The Year’s Best African Speculative Fiction 2022 Table of Contents Released

The selections have been announced The Year’s Best African Speculative Fiction 2022 anthology.

This year’s volume is guest edited by two strong voices in the Black speculative fiction space, Eugen Bacon and Milton Davis. It will contain poetry, and cover works from both the 2021 and 2022 years.

The second installment of the World Fantasy Award-winning Year’s Best African Speculative Fiction anthology series, published by a collaboration of Caezik Books of Arc Manor and OD Ekpeki Presents, an imprint of Jembefola Press, will be released August 1, 2023, and can be preordered here.

This anthology series aims to draw attention to the works of Africans and people of African descent, to address visibility and other marginalizing barriers that exist for writers from Africa and the diaspora on the global stage. This year’s volume also pays special attention to black speculative poetry and the power of the word.

The editors received nearly 100 submissions, totaling over 400,000 words.

SHORT FICTION

  • “Broad Dutty Water: A Sunken Story” by Nalo Hopkinson in Fantasy & SF, Nov/Dec 2021
  • “How We Are” by Chikodili Emelumadu in The Horror Anthology, Titan Books, Sept 2022
  • “When She Speaks” by Ugochi Agoawike in Augur Magazine, November 2021
  • “A Pall of Moondust” by Nick Wood in Omenana, April 2021
  • “A Soul of Small Places” by Mame Bougouma Diene and Woppa Diallo in Africa Risen, Tor.com, November 2022
  • “A Sunken Memory” by Donovan Hall in Cyberfunk! Anthology, February 2021
  • “Kaleidoscope” by Milton J. Davis in Muscadine Wine, MV Media, Aug 2022
  • “An Arc of Electric Skin” by Wole Talabi in Asimov’s Science Fiction Magazine, September 2021
  • “Barefoot and Midnight” by Sheree Renée Thomas in Apex Mag, March 2021
  • “Deep in the Gardener’s Barrow” by Tobi Ogundiran in Beneath Ceaseless Skies, November 2021
  • “Destiny Delayed” by Oghenechovwe Donald Ekpeki in Asimov’s Science Fiction Magazine, May/June 2022
  • “District to Cervix: The Time Before We Were Born” by Tlotlo Tsamaase in Prisms anthology, PS Publishing, March 2021
  • “It Calls to You” by Jamal Hodge in Hybrid: Misfits, Monsters, And other Phenomena, June 2022
  • “Like Stars Daring To Shine” by Somto Ihezue in Fireside Magazine, issue 103, July 2022
  • “Make a Memory with Me” by Xan van Rooyen in Galaxy’s Edge, September 2022
  • “March Magic” by WC Dunlap in Africa Risen, Tor.com, November 2022
  • “Memories of the Old Sun” by Eugen Bacon in Chasing Whispers, Raw Dog Screaming Press, September 2022
  • “Old Solomon’s Eyes” by Cheryl Ntumy in FIYAH Magazine of Black Speculative Fiction, Issue #24, October 2022
  • “Peeling Time (Deluxe Edition)” by Tlotlo Tsamaase in Africa Risen, Tor.com, November 2022
  • “The Coward of Umustead” by Diwe Anyadu in Omenana Magazine, Jul 2022
  • “The Mercy of the Sandsea” by Tendai Huchu in Analog Science Fiction and Fact, July/Aug 2022
  • “The Travelling Man” by Radha Opubor in Squinti Publishing, 2021
  • “Them Doghead Boys” by Alex Jennings in Current Affairs Magazine, Jan/Feb 2021
  • “If the Martians Have Magic” by P. Djèlí Clark in Uncanny Magazine, September/October 2021

POEMS

  • “Child Price” by Akua Lezli Hope
  • “Loving Venus” by Jamal Hodge
  • “The Revenge of Henrietta Lacks” by Cecilia Caballero
  • “and this is how it begins” by Gerald Coleman
  • “Becoming” by Miguel O’Mitchell
  • “Fracking-lution” by Linda D. Addison
  • “Nyankopoxyican Breath of Fresh Air” by Andrew Geoffrey Kwabena Moss
  • “Pigeon Police” by Bryant O’Hara
  • “Street Names” by Ndaba Sibanda
  • “Tons of Liquid Oxygen Buckle Too Late Under Strain” by Eugen Bacon
  • “that poor woman” by Gerald Coleman
  • “That Time Your Best Friend Called You Sissy as a Plate of Àmàlà and Gbẹ̀gìrì Cooked by Your Orí” by Ishola Abdulwasiu Ayodele
  • “The Drone’s Retort” by Bryant O’Hara
  • “The Un-Awakened (Octavia E. Butler 1947-2006)” by Linda D. Addison
  • “Igbo Landing” by Akua Lezli Hope

Call for Submissions: The Year’s Best African Speculative Fiction Volume Two

By Oghenechovwe Donald Ekpeki: The Year’s Best African Speculative Fiction Volume Two anthology is now open to submissions until the end of the year. This next volume of the series is a dual Year’s Best anthology, covering work published in 2021 and 2022. It will be published with a release date of early 2023 under the Caezik SF & Fantasy imprint of Arc Manor, an award-winning press run by Publisher Shahid Mahmud and his Associate Publisher, Lezli Robyn.

GUIDELINES. We welcome submissions of all reprint works of speculative fiction, from any genres and sub genres, including fantasy, dark fantasy, science fiction, horror and genre blends, up to 17,500 words, published by Africans or authors of African descent in 2021 and 2022. This means all flash, short story, and novelette fiction is eligible, if the rest of the parameters are met.

Send your submissions as a Word document file with your name, country of origin, email address, word length, first publication date and venue, to [email protected]

We will be receiving submissions until midnight 31 December 2022, but are already compiling the book—so please get in early so we have more time to consider your work.

If your work is not yet published, but is upcoming this 2022, you can also submit it and tell us the anticipated publication date, so we can consider it early.

This year’s volume will be guest edited by Eugen Bacon and Milton Davis, alongside the series editor, Oghenechovwe Donald Ekpeki.

Authors will be paid 2c per word in USD, up from the past year’s 1c per word for a reprint.

A LITTLE HISTORY. This line of Year’s Best African Speculative Fiction anthologies was created, for the first time in the genre’s decades-long history, to draw attention to the works of Africans and people of African descent. This was intended to address visibility and other marginalizing barriers that exist for Africans and people of African descent on the global stage.

Volume One took on this task, with some critical success, despite the long line of obstacles that came with publishing on and from the African continent. These obstacles included the pandemic and related vaccine-hoarding policies, the Endsars protests and subsequent Lekki Massacre, and a Twitter ban by the Nigerian government. Slur-slinging racists, harassing trolls, Goodreads review-bombing, an Amazon KDP ban and seizure of funds for country of origin, and the same from Smashwords and Draft2Digital, also matched every step forward with another step back.

Despite all these obstacles, Volume One made the Nerds of a Feather and Locus recommended reading lists. The book and stories were well-received and reviewed by venues and reviewers such as Arley Sorg (co-editor of Fantasy Magazine) in Lightspeed, Brandon Crilly of Black Gate, Matthew Cavanagh of Runalong The Shelves, Mark Walter or Ginger Nuts of Horror, Adri Joy of Nerds of a Feather, Sarah Deeming of British Fantasy Society, T.G Shenoy of Locus Magazine, Fiona Moore of the British Science Fiction Association and many more who helped shine a light on the incredible fiction we had showcased.

A heartfelt thanks goes out to them all, and also to our copy editor Joshua Omenga, and the amazing authors in the anthology itself, including Tlotlo Tsamaase, Sheree Renée Thomas, Tobi Ogundiran, Pemi Aguda, Tendai Huchu, Suyi Davies Okungbowa, Craig Laurance Gidney, Eugen Bacon, and everyone else who worked on the project. We are that much closer to our goal for all their efforts.

ACCOLADES FOR VOLUME ONE. The editor for Volume One, Oghenechovwe Donald Ekpeki, is a Hugo Award finalist for best editor short form, and is the first Black African finalist for that category. The Year’s Best African Speculative Fiction Volume One is also a finalist in the World Fantasy Award, and the first African anthology to be a WFA finalist, in addition to being a finalist in the Locus and British Fantasy awards. The anthology’s cover, by Maria Spada, was a British Science Fiction Award finalist as well.

Volume One is free to download in all formats on the Jembefola Press website. Jembefola Press was founded to publish the first anthology of The Year’s Best African Speculative Fiction and other works like it. You can also find the Bridging Worlds Pan-African Non-fiction Anthology free to download in all formats there/here as well.

Oghenechovwe Donald Ekpeki

EDITORS. Oghenechovwe Donald Ekpeki is an African speculative fiction writer, editor & publisher in Nigeria. He has won the Nommo award twice, and an Otherwise and British Fantasy award. His novelette “02 Arena” won the Nebula award, and is a Hugo award finalist, making him the first African to be a Nebula best novelette winner and Hugo best novelette finalist. The thought-provoking piece was also a finalist for British Science Fiction, British Fantasy and Nommo awards. He edits The Year’s Best African Speculative Fiction anthology series, which he’s the first African Hugo award best editor finalist for Volume One. He’s the first BIPOC to be a Hugo award finalists in fiction and editing categories in the same year, and The Year’s Best African Speculative Fiction Volume One anthology he edited and published is also a Locus, British Fantasy and World Fantasy award finalist. His works of fiction and non-fiction have appeared, and are forthcoming, in Asimov’s, Tordotcom, Uncanny Magazine, Strange Horizons, Apex Magazine, Galaxy’s Edge, and more. He co-edited the Dominion anthology, Africa Risen anthology, and is a guest of honour at the forthcoming 2022 Cancon and 2023 International Conference for the Fantastic In The Arts (ICFA)

Eugen Bacon

Eugen Bacon is an African Australian author of several novels and fiction collections. She’s a 2022 World Fantasy Award finalist, and was announced in the honor list of the 2022 Otherwise Fellowships for “doing exciting work in gender and speculative fiction.” Eugen’s short story collection, Danged Black Thing by Transit Lounge Publishing was a finalist in the British Science Fiction Association, Foreword Indies, Aurealis and Australian Shadows awards. Her creative work has appeared in literary and speculative fiction publications worldwide, including Award Winning Australian Writing, Fantasy Magazine, Fantasy & Science Fiction, and The Year’s Best African Speculative Fiction. Her books in 2022: Mage of Fools (novel), Chasing Whispers (collection) and An Earnest Blackness (essays). Visit her website at eugenbacon.com and Twitter @EugenBacon

Milton Davis

Milton Davis is an award winning Black Speculative fiction writer and owner of MVmedia, LLC, a publishing company specializing in science fiction and fantasy based on African/African Diaspora history, culture and traditions. Milton is the author of thirty novels and short story collections: his most recent the Sword and Soul adventure Eda Blessed II. Milton is also a contributing author to Black Panther: Tales of Wakanda, published by Marvel and Titan Books, and coauthor of Hadithi and the State of Black Speculative Fiction with Eugen Bacon.  He is the editor and co-editor of ten anthologies; Terminus: Tales of the Black Fantastic from the ATL; Cyberfunk!; The City, Dark Universe and Dark Universe: The Bright Empire with Gene Peterson; Griots: A Sword and Soul Anthology and Griot: Sisters of the Spear, with Charles R. Saunders; The Ki Khanga Anthology, the Steamfunk! anthology, and the Dieselfunk! anthology with Balogun Ojetade. Milton’s work had also been featured in Black Power: The Superhero Anthology and Rococoa published by Roaring Lions Productions; Skelos 2: The Journal of Weird Fiction and Dark Fantasy, Steampunk Writers Around the World published by Luna Press; Heroika: Dragoneaters published by First Perseid Press, Bass Reeves Frontier Marshal Volume Two, and Slay: Stories of the Vampire Noire. Milton Davis and Balogun Ojetade won the 2014 Urban Action Showcase Award for Best Script. Milton’s story “The Swarm” was nominated for the 2017 British Science Fiction Association Award for Short Fiction and his story, “Carnival,” has been nominated for the 2020 British Science Fiction Association Award for Short Fiction. His story, “The Monsters of Mena Ngai,” appears in the Marvel Black Panther: Tales of Wakanda anthology. Milton is a 2022 recipient of the East Coast Black Age of Comics Convention Lifetime Pioneer Achievement Award.

Submissions Website address: arcmanorbooks.com/yearsbestafricansf

Pixel Scroll 10/25/21 I Am The Pontiff Of Pixel, Scroller Of All I Survey

(1) I’D LIKE TO MEET HIS TAILOR. James Davis Nicoll is “Asking the Tough Questions About Superheroes and Public Nudity” at Tor.com. Don’t tell me this hasn’t troubled you, too!

…If [the superhero is] prone to turning into living flame? Clothes go up in flame. Super-cold? Cloth turns brittle when frozen. Change size? Clothing shreds. Or a teeny-tiny size-changer can slip between the weave of the cloth. Then change back to normal human and oops, no clothes.

In the old days, the Comics Code Authority guaranteed a certain level of protection from power-induced nudity. The Hulk’s pants size might go from M to XXXXXXXL but somehow his trousers always stretched enough to provide him with shorts. Similarly, Doctor Phosphorus’ skin incinerated everything it touched, despite which he somehow always had enough of his trousers left to avoid being charged with indecent exposure (well, in addition to terrorism and murder)….

(2) RECLAMATION 2022 VENUE ANNOUNCEMENT. The Reclamation 2022 committee today announced that next year’s UK Eastercon venue will be the Radisson Hotel & Conference Centre London Heathrow. The con will run April 15-18, 2022.

The hotel, formerly known as the Park Inn, is a venue that will be familiar to regular science fiction convention goers and is easily accessed via various transport links. In addition to the hotel, there are local pubs and restaurants and central London is a tube ride away.

The committee would like to thank the community for their enormous patience. The current global situation made the process far more difficult than we’d hoped. It has taken over two years of searching to find a suitable venue for a convention of our size that will accommodate non-corporate gatherings.

We did want to announce the venue much earlier in the year. We had hoped to bring Eastercon to Brighton for 2022. Sadly, the venue required more extensive renovations than they, and we, first anticipated and it’s no longer available at this time. We hope to see an Eastercon there in the future.

To attend Reclamation, the 72nd Eastercon, you need to purchase membership for the convention. All information can be found on the website at https://reclamation2022.co.uk/membership/ . Membership can also be purchased at Eastercon fan tables, which can be found at various forthcoming fan conventions….

(3) MISSING CREDITS. The Irish Times’ John Connolly contends women writers of genre fiction are doubly ignored: “Pulp friction: Irish women’s place in genre writing should be rescued from ignominy”.

… The assault on genre writing in Ireland began as early as 1892, when Douglas Hyde, eventually to become the first president of the Irish Free State, gave a speech to the Irish National Literary Society in Dublin in which he urged his listeners to set their faces “sternly against penny dreadfuls, shilling shockers”. To Hyde, genre writing was not only “garbage” and “vulgar”, it was also “English”, which made it undesirable in the extreme. It had no relevance to his conception of Irishness, which was limited to everything “most smacking of the soil, most Gaelic”. If it was genre fiction, it wasn’t Irish literature. In fact, it probably wasn’t literature at all….

(4) PODCASTER Q&A. Cora Buhlert has posted a new “Fancast Spotlight” for Light On Light Through, a podcast by Paul Levinson: “Fancast Spotlight: Light On Light Through”.

 … Today, I’m pleased to feature Light On Light Through, a podcast run by Paul Levinson, who’s a science fiction author, singer/songwriter, media critic and professor of communications and media studies at Fordham University.

Paul Levinson is clearly a very busy man, so I’m thrilled to welcome him to my blog today to talk about Light On Light Through….

(5) SUBGENRE CHALLENGES. Cora Buhlert, who sent this link, notes she’s not the only one who’s interviewing semiprozine editors. Bobby Derie just interviewed Erica Ciko Campbell and Desmond Rhae Harris, editors of the new magazine of Starward Shadows Quarterly“Editor Spotlight: Interview with Erica Ciko Campbell and Desmond Rhae Harris of Starward Shadows Quarterly”.

“We’re interested in exploring the wicked, strange places that walk the line between reality and nightmare—the alien, the absurd, and above all else, the weird.” —Starward Shadows Quarterly Submissions page

Aside from Lovecraft, other thematic inspirations cited for Starward Shadows Quarterly include J. R. R. Tolkien and Robert E. Howard. How do you handle the historical racism and colonialist tropes inherent in fantasy and sword & sorcery?

DRH: This is a tricky topic. The best I can explain it is that we always look for ways to bring fresh, modern insight on those topics, and we deliberately seek out authors who provide that. If a story doesn’t have a new, enlightened viewpoint that shatters racism and colonialism and instead falls back on addressing those grief-ridden topics in the same, tired, old ways, then we simply won’t publish the story—no matter how good it is otherwise. It isn’t enough for something to be “not that problematic.” It needs to actively counteract the social impact that previous authors have had in these difficult areas in order for us to accept it….

(6) THE DUNES ARE ALIVE WITH THE SOUND OF MUSIC. The New York Times tells “How Hans Zimmer Conjured the Otherworldly Sounds of ‘Dune’”.

…For “Dune,” by contrast, Zimmer wanted to conjure sounds that nobody had ever heard before.

“I felt like there was a freedom to get away from a Western orchestra,” he said recently, speaking in the Warner Bros. offices overlooking Hudson Yards in New York. “I can spend days making up sounds.”

The resulting soundtrack might be one of Zimmer’s most unorthodox and most provocative. Along with synthesizers, you can hear scraping metal, Indian bamboo flutes, Irish whistles, a juddering drum phrase that Zimmer calls an “anti-groove,” seismic rumbles of distorted guitar, a war horn that is actually a cello and singing that defies Western musical notation — just to name a few of its disparate elements.

The score combines the gigantic, chest-thumping sound of Zimmer’s best known work of the last decade with the spirit of radical sonic experimentation. The weirdness is entirely befitting the saga of a futuristic, intergalactic civilization whose denizens are stalked by giant sandworms and revere a hallucinogenic substance called spice….

(7) IT’S NOT JUST A SURPRISING IDEA – IT’S THE LAW! “Pablo Escobar’s Cocaine Hippos Are Legally People, Court Rules”Gizmodo has the story.

Pablo Escobar’s hippos have a lawyer. And a good one at that. In a U.S. first, a court recognized the animals as legal persons. That could be the hippos’ salvation in the ongoing fight about what to do with one of the world’s most rotund and dangerous invasive species.

… Now, there are up to 120 hippos roaming around Colombia, and they are considered one of the top invasive species in the world. Authorities have weighed a plan to kill the hippos off and on since 2009, and its recently gained steam.

Last July, Colombian attorney Luis Domingo Gómez Maldonado filed a lawsuit on the hippos’ behalf to save them from being euthanized. Instead, the case recommends sterilization. Colombian officials announced a plan to use a chemical contraceptive developed by the U.S. Agriculture Department to sterilize “the main group” of the hippos, and the region’s environmental agency Cornare began to implement the plan on Friday, darting 24 hippos. 

… “The Colombian legal system can’t compel someone in the U.S. to provide testimony or to produce documents, but we have this federal law that allows interested persons in Colombia to go to the U.S. and obtain that ability to obtain documents and testimony.” Christopher Berry, the attorney overseeing the U.S. case who also serves as managing director at the Animal Legal Defense Fund, said. “So we applied for the hippos’ rights to compel their testimony in order to support the Colombian litigation, and now the [U.S. District Court for the Southern District of Ohio] has granted that application, recognizing that the hippos are interested persons.”…

(8) MEDIA BIRTHDAY.

  • 1968 – Fifty-three years this evening on NBC, Star Trek’s “Spectre of the Gun” first aired. It was written by former producer Gene L. Coon (under the name of Lee Cronin) and directed by Vincent McEveety.  It had one of the larger guest casts — Ron Soble  as Wyatt Earp, Bonnie Beecher as  Sylvia,  Charles Maxwell  as Virgil Earp, Rex Holman as Morgan Earp,  Sam Gilman as Doc Holliday,  Charles Seel as Ed the bartender, Bill Zuckert  as Johnny Behan,  Abraham Sofaer as the Melkotian Voice and Ed McCready as Barber. You know the premise, so I won’t detail it here.  I will note that the budget wasn’t available to shoot on location on a full set, so instead a Western street of false building fronts and no sides was used. It’s considered one of the finest episodes of the original though Keith R.A. DeCandido of Tor.com inexplicably decided to criticize the episode for its historical inaccuracies. Huh? And I’ll note that the First Doctor had done an Old West story two years previously, “The Gunfighters” and the Eleventh Doctor will have his own such story as well, “A Town Called Mercy”.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 25, 1909 Whit Bissell. You most likely know him as Station Manager Lurry on “The Trouble With Tribbles”,  but his major contribution to the SFF genre was being in all thirty episodes of The Time Tunnel as Lt. Gen. Heywood Kirk. He also did one-offs on The InvadersI Dream of JeannieThe Man from U.N.C.L.E.Voyage to the Bottom of the SeaScience Fiction TheaterThe Incredible Hulk and The Outer Limits. And yes, in the Time Machine film. (Died 1996.)
  • Born October 25, 1940 Janet Fox. Author whose stories appeared in countless genre zines and anthologies between the Seventies and mid-Nineties.  Her long fiction, mostly the Scorpio Rising series, was done as Alex McDonough. She’s also know for the Scavenger’s Newsletter which featured a number of noted writers during its long including Linda Sherman, Jeff VanderMeer and Jim Lee. (Died 2009.)
  • Born October 25, 1955 Gale Anne Hurd, 66. Her first genre work was as Corman’s production manager on Battle beyond the Stars. (A decent forty-two percent among audience reviewers at Rotten Tomatoes.) From there, we’ve such films as Æon Flux, the Terminator franchise, AliensAlien NationTremorsHulk and two of the Punisher films to name just some of her genre work. We’ll forgive her for the latter. 
  • Born October 25, 1955 Glynis Barber, 66. Soolin on Blake’s 7 for a series. She also appeared in The Hound of the Baskervilles (Ian Richard and Donald Churchill were Holmes and Watson) and a Sherlock Holmes series I didn’t know about, Sherlock Holmes and Doctor Watson starring Geoffrey Whitehead and Donald Pickering. 
  • Born October 25, 1963 John Gregory Betancourt, 58. Writer best known most likely for his work In Zelazny’s Amber universe but who has written quite a bit of other franchise fiction including works in the Star TrekHerculesRobert Silverberg’s Time ToursDr. Bones and The New Adventures of Superman. Most of his original fiction was early in his career. He’s also edited in a number of magazines including Weird TalesAmazing StoriesH. P. Lovecraft’s Magazine of HorrorAdventure Tales and Cat Tales. He even co-edited with Anne McCaffrey, Serve It Forth: Cooking with Anne McCaffrey. His Wildpress Press has been nominated three times for World Fantasy Awards. 
  • Born October 25, 1971 Marko Kloos, 50. Author of two MilSF series, Frontlines and The Palladium Wards. His Lines of Departure was nominated for Hugo Award for Best Novel at Sasquan on a slate organized by the Sad Puppies. In reaction to this, Kloos withdrew the novel from consideration for the award. He was subsequently honored by George R. R. Martin for this decision. And that gets him Birthday Honors. Four of his books have been Dragon Awards nominees in the Best Military SF or Fantasy category.
  • Born October 25, 1971 Elif Safak, 50. Turkish writer not currently under arrest though considered an opponent of Recep Tayyip Erdogan as she’s lived in the U.K. for eight years. She’s got three genre novels, one written originally in Turkish (Mahrem), The Gaze in its English translation, and two written in English, The Architect’s Apprentice (which was translated into Turkish as Ustam ve Ben)  and 10 Minutes 38 Seconds in This Strange World.
  • Born October 25, 1989 Mia Wasikowska, 32. She’s Alice in Tim Burton’s creepy Alice in Wonderland and equally creepy Alice Through the Looking Glass. Rotten Tomatoes gave the first a fifty-three percent rating and the second a twenty-nine percent rating.

(10) COMICS SECTION.

  • Mutts warns us about what can go wrong with your magic spells. (A re-run of an earlier strip, but fans of puns won’t mind seeing it again.)
  • Frank and Ernest find out the Tooth Fairy has issues.
  • Off the Mark shows a truly terrifying Halloween costume for dinosaurs.
  • Batch Rejection demonstrates an efficient pet’s name.
  • And for the record, the current Dick Tracy team did a sign-off strip, as in, the current creative team is (apparently) moving on.

(11) A LEGEND IN HER OWN TIME. In the Washington Post, Michael Cavna has an appreciation of Ruthie Tompson, who met Walt Disney in 1918, worked for Disney animation for nearly 50 years, became a Disney Legend in 2000, and passed away recently at 111. “Ruthie Tompson, who died at age 111, was a Disney trailblazer in ‘a man’s world’”.

Ruthie Tompson, whose hand helped paint early Mickey Mouse, was the very picture of humility — even as she turned 110.

Tompson became an animation trailblazer in 1937, working among the scores of other young women in Disney’s famed Ink & Paint department — for long hours, relatively low pay and no screen credit — on the landmark feature “Snow White and the Seven Dwarfs.”“We worked into the night, day after day, until we got it exactly right!” she told the Hollywood Reporter last year, from the Motion Picture and Television Fund’s retirement community in Woodland Hills, Calif., while enduring the second global pandemic of her lifetime….

(12) SOMETHING TO DREAD. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Tom Faber discusses the lasting appeal of Nintendo’s sf game Metroid, whose 2021 extension, Metroid Dread, was recently released.

I can’t help thinking that perhaps in 2021, Metroid has been a victim of its own success.  Back in 1997, a game called Castlevania: Symphony of the Night borrowed elements from Super Metroid and set the mould for a genre unimaginatively dubbed the ‘metroidvania.’  These are titles united by their contiguous 2D maps and gameplay that juggles tense combat with exploration.  In recent years indie developers have followed in Metroid‘s footsteps to create modern classics such as the graceful Ori series, the haunting Hollow Knight, or the pixel art gauntlets of Dead Cells and Axiom Verge….

…These games have innovated to thoughtfully elevate Metroid‘s blueprint.  Hollow Knight and Ori And The Will Of The Wisps are among the most beautiful games I’ve played in years; Metroid Dread doesn’t quite deliver the same charm.  It’s certainly taut, engrossing, and slick, but I can’t help wondering if it might feel more revelatory if the original Metroid not been quite so influential in the first place.

(13) KEEPING UP WITH MILTON DAVIS. Oliver Brackenbury, whose podcast So I’m Writing a Novel… Cora Buhlert featured awhile ago, interviews Milton J. Davis in episode 20:  “Interview with Milton Davis about Sword & Soul”.

Milton J. Davis also has an interesting Kickstarter for an animated movie based on his Steamfunk novel From Here to Timbuktu“From Here to Timbuktu: A Steamfunk Action Adventure by MVmedia, LLC”.

… MVmedia has teamed up with Avaloy Studios to bring you this story as an animated series.  Milton Davis, the novel author, will write the script, with animation duties done by Avaloy Studios. The pledges from this Kickstarter will allow us to create the first five episodes of the series…. 

(14) GET AN EARFUL. The Cromcast posts its annual Halloween episode, where they discuss three vampire stories by Robert E. Howard, Clark Ashton Smith and Bram Stoker: “A Weird Fiction Podcast: Cromtober 2021 – A Trio of Vampire Tales”.

Listen here as we discuss ‘Dracula’s Guest’ by Bram Stoker, ‘A Rendezvous in Averoigne’ by Clark Ashton Smith, and ‘The Horror from the Mound’ by Robert E. Howard!

(15) KITCHEN APPLIANCE. [Item by Daniel Dern.] First there is a credential, then there is no credential, then there is. The Schrödinger Drawer, or, the credential that walks through credenzas. (Via Steven J Vaughan-Nichol’s Facebook page.)

(16) WHAT’S UP D&DOC? Boing Boing reminds us “Bugs Bunny’s Official D&D Character Sheet Is A 15th-level Illusionist”.

Dragon Magazine #41 was published in April 1981. And it was in the pages of this official Dungeons & Dragons tome that the immortal deity known as Bugs Bunny was finally given its due as a playable character in the game, along with several other cartoon characters — or rather, “Saturday morning monsters.”…

(17) BLUE SKY. Space.com reports  “Blue Origin unveils plans to build a private space station called Orbital Reef by 2030”.

Blue Origin, Boeing, Sierra Space and several other partners announced today (Oct. 25) that they plan to build a commercial off-Earth outpost called Orbital Reef, which is scheduled to be up and running by the late 2020s.

Orbital Reef’s envisioned customers include national governments, private industry and space tourists, project team members said. The outpost will initially complement but eventually take the baton from the International Space Station (ISS), which is expected to be retired in the 2028 to 2030 timeframe….

(18) MONEY IS THE CUBE ROOT OF ALL EVIL. “Star Trek beams up 2021 advent calendar themed to iconic villains”Digital Spy tells where you can buy one.

Star Trek is assimilating its 2021 advent calendar.

The iconic sci-fi franchise is turning to the dark side this festive season for an advent calendar designed to look just like the Cube ship used by the Borg alien race.

Any Stark Trek fan knows that a Borg Cube on the radar means serious trouble for the Federation because the cybernetic alien race will stop at nothing to conquer and assimilate their enemies….

Digital Spy will also tell you where to buy the Doctor Who 2021 advent calendar shaped like the TARDIS.

(19) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] A guy who watched Star Trek IV too many times asks: Can you really fit two humpback whales on a Klingon ship? To answer that, first you have to deduce the size of a Bird of Prey.

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Michael J. Lowrey, Cora Buhlert, Dan’l, Chris Barkley, Darrah Chavey, Rob Thornton, Daniel Dern, Martin Morse Wooster, JJ, John King Tarpinian, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Jack Lint.]