Pixel Scroll 6/26/20 Memory, All Alone In The Bookstore, Has The Store Lost My Authors, Oh, Wait, Here They All Are

(1) PUBLISHER CUTS TIES WITH MYKE COLE. Angry Robot, which published their first Myke Cole book, Sixteenth Watch, in March, says they won’t be bringing out any more.

Cole previously had a trilogy published by Tor, and another series by Ace.

Cole also has been dropped by his agent.

Vault Comics canceled Hundred Wolves, where Myke Cole was the writer. The series was set to begin in September.

Cole apologized for his behavior, and reiterated an apology from 2018 — and then said he was “exiting…the public square…for the foreseeable future.”

(2) THE ROOM WHERE IT SHOULDN’T HAPPEN. Foz Meadows suggests ways to understand and navigate the sff social scene. Thread is compiled at Threadreader.

Foz kicks off with this tweet –

— but spends more time on issues like these:

(3) THE PROMISE OF ANGER IS AN ILLUSION. Alexandra Erin also discusses ethical ideas that may be helpful in deciding how to handle social situations: “More In Sorrow Than In Anger”. Tagline: “On what we choose to do when all our sins are remembered.”

This is not the piece I had planned on writing this week. While I cannot ignore national politics or world events, the professional community of which I am a part – that of the science fiction and fantasy literary profession – has been imbroiled with a wave of revelations of misconduct by some of the big fish in our small ponds of convention circuits, mentor programs, and what passes for royalty and nobility in our petty fiefdoms.

… At some points in our lives, all of us will find ourselves in a situation where the next thing we do will either make others very sad or very angry.

Sometimes this will be entirely outside your control. Sometimes you are placed in a situation through no fault of your own where nothing you do will make others happy, and in fact anything you do will likely leave them unhappy.

This is not about those times.

This is about the times when you do something, or are party to something, or fail to prevent something that is hurtful and harmful to others. Maybe you didn’t see it that way. Maybe you didn’t intend to do anything wrong.

But it’s true nonetheless that you’ve caused damage and now the question is what to do about it. What to say about it. Where to go next.

(4) WORD PICTURE. Catherynne M. Valente offered a way of looking at recent developments.

(5) ROUNDUP. At Multiversity Comics Christopher Chiu-Tabet has assembled “A Timeline of Recent Allegations in the Comic Book Industry”.

Since June 15, 2020, when artist/writer Cameron Stewart was widely accused of abusing his clout to prey on aspiring teenage comic book creators, the industry has continued to be rocked by allegations of other prominent figures sexually harassing, assaulting, or coercing their colleagues. Other creators have also begun to speak out about general sexism in the industry.

This list of recent allegations will continue to be updated….

(6) KEENE’S COMMENTS. In last night’s episode of The Horror Show With Brian Keene, he said the show’s team was aware of 10 cases of allegations involving everything from sexual coercion to sexual assault that have been made “against ten different individuals in the comic book, horror, science fiction, book-selling, convention organizer, and cosplay sectors of our industry — all of which had publicly come to light in the last 7 days.”

When Keene followed up the podcast today with a public Patreon post, “Behind Closed Doors”, he said the number is up to 17.

…When we started out, we were lifted up by those who came before us. Now, we spend a good part of each day lifting up those who are following our trail. But while we may be able to speak with some authority on the quality of that person’s writing or art or directorial abilities, and while we may speak to them via email or phone or social media — at the end of the day, we don’t always know what’s going on behind closed doors.

…Ignorance is not an excuse. But I do believe that we as creators, in the process of lifting up others and celebrating others, must always remember that we don’t know what goes on behind closed doors. And if those doors are opened and we see what goes on, and it is harmful to individuals or to our greater community, then we have a duty to speak out about it and our association with that person going forward, as I did with Chandler.

I believe we can separate the art from the artist. I also believe we can separate the artist from their associations. I believe that once their associations come to light, we should take a moment — just a moment — and look at it with some nuance. If the artist was associated with something like Stormfront, and was secretly posting hate-screeds, okay, yeah, fuck that person right in the ear. But there’s a big difference between that and Tweeting, “Hey, check out this other author’s book.”

We as creators have a responsibility when it comes to our platforms and our reach. If we’ve lifted up an artist who is later alleged to have done something harmful to individuals in our community, or to the community itself, I think it is our absolute duty to speak on that candidly and honestly and urgently. And that can be difficult. I think the most heartbreaking thing about Kelly Sue DeConnick’s two videos regarding the Warren Ellis allegations is not what she says — but what she doesn’t say. The hurt and bewilderment that is there in her expression. The pain left unvoiced. I can only imagine how hard it was for her to speak out like that, but she was right to do so. To not address it, after years of Ellis lifting her up to his audience and she (in all fairness) lifting him up to her audience, would have been a disservice to the larger community.

In my opinion, she did the right thing….

(7) MWA ACTION. The Mystery Writers of America have issued a statement about the suspension of an unnamed member: “A Message from the MWA National Board of Directors”.

Due to allegations made against one of our members, on Wednesday evening, June 24, 2020, the Board of Directors of Mystery Writers of America (MWA) voted to suspend the membership of the accused member, pending the outcome of our investigation. Mystery Writers of America takes the safety of our members at industry events, whether sponsored by MWA or not, very seriously and will continue to work towards a goal of making every event safe for everyone who attends. We are currently working with our legal advisors on developing a more comprehensive code of conduct, which will be completed and made public shortly.

(8) INTERNATIONAL THRILLER WRITERS BOARD EXODUS. Hillel Italie, in an Associated Press story entitled “Board members resign from thriller writers association after harassment, racial criticisms” says that eight of the 10 board members of the International Thriller Writers Association resigned amid criticisms of the organization’s response to Black Lives Matter and some sexual harassment charges. (The resigning board members statement is on Facebook here.)

 Eight of 10 board members and the executive director have resigned from International Thriller Writers, a professional association which has faced widespread criticism for its responses to the Black Lives Matters protests and an author’s allegations she was harassed during a writers conference. 

Criticism of the ITW emerged last week when novelist Laurie Chandlar announced on Twitter that she had stepped down from her position as Debut Author Chair. 

“I and another female author brought serious concerns to the ITW board regarding a male author’s behavior at an industry event. They were summarily and callously dismissed,” Chandlar wrote. “For years I’ve heard of women being harassed, groped, and cornered at industry events. And even with serious complaints involving a police report, it seems some leaders have preferred over the years to just sweep it all under the rug.”

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born June 26, 1905 – Lynd Ward.  His striking Gods’ Man, a novel in woodcuts, has no words; an artist sells his soul for a magic paintbrush, which seemed a good idea, but ha ha; there’s a Dover edition; the title alludes to Plautus’ Bacchides Act IV sc. 2, “Whom the gods favor, dies young”.  LW did a fine illustrated edition of Frankenstein; won the Caldecott Medal; with wife May McNeer, other notable work, e.g. Prince Bantam about Yoshitsune and Benkei who although historical people are also the stuff of legend.  Here is another LW image.  (Died 1985) [JH]
  • Born June 26, 1910 – Elsie Wollheim.  One of the original Futurians.  Wife and then widow of Donald A. Wollheim, co-founded DAW Books with him and succeeded him at his death.  Guest of Honor at WisCon 5, Lunacon 26, DeepSouthCon 33, L.A.con III the 54th Worldcon (some use Roman numerals, some don’t) chaired by Our Gracious Host.  (Died 1996) [JH]
  • Born June 26, 1929 – Milton Glaser, 91.  Graphic designer.  Made the logograph for DC Comics; also I [heart] NY which, since I’ve lived there, I invite you to consider as possible fantasy, but I loved it, anyway.  Two dozen covers for us.  Here is A Canticle for Leibowitz.  Here is The Man Who Called Himself Poe.  Here is a Bob Dylan poster.  [JH]
  • Born June 26, 1929 – Wally Weber, 91.  Of Seattle and Huntsville.  Co-edited Cry of the Nameless when it won the Hugo for Best Fanzine; chaired the 19th Worldcon; TAFF (Trans-Atlantic Fan Fund) delegate.  [JH]
  • Born June 26, 1936 – Nancy Willard, Ph.D.  Wrote Things Invisible to See, four more; four shorter stories; poetry; two or three score other things of which we might claim many; Pish, Posh, said Hieronymous Bosch and The Sorcerer’s Apprentice illustrated by the Dillons; Newbery Medal for A Visit to William Blake’s Inn.  (Died 2017) [JH]
  • Born June 26, 1987 – Zoraida Córdova, 33.  Eight novels, of which one is Star Wars and so is a shorter story (in From a Certain Point of View).  Having been reared in Queens she naturally writes about Brooklyn Brujas.  Co-hosts a podcast Deadline City.  [JH]

(10) MUPPETS NOW. The forthcoming Disney+ Muppets show starts July 31.

(11) WHAT’S THAT SMELL? Yes, today seems like the right day to discover this is happening.  “Grateful Dead Launches Deodorant Brand”. From NPR:

So the Grateful Dead are launching a deodorant brand, which is not particularly on-brand. It’s true – when you think of the Dead, you don’t right away think fresh scent. But the line is handmade, small-batch and vegan. The fragrances have names like skull and roses and sunshine, overtones of lavender and rose and blood orange and bergamot, respectively. All this meaning your armpits can now glow with the gold of sunshine.

Umm, doubtful.

(12) LOOK OUT FOR THAT JUGGERNAUT! Smithsonian Magazine tells readers how “You Can Help Teach the Curiosity Rover to Drive on Mars”.

You could help the Curiosity rover navigate Mars by flipping through photos of the red planet’s rocky landscape and labeling what you see.

NASA is asking volunteers to help sort through and label thousands of photographs taken by the rover. The labels, gathered through the AI4MARS program, will help the rover pick a path to reach its next scientific target. The labels will contribute to a machine learning project to help the rover’s path planners pick smooth routes, after years of sharp terrain wore down the rover’s treads, Elizabeth Howell reports for Space.

… Curiosity landed on the Red Planet in 2012. In theory, choosing clear, smooth paths could help extend Curiosity’s useful time on Mars. But by 2017, there was damage on the rover’s zigzagged treads, threatening their ability to carry its four-ton mass. That’s after only driving about 14 miles throughout its mission so far. According to a statement, it can take four to five hours for a team of rover planners to figure out where Curiosity should drive and how it should get there.

(13) HOLMES ON THE RANGE. The Verge’s Adi Robertson clearly has an opinion: “Arthur Conan Doyle’s estate sues Netflix for giving Sherlock Holmes too many feelings”.

The estate of Sir Arthur Conan Doyle has sued Netflix over its upcoming film Enola Holmes, arguing that the movie’s depiction of public domain character Sherlock Holmes having emotions and respecting women violates Doyle’s copyright.

Enola Holmes is based on a series of novels by Nancy Springer starring a newly created teenage sister of the famous detective. They feature many elements from Doyle’s Sherlock Holmes stories, and most of these elements aren’t covered by copyright, thanks to a series of court rulings in the early 2010s. Details from 10 stories, however, are still owned by Doyle’s estate. The estate argues that Springer’s books — and by extension Netflix’s adaptation — draw key elements from those stories. It’s suing not only Netflix, but Springer, her publisher Penguin Random House, and the film’s production company for unspecified financial damages.

(14) MARKET REPORT. Publishers Weekly has put out a call for “Feature: SF, Fantasy & Horror”

Issue: Sept. 7
Deadline: July 15

We’re interested in works of genre fiction (adult and YA crossover only) whose themes include race, gender, and building an equitable society; illness, pandemics, and the post-apocalypse; superheroes and supervillains outside of comics and graphic novels; and witchy dark fantasy. Pitches on other SFF trends are welcome, as is information on series openers/finales. New titles only, please; no reprints. Pub dates: Sept. 2020–Feb. 2021. 

Please send pitches to <features@publishersweekly.com> by July 15 and put “Call for Info: SFF” in the subject line.

(15) FACEBOOK. BBC reports “Facebook to tag ‘harmful’ posts as boycott widens”

Facebook has said it will start to label potentially harmful posts that it leaves up because of their news value.

The more hands-on approach comes as the social media firm is under pressure to improve how it moderates the content on its platform, including posts by US President Donald Trump.

More than 90 advertisers have joined a boycott of the site.

Consumer goods giant Unilever on Friday added its name to the list, citing a “polarized election period” in the US.

The maker of Dove soap and Ben & Jerry’s ice cream said it would halt Twitter, Facebook and Instagram advertising in the US “at least” through 2020.

“Continuing to advertise on these platforms at this time would not add value to people and society,” it said. “We will revisit our current position if necessary.”

(16) SPLASH MOUNTAIN MAKEOVER. “Disney Parks’ Splash Mountain Ride to Remove ‘Song of the South’ References”Variety has the story.

… The Walt Disney Co. on Thursday announced that its classic ride Splash Mountain would be “completely reimagined,” amid scrutiny over the ride’s roots in the racist 1946 film “Song of the South.”

The ride will be redesigned to draw from the 2009 film “The Princess and the Frog,” the first Disney animated movie to feature a Black princess. According to Disney, the redesign has been in the works for over a year, though no concrete timeline for its construction and relaunch has been announced. The new ride’s storyline will pick up after Princess Tiana and Louis’ final kiss in the film, and feature music from the movie as the pair prepare for a Mardi Gras performance….

(17) WINDING UP PRODUCTION. The Hollywood Reporter says “A.I. Robot Cast in Lead Role of $70M Sci-Fi Film”.

As the industry grapples with how to reopen for production safely, one movie is proceeding with a lead actress who is immune to COVID-19 — because she’s a robot named Erica.

Bondit Capital Media, which financed titles such as To the Bone and the Oscar nominated Loving Vincent, Belgium-based Happy Moon Productions and New York’s Ten Ten Global Media have committed to back b, a $70 million science fiction film which producers say will be the first to rely on an artificially intelligent actor.

Based on a story by visual effects supervisor Eric Pham, Tarek Zohdy, and Sam Khoze, who also produces through Life Entertainment, b follows a scientist who discovers dangers associated with a program he created to perfect human DNA and helps the artificially intelligent woman he designed (Erica) escape.

Japanese scientists Hiroshi Ishiguro and Kohei Ogawa, who created Erica in real life as part of their study of robotics, also taught her to act, applying the principles of method acting to artificial intelligence, according to Khoze….

(18) VIDEO OF THE DAY. In “Howard The Duck Pitch Meeting” on YouTube, Ryan George explains why Howard The Duck made no sense.

[Thanks to John Hertz, JJ, John King Tarpinian, Cat Eldridge, Daniel Dern, Chip Hitchcock, Mike Kennedy, Martin Morse Wooster, Michael Toman, Dan B., and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Kendall.]

Pixel Scroll 2/22/20 Come And See The Filers Inherent In The Pixel

(1) YOU’VE SEEN HIM EXPLAIN HUGO VOTING, SO YOU KNOW HE’S GOT THIS. Kevin Standlee, a volunteer in Nevada’s Democratic Caucuses, appeared on CNN Newsroom with Poppy Harlow and Jim Sciutto to answer questions about the assistive technology being used there (not the one that sparked controversy in Iowa). See the video here.

Kevin added, responding to a File 770 email:

My specific role was “Precinct Chair,” meaning that I conducted the caucus for my own precinct (Lyon County precinct 40), conducting the votes and certifying the results to the site lead. (Seven precincts caucused at our site.) The Site Lead then took the official paper records, reported them to the party headquarters by telephone and by texting pictures of the records to the party, then he took custody of the paper records and returned them to the party headquarters in Reno.

And before I finished today’s Scroll Kevin had written a complete account (with photos) on his blog — “3 1/2 Minutes of Fame”. Plus, his photos of the CNN appearance start here, and photos of the Nevada Caucus start here.

(2) AXE FALLS AT DC. Dan DiDio was ousted as co-publisher of DC Comics yesterday, says The Hollywood Reporter: “DC’s Dan DiDio Out as Co-Publisher”.

…Since stepping into an executive role at the company, DiDio has served as DC’s public face at conventions and public events, and has worked to champion not only the company as a whole but specifically the comic book division — and comic book specialty market — as being integral to DC’s success on an ongoing basis. DiDio was also part of the push to expand DC’s publishing reach into Walmart and Target via exclusive 100-Page Giant issues, an initiative that proved so successful that the issues were expanded to the comic store market.

…With DiDio’s departure, Jim Lee becomes sole publisher at DC, in addition to his role as the company’s chief creative officer, a position he’s held since June 2018.

Why is he out? The Hollywood Reporter didn’t address the question. Bleeding Cool received an answer from unnamed sources: “So Why Did Dan DiDio Leave DC Comics Anyway?”

Bleeding Cool now understands that yes, DiDio was fired this morning by Warner Bros at 10.30am PT in their Burbank offices and he left the building straight away. I am told by sources close to the situation that he was fired, for cause, for ‘fostering a poor work environment’ – as evidenced, as we previously stated, by significant departures at the publisher by editors. Dan DiDio has a reputation of being a micro-manager from some, for being very involved in projects from others. And DC Comics was heading towards a big change in its publishing programme – one aspect of which was the much-rumoured 5G – or Generation Five. Which would have seen DC’s major figures Bruce Wayne, Clark Kent, Diana and more aged out and replaced with new characters taking the roles of Superman, Batman and Wonder Woman as part of the new DC Timeline. And some folk at DC Comics were very much against this. But opposition never worried Dan, after all he was at constant odds with the direction the company line was pushed for pretty much his entire career as Publisher, and was always was striving to put comics first, as he saw it….

(3) FIRING THE IMAGINATION. At Boston Review, John Crowley interviews Elizabeth Hand: “Elizabeth Hand’s Curious Toys”

JC: Historical fictions are designed largely as a sort of medley: true details of time and place, actual persons of the period treated as fictional characters with their own point of view, invented persons who interact with the historical ones, real events that will form memories for the real people and for the fictional ones. You’ve long been drawn to this kind of fiction and its possibilities. What do you think its power is, for writer and reader?

EH: Well, as you know yourself, history is an immense sandbox for a writer to play in. I would add “fulfilling,” but can a sandbox be fulfilling? I love research, searching for and delving into primary sources in hopes of discovering some nugget of information that’s somehow gone unnoticed, that I can then use in a story. And while I always try to create as authentic and absorbing a portrait of a period as I can, I love playing with all the what ifs of history. Darger and Chaplin and Hollywood screenwriter Ben Hecht and others were all in Chicago at the same time: what if their paths crossed in some way?

JC: A theme of Curious Toys is how people in that period were fascinated with human oddities (fake or real), and you explore how, as much as that was about fear and wonder over the bodies of differently-abled people, it was also connected with the period’s gender rules and expectations. How much of this background psychology do you expect readers will sense?

EH: I never know what readers will “get” or not. To me, some things in a narrative seem perfectly obvious, yet are completely overlooked by readers (and critics). But I hope that my depiction of that period and its fears and bigotries is realistic enough that readers grasp how similar it was to our own time, even though many things have changed for the better. I came across an anti-immigrant government screed from around 1915 that could have been written yesterday by a member of the current administration. Gender expectations have changed since 1915; I suspect Pin would have very similar experiences were she to pull the same gender reversals today, though they’d be updated for the twenty-first-century workplace. I guess my real concern should be that some readers will think my historical depiction of an earlier era’s prejudices is fake news.

(4) AS SEEN ON TV. Nerds of a Feather’s Andrea Johnson poses the questions in “Interview: Myke Cole, author of Sixteenth Watch”.

NOAF: You’re also on TV! While us viewers only see the polished, edited version, you literally get to see what happens behind the scenes. Any funny or surprising stories from your experiences filming the Contact and Hunted TV shows? Is television something you hope to do more of?

MC: I love doing TV. For one thing, I love attention. I used to think of this as a character flaw (we’re all raised to be self-effacing and taught that seeking the spotlight is a sign of egomania), but I’ve come to accept that for better or worse, it’s who I am. TV is so much easier than writing. It’s grueling work (12-15 days when you’re shooting), but it’s compressed into a tight period (Hunted was two month’s work. Contact was one month’s work). I get paid more to do a single TV show than I do in a year of writing, and a book takes me 1-2 years to write.

But just like writing, just because you’re doing it at a professional level is absolutely no guarantee you will get to keep doing it. I thought that starring on two major network shows and having an agent at CAA (it’s really hard to get in there) meant my TV career was set. Nothing could be farther from the truth. The only real benefit of having done two shows is that I now have a gorgeous, professional “reel” (clips of me on TV) that I can show to other shows I am trying to get to book me. Otherwise, I’m basically at square one. So, I’m currently hustling for my next show and there’s no guarantee that I’ll get it.

(5) MAKE IT SO MUCH. ComicBook.com says the floodgates have opened: “Star Trek: New Movie, Two New Series, and More Confirmed in the Works”.

A lot more Star Trek is on the way. ViacomCBS CEO Bob Bakish confirmed during the company’s 2019 earnings call that two more Star Trek television shows are in the works. These are on top of Star Trek: Discovery, Star Trek: Picard, and the already announced Star Trek: Lower Decks, Star Trek: Section 31, and the untitled Nickelodeon Star Trek animated series. Bakish also confirmed that the next installment of the Star Trek film series is being developed by Paramount Pictures. This was the first earnings call since ViacomCBS formed out of the merger of Viacom and CBS in 2019. The merger brought the Star Trek film and television rights under the same roof for the first time since the two companies split in 2006.

Bakish says that the reunited ViacomCBS plans “take the Star Trek franchise and extend it across the house.”

To that end, Bakish confirmed that a new line of Star Trek novels is on the way from VIacomCBS subsidiary Simon & Shuster. This line will include prequels tying into Star Trek: Picard. The first Picard tie-in novel, The Last Best Hope by Una McCormack, was released in February.

Bakish also confirmed that more Star Trek comics are on the way…

.(6) DARK MATTERS. “Chasing Einstein: The Dark Universe Event” will be hosted by The Arthur C. Clarke Center for Human Imagination on March 2. A screening of the feature documentary Chasing Einstein will be followed by a panel discussion and Q & A.

Could Einstein have been wrong about the true nature of gravity? Does his general theory of relativity and the Standard Model need an update? Unprecedented advances in experimental particle physics, astronomy and cosmology are uncovering mysteries of cosmic consequence. Among the most challenging is the realization that 80% of the universe consists of something unknown that exerts galactic forces pulling the universe apart. The search for Dark Matter extends from the worlds most powerful particle accelerators to the most sensitive telescopes, to deep under the earth. Nobel worthy discoveries await. Scientists at UC San Diego are at the epicenter of the search for Dark Matter leading efforts to build the next generation of instruments and experiments to uncover its secrets.

The panelists will be —

  • Professor, and Founder of the XENON Dark Matter Project, Elena Aprile
  • Chancellor’s Distinguished Professor of Physics Brian Keating
  • Kaixuan Ni, Ph.D, Ni Group at UC San Diego. Dr. Ni leads the development of liquid xenon detectors for the search of dark matter.
  • Patrick de Perio, postdoctoral research scientist, Columbia Univerity
  • Steve Brown, producer, Chasing Einstein

(7) THE TAIL OF BO. Amazing Stories’ Steve Davidson tells what his dog was like: “Bo Davidson 2003 – 2020”.

…Bo used his body.  He developed specific stances and specific locations, along with a variety of sounds.   One such was to come running up to you, circle once, face you straight on and chuff.  We quickly learned that this meant “I’m trying to tell you something and you are too stupid to figure it out.”  So we’d guess, and here’s the cool thing:  we’d know if the guess was right or wrong by what Bo did.  We’d offer (something like “do you need to go out”?) and if we were wrong, he’d look at whatever it was, but not move, then look back at us.  “Nope, that’s not it.”

Finally, if we were unable to come up with an answer, we’d say “show me”, and off Bo would go.  He’d walk right to the immediate vicinity of whatever it was (oh, I left food in the microwave – Bo standing, facing the microwave on the counter, or oh, your toy is way under the jelly cabinet – Bo standing facing the cabinet, then looking up at us, then back down at the floor).

Once he learned that attempts at communicating would be rewarded, he never stopped.

Steve still needs to pay some on-going expenses for Bo’s treatment and has a GoFundMe campaign here.

(8) TODAY IN HISTORY.

  • February 22, 1918 — In Denmark, A Trip to Mars (Himmelskibet in Danish), premiered. It is a 1918 Danish film about a trip to Mars. In 2006, the film was restored and released on DVD by the Danish Film Institute. Phil Hardy, the late English film critic, in The Overlook Film Encyclopedia: Science Fiction claims it is “the film that marked the beginning of the space opera subgenre of science fiction”.  You can watch it here.
  • February 22, 1956 The Mole People premiered. It was produced by William Alland, and directed by Virgil W. Vogel. It stars John Agar, Hugh Beaumont, and Cynthia Patrick. (Beaumont is best remembered for his portrayal of Ward Cleaver.)  The story is written by László Görög who also scripted The Land Unknown and Earth v. The Spider,  two other late Fifties SF films. Though I can’t find any contemporary critical reviews, currently audiences at Rotten Tomatoes give it a 28% rating. Oddly enough, the only video of it on YouTube is the Mystery Science Theatre 3000 airing which you can see here. That video alludes to the changed end which may have been done to placate the studio and their sensitivities to Fifties social mores.  

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 22, 1899 Dwight Frye. He’s  the villain in classic Universal Thirties horror films such as Renfield in Dracula, Fritz in Frankenstein and Karl in The Bride of Frankenstein. You might also know him as Wilmer Cook in The Maltese Falcon. He’s uncredited as a Reporter in The Invisible Man. (Died 1943.)
  • Born February 22, 1917 Reed Crandall. Illustrator and penciller best known for the Forties Quality Comics’ Blackhawk (a DC property later) and for stories in myriad EC Comics during the 1950s.  In the late Sixties, he did the illustration work on King Features Syndicate’s King Comics comic-book version of the syndicate’s Flash Gordon strip. He’s been inducted into Will Eisner Award Hall of Fame.  (Died 1982.)
  • Born February 22, 1925 Edward Gorey. I’m reasonably sure that his animated introduction to the PBS series Mystery! was my first encounter with him. I will recommend Gorey CatsThe Haunted Tea-Cosy: A Dispirited and Distasteful Diversion for Christmas and The Doubtful Guest. Ok if he’s not genre but he’s still fun and delightfully weird. Oh, and do go read Elephant House: Or, the Home of Edward Gorey, with superb photographs and text by Kevin McDermott. (Died 2000.)
  • Born February 22, 1929 James Hong, 91. Though not quite genre, he became known to audiences through starring in The New Adventures of Charlie Chan in the late Fifties. Genre wise, his first role was in Godzilla, King of the Monsters! voicing Ogata/Serizawa. He then pops up in The Satan Bug as Dr. Yang and next is seen playing Ho Lee in Destination Inner Space. You’ll no doubt recognize Colossus: The Forbin Project wherehe’s Dr. Chin but I’ll bet you’ve never heard of, oh wait you have, Blade Runner in which he’s Hannibal Chew and Big Trouble In Little China which I love in which he’s wizard David Lo Pan. It’s back to obscure films after that with next up being Shadowzone where he’s Dr. Van Fleet and Dragonfight where he’s Asawa. He’s next in The Shadow as Li Peng but I’ll be damned if I can remember his role and the same holds true for him as Che’tsai In Tank Girl too.  He’s Mr. Wu in the very loose adaption of the classic The Day the Earth Stood Still
  • Born February 22, 1933 Sheila Hancock, 87. Helen A. In the Seventh Doctor story, “The Happiness Patrol”.  Other than voicing The White Witch in an animated version of The Lion, the Witch & the Wardrobe, that’s it for her genre work as far as I can tell but it’s a role worth seeing if you’ve not seen it! 
  • Born February 22, 1937 Joanna Russ. Is it fair to say she’s known as much for her feminist literary criticism as her SF writings? That The Female Man is her best known work suggest my question really isn’t relevant as there may be no difference between the two. She was for a long time a influential reviewer for Magazine of Fantasy & Science Fiction where I think it would fair to say that you knew clearly what she thought of a given work. (Died 2011.)
  • Born February 22, 1953 Genny Dazzo, 67. She attended the first Star Trek Convention in New York. She has since been involved in the local SF con, Lunacon. Moving out to LA, she was on the committee for all of the LA WorldCons as well as the Westercons, Loscons, and AmineLA. 
  • Born February 22, 1959 Kyle MacLachlan, 61. Genre wise known for his role as Dale Cooper in Twin Peaks  and its weird film prequel Twin Peaks: Fire Walk with Me, Paul Atreides in Dune, Lloyd Gallagher in The Hidden, Clifford Vandercave In The Flintstones, Calvin Zabo in Agents of S.H.I.E.L.D. and Jeffrey Beaumont in Blue Velvet (OK not genre, just weird).

(10) COMICS SECTION.

  • At Family Circus, the kids ask their Mom a challenging genre question.

(11) BOOK FU. This seems like something no one should miss.

(12) WEASLEY SQUIRREL REVIVAL. Four Weasleys will reunite at a Dallas con happening at the end of March: “Harry Potter: Weasley reunion coming at Fan Expo Dallas 2020”. (John Cleese will be there too…!)

If you need a Weasley reunion, look no further than Fan Expo Dallas 2020. Four Harry Potter actors are getting together for some exciting times.

That’s right. You’ll get four of the Weasley siblings. And these aren’t the ones that you didn’t see enough off on screen. Fan Expo Dallas 2020 has managed to get the four Weasley siblings who spent most of their time on screen; the ones you cried over and rooted for.

Rupert Grint, Bonnie Wright, and Oliver and James Phelps will all attend the multi-fandom convention….

(13) FUTURE VISION. At CNBC’s Make It, “Elon Musk shares the science fiction book series that inspired him to start SpaceX”.

As a teenage boy, Elon Musk felt a “personal obligation” for the fate of mankind, according to the book “Elon Musk: Tesla, SpaceX, and the Quest for a Fantastic Future” by Ashlee Vance.

Musk’s love of books and the lessons he took from them inspired him to create “cleaner energy technology or [build] spaceships to extend the human species’s reach” in the future, according to Vance.

One set of those books Musk still recommends today: the seven-book “Foundation” science fiction series by scientist and author Isaac Asimov.

(14) 1968 ASIMOV AUDIO. Fanac.org presents a recording of Isaac Asimov’s talk at the 1968 Boskone.

In this audio recording (illustrated with more than 50 images), Isaac Asimov spends an hour talking about everything and anything. He is speaking to his extended family – a roomful of science fiction fans. 

Isaac speaks with great good humor about his writing (both science fiction and science fact), ribs his fellow writers, especially Lester Del Rey and others who were in the room, and tells stories about Harlan Ellison and John W. Campbell.  

He is charming and arrogant, explaining his view of women, why he doesn’t write for TV, his experiences on late night TV and more. 

This is an opportunity to get to know one of science fiction’s greats as his contemporaries did. 

Thanks to the New England Science Fiction Society (NESFA) and Rick Kovalcik for providing the recording. Brought to you here by FANAC.org , the Fanhistory Project. For more fan history, visit FANAC.org and Fancyclopedia.org .

(15) THEY, ROBOT. Plagiarism Today discusses “Why Web Scraping/Spinning is Back” and blames Google.

The big question is “What changed?” Why is it that, after nearly a decade, these antiquated approaches to web spamming are back?

The real answer is that web scraping never really went away. The nature of spamming is that, even after a technique is defeated, people will continue to try it. The reason is fairly simple: Spam is a numbers game and, if you stop a technique 99.9% of the time, a spammer just has to try 1,000 times to have one success (on average).

But that doesn’t explain why many people are noticing more of these sites in their search results, especially when looking for certain kinds of news.

Part of the answer may come from a September announcement by Richard Gingras, Google’s VP for News. There, he talked about efforts they were making to elevate “original reporting” in search results. According to the announcement, Google strongly favored the latest or most comprehensive reporting on a topic. They were going to try and change that algorithm to show more preference to original reporting, keeping those stories toward the top for longer.

Whether that change has materialized is up for debate. I, personally, regularly see duplicative articles rank well both in Google and Google News even today. That said, some of the sites I was monitoring last month when I started researching this topic have disappeared from Google News.

(16) FROM POWERED ARMOR TO CRAB SHELL. “Anytime you think I’m being too rough, anytime you think I’m being too tough, anytime you miss-your-mommy, QUIT! You sign your 1240-A, you get your gear, and you take a stroll down washout lane. Do you get me?”  He’s had quite a career since playing Sgt. Zim in Starship Troopers – the Maltin on Movies podcast interviews Clancy Brown.

With films ranging from The Shawshank Redemption to Starship Troopers and recent TV appearances on The Mandalorian, Emergence, Billions, and The Crown (as LBJ), Clancy Brown is the living definition of a “working actor.” He’s also been the voice of Mr. Krabs on Spongebob Squarepants for more than twenty years! Leonard and Jessie have been after him for many months to appear on the podcast and finally found a day he wasn’t on a soundstage; it was well worth the wait.

(17) AND THE JUDGES SAY. Paul Weimer assesses the end of a trilogy at Nerds of a Feather: “Microreview [book]: The Poet King by Ilana C Myer”.

In The Poet King, Ilana C Myer sticks the landing, in completing the Harp and the Blade trilogy, a poetical and lyrically rich fantasy of the tumultuous return of magic to a fantasy land, and the poet central to the mythically infused events.

(18) EL SEGUNDO. Paul Weimer also reviews a second book in a series — “Microreview [book]: The Hanged Man, by K D Edwards” at Nerds of a Feather.

The Last Sun introduced us to a fascinating world of Atlanteans, their world gone, living on the occupied island of Nantucket. A world where the most powerful Atlanteans carried terrible magical power, Rune, last heir of fallen House Sun, became wrapped up in the machinations of other, great Houses, and slowly coming into his own power in the process. An unusual sort of urban fantasy, The Last Sun was notable for its invention, its strong character focus, and the queer friendliness of Atlantean society.

Now in The Hanged Man, K.C. Edwards continues the story of Rune, and Brand, his bonded Companion, and their slowly accumulating set of friends, lover, and allies.

[Thanks to Cat Eldridge, Andrew Porter, JJ, John King Tarpinian, Chip Hitchcock, Martin Morse Wooster, Karl-Johan Norén, Mike Kennedy, Michael Toman, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Bill.]

Pixel Scroll 10/26/19 A Møøse Once Bit My Pixel

(1) MORE MCU DEFENDERS, ER, AVENGERS SPEAK OUT. On The Late Show with Stephen Colbert, “The Avengers Respond To Marvel Movie Critics.”

You’re right, Hulk. The “Godfather” films do glorify violence.

(2) HELP IS ON THE WAY. S.L. Huang’s Ask an Author post “Cancelling Contracts and Norms in Publishing” does a full-spectrum post about contract cancellation – its infrequency, significance, how it can be handled badly, how a publisher ought to handle it, and what an author can do.

What makes cancellations worse:

There are two interrelated problems when a publisher has to suddenly cancel multiple contracts. The first is biting off more than they could chew as a press, which obviously isn’t ideal and can be a worrying comment on the state of their business, but it can happen without ill intent. But the second is how the publisher handles it.

Here are some things that can escalate a cancellation from unfortunate to disturbingly unprofessional: …

What a publisher should do in a situation like this:

Clarity. Communication. Transparency. Exploring any possible avenues before taking a route so extreme. If there are no other options, then: Apology, honest dialogue, taking responsibility, an immediate reversion of rights, an admission of the disservice they’ve done to the authors.

Ideally, a kill fee would be offered.

S&%t happens in publishing. How we treat people when it does is important. And yes, this is a business — but businesses have ethics, and norms, and professionalism. Contracts should be treated as if they mean something.

(3) TRICK OR TRICK. Former Horror Writers Association President Lisa Morton clues in the Washington Post about “The frightening history of Halloween haunted houses”.

It is unclear why exactly the pranks got so bad. Irish immigrants had carried over the Halloween tradition of pranking to the United States, but they had been pretty innocent. One of the most popular was to disassemble a neighbor’s front gate and reassemble it on top of a building. That one was so common that some people called Halloween “Gate Night.”But by the 1920s and ?30s, teenage boys had co-opted the pranking tradition, and they were on a Halloween warpath. They broke streetlights. They started fires. They tied wires across sidewalks to trip people….

“They were costing cities millions of dollars even in the early ’30s,” said Lisa Morton, author of “Trick or Treat: A History of Halloween,” in an interview with The Post. “There were a lot of cities that were really considering banning the holiday at that point. It was really, really intense.”

Parents and civil groups needed a solution. A distraction. Or a bribe.

And from this cauldron of parental panic, they pulled out an idea that, to this day, is part of what defines American Halloween.

They thought to throw the kids a party, but “because this was the Great Depression, a lot of people didn’t have the money … so one of the first things they did was called ‘house-to-house parties.’”

And the Guardian’s PD Smith devotes an article to Morton’s book in “Trick or Treat by Lisa Morton review – a history of Halloween”.  

(4) ALL OF HISTORY AND MORE Rudy Rucker’s book review “Two Dimensional Time and Annalee Newitz’s 2nd Novel” incorporates a detailed study of the genre’s different approaches to time travel – a virtual candy store of ideas.

The Newitz Option: Two Dimensional Time

Newitz takes an approach to the time paradoxes that’s kind of strange. She allows time travel and timeline editing. But she insists that there’s only one timeline. No parallel timelines, no branching timelines. Just our one timeline: “Our only timeline, whose natural stability emerged from perpetual revision.”

So, somehow, when you travel back in time, you alter the timeline..for everyone. But you yourself remember how it was before the change. This might be viewed as hopping to a different timestream, but Newitz doesn’t want that. She wants to have just one timestream. But the timestream is changing.

(5) FUTURE TENSE. Slate’s latest Future Tense story is Cory Doctorow’s “Affordances”, about how technical restrictions start with powerless people before coming for us all.

…Ninety-Two’s work in Building 34 was as an exceptions—catcher for a Re-Cog facial recognition product. All around the world, millions of people stepped in front of cameras and made a neutral face and waited: for their office door to unlock, for the lift to be summoned, for the gates at the airport to swing open. When the camera couldn’t figure out their face, it asked them to try again, and again, and again. Then it threw an exception, and 92, or someone else in Building 34, got a live view of the feed and tapped an icon: NO-FACE (for anything that wasn’t a face, like a picture of a face, or a balloon, or, one time, a pigeon); BAD SCENE (poor lighting, dirt on the lens); CRIME (once, a decapitated man’s head; once, an unconscious woman; once, a woman in terror, a hand in her hair); and OTHER (for suspected malfunctions).

Nettrice Gaskins, an artist-educator who collaborates with A.I., wrote the response essay “Not Just a Number”.

In “Affordances,” we see various forms of intelligence agents erase people’s names and identities, particularly those who are held back by and are fighting societal barriers. These people are reduced to numbers, to maps of their faces, to their risk scores. Facial recognition software identifies protesters and otherwise serves as a technological gatekeeper. Online filters flag or block video footage of migrants, and racially biased algorithms determine whether alleged perpetrators are taken into custody or released. In our world, the power of Facebook, Google, and other technology companies is so immense that it can feel futile to push back against them, especially for marginalized groups. But that sense of helplessness can also enable a dangerous complacency. It is exactly because these companies are so powerful that we need people to interrogate their work and challenge it….

(6) A BIG SQUEEZE FOR MAKING LEMONADE. James Davis Nicoll shows Tor.com readers “Five Ways To Benefit If Planet 9 Turns Out To Be a Black Hole”.

Finding a five-Earth-mass, ten-centimetre-diameter, 0.004 Kelvin object somewhere in the outer boroughs of the Solar System should be easy—I’m sure that some grad student or professor angling for tenure is hard at work right now! But what would be the use to the rest of us of a five-Earth-mass, ten-centimetre-diameter, 0.004 Kelvin primordial black hole (PBH) orbiting somewhere in the outer boroughs of the Solar System?

OK, sure: if it’s there, it offers us the chance to do some wonderful science; we’d be able to run experiments in regions of intense gravity. But people in general don’t seem to care all that much about pure science. So, what applied applications are there?

(7) TRIVIAL TRIVIA.

Ray Bradbury did not like the ending of It’s The Great Pumpkin Charlie Brown! because the Great Pumpkin did not appear.  Chuck Jones was a friend of Ray’s and he did not like the ending either.  Together they wrote a script about Halloween.  They could not sell it to any studio.  So, Ray turned the script into his book, The Halloween Tree.  The book was successful enough, it has never gone out of print, and it was finally sold as a half-hour animation special, which won an Emmy in 1994.  The lead character was voiced by Leonard Nimoy. [Source: John King Tarpinian.]

(8) TODAY IN HISTORY.

  • October 26, 1984 — Gale Anne Hurd and James Cameron’s The Terminator premiered. Starring Arnold Schwarzenegger and Linda Hamilton, it was received well by reviewers and audience alike with the notable exception of Ellison who noted successfully that the screenplay was based on a short story and the “Soldier” episode of The Outer Limits he had written. 
  • October 26, 1984  — V finally premiered as a regular weekly series  with “Liberation Day”. There were two previous miniseries.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 26, 1942 Bob Hoskins. I’ll insist his role as Eddie Valiant in Who Framed Roger Rabbit? is his finest genre role though I suppose Mario Mario in Super Mario Bros. could be said… Just kidding! He’s the Director of The Raggedy Rawney which he also had a role, a strange might be genre film, and he’s Smee in Hook as well. (Died 2014.)
  • Born October 26, 1945 Jane Chance, 74.Scholar specializing in medieval English literature, gender studies, and J. R. R. Tolkien with a very, very impressive publication list for the latter such as Tolkien’s Art: A “Mythology for EnglandTolkien the MedievalistThe Lord of the Rings: The Mythology of Power and Tolkien, Self and Other: “This Queer Creature”
  • Born October 26, 1954 Jennifer Roberson, 65. Writer of of fantasy and historical romances. The Chronicles of the Cheysuli is her fantasy series about shapeshifters and their society, and the Sword-Dancer Saga is the desert based adventure series of sort, but the series I’ve enjoyed her Sherwood duo-logy that consists of Lady of the Forest and Lady of Sherwood which tells that tale from the perspective of Marian. Her hobby, which consumes much of her time, is breeding and showing Cardigan Welsh Corgis.
  • Born October 26, 1960 Patrick Breen, 59. He’s Redgick, a Squid, a minor character that appeared in Men in Black. In beloved Galaxy Quest, he’s Quellek, a Thermian who forms a bond with Alexander Dane. it’s a wonderful role. 
  • Born October 26, 1962 Cary Elwes, 57. He’s in The Princess Bride as as Westley/Dread Pirate Roberts/The Man in Black. He also shows up in Dr. Lawrence Gordon in the Saw film franchise, and was cast as Larry Kline, Mayor of Hawkins, for the third season of Stranger Things.
  • Born October 26, 1963 Keith Topping, 56. Some of the best Who stories aren’t televised but written. The Hollow Men, his Seventh Doctor novel, is damn good and riffs off a Fifth Doctor story. He’s also written guides to that show plus The Avengers, Trek, Buffy and the X-Files.
  • Born October 26, 1971 Jim Butcher, 48. I really don’t know how far I got in the the Dresden Files, at least though Proven Guilty, and I will go back to it eventually. Who here has read his Cinder Spires series which sounds intriguing? 
  • Born October 26, 1971 Anthony Rapp, 48. Lieutenant Commander Paul Stamets on Discovery. His first role ever was Wes Hansen in Sky High, showed up early in his career as Jeff Glaser in the “Detour” episode of X-Files. He was Seymour Krelbourn in a national tour of Little Shop of Horrors.
  • Born October 26, 1973 Seth MacFarlane, 46. Ok, I confess that I tried watching the Orville which he created and is in and it just didn’t appeal to me. For those of you who are fans, why do you like it? Having it described as trying to be a better Trek I admit ain’t helping.

(10) GO AWAY OR I SHALL TAUNT YOU SOME MORE. Myke Cole and Sam Sykes got into it again.  Thread starts here (I hope).

And on the sidelines…

(11) THE FULL LID. Alasdair Stuart previews The Full Lid 25th October 2019.

Here’s the opening paragraph from the entry about Clipping.

Clipping are one of the most interesting musical acts on the planet right now. Jonathan Snipes, William Hutson and Daveed Diggs don’t so much embody modern hiphop as surround it. Diggs, best known of course as everybody’s favorite fighting Frenchman, is the crispest MC on Earth, No syllable escapes his sight, no word or metaphor gets free from the specific gravity of his boundless, graceful flow. This is a man who dances with the words, building structures and meaning, narrative and plot out of them and demolishing it just as easily. Snipes and Hutson in the meantime, excel at building audio landscapes for Diggs to bound across and occasionally be pursued through.Vast walls of noise, found audio, field recordings, structural jokes and aural wit. It’s all here and all at the control of these three flat out musical geniuses. And, in There Existed An Addiction to Blood, they’ve produced another genre adjacent work which is both completely in line with their previous work and sees them evolve once again.

(12) GREAT LEAP FORWARD. According to Forbes, “The UK’s First Moon Rover Will Be A Tiny Jumping Spider In 2021”.

Spacebit, a U.K.-based startup, has announced details of its planned lunar mission in 2021 – revealing a spider-shaped rover that will scuttle across the lunar surface.

As we first revealed last month, Spacebit has a contract with U.S. firm Astrobotic to hitch a ride on their Peregrine lunar lander. Originally part of the canceled Google Lunar XPRIZE, this private endeavor will now attempt to reach the Moon after launching on a Vulcan rocket from Cape Canaveral in Florida in late 2021.

(13) WORTHY OF A MUSEUM. Behind a paywall In the October 21 Financial Times, Tom Faber profiles Jenova Chen, whose moody and artistic games have been exhibited at the Museum of Modern Art and the Smithsonian American Art Museum.

Chen studied computer programming before moving to California to enrol at the University of Southern California.  It was there that he made Cloud, a game inspired by periods he spent hospitalised as an asthmatic child. Players are cast as a boy who daydreams about flying out of his hospital window and manoeuvering clouds to combat pollution.  For Chen it was wish-fulfillment.  In Shanghai there’s a lot of pollution, but during my childhood everyone said it was mist,’ he says.  ‘I think making the game I was subconsciously trying to clean the city and the air.’

It was an unusual game, with no scores, violence or competition. Still, it went viral, crashing the university servers with more than 600,000 downloads.  Chen received messages from fans all over the world.  ‘They told me they cried while playing, I think because of the deep desire to feel free.  People need to know gaming is not just about guns, soccer, and competition,’ he says.  ‘It can be something healing and positive.’

(14) VARIATIONS ON A THEME. The South China Morning Post tells readers “What cosplay is like in China, where home-grown heroes thrive, ‘play’ is emphasised and it’s not all about copying”

…Having characters that look Chinese matters, especially when the cosplay industry is obsessed with exactly replicating fictional characters, but the irony of cosplay in China is that it is less about copying and more about interpretation. According to Wang Kanzhi’s research for a master’s programme in East Asian Studies at Lund University in Sweden, cosplay in China is more open to interpretation because the “Great Firewall” has isolated the community from not only other cosers but also original source materials.

“Due to the different understanding of the original pieces, local cosplayers tend to add their own ideas and points of view into the activity, which obviously changes the original characters,” Wang says. “In other words, the local cosplayers do not only duplicate fictional characters, but add their own creative points to the original form and content.”

(15) LIGHTEN UP. NPR’s Mark Jenkins reports that “‘The Current War: Director’s Cut’ Shines At Low But Steady Wattage”.

Electricity’s domestication is a triumph of American ingenuity. But The Current War, despite depicting the likes of Thomas Edison and George Westinghouse, doesn’t feel very American at all. That’s probably one of the reasons the movie was received with so little enthusiasm when it debuted at the 2017 Toronto Film Festival. (Another problem is that the film was then a product of the Weinstein Co., which collapsed soon after.)

As its subtitle announces, The Current War: Director’s Cut is the not the same movie that nearly succumbed to critical disdain more than two years ago. For those of us who didn’t see the original, ascertaining any improvement is impossible. But the latest version is not bad at all. It’s just sort of odd.

Of the three central characters, only Westinghouse is played by an American, Michael Shannon. As Edison, Benedict Cumberbatch employs an accent that is, well, not British. Nicholas Hoult’s Nikola Tesla speaks in an indeterminate Eastern European mode that can be heard, symbolically at least, as true to his Austro-Serbian-Croatian origins.

The movie doesn’t mention that Tesla had worked for an Edison-affiliated company in Paris before was he encouraged to move to the U.S. In this telling, he’s hired on a whim by the Wizard of Menlo Park, who’s eager to light American cities with his newly perfected bulbs, powered by direct current.

Edison’s nemesis is Westinghouse, who promotes alternating current — cheaper and more versatile but potentially deadly. The two men are competing for the same prize: a contract to illuminate Chicago’s Columbian Exposition in 1893, a full 13 years after the film’s event-packed story begins. Edison wants to win so badly that he’s prepared to electrocute large animals to demonstrate AC’s dangers.

(16) GAMER STRIKES BACK. Not exactly man bites dog: “Gamer buys Fallout 76 add-on domain to criticise Bethesda”.

What would you do if a company did something you didn’t like?

Some people would take to social media to voice their frustrations. Others might consider writing a letter to the business.

But when game developer Bethesda introduced a new subscription to their online game Fallout 76, David Chapman felt he had to do something with more impact.

He made a website.

And not just any website – he pinched the domain from right under the developer’s nose, so anyone looking for information about the subscription would instead be greeted with his critique.

“My motivation stems from a frustration with Bethesda,” he told the BBC. “And in general the current trend of the gaming industry.”

He added: “They said players had been asking for this – players never asked to pay a subscription for features hidden behind a pay wall.

“That was the straw that broke the camel’s back and made me make this website.”

Wait, what did Bethesda do?

Bethesda Softworks developed and published post-apocalyptic game Fallout 76.

It is an online-only game, meaning that gamers must be connected to the internet to play, and will see other people they don’t know while they’re playing.

There is no monthly cost to play online, but in a sense this is about to change.

Now players will be offered additional features which affect the gameplay, such as the ability to play without strangers or store as many items as they like, for the annual price of £99.99.

The new service, called Fallout 1st, has angered gamers who point out Bethesda promised not to charge for additional features in the past.

(17) THE ADLER SANCTION. “Migrating Russian eagles run up huge data roaming charges”.

Russian scientists tracking migrating eagles ran out of money after some of the birds flew to Iran and Pakistan and their SMS transmitters drew huge data roaming charges.

After learning of the team’s dilemma, Russian mobile phone operator Megafon offered to cancel the debt and put the project on a special, cheaper tariff.

The team had started crowdfunding on social media to pay off the bills.

The birds left from southern Russia and Kazakhstan.

The journey of one steppe eagle, called Min, was particularly expensive, as it flew to Iran from Kazakhstan.

Min accumulated SMS messages to send during the summer in Kazakhstan, but it was out of range of the mobile network. Unexpectedly the eagle flew straight to Iran, where it sent the huge backlog of messages.

The price per SMS in Kazakhstan was about 15 roubles (18p; 30 US cents), but each SMS from Iran cost 49 roubles. Min used up the entire tracking budget meant for all the eagles.

…The SMS messages deliver the birds’ coordinates as they migrate, and the team then use satellite photos to see if the birds have reached safe locations. Power lines are a particular threat for the steppe eagles, which are endangered in Russia and Central Asia.

(18) TASTES LIKE CHICKEN. All That’s Interesting invites you to “Be One Of The First In History To Witness A Supermassive Black Hole Destroy A Star”.

Have you ever wondered what a star looks like as it’s ripped apart by a supermassive black hole? Probably not. But thanks to the diligent eyes at NASA and Ohio State University, you don’t have to wonder, you can see it for yourself.

According to local Ohio radio station WOSU, a NASA satellite and a network of robotic telescopes known as the All-Sky Automated Survey for Supernovae — or ASAS-SN for short — located at the university captured the cosmic battle for the first time on film.

[Thanks to JJ, Cat Eldridge, John King Tarpinian, Mlex, Mike Kennedy, Martin Morse Wooster, John A Arkansawyer, Chip Hitchcock, and Andrew Porter for some of these stories.  Title credit goes to File 770 contributing editor of the day Cassie B.]

Pixel Scroll 3/13/19 This IrrePixel-able, Trantor ‘Original’, This Mule-produced Crime

(1) THINGS FALL APART. T.J. Martinson, in “The Death of the Superhero: The Crime of Killing Off Good & Evil” at Crimereads, notes that comic book publishers periodically kill off superheroes to boost sales of titles, but “when superheroes die, we are left without a moral compass.”  He sees similar problems happening in crime novels where a private eye dies.”

…The death and resurrection of Superman engendered what might be considered a comic book renaissance, one that hasn’t yet run out of steam—for example, in Captain America #25 (2007), Captain America was assassinated in only to later reappear after it was revealed he’d merely been stuck in a time loop involving, you guessed it, an ancient Inuit tribe. Ever since Superman paved the way into and out from the grave, the superhero’s death and resurrection has become an almost-ubiquitous plot-line in otherwise faltering and overstretched narrative arcs. Superheroes are practically falling from the sky like house flies (Infinity Wars, anyone?). The superhero’s death and return has reached such a critical mass that comic books themselves present a meta-commentary on the phenomenon; In DC’s Infinite Crisis (2005-2006), Batman quips to Superman, “the last time you really inspired anyone…was when you were dead.”

But what is it about superheroes that we—readers living outside of Metropolis’ city limits—are so desperate to see resurrected time and time again that we’re willing to weave our suspension of disbelief into tantric knots in order to welcome superheroes from the dead? One answer would be that, in a world of uncertainty and complexity, we yearn for simplified categories (e.g., good and evil) that superheroes boldly represent. But how are to make sense of a world in which the binary logic the superhero embodies is questioned?

(2) REMEMBER THE SPARTANS. Myke Cole analyzes “How the Far Right Perverts Ancient History—And Why It Matters” at Daily Beast.

It may seem silly to argue about the interpretation of events that unfolded thousands of years ago, to fret and hand-wring over people millennia in their graves. Some may argue it is harmless for the likes of Hanson to strut his toxic revision of ancient history across the stage. Just another blowhard shouting at the ocean, after all.

But this notion is having life-and-death consequences in America today. I worked at the NYPD during and following the white supremacist “Unite the Right” rally in Charlottesville, VA where Heather Heyer was killed and more than two dozen other people were injured. In August 2017, the Southern Poverty Law Center sent us its report on the flags and symbols used during the rally, including the vexillum of the Roman Republic (SPQR for “Sen?tus Populusque R?m?nus,” “The Senate and the People of Rome”), the ancient sun wheels of Germanic tribes, the Greek lambda (“?” or “L” for “Lakedaimon,” the Spartans called themselves “Lakedaimonians”) falsely believed to have been painted on ancient Spartan shields, and now used by the far-right Identitarian movement.

Last of all was the flag of the American Guard, violent hardcore nationalists who sport crossed meat-cleavers as a rallying symbol. Above them stretched a black cannon blazoned with the clarion call of pro-gun advocates from the NRA to militia groups across the country—“Come and take it.” The phrase is from the Greek “molon labe,” (????? ????), Plutarch’s words put in the mouth of the Spartan king Leonidas in 480 BC, when he defied the Persian king Xerxes’ demand that he lay down his arms. Senator Ted Cruz has repeatedly invoked the same phrase

(3) HOPEPUNK. Behind the Wall Street Journal paywall, Ellen Gamerman’s article “‘Hopepunk’ and ‘Up Lit’ Help Readers Shake Off the Dystopian Blues” quotes Becky Chambers and mentions one of Cat Rambo’s classes.

Cat Rambo, in “Hopepunk Thoughts Plus A Reading List”, blogged her own thoughts on the subgenre and told readers where to find examples. 

Hopepunk is a reaction to our times, an insistence that a hollow world built of hatred and financial ambition is NOT the norm. It is stories of resistance, stories that celebrate friendship and truth and the things that make us human. In today’s world, being kind is one of the most radical things you can do, and you can see society trying to quash it by prosecuting those who offer food to the hungry, water to the thirsty, and shelter to those in need.

Is it something new? No, it’s something that we’ve always celebrated in stories. Think about the moment in the Lord of the Rings when acts of kindness — first on Bilbo’s part, then on Frodo’s — lead to the moment where Gollum enables the ring’s destruction when Frodo falters and is on the brink of giving up his quest. Or go even further back, to Ovid’s Baucis and Philemon, who are rewarded for offering hospitality to strangers who turn out to be gods

(4) FREE DOWNLOAD. Arizona State University has published The Weight of Light, a collection of short science fiction, art, and essays about human futures powered by solar energy, with an upbeat, solarpunk twist. The book features four original short stories, by Cat Rambo, Brenda Cooper, Corey S. Pressman, and Andrew Dana Hudson.  It can be downloaded in HTML, EPUB, MOBI, and via Apple Books.

The Weight of Light emphasizes that the design of solar energy matters just as much as the shift away from fossil fuels. Solar technologies can be planned, governed, and marketed in many different ways. The choices we make will profoundly shape the futures we inhabit. The collection features stories by award-winning science fiction authors, working in collaboration with illustrators, graphic designers, and experts in policy, ethics, climate science, and electrical, environmental, civil, and aerospace engineering.

  • Stories by: Brenda Cooper, Andrew Dana Hudson, Corey S. Pressman, Cat Rambo
  • Essays by: Stuart Bowden, Ed Finn, Wesley Herche, Christiana Honsberg, Samantha Janko, Darshan M.A. Karwat, Lauren Withycombe Keeler, Joshua Loughman, Clark A. Miller, Esmerelda Parker, Dwarak Ravikumar, Ruth Wylie

(5) SLADEK COLLECTION. David Langford told readers New Maps: More Uncollected John Sladek is on course for launch at the UK Eastercon in April.

Chris Priest, in his awesome capacity as agent for the Sladek estate, is very pleased with the early proof copy he’s seen; I hope to have a big pile of trade paperbacks in good time for Easter. Paperbacks and ebooks will also be available for order online, from Lulu.com and Ansible Editions respectively.

(6) FINAL BATTLE. Gail Gygax says her life is in danger: “Fantasy’s Widow: The Fight Over The Legacy Of Dungeons & Dragons” .

In December of last year, Gail Gygax contacted Kotaku through her agent. She wanted to tell us about all of the many dangers—both physical and psychological—she says she’s been dealing with since the death of her husband Gary Gygax, who is widely considered to be the father of the tabletop role-playing game, in 2008. Break-ins. Death threats. Estranged children. Visitations from her late husband’s spirit. Predatory businesspeople. And lawsuits—five of them in total, with one brought by Hollywood producer Tom DeSanto for $30 million. Eleven years after the death of Gary Gygax, there are still battles over who will control his legacy—the rights to his name, his biography, his memorial, his intellectual property, and the future of countless other priceless artifacts, among them Gary Gygax’s original dungeon, the maps to an 11-level magical castle where he prototyped a fantasy role-playing game that 8 million people play every year.

(7) NOT A BLANK SLATE. Andrew Liptak’s “Wordplay: This year’s awards scuffle and influence in the SF/F world” compares the motives behind the 20BooksTo50K slate and the Sad/Rabid Puppies slates, among other things, and how hard it is for groups administering the top sff awards to keep pace with change.

There has been a lot of commentary from all sides about how this is a war of old-verses-new, but I don’t really think that that’s the case. I think it’s more that established institutions like SFWA and the Hugo Awards simply aren’t equipped to handle some of the rapid changes that we’re seeing in the publishing industry and how fandom organizes itself, with the help of platforms like Facebook or Twitter. I think it’s also less “old man yells at cloud,” and more not recognizing potential issues or reacting quickly before they become a problem. The traditional “Fan” community doesn’t really turn and adapt quickly. 

(8) TODAY IN HISTORY.

  • March 13, 1781 — The planet Uranus was discovered by English astronomer Sir William Herschel.
  • March 13, 1855 — Percival Lowell was born

(9) TODAY’S BIRTHDAYS.

[Except for Pluto’s discoverer, above, birthdays are on hiatus. Cat Eldridge is having the elbow surgery he mentioned in comments.]

(10) COMICS SECTION.

(11) RETRO REPORT. While researching an article I rediscovered Peter Watts’ account of the 2010 Worldcon “Worth the Price”. One of the many good bits —

…and the sheer joy of dealing with Australian border guards.

I am not being ironic. I would almost be tempted to purchase an Expedia vacation package that consisted entirely of going back and forth through Australian Customs for a few days straight. Yes, I got rerouted to Secondary (they pretty much had to, given the check mark in that little “Are you a felon?” box), but the whole lot of them were friendly and welcoming even so. Mostly they spent my wait time chatting with me about the kind of books they liked to read. (I mean, just imagine: literate border guards. Not a species you’re gonna find anywhere in the US, I’m betting.) And finally, when they waved me through and I pointed to the big sign saying Your Luggage WILL be X-rayed and wondered why they weren’t doing that to mine, the nice lady’s response was “Would you like me to?” She was willing to go out of her way to be extra intrusive, just to make me feel at home.

(12) LEGO IDEA. Sort of like looking for a much richer version of Waldo.

(13) BRITNEY GOES GENRE? That’s what BBC heard: “Britney Spears’ feminist jukebox musical is going to Broadway”.

The hits of pop icon Britney Spears are heading to Broadway in a new jukebox musical with a feminist message.

Titled Once Upon A One More Time, the comedy will tell the story of a book club attended by fairytale princesses.

Their lives are changed when a “rogue fairy godmother” brings them a copy of The Feminine Mystique, the landmark feminist book by Betty Friedan.

It makes them question whether there’s more to life than marrying Prince Charming and singing with animals.

Scriptwriter Jon Hartmere told The New York Times: “Cinderella is having an existential crisis, and she has a posse of famous princesses, and her stepmother is the main antagonist.

(14) LAST PAGES. Associated Press gives perspective on how a “Decline in readers, ads leads hundreds of newspapers to fold”.

…Last September, Waynesville became a statistic. With the shutdown of its newspaper, the Daily Guide, this town of 5,200 people in central Missouri’s Ozark hills joined more than 1,400 other cities and towns across the U.S. to lose a newspaper over the past 15 years, according to an Associated Press analysis of data compiled by the University of North Carolina.

Blame revenue siphoned by online competition, cost-cutting ownership, a death spiral in quality, sheer disinterest among readers or reasons peculiar to given locales for that development. While national outlets worry about a president who calls the press an enemy of the people, many Americans no longer have someone watching the city council for them, chronicling the soccer exploits of their children or reporting on the kindly neighbor who died of cancer.

(15) TOLKIEN RESOURCE. You have to join to have access, but they’re available now: “Earliest issues of Tolkien Society publications digitised”.

The Tolkien Society’s earliest publications have been digitised and are now available for members to download.

Last year, through the British Library, the Society completed the first stage of its digitisation project, resulting in the digitisation of the majority of back issues of Amon Hen and Mallorn, respectively the bulletin and journal of The Tolkien Society. Not all back issues were digitised at the time due to gaps in the British Library’s collection.

Members now have access to the Society’s earliest publications, dating back to 1969 (the year the Society was founded) and the 1970s. This not only includes the missing issues of Amon Hen, but its forerunner publications, The Tolkien Society Bulletin and Anduril. All issues of Belladonna’s Broadsheet, the Society’s oldest publication, has also been digitised.

(16) ON THE MENU AT CHEZ RAMBO. Guest posts on Cat Rambo’s blog in recent weeks include:

What if prose were written like music? What if, instead, of a common world, stories in an anthology were steps on a share emotional path? Those are the questions the upcoming anthology Score is attempting to answer.

GOURMET RECIPE: VERMIH IN PLABOS SAUCE

There are three complementary sides that determine a phril personality: gastronomy, politics, and romance. The rest represents salads or pickles to fill the mundane.
I will start naturally, with food for the gourmet side of the phrilic spirit, presenting to you, my dear reader, an absolutely genuine Recipe….

(17) WHERE HAVE YOU GONE JOE DIMAGGIO JACK KIRBY?WhatCulture Comics remembers “8 Times The Marvel Vs. DC Rivalry Turned Ugly.”

[Thanks to Cat Eldridge, Cat Rambo, John King Tarpinian, Daniel Dern, Chip Hitchcock, JJ, Andrew Liptak, Martin Morse Wooster, Mike Kennedy, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

Pixel Scroll 2/24/19 Flow My Peanut Butter, The Panini-Maker Scrolled

(1) HIDDEN FIGURE HONORED. A NASA facility has a new name: “NASA Renames Facility in Honor of ‘Hidden Figure’ Katherine Johnson”.

NASA has redesignated its Independent Verification and Validation (IV&V) Facility in Fairmont, West Virginia, as the Katherine Johnson Independent Verification and Validation Facility, in honor of the West Virginia native and NASA “hidden figure.”

“I am thrilled we are honoring Katherine Johnson in this way as she is a true American icon who overcame incredible obstacles and inspired so many,” said NASA Administrator Jim Bridenstine. “It’s a fitting tribute to name the facility that carries on her legacy of mission-critical computations in her honor.”

… Born in White Sulphur Springs, West Virginia, in 1918, Johnson’s intense curiosity and brilliance with numbers led her to a distinguished career — spanning more than three decades — with NASA and its predecessor agency, the National Advisory Committee for Aeronautics. Among her professional accomplishments, Johnson calculated the trajectory for Alan Shepard’s Freedom 7 mission in 1961. The following year, Johnson performed the work for which she would become best known when she was asked to verify the results made by electronic computers to calculate the orbit for John Glenn’s Friendship 7 mission. She went on to provide calculations for NASA throughout her career, including for several Apollo missions.

At a time when racial segregation was prevalent throughout the southern United States, Johnson and fellow African American mathematicians Dorothy Vaughan and Mary Jackson — who was later promoted to engineer — broke through racial barriers to achieve success in their careers at NASA and helped pave the way for the diversity that currently extends across all levels of agency’s workforce and leadership. Their story became the basis of the 2017 film “Hidden Figures,” based on the book by Margot Lee Shetterly.  

(2) THE ART OF SIGNING. CoNZealand (2020 Worldcon) GoH Larry Dixon shares some wisdom in a Twitter thread that begins here.

(3) A GHOST SPEAKS. Sean McLachlan rises “In Defense of Professional Ghostwriting” at Black Gate.

…I’m acquainted with Cristiane Serruya. She was part of the Kindle Scout program, having won an advance, 50% royalties, and publication for at least one of her works from Amazon’s imprint Kindle Press. Two of my books are also in the program. We chatted numerous times on the Kindle Scout Winners Facebook group and we even traded critiques. She read the first two books in my Masked Man of Cairo mystery series and I read Damaged Love, which turns out to contain plagiarized passages too. At the time I was surprised she would want me to be a beta reader on a romance novel, a genre she knew I didn’t read and knew nothing about. Now I know why.

…It’s true that some unscrupulous people are hiring teams of underpaid ghostwriters to churn out dreck in order to game Amazon’s algorithms, which tilt in favor of newly publishing titles and prolific authors.

Unfortunately, professional ghostwriters like me are being lumped in with the hacks. There is a place for a professional ghostwriter in indie publishing, and it is a valid one.

Ghostwriting has been around since the days of the dime novel. It was strong throughout the pulp era and the post-war paperback boom. In the modern world, house names such as Don Pendleton (The Executioner) and Carolyn Keene (Nancy Drew) have been used by pools of ghostwriters to make some of the most popular series around.

Ghostwriting is my day job. To date, I have ghostwritten 18 novels, 7 novellas, and one short story for various clients, and am currently contracted for another series of novels. The clients are generally independent publishers who put out work under a variety of pen names. I get one or two pen names, and other ghostwriters get other ones. Thus each pen name keeps the specific tone of a particular writer. I have worked for one guy who used several ghostwriters writing for the same house name, but we all were given strict instructions as to tone, style, etc. None of my clients put their real name on their books, and all of them were looking for quality work….

(4) UP THE AMAZON. Nora Roberts expands on what she’s been learning about the environment for indie authors at Amazon: “Let Me Address This”.

A Broken System. Then came the scammers, and with the methods discussed in previous blogs, who flooded the market with 99 cent books. What a bargain! Readers couldn’t know these books were stolen or copied or written by ghostfarms. Couldn’t know about the clickfarms, the scam reviews.

At this price, the author receives only 30% (there’s a price point cut off on royalty rate). So all those out of pocket expenses may or may not be covered.

The legit indie saw her sales suffer, her numbers tank, her placement on lists vanish. To try to compete, many had to struggle to write faster, to heavily discount their work. Some had to give up writing altogether.

One other scamming method is to list a book–forever–as free. Not as a promotion, or incentive, but to toss up hordes or free books, so the reader wants–and often demands–free. They make their money off the scores of cheap and stolen books, and destroy the legit writer. Why pay when there are scores of free books at your fingertips?

(5) SFF ROMANCE AWARDS. The winners of genre interest for the 2018 Australian Romance Readers Awards are:

Favourite Paranormal Romance

  • Ocean Light by Nalini Singh

Favourite Sci-Fi, Fantasy or Futuristic Romance

  • Cursed by Keri Arthur

(6) FANHISTORY. Here’s a link to Archive.org footage from the 1975 Star Trek convention in New York. William Shatner’s appearance takes up the first few minutes – you can see Ben Yalow among his escorts at the 30-second mark. The latter half of the film shows a woman in front of art show panels – I think I should recognize her, but I can’t come up with a name. Maybe you can. [Update: Adrienne Martine-Barnes, maybe?] [Now identified as Jacqueline Lichtenberg.]

Yalow is on the right.

(7) TRIVIAL TRIVIA.

  • On November 1, 1884 Bat Masterson published his first newspaper article in Dodge City. The newspaper was called Vox Populi.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 24, 1786 Wilhelm Grimm. Here for two reasons, the first being the he and his brother were the first to systematically collect folktales from the peasantry of any European culture and write them down. Second is that the number of genre novels and short stories that used the Grimms’ Fairy Tales as their source for source material is, well, if not infinite certainly a really high number. I’d wager that even taking just those stories in Snow White, Blood Red series that Terri Windling and Ellen Datlow co-edited would get quite a number based the tales collected by these bothers. (Died 1859.)
  • Born February 24, 1909 August Derleth. He’s best known as the first book publisher of H. P. Lovecraft, and for his own fictional contributions to the Cthulhu Mythos (a term that S. T. Joshi does not like), not to overlook being the founder of Arkham House which alas is now defunct. I’m rather fond of his detective fiction with Solar Pons of Praed Street being a rather inspired riff off the Great Detective. (Died 1971.)
  • Born February 24, 1933 Verlyn Flieger, 86. Well known Tolkien specialist. Her best-known books are Splintered Light: Logos and Language in Tolkien’s WorldA Question of Time: J. R. R. Tolkien’s Road to Faerie, which won a Mythopoeic Award, Tolkien’s Legendarium: Essays on The History of Middle-earth (her second Mythopoeic Award) and Green Suns and Faërie: Essays on J.R.R. Tolkien (her third Mythopoeic Award). She has written a VA fantasy, Pig Tale, and some short stories.
  • Born February 24, 1942 Sam J. Lundwall, 77. Swedish writer, translator and publisher. He first started writing for Häpna!, an SF Zine in the 50s. In the late 60s, he was a producer for Sveriges Radio and made a SF series. He published his book, Science Fiction: Från begynnelsen till våra dagar (Science Fiction: What It’s All About) which landed his first job as an SF Editor. After leaving that publisher in the 80s, he would start his own company, Sam J. Lundwall Fakta & Fantasi. Lundwall was also the editor of the science fiction magazine Jules Verne-Magasinet between 1972 and 2009. He has been active in fandom as he organised conventions in Stockholm six times in the 60s and 70s. And I see he’s written a number of novels, some released here, though not recently. 
  • Born February 24, 1947 Edward James Olmos, 72. Reasonably sure the first thing I saw him in was as Detective Gaff in Blade Runner, but I see he was Eddie Holt In Wolfen a year earlier which was his genre debut. Though I didn’t realise it as I skipped watching the entire film, he was in The Green Hornet as Michael Axford. (I did try watching it, I gave up after maybe fifteen minutes. Shudder.) he has a cameo as Gaff in the new Blade Runner film. And he’s William Adama on the new Battlestar Galactica. He was made appearances on Agents of S.H.I.E.L.D. and Eureka
  • Born February 24, 1966 Ben Miller, 53. He first shows up in our corner of things on The Adventures of Young Indiana Jones in the “Daredevils of the Desert” episode as an unnamed French Officer. His main genre role was on Primeval, a series I highly recommend as a lot of fun, as James Lester.  He later shows up as the Sheriff of Nottingham in a Twelfth Doctor episode entitled “Robot of Sherwood”. 
  • Born February 24, 1968 Martin Day, 51. I don’t usually deal with writers of licensed works but he’s a good reminder that shows such as Doctor Who spawn vast secondary fiction universes. He’s been writing such novels first for Virgin Books and now for BBC Books for over twenty years. In addition, he’s doing Doctor Who audiobooks for Big Finish Productions and other companies as well. He’s also written several unofficial books to television series such as the X Files, the Next Generation and the Avengers

(9) COMICS SECTION.

(10) LEGAL EAGLE. John Scalzi has been doing his due diligence this afternoon.

(11) ROLE OF A LIFETIME. Cleveland.com has a conversation with the actor: “Wil Wheaton wraps up run as Wil Wheaton on ‘Big Bang Theory’”.

…Then “Big Bang” executive producer and co-creator Bill Prady offered him the ideal role. Would he be interested in playing, well, Wil Wheaton . . . an evil Wil Wheaton?

“If they had actually wanted me to play myself, I don’t think I would have been interested,” he said. “First, it would have felt like a cheat. So what? Show up and be yourself? There’s no challenge in that. But when Bill said, ‘We want you to play an evil version of yourself,’ I immediately got and loved that idea.”

(12) PAPERS PLEASE. Spikecon has put out a “Call for Academic Submissions”:

Westercon 72, NAFIC 2019, 1632 Minicon, and Manticon 2019 are together inviting submissions of academic papers for presentation at Spikecon to be held on July 4th-7th, 2019 in Layton, Utah. We are seeking 30 minute papers which raise the level of dialogue and discussion in the Science Fiction/Fantasy community and seek to empower fans as well as creators.

Topics of Interest Include:

  • Literary analysis/criticism of science fiction or fantasy works including those of our Spikecon Guests of Honor
  • Historical events impacting science fiction and/or fantasy works
  • Fandom
  • Developments in science and technology
  • Craft of writing
  • Cultural impact of scifi/fantasy
  • Fan and creator relationship
  • Studies of individual creators/universes

(13) PLAY BY MALE. NPR’s Etelka Lehoczky says “Chronin’s Elegant, Minimalist Samurai Adventure Is – Literally – Timeless”.

Let’s hear it for cleverness! Sometimes a few modest, well-thought-out ideas can add up to an artistic creation as impactful as — and even more appealing than — the weightiest projects. That’s the case with Chronin, Alison Wilgus’ new graphic novel. Like a miniaturist or scrimshaw engraver, Wilgus has a keen appreciation for the power of constraints. By setting careful limits on what her book will look like and what kind of story it will tell, she’s achieved an aesthetic balance that’s a thing of beauty in itself.

Chronin is lighthearted but not frivolous, simple but not simplistic. Since it’s set in 19th-century Japan, you could compare it to a netsuke: A tiny sculpture whose beauty lies in what it does with so little. Chronin’s narrative and visual themes are rather basic, but it explores them in a way that’s precise, insightful — and supremely clever.

Wilgus has experimented with artistic constraints before. A Stray in the Woods, published in 2013, originated as a Tumblr webcomic driven by suggestions from readers. And, of course, much of her work has been shaped by the will of her employers, including DC and the Cartoon Network. Plenty of creators try to blow the doors off with their first solo graphic novels, but Wilgus takes the opportunity to go small. Chronin’s story of a time-travel screw-up is familiar, even a bit of a chestnut. Protagonist Mirai Yoshida, a New York City college student in 2042, travels with some classmates back to 1864 Japan to conduct research. An accident leaves her trapped there, so she masquerades as a male — and as a member of the warrior class — for safety while she tries to figure out a way back.

(14) SURVEYING THE FIELD. Rich Horton winds up his Hugo discussion with “Hugo Nomination Thoughts, 2019: Summary Post”. One item he touches on is —

Best Series

Here’s JJ’s list of eligible series posted at File 770: http://file770.com/best-series-hugo-eligible-series-from-2018/. Much props to JJ for the tireless work of maintain this list, but … I think the list itself speaks to problems with the whole concept of this award.

I was skeptical about this award from the start, and I don’t think its history helps it. I’m really bothered by the way adding one short story to a very old series, for example, makes it again eligible (as with Earthsea, objectively by far the most worthy and influential eligible series, but does “Firelight”, beautiful as it absolutely is, really mean we should give it an award now?) Also, the endless parsing of “series” vs. “sub-series”. The way an award can be for, really, semi-random assemblages of related works. I could go on and on.

(15) TWEETING HISTORY. Myke Cole is running a giveaway, and has been retweeting some of the choicer quotes people are submitting. For example:

(16) BACKING UP TO THE MOON. CNET: “Thirty-million-page backup of humanity headed to moon aboard Israeli lander”.

If the apocalypse strikes, the Arch Mission Foundation wants to be sure all the knowledge we’ve accumulated doesn’t disappear.

On Thursday night, a SpaceX Falcon 9 rocket carried an Israeli-made spacecraft named Beresheet beyond the grasp of Earth’s gravity and sent it on its way to the surface of the moon. On board Beresheet is a specially designed disc encoded with a 30-million-page archive of human civilization built to last billions of years into the future.

The backup for humanity has been dubbed “The Lunar Library” by its creator, the Arch Mission Foundation (AMF).

“The idea is to place enough backups in enough places around the solar system, on an ongoing basis, that our precious knowledge and biological heritage can never be lost,” the nonprofit’s co-founder Nova Spivack told [CNET] via email.

(17) THE FLYING DEAD. Salon: “Zombie stars shine on after mystery detonations”.

It should have been physically impossible. Millions of years ago, a white dwarf—the fading cinder of a sunlike star—was locked in a dizzying dance with a bright companion star. The two had circled each other for eons, connected by a bridge of gas that flowed from the companion onto the white dwarf allowing it to grow heavier and heavier until it could no longer support the extra weight. At this point, the white dwarf should have exploded—blowing itself to smithereens and producing a supernova that briefly shone brighter than all the stars in the Milky Way combined. Then once the supernova faded and the white dwarf’s innards were dispersed across the galaxy, there would quite literally be nothing left save for its companion star. But against all odds, the explosion did not fully rupture the white dwarf. Instead, it survived.

…Raddi’s team made these discoveries after combing through data from the European Space Agency’s Gaia spacecraft, which is particularly well suited for finding high-speed stars—an important characteristic of ones like LP 40-365 (because a supernova explosion has the power to slingshot stars across the galaxy). Two are destined to escape the Milky Way entirely, and one is orbiting “backward” against the usual rotation of stars in our galaxy. Additionally they all boast large radii, presumably because they were puffed up by the extra energy they received from the failed explosion. And yet they possess relatively small masses, likely due to the loss of much of their material during the explosion. But perhaps the most compelling evidence these stars are supernova survivors is that they brim with heavier elements. Whereas typical white dwarfs comprise carbon and oxygen, these stars are mostly composed of neon. “That’s absurd,” Hermes says. “That’s like some barroom beer sign just flying through the galaxy.” The stars’ second-most common element is oxygen, followed by a sprinkling of even heavier elements such as magnesium, sodium and aluminum. “This is about as weird as it gets,” Hermes says…

(18) IT’S A THEORY. Orville’s season 1 Rotten Tomatoes critics score was 23%.  Season 2 is holding at 100%.  Nerdrotic theorizes that the explanation is Disney’s purchase of Fox.

(19) BLADE RUNNER COMICS. Launching this summer, Titan Comics’ new Blade Runner 2019 series will be set during the exact timeframe of the original Blade Runner film, and feature a (mostly) new set of characters and situations.

Titan also confirmed that noted artist Andres Guinaldo (Justice League Dark, Captain America) will be joining acclaimed Blade Runner 2049 screenwriter Michael Green (Logan) and veteran collaborator Mike Johnson (Star Trek, Super­man/Batman) to breathe life into their all-new Blade Runner comic books.

(20) AND HE’S NOT EVEN WELSH! CBR.com checks out “Superman’s Less Legendary LL’s!”.

In Drawing Crazy Patterns, I spotlight at least five scenes/moments from within comic book stories that fit under a specific theme (basically, stuff that happens frequently in comics). Note that these lists are inherently not exhaustive. They are a list of five examples (occasionally I’ll be nice and toss in a sixth). So no instance is “missing” if it is not listed. It’s just not one of the five examples that I chose. 

Today, we look at the less legendary LLs in Superman’s life. 

Unless you hate me and all that I stand for, you know that Superman has an inordinate amount of notable people in his life whose names are double Ls. 

Names (etc.) mentioned in the 2-page article include:

* Lori Lemaris

* Lightning Lad

* Little League (seriously)

* Lita Laverne

* Lester Link

* Liza Landis

* Lyrica Lloyd

* Lorraine Lewis

(21) CLOUDY, WITH A CHANCE OF DRAGONS. HBO puts out mashup trailer to coincide with the Oscars — SYFY Wire: “Arya Stark beholds dragon for first time in HBO mashup trailer; new Watchmen footage also included”.

Just like it did during the Golden Globes, HBO has released another mega-trailer featuring new footage from all of its new and returning shows airing this year. Of course, the eighth and final season of Game of Thrones was among the shows included in the tantalizing teaser.

[…] Game of Thrones Season 8 debuts on HBO Sunday, April 14. There’s no set premiere date for Watchmen just yet, but it will arrive sometime this year.

(22) FROM THE BEEB TO THE BO. BBC released a trailer of His Dark Materials, which will air on HBO in the U.S.

We’re keeping our daemons close. Here’s an early sneak peek of His Dark Materials. Dafne Keen, Ruth Wilson, James McAvoy, Clarke Peters and Lin-Manuel Miranda star in this thrilling new series. Adaptation of Sir Philip Pullman’s acclaimed series of novels.

[Thanks to Mike Kennedy, Cat Eldridge, Your Supreme Awesome Royal Majesty Highnessness JJ, John King Tarpinian, Chip Hitchcock, Martin Morse Wooster, Carl Slaughter, and Andrew Porter.  Title credit goes to File 770 contributing editor of the day Andrew.]

Pixel Scroll 2/6/19 Pixels In The Hands Of An Angry Scroll

(1) BETTER WORLDS. Latest in the Better Worlds series on The Verge is “Skin City” by Kelly Robson.

Listen to the audio adaptation of “Skin City” in Apple PodcastsPocket Casts, or Spotify.

Andrew Liptak’s Q&A with author Robson: “Kelly Robson on burlesque and privacy in a futuristic Toronto”.

Tell me a bit about how you came up with the idea for “Skin City.”

One of my big fandoms here in Toronto is Nerd Girls Burlesque. They are a wonderful troupe of nerdy burlesque dancers who recently put on a Game of Thrones burlesque show, two fantastic and incredibly well-attended the Harry Potter burlesque nights, and a Doctor Who burlesque show. I love them. I think they’re fantastic. They’re so witty and so delightful. So when I think about Toronto or when I think about a better world in Toronto, it definitely includes them. I wanted to write about a nerdy burlesque dancer, and I wanted to put her front and center in the city, and I wanted Toronto to be known for that kind of thing.

(2) BEST PRACTICE. It’s just good manners:

(3) WHAT IT IS. Jeff VanderMeer reviewed the book for the LA Times: “Marlon James’ ‘Black Leopard, Red Wolf’ unleashes an immersive African myth-inspired fantasy world”.

James certainly makes his own unique contribution to the process of decentralizing the white European experience in fantasy fiction, although it’s important to recognize that this process has been underway for some time — and in so many different ways that it’s just plain lazy to compare this novel with, say, works from the last decade by Nnedi Okorafor or David Anthony Durham or Nora Jemisin or Minister Faust or Nisi Shawl or Kai Ashante Wilson (perhaps even beyond lazy). Neither is “Black Leopard, Red Wolf” Afrofuturism or even, really, “the African Game of Thrones,” as many – including James – have called it.

What it is … is the latest Marlon James novel.

(4) GOT CHARACTERS WHO ARE STILL WITH US. As the next and final season of Game of Thrones approaches, publicity is cranking up (Mashable:New ‘Game of Thrones’ pics tease Varys’ return and more surprises”). A dozen new still photos have been released.

We’re just months from Game of Thrones’ final season, and HBO has released the first stills of Season 8 to get this hype train moving.

Though mostly character shots, it’s thrilling to see our favorite characters again – alive, for the time being, and moving around Westeros with the speed and urgency established in Season 7. Most surprising is the return of Varys (Conleth Hill) to the North…or does that snow mean winter is spreading south with the White Walkers?

(5) PROTIP. Myke Cole was yanking peoples’ chains:

Of course, one person actually went looking for the list. (See Twitter thread.)

(6) VORLICEK OBIT. [Apologies for substituting certain letters in his Czech name which WordPress won’t reproduce.] Vaclav Vorlicek, a Czech director of fantasy films that are greatly beloved throughout Europe, died February 6. Cora Buhlert says he’s “definitely one of the greats of our genre who deserves to be remembered” and has written an appreciation:

You may never have heard Vaclav Vorlicek’s name until today, but if you were a kid in Eastern and/or Western Europe in the 1960s, 70s and 80s, you have almost certainly watched his films at some point. Because Vaclav Vorlicek was the man behind many of those Czech fairytale movies that were afternoon television staples for children all over Europe in the 1970s and 1980s. Because – uncommon for the time – Vorlicek’s films crossed the iron curtain and entertained children on both sides.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 6, 1923 Patrick Macnee. He was best known as the secret agent John Steed in The Avengers, a tole he reprised in the New Avengers. He made his genre debut as Young Jacob Marley in Scrooge. He then starred as Derek Longbow in Incense for the Damned (also released as Bloodsuckers, Freedom Seeker Incense for the Damned and Bloodsuckers, Freedom Seeker and Doctors Wear Scarlet). Next up is an uncredited role voicing Imperious Leader on the original Battlestar Galactica.  He played Captain John Good R.N. in King Solomon’s Treasure based rather loosely on the H. Rider Haggard source material. What else? Let’s see… he shows up in The Howling as Dr. George Waggner, as Dr. Stark in a film as alternative title is, I kid you not, Naked Space and Spaceship. It’s a parody apparently of Alien. Next up for him is another toff named Sir Wilfred in Waxwork and its sequel. Yes he wears a suit rather nicely. At least being Professor Plocostomos in Lobster Man from Mars is an open farce.  Yes let me note that he had a voice only role in the absolutely shitty remake of The Avengers as Invisible Jones, a Ministry Agent. I do hope they paid him well. His last film work was genre as well, The Low Budget Time Machine, in which he started as Dr. Bernard. (Died 2015.)
  • Born February 6, 1925 Patricia S. Warrick, 94. Academic who did a lot of Seventies anthologies with Martin Greenberg and Joseph D. Olander with such such titles as Social Problems Through Science FictionAmerican Government Through Science Fiction and Run to Starlight, Sports Through Science Fiction. She did write two books of a more serious nature by herself, The Cybernetic Imagination in Science Fiction and Mind in Motion: The Fiction of Philip K. Dick.
  • Born February 6, 1927 Gerard O’Neill. Author, The High Frontier: Human Colonies in Space and though lesser known, 2081: A Hopeful View of the Human Future. Conceptualized ideas of permanent space habitats and mass drivers. (Died 1992.)
  • Born February 6, 1931 Rip Torn, 88. First genre work that comes to mind is of course RoboCop 3 and his Men in Black films. His first dip into our world comes as Dr. Nathan Bryce In The Man Who Fell to Earth. Yeah that film. Actually if you count Alfred Hitchcock Presents, he’s been a member of our community since his Twenties. He also shows up on The Man from U.N.C.L.E. as well.

(8) COMICS SECTION.

  • The Questionable Content comic strip’s workplace is the Coffee of Doom coffeehouse. One of the baristas is highly educated.

(9) SIGNPOSTS. Wim Crusio says you should avoid The Road to Hell. No, he’s not talking theology, he’s reviewing a novel: “Recent Reads: David Weber & Joelle Presby, The Road to Hell”.

However, there are serious problems with this series, which I am afraid is symptomatic for Weber’s recent work. Like the Safehold series, this one moves at a glacial pace. In 1009 pages, we advance from November 29, 1928 CE to May 3, 1929 CE. Barely three months… And this in a multiverse where it takes months even to send a message from one end of a chain of universes to another. The use of CE dates (in addition to the calendars used by the two opposing universes) makes me fear the worst: is the story at some point going to add a gate to our own universe? Which, of course, should be at some point in our future? Meaning that at a pace of 3 months per 1000 pages we have something like 400,000 pages to look forward to? Please no!

In fact, I’m not even sure that I will by the next installment in this series, because the glacial pace with which the narrative advances is not even the worst part of this book. No, those are the endless discussions of military logistics….

(10) THANKS FOR THE PRIVILEGE. This went badly. Anand Giridharadas accepted a speaking engagement at a club for wealthy progressives. Thread starts here.

(11) SPIKE-O-SAURS. These dinos look very punk: “Newly Discovered Spiked Dinosaurs From South America Look Like Creatures From ‘No Man’s Sky’”.

Paleontologists in Argentina have uncovered a dinosaur unlike anything ever seen before. Alive some 140 million years ago, these majestic herbivores featured long, forward-pointing spikes running along their necks and backs. These spikes may have served a defensive role, but their exact purpose now presents a fascinating new mystery.

(12) CLIMATE’S INFLUENCE ON JAPANESE HISTORY. “How Japan’s ancient trees could tell the future”.

Locked inside the wood of Japan’s hinoki trees is an unprecedented 2,600 year-long record of rainfall patterns that are helping to piece together how weather shapes society.

At his laboratory in a wooded grove in northern Kyoto, Takeishi Nakatsuka holds up a vacuum sealed bag. Inside, bobbing in a bath of brown water, is a glistening disk the size of a dinner plate and the color of rich gravy. This soggy circle is the remnants of a 2,800-3,000-year-old tree, recovered from a wetland – water included, so the spongy wood does not deform – in Japan’s Shimane Prefecture, just north of Hiroshima. Within this ancient trunk lie secrets that can help us prepare for the future.

Nakatsuka, a palaeoclimatologist at Japan’s Research Institute for Humanity and Nature, along with a diverse team of 68 collaborators, has spent the last decade developing a novel method to reveal bygone precipitation patterns and interpret their effect on society. The results offer unprecedented insight into 2,600 years of Japanese rainfall patterns. By teasing out information locked inside the preserved wood of ancient forests, they are able to reveal just how much rain fell around the country over the past two and half millennia. It is an extraordinary record.

About every 400 years, the researchers found, the amount of rain falling on Japan would suddenly become extremely variable for a period. The nation would toggle between multi-decadal bouts of flood-inducing wetness and warmer, drier years that were favorable for rice cultivation. As the rains came and went, Japanese society prospered or suffered accordingly.

As weather patterns today increasingly defy expectations and extreme events become more frequent and severe, this window into past climate variability hints at what may be in store for us in the coming years. “Today is not different than 1,000 or 2,000 years ago,” Nakatsuka says. “We still have the same lifespans and we are still facing large, stressful multi-decadal variation.”

(13) IT’S A HIT! “Cosmic pile-up gives glimpse of how planets are made”.

Astronomers say they have the first evidence of a head-on collision between two planets in a distant star system.

They believe two objects smacked into each other to produce an iron-rich world, with nearly 10 times the mass of Earth.

A similar collision much closer to home may have led to the formation of the Moon 4.5 billion years ago.

The discovery was made by astronomers in the Canary Islands observing a star system 1,600 light years away.

One planet – called Kepler 107c – is thought to have an iron core that makes up 70% of its mass, with the rest potentially consisting of rocky mantle.

Another planet further towards the star – known as Kepler 107b – is also about 1.5 times the size of Earth, but half as dense.

(14) UPDATING KIPLING. Did you wonder? “When did the kangaroo hop? Scientists have the answer”.

Scientists have discovered when the kangaroo learned to hop – and it’s a lot earlier than previously thought.

According to new fossils, the origin of the famous kangaroo gait goes back 20 million years.

Living kangaroos are the only large mammal to use hopping on two legs as their main form of locomotion.

The extinct cousins of modern kangaroos could also hop, according to a study of their fossilised foot bones, as well as moving on four legs and climbing trees.

The rare kangaroo fossils were found at Riversleigh in the north-west of Queensland in Australia.

(15) HISTORY-MAKING DUDS. BBC takes you “Inside the museum dedicated to failure” – video.

Welcome to the home of the biggest product flops of all time, including Sony Betamax, an electrocuting face mask and a Swedish alternative to marshmallows.

(16) MOTHER COMPLEX. “Netflix Acquires Rights to Sci-Fi Thriller I Am MotherComingSoon.net has the story. The flick was mentioned in the January 27 Pixel Scroll.

(17) NEW DUMBO TRAILER. Opens in the UK March 29.

From Disney and visionary director Tim Burton, the all-new grand live-action adventure “Dumbo” expands on the beloved classic story where differences are celebrated, family is cherished and dreams take flight. Circus owner Max Medici (Danny DeVito) enlists former star Holt Farrier (Colin Farrell) and his children Milly (Nico Parker) and Joe (Finley Hobbins) to care for a newborn elephant whose oversized ears make him a laughingstock in an already struggling circus. But when they discover that Dumbo can fly, the circus makes an incredible comeback, attracting persuasive entrepreneur V.A. Vandevere (Michael Keaton), who recruits the peculiar pachyderm for his newest, larger-than-life entertainment venture, Dreamland. Dumbo soars to new heights alongside a charming and spectacular aerial artist, Colette Marchant (Eva Green), until Holt learns that beneath its shiny veneer, Dreamland is full of dark secrets.

[Thanks to Cat Eldridge, John King Tarpinian, Mike Kennedy, JJ, Chip Hitchcock, Daniel Dern, Martin Morse Wooster, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip WIlliams.]

Pixel Scroll 2/3/19 It Is Dangerous To Be Pixeled In Matters On Which The Established Authorities Are Scrolled

(1) MEN IN BLUES. In Fabrice Mathieu’s newest movie mashup the Blues Brothers are back… as Men In Black!

Agent J of the MIB is in prison. He swindled Aliens while on the job. Today he is released for a new mission. The Aliens are waiting for him!

(2) NOW UNDER COVER. Or under a cover — The Verge reveals the art on the front of Myke Cole’s next book, and Chaim Gartenberg does a Q&A: “Fantasy author Myke Cole talks about writing novellas and ending an epic fantasy series in The Killing Light”.

A big part of the Shadow Ops books and the Reawakening trilogy was how your own military voice and experience impacted those books. Partway through the Sacred Throne series, I know you published Legion Versus Phalanx. Has any of the research or work you did for that book factored into the Sacred Throne books?

Oh god, yes. I mean, first of all, the Sacred Throne trilogy is about a revolution that widens into a war, basically. And understanding war and understanding the emotionality and internality of soldiers and the soldiering experience has been instrumental in my writing for sure. (Legion Versus Phalanx, for those who don’t know, is this nonfiction I did studying Hellenistic heavy infantry combat in the third and second century BC. How the Romans fought the Greeks essentially. Really, it was the Balkan peoples, but Greeks.)

(3) SAN DIEGO 2049. “San Diego 2049: Radical Economies” is the next program in a series produced by the School of Global Policy and Strategy and the Arthur C. Clarke Center for Human Imagination:

With Glen Weyl (Microsoft Research, co-author of Radical Markets), Renee Bowen (GPS Professor and Director, Center on Commerce and Diplomacy), and David Brin (science fiction writer and futurist, author of The Transparent Society)

February 19, 2019, 5:30–7:00pm. Roth Auditorium, Sanford Consortium for Regenerative Medicine. Free and open to the public; RSVP required.

With co-author Eric Posner, Glen Weyl argues for a new way to organize markets in the book Radical Markets: Uprooting Capitalism and Democracy for a Just Society. They seek to demonstrate why private property is inherently monopolistic; how we would all be better off if private ownership were converted into a public auction for public benefit; how the principle of one person, one vote inhibits democracy; ways to leverage antitrust laws to liberate markets from the grip of institutional investors; and how to create a data labor movement to force digital monopolies to compensate people for their electronic data, among other provocative ideas. 

…Joining Weyl on stage is David Brin, the celebrated science fiction writer and futurist who has long explored the future of economic possibility and privacy (The Transparent Society), and Renee Bowen, GPS professor and Director of the Center on Commerce and Diplomacy.

(4) DAWN OF THE DALEKS. Galactic Journey’s Jessica Holmes is back in 1964 watching the Doctor in glorious black-and-white: “[February 3rd, 1964] And Into The Fire (Doctor Who: The Daleks | Episodes 5-7)”.

THE EXPEDITION

In this episode, the companions must convince the Thals to help them reclaim a vital part of the TARDIS.

However, the Thals are so deeply opposed to violence that they won’t take any aggressive action against the Daleks. What’s more, the companions themselves can’t agree on whether it’s right to enlist the Thals in a conflict that has nothing to do with them, even if it could buy them their lives. After some shenanigans and a cruel but effective trick from Ian, Alydon manages to rally a few Thals to assist Ian and Barbara in their expedition to recover the part.

There are two big moral questions in this serial, and this episode is where they’re thrust into the spotlight: when, if ever, is it right to fight? And is it right to enlist someone else to fight your battles?

(5) WELL, IF YOU SAY SO. Will there be another Guardians of the Galaxy movie? Variety reports that, “Chris Pratt Promises There Will Be a ‘Guardians of the Galaxy Vol. 3’.” And he’s not the first to say so.

Chris Pratt braved the rainy Los Angeles skies Saturday to attend the “Lego Movie 2” premiere, where he assured fans that they will get a third “Guardians of the Galaxy” film.

When Variety‘s Marc Malkin asked if a third film could be made without James Gunn, Pratt said, “I promise there’ll be a third movie, I don’t know exactly what that’s going to look like, but I know everyone on board is just eager to give the fans what they want and wrap up a trilogy in a meaningful way.”

Whether or not a third “Guardians” would happen was thrown into question after director James Gunn was fired for years-old tweets appearing to make light of pedophilia and rape. Gunn apologized for the tweets […]

Despite Gunn owning up to his error, his firing did put the future of the Guardians franchise in peril. But, well before Pratt chimed in with his claim (above), Karen Gillan had told People Magazine (“Karen Gillan on Her Directorial Debut and Nebula Confronting ‘Daddy Issues’ in Avengers: Endgame“) in December 2018 that she has hope the series will continue.

“Our director won’t be with us any longer but we are excited to continue the Guardians of the Galaxy story and keep delivering to the fans,” says Gillan. “That’s the most important thing. I don’t have any details as to when [the next Guardians film will come out] but there’s a script in existence.”

She cheekily adds, “I may have had a little teeny peek, but I can’t say anything.”

(6) AN ALT-SATIRE. Politics and furry fandom have collided, but maybe not in the way you would predict (VICE Canada: “This Man Bought a Far-Right Group’s Domain and Made a Furry Dating Site,” Mack Lamoureux).

Wolves of Odin, a group affiliated with an Edmonton mosque stakeout, now has a plushier, kinkier web presence.

If you try to go to the website for an Alberta far-right group, you won’t read the anti-immigration views “Wolves of Odin” usually spout, but you will see the dating profiles of some cartoon wolves packing serious heat. 

Instead of finding some conspiratorial ramblings about how Muslim immigration is a purposeful conspiracy to replace the “real” Canadians, you’ll learn about “Bigger_Woofer” who loves “when you mark your territory on your chest.” This little bait-and-switch website was posted on the Edmonton subreddit Wednesday and it promptly blew up. 

Brady Grumpelt is the man behind the Wolves of Odin’s new web presence. The Edmonton man told VICE that the idea was sparked when he saw men he thought were members of the Wolves of Odin “trying to pull their whole intimidation thing” in the Buckingham, a punk(ish) bar on Edmonton’s Whyte Avenue, where Grumpelt used to work. (Full disclosure: the Buckingham is one of this reporter’s favourite haunts in Edmonton.) A video posted to Facebook appears to show the group causing a disturbance in the bar on Friday, defacing some property, and arguing with the owner. Grumpelt said that while the owner of the bar, Ben Sir, is “lawful good and would never do anything like this,” he’s personally more “chaotic good” and decided to pull something.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 3, 1925 John Fiedler. He’s solely here as he played the ever so bland bureaucrat who gets possessed by the spirit of Jack the Ripper on the Trek episode “Wolf in the Fold”. I’m less interested in him than who wrote that screenplay. It was written by Robert Bloch, a master of horror who would write two other Trek episodes, “What Are Little Girls Made Of?” and “Catspaw”. (Died 2005.)
  • Born February 3, 1938 Victor Buono. I remember him best in his recurring role of Count Manzeppi in The Wild Wild West. In his very short life, he showed up in a number of other genre roles as well including as a scientist bent on world domination in the Voyage to the Bottom of the Sea in an episode titled “The Cyborg”, as Adiposo / Fat man in Beneath the Planet of the Apes, Colonel Hubris in  The Man from U.N.C.L.E., Professor William McElroy / King Tut in Batman, Sir Cecil Seabrook in The Girl from U.N.C.L.E. and Mr. Schubert on Man from Atlantis. (Died 1982.)
  • Born February 3, 1963 Alex Bledsoe, 56. I highly recommend his Tales of The Tufa which can sort of be described as Appalachian Fae though that’s stretching it. His Eddie LaCrosse novels remind of Cook’s Garrett PI series and that’s a high compliment as that’s one of my favorite fantasy PI series. Anyone read his Firefly Witch series?
  • Born February 3, 1970 Warwick Davis, 49. Forty-five live and voice appearances since first appearing in the Return of the Jedi in in place of Kenny Baker who was going to be a Ewok before he fell ill. Did you know he’s in Labyrinth as a member of the Goblin Corps? I certainly didn’t. Or that he did a series of humorous horror films centered around him as a Leprechaun? They did well enough that there was six of them. Hell he even shows up in Doctor Who during the Time of the Eleventh Doctor. 
  • Born February 3, 1979 Ransom Riggs, 40. He’s best known for Miss Peregrine’s Home for Peculiar Children which I’ll confess I know absolutely nothing about, so educate me. I know it was turned into a film by Tim Burton which could a Very Good Thing. 

(8) COMICS SECTION.

(9) WHO KNEW? Hard Drive reports “J.K. Rowling Reveals That You, The Reader, Were Gay All Along”:

In a controversial Tweet this morning, Harry Potter author J.K. Rowling revealed that you, the reader, have been gay ever since the release of the best-selling children’s series.

“When writing, I always envisioned the reader as gay,” Rowling wrote. “This has been the case since the first page of Philosopher’s Stone, and as the dictator of canon, what I say is now established lore.”

Of course, that won’t come as a surprise to every reader…

(10) MORE THAN JUST MONEY. The Little Red Reviewer’s Kickstarter did not fund but there are compensations:  

As you all know by now, my Kickstarter for The Best of Little Red Reviewer did not fund.  Of the $5000 I was asking for, I was at less than $2000 when the campaign ended.

Those first 24 hours of the kickstarter were amazing! I was a “project we love” on Kickstarter.  Amazing people (you know who you are!) put in $50 or $100 right out of the gate to give me a good start. At work that day, I refreshed my phone incessantly, and didn’t know if I was going to happy cry or puke.  The last time I was this excited/happy/nervous for something was the day I got married.

My kickstarter didn’t fund, but I had an amazing experience, and more importantly  I have the best, kindest, most supportive friends in the world. All day on February 1st, my phone was blowing up with text messages, e-mails, twitter DMs, and phone calls from my friends saying how sorry they were that the KS didn’t fund.  Those messages? That support? People saying how much they cared about me and my project, and saying they hope I try it again? Those messages are worth more than $5000 could ever be worth.

(11) NOT THROUGH THE THIN WHITE DUKE. “David Bowie’s son blocks new biopic from using music” but he’d be happy if Neil Gaiman wrote a script.

David Bowie’s son has criticised a new film about his father’s life, saying that none of the singer’s music will feature in it.

Duncan Jones tweeted: “If you want to see a biopic without his [Bowie’s] music or the family’s blessing, that’s up to the audience”.

The film, called Stardust, is scheduled to start production in June with Gabriel Range as director.

Jonny Flynn is set to play young Bowie, with Jena Malone as his wife Angie.

The film is said to document a young Bowie’s first visit to America in 1971, which gave him the inspiration to create his Ziggy Stardust character and 1972 album, The Rise and Fall of Ziggy Stardust and the Spiders From Mars.

But Jones, who is a Bafta-winning film director and producer, said his family has not been consulted on the film, nor does he know anything about how it will take shape.

He later tweeted to say that if Neil Gaiman, the author of The Sandman and Stardust, wanted to write a biopic, then he would have his blessing.

(12) DON’T SLOW FOR ART. BBC has photos — “Tregarth dragon sculpture prompts police road safety warning”.

A giant wooden dragon has prompted a police warning to drivers not to slow down to look at it after an accident and numerous near-misses.

The seven-metre (25ft) carving, called Y Ddraig Derw – the oak dragon – looks down on the A5, near Tregarth, Gwynedd.

Sculptor Simon O’Rourke, who made the dragon, also urged motorists to pay attention to the road.

North Wales Police said that while they “love the oak dragon” they were “concerned” about road safety issues.

“There has already been one accident and numerous near-misses on this section of road which really does require a driver’s full concentration,” said the force in a post on its Bangor and Bethesda Facebook page.

“Please concentrate on the road ahead at all times, if you want to view it, then please find somewhere safe to park.”

(13) SHORT FICTION REVIEWS. Adri Joy shares “Adventures in Short Fiction: January 2019” at Nerds of a Feather, covering Strange Horizons, Clarkesworld, Beneath Ceaseless Skies, Uncanny and the anthology A Thousand Beginnings and Endings.

I read Strange Horizons through their Patreon subscription issues, which are a handy way to get each month’s content in an easy e-book format. Useful as this is, the drawback is that each month’s “omnibus” only comes out partway through the following month, which means I am always quite far behind compared to the weekly output of new issues on the site. Also, this roundup doesn’t include the fundraising drive stories which came over this period, which have been collected for backers in a separate ebook and are also available online. The silver lining to this delayed coverage is, of course, that all the original stories here are eligible for Hugo awards right now, should you wish to check them out (and also they didn’t stop being good, relevant stories just because they were published three months ago.)

There are three original stories in the October edition, encompassing very different voices with strong sense of place and a running theme of death and loss….

(14) SUPER BOWL TRAILERS.

  • Alita: Battle Angel
  • A Handmaid’s Tale: Season 3
  • Captain Marvel
  • Avengers: Endgame
  • Jordan Peele’s Us
  • Bud Light ad cross-promotes HBO’s Game of Thrones

[Thanks to JJ, Chip Hitchcock, Andrew Liptak, Martin Morse Wooster, Mike Kennedy, Cat Eldridge, John King Tarpinian, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Steve Davidson.]

Pixel Scroll 9/14/18 Planetary Classification Just Ain’t About Sol Anymore

(1) MOON EXHIBITION IN DENMARK. Louisiana, the largest gallery of Modern Art in the Nordic countries, is holding an exhibition about The Moon from September 13-January 20. The themes are Moonlight, Selenography, The Moon of Myth, The Moon Landing, The Colonization of Space and Deep Time.

From painting to virtual reality, superstition to science, myths to missions, fantasies to space colonies, join Louisiana on a trip to the Moon – into space and into ourselves. ARTnews has already called THE MOON the most intriguing show of the season.

This large-scale exhibition at Louisiana highlights the role, the importance and the fascinating power of the Moon. The exhibition presents more than 200 works and objects—and show how the round white disc is reflected in our art and cultural history. From Galileo’s moon map to Norman Foster’s plans for 3D-printed moon bases.

The exhibition mixes art, film, music, literature, architecture, cultural history, design and natural science into a vibrant and diverse portrait of our closest neighbor in the sky. We encounter the Moon as a fundamental symbol and as a goal of romantic and artistic longings, scientific inquiry, existential issues—and the urge for political expansion.

With this exhibition, Louisiana commemorates the imminent 50th anniversary of man’s first steps on the Moon and also calls attention to a strong and renewed interest in the Moon both in art and as a springboard for a new Space Race with all its strategic and economic implications.

(2) CIXIN LIU. At The Paris Review, Amanda DeMarco’s overview “Cixin Liu, China, and the Future of Science Fiction” includes comments on the English translation of Liu’s Ball Lightning.

It’s been said that the past is a foreign country, and I’ve come to believe that the future is too. I’d just never been so immersed in it before. In Beijing this summer, I read about two thousand pages of work by Cixin Liu, possibly the world’s most important living science-fiction author and certainly among humanity’s most imaginative prognosticators. (A recent London Review of Books piece called his Three-Body trilogy, published in English in 2016, “one of the most ambitious works of science fiction ever written.”) Like life in Beijing, the experience was magnificent and exhausting and thrilling and flawed. Science fiction might be the genre best suited to Chinese society today; the breakneck pace of change becomes a constant, and to live in the present is to anticipate what is to come. When we told our acquaintance that we’d like to return next summer, she responded as many of our Chinese friends did: “You might not recognize it here.”

(3) BRADBURY STATUE ALMOST PAID FOR. In Waukegan, IL — “Ray Bradbury statue fundraising effort crosses $100,000 mark, enters final stretch”.

The fundraising effort behind a proposed 12-foot-tall statue honoring Waukegan native Ray Bradbury is in its final stretch, according to a library spokeswoman.

The group behind the campaign, now an official part of the Waukegan Public Library Foundation, has raised $107,000 of the $125,000 needed through a mix of individual, corporate and nonprofit donations and pledges, said Amanda Civitello, the library’s spokeswoman.

…The proposed 12-foot-tall, stainless steel statue, designed by artist Zachary Oxman, was inspired by Bradbury’s poem “If Only We Had Taller Been” and would show Bradbury astride a rocket ship, waving a book.

(4) INCURABLY VIRAL. Chuck Wendig explains how this movie got started: “You Might Be The Killer: The… Movie?”

So maybe you remember in the halcyon salad days of Summer 2017, one mister Sam Sykes and one mister, uhh, well, me, we got on The Twitters and we did an improvised horror story, kind of a riff on a slasher film, but in Twitter format. Shitposting, the kids call it!

(“Sam Sykes and Chuck Wendig Just Wrote Horror Movie Gold on Twitter.“)

(Or, read the whole thing starting here.)

Well, that went kinda viral.

And when a thing goes viral, it takes on a weird life of its own, meaning, we started fielding offers to make our Twitter thread into Something. Movies, YouTube series, cartoons — but at the end of the day, we had two guys, Craig Engler and Tom Vitale, say they had a vision for it, and it was a movie, and we said, HELL YEAH. Because, holy shit, a snarky slasher film from our tweets? Sign us up…

You Might Be the Killer will have its world premiere at Fantastic Fest in Austin September 21.

And there’s what you could call a companion Twitter thread that got started by Myke Cole – begins here.

(5) PRO TIP. From SFWA — “Contracts Committee Alert – Failure to Finalize Contracts”.

The Contracts Committee has learned of recent cases in which a publisher did not routinely send authors a copy of the final contract signed by both the author and publisher.  The authors had made significant amendments to their contracts which the publisher ignored, publishing material in a format which the authors had crossed out in the contract they signed.  Our understanding is that the books were thus published without a fully executed contract.

Failure to return counter-signed contracts is a failure to finalize the contract and is not an acceptable business practice. A deal should not be considered final until the author has received the final, mutually agreed-to, counter-signed contract….

(6) ASK AN AGENT. Fantasy-Faction has lined up four agents willing to answer people’s questions during the week of September 24, John Jarrold, Julie Crisp, Jamie Cowen, and Harry Illingworth  — “Announcing Agent Week!”

…To many of us, agents are mythic beasts who guard the doors to fame, fortune and the realisation of our dreams. There are a thousand websites out there with advice, tips and tricks on how to discover an agent and, hopefully, entice them enough to take you on as client.

Should you wish to, on those websites, you can find information on the publishing industry, what happens when you’ve snagged an agent, how to tread the minefield of getting your book out there and then the hard bit, getting people to read it.

But better surely is to ask an agent yourself?

Which isn’t always an easy thing to do. Especially if your introverted Britishness prevents you even putting digit to keyboard… Well, fear no more, the struggle is over. We have, through the kindness of four world class agents of impeccable taste, organised a week in which you can ask the questions and get your answers.

(7) TODAY’S BIRTHDAYS

[Compiled by Cat Eldridge.]

  • Born September 14 – Walter Koenig, 82. Obviously you know who he is. Author of Buck Alice and the Actor Robot which I assume is fiction, Chekov’s Enterprise: A Personal Journal of the Making of Star Trek-The Motion Picture and Warped Factors: A Neurotic’s Guide to the Universe. There’s also InAlienable, a SF film written and executive produced by him.
  • Born September 14 – Rowena Morrill, 75. Well-known for her genre illustration, and is one of the first female artists to impact paperback cover illustration. Her notable works include The Fantastic Art of Rowena, Imagine (France publication only), Imagination (Germany only), and The Art of Rowena.  Though nominated for the Hugo four times, she has not yet won, but has garnered the British Fantasy Award.

(8) COMICS SECTION.

  • It’s tough to be a schoolkid with an unusual name – Off the Mark.
  • A chance meeting with a dino pal from the neighborhood — Andertoons
  • WuMo raises the perpetual question – who decides where the story’s going, the writer or the characters?
  • We’ll let you be the judge of this joke — Andertoons
  • Yipes! Is that what we’re eating? — Scandiavia and the World

(9) WE MADE IT! MexicanX Initiative participant Iliana Vargas has reported on the experience of attending the Worldcon: “Hibridaciones sinápticas: Habitar la alteridad en todas sus posibilidades: TheMexicanxInitiative en la Worldcon 76” (There’s’ a Google Translate English language version here – as always with GT, buyer beware!)

Creo que si alguien me preguntara por los momentos más significativos de mi vida, sin duda diría que lo fue el entrar al centro de convenciones y ver a tantas personas con las que me identifiqué de inmediato, haciéndome sentir que estaba en un lugar en el que nadie me juzgaría por mi rareza, sino que la compartiría conmigo.Porque de eso se trata la Worldcon: es un ecosistema en el que uno no necesita usar la máscara del ser social con que interactúa cada día para funcionar en el mundo convencional; simplemente se es, con toda la libertad y con todo lo necesario para mostrarlo, lo que uno ha construido en su propio imaginario individual. Es una fiesta que dura cinco días, en la que uno puede encarnar todo aquello que ha abrevado de la literatura, el cine, el cómic, la exploración sonora, las artes visuales y multimedia, para crear su propia comunidadunderground;una comunidad en la que permea un ambiente de respeto, de asombro y de curiosidad, de expectativa constante por lo que uno encontrará cada día en los pasillos, lo que escuchará en cada panel, lo que descubrirá en la zona de vendimia, lo que aprenderá al final de cada día….

(10) NEXT GEN. Netflix picks up Chinese-Canadian animated genre film at Cannes — SYFY Wire has the story: “Next Gen: A Chinese meme, ghosting producer, and a lucky break led to Netflix’s biggest animated film”

The international sales market at Cannes generally runs on two parallel tracks: Big names make splashy deals for high-profile movies, while relatively unknown production companies hock not-so-high-profile projects to international distributors hungry for programming. So it created quite the stir and raised more than a few eyebrows online when, at this year’s festival, Netflix plunked down $30 million for Next Gen, a Chinese-Canadian animated sci-fi film from a pair of first-time feature directors and a studio that had never made a movie before.

…It began, as do seemingly all worthy modern stories, with a meme. Back in 2008, an artist in China named Wang Nima created his own riff on the American “Rage Comic,” a Reddit-grown comic form that couples consciously janky art and the hair-trigger anger inherent to the internet. The style, which became known as “Baozou,” was instantly popular in China, and Wang started up a site called BaozouManhua.com to build on his creation. Fast forward five years and the Baozou site had become a digital empire, with stand-up comedy, web series, and user-generated content, sort of a Chinese version of Funny Or Die.

 

(11) CRAIG MILLER. The latest Chatting With Sherri podcast is “with Producer; Craig Miller”.

Craig Miller is a well-known and respected writer/producer with over 300 credits but he began his Hollywood career as a specialist in motion picture publicity, promotion, and licensing. He started his marketing career fresh out of college, working for George Lucas on a science fiction movie nobody thought would break even: Star Wars. He was Producer-for-Lucasfilm on episodes of Sesame Street guest starring R2-D2 and C-3PO, the Star Wars robots, and other shows and projects.

Miller set up as an independent publicity consultant, working with most of the major studios and many independent companies through his company, Con Artists, and with creative forces of nature such as Stephen Spielberg and Jim Henson.  Films he’s worked on include The Dark Crystal, The Muppets Take Manhattan, Excalibur, Superman II, Altered States, Splash, The Black Cauldron, Real Genius, and dozens of others.

(12) CASTING CALL. If Henry Cavill is really out, Steven Colbert says he’s available.

(13) COMIC CON AFRICA. South Africa’s first Comic Con: “Tickets sold out for Africa’s first Comic Con show”. Yes, they’re calling it Comic Con; any bets SDCC will sue about use on another continent?

This will see thousands of gaming, pop culture, superhero comic fans descending on the Kyalami Grand Prix Circuit and International Convention Centre, north of Joburg, this weekend.

Comic Con Africa will see the best of the best in the industry of superhero comics to gaming, and fans will get an opportunity to see some of their favourite international stars in person.

The build-up to the three-day event has been overwhelming for organisers, who did not expect a sold-out response from fans.

“What to expect at Comic Con Africa 2018” —  for example:

(14) BEFORE THERE WAS TINTIN. Murals Hergé did as an art student are crumbling: “Tintin and the vanishing murals: Brussels races to save art”.

He’s one of the best-known artists of the 20th Century but, before The Adventures of Tintin, the Belgian artist Hergé created art of a different kind – murals at the Brussels school where he once studied.

In the early 1920s Hergé, then a 15-year-old Georges Remi, was a scout and student at Institut St Boniface, in the Ixelles area of Brussels.

He adorned the walls of the old scout HQ with lovingly rendered art showing scouts and Native American Indians, as well as a map of Belgium.

But now the small garage is in disuse, the walls are in a poor state and many of his drawings have crumbled away.

(15) UNWINDING A MYSTERY. Chip Hitchcock asks, “Did this inspire de Camp’s The Clocks of Iraz?”: “Why Edinburgh’s clock is never on time”.

Arrive in Edinburgh on any given day and there are certain things you can guarantee. The fairy-tale Gothic of the royal castle, built on an extinct volcanic plug. The medieval riddle of alleys and lanes. The majesty of the churchyards and macabre spires set against a barb of basalt crags, all as if created by a mad god.

Yet there is one other given in the Scottish capital, and it is the hallmark of Princes Street, the city’s main thoroughfare that runs east to west joining Leith to the West End. The time on the turret clock atop The Balmoral Hotel is always wrong. By three minutes, to be exact….

“We look after 5,000 different clock towers around the world, and to say The Balmoral’s is peculiar is a massive understatement,” [maintainer Smith of Derby]’s Tony Charlesworth told me. “It’s hard to believe, but it’s the only one we’re paid to keep wrong.”

(16) THE HILLS ARE ALIVE. That’s pretty funny —

(17) SQUIRREL POWER. Marvel released a trailer for its full-length animated film Marvel Rising Secret Warriors:

In Marvel Rising: Secret Warriors, powered teens Ms. Marvel, Squirrel Girl, Quake, Patriot, America Chavez, and Inferno join forces as an unlikely, but formidable crew of aspiring heroes. When a threat no one could have expected bears down on the Marvel Universe, this ragtag, untrained band of teens have no choice but to rise together and prove to the world that sometimes the difference between a “hero” and “misfit” is just in the name.

 

[Thanks to John King Tarpinian, JJ, Karl-Johan Norén, Mike Kennedy, Andrew Porter, Cat Eldridge, Carl Slaughter, Chip Hitchcock, Kendall, ULTRAGOTHA, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Brian Z.]

Pixel Scroll 2/25/18 I, Pixel

By JJ:

(1) ALSO #METOO. In a follow-on to Myke Cole’s mea culpa as reported in the February 15 Pixel Scroll (item #3) about a thread on industry harassment at School Library Journal, author Janci Patterson, in a post entitled “Sexual Harassment, Apologies, and Forgiveness” explains how Cole’s willingness to own, and apologize for, his past behavior has made a huge difference in her life:

That is what it was like being a woman in publishing who had been harassed. I watched people discrediting the women who spoke up on the basis of their comments being anonymous. If it was true, why would they need anonymity?

I knew why. After Zoe Quinn, women in my position all know. We are all one internet post away from being Zoe Quinn.

And then Myke apologized. If you haven’t yet, take a minute and read what he wrote. What he says describes my experience exactly. It’s a damn good apology. He admits to what he did, in specific terms. He expresses that he was unaware that he did it, but he doesn’t treat that as an excuse. He addresses his victims directly and says he’s sorry. He expresses additional sorrow. He talks about both what he’s going to do to make reparations and also how he’s going to address his behavior going forward.

Reading that changed the whole world for me. I had been watching the cultural shifts in our post-#metoo, post-Weinstein-scandal world, but for me, this was the final piece. In that moment, I went from a scared woman with a difficult secret to a woman who could speak authentically. Who could tell the truth. No one could jump on me in any kind of credible way anymore. It was true. It happened. Myke admitted it was true. He saw the hypocrisy in his feminism. He owned it.

He set me free.

Another SFF author who was mentioned in the comments on the SLJ thread, Dan Wells, also posted his thoughts on harassment and being willing to step up and do better:

I have always believed that you should believe a woman who says she’s been harassed, so I believe these women, too.

And then I was accused of being a harasser.

And then the same woman recanted her accusation.

I do not know who this woman is, as she posted anonymously both times, but I want to take this opportunity to pubicly accept her apology, and to thank her for coming forward.

But here’s the thing: I believed her. Obviously I didn’t believe that I had assaulted someone and then forgotten about it, or anything ridiculous like that. But I was – and am – willing to believe that without intending to and without noticing I had done something to make a woman feel uncomfortable or unwelcome or unsafe…

I could have raged against the injustice of this comment – and to be perfectly honest, a part of me did – but the more useful, more helpful response was to sit down and take a good hard look at myself and my actions. What have I been doing, and what can I do in the future, to make the conventions I attend and the spaces I inhabit safer for other people?

Recanted accusation or not, I found some stuff I need to work on. Not a long history of abusive behavior, but a tune-up on boundaries, and on thinking before I speak.

(2) THE LATTER IS NOT RECOMMENDED. SFF author Jeremiah Tolbert spent last Saturday at the Planet ComicCon Kansas City 2018, and he says, “ComicCons Are More Fun With Children. You Should Make Some, or Steal Somebody’s”.

So given that I’m not big on photos with famous people (but definitely not above walking past autograph alley to oogle them and say, without fail, “oh, they’re shorter than I expected”), and I am not really a collector of toys or comics, why would I ever attend these things? Two simple reasons: to meet up with professionals attending who are good friends and to watch my tiny human
lose.
his.
shit.
Little Dude Tolbert (hereafter referred to LDT) will be four in June, and he’s developing into quite the little protogeek.

 

(3) CONTRACTUALLY DEFICIENT. In a public post on Patreon, Jason Sanford reported:

Since the first of the year I’ve written a couple of times about Spectacle Magazine, a new quarterly speculative fiction publication (see here and here for previous articles). The magazine is published and edited by Kevin Hale and Danny Dumas and aims to be a high-end venue for thought-provoking fiction and non-fiction focused on SF/F themes.

Three days ago the Spectacle’s editors sent out a number of story acceptances. Normally you’d expect authors to be excited about acceptances, but news quickly spread that many of them were not happy with the contract terms being offered. I personally had multiple authors contact me about issues around the contracts they were offered…

There are several issues there, including with derivative rights. At worst this derivative rights grab could allow Spectacle to create films or video games or nearly anything else using the stories they purchased and the authors wouldn’t be able to object.

There are also other issues with the contract, such as not laying out when the work would be published or that the rights will revert to the author in the case the story is never published.

Shortly afterward, Spectacle Magazine published the following tweet:

Another author on Twitter noted, with astonishment:

(4) DEADLINE EXTENDED. Worldcon 76 has announced that the deadline for submissions to their Academic Track have been extended to March 1, 2018:

Participants in the Academic Track will have a chance at winning a “Best Academic Track Paper” cash prize from The Heinlein Society.  This $250 prize will be awarded based on the presentations as given at Worldcon 76.  Given this new opportunity, we will extend the submission deadline to March 1st.

Details on submitting can be found at the Worldcon 76 website.

(5) THIS IS THE FUTURE THAT FILERS WANT. Via Foz Meadows:

http://peppylilspitfuck.tumblr.com/post/171099260572/fozmeadows-majorgenerally-writing-prompt-s

(6) TAKING CREDIT. Kristine Kathryn Rusch, in her latest column “Business Musings: Editorial Encroachment”, comments on the recent trend she’s been seeing of editors requiring equal authorial credit on books:

Last week, as I was searching for a friend’s book on Amazon, I made a loathsome discovery. My friend’s book, which is up for preorder, lists her name and the name of someone else on the byline.

I had never heard of that someone else. So I clicked on the preorder, and what did I see? A cover, with just my friend’s name on it.

So I glanced up at the title. Beneath it was this byline:

My Friend (Author), Annoying Person (Editor)

I went through the roof. My friend wrote that book. She hired Annoying Person to edit the book.

I looked up Annoying Person and found her terms and conditions. She sounds like a fairly knowledgeable editor. She only handles copy editing and line editing (although it sounds like she would have a pretty heavy hand). She explicitly says she does not do developmental editing.

Which means she has done exactly nothing on this book. She didn’t come up with the concept. She didn’t brainstorm the characters. She didn’t improve the plot. She didn’t imagine the setting.

All she did was tweak the words.

So why the hell is she getting credit for this book?

Rusch explains in detail why she believes that going along with this is damaging to an author’s brand, and offers advice to authors who are faced with such contracts by their editors.

(7) CHESHIRE CATS. In a Twitter thread, lindsay beth explains how your SJW Credential always manages to magically appear, despite not having been in any of the places you’ve looked: (click the date/time stamp to read the whole thread)

(8) NEBULOSITY. Filer Cora Buhlert has posted “Some Thoughts on the 2017 Nebula Award Nominees”, and offers her thoughts on the shortlists of the various categories as well as some possible trends.

In general, what’s notable about the adult fiction categories is that Uncanny dominates the short fiction categories, followed by Tor.com and Clarkesworld. Tor.com absolutely dominates the novella category, while Orbit dominates best novel. The decline of the big three print magazines continues. F&SF and Asimov’s managed to garner one nomination each, while Analog didn’t get any at all. Only a single nominee in the fiction categories is self-published. Thematically, I don’t see a clear trend beyond a preferences for works with historical settings.

Buhlert’s piece contains more detailed analysis of individual entries, as well as of the levels of diversity reflected by the shortlist authors.

 

(9) DOCTOR WHEN. The Gallifrey Times says that during the February 21 BBC Worldwide Showcase Panel at Liverpool’s Echo Arena, it appeared to be confirmed that Doctor Who will be returning in October 2018.

In the background, we see a promotional photo of the Thirteenth Doctor with some text that reads:

Series 11 – 1×65 – 9×50 – delivers October 2018

You can view the Liverpool Echo’s photo gallery of the event here.

(10) ACHIEVEMENT GATEKEPT. Experienced gamer and blogger Mysty Vander describes how she conquered her social anxiety to attend a gaming convention in 2017, only to be confronted with outrageous sexism, in “Honey, Let the Real Gamers Play”:

We reached a point where my Gunslinger passed a search check nobody else did. I had found a letter. My character was quiet, stoic, and kept to herself – she likely would only divulge the necessary information. When the GM took the letter out, he handed it to the man playing Freya instead of myself. Okay…that’s fine, not a big deal, as long as I get to read it in the end (being partially deaf at a convention, I truly needed to read it with my own eyes to understand all of it).

That didn’t quite happen. Freya’s player read it, passed it along to the older man beside him, and then the note went no further. “Oh, so we need to find the South Gate?” Freya inquired.

The player beside him responded, “Seems like it,” and handed the note back to the GM.

“May I see the note?” I asked.

Without hesitation, the player playing Freya responded, “No need, we know what it meant, sweetie,” he said with a smile.

(11) JUMPING ON THE MAPWAGON. The February 19 Pixel Scroll (item #9), mentions an artist who has done Lord of the Rings-style maps of UK and US National Parks. Kim Huett points out that an Australian artist has done a map of Canberra in the style of Game of Thrones.

(12) BIRTHDAYS.

  • Born February 25, 1966Alexis Denisof (The Avengers, Guardians of the Galaxy)
  • Born February 25, 1966Téa Leoni (Deep Impact, Jurassic Park III)
  • Born February 25, 1971Sean Astin (The Lord of the Rings, Stranger Things)
  • Born February 25, 1986Jameela Jamil (The Good Place)

(13) BUG REPORTS. In xkcd’s 2018 CVE List, Randall Munroe details the most recently-discovered Common Vulnerabilities and Exposures of software, of which we must all be wary. Be sure to mouseover the image for a special Security Disclosure.

(14) DEBUNKING THE MYTHS. In “Hugo Myth Season Again”, Cheryl Morgan dispels the idea that nominators must have read exhaustively in order to be legitimate nominators:

Voting is open for this year’s Hugo Awards, and consequently I need to get back to dispelling the strange ideas about the Hugos that seem to proliferate at this time of the year.

This post has been inspired in particular by the latest episode of the Coode Street Podcast where Gary and Jonathan do their usual fine job, but don’t quite get everything right.

Something that they do get right is the “I haven’t read enough” myth. Every year people trot out the idea that if you haven’t read “everything” then you are not eligible to nominate. This is nonsense.

However, Morgan says that there is another persistent myth to which even the Coode Street Regulars have fallen, which must be corrected:

Finally we come to the bit where the podcast goes totally off the rails. Jonathan resurrects one of the best known zombies of Hugo lore, the idea that the Hugos were once for science fiction only and were later changed to include fantasy. This is not entirely Jonathan’s fault. He got the story from Justin Ackroyd. I have had this discussion with Justin before. He was wrong then and he is still wrong now.

 

(15) I GOT YOUR EXHIBIT RIGHT HERE. Filer von Dimpleheimer, after seeing the announcement in the February 18 Pixel Scroll (item #21) that the exhibit “A Conversation Larger Than the Universe: Science Fiction and the Literature of the Fantastic from the Collection of Henry Wessells” would be taking place at The Grolier Club, stopped by when he was in the neighborhood. You can see his photos of the exhibit here.

– photo by von Dimpleheimer

(16) INADVERTENT DOXXING. In an article entitled “Furry Website Leaks Real Identities”, Medium contributor Sky raises some issues for concern regarding the registration software system used by a number of fannish conventions.

A “feature” in the popular convention registration system ‘Convention Master’ lets anyone find out your fursona name just by typing your real name.

The software is used widely by many conventions, especially in the furry scene. Civet Solutions, the maker of the software, boast “over one hundred and fifty thousand registrations processed.” If you’ve ever attended a furry convention, there’s decent odds they have your data on file… and are now leaking it with no plans to ever stop.

During online pre-registration, you enter your first and last name to see if you have an account at that convention. Unfortunately, anyone can do this. If you’ve ever pre-registered for that convention, or registered on site in a previous year, you have an account. And everyone can see you’ve attended that con with just your first and last name.

Even worse, your fursona name is also displayed.

Yep, that’s right. Anyone can find your fursona name if they know your real name.

Known affected furry cons:

  • Alamo City Furry Invasion
  • Califur
  • Fur-Eh!
  • Furlandia
  • Pacific Anthropomorphics Weekend
  • Scotiacon
  • Vancoufur
  • Wild Prairie Fur Con

Known affected non-furry cons:

  • Arisia
  • RustyCon

The article’s author discusses potential personal and professional implications of the public accessibility of members’ information, as well as possible avenues for remediation. They have also added a follow-up:

UPDATE NOTE: This article was updated with a section of feedback from Civet Solutions at the end of the article. Although the real name look-up feature in question will unfortunately not be removed from the software in future, I encourage you to read the update over to better understand their point of view and their future development plans.

(17) OLD PEOPLE READ YOUR SFF. In the past, James Davis Nicoll took requests on a commission basis only. However, he has now opened a Suggestion Box. There’s no guarantee that the work you suggest will be reviewed; however, submissions are welcome.

(18) YOU SHOULD SEE THIS. At Skiffy and Fanty, Stephen Geigen-Miller offers his “Best Graphic Story Hugo Recommendations”:

One of my biggest personal goals with these reviews – I mention this in the introduction to every column, and unpacked it a bit in my Month of Joy post – is to bring more, and different, deserving SFFnal comics, webcomics and graphic novels to the attention of SF&F readers.

That’s especially important when when it gets to be Hugo nomination season; I want to see a diverse, inclusive, smart Best Graphic Story category that reflects the breadth of the material that’s out there, and I want other genre readers to have the chance to find and fall in love with those comics, like I have.

(19) WHY SETI IS CONTRAINDICATED.

(20) ANNIHILATED. At The Verge, Annihilation and Ex Machina director Alex Garland talks about using sci-fi to explore self-destruction:

I think the main thematic preoccupation probably belongs primarily to the film, which is really about self-destruction. It’s about the nature of self-destruction in a literal sense: cells have life cycles and stars have life cycles and plants and the universe and us. You, me, everyone. But also psychological forms of self-destruction.

It was born out of a funny kind of preoccupation I started to have, that everybody is self-destructive, which is a strange thing to notice. I think a lot of self-destruction is very obvious. [Gestures to cigarettes on the table.] That’s an obvious self-destruction, right? And if a friend of yours is a heroin addict or an alcoholic, that’s an obvious kind of self-destruction. But there are also… You’ve also got friends, or people you encounter, who are super comfortable in their own skin, and very self-possessed, and feel like they have understood some sort of secret to existence that you’re not party to. And then you start to see, no, that’s not quite right. It’s more complicated than that. And fissures and fault lines appear, and between the fissures and the fault lines, you see bits of behavior that doesn’t really make sense – like they’re dismantling things in their lives for no good reason.

In “People Have Accused Annihilation of Whitewashing. Here’s How Its Director and Stars RespondedTIME Magazine reports:

Anticipation for the movie has been high since the release of the first trailer last fall. But recently, some, including the advocacy group Media Action Network for Asian Americans, have accused the film of whitewashing the roles played by Portman’s and Leigh’s characters, saying the characters on which they are based are of Asian descent and Native American descent, respectively, in the trilogy. In a statement, Alieesa Badreshia, an MANAA board member, said that writer-director Alex Garland “exploits the story but fails to take advantage of the true identities of each character.”

Others have pointed out that revelations of the two characters’ ethnic backgrounds are not made until subsequent books in the series.

In response to the criticism, Garland provided the following statement to TIME:

This is an awkward problem for me, because I think whitewashing is a serious and real issue, and I fully support the groups drawing attention to it.

But the characters in the novel I read and adapted were not given names or ethnicities. I cast the film reacting only to the actors I met in the casting process, or actors I had worked with before. There was no studio pressure to cast white. The casting choices were entirely mine.

As a middle-aged white man, I can believe I might at times be guilty of unconscious racism, in the way that potentially we all are. But there was nothing cynical or conspiratorial about the way I cast this movie.

While Portman, Leigh and Novotny are white, co-stars Thompson and Rodriguez are women of color. Oscar Isaac, who plays Portman’s character’s husband in the film, is of Guatemalan and Cuban descent.

 

[Thanks to Cora Buhlert, James Davis Nicoll, Jason Sanford, Kim Huett, RedWombat, ULTRAGOTHA, and von Dimpleheimer for some of these stories. Title credit goes to File 770 Contributing Editor of the Day JJ.]

Pixel Scroll 2/15/18 I Got 99 Problems But An Unscrolled Pixel Ain’t One Of Them

(1) MUCH MORE ON CHILDREN’S BOOK INDUSTRY HARASSMENT. At School Library Journal, Elizabeth Bird advises readers how to catch up on the fallout from Anne Ursu’s survey about sexual harassment in the children’s book industry (linked in yesterday’s Scroll, item 17) with her post “Sexual Harassment and Post-ALA YMA 2018 Thoughts (not necessarily at the same time)”.

If you have missed the current #metoo movement within the children’s and young adult literature industry, then I will break down the order in which you can catch up. While you could argue precisely where to start and where to end, the most necessary articles are as follows:

  1. Read the survey by Anne Ursu on sexual harassment in the children’s book industry
  2. Read the preceding SLJ article Children’s Publishing Reckons with Sexual Harassment in Its Ranks
  3. Read the comment section of that same SLJ article
  4. Read the Gwenda Bond article #metoo #ustoo Change Starts Now: Stand Against Harassment in the YA/Kidlit Community

(2) DASHNER APOLOGY. Comments at School Library Journal also implicated Maze Runner author James Dashner. Dashner tweeted an apology today. Deadline has the story: “‘Maze Runner’ Author James Dashner Tweets Apology Amid Harassment Allegations, Vows To ‘Seek Counseling’”.

Maze Runner author James Dashner, dropped earlier this week by his agent after allegations of sexual misconduct surfaced, has tweeted an apology “to those affected” by his behavior and pledges to “seek counseling and guidance.”

“I have spent the recent days reexamining my actions and searching my soul,” Dashner writes (see the tweet below), adding he now believes he has been “part of the problem” with regard to sexual harassment and discrimination in the publishing industry.

“I didn’t honor or fully understand boundaries and power dynamics,” tweets the author, whose Maze Runner series has become a successful movie franchise. “I can sincerely say that I have never intentionally hurt another person. But to those affected I am so deeply sorry.”

Dashner was dropped by his literary agent, Michael W. Bourret, earlier this week after reader comments on the School Library Journal website named the writer, along with Thirteen Reasons Why author Jay Asher and others, of misconduct or harassment. Asher was subsequently expelled from the Society of Children’s Book Writers and Illustrators, and dropped by the Andrea Brown agency.

(3) #METOO. Likewise, Myke Cole says he has “to own it”.

I am mentioned in the School Library Journal thread that names and shames men who have been inappropriate in their conduct with women in the field.

I wish I could say that the entire comment was false, but I would be lying to you and to myself. I have always prided myself on being “good”. I thought I had a good handle on what that was. It turns out I was wrong. And I have to be accountable to you and to myself. I have repeatedly abused my social power. I have made unwelcome advances in professional settings and that is not okay.

This is humiliating to write, but it is also necessary, because I believe in the #MeToo movement and I 100% support women coming forward to name men who have made them uncomfortable, or worse abused them.

(4) SHORT FICTION. Rocket Stack Rank’s ratings report for stories reviewed up to February 15 has been posted. Greg Hullender notes:

Because so many publications are on bimonthly schedules now, even-numbered months tend to be rather light.

The five-star story, “To Us May Grace Be Given,” by L.S. Johnson was published in 2017, so it’s eligible for this year’s Hugo awards. All the others are eligible for the 2019 awards.

(5) NEW ANTHOLOGY BENEFITS DOCTORS WITHOUT BORDERS. BookNest creator Petros Triantafyllou has just issued Art of War: Anthology for Charity. Proceeds will go to MSF (Doctors Without Borders). The book was just released and is available for sale in both digital and print formats. The print version includes 40 black & white interior art pieces.

The promotional text on Goodreads asks —  

How do you get forty fantasy authors to contribute short stories for a war-themed anthology without paying them? It sounds as if there should be a good punchline to that, but all Petros Triantafyllou did was twist the moral thumbscrews and tell them all the profits would go to Doctors Without Borders, a charity that works tirelessly across the world to alleviate the effects of conflict, sickness and poverty.

So, with clear consciences, several busloads of excellent and acclaimed fantasy authors have applied themselves to the task of penning a veritable mountain of words on the subject of The Art of War, expect bloodshed, gore, pathos, insight, passion, and laughs. Maybe even a wombat. Who knows. Anyway, as the original blurb said: “It’s good. Buy it.” -Mark Lawrence

The anthology collects works from authors that write within the genre including the grim dark sub-genre. The author list includes: Mark Lawrence, Ed Greenwood, Brian Staveley, Miles Cameron, John Gwynne, Sebastien De Castell, Mitchell Hogan, Stan Nicholls, Andrew Rowe, C.T. Phipps, Rob J. Hayes, Nicholas Eames, Mazarkis Williams, Ben Galley, Michael R. Fletcher, Graham Austin-King, Ed McDonald, Anna Stephens, Anna Smith Spark, RJ Barker, Michael R. Miller, Benedict Patrick, Sue Tingey, Dyrk Ashton, Steven Kelliher, Timandra Whitecastle, Laura M Hughes, J.P. Ashman, M.L. Spencer, Steven Poore, Brandon Draga, D. Thourson Palmer, D.M. Murray, Anne Nicholls, R.B. Watkinson, Charles F Bond, Ulff Lehmann, Thomas R. Gaskin, Zachary Barnes & Nathan Boyce.

(6) COMING TO AMERICA. The Tolkien, Maker of Middle-Earth exhibition discussed in yesterday’s Scroll will be making an American appearance next year, according to the FAQ.

Will the exhibition go on tour?

The exhibition will visit the Morgan Library in New York City from January to May 2019.

(7) SHARKE HUBBLE. Returning Shadow Clarke juror Nick Hubble tells why he reenlisted: “Literary Criticism and the 2018 Shadow Clarke: Introducing Nick Hubble”.

A key part of the purpose of the Shadow Jury last year was not just to comment on the award itself but also on its unofficial status as one of the key hubs, in the UK at least, for a critical articulation of the wider and deeper concerns of SFF fan, convention, and reviewing culture. I think we did achieve that to some extent but I hope that the tweaks to the format and emphasis this year will foreground that aspect of the project and help us avoid getting bogged down in controversies concerning the inclusion/exclusion of particular books from shortlists….

(8) IN VACUO. Joe Stech of Compelling Science Fiction invites readers to check out his personal blog where he provide gristly details about “What happens to animals in the vacuum of space?” Good chance to sort out science from fiction on this topic.

In the vast majority of modern shows, people sucked out into the vacuum of space freeze like popsicles in seconds. This is ridiculous. The reality is much more horrifying. In the 1960s there were several studies done on animals in high-grade vacuums that give us a real idea of exactly what would happen in the “oops, I forgot my spacesuit” scenario, and I’m going to walk you through the gory details, along with links to the original papers published in the 60s.

The first big thing to understand is how heat is transferred in space. You may remember that there are four main ways that heat can be bled off: conduction, convection, radiation, and phase change transfer (e.g. ‘enthalpy of vaporization’). When you’re in space, conduction and convection are out, because nothing cold is touching you (conduction) and there are no fluids to transfer heat away from you (convection). That leaves only radiation and phase changes that can cool you down. The infrared radiation leaving the human body is only about as much as a lightbulb, which is not going to drop your temperature extremely rapidly. You’ll also be cooled when the water in your skin boils away, but that’s only going to affect your outer layer. Your internals will be fine for a while, until they completely run out of oxygen.

So now that we’re clear that insta-freeze won’t happen, what are the actual steps in our grisly space demise? Here they are…

(9) TODAY IN HISTORY

  • February 15, 1950 — Disney’s Cinderella premieres.

(10) TODAY’S BIRTHDAY BOY

  • Born February 15, 1935 — Grand Master Robert Silverberg

(11) COMICS SECTION.

  • John King Tarpinian spotted a good Conan gag in Bliss.

(12) RETRO-HUGO TOOL. Nicholas Whyte has been working on an eligibility list for the “Best Series Retro Hugo 1943”.

….Obviously, since this category has not been awarded before, the strictures on previous winners and finalists are not relevant. But even so, the pickings are very slim. There are a number of series which started in 1942 but had not published 3 installments by the end of the year (eg Asimov’s Foundation). There are other series with many installments which however do not amount to 240,000 words (eg the Via and Adam Link sequences by Otto Binder, and I think also the Professor Jameson stories by Neil R. Jones). What I am left with is the following rather brief list…

(13) AFROFUTURISM. The CBC posted a video of author Nalo Hopkinson on the power of science fiction and why Black Panther is going to change everything — “Afrofuturism, sci-fi and why ‘it is a radical act for Black people to imagine having a future'”.

(14) THE ROAD TO HELL. Neil Gaiman tweeted some Good Omens set decoration.

(15) ARE WE THERE YET? Ironically, it may hit another planet, but not Mars. “Musk’s Tesla to stay in space for millions of years”.

The Tesla car that Elon Musk launched into space is likely to stay there for tens of millions of years before crashing into the Earth or Venus.

That’s the conclusion of an analysis by Czech and Canadian researchers.

They calculated that the roadster has a 6% chance of colliding with Earth and a 2.5% probability of hitting Venus over the next million years.

But there’s no cause for concern: if it eventually returns to Earth, most of the vehicle will burn up.

The team’s computer simulations suggest there is a very slim chance of the vehicle colliding with the Sun, but little to no chance of the car hitting Mars.

(16) AN ADMONITION. Steven Barnes wrote on Facebook

White people: please don’t go see BP this weekend: you will be denying a deserving POC a seat. If you MUST, and you are really “Woke” you’ll let said POC sit on your lap. Blocking your view. Your Liberal Guilt will be assuaged thereby.

(17) GAG ME. Paul Verhoeven preens about “How we made Starship Troopers” in The Guardian’s profile. Denise Richards is quoted, too.

Paul Verhoeven, director

Robert Heinlein’s original 1959 science-fiction novel was militaristic, if not fascistic. So I decided to make a movie about fascists who aren’t aware of their fascism. Robocop was just urban politics – this was about American politics. As a European it seemed to me that certain aspects of US society could become fascistic: the refusal to limit the amount of arms; the number of executions in Texas when George W Bush was governor.

It’s an idiotic story: young people go to fight bugs. So I felt the human characters should have a comic-book look. Mark Wahlberg and Matt Damon auditioned, but I was looking for the prototype of blond, white and arrogant, and Casper Van Dien was so close to the images I remembered from Leni Riefenstahl’s films. I borrowed from Triumph of the Will in the parody propaganda reel that opens the film, too. I was using Riefenstahl to point out, or so I thought, that these heroes and heroines were straight out of Nazi propaganda. No one saw it at the time. I don’t know whether or not the actors realised – we never discussed it. I thought Neil Patrick Harris arriving on the set in an SS uniform might clear it up.

(18) WALKING DEAD WINE. Can’t beat a brand name like that, can you? And to make the vintage even more collectible, “New Walking Dead Wines Will Feature Augmented Reality Labels”.

A new Walking Dead wine will soon come to life in a store near you. We partnered with The Last Wine Company to create a Blood Red Blend and a Cabernet Sauvignon that not only taste amazing, but include some really awesome creative flourishes. Our bottles will have unique augmented reality labels that come to life when viewed through your smartphone. Each bottle is sealed with a collectible cork featuring Walking Dead artwork—walker heads, barbwire, etc.

[Thanks to Mark Hepworth, John King Tarpinian, JJ, Cat Eldridge, Chip Hitchcock, Martin Morse Wooster, Andrew Porter, Camestros Felapton, Dann, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Bill.]