Tag Archives: Nicki Lynch

Rich Lynch: Report from Spiral-Con II

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By Rich Lynch: I’ve been to a lot of conventions in my personal five decades of fandom, but very few of them as small as Spiral-Con II.  It was a free one-day event, sponsored by Spiral Tower Press and held Saturday, July 15, 2023 on the campus of Christopher Newport University in Newport News, Virginia.  I’m kind of embarrassed to say that I don’t remember ever hearing about the first Spiral-Con, which had been held last August, even though (as I discovered belatedly) it had been a news item in File770.com.  And I wouldn’t have heard about this year’s convention either if I hadn’t been contacted by someone who was scheduled to be a program participant.

That would be my friend Rusty Burke, the current President of the Robert E. Howard Foundation which was started in 2006 as a means of expanding the knowledge base about the author and his fiction.  Rusty had emailed me at the beginning of July, asking if Nicki and I would like to appear on a fanzine-related panel during the convention.  He was very well aware of our fanzine background – besides his status as a world-class Howard historian he is, or at least used to be, a pretty good fan artist.  Way back when we all lived in eastern Tennessee he was a frequent contributor to our 1970s clubzine Chat.  Turns out that two of the organizers of the convention are also Howard Foundation members, so the connection pathway from them to us was an easy one.

But enough about that.  The convention drew a total of 17 people including participants but I guess that was probably about what was expected, given that the University was in the middle of summer break.  Those of us who did attend witnessed an interesting single-track program that included five panels and a short awards presentation ceremony.  The Trigon Awards, which according to the Spiral Tower Press website “celebrate the past, present, and future of science fiction, fantasy, and horror”, were the first thing on the schedule: the award for Scholarly Achievement went to Rusty for the breadth of his many activities within the Howard Foundation; the award for Literary Achievement went to Old Moon Quarterly, a relatively new online magazine devoted to dark fantasy and sword-and-sorcery fiction; and a Special Achievement award went to Toni Weisskopf of Baen Books who over the years has been “an unparalleled steward and champion of the pulp genres of sword and sorcery, military science fiction, and epic fantasy”.

The Robert E. Howard panel:
(l-r) Jason Ray Carney and Rusty Burke

The five panels were an eclectic mix.  For the first one, the topic was the literary legacy of Robert E. Howard, which started out to be an interview of Rusty by Dr. Jason Ray Carney of CNU’s English Department.  But at about the halfway point the focus expanded and after that it became more about the Howard Foundation than the author.  In particular, there was a lot of description about Howard Days, an annual event held in Howard’s home town of Cross Plains, Texas.  Some of the convention’s program is held indoors, but other parts are held in an open air pavilion.  And there are no hotels or motels in Cross Plains (the nearest ones are the better part of an hour’s drive away) so the 200-or-so people who attend are firmly committed to preserving the history and learning more about the author, and are willing to persevere through the heat of hot Texas summers to do so.  Now that’s dedication!

The Women and Modern Fantasy panel: (l-r) Shannon O’Keefe and Nicole Emmelhainz

The second panel was a change of pace – a literary analysis titled “Women and Modern Fantasy: History, Theory, and Analysis”.  The presenter was CNU English Department student Shannon O’Keefe, who was introduced by her advisor, Dr. Nicole Emmelhainz.  By all appearances it seemed to be a preview of a thesis on the topic, and the presentation skillfully walked us attendees through the history of feminism and its literary movement, focusing on how the feminist movement eventually resulted in many women authors writing genre fiction, including science fiction & fantasy. The reasons for this, we were informed, is that genre fiction can be used as a means to comment on societal issues and can be used to create worlds, situations, and characters for making such social commentary.  More to the point, genre fiction allows female authors a good way to examine and explore the ‘what ifs’ of feminist political and social movements, including things like cultural expectations for women.  There were several writers cited as examples, and the latter part of the panel turned out to be an in-depth analysis of a major work by one of them: R.F. Kuang’s The Poppy War.  It’s ostensibly a dark fantasy with military overtones, but it’s also a journey of discovery and awakening for its main character, Rin.  I haven’t read it yet, but after this I think I’m intrigued enough that I’ll want to.

The History of Pulp Magazines panel: (l-r) Jason Ray Carney, Nathan Vernon, and Josh LeHuray

There was another change in direction after that – the third panel was about the history of pulp magazines.  Dr. Carney was again the moderator and the panelists were two experts with encyclopedic knowledge on the topic: historians Nathan Vernon and Josh LeHuray.  Vernon is also a board member of The Pulp Magazine Project, which according to its website is “an open-access archive and digital research initiative for the study and preservation of one of the twentieth century’s most influential print culture forms: the all-fiction pulpwood magazine.”  Similar to the Howard panel earlier in the day, this one started out by walking us through the history of the pulp magazine era (which dates all the way back to 1896 when Frank A. Munsey published the first issue of Argosy) but eventually broadened to include discussion and description of PulpFest, the annual convention which celebrates the history of that type of publication. Overall it was an opportunity to broaden my knowledge – I hadn’t known, for example, that during the pre-WWII years newsstands rented out space to the pulp publishers rather than entering into consignment or outright purchase agreements for the magazines.  There were many well-known authors who wrote for pulp-era magazines including now-famous science fiction and fantasy writers such as Isaac Asimov, Poul Anderson, Murray Leinster, Edgar Rice Burroughs, Edmund Hamilton, C.L. Moore, and, yes, Robert E. Howard (to name just a few).  Ray Bradbury also was published in pulp-era magazines, which segues nicely into the description of the next panel.

The History of Zine Culture panel: (l-r) Luke Dodd, Rusty Burke, Rich Lynch, and Nicki Lynch. Photo by Shelley Wischeusen.

The fourth panel was the one Nicki and I had come to Spiral-Con for.  It was titled “A Brief History of Zine Culture and its influence on Genre Fiction”, but for the purpose of this panel the focus was limited to science fiction fanzines.  The moderator, Dr. Luke Dodd from Eastern Kentucky University (another Howard Foundation member), had informed me prior to the convention that a visual aid or two for the panel would be helpful so I’d created a PowerPoint which provided a few prominent examples of science fiction writers who had edited and published fanzines.  One of them was Bradbury who in 1939-40 had published four issues of Futuria Fantasia, which was an eclectic mix of essays, fiction and poetry.  The second issue contained a short story by Bradbury that probably became the basis for his first professional sale as a writer. 

What I had attempted to show was that zine culture of the 1930s through the end of the 1960s was a prime conduit for science fiction fans to become science fiction authors.  But after that, there was pretty much a paradigm shift – new writers in the field had found other routes (such as writers workshops) to become professionals.  There didn’t seem to be many people in attendance who were very knowledgeable about science fiction fanzines, so Nicki, Rusty, and I described in general some of the different types (genzine, perzine, apas, etc.).  And after that there were questions from audience members which indicated a genuine interest in learning more about fanzines and fanzine fandom.  I hope they will follow up on it by visiting the two online sites where fanzines are archived – there’s much for them to discover.

The Military Science Fiction panel: (l-r) Sean Korsgaard, Chase Folmar, and John Balderi

The final panel of the convention had been mislabeled in the program handout – it had been described as “The Literary Legacy of Space Opera: Literature, Film, and Gaming” but the actual focus was on military science fiction.  The moderator was Baen Books assistant editor Sean Korsgaard (who earlier had accepted Toni Weisskopf’s Trigon Award), and the two panelists were Chase Folmar and Dr. John Balderi. Korsgaard and Balderi are retired U.S. military, and they all had strong opinions about the topic. The panel was actually fairly wide-ranging, including call-outs to some of the more prominent military SF writers such as David Drake and David Weber, but what made it interesting to me was the back-and-forth with audience members which attempted to define just what qualified as military science fiction and what didn’t.  The Expanse, for example, has a lot of military SF overtones but the overall plot of the series is much more about discovery and survival on a grandiose scale – in other words, it’s space opera.  And there are some series which are, in fact, military science fiction even though the plots are not really pro-war – John Scalzi’s Old Man’s War is a good example of that.  And there are other stories which have a militaristic basis or foundation but are not, strictly speaking, military science fiction – Keith Laumer’s original ‘Bolo’ story, “Night of the Trolls”, is a prime example of that.  There were a lot of questions from the audience, and it made for one of the more interesting panels I’ve attended lately.

I’m glad I attended Spiral-Con.  The day was filled with good panels that showcased many of the diverse interest areas of science fiction and fantasy – it had made the traffic jam-filled drive down from Maryland and expenditure of Marriott points worthwhile.  But I think the organizers need to figure out what they want the future of the convention to be – there’d been just enough publicity (via the Spiral Tower Press blog) to bring 17 people to the event, which seems barely enough to make it sustainable.  But the meeting site at CNU probably couldn’t handle very many more than that – if the convention had been held when classes were in session there would have been way too many attendees for the meeting room to handle.  I’ll be interested to see what direction they go with this.  And I’ll also be more on the lookout, next year, for information about the convention!

Update 07/21/2023: Revised after the original posting based on information provided by commenters.

Pixel Scroll 3/29/22 But I Scrolled A Fan In Reno, Just To Watch Them File

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(1) PHILLIPS’ LE GUIN BIO ACQUIRED. “Virago snaps up first and only authorised biography of Ursula Le Guin” — The Bookseller says it will be out in 2026.

…Virago has pre-empted the first and only authorised biography of acclaimed science and speculative fiction author Ursula K Le Guin. It is written by Julie Phillips. 

Rose Tomaszewska, editorial director at Virago, acquired UK & Commonwealth rights from Will Francis at Janklow & Nesbit on behalf of Melissa Flashman in the US.  

Hearing of an auction to acquire the book in the US, the Virago team acted swiftly to pre-empt it, securing rights ahead of the US, which closed with Thomas Gebremedhin at Doubleday. Publication is slated for 2026. 

Phillips is the award-winning author of James Tiptree, Jr (Picador) and The Baby on the Fire Escape (WW Norton & Co). After Phillips interviewed Le Guin for her biography of Tiptree (the pseudonym of science fiction author Alice B Sheldon), Le Guin invited Phillips to “rescue me from the vultures”. 

Agreeing with Le Guin that the biography should be posthumous, Phillips spoke to her in-depth over several years and frequently visited her at her home in Portland, Oregon. …

(2) YOU BE THE JUDGE. [Item by SF Concatenation’s Jonathan Cowie.] 2000AD are not bad at running conventions. Their 40th anniversary convention in 2017 was quite something.  And now, this past weekend, they held their 45th anniversary event — but on-line due to on-going CoVID concerns.  Unlike many SF cons providing online content, 2000AD have made much of theirs easily accessible to the world at large.  There is simply too much to report, but check out their YouTube channel for over a score of zarjaz videos. Nonscrots and thrill suckers go hide. Splundig.

(3) PRONOUNS. In “Some Thoughts on Pronouns by Nancy Jane Moore” for Milford SF Writers, Moore has much to say before concluding —

… It’s past time to up our gender game.

Adopting the use of they is far from the last change we’re going to make in the language and none of what’s being said right now is going to be the last word on gender. Pay attention.

And no, you don’t get an exemption on account of age. Getting old doesn’t mean getting stuck in your rut. If you’re still writing or working or dealing with people in the world, you’re not too old to pay attention to the important changes around you.

Trust me on this one.

(4) ABOUT ALOPECIA. Will Smith’s violent response to Chris Rock’s joke about Jada Pinkett Smith’s baldness is being discussed everywhere, even in comments here. And I was personally surprised to see my daughter’s former dance teacher Alison Hooper Keslake being interviewed by the local ABC 7 News station about her experience with alopecia and her thoughts about the joke. I haven’t seen Alison for probably six years, which was just before she began dealing with the malady. She now goes bald, too. Video of her remarks can be seen on Facebook.

(5) THINKING INSIDE THE BOX. Customers are ready to resume exploring literary space again. “Bookstores Tap Nostalgia for Borders, Barnes & Nobles” – Bloomberg psychs it out.

…When the final Harry Potter installment was published on July 21, 2007, bookstores across the U.S. celebrated with midnight release parties — some with booze, befitting a series whose earliest readers were now in their 20s. These parties took place at thousands of bookstores at a time that was, in retrospect, Peak Bookstore.

“That era, 1997 to 2007, was truly a sweet spot for readers,” Jenna Amatulli reminisced in HuffPost in 2017. “They watched the fandom bloom from nothing, lined up willingly outside of a physical store — oftentimes without a celebrity-sighting incentive — and read without the fear of a push-alert or Twitter spoiler.”

Turnout for the same release today would be lower, because of Amazon.com Inc., because of dying malls, because of J.K. Rowling’s support for gender essentialism — and because there are simply fewer bookstores. Between 1991 and 2011, the U.S. lost 1,000 chain bookstores. A story in The Bulwark checking in on Borders locations 10 years after its 2011 bankruptcy revealed that some had become Books-A-Million, but many more of their “medium-box” locations now sold food, furniture or clothes.

Even so, that HuffPost story, now five years old, may have played taps for the chain bookstore too soon.

Plenty of Millennials who grew up with a Waldenbooks, a Crown or a Borders have the same nostalgia for those chains that they feel for the malls that once contained them. At the same time, Gen Z is taking to TikTok to talk about books — driving billions of views as well as sales for authors’ backlists — and staging those videos at Barnes & Noble. B&N’s green-and-cream decor persists as an accessible symbol for books and, in a country recently starved for social interaction, a place where one day we will browse together again. Trends may come and go, but wooden shelves and squishy chairs will always mean, “Curl up with a book.”

The last of the major chains is betting on that rebound: Barnes & Noble, which once said it would whittle itself down to 450 stores by 2022, started the year with 625 — and plans to add 20 to 25 more in 2022….

(6) LEND ME YOUR EARS. AND HANDS. KQED invites listeners to hear “Gonzo the Great on the Creativity and Collaboration Behind Jim Henson’s Muppets”.

In the early 1970s, Dave Goelz was an industrial designer working for Hewlett-Packard by day and obsessing over the puppets on Sesame Street in his spare time. Fifty years later, Goelz still has the dream job he left Silicon Valley to pursue. He’s the Muppet performer bringing life to Gonzo, Dr. Bunsen Honeydew, Waldolf, Zoot and others. We’ll talk about the creative alchemy of Jim Henson’s Muppet universe with Goelz as well as Henson’s biographer and the curator of Imagination Unlimited, an exhibit about Henson which opens this week at the Contemporary Jewish Museum in San Francisco.

You also can register for a free Zoom program “’The Best Idea Wins’: Dave Goelz and Larry Mirkin on Creativity and Collaboration” to be held April 24 at 11:00 a.m. Pacific.

(7) MEDIA BIRTHDAY.

[Item by Cat Eldridge.]

Captain’s log. Using the light-speed breakaway factor, the Enterprise has moved back through time to the 20th century. We are now in extended orbit around Earth, using our ship’s deflector shields to remain unobserved. Our mission – historical research. We are monitoring Earth communications to find out how our planet survived desperate problems in the year 1968.

Fifty-four years ago on this evening, Star Trek’s “Assignment: Earth” first aired on NBC as part of the second season. Guest starring Robert Lansing as Gary Seven and Terri Garr as Roberta Lincoln, our crew which has time-travelled to 1968 Earth for historical research encounters an interstellar agent and Isis, his cat, who are planning to intervene in Earth history. 

It was directed by Marc Daniels whose firsy break in the business was directing the first thirty eight episodes of I Love Lucy. (Remember where Trek was produced.) This was one of fifteen Trek episodes he’d direct. He won a Hugo at NYCon 3 with Gene Roddenberry for Best Dramatic Presentation for “The Menagerie”. 

The story by Art Wallace and Gene Roddenberry. Wallace, who also did the teleplay,  is best remembered for his work on the soap opera Dark Shadows. Oh and he did some scripts for Tom Corbett, Space Cadet.

It was intended as a pilot for an Assignment: Earth series that Gene Roddenberry planned but that never happened. That is interesting story as though Roddenberry’s intent was that Lansing and Garr would continue in the series if it was commissioned, but since NBC was not involved in casting the backdoor pilot, it could and well might have been that NBC would insisted on changes or even completely recast the series had it picked up. 

Interesting note: The uncredited human form of Isis was portrayed by actress, dancer, and contortionist April Tatro, not Victoria Verti, actress (in Rosemary’s Baby under the name of Angela Dorian) and Playboy Playmate of the previous year, as would become part of Trek lore. Her identity was unknown until 2019 when The Trek Files podcast cited a production call sheet for extras dated the fifth of January for the year of broadcast. 

For decades now, fans had believed that the very briefly seen human form of the cat Isis was portrayed by actress Victoria Vetri. Many articles and websites treat that belief as revealed truth. Recently Vetri herself confirmed that she was not in the episode. No idea why the rumor started. 

Barbara Babcock, best remembered as Grace Gardner on Hill Street Blues, a most excellent series, was the Beta 5 computer voice (uncredited at the time) and she did the Isis’ cat vocalizations as well. Speaking of that cat, it was played by Sambo as you can see by this NBC memo. Interestingly Lansing though would later contradict that claiming that there were actually three black cats involved. I can’t confirm his claim elsewhere. 

Though this back door pilot did not enter production as a television series, both Seven and Roberta were featured in multiple stories and they were spun-off into a comic book series from IDW Publishing, Star Trek: Assignment: Earth by John Byrne. And there was the excellent novelization of the episode that Scott Dutton did for Catspaw Dynamics. I’ve read it and it’s quite superb.  

In addition, according to Memory Alpha, the source for all things Trek, “Seven and Lincoln have appeared in several Star Trek novels (Assignment: Eternity and the two-volume series, The Eugenics Wars: The Rise and Fall of Khan Noonien Singh by Greg Cox) and short stories (“The Aliens Are Coming!” by Dayton Ward in Strange New Worlds III, “Seven and Seven” by Kevin Hosey in Strange New Worlds VI and “Assignment: One” by Kevin Lauderdale in Strange New Worlds VIII).”

The plot concept of benevolent aliens secretively helping Earthlings was later resurrected by Roddenberry for The Questor Tapes film. That film was one of a series of television movies in which Roddenberry was involved — Genesis II, Planet Earth, Strange New World and Spectre. Need I say none made it past the stage of the initial television movie which served as a pilot? 

(Click for larger images)

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 29, 1943 — Eric Idle, 79. Monty Python is genre, isn’t it? If not, I know that The Adventures of Baron Munchausen, Yellowbeard, Monty Python and the Holy Grail (nominated at MidAmericaCon), Quest for Camelot, Shrek the Third and Nearly Departed, an updated version of Topper, which he all had a hand in certainly are. And it turns out he’s written a witty SF novel, The Road to Mars: A Post-Modern Novel, which involves an Android, comedy and interplanetary travel.
  • Born March 29, 1947 — Patricia Anthony. Flanders is one damn scary novel. A ghost story set in WW I, it spooked me for nights after I read it and I don’t spook easily. Highly recommended.  James Cameron purchased  the movie rights to her Brother Termite novel and John Sayles wrote a script, but the movie has not been produced. Cold Allies was a Compton Crook Award finalist for best first novel. (Died 2013.)
  • Born March 29, 1950 — Val Mayerik, 72. “Aw, clam up, bud! You don’t even know the meaning of the word! Finding yourself in a world of talking hairless apes–Now that’s absurdity!” —Howard the Duck. Mayerik is best known as the co-creator along with Steve Gerber of Howard the Duck. He first appeared in Adventure into Fear #19, a horror comic published by Marvel. However he was not Howard the Duck there as he had no name at all at this point – they named him later.
  • Born March 29, 1955 — Marina Sirtis, 67. Counselor Deanna Troi in the Trekverse.  Waxwork II: Lost in Time as Gloria is her first true genre film role followed shortly by a one-off on the The Return of Sherlock Holmes series as Lucrezia. And then there’s her mid-Nineties voice acting as Demona on Gargoyles, quite possibly her best role to date. Skipping some one-offs on various genre series, her most recent appearance was on Picard where she and Riker are quite happily married.
  • Born March 29, 1956 — Mary Gentle, 66. Her trilogy of Rats and Gargoyles, The Architecture of Desire (an Otherwise nominee), and Left to His Own Devices, is a stunning work of alternate history with magic replacing science. Ash: A Secret History is superb, it won both a BSFA and a Sideways Award as well as being a finalist for a Clarke and a Campbell Memorial. 
  • Born March 29, 1957 — Christopher Lambert, 65. He became famous by playing Tarzan in Greystoke: The Legend of Tarzan, Lord of the Apes. I however best remembered him as Connor MacLeod in Highlander in which he had one of the worst Scottish accents ever attempted. He’s the villain in the Ghost Rider sequel Ghost Rider: Spirit of Vengeance, but do we really have to mention that film?  And I absolutely refuse to admit that the first Highlander film spawned a series of sequels. Shudder! 
  • Born March 29, 1957 — Elizabeth Hand, 65. Not even going to attempt to summarize her brilliant career. I will say that my fav works by her are the Shirley Jackson Award winning Wylding Hall, Illyria and Mortal Love. And let’s by no means overlook Waking the Moon which won both a Mythopoeic Award and an Otherwise Award. Her only Hugo nomination was at Renovation for her “The Maiden Flight of McCauley’s Bellerophon” novella. 
  • Born March 29, 1968 — Lucy Lawless, 54. Xena in Xena: Warrior Princess and Hercules: The Legendary Journeys, cylon model Number Three D’Anna Biers on that Battlestar Galactica series. She also played Countess Palatine Ingrid von Marburg, the last of a line of Germanic witches on the Salem series. Her most recent genre role was Ruby Knowby, one of the Dark Ones, on the Ash vs Evil Dead series. Though not genre, she was Lucretia in Spartacus: Blood and Sand, its prequel Spartacus: Gods of the Arena and its sequel Spartacus: Vengeance.

(9) NEWS MINUTE. It’s definitely genre. Trust me. “How Will Smith Got A Standing Ovation During His Oscars Speech” from The Late Show with Stephen Colbert.

(10) AUDIOBOOK KICKSTARTER. Student Loans Paid in Blood is joined by The Cursed Apps, the second volume in the “Hardboiled Magic” series for a two audiobook set, currently funding on Kickstarter.

“You know how everyone threatened to write a book during COVID?” asks author Todd Allen. “I actually did and returned to the Hardboiled Magic series. I’ve been away for too long.”

The audiobooks are performed by Erik Braa, known as the voice of Draven in the League of Legends series.

The campaign runs through Wednesday, April 27. Todd Allen encouraged us to link to the over 60 minutes of sample chapters available on the campaign page.

What does an occult detective do when a mad god owes him money? Follow the trail into a world of student loans paid off by ritual blood sacrifice, of industrial espionage that comes from beyond the grave and where urban renewal leaves a trail of corpses.

Here’s the book’s inciting incident, in its entirety:

In a desperate bid to prevent being ousted from his own company, a startup founder accidentally draws the attention of necromancers looking to protect their secrets. Occult attention spills over from the founder to his shady investor, whose entire portfolio becomes infested as a food delivery app delivers vampires, a dating app transmigrates souls and a social media influencer’s video game creates literal zombie followers. Are the apps cursed or is something else in play? It’s tale of death and revenge set against a sardonic look at the tech world and venture capital.

Here’s the inciting incident in its entirety:

(11) POMPEII AND CIRCUMSTANCES. Boston Dynamics’ Spot is the “Robot dog called in to help manage Pompeii” reports the Guardian.

…The dog-like robot is the latest in a series of technologies used as part of a broader project to better manage the archaeological park since 2013, when Unesco threatened to add Pompeii to a list of world heritage sites in peril unless Italian authorities improved its preservation….

A four-legged robot called Spot has been deployed to wander around the ruins of ancient Pompeii, identifying structural and safety issues while delving underground to inspect tunnels dug by relic thieves.

The dog-like robot is the latest in a series of technologies used as part of a broader project to better manage the archaeological park since 2013, when Unesco threatened to add Pompeii to a list of world heritage sites in peril unless Italian authorities improved its preservation.

Spot, made by the US-based Boston Dynamics, is capable of inspecting even the smallest of spaces while “gathering and recording data useful for the study and planning of interventions”, park authorities said.

The aim, they added, is to “improve both the quality of monitoring of the existing areas, and to further our knowledge of the state of progress of the works in areas undergoing recovery or restoration, and thereby to manage the safety of the site, as well as that of workers.”

(12) THUMBS UP, THUMBS OUT. [Item by Martin Morse Wooster.] Douglas Adams talks about So Long And Thanks For All The Fish and chats about a “forthcoming” Hitchhikers film that never appeared in his lifetime in this clip from the David Letterman Show in 1985.

(13) A MOMENT OF PEACE. Peter Capaldi in 2016 reads a letter by British Captain Reginald John Armes to his wife about the Christmas Truce of 1914 during World War I.

On Christmas Eve of 1914, five months into World War I, something amazing happened: thousands of British and German troops on the Western Front decided to put down their weapons and greet each other peacefully. For the next few days, 100,000 men, British and German, chatted, exchanged gifts, sang carols, played football. They also, without fear, were able to buried their dead. On the evening of December 24th, the first day of the truce, Captain ‘Jack’ Armes wrote to his wife and described this incredible occurrence.

(14) THAT’S THE SPIRIT. Ghostbusters: Spirits Unleashed is a new game. Here’s the Official Reveal Trailer.

(15) VIDEO OF THE DAY. Fanac.org has posted video of Rich and Nicki Lynch’s Mimosa 3.5 – a “live fanzine” done as a panel at Chattacon XIII on January 16, 1988. (You also can read the script in the PDF copy of Mimosa 4 hosted by the FANAC archive.)

Beginning with Doug Chaffee drawing the “cover” on camera, and ending with WAHF (“We Also Heard From”) excerpts from letters of comment, this recording really is Mimosa Live. Mimosa, edited by Rich and Nicki Lynch, was nominated for the Best Fanzine Hugo 14 times between 1991 and 2004, and won 6 times.

Articles in Mimosa 3.5 are read/performed by Chattacon guests Ron Goulart (who also draws another cover), Jack Chalker and Maurine Dorris. Julius (Julie) Schwartz makes an appearance with “The Amazing Flying Wollheims”. You’ll also see a very young Pat Malloy, Eva Chalker and others.

[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, David K.M. Klaus, SF Concatenation’s Jonathan Cowie, Todd Allen, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Rich Lynch: Remembering Roger Sims

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By Rich Lynch: I read the news about him today at the File770.com newsblog: “Past Worldcon chair and First Fandom Hall of Fame inductee Roger Sims died January 23 at the age of 91 after a long struggle with Parkinson’s Disease.”

My memories of Roger go back to 1987, when I first met him at the Corflu fanzine convention in Cincinnati.  We only talked for a very short time, but it was enough to cement a friendship that had its roots about a year earlier when I had contacted him about being on the program at the 1986 Atlanta Worldcon.  My wife Nicki and I were organizers of the Fan Programming track at ConFederation, and we wanted to see if he would be available to introduce the highly-entertaining video production FAANS, where he played a hotel detective during a fictional science fiction convention who became drawn into much intrigue involving iconic fannish myths and legends.  Alas, I didn’t actually see him at ConFederation because I missed the panel due to a scheduling conflict.  But after that, Nicki and I were looking for opportunities to preserve some of Roger’s memories about previous fan eras in our fanzine Mimosa.

Me and Roger at the 2011 Worldcon. Photo by Nicki Lynch.

And it turned out there were many.  Roger was a good writer and the articles he authored or co-authored for Mimosa were both entertaining and informative.  They ranged from stories about 1950s science fiction conventions (including the now-famous Room 770 party at the 1951 New Orleans Worldcon) to recollections about nearly-forgotten fan organizations (such as the Morgan Botts Foundation).  From a tale about a memorable fan dinner to a recollection of an even more memorable few months sharing an apartment with Harlan Ellison.  From a story about the possibly apocryphal Second Fandom to a heartfelt remembrance of his closest friend, Lynn Hickman, written not long after Lynn’s passing.  It was our honor and privilege to have published Roger’s essays about his fandom, and I wish there had been more of them.

Even after Mimosa ended its run in 2003, Nicki and I maintained our friendship with Roger and his wife Pat.  Strengthened it, actually.  We crossed paths only a few times each year at Midwestcons and Worldcons, but always looked forward to times where we could sit down and talking and as well as opportunities to dine together.  In particular, Midwestcons were essential fan activities for us because it was a fannish nexus – we knew we could reconnect with Roger & Pat as well as other fans from storied eras of the past.

I can’t remember for sure which Midwestcon it was when I noticed that Roger seemed to be having mobility issues.  Pat informed me that he’d been diagnosed with Parkinson’s Disease which I knew would eventually result in his death at some indeterminate point in the future.  And every year after that he seemed a bit more frail, though far from fragile – fandom had been a big part of his life for many decades and my impression was that it would take something truly dire to prevent him from being at his favorite fan gatherings.  And unfortunately, about two years ago, there was.

One of the many things I despise about the pandemic world of 2020 and 2021 was that it curtailed in-person fan events.  The last time I saw Roger, at the 2019 Midwestcon, his wellbeing appeared to have worsened to the point where his attendance at future conventions probably seemed questionable.  But you know, I never really thought that – he was such a constant at Midwestcons that, to me, it seemed inconceivable that he wouldn’t be back.  And then COVID happened.

I wish I could recall what Roger and I talked about during that final Midwestcon for him.  We did have some quality time together and probably shared some memories about recent and long-ago fan happenings.  But I just can’t remember for sure.  So instead I’ll let my mind travel back to a much-earlier Midwestcon.  It was back in 1988, not long before the New Orleans Worldcon where he was the Fan Guest of Honor, that Nicki and I tape-recorded a Saturday night ‘bull session’ where Roger and his friends Howard Devore, Lynn Hickman, and Ray Beam had a grand time reliving their fabulous fandom of the 1950s.  There was a small crowd of fans who had gathered around and I have an image frozen in my mind of all the pleasantness and amusement on faces of people who were there.  And that’s how I’m always going to remember Roger – a good friend who had many memorable experiences that he was happy to share.  And in doing so, made them a permanent part of the legendry of fandom.  As is he.

To Be Fair, I Was Left Unsupervised: DisCon III, Day Two

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To Be Fair, I Was Left Unsupervised: A Disjointed Chronicle of 79th World Science Fiction Convention, Discon III – December 16-17, 2021

By Chris M. Barkley: There are some days, you just feel LUCKY.

On this fine day, Juli, our friend Anna and I decided to try the Omni’s restaurant for breakfast. After ordering coffee and tea, I suddenly remembered that I had not taken my diabetic meds. 

I excused myself and walked back to the elevators. There was a bit of a crowd there so I decided to take the steps up one flight to our room. There are two sets of steps and the convention had posted signs indicating which ones to use going up and which to go down.  I went to the right and  up the steps.

As I opened the door, I looked down and became very surprised; there on the floor right at the entrance was my convention notebook! Apparently, it dropped out of my pocket as we left our room. I scooped it up and immediately wrote my name and phone number on the inside of the front cover. If I had the cash for a lottery ticket, I would have gotten one today. I was smiling for the rest of the morning…

We were joined at Breakfast by Chicago area super-fan Sandra Levy, who was having a splendid time at Discon III.

  • Sandra Levy

After breakfast, Juli and I decided to go Vote at the Site Selection area in the Dealer’s Room. Along the way, we encountered Laurie Mann at the Boskone Fan Table, who exhorted us to VOTE! 

  • Laurie Mann

At the Site Selection Desk, Sharon Sbarsky reported that had been a steady stream of fans coming to vote, both yesterday and today. 

  • Sharon Sbarsky (right foreground)

As we wandered through the Dealer’s Room (which I found out later in the day was actually the Omni’s Parking Garage and looks very reminiscent of the sets they used on The Matrix films…) we came across the table of former Worldcon Chair (ConStellation, 1983) and bookseller Mike Walsh.

My eye was immediately drawn to a BIG collection of Krazy Kat comic strip Sunday pages. And when I mean big, I ACTUALLY MEANT GIGANTIC!

Being an ardent fan of George Herrimann, the late creator of the classic comic strip, I was immediately smitten with it. As I frantically wrote out a check to make the purchase, the Best Girlfriend in the World had already whipped out her credit card and gave me a very early Christmas gift. I LOVE you Juli and I thank you for loving my stupid face every day. At 3:00, we checked out the Con Suite, which was located on the 8th floor of the East Wing of the hotel. The food and drink were quite varied and plentiful but due to the pandemic, no one was allowed to eat in the suite. The suite’s balcony was open and a few people at a time did go out to take in the captivating view of Washington D.C.

(Click for larger images)

At 4:00 p.m., we caught up with Hugo Award-winning author Jo Walton (whom we last encountered at the Dublin Airport on the way home) and the Hugo Award winning editor-in chief of Clarkesworld, Neil Clarke. Since I could not bring the many books I’d like to have signed, both happily consented to signing several book plates instead.

  • Jo Walton
  • Neil Clarke
(Click for larger images)

Also in the Dealers Room, Dave McCarty introduced me to writer/director Eric Brammer, who is shooting here with a crew for a documentary on Worldcons. He hopes to have either a rough cut or finished version done to show at Chicon 8 next year.

  • Eric Brammer

Later in the day, Juli and I sat for a while with fan writers and editors Nicki and Richard Lynch, who live about an hour away from D.C. They are longtime attendees of our local Ohio relaxacon  Midwestcon and asked about its status for 2022. (It is currently unknown to me.) We were lucky to catch them because they are lovely people (i.e.: baseball fans) and were only attending for the day…

  • Rich and Nicki Lynch

Nearby, The Hugo Nominee’s reception was in full swing…with The Little Big Band, an ACTUAL swing band!

  • Little Big Band

In the reception area, constant Filer (and Hugo Nominees) Olav Rokne and his partner Amanda Wakaruk were holding court with Skiffy and Fanty podcast host Shaun Duke.

  • Amanda Wakaruk and Olav Rokne
  • Shaun Duke

We had dinner at the Open City restaurant, a delightful eatery located a half a block away from the hotel. Dinner was so delicious that Juli and I agreed that we would make that our destination for breakfast the next day.

As I began writing up the day’s events (and keeping an eye on the Eagles-Chief game on Fox) we tried to find a first run copy of Day One’s Dis ‘N Dat, which featured the first mention of the Site Selection controversy. We examined all the copies we had on hand but they were all the redacted versions.

We eventually surmised that by the time we arrived on Wednesday, ALL of the offending copies had already been rounded up and destroyed.

But anyone who does have an original, is in possession of one of the rarest of all ephemeral artifacts, ground zero of this year’s biggest fannish scandal. I can only imagine seeing it on Antiques Roadshow twenty or thirty years from now…

An Editorial About the WSFS Business Meeting. On the second day of DisCon III, a Preliminary Business Meeting of the World Science Fiction Society was held to confirm the agenda for the Main Business Meeting, which will be held on Friday. 

I did not attend the Preliminary Meeting nor do I intend to go to the Main Business Meeting. 

The Business Meeting and I became first acquainted in 1999 at Aussiecon 3 and parted bitterly at the Dublin Worldcon in 2019 and I, dear reader, was the plaintiff.

Back on November 22nd, File 770 published a link to Nicholas Whyte’s analysis of the 2021 WSFS Business Meeting’s Hugo Award Study Committee, which, over the past several years, has been charged with recommending rule and category changes to the WSFS Constitution.

What they have done is left a trail of obfuscation, hand-wringing and utter disdain for the proposals that came before them. I should know, I was one of the people doing the proposing. 

It was only through the persistence of myself and a dedicated group of supporters and collaborators that any changes have been made at all. They have my undying gratitude for all the time and effort they have put into getting those changes through the arduous process of being ratified.

As many of you regular readers may know, I was one of the main proponents of the Young Adult Book Award, now known as the Lodestar Award. 

And, as one of the more recent additions to the WSFS Constitution, the Lodestar Award is up for re-ratification this year. I support its continuation, even though I, and many other people, would prefer it be recognized as a full-fledged Hugo Award category, as it was originally intended.

Reading Nicholas Wyhte’s comments on this year’s Business Meeting agenda stirred up some strong feelings within me.

Specifically, I have found that many times, the proposals that had been made and debated online in advance of the Business Meeting, most egregiously in the case of the Young Adult Book Award, there were motions to delay debate on or outright reject proposals with BM sanctioned committees, like the Hugo Award Study Committee mentioned by Mr. Whyte, for the sole purpose of obstructing and eventually killing any possibilities for new award categories. 

There have been arguments that any new award proposals should be accompanied by evidence or statistics that would support a new award. The people making these objections claim they are doing so to protect the integrity of the Hugo Awards but know that such evidence is either hard to collect or nearly impossible to produce. 

As any mathematician worth their salt will tell you that a negative cannot be proven. The only appropriate way to see if a proposal is viable is to persuade a Worldcon committee to use its special award privilege as specified in the WSFS Constitution:

3.3.19: Additional Category. Not more than one special category may be created by the current Worldcon Committee with nomination and voting to be the same as for the permanent categories. The Worldcon Committee is not required to create any such category; such action by a Worldcon Committee should be under exceptional circumstances only; and the special category created by one Worldcon Committee shall not be binding on following Committees. Awards created under this paragraph shall be considered to be Hugo Awards. 

In the past decade, the members of the Business Meeting have taken very swift action on some issues when there has been a consensus that something needed to be done.

Per wit; the Fancast Award and Best Series Award were fast tracked through the process without too much resistance and legislation was quickly passed and ratified during the Angry/Sad/Rabid Puppy Crisis to deter a rash of slated voting.    

In the meantime, the Young Adult Book Hugo Award proposal languished in committees and discussion groups as they argued over the worthiness of honoring a branch of literature that the Locus and Nebula Awards have no problem honoring previously for many years. 

The Lodestar Award, sans it’s Hugo Award status, finally debuted in 2018. 

As I have argued over the past twenty one years, the Hugo Awards NEED to evolve and change with the times lest they become irrelevant and obsolete in our cultural landscape. And when I say change, which includes the categories I had a hand in creating, the Long and Short Form Best Dramatic Presentation, Short and Long Form Editing and Best Graphic Story or Comic (which, upon further reflection, NEEDS the term Manga added to the title to expand and clarify the category’s reach).

In examining its record over the past few years, I too have concluded that the Hugo Award Study Committee has been a dismal failure, having accomplished nothing except squelching debate on new categories and delaying vitally needed reforms for a whole host of issues, including categories I mentioned above and the Best Fan and Professional Artist categories as well. 

As Mr. Whyte mentioned in his blog post, the Lodestar Award is up for a final ratification for a permanent spot on the Hugo Awards ballot. I have every expectation that it will be ratified, seeing that it has more than proved its worthiness having averaged well over 500 nominating ballots over the past four years. 

I am also of the opinion that if the Lodestar Award were struck down by the Business Meeting, it would not only be a black eye for the fannish community and it would also invite a backlash from the wider Young Adult readers around the world.

The other measure up for re-ratification is the Best Series Award; I expect that it too, will be a permanent fixture on the ballot, at least until the literary quality of the series being nominated falls off.

The move to limit a television or a streaming series to a single nomination (instead of the current limit of two) is probably a mistake because it will restrict the voting for two connected, serialized episodes, which I think would be profoundly unfair. The only upside I can see is that more people will start nominating an entire mini-series or a season of a series in the BDP Long Form category, something that I have been advocating people to do, even at the expense of some of the longer eligible films. 

The solution to this particular conundrum would be to redefine the Best Dramatic Presentation into Best Series and Best Film categories, with a third category for very short items of under one hour’s running time. (This solution was actually submitted to the Business Meeting by myself and Vincent Docherty way back in 2015 when we were both members of another “Hugo Award Committee”. It was summarily dismissed and subsequently ignored.)  

While I enthusiastically support the idea of a Best Audio Book award, I am afraid that it will either be voted down not to be considered or, if they’re lucky, relegated to a study committee where it will either be hashed around for several years or ignored and discarded. 

I have a word of advice to Michele Cobb and Nicole Morano, the fans who proposed the Best Audio Book Award. The only way to advance your idea is to show up with enough supporters to advance your amendment past the Preliminary Meeting to get to the Main Meeting and hope for some spirited debate between yourself and them. 

If you fail, my advice to you is to be PERSISTENT. Show up and keep showing up.

If not this year, then next year and the year after that. Wear them down until they actually listen to you. Persuade people. Build coalitions. Spread the word. Build a groundswell of support among fans of audio books.

And, if you love your idea and believe in it, do not retreat and never, ever, surrender to the naysayers.

Good Luck!

Estimated Onsite Head Count: Still unknown

Luminaries Sighted: Geez, EVERYBODY, I think.

Pixel Scroll 5/16/21 The Dinosaurs That Fall On You From Nowhere

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(1) DESIGNS FOR THE TIMES. Jane Frank reviewed a portfolio project by famed sff artist Richard Powers as a vehicle for studying his career and influence: “Richard Powers: The World of fFlar” at NeoText.

…Powers happily obliged, by portraying the Portfolio as a single story told in 16 (17, if you include the cover) illustrations even though the very first painting reproduced in the portfolio, The Ur-City of fFlar, cropped on the right, began life in 1958 as the cover to the fourth in a popular digest anthology series Star Science Fiction, edited by Frederik Pohl. And the same image served further duty, cropped on the left side this time, as the cover for The Deep by John Crowley, published by Berkley, 1976.

This use, and re-use of imagery, I should add, was common for Powers’ – who excelled in “re-purposing” his art, both to gain monetarily from additional usages, but also to save time. He had no qualms about cutting up and pasting portions of existing artworks in order to fashion “new” illustrations, and publishers either didn’t realize it, or didn’t care. Not only the images themselves, but also certain compositional elements, can be spotted on other covers, as if both publishers and Powers himself enjoyed creating variations on a favored theme . . . and there are fans of Powers’ art who make a sport out of discovering such connections. The humorous caption for The Ur City of fFlar indeed suggests that Powers was well aware of several uses to which one painting could be put:

Jane Frank also did an analysis of the paperback covers and other works of an iconic sff artist in “Paul Lehr: Unexpected Rhythms” at NeoText.

binary comment

…Freed from the need to produce garish imagery designed to lure adolescent readers to buy magazines, Lehr soon developed his own unique voice and palette.

One of Lehr’s studio experiments ended up being his first published cover.

“I constructed spaceships out of wire, cardboard toilet paper tubes, ping pong balls and the like, making strange looking ships. I painted them silver and white, and hung them up as still lifes against dark backgrounds, shining a strong light upon them, embellishing them with stars, bursts of fire, and other bits of painterly cosmic excitement. I also bought model kits and assembled them in crazy ways. A B-17 would become a moonlander or shuttleboat.” (Visions of Never” 2009)…

(2) INCREDIBLE BABEL. Cora Buhlert’s latest contribution to Galactic Journey is a review about the brand-new-in-1966 novel Babel-17 by Samuel R. Delany: “[MAY 16, 1966] SPIES, POETS AND LINGUISTS: BABEL-17 BY SAMUEL R. DELANY”

With so much grim news in the real world, you just want to escape into a book. So I was happy to find Babel-17, the latest science fiction novel by Samuel R. Delany, in the spinner rack at my local import bookstore. The blurb promised a mix of space opera and James Bond style spy adventure, which sounded right up my alley….

(3) JOHNNY B BAD. “The Ballad of Russell & Julie”, performed a decade ago, is a hysterical “Musical Tribute to the Creators of the Rebooted ‘Doctor Who’ Series” as Laughing Squid explains. It’s newsworthy for a line that alludes to the kind of behavior which saw John Barrowman back in the headlines this week. (Around the 2:02 mark.)

During a Doctor Who wrap party in 2011, actors David Tennant, Catherine Tate, and John Barrowman performed “The Ballad of Russell and Julie,” a musical tribute to Russell T. Davies (RTD) and Julie Gardner, the creators of the new version of Doctor Who, which was first broadcast ten years ago today. The tribute pokes gentle fun at RTD’s smoking uncertainty and Gardner’s incredible confidence.

(4) PREDICTING STAR TREK. And there’s still time for you to add your guess to Galactic Journey’s poll about what that soon-to-premiere TV show Star Trek will be like. (Is the second choice below really a title? It looks like a code off my phone bill.)

(5) WELL-MET IN LAKE GENEVA. James Maliszewski, who runs the RPG blog Grognardia, has dug up a 1976 report about GenCon IX by none other than Fritz Leiber:  “Fritz Leiber at GenCon”.

Earlier this month, I posted an image of an article penned by author Fritz Leiber that appeared in the San Francisco Examiner on September 5, 1976. Leiber recounts his experiences as guest of honor at GenCon IX and, as one might expect, what he writes is of great interest. He begins by briefly recounting the recent history of wargaming, starting with the publication of Gettysburg by Avalon Hill in 1958. (Why he starts there rather than with Tactics in 1954, I am not sure) 

Moving on from that, he speaks of GenCon, the “oldest gathering of tabletop generals in America,” which is “held at the pleasant Wisconsin resort-town near Chicago.

(6) ESFS AWARDS OPEN. The European Science Fiction Society is gathering nominations for the Next ESFS Awards.

Nominations are now open for the ESFS Awards that will be held at the 2021 Eurocon in Fiuggi, 15th to 18th July. The last day nominations will be accepted is Tuesday 15th June 2021. This is also the last day that bids for future Eurocons will be accepted for discussion in the Business Meeting, and the last day that topics to be raised in the Business Meeting will be accepted.

There should only be a single nomination from each country, as selected by their own rules. In the event of multiple nominations from one country, only matching nominations or nominations without a competing name will be accepted. In the event that all ballots from one country contain different names, there will be no nominees accepted for that country.

Nominations are made for a country by representatives of that country. If you are not familiar with how your country chooses its nominations, the EuroSMOF Facebook group is a good place to connect with other Eurocon attendees from your country.

Before nominating, read the list of current awards and their requirements, and the Awards FAQ.

(7) MONSTROUS FUN FOR TOURISTS. Travel Awaits encourages you to come and look for yourself: “Unicorns, Kelpies, And Wulvers: 7 Of Scotland’s Most Captivating Mythical Creatures”.

You probably know about the Loch Ness Monster, but have you ever heard of kelpies or wulvers?

Scots are legendary storytellers (they even host an International Storytelling Festival), and their culture is rich with imaginary creatures — or, perhaps, creatures not so imaginary… Here are some of my favorites. 

1. Unicorns 

No list of Scottish mythical creatures would be complete without mentioning Scotland’s national animal — the infamous unicorn, which adorns the country’s royal coat of arms. In Celtic mythology, the unicorn represents both purity and power, innocence and dominance. The creature has been part of Scotland’s ethos for centuries….

Pro Tip: Unicorns are ubiquitous in Scotland! The Palace of Holyroodhouse, Edinburgh Castle, Craigmillar Castle, and St Giles’ Cathedral — all in Edinburgh — sport unicorns. But, really, anywhere you go in Scotland, you can find a unicorn. Consider visiting on National Unicorn Day (celebrated on April 9) to get your unicorn fix. 

(8) FOLLOW THE BOUNCERS. On “The Muppet Show” on Saturday Night Live: “Security! Security!  Statler and Waldorf are causing trouble again!”

(9) RITTENHOUSE OBIT. Juris doctor, conrunner and Sidewise Award judge Jim Rittenhouse (1957-2021)  died May 16.

Steven H Silver paid tribute on Facebook.

I woke up to the news that my longtime friend and fellow Sidewise Award judge Jim Rittenhouse has lost his final battle. Jim welcomed me into fandom early and we discovered our shared love for alternate history. While working on my first Windycon under the auspices of the late Ross Pavlac, Ross was listening to Jim and me discuss alternate history and at the next meeting he presented each of us with Captain Midnight decoders, so he would be able to understand what we were talking about in the future.

Eventually Jim founded the Apazine Point of Divergence, which I was a founding member of and stayed with for a while. I later invited Jim to become a judge for the Sidewise Award for Alternate History, for which he was one of the longest serving judges.

Jim had a deep and personal interest in Chinese history and last year when I was working on my story “The Prediscovered Country,” we discussed the history of the Ming Dynasty to figure out what a Chinese colony in Australia would look like. In return, I modeled the Dutch character De Bruijn after Jim.

There will probably be a memorial service for Jim at either Windycon or Capricon.

May his memory be for a blessing.

(10) MEMORY LANE.

  • 1953 – Sixty-eight years ago, Alfred Bester’s Demolished Man wins a Hugo for Best Novel. It was first serialized in three parts, beginning with the January 1952 issue of Galaxy Science Fiction. The novel is dedicated to Galaxy’s editor, H. L. Gold, who made writing ideas to Bester. Bester’s suggested title was Demolition!, but Gold talked him out of it. It would be his only Hugo Award. 

(11) TODAY’S DAY.

National Mimosa Day – They’re celebrating the six-time Hugo-winning fanzine at Fanac.org.

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born May 16, 1918 – Colleen Browning.  Set designer, illustrator, lithographer, painter.  A Realist in the face of Abstract Realism and Abstract Expressionism, she later turned to Magic Realism blurring the real and imaginary.  Here is Union Mixer.  Here is Mindscape.  Here is The Dream.  (Died 2003) [JH]
  • Born May 16, 1920 – Patricia Marriott.  Cover artist and illustrator, particularly for Joan Aiken; a score of covers, as many interiors.  Here is Black Hearts in Battersea.  Here is A Small Pinch of Weather.  (Died 2002) [JH] 
  • Born May 16, 1925 – Pierre Barbet.  Author and (under another name) pharmacist.  Towards a Lost Future; Babel 3805; space opera, heroic fantasy, alternative history. In The Empire of Baphomet an alien tries to manipulate the Knights Templar; in Stellar Crusade the knights go into Space after him; six dozen novels, plus shorter stories, essays.  (Died 1995) [JH]
  • Born May 16, 1937 —  Yvonne Craig. Batgirl on Batman, and that green skinned Orion slave girl Marta on “Whom Gods Destroy” on the original Trek. She also one-offs in The Man from U.N.C.L.E., The Wild Wild West, Voyage to The Bottom of the Sea, The Ghost & Mrs. Muir, Land of the Giants, Fantasy Island and Holmes and Yo-Yo. (Died 2015.) (CE)
  • Born May 16, 1942 – Judith Clute, age 79.  Two dozen covers, thirty interiors.  Here is the Dec 90 Interzone.  Here is Chip Crockett’s Christmas Carol.  Here is Pardon This Intrusion.  Here is Stay.  [JH]
  • Born May 16, 1944 — Danny Trejo, 77. Trejo is perhaps most known as the character Machete, originally developed by Rodriguez for the Spy Kids films. He’s also been on The X-Files, From Dusk till Dawn, Le Jaguar, Doppelganger: The Evil Within, From Dusk Till Dawn 2: Texas Blood Money, Muppets Most Wanted and more horror films that I care to list here. Seriously he’s really done a lot of really low-budget horror films. (CE)
  • Born May 16, 1953 — Pierce Brosnan, 68. James Bond in a remarkably undistinguished series of such films. Dr. Lawrence Angelo in The Lawnmower Man,and he was lunch, errr, Professor Donald Kessler in Mars Attacks! and Mike Noonan in Bag of Bones. (CE) 
  • Born May 16, 1953 – Lee MacLeod, age 68.  Four dozen covers, plus interiors, for us.  Lee MacLeod SF Art Trading Cards.  Batman, Howard the Duck, Pocahontas (i.e. Disney’s).  Air Force Art Program.  Here are two covers for The Mote in God’s Eye from 1993 and 2000.  For his fine art e.g. plein air, see here.  [JH]
  • Born May 16, 1962 — Ulrika O’Brien, 59. A Seattle-area fanzine fan, fanartist, con-running fan, and past TAFF winner. Her list of zines in Fancyclopedia 3 is quite amazing —  Fringe, Widening Gyre and Demi-TAFF Americaine (TAFF Newsletter). Her APAzines include Mutatis Mutandis, and APA memberships include APA-L, LASFAPA, Myriad and Turbo-APA. U. O’Brien won Best Fanartist in the 2021 FAAn (Fan Activity Achievement) Awards. (CE) 
  • Born May 16, 1968 — Stephen Mangan, 53, Voiced Bigwig, Silverweed and Shale in the 1999 Watership Down series, Green Javelins in the Hyperdrive SF comedy series, and Dirk Gently in that series after the pilot. (CE) 
  • Born May 16, 1969 — David Boreanaz, 52. Am I the only one that thought Angel was for the most part a better series than Buffy? And the perfect episode was I think “Smile Time” when Angel gets turned into a puppet. It even spawned its own rather great toy line including of course an Angel puppet. (CE) 
  • Born May 16, 1978 – Marion Poinsot, age 43.  Illustrator of comics, role-playing games.  In the audio series The Keep [«le donjon»] of Naheulbeuk by John Lang, here is MP’s Quilt of Oblivion; here is Chaos Under the Mountain.  Here is a poster for her Nina Tonnerre.  Here is Perle the black dragon.  [JH]

(13) COMICS SECTION.

(14) AUDIO FICTION. The latest episode of the Simultaneous Times podcast from Space Cowboy Books includes Jean-Paul Garnier reading Cora Buhlert’s short story “Little Monsters” and “Hidden Underneath” by Toshiya Kamei.

(15) WORKING ON THE RAILROAD. In the Washington Post, Stuart Miller interviews five actors on The Underground Railroad about their work on the Amazon Prime show. “Filming ‘The Underground Railroad’ was grueling. But the cast grasped ‘the weight of what we were doing.’”

…So while Mbedu always felt well cared for during filming — there was a guidance counselor on set “to bring me back to myself,” she says, and Jenkins himself “was always checking up on me” — the supportive cast and crew understood that putting on the chains and the burdens of being Black in antebellum America naturally took a toll.

“I had to have tricks, like moving through the set with my eyes downcast, so that when I opened my eyes I’d be experiencing everything only as Cora, because otherwise it would be too much for Thuso to take in,” Mbedu says.

The South African actress grew up in the immediate aftermath of apartheid and, like Cora, lost her parents at a young age. But she drew a sharp border between her life and Cora’s, relying on “a whole lot of research” to bring the character’s vocal, physical and psychological journey to life.

“The one time in the past where I made the mistake of trying to draw from my own experience, my brain went, ‘That was too traumatizing, we’re shutting down now.’ I can empathize, but I cannot personalize because it’s too traumatic to relive.”…

(16) IRREPLACEABLE. The Guardian gets Patrick Ness’ reaction to various books he’s read. One genre author stands out: “Patrick Ness: ‘Terry Pratchett makes you feel seen and forgiven’”.

My comfort read
Discworld by Terry Pratchett. I am always at some point through the cycle (I’m currently on The Thief of Time). They’re not only gloriously funny, they’re humane in a way that makes you actually feel seen and forgiven, with all your faults. He was a one-off, Sir Terry. When I finish reading them through, I simply put the last book down and pick the first one up again.

(17) GREATEST OF ALL TIME TRAVEL. Ryan Britt makes a daring claim at Inverse: “The best time-travel show of all time is streaming for free right now”. And that show is? Quantum Leap!

…Trying to figure out the actual sci-fi rules of Quantum Leap is a bad idea. As stated in the voice-over, Sam Beckett “stepped into the quantum leap accelerator and vanished.” The premise of the series is that his consciousness is transferred into various people’s bodies — regardless of gender — throughout time. Once Sam shows up in one of these bodies, a holographic projection from his associate Al (Dean Stockwell) advises him on what he’s supposed to accomplish in whatever historical period he’s found himself in.

Basically, Quantum Leap is a paint-by-numbers science fiction drama. Every episode begins with Sam trying to acclimate to his new body, while Al tells him the stakes. Despite the fact that Al is assisted by a super-computer named “Ziggy,” there’s never a clear path for what Sam is supposed to do. His essential mission — which is ill-defined — is to “set right what once went wrong” — but what that means exactly is relatively opaque until the end of each episode. This makes zero sense. It’s also brilliant.

[Thanks to John Hertz, Andrew (not Werdna), Mike Kennedy, Andrew Porter, Martin Morse Wooster, JJ, Michael Toman, Cora Buhlert, John King Tarpinian, Rich Lynch, and Cat Eldridge for some of these stories. Title credit goes to contributing editor of the day OGH.]

Dublin 2019 Photos by Rich Lynch — Sunday

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This is the guy who kept me in fandom 33 years ago

… but that’s another story. (Kees Van Toorn)

More pictures by Rich Lynch after the jump.

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Worldcon Wayback Machine: Saturday at MagiCon (1992) Day Three

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The 1992 Hugo Award. Each of the MagiCon Hugo awards was hand crafted by Phil Tortorici from a design by Phil and Joe Siclari. A certificate on the back of each award explained that the orange grating came from the actual NASA gantry used for the first successful launch of a U. S. orbiting satellite. Photo found at Aaron Pound’s “Dreaming About Other Worlds” website.

INTRODUCTION: Twenty-five years ago MagiCon was held in Orlando, Florida. A great con, and I thought it would be fun to reprint the report I ran in File 770. Here is the third of five daily installments.

The Worldcon was held in the Orange County Convention and Civic Center, The Peabody Hotel, and The Clarion Hotel.

PASSING IN THE HALLS: Saturday morning in the Green Room I noticed that Jay Kay Klein, of all people, had yet to pick up his “Past Worldcon Guest of Honor” ribbon. Yet he was the fellow who’d taken me aside at ConFiction to say he wanted Worldcons to start distributing them. Janice Gelb did give him a VIP ribbon. He already had a “lost kid” ribbon from a theme park, and said he hoped to get one for “Meritorious Eating At Worldcon Banquets.”

Highlighting “The Spanish Inquisition” panel of Worldcon bidders was an exchange between NESFAns. Tony Lewis said a 1998 Worldcon in Boston “is not going to be Noreascon 3 mark 2.” Ann Broomhead agreed, “Mark wouldn’t stand for it.” Deb Geisler said, “We won’t make the same mistakes.” Tony Lewis enthusiastically agreed, “We’ll make a whole new lot of mistakes, in new areas. We’re going to be the first people to make mistakes in these areas.”

Tony Lewis at MagiCon. Photo by Lenny Provenzano.

POCKET PROGRAM: Kathryn Daugherty snorted: “Did you actually carry around that mammoth publication in your pocket? Even my purse wasn’t big enough and somewhere in there is the map to the Lost Dutchman Mine and Judge Crater’s phone number.”

It was a great line, but doesn’t withstand close inspection. Nothing more ambitious than a barebones list of titles and times could encompass the Worldcon in anything that would fit in a pocket. Laurie Mann’s “pocket program” delivered program information, function area maps, lists of participants, a dealer’s room guide and film and video schedules in a lightweight zine that was both easier to carry than the Program Book and much more accurate than if it had been sent to press with the Program Book.

Pam Fremon, Laurie Mann, and Jim Mann in the MagiCon concourse. Photo by Mark Olson.

HUGO AWARDS CEREMONY: Eve Ackerman was in the Green Room distributing Hugo Award nominee ribbons and gold-colored nominee rocket pins to people waiting to march in at the start of the ceremony. Alexis Gilliland, in a peach-colored jacket, sat at a table presiding over regiments of plastic dinosaurs marching abreast on the tablecloth: he looked like a Devonian-era Doctor Doolittle.

George “Lan” Laskowski at Chicon V with his 1991 Best Fanzine Hugo.

Many other fans also looked like they could “talk to the animals.” Diana Harlan Stein arrived in a green jumpsuit wearing a blue cap with horns. George Laskowski kept his raccoon hat stashed nearby.

Gardner Dozois had graduated to a salt-and-pepper gray sports jacket, more befitting the leading magazine editor. Mark Owings wore a paisley tie, and said, “My ‘power tie’, I call it, but what it gives me power over I don’t know.”

The crowd was called to order so that artist Phil Tortorici could display the 1992 Hugos, gold-plated, on his beautifully-made bases. He’d hand-painted an astronomical scene on each black stone backdrop; the rockets rested on little squares of orange grating which came from the actual Pad 29 that was used to launch America’s first satellite. Tortorici’s bases are the finest since 1976, and only he and Tim Kirk have achieved the goal of making the awards real works of art.

Spider and Jeanne Robinson at MagiCon. Photo by Lenny Provenzano.

After the procession of the nominees, emcee Spider Robinson was on the job again in top hat, tails and with a walking stick. “They misunderstood: they thought I some kind of comedian, but that’s ‘Canadian’.”

No, they were right — he is a comedian. Robinson charmed the audience with two-liners like: “When cordless phones went on sale I bought one because it had one feature I liked — a button to turn off the ringer. It’s in my house somewhere…” In fact, that wasn’t the only thing in the house he needed help finding. “I need a VCR that when you switch it on the remote control announces where it is.”

Spider called for the audience to applaud the three GoH’s, “all of whom declined to give a speech.” Then the awards began.

Andre Norton presented the Gryphon Award for Beginning Women Writers to Eleanor Scabin, and gave honorable mention to Terry McGarry.

Andre Norton at the 1987 World Fantasy Con.

The Big Heart Award, presented annually by Forrest J Ackerman in memory of E. Everett Evans, has been assured of surviving its septuagenarian founders Ackerman and Walt Daugherty. Forry has arranged that in the future the Order of St. Fantony will co-sponsor the presentation. The 1992 award went to Samantha Jeude, a founder of Electrical Eggs (concerned about handicap access at cons) and one of the award’s rare women winners. Exasperatedly, Samantha said it’s the second award she’s won and again her husband, Don Cook, wasn’t there to see it. “He’s off doing Worldcon garbage,” she explained: chair of the Atlanta bid, Cook was counting site selection votes. [Photo below: Samanda Jeude in 2010, by Don Cook.]

Samanda Jeude

Dave Kyle presided over the First Fandom Hall of Fame Awards. If only by coincidence, in 1991 only a single First Fandom award was given at Chicon following controversy over the way multiple awards inject an unwanted 15-minute delay before the Hugos. But in 1992 the group slipped its bridle and announced three.

Kyle said the Hall of Fame awards are given to people for accomplishments in sf before the creation of the Hugos in 1953. There is a preference for giving them to the oldest deserving candidates in hopes of avoiding posthumous awards, and all but twice the group has succeeded.

Forry Ackerman presented a Hall of Fame Award to Art Widner. Jack Williamson announced one for Nelson Bond, who wasn’t present. Julie Schwartz announced an award for J. Harvey Haggard, which was accepted by Sam Moskowitz.

Forrest J Ackerman, Dave Kyle, and Michael Whelan, at a MagiCon post-Hugo party. Photo by Lenny Provenzano.

Then again, there was no hurry to start announcing Hugos anyway because on deck was a 15-minute retrospective slide show.

“50 Worldcons Remembered” was a brilliant image collage of Program Book covers, ads, photos and illustrations, Hugo trophies, winning Best Novel covers and other memorabilia presented in chronological order and paced by dramatic music. At the outset there was a trickle of applause for recurring motifs — Dave and Ruth Kyle’s clever ads in each Program Book — that built as more fans recognized cons they personally attended or helped run. It was an outstanding retrospective.

Now came the main awards. Stanley Schmidt kicked things off by giving the John W. Campbell Award for best new writer to Ted Chiang. The award was accepted by Eileen Gunn, who got a laugh claiming to be using a speech left over from the last time she accepted an award (for Howard Waldrop), which was: “Howard says — buy his books!”

The committee showed slides of the nominees’ names on the auditorium screen intended to be synchronized with Spider Robinson’s reading. But Spider appeared completely unrehearsed in this. After cycling through the Best Fanartist images twice while Robinson stood by obviously confused, Marty Gear as the “voice from above” had to explain the concept. It was an omen.

Brad Foster, Best Fanartist Hugo winner, noted it was the first time he had been present to receive one of his Hugos.

Dave Langford’s Best Fanwriter Hugo was accepted by Martin Hoare. He had done this before and knew when he called Dave in England with the news the appreciative response would be: “You bastard — I was fast asleep!”

[Dave Langford wrote me later that the way it really went down was: “He rang from a party in Florida to say, ‘Crackle crackle bleep British double belch fade click Hugo crackle crackle Glasgow whirr click can’t afford to talk to you any longer, Dave!’ Gosh wow.”]

Martin Hoare at MagiCon. Photo by Mark Olson.

The ceremonies derailed when Spider ripped open an envelope and read that Lan’s Lantern won the Best Fanzine Hugo. While Robinson was placing the trophy in George Laskowski’s hands, on the screen behind him flashed a slide that the winner was Mimosa, edited by Dick and Nicki Lynch. Beside me, Janice Gelb cringed just like at Raiders of the Lost Ark when I warned her the face-melting scene was coming. Laskowski briefly said, “Thank you,” and got offstage because he’d seen Mimosa on the award plaque, too.

As Joe Siclari and others excused themselves from the audience and headed backstage to investigate, several more Hugos were given. Locus won Best Semiprozine. Michael Whelan accepted the Best Professional Artist Hugo, confessing “With so many artists in the field doing so much excellent work I feel like a thief taking this award. Nevertheless I accept it.” Gardner Dozois received another Best Professional Editor Hugo.

Now, a shaken Spider Robinson revealed that Mimosa was the correct Hugo-winning fanzine and was joined by Laskowski to turn over the trophy to Dick and Nicki Lynch. The mistake was reminiscent of the year Asimov accidentally announced Gene Wolfe’s “Island of Dr. Death” had won the Nebula, disbelieving that No Award (the correct result) had finished first and naming instead the second item listed. The only remotely comparable mistake at any other Hugo ceremonies happened in 1985 when the slide operator (of course) flashed that John Varley’s short story won before the emcee even announced the nominees. Laskowski has won two Hugos in the past — and showed extreme grace in surrendering MagiCon’s Hugo to the Lynches.

Not that the comedy of errors was over. Completely in shock, Dick Lynch reached the stage alone and gazed at the shadowy auditorium doors hoping to see his wife, Nicki, who had made a quick trip out of the room after the fanzine Hugo had been given. “I wish my wife could be here. What do I do?” Dick seemed even more lost without his spouse than did Samantha Jeude, which permanently endeared him to women who commented about it later.

Another couple of Hugos were given. A representative of James Cameron’s company accepted the Best Dramatic Presentation Hugo on behalf of Terminator 2. Michael Whelan claimed another Hugo in the Best Original Artwork category for the cover of Joan Vinge’s The Summer Queen.

“The Summer Queen” by Michael Whelan.

When Spider Robinson paused to find his place our claque of fanzine fans sitting in the VIP seats noticed Nicki Lynch was back. “Bring back Nicki Lynch!” shouted Moshe Feder, and Janice Gelb. Some stood up to yell. My God, even Andy Porter stood up and shouted through cupped hands, “Bring up Nicki Lynch!” It was like a Bud Greenspan documentary, like the end of It’s a Wonderful Life. Spider agreed, “That’s an excellent idea,” and both editors of Mimosa finally had their proper moment together at the Hugo Awards.

Rich Lynch, “Lan” Laskowski, and Nicki Lynch after the MagiCon Hugo ceremony. Photo by Lenny Provenzano.

When the Best Nonfiction Book Hugo went to The World of Charles Addams Spider tried to recover his humorous stride. “The award will be accepted by ‘Hand’….”  Yelled the audience, “That’s ‘Thing’!”

The main fiction Hugos came last. Best Short Story went to Geoffrey Landis’ “A Walk in the Sun.” Best Novelette was posthumously accepted for Isaac Asimov’s “Gold” by Janice Jeppson Asimov. Nancy Kress’ “Beggars in Spain” won Best Novella and Moshe Feder told us, “I voted for a winner — that never happens!”

Kress’ speech was both endearing and emotional. She recalled George R.R. Martin’s acceptance speech at the 1980 Hugos and how he described sitting in some even more ancient Hugo audience and receiving inspiration to strive to win his own. She admonished those in the back of the audience to listen to their heart, as she had, and “Go for it!” themselves.

Finally, Lois McMaster Bujold was rewarded once again with a Best Novel Hugo, for Barryar.

Nancy Kress and Lois McMaster Bujold at MagiCon. Photo by Lenny Provenzano.

People surged out of the awards looking for Laskowski, the Lynches and Spider, to console, congratulate or cross-examine. Robinson spent the evening wearing the erroneous card, listing Lan’s Lantern, around his neck on a string to prove it wasn’t his fault. Reportedly, calligraphers had specially prepared cards with every nominee’s name and title. They were told to do all of them, since the actual winners were a secret — and somehow the wrong card got included in the award-winner envelopes delivered to Spider.

Hugo Award winners. l-r: Toastmaster Spider Robinson (tux), Hugo Award designer Phil Tortorici, Charles N. Brown, Janet Jeppson for Isaac Asimov, Gardner Dozois, unidentified accepter for James Cameron, Michael Whelan, Martin Hoare for Langford, Nicki & Dick Lynch. Seated: Geoffrey Landis, Nancy Kress, Lois McMaster Bujold, and Eileen Gunn for Ted Chiang. Photo by Lenny Provenzano.

1992 Hugo Winners

Best Novel

  • Barrayar by Lois McMaster Bujold [Analog Jul,Aug,Sep,Oct 1991; Baen, 1991]

Best Novella

  • “Beggars in Spain” by Nancy Kress [Asimov’s Apr 1991; Axolotl, 1991]

Best Novelette

  • “Gold” by Isaac Asimov [Analog Sep 1991]

Best Short Story

  • “A Walk in the Sun” by Geoffrey A. Landis [Asimov’s Oct 1991]

Best Related Non-Fiction Book

  • The World of Charles Addams by Charles Addams [Knopf, 1991]

Best Dramatic Presentation

  • Terminator 2: Judgment Day (1991) [Carolco/Lightstorm/Pacific Western] Directed by James Cameron; Written by James Cameron and William Wisher, Jr.

Best Professional Editor

  • Gardner Dozois

Best Professional Artist

  • Michael Whelan

Best Original Art Work

  • Cover (The Summer Queen by Joan D. Vinge) by Michael Whelan

Best Semiprozine

  • Locus ed. by Charles N. Brown

Best Fanzine

  • Mimosa ed. by Dick Lynch and Nicki Lynch

Best Fan Writer

  • Dave Langford

Best Fan Artist

  • Brad W. Foster

CONTINUES: Worldcon Wayback Machine Sunday at MagiCon (1992) Day Four

Oscar Gaffe Brings Back Memories of SF Award Blunders

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Bonnie & Clyde’s 50th anniversary moment at the Oscars was overshadowed when Best Picture presenters Warren Beatty and Faye Dunaway announced La La Land instead of Moonlight, the correct winner.

Beatty told the audience that they had read the wrong envelope, saying that he saw that Emma Stone won for La La Land, who was actually the winner for best actress. Dunaway had read the winner before Beatty could stop her.

“I opened the envelope and it said ‘Emma Stone, La La Land.’ That’s why I took such a long look at Faye, and at you. I wasn’t trying to be funny,” Beatty assured everyone, after admitting to the mistake and explaining that they had the wrong envelope

Fans immediately took to Facebook telling their friends it reminded them of the big mistake made during the Hugo ceremonies at Magicon in 1992.

As I wrote in my Worldcon report:

…The committee showed slides of the nominees’ names on the auditorium screen intended to be synchronized with Spider Robinson’s reading. But Spider appeared completely unrehearsed in this. After cycling through the Best Fanartist images twice while Robinson stood by obviously confused, Marty Gear as the “voice from above” had to explain the concept. It was an omen….

The ceremonies derailed when Spider ripped open an envelope and read that Lan’s Lantern won the Best Fanzine Hugo. While Robinson was placing the trophy in George Laskowski’s hands, on the screen behind him flashed a slide that the winner was Mimosa, edited by Dick and Nicki Lynch. Beside me, Janice Gelb cringed just like at Raiders of the Lost Ark when I warned her the face-melting scene was coming. Laskowski briefly said, “Thank you,” and got offstage because he’d seen Mimosa on the award plaque, too.

As [convention chair] Joe Siclari and others excused themselves from the audience and headed backstage to investigate, several more Hugos were given. Locus won Best Semiprozine. Michael Whelan accepted the Best Professional Artist Hugo, confessing “With so many artists in the field doing so much excellent work I feel like a thief taking this award. Nevertheless I accept it.” Gardner Dozois received another Best Professional Editor Hugo.

Now, a shaken Spider Robinson revealed that Mimosa was the correct Hugo-winning fanzine and was joined by Laskowski to turn over the trophy to Dick and Nicki Lynch. The mistake was reminiscent of the year Asimov accidentally announced Gene Wolfe’s “Island of Dr. Death” had won the Nebula, disbelieving that No Award (the correct result) had finished first and naming instead the second item listed. The only remotely comparable mistake at any other Hugo ceremonies happened in 1985 when the slide operator (of course) flashed that John Varley’s short story won before the emcee even announced the nominees. Laskowski has won two Hugos in the past — and showed extreme grace in surrendering Magicon’s Hugo to the Lynches.

Not that the comedy of errors was over. Completely in shock, Dick Lynch reached the stage alone and gazed at the shadowy auditorium doors hoping to see his wife, Nicki, who had made a quick trip out of the room after the fanzine Hugo had been given. “I wish my wife could be here. What do I do?” Dick seemed even more lost without his spouse than did Samantha Jeude [when she received the Big Heart Award], which permanently endeared him to women who commented about it later.

Another couple of Hugos were given. A representative of James Cameron’s company accepted the Best Dramatic Presentation Hugo on behalf of Terminator 2. Michael Whelan claimed another Hugo in the Best Original Artwork category for the cover of Joan Vinge’s The Summer Queen.

When Spider Robinson paused to find his place our claque of fanzine fans sitting in the VIP seats noticed Nicki Lynch was back. “Bring back Nicki Lynch!” shouted Moshe Feder, and Janice Gelb. Some stood up to yell. My God, even Andy Porter stood up and shouted through cupped hands, “Bring up Nicki Lynch!” It was like a Bud Greenspan documentary, like the end of It’s a Wonderful Life. Spider agreed, “That’s an excellent idea,” and both editors of Mimosa finally had their proper moment together at the Hugo Awards.

When the Best Nonfiction Book Hugo went to The World of Charles Addams Spider tried to recover his humorous stride. “The award will be accepted by ‘Hand’….”  Yelled the audience, “That’s ‘Thing’!”

…People surged out of the awards looking for Laskowski, the Lynches and Spider, to console, congratulate or cross-examine. Robinson spent the evening wearing the erroneous card, listing Lan’s Lantern, around his neck on a string to prove it wasn’t his fault. Reportedly, calligraphers had specially prepared cards with every nominee’s name and title. They were told to do all of them, since the actual winners were a secret — and somehow the wrong card got included in the award-winner envelopes delivered to Spider.

The 1992 drama reminded everyone of what happened to Gene Wolfe at the 1971 Nebulas because it was a well-known story, having been retold by Harlan Ellison in Again, Dangerous Visions. A few years ago I pulled together people’s accounts of that night —

However, nothing can rival Isaac Asimov’s ghastly mistake at the 1971 Nebula Awards ceremony. Nor has any other gaffe worked out better for the injured party in the long run.

On Saturday, April 3, 1971 the leading science fiction professionals were seated around banquet tables in New York’s Les Champs Restaurant watching Asimov hand out the Nebulas.

Asimov had been pressed into service at the last minute. While that was not a problem for anyone who loved an audience as much as the Good Doctor, it meant that he had little time to study the handwritten list of results. In those days the emcee was not only given the names of the winners, but the names of the runners-up, which he also announced.

When Asimov came to the Short Story category his eyes slipped over “No Award” and he read the first real name on the list — which was Gene Wolfe, author of “The Island of Doctor Death and Other Stories.”

As Wolfe stood up a SFWA officer promptly whispered a correction to Asimov. Asimov went pale and announced he’d made an error. There was “No Award” in the Short Story category. Wolfe sat back down.

Eyewitness Harlan Ellison (writing in Again Dangerous Visions) says everyone felt awful –

Around him everyone felt the rollercoaster nausea of stomachs dropping out of backsides. Had it been me, I would have fainted or screamed or punched Norbert Slepyan of Scribner’s, who was sitting next to me. Gene Wolfe just smiled faintly and tried to make us all feel at ease by a shrug and a gentle nod of his head.

Fortunately, the mistake was eventually redeemed. As the author explained:

A month or so after the banquet I was talking to Joe Hensley, and he joked that I should write “The Death of Doctor Island,” saying that everyone felt so sorry for me that it was sure to win. I thought about that when I got home and decided to try, turning things inside out to achieve a different story.

He did, and his novella “The Death of Doctor Island” won a Nebula in 1974.

While we now know how Asimov made his mistake, we probably don’t have the full and complete explanation for the Oscar mixup because Beatty’s on-camera explanation is being disputed.

Backstage, Stone claimed she had the card that announced her as best actress win “the entire time.”

“I don’t mean to start stuff,” she said. “But whatever story that was … I had that card. I’m not sure what happened.”

Mimosa #5 Online — At Last!

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Mimosa #5 cover by Alan Hutchinson.

Mimosa #5 cover by Alan Hutchinson.

Rich Lynch announces that after a mere 27 years the 5th (yes, Filers, fifth!) issue of Mimosa (August 1988) is now online in easy-on-the-eyes HTML.

The issue contains articles and essays by Robert Lichtman, Carolyn Doyle, Greg Hills, Dal Coger, Sharon Farber, Alan Hutchinson, and Nicki Lynch.  The Farber article is the very first in her long series of “Tales of Adventure and Medical Life” stories, while Alan Hutchinson’s article is an example of that great Southern Fandom tradition, the hoax convention report (though some of it actually happened).  Robert Lichtman gives us a glimpse onto what was perhaps the most successful commune settlement in the United States (it was simply known as “The Farm”), Nicki talks about her brief career as a coffee shop barista, and Dal Coger remembers fandom’s most eccentric character, the legendary Claude Degler.  In addition to all this, a Midwestcon 39 conversation between Howard DeVore, Lynn Hickman, Ray Beam, and Roger Sims informs us on “The Awful Truth About Roger Sims”.

This was the final issue that Nicki and I published from Chattanooga, and it’s more-or-less themed as a “Farewell to Tennessee” issue.  It’s all entertaining.  Hope you think so, too.

Mimosa won the Best Fanzine Hugo six times between 1992 and 2003. With many interesting fanhistorical articles – including autobiographical series by Dave Kyle, Forry Ackerman and Mike Resnick – its website is well worth a visit.

Detcon1 Day Two

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John Scalzi, Jim Hines, Steve Silver, Roger Sims, and Nicki Lynch at Detcon1. Photo by Rich Lynch.

John Scalzi, Jim Hines, Steven H Silver, Roger Sims, and Nicki Lynch at Detcon1. Photo by Rich Lynch.

Friday’s Detcon1 program item “Fanzines and Professional Writing” found Jim C. Hines, John Scalzi, Nicki Lynch, Roger Sims, and moderator Steven H Silver seeking the 21st century’s answer to a question raised at Detention, the 1959 Worldcon in Detroit (which Sims co-chaired):

At Detention a discussion by the editors of amateur magazines was sparked by Ed Wood asking, “Why weren’t fanzines as good as they once were and why were their writers no longer becoming top quality pros very often?” The panel lasted from about 11 p.m. Sunday until 4:30 a.m. What is the state of fanzines today? How have digital formats affected fanzines? What role do they have now in the career of a professional writer, especially compared to 50 years ago?

Rich Lynch and his camera captured the moment.