Norma K Hemming Award
2019 Finalists

The Norma K Hemming Award, under the auspices of the Australian Science Fiction Foundation (ASFF), has announced the 2019 finalists.

Designed to recognise excellence in the exploration of themes of race, gender, sexuality, class or disability in a published speculative fiction work, the jury of the Norma K Hemming Award considered dozens of entries published in 2018 across the long and short form categories, comprised of short fiction, novellas, novels, edited anthologies, collections, graphic novels and stage plays.

The finalists for the Short Fiction (stories up to 17,500 words) are:

  • “Pinion”, Stephanie Gunn (Aurum, Ticonderoga Publications)
  • “Triquetra”, Kirstyn McDermott (Tor.com)
  • “The Sea-Maker of Darmid Bay”, Shauna O’Meara (Interzone, TTA Press)
  • “With this Needle I Thee Thread”, Angela Rega (Aurum, Ticonderoga Publications)
  • “Shatterglass”, Susan Wardle (Aurum, Ticonderoga Publications)
  • “Knitting Day “, Jen White (Mother of Invention, Twelfth Planet Press)

The finalists for the Long Work category are:

  • Icefall, Stephanie Gunn (Twelfth Planet Press)
  • City of Lies, Sam Hawke (Tor Books / Transworld)
  • Catching Teller Crow, Ambelin Kwaymullina & Ezekiel Kwaymullina (Allen & Unwin)
  • The Second Cure, Margaret Morgan (Penguin Random House)
  • Mother of Invention, Rivqa Rafael & Tansy Rayner Roberts (Twelfth Planet Press)

The Norma K Hemming Award winners will be presented at Continuum 15 in Melbourne on Saturday June 8, 2019.

Pixel Scroll 1/27/19 My Daddy Was A Pixel – I’m A Son Of A Dot!

(1) ANDREW CARNEGIE MEDALS. No genre works were on the shortlist, so needless to say today’s Andrew Carnegie Medal winners were all non-genre books. The omnivorous readers among you might like to know what they are anyway:

(2) ST:D PREMIERE FREE FOR A SHORT TIME. Thanks to The Verge I learned: “You can now watch Star Trek: Discovery’s season 2 premiere on YouTube”.

According to ComicBook.com, the episode will be available for the next two weeks, long enough to serve as a reminder that the series is back,

(3) OUTSPOKEN AI. Tansy Rayner Roberts and Rivqa Rafael listed “5 Books that Give Voice to Artificial Intelligence” for Tor.com readers. Among their picks is —

The Tea Master & the Detective by Aliette de Bodard

The trouble with reading SFF is that you end up with amazing life goals that probably will not be attained during your own lifetime. It’s bad enough when a favourite book leaves you wanting a dragon librarian to be your best friend, or a magic school to invite you in when you turn eleven… and now I need a spaceship who brews tea in my life.

A really good cozy mystery balances rich characters with charmingly creepy murders, and de Bodard hits all the right notes in this wonderful, warm homage to Sherlock Holmes in which our detective is Long Chau, an angry and traumatised scholar, and her Watson is a calm, tea-brewing shipmind.

As with the original Watson, Long Chau’s story is told from the point of view of the detective’s friend, which allows a contrast between the detective’s technical brilliance, and our narrator’s emotional intelligence. Yes, the emotional work in the story is largely done by the spaceship. That’s how great it is. –Tansy

(4) HEMMING DEADLINE. If you’re going to nominate for the Norma K. Hemming Award, you need to get it done by January 31. Details at the website.

Designed to recognise excellence in the exploration of themes of race, gender, sexuality, class or disability in a published speculative fiction work, the Norma K Hemming award is open to short fiction, novellas, novels, anthologies, collections, graphic novels and stage plays, and makes allowances for serialised work.

Entry is free for all works, and entries may be provided to the judges in print or digital format.

Nominations are open to all relevant and eligible Australian work produced in 2018

(5) FOOD REVELATIONS. Fran Wilde did a class about “Fantastic Worldbuilding.” Cat Rambo tweeted the highlights.

Fran Wilde’s online writing class talks about how to build a vivid, compelling world in the context of writing about an event set in that world. For other Rambo Academy live classes, see http://www.kittywumpus.net/blog/upcoming-online-classes/

(6) BASED ON CIXIN LIU STORY. A trailer for The Wandering Earth has shown up on The Verge (“A new trailer for The Wandering Earth shows off a desperate plan to save the planet”). The film is slated for a limited release starting on February 8.

A new trailer for The Wandering Earth — described as China’s biggest science fiction movie ever — landed earlier this week, showing off an ambitious adventure that follows the efforts to save Earth after scientists discover that the sun is about to go out. 

The movie is based on a story by Chinese author Cixin Liu — who’s best known for his Three-Body Problem trilogy and last year’s Ball Lightning. While those books are huge, epic stories, The Wandering Earth is no less ambitious: when scientists realize that the sun will go out in a couple of decades, they hatch a desperate plan: to move the planet to Proxima Centauri. The construct thousands of giant engines to move the planet out of orbit, where it can then slingshot post Jupiter and out of the Solar System. 

And there was a previous trailer in December.

(7) THEY’D RATHER PLAY SOMEONE ELSE. Travis M. Andrews in the Washington Post tells about actors who really didn’t like their roles. People know Harrison Ford doesn’t like Han Solo, and Robert Pattinson apparently won’t like you if you tell him you really loved Twilight: “Penn Badgley thinks his ‘You’ character is a creep. Here are 5 other actors who hated the people they played.”

Robert Pattinson despises his iconic “Twilight” character, Edward Cullen, with a fury unlike any other. Pattinson has complained throughout so many interviews about Edward, the century-old telepathic vampire who falls for Kristen Stewart’s Bella (a witch or something), that there’s an entire Tumblr feed dedicated to his most (self-) scathing comments.

Among his harshest words: He has said “Twilight” “seemed like a book that shouldn’t be published.” That “if Edward was not a fictional character, and you just met him in reality — you know, he’s one of those guys who would be an ax murderer.” He called his performance “a mixture of looking slightly constipated and stoned.”

(8) OBSCURE AWARD. The Society of Camera Operators’ awards were presented January 26, and if you scan The Hollywood Reporter article closely enough you’ll be able to discover the single winner of genre note: “‘A Star Is Born’ Camera Operator Tops SOC Awards”.

Movie category had no genre nominees

Movie category winner

* P. Scott Sakamoto for A Star Is Born

TV category winner

* Chris Haarhoff and Steven Matzinger for Westworld

Other awards presented

* Jane Fonda — Governor’s Award

* Harrison Ford— President’s Award

* “Lifetime Achievement award recipients were Dave Emmerichs, camera operator; Hector Ramirez, camera operator (live and non-scripted); Jimmy Jensen, camera technician; John Man, mobile camera platform operator, and Peter Iovino, still photographer.”

* Technical achievement award — makers of the Cinemoves Matrix 4 axis stabilized gimbal

(9) HARPAZ OBIT. Former Israel Air Force Pilot Colonel (Res.) Rami Harpaz passed away January 24 at the age of 80: “Father of iconic ‘Hebrew Pilots’ translation of Tolkien dies” in the Jerusalem Post (behind a paywall).

Rami Harpaz lead a group of IAF pilots in Egyptian captivity to translate the iconic fantasy work into Hebrew while in prison, the book introduced Tolkien to Israeli readers and remains iconic.

…He was captured by the Egyptians during the War of Attrition, while in captivity he was given a copy of the Hobbit, the famous fantasy book by J.R.R. Tolkien, by his brother who was able to deliver the book to him via the Red Cross. 

Prison conditions were harsh and the Egyptians tortured the Israeli prisoners, yet despite of this, Harpaz and his fellow  prisoners began to translate the book into Hebrew. The initial motivation was to allow Israelis who could not read English well to enjoy the book in Hebrew. 

The translation was done in pairs with one person reading in English and speaking it out in Hebrew and the translation partner writing it down in Hebrew and editing it. Harpaz and three other captured pilots were the translators of what became known as ‘the pilots translation’ of the Hobbit. The final product was seven notebooks written by hand, the book was published in 1977 with funding provided by the IAF.   

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 27, 1832 Lewis Carroll. Writer of Alice’s Adventures in Wonderland and its sequel Through the Looking-Glass. In 1876, he also  produced  his work, “The Hunting of the Snark”, a fantastical nonsense poem exploring the adventures of a very, very bizarre crew of nine tradesmen and a beaver who set off to find the snark. (Died 1898.)
  • Born January 27, 1940 James Cromwell, 79. I think we best know him as Doctor Zefram Cochrane In Star Trek: First Contact  which was re-used in the Enterprise episode “In a Mirror, Darkly (Part I)”.  He’s been in other genre films including Species IIDeep ImpactThe Green MileSpace CowboysI, RobotSpider-Man 3 and Jurassic World: Fallen Kingdom. He played characters on three Trek series, Prime Minister Nayrok on “The Hunted” episode of Star Trek: The Next Generation and Jaglom Shrek in the two part “Birthright” story, Hanok on the “Starship Down” episode of Deep Space Nine and Zefram Cochrane once as noted before on Enterprise
  • Born January 27, 1957 Frank Miller, 62. If you’re not a comic reader, you first encountered him in the form of Robocop 2 which I think is a quite decent film. His other films include Robocop 3, Sin City, 300, Spirit (fun) and various Batman animated films that you’ll either like or loathe depending on your ability to tolerate extreme violence. Oh, but his comics. Setting aside his Batman work all of which is a must read, I’d recommend his Daredevil, especially the Frank Miller & Klaus Janson Omnibus which gives you everything by him you need, Elektra by Frank Miller & Bill Sienkiewicz, all of his Sin City work and RoboCop vs. The Terminator #1–4 with Walt Simonson. 
  • Born January 27, 1963 Alan Cumming, 56. His film roles include his performances as Boris Grishenko in GoldenEye, Fegan Floop In the Spy Kids trilogy, Loki, god of Mischief in Son of the Mask (a really horrid film), Nightcrawler In X2 and Judas Caretaker in Riverworld (anyone know this got made?). 
  • Born January 27, 1970 Irene Gallo, 49. Associate Publisher of Tor.com and Creative Director of Tor Books. Editor of Worlds Seen in Passing: Ten Years of Tor.com Short Fiction. Interestingly she won all but one of the Chesley Award for Best Art Director that were given out between 2004 and 2012. 

(11) KIPLING, SFF AUTHOR? Fred Lerner’s well-regarded essay “A Master of our Art: Rudyard Kipling considered as a Science Fiction writer” addresses a topic that surfaced in comments the other day.

…Like Verne and Wells, Kipling wrote stories whose subject-matter is explicitly science-fictional. “With the Night Mail: A Story of 2000 A.D.” portrays futuristic aviation in a journalistic present-tense that recalls Kipling’s years as a teenaged subeditor on Anglo-Indian newspapers. “The Eye of Allah” deals with the introduction of advanced technology into a mediaeval society that may not be ready for it.

But it is not this explicit use of science and technology in some of his stories that makes Kipling so important to modern science fiction. Many of Kipling’s contemporaries and predecessors wrote scientific fiction. Nathaniel Hawthorne and Herman Melville, Mark Twain and Conan Doyle are among them. Yet echoes of their work are seldom seen in today’s science fiction. Kipling’s appeal to modern readers lies instead in his approach and his technique.

The real subject-matter of Rudyard Kipling’s writing is the world’s work and the men and women and machines who do it. Whether that work be manual or intellectual, creative or administrative, the performance of his work is the most important thing in a person’s life. As Disko Troop says in Captains Courageous, “the most interesting thing in the world is to find out how the next man gets his vittles”….

(12) PACIFIC INKLINGS FESTIVAL. Sørina Higgins, Editor of The Inklings and King Arthur, will be the featured speaker when The Southern California C.S. Lewis Society presents The Pacific Inklings Festival and General Meeting on March 9.

(13) NOT A STAN FAN. HuffPost reports “Bill Maher Doubles Down On Trashing Stan Lee Fans, Adults Who Like Comics”.

His latest was supposed to address a controversial blog post from shortly after Stan Lee’s death. Address it, yeah. Back down from it? Not at all.

Bill Maher is not backing down when it comes to criticizing fans of Marvel giant Stan Lee, and fans of comic books in general.

On Friday’s “Real Time With Bill Maher,” the host insisted that he had nothing against the late Lee, but that adult fans of comics simply need to “grow up.”

“I’m not glad Stan Lee is dead, I’m sad you’re alive,” Maher said.

But the head of Marvel did not respond as you might have predicted SYFY Wire learned: “Bill Maher receives high-profile invite to Stan Lee tribute event after controversial comic book remarks”.

Bill Maher received an invite to the Stan Lee tribute event in Los Angeles this coming Wednesday from none other than Marvel‘s Chief Creative Officer, Joe Quesada.

This came after Maher found himself in hot water once again after doubling down on his controversial comments about how comic books cannot be considered “literature” and how superhero movies are not “great cinema.” Moreover, he said that people who think otherwise “are stuck in an everlasting childhood.”

Maher played himself in a deleted scene in Iron Man 3, where he blames America for creating The Mandarin

(14) NEEDS SOME LUCK. Paul Weimer says this epic fantasy novel is well worth your time and attention in a review for Nerds of a Feather: “Microreview [book]: The Ruin of Kings by Jenn Lyons”

Kihrin is a thief, an apprentice musician, and a resident of the Capital. He’s also possesses a rather powerful artifact whose provenance he does not quite understand, one that is difficult to take from him except by his free will. Even more than this, Kihrin and his artifact are pawns in a long simmering plot that would see him as key to the destruction of an empire. Instead of being a prophesied hero come to save the world, Kihrin’s role is seemingly destined for a much darker fate, unless his patron goddess, the goddess of luck, Taja, really IS on his side.

(15) MORE GOOD REVIEWS. Lady Business links to selected reviews around a theme — “Eight Book Minimum: Bring me queer ladies or bring me death!”

1. Somebody’s Trying to Kill Me and I Think It’s My Husband by Joanna Russ [Top]
Someone’s Trying to Kill Me and I Think It’s My Husband is Joanna Russ talking about the narrative tropes of gothic fiction from the late sixties and early seventies. The essay itself was originally published in 1973; I first read it in the collection To Write Like A Woman, which is great if you have a chance to read it. I found Somebody’s Trying to Kill Me at work though, and ah, it’s good to have it back.

The premise of this essay is that Joanna Russ, faced with the new wave of gothic fiction, had a publisher friend send her some of the most representative examples of the genre and broke down all of the common elements and analysed them as expressions of the “traditional feminine situation.” I would argue that regardless of how representative those books were, that’s a very small sample size (she mentions about half a dozen titles, and I’m just trying to picture the reaction today if someone tried this with, say, romantic suspense books). But her analysis is interesting? She’s analysing it, justifiably, as an incredibly popular genre with female readers, and picking out the elements that might be contributing to that (“‘Occupation: housewife’ is simultaneously avoided, glamorised, and vindicated” is one of the stand-out points for me, especially when coupled with the observation that the everyday skills of reading people’s feelings and faces are often the only thing keeping the heroine alive), but it’s a little strange to read. It’s interesting, and I can definitely relate some of her points to female-led genres today (I’m mainly thinking of things like cozy mysteries), but it is definitely an outsider to a genre picking apart its building blocks. So, interesting as a dissection of those specific titles and tropes, but maybe not representative of the wider genre.

(16) HOURS OF WITCHING. Phoebe Wagner checks in about the first season of a TV reboot: “Microreview [TV Series]: The Chilling Adventures of Sabrina” at Nerds of a Feather.

…In addition to balancing the magical aspects of the show, multiple episodes explore issues of feminism, smashing the patriarchy, race, sexual orientation, disability, and bullying. Through Sabrina, these becomes issues of her world rather than political statements. While TV shows at times have issue-driven episodes that seem to be responding to the political climate of the previous six months, The Chilling Adventures of Sabrina focuses on the lives of the characters, and since this is part of their lives, of course Sabrina is going to help them. That being said, especially early in the season, it at times felt a little white-savior as Sabrina works behind the scenes with magic to help her friends….

(17) THAT LEAKY WARDROBE. In this Saturday Night Live sketch, Mr. Tumnus (James McAvoy, reprising a character he played in a movie) meets several women who have recently arrived in Narnia.

(18) REVIEW OF “I AM MOTHER”. Variety: “Sundance Film Review: ‘I Am Mother’”. “After a mass extinction, a robot raises a little girl in a handsome, if derivative sci-fi thriller that salutes its own parentage.” The review gives much of this female-cast-led gerne film generally good marks, though significant issues are also pointed out. Bottom line:

What really presses [Director Grant] Sputore’s buttons is proving that he can make an expensive-looking flick for relative peanuts. If this were his job application for a blockbuster gig, he’d get the job. Though hopefully he and [Screenwriter Michael Lloyd] Green realize that the best sci-fi thrillers don’t just focus on solving the mystery of what happened — they explore what it all means. Sputore is clearly an intelligent life form. But as even his robot creator knows, “Mothers need to learn.”

  • Cast: Clara Rugaard, Rose Byrne (voice), Hilary Swank, Luke Hawker (motion capture), Tahlia Sturzaker.

(19) SPONSOR WILL DROP MAN BOOKER. BBC reveals that the sponsoring hedge fund feels “underappreciated” — “Man Booker loses £1.6m hedge fund sponsor amid talk of tension”.

Britain’s most famous literary award is looking for a new sponsor after hedge fund Man Group said it would end its support after 18 years.

The UK-based financial giant said its annual £1.6m backing of this year’s Man Booker Prize would be its last.

The link between the hedge fund and the literary world has not always been a smooth, with novelist Sebastian Faulks last year calling the firm “the enemy”.

Man Group said in a statement it had been a privilege to sponsor the prize.

But the BBC’s arts editor, Will Gompertz, said relations between Man Group and Booker organisers had been strained for some time, with a company source suggesting they felt underappreciated.

(20) DID IT MAKE A SOUND? A celebrity tree is no more: “Game of Thrones: Dark Hedges tree falls in high winds”.

A tree made famous by the TV fantasy drama Game of Thrones has fallen in strong winds.

Gale force winds of up to 60 mph hit Northern Ireland overnight on Saturday.

The Dark Hedges are a tunnel of beech trees on the Bregagh Road near Armoy that have become an an international tourist attraction since featuring in the hit series.

(21) OVER THE TOP. Let Quinn Curio tell you “The Dumbest Things About Gotham.”

What are the dumbest things that have ever happened on Fox’s Gotham show? Welcome to the party. The pain party.

[Thanks to John Hertz, Martin Morse Wooster, Cat Eldridge, Mark Blackman, JJ, Mike Kennedy, Chip Hitchcock, John King Tarpinian, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip Williams.]

Pixel Scroll 1/6/19 The Million-Year Teddy Bear Picnic

(1) PICK AN SFF MAGAZINE. Rocket Stack Rank’s Gregory Hullender has a new tool for sff readers: “We just posted a detailed article aimed at helping people find SF/F magazines to subscribe to. The focus is on the eleven magazines we regularly review, but we do invite people to contribute info about other ones.” — “Finding a Science-Fiction/Fantasy Magazine to Subscribe To”

‘If you’re the editor of a magazine outside our eleven (or just a fan of such a magazine), please feel free to add a comment to this article to plug your magazine. Include the name, a link to subscription instructions, and a few paragraphs explaining why it’s special. Don’t worry about “self-promotion”; this one time, we want you to self-promote!’

Hullender concludes, “It should give us a good answer going forward when people ask ‘what magazines should I subscribe to?’”

(2) BRUNNER. At Doctor Strangemind, Kim Huett features a John Brunner article in which “he goes into vast detail about the economics of being an author in the sixties. Fascinating reading for anybody who likes to dig into the nuts and bolts of publishing” — “John Brunner – The Writer In Black”.

Perfect freedom is reserved for the man who lives by his own work,
and in that work does what he wants to do.

I think it was in an installment of his Noise Level column that John Brunner made the claim that when science fiction authors got together they mostly talked about money. Now I’m not about to disagree with a statement like that given Brunner wrote science fiction for a living and was certainly in a position to know what his fellow authors said and did. Even so I do have to wonder if his views were biased by his own preoccupations. He certainly did write about the financial aspects of being a published author more than any other SF professional I’m familiar with….

(3) MINUS WORLD. Yahoo! Entertainment says there was more waiting to be discovered about this 80’s video game: “A hidden world in the NES ‘Legend of Zelda’ was just uncovered 30 years later”.

Now seeing as how the original Zelda game is more than 30 years old at this point, you’d be forgiven for thinking that every single part of the game has already been discovered and conquered. Alas, you’d be mistaken.

In something of a fascinating story, a developer recently managed to access the game’s “minus world,” essentially another part of the game where developers could try out different gameplay dynamics. Naturally, developers implemented code to prevent players from accessing the game’s “minus world”, but a YouTuber with the handle SKELUX managed to figure out a way around it.

(4) GET YOUR NOMINATIONS IN. Through January 31, the Australian Science Fiction Foundation (ASFF) is taking entries in the Norma K Hemming Award for works published in 2018.

Designed to recognise excellence in the exploration of themes of race, gender, sexuality, class or disability in a published speculative fiction work, the Norma K Hemming Award is now open for entries.

The award is open to short fiction, novellas, novels, anthologies, collections, graphic novels and stage plays, and makes allowances for serialised work. Entry is free for all works, and entries may be provided to the judges in print or digital format.

Two prizes will be given, one for short fiction (up to 17,500 words) and one award for long work (novellas, novels, collections, anthologies, graphic novels and play scripts), with a cash prize and citation awarded.

Nominations are open to all eligible work produced in 2018. Entries will close on January 31, 2019. We encourage immediate entry for all eligible and appropriate 2019 work.

For more information and to stay up to date, please see the new Award website at https://normakhemmingaward.org  or find us on Facebook https://www.facebook.com/NKHAward/ and Twitter https://twitter.com/NKH_Award  

(5) NEW MEXICO CONNECTIONS. From the New York Times: “Winter TV Preview: ‘True Detective,’ ‘Carmen Sandiego’ and 19 More Shows to Watch”. Some of the genre shows include —  

‘Roswell, New Mexico’

Fans of the original “Roswell” sent network executives bottles of Tabasco sauce to save their beloved emo-teen-alien series, but it lasted only three seasons (1999-2002) on WB and then UPN. Their pleas have been answered, finally, with this new series, which is also based on the “Roswell High” young-adult book series but adds what now seems obvious: an immigration theme. Jeanine Mason plays a daughter of undocumented immigrants who returns home to Roswell and discovers that the guy she liked in high school is from even farther away. (Jan. 15, CW)

‘Carmen Sandiego’

The fourth TV show (and first in 20 years) spawned by the Carmen Sandiego educational-video-game franchise is an animated “Mission Impossible”-style adventure that’s more adult than its predecessors but still abundantly lighthearted. After a few episodes that provide a new origin story (and moral compass) for the master thief Carmen (voiced by Gina Rodriguez), the series gets back to using crime capers as a vehicle for geographical and cultural lessons. (Jan. 18, Netflix)…

‘Game of Thrones’

Spoiler alert: In the last six episodes of the epic climate-change allegory, the steady rise in dragon fire warms the atmosphere, winter is averted and the White Walkers settle down peacefully in the now-temperate north. Overcome by their good fortune, many characters stop wearing clothes altogether. (April, HBO)

(6) SOLARIS AUTHOR. Rich Horton recommends “The Beautiful Mind-Bending of Stanislaw Lem” at The New Yorker. Here’s a brief quote:

The idea of a private world spilling over unsettlingly into reality is also at the heart of his novel “Solaris,” from 1961, about a sentient ocean with the power of “seeing into the deepest recesses of human minds and then bringing their dreams to life,” as the Lem fan Salman Rushdie once described it. The massive popularity of “Solaris”—made into a film by Andrei Tarkovsky, in 1972, and then again in 2002, by Steven Soderbergh, as a moody near-future love story with George Clooney—helped Lem become one of the most widely read science fiction writers in the world. Yet his writing reached far beyond the borders of the genre. In addition to many novels and stories, he composed a huge philosophical treatise on the relation of human beings and machines, a good deal of pungently argued literary criticism, a volume of reviews of nonexistent books, a stochastic theory of narrative fiction, an experimental detective novel, speculative essays dealing with artificial intelligence, cybernetics, cosmology, genetic engineering, game theory, sociology, and evolution, radio plays and screenplays. Such staggering polymathic curiosity over such a vast range of material, all of it explored with lucidity and charm, gives his writing a unique place on a Venn diagram in which the natural sciences, philosophy, and literature shade into one another with mutually intensifying vividness and fascination.

(7) TODAY IN HISTORY

  • January 6, 1973Schoolhouse Rock! premiered.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 6, 1955 Rowan Atkinson, 64. An unlikely Birthday perhaps except for that he was the lead in Doctor Who and The Curse of Fatal Death which gave him I think the dubious distinction of the shortest lived Doctor.  Other genre appearances were scant though he did play Nigel Small-Fawcett in Never Say Never Again and Mr. Stringer in The Witches which I really like even if the author hates. 
  • Born January 6, 1984 Kate McKinnon, 35. Dr. Jillian “Holtz” Holtzmannon in the recent Ghostbusters film. Voice of Nikki and Margaret Fictel in The Venture Bros. and she played Mother Goose on Sesame Street. I kid you not. 

(9) COMICS SECTION.

  • In this Monty, “Everything is proceeding as I have foreseen.”
  • Some people just can’t be trusted with simple tasks. (Brewster Rockit).
  • Real Life Adventures gives a familiar TV househunting show a stfnal twist.

(10) WHAT’S THAT NOISE? Musicradar reports “The BBC is letting you download more than 16,000 free sound effect samples from its archive”.

There can be few organisations that have used more sound effects than the BBC, so there’s bound to be great interest in the news that the corporation has now made more than 16,000 of its FX available for free download.

These are being released under the RemArc licence, which means that they can be used for “personal, educational or research purposes”.  

(11) BABY, IT’S DARK OUTSIDE. AND INSIDE. We already knew that the Milky Way and the Andromeda galaxy were destined to collide; now it seems the Large Magellanic Cloud may beat Andromeda to the punch (Ars Technica: “Milky Way to face a one-two punch of galaxy collisions”).

If our knowledge of galaxy structures was limited to the Milky Way, we’d get a lot of things wrong. The Milky Way, it turns out, is unusual. It’s got a smaller central black hole than other galaxies its size; its halo is also smaller and contains less of the heavier elements. Fortunately, we’ve now looked at enough other galaxies to know that ours is a bit of an oddball. What’s been less clear is why.

Luckily, a recent study provides a likely answer: compared to most galaxies, the Milky Way’s had a very quiet 10 billion years or so. But the new study suggests we’re only a few billion years from that quiet period coming to an end. A collision with a nearby dwarf galaxy should turn the Milky Way into something more typical looking—just in time to have Andromeda smack into it.

The researchers behind the new work, from the UK’s Durham University, weren’t looking to solve the mysteries of why the Milky Way looks so unusual. Instead, they were intrigued by recent estimates that suggest one of its satellite galaxies might be significantly more massive than thought. A variety of analyses have suggested that the Large Magellanic Cloud has more dark matter than the number of stars it contains would suggest.

(12) ENGAGE! CBR.com: “20 Star Trek Relationships That Make No Sense” — Just In Case™ you might be interested.

19 — JADZIA DAX & WORF

I might get some push back on this one, as many found this unlikely pairing enjoyable. I would argue that it was forced and lacked any sort of real buildup. Rumor has it, Terry Farrell (Jadzia Dax) and Michael Dorn (Worf) pushed the writers to create a romance for their characters on Deep Space Nine.

I think what viewers might have liked was that these were two of the series’ favorite characters. Sure, the couple managed to convince many of their compatibility, but in actuality I would say it was a toxic relationship. The couple managed to bring out the worst in each other and it seemed they were endlessly arguing. I think the relationship detracted from what we like about them in the first place.

NOT ERGOT. BBC asks: “Can auto-immune illness explain the Salem witch trials?”

There are now compelling reasons to think that at least one of the girls may have suffered from a much-misunderstood neurological condition.

‘Their limbs wracked and, tormented so … their arms, necks, and backs turned this way and that way, and returned back again. Their mouths stopped, their throats choked. They had several sore fits.’ – A contemporary description of cousins Betty Parris and Abigail Williams, the first of the afflicted at Salem.

Their speech was garbled and their limbs contorted, they wailed and howled and convulsed. It was 1692. Betty was nine and Abigail was 11.

Reverend Samuel Parris was advised by a doctor that the girls, his daughter and niece, respectively, were bewitched. Soon, at least five other girls in Salem Village developed similar symptoms and began to accuse locals of witchcraft including Tituba, a slave, and Sarah Good, a homeless beggar. A flurry of accusations followed, with residents piling on to denounce over 200 people. “Persons of ill-repute” and dedicated churchgoers alike were imprisoned and Bridget Bishop, “known for her gossipy habits and promiscuity”, was the first to be hanged on 10 June. Twenty people were put to death in total with several others dying in prison.

(14) PLUME. Yahoo! Entertainment covers this astronomical event: “Volcanic Plume Rising From Jupiter’s Moon Io Spotted by Juno Probe”.

While performing its 17th flyby of Jupiter, NASA’s Juno spacecraft witnessed a volcanic plume erupting from the surface of Io, the most geologically active of the gas giant’s 79 known moons.

As detailed in a Southwest Research Institute press release, the flyby occurred on December 21, 2018. Mission controllers had no less than four instruments honed in on Io in an effort to study the moon’s surface, especially its polar regions. These instruments included the JunoCam, the Stellar Reference Unit (SRU), the Jovian Infrared Auroral Mapper (JIRAM), and the Ultraviolet Imaging Spectrograph (UVS). An hour was budgeted for the survey, and it just so happened that a volcanic eruption occurred during this time.

(15) HEAR IN MY CAR. [Item by Mike Kennedy.] I’ve been known to use Walmart’s grocery pickup service when I just can’t carve out the time (or energy) to shop at my preferred grocer, which happens to be much closer to my house. I haven’t been to Wally World for grocery pickup that often, so maybe I just missed all the times that Ecto-1 or the Mystery Machine were there. SYFY Wire has the story (“Walmart ad uses genre’s most famous cars to promote new grocery pick-up service”), though they do get it a bit wrong by calling it a new service. It is a new commercial.

Over the years, pop culture has given us some pretty iconic modes of transport, from Doc Brown’s time-traveling DeLorean to Michael Knight’s talking Pontiac Firebird.

In a stroke of marketing brilliance, Walmart took advantage of the [instant] recognizability of these cars to promote the company’s new grocery pick-up service.

Set to the ’80s-era jam of Gary Newman’s “Cars,” the one-minute ad shows some of genre’s most famous vehicles […]

[Thanks to Martin Morse Wooster, JJ, Rich Horton, Cat Eldridge, John King Tarpinian, Mike Kennedy, Chip Hitchcock, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.] d Table 7 Col

2019 Norma K Hemming Award Taking Entries

The 2019 Norma K Hemming Award, designed to recognize excellence in the exploration of themes of race, gender, sexuality, class or disability in a published speculative fiction work, is now open for entries. Works published in 2018 are eligible.

The award is open to short fiction, novellas, novels, anthologies, collections, graphic novels and stage plays, and makes allowances for serialized work. Entry is free for all works, and entries may be provided to the judges in print or digital format.

Two prizes will be given, one for short fiction (up to 17,500 words) and one award for long work (novellas, novels, collections, anthologies, graphic novels and play scripts), with a cash prize and citation awarded.

“We encourage publishers and creators to carefully consider their work from the eligible period,” said award administrator Tehani Croft. “It is our goal to see all eligible material considered by the jurors. It is important to us that every person has the opportunity to see themselves reflected in fiction, and we hope that the Norma can have some part to play in making works dealing in themes of race, gender, sexuality, class or disability in speculative fiction more visible.”

Entries will close on January 31, 2019.

The jurors for the award are:

SHORT FICTION

  • Eugen Bacon
  • Jack Bridges
  • Gene Melzack
  • Nicole Murphy

LONG WORK

  • Jake Kalago
  • Russell Kirkpatrick
  • Stephanie Lai
  • Alexandra Pierce

For further information, please contact award administrator Tehani Croft at nkh-award@asff.org.au.

2018 Norma K Hemming Awards

The 2018 Norma K Hemming Awards, given by the Australian Science Fiction Foundation (ASFF), were announced at a ceremony June 8 at Continuum in Melbourne.

The award is designed to recognize excellence in the exploration of themes of race, gender, sexuality, class or disability in a published speculative fiction work. The winners receive citations and a monetary prize.

Eligible works were published in 2016 and 2017 across the long and short form categories, comprised of short fiction, novellas, novels, edited anthologies, collections, graphic novels and stage plays.

The winners are:

Short Fiction Category (stories up to 17,500 words)

  • “Coral Bones”, Foz Meadows (Monstrous Little Voices, Abaddon Books)

Long Work Category

  • Terra Nullius, Claire G Coleman, (Hachette)

[Thanks to Mark Hepworth for the story.]

2018 Norma K Hemming Award Finalists

The Norma K Hemming Award, presented under the auspices of the Australian Science Fiction Foundation (ASFF), announced the 2018 shortlists on April 29.

The 2018 shortlists cover works published in 2016-2017. Designed to recognise excellence in the exploration of themes of race, gender, sexuality, class or disability in a published speculative fiction work, the jury of the Norma K Hemming Award considered 130 entries published in 2016 and 2017 across the long and short form categories, comprised of short fiction, novellas, novels, edited anthologies, collections, graphic novels and stage plays.

The finalists for the Short Fiction (stories up to 17,500 words) are:

  • “Induction”, Thoraiya Dyer (Bridging Infinity, Solaris)
  • “The Rock in the Water”, Thoraiya Dyer (People of Colo(u)r Destroy Fantasy!, Fantasy Magazine)
  • “Braid”, Kirstyn McDermott (Review of Australian Fiction Volume 24, Issue 1)
  • “Coral Bones”, Foz Meadows (Monstrous Little Voices, Abaddon Books)
  • “Tea Party”, Lauren E Mitchell (Defying Doomsday, Twelfth Planet Press)
  • “Memories of Fish”, Shauna O’Meara (Interzone 270, TTA Press)
  • “Two Somebodies Go Hunting”, Rivqa Rafael, (Defying Doomsday, Twelfth Planet Press)
  • “Did We Break the End of the World”, Tansy Rayner Roberts (Defying Doomsday, Twelfth Planet Press)

The finalists for the Long Work category are:

  • The Barrier, Shankari Chandran, Pan Macmillan Australia
  • Terra Nullius, Claire G Coleman, Hachette
  • Crossroads of Canopy, Thoraiya Dyer, Tor Books
  • Defying Doomsday, Tsana Dolichva and Holly Kench (Eds.), Twelfth Planet Press
  • An Uncertain Grace, Krissy Kneen, Text Publishing
  • Portable Curiosities, Julie Koh, University of Queensland Press
  • How to Bee, Bren MacDibble, Allen & Unwin
  • An Accident of Stars, Foz Meadows, Angry Robot Books
  • The Grief Hole, Kaaron Warren, IFWG Publishing Australia

The winners of the 2018 Norma K Hemming Award will be announced at a ceremony taking place on June 8 at Continuum in Melbourne, with citations and a monetary prize being presented.

Pixel Scroll 10/29/17 Please Remember To Scroll Your Pixels In The Form Of A Question

(1) THE ORIGINAL KTF REVIEWER. Humanities revisits “Edgar Allan Poe’s Hatchet Jobs”.

Poe churned out reams of puff-free reviews—the Library of America’s collection of his reviews and essays fills nearly 1,500 dense pages. Few outside of Poe scholarship circles bother reading them now, though; in a discipline that’s had its share of so-called takedown artists, Poe was an especially unlovable literary critic. He occasionally celebrated authors he admired, such as Charles Dickens and Nathaniel Hawthorne. But, from 1835 until his death in 1849, the typical Poe book review sloshed with invective.

Tackling a collection of poems by William W. Lord in 1845, Poe opined that “the only remarkable things about Mr. Lord’s compositions are their remarkable conceit, ignorance, impudence, platitude, stupidity, and bombast.” He opened his review of Susan Rigby Morgan’s 1836 novel, The Swiss Heiress, by proclaiming that it “should be read by all who have nothing better to do.” The prose of Theodore S. Fay’s 1835 novel, Norman Leslie, was “unworthy of a school-boy.” A year later, Poe doomed Morris Mattson’s novel Paul Ulric by pushing Fay under the bus yet again, writing, “When we called Norman Leslie the silliest book in the world we had certainly never seen Paul Ulric.”

Attacking better-known writers – a tactic still in use today by several minor sff authors — was also typical of Poe.

The twist, though, is that as a critic Poe often treated ethics as disposably as we do coffee filters. That self-dealing rave review is just one example. Poe plagiarized multiple times early in his career (most notably in The Narrative of Arthur Gordon Pym and “Usher”), but still spent much of 1845 leveling plagiarism accusations against Henry Wadsworth Longfellow. Poe delivered his attacks under his own name, but also anonymously, and through an imaginary interlocutor named “Outis.” But for all of Poe’s bluster, evidence of Longfellow’s thievery was thin, and the poet, wisely, didn’t respond. “Poe’s Longfellow war,” said publisher Charles Briggs, who’d hired Poe at the Broadway Journal, “is all on one side.”

(2) WHAT A REVIEWER IS FOR. New Yorker’s Nathan Heller revisits the American Heart controversy in “Kirkus Reviews and the Plight of the “Problematic” Book Review”.

People make sense of art as individuals, and their experiences of the work differ individually, too. A reviewer speaks for somebody, even if he or she doesn’t speak for you.

To assume otherwise risks the worst kind of generalization. I went to high school in San Francisco at the height of the multiculturalism movement. My freshman curriculum did not include “The Catcher in the Rye,” “The Great Gatsby,” or “Moby-Dick.” We read, instead, “Their Eyes Were Watching God” and “Bless Me, Ultima,” and other books showing the range of American fiction. I’m glad. (One can read “The Grapes of Wrath” anytime.) I remember finding Hurston’s novel brilliant and Anaya’s novel boring. I did not conclude, from these feelings, that African-American literature was interesting and Chicano literature was not. Why would I? The joy of books is the joy of people: they’re individuals, with a balance of virtues and flaws. We are free to find—and learn our way into—the ones that we enjoy the most, wherever they come from.

That specificity of response is what Vicky Smith seems to encourage by opening the full canon of new work to new readers. It’s also, though, the diversity that Kirkus has smothered by issuing a “correction”—the editor’s word—on the political emphasis of a published response. Although it’s easy these days to forget, a politics is a practice of problem-solving, case by case, not a unilateral set of color-coded rules. If certain inputs guarantee certain outputs, what’s in play isn’t politics but doctrine. Kirkus, admirably, is trying to be on the progressive side of a moment of transition in our reading. But its recent choices aren’t about progress, or about helping young people find their way through many voices. They’re about reducing books to concepts—and subjecting individuals who read them to the judgments of a crowd.

(3) AWARD REBOOT. Newly appointed award administrator Tehani Croft announced “Significant changes for the Norma K Hemming Award”.

The Norma K Hemming Award, under the auspices of the Australian Science Fiction Foundation (ASFF), announces significant changes to the Award structure.

Designed to recognise excellence in the exploration of themes of race, gender, sexuality, class or disability in a published speculative fiction work, the Norma K Hemming Award, which has been running since 2010, has had a major overhaul this year, with new categories and a two year cycle.

The award is now open to short fiction and edited anthologies, alongside the previous eligible work of novellas, novels, collections, graphic novels and stage plays. It will also make allowances for serialised work. In addition, entry submissions may be digital or print for all submissions.

Two prizes will now be given, one for short fiction (up to 17,500 words) and one award for long work (novellas, novels, collections, anthologies, graphic novels and play scripts), with a cash prize and citation awarded.

Nominations for the 2018 awards, covering all eligible work published in 2016 and 2017, will open in early November.

(4) THE HORROR. Chloe continues the Horror 101 series at Nerds of a Feather with “HORROR 101: The Uncanny”.

The uncanny to me is a crucial element of horror: not being able to pinpoint exactly what makes us scared. While the extreme can be terrifying (the xenomorph in Alien is a category crisis—its something we can’t classify/is not instantly knowable—but it’s not uncanny because we shouldn’t be able to know it/classify it as its something completely new to the human experience). However, even more terrifying is that which is just a little off: pod people who may look like your lover, but they smile in just a slightly different way. A man with fingers just a little too long. Women with hair in front of their faces so that their expressions are unknowable.

In technology, we refer to the “uncanny valley” (a term coined by Masohiro Mori in the 70’s) when dealing with robots and computer designed images of people. A robot who looks human-like but not realistically so (think Bender in Futurama) wouldn’t trigger the uncanny valley but a robot who looks extremely close to human, but has some tiny bit of offness, such as the more and more realistic robots we have currently, would fall into it and create a sense of slight fear, revulsion, or distrust. In the film Ex Machina (which on its surface is a film about a Turing test going very wrong, but in its heart is a take on the tropes of Gothic literature and the Bluebeard fairy tale), Alicia Vikander portrays Ava brilliantly by making the robotic elements include both Ava’s movements (more perfect than an average person’s) and speech (carefully clipped and enunciated)—this heightens the uncanny valley feeling while going against the entirely human looks of her face (which wouldn’t necessarily fall into the uncanny valley).

(5) WHEN WILL YOU MAKE AN END? Alastair Reynolds writes a whole post – “Gestation time” — around a term that also came up in a discussion of Zelazny here earlier this week.

In the previous post I mentioned that my new story “Night Passage” – just out in the Infinite Stars anthology – was one I was glad to see in print because it had taken about five years to finish. I thought that was approximately the case, but when I checked my hard drive I saw that I opened a file on that story at the end of November 2009, so the better part of eight years ago. That wasn’t an attempt at the story itself, but as per my usual working method, a set of notes toward a possible idea. I rarely start work on a story cold, but instead prefer to brainstorm a series of rambling, sometimes contradictory thoughts, out of which I hope something coherent may emerge. This process can take anything from a morning to several days or weeks, but I never start a story in the first fire of inspiration.

(6) INITIAL QUESTION. At Nerds of a Feather, The G interviews Shadow Clarke reviewer Megan AM – “FIRESIDE CHAT: Megan AM of Couch to Moon”.

MEGAN AM: …  My own personal goal was to demonstrate that good, interesting, literary SF does exist; that it can come from anyone, anywhere, and in any language; and that it can compete with the basic, Americanized, TV-style SF I keep encountering on shortlists. Unfortunately, the 2017 Clarke submissions list didn’t give me much to work with on that front–a lot of the choices were very formulaic, very bland, not to mention very British, white, and male– but I did manage to find some champions I’m grateful to have read: Joanna Kavenna, Martin MacInnes, Lavie Tidhar, Johanna Sinisalo. As for my experience as a contributor… I mean, eight people I have admired in this field–most of whom I had never interacted with before– read and talked books with me. It was the coolest thing ever. I’m curious what you thought of the whole thing. Watching you watch it from the outside was interesting: You seemed genuinely interested in bridging gaps between contentious parties, communicating good faith in all sides, and withholding judgment until it was all said and done. So, now that it is done, what do you think? …

THE G: …. I’d also extend these observations to criticism itself. So I try to have a thick skin anytime I press “publish.” Someone is bound to think my ideas are rubbish, and that’s fine. At the same time, authors and fans are often guilty of violating the text/person distinction–taking depersonalized comments on a text personally and lashing out at the person who made them. The effect is to police what critics, bloggers and other reviewers can say in public, and that’s bullshit. 

I could go on, but let’s get back to the Sharke project! Or rather, back to awards. One thing that’s come up a lot in discussions is the concept of “award worthiness,” i.e. that there is some objective-ish bar that works of fiction must live up to in order to be proper candidates. I’ve bandied this term about a few times, generally when talking about the Hugos. I have a very clear sense of what, for me, constitutes award worthiness in science fiction and fantasy–some combination of ideas, execution, emotional resonance and prose chops. Not always the same combination, but hitting all four to a significant degree, and hitting one or two out of the park….

MEGAN AM: ….This comes back to questioning the idea of an objective kind of “award worthiness.” You mention “comfort SF,” which is just as subjective, because I don’t find that kind of SF comforting at all. We’re living in a Trumpnado, where critical reading and thinking skills are devalued, fake news accusations are flying from all directions, nazism is being given a platform in centrist media, and yet progressive SF fans feel threatened by the idea that it might be necessary to sharpen up on difficult, rigorous, uncomfortable novels? I’m not sure it’s appropriate right now to award anything less than radical and complex. And even setting politics aside, the these ‘comfort food books’ are aesthetically old and crusty. Reading award-nominated novels from different decades really helps to put that into perspective: Not a lot has changed in the styling of SF and its “coding” of metaphors, so I’m confused by why we keep awarding the same styles and thoughts… seventy. years. later.

(7) TODAY IN HISTORY

Amazingly, Clemens photographed 117 of the 156 episodes of the series. His crisp black-and white photography is well featured in the Blu-ray format – so crisp that a freeze-frame sometimes reveals details that even the art directors didn’t want you to see. For instance, in the Donald Pleasence episode “Changing of the Guard” (the final episode of the third season), the diploma on the wall of Professor Ellis Fowler’s office should feature his name. It doesn’t. Thanks to George Clemens’ crystal-clear photography, we see that it belongs to another man.

  • October 29, 1998 – John Glenn returned to outer space.

(8) THINKING ABOUT MOOLAH.  Franklin Templeton Investments gives a rundown about AI “Science Fiction To Science Fact: The Rise Of The Machines”.

By Mat Gulley, CFA, Executive Vice President, Head of Alternatives and Co-Head IM Data Science, Fintech & Rapid Development; Ryan Biggs, CFA, Research Analyst

The rapid expansion of artificial intelligence (AI) has generated a lot of excitement, but also some (perhaps justified) paranoia. Will computers replace-or even overtake-human beings? Mat Gulley, executive vice president and head of alternatives at Franklin Templeton Investments, and Ryan Biggs, research analyst at Franklin Equity Group, explore the ramifications of “the rise of the machines” in the realm of asset management. They say the full implications of the new machine age will likely take decades to fully play out, but will likely be staggering.

We have been anticipating their arrival for decades. As far back as 1958 the New York Times wrote a story about a machine developed at Cornell University called the Perceptron. The device was said to be “the embryo of an electronic computer … expected to walk, talk, see, write, reproduce itself and be conscious of its own existence.” In 1958!? That would have been an astonishing achievement in a time even before the microwave oven graced our kitchen countertops.

For the past half century, humanity has been eagerly anticipating the age of artificial intelligence (AI); imagining it in Hollywood and reporting on its progress in the media. Perhaps at times our optimism has gotten ahead of itself. Not any longer. This time, the machines are not just coming-they are already here….

(9) SPEAKING UP. The Washington Post’s Todd C. Frankel looks at the career of the video game voice actor, who can spend four hours straight practicing ways of screaming death scenes and who went on an eight-month strike to get better working conditions and residuals: “In $25 billion video game industry, voice actors face broken vocal cords and low pay”.

Yet voice actors in this industry are not treated like actors in television and movies. This led voice actors to go on strike last year against 11 of the largest video game developers over bonus pay and safety issues such as vocal stress. The bitter labor dispute dragged on for 11 months, making it the longest strike in the history of Hollywood’s largest actors’ union, SAG-AFTRA. Burch was forced to give up a critically acclaimed role she loved. Gaming fans feared delays for their favorite titles before a tentative deal was reached late last month. A vote by the full union is going on now.

The lengthy strike highlighted how video games have emerged as the scene of a tense clash between Hollywood and Silicon Valley. Voice actors want to be treated more like TV and film actors, who are viewed as central to the creative process. Tech firms often see the developers and engineers as the true stars of the show.

“They keep saying, ‘Games are different,’?” said J.B. Blanc, a well-known voice actor and director who has worked with Burch several times. “But that’s no longer true. Because games want to be movies, and movies want to be games. These are basically 100-hour-long movies.”

(10) EASY PICKINGS. Abbie Emmons has now taken her Twitter account private after absorbing a thorough and professional internet beating. The punishment began after she tweeted the opinion belittled by Foz Meadows in “Dear Abbie: An Open Letter”. Foz begins with the admission “I don’t know where your hometown is” but doesn’t let that keep her from making assumptions about it, or from working in “white” and “Christian” four times in her opening paragraph, and not in a positive way.

You’re quite right to say that you, personally, will not encounter every type of person in your small corner of the world. But “small” is the operative word, here: wherever your hometown might be, the fact that it’s the basis of your personal experience doesn’t make it even vaguely representative of the world – or even America – at large.

You claim that you “love everyone” regardless of their background, and I’m sure you believe that about yourself. Here’s the thing, though: when you say you wish people would stop being “correct” and “just write books that actually… reflected the kind of thing we encounter in real life,” you’re making a big assumption about who that “we” is. There might be very few black people in your hometown, but if one of them were to write a novel based on their memories of growing up there, you likely wouldn’t recognise certain parts of their experience, not because it was “incorrect,” but because different people lead different lives. And when you claim that certain narratives are forced and unrealistic, not because the writing is badly executed, but because they don’t resemble the things you’ve encountered, that’s not an example of you loving everyone: that’s you assuming that experiences outside your own are uncomfortable, inapplicable and wrong.

(11) EXOTIC NATTER. NextBigFuture declares “Teleportation and traversible wormholes are all real”. You wouldn’t doubt Han Solo would you?

Einstein-Rosen or “ER” bridges, are equivalent to entangled quantum particles, also known as Einstein-Podolsky-Rosen or “EPR” pairs. The quantum connection between wormholes prevents their collapse without involving exotic matter.

The quantum-teleportation format precludes using these traversable wormholes as time machines. Anything that goes through the wormhole has to wait for Alice’s message to travel to Bob in the outside universe before it can exit Bob’s black hole, so the wormhole doesn’t offer any superluminal boost that could be exploited for time travel.

Researchers are working towards lab tests of quantum teleportation to verify their theories…

(12) POT. KETTLE. BLACK. Camestros Felapton, in “Reading Vox Day So You Don’t Have To: The last essay on Chapter 6”, thinks the way to refute Vox Day’s characterization of alleged SJW organizational tactics is to show how Republicans have done the same thing to each other. True as that may be, the trouble is tit-for-tat casemaking isn’t entertaining – and usually, Camestros is very entertaining.

Organizational Tactics

These are the terrible things SJWs are supposed to do to organizations. Vox lists seven and he manages to set up a deeply insightful analysis of how an organization can be destroyed by political extremists. The only problem is that as an analysis it fit bests how the right have wrecked the Republican party. Again, I’ve changed the order to show the sequence of events better.

“The Code of Conduct: Modifying the organization’s rules and rendering them more nebulous in order to allow the prosecution or defense of any member, according to their perceived support for social justice.”

Lobbying organizations on the right like the NRA or “Americans for Tax Reform”  have systematically created an extension of the GOP’s actual rules and accountabilities for their politicians. For example the ATR has been pressurizing Republican candidates (at state and federal level) to sign the “Taxpayer Protection Pledge”: …

(13) DEAR SIR OR MADAM. SyFy Wire tells about the exhibit where you can read J.K. Rowling’s original Harry Potter pitch to publishers.

Rowling’s original pitch opens with:

Harry Potter lives with his aunt, uncle and cousin because his parents died in a car-crash — or so he has been told. The Dursleys don’t like Harry asking questions; in fact, they don’t seem to like anything about him, especially the very odd things that keep happening around him (which Harry himself can’t explain).

The Dursleys’ greatest fear is that Harry will discover the truth about himself, so when letters start arriving for him near his eleventh birthday, he isn’t allowed to read them. However, the Dursleys aren’t dealing with an ordinary postman, and at midnight on Harry’s birthday the gigantic Rubeus Hagrid breaks down the door to make sure Harry gets to read his post at last. Ignoring the horrified Dursleys, Hagrid informs Harry that he is a wizard, and the letter he gives Harry explains that he is expected at Hogwarts School of Witchcraft and Wizardry in a month’s time.

The synopsis goes on to discuss Hagrid’s arrival and his revelations about Harry’s forehead scar while also explaining that “Harry is famous among the witches and wizards who live in secret all over the country because Harry’s miraculous survival marked Voldemort’s downfall”.

(14) SPACE VAMPIRES AND THE FUTURE OF “I”. Peter Watts brings a whole new level to the term “self-effacing” – “The Bicentennial 21st-Century Symposium of All About Me”.

This feels a bit weird. Creepy, even.  If it makes any difference, I advised them not to go ahead with it.

A couple of weeks from now— Nov 10-11— the University of Toronto will be hosting an academic symposium about me. More precisely, about my writing.

You could even call it an international event. While U of T is providing the venue, the symposium itself is organized by Aussie Ben Eldridge, of the University of Sydney. At least two of the presenters are from the US (although one of them will be Skyping in, doubtless to avoid the mandatory cavity search that seems to be SOP at the border these days).

Friday is layperson-friendly: a round-table discussion of my oeuvre, or omelet, or however you say that; a reading (new stuff, yet to be published); an interview; a bit of Q&A.  The schedule only listed 15 minutes for drinks after that, but as Ben reminds me he is an Australian and would never make so rookie a mistake. That 15 minutes is only for warm-up drinking on campus, after which we retire to the Duke of York.

Saturday is the academic stuff….

(15) VISIBLE WOMAN. We probably have more cyborgs than Taylor Swift fans on this site — which still means some of you should be interested in this new recording: “Taylor Swift Turns Cyborg For New ‘Blade Runner’-Inspired Video to ‘…Ready For It?’ Watch”.

As fans of the Blade Runner universe mull over Denis Villeneuve’s cerebral cinematic study of what makes a human, Swift goes full replicant in the new futuristic music video, which dropped at midnight.

Taylor lit up the Internet earlier this week when she teased snippets from the sci-fi clip, in which she appears in a skin-tone thermoptic suit, giving the illusion of actually being her birthday suit. Who needs threads when you’re a machine, right?

 

[Thanks to John King Tarpinian, Martin Morse Wooster, Cat Eldridge, JJ, Carl Slaughter, and Elizabeth Fitzgerald for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]

Norma K. Hemming Award 2017

Applications are invited for Australia’s Norma K. Hemming Award for 2017.

The award is given by the Australian Science Fiction Foundation to mark excellence in the exploration of themes of race, gender, sexuality, class and disability in a speculative fiction novel or novella (e.g. science fiction, fantasy, horror) or a collection of shorter works by an individual author, produced either in Australia or by Australian citizens and first published in calendar year 2016.

The closing date for entries is Friday, January 13, 2017.

For further information about the Award including the Rules and entry form visit the Australian Science Fiction Foundation website or contact the Awards Administrator, Rose Mitchell, at awards@asff.org.au

The Norma K. Hemming Award will be presented at Continuum 13: Triscaideaphilia, the 56th Australian National Science Fiction Convention in Melbourne, Victoria, on June 9-12, 2017.

2016 Norma K Hemming Award Shortlist

The 2016 Norma K. Hemming Award finalists have been announced. The award is given by the Australian Science Fiction Foundation for thought-provoking approaches to race, gender, sexuality, class and disability in Australian speculative fiction.

  • Novel: The Hush by Skye Melki-Wegner, published by Penguin Random House
  • Novel: The Fire Sermon by Francesca Haig, published by HarperVoyager
  • Novel: Theophilus Grey And the Demon Thief by Catherine Jinks, published by Allen & Unwin
  • Novel: The Orchid Nursery by Louise Katz, published by Lacuna Publishing
  • Novella: “The Pyramids of London” by Andrea K Höst, self published
  • Novella: “Formaldehyde” by Jane Rawson, published by Seizure Books
  • Novel: Welcome to Orphancorp by Marlee Jane Ward, published by Seizure Books

The award will be presented to the winner at Contact 2016, the 55th Australian National Science Fiction Convention in Brisbane, held March 25-28.

[Thanks to Rose Mitchell for the story.]

Norma K. Hemming Award Nomination Deadline Approaching

Nominations for the 2016 Norma K. Hemming Award close December 11

The award recognizes excellence in the exploration of themes of race, gender, sexuality, class and disability in speculative fiction first published in Australia or by an Australian citizen in calendar year 2015.

You’ll find the rules, the eligibility criteria, and a downloadable Entry Form here.

Entries must be received by the administrator by Friday, December 11. There is an exception for eligible works scheduled for publication between December 11-31, provided that a duly completed Entry Form is received by December 11 and review copies of the books are mailed to the Judges as specified in Item 7 of the Entry Form to reach them by post by December 11.

Jurors for the award are editor Sarah Endacott, writer, editor and publisher Rob Gerrand and writers Tess Williams and Sean McMullen.

The award will be presented at Contact 2016, the 55th Australian National Science Fiction Convention in Brisbane, Queensland, on March 25-28, 2016.

For further information about Norma Kathleen Hemming (1928–1960) and the award, visit the Australian Science Fiction Foundation website.