Spikecon Spoonfuls

By John Hertz:  Spikecon combined Westercon LXXII (regional) and the 13th NASFiC (North America S-F Con, since 1976 held when the Worldcon is off-continent – this year’s Worldcon was in Dublin, Republic of Ireland), plus a 1632 Minicon (fans of Eric Flynt’s 1632 series) and Manticon 2019 (fans of David Weber’s Honor Harrington series, with its Royal Manticoran Navy, i.e. Space navy).  This was a first.

Chair, Kate Hatcher; attendance, about 800; in the Art Show, sales about $20,000 by about 60 artists.

The Westercon and NASFiC each had Guests of Honor.  The Utah Fandom Organization (yes, that spells –) brought two more; eight other sponsors brought nine more.

It all happened at Layton, Utah, 4-7 July 2019, fifty miles from where the Final Spike was driven completing the Transcontinental Railroad 150 years earlier.

Layton (population about 70,000) is twenty-five miles from Salt Lake City, where Westercon LXVII had been – the first in Utah.

We used the Davis County Conference Center and five hotels.

Studying available space I hadn’t seen anywhere to put a Fanzine Lounge.  Hatcher said “How about a fanzine party in the Hospitality Suite?”  With Hospitality Suite chief Dorothy Domitz’ agreement we settled – if that word may be used in fandom – on Friday night, 7-10 p.m.

Craig Glassner, who had hosted the Fanzine Lounge at the 76th Worldcon in 2018, was my co-host for the fanzine party.  We were both on-site by Wednesday and went shopping with Chris Olds the Party Maven.  I made a flier.

Also I was Chief Hall-Costume Judge.  Decades ago hall costume was settled for the costumes some people wear strolling the halls.  Marjii Ellers called them “daily wear from alternative worlds”.

Stage costumes are meant to be seen at a distance; hall costumes are meant to be met.  To acknowledge them a gang of judges prowls the con and, spotting a good one, awards a rosette on the spot.

The con had made disks with Spikecon – Hall Costume Award; while shopping I looked for lace, or like that, to go round them.  JoAnn Fabric & Crafts didn’t have spools enough in any appealing style, but on the way out I saw some red-white-and-blue-striped cake cups (for cupcakes, right?): it was the Independence Day weekend.  We got those.

Selina Phanara hadn’t anything ready to exhibit in the Art Show, but luckily I was able to borrow the Selina Phanara Sampler from fellow Phanara fans Elizabeth Klein-Lebbink & Jerome Scott, a vertically (“portrait”?) laid out banner with color reproductions and her name and E-mail address.  Art Show chief Bruce Miller proved to have space for it.

By Selina Phanara

Friday.  The first of three Classics of SF  discussions 

I led, on “Mimsy Were the Borogoves” (which just won the Retrospective Hugo for Best Novelette of 1943), was at 12:45 p.m.  Regency dancing had to be at 3:15 – another time and space problem.  The Chesley Awards (by the Ass’n of SF Artists) and Art Show Reception were at 7.  So after “Mimsy” I hustled back to my room, changed, sauntered to the Conference Center for dancing – can’t hustle in Regency clothes – then met my fellow Art Show judges to decide and turn in the Art Show Awards before the Reception, then back to my room for conventional garments, and hustled to the Hospitality Suite where Glassner had started the fanzine party.

But we trespass upon chronology.

About “Mimsy”.  A.J. Budrys, one of our best authors and critics both, taught “Always ask, Why are they telling us this?”  Why do Kuttner & Moore tell us Jane Paradine, the children’s mother, is very pretty?  Remember a woman is co-writing; K&M always said that everything they published, under any name (they used many; “Mimsy” appeared as by Lewis Padgett), was by the two of them together.

Discussion considered Sexism? – or Mere sexism? (whatever that may mean, about which there was also talk) – or Sexism unconsciously or otherwise adopted by a 1943 woman?

Beyond or beneath or beside this we human beings are drawn to beauty; think not only of an attractive man or woman, but also “I saw young Harry … gallantly armed, / Rise from the ground … and vault … with such ease into his seat / As if an angel dropped down from the clouds, / To witch the world with noble horsemanship” (Henry IV Part 1, Act 4 scene 1).

At different points in “Mimsy” K&M invite us to feel for the parents – for the children.

Note also the sneaky ironic foreshadowing of “The only people who can understand philosophy are mature adults or kids like Emma and Scotty.”

Does Rex Holloway, the psychologist, help or  hurt?  Does Paradine suggest paradigm; does Holloway suggest hollow way?

Is “Mimsy” tragic – in the classical sense, grievous and revealed to result from a fault of the recipient even if – or because – that fault had been thought insignificant?  Why?

Why does the story end with the telephone ringing?  Who did K&M tell us is calling?  Why?

Since Unthahorsten is “a good many million years in the future”, what happens to Emma and Scotty?

About Regency dancing.  Maybe you already knew my article in Mimosa, or maybe you followed the link to it above.  I hold Jane Austen one of the greatest authors in the world, and yes, that means I rank her with Aeschylus, and Shakespeare, and Lady Murasaki.  But she – since I’m talking to SF fans here – is, like them, a Martian writing for other Martians.  She doesn’t explain.  Georgette Heyer, writing two centuries later, like an SF author introduces us to the world she portrays.  So it’s she I recommend, to start with anyhow; luckily she’s a superb author herself.

I’ve said Cross-cultural contact is homework for SF.  Mike Ford said history is our secret ingredient.  Theodore Sturgeon said science fiction is knowledge fiction.  Not all knowledge is data.  Some of it is doing.  I learn a lot from this hobby that grew out of a hobby.

The Hospitality Suite was in the Garden Inn, attached to the Conference Center, not in the Homes2 Suites across a driveway, which had been planned as the Party Hotel.  As it turned out, the Hospitality Suite could stay open until 2 a.m.; the Homes2 shut down parties at midnight.  Could that have been discovered in advance, maybe even worked around?  For ways that are dark, and tricks that are vain, our hotel negotiations are peculiar.

Glassner and I had each brought a handful of fanzines, some recent, some from years past.  People looked and talked.  I’d also printed the opening page of Bill Burns’ efanzines.com.  That gratified some, and was news to others.  Obviousness is relative.  After our three hours we donated what remained of our food and drink, also two little tables I’d bought to spread fanzines on.

The Hospitality Suite may be the best part of an SF convention.  You’re welcome whether you’re a fan or a pro or both; whether or not you’re in with some in-crowd.  Conversations happen.  You meet people you didn’t know you wanted to meet.

Sometimes it’s called the Con Suite because the con itself hosts it, unlike say a SFWA Suite (SF Writers of America).

In the Homes2 lobby later, half past midnight or maybe one, I found a surprisingly large crowd, and a spread of refreshments along a center table.  Thus I learned parties were being shut down.  People had gravitated, and brought leftovers.  It was Lobbycon.

Here I heard Match Game SF had been fun, as usual.  Of course it had to happen.  Kevin Standlee, his wife Lisa Hayes, and their friend Kuma Bear, were Westercon’s Fan Guests of Honor.  For a dozen years they’ve been mounting this adaptation of the oft-revived television panel-game.  At the Worldcon they’d be nose-deep in the Business Meeting, and like that; Spikecon was the moment.  Until they started this, who knew Standlee had a game-show host in him?  Standlee, Hayes, and Kuma are fen of many talents.  Hayes does the tech.  I think Kuma is the producer.

Rocket Ship “Galileo” at the crack of dawn, i.e. 10:15 a.m.  I was not alone in wanting to celebrate the Glorious 20th; the U.S. Postal Service had issued a stamp.

Two decades before humankind actually did it, Heinlein wrote this speculation.  It’s the first of his “juveniles” – they have young-adult protagonists – books which some of us think his best: they’re gems.

“Galileo” is reasonable science for 1947.  Heinlein said he’d only compressed the time and the number of people.  Note that it isn’t a rocket ship built in a back yard.

Look how he manages the characterization – sparely but tellingly.  The books on the shelf in the clubhouse – Ross Jenkins’ parents (the one-word utterance “Albert.” in Chapter 4!) – “Going to put her down on manual?” and what follows.  Look how characterization also advances the plot – like setting up Art’s speaking German.

The very points we might hang fire on are things Heinlein needs for what I’ve called the C.S. Lewis One-Strange rule: an extraordinary person in ordinary circumstances, or an ordinary person in extraordinary circumstances.  Boys taking apart almost anything mechanical from alarm clocks to souped-up jalopies.  “Cigarette, Doctor?  Cigar?” These are verisimilitude at the time of writing.

Were you looking for the Heinlein Double Surprise – something strange happens, then something really strange happens?  There it is!

The Art Show tour I led was at 11:30.  I didn’t invent these tours, but I often arrange them, and usually lead one myself.  Why me?  When Kelly Freas first told a con to get me for one, I went to him.  He said, “You seem to be able to say what you see.”

I’ve never forgotten that.  When I’m arranging the tours it’s what I ask tour leaders to do.

I used to say “docent tours”.  Docent is the right word, but I found people didn’t know what it meant, and didn’t look it up, so it put them to sleep.

The Art Show was one of the strengths of Spikecon.

Here was Mark Roland, one of few who does etching; his “Persistence of Memory” won 1st Place Monochrome (if you follow the link, scroll down, 3rd image; you’ll see he says these are limited-edition fine art prints, hand-wiped and printed on rag paper in his studio).  

Here was Elizabeth Berrien, whose “Cloud Unicorn” in aluminum wire won Best 3-D; she has not exhibited with us for a while, being distracted with airports and hotel lobbies.  Her Website is worth a look. At a party, or a panel discussion, you’ll see her listening or contributing to the conversation, all the while twisting wire.  She must carry the whole in her mind, like Michelangelo saying “I just get a block of marble and chip away anything that doesn’t look like a Madonna and Child.”

Jessica Douglas’ “Ghost Leviathan”, worked up from the page into bas-relief with layers of color, and found objects, won 1st Place Color.  She has recently been at Orycons.

“Always” by Elizabeth Fellows won 2nd Place Monochrome.  Looking straight at it you saw vertical strands of dark yarn on a field of white.  Fellows didn’t, so the Art Show did, mount a sign Look at it sideways.  You then saw a face – which I think was Alan Rickman as Severus Snape from the Harry Potter movies – but wasn’t his word “Forever”?  Where are my notes?

I was particularly glad Bjo Trimble, her husband John, and their daughter Kat, were at the con; as it turned out they were sponsored by Ctein (pronounced “k-TINE”; yes, that’s his full name; while we’re at it, there should be a circumflex over the in Bjo, an Esperantism indicating pronunciation “bee-joe”).

John, Bjo, and Kat Trimble in the Art Show – Bjo’s panel at left, Kat’s at right.

In the photo you can see Bjo’s “Aslan” (from The Chronicles of Narnia), which won 3rd Place Monochrome, over her head. Kat’s “Mariposa” (which you can’t quite see in the photo) was a Judges’ Choice.

Ctein is one of few photographers in our Art Shows.  Photos are necessarily of things actually existent; what’s the SF element?  We get some neighbors, like astronomicals, or the spacecraft so far built; and indeed Ctein shoots them.  But his other pictures too have a quality of marvel.  The art of photography includes the mind of the artist.  Ctein being one of the judges, and also exhibiting, he insisted that nothing by a judge should get an award.

No picture-taking is our Art Show rule, but Jan Gephardt was allowed to shoot this panel of her own (you can just make out some of her paper sculptures at upper left).

Saturday night, the Masquerade.  Decades ago this was a dress-up party; it’s now a costume competition – with a stage, lights, and sound, if we can manage.  The Masquerade Director was Tanglwyst de Holloway; Master of Ceremonies, Orbit Brown; judges, Dragon Dronet, Theresa Halbert, Kitty Krell.

Entering as a Novice, and winning Best in Show – which is quite possible, I’ve been a judge at Worldcon Masquerades where we did that – was Hanna Swedin, “Snaptrap” (Re-Creation, from Five Nights at Freddy’s 3; Re-Creation entries are based on known images, Original entries are not; the Novice, Journeyman, and Master classes allow entrants to compete against others with their own level of experience if they wish, but anyone can “challenge up”, and experience isn’t everything).

Here’s Swedin with a stage helper so you can see the size of her entry, and here she is with the Snaptrap headpiece and her Best of Show rosette.

Sunday brought the Site-Selection results.  Columbus, Ohio, won unopposed for the 14th NASFiC in 2020 (the 78th Worldcon will be at Wellington, New Zealand, in 2020).  Tonopah, Nevada, beat Phoenix, Arizona, 82-51, for Westercon LXXIV in 2021 (Westercon LXXIII will be at Seattle, Washington, in 2020).  

This is a noteworthy outcome.  In contrast with Phoenix, Tonopah is an unincorporated town of population 2,600; no air, rail, intercity-bus service; it’s halfway between Reno and Las Vegas (each about 200 miles, 250 km, away).  Probably not even the best crystal-gazer would venture to say what lurks in the minds of fen, but “Why Tonopah?” from the bid committee to its parent organization, all explained again at Spikecon in conversation, bid parties, and the exercise we call the Fannish Inquisition, may be instructive.

A quarter to one p.m., October the First Is Too Late.  As always I asked who’d read it recently or had it fresh in mind, who even if having read it didn’t have it fresh in mind, who hadn’t read it, who hadn’t heard of it; most always there are some of each (hadn’t heard of it may prove to be but I hear these discussions are fun, which I’ll take).

By way of reminding people to look things up I pointed out that “bacon” for an Englishman is nearer to what United States people call “Canadian bacon” than to what U.S. people call “bacon”.  If this is what you’re living on while camping, it makes a difference.

What’s all the music for?  Is it mere window-dressing?  Well, it shows the mind of the narrator.  It sets up the exploration of art and technology, human and mechanical possibilities, with the future (though we must beware of that word with this book) keyboard instrument in Chapter 13.

And music, at least as we understand it, is about time, and time is the theme, the endoskeleton, of the book: one of the more brilliant observations I heard all weekend.

What about the framing story?  What about “someone, or something, was using the Sun as a giant signaling device”?  Does it tell us anything about the fourth-millennium people?  The narrative doesn’t take us to it again – or does it, in the last chapter, with “a higher level of perception than our own”?

Are we to be uncertain about the certain uncertainty of the people we meet at the end, like Sir Arthur Clarke’s “It is well to be skeptical [or as he spelled it, sceptical] even of skepticism”?

At Closing Ceremonies the joined Westercon and NASFiC had to disjoin.  When Kate Hatcher ended Spikecon, the Westercon gavel went to Sally Woehrle for Westercon LXXIII; but the NASFiC is an entity of the World Science Fiction Society, so the WSFS gavel went to a courier for the 77th Worldcon which would need it before the 14th NASFiC.

Luckily Standlee, Hayes, and Kuma were present, being Fan Guests of Honor for Westercon LXXII, and Linda Deneroff was present, being Fan Guest of Honor for the 13th NASFiC, all experienced in Business Meeting fandom, so we managed.

Afterward in the course of helping take down and clean up I found my roommate Kevin Rice carrying a box of leftover plastic train-whistles.  He’d made them by 3-dimensional printing, gosh: six inches long with two pipes, the top one marked “Spikecon 2019” and the bottom one “Layton, UT”.  They were in various colors.

I knew there would be a Dead Dog party (until the last dog is –), and separately a Dead Dog Filk, so that’s where I went with them.  More of the filkers being of the musical-instrument type, they took more.

And so home.

NASFiC 2020, Westercon 74 Site Selection Voting Statistics

NASFiC 2020: Ben Yalow, Spikecon Site Selection Area Head, reported the results of the 2020 NASFiC site selection voting held at the joint NASFiC/Westercon.

The information was shared as a courtesy at the Westercon business meeting on July 6, there being no WSFS business meeting at a NASFiC. The complete Westercon 72 Business Meeting minutes are posted here.

Columbus ran unopposed. Yalow said 100 votes were cast.

Candidate Mail Thu Fri Total
Columbus, OH 7 46 34 87
Grantville, WV 1 1   2
Tonopah, NV     2 2
OVFF 1     1
Arcosanti 1     1
Minneapolis in ‘73   1   1
Peggy Rae’s House   1   1
None of the Above     1 1
Total With Preference 10 49 37 96
No preference   1 1 2
Invalid 2     2
Total votes cast       100

With 87 votes, Yalow declared that Columbus had won the 2020 NASFiC.

2021 Westercon Site Selection: Ben Yalow also presented the results of the Site Selection for Westercon 74. With 140 votes cast, 68 votes were required to declare a winner.

Candidate Mail Thu Fri Total
Phoenix, AZ 3 11 37 51
Tonopah, NV 9 32 41 82
Both     1 1
None of the Above       0
Total With Preference       134
Needed to Elect (Majority)       68
No preference     6 6
Total votes cast       140

With 82 votes, Tonopah was declared the winner of the 2021 Westercon.

A video of the Westercon business meeting is available:

[Thanks to Kevin Standlee for the story.]

Columbus Confirmed as 2020 NASFiC Host

The unopposed Columbus in 2020 NASFiC bid has been confirmed by site selection voters. Next year’s NASFiC will take place August 20-23 at the Hyatt Regency Hotel and Convention Center in Columbus, Ohio.

A North American Science Fiction Convention (NASFiC) is authorized by WSFS rules to be held whenever the Worldcon is outside North America. With consecutive Worldcons occurring in Ireland and New Zealand, the 2020 site selection vote was administered by the 2019 NASFiC, Spikecon, going on this weekend in Utah.

Columbus chair Lisa Garrison (Ragsdale) announced the result. The vote count has not yet appeared on the bid’s Facebook or Twitter accounts. However, the 2020 NASFiC guests of honor have been named:

  • Author Guests of Honor are Brian Herbert and Kevin J. Anderson.
  • Artist Guest of Honor is Stephanie Law.
Stephanie Law
  • Editor Guest of Honor is Christopher J. Garcia.
Christopher J. Garcia
  • Science Guest of Honor is NASA Scientist, Marc Millis.
Marc Millis
  • Fan Guests of Honor are Sue and Steve Francis.
Sue and Steve Francis
  • 1632 Minicon Guest is Eric Flint.  
Eric Flint

A Word to the Wise

By John Hertz: (reprinted from No Direction Home 12)  Indeed there was rejoicing on Friday 10 May at Promontory, Utah.

That’s 40 miles from Layton, site of this year’s combined Westercon LXII [West Coast Science Fantasy Conference – oh, all right, it’s been in Colorado and Texas, and Alberta] and 13th NASFiC [North America Science Fiction Convention, held when the Worldcon is overseas] (also, for good measure, combined with the 1632 Minicon – Eric Flint’s 1632 shared-universe stories – and the Manticon – David Weber’s Honor Harrington stories with their Royal Manticoran Navy), to be held 4-7 July.

A hundred fifty years ago at Promontory, on May 10, 1869, the final spike was driven into the final rail-tie completing six and a half years’ work to create the Transcontinental Railroad.  Travel – of passengers or freight – from New York to San Francisco was shortened, not in space but in time, from six months to ten days.

So our convention will be Spikecon.

We s-f fans are to some extent students of technology.  Here was some.

Thousands attended the 150th-anniversary celebration, from 49 of the 50 States and from Canada, China, Germany, Japan, Switzerland.

The Central Pacific railroad had built from the west, the Union Pacific from the east.  In a famous photograph – more technology – the Central’s steam engine No. 60 and the Union’s No. 119 met, cowcatcher to cowcatcher, two 60-ton machines great in their day, the Union’s burning coal, the Central’s burning wood.  They were represented on this anniversary by restorations.

Who first sang “Who built the Ark?”  I’ve traced it to 1892 and it was well known then (The Dental Register v. 46, p. 603).  Thousands of Chinese helped build the Transcontinental in the west, thousands of Irish in the east.

Daniel Mulhall, ambassador from the Republic of Ireland, was present for this 150th, and raised a toast.  The ambassador from the People’s Republic of China, whose name in courtesy to him I had better spell Cui Tiankai and not Ts‘ui T‘ian-k‘ai, said in a recorded message the Transcontinental was a “telling example of how the Chinese and American people can come together to get things done and make the impossible possible.” 

Elaine Chao, United States Secretary of Transportation and the first Chinese-American of Cabinet rank, said “The Central Pacific needed industrious, tireless workers, and Chinese answered the call with great skill and dedication.”  A multiracial theater troupe performed a musical retelling in the wrong kind of Chinese peasant hats.  Lance Fritz, head of the Union Pacific, which now hauls far more freight than passengers, said the railroad laborers, in 12-hour days and sometimes brutal conditions, changed America forever.

Herman Wouk (rhymes with “oak”; May 27, 1915 – May 17, 2019) died ten days short of his 104th birthday.  He became famous several times.

His first novel Aurora Dawn (1947) was a Book-of-the-Month Club selection.  His third, The “Caine” Mutiny (1951), won the Pulitzer Prize, was adapted into a Broadway play The “Caine” Mutiny Court-Martial (1953) and a motion picture with Humphrey Bogart (E. Dmytryk dir. 1954).

His next, Marjorie Morningstar (1955), put him on the cover of Time magazine and was made into a movie with Gene Kelly (I. Rapp dir. 1958).  His sixth, Youngblood Hawke (1962), which he denied basing on Thomas Wolfe (1900-1938), was serialized in McCall’s and made into a movie (D. Daves dir. 1964) with James Franciscus.

His eighth and ninth, The Winds of War (1971) and War and Remembrance (1978), were made into television mini-series (D. Curtis dir. 1983, Winds; 1988-89, Remembrance) with Robert Mitchum.

A Hole in Texas (2004) is science fiction; what if, years after U.S. President Clinton canceled the Superconducting Supercollider, the Chinese announced finding the Higgs boson?  In fact no one found it until 2012.

The inside jacket of Hole says Wouk “exercises his deep insight and considerable comic powers to give us a witty and keen satire – about Washington, the media, and science, and what happens when these three forces of American culture clash.”  That’s true.

Like a good satirist he is fundamentally concerned with human nature, our foibles and – Sarcasm is in anger, satire is with love – our fortes.  Like a good s-f writer he illuminates by means of possible, fictional, science.  He realizes, as Sturgeon said, that Science fiction is knowledge fiction.

Winds and Remembrance together are 1,800 pages.  Hole is 280.

A word to the wise is sufficient.  This is problematic for satirists.  What if people in the audience – including, perhaps, the satirized – aren’t very wise?

Lafferty made Thomas More (1478-1538) the eponym of his marvelous Past Master (1968).  Poor Sir Thomas, if one may use that expression, pulled five hundred years into the future, keeps crying “Utopia [1516] is a satire!”

We haven’t yet reached the setting of Past Master – and I certainly hope we shan’t – but fifty years after Past Master was published we still don’t see that about Utopia.

You may jib at Hole’s explanation, chapter 5, thinking “It would have been better if Wouk had read more s-f.”  You may dislike, as the book goes on, what seems to be increasingly fundamental masculine sexism.

Should those befall, you will be lucky if you remember the superb management of what characters and readers must know in Marjorie Morningstar, and the devastating treatment of masculine and feminine romantic sex fantasies there and in Youngblood Hawke.

Maybe you won’t.  Maybe you won’t have read them.  In that case, and if nothing else helps you first, wait till the end of Hole, when the bubble bursts, the man is crashingly shown not so smart, and – satire is with love – everything nevertheless comes right.

Marjorie Morningstar may be Wouk’s best.  It may be great.  I have yet to meet anyone who was awake to it – what’s the author’s name?? – but time may tell.

The National Book Foundation making it a finalist said Marjorie was “released from the social constraints of her traditional Jewish family, and thrown into the glorious, colorful world of theater….  [a] paean to youthful love and the bittersweet sorrow of a first heartbreak.”  O Sir Thomas!

2020 NASFiC Voting Opens

Voting to select the site of the 2020 North American Science Fiction Convention (NASFiC) has started.

The Columbus for 2020 NASFiC bid is the only one on the ballot. They propose to hold the con August 20-23, 2020 at the Hyatt Regency Hotel and Convention Center, in Columbus, Ohio. Lisa Garrison is the bid chair, and the committee includes Dale Mazzola and Kim Williams.  

Members of SpikeCon, the 2019 NASFiC in Layton, Utah, are eligible to vote on the site of the 2020 NASFiC upon payment of a $35 Advance Supporting Membership (“Voting”) Fee.

Voting in advance closes June 29, 2019. SpikeCon/NASFiC 2019 must receive your ballot by that date. (Postmark date does not count.) Voting at the convention opens on the afternoon of Thursday, July 4, 2019 and closes on the evening of Friday, July 5, 2019.

The rules allow for write-in votes and votes for “None of the Above.”

For full information see Kevin Standlee’s post on the NASFiC website.

Two Site Selection Votes to be Held at 2019 NASFiC

Voting for the location of the 2020 NASFiC and 2021 Westercon will be held at in July at Spikecon, which is the combined Westercon 72, 13th NASFiC (2019), and 1632 Minicon.

Spikecon’s Westercon/NASFiC site selection administrator Ben Yalow has shared the latest procedural information:

Since this upcoming Westercon is also the NASFiC (since Dublin is non-NA, there was a NASFiC selected), then the WSFS and Westercon rules mean that since the 2020 Worldcon is also non-NA, there will be two site selections at this year’s Westercon/NASFiC. And, since a few deadlines have passed, we know a bit more about the races (which should be reported soon on the convention web site).

Columbus (OH) Only Filed 2020 NASFiC Bid: For the upcoming NASFiC race, there is only one bid filed, for Columbus, OH. The filing deadline has passed, so there will be no other bids on the printed ballot.

Westercon Bids Can Be Entered from Any Region: For the Westercon race for 2021, since no bids have filed before Jan 1, then the zone restrictions have been lifted, and all three of the Westercon zones are now eligible. So we’ll be taking bids from all of the Westercon region, not just North and South. The filing deadline for getting on the ballot is April 15.

There’s more information on the convention website about how to file, with links to the various Constitutions. As ballots are settled, they’ll also be on the convention web site, and in the various PRs (note that, as always, since the Westercon filing deadline is April 15, that ballot won’t be out until shortly after that date).

If there are questions on the rules, I’ll be glad to explain them, and help people with their filings.

Pixel Scroll 12/22/18 In Her Own Special Way To The Pixels She Calls, Come Buy My Scrolls Full Of Crumbs

(1) CRUMB NUMBER ONE. Four people sent me this link, so even though I don’t like the article, this unscientific survey says you probably will: “The True Story of the Lost Sci-Fi Movie ‘Brainstorm,’ Natalie Wood’s Last Film” at Popular Mechanics.

…We’re guessing you’ve never heard of it, anyway. In writing this article, we asked several dozen people if they had. One guy said he might have maybe seen it, a long time ago.

It was called Brainstorm.

Anyone? No?

Brainstorm was supposed to be huge. The director—himself a three-time Oscar nominee—was Douglas Trumbull, a visual-effects genius who had already worked on some of the most monumental films of all time: as Stanley Kubrick’s special photographic effects supervisor on 2001: A Space Odyssey (1968), and as visual effects supervisor on Steven Spielberg’s Close Encounters of the Third Kind (1977), Star Trek: The Motion Picture (1979), and Ridley Scott’s Blade Runner (1982).

Brainstorm starred Christopher Walken, who two years earlier had won the best supporting actor Oscar for The Deer Hunter; Louise Fletcher, an Oscar winner for her unforgettable role as Nurse Ratched in One Flew Over the Cuckoo’s Nest; and Cliff Robertson, who had won a best-actor Oscar for Charly in 1968.

The fourth leading actor was Natalie Wood.

(2) UTAH’S CON CALENDAR JAMMED IN 2019. The five-year-old Salt Lake Gaming Con is moving to the Salt Palace in SLC and expects a 60% increase in attendance over their 25,000 last year. Their dates are just the week before the Westercon/NASFiC in Layton, UT on July 4th So, in one month within 20 miles of each other there will be:

  • June 7-9: Ogden UnCon–pop culture
  • June 21-23: FyreCon–general SF/F con
  • June  27-29: Salt Lake Gaming Con
  • July 4-7: Westercon/NASFiC

(3) 2017 COMPILATION. Eric Wong alerts readers to Rocket Stack Rank’s annual short story selection of “Outstanding SF/F by People of Color” from 2017. (Thanks to the recently-installed WordPress 5.0 I can no longer take layout blocks already formatted with numbered lists and also display them as quotes, so I am going to stick lines before and after the excerpt….)


There are 59 outstanding stories by people of color from 2017 that were either finalists for major SF/F awards included in “year’s best” SF/F anthologies, or recommended by prolific reviewers in short fiction (see Q&A).

Observations

  1. 40 are free online, and 21 have podcasts (click links to highlight them).
  2. The default Length/Rating view shows RSR reviewed 45 of the 59 stories (76%), recommended 18 of the 45 (40% 5-star or 4-star), and only recommended against 6 of the 45 (13% 5-star or 4-star).
    1. Compared to other prolific reviewers, RSR’s 18 recs is more than STomaino’s 8 and JMcGregor’s 6.
    2. Among Year’s Best anthologies, JStrahan and PGuran tied with 10, followed by GDozois, NClarke and RHorton with 8, then BASFF with 7.
    3. Among awards, Locus had the most with 13, followed by Hugo (8), Nebula (5), Sturgeon and World Fantasy (4), Shirley Jackson (3), Eugie (2), and British Fantasy and British Science Fiction Association with 1 each.
  3. The Length/Score view shows the top scoring novella is “The Black Tides of Heaven” by JY Yang, novelette is “A Series of Steaks” by Vina Jie-Min Prasad, and short story is “Zen and the Art of Starship Maintenance” by Tobias S. Buckell. (The top score for novellas is typically less than the other two lengths because there’s room for few of them in year’s best anthologies and they’re usually not covered by prolific short fiction reviewers.)
  4. The Publication/Length view shows the top three magazines with the most stories here are Lightspeed (6), Clarkesworld (5), and Tor Novellas (5), out of 29 magazines, anthologies, collections, and singles.
  5. The New Writer/Score view shows 9 stories by Campbell Award-eligible writers (15%).
  6. The Author view shows Aliette de Bodard and JY Yang with the most stories here (3 each) out of 47 authors.

(4) 200K TO ADD TO YOUR TBR. Vajra Chandrasekera has compiled a list of links to all Strange Horizons’ “Original Fiction in 2018”.

2018 was an excellent year for original fiction at Strange Horizons! We published over two hundred thousand words in five novelettes and 42 short stories, including three themed special issues featuring original fiction, focusing on work by trans and nonbinary writers in January; by writers from India in April; and an extra-large issue with work by writers who are black, indigenous, and/or people of color from the Southeastern USA in July, the fiction selections for which were curated and edited by guest editors Sheree Renée Thomas, Rasha Abdulhadi, and Erin Roberts.

(5) YEAR OF NO JACKPOT. Norman Spinrad looks back on “2018 Year of Dread”:

…No regrets, no surrender, I would gladly do it again until I died with my boots on. But my voice, at least in English, has been silenced, though not in translations, particularly in French. My last novel to be published in English, THE PEOPLE’S POLICE, was shamefully shit-canned by internal politics in the publisher, rendering the next one, WELCOME TO YOUR DREAMTIME, a commercial dead duck, and the one after that, NOWHERELAND sitting in first draft until I find the courage to finish it and spec it. That I am far from the only novelist frantically swimming on the event horizon of this terminal black hole does not exactly prop up my spirits with schadenfreud.

(6) CLARKE AT 101. Mark Yon reviews “The Fountains of Paradise by Arthur C Clarke” at SFFWorld.

For a man known for writing about science, the first surprise is that the book begins in faux-ancient History and spends much of its time telling us a two-thousand-year-old story of the kingdom of Taprobane (clearly a fictional version of Clarke’s new home, Sri Lanka.) Although much of the book is set in the 21st century, the first few chapters are about how a mountain on the island of Sri Kanda became the Buddhist temple of Yakkagala and has frescoes around its perimeter. This is also based on a real place known to Clarke, actually Sigiriya, which Clarke in his Afterword states is a place “so astonishing that I have had no need to change it in any way.” The reason for this is soon revealed – that the mountain site is the best location for the creation of a space elevator that, once built, will allow cheap travel into space. This first part of the book reflects Clarke’s own interest in the real Sigiriya and his curiosity into religion, in this case Buddhism. Whilst not religious himself, Arthur was interested in the importance of such things to the wider world and the influence they have upon human cultures and society.  This part allows him to respectfully examine such matters.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born December 22, 1951Charles de Lint, 67. I’ve personally known him for twenty-five years now and have quite a few of his signed Solstice chapbooks in my possession. Listing his fiction would take a full page or two as he’s been a very prolific fantasy writer, so let me offer you instead our Charles de Lint special edition that we just updated this past Sunday: http://thegreenmanreview.com/2017/01/03/charles-de-lint-edition/. My favorite novels by him? That would be Forests of The Heart, Someplace To Be Flying, Seven Wild Sisters and The Cats of Tanglewood Forest. You’ll find my favorite chapter from Forests of The Heart in our Words menu. 
  • Born December 22, 1951 Tony Isabella, 67. Creator of DC’s Black Lightning, who is their first major African-American superhero. That alone is enough reason to him in Birthdays. He also created Mercedes “Misty” Knight, an African-American superhero at Marvel Comics whose played by Simone Missick in the various Netflix MCU series. 
  • Born December 22, 1954 Hugh Quarshie, 64. First genre role was as Sunda Kastagirin in Highlander followed by being Detective Joyce in Clive Barker’s Nightbreed and Lieutenant Obutu In Wing Commander. He’s Captain Quarsh Panaka In Star Wars: Episode I – The Phantom Menace. He’s got a log tv history starting with playing Philostrate in A Midsummer Night’s Dream along with being Professor John Galt in the pilot for The Tomorrow People and Solomon in the Doctor Who episodes of “Daleks in Manhattan” and “Evolution of the Daleks”. 
  • Born December 22, 1961 Ralph Fiennes, 57. Perhaps best known genre-wise as Lord Voldemort in the Harry Potter series, he’s been M in the Bond films starting with Skyfall. His first genre role was as Lenny Nero in Strange Days, one of my favorite SF films. He went on to play John Steed in that Avengers films which is quite frankly shit. He shows up in Red Dragon, prequel to The Silence of the Lambs. If you haven’t seen it, he voices Lord Lord Victor Quartermaine in Wallace & Gromit: The Curse of the Were-Rabbit. Run now and see it! I’ve prolly overlooked something but I’m sure one of you will add it in. 
  • Born December 22, 1965David S. Goyer, 53. His screenwriting credits include the Blade trilogy which I like despite their unevenness in storytelling, the Dark Knight trilogy, Dark City, Man of Steel, and its sequel Batman v Superman: Dawn of Justice (which is horrid). Let’s see what else is there? Well there’s there’s Nick Fury film and two Ghost film which are all best forgotten… Oh, he did The Crow: City of Angels. Ouch. Series wise, he’s been involved in FlashForward, ConstantineDa Vinci’s Demons which is a damn strange show, Krypton, Blade: The SeriesThresholdFreakyLinks and a series I’ve never heard of, Sleepwalkers
  • Born December 22, 1978George Mann, 40. Author of the Newbury & Hobbes Investigations, a steampunk series set in a alternative Victorian England that I’ve read and enthusiastically recommend. He’s also got two Holmesian novels on Titan Books that I need to request for reviewing, Sherlock Holmes: The Will of the Dead and Sherlock Holmes: The Spirit Box. And yes I see that  he’s written a lot more  fiction than I’ve read by him so do tell me what else is worth reading  by him. 

(8) IN COMICS TO COME. A recommendation:

(9) AFROSTEAMPUNK. Bodhisattva Chattopadhyay reviews “The Black God’s Drums by P. Djèlí Clark” at Strange Horizons.

P. Djèlí Clark’s debut fantasy-alternate history Afrosteampunk novella features a young teen lead, which, together with the general pitch of the whole narrative, puts The Black God’s Drums firmly in the teen/YA category. In the brief space of a hundred pages, Clark successfully combines Haitian mythology, magic, and a rich real and fictional history of New Orleans, while keeping the reader entertained with a lively cast of characters even in an otherwise typical plot.

(10) ANAKIN, I AM YOUR FATHER. [Item by Mike Kennedy.] DorkSideOfTheForce says that “Star Wars comic finally reveals Anakin’s father.” You may recall that Anakin Skywalker’s mother, Shmi, basically said she just woke up pregnant one day. Well, kinda… The DorkSide post opens with a well-deserved Spoiler Alert, then continues:

The topic of who Anakin’s father has been a subject of discussion for some time. Star Wars: Episode I – The Phantom Menace touched on this by explaining that there was no father. His mother Shmi told Qui-Gon this by simply explaining that she carried him, gave birth, and raised him. She can’t explain how it happened but there was definitely no father.

This then led Qui-Gon to believe that Anakin was born from the force itself and that Anakin was a creation of Midi-chlorians […]

Fast forward 19 years, seven movies, and a bucket load of comics and other Star Wars-related releases later, and Darth Vader No. 25 has provided us with the answer.

If you want to know badly enough, you’ll click.

(11) THE SCIENTIFIC METHOD. Leap before you look: “Researchers Show Parachutes Don’t Work, But There’s A Catch”.

Research published in a major medical journal concludes that a parachute is no more effective than an empty backpack at protecting you from harm if you have to jump from an aircraft.

But before you leap to any rash conclusions, you had better hear the whole story.

The gold standard for medical research is a study that randomly assigns volunteers to try an intervention or to go without one and be part of a control group.

For some reason, nobody has ever done a randomized controlled trial of parachutes. In fact, medical researchers often use the parachute example when they argue they don’t need to do a study because they’re so sure they already know something works.

(12) WOLVES DISCOVER FISH. NPR reveals “The Secret Fishing Habits Of Northwoods’ Wolves”. Well, once you’ve eaten the fishermen, what else is left?

Wolves, as it turns out, might not be the bloodthirsty, moose-slaughtering, northwoods-roaming carnivores you always thought they were.

New research on wolf packs at Voyageurs National Park in northern Minnesota is challenging the conventional wisdom on wolves: Their diets are a lot more varied than scientists previously thought.

Researchers with the Voyageurs Wolf Project, a collaboration between the park and the University of Minnesota, have for the first time documented wolves hunting freshwater fish as a seasonal food source — and they have video to prove it.

(13) PROGRESS REPORT. “‘We Are Here’: Questions For Comics Creator Taneka Stotts” on NPR.

When comics creator Taneka Stotts accepted an Eisner Award — the comics industry’s highest honor — this year for her anthology Elements: Fire — A Comic Anthology by Creators of Color, she was fired up.

“I hold this award,” she said, “and I declare war on the antiquated mentality that tells us our voices and stories aren’t ‘profitable’ enough … we’re not waiting for you to catch up anymore. We are here, we have always been here, and we will do as you’ve always told us. We will make it ourselves.”

And she’s doing just that. Not only is Stotts a creator and a writer, she’s a self-publisher and an editor, organizing anthologies like Elements: Fire, which features 23 stories from creators of color based in the United States and around the world. She’s already working on a follow-up anthology Elements: Earth. I sat down with Stotts the afternoon before the Eisner awards ceremony, and we talked about why she calls Elements “the little book that could,” and about whether it gets tiring, being a voice for change in the comics community.

(14) ROCKY ROAD. WIRED tells about “The Mad Scramble to Claim the World’s Most Coveted Meteorite”.

On the popular meteorite-list listserv, scientists and amateur enthusiasts alike debated the nature of the Carancas event. People were skeptical about both the illness and the crater itself. The only way to make a proper determination was to see it in person, collect samples, or retrieve the impact mass. The rock itself would be enormously valuable, both for scientific inquiry and also to collectors in the brisk, high-end market for meteorites, in which a rare, crater-­producing landfall could command especially steep prices. But this crater was in a remote area, difficult and expensive to reach. And there were only so many people in the world willing to head to the highlands of Peru at a moment’s notice to look for things that fell out of the sky….

(15) FULLY LOADED. In the December 15 Financial Times (behind a paywall), Sam Leith, literary editor of the Spectator, discusses a paper in the Medical Journal of Australia by a research team led by Nick Wilson of New Zealand’s Otago University about James Bond’s drinking habits.

As well as the inevitable martinis, and his own invention, the ‘Vesper Martini’ (three measures gin, one measure vodka, and half a measure of Kina Lillet shaken and garnished with a large sliver of lemon peel), Bond will chug-a-lug anything that comes to hand:  neat vodka, Champagne and once, in an instance of utter depravity to which he was driven by product placement, Heineken.

In one on-screen binge he knocks back six Vesper Martinis–more than a week’s worth of units in a session–and in one of the books, apparently, he manages 50 units (of alcohol) in a day, which would kill most of us stone dead.

(16) OUT OF HIS DEPP. [Item by Mike Kennedy.] While talking about many other projects, Disney’s Sean Bailey (“chief architect of Disney’s live-action film studio”) dropped the news that Johny Depp will not appear in the rebooted Pirates of the Caribbean films (The Hollywood Reporter: “Disney’s Film Production Chief Talks Mary Poppins and His Big Bet on The Lion King: ‘It’s a New Form of Filmmaking’”):

The Hollywood Reporter: You’ve hired Deadpool scribes Rhett Reese and Paul Wernick to work on a possible Pirates of the Caribbean reboot. Can Pirates survive without Johnny Depp?

Bailey: We want to bring in a new energy and vitality. I love the [Pirates] movies, but part of the reason Paul and Rhett are so interesting is that we want to give it a kick in the pants. And that’s what I’ve tasked them with.

SYFY Wire took that short quote and ran with it, disregarding the metaphorical scissors they were figuratively carrying (“Johnny Depp officially out as Jack Sparrow in Disney’s Pirates of the Caribbean franchise”):

Pirates of the Carribean movie without Jack Sparrow is hard to imagine, especially after he became the most famous and popular character of the five films. It’s ironic when you consider that the top Disney brass initially hated his performance in Curse of the Black Pearl, which Depp based on Keith Richards of the Rolling Stones. The actor’s reasoning was that pirates were the rock star renegades of the Seven Seas, and sure enough, his gamble paid off. Richards even appeared as Sparrow’s father in At World’s End.

[…] That said, the quality of the movies began to decline once [director Gore] Verbinski left and Sparrow was placed at the forefront of the subsequent sequels. Pirates really is in need of a good reboot, but we wouldn’t say no to a nice little cameo from Depp.

(17) SILLY COMMERCIAL. Macaulay Culkin finds himself “Home Alone Again with the Google Assistant.”

Even Kevin McCallister needs a little help. Add aftershave to your shopping list, set reminders, and fend off bandits, hands-free:

[Thanks to David Doering, Mike Kennedy, Jennifer Hawthorne, Martin Morse Wooster, John King Tarpinian, Carl Slaughter, JJ, Chip Hitchcock, Cat Eldridge, and Andrew Porter. Title credit goes to File 770 contributing editor of the day Brian Z.] )

NASFiC 2019 to Host Chesley Awards; New Trimble Sponsor Steps Forward

The Utah Fandom Organization has issued an update about events, guests, and other plans for the combined Westercon 72, NASFiC 2019, & 1632 Minicon (Spikecon.org) convention to be held July 4-7, 2019 in Layton, Utah:

  • The Association of Science Fiction and Fantasy Artists (ASFA) Announces NASFiC 2019 as the location to host the Chesley Awards – The Chesleys will be held at the NASFIC in Layton Utah, July 4 -7, 2019. ASFA member Vincent Villafranca is the artist guest and we can’t wait to get involved.  There will be ways for artists to participate at the convention so please check http://www.asfa-art.org/.
  • Westercon 72 Gaming Guest Tim the GM (Mottishaw) – We regret to inform our gaming guest Tim Mottishaw had to cancel his appearance at Spikecon due to conflicts in dates. He offers his regret and apology to everyone, and is assisting us with possible candidates to honor in his stead.
  • NASFiC 2019 Master and Mistress of Ceremony, Bjo & John Trimble (and Sponsorship) -A fan, professional photographer and writer, Ctein (Kuh-TEIN), has volunteered to continue the sponsorship, and support Bjo and John Trimble in their appearance at Spikecon 2019. Utah Fandom Organization wishes to thank everyone for their support in making these combined events fun and exciting.
  • (Ctein is a professional photographer and writer. He is the co-author, with John Sandford, of the New York Times best selling science fiction thriller, “Saturn Run.” He is currently writing an natural disaster thriller, “Ripple Effect,” with David Gerrold. Ctein is also the author of “Digital Restoration From Start To Finish” and “Post Exposure.” He is best known in the SF community for his photographs of eclipses, aurora, natural and unnatural scenics, and space launches and his hand-printed fine-art books.  His photographic work can be seen at http://ctein.com and photo-repair.com.)
  • Updates to Departments – The website, https://www.spikecon.org/ , has updated forms to apply for the Art Show, Dealers Room, Program Participation, Gaming, Panel Suggestions and Membership Updates.
  • Future Announcements – Upcoming plans include a special event 4th of July breakfast with Bjo and John Trimble to discuss Star Trek(™), A filk/music guest announcement and a new progress report due at the end of November.

Pixel Scroll 11/14/18 Ask Not For Whom The Files Scroll

Power was off here for 8 hours while they replaced a utility pole – fortunately the rest of you kept sending stuff!

(1) GRRM DEALS WILD CARDS TO TV. Tor.com says “George R.R. Martin’s Wild Cards Universe Finds a Home at Hulu”

The Hollywood Reporter dropped big news for GRRM fans yesterday; the Wild Cards series, helmed by Martin and Melinda Snodgrass, and featuring stories from many SFF luminaries, is coming to Hulu.

Hulu and Universal Cable Productions are near to a deal that would create a writers room for Wild Cards, helmed by Andrew Miller. The intent is to begin with two series and potentially expand to more, with Martin, Melinda Snodgrass, and Vince Gerardis executive producing the lot.

(2) ARISIA GOHS PUNISHED. Did you know Amazing Stories was sponsoring the 2019 NASFiC’s Fan Guests of Honor Bjo and John Trimble? Well, if you didn’t, never mind, they aren’t anymore — “Amazing Stories Withdraws Trimble’s NASFiC Sponsorship”. And why is that? Steve Davidson thinks it’s bad publicity for Amazing to be associated with people who are also going to be guests at Arisia 2019 — apparently, even worse publicity than Amazing will receive from making this announcement.

Today, November 14th, The Experimenter Publishing Company reluctantly announces that it has formally rescinded its NASFiC Fan GoH sponsorship of John and Bjo Trimble, following the Trimble’s decision to remain Guests of Honor of the Arisia 2019 convention.

In December of 2017 at the Boston SMOFcon, Steve Davidson (Experimenter Publisher) met Kate Hatcher, chair of the 2019 Utah NASFiC bid.  Utah won the bid and The Experimenter Publishing Company was approached as a potential sponsor for the as yet unnamed Fan GoH.  Following brief discussions, Experimenter agreed to cover the costs associated with the attendance and promotional efforts typically incurred.

… The Trimbles initially announced that they would be attending Arisia.  When I learned of this, I wrote to Kate Hatcher of the Utah NASFiC and subsequently to Bjo Trimble, explaining that The Experimenter Publishing Company and Amazing Stories could not be associated with nor support Arisia under the current circumstances and, since one purpose of their trip to the convention was to promote the NASFiC as sponsored by Amazing Stories, I felt that I had no choice but to withdraw their sponsorship should they choose to attend….

(3) HAZARDOUS SFF TOYS. W.A.T.C.H. (World Against Toys Causing Harm, Inc.) has released their 2018 list of “10 worst toys” for the holiday season (press release here and more about each toy starting here). Cited issues include choking, ingestion, cutting, blunt force, and eye damage hazards. A majority of the toys have sff or science themes. The full list is:

  • Nickelodeon Nella Princess Knight Pillow Pets Sleeptime Lites
  • Nerf Vortex VTX Praxis Blaster
  • Marvel Black Panther Slash Claw
  • Power Rangers Super Ninja Steel Superstar Blade
  • Cabbage Patch Kids Dance Time Doll
  • Zoo Jamz Xylophone
  • Nici Wonderland Doll: Miniclara The Ballerina
  • Stomp Rocket Ultra Rocket
  • Cutting Fruit
  • Chien Á Promener Pull Along Dog

(4) BEFORE LITTLE NEMO. Titan Comics is publishing McCay, an “invented biography” chronicling authentic — though only partially true — stories of the life of the “father of animation” Winsor McCay, in which “McCay’s life is enriched by an imaginary encounter with British mathematician and science fiction writer Charles Hinton…and glimpses of the fourth dimension.” Release date is November 20.

(5) KICKSTARTER SPRINT. Fireside Fiction has launched a short crowdfunding campaign for “Hope In This Timeline”, a collection of short spec fiction stories about finding hope in difficult times curated by Meg Frank.

This reality is bonkers, and keeping up, let alone keeping your spirits up is really hard. Team Fireside thought we’d insert a little hope into the mix. We collected stories by Lee S. Bruce, Beth Cato, Gillian Daniels at midnight EST and in addition to the collection we’ve got some rad backer rewards like an enamel pin designed by Team Fireside and original artwork by Sara Eileen Hames.

They have raised $3,845 of their $7,000 goal with two days to go.

(6) G. WILLOW WILSON INTERVIEW. She starts her run on the DC icon this month — “Ms. Marvel’s G. Willow Wilson reflects on the political side of Wonder Woman”.

Wonder Woman is unavoidably this icon of feminism and of diversity and, to an extent, any Wonder Woman story can’t escape the broader context of her as a fictional element in the wider world. You just look at her becoming a figurehead for the UN, and the backlash to that, and the weight that we place on her as a fictional character. And certainly there’s a lot of conversation about issues of feminism and diversity just in the comics world right now. Do you feel that the presence of that context when you’re writing her?

Yes, absolutely. I think those of us, especially in the United States, who grew up with these characters, tend to assume a kind of universality to them. We assume that the ideals that they represent are universal across time and space and culture; that everybody can relate to them the same way that we do; that the things that they say and they think, their costumes, all of this stuff — is a universal human expression of justice.

And it’s not always the case. That’s not always the case. And I think now that we are really interconnected across the globe, and in social media, to the press, through the globalization of pop culture, we’re asking much bigger questions about these characters then we might have before, when they were a uniquely American phenomenon. And so it’s something that I’m always conscious of.

And it does, I think, make one’s job as a storyteller more interesting, because we’re now dealing with these characters who have a much broader reach than they might have 60 years ago. Yet by that same token, they’re no longer as universal and that’s a very interesting paradox.

[That’s] part of why I wanted to start out my run on the series in the way that I do: asking, “What is justice in this very different context?” Is there such a thing as a just war in a time when war is no longer about two armies facing each other across the battlefield, and it’s more about proxy wars and asymmetrical warfare and civilian casualties? And all of these different warring perspectives where there is no clear, black-and-white good guy and bad guy? And not shy away from that stuff. It’s a tall order, but I think it’s never been more necessary to ask those questions

(7) PATTEN TRIBUTES. Lee Gold has assembled a LASFS memorial page for Fred Patten that includes this quote from David Gerrold:

Fred was a treasure. You could turn to him and say, “I remember a story about a … etc.” and he would not only identify it by title and author, but where it was published. He was an incredible resource. I admired his encyclopedic knowledge of the field. He was classic old-school fandom. I am so sorry to hear of his passing.

(8) TODAY IN HISTORY

  • November 14, 1883 — Robert Louis Stevenson’s Treasure Island is published as a one-volume book.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and JJ.]

  • November 14, 1907 Astrid Lindgren. Creator of the Pippi Longstocking series and, at least in the States, lesser known Emil i Lönneberga, Karlsson-on-the-Roof, and the Six Bullerby Children series as well. In January 2017, she was calculated to be the world’s 18th most translated author, and the fourth-most-translated children’s writer after Enid Blyton, H. C. Andersen and the Brothers Grimm. There have been at least forty video adaptations of her works over the decades mostly in Swedish but Ronja, the Robber’s Daughter (Sanzoku no Musume R?nya in English transliteration) was an animated series in Japan recently. (Died 2002.)
  • November 14, 1930 – Lt. Col. Ed White, Engineer, Pilot, and Astronaut who was the first American to walk in space during the Gemini 4 flight, for which he was awarded the NASA Distinguished Service Medal. He and his crewmates Virgil “Gus” Grissom and Roger B. Chaffee died as a result of a catastrophic fire in the command module during a launch test for Apollo 1, which was to have been the first manned Apollo mission. (Died 1967.)
  • November 14, 1932Alex Ebel. He did the poster for the first Friday the 13th film, and his cover illustration for The Left Hand of Darkness by Ursula K. Le Guin published by Ace Books in 1975 is considered one of the best such illustrations done. I’m also very impressed with The Dispossessed cover he did as well as his Planet of Exile cover too. His work for magazines includes Heavy MetalSpace Science Fiction and Fantastic Story Magazine. (Died 2013.)
  • November 14, 1951 – Beth Meacham, 67, Writer, Editor, and Critic who is best known for the many award-nominated and winning authors and books she has brought to SFF fans in her decades as editor at Ace and Tor, including Tim Powers’ The Anubis Gates and Greg Bear’s Blood Music. She has been a finalist for the Best Editor Hugo numerous times – but what JJ found especially interesting are her Hugo nominations for Best Related Book, as a collaborator on A Reader’s Guide to Fantasy, and on Vincent Di Fate’s Catalog of Science Fiction Hardware. She has been Editor Guest of Honor at several conventions, including next year’s World Fantasy Convention.
  • November 14, 1951 – Sandahl Bergman, 67, Actor, Stuntperson, and Dancer who appeared in several Broadway shows and gained prominence when choreographer Bob Fosse cast her in Pippin and Dancin’, and then in his fantasy dance film All That Jazz. She played Valeria in Conan the Barbarian – for which she won a Saturn Award – and Queen Gedren in Red Sonja. She was one of the nine muses in the fantasy musical Xanadu, and starred in She, a post-apocalyptic movie based on H. Rider Haggard’s novel She: A History of Adventure. Other genre appearances include Hell Comes to Frogtown, Revenge on the Highway, TekWar: TekJustice, Ice Cream Man, and Sorceress II, and guest roles on Sliders and Hard Time on Planet Earth.
  • November 14, 1959 Paul McGann, 59. Yes he only did one film as the eighth incarnation of the Doctor in the 1996 Doctor Who television film, but that role he has reprised in more than seventy audio dramas and the 2013 short film entitled “The Night of the Doctor”. Other genre appearances include Alien 3FairyTale: A True StoryQueen of the Damned and Lesbian Vampire Killers.
  • November 14, 1963 – Cat Rambo, 55, Writer and Editor, who co-edited Fantasy Magazine from 2007 to 2011, which earned her a World Fantasy Special Award nomination. Her fantasy and science fiction works have been recognized with Nebula, Endeavour, and Compton Crook Award nominations. She has been an ardent gamer since the days of Pong and Chainmail, and was one of the developers of Armageddon (MUD). Her alter identity is as President, since 2015, of the Science Fiction and Fantasy Writers of America (SFWA), which has enjoyed an unprecedented amount of visibility and transparency to fandom and non-members under her guidance; in addition to letting the rest of us get a better understanding of “how the sausage gets made”, the organization has continued its evolution by adding a mentorship program, Nebula voting rights for Associate Members, and a Gamewriting category to the Nebula Awards.
  • November 14, 1969 – Daniel J. Abraham, 49, Writer and Producer. He has published several fantasy series under his own name, as well as under M. L. N. Hanover and Daniel Hanover;  his solo works include the Long Price Quartet (about which Jo Walton has waxed enthusiastic), and the Black Sun’s Daughter and Dagger and the Coin quintologies, as well as numerous short works in GRRM’s Wild Cards universe. But let’s get to the leviathan in the room: he is one half of James S. A. Corey – a pen name which derives from his middle name and that of his collaborator, Ty (Corey) Franck, and his daughter’s initials – a team responsible for the bestselling Expanse novels and popular TV series. The first novel, Leviathan Wakes, was a Hugo finalist, and the episode of the same name won a Hugo for Best Dramatic Presentation; the novel series itself was a finalist for the Best Series Hugo Award in the year of its inception. He has also collaborated on comic books for various GRRM properties, including Game of Thrones.
  • November 14, 1979 – Olga Kurylenko, 39, Actor born in the Ukraine who is probably best known for her genre-adjacent role in Quantum of Solace, which earned her a Saturn nomination. She’s had several roles in movies based on comic books: Hitman, Max Payne, the Belgian Largo Winch, and the regrettably plothole-ridden Oblivion. She played The Vampire in Paris, Je t’Aime, and had appearances in Tyranny, Vampire Academy, The Man Who Killed Don Quixote, Mara, and the probably-never-to-be-released epic fantasy Empires of the Deep.

(10) COMICS SECTION.

  • Off the Mark is just kidding, but you’ll never look at your bookshelves quite the same way again.
  • This In the Bleachers shows the importance of correct spelling in horror.

(11) STEAM TO MARS. Online play will become an option for a top-rated board game says Ars Technica: “Review: Super-hot board game Terraforming Mars goes digital”.

Terraforming Mars is one of the most popular heavy strategy games of the last two years (read our 2016 review); it earned a nomination for the Kennerspiel des Jahres (expert’s “game of the year”), losing to the very good but much simpler Exit: The Game series. It’s currently ranked #4 on BoardGameGeek’s master ranking of all board games, a ranking that tends to skew towards complex games that eschew luck in favor of strategy and engine building.

Now, an adaptation from Asmodee Digital brings the game to Windows via Steam. (Android and iOS ports are coming soon.) The Windows port offers local play, online multiplayer, and a solo challenge mode that functions as a good learning tool in addition to providing a strong single-player experience.

(12) BABYLON BERLIN. The Berlin Sci-Fi FiImfest takes place November 16-17.

Last year we screened 66 films from 21 countries and had over 600 visitors. This year the festival will have 144 features as Berlin Sci-fi Filmfest takes over the Babylon Cinema.

Berlin Sci-fi Filmfest is pleased to announce the inclusion of the following:

Simon Lejeune aka Haedre, Berlin based Artist, painter, illustrator and comic author will take up residency and his exhibition will be featuring new works along with original comic pages.

Hans Hanfner, A Berlin based composer who wrote music for the award winning series Danni Lowinski and Allein gegen die Zeit will discuss the scoring workflow used in Babylon Berlin and discuss the tools and techniques used that made working with a team across the world possible.

Irrlicht e.V. is an association that supports fantastic culture, role-playing, tabletop and board games. They are committed players who meet regularly in Berlin and around the country and offer all those interested in the opportunity to experience fantastic culture and art and of course to play.

And as for Cosplay, we welcome back Anette Pohlke and the Film Fan Force team, who will be providing our guests with ample photo opportunity to pose with some of their favourite fan film characters from Star Wars to Star Trek to Guardians of the Galaxy.

(13) SHED A TEAR. [Item by Mike Kennedy.] Artist Thomas Ollivier (aka Tom le French) has re-imagined modern technology as if it had been developed pre-internet. The Verge’s Ashley Carman was particular taken by them (“We’re charmed by these tech products, reimagined for a simpler time”) though there seems something quite sad about the perpetually blinking “No Likes” display on the Facebook-branded pager. For myself, I’m at least as taken by his Cosmo Kids portfolio of kids from around the world, all dressed as if for astronaut’s official photos. Of those, Ollivier says “These portraits depict kids as agents of change.  There’s no more powerful fuel on the planet than a kid’s imagination.”

(14) COP A PLEA. NPR reports “Man Who Made Fatal ‘Swatting’ Hoax Call Pleads Guilty To 51 Charges”.

Tyler Barriss, 26, pleaded guilty on Tuesday to making a false report resulting in a death, after he placed a hoax call late last year that resulted in police fatally shooting an unarmed man in Wichita, Kan.

Barriss pleaded guilty to a total of 51 charges as part of a plea deal. He will be sentenced in January, The Associated Press reports.

Prosecuting U.S. Attorney Stephen McAllister told The Wichita Eagle he will recommend that Barriss be sentenced to 20 years in prison, providing he writes apology letters to police, dispatchers and the family of Andrew Finch, a 28-year-old father of two who was shot by police who responded to the hoax call in December.

(15) EXO MARKS THE SPOT. “Exoplanet discovered around neighbouring star” – the second-closest ever found. (If we leave right away we can get there in… never mind.)

The planet’s mass is thought to be more than three times that of our own, placing it in a category of world known as “super-Earths”.

It orbits Barnard’s star, which sits “just” six light-years away.

(16) JOURNEY TO THE SURFACE OF THE EARTH. “Greenland ice sheet hides huge ‘impact crater'” — scroll down for discussion of entanglement with current recent-extinction hypotheses.

If the impact was right at near-end of the age window then it will surely re-ignite interest in the so-called Younger Dryas impact hypothesis.

The Younger Dryas was a period of strong cooling in the middle of the climatic warming that occurred as the Earth emerged from the height of last ice age.

Some have argued that an asteroid impact could have been responsible for this cooling blip – and the accompanying extinction of many animal groups that occurred at the same time across North America.

Others, though, have been critical of the hypothesis, not least because no crater could be associated with such an event. The Hiawatha depression is likely now to fan the dying embers of this old debate

(17) POSTED TO ORBIT. “Rocket Lab’s Modest Launch Is Giant Leap for Small Rocket Business” – the New York Times has the story.

A small rocket from a little-known company lifted off Sunday from the east coast of New Zealand, carrying a clutch of tiny satellites. That modest event — the first commercial launch by a U.S.-New Zealand company known as Rocket Lab — could mark the beginning of a new era in the space business, where countless small rockets pop off from spaceports around the world. This miniaturization of rockets and spacecraft places outer space within reach of a broader swath of the economy.

The rocket, called the Electron, is a mere sliver compared to the giant rockets that Elon Musk, of SpaceX, and Jeffrey P. Bezos, of Blue Origin, envisage using to send people into the solar system. It is just 56 feet tall and can carry only 500 pounds into space.

…The Electron, Mr. Beck said, is capable of lifting more than 60 percent of the spacecraft that headed to orbit last year. By contrast, space analysts wonder how much of a market exists for a behemoth like SpaceX’s Falcon Heavy, which had its first spectacular launch in February.

A Falcon Heavy can lift a payload 300 times heavier than a Rocket Lab Electron, but it costs $90 million compared to the Electron’s $5 million. Whereas SpaceX’s standard Falcon 9 rocket has no shortage of customers, the Heavy has only announced a half-dozen customers for the years to come.

(18) YOU’RE INVITED TO THE SHOWER. NPR tells you where to “Watch The Leonid Meteor Shower This Weekend”.

This year the shower of shooting stars is expected to peak late Saturday night and into Sunday morning.

Always occurring in mid-November, an average of about 15 meteors per hour streak across the night sky during the shower’s yearly peak, according to NASA.

The cascade will be competing with a waxing gibbous moon, so the best time to watch is after the moon has set but before dawn.

NASA suggests finding a viewing site far away from city or street lights and giving your eyes time to adjust to the darkness.

(19) TORUS TORUS TORUS. Vice claims “Apparently, Some People Believe the Earth Is Shaped Like a Donut” – which makes for some interesting astronomical GIF illustrations, like the one that explains the motion of the moon.

Yes, some people on the internet are arguing that Earth is neither flat, nor spherical, but torus-shaped, which is a fancy science word for something that looks like a donut. The idea first appeared on FlatEarthSociety.org in a 2008 thread started by a mysterious figure named Dr. Rosenpenis as a joke, but it was fleshed out in detail by FES trailblazer Varaug in 2012.

[Thanks to John King Tarpinian, Chip Hitchcock, JJ, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jayn.]

Pixel Scroll 11/5/18 Pixeltopia By James Scrolley

(1) VISIONS OF WFC 44. Ellen Datlow’s photos from World Fantasy Con 2018 are up on Flickr.

(2) DESIGNING WAKANDA. Black Panther designer Hannah Beachler spoke to the CityLab Detroit conference about what went into designing the capital city of Wakanda for the blockbuster movie. Social responsibility and connection to culture were critical in her designs of everything from street plans to public transit — “The Social Responsibility of Wakanda’s Golden City” at CityLab.

… It took ten months and 500 pages to design Golden City, the thriving Afrofuturist capital of Wakanda. The result is a stunning, complex metropolis that has delighted urbanist nerds and city-dwellers alike. Behind it all is Beachler, a production designer whose job is to act as “cinematic architect” and to create the “landscape of a story.”

…“You know what’s keeping us together: the connectivity of people, not the connectivity of users. We’re not users; we’re people, but we’ve convinced ourselves that we’re users,” she said. “So I took all of that, and I just chucked it out of Wakanda, because the people were the most important thing about it, and we’re forgetting it. And I think that’s why people responded to Wakanda on this massive level: people.”

(3) BOOK BUCKET BRIGADE. “A Store Had to Move Thousands of Books. So a Human Chain Was Formed” – the New York Times has the story:

The plea went out a few weeks ago from the bookstore in a port city in southern England: “Care to lend a hand?”

Volunteers were needed for “heavy manual work” in shifts. It was “essential” that they be able to lift and carry boxes and office supplies. Among the supplies: thousands upon thousands of books.

The appeal from October Books, a nonprofit that began 40 years ago as a “radical” bookshop, came after a rent increase forced it from its old home in Southampton, Jess Haynes, a member of the collective and one of the few paid employees, said on Wednesday.

The shop was looking to move lock, stock and barrel about 150 meters (just under 500 feet) to a three-story building that used to house a bank. Would anybody respond to the call for help?

This past Sunday, the bookstore got more than a helping hand — it got hundreds. A human chain began forming from the old October Books stockroom, snaking past 54 doors to the new building. The shop stopped counting after about 250 people showed up…

(4) GLASS UNIVERSE. Dava Sobel, the author of Longitude and Galileo’s Daughter, will be talking about her latest book The Glass Universe in the Johns Hopkins University/Applied Physics Laboratory (in Laurel, Maryland) on Friday, November 9 at 2 p.m. This talk is open to the public held at the Parsons auditorium (directions here). A summary of the talk is below (taken from this link):

Edward Pickering, who took over as director of the Harvard College Observatory in 1877, was a physicist, not an astronomer. Pickering quickly moved to expand activities beyond determining the positions of stars and the orbits of asteroids, moons, and comets. He invented new instruments for studying stellar brightness to help quantify the changes in variable stars. He introduced photography as a boon to celestial mapping and a key to characterizing the spectra of stars. The images that Pickering began amassing on glass plates in the late 19th century came to number in the hundreds of thousands and are currently being digitized to preserve their enduring value. Their abundance of pictures necessitated a special building to house them and a large team of assistants – nearly all women – to analyze them.

Pickering’s glass universe gave these women the means to make discoveries that still resonate today. Williamina Fleming, Antonia Maury, Henrietta Swan Leavitt, Annie Jump Cannon, and Cecilia Payne Gaposchkin, the most famous members of the group, all played a part in the early development of astrophysics.

(5) BABY. Heath Miller and Cat Valente share their parental discoveries:

(6) OPIE’S SPACE PROGRAM. [Item by Mike Kennedy.] At the Beeb (no, not this one), Science Editor Paul Rincon talked to Ron Howard, who was wearing his Executive Producer hat for the National Geographic series, Mars (Ron Howard: Creating vision of a future Mars colony). Season 2 begins 11 November.

“When I first began the series a couple of years ago, I thought it was a great idea to do an adventure about going to Mars and we should make it as real as we possibly could,” Mr Howard says.

“But I wasn’t sure I believed in the idea of going to Mars. I knew I believed in the idea of space exploration… and any show that advocated that was making a statement that was healthy and positive for human beings – to inspire their imaginations to look outward.

“But as I have gone through the process of working on the show and interviewing some of the big thinkers, I now really do believe in it strategically – I don’t mean that from a military standpoint, I mean it from the point of the ongoing evolution of the human species… I not only believe it’s viable, I’m a big supporter.”

Season one of Mars followed the crew of the spacecraft Daedalus, as the astronauts attempted to create a pioneer settlement on the Red Planet in 2033. Season two is set nine years later and follows the fortunes of the first fully-fledged colony. The script tackles the everyday challenges of the settlers, including the first births on the Red Planet, outbreaks of disease and mechanical breakdowns.

(7) ARMSTRONG AUCTION RESULTS. NBC News totes up the results: “Neil Armstrong memorabilia fetches $7.5 million at auction”.

Dallas-based Heritage Auctions says the item that sold for the highest price, $468,500, at Saturday’s auction was Armstrong’s spacecraft ID plate from Apollo 11’s lunar module Eagle. Also sold were a fragment from the propeller and a section of the wing from the Wright brothers’ Flyer, the first heavier-than-air self-powered aircraft, which each sold for $275,000.

The flight suit Armstrong wore aboard Gemini 8, the 1966 mission that performed the first docking of two spacecraft in flight, brought the astronaut’s family $109,375.

(a) In a separate auction, a gold-colored Navy aviator’s helmet once owned by John Glenn, the first American to orbit the earth, sold for $46,250.

(b) It appears there were some flown artifacts in the Armstrong auction (but not the Glenn auction)

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and JJ.]

  • Born November 5, 1903 – H. Warner Munn, Writer and Poet known in genre for his early stories in Weird Tales in the 20s and 30s, his Atlantean/Arthurian fantasy saga, and his later stories about The Werewolf Clan. After making two mistakes in his first published genre story, he compensated by becoming a meticulous researcher and intricate plotter. His work became popular again in the 70s after Donald Wollheim and Lin Carter sought him out to write sequels to the first novel in his Merlin’s Godson series, which had been serialized in Weird Tales in 1939, and they published those novels as part of their Ballantine and Del Rey adult fantasy lines. The third novel in the series received World Fantasy and Mythopoeic Award nominations, he himself was nominated three times for the World Fantasy Award for Life Achievement, and he was Guest of Honor at the 1978 World Fantasy Convention. He won the Balrog Award for Poet twice in the 80s, and received the Clark Ashton Smith Award for Poetry.
  • Born November 5, 1938 – James Steranko, 80, Artist, Illustrator, Writer, Publisher, and Magician who is noted for his work in the comic book and graphic novel industry. His breakthough was the Nick Fury, Agent of S.H.I.E.L.D. feature in Marvel Comics’ Strange Tales, and the subsequent series, in the 60s. His design sensibility would become widespread within and without the comics industry, affecting even Raiders of the Lost Ark and Bram Stoker’s Dracula, for which he created conceptual art and character designs. He also produced several dozen covers and illustrations for genre novels and anthologies in the 60s and 70s. His two-volume history of the birth and early years of comic books established him as a historian of the field. He received and Inkpot Award and Dragon Con’s Julie Award, and was inducted into the Will Eisner Comic Book Hall of Fame in 2006.
  • Born November 5, 1940 – Butch Honeck, 78, Sculptor and Fan who learned mechanics, welding, machining, and metal finishing as a teenager, then went on to build a foundry and teach himself to cast bronze so he could create shapes that were too complex for welding. His bronze fantasy sculptures, which depict dragons, mythical creatures, wizards, and other fantasy-oriented themes, use the lost wax method with ceramic shell molds and are characterized by intricate details, mechanical components, humor, and surprise. He has been Artist Guest of Honor at several conventions, was named to Archon’s Hall of Fame, and won a Chesley Award for Best Three-Dimensional Art.
  • Born November 5, 1942 – Frank Gasperik, Writer, Filker, and Fan who was a close friend to Larry Niven and Jerry Pournelle. He was Tuckerized as a character in several novels, including in Lucifer’s Hammer as Mark Czescu, in Footfall as Harry Reddington (aka Hairy Red), and in Fallen Angels. His own genre writing in collaboration with filker Leslie Fish resulted in a novella in Pournelle’s Co-Dominium universe, and an unfinished work which Fish completed for him after his death, at John F. Carr’s request. He was a well-known filker in that community; here he is doing “The Green Hills of Earth”. He died in 2007.
  • Born November 5, 1944 – Carole Nelson Douglas, 74, Writer and Editor who has produced a fantasy series and several genre series which are mysteries with a supernatural twist, including one which showcases Arthur Conan Doyle’s minor Sherlockian character Irene Adler as a brilliant investigator. But I’m here to pitch to you her SJW credential series instead (and dissenters can now go elsewhere) in the form of her Midnight Louie series, which was inspired by a classified ad seeking an adoptive home for a big black cat. Each novel is told in part from the point of view of Midnight Louie; the cat himself speaks in a style which some say is like that of a Damon Runyon character. Great dearies, lovely premise.
  • Born November 5, 1958 – Robert Patrick, 60, Actor and Producer best known in genre as FBI Special Agent John Doggett in The X-Files series, as the T-1000, the main adversary of Terminator 2: Judgment Day, and a main role in the alien abduction movie Fire in the Sky  –  all of which netted him Saturn nominations. He has had a main role in the TV series Scorpion, and recurring roles in True Blood and From Dusk till Dawn. He has also appeared in a lengthy list of genre movies, including The Last Action Hero, Asylum, Future Hunters, Warlords from Hell, Alien Trespass, and Double Dragon, and episodes of Stargate: Atlantis, Lost, Tales from the Crypt, and The (new) Outer Limits.
  • Born November 5, 1960 – Tilda Swinton, 58, Oscar-winning Actor who is well-known to genre fans as the evil White Witch in the Chronicles of Narnia films, for which she received a Saturn nomination; roles in the films The Curious Case of Benjamin Button and Doctor Strange won her Saturn trophies. She played the long-lived main character in Orlando, computing pioneer Ada Lovelace in the film Conceiving Ada, and had parts in Constantine, Snowpiercer, The Zero Theorem, and the upcoming zombie comedy The Dead Don’t Die.
  • Born November 5, 1964 – Famke Janssen, 54, Actor who started out as a fashion model, and then had an acting career breakthrough as an unknown in an episode of Star Trek: The Next Generation. This was followed quickly by appearances in genre films Lord of Illusions, Deep Rising, and House on Haunted Hill, then her 15-year genre role as Jean Grey / Phoenix in the numerous X-Men films, for which she won a Saturn Award. Since then, she has had main roles in the horror series Hemlock Grove and the supernatural social media film Status Update.
  • Born November 5, 1968 – Sam Rockwell, 50, Oscar-winning Actor who is probably best known as !Spoiler alert! (just kidding) Guy Fleegman, a redshirt in the Star Trek homage Galaxy Quest, whose character initially simply exists for comic relief but transcends that casting by the end of the Hugo-winning film. He also played Zaphod Beeblebrox in The Hitchhiker’s Guide to the Galaxy, had parts in The Green Mile, Iron Man 2, Teenage Mutant Ninja Turtles, and Cowboys & Aliens, and voice a lead role as a guinea pig in the animated Disney film G-Force.

(9) COMICS SECTION.

  • Off the Mark cleverly juxtaposes James Bond and Poe to trigger this punchline.

(10) MALIBU TREK. Deadline found a home on the market with some celebrity history in its own right: “‘Star Trek: The Next Generation’ Home For Sale In Malibu, Part Of ‘The Survivors’ Episode”.

(a) House is listed for $5.695 million

(b) This appears to be the listing — https://www.coldwellbankerhomes.com/ca/malibu/27553-pacific-coast-hwy/pid_27011186/

(c) A photo from that listing is:

(11) LOOKING FOR THE GOLDEN AGE. David M. Barnett (@davidmbarnett) of the UK-based Independent newspaper uses Alec Nevala-Lee’s Astounding as a jumping-off point to explore the ongoing diversification of science fiction authorship and audiences. In “Out of this world: The rise and fall of Planet Sci-fi’s ‘competent man’” he offers a perspective on John W. Campbell’s legacy, both negative and positive, and puts recent events in science fiction fandom in context for a popular audience. Registration required.

Campbell was what he was, and he did what he did. He didn’t create science fiction, nor did he own it. It was an important period in history, but one that has passed. Science fiction today is new and wondrous and inclusive, and perhaps, in years to come, historians will be referring to this, not the Campbell era, as the true Golden Age.

(12) APOCALYPSE TUESDAY. The Rumpus says this is “What to Read When the World Is Ending”. A few sff works made the list.

…The above cataloguing of recent atrocities isn’t exhaustive. If the world isn’t truly ending, it’s certainly in the midst of several significant crisis. And in moments of crises, we at The Rumpus find solace in, and draw strength from, literature. Below is a list of books our editors think are especially appropriate to read right now, in this fraught political moment….

Who Fears Death by Nnedi Okrafor
In a post-apocalyptic Africa, the world has changed in many ways; yet in one region genocide between tribes still bloodies the land. A woman who has survived the annihilation of her village and a terrible rape by an enemy general wanders into the desert, hoping to die. Instead, she gives birth to an angry baby girl with hair and skin the color of sand. Gripped by the certainty that her daughter is different—special—she names her Onyesonwu, which means “Who fears death?” in an ancient language. Even as a child, Onye manifests the beginnings of a remarkable and unique magic. As she grows, so do her abilities, and during an inadvertent visit to the spirit realm, she learns something terrifying: someone powerful is trying to kill her.

(13) ARE YOU TRACKING WITH ME? There will be a Traincon to the 2019 NASFiC / Westercon / 1632 Minicon happening in Layton, UT next July. Well, two Traincons might be more accurate, since organizers want to have one running to the con from Chicago and another from the San Francisco Bay Area (and return). More information at the link.

Join your fellow fans on Amtrak for the trip to Spikecon and then back home. We’ll have fun on the train, getting together periodically to discuss SF, the con, or anything that comes to mind. Games and filk, too, if anyone is so inclined – all with old friends and new. While you’re at it, don’t forget to enjoy the beautiful scenery. The train from the Bay Area (Traincon West) crosses the Sierra Nevada, the one from Chicago (Traincon East) crosses the spectacular Rockies, both in full daylight.

There will be no group reservation for this Traincon; members will need to make their own individual Amtrak reservations; early reservations are recommended for the best prices…..

The organizers are Bill Thomasson and Nancy Alegria.

(14) HOTEL WATCHING IN NZ. The Comfort Hotel in Wellington (venue for some recent NZ NatCon’s and about a km from WorldCon venues) will be renamed and refurbished.

Renovations for the 115-room Comfort Hotel will begin after March 2019 with expected completion at the end of that year, for rebranding as Naumi Heritage Wellington.

The Quality Hotel renovations will also be completed about the same time, and be rebranded as Naumi Suites Wellington with 62 rooms.

…The theme of the hotel refurbishments in Wellington will be “romantic Edwardian age meets literary bohemian”, according to a Naumi media statement – “a space that embraces diversity and steadfastly refuses to be boring”.

(15) LOVE OFF THE CLOCK. SYFY Wire’s “FanGrrls” columnist Alyssa Fiske extols “The appeal of the time-travel romance”:

While some may accuse the genre of being formulaic (fools), romance does indeed have some of the greatest tropes of any kind of story. Enemies to lovers, fake dating becoming real, the good old “oh no there’s only one bed in this hotel room I guess we have to share,” all of these tropes are at once familiar and thrilling. The building blocks may be the same, but each swoony outcome has its own sense of magic.

In particular, time travel and other time-related complications pop up again and again. Whether they’re communicating via time bending mailbox (The Lake House), kept apart by centuries as a plastic centurion (Doctor Who), or powered by genetic anomalies both charming (About Time) and devastating (The Time Traveler’s Wife), this obstacle has long been a popular stalwart in the romantic canon.

(16) GHOST MOONS. NBC News goes for the clicks with its headline “‘Ghost moons’ discovered in orbit around Earth”. These are patches of “dust” at the Earth-Moon L4 & L5 (Lagrange) points

Astronomers in Hungary say they’ve detected a pair of what some call “ghost moons” orbiting our planet not far from the moon we all know.

The hazy clouds of dust — tens of thousands of miles across but too faint to be seen with the naked eye — were first detected almost 60 years ago by a Polish astronomer, Kazimierz Kordylewski. But the patches of light he found were too indistinct to convince some scientists that the clouds were really there, and the existence of the “Kordylewski clouds” has long been a matter of controversy.

Now the astronomers, Gabor Horvath and Judit Sliz-Balogh of Eötvös Loránd University in Budapest, have obtained clear evidence of the clouds using a specially equipped telescope in a private observatory in western Hungary.

(17) MORE IMPORTANT — IRON OUTSIDE OR IRON INSIDE? [Item by Mike Kennedy.] At the A.V. Club, Tom Breihan is considering “the most important superhero movie of every year” in a series entitled “Age of Heroes.” Breihan is up to 2008 and asks, “Does the most important year for superhero movies belong to The Dark Knight or Iron Man?

Midway through Christopher Nolan’s 2008 movie The Dark Knight, the Joker gets himself arrested so that he can then break out of his holding cell and continue his grand experiment in human darkness. While he’s locked up, he’s placed in the custody of the Major Crimes Unit, the police force that’s supposedly been devoted to locking up Batman. In the movie, people keep referring to the Major Crimes Unit as the MCU. As in: “There’s a problem at the MCU!” Watching it today, you might hurt your neck doing double-takes at those initials every time. The Dark Knight, as it happens, came out at the last moment that “MCU” could possibly refer to anything related to Batman.

Today, of course, we know the MCU as the Marvel Cinematic Universe, the steamrolling blockbuster-generating engine that has become the dominant commercial force in all of moviemaking. It was never a given that the Marvel Cinematic Universe would work. By the time the people at Marvel got around to establishing their own movie studio, they’d already sold off the rights to many of their most-famous characters: Spider-Man, the X-Men, the Fantastic Four. Only the relative dregs were left over, and nobody knew whether a relatively minor character like Iron Man could anchor a whole movie, let alone a franchise. It was a gamble.

It was a gamble, too, to cast Robert Downey Jr., a faded star who’d spent years battling his personal demons. […]

Breihan lavishes much praise on Iron Man and notes how well it set up much of the Marvel Cinematic Universe that followed, but in the end he picks The Dark Knight as the more important movie. His reasoning may surprise you and you may or may not agree with it. In part, he say:

[…] The Dark Knight made money, too; it was the highest-grossing movie of 2008. But it didn’t just make money. It was, in its moment, widely hailed as something resembling a masterpiece. When, for instance, the Academy of Motion Picture Arts And Sciences failed to nominate The Dark Knight for a Best Picture Oscar, there was such a wide public outcry that the Academy changed its roles to allow for more nominees. That is an impact.

It should probably be noted that Breihan doesn’t believe The Dark Knight actually was a masterpiece, but that doesn’t diminish the impact such a perception may have had in the moment. Some of Breihan’s highest praise goes to Heath Ledger’s performance (sadly, his last) as the Joker.

[…] Ledger is legitimately disgusting: dirty and scarred-up, with yellow teeth and a tongue that’s constantly darting in and out of his mouth, like a lizard’s. But he’s magnetic, too. He tells different stories about his scars, just so we’ll know that he’s always lying. He confounds criminals as badly as he does police. He dances his way through a hospital explosion and intimidates a roomful of mob bosses. His voice—the best description I can manage is a tweaked-out Richard Nixon impression—is chilling and alien. And he seems to be in love with Batman in ways that make even Batman uncomfortable: “Don’t talk like you’re one of them. You’re not.”

Besides Iron Man and The Dark Knight, Breihan devotes a fat paragraph to a handful of other superhero movies from 2008, plus a sentence or two to several others. Finally, he promises a look at 2009’s Watchmen in the next Age of Heroes installment.

(18) GAIMAN’S SANDMAN. NPR’s Etelka Lehoczky on a new printing of Neil Gaiman’s Preludes and Nocturnes: “Enter ‘Sandman’: Anniversary Edition Celebrates 30 Years Of Dream-Spinning”.

When Neil Gaiman first envisioned the Sandman, the supernatural dream lord he created 30 years ago, he thought about prison. “Before I even knew who he was,” Gaiman writes in the afterword to The Sandman Vol. 1: Preludes and Nocturnes, he had the image of “a man, young, pale and naked, imprisoned in a tiny cell, waiting until his captors passed away, willing to wait until the room he was in crumbled to dust.”

Dreams and imprisonment? It’s not a connection most would make. True, dreams are just about the only thing a prisoner has of his own, but it seems odd to imagine the bringer of dreams himself trapped in a cell. As so often happens with Gaiman, though, meditating upon one of his intuitions leads you to a whole new way of thinking

(19) TUNING UP DEADPOOL. Daniel Dern recommends “Deadpool The Musical 2 – Ultimate Disney Parody!”. “The songs aren’t the best… but, among other things, it’s arguably one of the best representations of the X-Men (about halfway in), and many of the Avengers. And the last minute or two is great.”

[Thanks to Chip Hitchcock, Cat Eldridge, JJ, John King Tarpinian, Olav Rokne, Errolwi, Martin Morse Wooster, Mike Kennedy, Carl Slaughter, Michael J. Walsh, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Soon Lee.]