Uncanny Magazine Issue 28 Launches 5/7

The 28th issue Uncanny Magazine will be available on May 7.

Hugo Award-winning Publishers/Editors-in-Chief Lynne M. Thomas and Michael Damian Thomas are proud to present the 28th issue of their 2016, 2017, and 2018 Hugo Award-winning online science fiction and fantasy magazine. As always, it features passionate SF/F fiction and poetry, gorgeous prose, provocative nonfiction, and a deep investment in the diverse SF/F culture, along with an award-winning monthly podcast featuring a story, poem, and interview from that issue. Stories from Uncanny Magazine have been finalists or winners of Hugo, Nebula, Locus, and World Fantasy Awards. 

All of Uncanny Magazine’s content will be available in eBook versions on the day of release from Weightless Books, Amazon, Barnes & Noble, Google Play, and Kobo. Subscriptions are always available through Amazon Kindle and Weightless Books. The free online content will be released in 2 stages- half on day of release and half on June 4. 

EBOOKS. This issue will coincide with the Weightless Books Subscription Drive for a year’s worth of Uncanny Magazine eBooks. The drive will run from May 1-May 15. For that limited time, people can receive a year’s worth of Uncanny for $2 off the regular price. They will have giveaways for a few lucky new or renewing subscribers at particular milestones, too (including T-shirts, back issues, and tote bags.)  All new or renewing subscribers will get a vinyl Space Unicorn sticker and a Space Unicorn enamel pin.  

STAFF CHANGES. Uncanny Magazine will also be having some staff changes in the coming months. Managing and Nonfiction Editor Michi Trota has decided to move on from her Uncanny editorial duties at the end of 2019. Michi will be staying through Uncanny Magazine #31 (November/December 2019) to make sure we have a seamless editorial transition. Starting with Uncanny Magazine #31 (November/December 2019), the new Managing Editor will be Chimedum Ohaegbu, the current Uncanny Magazine Assistant Editor. Starting with Uncanny Magazine #32 (January/February 2020), the new Nonfiction Editor will be Elsa Sjunneson-Henry. And finally, starting with Uncanny Magazine #31 (November/December 2019), the new Assistant Editor will be Angel Cruz.  

Uncanny Magazine Issue 28 Table of Contents

Cover

  • She’s Going Places by Galen Dara

Editorial

  • “The Uncanny Valley” by Lynne M. Thomas & Michael Damian Thomas (5/7)

Fiction

  • “Nice Things” by Ellen Klages (5/7)
  • “Probabilitea” by John Chu (5/7)
  • “A Salt and Sterling Tongue” by Emma Osborne (5/7)
  • “Lest We Forget” by Elizabeth Bear (6/4)
  • “A Catalog of Love at First Sight” by Brit E. B. Hvide (6/4)
  • “Canst Thou Draw Out the Leviathan” by Christopher Caldwell (6/4)

Reprint Fiction

  • “Corpse Soldier” by Kameron Hurley (6/4)

Nonfiction

  • “Black Horror Rising” by Tananarive Due (5/7)
  • “Everyone’s World is Ending All the Time: notes on becoming a climate resilience planner at the edge of the anthropocene” by Arkady Martine (5/7)
  • “Jennifer Adams Kelley—A Remembrance” (5/7)
  • “Toy Stories” by Gwenda Bond (6/4)
  • “‘You Have Only Your Trust in Me’: Star Trek and the Power of Mutual Belief” by Nicasio Andres Reed (6/4)

Poetry

  • “The Cinder Girl Burns Brightly” by Theodora Goss (5/7)
  • “The following parameters” by Nicasio Andres Reed (5/7)
  • “Flashover” by S. Qiouyi Lu (5/7)
  • “The Magician Speaks to the Fool” by Ali Trotta (6/4)
  • “Elegy for the Self as Villeneuve’s Beast” by Brandon O’Brien (6/4)

Interview

  • John Chu interviewed by Caroline M. Yoachim (5/7)
  • Elizabeth Bear interviewed by Caroline M. Yoachim(6/4)

Podcasts

Uncanny Magazine Podcast 28A (5/7)

  • “Nice Things” by Ellen Klages, as read by Erika Ensign
  • “The Cinder Girl Burns Brightly” by Theodora Goss, as read by Stephanie Malia Morris
  • Ellen Klages interviewed by Lynne M. Thomas

Uncanny Magazine Podcast 28B (6/4)

  • “A Catalog of Love at First Sight” by Brit E. B. Hvide, as read by Stephanie Malia Morris
  • “The Magician Speaks to the Fool” by Ali Trotta, as read by Erika Ensign
  • Brit E. B. Hvide interviewed by Lynne M. Thomas

Pixel Scroll 11/21/18 Never Pixel Or Scrollardy. Never Click Up, Never File In

(1) WORLD FANTASY CON. After Silvia Moreno-Garcia criticized WFC 2019 for announcing an all-white guest slate, the concom’s answer did not allay complaints. And the World Fantasy Convention Board’s answer to a letter she sent them has only fanned the flames. Moreno-Garcia’s screencap of their reply is part of a reaction thread which starts here.

Once the copy of the letter was tweeted, the WFC Board and World Fantasy Con 2019 came in for another round of criticism from writers including —

  • N.K. Jemisin (Thread starts here.)

  • Jeff VanderMeer (Thread starts here.)

  • S.A. Chakraborty (Thread starts here.)

  • Michi Trota (Thread starts here.)

  • Fonda Lee (Thread starts here.)

(2) JEMISIN AT HAYDEN PLANETARIUM. On Tuesday, November 27 the Hayden Planetarium Space Theater in New York will host “Astronomy Live: The Perfect Planet”.

Earth is a rare and special place in the universe. Astrophysicist Jackie Faherty joins forces with Broken Earth series author N.K. Jemisin to examine what makes our planet unique compared to others in our solar system and beyond. Find out where artists and scientist alike look for life beyond Earth, from Io to Enceladus and beyond.

(3) DON’T RALPH. NPR’s Scott Tobias tells us “Toxic Masculinity Is The Bad Guy In ‘Ralph Breaks The Internet'”.

In Ralph Breaks the Internet, a hyperconnected sequel to the animated hit Wreck-It Ralph, the possibilities of a Disney/Star Wars/Marvel crossover are breathlessly celebrated while fragile masculinity threatens to destroy the world. Cultural anthologists of the future will require no carbon dating to recognize this film as extremely 2018. In fact, as a screen grab of online and entertainment culture, Ralph Breaks the Internet seizes so shrewdly on the times that the prospect of watching it 10, 20 or 100 years from now is more exciting than seeing it in a theater today, when it feels too much like an animated extension of everyday stresses and distractions. Clickability isn’t always a virtue.

(4) CRITICS AT THE FBI. The Harper’s Magazine post “Literary Agents” has excerpts from Writers Under Surveillance in which they reprint the FBI’s description of writers they were watching.

The FBI said Ray Bradbury was “a freelance science fiction writer whose work dealt with the development and exploitation of Mars, its effect on mankind, and its home world.”

By contrast, they said Gore Vidal was “A writer who is intolerable, masquerading as smart-aleck entertainment.”

(5) COURSE CORRECTION. In “DC’s Birds Of Prey a ‘great opportunity’ to end ‘sluggish’ films”, a BBC writer asks, “Could this be DC’s Guardians of the Galaxy moment?”

Movies about Superman and Justice League may have flopped with the critics, but DC will be hoping to find more favourable reviews for new franchise, Birds Of Prey.

Or, to give the movie its full title: Birds Of Prey and the Fantabulous Emancipation of one Harley Quinn.

Margot Robbie revealed the full title of the film on Instagram.

And it certainly seems like they are steering away from the dark, sour tones of Batman vs Superman this time around.

View this post on Instagram

😆

A post shared by @ margotrobbie on

(6) GOREY FLASHBACKS. A new biography tells of “The mysterious, macabre mind of Edward Gorey”. The title/author are somewhat buried in the article– Born To Be Posthumous by Mark Dery.

That he is not better known elsewhere is perhaps due to the unclassifiable nature of his work – yet his influence can be seen everywhere, from the films of Tim Burton to the novels of Neil Gaiman and Lemony Snicket.

Gorey himself was a complicated, reclusive individual whose mission in life was “to make everybody as uneasy as possible”. He collected daguerreotypes of dead babies and lived alone with 20,000 books and six cats in his New York apartment. Sporting an Edwardian beard, he would frequently traipse around the city in a full-length fur coat accessorised with trainers and jangling bracelets.

(7) UNDER AN ASSUMED NAME. The Science Fiction & Fantasy Marketing Podcast has tons of advice to share — “SFFMP 208: Improving Visibility, Launching New Pen Names, and the ‘Trifecta of Indie Success’”.

This week, we’re joined by fantasy and science fiction author Nicholas Erik, who also writes and experiments under the pen name D.N. Erikson. He’s an analytical guy who’s always observing what’s working and what’s not, both for his own work and for others.

  • Reasons for launching a pen name and whether it should be secret or not.
  • Trying a new series and new genre when you’re not getting the results you hoped for from your first effort.
  • Nick’s “trifecta of indie success” — marketing, craft, and productivity….

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and JJ.]

  • November 21, 1924 – Christopher J. R. Tolkien, 94, Writer and Editor who is the son of  J. R. R. Tolkien, and editor of so much of his father’s posthumously-published material. He drew the original maps for the Lord of the Rings, and provided much of the feedback on both The Hobbit and LoTR; his father invited him to join the Inklings when he was just twenty-one years old, making him the youngest member of that group. He published The Saga of King Heidrek the Wise: Translated from the Icelandic with Introduction, Notes and Appendices. The list  of his father’s unfinished works which he has edited and brought to published form is a long one; I’ll leave it to the august group here to discuss their merit, as I have mixed feelings on them.
  • November 21, 1937 – Ingrid Pitt, Actor from Poland who emigrated to the UK who is best known as Hammer Films’ most sexy female vampire of the early Seventies. Would I kid you? Her first genre roles were in the Spanish movie Sound of Horror and the science-fictional The Omegans, followed by the Hammer productions The Vampire Lovers, Countess Dracula, and The House That Dripped Blood. She appeared in the original version of The Wicker Man and had parts in Octopussy, Clive Barker’s Underworld, Dominator, and Minotaur. She had two different roles in Doctor Who – somewhat of a rarity – as Dr. Solow in the “Warriors of the Deep” episode and as Galleia in “The Time Monster” episode. (Died 2010.)
  • November 21, 1941 – Ellen Asher, 77, Editor who introduced many fans to their favorites, as editor-in-chief of the Science Fiction Book Club (SFBC) for thirty-four years, from 1973 to 2007 (exceeding John W. Campbell’s record as the person with the longest tenure in the same science fiction job). She was personally responsible for selecting the monthly offerings to subscribers, and oversaw the selection of individual works for their special anthologies and omnibuses. She has been honored with a World Fantasy Special Award and an Edward E. Smith Memorial Award for Imaginative Fiction. In 2009, she was given a World Fantasy Award for Life Achievement, and she was Editor Guest of Honor at Worldcon in 2011.
  • November 21, 1942 – Al Matthews, Actor, Singer, and former Marine with two Purple Hearts, who is best known for his appearance as Gunnery Sergeant Apone in Aliens – a performance so memorable that his character was the inspiration for Sgt. Avery Johnson in the Halo franchise. He reprised his role 27 years later in the video game Aliens: Colonial Marines. Other genre films include The Fifth Element, Superman III, Riders of the Storm (aka The American Way), Omen III, The Sender,  and Tomorrow Never Dies. (Died 2018.)
  • November 21, 1944 – Harold Ramis, Actor, Writer, and Producer, best-known to genre fans for his role as Egon Spengler in the Saturn-winning, Oscar- and Hugo-nominated Ghostbusters and its lesser sibling Ghostbusters II (the scripts for both of which he co-wrote with Dan Aykroyd). He had voice roles in Heavy Metal and Spacehunter: Adventures in the Forbidden Zone, and a cameo in Groundhog Day, for which he received Saturn nominations for writing and directing. He was also director and producer of Multiplicity. (Died 2014.)
  • November 21, 1945 – Vincent Di Fate, 73, Artist and Illustrator who has done many SFF book covers and interior illustrations since his work first appeared in the pages of Analog in 1965. He was one of the founders of the Association of Science Fiction and Fantasy Artists (ASFA), and is a past president. In addition to his Chesley Award trophy and 7 nominations, he has been a finalist for the Professional Artist Hugo 11 times, winning once; two collections of his artwork, Infinite Worlds: The Fantastic Visions of Science Fiction Art and Di Fate’s Catalog of Science Fiction Hardware, have been Hugo finalists as well. He was Artist Guest of Honor at the 1992 Worldcon, for which he organized their Art Retrospective exhibit. He was inducted into the Science Fiction Hall of Fame in 2011. You can see galleries of his works at his website.
  • November 21, 1950 – Evelyn C. Leeper, 68, Writer, Editor, Critic, and Fan, who is especially known for her decades of detailed convention reports and travelogues. A voracious reader, she has also posted many book reviews. She and her husband Mark founded the Mt. Holz Science Fiction Club at Bell Labs in New Jersey (Mt = abbreviation for the labs’ Middletown facility), and have produced their weekly fanzine, the MT VOID (“empty void”), since 1978; it is currently at Issue #2,041. She was a judge for the Sidewise Award for Alternate History for 20 years. She has been a finalist for the Hugo Award for Best Fan Writer twelve times, and Fan Guest of Honor at several conventions, including a Windycon.
  • November 21, 1953 – Lisa Goldstein, 65, Writer, Fan, and Filer whose debut novel, The Red Magician, was so strong that she was a finalist for the Campbell Award for Best New Writer two years in a row. Her short fiction has garnered an array of Hugo, Nebula, and World Fantasy Award nominations, as well as a Sidewise Award. The short story “Cassandra’s Photographs” was a Hugo and Nebula finalist and “Alfred” was a World Fantasy and Nebula finalist; both can be found in her collection Travellers in Magic. Her novel The Uncertain Places won a Mythopoeic Award. You can read about her work in progress, her reviews of others’ stories, and other thoughts at her blog.

(9) COMICS SECTION.

  • Rabbits Against Magic has a wonderful “Cartoon Lexiconville” showing English words and phrases that were originated in or popularized by comic strips.
  • Pay attention authors! Incidental Comics illustrates “Types of Narrators.”

(10) FLAME ON! “As God is my witness, I thought turkeys could fry!” – is not a quote from “’Eat, Fry, Love’ a Turkey Fryer Fire Cautionary Tale presented by William Shatner & State Farm.” (Released in 2011 but it’s news to me!)

It is a turkey fryer cautionary tale with excellent video of the dangers associated with using turkey fryers. It shows how fire can rapidly intensify, spread, destroy and cause serious injury. Enjoy this video, learn from it and stay safe.

 

(11) SICKROOM HISTORY. Brenda Clough tells Book View Café readers it’s easy to make — “Feeding Your Invalid in the 19th Century 2: Barley Water”.

Horatio Wood’s ‘Treatise on therapeutics’ (1879) says that “Barley-water is used as a nutritious, demulcent drink in fevers.” It is still in use….

(12) PRIME TIMING. At NPR — “Optimized Prime: How AI And Anticipation Power Amazon’s 1-Hour Deliveries”. Skeptic Chip Hitchcock sent the link with a comment: “I’ll believe in their AI when it issues delivery instructions good enough that packages for someone else’s front door don’t show up at my side door.”

But a lot of it is thanks to artificial intelligence. With AI, computers analyze reams of data, making decisions and performing tasks that typically require human intelligence. AI is key to Amazon’s retail forecasting on steroids and its push to shave off minutes and seconds in the rush to prepare, pack and deliver.

“It goes beyond just being able to forecast we need a hundred blouses,” Freshwater says. “We need to be able to determine how many do we expect our customers to buy across the sizes, and the colors. And then … where do we actually put the product so that our customers can get it when they click ‘buy.’ ”

That’s a key element to how Amazon speeds up deliveries: The team predicts exactly where those blouses should be stocked so that they are as close as possible to the people who will buy them.

(Note: Amazon is one of NPR’s financial supporters.)

This process is even more essential now that the race is on for same-day and even same-hour delivery. Few other retailers have ventured into these speeds, because they’re very expensive. And few rely quite so much on AI to control costs while expanding.

(13) THE ROADS MUST ROIL. NPR finds “Climate Change Slows Oil Company Plan To Drill In The Arctic”. They were relying on winter ice to let gravel trucks drive out to build a drill pad in the water. No ice, no driving.

A milestone oil development project in Alaska’s Arctic waters is having to extend its construction timeline to accommodate the warming climate. The recently approved Liberty Project — poised to become the first oil production facility in federal Arctic waters — has altered its plans due to the shrinking sea ice season.

The challenge comes as the Trump administration has reversed an Obama-era policy and proposed re-opening the majority of Alaska’s federal waters to drilling. It’s pushing to hold a lease sale in the Beaufort Sea next year. The lease for the Liberty Project pre-dates the Obama-era ban on oil development in Arctic waters.

(14) MORE BRICKS THAN LEGO. “Drones called in to save the Great Wall of China” – the BBC video shows how drone surveys identify the most-decayed parts of hard-to-reach sections, so reconstruction can be targeted where it’s most needed.

(15) EATING THE FANTASTIC. Scott Edelman has strategically released Episode 82 of his Eating the Fantastic podcast before people have a chance to stuff themselves on Thanksgiving. Scott invites you to savor a steak dinner with comics legend Paul Levitz.

Get ready to get nostalgic — or rather, listen to me get nostalgic — on an episode of Eating the Fantastic which features a guest I believe I’ve known longer than any other — comics legend Paul Levitz.

Paul and I go way back, all the way to Phil Seuling’s 1971 Comic Art Convention, when I would have been 16 and him 15, both fans and fanzine publishers, long before either of us had entered the comics industry as professionals. We later, along with a couple of other friends, roomed together at the 1974 World Science Fiction Convention in Washington D.C. As you listen, think of us as we were in the old days — that’s us in 1974 compared to us now —

In 1976, he became the editor of Adventure Comics before he’d even turned 20. He ended up working at DC Comics for more than 35 years, where he was president from 2002–2009. He’s probably best known for writing the Legion of Super-Heroes for a decade, scripting the Justice Society of America, and co-creating the character Stalker with Spider-Man co-creator Steve Ditko. He was given an Inkpot Award at the San Diego Comic-Con in 2002 and the Dick Giordano Hero Initiative Humanitarian of the Year Award in 2013 at the Baltimore Comic-Con. And if you try to lift his massive and essential history 75 Years of DC Comics: The Art of Modern Mythmaking, you’re going to need to see a chiropractor.

We discussed why even though in a 1973 fanzine he wrote he had “no desire to make a career for myself in this industry” he’s spent his life there, how wild it was the suits let kids like us run the show in the ’70s, the time Marv Wolfman offered him a job over at Marvel (and why he turned it down), what he learned from editor Joe Orlando about how to get the best work out of creative people, the bizarre reason Gerry Conway’s first DC Comics script took several years to get published, how he made the Legion of Super-Heroes his own, which bad writerly habits Denny O’Neil knocked out of him, the first thing you should ask an artist when you start working with them, why team books (of which he wrote so many) are easier to write, our shared love for “Mirthful” Marie Severin, how glad we are there was no such thing as social media when we got started in comics, why Roger Zelazny is his favorite science fiction writer, and much, much more.

[Thanks to Carl Slaughter, Lurkertype, Andrew Porter, Martin Morse Wooster, Chip Hitchcock, Cat Eldridge, Mike Kennedy, John King Tarpinian, and JJ for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

Pixel Scroll 10/15/18 Scrolldenfreude

(1) WORLDS BEYOND HERE. The Wing Luke Museum of the Asian Pacific American Experience in Seattle is hosting Worlds Beyond Here from October 12, 2018 through September 15, 2019.

Looking at the connection between Asian Pacific Americans and the infinite possibilities of science fiction, World’s Beyond Here follows the path of a young Sci Fi fan becoming an empowered creator, limited only by imagination.

Popular science fiction has had a disappointing lack of Asian Pacific American (APA) representation in American media, based primarily on stereotypes. Despite this, APAs have had and continue to have a large impact in science fiction, often behind the scenes, and a number of pioneering APA artists, actors, designers, writers, animators, and directors have persevered and inspired new generations of fans/creators with their stories and visions. For many Asian Pacific Americans, science fiction addresses issues related to identity, immigration and race, technology, morality and the human condition, all while capturing the imagination through exciting adventures in outer space and time travel.

Michi Trota authored the exhibit text, and told Uncanny Magazine readers about her experience in “On Writing the Exhibit Text for Worlds Beyond Here: Expanding the Universe of APA Science Fiction”

The exhibit covers pop culture touchstones like Star Trek, Star Wars, time travel, “cli-fi,” and sentient robots, as well as how APA creators are imagining silkpunk worlds, reclaiming the genre from Orientalism, envisioning exploration narratives free from colonialism, and grappling with the ethics and morality of technological access and development, as well as science fiction’s ever-present questions of what it means to be human—all through the lens of APA experiences and perspectives.

She has a Twitter thread, starting here, that includes photos and art.

On Facebook, Trota posted the list of people who were consulted in the development of the exhibit – lots of familiar names there.

One of them was Mary Anne Mohanraj, who also posted some photos from the exhibit:

I was one of the people the curators consulted at the start of the exhibit, and though I didn’t have time to get as involved as I would’ve liked, I think I helped reframe their initial concept away from just focusing on tokenization and exclusion towards examining and celebrating the historic and current work of APA SF creators.

They even included a little thing I wrote about Spock. Is this the first time I’ve had work in a museum? I think it might be!

Artist Francesca Myrman showed Facebook followers a piece of her artwork that’s in the exhibit.

I am beyond honored that Ken Liu appreciated my artwork illustrating the world of the Grace of Kings for his May 2015 Locus interview. He’s used it a couple times since to illustrate the idea of “silkpunk” for various publications, but a museum show is above and beyond!

(2) OLD PEOPLE READ NEW SFF. James Davis Nicoll has his Old People reading “Patterns of a Murmuration, in Billions of Data Points by JY Yang”. Can they dig it?

This installment of Old People Read New SFF features JY Yang’s Patterns of a Murmuration, in Billions of Data Points. Some of us—well, me, mostly—only became aware of Yang when they read Yang’s Silkpunk works for tor dot com. Yang has in fact been active since 2012, published in venues from Clarkesworld to Apex. Some of us—well, me, mostly—should have been more observant. Although Yang’s protagonist Starling is in no sense human, it turns out Starling shares something vital with its human creators. But is that common element enough to endear it to my Old Readers?

Patterns of a Murmuration, in Billions of Data Points can be read here.

(3) SENDAK. The Society of Illustrators will host a “Maurice Sendak Exhibit and Sale” from October 23 until November 3.

The Society of Illustrators is pleased to announce a special exhibition of legendary artist Maurice Sendak’s work. Longtime friends and collectors Justin Schiller and Dennis M V David present a look at some of Sendak’s rarest pieces, including illustrations from William Blake’s Songs of Innocence, a booklet commissioned by his British publishers as a 1967 Christmas keepsake. It is the only remaining manuscript for a published Sendak title still in private hands and is being exhibited for the first time publicly. In addition to these drawings, this exhibition will include more than a hundred watercolors, ink and pencil designs for Mr. Sendak’s various book, theatre and commercial work. All of the works will be available to purchase.

Admission to the exhibit will be free during special hours (Monday – Friday: 10:00am – 5pm; Saturday – Sunday: 11:00am – 5:00pm).

(4) KEEP YOUR EYES PEELED. In “Proof of life: how would we recognise an alien if we saw one?” on Aeon, Oxford postgrad Samuel Levin asks how you would recognize alien life from a photograph.  How would it be different from a bunch of rocks  The answer is that natural selection would show that aliens have adapted to their environment.

One thing that sets life apart from nonlife is its apparent design. Living things, from the simplest bacteria to the great redwoods, have vast numbers of intricate parts working together to make the organism function. Think of your hands, heart, spleen, mitochondria, cilia, neurons, toenails – all collaborating in synchrony to help you navigate, eat, think and survive. The most beautiful natural rock formations lack even a tiny fraction of the myriad parts of a single bacterial cell that coordinate to help it divide and reproduce.

(5) THE BOYS. Coming from Amazon Prime Video in 2019.

In a world where superheroes embrace the darker side of their massive celebrity and fame, THE BOYS centers on a group of vigilantes known informally as “The Boys,” who set out to take down corrupt superheroes with no more than their blue-collar grit and a willingness to fight dirty. THE BOYS is a fun and irreverent take on what happens when superheroes – who are as popular as celebrities, as influential as politicians and as revered as Gods – abuse their superpowers rather than use them for good. It’s the powerless against the super powerful as The Boys embark on a heroic quest to expose the truth about “The Seven,” and Vought – the multi-billion dollar conglomerate that manages these superheroes. THE BOYS is scheduled for a 2019 release.

 

(6) OPPORTUNITY LOST? We’re still waiting for it to phone home – and according to Gizmodo, “There May Still Be Hope for NASA’s Sleeping Opportunity Rover”.

It’s been months since NASA engineers have heard from the sleeping Opportunity rover, which powered down after getting caught in a massive dust storm on Mars that obscured its surface from the Sun. But all hope isn’t yet lost, as the space agency said in an update Thursday that a coming windy season on the Red Planet could help clear dust believed to be obstructing Opportunity’s solar panels.

“A windy period on Mars—known to Opportunity’s team as “dust-clearing season”—occurs in the November-to-January time frame and has helped clean the rover’s panels in the past,” NASA said.

In the meantime, engineers with NASA’s Jet Propulsion Laboratory (JPL)—which oversees the 14-year-old rover’s operations—are increasing the number of commands to Opportunity and listening for any calls home in the event that it is still operational.

(7) THEY SCOPED OUT THE PROBLEM. But there’s good news about another piece of space exploring tech: Just a few days after putting itself in safe mode after a gyroscope failure, the Chandra X-ray Observatory has been diagnosed, the problem addressed, and the telescope on its way back to normal (NASA: “Chandra Operations Resume After Cause of Safe Mode Identified”). Science operations should resume shortly.

The cause of Chandra’s safe mode on October 10 has now been understood and the Operations team has successfully returned the spacecraft to its normal pointing mode. The safe mode was caused by a glitch in one of Chandra’s gyroscopes resulting in a 3-second period of bad data that in turn led the on-board computer to calculate an incorrect value for the spacecraft momentum. The erroneous momentum indication then triggered the safe mode.

The team has completed plans to switch gyroscopes and place the gyroscope that experienced the glitch in reserve. Once configured with a series of pre-tested flight software patches, the team will return Chandra to science operations which are expected to commence by the end of this week.

(8) PAUL ALLEN OBIT. Microsoft co-founder Paul Allen died October 15 from complications of non-Hodgkin’s lymphoma.

Paul Allen and Bill Gates in 1981.

Allen’s pioneering work in PC’s and software made him a wealthy man – not that it came easily. The Digital Antiquarian’s post “A Pirate’s Life for me, Part 1: Don’t Copy That Floppy!” reproduced an open letter from Bill Gates published in 1976 that ended —

The feedback we have gotten from the hundreds of people who say they are using BASIC has all been positive. Two surprising things are apparent, however: 1) most of these “users” never bought BASIC (less than 10 percent of all Altair owners have bought BASIC), and 2) the amount of royalties we have received from sales to hobbyists makes the time spent on Altair BASIC worth less than $2 per hour.

Of course, just a few years later they secured a deal to provide the software for IBM PCs, the foundation of their success.

Paul Allen effectively left the company he named (“Micro-Soft”) in 1982 due to serious illness, but remained on the Microsoft board of directors until 2000, and retained his stock, so when the company went public he became a billionaire.

His investments and philanthropy have often made news.

  • In a Gehry-designed building near Seattle’s Space Needle he created a dual science fiction and rock music museum with many exhibits drawn from Allen’s own collections. (The cream of those sf collectibles had been bought from Forrest J Ackerman.) And in 2004 the Science Fiction Hall of Fame was transplanted from the GunnCenter for the Study of Science Fiction to Seattle’s Science Fiction Museum. However, not even Paul Allen’s money could sustain things as originally conceived. The Science Fiction Museum was de-installed in 2011 and the place has been reorganized as MoPOP, a pop culture museum that includes science-fiction-themed exhibits.
  • He was the sole investor behind aerospace engineer and entrepreneur Burt Rutan’s SpaceShipOne suborbital commercial spacecraft.
  • He also donated $30 million to build the Allen Telescope Array, run by the SETI Institute near Mt. Shasta, an enormous ear listening for any sign of intelligent life in the universe.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and JJ — and a guest!]

  • Born October 15, 1911 James H. Schmitz, Writer. An émigré from Germany to the U.S., he produced numerous short fiction works and novels, the best known of which is the space opera The Witches of Karres, which earned him one of his two Hugo nominations and has been translated into several different languages. Witches was an expansion of a novelette originally published in Astounding, where many of his stories were published. His short fiction, which also garnered four Nebula nominations, has been gathered into several collections, including a NESFA’s Choice “Best of” edition.
  • Born October 15, 1919 E.C. “Ted” Tubb, Writer, Editor, Conrunner, and Fan from England who between 1950 and his death in 2010 produced more than 230 short fiction works and 140 novels, the best known of which are his Dumarest series, and the Cap Kennedy series written as Gregory Kern. In the late 50s, he edited the magazine Authentic Science Fiction for two years. He was one of the co-founders of the British Science Fiction Association, as well as editor of the first issue of its journal, Vector. Interestingly, he also wrote several Space: 1999 tie-in novels in the 70s. He served on convention-running committees, and was Guest of Honor at several conventions, including the 1970 Worldcon in Germany.
  • Born October 15, 1923 Italo Calvino, Writer and Journalist who was born in Cuba, but grew up in Italy. His works range widely across the literary spectrum, across realism, surrealism, and absurdism. As a genre writer he is best known for his “cosmicomics”, linked stories which explore fantastical speculations about subjects such as mathematics, evolution, and human perception. At the time of his death in 1985, he was the most-translated Italian author, and he was recognized with a World Fantasy Award for Life Achievement.
  • Born October 15, 1924 Mark Lenard, Actor best known to genre fans as Sarek, father of Spock, in both the original and animated Star Trek series, as well as three of the films and two episodes of The Next Generation. He also played a Klingon in Star Trek: The Motion Picture, and a Romulan in an episode of Star Trek: The Original Series, and had guest roles in genre series Mission: Impossible, The Girl With Something Extra, Planet of the Apes, The Incredible Hulk, Buck Rogers in the 25th Century, and Otherworld. During the same time period as the original Star Trek series, he also starred in the western Here Come the Brides, and SFF author Barbara Hambly famously worked a crossover of the two series into her early Star Trek tie-in novel for Pocket Books, Ishmael, where Lenard’s Brides character is one of Spock’s ancestors, and which also contained cameos by characters from Doctor Who, Star Wars, and Battlestar Galactica.
  • Born October 15, 1933 Georgia Myrle Miller, 85, Writer under the name of Sasha Miller who produced a number of fantasy novels and shorter works, including collaborating with Andre Norton on the five novels in the Cycle of Oak, Yew, Ash, and Rowan, a novel written in Norton’s Witch World universe, and GURPS Witch World with Ben W. Miller, a rule book for the role-playing game system.
  • Born October 15, 1935 Ray “Duggie” Fisher, Editor, Conrunner and Fan, who chaired the 1969 Worldcon in St. Louis, was on the committee for several other conventions, and was a founding member of the Poplar Bluff Science Fiction Club and the Ozark Science Fiction Association. His fanzine ODD was a finalist for a Best Fanzine Hugo. His contributions to fandom were, sadly, cut short by his death at age 52 due to complications of diabetes.
  • Born October 15, 1938 Don Simpson, 80, Artist and Fan who has done cover art and interior illustrations for numerous genre works. He also shows up in several of David McDaniel’s Man from U.N.C.L.E. tie-in novels as “Mr. Simpson of R&D”, and was the inspiration for the villain in McDaniel’s first U.N.C.L.E. novel The Dagger Affair. He is the proud possessor of a purchase order from the Smithsonian Institution for “One (1) alien artifact,” which he designed for the Air and Space Museum. He has been Artist Guest of Honor at a Westercon and other conventions.
  • Born October 15, 1942 – Lon Atkins, Editor, Conrunner, and Fan who chaired a DeepSouthCon and was editor of numerous fanzines and apazines, including eight years as co-editor of Rally!. He was Fan Guest of Honor at a Westercon, and a recipient of Southern Fandom’s Rebel lifetime achievement award. He was also a ferocious Hearts player.
  • Born October 15, 1969 Dominic West, 49, Actor, Musician, and Director from England whose most recent appearance was as Lara Croft’s father in the Tomb Raider reboot, but has also appeared in Star Wars: The Phantom Menace, 300, John Carter, The Awakening, Hannibal Rising, and a version of The Christmas Carol, as well as providing voices in animated features such as Finding Dory and Arthur Christmas.
  • Born October 15, 1999 Bailee Madison, 19, Actor who starred in The Bridge to Terabitha at the age of 7, the series The Wizards of Waverly Place at age 11, and the series Good Witch which is now in its fourth season. Other genre appearances include Afraid of the Dark, The Night Before Halloween, Terminator: The Sarah Connor Chronicles, R. L. Stine’s The Haunting Hour, and Once Upon a Time.

[guest birthday bio from Mark Hepworth]

  • Born October 15, 1953  Walter Jon Williams, 65, Writer. A versatile author who has skipped around genres, including writing his cyberpunk novel Hardwired  without having heard of cyberpunk, while Metropolitan is a novel he insists is fantasy but fans persistently label as some flavour of science fiction. His near-future Dagmar Shaw series rather prophetically featured a Turkish revolution facilitated by social media just as the Arab Spring was gaining momentum. His longest-running series is the space opera Dread Empire’s Fall (Praxis), which he recently rebooted with the short novel Impersonations and the just-released novel The Accidental War. He has five Hugo nominations, ten Nebula nominations (winning twice), a Sidewise Award, and an assortment of other nominations including Sturgeon, Philip K. Dick, World Fantasy, and Prix Imaginaire. He has been Guest of Honour for at least a dozen conventions, including WorldCon 75. Other work includes writing for Star Wars, Wild Cards, RPGs, TV, and historical novels, and he is founder and an instructor for the Taos Toolbox, an annual two-week SF writer’s workshop.

(10) COMICS SECTION.

  • A little-known fact of airline piloting — The Argyle Sweater.
  • This Monty shows that some things simply can’t be handled by a Universal Translator.

(11) THAT’S WHO. Mashable invites you to “Trip out to the new ‘Doctor Who’ title sequence, made by a longtime fan”:

The sequence is the work of a visual effects artist only known as John Smith, who made his own opening back in 2010 as a 16-year-old fan and posted it to YouTube.

“I had no idea what I was doing, but was so excited for Matt Smith’s first series that I decided to try what every Whovian-turned-VFX-Artist does at some point… making my own title sequence for the show,” Smith wrote in a Facebook post.

Eight years later, Smith was tapped to create a real sequence for the latest series.

 

(12) WHAT’S GALLIFREY LIKE? And Gizmodo consulted an array of scientists and left convinced that Doctor Who’s Gallifrey Would Be a Nightmarishly Awful Place to Live”.

…Assuming that large red star isn’t just extremely close to the planet, it could be a red giant nearing the end of its life. What of the other? For clues, we can look to the planet’s flora.

The Tenth Doctor referenced trees with silver leaves. Lillian Ostrach, a research physical scientist at the US Geological Survey’s Astrogeology Science Center, told Earther the silver color could come from the absorption of strange metals from Gallifrey’s soil. It could also mean that those plants evolved to absorb a different type of solar radiation than Earth’s green plants do….

(13) HISTORIC SFF PHOTOS. The Forbidden Planet bookstore archive hosts images from their instore events — from 1978 to 1989, including signings with Mark Hamill and Dave Prowse, James Doohan, Nick Rhodes, Jon Pertwee, Alan Moore and Neil Gaiman, Anne McCaffrey and others.

(14) FANNISH PARADISE? Well, at least one day a year…. “Uzupis: a tiny republic of free spirits”.

Meaning ‘beyond the river’ in Lithuanian, Užupis is separated from the rest of the city by the Vilnele River. The republic celebrates its independence annually on 1 April, known locally as Užupis Day. On this day, travellers can get their passports stamped as they cross the bridge into the republic (every other day, the border is not guarded), use the local (unofficial) currency and treat themselves to the beer that flows from the water spout in the main square (yes, really).

(15) A LOT OF BIRTHDAYS AGO. Walter Jon Williams was interviewed about cyberpunk by phone in this 1991 episode of the Chronic Rift TV program.

In our second season premiere, Andrea Lipinski and Keith DeCandido welcome editor Brian Thomsen, physicist Joseph Pierce, and author Walter Jon Williams to our Roundtable discussion of the cyberpunk genre. The Memorable Moment is from the classic film, “H.P. Lovecraft’s From Beyond”. Trivia: We resolve the cliffhanger by introducing a race of beings called, “The Dork”. We also have a new animated sequence and theme song. The sequence was created by Mike Fichera who wanted to emulate the feel of the “Terminator” movie. The theme song was created by Victor Fichera. It would be the theme song for the rest of the series and was used when the podcast started. Victor recently updated the theme for our Facebook Live show. Originally Aired: September 2, 1991

 

(16) TSUNDOKU OR NOT TSUNDOKU? Most of us own books we’ve read and books we haven’t. Kevin Mims considers the importance of owning books we’ll never get around to finishing — “All Those Books You’ve Bought but Haven’t Read? There’s a Word for That” at the New York Times.

In truth, however, the tsundoku fails to describe much of my library. I own a lot of story collections, poetry anthologies and books of essays, which I bought knowing I would probably not read every entry. People like Taleb, Stillman and whoever coined the word tsundoku seem to recognize only two categories of book: the read and the unread. But every book lover knows there is a third category that falls somewhere between the other two: the partially read book. Just about every title on a book lover’s reference shelves, for instance, falls into this category.

(17) DISABLED PEOPLE DESTROY SF. Charles Payseur returns to review Uncanny in “Quick Sips – Uncanny #24 Disabled People Destroy Science Fiction! [October Fiction]”.

It’s the second month of Uncanny Magazine’s Disabled People Destroy Science Fiction! As before, I’m breaking October’s offerings into two parts, the fiction and the poetry, and starting out with the six new stories exploring futures near and far. This month’s pieces definitely focus on some grim realities—hospitals and universities and families and cities where disabled people are not exactly the priority, or at least not in the ways they want. The stories look at characters trapped by circumstance and (largely) by tragedy, brought to a crisis because their situation is getting worse and worse. And in each case, they must make decisions either to sit down and be quiet or to fight back, to try to follow their own hearts. The works are often dark, often difficult, but ultimately I feel reaching for healing and for peace, for a space that the characters can have as their own, which is much more about freedom than confinement. To the reviews!

(18) VIDEO OF THE DAY. “Outer Space” by Sabine Hossenfelder on YouTube is a video about space travel done by a singer whose day job is as a theoretical physicist.

[Thanks to JJ, Chip Hitchcock, Jeffrey Smith, James Davis Nicoll, Martin Morse Wooster, Carl Slaughter, Mike Kennedy, John King Tarpinian, Cat Eldridge, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Joe H.]

Worldcon 76 Program Troubles

When Worldcon 76 program participants were sent their schedules over the weekend such controversy resulted that the schedule was taken offline this morning, Chair Kevin Roche issued an apology, and the committee now is reviewing the participant bios, asking to hear from Hugo nominees who haven’t been put on the program and, presumably, filling the vacancies left by writers who have now dropped out.

Three issues drawing the most fire in social media have been —

  1. Respect for people’s chosen pronouns (and related concerns about LGBTQAI+ and POC participation);
  2. Whether new writers are being accepted onto programming (with skepticism fueled by the realization that several newer writers who are Hugo nominees are not on the program); and
  3. Dissatisfaction with responses by the Worldcon 76 program division.

Lighting off the social media cycle was Hugo nominee Bogi Takács’ call for an apology after seeing eir bio in the program database. (The thread starts here.)

Takács also pointed to undeserved criticism from Worldcon 76 Program Division Head Christine Doyle for going public:

Takács received an apology from Chair Kevin Roche:

Unfortunately, Roche’s general apology was preceded by another one based on some wrong information, leading to this exchange:

Hugo nominee JY Yang voiced concerns for POC as well:

Another comment:

Yang later wrote another thread (starts here) to make such points as these –

Michi Trota, in a thread that starts here, reminded programming why these creators are Hugo nominees in the first place —

In other thread, Trota wrote:

Amal El-Mohtar did this roundup of the issues —

For the record, the email Program Division Head Christine Doyle sent to program participants yesterday said in part:

We had over 2000 people ask to be on the program, and unfortunately there was no way to accommodate everyone. Similarly, we had over 2000 program items submitted, with lots of duplication in some areas, and we couldn’t schedule them all.

We realized that many people didn’t receive our initial communications, because they were either blocked without us getting notice (i.e., earthlink), or filtered into the promotions bin (gmail).

We may contact some people for headshots and bios. If the headshot and/or bio that we have for you is not to your liking, please contact us with suggested edits or replacements. A note about names: for consistency and fairness, we are not using any prefixes (honorifics) or suffixes for your name unless it changes who you are (Sr/Jr/III). That said, we fully expect all of those details to be in the bios. Let us know if we need to edit the bio to get this included.

The present controversy has cost Worldcon 76 some of its best-known participants.

N.K. Jemisin dropped out of Worldcon 76 programming:

Mary Robinette Kowal is going to the con but is getting off the program:

Several writers say they are dropping off the program to (in effect) leave room for newcomers.

John Scalzi, in “Being Seen at Worldcon”, sums up what he terms to be —

A Twitter thread on the recent contretemps at Worldcon 76, where many newer writers (including some Hugo finalists) were not represented on the initial programming slate

Including this comment:

David Gerrold said on Facebook:

Re: Worldcon.

There are program items I cannot step out of (specifically the memorial panel for Harlan Ellison), but I have written to the Worldcon Committee and asked them to cancel my reading and slot in a Hugo nominee or a person of color or a woman into that spot instead.

I will be taking a second look at a couple other panel assignments as well.

David D. Levine also offered to vacate his place on Worldcon 76 program.

(This is unlikely to be an exhaustive list, just the ones I found.)

Worldcon 76 Chair Kevin Roche has announced on Facebook (with a parallel Twitter thread):

(From the Chair)

I directed the Program Division to take down the preliminary program information that was released yesterday evening. There were too many errors and problems in it to leave it up.

I am sorry we slighted and angered so many of the people we are gathering to meet, honor, and celebrate. This was a mistake, our mistake. We were trying to build a program reflecting the diversity of fandom and respectful of intersectionality. I am heartbroken that we failed so completely.

We are tearing the program apart and starting over. It was intended to be a reflection of the cultures, passions, and experiences of Worldcon membership, with room for both new voices and old. What we released yesterday failed to do that; we must do better.

Many of you have offered to help us do a better job. Thank you. We cannot accept all those offers, but yes, we will be turning to some of you to help us do it better this time.

We will continue to reach out to the Hugo Finalists we have missed connections with, to ensure any who wish to be on the program will have a place on it.

Kevin Roche
Chair, Worldcon 76 in San Jose

An additional complaint about how the bios seem to have been created:

More dissatisfaction about program from two Hugo nominees.

Suzanne Palmer (thread starts here).

K.M.Szpara (thread begins here)

Alexandra Erin responded to the latest social media cycle with these thoughts about the application of lessons from the culture wars to the science fiction community. (Thread starts here.)

Furthermore, Alexandra Erin has decided what is needed is a “Queer Rapid Response Team for WorldCon 76”.

So, this is one of those posts that’s going to be mystifying to a lot of people but make perfect sense to others. It’s a busy day and I don’t have the time or wherewithal to go into the background. The short version is: WorldCon 76 is fudging up quite badly in how it treats attendees, up to and including finalists for its crown jewel Hugo Award. Multiple genderqueer, non-binary, and non-conforming members have spoken up about feeling unsafe and disrespected, and WorldCon’s safety team is not inspiring a lot of confidence.

Accordingly, I am taking one of my standing offers at WisCon and expanding and formalizing it for the larger WorldCon: I am forming a Queer Rapid Response Team. Before the convention next month, I will set up an automated channel that will text any messages onward to everybody on the team. The idea is that if anybody in the family needs an escort, needs a friendly face, needs emotional support, or whatever, we can form up on them like queer Voltron.

Pixel Scroll 6/12/18 Your Mother Was A Scrollster And Your Father Smelt Of Pixelberries! I File In Your General Direction!

(1) ON WITH THE SHOW, THIS IS IT. Deadline learns “‘Looney Tunes’ Getting Short-Form Revival At WB Animation”.

Warner Bros Animation is creating a new series of short-form cartoons based on the studio’s iconic Looney Tunes Cartoons franchise featuring the likes of Bugs Bunny, Daffy Duck and the gang that will harken to the original Looney Tunes theatrical shorts. The studio said today multiple artists will produce 1-6 minute shorts “written” and drawn by the cartoonists allowing their own personality and style to come through.

The plan is to produce 1,000 minutes each season, with the content to be distributed across multiple platforms including digital, mobile and broadcast…

(2) ADVANCE WORD. “How incredible is Incredibles 2? The critics give their verdicts” in a BBC roundup.

Fourteen years on from The Incredibles, a sequel to Pixar’s hit animation has arrived – and it’s “worth the wait”.

That’s the verdict of the Hollywood Reporter, which praises its “engaging” characters and “deep supply of wit“.

Screen International lauds the film’s “kinetic elan“, while Forbes called it “funny, thoughtful and thrilling”….

(3) GOOD POINT. Concern for passing on a legacy is surprisingly absent from many corners of fandom.

(4) BULLIED. ScreenRant tells the story of “5 Actors Who Were Bullied Off Social Media By Angry Fans.”

Let’s kick this whole thing off with a very obvious and very simple fact that shouldn’t even need stating: Actors are NOT the same as the characters they play. When they’re in movies or television shows, they’re ACTING (the clue is in the word “actor”). And if you’ve ever bullied an actor because of something their CHARACTER did – online or otherwise – you really do need to take a long hard look at yourself! That being said, sadly, cowardly bullying of that nature happens all the time in the modern world – it’s particularly easy to do from behind a computer screen when you have a picture of a cat as your profile picture – and, rather unsurprisingly, the actors on the receiving end don’t like it very it much. In this video, we’ll take a look at five actors who were ruthlessly and senselessly bullied off social media (Twitter, Facebook, Instagram etc) by angry so-called “fans” of their movies and TV shows who simply didn’t think before they spoke (N.B. You’re absolutely NOT a fan if you’ve ever done this). The actors in question are; the Star Wars sequel trilogy’s Daisy Ridley, Star Wars: The Last Jedi’s Kelly Marie Tran, Ghostbusters’ Leslie Jones, The Walking Dead’s Josh McDermitt and Game of Thrones’ Faye Marsay.

 

(5) JACKPOT HGHWAY. What do you get when you combine Heinlein’s “Let There Be Light” with “The Roads Must Roll” (give or take a few details)? Roads paved with solar panels! The New York Times has the story — “Free Power From Freeways? China Is Testing Roads Paved With Solar Panels”.

On a smoggy afternoon, huge log carriers and oil tankers thundered down a highway and hurtled around a curve at the bottom of a hill. Only a single, unreinforced guardrail stood between the traffic and a ravine.

The route could make for tough driving under any conditions. But experts are watching it for one feature in particular: The highway curve is paved with solar panels.

“If it can pass this test, it can fit all conditions,” said Li Wu, the chairman of Shandong Pavenergy, the company that made the plastic-covered solar panels that carpet the road. If his product fares well, it could have a major impact on the renewable energy sector, and on the driving experience, too.

(6) EMERGENCY BACKUP SIXTH ITEM. (Someone noticed I left a gap in the numbering.) Syfy Wire calls these The 13 best friendships in sci-fi & fantasy.

As we alluded to earlier, it was Sam who literally carried Frodo at a critical point in The Lord of the Rings trilogy. But Frodo would have been lost to the ring long before that if his best friend hadn’t accompanied him. In terms of trios, Harry Potter, Hermione Granger, and Ron Weasley could face almost anything together. The original Star Trek also had a core trio of friends: Kirk, Spock, and McCoy.

 

(7) ALTERNATE UNIVERSE NEWS. Kevin Lincoln, in “What If Star Wars Never Happened?” at Polygon, has an alternative universe where George Lucas passes on Star Wars to direct Apocalypse Now (which comes out in 1976), which begins a chain of events including the election of Al Gore in 2000 and the non-existence of Netflix.

The 1970s

Hot off the runaway success of 1973’s American Graffiti, which becomes one of the most profitable movies ever made, 29-year-old George Lucas tries to write a script about a moral, expansive universe filled with mysterious power and mythological heroes and villains. The first treatment he produces is, by many accounts, incoherent. Discouraged by the negative response, he decides to take up his friend Francis Ford Coppola’s offer to direct a Vietnam War movie called Apocalypse Now, written by their other friend, John Milius.

Lucas brings the film in on time and just barely over budget, delivering a well-reviewed movie shot in cinema-verite style that draws comparisons to The Battle of Algiers and Z. But audiences are tired of the Vietnam War, which had finally ended in 1975, and when the movie comes out in 1976, it’s a modest success rather than a breakout hit like Graffiti. However, combined with the success of The Godfather II in 1974, it’s enough to impress the holders of the rights to Flash Gordon, who earlier refused Lucas’ offer to adapt the property. They agree to allow him to make a movie based on the character, produced by Coppola.

(8) SNAP, CRACKLE AND PLOT. Atlas Obscura tells about the importance of some low-tech effects: “Why Foley Artists Use Cabbage and Celery to Create Hollywood’s Distinctive Sounds”.

In one of the final scenes of James Cameron’s Titanic, Rose (played by Kate Winslet) clings to a floating headboard, a piece of debris from the shipwreck that claimed over 1500 lives. A delirious Rose, adrift in the freezing ocean, sees a rescue team in the distance and moves her head. As she lifts her frozen hair off the wood, it crackles audibly.

But Rose’s hair never actually crackled, and the sound wasn’t made by hair at all: It was the sound of frozen lettuce being peeled by Foley artists in a studio. While subtle to the ear, and almost unnoticeable amidst the dialogue, score, and other sound effects, the crackle is critical to amplifying the scene’s drama. And it’s the responsibility of Foley artists to forge these unique sounds in post-production, often from lettuce heads, coconuts, and other foods.

It’s an uncharacteristically overcast May day in Culver City, California—an enclave within Los Angeles where many production studios are found. I’m at Sony Pictures, where two of the studio’s resident Foley artists, Robin Harlan and Sarah Monat-Jacobs, recount the struggle to make Rose’s frozen hair sound like frozen hair. First they tried freezing a wig, but that didn’t work. Velcro didn’t do the trick, either. Later, Harlan was at home and, while making herself a sandwich, found that a head of lettuce’s crackle worked perfectly. “They really wanted to hear the sound of frozen hair pulling off of this wood bedstead, but I mean, you can’t really freeze your own head,” says Harlan.

(9) PETERS OBIT. Only just announced… Luan Peters (1946-2017): Actress and singer, died December 24, 2017, aged 71. Genre appearances include Doctor Who (two episodes, 1967 and 1973), Randall and Hopkirk (Deceased) (aka My Partner the Ghost, one episode, 1969), Lust for a Vampire, Twins of Evil  (both 1971), The Flesh and Blood Show (1972), Vampira (aka Old Dracula, 1974), Land of the Minotaur (aka The Devil’s Men. 1976).

(10) TODAY IN HISTORY

  • June 12, 1987 Predator premiered on this day
  • June 12, 2012 — Ray Bradbury’s Kaleidoscope went into general release.
  • June 12, 2015 Jurassic World debuted

(11) COMICS SECTION.

  • Frazz discusses an application of Sturgeon’s Law but Mike Kennedy doesn’t think the math works.
  • Lise Andreasen asks if you can pass all four of the Turing Tests posed in Tom Gauld’s comic?

(12) POINT OF EXCLAMATION. Do not miss Camestros Felapton’s “Beard Subgenres (Crossover event!)” unless you have something important scheduled, like sorting your sock drawer. Just kidding!

Combining our occasional series of pointless infographics, with our occasional series of misclassifying mundane things by sub-genres of SFF and our occasional series of pictures of beards, Felapton Towers presents: beards by subgenres!

(I have no idea how I am going to justify linking to this. There’s not even a cat this time.)

(13) LEVEL-HEADED. This amazing movie technology advance is still news to me – million dollar idea:

instead of spending thousands of dollars on steady-cam equipment, filmmakers should just attach a camera to the head of a chicken and carry the chicken around as you film.

(14) ERRANT PEDANTRY. Marko Kloos volunteered these examples –

(15) TIDHAR. Jonathan Thornton reviews Candy by Lavie Tidhar” at Fantasy-Faction.

Candy is Lavie Tidhar’s first book for children. It is a perfectly pitched noir take on Charlie and the Chocolate Factory (1964). Its delightful premise following a twelve-year-old private detective in a city where chocolate, candy and sweets are banned. As such the book is both fun and amusing. However, as with Tidhar’s earlier work, his playful approach to genre is in service to the story’s hidden depths. He uses the trappings of noir detective tales to tell a subversive children’s story about corruption, the exploitation of vulnerable communities, and the limits of justice. The end result is a novel that for all its joyous sense of fun still packs a surprising emotional and philosophical punch.

(16) OUTCOME OF SENSITIVITY READ. At The Book Smugglers: “Between the Coats: A Sensitivity Read Changed my Life – an Essay by Sarah Gailey”.

I’m queer, which is why I always thought I’d be dead by now….

… I was a new writer, alien to the writing community, completely unaware of the conversations about queer representation that had been developing for years before I’d thought to write a single word of my story. It didn’t occur to me that queer tragedies like that are part of an agenda, and that the agenda had been working on me for a long time. That agenda had succeeded at keeping me quiet and scared and lonely in ways that I thought were fine, just fine, thanks, how are you? That agenda had succeeded at making me hold my breath. Because of that agenda, I spent my days hoping that no one ever noticed me.

None of that entered my mind, not even once. I thought I was writing in-genre. Fantasy stories have magic. Science fiction stories have rules that I don’t always understand because I somehow got through high school without taking a physics class. Queer stories have death.

And then I got some feedback on the story from a sensitivity reader. They had volunteered to make sure I wasn’t screwing up on a particular point of representation — but they took issue with the story as a whole. They told me emphatically that I should reconsider writing a queer tragedy; that it was a trope, that it was harmful to readers, that it was overused and dangerous. I took the feedback with mortifyingly poor grace. I was lucky enough to be quickly corrected on my behavior. In the wake of that correction, trying to figure out which way was up, I asked friends for help processing the critique.

My straight friends said it was bullshit. They said there was nothing wrong with queer tragedies — that queer people dying again and again was fine. Queer people are just people, and people die, they said. That’s just how it is. Really, it’s best not to overthink it. Go ahead and Forget.

My queer friends didn’t tell me that. Instead, they pointed me to articles and blog posts and callouts pointed at the Bury Your Gays trope. They talked to me about representation with more patience than I deserved. Many of them said that it was okay that I didn’t know, because a lot of straight writers don’t think about these things….

(17) HORRIFIC SCENARIO. In “‘Rosemary’s Baby’ at 50: How the horror classic is more relevant than ever in the #MeToo era”, Yahoo! Entertainment writer Nick Chasger looks at Rosemary’s Baby on its 50th anniversary in the wake of both director Roman Polanski and star Mia Farrow’s role in the #MeToo movement.

Focused on a powerless (and physically slight) female who’s marginalized, assaulted, and controlled in equal measure, Rosemary’s Baby soon becomes a terrifying tale about misogyny’s many guises. As the thing growing in her womb makes her sicker and sicker, her face so ashen that friends can’t help but remark upon it, Rosemary is made to feel crazy as well as helpless. That’s most evident when, after getting into an argument with Guy over her description of Sapirstein as “that nut,” she makes sure to assuage her husband that she’s not going to have an abortion — an option that, it’s clear, she doesn’t have the right to choose, even if she wanted.

(18) VOICE OF COMMAND. A new scheme for playing video games….

For the very first time ever, take your rightful place as the Dragonborn of legend (again) and explore Skyrim using the power of your own voice…your Thu’um!

 

[Thanks to Martin Morse Wooster, ULTRAGOTHA, Steve Green, JJ, John King Tarpinian, Lise Andreasen, Cat Eldridge, Chip Hitchcock, Mike Kennedy, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day jayn.]

Pixel Scroll 4/18/17 There Is A Scroll In Everything, That’s How The Pixel Gets In

(1) WISDOM. Chuck Wendig’s birthday gift to himself can also be shared with the universe — lucky us: “What I’ve Learned After 5 Years And 20 Books: 25 Lessons”. JJ’s favorite is #21. This is my pick —

  1. The Opposite Of ‘Kill Your Darlings’ Is ‘Know Which Hill To Die On’

Early on you learn to kill your darlings. Your work has these precious, preening peacocks who strut about for their own pomp and circumstance. These darlings are like chairs you can’t sit on, food you can’t eat — they’re just there to look pretty and take up space. So, you kill them. You learn to kill them. You get good at killing them. And then, one day, you realize maybe you got too good at it. Maybe you went too far. You started to think of everything as expendable, everything as negotiable. But it isn’t. It can’t be. I learned this writing Star Wars: yes, those books are not purely mine. They belong to the galaxy, not to me. Just the same? It’s my name on those books. If they fail, they fail on my watch. If there’s something in there you don’t like, it doesn’t matter if it’s something Mickey Mouse his-own-damn-self demanded I put in there: it lands on my doorstep. That’s when I saw the other side of the brutally execute your peacocks argument: some peacocks stay. Some peacocks are yours, and you put them there because that’s where you want them. Maybe they add something specific, maybe you’re just an asshole who demands that one lone peacock warbling and showing its stuff. But you own that. You have to see when there are battles to lose, and when there are wars to win. There are always hills to die on. It can’t be all of them. You want to die on every hill, then you’re dead for no reason and the book will suffer. But some things are yours and you have to know which ones to fight for, and why. You have to know why they matter and then you have to be prepared to burn the book to ash in order to let it stay.

(2) WRITE LIKE THE LIGHTNING. Too Like the Lightning author and Hugo nominee Ada Palmer is interviewed in the Chicago Maroon.

CM: Where’d your inspiration arise from, and what made you want to write a book with such an intersection of so many topics like philosophy, politics, science fiction?

AP: I mean, good science fiction is like that. Great science fiction is full of ideas, not just one, or two, or five ideas, but new ideas in every page. Also, I was inspired by reading pre-modern science fiction, which I do as a historian. We think of science fiction as a late 19th- and 20th-century genre, but Voltaire wrote a science fiction short story called “Micromegas,” in which aliens from another star and from Saturn come to the Earth. When they make first contact with people, the first thing they discuss is, “Is Plato or Descartes correct about how the soul and body connect to each other?” and “Is Thomas Aquinas’s discussion of Aristotle’s divisions of the parts of the soul true?” Voltaire’s society was obsessed with providence, so providence and the existence of God and the immaterial soul was what his people talked to aliens about, and it was as plausible to him as our science fiction works are to us.

So I wanted to write science fiction that used the amazingly sophisticated vocabulary of modern science fiction, all the great developments we’ve had in terms of thinking about AI and flying cars, but to ask questions like Voltaire would.

(3) GOT TO HAVE IT. A couple of other Hugo nominees woke up the internet.

Ditch Diggers has been nominated for a Hugo Award! You did it! Mur and Matt will go up against the likes of The Coode Street Podcast and Tea & Jeopardy in Helsinki for Best Fancast (even though we’re all professionals. Because there’s only one podcast category)! Thank you to all Ditch Diggers listeners who supported the show and don’t forget to vote for Mur and Matt for the Hugo itself!

(4) PROFESSIONALISM. Michi Trota reinforces the lessons of Odyssey Con in “Volunteers, Professionals, and Who Gets to Have Fun at Cons”.

…Being on the job at a con doesn’t have to ruin my fun–or anyone else’s for that matter–but you know what does? The dude with the grabby hands and eyes trained on my chest. The person who kills a conversation with their racist jokes. The gatekeeper who quizzes me on the X-Men then tries to play Gotcha! with a question about Legend of Zelda because obviously the brown Asian woman’s just playing at being a nerd. The asshole selling misogynistic art. A concom that selectively enforces their code of conduct and dismisses concerns I’ve expressed about my safety because “Stories about X’s behavior are just exaggerated.” Not only does that ruin any fun to be had, it also makes my job that much harder to do, potentially costs me opportunities as a creator, and makes me wonder how much of my investment that con is actually worth (Elise Matthesen had some excellent things to say about the real costs of harassment and who pays them).

This is where the argument that having things like rules, codes, and policies that attendees and organizers are expected to abide by also ruins everyone’s fun usually comes up. But it begs the question: just whose fun are we referring to here? Because let’s be real, con’s haven’t always been fun for everyone.

… The widespread adoption and implementation of anti-harassment policies and codes of conduct has made it a bit easier for people like me to be more involved in fandom. They don’t mean that I never run into problems, but it’s less likely those problems will outweigh the time and effort I invest in those cons. It’s because of my participation and attendance at cons as both a fan and a pro that I was able to meet people and find opportunities that helped me get to where I am now. Expectations of professionalism on the part of con organizers are not unreasonable simply because those organizers are volunteers. There’s absolutely nothing wrong about professionals treating cons as a workplace (particularly if they’re guests who have been contracted by the con for their presence) and nothing preventing pros and fans from being friendly with each other. There’s nothing about running your con with a minimum of professional standards, practices, and behavior that excludes everyone also having fun.

If your fun is dependent using your status as a volunteer as an excuse to not act responsibly, if it requires victims to stay quiet about mistreatment: then it’s not really a fun time for “everyone” is it? It’s not the expectation of professionalism that’s killing the fun at cons, it’s the lack of it.

As Deb Geisler says, “Never, ever, ever should “but we’re just volunteers” be an excuse not to do the finest job of which we are capable.”

(5) STUMBLING BLOCK QUESTIONS. Alyssa Wong says it in her own way in “Why ‘I’m a feminist, but –‘ isn’t enough”.

ii.

Incidents of sexual harassment in the SFF field are distressingly numerous. And it’s nothing new; Isaac Asimov was so well known to grope women that in 1961 he was asked to deliver a “pseudo lecture” on “the positive power of posterior pinching” (read the correspondence between Earl Kemp, chairman of Chicon III, and Asimov here).

But this isn’t 1961. SFF is more global, diverse and inclusive than ever, and much richer for it. Writers who challenge and explore systematic injustice and oppression through their work are myriad; their work can be found in bookstores, presses, and online across genres, across the world.

And yet we keep asking:

are you sure she didn’t just have a vendetta?

how could it be sexual harassment if he didn’t touch her?

why do we need to be so politically correct?

Why? Because real people are affected. Because both macro- and microaggressions are harmful.Because everyone deserves to feel safe in professional settings, and for writers and industry professionals, that is what conventions are. Moreover, Wiscon is a feminist SFF convention. If safe feminist space exists in genre, Wiscon should definitely be part of it.

What concerns me is the number of women and men who continue to stand up for known abusers. In this sense, it seems that Jim Frenkel is not alone.

(6) CARPENTRY. Cat Rambo also says it is “Time to Fix the Missing Stair”, in a multifaceted post that includes this allusion to a Superversive SF post, and highlights from a relevant panel at last weekend’s Norwescon.

…[Re: Monica Valentinelli’s departure as OdysseyCon guest] One manifestation of that is a brief statement asking why she hates women, declaring that her example will make conventions reluctant to invite any women in the future. Let’s unpack that one a little because the underpinnings seem ill-constructed to me.

There are many kinds of humans in the world. That means there’re also many kinds of women. The logic of the above statement says two things: 1) that it is wrong for people speak out about conditions that are uncomfortable, unprofessional, or sometimes even dangerous and 2) that only people with the strength to survive a gauntlet that can include being groped onstage, being mocked publicly, having their work denigrated for no reason other than having been produced by a woman, and a multitude of other forms of harassment deserve careers and the rest are out of luck. Does that really need to be demanded for someone to have a career? Writers are notoriously unstable mentally as it is. Serial harassment is a professional matter.

This was underscored for me on a Norwescon (a con that does a great job with selecting programming and volunteers and understands the issues) panel that I moderated last Friday, Standing Up to the Mob, with panelists Minim Calibre, Arinn Dembo, Mickey Schulz, and Torrey Stenmark. The description was:

How do you support female creators who are being harassed online by the ravening hordes of the unenlightened? Tips for voicing your support in ways that mean something.

Here are Arinn Dembo’s excellent notes on the panel overall.

(7) THEY’RE GONE. Would you like to bet this writer’s stance was a factor in today’s decision to retire the Lovecraft nominee pins?

(8) THE ONE-PERSON SALES FORCE. A lot of things affect an indie author’s sales and it isn’t easy to keep all of them in mind, as Amanda S. Green explains in “It really is a business” at Mad Genius Club.

The next thing I looked at happened to be my product pages. Oh my, there is so much there we have to take into consideration and we don’t tend to. At least I don’t. Sure, I want to have the best possible cover to draw the reader’s eye. I want a snappy and interesting blurb to grab the reader and make them want to buy the book. But I don’t tend to check the product page on anything other than my laptop. I forget to look at it on my Kindle Fire or Mom’s iPad. I sure forget to look at it in my phone. Or, more accurately, I used to forget it. After the last few days, I won’t. What I learned is that the longer blurbs will work on a tablet or computer screen but, on a phone, they are a pain because you have to keep scrolling. Not good. Scrolling for a screen or two is one thing but for screen after screen after screen — nope. Not gonna happen. Fortunately, most of mine weren’t that bad and those that were happen to be on two titles I am going to withdraw because they were supposed to be short term promo titles initially.

(9) I’M A DOCTOR NOT A MILLIONAIRE. By the way, if you want to know how much the tricorder X Prize was worth, the Washington Post article says that Final Frontier Medical Devices, led by Dr. Basil Harris, won the $2.6 million first prize in this contest, with Dynamical Biomarkers Group got $1 million for second place.

(10) MAGAZINE LAUNCH. Anathema has published its first issue. The free, online tri-annual magazine publishes speculative fiction by queer people of color. The magazine was funded by a 2016 IndieGoGo campaign.

Exceptional art is a bruise: it leaves its mark on you. At its best it leaves us vulnerable and raw, transformed by the experience. At Anathema we’re interested in giving that exceptional work a home. Specifically the exceptional work of queer people of colour (POC). As practicing editors we’re keenly aware of the structural and institutional racism that makes it hard for the work of marginalized writers to find a home.

So Anathema: Spec from the Margins is a free, online tri-annual magazine publishing speculative fiction (SF/F/H, the weird, slipstream, surrealism, fabulism, and more) by queer people of colour on every range of the LGBTQIA spectrum.

(11) TODAY IN HISTORY

  • April 18, 1938 – Superman made his first appearance in Action Comics #1. (Cover-dated June, but published in April.)

(12) TAFF. SF Site News reports John Purcell has won the Trans-Atlantic Fan Fund race. Voting details at the link.

(13) CARTOON OF THE DAY. Martin Morse Wooster recommends The Bigger Picture, a cartoon by Daisy Jacobs done in the style of a painting about two brothers feuding over their ailing mother. It was a 2015 Academy Award nominee

(14) DEVIL’S DICTIONARY. In McSweeney’s, Rajeev Balasubramanyam’s “A Short Description of Cultural Appropriation for Non-Believers” supplies a wryly amusing 10-point illustration of the term.

(15) WINTER IS HERE. Dave Truesdale, who had a lot to say about “special snowflakes” at last year’s Worldcon, has been using an F&SF forum discussion to call into account Liz Bourke’s Tor.com post “Thoughts on the 2017 Hugo Awards Ballot”.

….Going back to 1993, women received the majority of the 15 Hugo short fiction nominations that year. Hardly discrimination by the entire SF field. And that was just shy of 25 years ago!

But now it’s not yay!, look how far we’ve come in a positive celebration for a year in which women and poc dominate several major awards ballots, it’s neener neener we dominated an award ballot and “This year is a historic one for the Hugo Awards in more ways than one. In addition to the changes to the awards process, this is the first year in which the Best Novel nominees have been so completely devoid in white men.” [[Link added]]

Why the F bring up white men I ask for the umpteenth time. Why not white straight women too, then, who have been on the ballot plenty over the past 40 or 50 years and have taken up plenty of slots that could have gone to poc, especially in the past decade or so (pick your starting point).

Why just white men? An unconscious bias perhaps? A conscious prejudice? Give me a sound reason why not just “white” people, or “men” were noted in the article, but “white men.” There’s something else going on here. The article doesn’t have to come right out and be the instigation of a flame war in its use of inflammatory language and tone to reveal certain things about the writer or her view of the situation. That she’s more subtle in doing it doesn’t give her a pass.

He came back again and added:

In the stuff-you-always-think-of-later department:

CJW wrote: “She noted the lack of white men on the Best Novel list, because there were no white men on the Best Novel list.”

There were also no black, brown, yellow, or red men on the list either. So why single out white men I ask again for the 3rd or 4th time? Subconscious prejudice bubbling to the surface because that is her default–that pesky white color? What could possibly be the reason she forgot non-white men? I mean, there has to be a perfectly reasonable explanation for her discriminatory statement.

Although other commenters weren’t interested in engaging with Truesdale’s complaint, they couldn’t resist dropping in another coin to see him go off again.

SHamm ended a reply —

P.S.: Dave, I am not quite sure from your phrasing: are you under the impression that Milo Yiannopoulos is a “straight white male”?

P.P.S.: Dave, I believe Best Novel nominee Liu Cixin qualifies as a “yellow man,” in your parlance, although I am told that particular descriptor is no longer much in vogue.

P.P.S.: Dave, does it have to be a “straw MAN”? Asking as a man.

Truesdale answered:

SHamm, of course Milo is gay, but he doesn’t agree with the party line and so is reviled and efforts are made to silence him.

Liu Cixin is a yellow man in historical terminology, which makes the essayists use of “white men” even more telling. Person of color=OK. White men not OK.

Straw man is just a phrase we are all familiar with. No need to make anything out of it.

Why bring Puppies into this? No Sad Puppy I know of is afraid of women/people of color/LGBTQ writers dominating the awards. Certainly not me. I’ve said it a hundred times, the more the merrier. The problem for me arises when these same people heralding diversity for their own benefit try to silence diversity of thought from everyone else. And if you dare speak out you suffer the consequences–inside and outside the SF field, witness Milo and others lately who have suffered similar fates while trying to express differing views on university campuses (though maybe not with the violence attendant at Milo’s cancelled talk). It’s the darker underside agenda of those rallying behind good causes such as diversity that puts the lie to their true agenda. And it’s hurting SF. Again, writers aren’t taking the kinds of chances in speaking of social or political issues they used to, for fear of various forms of reprisal from those waving the banner of diversity. Their diversity only runs in one way, and its killing free speech and controversial thought experiments in our stories. That Puppy crap still being thrown out is ridiculous and an intellectual dodge. Besides, there was no SP this year as far as I know, but every time this discussion comes up someone thinks that tossing in SP or RP is the answer to everything, when it is an excuse to honestly address the issue.

(16) MAKES SENSE. The head of Netflix isn’t worried about Amazon and HBO because, he says, they aren’t the competition.

But today, on Netflix’s Q1 earnings call, [Netflix CEO Reed] Hastings got a little more expansive, in a bong-rip-in-a-dorm-room way, if that’s still a thing. (Is that still a thing?) Here’s the answer he gave to an Amazon competition question; we join this one mid-response, right after he finished praising Amazon and Jeff Bezos:

They’re doing great programming, and they’ll continue to do that, but I’m not sure it will affect us very much. Because the market is just so vast. You know, think about it, when you watch a show from Netflix and you get addicted to it, you stay up late at night. You really — we’re competing with sleep, on the margin. And so, it’s a very large pool of time. And a way to see that numerically is that we’re a competitor to HBO, and yet over 10 years we’ve grown to 50 million, and they’ve continued modestly growing. They haven’t shrunk. And so if you think about it as, we’re not really affecting them, the is why — and that’s because we’re like two drops of water in the ocean, of both time and spending for people. And so Amazon could do great work, and it would be very hard for it to directly affect us. It’s just — home entertainment is not a zero-sum game. And again, HBO’s success, despite our tremendous success, is a good way to illustrate that.

(17) AND NOW FOR MORE SCIENCE. This unauthenticated video may date before the Ice Age. Or before breakfast today.

(18) INKLINGS NEWS. Inklings Abroad is developing an international registry of known Inklings groups.

(19) DANCE WITH ME. Believe it — Guardians of the Galaxy has a La La Land moment!

(20) THINK TWICE BEFORE GETTING THAT EXTRA LARGE SODA. In its own way, Guardians of the Galaxy Vol. 2 threatens to have as many endings as Return of the King. As ScienceFiction.com says — “Just To Outshine The Rest Of Marvel’s Movies, ‘Guardians Of The Galaxy Vol. 2? Will Have 5 Post-Credit Scenes!”

Director James Gunn blew away expectations with his first foray into Marvel’s Cinematic Universe, and now he’s doing it again by adding five post-credit scenes at the end of ‘Guardians of the Galaxy Vol. 2‘! Originally it was being announced that he had four included from early press screenings and now Gunn himself took to clarify that it would be five. That’s one announcement he could make that would easily top his return to helm ‘Guardians of the Galaxy Vol. 3, ‘ but honestly, I think we were all hoping that was going to happen anyway.

This will set an all new record for the most post-credit scenes in a superhero movie, possibly of any genre.

[Thanks to Martin Morse Wooster, JJ, Cat Eldridge, Carl Slaughter, John King Tarpinian, Cat Rambo. and Kate Nepveu for some of these stories. Title credit goes to File 770 contributing editor of the day Schnookums Von Fancypants.]

Pixel Scroll 12/9/16 The Great Pixel Machine Hoax

(0) I HAVE NO ISP AND I MUST SCREAM. File 770’s ISP, Bluehost, was down over 12 hours yesterday, affecting this site and thousands of other clients. But now that we’re back online – let the good times Scroll!

(1) MANY A TRUTH. At sashayed’s Tumblr, an excerpt from a story draft is followed by this humorous but heartfelt plea:

 …. We cannot keep spending our energy being mad at mediocre men for writing mediocre books that inexplicably win awards and that people tell us to read, for some fucking godawful who knows reason.

So men. My guys. My dudes. My bros. My writers. I am begging you to help me here. When you have this man in your workshop, you must turn to him. You must take his clammy hands in yours. You must look deep into his eyes, his man eyes, with your man eyes, and you must say to him, “Peter, I am a man, and you are a man, so let us talk to each other like men. Peter, look at the way you have written about the only four women in this book.” And Peter will say, trying to free his hands, “What? These are sexy, dynamic, interesting women.” And you must grip his hands even tighter and you must say to him, “ARE THEY, PETER? Why are they interesting? What are their hobbies? What are their private habits? What are their strange dreams? What choices are they making, Peter? They are not making choices. They are not interesting. What they are is sexy, and you have those things confused, and not in the good way where someone’s interestingness makes them become sexy, like Steve Buscemi or Pauline Viardot. Why must women be sexy to be interesting to you? The women you don’t find sexy are where, Peter? They are invisible? They are all dead?” He is trying to escape! Tighten your grasp. “Peter, look at this. I mean, where to begin. ‘She could have been any age between eighteen and thirty-five?’ There are no other ages, I guess? Do you know what eighteen-year-olds really look like, in life? Do you know what forty-year-olds look like? And not that this is even the point, but why are these sexy, dynamic, interesting women BOTHERING with your boring garbage ‘on the skinny side of average’ protagonist? Why did you write it like this, Peter?”

(2) PODS AGAINST HUMANITY. Authors Brandon Sanderson, Mary Robinette Kowal, Wesley Chu and Mary Anne Mohanraj were at the Cards Against Humanity offices yesterday, using their sound studio to record 2017’s Writing Excuses podcasts.

(3) ACTOR IN THE HIGH CASTLE. Rupert Evans, who plays Frank Frink, promises “Man In The High Castle Season 2 ‘is going to shock people’” in an interview at SciFiNow.

Where is Frank when we first see him at the start of Season 2? Rupert Evans: He’s kind of weirdly back where he was at the beginning of Season 1. He finds himself in the hands of Inspector Kido (Joel de la Fuente) and the Kempeitai, having given himself up in the hope that he will be able to save his friend Ed, so having tried to hide from the Kempeitai throughout the whole season, he has to then make a huge life decision towards the end of Season 1, and walks into a police station and gives himself up.

So at the beginning of Season 2, we see the repurcussions of that, and there’s a big meeting with him and Kido.

Frank goes from someone from someone who basically wants to keep his head down to effectively becoming radicalised. How has that been to play? It’s been great, because it’s so lovely to see a change in a person, do you know what I mean, genuinely a change. In Season 2 he becomes very different – it’s like a completely different show for him really. He joins a group of people who really want to effect change in a very different way to how he thought he would himself, and he does, he becomes radicalised and joins a resistance cell, as it were, and that’s really the arc for Season 2 for Frank: his journey with them.

(4) FREQUENT BUYER. In 2017, Prime Books will be publishing Clarkesworld Magazine: A 10th Anniversary Anthology. Neil Clarke shared Julie Dillon’s cover art in a public post on Facebook and commented, “So glad to have her on-board for this project. Her art has been on 18 of our covers since 2010.”

(5) ANTISOCIAL MEDIA. Fantasy-Faction asks, not entirely seriously, “Does Patrick Rothfuss hate his fans?” Apparently the story is that (1) some internet users are jerks, and (2) some, in particular, are being jerks about Rothfuss getting his next book finished.

Not too long ago, Patrick Rothfuss wrote this:

Just when I was growing fairly certain my readers were clever people who actually have the ability to read and comprehend text, a brave contingent of souls rush boldly forward with comments, eager to prove me wrong….

The vast majority of you: Thanks for being a delightfully non-representative sample of what the internet has to offer. I love you with great love.

The others: I understand if the above sentences were too long for you to make it to the end. It must be hard to read an entire 70 words in a row, with that painful repetitive stress injury caused by your knees endlessly jerking in response to half-glimpsed imaginary insults.

I am sympathetic to your condition. So here’s the tl;dr…

I am disappoint.

Is that short enough, or do I have to slather it across a kitten picture for you?

The post includes long quotes from Brandon Sanderson explaining what he thinks is happening here.

(6) THE MEMORABLE ASTRONAUT. Homer Hickam, author of Rocket Boys, pays tribute to “The Otherworldly Spirit of John Glenn” in the Washington Post.

Ironically, John Glenn, the Mercury astronaut most Americans can still name, was the quiet one. He was strong and steady and never in any manner outlandish. He touched us in a different way. There was something about that balding, red-headed Marine with his lopsided smile that just made people love him. It seemed to those of us following the space race back then that everything Glenn did, his Midwestern, “aw shucks” manner of speech, his obvious love for and dedication to his wife, Annie, even his daily jogs along the Cape Canaveral beach, was pure and wholesomely American. The Kennedy administration instantly picked up on his popularity and made him and Annie regulars at the White House and Hyannis Port, where Jack and Jackie treated them like old friends.

(7) TODAY’S BIRTHDAY BOY

  • Born December 9, 1916 – Kirk Douglas, best known as Spartacus, has featured in genre films 20,000 Leagues Under the Sea and Saturn 3. He was also the last recipient of the Ray Bradbury Creativity Award, which was presented to him by Bo Derek. More trivia: Once upon a time, Kirk and Ray did a Japanese coffee commercial together.

(8) HINES BENEFIT AUCTION #13. The thirteenth of Jim C. Hines’ 24 Transgender Michigan Fundraiser auctions is for an autographed book by John Scalzi.

Today’s auction comes from Hugo award-winner and New York Times bestseller John Scalzi, who’s offering an autographed hardcover copy of his novel LOCK IN.

About the Book:

Not too long from today, a new, highly contagious virus makes its way across the globe. Most who get sick experience nothing worse than flu, fever and headaches. But for the unlucky one percent – and nearly five million souls in the United States alone – the disease causes “Lock In”: Victims fully awake and aware, but unable to move or respond to stimulus. The disease affects young, old, rich, poor, people of every color and creed. The world changes to meet the challenge.

A quarter of a century later, in a world shaped by what’s now known as “Haden’s syndrome,” rookie FBI agent Chris Shane is paired with veteran agent Leslie Vann. The two of them are assigned what appears to be a Haden-related murder at the Watergate Hotel, with a suspect who is an “integrator” – someone who can let the locked in borrow their bodies for a time. If the Integrator was carrying a Haden client, then naming the suspect for the murder becomes that much more complicated.

But “complicated” doesn’t begin to describe it. As Shane and Vann began to unravel the threads of the murder, it becomes clear that the real mystery – and the real crime – is bigger than anyone could have imagined. The world of the locked in is changing, and with the change comes opportunities that the ambitious will seize at any cost. The investigation that began as a murder case takes Shane and Vann from the halls of corporate power to the virtual spaces of the locked in, and to the very heart of an emerging, surprising new human culture. It’s nothing you could have expected

(9) DON’T GO COMMANDO. Hot Toys has an 18-photo gallery of its Star Wars Rogue One Jyn Erso action figure. Out of all the toys in all the world, why are we featuring this one?

JJ explains, “One of the things that impressed me is how much this actually looks like Felicity Jones. My biggest beef with action figures is how they almost never really look like the person they’re supposed to represent.”

Get the deluxe version for the low, low price of $249.99

Sideshow and Hot Toys are very excited to officially introduce a Deluxe Version of the widely anticipated sixth scale Jyn Erso collectible figure! Meticulously crafted based on the appearance of Felicity Jones as Jyn Erso in the film, the highly life-like collectible figure features a newly developed head sculpt, sophisticatedly tailored costume with multiple layers, detailed weapons and accessories including a blaster pistol, fighting baton, E-11 blaster rifle, and figure stand.

This Deluxe Version will exclusively feature an additional costume including a poncho with bandolier, a breathing mask, hat with goggles, quadnoculars, and additional blaster parts for Jyn’s unique blaster that can be combined into multiple modes.

jyn-erso-figure

(10) THIRSTY MARTIANS. Fantasies of Possibility has a good retrospective on H. G. Wells’ novel War of the Worlds.

Wells creates a vivid  and disturbing picture of  millions of refugees fleeing in panic from London and other towns, turning on each other as they desperately seek some kind of safety. This is not a picture of heroic resistance, but of a society breaking down.

The narrator is trapped in a ruined  house by the fifth cylinder crashing to earth. Hidden a few feet from the invaders, he discovers a dreadful secret, that the Martians are collecting humans in order to drink their blood for food. He sees this happen, but fortunately Wells spares us the details. Escaping from the house, the narrator makes his way to London, a city now almost empty of people.

(11) PERSISTENCE OF VISION. Uncanny’s Michi Trota is interviewed in the Chicago Reader.

All of the work that I do is somehow connected to fostering inclusive communities. It’s important to understand what makes them welcoming and what can be barriers to participation. Things that have spurred me to do the work I do include being pissed off and wanting to succeed out of sheer stubborn spite. You want me to go away because “Women don’t do x”? Or “A Filipina person doesn’t do x”? Don’t get me wrong, I’m also motivated by joy. Part of the reason I got into geek culture, part of the reason I fire spin, is that there’s nothing that makes me happier than bringing people together

(12) ASSOCIATIONAL ITEM. A novel for sale on eBay from the inventory of Mystery and Imagination Bookshop has the director’s autograph on a bookplate created by John King Tarpinian — “Guillermo Del Toro DON’T BE AFRAID OF THE DARK First Edition SIGNED Bookplate”.

(13) HOW BIZARRE. SuperMansion “War On Christmas”:

Original | Not Rated | 23 min | Released: 12/08/2016 Audio: English | CC/Subtitles: English

Why It Crackles: Wanna see Santa lose his $#@!? Jim Parsons joins Keegan-Michael Key and Bryan Cranston for a very SuperMansion Christmas.

Episode Description: The League of Freedom must band together to save Christmas when an interstellar imp, Mr. Skibumpers (Jim Parsons, The Big Bang Theory), unleashes a real-life Santa Claus (Gary Anthony Williams, The Boondocks), who experiences an existential crisis and runs amok.

(14) AND HAVE A SPRIG OF HOLLY DRIVEN THROUGH THEIR HEART. Buzzfeed’s Adam Ellis lists “14 Christmas Horror Movies To Watch This Holiday Season”.

  1. Sint

What it’s about: A Dutch reimagining of Sinterklaas as a ghost who murders people whenever the holiday coincides with a full moon.

Why it’s a perfect holiday movie: Since the film is from the Netherlands, it has subtitles, which means you get to feel cultured and sophisticated while watching people die.

Moment that will fill you with holiday cheer: Any time Sinterklaas uses his razor-edged pastoral staff as a deadly weapon.

(15) HOLIDAY PSA. 

batman-i-dont-smell

[Thanks to Martin Morse Wooster, JJ, Mark-kitteh, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributor of the day John King Tarpinian.]

Pixel Scroll 7/28/16 How Many Files Must A Pixel Scroll Down

(1) OLD PROSE, YOUNG EYEBALLS. This time James Davis Nicoll set the table at Young People Read Old SF with Lawrence O’Donnell’s “Vintage Season” – O’Donnell being a pseudonym used by both C.L. Moore and her husband, Henry Kuttner, though this particular story is believed to be the work of Moore.

I knew Moore would be featured in this series. I just was not sure which Moore story to pick. One of her stories about Jirel, indomitable French swordswoman? Or perhaps Shambleau, which introduced her magnificently useless (but handsome!) adventurer Northwest Smith, who never encountered a deadly trap from which someone else could not rescue him (to their detriment). In the end, I went with Vintage Season, mainly because people often falsely attribute it (in part or whole) to her husband. That made me suspect that the attributors consider it the most significant of her stories. It has been adapted both to film (under the title Grand Tour: Disaster in Time) and to radio and was selected for inclusion in The Best of C.L. Moore . This, I think, is the right Moore.

Reader Lisa had this to say:

Lawrence O’Donnell used a technique that, while transparent, kept me interested enough in this story to keep me reading. (Well, the technique and the fact that I’m part of this project kept me reading.) He tells the story from the perspective of a partly-informed outsider who doesn’t have enough information about the other characters, but notices that something is up with them. (Though he, and the readers, have no idea what.) By continuing to drop treats here and there for the readers, he manages to keep them intrigued.

(2) MILD MELD MOVES. Shana DuBois curates a new Mind Meld, now hosted on the B&N Sci-Fi & Fantasy Blog.

For years, the essential sci-fi blog SF Signal published Mind Meld, a regular column that featured a monthly roundtable discussion of the tropes, themes, politics, and future of genre fiction. On the sad occasion of the closure of that site, we were happy to offer the feature a new home. Future installments of Mind Meld will appear monthly on the B&N Sci-Fi & Fantasy Blog.

The series resumes with answers from Usman Malik, Zachary Jernigan, Delilah S. Dawson, Django Wexler, Yoon Ha Lee, Caroline M. Yoachim, Haralambi Markov, and Lee Kelly to this question —

Q: How do you see the boundaries between literary and genre fiction adapting as we move forward?

(3) REVIEW SITE ADJUSTS SCOPE. The stress of a young child’s medical problems is contributing to Bookworm Blues policy change because lately the blogger is reading —

Urban fantasy and paranormal romance.

Yes, folks, I’ve been reading an absolute metric ton of UF and PNR recently, which is something I never in a million years thought I’d say, but it’s true. I’m reading it, mostly because I really, really need happy endings, fuzzy feelings, and lighter mental distractions right now. I’m having a shockingly hard time getting into anything else at the moment. I am positive that once my life, and my chaotic emotions settle a little, I will get back to my usual stuff. I also think it is incredibly unfair for me to not mention the authors and books I am reading because I’m afraid to do so for various arbitrary reasons that really don’t matter a fig to a soul.

And, the more I read these types of books, the more I’m kind of amazed at the amount of skill it takes to sell me on a happily ever after, and the books and authors that manage it deserve recognition for their skills.

So as of today, you will officially see the occasional urban fantasy and paranormal romance book reviews on here, and yes, I will open my doors to accept those books to review.

(4) PERSISTENCE. Kameron Hurley on “The Wisdom of the Grind: It’s Always Darkest Before a Breakthrough”.

Lately I’ve been in one of those rough periods where I just want to quit for six months or a year and travel around the world and refill my creative bucket. Cause right now all I can see down there are beer dregs. The truth is that every profession will try and squeeze out of you as much as it can get. While I’d like to be mindful of how much I give it, I also recognize that in order to get to where I want to be, I’m going to have to give it everything. This is a marathon, yeah, but I don’t indeed to have anything left for the way back. This is it. The older I get, the rougher than knowledge is, though: knowing I have saved nothing for the way back. There is only forward.

When it gets dark like this as I sweat over the next book and start putting together ideas for pitching a new series, I remind myself that sometimes it’s the very bleakest right before a major breakthrough. These are the long plateaus in skill and ability that we have to push through to level up. Once you get to the pro level at anything, your effort/skill ratio flips. You no longer see huge gains with minimal effort. There’s a reason you can get 2 years of skill leveling up out of 6 weeks of Clarion. You tend to be newer to the craft. You’ve got more to learn.

My next big level up is taking a lot longer to get to – several books, many stories….

(5) BEER NUMBER FIVE. Narragansett Beer introduces another Lovecraftian brew. Andrew Porter sent a comment with the link, “I had a lidless eye once, but I could never go swimming….”

IPA

Introducing the 5th installment and 4th chapter of our award winning Lovecraft series: The White Ship White IPA. H.P. Lovecraft’s, The White Ship, tells a story of a lighthouse keeper’s adventure aboard a mysterious ship where his curiosity and greed win out over his better judgment.

The label, designed by local Rhode Island artist Pete McPhee from Swamp Yankee, features an image of the story’s grey lighthouse as the north point of a compass rose and represents the narrator’s trip to the other world and back.

White Ship White IPA is a Belgian style IPA is brewed with 4 types of Belgian and American malts and creamy Belgian yeast to create a crisp, delicious beer that blurs style guidelines. We use El Dorado and Mandarina Bavarian hops to give the beer the slight tangerine notes. We then dry hop this adventurous brew with El Dorado hops to enhance the mild citrus aromatics….

(6) MONSTROUSLY GOOD. Petréa Mitchell’s Anime Roundup for July 28 has posted at Amazing Stories.

Re: ZERO – Starting Life In Another World #17

No matter how bad things get for Subaru, it is always possible that they could get worse. And, lately, they do.

The monster that showed up at the end of last episode is a flying leviathan, kind of a cross between Monstro, Jaws, and a plane full of jet engines, which is known as Moby-Dick. Well, okay, it’s called the Hakugei (White Whale), but that happens to be the Japanese title of Moby-Dick, and I do believe it’s a deliberate reference….

(7) DIAL FIVE SEVEN FIVE. Anna Wing summarized both The Silmarillion and Lord of the Rings in this haiku:

It is rarely wise
To attach such importance
To your jewellery.

(8) NATURE. “Game of Ants: two new species named after Daenerys Targaryens’s dragons”The Guardian has the story.

They reminded scientists of dragons so much, they named them after two of the fire-breathing beasts from the Game of Thrones.

The two new ant species from Papua New Guinea, named Pheidole drogon and Pheidole viserion, have spiny barbs along their backs and shoulders with an unusual set of muscles beneath them.

George R.R. Martin responded with in a post.

I suspect there are dragon ants in my world as well… maybe out on the Dothraki sea…

(9) TRIP REPORT. Marko Kloos was in New Mexico for Wild Cards events.

On Monday, I went to a Wild Cards author party thrown by KayMcCauley at Meow Wolf, an art venue in Santa Fe that is pretty spectacular. I had a chance to meet Wild Cards writers and reconnect with those I’ve met before. I also got to meet Thomas Olde Heuvelt, who was whisked into the event by George R.R. Martin after his own signing in town the same evening. (He’s in the US on a book tour for the English version of HEX, his best-selling debut novel.) It was a fun event, and I had a good time, even though I still feel like the new kid in high school among so many well-known high-caliber writers.

(10) JERRY DOYLE OBIT. Actor Jerry Doyle, from Babylon 5, was found unresponsive at his home last night and later declared dead. The family made an announcement through his Twitter account:

Michi Trota posted a spot-on tribute:

(11) EXOTIC RECIPE. Fran Wilde has released her newest Cooking the Books Podcast.

cooking the books

This month’s Cooking the Books Podcast, #025: Space Weevils – Cooking the Books with David D. Levine contains:

  • 100% less gravity
  • Space weevils (you were warned, they get big in a vacuum)
  • Hardtack
  • Lime juice
  • no powdered sugar
  • A Baggywrinkles shout out!
  • Napoleons in Spaaaaace (not the general)
  • Soup
  • a big ball of boiling water

(12) DIABOLICAL PLOTS. Congratulations to David Steffen on this announcement by SFWA

Diabolical Plots, self-described as “a Sci-fi/Fantasy zine that covers virtually every media related to the genre from books to movies to video games” is now a SFWA Qualified market. Payment: Eight cents per word, on publication.

Connect here — http://www.diabolicalplots.com/

(13) RAISE YOUR RIGHT HOOF. Lynne M. Thomas and Michael Damian Thomas take another swing at telling the whole truth – “A Space Unicorn Tale: The REAL Story Behind the Creation of Uncanny Magazine at Tor.com.

The Space Unicorn mascot is real. Not only are they real, they edit and publish every single issue of Uncanny Magazine by utilizing their abilities to travel through a series of portals to infinite points in spacetime. You probably suspected this from the beginning.

And congratulations to them, too, because the Uncanny Magazine Year Three Kickstarter hit its goal today!

(14) CROWDSOURCED WEB SERIES WITH TREK ALUMNI. The makers of Regegades hit the $60,000 goal of their Indiegogo appeal and are looking for more.

Renegades is an original, independently fan-funded sci-fi web series, executive produced by Sky Conway, and starring Walter Koenig, Nichelle Nichols, Tim Russ, Adrienne Wilkinson, Terry Farrell, Robert Beltran, Gary Graham, Cirroc Lofton, Aron Eisenberg, Manu Intiraymi, Hana Hatae, Bruce Young, and many more. We are currently finishing production on “The Requiem” parts I and II and are now in need of funding for post-production – editing, sound, visual effects, etc…

(15) SCI-FI SAVIORS.

(16) CAST YOUR VOTE. Whether or not the Hugos have been “saved” to your satisfaction, George R.R. Martin urged all eligible voters to get their 2016 Hugo Ballot in by the July 31 deadline.

The Hugo is science fiction’s oldest and most prestigious award. These past few years, however, the awards have been under siege, and that’s true this year as well.

Nonetheless, there are some worthy books and stories up for this year’s rockets, along with some reprehensible shit. I will leave it to your own judgements as to which is which.

Vote your own taste.

Vote your own conscience.

But vote. Every ballot counts.

(17) TENTACLE PARTY. Cthulhu For President, the game, has got a facelift for the US election. Can be bought in PDF here.

Don’t settle for the lesser evil! Heed the call of Cthulhu! Get ready for muck-raking, magic, and mayhem (with a little help from the world of H. P. Lovecraft.)

The Stars Are Right!

In Cthulhu For President, you become an Elder Party staffer tasked with serving the Great Old Ones during their eternal struggle for domination. Cross wits with the other political parties, manipulate voters using non-Euclidian geometry, swear on the Necronomicon, and sacrifice your co-workers to the Elder Gods. Politics has always been evil, but destroying the world has never been so much fun!

CHA0091_-_Cthulhu_for_President_Front_Cover__54717_1468239059_500_659

(18) WHAT WERE THEY TRYING TO KEEP OUT? The Great Wall of China was designed to protect against monsters, according to a new Matt Damon movie.

[Thanks to Andrew Porter, Dawn Incognito, Hampus Eckerman, Soon Lee, John King Tarpinian, and Steven H Silver for some of these stories. Title credit goes to File 770 contributing editor of the day ULTRAGOTHA and Anthony.]

Uncanny Magazine Launches Kickstarter To Fund Year Two

Uncanny Magazine is raising funds through Kickstarter to cover some of its operation and production costs for the second year. Half of the initial goal of $18,700 was raised the first day but more is needed before the appeal ends September 10.

At the magazine’s helm are three-time Hugo Award-winner Lynne M. Thomas (Apex Magazine, Chicks Dig Time Lords, Glitter & Mayhem) and three-time Hugo Award nominee Michael Damian Thomas (Apex Magazine, Queers Dig Time Lords, Glitter & Mayhem).

“We publish intricate, experimental stories and poems with verve and vision from writers from every conceivable background,” says Lynne. “The Uncanny team believes there is room in the genre for stories that inspire the imagination, challenge beliefs, and make readers feel. With the hard work of the best staff and contributors in the world, Uncanny Magazine delivered everything as promised with the Year One Kickstarter. Uncanny has received outstanding reviews and community support. Some pieces from our first issue in 2014 even garnered award nominations and a Year’s Best anthology inclusion.”

Uncanny has developed several additional funding streams to make the magazine sustainable, but still needs to raise support.

For Year Two, Uncanny has solicited original short fiction from Hugo, Nebula, Locus, and World Fantasy Award winning and nominated authors including: Seanan McGuire (October Daye series), Ursula Vernon (Digger), Aliette de Bodard (The House of Shattered Wings), Elizabeth Bear (Karen Memory), Amal El-Mohtar (“The Truth about Owls”), Alyssa Wong (“The Fisher Queen”), Carmen Maria Machado (“The Husband Stitch”), Maria Dahvana Headley (Magonia), Mary Robinette Kowal (Glamourist Histories series), Scott Lynch (Gentlemen Bastards series), Rachel Swirsky (“If You Were A Dinosaur, My Love”), Catherynne M. Valente (Deathless), and Max Gladstone (The Craft Sequence). There will also be numerous slots for unsolicited submissions.

Uncanny Magazine year two plans to showcase original poetry by Sofia Samatar, M Sereno, Isabel Yap, and Sonya Taaffe, and essays by Chris Kluwe, Javier Grillo-Marxuach, Jim C. Hines, Sarah Kuhn, and Tansy Rayner Roberts.

Uncanny Magazine Year Two will also feature cover art by Julie Dillon, Galen Dara, and Katy Shuttleworth.

The funding goal will pay for all six issues of Uncanny Year Two, including:

  • 17,000 words of new fiction per issue (3-5 stories, depending on length)
  • A reprint story
  • Reprint cover art
  • 3 new poems
  • 2 new nonfiction essays
  • 2 new interviews

Uncanny pays $.08 per word for original fiction, $30 per poem, $50 per essay, and $100 per reprinted artwork.

The Year Two budget includes paying the staff, podcast production and hosting costs, website hosting and maintenance costs, backer rewards, and Kickstarter fees and taxes.

The Staff

Michi Trota is Uncanny’s Managing Editor. She is a writer, editor, speaker, communications manager, and community organizer in Chicago, IL. Michi writes about geek culture and fandom, focusing primarily on issues of diversity and representation, on her blog, Geek Melange. She was a featured essayist in Invisible: An Anthology of Representation in SF/F (edited by Jim C. Hines) and is a professional editor with fifteen years of experience in publishing and communications.

Deborah Stanish conducts Uncanny’s author interviews. She co-edited the Hugo-nominated Chicks Unravel Time: Women Journey Through Every Season of Doctor Who with L.M. Myles and Whedonistas with Lynne M. Thomas, and is a founding member and the moderator of the Doctor Who: Verity! podcast.

Uncanny’s podcast is edited and produced by Erika Ensign and Steven Schapansky. Erika is a founding member and producer of the Doctor Who: Verity! podcast. She also co-hosts The Audio Guide to Babylon 5 and is a frequent panelist on The Incomparable. Steven is one of the three hosts of the popular Doctor Who podcast Radio Free Skaro, as well as a co-host of another Doctor Who podcast called The Memory Cheats.

Amal El-Mohtar is the Uncanny Magazine podcast narrator.  Amal is the Nebula-nominated author of The Honey Month, a collection of poetry and prose written to the taste of twenty-eight different kinds of honey. Her poems have won the Rhysling award thrice and the Richard Jefferies Prize once. Her story “The Truth about Owls” from Kaleidoscope is the winner of the 2015 Locus Award for Best Short Story