The five Philip K. Dick Award judges for distinguished science
fiction published in paperback original format in the United States in the 2019
award year are:
Thomas A. Easton, 84 Commonmwealth Ave., Dedham
MA 02026-1425
Karen Heuler, (until October 31) 13 Antler
Drive, Sandyston NJ 07826; (after October 31) 80 Charles Street Apt. 3R, New York NY 10014-6110
Patricia MacEwen, 1046 W Longview Ave., Stockton,
CA 95207-4719
James Sallis, 1534 E. Earll Drive, Phoenix AZ
85014-5639
They will consider issue eligible titles — all works of science
fiction published originally in the United States as paperbacks during the year
2019. The nominees will be announced in January 2020.
The Philip K. Dick Award is presented annually with the support
of the Philip K. Dick Trust for distinguished science fiction published in
paperback original form in the United States.
The award is sponsored by the Philadelphia Science Fiction
Society and the award ceremony is sponsored by the Northwest Science Fiction
Society.
The
2019 award for work published in 2018 was given to Theory of Bastards by Audrey Schulman (Europa Editions) with a
special citation to 84K by Claire
North (Orbit). The 2020 awards for work published
in 2019 will be announced on April 10 at Norwescon 43 in SeaTac, WA..
Congressional hopeful Dean Phillips, a Democrat running in Minnesota, says Republican incumbent Erik Paulsen is so detached from his home district, he’s practically impossible to find.
(2) STORMY WEATHER. Mur Lafferty’s Hugo win (with Matt Wallace) for Ditch Diggers was not completely washed out by Hurricane Florence, but the news did get bumped to fifth place in her latest post at The Murverse Mothership (where you can also see a photo of her wearing a chicken hat at the Hugo Losers Party).
Florence: We are fine. Hurricane Florence hit North Carolina and South Carolina last weekend, and wandered slowly through the state, dumping lots and lots of rain. The flooding was catastrophic. Oddly enough, when we thought our area would get hit with the eye, the storm turned and moved south of us, then turned north. We got wind, rain, Fiona’s school lost a big tree, but our area is largely unscathed. We did have some excitement yesterday when the last tail end of the storm whipped around and smacked us, letting Durham get a taste of the flooding and tornadoes that the rest of the state has suffered, but that didn’t last too long. If you can give to hurricane relief to help the eastern part of the state, please do.
(3) OBSERVATIONS ABOUT SF IN FRENCH. Matthew Rettino reports on “Congrès Boréal 2018: Differences between Anglophone and Francophone SF” at Archaeologies of the Weird, including the panel “L’imaginaire a-t-il une langue? Différence culturelle dans l’imaginaire anglophone et francophone” (“Does the imagination have a language? Cultural differences in the anglophone and francophone imaginary.”)
…One interesting idea that arose: language does not inherently carry the values of a society. Rather, culture does. The different traumas and schisms that define a society do have a much greater influence on national literature. For example, Cixin Liu’s Three Body Problem, remarked one of the panelists, is marked by the impact of the Cultural Revolution in China. This echoes how French SF is marked by the policy of laïcité (state secularism), the origins of which go back to the French Revolution. There did seem to be truth to this observation, given how French-language SF is in a sense more “secular” in its embrace of violent and sexual themes that would religious people shiver. On the other hand, anglophone SF retains a more “puritanical” attitude in the literature it produces and censors, particularly in the United States.
This being said, certain attitudes to the French language itself do influence French SF. Patrick Senecal pointed out later in the discussion that French-language editors have a tendency to homogenize the different registers of the language, leading to less linguistic diversity. When editing dialogue, French publishers often edit out regional dialect in favour of “le Français internationale.” The result is a banal, grammatically correct French, where all characters sound the same. These editing decisions do not accommodate the regional French spoken in certain regions of Québec, for example, which leads to a more monovocal (as opposed to polyvocal) body of literature. This is not just unappealing; it’s unrealistic and unrepresentative of how French is actually spoken. As Senecal quipped, “Il n’y a personne qui parle comme Radio Canada!”
Elon Musk unveiled a new design for SpaceX’s BFR rocket on Thursday, and he’s taking inspiration from a famous series of Belgian comics. The CEO confirmed on Twitter that the new design “intentionally” bears resemblance to the vehicles depicted in The Adventures of Tintin, the whimsical series that depicts Tintin and his friends embarking on far-flung trips to find new stories.
…The redesign shared with the moon announcement bears similarities to rockets as featured in Hergé’s comic series. The 1950 comic Destination Moon shows a red-and-yellow checkered rocket with three giant fins on the base, elevating the rocket above the ground, which Tintin and his friends use to visit the moon and explore a secret government project.
– If you are a humanities professor, you say something that is clearly pleasure-reading, but at least vaguely cerebral. Witty mysteries about British academics are good, or the sort of science fiction that doesn’t have aliens on the cover.
– If you work in tech support, you are allowed to read the kind of books with aliens on the cover.
(6) YOU ARE HERE. A new version of a reference frame for the universe is being released (Gizmodo: “Where Are We in Space? Astronomers Update Their Celestial Frame of Reference”). The third International Celestial Reference Frame is based with (0,0,0) at the center of mass of the Solar System, with the axes fixed in relation to a number of distant quasars.
“Nitty-gritty stuff like this is super important when you’re sitting on an Earth moving 70,000 mph around a star that is moving 450,000 mph around a galaxy center,” Grant Tremblay, astrophysicist at the Harvard-Smithsonian Center for Astrophysics, told Gizmodo.
…The ICRF-3 […] places the center of the reference frame at the Solar System’s center of mass, and is oriented based on the position of distant bright radio sources called quasars. Those measurements were made using Very Long Baseline Interferometry (VLBI), essentially a method of using the entire Earth as a telescope, collecting data from multiple radio telescopes and combining them to get the highest-resolution image possible.
This most recent frame derives from measurements of 4,536 quasars, all between 100 million and 10 billion light-years away. […] The most recent edition also takes the motion of our own Milky Way galaxy into account for the first time, according to a press release from the Helmholtz Centre Potsdam.
I even remember the first conversation I had with my dad about being a Mexicanx recipient. He was initially wary, doubting a stranger on the internet would give away something like that. I explained the situation and mentioned John’s name. “¡Si! ¡John es un monstruo de la ciencia ficción!” Translation note: If I tried to literally translate what my dad meant to say, it would sound as if John was a monster. My dad meant it more as “He is HUGE in the science fiction world.” Bottom line, he knew more about John than me.
(8) TODAY IN HISTORY
September 18, 1964 – The Addams Family premiered on television.
(9) TODAY’S BIRTHDAYS
[Compiled by Cat Eldridge.]
Born September 18 – Lynn Abbey, 70. Author best known for her Thieves World fiction though her first works for was for TSR games including stories set in the Forgotten Realms and the Dark Sun games. Daughter of the Bright Moon was edited by Gordon R. Dickson and I’ll let someone here tell that story.
Born September 18 – Caitlin Kittredge, 34. Author of the Black London urban fantasy series featuring Jack Winter and Pete Caldecott which I think is one is the finest such series ever done. Also wrote the Iron Codex, Nocturne City and Hellhound Chronicle series. Currently writer on Witchblade series.
(10) W76 PANEL RESOURCES. Bogi Takács has released notes prepared for use when appearing on two panels at Worldcon 76.
I promised the writeups of my notes for Worldcon 2018 panels! The first one is for Queer Joy. I am honestly not sure which of these works I actually mentioned on the panel, these were my advance notes and I just tidied them up and hyperlinked them.
[At the post are lists of works under each of these categories — ]
Presents oppression / discrimination and/or suffering, but also joy:
Recent-ish anthologies with related material (not all stories might be related):
More grim SFF which is still queer-inclusive and queer people are not persecuted in-universe:
These are my advance notes, but I also mentioned on the panel how queer families seem to be non-multigenerational in SFF, and we had a fairly lengthy discussion about that. So I tried to add which of the works buckle that trend.
Contemporary work…
(11) IN A HOLE IN THE GROUND THERE LIVED A WRITER. The latest Brandon Sanderson newsletter talks about constructing his office – which is epic, just like his books. (See photos at the link.)
I always like to include something about my life in these newsletters—something unrelated to the books. So today, I thought I’d post some updates on my office, which we’re building in the empty lot beside my house.
I’m building it underground, because…well, what else would you expect from a fantasy novelist? It’s been an interesting process, since the city really has no idea what to do with someone like me. I call it my Underground Supervillain Lair, something that the suburbs in Utah really aren’t that equipped to deal with. But, after some work, we’ve gotten permissions. Peter has been taking pictures of it.
First, we dug out a huge pit. I don’t go halfway on underground lairs—so we’re doing 20-foot ceilings. The kids had a wonderful time digging in this hole, and I’m convinced they’d have loved it if we never put anything in it.
After signing a six-figure deal with Tor Books, author Mary Robinette Kowal will expand to her Lady Astronaut series over the next several years with two new novels, The Relentless Moon and The Derivative Base, as well as a standalone sci-fi murder mystery novel, The Spare Man. The new Lady Astronaut titles will join this summer’s fantastic The Calculating Stars and The Fated Sky, which followed pilot and mathematician Elma York through an alternate history 1950s space race aimed at sending humanity to off-world colonies after an extinction-level asteroid strike on Earth. The Relentless Moon is expected to drop in 2020, with The Spare Man to follow in 2021, and The Derivative Base in 2022.
Both novels are set in the “punch-card-punk” world that Kowal established in her 2013 novelette, “The Lady Astronaut of Mars.” The Calculating Stars begins in 1953, as the asteroid lands off of Washington, DC, devastating the US East Coast. York and her colleagues quickly realize that the incident has started a chain reaction that will change the climate of the Earth in decades, making it inhospitable to human life. In response, a coalition of nations forms the International Aerospace Coalition (IAC), which works to first reach space, and then figure out how to live there.
Tanith Lee’s classic duology Don’t Bite the Sun and Drinking Sapphire Wine is set on a desert world hostile to unprotected life. Not that this matters, because all of its human inhabitants live in one of three domed cities: Four BEE, Four BAA, and Four BOO. Within those cities, virtually every need and desire is met. Even death is only a momentary inconvenience before one is incarnated in a new designer body.
The nameless protagonist, offered material paradise, commits the unforgivable sin of realizing that while the options offered are pleasant, none of them are meaningful. That realization is the border between life in paradise and life in a cossetted hell. Unfortunately for our hero, the Powers That Be in the three cities are determined to maintain the status quo of their cozy societies, keeping them just as they are…which means crushing (by any means necessary) any pesky aspirations for personal fulfillment.
Soon, the theater classes led to his first auditions, which eventually landed him his first film gig, “A Product of Me,” at age 7. In the years since, Owen has been in eight more movies, most notably acting opposite A-list stars Will Ferrell and Mark Wahlberg in the comedies “Daddy’s Home” and “Daddy’s Home 2.”
On September 6th, the Association of Universities for Research in Astronomy (AURA) and the National Science Foundation (NSF) made the decision to temporarily vacate the Sunspot Solar Observatory at Sacramento Peak, New Mexico as a precautionary measure while addressing a security issue. The facility closed down in an orderly fashion and is now re-opening. The residents that vacated their homes will be returning to the site, and all employees will return to work this week.
AURA has been cooperating with an on-going law enforcement investigation of criminal activity that occurred at Sacramento Peak. During this time, we became concerned that a suspect in the investigation potentially posed a threat to the safety of local staff and residents. For this reason, AURA temporarily vacated the facility and ceased science activities at this location.
The decision to vacate was based on the logistical challenges associated with protecting personnel at such a remote location, and the need for expeditious response to the potential threat. AURA determined that moving the small number of on-site staff and residents off the mountain was the most prudent and effective action to ensure their safety.
In light of recent developments in the investigation, we have determined there is no risk to staff, and Sunspot Solar Observatory is transitioning back to regular operations as of September 17th. Given the significant amount of publicity the temporary closure has generated, and the consequent expectation of an unusual number of visitors to the site, we are temporarily engaging a security service while the facility returns to a normal working environment.
We recognize that the lack of communications while the facility was vacated was concerning and frustrating for some. However, our desire to provide additional information had to be balanced against the risk that, if spread at the time, the news would alert the suspect and impede the law enforcement investigation. That was a risk we could not take.
(16) CAN’T SAY THAT. Ryan George discovers “Being a Motivational Speaker in the MCU Sucks.”
[Thanks to JJ, David K.M. Klaus, Mike Kennedy, Cat Eldridge, John King Tarpinian, Chip Hitchcock, Martin Morse Wooster, Carl Slaughter, Michael J. Walsh, Alan Baumler, Andrew Liptak, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]
A Manhattan accountant cooked the books at a prestigious literary agency that represents top writers, including “Fight Club” author Chuck Palahniuk, bilking its clients of millions and leaving the company on the brink of bankruptcy, according to legal papers.
Darin Webb, 47, faces 20 years in jail on wire-fraud charges for embezzling $3.4 million from storied Manhattan agency Donadio & Olson, according to a recently unsealed federal criminal complaint.
Although the agency, which also represents the estates of “Godfather” writer Mario Puzo and radio legend Studs Terkel, was not named in court papers, a lawyer representing the firm confirmed to The Post that Donadio & Olson was the subject of the alleged theft.
…The stolen money — allegedly lifted between January 2011 and March of this year — was earmarked for author royalties and advances, the complaint says.
But the theft could be exponentially more, a source told The Post, noting that a forensic accountant is combing through Donadio & Olson’s books all the way back to 2001, Webb’s first year at the agency.
He allegedly fessed up to the theft in March in a videotaped interview with company executives and their attorneys at the agency’s Chelsea office, saying he filed monthly financial reports that “contained false and fraudulent representations in order to accomplish the theft and evade detection,” the complaint states.
Webb was arrested May 15 by the FBI and is out on $200,000 bail.
Palahniuk – one of many starry authors represented by the firm, including the estates of Mario Puzo and Studs Terkel – said his income had dwindled for several years. He had blamed multiple factors, including piracy and problems at his publisher, for the decline in earnings.
More recently, Palahniuk said, “the trickle of my income stopped” and payments for titles including Fight Club 2 “never seemed to arrive”. He wondered if the money had been stolen, but told himself he “had to be crazy” – until the news broke.
“All the royalties and advance monies and film-option payments that had accumulated in my author’s account in New York, or had been delayed somewhere in the banking pipeline, [were] gone. Poof. I can’t even guess how much income. Someone confessed on video he’d been stealing. I wasn’t crazy,” wrote Palahniuk in a statement on his website.
The novelist said that “this chain of events leaves me close to broke”, but that he had found himself to be “rich … with friends and readers who’ve rushed to my rescue”.
“On the minus side, the legal process will be long and offers an iffy reward. On the plus side, I’m not crazy. Nor am I alone,” added the author.
This is going to serve as my panel write-up for this panel, but it also a copy of what I wrote as a report to the Safety team about the panel. I am posting this on DreamWidth and Tumblr and will be linking to Twitter and Facebook. Please feel free to link elsewhere. This should all be public knowledge, imo.
For anyone who doesn’t know – this panel included a panelist who ended up talking about the importance of sympathizing with Nazis. This is obviously not the kind of thing you expect to find at an intersectional feminist convention. It was upsetting and disturbing. Most of the panel was actually very interesting and even funny, and I appreciated what the other two panelists had to say. I even appreciated *some* of what the panelist in question had to say. All of this was overshadowed by the awful things she said, however.
I don’t normally discuss charged issues on my social media, but I do find harassment at science fiction conventions a topic that is very important to discuss. It is also very relevant to my fans, as conventions are often how they interact with me.
Recently, Salt Lake City’s biggest media convention (FanX, formerly called Salt Lake Comic Con) has made some troubling missteps. First, it grossly mishandled harassment claims—then it doubled down on its mistakes, bungling interactions with voices that have called for reform.
Some authors I respect deeply have composed an open letter to FanX, calling for them to do better—and I have co-signed it. Many of these authors have spoken better about this specific issue than I can, and I encourage you all to read what they have said. I believe that conventions like these (alongside the smaller literary conventions that were so instrumental in my road to publication) are important parts of our community—and it is essential that they provide a place where victims are not silenced and harassment is not tolerated.
For now, I am still scheduled to appear at FanX this fall. My team and I have been evaluating whether or not this is a position we can still take—and it will greatly depend on how FanX responds to this letter in the next few weeks. I will keep you informed of our decision—and if I do decide to bow out of FanX, I will try to schedule some replacement signings instead.
(4) OPEN LETTER. The “Open Letter to FanX” that Sanderson refers to calls on the convention to do the following thigs:
One: In a public statement, and without disclosing her name, apologize to the victim who filed the sexual harassment report for disclosing their private report to the media without their knowledge or consent. Admit that the victim’s trust was violated, and promise future attendees who may report incidents that they will never undergo the same scrutiny or mishandling. Assure everyone that all reports will be heard, evaluated, and confidential. Keep the victims’ names confidential at all times.
Two: Hire a professional with experience writing, implementing, and upholding sexual harassment policies. Clarify the consequences for breaking the policy and reiterate that those consequences will be upheld. Removal and banishment from the conference should be among those ramifications.
Three: Address harassment complaints quickly. The past complaint was filed in October, and the complaint was not investigated until January. This shows a lack of concern and a reluctance to address the situation, as well as disregard for the seriousness of the issue.
Four: Recognize that trust is earned not through words, policies, and statements, but by a proven track record of implementation and action over time.
It’s signed by Robison Wells, Shannon Hale, Bree Despain, Emily R. King, Ally Condie, and Dean Hale, and co-signed by Brandon Sanderson, Maureen Johnson, Dan Wells, Howard Tayler, Annette Lyon, Mette Harrison, J. R. Johansson, Jessica Day George, Courtney Alameda, Lindsey Leavitt, and Sarah M. Eden.
(5) BOMB DISPOSAL. The Washington Post’s Steven Zeitchik, in “How Disney could get Star Wars back on track”, says the relative failure of Solo at the box office shows that Disney will have to take steps to make Star Wars films more appealing, including spacing them out more, making them edgier, and not releasing Star Wars films in May or June.
Fewer movies. Five months is not a long time for Star Wars to be away. Certainly it’s not the year that stretched between the previous three movies, or the 10 years between the last of the George Lucas movies and “The Force Awakens” in 2015. With Marvel that seems to help — releases in quick succession enhance one another. But with Star Wars, seen less as the rapid-fire sequel, novelty and absence may be the key to the game. Disney could do better by going back to the 12-month spacing — or even longer.
Why it’s tricky: This sounds good to fans. The problem is it doesn’t sound good to Wall Street or Disney financial executives. Star Wars movies are such juggernauts that Disney wants to cash in whenever it can. Waiting that long doesn’t help in that bid. Disney and Lucasfilm are encountering a major paradox here. Modern Hollywood says when you have successes you should replicate them early and often. But making Star Wars movies early and often may make them less successful.
The Solo novelization is continuing the trend that The Last Jedi novelization started of being released several months after the film. Previously the novelizations have been released closer to the films theatrical releases. The original and prequel novelizations were released before the films, while The Force Awakens and Rogue One adaptations were released as e-books the same day as the film and as hardcovers shortly thereafter.
(7) SFWA STUFF. Security protocols may have been breached….
I feel you are overly careless with the @SFWA Top Sekrit Plans for Total World Domination.
The last time we noticed Amazon driving around a giant box, the mysterious delivery turned out to be a Nissan Versa. But this time, perhaps it’s something a bit more … carnivorous?
(9) COMICS SECTION.
Chip Hitchcock thinks those penguin prognosticators might be right about what’s coming: Arctic Circle Cartoons.
Not sure whether I should thank Chip for also making sure I didn’t miss a horrible pop-culture pun at Bliss.
UPS employees like Alfred Hitchcock so much that they opened our package, tore open the action figure packaging, stole the figure, and then re-taped the box and sent it to us.
(11) LISTEN UP. The Parsec Awards Steering Committee is accepting nominations for the 2018 Parsec Awards through June 15 – submit nominations here.
Any material released between May 1, 2017 and April 30, 2018 is eligible for the 2018 awards. Material released needs to be free for download and released via a mechanism that allows for subscriptions. Thus, YouTube, Facebook, etc.. series are eligible.
If you are a podcaster or author, please feel free to nominate your own podcast or story. It is one way we know that your contact information filled is correct.
(12) KEEPING SCORE AT HOME. Seanan McGuire, in the area for ConCarolinas this weekend, took time to rate Ursula Vernon’s cats. Start the thread here —
CAT #1: Smoky. Bluepoint Siamese. Loves love. Does not like to be picked up. Practically perfect in every way. A+.
(13) THE LAW & ANN LECKIE. A little known fact (in some quarters).
Every now and then I stumble across someone saying something like "OMG Ann Leckie's twitter is SO ANNOYING she's always saying X and talking about Y" and I think to myself "Wow they really shouldn't have made that law where unfollowing me was punishable by death."
(14) SPEAKING OF WHOM. Joe Sherry launches his Nerds of a Feather post series with “Reading the Hugos: Novel”:
Provenance: This is a novel which took a while to settle out from under the weight of unfair expectations that I placed on it. Once it did, I was able to engage more fully with Leckie’s story of truth, lies, and cultural identity. Provenance is a strong novel in its own right, and in the end, I appreciated Leckie’s light touch in how she connected it to the larger Ancillary universe.
It’s just that when we look back on Leckie’s career in twenty years, I suspect Provenance will be viewed as minor Leckie. It’s good, please don’t take this the wrong way, but the Ancillary trilogy was a major accomplishment and Provenance is “just” a very good book. I appreciated how Provenance pushed me to think about historical documents and relics, how their perception of importance could override the truth they should represent. There’s great stuff to chew on here
(15) SOLO REVIEW. And Nerds of a Feather contributor Dean E. S. Richard sounds relieved as much as anything in “Review: Solo: A Star Wars Story”.
The good news: it doesn’t suck! I mean, there’s some forgettable stuff, and Han Solo isn’t, like, Han Solo, but if you’re willing to watch it for the sake of itself and not expect Harrison Ford, it’s fine. It tries a little too hard for quips, and his against-odds/I-don’t-actually-have-a-plan moments come across a little forced, but, again, we’re measuring this against complete disaster, so I’ll take it.
Competition can bring out the worst in people, but as this issue of Beneath Ceaseless Skies proves, it can also bring out the best. Both stories this issue are about races, and magical ones at that, featuring women who find themselves squaring off against their lovers (former or current) for the chance to win a great prize. In both stories, though, the actual prize might not matter as much as the competition itself, as the thrill of the race. Because when these characters are faced with what they’d do if they won, the results are…interesting. It’s a wonderfully fun pair of stories, expertly paired, and I’ll stop yammering on in introduction and just get to the reviews!
At Monster Hunter Nation he cites this as the text of Origins’ Executive Director John Ward’s message to educate vendors about the social media uproar following the “disinvitation.”
Good afternoon Exhibitors,
We are a few weeks away from Origins and the anticipation is building!
Things are looking great for this year’s show. The Exhibit Hall is officially sold out and badges are currently trending 15% above pre-registration numbers from 2017.
We have taken a brief hiatus from social media but are fully prepared to continue promoting the show and its exhibitors starting this week. Before we begin communicating through social, there are a few things we wanted to bring to your attention.
Some individuals have rallied online with plans to harass companies exhibiting at the show—this is in response to the disinviting of Larry Correia as a guest at Origins.
To provide you with some background: our original decision to invite Larry as a guest at Origins was simple—he’s a successful author, has been a guest at other conventions in previous years, and any one that knows him knows that he is big into gaming.
Unfortunately, we were not aware of Mr. Correia’s online presence and following. Upon further research we found an abundance of confrontational discourse and polarizing behavior online.
We have nothing against Larry as a person or as a professional, but we have seen the drama that follows him, and we do not want that at Origins.
As an exhibitor at Origins, we wanted you to be aware of the general MO of the group we are explaining:
Company pages are inundated with comments and negative rankings
Employers and publishers are contacted
Messages with keywords regarding to the show are targeted
Time has passed, and things have calmed down, but we should all still be aware of these potential behaviors. If you receive any threats or libel regarding you or your company, please send them to John Ward.
Thank you for your support. Good luck with the final preparations for the show!
Correia explains that he actually believes vendors should be left alone. Except for the ones that deserve what’s happening to them, that is.
My only comments during this entire debacle concerning the vendors was that they should be left alone. The vendors are just small businessmen trying to have a good sales weekend, and they have nothing to do with the incompetence of John Ward. I’ve specifically gone out of my way to say that to my fans on multiple occasions.
The only vendors I’ve seen animosity directed at were the ones who specifically went out of their way to virtue signal on Twitter about how booting me for having the wrong opinions was So Brave. And that’s a short and very specific list who did that usual social media thing where they decided to throw punches, and then cry about getting punched back afterwards.
But hey, toss that out there. The important thing is that everyone knows Origins is the real victim here.
A game pitched as a “school shooting simulation” has been ditched from Steam’s online store ahead of release.
The title had been criticised by parents of real-life school shooting victims, and an online petition opposing its launch had attracted more than 180,000 signatures.
Steam’s owner, Valve, said it had dropped the game because its developer had a history of bad behaviour.
CNN subsequently reported that the families of two students killed in February’s high school attack in Parkland, Florida had described the game as being “despicable” and “horrific”.
Worlds of Ursula K. Le Guin, a new documentary by Arwen Curry about the life and legacy of the late author, explores Le Guin’s long career as a pioneer in speculative fiction, including the role of feminism in her work and the struggles she faced teaching herself how to write women into her novels. In the film, which Curry worked on with the author for 10 years, Le Guin admits that “from my own cultural upbringing, I couldn’t go down deep and come up with a woman wizard.” According to the author, she had been “a woman pretending to think like a man,” a behavior she had to unlearn before she could create some of her best work.
As Le Guin tells Curry in the film:
“I had to rethink my entire approach to writing fiction … it was important to think about privilege and power and domination, in terms of gender, which was something science fiction and fantasy had not done. All I changed is the point of view. All of a sudden we are seeing Earthsea … from the point of view of the powerless.”
(20) BIG HERO 6 THE SERIES. Coming to a Disney Channel near you. (Which means not very close to me, but maybe to you.)
Hiro, Baymax and the Big Hero 6 team are back and ready to save San Fransokyo! Big Hero 6 The Series premieres Saturday, June 9 at 9A on Disney Channel. The adventure continues for 14-year-old tech genius Hiro and his compassionate, cutting-edge robot Baymax. If dealing with the academic pressure of being the new kid at the prestigious San Fransokyo Institute of Technology weren’t enough, it’s off campus where things really get tricky. Hiro and Baymax, along with their friends Wasabi, Honey Lemon, Go Go and Fred, unite to form the legendary superhero team Big Hero 6, protecting their city from a colorful array of scientifically-enhanced villains intent on creating chaos and mayhem!
It’s official: The Expanse has been saved. After the Syfy Channel canceled The Expanse earlier this month, Alcon Entertainment has confirmed that Amazon will pick up the show for a fourth season, after after outcry from the show’s fans.
[Thanks to John King Tarpinian, JJ, Andrew Porter, Cat Eldridge, Carl Slaughter, Martin Morse Wooster, Chip Hitchcock, IanP, and Mike Kennedy for some of these stories, Title credit goes to File 770 contributing editor of the day Paul Weimer.]
“…the best predictions of our scientists suggest that there will be a slight average decrease in various hard-to-measure kinds of happiness, which nevertheless in total adds up to more suffering than this child experiences.”
And Outis said to the elder, “I will have no part in this evil thing.” And he took the child and bathed him and cared for his wounds. And the average happiness increased in some ways and decreased in others, and the net effect might have been negative, but the best results on the matter had p > 0.05, so the scientists of Omelas could not rule out the null hypothesis.
While I would hope that everyone who reads this is interested in being a real author making up real stories that are your own, writing them down, and publishing them, we are all aware that there are scammers out there, and people who care more about the money, than acting ethically or the readers. We also know that Amazon has a habit of taking a wide swath of potential wrongdoers, then filtering out and restoring the innocent.
Yep, they’re doing it again.
David Gaughran gave us the first heads-up on twitter that Amazon has filed suit against an author for book-stuffing.
Book stuffing is when authors take all their works and stuff them into the back of every other book to artificially inflate their page count. Some authors even stuff in newsletters: the goal is to inflate the page count as much as possible, and thus the payout on KU page reads.
(3) ATOMIC PILES OF LAUGHS. Scott Tobias profiles “artificial intelligence-assisted comedy” in “Can algorithms be funny? Veterans of Clickhole and the New Yorker team up to find out” at the Washington Post. What they do is put giant amounts of text into a computer and produce “interactive text collages.” For example, they put all the Harry Potter novels into a computer and came up with a pastiche that said, “Ron’s ron shirt was just as bad as Ron itself.” A lot of the weird pastiches they produce are sf.
Onstage at the Hideout, a small Chicago music club, two performers read passages from Civil War love letters. “Oh darling wife of the war,” one begins, “I shall always be a husband to you and the children and all the folks in our neighborhood.” He goes on to complain that “the boys from the army have taken my breakfast.” The news is worse back home. “Our horses are sadly on fire,” his wife laments. But they’re ever reunited, she promises, “I would kiss you as many times as there are stitches in the children.”
Rest assured, every word from these letters is authentic. It’s just that the words have been scrambled up by a computer algorithm and pieced back together, one by one, by writers with an ear for the absurd.
(4) WESTERCON BID NEWS. Seattle (SeaTac, using the same hotel as Norwescon) has formally filed what Kevin Standlee says is likely to be the only bid for the 2020 Westercon.
The digitally recreated Grand Moff Tarkin and Young Princess Leia in Rogue One were unsettling and creepy for some Star Wars fans. But that technology is almost two years old and only improving at an expedient rate. The next time an actor gets digitally inserted into a Star Wars movie, it’s gong to be a lot harder to tell the difference. And before long, the line will be completely burred. Soon, Lucasfilm and Disney could have the potential to create a whole Star Wars movie featuring an authentic young Han Solo, Luke Skywalker and Princess Leia, which practical effects built around them. And this will be entirely possible, even for Carrie Fisher, as Lucasfilm has confirmed they have digital clones of all Star Wars actors both young and old.
Incredible, right? As of now, these digital clones are being used sparingly and are often mixed with live-action footage of the actor to create scenes that would be impossible to shoot or are deemed far to expensive to do practically. We’ve seen this with Tarkin and Leia in Rogue One, and we’ve also seen it in The Last Jedi, even if you didn’t know that’s what you were looking at.
(6) MCCANN OBIT. Chuck McCann died April 8 reports Mark Evanier. Much of his career revolved around children’s television, however, the Wikipedia recalls that he was in vogue as a TV/movie actor back in the Seventies —
In the 1970s, McCann’s life and career shifted west, and he relocated to Los Angeles. He made frequent guest appearances on network television shows including Little House on the Prairie, Bonanza, Columbo, The Rockford Files and The Bob Newhart Show. He appeared in the 1973 made-for-TV movie The Girl Most Likely to… and was a regular on Norman Lear’s All That Glitters.
In addition, he co-starred with Bob Denver in CBS’s Saturday-morning sitcom Far Out Space Nuts, which he co-created. The 1970s also brought him fame in a long-running series of commercials for Right Guard antiperspirant: he was the enthusiastic neighbor with the catch phrase “Hi, guy!” who appeared on the other side of a shared medicine cabinet, opposite actor Bill Fiore.
McCann impersonated Oliver Hardy in commercials for various products (teaming with Jim MacGeorge as Stan Laurel),
John King Tarpinian sent along a photo of McCann meeting Ray Bradbury.
Ray Bradbury and Chuck McCann
If you want to see his act, watch “Chuck McCann & Dick Van Dyke as Laurel & Hardy & The Honeymooners.”
Okorafor won her first Carl Brandon Award for the novel The Shadow Speaker and she won the Carl Brandon Award and the World Fantasy Award for her novel Who Fears Death, which was also nominated for the Nebula Award. She won the Nebula Award and the Hugo Award for her novella Binti in 2016. Her fiction has also been nominated for the Theodore Sturgeon Memorial Award, the John W. Campbell Memorial Award, the James Tiptree, Jr. Award, the British Science Fiction Association Award, the British Fantasy Award, the Arthur C. Clarke Award, and the Andre Norton Award. Okorafor has collaborated with Alan Dean Foster and Wanuri Kahiu on short diction. She co-edited the anthology Without a Map with Mary Anne Mohanraj.
(9) COMICS SECTION.
Daniel Dern is right – Curtis knows how to throw a party.
Much of Lehrer’s oeuvre — some 50 songs (or 37, by his own ruthless reckoning) composed over nearly three decades — played with tensions at the nexus of science and society. His biggest hit, That Was The Year That Was, covered a gamut of them. This 1965 album gathered together songs Lehrer had written for That Was The Week That Was, the US satirical television show spawned by the BBC original. ‘Who’s Next?’ exposes the dangers of nuclear proliferation. ‘Pollution’ highlights environmental crises building at the time, such as undrinkable water and unbreathable air.
The rousing ballad ‘Wernher von Braun’ undermines the former Nazi — who designed the V-2 ballistic missile in the Second World War and later became a key engineer in the US Apollo space programme. In Lehrer’s view, it was acceptable for NASA to hire von Braun, but making him into an American hero was grotesque. “‘Once the rockets are up, who cares where they come down?’/‘That’s not my department,’ says Wernher von Braun” — lines that still resonate in today’s big-tech ethical jungle.
(11) FINDING THE RETRO NOMINEES. Nicholas Whyte, with an assist from Carla, presents “How to get the 1943 Retro Hugo finalists” —
The 5th Annual (first televised) Science Fiction Film Awards. Hosted by Karen Black & William Shatner (who performs an absolutely jaw dropping rendition of Elton John and Bernie Taupin’s “Rocket Man”) Starring Buzz Aldrin, Richard Benjamin, Ray Bradbury, Mark Hamill, Charlton Heston, Wolfman Jack, Quincy Jones, Piper Laurie, Christopher Lee, Paula Prentiss, Ralph the Robot, Lord Darth Vader, and many more. Included are the original broadcast TV commercials from 1978!
…But even before the award nominations, Six Wakes was getting some good notice, and I bought it and read it after the Nebula nod. And, you know what – I liked it. It’s a good fun fast-moving read. I’m glad I read it.
But – well – you saw that coming, right? There had to be a but. The thing is, there are lots of enjoyable novels published any year, and I’m glad when I encounter those. But I can enjoy a novel and not think it worthy of an award. And, really, that’s the case with Six Wakes. It’s fun, it’s pretty darn pure hard SF (with the understanding that “hard SF” absolutely does NOT mean “SF that gets all the science right”), it’s exciting. But, it also has some annoying logic holes, and it doesn’t really engage with the central (and very worthwhile) moral issues it raises as rigorously as I wish it had, and the prose is just OK….
…That name dates back to the 17th century, when the Roman Catholic Church created an office popularly known as the advocatus diaboli — a person tasked with making the case against the canonization of new saints, scrutinizing every report of their miracles and virtue. How could a claim be trusted, the thinking went, if it hadn’t been rigorously tested? Plenty of educators will still tell you that devil’s advocacy isn’t just useful as a practical matter but also as an intellectual exercise: Imagining other perspectives and plumbing their workings is essential to critical thinking.
But on today’s internet, the devil’s advocate is less admired than ever, and it’s often the advocate’s own fault. The problem isn’t just debate-club tedium. Last year, on Slate, the writer Maya Rupert neatly outlined just how toxic devil’s advocates could be on a topic like race. She noted that they often seemed to be adopting the stance of a disinterested logician in order to air beliefs they knew were socially unacceptable to hold in earnest; the phrase “just to play devil’s advocate,” she wrote, had come to occupy the same role in her life as “not to sound racist, but. … ” A black person continually asked to consider — just hypothetically, just for a moment — whether she was possibly inferior to other humans would have to be masochistically broad-minded to entertain this challenge more than a few times before dismissing it, and the sort of people who presented it, forever.
…A little more than a decade ago, around the same time online sentiment began to turn against the devil’s advocate, it also seized on a close cousin: the “concern troll.” If the devil’s advocate playacts disagreement with you for the sake of strengthening your argument, the concern troll is his mirror image, a person who pretends to agree with you in order to undermine you. The concern troll airs disingenuous worries, sows doubt, saps energy, has reservations, worries that things are going too far. At first, the term described purposeful double agents — people like the congressional staffer suspected, back in 2006, of posing as a Democrat to leave comments on liberal blogs suggesting everyone abandon the candidate vying for a Republican incumbent’s seat. But the term has evolved in such a way that, at this point, a person can very easily qualify as a concern troll without even knowing it.
A tidy summary on the “Geek Feminism” Wiki site explains why this is the case: Even earnest concern-airing can be pernicious, turning every discussion into a battle over basic premises. …
However, while Sweden’s rush to embrace digital payments has received plenty of global hype, and is frequently flagged as an example of the Nordic nation’s innovation, there are growing concerns about the pace of change.
Some worry about the challenges it poses for vulnerable groups, especially the elderly.
“As long as there is the right to use cash in Sweden, we think people should have the option to use it and be able to put money in the bank,” says Ola Nilsson, a spokesperson for the Swedish National Pensioners’ Organisation, which is lobbying the government on behalf of its 350,000 members.
“We’re not against the cashless society, we just want to stop it from going too fast.”
The electrifying effects of storms are frequently observed from the space station.
Yet when lightning strikes downward, something very different is happening above the cloud tops.
Known as Transient Luminous Events (TLEs), these unusual features were first spotted by accident in 1989.
Minnesota professor John R Winckler was testing a television camera in advance of an upcoming rocket launch, when he realised that two frames showed bright columns of light above a distant storm cloud.
(17) SOLVING FOR 2001. The BBC Culture post “Why 2001 remains a mystery” actually dwells less on mystery, and more on interesting parallels with Kubrick’s Dr. Strangelove.
It’s been 50 years since the release of 2001: A Space Odyssey, and we’re still trying to make sense of it. Stanley Kubrick’s science-fiction masterpiece is regularly voted as one of the greatest films ever made: BBC Culture’s own critics’ poll of the best US cinema ranked it at number four. But 2001 is one of the most puzzling films ever made, too. What, for instance, is a shiny rectangular monolith doing in prehistoric Africa? Why does an astronaut hurtle through a psychedelic lightshow to another universe, before turning into a cosmic foetus? And considering that the opening section is set millions of years in the past, and the two central sections are set 18 months apart, how much of it actually takes place in 2001?
(18) VIDEO OF THE DAY. Chadwick Boseman hosted Saturday Night Live last night, and appeared in a Black Jeopardy! sketch:
[Thanks to Chip Hitchcock, JJ, Kevin Standlee, John King Tarpinian, Daniel Dern, Martin Morse Wooster, Cat Eldridge, Nicholas Whyte, ULTRAGOTHA, Carl Slaughter, Danny Sichel, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Ky.]
(1) READ THE GAME. The Read it Forward site is celebrating Ready Player One’s theatrical debut this week with an interactive 8-bit-inspired excerpt that “gamifies” the prologue from Ernest Cline’s novel. [Click on the GIF to view.]
Read your way to the top of the Scoreboard as you earn points for discovering Easter eggs that bring the content to life. As readers learn of Parzival’s hunt for the keys to OASIS, they’ll maneuver their way around a maze, attend an ‘80s dance party, unlock footnotes, and more. Upon completion, readers can add their name to a Scoreboard and share their score with a link to the excerpt on social media. All of the excerpt’s hidden extras are unlocked once a reader earns the maximum score of 10,000 points.
The Hugo-winning Chinese novel The Three-Body Problem could become Amazon’s Game of Thrones. A new report from Financial Times suggests Amazon is pursuing a deal to make a three-season television show based on the trilogy from Liu Cixin, and it may be willing to pay up to $1 billion to do so.
According to the Financial Times report, international investors say Amazon is negotiating for the rights to produce three seasons based on Remembrance of Earth’s Past, the scifi trilogy more commonly known by the title of its first book, The Three-Body Problem.
In a statement reported by Chinese news outlets, YooZoo Pictures stated that it remains the sole owners for the film and TV rights for The Three-Body Problem, though it didn’t comment on whether Amazon had approached the company or were in talks with them to collaborate on this reported streaming project. Cixin was also asked about this development by Chinese news outlet MTime.com, where he revealed he knew nothing about the project and doesn’t know if he’d be invited to work on it.
(3) DISSENTING VOICE. In contrast to those looking forward to the movie, Vox says “The Ready Player One book used to be considered a fun romp. Then Gamergate happened,” in “The Ready Player One backlash, explained”.
A time traveler from 2011 could be forgiven for being deeply confused by this response. In 2011, Ready Player One was beloved. It was “a guaranteed pleasure.” It was “witty.” It was not only “a simple bit of fun” but also “a rich and plausible picture of future friendships in a world not too distant from our own.”
What gives? How did the consensus on a single book go from “exuberant and meaningful fun!” to “everything that is wrong with the internet!” over the span of seven years?
… But the main thing Ready Player One is doing is telling those ’80s-boy-culture-obsessed gamers that they matter, that in fact they are the most important people in the universe. That knowing every single goddamn word of Monty Python and the Holy Grail can have life-or-death stakes, because why shouldn’t it? (Yes, that is a crucial step in Wade’s battle to save the OASIS.)
For readers in Cline’s target demographic in 2011, that message felt empowering. For readers who weren’t, it felt like a harmless piece of affirmation meant for someone else. Everyone deserves a silly escapist fantasy, right? And since Cline’s silly escapist fantasy wasn’t specifically meant for girls — unlike, say, Twilight, which was getting savaged in popular culture at the time — Ready Player One was largely left alone by the people it wasn’t built for…
(4) ASHBY STORY. This month’s entry in the Future Tense Fiction series, “Domestic Violence” by Madeline Ashby, is a free read at Slate.
A partnership of Slate, New America, and Arizona State University, Future Tense explores how emerging technologies will change the way we live. The latest consumer gadgets are intriguing, but we focus on the longer-term transformative power of robotics, information and communication technologies, synthetic biology, augmented reality, space exploration, and other technologies. Future Tense seeks to understand the latest technological and scientific breakthroughs, and what they mean for our environment, how we relate to one another, and what it means to be human. Future Tense also examines whether technology and its development can be governed democratically and ethically.
Violence against women is having something of a moment right now. Which is to say, portrayals of domestic violence in film and TV are gaining critical acclaim. Through shows like Big Little Lies and movies like I, Tonya, popular culture is grappling with more nuanced representations of domestic violence and the humanity of survivors of abuse. These are important conversations, and I hope that this is the start of a profound societal transformation, though time will tell. For me, the most disturbing part of these portrayals is not the brutality of the assaults, but how frequently physical violence is prioritized over other types of abusive behavior. It is what we don’t see that worries me.
We see this distorted prioritization in real life, too. I’ve been a domestic violence attorney for more than a decade. Despite the long list of clients who have struggled to get the justice system to live up to its name, I have found that survivors are much more likely to get help for physical assaults than for other kinds of abusive behavior such as stalking, surveillance, harassment, and intimate image disclosures, which frequently feel more harmful to the survivor.
(5) AVENGERS PLUG. A new TV spot for Marvel Studios’ Avengers: Infinity War.
The end is near. One month until Avengers: Infinity War.
(6) SEARCH FOR DIVERSE FICTION. Rocket Stack Rank has another new feature. Greg Hullender explains:
In response to readers who wanted a way to find good stories by diverse authors, we did an analysis of the most-recommended short speculative fiction stories written by people of color in 2015 and 2016 — “Best People of Color SF/F of 2015-2016”.
This only looks at stories that got some sort of recognition (e.g. solid recommendation from a prolific reviewer, inclusion in a years-best anthology, finalist for a major award), so just 481 stories across those two years. Of those, 112 were written by people of color.
The credit for this work goes to Eric Wong, who did the hard work of looking up information on all the authors as well as customizing the software to let readers group the data different ways.
(7) BLOWN UP, SIR. In “This teacher aims to get kids fired up about chemistry”, the Washington Post’s Kitson Jazynka profiles University of Texas chemistry instructor Kate Biberdorf, who “breathes fire and makes explosions that blast the eyes out of jack-o-lanterns.”
Or what about one who, with a quick pour of potassium iodide into a mix of hydrogen peroxide, dish soap and food coloring, makes bubbly foam that shoots toward the ceiling? Kate Biberdorf is no imaginary teacher. She’s real, and she’s coming to Washington next month, bringing along her blowtorch and cornstarch, her supplies of liquid nitrogen and dry ice, and a lot of enthusiasm for chemistry.
Bibersdorf’s website is http://katethechemist.com/. How could Filers NOT be interested in a woman who says her goal in life is “to have an explosive science show in Vegas?”
(8) HELP BILL SPENCER. Paul Di Filippo urges readers to support a GoFundMe that will “Give Back to Bill Spencer”.
We all need a little help sometimes. This is one of those times for Bill. He has several different health issues going on right now and the medical expenses he is incurring that are not covered through Medicare are mounting and could get much worse. As well, he’s facing some unforeseeable out of pocket expenses that could potentially end up being a serious problem. Right now, Bill simply doesn’t have enough for monthly bills, day to day living expenses and numerous co-pays that keep coming his way for various medical necessities.
Many readers know Bill as the award-winning writer William Browning Spencer, author of novels like Zod Wallop, Resume with Monsters and short-story collections like his latest, The Unorthodox Dr. Draper and Other Stories.
But Bill has contributed to others in a very different way as well. By freely and graciously donating endless amounts of his time over the years to sponsoring and supporting people who are facing their own daunting problems related to alcohol, drugs and living life. It’s time to give back to Bill what he has so freely given.
This is something Bill would never ask for himself, but he is one of my best friends and I know he is important to folks like yourself, who may wish to help in his time of need. Bill is truly one of the most amazing, caring and hilarious human beings I know and if you’re reading this you most likely feel the same. I think we’d all love for Bill to have the peace of mind of knowing that, whatever happens, he need not be stressed out and worried each day about how he’s going to pay for medication or a test or procedure he needs on top of his modest monthly and day to day expenses.
(9) BISCHOFF OBIT. Writer David Bischoff, 66, of Eugene, OR died March 19. He was a contributor to Doug Fratz’ 1970s fanzine Thrust. His first professional successes included The Seeker, a novel published in 1976, and the Nebula-nominated story “Tin Woodman,” co-authored with Dnnis Bailey, later adapted into both a novel and TV episode for Star Trek: The Next Generation. He also wrote the Star Trek tie-in novel Grounded, which spent time on the bestseller list. His other TV work included Dinosaucers (with Ted Pedersen). Bischoff wrote 75 original novels, and tie-in novels for movies and TV series.
David Bischoff. Photo by and copyright Andrew Porter.
(10) A POLICEMAN’S LOT. Camestros Felapton reacted to Richard Paolinelli’s minor league prank of complaining to the Aussie cops about Felapton’s blog.
A stalwart champion of free speech has attempted to report me to the federal police for the crime of having a blog – once again surpassing satire.
Cop’s spouse: did you catch many evil doers today honey? Cop: Mainly read an advice column on the internet…by a dinosaur…about how t-Rexs drink too much and try to climb trees when they are drunk… Cop’s spouse: Just another day on the mean crime ridden streets of Canberra
(11) MOUNTAINTOP EXPERIENCE. “The hidden history of the UK’s highest peak”: A tourist hiking trail once led to an early weather station whose records are now being used to trace climate change.
Back in Victorian Britain, science was still largely an amateur pastime conducted by bands of self-financed enthusiasts who formed scientific societies. One was the Scottish Meteorological Society, which set up and maintained a network of weather stations across Scotland between 1855 and 1920.
Tell us how important is the detection of two colliding neutron stars?
It is a genuine milestone. It is the first ever detection of a gravitational wave source with an electromagnetic counterpart. It confirms that short gamma-ray bursts occur with neutron star mergers. It gives a new way of determining distances in cosmology. And it teaches us about the behaviour of matter with incredibly high density.
No. Most of the 8.5-tonne station will disintegrate as it passes through the atmosphere.
Some very dense parts such as the fuel tanks or rocket engines might not burn up completely. However, even if parts do survive to the Earth’s surface, the chances of them hitting a person are incredibly slim.
“Our experience is that for such large objects typically between 20% and 40% of the original mass will survive re-entry and then could be found on the ground, theoretically,” the head of Esa’s space debris office, Holger Krag, told reporters at a recent briefing.
“However, to be injured by one of these fragments is extremely unlikely. My estimate is that the probability of being injured by one of these fragments is similar to the probability of being hit by lightning twice in the same year.”
Adam Nimoy, son of the late “Star Trek” icon Leonard Nimoy, and “Star Trek: Deep Space Nine” actress Terry Farrell married on Monday, on what would’ve been Leonard Nimoy’s 87th birthday.
The couple tied the knot in a civil ceremony at City Hall in San Francisco, according to film critic Scott Mantz, who tweeted a photo of the couple on their wedding day. Farrell retweeted Mantz’s photo and wrote, “Freakin AWESOME day!!!!!!! Love ya all! Aka: Mrs. Adam Nimoy.”
She also changed her Twitter bio to include “Mrs. Adam Nimoy.”
RT BREAKING NEWS!! ADAM NIMOY & TERRY FARRELL got MARRIED TODAY at a CIVIL CEREMONY at CITY HALL in SAN FRANCISCO! Today is the BIRTHDAY of Adam’s father #LeonardNimoy! Big CONGRATS to the happy couple!! #LLAP#StarTrekpic.twitter.com/sGB8OX2Tir
(15) COMPLAINTS ABOUT DATE OF HUGO ANNOUNCEMENT. The announcement of the 2018 Hugo finalists wouldn’t be on March 31/Passover/Easter weekend/a Saturday if it was up to these folks:
Do Worldcons get to pick when the Hugo finalists get announced? Because if so I'm going to start exclusively supporting bids that pledge to announce nominees on a weekday, when nominees have a chance of getting press coverage.
And yes I realize I'm kicking the hornet's nest of "this is a fandom event" vs "this is a professional industry event." It's both. That's fine. But cleaving to a practice that doesn't serve modern fandom is choosing 'tradition' over inclusivity.
Hey @Dublin2019, PLEASE, Next year, please announce the Hugo Award Finalists on a Monday or Tuesday morning, not on a Saturday.This is a tradition that long since has lost its usefulness. https://t.co/OZn8jADkDu
I think this sends is one or more of the following messages, @worldcon2018 :
"There are no observant Jewish finalists so we don't care" "We don't care about any observant Jewish finalists" "We don't care about any observant Jewish fans" "We don't care"
Yes 🙁 Unfortunately, a number of us will not be able to be around when the announcement is made. This includes myself, @bogiperson and I believe @navahw and a number of other people. It's upsetting 🙁
Hugo nominations have almost always been announced the day before Easter. It’s a bad day to do this for so many reasons. Last year was a rare and happy exception.
Last year was the anomaly. Releasing the info simultaneously on the weekend of multiple Easter weekend conventions has been the tradition as long as I remember. (Not saying it's good or defensible. I was just pleasantly surprised it was a weekday last year)
— Mur: Whacked-Out Tesla of Podcasting (@mightymur) March 27, 2018
It was a good anomaly, and they should have stuck with it. All I'm saying is, if they can break tradition once, it's clearly not that powerful or important a tradition.
Part of a longstanding tradition of announcing them the weekend of Easter, so it's always been an inconvenience to observant Christians. This year, by fluke of the calendar, they're discriminating a little bit less.
March 31 is Passover, during which many Jewish members of the industry and community will be unable to participate. Hope @worldcon2018 reconsiders. https://t.co/Uuz5EIsXuN
So, here’s a thing i didn’t know: the Hugo Awards are named after Hugo Gernsback, who was Jewish. Odd that this year's Hugo Awards nominee announcement is falling on Passover, then. @worldcon2018
OK, while I'm yelling about dumb Hugos things, what the hell is this nonsense? Who thought it was a good idea to put the ceremony on a Sunday night? Most attendees need to be back at work and this makes it that much harder even for pros and industry folk to attend. pic.twitter.com/9LWnJopd8Q
The ceremony is usually on the Saturday. Worldcon 76 contact information page:https://t.co/FoGWz43NlE I'd suggest contacting Events, the Chair, and WSFS. I have no idea if the plans are too mature to change.
— ULTRAGOTHA [Call Congress: (202) 224-3121] (@ULTRAGOTHA) March 27, 2018
(16) VERTLIEB CANVASSES. Rondo Awards voting closes April 8 at midnight and Steve Vertlieb hopes people will consider his nominated article “Robert Bloch: The Clown at Midnight” for Best Article of the Year.
My published work about the author of “Psycho” … “Robert Bloch: The Clown At Midnight” … has been nominated for a Rondo Award for “Best Article of the Year.” Anyone can vote. This year’s competition ends Sunday night, April 8th, at midnight. To vote for my remembrance of Robert, simply send your choice, along with your name, to taraco@aol.com
This is the story of my twenty five year friendship with acclaimed writer Robert Bloch, the author of Psycho. It is the newly published remembrance of a complex, remarkable man, and our affectionate relationship over a quarter century.
Robert Bloch was one of the founding fathers of classic horror, fantasy, and science fiction whose prolific prose thrilled and influenced the popular genre, its writers, and readers, for much of the twentieth century. An early member of “The Lovecraft Circle,” a group of both aspiring and established writers of “Weird Fiction” assembled by Howard Phillips Lovecraft during the early 1930’s, Bloch became one of the most celebrated authors of that popular literary genre during the 1940’s, 1950’s, and 1960’s, culminating in the publication of his controversial novel concerning a boy, his mother, and a particularly seedy motel. When Alfred Hitchcock purchased his novel and released “Psycho” with Anthony Perkins and Janet Leigh in 1960, Bloch became one of the most sought after authors and screen writers in Hollywood. His numerous contributions to the acclaimed television anthology series “Alfred Hitchcock Presents” are among the best of the director’s classic suspense series, while his legendary scripts, adaptations and teleplays for Boris Karloff’s “Thriller” series for NBC are among the most bone chilling, frightening, and horrifying screen presentations in television history. He also famously penned several classic episodes of NBC’s original “Star Trek” series for producer Gene Roddenberry. Writers Stephen King, Richard Matheson, and Harlan Ellison have written lovingly and profusely of their own literary debt to Robert Bloch. Bob was, for me, even more significantly, a profoundly singular mentor and cherished personal friend for a quarter century. This is the story of that unforgettable relationship.
(17) NUMBER PLEASE. A strange post at George R.R. Martin’s Not a Blog caught Greg Hullender’s eye: “I wonder if this is a coded announcement that Winds of Winter is coming?” “Yowza” consists of a series of pictures of hands with finger extended as though counting. But does the number 4534 really mean anything?
[Thanks to Andrew Porter, Joey Eschrich, Cat Eldridge, John King Tarpinian, Ghostbird, Martin Morse Wooster, JJ, Carl Slaughter, Chip Hitchcock, Mike Kennedy, Greg Hullender, Paul DiFilippo, and Mark Hepworth for some of these stories, Title credit goes to File 770 contributing editor of the day Kurt Busiek.]
An explosion of chatter has erupted online as people have taken notice that the cosplay-themed porn website Cosplay Deviants trademarked the phrase “Cosplay is NOT Consent.” The idea that this particular site is positioning itself as the “champion” or “leading edge” of the effort to have more conventions implement and post harassment policies has taken the community by surprise…
Additionally, there have been comments online to the effect of Cosplay Deviants CEO Troy Doerner approaching conventions attempting to get royalties for using the Cosplay is not Consent trademark.
So here’s the thing: I will continue to work to combat harassment of cosplayers in the fan community hourly, daily, and yearly until I retire from all of this. Cosplay is NOT Consent is a phrase that carries weight, impact, and meaning for those that listen to the message and not just read the words.
I have no intention of stopping my work supporting this vital movement in fandom.
I have, however, decided to legally abandon the trademark… a process which was finalized just prior to this post. There have been a number of valid points made regarding securing it, and (even if it was for the right reasons) doing so isn’t a simple solution to a very complicated topic. We’ve heard the community and we will continue to be a part of this discussion, but this just seems like the best course of action.
So thank you to everyone that professionally shared your opinions and feedback with me to help lead to this decision. It wasn’t an easy conclusion to come to, but that’s the best part of being a part of this business: the opportunity to learn, evolve, and finding new ways to grow.
The reviewer, who is not trans and/or non-binary, makes judgments about the validity of pronouns and identities, and decides which author “makes good use of [transness]” and which authors do not. This is problematic and hurtful. This is a way of saying “you do not belong.” A way of saying “stories about you don’t belong.” When reviews specifically cite pronouns of characters as justifications for rating a story down, a line is crossed. A line where not only writers but readers may find their identity questioned, belittled, and willfully misunderstood. A line that RSR crosses often and with seeming impunity.
Over a hundred people have cosigned the letter in comments.
The comic book world was rocked today by news that new Marvel Editor-in-Chief, C.B. Cebulski, has admitted that he wrote under the pseudonym “Akira Yoshida” for two years from 2004-2005 while he was an editor at Marvel Comics.
The first work by “Akira Yoshida” was published at Dark Horse Comics in early 2004, but then he debuted at Marvel with an Elekta miniseries.
… Finally, today, Cebulski admitted to Rich Johnston that he was, in fact, “Akira Yoshida,” telling Johnston:
I stopped writing under the pseudonym Akira Yoshida after about a year. It wasn’t transparent, but it taught me a lot about writing, communication and pressure. I was young and naïve and had a lot to learn back then. But this is all old news that has been dealt with, and now as Marvel’s new Editor-in-Chief, I’m turning a new page and am excited to start sharing all my Marvel experiences with up and coming talent around the globe.
(4) WHALEFALL. Ursula Vernon’s Hugo acceptance and sea life speech, “An Unexpected Honor”, has been posted by the B&N Sci-Fi & Fantasy Blog.
Well. This is an unexpected honor. My fellow winners have said some very meaningful things up here on the stage tonight.
I want to talk to you about dead whales….
(5) WHERE’S MY CAR AT. The internet vote on this was so close they almost had to throw it to the House of Representatives.
(6) NO TURKEYS HERE: Jason, at Featured Futures, gives out a list of, and some comments on, some of the month’s fiction he was most thankful to read with the “Summation of Online Fiction: November 2017”.
As I mention in the relevant recommendation, I belatedly discovered that the SFWA had added the flash zine Grievous Angel to its list of pro markets, so I caught up on it. Even with its intermittent microfiction help, this was a light month in which I read about 134K words from thirty-four of thirty-six November stories. This month’s recommendations and honorable mentions, especially for science fiction, are also fairly light. There were still several good stories, though, and the 238th number of Beneath Ceaseless Skies was especially noteworthy.
(7) WRITING ADVICE. Author Susan Triceratops invites you to “Ask A Triceratops” at Camestros Felapton’s blog:
So would I include a love story in a zombie survival novel? You betcha! A group of survivors learning how to be tough in a world full of remorseless yet stupid predators? That’s practically soap-opera for a triceratops. You may not believe this but your average T-rex was either an idiot or a drunk or both.
(8) VESTIGES. It makes me glad to know someone has preserved this sort of thing, although I could not afford to own it: “The Bugle Which Sounded Taps for Lincoln”. The bid is up to $80,000. And come to think of it, if I had that money I wouldn’t be spending it on a collectible.
According to a June 17, 1923, article in the Columbus Dispatch, “the historic bugle has been located in Columbus and will be used in blowing the assembly call in the ‘Pageant of Memories’ which will be given at the state G.A.R. encampment June 26. The bugle is the property of H. M. Cook, who inherited it from his father, Hiram Cook, who was a member of President Lincoln’s bodyguard.”
The historic bugle has remained in the Cook family ever since. In 1973, it was loaned to the Smithsonian Institution as part of an exhibit of artifacts of slain presidents, and displayed alongside the bugle which sounded taps for President Kennedy. A photograph of the Smithsonian display accompanies the bugle, along with as letter of thanks from the Associate Curator of the Division of Political History. It has been consigned for auction by a direct descendent of Hiram Cook whose notarized affidavit accompanies the lot.
“After a thorough investigation, Warner Bros. Television Group has terminated Andrew Kreisberg’s employment, effective immediately,” said the studio in a statement.
…Warner Bros. Television, which produces the DC Comics-inspired dramas for the CW, suspended Kreisberg Nov. 10 from both productions and launched an investigation into multiple claims of sexual harassment on the series. Berlanti and Schechter met with the casts and crews of their series in the days after the allegations surfaced in a Variety report.
In a piece published Nov. 10 at the time of Kreisberg’s suspension, 19 women and men who worked on the Warner Bros.-Berlanti shows described being subjected to or witnessing incidents similar incidents of inappropriate touching and endemic sexual harassment. The sources spoke with Variety on condition on anonymity. Kreisberg has denied the allegations.
Garrison Keillor, the former host of National Public Radio weekend staple, A Prairie Home Companion, has been fired by Minnesota Public Radio for “inappropriate behavior.”
In a statement to the Associated Press, Keillor confirmed that he had been fired over what he cryptically described as “a story that I think is more interesting and more complicated than the version MPR heard.” MPR confirmed Keillor’s termination to the AP, writing in a statement that it is, “terminating its contracts with Garrison Keillor and his private media companies after recently learning of allegations of his inappropriate behavior with an individual who worked with him.” MPR added that it will no longer re-air episodes of Prairie Home Companion where Keillor is the host. “The program’s current iteration hosted by Chris Thile will get a new name,” the AP reports.
Here are some of Raffaelli’s key findings so far, based on what he has found to be the “3 C’s” of independent bookselling’s resurgence: community, curation, and convening.
Community: Independent booksellers were some of the first to champion the idea of localism; bookstore owners across the nation promoted the idea of consumers supporting their local communities by shopping at neighborhood businesses. Indie bookstores won customers back from Amazon, Borders, and other big players by stressing a strong connection to local community values.
Curation: Independent booksellers began to focus on curating inventory that allowed them to provide a more personal and specialized customer experience. Rather than only recommending bestsellers, they developed personal relationships with customers by helping them discover up-and-coming authors and unexpected titles.
Convening: Independent booksellers also started to promote their stores as intellectual centers for convening customers with likeminded interests—offering lectures, book signings, game nights, children’s story times, young adult reading groups, even birthday parties. “In fact, some bookstores now host over 500 events a year that bring people together,” Raffaelli says.
The locked room whodunnit is a stalwart of the mystery genre—the seemingly impossible crime committed inside a sealed-off room. Agatha Christie had several famous locked-room mysteries, including Murder on the Orient Express, the latest cinematic adaptation of which is currently chugging through a successful theatrical run. But locked room mysteries aren’t just Poirot’s home turf—more than a few SFF authors haven’t been able to resist the lure of the format, crafting fiendish puzzles in science-fictional contexts (locked rooms beget locked spaceships easily enough). The 10 books listed here offer fantastic sci-fi mysteries that rival anything in Christie’s oeuvre.
First on their list:
Six Wakes, by Mur Lafferty A locked-room mystery nestled comfortably inside a big-idea sci-fi premise, Lafferty’s latest is a interstellar page-turner that puts an innovative twist on cloning tropes. Societal and climate collapse drives humanity to send 2,000 cryo-frozen people to a distant, Earth-like planet on a ship crewed by six criminals who volunteer to be cloned again and again as they shepherd their precious cargo to its final destination. Every time the crew is cloned, they maintain their collective memories. When they wake up at the beginning of the novel, however, their former bodies are dead—brutally murdered in various ways. The ship is in shambles (the gravity is off, the controlling artificial intelligence is offline, and they’re off-course); and their memories (and all other records) have been erased. The six have to clean up the mess—but they also have to figure out who killed them and why, and how to survive within a paranoid pressure-cooker of a ship.
(13) THE BARRICADES. Cat Eldridge sent the link along with the advice, “Do read the comments — there’s a lot of hate for the show which is actually quite good. I think too many haters of Discovery were the same ones who hated Enterprise in that both shows deviated in major ways from the so-called canon of the now fifty-year old TOS. A show that at times was perfectly horrid.” — SyFy Wire’s Swapna Krishna discusses “The problem of gatekeeping in Star Trek fandom”.
…Some, like me, love it. Others don’t. Still others are angry about the delivery method. Whatever your feelings on the show are, they’re your business. No show is perfect, and no show is for everyone, and that’s okay.
That being said, there’s been a disturbing trend among the ranks of Star Trek fandom that has turned its back on the show. It’s not enough that they don’t like it; they’ve decreed that anyone who enjoys the show isn’t a real Star Trek fan. And they’ll pop up in Facebook comments, in Twitter mentions, everywhere they can to make sure you know it.
I’ve been called a lot of things because of my vocal support for Star Trek: Discovery, from a fake Star Trek fan to a shill for CBS. The words don’t bother me. The mindset behind them, the gatekeeping of what a “real” fan is, does. The fact is that some people, mainly men, are trying to tell those of us who are enjoying the show that we aren’t “real fans” of Star Trek. And it just so happens that the bulk of these fans are women and people of color.
The delicate art of paper folding is playing a crucial role in designing robotic artificial muscles that are startlingly strong. In fact, the researchers say they can lift objects 1,000 times their own weight.
The researchers say the muscles are soft, so they’re safer compared to traditional metal robots in environments where they would interact with humans or delicate objects, and they can be made out of extremely low-cost materials such as plastic bags and card stock. Their findings were published this week in Proceedings of the National Academy of Sciences.
A mission that will test different methods to clean up space junk is getting ready for launch.
The RemoveDebris spacecraft will attempt to snare a small satellite with a net and test whether a harpoon is an effective garbage grabber.
The probe has been assembled in Surrey and will soon be packed up ready for blast off early next year.
Scientists warn that the growing problem of space debris is putting spacecraft and astronauts at risk.
It is estimated that there are about half a million pieces of man-made rubbish orbiting the Earth, ranging from huge defunct satellites, to spent rocket boosters and nuts and bolts.
As Lunarbaboon gained a bigger following, [Chris] Grady decided to use his popularity for good. He often draws comics with positive messages that touch on social justice, gender issues, xenophobia and more.
“I think it is impossible not to be influenced by the world around you. There is a lot of bad things happening in the world, but there is also a lot of good,” he said. “I try to find the good or humorous in the difficult things that happen to us every day.”
NASA astronaut Randy Bresnik filmed his maintenance mission outside the International Space Station. The mission took Mr Bresnik and astronaut Joe Acaba six hours and 39 minutes.
For over 20 years we’ve watched Santa and Red faint on Christmas Eve. Now find out how Yellow saved Christmas that fateful night and showed everyone the true meaning of the holidays.
[Thanks to Chip Hitchcock, JJ, mlex, John King Tarpinian, Cat Eldridge, Hampus Eckerman, Carl Slaughter, and Andrew Porter for some of these stories, Title credit goes to File 770 contributing editor of the day Patrick Morris Miller.]
(1) LEWIS & CLARKING AROUND. Charles Payseur, in “MAPPING SHORT SF/F: Part 2: Fun Short SFF” at Nerds of a Feather, leads readers through a highly interesting survey of where to find the fun stories in sff.
Fun. For some people, fun evokes childhood and a certain kind of carefree energy. For others, it means something more like excitement and adventure and novelty. Mapping fun short SFF is something of a challenge, not because I cannot point to works that I’d consider fun, but because fun is a weirdly nebulous term that, like most things, I probably define oddly in terms of genre. But, as that what I’m seeking to do in this series, I’ll do my best.
To me, fun as a genre operates a lot like horror does. It’s not so much about elements of world building or how the piece conveys message. It’s not about theme or about any one style. When I say it operates a lot like horror, what I mean is that they both are built around a feeling. Horror as a genre is defined (or at least I define it) by its ability to evoke fear and unease in the reader. Whether the story seeks to do that through gore or violence, or through atmosphere and suspense, doesn’t matter so much, because it’s all horror. Similarly, for a story to be fun, it has to be about evoking an emotion. Instead of fear, though, I’d say that fun is about joy. To me, fun SFF stories are those that seek to make the reader feel joyous. Which, given the times, is both an incredibly difficult and important mission….
(3) PAGES OF RAGE. Cat Rambo is taking submissions for “If This Goes On”
This project is born of rage and sorrow and hope. Rage at the way America has been stolen and how those thieves have been eating away at its infrastructure. Sorrow at the lives being destroyed in the sorrow as well as for the earth as its protections are stripped away by a kleptocratic and corrupt regime. Sorrow for the way words themselves have been distorted and twisted away from truth.
And hope. Because humans continue to progress and evolve, even though that climb is a rocky one and we slide back sometimes. We seem to have done so recently. And so this anthology, an attempt to rally, to inspire, and to awaken. Some stories will despair, but others will have the light we seek, lamps to light the path and show the pitfalls as we continue upwards.
This anthology is part of my resistance. I hope it will be part of yours as well.
The publisher says:
The anthology will contain up to thirty original stories including contributions from Steven Barnes, Andy Duncan, Chris Kluwe, Alexandra Renwick, and E. Lily Yu. Release is planned for 2018 mid-term election season in order to maximize engagement and encourage readers to take the long view when heading to the polls.
(6) CONSTRUCTION CREW. Jeffe Kennedy tells how she tapped the SFWA Forums for useful help in “Building Worlds with SFWA” at the SFWA Blog.
Still, when I went to self-publish a whole new series, to be safe as possible and avoid any trouble, I wanted it to be very clearly an entirely different world. The “easy” way to do that, I decided, was to give this world two moons. It also fit in thematically with the magic system I had in mind, as well as the partnership between enemies that formed the core of the story.
One big problem: I’m a biologist, not an astrophysicist (or whatever discipline this sort of thing falls under) and I had zero clue how the presence of two moons would affect the world.
So, I asked on the SFWA forums! I did not expect what I got: an immediate, detailed deluge of information from how the moons themselves would look, to their phases and orbits, to their effects on the tides, etc. It was amazing and I used almost all of it. By the end of the series—I’m up to four books now—I might indeed use every bit.
Nicholas Pegg is known to fans as one of the main Dalek operators since 2005, but he has also been the man behind the entertaining Wotcha column on the final page of Doctor Who Magazine. But not anymore. It was first pointed out in the Mirror that Pegg, under the pen name The Watcher, left a cryptic message in his column in issue #518 of DWM.
If you take the first letter of every sentence, it spells out: Panini and BBC Worldwide are c*nts.
Panini are the publishers of the magazine, while the BBC distributes the TV series.
There is even a clue at the end, as Pegg himself writes, “If you look hard enough, there is always something hidden in plain sight.”
A BBC Worldwide spokesman told the Mirror:
“The matter was raised with the publisher who has dismissed the writer.”
It was also revealed that Pegg was not expected to be involved in Series 11.
It’s unknown why he included this attack…
(8) ON DISPLAY. In the foyer of San Francisco Airport’s Terminal 2 is a display of famous writers’ typewriters, including the one used by Orson Welles, another belonging to Tennessee Williams, and Ray Bradbury’s own, below. The photographer warns that the exhibit is in the secure area of the terminal, so you can’t casually wander through the airport to see it.
(9) NEXT TREK. Popular Mechanics asked “8 Sci-Fi Writers on Where Star Trek Should Go Next” – Kameron Hurley, Mur Lafferty, Christopher Brown, Rob Boffard, Genevieve Valentine, Elizabeth Bonesteel, Annalee Newitz, and Charles Yu.
I’ve always been fascinated by the transporter and the various capabilities it has. The fact that the transporter saves a limited-time backup of every person it transports was only touched on a few times in any of the series. This makes sense; there are too many ways it could be abused as a Deus Ex Machina fix for half the problems they come across in the series. (Oh, Tasha got killed by a black goo? It’s OK, we saved her DNA and can print you a new one right away, Captain!)
Still, putting aside the difficulties surrounding the aging and dead actors, the ultimate Star Trek show would be for a Ferengi-financed hacker to gain access to the transporter traces of every member of every Star Trek show and bring them all back.
The new Star Trek crew would be assigned the many-season rescue of each character from all the other shows. The characters would be mixed up and scattered around the universe. For example, the Klingons would be having gladiatorial battles with Kirk and Picard to finally settle the greatest debate to plague my generation. (Team Picard all the way.)
There would be a side romantic plot with Troi, Worf, every version of Dax, and Alexander living on Risa. Speaking of Alexander, all the kids, Nog, Jake, Alexander, Molly, and young Wesley, could have a Risa-based Stand By Me-kind of adventure. Riker and Bashir could be stranded on an all-male planet where no one is impressed by them. Bones and Data could have an Odd Couple/Buddy Cop kind of adventure. I can see The Doctor, Crusher, Bashir, Pulaski, and Phlox in their own ER-type story.
I could go on, but you get the idea. It’s always a good idea to limit your tech when you make it “oh dear God, that thing is too powerful!” But it’s also a possibility to make a compelling plot about the abuse of said powerful machine when it’s put in the hands of an incompetent, or a villain.
(10) BANGING WITH WHEATON AND NEWHEART. Although I lost interest in Big Bang Theory awhile ago, I may have to watch this episode:
CBS has announced a new Twilight Zone anthology series from Get Out director Jordan Peele, over 50 years after the iconic scifi series ended its initial run. This comes about five years after the studio tried and failed to reboot the series with X-Men director Bryan Singer, and in the wake of Bioshock creator Ken Levine’s stalled attempt to revive the franchise as an interactive movie or series. Right now, it’s not clear whether Peele’s show has already been picked up for a series, or if the project is simply in development.
(12) D POTTER OBIT. Bay Area fanzine fan D Potter passed away in her Oakland apartment (probably on October 25) reports Sue Rae Rosenfeld on Facebook.
Fancyclopedia lists the amateur press associations she was active in over the years:
Darrah Chavey would never drop a bad pun like “the umpire strikes back,” but I would: it came to mind when I saw his linked installment of Pearls Before Swine.
In New York 2140, I wanted sea level rise to be significant enough to make Lower Manhattan like a Venice, to be a kind of giant symbol of the current situation with climate change. For that reason I pushed it out to the year 2140, which is 120 years from now. For reasons of plausibility: it takes that long to get that much of a sea level rise, which is what I wanted for telling my story.
The truth is that we are actually already at that moment of climate change and crisis. The political project that my novel discusses really ought to be enacted now, not 120 years from now. In the real world, what we’ve got is a necessity for our economic system to take damage to the ecosystem into account, and pay for that damage.
The way that we create energy and the way that we move around on this planet both have to be de-carbonized. That has to be, if not profitable, affordable. Humans need to be paid for that work because it’s a rather massive project. It’s not that it’s technologically difficult (we already have the solar panels, the electric cars, we have the technical problems more or less solved in prototype) but the mass deployment of those is a huge human project, equivalent of everybody gathering together to fight World War II. Everybody agrees that, yes, this is important enough that people’s careers, lives, be devoted to the swapping out of the infrastructure and the creation of a de-carbonized, sustainable, physical plan for the rest of civilization.
Well, this isn’t the way capitalism works, as currently configured; this isn’t profitable. The market doesn’t like it. By the market I mean – what I think everybody means, but doesn’t admit – capital, accumulated capital, and where it wants to put itself next. And where it wants to put itself next is at the highest rate of return, so that if it’s a 7% return to invest in vacation homes on the coast of Spain, and it’s only a 6% rate of return to build a new clean power plant out in the empty highlands of Spain, the available capital of this planet will send that money and investment and human work into vacation homes on the coast of Spain rather than the power plants. It’s just the way it is and there is no control over that except for nation-state governments, each one looking at its own responsibility and power and feeling in competition with others, not wanting to lose its differential advantage. So, If Spain were to do a certain amount for its country, but was sacrificing relative to international capital or to other countries, then it would be losing the battle for competitive advantage in the capitalist system.
Open for Submissions: August 15, 2017 – November 15, 2017
Expected Publication: Summer 2018
Story Length: up to 8,000 words
Payment: $0.01 per word + contributor copy Solarpunk is a type of eco-conscious science fiction that imagines an optimistic future founded on renewable energies. It might take place in a wind-powered skyscraper or on a solar-powered robotic farm, in a bustling green-roofed metropolis or in a small but tech-saavy desert village. Often coupled with an art nouveau aesthetic, and always inclusive and diverse, solarpunk stories show the ways we have adapted to climate change, or the ways we have overcome it….
The video starts with a nod to Cab Calloway and jumps right into the upbeat cover and ’cause this is “Thiller” (Thriller night!), PMJ even brought on a few tap dancers in order to pay homage to the iconic dance moves from the original video. They even worked in some Charleston moves for good measure. Is it weird that we’d want to see all the dancing in the original video with this era-specific spin?
(17) HANGOUT AND LEARN. Cat Rambo announces two upcoming online classes:
Tell, don’t show. Dump your information. Write in second person. Write in passive voice. Use adverbs. To heck with suspense.
Rules mark what’s difficult, not what’s impossible. There’s a whole range of exciting storytelling possibilities beyond them. Not every story needs to be in second person, but when it’s the right voice for the right story, it can be magic. The right information dump, written perfectly, can become a dazzling gymnastic feat of beauty, fascination, or humor.
There’s an art to food writing. Anyone who has read a professional restaurant review can tell you that. We react viscerally to descriptions of food. Our mouths water, our minds color with tastes we can almost experience. In fiction, this can be used to enrich world-building, and to further blur the lines between the reader and the text.
Join Cat and award-winning game writer, author, tech journalist Cassandra Khaw for a session where we will discuss food writing, the sensualities of taste, how to incorporate and interpret our understanding of food, and how all this can be used to shape one’s stories.
(18) INDUSTRY ROLE. Here’s a thread on what sensitivity readers actually do.
If you equate "sensitivity readers" w/ censorship or political correctness, you don't (or refuse to) understand what sensitivity readers do.
(19) TO SERVE FAN. John C. Wright has taken up the quest of reading in their order of publication the Conan stories of Robert E Howard. This necessarily (?) required a fling at Damon Knight for belittling Howard in an early 1950s magazine piece (which you can find in the 1956 collection, In Search of Wonder: Essays on Modern Science Fiction).
Here, for example, is a quote from the loathsome Damon Knight. If the reader is surprised I use so harsh a word for this well-known figure in science fiction, please reflect that he is not well known for any creative writing, only for his ludicrous claim to be a critic…
…We need not dwell long here in the chamberpot of Mr. Knight’s performance as a critic. I am content with noting that there is not a word of actual criticism anywhere in the passage. It is merely a stream of insults against Robert E Howard, as everything from unintelligent to maniacal to emotionally crippled to sick, with occasional flippant insults against Mr. Howard’s fans and admirers, not to mention studied insults against other luminaries of the field.
The ”not well known” fiction of Damon Knight includes his frequently-anthologized “To Serve Man,” the basis for a famous episode of TheTwilight Zone and a 2001 Retro Hugo winner. His criticism was recognized with a 1956 Hugo for Best Reviewer. Surely someone who has accepted as many Hugo nominations as Wright respects the imprimatur of the Hugo Award. No, really.
(20) BIG MONTH FOR GUARDIANS OF THE GALAXY. Marvel has declared a Thanksgiving feast for Guardians of the Galaxy fans, serving up multiple comics about the team, and Rocket and Groot individually.
Week of 11/6
ALL-NEW GUARDIANS OF THE GALAXY #1
A NEW ERA OF COSMIC ADVENTURE BEGINS HERE! Double ships every month! The Guardians of the Galaxy have taken off into space once more, on their biggest and weirdest misadventures yet! Kicking things off with the biggest heist they’ve ever tried, we join Star-Lord, Rocket Raccoon and company as they blast their way through the galaxy, the peacekeepers of the Nova Corps hot on their tails. And once they find themselves caught in a war between The Collector and The Grandmaster, there will hardly be time to explain why Groot can’t grow any bigger, what Gamora is searching for or why Drax has sworn off violence! But don’t worry, we will — with a new twice-monthly schedule, All-New Guardians of the Galaxy has space for ALL your Marvel Cosmic needs!
GUARDIANS OF THE GALAXY: MISSION BREAKOUT #1
The Collector’s many-worlds-famous collection is opening its doors to the public — and you won’t believe the star attraction. Only the Guardians can break through Taneleer Tivan’s security and BREAK OUT! The Marvel Universe story of Disney’s newest, raddest ride!
GUARDIANS OF THE GALAXY: MOTHER ENTROPY #1
The Guardians owe everyone on Knowhere money, so they’re forced to do a job for the local police. But that gets them running afoul of Pip the Troll and a mysterious entity known only as Mother Entropy. And that’s when the fun begins.
Week of 11/13
ROCKET #1
GET READY FOR A LIFE OF SPACECRIME! It’s a dirty universe out there, even when you’re not regularly mistaken for trash-foraging vermin. And it’s about to get dirtier. He thought his paws were clean, that he was on the up-and-up. But then an old flame swam back into his life, and he was back in the game… the heist game. If you need a safe cracked, a vault busted or a score taken…ask for Rocket. Just don’t call him a raccoon.
Week of 11/27
I AM GROOT #1
GROOT IN HIS OWN SERIES, SMALLER AND BETTER THAN EVER! When the Guardians of the Galaxy get caught in a wormhole, a smaller-than-normal Groot is separated billions of light-years away from the team. Falling to a planet below, Groot discovers he is on an entirely alien and unknown world full of strange creatures and societies. Seriously underdeveloped and with nobody who can understand him, Groot will need to make the journey to the center of this world and find the way back to his family!
Marvel and DC Comics are once again facing off in an epic box-office duel this month, with the release of Thor: Ragnarok and Justice League — two superhero films that, of course, have their roots in the comic book industry. Print isn’t dead to this world — the industry makes $800 million-a-year annually and employs tens of thousands to do so.
So how do you get started in this type of career? And more importantly, what does it pay?
Like any career in the arts, you can get started in the industry by going to school to and majoring in something that translates well into this world, like animation, sequential art, or illustration. Marvel artist Irene Strychalski recently told attendees of New York Comic Con she majored in sequential art and minored in animation at Savannah College of Art and Design. Other schools that comic book artists seem to gravitate towards include Ringling College of Art and Design and Rhode Island School of Design. However, if you don’t want the college experience, the Kubert School is a trade school in Dover, N.J. that offers a three-year training program.
I think Vox Day plans on skipping all these steps.
(23) THINK NICK FURY. Samuel L. Jackson talks Game of Throne newcomers through the basics as only he can. “The first thing you need to know about this world is…no, not dragons…**** those dragons! Focus!”
[Thanks to Mark Hepworth, John King Tarpinian, James Davis Nicoll, Stephen Burridge, Carl Slaughter, Cat Rambo, Rich Lynch, Mike Kennedy, Chip Hitchcock, Martin Morse Wooster, Cat Eldridge, Darrah Chavey, and Tasha Turner for some of these stories,. Title credit goes to File 770 contributing editor of the day Bill.]
(1) WHAT SFF WILL PEOPLE BUY? Cat Eldridge asks Filers to take another look at the post “Help Pick What SFF Goes On This Bookstore’s Shelves” and add any more suggestions you may have. Cat will be forwarding the information to Longfellow’s on Friday.
Cyber-criminals start attacking servers newly set up online about an hour after they are switched on, suggests research.
The servers were part of an experiment the BBC asked a security company to carry out to judge the scale and calibre of cyber-attacks that firms face every day.
About 71 minutes after the servers were set up online they were visited by automated attack tools that scanned them for weaknesses they could exploit, found security firm Cyber Reason.
Once the machines had been found by the bots, they were subjected to a “constant” assault by the attack tools….
On Saturday afternoon, a panel of judges for L. Ron Hubbard’s Writers of the Future contest (WotF) encouraged Dragon Con fans to enter the renowned contest. Moderated by Canadian science fiction author Robert J. Sawyer, the panel included five additional award-winning and best-selling authors also serving as WotF contest judges: Mike Resnick, Todd McCaffrey, Jerry Pournelle, Larry Niven, and Jody Lynn Nye.
(5) LANG BELTA CHEATSHEET. Hannah Paine has made available the Expanse Belter Language handout from Worldcon 75 – follow the link to the PDF file.
(6) SIGHTSEER. Worldcon 75 photos from Mur Lafferty (along with an I Should Be Writing podcast on why writers shouldn’t use adverbs) are all part of “Back to Basics” at The Murverse Annex. My favorite photo:
Me, Ursula Vernon, and Kameron Hurley, and we are SO READY TO LOSE THAT HUGO. (Ursula failed at losing.)
The Sun is used to having plenty of personal space, given that its nearest stellar neighbor, the Alpha Centauri system, is located about four light years away. While that’s not very distant in cosmic terms, it’s wide enough for our solar system to not be influenced by these alien stars.
But in about 1.3 million years, a star named Gliese 710, which is about 60 percent as massive as the Sun, is projected to interrupt the Sun’s hermitude by crashing right on through the far-flung reaches of the solar system. While astronomers have been aware of this stellar meetup for years, new observations from the European Space Agency’s Gaia satellite, released on Thursday, have constrained the trajectory of Gliese 710’s impending visit, and charted out nearly 100 other upcoming close encounters with wandering stars.
There is no way to gauge what is in a person’s heart. Obviously not. Nor is it possible to avoid the fact that the word ‘racist’ has been redefined and abused so often that it is now effectively meaningless. A person who objects to the colour of a man’s skin is a racist (and a bloody idiot); a person who objects to a man’s conduct is not. I do not consider it racist to question cultural aspects that clash with my own, nor do I consider it racist to insist that such aspects be stopped if they have no place in a civilised society.
I have no concrete proof to offer that the Sad Puppies are not racists. But I do have a piece of evidence that should be taken into account.
It is hard to be sure, for obvious reasons, but I think a number of the readers who read ‘Sad Puppy’ authors also read my books. Amazon does have a habit of recommending my books to people who browse their pages, after all, so it’s fairly safe to say there’s some overlap. I can’t say how big the overlap is, of course, but it is there.
In the past year, I started two trilogies starring women of colour. The Vanguard trilogy (Vanguard, Fear God and Dread Naught, We Lead) featured Commander (later Captain) Susan Onarina, a mixed-race woman (half-British, half-Jamaican) from London. And The Zero Blessing starred Caitlyn Aguirre, a young black girl who grew up in a fantasy world.
And how many complaints do you think I got?
None.
(11) BIONIC BOSS. The Washington Post’s Hank Steuver remembers Richard Anderson for his role as Oscar Goldman in The Six Million Dollar Man and The Bionic Woman as an old-school man who represented the best of the 1970s: “Here’s to Oscar Goldman, Generation X’s first real boss”.
But it was his role as Oscar Goldman — the hard-driven division director at the fictional OSI (Office of Scientific Intelligence) on the hit show “The Six Million Dollar Man” and its superior spinoff, “The Bionic Woman” — that, whether he liked it or not, stuck for life. Oscar Goldman would forever remain a treasured role model for impressionable children of the mid-1970s.
Oscar was, in a way, our first boss. Stern and demanding yet also empathetic, coolheaded and no-nonsense: No team-building exercises. No semiannual evaluations.
When things go wrong for you on a mission in the jungle, or while hunting for Bigfoot, or as you are battling Fembots for control of the planet’s weather, it’s Oscar Goldman who worries most about you. It is Oscar, co-starring in both shows, who places calls up the chain of command, desperate to save your life, reestablishing radio contact and arriving by helicopter just as everything has exploded, ready to grab you by the non-bionic arm, lift you aboard and commence with the attaboys (or attagirls, in the case of Jaime Sommers). Memo to staff: Oscar cares.
FIYAH continues to do exactly what it promised when the project was announced, delivering a solid collection of black speculative fiction in a gorgeously packaged quarterly publication. In fact, though it may just be the bright, warm colors on this one, but I think Geneva Benton has delivered the best cover art to date on this issue. I was hoping for a vampire story, which the issue did not deliver, but Sundown Towns nonetheless offers a great selection of takes on its theme. If you only have time for one story from the issue, though, be sure to make it Danny Lore’s “The Last Exorcist.” “Toward the Sun” by Sydnee Thompson and “Cracks” by Xen are also excellent, but “The Last Exorcist” is the story I continue to find myself thinking about weeks later. Also, I don’t know of another publication that’s sharing issue playlists with each issue, and if there is I know it can’t be as good as the ones from FIYAH. Check this out.
(14) QUESTION BEGGARS. He’s certainly on to something here —
Making a list of weasel words as I edit (words that don’t add). So far:
exactly now precisely then simply somewhat very for a time
(15) SIRIUS BUSINESS: Jason, over at Featured Futures, has been working like a dog to find the star stories in this month’s SF firmament and has catalogued them in his “Summation of Online Fiction: August 2017”.
The last of the dog days caused Clarkesworld‘s recent hot streak of good issues in June and July (rivaling the January issue) to come to an end (apparently because August doesn’t begin with a “J”). Tor.com compensated by going on a torrid streak of their own. Nature was also perhaps above average and, while Apex didn’t produce anything particularly noteworthy, the whole issue, guest edited by Amy H. Sturgis, was better than usual. All in all, this month’s forty-six stories (of which I read 44 of 218K words) produced plenty of decent reading. What follows are links to the stories I thought were the best and to the notes posted throughout the month which explain why I thought that.
A Michigan man reached out to authorities to help track down his valuable Lego collection after it was stolen in a home robbery.
Brian Richards wrote a blog post claiming someone invaded his family’s home some time after midnight on Aug. 28 and stole his extensive Lego collection, containing dozens of completed sets, from his basement.
“Someone came into my home. While we were sleeping. And removed nothing except thousands of dollars of LEGO. Small, rattly pieces of plastic,” he wrote. “Either with a crew that should be large enough to be noticed, or with many trips up and down the stairs.”
Richards said his family was home all day and the house remained locked from the time he went to sleep until he awoke the next morning.
He also added the thieves ignored his expensive electronics, camera equipment and tools while solely targeting his Lego collection.
Made for Pets make “pet furniture” for your favorite feline (or even canine) to snuggle-up in. Among the many designs on offer is this “Iron Throne” cat bed as inspired by the hit book and TV series Game of Thrones. It’s a bit pricey at around $200 (£158.64) but if you love your cat and you know it’s really the protector of the realm, the top feline of all the Seven Kingdoms, etc. etc. etc. then you know damn fine your kitty deserves its very own Iron Throne. See details here.
Show your feline the respect it deserves with a ‘Game of Thrones’ cat bed https://t.co/HH0njaKvf1
The breakout droid star from “Star Wars: The Force Awakens” is in for quite an adventure in the upcoming sequel, “Star Wars: The Last Jedi.” That is, if a new toy from robotics company Sphero is any indication.
Sphero showed off on Thursday a first look at BB-9E — BB-8’s evil twin. In stark contrast to BB-8’s cheery white and orange exterior, BB-9E’s body is a menacing black and gray.
The company worked with Disney, owner of the “Star Wars” franchise, to develop a mini toy version that realistically brings the movie character to life. The film is set to debut on December 15.
(19) THE REBELLION IS TRENDING. Lots of people looking at the Star Wars Rebels Season 4 Trailer. You could be next!
“Florence is the largest asteroid to pass by our planet this close since the [American space agency] Nasa program to detect and track near-Earth asteroids began,” Paul Chodas, manager of Nasa’s Center for Near-Earth Object Studies, said in a statement.
The 2017 encounter is the closest by this asteroid since 1890 and the closest it will ever be until after 2500, the US space agency added.
Dubai is racing to be the first to put drone taxis in the air.
In June, its Roads and Transport Authority (RTA) signed an agreement with a German start-up Volocopter to test pilotless air taxis towards the end of this year.
The firm has received 25m euros (£22m; $30m) from investors, including German motor manufacturer Daimler, to develop the 18-rotor craft capable of transporting two passengers at a time.
The promotional video claims a top speed of 100km/h (60mph) and a maximum flight time of around 30 minutes, while nine independent battery systems ensure safety.
“You will never require” the onboard emergency parachute, Volocopter assures us.
So it’s time to say goodbye to Juicero, although we only knew its product for 16 months. The founder of Organic Avenue (a now-bankrupt restaurant chain), Doug Evans, introduced the device in March 2016. At the time, we scoffed at the fact that it cost $699 and required proprietary juice packs. Then in April 2017, Bloomberg published a piece that likely doomed the company to fail. Reporters found that the company’s packs of fruits and vegetables didn’t require the actual Juicero machine, but were instead squeezeable by hand. Basically, the pricey machine was completely useless, which wasn’t a great look for the company.
(23) REALIVE TRAILER. Here’s another movie that could have been titled Passengers.
Marc (Tom Hughes) is diagnosed with a disease and is given one year left to live. Unable to accept his own end, he decides to freeze his body. Sixty years later, in the year 2084, he becomes the first man to be revived in history. It is then he discovers that the love of his life, Naomi (Oona Chaplin), has accompanied him this entire time in a way that he’d never expected.
[Thanks to JJ, Carl Slaughter, Cat Eldridge, Chip Hitchcock, Martin Morse Wooster, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor rcade.]
By Carl Slaughter: Newly promoted Escape Pod co-editors Divya Breed and Mur Lafferty give us the inside story on the magazine and their careers.
Carl Slaughter: What did Escape Pod look like in the beginning, how has it evolved, and what’s the vision for the future?
Mur Lafferty:Escape Pod was a one-person show, run entirely by Serah (then Steve) Eley. She covered all of the work from slush reading to audio production to hosting to web design, and it was a huge job.
Serah’s focus was to deliver fun science fiction, with the meaning of fun open to interpretation, but, like obscenity, you know it when you see it.
It was the first podcast magazine, driven only by online donations.
The show hasn’t really changed a lot since those early days, nearly 600 episodes ago. It’s still one story per week, we still have the same Creative Commons license, and we still have music from Daikaiju. Some changes have included paying SFWA pro rates for original stories and paying narrators, not to mention the show doing well enough to branch off other shows focused on other genres.
Different editors have also brought different visions to the magazine, sometimes veering away from “fun,” sometimes coming back to it. I think looking forward Divya and I just want to present a good story. That sounds so simple, doesn’t it?
Divya Breed: I suspect Mur has a better handle on Escape Pod’s history than I do, having been around for much more of it! In terms of the future, we are indeed looking for whatever tickles our fancy, and I can say safely that so far, we’re generally in agreement on what that means. We enjoy publishing new authors, we’ll be soliciting stories, especially from up-and-coming authors, and we’ll continue to highlight classics for some of our special episodes.
CS: How is the site different since the last time Mur was at the helm?
ML: We have a bigger staff now, and the incredible workload is spread among many people. I keep having the feeling that “Oh crap, I didn’t do X for the show,” and then remember that X is someone else’s job. It makes the actual editorial job easier when I don’t need to worry about finding narrators, or production, or the website.
CS: You’re listed as co-editors. Is there an official or implied chief co-editor. Does Divya take the lead because she was part of the current regime when Mur arrived? Does Mur take the lead because she has more podcast experience. Am I reading too much into this? Is it more like 2 editors getting into the groove with each other?
DB: You are definitely reading too much into it! [insert me laughing] It’s an equal partnership at the top right now. When Norm decided that it was time for him to focus on other parts of his life, I had been working as the Assistant Editor of Escape Pod for less than a year. Between that and my writing career, I didn’t want to take on an editor-in-chief role without some backup. Mur was my ideal choice, having plenty of experience in the editor’s chair, but also being an author herself and therefore understanding how to balance the two roles.
We are getting into the groove of things, and we do our best to keep the bumps in the road from becoming unpleasant for our audience. And I confess: a good portion of our monthly meeting revolves around non-Escape Pod related conversation, like writing, conventions, and family. I’ll quote Casablanca: I think this is the beginning of a beautiful friendship.
ML: I came into this with the editorial and EP experience, but have been away for a while, and Divya knows how the machine is working now. So while she’s made some of the decisions regarding staff (ie, promoting our new Assistant Editor, Ben Kinney), we are equals with regards to editorial decisions.
So far we’ve pretty much agreed on everything, with only two non-negotiable claims so far (one was “We have to buy this story, I will fight you if you disagree,” and one “This is a hard no, I hate this.” I will leave out who was on which side, to keep an air of mystery about this. But I will say that one of us was willing to fight for a story, and one of us was willing to fight to NOT buy a story. We get along quite well despite the occasional violent threats.)
CS: How has editing duties affected your own writing and other ambitions?
ML: Not so much, I don’t think. I usually try to do my EP work in batches, so a few days are all focused on EP, and I can work on writing and my other podcasts on other days.
DB: I tend to work similar to Mur, compartmentalizing my editing duties to one day per week (not counting email). I’ll often pick up stories to review while eating lunch or in the evenings, but other than that, my time is devoted to writing or other types of work.
CS: I count 2 editors, a host, an assistant editor, an audio producer, a community manager, and 8 associate editors. Wow, does it really take that many people to generate a weekly podcast episode? Exactly who does what?
ML: Since we deal with a large slush pile, and no one is making a living wage (and some are 100% volunteer), it’s definitely a relief to have a team backing us up.
The associate editors are our slush team, our valiant volunteers. The audio producer finds the narrators and assembles the podcast. We split the hosting duties between the two editors and our one host for variety (and to not have to write a host spot every week). The community manager wrestles the forums (since personally I prefer Twitter as a way to communicate with people.) And our assistant editor manages the slush team and the flow of stories from slushers to us.
DB: Part of being a SFWA qualifying market means being professional in our engagement with authors and delivery of content. After we migrated to using Submittable for our story and narrator submissions, our monthly input almost doubled. We also have quite a bit of turnover at our associate editor level, with many a slusher needing to move on after a year or so. We’re in one of those transitional periods, but even otherwise, we try to keep their loads light so they have adequate time to give every story a fair reading.
In addition, our annual Artemis Rising month (to highlight authors who identify as women or non-binary) pulls away several members of the team who dedicate themselves to those submissions.
CS: What’s the criteria for becoming an Escape Pod story? What type of stories do you target and what do you decidedly avoid?
DB: Right now, the criteria is that Mur and I both like it. In general terms, we try to create some boundary conditions between us and the other Escape Artists podcasts, so we want stories where a science or technological element plays a fundamental role. The focus of the story might lie elsewhere, but as long as that SFnal aspect exists, we’ll give the story a chance.
ML: I also like to consider the aspect of “fun,” but if a nonfun story knocks my socks off, I definitely won’t turn it down.
CS: What type of gauntlet does a story go through from submission to posting?
DB: Most stories go through 3 tiers. The associate editors get first crack at our slush pile, and each story will be read and reviewed by one of them. The assistant editor (currently Ben Kinney) then looks over the results, decides which stories to decline and which to hold on for review by Mur and myself. The final round stories must get a go-ahead from both of us. We have enough high-quality stories that filling our weekly quota has not posed a problem.
Some stories take a shorter path when Ben, Mur, or I pick them up straight from slush. We might do this for a variety of reasons. The shortest of all is when we solicit reprints directly from the author. At that point, we’ve already decided to buy the story.
Once we’ve accepted a story, it goes to the contracts team who handle the paperwork and payments for all of the Escape Artists podcasts. In parallel, our audio producer starts on the process of selecting and contracting a narrator for the story, and any text edits get sent to the author for approval.
The final podcast is a concatenation of promotional spots, host segments, and story narration that’s edited and posted by our audio producer.
CS: Looking through the list of Escape Pod authors, I don’t see the same names I see in the sci-fi magazines, ie, Asimov’s, etc. Is that deliberate? Do you prefer unknown and lesser known authors?
ML: (laugh) Are you asking if we deliberately don’t publish Elizabeth Bear or David Gerrold? No, it’s not a deliberate decision to ignore the bigger writers. Remember that it’s not always the editors’ decision what gets published – if authors don’t send us anything, we can’t publish them. A lot of authors don’t know about us, aren’t interested in Creative Commons or audio distribution, or know they can make more money elsewhere. We’re an indie magazine driven only by donations, and aren’t backed by a larger publisher.
Anecdote: A while back I was at a con and tried to solicit a story from a big author (no, I won’t name them) and they frankly (and politely) told me they get so many solicitations that they have to charge $.25 a word. We would very rarely pay that much, so we usually end up publishing a lot more reprints from bigger names than we do originals.
That said, we are a SFWA pro market, and we love giving newer authors their first sale, and we hope to become a place where marginalized voices will feel comfortable soliciting to.
DB: I will add this: Escape Pod has evolved over its lifetime, and the larger community hasn’t always kept up with those changes. We’re working to address some common misconceptions that are holdovers from the past. For example, every new episode is available (in full) as text on our website. We accept original stories – and pay professional rates for them – as well as reprints, paid with a flat fee. Alasdair Stuart has a wonderful blog post on this topic that I encourage everyone to read: “The Top 5 Myths about Escape Artists”.
CS: How does Escape Pod distinguish itself from other sci-fi podcast sites?
DB: We run exclusively short fiction, we hand-select the best narrator for every episode, and we have a round-table of hosts who discuss what that week’s story meant to them. That has been Escape Pod’s focus from its inception, and that will continue to be so.
Other podcasts are doing great work, but I think we occupy a unique, trusted space with our listenership in part because of our consistent history.
CS: What’s the status of Mothership Zeta with Mur gone?
ML: Mothership Zeta had a trial run to see if people would pay for a larger project. We wanted to give it six issues to see if it could sustain itself, and we failed at that. We’ve learned an awful lot of lessons and are proud of the work we put out. The magazine is on indefinite hiatus now, but Escape Artists continues to grow, and we’re not ruling out bringing it back someday (although it’s highly unlikely I’ll abandon Divya and go back to MZ.)
CS: What’s on the horizon for Mur Lafferty and Divya Breed?
ML: The book based on my podcast I Should Be Writing will be out in August. I’ve wanted to write this book for years, and so glad I finally got the opportunity. I’m editing the space marine midwives anthology along with Cast of Wonders editor Marguerite Kenner, and I continue to podcast. As for writing fiction, I’m working on several proposals to throw at my agent, hoping for another book project in the near future.
DB: I’m chipping away at a full-length novel and, of course, learning how to be the best co-editor of a podcast magazine that I can be. I have short stories forthcoming in Apex Magazine and an anthology of Asian science fiction called, Where the Stars Rise. I’m also traveling and making local appearances to promote Runtime, including Worldcon and FenCon. This will be my first Worldcon outside of the USA, and I’m excited about that.
In terms of Escape Pod news, we’ll be closing submissions for the month of August, then reopening in September to general submissions as well as our open call for Artemis Rising 4. We’re also looking forward to our 600th episode this November, and we’ll celebrate the occasion with something special!
ML: We will both be at Worldcon, so please come say hi to us!
I note that for some people this is an access issue, and therefore, we will be having hard copies available for anyone who selects them as an access issue. To be clear, Progress Reports are complimentary and we’d like to send them to anyone who needs them for an access issue. Just tick the box please.
We will be sending them out electronically of course if you allow us to.
I noted that some people still liked them, as a historical document or just because they enjoy reading hard copy, and that is very cool, and the Dublin 2019 team will be making sure that anyone who wants a hard copy progress report can get one. There will be a charge of €10 Ten Euro for this.
I hope all of you are OK with this decision and support us in it.
This does not affect our plans for our Souvenir book which we plan to offer in hard copy to all members, full and supporting, and which we are happy to mail to anyone who doesn’t pick it up at con.
Bringing NASFiC to San Juan, Puerto Rico was great thing — and one of the prime movers behind that successful bid and con has been Pablo Vazquez. I was really looking forward to congratulating Pablo at the con in Helsinki and to hearing all about that NASFiC.
And then Pablo told me he wouldn’t be joining fans in Helsinki this year.
Money’s tight for Pablo; he’s been prioritizing travel and preparations for this historic and awesome NASFiC. Now he finds himself short of funds for his last travel expenses. He’s got accommodations and a membership covered, but his fixed-cost airfare and incidental expenses are beyond his means this summer.
This is where my fellow fans come in. Help me get Pablo to Helsinki! Here’s what he needs:
$600 for the air fare (it’s a fixed cost, ’cause he knows a guy.)
$500 for food, travel incidentals, walkin’ around money and buying a round. That may seem like a lot, but food in Finland is not cheap, and there’s no con suite this year, so he can’t live on Doritos and free sodas. 🙂
The festival will accept animated or live-action submissions of original science fiction or fantasy stories (examples: futuristic stories, space adventure, technological speculation, social experiments, utopia and dystopia, sword and sorcery, folklore, urban fantasy, magic, and mythic adventure).
A nationally recognized panel of distinguished film, television, literature, and science fiction industry professionals, peers, and film critics will review qualifying submissions to determine the winners of the Grand Prize, Second Place, Third Place, and the Douglas Trumbull Award for Best Visual Effects. Festival films will also be eligible for the Audience Favorite award.
In order to qualify, submitted films must have been completed after December 31, 2012, and must not exceed 15 minutes. Films that exceed 15 minutes may still be considered for festival inclusion but will not be eligible for awards.
Over the past few years I have encountered Harry Potter fans who were abusive bullies, Star Trek fans who were against diversity, and now Doctor Who fans who were close-minded and unkind.
It’s like none of them were paying any attention at all.
I am looking forward to the emergence of Batman fans who are in favor of crime.
The second is that people don’t see theme. SF is about space ships and explosions. Fantasy is about swords. The actual thing trying to be conveyed is missed far more often than not. The light was brought to this in a “funny” way to our little lit community by Brad and the Pups a few years back when Star Trek was pointed out to be first and foremost, about adventure and action–about combat in space. From the same group, there was a great deal of discussion in which they confused the theme with something incidental to the story because the incidental thing was not part of their normal life. So, if a story happened to have someone gay in it, then the story must be about sexual preference. If the story had a Black lead, then the theme must be about race. These are people that are big fans of science fiction, and they couldn’t see the themes.
(6) MAD PENIUS CLUB. And right on time, here’s Dave Freer’s death-kiss for the Thirteenth Doctor.
The trouble with this is it’s a judgement call, and especially inside the various bubbles (New York Publishing, Hollywood, and in the UK the Beeb’s little Guardian-and-Birkenstock club) they’re often so distant and unconnected with audiences outside their bubble that they assume they think like them and will respond like them. Which is why they have flops like the Ghostbusters remake, because they assumed the audience for the movie was just dying for a feminist version, with lots of man-kicking. Dr Who is trying much the same thing with a female Doctor. It could work because that audience is already pretty much restricted to inside their bubble. Still, with a new writer, and female lead after 12 male ones… She’ll have to be a good actress, and he’ll have to be a better writer. I expect we’ll see a long sequence of designated victim minorities cast in the role in future, until the show dies. I doubt we’ll ever see another white hetero male, but maybe that’s just me being cynical.
…Steven Moffat, Doctor Who’s Executive Producer from 2010 to 2017, used to make a habit, when asked if there was ever going to be a female Doctor, of throwing the question back to the audience. He’d ask for a show of hands as to who did and didn’t like the idea. Even half a decade ago, those audiences would be roughly balanced into pros and antis—although, as he noted, the proportion of “likes” was exponentially increasing every time he passed the question back.
In the last few years, the idea has gone from almost universally disliked to “Why hasn’t this happened already?”
Laying the canonical foundations
Moffat has played no small part in that himself. The first lines of dialogue given to Matt Smith’s Doctor, the first lines of Moffat’s era, see the newly regenerated Doctor, who cannot see his own face, wondering if he’s now female. A year later in “The Doctor’s Wife,” produced by Moffat and written by Neil Gaiman, the Doctor comments of a dead Time Lord friend The Corsair, “He didn’t feel himself unless he had a tattoo. Or herself, a couple of times”.
Three years after that, Moffat cast Michelle Gomez as ‘Missy’, the Doctor’s oldest friend and arch enemy, a character previously only played by male actors and usually referred to as the Master. A year after that—just to make sure that no one regarded Missy as an exception that proves the rule—Moffat had Ken Bones’ recurring Time Lord character The General regenerate into T’Nia Miller, changing sex and ethnicity simultaneously. Other Time Lords in the series treated this as momentarily distracting but thoroughly routine.
It now seems daft to say that such groundwork needed to be done: after all, the character of the doctor is an alien who merely looks human. But the series itself had never hinted that the idea was possible before 2010. Now, any viewer who has seen an episode with Missy in knows the Doctor’s own people can, and do, change sex. No one can pretend the idea isn’t part of the series, no matter how much they may want to. Moffat’s careful layering over years shows up any objections to the series having a female lead for what they are.
(8) NEVERTHELESS. Alison Scott has a shirt she would love to sell you. I bought one for my daughter. (U.K. orders here; U.S. orders here.)
(9) TODAY IN HISTORY
July 17, 1955 — Disneyland Park opened in Anaheim, California
July 17, 1967 — Contact with Surveyor 4 lost 2.5 minutes before Moon touchdown.
July 17, 1987 — Robocop, released on this day
July 17, 1988 – Debut of the sci-fi telefilm Out of Time…starring Bill Maher…yes that Bill Maher.
July 17, 1992 — Honey, I Blew Up The Kid in theaters.
As famous as he was for playing Batman — and he was very famous for that — Adam West was also known to another generation of fans for his wacky work on Family Guy. The late actor, who popped up and scored in more than 100 episodes as Mayor Adam West, left a colorful, indelible imprint on the animated Fox comedy — as well as on its producers and fans.
Download the free Grenadine Event Guide app (for Android and iPhone) from https://vvy4n.app.goo.gl/5r2l. To access the Worldcon 75 programme in the app, please use the code WCON75.
(14) HAUNTED HELSINKI. Adrienne Foster has arranged a “Ghost walking tour of Helsinki” for the convenience of Worldcon 75 members. It will be an English-speaking tour at 6 p.m. on Wednesday, 9 August 2017.
Once again, those interested in reserving a spot on the tour need to be a member of Meetup.com and join Bay Area Ghost Hunters. Joining is free on both counts, but the fee for the ghost walk is to cover the cost of the tour operator. Yes, it was deliberate putting the “prere…gistration” fee in U.S. dollars and the “at-the-door” cost in euros.
As the 75th World Science Fiction Convention (aka Worldcon 75) rolls around again, it gives me another opportunity to arrange a ghost walk of its host city, Helsinki. Yes, that’s in Finland. Ghost walks are one of my favorite things to do when I’m traveling and it’s always a lot more fun to do them with like-minded companions. To make it even more attractive to the many members who don’t speak Finnish, the tour operator has an English-speaking tour available.
Although this has been timed for the convenience of Worldcon 75 members, all BAGH members are welcome to participate. If anyone just happens to have coinciding travel plans to Helsinki, please join us.
In addition to ghost stories, guests on these tours learn a lot about the history of the locale, particularly some of its macabre past. It even starts at a hotel that is a converted prison.
(15) MINGLE LIKE TINGLE. Is this going to be an “I am Spartacus” kind of thing?
(16) AUREALIS AWARDS. The 2017 Aurealis Awards are now open for nominations. Eligible works must be created by an Australian citizen, or permanent resident, and published for the first time this year.
The thrilling adventures of Arabella Ashby continue in Arabella and the Battle of Venus, the second book in Hugo-winning author David D. Levine’s swashbuckling sci-fi, alternate history series!
Arabella’s wedding plans to marry Captain Singh of the Honorable Mars Trading Company are interrupted when her fiancé is captured by the French and sent to a prisoner-of-war camp on swampy Venus. Now, Arabella must find passage to an enemy-controlled planet in the middle of a war, bribe or fight her way past vicious guards, and rescue her Captain.
To do this she must enlist the help of the dashing privateer, Daniel Fox of the Touchstone and build her own clockwork navigational automaton in order to get to Venus before the dread French general, Joseph Fouché, the Executioner of Lyon.
Once on Venus, Arabella, Singh, and Fox soon discover that Napoleon has designed a secret weapon, one that could subjugate the entire solar system if they can’t discover a way to stop Fouché, and the entire French army, from completing their emperor’s mandate.
He is currently drafting the final book in the trilogy, currently titled Arabella and the Winds of Phobos but may end up being called Arabella the Traitor of Mars.
(18) NEWCOMERS TO THE HEARTH. Fireside Fiction is undergoing a change of management, with Brian J. White stepping down. Pablo Defendini is taking over as publisher and Elsa Sjunneson-Henry as managing editor. Julia Rios and Mikki Kendall are also joining the team.
White is leaving to focus on his work as a journalist.
As many of you know, I work at a newspaper. And that work has been consuming more and more of my time lately, with both the volume and the importance of the news rising in a way we’ve never experienced in this country. And it comes alongside a level of furious, violent antipathy toward the press that is somehow both wildly shocking and banally predictable.
Fireside has been the labor of love of my life, and it kills me to step away. But I am a journalist, first and always, and I need to focus my energy on the work we are doing. A lot of people have made fun of the earnestness of the Washington Post’s Democracy Dies in Darkness slogan, but it is true, and I won’t let the light go out.
Chris McKay has fallen out of love with Mars. The red, dusty, corroded world no longer holds the allure it once did.
“I was obsessed with life on Mars for many years,” confesses the Nasa planetary scientist, who has spent most of his career searching for signs of life on the red planet.
“It’s seduction at the highest level,” he says. “I’m abandoning my first love and going after this other one that’s shown me what I wanted to see.”
The new object of McKay’s affections is Enceladus, the ice-encrusted moon of Saturn. Investigated by the joint Nasa and European Space Agency (Esa) Cassini space probe, the moon is spewing out plumes of water from its south pole – most likely from a liquid ocean several kilometres beneath the surface. Cassini has found this water contains all the vital ingredients for life as we know it: carbon, nitrogen and a readily available source of energy in the form of hydrogen.
“I think this is it,” says McKay. “From an astrobiology point of view, this is the most interesting story.”
The Eighties got a lot of mileage out of the idea that computers were magic. I mean, the fundamental principle of Weird Science is that Wyatt has, like, a 386 with a 14.4 modem and a scanner, which he can connect to the Pentagon and make a goddamn genie with it. Most Hollywood movies today still let computers be magical, but not to the same degree. And few movies go as full out crazy with the idea as Electric Dreams.
For those not in the know, Electric Dreams is a relatively small, simple movie, in which an architect named Miles (he might be an engineer—something to do with buildings) lives in the downstairs part of a duplex, below gorgeous cellist Virginia Madsen. And he gets himself a computer so he can design an earthquake brick. So far, all normal.
It turns into a love triangle with Wyatt and a sentient PC as rivals.
As in any good mystery, it soon becomes clear that there are shady things lurking in the past of each and every crew member, as well as the traditional untrustworthy AI. Six Wakes builds its narrative through an omniscient third person narrator which switches between character viewpoints, as well as flashbacks to the crews’ lives in the lead up to being selected for the ship. Each crew member knows the others have volunteered for the mission because they are convicted criminals who will be pardoned upon arrival, but they have been told their crimes must remain confidential. From the ship’s doctor who was one of the original people cloned when the technology began, to the AI tech who has been on the verge of a breakdown since waking, to the shady machinations of the captain and the security officer, Six Wakes uses a small cast to great effect, with the world of the clones coming across as claustrophobic and restrictive even in background chapters set on Earth, thanks to both the Codicls as well as the inequalities and power struggles that arise from a society of functionally immortal beings. Six Wakes’ characters aren’t likeable in a traditional sense but I found them generally sympathetic, and the backgrounds go a long way towards making that balance work.
The Dothraki in Game of Thrones are represented as feared and ferocious warriors. Jorah Mormont describes their culture as one that values power and follows strength above all, and there is no greater way to demonstrate power and strength according to the Dothraki than through war. Like their fictional counterparts, the Scythians were pretty terrifying in battle. The Greek historian Herodotus writes that Scythians drank the blood of the men they killed and kept their scalps as trophies and skulls as drinking cups. While we should probably take Herodotus with a pinch of salt, by all accounts they were pretty brutal! The Dothraki also like decapitating their defeated enemies – guards known as the jaqqa rhan, or mercy men, use heavy axes to do this.
The Scythians and the Dothraki fight on horseback and are excellent archers. They both use curved (or composite) bows to maximise the range and the damage of their arrows. As Jorah Mormont says of the Dothraki, ‘they are better riders than any knight, utterly fearless, and their bows outrange ours.’
The Twilight Zone, Rod Serling’s landmark sci-fi anthology series about technological paranoia, creeping dread in 1960s America, and monsters and weirdos of all sorts, will be adapted as a stage play, The Hollywood Reporterconfirmed this morning.
The play will debut in a limited run at London’s Almeida Theatre this December, with a script from Anne Washburn. Washburn’s best-known play is her 2012 Off-Broadway work Mr. Burns, which is about a traveling theater troupe in post-apocalyptic America that performs episodes of The Simpsons from memory. The play will be directed by Olivier-winner Richard Jones, who is best known for the 1990 London run of Sondheim’s Into the Woods, as well as the short-lived 1997 Titanic musical on Broadway, and has also directed several operas and Shakespeare productions.
For Maine writers Sharon Lee and Steve Miller, all it took to launch a brand-new universe was a single sentence.
The opening line for what would become “Agent of Change,” the inaugural volume of their Liaden Universe space opera series, was “The man who was not Terrence O’Grady had come quietly.”
It’s not quite “Call me Ishmael,” but something about typing those 10 words back in 1984 made Lee say to her husband, “I have a novel here.” And there was sufficient inspiration on the page for Miller to say, “I’m sorry, but I think you have a series.”
Both were right. Reached by phone at their Maine coon cat-friendly home in Winslow, surrounded by oil paintings, prints, book cover and other science fiction and fantasy artwork, Miller remembered, “We sat down that night and fleshed out the basic idea for the first seven books.” Four years later, in 1988, their collaborative debut was published in paperback by DelRey.
Since then, Lee, 64, and Miller, 66, have published 20 Liaden Universe novels and nearly five dozen related short stories. Baen Books published their latest hardcover novel, “The Gathering Edge,” in May.
.And they’ll be Guests of Honor at ConFluence from August 4-6.
(25) YOU WOULD BE RIGHT.
I have not until just now ever heard of Enid Blyton, which I'm led to understand is sort of like not having heard of Dr. Seuss.
Following Jewish celebrity Scarlett Johansson’s campaign for the Israeli beverage company SodaStream, the Big Bang Theory star Mayim Bialik is the new face proudly representing the company new campaign in a Viral Video.
Features Mayim Bialik as an anthropologist, recalling her first encounter with the Homo-schlepien played by Kristian Nairn known as Hodor from “Game of Thrones.” The story reflects the devastating effect of single-use plastic bottles on Humanity. A habit that is hazardous to Earth and no longer exist in the future.
In this funny story, the Museum of UnNatural History features encounters between Mayim and the last tribe of plastic dependent species, the Homo-schlepien.
The shooting of the campaign was brought forward while Bialik had to rest her vocal chords for one month due to a medical advice. “This campaign has a powerful message and one that needed to be told before I went on vocal rest,” said Mayim Bialik.
[Thanks to JJ, Bill, Steve Miller, David Levine, Carl Slaughter, Chip Hitchcock, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Xtifr.]
