Pixel Scroll 1/2/20 Pixellate In Glorious Scrollovision

(1) NETWORK ANALYSIS OF RWA/MILAN CONTROVERSY. Mikki Kendall did a breakdown for NBC News: “The Romance Writers of America racism row matters because the gatekeepers are watching”.

…Let’s talk about the power of romance. There’s power in the written word, even in a genre that we tend to consider — because of sexism — less intellectual than some others. And it isn’t just about hearts and flowers and candy; this is cold hard cash: Romance as a literary genre represents a quarter of all fiction sales and more than half of all paperback sales, and it brings in over a billion dollars in sales annually.

The impact of romance books on the culture is outsize because everyone is interested in romance, whether they admit it publicly or not.

…But there’s inevitably a small contingent of writers who simply can’t handle being criticized, whether directly or indirectly. Vitriolic responses to critics are hardly limited to well-known writers; those who aspire to become household names are equally prone to them. Having your work dissected, discussed and sometimes even demeaned, however, is part of putting it out into the world. All writers know this — or at least they should — and writing romance novels is no exception.

(2) FOLLOW THE MONEY. Jason Sanford continues releasing interviews he conducted with sff magazine editors in conjunction with his well-researched report #SFF2020: The State of Genre Magazines.

Jason: You said Fireside pays its editors a fee for each issue of the print magazine, with the fee based on Fireside’s word rate and the revenue to pay for this coming entirely from subscribers. Was there a break-even point with subscribers where this started to work? Do you still rely on any fundraising to support the magazine?

Pablo: I think using a word like ‘fundraising’ is misleading. Fireside is not a non-profit, and it’s not a charity – so we’re not ‘raising funds’ for anything. Using vocabulary linked to non-profits and charities implies that the people who support us are doing so out of the kindness of their heart, without receiving any direct value in return. The stories, artwork, and publications that Fireside publishes have value, our customers recognize that, and are willing to pay money for it.

But I digress. To answer your question…

Jason: According to this year’s Locus Magazine survey, Escape Pod has an audience size of 37,000 people, making it one of the largest English-language SF magazines in the world. What percentage of your audience supports the magazine with donations? Any  thoughts on how to convinces more genre readers and listeners to support the magazines they love?

Mur: I believe we have the typical 1% rate of donation. We have no funding but our listeners, and the couple of times we’ve been in trouble, we’ve been honest with saying, hey, we can’t keep delivering the show to you if you don’t support us, and they’ve always stepped up. With Patreon it’s much easier to allow people to donate on a sustaining level and get rewards as well!

(3) ROSE IS STILL MISSING. [Item by Martin Morse Wooster.] In the Washington Post, Michael Cavna discusses the controversy over whether Kelly Marie Tran deserved more screen time in The Rise of Skywalker, noting that screewnwriter Chris Terrio has withdrawn his explanation that Tran would have had many scenes with Carrie Fisher had Fisher lived to not much of an explanation at all: “Many Star Wars fans are upset the new movie sidelines Kelly Marie Tran’s character. The writer is trying to explain.”

…On Monday, Terrio walked back that explanation, saying that the real issue with Rose had nothing to do with visual effects.

He told Vulture: “I badly misspoke if in an earlier statement I implied that any cut scenes between Rose and Leia were the fault of our VFX team and the wizards at ILM. In that earlier interview, I was referring to a specific scene in which Leia’s emotional state in ‘Episode VII’ [‘The Force Awakens’] did not seem to match the scene we wrote for use in ‘Episode IX’ [‘Rise’] and so it was cut at the script stage before the VFX work was done.”

Terrio underscored to the Hollywood Reporter on Monday that the issue did not involve “photorealism,” as he earlier stated. “I would sometimes come and sit at the VFX reviews and my jaw would drop at seeing Leia live again.”

(Representatives from the film have not yet responded to a request from The Post to speak with Terrio.)

(4) FAVES OF 2019. Hot off the blocks with the New Year, SF² Concatenation has its team’s annual choice for the Best SF books and films of the previous year. They have advance posted “Best Science Fiction of the Year – Possibly?” ahead of their spring edition of news and reviews (which is slated for mid-January).

Every year, around Christmas and New Year a round-robin is sent to many members of the SF² Concatenation team asking for their favourite SF/F/H books and films of the previous year.  If just two or three nominate the same work then it gets added to a list of Best SF/F/H works of the previous year.  This list appears in the Spring (northern hemisphere academic year) edition’s news page.  It is simply a bit of fun and not meant to be taken too seriously but as a pointer for our regulars to perhaps check out some recent works.  Yet over the years, each year sees a few from these lists go on to be short-listed, and even win, a number of SF awards.

Spooky, huh?

(5) BITES JUST RIGHT. “Dracula: Critics applaud ‘energetic and fun’ revival of vampire classic” – BBC has a roundup.

The BBC’s new take on Dracula is a hit with critics, one of whom says it is “the meatiest, goriest, most energetic and fun version” she has ever seen.

“Previous versions now look anaemic,” writes The Times’ Carol Midgley.

The Mail’s reviewer hailed “a Dracula to delight horror movie fans of all stripes” in his five-star write-up.

The Telegraph’s reviewer, meanwhile, praised Danish actor Claes Bang for his “witty, outrageous and thrilling” portrayal of Bram Stoker’s vampire.

“It might not have been faithful to the original, but it was a scream,” writes the paper’s Anita Singh.

The BBC One mini-series has been written and created by Steven Moffat and Mark Gatiss, the duo behind the award-winning Sherlock.

(6) BREATHE IN. IGN interviews the midwives…. “Galaxy Quest: How the Thermians Were Born”.

…Parisot remembers Colantoni’s audition inventiveness setting the tone for the Thermians. After a solid read, the direct says he could tell the actor was holding back on his way out the door.

“For some reason I said, ‘Rico, it seems like you’ve got something on your mind,’” recalls the director. “He goes, ‘Well, I have this voice. I don’t know if it works.’ I said, ‘What is it? Try it.’ He did it and I just went, ‘Oh my God, that’s it!’

“The Thermians came out of that voice,” Parisot continues. As more actors were added to the Thermian ranks, that voice became the reference point with every addition, including Missi Pyle (Laliari), Jed Rees (Teb), and Patrick Breen (Quellek).

“We had alien school and we would come up with things like the walk,” Parisot remembers. “Rather than swinging in the direction most people do, we went the opposite direction with the arms, and the posture because they’re basically giant calamari hiding in human shape.

(7) THE DAY OF THEIR RETURN. It might be this year.“Chandrayaan-3: India plans third Moon mission”.

India has announced plans for a third lunar mission, months after its last one crash landed on the Moon’s surface.

The chairman of India’s space agency, K Sivan, said work was going “smoothly” on the Chandrayaan-3 unmanned mission.

He said the country was aiming to launch the mission in 2020 but that it “may spill over” to 2021.

If successful, it would make India the fourth country to achieve a soft landing on the Moon, and boost its credentials as a low-cost space power.

(8) BUT WAIT — THERE’S MORE. “India Announces Plans For Its First Human Space Mission”.

India’s space agency says that four astronaut candidates have been selected for its first human mission, targeted to launch by 2022, but they’ve not been publicly named or identified.

India hopes to join the United States, Russia and China as the world’s fourth nation capable of sending people to space. It has been developing its own crewed spacecraft, called Gaganyaan (or “sky vehicle” in Sanskrit), that would let two to three people orbit the Earth on a week-long spaceflight.

K Sivan, the chairman of the Indian Space Research Organization, held a press briefing on New Year’s Day and told reporters that the four astronauts would start their training in Russia in a few weeks.

(9) NATIONAL SCIENCE FICTION DAY. There’s even a Wikipedia entry – unfortunately, one that makes it sound like a big commercial. That attitude would make more sense to me if I’d ever seen a Hallmark card for the occasion.  

(10) TODAY IN HISTORY.

  • January 2, 1996 The Demon Headmaster aired the first episode of its three seasons. Based on the children’s series by Gillian Cross of the same name, the later books were based off the screenplays for the series which Cross wrote. The cast included Terrence Hardiman, Frances Amey, Gunnar Atli, Cauthery and Thomas Szekeres. A sequel series was done. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 2, 1920 Isaac Asimov. I can’t possibly summarize him here so I won’t. My favorite novels by him are the original Foundation novels followed very closely by his Galactic Empire series and I, Robot. I know I’ve read a lot of his short fiction but I’ll be damn if I can recall any of it specifically right now. (Died 1992.)
  • Born January 2, 1940 Susan Wittig Albert, 80. She’s the author of The Cottage Tales of Beatrix Potter, a series of mysteries featuring that writer. Really. Truly. Haven’t read them but they bear such delightful titles as The Tale of Cuckoo Brow Wood. She has non-genre series involving an herbalist and a gardening club as well. 
  • Born January 2, 1948 Deborah Watling, Best known for her role as Victoria Waterfield, a companion of the Second Doctor. She was also in Downtime, playing the same character, a one-off sequel to a sequel to the Second Doctor stories, The Abominable Snowmen and The Web of Fear. No Doctors were to be seen. If you’ve seen the English language dubbed version of Viaje al centro de la Tierra (Where Time Began, based off Verne’s Journey to the Center of The Earth), she’s doing the lines of Ivonne Sentis as Glauben. (Died 2017.)
  • Born January 2, 1952 Caitlín Matthews, 68. Fiction writer. Well she sure as Odin’s Beard isn’t a scholar in any meaningful sense. With her husband John, she’s written such works as King Arthur’s Raid on the Underworld: The Oldest Grail Quest, The Element Encyclopedia of Magical Creatures and on her own, Mabon and the Mysteries of Britain: An Exploration of the Mabinogion. They’re entertaining as long as you accept that they’re really mostly fiction. 
  • Born January 2, 1959 Patrick Nielsen Hayden, 61. Wiki in a fit of exuberance list him as a “editor, fan, fanzine publisher, essayist, reviewer, anthologist, teacher and blogger”. Which is true. He’s won three Hugo Awards for Best Editor Long, and he won a World Fantasy Award for editing the Starlight 1 anthology. 
  • Born January 2, 1967 Tia Carrere, 53. Best remembered for her three-season run as Sydney Fox, rogue archeologist on Relic Hunter. She’s been in a lot of one-offs on genre series including Quantum Leap, Hercules, Tales from The Crypt, Airwolf, Friday the 13th and played Agent Katie Logan for two episodes on Warehouse 13.
  • Born January 2, 1979 Tobias S. Buckell, 41. I read and enjoyed a lot his Xenowealth series which he managed to wrap up rather nicely. The collection he edited, The Stories We Tell: Bermuda Anthology of Science Fiction, Fantasy and Horror, is well worth reading, as is his own Tides from a New World collection.
  • Born January 2, 1983 Kate Bosworth, 37. She’s Barbara Barga in the SS-GB series done the superb Len Deighton novel. She’s both a producer and a performer on The I- Land Netflixseries where she’s KC, a decidedly not nice person. For a more positive character, she portrayed Lois Lane in Superman Returns.

(12) SOLAR TO BLAME. Mark Lawrence’s “Star one stars!” features bad reviews that Amazon customers gave books, complaining about things that aren’t in the writer’s control. His first example —

I was recently the lucky recipient of this 1* review on Amazon. It struck me as worthy of note because not only is it not a review of the book, it’s not even a criticism of Amazon. It’s more of a critique of the customer’s own life skills…

“1*: Can’t remember ordering these books. Not my type of subject. Unable to find a method of cancelling the transaction”

(13) LIGHT ‘EM UP. Cora Buhlert tells how she celebrated a “Happy New Year 2020” in Germany, where fireworks are part of the tradition – but for how long?

…However, this year some organisations are calling for a complete ban on private fireworks. The initial reasons given were environmental – fireworks release smoke and microparticles, but then other reasons like animal welfare and health and safety were also given. Plus, there is a call – echoed by various charities – that fireworks are a waste of money and that the people should rather donate the money spent on fireworks to charity. One figure that’s often bandied about is that in 2018, 130 million Euros were spent on fireworks in Germany. That sounds like a lot – until you do the calculations and realise that this figure means that every person in Germany spent 1,57 Euros per year on fireworks on average. And 1,57 Euros per person is not a lot of money, especially if you consider that the total figure of 130 million Euros also includes money spent on professional fireworks.

So why are fireworks suddenly so controversial, especially since they are limited to one night of the year – with the occasional firecracker going off a few days before or after? IMO, the underlying reason is just that some people find fireworks annoying, because they are noisy, frivolous and the wrong kind of people (teenagers, immigrants, poor people) are having fun. In recent times, there has been a resurgence of the kind of joyless moralism that dominated the 1980s. And not coincidentally, the “Give to charity rather than buying fireworks” campaign originally also dates from the 1980s.

(14) IN TIMES TO COME. [Item by SF Concatenation’s Jonathan Cowie.] Nature points out “The science events to watch for in 2020”. This includes… 2020 will see a veritable Mars invasion as several spacecraft, including three landers, head to the red planet. NASA will launch its Mars 2020 rover, which will stash rock samples that will be returned to Earth in a future mission and will also feature a small, detachable helicopter drone. China will send its first lander to Mars, Huoxing-1, which will deploy a small rover. A Russian spacecraft will deliver a European Space Agency (ESA) rover to the red planet — if issues with the landing parachute can be resolved. And the United Arab Emirates will send an orbiter, in the first Mars mission by an Arab country. Closer to home, China is planning to send the Chang’e-5 sample-return mission to the Moon.

Attached is a pic of the forthcoming Mars lander being tested.

(15) ONLY 3600-SOME-ODD SHOPPING DAYS ‘TIL. In “The 2030 Last-Minute Christmas Gift Guide” on Vice, Tim Maughan foresees what the hot holiday items of ten years from now will be, including Barron Trump’s rap albums and Marvel Vs. Star Wars VI: The Final Conflict.

…Want to take a low flying helicopter ride over the Texas Refinery District Toxic Exclusion Zone? Try urban scuba deep under what was once the Miami waterfront? Or maybe you want to take a leaf out of your favorite influencer’s book, and get your photo taken on the rim of the crater that was once the Space X test facility? The Unlimited Dream Company can make it happen, with its range of exclusive, customizable tourist trips. You’ll be given full safety training and orientation—including an entry level handgun course for trips in disputed states—and will be accompanied by medical staff*, Darklake certified security agents, and tour guides with unmatched local knowledge.

(16) RESOLUTIONS. At Brain Pickings, Maria Popova selects “Elevating Resolutions for the New Year Inspired by Some of Humanity’s Greatest Minds” (2016). A long Ursula K. Le Guin excerpt crowns the middle of the list – but the Vonnegut is short enough to quote —

In 2005, Kurt Vonnegut (November 11, 1922–April 11, 2007) — a man of discipline, a sage of storytelling, and one wise dad — penned a short and acutely beautiful remembrance of his friend Joseph Heller, who had died several years earlier. Originally published in the New Yorker, it was later reprinted in John C. Bogle’s Enough: True Measures of Money, Business, and Life (public library).

JOE HELLER

True story, Word of Honor:
Joseph Heller, an important and funny writer
now dead,
and I were at a party given by a billionaire
on Shelter Island.

I said, “Joe, how does it make you feel
to know that our host only yesterday
may have made more money
than your novel ‘Catch-22’
has earned in its entire history?”
And Joe said, “I’ve got something he can never have.”
And I said, “What on earth could that be, Joe?”
And Joe said, “The knowledge that I’ve got enough.”
Not bad! Rest in peace!

(17) ART LARP. “One Night In An Edward Hopper Hotel Room? It’s Less Lonely Than You Might Think”.

It isn’t hard to imagine yourself inside an Edward Hopper painting — having a coffee at a late-night diner, or staring out the bedroom window at the bright morning sun.

Now, for $150 a night, you can sleep in one — or a reproduction of one — at the Virginia Museum of Fine Arts in Richmond. Designers have constructed a 3D version of Hopper’s 1957 Western Motel, and invited Hopper fans to sleep over.

It feels a little funny getting undressed for bed in a museum. (There are plenty of nudes on the walls, but you don’t expect to be one yourself.) But suddenly there you are, in your jammies — a guard outside in the hallway — turning off the goose-neck lamp on the bedside table, tucking yourself under a deep burgundy bedspread, and looking out the big picture “window” at a green Buick parked outside.

(18) THE NEXT MARVEL FIRSTS. “Marvel to get first transgender superhero”. And that’s not all.

The Marvel Cinematic Universe is set to get its first transgender superhero.

“And very soon. In a movie that we’re shooting right now,” Marvel Studios boss Kevin Feige said during a Q&A at the New York Film Academy.

Asked by a fan whether there were any plans for more LGBT characters in Marvel’s films, “specifically the T, trans characters”, Kevin said: “Yes, absolutely. Yes.”

This year, The Eternals will introduce Marvel movies’ first gay character.

There have been reports since 2019 that Phase 4 of the MCU – the films following the Avengers Infinity saga – would star a trans character.

Marvel has also said it will introduce its first deaf superhero in The Eternals and its first Asian-American superhero, in Shang-Chi and the Legend of the Ten Rings.

“You look at the success of Captain Marvel and Black Panther. We want the movies to reflect the audience and we want every member of our global audience to see themselves reflected on the screen,” Kevin Feige previously said.

(19) DIY. “Invasion Planet Earth: Sci-fi filmed in Birmingham” — video, with clips and interviews.

Since being a teenager Simon Cox loved science fiction, especially Star Wars.

He wanted to make his own blockbuster, and he has finally realised his dream to write and direct his own film, which is called Invasion Planet Earth.

It’s taken 20 years, crowd funding and several campaigns to fund the small budget film.

Much of the sci-fi epic was filmed in Birmingham with 900 Brummies acting as extras.

The movie, which has been shown in mainstream cinemas, is available on DVD and available to download.

(20) LOOKING AHEAD. Sounds like they’re not going with Jubal Harshaw’s solution. BBC covers “Writing a ‘national anthem’ for Mars” — video, with performance.

An Indian former software analyst who’s now a rising star in the opera world has written a new “national anthem” for Mars.

Oscar Castellino was commissioned to give the Red Planet its own anthem by the UK’s Mars Society – to promote the idea that if humans ever live there then they will need their own musical identity.

(21) THESE ARE THE DROIDS I’M LOOKING FOR. Philadelphia channel 17 captured the highly stfnal “Fralinger String Band at the 2020 Mummers Parade” on video.  

Love the Fralinger String Band?  Then you came to the right place.   We’ve got Fralinger’s 2020 Mummers Parade performance video of their “Lunar Effect” theme and some photos below.

[Thanks to JJ, Cat Eldridge, Michael J. Walsh, Mike Kennedy, Andrew Porter, John King Tarpinian, Michael Toman, Martin Morse Wooster, SF Concatenation’s Jonathan Cowie, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Ingvar.]

Pixel Scroll 1/1/20 Old Pixel’s File Of Practical Scrolls

(1) AFTER QUARTER CENTURY, GOMOLL STEPS DOWN. The Otherwise Award announced yesterday: “Jeanne Gomoll Retires from Motherboard”.

Jeanne Gomoll, whose art, design, and organizing energy has propelled and sustained the Award for the last 25 years, is retiring from the Otherwise Motherboard at the end of 2019. The remaining members of the Motherboard are incredibly grateful for Jeanne’s tireless, brilliant work and look forward to celebrating her contributions at WisCon in 2020.

Jeanne writes:

Up until 1991 it felt to me as though the efforts of the Madison SF Group, Janus and Aurora fanzines, and WisCon, to encourage and celebrate feminist science fiction were largely restricted to a single place and to those who came to this place and attended WisCon. Indeed, by the late 1980s, it felt to me as if our efforts to foster feminist SF were increasingly being met with opposition and might possibly have been in danger of flickering out, as the backlash to feminism in general and feminist SF in specific gained strength. Pat Murphy’s 1991 announcement of the Tiptree Award thrilled me and gave me renewed strength. It was as if a small group of us, following a narrow, twisty path had merged with a much wider, well-traveled path. After the Tiptree Award began handing out annual awards and raising funds, and had sparked a massive juggernaut of community activism, I stopped worrying about the viability of the movement.

I will be forever grateful to the Tiptree Award and proud of my work on it. I chaired two Tiptree juries—one in 1993, which chose Nicola Griffith’s Ammonite as the winner; and the other in 2016, which presented the award to When the Moon Was Ours, by Anna-Marie McLemore. I served on the Motherboard for 25 years, 1994-2019, and worked behind-the-scenes on most of the auctions during those years, and as an artist creating logos, publications, and Tiptree merchandise. I will be forever grateful to the Motherboard for the work we did together and the friendships we created along the way. I am awed by and very proud of the community of writers and readers who supported and were nurtured by the award, even as they guided the award further along the path toward greater diversity and scope.

The Tiptree Award, and now the Otherwise Award will always have my heartfelt support. But it is time for me to step back and make space for a new generation of activists. I want to thank my fellow motherboard founding mothers and members, past and present—Karen Joy Fowler, Pat Murphy, Jeff Smith, Alexis Lothian, Sumana Harihareswara, Gretchen Treu, Debbie Notkin, Ellen Klages, Delia Sherman—for all they have done and for their friendship, which I will value forever.

(2) THIS IS HORROR. Public nominations are being accepted through January 8 for the This Is Horror Awards.

The public nominations are now open for the ninth annual This Is Horror Awards. This year we’ve retained all the categories from last year and added one more, ‘Cover Art of the year’. Here are the categories: Novel of the Year, Novella of the Year, Short Story Collection of the Year, Anthology of the Year, Fiction Magazine of the Year, Publisher of the Year, Fiction Podcast of the Year, Nonfiction Podcast of the Year, and Cover Art of the Year.

Readers can e-mail in their nominations for each category. Taking into consideration the nominations for each category This Is Horror will then draw up a shortlist.

We invite you to include one sentence as to why each nomination is award-worthy.

(3) DEEP STATE. Jason Sanford has been posting interviews he conducted with sff magazine editors in conjunction with his fantastic report #SFF2020: The State of Genre Magazines.

Jason: How much of an increase in your budget would be required to pay all editorial and publishing staff a living wage?

Scott: Estimating using a salary of $15/hour for the work our staff does, we would need a $45,000 increase in our annual budget to pay all staff a living wage.  That’s double what our annual budget is to pay for the stories we publish.  To cover that, our monthly donations through Patreon would have to increase by 7000%….

Jason: Neil Clarke of Clarkesworld has said some of the problems experienced by genre magazines come about because “we’ve devalued short fiction” through reader expectations that they shouldn’t have to pay for short stories. Do you agree with this? Any thoughts on how to change this situation?

LDL: …I think the issue is one of exhaustion on the part of volunteer staff and a strained supporter base. In my observation, the people who contribute to zine crowdfunds also contribute to crowdfunds for individuals in emergency situations. There are a lot of emergencies or people in general need, just within the SFF community and funds are finite. If you’re supporting your four favorite zines every year, donating to three medical funds, two Kickstarters, a moving fund, and also taking on costs associated with at least one fandom-related convention every year, it’s not sustainable for a lot of readers, especially the marginalized ones….

Jason: In addition to paying your writers, Asimov’s also pays all of your staff, something which is not common among many of today’s newer genre magazines. Is it possible to publish a magazine like Asimov’s without the support of a larger company, in this case Penny Publications?

Sheila: An anecdotal review of the American market doesn’t really bear that out. F&SF is published by a small company. Analog and Asimov’s are published by a larger (though not huge) publishing company. Being published by a larger company does have its advantages, though. While only one and a half people are dedicated to each of the genre magazines, we do benefit from a support staff of art, production, tech, contracts, web, advertising, circulation, and subsidiary rights departments. I’m probably leaving some people out of this list. While the support of this infrastructure cannot be underestimated, Asimov’s revenue covers our editorial salaries, and our production and editorial costs. We contribute to the company’s general overhead as well.

Jason: Strange Horizons also helped pioneer the idea that a genre magazine could be run as a nonprofit with assistance from a staff of volunteers. What are the pros and cons of this publishing model?

Vanessa: With volunteer staff, the con is simple: no pay. Generally, working for no pay privileges people who can afford to volunteer time, and devalues the work we do as editors. I’d like to think that at SH, we have partially balanced the former by making our staff so large and so international that no one need put in many hours, and folks can cover for you regardless of time zone. Despite having 50+ folks, we’re a close group. Our Slack is a social space, and we bring our worst and best days there for each other. Several members (including me) have volunteered right through periods of un- and underemployment because of the love of the zine and our community….

(4) NEBULA CONFERENCE EARLYBIRD RATE. The rate has been extended another week —

(5) MORE ON MILAN. The Guardian’s coverage of the RWA/Courtney Milan controversy, “A romance novelist spoke out about racism. An uproar ensued”, starts with the now-familiar origin story, then adds dimension with background history like this:

HelenKay Dimon, a past RWA president, previously told The Guardian that she regularly received letters from white RWA members expressing concern that “now nobody wants books by white Christian women”.

There is “a group of people who are white and who are privileged, who have always had 90% of everything available, and now all of a sudden, they have 80%. Instead of saying: ‘Ooh, look, I have 80%,’ they say: ‘Oh, I lost 10! Who do I blame for losing 10?’” Dimon said.

The tweets that sparked the ethics complaints against Milan, which were posted this August, were part of a broader conversation on romance Twitter about how individual racist beliefs held by gatekeepers within the publishing world have shaped the opportunities available to authors of color.

(6) ARRAKIS AGAIN. Just before the calendar clicked over to 1965, Galactic Journey’s Gideon Marcus forced himself to read the first installment of the Dune World sequel: “[December 31, 1964] Lost in the Desert (January 1965 Analog)”.  

The…next installment of Frank Herbert’s Dune World saga has been staring me in the face for weeks, ever since I bought the January 1965 issue of Analog. I found I really didn’t want to read more of it, having found the first installment dreary, though who am I to argue with all the Hugo voters?

And yet, as the days rolled on, I came up with every excuse not to read the magazine. I cleaned the house, stem to stern. I lost myself in this year’s Galactic Stars article. I did some deep research on 1964’s space probes.

But the bleak desert sands of Arrakis were unavoidable. So this week, I plunged headfirst into Campbell’s slick, hoping to make the trek to the end in fewer than two score years. Or at least before 1965. Join me; let’s see if we can make it.

(7) RINGS TWICE. Tor.com reprints “A Weapon With a Will of Its Own: How Tolkien Wrote the One Ring as a Character”, Megan N. Fontenot’s engrossing manuscript study about how Bilbo’s trinket became the key to the LOTR trilogy.

In September 1963, Tolkien drafted yet another of a number of letters responding to questions about Frodo’s “failure” at the Cracks of Doom. It’s easy to imagine that he was rather exasperated. Few, it seemed, had really understood the impossibility of Frodo’s situation in those last, crucial moments: “the pressure of the Ring would reach its maximum,” Tolkien explained; it was “impossible, I should have said, for any one to resist, certainly after long possession, months of increasing torment, and when starved and exhausted” (Letters 326). Even had someone of unmatched power, like Gandalf, claimed the Ring, there would have been no real victory, for “the Ring and all its works would have endured. It would have been the master in the end” (332).

It would have been the master.

From humble beginnings as a mere trinket bartered in a game of riddles (see the original Hobbit), the Ring grew in power and influence until it did indeed include all of Middle-earth in its simple band of gold. “One Ring to rule them all” wasn’t just meant to sound intimidating—it was hard truth. Even Sauron couldn’t escape the confines of its powers. It was his greatest weakness.

But how did the Ring become the thing around which the entirety of the Third Age revolved (Letters 157)?…

(8) JANUARY 2. Get ready – tomorrow is “National Science Fiction Day”. It must be legit – “National Science Fiction Day is recognized by the Hallmark Channel and the Scholastic Corporation.”

National Science Fiction Day promotes the celebration of science fiction as a genre, its creators, history, and various media, too. Recognized on January 2nd annually, millions of science fiction fans across the United States read and watch their favorites in science fiction. 

The date of the celebration commemorates the birth of famed science fiction writer Isaac Asimov.  An American author and Boston University professor of biochemistry, Isaac Asimov was born Isaak Yudovich Ozimov on January 2, 1920. He was best known for his works of science fiction and his popular science books.

(9) TODAY IN HISTORY

  • January 1, 2007 — The Sarah Jane Adventures premiered starring Elizabeth Sladen who had been in the pilot for K-9 and Company which the Beeb didn’t take to series. The program, which as you well know was a spin-off of Doctor Who, lasted five series and fifty-four episodes. It did not make the final Hugo ballot for Best Dramatic Presentation, Short Form in either 2007 or 2008. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 1, 1854 James George Frazer. Author of The Golden Bough, the pioneering if deeply flawed look at similarities among magical and religious beliefs globally.  He’s genre adjacent at a minimum, and his ideas have certainly been used by SFF writers a lot both affirming and (mostly) critiquing his ideas. (Died 1952.)
  • Born January 1, 1889 Seabury Quinn. Pulp writer now mostly remembered for his tales of Jules de Grandin, the occult detective, which were published in Weird Tales from the Thirties through the Fifties. (Died 1969.)
  • Born January 1, 1926 Zena Marshall. She’s Miss Taro in Dr. No, the very first Bond film. The Terrornauts in which she’s Sandy Lund would be her last film. (The Terrornauts is based off Murray Leinster‘s The Wailing Asteroid screenplay apparently by John Brunner.) She had one-offs in Danger Man, The Invisible Man and Ghost Squad. She played Giselle in Helter Skelter, a 1949 film where the Third Doctor, Jon Pertwee, played Charles the Second. (Died 2009.)
  • Born January 1, 1933 Joe Orton. In his very brief writing career, there is but one SFF work, Head to Toe which the current publisher says “is a dream-vision allegory of a journey on the body of a great giant or ‘afreet’ (a figure from Arabic mythology) from head to toe and back, both on the body and in the body.” Like his other novels, it’s not available digitally.  (Died 1967.)
  • Born January 1, 1954 Midori Snyder, 66. I was most impressed with The Flight of Michael McBride, the Old West meets Irish myth novel of hers and hannah’s garden, a creepy tale of the fey and folk music. She won the Mythopoeic Award for The Innamorati which I’ve not read.  With Yolen, Snyder co-authored the novel Except the Queen which I do recommend. (Yolen is one of my dark chocolate recipients.) She’s seems to have been inactive for a decade now. Anyone know why?
  • Born January 1, 1957 Christopher Moore, 63. One early novel by him, Coyote Blue, is my favorite, but anything by him is always a weirdly entertaining read. I’m hearing good things about Noir, his newest work which I’m planning on listening to soon. Has anyone read it? 
  • Born January 1, 1971 Navin Chowdhry, 49. He’s Indra Ganesh in a Ninth Doctor story, “Aliens of London.“ I also found him playing Mr. Watson in Skellig, a film that sounds really interesting. Oh, and I almost forgot to mention that he was Nodin Chavdri in Star Wars: The Last Jedi.
  • Born January 1, 1976 Sean Wallace, 44. Anthologist, editor, and publisher known for his work on Prime Books and for co-editing three magazines, Clarkesworld Magazine which I love, The Dark which I’ve never encountered, and Fantasy Magazine which is another fav read  of mine. He has won a very, very impressive three Hugo Awards and two World Fantasy Awards. His People of the Book: A Decade of Jewish Science Fiction and Fantasy co-edited with Rachel Swirsky is highly recommended by me. He’s not well represented digitally speaking which surprised me. 
  • Born January 1, 1984 Amara Karan, 36. Though she’s Tita in an Eleventh Doctor story, “The God Complex”, she’s really here for being involved in a Stan Lee project. She was DS Suri Chohan in Stan Lee’s Lucky Man, a British crime drama series which is definitely SFF. Oh, and she shows up as Princess Shaista in “Cat Among Pigeons” episode of Agatha Christie’s Poirot but even I would be hard put to call that even close to genre adjacent. 

(11) COMICS SECTION.

(12) DODGED THE BULLET. [Item by Mike Kennedy.] In an alternate universe, it seems that original director Harold Ramis would’ve made a very different Galaxy Quest. From ComicBookResources.com: Galaxy Quest: Tim Allen Equates Harold Ramis’ Version to Spaceballs”.

Before Dean Parisot signed on to direct Galaxy Quest, Harold Ramis was supposed to helm the movie, which was initially titled Captain Starshine. However, according to Tim Allen, if Ramis directed the film, it wouldn’t have just been titled differently — it would have looked quite different as well.

[…] “Katzenberg pitched me the idea of the commander character and then they started talking and it became clear that Ramis didn’t see me for the part,” Allen said. “It was pretty uncomfortable.”

[…] Interestingly, Sigourney Weaver also wouldn’t have gotten her role as Gwen DeMarco in Galaxy Quest if Ramis had directed the film, despite their relationship from Ghostbusters. “I had heard that Harold was directing a sci-fi movie but he didn’t want anyone who had done sci-fi in the film,” she said. “Frankly, it’s those of us who have done science fiction movies that know what is funny about the genre.”

(13) JUST CHUCK IT. Is this April 1 or January 1? Today Tor.com posted Leah Schnelbach’s “Excellent Writing Advice from Erotica Author Chuck Tingle”.

…I’ll start with this reddit AMA from a few years back, and an interview with Tingle on Nothing in the Rulebook. His answers reveal a consistent approach to the writing life that mirrored the habits of authors who are, possibly, even more well-known than our favorite erotica author.

Asked about a typical writing day, Tingle replies:

yes average day is getting up and having two BIG PLATES of spaghetti then washing them down with some chocolate milk then i get out of bed and meditate to be a healthy man. so when i am meditating i think ‘what kind of tingler would prove love today?’. if nothing comes then i will maybe trot around the house or go to the park or maybe walk to the coffee shop with my son jon before he goes to work. if i have a good idea i will just write and write until it is all done and then I will have son jon edit it and then post it online.

OK, so to translate this a bit out of Tingle-speak, we have a recommendation that you fuel your writing with carbs (and also an unlikely alliance with Haruki Murakami’s spaghetti-loving ways) with a bit of a boost of sugar….

(14) GREASED LIGHTNING. [Item by Daniel Dern.] From one of the CES 2020 press releases I got today…

Subject: [CES NEWS] Experience a Roomba-Like Device that Navigates the Home Charging ALL Devices

…I want to put an innovative device on your radar: RAGU, a Roomba-like robot that navigates the home charging ALL of your devices.

GuRu is the first company to crack the code on totally untethered, over-the-air charging.

Even discounting remote mal-hackers, this sounds like a recipe for either a droll TV episode, or Things Going Horribly Wrong. (Fires, fried gear, tased/defibrilated pets and sleeping people, etc.)

(15) MIXED BAG. [Item by Chip Hitchcock.] I expect everybody will find something interesting or strange in the BBC’s “Alternative end-of-the-year awards”

Animal rescue of the year

Winner

Spare a thought for the poor fat rat of Bensheim, which became stuck in a German manhole in February. She was eventually freed, but not before passers-by took embarrassing photos of her plight. “She had a lot of winter flab,” one rescuer said, compounding the humiliation.

…Runner-up (2)

In this case, the animals were the rescuers rather than the rescued (sort of).

Anticipating the threat of wildfires later in the year, staff at the Ronald Reagan Presidential Library in California hired a hungry herd of 500 goats to eat flammable scrub around the building in May.

And so, when fires did strike in October, the library was saved because of the fire break the goats had created by eating the flammable scrub. Nice one, goats.

(16) MAKING TRACKS. “SpaceX satellites spotted over Derbyshire” – BBC has photo and short video.

Stargazers across Derbyshire were startled when they saw what appeared to be a new “constellation” in the night sky.

The near-perfect line was in fact formed by the Starlink, satellites launched by Elon Musk’s SpaceX company earlier this year.

They were spotted across Derbyshire and the Peak District.

Tom Sparrow, an amateur photographer, said the satellites were “quite a spectacle”.

The Bradford University archaeology researcher caught the orbital pass by chance on a time-lapse video in the Peak District.

(17) BEYOND BINARY. The Hollywood Reporter’s Robyn Bahr, in “Critic’s Notebook: Baby Yoda, ‘The Dark Crystal’ and the Need for Puppetry in the Age of CGI “, cheers on non-digital effects.

As always, the existential wisdom of Werner Herzog prevails. “You are cowards,” the director castigated on set of The Mandalorian, upon realizing the producers intended to shoot some scenes without the Baby Yoda puppet in case they decided to go full CGI with the character. “Leave it.”

Herzog, who guest-starred on a few episodes of the Disney+ Star Wars spinoff series, was one of Baby Yoda’s earliest champions. And indeed, Baby Yoda — a colloquial epithet referring to the mysterious alien toddler merely known as “The Child” in the script — was designed for maximum neoteny. The gigantic saucer-like dilated eyes; the tiny button nose; a head that takes up nearly half his body mass; the hilariously oversized brown coat; the peach fuzzy hairs tufted around his head; and the pièce de résistance of his custardy little green face: that minuscule line of a mouth that could curve or stiffen in an instant and erupt a thousand ancient nurturing instincts in any viewer. (He’s the only thing my normally stoic husband has ever sincerely described as “cute.”) Heck, there may very well be a micro generation of Baby Yoda babies about eight months from now, thanks to this frog-nomming, lever-pulling, bone-broth-sipping little scamp.

And all because Jon Favreau and company finally recognized that rubber-and-fabric practical effects will almost always have a greater emotional impact than plasticky digital ones.

The recent success of The Mandalorian, thanks to the adorable face that launched a thousand memes, and Netflix’s fantasy-adventure epic The Dark Crystal: Age of Resistance, recently nominated for a WGA Award and a Critic’s Choice Award, prove that we still need puppetry and mechanical effects in the age of CGI….

(18) PERRY MASON. My fellow geezers may enjoy this quick quiz.

[Thanks to Jo Van Ekeren, Cat Eldridge, Mike Kennedy, JJ, Chip Hitchcock, John King Tarpinian, Martin Morse Wooster, Daniel Dern, Contrarius, Darrah Chavey, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W.]