Pixel Scroll 11/5/19 The Void Pixel’s Tale

(1) 2019 WORLD FANTASY AWARDS PHOTO. Lee Whiteside took this picture of the winners and accepters at Sunday’s World Fantasy Awards ceremony.

Left to right: Kathleen Jennings (accepting for Best Novella winner Kij Johnson), Emma Törzs (Best Short Fiction co-winner as well as accepting for co-winner Mel Kassel), C. L. Polk (Best Novel), Tobias S. Buckell (Best Collection with Paolo Bacigalupi), Reiko Murakami (accepting for Best Artist winner Rovina Cai), Irene Gallo (Best Anthology) and Rajan Khanna (accepting for Scott H. Andrews, Special Award – Nonprofessional)

(2) WATCHMEN PODCAST. ScienceFiction.com alerts listeners when “HBO Launches ‘The Official Watchmen Podcast’”.

The Official Watchmen Podcast launches after the third episode of the series airs on November 3rd. Over three episodes, host Craig Mazin (HBO and Sky’s Chernobyl) discusses Watchmen with its Executive Producer and Writer, Damon Lindelof. Join Mazin and Lindelof as they divulge narrative choices, explore the show’s connection with the groundbreaking graphic novel, and how it reflects our modern times. Make sure to watch episodes one through three of Watchmen before listening. The Official Watchmen Podcast is produced by HBO in conjunction with Pineapple Street Studios.

(3) MAKE ROOM. If Marie Kondo didn’t get you started decluttering, maybe this post by Wil Wheaton will do it: “The Purge”. This excerpt is followed by a moving account of the emotional work he went through in the process.

…As I was cleaning up my emotional baggage, working on strategies to protect myself from my abusers, and practicing mindfulness daily, I realized that I had a ton of STUFF just sitting around my house, cluttering up my physical living space the way my emotional trauma and pain was cluttering up my emotional space. So I made a call, and hired a professional organizer to come to my house, go through all my bullshit with me, and help me get rid of all the things I didn’t need any more.

This process was, in many ways, a metaphor.

We spent several days going through my closets, my game room, my storage spaces in my attic and shed, and eventually ended up with FIVE TRUCKLOADS of stuff I didn’t need. Most of it was clothes and books and things that we donated to shelters, which was really easy to unload. I acquire T-shirts so much, I regularly go through my wardrobe and unload half of what I have, so it’s easy to get rid of stuff without any emotional attachments.

But there were some things that were more difficult to get rid of, things that represented opportunities I once had but didn’t pursue, things that represented ideas that I was really into for a minute, but didn’t see through to completion, things that seemed like a good idea at the time but didn’t really fit into my life, etc….

(4) AO3 TO THE RESCUE. Yahoo! will be closing downYahoo! Groups – at least as people are used to it — for good on December 14, by which point all uploaded content will be lost: “Yahoo is shuttering Yahoo Groups. Fandom will never be the same”.

The death of Yahoo Groups is a particular blow to text-based fan communities, which thrived on the platform in the 2000s. Yahoo message boards and email lists were crucial to the early days of fandom, both as a publishing platform and as a semi-private meeting place in the days before social media sites like Tumblr, Twitter, and Reddit. Yahoo Groups were particularly integral to Harry Potter and English-language anime fandoms, overlapping with the rise of Livejournal in the early 2000s. These fannish mailing lists were home to reams of fanfiction and in-depth commentary on pop culture, and spawned lifelong friendships (and, OK, the occasional deathly feud) within their communities.

AO3 has offered sanctuary to fanworks that are at risk because of the Yahoo Groups shutdown:

We have two processes in place — one to move fanworks from Yahoo Groups onto the Archive Of Our Own, and one to download and preserve messages and other content from Yahoo Groups in file systems so moderators and Yahoo Groups users have more than nine weeks to figure out how to preserve and possibly share that content.

Open Doors can only import fanworks archived in Yahoo Groups onto the Archive of Our Own with the consent of the moderator(s). If you are a moderator and would like to import fanworks from your Yahoo Group(s) to AO3, you are welcome to contact Open Doors via our contact form.

…If you’re a moderator who’d like to potentially import your group to the AO3, contact Open Doors and we’ll talk to you about options. For more updates on what’s happening, see announcements or check back on this page.

If you’d like to directly help rescue teams and you want to save only fandom groups, you can use this form to nominate fandom groups OR you can go directly to the public spreadsheet to find nominated groups that still need downloading. (General downloading instructions are here.) If you want to help save fandom groups and many other non-fandom groups, see Archive Team’s chrome extension. Both are worthy efforts and both face a hard deadline of Dec 14.

(5) CONZEALAND MINORS POLICY. Here are some features of CoNZealand’s “Minors Onsite Policy” for the 2020 Wordcon,

A minor is anyone under the age of 18. In New Zealand, the law requires that no minor under the age of 14 be left unattended. …

Overall Policy 

All Kid-in-tow and Child memberships must be tied to an adult membership. All minors under 16 should have a sticker on the back of their badge detailing up to two adults (over 18) who are responsible for them.  

Due to the nature of licensing and regulation in regards to child care in New Zealand, it will not be possible for us to provide child care at CoNZealand. Please refer to the links to nanny and babysitting services at the end of this document.

Memberships

There are three types of memberships for minors at CoNZealand:

  1. Kid-in-tow (no charge)—born in or after 2015 (generally 5 and under)
  2. Child ($105)—born in or after 2005 (generally 5-15)
  3. Young Adult ($250)—born in or after 2000 (generally 15-20)

These age groups do not exactly align with the differing expectations for supervision of minors. New Zealand law requires that no child under the age of 14 be left unattended. 

(6) ABOUT THE CAMPBELL AWARD. If you didn’t read it in August on Boing Boing, Locus Online has reposted Cory Doctorow’s opinion piece, “Jeannette Ng Was Right: John W. Campbell Was a Fascist”.

At the Hugo Awards ceremony at this summer’s Dublin Worldcon, Jeannette Ng was presented with the John W. Campbell Award for Best New Writer. Ng gave an outstanding and brave acceptance speech in which she called Campbell – the award’s namesake and one of the field’s most influential editors – a “fascist” and expressed solidarity with the Hong Kong pro-democracy protesters.

I am a past recipient of the John W. Campbell Award for Best New Writer (2000) as well as a recipient of the John W. Campbell Memorial Award (2009). I believe I’m the only person to have won both of the Campbells, which, I think, gives me unique license to comment on Ng’s remarks, which have been met with a mixed reception from the field.

I think she was right – and seemly – to make her re­marks….

(7) SOMETHING IN COMMON. BBC explains an award and poses a question: “Staunch Book Prize: Should writers ditch female victims?”

From the escapades of an intern-turned-spy in Turkey’s capital to the tale of a priest in 15th Century Somerset, there might not be an obvious connection between the novels shortlisted for this year’s Staunch Book Prize.

But they have one thing in common: none of them involve physical or sexual violence towards women.

The prize, which is in its second year, recognises thrillers in which “no woman is beaten, stalked, sexually exploited, raped or murdered”.

But while some commend it for challenging stereotypes, others accuse it of ignoring social realities.

Speaking to the BBC, shortlisted authors and other writers share their views on why female characters are so often the victims of violence – and whether that needs to change.

(8) GENTLEMEN, BE OBLITERATED. The Space Review’s article “Nuking the site from orbit: when the Air Force wanted a base on the Moon” mentions Heinlein’s 1940s vision of a moon base with atomic weaponry.

…The concept of the Moon as a strategic base apparently dates at least back to 1948 and an article by Robert S. Richardson titled “Rocket Blitz From the Moon” in the mass-market Collier’s magazine. The article was beautifully illustrated by famed space artist Chesley Bonestell. In one Bonestell painting a bullet-shaped rocket (illogically equipped with large aerodynamic fins) is blasting off from a lunar crater. Another rocket stands prepped in the background and a lunar base is tucked into the side of a mountain. In the next illustration—probably Bonestell’s most dramatic painting ever—Manhattan has been blasted with at least three atomic bombs.

Richardson’s article focused primarily on the physics of the Moon: the low gravity, the lack of air, the trajectory and velocity calculations for firing rockets at the Earth. Rather than advocate that the United States should build a lunar rocket base, Richardson warned that another country could undertake a secret project to develop a lunar base and achieve strategic surprise against the United States. He did not clearly explain why the Moon would be a good place for basing missiles other than its presumed safety from Earth observation, and he noted that it would take at least a day for a rocket to reach Earth with its warhead. Considering that there were other means of basing long-range strategic weapons that did not involve the massive cost of a space program and a lunar base, Richardson’s idea was fanciful at best. But Collier’s was a large circulation magazine, not a science fiction pulp, and this short article certainly reached a big audience and probably fired some imaginations.

Richardson was not the only person writing about the possibilities of using space as a platform for attacking Earth. Robert Heinlein co-wrote a non-fiction article in August 1947, also for Collier’s, called “Flight into the Future.” Heinlein and his co-author, US Navy Captain Caleb Laning, suggested basing atomic weapons in orbit, and Heinlein later used this idea in his book Space Cadet. The 1950 movie Destination Moon, which Heinlein co-wrote, also echoed a similar theme (see “Heinlein’s ghost (part 1)”, The Space Review, April 9, 2007). One of the characters in the movie explains why a lunar base is necessary: “There is absolutely no way to stop an attack from outer space. The first country that can use the Moon for the launching of missiles will control the Earth. That, gentlemen, is the most important military fact of this century.”…

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 5, 1938 Jim Steranko, 81. His breakthough series  was the Sixties “Nick Fury, Agent of S.H.I.E.L.D.” feature in Marvel Comics’ Strange Tales and in the subsequent debut series. His design sensibility is widespread within and without the comics industry effecting even Raiders of the Lost Ark and Bram Stoker’s Dracula as he created the conceptual art and character designs for them. He was inducted into the comic-book industry’s Will Eisner Comic Book Hall of Fame in 2006.
  • Born November 5, 1942 Frank Gasperik. Tuckerized in as a character in several novels including Lucifer’s Hammer as Mark Czescu, and into Footfall as Harry Reddington aka Hairy Red,  and in Fallen Angels, all by Larry Niven and Jerry Pournelle. He was a close friend of both and assisted Pournelle on his Byte column. To my knowledge, he has but two writing credits which are he co-wrote a story, “Janesfort War”, with Leslie Fish that was published in Pournelle’s War World collection, CoDominium: Revolt on War World, and “To Win the Peace” co-written with Leslie Fish which was published in John F. Carr’s War World: Takeover. He was a filk singer including here doing “The Green Hills of Earth”. (Died 2007.)
  • Born November 5, 1944 Carol Anne Douglas, 75. Although she has two inarguably genre series In the  Delilah Street, Paranormal Investigator and the Sword and Circlet novels, I’m here to pitch to you her Social Justice Warrior credential series instead (and dissenters can now go elsewhere) in the form of her Midnight Louie series.  Each novel is told in part from the point of view of Midnight Louie, the cat himself in a style some say is like that of a Damon Runyon character.
  • Born November 5, 1949 Armin Shimerman, 70. Quark on Deep Space Nine. And Principal Snyder on Buffy the Vampire Slayer who if I remember correctly came to a very bad end.  He had the recurring role of Pascal on Beauty and the Beast. He also played Professor George Edward Challenger in the later Nineties Lost World film.
  • Born November 5, 1960 ?Tilda Swinton, 59. Her take as Rosetta/Ruby/Marinne/Olive in Teknolust might be the most weird genre role she’s done but I like her take as The White Witch in The Chronicles of Narnia: The Lion, the Witch and the Wardrobe as her best role to date. Mind you her Gabriel in Constantine was frelling strange…
  • Born November 5, 1961 Sam Rockwell, 58. First in our area of interest as the Head Thug in Teenage Mutant Ninja Turtles. I’ve got him next being Francis Flute in A Midsummer Night’s Dream, not a role I knew. Ahhh, Guy Fleegman on Galaxy Quest. And lastly, he was Zaphod Beeblebroxin The Hitchhiker’s Guide to the Galaxy. 
  • Born November 5, 1964 Famke Janssen, 55. Her first genre role was Xenia Onatopp in the Bond film GoldenEye and her longest running genre role was as Jean Grey / Phoenix (Dark Phoenix) in the X-Men film series. Counting horror which I do, she’s got a number of genre appearance including Lord of IllusionsThe WolverineHouse on Haunted HillDeep Rising and Star Trek: The Next Generation
  • Born November 5, 1970 Tamzin Outhwaite, 49. She was Detective Inspector Rebecca Flint on Paradox, a SF police series that ran for just five episodes and received really harsh reviews. Her only other SF role was as the Captain in an Eleventh Doctor story, “Nightmare in Silver” which was scripted by Neil Gaiman. 

(10) BE FREE! ABC news reports “Chicago book returns surge 240% after city eliminates fines”.

“Just by word of mouth and also on the library’s social media pages like Facebook, we saw a lot of patrons say, ‘Oh my God. This is so great. I’m gonna bring back my books. I’ve been hesitant to come back to the library because I owe these fines,'” Telli said.

Chicago became the nation’s first major city to forgo overdue fines, which went into effect Oct. 1 and erased all outstanding fees. Mayor Lori Lightfoot framed the policy change as her latest attempt to remove barriers that deter youth and low-income patrons.

Lightfoot is also making an effort to open libraries on Sundays. The mayor’s 2020 budget includes an $18 million property tax increase to honor her promise to establish Sunday hours at Chicago’s 81 libraries. Currently, the Harold Washington central library and three regional libraries are open 1 p.m. to 5 p.m. on Sundays.

(11) NEVER? WELL, HARDLY EVER. Even Book View Café’s  Madeleine E. Robins will sometimes “RTFM*”.

I am, by nature, a dive-in-and-figure-it-out sort of technology user. This may come from my early days as a computer user, when my then room-mate and sometime business partner dropped a box on my desk and said “we’re doing a user’s manual for X Corp. Can you learn this” — this being PageMaker, the forerunner of InDesign, a page layout program–“by next week? I should have copy for you then.”

Reader, I did not rise up and slay him; I learned the program, eventually well enough that I taught classes in it. I still use those skills:  one of the things I do at my day job is to use InDesign to produce the posters, ads, and other marketing materials that the museum I work at needs for promotion….

(* Read the Fucking Manual.)

(12) PERFECTLY CLEAR. Will this New York Times opinion piece make it all better? Next question! “Martin Scorsese: I Said Marvel Movies Aren’t Cinema. Let Me Explain.”

…In the past 20 years, as we all know, the movie business has changed on all fronts. But the most ominous change has happened stealthily and under cover of night: the gradual but steady elimination of risk. Many films today are perfect products manufactured for immediate consumption. Many of them are well made by teams of talented individuals. All the same, they lack something essential to cinema: the unifying vision of an individual artist. Because, of course, the individual artist is the riskiest factor of all.

I’m certainly not implying that movies should be a subsidized art form, or that they ever were. When the Hollywood studio system was still alive and well, the tension between the artists and the people who ran the business was constant and intense, but it was a productive tension that gave us some of the greatest films ever made — in the words of Bob Dylan, the best of them were “heroic and visionary.”

Today, that tension is gone, and there are some in the business with absolute indifference to the very question of art and an attitude toward the history of cinema that is both dismissive and proprietary — a lethal combination. The situation, sadly, is that we now have two separate fields: There’s worldwide audiovisual entertainment, and there’s cinema. They still overlap from time to time, but that’s becoming increasingly rare. And I fear that the financial dominance of one is being used to marginalize and even belittle the existence of the other….

(13) ELRIC MEETS DUNGEON SYNTH. A Moorcock-obsessed United Kingdom musician who goes by the name Elric is working in the “dungeon synth” genre (an eerie combination of goth, classical, and folk tunes played on 80s synths). The releases are on Bandcamp and are named “Antihero”, “Stormbringer”, and “Elric of Melnibone”. They are all “name your price.” As Bandcamp said about one of the releases:

It’s safe to say that fantasy literature and role-playing games (the tabletop and the video variety) loom large in the world of Dungeon Synth, and Elric expertly combines both of them. Inspired by the chiptune soundtracks of games like Chrono Trigger and Secret of Mana as well as (obviously) the fantasy novels of Michael Moorcock, Elric’s music is the perfect soundtrack to crawling through (16-bit) alcoves, searching for abandoned potions and treasure while trying to avoid the hungry ghouls hidden in the shadows.”

(14) DO ME A SOLID. “Searching For Solid Ice As Scientists Freeze In To Study A Warming Arctic” – BBC delivers lots of meaty detail and pictures.

High up in the Arctic Ocean close to the North Pole, a solitary ship floats in darkness, moored to an expansive piece of ice.

If all goes according to plan the ship will remain with that ice for an entire year, so that scientists on board can study the Arctic system and how it’s responding to climate change.

It’s a project called the Multidisciplinary drifting Observatory for the Study of Arctic Climate (MOSAiC). But finding a piece of ice thick and stable enough to host the mission’s science and logistics is not easy, and there may be challenges for the ice and the scientists in the months ahead.

…The MOSAiC expedition – about a decade in the planning – is an international collaboration involving hundreds of scientists and almost 20 countries. Their goal is to better understand the changing Arctic and improve how it’s represented in climate models.

“We need this information because the Arctic is changing so rapidly, and it’s a place that we have not observed very well in the past,” says Matthew Shupe, an atmospheric scientist with the University of Colorado and the National Oceanic and Atmospheric Administration and a co-coordinator for MOSAiC.

The last time scientists looked at the Arctic Ocean system so comprehensively was more than 20 years ago. But the Arctic has been warming at twice the rate of the rest of the world, and the picture there has changed dramatically.

That’s why these researchers want a year out in the ice: to get an updated look at how the physics, the chemistry, and the biology of this area work during all four seasons.

(15) BIG HOOCH. NPR finds “Climate Change Is Disrupting Centuries-Old Methods Of Winemaking In France”.

In France, climate change is already impacting one of the country’s most emblematic industries — winemaking. French vintners say heat, drought and erratic weather is altering the landscape and their centuries-old way of working.

Brothers Remi and Gregoire Couppé are fourth generation winemakers who craft a top vintage, grand cru St Emilion. In the last few years they’ve been confronted with some new challenges. Forty-four-year-old Remi Couppé says there’s no denying the weather is getting hotter and drier.

“Because of the grapes. They show us the change,” he says. “Especially in alcohol. The alcohol level has been getting higher in the last five years.” These days, the alcohol content by volume can reach 15%, he says; when he was a boy, “it was maximum 12 [% ABV]. It’s causing me some problems when I start the vinification process, because I have to use new yeast to avoid too much alcohol. It’s really new for me.”

The higher alcohol levels come from increased sugar in the grapes due to more sun and heat. What’s also new are some of the plants sprouting up between the vines. Couppé picks a flowery-looking weed, holding it up to the blazing sun. “This plant is from the south of Europe and I never saw it here in my life before four years ago.”

Couppé says you have to be careful when using the mechanized harvester now, because such plants can get mixed in and ad a taste to the grapes.

The brothers say in the past three years they’ve completely stopped a process called “stripping,” where most of the vine leaves are removed just before the harvest. Now they need the leaves’ shade to keep the grapes from burning on the vine. Couppé points to a shriveled, sun-exposed cluster of grapes next to the dark, plump ones still shaded by the leaves.

(16) OUTSIDE OPINION. BBC tells how “Voyagers shed light on Solar System’s structure”.

Data sent back by the two Voyager spacecraft have shed new light on the structure of the Solar System.

Forty-two years after they were launched, the spacecraft are still going strong and exploring the outer reaches of our cosmic neighbourhood.

By analysing data sent back by the probes, scientists have worked out the shape of the vast magnetic bubble that surrounds the Sun.

The two spacecraft are now more than 10 billion miles from Earth.

Researchers detail their findings in six separate studies published in the journal Nature Astronomy.

“We had no good quantitative idea how big this bubble is that the Sun creates around itself with its solar wind – ionised plasma that’s speeding away from the Sun radially in all directions,” said Ed Stone, the longstanding project scientist for the missions.

[Thanks to Daniel Dern, Lee Whiteside, Cat Eldridge, JJ, Chip Hitchcock, Rob Thornton, Cora Buhlert, John King Tarpinian, Martin Morse Wooster, Mike Kennedy, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 3/14/19 A God On The Stalk Can Be Quite Transcendental, But Pixels Are A Scroll’s Best Friend

(1) ONE ARCHETYPAL SFF AUTHOR SALUTES ANOTHER. Literary Hub excerpts “Michael Moorcock on H.G. Wells, Reluctant Prophet” from the introduction to The Time Machine & the Island of Doctor Moreau:

…In these two early books Wells gave shape to his own and his contemporaries’ anxieties and concerns. He brought a moving lyricism to his vision of the end of the world, just as he brought a harsh realism to his fantasy of vivisection and physiological engineering. Both visions were convincing to his thousands of readers who made The Time Machine one of the greatest bestsellers of the last century, as a recent New York Times feature showed, ultimately outselling even Stephen King and J. K. Rowling, and having a far more lasting effect on our common psyche. The Time Machine defined the way Edwardians saw the future, just as Nineteen Eighty-Four defined the popular vision of the 1950s, 2001: A Space Odyssey defined that of the 1960s, and Blade Runner and The Matrix define how the early 21st century perceives its future. Every book, film and play which thematically followed The Time Machine and The Island of Doctor Moreau was in some way colored by them. Every author who considers writing a time-travel story must look first to Wells. Wells has been acknowledged directly or indirectly in many books, even becoming a character in other time-travel fiction. 

(2) AMAZING BOOK. Something people like to say about a favorite book is literally part of the design here — “Just ‘Follow This Thread’: You’re Meant To Get Lost In This Book About Mazes”.

Henry Eliot’s new book about mazes and labyrinths is a printer’s worst nightmare. Follow This Thread is both a title and an instruction: To read the book, you must turn it upside down and backwards. Lines of text wrap 90 degrees on the page, and a thin red thread — illustrations by the French artist Quibe — travels playfully from page to page.

Believe it or not, this is the “reined in” version.

“When I first pitched it, the design was even more complicated …” Eliot says. “As I described this to my editor, I could see her face just kind of falling.”

They scaled it back a bit, but it still wasn’t until he got the final copy from the printer that Eliot was able to “breathe a sigh of relief.”

(3) FREQUENTLY UNASKED QUESTIONS. James Davis Nicoll demands to know “Why Does No One in SFF Ever Read the Damn Manual?” at Tor.com.

Every so often, I find it entertaining to muse about and lament the ill effects of missing or erroneous documentation. Or the ill effects of failing to read the manual…or, having read it, ignoring its wise advice.

Unsurprisingly, SFF authors have arrived at a consensus as far as technical documentation is concerned: For the most part, they’re against it, at least as part of the setting of the story…

(4) THE SENATOR FROM GOTHAM. Michael Cavna notes in the Washingon Post that Sen. Patrick Leahy (D–Vermont) has loved Batman ever since he was a kid.  He uses Sen. Leahy’s introduction to Detective Comics: 80 Years of Batman (Deluxe Edition) to profile the senator’s Batman enthusiasm, including his cameos in six Batman movies and the introduction to the humanitarian comic book featuring Batman that was designed to help lobby for banning landmines — “Sen. Patrick Leahy was in 5 Batman movies. Now he’s written the foreword for the superhero’s 80th anniversary.”

…Of his involvement in six Batman screen projects, including five films spanning 1995’s “Batman Forever” to 2016’s “Batman v Superman: Dawn of Justice” (as “Senator Purrington”), Leahy especially relishes getting to appear opposite Heath Ledger’s Oscar-winning turn as the Joker, in 2008’s “The Dark Knight.”

In that Nolan sequel, an agitated Joker glares at the party guest portrayed by Leahy and says, “You remind me of my father,” before putting a knife to the guest’s neck and growling, “I hated my father.”

In that moment, “I was scared,” Leahy recounts of Ledger’s convincing menace. “It wasn’t acting.”

(Leahy, who gets a line in that film — “We’re not intimated by thugs!” — broke into Hollywood with an assist from his actor son Mark, who racked up a handful of screen credits in the ‘90s.)

(5) GONE BATTY. This might be a good time to step inside the pitch meeting that led to Batman & Robin. ScreenRant has it on tape —

Long before Christopher Nolan and Christian Bale got their hands on the franchise, there was a whole lot of weird stuff going on with Batman in the 90’s. After Val Kilmer stepped away from the role (because he didn’t know how to skate) George Clooney stepped in as the caped crusader and, along with Joel Schumacher, gave us what many consider to be one of the worst movies of all time. Batman & Robin features Chris O’Donnell being super annoying as Robin, Arnold Schwarzenegger delivering as many ice puns as he possibly can, and Uma Thurman doing… something. The movie raises a lot of questions, like why does Batman have a credit card? Why is Batgirl even in this? Why do they have retractable skate blades? How did this movie even get made?

(6) HERO ON THE HORIZON. Yahoo! Entertainment says “Marvel’s first Asian-led superhero movie ‘Shang-Chi’ bags its director”.

The character of Shang-Chi originally emerged in Marvel Comics in 1973, a half-American, half-Chinese martial arts master, the unknown son of pulp villain Dr. Fu Manchu.

In latter instalments, he joined the Avengers, having mastered the power of creating multiples of himself, and has appeared in X-Men comics too.

(7) METROPOLIS MUSES. Mike Chomko spotlights “H. J. Ward, Superman Artist” on the Pulpfest blog.

Normally, when we think of Superman’s artists, people such as Wayne Boring, John Byrne, Jose Luis Garcia-Lopez, Dan Jurgens, Alex Ross, Joe Schuster, and Curt Swan come to mind. Why doesn’t pulp artist, H. J. Ward pop into our heads?

…By 1940, Donenfeld had assumed control of National Allied Publications, the publisher of ACTION COMICS, Superman’s home. Around that time, H. J. Ward was paid $100 to create a nearly life-size portrait of The Man of Steel. Ward’s painting was used to promote THE ADVENTURES OF SUPERMANa radio show that debuted in New York City on February 12, 1940. The painting hung for many years in Harry Donenfeld’s office at DC Comics, and later, in his townhouse. According to Saunders, it was eventually donated to Lehman College, part of the City University of New York….

(8) BABY WE WERE BORN TO DIE. Daily Mail has a fancy graph proving what you already knew — “Star Trek’s ‘redshirts’ REALLY do die more often!”  But it is colorful!

A graph mapping the death rate of the different characters on Star Trek according to the colour of their shirt. It shows that while red coloured shirts does lead in the number of fatalities, it does so by a small degree of only 3 per cent compared to yellow shirts

(9) WAGING FUR. SYFY Wire invites fans to “Meet the most famous furry in the world”.

“My ‘real name’ isn’t a name I use anymore,” she says. “I have been going by Rika since ninth grade. Mainly because I associate my real name with a time when I was weaker, still figuring myself out, or without personality. That was like my ‘blank slate’ name, if you will.”

She goes on to explain how her different identities came to be, but that they are all a part of her in some way.

“Vix is the me now,” she says. “It is also what my fans tend to call me, while my friends call me Rika. The name and character Rika is also associated with how I want to see myself.”

… Being a furry is her sole source of income. “I do freelance art for furries. Basically, I spend all day drawing animals and it’s honestly the best. Well, when sales are good, anyway,” she says.

(10) ANTICIPATING RELAPSE. BBC reports on a Nature article: “Cancer’s ‘internal wiring’ predicts relapse risk”.

The “internal wiring” of breast cancer can predict which women are more likely to survive or relapse, say researchers.

The study shows that breast cancer is 11 separate diseases that each has a different risk of coming back.

The hope is that the findings, in the journal Nature, could identify people needing closer monitoring and reassure others at low risk of recurrence.

Cancer Research UK said that the work was “incredibly encouraging” but was not yet ready for widespread use.

The scientists, at the University of Cambridge and Stanford University, looked in incredible detail at nearly 2,000 women’s breast cancers.

They went far beyond considering all breast cancers as a single disease and beyond modern medicine’s way of classifying the tumours.

(11) A HYBRID OF BOW AND WOW. “Study reveals the wolf within your pet dog” –BBC has the story.

Wolves lead and dogs follow – but both are equally capable of working with humans, according to research that adds a new twist in the tale of how one was domesticated from the other.

Dogs owe their cooperative nature to “the wolf within”, the study, of cubs raised alongside people, suggests.

But in the course of domestication, those that were submissive to humans were selected for breeding, which makes them the better pet today.

(12) ROCK ON. There’s was quite a lot of hoofin’ going on there: “Stonehenge was ‘hub for Britain’s earliest mass parties”.

Evidence of large-scale prehistoric feasting rituals found at Stonehenge could be the earliest mass celebrations in Britain, say archaeologists.

The study examined 131 pigs’ bones at four Late Neolithic sites, Durrington Walls, Marden, Mount Pleasant and West Kennet Palisade Enclosures.

The sites, which served Stonehenge and Avebury, hosted the feasts.

Researchers think guests had to bring meat raised locally to them, resulting in pigs arriving from distant places.

The results of isotope analysis show the pig bones excavated from these sites were from animals raised in Scotland, the North East of England and West Wales, as well as numerous other locations across Britain.

(13) LONG DRINK. “An Irish pub born in the Dark Ages” is 2 hours’ ride from Dublin — worth a pilgrimage?

Sean’s Bar has been in business since the Dark Ages, and many locals and respected Irish historians also believe it to be the oldest in Europe and the world.

Shortly after the working day begins, a hush falls over the streets of Athlone in Ireland’s County Westmeath. Away from the banks, hotels and shopping centres, buses empty out, commuters dip from sight and moored barges and skiffs on the River Shannon are at standstill as the dark, silted water flows past.

But across the town’s arched stone bridge, in an unassuming building on the river’s west bank, a 50-year-old barman named Timmy Donovan is already pulling his first pint of the day at Sean’s Bar – and a buzz is starting to build.

When the pub closes after midnight, the pitted fireplace will have crackled since mid-morning, and scores of pints of creamy-headed stout – and as many drams of whiskey and cups of Irish coffee – will have been poured. Just as barkeepers at the dimly lit pub have done with more rudimentary forms of alcohol such as mead for the past 1,100 years.

(14) ORION SURPRISE. Ars Technica: “Here’s why NASA’s administrator made such a bold move Wednesday”.

In a remarkable turnaround, NASA Administrator Jim Bridenstine on Wednesday said the space agency would consider launching its first Orion mission to the Moon on commercial rockets instead of NASA’s own Space Launch System. This caught virtually the entire aerospace world off guard, and represents a bold change from the status quo of Orion as America’s spacecraft, and the SLS as America’s powerful rocket that will launch it.

The announcement raised a bunch of questions, and we’ve got some speculative but well-informed answers.

What happened?

During a hearing of the Senate Commerce committee to assess America’s future in space, committee chairman Sen. Roger Wicker opened by asking Bridenstine about Exploration Mission-1’s ongoing delays. The EM-1 test flight involves sending an uncrewed Orion spacecraft on a three-week mission into lunar orbit, and is regarded as NASA’s first step toward returning humans to the Moon. This mission was originally scheduled for late 2017, but it has slipped multiple times, most recently to June 2020. It has also come to light that this date, too, is no longer tenable.

“SLS is struggling to meet its schedule,” Bridenstine replied to Wicker’s question. “We are now understanding better how difficult this project is, and it’s going to take some additional time. I want to be really clear. I think we as an agency need to stick to our commitment. If we tell you, and others, that we’re going to launch in June of 2020 around the Moon, I think we should launch around the Moon in June of 2020. And I think it can be done. We should consider, as an agency, all options to accomplish that objective.”

The only other option at this point is using two large, privately developed heavy lift rockets instead of a single SLS booster. While they are not as powerful as the SLS rocket, these commercial launch vehicles could allow for the mission to happen on schedule….

(15) WHATEVER IT TAKES. BBC has a fresh rundown: “Avengers Endgame: What we learned from the new trailer”. In theaters April 26. (As far as I can tell this is the same trailer I linked to in December, even though it has a March 14 datestamp on Marvel’s YouTube channel.)

A new trailer for Avengers: Endgame has premiered and the Marvel heroes are gearing up for a showdown with Thanos.

The trailer is light on plot but gives fans just enough of a hint on what to expect from Marvel’s next big blockbuster.

There are new team members, new outfits and perhaps most important of all – new haircuts….

[Thanks to Chip Hitchcock, Martin Morse Wooster, John King Tarpinian, Cat Eldridge, Mike Kennedy, JJ, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Joe H.]

Post-credits Scene #1: Video of the Day: In “The Tesla World Light” on Vimeo, Matthew Rankin theorizes that Nikolai Tesla could obtain “infinite power for all nations” with the help of a pigeon that zapped lightning out of his eyes.

Post-credits Scene #2: After the Hugo nominations deadline, I will put up a post inviting people to share their ballots in the comments.

Pixel Scroll 2/19/19 Imagine There’s No Pixels – It’s Easy If You Scroll

(1) SHAT MEETS SHELDON. DigitalSpy has its CBS eye open: “The Big Bang Theory shares first look at Star Trek legend William Shatner’s cameo”.

The Star Trek legend will turn up briefly in the 12th and final season of the hit comedy series, and features exclusively in a brand-new trailer.

(2) LE GUIN FILM. Hob gives the 2018 documentary “Worlds of Ursula K. Le Guin” a positive review.

If you’re afraid, as I was, that this would be a generic “this person is important, here are some writers to tell you why” documentary with a lot of book covers turned into motion graphics… it mostly isn’t. It’s really very good, and I can’t complain that it’s short and a bit thin in some respects if the alternative was not to make it.

It helps that Le Guin herself talks quite a bit, both recently (the filmmaker worked with her on this for years, so the tone is friendly and familiar) and in earlier decades, and I’d happily listen to her talk about anything at all for hours…

(3) BETTER WORLDS. The Verge’s “Better Worlds” project draws to a close with these three stories —

A woman named Margery pulls a lever and jumps to new worlds, each one different from the last.

How do you envision Margery going from world to world? Virtual reality? Jumping between dimensions? Magic?

The lever, what it does, and Margery’s relationship to it are pure Twilight Zone. The lever itself is Archimedean and every resonant, similar idea I could layer into it. The world is a big thing to move, and the lever had to stand for a lot of things. So it’s rooted in very fundamental and ancient science, but its magic is in wordplay and related concepts and dream-images. It’s hard to say where I draw the line between fantasy and science fiction because I don’t — mostly.

A family works their way through a top-secret facility on an important mission

Your story follows a father-and-son team as they infiltrate a secret base. What inspired this particular world?

I tend to world-build around characters, and this world was designed for Ray. I wanted to show him as idealistic but practical, protective of his family while also trusting their skills and talents. But the main point of the scenario was to give him a clear objective and then alter it: he enters the base to rescue his son, but then has to face Ando’s insistence on staying behind. Ray needs to decide whether to recognize Ando’s right to make that choice, which is really about how much he trusts how he’s been raising his child. Parenting is full of moments like that, although most of them aren’t quite so starkly life-and-death.

Alexandra and Phoebe must deal with their creation Ami, an artificial intelligence that was designed to moderate online communities, as it fights fire with fire.

Social media sites like Twitter, Twitch, and Facebook have their own issues with content moderation, relying on human judgment in most cases. How do you see an AI building on those human-developed systems?

I think, actually, those sites depend too heavily on automated processes. Ami is truly intelligent and, above all, empathetic. Her distinguishing feature as an AI is her capacity to feel the pain of others and feel a responsibility to do something about it, while also possessing the suprahuman powers of a computer.

(4) BOOSTING THE JODOROWSKY SIGNAL. A fan is working to drum up demand for a book/ebook of Jodorowsky’s Dune storyboards:

In the film, Jodorowsky’s Dune you see the storyboards the director made for his never-to-be film project that introduced Moebius to HR Giger to Dan O’Bannon. I would pay a lot of money for each volume if that book were ever published, even if only in electronic form. Could you spread that idea around?

Daniel Dern adds, a quick web search turns up some admittedly-not-encouraging answers in Quora:

According to the documentary Jodorowsky’s Dune, only 20 copies of the books were originally made, with only a few of those known to still exist in the world. The producer of the unmade film, Michel Seydoux, mentions to Jodorowsky in a deleted scene on the Blu-Ray that he recently found his personal copy that was in perfect condition, and that he was having it photocopied.

According to the documentary Jodorowsky’s Dune, there are only two known copies of the bound and published storyboard remaining: one belonging to Alejandro Jodorowsky himself, and the other in the presumed care of Jean Giraud’s family. These persons are presumably also the ones who own the copy rights on the material, but I couldn’t say for sure, given the labyrinthine nature of cinematic intellectual properties.

While I’d be the first in the queue to purchase a copy, I am not sure this storyboard will ever be made available for purchase to the general public.

(5) MOORCOCK.The San Antonio Current connected with Michael Moorcock ahead of his appearance at the downtown library’s PopCon last weekend: “New Worlds Man: Groundbreaking Science Fiction Author and Editor Michael Moorcock Makes a Rare Appearance at Pop Con”.

“What we did at New Worlds was publish stuff nobody else would publish,” Moorcock said. “What I discovered was that if something was put into print, that was a validation of its worth. The book publishers would look at what we’d published and say, ‘Well, it’s been in print once, then we can do it again.’”

As Moorcock discussed those days, it almost seemed like a surreal narrative slipping through time and space. He wove a tale about the time the buttoned-down Aldiss falsely accused one of Moorcock’s hippy musician friends of nicking his wallet. Then another about the time he was invited onto the set of 2001: A Space Odyssey only to be shushed by Stanley Kubrick. Then he mused how he and author Kingsley Amis worked up such a mutual hatred that they refused to travel in the same train compartment together.

(6) WALDO CAN RUN, BUT HE CAN’T HIDE. So, not only are ‘bots coming for all the jobs, they’re taking over our pastimes, too (Inverse: “Waldo-Hunting A.I. Robot Solves One of Life’s Greatest Mysteries”).

Never wonder where Waldo is again. A machine designed to find a children’s book character is causing a stir on social media. “There’s Waldo” is a robot that uses computer vision to locate the beanie-clad chap in the “Where’s Waldo” series of books, automating one of the great stresses of five-year-olds worldwide.

[…] The results are impressive. Its highest record for finding and identifying a match is 4.45 seconds, much faster than it normally takes a kid to complete the task. Ditching the robot [that physically points to Waldo] from the equation could make the process even faster: a system outlined by Machine Learning Mastery in 2014 described how developers could use OpenCV, Python and Template Matching to identify Waldos in less than a second. 

(7) BROECKER OBIT. “‘Grandfather Of Climate Science’ Wallace Broecker Dies At 87”NPR has the story.

Wallace Broecker, a climate scientist who brought the term “global warming” into the public and scientific lexicon, died on Monday. He was 87.

Broecker, a professor in the department of earth and environmental science at Columbia, was among the early scientists who raised alarms about the drastic changes in the planet’s climate that humans could bring about over a relatively short period of time.

His 1975 paper “Climatic Change: Are We on the Brink of a Pronounced Global Warming?” predicted the current rise in global temperatures as a result of increased carbon dioxide levels — and popularized the term “global warming” to describe the phenomenon.

… As early as the ’70s, Broecker spoke openly about the need to restrict fossil fuels and the disruptive effects that just a few degrees of warming could have on the environment.

“The climate system is an angry beast and we are poking it with sticks,” he told the Times.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 19, 1937 Terry Carr. Well known and loved fan, author, editor, and writing instructor. I usually don’t list Awards both won and nominated for but his are damned impressed so I will. He was nominated five times for Hugos for Best Fanzine (1959–1961, 1967–1968), winning in 1959, was nominated three times for Best Fan Writer (1971–1973), winning in 1973, and he was Fan Guest of Honor at ConFederation in 1986. Wow. He worked at Ave Books before going freelance where he edited an original story anthology series called Universe, and The Best Science Fiction of the Year anthologies that ran from 1972 until his early death in 1987. Back to Awards again. He was nominated for the Hugo for Best Editor thirteen times (1973–1975, 1977–1979, 1981–1987), winning twice (1985 and 1987). His win in 1985 was the first time a freelance editor had won. Wow indeed. Novelist as well. Just three novels but all are still in print today though I don’t think his collections are and none of his anthologies seem to be currently either. A final note. An original anthology of science fiction, Terry’s Universe, was published the year after his death with all proceeds went to his widow. (Died 1987.)
  • Born February 19, 1957 Ray Winstone, 62. First genre work was in Robin of Sherwood as Will Scarlet. He next shows up in our realm voicing Mr. Beaver in The Chronicles of Narnia: The Lion, the Witch and the Wardrobe. Unfortunately for him, he’s in Indiana Jones and the Kingdom of the Crystal Skull as George “Mac” McHale, though he he does does also voice Areas in Percy Jackson & the Olympians: The Lightning Thief
  • Born February 19, 1964 Jonathan Lethem, 55. His first novel, Gun, with Occasional Music, a weird mix of SF and detective fiction, is fantastic in more ways that I can detail briefly here. I confess that I lost track of him after that novel so I’d be interested in hearing what y’all think of his later genre work. 
  • Born February 19, 1963 Laurell K. Hamilton, age 56. She is best known as the author of two series of stories. One is the  Anita Blake: Vampire Hunter of which I’ll confess I’ve read but one or two novels, the other is the Merry Gentry series which held my interest longer but which I lost in somewhere around the sixth or seventh novel when the sex became really repetitive. 
  • Born February 19, 1966 Claude Lalumière, 53. I met him once here in Portland. Author, book reviewer and has edited numerous anthologies. Amazing writer of short dark fantasy stories collected in three volumes so far, Objects of WorshipThe Door to Lost Pages and Nocturnes and Other Nocturnes. Tachyon published his latest anthology, Super Stories of Heroes & Villains
  • Born February 19, 1967 Benicio del Toro, 52. He’s been The Collector in the Marvel film franchise, Lawrence Talbot in the 2010 remake of The Wolfman, and codebreaker DJ in Star Wars: The Last Jedi.  Let’s not forget that he was in Big Top Pee-wee as Duke, the Dog-Faced Boy followed by being in Terry Gilliam’s Fear and Loathing in Las Vegas as Dr. Gonzo which damn well should count as genre even if it isn’t.
  • Born February 19, 1984 Joshua Trank, 35. Film director, screenwriter, and editor. He is known for directing Chronicle and the recent Fantastic Four. The former won A Saturn Award for Best Science Fiction Film. Anyone here seen it? 

(9) POETRY MARKETS. The Horror Writers Association put up a specialized market report: “Poetry and Related Sources and Links — A 2019 Update”.

…I thought it would be useful to refresh the obvious — “where do I send my poetry.” The HWA has its own list of markets as does the Science Fiction Poetry Association.

(10) ISRAEL’S MOON MISSION. Israel aspires to join superpowers China, Russia and the U.S. in landing a spacecraft on the moon.

Nonprofit SpaceIL and Israel Aerospace Industries (IAI) today announced that Israel’s inaugural voyage to the moon – the world’s first privately funded lunar mission – will begin on Feb. 21 at approximately 8:45 p.m. EST, when the lunar lander “Beresheet” (“In the Beginning”) blasts off aboard a SpaceX Falcon 9 from Launch Complex 40 at Cape Canaveral Air Force Station.

…About 30 minutes after liftoff, the spacecraft will disengage from the SpaceX Falcon 9 at around 60,000 kilometers above Earth’s surface, beginning, under its own power, a two-month voyage to the Moon’s surface.

…SpaceX will broadcast the historic launch live on its YouTube channel (https://www.youtube.com/user/spacexchannel), and SpaceIL will simultaneously air on Facebook (https://www.facebook.com/SpaceIL/) live video from inside the control room in Yehud.

…Since the establishment of SpaceIL, the task of landing an Israeli spacecraft on the moon has become a national project with educational impact, funded mainly by Morris Kahn, a philanthropist and businessman who took the lead in completing the mission, serving as SpaceIL’s president and financing $40 million. Additional donors include Dr. Miriam and Sheldon Adelson — whose $24 million contribution enabled the project to continue — Lynn Schusterman, Steven and Nancy Grand, Sylvan Adams, Sami Sagol and others.

(11) DON’T TREAD ON THEM. A new nonprofit group—For All Moonkind—has been established to promote preservation of the Apollo 11 landing sites and other such locations on the Moon (Inverse: “‘For All Mankind’: Meet the Group Trying to Stop Moon Vandalism”).

Why did the hominin cross the plain? We may never know. But anthropologists are pretty sure that a smattering of bare footprints preserved in volcanic ash in Laetoli, Tanzania, bear witness to an evolutionary milestone. These small steps, taken roughly 3.5 million years ago, mark an early successful attempt by our common human ancestor to stand upright and stride on two feet, instead of four.

[…] The evidence left by our bipedal ancestors are recognized by the international community and protected as human heritage. But the evidence of humanity’s first off-world exploits on the moon are not. These events, separated by 3.5 million years, demonstrate the same uniquely human desire to achieve, explore, and triumph. They are a manifestation of our common human history. And they should be treated with equal respect and deference.

(12) DILLINGER RELIC. NPR puts it this way:“Facebook Has Behaved Like ‘Digital Gangsters,’ U.K. Parliament Report Says”. (For more detail, check the BBC article “Facebook needs regulation as Zuckerberg ‘fails’ – UK MPs”.)

A new report from British lawmakers on how social media is used to spread disinformation finds that Facebook and other big tech companies are failing their users and dodging accountability.

“The guiding principle of the ‘move fast and break things’ culture often seems to be that it is better to apologise than ask permission,” said Damian Collins, chair of the Digital, Culture, Media and Sport Committee that drafted the report. “We need a radical shift in the balance of power between the platforms and the people. The age of inadequate self regulation must come to an end.”

The 108-page report is often scathing on Facebook’s practices and corporate conduct. The committee’s inquiry into disinformation began in September 2017, as revelations emerged that Facebook had been used to spread disinformation during the U.S. presidential election and the U.K. Brexit referendum vote, both in 2016. In March 2018, the Cambridge Analytica scandal broke, and showed how users’ data could be harvested and misappropriated.

(13) LEONARDO THE EVOLUTIONIST? “Virgin of the Rocks: A subversive message hidden by Da Vinci”.

… Few art historians doubt that Leonardo’s vision was influenced by his memory of a mountain excursion on which he found himself wandering “among gloomy rocks”. “I came to the mouth of a great cavern,” Leonardo would later attest, “in front of which I stood sometime astonished. Bending back and forth, I tried to see if I could discover anything inside, but the darkness within prevented that. Suddenly there arose in me two contrary emotions, fear and desire – fear of the threatening dark cave, desire to see whether there were any marvellous thing within.”

Impelled to enter, Leonardo’s curiosity was repaid by the discovery inside of a fossilised whale and a horde of ancient seashells whose engrossing geometric grooves he would memorialise in the pages of his notebooks.

Over the ensuing years, the perplexing presence of “oysters and corals and various other shells and sea snails” on “the high summits of mountains”, far from the sea, worried away at the artist’s imagination. For Leonardo, the accepted explanation by ecclesiastical scholars of a great flood, such as that described in the Old Testament, for the relocation of these shells, didn’t wash. These creatures weren’t thrown there. They were born there.

Seashells in mountains were proof, Leonardo came to believe and confided to his journal, that Alpine peaks were once the floors of seas. And the Earth was therefore much older and far more haphazardly fashioned by violent cataclysms and seismic upheavals over a vast stretch of time (not the smooth hand of God in a handful of days) than the Church was willing to admit.

(14) SPORTING LIFE. Every year sports fans have to cope with the slack period between the Super Bowl and March Madness. Will K.B. Spangler’s suggestion gain traction? Thread begins here.

(15) THE SIPPY. Charles Payseur is ready to tell us who won: “THE SIPPY AWARDS 2018! The ‘I’d Ship That’ Sippy for Excellent Relationships in Short SFF”. He also lists four runners-up.

I’m a sucker for a good relationship story. They don’t have to be romantic. Or sexual. Though most of these stories do feature romance and sex, they also feature characters that interact and orbit each other in intensely beautiful ways. For some of the stories, the connections are between just two people, lovers or friends or something else. For others, the connections flow between more people, or did, and were severed. They feature people striving to find comfort and meaning in their own skins, knowing sometimes that takes help, and understanding, and compassion. And occasionally it takes kicking some ass. Whatever the case, the relationships explored in these stories have stuck with me through a very hard year.

(16) CHUCK TINGLE WOULD BE PLEASED. “Carrie, cereal and four more unusual inspirations for musicals” – see the last item in this BBC story.

If you ever wanted to watch Jurassic Park told from the point of view of the dinosaurs, then the 2012 off-Broadway musical comedy Triassic Parq is for you.

Described by the New York Times as a “bawdy tribute to dinosaurs and their newfound genitalia”, the show follows a group of dinosaurs whose lives are thrown into chaos when one of the females spontaneously turns male.

[Thanks to Andrew Porter, Carl Slaughter, Eli, Chip Hitchcock, Cat Eldridge, JJ, Mike Kennedy, Daniel Dern, Martin Morse Wooster, and John (your capital J remembered today) King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

2018 Novellapalooza

[Editor’s note: be sure to read the comments on this post for more novellas and more Filer reviews.]

By JJ: I’m a huge reader of novels, but not that big on short fiction. But the last few years, I’ve done a personal project to read and review as many Novellas as I could (presuming that the story synopsis had some appeal for me). I ended up reading 31 of the novellas published in 2015, 35 of the novellas published in 2016, and 46 of the novellas published in 2017 (though a few of those were after Hugo nominations closed).

The result of this was the 2016 Novellapalooza and the 2017 Novellapalooza. I really felt as though I was able to do Hugo nominations for the novella category in an informed way, and a lot of Filers got involved with their own comments. So I’m doing it again this year.

The success and popularity of novellas in the last 4 years seems to have sparked a Golden Age for SFF novellas, with Tor.com, Subterranean Press, NewCon Press, PS Publishing, Book Smugglers, Clarkesworld, Beneath Ceaseless Skies, and Tachyon bringing out a multitude of works, along with the traditional magazines Asimov’s, Fantasy and Science Fiction, and Analog – so there are a lot more novellas to cover this year. By necessity, I’ve gotten to the point of being more selective about which ones I read, based on the synopsis being of interest to me.

It is not at all uncommon for me to choose to read a book despite not feeling that the jacket copy makes the book sound as though it is something I would like – and to discover that I really like or love the work anyway. On the other hand, It is not at all uncommon for me to choose to read a book which sounds as though it will be up my alley and to discover that, actually, the book doesn’t really do much for me.

Thus, my opinions on the following novellas vary wildly: stories I thought I would love but didn’t, stories I didn’t expect to love but did, and stories which aligned with my expectations – whether high or low. Bear in mind that while I enjoy both, I tend to prefer Science Fiction over Fantasy – and that while I enjoy suspense and thrillers, I have very little appreciation for Horror (and to be honest, I think Lovecraft is way overrated). My personal assessments are therefore not intended to be the final word on these stories, but merely a jumping-off point for Filer discussion.

I thought it would be helpful to have a thread where all the Filers’ thoughts on novellas are collected in one place, as a resource when Hugo nomination time rolls around. Which of these novellas have you read? And what did you think of them?

I’ve included plot summaries, and where I could find them, links to either excerpts or the full stories which can be read online for free. Short novels which fall between 40,000 and 48,000 words (within the Hugo Novella category tolerance) have been included.

Please feel free to post comments about any other 2018 novellas which you’ve read, as well.

(Please be sure to rot-13 any spoilers.)

(fair notice: all Amazon links are referrer URLs which benefit non-profit SFF fan website Worlds Without End)

Read more…

Pixel Scroll 5/18/18 And Then The Pixels Began

(1) #2018NEBULAS. More from Grandmaster Peter S. Beagle’s reception.

(2) #2018NEBULAS PANEL LIVETWEET. All summed up here: “Thread by @sfwa: ‘Hello ! Panel live tweet starts NOW, with “How to fail gracefully,” with Michael Underwood, Carrie DiRisio, Vanessa Rose Phin, […]’”

(3) #2018NEBULAS LIVESTREAM. Really?

(4) SF EXHIBIT. Six Pasadena museums will open their doors on May 20, including the Pasadena Museum of History — “Free Day: 2018 Museums of the Arroyo Day at PMH”. Guess what you can see for free…

At PMH, delve into the worlds of science fiction in the multifaceted exhibition, Dreaming the Universe: The Intersection of Science, Fiction, & Southern California. The exhibit explores how the literary genre interacted with the advances of science, the changes in technology, and shifts in American society during five pivotal decades, the 1930s to the 1980s. Visitors will enjoy a fantastic array of vintage costumes and movie props, fantasy art and illustrations, original manuscripts, robotic toys, and fan gear.

(5) F&SF. Galactic Journey’s time traveler Gideon Marcus experienced an especially good day in 1963 — “[May 18, 1963] (June 1963 Fantasy and Science Fiction)”

Every so often, you get a perfect confluence of events that makes life absolutely rosy.  In Birmingham, Alabama, the segregationist forces have caved in to the boycott and marching efforts of the Southern Christian Leadership Conference.  Two days ago, astronaut Gordo Cooper completed a day-and-a-half in orbit, putting America within spitting distance of the Russians in the Space Race.  And this month, Avram Davidson has turned out their first superlative issue of F&SF since he took the editorial helm last year….

(6) ETERNAL FLAME. Michael Moorcock tells why Fahrenheit 451 endures: “The Truth of Ray Bradbury’s Prophetic Vision” at LitHub.

In the late 1960s my friend J. G. Ballard phoned me full of outrage. Feeling weighed down by the bad prose cluttering his study, he had dug a pit in his back garden and thrown his review copies in, splashing them with a little petrol. But they proved harder to burn than he thought, so he put one in the kitchen oven, which had a suitable thermometer, to test the igniting heat of book paper. “Bradbury was wrong!” he complained. “Fahrenheit 451 isn’t the temperature at which book paper burns!” But, I asked, hadn’t Bradbury phoned the Los Angeles Fire Department to get the temperature right?

“Well, they’re wrong, too!” announced Ballard, who admired Bradbury and whose own early Vermilion Sands stories echo Bradbury’s The Martian Chronicles. Ray Bradbury, he said, had shown him that science ?ction was worth writing.

…Although Bradbury obviously held up a mirror to the world so that it might see itself the better, I believe him when he claims that he was not setting out to do what Orwell did in 1984, nor even what Pohl and Kornbluth did in a later Galaxy serial “The Space Merchants.” Rather, like Philip K. Dick, he let his excellent instincts have their way. They told him what to put in while his taste told him what to leave out. He was doing what he had always done by letting the resonances in his own imagination determine the kind of story he told: Fahrenheit 451 remains as readable as when it was written, some sixty-odd years ago, thanks to Bradbury’s almost psychic sense of how the world works.

(7) TODAY IN HISTORY

  • May 18, 1962The Twilight Zone aired “I Sing The Body Electric,” an episode based on a story by the legendary Ray Bradbury. This served as the thirty-fifth episode for the program’s third season.

(8) HAPPY BIRTHDAY. Steven H Silver celebrates Jonathan Maberry’s natal day in his Black Gate column: “Birthday Reviews: Jonathan Maberry’s ‘Red Dreams’”.

Maberry won the 2007 Bram Stoker Award for Best First Novel for Ghost Road Blues, which was also nominated for Best Novel. The next year he won the Bram Stoker Award for Best Nonfiction with David F. Kramer for their book The Cryptopedia: A Dictionary of the Weird, Strange & Downright Bizarre. In 2012, he won the Bram Stoker for Best Young Adult Novel for Dust & Decay, and again the following year for Flesh & Bone. In 2015, he shared a Bram Stoker Award for Best Graphic Novel with Tyler Crook for Bad Blood.

(9) SEND FOR MORE CANDLES. And Tor.com coincidentally (not) reposted Elizabeth Bear’s tribute “The Perfect Chaotic Worlds of Diane Duane on Duane’s birthday.

In all her genres, Diane Duane is one of my favorite writers.

She spreads her talents around, too. She writes in multiple genres and forms—scripts to novels, tie-ins to original fiction, young adult urban fantasy to historical fantasy to science fiction to second-world fantasy. And whether she’s writing Y.A., as with her Young Wizards series, or Star Trek media tie-ins, she always brings an inimitable playful voice and a startling sense of “Yes; that’s right; that’s just like people.” to her work.

(10) TESS SEES ITS FIRST LIGHT. Mashable headline: “First photo from NASA’s planet-hunting TESS satellite is full of stars”. The latest exoplanet-hunting satellite has begun opening it’s “eyes” and taken its first photos. Though still undergoing shakeout tests, these first photos from the Transiting Exoplanet Survey Satellite are nonetheless spectacular.

A new NASA telescope, sailing toward its assigned orbit, took a moment to look around before it starts its ultimate mission: searching the galaxy for alien planets.

NASA’s TESS spacecraft — short for Transiting Exoplanet Survey Satellite — beamed home one of its first photos taken from space, and it’s a doozy.

The photo, which effectively amounts to a test of one of the satellite’s four cameras, contains more than 200,000 stars, NASA said.

But that’s only a fraction of the number of stars it will eventually study in order to find alien worlds out there circling them.

(11) NOT DEAD YET? ThinkProgress says a climate science NASA mission may not be completely dead. Time to visit Miracle Max: “Critical NASA program cut by Trump re-introduced in latest budget”.

The House Committee on Appropriations, which is responsible for overseeing NASA, voted on Thursday to approve $10 million in funding for a “climate monitoring system” intended to help the agency better “understand the major factors driving short and long term climate change.” In a unanimous vote, lawmakers gave the green light to an amendment in a 2019 spending bill mandating that NASA fund such a system, Science first reported Thursday.

…That system’s description sounds nearly identical to the Carbon Monitoring System (CMS), a $10 million-per-year program established to measure carbon dioxide and methane using satellite technology and similar mechanisms. The CMS has played a crucial role in the study of greenhouse gases, but last week the Trump administration confirmed that the program had ended after its funding was cut from the 2018 budget passed in March.

Now, it appears the CMS might be back from the dead — in everything but name.  The $62 billion 2019 CJS Appropriations bill approved on Thursday extends to a number of departments, including the Justice Department and numerous science-linked agencies, NASA among them.

“This bill invests our hard-earned tax dollars into the safety and security of our nation,” said Culberson [(R-TX), chair of the Commerce, Justice, Science (CJS) Appropriations Subcommittee.], who went on to detail various elements within the legislation.

(12) WINNING WWII AGAIN. Cnet reports “Steven Spielberg making a DC movie, punching Nazis again”.

Fresh from squeezing Batman and other DC comics cameos into Ready Player One, Steven Spielberg is now taking on the real thing. The legendary director is set to make a movie based on DC’s fighter ace Blackhawk.

Like DC’s smash hit Wonder Woman, and Spielberg’s Indiana Jones movies, Blackhawk is a retro wartime story, this time about a squadron of aerial adventurers battling Nazis and supervillains in World War II. Blackhawk was created in 1941 by Bob Powell, Chuck Cuidera and comic book legend Will Eisner.

(13) VULCAN DINOS ON EARTH. Popular Science realizes these creatures can only come from one place – and it’s not Earth — “Green bones, green hearts, can’t lose: these lizards survive with toxic green blood”.

Several species of New Guinea lizards seem to be from Vulcan, what with having green blood and all. But unlike Mr. Spock, their blood isn’t based on copper… they’ve evolved to tolerate a blood breakdown produce called biliverdin (which marks both jaundice and the sometimes spectacular green color of a bruise) at levels that would be fatal to a human.

In the forests of New Guinea, lizards scurry around with green bones, green hearts, green tongues, and green blood. At least six species share this enigmatic trait, which didn’t originate from one bizarre mutation but evolved four different times, according to new research in Science Advances.

These lizards have green insides because their bile carries super high levels of a deadly compound called biliverdin, the product of old red blood cells. People make the same pigment—you can see it when you get a gnarly, green-tinged bruise—but our livers filter it from our blood. Trace amounts of biliverdin cause jaundice, a disease common in infants and adults with liver failure. The levels found in these lizards would kill us. But for these lizards, well, it sure is easy being green.

(14) MAKE EVERY MOVIE A DEADPOOL SEQUEL. Adweek found out how to do it: “Here’s the Story Behind Deadpool’s Incredible Blu-ray Takeover at Walmart”.

When a display of Blu-rays, with each covered photobombed by Deadpool, popped up this week at Walmarts across the country, we had more questions that we had answers.

Who had created this amazing in-store activation, and how did such a sweeping takeover—entailing new, customized cover sleeves for The Terminator, Predator, Office Space, Fight Club and many more—come about?

Well, now we know. The short answer is that it was a collaboration between the in-house teams at Fox Home Entertainment and Los Angeles creative agency Neuron Syndicate, which designed the covers….

(15) CYBORGASM. Stephen Colbert reviews the latest news about robots in a Late Show comedy segment.

Google demonstrated its new Google Duplex, an A.I. assistant that can have realistic conversations with humans. But what happens when they talk to each other?

 

(16) REAL STINKERS. The finalists in the 2018 Lyttle Lytton Contest, which seeks the worst first sentence ever, have been posted. This year’s winner of the “found division” is:

The atmospheric molecules that filled the Rose Bowl were in full vibration as kickoff approached.

Ryan McGee, espn.com, 2017.0915
quoted by Ryan S.

[Thanks to Cat Eldridge, Bill, Mike Kennedy, JJ, John  King Tarpinian, Chip Hitchcock, Martin Morse Wooster, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day ULTRAGOTHA.]

The Big Three and a Lesson About Fixing Things Wrong

Robert Heinlein, L. Sprague de Camp, and Isaac Asimov, Philadelphia Navy Yard, 1944. Heinlein and Asimov were two of The Big Three. Who was the third?

Robert Heinlein, L. Sprague de Camp, and Isaac Asimov, Philadelphia Navy Yard, 1944. Heinlein and Asimov were two of The Big Three. Who was the third?

Last weekend, Vox Day set out to score a point for Infogalactic over the Wikipedia. Infogalactic is the rival online encyclopedia Day launched in October.

…And finally, another example of how Infogalactic is fundamentally more accurate than Wikipedia due to the latter’s insistence on unreliable Reliable Sources.

Robert Heinlein on Wikipedia

Heinlein became one of the first science-fiction writers to break into mainstream magazines such as The Saturday Evening Post in the late 1940s. He was one of the best-selling science-fiction novelists for many decades, and he, Isaac Asimov, and Arthur C. Clarke are often considered the “Big Three” of science fiction authors.[5][6]

Robert Heinlein on Infogalactic

He was one of the first science fiction writers to break into mainstream magazines such as The Saturday Evening Post in the late 1940s. He was one of the best-selling science fiction novelists for many decades, and he, Isaac Asimov, and Arthur C. Clarke are often erroneously considered to be the “Big Three” of science fiction authors.[5][6]. The original “Big Three” were actually Heinlein, Asimov, and A.E. van Vogt.[7]

This is what winning the cultural war looks like. Getting the facts straight one at a time.

Since Vox Day’s post, an Infogalactic editor has revised the Heinlein entry to phrase the correction even more emphatically:

He was one of the best-selling science fiction novelists for many decades, and he, Isaac Asimov, and Arthur C. Clarke are often considered to be the “Big Three” of science fiction authors[5][6], however the inclusion of Clarke is erroneous. The original “Big Three” were actually Heinlein, Asimov, and A.E. van Vogt.[7]

Proving that you’re never too old to learn, while I knew Heinlein, Asimov and van Vogt were Campbell’s top writers in the 1940s, I couldn’t recall ever hearing them referred to as the Big Three, whereas I had often heard that term applied to the trio named by the Wikipedia.  (Michael Moorcock wrote that Clarke was one of the Big Three in an article published just this month.) Was the Heinlein/Asimov/Clarke identification really “erroneous”? I have to admit that seeing Infogalactic’s cited source was a John C. Wright essay from 2014 made me want to check further before accepting the information.

Google led me to the Fancyclopedia (1944). Originally, “the Big Three” was a label 1930s fans applied to the three dominant prozines. Obviously at some later point they also endowed it on three sf writers. When did that happen, and who were the writers?

Isaac Asimov supplies the answer in I. Asimov: A Memoir (1994):

There was no question that by 1949 I was widely recognized as a major science fiction writer. Some felt I had joined Robert Heinlein and A.E.  van Vogt as the three-legged stool on which science fiction now rested.

As it happened, A.E. van Vogt virtually ceased writing in 1950, perhaps because he grew increasingly interested in Hubbard’s dianetics. In 1946, however, a British writer, Arthur C. Clarke, began to write for ASF, and he, like Heinlein and van Vogt (but unlike me), was an instant hit.

By 1949, the first whisper of Heinlein, Clarke, and Asimov as “the Big Three” began to be heard, This kept up for some forty years, for we all stayed alive for decades and all remained in the science fiction field.

Therefore, John C. Wright (in “The Big Three of Science Fiction” from Transhuman and Subhuman: Essays on Science Fiction and Awful Truth) correctly stated that Heinlein, Asimov and van Vogt were “the three major writers of Campbell’s Golden Age.” (The Science Fiction Encyclopedia also calls them “the big three”.)

But Infogalactic, unfortunately motivated by a need to get in a jab at the Wikipedia, has oversold Wright’s argument and missed a chance to be really accurate. The truth is that both trios were “the Big Three,” each in their own era.

Pixel Scroll 1/8/17 There Is No Joy In Pixelville – Mighty Casey Has Scrolled Out

(1) MOORCOCK REMEMBERS CLARKE, In New Statesman Michael Moorcock writes a wide-ranging memoir of Arthur C. Clarke which the publication rather myopically captions “’Close to tears, he left at the intermission’: how Stanley Kubrick upset Arthur C Clarke” – although, of course, that is one of Moorcock’s anecdotes.

Based primarily on his short story “The Sentinel”, together with other published fact and fiction, the film was very much a joint effort, although Arthur was overly modest about his contribution. For his part, Kubrick seemed unable to come up with an ending that suited him. When I visited the set, the film was already about two years behind schedule and well over budget. I saw several alternative finale scenes constructed that were later abandoned. In one version, the monolith turned out to be some kind of alien spaceship. I also knew something that I don’t think Arthur ever did: Kubrick was at some point dissatisfied with the collaboration, approaching other writers (including J G Ballard and myself) to work on the film. He knew neither Ballard nor me personally. We refused for several reasons. I felt it would be disloyal to accept.

I guessed the problem was a difference in personality….

Without consulting or confronting his co-creator, Kubrick cut a huge amount of Arthur’s voice-over explanation during the final edit. This decision probably contributed significantly to the film’s success but Arthur was unprepared for it. When he addressed MGM executives at a dinner in his honour before the premiere, he spoke warmly of Kubrick, declaring that there had been no serious disagreements between them in all the years they had worked together, but he had yet to see the final cut.

My own guess at the time was that Kubrick wasn’t at ease with any proposed resolution but had nothing better to offer in place of his co-writer’s “Star Child” ending. We know now that the long final sequence, offered without explanation, was probably what helped turn the film into the success it became, but the rather unresponsive expressions on the faces of the MGM executives whom Arthur had addressed in his speech showed that they were by no means convinced they had a winner….

As it turned out, Arthur did not get to see the completed film until the US private premiere. He was shocked by the transformation. Almost every element of explanation had been removed. Reams of voice-over narration had been cut. Far from being a pseudo-documentary, the film was now elusive, ambiguous and thoroughly unclear.

Close to tears, he left at the intermission, having watched an 11-minute sequence in which an astronaut did nothing but jog around the centrifuge in a scene intended to show the boredom of space travel. This scene was considerably cut in the version put out on general release

(2) CONGRATULATIONS! Pat Cadigan marks her ”Two-year Chemo-versary”.

Last year at this time, I was so…moved by the fact that I was going to live that it was a few weeks before I could think straight enough to get any work done. I think I was more affected by the news that I was going to live than I was by the news that I had terminal cancer. Even now––I mean, I’m getting things done but every so often I still have a sudden moment of clarity, of being surprised by joy.

(3) AWARD PICKERS. Horror Writers Association President Lisa Morton has named the members of HWA’s 2016 Lifetime Achievement Award Committee:

Ramsey Campbell

Erinn Kemper

Monica Kuebler

John Little (chair)

Joseph Nassise

The Committee will immediately begin discussions to determine 2016’s recipient(s).

(4) OLDER VISITS THE BAY AREA. Daniel Jose Older will do a reading and signing at the main San Francisco Public Library on January 24.

Author, Daniel Jose Older, will read from his second book, entitled Shadowshaper, about a young Afro-Latina girl named Sierra who discovers her family’s history of supernatural powers and her ability to interact with the spirit world.

(5) FINAL RESTING PLACE. I might not do it. You might not do it. All that matters is – WWCD? “Carrie Fisher’s ashes carried in Prozac-shaped urn”.

Carrie Fisher has been laid to rest alongside her mother Debbie Reynolds at a private service where her ashes were carried in an urn in the form of an outsize Prozac pill.

The US actress, best known for her role as Princess Leia in the Star Wars films, was frequently open about her experience of mental health issues.

“I felt it was where she would want to be,” her brother Todd Fisher said.

Following the joint funeral service at Forest Lawn Memorial Park in Hollywood Hills, Los Angeles, Todd Fisher said the giant pill in the shape of the anti-depressant drug was chosen as the urn for his sister’s ashes because it was one of Carrie’s “favourite possessions”.

(6) IN TIMES TO COME. Entertainment Weekly writer Rachel DeSantis says these are the most anticipated movies of 2017:

Star Wars: Episode VIII, Blade Runner 2049, and Alien: Covenant topped Rotten Tomatoes’ survey of the most anticipated movies of the year.

Star Wars fans got an extra dose of the galaxy far, far away in 2016’s most anticipated movie, Rogue One, which has brought in more than $800 million at the worldwide box office following its Dec. 16 release. Episode VIII will serve as the follow-up to 2015’s smash hit Star Wars: The Force Awakens. That film will pick up where The Force Awakens left off and features Daisy Ridley, Mark Hamill, John Boyega, Oscar Isaac, Adam Driver, Gwendoline Christie, Lupita Nyong’o, Domhnall Gleeson, Andy Serkis, and the late Carrie Fisher, who completed filming before she died last month.

(7) TODAY IN HISTORY

  • January 8, 1958 — Teenage Monster, aka Meteor Monster, opens in theaters.

(8) TODAY’S BIRTHDAY BOYS

  • January 8, 1935 – Elvis Presley
  • January 8, 1942 – Stephen Hawking. A thought for the day: “Intelligence is the ability to adapt to change. ” — Stephen Hawking

(9) HOW DO YOU KNOW IF YOU’VE MADE IT? W.E.B. Griffin gave a tagline to characters in his series The Corps: “The true test of another man’s intelligence is how much he agrees with you.”  When I read Brad R. Torgersen’s “What is ‘legitimate’ in the 21st century publishing environment?” I thought his answers were very intelligent…. Everyone would like Scalzi-size or even Milo-size book contracts, but that’s not a requirement of success.

My suggestion is to wholly ignore outside factors, and consider your specific situation alone. How much income — directly from prose writing — would it take to pay a single bill? How about several bills? The monthly rent, lease, or mortgage? Pay off the car loan? Wipe out college debt? Pay for a home remodel? Buy a new home entirely? These are scalable, individual goals which are within your individual grasp to quantify, and they don’t place you in competition with your peers. You are never keeping up with the Joneses, to use an old phrase. Your success is not determined by matching or “beating” anyone else in the business. It’s wholly dependent on how much progress you can make, and in what form, according to financial circumstances which are uniquely your own.

For example, I live in fly-over country. The cost of living, for my specific area of Utah, is rather modest. Especially compared to where I used to live in Seattle, Washington. It won’t take millions of dollars to pay off my home, or my auto loan, or to add a second floor onto my rambler, or to accomplish any other dozen things which I’d like to accomplish with my writing income. Better yet, these things can be accomplished without having to look at either Larry Correia to my northeast, or Brandon Sanderson to the south. I don’t have to “catch up” to feel like I am winning at the game of life. I am alone, on my own chess board, and I define my own conditions for victory. They can be reasonable. More importantly, they can be reachable. And I know for a fact that Larry, or Brandon, or any four dozen other successful Utah authors — we’ve got a lot of them out here — will understand completely. Because they’re all doing the same thing, too.

And so can you.

Once more, for emphasis: production, followed by readership, followed by income….

(10) SUCCESS BY ANYONE’S MEASURE. Adam Poots has a load of money he can to make the next edition of his game: “Board game raises over $10 million, becomes one of the most successful Kickstarter campaigns ever”.

The crowdfunding campaign for Kingdom Death: Monster 1.5 launched strong on Black Friday, the day after Thanksgiving. It set Kickstarter records by raising its first million in only 19 minutes , faster than any project ever before on the popular crowdfunding platform.

Currently, with more than $10 million raised and a bit over a day left in the campaign, the game is thefifth most funded project ever to run on Kickstarter. The other top ten highest earning products include Pebble smartwatches, the “coolest cooler,” a deluxe travel jacket and a tiny desk toy called a Fidget Cube.

New York City-based game designer and founder of Kingdom Death Adam Poots is, unsurprisingly, excited. …

Just don’t plan on playing it very soon. “Poots expects to be able to deliver all elements of the game by December 2020.”

(11) TRIBUTE ANTHOLOGY. If, on the other hand, you don’t need to get paid for your writing…. Zoetic Press is seeking fiction and nonfiction submissions for an anthology memorializing dead cultural icons.

We invite writers to eulogize the fallen icons who have profoundly shaped your relationship to yourself and your place in the world. We are more interested pieces which memorialize public figures who have recently passed, but all in memoriams submitted will be given equal attention.

We regret that we cannot consider In Memoriam pieces for Dearly Beloved which are not about public figures. We cannot consider pieces about family members, pets, friends, or figures that are not public for Dearly Beloved– this anthology is a memorial for the artists and public personalities that shape each of us differently.

(12) WE’RE A LITTLE LATE. From October, Alison Flood of The Guardian reports: “Stephen King pens children’s picture book about train that comes alive”.

Charlie the Choo-Choo, written under the pseudonym Beryl Evans, steams out out of the pages of King’s Dark Tower fantasy series and into bookshops – with a warning for Thomas fans

“As he looked down at the cover, Jake found that he did not trust the smile on Charlie the Choo-Choo’s face. You look happy, but I think that’s just the mask you wear, he thought. I don’t think you’re happy at all. And I don’t think Charlie’s your real name, either.”

Now, King has written a real-life version of Charlie the Choo-Choo: out on 22 November from Simon & Schuster, under the pseudonym Beryl Evans, and illustrated by Ned Dameron.

(13) THE COMIC SECTION. John King Tarpinian notes that online comic Brevity has a very amusing Star Trek reference today.

Meanwhile, Martin Morse Wooster points out that the latest installment of Pearls Before Swine might be seen as complementary to John Scalzi’s 10-point advice post linked in yesterdays Scroll.

(14) ANIMAL CINEMATOGRAPHY. In the Washington Post, Michael Cavna looks at how Illumination Entertainment’s fomula of talking animals and many, many jokes has proven highly profitable, leading to the green-lighting of Despicable Me 3, The Secret Life of Pets 2, and Dr. Seuss’ The Grinch.

Before 2016, Illumination had scored a modest hit with 2011’s “Hop” and, a year later, did well with “Dr. Seuss’ “The Lorax.” But the studio had a single go-to franchise: 2010’s “Despicable Me” grossed $543 million globally — just about equal to Illumination’s total reported production budget to date — and spawned the monster hits “Despicable Me 2? in 2013 ($970.8 million worldwide) and 2015’s “Minions” ($1.159 billion). Add in the sales of all cute yellow Minion merchandising, and Illumination had one property it could bank on. (“Despicable Me 3? is set to land this June.)

But “Despicable Me” writers Ken Daurio and Cinco Paul then brought their deft skills with spinning family-friendly adventures to “The Secret Life of Pets,” which grossed more than $875 million worldwide last year — making it the highest-grossing non-Disney film in 2016 (no small feat).

(15) GRANDMASTER INTERVIEWS PAST MASTER. A rare interview with Rod Serling (The Twilight Zone, Night Gallery) at the Center for the Study of Science Fiction at the University of Kansas, conducted by James Gunn in 1970.

[Thanks to John King Tarpinian, Martin Morse Wooster, Michael J. Walsh, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Peer Sylvester.]

Pixel Scroll 7/26 – The Answer, My Friend, is Scrollin’ in the Wind

Rants, disenchants, and Peter Grant, in today’s Scroll.

(1) “The Taffeta Darling,” a guest brought in by the Dallas Gaming Expo to help direct games, says the whole thing was run so badly she quit and wrote “Where’s The Ball Pit? Or Why I Left Dallas Gaming Expo”.

This weekend is the Dallas Gaming Expo, a video gaming convention that had hired me to be their voice of the convention and help them run their gaming tournaments. For the first time ever as a guest, I left what would have been a paid convention gig due to disgust, disbelief and a good conscious [sic].

The Dallas Gaming Expo turned out to be a classic example of a promoter looking to make loads of money off of the gaming community without really knowing what the should be done. This expo was presented with huge expectations with loads of guests, arcade gaming, skeeball, video game tournaments and more! Unfortunately what attendees got Friday night was a ball room full of chairs, 4 wobbly projection screens and about 6-7 TVs with consoles. As a guest of the event I smiled, and hoped for the best and said I was having fun, well because that’s what ya do.  I also wanted to see this event succeed. I thought maybe more would be coming and hopefully it will be better in the morning. I stayed through the night and ran the Super Smash Bros tournament along with guest Natalie Green, which honestly was a lot of fun for me to watch and engage in. On the flip side the tournament itself had quite a few snags including casual rules for tournament play, broken controllers, lagging screenplay, no official forms, and the reliance on a group of volunteers that tried it’s best to make things work.

After bailing on DGE, she went across town to Quakecon, another gaming event in Dallas this weekend.

A dissastified customer has even started a Change.org petition to ban the Dallas Gaming Expo from happening again (though only 29 signers as of this writing).

(2) I know in the world of sf&f there’s a tremendous competition to be the field’s biggest narcissist, but honestly, is anybody more stuck on himself than Michael Moorcock? The headline of his latest interview — “Michael Moorcock: ‘I think Tolkien was a crypto-fascist”.

“I think he’s a crypto-fascist,” says Moorcock, laughing. “In Tolkien, everyone’s in their place and happy to be there. We go there and back, to where we started. There’s no escape, nothing will ever change and nobody will ever break out of this well-­ordered world.” How does he feel about the triumph of Tolkienism and, subsequently, the political sword-and-sorcery epic Game of Thrones, in making fantasy arguably bigger than it has ever been?

“To me, it’s simple,” he says. “Fantasy became as bland as everything else in entertainment. To be a bestseller, you’ve got to rub the corners off. The more you can predict the emotional arc of a book, the more successful it will become.

Nothing ever changes in Middle-Earth? Evil is defeated, the spirits on the paths of the dead are redeemed, all the elves leave, the Shire is trashed…. Never mind. I’ve read bales of Moorcock’s Eternal Champion novels. Entertaining, but he didn’t beat Tolkien at his own game.

(3) A radio dramatization of Iain M. Banks’ novella “The State of the Art” (45 minutes) is available free on the BBC for another three weeks.

The Culture ship Arbitrary arrives on Earth in 1977 and finds a planet obsessed with alien concepts like ‘property’ and ‘money’ and on the edge of self-destruction. When Agent Dervley Linter, decides to go native can Diziet Sma change his mind?

From Wikipedia:

The novella chronicles a Culture mission to Earth in the late 1970s, and also serves as a prequel of sorts to Use of Weapons by featuring one of that novel’s characters, Diziet Sma. Here, Sma argues for contact with Earth, to try to fix the mess the human species has made of it; another Culture citizen, Linter, goes native, choosing to renounce his Culture body enhancements so as to be more like the locals; and Li, who is a Star Trek fan, argues that the whole “incontestably neurotic and clinically insane species” should be eradicated with a micro black hole. The ship Arbitrary has ideas, and a sense of humour, of its own.

“Also while I’d been away, the ship had sent a request on a postcard to the BBC’s World Service, asking for ‘Mr David Bowie’s “Space Oddity” for the good ship Arbitrary and all who sail in her.’ (This from a machine that could have swamped Earth’s entire electro-magnetic spectrum with whatever the hell it wanted from somewhere beyond Betelgeuse.) It didn’t get the request played. The ship thought this was hilarious.”

(4) After a 17-year hiatus, W. Paul Ganley’s Weirdbook Magazine is coming back. A Stephen Fabian cover will be on the back and this artwork by Dusan Kostic will be on the front —

Weirdbook 31

(5) Futurefen is a new WordPress site hoping to serve as a news and conrunning resource for kids programming.

I started this site because of frustration with getting timely and accurate info about kid programming from SFF conventions. I wanted to start a larger dialogue about how conventions can better serve ALL members of our community, and provide a centralized resource for information for fans with kids. For many of us, quality kid programs are a necessity to attend a convention. For us as a community, we need to foster and include and welcome kids to our gatherings because kids are our future. They’re the future fans, the future scientists, future writers and artists and inventors, future interesting people. Many of them are those things RIGHT NOW, and they have a lot of good they bring along with the energy they take.

I don’t really know if/how this site is going to work, but here we go. Let’s make a difference. 🙂

(6) Peter Grant scoffs at Jason Sanford’s announcement that the Tor Boycott has failed. Grant encourages supporters to ”Stay the course”.

I repeat what I’ve said before:  the Tor boycott is a long-term effort.  I know for certain, based on solid feedback from literally hundreds of individuals, that it’s already biting.  It was an eye-opener at LibertyCon last month to have so many people come up to me, thank me for taking a stand, and confirm that they were part of the boycott.  I’m certain that in 2015 alone, the boycott will have a six-figure effect on Tor’s turnover – not much for a multi-million-dollar-turnover publisher, but that’s just the start.  As those involved in the boycott continue it and spread the word, the impact will grow.  I fully expect it to reach a cumulative total of seven figures over time.  Again, that may not seem like a lot to scoffers and naysayers;  but I think in today’s publishing market, where margins are already razor-thin, such a loss of turnover may have an impact out of all proportion to its dollar value.  Vox Day, who’s also called for a boycott of Tor, has more ‘inside information’ than I do, and he’s also confident that the campaign is having an impact.

Thank you to all of you who’ve taken a stand on principle and stood up for what is morally and ethically right.  That has a value all its own, in a world that doesn’t attach much value to either morals or ethics.  Stay the course.  This will go on for years, and I think it will bear both short- and long-term fruit.  (As I pointed out a couple of weeks ago, there’s already convincing evidence of that.)

(7) Whereas all George R.R. Martin is saying is give peace a chance when you meet in person at Sasquan.

From talking and emailing with various friends and colleagues, however, I know that some of them will NOT be going to Spokane, mainly because the Hugo Wars have left a bad taste in their mouths. Others will attend, but not without trepidation. They wonder how much of the acrimony of Puppygate will spill over into the con itself… to the panels, the parties, the hallways. Will this worldcon be a celebration or a battleground? A family reunion or a family feud?

I wish I could answer that question, but no one really knows. I’m hoping for “celebration” and “family reunion,” and I think that’s the best bet… but we won’t know till the fat lady sings and the dead dogs howl.

And he has some gentle words for people he feels have been caught in the middle.

I don’t know Kary English. (It is possible I have met her or been in the same room with her at some previous con, but if so I don’t remember. I meet a lot of people). Until Puppygate and her double nomination, I had never read any of her work. But I agree with much of what she had to say in those posts, and I applaud her for saying it, knowing (as surely she must have) that by breaking ranks with “her side,” aka the Puppies, she would face the wroth of some of those who had previously championed her. I know that there are some on “my side” who have slammed English despite these posts, insisting that she spoke up too late in the game, that she was trying “to have it both ways.” No, sorry, that’s idiocy. Like Kloos and Bellet and Schubert before her, she’s opting out of the kennel and the slates. I will not fault her for not doing so sooner. This thing has been hard for all concerned, and these choices are painful… especially for a young writer who has just received his or her first Hugo nomination.

If there is any hope for reconciliation post-Puppygate, it lies with voices of moderation and forgiveness on both sides, not with the extremists and the haters. It lies with Marko Kloos and Annie Bellet and Edmund Schubert. I hope they are all at worldcon. I would like to meet them, buy them a drink, shake their hands, and argue about books with them.

[Thanks for these links goes out to JJ and John King Tarpinian. Title credit to Brian Z.]

Shaving With Stormbringer?

In a happier April Michael Moorcock’s foolishness would have been the headline. The moderators of Moorcock’s Miscellany claimed —

He [Moorcock] told us in a phone call over Easter that he finally gave in to Linda’s complaints that he steadily reminded her of that Rowling creation “Dumbledore”.

Result: Last Friday Mike shaved his beard! The Moorcocks intend to undergo a trial period of about six months after which they’ll decide on the permanency of this drastic change .

[Thanks for the link to David Klaus, via Ansible Links.]

New Worlds Revival

Michael Moorcock’s New Worlds magazine will release its first e-edition on November 10. The historic prozine will enter a second life with editorials and guidance from its iconic former editor.

The web magazine will have several original stories by new writers, audio visual content from both the British Library and the Greenwich arts festival and features by well-known figures in sf.

Meanwhile you may enjoy John Parker’s article about the history of New Worlds at Comics Alliance. It’s worthwhile despite a few clangers, such as the line “Michael Moorcock (yes, it’s a very funny name)…” and this howler-filled sentence:

Campbell was the Editor of Amazing Stories, the first sci-fi magazine, with a group of contributors that included Frederik Pohl, Isaac Asimov, and Damon Knight.

[Thanks to Andrew Porter for the story.]