The winner of Pulpfest’s 2020 Munsey Award is Mike Ashley, author, bibliographer, critic, editor, and historian with a special expertise in the history of magazine science fiction, fantasy, and weird fiction.
The award is named for Frank A. Munsey, publisher of the first pulp magazine, and recognizes someone who has contributed to the betterment of the pulp community through disseminating knowledge, publishing, or other efforts to preserve and to foster interest pulp magazines. The winner is selected by a committee made up of all the living Lamont, Munsey, and Rusty Award recipients. The award is a fine art print created by David Saunders and published by Dan Zimmer of The Illustrated Press.
The award citation notes that Mike Ashley is the author or co-author of numerous works related to the pulps, science fiction, and fantasy. These include The Age Of The Storytellers: British Popular Fiction Magazines, 1880-1950,Algernon Blackwood: A Bio-Bibliography, “Blue Book — The Slick In Pulp Clothing,” The Gernsback Days: A Study In The Evolution Of Modern Science Fiction From 1911 To 1936, Monthly Terrors: An Index To The Weird Fantasy Magazines Published In The United States And Great Britain, Science Fiction, Fantasy And Weird Fiction Magazines, The Supernatural Index: A Listing Of Fantasy, Supernatural, Occult, Weird And Horror Anthologies, and others. In 2000, Ashley began to publish his multi-part The History Of The Science-Fiction Magazines, beginning with The Time Machines: The Story Of The Science-Fiction Pulp Magazines From The Beginning To 1950.
Ashley has also edited many anthologies and single-author collections, often drawing work from the pulps. He is currently part of a team compiling an index to the most important British popular fiction magazines published between 1880 and 1950, including all the British pulps.
In 2002, he received a Pilgrim Award from the Science Fiction Research Association in recognition of his distinguished contributions to the study of science fiction.
Pulpfest’s Mike Chomko posted these acceptance remarks from Mike Ashley:
It’s really great to win this award and I must thank everyone who voted for me. Especially as I feel such a long way from the epicentre of the pulp world, tucked away as I am in North Kent in England. Britain had its pulps, but nothing like those that appeared in the United States. In the early 1960s, when I started researching and collecting them, not only had the heyday of the pulps long passed, but it wasn’t easy to track them down in Britain.
Sure we had some dreadful British editions of American pulps that had appeared during the War and continued afterwards for some years, but these were often abridged versions and always looked second rate. If I was going to collect and understand the pulps properly, I had to collect the originals. However, in those long-ago, pre-internet days, doing so wasn’t that easy.
I now forget all of the dealers who helped me. There were some in Britain who had US pulps for sale — Ken Slater and Ken Chapman in particular. In the States, I was helped by Bob Madle, Bob Weinberg, and others. And bit by bit my collection grew.
However, my fascination was not just collecting pulps, but understanding their history. And it wasn’t just the science fiction or weird pulps that intrigued me. I suppose I have to thank or blame Sam Moskowitz for really setting my interest on fire, though it wasn’t just him. Tom Cockcroft in New Zealand was always enticing me with references to obscure magazines. Billy Pettitt said to me once that I was wasting my time researching the primary science fiction and fantasy magazines because they had already been covered. He told me that I ought to turn my attention to the rare British pulps like HUTCHINSON’S MYSTERY-STORY or the obscure PAN.
This was in the mid-sixties, and there was one small fanzine in particular that drove my collecting bug. That was LORE. Produced by Jerry Page and Jerry Burge, it made references to all kinds of lesser-known magazines — both British and American — and pushed for resources not only to index them, but to reprint them.
These days, with the wonderful work achieved by Adventure House, Black Dog Books, Steeger Books, and so many others, it’s relatively easy to acquire facsimile or reprinted issues of the old pulps. I never believed back in 1965 that I would have a complete reprint of THE THRILL BOOK – admittedly not as pulps in their original format — but no matter. It was so legendary that I doubted I’d ever see them. I remember trying to check out these early pulps at the British Library only to have my submission card returned time and again with the notation, ‘Destroyed in the War.’
In some ways, the comparative ease with which — thanks to the internet and reprint sources — you can now find so many of these early pulps has perhaps tainted some of that thrill of the chase. But for research purposes it’s brilliant. However, there is still so much that is not readily available. I wonder whether I’ll ever assemble a complete run of the British magazine, YES OR NO – not a pulp in looks, but definitely in content. This was another destroyed in the War, but in this case, very few seemed to have bothered to collect it. I may well have the biggest run of that magazine of anyone. However, I still have only 237 of its 798 issues, which is less than a third. It’s that kind of research that drives me on. The delight in discovering, reading, and researching such early magazines is still as vibrant in me now as it was almost sixty years ago.
Now I have another thrill, with the Munsey Award. How wonderful.
…All of a sudden this crazy story about my finishing THE WINDS OF WINTER and A DREAM OF SPRING years ago is popping up everywhere. No, I am not going to provide links. I don’t want to reward purveyors of misinformation with hits.
I will, however, say for the record — no, THE WINDS OF WINTER and A DREAM OF SPRING are not finished. DREAM is not even begun; I am not going to start writing volume seven until I finish volume six
It seems absurd to me that I need to state this. The world is round, the Earth revolves around the sun, water is wet… do I need to say that too? It boggles me that anyone would believe this story, even for an instant. It makes not a whit of sense. Why would I sit for years on completed novels? Why would my publishers — not just here in the US, but all around the world — ever consent to this? They make millions and millions of dollars every time a new Ice & Fire book comes out, as do I. Delaying makes no sense. Why would HBO want the books delayed? The books help create interest in the show, just as the show creates interest in the books.
So… no, the books are not done. HBO did not ask me to delay them. Nor did David & Dan. There is no “deal” to hold back on the books. I assure you, HBO and David & Dan would both have been thrilled and delighted if THE WINDS OF WINTER had been delivered and published four or five years ago… and NO ONE would have been more delighted than me.
At the Q&A following the premiere of the new TOLKIEN film in Los Angeles last week, I did indeed say that Gandalf could kick Dumbledore’s ass.
Gandalf COULD kick Dumbledore’s ass. I mean, duh. He’s a maia, folks. Next best thing to a demigod. Gandalf dies and come back. Dumbledore dies and stays dead.
But if it will calm down all the Potterites out there, let me say that Gandalf could kick Melisandre’s ass too.
(3) HORRORMENTARY. The new drama Years and
Years, which follows a British family over the next 15 years began Tuesday
night on BBC1 in the UK, and will be screened on HBO in the US later in the
year. BBC contemplates: “How the near future became our greatest horror”.
…But if [J.G.] Ballard’s thinking was subversive at the time, now we’re beset by the nearest of ‘near future’ narratives. They are intent on imagining not what will become of us in thousands of millennia, or even in a few decades’ time – à la dystopian works like Blade Runner and Soylent Green, previously understood as ‘near future’ – but in as little as the next few years. In doing so, these near-near-future stories create realities that feel immediately recognisable to us, but invariably with a pretty unpleasant twist or three. In literature, these have gone hand in hand with the rise of the ‘mundane science fiction’ movement – which began in the mid-noughties and was built on “not wanting to imagine shiny, hard futures [but give a] sense of sliding from one version of our present into something slightly alienated”, says Roger Luckhurst, a professor in Modern and Contemporary Literature at London’s Birkbeck College and an expert in science fiction.
And, at the moment, such stories are particularly prevalent on the small-screen….
(4) BLACK MIRROR. The
show returns to Netflix on June 5:
…At the height of his writing career, Beaumont began to suffer from a mysterious ailment. “By 1964, he could no longer write. Meetings with producers turned disastrous. His speech became slower, more deliberate. His concentration worsened. . . . after a battery of tests at UCLA, Beaumont was diagnosed as having Alzheimer’s Disease; he faced premature senility, aging, and an early death.” He died on February 21, 1967 at the age of thirty-eight.
(6) STORIES REBORN. Paula Guran’s anthology Mythic Journeys: Retold Myths and Legends was released yesterday by Night Shade Books.
The Native American trickster Coyote . . . the snake-haired Greek Gorgon Medusa, whose gaze turned men to stone . . . Kaggen, creator of the San peoples of Africa . . . the Holy Grail of Arthurian legend . . . Freyja, the Norse goddess of love and beauty . . . Ys, the mythical sunken city once built on the coast of France . . . Ragnarok, the myth of a world destroyed and reborn . . . Jason and the Argonauts, sailing in search of the Golden Fleece . . .
Myths and legends are the oldest of stories, part of our collective consciousness, and the source from which all fiction flows. Full of magic, supernatural powers, monsters, heroes, epic journeys, strange worlds, and vast imagination, they are fantasies so compelling we want to believe them true.
A nuclear physicist by training, Friedman had devoted his life to researching and investigating UFOs since the late 1960s.
He was credited with bringing the 1947 Roswell Incident — the famous incident that gave rise to theories about UFOs and a U.S. military coverup — back into the mainstream conversation.
(8) TODAY IN HISTORY.
Apparently a big day in the history of B-movies.
May 15, 1953 — Phantom From Space premiered in theaters.
May 15,1959 — Invisible Invaders debuted in movie houses.
May 15, 1969 – Witchfinder General, starring Vincent Price, screened for the first time.
(9) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born May 15, 1856 — L. Frank Baum. I adore The Wizard of Oz film and I’m betting you know that it only covers about half of the novel which is a splendid read indeed. I’ll confess that I never read the numerous latter volumes in the Oz series, nor have I read anything by him. What’s the rest of his fiction like? (Died 1919.)
Born May 15, 1877 — William Bowen. His most notable work was The Old Tobacco Shop, a fantasy novel that was one runner-up for the inaugural Newbery Medal in 1922. He also had a long running children’s series with a young girl named Merrimeg whom a narrator told her adventures with all sorts of folkloric beings. (Died 1937.)
Born May 15, 1926 — Anthony Shaffer. His genre screenplays were the Hitchcock’s Frenzy and Robin Hardy’s The Wicker Man. Though definitely not genre, he wrote the screenplays for a number of most excellent mysteries including Death on the Nile, Murder on the Orient Express and Sleuth. (Died 2001.)
Born May 15, 1955 — Lee Horsley, 64. A performer who’s spent a lot of his career in genre undertakings starting with The Sword and the Sorcerer (and its 2010 sequel Tales of an Ancient Empire), horror films Nightmare Man, The Corpse Had a Familiar Face and Dismembered and even a bit of SF in Showdown at Area 51. Not sure where The Face of Fear falls has a it has a cop with psychic powers and a serial killer.
Born May 15, 1960 — Rob Bowman, 59. Producer of such series as Alien Nation, M.A.N.T.I.S., Quantum Leap, Next Generation, and TheX-Files. He has directed these films: The X-Files, Reign of Fire and Elektra. He directed one or several episodes of far too many genres series to list here.
Born May 15, 1966 — Greg Wise, 53. I’m including him solely as he’s in Tristram Shandy: A Cock and Bull Story. It is a film-within-a-film, featuring Steve Coogan and Rob Brydon playing themselves as egotistical actors during the making of a screen adaptation of Laurence Sterne’s 18th century metafictional novel Tristram Shandy. Not genre (possibly) but damn fun.
At a press conference [on May 10] at the New Mexico State Capitol Building in Santa Fe, hosted by New Mexico Governor Michelle Lujan Grisham, Virgin Founder Sir Richard Branson announced that Virgin Galactic’s development and testing program had advanced sufficiently to move the spaceline staff and space vehicles from Mojave, California to their commercial operations headquarters at Spaceport America, New Mexico. The move, which involves more than 100 staff, will commence immediately and continue through the summer, to minimise schooling disruption for families.
Virgin Galactic partnered with New Mexico in an agreement which saw the state complete construction of Spaceport America, the world’s first, purpose-built commercial spaceport, and Virgin Galactic committing to center its commercial spaceflight activities at the facilities once its vehicles and operations were ready for service.
(11) ZUBRIN’S CASE. The Space Review hosts Jeff Foust’s coverage of Robert Zubrin’s new book The Case for Space: How the Revolution in Spaceflight Opens Up a Future of Limitless Possibility.
…The second part of the book tackles the question of why humanity should move out in the universe. The reasons are familiar ones, from scientific discoveries to new technologies to the survival of humanity itself. For example, Zubrin reiterates a belief, dating back to his The Case for Mars book more than 20 years ago, that a human settlement on Mars will require ingenuity to survive, stimulating new technologies from robotics to fusion power that might not be developed on Earth.
Zubrin offers a comprehensive plan, one rich in technical detail—perhaps too rich at times, with some passages filled with equations describing chemical processes needed to extract resources on Mars or other worlds or discussing the physics of advanced propulsion technologies. But it seems a little fanciful to talk about concepts for interstellar travel like antimatter and magnetic sails when we find it so difficult today simply to get to low Earth orbit reliably and inexpensively.
Jane Green, bestselling author who traded England for New England
I’ve run out of space. Books are starting to get stacked up on the floor, underneath tables, underneath chairs, on top of tables. They’re everywhere. With no more room on the bookshelves, I’ve been eyeing this gorgeous French armoire that takes up an entire wall. That wall is just perfect for shelves and would make the room warmer. I know, however, that my husband really likes the armoire. He sees: storage, storage, storage. I see: books, books, books. We’ll see who wins.
For years, I couldn’t get rid of anything. I have had to learn to manage the flow. Paperbacks I tend not to keep unless I love them and know I’m going to reread them. Hardcovers are really hard for me to get rid of. They all signify a time in my life. They all have stories around the stories. I will sometimes just stand there and look at my books and remember.
There have always been a number of low-tech ways to circumvent cookie-based metered paywalls, where the same content is freely available in some but not all cases. For instance deleting cookies, using multiple browsers and copying the URL are go-to methods, and are near impossible to mitigate against. However, over the last 18 months, publishers have started plugging these gaps.
In February, The New York Times started tightening its paywall so readers couldn’t access paywalled content by switching their device to incognito mode. A New York Times spokesperson said it’s too early to glean the impacts of these tests.
The 2019 Nommo Awards for Speculative Fiction by Africans announce the shortlists for the Nommo Awards in all four categories – novel, novella, short story and comics/graphic novels.
The roughly 170 members of the African Speculative Fiction Society (ASFS) nominated works for the Awards long list and short lists. They will now have a three-month period to read the works and vote for the winners of the Awards.
The short-listed works must be speculative fiction created by Africans and published in calendar year 2018. The winners of the Ilube Nommo Award and the Comic/Graphic Novel award receive UD$ 1000.00. The winners of the novella and short story awards receive US$ 500.00. The ASFS thanks its patron Tom Ilube, CBE for his generosity.
The ASFS was founded in 2015. The creation of the Nommo Awards was announced at the Ake Festival in Abeokuta in November 2016. The winners will be announced at the Ake Festival in Lagos Nigeria in November.
This high-velocity maneuver is a nightmare if you’re a fly.
There’s a type of spider that can slowly stretch its web taut and then release it, causing the web to catapult forward and ensnare unsuspecting prey in its strands.
Triangle-weaver spiders use their own web the way humans might use a slingshot or a crossbow. Scientists from the University of Akron say this is a process called “power amplification,” and they published their research in Proceedings of the National Academy of Sciences this week.
Research has shown that beneath every forest and wood there is a complex underground web of roots, fungi and bacteria helping to connect trees and plants to one another.
This subterranean social network, nearly 500 million years old, has become known as the “wood wide web”.
Now, an international study has produced the first global map of the “mycorrhizal fungi networks” dominating this secretive world.
Details appear in Nature journal.
Using machine-learning, researchers from the Crowther Lab at ETH Zurich, Switzerland, and Stanford University in the US used the database of the Global Forest Initiative, which covers 1.2 million forest tree plots with 28,000 species, from more than 70 countries.
The Chinese Chang’e-4 rover may have confirmed a longstanding idea about the origin of a vast crater on the Moon’s far side.
The rover’s landing site lies within a vast impact depression created by an asteroid strike billions of years ago.
Now, mission scientists have found evidence that impact was so powerful it punched through the Moon’s crust and into the layer below called the mantle.
Chang’e-4 has identified what appear to be mantle rocks on the surface.
It’s something the rover was sent to the far side to find out.
Chunlai Li, from the Chinese Academy of Sciences in Beijing, and colleagues have presented their findings in the journal Nature.
(19) GAME OF PYTHONS. Funny or Die shows why “Cersei isn’t the only hard-nosed negotiator Tyrion’s
John King Tarpinian, Chip Hitchcock, Martin Morse Wooster, JJ, Cat Eldridge,
Mike Kennedy, Carl Slaughter, and Andrew Porter for some of these stories.
Title credit goes to File 770 contributing editors of the day Daniel Dern and
…In these two early books Wells gave shape to his own and his contemporaries’ anxieties and concerns. He brought a moving lyricism to his vision of the end of the world, just as he brought a harsh realism to his fantasy of vivisection and physiological engineering. Both visions were convincing to his thousands of readers who made The Time Machine one of the greatest bestsellers of the last century, as a recent New York Times feature showed, ultimately outselling even Stephen King and J. K. Rowling, and having a far more lasting effect on our common psyche. The Time Machine defined the way Edwardians saw the future, just as Nineteen Eighty-Four defined the popular vision of the 1950s, 2001: A Space Odyssey defined that of the 1960s, and Blade Runner and The Matrix define how the early 21st century perceives its future. Every book, film and play which thematically followed The Time Machine and The Island of Doctor Moreau was in some way colored by them. Every author who considers writing a time-travel story must look first to Wells. Wells has been acknowledged directly or indirectly in many books, even becoming a character in other time-travel fiction.
Henry Eliot’s new book about mazes and labyrinths is a printer’s worst nightmare. Follow This Thread is both a title and an instruction: To read the book, you must turn it upside down and backwards. Lines of text wrap 90 degrees on the page, and a thin red thread — illustrations by the French artist Quibe — travels playfully from page to page.
Believe it or not, this is the “reined in” version.
“When I first pitched it, the design was even more complicated …” Eliot says. “As I described this to my editor, I could see her face just kind of falling.”
They scaled it back a bit, but it still wasn’t until he got the final copy from the printer that Eliot was able to “breathe a sigh of relief.”
Every so often, I find it entertaining to muse about and lament the ill effects of missing or erroneous documentation. Or the ill effects of failing to read the manual…or, having read it, ignoring its wise advice.
Unsurprisingly, SFF authors have arrived at a consensus as far as technical documentation is concerned: For the most part, they’re against it, at least as part of the setting of the story…
(4) THE SENATOR FROM GOTHAM.
Michael Cavna notes in the Washingon Post
that Sen. Patrick Leahy (D–Vermont)
has loved Batman ever since he was a kid. He uses Sen. Leahy’s
introduction to Detective Comics: 80 Years
of Batman (Deluxe Edition) to profile the senator’s Batman enthusiasm,
including his cameos in six Batman movies and the introduction to the
humanitarian comic book featuring Batman that was designed to help lobby for
banning landmines — “Sen.
Patrick Leahy was in 5 Batman movies. Now he’s written the foreword for the
superhero’s 80th anniversary.”
…Of his involvement in six Batman screen projects, including five films spanning 1995’s “Batman Forever” to 2016’s “Batman v Superman: Dawn of Justice” (as “Senator Purrington”), Leahy especially relishes getting to appear opposite Heath Ledger’s Oscar-winning turn as the Joker, in 2008’s “The Dark Knight.”
In that Nolan sequel, an agitated Joker glares at the party guest portrayed by Leahy and says, “You remind me of my father,” before putting a knife to the guest’s neck and growling, “I hated my father.”
In that moment, “I was scared,” Leahy recounts of Ledger’s convincing menace. “It wasn’t acting.”
(Leahy, who gets a line in that film — “We’re not intimated by thugs!” — broke into Hollywood with an assist from his actor son Mark, who racked up a handful of screen credits in the ‘90s.)
(5) GONE BATTY. This
might be a good time to step inside the pitch
meeting that led to Batman & Robin.
ScreenRant has it on tape —
Long before Christopher Nolan and Christian Bale got their hands on the franchise, there was a whole lot of weird stuff going on with Batman in the 90’s. After Val Kilmer stepped away from the role (because he didn’t know how to skate) George Clooney stepped in as the caped crusader and, along with Joel Schumacher, gave us what many consider to be one of the worst movies of all time. Batman & Robin features Chris O’Donnell being super annoying as Robin, Arnold Schwarzenegger delivering as many ice puns as he possibly can, and Uma Thurman doing… something. The movie raises a lot of questions, like why does Batman have a credit card? Why is Batgirl even in this? Why do they have retractable skate blades? How did this movie even get made?
Normally, when we think of Superman’s artists, people such as Wayne Boring, John Byrne, Jose Luis Garcia-Lopez, Dan Jurgens, Alex Ross, Joe Schuster, and Curt Swan come to mind. Why doesn’t pulp artist, H. J. Ward pop into our heads?
…By 1940, Donenfeld had assumed control of National Allied Publications, the publisher of ACTION COMICS, Superman’s home. Around that time, H. J. Ward was paid $100 to create a nearly life-size portrait of The Man of Steel. Ward’s painting was used to promote THE ADVENTURES OF SUPERMAN, a radio show that debuted in New York City on February 12, 1940. The painting hung for many years in Harry Donenfeld’s office at DC Comics, and later, in his townhouse. According to Saunders, it was eventually donated to Lehman College, part of the City University of New York….
A graph mapping the death rate of the different characters on Star Trek according to the colour of their shirt. It shows that while red coloured shirts does lead in the number of fatalities, it does so by a small degree of only 3 per cent compared to yellow shirts
“My ‘real name’ isn’t a name I use anymore,” she says. “I have been going by Rika since ninth grade. Mainly because I associate my real name with a time when I was weaker, still figuring myself out, or without personality. That was like my ‘blank slate’ name, if you will.”
She goes on to explain how her different identities came to be, but that they are all a part of her in some way.
“Vix is the me now,” she says. “It is also what my fans tend to call me, while my friends call me Rika. The name and character Rika is also associated with how I want to see myself.”
… Being a furry is her sole source of income. “I do freelance art for furries. Basically, I spend all day drawing animals and it’s honestly the best. Well, when sales are good, anyway,” she says.
Evidence of large-scale prehistoric feasting rituals found at Stonehenge could be the earliest mass celebrations in Britain, say archaeologists.
The study examined 131 pigs’ bones at four Late Neolithic sites, Durrington Walls, Marden, Mount Pleasant and West Kennet Palisade Enclosures.
The sites, which served Stonehenge and Avebury, hosted the feasts.
Researchers think guests had to bring meat raised locally to them, resulting in pigs arriving from distant places.
The results of isotope analysis show the pig bones excavated from these sites were from animals raised in Scotland, the North East of England and West Wales, as well as numerous other locations across Britain.
Sean’s Bar has been in business since the Dark Ages, and many locals and respected Irish historians also believe it to be the oldest in Europe and the world.
Shortly after the working day begins, a hush falls over the streets of Athlone in Ireland’s County Westmeath. Away from the banks, hotels and shopping centres, buses empty out, commuters dip from sight and moored barges and skiffs on the River Shannon are at standstill as the dark, silted water flows past.
But across the town’s arched stone bridge, in an unassuming building on the river’s west bank, a 50-year-old barman named Timmy Donovan is already pulling his first pint of the day at Sean’s Bar – and a buzz is starting to build.
When the pub closes after midnight, the pitted fireplace will have crackled since mid-morning, and scores of pints of creamy-headed stout – and as many drams of whiskey and cups of Irish coffee – will have been poured. Just as barkeepers at the dimly lit pub have done with more rudimentary forms of alcohol such as mead for the past 1,100 years.
In a remarkable turnaround, NASA Administrator Jim Bridenstine on Wednesday said the space agency would consider launching its first Orion mission to the Moon on commercial rockets instead of NASA’s own Space Launch System. This caught virtually the entire aerospace world off guard, and represents a bold change from the status quo of Orion as America’s spacecraft, and the SLS as America’s powerful rocket that will launch it.
The announcement raised a bunch of questions, and we’ve got some speculative but well-informed answers.
During a hearing of the Senate Commerce committee to assess America’s future in space, committee chairman Sen. Roger Wicker opened by asking Bridenstine about Exploration Mission-1’s ongoing delays. The EM-1 test flight involves sending an uncrewed Orion spacecraft on a three-week mission into lunar orbit, and is regarded as NASA’s first step toward returning humans to the Moon. This mission was originally scheduled for late 2017, but it has slipped multiple times, most recently to June 2020. It has also come to light that this date, too, is no longer tenable.
“SLS is struggling to meet its schedule,” Bridenstine replied to Wicker’s question. “We are now understanding better how difficult this project is, and it’s going to take some additional time. I want to be really clear. I think we as an agency need to stick to our commitment. If we tell you, and others, that we’re going to launch in June of 2020 around the Moon, I think we should launch around the Moon in June of 2020. And I think it can be done. We should consider, as an agency, all options to accomplish that objective.”
The only other option at this point is using two large, privately developed heavy lift rockets instead of a single SLS booster. While they are not as powerful as the SLS rocket, these commercial launch vehicles could allow for the mission to happen on schedule….
A new trailer for Avengers: Endgame has premiered and the Marvel heroes are gearing up for a showdown with Thanos.
The trailer is light on plot but gives fans just enough of a hint on what to expect from Marvel’s next big blockbuster.
There are new team members, new outfits and perhaps most important of all – new haircuts….
Chip Hitchcock, Martin Morse Wooster, John King Tarpinian, Cat Eldridge, Mike
Kennedy, JJ, Carl Slaughter, and Andrew Porter for some of these stories. Title
credit goes to File 770 contributing editor of the day Joe H.]
Scene #1: Video of
the Day: In “The
Tesla World Light” on Vimeo, Matthew Rankin theorizes that Nikolai Tesla
could obtain “infinite power for all nations” with the help of a
pigeon that zapped lightning out of his eyes.
Scene #2: After the Hugo nominations deadline, I will put up a post
inviting people to share their ballots in the comments.
(1) ‘TIS THE SEASON. It’s time now for yard signs to sprout on neighborhood lawns as Brianna Wu’s campaign stands up for the September 4 primary.
(2) SMALL PLEASURES. N.K. Jemisin is right about that —
I never met Harlan Ellison and have no particular memories of him to share, but it gives me all kinds of petty pleasure to see that he's out-trending that skidmark of humanity, Milo Y (as of this tweet). And from what I hear of Harlan, it would give him petty pleasure, too.
This episode’s guest is Matthew Kressel, whose short story “The Last Novelist (or A Dead Lizard in the Yard)” was one of the finalists this year. He was a previous finalist twice before in the same category for “The Sounds of Old Earth” in 2014 and “The Meeker and the All-Seeing Eye” in 2015. His short stories have appeared in Lightspeed, Tor.com, Clarkesworld, Analog, Interzone, and many others, as well as in anthologies such as Mad Hatters and March Hares, Cyber World, The People of the Book, and more. His novel, King of Shards, was praised by NPR as being “majestic, resonant, reality-twisting madness.”
He was also nominated for a World Fantasy Award for his work editing the speculative fiction magazine Sybil’s Garage, and is the co-host—along with former Eating the Fantastic guest Ellen Datlow—of the Fantastic Fiction reading series held at the KGB Bar.
Our dinner Friday night that weekend was at Pork & Beans, which has been voted best BBQ in Pittsburgh.
We discussed the story of his accepted by an editor within an hour and then praised by Joyce Carol Oates, the ways in which famed editor Alice Turner was the catalyst which helped turn him into a writer, why after publishing only short stories for 10 years he eventually published a novel, how comments from his Altered Fluid writing workshop helped make his Nebula-nominated “The Sounds of Old Earth” a better story, why a writing self-help book made him swear off those kinds of self-help books, the secrets to having a happy, heathy writing career, why he’s grown to be OK with reading bad reviews, what he learned from reading slush at Sybil’s Garage, and much more
This week, Silver Screen Bottling Co. announced an “official” James T. Kirk Straight Bourbon Whiskey. You can’t order this in a bar, yet, but you can pre-order a bottle right here, where they’re also selling signature glasses, and showing the whiskey next to cigars, even though Kirk never really smoked. (Except for that one time he was in a space prison in Star Trek VI.)
If you don’t want to order Star Trek whiskey online, the James T. Kirk Straight Bourbon Whiskey will also be on sale at San Diego Comic-Con, starting on July 19. At that point, Silver Screen Bottling Co. will announce other Star Trek-themed spirits.
(5) GORTON OBIT. Bob Gorton, former chairman of Pulpcon, passed away on May 31. Mike Chomko wrote a brief tribute.
A retired mathematics professor at the University of Dayton, Bob was known for his dry sense of humor. He served as an important bridge between the lengthy term of Rusty Hevelin as Pulpcon chairman and the founding of PulpFest in 2009. A quiet man, Bob was the winner of the Lamont Award in 2002, presented at Pulpcon 31 in Dayton, Ohio. He will be missed.
(6) TODAY IN HISTORY
June 29, 1979 — Moonraker premiered on this day theatrically
(7) TODAY’S BIRTHDAYS
Born June 29 – Sharon Lawrence, 57. Amelia Earhart in Star Trek: Voyager, Maxima in the animated Superman series, and Vivian Cates in Wolf Lake, a short lived werewolves among us series.
Born June 29, 1920 – Ray Harryhausen.
Ray and Diana Harryhausen with Steve Vertlieb in 1990.
Ray Harryhausen remains one of the most revered figures in fantasy/sci-fi motion picture history. Born June 29th, 1920, Ray was not only a childhood hero, but became a dear and cherished friend of nearly fifty years duration. His work in films inspired and influenced generations of film makers, and garnered him a special Academy Award, presented by Tom Hanks, for a lifetime of cinematic achievement. Steven Spielberg joyously proclaimed that his own inspiration for directing “Jurassic Park” was the pioneering special effects work of Harryhausen. Published after his death several years ago, here is a celebration and loving remembrance of the life and work of cinematic master, and special effects genius, Ray Harryhausen. It is also the tender story of a very special man, as well as an often remarkable personal friendship. I love you, Ray. You filled my dreams, my life, and my world with your wondrous creatures.
Ray would have turned 98 years young had he lived. In remembrance of this wonderful soul, here is my affectionate tribute to my friend of nearly fifty years, and boyhood hero of interminable recollection and duration…the incomparable Stop Motion genius, and Oscar honored special effects pioneer, Ray Harryhausen. Journey with me now to a “Land Beyond Beyond” where dreams were born, Cyclopian creatures thundered across a primeval landscape, mythological dragons roared in awe struck wonder, and magical stallions ascended above the clouds…Once Upon A Time.
…Palmer Luckey—yes, that Palmer Luckey, the 25-year-old entrepreneur who founded the virtual reality company Oculus, sold it to Facebook, and then left Facebook in a haze of political controversy—hands me a Samsung Gear VR headset. Slipping it over my eyes, I am instantly immersed in a digital world that simulates the exact view I had just been enjoying in real life. In the virtual valley below is a glowing green square with text that reads PERSON 98%. Luckey directs me to tilt my head downward, toward the box, and suddenly an image pops up over the VR rendering. A human is making his way through the rugged sagebrush, a scene captured by cameras on a tower behind me. To his right I see another green box, this one labeled ANIMAL 86%. Zooming in on it brings up a photo of a calf, grazing a bit outside its usual range.
The system I’m trying out is Luckey’s solution to how the US should detect unauthorized border crossings. It merges VR with surveillance tools to create a digital wall that is not a barrier so much as a web of all-seeing eyes, with intelligence to know what it sees. Luckey’s company, Anduril Industries, is pitching its technology to the Department of Homeland Security as a complement to—or substitute for—much of President Trump’s promised physical wall along the border with Mexico.
Anduril is barely a year old, and the trespassing I’d witnessed was part of an informal test on a rancher’s private land. The company has installed three portable, 32-foot towers packed with radar, communications antennae, and a laser-enhanced camera—the first implementation of a system Anduril is calling Lattice. It can detect and identify motion within about a 2-mile radius. The person I saw in my headset was an Anduril technician dispatched to the valley via ATV to demonstrate how the system works; he was about a mile away….
…Middle-earth buffs will recognize Anduril as the enchanted blade that was Aragorn’s go-to lethal weapon…”All of us are Lord of the Rings fans, so it was a pretty fun name,’ Luckey says. ‘Also, I have Anduril the sword hanging on my wall. (Luckey procured a collector’s version, not the original movie prop.)…
Another fannish connection: Anduril Industries has hired former MythBusters co-host Jamie Hyneman to develop an “autonomous firefighting machine’ called Sentry designed to put out California wildfires. Hyneman, Levy reports, ‘built one of the fiercest battlebots in Robot Wars history.”
Dammy, a Canadian beaver, learns vital safety lessons in this tuneful Aardman-animated video from Ontario Power Generation.
Our anthropomorphized hero—his big, flat tail jutting out from the seat of his pants—loves to fish from a rowboat, and dreams of landing “the big one.” Alas, his quest takes him perilously near a massive hydroelectric dam.
“Don’t ignore that warning sign, your life could be on the line,” croons Canadian folk and bluegrass singer Ken Whiteley on the campfire-song soundtrack he helped compose.
Hey, listen to the lyrics and steer clear of those turbines because the fur could really fly! Of course, Dammy dodges the whammy by the skin of his teeth.
(12) OUR FOREFATHERS, AND FOREMOTHERS. “Partaaaaay like it’s the 60’s. The 1860s, that is,” says Mike Kennedy. “This is cosplay like you’ve never seen before.”
An episode of the Vice video series, American Conventions, takes you inside the annual meeting of the Association of Lincoln Presenters in Freeport IL—which features more than a score of Abraham Lincolns, over a dozen Mary Todd Lincolns, and multiple other period costumers. Each of them seems dedicated to not just dressing the part, but being the part. The 12 minute video is interrupted by two short commercial breaks, but may should be worth your time. And, the ghods know we could use more people in this world with the ethics of Honest Abe (or at least those of his best nature; all people are flawed in some way). The video host—Darlene Demorizi—even gets into the spirit as she dresses as Lincoln and makes a heartfelt toast to the gathered crowd.
Saturn’s moon Enceladus harbours a global water ocean1, which lies under an ice crust and above a rocky core2. Through warm cracks in the crust3 a cryo-volcanic plume ejects ice grains and vapour into space4,5,6,7 that contain materials originating from the ocean8,9. Hydrothermal activity is suspected to occur deep inside the porous core10,11,12, powered by tidal dissipation13. So far, only simple organic compounds with molecular masses mostly below 50 atomic mass units have been observed in plume material6,14,15. Here we report observations of emitted ice grains containing concentrated and complex macromolecular organic material with molecular masses above 200 atomic mass units. The data constrain the macromolecular structure of organics detected in the ice grains and suggest the presence of a thin organic-rich film on top of the oceanic water table, where organic nucleation cores generated by the bursting of bubbles allow the probing of Enceladus’ organic inventory in enhanced concentrations.
Mark Hamill and Chris Evans have answered a question that kids everywhere want to know: if Luke Skywalker and Captain America got into a fight, could Luke’s lightsaber break through Cap’s vibranium shield?
(16) INFINITY WAR IMPROVED. Carl Slaughter declares this is “Probably the best How It Should Have Ended episode yet.”
[Thanks to John King Tarpinian, Cat Eldridge, JJ, Jonathan Cowie, Chip Hitchcock, Carl Slaughter, Mike Kennedy, Martin Morse Wooster, Allan Maurer, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Anna Nimmhaus.]
The IAFA defines the fantastic to include science fiction, folklore, and related genres in literature, drama, film, art and graphic design, and related disciplines.
The prize is $250 U.S. and one year’s free membership in the IAFA.
(3) FUTURE IAFA. In 2017, “Fantastic Epics” will be the theme of the 38th International Conference on the Fantastic in the Arts, to be held March 22-26 in Orlando, Florida. Guests of Honor: Steven Erikson and N.K. Jemisin; Guest Scholar: Edward James; and Special Guest Emeritus: Brian Aldiss.
Although magazines have been around since the seventeenth century, it wasn’t until the last month of 1896 that the pulp magazine was born. It was left to Frank A. Munsey – a man about whom it has been suggested, “contributed to the journalism of his day the talent of a meat packer, the morals of a money changer and the manner of an undertaker” – to deliver the first American periodical specifically intended for the common man — THE ARGOSY. In his own words, Munsey decided to create “a magazine of the people and for the people, with pictures and art and good cheer and human interest throughout.”
That same year, on June 16, a child was born who would become one of THE ARGOSY’s regular writers for nearly four decades — William Fitzgerald Jenkins. Best known and remembered under his pseudonym of Murray Leinster, Jenkins wrote and published more than 1,500 short stories and articles, fourteen movie scripts, and hundreds of radio scripts and television plays. Active as a writer for nearly seven decades, Jenkins’ writing career began in early 1916 when his work began to be featured in H. L. Mencken’s and George Jean Nathan’s THE SMART SET.
We asked readers to submit questions. Here’s one: “I love how this storyline seemed to play with the idea that a person is fluid rather than static, especially when discussing the concept of mothering. Women tend to be judged very harshly on whether or not they want a family, and on the decisions they make when they do have a family. To see one person travel along all different points of the mother spectrum was very interesting. Am I reading too much into this?”
No! I’m glad that reader saw that. I tend to like writing characters that are not typical heroes. I have seen mothers as heroes in fiction lots of time, but they tend to be one-note. You don’t often see that they weren’t always that interested in having kids. They weren’t always great moms. You don’t often see that they are people beyond being mothers, that motherhood is just one aspect of their life and not the totality of their being. I had some concern about the fact that I am not a mother. It’s entirely possible that I made some mistakes in the way that I chose to render that complexity. But it’s something I wanted to explore.
(6) YOU CAN SAY THAT AGAIN. In fact, they have.
"The smug mask of virtue triumphant could be almost as horrible as the face of wickedness revealed."
The year is 2256. The Earth is a barren wasteland of oatmeal raisin cookies and hyper-intelligent cockroaches Everything is pretty much firmly settled in a dystopian, post-apocalpytic mess, and nobody can grow any plants. Except one girl: Grace King. This is the story of one girl’s attempt to grow a dandelion out of a really fancy upside-down ladle. As she struggles to find the courage inside herself—and maybe some water or fertilizer, or something—we recognize that her quest for the ladle is not unlike our own, deeply personal quest for soup.
Aral Vorkosigan Saves His Son (The Warrior’s Apprentice, by Lois McMaster Bujold) Aral Vorkosigan is not a man who easily bends his principles or behaves counter to his beliefs; you can probably count the number of times he’s actually used his power and influence for personal gain on one hand—remarkable considering how much power he wields at various times in his career. At the end of the second book in Bujold’s Vorkosigan Saga, his son Miles stands accused of raising a private army and is poised to be drummed out of the military and executed, but Aral influences the proceedings so that Miles is charged instead with the equally serious crime of treason. Why is having your son accused of treason a grand Dad Moment? Because Aral knew treason could never be proved—while it was pretty clear that Miles had indeed raised a private army (even if he had a really good reason). It’s a neat way for Aral to demonstrate his loyalty to his son without, technically, violating his own moral code.
For Season 2, though, the Last Son of Krypton will finally have a face, and he’ll look a lot like Tyler Hoechlin. The Teen Wolf star takes flight in a role previously played on The CW by Smallville’s Tom Welling, who portrayed a pre-Superman Clark Kent for 10 seasons.
Hoechlin actually has comic book roots that pre-date his Supergirl assignment. At the age of 14, he won the coveted role of Tom Hanks’s son in Road to Perdition, the Sam Mendes-directed adaptation of an acclaimed graphic novel. In addition to his role as Derek Hale on Teen Wolf, the actor will also appear in the upcoming Fifty Shades of Grey sequels, Fifty Shades Darker and Fifty Shades Freed.
His talents did not go unnoticed. Everett M. “Busy” Arnold, publisher of Quality Comics, wanted to integrate the comic book format into the more prestigious world of the Sunday Funnies. He lured Eisner away from the studio to create a weekly comic book that would be distributed by a newspaper syndicate. Eisner agreed and came up with his most famous creation, The Spirit, which would continue to break new ground artistically, but also in the comic book business. Eisner insisted on owning the copyright to his new creation, a situation almost without parallel in comics at that time and almost without parallel on any popular basis for several decades to come. “Since I knew I would be in comics for life, I felt I had every right to own what I created. It was my future, my product and my property, and by God, I was going to fight to own it.” Eisner said. That was a watershed moment in terms of the artist being acknowledged as a creator of comics rather than just part of an assembly line.
As it orbits the sun, this new asteroid, designated 2016 HO3, appears to circle around Earth as well. It is too distant to be considered a true satellite of our planet, but it is the best and most stable example to date of a near-Earth companion, or “quasi-satellite.”
“Since 2016 HO3 loops around our planet, but never ventures very far away as we both go around the sun, we refer to it as a quasi-satellite of Earth,” said Paul Chodas, manager of NASA’s Center for Near-Earth Object (NEO) Studies at the Jet Propulsion Laboratory in Pasadena, California. “One other asteroid — 2003 YN107 — followed a similar orbital pattern for a while over 10 years ago, but it has since departed our vicinity. This new asteroid is much more locked onto us. Our calculations indicate 2016 HO3 has been a stable quasi-satellite of Earth for almost a century, and it will continue to follow this pattern as Earth’s companion for centuries to come.”
(12) IT’S A THEORY.
Medieval church door in Gloucestershire believed to be the inspiration for J.R.R. Tolkien's entrance to Moria pic.twitter.com/2oWi56x4yC
(13) A DOCTOR ON DYING. Rudy Rucker Podcast #95 shares with listeners an essay/memoir by Michael Blumlein called “Unrestrained and Indiscreet” originally read at the SF in SF series in San Francisco.
And then all at once Blumlein … tells about learning that he himself has lung cancer, about having large sections of his lungs removed, and about learning that the treatments have failed and that he’s approaching death. Blumlein is a doctor as well as as science-fiction author, and he ends with a profound meditation on the process and experience of death…
(14) SCALES AND TALES. William Wu has released the final cover for Scales and Tales, the anthology created to benefit three different animal adoption programs in the LA area.
Wu’s small press is printing 500 copies. An e-version will follow.
There will be a signing at the San Diego Comic-Con in July, and another at Dark Delicacies bookstore in Burbank on August 28 at 2 p.m.
(15) SIXTIES HUGO WINNER. Nawfalaq at AQ’s Reviews is not the least blown away by Clifford D. Simak’s Way Station, a book that was at the very top of my list of favorite sf novels for a number of years.
Way Station by Clifford D. Simak (1904 – 1988) is the third novel by the author that I have read. It was published in 1963 and won the 1964 Hugo Award for best novel. Off the bat, I have to say that this is the most polished of the three novels by Simak that I have read. Nevertheless, I admit that this was not an easy read for me to get through. The setting and the tone really caused the big slowdown with my reading of this novel.
The review makes me want to “revenge read” Way Station to prove to myself it is as wonderful as I remember. But what if it’s not…?
(16) SECURITY THEATRE? JJ calls this a “replicant check.”
Not so fast. Both of them were also supposed to be geniuses: Jedao at tactics and psychological warfare, Cheris at math. It’s possible that writing geniuses is easy when one is a genius oneself; I wouldn’t know, because I’m definitely not a genius. (I have since sworn that maybe the next thing I should do is write slapstick comedy about stupid-ass generals, not brilliant tacticians.)
So I cheated. A lot. One of the first things I did was to reread James Dunnigan & Albert A. Nofi’s Victory and Deceit: Dirty Tricks at War. I wrote down all the stratagems I liked, then tried to shove all of them into the rough draft. (And then there was too much plot so I had to take some of them out.) And of course, their opponent also had to be smart. I’d learned this from reading Gordon R. Dickson’s Tactics of Mistake, a novel I found infuriating because the “tactical genius” mainly geniused by virtue of the opponent being stupid, which I’m sure happens all the time in real life but makes for unsatisfying narrative. Besides all the military reading I did, I also hit up social engineering and security engineering.
(18) TODAY IN HISTORY
June 17, 1955 — Bert I. Gordon’s King Dinosaur premieres in theaters.
(19) MONSTERKID. Rondo Award emcee David Colton presents Steve Vertlieb with the Lifetime Achievement, Rondo Award “Hall Of Fame” plaque at the Wonderfest film conference on June 4.
(20) STAR WARS 8 FINISHES SHOOTING IN IRELAND. Post-Star Wars filming in Ireland, the studio put an ad in a local Kerry newspaper complete with Gaelic translation of may the force be with you. The commenters tried to make it look like the translation was wrong. All I can say is Google Translate made nonsense of it.
Ever since I was a little boy, I loved playing with action figures and spent my weekend mornings watching cartoons on the TV. I have been collecting toys and action figures and anything nostalgic from my childhood until this day.
Every time I take a look at my collectibles I remember my childhood, when I used to play for hours on end without a care in the world.
I wanted to recreate that feeling of carefreeness and nostalgia with the Rocket Coffee Table. The design is visually playful bringing cartoon-like clouds and aerial rockets from a personal toy collection to life, in the form of a table.
Combining various techniques from lathe to 3d printing, resin casting and traditional hand curved pieces, this table is fashioned to draw a smile on the face of nostalgic adults, children, and children trapped in adult bodies.
The rockets are not attached to the glass giving the opportunity to each owner to form their own desired structure of the table.
Six stories, two advertisements disguised as news, and a charming science video make up today’s Scroll.
(1) What happens when you delegate your online transactions to a program that becomes annoyed by your laziness? Rudy Rucker provides an imaginative answer in “Like A Sea Cucumber”, a free read on Motherboard. [Via SF Signal.]
The closure of Fables with the Fables: Farewell trade paperback on July 22 will be the end of an era in the comics industry, the rightly deserved and satisfying conclusion to a singular, ongoing story rivaled by only a handful of other titles. Fables is retiring on par with say, Vertigo stablemate The Sandman in both critical adoration (a ridiculous 14 Eisner Awards) and commercial success, an immediate entrant into the comics hall of fame. Not bad for a series at least partially inspired by The Rocky & Bullwinkle Show, by Willingham’s own admission.
Protest a finalist’s placement on the ballot due to eligibility. The award administrators do try to identify ineligible finalists and remove them from the ballot, but not every voter will agree with their assessment. For instance, two of this year’s finalists in the Novella category, “Big Boys Don’t Cry” by Tom Kratman and “One Bright Star to Guide Them” by John C. Wright, were actually first published earlier than 2014. However, the 2014 versions were considered to have been substantially revised and expanded from the originals and thus qualified as new works. A voter who disagrees with that assessment might well choose to rank No Award above those novellas. For another example: Last year, the 14-book Wheel of Time series was nominated in its entirety under “Best Novel,” having been ruled to be a multi-part serialized single work. A number of voters disagreed, and ranked No Award higher.
….Point is, No Award should not be considered a destructive option. It is a tool of dissent with which voters have been intentionally empowered. Use it, or not, as your conscience, heart, and/or whim dictates. The health of the Hugo Awards will be undiminished either way.
I have just voted NO AWARD across the board for the Hugo awards, including the category in which I am a finalist.
At one time, the Hugo WAS arguably the most significant award in SF, with the Nebula being the pro award with a different cachet.
The Nebula lost any credibility when it was awarded to If You Were An Alpha Male My Love, which was not only eyerollingly bad Mary Sue, but wasn’t SF nor even an actual story. If that’s what the pros consider to be worthy of note, it indicates a dysfunction at their level….
This was my choice. I am not telling my fans not to vote for me. If you feel my work is worthy, by all means vote for it. Just understand that if I win, it will be subject to the same scathing derision I give to any and all social and political issues. It deserves no less.
Also, and more importantly, not voting No Award permits us to correctly gauge the full extent of the SJW influence in science fiction and see how it compares to the current strength of the Sad and Rabid Puppies. That’s my chief interest in this year’s vote, because it will inform the strategy that we pursue in the future. Remember, we haven’t even begun to finance “scholarships” in the way the other side has. Our 2015 numbers do not reflect the full extent of the force we can bring to bear.
(6) Alex, of Randomly Yours, Alex, the opposite of a no award voter, is struggling with a decision about ranking “Hugo Awards: the novellas” for reasons that may be completely unique:
“The Plural of Helen of Troy,” John C Wright: ready for me to get actually controversial? I’m not sure about this one.
That’s right. I actually liked this story and would consider putting this on my ballot. But it was published by Castalia House, and that sound you just heard? That was my politics running smack bang into my reading enjoyment.
The story is told backwards; another PI, this time working in a city outside of time somehow – I’m generally quite capable of reading time travel stories without the paradoxes doing too much to my brain, as a rule, although I know that’s not possible for many readers. (What can I say, it’s a gift. Like reading Greg Egan science.) He’s contracted to help a man whose girlfriend (?) is apparently going to be attacked by someone, and they have to stop it. Of course things get messier than that, and there are iterations and variations as the story progresses (…which means going backwards…). There are some neat moments – I was quite amused by the realisation of who the man and the ‘Helen’ were, and some funny enough moments of these people completely out of their times living together. Including Queequeg. QUEEQUEG LIVES.
Anyway. Now I have to figure out how to vote in the novellas and it HURTS. I’ve got a couple of weeks, right? I can figure it out in that time…
(7) Attendees at Pulpfest in August will receive The Pulpster, the con’s feature-laden program book.
The highlight of the issue will be a round-robin article on H. P. Lovecraft and WEIRD TALES. It will feature contributions from filmmaker Sean Branney; Marvin Kaye, the current editor of WEIRD TALES W. Paul Ganley, founder of WEIRDBOOK, and Derrick Hussey, the publisher at Hippocampus Press; authors Jason Brock, Ramsey Campbell, Cody Goodfellow, Nick Mamatas, Tim Powers, Wilum Pugmire, Jessica Amanda Salmonson, Darrell Schweitzer, and Chet Williamson; poet Fred Phillips; pulp scholars and collectors John Haefele, Don Herron, Morgan Holmes, S. T. Joshi, Tom Krabacher, Rick Lai, Will Murray, and J. Barry Traylor.
Supporting members are also guaranteed a copy. Or following the convention, a limited number of copies of the program book will be available for purchase through Mike Chomko, Bookswhich can be reached at email@example.com.
Five complete novels and one story, together in one volume… “Far out in the uncharted backwaters of the unfashionable end of the Western Spiral arm of the Galaxy lies a small unregarded yellow sun.” With over 15 million copies sold, the Hitchhiker’s Series ranks among the best-loved works of science fiction. Features 5 specially commissioned original full-color illustrations!
All these gilt-edged editions remind me too much of the Bible…. A resemblance Douglas Adams would probably enjoy, in an ironic way.
(9) Finally, I enthusiastically recommend “The Scale of the Solar System,” linked in comments earlier today:
The 2015 Munsey Award nominations are open through May 31. The annual award, named for the publisher of the first pulp magazine, Frank A. Munsey, recognizes an individual who has contributed to the betterment of the pulp community through disseminating knowledge about the pulps, through publishing, or other efforts to preserve and to foster interest in the pulps.
This is also the time to nominate someone for the Rusty Hevelin Service Award, which recognizes people “who have worked long and hard for the pulp community with little thought for individual recognition. It is meant to reward especially good works, and is thus reserved for only those individuals who are most deserving.”
The winners of both awards will be selected by a panel of judges and presented at Pulpfest, being held August 13-16 in Columbus, OH.
All members of the pulp community, except past winners of the Munsey, Hevelin or Lamont Awards are eligible. Names should be sent to Mike Chomko along with a brief paragraph describing why that person should be honored, to 2217 W. Fairview Street, Allentown, PA 18104-6542, or via e-mail to mike [at] pulpfest [dot] com.
In early 1923, perhaps in an effort to boost circulation of Science and Invention or to test the waters in the growing market for specialized fiction magazines, Gernsback began publishing more stories and fiction that was meant to entertain including works by H. G. Wells, George Allan England, and Ray Cummings. Later that same year, Gernsback released a “Scientific Fiction Number” of his science magazine. The August 1923 issue of Science and Invention featured six “scientifiction” stories. It would not be long before Hugo Gernsback would found the first science-fiction magazine, Amazing Stories.
Within months, the new specialty magazine was selling over 100,000 copies of each issue. In establishing the first specialized science-fiction magazine, Gernsback had tapped a vein of wonder, shared by lonely individuals prone to “imaginative flights of fancy.”
Soon after losing his small publishing empire to bankruptcy, Hugo Gernsback was back in the publishing business. Within months, he had returned to the stands with a pair of science-fiction magazines–Science Wonder Stories and Air Wonder Stories.
The brainchild of Harry Bates, editor of Clayton’s Wide World Adventures, the new magazine was meant to entertain rather than educate. “Astounding. As a name it lacked dignity, but no matter: it was gutsy and would compel attention, and it generally resembled Amazing and could be counted on to attract the eye of that magazine’s readers while pleasantly promising others that the stories would stun them.”
Like Hugo Gernsback had done before it, the demise of Astounding Stories was shortlived. Sold to Street & Smith, the powerhouse publisher of The Shadow, Wild West Weekly, Love Story Magazine, and other pulps, the magazine was back on the racks in September 1933. The new Astounding Stories was edited by F. Orlin Tremaine who seemed to have great faith in the future of science fiction.
Although the outpouring of exceptional fiction continued in the new year with stories such as Simak’s “Cosmic Engineers” and Williamson’s “One Against the Legion,” it is the July 1939 issue that is cited most often as the start of the Golden Age of Astounding and in turn, of science fiction. Behind a very effective cover by artist Graves Gladney, the reader would find the first prose fiction by A. E. van Vogt as well as Isaac Asimov’s first story for Campbell’s magazine.
For the rest of Chomko’s series about early fantasy magazines, click on Pulpfest’s history link and keep scrolling down.
Rusty Hevelin and PulpCon’s other top officers remain with the original con, while Mike Chomko and two other former directors have launched Pulpfest.
The two events are already competing for the core interest group, so it can’t help that their dates also bracket the Worldcon in Montreal, August 6-10. Will scheduling cost them a critical number of potential members? Hard to say. Last year’s Pulpcon ran successfully the weekend before Denvention – and really, since the date of the Worldcon has been advancing progressively earlier in the summer, it must be impossible to avoid that conflict without bumping up against the dates of MidWestCon, Dragon*Con or other events that a Midwestern specialty con cannot afford to overlap.
A lot of pulp collectors I know are from the generation that depends on paper more than it does electronic communication. However, fans who care about the quality of internet-based communication will find their decision practically made for them. The Pulpcon 38 site is static and its Registration and Information links are dormant. Pulpfest 2009 has a full-blown convention information website with incredible graphics.
Chomko, Jack Cullers, and Barry Traylor, three of the seven members on the Pulpcon committee, had been pushing for changes in the way that Pulpcon is run, such as holding it elsewhere than Dayton, OH. In fact, Chomko went off on his own and contacted three other Ohio cities about hosting the convention. But the four other committee members – including chair Robert Gorton — responded by voting to renew the contract with Dayton.
In the democratic spirit that characterizes America of the present day, Chomko soon demanded that Gorton and another committee member resign:
Jack Cullers, Barry Traylor, and I have decided that if we want to move the convention forward, it is impossible to continue to work with Bob Gorton and Don Ramlow. They seem to feel that shortening the convention to three days will be enough to turn things around. They seem to think that by creating a few generic flyers that seem to be addressed to people who already know about Pulpcon, the convention’s troubles will be over. They seem to think that they need to devote very little time and energy to turn Pulpcon around. They seem to think that communication is unnecessary.
The trio decided to move on, and take the Pulpcon name with them. Jack Cullers had researched the service mark originally registered by Rusty Hevelin and discovered it had lapsed in 1989. Cullers applied to have it re-registered in his name.
As a result of the schism, two Pulpcons were announced for next year, Pulpcon 38 in Dayton on Aug 14-16 and Pulpcon 2009 in Columbus on July 31-Aug 2.
However, on November 3 Jack Cullers received letter from Robert W. Jones, an attorney retained by Robert Gorton. The letter asked Jack to voluntarily withdraw his application to register the service mark “Pulpcon” and to discontinue using the mark on the Pulpcon 2009 website. As Chomko explained in an e-mail he sent to a list this week, Gorton’s attorney says that although Rusty Hevelin’s initial registration of the “Pulpcon” service mark lapsed in 1989, Gorton has been named Hevelin’s successor in interest to Pulpcon and has been handling the con’s business matters since 2002, and “any use that Jack or others on the Pulpcon committee made of the service mark was only with the express or implied authority of Mr. Gorton.”
So Chomko and company say they will be changing the name of their pulp convention in Columbus to PulpFest 2009. Their website is also accessible by visiting www.pulpfest.com.
Update 11/07/2008: Thanks to Dave Langford for sending word that the new Pulpfest domain has been activated.