(1) LISTEN UP. Connie Willis proclaimed to Facebook readers “PRIMEVAL IS BACK!!!” (Hey, my ears may be deaf but my eyes aren’t!)
I just saw that the first two seasons of PRIMEVAL, the British science-fiction series, is now available from Britbox, and I thought it was a good time to encourage anybody who hasn’t seen it so far to take a look at it. That is, if there’s anybody left who I haven’t already told they HAVE to watch this series–
I have recommended it so many times that it’s become a standing joke in science fiction circles (I somehow figure out a way to mention it on every single panel) and Locus has forbidden me to mention it at the Locus Awards Banquet. As if that could stop me!
I know it sounds like I’m obsessed with the series, but so was Kit Reed, one of my favorite science-fiction writers of all time (see her brilliant short stories, “The Wait” and “Great escape Tours, Ltd.”) and nearly everybody I’ve ever introduced it to has loved it. (One couple took it on a beach weekend and ended up never going outside the entire time because they were binge-watching.)…
You know anything forbidden by Locus is mandatory here….
… So, basically, the A-team with dinosaurs. So far, it’s completely formula, and you think the hunky guy and the pretty blonde will obviously get together, the geeky nerd will provide the plot explication and comic relief, the professor and the bureaucrat will flirt with each other, etc. but that only lasts for an episode or two, and then things start to get really interesting….
(2) SVENGOOLIE LENDS A HAND. Chicago’s Museum of Broadcast Communications is one of five selected to host a special John Oliver exhibit. Horror-themed TV host Svengoolie told his fans how he helped with the successful pitch to Oliver, and that some of his items will be displayed by the Museum.
Tapped by Emmy-winning writer, comedian and television host John Oliver, the Museum of Broadcast Communications (MBC) announced today it is one of only five museums in the country receiving an art display featured on HBO’s Last Week Tonight with John Oliver. The special exhibit opens Oct. 2 through Oct. 26, 2021. In addition to winning the honor through a national competition, the Museum also receives $10,000 from Last Week Tonight. The MBC’s designated charity, the Greater Chicago Food Depository, also will receive a $10,000 donation.
… The national competition began after Oliver’s 2020 segment about the harsh effects of the global pandemic on small museums. Oliver wanted to help. He called for submissions from museums that wanted to compete for displaying items from his Masterpiece Gallery collection. The Museum responded with a humorous video pitch using the power of broadcast to communicate important stories and influence audiences….
Admission is free, but the Museum has suggested that visitors bring a non-perishable food donation which will go, along with the $10,000 donation, to the Greater Chicago Food depository.
Move over James Bond and John Steed, there is a new dashing science fictional spy on the scene. I am of course referring to the latest hit from the team behind Doctor Who: Adam Adamant Lives!
An old-fashioned Victorian swashbuckling hero, Adam Adamant is frozen by a masked supervillain and buried under London. After being found by a construction crew, he finds himself resurrected in the strange world of London in 1966. Teaming up with a young mod woman named Georgina Jones, they solve unusual crimes such as satanic aristocrats or a soap manufacturer drugging the nation with plastic flowers.
(5) TWO THUMBS UP. A pair of early reviews of Denis Villenueve’s Dune are quite favorable.
Dune reminds us what a Hollywood blockbuster can be. Implicitly, its message written again and again in the sand, Denis Villeneuve’s fantasy epic tells us that big-budget spectaculars don’t have to be dumb or hyperactive, that it’s possible to allow the odd quiet passage amid the explosions. Adapted from Frank Herbert’s 60s opus, Dune is dense, moody and quite often sublime – the missing link bridging the multiplex and the arthouse. Encountering it here was like stumbling across some fabulous lost tribe, or a breakaway branch of America’s founding fathers who laid out the template for a different and better New World.
… Villeneuve’s Dune is the sandworm exploding out from the darkness below. It is a film of such literal and emotional largeness that it overwhelms the senses. If all goes well, it should reinvigorate the book’s legacy in the same way Peter Jackson’s Lord of the Rings trilogy did for JRR Tolkien’s work. Indeed, much like Jackson, Villeneuve has a certain pliancy to his vision that, in this case, has been his saving grace. Arrival and Prisoners, two of his previous films, may have possessed their own distinctive look but, when it came to Blade Runner 2049, his belated sequel to Ridley Scott’s masterpiece, it spoke fluently in the language of what came before….
1942 – Seventy-nine years ago on this date, “The Impatient Patient,” a Warner Bros. Looney Tunes cartoon short featuring Daffy Duck and Dr. Jekyll premiered. The cartoon is set in Jekyll’s mad scientist’s laboratory. It was produced by Leon Schlesinger and directed by Norman McCabe. The story by Don Christensen. It starred Mel Blanc. In 1968, a redrawn color edition would be re-released and in 1992, a computer colorized version came out. Animation fans detest both of these versions. You can watch the original version here as it’s in the public domain.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 5, 1936 — Rhae Andrece and Alyce Andrece. They played a series of androids in I, Mudd, a quite classic Trek episode. Both appeared as police women in “Nora Clavicle and the Ladies’ Crime Club” on Batman. That’s their only genre other appearance. They only acted for three years and every appearance of their total seven appearances by one was with the other. (Alyce died 2005; Rhae died 2009.)
Born September 5, 1939 — Donna Anderson, 82. She was Mary Holmes in On The Beach, based on Neville Shute’s novel. She also appeared in, and I kid you not, Sinderella and the Golden Bra and Werewolves on Wheels. The first is a Sixties skinflick, the second is a Seventies exploitation film. She last shows up in a genre role series in The Incredible Hulk.
Born September 5, 1939 — George Lazenby, 82. He is best remembered for being James Bond in On Her Majesty’s Secret Service. His turn as Bond was the shortest among the actors in the film franchise and he is the only Bond actor not to appear beyond a single film. (He was also the youngest actor cast as Bond, at age 29, and the only born outside of the British Isles.) Genre wise, he also played Jor-El on Superboy and was also a Bond like character named JB in the Return of the Man from U.N.C.L.E. film. He voiced the Royal Flush King in a recurring role in the Batman Beyond series.
Born September 5, 1940 — Raquel Welch, 81. Fantastic Voyage was her first genre film though she made One Million Years B.C. thatwith her leather bikini got her much more notice. She was charming in The Three Musketeers and The Four Musketeers. She has one-offs in Bewitched, Sabrina the Teenage Witch, The Muppet Show, Lois & Clark: The New Adventures of Superman, Happily Ever After: Fairy Tales for Every Child and Mork & Mindy.
Born September 5, 1951 — Michael Keaton, 70. Beetlejuice, Beetlejuice, Beetlejuice! He also has the title roles of Tim Burton’s Batman and Batman Returns. His most recent role is The Vulture in Spider-Man: Homecoming. He reprises that role as in Marvel’s upcoming Morbius film.
Born September 5, 1959 — Carolyne Larrington, 62. Norse history and culture academic who’s the author of The Land of the Green Man: A Journey Through the Supernatural Landscapes of the British Isles and Winter is Coming: The Medieval World of Game of Thrones. She also wrote “Norse gods make a comeback thanks to Neil Gaiman – here’s why their appeal endures” for The Conversation.
Born September 5, 1964 — Stephen Greenhorn, 57. Scriptwriter who written two episodes for Doctor Who: “The Lazarus Experiment” and “The Doctor’s Daughter”, both Tenth Doctor stories. He also wrote Marchlands, a supernatural series whichJodie Whittaker and Alex Kingston appeared in. He also wrote the Mind Shadows strip which was featured on the Who website.
Born September 5, 1973 — Rose McGowan, 48. Best known as Paige Matthews on Charmed. She played two different roles in the Grindhouse franchise, Cherry Darling in Planet Terror and Pam in Death Proof. She was Miss Kitty in Monkeybone, a very weird film indeed.
(9) COMICS SECTION.
Tom Gauld on all the hoops people will be expected to jump through upon the arrival of the next big book.
Written by Mark Buckingham and Toby Litt (Buckingham also served as illustrator), the book follows a pair of deceased boys — Charles Rowland and Edwin Paine — who forego a ticket to the afterlife in order to remain on Earth, solving mysteries via supernatural means. Think Constantine meets The Hardy Boys.
Fans rightfully so give William Shatner props for still working at 90 years old, but that doesn’t mean he’s the only original Star Trek actor still going strong these days. George Takei is 84 years old and is himself still acting. Takei even has a major project coming up with the famed Mel Brooks (who’s 95 years old himself).
The new project is called Blazing Samurai and features a loaded cast. Names like Michael Cera, Samuel L. Jackson, Ricky Gervais, Gabriel Iglesias, Djimon Honsou, and Star Trek: Discovery’s very own Michelle Yeoh. The man himself, Brooks, will also be lending his voice to the animated feature.
The film is based on Brooks’ own Blazing Saddles comedy and will center around Hank, played by Cera, who is a dog that wants to become a samurai. Jackson plays a cat, and Gervais plays the evil villain….
(15) VIDEO OF THE DAY. A visit to Walt Disney’s house, featuring animator Floyd Norman and Disney historian Don Hahn.
From legendary filmmaker Don Hahn and Disney Files Magazine Editor Ryan March comes “Disney Drop-In,” a Disney Vacation Club series of unscripted videos filmed in interesting Disney places with equally interesting Disney people. In this episode, Don Hahn leads Disney Legend Floyd Norman on a tour of Walt Disney’s historic home on Woking Way in Los Angeles, California.
[Thanks to Martin Morse Wooster, JJ, Michael Toman, John King Tarpinian, SF Concatenation’s Jonathan Cowie, Cat Eldridge, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to contributing editor of the day Paul Weimer.]
(1) FUTURE TENSE. The July 2021 entry in the Future Tense Fiction series is Justina Ireland’s “Collateral Damage”, about how an Army platoon responds when an experimental military robot is embedded with it.
…Unit 10003 interacted with assigned platoon during physical training and assisted in small tasks. Complete recordings are now available for download. Morale of assigned unit is high and no hostility was experienced. ENTRY COMPLETE…
…The development of the Greek phalanx helped protect soldiers from cavalry, the deployment of English longbows helped stymie large formations of enemy soldiers, new construction methods changed the shape of fortifications, line infantry helped European formations take advantage of firearms, and anti-aircraft cannons helped protect against incoming enemy aircraft. The technological revolution of warfare has not stopped, and today, robotics on the battlefield—through the use of drones, automated turrets, or the remote-controlled Flir PackBot—have made appearances in the most recent conflicts….
(2) BOUCHERCON CANCELLED. The 2021 Bouchercon, a convention for mystery fans that was scheduled to be held this month in New Orleans, has been cancelled by the organizers. Members received an email explaining the decision (which has not yet been published). Writers commenting on Facebook pointed to Louisiana’s COVID spike, The con will be held in the city in 2025, instead. The Anthony Awards are still happening and details of the online/virtual awards ceremony will be coming soon.
(3) LONGYEAR ACCEPTANCE SPEECH. Barry B. Longyear invites Facebook readers to hear his Prometheus Award acceptance speech via Zoom on August 21, followed by a panel discussion “SF, Liberty, Alternative Publishing Trends and the Prometheus Awards” hosted by LFS and sponsored by Reason Magazine. The Zoom event will take place 3:00-4:30 PM EDT on August 21 and it is open to the public. This is the Zoom event link.
(4) FLASH FICTION ROUNDUP. Space Cowboy Books in Joshua Tree, CA presents “An evening of Flash Science Fiction with stories by Christopher Ruocchio, Brent A. Harris and David Brin” on August 10 at 6:00 p.m Pacific. Register for the free Zoom event here.
A blue plaque has gone up in Withernsea to mark the time Lord of the Rings author JRR Tolkien and his wife spent there when he was a soldier during World War One.
The Lifeboat Café, where it has gone up, occupies the site of 76 Queen Street, where Tolkien’s wife Edith lodged in 1917, while he was stationed at nearby Thirtle Bridge Camp, three miles away, for a time as commander of the Humber Garrison, which was tasked with protecting the coast from invasion.
Tolkien, who was recovering from trench fever which he’d picked up in France, had not yet been published
…The plaque, funded by wellwishers, was organised by Phil Mathison, the author of Tolkien in East Yorkshire 1917-1918.
Two others have been installed at the Dennison Centre in Hull, which was Brooklands Hospital during the First World war, and in Hornsea, where his wife stayed at 1 Bank Terrace.
(6) KISWAHILI SF PRIZE. The Nyabola Prize for Science Fiction was announced earlier this year, inviting writers between the ages of 18 and 35 to submit sci-fi and speculative fiction in the Kiswahili language. Over 140 million people speak Kiswahili in Eastern and Southern Africa and it is the most widely spoken African language in the world. The deadline to enter was May 31. Read the March 24 announcement here. It offers $1,000 to the first place winner, and $500 and $250 to the second and third place winners. The top ten stories will be published in an anthology.
…Mokoma adds that fostering science fiction in African languages changes the narrative that African languages cannot accommodate scientific discourse:
“There is also the idea that African languages are social languages, emotive and cannot carry science. Most definitely not true. All languages can convey the most complex ideas but we have to let them. There is something beautiful about African languages carrying science, fictionalised of course, into imagined futures.”
There’s a difference between a con-artist and a grifter. A con-artist is just a gabby mugger, and when they vanish with your money, you know you’ve been robbed.
A grifter, on the other hand, is someone who can work the law to declare your stuff to be their stuff, which makes you a lawless cur because your pockets are stuffed full of their money and merely handing it over is the least you can do to make up for your sin.
IP trolls are grifters, not con artists, and that’s by design, a feature of the construction of copyright and trademark law.
Progressives may rail at the term “IP” for its imprecision, but truly, it has a very precise meaning: “‘IP’ is any law that lets me control the conduct of my customers, competitors and critics, such that they must arrange their affairs to my benefit.”…
(8) TALKING ABOUT PIRANESI. Susanna Clarke will discuss her Hugo-nominated and Kitschie-winning book Piranesi with Neil Gaiman in a free (or pay-what-you-can) online event September 2 at 11:30 a.m. Pacific. Get tickets here.
Step into the extraordinary and mysterious world of Sunday Times and New York Times bestselling author Susanna Clarke as she discusses her spectacular novel, Piranesi, with the one and only Neil Gaiman live and online exclusively for 5×15. Join us for what promises to be an unmissable conversation between two of our best loved, most powerfully imaginative writers.
(9) THE BOOK OF VAUGHN. Boing Boing reports there’s a “Vaughn Bode documentary in the works”. [Note: The line over the “e” in his name is not shown here because WordPress doesn’t support the character.]
…Those cartoons were basically 25-minute toy ads and I knew that even as a kid (especially since the commercial breaks helpfully ran ads for the very same toys). Nonetheless, I loved them. They also had a big influence on me – how big I wouldn’t realise until many years later. And I’m far from the only one. Look at how many reboots, reimaginationings, live action versions, etc… of 1980s kid cartoons there have been in recent years. For example, right now Snake Eyes, a pretty neat looking movie based on the ninja character from G.I. Joe, is in the theatres. They may only have been glorified toy commercials, but those cartoons influenced a whole generation and have outlasted many of the more serious and wholesome media of the same era. At any rate, I don’t see a big screen Löwenzahn reboot anywhere. As for wholesome and educational cartoons, how wholesome and educational does Fat Albert and the Cosby Kids look now, knowing what we know about Bill Cosby?…
(11) THREE COSTUMERS PASS AWAY. The International Costumers Guild has announced the deaths of three veteran masqueraders in recent days.
Rinzler had a prodigious career as a bestselling author of cinematic history books about Star Wars, Indiana Jones, and other 20th century blockbuster films. He joined Lucasfilm in 2001 and became the executive editor of its publishing arm, Lucasbooks. Over 15 years, he authored an extensive body of Star Wars-related publications, including The Making of Star Wars (a New York Times bestseller), The Making of The Empire Strikes Back, The Making of Return of the Jedi, Star Wars: The Blueprints, and The Sounds of Star Wars.
… In addition to his multiple books about the Star Wars and Indiana Jones franchises, he wrote The Making of Aliens, The Making of Planet of the Apes, The Making of Stanley Kubrick’s The Shining, and Howard Kazanjian: A Producer’s Life.
…In addition to his nonfiction works, Rinzler wrote two novels, the No. 1 best-selling graphic novel The Star Wars, which he co-authored with artist Mike Mayhew, and his recent space history novel All Up…
Mary Robinette Kowal added this note to the announcement:
(13) MEMORY LANE.
1972 – Forty-nine years ago at L.A.Con 1, Poul Anderson win the Best Novella Hugo for “The Queen of Air and Darkness”. (It was his fourth Hugo. All of his Hugo wins would be in the non-Novel categories.) Other nominated works “A Meeting with Medusa” by Arthur C. Clarke, “The Fourth Profession” by Larry Niven, “Dread Empire” by John Brunner and “A Special Kind of Morning” by Gardner R. Dozois. It would also win a Locus Award for Short Fiction and a Nebula Award for a Novelette. (One work, three different categories.) It’s available, not surprisingly, in The Queen of Air and Darkness: Volume Two of the Short Fiction of Poul Anderson which is available from the usual suspects.
(14) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born August 4, 1923 — Paul Schneider. He wrote scripts for the original Star Trek, Star Trek: The Animated Series, The Starlost, The Six Million Dollar Man, and Buck Rogers in the 25th Century. He’s best remembered for two episodes of the original Trek series: “Balance of Terror” and “The Squire of Gothos.” “Balance of Terror,” of course, introduced the Romulans. (Died 2008.)
Born August 4, 1937 — David Bedford. Composer who worked with Ursula K. Le Guin to produce and score her Rigel 9 album which the Encyclopedia of Science Fiction says is “a work that is musically pleasant although narratively underpowered.” I’ve not heard it, so cannot say how accurate this opinion is. (Died 2011.)
Born August 4, 1942 — Don S. Davis. He’s best-known for playing General Hammond on Stargate SG-1 and Major Garland Briggs on Twin Peaks. He had a small part in Beyond the Stars as Phil Clawson, and was in Hook as Dr. Fields. Neat factoid: on MacGyver for five years, he was the stunt double for Dana Elcar. (Died 2008.)
Born August 4, 1944 — Richard Belzer, 77. In the Third Rock from The Sun series as himself, also the Species II film and an adaption of Heinlein’s The Puppet Masters, along with series work too in The X-Files, The Invaders, Human Target, and a recurring role in the original Flash series to name a few of his genre roles.
Born August 4, 1950 — Steve Senn, 71. Here because of his Spacebread duology, Spacebread and Born of Flame. Spacebread being a large white cat known throughout the galaxy as an adventuress and a rogue. He’s also written the comic novels, Ralph Fozbek and the Amazing Black Hole Patrol and Loonie Louie Meets the Space Fungus. Spacebread is available at the usual suspects for a mere ninety cents as is Born of Flame: A Space Story!
Born August 4, 1968 — Daniel Dae Kim, 53. First genre role was in the NightMan series, other roles include the Brave New World tv film, the second Fantasy Island of three series, recurring roles on Lost, Angel and Crusade, the Babylon 5 spinoff Crusade series, Star Trek: Voyager, Charmed and voice work on Justice League Unlimited.
Born August 4, 1969 — Fenella Woolgar, 52. Agatha Christie in “The Unicorn and The Wasp” episode of Doctor Who where she more than capably played off against David Tennant’s Tenth Doctor. She was series regular Min in the Jekyll series. Her only other genre work was as Helena in A Midsummer Night’s Dream at the Royal Exchange Theatre, Manchester.
Born August 4, 1981 — Meghan, the former Duchess of Sussex, 40, Yes she’s done a genre performance or so. To be precise, she showed up on Fringe in the first two episodes of the second season (“A New Day in the Old Town” and “Night of Desirable Objects” as Junior FBI Agent Amy Jessup. She was also in the “First Knight” episode of Knight Rider as Annie Ortiz, and Natasha in “A Mind is a Terrible Thing to Lose” on Century City.
(16) FF@60. Fans will get to experience two of the Fantastic Four’s greatest adventures in a new way when Fantastic Four Anniversary Tribute #1 is published in November. In the tradition of Giant-Size X-Men: Tribute To Wein & Cockrum #1 and Captain America Anniversary Tribute #1, this giant-sized issue will present classic stories with new artwork by today’s leading artists.
Sixty years ago, Stan Lee and Jack Kirby made history and brought about the beginning of the Marvel Age of comics with the release of FANTASTIC FOUR #1. Now a bevy of Marvel’s finest creators will pay tribute to that monumental moment by reinterpreting, page by page, the story from that inaugural release as well as FANTASTIC FOUR ANNUAL #3, the wedding of Reed Richards and Sue Storm!
(17) HULL & POHL. Andrew Porter took these photos of Elizabeth Anne Hull and her husband Frederik Pohl in years gone by. Hull died this week, and Pohl in 2013.
(18) TRYING TO BE HELPFUL. Daniel Dern nominates these as the titles for Phillip Pullman Dark Materials sequels.
The Precient Wrench
His Uglee Mugge
The Ambitious Protractor
The Slye Pliers
The Open Source Aleitheometer
The Dust Buster
The Unworthy Hammer
The Book In The Stone
The Sword In The Scroll
(19) SOUL MAN. The dark year 2204, in a world that has seen 73 years of continuous war. A Shaman is sent on a mission to convert the soul of a giant battle colossus. “The Shaman” curated by DUST.
The dark year 2204, in a world that has seen 73 years of continuous war. Recently mankind re-discovered the arts of Shamanism. The Shaman’s school of thought believes that every person or object has a soul. During battle Shamans step over into the Netherworld to find and convert the souls of their enemies’ giant battle machines. This tactic enables a single man to overcome an invincibly seeming steel monster. This is the story of Joshua, a Shaman, who is sent on a mission to convert the soul of a giant battle colossus. He does not yet know that the soul is prepared for his coming and that the deadly psychological soul-to-soul confrontation in the Netherworld will be on eye level.
The animated series, which arrives on Disney+ next week, takes Loki‘s introduction of the multiverse and runs with it, presenting alternate outcomes for our favorite MCU heroes and villains. Overseeing all of these parallel dimensions is Uatu the Watcher (voiced by Wright), an omnipotent celestial being whose job it is to watch over the Earth without interfering….
(21) THE DRINK OF DRAGON CON. Makes me wonder what the official beverage of the Worldcon would be named.
“A research team has proposed a novel link between how fast our planet spun on its axis, which defines the length of a day, and the ancient production of additional oxygen,” reports Science Magazine. “Their modeling of Earth’s early days, which incorporates evidence from microbial mats coating the bottom of a shallow, sunlit sinkhole in Lake Huron, produced a surprising conclusion: as Earth’s spin slowed, the resulting longer days could have triggered more photosynthesis from similar mats, allowing oxygen to build up in ancient seas and diffuse up into the atmosphere.”
(23) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers: G.I. Joe: Rise of Cobra and Retaliation,” the Screen Junkies say the first two G.I. Joe movies are “like Team America but without the jokes” that mixes “generic military dudes and hot military babes.”
[Thanks to John King Tarpinian, Cat Eldridge, Mike Kennedy, Lise Andreasen, Daniel Dern, Jennifer Hawthorne, Joey Eschrich, Andrew Porter, Martin Morse Wooster, JJ, and Michael Toman for some of these stories. Title credit belongs to contributing editor of the day Soon Lee.]
By Daniel Dern: Got some eye/ear time available? Here’s a few that don’t require reaching for your wallet (assuming you still own and use a wallet).
SCHMIGADOON (Apple Plus TV)
If you like Broadway musicals with a strong dash of snark, you’ll probably love this quasi-fourth-wallish musical comedy spoof — great songs, great dance, great actors. So far (as of August 1), four of the six half-hour episodes are up.
Apple Plus TV is $4.95/month (and, like Display+ and HBO Max, among others, you can let several people share your account).
Meridithilly, (currently), all premiere episodes of Apple Plus series are available free without you having to even join…and you can get a free one-trial. So you could wait a fortnight and catch them all. (Of course, if you’re going to want to watch Foundation, or have already been Ted Lasso‘ing, etc., this advice is moot.)
THE SANDMAN (Audible)
I don’t consider myself an audio-book fan (versus the megahours of music, Firesign Theater, NPR segments, etc that I ebibe, along with enjoying author readings in person and Zoomed), but a friend not only recommended the ensemble Audible of Neil Gaiman’s The Sandman (which I read as the comics came out, one by one, and periodically re-read my trade paperback versions of), and, so far, I’m enjoying it.
Gaiman is doing the narration; the all-star cast includes James McAvoy as Morpheus (Dream), Kat Dennings as Death, Andy Serkis as Matthew the Raven, among others.
I reserved the ten-CD, 10 hour 55 minute set through my library, but a friend re-urged me to simply go through Audible — The Sandman by Neil Gaiman — who currently offers this for free — it’s listed as “free sample” but at least for now, it’s the whole thing. A price that’s hard to beat. (My friend says “No Audible account needed” (or maybe that’s “no need to give any payment info” — I appear to already have four other Audible things on my phone, in the app that’s clearly been sitting there for a few years.)
(I don’t see this on HooplaDigital.com, though there’s a dozen or so other Gaiman audiobooks — and the comic book collections are all there, under e-books…)
This set covers the first three book collections of Sandman’s 75 issues.
“Act II” is apparently coming out mid-August.
The mix of Gaiman’s narration, the voices, plus SFX and music, are (so far– I’m early on) well done and feel true to the words-and-images source. I can’t say or even guess what the experience would be for somebody who hasn’t read (which, for comics, includes looking at, of course) the original comics (or listening first and then reading). (Let me know!)
HOOPLADIGITAL BONUS BORROWS FOR AUGUST
Hoopla’s digital book/comic, audio and video loans already don’t cost anything — but you’re limited per month to whatever your library’s arrangement is with Hoopla. (Although if you can also accounts with additional Hoopla-partnering libraries, you can up your monthly borrows that way.)
HUNDREDS OF SKIFFY AND OTHER “MEGAPACK” COLLECTIONS
Megapack collections are hundreds-to-thousand page collections of sf and other stuff, by authors known and lesser-known, mostly of older stuff, but some, I’m seeing, have new stories, interviews, and other materials. Lots of author and thematic SF (and pulp, detective, western, etc.) anthologies.
On Amazon/Kindle, these e-collections are inexpensive, periodically in the Meredith Moment range (a buck or three), making them inexpensive, ahem, Kindling to make sure you’ve got enough back-up reading material for a long trip…or a relaxing weekend.
A quick look at the search results from the URL shows megapack titles including: Harry Harrison, Fredric Brown, Edgar Pangborn, F. Scott Fitzgerald, H. Beam Piper, Jane Austen, R.A.Lafferty, E.E. “Doc” Smith, Jack London science fiction, and topicals including Cthulhu Mythos, Robot, Whodunit?, Fantasy, Utopia, Steampunk, Mystery, Sea-Story, Vampire, Great American Novel, Space Opera…the task of filling up your list…
Tip: “Favorite” (“heart”) the ones you want, to keep track, and then judiciously borrow based on how much time you think you’ll have to e-consume.
Like hermit crabs, ghosts and demonic forces are extremely adaptable when it comes to finding a new home. Especially fond of portraits, mirrors, and dolls, they have also been known to inhabit more mundane items. A saucepan. A fur boa. A pair of gloves. A snuff box.
Household items charged with supernatural power are a common motif in the large body of weird fiction written by British women in the first half of the twentieth century. Sometimes the effect is darkly comic, sometimes tragic, sometimes terrifying. As Melissa Edmundson notes in her introduction to Women’s Weird: Strange Stories by Women, 1890-1940 (Handheld Press, Melissa Edmundson, 2019) many of these haunted objects are ‘traditionally feminine’, and almost all have some connection to women’s changing roles and complicated relationship with domesticity and sexuality in this period.
(2) HE’LL RETIRE THE SERIES WITH THE RECORD. Stephen Jones reminded Andrew Porter about ending his Best New Horror anthology series in 2022. He wrote:
“I quietly announced it nearly two years ago.
“It was always the plan that when — or if! — I ever reached volume #31 (one more volume than THE PAN BOOK OF HORROR STORIES) then I would probably retire it. It’s an annual anthology that now takes nearly two years to compile!
“The final volume (in this format at least) will be published by PS Publishing towards the end of the year.
“It will hopefully set the record for the longest-running horror anthology series from the same editor.
“I decided to let Gardner Dozois’ record with THE YEAR’S BEST SCIENCE FICTION stand.”
…The streamer has given the limited series a six-episode order with plans in place to begin shooting in Scotland later this year. First published in 2005, “Anansi Boys” follows Charlie Nancy, a young man who is used to being embarrassed by his estranged father, Mr. Nancy. But when his father dies, Charlie discovers that his father was Anansi: trickster god of stories. And he learns that he has a brother. Now his brother, Spider, is entering Charlie’s life, determined to make it more interesting but making it a lot more dangerous.
The character of Mr. Nancy appears in both “Anansi Boys” and the Gaiman novel “American Gods,” the latter of which is currently airing a series adaptation on Starz. However, there is no connection between the two projects and “Anansi Boys” will serve as a stand-alone story.
I mentioned that making Good Omens two is half of what I’ve been working on, and will be working on for next eighteen months, and I said I’d tell you soon enough what the other secret project I’ve been working on is.
…And I cannot tell you how happy I am to be making it, and making it in the way that we’re making it.
Anansi Boys started in about 1996. I was working on the original Neverwhere TV series for Lenny Henry’s film company, Crucial Films.
I loved a lot of what we were doing in Neverwhere. 25 years ago, it felt like we were doing something ahead of its time.
Lenny and I went for a walk. Lenny grumbled about horror films. “You’ll never get people who look like me starring in horror films,” he said. “We’re the hero’s friend who dies third.”
And I thought and blinked. He was right. “I’ll write you a horror movie you could star in,” I told him.
I plotted one. I tried writing the first half-dozen pages of the movie, but it didn’t seem to be right as a movie. And I was beginning to suspect that the story I was imagining, about two brothers whose father had been a God, wasn’t really horror, either.
… A top Hollywood director wanted to buy the rights to Anansi Boys, but when he told me that he planned to make all the characters white, I declined to sell it. It was going to be done properly or not at all.
And then, about ten years ago, two things happened at the same time. Hilary Bevan Jones, a producer who had made a short film I had directed (called Statuesque) mentioned she’d love to make Anansi Boys as a TV series, and a man named Richard Fee, who worked for a company called RED, spotted me eating noodles in a London noodle bar, waited outside so he didn’t seem like a stalker, and told me how much he loved Anansi Boys and that he’d love to make it into television.
I loved the TV that RED had made, loved Hilary and her team at Endor, and, unable to decide between them, suggested that they might be willing to work together. They both thought this was a good idea. …
How does one go about inventing a language? David J. Peterson is the creator of the Dothraki and Valyrian languages for fantasy series Game of Thrones, as well as many others. He joins Michael Rosen for a playful discussion about all things conlang, and Michael tries his luck at inventing a new language for bacteria.
Oscar winner Paul Franklin tells how visual effects changed and how they changed cinema. By the mid 1990s, Industrial Light & Magic, the VFX house at the heart of the rebirth of photochemical illusions, was home to a small but growing band of digerati convinced that the next breakthrough was at their fingertips. Jurassic Park not only proved their point but showed audiences and filmmakers that nothing could be the same again. The quest for the illusion of life, for the subtlety of performance would eventually lead back to Middle Earth and the evolution of Gollum – the perfect fusion of man and digits. Meanwhile the illusory world of The Matrix put its extraordinary moments of Bullet Time at the heart of its story and ideas. This was visual effects as both story and metaphor. Christopher Nolan’s Inception took that warping of reality to a different, hyper-real realm as Paul Franklin and his team folded the streetscapes of Paris upon each other. And now? What does the future hold for storytelling and visual effects?
(7) VERDANT ARTHURIANA. A second trailer has dropped for The Green Knight, to be released July 30.
An epic fantasy adventure based on the timeless Arthurian legend, THE GREEN KNIGHT tells the story of Sir Gawain, King Arthur’s reckless and headstrong nephew, who embarks on a daring quest to confront the eponymous Green Knight, a gigantic emerald-skinned stranger and tester of men.
(8) MEMORY LANE.
1995 – Twenty-six years ago, Patricia McKillip’s Something Rich and Strange won the Mythopoeic Fantasy Award for Adult Literature. The book was first published in hardcover by Bantam Spectra in November 1994. It was originally published as part of Brian Freud’s Faerielands series, a collaborative series of novels where the writer could choose from a set of illustrations that Froud did and write their novels around those pieces of art. Only two of the four planned books were published with the intended artwork, this one and The Wild Wood by Charles de Lint. A third illustration would be used but not as part of this series but rather as the U.K. edition of Terri Windling’s The Wood Wife which was intended to be part of this series but instead got a Susan Seddon Boulet cover.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 21, 1929 — John Woodvine, 92. He’s first shows up genre wise in An American Werewolf in London as Dr J. S. Hirsch, but shortly thereafter he’s Master West 468 in The Tripods and Prior Mordrin in the Knights of God children’s SF serial. Finally he’s Justice Dimkind in A Perfect State which is at least genre adjacent.
Born July 21, 1933 — John Gardner. Grendel, the retelling of Beowulf from the monster’s viewpoint, is likely the only work he’s remembered for. Gudgekin The Thistle Girl (and Other Tales) are genre fairy tales as are The King of the Hummingbirds (and Other Tales); A Child’s Bestiary is, well, guess what it says it is. Mickelsson’s Ghosts, his final novel written before his untimely death in a motorcycle accident, is a ghost story. OGH says he remembers Gardner’s short fiction collection The King’s Indian (1974) very fondly. It made a big impression on him when he was in college and still thought he might become an sf writer. (Died 1982.)
Born July 21, 1944 — David Feintuch. Astounding Award winner for best new writer. He wrote one science fiction series, the Seafort Saga, and a fantasy series, Rodrigo of Caledon. An eighth novel in his SF series, Galahad’s Hope, was apparently completed but never published. (Died 2006.)
Born July 21, 1948 — Garry Trudeau, 73. Best remembered for creating the Doonesbury franchise which I’m not pretending is genre but I wanted to note his birthday. The first daily strip was published Oct. 26, 1970 (he does new ones only on Sundays now) which means he’s been at it for over fifty years.
Born July 21, 1951 — Robin Williams. Suicides depress me. I remember a bootleg tape of a performance of him and George Carlin in their cocaine fueled days. No, not even genre adjacent but damn brilliant. Such manic energy. Genre wise, he was brilliant in most everything he did, be it Mork & Mindy, Hook which I adore, The Fisher King, Bicentennial Man or Jumanji. (Died 2014.)
Born July 21, 1969 — Christopher Shea, 52. Someone at casting likes him as he showed up in three Trek series, Voyager, Deep Space Nine and Enterprise playing a total of four roles. His only other genre was on Charmed.
Born July 21, 1976 — Jaime Murray, 45. If you watch genre television, you’ve most likely seen her as she’s been Helena G. Wells in the Warehouse 13, Stahma Tarr in Defiance, Fiona/the Black Fairy In Once Upon a Time, Antoinette in The Originals, and Nyssa al Ghul in Gotham. Film wise, she was Livinia in The Devil’s Playground and Gerri Dandridge in Fright Night 2: New Blood.
(10) THE EARLY BIRD. San Diego Comic-Con International has posted the Program Schedule for Comic-Con@Home, running July 23-25 – there are also some pre-con items on the schedule for today and tomorrow.
Kidnapped and sold as a maid to the rear palace, the sprawling residence for the emperor’s many wives and consorts, Maomao is determined to keep a low profile until her term of service is over and she can return to her old life as a would-be apprentice to her apothecary foster-father in a nearby red light district. Bright, pragmatic, and aloof, Maomao sees little to covet in the endless squabbles of the rear palace.
Sadly for this plan, Maomao’s observant nature, unusual skills, and inability to restrain from interfering in potentially lethal misadventures draw the attention of powerful eunuch Jinshi. Maomao has committed an error even riskier than offending one of the court’s most powerful functionaries. She has inadvertently shown that her deductive prowess could be useful. Which means, of course, when confronted with seemingly inexplicable mysteries—or even just the need for a toxin-resistant food taster—it is to Maomao that Jinshi turns. And if things go horribly wrong? Well, that probably won’t affect Jinshi.
…With the novel now a Hugo Finalist, and me, as the author, as a native New Yorker having re-read the book recently in audio, I thought a second look at the book was in order to explore other facets of the novel, and the audiobook in particular….
While I had highly enjoyed reading the book in ebook last year, my choice of re-reading it audio, first a way to fill some loose hours in my listening schedule and a way to tag back into the book in order to rank it as a Hugo Finalist on my ballot. I was, however, riveted from the beginning for a number of reasons.
The choice of narrator, Robin Miles, is an excellent choice. Miles has worked with Jemisin before (notably on the Broken Earth trilogy) and has a very good voice for Jemisin’s word choice and sentence style. It’s a wonderfully immersive performance on her part, and her voice kept me listening, to the point of NPR style “Driveway moments” throughout the production. This is a book I could have done even better listening to it on a long driving trip.
The use of sound in the audiobook was inspired. While this is not a full cast production, and just has the aforementioned Miles as narrator, the production is not content to just use her considerable vocal talents. The audiobook employs some sound effects and tricks to help immerse the reader into, particularly, the cosmic horror of the novel in a way that the print novel doesn’t quite manage….
… With the recent publication of Adrian Tchaikovsky’s Shards of Earth, and now this, John Appel’s debut into novels, Assassin’s Orbit, there appears to be a mini boomlet in space opera stories set in a verse where Earth, the center, has been removed from the equation, and in point of fact, the power that ended Earth is one that might return in full force and flower and destroy what has been built in the meantime. And, also, the theme of how expatriates, if not outright refugees, try to build a new life far away from a home they cannot return to is one that is very much of this moment….
(15) DUNE CAST POSTERS. Warner Bros. has released a series of character posters from Dune, the film adaptation of Frank Herbert’s novel directed by Denis Villeneuve. Its world premiere will happen at the Venice Film Festival in September before its October 22 release. See the character posters on Twitter. Thread starts here. Poster of Timothée Chalamet, who stars as Paul Atreides; Zendaya (Chani); Rebecca Ferguson (Lady Jessica); Jason Momoa (Duncan Idaho); Oscar Isaac (Duke Leto Atreides); Javier Bardem (Stilgar); Josh Brolin (Gurney Halleck); and Stellan Skarsgård (Baron Vladimir Harkonnen). Also Dave Bautista, Sharon Duncan Brewster, Stephen McKinley Henderson, Chang Chen and David Dastmalchian and Charlotte Rampling.
(16) PRO TIP. Larry Correia gave everyone a free lesson about “How To Write Your Author Bio” [Internet Archive link] at Monster Hunter Nation. The TL:DR version is: write a straight bio with your credits, then take the curse off by writing a blog post that belittles whatever you humblebragged about. For example:
(17) VIDEO OF THE DAY. In “Honest Game Trailers: Scarlet Nexus,” Fandom Games says this game is “one of the most anime-friendly games ever” but not based on any actual anime, so you don’t have to prep before playing the game.
[Thanks to John King Tarpinian, Cat Eldridge, Mike Kennedy, Chris M. Barkley, N., SF Concatenation’s Jonathan Cowie, Andrew Porter, Martin Morse Wooster, JJ, and Michael Toman for some of these stories. Title credit belongs to contributing editor of the day Daniel Dern.]
(2) A PERSPECTIVE ON AFRICAN SF. Marta Mboka Tveit discusses how “The rise of African Speculative Fiction and other exciting cultural production indicates that modernity is not an exercise in ‘catching up’ with Europe, but an entirely new condition” in “Makeshift modernity” at Africa Is A Country.
…First off, let me argue how excellent the rise of ASF is for everyone, but most importantly for us, the people of African descent. “The place in which I’ll fit will not exist until I make it,” said James Baldwin. To make it, one must first imagine it; to make change, one must first imagine a different kind of future. ASF can be linked to the decolonization of the mind in many ways: we must break the molds of colonial prescriptions, education, and decisions about Africa’s place in the world, much like speculative fiction breaks the mold of what can and cannot exist.
ASF points to an insistence on partaking in the technology-steeped global future and represents a push to actively influence that future. Furthermore, publishing and sharing tales and ideas about the future shows a new kind of optimism and self-confidence. Newfound confidence also arguably comes from stronger and more frequent connections with cousins from another planet—those in African America—facilitated by modern communication technology and faster cultural exchange. Africa is looking to African America for cool self-confidence, and African America is looking to Africa for roots and authenticity. This has been going on for a long time. Increasingly, however, African American interest has given cultural expressions from the continent a boost onto the global stage. After five centuries of the rest of the globe telling Africa its cultures and inputs are useless, those cultures and inputs suddenly find themselves at the forefront of global “cool.” But this time around, we might actually gain something from it….
(3) SCORCHED EARTH. Elaborate attempts to sabotage Nicole Kornher-Stace’s Reddit “Ask Me Anything” yesterday prompted Paul Weimer to connect the dots, saying “the trolls are trying to ruin my life and the lives of those even lightly connected to me” in “A Quick Post on Trolls Again” on his Patreon. He attributes the attack to his having retweeted the author’s announcement of the AMA.
… So what they did is, just before her AMA, they set up a fake account very similar to her name (one letter changed to the number one) and set up their OWN AMA. So, not only were they impersonating here (with plenty of comments and stuff about my supposed perfidy), Nicole could not actually do her own AMA at first.
And when THAT got sorted and she started her real AMA, the troll account started answering questions posed to her in the real AMA, until the moderators finally banned them from the AMA….
And the trolls also subjected Paul to a new round of harassment at work and by trying to get into some of his online accounts.
Nicole Kornher-Stace tweeted a thread of her own about the experience that starts here. A few excerpts —
And here’s a screencap of the Reddit moderator’s announcement while they were trying to manage the trollish invasion of the real AMA.
(4) ADA HOFFMANN BOOK LAUNCH. Ada Hoffmann’s The Fallen, the sequel to her debut, The Outside, was released yesterday. The author will be in conversation with Janelle Shane in a free online event on July 15 (3pm MDT/5pm EDT/10pm BST) on Facebook and YouTube
Released to immediate acclaim in 2019, The Outside was nominated for both the Philip K. Dick Award and the Compton Crook Award, so the follow-up, continuing the story of scientist Yasira Shien as she faces off against awesome AI gods and angels, is hotly anticipated to say the least!
Excitedly, to mark the next book in this eldritch-horror-meets-space-opera universe, Ada will (very appropriately) be in conversation with Janelle Shane, optics and AI researcher, host of the AI humor blog AIWeirdness.com, and author of the 2019 popular science book, You Look Like a Thing and I Love You!
Thank you for joining us on the amazing journey into freedom. It has been a truly inspiring five thousand and forty seconds in which we came together in the spirit of unity that shaped our great nation. When our founder, CIO, CFO and CEO Timothy the Talking Cat outlined his vision for a truly free and anti-elite tech platform for all Americans, we were inspired by how many of you rallied around his cause to break free of the shackles of facebooktwittergoogle. …
…Sadly, the sci-fi genre wasn’t well represented in this year’s nominations, which were announced Tuesday (July 13). Again. It seems only the big franchise names received any kind of attention. There was nothing for “The Expanse” on Amazon Prime Video or “For All Mankind” on Apple TV+ or HBO’s “Raised By Wolves” — and while that show gradually descended into insanity as Season 1 concluded, the actual performances were outstanding. And what about SyFy’s “Resident Alien” in the Comedy category? The eligibility period for 2021 submissions was from June 1, 2020 to May 31, 2021, so all of those shows could’ve been recognized….
…Not that the WandaVision team expected it to happen, at least like this. “Honestly, I was like, if we have one nomination, we will have won,” says series showrunner Jac Schaeffer, who also earned a writing nomination. “The cards are kind of stacked against the superhero space when it comes to recognition and awards.”
By the time nominations morning arrived, Schaeffer may have been the only one—most pundits were betting big on WandaVision, though maybe not 23 nominations big—but when it started, WandaVision really was an underdog. It became the first Marvel project on Disney+ basically by accident, when the pandemic delayed production on other shows, meaning that the bright new future of Marvel on television was being introduced by a defiantly oddball story about grief, sorcery, and classic television. “I felt very secure early on sort of occupying this little corner of the sandbox,” Schaeffer says. “The idea was that Falcon and the Winter Soldier would go first and, and that we could be weird in this little space.”
Instead, WandaVision debuted in mid-January at the peak of a world-altering pandemic, which many viewers had spent stuck at home and, like Wanda Maximoff herself, filtering their realities through television. “There was sort of an element of kismet to it,” Schaeffer says. “The content of the show itself ended up being a reflection of what so many people were doing in their own homes, you know, retreating into their favorite shows as a form of comfort.”
On Emmy nominations morning, both Olsen and Schaeffer were busy sharing the celebration with the rest of the team, though it wasn’t easy to take in the scope of the success….
No matter how you look at the nomination breakdowns released Tuesday, the story is clear: If it wasn’t already a sure thing that streaming is the future of television, the 2021 Emmy nominations have officially cemented it.
Streaming services accounted for four of the five top nominated outlets, with HBO Max (paired with HBO) and Netflix overwhelmingly dominating in terms of total nominations. Disney+, less than two years old, beat out every broadcast and cable network in terms of nominations and came in third overall.
Apple TV+, which isn’t even a breakout streamer (parent company Apple has mostly given it away for free since its launch), received more nominations (34) than all the broadcast networks aside from NBC.
Crisis and political necessity led to the formation of the North American Union, encompassing the United States, Mexico, Canada, and a few other nations. The formative crisis having past, the Union is held together largely thanks to the determination of a cabal of conservatives, the Creationist Coalition. The central figures in the Administration are determined to not let their power and influence slip away. Their resolve proves the North American Union’s undoing.
The Administration is long on steadfast purpose, but short on foresight. Assassinating a Hispanic populist governor alienates Hispanic North Americans. Paranoid attempts to capture a suspected Old Regime sympathizer force the sympathizer to see the Union as his enemy. Each move undertaken to ensure the Union’s stability instead undermines it, with the inevitable result that the North American Union collapses into independent nation states.
(10) EFFECTS HISTORY. BBC Radio 4 has aired the second installment of Unreal: The VFX Revolution – “Digital Realms”.
How visual effects changed and how they changed the movies. Oscar winner Paul Franklin explores how film entered the digital realm.
The 1970s saw the very first onscreen digital effects in films like Westworld. Those first pioneers of CGI already spoke of digital humans, indeed of entire films being made within the computer, but Hollywood was unconvinced. By 1979, some of those visionaries like Ed Catmull and Alvy Ray Smith, later founders of Pixar, were working for filmmaker George Lucas, who primarily wanted new digital tools for editing and compositing and to explore computer graphics. Their first all-digital sequence created life-from lifelessness with the Genesis effect for Star Trek II: The Wrath of Khan. Meanwhile Disney itself was creating TRON, a spectacular mix of state-of-the art animation and pioneering digital effects that took audiences into cyberspace for the first time. In their different ways these two films were the true harbingers of the digital revolution that would bring profound change to moviemaking within little more than a decade. And then came Terminator 2’s chrome shape shifter-the T1000. The revolution was underway.
(11) MEMORY LANE.
2006 – Fifteen years ago, Catherynne M. Valente would win the Otherwise Award and the Mythopoeic Fantasy Award for Adult Literature for The Orphan’s Tale: In the Night Garden. (It would also be nominated for a World Fantasy Award.) Two years later, she won a second Mythopoeic Fantasy Award for Adult Literature for The Orphan’s Tale: In the Cities of Coin and Spice. Both volumes are available from the usual suspects for just five dollars and ninety-nine cents.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 14, 1904 — Zita Johann. She’s best known for the lead performance in Karl Freund’s 1932 film, The Mummy which also featured Boris Karloff. She wouldn’t show in another horror film for another fifty-four years when she was in Raiders of the Living Dead as a Librarian as her original career only lasted three years. She quit film to work in theater where she where she was a partner of John Houseman, her husband, who she was married to from 1929 to 1933, and with Orson Welles as well. She also taught acting to people with learning disorders. (Died 1993.)
Born July 14, 1906 — Abner J. Gelula. One of the many authors* of Cosmos, a serialized novel that appeared first in Science Fiction Digest in July 1933 and then has a really complicated publication that I won’t detail here. It was critiqued as “the world’s most fabulous serial,” “one of the unique stunts of early science fiction,” and conversely “a failure, miserable and near-complete.” The entire text, chapter by chapter, can be read here. *To be precise, Earl Binder, Otto Binder. Arthur J. Burks, John W. Campbell, Jr., Lloyd Arthur Eshbach. Ralph Milne Farley, Francis Flagg, J. Harvey Haggard, Edmond Hamilton, David H. Keller, M.D., Otis Adelbert Kline, A. Merritt, P. Schuyler Miller, Bob Olsen, Raymond A. Palmer, E. Hoffmann Price and Edward E. Smith. Gulp! (Died 1985.)
Born July 14, 1926 — Harry Dean Stanton. My favourite genre role for him? The video for Procul Harum’s “A Whiter Shade of Pale”. No, I’m not kidding. He also played Paul of Tarsus in The Last Temptation of Christ, Harold “Brain” Hellman in Escape from New York, Detective Rudolph “Rudy” Junkins in Christine, Bud in Repo Man, Carl Rod in Twin Peaks twice, Toot-Toot in The Green Mile, Harvey in Alien Autopsy and a Security Guard in The Avengers. He didn’t do a lot of genre tv, one episode of The Wild Wild West as Lucius Brand in “The Night of The Hangman” and a character named Lemon on Alfred Hitchcock Presents in the “Escape to Sonoita” episode. (Died 2017.)
Born July 14, 1939 — Sid Haig. Best remembered as having a lead role in Jason of Star Command as the villain Dragos. He had one-offs in Batman, Mission: Impossible, Star Trek, Get Smart, Fantasy Island, Buck Rogers in the 25th Century, and MacGyver. His Trek appearence was First Lawgiver in “The Return of the Archons”, and someone in casting at Mission: Impossible liked him as he had nine different roles there. He was Royal Apothecary twice on Batman, not a role I recognize. (Died 2019.)
Born July 14, 1943 — Christopher Priest, 78. This is the Birthday of the One and True Christopher Priest. If I was putting together an introductory reading list to him, I’d start with The Prestige, add in the Islanders (both of which won BSFAs)and its companion volume, The Dream Archipelago. Maybe Inverted World as well. How’s that sound?
Born July 14, 1949 — Brian Sibley, 72. He co-wrote (with Michael Bakewell) BBC Radio 4’s adaptation of The Lord of the Rings. He also adapted The Chronicles of Narnia, and Titus Groan and Gormenghast for the same. Print wise, he’s responsible for such works as The Lord of the Rings Official Movie Guide and The Lord of the Rings: The Making of the Movie Trilogy. His only Award to date is a Sir Julius Vogel Award which is given by the members of the Science Fiction and Fantasy Association of New Zealand (SFFANZ) and the National Science Fiction convention for Weta Digital: 20 Years of Imagination on Screen.
Born July 14, 1964 — Jane Espenson, 57. She had a five-year stint as a writer and producer on Buffy the Vampire Slayer where she shared a Hugo Award at Torcon 3 for her writing on the “Conversations with Dead People” episode, and she shared another Hugo at Chicon 7 for Games of Thrones, season one. She was on the writing staff for the fourth season of Torchwood and executive produced Caprica. And yes, she had a stint on the rebooted Galactica.
Born July 14, 1966 — Brian Selznick, 55. Illustrator and writer best known as the writer of The Invention of Hugo Cabret which may or may not be genre. You decide. His later work, Wonderstruck, definitely is. The Marvels, a story of a travelling circus family is magical in its own right though not genre. His next work, Kaleidoscopic, due out this autumn looks to just as fantastic.
(13) COMICS SECTION.
Gasoline Alley, after a week or so following a colander-hat-guy “hearing ghost voices,” solves the mystery.
(14) TODAY’S THING TO WORRY ABOUT. Is Jason Cordova trying to suggest John Scalzi ripped off two of his novels? Here’s a screencap of Cordova’s Facebook post.
What seems clear to Cordova might not seem so clear to anyone else. Scalzi’s “Preservation Society” in his title phrase sounds like it’s about a rather different subject than Cordova’s “Urban Revitalization Project.” And Cordova’s own title resonates with a line from Godzilla 1985 (as quoted in the Wikipedia) — “That’s quite an urban renewal program they’ve got going on over there” – a coincidence that would be of no more than trivial interest but for Cordova’s complaint.
As for Cordova’s The Corruptor – the Amazon blurb says this is what the book is about:
…The single greatest advance in computer technology since the invention of the microchip, the Warp is a virtual reality gaming system so advanced that players aren’t just in the game, they are the game. And inside the Warp lies the most cunning of all games, the de facto king of online gaming. It is the one game said to be unbeatable: Crisis.
The Warp was flawless, and the game was perfect. Until something went terribly wrong, trapping Tori Adams and her friends inside it, unable to log off and free their minds from the uploaded virus in their brains. With no other options available and time running out, they must do the one thing that has never been done before—what experts say can’t be done—they must beat Crisis in order to save their lives.
I have read Scalzi’s Lock Inbut not Cordova’s book, however, from the latter’s description they appear to have about the same degree of overlap as Ready Player One and The Matrix.
…like so many other studios, Disney is facing the question of how to goose up active interest in a film it’s been teasing since 2019. The apparent solution: Bring in Deadpool, dump him into the Marvel Cinematic Universe, and have him promote the film.
… someone sent me a snapshot of the introduction to an edition that is slightly different than my own gifted copy of the Marvel Comics version of C.S. Lewis’ The Screwtape Letters. This other edition does not reproduce Lewis’ own 1941 preface as mine does. Instead, it has a special introduction written by Neil Gaiman.
As readers will know, Gaiman is not simply a giant in the fantasy world–outside of the horror genre, I think American Gods is the most important work of fantasy on the continent–but one of the new generation pioneers of the graphic novel medium. He is also a lifelong Narnia fan–and, we discover here, a lover and appreciative reader of Screwtape. Leaving beside any technical matters you might normally find in an introduction, Gaiman still manages to orient the reader to the book in their hands while giving us a sense of what he loves about Screwtape as a theologically interested but not specifically religious reader.
Besides some good swipes at the American Christian culture war (the ’90s one, not the current one) and a perceptive description of Narnia, Gaiman draws the reader to Screwtape for entertainment, delight, and wisdom. Gaiman’s perspective of Screwtape‘s impact has reminded me of that larger group of readers of Lewis that keep coming back to his works….
Roslyn Gothic arguably saw its most extensive and iconic use on the paperback covers with works by Philip K. Dick as published by Panther Books.
Designed by Harry Winters, Roslyn Gothic was released by Visual Graphics Corporation (VGC) in 1972, to be used with their Photo Typositor, a popular display typesetting machine of the phototype era. There were three styles; Medium, Bold, and Outline. The sans serif of condensed proportions is infused with some traits that seem to harken back to Art Nouveau, or Jugendstil: counters in d, g, or p are tear-shaped, e has a diagonal bar while the top arm of K is vertical, some stems in m, n, u are slightly curved, A is asymmetrical, and G is pointed at the bottom. Several of these features can also be found in German typefaces from around 1900, like Sezessions-Grotesk or Skulptur. By giving his design a large x-height and tight letterspacing, Winters turned these influences into a quintessential 1970s display typeface. With its punchy yet slightly alien-looking shapes, Roslyn Gothic became a popular choice on book covers in the science fiction genre.
(18) SPEAKER FOR THE TREES. No, we’re not talking about the Lorax. In this video of “Trees, Chainsaws, and the Visions of Paradise in J.R.R. Tolkien” from 2002, Tom Shippey discusses Tolkien’s relationship to trees, the literary function of forests, and the under-rated sophistication of Hobbit poetry. This quote comes from the YouTube transcript —
…Perhaps the best example of this comes from a colleague of mine now a professor of Harvard who tells this anecdote which I shall rapidly pirate. He said that some it must have been at least thirty years ago when he was a student backpacking his way around Europe he found himself in Oxford and he went to the University parks and he found a bench there and took his backpack off and sat down on the bench and looks at the parks for a bit. And at this point I’m an old guy came up very well-dressed and he came along and he sat down on the bench and he started to talk about trees. Trees, how beautiful they were, trees, some particularly beautiful trees, trees, now some trees he was personally fond of, trees, the awful things people did to trees, trees, how awful people were who did these awful things to trees trees, what we ought to do to these awful people in the world. But at this point my colleague said he was beginning to get rather nervous, picks his backpack up and edged away reflecting that you know they haven’t got all the weirdos locked up yet by any means. But next morning he got the local paper and discovered a picture of the old weirdo in it and it was of course the distinguished professor talking who was in the paper because he’d been collecting an honorary doctorate…
[Thanks to John King Tarpinian, Cat Eldridge, Mike Kennedy, Gordon Van Gelder, Anna Grace Carpenter, SF Concatenation’s Jonathan Cowie, Daniel Dern, Andrew Porter, Martin Morse Wooster, JJ, and Michael Toman for some of these stories. Title credit belongs to contributing editor of the day Daniel Dern.]
(1) HELICOPTER OVERVIEW. In “How Twitter can ruin a life: Isabel Fall’s complicated story” at Vox, Emily VanDer Werff’s interview with author Fall is threaded throughout a wide-ranging commentary about the ways “Isabel Fall’s sci-fi story ‘I Sexually Identify as an Attack Helicopter’ drew the ire of the internet” and what happened next. The article begins —
“In a war zone, it is not safe to be unknown. Unknown travelers are shot on sight,” says Isabel Fall. “The fact that Isabel Fall was an unknown led to her death.”
Isabel Fall isn’t dead. There is a person who wrote under that name alive on the planet right now, someone who published a critically acclaimed, award-nominated short story. If she wanted to publish again, she surely could.
Isabel Fall is a ghost nonetheless.
In January 2020, not long after her short story “I Sexually Identify as an Attack Helicopter” was published in the online science fiction magazine Clarkesworld, Fall asked her editor to take the story down, and then checked into a psychiatric ward for thoughts of self-harm and suicide.
The story — and especially its title, which co-opts a transphobic meme — had provoked days of contentious debate online within the science fiction community, the trans community, and the community of people who worry that cancel culture has run amok. Because there was little biographical information available about its author, the debate hinged on one question: Who was Isabel Fall? And that question ate her alive. When she emerged from the hospital a few weeks later, the world had moved on, but she was still scarred by what had happened. She decided on something drastic: She would no longer be Isabel Fall….
(2) AND THE WINNER IS. [Item by Mike Kennedy.] The public has selected “Commander Moonikin Campos” as the official name of the manikin to be launched on Artemis I, the uncrewed flight test of the Space Launch System rocket and Orion spacecraft around the Moon. The launch is currently scheduled for later this year. The namesake of the moonikin is ArturoCampos — electrical power subsystem manager for the Apollo 13 lunar module — who was a key player in bringing that mission safely back to Earth. ”Public Names ‘Moonikin’ Flying Around Moon on NASA’s Artemis Mission” at NASA.
The final bracket challenge was between Campos and Delos, a reference to the island where Apollo and Artemis were born, according to Greek mythology.
… The other six names under consideration were:
ACE, for “Artemis Crew Explorer.”
DUHART, a dedication to Irene Duhart Long, chief medical officer at Kennedy Space Center from 2000 to 2010.
MONTGOMERY, dedication to Julius Montgomery, first African American to work as a technical professional at Cape Canaveral Air Force Station, now known as Cape Canaveral Space Force Station.
RIGEL, a giant superstar in the Orion constellation.
SHACKLETON, a crater on the Moon’s South Pole, which is named after famous Antarctic explorer Ernest Shackleton.
WARGO, a dedication to Michael Wargo, NASA’s first chief exploration scientist.
The Moonikin is a male-bodied manikin previously used in Orion vibration tests. Campos will occupy the commander’s seat inside and wear an Orion Crew Survival System suit– the same spacesuit that Artemis astronauts will use during launch, entry, and other dynamic phases of their missions.
Campos will be equipped with two radiation sensors and have additional sensors under its headrest and behind its seat to record acceleration and vibration data throughout the mission. Data from the Moonikin’s experience will help NASA protect astronauts during Artemis II, the first mission in more than 50 years that will send crew around the Moon….
It’s been thirty-one years since Good Omens was published, which means it’s thirty-two years since Terry Pratchett and I lay in our respective beds in a Seattle hotel room at a World Fantasy Convention, and plotted the sequel. (I got to use bits of the sequel in the TV series version of Good Omens — that’s where our angels came from.)
Terry was clear on what he wanted from Good Omens on the telly. He wanted the story told, and if that worked, he wanted the rest of the story told.
So in September 2017 I sat down in St James’ Park, beside the director, Douglas Mackinnon, on a chair with my name on it, as Showrunner of Good Omens. The chair slowly and elegantly lowered itself to the ground underneath me and fell apart, and I thought, that’s not really a good omen. Fortunately, under Douglas’s leadership, that chair was the only thing that collapsed.
… So that’s the plan. We’ve been keeping it secret for a long time (mostly because otherwise my mail and Twitter feeds would have turned into gushing torrents of What Can You Tell Us About It? long ago) but we are now at the point where sets are being built in Scotland (which is where we’re shooting, and more about filming things in Scotland soon), and we can’t really keep it secret any longer.
There are so many questions people have asked about what happened next (and also, what happened before) to our favourite Angel and Demon. Here are, perhaps, some of the answers you’ve been hoping for.
As Good Omens continues, we will be back in Soho, and all through time and space, solving a mystery which starts with one of the angels wandering through a Soho street market with no memory of who they might be, on their way to Aziraphale’s bookshop.
(Although our story actually begins about five minutes before anyone had got around to saying “Let there be Light”.)
(4) KNOWN UNKNOWNS.Asimov’s does a “Q&A with Ursula Whitcher”, whose poem “Ansibles” appears in the current issue. The intro says Whitcher “is ready to fight for the honor of being the second-most-famous SF author named Ursula” – something definitely to aspire to, but I think at the moment that space is already filled.
Asimov’s Editor: The first line of your poem is, “I can’t explain gravity without using gravity.” Have you ever actually tried to explain gravity?
UW: I have! As well as being a poet, I’m a mathematician. My research is inspired by the physical theory of string theory, which offers one way to unify quantum physics and general relativity. I took more classical courses in general relativity as a graduate student, so I’ve spent quite a bit of energy working out equations for possible shapes of spacetime.
Ray Bradbury is perhaps best-known for writing Fahrenheit 451, The Martian Chronicles, and The Illustrated Man. He was much more than those stories though: a screenplay writer, a friend to Walt Disney, and an amateur painter, just to name a few.
From a young age, Ray was obsessed with finding a way to live forever. He will certainly be remembered for his writing, but his influence elsewhere may surprise you.
[Visit] the American Writers Museum in Chicago, your ticket into the interactive, inspirational, and surprising world of American writing of all genres. Learn about the history of writing in the United States and how it has shaped our lives through exhibits that stretch your imaginations and appeal to all 5 senses.. Then, explore the intricacies of language through games and try writing something for yourself on a vintage typewriter!
…The show will continue to run in two parts in London; Melbourne, Australia; and Hamburg, Germany, but will be a single part in New York, San Francisco and Toronto. It was not immediately clear how long that single part would be; the two parts have a total running time of about 5 hours and 15 minutes.
Structured essentially as a stage sequel to J.K. Rowling’s seven wildly popular “Harry Potter” novels, the show was the most expensive nonmusical play ever to land on Broadway, costing $35.5 million to mount, and another estimated $33 million to redo Broadway’s Lyric Theater. Before the pandemic, the play was routinely grossing around $1 million a week on Broadway — an enviable number for most plays, but not enough for this one, with its large company and the expensive technical elements that undergird its stage magic.
The play, a high-stakes magical adventure story with thematic through lines about growing up and raising children, was written by Jack Thorne and directed by John Tiffany, based on a story credited to Rowling, Thorne and Tiffany. Thorne and Tiffany said they had been working on a new version of the show during the pandemic, which, they said, “has given us a unique opportunity to look at the play with fresh eyes.”
The writers did not say what kind of changes they would make, but the production promised that the new version would still deliver “all the amazing magic, illusions, stagecraft and storytelling set around the same powerful narrative.”
“Harry Potter and the Cursed Child” began its stage life in London, opening in the summer of 2016, and winning nine Olivier awards — the most of any play — in 2017. It arrived on Broadway in 2018, picked up six Tony Awards, and initially sold very strongly, grossing about $2 million a week. But the sales softened over time, as average ticket prices fell, apparently because of a combination of the lengthy time commitment and the need to buy two tickets to see the whole story, which made it particularly expensive for families….
The GenCon gaming convention made with this statement:
The Origins Game Fair has said the Gygax-connected TSR company is also unwelcome at their event.
(8) BOUCHARD OBIT. Detroit area fan and fanzine publisher Alexander Bouchard was killed yesterday in an automobile accident. Al produced a fanzine called The Lightning Round. He also liked to post political comment videos on his YouTube Channel AlexanderFilmWorks — the last two in January criticizing the attack on the Capitol. He is survived by his widow, Megan. A GoFundMe appeal has been opened by their friends Kimberly and Miki Ivey: “Al Bouchard’s burial and help for his wife Megan”.
(9) MEDIA BIRTHDAY.
June 30, 1971 – On this date fifty years ago, Willy Wonka & the Chocolate Factory premiered. It was directed by Mel Stuart and produced by Stan Margulies and David L. Wolper. It was based off Charlie and the Chocolate Factory by Roald Dahl. The exemplary cast consisted of Gene Wilder, Jack Albertson, Peter Ostrum, Roy Kinnear, Julie Dawn Cole, Leonard Stone, Denise Nickerson, Dodo Denney and Paris Themmen. Some critics really didn’t like it, some kind of liked it and most were very fond of it. It really didn’t do well at the box office though not even making back production and marketing costs. Audience reviewers at Rotten Tomatoes currently give it a very superb rating of eighty-seven percent.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born June 30, 1902 — Lovat Dickson. Australian-born publisher and author who was half-brother of Gordon R Dickson. He wrote a biography of H G Wells, H G Wells: His Turbulent Life and Times. (Died 1987.)
Born June 30, 1905 — Nestor Paiva. Sometimes it only takes one film or series for a performer to get a Birthday write-up from me. Paiva makes it for Lucas the boat captain in The Creature from the Black Lagoon and its oft-forgotten sequel Revenge of the Creature. Though that was hardly his only genre role as his first role was in the early Forties as an uncredited prison guard in Tarzan’s Desert Mystery and he’d be in many a genre film and series over the decades as Prof. Etienne Lafarge in The Mole People, as the saloon owner in (I kid you not!) Jesse James Meets Frankenstein’s Daughter, Felicity’s Father in The Spirit Is Willing, Captain Grimby in “The Great Treasure Hunt” of The Addams Family and a Doorman in the “Our Man in Leotards” episode of Get Smart. (Died 1966.)
Born June 30, 1920 — Sam Moskowitz. SF writer, critic, and historian. Chair of the very first World Science Fiction Convention held in NYC in 1939. He barred several Futurians from the con in what was later called the Great Exclusion Act. In the Fifties, he edited Science-Fiction Plus, a short-lived genre magazine owned by Hugo Gernsback, and would edit several dozen anthologies, and a few single-author collections, most published in the Sixties and early Seventies. His most enduring legacy was as a historian of the genre with such works as Under the Moons of Mars: A History and Anthology of “The Scientific Romance” in the Munsey Magazines, 1912–1920 and Hugo Gernsback: Father of Science Fiction. First Fandom named its award for collecting after him. (Died 1997.)
Born June 30, 1959 — Vincent D’Onofrio, 62. His long running-role is Dective Goren on Law and Order: Criminal Intent which is in no way genre. He was Kingpin in the Daredevil film, Edgar the Bug in the only truly great Men in Black film to date and Vic Hoskins in Jurassic World. He also was Jason Whitney / Jerry Ashton in The Thirteenth Floor, loosely based upon Simulacron-3, a early Sixties novel by Daniel F. Galouye.
Born June 30, 1961 — Diane Purkiss, 60. I’ve not read her Corydon Trilogy she wrote with Michael Dowling, her son, but I can say that At the Bottom of the Garden: A Dark History of Fairies, Hobgoblins, Nymphs, and Other Troublesome Things is as splendid as the title suggests it is. She’s also written Fairies and Fairy Stories: A History.
Born June 30, 1963 — Rupert S. Graves, 58. Here because he played Inspector G. Lestrade on thatSherlock series. He also appeared on Doctor Who as Riddell in the Eleventh Doctor story, “Dinosaurs on a Spaceship”. He had one-offs in The Nightmare Worlds of H. G. Wells: The Moth, Twelve Monkeys, Krypton and Return of the Saint.
Born June 30, 1966 — Peter Outerbridge, 55. Dr. David Sandström in what I think is the underrated ReGenesis series as well being Henrik “Hank” Johanssen in Orphan Black anda recurring role on Millennium as Special Agent Barry Baldwin. He’s currently in two series, The Umbrella Academy with a recurring role as The Conductor, and as Calix Niklosin in V-Wars, yet another Netflix SF series.
Born June 30, 1972 — Molly Parker, 49. Maureen Robinson on the current Lost in Space series. One-offs in Nightmare Cafe, The Outer Limits, The Sentinel, Highlander: The Series, Poltergeist: The Legacy, Human Target and she appeared in The Wicker Man asSister Rose / Sister Thorn.
(12) LOOK OUT BELOW.[Item by Jennifer Hawthorne.] Third Planet Sci-Fi and Fantasy Superstore in Houston is suing the hotel next door to them because guests at the hotel keep dropping junk on top of the bookstore’s roof, and recently caused a lot of damage. The suit is being presented in an unusually nifty format though! To see the entire comic, skip down to page six of the Plaintiff’s Petition. (Screencaps from Above the Law’s post “Comic Store Includes Graphic Novel Of Allegations In Filing”.)
(13) CLARION CALL. The Clarion West Write-A-Thon is under weigh, but you can still get on board.
Participating writers sign up beginning June 7. They set writing goals, put up excerpts of their work, and use social media to let people know that they’re writing for a good cause. There are all kinds of writing goals—from the manageable “write for five minutes a day” to the ambitious “finish a novel” or “finish six short stories.” Every writer in the Write-a-thon chooses a goal that works for them.
This summer, writers may participate in additional online events, including affinity groups, writing sprints, (recorded) craft talks, and more. See [page] for the full list of perks.
After the Write-a-thon kicks off on June 20, friends and family can visit the Write-a-thon site, choose a writer or writers they would like to support, and use the button on each writer’s page to sponsor them. Every week, writers get a report on who’s donated to them, allowing them to communicate with their supporters. Many writers send their supporters updates on their progress, or show off their completed work at the end of the Write-a-thon, but it’s not required.
3. Am I too late to join?
The 2021 Clarion West Write-a-thon runs from June 20 to July 31. But no worries if you got here midway through; there’s no last day to sign up as a participant, and you can donate until August 31.
(14) YOUR FIRST. Clarion West is also doing a panel about “Releasing Your First Book” on July 5 at 6:30 p.m. Pacific. “Releasing your first book is tough any time. Hear from four Clarion West alumni who did it last year and learn what their journey was like.” Register here. The panel features Elly Bangs, Lauren Dixon, Emily Skaftun, and E. Lily Yu.
On Monday, July 5, we’re hosting our first live panel: Releasing Your First Book. Learn what the journey was like from four Clarion West alumni — Elly Bangs (CW, ’17, author of Unity, Tachyon Publications), Emily Skaftun (CW ’09, author of Living Forever & Other Terrible Ideas, Fairwood Press), Lauren Dixon (CW ’10, author of Welcome to the Bitch Bubble, Hydra House Books), and E. Lily Yu (CW ’13, author of On Fragile Waves, Erewhon Books) — who released their books last year.
Nadja and her ten-year-old son are on an overnight flight from Germany to New York when a group of terrorists violently take control of the plane and threaten the lives of the passengers. Suddenly Nadja faces an impossible choice – should she reveal her dark side and the inner monster she has kept hidden from her son for years in order to save him? The hunters become the hunted in this action-horror from director Peter Thorwarth.
…The core members of such a team might include a mastermind (to plan the heist), a thief (to get past any security devices), the driver (to orchestrate exfiltration), the muscle (in case something goes horribly wrong), and of course, the distraction (because it is much easier to get away with stuff if everyone is looking in the wrong direction). Speculative fiction offers numerous candidates who would combine the required expertise with the necessary moral flexibility. Here are the five SFF characters I’d pick for my retrieval team.
The Driver: McGill Feighan (The Journeys of McGill Feighan series by Kevin O’Donnell, Jr.)
McGill Feighan is a “flinger,” a teleporter whose reach spans the Milky Way. He is also one of the very few flingers to escape the Flinger Network’s methodical conditioning, which prevents flingers from doing anything untoward. Although he is not criminally inclined, he is at the centre of a compelling mystery—why did the terribly mysterious Far Being Retzglaran orchestrate McGill’s kidnapping as a baby?—and if you can convince him the job will somehow get him closer to answering that question, he may turn a blind eye to certain legal niceties. With him by your side, the entire galaxy is within reach.
Note: The vast criminal gang known as the Organization would also like an answer to McGill’s question. They play rough, so try not to attract their attention. Or the attention of the Far Being Retzglaran, for that matter.
(17) JEOPARDY! Andrew Porter witnessed these stumbles on tonight’s episode of Jeopardy!
Final Jeopardy: 20th Century Novels
Answer: British biochemist J.B.S. Haldane’s essay on ectogenesis, birth outside the womb, helped inspire this 1932 novel.
Wrong questions: “What is ‘Metamorphosis’?” and “What is ‘Steppenwolf’?”
Right question: “What Is ‘Brave New World’?.”
(18) WE SEE EXOPLANETS. HOW DO THEY SEE US? [Item by SF Concatenation’s Jonathan Cowie.] One of the best ways we currently detect exoplanets is when their orbit intersects our line of sight with their host star: these exoplanets transit their star. As said, this only works when observer, planet and star are all aligned. However, just as we can this way detect exoplanets, so exoplanets about stars in the plane of our Earth orbiting the Sun can similarly detect the Earth!
Assuming aliens have at least the same technology as us, how many of these are there?
Two US astronomers, using data from the Gaia mission that takes into account the movement of stars, have worked out how many stars could detect an Earth transit of the Sun.
It turns out that over the past 5,000 years there were some 1,715 stars within 100 parsecs (~350 light years) of the Earth that could detect us using the transit method. Currently, today, there are 1,402 stars that could detect the Earth using the transit method with our level of technology. Of these 128 are G type stars like our Sun.
The astronomers also estimate, taking a pessimistic view of our current exoplanet catalogue, and applying a probability based on that, that there 508 rocky planets in the habitable zone of these stars.
Finally, assuming that we have been generating significant radio waves for about a century, they calculate 29 of these potentially habitable rocky planets could, were there aliens there listening, be in a position to also detect our radio signals.
Ingenuity, NASA’s pint-sized Mars helicopter, has kicked up some surprising science on its flights over the red planet. When whizzing through the Martian air, its blades sometimes stir up a dust cloud that envelops and travels along with the tiny chopper. In several videos of Ingenuity’s flights, planetary scientists have seen dust whirling beneath the helicopter’s rotors — even when Ingenuity is flying as high as 5 metres above the Martian surface. That suggests that dust can get lifted and transported in the thin Martian air more easily than researchers had suspected….
(20) VIDEOS OF THE DAY. [Item by Mike Kennedy.] Billy Boyd and Dominic Monaghan, actors who played hobbits in The Lord of the Rings movies (Pippin Took and Merry Brandybuck), appeared on The Late Show to promote their podcast “The Friendship Onion.” Host Stephen Colbert referred to it as completing his set of Hobbits as he has previously interviewed Elijah Wood and Sean Astin—as well as many other LotR actors. There was singing, trivia, and banter plus a video appearance by Peter Jackson.
Dominic Monaghan and Billy Boyd share stories from the set of the “Lord of the Rings” movies and get our host to join them in singing a Hobbit drinking song. You can hear more from them in their new Lord of the Rings podcast, “The Friendship Onion.”
Dominic Monaghan, Billy Boyd, and special guest Peter Jackson try to find a “Lord of the Rings” trivia question that will stump our host. And to up the stakes, they have a special LOTR prize for Stephen if he can get it right.
[Thanks to Cat Eldridge, Mike Kennedy, Andrew Porter, Justin Busch, Lloyd Penney, Robin A. Reid, Jennifer Hawthorne, Daniel Dern, David K.M. Klaus, SF Concatenation’s Jonathan Cowie, Martin Morse Wooster, JJ, Michael Toman, and John King Tarpinian for some of these stories. Title credit belongs to contributing editor of the day microtherion.]
(1) CASTING KERFUFFLE. Man named Chuck having a busy day swatting flies on Twitter.
(2) FIRST WORLDCON ATTENDEE TURNING 101. Bob Madle will turn 101 on June 2. Curt Phillips, who wrangled Bob’s centenary card shower last year, says that once again, “Birthday cards – even late ones – would be cool.” Mail them to: Bob Madle, 4406 Bestor Drive, Rockville, MD. 20853.
Have you ever changed your opinion of a book based on information about the author, or anything else?
On principle, I keep books and the characters of their authors separate. So, no, I haven’t changed my opinion of a book because of something I found out about the writer after I read it. However, I’ve warned audiences at events to avoid meeting the authors of their favorite books. The warts-and-all version is almost always a disappointment, and they risk a retroactive taint.
I’ll mention no names, but there was one debut book of fiction a while back that I thought was spectacular. Then I met the author, who was unbearable. I didn’t change my mind about the book (with some determination), but I confess that the subpar chancer behind the Wizard of Oz’s curtain did reduce my eagerness to read any of this author’s subsequent work.
(4) FAN IS ACCLAIMED PORTRAIT PAINTER. Nick Stathopoulos is once again an Archibald Prize finalist for “The white shirt – portrait of Tané Andrews”. Nick is a past Hugo, BSFA Award, and Chesley nominee who’s won Australia’s Ditmar Award 10 times. He also designed the Aussiecon 4 (2010) Hugo base.
…Among the stunned spectators was the esteemed Yale mathematician, astronomer, and “natural philosopher” Denison Olmsted. (He couldn’t yet be called a “scientist” — the word was coined a year later for the polymathic Scottish mathematician Mary Somerville.) Like most of his colleagues, Olmsted had largely ignored meteors as uninteresting minor curiosities, irrelevant to astronomy and better left to meteorology. Now, he was seized with the sense that they might have cosmic origins and might therefore hold clues to the celestial mechanics of the universe. But he knew his personal observations that night hardly constituted data.
The following morning, two years after the polymathic astronomer John Herschel — the era’s most venerated patron saint of science — made his pioneering case for citizen science, Olmsted drafted a letter and sent it to the local newspaper in New Haven, appealing to ordinary people to help him “collect all the facts attending this phenomenon… with as much precision as possible” by reporting anything they could recall about the time, orientation, and speed of the shooting stars they had witnessed. The announcement was quickly reprinted in newspapers across the country and responses began pouring in….
Writer’s Digest University is pleased to present a one-of-a-kind online event for science fiction and fantasy writers! On August 28 and 29, our WDU Annual Science Fiction & Fantasy Virtual Conference will provide expert insights from SIX award-winning and bestselling authors on the finer points of how to write within the science fiction and fantasy genres. Spend the weekend learning techniques for honing your craft from six different published authors*, then (if you choose) pitch your novel via query letter to a literary agent specifically looking for material in these genres. The agent will provide you with a personalized critique of your query – and maybe ask to see more.
Experience the education, camaraderie, and opportunities provided by a live writing conference without ever having to leave your home!
The information about the courses and instructors is a bit scanty at the moment —
The Grand Unified Theory of Science and Magic Systems by Jeff Somers In this session, Jeff will discuss some evergreen rules and guidelines that apply to the creation of both sci-fi and fantasy worlds.
Craft Secrets of the Top 1% of Writers by Michael La Ronn In this engaging presentation with lots of visual examples, prolific sci-fi & fantasy author Michael La Ronn will uncover the secret world of unusual but effective writing techniques he’s learned by becoming a student of the top 1% of authors.
TBD by Tobias Buckell
TBD by Nathan Makaryk
TBD by Leslye Penelope
(7) MEDIA BIRTHDAY.
May 30, 1952 On this date in 1952, Tales of Tomorrow’s “The Little Black Bag” first aired. An unsuccessful doctor finds some very interesting instruments in a black bag which he has bought from a pawnshop. He and his wife differ over the ethics of using them. The script was written by Mann Rubin from story by Cyril Kornbluth as first published in Astounding Science Fiction, July 1950. (It would win a Retro Hugo for Best Novelette at Millennium Philcon.) It starred Joseph Anthony, Vicki Cummings, Florence Anglin and John Shellie. You can watch it here.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz. With a special guest appearance by Alan Baumler!]
Born May 30, 1922 — Hal Clement. Much to my surprise, his only Hugo was a Retro Hugo for the short story “Uncommon Sense” at L.A. Con III. My favorite novel by him is Mission of Gravity, and I’m also fond of The Best of Hal Clement which collects much of his wonderful short work. He’s reasonably well stocked at the usual suspects. (Died 2003.) (CE)
Born May 30, 1927 – Bob Peak. Illustrator for film, Time, TV Guide, Sports Illustrated, postage stamps. NY Artists Guild’s Artist of the Year. Society of Illustrators’ Hall of Fame, eight Awards of Excellence, four gold medals. Posters for West Side Story, My Fair Lady, Camelot; for us, Rollerball, Superman, Star Trek. See a Camelot-themed cover for The Once and Future King here. (Died 1992) [JH]
Born May 30, 1936 — Keir Dullea, 85. David Bowman in 2001: A Space Odyssey and its sequel, 2010: The Year We Make Contact. I know I saw 2001 several times and loved it but I’ll be damned if I can remember seeing 2010. He’s done a number of other genre films, Brave New World, Space Station 76, Valley of the Gods and Fahrenheit 451. And lest we forget he was Devon in Starlost. (CE)
Born May 30, 1937 – Ross Chamberlain, age 84. One of our finest fan artists. Guest of Honor at Westercon LV. Illustrated the 1971 (3rd) & 2015 (11th) ed’ns of The Enchanted Duplicator. Rotsler Award. Here’s his Website. [JH]
Born May 30, 1948 — Michael Piller. He was a writer and Executive Producer of The Next Generation, and co-creator of Deep Space Nine and Voyager. He’s likely best known for co-writing “The Best of Both Worlds” and the pilots of DS9 (“Emissary”) and Voyager (“Caretaker”). Post-Trek, he developed a short-lived series based off of Stephen King’s novel The Dead Zone, and he had a deal with WB for a series called Day One, a post-apocalyptic series based on the UK Last Train series. WB reneged on the contract. (Died 2005.) (CE)
Born May 30, 1952 — Mike W. Barr, 69. Writer of comics and sf novels. Created along with Jim Aparo Looker (Emily “Lia” Briggs), a hero in the DC Universe. She first appeared first appeared in Batman & the Outsiders #25. He worked for both major houses though I’d say most of his work was at DC. He wrote the “Paging the Crime Doctor” episode of Batman: The Animated Series. (CE)
Born May 30, 1952– Andy Sawyer, age 69. Fan, librarian, editor. Managed the Liverpool SF Fdn. Lib’y twenty-five years. Clareson Award (SF Research Ass’n; service). Fanzines Acnestis (not the apa by that name), Another Earth. Here is a review of Zinos-Amaro’s conversations with Silverberg Traveler of Worlds. [JH]
Born May 30, 1953 – Nancy Lebovitz, age 68. Fan, conversationalist (is that redundant?), particularly known for calligraphy and thus slogan-buttons. “I re-read sometimes because I’m enough of a different person that I notice different things in books than I used to.” Here she is on a panel at Laffcon IV (R.A. Lafferty convention); L to R, Samuel Tomaino, Darrell Schweitzer, Robert Bee, NL. [JH]
Born May 30, 1963 – Helen Sharman, Ph.D., age 58. Chemist. First British cosmonaut. Ten honorary doctorates. It’s not science fiction, and though she was called the Girl from Mars (she was 24) it was for research at Mars Confectionery. Memoir, Seize the Moment – with Christopher Priest, is that better? [JH]
Born May 30, 1964 — Mark Sheppard, 57. He’s the son of actor W. Morgan Sheppard. A number of genre roles including lawyer Romo Lampkin on the Battlestar Galactica reboot, truly sleazy crime lord Badger on Firefly, Tanaka on Dollhouse, Regent Benedict Valda on Warehouse 13, Canton Everett Delaware III on Doctor Who and Willoughby Kipling, member of the Knights Templar, on Doom Patrol. (CE)
Born May 30, 1971 — Duncan Jones, 50. Director Films include Moon (2009) which won a Hugo for Best Dramatic Presentation-Long Form and a BAFTA Award for Outstanding Debut by a British Writer, Director or Producer, and Source Code (2011) which was nominated for both a Hugo and a Ray Bradbury Award. He also directed Warcraft (2016), the highest grossing video game adoption of all time. He is totally not best known for being David Bowie’s son. (AB)
Born May 30, 1980 – Narita Ryôgo, age 41. (Personal name last, Japanese style.) Author of light novels and manga. Think not our japonaiserie a one-way street; NR won Gold in the 9th Dengeki Novel Prizes for Baccâno! set in a fictional United States, notably during Prohibition, in manga, light novels, animé, a Ray Bradbury number of episodes i.e. 22, with alchemists, an immortality elixir, and – well, the title is Italian for “ruckus”. There’s a magician named Szilard, a psychopathic assassin and train conductor, a transcontinental train The Flying Pussyfoot, an immortal named Elmer C. Albatross who masquerades as a demon, and – well – [JH]
The annual Milky Way photographer of the year competition features the best photos of our galaxy as selected by Capture the Atlas. This year’s images were taken from around the world by 25 photographers of 14 different nationalities. The best time to see and photograph the Milky Way is usually between May and June with maximum hours of visibility on both hemispheres…
The winner, shown in the tweet below, is “Night lovers” by Mohammad Hayati, Hormozgan province, Iran.
(10) GONE BEFORE YOU KNOW IT. Universal dropped a trailer for Old, the new M. Night Shyamalan movie coming in July.
This summer, visionary filmmaker M. Night Shyamalan unveils a chilling, mysterious new thriller about a family on a tropical holiday who discover that the secluded beach where they are relaxing for a few hours is somehow causing them to age rapidly … reducing their entire lives into a single day.
“I used a number of sources within the vintage magazine collecting community online to find color images of all of the covers included. All covers are colored accurately with the exception of ‘Super Sports’ which I could not find. I was able to find a number of other issues of ‘Super Sports’ but not the one featured in the picture. I used those as references in an effort to guess at the colors as accurately as possible.”
The dream home for Star Wars fans is now on the market in Texas. But the path to the dark side is not cheap.
Known as “The Darth Vader House,” the 7,000 square-foot home in Houston’s West University Place subdivision has a listing price of $4,300,000.The nickname comes from the exterior’s resemblance to the helmet of the famed Star Wars villain….
(13) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] This is a 1991 A&E documentary, written by and starring Leonard Maltin, about the cartoons of the Fleischer studio, from the early silent films to obscure, but great, late cartoons including “Raggedy Ann and Andy” and “Dancing on The Moon.” It’s a good overview and Maltin is of course very knowledgeable. But after the first 20 minutes commercials are included so be prepared to fast-forward several times.
[Thanks to John King Tarpinian, Alan Baumler, Chris Barkley, Cat Eldridge, John Hertz, Mike Kennedy, Andrew Porter, Martin Morse Wooster, JJ, and Michael Toman for some of these stories. Title credit belongs to contributing editor of the day Tom Becker.]
The San Diego Convention Center hosted about 135,000 visitors two years ago for Comic-Con, the four-day celebration of comic books and pop culture.
…But even when state restrictions lift, experts acknowledge, it may be a year or more before California convention centers host the kind of mega-crowds that flocked to Comic-Con, NAMM and E3 in past years.
“We anticipate that shows will be smaller starting off and getting back up to speed hopefully next year,” said Ellen Schwartz, general manager of the Los Angeles Convention Center. “As we get into the last quarter of this calendar year and start the new year, we’re hopeful that the business will come back to closer to where it was before the pandemic.”
Among the reasons for the smaller events: State officials say COVID-19 protocols for large-scale indoor events will still require testing or vaccination verifications, which could exclude some would-be attendees. The state has yet to release details of those requirements.
Also, surveys show that many business travelers still don’t feel safe meeting face to face indoors with thousands of strangers. Some elements of future events are likely to be conducted via streaming video, accommodating virus-cautious attendees who want to stay home.
Rachel “Kiko” Guntermann, a professional costume maker who previously attended five or six conventions a year, including Comic-Con, said she would not feel safe returning to a large convention even though she has been fully vaccinated against COVID-19.
“Conventions were a center of my life for a while, and now the idea of being in a vendor hall with that many people makes me want to dry heave,” she said….
(2) FRANKENSTAMP AND FRIENDS. A set of Classic Science Fiction stamps will be issued by Great Britain’s Royal Mail on April 15. Preorders are being taken now.
A collection of six Special Stamps celebrating the imagination and artistic legacy of classic science fiction.
The issue coincides with the 75th anniversary of the death of HG Wells and the 70th anniversary of the publication of The Day of the Triffids.
Each stamp features a unique interpretation by a different artist illustrating a seminal work by a classic British science fiction author
Two First Class, two £1.70 and two £2.55 stamps presented as three horizontal se-tenant pairs.
A. T. Greenblatt’s short fiction has appeared in Strange Horizons, Uncanny, Beneath Ceaseless Skies, Clarkesworld, Fireside, Lightspeed, and other magazines. She won the 2019 Nebula Award for Best Short Story for “Give the Family My Love,” and is also on the current Nebula Awards ballot for her novelette “Burn or The Episodic Life of Sam Wells as a Super.” She was also a Nebula finalist for 2018. She has also been a Theodore Sturgeon Award finalist as well as a Parsec Award finalist. She is a graduate of the Viable Paradise and Clarion West workshops, and has been an editorial assistant at the flash fiction magazines Every Day Fiction and Flash Fiction Online.
We discussed the writing workshop-induced panic which caused her to begin writing her latest Nebula Award-nominated story, how the Viable Paradise workshop helped kick her writing up a notch, why she prefers Batman to Superman, the importance of revisions, critique groups, and community, what’s to be learned from rereading one’s older work, why she’s a total pantser, her love of Roald Dahl, something she wishes she’d known earlier about the endings of stories, how much of writing is being able to keep secrets and not explode, and much more.
(4) 2021 SFPA POETRY CONTEST AND JUDGE ANNOUNCED. The 2021 Science Fiction & Fantasy Poetry Association (SFPA) Speculative Poetry Contest will be open for entries from June 1 through August 31, with Sheree Renée Thomas serving as guest judge of the contest. Full guidelines here.
Sheree Renée Thomas is an award-winning fiction writer, poet, and editor. Her work is inspired by myth and folklore, natural science and Mississippi Delta conjure. Nine Bar Blues: Stories from an Ancient Future (Third Man Books) is her first all prose collection. She is also the author of two multigenre/hybrid collections, Sleeping Under the Tree of LIfe and Shotgun Lullabies (Aqueduct Press) and edited the World Fantasy-winning groundbreaking black speculative fiction Dark Matter anthologies (Hachette/Grand Central).
Sheree is the associate editor of the historic Black arts literary journal, Obsidian: Literature & the Arts in the African Diaspora and editor of The Magazine of Fantasy & Science Fiction.
The 2021 SFPA Speculative Poetry Contest is open to all poets, including non-SFPA-members. Prizes will be awarded for best unpublished poem in three categories: Dwarf (poems 1–10 lines [prose poems 0–100 words]); Short (11–49 lines [prose poems 101–499 words]); Long (50 lines and more [prose 500 words and up]). Line count does not include title or stanza breaks. All sub-genres of speculative poetry allowed in any form.
Prizes in each category (Dwarf, Short, Long) will be $150 First Prize, $75 Second Prize, $25 Third Prize. Publication on the SFPA website for first through third places. Winners will be announced and posted on the site October 1.
Wrath James White is a former World Class Heavyweight Kickboxer, a professional Kickboxing and Mixed Martial Arts trainer, distance runner, performance artist, and former street brawler, who is now known for creating some of the most disturbing works of fiction in print. His books include The Resurrectionist, Succulent Prey, and The Teratologist with Edward Lee.
(6) PLUCKED OFF THE SLUSHPILE. [Item by rcade.] Though many novelists would tell the story of how they first became published as a heroic triumph of talent and perseverance over rejection and adversity, the science fiction author Stephen Palmer credits something else entirely in a new interview with SFFWorld: “Interview with Stephen Palmer”.
My route to publication was the one too few people talk about – pure chance. Random luck is a far larger player in getting published than most people realize, partly because writers don’t want to believe they have little or no agency in their own success, and partly because the odds against success are so huge nobody wants to face them. I was plucked off the slush pile because I sent in the right novel at the right time. Tim Holman remembered it when he and Colin Murray were seeking new British writers, and he contacted me. But it could have been so different. In December 1993 me and my then wife were about to move house, and for reasons too unpleasant to detail here we weren’t going to leave a forwarding address. A few days before we departed a letter popped through the letterbox. It was from Tim Holman, writing back to me a full year after I’d sent him an extract of Memory Seed, telling me he wanted to read more. If I’d moved a week earlier I might not be an author now…
Palmer’s debut novel Memory Seed is being republished by Infinity Plus. He got the rights back from Orbit for that book and Glass nine years ago but the original files were lost. He bought copies, removed the pages and did the OCR scanning himself.
This has been one of the longest running legal battles in anime and I never thought I would see it resolved in my lifetime….
As to the details of what this agreement entails, this is what the official press statement has to say:
“Tokyo based BIGWEST CO.,LTD. and Los Angeles based Harmony Gold U.S.A. announced an agreement regarding the worldwide rights for the legendary Macross and Robotech franchises. This expansive agreement signed by both companies on March 1, 2021, ends two decades of disagreements and will allow Bigwest and Harmony Gold to chart a new path that will unlock the great potential of both the Macross and Robotech franchises worldwide. The landmark agreement immediately permits worldwide distribution of most of the Macross films and television sequels worldwide, and also confirms that Bigwest will not oppose the Japanese release of an anticipated upcoming live-action Robotech film. The agreement also recognizes Harmony Gold’s longstanding exclusive license with Tatsunoko for the use of the 41 Macross characters and mecha in the Robotech television series and related merchandise throughout the world excluding Japan. Moving forward, both parties will cooperate on distribution regarding future Macross and Robotech projects for the benefit of both franchises.”
French police say they are building a case against an international gang of toy thieves specialising in stealing Lego – and they have warned specialist shops and even parents to be aware of a global trade in the bricks.
The alert comes after officers arrested three people – a woman and two men – in the process of stealing boxes of Lego from a toy shop in Yvelines, outside Paris, last June. Under questioning, the suspects, all from Poland, reportedly admitted they were part of a team specialising in stealing Lego sought by collectors.
“The Lego community isn’t just made up of children,” one investigator told Le Parisien newspaper. “There are numerous adults who play with it; there are swaps and sales on the internet. We’ve also had people complaining their homes have been broken into and Lego stolen.”
Van Ijken cited a Cafe Corner Lego set that cost €150 when it was released to shops in 2007 selling in its original box for €2,500 last year.
Lego looting appears to be a global business, according to reports in the US, Canada and Australia, where numerous thefts have been reported over the last five years. In 2005, San Diego police arrested a group of women found to have €200,000 worth of Lego.
(9) THE UNKINDEST CUT. [Item by rcade.] The acclaimed weird fiction author Jeff VanderMeer is sickened by the actions of one of his new neighbors in Tallahassee, Florida:
Someone bought a house a few streets down and just cut down 30 mature pine trees — in the spring. I wonder if they know there’s little they could do in their lives to make up for the wildlife they just slaughtered. I know we’ll be getting survivors in the yard for weeks to come.
I’m planting two sycamores and some river birch, mayhaw next week and then also seeking out some of the pine saplings to protect them. We have 8 mature pines in the yard and not a damn one is getting cut down. …
Developers are trying to eat this city alive and we have, purportedly 55% canopy, although I imagine it’s a lower percentage after the predation of the past few years.
A Florida law enacted in 2019 made it much harder for cities and counties to stop property owners from removing trees. Tallahassee and the surrounding county have 78 miles of roads shaded by oak, hickory, sweet gum and pine trees and the city’s tree canopy coverage is among the largest in the U.S.
[From the Introduction] A scroll through Jeff VanderMeer’s Twitter account yields all manner of birds, flowers, trees, bird feeders, backyard wildlife, and the occasional portrait of his housecat, Neo. By and large, it seems such joyous, benevolent content that it’s surprising it comes from the same hands as one of the most subversive, experimental, apocalyptic, and politically daring fiction writers at work in America today.
…Another of his passions involves his ongoing project of “rewilding” his half-acre yard on the edge of Tallahassee. In order to combat natural-habitat destruction, VanderMeer has reintroduced native plants and trees to encourage the return of local wildlife. The fruits of VanderMeer’s tweets spring directly from the myriad animals, insects, organisms, and flowering flora that have returned to his homegrown micro nature-preserve. (“Right now, during migration season,” he reports, “we have about 300 yellow-rumped warblers in the yard and another 400 pine siskins, along with ruby-crowned kinglets, Baltimore orioles, orange-crowned warblers, hermit thrushes, cedar waxwings, etc.”) Will VanderMeer save our planet? Can it even be saved at this point? These are the real mysteries of our era….
MACHADO: It’s a bit like watching this pandemic unfold. We’re botching it all up, and you can’t help but feel like it doesn’t have to be this way. Do you think you’re a cynic about wildlife and the climate crisis?
VANDERMEER: I think that fixing the climate crisis should be more ingrained in our discussions and it’s not. Even in fiction, I see a lot of green-tech solutions that are totally divorced from actually dealing with what’s going on in the landscape. The other day I saw that Elon Musk had gone from chastising the oil industry to being like, “We need to mine for our SpaceX platform so that we have energy for our rockets.” Those are the kinds of things that get to me. One reason I push so hard for wildlife and for habitat is that I just don’t think we can make it through without them. We can’t just green-tech our way into some kind of solution. We have to change how we actually interact. And I do think we can all make small changes in how we do things that can really help us. In that way, I’m not cynical. People ask about hope all the time, which in a very absurdist way cracks me up because there’s always this question of, “Is it too late?” And it’s like,
“Well, what are you going to do if it’s too late? You really have no choice but to try to do the best things possible to get out of this.” Next cheery question!
We received some truly incredible stories from 60 different countries this season.
Make sure to save the date for May 22 if you want to experience exciting new sci-fi stories, chat with competition participants from around the world, and hear our celebrity guest readers!
(12) HUMMEL OBIT. The Washington Post has an obituary for Joye Hummel by Harrison Smith. Hummel was hired by William Moulton Marston as a secretary and then went on to write Wonder Woman scripts until 1947. Historians credit her as being the first woman to write scripts for Wonder Woman. She died April 5. “Joye Hummel, first woman hired to write Wonder Woman comics, dies at 97”.
In March 1944, shortly before Joye Hummel graduated from the Katharine Gibbs secretarial school in Manhattan, she was invited to meet with one of her instructors, a charismatic psychologist who had been impressed by her essays on a take-home test.
Over tea at the Harvard Club, professor William Moulton Marston offered her a job — not in the classroom or psych lab, but in the office of his 43rd Street art studio. He wanted Ms. Hummel to help him write scripts for Wonder Woman, the Amazonian superhero he had created three years earlier and endowed with a magic lasso, indestructible bracelets, an eye-catching red bustier and a feminist sensibility.Ms. Hummel, then 19, had never read Wonder Woman; she had never even read a comic book. But Marston needed an assistant. His character, brought to life on the page by artist H.G. Peter, was appearing in four comic books and was about to star in a syndicated newspaper strip. He was looking for someone young who could write slang and who, perhaps most importantly, shared his philosophy and vision for the character. “You understand that I want women to feel they have the right to go out, to study, to find something they love to do and get out in the world and do it,” Ms. Hummel recalled his saying. She was “astonished and delighted” by the job offer, according to historian Jill Lepore’s book, “The Secret History of Wonder Woman,” and soon began writing for the comic. “I always did have a big imagination,” she said.
Ms. Hummel worked as a Wonder Woman ghostwriter for the next three years, long before any woman was publicly credited as a writer for the series. As invisible to readers as Wonder Woman’s transparent jet plane, she was increasingly recognized after Lepore interviewed her in 2014. Four years later, she received the Bill Finger Award, given to overlooked or underappreciated comic book writers at the Eisner Awards….
(13) MEDIA BIRTHDAY.
April 9, 1955 — On this date in 1955, Science Fiction Theatre first aired in syndication. It was produced by Ivan Tors and Maurice Ziv. It ran for seventy eight episodes over two years and was hosted by Truman Bradley who was the announcer for Red Skelton’s program. The first episode “Beyond” had the story of a test pilot travelling at much faster than the speed of sound who bails out and tells his superiors that another craft was about to collide with his. It starred William Lundigan, Ellen Drew and Bruce Bennett. You can watch it here.
(14) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born April 9, 1906 – Victor Vasarely. Grandfather of op art, like this, and this (Supernovae, 1961). Here is The Space Merchants using some of VV’s Folklore Planetario for the cover. (Died 1997) [JH]
Born April 9, 1911 — George O. Smith. His early prolific writings on Astounding Science Fiction in the 1940s ended when Campbell’s wife left him for Smith whom she married. Later stories were on Thrilling Wonder Stories, Galaxy, Super Science Stories and Fantastic to name but four such outlets. He was given First Fandom Hall of Fame Award just before he passed on. Interestingly his novels are available from the usual digital sources but his short stories are not. (Died 1981.) (CE)
Born April 9, 1913 — George F. Lowther. He was writer, producer, director in the earliest days of radio and television. He wrote scripts for both Captain Video and His Video Rangers and Tom Corbett, Space Cadet. You can see “The Birth of The Galaxy” which he scripted for the first show here as it is in the public domain. (Died 1975.) (CE)
Born April 9, 1915 – Charles Burbee. One of our best fanwriters, of the brilliant but biting type (if you like that, as well as admiring it, you can change but to and). Fanzine, Burblings; co-edited Shangri L’Affaires awhile. Fan Guest of Honor at Westercon 27. You can see The Incompleat Burbee here (part 1) and here (part 2). Burbeeisms still circulate, like AKICIF (All Knowledge Is Contained In Fanzines) – sometimes without his mocking tone, a neglect he would have mocked. (Died 1996) [JH]
Born April 9, 1937 – Barrington Bayley. A dozen novels, fourscore shorter stories, some under other names (“Michael Barrington” for work with Michael Moorcock). Two collections. Interviewed in Interzone, Vector; on the cover of V223 for a Mark Greener article. (Died 2008) [JH]
Born April 9, 1937 — Marty Krofft, 84. Along with Sid, his brother, are a Canadian sibling team of television creators and puppeteers. Through Sid & Marty Krofft Pictures, they have made numerous series including the superb H.R. Pufnstuf which I still remember fondly all these years later not to forget Sigmund and the Sea Monsters, Land of the Lost and Electra Woman and Dyna Girl. (CE)
Born April 9, 1949 — Stephen Hickman, 72. Illustrator who has done over three hundred and fifty genre covers such as Manly Wade Wellman’s John the Balladeer and Nancy Springer’s Rowan Hood, Outlaw Girl of Sherwood Forest. His most widely known effort is his space fantasy postage stamps done for the U.S. Postal Service which won a Hugo for Best Original Art Work at ConAndian in 1994. (CE)
Born April 9, 1954 — Dennis Quaid, 67. I’m reasonably sure that he first genre role was in Dreamscape as Alex Gardner followed immediately by the superb role of Willis Davidge in Enemy Mine followed by completing a trifecta with Innerspace and the character of Lt. Tuck Pendleton. And then there’s the sweet film of Dragonheart and him as Bowen. Anyone hear of The Day After Tomorrow in which he was Jack Hall? I hadn’t a clue about it. (CE)
Born April 9, 1972 — Neve McIntosh, 49. During time of the Eleventh Doctor, She plays Alaya and Restac, two Silurian reptilian sisters who have been disturbed under the earth, one captured by humans and the other demanding vengeance. Her second appearance on Doctor Who is Madame Vastra in “A Good Man Goes to War”. Also a Silurian, she’s a Victorian crime fighter. She’s back in the 2012 Christmas special, and in the episodes “The Crimson Horror” and “The Name of the Doctor”. She’s Madame Vastra, who along with her wife, Jenny Flint, and Strax, a former Sontaran warrior, who together form a private investigator team. Big Finish gave them their own line of audio adventures. (CE)
Born April 9, 1980 – Jill Hathaway, age 41. Two novels. Teaches high-school English, bless her. Has read Cat’s Cradle, Tender Is the Night, Native Son. [JH]
Born April 9, 1981 – Vincent Chong, age 40. Two hundred twenty covers, sixty interiors. Artbook Altered Visions. Here is Shine.Here is the Gollancz ed’n of Dangerous Visions. Here is G’s Left Hand of Darkness.Here is Ghost Story. [JH]
Born April 9, 1990 – Megan Bannen, age 31. Two novels, one just last year. “An avid coffee drinker and mediocre ukulele player…. in her spare time, she collects graduate degrees from Kansas colleges and universities.” Or so she says. [JH]
Grant Snider’s “Hopscotch” is not genre. You might like it anyway – we did!
(16) PRINCE PHILIP RIP. The Cartoon Museum in London noted the passing of its Patron HRH Prince Philip, the Duke of Edinburgh.
Prince Philip, the Duke of Edinburgh has been Patron of The Cartoon Museum in London for over 20 years. In 1949 he and the young Princess Elizabeth attended the Royal Society of Arts and listened to a speech by the great British cartoonist H. M. Bateman, calling for a national museum of cartoons.
He has given the museum continuous support and with his great love of humour he admired the genre of British cartooning. In 1994 he opened the museum’s exhibition on Giles, who drew for the Daily and Sunday Express from 1943 – 1991. The Duke of Edinburgh owned several Giles cartoons in his private collection; Giles was his favourite cartoonist – he admired his social observations, gentle humour, and depictions of the Royal Family.
The monarchy have been a persistent (and easy) target of cartoonists and caricaturists for 300 years, from Gillray and Beerbohm to Scarfe, Bell, Rowson and Peter Brookes – but the Duke of Edinburgh could always see the funny side in any situation, and took humorous depictions of himself in his stride. In 2002 Prince Philip opened an exhibition of cartoons on the Kings and Queens (300 Years of Cartoons about the Monarchy), and in 2006 he opened London’s first museum of cartoons.
The Cartoon Museum, its Trustees, Staff, and the cartooning community are saddened to hear Prince Philip has passed away, and send their deepest condolences to H. M. The Queen and his family.
Star Trek is bolding coming back to the big screen… two years from now. Paramount Pictures confirmed Friday that a brand-new Trek film will hit theaters on June 8, 2023. While the project is currently untitled and plot details are non-existent, we suspect this is the movie currently being written by The Walking Dead alum, Kalinda Vasquez.
…Written and illustrated by the Locke & Key creative team of writer Joe Hill and artist Gabriel Rodriguez, with the blessing of The Sandman co-creator Neil Gaiman, Hell and Gone is set in 1927, during the opening sequence of The Sandman in which Morpheus, the King of Dreams, is held captive by the human sorcerer Roderick Burgess. Mary Locke, an ancestor of the Locke children who populate the main Locke & Key story, reaches out to Burgess to see if his occult society can help her save her brother’s soul from hell….
GABRIEL RODRIGUEZ: I started buying Sandman from the newspaper stand near my house once they started selling the Spanish edition here in Chile. They started publishing from the eighth issue, in which they introduce Death, and from then on they did the entire run. I remember reading that very first issue and was immediately hooked by the storytelling. And then when we get into the Doll’s House story line, I immediately realized it was going to be something really big and cool, and I ended up collecting the entire series. At the time I was reading Sandman, I was just daydreaming about eventually making a comic book myself, but living in such a small country where we don’t have a huge publishing industry, especially back then, it felt impossible.
(19) UNSOUND EFFECTS. “2021 Oscar-Nominated Short: “Yes-People'” on YouTube is an Icelandic animated film, directed by Gisli Darri Hallsdottir, that is an nominee for best short animated film, and is presented by The New Yorker.
“Yes-People” follows several Icelanders as they navigate minor daily conflicts—on their way to work, or to school, or while grocery shopping.
…The gastroliths were found in Jurassic-aged mudstones in a rock formation called the Morisson. A rainbow of pinks and reds, the Morisson formation brims with dinosaur fossils, including those of sauropods, such as Barosaurus and Diplodocus, as well as meat-eaters such as Allosaurus.
But the rocks, which are similar to gastroliths dug up elsewhere, were found on their own without any dinosaur remnants. To get a clue as to how they had ended up in modern-day Wyoming, the team crushed the rocks to retrieve and date the zircon crystals contained inside, a bit like studying ancient fingerprints.
“What we found was that the zircon ages inside these gastroliths have distinct age spectra that matched what the ages were in the rocks in southern Wisconsin,” said Malone, now a doctoral student studying geology at the University of Texas at Austin. “We used that to hypothesize that these rocks were ingested somewhere in southern Wisconsin and then transported to Wyoming in the belly of a dinosaur.
“There hasn’t really been a study like this before that suggests long-distance dinosaur migration using this technique, so it was a really exciting moment for us.”
A fossil of a skunk-like mammal that lived during the age of dinosaurs has been discovered in Chilean Patagonia, adding further proof to recent evidence that mammals roamed that part of South America a lot earlier than previously thought.
A part of the creature’s fossilized jawbone with five teeth attached were discovered close to the famous Torres del Paine national park.
Christened Orretherium tzen, meaning ‘Beast of Five Teeth’ in an amalgam of Greek and a local indigenous language, the animal is thought to have lived between 72 and 74 million years ago during the Upper Cretaceous period, at the end of the Mesozoic era, and been a herbivore…
(22) JUST IN TIME. The sixth season of DC’s Legends of Tomorrow premieres Sunday, May 2.
The Legends continue their new mission to protect the timeline from temporal aberrations – unusual changes to history that spawn potentially catastrophic consequences. When Nate, the grandson of J.S.A. member Commander Steel, unexpectedly finds himself with powers, he must overcome his own insecurities and find the hero within himself. Ultimately, the Legends will clash with foes both past and present, to save the world from a mysterious new threat.
[Thanks to John King Tarpinian, Michael J. Walsh, Frank Olynyk, Martin Morse Wooster, JJ, rcade, Daniel Dern, Cat Eldridge, Michael Toman, John Hertz, Andrew Porter, James Bacon, Scott Edelman, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Greg Hullender, with an assist from rcade.]
(1) FALLING FORWARD. In the Washington Post, Annalee Newitz published an excerpt from their book Four Lost Cities: A Secret History Of The Urban Age, where they argue that civilizations don’t “collapse,” but slowly evolve into something else. “Civilizations don’t really die. They just take new forms”.
… But the historical record shows that reports of the end times always turned out to be wrong. “Barbarians” didn’t extinguish Rome: It still stands today, a vital and beloved city, and the cultures of its ancient empire influence populations across Europe and the Americas. Children still study Latin in school, and Silicon Valley executives quote Stoic philosophy. Elsewhere in the world, European colonialism and the slave trade left behind cultural ruins that can’t be explained away as “collapses.” They are open wounds, still smarting in the present. Over time, civilizations eventually morph into something else entirely, but they infuse future societies with their lingering traumas — as well as their hopeful ideals.
In truth, our apocalyptic stories are far too simplistic to capture what actually happens when a society melts down. As I argue in my book “Four Lost Cities: A Secret History of the Urban Age,” a civilization is not a single, monolithic entity, nor does it disintegrate during a momentary crisis. Instead, as we’re witnessing in the United States today, it changes without ever breaking completely from the past. It is far from obvious that a society ever really dies….
As I related in the first two installments of this series (Part One: 1953-1957, and Part Two: 1958-1960), like tens of thousands of science fiction fans before and after me, I was at one time a member of the Science Fiction Book Club (or SFBC for short). I joined just as I entered my teen years, in the fall of 1976, shortly after I’d discovered their ads in the SF digests.
The bulletin of the SFBC, Things to Come – which announced the featured selections available and alternates – sometimes just reproduced the dust jacket art for the books in question. During the first couple of decades of Things to Come, however, those occasions were rare. In most cases during that period, the art was created solely for the bulletin, and was not used in the book or anywhere else.
Since nearly all of the art for the first 20 years of Things to Come is exclusive to that bulletin, it hasn’t been seen by many SF fans. In this series, I’ll reproduce some of that art, chosen by virtue of the art, the story that it illustrates or the author of the story. The first installment featured art from 1957 and earlier, while the second installment covered 1958-1960. In this third installment I’ll look at the years 1961-1963, presented chronologically…
… Some of the earliest Gaiman adaptations—like 2007’s Stardust, starring Claire Danes, and 2009’s charmingly stop-motion animated Coraline, from Laika studios—were warmly received. They may have been modest hits, but they’ve only grown in audience’s estimation over time. Perhaps most importantly, they’re well liked by Gaiman fans. Stardust, the story of a young, adventurous man and the grumpy fallen star who loves him, is such a loose adaptation of Gaiman’s book that it borders on a reimagining. The intent from screenwriter Jane Goldman and director Matthew Vaughn was clearly to try to fashion a Princess Bride–esque classic for a new generation. They fell somewhat short, but the result is still quite fun. It’s worth noting that while Gaiman describes visiting with Goldman and Vaughn as they worked on the script and giving his input on adaptive changes, he did not, ultimately have a screenplay credit, so it is unclear whether he had final say.
Gaiman similarly did not have a screenplay credit when it came to Coraline. Based off one of Gaiman’s shortest and most overtly kid-friendly books, the story of a girl trapped in a creepy alternate reality proved a calling card for Laika and earned an Oscar nomination.
After that, though—and following the mainstream geek-TV success he enjoyed writing episodes of Doctor Who in 2011 and 2013—Gaiman started getting more involved in adapting his own stories for film and television. The author had actually tried much earlier in his career to make it in Hollywood; he chronicled the frustrating experience he and Pratchett had trying to sell Good Omens in a piece of short fiction called “The Goldfish Pool and Other Stories.” Speaking with me about season one of American Gods—which was messy from the start, losing its first showrunner, Bryan Fuller, after its first year
(4) ZOOM FORERUNNER. [Item by Martin Morse Wooster.] Isaac Asimov explains in his autobiography In Joy Still Felt that in April 1962, the University of Omaha asked Asimov to give “a lecture by phone” to students.
The phone company would set up a loudspeaker arrangement; I was to keep my phone open at a particular time; I was to be there waiting, they would call; I would be able to give my lecture, hear audience response, and so on.
It was an intriguing notion and it occurred to me that I might make my influence felt anywhere in the nation without having to travel a step, or, for that matter, without having to do more than sit in my easy chair in my underwear.
On April 7, therefore, I did it–and found that I hated it. There was simply no use in giving a lecture that wasn’t live. I had to see the audience, sense it surrounding me, get the response in full. Talking a lecture into a phone, I decided, was like typing while wearing boxing gloves, or making love while wearing a tuxedo.
I rejected all further such invitations when I possibly could.
Ursula K. Le Guin’s 1974 novel The Dispossessed depicts a society with no laws or government, an experiment in “nonviolent anarchism.” Science fiction author Matthew Kressel was impressed by the book’s thoughtful exploration of politics and economics.
“After reading The Dispossessed, I was just blown away,” Kressel says in Episode 460 of the Geek’s Guide to the Galaxy podcast. “It was just such an intellectual book. It’s so philosophical, and it was so different from a lot of the science fiction I had read before that. It made me want to read more of Le Guin’s work.”
Science fiction author Anthony Ha counts The Dispossessed as one of his all-time favorite books. “I would be hard pressed to think of another novel that made as strong an impression on me,” he says. “I was insufferable about it. I put quotes in my email signatures, and I identified as an anarchist for several years after that.”…
(6) DRAWN THAT WAY. HBO Max dropped a trailer for Space Jam: A New Legacy.
(7) MEDIA BIRTHDAY.
April 4, 1968 –On this day in 1968, 2001: A Space Odyssey enjoyed its premiere in Los Angeles, California. It was one of a number of premieres for the film that week in New York City, Washington D.C., Sydney, Tokyo and Johannesburg. It would win the Hugo for Best Dramatic Presentation at St. Louiscon. Other nominated works were Yellow Submarine, Charly, Rosemary’s Baby and the “Fallout” episode of the Prisoner series.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born April 4, 1902 – Stanley Weinbaum. Had he only written “A Martian Odyssey”, it would have been enough for us: possibly first (1934) to present a character who thinks like a human being, or better than a human being, but is not a human being – as John Campbell later called for. Three novels, two dozen shorter stories, a dozen poems for us; did not live three dozen years. Cordwainer Smith Rediscovery Award. (Died 1935) [JH]
Born April 4, 1943 – Ted Atwood, F.N., age 78. Co-chaired Boskone 35 (with wife Bonnie). Fan Guest of Honor (with BA), Albacon 2001. Treasurer, Noreascon 4 the 62nd Worldcon. Art Show, Albacon 2014.5 (w/BA) and elsewhere. Audio recording of SF events. Fellow of NESFA (New England SF Ass’n; service award). [JH]
Born April 4, 1943 – Paulette Jiles, age 78. Two novels for us; a dozen other books, poems, travel among the Cree and Ojibwe, memoir. Governor General’s Award for English Poetry (PJ then living in Canada), Lowther and Lampert Awards, Rogers Writers’ Trust Fiction Prize. Sings alto. “I came upon the master, Jack Vance. Next to Bradbury, of course.” [JH]
Born April 4, 1945 – Katherine Neville, age 76. Three novels, one shorter story for us. Various best-seller lists e.g. NY Times, USA Today, Publishers Weekly, Wall Street Journal. Nautilus Silver Award. Turkish Cultural Ministry Medallion of Merit. Has been a fashion model, photographer, portraitist, Bank of America vice-president. Was given a porcelain rat angel when pet rat Rosie died, looks like the work of California artist Yanna but I haven’t asked. [JH]
Born April 4, 1948 – Dan Simmons, 73. He’s the author of the Hyperion Cantos and the Ilium/Olympos cycles. I’m reasonably sure that I’ve read some of the Hyperion Cantos of The Fall of Hyperion won a Hugo Award but I’ll be damned if I remember it clearly now. If you like horror, Song of Kali which won a World Fantasy Award is highly recommended. (CE)
Born April 4, 1952 – Cherie Lunghi, 69. Her fame arises from her role as Guinevere in Excalibur. (I saw Excalibur in a 1920s-built theater on a warm summer night with hardly anyone there.) She was also Baroness Frankenstien (Victor’s Mother) in Kenneth Branagh’s Mary Shelley’s Frankenstein. She was also in The Lady’s Not for Burning as Jennet Jourdemayne. (CE)
Born April 4, 1952 – Tim White. Two hundred fifty covers, ninety interiors for us; record covers, magazine illustrations, jewelry. Five artbooks e.g. TW.Here is The Other Side of the Sky. Here is Between Planets. Here is Wizard. Here is Nine Princes in Amber. Here is the Sep 94 Interzone. (Died 2020)
Born April 4, 1959 – Phil Morris, 62. His first acting role was on the “Miri” episode of Trek as simply Boy. He was the Sam the Kid on several episodes of Mr. Merlin before returning to Trek fold as Trainee Foster in Star Trek III: The Search for Spock. Next interesting role is voicing Vandal Savage on a three part Justice League Unlimited story called “The Savage Time”, a role he reprised for Justice League: Doom. No, I’ve not forgotten that he was on Mission: Impossible as Grant Collier. He also played the Martian Manhunter (J’onn J’onzz) on Smallvillie. Currently He’s Silas Stone on Doom Patrol and no, I didn’t spot that was him in that role. (CE)
Born April 4, 1959 – Ahmed Khan, age 62. Two collections; here is Another Mosque Among the Stars (cover by L. Kiruganti). Thirty short stories. Interviewed Tanya Huff in Strange Horizons. Four anthologies. Links to some of his work, fiction and non, in and out of our field, here. [JH]
Born April 4, 1965 – Robert Downey Jr., 56, Iron Man in the Marvel Universe film franchise. Also a rather brilliant Holmes in Sherlock Holmes and Sherlock Holmes: A Game of Shadows. Also voicing James Barris in an animated adaption of Philip K. Dick’s A Scanner Darkly. Yes, he’s plays the title role in Dolittle which despite having scathing critical reviews has a rather superb seventy-six rating among audience reviewers at Rotten Tomatoes. (CE)
Born April 4, 1967 – Xenia Seeberg, 54. She is perhaps best known for her role as Xev Bellringer in Lexx, a show’s that’s fantastic provided you can see in its uncensored form. I’ve also see she played Muireann In Annihilation Earth, Noel in So, You’ve Downloaded a Demon, uncredited role in Lord of The Undead, and Sela In the “Assessment” episode of Total Recall 2070. (CE)
Born April 4, 1968 – Gemma Files, 53. She’s a Canadian horror writer, journalist, and film critic. Her Hexslinger series now at three novels and a handful of stories is quite fun. It’s worth noting that she’s a prolific short story writer and four of them have been adapted as scripts for The Hunger horror series. She won a Sunburst Award for Excellence in Canadian Literature of the Fantastic for Experimental Film. (CE)
(9) COMICS SECTION.
Off the Mark has a holiday-themed joke that’s a perfect match for my copyediting skills.
(10) TALK OF THE TOWN. Fanac.org has added an audio recording of the 1969 GoH speech given by artist Jack Gaughan at Boskone – two years after he won both the Best Pro and Best Fan Artist Hugos.
The talk is entertaining, and it is so very clear that Jack is among his friends in his chosen place. From the YouTube writeup: “…is both entertaining and thoughtful, interspersed with sharply witty comments.
He quotes from Leonardo Da Vinci, and teases his friends, some in the room, including Isaac Asimov, Ed Emsh and Donald Wollheim. He starts with a recounting of the problems faced by female artists like his wife, Phoebe. He tells anecdotes about his experiences as an illustrator, teases Lester del Rey, and compares the lives of artists today to the lives of artists 500 years ago. Jack is frank about his own feelings on science fiction and science fiction illustration. It’s chatty, low key, entertaining and comfortable and a marvelous window into an important figure in the field, lost far too soon…Thanks to the New England Science Fiction Society (NESFA) and Rick Kovalcik for providing the recording. Thanks to Andrew Porter for providing photos and to Dr. Gandalf for digitization.
…Just as you can’t exactly take their temperature, you can’t point a radar gun at antihydrogen atoms, either. Antihydrogen generally flits around at about 100 meters per second, says Fujiwara, and the ultracool atoms move at just about 10 meters per second. “If you’re fast enough, you could almost catch the atom as it passed by,” he says. (It would annihilate one of your atoms, but you’re tough.)
At this point, it’s reasonable to ask whether this is all worth the trouble. Who needs very slow, very cold antimatter? The answer is, physicists. “Unless something is really screwy, this technique is going to be important, and maybe crucial,” says Clifford Surko, a physicist at UC San Diego who isn’t on the Alpha team. “The way I look at it as an experimentalist is, now you’ve got a whole ’nother bag of tricks, another handle on the antihydrogen atom. That’s really important. It opens up new possibilities.”
Those possibilities involve figuring out whether antimatter really does echo the physics of matter. Take gravity: The equivalence principle in the theory of general relativity says that gravitational interaction should be independent of whether your matter is anti or not. But nobody knows for sure. “We want to know what happens if you have some antihydrogen and you drop it,” Hangst says.
Wouldn’t you? Sure. But this experiment is hard to do, because gravity is actually a wuss. Hot, gassy things don’t fall so much as just bounce around. Antimatter would hit the walls of the machine and annihilate. “Gravity is so bloody weak you may not see anything at all,” Hangst says.
Slow that antihydrogen down to near absolute zero, though, and it starts to act more like a liquid than a gas. Down it blorps, instead of spraying all over. “The first thing you want to know is, does antihydrogen go down? Because there’s a lunatic fringe out there that thinks it goes up—theorists who say there is repulsive gravity between matter and antimatter,” Hangst says. “That would be pretty cool.”…
(12) VIDEO OF THE DAY. A young couple discover a strange phenomenon in their backyard that duplicates organic life in Burnt Grass, a short film about cloning.
[Thanks to Cat Eldridge, JJ, John Hertz, Andrew Porter, N., Michael Toman, Mike Kennedy, Martin Morse Wooster, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Andreaw (not Werdna).]
(1) HOME ON THE CIMMERIAN RANGE. Horror author Stephen Graham Jones shares his love for the Conan stories and how he identifies both with Conan and with his creator Robert E. Howard in “My Life With Conan the Barbarian” in Texas Monthly.
… But Conan the Barbarian.
Imagine you’re a Blackfeet kid growing up in the windswept pastures twenty miles east of Midland, with no other Blackfeet around. Like Conan the Wanderer, -the Adventurer, -the Outcast, I was out in the trackless wastelands, far from civilization. The way I saw it, we’d come up the same. Conan’s homeland of Cimmeria was high and lonely? From our back porch in West Texas, I couldn’t see a single light. Cimmeria was packed with formative dangers? Every third step I took, I found myself entangled in barbed wire or jumping back from a rattlesnake. And when I mapped Cimmeria—the land Conan spent decades away from—onto my world, it could have been Montana, where the Blackfeet are….
For about the last decade or so, the naming policy for real-world people on Wookieepedia has been “Articles for real-world people, such as actors and authors, shall be titled according to their actual credited name in a Star Wars work, whether that be an abbreviation/stage name or pseudonym,” with a handful of exceptions.
In recent years, it’s become apparent that this policy is inadequate for transgender individuals and an additional exception needs to be made so that their articles are titled according to their chosen name, whether or not they return to Star Wars after coming out, as a matter of respect. As our society evolves, so too must Wookieepedia.
To that end, I propose the following addition to the naming policy, to be added alongside the three existing exceptions:
“If a real-world person is transgender and has changed their name since working on Star Wars, their article may be titled by their chosen name and the credited name turned into a redirect.”
For anyone unfamiliar with transgender issues, and how it relates to naming articles, these pages on Wikipedia and GLAAD should help (ctrl+f “name”) Toqgers (talk) 04:35, 16 March 2021 (UTC)
Here’s some of the discussion from supporters.
(3) KRISTINE KATHRYN RUSCH KICKSTARTER ENDING. [Item by rcade.] Kristine Kathryn Rusch and Dean Wesley Smith have a current KickStarter project ending on Wednesday to fund Rusch’s first new work in 20 years in the world of The Fey: “The Return of the Fey by Dean Wesley Smith” — Kickstarter.
The project, which has rocketed past its funding goal by raising over $25,000 from 400 backers, is for a new novella of undetermined title. A $30 pledge receives all seven The Fey novels as ebooks along with the new work. A $250 pledge takes home the book Lessons from Writing of The Fey and a class taught by Rusch about “the writing and publishing of a major epic fantasy series, and all the good stuff and mistakes along the way.”
The Fey series comprises seven books — a five- and two-book series that each tell complete stories. On the Kickstarter funding page, Smith dishes on the frustrating publication history of The Fey:
Bantam put Kris under contract for seven books in total. The first five were called The Fey Series, the next two were the Black King and Black Queen Series.
They were two separate stories set in the world of The Fey. And the readership continued to grow until the year 1999, with the 5th book just published and the 6th book ready to come out. All four of the first books were in multiple printings. But Bantam Publishing, for reasons no one ever said, let the 4th book go out of print. And kept it out of print, even with an intense demand for it. Not kidding.
By the time the 7th book came out in late 2000, the 4th book in its original mass market paperback edition was selling for hundreds and hundreds of dollars in collector’s markets because fans just wanted to read it.
Rusch regained the rights from Bantam and the novels are published today by WMG Publishing. They even publish book 4!
(4) THE ASKING PRICE. [Item by Martin Morse Wooster.] Isaac Asimov says in his autobiography In Joy Still Felt that in 1961 he was invited by the MIT Science Fiction Society to give a talk. They asked what his fee was and he decided to charge them a hundred dollars. After the talk, they took him to dinner at Joseph’s, “one of Boston’s posh eating places…it was very expensive and I had never eaten there.”
My conscience smote me. They were being very nice to me after I soaked them for a hundred dollars.
I said, deeply troubled, ‘Where the heck do you kids get the money to pay speakers?’ because I gather my talk was one of four for the year.
I expected them to say they gave up lunches or sold pencils on the corner, and I was quite prepared to force the hundred dollars back on them.
But one of them said, cheerfully, ‘We show first-run movies and collect lots of proceeds.’
‘Lots of proceeds?’
‘Sure. Up to five or six thousand dollars for the year.’
I mentally divided that by four and said, ‘That means you must pay some of the speakers more than a hundred dollars.’
‘Of course,’ said the spokesman, apparently unaware of the enormity of what he was saying. ‘Wernher von Braun, who was the speaker before you, got fourteen hundred dollars.
I stared at him for quite a while, and then he said, ‘Was he fourteen times as good as I was?’
‘No. You were much better.’
Asimov says he subsequently went to several MITSFS picnics, which concluded with a trip to the school’s observatory, which is at the top of a big hill. Asimov dutifully climbed the hill every year, even though he didn’t like to exercise.
(5) THE WORLDCON YOU DESERVE. Seanan McGuire shared this dream with Twitter. The commenters took the idea and ran with it. Thread starts here.
(7) BOOK WITHDRAWN, AUTHOR APOLOGIZES. Publisher Scholastic has made the decision to pull Dav Pilkey’s 2010 graphic novel The Adventures of Ook and Gluk: Kung-Fu Cavemen from the Future due to its perpetuation of “passive racism.” “From Scholastic Regarding The Adventures of Ook and Gluk”.
On Monday, March 22, 2021, with the full support of Dav Pilkey, Scholastic halted distribution of the 2010 book The Adventures of Ook and Gluk. Together, we recognize that this book perpetuates passive racism. We are deeply sorry for this serious mistake. Scholastic has removed the book from our websites, stopped fulfillment of any orders (domestically or abroad), contacted our retail partners to explain why this book is no longer available, and sought a return of all inventory. We will take steps to inform schools and libraries who may still have this title in circulation of our decision to withdraw it from publication.
Throughout our 100 year history, we have learned that trust must be won every day by total vigilance. It is our duty and privilege to publish books with powerful and positive representations of our diverse society, and we will continue to strengthen our review processes as we seek to support all young readers.
Pilkey, author of the Captain Underpants series, shared an apology that was posted on YouTube.
About ten years ago I created a book about a group of friends who save the world using Kung Fu and the principles found in Chinese philosophy. The Adventures of Ook and Gluk: Kung-Fu Cavemen from the Future was intended to showcase diversity, equality, and non-violent conflict resolution. But this week it was brought to my attention that this book also contains harmful racial stereotypes and passively racist imagery. I wanted to take this opportunity to publicly apologize for this. It was and is wrong and harmful to my Asian readers, friends, and family, and to all Asian people….
(8) MEDIA BIRTHDAY.
March 28, 2003 — On this day in 2003, Tremors: The Series premiered on Syfy. It followed three Tremors films and starred Michael Gross, Gladise Jimenez, Marcia Strassman and Victor Brown. Created by Brent Maddock and S.S. Wilson who brought us the entire Tremors franchise, it lasted but thirteen episodes. It was followed by Tremors 4: The Legend Begins whichstars Michael Gross as Hiram Gummer, the great-grandfather of the character Burt Gummer.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born March 28, 1483 – Raphael. (In Italian, more fully Rafaello Sanzio da Urbino.) Painter and architect; with Michelangelo and Leonardo da Vinci, one of the masters of the High Renaissance. Here is his Portrait of a Young Woman with a Unicorn on the cover of the Mar 05 Asimov’s. Here is The Triumph of Galatea. Part of The School at Athens is on the cover of The Philosopher Kings. (Died 1520) [JH]
Born March 28, 1918 – Robert Stanley. A dozen covers for us. Here is Universe. Here is our next-door neighbor Rocket to the Morgue. Here is When Worlds Collide. Also Argosy, Dime Detective, Thrilling Western, publishers e.g. Bantam, Dell, Popular Library, Pyramid. (Died 1996) [JH]
Born March 28, 1922 — A. Bertram Chandler. Did you ever hear of popcorn literature? Well the Australian-tinged space opera that was the universe of John Grimes was such. A very good starter place is the Baen Books omnibus of To The Galactic Rim which contains three novels and seven stories. Oh, and I’ve revisited both to see if the Suck Fairy had dropped by. She hadn’t. (Died 1984.) (CE)
Born March 28, 1930 – Barbara Ninde Byfield. Wrote and illustrated five novels for us; also The Glass Harmonica – nonfiction; there was one at the Millennium Philcon, 59th Worldcon. (Died 1988) [JH]
Born March 28, 1932 — Ron Soble. He played Wyatt Earp in the Trek episode, “ Spectre of The Gun”. During his career, he showed up on a hunger of genre series that included Mission: Impossible, The Six Million Dollar Man, Shazam, Planet of The Apes, Fantasy Island, Salvage 1 and Knight Rider. His last genre role, weirdly enough, was playing Pablo Paccasio in Pterodactyl Woman from Beverly Hills. (Died 2002.) (CE)
Born March 28, 1944 — Ellen R. Weil. Wife of Gary K. Wolfe. She wrote a number of works with him including the non-fiction study, Harlan Ellison: The Edge of Forever. They wrote a fascinating essay, “The Annihilation of Time: Science Fiction; Consumed by Shadows: Ellison and Hollywood,” which can be found in Harlan Ellison: Critical Insights. (CE)
Born March 28, 1946 — Julia Jarman, 75. Author of a children’s book series I like a lot, of which I’ll single out Time-Travelling Cat And The Egyptian Goddess, The Time-Travelling Cat and the Tudor Treasure and The Time-Travelling cat and the Viking Terror as the ones I like the best. There’s more in that series but those are my favorites. (CE)
Born March 28, 1955 — Reba McEntire, 66. Her first film role was playing Heather Gummer in Tremors. Since then, she’s done voice work as Betsy the Cow in Charlotte’s Web and as Etta in The Land Before Time XIV: Journey of the Brave. She also voiced Artemis on the Disney Hercules series. (CE)
Born March 28, 1958 – Davey Snyder, F.N., age 63. Chaired Boskone 34, co-chaired World Fantasy Con 25. Bibliography for The Neil Gaiman Reader (the 2007 one, “Essays and Explorations”). Fellow of NESFA (New England SF Ass’n; service award). [JH]
Born March 28, 1960 — Chris Barrie, 61. He’s as Lara Croft’s butler Hillary in the most excellent Tomb Raider franchise films. He also shows up on Red Dwarf for twelve series as Arnold Rimmer, a series I’ve never quite grokked. He’s also one of the principal voice actors on Splitting Image which is not quite genre adjacent but oh so fun. (CE)
Born March 28, 1964 – Gloria Oliver, age 57. Half a dozen novels, as many shorter stories. Sparked by the Gatchaman apaBird Scramble, attending ConDFW, and her husband. [JH]
Born March 28, 1983 – Josephine Angelini, age 38. Half a dozen novels. Has read The Once and Future King, As I Lay Dying, Siddhartha, two by Jane Austen, Fagles tr. The Iliad and The Odyssey, The Count of Monte Cristo, Frankenstein. “Dreams are messy and they don’t make sense, but what works for me is to take the feeling that I have from a dream and try to re-create it on the page. If I can get one or two images from a dream to work in a story I feel satisfied.” [JH]
Off the Markreveals a delivery mistake with major fairy tale implications.
Non Sequitur transports a babysitter into an unexpected pulp adventure
(11) SERIAL SUPERHERO. Comic book superhero movies made their debut in theaters 80 years ago today. At least this one did: “Adventures of Captain Marvel”.
(12) NEXT SUPERHERO. The Black Adam movie is slated for a July 29, 2022 release.
(13) ALWAYS WINTER, BUT SOMETIMES CHRISTMAS. In the Washington Post, Shannon Liao says that Animal Crossing: New Horizons was released on March 20, 2020. She interviews people who have played Animal Crossing for over 1,000 years in a year and how the game provided a lot of comfort during the worst part of the pandemic. “Meet the Animal Crossing users who spent up to 2000 hours in game”.
Snow topped trees, ice sculptures and the sound of rushing waterfalls. Susana Liang built out her “Animal Crossing” island complete with a Christmas dinner, various shops, a wedding reception, an igloo campsite, a picnic, a mini version of the Greek island Santorini, elaborate walkways and a cozy home with plenty of Christmas trees.“Winter makes everything covered in snow and it’s all white, so it makes it feel a bit more ethereal and dreamy. It’s one of my favorite seasons in the game,” said Liang, who works in health science in New York and has spent over 2,300 hours playing Nintendo’s “Animal Crossing: New Horizons” since a few weeks after the game’s release. It’s always winter on her island. Every time winter is about to end, she time travels back to the beginning of January to stay in the season…
The scientists have now introduced new findings that show the materials become superconducting at the relatively high temperatures of -77 and -107 °C, respectively.
(15) ANDY! ANDY! Yesterday’s photo of Captain Kirk and Edith Keeler on the set in front of an identifiable Mayberry landmark prompted a Filer to point out MeTV’s Star Trek / Andy Griffith Show mash-up commercial.
Kirk and Spock travel to Mayberry! And Barney looks to nip it in the bud. Explore strange new worlds on MeTV!
(16) VIDEO OF THE DAY. Mark Evanier hosts a virtual panel on Jack Kirby with Jonathan Ross and Neil Gaiman for WonderCon@Home 2021: “Jack Kirby Panel”.
Mark Evanier (Kirby: King of Comics) talks about the man some call “The King of the Comics” with author Neil Gaiman (American Gods) and TV host and mega-Kirby fan Jonathan Ross. They will attempt to discuss what was special about the work of Jack Kirby and why, long after we lost him, he seems to be more popular than ever.
[Thanks to John King Tarpinian, Mike Kennedy, JJ, John Hertz, N., Cora Buhlert, Bill, Michael Toman, Cat Eldridge, Rich Horton, Andrew (Not Werdna), Martin Morse Wooster, Brian Z., and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Brian Z.]