If You Love The Nasfic, Set It Free

By Tammy Coxen: It is time to remove the NASFiC from the WSFS constitution. But maybe something new and better can rise instead.

In 2014, I was chair of Detcon1, the highly acclaimed Detroit NASFiC. On the heels of that, I submitted a proposal to the business meeting to give Hugo nomination rights to NASFiC members, because I thought that creating a stronger and more supported NASFiC would ultimately help the Worldcon. Here’s what I wrote in 2014:

Because of its suitability for smaller markets that do not have the facilities or concentration of people necessary to bid for or run a Worldcon, NASFiCs have great potential to be a pathway for exposing new fans to WSFS, Worldcons, and international fandom. NASFiCs also play an important skill building role in running bids and in operating more complex organizational structures than many regional conventions. However, under the current model, there is limited formal connection to WSFS. Extending limited WSFS rights to NASFiC members would give those members a pathway for building engagement with WSFS and the Worldcon, ultimately strengthening the Worldcon.

At its best, everything I wrote about the NASFiC then is true. But since 2014, we have failed to see another NASFiC come close to living up to this potential.

Since then, both fandom and the world have changed dramatically. When the NASFiC was first proposed and selected, the vast majority of Worldcons were held within the United States. The vast majority of Worldcon attendees were American. International travel was more difficult and expensive. None of those things is true anymore.

In the last 10 years, fully half of Worldcons have been outside North America. Only two American locations have so far declared an intention to bid in the next 8 years. The largest Worldcons to-date have been held outside of North America. The Worldcon is international, and travel is more accessible for Americans than ever, so why is WSFS still carving out a special accommodation for North America? It’s unnecessary, and worse, perpetuates the idea that the Worldcon is really “an American thing” and Americans are most important to WSFS.

It is time to take the NASFiC out of the WSFS Constitution. One of the arguments made for keeping it in has been that if there was a US National Convention that ran annually, it would compete with the Worldcon. But I do not think Worldcon needs this protection.

I do think there is a role for an annual US National Convention. (Yes, that’s technically different from the NASFiC, but Canada already has a national convention, and the rest of North America was really only ever included as a technicality.) It could do many of the things I thought NASFiCs could do in 2014, like give people experience with bidding and running larger conventions, which American Worldcon bids could then draw on. But the current intermittent nature of the NASFiC does not help it build an audience of regular attendees and supporters.

So if you love the NASFiC, why not set it free and see if it can fly on its own?

Here’s what I’d like to see. Supporters of an American National Convention (let’s call it Americon for now) should come together and develop a plan for what future Americons should look like. I think a model where existing conventions bid to host the year’s Americon would be a great model, and help strengthen ties between US conrunning groups that have weakened considerably in the past decade. But it could also be a standalone convention, if the organization thinks that will have a better chance of success. I’m willing to be part of this group.

That group should bring a proposal to Glasgow in 2024 to remove NASFiC from the constitution and establish Americon. I’d envision it going like this:

2024 – first passage of constitutional amendment

2025 – ratification of constitutional amendment

2026 – The Worldcon (if in the US) or the NASFiC (if there is one) administers one last election to pick a site for the 2027 Americon

2027 – That site chooses locations for 2028 and 2029 (because if not tied to the Worldcon selection timing, a two-year lead makes more sense)

2029 onwards – each site runs site selection for the 2-year hence Americon

And then we see what happens. Hopefully we get a vibrant community forming around Americon, and getting excited by the new people it brings to their region. Hopefully we get US conrunning groups sharing best practices and learning from each other. Hopefully we get locations thinking “wow, it was really fun to have folks from around the country here, wouldn’t it be neat if we also had people from all over the world” and launching Worldcon bids. But WSFS isn’t needed for any of that, and it should get out of the way.

(With thanks to Michael Lee, on whose wall and with whose help a lot of these ideas were hammered out. And to Brian Nisbet, who says that that the timeline was his idea and I just don’t remember because there were cocktails at the time. Which is, you know, entirely plausible.)

Update 10/25/2023: Added new introductory paragraph.

Pixel Scroll 9/12/23 For Us, the Scrolling

(1) MICHAEL CHABON SUES META OVER AI COPYRIGHT INFRINGEMENT. At The Hollywood Reporter:“Meta, OpenAI Class Action Lawsuit: Novel Authors Claim Infringement”.

Michael Chabon and other decorated writers of books and screenplays sued Meta on Tuesday in California federal court in a lawsuit accusing the company of copyright infringement for harvesting mass quantities of books across the web, which were then used to produce infringing works that allegedly violate their copyrights. OpenAI was sued on Sept. 8 in an identical class action alleging the firms “benefit commercially and profit handsomely from their unauthorized and illegal” collection of the authors’ books. They seek a court order that would require the companies to destroy AI systems that were trained on copyright-protected works.

…As evidence that AI systems were fed authors’ books, the suit points to ChatGPT generating summaries and in-depth analyses of the themes in the novels when prompted. It says that’s “only possible if the underlying GPT model was trained using” their works.

“If ChatGPT is prompted to generate a writing in the style of a certain author, GPT would generate content based on patterns and connections it learned from analysis of that author’s work within its training dataset,” states the complaint, which largely borrows from the suit filed by [Paul] Tremblay.

And because the large language models can’t operate without the information extracted from the copyright-protected material, the answers that ChatGPT produces are “themselves infringing derivative works,” the lawsuit against Meta says….

(2) CHENGDU PROGRAM PARTICIPANTS. File 770 asked Chengdu Worldcon committee member Joe Yao for a list of the people who have been added as Worldcon guests since the recent offer of help went out. No names were provided, however, Yao made this statement:

We kept inviting guests from both China and abroad, and now we have about 500 guests confirmed to come. They will attend some key events including the opening ceremony, Hugo ceremony and the closing ceremony, and they will also participate in programs as either guests or speakers. My team is working closely with the overseas team on programs and we have drafted a mastersheet of the programs. It will be confirmed and released soon.

(3) BARRIERS TO TRAVEL. Oghenechovwe Donald Ekpeki commented on Facebook about the challenges of getting a visa.

Nigerian passport & visa issues. Recently found out the Italian visa app has more requirements than US. Then I thought maybe China’s. Someone just told me that’s harder than the US’s. Germany might not give you visa even on their chancellor’s request. Is there any one that’s easy (possible) for a Nigerian?

When I was in the US, anytime Africans saw I was on a b1-b2 visa they used to be shocked out of their skulls. Like you find someone with the complete infinity gauntlet and stones. So for all these to be harder, Lol.

It’s really something to be a Nigerian that isn’t chained down and utterly grounded. Meanwhile what it took to get my US visa & the price I had to and still pay for it gifted me PTSD and damage I might never be able to afford treatment for. But hey, na me wan dream. Lol

(4) NASFIC MINUTES AVAILABLE. [Item by Kevin Standlee.] The minutes of the NASFiC WSFS Business Meeting at Pemmi-Con are now published on the WSFS Rules page here. (Scroll down to “MINUTES of the 2023 WSFS Business Meeting of the 15th NASFiC”.)

(5) ABRAHAM AND FRANCK Q&A. Award-winning sci-fi writers Daniel Abraham and Ty Franck talk with Meghna Chakrabarti about the world they created in The Expanse and what they’re working on next. “’The Expanse’ authors on ‘the importance of complicating people’” at WBUR.

(6) INTERNET ARCHIVE APPEALS TO HIGHER COURT. “Internet Archive Files Appeal in Copyright Infringement Case”Publishers Weekly has details.

As expected, the Internet Archive this week submitted its appeal in Hachette v. Internet Archive, the closely watched copyright case involving the scanning and digital lending of library books.

In a brief notice filed with the court, IA lawyers are seeking review by the Second Circuit court of appeals in New York of the “August 11, 2023 Judgment and Permanent Injunction; the March 24, 2023 Opinion and Order Granting Plaintiffs’ Motion for Summary Judgment and Denying Defendant’s Motion for Summary Judgment; and from any and all orders, rulings, findings, and/or conclusions adverse to Defendant Internet Archive.”

The notice of appeal comes right at the 30-day deadline—a month to the day after judge John G. Koeltl approved and entered a negotiated consent judgment in the case which declared the IA’s scanning and lending program to be copyright infringement, as well as a permanent injunction that, among its provisions, bars the IA from lending unauthorized scans of the plaintiffs’ in-copyright, commercially available books that are available in digital editions.

“As we stated when the decision was handed down in March, we believe the lower court made errors in facts and law, so we are fighting on in the face of great challenges,” reads a statement announcing the appeal on the Internet Archive website. “We know this won’t be easy, but it’s a necessary fight if we want library collections to survive in the digital age.”…

(7) GARETH EDWARDS VIRTUAL CONVERSATION. MIT Technology Review will hold an online event “Humanity and AI: A conversation with the director of ‘The Creator’” at LinkedIn on Thursday, September 14, 2023, at 2:30 p.m. Eastern. Appears that LinkedIn registration is required.

As many today try to imagine the future of our world with artificial intelligence, MIT Technology Review’s senior editor of AI, Melissa Heikkilä, speaks with Gareth Edwards, director of the upcoming sci-fi epic “The Creator,” about the current state of AI and the pitfalls and possibilities ahead as this technology marches toward sentience. The film, releasing September 29th and starring John David Washington and Gemma Chan, imagines a futuristic world where humans and AI are at war and fundamentally explores humanity’s relationship with AI, what it means to be human, and what it means to be alive.

(8) THE HEINLEIN SOCIETY. These are the new Officers for The Heinlein Society:

The Board of the Society voted [September 11] for its new leadership & Executive Committee effective immediately:

  • President & Chairman: Ken Walters
  • Vice President: Walt Boyes
  • Treasurer: Geo Rule
  • Secretary: Betsey Wilcox

Congratulations to all of them! 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 12, 1897 Walter B. Gibson. Writer and professional magician who’s best known for his work creating and being the first and main writer of the pulp character The Shadow with The Living Shadow published by Street & Smith Publications in 1933 being the first one. Using the pen-name Maxwell Grant, he wrote 285 of the 325 Shadow stories published by Street & Smith in The Shadow magazine of the Thirties and Forties. He also wrote a Batman prose story which appeared in Detective Comics #500 and was drawn by Thomas Yeates. (Died 1985.)
  • Born September 12, 1921 — Stanisław Lem. He’s best known for Solaris, which has been made into a film three times. The latest film made off a work of his is the 2018 His Master’s Voice (Glos Pana In Polish). The usual suspects have generous collections of his translated into English works at quite reasonable prices. (Died 2006.)
  • Born September 12, 1940 John Clute, 83. Critic, one of the founders of Interzone (which I avidly read) and co-editor of the Encyclopedia of Science Fiction (with Peter Nicholls) and of the Encyclopedia of Fantasy (with John Grant) as well as writing the Illustrated Encyclopedia Of Science Fiction. All of these publications won Hugo Awards for Best Non-Fiction. And I’d be remiss not to single out for praise The Darkening Garden: A Short Lexicon of Horror which is simply a superb work.
  • Born September 12, 1942 Charles L. Grant. A writer who said he was best at what he called “dark fantasy” and “quiet horror”. Nightmare Seasons, a collection of novellas, won a World Fantasy Award, while the “A Crowd of Shadows” short garnered a Nebula as did “A Glow of Candles, a Unicorn’s Eye” novella. “Temperature Days on Hawthorne Street” story would become the Tales from the Darkside episode “The Milkman Cometh”. Both iBooks and Kindle have decent but not outstanding selections of his works including a few works of Oxrun Station, his core horror series. (Died 2006.)
  • Born September 12, 1952 Kathryn Anne Ptacek, 71. Widow of Charles L. Grant. She has won two Stoker Awards. If you’re into horror. Her Gila! novel is a classic of that genre, and No Birds Sings is an excellent collection of her short stories. Both are available from the usual suspects. She is the editor and publisher of the writers-market magazine The Gila Queen’s Guide to Markets
  • Born September 12, 1952 — Neil Peart. Drummer and primary lyricist for the prog-rock, power-trio band Rush. Neil incorporated science fiction and fantasy elements into many of Rush’s songs.  An early example is “By-Tor and the Snow Dog” from the Album “Fly By Night”.  The entire first side of the 2112 album (back when albums had sides) was the 2112 suite telling the dystopian story of a man living in a society where individualism and creativity are outlawed.  Neil is a genre author having co-written The Clockwork Angels series with Kevin J. Anderson.  (Died of glioblastoma, 2020.) (Dann Todd) 
  • Born September 12, 1965 Robert T. Jeschonek, 58. Writer for my purposes of both genre and mysteries. He’s written short fiction set in the Trek universe. He’s also written fiction set in the BattletechCaptain MidnightDeathlandsDoctor WhoStarbarian Saga and Tannhauser universes. We really need a concordance to all these media universes. Really we do. 

(10) COMICS SECTION.

  • Candorville is where an author claims to focus on the positive. But does he?

(11) WESTERCON 75 ANNOUNCEMENT. Arlene Busby, chair of the cancelled Westercon 75, announced today that all membership refunds have been issued. Also, the transfers have been completed for all those members who requested that their membership monies be transfer to Loscon 49.

Similarly, refunds have been issued to all Dealers who requested them. And transfers have been completed for Dealers who requested their fees be transferred to Loscon 49.

Busby adds, “We thank everyone for their support and patience in getting all these transactions processed. If you have any questions please contact me at [email protected].”

(12) TREK THEME PERFORMED IN CHINA. From the Beijing Star Trek Day event mentioned in the September 9 Scroll comes this a video of the Michael Giacchino Star Trek theme performed on traditional Chinese instruments – see it on Weibo

(13) PULITZER PRIZE ELIGIBILITY UPDATED. “Pulitzer Board Expands Eligibility for Authors” reports Publishers Lunch.

Beginning with the 2025 awards, which opens for submissions in spring 2024, the Pulitzer Prize board has changed the eligibility requirements for the books, drama and music awards to include “US citizens, permanent residents of the United States,” and authors for whom “the United States has been their longtime primary home.” Previously, only US citizens were eligible for the awards, with the exception of authors of history books, who could be of any nationality if their book was about US history. “For the sake of consistency,” the prize board said, history books must be written by US authors according to the new guidelines.

Books still must be “originally published in English in the United States.”

In “Pulitzer Prizes expand eligibility to non-U.S. citizens”, the Los Angeles Times amplifies how the change was brought about.

…Following an August petition on the literary sites Literary Hub and Undocupoets to reconsider the U.S. citizenship requirements for the arts prizes, the Pulitzer board addressed the issue….

The petition, which was signed by many prominent authors, was created in part because of the passionate case that author Javier Zamora made against the Pulitzer’s U.S. citizen requirements in a De Los opinion piece titled “It’s time for the Pulitzer Prize for literature to accept noncitizens.”…

(14) GREG JEIN COLLECTION TO AUCTION. Model and miniature-maker Greg Jein, who died last year, had an extraordinary collection of iconic sf props and costumes, which are now going under the hammer: “’Star Wars’ Red Leader X-Wing Model Heads A Cargo Bay’s Worth Of Props At Auction” at LAist.

…The intricately made starfighter brought millions of people along for the ride as a group of plucky Rebel pilots assaulted the Death Star. Now the Star Wars scale model is being sold at auction, with bids starting at $400,000.

The “Red Leader” (Red One) X-wing Starfighter from 1977’s Star Wars: A New Hope is “the pinnacle of Star Wars artifacts to ever reach the market,” says Heritage Auctions, which is handling the sale as part of a trove of science fiction props, miniatures and memorabilia.

The X-wing tops the auction list, but it’s far, far from alone: It was found in the expansive collection of Greg Jein, an expert craftsman who was as skilled at bringing futuristic stories to life as he was devoted to preserving the models and props used to bring strange new worlds to TV and film.

…More than 550 items from Jein’s collection are now heading to auction, from Nichelle Nichols’ iconic knee-high boots and red tunic as Lt. Uhura to Leonard Nimoy’s pointy ears as Spock. A hairpiece for William Shatner’s Captain Kirk and Lt. Sulu’s golden tunic are also up for sale….

There’s more information in the Heritage Auctions press release: “Mother Lode From the Mothership: Model-Making Legend Greg Jein’s Collection Beams Up to Heritage”.

…Jein also preserved Spock’s ka’athyrathe Vulcan lute strummed in a handful of Original Series episodes, including “Amok Time ” and “The Conscience of the King “; the ray generator called into duty during several Original Series episodes; and the Universal Translator that Kirk used to talk to the Gorn in “Arena. “ There’s something for fans of nearly every episode of The Original Series, from the ahn-woon of “Amok Time “ to the agonizer used in “Mirror, Mirror” to The Great Teacher of All the Ancient Knowledge intended to restore “Spock’s Brain.” The Trek offerings in The Greg Jein Auction are nearly as vast as the final frontier itself….

(15) IN THE SPIRIT OF PHILIP K. DICK. A discussion with 81st Worldcon Chair He Xi and multidisciplinary sci-fi artist Yin Guang, “HUGO X: 2”, a Chengdu Worldcon Talkshow, closes with the jolly speculation that carbon-based life will be the scaffolding for silicon-based life – artificial intelligence – and when that building is built, “you’ll be torn down.”

[Thanks to SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, Kevin Standlee, Ersatz Culture, Daniel Dern, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Brian Z.]

Buffalo NASFiC 2024 Announces Guests of Honor

The bid for Buffalo, NY – the only bid filed for the 2024 NASFiC – today was officially announced the winner of the site selection vote at a business meeting held during Pemmi-Con in Winnipeg. The WSFS Constitution provides for a NASFiC (North American Science Fiction Convention) to be held in years that the Worldcon is held outside North America, as it will be again next year.

Buffalo NASFiC 2024 will be held July 18-21 at the Hyatt Regency Buffalo and the Niagara Convention Center. The con will be chaired by Wayne Brown. Their website is here.

The convention’s Guests of Honor are:

ALAN DEAN FOSTER – AUTHOR GUEST OF HONOR

Alan Dean Foster

Alan Dean Foster’s writing career began when August Derleth bought a long Lovecraftian letter of Foster’s in 1968 and much to Foster’s surprise, published it as a short story in Derleth’s bi-annual magazine The Arkham Collector. Sales of short fiction to other magazines followed. His first attempt at a novel, The Tar-Aiym Krang, was bought by Betty Ballantine and published by Ballantine Books in 1972. It incorporates a number of suggestions from famed SF editor John W. Campbell.

Since then, Foster’s sometimes humorous, occasionally poignant, but always entertaining short fiction has appeared in all the major SF magazines as well as in original anthologies and several “Best of the Year” compendiums. His published oeurve includes more than 120 books.

NILAH MAGRUDER – YA/COMICS GUEST OF HONOR

Nilah Magruder

Nilah Magruder is based in Maryland. She is the author of M.F.K., a middle-grade graphic novel and winner of the Dwayne McDuffie Award for Diversity, HOW TO FIND A FOX, and WUTARYOO. She has published short stories in Fireside Magazine and the All Out: The No-Longer-Secret Stories of Queer Teens throughout the Ages anthology. Nilah has also written for Marvel Comics, illustrated children’s books for Disney-Hyperion, Scholastic, and Penguin, and works as a writer and storyboard artist in television animation. She is currently making graphic novels for middle-grade and young adult readers. When she is not working, Nilah is baking, gardening, and snuggling with her assortment of cats and dogs.

KAJA FOGLIO & PHIL FOGLIO – ARTIST GUESTS OF HONOR

Kaja Foglio is a Seattle-based writer, artist and publisher. She founded Studio Foglio, LLC in 1993 as a venue for her Magic the Gathering art prints, but quickly expanded into publishing. She co-writes the comic series Girl Genius with her husband Phil, and is the chief graphic designer and Web mistress for Studio Foglio and Airship Entertainment, and masterminded their stunningly successful transition to webcomic form. She won a Hugo award in 2009, 2010 and 2011 for Girl Genius along with her husband, Phil. You can read Girl Genius comics online at www.girlgenius.net.

Phil Foglio got his B.F.A. in Cartooning the same year he won the Hugo Award for Best Fan Artist back in 1977 and 1978 and is still waiting for the wealth and unlimited power he was told this would bring. In the meantime, he has made a career as a writer and artist because he liked the idea of commuting fifty feet to his office. Over the years he has worked in the fields of science fiction, comics, and gaming. His current project is the Hugo award winning comic book series Girl Genius, which he works on with his wife, Kaja. His hobbies include travel, gardening, and waiting.

TONY & SUFORD LEWIS – FAN GUESTS OF HONOR

Suford Lewis was active in LASFS and appeared in Westercon masquerades before going to Radcliffe in 1961 and joining MITSFS. Now in Boston, she is a founding member of the New England SF Association, has chaired Boskone, and was a member of TAPA. She is a computer scientist. Since 1968, she has been married to Tony Lewis, a physicist who is also a fan.

Tony Lewis is a longtime Boston fan who was born in Gotham City Hospital (he claims no relation to the Wayne family). He joined MITSFS in 1957 and was very active in the club while he earned a Ph.D. in Nuclear Physics from MIT, including serving as Librarian and Onseck. He was known as the Evil Dr. Lewis, a title he relished.

Buffalo Wins 2024 NASFiC Site Selection

The 2024 NASFiC Site Selection results were announced during the NASfiC Business Meeting held today in Winnipeg.

Buffalo, NY, the only filed bid, was voted the winner.

Martin Pyne, NASFiC Business Meeting Secretary, created the following table of voting statistics.


Write-ins receiving votes:

Grantville, WV
Kendall Park, NJ
Minneapolis in ‘73
Reno, NV
A bathroom full of boxes containing either top secret documents or Hugo Award voting results

“Precon” includes mailed ballots, eballots cast in advance of the convention, and hand-carried ballots.


Pyne reports that 142 ballots were paid for — 3 didn’t add their votes to the ballot box.

The 2024 Buffalo NASFiC website is here. Copies of their PR#0 are at the bottom of this post.

A video of today’s 2023 NASFiC Business Meeting is available on YouTube.

[Thanks to Martin Pyne for the story.]

2024 NASFiC Site Selection Opens

Pemmi-Con, this year’s NASFiC in Winnipeg, has posted the 2024 Site Selection ballot at their Site Selection page.

The only filed bid for the 2024 NASFiC is for Buffalo, NY. Their proposed dates are July 18-21, 2024. Details of their bid, including their organizing document and their facilities agreement with the Buffalo Niagara Convention Center and the Hyatt Regency Buffalo, can be found on the NASFiC Bids website or their bid webpage.

Other groups may file as write-in bids up until the close of at-convention voting, currently scheduled for Friday, July 21, 2023, 6 PM Central. To file a bid in advance of the convention, send it by email to [email protected].

Kevin Standlee provided the following explanation:

The 2024 NASFiC Site Selection ballot is posted with instructions on how to vote at the Pemmi-Con Site Selection page

Only members of Pemmi-Con can vote, although you can buy a membership before voting or by including a separate membership payment with a site selection ballot.

Ways to vote:

1. In person at Pemmi-Con, the 2023 NASFiC in Winnipeg. Voting will be open on Thursday, July 20 and Friday, July 21, 2023, and closes at 6 PM on July 21. Payment in person of the Advance Supporting Membership (voting) fee of CAD 40 / USD 30 can be in cash, cheque/check/money order, or by credit card. Credit card payments are processed in CAD.

2. Download  and print the 2024 NASFiC Site Selection ballot from the Site Selection page and send a completed ballot by postal mail to one of the addresses on the ballot. Postal ballots must be received by July 11. (Payment can be by CAD or USD checque/check/money order or by paying of a Voting Token online through the Pemmi-Con registration site.)

3. Download and print the 2024 NASFiC Site Selection ballot, purchase a Voting Token through the Pemmi-Con registration site, complete the ballot, scan/photograph it, and send the ballot to the Site Selection administration. Email ballots must be received by 4 PM on Friday, July 21.

4. Send a completed ballot with someone else to deliver to Site Selection in person in Winnipeg.

Pixel Scroll 5/7/23 East Is East And West Is West, And The Wrong One I Have Chose, Let’s Go Where They Keep On Wearin’, Those Files And Fifthers And Pixels And Scrolls

(1) CLARKESWORLD AGAIN DELUGED WITH AI MSS. Neil Clarke told Facebook readers today his magazine Clarkesworld has been inundated with another round of AI-produced submissions.

After a bit of a reprieve, we started getting hit hard with generated submissions/spam again this month. We’re approaching 300 for the month. This morning, I finally figured out where they were coming from. Took some effort to track down since the video (and its copycats) aren’t in English. Another make quick money scam, but this time targeting us specifically. The person behind it shows our website and even lingers around the “No ChatGPT” statements in the guidelines and submission form, before going to ChatGPT, generating, and submitting. He was previously banned for this, so he knows it won’t work. Have filed a complaint with YouTube, but I doubt they’ll do anything about it.

I’m not looking to start another round of the AI argument. It’s just our policy, like word count limits and genre restrictions.

I have upped our settings on my home-grown spam filter, so if you are submitting and use a proxy or VPN, you might find yourself with a slower response time.

(2) MEANWHILE, A CLARKESWORLD SUCCESS. Neil Clarke’s May Clarkesworld editorial says that when it comes to one of his sf-in-translation projects, “Something Went Mostly Right”.

…Finally, in early 2023, we were in a position to launch our pilot project. From January 15th through February 15th, we held our first open call for submissions written in Spanish, but never published in English.

The key element for this project was having a strong team that was well-aligned with our tastes and goals. I want to express my deepest gratitude to Nelly Geraldine Garcia-Rosas, Cristina Jurado, and Loreto ML for their time and work as part of the fiction team. They handled all of the first reading for the 1124 submissions we received, providing me with detailed summaries and personal assessments. From there, we narrowed the pile down to thirty-three works. Those endured a much more in-depth second round of consideration that ultimately led to the acceptance of eight stories that we will translate and publish over the course of next year.

In the interest of transparency, I want to explain how the second round evaluation process was carried out. Each of the thirty-three works was read by the entire team. In my case, that required the use of machine translation. These tools are horribly unreliable, but understanding that, I placed more emphasis on the reader’s description and team members’ individual feedback. Those bad translations often prompted me to ask more questions, which led to a better understanding of the strengths and weaknesses of each story. Just as with our English language submissions, there were strong works that were ultimately rejected because they didn’t fit our publication. (If there was a trend among those, it might have been that they drifted a bit further into horror than I typically like.)…

(3) WINNIPEG NASFIC WILL RAISE MEMBERSHIP RATES. Pemmi-Con, the 15th North American Science Fiction Convention, announced that membership rates will increase May 15. Full details at the link.

The convention is happening July 20-23 at the Delta Hotels Winnipeg and the RBC Convention Centre Winnipeg.

(4) WAIT, ARE WALLACE AND GROMIT JEDI NOW? [Item by Mike Kennedy.] Empire tells “How Aardman Took On Star Wars: The Making Of ‘I Am Your Mother’”.

Like all good Star Wars stories, it began with a vital transmission. Except, this one wasn’t from Princess Leia, nor was it delivered in the memory unit of an R2 droid.

It was, simply, a phone call to the offices of Aardman Animations – beamed from Skywalker Ranch, home of the legendary Lucasfilm, to the Bristol-based HQ of Britain’s most beloved animation studio, back in March 2021. It was, says Aardman’s Executive Creative Director Sarah Cox, “a mysterious call”. And like Leia’s message, it came with a mission: for the quintessentially British stop-motion studio behind Wallace & Gromit and Chicken Run to create its very own short for animated anthology Star Wars: Visions, with an open remit for what that might entail. The possibilities were vast. But for the studio that once delivered a definitive answer on whether the moon is made of cheese (it is, as we now know, similar to Wensleydale) Cox had one big question: “Can we be funny?”

Comedy has rarely been at the forefront of Star Wars’ mind. Thankfully, pushing the boundaries of what Star Wars can be is Visions’ entire raison d’être. Volume 1, released in September 2021, was a thrilling visual and narrative experiment, letting seven Japanese anime studios loose on the iconography of the galaxy far, far away to interpret as they pleased – resulting in everything from black-and-white samurai showdowns, to vibrant rock band rhapsodies. For all the wildness, it remained rooted in the Japanese traditions that George Lucas drew from when first creating Star Wars – a cyclical cultural exchange. In Volume 2, streaming from today on Disney+, the series goes worldwide, featuring shorts from countries including India, Ireland, South Africa, Chile, France – and, yes, the UK. “I always framed it as, ‘Think of it like the Street Fighter map’,” laughs Lucasfilm’s James Waugh. “The cultural element of Volume 1 was so unique, that we felt that could happen in Volume 2 with multiple perspectives. There was an opportunity here to really showcase all of those incredible voices.”…

(5) BRUCE MCCALL (1935-2023.) Humorist and illustrator Bruce McCall died May 5. The New York Times obituary discussed his memorable satires.

Bruce McCall, whose satirical illustrations for National Lampoon and The New Yorker conjured up a plutocratic dream world of luxury zeppelin travel, indoor golf courses and cars like the Bulgemobile Airdreme, died on Friday in the Bronx. He was 87.

His wife, Polly McCall, said his death, at Calvary Hospital, was caused by Parkinson’s disease.

Borrowing from the advertising style seen in magazines like Life, Look and Collier’s in the 1930s and ’40s, Mr. McCall depicted a luminous fantasyland filled with airplanes, cars and luxury liners of his own creation. It was a world populated by carefree millionaires who expected caviar to be served in the stations of the fictional Fifth Avenue Subway and carwashes to spray their limousines with champagne…

…A wider audience knew Mr. McCall through the collections “Bruce McCall’s Zany Afternoons” (1982), “The Last Dream-o-Rama: The Cars Detroit Forgot to Build, 1950-1960” (2001), and “All Meat Looks Like South America: The World of Bruce McCall” (2003).

He was “our country’s greatest unacknowledged design visionary,” the critic and graphic designer Michael Bierut wrote in Design Observer in 2005, “the visual poet of American gigantism.”…

(6) MEMORY LANE.

2013[Compiled by Cat Eldridge.]

Today’s Beginning is from Esther Friesner who has written a lot of fiction that I’ve read. Her humorous style of writing can be a bit much sometimes but I like it when I’m in the right mood.  

She has won no Hugos but did garner two Nebulas for short stories, “Death and the Librarian” and “A Birthday”.  (The latter got her a Hugo nomination at L.A. Con III.) She also got a much deserved Edward E. Smith Memorial Award for Imaginative Fiction. 

I decided upon E. Godz which was co-written by Esther Friesner and Robert Asprin.  It was published by Bean Books a decade ago. The cover was illustrated by Gary Ruddell. 

This being Baen Books, it is not available from the usual suspects but only from Bean Books. Surely you’re not surprised, are you?

So here’s our Beginning. I think it’s quite interesting…

On a lovely spring morning in the hyperborean wilderness of Poughkeepsie, New York, Edwina Godz decided that she had better die. She did not make that decision lightly, but in exactly the manner that such a (literally) life-altering choice should, ought, and must be made. That is to say, after a nice cup of tea. 

It wasn’t as if she was about to kill herself. Just die. 

She reached the aforementioned decision almost by accident, while pondering the sorry state of her domestic situation and seeking a cure for the combination of headache, tummy trouble, and spiritual upheaval she always experienced every time she thought about her family. Under similar circumstances, most women would head right for the medicine cabinet, but Edwina Godz was a firm believer in the healing power of herbs. Better living through chemistry was all very well and good, yet when it came down to cases that involved the aches, pains, and collywobbles of day-to-day living, you couldn’t beat natural remedies with a stick.

Especially if the stick in question was a willow branch. Surprising how few people realized that good old reliable aspirin was derived from willow bark. 

Edwina realized this, all right. In fact, she was a walking encyclopedia of herbal therapy lore. It was partly a hobby, partly a survival mechanism. You didn’t get to be the head of a multicultural conglomerate like E. Godz, Inc. without making a few very . . . creative enemies. When you grew your own medicines, you didn’t have to worry about the FDA falling down on the job when it came to safeguarding the purity of whatever remedy the ailment of the moment demanded. Perhaps it was a holdover from her chosen self-reliant life-style all the way back in the dinosaur days of the ’60s, but Edwina Godz was willing to live by the wisdom that if you wanted to live life to the fullest, without the pesky interference of the Man, you should definitely grow your own.

No question about it, Edwina had grown her own, and it didn’t stop at herbs for all occasions. However, at the moment, herbs were the subject under consideration. 

Specifically: which one to take to fix Edwina’s present malaise? It wasn’t going to be an easy choice, not by a long shot. Peppermint tea was good for an upset tummy, though ginger was better, but valerian was calming and chamomile was the ticket if you were having trouble getting to sleep. Then again, green tea was rich in antioxidants, which were simply unsurpassed when it came to maintaining one’s overall health, and ginseng was a marvelous source of all sorts of energy, while gingko biloba—

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 7, 1912 Clyde Beck. Fan and critic who wrote what Clute says in EoSF is the first work of criticism devoted to American SF: Hammer and Tongs which was published in 1937 by Futile Press. It was assembled from four essays and the reviews Beck wrote for The Science Fiction Critic, a fanzine by his brother Claire P. Beck with a newly written author’s preface by Clyde. He wrote four pieces of genre fiction between the Thirties and Fifties. None of what he wrote is in-print. (Died 1986.)
  • Born May 7, 1918 Walt Liebscher.  His fanzine Chanticleer was a finalist for the 1946 Retro-Hugo; Harry Warner said “Liebscher did incredible things with typewriter art.  He specialized in little faces with subtle expressions…. the contents page was frequently a dazzling display of inventive borders and separating lines.”  His later pro writing was collected in Alien Carnival (1974).  He was given the Big Heart, our highest service award, in 1981. (Died 1985.) (JJ)
  • Born May 7, 1922 Darren McGavin. Carl Kolchak on Kolchak: The Night Stalker — How many times have I seen it? I’ve lost count long, long ago. Yes, it was corny, yes, the monsters were low rent, but it was damn fun. And no, I did not watch a minute of the reboot. By the way, I’m reasonably sure that his first genre role was in the Tales of Tomorrow series as Bruce Calvin in “The Duplicates” episode. (Died 2006.)
  • Born May 7, 1931 Gene Wolfe. He’s best known for his Book of the New Sun series. My list of recommended novels would include Pirate FreedomThe Sorcerer’s House and the Book of the New Sun series. He’s won the BFA, Nebula, Skylark, BSFA and World Fantasy Awards but to my surprise has never won a Hugo though he has been nominated quite a few times. He has been honored as a Grand Master by the Science Fiction and Fantasy Writers of America. (Died 2019.)
  • Born May 7, 1940 Angela Carter. Another one taken far too young by the damn Reaper. She’s best remembered for The Bloody Chamber and Other Stories where she took fairy tales and made them very, very adult in tone. And I’d also recommend The Curious Room as it contains her original screenplays for the BSFA-winning The Company of Wolves which starred Angela Lansbury, and The Magic Toyshop films, both of which were based on her own original stories. Though not even genre adjacent, her Wise Children is a brilliant and quite unsettling look at the theatre world. I’ve done several essays on her so far and no doubt will do more.  A smattering of her works are available at the usual suspects. (Died 1992.)
  • Born May 7, 1951 John Fleck, 72. One of those performers the Trek casting staff really like as he’s appeared in Next GenerationDeep Space Nine in three different roles, Voyager and finally on Enterprise in the recurring role of Silik. And like so many Trek alumni, he shows up on The Orville.
  • Born May 7, 1951 Gary Westfahl, 72. SF reviewer for the LA TimesInternet Review of Science Fiction and Locus Online. Editor of The Greenwood Encyclopedia of Science Fiction and Fantasy: Themes, Works, and Wonders; author of Immortal Engines: Life Extension and Immortality in Science Fiction and Fantasy (with George Slusser) and A Sense-of-Wonderful Century: Explorations of Science Fiction and Fantasy Films.

(8) LAYOFFS AT IDW. “IDW to Slash Workforce by 39%, Delist from NYSE” reports Publishers Weekly.

IDW Media will lay off 39% of its staff and delist from the New York Stock Exchange in what the company called “cost-cutting measures” taken in “response to operational challenges.”

Among the staff affected by layoffs are the entire marketing and PR departments and half of the editorial department, including publisher Nachie Marsham, who has served in the role since September 2020. In all, 28 employees are being let go and IDW has budgeted $900,000 to cover severance costs.

IDW has also announced several changes to senior management in light of the staff reduction and NYSE delisting. CEO Allan Grafman will be replaced by Davidi Jonas, who most recently served as IDW’s chief strategy officer, and is the son of IDW chairman Howard Jonas. Grafman had served as CEO since August 2022. Additionally, CFO Brooke Feinstein has been let go, and Amber Huerta, previously senior v-p of people and organizational development, has been promoted to COO.

IDW operates in two groups—its publishing division, which publishes comic books and graphic novels and includes the Top Shelf imprint, and its entertainment division, which produces and distributes multimedia content based on the publishing group’s original book content….

(9) MAURICE HORN (1931-2022). Comics historian, author, editor and curator Maurice C. Horn passed away on December 30, 2022, at the age of 91. The Comics Journal profiles his achievements and controversies.

… The success of the encyclopedias gave Horn the financial stability and clout to write about other comics-related topics. Books such as Comics of the American West (Winchester Press, 1977), Women in the Comics (Chelsea House, 1977), Burne Hogarth’s The Golden Age of Tarzan, 1939-1942 (Chelsea House, 1977), and Sex in the Comics (Chelsea House, 1985) proved commercially successful enough to warrant multiple printings and new editions over the course of several decades, but none had the lasting impact of The World Encyclopedia of Comics. Marshall laments that too many of Horn’s later works “essentially were rehashes of his pioneering books, brought out in multi-volume editions to enhance library-sale profits, or justified by anniversaries of the business.”

100 Years of American Newspaper Comics, published by Gramercy in 1996, was Horn’s final major publication.Horn returned to his roots in 1996 with 100 Years of American Newspaper Comics, an illustrated encyclopedia published by Gramercy in belated celebration of the centennial of the Yellow Kid. The 414-page volume, with its tighter focus, less-rushed publication schedule and dedicated team of writers and researchers who benefited from the nearly decades of comics scholarship that followed the publication of The World Encyclopedia of Comics, is considered by many historians to be Horn’s most accurate and comprehensive work….

(10) LOOKING AHEAD. At Instant Future, John Shirley interviews Rudy Rucker. “Flash Forward: An Interview with Rudy Rucker!”

Q. What do you think of the “science fiction future”, in re the fiction out there?

A. It seems about the same as ever, although way more diverse. And there’s more emphasis on social issues and the environment. Not as much wild science as I’d like to see, but that stuff is hard to invent. As ever, a good procedure is to glom onto some standard SF trope and work it into a transreal novel about your own life. Transreal? That’s a word I invented in 1983 to describe my process of writing SF novels in which characters are based either on me or on people I know. See my “Transrealist Manifesto.” 

Transrealism is kind of a beatnik thing, writing novels about your own life. And of course Phil Dick and Kurt Vonnegut and Kim Stanley Robinson did it too…

(11) CHAT CHIMPANZEE. The Library of America’s “Story of the Week” is Charles Portis’ “The Wind Bloweth Where It Listeth”.

In Portis’s final story, a local reporter investigates a billionaire-funded project in which armies of monkeys generate massive volumes of text to supersede the “old elitist notion of writing as some sort of algebra.”

. . . Is the musty old prophecy at last being fulfilled? We now have millions of monkeys pecking away more or less at random, day and night, on millions of personal computer keyboards. We have “word processors,” the Internet, e-mail, and “the information explosion.” Futurists at our leading universities tell us the day is at hand when, out of this maelstrom of words, a glorious literature must emerge, and indeed flourish.

So far, however, as of today, Tuesday, September 14, late afternoon, the tally still seems to be fixed at:

Shakespeare: 198, Monkeys: 0

(12) VIDEO OF THE DAY. Just for fun, here’s Amaury Guichon sculpting a Stormtrooper helmet out of chocolate. Jennifer Hawthorne says, “His chocolate creations are amazing but this is the first time I’m aware of that he’s done something of the SFF genre.  Maybe a campaign could be organized to request that he do the NCC-1701, or a chocolate Balrog!”

I have created this wearable chocolate helmet in preparation of May the 4th! It was a lot of fun crafting it without the use of any molds. What do you think of the final result?

 [Thanks to John King Tarpinian, Chris Barkley, Michael Toman, Paul Di Filippo, Jennifer Hawthorne, Murray Moore, Cat Eldridge, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 4/20/23 But You Gotta Make Your Own Kind Of Pixel, Scroll Your Own Special Scroll

(1) PRO TIPS. With in-person cons resuming throughout fandom, Cass Morris has advice for “Giving Good Panel” in her latest newsletter.

Practice (and tailor) your introduction

Introducing yourself at the start of the panel isn’t the time to go into your full CV or publication history. It’s not even the time to recite your full 100 word bio that’s printed in the program.

A good formula? “Hi, I’m [name], I’m the author of [most recent publication or series] and [something else relevant to your writing career]. I’m also [whatever your day job is, or if you don’t have one, mention a hobby].”

Then, if there’s anything particularly relevant to the panel I’m on, I’ll mention that. I tend not to go into my background as a Shakespeare scholar, for instance, because that’s usually not directly relevant — but at RavenCon last April, it was! I was on a panel called “Elements of the Fantastic in Shakespeare,” so it was good to establish my credibility to speak on that particular topic.

Keep the intro to your book or series brief — an apposition, just a short phrase. “I’m the author of the Aven Cycle, historical fantasy set in an alternate ancient Rome” or even just “I’m the author of epic fantasy series the Aven Cycle.”…

(2) X CORP. No, not X-corps (a Heinlein reference). X Corp is the successor to Twitter, Inc. — which “no longer exists.” Slate reports “Twitter Isn’t A Company Anymore”.

In a court filing on Tuesday, April 4, Twitter Inc. quietly revealed a major development: It no longer exists. The company is currently being sued by right-wing provocateur Laura Loomer, who accused it of violating federal racketeering laws when it banned her account in 2019. Loomer has a Twitter account again, and her absurd lawsuit is bound to fail—but until it does, Twitter, as a defendant, must continue to submit corporate disclosure statements to the court. And so, in its most recent filing, the company provided notice that “Twitter, Inc. has been merged into X Corp. and no longer exists.” As the “successor in interest” to Twitter Inc.—that is, the survivor of the merger—X Corp. is now the defendant in Loomer’s suit. Its parent corporation is identified as X Holdings Corp.

(3) BATTLEGROUND LIBRARY. “When the Culture Wars Come for the Public Library” in The New Yorker.

…On a spring day in 2019, Ellie Newell, the youth-services librarian at the main branch, in a historic post office in downtown Kalispell, hosted a special story time for a visiting class of preschoolers. Newell was raised by librarians and had taken the job straight out of graduate school, drawn to Flathead’s reputation for “doing cutting-edge library stuff.” Several years earlier, the library had rebranded to adopt a new name and logo, as well as an updated, possibly foolhardy mission. The Flathead County Library System became the ImagineIF Libraries and set out to use technology and interactive programs to bring together far-flung residents of the county. This new approach earned ImagineIF a John Cotton Dana Award (the equivalent of a library Oscar) and the title of State Library of the Year.

Like most children’s librarians, Newell did a lot of story times and kept a stack of read-aloud books on her desk. She considered it important to mix things up: some books with animals, some with people; some classics, some new releases. At the top of Newell’s pile that day was “Prince & Knight,” a fairy-tale picture book published in 2018. The story features a charismatic dragon, but no lady who wins a warrior’s heart. The romance instead unfolds between the titular prince (a man) and knight (also a man). Newell thought the book was sweet: a bit edgy in its gayness, but still chaste and traditional, culminating in marriage. Her calendar didn’t show any special book requests or even the name of the visiting school, so she grabbed “Prince & Knight” off her desk and went out to read it. She opened her eyes wide behind her glasses and swivelled to connect with every member of her audience. The children giggled and clapped. But, at the end of the reading, their teacher looked upset.

The class had come from a Catholic school, and, a few days later, the teacher wrote to the Daily Inter Lake, a local newspaper, saying how “shocked and grieved” she was by the presentation of a book about “homosexual marriage.” She argued that “such a controversial topic” should not be introduced to “innocent children.”…

…During the pandemic, Flathead became the fastest-growing county in the state, thanks in part to new migration. The arrivals were split between lovers of the outdoors (of various political persuasions) and people in search of a Trumpian refuge from urban ills. The responses to the “Prince & Knight” reading tracked with the county’s divergent politics. Was the story time a sign of open-mindedness or proof that the library was promoting “all these alternative lifestyles,” as one Kalispell man wrote to the Inter Lake? The Catholic schoolteacher filed a formal challenge to “Prince & Knight,” seeking its removal from ImagineIF’s collection. The library director, Connie Behe, recommended that the book be retained because the work as a whole conformed to ImagineIF standards. The final decision was up to the library’s five-member board of trustees….

(4) THEY’VE COME FOR WODEHOUSE! [Item by Dann.] Word minders have come to claim another author.  P.G. Wodehouse. “Penguin Removes ‘Unacceptable’ Words from P. G. Wodehouse Novels, Adds Trigger Warnings for ‘Outdated’ Language” reports National Review. Penguin Random House has edited the works of P.G. Wodehouse to remove “unacceptable” prose. Right Ho, Jeeves and Thank You, Jeeves have both been adjusted.

…The warning on the opening pages of the 2023 reissue of Thank You, Jeeves reads: “Please be aware that this book was published in the 1930s and contains language, themes and characterisations which you may find outdated. In the present edition we have sought to edit, minimally, words that we regard as unacceptable to present-day readers.”

The NR article goes on to state that the changes do not affect the story itself. The 2022 edition of Right Ho, Jeeves has also been edited and features the same disclaimer.

Wodehouse, who died in 1975, is known for authoring over 90 books, his oeuvre often hailed as the funniest in the English language. The Jeeves stories follow the idle upper-class gentleman Bertie Wooster and his resourceful valet Reginald Jeeves. The stories served as the basis for the well-known British comedy Jeeves and Wooster, which starred Stephen Fry and Hugh Laurie. The show was broadcast on ITV in the 1990s.

Racial terminology has been removed throughout the novels. A racial term used to describe a “minstrel of the old school” has been removed in Right Ho, Jeeves. In Thank You, Jeeves, whose plot hinges on the performance of a minstrel troupe, numerous terms have been removed or altered, both in the dialogue between characters and from the first-person narration of Bertie Wooster.

Economics author and Washington Post columnist Megan McArdle has declared that she is abandoning the purchase of classics on Kindle as a result.

Another National Review article has declared such efforts to be the work of a “cabal of history vandals” that bear a strong resemblance to the clueless elites that populate Wodehouse’s works. “The Literature Vandals Don’t Know When to Stop”.

It is an impossible coincidence that the people endorsing retroactive edits to the works of P. G. Wodehouse are the very types of thickheaded dilettantes Wodehouse spent most of his 90 years lampooning.

Other, one presumes more faithful, electronic editions are available via Project Gutenberg and Archive,org.

(5) LANSDALE’S TIPS. The Horror Writers Association blog brings us “Nuts and Bolts: Writing Tips From Master of Horror Joe R. Lansdale”.

On writing action sequences and fight scenes:

“I’m not proud of it,” Joe R. Lansdale said in a recent phone interview, “but I’ve been in a lot of fights. You start to learn what’s real and what isn’t.”

He draws on his background as a martial artist, bouncer, and bodyguard from a rough part of East Texas when writing his fight scenes. Most real fights are over fast, he said, and it’s possible to reflect that in your writing while still giving them impact.

“I always think less is more,” he said. “To make it seem like you’ve given a lot of description, but you haven’t. You’ve chosen the right words. You have to write like a cinematographer. I’ve always found that the greatest thing outside experience is stopping and thinking about it from an observational standpoint. The more you do it, the more you’re able to envision that action sequence.”

For action sequences, he recommends short sentences and paragraphs. Another way of injecting a sense of immediacy is to give it a stream-of-consciousness structure, as in: “I spin and dodge his fist, then hit him with …” 

“Some people will say that’s a run-on sentence,” he said. “It isn’t, if it’s done right.”

(6) OF INTEREST TO TOLKIEN AND SFF SCHOLARS. Robin A. Reid has assembled a list of hybrid and virtual conferences of interest to those working in Tolkien studies. The first edition is available at “The Online Conference Project”.

After seeing outstanding presentations at the 2021-22 Virtual PCA conferences by a significant number of Tolkien scholars who had never been able to attend the f2f PCA in the past, and who will not be able to attend future f2f PCA conferences because of the various barriers, I started the Online Conference Project.

My goal is to collect and share information about conferences that are either hybrid (meaning allowing for both virtual and in-person presentations and attendance) or virtual (meaning completely online), especially those of interest to those of us working in Tolkien studies and fantasy/speculative fiction studies generally

… In the list below, I provide basic information: conference name/theme, organization or institution organizing it; proposal submission deadline; delivery mode (hybrid, meaning an online track added to a f2f conference; or virtual, meaning entirely online); registration fee (if available); dates of conference…

(7) SUMMER IN NYC WILL FEATURE BUTLER THEMED OPERA. “Lincoln Center Revives Summer for the City, Hoping to Draw New Fans” – the New York Times says an Octavia Butler-inspired opera will be one of the offerings.  

Lincoln Center will bring back its Summer for the City festival this year, the organization announced on Monday, continuing its efforts to attract new audiences by embracing a wide variety of genres, including pop and classical music, social dance and comedy.

An opera based on Octavia E. Butler’s novel “Parable of the Sower,” by the folk and blues musician Toshi Reagon and the composer Bernice Johnson Reagon, will get its New York City premiere at Geffen Hall on July 14.

John Mansfield in 2015. Photo taken by and (c) Andrew Porter.

(8) PAST WORLDCON CHAIR DIES. John Mansfield, chair of the 1994 Worldcon in Winnipeg, died April 19. He was to be fan guest of honor at this year’s NASFiC, Pemmi-Con, also in Winnipeg.

Mansfield co-founded the Ontario Science Fiction Club (OSFiC) in 1966 with other Toronto locals he’d met at that year’s Worldcon, Peter Gill, Mike Glicksohn, Ken Smookler, and Maureen Bournes. Mansfield had decided to attend the Worldcon after reading a series of articles about fandom in If written by Lin Carter.

Mansfield also had a connection to early Star Trek fandom, contributing an article to the 1968 Comerford/Langsam fanzine Spockananalia 2, “Communication From Starfleet Intelligence”, about Klingon military techniques for interrogating Vulcans:

… Since the prisoner will show no emotion, it will be very hard to determine his mental state as he tries to adapt to captivity. They are a proud race, and consider many of the other Galactic races below them. We have found that if one breaks, he will break completely, and all the past frustrations and emotions will pour out. Experienced interrogators describe this as a rather long and sometimes boring experience….

Mansfield served in the Canadian Armed Forces for 25 years, retiring in 1990. While stationed in New Brunswick, he chaired OromoctoCon in 1970, with attendance of about 30, including some fans who drove up from Boston.

He and his wife, Linda Ross-Mansfield, ran the Pendragon Games specialty store at various locations in Winnipeg over the decades. His influence in gaming fandom is reflected in the fact that the Origins Awards, presented at the Origins Game Fair, are referred to as his “brainchild” in the official history.

He helped develop Winnipeg’s regional Keycon. Beginning in 1989 he published Con­TRACT, a zine for Canadian conrunners, continuing until 2002. In the last issue he delivered this snapshot of his life at the time:

Here in Winnipeg, I get to do lots. …I’m part of a Media con and a Horror con, with more possibilities to come. I have the chance to promote some 20 movies a year. I am responsible for promoting various game companies via tournaments from Thunder Bay to Alberta. I’m still running the second largest Game store in Canada, that continues to grow in sales ever since our start in 1982. I know that I am only held back by my imagination and the time I wish to commit to my world.

When he led the 1994 Worldcon (ConAdian) committee, knowing that attendance would be sparse in comparison to Worldcons held in cities many times larger than Winnipeg, he showed a degree of commercial ingenuity that may be common among trade shows but had never been equaled by any previous Worldcon. He courted dozens sponsors and advertisers to gain new sources of revenue at the same time he unsentimentally cut expenses. At opening ceremonies the Mayor of Winnipeg said ConAdian would be the largest conference gathering in Winnipeg this year — the audience buzzed with interest when they heard that.

By then, I was already chair of the forthcoming 1996 Worldcon (L.A.con III), and I was deeply appreciative for all the times John sat with me to share his knowledge and experience.

He would have liked to bring the Worldcon back to Winnipeg for 2003, and started a bid, but the Toronto bid for that year became the unified Canadian entry, winning over a bid for Cancun.  

He co-chaired the 2005 Westercon in Calgary. In 2012 he helped start the short-lived A.E. Van Vogt Award for Canadian science fiction on behalf of the Winnipeg Science Fiction Association (WINSFA), Conadian, and Science Fiction Winnipeg (SFW).

He is survived by his wife, Linda Ross-Mansfield, NASFiC co-chair.

(9) MEMORY LANE.

2016[Compiled by Cat Eldridge.]

The entire Terra Ignota series was nominated at Chicon 9 for a Hugo Award for Best Series. It was also nominated for an Otherwise Award,

The first work was Too Like The Lightning was published by Tor Books seven years ago. It was rapidly joined by the rest of the quartet, Seven Surrenders (2017), The Will to Battle, (2017) and finally Perhaps the Stars (2021). 

I think it’s a brilliant if somewhat flawed series and that is all I’ll say here.

Now shall we read the Beginning of Too Like The Lightning? Of course we will…

A Prayer to the Reader

You will criticize me, reader, for writing in a style six hundred years removed from the events I describe, but you came to me for explanation of those days of transformation which left your world the world it is, and since it was the philosophy of the Eighteenth Century, heavy with optimism and ambition, whose abrupt revival birthed the recent revolution, so it is only in the language of the Enlightenment, rich with opinion and sentiment, that those days can be described. You must forgive me my ‘thee’s and ‘thou’s and ‘he’s and ‘she’s, my lack of modern words and modern objectivity. It will be hard at first, but whether you are my contemporary still awed by the new order, or an historian gazing back at my Twenty-Fifth Century as remotely as I gaze back on the Eighteenth, you will find yourself more fluent in the language of the past than you imagined; we all are. 

I wondered once why authors of ancient days so often prostrate themselves before their audience, apologize, beg favors, pray to the reader as to an Emperor as they explain their faults and failings; yet, with my work barely begun, I find myself already in need of such obsequies. If I am properly to follow the style I have chosen, I must, at the book’s outset, describe myself, my background and qualifications, and tell you by what chance or Providence it is that the answers you seek are in my hands. I beg you, gentle reader, master, tyrant, grant me the privilege of silence on this count. Those of you who know the name of Mycroft Canner may now set this book aside. Those who do not, I beg you, let me make you trust me for a few dozen pages, since the tale will give you time enough to hate me in its own right.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 20, 1908 Donald Wandrei. Writer who had sixteen stories in Astounding Stories and fourteen stories in Weird Tales, plus a smattering elsewhere, all in the Twenties and Thirties. The Web of Easter Island is his only novel. He was the co-founder with August Derleth of Arkham House. He has World Fantasy Award for Lifetime Achievement, and he’s a member of First Fandom Hall of Fame. Only his “Raiders of The Universe“ short story and his story in  Famous Fantastic Mysteries (October 1939 issue) are available at the usual digital suspects. (Died 1987.)
  • Born April 20, 1937 George Takei, 86. Hikaru Sulu on the original Trek. And yes, I know that Vonda McIntyre wouldn’t coin the first name until a decade later in her Entropy Effect novel.  Post-Trek, he would write Mirror Friend, Mirror Foe with Robert Asprin. By the way, his first genre roles were actually dubbing the English voices of Professor Kashiwagi of Rodan! The Flying Monster and the same of the Commander of Landing Craft of Godzilla Raids Again
  • Born April 20, 1939 Peter S. Beagle, 84. I’ve known him for about twenty years now, met him but once in that time. He’s quite charming. (I had dinner with him here once some years back.)  My favorite works? TamsinSummerlong and In Calabria. He won the Novelette Hugo at L.A. Con IV for “Two Hearts”. And he has a World Fantasy Award for Lifetime Achievement.
  • Born April 20, 1943 Ian Watson, 80. He’s won the BSFA Award twice, first for his novel, The Jonah Kit, and for his short story, “The Beloved Time of Their Lives“. He also got a BSFA nomination for the charmingly titled “The World Science Fiction Convention of 2080”.  He has written in Warhammer 40,000 universe including The Inquisition War trilogy.
  • Born April 20, 1949 John Ostrander, 74. Writer of comic books, including GrimjackSuicide Squad and Star Wars: Legacy. Well those are the titles he most frequently gets noted for but I’ll add in the Spectre, Martian Manhunter and the late Eighties Manhunter as well. 
  • Born April 20, 1959 Clint Howard, 64. So the most interesting connection that he has to the genre is playing Balok, the strange childlike alien, in Star Trek’s “The Corbomite Maneuver” which I remember clearly decades after last seeing it. He’s also John Dexter in Cocoon, and Mark in The Rocketeer as well as Jason Ritter in the Austin Powers franchise. He’s got a minor role in Solo: A Star Wars Story as a character named Ralakili.
  • Born April 20, 1964 Sean A. Moore. He wrote three Conan pastiches, Conan the HunterConan and the Grim Grey God and Conan and the Shaman’s Curse. He also wrote the screenplay for Kull the Conqueror, and the novelization of it. All were published by Tor. He was active in Colorado fandom. He died in car crash in Boulder. (Died 1998.)

(11) JEOPARDY! Neal Stephenson figured in the climactic round of tonight’s Jeopardy! episode. Andrew Porter was watching.

Final Jeopardy: Modern Words

Answer: Neal Stephenson coined this word in his 1992 novel “Snow Crash”; it was later shortened by a company to become its new name

All three contestants got it wrong, with “What is powder?” “What is uber?” and “What is avalanche?”

Correct question: “What is Metaverse?”

(12) OLD TECH HAS NEW FANS. “‘Such a fun way to consume music’: why sales of the ‘obsolete’ cassette are soaring” in the Guardian. “With more cassette tapes being bought than since 2003, readers tell why they prefer them to modern music players.”

“Buying a cassette direct from an independent artist on platforms such as Bandcamp is such a fun way to consume music. Often produced in very small runs, it is nice to receive something though the post that is relatively scarce. In these days of Spotify funnelling payments only to the superstars, it feels good to support small artists and labels. I love vinyl, too, but the magic of a cassette is that you have no way to skip tracks; you press ‘play’ and listen from start to finish with only the satisfying thud of one side ending to interrupt the experience. The noisy, tactile controls of a cassette player are the perfect tonic to the ways most of us consume media throughout the day, making it more of a special event and something to look forward to.” Dan White, 40, Norwich

(13) RECORD STORE RESOURCE. April 22 is “Record Store Day”. This link will take you to any store participating, anywhere, plus lots of other information.

This is a day for the people who make up the world of the record store—the staff, the customers, and the artists—to come together and celebrate the unique culture of a record store and the special role they play in their communities. Special vinyl and CD releases and various promotional products are made exclusively for the day. Festivities include performances, cook-outs, body painting, meet & greets with artists, parades, DJs spinning records, and on and on. In 2008 a small list of titles was released on Record Store Day and that list has grown to include artists and labels both large and small, in every genre and price point. 

(14) FAILURE OR SUCCESS? “Unmanned Starship explodes over gulf after liftoff” reports MSN.com.

SpaceX’s Starship lifted off the pad in Southern Texas and cleared the launchpad, its first milestone, but then began tumbling as it was preparing for stage separation and the vehicle came apart some four minutes into flight.

… SpaceX’s Kate Tice said it was unclear what caused the rocket to come apart. She said that “teams will continue to review the data and work toward our next flight test.”

Still, since it was a test, SpaceX hailed the flight as a success because it would provide the company new information about how the vehicle performs in real life that will help them on future flights. And it did not damage the launchpad, a risk SpaceX CEO Elon Musk had said was his greatest worry….

(15) CRASH COURSE. [SF Concatenation’s Jonathan Cowie.] This week’s Nature cover story “DART’s data verify its smashing success at deflecting asteroid moon Dimorphos” looks at four NASA DART papers…

Although currently there is no known threat to Earth from asteroids, strategies to protect the planet from a collision are being explored. On 26 September 2022, NASA and the Johns Hopkins Applied Physics Laboratory successfully tested one such approach: the Double Asteroid Redirection Test (DART) spacecraft was deliberately crashed into Dimorphos, a moon orbiting the small asteroid Didymos, resulting in a change in the moon’s orbit. In this week’s issue, five papers explore the test and the effects of the collision. “Successful kinetic impact into an asteroid” reconstructs the impact; a second looks at the change to Dimorphos’s orbit caused by the impact. A third paper reports observations from the Hubble Space Telescope of the material ejected during the collision. A fourth paper uses modelling to characterize the transfer of momentum that resulted from the impact. And the final paper reports on citizen science observations before, during and after the collision.

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Lloyd & Yvonne Penney, Moshe Feder, Danny Sichel, SF Concatenation’s Jonathan Cowie, Rich Lynch, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

2023 NASFiC Zoom Info Session on March 4

Pemmi-Con chairs Linda Ross-Mansfield and Robbie Bourget will take questions about reasons for fans to attend the 2023 NASFiC from Fan Fund representatives Fran Skene (CUFF), Erin Underwood (DUFF), and Mike Lowrey.. (TAFF) in a free Zoom session on March 4.

Pemmi-Con, the 2023 NASFiC, will be held July 20-23 in Winnipeg, Manitoba.

CUFF (Canadian Unity Fan Fund) is Canada’s fan fund. A fan delegate representing British/European fandom will be attending Pemmi-Con, courtesy of TAFF (Trans Atlantic Fan Fund). DUFF (Down Under Fan Fund) is the other ocean-crossing fan fund: DUFF brings a fan from Australia/ New Zealand to North America.

The Zoom session is free. Registration is required to avoid Zoom-bombing. Registration link: https://us02web.zoom.us/meeting/register/tZwkcu6urzsqHN2LEvAck2rv2BYNxZ3nj0Vy

Time permitting, audience members may ask questions. Zoom session begins 2:00 p.m. Central.

2023 NASFiC Hotel Booking Opens

Pemmi-con, the 15th North American Science Fiction Convention, today announced hotel rates and the opening of room booking.

The event takes place July 20-23 at the Delta Hotels Winnipeg and the RBC Convention Centre Winnipeg. The Delta Hotels Winnipeg is offering these guest room types and rates to Pemmi-Con members:

  • Guest room (1 King bed): CA$144/night
  • Guest room (2 Queen beds): CA$164/night

Rates are in Canadian dollars and do not include local/provincial/federal taxes, which currently total 17.25%. The room block date range is July 17-25, 2023.

Parking is available at an additional charge.

The Delta Hotels Winnipeg is across the street from the RBC Convention Centre. Both venues were home to ConAdian, the 1994 Worldcon.

For more information and to book a room at the Pemmi-Con rate go to the convention website.

2023 Canadian Unity Fan Fund Nominations Are Open

By Fran Skene (CUFF 2019 Delegate to CanCon in Ottawa): Nominations are now open for the 2023 CUFF delegate. We are looking for a fan from anywhere in Canada to travel to and attend Pemmi-Con, the 15th North American Science Fiction Convention, to be held in Winnipeg July 20-23. A hotel room has been reserved for the delegate, and the registration is comped.

Note: This year, former CUFF delegates may apply (no restriction to only new folks).

The delegate is welcome to stay longer than just the convention and hang out with local fans. Also consider visiting Winnipeg’s famous Royal Aviation Museum.

In order to be nominated for the CUFF this year, an application (see further info below) plus emails from the six nominators must be submitted by March 10, 2023 to Fran Skene at fskene(a)shaw.ca.

As well, we are asking for a bond of $20 CAD from each applicant, which will be added to the CUFF funds. This (and all donations) can be sent via either PayPal or Interac e-transfer to Fran at the above email address. (If you’d like to pay another way, email Fran to negotiate.)

In exchange for funds that will hopefully cover all costs for the trip (this will include Air Miles for the airfare from Fran), the primary responsibilities of the delegate are to:

  • Attend the convention, take part in programming, and report back to your fellow fans on the event.
  • Assist in raising funds for the next year’s delegate.
  • Administer (with the assistance of other Canadian fans) the process to select the next year’s fan delegate.
  • Promote Canadian genre-related media and fan activities.

In order to be nominated for the CUFF this year an emailed application must be submitted by March 10, 2023 to fskene(a)shaw.ca plus a bond of $20.  It should contain a brief fan-related bio and how you hope to make this trip beneficial for you and the Canadian fan community. The application must have a minimum of three fan supporters from the east and three in the west (six total). (The Manitoba/Ontario border separates east and west.)

If we have more than one applicant, voting will be open March 15 and close April 15th, in order to give the successful candidate enough time to work with Pemmi-Con programming and to schedule their visit.

Nominating: Any Canadian fan or pro may individually nominate a fan to be this year’s CUFF delegate. Just email Fran from your personal email, saying briefly why you’re nominating that fan.

If you (the nominator) are not likely to be known to the current fund administrator (Fran Skene), please give the name and contact info for a fan who is likely to be well known and can confirm you are an active fan, or links to information that will make your involvement in fandom clear. The same process will hold true for voting.

Voting: Voting, when open, will be permitted by anyone who has been active in Canadian fandom for two years or more. Voters are urged to make a donation to the fund of at least $5.00 to assist with the candidate’s expenses. Votes can be sent to fskene(a)shaw.ca.