Pixel Scroll 6/23/18 And Now It’s Scrolling All Over the Land; I Still Can’t Seem to Understand

(1) COC ENFORCEMENT AT ORIGINS. Organizers of the Origins Game Fair have issued a statement telling how they will handle reported violations of their Code of Conduct at the 2018 convention, which ended June 17.

Tabletop Gaming overviewed the accusations: “Multiple reports of sexual harassment emerge from this year’s Origins Game Fair”.

Reports first surfaced during the weekend of the show, with one designer and senior member of a games publisher alleged to have asked multiple women to “play test his erect penis”.

In a separate incident, another woman was reportedly followed for multiple blocks back to her hotel.

Tabletop gaming personality Bebo used Twitter to raise awareness of the distressing events on behalf of the anonymous victims, adding: “Anyone who says harassment of women isn’t an issue in the industry can eat dirt.”

Both situations were reported to GAMA, the organiser of Origins, which is said to be taking appropriate action in response, although the company is yet to issue a public statement regarding the events.

Polygon’s story covers responses from the accused, and by Origins’ administering body, GAMA: “Accusations of sexual harassment rock the board gaming community”.

Origins Game Fair, which ran June 13-17 this year, is a tabletop gaming convention sponsored by the Game Manufacturer’s Association (GAMA). Its partner this year was Wizards of The Coast, known for Dungeons & Dragons and the Magic: The Gathering franchises. Other sponsors included a who’s who list of major publishers, including Rio Grande Games, Iello, Wizkids, Paizo and CMON.

Origins is an opportunity for fans to see the latest games, and for those in the industry to see each other and do some networking ahead of Gen Con, the nation’s largest tabletop gaming convention, which is held in Indianapolis each August. Many in the industry choose to mingle outside of the event, and that’s where at least one attendee says an exhibitor sexually harassed them. The allegations surfaced on a personal Facebook page and on Twitter, but were also sent to GAMA. The individual accused has denied the allegations….

GAMA’s official statement says in part:

An incident arose through social media at Origins this year pointing out some specific allegations of harassment. This illicit behavior is a clear violation of our show policies.

To ensure that a thorough review of any allegation is conducted, we must have statements from individuals with firsthand knowledge of the event. Unfortunately, that did not happen in this instance so gathering the information is taking more time. We understand that it can be difficult to come forward and share a statement after an incident occurs, but with the cooperation from individuals involved we can address these situations in a timely fashion.

As we demonstrated earlier this year, we take harassment very seriously and are committed to providing a safe, welcoming and fun environment for everyone at the show.

This serious allegation has not been taken lightly. We are committed to handling this in a thorough and professional manner. We are interviewing all parties involved and gathering statements from witnesses who viewed the incident firsthand. We owe all parties involved a fair process to gather the facts and discern as much as possible those confirmed elements before we act. The ramifications of an unjustified response are simply irreplaceably damaging….

The complete statement is at the Polygon link.

The accusations also prompted Katie Aidley, with several years of experience working for gaming companies and in booths at conventions, to release her post “The truth about sexual harrassment and boardgaming”.

(2) SPEAKING TO THE NEXT GENERATION. A passage from Liu Cixin’s The Micro-Age was utilized in the reading comprehension section of China’s national college entrance exam: “Excerpt of popular Chinese sci-fi writer Liu Cixin’s novel selected in gaokao”.

An excerpt of famous Chinese science fiction writer Liu Cixin’s novel was selected as reading comprehension material in the test paper for the Chinese gaokao exam, China’s National College Entrance Exam that took place on Thursday, which not only surprised many participants but also the writer. Liu later responded saying that science fiction meets the demand of people in this day and age.

After the exam in southwest China’s Sichuan Province ended, participants expressed their surprise at finding an excerpt of Liu’s novel “The Micro-Age” since this type of literature was rare in such a rigorous exam.

…Speaking about this year’s gaokao essay topics, Liu expressed that one of the topics was related to science fiction as it required students to write a letter to the generation of 2035 to elaborate on the big events that have occurred since the year 2000 in China.

He said that unlike previous essay topics which tended to focus on current affairs or the past, this year’s topics were more likely to focus on the future.

(3) DETECTIVE WORK. Carl Slaughter asks, “How can I resist a headline like this?” It absolutely belongs in the Scroll: “This insane golden chamber contains water so pure it can dissolve metal, and is helping scientists detect dying stars.” Business Insider has the story.

Hidden 1,000 metres under Mount Ikeno in Japan is a place that looks like a supervillain’s dream.

Super-Kamiokande (or “Super-K” as it’s sometimes referred to) is a neutrino detector. Neutrinos are sub-atomic particles which travel through space and pass through solid matter as though it were air.

Studying these particles is helping scientists detect dying stars and learn more about the universe. Business Insider spoke to three scientists about how the giant gold chamber works — and the dangers of conducting experiments inside it.

(4) HOW’S HE DOING? Eric Flint gave Facebook reader a health update.

I thought I’d bring everyone up to date on my medical condition, since I haven’t said anything about it for quite a while. That’s because it’s been… complicated.

On the positive side, there’s no indication that the lymphoma has come back. So, yay for homicide therapy, AKA chemotherapy.

On the down side, I started developing atrial fibrillation a year and a half ago, right around the same time the cancer was diagnosed. Whether there’s a causal relationship there or it’s just coincidence, nobody really knows….

Flint continues with full details.

(5) BABYLON FIFTH. In “‘Babylon 5’ is great, so why does it look so bad?”, Engadget’s Daniel Cooper describes in great technical detail the show’s digital origins and resulting challenges when aired using current technology.

Now that the series has made its way to Amazon Prime, it is ripe for a whole new generation of fans to discover it. Except that, if they do, they may find that the picture quality is highly variable, and some sequences are quite hard to watch. Now, it’s fair to say that the show is so good that it’s worth persisting with nevertheless. But how it ended up in this state is a tale of folks trying to plan for its future, only to be defeated by executive neglect…

How bad does it look?

We should probably begin by outlining how effects-heavy shows like Babylon 5 are made, albeit simplistically. There are three different types of shot that were put together to make an episode. You have live-action scenes, which are just actors talking in a room; composites, which have a mix of live-action and CGI; and pure-CGI scenes. In order to protect your suspension of disbelief, it’s important that you aren’t noticing the transitions between them.

A great sequence to explain Babylon 5’s problem is the monorail scene from the Season 2 finale, The Fall of Night, which originally aired on November 1st, 1995. We begin with an entirely live-action shot, where Captain Sheridan (Bruce Boxleitner) boards a monorail shuttle. And you can tell, because it’s framed properly and looks pretty good, even if the film is a little grainy because it hasn’t been restored or remastered….

(6) MURDERBOT’S ASPIRATIONS. Adri Joy delivers a fascinating character analysis in “A Robot Learns to Love Itself: Reflecting on the Murderbot Diaries by Martha Wells” at Nerds of a Feather.

There’s a moment near the start of Rogue Protocol, the third in Martha Wells’ Murderbot Diaries series (forthcoming August 7, 2018 from Tor.com Publishing), that quietly broke my heart. The self-proclaimed Murderbot, a rogue SecUnit (a human-robot hybrid “construct”) which hacked its own governor module after an unfortunate murder-based incident that was subsequently wiped from its memory, is trying to distract itself from the endless, stupid problems of humans by watching a new show. Unfortunately, the plot isn’t working out, and Murderbot is eager to get within range of a station so it can download something different. If only, it tells us, this terraforming horror series had a rogue SecUnit character who could stop the squishy humans from all getting horribly killed…

On the surface, this doesn’t seem like a big deal. Murderbot watches rather a lot of shows – indeed, extensive media consumption is its most prominent character quirk – and it also does a lot of complaining, so the combination of the two is not exactly unusual. However, this is the first time it has articulated a desire to see itself represented positively in media.

(7) COMICS SECTION.

  • Chip Hitchcock spotted a Library Comic about All Systems Red. Chip adds, “The author’s former strip used to recommend something (often genre) at least once a week, and most of them were good; nice to see him back at it.”

(8) TODAY IN HISTORY

  • June 23, 1976 Logan’s Run debuted.
  • June 23, 1989 — Tim Burton’s Batman is released in theaters.
  • June 23, 1989 Honey, I Shrunk the Kids premiered.

(9) TODAY’S BIRTHDAYS

  • Born June 23 – Joss Whedon, 54. Known for Buffy the Vampire Slayer and Angel, FireflyDr. Horrible’s Sing-Along Blog, Dollhouse, Avengers and Agents Of S.H.I..E.L.D. which is not a complete listing by any means.
  • Born June 23 – Selma Blair, 46. Scream 2 appears to be her first genre role, also Xena: Warrior Princess, Hellboy and Hellboy 2,  both of the Hellboy animated films, The Fog and most recently Lost in Space.
  • Born June 23 – Melissa Rauch, 38. Bernadette Rostenkowski in The Big Bang Theory, Harley Quinn in the animated Batman and Harley Quinn film, Summer in True Blood, and Wasp / Hope Pym  in the Ant Man animated shorts.

(10) FAITH OF THE FUTURE. Syfy Wire’s story “In modern science fiction, religion plays a vital, secular role” by Tricia Ennis examines how religion is treated on a handful of TV sf series — Battlestar Galactica—the reboot of the mid/late 2000’s; not the original, The 100, and Killjoys.

It’s easy to think that science fiction and religion are anathemas to each other. Science fiction is, after all, about imagining a scientifically advanced future where we have moved to the point of near magic, explaining through science things that modern understanding can only dream up. Religion, meanwhile, is about not explaining those things at all, instead choosing to rely on faith and parable and scripture to explain the mysteries of the universe and to comfort the minds of those who follow its teachings. Obviously, those two don’t really go together.

Perhaps science and faith don’t necessarily mesh—but if you’ve been keeping an eye on certain recent science fiction television series, you’ll notice a pattern. Sci-fi might still have trouble bridging the spiritual and the secular, but it certainly recognizes the importance of scripture to understanding our past — and protecting our future.

(11) REENACTORS. Nancy Kress introduced a highly amusing photo taken at Taos Toolbox:

George R. R. Martin and the Red Workshop. If a wedding, why not a writing seminar?

Walter Jon Williams identified the bodies:

Among the casualties were David DeGraff, Jo Miles, Brenda Kalt, Sarah Paige Hofrichter, Kevin O’Neill, Sherri Woosley, Gayle Schultz, Nancy Kress, Walter Jon Williams, Autumn Kalquist, Joey Yu, Liz Colter, Peri Fletcher, Amanda Helms, Carsten Schmitt, Gabrielle Harbowy, Harrison Lee, Kelli Fitzpatrick, Isabel Yap, and Elliotte Rusty Harold.

(12) MUSEUM VISITOR. Rick Riordan said the minerals on display reminded him of this —

(13) A HUGO VOTER IS HEARD FROM. Joe Sherry shares another section of his ballot in “Reading the Hugos: Novelette” at Nerds of A Feather. Ranked somewhere in the middle is this nominee —

A Series of Steaks: Since I’ve already written about the Short Story category, this is Vina Jie-Min Prasad’s second story on the Hugo ballot and it is a real standout. Besides everything, what I really enjoy about “A Series of Steaks” is the framing of forgery and what makes a good forger. Ultimately, that’s what “A Series of Steaks” is about. Helena semi-legally fabricates meat for restaurants that is otherwise undetectable for not being the real thing (ultimately, a forgery). She is offered a contract that she can’t refuse because it comes with a threat to expose her.

The rest of the story is a tense game of Helena (and her new assistant) trying to fulfill the order and somehow protect herself. Prasad’s writing is clear and pulled me right in. It’s a damn fine story and I’m going to be looking for much more from Vina Jie-Min Prasad.

(14) ON THE ROAD. John Scalzi has thrown the Theory of Evolution into doubt. Could this man’s primordial ancestors possibly have lived in trees without room service?

(15) TOON TOWN. Ethan Alter, in the Yahoo! Entertainment story, ”’Who Framed Roger Rabbit’ turns 30: How the toon-powered classic revolutionized Hollywood” interviews screenwriters Peter S. Seaman and Jeffrey price about the 30th anniversary of this film, first released on June 22, 1988.

According to the screenwriters, Zemeckis always had a grand vision for the Ink and Paint Club as a place where multiple cartoon characters — each of whom had its own bit of funny business — would fill the frame. A cursory glance around the nightclub reveals penguin waiters, an octopus bartender, and a vintage black-and-white cartoon heroine slinging drinks. “Bob wanted one of those almost Scorsese-like reveals, where you track in and all the stuff is happening,” Seaman remembers. “We did write gags for like the bartenders — he’s got eight arms, and he’s making these different cocktails. We’d write gags for the penguins, and everybody in there.”

(16) LUCKY PAIR. JSTOR Daily delves into “The Fairytale Language of the Brothers Grimm”.

There once were two brothers from Hanau whose family had fallen on hard times. Their father had died, leaving a wife and six children utterly penniless. Their poverty was so great that the family was reduced to eating but once a day.

So it was determined that the brothers must go out into the world to seek their fortune. They soon found their way to the university in Marburg to study law, but there they could not find luck from any quarter. Though they had been the sons of a state magistrate, it was the sons of the nobility that received state aid and stipends. The poor brothers met countless humiliations and obstacles scraping by an education, far from home.

Around this time, after Jacob had to abandon his studies to support his family, the entire German kingdom of Westphalia became part of the French Empire under Napoleon Bonaparte’s conquering rule. Finding refuge in the library, the brothers spent many hours studying and searching for stories, poems, and songs that told tales of the people they had left behind. Against the rumblings of war and political upheaval, somehow the nostalgia of stories from an earlier time, of people’s lives and language, in the little villages and towns, in the fields and forest, seemed more important than ever.

This then is the strange rags-to-riches tale of two mild-mannered librarians, Jacob and Wilhelm Grimm (affectionately known as the Brothers Grimm), who went hunting for fairytales and accidentally ended up changing the course of historical linguistics and kickstarting a whole new field of scholarship in folklore.

(17) LEND HER AN EAR. BBC invites you to “Meet Game of Thrones’ woman of weapons”.

It’s probably not a good idea to get into an argument with Natalia Lee.

The only female armourer working on Game of Thrones, she looks after all the show’s weapons, from flaming arrows to giant catapults.

She also played the fearsome Chella in season one, because they needed “a warrior who chops ears off” and then strings them around her neck.

But while she loves working with the actors, she gets worked up if anyone questions the fact that a woman is wielding swords and slingshots.

“I’m constantly told, ‘Women don’t want to see that, women don’t want to do that.’ It’s so frustrating,” says Australian-born Natalia, 35.

“We’re capable of handling weapons, I’ve proved I can carry all of them.

“My job’s a learned, technical skillset, so your gender has no bearing.”

(18) PANIC OR PATHOLOGY? Answering a pixel from 6/18: “WHO gaming disorder listing a ‘moral panic’, say experts”.

But biological psychology lecturer Dr Peter Etchells said the move risked “pathologising” a behaviour that was harmless for most people.

The WHO said it had reviewed available evidence before including it.

It added that the views reflected a “consensus of experts from different disciplines and geographical regions” and defined addiction as a pattern of persistent gaming behaviour so severe it “takes precedence over other life interests”.

[Thanks to JJ, Chip Hitchcock, John King Tarpinian, Martin Morse Wooster, Mike Kennedy, Cat Eldridge Carl Slaughter, Brian Z., and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Anna Nimmhaus, who took inspiration from yesterday’s lyric reference.]

Pixel Scroll 6/21/18 It’s A World Of Fiction, A World Of Smiles, It’s A World Of Pixels In Daily Files

(1) THE FRUITS OF VICTORY. Mark Lawrence posted a photo of the award being sent to the winner of the Self-Published Fantasy Blog-Off: “Where Loyalties Lie wins the PRESTIGIOUS SPFBO Selfie Stick!”

Yes, that time has come again. Following Where Loyalties Lies’ defeat of 299 other fantasy books in SPFBO 2017, it remained only for me to commission the fabled craftspeople of somewhere with low labour costs to fashion the third SPFBO Selfie Stick award.

This exquisite award, carved by hand from finest polymer resin has no association whatsoever with any wizarding school. So shut up.

(2) MORE SPFBO FUN. David H. introduced Filers to the “SPFBO title generator” in a comment:

My favorite titles generated were “The Legacy Shadow of the Legacy Shipwreck” and “The Brutal Raven of the Last Faces.” Someone got “The Foolish Oath of the Necromancer,” which sounds great, too.

I gave it a whirl and got The Spinning Kingdom of the Rise

(3) SFF IN TURKEY. The Economist explores “Why Turkish students are turning to speculative fiction”.

…In this difficult climate, speculative fiction has thrived as students turn to magical worlds to understand the grimness of the real one. A hundred books in the genre are being published in the country each year. Fantasy Fiction clubs continue to grow as students gather together to wage good against evil in unfettered realms. Istanbul University Science Fiction and Fantasy Club (BKFK), resurrected in the autumn of 2016, now claims more than 150 members. Fantasy has so far avoided the censors’ displeasure, though two men were indicted for “publicly denigrating” president Recep Tayyip Erdogan by likening him to Gollum, a character in “The Lord of the Rings” (one has since been acquitted).

“Despite what the name suggests, this genre is very interconnected with life,” writes Asli, the editor of Siginak, a fantasy-fiction magazine run by students (throughout this piece we refer to students only by their first names in the interests of their safety). In her story, titled “R-09 and Pluto”, two artificially intelligent robots contemplate the limits of their brains. Humans, the bots agree, are afraid of their creation’s potential power, so rules are designed to limit the use of their full intellect and to keep them from questioning authority. What could happen, one bot suggests, if they broke those rules and freed their minds?

(4) DANGEROUS VISIONS. Jonathan Cowie draws attention to BBC Radio 4’s new season of Dangerous Visions SF dramas: “Dangerous Visions: back… with a difference!” They include –

  • A 5-part drama (45 minute episodes) called First World Problems in which Britain fractures into civil war and a family with a Down’s syndrome teenager has to make some tough decisions.
  • A one-off 45 minute play called Freedom.

Marian has always told her son, Jamie, that it is fine to be gay, fine to be who you really are and that, in years to come, of course it will be possible for him to marry another man or adopt children.

All this changes when a newly elected coalition government decides political correctness has got out of hand and passes a Freedom Law that licenses both the freedom to say whatever you like, however hateful, and the right not to be offended. Now Jamie has to decide how to be true to himself in a society where intolerance has become acceptable, and Marian confronts what she might need to do to keep him safe.

An absorbing play about the political becoming personal and how an apparently liberal society can threaten those who don’t conform.

  • A one-off 45 minute play called Speak.

Lucian has a vocabulary that is limited to a core 1500 words, but Clara wants to teach him those that are forbidden. A dystopian love story about the power of words, set in a near future where the language spoken is Globish – a reduced version of English.

The OED lists 171,476 English words in current use. The average adult native English speaker has an active vocabulary of about 35,000 – 50,000 words. But studies suggest our vocabularies are shrinking.

Globish is a real international business language, developed in 2004, made up of the most common 1500 English words. It is designed to promote international communication in the global economy. ‘Speak’ imagines a future in which Globish has become the official language.

A gripping two-hander about the power of words; how words – and even more, the absence of words – can control, confine, leach emotion and trap minds.

(5) INKLINGS BEGINS. Brenton Dickieson recounts a bit of literary history with the help of a Lewis biographer: “The First Meeting of the Inklings, with George Sayer”.

For years no regular event delighted Jack more than the Thursday evening meetings of the little group of friends called the Inklings. His was the second group to use this name. Its predecessor was founded in about 1930 by a University College undergraduate named Tangye Lean. Members met in each other’s rooms to read aloud their poems and other work. There would be discussion, criticism, encouragement, and frivolity, all washed down with wine or beer. Lean’s group consisted mainly of students, but a few sympathetic dons were invited to join, including Tolkien and Jack, who may have been Lean’s tutor. Lean graduated in June 1933, and that autumn Jack first used the name the Inklings to describe the group that had already begun to meet in his rooms.

It was always utterly informal. There were no rules, no officers, and certainly no agenda. To become a member, one had to be invited, usually by Jack. Nearly all members were his friends.

(6) BABY’S BIRTHDAY. BBC recalls “The ‘Baby’ that ushered in modern computer age”.

A machine that took up an entire room at a laboratory in Manchester University ran its first programme at 11am on 21 June 1948.

The prototype completed the task in 52 minutes, having run through 3.5 million calculations.

The Manchester Baby, known formally as the Small-Scale Experimental Machine, was the world’s first stored-program computer.

(7) GOLDEN AGE. Steven H Silver celebrates an author’s natal day in “Birthday Reviews: Cleve Cartmill’s ‘Huge Beast’” at Black Gate.

Cleve Cartmill was born on June 21, 1908 and died on February 11, 1964. Cartmill also used the name Michael Corbin when he had two stories appearing in the same issue of Unknown Worlds in 1943.

He is perhaps best known for his story “Deadline,” which appeared in the March 1944 issue of Astounding Science Fiction. The story was discussed at Los Alamos, where Edward Teller noted that Cartmill had described aspects of their research in detail. The discussion led to an FBI investigation into Cartmill, Campbell, and some other science fiction authors. Cartmill is said to have had a low opinion of the story, himself.

(8) OCTAVIA BUTLER GOOGLE DOODLE. Google is honoring Octavia Butler’s birthday, June 22, with this artwork:

(9) IN THE BACK YARD. Jeff VanderMeer is not a gardener’s typical customer:

(10) OUT OF THE TOOLBOX. Nancy Kress shared these humorous highlights from the Taos Toolbox critiques:

At Taos Toolbox, Carrie Vaughn gave a great talk on goal setting and handling a long series. We also had two lectures, Walter’s and mine, and critiqued four manuscripts — a long day. Memorable quote from the critiques:

“I love when she stuffs the alien pterodactyl shell down her bra.”

“Space seems to have been colonized only by Germans.”

“You can’t really hide a pulsar.”

“It needs to be clearer that the starfish and the librarians are different species.”

“I love that she gave away Mars.”

“WTF did I just read — in a good way!”

“It’s Guardians of the Galaxy meets House of Usher.”

“There are too few bicycles in fantasy. Gandalf would have ridden a Cannondale.”

“You might want to put some people on the planet who aren’t dumb as stumps.”

(11) THE SKY’S NOT THE ONLY LIMIT. Multiple record-holding astronaut Peggy Whitson is retiring from NASA, in large part because she’s been in space so long (over several missions) that she’s hit her lifetime radiation limit. Among other things, Whitson, holds the U.S. record for the most cumulative time in space. She’s been the oldest female astronaut in space (57), the oldest female spacewalker, and has the record for the most spacewalks by a woman (10). She was also the first female chief of the Astronaut Office—she stepped down from that in 2012 so she could fly more missions.

SYFY Wire says “Everyone should know Peggy Whitson’s name”.

This doesn’t come as a huge shock; there’s actually a very good, practical reason that Whitson stepped down. Anyone that is outside the protection of the Earth’s atmosphere is exposed to higher levels of radiation. There are yearly exposure limits, as well as lifetime limits, established by NASA. Whitson is so well-traveled that this has become a problem. “I have hit my radiation limit,” she told Business Insider. As a result, she can no longer fly in space through NASA

A BBC News video story about what she had to overcome — “100 Women: Astronaut Peggy Whitson on being told she’d never go to space”.

Quoting the NASA press release, “Record-Setting NASA Astronaut Peggy Whitson Retires”:

“Peggy Whitson is a testament to the American spirit,” said NASA Administrator Jim Bridenstine. “Her determination, strength of mind, character, and dedication to science, exploration, and discovery are an inspiration to NASA and America. We owe her a great debt for her service and she will be missed. We thank her for her service to our agency and country.”

Whitson, a native of Beaconsfield, Iowa, first came to NASA in 1986 as a National Research Council Resident Research Associate at NASA’s Johnson Space Center in Houston. She served in a number of scientific roles, including project scientist for the Shuttle-Mir Program and co-chair of the U.S.-Russian Mission Science Working Group, before her selection to the astronaut corps in 1996.

“It has been the utmost honor to have Peggy Whitson represent our entire NASA Flight Operations team,” said Brian Kelly, director of Flight Operations at Johnson. “She set the highest standards for human spaceflight operations, as well as being an outstanding role model for women and men in America and across the globe. Godspeed, Peg.”

As an astronaut, Whitson completed three long-duration missions to the International Space Station, setting records on each. She made her first trip in 2002 as part of Expedition 5, during which she took part in 21 science investigations and became NASA’s first space station science officer. In 2008, Whitson returned on Expedition 16 and became the first female commander of the space station.

During her most recent mission, spanning Expeditions 50, 51 and 52 from November 2016 to September 2017, Whitson became the first woman to command the space station twice (Expedition 51). She also claimed the title for most spacewalks by a woman – 10 spacewalks totaling 60 hours and 21 minutes – and set the record for most time spent in space by a U.S. astronaut at 665 days.

(12) RETURN OF SARAH CONNOR. Any dedicated Terminator fans in the house? You guys have your own website!

TheTerminatorFans.com has pictures from the set of the upcoming Terminator movie showing Linda Hamilton as Sarah Connor: “Exclusive First Look at Linda Hamilton as Sarah Connor in Terminator (2019)”.

(13) MASS DEFECT. Today’s issue of Nature reports some (just some) of the universe’s missing mass seems to have been found.

(14) SEA LEVEL. Another Nature comment paper (open access) assesses whether “Sea-level rise could overwhelm coral reefs” [PDF file]. Research paper abstract here, also behind a paywall if you’re not a Nature subscriber.

(15) LAST JEDI REMAKERS. ULTRAGOTHA asks: “Have you seen this? Some, er, I can’t actually call them fans, are evidently attempting to raise money to re-make a DISNEY property. Presumably to get rid of POC and Girl Cooties. Or maybe they’re not raising money and some ‘Producers’ have pledged to pay for this?  What producer in his right mind would think he could get away with meddling with a Disney property, or that Disney would agree to this?”

Chuck Wendig has some questions for them in this Twitter thread.

Travis Clark, in “‘Star Wars: The Last Jedi’ director Rian Johnson taunted a campaign to remake the movie” on Business Insider, says somebody on Twitter using the account Remake The Last Jedi claims to have enough money to remake Star Wars: The Last Jedi, a claim mocked by many, including Rian Johnson:

(16) GENRE BLENDING. “Hong Kong sci-fi film mixes robots and Chinese opera” (video).

Featuring flying warrior robots and guitar-toting opera singers, Hong Kong animation Dragon’s Delusion aims to break stereotypes of Chinese culture.

Its producers are now making a feature-length film after a successful crowdfunding exercise.

[Thanks to rob_matic, John King Tarpinian, Jonathan Cowie, Mike Kennedy, ULTRAGOTHA, Chip Hitchcock, Martin Morse Wooster, JJ, Cat Eldridge, Lurkertype, Andrew Porter, Carl Slaughter, and David H. for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W.]

Pixel Scroll 4/10/18 The Third Little Pixel Had Scrolled Beef

(1) TOLKIEN’S GONDOLIN. Tor.com carries the official word: “J.R.R. Tolkien’s The Fall of Gondolin to Be Published as a Standalone for the First Time”. It will be published August 30.

HarperCollins UK announced today that it would publish The Fall of Gondolin, J.R.R. Tolkien’s tale documenting the rise of a great but hidden Elven kingdom and its terrible fall, for the first time as a standalone edition. Edited by Christopher Tolkien using the same “history in sequence” mode that he did for 2017’s standalone edition of Beren and Lúthien, and illustrated by Alan Lee, this edition will collect multiple versions of the story together for the first time.

Tolkien has called this story, which he first began writing in 1917, “the first real story of this imaginary world”; i.e., it was one of the first tales to be put to paper. The only complete version of The Fall of Gondolin was published posthumously in The Book of Lost Tales; however, different compressed versions appeared in both The Silmarillion and the collection Unfinished Tales of Númenor and Middle-earth.

(2) POTTER ANNIVERSARY COVERS. Gwynne Watkins, in the Yahoo! Entertainment story “Accio ‘Harry Potter’ covers: See the dazzling new 20th anniversary artwork”, says the Harry Potter books are coming out with new covers by Brian Selznick, author of The Invention of Hugo Cabret (which was the basis for the movie Hugo). See all the covers at the link.

Do your well-worn Harry Potter books need a new look for spring? In honor of the 20th anniversary of  the U.S. publication of Harry Potter and the Sorcerer’s Stone, Scholastic is releasing new paperback editions of J.K. Rowling‘s entire series, featuring gorgeous cover art by Brian Selznick. When the seven books are placed side by side, the intricate black-and-white illustrations form a single piece of art chronicling Harry’s adventures. Scroll down to see the covers, which are full of tiny details for readers to discover. (Can you spot the Hogwarts Express? How about Harry’s Patronus?)

(3) ABOUT THE SIMPSONS’ APU. The Simpsons creators can’t figure out how something people laughed at in the past became “politically incorrect.” (And isn’t that term always a signal flare preceding a complete lack of empathy…) Entertainment Weekly’s Dana Schwartz discusses “Why The Simpsons’ response to the Apu controversy was so heartbreaking: Essay”.

…In 2017, comedian Hari Kondabolu wrote and starred in a documentary called The Problem with Apu in which he examined the cultural significance of The Simpsons character Apu Nahasapeemapetilon, the Kwik-E-Mart owner, who speaks with a heavy, stereotypical Indian accent and is voiced by Hank Azaria, a white man.

Last night, The Simpsons offered its tepid reply.

The scene began with Marge reading a bedtime story to Lisa that had been neutered with social justice buzzwords. “What am I supposed to do?” Marge asks when Lisa complains.

“It’s hard to say,” says Lisa, breaking the fourth wall and looking directly at the camera. A photo of Apu on the nightstand helped make it very clear they were no longer talking about the fictional bedtime story. “Something that started decades ago and was applauded and inoffensive is now politically incorrect. What can you do?”

“Some things will be dealt with at a later date,” says Marge, also to the camera.

“—If it all,” Lisa concludes.

There’s something about the response that came across as not only tasteless but viscerally unsatisfying. In his documentary, Kondabolu initiated the complex conversation about what it meant to have a white actor voicing an Indian character (with a heavy, caricatured accent) during a time when there was little or no Indian representation in the media.

The Simpsons on-air response reveals that the minds behind the long-running animated series either entirely failed to grasp Kondabolu’s point or (perhaps, unfortunately, more likely) they were completely indifferent to it.

(4) VAST GALLERY OF SFF ART. Enjoy TheVaultofRetroSciFi — Lots and lots of SF images, from all sorts of media.

(5) PARANORMAL ROMANCE. Mad Genius Club’s Amanda S. Green explains why it’s hard to “Know Your Genre – Paranormal Romance”. She disagrees with the definitions posted on some of the leading sites.

…So why the confusion about what a PNR is when checking the RITA nominees?

Simply put, that confusion rests solely with RWA. A quick check of their website shows this definition for paranormal romance: “Romance novels in which fantasy worlds or paranormal or science fiction elements are an integral part of the plot.” See, there it is. Science fiction elements.

This definition might have worked several years ago, before there was an increase in the number of science fiction romance titles. Now, it only confuses the issue and muddies the waters when it comes to readers and booksellers. “Paranormal” doesn’t send most readers into the realm of sf, no way and no how. Yet, for RWA’s purposes, science fiction romance mixes and melds with PNR.

Is this the only definition? Far from it. One site defines PNR this way, “For a novel to be a Paranormal Romance, a simple thing must occur: love must begin between a human and a supernatural being (whether wholly supernatural or partially, just as long as there are supernatural elements present)”

Another site has this to say: “Most people hear the words ‘Paranormal Romance’ and visions of sparkly vamps and bare-chested wares seeking virginal human mates spring like crack-addicted leprechauns from the recesses of their minds. While these have certainly been the topic of many a novel **cough** Twilight **cough**, there are so many more topics joining the ranks of Paranormal Romance today.  Among them: Shapeshifters—half-human, half-animal beings with the ability to transmute between forms on cue, Angels, Demons, Nephilim, Egyptian Gods and Goddesses, Ancient Greek mythology, and even the occasional Ghost or Alien thrown in for good measure. And I would be amiss in not mentioning the perennial time-traveling, kilt-wearing highlander with the rippling biceps and the heart of gold. His broadsword isn’t the only steely thing about him, if you know what I mean.” Where I have a dispute with the site and its definitions is when it say UF is a sub-genre of PNR. Nope, totally different.

(6) THE WASTELAND. The trailer for Future World has dropped:

In a post-apocalyptic world, where water and gasoline have long since dried-up, a prince from the oasis (one of the last known safe-havens) must venture out to find medicine for the ailing queen (Lucy Liu), but along the way he gets mixed up with the warlord (James Franco) and his robot Ash (Suki Waterhouse), which leads to a daring journey through the desolate wastelands.

 

(7) FOUNDATIONAL TELEVISION. From Deadline: “Apple Lands Isaac Asimov ‘Foundation’ TV Series From David Goyer & Josh Friedman”.

In a competitive situation, Apple has nabbed a TV series adaptation of Foundation, the seminal Isaac Asimov science fiction novel trilogy. The project, from Skydance Television, has been put in development for straight-to-series consideration. Deadline revealed last June that Skydance had made a deal with the Asimov estate and that David S. Goyer and Josh Friedman were cracking the code on a sprawling series based on the books that informed Star Wars and many other sci-fi films and TV series. Goyer and Friedman will be executive producers and showrunners. Skydance’s David Ellison, Dana Goldberg and Marcy Ross also will executive produce….

The project shows a different level of ambition for Apple’s worldwide video programming team led by Jamie Erlicht and Zack Van Amburg. In November, they set their first scripted series, a morning show drama executive produced by and starring Jennifer Aniston and Reese Witherspoon, with a two-season, straight-to-series order. Apple also has given straight-to-series orders to Amazing Stories, a re-imagining of the anthology from Steven Spielberg, a Ronald D. Moore space drama, a Damien Chazelle series, a comedy starring Kristin Wiig, world-building drama See from Steven Knight and Francis Lawrence, as well as an M. Night Shyamalan psychological thriller.

(8) TWO BUTLER FANS SEEK FUNDS TO ATTEND WORLDCON. Alex Jennings asks “Help Me and Amanda Emily Smith Get to Worldcon 76” via a YouCaring fundraiser. To date people have chipped in $285 of their $2,500 goal.

Last year, Amanda and I both submitted letters to be published in Luminescent Threads: Connections to Octavia Butler. Octavia was a huge influence on both of us, and Amanda and I had met her separately before her death.

Both our letters were accepted for publication, and we were so pleased to be a part of such a wonderful project. This event was even more of a milestone for Amanda as this was her first professional sale in the science fiction field.

On April 2, the official announcement came down that Letters to Octavia has been chosen as a finalist for the Hugo Award in the category of Related Work! We literally jumped for joy. Honoring one of our greatest influences had lifted us up, as well!

The Hugo Awards are basically the Oscars of Science Fiction. Both Amanda and I have dreamed of attending Worldcon and the Hugo Awards all our lives, but we’ve never been able to before. Now that a book we are both in is a finalist, we feel we must get to Worldcon 76 in San Jose by any means necessary.

(9) TODAY IN HISTORY

  • April 10, 1953 — Feature length, full color, 3-D movie premiered: House of Wax starring Vincent Price.

(10) TODAY’S BIRTHDAY BOY

  • Born April 10, 1953 – David Langford

(11) CANDLE TIME. Steven H Silver lights up Langford’s birthday cake at Black Gate with “Birthday Reviews: David Langford’s ‘Waiting for the Iron Age’”.

Langford may be best known as the holder of twenty-one Hugo Awards for Best Fan Writer, including an unprecedented nineteen year winning streak. During that time he also won six Hugo Awards for Best Fanzine for Ansible and a Best Short Story Hugo for “Different Kinds of Darkness.” In 2012, he won his 29th and most recent Hugo for Best Related Work for The Encyclopedia of Science Fiction, Third Edition, edited with John Clute, Peter Nicholls, and Graham Sleight. Langford has tied with Charles N. Brown for the most Hugo Awards won.

(12) SOCIETY PAGES. Liz Bourke, Sleeping With Monsters columnist and 2018 Hugo nominee, announced the good news earlier this month:

(13) READY FOR HIS CLOSEUP. Neil Gaiman will appear on The Big Bang Theory this month. He’s guested on various TV series over the years, sometimes as an animated character, but this will be live action.

It’s kind of pathetic there are people tweeting responses that they never heard of him. Who cares?

(14) THIS DOCTOR IS NOW IN. ScienceFiction.com reveals that “Peter Cushing’s ‘Doctor Who’ Is Now Canon (Sort Of)”.

One of the biggest tasks an anniversary special has is to balance fan service with a story that can stand on its own merits. Among the many ways ‘The Day of the Doctor’ accomplished this rare feat was to feature appearances by multiple incarnations of the Doctor. Though only three were really sharing the spotlight, every version of the beloved Time Lord made at least a brief appearance, mostly through the use of archival footage. On top of this, Steven Moffat even took the opportunity to introduce a new incarnation in the form of the War Doctor, unforgettably brought to life by John Hurt.

And now he’s done it again.

In the newly released novelization of the fiftieth anniversary special, Steven Moffat has slyly worked Peter Cushing’s version of the Doctor into the series’ continuity

(15) OUTWARD BOUND. A new find pushes the date back: “Finger bone points to early human exodus”.

New research suggests that modern humans were living in Saudi Arabia about 85,000 years ago.

A recently discovered finger bone believed to be Homo sapiens was dated using radio isotope techniques.

This adds to mounting evidence from Israel, China and Australia, of a widespread dispersal beyond Africa as early as 180,000 years ago.

Previously, it was theorised that Homo sapiens did not live continuously outside Africa until 60,000 years ago.

(16) MODEST TRIBUTE. The BBC says “Belgrade’s ‘tiny head’ Gagarin statue causes dismay”.

The bust of Yuri Gagarin was ordered by the city council last year, and was put up on a street that bears his name, the Blic news website reports.

But its appearance – a tiny bust on top of a tall plinth – has been met by a hugely negative reaction, the paper says.

“The only way you can see it clearly is to launch yourself into the sky,” the Noizz website says. “While this is somewhat symbolic,” adds writer Ivana Stojanov, “there’s certainly no common sense on show”.

(17) IT’S NOT DEAD, JIM. Nerd & Tie’s Trae Dorn tries to figure out what happened: “Cherry City Comic Con Confusingly Cancelled and then Uncancelled?”.

…Of course, as a Facebook video, it’s highly unlikely that anyone will really end up watching this. Which really does beg the question: if you uncancel a show no one knows was cancelled, did anything really happen at all? Because right now, most people have no idea.

Update 4/10, 12:00pm: In a strange series of events, Cherry City Comic Con has now been uncancelled. The announcement was made, again, with a Facebook video…

Of course, as a Facebook video, it’s highly unlikely that anyone will really end up watching this. Which really does beg the question: if you uncancel a show no one knows was cancelled, did anything really happen at all?

(18) QUICK FLASH. Charles Payseur turns his eye to “Quick Sips – Flash Fiction Online April 2018”.

Continuing the newer tradition of coming out with fairly thematically linked issues, Flash Fiction Online presents an April full of fools. Or maybe fooling. Also aliens. Yup, all three stories feature alien beings, and in most of them there’s also a vein of something…well, of someone pulling one over on someone else. Maybe it’s an actress tricking an alien monster to spare Earth, or a group of alien agents trying to set up first contact on the sly, or even the own paranoid post-drunken-weekend-in-Vegas thoughts of a man who might have just married an extraterrestrial. In any case, the stories are largely bright and fun, even when they brush against planet eating and possible invasion. So without further delay, to the reviews!

(19) ALL KNOWN BRITISH SFF. At THEN, Rob Hansen’s British fanhistory site, you can find scans of a 1937 British SF Bibliography. Once upon a time, the literary universe was a smaller place.

Edited by Douglas W. F. Mayer for the Science Fiction Association and dated August 1937, this was one of the earliest bibliographies to be produced by fandom and contains many titles that would be unfamiliar to a modern reader. A mimeographed publication, it was printed in purple-blue ink, had a soft card wraparound cover, and was stitch-bound. The particular copy scanned for this site includes its unknown previous owner’s checkmarks against many entries.

This is a list of books, only. However, it’s still an interesting coincidence that Mayer himself edited Amateur Science Stories #2, where Arthur C. Clarke’s first published story appeared in December 1937.

(20) JAWS. Or at least part of a jaw: “Ancient sea reptile was one of the largest animals ever”.

Sea reptiles the size of whales swam off the English coast while dinosaurs walked the land, according to a new fossil discovery.

The jaw bone, found on a Somerset beach, is giving clues to the ”last of the giants” that roamed the oceans 205 million years ago.

The one-metre-long bone came from the mouth of a huge predatory ichthyosaur.

The creature would have been one of the largest ever known, behind only blue whales and dinosaurs, say scientists.

(21) SUMMER MUNCH. The Meg is slated for release on August 10, 2018.

In the film, a deep-sea submersible—part of an international undersea observation program—has been attacked by a massive creature, previously thought to be extinct, and now lies disabled at the bottom of the deepest trench in the Pacific…with its crew trapped inside. With time running out, expert deep sea rescue diver Jonas Taylor (Jason Statham) is recruited by a visionary Chinese oceanographer (Winston Chao), against the wishes of his daughter Suyin (Li Bingbing), to save the crew—and the ocean itself—from this unstoppable threat: a pre-historic 75-foot-long shark known as the Megalodon. What no one could have imagined is that, years before, Taylor had encountered this same terrifying creature. Now, teamed with Suyin, he must confront his fears and risk his own life to save everyone trapped below…bringing him face to face once more with the greatest and largest predator of all time.

 

(22) AND DON’T FORGET THESE SHARKES. The Shadow Clarke jury’s Nick Hubble picked six books on the submissions list to review, and tells why in this post.

My criteria for the selection of these six titles this year – none of which I have read – was not what I think might be in contention or even necessarily what I think I will personally rate. Instead, I have chosen a range of books that I hope will enable some sort of literary critical discussion of the field as a whole in 2018 (although clearly this remains an entirely subjective choice on my behalf). Therefore, I have tried to mix first-time authors with established novelists, sequels with standalone works, and genre and mainstream literary texts; but I have married this with a practical policy of also choosing books that took my fancy for whatever reason.

I was also trying to pick a set of choices similar to the that offered by this year’s shortlist for the BSFA Award for best novel: Nina Allan’s The Rift, Anne Charnock’s Dreams Before the Start of Time,? Mohsin Hamid’s Exit West, and Ann Leckie’s Provenance?. I thought this was a good list because there were different types of novels, all of which I enjoyed (and because I have read them, I have excluded them from my Clarke selection below even though all have been submitted). Despite large differences in approach, these novels share a focus on family relationships that perhaps tells us something about the preoccupations of our age. It would be trite to argue that they simply demonstrate a retreat from political and ideological uncertainty to take refuge in the personal sphere but perhaps they suggest different ways in which politics and relationships are both being reconfigured in an age of digital communication. It will be interesting to see what patterns emerge from the wider Clarke submissions list.

(23) ABOUT KRESS. Joe Sherry is not fully satisfied with the book, but it’s close: “Microreview [book]: Tomorrow’s Kin, by Nancy Kress”, at Nerds of a Feather.

Once we move past the conclusion of Yesterday’s Kin, the focus remains on Dr. Marianne Jenner as well as pushing in tighter on that of her grandchildren. This is character driven science fiction. Kress explores the impact of Earth’s interaction with a spore cloud that was initially described as a world killer, but she does so through the lens of characters who have become as familiar as family. To a reader not steeped in the nuance and minutiae of science, the unpinning science of Tomorrow’s Kin comes across as fully rigorous as anything in a more traditional “hard” science fiction novel. Kress does not engage in interminable info dumping. I read Tomorrow’s Kin not long after finishing the latest Charles Stross novel, Dark State (my review). There is no real point of comparison between the two novels, except that I generally love the ideas that Stross plays with and wish he did a better job at actually telling the story. That generally isn’t the case with Nancy Kress. She is a far more accomplished writer and is far smoother with her storytelling. Kress’s ideas are just as big and just as bold, but they are strongly integrated into the story.

(24) CATS STAR ON SFF. Moshe Feder has discovered the true identify of Number One!

[Thanks to John King Tarpinian, JJ, Mark Hepworth, Chip Hitchcock, Martin Morse Wooster, Cat Eldridge, Mike Kennedy, Carl Slaughter, Hampus Eckerman, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Ingvar.]

OMNI Is Back

Omni Magazine has reappeared on newsstands, now published by Penthouse Global Media Inc. in Los Angeles, with editor-in-chief Pamela Weintraub and fiction editor Ellen Datlow.

Nancy Kress has a time travel story in the debut issue, “Every Hour of Light and Dark.”

The magazine is on a new schedule, as Ellen Datlow explained on Facebook:

It’s a quarterly continuation of the original. We actually published two all reprint issues in 2016 and have had an active website for several years (with reprints from the original OMNI). We’ve got a new website we’ll be rolling out soon, with reprints and some material from the new print issues.

Last night Jim Freund interviewed OMNI editors Pamela Weintraub, Ellen Datlow, Robert Karl, Johannes Killheffer, and Corey Powell on his WBAI 99.5 FM show Hour of the Wolf. Click the link to hear the program.

[Thanks to JJ for the story.]

Pixel Scroll 10/30/17 Cast Your Scrolls upon the Pixels, And They Will Return Tenfold

(1) THE REASON FOR THE SEASON. Always a big part of my spirituality — the LEGO Star Wars Advent Calendar.

Open a door of this super-fun advent calendar each day in December to discover a LEGO® Star Wars themed minifigure, starship, vehicle or other collectible. There’s even a foldout playmat featuring images from Jakku, Starkiller Base and deep space for epic Star Wars encounters. This holiday gift is perfect for rebels, Sith Lords, Scavengers and any other life form, and includes 7 minifigures and a BB-8 figure.

  • Vehicles include The Ghost, The Phantom, Stormtrooper transport, Rey’s speeder, Millennium Falcon, Snowspeeder, Kylo Ren’s Command Shuttle, Y-wing, TIE Striker, Hovertank, AT-ST, blaster cannon, snow blower and a sled with boosters!
  • Weapons include 3 blaster pistols and 2 blasters

(2) HANS DUO. He was in The Shootist. Now he’s the Reshootist. ScreenRant reports “Ron Howard Reshot ‘Nearly All’ Of Solo For ‘Twice The Budget’”.

During his time filming, Howard served as the damage control department by posting fun pictures from behind-the-scenes, offering his social media followers a small taste of what was going on. While these were successful in changing the conversation to the content of the film itself (rather than the drama surrounding it), some couldn’t help but realize Howard wasn’t simply finishing what Lord and Miller started. As filming went on for a while, it became apparent there was considerable retooling going on. Now, any issues about who will receive director credit are a thing of the past.

(3) CAT LOVER. From Unbound, Farah Mendlesohn on romance in Robert A. Heinlein — “Q&A with Julie Bozza”.

  1. How important were the romance subplots in Heinlein’s novels and stories?

In Heinlein’s Juveniles romantic subplots are notable mostly by their absence. If there is a lesson in them for smart girls and boys it’s that romance is to be avoided at all cost when you are young because it will restrict your ambitions. Heinlein of course had made this mistake himself with what we’d now call a “starter marriage” in the early 1930s, but in those days it was the only legitimate way for a nice boy to get sex. There is a hint of it in Starman Jones, but it doesn’t work out, in Between Planets the hero doesn’t notice he is being romanced, and in The Star Beast, both female protagonists have it all worked out, but the hero hasn’t noticed yet.

By the 1960s his boys approach girls with awe: Johnny Rico in Starship Troopers likes having women in charge of the space ships because it’s a reminder what he’s fighting for, but there is not a whisper of sex, which is one reason I suggest in the book that we really do need to see this one as a juvenile.

But from Stranger in a Strange Land onwards, it’s not that romance is a subplot so much as that one of the things Heinlein clearly wants to think seriously about is what love is. Stranger is all about how you love someone, how you love without jealousy, and how true love should be expansive, encompassing and generous. Glory Road is this magnificent medieval Romance, intensely performative and playful and a bit silly, but by the end separating the game of romance from the real thing. And of course the Lazarus Long sequence, particularly the tellingly titled Time Enough for Love, and the last novel, To Sail Beyond the Sunset are all about what love means and what we will do for love. But the true masterpiece of Heinlein’s romances is The Door Into Summer which for all the sub plot about Dan’s relationship with Ricky, is truly about a man and his love for his cat.

(4) TERRORWEEN. Yes, this is precisely what we groundlings are always looking for — “McEdifice Returns: Goosebumpy Halloween Special”.

Welcome boils and ghouls to this, your McEdifice Returns Halloween Special. I am your host Tyranny The Torturing Cat-O-Nine-Tails and this is my hideous assistance Straw ‘Wicker man’ Puppy.

We submit for your consideration the strange case of one Chiseled McEdifice. A lowly photocopy repairman or so he says. But what is this? His attempts to prevent paper supplies going missing has brought him to the SPOOKIEST part of any office building!

And there, amid the dust, and the spiders, and the rat-droppings and the incessant drip-drip-drip of leaking pipes, he discovered that all along, the paper was being stolen by…

A HUMANOID ALIEN INFLUENCED PHOTOCOPY MACHINE MAN TRYING TO COPY HIS OWN BUTT!!!!!!!!!!!!!!!!!!!!!!!!!

Hmmm, you think that’s NOT scary?…

(5) BACK TO THE STARGATE. The Verge’s Andrew Liptak invites readers to “Watch the first behind-the-scenes glimpse for MGM’s digital-only Stargate prequel”.

At Stan Lee’s Los Angeles Comic Con, the studio teased our first look at the upcoming show.

Stargate Origins will be a prequel to the original film and followup television franchise. This two-minute featurette shows off the first week of production, with a small tent city and offices for a young Catherine Langford (played by Ellie Gall).

 

(6) CHUCK TINGLE IN LA. A certain someone else was also at Stan Lee’s Los Angeles Comic Con, or as he calls it…

Since Chuck attended with his head in a bag, the mystery lingers on….

(7) PLAN AHEAD. Taos Toolbox (June 17-30) is a two-week Master Class in Science Fiction and Fantasy taught by Walter Jon Williams and Nancy Kress, with special guest George R.R. Martin, and special lecturers Carrie Vaughn and E.M. Tippets. Applications for the 2018 workshop will be accepted beginning December 1, 2017.

Taos Toolbox is a workshop designed to bring your science fiction and fantasy writing to the next level. If you’ve sold a few stories and then stalled out, or if you’ve been to Clarion or Odyssey and want to re-connect with the workshop community, this is the workshop for you!

Taos Toolbox has only been in existence for ten years, and already graduates have been nominated for eight Hugo awards.

 

(8) FICTION BROUGHT TO LIFE. Amazing Stories goes “Behind the Scenes with a Voice Actor” in an interview with Brad Wills.

  1. How do you determine what kind of voice to use for different characters? Do you impersonate different actors that you’ve seen? I’m really curious as to the process. Can you explain it?

Usually I’ll apply one of my stock voices to a character based on their personality traits. For instance in the character breakdown of An Unconventional Mr. Peadlebody, you had described Gerald as a bit of a prudish dandy, and a total failure as a vampire. So I used a more nasal, reedy, affected tone to portray those characteristics. It’s a voice I typically use for grousers and malcontents. So with an added bit of cheekiness and fey pomposity, it seemed to suit Gerald well. As for the character of Gainsworthy, yes I did pay a calculated tribute to a certain actor/director and a notorious character he once played. To tell people why would spoil the mystery of the book, though! I’ve also taken inspiration from numerous old character actors from Hollywood’s Golden Era. Turner Classic Movies has been invaluable.

(9) ROYAL MANTICORAN NAVAL MANUVER. Fans of the Honorverse will be interested to know about SphinxCon 2018. I’m a little curious whether David Gerrold fits into the theme somehow, or is simply a good idea as a GoH people want to see,

(10) CHECK YOUR CLOSETS. Definition remembers “20 Older Toys With Insane Value”. Note: This is a click-through article.

  1. Vinyl Caped Jawa

This version specifically will get you at least $5,000. When this version of Caped Jawa was released in 1978, its cape was made of vinyl, before Kenner Company felt the cape looked too cheap and changed the vinyl to cloth. The vinyl caped Jawa is incredibly rare, very valuable, and worth a minimum of $5,000.

(11) SOLON OBIT. SF Site News reports the death of longtime Chicago fan Ben Solon.

Chicago Fan Ben Solon (b.c.1950) died on October 26. In addition to attending Chicago area conventions, Solon published the fanzine Nyarlathotep.

(12) LUPPI OBIT. Federico Luppi, an Argentine actor who gained fame in the dark fantasy films of Guillermo del Toro, died October 20 at the age of 83. The New York Times obituary adds:

Mr. Luppi’s career, which began in the mid-1960s, included dozens of film and television roles, often in Argentine productions. Slim and stately with a shock of white hair, he endowed his characters with a sense of gravity.

One of those characters was Jesus Gris, the protagonist of the Mexican horror film “Cronos” (1993), Mr. del Toro’s directorial debut. In that film, which also starred Ron Perlman, Gris, an antiques dealer, finds a clockwork device that turns him into a vampire.

Mr. Luppi played the monstrous Gris with touches of weakness — at one point in the film he sinks to a bathroom floor to lap up a spot of blood.

Mr. Luppi appeared in two more of Mr. del Toro’s films, both set in Franco’s Spain. He was a leftist sympathizer who ran a haunted orphanage in “The Devil’s Backbone” (2001), and the monarch of a fairy kingdom in “Pan’s Labyrinth” (2006), which won three Academy Awards in 2007.

After Mr. Luppi’s death was reported, Mr. del Toro, writing in Spanish on Twitter, called him “Our Olivier, our Day Lewis, our genius, my dear friend.”

(13) TODAY IN HISTORY

  • October 30, 1938 The War of the Worlds radio play scared a lot of people.

(14) LISTEN IN. Recordings of the play are available at the Internet Archive, including “War Of The Worlds 1938 Radio Broadcast with Orson Welles”.

The War of the Worlds is an episode of the American radio drama anthology series The Mercury Theatre on the Air. It was performed as a Halloween episode of the series on October 30, 1938, and aired over theColumbia Broadcasting System radio network. Directed and narrated by actor and future filmmaker Orson Welles, the episode was an adaptation of H. G. Wells‘s novel The War of the Worlds (1898).

(15) COMICS SECTION

(16) POTTERMANIA, The Washington Post’s Karla Adam says “London is going all butterbeer over 20th anniversary of Harry Potter”. Her survey of news about the 20th anniversary of the publication of Harry Potter and the Philosopher’s Stone includes a British Library exhibit and various fan activities that are taking place all over London.

Not that it takes much to motivate Potter enthusiasts. Last month, for instance, thousands of Muggles descended on Platform 9¾ at King’s Cross station to mark the day that Harry Potter’s son Albus left for Hogwarts. For those truly potty about Potter, there is the “Making of Harry Potter” studio tour, next to the film studios where all eight films were made, which in the lead-up to Halloween is hosting feasts in the “Great Hall” with pumpkins and cauldrons full of lollipops.

(17) SOFTWARE. The New York Times Magazine tackles the question, “Does Your Language Shape How You Think?” After taking an ax to Benjamin Lee Whorf, the author moves into ancillary matters…

SINCE THERE IS NO EVIDENCE that any language forbids its speakers to think anything, we must look in an entirely different direction to discover how our mother tongue really does shape our experience of the world. Some 50 years ago, the renowned linguist Roman Jakobson pointed out a crucial fact about differences between languages in a pithy maxim: “Languages differ essentially in what they must convey and not in what they may convey.” This maxim offers us the key to unlocking the real force of the mother tongue: if different languages influence our minds in different ways, this is not because of what our language allows us to think but rather because of what it habitually obliges us to think about.

Consider this example. Suppose I say to you in English that “I spent yesterday evening with a neighbor.” You may well wonder whether my companion was male or female, but I have the right to tell you politely that it’s none of your business. But if we were speaking French or German, I wouldn’t have the privilege to equivocate in this way, because I would be obliged by the grammar of language to choose between voisin or voisine; Nachbar or Nachbarin. These languages compel me to inform you about the sex of my companion whether or not I feel it is remotely your concern. This does not mean, of course, that English speakers are unable to understand the differences between evenings spent with male or female neighbors, but it does mean that they do not have to consider the sexes of neighbors, friends, teachers and a host of other persons each time they come up in a conversation, whereas speakers of some languages are obliged to do so.

(18) PLUTO’S REPLACEMENT. The Planetary Society’s vlog does a seasonal installment: “It Came From Planet 9 – The Planetary Post with Robert Picardo”.

Picardo is the Phantom of the Orbit in this terrifying episode of The Planetary Post. Enjoy a special guest visit from Dr. Konstantin Batygin, one of the members of the team which has theorized a big, ninth planet way out beyond Neptune.

Watch the extended interview footage here

 

(19) LEST YOU DISCOVER TOO MUCH. Camestros Felapton warns that spoilers abound in his “Review: Star Trek Discovery – Episode 7”.

Aaarrrrgghhhh what a frustrating show this thing is! It can get so much right and then fall flat on its face. Spoilers abound below the fold.

But that’s good for those of us who haven’t subscribed to CBS All Access yet.

(20) BEWARE MORE SPOILERS. Whereas Standback’s retrospective of the first several episodes is on Medium: “ST:Discovery, Five Weeks Deep: Burnham and Lorca”.

Alas. We deserve more. True story: for a brief 24 hours, I was really hoping “Lethe” would be the perfect name for an episode where due to [TECHNOBABBLE], everybody mysteriously forgets Burnham’s mutiny, and she suddenly needs to live amongst a crew who thinks she never did anything wrong. (Sorry, y’all, I don’t watch teasers 😛 ) It could have been glorious. Straight talk: I would x100 rather see Burnham try to go to a book club meeting, then pull off another Daring Impossible Foolhardy Mission. She’s got the chops; what she doesn’t have is the writing.

(21) KEEPING THE WOW IN BOW WOW. Save space on your Hugo ballot for this editor.

(22) ALT MONEY. Is comics such a rich field? Vox Day’s new right-wing comics series, Alt*Hero, intended to “wage cultural war on the social justice-converged comic duopoly of Marvel and DC Comics,” finished among the most lucrative crowdfunding campaigns ever.

Alt*Hero features unconventional villains such as Captain Europa of the Global Justice Initiative and controversial heroes such as Michael Martel, a vigilante who drops off criminal undocumented immigrants at the local Immigration and Customs Enforcement office, and Rebel, an Southern girl whose superhero outfit incorporates the Confederate battle flag.

Vox Day looked over Kickstarter’s records of Comics – Most Funded campaigns and determined:

There have been 10,552 comics-related campaigns. The #21 most-funded Anatomy of Melancholy: The Best of A Softer World came in at $251,062 with 3,923 backers. We will probably pass that up when all is said and done later today since backers are apparently still emailing and adding a few things on, but we come in right behind them at $245,825 at present. Probably won’t be enough to get to the $260,942 required to catch #20, though.

So, it’s definitely the 22nd most-funded of the 10,553 comics-related crowdfunding campaigns, which is not bad. Also, if you look at the other 21, you can see that all of them were established comics prior to the kickstarter. So, we are also the #1 most-funded new comics series.

(23) THE SILENCERS. Not genre, but too strange to ignore: “A weird solution for noodle slurpers in Japan”. A BBC video about a noise-canceling fork — and other strange utensils.

A Japanese noodle maker Nissin Foods is trying to reinvent the way we eat ramen by creating a noise cancelling fork that covers up slurping.

It’s the latest in string of bizarre cutlery inventions. Is it insanely clever or just insanity?

(24) SOUND ADVICE. And it’s also a good time of year to remind people about the availability of X Minus One radio episodes at the Internet Archive:

X Minus One aired on NBC from 24 April 55 until 9 January 58 for a total of 124 episodes with one pilot or audition story. There was a revival of the series in 1973 when radio was attempting to bring back radio drama and it lasted until 1975. The show occupied numerous time slots through out its run in the 50’s and thus was never able to generate a large following. X Minus One was an extension of Dimension X which aired on NBC from 1950-51. The first fifteen scripts used for X Minus One were scripts used in the airing of Dimension X; however, it soon found its own little niche. The stories for the show came from two of the most popular science fiction magazines at the time; Astounding and Galaxy. Adaptations of these stories were performed by Ernest Kinoy and George Lefferts. They even wrote a few original stories of their own. The writers of the magazine stories were not well known then but now are the giants of today. These stories came from the minds of Ray Bradbury, Isaac Asimov, and Poul Anderson to name a few. This series has survived from its original airing in high quality to be enjoyed today.

(25) ASGARDIAN SNEAK PEEK. Two minutes from Thor: Ragnarok.

(26) PUMPKINS IN CHORUS. Here’s a Halloween light show sure to bring down the house.

[Thanks to JJ, Martin Morse Wooster, Cat Eldridge, John King Tarpinian, Andrew Porter, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Greg Hullender.]

Pixel Scroll 8/23/17 Best Pixel Scroll Title Ever

(1) EVERYBODY NEEDS A HOBBY. They look like inanimate objects auditioning for parts in an N.K. Jemisin novel. What they really are is more easily explained: “How stone poses became a surreal project”.

“Sometimes people assume they must be Photoshopped, but that would be more of a technical challenge than what I actually do, which is throw the rock into the air – or ask a friend to throw it for me – and photograph it while it is up there.

“That way the light and shadow position themselves correctly on the rock without any further intervention.”

(2) GRAPHIC ARTS AND SCIENCE. In “What’s your science teacher doing in a comic book?”, the Washington Post’s Erin Blakemore discuses “S.T.E.A.M. Within The Panels:  Science Storytelling Through Comic Books, Comic Strips, and Graphic Novels”, currently on exhibit at the American Association for the Advancement of Science.

Space is massive, time is infinite, and the future is limitless. But, with comic books, the massive, the infinite, and the limitless are broken down into individual panels, discrete moments of time that readers ingest and process at their own pace. From the factual to the fantastic, comic books and graphic stories show the application of science in the modern world and well beyond, one panel at a time.

Since very early in their history, comics have been inspired by science, resulting in stories that range from hopeful to bleak, utopian to dystopian, and somewhere in between. In “S.T.E.A.M Within the Panels” we look at how science has been depicted in comics and narrative literature. Some of the pieces are explicitly connected to science, while others reflect reactions to science. Others still are, in the tradition of science fiction, springboards to speculation based on scientific ideas. In all, they show how comics project the complicated and often contradictory ways that the public perceives science.

Includes the work of the following artists and creators: Jordan Clark, Matt Dembiciki, Kata Kane, Sean Gorman, Jay Hosler, Vince Underwood, Paul Hoppe, Magret de Heer, Matteo Farinella, Katie McKisock, Rosemary Mosco, Damion Scott, James Harvey, Orion Zangara, Paul Sizer, Vasco Sobral, Roxanne Bee, D.M. Higgins, Kelly Phillips, Matthew R. McDaniel, and more!

(3) CHOWCAST. Scott Edelman invites you to Brunch on Eggs Benedict with A. Merc Rustad in Episode 45 of Eating the Fantastic.

A. Merc Rustad. Photoby Scott Edelman.

A. Merc Rustad has published fiction in Lightspeed, Uncanny, Shimmer, and other magazines, and their short story “How To Become A Robot In 12 Easy Steps” was included in The Best American Science Fiction and Fantasy 2015. They were on that weekend’s Nebula ballot in the short story category for “This Is Not a Wardrobe Door,” which is included in their debut short story collection So You Want to Be a Robot, described by Publishers Weekly as “unmissable.”

We discussed some terrible writing advice which messed with their head and the way they got over it, how the Redwall series by Brian Jacques turned them from a reader to a writer, why some fan fiction doesn’t get the fan fiction label while other fan fiction does, the reason the animated television series Beast Wars: Transformers was such a major influence both professionally and personally, why they almost destroyed their Nebula-nominated story “This Is Not a Wardrobe Door,” the secrets to assembling a short story collection, and more.

(4) A ROYAL WEDDING. TrekMovie.com found a funny video clip to run at the end of their news flash “Terry Farrell and Adam Nimoy To Wed”:

Congratulations are in order for two members of the Star Trek family. Over the weekend Star Trek: Deep Space Nine star Terry Farrell confirmed that she was engaged to be married to Adam Nimoy, son of Star Trek legend Leonard Nimoy. The news first came via Access Hollywood’s Scott Mantz and was confirmed by Terry via Twitter.

 

(5) CRAFT TIME. The weapon for the chosen one has been forged.

(6) DESTROYING SF IN PRINT. The Disabled People Destroy Science Fiction/Uncanny Magazine Year 4 Kickstarter reached the Disabled People Destroy Science Fiction  PHYSICAL BOOK STRETCH GOAL.

Everybody who backs for just that or at $50 and above is getting a FANCY BOOK!

And in another update, they posted a new Disabled People Destroy Science Fiction personal essay:

Here is today’s new Disabled People Destroy Science Fiction personal essay (edited by Nicolette Barischoff). These essays, much like their counterparts in the previous Destroy Kickstarters, will feature disabled creators sharing what it is like being a disabled person in the science fiction community. Shine on, Space Unicorns.

“After the Last Chapter” by A.C. Buchanan

The Chrysalids was different. The edge of panic started to seize me when I read it. I knew it was saying something deeply personal to me; was too scared to contemplate what.

The novel is set in northern Canada, some years after a global nuclear war, in a society ruled by religious extremism which denounces any biological mutation or atypicality as the work of the devil. This is a world in which disabled people are either killed or sterilised, then banished from society. The book follows a group who are forced to conceal their telepathic abilities for fear of their lives. At the conclusion of the novel they are rescued by a woman from the island country of Sealand, where these telepathic abilities are both common and viewed as a positive stage in evolution.

In retrospect, it’s obvious why this work was so important to me. I was both autistic and queer, only partially aware of both, in a conservative country where neither was acceptable. I tried—and failed—to find a balance between the inevitable violence that would follow any expression or exploration of my reality, and the slower, but no less destructive, intense denial of any sense of self. I spent my teens careering between rebellion and obsessive rule following, between internalised self-hatred and burning anger, eventually determining that no matter what I did, the parts of my person I did not yet know to call autistic would always be suppressed whenever they dared to show themselves.

(7) VACUUM PACKED. The Verge has ranked “18 space suits from science fiction, from worst to best”. Here’s one they’re very fond of:

One of my absolute favorite space suits appeared long before real humans went into space: it’s in the 1950s Tintin comics (and later cartoons) Destination Moon and Explorers on the Moon. These suits aren’t what we ended up using: they’re hard armor with a bubble helmet rather than lighter cloth, and seem cumbersome to wear and walk around in, not to mention specifically fitted to each person (and dog!)

But, they’re still a beautiful, iconic design that did draw on some real concepts. While they certainly predate the space age, and Hergé does depict the suits in use on the Moon, as well as a couple of points where they’re being constructed and fixed, which means that he did put some thought into how these theoretical space suits might have functioned.

(8) COMICS SECTION. Mike Kennedy appreciates the astrophysical humor in yesterday’s In The Bleachers.

(9) WHAT DO THE SIMPLE FOLK DO? Nancy Kress told her Facebook followers:

Working on draft three of a novel, an insanely complicated sort-of-space-opera-with-physics that STILL has too many inconsistencies in the timeline. I swear, my next book will be single-viewpoint, near-future, on-Earth, and short. Possibly a haiku.

(10) WIELDING THE HAMMER. A new take on Thor:

In a flash, the Marvel heroes are offered a gift: to stand shoulder to shoulder with those who came before them! Today, Marvel release GENERATIONS: THE THUNDER written by Jason Aaron with art by Mahmud Asrar. In this new and exciting story, Jane Foster meet a version of Thor she’s never met before – one who has not yet picked up the hammer.

 

(11) HEALTHY SCRATCH. You won’t be seeing this actor in the Han Solo movie after all: “Michael Kenneth Williams’ Role Cut From ‘Star Wars’ Han Solo Movie Amid Reshoots” reports Deadline.

“I felt great about what I created with the directors that I worked with,” said Williams, who was cast in the Han Solo origin story by original helming duo Phil Lord and Chris Miller, who exited in June. “It is what it is.”

“When Ron Howard got hired to finish out the film, there were some reshoot issues that needed to be done in regards to my character, in order for it to match the new direction which the producers wanted Ron to carry the film in,” Williams told Deadline. “And that would have required me on a plane a month ago to London, to Pinewood, to do reshoots. But I’m here, on location in Africa. It’s scheduling. I’m not going to be back on the market until the end of November after [his SundanceTV series] Hap and Leonard, and for them to wait that long for me, that would have pushed back the release date, which I believe is in May 2018. They wanted me now; I couldn’t go. So they had to clip-clip-clip.”

Plot and character details had been kept under wraps, but Williams said he played a half-human, half-animal in the film and that “we created a kick-ass character, in my opinion. I’m proud of it.”

(12) KRAZY PRICES. Twenty-four hours left to bid on these irresistible items being auctioned by Nate Sanders firm, like this George Herriman Krazy Kat Illustration (minimum bid $11,000).

Original ”Krazy Kat” hand-drawn and signed illustration by George Herriman, rendered in multi-color ink and watercolor. An extremely popular comic strip created by Herriman in 1913, Krazy Kat depicts the unlikely love triangle of a cat, a mouse and a dog: Krazy Kat, Ignatz Mouse and Officer Bull Pupp. Krazy Kat’s naive, unrequited love for Ignatz is consistently and unceremoniously rewarded by bricks hurled to the back of his head, thrown by the cantankerous mouse. Officer Bull Pupp does his best to protect Krazy Kat, whom he not so secretly loves, from Ignatz’ relentless brick attacks. In this hand-drawn illustration from the early 1930s, the three march along, holding up their respective offerings: a brick, bobby stick, and umbrella and flower. Signed by Herriman, ”Hey ‘Louie’ – Thine – Geo. Herriman”, drawn for Louis Staub, a New York printer. Krazy Kat ran for almost thirty years, from 1913-1944, a favorite of comic fans and such notables as E.E. Cummings, William Randolph Hearst, Jack Kerouac and Pablo Picasso. Illustration measures 9.5” by 6”. Three hole punches at top and light creasing to edges, otherwise near fine condition.

Other auction highlights:

  • Original Walt Disney Signed Bambi Cel
  • Marvel Tales Starring Spider-Man! Cover Art
  • Charles Schulz 1961 Peanuts Strip

(13) POPULARIZING SCIENCE. Award-winner Nora Bourbia tells about “My academic poster at the Worldcon75 in Helsinki (Finland), August 2017”.

For the last two years the Worldcon has invited young scientists (PhD student and postdoc level) to present their work to the public audience via a poster and a five minute presentation. I couldn’t miss this great opportunity to do some public engagement and I was really happy to be accepted among 15 others for the academic poster presentation session. The title of my talk was: The tale of the neuroscientist who modifies DNA of mice with viruses.

…It was great to talk to a variety of people, from both scientists in my field to non-scientists. I was happy to see curiosity and have a range of discussions with the Worldcon75 attendees. On top of that I was surprised and very pleased to win the academic poster presentation judged by the panel of the Worldcon75 and sponsored by the BWAWA (Baltimore-Washington Area Worldcon Association). It was really amazing, the panel judged the poster as well as the presentation. I am so happy about this award and to have been part of the Worldcon75.

(14) WHOO – IS TO BLAME? The BBC asks “Has Harry Potter cursed these owls?” There’s a video report at the link.

Since the runaway success of the Harry Potter series some Indonesians have started keeping owls as pets. More owls are being sold and conservationists are worried about the impact on the population in the wild.

(15) VIDEO OF THE DAY. “Trailer for Every Oscar-Winning Movie Ever with BriTANick” has the smart-alecks at Cracked trying to put every cliché they can into a three-minute video.

[Thanks to JJ, John King Tarpinian, Hampus Eckerman, Chip Hitchcock, Martin Morse Wooster, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Rich McAllister.]

Pixel Scroll 8/14/17 All These Scrolls Are Yours, Except Europa; Attempt No Pixelings There

(1) LITIGATING CLARKE’S LAW. N.K. Jemisin is interviewed by Joel Cunningham of the B&N Sci-Fi & Fantasy Blog in “The Logistics of Throwing Mountains: N.K. Jemisin Discusses The Broken Earth Trilogy”.

The Broken Earth series seems to straddle a line between fantasy and hard science (e.g. the orogenes of the novels acquire their names from orogeny: a folding of the lithosphere that creates mountains, but functionally what they perform is magic). There’s a whole mess of science underpinning the magic. What kind of research did you undertake to make orogeny something done by orogenes. and not a flat, scientific term?

I did want to play around a bit with that corollary of Clarke’s law—the idea that any sufficiently systematized magic is indistinguishable from science. A few years back I wrote a blog post called “But but but—why does magic have to make sense?” in which I argued that the whole point of magic was to defy reasoning and repeatability and all the things that equal science.

But then I wanted to write a world that tries to make sense of it anyway, and partially succeeds. And we can see by the obelisks floating through the sky of the Stillness that at one point in the distant past, people did figure magic out to a much greater degree. At that point, is it still magic? Has it become science? That’s one of the concepts the series is chewing on.

Research-wise, I hung out in seismologist forums and follow a bunch of geologist accounts on Twitter, and read a lot of layperson-oriented articles. I also visit volcanoes whenever possible, because I’m fascinated by them. Awesome demonstrations of the Earth’s power and potential fury. On a research trip to Hawai’i a few years back, I visited four volcanoes in four days. That was fun.

(2)  CASTING NEWS. What a combination of actors and writers — “Michael Sheen, David Tennant to Star in Neil Gaiman’s ‘Good Omens’ at Amazon”.

Michael Sheen and David Tennant have been cast in the lead roles in the Amazon series adaptation of Neil Gaiman and Terry Pratchett’s “Good Omens,” Variety has learned.

The show is set in 2018 on the brink of an apocalypse as humanity prepares for a final judgment. But Aziraphale, a somewhat fussy angel, and Crowley, a demon, aren’t enthusiastic about the end of the world, and can’t seem to find the Antichrist. Sheen will play the role of Aziraphale, while Tennant will play Crowley. It will consist of six one-hour episodes.

…. Gaiman adapted all six episodes of the series and will also serve as showrunner. Following its exclusive launch on Amazon Prime Video, the series will also be broadcast on BBC in the U.K.

(3) BRADBURY LECTURE. The 4th Annual Ray Bradbury Memorial Lecture “Escape Velocity: Ray Bradbury and the American Space Program” will be presented by Jonathan R. Eller, Chancellor’s Professor of English and Director, Center for Ray Bradbury Studies, IUPUI on August 23, 6:00 – 7:30 p.m. in the Central Library Riley Room at 40 E. St. Clair Street.

One of the reasons that Ray Bradbury remains one of the best-known writers of our time is that his dreams of reaching the stars became our dreams, too. The stories that grew into The Martian Chronicles and filled the pages of The Illustrated Man paved the way for his half-century relationship with NASA, the Jet Propulsion Laboratory, and all the missions that took humans to the moon and launched unmanned craft to all the planets of our solar system.

(4) RUGS FOR THUGS. The Drum interviewed an Ikea marketer about “How Ikea responded to the news HBO’s Game of Thrones uses its rugs as costumes”.

Responding to the news, Ikea decked out some of its staff in the rugs in a real-time marketing stunt, jumping upon the Game of Thrones bandwagon in an organic way.

The Drum: Was the marketing team aware that Ikea goods were being used to furnish the show?

AF: We weren’t aware that Ikea’s rugs had been used in the show until the PR team spotted it in the news on Monday morning. Together with our PR agency, Hope & Glory, we quickly developed an idea that provided our ‘twinkle in the eye’ take on the news, it was low cost and could be pulled together in a couple of hours. As any PR professional will know, timing is of the essence when a story breaks and we wanted to be able to respond as quickly as possible.

We connected with the Ikea Wembley store and the deputy store manager walked the shop-floor identifying co-workers that looked the part to re-create the Game of Thrones look. Within a couple of hours we were in the rugs department with the co-workers, trying on the different rugs and generally having a bit of a laugh.

(5) RECORD HOLDER. After he saw this photo John Hertz asked, “What does Brother Davidson say about the last line of that Guinness certificate?”

Hugo Award Record

Steve Davidson replied, “The government of the United States has, in their lack of infinite wisdom, chosen NOT to give me exclusive control and ownership of the word ‘AMAZING’, more’s the pity.”

(6) SCIENCE IMAGINED. Nancy Kress analyzes the cultural impact of “The Science of Science Fiction:  The Good, the Bad, and the Ugly”.

However, that the “science” the public learns from SF is debatable doesn’t strike me as the worst problem. That comes from another source: Writers and scriptwriters often make science itself the villain. A problem involving some scientific advance—cloning, nanotechnology, AI—is set up, and all the negative aspects of the tech are brought out, exaggerated, falsified, and blamed. I understand the impetus for this—I’m a writer, too!—which is to create the conflict necessary to drive any story. But the cumulative net effect is the impression that new science and its offspring, new tech, are invariably bad.

In the movie Ex Machina, robots turn murderous.

In countless SF stories, AI tries to take over and must be fought, shut down, destroyed.

Cloning produces not crops or food animals that can feed an ever-expanding population, but rather the oppressive (and ridiculous) one-world biological totalitarianism of Gattaca

(7) BOLOGNA OBIT. Actor Joe Bologna died August 13 at the age of 82. He was well-known for playing King Kaiser in My Favorite Year (1982). His genre work included The Big Bus (1976), and Transylvania 6-5000 (1985). He voiced characters in the animated Superman TV series (1997-1998), and Ice Age: The Meltdown (2006).

(8) TRIVIAL TRIVIA

When first introduced to Eastern bloc fans at an Eighties Worldcon, they called them “the black cookies.” They’re a fan favorite, but Yahoo! claims “You Will Never Look at Oreos the Same Way Again After Reading These Facts”.

To date, Oreo has over 42 million Facebooks followers. In comparison, The New York Times has 13 million.

(9) TODAY IN HISTORY

  • August 14, 1975 The Rocky Horror Picture Show premieres.

Let’s do the Time Warp again!

  • August 14, 2009 District 9 premiered on this day.

(10) COMIC SECTION.

(11) W75’S CANCELLED LARP. Jaakko Stenros and Markus Montola tell the LARP community’s side of the story in “How Worldcon Banned a Larp”.

On Friday the discussion on the topic continued in social media, where misunderstandings spread fast. For example, one tweeter wrote that the “scenario is ‘you are in an old folks home, have Alzheimer’s, and think you’re one of your RPG characters, hilarity ensues’.” Afterwards some were under the impression that “hilarity ensues” was a quote from the program description when in fact it was an interpretation of a tweeter.

However, now there were people also defending A Home for the Old on Facebook and Twitter and criticizing the actions of Worldcon. Many Nordic role-players found the statement’s tone condescending and rife with cultural imperialism — of Anglo-Americans trying to ‘civilize the natives’ by instilling their moral conventions on a subculture they clearly failed to understand.

No benefit of the doubt was given, and there was an aura of assuming that the Nordic creators had obviously not thought about the implications of their little games — simply because the usual phrases relating to identity politics were not foregrounded in the blurb. The idea that a creative work can just be cast aside, censored, with no debate, based on rather flimsy basis, was found appalling by many Nordic people deeply invested in the role-playing culture. A Home for the Old, and by extension the Nordic role-playing culture, was cast as not worthy of debate.

(Finland has the highest incidence of Alzheimer’s in the world.)

All of this is in stark contrast with the Nordic and Finnish cultural context, where larps, role-playing games, and games in general, are considered valuable works worthy of analysis, criticism, respect, and debate. Role-playing is a form of artistic expression that continues to gain momentum and respect.

(12) CRITIC. Frans Mäyrä, Professor of Information Studies and Interactive Media, esp. Digital Culture and Game Studies in the University of Tampere, Finland, took offense at the decision: “LARP: Art not worthy?”

There will be no doubt multiple reactions coming in to this from experts of this field in the future. My short comment: this is an unfortunate case of censorship, based on cultural perception of play and games as inherently trivializing or “fun-based” form of low culture. It seems that for some people, there still are strict cultural hierarchies even within the popular culture, with games at the very bottom – and that handling something sensitive with the form of role-play, for example, can be an insult. Such position completely ignores the work that has been done for decades in Nordic LARP and in digital indie “art games” (and also within the academic traditions of game studies) to expand the range of games and play for cultural expression, and to remove expectation or stigma of automatic trivialism from the interactive forms of art and culture. The organisers have obviously been pressurised by some vocal individuals, but the outcome in this case was a failure to stand up, explain the value and potential of role-playing games, and Nordic LARP in particular to an international audience, and make a difference. A sad day.

(13) REMEMBER THAT MONEY YOU SAVED FOR A RAINY DAY? Here’s the outfit to spend it on – a bargain at only $20,000 — the “SPIDER~MAN 2 Original Movie Prop Signed by Stan Lee ~Trenchcoat Worn by Stan”. Rush right over to eBay!

This incredible SPIDER~MAN original movie prop features the trenchcoat that Stan Lee wore during the scene in which he saves a life. This is the ONLY time that Stan makes an appearance where he gets involved to save someone! Best of all it comes signed by Stan Lee. It comes with a COA from Sony/Columbia Pictures and Hollywood Vault who were the official auctioneer a few years ago

(14) HARDWARE FOR THE LONG HAUL. Marketplace explains why “NASA is testing supercomputers to send to Mars”.

Scientists in space have computers, but they don’t exactly look like the one you might be reading this on. Computers in space have highly specific functions. There is no consumer-grade Mac or PC up in space. A lot of that has the do with the fact that laptops in space degrade quickly out there.

But NASA wants to fix that problem by creating new supercomputers, developed in partnership with Hewlett Packard Enterprise. The technology is being tested on the International Space Station in hopes that the computer can withstand trips to Mars.

(15) YOUTUBE MUSICAL. Hamilton’s opening number — with the words changed to be about Game of Thrones.

(16) WEIRD AL. Last week’s crisis, this week’s filk: “Watch ‘Weird Al’ Yankovic Beg North Korea Not To Nuke Us On Last Week Tonight”.

After highlighting the accordion skills of North Koreans earlier in the show, Oliver introduced Yankovic to play a whole new polka song about all the reasons that North Korea should not nuke us. Tom Hanks figured heavily. Sample lyric: “Please don’t nuke us, North Korea / Right now, we’re all a little tense / Believe me, we don’t hate you / In fact, we really don’t even think all that much about you, no offense.”

 

[Thanks to Andrew Porter, JJ, Cat Eldridge, Martin Morse Wooster, John King Tarpinian, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

Pixel Scroll 7/11/17 Be Kind To Your Scroll-Footed Friends, For A Duck May Be Somebody’s Pixel!

(1) NEW WFA TROPHIES ON THE WAY. Kim Williams, chair of the 2016 World Fantasy Con, told readers of WFC’s Facebook page that last year’s WFA winners, given certificates at the 2016 award ceremony in Columbus, OH will soon be receiving copies of the new statuette created by Vincent Villafranca.

Vincent Villafranca’s design was chosen to replace the Lovecraft bust trophy by the World Fantasy Awards Administration and the Board of the World Fantasy Convention following a year-long public competition.

(2) OMNI REBOOTS AMID RIGHTS LITIGATION. Penthouse Global Media, on July 10, announced the acquisition of OMNI magazine and that its upcoming issue is slated for print publication in late October.

“As Penthouse Global Media enters its second year under new ownership, our driving principle is to put all of the pieces of the brand back together again.  As a result of decades of neglect, much of this company’s brilliant legacy was lost…until now,” stated Penthouse CEO Kelly Holland. “I am proud to announce that one of those casualties, OMNI—the magazine of science and science fiction, heralded as one of Guccione’s most iconic brands—is once again a part of the Penthouse family where it belongs.  Thanks in large part to Pamela Weintraub, one of OMNI‘s original editors, who had the foresight to bring the brand back to life by re-registering the trademarks and launching a digital site, she, along with many of the original OMNI staff, will deliver the award-winning magazine to newsstands once again.”

Only days ago, to protect its intellectual property, Penthouse Global Media sued Jerrick Media, and various other defendants including Jerrick Media Holdings Inc., Jeremy Frommer, and actor Jared Leto, for copyright infringement, trademark infringement, unfair competition and false advertising, among other claims.

The lawsuit states:

Despite the fact that an application for registration of the OMNI Marks in connection with magazines had already been filed with the USPTO by Penthouse’s predecessor in interest, signaling to the world that the OMNI Marks were not available for use by Defendants, in 2013, Defendants Frommer and Schwartz again willfully and blatantly disregarded the intellectual property rights of others and began planning to publish an online science and science fiction magazine using the OMNI Marks and to republish and sell archival material from the original OMNI magazine. 29.

On or about June 27, 2013, Defendant Jerrick Ventures, LLC filed an application for registration of the purported trademark OMNI REBOOT (Serial No. 85,972,230), which registration was refused by the United States Patent and Trademark Office because of a likelihood of confusion with a registered OMNI Mark. On or about May 31, 2016, Jerrick Ventures, LLC filed a cancellation  proceeding before the Trademark Trial and Appeal Board (“TTAB”) seeking to cancel the OMNI Mark (Cancellation No. 92063829). Because Penthouse General Media seeks a declaration in the present action that its registered OMNI Marks are valid and should not be cancelled, it will seek to have the cancellation proceeding  before the TTAB stayed pending the judgment in this action. 30.

Despite knowing of the existence of the registered OMNI Marks, and despite being denied registration of Omni Reboot, Defendants nonetheless  proceeded to willfully and blatantly infringe on the OMNI Marks by operating an online magazine at https://omni.media, which it refers to as OMNI Reboot, that not only uses the OMNI Marks in connection with the publication of an online magazine featuring science and science fiction topics, but also contains archival material from the original OMNI magazine, including magazine articles and reproductions of OMNI magazine covers, all without the permission or consent of Penthouse.

Jeremy Frommer’s claims to the rights are allegedly based on an auction purchase:

Frommer bought at an auction erotic photography, films and historical documents, among other things associated with Guccione and Penthouse. He then began reselling those and other related items online, according to the complaint, and allowing the public to view Caligula for a fee. That triggered the first round of this fight in bankruptcy court in 2013, but the parties mutually dismissed their claims without prejudice.

Penthouse’s Holland minimizes that claim:

“We at Penthouse don’t believe a person can acquire the rights to a brand simply by stumbling upon some of its products,” Holland said. “If you buy a DC comic book at a garage sale it doesn’t give you the rights to make a ‘Wonder Woman’ movie, nor does one have a right to our legacy because they found an old Omni magazine.”

(3) PUBLICLY CHOSEN GARGOYLE. The Washington Post’s Marylou Tousignant found some items of fannish interest at the Washington National Cathedral.

Washington National Cathedral, the sixth-largest cathedral in the world, has 215 stained-glass windows. The most popular holds a piece of moon rock brought back by the Apollo 11 astronauts in 1969.

Another must-see is Darth Vader, carved into the cathedral’s north side. The “Star Wars” villain was one of four winning designs by middle-schoolers in a 1985 contest. Vader is one of 1,242 weird creatures staring down from the cathedral’s neck­stretching exterior.

(4) EYECATCHING. Marvel Comics will release lenticular covers for Marvel Legacy.

The biggest stories and most epic team-ups come to MARVEL LEGACY this fall, and now you can hold the past and the future in your hands! Today, Marvel is proud to announce that all of the Marvel Legacy homage variants will be available as lenticular covers – a true celebration of Marvel’s history and expansive universe!

As seen on Newsarama, all of Marvel Legacy’s homage variants were previously unveiled, showcasing the new Marvel Legacy line-up and classic covers of the past. Don’t miss your chance to own a part of Marvel history – enhance your collection with all of Marvel Legacy’s lenticular covers, coming to comic shops this fall.

(5) DID YOU WONDER? What will the next Wonder Woman movie be about? ” Rumor of the day: Diana will face off against the USSR in Wonder Woman 2″.

With Russia in the news so much these days, The Wrap has said in an unsourced report that Wonder Woman 2 will take place during the 1980s and feature Diana of Themyscira going head-to-head with agents of the Soviet Union.

That means that like its predecessor, Wonder Woman 2 will be a period piece — only not as far in the past as the World War I setting of Diana’s first standalone adventure.

Although Patty Jenkins is not officially confirmed to return as director, she is said to be developing the script for Wonder Woman 2 with DC Entertainment co-president Geoff Johns. And while the story will allegedly feature the USSR in an antagonistic capacity, there’s no word on whether other villains from Wonder Woman’s published history will appear as well.

(6) THE PAYOFF. Marvel says Secret Empire #9 will reveal Steve Rogers’ secret. On sale August 23.

When Steve Rogers was revealed to be an agent of Hydra due to the manipulations of Red Skull, the Marvel Universe was rocked to its core. Now, it’s the moment fans have been waiting for – and you’re not going to want to miss this reveal!

What is the secret of Steve Rogers? And how will it affect the Marvel Universe as we know it?

(7) WHY IT’S HARDER TO FIND GOOD REVIEWS. Speculiction’s Jesse Hudson, in “And the drop is due to”,  charts the site’s declining number of book reviews against his rising familiarity with PlayStation 3 games. He is in awe of the current gaming technology.

It’s no secret that modern video games are exponentially more realistic and immersive than their pixel and dot forebears.  For the unaware, the degree of realism and immersion in today’s video games is essentially one degree removed from cinematics—a gap that will be covered in the next few years, for sure.  What this means is that game creators are able to put players, as much as is possible, into the shoes of the characters running around the imagined worlds on screen.  Being a detective, mighty warrior (or warrioress), or space marine is this close.  Game developers have done all the work to give you agency in what are essentially silver screen experiences.  Instead of watching a movie, you become part of the movie, directing the character, depending on the game, through the story.  I still fully appreciate novels for retaining the distance between sensual and imagined reality—for forcing the reader to use their imagination.  But I also appreciate what modern gaming is doing to virtually eliminate this distance; if the game’s world and gameplay are well-developed and unique, then so too can be the experience.

(8) THOUGHTS THUNK WHILE THINKING. Nancy Kress tells about her Big Idea for Tomorrow’s Kin at Whatever.

Your mind does not work the way you think it does.

You probably assume that you consider data and come to rational conclusions. But all too often, people don’t take into account such pesky tendencies as confirmation bias (“This fact confirms what I already believe so it gets more weight”) Or polarization (“This situation is all good/bad”). Or emotionalism (“I feel this so it must be true”), a need for control (“I’m looking at what I can change and nothing else”), presentism (“The future will be like the present only maybe a little more so”), or scapegoating (“If this isn’t as I wish it to be, someone must be to blame!”)

When I set out to extend my novella “Yesterday’s Kin” into the novel Tomorrow’s Kin, which takes the story ten years farther along, I wanted to write about these distortions in your thinking. Oh, not you in particular (how do I know what you’re thinking as you read this—maybe it’s “She doesn’t mean me. I’m different.”) What interested me—especially in the current political climate—is the public mind as it relates to science and the perception of science….

(9) CROWLEY’S TIME HAS COME. Tor.com’s Matthew Keeley has published a brief profile of John Crowley, “Predicting the Future and Remembering the Past with John Crowley”, an author he notes is best known for his book Little, Big, but regrets is still not very well-known outside writing circles. The article aims to change this situation:

At Readercon a few years ago, I attended a panel on favorite science fiction and fantasy books. One author, one of the best working today, talked about the near-impossibility of writing a book so perfect as John Crowley’s Little, Big. There were wistful sighs from writers in the audience and nodded agreements from other panelists. Everyone in the room at that most bookish convention recognized that competing with Crowley was impossible.

Yet in many fan circles Crowley remains unknown. This literary master of the hermetic, hidden, and esoteric has for too long been as hidden as the obscure histories, gnostic theorists, and addled visionaries that populate his work. Despite the many awards; despite the praise of luminaries both inside the genre community, like Ursula K. Le Guin and Thomas Disch, and outside it, like Harold Bloom; despite his inclusion in both Bloom’s Western Canon and Gollancz’s Fantasy Masterworks, most fantasy readers don’t read him. Perhaps this is the year that changes.

(10) MARTINELLI OBIT. Italian-born actress Elsa Martinelli died of cancer in Rome on July 8. She was 82. Her genre work included The 10th Victim (1965), based on the Robert Sheckley novel.

(11) TODAY IN HISTORY

  • July 11, 1997 — On this day in 1997, Carl Sagan’s Contact entered theatres.
  • July 11, 2014 Dawn of the Planet of the Apes premiered theatrically.

(12) TODAY’S BIRTHDAY BOYS

  • Born July 11, 1899 – E.B. White
  • Born July 11, 1913 — Paul Myron Anthony Linebarger — better known by his pseudonym, Cordwainer Smith

(13) JEOPARDY! CONTESTANT. On the July 11 episode of Jeopardy!, Kelly Lasiter, from the St. Louis area, admitted she’s an SF fan who attends conventions in the area, and went to the 2016 Worldcon in Kansas City.

She won the game, with $22,800, and will play again on Wednesday.

(14) WHERE THE GEEKNERDS ARE. Examined Worlds’ Ethan Mills praises a convention’s community building in “CONvergence 2017 Report”.

The deeper thing that CONvergence taught me back in the early-mid 2000’s was the value of cons as a space for community, something I’ve discussed before with regard to other cons.  While being a geek/nerd is not as uncool as it used to be, it’s still great to have a place where you can let your geek flag fly proudly.  No matter how intense your nerdery is, someone at con is nerdier.  You may be wearing Vulcan ears, but someone else may have a full Starfleet uniform and android-colored contacts to dress up as Data from Star Trek: The Next Generation (an actual costume I saw at CONvergence).

The openness of a place where people can love what they love without derision or judgment is a beautiful thing.  This aspect of fandom seems to be unappreciated by small but annoying parts of fandom like the Rabid Puppies and Gamergaters, but it’s safe to say that for the vast majority of fans, this is precisely what fandom is all about….

(15) WHERE TO SELL. Now available: the “SFWA Market Report for July” compiled by David Steffen.

(16) A DAY AT THE PLANT. At Amazing Stories, Adam Roberts is interviewed about his contribution to an anthology,

Gary Dalkin for Amazing Stories: ‘Black Phil’, your story in Improbable Botany, packs a huge amount into 20 pages. It combines the scientific, the political and the personal in a way which is ultimately very moving, and does so while gradually revealing to the reader a startlingly imagined near future earth. There is a lot of specific detail in the story and I’m wondering what your approach to writing a piece like this is, how much do you have planned out before you begin writing, and how much comes to you through the writing process? I’m asking this in part because I’m wondering how quickly you write, given you are a prolific author of highly imaginative, intricately constructed novels and have a day job as a professor of literature as well.

Adam Roberts: My approach to writing has changed, I suppose. When I was starting out as a writer I would generally plan things out fairly carefully; now I have more technical fluency, and can trust my hands to produce more of what’s needed if I let them loose on the keyboard. Not entirely though. It’s a balance, as with so much of life. If a writer maps every beat of every chapter in a detailed plan before she ever writes a word, the danger is that the actual writing turns into a chore, merely filling in the blocks in the grid, and if the writer gets bored writing then that tends to communicate itself to the reader. On the other hand, simply diving in with no sense of where you’re going or how the story is going to unfold, in my experience, will result in something too baggy and freeform, understructured and messy. So the praxis for me is threading a path between those extremes: having a sense of the overall shape of the thing, and which spots I definitely want to hit as I go, but working out some of the specifics as I write the first draft, to keep at least elements of it fresh. With short stories the process is a little different to novels: plot is constrained by the shorter space, so there’s a greater need for other things to hold the whole together – a governing metaphor, for instance, that can be unpacked and explored, provided it’s eloquent enough. In ‘Black Phil’ I was working with blackness as a colour and blackness as a mood, which meant that the story needed to make a certain kind of emotional sense, and the other elements were rather subordinated to that.

(17) IF YOU WANT TO GIVE HER A MISS. Canberra sff author Gillian Polack puts a different spin on the typical convention schedule announcement in “How to avoid me at Worldcon 75”.

This is the post you’ve been waiting for. Now you can plan your Helsinki visit knowing you can avoid me. You’ll also know that I can’t redeem myself with chocolate, for I have tiny scraps of Australia to give everyone instead. Ask me nicely and you could take home some opal or Australian turquoise or fool’s gold. (When I say ‘scraps of Australia’ I mean it quite literally.) Asking me politely would, of course, mean not avoiding me.

I can only be at a small bit of the auction, but I’m bringing Tim tams, a blow-up kangaroo and other exciting things to add to the bidding frenzy. This emans I’ll be there … sort of…for some of the time and my luggage will represent me the rest of the time….

(18) GOOD REVIEWS. The other day I said someone’s Hugo nominee reviews were lacking who hadn’t completely read most of the stories. Now, at the opposite end of the spectrum, I’ve encountered the hyperfeasance of Garik16 who claims, “I managed to read every nominee this year before the nominations were announced except for A Closed and Common Orbit (Yes I know I’m hipster bragging here lol).”

More importantly, his post, “Reviewing the Hugo Nominees: Best Novel”, is rich in analysis and substantive comments.

  1. Ninefox Gambit by Yoon Ha Lee

Review on twitter here:

Disclaimer: I’ve just finished this books sequel (Raven Strategem, review forthcoming next week), and will try to separate the two books since its fresh in my mind. Ninefox Gambit is a book that is Challenging to read.  Whereas other books might try to infodump explanations of how extremely complicated made up SF or Fantasy worlds work, Ninefox Gambit just drops you right in the world, made up terminology and all, and trusts you to figure it out on your own.  It’s probably a bit too far in this direction honestly – a short story in the same universe for example explains a little bit more and there’s no reason this book couldn’t have done the same – but if you can get past it, the result is just phenomenal.

This is a universe where calendars followed are of maximum importance, where mathematical calculations allow for armies to create devastating attacks on a battlefield, and where immortality may be very possible.  This book deals largely with the efforts of a mathematical genius but otherwise standard infantry soldier getting stuck with an undead general in her head – an undead general who is both brilliant and known for massacreing his own forces.  The interplay between them, as well as how the world works around them, results in a truly fantastic book.

This is one of those books that will have you going back after your first reread to find out things you might have missed, and to see how things read after the reveal later in the book. The book isn’t light in tone – the dominant government relies on ritual torture to keep its technology working for example – but it is absolutely gripping if you can get past the terminology at the start and contains some pretty strong themes of the values of freedom, justice and sacrifice.

I suspect it’ll come in 2nd in voting, but this has my vote.

And for bonus reading, here’s what Garik16 thinks about the Hugo nominated novellas, novelettes, and short stories.

[Thanks to John King Tarpinian, JJ, Cat Eldridge, Andrew Porter, Rob Thornton, Rich Lynch, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Xtifr.]

Pixel Scroll 6/24/17 The Love of Pixels Is The Root Of All Scrolls

(1) SIXTY MINUTES. Here’s video of what happened during “Seanan McGuire’s Continuum 13 Guest of Honour Hour.”

On Sunday 11th June, 2017, Seanan McGuire hosted a Guest of Honour hour in which she answered questions at Continuum 13. Unfortunately, not every person waited for a microphone to ask their question. Seanan’s answers are still amazing and you can get the context from the answer. Continuum 13 was the 56th Australian National Science Fiction Convention.

 

(2) MORE CONTINUUM 13 GOODNESS. There was a special cake at the launch party for Seanan McGuire’s Down Among the Sticks and Bones, but since the Wayward Children series it’s part of is not a zombie series, the cake imagery was probably a callout to her Newsflesh series.

(3) OVERHEARD ON THE INTERNET. More McGuire advice.

(4) WORKSHOP HUMOR. Walter Jon Williams posted a photo of the Taos Toolbox participants and speakers posed “Beneath the Sign of the Bear”.

I realized too late that I should have got a photo of us all lying dead at George [R.R. Martin]’s feet, and titled it “The Red Workshop.”

He also quoted Nancy Kress’ notes from the critiques, specifically the funny parts. Here are a few examples:

* “She got off too easy for eating the child.”

* “This could be cool, if I knew what was going on.”

* “If she had proper self-control, she wouldn’t be blue.” (Color, not mood)

* “We’ve got prehistoric parasites living in people’s brains, and volunteers are going ‘Yes!’?”

* How does dodging bullets qualify you as a good bride?”

* “I admired the multi-purposing of the rabbits.”‘

* “If editors are trolls, are publishers dragons?”

(5) EXPANSE AUTHORS AMA. Here’s the link to Reddit’s Ask Me Anything with Expanse writers Daniel Abraham and Ty Franck.

“Can you name a story element that NEEDED to change for TV in order for the show to work?”

Miller had to become much more active in the show. Losing the internal monologue of prose always means finding ways to make the same points in a way that a camera can see them.

“An unforeseen change?”

I hadn’t realized how important it was going to be to pull Drummer forward, or how much that was going to pay off.

“A change that met the most resistance from yourselves or the TV writers?”

There’s a moment in the book when Muss explains to Miller that he’s a joke to the other cops. It’s a gut-punch in the books, and we all fought to find a place for it in the show, but it just didn’t fir anywhere.

“A change that you wish had been made in the books if you had the chance to go back?”

Nope. The books are the books and the show is the show. There are some places in the book where I’d make things a little clearer than I think we left them. Why Ashford acts the way he does, what exactly the timeline of Julie Mao was. It’s all in the books, but sometimes I think I’ve made things clear that are still a little smokey.

(6) REVIVAL. If they weren’t about to bring it back, I might never have heard of it: “‘The League of Gentlemen’ is officially returning”.

Cult TV show ‘The League of Gentlemen’ is set to officially return after writer Reece Shearsmith announced that he was working on a script for the warped sitcom’s revival.

The show, which follows the lives of residents in the bizarre village of Royston Vasey, originally aired on BBC 2 between 1999 and 2002, before a full-length film was released in 2005.

Now, the show’s revival has been confirmed, after talk emerged of an anniversary special earlier this year.

(7) TAXONOMY TIME. In “Municipal Fantasy”, Danny Sichel advocates for a subgenre distinct from urban fantasy,

There’s urban, and there’s fantasy… and there’s the space between them. An enforced separation between the modern world – the urban environment – and the magic.*  They’ve developed separately over the years (which is typically shown as leading to a certain degree of stagnation in the magic). The magic is hidden from the science and technology, and so it does not advance while they do.

But what if this weren’t so?

If we undo those justifications… if we assume their opposite… we get fantasy where magic has openly come back into the modern world, or been revealed to the general public to have been here all along. Or, alternately, magic has openly been around long enough that an equivalent to our modern technological society has developed. And, perhaps most importantly, that magic is an issue of public policy.

I propose that this subgenre be called: “MUNICIPAL FANTASY”.

“What’s the difference between ‘municipal’ and ‘urban’?”, you might be wondering. “Don’t they mean essentially the same thing?” And in a way, they do, but synonyms are never exact. They both refer to cities… but ‘urban’ is a general feeling, an environment, a mood. ‘Municipal’, conversely, implies more of a system, with regulations and public services. ‘Urban wildlife’ is raccoons eating your garbage and ‘urban legends’ are just stories you heard about a friend of a friend of a friend, but “municipal wildlife” feels like the raccoons are only eating the garbage because it’s their job, and “municipal legends” feels the story won’t be told outside city limits.

(8) TODAY IN HISTORY

  • June 24, 1983 Twilight Zone – The Movie premiered theatrically.
  • June 24, 1987 Spaceballs opened in theatres.
  • June 24, 1997 — U.S. Air Force officials release a 231-page report dismissing long-standing claims of an alien spacecraft crash in Roswell, New Mexico, almost exactly 50 years earlier.

(9) I SEE BY YOUR OUTFIT. The four-minute mile. The twelve-minute spacewalk. Records are made to be broken — “600 students dress as Harry Potter to celebrate 20th anniversary of ‘The Sorcerer’s Stone'”

A group of more than 600 students gathered in one place and dressed as Harry Potter to celebrate the 20th anniversary of the first book in the series.

England book publishers Bloomsbury Books shared a photo of the hundreds of students as they set the Guinness World Record for most people dressed as Harry Potter in one gathering in celebration of the release of Harry Potter and the Sorcerer’s Stone.

 

(10) COLD FACTS. Space.com’s article “Pew Pew Pew! Why Scientists Are Fired Up About Futuristic Space Lasers” is most excited about the peaceful use of lasers in satellites to monitor vast areas of the Earth.

Another NASA mission using lasers to peer at Earth is named Ice, Cloud and Land Elevation Satellite-2 (ICESat-2). Scheduled to launch in 2018, ICESat-2 will use an array of six lasers — three paired beams — to track ice-sheet thickness and changes across Greenland and Antarctica, so that scientists can better estimate the risks posed by melting ice due to climate change, panel member Brooke Medley, a research associate with Earth Sciences Remote Sensing at the Goddard Space Flight Center, told the Future Con audience. ICESat-2 is continuing the work started by an earlier mission, ICESat-1, which was the first satellite to deploy lasers from space to measure surface elevation in the Greenland and Antarctic ice sheets, according to NASA. The amount of ice cover in those two regions is enormous: Greenland’s area is about three times the size of Texas, while Antarctica is roughly twice the size of the contiguous United States — far too big to accurately measure elevation changes from the ground or by airplane, Medley said. ICESat-2 will conduct multiple passes overhead at an altitude of 299 miles (481 kilometers), and its lasers will gather data that will enable researchers to calculate ice volume and track changes over time.

(11) SHORT SUBJECTS. Doris V. Sutherland offers insights and intriguing comments in “2017 Hugo Reviews: Short Stories” at Women Write About Comics. Here’s an excerpt from the review of Amal El-Mohtar’s award-nominated story.

“Seasons of Glass and Iron” shows both a knowledgeable and playful attitude towards fairy tale conventions. In the world of the story, magic operates on a numeric basis, a reference to fairy tales’ fondness for certain numbers, the three little pigs, the seven dwarfs, and so forth. While Amira is granted a constant stream of golden apples that materialise from nowhere, she is allowed only one at a time: she must eat her present apple before the next one will appear. But once Tabitha arrives, and Amira begins sharing the apples with her, this changes: Tabitha is allowed seven apples at a time.

“I think it’s the magic on me,” she says. “I’m bound in sevens—you’re bound in ones.” On a more symbolic level, the story opens with Tabitha musing about the significance of shoes in fairy tales, from Cinderella’s glass slippers to the red-hot iron shoes worn by Snow White’s stepmother. To Tabitha, shoes represent marriage, although they are not her first choice of symbol. “I dreamt of marriage as a golden thread between hearts—a ribbon binding one to the other, warm as a day in summer,” she says. “I did not dream a chain of iron shoes.”

The story is not as revolutionary as it seems to think it is. After all, revisionist fairy tales form a longstanding tradition in feminist circles, one that has been practiced by authors from Andrea Dworkin to Angela Carter. “Seasons of Glass and Iron” adds a queer-positive angle, but in an era with entire anthologies devoted to LGBT SF/F, this is not particularly groundbreaking. When Tabitha and Amira get together at the end, it seems as inevitable as Sleeping Beauty being awoken with a kiss or Cinderella finding her Prince. But then, perhaps that is a sign that the revisionism has worked.

(12) BURRITO-ING FOR DOLLARS. Dan Sandler suggested charity might benefit from an audio collaboration between John Scalzi and Wil Wheaton:

(13) REALLY A WONDER. The Hollywood Reporter has been watching the box office: “‘Wonder Woman’ Set to Become Top-Grossing Live-Action Film Directed by a Woman”.

Patty Jenkins’ movie will achieve the milestone shortly after topping the $600 million mark on Wednesday.

Director Patty Jenkins’ Wonder Woman continues to make history in its box-office run.

Sometime Thursday or Friday, the Warner Bros. and DC superhero tentpole will eclipse the $609.8 million earned worldwide by Phyllida Lloyd’s Mamma Mia! (2008) to become the top-grossing live-action film of all time from a female director, not accounting for inflation.

Wonder Woman also has a strong shot of passing up Kung Fu Panda 2‘s $665.7 million to become the top-grossing film of all time from a female filmmaker with solo directing duties. Jennifer Yuh Nelson helmed the 2011 animated sequel.

Starring Gal Gadot, Wonder Woman passed the $600 million mark at the worldwide box office on Wednesday, finishing the day with a cume of $601.6 million, including $289.2 million domestically and $312.4 million internationally.

(14) CULTURAL CONCUSSION. As ScreenRant sees it — “Wonder Woman: 15 Movie Moments That CRUSH Sexism”.

There’s no denying it: the arrival of Wonder Woman has dealt a massive blow to Hollywood sexism, after years of male superheroes dominating the spotlight in any and all blockbuster franchises. Judging by Wonder Woman‘s opening weekend sales, the idea that ‘women don’t sell’ in superhero shared universes may be permanently vanquished (for DC’s universe, at least). But given how well Diana takes on sexism in the movie itself, it only seems fair that the real-world result should be as big a victory for the feminist ideals of equality, punching the patriarchy squarely in the nose (in front of and behind the camera).

Their list begins:

15. The Amazons Crush The Bechdel Test

…But when Queen Hippolyta and Antiope discuss the Amazons’ duty, the conversation between Diana’s two mother figures is most certainly about her, and not the absent God of War looming somewhere on the planet. For Hippolyta, her mother, all motivation is based in keeping Diana safe, even selfishly turning her back on the Amazons’ duty for her own blood. For Antiope, she wishes to train Diana not because it is required to kill Ares, but because it is Diana’s destiny, and in service to the realization of her potential.

And the first time viewers realize they’re watching two accomplished actresses over the age of 50 discussing their daughter’s future in a superhero blockbuster… well, it becomes clear how rare such a scene really is.

(15) MORE WW BACKGROUND. Well before the movie came Tom Hanley’s Wonder Woman Unbound:  The Curious History of the World’s Most Famous Heroine (2014).

This close look at Wonder Woman’s history portrays a complicated heroine who is more than just a female Superman with a golden lasso and bullet-deflecting bracelets. The original Wonder Woman was ahead of her time, advocating female superiority and the benefits of matriarchy in the 1940s. At the same time, her creator filled the comics with titillating bondage imagery, and Wonder Woman was tied up as often as she saved the world. In the 1950s, Wonder Woman begrudgingly continued her superheroic mission, wishing she could settle down with her boyfriend instead, all while continually hinting at hidden lesbian leanings. While other female characters stepped forward as women’s lib took off in the late 1960s, Wonder Woman fell backwards, losing her superpowers and flitting from man to man. Ms. magazine and Lynda Carter restored Wonder Woman’s feminist strength in the 1970s, turning her into a powerful symbol as her checkered past was quickly forgotten. Exploring this lost history adds new dimensions to the world’s most beloved female character, and Wonder Woman Unbound delves into her comic book and its spin-offs as well as the myriad motivations of her creators to showcase the peculiar journey that led to Wonder Woman’s iconic status.

(16) HORROR’S KING. The Guardian asks and answers: “Misery loves company: why Stephen King remains Hollywood’s favorite author”

As a source of adaptation fodder, King is a studio executive’s godsend, because his work is trend-proof. Scan the long, long list of King adaptations and the standout quality will be the steadfastness of it all; ebb and flow as the cultural tides may, King’s work has never lost its luster or lucre. And its eclecticism is the key to King’s perennial popularity; his style never falls out of fashion because King has never defined it to mean one thing in particular.

(17) LITRPG. The English version of Survival Quest, the first in Russian LitRPG Vasily Mahanenko’s The Way of the Shaman, was met with 236 mostly 4 and 5 star Amazon reviews, says Carl Slaughter.  The latest in the series, The Karmadont Chess Set, came out in April 2017.

[Thanks to Mark-kitteh, JJ, Carl Slaughter, Todd, Cat Eldridge, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day clack.]

Pixel Scroll 1/2/17 The Pixel Shines In The Darkness, And The Darkness Has Not Overcome It

(1) NATIONAL SCIENCE FICTION DAY. Today is National Science Fiction Day, the date chosen because it is Isaac Asimov’s birthday. Judging by the return on my Google search, it’s a day beloved by writers of calendar clickbait but it goes largely unnoticed by fans. Should we be doing something about it?

(2) YOU’LL GO BLIND. Self-publishing isn’t the problem – self-editing is. At least, the kind of self-editing that Diana Pharoah Francis discusses in “Writers Club: The Evils of Self Editing” at Book View Café.

I’m not saying that self-editing is bad. It’s not. It’s just we often do it while writing and that’s when it’s evil. Sometimes we do it when we aren’t aware and that’s when it’s really awful.

When I first started out writing, I wrote for me and me alone. I was trying to entertain myself and so I didn’t worry about whether this would be offensive or that would be sappy or if readers would hate my characters. None of that entered my mind because it was all about the fun of telling myself the story and getting lost in it.

Then I published. This was a dream come true. But that’s when the evil self-editor started sneaking in to my creative zone. I’d write something and then delete it because it was too something: too off-color, too disgusting, too violent, and so on. That limited me in ways that I stopped noticing. I internalized those limits and made them an unacknowledged part of my writing process. It’s like a house. You don’t pay attention to where walls are or light switches because they just exist and are necessary and you’re glad they’re there doing their job.

Only really, the self-editor at this point in the process is really a saboteur. It’s a swarm of termites eating away your writing in secret and you have no idea it’s even happening.

(3) BOUND FOR CHINA. Tomorrow Nancy Kress leaves for Beijing . “I will be teaching a week-long workshop with Sf writer Cixin Liu, SF WORLD editor Yao Haijun, and Professor Wu Yan.”

(4) CA$H CALL. Jim C. Hines is collecting data for his 2016 Writing Income Survey.

For nine years, I’ve been doing an annual blog post about my writing income. It’s not something we talk about very much, and I think the more data we put out there, the more helpful it is to other writers.

The trouble is, I’m just one data point. Better than none, of course. But this year, I decided to try something a little different, and created a 2016 Novelist Income Survey.

The process and goals are similar to the First Novel Survey I did seven years ago. (The results of that one are a little outdated at this point…) I’ll be sharing the basic data like the median, mean, and range of author incomes, as well as looking at patterns and other correlations. No personal or identifying information will be shared in any way.

(5) THEY BLINDED ME WITH (PSEUDO)SCIENCE. A site called Book Scrolling (say, are we cousins?) compiled “The Best Science Fiction & Fantasy Books of 2016 (Year-End List Aggregation)”.

“What are the best Science Fiction & Fantasy books of 2016? We aggregated 32 year-end lists and ranked the 254 unique titles by how many times they appeared in an attempt to answer that very question!”

It comes as no surprise that the results are blindingly arbitrary.

Even though it ranked first among sf books in the 2016 Goodreads Choice Awards, Pierce Brown’s Morningstar comes in #26 on this list.

And this is a list of books not just novels – the VanderMeers’ Big Book of Science Fiction is #24.

Joe Hill’s The Fireman is #4.

Charlie Jane Anders’ All the Birds in the Sky is #1.

(6) EARLY SCRIPT DOCTORING. It’s a new month – which means I can read another five LA Times articles free, so I caught up on John Scalzi’s tribute to the late Carrie Fisher from December 27 —

Out on the Internet, along with the many heart-touching tributes to Carrie Fisher, photographs of her as Leia Organa, either as princess (the original trilogy) or general (from “The Force Awakens”) and with her beloved French bulldog Gary, there’s another picture, originally placed there by cinema documentarian Will McCrabb, showing a page of the script of “The Empire Strikes Back.” On the script are several edits, in red pen, condensing and improving the script. McCrabb said the hand that put the edits there was Carrie Fisher’s, noting on Twitter that Fisher herself confirmed it to him.

Is he correct? The edits might have been made by Irwin Kershner, “Empire’s” director, instead. At the time — 1979 — Fisher would have been 22 years old. Yet here she was, looking at a script written by Lawrence Kasdan, who would go on to several screenwriting Oscar nominations, and Leigh Brackett, Howard Hawks’ secret screenwriting weapon and one of the great science fiction writers of her time, and thinking “this needs some fixing.” And then getting out her pen and doing just that.

Whoever made the edits wasn’t wrong. At least some of the edits to the scene (in which Leia, Han and Chewbacca plot a course to visit Lando Calrissian) made it to the final cut of the film. Simpler, tighter, better — and with the rhythm of speech rather than exposition (science fiction, forever the genre of people explaining things to other people). Carrie Fisher played a galactic princess, but she had a working writer’s gift for understanding how people talk, and how language works. At 22.

(7) TODAY IN HISTORY

  • January 2, 1902 – Leopold Bloom takes a walk around Dublin.
  • January 2, 1902 — The first dramatization of The Wizard of Oz opens, in Chicago. Book and lyrics by Baum, music by Paul Tietjens, plot reworked to provided plenty of gags and cues for irrelevant songs (and to eliminate the Wicked Witch of the West). Described in detail in Ethan Mordden’s Anything Goes: A History of American Musical Theatre, it sounds worse than the way US cinema reworked The Dark is Rising, but it was suited the audiences of the time well enough to run on various stages for seven years.
  • January 2, 1905 — Elara, a Moon of Jupiter, discovered.
  • January 2, 2000 — Patrick O’Brian died this date. Alan Baumler notes, “He was born on Dec 12. but I forgot to send it to you) and while his Aubrey-Maturin series of sea stories is not Fantasy/SF, given that Novik’s Temeraire series is pretty explicitly O’Brian WITH DRAGONS and Weber’s Honor Harrington series is O’Brian IN SPACE I would think it was worth mentioning.” Absolutely – and besides one of the Nielsen Haydens (I wish I could find the exact quote) said the technology in Napoleonic warships was so complex they were like the starships of their time.

(8) TODAY’S BIRTHDAY BOYS

  • Born January 2, 1920 – Isaac Asimov. (Hey, wouldn’t it look bad if we forgot to list him on National Science Fiction Day?)
  • Born January 2, 1929 – Charles Beaumont, known for scripting Twilight Zone episodes.

(9) WHEN IS IT TIME TO BAIL? Max Florschutz helps new writers avoid the death spiral of investing time in unproductive writing projects by a self-evaluation process, partially quoted here:

What really sets a death spiral apart, however, from a fresh project that is still in its growing stages is the amount of time that has been sunk into it. For example, when looking at your current writing project, ask yourself the following questions. If you can answer yes to even one of them, you may want to consider the possibility that you are stuck in a death spiral.

—Has forward progress stopped in lieu of going back and editing/rewriting what you’ve already written before you’ve made it very far into the story?

—Have you since spent more time editing/rewriting that first bit of the story than you did originally writing it?

—Do you get started on writing new material for said story only to realize that you need to go back and edit/add in something and gone and done that instead? Has that been your experience the last few times you sat down to work on this story? Has it kept you from adding any new material in significant amounts (say, chapters)?…

(10) OCCASIONAL ACCURACY. NASA presents “The Science of Star Trek”, but finds it difficult to marry those two concepts.

The writers of the show are not scientists, so they do sometimes get science details wrong. For instance, there was an episode of Star Trek: The Next Generation in which Dr. Crusher and Mr. LaForge were forced to let all of the air escape from the part of the ship they were in, so that a fire would be extinguished. The doctor recommended holding one’s breath to maintain consciousness as long as possible in the vacuum, until the air was restored. But as underwater scuba divers know, the lungs would rupture and very likely kill anyone who held his breath during such a large decompression. The lungs can’t take that much pressure, so people can only survive in a vacuum if they don’t try to hold their breath.

I could name other similar mistakes. I’m a physicist, and many of my colleagues watch Star Trek. A few of them imagine some hypothetical, perfectly accurate science fiction TV series, and discredit Star Trek because of some list of science errors or impossible events in particular episodes. This is unfair. They will watch Shakespeare without a complaint, and his plays wouldn’t pass the same rigorous test. Accurate science is seldom exciting and spectacular enough to base a weekly adventure TV show upon. Generally Star Trek is pretty intelligently written and more faithful to science than any other science fiction series ever shown on television. Star Trek also attracts and excites generations of viewers about advanced science and engineering, and it’s almost the only show that depicts scientists and engineers positively, as role models. So let’s forgive the show for an occasional misconception in the service of an epic adventure.

(11) SUAVE AND DEBONAIR. The Daily Beast tells everyone, “Blame Horror-Film Legend Vincent Price for the Rise of Celebrity Lifestyle Brands”.

But while Martha Stewart famously (and accurately!) said in 2013 that “I think I started this whole category of lifestyle,” the concept that Stewart began selling with her first book, 1982’s Entertaining, is a little different from what celeb lifestyle brands are peddling. Stewart—who worked as a model and in the financial industry before becoming Our Lady of the Hospital Corner—became famous due to her lifestyle of perfect taste, immaculate table settings, and painfully severe pie crust prep. In contrast, celebrity lifestyle brands—like Paltrow’s Goop, which launched in 2008 and is widely considered the OG celeb lifestyle site—hinge on the more loaded idea that celebrities have great taste because they’re rich, and if you master that taste and pick up a few celeb-approved luxury items, you might get closer to the lifestyle of an Academy Award winner (without having to do all that pesky acting training).

Despite attracting the attention of many petty haters like myself, Goop is, of course, a resounding success—according to Fast Company, in 2015 the site had one million subscribers and got more than 3.75 million page views each month. But while everyone from Real Housewives to Gossip Girls have followed in Paltrow’s (presumably Louboutin-clad) footsteps in recent years, the roots of the celebrity lifestyle brand don’t lie solely with Stewart—rather, they began in the mid-20th century, with a cookbook.

The first celebrity cookbook was penned by horror film legend and acclaimed mustache expert Vincent Price (or, at the very least, its publisher, Dover, proclaimed it as such in a 2015 press release). Called A Treasury of Great Recipes, the book—which Price wrote with his wife, Mary—drew from their world travels, collecting recipes from high-end restaurants like New York City’s Four Seasons as well as ones that the Prices whipped up while entertaining at home. And the book didn’t just feature cooking instructions; it also included shots of the Prices at play, sipping soup proffered by a waiter in black-tie dress, or simply relaxing in their gorgeously appointed, copper pot-filled kitchen.

[Thanks to John King Tarpinian, Bartimaeus, Cat Eldridge, Martin Morse Wooster, Alan Baumler, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Greg Hullender.]