Pixel Scroll 6/12/23 Pixels Popping Fresh, Scrolls Buttered Just Right

(1) ON THE GROUND IN CHENGDU. The Chengdu Worldcon has posted a gallery of photos on Facebook showing Ben Yalow, Helen Montgomery, Dave McCarty and other team members going “over the preparations work for the convention, covering transportation, accommodation, catering and other security work, and looked into the main site of the conference. They expressed satisfaction with the preparation work in Chengdu and expressed their eagerness to participate in this grand event and enjoy happy times right here with fans from around the world.”

Facing camera: Helen Montgomery, Ben Yalow, and Dave McCarty

(2) ONE TO BEAM DOWN. “Chamber Spock moves to ‘logical’ new home”. The Greater Birmingham (UK) Chamber of Commerce is moving this bear to Millennium Point, which is also the current venue for in-person meetings of the Birmingham SF Group.

Greater Birmingham Chambers of Commerce’s beloved Spock the bear has reached his final frontier.

The Star Trek-inspired sculpture – created in 2017 for public art trail The Big Sleuth – will ‘live long and prosper’ at Birmingham conference and event venue Millennium Point after being donated by the Chamber.

Spock was one of 100 bears on display at museums, parks, libraries and shopping centres across the city throughout The Big Sleuth.

The trail attracted thousands of visitors, before the bears were auctioned off to raise money for Birmingham Children’s Hospital Charity.

While local artists, celebrities and businesses contributed their own bear interpretations, the Chamber decided to ‘boldly go where no-one has gone before’ with a creation inspired by Star Trek character Spock, due to then president Paul Kehoe’s love of the classic science fiction TV series.

Spock’s relocation is ‘highly logical’ for both parties, with the GBCC moving to new premises later this year and Millennium Point championing STEM (Science, Technology, Engineering and Maths) education….

(3) LIGHTNING STRIKING AGAIN AND AGAIN. Mort Castle, whose Facebook post demanding an apology for not having been included in HWA’s “Celebrating Our Elders” blog series has now passed 400 comments, and reportedly triggered abusive direct messages to various HWA volunteers, today announced “And that’s all she wrote. I have nothing more to say…”

(4) SOMEBODY IS INTO THREE-BODY. [Item by Steven French.] The Guardian went with this headline for their interview: “Rosamund Pike: ‘We’re all being conned by the wellness industry’”. But here’s the real story:

…My partner and I have been looking for Chinese stories to adapt for TV. Our first project was The Three-Body Problem, an amazing sci-fi trilogy which is one of Barack Obama’s favourite books. We partnered with Netflix and David Benioff and DB Weiss, who did Game of Thrones. In their hands, it’s very exciting. That will be coming out within a year….

(5) MAKING HIS BARK AS GOOD AS HIS BITE. Animation World Network spoke with VFX Supervisor Guy Williams and Animation Supervisor Michael Cozens about Wētā’s FX work: “Wētā FX Brings a ‘Universe’ of Visuals to ‘Guardians of the Galaxy Vol. 3’”.

…AWN: What assets were you actually given? You always generate a lot of your own concepts and previs and stuff just because that’s how you determine what’s actually needed to get given sequences done. What did you guys get to work from?

GW: They shared everything they had, so we got a full art package, including whatever previs had been done at that point. The main assets that they wanted to turn over early were for the Arête, because we all knew that that wasn’t a model that you’d be done with over the course of a couple of months. Two or three other models had conflicting details, so we had to rectify all that over time.

Even though Groot was established, we received Groot pretty early on from Framestore. We had a bunch of variations that we had to create, because Groot’s a very dynamic character in that he’s often doing things he hasn’t done before. Because of that, we had to build it in such a way that it can change over the course of a shot. It wasn’t just a matter of modeling something, it’s modeling it so that effects can work with it.

They gave us all the digi-doubles because we knew that we were going to need good high-resolution assets for those. James Gunn has a great production designer, Beth Mickle, he typically works with. She always builds up a fantastic art department. Plus, you have Marvel’s art department. So, we were not ever suffering from lack of good artwork to start with.

AWN: How much time and hassle does it save you when you’re handed such an extensive amount of good artwork, so that you don’t have to figure it all out yourself?

GW: You’re asking an interesting question because it’s not so much about how much does the artwork save you from having to work, it’s how willing is the creative team, whether it’s the director or the producers, to stick to the art that you’re given. What’s painful as hell is to get an amazing art package and start working on it, and then have people come in three months, four months later and say, “Love what you’re doing, but we never really liked those pictures, so can we make it blue and round?” That hurts.

James definitely isn’t that guy. He knows what he wants and he’s willing to commit to it. He’s talented enough that he doesn’t need to second guess himself. What he and his art team come up with is compelling as hell, and you don’t need to throw it all away and start over because it’s going to work….

(6) QUIZ TIME. [Item by Orange Mike Lowrey.] The answer: 42!

The question: how many years ago today did a bunch of fans walk from X-Con 5 [L. Sprague and Catherine De Camp, GoHs] in Brookfield, WI, to a nearby city park, to witness the marriage of “Orange Mike” Lowrey and Cicatrice du Veritas?

She wore a cream satin dress [with hennin] she’d kitbashed herself; he wore a rust-colored tux; the bridesmaids and groomsmen wore matching tuxes courtesy of a lucky draw at a bridal fair. The ceremony was performed by the very fannish Rev. Ted Wagner, ULC Bishop of Madison and allegedly an ex-roommate of Harlan Ellison.

(7) NICK WOOD OBIT. Zambian-born sff author Nick Wood died this month. The cause of death was not given. He was an actor, There’s a great deal of information about his life in the interview he gave Geoff Ryman for Strange Horizons in 2017.

Nick is a clinical psychologist who came to England with his wife and daughters toward the end of 1995, to do a PhD in the cognitive development of deaf children. He had been doing work in townships and deafness was the most common form of disability among children.

He was raised in South Africa. During the 1980’s he worked extensively in South African “black townships” during the transition to democracy “with the liberation struggle from apartheid, and was also on the move at times to avoid Military Police who had turned up at my parents’ home, keen to see me deployed in another no doubt more destructive role in the townships.”

Wood and Oghenechovwe Donald Ekpeki organized DisCon III’s program stream devoted to speculative fiction by Africans.

Wood’s first novel Azanian Bridges was a 2017 finalist for the BSFA Award, John W. Campbell Memorial Award, and Sidewise Award. His second novel, Water Must Fall, was a BSFA Award finalist in 2021.

Wood’s last medical update on his blog in 2022 said “I have been disabled (and am now partly deaf) from the ongoing march of right sided Meniere’s Disease.”

(8) ED ZDROJEWSKI (1954-2023). Midwest sf fan and journalist Ed Zdrojewski (“Ed Zed”) died May 4 Leah Zeldes announced on Facebook. She says:

He was most active in fandom during the 1970s and ’80s and became pretty gafiated after he moved to Champaign-Urbana and married. I knew him best when he lived in Michigan, first going to school at MSU and then working as a reporter for the St. Joseph Herald-Palladium, during which time he did a fanzine called the Benton Harbor Rat-Weasel. He was in MiSHAP, too.

He formerly edited the Grain Journal and there’s a professional obituary on Grainnet.

(9) MEMORY LANE.

1974[Written by Cat Eldridge from a choice by Mike Glyer.]

I think I’ve read more fiction by Ursula K. Le Guin than any other writer. As you know she won a number of Hugos including for The Books of Earthsea: The Complete Illustrated Edition which is a stellar work that features illustrations by Charles Vess. 

Our Beginning is from Orsinian Tales published forty-nine years ago by Harper & Row with the cover illustration by Muriel Nasser. 

There are eleven stories here, six original to this collection, most of them set in the imaginary country of Orsinia.  The first story is “The Fountains” and here’s the Beginning of it…

THE FOUNTAINS

THEY KNEW, having given him cause, that Dr Kereth might attempt to seek political asylum in Paris. Therefore, on the plane flying Edwest, in the hotel, on the streets, at the meetings, even while he read his paper to the Cytology section, he was distantly accompanied at all times by obscure figures who might be explained as graduate students or Croatian microbiologists, but who had no names, or faces. Since his presence lent not only distinction to his country’s delegation but also a certain luster to his government—See, we let even him come—they had wanted him there; but they kept him in sight. He was used to being in sight. In his small country a man could get out of sight only by not moving at all, by keeping voice, body, brain all quiet. He had always been a restless, visible man. Thus when all at once on the sixth day in the middle of a guided tour in broad daylight he found himself gone, he was confused for a time. Only by walking down a path could one achieve one’s absence?

It was in a very strange place that he did so. A great, desolate, terrible house stood behind him yellow in the yellow sunlight of afternoon. Thousands of many-colored dwarfs milled on terraces, beyond which a pale blue canal ran straight away into the unreal distance of September. The lawns ended in groves of chestnut trees a hundred feet high, noble, somber, shot through with gold. Under the trees they had walked in shadow on the riding-paths of dead kings, but the guide led them out again to sunlight on lawns and marble pavements. And ahead, straight ahead, towering and shining up into the air, fountains ran.

They sprang and sang high above their marble basins in the light. The petty, pretty rooms of the palace as big as a city where no one lived, the indifference of the noble trees that were the only fit inhabitants of a garden too large for men, the dominance of autumn and the past, all this was brought into proportion by the running of water. The phonograph voices of the guides fell silent, the camera eyes of the guided saw. The fountains leapt up, crashed down exulting, and washed death away.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 12, 1940 Mary Turzillo83. She won the Nebula Award for Best Novelette for her “Mars is No Place for Children” story, published in Science Fiction Age. Her first novel, An Old Fashioned Martian Girl was serialized in Analog, and a revised version, Mars Girls was released. Her first collection to polish her SWJ creds is named Your cat & other space aliens. Mars Girls which I highly recommend is available from the usual digital suspects. There’s an Analog interview with her here.
  • Born June 12, 1953 Tess Gerritsen, 70. ISFDB lists her as genre so I’ll include her even though I’m ambivalent on her being so.  They’ve got one novel from the Jane Rizzoli series, The Mephisto Club, and three stand-alone novels (GravityPlaying with Fire and The Bone Garden). All save Gravity could be considered conventional thrillers devoid of genre elements.
  • Born June 12, 1954 Melanie Rawn, 69. Author of the Dragon Prince series – Dragon PrinceDragon Prince: Star Scroll and Sunrunner’s Fire, and the sequel, the Dragonstar series, Dragonstar: Stronghold, The Dragon Token and Skybowl.  She was planning an Exlies series but only wrote one novel in it. 
  • Born June 12, 1955 Stephen Pagel, 68. Editor with Nicola Griffith of the genre anthologies, Bending the Landscape: Science FictionBending the Landscape: Fantasy, and Bending the Landscape: Horror.
  • Born June 12, 1964 Dave Stone, 59. Writer of media tie-ins including quite a few in the Doctor Who universe which contains the Professor Bernice Summerfield stories, and Judge Dredd as well. He has only the Pandora Delbane series ongoing, plus the Golgotha Run novel, and a handful of short fiction.
  • Born June 12, 1970 Claudia Gray, 53. She’s best known for her Evernight series, but has several more series as well, including the Spellcaster series and the Constellation Trilogy. In addition, she’s written a number of Star Wars novels — Star Wars: Lost StarsStar Wars: Bloodline, Leia, Princess of Alderaan and Star Wars: Master and Aprentice.

(11) COMICS SECTION.

  • Lio has invented his own kind of time tunnel.

(12) MIDDLE-EARTH CELEBRITY DEATHMATCH. “Tolkien Nearly Had Tom Bombadil Fight the Nazgul in Lord of the Rings” according to CBR.com, working from material in Christopher Tolkien’s 12-volume series containing his father’s drafts.

Another character that’s difficult to rate is Tom Bombadil. He fought off the Barrow-wights with his singing, and he put Old Man Willow in his place. Gandalf even suggested that the One Ring wouldn’t have an effect on him. But it’s hard to know how powerful Bombadil really was because no one knows exactly what he was — he never fought someone of note. Ironically, that wasn’t always the case because The Lord of the Rings author, J. R. R. Tolkien, almost had Tom Bombadil take on the Nazgul….

… A fight between Tom Bombadil and the Nazgul would never really happen because Bombadil didn’t pay any mind to worldly events. Gandalf actually said that if Bombadil was given the One Ring, he might misplace and forget about it. But hypothetically speaking, a fight between him and the Nazgûl would probably be petty complicated. For starters, the Nazgûl live in the spirit world and can’t see very well in the mortal realm. Depending on what Bombadil actually was, he might have been difficult for them to see, which could give him an advantage as he tried to sing the wraiths away….

(13) BOOK REVIEW$. The National Book Critics Circle has a spreadsheet of publications that pay for books coverage: “List of Publications”.

This spreadsheet, developed over the years as a resource for NBCC members and now maintained in partnership with Adam Morgan, lists 80+ publications that publish book coverage (reviews, interviews, essays, etc.), with editor contact information, pay rates, and more. 

(14) VIDEO OF THE DAY. Higher dimensional aliens…  Isaac Arthur’s Futures had this month’s “Sci-fi Sunday” take a look at higher dimensional aliens. Rod Serling says “Hi” from the Twilight Zone

Could there be universes with more than 3 Dimensions? And if so, could life exist there?

[Thanks to SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, Steve Green, Steven French, Orange Mike Lowrey, Joyce Scrivner, John King Tarpinian, Chris Barkley, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

New African Program Stream Distinguishes DisConIII/World Science Fiction Convention

Oghenechovwe Donald Ekpeki

DisCon III (December 15-19) will be the first World Science Fiction Convention to have a substantial program stream devoted to speculative fiction by Africans.

The stream was organized by authors Oghenechovwe Donald Ekpeki and Nick Wood. It features panels on many subjects—such as gender roles, climate change, publishing, and traditional beliefs and science—key issues, all from African perspectives.  

It’s important to focus on the views of Africans, says multi-award winner and organizer Oghenechovwe Donald Ekpeki. “This offers not just a peek or a glimpse but a full vista of the breadth of African SFF and its place in the global genre mosaic.”

Virtual memberships allow 22 African panelists to contribute and take part. It’s an all-star group of published and award-winning writers, film makers and graphic novel creatives from Africa. This is in stark contrast to previous Worldcons where participation by Africans was severely limited by the costs of travel and difficulties of getting visas to Western countries. 

Nick Wood

Says Zambian/South African writer Nick Wood “After the Dublin Worldcon debacle of black African visas being refused for an African SF panel, I was determined to find a way to push back against the forces restricting access and representation. Thankfully, there were other like-minded writers to collaborate with — hat tip, Ekpeki — and we are proud to bring this ground-breaking stream of vibrant new (and more seasoned) speculative fiction voices from Africa.”

The full list of African stream events can be found here on the DisCon3 website here.

Virtual memberships to the convention were sponsored by the Science Fiction Writers of America and the British Science Fiction Association. The Nommo Awards for African speculative fiction ceremony is also being held for the first time at a Worldcon with sponsorship from both bodies and Tom Ilube CBE. The shortlist for the 2021 Nommo Award is on the ASFS website here.

Oghenechovwe Donald Ekpeki adds: “Decolonising global SFF and creating a space at the center for African continental voices is very vital to the growth of the field and the aim of the African stream and Nommo award at Discon III.”

AFRICAN SF PANELISTS 

[A DisCon III press release.]

Pixel Scroll 8/29/21 Sgt. Pixel’s Scrolling File Club Band

(1) THE OTHER SIDE OF THE CAMERA. The production of Disney animated movies doesn’t look anything like I thought, judging by Andhika Muksin’s “eyewitness” accounts: “Artist Imagines What It Looks Like Behind The Scenes Of Disney Movies” at AWorkstation.

Have you ever wondered what happens in the backstage of Disney movies? Andhika Muksin is back on Bored Panda to show you just that. He creates hilarious edits of Disney movies so that we can see the behind the scenes of famous scenes and how they were “actually made.”

(2) ONCE A KNIGHT IS ENOUGH. Abigail Nussbaum analyzes The Green Knight at Asking the Wrong Questions.

…Unsurprisingly, The Green Knight‘s project is to subvert these ideas about knightliness and chivalry. But it is very interesting to examine how it goes about doing so. Most cinematic Arthuriana tries to be subversive, usually by imagining its heroes as thoroughly modern Hollywood protagonists—reckless, ironic, quippy, cool, possessed of just the right progressive politics (in a thoroughly non-threatening way, of course), and usually haunted by one of the three or four emotional traumas that heroes are allowed to experience (daddy issues, lack of confidence in their own abilities, etc.). Sometimes this works (well, once). Most of the time, it loses the flavor of these legends, which are weird and rambling and often have a disturbing, quasi-erotic, quasi-religious charge. Lowery seems determined to embrace these very qualities—as seen, first and foremost, in the film’s visuals….

(3) NO LOW-DOWN HERE. [Item by Cora Buhlert.] G.W. Thomas of Dark Worlds Quarterly has an article about high vs. low fantasy. I’ve always hated the term “low fantasy” and Thomas is no fan either: “High Versus Low Fantasy or You Can’t Get There From Here!”

High Fantasy vs. Low Fantasy has always been a bit of gray area for me. I can remember submitting to Bardic Runes back in the 1990s and getting rejected as “Sword & Sorcery”. Understanding the genre history of commercial fantasy has helped me to see the difference. The term “High Fantasy” was coined by one of the first practitioners, Lloyd Alexander in 1971 in the essay, “High Fantasy and Heroic Romance”, (originally given at the New England Round Table of Children’s Librarians in October 1969). The unfortunate counter term for what is not “high” is “Low Fantasy” (or Sword & Sorcery).

(4) BEAUTIFUL COVER. The Rogues in the House podcast interviews Howard Andrew Jones, who has a new book out: “’The Goddess Wakes’ Release with Howard Andrew Jones”.

(5) BESTEST SELLERS. Mental Floss lists “10 of the Best-Selling Books in History (Minus Religious Texts)”. Quite a bit of genre here, beginning with Harry Potter in third place:

In 2018, it was announced that 500 million copies of the entire Harry Potter series had been sold. That’s a long way from 1997, when the series started with a reported 500-copy first print run for Philosopher’s Stone (the British title). By 1999, when Prisoner of Azkaban came out, it sold 68,000 copies in the UK and immediately garnered controversy when the Sunday Times bestseller list refused to include it due to being a children’s book. By the time the series ended, Deathly Hallows managed to move 2.6 million copies in the UK and 8.3 million in the United States on a single day.

(6) A VISIT AT HOME. Alastair Reynolds calls it “one of the best long-form interviews I’ve done” – “Meeting Alastair Reynolds – Sci Fi, Black Holes, UFO’s and Whisky” by Media Death Cult.

(7) KSR. [Item by Martin Morse Wooster.] Kim Stanley Robinson has an article in the August 21 Financial Times.

…What does it feel like to live on the brink of a vast historical change?  It feels like now.

Of course that sounds hyperbolic, and perhaps even panicky,  Not that a science fiction writer can see the future any better than anyone else; very often worse.  But between the pandemic, the accelerating drumbeat of extreme weather events, and the accumulations of data and analysis from the scientific community, it’s become an easy call….

(8) DISABILITIES. “Writing Ability by Nick Wood and Levi Qisin” at the BSFA blog.

There is an annual writing event, which I dread every year when it rolls around.

It’s well known and is called NaNoWriMo and it is hash-tagged furiously on Twitter during the month of November, as people launch forth to write their novels in thirty days. Large daily word counts are flung about energetically – and, to anyone who has significant impediments to writing — these numbers can be both intimidating and shaming.  So, for the last NaNoWriMo (2020) I stayed well away, thinking about what helps each (different) writer, and why.

Under the title Writing Ability, I aim to unpack: (1) some of the difficulties (and resources) of writing while disabled, as well as (2) how to write ‘authentic’ fictional characters with disabilities.  And, given most stories begin with the author, I’ll start there….

(9) ED ASNER (1929-2021). Actor Ed Asner died August 29 at the age of 91. He won awards for non-genre work — three best supporting actor Emmys on Mary Tyler Moore, two best actor awards on Lou Grant, plus Emmys for his roles in the miniseries Rich Man, Poor Man and Roots. However, the New York Times obituary did not overlook the two main genre highlights of his career:

…He provided the voice of the lead character in the Oscar-winning animated movie “Up” (2009), about an elderly widower who flies to South America by attaching roughly a zillion colorful balloons to his house. Manohla Dargis’s review in The New York Times, which praised Mr. Asner and the supporting characters — including a portly stowaway scout and several talking dogs — called it “filmmaking at its purest.”

Mr. Asner also played a levelheaded Santa Claus in the Will Ferrell comedy “Elf” (2003), about a tall human raised by North Pole elves, which has become a Christmas-season classic. (It was Santa’s fault, really; the human baby crawled into his giant bag of gifts one busy Christmas Eve.) The Chicago Sun-Times critic Roger Ebert called the film “one of those rare Christmas comedies that has a heart, a brain and a wicked sense of humor.”…

Asner also was in episodes of many genre TV series, such as The Outer Limits, Voyage to the Bottom of the Sea, The Girl from U.N.C.L.E., The Wild Wild West, and The Invaders. And he voiced characters in dozens of animated works including Animaniacs, Batman: the Animated Series, Spider-Man: The Animated Series (as another editor, J. Jonah Jameson), and Star Wars: Return of the Jedi – The Original Radio Drama (a TV series, despite its name, where he played Jabba the Hutt.)

Fans will get a final visit with Asner’s Up character in the series of “Dug Days” shorts coming to Disney+ this week. 

(10) MEDIA BIRTHDAY.

  • 1958 – Sixty three years ago on this night, the first version of The Fly premiered. (It would be made three times.) It was produced and directed by Kurt Neumann from the screenplay by James Clavell which in turn was from the short story by George Langelaan which not surprisingly was called “The Fly” and which had been published in the June 1957 issue of Playboy. The primary cast was Al Hedison, Patricia Owens, Vincent Price and Herbert Marshall. Reception was definitely not generally upbeat with critics calling it “nauseating”, sickening” and “horrific”. It has since become a classic of horror films. It was box office success earning three million dollars on a budget of less than a half million dollars. Audience reviewers at Rotten Tomatoes give it a rating of seventy-one percent. It was nominated at Detention for a Hugo but no film was chosen for a Hugo Award that year.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 29, 1928 Charles Gray. Best remembered for being Ernst Stavro Blofeld in Diamonds Are Forever and Dikko Henderson In You Only Live Twice, and as Sherlock Holmes’s brother Mycroft Holmes in The Seven-Per-Cent Solution. That’s a role he reprises in the Jeremy Brett series. He’s in The Rocky Horror Picture Show as The Criminologist – An Expert. (Died 2000.)
  • Born August 29, 1939 Joel Schumacher. Director of The Lost Boys and Flatliners, both of which I like a lot, not to mention Batman Forever and Batman and Robin. Ok, so those might not be the highlights of his career. However his Blood Creek vampirefilm starring Michael Fassbender is said to be very good. Oh, and his The Incredible Shrinking Woman is a very funny riff the original The Incredible Shrinking Man. (Died 2020.)
  • Born August 29, 1942 Gottfried John. He’s likely best known as General Arkady Orumov on GoldenEye but I actually best remember him as Colonel Erich Weiss on the extremely short-lived Space Rangers. He was Josef Heim in the “The Hand of Saint Sebastian” episode of the Millennium series, and played König Gustav in the German version of Rumpelstilzchen as written by the Brothers Grimm. (Died 2014.)
  • Born August 29, 1945 Robert Weinberg. Author, editor, publisher, and collector of genre fiction. At Chicon 7, he received a Special Committee Award for his service to science fiction, fantasy, and horror. During the Seventies, he was the genius behind Pulp which featured interviews with pulp writers such as Walter B. Gibson and Frederick C. Davis.  He won the First Fandom Hall of Fame Award called the Sam Moskowitz Archive Award for excellence in science fiction collecting. (Died 2016.)
  • Born August 29, 1951 Janeen Webb, 70. Dreaming Down-Under which she co-edited with Jack Dann is an amazing anthology of Australian genre fiction, winner of a World Fantasy Award. If you’ve not read it, go do so. The Silken Road to Samarkand by her is a wonderful novel that I also wholeheartedly recommend. Death at the Blue Elephant, the first collection of her ever so excellent short stories, is available at the usual suspects though Dreaming Down-Under is alas not.
  • Born August 29, 1953 Nancy Holder, 68. She’s an impressive six-time winner of the Bram Stoker Award including her latest for Superior Achievement in a Graphic Novel, Mary Shelley Presents. I’m not much of a horror fan so I can’t judge her horror novels for you but I’ve read a number of her Buffyverse novels and I must say that she’s captured the feel of the series quite well. If you are to read but one, make it Halloween Rain
  • Born August 29, 1954 Michael P. Kube-McDowell, 67. A filker which gets major points in my book. I’m reasonably sure I’ve read both of his Isaac Asimov’s Robot City novels, and now I can recall reading Alternities as well. God, it’s been twenty years since I read him which I thought odd, but then I noticed at ISFDB that he hasn’t published a novel in that long. Filker link: Back in Black at The Curious Mind of Michael Kube-McDowell.
  • Born August 29, 1971 Carla Gugino, 50. She’s had a number of genre roles — Ingrid Cortez in the Spy Kids franchise, Rebecca Hutman in Night At The Museum, Sally Jupiter in Watchmen, the voice of Kelex in Man of Steel / Batman v Superman: Dawn of Justice Justice League andDr. Alex Friedman in Race to Witch Mountain. She’s been on Quantum LeapALFShe Creature and Supergirl. She was Dr. Molly Anne Caffrey on the short-lived Threshold series, and Olivia Crain, the lead character, on The Haunting of Hill House series.

(12) COMICS SECTION.

(13) MYSTERY WRITER DIES. [Item by Cora Buhlert.] Caroline Todd, one half of the mother and son mystery writing team Charles Todd, died August 29. Apparently, the Todds were supposed to present an Anthony Award at the virtual Bouchercon and had to pull out due to Caroline falling ill. Here are tributes by others in the field:

(14) CREATING A CLEAN INTERNET. South China Morning Post reports new, more stringent rules imposed on celebrity fan communities:“No explanation as China’s billionaire actress Zhao Wei blacklisted from Chinese internet”.

…Zhao’s disappearance from Chinese cyberspace came amid a widespread campaign by authorities to clamp down on “misbehaving celebrities”.

The government is simultaneously trying to rein in unruly fan culture that has resulted in extreme stalking, leaking of personal information and cyberbullying.

On Friday, the Cyberspace Administration, China’s central internet watchdog, issued a detailed list of measures to rectify issues among fan communities.

The directive said local authorities should monitor celebrity culture online to maintain “political and ideological safety in the cyberspace as well as creating a clean internet”.

New rules include cancelling all forms of celebrity rankings and tightening oversight on celebrity marketing agencies. They would also require all online fan communities to be authorised by agencies associated with the celebrity.

The regulations would punish platforms that fail to quickly delete verbal attacks among fans of different idols….

Global Times has additional details about the rules: “China cyberspace administration tightens rules to cool frenzied idol worshipping, especially among minors”.

…All ranking lists of celebrities will be removed from online, and management of fan groups will be strengthened, the Chinese top internet watchdog announced on Friday in a bid to crack down on the unhealthy fan club culture in the country, banning all forms of promotional events that use a competitive scheme among the celebrities or fans. 

Since the campaign to clean up unhealthy fandom culture was launched, a number of online functions including celebrity ranking lists, hot topics, fan communities, and interactive comment sections have seen measurable improvement, the Cyberspace Administration of China said. To further weed out toxic fan culture, the administration announced the 10-point regulation, according to a notice issued by the administration. …

(15) WEBBER RETURNS TO GENRE. [Item by Martin Morse Wooster.] In the August 20 Financial Times, Sarah Hemming reviews Cinderella, with music by Andrew Lloyd Webber and a book by Emerald Fennell, who wrote and directed Promising Young Woman.

The opening number sets the tone.  We find ourselves in Belleville, picturesque town and tourist trap, home to chirruping milkmaids, chaps with tones torsos and too-tight lederhosen and a baker inviting us to ‘check out my hot buns’ (lyrics from David Zippel). Girls pose and pout, guys strut and stomp and everyone misses the manly Prince Charming, who has mysteriously vanished, leaving his drippy younger brother, Sebastian, as heir…

…There is a pleasing twist at the end, but the plot does all become a bit daft and convoluted. Meanwhile, characterisation stays skin-deep, motivation flimsy and questions come and go without even being answered:  how did the prince and the pauper become best buddies? Oh,, never mind.  Wait, the fairy godmother is an evil plastic surgeon? Let’s explore that further…OK, let’s move on.

There is a website for the production: andrewlloydwebberscinderella.com.

(16) WONDER BLUNDERS. Heroes & Icons points out “12 little blunders you never noticed in ‘Wonder Woman’” (the TV series). For example:

TAKING OUT THE TRASH

“Screaming Javelins”

No Wonder Woman effect is more iconic than the hero’s transformative twirl. Diana Prince turns into Wonder Woman in a flash. You can catch some inconsistencies in those cuts. Take this one for example, from season two, when a trash can magically disappears.

(17) T MINUS 24 AND HOLDING. [Item by Mike Kennedy.] Demand in the US for medical grade oxygen is so high due to COVID that some hospitals have less than 24 hours worth on hand and satellite launches are in danger of postponement. “Covid Surge Sends Liquid Oxygen From Launch Pads to Hospitals”Bloomberg has the story.

One consequence of the coronavirus pandemic is showing up in an unlikely place: the space industry. 

A summer surge in Covid-19 patients is diverting liquid oxygen from rocket launch pads to hospitals, leading NASA to announce Friday it will delay the September launch of its next earth-surveillance satellite by a week.

Oxygen chilled to its liquid form at -300 F (-184 C) is a crucial propellant for launch firms from SpaceX to ULA to Virgin Orbit. Now the industry is anticipating launch delays as patients on ventilators take precedence in the commodity gas supply chain….

[Thanks to Martin Morse Wooster, JJ, Michael Toman, Cora Buhlert, Brian Z., John King Tarpinian, Cat Eldridge, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to contributing editor of the day Acoustic Rob.]