The categories of genre interest follow. The complete list is here.
TV Moment of the Year: Dame Judi Dench slams Tennant and Sheen in Staged
Dame Judi Dench was on hand to accept the award, and told us: “I’m absolutely delighted to be given the TV Moment of the Year from the Radio Times. Thank you very much indeed.”
Best Comedy: Staged
David Tennant said of Staged‘s win: “Just wanted to drop by and say how chuffed we are that Staged has won this prize. It means so much to us that it’s connected with everyone who reads the Radio Times and everyone who watched the show this year. It was great fun to make and it’s meant so much to us.”
Best Sci-Fi/Fantasy: Doctor Who
Jodie Whittaker and Mandip Gill on the win for Doctor Who: “We just want to say thank you so much to all our fans and to everybody who voted, to everyone at Radio Times. We’re absolutely delighted, and this is such a massive honour so thank you!”
Best Film: Soul
Peter Docter, Director of Soul, said: “Thank you Radio Times readers for voting Soul Best Film of the year – that’s amazing. I’m Pete Docter the director of the film and on behalf of myself and the entire crew, our co-director Kemp Powers, producer Dana Murray, our entire fabulous cast, we’re so thankful. It’s been an amazing journey working on this film and realising how things we don’t really value in our lives are often the most important stuff. It’s given us a new chance to look out on the world and say thank you, be grateful for what we have – and this award certainly goes into that category. We’re so thankful – thank you!”
(1) IF YOU LOVED THEM IN GOOD OMENS… A finalist for RadioTimes.com Awards 2021– TV Moment of the Year is Judi Dench slamming David Tennant and Michael Sheen in Staged, a British comedy series set during the COVID-19 pandemic and primarily made using video-conferencing technology.
David Tennant and Michael Sheen playing exaggerated versions of themselves (actors) in 2020 trying to get work is already hilarious, but add in Dame Judi Dench and you’ve got a work of art. Tennant and Sheen aren’t exactly enthusiastic about their new role in a play, and Dench is on hand to remind them they have said yes to a job so they should “stop f**king about” and “do the bloody job”. That’s them (and us) told.
The series premiered on BBC One last summer, and another eight-episode series was released January 4. The first series synopsis is —
David Tennant and Michael Sheen (playing themselves) were due to star in a production of Six Characters in Search of an Author in the West End. The pandemic has put paid to that, but their director (Simon Evans – also playing himself) is determined not to let the opportunity pass him by. He knows how big a chance this is for him and turns his attention to cajoling his stars into rehearsing over the internet. All they need to do is read the first scene, but throughout the series they come up against a multitude of oppositional forces: distraction, boredom, home-schooling and their own egos.
…Deciding whether to reopen the stores won’t be easy. At 70 years young, many assumed owner Don Blyly would retire from retail business after the fire. Such assumptions are premature, however. It takes a lot of drive to start over from nothing, but Blyly seems to be equal to whatever tasks he sets himself.
…He admits that he has a knack for bouncing back from adversity, “I’ve noticed that I seem to have more resilience than most other people and I’ve wondered why. Partly it is stubbornness. Partly it is because the more of a track record you have at overcoming previous difficulties, the more confidence you have of overcoming the latest difficulty.”
Blyly says the city has a lot to answer for when it comes to the uprising, “Back in 2015 the Department of Justice made recommendations for reforming the Minneapolis Police, but the City Council has done nothing to implement those recommendations. The judge in the trial of Mohamed Noor for the murder of Justine Damond raised issues about problems with the Minneapolis Police that have never been addressed.”
Since the uprising and subsequent looting, he’s concerned that many people think the area is too dangerous to visit, “About half of my sales were to people outside the I-495/ I-694 loop, and they are now scared to come to Minneapolis to spend their money. Customers in South Minneapolis told me that they would be scared to return to the Uncles if I rebuilt in the old location. The city is going to have to actually work on fixing the problems with the Minneapolis Police instead making ‘defunding’ speeches before people will feel comfortable about spending their money in Minneapolis again.”
(3) IT PAYS TO BE POSTHUMOUS. Julie Phillips, in “Born to Be Posthumous” at 4Columns, reviews Mark Dery’s Born To Be Posthumous: The Eccentric Life And Mysterious Genius Of Edward Gorey.
By his mid-twenties, the artist and illustrator Edward Gorey had already settled on his signature look: long fur coat, jeans, canvas high-tops, rings on all his fingers, and the full beard of a Victorian intellectual. His enigmatic illustrations of equally fur-coated and Firbankian men in parlors, long-skirted women, and hollow-eyed, doomed children (in The Gashlycrumb Tinies, among other works) share his own gothic camp aesthetic. Among the obvious questions for a reader of Gorey’s biography are: Where in his psyche, or in the culture, did all those fey fainting ladies and ironic dead tots come from? And, not unrelatedly: Was Gorey gay?
…Gorey described himself as “undersexed” in a 1980 interview, and equivocated: “I’ve never said that I was gay and I’ve never said that I wasn’t. A lot of people would say that I wasn’t because I never do anything about it.” Did he reject a gay sexuality, or was his particular sexuality, perhaps asexuality, not yet on the menu? Dery isn’t out to judge, and encourages us instead to look at how Gorey’s arch imagery, flamboyant self-presentation, and “pantheon of canonically gay tastes” (ballet, Marlene Dietrich records, silent film) allow him to be read in the context of gay culture and history, whatever his praxis in bed….
… Since it first appeared in October 2019, “Sexy Times With Wangxian,” or STWW, has become notorious across AO3. That in itself is unusual, because most AO3 users stick to their own fandoms and don’t pay much attention to what’s happening in others. STWW belongs to the fandom for the wildly popular Chinese TV series The Untamed, and the “Wangxian” in the title refers to the ship name for the show’s beloved main romantic pairing. It’s a very long fanfic, over a million words, and contains more than 200 chapters of porn featuring The Untamed’s large cast in endless permutations and sexual scenarios.
All that, by itself, isn’t enough to make STWW remarkable — not on a website as wild and unpredictable as AO3. Yet the fic has become impossible for many AO3 users to ignore thanks to a unique quirk: Its author has linked it to more than 1,700 site tags (and counting).
A quick note about AO3’s tagging system: It is designed to let users tag creatively and freely. So you can add useful tags, like pairing labels and character names, but you can also toss in personalized tags for fun and creative expression, from “no beta readers we die like men” to “I wrote this at 4am on three bottles of Monster Energy and zero sleep don’t judge.”
The tagging system is in service of the site’s total permissiveness — you can write anything you want in tags. But for the site to function, tags still need to be useful for navigation. So AO3 has hordes of volunteers known as “tag wranglers” whose sole job is to sort through the massive number of fic tags on the site and decide which ones will actually help users find what they’re looking for.
Those tags are then made “canonical,” which means they’ll become universal tags that every user can sort through. They’ll also appear within a list of suggested tags as you type. If I start to type “hospital” while tagging a fic, AO3 will return canonical tag suggestions like “Alternate Universe — Hospital,” “Hospital Sex,” and “Hogwarts Hospital Wing.” That makes it easy to determine whether your fic fits tags the community is already using.
AO3’s tagging system is so organized and thorough that it has won widespread acclaim from fields like library science and internet infrastructure. But it still has its limits — and with more than 1,700 tags, “Sexy Times With Wangxian” has revealed what some of those limits look like — in some cases quite literally….
The tags are so numerous, they can’t fit into a single screenshot on a large monitor. Here’s a quick scroll through the entire thing…
(5) THEY’RE FEELING BETTER. Jen Chaney, in “No, They Weren’t Dead the Whole Time” at Vulture, has an oral history of the last episode of Lost, which reveals that showrunners Carlton Cuse and Damon Lindelof had the ambiguous ending in mind the whole time and that the show was so important that the State of the Union in 2010 was moved because it conflicted with the final season opening episode.
…When the finale aired, it sparked divided responses (understatement) from fans. Some loved the emotional way in which Jack’s journey and that of his fellow survivors of Oceanic Flight 815 came to a close. Others were extremely vocally angry about not getting more direct answers to the show’s many questions. Still others came away from it all convinced that the castaways had been dead the whole time. (They were not dead. They really weren’t.)
What was semi-clear at the time and is even clearer now is that the broadcast of the Lost finale would mark the end of something else: the truly communal broadcast television experience. Subsequent finales would be major events (see HBO’s Game of Thrones) and even draw larger audiences (2019’s final Big Bang Theory attracted 18 million viewers, compared to the 13.5 million who tuned in for the Lost farewell). But nothing else since has felt so massively anticipated and so widely consumed in real time the way that the end of Lost, the Smoke Monster Super Bowl, did in 2010.
Vulture did extensive interviews with writers, cast, and crew members, who reflected on the development of “The End,” the making of the still hotly debated episode, and the cultural conversation it continues to generate. Because, yes, of course, we had to go back.
…An appreciation for speculative fiction isn’t always handed down from within a family. Sometimes it grows on its own, or is introduced by a friend or a teacher. Or a child is uninterested, despite their parents’ best efforts to sway them to the side of elves and proton cannons. I recently reached out to several writers to ask them about their experience growing up, their parents’ relationship to speculative fiction, and the impact that parenthood has had on them as writers….
…There are also emotional sacrifices that come along with parenthood. After the birth of her first child, de Bodard’s tolerance for stories featuring child abuse or endangerment “went from weak to zero” immediately. “I had to put off reading a book I was much looking forward to because I couldn’t get past the violence against a child.” As the father of a daughter, I’ve had a similar experience to de Bodard, and have also become even more aware of and angered by the pervasive sexism that continues to plague speculative fiction and fandom.
Personal writing of any sort reveals layers to a person that even their close friends and loved ones might not recognize. My wife often finds it odd to read my writing—not because of the subject matter, but because it’s told in a voice that doesn’t sound familiar to her ear.
“My children have all read at least some of my writing,” said Elliott. “I often consult them about plot, character, and world–building because I like to hear their feedback, because they know me so well, and because they have fascinating and deep imaginations. They are probably my most valuable writing resource, with my cherished writer and reader friends a close second.”…
My old Marvel Bullpen pal Jo Duffy had a lengthy, celebrated run back then on Power Man and Iron Fist, where she also wrote Conan the Barbarian, Fallen Angels, Star Wars, and Wolverine. She also wrote Catwoman for DC and Glory for Rob Liefeld’s Extreme Studios imprint of Image Comics. Additionally, she worked on the screenplays for the horror films Puppet Master 4 and Puppet Master 5.
We discussed why she knows what Superman will look like when he’s 100, the many reasons our kid selves both thought Marvel had D.C. beat, the genius of Marie Severin, how I may have inadvertently been responsible for her getting a job as an Assistant Editor in the Marvel Bullpen, what it was like to work with Steve Ditko, the firing she still feels guilty about 40 years later, how she approached the challenge of writing Power Man and Iron Fist, the letter she wrote to Stan Lee after the death of Jack Kirby, the two-year-long Star Wars story arc she was forced to squeeze into a few issues, the best writing advice she ever got, and much more.
(8) FIRST THERE IS NO MOUNTAIN, THEN THERE IS. Sarah Gailey, in “Building Beyond: Move Mountains” at Stone Soup, gets an assist from Alex Acks and nonwriter Kacie Winterberg to illustrate how easy a particular facet of sff creation can be:
Building Beyond is an ongoing series about accessible worldbuilding. Building a world doesn’t have to be hard or scary — or even purposeful. Anyone can do it. To prove that, let’s talk to both a writer and a non-writer about a worldbuilding prompt.
How do you go about communicating with a mountain to prevent it from pursuing its ambition of becoming a volcano?
(9) MEDIA BIRTHDAY.
February 26, 1977 — On this day in 1977, Doctor Who’s “The Talons Of Weng-Chiang, Part 1” first aired. It featured Tom Baker, considered the most popular of all the actors who’ve played The Doctor, and Leela, the archetypal savage that British Empire both adored and despised, played by Louise Jameson. The villain was most likely a not-so-accidental take off of Fu Manchu. Cat Eldridge reviewed the episode at A Green Man Review. You can watch the first part online here with links to the rest of the story there as well. (CE)
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born February 26, 1874 – Katherine Cameron. Member, Glasgow Society of Lady Artists (Women Artists after 1975). A dozen illustrated books for us. This is in Stories from the Ballads (M. Macgregor, 1906). Here are Snowdrop and the Seven Dwarfs. Here is Celtic Tales. Here is Undine. This is in The Enchanted Land. (Died 1965) [JH]
Born February 26, 1916 – Clifford Geary. A dozen covers, two dozen interiors for us; many others. Noteworthy in particular for illustrating Heinlein’s “juveniles”. Here is a frontispiece for Starman Jones. Here is an interior for Between Planets. This is in Space Cadet. Here is one from outside our field. (Died 2008) [JH]
Born February 26, 1918 — Theodore Sturgeon. I hadn’t realized that he’d only written six genre novels! More Than Human is brilliant and I assumed that he’d written a lot more long form fiction but it was short form where he excelled with more than two hundred such stories. I did read over the years a number of his reviews — he was quite good at it. (Died 1985.) (CE)
Born February 26, 1945 — Marta Kristen, 76. Kristen is best known for her role as Judy Robinson, one of Professor John and Maureen Robinson’s daughters, in the original Lost in Space. And yes, I watched the entire series. Good stuff it was. She has a cameo in the Lost in Space film as Reporter Number One. None of her other genre credits are really that interesting, just the standard stuff you’d expect such as an appearance on The Man from U.N.C.L.E. and Alfred Hitchcock Presents. (CE)
Born February 26, 1945 – Alex Eisenstein, age 76; 1946 – Phyllis Eisenstein (Died 2020). Active fannish couple; P also an active pro, a dozen novels, twoscore shorter stories with A collaborating on half a dozen; so far as I know The City in Stone, completed, remains unpublished. AE co-edited Trumpet. Here is his cover for More Issues at Hand. PE was Guest of Honor at Windycon XXX, Capricon 26, ConQuesT 38; a soft-sculpture of her was part of the Fanzine Lounge at Chicon VI the 58th Worldcon. AE, a noted SF art collector, has organized many displays including that Chicon. [JH]
Born February 26, 1948 — Sharyn McCrumb, 73. ISFDB lists all of her Ballad novels as genre but that’s a wee bit deceptive as how genre strong they are depends upon the novel. Oh, Nora Bonesteel, she who sees Death, is in every novel but only some novels such as the Ghost Riders explicitly contain fantasy elements. If you like mysteries, all of them are highly recommended. Now the Jay Omega novels, Bimbos of the Death Sun and Zombies of the Gene Pool are genre, are great fun and well worth reading. They are in print and available from the usual suspects which is interesting as I know she took them out of print for awhile. (CE)
Born February 26, 1952 – Bob Devney, F.N., age 69. Eight-time finalist for Best Fanwriter. Fellow of NESFA (New England SF Ass’n; service). Lover of SF movies – some of them, anyway. When I remarked to him I hadn’t seen The Devniad in a while, he muttered something about Twitter; but quite possibly he still hasn’t recovered from Noreascon 4 the 62nd Worldcon, where he worked very hard, as I saw and maybe you did too. [JH]
Born February 26, 1957 – John Jude Palencar, age 64. A hundred ninety covers, five dozen interiors. Artbook Origins. Here is Rhinegold. Here is Kushiel’s Avatar. Here is The Dark Line. Here is Mind of My Mind. This picture led to The Palencar Project – David Hartwell did such things. Five Chesleys. American Water Color Society Gold Medal. Hamilton King Award. Spectrum Grand Master. Also National Geographic, Smithsonian, Time. [JH]
Born February 26, 1963 — Chase Masterson, 57. Fans are fond of saying that she spent five years portraying the Bajoran Dabo entertainer Leeta on Deep Space Nine which means she was in the background of Quark’s bar a lot though she hardly had any lines. Her post-DS9 genre career is pretty much non-existent save one-off appearances on Sliders, the current carnation of The Flash and Star Trek: Of Gods and Men, a very unofficial Tim Russ project. She has done some voice work for Big Finish Productions as of late. The series there features here as Vienna Salvatori, an “impossibly glamorous bounty hunter” as the publicity material including photos of her puts it. (CE)
Born February 26, 1965 — Liz Williams, 56. For my money, her best writing by far is her Detective Inspector Chen series about the futuristic city Singapore Three, its favorite paranormal police officer Chen and his squabbles with an actual Chinese-derived Heaven and Hell. I’ve read most of them and recommend them highly. I’m curious to see what else y’all have read of her and suggest that I read. (CE)
Born February 26, 1968 – Lynne Hansen, age 53. Half a dozen novels, ten dozen covers. Here is Strangewood. Here is Things That Never Happened (hello, Scott Edelman). Here is A Complex Accident of Life. Here is The High Strangeness of Lorelei Jones. [JH]
…We’re hearing that no director is attached as of yet and plot details remain under wraps. Additionally, the search for an actor to play Kal-El / Superman hasn’t started yet.
“To be invited into the DC Extended Universe by Warner Bros., DC Films and Bad Robot is an honor,” said Coates in a statement received only by Shadow and Act. “I look forward to meaningfully adding to the legacy of America’s most iconic mythic hero.”
“There is a new, powerful and moving Superman story yet to be told. We couldn’t be more thrilled to be working with the brilliant Mr. Coates to help bring that story to the big screen, and we’re beyond thankful to the team at Warner Bros. for the opportunity,” said J.J. Abrams in the statement to S&A.
“Ta-Nehisi Coates’s Between the World and Me opened a window and changed the way many of us see the world,” added Toby Emmerich, Chairman, Warner Bros. Pictures Group. “We’re confident that his take on Superman will give fans a new and exciting way to see the Man of Steel.”
…If you think Disney’s recent announcement that it will soon be charging $75 a head for the thrill of wandering around California Adventure to buy and eat things while admiring the entrances to still-closed rides is nuts, I am here to tell you that it is not.
…It was absolutely clear right away. Desperate for even the faintest tang of the Disney experience, thousands of us apparently are quite willing to settle for the elements of the Disney experience we normally complain about the most: waiting in line,overpriced food and the siren call of way too much Disney merch.
Late on a recent Wednesday afternoon, it was a 45-minute wait simply to enter the Downtown Disney area, 50 if you count the five-minute walk from the car, which cost 10 bucks to park.
To be fair, the line that snaked through an entire parking lot could be construed, at least in these coronavirus-plagued times, as a Disney experience in and of itself. The now-ubiquitous six-feet-apart marks created a socially distant conga line that involved far more walking than standing: “Well, we’re getting our steps in,” one of my daughters remarked.
…As the sun set over the Simba parking lot and our group advanced through the temperature-taking station and the bag-check station, then past a police presence prominent enough to make any mask-shirker think twice, one could at least imagine a world returning to something approaching normal.
Listen to the piped-in music! Yes, once upon a time it did indeed drive some of us insane. But now, after a yearlong lifetime of home-office work — concentration broken on an hourly basis by the maddening syncopated roar of leaf blowers and brain-drilling hum of the neighbors’ home improvement project — all those Disney tunes fell around us like the singing of a heavenly host….
…Beyond the plot reasons, I loved that it was more a cultural conflict because that concept is at the heart of this duology: the way the Empire doesn’t simply conquer via its military but swamps others with its pervasive, relentless, invasive cultural tentacles (hmm, sound familiar?), the way the question of “who counts as human” (or more broadly, who can be considered a person) runs throughout the Empire on a macro level, and throughout the relationship between Mahit and Three Seagrass on a micro level.
… It’s impossible to read these moments and not relate them to everyday existence for those forced to swim in the sea of a majority culture. This fraught tension is made all the richer for how Martine portrays (realistically) how seductive such cultural power is even for those it threatens to swamp, like falling in love with the waves that are trying to drown you. And then it gets under the skin and into the brain so it becomes almost second nature: “Mahit laughed, a raw sound … She couldn’t do it all. She thought in Teixcalaanli, in imperial-style metaphor and overdetermination. She’d had this whole conversation in their language.”
… It all came down to this month’s Analog. If it were superb, as it was last month, then we’d have a clean sweep across eight periodicals. If it flopped, as it often does, the streak would be broken.
As it turns out, neither eventuality quite came to pass. Indeed, the March 1966 Analog is sort of a microcosm of the month itself — starting out with a bang and faltering before the finish….
(15) FROM BROADWAY TO BROADBAND. [Item by Martin Morse Wooster.] In the February 19 Financial Times, Sarah Hemming reviews “online interactive theatre shows” which try to capture some of the spontaneity of live theatre.
Collaboration is key to success with all these show: the quicker an audience learns to share tasks, the better. In Sherlock In Homes: Murder At The Circus (from the Wardrobe Theatre and Sharp Teeth Theatre), this turns out to be a group of small girls from Wales with a formidable line in questioning, (The same companies have also created Sherlock In Homes 2: Murder On Ice.)
Another Sherlock-inspired show, Murder At The Circus is a droll, family-friendly affair, low on tech high in audience-actor interaction. Sherlock is missing (again), leaving behind a rum case involving a dead circus clown and a plate of potted meat. We, the impromptu detectives, must quiz a line-up of dubious suspects with names like Glenda Flex (acrobat) and Rory McPride (lion tamer), all of whom are adept at juggling the truth.
After several rounds of unfocused interrogation from our team, the Welsh 10-year-olds spring into action. “Where were you location-wise when you were kissing?’ demands one, sternly, of a particularly evasive character, It would take a hardened criminal not to crack.”
David must have done something right because author Barry Malzberg was willing to sit down for a lengthy phone conversation with him. In this interview, Barry leads David through his experiences with multiple authors including PKD, the in’s and out’s of the publishing industry of the 60s and 70s, and more. Also, don’t forget to check out part 2 of our Barry Malzberg Spectacular where author James Reich joins David in an in-depth look at the award-winning novel Beyond Apollo, which garnered the first ever John W. Campbell Memorial Award for Best Science Fiction Novel.
…One of the promotions tied to Gaga’s cookies is a Sing It with Oreo feature. You can make personal recordings, transform them into “musical messages of kindness” and send them to folks you love and support. The pink foil packaging for Gaga Oreos features a QR code, which provides instant access to the recording function. You probably have to give up countless pieces of personal information in the process, but go ahead, “Just sing from the heart, and make someone’s day a little brighter.”
[Thanks to John King Tarpinian, Martin Morse Wooster, Michael Toman, Cat Eldridge, JJ, John Hertz, Andrew Porter, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]
…Speaking in a YouTube interview with Guardian columnist Owen Jones, the Welsh actor said he handed back an Order of the British Empire (OBE) that he received in 2009 for services to drama.
He quietly returned the honor in 2017 after conducting research on Wales’ relationship with England as part of delivering the Raymond Williams Society lecture. He referenced his unease with practices such as handing the Prince of Wales title to the heir to the throne, despite that individual being English.
…One recent Sunday, though, Jérôme Callais made €32. And there was a day that week when he made €4: a single paperback, he can’t even recall which. It has not, Callais said, sheltering from driving rain on an all but deserted Quai de Conti, been easy.
Not that anyone ever became a bouquiniste for the money. Even in non-pandemic times, small-scale, secondhand bookselling in the era of smartphones, e-readers and Amazon is never going to be much of a money-spinner….
(4) PIXEL ADJACENT. [Item by Daniel Dern.] Learned by having just watched 10 Things You Didn’t Know About ‘A Christmas Story.
(The movie based on Jean Shepherd’s stories from his collection In God We Trust, All Others Pay Cash, which many folks of my greying years listened to Shep read on his radio show over the years):
1, One of the 8,000 kids who auditioned for the role of Ralphie (Shep’s younger self) was Wil Wheaton. (This fact makes it sufficiently sf-adjacent to be a Scroll item.)
2, One of the auditioners for the role of the father was Jack Nicholson.
(5) THOMAS ON BRADBURY. This is from an interview with new F&SF editorSheree Renée Thomas in the December Locus:
I really loved Ray Bradbury because he often wrote about small towns. Even though I’ve lived in New York, I don’t really think of Memphis as a small town–it’s a big city with lots of different little towns in it–but I liked that Bradbury wasn’t patronizing and dismissive. He recognized, like so many other writers, that in these places great complexity, mystery, and human drama can be found. He had some problematic things in his work, but he was more progressive than some of his peers at the time. I loved his language and his characters,
There’s a big excerpt of the interview at the link (although this paragraph admittedly isn’t part of it.)
(6) STAGING FRANKENSTEIN. The New York Times revisits “A ‘Frankenstein’ That Never Lived”. Tagline: “On Jan. 4, 1981, the effects-heavy production opened and closed on the same night. Forty years later, the creators revisit a very expensive Broadway flop.”
… The show’s human stars included John Carradine, in what would be his last stage role, as the blind beggar.
GIALANELLA Carradine had been doing such crap — B movies, commercials. He was an old man, but he still had that deep, rich, whiskey voice. During previews, Joe rented a screening room and showed us “Frankenstein” and “Bride of Frankenstein” [from 1935, in which Carradine had an uncredited bit part]. Someone turned to him and said: “That’s such a great film. What’s your memory of it?” He stood for a minute and said, “Two days’ work.”
CARRIE ROBBINS, costume designer His hands were so riddled with arthritis he could not dress himself. I had a lovely small-of-stature dresser who was able to hide in the “fireplace” of the old man’s hut and help him out.
The role of Victor Frankenstein went to William Converse-Roberts, a recent Yale Drama School graduate who would be making his Broadway debut. After extensive auditions of other actors, the part of the Creature went to Keith Jochim, who had originated the role in St. Louis.
GIALANELLA Nobody was nailing it. I went to Joe and said, “You’ve got to bring in Keith.” They didn’t want to do it. They wanted someone with at least New York credibility.
MARTORELLA Keith’s audition was incredibly moving. We had 10 minutes, and he ended up reading for a half an hour. Then he came back in the afternoon in the makeup he had designed [for St. Louis]. I wrote in my diary, “He had totally transformed himself into a heap of horror.” I can still see the faces of Tom, Joe and Victor. They were in awe.
The show, began loading in at the Palace on Oct. 23, 1980. The crew started with 15 stagehands, which quickly swelled to three dozen. The start of previews was delayed by the complexity of Douglas Schmidt’s sets, which rotated on a giant turntable, and by issues with effects like the Tesla coil, whose full intensity was ratcheted up over the course of rehearsals.
JOHN GLOVER, actor The first time [the Tesla coil] went off, it scared the crap out of me. Instead of falling into the orchestra pit, I jumped all the way over it.
Gilligan’s Planet is based on the premise that the Professor had managed to build an operational interplanetary spaceship to get the castaways of the original series off the island. This series creates a different timeline for the Gilligan franchise, rendering the two Universal Television film sequels necessarily in a different continuity, as those films had integrated the cast back into society….
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born December 30, 1865 — Rudyard Kipling. Yea Kipling. He’s written enough of a genre nature such as the Just So Stories for Little Children stories like “How the Camel Got His Hump“ and “The Cat That Walked By Himself“ being wonderful stories with a soupçon of the fantastic in them that he deserves a Birthday. Or there’s always The Jungle Book which runs to far more stories than I thought. Yes, he was an unapologetic Empire loving writer who expressed that more than once but he was a great writer. (Died 1936.) (CE)
Born December 30, 1869 – Stephen Leacock, Ph.D. Forty short stories for us; he called some “nonsense novels”, but as to their length that is numerically nugatory. Lorne Pierce Medal. Governor General’s Award. Mark Twain Award. Eponym of the Leacock Memorial Medal. Admirer of Robert Benchley, admired by Groucho Marx and Jack Benny. A complicated conservative, a consummate comic. Let us at his left write so well. (Died 1944) [JH]
Born December 30, 1935 – David Travis, Ph.D. Bowler and mathematician. Five stories. Correspondent of Amazing, SF Review, Starship, hello Andy Porter. (Died 2011) [JH]
Born December 30, 1931 – Ilene Meyer. Artist Guest of Honor at Rustycon 3. Here is the Norwescon 8 Program Book. Here is the Jul 88 Magazine of Fantasy & Science Fiction. Here is the May 90. Here is the Jan 94. Here is Vance’s Chateau D’If. Here is the Fenners’ artbook on her. Covers for six volumes of P.K. Dick’s letters; here is 1980-1982. Here is The World Below; she did not live to complete The World Above. (Died 2009) [JH]
Born December 30, 1950 — Lewis Shiner, 70. Damn his Deserted Cities of the Heart novel was frelling brilliant! And if you’ve not read his Wild Cards fiction, do so now. He also co-wrote with Bob Wayne the eight-issue Time Masters series starring Rip Hunter which I see is on the DC Universe app. Yea! Anyone here that’s read the Private Eye Action As You Like It collection of PI stories I see listed on usual suspects with Joe Lansdale? It looks interesting. (CE)
Born December 30, 1951 – Avedon Carol, age 69. TAFF (Trans-Atlantic Fan Fund) delegate and thus Fan Guest of Honour at Eastercon 34, whereupon she married Rob Hansen (see her report here) and both were Fan Guests of Honour at Eastercon 40. AC also FGoH at Wiscon 11, Corflu 32 (fanziners’ con; corflu = mimeograph correction fluid; the FGoH is determined, um, idiosyncratically). Many fanzines, see here. [JH]
Born December 30, 1952 – S.P. Somtow, age 68. Thirty novels, ninety shorter stories, many interwoven, interdependent, international. Forty poems; a hundred essays (thirty in Fantasy Review), letters, messages, reviews, introductions to introductions – I’m not making this up, he is. Here is his cover for The Other City of Angels. Campbell Award (as it then was) for Best New Writer. Locus Award. World Fantasy Award. Composer, conductor (Golden W from the Int’l Wagner Society), founder of performing companies, and in fact a prince of a man. In person I last saw him playing piano four-hands with Laura Brodian Kelly-Freas (as she then was). Website. [JH]
Born December 30, 1959 — Douglas A. Anderson, 61. The Annotated Hobbit, for which he won the Mythopoeic Award, is one of my favorite popcorn readings. I’m also fond of his Tales Before Narnia: The Roots of Modern Fantasy and Science Fiction which has a lot of great short fiction it, and I recommend his blog as it’s one of the better ones on fantasy literature out there: Tolkien and Fantasy (CE)
Born December 30, 1976 — Rhianna Pratchett, 44. Daughter of Terry who now runs the intellectual property concerns of her father. She herself is a video game writer including the recent Tomb Raider reboot. For her father, she’s overseen and being involved several years back in The Shepherd’s Crown, the last Discworld novel. She’s a co-director of Narrativia Limited, a production company which holds exclusive multimedia and merchandising rights to her father’s works following his death. They of course helped develop the Good Omens series on Amazon. (CE)
Born December 30, 1980 — Eliza Dushku, 40. First genre role was Faith in the Buffyverse. Not surprisingly, she’d star in Whedon’s Dollhouse. I think her Tru Calling series was actually conceptualized better and a more interesting role for her. She voices Selina Kyle, Catwoman, in the animated Batman: Year One which is quite well done and definitely worth watching. She done a fair of other voicework, one of which I’ll single out as of note which is the character of Holly Mokri in Torchwood: Web of Lies. (CE)
Born December 30, 1986 — Faye Marsay, 34. Shona McCullough In a Twelfth Doctor story, “The Last Christmas”. She also was on A Game of Thrones for several seasons as The Waif. (Who that is I know not as I didn’t watch that series.) She also played Blue Colson in Black Mirror’s “Hated in the Nation” tale. Her theater creds include Hansel & Gretel, Peter Pan and Macbeth — all definitely genre. (CE)
Born December 30, 1993 – Kaley Bales, age 27. Visual artist. Illustrations for Michael Ezell, Peter Madeiros. Here is Why She Wrote. “My biggest sources of inspiration are the Pacific Ocean coastline, fresh produce, and any mainstream media made before the 1970s.” [JH]
…“God bless us, every one! A decade on, A Christmas Carol is still the Doctor Who festive special liable to turn even the greatest TV Scrooge into a true Christmas convert,” said Huw Fullerton, RadioTimes.com’s Sci-Fi and Fantasy Editor.
“Filled with Who-letide cheer, adventure, flying sharks and even a Katherine Jenkins solo, this episode really does have it all. Is it any wonder it’s still at the top of any Whovian’s Christmas list?”
Also starring Michael Gambon, Karen Gillan and Arthur Darvill alongside Smith and Jenkins, the Steven Moffat-penned episode sees Smith’s Doctor try to evoke Charles Dickens’ classic tale to warm the heart of an old miser (Gambon), whose greed and apathy threaten the lives of countless people.
…Interestingly, the poll also recorded a high result for William Hartnell festive one-off The Feast of Steven (1965), which was actually the seventh part of the Daleks’ Master Plan serial, and saw the First Doctor break the fourth wall to wish everyone at home a Merry Christmas.
Considering this episode was irretrievably lost soon after broadcast and very few will have been able to see it, it seems likely fans were intending to show a general support for Hartnell’s Time Lord, and note his often-overlooked status as the first Doctor (and the only for 40 years) to have a Christmas special.
A Christmas Carol (2010) 13 per cent
The End of Time (2009/10) 11 per cent
The Christmas Invasion (2005) 10 per cent (higher vote)
The Feast of Steven (1965) 10 per cent
Resolution (2019) 8 per cent (higher vote)
The Husbands of River Song (2015) 8 per cent
Voyage of the Damned (2007) 8 per cent
Twice Upon a Time (2017) 7 per cent
The Runaway Bride (2006) 6 per cent
The Time of the Doctor (2013) 5 per cent
Last Christmas (2014) 5 per cent
The Snowmen (2012) 3 per cent (higher vote)
The Next Doctor (2008) 3 per cent
The Doctor, the Widow and the Wardrobe (2011) 2 per cent
The Return of Doctor Mysterio (2016) 1 per cent
(11) GETTING READY FOR DISNEY+’S WANDAVISION SERIES. [Item by Daniel Dern.] This alone is enough to have me ready to subscribe to Disney+ (Yes, Loki also looks interesting, and as long as I (will) have a subscription, I will no doubt dip a mutant-clawed iron-armored toe into the other Marvel series). (And we’ll finally watch Hamilton: The Movie.)
Here’s the trailers. Yes it looks like it’s going to be a hopefully long strange trip.
In case you aren’t already sold, here’s a bit of background etc: (I assume there’s no spoilers, but can’t guarantee it.)
The show takes place after Avengers: Endgame (during which Vision died).
It takes (some of its) inspiration from Marvel’s House Of M event/story line (where W & V have young kids), and from Tom King’s superlative, heart-wrenching Vision 12-issue (2-15-2016) comic mini-series.
(King also, among other things, wrote the recent equally but differently moving Mr Miracle mini-series, for DC.)
And here’s several ways to get/read King’s series — worth doing for its own sake.
1, Buy the individual issues, or “graphic novels” (issues collected into book format), either The Vision (all 12 issues), or the done-in-two collections:
The Vision. 1, Little worse than a man (1-6)
The Vision. 2, Little better than a beast (7-12)
2, Read via Marvel’s Unlimited comics streaming service (https://www.marvel.com/unlimited). (All twelve issues are there — on the mobile app, easy to find via BROWSE/SERIES/VISION. I’m having trouble finding it via the web interface.)
(FREE) 3, Digital borrow from HooplaDigital.com (well, 2 borrows), assuming your library offers Hoopla as one of its digital services.
…Despite facing coronavirus-related setbacks, researchers made profound discoveries and helped people understand some startling realities. NASA’s OSIRIS-REx probe grabbed a piece of an asteroid, and the Japan Space Agency’s Hayabusa2 spacecraft returned samples of another asteroid to Earth. Scientists found signatures of water on the moon and nearby space rocks, and an obscure gas on our celestial neighbor, Venus. Meanwhile, other scientific endeavors—like climate change research at the poles—faced a freeze as the pandemic brought “normal” life here on Earth to a halt.
(14) VIDEO OF THE DAY. In “Honest Trailers 2020,” the Screen Junkies say last year was “a live action version of The Book of Revelation, featuring fires, famine, rain, and other signs of the End Times.” Special Guest Patton Oswalt adds to the mirth.
[Thanks to JJ, Mike Kennedy, Daniel Dern, Cat Eldridge, Michael Toman, John Hertz, John King Tarpinian, Martin Morse Wooster, Bill, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Joe H.]
(1) 1990 SOUVENIR BOOK. To help promote the planned Reunicon 2020 to commemorate the 30th
anniversary of ConFiction 1990, Kees Van Toorn and friends have uploaded the Souvenir
Book of ConFiction 1990 on their
website in flipbook format.
(3) ANOTHER BITE OF THE APPLE. Magical mysteries unfold in Ghostwriter, coming
November 1 to the Apple TV app with an Apple TV+ subscription.
According to TVLine, the upcoming reboot will center around four friends who discover a ghost in their neighborhood’s bookstore. This ghost seems to be decidedly less helpful than the Ghostwriter of the ‘90s; instead of helping the friends solve mysteries, he “releases” fictional characters from books into the real world. TVLine adds that each episode will highlight a particular book or novel.
…Kafka’s language does not arouse suspicion, but it should. He describes the goings on with great precision, objectively noting peculiar elements, odd turns of events, strange settings and physical characteristics as a scientist might describe what he sees through a microscope, giving nothing special place, offering no opinion or emotional reaction, as though everything that takes place is equally worthy of notation. Random, apparently peripheral elements get the same attention as the most dramatic happenings. The supervising inspector arranges objects around a candle that sits on a night table he is using as a desk. He places his index fingers side by side as though comparing their length. Three men Josef K. does not seem to know examine a framed picture on a wall. But these are not clues, for K. or for us. They are disconnected observations that lead nowhere, that add up to nothing.
The disconnect between Kafka’s language and what is being described is what unsettles. Shocking, bizarre, and funny moments are described in the most mundane and unemotional language. Kafka has no reaction to anything himself and gives no clues how we should react. His almost pedantic detail and dry tone cast things in an oddly familiar light.
(5) LE GUIN AND MUSIC. [Item by Rob Thornton.] At the Electric Literature website, writer and
editor Tobias Carroll wonders “Why Has Ursula K. Le Guin Inspired So Many Musicians?” He
discusses how musicians are not only mentioning her works in song titles
and lyrics, they are also grappling with the themes from Le Guin’s stories in
their works. Bands such as Baltimore dream-pop duo Beach House, heavy metal
bands Keep of Kalessin and Ragana, and San Francisco darkwave act Cold Beat are
“[Cold Beat songwriter] spoke about the potential of science fiction to offer a glimpse of a better world. ‘When we broaden our vocabulary and learn more, there’s a lot out there to discover,’ she said. ‘I think it’s inspiring, especially when we’re getting down. It’s really healthy to remember that there’s a lot more out there.’ It’s the same kind of thought experiment that one might see in an Ursula K. Le Guin essay or story?—?albeit in the process of being transfigured into a catchy and propulsive song. And while Le Guin’s own foray into music hasn’t necessarily spawned a legion of sound-alikes, the fact that she felt compelled to create such a work suggests that she left room in her writings for music—a gateway that this group of musicians has passed through, creating memorable work as they go. “‘
To prove Carroll’s point, there are other bands
who have somehow made Le Guin a part of their music, including Ekumen (a
hardcore punk band from New Orleans), Spanish Kalte Sonne (a post-metal band
from Spain with an album named Ekumen), Fogweaver (Earthsea-inspired dungeon
synth act from Colorado), and Street Eaters (punk band from San Francisco)
(6) A GOOD OMEN FOR BUYERS. AudioFile applauds
Michael Sheen’s narration of Philip Pullman’s The Secret Commonwealth (Book
of Dust, volume 2) here.
Michael Sheen throws himself wholeheartedly into narrating this sequel to LA BELLE SAUVAGE, and listeners will be rapt. Lyra is now 20, and she and her daemon, Pantalaimon, are uneasy with each other in ways they never have been before. This central conflict is the catalyst for a series of journeys and is just one of many, many threads that Pullman will presumably pick up again in the final volume in the Book of Dust trilogy. For the ever-expanding international cast of characters, Sheen conjures a multitude of accents and delivers rapid-fire conversations between them. He’s in step with the text at every turn; when situations become fraught or dangerous, Sheen ramps up the tension exquisitely…
If you’re going to reveal your life story, it’s good to have a friend and fellow “Babylon 5” cast member perform it. Peter Jurasik, known to “Babylon 5” fans as the sleazy alien Londo Mollari, narrates the startling life of the series creator, J. Michael Straczynski, and his victories over a monstrous father, an abusive family, and, seemingly, an entire world out to destroy him. Jurasik soberly recounts his friend’s life, a fascinating, almost unbelievable, tale of courage and determination.
Google has angered a privacy expert by repeatedly identifying him as a “dwarf character actor” famous for playing a winged monkey in The Wizard of Oz.
Pat Walshe told BBC News he had had the issue resolved twice, only to discover last week it had happened again.
The issue involves his photo being run next to text from another source about a dead American who had the same name.
He now aims to make an official complaint to data privacy watchdogs. Google has once again fixed the flaw.
(10) METCALF OBIT. Longtime fan Norm Metcalf (1937-2019) died September 21, within a few months after he was hospitalized for injuries sustained in a fall.
Robert Lichtman remembers:
I knew him via the science fiction fan subculture, where he published a fanzine, New Frontiers, that saw four issues (1959-1964) with noteworthy contributors including Poul Anderson, Anthony Boucher, Stanton Coblentz, L. Sprague de Camp, August Derleth and Wilson Tucker. He was a longtime member of several amateur publishing associations — the Fantasy Amateur Press Association (FAPA) 1963-1969 and 1973 to the present, and the Spectator Amateur Press Society (SAPS) 1961-1967 and 1987 to the present — and published a variety of titles for their mailing distributions. He also researched and edited a reference, The Index of Science Fiction Magazines 1951-1965, which was published in 1968. Norm was a serious student of science fiction.
(11) TODAY IN HISTORY.
October 3, 1961 — A For Andromeda aired “The Message”, the premier episode. Written by Fred Hoyle and John Elliot, this UK series was broadcast in seven episodes. As was the practice at the time, the BBC’s copies of the serial were trashed after broadcast and most of the serial still remains missing.
October 3, 2000 — The Dark Angel series first aired. Starring Jessica Alba, it would run for two seasons. It was executive produced by James Cameron, Charles H. Eglee andRené Echevarria.
October 3, 2008 — Star Wars: The Clone Wars debuted on the Cartoon Network. created by George Lucas and produced by Lucasfilm Animation, the series is was renewed for a seventy season to air in 2020.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 3, 1874 — Charles Middleton. He is no doubt best remembered for his role as the Emperor Ming the Merciless in the three Flash Gordon serials made between 1936 and 1940 which may been the only genre production he appeared in. (Died 1949.)
Born October 3, 1927 — Don Bensen. Best-known for his novel And Having Writ… which is not in print in form digitally or in hard copy — damn it. Indeed, nothing by him is. Huh. (Died 1997.)
Born October 3, 1931 — Ray Nelson, 88. SF writer best known for his short story “Eight O’Clock in the Morning” which was the basis of John Carpenter’s They Live. He later collaborated with Philip K. Dick on The Ganymede Takeover. In the 1940s Nelson appropriated the propeller beanie as a symbol of science fiction fandom. His fannish cartoons were recognized with the Rotsler Award in 2003. He was inducted to the First Fandom Hall of Fame this year.
Born October 3, 1935 — Madlyn Rhue. She on Trek’s “Space Seed” as Lt. Marla McGivers, Khan Noonien Singh’s (Ricardo Montalbán) love interest. Other genre appearances included being on the original Fantasy Island as Lillie Langtry in “Legends,” and Maria in the “Firefall” episode of Kolchak: The Night Stalker. (Died 2003.)
Born October 3, 1944 — Katharine Kerr, 75. Ok I’m going to confess that I’ve not read her Deverry series so please tell me how they are. Usually I do read such Celtic tinged series so I don’t know how I missed them.
Born October 3, 1964 — Clive Owen, 55. First role I saw him in was the title role of Stephen Crane in the Chancer series. Not genre, but fascinating none the less. He’s been King Arthur in film of the same name where Keira Knightley was Guinevere. He’s also was in Sin City as Dwight McCarthy, and in The Pink Panther (though weirdly uncredited) as Nigel Boswell/Agent 006. I’ll also single him out for being Commander Arun Filitt in Valerian and the City of a Thousand Planets.
Born October 3, 1973 — Lena Headey, 46. Many of you will know her as Cersei Lannister on Game of Thrones, but I liked her sociopathic Madeline “Ma-Ma” Madrigal on Dredd better. She was also Angelika in The Brothers Grimm, a film I’m sure I’ve seen but remember nothing about.
The Grinch is one of our all-time favorite Christmas movies, so this cookie dough is a holiday miracle. The dough bakes into scrumptious, bright green sugar cookies made for a tall glass of milk. In theme with the story we all know and love, the Grinch cookie dough features an adorable red candy heart that brings the Dr. Seuss character to life. It’s the perfect thing to bake with the kiddos (or just yourself) this year.
…But now, across the water on South Padre Island, the county has spent about $31 million building new pavilions and an amphitheater that would host concerts and weddings and make a prime viewing area for rocket launches. Local officials hope for a future where residents and tourists line the beach, the way they have for years along Florida’s Space Coast, cheering rockets as they tear through the sky.
“It’s exciting,” said Sofia Benavides, a county commissioner who represents Boca Chica. “I’m 69 years old and have never been to a rocket launch. For my children and grandchildren, it’s great that this is happening in their backyard.”
Not everyone is cheering, though.
A handful of residents who live next door to SpaceX’s facilities recently received letters from SpaceX, which said the company’s footprint in the area was going to be bigger and more disruptive than originally imagined. As a result, it was seeking to purchase their properties at three times the value determined by an appraiser hired by SpaceX. The deal was nonnegotiable, the letter said, and the company wanted an answer within two weeks, although some have received extensions.
Called Boca Chica Village, the area is made up of about 30 homes within walking distance of the Gulf of Mexico, occupied mostly seasonally. Many are boarded up. A few have weeds as high as the mailboxes….
(16) SNUBS. Travis
M. Andrews’ “The
Missing Oscars” in the Washington
Post is about actors he thinks should have won Oscars but didn’t.
About a third of the people he picked were in sf or fantasy films, including
Harrison Ford in Blade Runner, Michael Keaton for Beetlejuice,
and Laurence Fishburne in The Matrix. (Most of the actors he
picked in sf and fantasy films were men.)
John Lithgow for “The Adventures of Buckaroo Banzai Across the 8th Dimension” (1984)
Lithgow’s primary strength as an actor is range. Look at his portrayal of long-standing, slow-burning dedication in “Love is Strange,” or his take on an alien trying to understand humanity in “3rd Rock From the Sun,” or as a hardline preacher who can’t tolerate dancing in “Footloose.” At times he’s also, to use a colloquialism, realllllllly gone for it, like when he portrayed a man with multiple personalities in “Raising Cain.” That role bordered on parody, but his most extravagant performance was parody, as Lord John Whorfin/Dr. Emilio Lizardo in Earl Mac Rauch’s and W.D. Richter’s sci-fi sendup. To play the mad intergalactic doctor, Lithgow lifted an Italian accent from an MGM tailor and changed his walk to that of an “old crab, because my alien metabolism is supposed to be messed up,” he later explained. The bizarre result is a deeply committed performance that’s wildly over-the-top and a singular, hilarious character.
(17) AI. Nature’s review ofStuart Russell’s
latest book examines how artificial intelligence could spin out of control: “Raging
robots, hapless humans: the AI dystopia.” Full
review article here (open access).
In Human Compatible, his new book on artificial intelligence (AI), Stuart Russell confronts full on what he calls “the problem of control”. That is, the possibility that general-purpose AI will ultimately eclipse the intellectual capacities of its creators, to irreversible dystopian effect.
The control problem is not new. Novelist Samuel Butler’s 1872 science-fiction classic Erewhon, for instance, features concerns about robotic superhuman intelligences that enslave their anthropoid architects, rendering them “affectionate machine-tickling aphids”. But, by 1950, Norbert Wiener, the inventor of cybernetics, was writing (in The Human Use of Human Beings) that the danger to society “is not from the machine itself but from what man makes of it”. Russell’s book in effect hangs on this tension: whether the problem is controlling the creature, or the creator. In a sense, that has been at the core of AI from its inception…
(18) APOLLO’S CREED. [Item by Martin Morse Wooster.] In the September 28 Financial Times (behind
a paywall), Arwa Haider profiles the London Video Game Orchestra, a 65-piece
orchestra that will perform Assassin’s Creed Symphony at the Eventim
Apollo in London on October 5. Haider interviewed the founder of MGP
Live, concert producer Massimo Goletta.
In an era when the entertainment industry is obsessed with ‘immersive’ events, video game concerts also present the possibility of grand spectacle on a globalized scale, such as MGP Live’s tours of classic gaming soundtracks, Its current show Assassin’s Creed Symphony, based on the historic action-adventure series (and co-developed with its creators, Ubisoft) premiered in Paris over the summer and elicited a six-minute standing ovation at the Palais des Congrès. It is now embarking on an autumn tour of the US and Europe, with a full international tour planned next year. The company works with local musicians, rather than transporting an 80-piece instrumental and choral line-up from country to country….
…Video game concerts may in fact offer a financially savvy form of ‘future-proofing’ for traditional orchestras. A recent GlobalData reported estimated that video games could be a $300bn industry by 2025.And with each passing year and the library of games growing, the bigger the repertoire MGP Live will have to draw on. The Assassin’s Creed Symphony draws on a series that spans more than a decade, and blends what Goletta describes as ‘the epic beauty and drama of the themes.’ He enthuses, ‘There are parallels with Beethoven and Bach, then elements of world music–along with the nostalgic effect.”
The London Video Game Orchestra’s website is here.
An investigation into a stuntwoman’s death on the Vancouver set of Deadpool 2 has attributed her fatal motorcycle accident to a series of safety errors.
Government agency WorkSafeBC said the film’s makers should have ensured Joi Harris was wearing a helmet.
It also said barriers should have been in place to stop her “leaving the set perimeter” on 14 August 2017.
20th Century Fox, which made the 2018 film, said it “respectfully disagree[d] with some of the report’s findings”.
“Safety is our top priority, and while we respectfully disagree with some of the report’s findings, Fox thoroughly reviewed its stunt safety protocols immediately following the tragic accident and has revised and implemented enhanced safety procedures and enforcement,” it said in a statement.
Professional road racer Harris was killed while doubling for actress Zazie Beetz in the comic book-inspired sequel.
Over 50 years ago, on the night of 4 October, strange lights appeared over the sky of a small Canadian fishing village.
Witnesses watched as the lights flashed and then dived towards the dark waters off the coast of Nova Scotia.
Now, what some believe to have been a UFO sighting has been commemorated by the Royal Canadian Mint.
The mint has released a collector’s coin that tells the story of a “unique and mysterious event”.
The scene on the glow-in-the-dark coin depicts a specific moment described by various eyewitnesses.
After seeing four strange flashing lights in the offshore night sky, they spotted an object 60-feet in length flying low, which dropped down at a 45 degree angle.
The coin comes with a flashlight that when used brings out the lights of the UFO, the stars in the night sky, and a haze over the water reported by locals.
FIXER UPPER. Girl on the Third Floor is due out October 25, streaming, or
limited theatrical release.
At the heart of the film is Don Koch (CM Punk), a man who is failing as a husband. For years he has skated by on charm and charisma, until it nearly landed him in jail. He now views fixing up an old house as a chance to make up for past mistakes. Meanwhile, his wife, Liz Koch, is concerned about the renovation timeline as they have a baby on the way. With all this pressure it’s no wonder Don responds to the flirtations of an attractive stranger. As Don tears the house apart, it begins to tear him apart as well, revealing the rot behind the drywall.
[Thanks to Cat Eldridge, Mike Kennedy, Rob Thornton, SF
Concatenation’s Jonathan Cowie, Martin Morse Wooster, JJ, John King Tarpinian,
Chip Hitchcock, and Andrew Porter for some of these stories. Title credit goes
to File 770 contributing editor of the day Nicole J. LeBoeuf-Little.]
Editor’s Note: My ISP took the site down for several hours to do database
maintenance. I was notified earlier today it would happen and put the info in a
comment, however, I doubt many people saw it. We’re back now!
(1) HOW TO SUCCEED AS A PANELIST Delilah S. Dawson’s thread
“So You’re On Your First Panel As A Writer” tells participants how to sharpen their
skills. Thread starts here.
In a lawsuit filed last week in federal court in Chicago, the Justice Department asked for a halt to Quad/Graphics’s planned $1.4 billion purchase of LSC Communications. Lawyers in the department’s antitrust division argued that the merger would decrease competition and drive up prices.
Quad publishes every Condé Nast title, including The New Yorker and Vogue, most publications from Hearst Magazines, including O: The Oprah Magazine, and Scholastic books. LSC Communications publishes two magazines from AARP that claim to have the largest circulations in the world, Penguin Random House books and more.
…In its attempt to block the deal, the Justice Department had two allies from the community of writers: The Authors Guild and PEN America. “The lack of competition among book printers has already caused a bottleneck and increased publishing costs, and a merger between these two companies could exacerbate this situation by creating a monopoly,” the Authors Guild said in a statement in March.
That same month, the Authors Guild and PEN America joined the Open Markets Institute, an antitrust think tank based in Washington, in sending a letter to the Justice Department recommending that the merger be blocked.
It was imperative that the government act, the letter said, because magazines and books “are fundamental to the ability of citizens to freely express and share their thoughts, ideas, opinions and works of art.”
Are Marvel fans a “Shallow” lot? They are lobbying hard for James Gunn to cast Lady Gaga as the voice of Lylla, a sentient otter from the comic books who winds up being the love interest of Rocket Raccoon, who is voiced by Bradley Cooper in the movies. This is after Film Updates posted a tease on Twitter that Gaga was under consideration, and that Lylla was “set to make an appearance” in Gunn’s upcoming ‘Guardians of the Galaxy, Vol. 3’.
(5) DESTROYING THE INTERNET. On reason.com,
Mike Godwin of the R Street Institute, in “What
If Widespread Disinformation Is the Solution to Fake News?” interviews Neal Stephenson about his idea,
expressed in Fall, that the solution to fake news on the Internet is to
hire people to perform “libel service,” flooding the Net with so many
slanderous articles about a subject that no one could believe anything on the
Net about a particular person.
I confess I haven’t yet finished Stephenson’s latest 800-plus-page tome, which so far might be characterized, although not necessarily captured, by the term “near-future dystopia.” But when I came across Stephenson’s depiction of how automated disinformation could actually remedy the damage that internet-based “doxxing” and fake news inflict on an innocent private individual, I paused my reading and jumped down the rabbit hole of tracing this idea to its 1990s roots.
…This whole chapter rang many bells for me, not least because it paralleled a discussion I had with a law professor at a conference last year when I pitched the idea of a “libel service.” Basically, you’d hire a “libel service” to randomly defame you on the internet, so that whenever anyone says something bad about you on Twitter or Facebook, or in the comments area of some newspaper, you could just say “that’s probably my libel service.” No one would know whether the defamatory statements were true or not, and people would be predisposed to doubt anything too terrible that’s said about you.
(6) MARVEL ONE-ACT PLAYS. Samuel French and Marvel Entertainment have launched Marvel Spotlight, a collection of one-act plays “telling the stories of ordinary people doing extraordinary things.”
Developed specifically for teenagers, these one-act plays star the iconic Super Heroes Ms. Marvel, Thor, and Squirrel Girl. The scripts are now available for purchase as well as licensing within the educational theatre market at MarvelSpotlightPlays.com.
Here’s the abstract for Mirror of Most Value: A Ms. Marvel Play:
Kamala attempts to boost Ms. Marvel’s fledgling super hero profile by writing her own fan fiction. But when building a fandom becomes an obsession, Kamala’s schoolwork and relationships begin to suffer. To become the Jersey City hero of her dreams, Kamala must learn to accept herself just as she is – imperfections and all.
(7) ALL BRADBURY ALL THE TIME. Camestros Felapton points
out the connections between Bradbury’s fiction and the Elton John biopic: “The
Rocket Man versus Rocketman”.
Both the song and story feature a man who pilots an interplanetary rocket as a routine job that takes him away from his family for large stretches of time. However, the song places the perspective with the pilot (the titular rocket man) but the story focuses on the feelings and experiences of the pilot’s son.
Bradbury is such a powerful writer. Even though the sci-fi trappings of the story are of the gee-whiz 1950s style shiny technology, the story itself is focused on emotional connections and that signature Bradbury sense of the past and memory.
(8) TODAY IN HISTORY.
June 25, 1953 — Robot Monster debuted — the one where the guy in the gorilla suit wore a divers helmet with antennae.
June 25, 1965 — Dr. Who And The Daleks was released in London. The film featured Peter Cushing as Dr. Who. Cushing would do one more film, Daleks’ Invasion Earth 2150 A.D. a year later. Cushing was the First Doctor, so Roberta Tovey was cast as his granddaughter.
June 25, 1975 — Rollerball premiered
June 25, 1982 — Blade Runner arrived in theaters.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born June 25, 1903 — George Orwell. Surprised to learn he only lived to be forty-seven years old. Author obviously of Animal Farm and 1984, both of which I read a long time ago. Best use of the 1984 image goes to Apple in their ad where a female runner smashes the image of Big Brother. (Died 1950.)
Born June 25, 1925 — June Lockhart, 93. Maureen Robinson on Lost in Space which amazingly only ran for three seasons. She has a number of genre one-offs including Voyage to the Bottom of the Sea, The Man from U.N.C.L.E., The Greatest American Hero and Babylon 5. She appeared in the Lost in Space film as Principal Cartwright.
Born June 25, 1935 — Charles Sheffield. He was the President of the Science Fiction and Fantasy Writers of America and of the American Astronautical Society. He won both the Nebula and Hugo Awards for his novelette “Georgia on My Mind,” and a John W. Campbell Memorial Award for Best SF Novel for Brother to Dragons which is an amazing read. Much of his fiction is in his Heritage Universe series; the linked short stories of space traveller Arthur Morton McAndrew are a sheer comic delight. (Died 2002.)
Born June 25, 1956 — Anthony Bourdain. That’s a death that hit me hard. Partly because he’s round my age, partly because, damn, he seemed so interested in everything that I couldn’t conceive him committing suicide. And yes, he was one of us with three works to his credit: Get Jiro!, (with Joe Rose and Langdon Foss), Get Jiro: Blood and Sushi (with Joe Rose and Ale Garza) and Hungry Ghosts (with Joel Rose, Alberto Ponticelli, Irene Koh, Paul Pope). The first two are on DC, the latter‘s on Berger Books. (Died 2018.)
Born June 25, 1960 — Ian McDonald, 59. Now here’s an author that I’ve read a lot of starting with his first novel, Desolation Road, and following through to his most recent, The Luna series. I do have favorites — Desolation Road and the other Mars novel, Ares Express, plus the Everness series are the ones I like the best. Chaga I think is the one I need to read again as I was annoyed by it the first time.
Born June 25, 1981 — Sheridan Smith, 38. She makes the Birthday list for being Lucie Miller, a companion to the Eight Doctor in his Big Finish audio adventures starting in 2006 and running through at least this year. Her only video genre work was being in The Huntsman: Winter’s War as Mrs Bromwyn.
(10) WHAT A KINDNESS. Actor Michael Sheen answered a
request in character as Aziraphale:
Stan Lee’s posthumous creative project A Trick of Light, initially announced as the beginning of a new series for Audible, will be published as a hardcover finished book this fall, EW has learned exclusively. The book will be classified as Lee’s first-ever novel for adult readers, and marks the first foray into his new Alliances universe, which was created in partnership between Stan Lee’s POW! Entertainment, Ryan Silbert’s Origin Story, and Luke Lieberman. Houghton Mifflin Harcourt is set to publish A Trick of Light, with Kat Rosenfield serving as co-author.
A Trick of Light is a superhero origin story about the unlikely friendship between Cameron, a gifted young man struggling with newfound fame after a freak accident gives him the ability to manipulate technology with his mind, and Nia, a hacker and coding genius with a mysterious past. The two must combine their powers to fight the dangerous physical and online forces threatening to wipe out the human race. Audible’s original launches June 27; it’s narrated by Grown-ish star Yara Shahidi.
The setting was really interesting and philosophically fruitful: a fleet of generation ships dating back to a time before contact with aliens who possess advanced technology that made generation ships useless. Instead of traversing the inky depths of interstellar space, the Fleet orbits a planet. Still, the people continue to live there. Why? It’s complicated. But it prompts the existential question: What are we, the readers, doing on a rock hurtling through space heading nowhere in particular, destined to die? It starts off subtle but it all gets pretty deep (we’re talking meaning-of-life type stuff, some of it – damn it – coming from the angsty teen). This really surprised me considering a lot of the novel feels pretty… light and fluffy. You could totally read this as a light and fluffy space romp and enjoy it just fine, but there are depths if you’re willing to look into the subtleties.
(13) WILLITS TRIBUTE. Alan White’s Skyliner
#7 is a wonderful collection,
even if it is “a sad one, being
dedicated to the late, great Malcolm Willits, Author, Fannish Mogul, Citizen
Kane of Mickey Mouse, and one of the early fen who actually did something
worthy of the fannish pantheon.” It includes long autobiographical pieces, such
as “Gottfredson and Me” about Willits’ appreciation for the artist who
produced Disney’s Mickey Mouse comics.
I have long loved Floyd Gottfredson, even though I did not know his name. But I knew him through his work, through his wonderful Mickey Mouse stories, and especially through his wonderful artwork. I knew it first through the Big Little Books, those miniature jewels that came out during the Depression and reprinted Mickey’s great adventures. I remember them from the ten cent store; whole counters full, all spine out and a dime apiece
A few years later all my Big Little Books disappeared, along with the comic books I had carefully protected from the wartime paper drives, thereby prolonging World War II a microsecond. My father was a YMCA Secretary, and he had given all of them to the children of Japanese-American families being relocated to internment camps. In vain was my protest that the 10¢ war stamp I purchased each week in the 2nd grade was sacrifice enough. Nor was my offer to substitute my school books even considered. I soon found myself in a staging area looking at sad-eyed Japanese-American children being held in wire cages. Dad informed me they were as American as I. It was then I began to suspect his grasp of world affairs. Didn’t he know who Captain America was fighting; had he slept through that Don Winslow serial we had seen a week or two before and neglected to notice who the villains were? But I acted properly contrite and was rewarded with some new comic books on the way home, so the world turned bright again. When my father turned 90, he was honored for his work with the Japanese-Americans during World War II. My contribution remains unheralded.
…Do artists such as Carl Barks and Floyd Gottfredson really need their friends? John W. Campbell, legendary editor of astounding science-fiction once said that if all the fans stop buying his magazine he would never know. He meant the fans that filled the letter columns, attended the conventions, published the fanzines, and badgered the authors. They probably compromise 1% of the readership, and 90% of the headaches. By being so vocal they could manage from orbit the general policies of the magazine that were keeping the rest of the readership contented. Yet where would Barks and Gottfredson be today if it were not for the godsend that two fans, Bruce Hamilton, and Russ Cochran, we’re born to collect and publish the works of these two artists? How difficult it would be to place a historical perspective on them without the pioneering works Tom Andrae, Donald Ault, Bill Blackbeard, Geoffrey Blum, Barbara Botner, Mark Evanier, Alan Dean Foster, Bob Foster, Frank & Dana Gabbard, Gottfreid Helnwein, Gary Kurtz, George Lucas, Leonard Maltin, John Nichols, Tor Odemark, Mark Saarinen, Horst Schroeder, David Smith, Kim Weston, myself, Mark Worden, and many others both here and abroad.
(14) THE HORROR OF IT ALL. Nick Mamatas’ affection for the
Lovecraftian storytelling style is manifest in his review of “Toy Story 4“,
a post made public to encourage readers
to sign up for his Patreon.
…The uncanny and the unworthy populate the film. Woody, ignored by his new owner, feels valueless and thus assigns himself the task of attempting to keep Forky alive. The antagonists are antique store dolls–there a Chatty Cathylike figure whose voice box was damaged at her creation, so her pull-cord “I love you!” sounds like a twisted dream calling forth from the bottom of a tar pit. She commands a quartet of ventriloquist dummies who cannot speak and who do her bidding while flopping around on their twisted limbs. She desires Woody’s innards for her own….
Of course the Germans have a wonderful word for ‘Gothic novel’. Schauerroman. Literally: “shudder-novel”. A story that makes you shiver with fear. Because Gothic is the literature of the menacing and the macabre.
It’s the stuff of nightmares.
But how does such a dark art translate in sunny Australia? How do you cause your readers to shiver when the temperature sits stubbornly above 80 degrees?
Gothic influence has been loitering creepily in Australian literature ever since European settlement. In 1788, when the British began shipping their convicts to Australia, Horace Walpole’s The Castle of Ontranto had recently been published in England and so the British transported the Gothic mode along with their very worst criminals.
SIR WILLIAM GULL in From Hell, by Alan Moore (art by Eddie Campbell)
In Moore’s brilliant graphic novel, we’re asked to bend all we know about a serial killer we all know: Jack the Ripper. The details and research embedded in the conspiracy theory that unfolds are haunting, staggering, and so well done. If the infamously gruesome homicidal maniac was one and the same as a highly respected royal physician, then we must consider who we are trusting with our lives, and why.
Nasa has put a miniaturised atomic clock in orbit that it believes can revolutionise deep-space navigation.
About the size of a toaster, the device is said to have 50 times the stability of existing space clocks, such as those flown in GPS satellites.
If the technology proves itself over the next year, Nasa will install the clock in future planetary probes.
The timepiece was one of 24 separate deployments from a Falcon Heavy rocket that launched from Florida on Tuesday.
The other passengers on the flight were largely also demonstrators. They included a small spacecraft to test a new type of “green” rocket fuel, and another platform that aims to propel itself via the pressure of sunlight caught in a large membrane; what’s often called a “lightsail”.
But it is the mercury-ion atomic clock, developed at Nasa’s Jet Propulsion Laboratory (JPL), which has had most attention.
The UK has managed to get one of its major Antarctic bases operating in an automatic mode for the first time.
Halley base, on the Brunt Ice Shelf, is remotely running experiments that include the monitoring of the ozone layer and of “space weather”.
The station would normally be crewed year-round, even through the permanent darkness of winter.
But staff have had to be withdrawn because of uncertainty over the stability of nearby ice.
A giant berg the size of Greater London is about to break away from the Brunt, and officials from the British Antarctic Survey (BAS) consider it prudent to keep people away from the area, at least until the light and warmth of summer returns.
That’s prompted the UK’s polar research agency to develop an innovative set-up that can continue the station’s priority science activities in what is now the third winter shutdown on the trot.
What will remain in 100 years’ time of the city or town where you were born: which landmarks or buildings? What about in 500 years? The controversial author Nassim Nicholas Taleb offers a counter-intuitive rule-of-thumb for answering questions like this. If you want to know how long something non-perishable will endure – that is, something not subject to the limits of a natural lifespan – then the first question you should ask is how long it has already existed. The older it is, the more likely it is to go on surviving.
…The logic of Taleb’s argument is simple. Because the only judge that matters when it comes to the future is time, our only genuinely reliable technique for looking ahead is to ask what has already proved enduring: what has shown fitness and resilience in the face of time itself, surviving its shocks and assaults across decades, centuries or millennia. The Tower of London may seem modest in comparison to the Shard skyscraper – which sits across the Thames at 11 times the height – but it has also proved its staying power across 94 times as many years. The Shard may be iconic and imposing, but its place in history is far from assured. When it comes to time, the older building looms larger.
(21) MUPPET HISTORY. DefunctTV: Jim Henson is a
six-part series chronicling the life and works of the man behind the Muppet
mayhem. Here’s the first of four installments.
[Thanks to Carl Slaughter, Cat Eldridge, Chip Hitchcock, JJ, John
King Tarpinian, Andrew Porter, Michael Toman, Martin Morse Wooster, Brian Z, and
Mike Kennedy for some of these stories. Title credit goes to File 770
contributing editor of the day Daniel Dern.]