Pixel Scroll 12/13/19 All These Scrolls Are Yours, Except Tsundoku. Attempt No Pixels There

(1) MARVEL SNAPSHOTS. Kurt Busiek is overseeing a Marvel showcase series featuring history-making characters.

This March, prepare to see the greatest moments of Marvel’s 80-year history told like never before! In MARVEL SNAPSHOTS, industry legend Kurt Busiek will bring together incredible creative teams for eight standalone, double sized issues showcasing Marvel’s most beloved characters from the golden age to today. Like 1994’s critically acclaimed MARVELS series, MARVEL SNAPSHOTS will be tales told through the eyes of ordinary people, offering unique insights on the legendary mythos of the Marvel Universe. MARVELS SNAPSHOTS also reunites Busiek with renowned MARVELS co-creator Alex Ross who will be providing the series with his iconic painted covers.

It all begins with SUB-MARINER: MARVELS SNAPSHOT #1 when best-selling novelist and Emmy Award-winning TV writer Alan Brennert (L.A. LAW, TWILIGHT ZONE) and superstar artist Jerry Ordway (ALL-STAR SQUADRON, CRISIS ON INFINITE EARTHS) unite to tell an unforgettable story about Marvel’s original antihero: Prince Namor!

Set circa World War II, things kick off with an action-packed tale featuring Namor, Betty Dean, and the All-Winners Squad–a dream come true for Brennert. “I can honestly say that I enjoyed working on this story more than any comics story I’ve done in years. I grew up reading (and loving) Marvel’s Golden Age heroes in the 1960s, in reprints in FANTASY MASTERPIECES. But I never thought I’d have a shot at writing them–especially the All-Winners Squad!–and I’m grateful to Kurt Busiek and Tom Brevoort for providing me the opportunity, and to Jerry Ordway for bringing it all to glorious life,” Brennert says. “I’m enormously proud of ‘Reunion’ and honored to be the first story published in MARVELS SNAPSHOTS.”

Artist Jerry Ordway is just as passionate about bringing this tale to life. “When I was offered this project, I jumped at it, being a big fan of the original MARVELS book by Kurt Busiek and Alex Ross. Getting to draw a Sub-Mariner story set in the 1940s, with appearances by the All-Winners Squad, lets me connect with Marvel’s World War II era history, and the work of Subby’s creator, Bill Everett,” says Ordway. “I’ve been a Marvel maniac from the age of 10, so this is pretty cool! Alan Brennert wrote a great script which fits neatly into the bigger tapestry that is the Marvel Universe. I’m thrilled to get to play in this sandbox after so many years as an artist.”

(2) EATING THE FANTASTIC. Listeners are invited to join host Scott Edelman and Elsa Sjunneson-Henry for lunch in Little Italy on Episode 111 of the Eating the Fantastic podcast.

Elsa Sjunneson-Henry

My guest this time around is Elsa Sjunneson-Henry, who was a winner of the Best Semiprozine Hugo Award earlier this year for her work as a Guest Editor of Uncanny Magazine’s Disabled People Destroy Science Fiction Special Issue. She was also a 2019 Hugo Award finalist for Best Fan Writer. Her fiction has appeared in such magazines as Fireside and Uncanny, as well the anthologies Ghost in the Cogs and Upside Down: Inverted Tropes in Storytelling. She’s written non-fiction for The Boston Globe, Barnes & Noble, Tor.com, and other venues. She is a feminist scholar and disability rights activist (which I knew), but also a burlesque historian (which I did not know).

We lunched at La Tavola, where I’d previously joined Marv Wolfman during the 2017 Baltimore Comic-Con. We discussed her roller coaster of emotions the night she won a Hugo Award earlier this year during the Dublin Worldcon, how that editorial gig increased her empathy, the way writing roleplaying games and being a Sherlock Holmes nerd taught her about world-building and led to her first professional fiction sales, the dinosaur-themed Twitter feed that gave birth to her most recently published short story, the novel she’s working on which she describes as The Conjuring meets The Stand, her expertise in obscenity law and fascination with the history of burlesque, why she felt the Bird Box novel handled blindness better than the movie, her background in competitive improv and the way that helped her within science fiction, advice on how not to let Internet trolls get you down, and much more.

(3) PILE PELION ON OSSA. John Scalzi chronicled the results of his Twitter poll which asks: “Would Baby Yoda eat a porg?” (Is it cannibalism if one cute thing eats another cute thing?) Thread starts here.

(4) JUST PLAIN FOLKS TALES. RS Benedict has released another episode of the Rite Gud podcast, “No More Heroes with JR Dawson”. In this interview with sff short fiction author JR Dawson, they talk about writing fiction that doesn’t focus on Big Important Heroes of Destiny. It’s called No More Heroes.

Much of speculative literature focuses on superheroes and Chosen Ones. But what about ordinary people or flawed people who don’t save the world? Do they matter?

Sci-fi/fantasy author JR Dawson joins us to talk about why she writes about ordinary people, and how privilege and inequality warp our idea of whose story deserves to be told. She also talks about being a Midwestern writer, her favorite literary losers and that time Hans Christian Andersen got really weird with Charles Dickens’ family.

(5) BEST SFF. Andrew Liptak chimes in with “The best science fiction and fantasy books of 2019” at Polygon. (It’s interesting to see that several of the year’s most-discussed books only made his Honorable Mentions.)

Here’s one that made the list —

The Waste Tide by Chen Quifan

Cixin Liu might have become the best-known science fiction writers to come out of China, but he’s far from the only one. Chen Qiufan’s Waste Tide is a far cry from Liu’s epic science fiction tales, taking a grim look at the near future of China, where impoverished workers struggle to make a living from the world’s electronic waste.

Waste Tide follows a series of people who come together in Silicone Isle: Mimi, a worker who heads there for work; Scott Brandle, an American who is trying to arrange a contract; and Chen Kaizong, a translator, all of whom find themselves wrapped up in a greater plot for control. It’s a book that reminded me quite a bit of Paolo Bacigalupi’s The Windup Girl, with a pointed commentary on class warfare and the lifecycle of the devices we use.

(6) HAPPY BLANDINGS. At Tor.com, James Davis Nicoll wryly claims “SFF Needs More Incompetent Autocrats”. This turns out to be a Wodehouse tribute as much as anything.

One of SFF’s grand traditions is carefully filing the serial numbers off historical events (the American Revolutionary War, perhaps, or the Napoleonic Wars), or famous and classic works (Lord of the Rings, the Hornblower series, Zulu), and re-purposing the result as SFF. This is usually known as “research” (See Tom Lehrer on this point). Examples abound—my disinclination to deal with crowds of irate authors protesting at my door precludes naming them here….

(7) HOLLYWOOD HISTORY. Profiles in History’s “Hollywood: A Collector’s Ransom Auction” has all kinds of genre movie props, models, and figurines. It even has examples of correspondence between director Sam Peckinpah and Ray Bradbury. “Ray and Sam would lunch (hoist a few pints) at the Formosa Café,” recalls John King Tarpinian.

(8) A PYTHON SPEAKS. Leonard and Jesse interviewed Terry Gilliam for their Maltin on Movies podcast.

The Man Who Killed Don Quixote completes a quest that has consumed Terry Gilliam for thirty years, but as Leonard and Jessie learned, he bears his burdens lightly. He made his name supplying unique animated sequences for   Monty Python’s Flying Circus and his films include Monty Python and the Holy Grail, The Adventures of Baron Munchausen, Brazil, and The Fisher King. He’s a delightful man with stories to tell (about everyone from Robin Williams to Heath Ledger) and a great outlook on life.

(9) MICROLOAN. Rachel Swirsky signal-boosted an “Opportunity to Support a Palestinian Library” and so will we.

I’ve been making microloans through Kiva.org through years, and this project caught my eye. A Palestinian woman is looking to convert an old house into a library and bookshop: 

Check it out at Kiva: https://www.kiva.org/lend/1893559

Duha is a nice girl who lives with her family in a small humble house near Ramallah. Duha has an amazing idea: she decided to restore an old house to make it a library and a place to sell books and other stationery.

She went to Palestine for Credit and Development (FATEN) to request a loan to help her to cover all restoration expenses to convert the old house into a library. Duha hopes that all the students and residents of the area will benefit from the library.

(10) OVERCOMING REJECTION. Alex Woolf advocates “Seven Ways to Grow Your Resilience as a Writer” at the SFWA Blog.

Study the nuances of rejection
In the miserable miasma of reading a fresh rejection, it can be easy to miss the nuggets of positivity and constructive feedback that are often contained in the message too. Some messages are form rejections, but it’s well-known that many venues have form messages that vary according to their take on the writer. A writer a venue wishes to encourage, for example, may get a standard message that’s quite different from the standard message that’s sent to a writer that for whatever reason they are never likely to publish.

So once the initial disappointment has subsided, make a point of going back to the message and seeing what you can learn from it for your next project or submission. Sometimes there is a valuable nugget in there (e.g. Try to use fewer adverbs or We felt we wanted to know more about what was happening from the protagonist’s perspective.) These are valuable insights that you can work with.

However disappointing the message, always send an acknowledgment – stay polite and professional. And if a venue says you should submit again, then do so, once or twice more at least. They didn’t have to say that, after all.

(11) YIKES! Bloomberg confirms “Silicon Valley Is Listening to Your Most Intimate Moments”.

Amazon declined interview requests for this story. In an emailed statement, a spokeswoman wrote, “Privacy is foundational to how every team and employee designs and develops Alexa features and Echo devices. All Alexa employees are trained on customer data handling as part of our security training.” The company and its competitors have said computers perform the vast majority of voice requests without human review.

Yet so-called smart devices inarguably depend on thousands of low-paid humans who annotate sound snippets so tech companies can upgrade their electronic ears; our faintest whispers have become one of their most valuable datasets. Earlier this year, Bloomberg News was first to report on the scope of the technology industry’s use of humans to review audio collected from their users without disclosures, including at Apple, Amazon, and Facebook. Few executives and engineers who spoke with Bloomberg Businessweek for this story say they anticipated that setting up vast networks of human listeners would be problematic or intrusive. To them, it was and is simply an obvious way to improve their products.

… Several of the big tech companies tweaked their virtual-assistant programs this year after a steady drip of news reports. While Google has paused human transcriptions of Assistant audio, Apple has begun letting users delete their Siri history and opt out of sharing more, made sharing recordings optional, and hired many former contractors directly to increase its control over human listening. Facebook and Microsoft have added clearer disclaimers to their privacy policies. And Amazon has introduced a similar disclosure and started letting Alexa users opt out of manual reviews. “It’s a well-known thing in the industry,” Amazon’s Limp recently said about human transcription teams. “Whether it was well known among press or customers, it’s pretty clear we weren’t good enough there.”

(12) TODAY’S BIRTHDAYS.

[Cat Eldridge emailed that he needed urgent care for some physical problems – I hope they are able to get him feeling better soon. Go ahead and mention birthdays you know about in the comments.]

(13) STAR TREK SHIP IN A BOTTLE. So is there a teeny-tiny Kirk and Spock in there somewhere?

On this episode of Ben’s Worx I make a ship in a bottle with epoxy resin and Australian burl.

(14) RABID IN THE NORTHWEST. Theodore Beale, aka Vox Day, was referenced by the Guardian in a story about a Washington state representative: “Report on far-right Republican Matt Shea in hands of Washington legislators”

Outside investigators have submitted a report to the Washington state house about the activities of the far-right Republican state representative Matt Shea, but legislators on both sides of the aisle remain tight-lipped about its contents.

…Last Monday the independent investigator, the Rampart Group, presented their findings to the chief clerk of the Washington state legislature . He in turn delivered the findings to the executive rules committee, composed of leaders of both parties in the house.

…Shea, meanwhile, was interviewed last week on Infowars’ David Knight Show, where he attacked perceived critics.

Shea then quoted Theodore Beale, whom the Anti-Defamation League (ADL) describes as a “champion of the alt right movement”, and whose blog is described as a home of “misogynistic, white supremacist diatribes”.

“Social justice warriors always lie, they always double down on their lie, and they always try to project on to you how they really are themselves,” Shea said.

(15) HIGH-STAKES COMICS AUCTION. Heritage Auctions brought home the bacon again: “Marvel Comics #1 Brings Record $1.26 Million to Lead Heritage Auctions’ Comics & Comic Art Auction Beyond $14.9 Million”.

The finest known copy of Marvel Comics No. 1, sold for $1,260,000 to lead Heritage Auctions’ record-setting Comics & Comic Art auction to $14,936,295 Nov. 21 in Dallas, Texas.

The second-largest comic auction of all time, trailing only the $15,121,405 realized in Heritage Auctions’ Chicago Comics & Comic Art Auction in May 2019, this sale included 15 lots that sold for at least $100,000.

…The issue, with famous cover art by Frank R. Paul and interior art by a group of illustrators that included Bill Everett, Carl Burgos and Paul Gustavson, was purchased by a Pennsylvania postal carrier who bought every No. 1 issue he could of both comic books and magazines, beginning in the 1940s. It’s grade of 9.4 on a scale of 1-10 makes it the best copy of the issue ever found, according to Certified Guaranty Company (CGC).

More than two dozen collectors made bids for Robert Crumb Your Hytone Comix #nn “Stoned Agin!” Inside Back Cover Original Art (Apex Novelties, 1971) before it closed at $690,000, breaking the record for the most ever paid for an interior piece of comic art. Created at the height of the artist’s popularity, the image is instantly recognizable, even by many who don’t know the work of Crumb, who is revered for his contribution to the underground comics movement in the 1960s. This iconic image was reproduced countless times, including on a blacklight poster, on pinback buttons, postcards and t-shirts.

Neal Adams Batman #251 Cover The Joker Original Art (DC, 1973) sold for $600,000, the most ever paid through Heritage Auctions for a piece of DC art. The spectacular image of one of the most famous Joker covers of all time debuted a new version of the villain, trumpeting the return of the Joker after a four-year hiatus from Batman comics….

(16) HE CREATED THE UBIQUITOUS MARKS. NPR reports “IBM Engineer Who Designed The Universal Product Code Dies At 94”.

On a June morning in 1974, a Marsh Supermarket cashier in Troy, Ohio, rang up a 67-cent pack of Juicy Fruit chewing gum using something novel — the black and white stripes of a universal bar code.

The Universal Product Code is now a packaging mainstay on everything from cereal boxes and produce to electronics and airplane tickets, but it might not have worked without IBM engineer George Laurer.

Laurer, who died this month at 94 in North Carolina, had been given an assignment by his manager: Write a proposal for grocery executives explaining how IBM would take a previously invented bar code pattern, in the shape of a bull’s-eye, and make it work in supermarkets across the country.

But when that manager returned from a vacation, Laurer was there to meet him. “I didn’t do what you asked,” he said.

Instead, Laurer had created something else — the bull’s-eye was gone and in its place was a linear bar code. Laurer had deemed the bull’s-eye design unworkable. The circular code, inspired by Morse code and patented by N. Joseph Woodland and Bernard Silver in 1952, was too small, and it would smear when run through the poor-quality printing presses used for most food labels at the time.

(17) SIMMERING. Kotaku discovered that “Baby Yoda Can Be Bought In The Sims 4”.

Because EA owns The Sims, and because EA also has the rights to Star Wars video games, we finally have a digital tie-in with the new live-action Mandalorian series. It’s not a Carl Weathers outfit. It’s not a “Bounty Hunter” job for your Sim. It’s a Baby Yoda statue you can buy and put in your yard.

(18) IN SEARCH OF REPRODUCIBLE RESULTS. They hope a tool will make them easier to come by. “Can A Research Accelerator Solve The Psychology Replication Crisis?”

In 2008, psychologists proposed that when humans are shown an unfamiliar face, they judge it on two main dimensions: trustworthiness and physical strength. These form the basis of first impressions, which may help people make important social decisions, from whom to vote for to how long a prison sentence should be.

To date, the 2008 paper — written by Nikolaas Oosterhof of Dartmouth College and Alexander Todorov of Princeton University — has attracted more than a thousand citations, and several studies have obtained similar findings. But until now, the theory has been replicated successfully only in a handful of settings, making its findings biased toward nations that are Western, educated, industrialized, rich and democratic — or WEIRD, a common acronym used in academic literature.

Now, one large-scale study suggests that although the 2008 theory may apply in many parts of the world, the overall picture remains complex. An early version was published at PsyArXiv Preprints on Oct. 31. The study is under review at the journal Nature Human Behavior.

The study is the first conducted through the Psychological Science Accelerator, a global network of more than 500 labs in more than 70 countries. The accelerator, which launched in 2017, aims to redo older psychology experiments but on a mass scale in several different settings. The effort is one of many targeting a problem that has plagued the discipline for years: the inability of psychologists to get consistent results across similar experiments, or the lack of reproducibility.

(19) THEY LIE, YOU KNOW. “How ‘dark patterns’ influence travel bookings” – BBC will explain.

If you’ve wondered whether there were actually 30 people trying to book the same flight as you, you’re not alone. As Chris Baraniuk finds, the numbers may not be all they seem.

Ophir Harpaz just wanted to get a good deal on a flight to London. She was on travel website OneTravel, scouring various options for her trip. As she browsed, she noticed a seemingly helpful prompt: “38 people are looking at this flight”. A nudge that implied the flight might soon get booked up, or perhaps that the price of a seat would rise as they became scarcer.

Except it wasn’t a true statement. As Harpaz looked at that number, “38 people”, she began to feel sceptical. Were 38 people really looking at that budget flight to London at the same exact moment?

Being a cyber-security researcher, she was familiar with web code so she decided to examine how OneTravel displayed its web pages. (Anyone can do this by using the “inspect” function on web browsers like Firefox and Chrome.) After a little bit of digging she made a startling discovery – the number wasn’t genuine. The OneTravel web page she was browsing was simply designed to claim that between 28 and 45 people were viewing a flight at any given moment. The exact figure was chosen at random.

Not only that, the website’s innards were surprisingly blatant about what was going on. The bit of code that defined the number shown to users was even labelled “view_notification_random”.

(20) MECHANICAL BULLS***. “General Election 2019: How computers wrote BBC election result stories”.

For the first time, BBC News published a news story for every constituency that declared election results overnight – all written by a computer.

It was the BBC’s biggest test of machine-generated journalism so far.

Each of nearly 700 articles – most in English but 40 of them in Welsh – was checked by a human editor before publication.

The head of the project said the tech was designed to enhance the service provided rather than to replace humans.

“This is about doing journalism that we cannot do with human beings at the moment,” said Robert McKenzie, editor of BBC News Labs.

“Using machine assistance, we generated a story for every single constituency that declared last night with the exception of the one that hasn’t finished counting yet. That would never have been possible.”

VIDEO OF THE DAY. In Quail on Vimeo, Grant Kolton explains that if you want to be a quail, it’s hard work!

[Thanks to John King Tarpinian, Hampus Eckerman, Cat Eldridge, JJ, Mike Kennedy, Chip Hitchcock, Martin Morse Wooster, Michael Toman, Contrarius, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Bill.]

Pixel Scroll 11/18 Count Hero

(1) John Picacio’s thoughts about “The New World Fantasy Award: What’s Next”.

  1. THE FIRST QUESTION NEEDS TO BE THE RIGHT ONE. In this case, I would offer that the first question should not be, “Hey, World: what do you think this award should look like?” The first question should be, “Who are the best sculptors and who is the sculptor that can best elevate this award toward a new timeless icon? Who can carry this responsibility? Who can take us to a place we could not have imagined on our own?” The same respect that is given to a great novelist should be given to a great sculptor here.

The sculptor of this award needs to be an artist, first and foremost — someone who solves problems, conceives original thoughts, has unique insights, and visually communicates those thoughts, insights, emotions and intangibles into tangible form. If the plan is to take a straw poll of the most popular and familiar symbols and word pictures, or to concoct a preordained vision and then hire some poor sap to carefully sculpt to that prescription, then please hire a pharmacist, not a professional artist. However, the World Fantasy Award can do better than that, and I’m hoping it will. If I were a decision maker in this process, I would be sky-high excited about the amazing creative (and branding) opportunity ahead, and I would be vigorously searching for the right sculptor to cast a new icon, rather than casting a fishing line praying to hook an idea.

(2) Many others continue to discuss what it should look like, including Charles Vess on Facebook (in a public post).

Ari Berk (friend & folklorist) suggested this idea. Going back to the original story that it seems all cultures around the world share: the hand print on the cave wall. “I am here and this is my story”.

vess wfa idea

(3) Frequent commenter Lis Carey is looking for financial help. Her GoFundMe appeal asks for $3,000, of which $400 has been donated so far.

I’m in a major fix. I don’t have an income right now, but I do have some major expenses. The tenant’s apartment has no heat, and a leaky kitchen sink, and needs a plumber. I have outstanding gas,and electric bills, and water bills for both apartments. I’m looking for work and trying to hold things together, but I’m desperate and need some breathing space. Help!

(4) Sarah Avery delves into some reasons for the success of multi-volume fantasy in “The Series Series: Why Do We Do This To Ourselves? I Can Explain!” at Black Gate. It’s a really good article but not easy to excerpt because it is (unsurprisingly!) long. This will give you a taste, anyway:

I love an ensemble cast. Reading, writing, watching, whatever. In my imaginative life as in my personal life, I’m an extrovert. The struggles of a main character connect with me best when that main character is part of a community. The solution to the existential horror Lovecraft’s protagonists face had always seemed so obvious to me that I’d never articulated it fully, even to myself. The cosmos as a whole doesn’t prefer you over its other components? Of course not. Unimaginably vast forces that would crack your mind open if you let yourself understand them are destroying your world, and you are entirely beneath their notice? Well, that would explain a lot. So what do you do?

You take comfort in the people you love, you go down swinging in their defense, and you live your mammalian values of compassion and connection intensely, as long as it does any good — and then longer, to the last breath, if only in reproof of whatever in the universe stands opposed to them.

Or maybe that isn’t obvious. But I’m pretty sure it’s not just me.

For whatever reason, Lovecraft was not a person, or an author, who could go there.

But the man could write a shorter story than I could. I’ll go to school on anyone who knows something I don’t, including authors who stretch me beyond the bounds of easy sympathy. What could the thing that appeared to me to be a malady in Lovecraft teach me about the gap in my craftsmanship?

First, I tried sharpening the distinction between the main character and the secondary characters. Simplifying the supporting cast, making my protagonist the only one who got to be as vivid and three-dimensional as I prefer for every significant character to be, got me out of novella territory. I could get my stories down to about 10,000 words and still feel that my work hit my own sweet spots.

What about getting the count lower? Magazine editors tend to set their cutoffs at 4,000 words or 7,000 words. What kind of cast size can you fit into that length, and what can you do with it?

I really don’t think you can squeeze in much of a supporting cast, unless those secondary characters are functioning more as props than as people. At most, you can have two realized characters, but that second can only be squeezed in if you’ve got serious writing chops. More characters than that, and you’re down to tricks that, as Elizabeth Bear likes to put it, hack the reader’s neurology: one telling detail that leads the reader to do all the work filling in a character around it. Okay, that’s a cool skill, one worth having, especially if you can do it so that the reader forgets s/he did all the work and remembers the story as if you’d written the character s/he filled in for you. I think I’ve pulled that trick off exactly once. Man, that was strenuous, and not in the ways I find exhilarating.

Avery’s subtopics include “Is It Enough to Call a Novel Community-Driven When It Sprawls across Two Continents, Seven Kingdoms, Three Collapsed Empires, a Passel of Free Cities, and Two Migrating Anarchic Proto-Nations?” Her short answer is, “Nope.”

(5) Mary Robinette Kowal seeks to lock in real progress to keep pace with conversation since the World Fantasy Con with the “SF/F Convention Accessibility Pledge”.

Over the last few years, there have been numerous instances of SF/F conventions failing to provide an accessible experience for their members with disabilities. Though accessibility is the right thing to do, and there are legal reasons for providing it in the US thanks to the 25-year-old Americans with Disabilities Act, many conventions continue to have no trained accessibility staff, policies, contact information, or procedures for accommodating their members with disabilities. As Congress said in the opening of the ADA, these “forms of discrimination against individuals with disabilities continue to be a serious and pervasive social problem.”

…We the undersigned are making a pledge. Starting in 2017, to give conventions time to fit this into their planning, the following will be required for us to be participants, panelists, or Guests of Honor at a convention:

  1. The convention has an accessibility statement posted on the website and in the written programs offering specifics about the convention’s disability access.
  2. The convention has at least one trained accessibility staff member with easy to find contact information. (There are numerous local and national organizations that will help with training.)
  3. The convention is willing and able to make accommodations for its members as it tries to be as accessible as possible. (We recommend that the convention uses the Accessibility Checklist for SFWA Spaces as a beginning guideline. Other resources include Fans for Accessible Cons, A Guide for Accessible Conferences, and the ADA rules for places of public accommodation, which apply to US conventions.)

Many people have co-signed.

Patrick Nielsen Hayden also observed, “…When you put in the work on these issues, you find out how many people out there have been staying home.”

(6) Michael Kurland’s autobiographical essay “My Life as a Pejorative” is featured on Shots Crime & Thriller Ezine.

At fourteen I discovered mystery stories and couldn’t decide whether I was Rex Stout, Dorothy Sayers or Dashiel Hammett. Or maybe Simon Templar. Not Leslie Charteris, but Simon Templar. How debonaire, how quick-witted, how good looking.

I was 21 when I got out of the Army, enrolled at Columbia University and began hanging out in Greenwich Village. There I fell into bad company: Randall Garrett, Phil Klass (William Tenn), Don Westlake, Harlan Ellison, Bob Silverberg, and assorted other sf and mystery writers. This was my downfall, the start of my slide into genre fiction. I wrote a science fiction novel, Ten Years to Doomsday, with Chester Anderson, a brilliant poet and prose stylist who taught me much of what I know about writing, and followed that up with The Unicorn Girl, a sequel to Chester’s The Butterfly Kid, a pair of fantasy novels in which the two main characters were ourselves, Chester Anderson and Michael Kurland. These books, and The Probability Pad, a continuation written by my buddy Tom Waters, have become cult classics, known collectively as the Greenwich Village Trilogy, or sometimes The Buttercorn Pad.

(7) Today In History

  • November 18, 1963 – Push-button telephones made their debut.

(8) Today’s Birthday Boys and Girls

  • Born November 18, 1928: Mickey Mouse
  • Born November 18, 1939: Margaret Atwood
  • Born November 18, 1962: Sarah A. Hoyt

(9) John Scalzi makes “An Announcement Regarding Award Consideration for 2015 Work of Mine”. He asks people not to nominate him, and in comments indicates he will decline nominations that come his way.

But this year, when it comes to awards, I want to take a break and celebrate the excellent work that other people are doing, and who deserve attention for that work. My year’s already been, well, pretty good, hasn’t it. I’ve had more than enough good fortune from 2015 and I don’t feel like I need right now to ask for another helping…

But for work that was put out in 2015, please look past me. Find the other writers whose work deserves the spotlight you can put on them with your attention, nomination and vote. Find the works that move your heart and your mind. Find the writers whose work you love and who you feel a nomination can help in their careers and their lives. Look past your usual suspects — including me! — and find someone new to you whose stories and effort you can champion to others. Put those people and works on your ballots. 2015 has been genuinely great year for science fiction and fantasy; it won’t be difficult to find deserving work and people for your consideration.

(10) Bigger than your average bomb shelter. “Czech out the Oppidum, the ultimate apocalypse hideaway” at Treehugger.

We do go on about the importance of resilient design, the ability of our buildings to survive in changing times and climates. We are big on repurposing, finding new uses for old buildings. And if the greenest brick is the one already in the wall, then surely the greenest bomb shelter is the one that’s already in the ground. That’s why the Oppidum is such an exciting opportunity; it’s a conversion of a classified secret facility built in 1984 by what were then the governments of Czechoslovakia and The Soviet Union. Now, it is available for use as the ultimate getaway, deep in a valley in the Czech Republic. The developer notes that they don’t make’em like they used to:…

It has a lovely above-grade modestly sized 30,000 square foot residence, which is connected via secret corridor to the two-storey, 77,000 square foot bunker below, which has been stylishly subdivided into one large apartment and six smaller ones for friends, family and staff, all stocked with ten years of supplies.

(11) Former child actor Charles Herbert died October 31 at the age of 66. The New York Times obit lists his well-known roles in movies like The Fly and 13 Ghosts.

Mr. Herbert was supporting his parents by the time he was 5. He appeared in more than 20 films and 50 television episodes, in which he fended off all kinds of adversaries, from a robot to a human fly.

He shared the limelight with Cary Grant, Sophia Loren and James Cagney. He played a blind boy in a memorable episode of “Science Fiction Theater” in 1956, and appeared in a 1962 “Twilight Zone” episode in which a widowed father takes his children to choose an android grandmother.

(12) SF Signal’s latest Mind Meld, curated by Rob H. Bedford, asks Andrew Leon Hudson, Stephenie Sheung (The BiblioSanctum), Richard Shealy, Michael R. Fletcher, Mark Yon, and Erin Lindsey

Q: Who is your favorite animal companion (pet, familiar, etc) in SFF?

A significant number of genre stories features character’s pets or animal companions. From Loiosh of Steven Brust’s Vlad Taltos books to Snuff from Roger Zelazny’s A Night in the Lonesome October to Hedwig from J.K. Rowling’s Harry Potter series, animals can be companions, pets, or near equals to their “owners.” Who is/are your favorite(s)?

(13) Bruce Gillespie invites fans to download SF Commentary 90, November 2015 — over 100 contributors and 70,000 words.

(14) A Christopher Reeve-worn Superman costume is available for bid until November 19 at 5 p.m. Pacific in a Nate D. Sanders auction.

Superman lot COMP

(15) Heritage Auctions reports a menu from the Titanic fetched a high price in a recently closed auction.

Ironically, the top two lots related to a major disaster and a national tragedy. The first was a first class dinner menu from the last supper on the R.M.S. Titanic, the evening of April 14, 1912. Five salesmen and retailers shared a meal, each signing a menu with their place of residence. Of the five, all but one managed to survive the sinking which occurred in the wee morning hours. We believe this to be the only signed example and the only one from the “last supper”. It sold for $118,750.

The second lot was the license plates from the limo President Kennedy was in when he was shot — which went for $100,000.

(16) And this weekend, Heritage Auctions will take bids on Neal Adams’ original cover art for Green Lantern #76, “one of the most important and influential comic books ever published,” as part of the company’s Nov. 19-21 Comics & Comic Art Signature® Auction where it is expected to bring $300,000+.

Adams’ iconic cover is striking and symbolic. This issue broke more than just the lantern on the cover! Adding Arrow’s name to the title and logo of the book was genius. It created the first “buddy book” in the comic industry… the equivalent to the “buddy movie” genre. It also allowed writer Denny O’Neil to launch into a 13 issue run that dove into political and sociological themes like no comic had before.

 

Green lanter green arrow

(17) Lovecraft’s mug has already been saved from awards obscurity (or permanently guaranteed it, depending on your view) by the administrators of the Counter Currents and the administrators of its H. P. Lovecraft Prize for Literature. (Which can also be reached using this handy Donotlink link.)

Last year, we at Counter-Currents saw this coming. Thus we have created the Counter-Currents H. P. Lovecraft Prize for Literature, to be awarded to literary artists of the highest caliber who transgress the boundaries of political correctness. Our first laureate is novelist Tito Perdue, who received the award at a banquet in Atlanta on March 7, 2015.

The prize bust is by world-famous porcelain artist Charles Krafft, whose own defiance of political correctness has just led to the cancellation of an exhibition in London.

Wikipedia has an entry on Tito Perdue.

More details about Krafft’s exhibit being pulled by a Whitechapel art gallery from Jewish News:

A fashionable Whitechapel art gallery has pulled the plug on an exhibition by an artist who has been described as a “Holocaust denier” and a “white supremacist,” after complaints and threats were made.

Charles Krafft, who denies both charges, was due to show his work at StolenSpace for the second time, but gallery bosses said they pulled out after receiving “both physical and verbal threats”.

Krafft’s controversial ceramics include busts of Hitler, swastika perfume bottles with the word “forgiveness” emblazoned upon them and plates covered in drawings of Nazi bombings. His work and attributed comments has led to him being labelled a white supremacist, a Nazi sympathiser and a Holocaust denier.

(18) Triple-threat interview with Ken Liu, Lauren Beukes and Tobias S. Buckell at SFFWorld.

Ecotones are the points of transition that occur when two different environments come into contact, and almost inevitably conflict. Can you describe for us an ecotone that has had personal significance for you?

Ken Liu: We’re at a point in our technological evolution where the role played by machines in our cognition is about to change qualitatively. Rather than just acting as “bicycles for the mind,” computers, transformed by ubiquitous networking and presence, will replace important cognitive functions for us at an ever accelerating pace. Much of our memory has already been outsourced to our phones and other devices—and I already see indications that machines will be doing more of our thinking for us. Not since the invention of writing has technology promised to change how we learn and think to such an extent.

The transition between the environment we used to live in and the environment we’re about to live in is going to be exciting as well as threatening, and we’re witnessing one of the greatest transformations in human history.

Tobias Buckell: Last year a deer walked on down through Main Street and then jumped through the window of the local downtown bar. They got it on security camera.

Lauren Beukes: The shared reality of overlapping worlds I live through every day – the schism in experience between rich and poor where everything works differently, from criminal justice to the food you eat, how you get to work, schooling, the day-to-day you have to navigate.

I saw this most clearly and devastatingly when I tried to help my cleaning lady get justice for the scumbag who fatally assaulted her daughter. The cops didn’t care. The hospital put it down as “natural causes”. The prosecutor had to throw the case out because there was so little evidence. This compared to an incident when a friend’s motorbike was stolen at night in the nice suburbs and five cops ended up on his balcony drinking tea, having recovered the vehicle.

(19) Sarah Chorn at Bookworm Blues wonders if her conflict of interest should bar her from reviewing two books.

I feel pretty weird about doing this, but I also think it has to be done. This year I was a beta reader for two books that are currently published (a few more that have upcoming publication dates). I have struggled a little bit with how to approach these novels. While I feel obligated to review them (and I want to review them), I feel like being a beta reader for them takes my objectivity out of it, which is a problem for me. Is it really a review if I can’t objectively judge it?

Am I pondering my navel?

I’m surprised her desire to ask the question didn’t lead to a built-in answer.

(20) The Ant-Man Gag Reel has a few bloopers, though it’s not all that funny.

(21) Marvel’s Agent Carter Season 2 premieres January 5 on ABC.

[Thanks to Kate Savage, Will R., Andrew Porter, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Will R.]