on the Beauty and the Beast series and the first Hellboy film version. (CE)
Born December 8, 1951 — Brian Attebery, 69. If I was putting together a library of reference works right now, Attebery would be high on the list of authors at the center of my shopping list. I think The Fantasy Tradition in American Literature: From Irving to Le Guin is still essential reading and Parabolas of Science Fiction with Veronica Hollinger is very close to a Grand Unification Theory of the Genre. (CE)
Born December 8, 1954 — Rebecca Neason. She wrote a Next Generation novel, Guises of The Mind, plus several Highlander novels, and two fantasy novels; her widower says one novel went unpublished. She was a regular panelist at conventions in the Pacific Northwest. Jim Fiscus has a remembrance here. (Died 2010.) (CE)
Born December 8, 1964 – Genevieve Graham, age 56. First studied to be an oboe player; began writing after age 40. Now devoted to Canadian historical fiction. Two novels for us, four others. Has read Charlotte’s Web, Huckleberry Finn, Nineteen Eighty-Four. [JH]
Born December 8, 1966 – Anthony Lewis, age 54. Illustrator. Three hundred children’s books; also advertising, design & editorial. Here are the cover and two interiors for The Owl Tree. Here are the cover and two interiors for Why Do Stars Come Out at Night?Here is an interior for Why I Can’t See the Wind.Here is his image for Follow the Reader posters, bags, bookmarks. [JH]
Born December 8, 1982 – Elizabeth Miles, age 38. Three novels, six covers. Here is one, Moon Window. [JH]
For the first time, someone has taken credit for erecting one of the monoliths that have popped up in the last few weeks, riveting the world.
A group of four artists and fabricators unveiled themselves on Saturday as the creators of the stainless-steel curiosity that was placed atop Pine Mountain in Atascadero, Calif., on Tuesday — and shared a YouTube video of a newly made replacement going up after some young men unceremoniously toppled the original and put a cross in its spot, livestreaming themselves in the process.
“We intended for it to be a piece of guerrilla art. But when it was taken down in such a malicious manner, we decided we needed to replace it,” Wade McKenzie, one of the California monolith’s creators, said in an interview Sunday evening.
McKenzie said he built the three-sided steel structure with the help of his friend Travis Kenney, Kenney’s father, Randall, and Jared Riddle, a cousin of Travis Kenney.
Early Friday morning, another shiny steel tower was discovered in downtown Las Vegas under the Fremont Street Experience, a five-block entertainment district in the city’s casino corridor.
And yet another was found Saturday morning in Los Padres National Forest by campers at a site about 100 miles southeast of the one in Atascadero, The San Luis Obispo Tribune reported. According to the Tribune, the Los Padres monolith has “Caution” written in red letters at the top and features an image of a U.F.O. The creators of the Atascadero monolith told the news outlet on Sunday that they had not placed the monolith there.
Cinderella (Brandy) chafes under the cruelty of her wicked stepmother (Bernadette Peters) and her evil stepsisters, Calliope (Veanne Cox) and Minerva (Natalie Desselle), until her Fairy Godmother (Whitney Houston) steps in to change her life for one unforgettable night. At the ball, she falls for handsome Prince Christopher (Paolo Montalban), whose parents, King Maximillian (Victor Garber) and Queen Constantina (Whoopi Goldberg), are anxious for him to find a suitable paramour.
What is it like to write with GPT-3, the latest language model neural network artificial intelligence system created by Open AI? Clarke Center Assistant Director Patrick Coleman interviewed K Allado McDowell, writer, researcher, and co-author of Pharmako-AI, the first book co-written with GPT-3, for Slate’s Future Tense series. For anyone interested in the nature of artificial intelligence as a model for human intelligence (and imagination) or the use of AI to create art and provoke new lines of thinking, Allado-McDowell’s provocative insights point to new approaches.
(17) SPEAKING OF ROBOTS. Calling Ursula K. Le Guin!
[Thanks to John Hertz, Olav Rokne, Cora Buhlert, Mike Kennedy, John King Tarpinian, JJ, Martin Morse Wooster, Michael Toman, Cat Eldridge, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Anna Nimmhaus.]
The Committee For The Jack Trevor Story Memorial Prize/Prix Du Goncourt For 2020 — Michael Moorcock (UK), Guy Lawley (UK), Linda Steele (UK/US), Rick Klaw (US), Brandy Whitten (US), Jean-Luc Fromental (France), Lili Sztajn (France) —
Are unanimously agreed that Peter S Beagle has won the Story/Goncourt as he is most likely to fulfill the terms of the prize which consists of a cup and a cheque for $500. The money is linked to profits from NEW WORLDS and must be spent in a ‘a week to a fortnight’ and refers to Mr Story’s reply to a bankruptcy judge who asked where his money went. “You know how it is, judge. Two hundred or two thousand. It always lasts a week to a fortnight.’ — The Committee
Beagle is the author of The Last Unicorn, Summerlong, and many other fine works of fantastica. He is currently published by Tachyon Books.
The Committee traditionally meets at Le Goncourt, Boulevard Parmentier, Paris, France but met virtually this time.
Previous winners have included Fred Normandale, Howard Waldrop. Steve Aylett and Nicholas Lezard and is named for the humorous novelist, scriptwriter and Guardian columnist Jack Trevor Story (1917-1991), who died having typed THE END to his most recent book.
Maintained and awarded by Moorcock, The Jack Trevor was originally presented to the writer of the story in the Time Out series of London stories that he best liked. In more recent times, a special committee, organized by Moorcock, determines the winner, typically for excellence in humorous writing. The five hundred guinea prize is given with the following conditions: The entire award must be spent “in a week to a fortnight” and the recipient must have nothing to show for it. Most winners use the money for a big night or a foreign vacation. One winner, a trawlerman from Hull who spent the money with the expertise of a drunken sailor before he got home, had to spend the money all over again just to prove to his shipmates that he’d won it.
The unique terms of the award are based on Jack Trevor Story‘s famous words when asked at his second bankruptcy what happened to money from his films The Trouble with Harry and Live Now, Pay Later. The judge wondered how he managed to go through so much without having a thing to show for it.
“You know how it is, your honour ?? two hundred or two thousand ?? it always lasts a week to a fortnight. You can spend a couple of hundred easy just going around the supermarket.”
(1) DRAGON CON STILL ON SCHEDULE. Dragon Con told Facebook readers today they are proceeding with plans for their Labor Day event.
Many things in the world are uncertain right now. One thing isn’t: We are planning to throw one sorely-needed, amazing celebration come Labor Day. We’re moving forward to keep #DragonCon2020 on schedule.
Currently, there are no plans to reschedule or cancel the event, however we’re keeping in touch with the experts either way, and working with our venue partners to make sure everything and everyone stays safe, happy, and healthy.
Rest assured if at any time we feel that cannot be accomplished, we will do what is needed to protect our community.
I’m sure everyone’s familiar with America’s snack, as ubiquitous at ball games as beer and hotdogs. As caramel corn goes, it’s pretty mediocre stuff, though once you start eating, you find you can’t stop. And the real incentive is the prize waiting for you at the bottom of the box. Will it be a ring? A toy or a little game? Maybe a baseball card.
This month, like most months recently, The Magazine of Fantasy and Science Fiction is kind of like a box of Cracker Jacks. But the prize at the end of the May 1965 issue is worth the chore of getting there.
Creative platform Patreon has laid off 30 employees, which is 13% of its workforce, TechCrunch has learned.
“It is unclear how long this economic uncertainty will last and therefore, to prepare accordingly, we have made the difficult decision to part ways with 13% of Patreon’s workforce,” a Patreon spokesperson said in a statement to TechCrunch. “This decision was not made lightly and consisted of several other factors beyond the financial ones.”
(4) VISITOR FROM BEYOND. [Item by Daniel Dern.] Jeff Hecht (who’s sold sf stories everywhere from Analog, Asimov’s and Interzone to Nature and various anthologies — ) has an article in the April 21, 2020 Sky & Telescope on recent interstellar visitors: “The Origins of Interstellar Objects”.
…Comet Borisov was easy to recognize as a comet, but our first interstellar visitor, 1I/’Oumuamua, was like nothing astronomers had seen before. It was elongated, tumbling erratically, porous, moving oddly, releasing only wisps of gas — even evoking thoughts of derelict alien spaceship….
In terms of SF relevance (beyond “we also are interested in science fact stuff”), Jeff notes, regarding this article, “The only SF twist was saying they finally found a way to explain the origin of ‘Oumuamua other than as an alien spacecraft.”
(5) MOORCOCK REVEALED WHEN PAYWALL FALLS. Stacy Hollister’s “A Q&A With Michael Moorcock” is an interview with Michael Moorcock about his novel King Of The City that first appeared in the November 2002 Texas Monthly, which has lowered its paywall for the rest of the year.
texasmonthly.com: What’s your mission as a writer?
MM: I’m very moralistic. I think I bear a certain responsibility for the effect of the fiction I write. Anger at injustice, cruelty, or ignorance is what tends to fire me up. I try to show readers where we might all be wearing cultural blinders. I hate imperialism, so therefore much of my early work was an attempt to show admirers of the British Empire, say, what kind of injustice, prejudice and hypocrisy such an empire is based on. I am very uneasy with current Anglophone rhetoric about responsibilities to other parts of the world, for instance. King of the City deals with some of this, especially the destruction of African society by imperial rapacity.
(6) SMALL SHOW RECAP – BEWARE SPOILERS. [Item by Martin Morse Wooster.] Last night on DC’s Legends of Tomorrow, the time ship ended up in British Columbia in 2020 and ended up in a woods which ultimately led them to the set of Supernatural. They didn’t see any members of the cast, but they did see Sam and Dean’s car and opened the trunk, which was full of monster-fighting equipment. They then used the equipment to fight a bunch of zombie-like creatures, and learn the creatures have killed the crew shooting Supernatural.
“How will they finish season 15?” one of the legends asks.
Well, now we know why Supernatural still has seven episodes left to shoot…
(7) ENTERTAINMENT FOR SJW CREDENTIAL OWNERS. Martin Morse Wooster, our designated Financial Times reader, peeked behind the paywall and found that in the April 17 issue Sarah Hemming reviews fiction podcasts.
Nadia, star of Russian For Cats (created by Pam Cameron), has escaped from prison and is desperately seeking refuge. She discovers it with Brian, a loser who lives in a caravan in a state of great disorder and despondency. When Nadia arrives, he finds a confidante and she finds sanctuary.
The only thing is, Nadia is a cat: a talking cat fluent in Russian. Here’s a story ideally suited to lockdown :a gently absurd thriller, featuring a chatty feline, the chance to learn Russian (a short lesson follows each episode), and a sinister explanation for popularity of cat memes. Is your cat spying on you? Do you need to ask?
(9) CASEY OBIT. Past President of the Philadelphia SF Society Hugh Casey died April 21 after a long illness, including a stroke. He is survived by his partner Stephanie Lucas.
In happier times Hugh made File 770 with this humorous incident from 2002:
Philadelphia SF Club President Hugh Casey almost made his show business debut in September. “I was supposed to be checking out an alternate location for meetings, but was unable to make it due to being held up in traffic. In fact I ended up driving into the middle of filming for Kevin Smith’s upcoming movie Jersey Girl – apparently disrupting a shot and getting some crew members very angry at me. I did not see either the director or the stars.”
In 2017, when Casey battled cancer, his friends rallied to raise money for his medical expenses by creating “HughCon” –
…The Rotunda has donated their space, Star Trek-themed band The Roddenberries have donated their time and talent, a number of makers and vendors have donated items for our silent auction, and a lots of people have donated their time and effort
(10) TODAY IN HISTORY.
April 22, 1953 — Invaders from Mars premiered. It directed by William Cameron Menzies and produced by Edward L. Alperson Jr. from the script written by Richard Blake with the story by John Tucker Battle. It starred Jimmy Hunt, Helena Carter, Arthur Franz, Morris Ankrum, Leif Erickson, and Hillary Brooke. Invaders from Mars was nominated for a Retro-Hugo at Noreascon 4 but lost out to The War of The Worlds. Critics at the time liked it quite a bit, and At Rotten Tomatoes, it holds an approval rating of 82% among audience reviewers. You can watch it here.
April 22, 1959 — The Monster Of Piedras Blancas enjoyed its premiere. It was produced by Jack Kevan who started out as a makeup artist on The Wizard of Oz as written and directed by Irvin Berwick who was associate produced later on for The Loch Ness Horror. The screenplay was by H. Haile Chace It starred Jeanne Carmen, Les Tremayne, John Harmon, Don Sullivan, Forrest Lewis, and Pete Dunn. It received universally negative criticism with most calling it amateurish with the script, dialogue, and monster design being noted s being bad. It holds a not terribly bad 33% rating among audience reviewers at Rotten Tomatoes. You’re in for for a special treat as you can see it here.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born April 22, 1902 — Philip Latham. Name used by Robert Shirley Richardson on his genre work. His novels were largely first published in Astounding starting in the Forties, With the exception of his children’s SF novels that were published in Space Science Fiction Magazine. He also wrote a few scripts for Captain Video, the predecessor of Captain Video and his Video Rangers. His Comeback novel starts this way: ‘ When Parkhurst heard the announcement that climaxed the science fiction convention, he found that he’d been right, years ago when he had faith in science-fictionists’ dreams. But, in another way, he’d been wrong . . .’ It’s available at the usual digital suspects for a buck. (Died 1981.)
Born April 22, 1934 — Sheldon Jaffery. An editor and bibliographer of pulps whose non-fiction Work and genre anthologies are both fascinating. Among the latter are such publications as Sensuous Science Fiction From the Weird and Spicy Pulps and The Weirds: A Facsimile Selection of Fiction From the Era of the Shudder Pulps, and from the former are Future and Fantastic Worlds: Bibliography of DAW Books, The Arkham House Companion: Fifty Years of Arkham House and Collector’s Index to Weird Tales. (Died 2003.)
Born April 22, 1937 — Jack Nicholson, 82. I think my favorite role for him in a genre film was as Daryl Van Horne in The Witches of Eastwick. Other genre roles include Jack Torrance in The Shining, Wilbur Force in The Little Shop of Horrors, Rexford Bedlo in The Raven, Andre Duvalier in The Terror, (previous three films are all Roger Corman productions), Will Randall in Wolf, President James Dale / Art Land in Mars Attacks! and Jack Napier aka The Joker in Tim Burton’s The Batman. I watched the last one, was not impressed.
Born April 22, 1944 — Damien Broderick, 76. Australian writer of over seventy genre novels. It is said that The Judas Mandala novel contains the first appearance of the term “virtual reality” in SF. He’s won five Ditmar Awards, a remarkable achievement. I know I’ve read several novels by him including Godplayers and K-Machines which are quite good.
Born April 22, 1967 — Sheryl Lee, 53. Best remembered as being cast by David Lynch as Laura Palmer and Maddy Ferguson in Twin Peaks and in Twin Peaks: Fire Walk with Me, and reprised in the later Twin Peaks. Her other interesting genre role was playing the title role in Guinevere based on Persia Woolley’s Guinevere trilogy. Finally, she was Katrina in John Carpenter’s Vampires for which she won the very cool sounding Fangoria Chainsaw Award for Best Supporting Actress.
Born April 22, 1977 – Kate Baker, 43. Editor along with with Neil Clarke and Sean Wallace of the last two print issues Clarkesworld. She’s won the Hugo Award for Best Semiprozine twice, and the World Fantasy Award (Special Award: Non Professional) in 2014, all alongside the editorial staff of Clarkesworld. She’s a writer of three short genre stories, the latest of which, “No Matter Where; Of Comfort No One Speak”, you can hear here. (Warning for subject matters abuse and suicide.)
Born April 22, 1978 — Manu Intiraymi, 42. He played the former Borg Icheb on the television series Star Trek: Voyager. A role that he played a remarkable eleven times. And this Birthday research led me to discovering yet another video Trek fanfic, this time in guise of Star Trek: Renegades in which he reprised his role. Any Trekkies here watch this?
Born April 22, 1984 — Michelle Ryan, 36. She had the odd honor of being a Companion to the Tenth Doctor as Lady Christina de Souza for just one story, “Planet of the Dead”. She had a somewhat longer genre run as the rebooted Bionic Woman that lasted eight episodes, and early in her career, she appeared as the sorceress Nimueh in BBC’s Merlin. FinallyI’ll note sheplayed Helena from A Midsummer Night’s Dream in BBC’s Learning project, Off By Heart Shakespeare.
“The ‘powers that be’ — white male editors at white publications — have kept folks of color to a minimum on their pages so as not to cause a stir. That’s the case still,” says Barbara Brandon-Croft, whose trailblazing strip “Where I’m Coming From” was distributed by Universal Press Syndicate from 1991 to 2005 — making her the first black woman to achieve national mainstream syndication as a cartoonist.
“You had to go to the black newspapers — as early as the ’30s — to find black characters drawn by black hands,” she says. ”And a black woman lead — what? Jackie Ormes’s ‘Torchy Brown’ was truly groundbreaking.” (Ormes, the first African American woman to have a syndicated comic strip, was elected to the Will Eisner Comics Hall of Fame in 2018.)
Sources close to the production have confirmed that creator Jon Favreau has been “writing season 3 for a while,” and that the art department, led by Lucasfilm vice president and executive creative director Doug Chiang, has been creating concepts for Season 3 “for the past few weeks.”
…The Mouse House also has two others series from a Galaxy far, far away in the works, namely an Obi-Wan Kenobi series with Ewan McGregor reprising the iconic role, and a Cassian Andor series starring Diego Luna, which recently added Stellan Skarsgard and Kyle Soller, as Variety reported exclusively.
As the comic book industry seeks to rebuild in the wake of store closures and publication pauses caused by the coronavirus outbreak, the Book Industry Charitable Foundation (BINC) is announcing the formation of a new fund specifically aimed at assisting comics, the Comicbook United Fund.
Combining the $100,000 pledged last year to BINC from the Oni-Lion Forge Publishing Group to support comic book retailers with the $250,000 pledged earlier this month by DC, the Comicbook United Fund is intended to be the central location for any and all figures and organizations hoping to raise money for comic book retailers.
(16) EMERGENCY. The roleplaying game designer Guy McLimore (FASA’s Star Trek: The Roleplaying Game, Mekton Empire, The Fantasy Trip) says he had to break social distancing for an exceptionally good reason:
…I’m sure, in her incredible, gifted, magnificent imagination, she never even considered for a second that, almost 100 years into her future, someone whose parents weren’t yet born would take her work, bring it to life in a unique way, and then distribute that new work to anyone who wants it, in the world, without even getting out of my desk chair.
What amazing thing is sitting just over our horizon? What amazing thing is waiting for our grandchildren that we can’t even imagine right now? Why aren’t we doing more to protect our planet and each other, so our grandchildren don’t have to live in some apocalyptic nightmare?
A team of researchers from India, upon discovering a new species of green pit vipers, have decided to name the snake after the one, the only Salazar Slytherin. Their findings were published this month in the journal Zoosystematics and Evolution.
For those not familiar with Harry Potter, a quick history lesson. In a nutshell, Salazar Slytherin was one of the founders of the Hogwarts School of Witchcraft and Wizardry, along with his pals Godric Gryffindor, Rowena Ravenclaw and Helga Hufflepuff.
Along with being some of the most powerful witches and wizards of their time in the Harry Potter world, they’re also the namesakes of the four Hogwarts houses.
Slytherin, partly known for his ability to talk to snakes, is linked to the animals — the snake is, after all, the symbol of the Slytherin Hogwarts house. That’s why the researchers chose the name Trimeresurus salazar.
A Richardson man who has had a lifelong love of “Star Wars” and particularly stormtroopers, took to the streets to bring a smile and an important message to his neighbors.
Rob Johnson dressed up as a stormtrooper and patrolled the sidewalks near his home carrying signs reminding people “Good guys wear masks” and “move alone, move alone.”
The stormtrooper shows a sense of humor too, with one sign reading, “Have you seen my droid, TP4U?”
(21) TV TIME. Edgar Wright’s doing a thing on Twitter:
Not specifically genre related but it looks fun. Here’s some relevant replies:
[Thanks to Cath Jackel, Mike Kennedy, Martin Morse Wooster, John King Tarpinian, JJ, Michael Toman, Cat Eldridge, Chip Hitchcock, rcade, Bill, Daniel Dern, N., and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]
(1) TOWER OF FABLE. Mark Lawrence promoted a new book release by challenging his readers to make towers of their books and send him photos — “The Girl And The Stars – contest!”. He has posted the entries — it’s an amazing gallery.
(2) ON THE FRONT OF F&SF. The Magazine of Fantasy & Science Fiction’s May/June 2020 cover. The art by Maurizio Manzieri is for “Who Carries the World” by Robert Reed.
(3) ASIMOV RESEARCH SPARKS SUSPICION. [Item by Olav Rokne.] Australian SF fan Steven Cooper caught the interest of the security folks at Australia’s National Emergency Library due to his unusual borrowing habits. The software engineer had been checking out books ten at a time for several years, which made the organization wonder if something was amiss. In an interesting blog post on Archive.org, Wendy Hanamura (@whanamura) explains how a research project about Isaac Asimov put Cooper in the hot seat for a few minutes. “Suspicious Activity in the National Emergency Library? No, just the best kind of activity…”
This software engineer with an obsession for Asimov never expected his passion project would be seen by the public, let alone a constellation of science fiction devotees. He did it for himself, to explore the many dimensions of Asimov’s thinking, where the writer’s curiosity would lead him, the clarity with which he would explain the world.
…The fruits of Steven Cooper’s labor are now available for anyone to use. His list is 676 pages long, at the moment. Yet, this software engineer with an obsession for Asimov never expected his passion project would be seen by the public, let alone a constellation of science fiction devotees. He did it for himself, to explore the many dimensions of Asimov’s thinking, where the writer’s curiosity would lead him, the clarity with which he would explain the world. “He is known as possibly the most wide-ranging writer of the 20th Century,” Cooper ruminated. “I was just interested to see how wide ranging that was. I don’t think anyone has ever read everything he wrote.”
(4) YOUR SPOILER MILEAGE MAY VARY. [Item by Daniel Dern.] As part of research for an article I’m writing, I’m (re)reading Asimov’s The Caves Of Steel. I’d gotten a copy through interlibrary loan (via The Robot Novels, also includes The Naked Sun)… and, ~2/3rd of the way through the story, encountered this (see pic) reader annotation. So far, having finished tCoS, and, flipping through the pages (easy to do, since it’s paper), I don’t see said “solution” scribbled elsewhere.
Unless it was on the flip side of the very next page, which has ~1/3″ torn off at the bottom (thankfully, below the book text proper).
So, the spoiler spoiled?
It’s a decent re-read… yes, it has its share of oatmeal/porridge info-lumps throughout, many not plot-essential, but back then (early 50’s) that’s part of what many (of us) were reading sf for, no?
And it’s a plays-fair-with-the-reader detective story. The clues are there, all along. (Hardly surprising, given Asimov’s interest and writing in that sibling genre.)
(5) CALL FOR SUBMISSIONS. SF2 Concatenation wants to give some folk in lock-down some distraction and also wave the flag for con-going fandom. “SF convention-goers wanted”.
…So here’s the thing. Given the next few months many of us are going to be largely housebound, how about those of you who regularly go to a particular series of conventions give a shout out to that convention series?
There are a number of articles you could write and we’d be delighted to post.
Possibilities include, but not restricted to, writing an outline history (or recent history) of the series of conventions you wish to share. Alternatively, if you are feeling creative, you could write a convention review of a convention that has been cancelled this year. If you have been to two or three previous conventions in the series you can mine events that took place at those earlier cons paraphrasing them. You can check out the Guests of Honour that would have appeared at this year’s event and write a short paragraph on each….
(6) HUBBLE. [Item by Mike Kennedy.] In honor of the Hubble Space Telescope‘s 30th birthday, NASA would like to show you a great image shot on your birthday… Or any other day of the year that’s particularly special to you.
… There were several discussions I’d seen in the last few weeks across writing sites and discussions about so-called “gamification” of characters. Or, to put it another way, writing characters whose abilities felt like they were out of a video game….
…See, this writer had gone ahead and written out a character sheet, as writers often do. No problems there. But when it came to the section on their characters skills, rather than be general with what their character was good at, they had written—you guessed it—a named list of “actions” they could take.
Like a role-playing game. Or an anime. There was the name of the skill, and how it worked, and what they did with it. All in a neat little list.
But seeing that list made all these complaints I’d been reading “click” in my head and I immediately saw how and why so many were complaining about this type of writing, and how people were getting there.
Because in making lists like this, these authors had restricted themselves. Fallen into a trap of their own making wherein they were becoming too specific and limiting what they (and their characters) could do.
What it came down to, ultimately, was what I immediately made notes of as “Tools VS Actions.” Which ended up being the title of this post.
Okay, let me explain a little further by giving you a simple example. Suppose you are writing a character that is a thief. They break into places and steal stuff. Now, you sit down to create a character sheet, but have you ever considered that how you write the character sheet determine how you’ll see them in the story?…
(8) ROWE OBIT. The death of D.J. Rowe was announced by Michael Moorcock on Facebook.
Very sorry to hear of the natural death at 83 of D..J. Rowe, who ran my first fan club. He was a sweet, unassuming man and continued to be the hub of the Nomads of the Time Streams. He will be very sadly missed.
(9) DEITCH OBIT. Winner of the Winsor McCay Award (2004) for his lifelong contribution to animation, Gene Deitch has died at the age of 95. The Hollywood Reporter fills in his resume:
…Deitch’s movie Munro won the Academy Award for best animated short film in 1960. He also was nominated for the same award twice in 1964 for Here’s Nudnik and How to Avoid Friendship.
Earlier, Deitch had created the Tom Terrific series, while the short Sidney’s Family Tree, which he co-produced, was nominated for an Academy Award in 1958.
Born on Aug. 8, 1924, in Chicago, Deitch arrived in Prague in 1959, intending to stay for 10 days, but fell in love with his future wife, Zdenka, and stayed in the Czechoslovakian capital.
Working from behind the Iron Curtain, he directed 13 episodes of Tom and Jerry and also some of the Popeye the Sailor series….
(10) MEDIA BIRTHDAY.
April 20, 1950 — Dimension X’s “Report On The Barnhouse Effect” first aired on NBC. A mild college professor discovers the secret of telekinesis and becomes a most potent weapon. It was the first short story written and published by Kurt Vonnegut, and would be in the February 11, 1950 issue of Collier’s Weekly. In 1952, the story would be in Heinlein’s Tomorrow, the Stars anthology. Here the cast was Santos Ortega and William Quinn with direction by Edward King from a script by Charles Ross. Bob Warren was the announcer. You can hear it here.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born April 20, 1908 — Donald Wandrei. Writer who had sixteen stories in Astounding Stories and fourteen stories in Weird Tales, plus a smattering elsewhere, all in the Twenties and Thirties. The Web of Easter Island is his only novel. He was the co-founder with August Derleth of Arkham House. He has World Fantasy Award for Lifetime Achievement, and he’s a member of First Fandom Hall of Fame. Only his “Raiders of The Universe“ short story and his story in Famous Fantastic Mysteries (October 1939 issue) are available at the usual digital suspects. (Died 1987.)
Born April 20, 1937 — George Takei, 83. Hikaru Sulu on the original Trek. And yes, I know that Vonda McIntyre wouldn’t coin the first name until a decade later in her Entropy Effect novel. Post-Trek, he would write Mirror Friend, Mirror Foe with Robert Asprin. By the way, his first genre roles were actually dubbing the English voices of Professor Kashiwagi of Rodan! The Flying Monster and the same of the Commander of Landing Craft of Godzilla Raids Again. He also was Kaito Nakamura on Heroes. And later he got to play his character once again on one of those video fanfics, Star Trek New Voyages: Phase II.
Born April 20, 1939 — Peter S. Beagle, 81. I’ve known him for about fifteen years now, met him but once in that time. He’s quite charming. (I had dinner with him here once several years back.) My favorite works? Tamsin, Summerlong and In Calabria. He won the Novelette Hugo at L.A. Con IV for “Two Hearts”. And he has World Fantasy Award for Lifetime Achievement.
Born April 20, 1943 — Ian Watson, 77. He’s won the BSFA Award twice, first for his novel, The Jonah Kit, and recently for for his short story, “The Beloved Time of Their Lives“. He also got a BSFA nomination for the charmingly titled “The World Science Fiction Convention of 2080”.
Born April 20, 1949 — John Ostrander, 71. Writer of comic books, including Grimjack, Suicide Squad and Star Wars: Legacy. Well those are the titles he most frequently gets noted for but I’ll add in TheSpectre, Martian Manhunter and the late Eighties Manhunter as well. His run on the Suicide Squad isavailable on the DC Universe app as his amazing work on The Spectre.
Born April 20, 1949 — Jessica Lange, 71. Her very first role was Dwan in the remake of King Kong. Later genre roles are modest, Sandra Bloom Sr. in Big Fish and Constance Langdon / Elsa Mars / Fiona Goode / Sister Jude Martin in American Horror Story.
Born April 20, 1951 — Louise Jameson, 69. Leela of the Sevateem, companion to the Fourth Doctor. Appeared in nine stories of which my favorite was “The Talons of Weng Chiang” which I reviewed here. She segued from Dr. Who to The Omega Factor where she was the regular cast as Dr. Anne Reynolds. These appear to her only meaningful genre roles. And she like so many Who performers has reprised her tole for Big Finish productions.
Born April 20, 1959 — Clint Howard, 61. So the most interesting connection that he has to the genre is playing Balok, the strange childlike alien, in “The Corbomite Maneuver” which I remember clearly decades after last seeing it. He’s also John Dexter in Cocoon, and Mark in The Rocketeer as well as Jason Ritter in the Austin Powers franchise. He’s got a minor role in Solo: A Star Wars Story as a character named Ralakili.
Born April 20, 1959 — Carole E. Barrowman, 61. Sister of John Barrowman. John and Carole co-wrote a Torchwood comic strip, featuring Jack Harkness, entitled Captain Jack and the Selkie. They’ve also written the Torchwood: Exodus Code audiobook. In addition, they’ve written Hollow Earth, a horror novel. She contributed an essay about her brother to the Chicks Dig Time Lords anthology which is lot of fun to read.
Born April 20, 1964 — Crispin Glover, 56. Actor in such roles as George McFly in Back to the Future, Ilosovic Stayne aka The Knave of Hearts in Alice in Wonderland, Grendel in Beowulf and Mr. World, the god of globalization, in American Gods.
Born April 20, 1964 — Andy Serkis, 56. I will freely admit that the list of characters that he has helped create is amazing: Gollum in The Lord of the Rings films and The Hobbit: An Unexpected Journey, King Kong in that film, Caesar in the Planet of the Apes reboot series. Captain Haddock / Sir Francis Haddock in The Adventures of Tintin (great film that was), and even Supreme Leader Snoke in The Force Awakens and The Last Jedi. Last year, he portrayed the character of Baloo in his self-directed film, Mowgli: Legend of the Jungle.
(12) COMICS SECTION.
At The Far Side, a palm reader’s advice is right on the mark.
Non Sequitur quotes what one dinosaur was saying right before the meteor hit.
(13) PAINTING WITH WORDS. Bizarro’s Dan Piraro does a blog accompaniment to his week’s cartoons in “Senses”.
…The above cartoon, a satire of the ancient Japanese maxim, “see no evil, hear no evil, speak no evil,” attempts to illustrate how on the Internet, seeing, hearing, and speaking evil has become the preferred norm. And not just in ways that authoritarian conspiracy nuts use it to mislead people, but in the way we all use it to eavesdrop, spy, gossip, argue, insult, and otherwise exercise our insecure egos in ways that seem delicious and satisfying at the first, but which darken our outlook and mood over time.
This is the primary reason I don’t read or respond to comments on the Interwebs. To be clear, I read all comments left on my cartoon posts and occasionally will respond once to an attack (succinctly, in an adult manner, without insult or profanity) but it ends there. I won’t argue with people online. I may as well be arguing with the radio in my car.
I find that this approach leads to a more peaceful daily existence. If I read a rant by someone who thinks Donald Trump was sent by God to give Amurica back to white people, it aggravates me for days. As pointless as it is, I can’t stop arguing with them in my head. It’s like drinking poison and expecting someone else to die. I know the world is full of gullible idiots—there’s no need to keep proving it to myself by spending time on Facebook….
Lynch has been a vocal detractor of his own “Dune” film since its release in 1985, going so far as wanting to remove his name off the final theatrical cut. Some longer cuts of the film that feature an extended introduction with still illustrations even replace Lynch’s name in the end credits with that of Alan Smithee, the industry pseudonym used by filmmakers who wish not to be associated with their films. Lynch spent three years making “Dune,” only for producers and financiers to get in the way of his creative vision. As cast member Brad Dourif once said, Lynch had to cut some of the “most gorgeous” sequences from his script because producers refused to give Lynch the money to film them. The tightening of the budget also forced Lynch to be complacent with shoddy visual effects and a more cheap-looking production.
Some of the lyrics of “Stay Away” include: “Stay away from me. Baby, keep your distance, please. Stay away from me. Words of love in times like these. I’m gonna be with you 24 hours a day. A lot of people couldn’t stand that. But you can. You’ll be with me 24 hours a day. What a lucky man I am.”
(16) REFERENCE DIRECTOR! A bit of Tolkienesque humor. And the man below NZ Prime Minister Jacinda Ardern is Dr Ashley Bloomfield, the Director-general of Health. He often gives the daily COVID-19 press conference.
The first known comet to visit us from another star system has an unusual make-up, according to new research.
The interstellar comet 2I/Borisov was detected in our Solar System last year.
This mysterious visitor from the depths of space has provided astronomers with an unprecedented opportunity to compare it to comets that formed around the Sun.
New data suggests it contains large amounts of carbon monoxide – a possible clue to where it was “born”.
The findings appear in two separate scientific papers published by Nature Astronomy.
…The teams identified two molecules in the gas ejected by the comet: hydrogen cyanide (HCN) and carbon monoxide (CO).
HCN has already been detected in this interstellar vistor, and is present at similar amounts to those found in Solar System comets.
However, they were surprised to see large amounts of CO. The researchers using Alma for their observations estimated that 2I/Borisov’s CO concentration was between nine and 26 times higher than that of an average Solar System comet.
(18) SIGN OF THE TIMES. Seen in The Week.
A man wearing a Batman costume and driving a custom-made replica Batmobile has been patrolling the streets of Monterrey, Mexico, earning reisdents to stay indoors and observe government-ordered social-distancing measures. ‘Hey, you! Stay home,’ urges the recorded message blasting from the faux-Batmobile as the anonymous caped crusader drives through the city. ‘Join us superheroes, stay home.’
South Australia Police have captured the moment a kangaroo hopped through the heart of downtown Adelaide during coronavirus lockdown.
(20) APOCALYPSE AHEAD. [Item by Martin Morse Wooster.] This is from “Sydney Diary” by Geraldine Brooks in the January 11 Financial Times.
“When I was in my early teens, I read John Wyndham’s post-apocalypse novel The Chrysalids. In it, one of the characters keens for her devastated planet: ‘What did they do here? What can they have done to create such a frightful place?…There was the power of gods in the hands of children, we know; but were all of them mad children, all of them quite mad?…
…”I am a novelist, so in my mind I create a character like Wyndham’s in the aftermath of the climate apocalypse, looking back at the devastation, trying to fathom the madness that allowed it. The country was burning, but they gave the go-ahead to the vast Adani coal mine. Their rivers were dying, but they flushed their toilets with drinking water. They used the fossil fuels that were poisoning their planet to make plastic things they used just once then threw in the oceans. And yes, because I too am among this moment’s mad and guilty, they thought it was OK to fly around the planet, willy-nilly, just because they wanted to.”
The themes of space travel seen in the videos of Nectar’s first two singles, “Sanctuary” and “Run,” are continued in the video for “Gimme Love.” The video features a montage of clips showing Joji’s journey in becoming an astronaut, finishing as Joji rebelliously launches to space inside a rocket.
[Thanks to Olav Rokne, JJ, N., Cat Eldridge, Mike Kennedy, Andrew Porter, Gordon Van Gelder, Chip Hitchcock, Martin Morse Wooster, Errolwi, Daniel Dern, Michael Toman, SF Concatenation’s Jonathan Cowie, Rob Thornton, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Olav Rokne.]
(1) TREADING THE BOARDS. Should things go better than seems likely right now, the Bloomington Playwrights Project, “the only professional theatre in the entire state of Indiana focused solely on new plays,” will be putting on a genre play during the first week in May: The Absentee.
Woodward/Newman Drama Award Winner
MAY 1 – MAY 9
Written by Julia Doolittle Directed by Kate Bergstrom Sponsored by Susan & David Jones
Far out in the Milky Way, “Beacons” serve as lighthouses for warping spaceships around the galaxy. When a U.S. Space Forces ship explodes near Beacon 44.AR.90, its Operator finds herself alone in deep space with only her ship’s AI for companionship. That is, until a persistent canvasser calls, desperate to convince her to vote absentee in the 2088 election.
…The Woodward/Newman Drama Award is an exclusive honor offered by Bloomington Playwrights Project, remembering the many great dramas Joanne Woodward and Paul Newman performed in together.
It presents the best unpublished full-length drama of the year with a cash prize of $3,000 and a full production as part of the BPP’s Mainstage season, along with travel reimbursement.
(2) GERROLD INTERVIEW. What would you like to know?
Troy Parkins from Triton Leadership Coaching talks to Hugo Award winning author, David Gerrold about transformation, Star Trek, and the Sleestaks.
…Few of his works, however, hinge more closely on doors than does The Trial. Seemingly overnight, Kafka’s novel has become our trial. Not only do doors open and close for the protagonist Josef K., but they are now opening and closing for all of us struggling to understand our changing world. For the most part, the light is as dim on one side as the other. It is all very, well, Kafkaesque.
…Since late January, the term “Kafkaesque” has metastasized in the traditional and print media. The odds are good that this week you’ve read an account in the media that uses or quotes someone using the word. Most often, it is used to describe the federal, state, or local bureaucracies that the sick and those trying to care for them confront in seeking tests or treatment. The word has festered as quickly as the virus, with Merriam-Webster reporting a dramatic uptick of people looking up its meaning.
For someone who doubled over in laughter while reading aloud parts of The Trial to his friends, Kafka would probably get a chuckle over this factoid. There are, of course, as many definitions of the Kafkaesque as there are readers of Kafka. There are also those readers who admit they cannot define it but know it when they see it — or know it when they see it in someone else’s definition. As one of those readers, I find that one of Kafka’s many biographers, Frederick R. Karl, seems to get it right. We enter the Kafkaesque, he writes, when “we view life as somehow overpowering or trapping us, as in some way undermining our will to live as we wish.”
…Moorcock is a grandfather now, and recalls that at a family meal in a restaurant a few years ago one of his grandsons said loudly, “Grandpa, please don’t give my mummy any more weed!” To which his response was that he’d never given his daughter drugs… he’d always sold them to her.
Notting Hill had a large West Indian population then, and was often the focus of right wing attention. Moorcock and a friend famously infiltrated a fascist organisation that turned out to be run by a white haired old lady who poured tea from a pot and held forth with her opinions on Jews and people of colour. It further turned out that absolutely everyone else in the gathering aside from the elderly host were also left-wingers who had infiltrated the group. Moorcock joined the Race Relations Council and lobbied for legislation to make racism against the law.
He was being a father, and a husband, and editing magazines and writing novels. He was writing novels at a terrific pace. He wrote his Corum books in just three days apiece. He didn’t have time to read them before sending them off to his editor, who didn’t have time to read them before sending them to the printer.
Bad news. I just heard from Larry Wood that his mother JoAnn Wood has died. JoAnn was active in Ohio fandom, was an early member of NESFA. In later years she lived in Texas. Her husband Ed was one of the partners in Advent: Publishers and I remember her being involved in packing books for shipment. She is survived by a son, daughter-in-law, and two granddaughters.
JoAnn Wood started the Connecticut Valley SF Society in Hartford, CT in 1969. She was one of the bidders for 7 in ’77 (nucleus of the group that ended up running the 1977 Worldcon in Miami) and Hawaii in 1981 (which lost to Denver).
(6) RAMSEY OBIT. Veteran effects creator Rebecca Ramsey died March 7. Deadline’s notice begins:
Rebecca Ramsey, whose dozens of visual effects credits include Watchmen, The Hunger Games and Harry Potter and the Deathly Hallows, has died. She was 53. Ramsey passed on March 7 from complications related to a fall in her home, according to her longtime friend, Jenny McShane.
Ramsey was a producer and EP of VFX, VR/AR/MR, 3D stereo, design and motion graphics for features, TV, titles, commercials and new media. She was a board member for the Visual Effects Society for several years and a longtime member of the Producers Guild.
(7) TODAY’S DAY.
April 5 — Fans of Star Trek celebrate First Contact Day on April 5 to mark the day in 2063 when humans make their first contact with the Vulcans.
Why did the writers of First Contact choose April 5th as First Contact Day? Writer Ronald D. Moore made that decision. He told StarTrek.com, “The short answer on First Contact Day is that it’s my oldest son, Jonathan’s birthday. And that’s the only reason the date was chosen.”
(8) TODAY IN HISTORY.
April 5, 1940 — One Million B.C. premiered. It is also known as Cave Man, Man and His Mate, and Tumak. Directed by Hal Roach and Roach Jr. it was produced by Hal Roach from a script by Mickell Novack, George Baker and Joseph Frickert. It starred Victor Mature, Carole Landis And Lon Chaney Jr. The film was a popular success and was nominated for two Academy Awards for its special effects and musical score which was by Werner R. Heymann. Neither it, nor the Sixties remake with Raquel Welch for that matter, are held in great liking by the audience reviewers at Rotten Tomatoes. This one gets a 34% rating, the remake a 37% rating. You can see the original here.
April 5, 1992 — Mann & Machine premiered on 1992. It would last for only nine episodes. Starring David Andrews, Yancy Butler and S. Epatha Merkerson, it was a Dick Wolf production, he of the eventually myriad Law & Order series. Yancy Butler would go on to be the lead a decade late in Witchblade. It has no audience rating at Rotten Tomatoes but the critic rating there is 20%. NBC has the pilot available here for your viewing.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born April 5, 1916 — Gregory Peck. You might remember him for his genre role as Robert Thorn in The Omen and definitely should remember him as Josef Mengele in The Boys from Brazil, thoughhis ‘purest’ SF role was Charles Keith in Marooned. (Died 2003.)
Born April 5, 1909 — Albert Broccoli. American film producer responsible for all the Bond films up to License to Kill, either by himself or in conjunction with others. He also was the producer of Chitty Chitty Bang Bang, and executive produced The Gamma People which is in the public domain so you can see it here. (Died 1996.)
Born April 5, 1917 — Robert Bloch. His Wiki Page says he’s best known as the writer of Psycho, but I’ll guarantee that only film geeks and many of y’all know that. I know him best as the writer of the Trek “Wolf in the Fold” episode. His Night of the Ripper novel is highly recommended by me. And I know that “That Hellbound Train” which won the Hugo Award for Best Short Story is the piece of fiction by him that I’ve read the most. He handed OGH two Hugos while emceeing the award ceremony at the 1984 Worldcon. His fiction is not well represented at the usual digital suspects. (Died 1994.)
Born April 5, 1926 — Roger Corman, 94. Ahhhh popcorn films! (See popcorn literature for what I mean.) Monster from the Ocean Floor in the early Fifties was his first such film and Sharktopus vs. Whalewolf on Syfy just a few years back was another such film. He’s a man who even even produced such a film called, errr, Munchies. A Worldcon guest of honor in 1996.
Born April 5, 1950 — A.C. Crispin. She wrote several Trek and Star Wars novelizations and created her series called Starbridge which was heavily influenced by Trek. She also co-wrote several Witch World novels, Gryphon’s Eyrie and Songsmith, with Andre Norton. Pirates of the Caribbean: The Price of Freedom was her last novel prior to her death. (Died 2013.)
Born April 5, 1950 — Anthony Horowitz,70. He wrote five episodes of Robin of Sherwood, and he was both creator and writer of Crime Traveller. He’s also written both Bond and Holmes novels. If you can find a copy, Richard Carpenter’s Robin of Sherwood: The Hooded Man is a very nice fleshing out of that series in literary form.
Born April 5, 1965 — Deborah Harkness, 55. She’s the author of the All Souls Trilogy, which consists of A Discovery of Witches and its sequels Shadow of Night and The Book of Life. I listened to the Jennifer Ikeda narrated audiobooks which are an amazing experience. Highly recommended as Harkness tells a remarkable story here. I’m not even fond ’tall of vampires in any form and hers actually are both appealing and make sense. I’ve not seen the series made from the novels.
Born April 5, 1982 — Hayley Atwell, 38. Agent Carter with her as Peggy Carter I’ll freely admit had been the only series or film in the MCU repertoire save the first Iron Man and Avengers films being the ones that I’ve flat out enjoyed so far. Even th,e misogyny of the males though irritating in that setting made sense. Oh, and I’m interested to see her in Christopher Robin as Evelyn Robin.
(10) COMICS SECTION.
Foxtrot has the scoop on life after climate change.
This week on The Full Lid, I take a look at the different versions of Jean Luc Picard the just concluded first season of his show explored. I also talk to author Marieke Nijkamp about their excellent graphic novel The Oracle Code and listen to the first episode of new speculative thriller/romance/mystery/awesome podcast Null/Void. We round things off with a Signal Boost section so large it’s basically a kettle bell, crammed full of amazing things. Finally, the triumphant return of The Magnus Archvies is celebrated with a raft of Magnus-themed interstitial pieces. Enjoy:)
The space agency said the retro-looking logo will be stamped on the side of the Falcon 9 rocket that will carry astronauts to the International Space Station as part of SpaceX’s Demo-2 flight, presently scheduled for mid to late May. NASA says there’s a good chance you’ll see the logo featured in other missions, too.
The change was driven by the space agency’s administrator, Jim Bridenstine, who told Ars he is a “huge fan” of the worm symbol.
…”The digital revolution we have seen in all kinds of movies, television, games – probably no one made more of the difference to that then Ed and Pat,” says David Price, author of the book The Pixar Touch.
To make Toy Story and other computer-animated films possible, Dr Catmull, Dr Hanrahan and their teams had to develop ways to get computers to visualize three-dimensional objects.
During his postdoctoral studies, Dr Catmull created a way to make a computer to recognize a curved surface. Once developers had a mathematically defined curve surface they could begin to add more features to it – like texture and depth.
“Step by step you figure out what kind of lighting should be applied. Then you begin to put in the physics of it because plastic reflects light one way and metal reflects it in a very different way,” Dr Catmull explains.
Dr Catmull had always had an interest in animation and film.
After earning, his doctorate and working in a graphics lab in New York, he eventually became the head of computer division of Lucasfilms, founded by George Lucas. The creator of Star Wars and Jurassic Park saw the potential of computer animation in movies.
But Dr Catmull’s says his dream to make a feature-length computer-animated film was still seen as “wildly impractical”.
“Most people dismissed the idea as an irrelevant pipe dream.”
A four-year-old female Malayan tiger at the Bronx Zoo has tested positive for the coronavirus.
The Bronx Zoo, in New York City, says the test result was confirmed by the National Veterinary Services Laboratory in Iowa.
Nadia, her sister Azul, as well as two Amur tigers and three African lions, had developed a dry cough and all are expected to fully recover, it says.
The cats are believed to have been infected by a zoo keeper.
“We tested the cat [Nadia] out of an abundance of caution and will ensure any knowledge we gain about Covid-19 will contribute to the world’s continuing understanding of this novel coronavirus,” the zoo said in a statement on Sunday.
The big cats did have some decrease in appetite but “are otherwise doing well under veterinary care and are bright, alert, and interactive with their keepers”.
In the preface to The Wizard of Oz, L. Frank Baum says that he would like to create modern fairy tales by departing from Grimm and Andersen and “all the horrible and blood-curdling incident devised” by such authors “to point a fearsome moral.” Baum then makes the disingenuous point that “Modern education includes morality; therefore the modern child seeks only entertainment in its wondertales and gladly dispenses with all disagreeable incident.” Yet there is a certain amount of explicit as well as implicit moralizing in the Oz books; there are also “disagreeable incidents,” and people do, somehow, die even though death and illness are not supposed to exist in Oz.
I have reread the Oz books in the order in which they were written. Some things are as I remember. Others strike me as being entirely new. I was struck by the unevenness of style not only from book to book but, sometimes, from page to page. The jaggedness can be explained by the fact that the man who was writing fourteen Oz books was writing forty-eight other books at the same time….
(16) VIDEO OF THE DAY. In “Simon Pegg Offers Coronavirus Advice in Shaun Of The Dead Spoof” on YouTube, Pegg tells his friend Nick Frost that even though they survived the zombie apocalpyse on YouTube by hiding the Winchester pub, it’s better now to stay at home now that Britain has closed all the pubs for the duration of the pandemic.
[Thanks to Cat Eldridge, John King Tarpinian, Andrew Porter, JJ, Darrah Chavey, Chip Hitchcock, Michael Toman, Mike Kennedy, N., and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Kendall.]
(1) 2019 WORLD FANTASY AWARDS PHOTO. Lee Whiteside took
this picture of the winners and accepters at Sunday’s World Fantasy Awards
Left to right: Kathleen Jennings (accepting for Best Novella winner Kij Johnson), Emma Törzs (Best Short Fiction co-winner as well as accepting for co-winner Mel Kassel), C. L. Polk (Best Novel), Tobias S. Buckell (Best Collection with Paolo Bacigalupi), Reiko Murakami (accepting for Best Artist winner Rovina Cai), Irene Gallo (Best Anthology) and Rajan Khanna (accepting for Scott H. Andrews, Special Award – Nonprofessional)
The Official Watchmen Podcast launches after the third episode of the series airs on November 3rd. Over three episodes, host Craig Mazin (HBO and Sky’s Chernobyl) discusses Watchmen with its Executive Producer and Writer, Damon Lindelof. Join Mazin and Lindelof as they divulge narrative choices, explore the show’s connection with the groundbreaking graphic novel, and how it reflects our modern times. Make sure to watch episodes one through three of Watchmen before listening. The Official Watchmen Podcast is produced by HBO in conjunction with Pineapple Street Studios.
(3) MAKE ROOM. If Marie Kondo didn’t get you started
decluttering, maybe this post by Wil Wheaton will do it: “The Purge”. This excerpt
is followed by a moving account of the emotional work he went through in the
…As I was cleaning up my emotional baggage, working on strategies to protect myself from my abusers, and practicing mindfulness daily, I realized that I had a ton of STUFF just sitting around my house, cluttering up my physical living space the way my emotional trauma and pain was cluttering up my emotional space. So I made a call, and hired a professional organizer to come to my house, go through all my bullshit with me, and help me get rid of all the things I didn’t need any more.
This process was, in many ways, a metaphor.
We spent several days going through my closets, my game room, my storage spaces in my attic and shed, and eventually ended up with FIVE TRUCKLOADS of stuff I didn’t need. Most of it was clothes and books and things that we donated to shelters, which was really easy to unload. I acquire T-shirts so much, I regularly go through my wardrobe and unload half of what I have, so it’s easy to get rid of stuff without any emotional attachments.
But there were some things that were more difficult to get rid of, things that represented opportunities I once had but didn’t pursue, things that represented ideas that I was really into for a minute, but didn’t see through to completion, things that seemed like a good idea at the time but didn’t really fit into my life, etc….
The death of Yahoo Groups is a particular blow to text-based fan communities, which thrived on the platform in the 2000s. Yahoo message boards and email lists were crucial to the early days of fandom, both as a publishing platform and as a semi-private meeting place in the days before social media sites like Tumblr, Twitter, and Reddit. Yahoo Groups were particularly integral to Harry Potter and English-language anime fandoms, overlapping with the rise of Livejournal in the early 2000s. These fannish mailing lists were home to reams of fanfiction and in-depth commentary on pop culture, and spawned lifelong friendships (and, OK, the occasional deathly feud) within their communities.
AO3 has offered sanctuary to fanworks that are at risk because of
the Yahoo Groups shutdown:
We have two processes in place — one to move fanworks from Yahoo Groups onto the Archive Of Our Own, and one to download and preserve messages and other content from Yahoo Groups in file systems so moderators and Yahoo Groups users have more than nine weeks to figure out how to preserve and possibly share that content.
Open Doors can only import fanworks archived in Yahoo Groups onto the Archive of Our Own with the consent of the moderator(s). If you are a moderator and would like to import fanworks from your Yahoo Group(s) to AO3, you are welcome to contact Open Doors via our contact form.
…If you’re a moderator who’d like to potentially import your group to the AO3, contact Open Doors and we’ll talk to you about options. For more updates on what’s happening, see announcements or check back on this page.
If you’d like to directly help rescue teams and you want to save only fandom groups, you can use this form to nominate fandom groups OR you can go directly to the public spreadsheet to find nominated groups that still need downloading. (General downloading instructions are here.) If you want to help save fandom groups and many other non-fandom groups, see Archive Team’s chrome extension. Both are worthy efforts and both face a hard deadline of Dec 14.
(5) CONZEALAND MINORS POLICY. Here are some features of
Onsite Policy” for the 2020 Wordcon,
A minor is anyone under the age of 18. In New Zealand, the law requires that no minor under the age of 14 be left unattended. …
All Kid-in-tow and Child memberships must be tied to an adult membership. All minors under 16 should have a sticker on the back of their badge detailing up to two adults (over 18) who are responsible for them.
Due to the nature of licensing and regulation in regards to child care in New Zealand, it will not be possible for us to provide child care at CoNZealand. Please refer to the links to nanny and babysitting services at the end of this document.
There are three types of memberships for minors at CoNZealand:
Kid-in-tow (no charge)—born in or after 2015 (generally 5 and under)
Child ($105)—born in or after 2005 (generally 5-15)
Young Adult ($250)—born in or after 2000 (generally 15-20)
These age groups do not exactly align with the differing expectations for supervision of minors. New Zealand law requires that no child under the age of 14 be left unattended.
At the Hugo Awards ceremony at this summer’s Dublin Worldcon, Jeannette Ng was presented with the John W. Campbell Award for Best New Writer. Ng gave an outstanding and brave acceptance speech in which she called Campbell – the award’s namesake and one of the field’s most influential editors – a “fascist” and expressed solidarity with the Hong Kong pro-democracy protesters.
I am a past recipient of the John W. Campbell Award for Best New Writer (2000) as well as a recipient of the John W. Campbell Memorial Award (2009). I believe I’m the only person to have won both of the Campbells, which, I think, gives me unique license to comment on Ng’s remarks, which have been met with a mixed reception from the field.
I think she was right – and seemly – to make her remarks….
From the escapades of an intern-turned-spy in Turkey’s capital to the tale of a priest in 15th Century Somerset, there might not be an obvious connection between the novels shortlisted for this year’s Staunch Book Prize.
But they have one thing in common: none of them involve physical or sexual violence towards women.
The prize, which is in its second year, recognises thrillers in which “no woman is beaten, stalked, sexually exploited, raped or murdered”.
But while some commend it for challenging stereotypes, others accuse it of ignoring social realities.
Speaking to the BBC, shortlisted authors and other writers share their views on why female characters are so often the victims of violence – and whether that needs to change.
…The concept of the Moon as a strategic base apparently dates at least back to 1948 and an article by Robert S. Richardson titled “Rocket Blitz From the Moon” in the mass-market Collier’s magazine. The article was beautifully illustrated by famed space artist Chesley Bonestell. In one Bonestell painting a bullet-shaped rocket (illogically equipped with large aerodynamic fins) is blasting off from a lunar crater. Another rocket stands prepped in the background and a lunar base is tucked into the side of a mountain. In the next illustration—probably Bonestell’s most dramatic painting ever—Manhattan has been blasted with at least three atomic bombs.
Richardson’s article focused primarily on the physics of the Moon: the low gravity, the lack of air, the trajectory and velocity calculations for firing rockets at the Earth. Rather than advocate that the United States should build a lunar rocket base, Richardson warned that another country could undertake a secret project to develop a lunar base and achieve strategic surprise against the United States. He did not clearly explain why the Moon would be a good place for basing missiles other than its presumed safety from Earth observation, and he noted that it would take at least a day for a rocket to reach Earth with its warhead. Considering that there were other means of basing long-range strategic weapons that did not involve the massive cost of a space program and a lunar base, Richardson’s idea was fanciful at best. But Collier’s was a large circulation magazine, not a science fiction pulp, and this short article certainly reached a big audience and probably fired some imaginations.
Richardson was not the only person writing about the possibilities of using space as a platform for attacking Earth. Robert Heinlein co-wrote a non-fiction article in August 1947, also for Collier’s, called “Flight into the Future.” Heinlein and his co-author, US Navy Captain Caleb Laning, suggested basing atomic weapons in orbit, and Heinlein later used this idea in his book Space Cadet. The 1950 movie Destination Moon, which Heinlein co-wrote, also echoed a similar theme (see “Heinlein’s ghost (part 1)”, The Space Review, April 9, 2007). One of the characters in the movie explains why a lunar base is necessary: “There is absolutely no way to stop an attack from outer space. The first country that can use the Moon for the launching of missiles will control the Earth. That, gentlemen, is the most important military fact of this century.”…
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born November 5, 1938 — Jim Steranko, 81. His breakthough series was the Sixties “Nick Fury, Agent of S.H.I.E.L.D.” feature in Marvel Comics’ Strange Tales and in the subsequent debut series. His design sensibility is widespread within and without the comics industry effecting even Raiders of the Lost Ark and Bram Stoker’s Dracula as he created the conceptual art and character designs for them. He was inducted into the comic-book industry’s Will Eisner Comic Book Hall of Fame in 2006.
Born November 5, 1942 — Frank Gasperik. Tuckerized in as a character in several novels including Lucifer’s Hammer as Mark Czescu, and into Footfall as Harry Reddington aka Hairy Red, and in Fallen Angels, all by Larry Niven and Jerry Pournelle. He was a close friend of both and assisted Pournelle on his Byte column. To my knowledge, he has but two writing credits which are he co-wrote a story, “Janesfort War”, with Leslie Fish that was published in Pournelle’s War World collection, CoDominium: Revolt on War World, and “To Win the Peace” co-written with Leslie Fish which was published in John F. Carr’s War World: Takeover. He was a filk singer including here doing “The Green Hills of Earth”. (Died 2007.)
Born November 5, 1944 — Carol Anne Douglas, 75. Although she has two inarguably genre series In the Delilah Street, Paranormal Investigator and the Sword and Circlet novels, I’m here to pitch to you her Social Justice Warrior credential series instead (and dissenters can now go elsewhere) in the form of her Midnight Louie series. Each novel is told in part from the point of view of Midnight Louie, the cat himself in a style some say is like that of a Damon Runyon character.
Born November 5, 1949 — Armin Shimerman, 70. Quark on Deep Space Nine. And Principal Snyder on Buffy the Vampire Slayer who if I remember correctly came to a very bad end. He had the recurring role of Pascal on Beauty and the Beast. He also played Professor George Edward Challenger in the later Nineties Lost World film.
Born November 5, 1960 — ?Tilda Swinton, 59. Her take as Rosetta/Ruby/Marinne/Olive in Teknolust might be the most weird genre role she’s done but I like her take as The White Witch in The Chronicles of Narnia: The Lion, the Witch and the Wardrobe as her best role to date. Mind you her Gabriel in Constantinewas frelling strange…
Born November 5, 1961 — Sam Rockwell, 58. First in our area of interest as the Head Thug in Teenage Mutant Ninja Turtles. I’ve got him next being Francis Flute in A Midsummer Night’s Dream, not a role I knew. Ahhh, Guy Fleegman on Galaxy Quest. And lastly, he was Zaphod Beeblebroxin The Hitchhiker’s Guide to the Galaxy.
Born November 5, 1964 — Famke Janssen, 55. Her first genre role was Xenia Onatopp in the Bond film GoldenEye and her longest running genre role was as Jean Grey / Phoenix (Dark Phoenix) in the X-Men film series. Counting horror which I do, she’s got a number of genre appearance including Lord of Illusions, The Wolverine, House on Haunted Hill, Deep Rising and Star Trek: The Next Generation,
Born November 5, 1970 — Tamzin Outhwaite, 49. She was Detective Inspector Rebecca Flint on Paradox, a SF police series that ran for just five episodes and received really harsh reviews. Her only other SF role was as the Captain in an Eleventh Doctor story, “Nightmare in Silver” which was scripted by Neil Gaiman.
“Just by word of mouth and also on the library’s social media pages like Facebook, we saw a lot of patrons say, ‘Oh my God. This is so great. I’m gonna bring back my books. I’ve been hesitant to come back to the library because I owe these fines,'” Telli said.
Chicago became the nation’s first major city to forgo overdue fines, which went into effect Oct. 1 and erased all outstanding fees. Mayor Lori Lightfoot framed the policy change as her latest attempt to remove barriers that deter youth and low-income patrons.
Lightfoot is also making an effort to open libraries on Sundays. The mayor’s 2020 budget includes an $18 million property tax increase to honor her promise to establish Sunday hours at Chicago’s 81 libraries. Currently, the Harold Washington central library and three regional libraries are open 1 p.m. to 5 p.m. on Sundays.
(11) NEVER? WELL, HARDLY EVER. Even Book View Café’s Madeleine E. Robins will sometimes “RTFM*”.
I am, by nature, a dive-in-and-figure-it-out sort of technology user. This may come from my early days as a computer user, when my then room-mate and sometime business partner dropped a box on my desk and said “we’re doing a user’s manual for X Corp. Can you learn this” — this being PageMaker, the forerunner of InDesign, a page layout program–“by next week? I should have copy for you then.”
Reader, I did not rise up and slay him; I learned the program, eventually well enough that I taught classes in it. I still use those skills: one of the things I do at my day job is to use InDesign to produce the posters, ads, and other marketing materials that the museum I work at needs for promotion….
…In the past 20 years, as we all know, the movie business has changed on all fronts. But the most ominous change has happened stealthily and under cover of night: the gradual but steady elimination of risk. Many films today are perfect products manufactured for immediate consumption. Many of them are well made by teams of talented individuals. All the same, they lack something essential to cinema: the unifying vision of an individual artist. Because, of course, the individual artist is the riskiest factor of all.
I’m certainly not implying that movies should be a subsidized art form, or that they ever were. When the Hollywood studio system was still alive and well, the tension between the artists and the people who ran the business was constant and intense, but it was a productive tension that gave us some of the greatest films ever made — in the words of Bob Dylan, the best of them were “heroic and visionary.”
Today, that tension is gone, and there are some in the business with absolute indifference to the very question of art and an attitude toward the history of cinema that is both dismissive and proprietary — a lethal combination. The situation, sadly, is that we now have two separate fields: There’s worldwide audiovisual entertainment, and there’s cinema. They still overlap from time to time, but that’s becoming increasingly rare. And I fear that the financial dominance of one is being used to marginalize and even belittle the existence of the other….
(13) ELRIC MEETS DUNGEON SYNTH. A Moorcock-obsessed United Kingdom musician who goes by the name Elric is working in the “dungeon synth” genre (an eerie combination of goth, classical, and folk tunes played on 80s synths). The releases are on Bandcamp and are named “Antihero”, “Stormbringer”, and “Elric of Melnibone”. They are all “name your price.” As Bandcamp said about one of the releases:
It’s safe to say that fantasy literature and role-playing games (the tabletop and the video variety) loom large in the world of Dungeon Synth, and Elric expertly combines both of them. Inspired by the chiptune soundtracks of games like Chrono Trigger and Secret of Mana as well as (obviously) the fantasy novels of Michael Moorcock, Elric’s music is the perfect soundtrack to crawling through (16-bit) alcoves, searching for abandoned potions and treasure while trying to avoid the hungry ghouls hidden in the shadows.”
High up in the Arctic Ocean close to the North Pole, a solitary ship floats in darkness, moored to an expansive piece of ice.
If all goes according to plan the ship will remain with that ice for an entire year, so that scientists on board can study the Arctic system and how it’s responding to climate change.
It’s a project called the Multidisciplinary drifting Observatory for the Study of Arctic Climate (MOSAiC). But finding a piece of ice thick and stable enough to host the mission’s science and logistics is not easy, and there may be challenges for the ice and the scientists in the months ahead.
…The MOSAiC expedition – about a decade in the planning – is an international collaboration involving hundreds of scientists and almost 20 countries. Their goal is to better understand the changing Arctic and improve how it’s represented in climate models.
“We need this information because the Arctic is changing so rapidly, and it’s a place that we have not observed very well in the past,” says Matthew Shupe, an atmospheric scientist with the University of Colorado and the National Oceanic and Atmospheric Administration and a co-coordinator for MOSAiC.
The last time scientists looked at the Arctic Ocean system so comprehensively was more than 20 years ago. But the Arctic has been warming at twice the rate of the rest of the world, and the picture there has changed dramatically.
That’s why these researchers want a year out in the ice: to get an updated look at how the physics, the chemistry, and the biology of this area work during all four seasons.
In France, climate change is already impacting one of the country’s most emblematic industries — winemaking. French vintners say heat, drought and erratic weather is altering the landscape and their centuries-old way of working.
Brothers Remi and Gregoire Couppé are fourth generation winemakers who craft a top vintage, grand cru St Emilion. In the last few years they’ve been confronted with some new challenges. Forty-four-year-old Remi Couppé says there’s no denying the weather is getting hotter and drier.
“Because of the grapes. They show us the change,” he says. “Especially in alcohol. The alcohol level has been getting higher in the last five years.” These days, the alcohol content by volume can reach 15%, he says; when he was a boy, “it was maximum 12 [% ABV]. It’s causing me some problems when I start the vinification process, because I have to use new yeast to avoid too much alcohol. It’s really new for me.”
The higher alcohol levels come from increased sugar in the grapes due to more sun and heat. What’s also new are some of the plants sprouting up between the vines. Couppé picks a flowery-looking weed, holding it up to the blazing sun. “This plant is from the south of Europe and I never saw it here in my life before four years ago.”
Couppé says you have to be careful when using the mechanized harvester now, because such plants can get mixed in and ad a taste to the grapes.
The brothers say in the past three years they’ve completely stopped a process called “stripping,” where most of the vine leaves are removed just before the harvest. Now they need the leaves’ shade to keep the grapes from burning on the vine. Couppé points to a shriveled, sun-exposed cluster of grapes next to the dark, plump ones still shaded by the leaves.
Data sent back by the two Voyager spacecraft have shed new light on the structure of the Solar System.
Forty-two years after they were launched, the spacecraft are still going strong and exploring the outer reaches of our cosmic neighbourhood.
By analysing data sent back by the probes, scientists have worked out the shape of the vast magnetic bubble that surrounds the Sun.
The two spacecraft are now more than 10 billion miles from Earth.
Researchers detail their findings in six separate studies published in the journal Nature Astronomy.
“We had no good quantitative idea how big this bubble is that the Sun creates around itself with its solar wind – ionised plasma that’s speeding away from the Sun radially in all directions,” said Ed Stone, the longstanding project scientist for the missions.
[Thanks to Daniel Dern, Lee Whiteside, Cat Eldridge, JJ, Chip
Hitchcock, Rob Thornton, Cora Buhlert, John King Tarpinian, Martin Morse
Wooster, Mike Kennedy, and Andrew Porter for some of these stories. Title
credit goes to File 770 contributing editor of the day Jon Meltzer.]
…In these two early books Wells gave shape to his own and his contemporaries’ anxieties and concerns. He brought a moving lyricism to his vision of the end of the world, just as he brought a harsh realism to his fantasy of vivisection and physiological engineering. Both visions were convincing to his thousands of readers who made The Time Machine one of the greatest bestsellers of the last century, as a recent New York Times feature showed, ultimately outselling even Stephen King and J. K. Rowling, and having a far more lasting effect on our common psyche. The Time Machine defined the way Edwardians saw the future, just as Nineteen Eighty-Four defined the popular vision of the 1950s, 2001: A Space Odyssey defined that of the 1960s, and Blade Runner and The Matrix define how the early 21st century perceives its future. Every book, film and play which thematically followed The Time Machine and The Island of Doctor Moreau was in some way colored by them. Every author who considers writing a time-travel story must look first to Wells. Wells has been acknowledged directly or indirectly in many books, even becoming a character in other time-travel fiction.
Henry Eliot’s new book about mazes and labyrinths is a printer’s worst nightmare. Follow This Thread is both a title and an instruction: To read the book, you must turn it upside down and backwards. Lines of text wrap 90 degrees on the page, and a thin red thread — illustrations by the French artist Quibe — travels playfully from page to page.
Believe it or not, this is the “reined in” version.
“When I first pitched it, the design was even more complicated …” Eliot says. “As I described this to my editor, I could see her face just kind of falling.”
They scaled it back a bit, but it still wasn’t until he got the final copy from the printer that Eliot was able to “breathe a sigh of relief.”
Every so often, I find it entertaining to muse about and lament the ill effects of missing or erroneous documentation. Or the ill effects of failing to read the manual…or, having read it, ignoring its wise advice.
Unsurprisingly, SFF authors have arrived at a consensus as far as technical documentation is concerned: For the most part, they’re against it, at least as part of the setting of the story…
(4) THE SENATOR FROM GOTHAM.
Michael Cavna notes in the Washingon Post
that Sen. Patrick Leahy (D–Vermont)
has loved Batman ever since he was a kid. He uses Sen. Leahy’s
introduction to Detective Comics: 80 Years
of Batman (Deluxe Edition) to profile the senator’s Batman enthusiasm,
including his cameos in six Batman movies and the introduction to the
humanitarian comic book featuring Batman that was designed to help lobby for
banning landmines — “Sen.
Patrick Leahy was in 5 Batman movies. Now he’s written the foreword for the
superhero’s 80th anniversary.”
…Of his involvement in six Batman screen projects, including five films spanning 1995’s “Batman Forever” to 2016’s “Batman v Superman: Dawn of Justice” (as “Senator Purrington”), Leahy especially relishes getting to appear opposite Heath Ledger’s Oscar-winning turn as the Joker, in 2008’s “The Dark Knight.”
In that Nolan sequel, an agitated Joker glares at the party guest portrayed by Leahy and says, “You remind me of my father,” before putting a knife to the guest’s neck and growling, “I hated my father.”
In that moment, “I was scared,” Leahy recounts of Ledger’s convincing menace. “It wasn’t acting.”
(Leahy, who gets a line in that film — “We’re not intimated by thugs!” — broke into Hollywood with an assist from his actor son Mark, who racked up a handful of screen credits in the ‘90s.)
(5) GONE BATTY. This
might be a good time to step inside the pitch
meeting that led to Batman & Robin.
ScreenRant has it on tape —
Long before Christopher Nolan and Christian Bale got their hands on the franchise, there was a whole lot of weird stuff going on with Batman in the 90’s. After Val Kilmer stepped away from the role (because he didn’t know how to skate) George Clooney stepped in as the caped crusader and, along with Joel Schumacher, gave us what many consider to be one of the worst movies of all time. Batman & Robin features Chris O’Donnell being super annoying as Robin, Arnold Schwarzenegger delivering as many ice puns as he possibly can, and Uma Thurman doing… something. The movie raises a lot of questions, like why does Batman have a credit card? Why is Batgirl even in this? Why do they have retractable skate blades? How did this movie even get made?
Normally, when we think of Superman’s artists, people such as Wayne Boring, John Byrne, Jose Luis Garcia-Lopez, Dan Jurgens, Alex Ross, Joe Schuster, and Curt Swan come to mind. Why doesn’t pulp artist, H. J. Ward pop into our heads?
…By 1940, Donenfeld had assumed control of National Allied Publications, the publisher of ACTION COMICS, Superman’s home. Around that time, H. J. Ward was paid $100 to create a nearly life-size portrait of The Man of Steel. Ward’s painting was used to promote THE ADVENTURES OF SUPERMAN, a radio show that debuted in New York City on February 12, 1940. The painting hung for many years in Harry Donenfeld’s office at DC Comics, and later, in his townhouse. According to Saunders, it was eventually donated to Lehman College, part of the City University of New York….
A graph mapping the death rate of the different characters on Star Trek according to the colour of their shirt. It shows that while red coloured shirts does lead in the number of fatalities, it does so by a small degree of only 3 per cent compared to yellow shirts
“My ‘real name’ isn’t a name I use anymore,” she says. “I have been going by Rika since ninth grade. Mainly because I associate my real name with a time when I was weaker, still figuring myself out, or without personality. That was like my ‘blank slate’ name, if you will.”
She goes on to explain how her different identities came to be, but that they are all a part of her in some way.
“Vix is the me now,” she says. “It is also what my fans tend to call me, while my friends call me Rika. The name and character Rika is also associated with how I want to see myself.”
… Being a furry is her sole source of income. “I do freelance art for furries. Basically, I spend all day drawing animals and it’s honestly the best. Well, when sales are good, anyway,” she says.
Evidence of large-scale prehistoric feasting rituals found at Stonehenge could be the earliest mass celebrations in Britain, say archaeologists.
The study examined 131 pigs’ bones at four Late Neolithic sites, Durrington Walls, Marden, Mount Pleasant and West Kennet Palisade Enclosures.
The sites, which served Stonehenge and Avebury, hosted the feasts.
Researchers think guests had to bring meat raised locally to them, resulting in pigs arriving from distant places.
The results of isotope analysis show the pig bones excavated from these sites were from animals raised in Scotland, the North East of England and West Wales, as well as numerous other locations across Britain.
Sean’s Bar has been in business since the Dark Ages, and many locals and respected Irish historians also believe it to be the oldest in Europe and the world.
Shortly after the working day begins, a hush falls over the streets of Athlone in Ireland’s County Westmeath. Away from the banks, hotels and shopping centres, buses empty out, commuters dip from sight and moored barges and skiffs on the River Shannon are at standstill as the dark, silted water flows past.
But across the town’s arched stone bridge, in an unassuming building on the river’s west bank, a 50-year-old barman named Timmy Donovan is already pulling his first pint of the day at Sean’s Bar – and a buzz is starting to build.
When the pub closes after midnight, the pitted fireplace will have crackled since mid-morning, and scores of pints of creamy-headed stout – and as many drams of whiskey and cups of Irish coffee – will have been poured. Just as barkeepers at the dimly lit pub have done with more rudimentary forms of alcohol such as mead for the past 1,100 years.
In a remarkable turnaround, NASA Administrator Jim Bridenstine on Wednesday said the space agency would consider launching its first Orion mission to the Moon on commercial rockets instead of NASA’s own Space Launch System. This caught virtually the entire aerospace world off guard, and represents a bold change from the status quo of Orion as America’s spacecraft, and the SLS as America’s powerful rocket that will launch it.
The announcement raised a bunch of questions, and we’ve got some speculative but well-informed answers.
During a hearing of the Senate Commerce committee to assess America’s future in space, committee chairman Sen. Roger Wicker opened by asking Bridenstine about Exploration Mission-1’s ongoing delays. The EM-1 test flight involves sending an uncrewed Orion spacecraft on a three-week mission into lunar orbit, and is regarded as NASA’s first step toward returning humans to the Moon. This mission was originally scheduled for late 2017, but it has slipped multiple times, most recently to June 2020. It has also come to light that this date, too, is no longer tenable.
“SLS is struggling to meet its schedule,” Bridenstine replied to Wicker’s question. “We are now understanding better how difficult this project is, and it’s going to take some additional time. I want to be really clear. I think we as an agency need to stick to our commitment. If we tell you, and others, that we’re going to launch in June of 2020 around the Moon, I think we should launch around the Moon in June of 2020. And I think it can be done. We should consider, as an agency, all options to accomplish that objective.”
The only other option at this point is using two large, privately developed heavy lift rockets instead of a single SLS booster. While they are not as powerful as the SLS rocket, these commercial launch vehicles could allow for the mission to happen on schedule….
A new trailer for Avengers: Endgame has premiered and the Marvel heroes are gearing up for a showdown with Thanos.
The trailer is light on plot but gives fans just enough of a hint on what to expect from Marvel’s next big blockbuster.
There are new team members, new outfits and perhaps most important of all – new haircuts….
Chip Hitchcock, Martin Morse Wooster, John King Tarpinian, Cat Eldridge, Mike
Kennedy, JJ, Carl Slaughter, and Andrew Porter for some of these stories. Title
credit goes to File 770 contributing editor of the day Joe H.]
Scene #1: Video of
the Day: In “The
Tesla World Light” on Vimeo, Matthew Rankin theorizes that Nikolai Tesla
could obtain “infinite power for all nations” with the help of a
pigeon that zapped lightning out of his eyes.
Scene #2: After the Hugo nominations deadline, I will put up a post
inviting people to share their ballots in the comments.