Pixel Scroll 5/27/23 I Thought Muddy Waters Scrolled That Pixel

(1) PROBLEMATIC PROGRAM CONTENT. Joshua Shaw raised a red flag in a public post at the Official Anime North Facebook Group.

This is a bit of a dour post and I don’t want to ruin anyone’s fun this weekend. Even still, please read because this is about an incident that is representative of an issue in the anime community.

My partner doesn’t have a Facebook so I’m acting mostly as a mouthpiece for her to share something that really bothered her at this year’s convention. During Anime Family Feud presented by Anime North Anime North Game Shows, there was an incredible game going on with a clever and exciting first category, the mood was brought down by the second category for the day: female anime characters most likely to have an onlyfans… as chosen by males.

Visible discomfort settled on the room. First of all, anyone can do an onlyfans, there is no real way to tell who has one. If there was a criteria, it would probably be people who are comfortable with their sexuality, and if people voted on the survey based on this it would probably be fine. But instead, participation was limited to men and selections only to women, the result was a forum for men to let everyone know not who would have an onlyfans, but who SHOULD have an onlyfans according to THEIR personal fantasies.

Enter Nezuko in position 8, a 13 year old girl. The audience was made extremely uncomfortable, and boos echoed from women in the crowd about the fact that this answer was even allowed. It’s really gross to allow this reflection of pedophilic beauty standards to be effectively normalized through the game. It basically is saying “Look! Other men like her, its normal for us to like little girls too. It’s all in good fun”. But it’s not, jokes and games are ALWAYS first steps that precede more violent and dangerous attitudes surrounding the issue.

You’d think in the accepting space of this community we would be above platforming pedophilic sexism in our events, but it’s clear that our beloved and appreciated organizers made an oversight and I’d encourage more robust efforts in the future.

(2) SNG Q&A. The Horror Writers Association continues a series with “Asian Heritage in Horror: Interview with Christine Sng”.

What has writing horror taught you about the world and yourself?

Horror allows me to write about what I observe and experience in this world. It has helped me process what I see, realizing that while there is an abundance of cruelty and evil in the world, there is also a lot of good.

(3) NEW ELLIS ART CATALOG. Doug Ellis has made his latest illustrated science fiction, fantasy and pulp art sale catalog is available for download as a PDF here.

You can also download jpgs of each image here (however, to see prices and descriptions you’ll need to download the catalog).

Artists are in order, alphabetically by last name, other than the famous “Unidentified Artist”.  Note that some images do include nudity.

(4) HAZARDS OF BEING A WRITER. [Item by Mike Kennedy.] What happens if an author’s life partner doesn’t care for their latest work? Horror ensues. Or comedy about horrible feelings anyway. “’Deeper than a sexual betrayal’: what happens if your partner doesn’t like your writing?” in the Guardian.

…“Writing can be extremely embarrassing. It can be more revealing than porn,” said Moser, whose next book is a personal meditation on Dutch painting. “Whenever you put yourself out there, you are allowing not just the possibility but the absolute certainty of criticism. If you’re not supported by your nearest and dearest, it would be impossible to go on,” he said.

To hear Moser speak of the unflagging support that he and his partner, the novelist Arthur Japin, provide each other, one can’t help wondering if their mutual appreciation society isn’t partly a reflexive bulwark against an all but inevitable unraveling. “It would be deeper than a sexual betrayal,” Moser said of what happened to Beth. “You could hook up with somebody at a party, and whatever, a couple can recover, but [learning that your partner doesn’t think you’re a good writer] is an attack on your being.”…

(5) ANCIENT SPOILERS. “40 years ago, NPR had to apologize for airing ‘Return of the Jedi’ spoilers” and they still bear the scars. Spoiler warning, of course.

…At the time, though, these plot details really rankled NPR listeners. So much so that the next day Stamberg issued an on-air apology.

Well, sort of. Here’s what she said:

“Well, the comic book was a goof, but we certainly goofed last night. We goofed so badly that we changed our program before rebroadcasting it to the West Coast, which means that you West Coast listeners won’t know what I’m talking about. But enough of you on the East Coast called to complain that we want to apologize publicly to everybody.

“Calls — there were more phone calls on this one than we ever got in the middle of the hottest Middle East disputes.

“Calls — there were more phone calls than Richard Gere would get if he listed his number.

And all because last night on All Things Considered, we permitted a six-and-a-half-year-old boy to tell us everything — and I mean everything — about Return Of The Jedi. “You gave the plot away,” you said. “I’ve been waiting for that movie for three years, and now you have ruined it for me. How could you do a thing like that?”

“Well, we are sorry. We’re contrite, and we’re fascinated. Usually you get angry when we get our facts wrong. This time we got them right, and you got angry.”…

(6) MEMORY LANE.

2019[Compiled by Cat Eldridge.]

Julie E. Czerneda’s  a Canadian who’s won four Aurora Award for Best Novel winners for In the Company of OthersA Turn of LightA Play of Shadow and The Gossamer Mage which is the source of our Beginning this Scroll. 

All of her novels are well-crafted in a detailed universe with stories that are well thought out. Her Trade Pact Universe series is fantastic space opera. 

And John Clute said in the SFE: “As an anthologist, Czerneda has very usefully assembled several attractive volumes with high Canadian content.”

The world was not always thus. 

Keepers of histories agree on this, if little else. Those from the southern continents insist the world began as a frozen hen’s egg, its yolk the ground beneath, its pristine white the ice, and its shell a sky of endless darkness and stars. When the shell cracked, in poured sunlight and warmth, melting the ice. Finally, the world was ready for people to live upon it, and so they did. 

Historians and lore masters of the northern continent, experienced with ice, teach the world started in fire and it was only as it cooled that life of any sort could exist, be it hen or person. 

Theologians both north and south avoid the topic, the present and future wellbeing of the souls in their care having the greater weight, the past being unalterable. 

And perilous.

We were not the first here. 

This is the truth no one—no person—dares imagine. That there were voices before ours. Hands. Hearts and love. Rage and a hunger so terrible it consumed the surface of the world, heaving mountains skyward, tossing continents, boiling oceans. Until nowhere was left unscarred. 

Save one place. 

This is a truth impossible to rediscover. Only in the names of places, only in that one place on all the world, could you glimpse it. For ages flew by and everywhere, even there, came new voices, new hearts and hands, to claim the land and write their truths upon it.

Magic, once, was everywhere. 

Now magic is not, being confined to that one untouched place. Those of north and south might be curious. Might long for magic of their own. Might wish, in the fragile moment between twilight and the rise of the moon, to see a gossamer come to life before their eyes and transform the ordinary into wonder. 

But there is only one place left in the world where you could. Where the words of those who came before linger. Where mage scribes write them down, to summon magic from the land itself. Tananen.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 27, 1894 Dashiell Hammett. Yes, I know he’s written some genre fiction but I’m interested this time in his mysteries. He wrote The Maltese Falcon which was turned into the film you remember and another film a decade earlier. And of course there are Nick and Nora Charles in The Thin Man series that got turned in a six film series. Now my favorite character by him is the Continental Op in Red Harvest and The Dain Curse. And let’s not forget the Secret Agent X-9 comic strip which I think is genre, which artist Alex Raymond of Flash Gordon fame illustrated. (Died 1961.)
  • Born May 27, 1911 Vincent Price. Ok, what’s popping into my head is him on The Muppets in “The House of Horrors“ sketch they did in which he and Kermit sport impressive fangs which you can see thisaway. If I had to single out his best work, it’d be in such films as House on Haunted HillHouse of Usher and The Pit and the Pendulum. Yes, I know the latter two are Roger Corman productions.  Sue me. He also did a lot of series work including being Egghead on Batman, appearing in the Fifties Science Fiction Theater, having a recurring role as Jason Winters on the Time Express and so forth. (Died 1993.)
  • Born May 27, 1922 Christopher Lee. He first became famous for his role as Count Dracula in a series of Hammer Horror films.  His other film roles include The Creature in The Curse of Frankenstein, Sherlock Holmes in Sherlock Holmes and the Deadly Necklace, Kharis the Mummy in The Mummy, Francisco Scaramanga in The Man with the Golden Gun, Lord Summerisle In The Wicker Man, Saruman in The Lord of the Rings films and The Hobbit film trilogy, and Count Dooku in the second and third films of the Star Wars prequel trilogy. (Died 2015.)
  • Born May 27, 1929 Burnett Toskey, 94. He was a Seattle fan who was a member of the Nameless Ones who served in various offices for them from the early Fifties to the mid Sixties. He was also the editor of Spectator Amateur Press Society.  His work on Cry of the Nameless won the Best Fanzine Hugo at Pittcon, a honor he shared with F. M. Busby, Elinor Busby and Wally Weber.
  • Born May 27, 1934 Harlan Ellison. Setting aside the “The City on the Edge of Forever” Star Trek episode, I think I best remember him for the two Dangerous Vision anthologies which were amazing reading though I admit I read them long enough that I’ve no idea how the Suck Fairy would treat  them now.  His awards are far, far too numerous to recount here. His Hugos alone are legion and that’s hardly all of the awards that he was honored with. (Died 2018.)
  • Born May 27, 1935 Lee Meriwether, 88. Catwoman on Batman. (And if you have to ask which Batman, you’re in the wrong conversation.) Also, she had a turn as a rather sexy Lily Munster on The Munsters Today. And of course she had a co-starring role as Dr. Ann MacGregor on The Time Tunnel as well. And yes, I know I’m not touching upon her many other genre roles including her Trek appearance as I know you will.
  • Born May 27, 1966 Nina Allan, 57. Author of two novels to date, both in the last five years, The Race and The Rift which won a BSFA Award. She has done a lot of short stories hence these collections to date, A Thread of TruthThe Silver Wind: Four Stories of Time DisruptedMicrocosmosStardust: The Ruby Castle Stories and Spin which has also won a BSFA Award. Partner of the true Christopher Priest.

(8) SFF SNACKS. Bones Coffee Company has a whole lineup of sff-branded products. Here are two examples.

Inspired by Marvel’s Spider-Man, Web Slinger gives you the power you need to swing into action and get your flavor senses tingling!

They’re here from Chocolate Space! The Mint Invaders have come to planet Earth to harvest our most precious resource: Mint Chocolate Chip Ice-Cream! But…fear not, fellow humans! With the power of opposable thumbs and caffeine, we can send those little green jerks back to Chocolate Space! Will you stand with us?

(9) IN CASE YOU WONDERED. CBR.com keeps track of “Everything Added to The Lord of the Rings Extended Editions”.

Released between 2002 and 2004, the Extended Editions of Peter Jackson’s The Lord of the Rings — The Fellowship of the Ring, The Two Towers and The Return of the King — add a whopping two hours and 5 minutes of content to an already-lengthy trilogy. Some of the additional material consists of lengthened versions of existing scenes, but a good chunk of it is entirely new footage, unavailable outside of these cuts. There are also new musical cues and special effects to accompany the added content….

(10) SHOUT-OUT FOR THE EARLY SKY WATCHERS. “Nabta Playa: The World’s First Astronomical Site Was Built in Africa and Is Older Than Stonehenge” at Discover Magazine.

For thousands of years, ancient societies all around the world erected massive stone circles, aligning them with the sun and stars to mark the seasons. These early calendars foretold the coming of spring, summer, fall and winter, helping civilizations track when to plant and harvest crops. They also served as ceremonial sites, both for celebration and sacrifice.

These megaliths — large, prehistoric monuments made of stone — may seem mysterious in our modern era, when many people lack a connection with, or even view of, the stars. Some even hold them up as supernatural, or divined by aliens. But many ancient societies kept time by tracking which constellations rose at sunset, like reading a giant, celestial clock. And others pinpointed the sun’s location in the sky on the summer and winter solstice, the longest and shortest days of the year, or the spring and fall equinox. 

Europe alone holds some 35,000 megaliths, including many astronomically-aligned stone circles, as well as tombs (or cromlechs) and other standing stones. These structures were mostly built between 6,500 and 4,500 years ago, largely along the Atlantic and Mediterranean coasts. 

…Located in Africa, Nabta Playa stands some 700 miles south of the Great Pyramid of Giza in Egypt. It was built more than 7,000 years ago, making Nabta Playa the oldest stone circle in the world — and possibly Earth’s oldest astronomical observatory. It was constructed by a cattle worshiping cult of nomadic people to mark the summer solstice and the arrival of the monsoons….

(11) IN SPACE, EVERYONE CAN HEAR YOU POOP. You probably didn’t need to read that. So be warned – it’s the subject matter of Futurism’s article “Space Tourists Learn Harsh Reality of Space Station Bathroom”.

… Private spaceflight companies have yet to overcome the challenge. SpaceX, for one, admitted in September 2021 that a previous crop of space tourists had struggled with waste management during a crewed mission. A month after that, we got more information when SpaceX revealed that it had fixed a problem on one of its Crew Dragon capsules in which its space toilet, which relies on two separate vacuum tubes for numbers one and two, was leaking and spraying urine onto the floor of the craft.

“We didn’t really even notice it, the crew didn’t even notice it, until we got back,” SpaceX’s Bill Gerstenmaier told The New York Times at the time. “When we got the vehicle back, we looked under the floor and saw the fact that there was contamination underneath the floor of Inspiration4.”…

(12) HOLE NEW THING. [Item by Mike Kennedy.] NASA has published evidence of an intermediate mass black hole in the globular cluster nearest to earth — about 6000 light years away. “NASA’s Hubble Hunts for Intermediate-Sized Black Hole Close to Home”.

Astronomers using NASA’s Hubble Space Telescope have come up with what they say is some of their best evidence yet for the presence of a rare class of “intermediate-sized” black hole that may be lurking in the heart of the closest globular star cluster to Earth, located 6,000 light-years away.

Like intense gravitational potholes in the fabric of space, virtually all black holes seem to come in two sizes: small and humongous. It’s estimated that our galaxy is littered with 100 million small black holes (several times the mass of our Sun) created from exploded stars. The universe at large is flooded with supermassive black holes, weighing millions or billions of times our Sun’s mass and found in the centers of galaxies.

A long-sought missing link is an intermediate-mass black hole, weighing in somewhere between 100 and 100,000 solar masses. How would they form, where would they hang out, and why do they seem to be so rare?…

(13) VIDEO OF THE DAY. Ryan George gets inside the experience of “When People Hate-Watch Stuff”.

[Thanks to Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Juli Marr, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Jake.]

Pixel Scroll 4/22/23 This Pixel Scroll Is Not The Product Of A Boltzmann Brain. OR IS IT?

(1) MEMORIES. “Neil Gaiman at Bard College” in The Millbrook Independent.

…Gaiman described how forgetting the name of a close friend became the inspiration for a story he wrote called “The Man who forgot Ray Bradbury.”  His friend, who had died, was a reviewer of Sandman.  When he could not remember the man’s name even though they had been close, “it scared me.”

When Gaiman read the story out loud, some of the adults in the audience nodded in recognition of the phenomenon of forgetting words:

“I am forgetting things and it scares me…I am losing words-but not concepts-I look for words as as if someone had stolen them in the middle of the night…things are missing from my mouth…I am lost in the forest and do not know where here is. I learned your books, but I can’t remember your name. I worry that I am the person keeping the stories alive…perhaps God delegates things…but then you forget the things that God has delegated you to remember. I have forgotten the name of the author…I fear I am going mad…I cannot just be growing old…there is an empty space in the bookshelf of my mind.”

He described how he read all of Bradbury.  He was particularly affected by The Homecoming, a macabre story of a little boy who does not fit in with his supernatural family of ghouls, vampires, and witches. Having met Bradbury at his 70th birthday, Gaiman gave Bradbury the story he wrote for him on his 91st birthday when the writer was no longer able to read. He was moved by the video that Bradbury had filmed of himself saying thank you to Gaiman for the story. He said he sometimes listens to it when he needs cheering up.

(2) NPR AND TWITTER. “Twitter Removes ‘Government-Funded’ Labels From Media Accounts” reports the New York Times. “NPR and public broadcasters in Canada, Australia and New Zealand had criticized the label as misleading. The CBC and NPR have suspended the use of their Twitter accounts in protest.” NPR has not yet resumed using the account; the last NPR post on Twitter was dated April 12.

… The removal of the labels was the latest shift that Twitter has made abruptly and without explanation under the leadership of its owner, Elon Musk.

Twitter made the change one day after it began removing check mark icons from the profiles of thousands of celebrities, politicians and journalists whose identities it had verified before Mr. Musk bought the company for $44 billion in October. Twitter, which automatically responds to press inquiries via email with a poop emoji, did not immediately comment on Friday.

NPR reported that Mr. Musk said in an email that Twitter had dropped all media labels and that “this was Walter Isaacson’s suggestion,” apparently referring to the author and former media executive who is working on a book about Mr. Musk. Mr. Isaacson did not immediately respond to a request for comment.

NPR said last week that it would suspend all Twitter use after the social network designated the broadcaster “U.S. state-affiliated media.”

Twitter then changed the label on the NPR Twitter account to “Government-funded Media.” It gave the same designation to PBS, which also said it would stop tweeting from its account.

NPR said last week that it received less than 1 percent of its annual operating budget in the form of grants from the government-funded Corporation for Public Broadcasting and other federal agencies and departments. It said its two largest sources of revenue are corporate sponsorships and fees paid by member stations, which rely heavily on donations from listeners.

PBS says on its website that, because it is commercial-free, many people mistakenly believe the government provides the bulk of its funding. But federal funding accounts for only about 15 percent of its revenue, the broadcaster said….

(3) AVOID THIS FRAUD. Victoria Strauss diagrams the “Anatomy of a Fake Literary Agency Scam” at Writer Beware.

… There are three components to a fake literary agency scam.

  • One (or more) fake agency
  • One (or more) “trustworthy” service provider
  • A parent company overseas, usually in the Philippines, that runs the scam with a brigade of sales reps using American-sounding aliases. This is where your money ultimately goes….

(4) POLITICAL GAMESMANSHIP. [Item by “Orange Mike” Lowrey.] According to the right-wing press, playing Magic: The Gathering means that Missouri Democrat Lucas Kunce (a combat veteran) should be disqualified from holding public office. (Remember the Maine state senate candidate, a nurse, whose crime was playing World of Warcraft?) “Disqualifying: Democratic Senate Candidate Played ‘Magic: The Gathering’ With Journalist” at The Washington Free Beacon.

What happened: Lucas Kunce, a Democratic candidate for U.S. Senate in Missouri, played Magic: The Gathering with a journalist from Time magazine, a once-respected publication.

The resulting article was clearly inspired by the Washington Free Beacon‘s exclusive report about Kunce being a massive nerd who was a male cheerleader at Yale and got arrested for harassing his neighbors with a box of Lucky Charms because their weed-smoking annoyed him. (Yes, seriously.) He also plays wizard-themed card games in his spare time….

Why it matters: In a free and just society, playing Magic: The Gathering with a journalist would disqualify someone from seeking public office. To paraphrase one of America’s most formidable intellectual prognosticators: “We don’t want nerds elected in Missouri. No nerds!”

(5) NORTH KOREAN SFF. Sonya Lee introduces readers to “Science Fiction Literature from North Korea” in the Library of Congress’ “4 Corners of the World” blog.

Is there science fiction in North Korea? Surprisingly, the answer is yes. Kim Chŏng-il (1941-2011) himself, the country’s second leader, believed science fiction had an important role to play and encouraged its publication. But what does science fiction in North Korea look like?

First, the genre of science fiction in North Korea is tied to anti-imperialism and the concept of juche, often translated as “self-reliance” or “self-determination.” Thus, North Korean science fiction focuses above all on the possibility of molding nature and society according to the will of the North Korean people so they become the master of their own destiny. Juche is a foundational concept in the ideology of the North Korea state, too. The country’s founding leader Kim Il-sŏng (1912-94) connected this idea of juche to the concept of a people’s revolution, one that would be free from imperial, or Western, influence.

Science fiction is a special type of literature that describes technologies that do not yet exist and envisions what our future life may entail with highly developed science. While science fiction often fantastically imagines how science and technology can explore new worlds and even conquer nature, the premises of its stories have to be based on convincing scientific knowledge. Science fiction writers need considerable knowledge of the trends in modern science and technology in order to create convincing previews of a highly developed future.

(6) DEAN KOONTZ Q&A. [Item by Michael Toman.] Would Other Filers also appreciate the opportunity to hear this recommended, inspirational podcast, too? N. B. Dean’s shout-outs for Bradbury, Heinlein, Sturgeon, and ol’ Jack Douglas about 45:00! Not to mention John D. MacDonald! Page One Podcast Ep. 11: Dean Koontz – Quicksilver.

In this very special episode, we discuss the pursuit of being a reckless optimist, fighting nihilism, quantum physics, and the mystery of being in the creative flow—where creativity is not coming from you but through you. Koontz’s creative output is almost superhuman, yet he’s one of the most lovable, down to earth and experienced authors you’ll ever get the pleasure of meeting. Please enjoy his bountiful wisdom on what it takes to become a master storyteller. 

(7) MEMORY LANE.

1979[Compiled by Cat Eldridge.]

And this Scroll we have a Beginning courtesy of Reginald Bretnor who was known primarily as a short story writer from the Fifties to Eighties. Under the alias Grendel Briarton, he wrote the very short stories about time traveller Ferdinand Feghoot.

What we’re interested in this Scroll is that he invited various SF and science writers to contribute essays to anthologies for which he had decided the theme beforehand. And brings us to the Beginning tonight.  

Modern Science Fiction: Its Meaning and Its Future was first published seventy years ago by Coward-McCann, an imprint of G. P. Putnam’s Sons.  It has entries by John W. Campbell, Jr., Anthony Boucher, Fletcher Pratt, Rosalie Moore, Don Fabun, L. Sprague de Camp, Isaac Asimov, Arthur C. Clarke, Philip Wylie and Gerald Heard. Bretnor of course contributed to this anthology as well.

It is, if you are interested in reading it, available from usual suspects in a trade paper edition for a quite reasonable price.

Here’s the entire Beginning otherwise known as the preface by Bretnor…

The twenty-six years that have passed since this book was first published in 1953 have dramatically narrowed the gap (which never really existed except in the public imagination) between science and science fiction. They have been years of marvelous scientific and technological progress—and of almost unbelievable geopolitical idiocy. 

Today, perhaps, we are more generally aware of threats to our existence which we ourselves have brought into being, and science fiction has certainly played a major role in achieving that awareness. But we have made little or no progress in understanding how to control these threats—in other words, how to control that destructiveness which is so terrible a part of our universal heritage. The gap between our technological sophistication and our primitive behavior is wider now than it has ever been, and is not narrowing—yet. Here science fiction may seem to have achieved little of its promise, partly for the very cogent reason that destructiveness too often is dramatic and exciting—we all know that star wars can be good, clean fun, now don’t we?—and partly because the field has suffered from a number of derationalizing influences: first, that strange hodgepodge of anti-scientific flummery known rather vaguely as the New Wave, next the (at first grudging and then downright hungry) recognition and acceptance of science fiction by our academics, and finally that Madison Avenue trendiness which always steps in with its cleated overshoes when the general public starts to catch up with something (in this case, with Horrendous Science Stories, circa 1932).

Yet we have a contradiction here, for these influences themselves are perhaps the best evidence that science fiction has been successfully performing its most important function—narrowing the gap between what C. P. Snow calls our Two Cultures: the scientific and the non-scientific literary. The literary intellectual who, for whatever reason, becomes interested in science fiction cannot help acquiring something of a scientific orientation; at least, he will be much less likely to shudder at the thought of “cold, inhuman science”—and his children or his pupils much more likely to dismiss the entire concept as absurd. Similarly, the scientific intellectual who reads, and possibly writes, science fiction cannot help but gain a deeper understanding of, and interest in, what his non-scientific counterpart would call “the warm human emotions.”

And, of course, we may expect to find analogous attitudinal changes on semi-intellectual and even non-intellectual levels. 

To my mind, one of the most significant, immediately observable results of this trend is today’s surprising number of highly capable younger writers with solid scientific backgrounds—men and women who—despite the fact that so many of our grammar and high schools have become expensive playpens for the mass production of illiteracy—have somehow managed to get general educations broad enough to enable them to write, not just imaginatively but really well, and to integrate into their work what they know of the exact sciences and their resultant technologies.

The process rather resembles the marriage of the Antique and the Medieval in the Renaissance, and if human events allow it to continue, not just in science fiction but in all other areas, must ultimately produce a culture richer and more coherent than those which have preceded it, a culture at once humane and scientific (because science is human, and there need be no conflict “between humanity and science”), a culture for the first time capable of understanding its own drives, its strengths, its weaknesses and vulnerabilities. 

Certainly I am not saying that science fiction can or will itself create this culture. But it will contribute to it, partly by helping to bring about the rapprochement we have discussed, and partly through its many attempts to define the future.

I believe that science fiction is the first of that culture’s many voices, most of which are still unborn—and that it already was when this book first appeared twenty-six years ago.

REGINALD BRETNOR. Medford, Oregon. October 5, 1978

Note: When I edited Modern Science Fiction: Its Meaning and Its Future few bibliographical tools were available in the science fiction field, and many errors inevitably went by undetected. For this reason, Advent:Publishers have very kindly provided a comprehensive supplement of corrections and notes.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 22, 1902 Philip Latham. Name used by astronomer Robert Shirley Richardson on his genre work. His novels were largely first published in Astounding starting in the Forties, With the exception of his children’s SF novels that were published in Space Science Fiction Magazine. He also wrote a few scripts for Captain Video, the predecessor of Captain Video and his Video Rangers. His Comeback novel starts this way: “When Parkhurst heard the announcement that climaxed the science fiction convention, he found that he’d been right, years ago when he had faith in science-fictionists’ dreams. But, in another way, he’d been wrong . . .” It’s available at the usual digital suspects for a buck. (Died 1981.)
  • Born April 22, 1916 Virginia Heinlein. Editor of Grumbles from the Grave. Also allowed Tramp Royale to be published after her husband’s death. And for some reason allowed longer versions of previously published works Stranger in a Strange LandThe Puppet Masters, and Red Planet to be published. Anyone read these? Used bookstores here frequently had copies of Stranger in a Strange Land so buyers didn’t hold on to it…  (Died 2003.)
  • Born April 22, 1934 Sheldon Jaffery. Bibliographer who was a fan of Weird Tales, Arkham House books, pulps, and pretty much anything in that area. Among his publications are Collector’s Index to Weird Tales (co-written with Fred Cook), Future and Fantastic Worlds: A Bibliographical Retrospective of DAW Books (1972-1987) and Horrors and Unpleasantries: A Bibliographical History and Collector’s Price Guide to Arkham House. He also edited three anthologies which Bowling Green Press printed, to wit Sensuous Science Fiction from the Weird and Spicy PulpsSelected Tales of Grim and Grue from the Horror Pulps and The Weirds: A Facsimile Selection of Fiction From the Era of the Shudder Pulps. (Died 2003.)
  • Born April 22, 1937 Jack Nicholson, 86. I think my favorite role for him in a genre film was as Daryl Van Horne in The Witches of Eastwick. Other genre roles include Jack Torrance in The Shining, Wilbur Force in The Little Shop of Horrors, Rexford Bedlo in The Raven, Andre Duvalier in The Terror, (previous three films are Roger Corman productions), Will Randall in Wolf, President James Dale / Art Land in Mars Attacks! and Jack Napier aka The Joker in Tim  Burton’s The Batman.
  • Born April 22, 1944 Damien Broderick, 79. Australian writer of over seventy genre novels. It is said that The Judas Mandala novel contains the first appearance of the term “virtual reality” in SF. He’s won five Ditmar Awards, a remarkable achievement. I know I’ve read several novels by him including Godplayers and K-Machines which are quite good.
  • Born April 22, 1946 John Waters, 77. Yes, he did horror films, lots of them. Shall we list them? There’s Multiple ManiacsSuburban GothicExcisionBlood Feast 2: All U Can Eat and Seed of Chucky. The latter described as a “supernatural black comedy horror film” on Wiki. He also narrates Of Dolls and Murder, a documentary film about a collection of dollhouse crime scenes created in the Forties and society’s collective fascination with death.
  • Born April 22, 1977 Kate Baker, 46. Editor along with with Neil Clarke and Sean Wallace of the last two print issues Clarkesworld. She’s won the Hugo Award for Best Semiprozine twice, and the World Fantasy Award (Special Award: Non Professional) in 2014, all alongside the editorial staff of Clarkesworld. She’s a writer of three short genre stories, one which of which, “No Matter Where; Of Comfort No One Speak”, you can hear at the link. Trigger warning for subject matters abuse and suicide.
  • Born April 22, 1984 Michelle Ryan, 39. She had the odd honor of being a Companion to the Tenth Doctor as Lady Christina de Souza for just one story, “Planet of the Dead”.  She had a somewhat longer genre run as the rebooted Bionic Woman that lasted eight episodes, and early in her career, she appeared as the sorceress Nimueh in BBC’s Merlin. Finally I’ll note she played Helena from A Midsummer Night’s Dream in BBC’s Learning project, Off By Heart Shakespeare

(9) COMICS SECTION.

  •  Tom Gauld breaks down all the previously overlooked ingredients.

(10) MEET THE SMOOKLERS. Two longtime Canadian fans have been profiled in LivingLIFE, published by The LIFE Institute of Ryerson University’s G. Raymond Chang School of Continuing Education. “Meet the Smooklers, LIFE Institute Pioneers”.

Following a study commissioned by the North York Board of Education in 1987, Elderhostel created a model for seniors’ self-directed learning. With the involvement of three other interested organizations, a home was found on the Ryerson campus. Among those present at the inaugural LIFE meeting in 1990 were Frances and Kenneth Smookler. They would go on to serve 22 terms and 10 terms respectively on the Board.

Both lawyers, they had started practicing in separate firms but soon joined forces and remained the partners of Smookler and Smookler until they retired.

Ken’s interests include research, travel and writing. In 2016 a book he wrote about a fantasy law firm called Farr and Beyond was published and is still available through Amazon. With a background in science, Ken is keenly interested in speculative fiction. He has been on the Board of three World Science Conventions and attended twenty or more, often accompanied by Frances…

(11) CLIPPING SERVICE. The National Air and Space Museum revisits “Project Paperclip and American Rocketry after World War II”. The précis reads:

Project Paperclip, commonly known by misnomer “Operation Paperclip,” was a program designed to bring German and Austrian engineers, scientists, and technicians to the United States after the end of World War II in Europe. The program’s official goal was to bring these skilled experts to the United States for a period of six months to a year to assist in America’s efforts against Japan.

Approximately half of the initial Paperclip experts were affiliated with the Nazi Party, with many joining for opportunistic reasons. The rationale behind bringing them to the United States was that the country required their expertise in weapons programs or, at the very least, had to prevent the Soviet Union from accessing their knowledge and talents.

Project Paperclip made a significant contribution to American technology, rocket development, military preparedness and, eventually, spaceflight, but there was a moral cost to the program: the coverup of the Nazi records of many of the specialists. Curator Michael Neufeld explores in a new blog.

(12) SOUNDS ALMOST FORTEAN. [Item by Michael Toman.] Loon Moon Over Wisconsin? Birdfall Apocalypse? “’Loon fallout’: Strange weather phenomenon causes birds to fall from sky in Wisconsin” reports Yahoo!

… However, due to the many calls the group has received, combined with the region’s winter mix of ice, rain and unstable air currents this week, they said it appears a “loon fallout” is occurring.

“That occurs when atmospheric conditions are such that the migrating loons develop ice on their body as they fly at high altitude and crash-land when they are no longer able to fly due to the weight of the ice on their body or the interference with their flight ability,” said the group, which helps in the care and rehabilitation of wild birds.

…”Loons cannot walk! They will need your help,” the group said in a Facebook post. “If you find a loon on land or on a road or cow pasture, realize that it cannot walk.”

Loon’s legs are placed to the back of the bird and made for swimming and diving, not walking, according to REGI. They also cannot fly from small ponds as they need a quarter mile or more of open water to run across and get airborne….

VIDEO OF THE DAY. Ryan George is there when a “90s Time Traveler Discovers AI”. Comedy gold! Or at least zircon.

[Thanks to Cat Eldridge, Mike Kennedy, Andrew Porter, “Orange Mike” Lowrey, John King Tarpinian, Chris Barkley, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Paul Weimer.]

Pixel Scroll 4/13/23 Scrolling To Filezantium

(1) INFLUENCERS. TIME Magazine today posted “TIME100: The Most Influential People of 2023”. Listed actors, icons, and titans with genre connections include Ke Huy Quan, Pedro Pascal, Salman Rushdie, Angela Bassett, Bob Iger. And writer Neil Gaiman, whose tribute was written by actor James McAvoy:

What I admire most about Neil Gaiman is his belief in the necessity of storytelling: it’s something we need on a DNA level.

I first read a book by Neil when I was 14 years old. It was Good Omens, his brilliant 1990 collaboration with Terry Pratchett. Two decades later, I got the opportunity to star in the 2013 BBC radio adaptation of Neverwhere. I remember feeling so excited that I was being inducted into his sphere of influence—one that has only grown. It’s fantastic to see Neil’s work gain new fans, most recently with the Netflix adaptation of his award-winning comic-book series The Sandman.

Neil’s point of entry into the storytelling realm is darkly fantastical and occultish. The way he writes makes you feel like you’re being let in on a massive secret. His worlds are hidden, shrouded in mystery, yet they’re never that far removed from ours. They’re always just barely within your peripheral vision—under the street or in a dark building or at the end of a lane. He brings dreamscapes to life.

(2) PITCH: A CROSS BETWEEN SURVIVOR AND THE MARTIAN. Plus Shat! “Fox Orders ‘Stars on Mars’ Reality Show With William Shatner” reports Variety.

Fox has ordered the reality series “Stars on Mars,” a new celebrity unscripted series featuring “Star Trek” star William Shatner in a host-like role. The series, set to air this summer, will follow stars as they are suited up to live in a colony set up to simulate what it might be like to be an astronaut on Mars.

“Stars on Mars” premieres on Monday, June 5, at 8 p.m. on Fox. The show comes from Fremantle’s Eureka Productions. The idea centers on the celebrity contestants competing in the Mars-like surroundings until there is just one “celebronaut” left standing. Shatner will deliver tasks to the celebs as “Mission Control.”

… Shatner, in a quippy quote, added: “Thanks to lower gravity on Mars, you’ll weigh 62% less. Bad news: the air is unbreathable, so if you’re from LA, it’ll remind you of home.”

The show will open with the celebrities living together as they “live, eat, sleep, strategize, and bond with each other in the same space station,” according to the network.

Here’s more from the show description: “During their stay, they will be faced with authentic conditions that simulate life on Mars, and they must use their brains and brawn – or maybe just their stellar social skills – to outlast the competition and claim the title of brightest star in the galaxy. The celebrities will compete in missions and will vote to eliminate one of their crewmates each week, sending them back to Earth. Cue the intergalactic alliances and rivalries. ‘Stars on Mars’ will send these famous rookie space travelers where no one has gone before and reveal who has what it takes to survive life on ‘Mars.’”…

(3) IS THIS THE CRÈME DE LA CRÈME? Earlier this week the LA Times rolled out The Ultimate L.A. Bookshelf, devoting one of the shelves to 13 works of Speculative Fiction.

For our Ultimate L.A. Bookshelf, we asked writers with deep ties to the city to name their favorite Los Angeles books across eight categories or genres. Based on 95 responses, here are the 13 most essential works of speculative fiction, from Octavia Butler, Philip K. Dick, Aldous Huxley, Salvador Plascencia and many more….

Although these are all books, since two of them are collections of short fiction – Dangerous Visions (1967) and Speculative Los Angeles (2021) – it seems to me there should have been a way to get quintessential LA stories like Heinlein’s “And He Built A Crooked House”, and Niven’s “Inconstant Moon” into the mix. I’ll leave aside Bradbury’s “The Pedestrian” which doesn’t actually say what city it takes place in, though no one has ever had any doubt…

(4) CLI-FI CONTEST. Imagine 2200: Climate Fiction for Future Ancestors submissions will be accepted up to the June 13 deadline.

Imagine 2200 challenges entrants to write stories that help envision the next 180 years of climate progress. Whether built on abundance or adaptation, reform or a new understanding of survival, the contest celebrates stories that provide flickers of hope, even joy, and serve as a springboard for exploring how fiction can help create a better reality.

Stories will be judged by a panel of literary experts, including acclaimed authors Paolo Bacigalupi, Nalo Hopkinson, and Sam J. Miller. 

The winning writer will be awarded $3,000, with the second- and third-place winners receiving $2,000 and $1,000, respectively. Nine additional finalists will each receive $300. All winners and finalists’ stories will be published in an immersive collection on Grist’s website. 

Read more and find out how to submit a story here.

(5) FAN HISTORY ZOOM. Fanac.org’s program on “Researching (& Saving) Fan History” with Rob Hansen, Andy Hooper, Mark Olson and Joe Siclari can be viewed online April 22, 2023 beginning at 4 pm EDT, 1 pm PDT, 9 pm BST London, 6 am Sunday in Melbourne, AU. See the details in the poster. To get a link to the program, write to [email protected].

Past sessions are all available on Fanac.org’s YouTube channel

(6) NPR LEAVES TWITTER. AP News reported on April 12“NPR quits Elon Musk’s Twitter over ‘government-funded’ label”. They obviously meant it – NPR usually tweets prolifically every day, but there were no new tweets from NPR today, April 13.

National Public Radio is quitting Twitter after the social media platform owned by Elon Musk stamped NPR’s account with labels the news organization says are intended to undermine its credibility.

Twitter labeled NPR’s main account last week as “state-affiliated media, ” a term also used to identify media outlets controlled or heavily influenced by authoritarian governments, such as Russia and China. Twitter later changed the label to “government-funded media,” but to NPR — which relies on the government for a tiny fraction of its funding — it’s still misleading.

NPR said in a statement Wednesday that it “will no longer be active on Twitter because the platform is taking actions that undermine our credibility by falsely implying that we are not editorially independent.”…

(7) GATEWAY TO ORSON WELLES. [Item by Steve Vertlieb.] Celebrating the genius of this extraordinary artist with my published look at the turbulent life and career of Orson Welles, the fabulous, visionary film maker whose personal demons sadly overshadowed his staggering talent, and finally, tragically destroyed him.

Yet, in spite of his personal failings or, perhaps, because of them, Welles rose to become one of the most remarkable film makers of his, or any other generation.

From his groundbreaking first feature length motion picture Citizen Kane, regarded by many still as the greatest single film in motion picture history, to Touch Of Evil, his remarkable “Cinema Noir” tale of a squandered life and legacy corrupted by bribery and temptation, Welles remains one of the most extraordinary directors in the history of film.

His is a story of unwitting sabotaged achievement and haunting, incomparable genius.

Here, then, is “Xanadu: A Castle in the Clouds: The Life of Orson Welles” at The Thunderchild.

(8) OCTOTHORPE. Episode 81 of the Octothorpe podcast, “It Wasn’t an Interjection From the Room, It Was My Face”, is available.

Alison, Liz, John and Alison are live from Conversation! We talk about the convention, in a rather more haphazard way than normal. Art by the amazing Sue Mason.

(9) MORE WRITERS’ RESPONSES TO AI. The SFWA Blog has updated its webpage and now has over 50 SFWA members’ writing and thoughts on artificial intelligence (AI) and machine learning (ML) applications and considerations. “SFWA Members Weigh in on AI & Machine Learning Applications & Considerations”. In case you looked at the original version, the additions are designated “NEW” to make them easy to find.

SFWA also focused attention on a video is now available from the AI/ML Media Advocacy Summit, a free online event last month that brought together experts and creators to discuss the creative community’s response to AI/ML media generators. SFWA Vice President John Murphy served as a panelist for the writers’ forum, along with moderator Donna Comeaux, Ed Hasbrouck of the National Writers Union, and Mary Rasenberger of the Authors Guild.

With our discipline specific panels we will be talking to a variety of individuals from across the creative industries including visual artists, voice actors, musicians, animators, photographers and writers on the different types of AI media generators and the unique challenges they pose.

(10) VIRGINIA NORWOOD (1927-2023). Physicist and inventor Virginia Norwood, who devised the scanner that has been used to map and study the earth from space for more than 50 years, died March 27. The New York Times obituary detailed the unexpected triumph of her contribution to the first Landsat.

…In the late 1960s, after NASA’s lunar missions sent back spectacular pictures of Earth, the director of the Geological Survey thought that photographs of the planet from space could help the agency manage land resources. The agency would partner with NASA, which would send satellites into space to take the pictures.

Ms. Norwood, who was part of an advanced design group in the space and communications division at Hughes, canvassed scientists who specialized in agriculture, meteorology, pollution and geology. She concluded that a scanner that recorded multiple spectra of light and energy, like one that had been used for local agricultural observations, could be modified for the planetary project that the Geological Survey and NASA had in mind.

The Geological Survey and NASA planned to use a giant three-camera system designed by RCA, based on television tube technology, that had been used to map the moon. The bulk of the 4,000-pound payload on NASA’s first Landsat satellite was reserved for the RCA equipment.

Ms. Norwood and Hughes were told that their multispectral scanner system, or M.S.S., could be included if it weighed no more than 100 pounds.

Ms. Norwood had to scale back her scanner to record just four bands of energy in the electromagnetic spectrum instead of seven, as she had planned. The scanner also had to be high precision. In her first design, each pixel represented 80 meters.

The device had a 9-by-13-inch mirror that banged back and forth noisily in the scanner 13 times a second. The scientists at the Geological Survey and NASA were skeptical.

A senior engineer from Hughes took the device out on a truck and drove around California to test it and convince the doubters that it would work. It did — spectacularly. Ms. Norwood hung one of the images, of Yosemite National Park’s Half Dome, on the wall of her house for the rest of her life.

The first Landsat blasted into space on July 23, 1972. Two days later, the scanner sent back the first images, of the Ouachita Mountains in Oklahoma; they were astounding. According to a 2021 article in MIT Technology Review, one geologist teared up. Another, who had been skeptical about the scanner, said, “I was so wrong about this. I’m not going to eat crow. Not big enough. I’m going to eat raven.”

The RCA system was supposed to be the primary recording instrument aboard the satellite, and the M.S.S. a secondary experiment.

“But once we looked at the data, the roles switched,” Stan Freden, the Landsat 1 project scientist, said in a NASA report.

The M.S.S. proved not only better, but also more reliable. Two weeks after liftoff, power surges in the RCA camera-based system endangered the satellite and the camera had to be shut down….

(11) MEMORY LANE.

1945[Compiled by Cat Eldridge.]

August Derleth’s “A Word From Dr. Lyndon Parker”

Sherlock Holmes pastiches must be almost as old as the stories themselves. The first credited one was sixteen years after the first Holmes story and was in Greek, Sherlock Holmes saving Mr. Venizelos (Ο Σέρλοκ Χολμς σώζων τον κ. Βενιζέλον).  Our Beginning tonight isn’t from a work that old as it’s taken from August Derleth’s In Re: Sherlock Holmes.

It came from the collection of short stories, In Re: Sherlock Holmes, first published seventy-eight years ago in the US by Mycroft & Moran which was an imprint of Arkham House. The imprint was in part created for these stories. Wise choice I’d say.

Pons, a Consulting Detective in the mold of Holmes, exists because Derleth desired so much to do Holmes stories after Doyle ceased that he wrote him and asked if he could. Doyle unsurprisingly said no. The Solar Pons name is supposedly syllabically similar to Sherlock Holmes. Huh.

I like them because Derleth is obviously a fanboy of Holmes and his detective. Pons isn’t Holmes but is what a fan would write if he was creating his own loving version of Holmes. 

And now for our very British Beginning…

A Word From Dr. Lyndon Parker

The way in which I first made the acquaintance of Mr. Solar Pons, who was destined to introduce me to many interesting adventures in crime detection, was exceedingly prosaic. Yet it was not without those elements suggestive of what was to come. Though it took place almost thirty years ago, the memory of that meeting is as clear in mind as if it had taken place yesterday.

I had been sitting for some time in a pub not far from Paddington Station, ruefully reflecting that the London to which I had returned after the first World War was not the city I had left, when a tall; thin gentleman wearing an Inverness cape and a rakish cap with a visor on it, strode casually into the place. I was struck at once by his appearance: the thin, almost feral face; the sharp, keen dark eyes with their heavy, but not bushy brows; the thin lips and the leanness of the face in general–all these things interested me both from a personal and a medical standpoint, and I looked up from the envelope upon which I had been writing to follow the fellow with my eyes across the floor to the bar.

A waiter, who was wiping tables next to me, noticed my interest and came over. “Sherlock Holmes’,” he said. “That’s who he is. The Sherlock Holmes of Praed Street,’ is what the papers call him. His real name’s Solar Pons. Ain’t much choice between the two, eh?” 

Pons had had a few words with the man behind the bar and now turned to look idly over the room. I looked away as I saw that his glance was about to fall on me, and I felt him examining me from head to toe. I felt, rather than saw, that he was walking over toward my table, and in a few moments he came to stand beside my bag on the floor next to my chair. 

“Fine color,” he said crisply. “Not long back from Africa, I see. “Two days.”

“Your scarab pin suggests Egypt and, if I’m not mistaken, the envelope on which you have been writing is one of Shepheard’s. From Cairo, then.” 

“On the ship Ishtar.” 

“At the East India Docks.” 

I looked up and he smiled genially. “But, really, you know, my dear fellow–London is not as bad as all that.” 

“I should not like to think so,” I answered him, without at once realizing that I had given him no clue to my thoughts. “Obviously you have been walking.”

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 13, 1931 Beverly Cross. English playwright, librettist, and screenwriter. Yes librettist. He’s here because he wrote the screenplays for Sinbad and the Eye of the TigerJason and the Argonauts and Clash of the Titans. Not remotely genre related but worth mentioning, is that he worked uncredited on the script for Lawrence of Arabia although it is unknown if any of his material made it to the film we see. (Died 1998.)
  • Born April 13, 1943 Bill Pronzini, 80. Mystery writer whose Nameless Detective has one genre adventure in A Killing in Xanadu. Genre anthologist, often with Barry N Malzberg, covering such varied and wide-ranging themes as Bug-Eyed Monsters (with Malzberg), Arbor House Treasury of Horror and the Supernatural (with Greenberg and Malzberg) and Arbor House Necropolis. As Robert Hart Davis, he wrote “The Pillars of Salt Affair”, a Man from U.N.C.L.E. novella that ran in the The Man from U.N.C.L.E. Magazine.
  • Born April 13, 1950 Ron Perlman, 73. Hellboy in a total of five films including three animated films (Hellboy: Sword of StormsHellboy: Blood and Iron and the Redcap short which is elusive to find unfortunately). Still by far the best Hellboy. He’s got a very long association with the genre as his very first film was Quest for Fire in which he was Amoukar. The Ice Pirates and being Zeno was followed quickly by being Captain Soames in Sleepwalkers and Angel De La Guardia in the Mexican horror film Cronos. Several years later, I see he’s Boltar in Prince Valiant, followed by the hard SF of being Johnher in Alien Resurrection and Reman Viceroy in Star Trek: Nemesis. And I should note he was in Fantastic Beasts and Where to Find Them as Gnarlack, a goblin gangster if I read the Cliff Notes to that correctly. No, I’m not forgetting about his most amazing role of all, Vincent in Beauty and The Beast. (Having not rewatched for fear of the Suck Fairy having come down hard on it. So who has watched it lately?) At the time, I thought it was the most awesome practical makeup I’d ever seen. And the costume just made look him even still more amazing. 
  • Born April 13, 1951 Peter Davison, 72. The Fifth Doctor that I came to be very fond of. For twenty years now, he has reprised his role as the Fifth Doctor in myriad Doctor Who audio dramas for Big Finish. And he put a lot of gravitas into the voice of Mole he did for The Wind in the Willows animated special Mole’s Christmas. And let’s not forget he showed up in The Hitchhiker’s Guide to the Galaxy as the Dish of the Day. I’m going to note that I first saw him in Tristan Farnon in the BBC’s adaptation of James Herriot’s All Creatures Great and Small stories, a lovely role indeed. And I’m very fond of The Last Detective series where he played DC ‘Dangerous’ Davies. 
  • Born April 13, 1954 Michael Cassutt, 69. Producer, screenwriter, and author. His notable TV work includes work for the animated Dungeons & DragonsMax HeadroomThe Outer LimitsBeauty and The BeastSeaQuestFarscape, Eerie, Indiana and The Twilight Zone. He’s also written genre works including the Heaven’s Shadow series that was co-written with David S. Goyer. His latest piece of fiction was the “Aurora” novelette published in Asimov’s Science Fiction Magazine, March/April 2022. 
  • Born April 13, 1954 Glen Keane, 69. He’s responsible for all of the layout work on Star Trek: The Animated Series and also My Favorite Martians which I can’t say I recognize. As a character animator at Walt Disney Animation Studios, he worked on Aladdin, Beauty and the Beast, The Little Mermaid and Pocahontas
  • Born April 13, 1959 Brian Thomsen. Editor, writer and anthologist. He was founding editor of Warner Books’ Questar Science Fiction, and later served as managing fiction editor at TSR. He co-wrote the autobiography of Julius Schwartz. And yes I’ve actually read one of his anthologies, A Yuletide Universe, as I remember it from the cover art. (Died 2008.)
  • April 13, 1967 — Rogers Cadenhead, 56. This Filer is a computer book author and web publisher who served once as chairman of the RSS Advisory Board, a group that publishes the RSS 2.0 specification. Very, very impressive. He also gained infamy for claiming drudge.com before a certain muckraker could, and still holds on to it.

(13) COMICS SECTION.

(14) RIVERS OF LONDON. Titan Comics has revealed the covers for Here Be Dragons – the next phase of Rivers of London comics, set in the world of the bestselling novel series. For this upcoming series, comic series writers Ben Aaronovitch (Rivers of London) and Andrew Cartmel (The Vinyl Detective) are joined by BAFTA-nominated scriptwriter, and award-winning New York Times bestselling author James Swallow, with artwork by José María Beroy

This cover preview shows the first look at a dangerous monster at large above the streets of London. After a Met Police helicopter on night patrol is attacked by an unidentified aerial phenomena, the Met’s only sanctioned wizard, Peter Grant, and his mentor, Thomas Nightingale, are called to investigate.
 
Rivers of London: Here Be Dragons issue #1 (on sale in comic shops and digital July 12th, 2023) features covers by series artist José María Beroy, alongside David M. Buisan and V.V. Glass. 

(15) SMITHSONIAN OPEN ACCESS. “The Smithsonian Puts 4.5 Million High-Res Images Online and Into the Public Domain, Making Them Free to Use” at Open Culture. And more items are being added to Smithsonian Open Access all the time,

That vast repository of American history that is the Smithsonian Institution evolved from an organization founded in 1816 called the Columbian Institute for the Promotion of Arts and Sciences. Its mandate, the collection and dissemination of useful knowledge, now sounds very much of the nineteenth century — but then, so does its name. Columbia, the goddess-like symbolic personification of the United States of America, is seldom directly referenced today, having been superseded by Lady Liberty. Traits of both figures appear in the depiction on the nineteenth-century fireman’s hat above, about which you can learn more at Smithsonian Open Access, a digital archive that now contains some 4.5 million images.

Just for practice I searched “science fiction” and one of the images that returned was Octavia Butler’s typewriter.

This Olivetti Studio 46 Typewriter belonged to Octavia E. Butler (1947-2006), who wrote science fiction when few black writers did. Butler began writing at age 10 and eventually used a computer to compose, but noted, “I didn’t always. I wrote my first ten books on a manual typewriter of one kind or another….She [my mother] did day work; she made not very much money….here she had a daughter begging for a typewriter.” Butler’s blue typewriter dates to the 1970s….

(16) VONNEGUT SPEAKS. At Euronews:“Culture Re-View: Kurt Vonnegut’s five best quotes”.

…Over the following five decades, Vonnegut established himself as one of the most creative and humorous voices in science-fiction. Like an American Douglas Adams, his books would frequently deal with aliens, time travel, and metafiction, but always with the intent of getting to the heart of human nature itself….

The first example on their list is:

1. “We are what we pretend to be, so we must be careful about what we pretend to be.”

From Vonnegut’s third novel ‘Mother Night’, it’s a beautiful and quick summation of an appreciation of the stark importance as well as the flimsiness of human identity.

(17) DAY FOR KNIGHT. “’Game of Thrones’ Prequel Based on Dunk and Egg Books Series Order”TVLine has details.

Despite Game of Thrones author George R.R. Martin once plainly stating that HBO was not going to make a TV show out of his Dunk and Egg novellas, those characters will be central in A Knight of the Seven Kingdoms: The Hedge Knight, a Thrones prequel series that HBO greenlit Wednesday during Warner Bros. Discovery’s unveiling of its Max streaming service.

The series will be written and executive-produced by Martin and Ira Parker. Ryan Condal, who currently serves as House of the Dragon‘s showrunner, and Vince Gerardis also will be EPs.

“A century before the events of Game of Thrones, two unlikely heroes wandered Westeros,” the official logline reads. “A young, naive but courageous knight, Ser Duncan the Tall” (aka Dunk) “and his diminutive squire, Egg. Set in an age when the Targaryen line still holds the Iron Throne and the memory of the last dragon has not yet passed from living memory, great destinies, powerful foes and dangerous exploits all await these improbable and incomparable friends.”…

(18) A FROZEN FLAME. And if you’d like to see George R.R. Martin posing with his Dragon Award from last year, click on this link to his March 29 blog entry.

My thanks to all of the attendees of last year’s Dragoncon, and to all the Dragon Award voters who chose ELDEN RING as the best game of the year.   Like all my friends at From Software, I am thrilled that you enjoyed the play… as challenging as it can be.

(19) VIDEO OF THE DAY. PBS Space-Time’s Matt O’Dowd wonders “How Far Beyond Earth Could Humanity Expand?”

We humans have always been explorers. The great civilizations that have arisen across the world are owed to our restless ancestors. These days, there’s not much of Earth left to explore. But if we look up, there’s a whole universe out there waiting for us. Future generations may one day explore the cosmos and even settle entire other galaxies. But there is a hard limit to how much of the universe we can expand into. So, how big can humanity get?

[Thanks to Chris Barkley, Michael Toman, SF Concatenation’s Jonathan Cowie, Steve Vertlieb, Cat Eldridge, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 3/27/23 When The Fifth Is Found To Be Lies, And All The File Within You Dies, Don’t You Want Some Pixel To Scroll?

(1) 2023 NASFIC. Pemmi-Con, the 2023 NASFiC, has posted Progress Report 1, a free download.

This Progress Report includes information about programming, our venues, exhibits, accessibility, NASFiC site selection, how to check and confirm your membership level, and a brief Q&A about Winnipeg with our Co-Chair, Linda Ross-Mansfield. Are you a book lover? We feature an article about used book and music stores in Winnipeg. And more.

(2) SFF FOR PEDESTRIANS. [Item by Dale Arnold.] The Baltimore Science Fiction Society successfully deployed a Little Free Library in front of our building at 3310 East Baltimore Street on March 25. The library features a two-compartment design with the lower one for children’s books and the upper for YA+ books. Books will be suitable SF and fantasy duplicates donated to our library (our holdings are over 17,000 titles inside the building) and other children’s books donated specifically to assist in improving reading skills in a fun way. The design of this library fits to the odd available location available at our building and criteria specified by our friends in Baltimore City Government. (And still look like a typical little library as much as possible.)

(3) WILL THE WGA STRIKE? The New York Times investigates “Why There Is Talk of a Writers’ Strike in Hollywood”.

What are the writers’ complaints?

Every three years, the writers’ union negotiates a contract with the major studios that establishes pay minimums and addresses matters such as health care and residuals (a type of royalty), which are paid out based on a maze of formulas.

And though there has been a boom in television production in recent years (known within the industry as “Peak TV”), the W.G.A. said that the median weekly pay for a writer-producer had declined 4 percent over the last decade.

Because of streaming, the former network norms of 22, 24 or even 26 episodes per season have mostly disappeared. Many series are now eight to 12 episodes long. At the same time, episodes are taking longer to produce, so series writers who are paid per episode often make less while working more. Some showrunners are likewise making less despite working longer hours.

“The streaming model has created an environment where there’s been enormous downward pressure on writer income across the board,” David Goodman, a co-chair of the guild negotiating committee, said in an interview.

Screenwriters have been hurt by a decline in theatrical releases and the collapse of the DVD market, union leaders said.

Between 2012 and 2021, the number of films rated annually by the Motion Picture Association fell by 31 percent. Streaming services picked up some slack, but companies like Netflix and Warner Bros. Discovery, which owns HBO Max, have been cutting back on film production to reduce costs amid slowing subscriber growth….

(4) AI SINCE 1956. “Throughline’ examines artificial intelligence — and these days AI is everywhere” at NPR.

…ABDELFATAH: Keep in mind, at this point, computers were so big, they took up whole rooms, made tons of noise and had vacuum tubes for data input.

DICK: You know, the most disturbing part of the history of AI for me comes from the fact that these men who were working in artificial intelligence looked at those massive, noisy, hot mainframe computers and saw themselves in it.

ARABLOUEI: One proposed measure of machine intelligence was something called the Turing test, named for its creator, British mathematician Alan Turing.

ABDELFATAH: The way it works is a computer and a human being are put in separate rooms. A judge asks each of them questions without seeing either.

DICK: And then the judge, of course, is meant to be able to figure out whether the machine is the human or the human is the human. And what I have always found so shocking about the Turing test is that it reduces intelligence to telling a convincing lie, to putting on the performance of being something that you’re not…

(5) ROBOTS AT WORK. NPR profiles “The role robots play in getting your online orders to you”.

…Robots are key to helping Amazon sort and send 5 billion packages a year.

At Amazon Air, the company’s global air hub at the Cincinnati Northern Kentucky International Airport, hundreds of self-charging electric robots that look like small scooters go whizzing across a giant concrete floor. As they work to fill your orders, some speed up and others slow down because they all don’t have the same priority.

Director of Operations Adrian Melendez explains how the “drives” know where to go on this robotics sortation floor.

“They primarily use the square stickers on the floor we call ‘fiducials.’ And so the drive unit has a sensor on the bottom of it that reads these fiducials as it makes its way across the floor. And it knows exactly where it needs to speed up and slow down,” he says.

Even a year ago at all its facilities, the company had a half-million drives and more than a dozen types of robots. In Boston, it’s testing a robot called Sparrow. It’s the first Amazon robot that can sort different shapes and sizes. Some worry it might replace people. Melendez says don’t worry about that.

“Robotics can never replace people,” Melendez says. “The robots are really good at algorithms or following a set path. People are problem-solvers and that’s what we want to keep our folks doing.”…

(6) NPR CUTBACKS. And after we link to two items from NPR, what thanks do they get? “NPR Cuts 10% of Staff and Halts Production of 4 Podcasts” – and the New York Times assesses the damage.

…Although production is stopping, she added, “we’re not using the word ‘canceling,’ as the work may continue in other forms.”

“Invisibilia,” a podcast about the invisible forces that guide human behavior, began in January 2015, around the beginning of the podcast boom. It quickly reached No. 1 on Apple Podcasts, and its episodes were streamed or downloaded more than 10 million times in four weeks.

NPR will also halt production of “Everyone & Their Mom,” a comedy spinoff of the company’s weekend news quiz show, “Wait Wait… Don’t Tell Me!”

Rough Translation,” a podcast that tells stories from places around the world in a relatable manner, will stop production after its new season airs this summer.

“How to say goodbye to a show that you’ve made for 6 years?” Gregory Warner, the host of the show, said on Twitter. “I’ll be trying to figure that out.”

Louder Than a Riot,” a music podcast, will also cease production after its current, second season. The show explores marginalization in hip-hop and how misogynoir — the combined racism and misogyny against Black women — is embedded in culture….

(7) FLATIRON AUCTIONED. A building once known as home to Tor Books has a new owner:“Empty for years, NYC’s famous Flatiron Building — and its weird narrow passages — may get a fresh start with $190M sale”.

The Flatiron Building is one of New York City’s most recognizable structures, and it now has a new owner after a public auction on Wednesday.

In an auction ordered by the New York Supreme Court, investor Jacob Garlick outbid the building’s current owners and other big names in real estate to secure the Manhattan landmark for $190 million, Smithsonian Magazine reported.

Dozens of onlookers gathered in Lower Manhattan to watch the historic building go on the block with an opening bid of $50 million. It went for nearly four times that to Garlick following a 45-minute bidding war.

“It’s been (a) lifelong dream of mine since I’m 14 years old. I’ve worked every day of my life to be in this position,” Garlick, managing partner at firm Abraham Trust, told NY1. “We are honored to be a steward of this historic building, and it will be our life’s mission to preserve its integrity forever.”…

(8) SHATNER IS PEEVED. “Elon Musk Ruffles William Shatner’s Feathers (And He Has Some Words)” – and The Street will tell you what those words are.

…Before Musk purchased Twitter, the blue check was free and was given to prominent politicians, businesses, journalists and personalities.

Now, the blue badge costs $7.99 per month. But those users who previously had the blue checkmark accompanying their accounts, before Twitter started charging for it, were allowed to keep it for a grace period.

That grace period is over as of April 1, when all legacy checkmarks will disappear.

“Hey @elonmusk, what’s this about blue checks going away unless we pay Twitter? I’ve been here for 15 years giving my time and witty thoughts all for bupkis,” tweeted Shatner. “Now you’re telling me that I have to pay for something you gave me for free? What is this — the Colombia Records and Tape Club?”

(9) MUSIC OF THE FEARS. American Songwriter introduces readers to “5 Songs You Didn’t Know Credit Edgar Allan Poe”.

…Long after his mysterious death at 40 in 1849, the legend, myths and mystery of Poe and his works continue to get reinterpreted and adapted in film, television, stage, books, and other forms of media.

Poe’s words have also been transmitted through music, with many of his poems and stories credited in more contemporary songs….

Here’s number two on the list:

2. “Ol’ Evil Eye,” Insane Clown Posse (1995)
Written by Edgar Allan Poe, Mike E. Clark and Insane Clown Posse

“Ol’ Evil Eye” is an Insane Clown Posse (ICP) retelling of Poe’s more horrid 1843 short story “The Tell-Tale Heart.” Released on the group’s third album, Riddle Box, the track features ICP’s studio vocalist and guitarist Legz Diamond reading an excerpt of the Poe classic.

I ring the doorbell, the door creeps open
And there it was starin’ and scopin’
The man’s left eye, red, big, and drippin’
I was trippin’. “Ahh, seeya!”
I ran home. I couldn’t stop thinking
About his eyeball winking and blinking
And it looked not a damn thing like the other. Ugh!
Shoulda wore a patch on the motherfucker
It hypnotized me, mesmerized me
Traumatized, paralyzed, terrorized me
Creepers, where’d you get that ball?
And tell me how it even fits in your skull

(10) MEMORY LANE.

1933[Compiled by Cat Eldridge.]

I’m fairly eclectic in my reading — I like equally fantasies, science fiction of all sorts and a wide range of mysteries, mostly I’ll admit mostly done though the Forties. And this is why the Beginning this Scroll is from Erle Stanley Gardner’s The Case of the Velvet Claws which was published by William Morrow and Company in 1933.

It’s the first of his Perry Mason mysteries which will eventually number eighty two plus four short stories. Many of you will have seen the simply extraordinary Perry Mason series that started in the Fifties which starred Raymond Burr. (I’m watching it right now.) Yes, I know there’s a new HBO Max series but I’ve no interest in seeing it. The Perry Mason series ran for two hundred snd seventy one episodes plus thirty movies. 

I like the Beginning has Perry exhibiting some of the traits of the classic private investigators. 

And now our Beginning…

AUTUMN SUN BEAT against the window. 

Perry Mason sat at the big desk. There was about him the attitude of one who is waiting. His face in repose was like the face of a chess player who is studying the board. That face seldom changed expression. Only the eyes changed expression. He gave the impression of being a thinker and a fighter, a man who could work with infinite patience to jockey an adversary into just the right position, and then finish him with one terrific punch. And now our Beginning…

Book cases, filled with leather-backed books, lined the walls of the room. A big safe was in one corner. There were two chairs, in addition to the swivel chair which Perry Mason occupied. The office held an atmosphere of plain, rugged efficiency, as though it had absorbed something of the personality of the man who occupied it. 

The door to the outer office opened, and Della Street, his secretary, eased her way into the room and closed the door behind her.

 “A woman,” she said, “who claims to be a Mrs. Eva Griffin.” 

Perry Mason looked at the girl with level eyes. 

“And you don’t think she is?” he asked. She shook her head. “

“She looks phony to me,” she said. “

“I’ve looked up the Griffins in the telephone book. And there isn’t any Griffin who has an address like the one she gave. I looked in the City Directory, and got the same result. There are a lot of Griffins, but I don’t find any Eva Griffin. And I don’t find any at her address.” 

“What was the address?” asked Mason.

“2271 Grove Street,” she said. 

Perry Mason made a notation on a slip of paper.

“I’ll see her,” he said.

“Okay,” said Della Street. “I just wanted you to know that she looks phony to me.” 

Della Street was slim of figure, steady of eye; a young woman of approximately twenty-seven, who gave the impression of watching life with keenly appreciative eyes and seeing far below the surface. 

She remained standing in the doorway eyeing Perry Mason with quiet insistence. “I wish,” she said, “that you’d find out who she really is before we do anything for her.”

“A hunch?” asked Perry Mason.

“You might call it that,” she said, smiling. 

Perry Mason nodded. His face had not changed expression. Only his eyes had become warily watchful.

“All right, send her in, and I’ll take a look at her myself.” 

Della Street closed the door as she went out, keeping a hand on the knob, however. Within a few seconds, the knob turned, the door opened, and a woman walked into the room with an air of easy assurance. 

She was in her early thirties, or perhaps, her late twenties—well groomed, and giving an appearance of being exceedingly well cared for. She flashed a swiftly appraising glance about the office before she looked at the man seated behind the desk.

“Come in and sit down,” said Perry Mason.

She looked at him then, and there was a faint expression of annoyance upon her face. It was as though she expected men to get up when she came into the room, and to treat her with a deferential recognition of her sex and her position.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 27, 1892 Thorne Smith. A writer of humorous supernatural fantasy. He is best remembered for the two Topper novels — a comic fantasy fiction mix of plentiful drink, many ghosts and sex. Not necessarily in that order.  The original editions of the Topper novels complete with their erotic illustrations are available from the usual digital sources. (Died 1934.)
  • Born March 27, 1901 Carl Barks. Cartoonist, writer, and illustrator. He is best known for his work in Disney comic books, as the writer and artist of the first Donald Duck stories and as the creator of Scrooge McDuck. He wrote The Fine Art of Walt Disney’s Donald Duck and Walt Disney’s Uncle Scrooge McDuck. He was one of the three inaugural inductees of the Will Eisner Comic Book Hall of Fame. (Died 2000.)
  • Born March 27, 1942 Michael York, 81. I remember him in the Babylon 5 episode “A Late Delivery from Avalon” as a man who believed himself to be King Arthur returned. Very chilling. I also enjoyed him as D’Artagnan in the Musketeers films and remember him as Logan 5 in Logan’s Run. So what in his genre list really impresses you?
  • Born March 27, 1949 John Hertz, 74. Winner of the Big Heart Award, presented at the 2003 Worldcon. He’s quite active in the fanzine world publishing the Vanamonde fanzine. Four collections of his fanwriting have been published, West of the MoonDancing and Joking, On My Sleeve, and Neither Complete nor Conclusive. He‘s been nominated for the Hugo for Best Fan Writer three times.
  • Born March 27, 1952 Dana Stabenow, 71. Though better known for her superb Kate Shugak detective series of which the first, the Edgar Award-winning A Cold Day for Murder is a Meredith moment right now, she does have genre work to her credit in the excellent Star Svensdotter space series, and the latter is available at the usual digital suspects.
  • Born March 27, 1953 Patricia Wrede, 70. She is a founding member of The Scribblies, along with Pamela Dean, Emma Bull, Will Shetterly, Steven Brust and Nate Bucklin. Not to be confused with the Pre-Joycean Fellowship which overlaps in membership. Outside of her work for the the Liavek shared-world anthology created and edited by Emma Bull and Will Shetterly, there are several series she has running including Lyra (Shadow Magic)Enchanted Forest Chronicles and Cecelia and Kate (co-written with Caroline Stevermer). She’s also written the novelizations of several Star Wars films including  Star Wars, Episode I – The Phantom Menace and Star Wars, Episode II – Attack of the Clones  in what are  listed  as  ‘Jr. Novelizations’. 
  • Born March 27, 1969 Pauley Perrette, 54. Though she’s best known for playing Abby Sciuto on NCIS, a role she walked away from under odd circumstances, she does have some genre roles. She was Ramona in The Singularity Is Near, a film based off Ray Kurzweil’s The Singularity Is Near: When Humans Transcend Biology. Next up is the most excellent Superman vs. The Elite in which she voices Lois Lane. Let’s see… she had a recurring role on Special Unit 2 as Alice Cramer. 
  • Born March 27, 1971 Nathan Fillion, 52. Certainly best known for being Captain Malcolm “Mal” Reynolds in Firefly ‘verse. An interesting case of just how much of a character comes from the actor. In his case, I’d say most of it. He portrayed Green Lantern/Hal Jordan in Justice League: DoomJustice League: The Flashpoint Paradox and Justice League: Throne of AtlantisThe Death of Superman and Reign of the Supermen. Oh, and he appeared in a recurring role in Buffy the Vampire Slayer as Caleb. Anyone watch him in the Castle series? Opinions please.

(12) MAIL FROM JRRT. Two recently discovered “Tolkien letters shine new light on writer’s life and work” at The National Archives. The first page of one of the letters can be read in an image at the link.

Two handwritten letters penned by JRR Tolkien have been discovered for the first time, almost 50 years after the death of the Lord of the Rings author.

The previously unrecorded documents were unearthed by a volunteer working at The National Archives in Kew ahead of Tolkien Reading Day on March 25.

Written in 1945, shortly after Tolkien’s appointment as Professor of English Language and Literature at Merton College, Oxford, the letters are part of an exchange with the British Council about funding for his research into early English languages….

(13) ABOUT THOSE PERSONAL APPEARANCES. After a certain point Bob Kane paid other artists to do the work. Which brings up a question. “Batman: How Did Bob Kane Fake Doing ‘Spur of the Moment’ Drawings?” CBR.com knows the answer. You’ll find it at the link.

…However, that certainly did bring up a major problem for Kane. It was one thing to take credit for other artists’ work, but what happens when you have to demonstrate that you can draw yourself? It’s certainly a bit of a pickle, especially since Kane was such a lover of publicity that he WANTED to do as many public appearances as possible. Well, as it turned out, he solved his problem with a little help from Joe Giella (who was inking “Kane” on the Batman titles at the time, and also ghost penciling and inking the Batman comic strip under Kane’s byline)….

(14) DEATH ON BOARD. “Scare Me Once? Great Game. Scare Me Twice? Great Remake.” The New York Times studies the return of “Isaac Clarke” and what is needed to make successful new versions of vintage video games.  

Die-hard fans wanted the floating spaceship of their nightmares, one stocked with mutilated zombies, improvised blowtorches and zero-gravity spectacles. The fictional engineer Isaac Clarke navigated this ramshackle vessel in Dead Space, the popular survival horror video game from 2008 that spawned two sequels.

But when developers at Motive Studios, a division of Electronic Arts based in Montreal, revisited the original for a planned remake nearly 15 years later, something was amiss.

What players remembered as terrifying seemed almost campy by modern standards because of technological advancements to graphics and artificial intelligence that have made gaming more immersive. The developers realized they would need to start from scratch, dismantling the spaceship, redesigning the zombies — known as necromorphs — and constructing new story lines.

“We don’t necessarily want to recreate the game as it was, but like you remember it,” said the remake’s creative director, Roman Campos-Oriola, who previously worked on the Ghost Recon franchise. “That often means breaking stuff, which has a ripple effect.”…

(15) HAWKEYE ACTOR RECOVERING.  Jeremy Renner is making progress: “Jeremy Renner Walks in New Video of His Snow Plow Accident Recovery, Actor Uses Anti-Gravity Treadmill”.

… The “Hawkeye” star posted a video to his Instagram story in which he walks with the assistance of an anti-gravity treadmill. Renner confirms in the video that he is doing all of “the walking motion” himself, with the anti-gravity treadmill taking off a percentage of his body weight as his legs slowly recover.

The actor captioned the post: “Now is the time for my body to rest and recover from my will.”…

(16) BEADS OF MOISTURE. From the Guardian: “Glass beads on moon’s surface may hold billions of tonnes of water, scientists say”.

…Anand and a team of Chinese scientists analysed fine glass beads from lunar soil samples returned to Earth in December 2020 by the Chinese Chang’e-5 mission. The beads, which measure less than a millimetre across, form when meteoroids slam into the moon and send up showers of molten droplets. These then solidify and become mixed into the moon dust.

Tests on the glass particles revealed that together they contain substantial quantities of water, amounting to between 300m and 270bn tonnes across the entire moon’s surface.

“This is going to open up new avenues which many of us have been thinking about,” said Anand. “If you can extract the water and concentrate it in significant quantities, it’s up to you how you utilise it.”

Hints that the moon might not be an entirely arid wasteland have emerged from previous missions. In the 1990s, Nasa’s Clementine orbiter found evidence for frozen water in deep, steep-sided craters near the moon’s poles. In 2009, India’s Chandrayaan-1 spacecraft spotted what appeared to be a thin layer of water bound up in the surface layer of moon dust.

The latest research, published in Nature Geoscience, points to fine glass beads as the source of that surface water. Unlike frozen water lurking in permanently shaded craters, this should be far easier to extract by humans or robots working on the moon.

“It’s not that you can shake the material and water starts dripping out, but there’s evidence that when the temperature of this material goes above 100C, it will start to come out and can be harvested,” Anand said….

(17) KEEPING THE ART IN ARTESIAN. This water is closer to home, and leans towards fantasy rather than science fiction. “Elven Spring Magic Water”.

(18) ROCK AROUND THE CLOCK. ScienceAlert breaks the news: “Nope, Stonehenge Isn’t an Ancient Calendar After All, Scientists Say”.

… As dawn breaks on summer solstice and the Sun boldly climbs above the Heel Stone that lies northeast of the circle, shining its rays directly into the heart of Stonehenge, it’s hard to deny that the monument was designed with the turning-point of the seasons in mind.

To a number of scholars, there’s more to Stonehenge’s design than a symbolic reverence for the changing lengths of days. It’s a timekeeper of some detail, a ‘Neolithic computer‘ even, tasked with dividing up the year around less significant events.

Last year, Bournemouth University archaeologist Tim Darvill published his claim that the monument operated as some kind of ‘perpetual calendar’, one based on a solar year equivalent to 365.25 days.

Now, Polytechnic University of Milan mathematician Giulio Magli and astronomer Juan Antonio Belmonte from the Institute of Astrophysics of the Canary Islands, Spain, have countered Darvill’s claim, stating it is based on “a series of forced interpretations, numerology, and unsupported analogies with other cultures”….

(19) HIS SHIP COMES IN. Artist Rick Sternbach shared on Facebook how touched he was to have his name added to canon via Star Trek: Picard.

I’ll say one other thing that should be somewhat obvious; my thanks to everyone involved with Picard for making the USS Sternbach a canon thing. I absolutely appreciate it. When I pressed for the name Bussard to be attached to the matter collectors in Star Trek, and it was accepted, Bob Bussard– *Dr. Robert W. Bussard*, whom I had the pleasure of talking with and learning from as far back as 1983, thanked me for the inclusion. I know how it feels. Onward.

(20) SPACE COMMAND. “Mr. Sci-Fi at Wondercon!” encourages viewers to contribute to “Space Command Forgiveness: The Final Shoot” Kickstarter.

We’re filming the final climax to the next installment of Space Command Forgiveness, the epic Sci-Fi adventure created by Marc Zicree.

[Thanks to Chris Barkley, Andrew Porter, Michael Toman, Murray Moore, Michael J. Walsh, Dale Arnold, JJ, Cat Eldridge, Mike Kennedy, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Xtifr.]

Pixel Scroll 11/22/22 File Thing, You Make My Scroll Sing, You Make Everything … Pixelly

(1) NPR’S PICKS OF 2022. NPR has put up its massive list of “Best Books 2022: Books We Love”. It’s sortable by category – this is the button to pull out the 67 “Sci-Fi, Fantasy & Speculative Fiction” titles. The tool will also take you back to any of their annual selections since 2013.

Books We Love! – NPR’s biannual, interactive reading guide – is back for its 10th year with 400+ books published in 2022! Mix and match tags including “Book Club Ideas,” “Eye-Opening Reads,” and “Kids’ Books” to browse titles hand-picked by NPR staff and trusted critics. Click back through a decade of recommendations to find more than 3,200 books – we’ve got your next favorite read and something for every person on your holiday shopping list. Discover the books that comforted, challenged, and captivated us this year.

(2) WHAT DO YOU WANT SANTA TO BRING? Connie Willis, on Facebook, recommends adding Miracle on 34th Street to your Thanksgiving viewing. She does a deep dive into how a real Macy’s parade was filmed for the movie, and has other insights into the actors and actresses.

Thanksgiving is fast upon us, and I have a great movie to recommend (besides the standards we watch every year: PLANES, TRAINS, AND AUTOMOBILES and DEAR GOD.) The movie is MIRACLE ON 34TH STREET (the original black and white with Edmund Gwenn, Natalie Wood, Maureen O’Hara, and John Payne).

“But that’s a Christmas movie!” I can hear you saying. True, but it actually begins at Thanksgiving, with the Macy’s Thanksgiving parade, and, even better, the parade in the movie is the real deal. Yes, the actual Macy’s Thanksgiving Day Parade from the year the movie was made, 1946. They filmed the opening sequences with the majorette and the clown and the drunken Santa–“It’s cold! A man’s gotta do SOMETHING to keep warm!”–at the beginning of the parade….

(3) LOCUS FUNDRAISER MAKING PROGRESS. With 23 days left, the Indiegogo for “Locus Magazine: Science Fiction, Fantasy, Horror” has raised $45,169 of the $75,000 goal with the help of 473 backers. There’s a variety of perks available, such as this one for $30 donors.

(4) WILL IT MAKE A BIG SPLASH? A new trailer for Avatar: The Way of Water – in theaters December 16.

Set more than a decade after the events of the first film, “Avatar: The Way of Water” begins to tell the story of the Sully family (Jake, Neytiri, and their kids), the trouble that follows them, the lengths they go to keep each other safe, the battles they fight to stay alive, and the tragedies they endure.

(5) IT’S REALLY AND SINCERELY DEAD. The Department of Justice put out a press release about Penguin Random House and Simon & Schuster’s decision to not appeal the district court’s verdict barring their merger deal.

The district court’s decision is a victory for authors, the marketplace of ideas, consumers, and competitive markets. It reinforces the important principle that antitrust laws apply to transactions that harm content creators and workers. The Department is pleased that Penguin Random House and Simon & Schuster have opted not to appeal.

(6) RECOMMENDED READING FOR ELON MUSK. Norman Spinrad, for reasons unexplained, wants to place a copy of his forthcoming novella Up and Out in the hands of Elon Musk. He calls on everyone to use their connections and get back to him at [email protected]

ELON MUSK WHERE ARE YOU?
       
It has often been said that no one on the planet is more than 6 steps from anyone else, and I have been trying contact Elon Musk fruitlessly, not surprising, given that he is the richest and maybe one of the most famous people on Earth.  I did not want to ask him for money or anything else.  I simply wanted to give him something that I know he would enjoy, a novella called UP AND OUT, but of course, impossible to get the rtf to him personally.
     
And this is a very personal gift and now it will be published December 13th in the formally January/February issue of  Asimov’s SF Magazine.  So he will be able to buy the issue if he knows about it, and I think he can probably afford it.  

So what I am asking y’all is only to help me tell him.  Given that there are about 200 people getting this, the math would seem to say that the odds are good.  I’m not asking for an email address, or anything else, so this would seem to be possible.

(7) A CLASSIC RESUMES. “’Willow’ Resurrected: The Hard-Fought Story of an Epic Comeback”Vanity Fair tells that story, how it came to pass that Willow will roll again on Disney+ beginning November 30.

Jonathan Kasdan was in the middle of making a Star Wars movie, but his mind kept venturing to an entirely different universe. 

This happened in 2017, when the screenwriter of Solo stood on the Canary Islands set of the movie, watching as one of his idols dropped in for a cameo. Warwick Davis, who was there to play a member of a galactic biker gang, had a long history of playing Star Wars characters, but he was also the star of one of Kasdan’s favorite movies from childhood, the 1988 sword-and-sorcery adventure Willow.

“I asked to be introduced to him,” Kasdan recalls. “I had one of the ADs walk me over, and he was sitting in his foldout chair. I said, ‘I’m Jon Kasdan. I’m one of the writers.’ And he was very nice.” But Kasdan had a not-so-secret agenda. “I said, ‘Listen, I love Willow, and I really think there’s something to be done here. I’m beating the drum loudly with Kathy [Kennedy, Lucasfilm’s president] and with the company.’” Davis lit up. “He immediately was like, ‘Have a seat! Let’s talk more!’” Kasdan says. “We started talking that very minute about what it could be and have never stopped.” 

Five years later, Willow—the new Disney+ series —will debut on November 30. But the journey between that first conversation and the completion of the show was a fraught adventure of its own, sometimes harrowing, sometimes comical, sometimes just awkward. Still, it was driven by a sincere love of this fantasy realm and the unlikely hero at its center.

Today, Kasdan is part of the Lucasfilm brain trust, consulting on multiple projects with his own office at their Disney headquarters, (complete with a sweeping view of Kennedy’s parking space, he jokes). But back in 2017, when he first broached the subject of reviving Willow with Davis on the set of Solo, his credits included writing stints on Dawson’s Creek and Freaks and Geeks, and directing the indie films The First Time and In the Land of Women. Kasdan had leveled up to epics for the first time with Solo, which he had cowritten with his father (Star Wars veteran and Oscar-nominated screenwriter Lawrence Kasdan). He had the experience and the enthusiasm to take on a return to Willow, if not the actual pull at Lucasfilm to make it a reality….

(8) PARADOX LAUNCH EVENT. [Item by SF Concatenation’s Jonathan Cowie.]  I previously sent an image of the cover of Romania’s H. G. Wells SF Society of Timisoara 50 year anniversary edition of Paradox (Pixel Scroll 11/17/22 item #12).

The zine’s launch  took place at the Theresien Bastion (the main section of the former Austrian fortifications that defended Timisoara in 1700s) and it attracted a number of old sci-fi fans and members of the H.G. Wells association. 

I have pictures of the launch courtesy of Silviu Genescu (himself an award-winning author – the Romanian equivalent of the Booker for D is for ‘End’)

(9) MEMORY LANE.

1986 [By Cat Eldridge.] Nutcracker: The Motion Picture 

Christmas long ago was the memory of a dream that seemed never to end. But somewhere in the middle of that dream, I always did wake up, just in time to attend the Christmas party. — Opening lines as said by the adult Clara.

So let’s talk about a most unusual Nutcracker that had the blessing to get filmed. Nutcracker: The Motion Picture, also known as Pacific Northwest Ballet’s Nutcracker or simply Nutcracker, is was produced thirty-six years ago by the Pacific Northwest Ballet.

So what makes this one worth knowing about? Two words that form a name: Maurice Sendak. 

Choreographer Kent Stowell who the artistic director of the Pacific Northwest Ballet had invited the author-illustrator Maurice Sendak to collaborate on a Nutcracker production in 1979 after his wife and another colleague had seen a Sendak design for a performance of Mozart’s The Magic Flute.  

Sendak initially rejected Stowell’s invitation, later explaining why he did so:  

The Nutcrackers I’ve seen have all been dull. You have a simpering little girl, a Christmas party, a tree that gets big. Then you have a variety of people who do dances that seem to go on and on ad nauseam. Technically it’s a mess, too; Acts I and II have practically nothing to do with each other. … What you don’t have is plot. No logic. You have lots of very pretty music, but I don’t enjoy it because I’m a very pedantic, logical person. I want to know why things happen.

He later accepted provided that he could write it so it was in tune with the themes in Hoffmann’s original story. It was extremely popular and it was the annual Christmas show for thirty-one years. 

For reasons too complicated to explain here, I got invited on a personal tour of the backstage area of the Pacific Northwest Ballet building where the scenery and other materials that Sendak had designed for this were stored. To say these were magical is an understatement. And just a tad scary up close. 

Two Disney executives attended the premiere and suggested it’d make a splendid film. Sendak and the Director of the Ballet resisted at first preferring to just film the ballet. But both finally decided to adapt it to a film. That meant Clara’s dream had to be clarified; large portions of the choreography were changed; some of some the original designs underwent revision, and Sendak created additional ones from scratch.

It was shot in ten days on the cheap and critics weren’t particularly kind about the result as they could see the necessary shortcuts taken. Ballard, the Director here as well, responded to criticism about the editing in a later The New York Times interview, noting that the editing was not what he had initially planned, but was because of the tight filming schedule.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 22, 1932 Robert Vaughn. His best-known genre work was as Napoleon Solo in The Man from U.N.C.L.E. with other genre work being in Teenage CavemanStarship InvasionsThe Lucifer ComplexVirusHangar 18Battle Beyond the StarsSuperman III C.H.U.D. II: Bud the C.H.U.D. (seriously who penned that awful title?), Transylvania Twist and Witch Academy. Oh, and he wrote the introduction to The Man from U.N.C.L.E. series companion that came out a generation after the series aired. (Died 2016.)
  • Born November 22, 1940 Terry Gilliam, 82. He’s directed many films of which the vast majority are firmly genre. I think I’ve seen most of them though I though I’ve not seen The Man Who Killed Don QuixoteTidelandThe Zero Theorem or The Imaginarium of Doctor Parnassus. I’ve seen everything else. Yes, I skipped past his start as the animator for Monty Python’s Flying Circus which grew out of his work for the children’s series Do Not Adjust Your Set which had the staff of Eric Idle, Terry Jones, and Michael Palin. Though he largely was the animator in the series and the films, he did occasionally take acting roles according to his autobiography, particularly roles no one else wanted such those requiring extensive makeup.  He also co-directed a number of scenes. Awards? Of course. Twelve Monkeys is the most decorated with six followed by Brazil with two and Time Bandits and The Fisher King which each have but one.  He’s not won any Hugos though he has been nominated for four — Monty Python and the Holy GrailTime Bandits, Brazil and Twelve Monkeys. My favorite films by him? Oh, the one I’ve watched the most is The Adventures of Baron Munchausen followed by Time Bandits. He’s co-directing and writing the forthcoming Time Bandits series Apple is financing and showing. I’ll subscribe when it’s out.
  • Born November 22, 1943 William Kotzwinkle, 79. Fata Morgana might be in my opinion his best novel though Doctor Rat which he won the World Fantasy Award for is in the running for that honor as well. And his short stories of which there are many are quite excellent too.  Did you know Kotzwinkle wrote the novelization of the screenplay for E.T. the Extra-Terrestrial? The usual digital suspects are well stocked with his books.
  • Born November 22, 1949 John Grant. He’d make the Birthday list solely for being involved in the stellar Encyclopedia of Fantasy which won a Hugo at BucConeer.  And he did win another well-deserved Hugo at Noreascon 4 for Best Related Work for The Chesley Awards for Science Fiction and Fantasy Art: A Retrospective.  Most of His short fiction has been set in the Lone Wolf universe though I see that he did a Judge Dredd novel too. (Died 2020.)
  • Born November 22, 1957 Kim Yale. Married to John Ostrander until 1993 when she died of breast cancer, she was a writer whose first work was in the New America series, a spin-off of Truman’s Scout series. With Truman, she developed the Barbara Gordon Oracle character, created the Manhunter series, worked on Suicide Squad, and was an editor at D.C. where she oversaw such licenses as Star Trek: The Next Generation. For First Comics, she co-wrote much of the amazing Grimjack with her husband.
  • Born November 22, 1958 Jamie Lee Curtis, 64. Can we agree that she was the best Scream Queen for her film debut in the 1978 Halloween film in which she played the role of Laurie Strode? No? Well, that’s my claim. Spoilers follow. She followed up with yet more horror films, The Fog and Prom Night. In all, she’s the only character that survives.  She would reprise the role of Laurie in six sequels, including Halloween H20Halloween: ResurrectionHalloween II and Halloween III: Season of the WitchHalloween (a direct sequel to the first Halloween) and Halloween Kills.  She shows up in one of my fave SF films, The Adventures of Buckaroo Banzai Across the 8th Dimension as Sandra Banzai but you’ll need to see the director’s extended version as she’s only there in that version. Is True Lies genre? Probably not, but for her performance, Curtis won the Golden Globe Award for Best Actress – Motion Picture Musical or Comedy and the Saturn Award for Best Actress. Damn impressive I’d say.  No, I’m not listing all her films here as OGH would likely start growling. Suffice to say she’s had a very impressive career. 
  • Born November 22, 1984 Scarlett Johansson, 38. Best known perhaps for her role as the Black Widow in the MCU films including the present Black Widow film but she has other genre appearances including playing Motoko Kusanagi in Ghost in the Shell which was controversial for whitewashing the cast, particularly her character who was supposed to be Japanese. 

(11) JMS WILL WORK WITH AWA. “AWA Studios Enlists Top Creatives to Shepherd Content Derived From Graphic Novels” reports Variety. J. Michael Straczynski is one of the six.

AWA Studios has enlisted Reginald HudlinGregg Hurwitz, Laeta Kalogridis, Joseph Kosinski, Al Madrigal and J. Michael Straczynski to serve on the company’s Creative Council. The council’s charter is for those established players to use their experience and their connections to help AWA writer and graphic artists “unleash the full potential of their characters and stories, providing a diversity of contemporary storytelling perspectives and putting projects in the best position to be scaled across the entertainment ecosystem,” per AWA.

(12) YA THRILLER. At Nerds of a Feather, Elizabeth Fitzgerald reviews a book that won the Norma K. Hemming Award for Long Work: “Microreview [book]: Ghost Bird by Lisa Fuller”.

Ghost Bird belongs most comfortably in the genre of the YA thriller. A certain subsection of this genre likes to play coy about the presence of supernatural elements. Examples include Black by Fleur Ferris, Small Spaces by Sarah Epstein and Flight of the Fantail by Steph Matuku. By the end, each of these books definitively answers whether the speculative elements played with are considered real within the story’s world. Ghost Bird also has definitive answers, making it very at home in this subgenre. However, its identity as an Indigenous Australian Own Voices narrative makes it difficult to call the story a speculative one. After all, referring to what may be a part of a living Indigenous tradition as fantasy or speculative seems neither respectful nor accurate.

Cleverly, this tension between Western and Indigenous thought is one of the central themes of Ghost Bird. The story is written in first person present tense from the perspective of Stacey. She is intelligent, rational and takes her education very seriously — too seriously, according to some of her family, who feel she should be paying more heed to traditional ways…

(13) THE RAVELED SLEEVE OF CARE IS NOT KNITTED UP. Arturo Serrano reviews a disappointing film based on Winsor McCay’s visual innovations: “’Slumberland’ won’t spark your dreams, but it will put you to sleep” at Nerds of a Feather.

A girl loses her father and processes her grief by oversleeping. An emotionally stunted uncle tries to learn childrearing from Google. The complicated interplay of growth and decay makes the future uncertain and scary. If she wants to grow up and stop retreating into fantasies, she’ll have to accept the fact of death, but also help her uncle reconnect with his inner child and dream again.

This setup sounds like it should deliver a full emotional experience, bolstered by the metaphoric possibilities of dream language. Unfortunately, Netflix film Slumberland shows us a muted dreamscape that doesn’t dare embrace the protean qualities of the unconscious mind. When protagonist Nemo ventures into the land of dreams to look for her father, the place looks too rigid, too rational, built on an oppressively linear logic that makes it less Paprika and more Inception. This does not feel like the dream of a child; it feels like an adult’s self-serving memory of what goes on in a child’s mind….

(14) POPULATION CRISIS. Paul Weimer reviews a novel about a world ruled by women where girl children are no longer being born: “Microreview [book]: Scorpica by G.R. McAllister” at Nerds of a Feather.

…Humans are a species that can think in terms of years, decades and generations ahead and to come. Humans are a species that is very concerned with their posterity, as a way of preserving not only their legacy, but establishing the future for their children and their children’s children. And when that posterity is threatened, people, and the societies they inhabit, can come under stress, fracture, and break.

P D James’ novel The Children of Men (and its movie adaptation) explores the death of posterity for the human race by having had no children born in the last 17 years. Mankind is slowly and inexorably aging out to death, and the stresses on people, on society are like an inexorably tightening vise, a ticking clock for humanity. It’s not pretty, even (and perhaps especially) when there is a glimmer of hope that the doom can be averted.

We come to GR McAllister’s Scorpica, which takes a widescreen epic fantasy approach to this scenario. The Five Queendoms (which is also the name of the series that Scorpica starts) are a quintet of fantasy kingdoms which are not just matriarchies, kingdoms ruled by women, but out and out gynarchies. This is a woman’s world, from the fierce fighters of Scorpica to the potent magicians of Arca, the power, authority and social structures are all controlled by women.

So, when the Drought of Girls begins, and girls are no longer being born among any of the five kingdoms, there is indeed a slow moving, inexorably building crisis that strikes the inhabitants of the kingdoms, and the lives of those whom we meet in the book….

(15) GENRE JUSTICE. “Judge John Hodgman on Klingon Cat Names” in the New York Times.

Tyler writes: My partner, who is also named Tyler, wants a second cat. I’m not a fan of cats, so he takes full responsibility for ours. I told him if he adopts another cat, I would get to name it. He agreed. But he doesn’t like the name I’ve chosen — Gowron, after the Chancellor of the Klingon High Council — and insists I choose another.

This one hurts. First, because you presumed I didn’t know who Gowron is. He’s the son of M’Rel, for Kahless’s sake! Second, I suspect you’re just trying to annoy Tyler as punishment for this second cat. Third, it’s obvious this cat should be named Tyler. But a deal is a deal: Gowron it is. At least you did not get clever and suggest “Meowron,” which I’m sure has been done one million times. Readers, let me know how many of you have cats named Chancellor Meowron. Also email me if your dog is named Lieutenant Woof.

(16) VIDEO OF THE DAY. From The Late Show with Stephen Colbert on October 26: “Will Our New Writer George R.R. Martin Finish The Monologue On Time?”

[Thanks to Mike Kennedy, JJ, John King Tarpinian, Cat Rambo, ja, SF Concatenation’s Jonathan Cowie, Chris Barkley, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Tom Becker.]

Pixel Scroll 11/24/21 So Good They Scrolled It Twice!

(1) THANKS FOR THE MEMORIES. Camestros Felapton’s Debarkle has reached its final chapter. The massive history of the Sad Puppies intertwined with right-wing political developments from 2014-2021 concludes with “Debarkle Afterword: Dramatis Personae” – very like the “where are they now?” credits at the end of based-on-a-true-story movies.

(2) ANGRY ROBOT BOOKS UNVEILS NEW LOGO. Angry Robot Books revealed their new logo, designed by Kate Cromwell, which comes as part of an overall rebranding including the launch of an upgraded website, enabling the direct sale of physical books.

AR Logo Icon

Formed in 2009, Angry Robot Books have undergone some key adjustments throughout the years but, since joining Watkins Media in 2014 and coming under the leadership of Associate Publisher Eleanor Teasdale in 2019, the award-winning science fiction, fantasy, and genre-boundary pushing company is thriving. This new logo represents the history of Angry Robot Books whilst simultaneously looking forward.

With initiatives such as Clonefiles – offering free ebooks to any independent bookshop physical purchase – Angry Robot Books have a cherished legacy of serving the book-buying public, and this new, upgraded website with physical sales capacity, deepens the direct connection between publisher and customer.

These developments come at an exciting time for Angry Robot Books as summer 2021’s runaway hit, The Coward by Stephen Aryan, is already in its third reprint and the October super-lead, Un-su Kim’s The Cabinet, continues to bask in reviews including selection for the Best Science Fiction of 2021 in The Washington Post. With 2022 books crossing geographical, figurative, mythological, and atmospheric borders, the future is bright for Angry Robot Books as highlighted in the recent survey of genre for 2022 at Library Journal which so prominently featured a range of the imprint’s titles and authors.

The new logo is part of the cover of R.W.W. Greene’s Mercury Rising, designed by David Leehy. The book will be released May 10, 2022.

Even in a technologically-advanced, Kennedy-Didn’t-Die alternate-history, Brooklyn Lamontagne is going nowhere fast. The year is 1975, thirty years after Robert Oppenheimer invented the Oppenheimer Nuclear Engine, twenty-five years after the first human walked on the moon, and eighteen years after Jet Carson and the Eagle Seven sacrificed their lives to stop the alien invaders.

Brooklyn just wants to keep his mother’s rent paid, earn a little scratch of his own, steer clear of the cops, and maybe get laid sometime in the near future. Simple pleasures, right? But a killer with a baseball bat and a mysterious box of 8-track tapes is about to make his life real complicated…

(3) LAST NIGHT ON RIVERDALE. [Item by Martin Morse Wooster.] Beware spoilers. Riverdale is going through a five-episode story arc when it is in the alternate universe “Rivervale.”  In this universe, Archie died as part of a pagan sacrifice.

“Rivervale” had a mention of Neil Gaiman.  Jughead in this universe is still a writer, but he discovers there is a secret apartment next to his apartment that is haunted.  Jughead and his girlfriend decide to turn the hidden apartment into a writing studio.  He says he wants the apartment to have “a Neil Gaiman nautical vibe,’” so he decides to decorate the window with ships in bottles. I dunno what Gaiman has to do with ships in bottles, and I’m sure Gaiman has nothing to do with Jughead’s making sure he chugs all the Scotch in the bottle before putting a ship in. The ghosts in the hidden apartment empower Jughead so he is able to “vomit out” the first draft of a novella in one night.  I’ll spare the details as to how Jughead’s typewriter gets as smashed as he does after downing a bottle of Scotch.

(4) ROONEY BOYCOTT OF AN ISRAELI PUBLISHER GAINS AUTHORS’ SUPPORT. China Miéville is one of the authors and publishing industry figures who have signed a letter endorsing Sally Rooney’s decision to turn down an offer with an Israel publishing house, describing it as “an exemplary response to the mounting injustices inflicted on Palestinians”.  Artists for Palestine UK organized the letter, and the complete text and a list of all signers is on their website: “Leading writers support Sally Rooney decision to refuse publication in Israel”.

The Guardian’s article includes this background coverage:

Rooney turned down an offer to sell Hebrew translation rights in her new novel, Beautiful World, Where Are You, to the publisher Modan, which had published her previous two books, and which had put in a bid. The bestselling Irish novelist said last month that she supported the Boycott, Divestment, Sanctions movement (BDS), which works to “end international support for Israel’s oppression of Palestinians and pressure Israel to comply with international law”, and that she did not feel it would be right to collaborate with an Israeli company “that does not publicly distance itself from apartheid and support the UN-stipulated rights of the Palestinian people”.

While two Israeli book chains subsequently announced that they would pull Rooney’s books from their shelves, the novelist’s move has now been backed by 70 writers and publishers…

(5) SAVING THROW. “Thanksgiving” at Tablet Magazine is new seasonal fiction from Elizabeth Bear set in a near-future, climate-changed world. The ending reminds me slightly of the key to world peace from the end of Stand on Zanzibar.

… Kids these days can’t imagine how we lived without reality filters, without ambient power transmission, without biosphere impact laws. They get along fine without frogs, however, which is something I can’t manage.

Most of them never really missed a frog. They never had the opportunity. They have never really missed Vanuatu, or Cape Cod, or a sequoia. Just as I never missed a dodo, an ivory-billed woodpecker, the American chestnut. If I had grandkids—let’s say, my abstract, intellectual grandkids—they would not miss rhinos or sugar maples or coffee. Except in that same abstract, intellectual fashion. They would not give a damn about vanilla, sequoias, or ash trees except as historical curiosities similar to the aurochs, the cave bear, and dinosaurs…

(6) NPR’S PICKS OF 2021. NPR has put up its massive list of “Best Books 2021: Books We Love”. It’s sortable by category – this is the button to pull out the 48 “Sci-Fi, Fantasy & Speculative Fiction” titles. The tool will also take you back to any of their annual selections since 2013.

(7) HELP KEEP THEM AFLOAT. The magazine Mermaids Monthly is running a Kickstarter to finance its second year: “Mermaids Monthly Year 2”. They have raised $4,212 with 35 days to go.

Our campaign goal for Mermaids Monthly 2022 is $33,000. This is a little bit higher than Mermaids Monthly 2021 because it covers some needs that the original team didn’t know about! In addition to covering the cost of content for 12 digital issues, the $33,000 will pay for one additional staff member for more coverage, as well as things like alt text generation, sensitivity readers, the submission system (Moksha), and international money transfer fees for paying our contributors who live outside the U.S.

(8) FIRST FOUNDATION. Cora Buhlert was on the Light On Light Through podcast to discuss Foundation — both the books and the TV show — with Paul Levinson and Joel McKinnon: “Foundation 1st Season: Cora Buhlert, Joel McKinnon, and Paul Levinson discuss”.

 There’s also a video version on YouTube:

(9) MIQUEL BARCELÓ (1948-2021). Miquel Barceló, the founder of Ediciones Nova, a Penguin collection dedicated to science fiction, died November 22. The Wikipedia sums up his career:

…He worked as an editor for Ediciones B, where he directed the NOVA collection, specialized in science fiction tales and novels, and writing introductory articles for the books published in the collection.

His last academic position was as a professor at the Polytechnic University of Catalonia (UPC) where he promoted the creation of the UPC Prize, the most important prize in Spanish science-fiction. He directed and coordinated the UPC Doctorate program on Sustainability, Technology and Humanism. He also kept a monthly column for the computer magazine “Byte” and contributed to several publications on Astronomy and Artificial Intelligence.

In 1996 the Spanish Association of Fantasy and Science Fiction awarded a lifetime achievement award to Barceló….

(10) MEDIA BIRTHDAY.

1974 [Item by Cat Eldridge.] Forty-seven years ago in the USA on this date, Murder on the Orient Express was first shown. Based off the Agatha Christie novel, the script was by Paul Dehn, who wrote the Bond film Goldfinger. It was directed by Sydney Lumet who direct Network, which is at least genre adjacent, isn’t it? It was produced by John Brabourne and Richard Goodwin who would go on to produce two more Christie films, Death on the Nile and The Mirror Crack’d

Oh, and it has an absolutely stellar cast of Albert Finney, Lauren Bacall, Martin Balsam, Ingrid Bergman, Jacqueline Bisset, Jean-Pierre Cassel, Sean Connery, John Gielgud, Wendy Hiller, Anthony Perkins, Vanessa Redgrave, Rachel Roberts, Richard Widmark and Michael York. You can see the trailer here.

Critics loved it with Roger Ebert’s comments being typical with him saying it provided “a good time, high style, a loving salute to an earlier period of filmmaking.” The box office was amazing as it made thirty six million dollars on a minuscule budget of one point two million dollars.  Christie who died fourteen months after this was made said that this film and Witness for the Prosecution were the only movie versions of her novels that she liked.

Now you’re going to get your Obligatory Science Fiction connection to use the old rec.arts.sf.written newsgroup term. The Twelfth Doctor would riff off this story including the train setting in the “Mummy on the Orient Express” episode though the murderer there was decidedly not human. 

Audience reviewers at Rotten Tomatoes currently give it a most excellent seventy-eight percent rating. 

It would have three more versions over the decades, a 2001 TV film version, a 2010 episode of the Agatha Christie’s Poirot series, and a 2017 film with Kenneth Branagh as the Belgian detective. Branagh narrates the movie tie-in audiobook. 

I just purchased this poster for my apartment as it is one of my favorite films. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 24, 1882 E. R. Eddison. Writer whose most well-known work by far is The Worm Ouroboros. It’s slightly connected to his much lesser known later Zimiamvian Trilogy.  I’m reasonably that sure I’ve read The Worm Ouroboros but way too long ago to remember anything about it. Silverberg in the Millenium Fantasy Masterworks Series edition of this novel said he considered it to be “the greatest high fantasy of them all”. (Died 1945.)
  • Born November 24, 1907 Evangeline Walton. Her best known work, the Mabinogion tetralogy, was written during the late 1930s and early 1940s, and her Theseus trilogy was produced during the late 1940s. It’s worth stressing Walton is best known for her four novels retelling the Welsh Mabinogi. She published her first volume in 1936 under the publisher’s title of The Virgin and the Swine which is inarguably a terrible title. Although receiving glowing praise from John Cowper Powys, the book sold quite awfully and none of the other novels in the series were published at that time. Granted a second chance by Ballantine’s Adult Fantasy series in 1970, it was reissued with a much better title of The Island of the Mighty. The other three volumes followed quickly. Witch House is an occult horror story set in New England and She Walks in Darkness which came out on Tachyon Press is genre as well. I think that is the extent of her genre work but I’d be delighted to be corrected. She has won a number of awards including the Mythopoeic Award for Adult Literature, Best Novel along with The Fritz Leiber Fantasy Award,  World Fantasy Award, Convention Award and the World Fantasy Award for Life Achievement. (Died 1996.)
  • Born November 24, 1926 Forrest J Ackerman. It’s no wonder that he got a Hugo forfor  #1 Fan Personality at Philcon II and equally telling that when he was handed the trophy by Asimov, he physically declined saying it should go to Ken Slater to whom the trophy was later given by the con committee. That’s a nice summation of him. You want more? As a literary agent, he represented some two hundred writers, and he served as agent of record for many long-lost authors, thereby allowing their work to be reprinted. He represented Ed Wood! He was a prolific writer, more than fifty stories to his credit, and he named Vampirella and wrote the origin story for her. Speaking of things pulp which she assuredly is, he appeared in 81 films and as himself in over one hundred documentaries and programs which I’ll not list here. Eclectic doesn’t begin to describe him. His non- fiction writings are wonderful as well. I’ll just single out Forrest J Ackerman’s Worlds of Science FictionA Reference Guide to American Science Fiction Films and a work he did with Brad Linaweaver, Worlds of Tomorrow: The Amazing Universe of Science Fiction Art. Did I mention he collected everything? Well, he did. Just one location alone contained some three hundred thousand books, film, SF material objects and writings. The other was eighteen rooms in extent. Damn if anyone needed their own TARDIS, it was him. In his later years, he was a board member of the Seattle Science Fiction Museum and Hall of Fame who now have possession of many items of his collection. Not that he didn’t have problems around fans as Mike reported here. (Died 2008.)
  • Born November 24, 1948 Spider Robinson, 73. His first story “The Guy with the Eyes” was published in Analog February 1973. It was set in a bar called Callahan’s Place, a setting for much of his later fiction.  His first published novel, Telempath in 1976 was an expansion of the novella “By Any Other Name”. The Stardance trilogywas co-written with his late wife Jeanne Robinson.  In 2004, he began working on a seven-page 1955 novel outline by the late Heinlein to expand it into a novel. The resulting novel would be called Variable Star. Who’s read it? He won the Astounding Award, and has three Hugos: the first at SunCon for his “By Any Other Name” novella, the second at IguanaCon II for “Stardance that he wrote with Jeanne Robinson and the the at ConStellation for the “Melancholy Elephants” short story. 
  • Born November 24, 1957 Denise Crosby, 64, Tasha Yar on Next Gen who got a meaningful death in “Yesterday’s Enterprise” after getting an earlier truly meaningless one. In other genre work, she was on The X-Files as a doctor who examined Agent Scully’s baby. And I really like it that she was in two Pink Panther films, Trail of the Pink Panther and Curse of the Pink Panther, as Denise, Bruno’s Moll. And she’s yet another Trek performer who’s popped doing what I call Trek video fanfic. She’s Dr. Jenna Yar in “Blood and Fire: Part 2”, an episode of the only season of Star Trek: New Voyages as Paramount was not amused. 
  • Born November 24, 1957 John Zakour, 64. For sheer pulp pleasure, I wholeheartedly recommend his Zachary Nixon Johnson PI series which he co-wrote some with Larry Ganem. Popcorn reading at its very  best and I see GraphicAudio has done full cast audio performances of them which should be a real hoot. It’s the only series of his I’ve read, so anyone else read his other books? 
  • Born November 24, 1957 Jeff Noon, 64. Novelist and playwright. Prior to his relocation in 2000 to Brighton, his stories reflected in some way his native though not birth city of Manchester. The Vurt sequence whose first novel won the  Arthur C. Clarke Award is a very odd riff off Alice in Wonderland that he describes as a sequel to those works. Noon was the winner of an Astounding Award for the Best New Science Fiction Writer.

(12) COMICS SECTION.

  • Calvin and Hobbes discuss what they learned from science fiction.
  • Shoe has an awful, genre-related pun. How can you resist?

(13) ON THE LINE. “Another Look At Bill Mauldin” in The Comics Journal, a review of Drawing Fire: The Editorial Cartoons of Bill Mauldin, says that the artist needed real-life experiences to generate effective drawings.

…Mauldin’s drawing style for the wartime cartoons was wonderfully evocative of the ambiance of the dogface’s life. He drew with a brush, and his lines were bold and fluid but clotted with heavy black areas, clothing and background detail disappearing into deep trap-shadow darkness that gave the pictures a grungy aspect that approximated visually the damp and dirty feelings bred by the miserable field conditions of a soldier’s life on front lines everywhere. Willie and Joe looked like they needed a bath, and so did many of their readers…

(14) MOVIES FOR A NEGLECTED HOLIDAY. That’s Connie Willis calls this list of movies for Thanksgiving Day, published on her Facebook page. (And Connie summons all her panache to explain why Miracle on 34th Street is on it.)

Poor Thanksgiving! It gets short shrift all around. Not only is it completely upstaged by Christmas, but now Black Friday means that Thanksgiving only gets a single day, and in the last few years (interrupted only by the Pandemic), Black Friday starts Thursday afternoon so you don’t even have time to do the dishes before Thanksgiving’s over and it’s on to the Christmas spending frenzy.

The same is true for movies. Hallmark devotes an entire month to Christmas movies and there are dozens of other new and old classics to watch, but there are hardly any Thanksgiving movies, and the ones there are always seem to involve a person who’s terminally ill. (Don’t believe me? How about STEPMOM, FUNNY PEOPLE, and ONE TRUE THING, to say nothing of THE BIG CHILL, in which the person’s already died?) Movies like that are the last thing we need in this Pandemic-That-Never-Seems-To-End.

So here’s a list of some cheerful Thanksgiving movies to watch in the ninety seconds or so between Thanksgiving dinner and Black Friday…

(15) LISTEN UP. “Doctor Who teases animated lost story The Abominable Snowmen”Radio Times has something else for us to be thankful about.

…As fans are well aware, 97 episodes of Doctor Who have been lost to time due to a since-scrapped BBC policy that saw them deleted from the broadcaster’s archives.

This has proved particularly damaging to Patrick Troughton’s time as the Second Doctor, given that almost half of his adventures in the role are incomplete.

The good news is that all of the affected episodes still exist in audio form thanks to recordings made by fans, which have been a great help in reconstructing them in the medium of animation….

(16) IT DOESN’T AGE LIKE WINE. “The Halo 3 Game Fuel fandom is dying”Polygon fosters that strange sensation called nostalgia for something you never experienced…

Two years ago, YouTube user xKorellx poured a bit of history down the drain. In a first-person video, they gently cradle a can of Mountain Dew Game Fuel in their palm. Swirls of orange and blue energy surround the Mountain Dew logo, and alongside it, a close-up image of Master Chief sprinting forward like he’s going to bust out of the can and into your pathetic reality. The vivid branding hasn’t faded in 10-plus years since Halo 3 Game Fuel left stores, but the can’s structural integrity is … compromised.

The silver top of the can is bloated and uneven. It looks to be moments from exploding. It has been deemed unfit for drinking or display. Solemn guitar music swells. xKorellx cracks the tab one-handed and pours the yellow-orangish liquid into the sink.

Today, a sip of that liquid will cost you anywhere between $35 and $80….

(17) WHAT COLOR BOOK COMES AFTER BLUE? “The Pentagon Forms New Department to Watch and Study UFOs” reports Vice.

The Pentagon announced the formation of the Airborne Object Identification and Management Synchronization Group (AOIMSG), a successor to the U.S. Navy’s Unidentified Aerial Phenomena Task Force. The group study Unidentified Aerial Phenomenon (UAP), the U.S. military’s name for UFOs.

According to the Pentagon’s press release, “the AOIMSG will synchronize efforts across the Department and the broader U.S. government to detect, identify and attribute objects of interests in Special Use Airspace (SUA), and to assess and mitigate any associated threats to safety of flight and national security.”

UFOs have been an obsession of the Pentagon (and broader society) for decades. In the 1950s and 60s, the U.S. Air Force’s Project Blue Book studied the phenomenon. In the preceding years, tales of strange lights in the sky captivated the world. Interest in UFOs waxed and waned over the years but exploded again recently when U.S. Navy pilots began giving interviews on high profile programs like 60 Minutes about the strange things they’d seen in the sky….

(18) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “The Movie Criminal Tutorial” on Screen Rant, written by Seb Decter, Tyler Lemco, Jr. plays movie crime consultant John Doe, Jr.  Doe’s father, John Doe, committed the crimes that led to the 1960s movie The Italian Job, and inspired the younger Doe to allegedly pursue a life of criminal activity.  Doe says it helps to have a wide network (he knows Pajamas Sam, Pajamas Freddy, and Sam The Fish), always talk through a Pringles can on the phone so no one can recognize your voice, and come up with an original tool when you’re whacking somebody (he likes a computer mouse).

[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, Chris Barkley, Darrah Chavey, John King Tarpinian, Andrew Porter, Michael Toman, Cat Eldridge, for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 11/14/21 Tension, Apprehension, And Pixellation Have Begun

(1) PLEASE STAND BY. File 770 was repeatedly offline for hours today. According to my ISP’s customer support, their outage report said “that the host machine the VPS is on became unresponsive and needed to be restarted.” That fix took effect about midday locally.

However, my home internet service always craps out several times a day, so it’s been a challenge to have access to download material for the Scroll when I could also edit things on the blog. Today’s Scroll, therefore, is a bit shorter than it would be if that time could have been used productively.

We now return you to our regularly scheduled pixels.  

(2) THE DAYS DWINDLE DOWN TO A PRECIOUS FEW. DisCon III asks: Have you made your choices for the 2021 Hugo Awards? There’s still time!

The deadline for voting for the Hugo Awards is November 19, 2021, 23:59 Pacific Standard Time (November 20th at 02:59 Eastern Standard Time, 07:59 Greenwich Mean Time, and 20:59 New Zealand Daylight Time).

You must be a member to vote. Vote online at members.discon3.org or use a paper ballot (but note that paper ballots must be received by DisCon III no later than the voting deadline.)

(3) A TRANS-ATLANTIC PHONE CALL, HURRAH! Bill Burns anticipates he’ll be an on-air expert commentator in the “Cable Across the Sea” episode of the new (USA) History Channel series “The Engineering That Built the World”. He says, “I did a three-hour video studio interview with the production team a couple of months ago.”

The episode is on Cyrus Field and the first Atlantic cables, and the producers also used material from Bill’s website History of the Atlantic Cable & Submarine Telegraphy.

(4) STAND BY TO LAUNCH. Cat Rambo’s book You Sexy Thing comes out from Tor Macmillan on November 16. The elevator pitch is “Farscape meets the Great British Bake-off.”

It’s the story of a band of former mercenaries who’ve opened a restaurant on a space station and are doing well, so well that a critic may be about to bestow a coveted Nikkelin Orb on the restaurant.Then a mysterious package arrives, things start exploding, and they have to steal a ship to escape. But that ship’s intelligent, and it’s not so sure it wants to be stolen.

Pre-orders can be taken any number of places, including Powell’s, Barnes and Noble, Amazon, and Audible.

There’s plenty of places to leave reviews, and if you do it on GoodReads, you can enter the giveaway for a special copy with an enamel pin here.

There are a lot of online events where you can catch up with Cat Rambo this week:

Cat will also be appearing live at Emerald City ComicCon in Seattle and Writers with Drinks in San Francisco in December.

(5) UNIONIZING AMONG BOOKSTORE EMPLOYEES. “Pandemic sparks union activity where it was rare: Bookstores” – the Brooklyn Eagle has the story.

Britta Larson, a shift leader at Half Price Books in Roseville, Minnesota, has been with the store for nearly 12 years but only recently thought about whether she wanted to join a union.

“With the pandemic going on, we all were just weary of the constant dismissals we got when we raised concerns about staffing and workload to upper management,” said Larson, noting that the staff had been reduced when the store shut down for a time and was “stretched extremely thin” once it opened again.

“Before the pandemic, I’d say we would have kind of just thought ‘Things aren’t great’ because it was all we had ever known. The pandemic forced us to do some things differently and we learned from that.”

…“I think COVID-19 was a rude awakening for bookstore workers, and really anyone who works with the public,” says Owen Hill, a buyer at Moe’s Books in Berkeley, California, which unionized earlier this year. “We were given no say regarding safe working conditions, even though we were risking our health by showing up for work. We had to organize in order to be a part of the conversation around worker safety.”…

(6) MAYER OBIT. Petra Mayer, a books editor on NPR’s Culture desk, died unexpectedly November 13 in a Maryland hospital. She was a fan of sf and comics, and not shy about letting her love of the genres into her work.  NPR’s obituary makes that clear – here are a few quotes.

…Mayer was a proud nerd with a penchant for science fiction, comics and cats, said fellow books editor Meghan Sullivan.

She shared those passions with readers and listeners through her reviews of sci-fi, fantasy, romance, thrillers and comics, her trusty on-the-scene reporting at Comic-Con, and her contributions to the Book Concierge, NPR’s annual literary-recommendation tool. She brought her zeal to the guest chair on occasional Pop Culture Happy Hour podcast episodes.

Prior to joining the NPR Books team in 2012, she was an associate producer and director for All Things Considered on weekends, and also spent time as a production assistant for Morning Edition and Weekend Edition Saturday.

…”She was the best and rarest species of nerd, whose enthusiasm was eager and sincere and open and inviting,” tweeted Glen Weldon, an NPR culture critic and a host of the network’s Pop Culture Happy Hour podcast. “She wanted you to love the stuff she loved, and supplied you hard incontrovertible evidence to support her thesis.”Mayer traced her nerd-dom back to George Orwell’s dystopian novel, 1984, which she happened to read in 1984 when she was 9 years old.

“My dad handed me his old college copy of the book and said, ‘Here, I think you’re ready to read this,’ ” she said in a 2018 “Faces of NPR” interview. “I was hooked, and started reading all the dystopia I could get my hands on, and the rest is history.”…

(7) MEDIA BIRTHDAY.

1966 — Fifty-five years ago, the Fahrenheit 451 film premiered. Based on Bradbury’s Fahrenheit 451 novel that has since picked a Retro Hugo at Noreascon 4, it was directed by directed by François Truffaut. The screenplay by Jean-Louis Richard off a story that he wrote with the director. It starred Julie Christie, Anton Diffring, Oskar Werner, and Cyril Cusack. It was produced by Lewis M. Allen who was has previously done The Lord of The Flies. Though critics at the time really, really didn’t like with some claiming that Julie Christie couldn’t act and Truffaut couldn’t direct, Bradbury liked the film mostly and time has shown that both later critics and audiences like it. Audience reviewers at Rotten Tomatoes currently give it a rather good seventy-two percent rating. It wasn’t a box office success making only a million dollars combined in the United States and France against its very small one point five million budget. A reboot was made three years ago, which gets a twenty-three percent rating at Rotten Tomatoes. 

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 14, 1907 Astrid Lindgren. Creator of the Pippi Longstocking series and, at least in the States, lesser known Emil i LönnebergaKarlsson-on-the-Roof, and the Six Bullerby Children series as well. In January 2017, she was calculated to be the world’s 18th most translated author, and the fourth most translated children’s writer after Enid Blyton, H. C. Andersen and the Brothers Grimm.  There have been at least forty video adaptations of her works over the decades mostly in Swedish but Ronja, the Robber’s Daughter was an animated series in Japan recently.  (Died 2002.)
  • Born November 14, 1950 Elliot S. Maggin, 71. A writer for DC Comics during the Bronze and early Modern ages of comics where he helped shaped the Superman character. Most of his work was on Action Comics and Superman titlesthough he did extensive work elsewhere including, of course, on the Batman titles.
  • Born November 14, 1951 Beth Meacham, 70. In 1984, she became an editor for Tor Books, where she rose to the position of editor-in-chief. After her 1989 move to the west coast, she continued working for Tor as an executive editor which she just retired from.  She does have one novel, co-written with Tappan King, entitled Nightshade Book One: Terror, Inc. and a handful of short fiction.  At L.A. Con II, A Reader’s Guide to Fantasy that she co-wrote wrote Michael Franklin and Baird Searles was nominated for a Hugo. And she was nominated on her own for a number of Hugos for Best Editor Long Form.
  • Born November 14, 1959 Paul McGann, 62. Yes, he only did one film as the eighth incarnation of the Doctor in the 1996 Doctor Who television film but that role he has reprised in more than eighty Big Finish audio dramas and the 2013 short film entitled “The Night of the Doctor”. Other genre appearances include The Pit and the Pendulum: A Study in TortureAlien 3, the excellent FairyTale: A True StoryQueen of the Damned and Lesbian Vampire Killers
  • Born November 14, 1961 D. B. Sweeney, 60. Actor who’s been lead cast in two genre series, neither of which lasted very long. The first was as Chance Harper in Strange Luck that lasted but seventeen episodes; the second was as Mike Pinocchio in Harsh Realm that last an even briefer nine episodes. He also had roles in Tales from The CryptThe Outer LimitsJerichoLeverage and The Legend of Korra.
  • Born November 14, 1963 Cat Rambo, 58. All around great person. Really. Recently finished up a term as SFWA President.  She was editor of Fantasy Magazine for four years which earned her a 2012 World Fantasy Special Award: Non-Professional nomination. A story of hers, “Five Ways to Fall in Love on Planet Porcelain”, was a Nebula Award finalist.  Her first novel, Beasts of Tabat, is the beginning of what I suspect will be an impressive fantasy quartet. Hearts Of Tabat came this year.  She also writes amazing short fiction as well.  The Rambo Academy for Wayward Writers is her long-standing school for writers that provides her excellent assistance in learning proper writing skills both live and on demand as well. You can get details here.  Her latest, You Sexy Thing, is just out, and I’m looking forward to listening to it starting in a few days! 
  • Born November 14, 1969 Daniel Abraham, 53. Co-author with Ty Franck of The Expanse series which won a Hugo at CoNZealand. Under the pseudonym M. L. N. Hanover, he is the author of the Black Sun’s Daughter urban fantasy series.  Abraham collaborated with George R. R. Martin and Gardner Dozois to write the Hunter’s Run. A frequent collaborator of Martin, Abraham adapted several of Martin’s works into comic books and graphic novels, such as A Game of Thrones: The Graphic Novel, and has contributed to Wild Cards anthologies. By himself, he picked up a Hugo nomination at Denvention 3 for his “The Cambist and Lord Iron: A Fairy Tale of Economics” novelette. 
  • Born November 14, 1976 Christopher Demetral, 45. He played the title character on the oh so excellent The Secret Adventures of Jules Verne series which still isn’t on DVD or streaming services, damn it. (Ok, oh ahead and contradict me please. I’d be delighted). He shows up in the “Future Imperfect” episode of Next Gen, and had the recurring role of Jack on Lois & Clark: The New Adventures of Superman.

(9) TEA & TENTACLES. In Sunset Distortion: The Pyramid At The End Of The World by Paul Bahou uses his rock band experience to craft an intergalactic adventure.

Lazer is an almost made it, middle-aged guitarist who plays in an 80’s hard rock cover band at a Sunset Strip dive bar. While not quite a rock star, he plays to a packed house nightly. His blissful inertia is disrupted one night however when he is abducted by aliens and given a strange imprint on his hand: A key which will send him on an intergalactic journey in search of an artifact that gives its possessor “infinite life.” With the help of his new friend Streek, a timid floating octopus-creature with an English accent, Lazer will have to survive encounters with monsters, robots, alien pirates, inter-dimensional brain leeches and much more. Will Lazer get back home? What does ‘infinite life’ actually mean? And why does everybody in space speak English? All answers await at the pyramid at the end of the world.

Available at Amazon and Barnes & Noble.

(10) YOU CAN’T GET THERE FROM HERE. Here’s an excerpt from Frequently Asked Questions about the Universe by Jorge Cham and Daniel Whiteson discussing “Why we can’t ‘beam ourselves up’ Star Trek-style” from Yahoo!

…Information has to travel through space just like everything else, and the fastest anything can travel in this universe is the speed of light. Really, the speed of light should have been called the “speed of information” or “the universe’s speed limit.” It’s baked into relativity and the very idea of cause and effect, which are at the heart of physics.

Even gravity can’t move faster than light. The Earth doesn’t feel gravity from where the Sun is right now; it feels gravity from where the Sun was eight minutes ago. That’s how long it takes information to travel the ninety-three million miles between here and there. If the Sun disappeared (teleporting off for its own vacation), the Earth would continue in its normal orbit for eight minutes before realizing that the Sun was gone.

So the idea that you can disappear in one place and reappear in another place instantly is pretty much out of the question. Something has to happen in between, and that something can’t move faster than light.

Fortunately, most of us aren’t such sticklers when it comes to the definition of “teleportation.” Most of us will take “almost instantly” or “in the blink of an eye” or even “as fast as the laws of physics will allow” for our teleportation needs. If that’s the case, then there are two options for making a teleportation machine work…

(11) TWO SINGLES, ONE HOMER. That’s how John A Arkansawyer scored this week’s Saturday Night Live. Click through to see History Channel parody “March of the Suitors” or faux Syfy show “Strange Kid Tales” (I kind of like that one). Or watch John’s fave here —

[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, John A Arkansawyer, Jim Meadows III, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 8/18/21 Science Fiction Grand Pixel Banned From Scroll

(1) WHEN SHALL I MAKE AN END. Lois McMaster Bujold is one of the authors who answers the question “When should writers return to old, abandoned work?” for The Writer. Can you guess the story she’s discussing? Click through to see if you’re right.

Mood as a factor

Mood can take two forms – the mood of the story or novel you abandoned and the mood you’re in when you try to get back into it – that is, your emotional state of mind. As any writer can tell you, the mood you’re in makes a great difference when you tackle any work of fiction. But let’s say this project’s been gathering dust for several years. Are you charged up enough to take it on? Do you have the right inspiration?

Lois McMaster Bujold, speculative fiction writer and four-time winner of the Hugo Award, can speak to these very questions. She returned to an abortive novella after a seven-year hiatus. In 2011, she had completed 15,000 words on a “high-concept tale” about bioengineering, which she nicknamed Radbugs! Then she ran into a brick wall: “Radbugs, and then what?”

Plot-wise she had drawn up short: “The internal problem was that of making the Radbug bioengineering project central, as semi-realistic science (fiction) – it didn’t have a novella-like time frame or structure.” She considered two options, the first being a story that concentrated more on the research. “But scientific research like that is just a whole lot of tedious back-and-forthing on experiments and data collection for several years until the concept either becomes viable or is proved not to work.” Her second option didn’t seem viable, either. “Letting the story focus instead on some of the human problems encountered in those first 15,000 words seemed too much like another story I’d written. I eventually stopped and went on to other things, thinking I’d finally own a trunk story. But it itched. It was half done.”

In 2018, she was in the right frame of mind to return to it….

(2) FIFTY SENSE. NPR has posted its choices for “The 50 Best Science Fiction And Fantasy Books Of The Past Decade”. I’ve read 17 of these. Which doesn’t sound like a good score, yet is higher than I expected. My favorite book of them all happens to be the first one listed, Ann Leckie’s Ancillary Justice.

This year’s summer reader poll was also shaped by a series of “what ifs” — most importantly, what if, instead of looking at the entire history of the field the way we did in our 2011 poll, we only focused on what’s happened in the decade since? These past 10 years have brought seismic change to science fiction and fantasy (sometimes literally, in the case of N.K. Jemisin’s Broken Earth series), and we wanted to celebrate the world-shaking rush of new voices, new perspectives, new styles and new stories. And though we limited ourselves to 50 books this time around, the result is a list that’s truly stellar — as poll judge Tochi Onyebuchi put it, “alive.”…

How We Built This

Wow, you’re some dedicated readers! Thanks for coming all the way down here to find out more. As I said above, we decided to limit ourselves to 50 books this year instead of our usual 100, which made winnowing down the list a particular challenge. As you may know, this poll isn’t a straight-up popularity contest — though, if it were, the Broken Earth books would have crushed all comers; y’all have good taste! Instead, we take your votes (over 16,000 this year) and pare them down to about 250 semifinalists, and then during a truly epic conference call, our panel of expert judges goes through those titles, cuts some, adds some, and hammers out a final curated list….

(3) SHAUN TAN ART. Children’s Book Council of Australia’s Book Week runs August 21-27 with the theme “Old Worlds, New Worlds, Other Worlds.” The campaign includes this poster by Shaun Tan.

(4) DODGY PRACTICES. Smashwords informed Nigerian writer and editor Oghenechovwe Donald Ekpeki that they cannot pay him outstanding e-book royalties, because he doesn’t have a PayPal account – which is due to PayPal not operating in Nigeria.

(5) WRITING MODULE. Speculative Literature Foundation’s video interview “Paolo Bacigalupi: Values Fiction” comes with a set of discussion questions.

In this clip, author Paolo Bacigalupi discusses how he writes fictional solutions into the personas and experiences of the characters that populate his novels

Discussion Questions

(1) Ecological message fiction provides a space for authors to imagine inspired, inventive technology for the future. Bacigalupi believes that crafting these ideas for a better life within dystopian settings ultimately creates a more powerful message for his readers. Do you agree? Why or why not? Can you think of any examples of message fiction that are not set within a dystopian context?

(2) The focus on a ‘chosen one’ or set of heroes as the solution to the problems presented in values fiction can be limiting for a narrative’s overall message. Why do you think this would be? Are there any broader societal implications for ‘chosen one’ style-plots? Is there a situation in which this narrative structure would be useful?

(3) Bacigalupi says that writing fully “lived-in”, interesting characters with varied perspectives on the topic at hand is more effective in getting your message across than creating characters who specifically espouse your values. Do you agree with Bacigalupi? As a reader, what do you find you relate most to in the characters you read?

(4) Bacigalupi cites Gene Wolfe’s claim that those who want to write values fiction need to be able to argue all sides of the argument they’re engaging with in order to make their own point as strong as possible. Can you think of any topic in which arguing all sides would completely contradict your own values as a writer? Would you do it anyway? 

(6) ARC MARKET. The return of the sale of of ARCs. From the Wall Street Journal: “Stephen King, J.K. Rowling and Others Whose ‘Not-for-Sale’ Books Are Fetching Thousands”. Andrew Porter recalls, “I sold a bound galley of a Stephen King Doubleday book for $500 in 1984.” (The WSJ is usually paywalled, but this was open to read today.)

“Not for sale,” reads the fine print on the back of an advance reader copy (ARC) of Sally Rooney’s forthcoming novel, Beautiful World, Where Are You, which days ago sold on eBay for $79.99 (with tote bag). Another advance copy sold earlier this summer for around $200—roughly 10 times what it costs to preorder the hardcover. An ARC of Jonathan Franzen’s forthcoming Crossroads was recently listed on eBay for $165. 

Free copies of forthcoming books—in the form of ARCs, galleys and uncorrected proofs—are typically sent by publishing houses to authors, reviewers, bookstores and, increasingly, celebrities and influencers months before publication. The copies can draw a bidding frenzy, especially inside the literary world. One publicist described Rooney’s galleys, along with Ottessa Moshfegh’s, as “almost like trading cards” among junior publishing employees. 

Early, unfinished versions of classic novels have long been collectible, with some fetching astronomical prices. This is especially true for early-20th-century books, when advance copies were rare and tended to be made with higher-quality materials. They can also provide a window into a canonical author’s process—highlighting revisions made between drafts, say—and may include handwritten corrections.

An uncorrected advance copy of John Steinbeck’s Cannery Row is currently available for $35,000; an early version of Hemingway’s The Old Man and the Sea is on sale for $28,000. More recent releases from bestselling authors—such as an uncorrected proof of Stephen King’s first novel, Carrie, on sale for $3,000—typically sell for less. And then there’s Harry Potter. This May, an uncorrected version of Harry Potter and the Philosopher’s Stone sold for over $29,000….

(7) NEW B5 COMMENTARY. J. Michael Straczynski has released another Babylon 5 commentary, on the episode “Signs and Portents”. These commentaries originally were only available through his Patreon page.

(8) YOUNGSON OBIT. Jeanne Youngson, founder of the Vampire Empire (originally the Count Dracula Fan Club), has died reports Nancy Kilpratrick. The Free Dictionary’s article about her accomplishments notes:

…In 1960 she married Robert G. Youngson, a renowned movie producer and historian, and that same year she launched a career as an independent filmmaker, winning numerous prizes as an animator. She also produced medical documentaries, including “My Name Is Debbie,” about the life of a post-operative male to female transsexual. The film is still being shown at Gender Identity conferences in tandem with a Canadian documentary featuring the actual operation.

The idea for a Dracula Club came to Youngson in 1965 while on a trip to Romania. Society Headquarters were set up in London, England, and New York City upon her return; and by the beginning of the 1970s the club had become a growing concern. In the meantime she found it necessary to give up filmmaking to devote her energies to the Dracula and Bram Stoker genres….

(9) MEMORY LANE.

  • 1950 – Seventy-one years ago on this date, Destination Moon, produced by George Pal, premiered in the United Kingdom. It would be voted a Retro Hugo for Best Dramatic Presentation at the Millennium Philcon. It was directed by Irving Pichel from the screenplay by Alford Van Ronkel and Robert A. Heinlein and James O’Hanlon. It’s based off Robert A. Heinlein‘s Rocketship Galileo novel. It starred John Archer, Warner Anderson,  Erin O’Brien-Moore, Tom Powers and Dick Wesson. Mainstream critics usually didn’t like it but Asimov said In Memory Yet Green that it was “the first intelligent science-fiction movie made.”  Audience reviewers at Rotten Tomatoes give it a mediocre 48% rating though the critics overall give a sixty four percent rating there. It is not in the public domain but the trailers are and here  is one for you.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 18, 1925 Brian Aldiss. Fiction wise, I’ll single out his Helliconia series, Hothouse and The Malacia Tapestry as my favorites. He won a Hugo at Chicon III for “The Long Afternoon of The Earth”, another at Conspiracy ’87 for Trillion Year Spree which he co-authored with David Wingrove. He’s edited far too many collections to know which one to single out. (Died 2017.)
  • Born August 18, 1929 Joan Taylor. Her first genre role was Earth vs. the Flying Saucers as Carol Marvin, and she followed that with 20 Million Miles to Earth as Marisa Leonardo. Her last genre role was as Carol Gordon in Men into Space, a late Fifties series about a USAF attempt to explore and develop outer space. She retired from acting in the early Sixties. (Died 2012.)
  • Born August 18, 1931 Grant Williams. He is best remembered for his portrayal of Scott Carey in The Incredible Shrinking Man though he did have the role of the psychopathic killer in Robert Bloch’s The Couch. Of course he shows up in Outer Limits where he plays Major Douglas McKinnon in “The Brain of Colonel Barham”.  And he’s Major Kurt Mason in The Doomsday Machine. (Died 1985.)
  • Born August 18, 1934 Michael de Larrabeiti. He is best known for writing The Borrible Trilogy which is noted by several sources online as being an influence on writers in the New Weird movement. Ok folks, I’ve not read it so please explain how The Borrible Trilogy influences that literary movement as it doesn’t seem like there’s any connection. (Died 2008.)
  • Born August 18, 1954 Russell Blackford, 67. Writer resident in Australia for awhile but now in Wales. Author of Terminator 2: The New John Connor Chronicles, and editor of the Australian Science Fiction Review in the Eighties. With Van Ikin and Sean McMullen, he wrote Strange Constellations: A History of Australian Science Fiction, and Science Fiction and the Moral Imagination: Visions, Minds, Ethics which is just out.
  • Born August 18, 1958 Madeleine Stowe, 63. She’s in the Twelve Monkeys film as Kathryn Railly, and she’s in the Twelve Monkeys series as Lillian in the “Memory of Tomorrow” episode. Her only other genre work was a one-off in The Amazing Spider-Man which ran for thirteen episodes nearly forty years ago. She was Maria Calderon in “Escort to Danger” in that series, and she also played Mia Olham in Impostor which scripted off Philip K. Dick’s “Impostor” story. 
  • Born August 18, 1966 Alison Goodman, 55. Australian writer who’s won three Aurealis Awards for Excellence in Speculative Fiction for Singing the Dogstar BluesThe Two Pearls of Wisdom and Lady Helen and the Dark Days PactThe Two Pearls of Wisdom was nominated for an Otherwise Award. 
  • Born August 18, 1967 Brian Michael Bendis, 54. He’s both writer and artist, a still uncommon occurrence. Did you know he’s garnered five Eisner Awards for both his creator-owned work and Marvel Comics? Very impressive! He’s the primary force behind the creation of the Ultimate Marvel Universe, launching Ultimate Spider-Man which is an amazing series which I read on the Marvel Unlimited app. 

(11) COMICS SECTION.

  • The Argyle Sweater shows a robot leaving an autograph in an unexpected place.
  • Half Full is about a kind of house that I didn’t think needed an energy saving plan.

(12) VOTING WITH DOLLARS. “Tabletop Game Makers Crowdfund New Projects” Publishers Weekly charts the successes.

…Anya Combs, director of games outreach at Kickstarter, says one of the key reasons that 2020 was such an explosive year of growth for tabletop gaming was the Covid pandemic, which forced everyone indoors for months on end.

Last year, the global board games market grew by 20% over 2019, according to DW, an international news and media site. The market research firm Arizton Advisory and Intelligence predicted that board games would see a compound annual growth rate spurt of approximately 13% from 2020 to 2026—a surge driven in part by Covid-related lockdowns.

But to chalk up all of tabletop’s recent success to the pandemic would be shortsighted. Tabletop gaming has been enjoying expansion for years. In 2019, Grand View Research estimated that the playing cards and board games market would reach $21.56 billion by 2025.

“Tabletop has been having a moment for a long time,” Combs says. “A lot of it stems from this retro nostalgic aspect, and many point to Stranger Things and the resurgence of role-playing games such as Dungeons & Dragons. Tabletop provides a level of play that people needed during Covid. There’s something very genuine about sitting with your friends and sharing in a communal way.”…

(13) PICARD TO ENTERPRISE. You don’t have to wait for Starfleet to issue yours if you’re willing to order it from Amazon: Star Trek Next Generation 2021 Bluetooth Communicator  Combadge with Chirp Sound Effects, Microphone & Speaker. And there are several styles.

  • Presenting the Star Trek the Next Generation Bluetooth Communicator Badge! Since its debut in 1987 the TNG Communicator Badge has been a sought-after future tech we all wish we had. Now available, a few centuries early, connect to your phone, tablet or computer to enjoy hands and ear. The Star Trek TNG ComBadge features an accurate on-screen matte gold with black outline & silver delta plate. High quality ABS & Zinc materials.
  • The Star Trek Communicator connects to all phones or tablets that have Bluetooth (any modern phone) with Bluetooth version 5 for longer range and extended payback time. It features a built-in Microphone and Speaker for phone calls and music playback. Strong magnet backplate so no holes in your clothes! | 2 hours constant music or phone usage / 48 hours Cos-play “Chirp” mode.
  • HIGH QUALITY SOUND | Plays the classic Star Trek TNG ComBadge chirp sound effect when you press it for Cosplay, when you receive phone calls or enable Siri, Google, Cortana or Alexa! With 30 to 300 foot Bluetooth “Badge to phone” range you can keep your phone in your pocket while you make phone calls, listen to music or use voice your voice assistant.

(14) FLIPPER. A pair of Boston Dynamics robots run a complicated course.

Parkour is the perfect sandbox for the Atlas team at Boston Dynamics to experiment with new behaviors. In this video our humanoid robots demonstrate their whole-body athletics, maintaining its balance through a variety of rapidly changing, high-energy activities. Through jumps, balance beams, and vaults, we demonstrate how we push Atlas to its limits to discover the next generation of mobility, perception, and athletic intelligence.

(15) KEEPS ON TICKING. Ars Technica says Ingenuity is still buzzing Martian skies: “After a dozen flights, NASA’s chopper has yet to come a cropper”.

NASA’s tiny Mars helicopter, which has a fuselage about the size of a small toaster, has successfully flown above the planet for the 12th time.

Nearly half a year after the Perseverance rover landed on Mars, the Ingenuity helicopter is still going strong on the surface of the planet. The small flyer has done so well that it has been separated from Perseverance for some time as it scouts ahead on the red planet….

(16) VIDEO OF THE DAY. [By Martin Morse Wooster.] In the spoiler-filled “Old Pitch Meeting” on YouTube, the producer, when he learns that the aging powers of the mysterious beach enables two six-year olds to mature so fast that they have a baby that dies 20 minutes after it is born, says “I could have been a doctor!”  The shocking third act plot twist is SO ridiculous that George makes you very glad you didn’t spend any money on this stinker.

[Thanks to John King Tarpinian, Cat Eldridge, Mike Kennedy, Olav Rokne, Cliff, Chris Barkley, Andrew Porter, Martin Morse Wooster, JJ, and Michael Toman for some of these stories. Title credit belongs to contributing editor of the day Jon Meltzer.]

Pixel Scroll 6/22/21 You Are About To Enter The Most Fascinating Scroll Of Pixel Work

(1) HWA PRIDE MONTH. The Horror Writers Association’s “Point of Pride” series continues: “Interview with Rin Chupeco”.

What has writing horror taught you about the world and yourself?

I think that what a lot of people define as being monstrous just means being different from them, and this often stems from bigotry or prejudice. Most of the horror books that I’ve read growing up were about victims who were treated terribly simply for who they are (women relegated to second class citizens, prostitutes and sex workers not given agency, etc.), and then becoming their own monstrous vehicles for justice. I’m fascinated with stories where the real monsters are the humans who wind up creating the very demons they accuse others of being, often paying the price for it. When you shift your worldview and realize that the real demon in say, Frankenstein , is the monster’s creator instead of the creature itself, it opens up these new hidden layers to storytelling in horror that helps you explore the good and the bad sides of the human condition, work on that to make it more compelling to readers.

(2) ESSENCE OF WONDER. Mary Robinette Kowal, author of The Relentless Moon (Tor Books / Solaris), and Micaiah Johnson, author of The Space Between Worlds (Penguin Random House / Del Rey) joins Essence of Wonder with Gadi Evron to talk about their works and what they have coming down the pipeline — Saturday, June 26 at 3:00 p.m. Eastern. Register here. Can be viewed on Zoom, YouTube, and Facebook.

(3) GET YOUR KICKS. By wearing the patch design for ISS Expedition 66. (More info here.)

The Expedition 66 patch was designed by NASA graphic designer Blake Dumesnil. Blake decribes the background of the design, “Growing up around classic cars, collectibles, and Americana, I couldn’t pass up the opportunity to use the Route 66 sign as a starting point for this design, but going beyond the obvious numerical tie, I loved the idea of a journey being just as important as the destination – the Space Station is an incredible stop along the road back to the Moon and on to Mars!”

(4) BY ANY OTHER NAME. It’s not a crash test dummy, it’s a Moonikin – and it needs a name. NASA wants the public to “Name the ‘Moonikin’ Flying Aboard Artemis I” from among eight choices. Looks like the names will be offered for voting in pairs on various social media platforms, and move up in brackets.

To vote on today’s bracket (Montgomery vs. Rigel) on the web, click here. 

Choose your player! NASA is holding a naming contest beginning Wednesday, June 16 for the manikin that will fly on an upcoming mission around the Moon

As NASA gears up for the Artemis I mission around the Moon that will pave the way to send the first woman and the first person of color to the lunar surface, we have an important task for you (yes, you!). Artemis I will be an uncrewed flight test of the Space Launch System (SLS) rocket and the Orion spacecraft ahead of the first flight with crew on Artemis II. We want your help to select a name for the suited manikin, or Moonikin in this case, that will fly aboard Orion to help gather data before missions with astronauts!

A manikin is an anatomical model that simulates the human body and is commonly used in training for emergency rescues, medical education, and research. The manikin on Artemis I will be equipped with two radiation sensors, and sensors in the seat – one under the headrest and another behind the seat – to record acceleration and vibration throughout the mission as Orion travels around the Moon and back to Earth. Data from these and other sensors inside the spacecraft will help NASA understand how to best protect crew members for Artemis II and beyond.

We have eight names to choose from, but only one can win. Every other day starting Wednesday, June 16, we will be asking social media users on TwitterFacebook, and Instagram, to vote between one of two names. The winners of each bracket compete with one another until the final showdown on Monday, June 28.

The final name of the Moonikin will be announced on Tuesday, June 29!

(5) NEITHER FAST NOR FURIOUS. Light races past and waves in the rear-view mirror at this compilation of sff — “Not So Fast: Five Books Featuring Sublight Space Travel” by James Davis Nicoll at Tor.com.

Rissa Kerguelen by F. M. Busby (1977)

The 21st century is a veritable utopia, governed by United Energy and Transport (UET). A utopia, that is, where peace and security are assured by rigid class stratification and a punitive justice system. Few of the cowed citizens can imagine a better way of life. Those who do can look forward to midnight visits from large, unfriendly UET minions.

While winning the lottery might be seen as a forgivable mistake, welfare orphan Rissa Kerguelen commits the unforgivable sin of wanting to keep her winnings. UET’s reach is long and there is no safe place on Earth for reprobates like Rissa. But Earth is not Rissa’s only option. Head out for the stars on a sublight starship and she might escape UET…if she is willing to take the long view.

(6) HE’S NOT A WEREWOLF, HE’S A WEASEL. The Suicide Squad – Official “Rain” Trailer dropped today.

Our only hope to save the world is a bunch of supervillains — what could go wrong? Check out the new trailer for James Gunn’s #TheSuicideSquad in theaters and streaming exclusively on HBO Max* August 6.

(7) MEDIA BIRTHDAY.

  • June 22, 1990 — On this date in 1990, Robocop 2 premiered. It was directed by Irvin Kershner and produced by Jon Davison. It was written by Frank Miller and Walon Green. It stars Peter Weller once again as Robocop along with Nancy Allen, Dan O’Herlihy, Belinda Bauer, Tom Noonan and Gabriel Damon. Very few critics liked it and the Box Office barely covered the costs of making it. Audience reviewers at Rotten Tomatoes currently give it a rather poor rating of thirty six percent. 

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 22, 1856 — H. Rider Haggard. Writer of pulp fiction, often in the Lost World sub genre. King Solomon’s Mines was the first of his novels with Allan Quatermain as the lead and it, like its sequels, was successful. These novels are in print to this day. Haggard by the way decided to take ten percent royalties instead of a flat fee for writing, a wise choice indeed.  And let’s not forget his other success, She: A History of Adventure, which has never gone print out of print either. (Died 1925.)
  • Born June 22, 1936 — Kris Kristofferson, 85. He first shows up in a genre film, The Last Horror Film, as himself. As an actor, his first role is as Bill Smith in Millennium which is followed by Gabriel in Knights, a sequel to Cyborg. (A lack of name creativity there.) Now comes his role as Abraham Whistlerin Blade and Blade II, a meaty undertaking indeed! Lastly I’ll note he voiced Karubi in Planet of the Apes.
  • Born June 22, 1947 — Octavia Butler. I think her Xenogenesis series is her most brilliant work though I’m also very, very impressed by the much shorter Parable series. Two Hugos, for “Speech Sounds” (Best Short Story – 1984) and “Bloodchild” (Best Novelette – 1985). Parable of the Sower was Book of Honor at Potlatch 17. MacArthur Fellowship recipient – the first SF author to receive one. SFWA’s Solstice Award.  (Died 2006) 
  • Born June 22, 1949 — Meryl Streep, 72. She’d make the Birthday list just for being Madeline Ashton in Death Becomes Her and her epic battle there with Goldie Hawn. She’s the voice of Blue Ameche in A.I. Artificial Intelligence, and a very real Aunt Josephine in Lemony Snicket’s A Series of Unfortunate Events. She’s the voice of Felicity Fox in Fantastic Mr. Fox, based off the on Dahl’s 1970 children’s novel. She voices Jennie in a short that bring Maurice Sendak’s dog to life, Higglety Pigglety Pop! or There Must Be More to Life. She’s The Witch in Into The Woods. I think that’s it.
  • Born June 22, 1952 — Graham Greene, 69. Primary ongoing genre role to date has been as Rafe McCawley In the Defiance series. He also played Humpstone John in Winter’s Tale based off the Mark Helprin of the same name, and was Whiskey Jack in an episode of American Gods. In The Twilight Saga: New Moon, he was Harry Clearwater.
  • Born June 22, 1958 — Bruce Campbell, 63. Where to start? Well let’s note that Kage loved the old rascal as she described him, so I’ve linked to her review of Jack of All Trades. I personally liked him just as much in The Adventures of Brisco County, Jr. and think it’s well worth checking out. I think his work as Ash Williams in the Evil Dead franchise can be both brilliant and godawful, often in the same film. Or the same scene. The series spawned off of it is rather good. Oh, and for popcorn reading, check out If Chins Could Kill: Confessions of a B Movie Actor, his autobiography. 
  • Born June 22, 1971 — Laila Rouass, 50. She was Sarah Page, an Egyptologist on Primeval, a series I highly recommend if you’ve not seen it. She played Colonel Tia Karim, a traitorous UNIT officer in the two part “Death of The Doctor” on The Sarah Jane Adventures. This story was the last to feature Sarah Jane Smith and the Doctor, The Eleventh here, together onscreen. Jo Grant would also show up. 
  • Born June 22, 1973 — Ian Tregillis, 48. He is the author of the Milkweed Triptych trilogy which is frelling brilliant. He’s contributed three stories to Max Gladstone’s The Witch Who Came in From the Cold  rather good serial fiction narritive (if that’s the proper term) and he’s got another series, The Alchemy Wars, I need to check out. He’s also a contributor to George R. R. Martin’s Wild Cards series.

(9) WHAT ARE YOUR FAVES SINCE 2011? NPR is polling sff readers to compile a new list to supersede the one they did a decade ago: “Sci-Fi And Fantasy Books Have Changed. Tell Us Your New Favorites”. Full guidelines at the link.

Ten years is a long time! In 10 light-years, you could get from Earth to a whole new solar system, Epsilon Eridani. And in the past 10 years, science fiction and fantasy have undergone a revolution — new voices, new perspectives and new stories, bright as stars in the night sky.

So we thought it would be a great time to revisit our original 2011 reader poll of favorite science fiction and fantasy. And not just because of all the fantastic new stuff that’s come out in the past decade, but because that 2011 list has some notable holes in it when it comes to race and gender. (Octavia Butler fans, I am SO sorry. But we do plan to address that with a supplement to first list.)

We’re doing things a little bit differently this year since we already know you guys love The Lord of the Rings. Instead of a grand survey of all of time and space, we’re zeroing in on titles from the past 10 years — that is, anything that has come out since the 2011 poll. And since we’re only looking at the past decade, our panel of expert judges will take your nominations and use them to curate a final list of 50 titles (rather than our usual 100)…

(10) HOMAGE TO THE MASTER. Artist Will Quinn did this tribute to Bob Eggleton’s “A Pint with a Mollusc” (1999):

Here’s Eggleton’s orginal.

(11) STRANGERS IN STRANGER LANDS. James Davis Nicoll considers “Five SF Books About Living in Exile” at Tor.com.

Few calamities sting like being driven from the land one once called home. Exile is therefore a rich source of plots for authors seeking some dramatic event to motivate their characters. You might want to consider the following five books, each of which features protagonists (not all of them human) forced to leave their homes….

(12) VIDEO OF THE DAY. This Jeep® Wrangler 4xe commercial “2021 Earth Odyssey” is from February, but it’s news to me! (The closed captioning is amusing, too.)

[Thanks to John King Tarpinian, Cat Eldridge, Mike Kennedy, Ben Bird Person, James Davis Nicoll, Andrew Porter, Martin Morse Wooster, JJ, and Michael Toman for some of these stories. Title credit belongs to contributing editor of the day Patrick Morris Miller.]

Pixel Scroll 12/26/20 Wenn Ist Das Pixel Git Und Slotermayer? Nein! Beiherhund Die Oder Das Flipperwald Gescrollt!

(1) THE DEAD BODY PROBLEM. Lin Qi, producer of the upcoming Three-Body Problem adaptation, has died following an alleged poisoning by a colleague:  “Lin Qi, Yoozoo CEO and Producer on Netflix’s ‘Three-Body Problem,’ Dies at 39” in The Hollywood Reporter.

Lin Qi, the chairman and CEO of Yoozoo Group who was hospitalized after having been poisoned on Dec. 16, has died. The Chinese company confirmed that Lin died on Christmas Day. He was 39.

On Wednesday evening in China, the Shanghai Public Security Bureau had announced that Lin was receiving treatment after being poisoned and that a Yoozoo coworker of Lin’s, surnamed Xu, had been apprehended amid an investigation.

The statement read: “At 5 p.m. on Dec. 17, 2020, the police received a call from a hospital regarding a patient surnamed Lin. During the patient’s treatment, the hospital said it had determined that the patient had been poisoned. Following the call, the police began an investigation. According to investigations on site and further interviews, the police found that a suspect surnamed Xu, who is a coworker of the victim Lin, was the most likely the perpetrator. The suspect Xu has been arrested and investigations continue.”

The Hollywood Reporter reported that local media have said a dispute among the Chinese entertainment company’s executive ranks preceded the assault on Lin, which was allegedly carried out via a cup of poisoned pu-erh tea.

(2) A PIXAR FIRST. In the Washington Post, Michael Cavna interviews Kemp Powers, a Black co-writer of Soul, who explains how his experiences helped ensure that the African-American experiences portrayed in the film were authentic. “Kemp Powers of ‘Soul’: His long journey to becoming Pixar’s first Black writer-director”.

The geniuses at Pixar had a problem, and this time, they would need to look beyond the walls of their esteemed studio for help.

The movie in question was “Soul,” a tuneful jazz tale that somehow didn’t quite swing. Rather ironically, the movie’s main character was lacking in texture and truth and, well, any depth of soul. What to do about a lead role that, in the words of Pixar chief and “Soul” director Pete Docter, “was kind of an empty shell”?The call went out to Kemp Powers, a rising playwright and “Star Trek: Discovery” TV writer who headed to Pixar’s Bay Area headquarters with much more than notes. He had a lifetime of relevant insights.

The character in question was Joe Gardner, Pixar’s first leading Black character and the heart of “Soul,” which will be released on Disney Plus on Christmas Day after bypassing domestic theaters because of the pandemic. Powers will compete against himself that day when the film adaptation of his play “One Night in Miami,” directed by Regina King, will land in theaters (ahead of its Jan. 15 release on Amazon Prime)….… And Daveed Diggs, who voices Joe’s trash-talking rival Paul, says Powers brought a humanity and a fearlessness to the tale. “There’s a strength and level of conviction in the storytelling,” says Diggs, no easy task because with its supernatural spaces and existential themes, “Soul” is “a weird movie.”

(3) CONTINUE CELEBRATING. Filer Cora Buhlert has assembled “A Holiday Story Bonanza” in her newly-released book A Christmas Collection. Full details and options to purchase in various formats at the link.

Romance, cozy fantasy, murder mysteries, pulp thrillers, science fiction, horror and humor – we have all that and more.

  • Watch young people find love in the pre-holiday shopping rush at Hickory Ridge Mall, at a Christmas tree lot, on the parking lot of a shuttered outlet mall and at the one bar in town that’s open on Christmas Eve.
  • Experience Christmas in Hallowind Cove, the permanently fog-shrouded seaside town, where strange things keep happening.
  • Watch as Santa’s various helpers unite to depose him.
  • Follow Detective Inspector Helen Shepherd and her team as they investigate the death of a robber dressed as Santa Claus as well as a wave of thefts at a Christmas market.
  • Meet Richard Blakemore, hardworking pulp author by day and the masked crimefighter known only as the Silencer by night, as he fights to save an orphanage from demolition in Depression era New York City.
  • Watch Alfred and Bertha, an ordinary married couple, as they decorate the Christmas tree and live their marvellous twenty-first century life.
  • Experience Christmas on the space colony of Iago Prime as well as after the end of the world.

Enjoy thirteen novellas, novelettes and short stories in six genres. This is a collection of 118000 words or approx. 390 print pages.

(4) AN IDEA WHOSE TIME HAS COME. [Item by Francis Hamit.] The CASE Act, the legislation creating a Copyright Small Claims Court, is becoming law as a part of that massive stimulus bill passed by Congress.  I am taking a victory lap on this one.  You may recall I was quite active in the early part of this century on Copyright matters, including prosecuting two lawsuits for infringements of magazine articles by database firms.  I spent thousands of dollars for filing and legal fees over four years and came out ahead, but dropped four other suits because they would cost more than the maximum possible cash reward.  There had to be a better way, I thought, and came up with the idea of a Copyright Small Claims Court, which was published in the September/October 2006 issue of The Columbia Journalism Review. [File 770 previously mentioned Hamit’s advocacy of the idea in 2011: “A Future for Small Copyright Claims?”] So it is done, and small individual creators have a path to legal recourse that wasn’t there before.  Very gratifying.  Those who would like to thank me can buy one of my books or stories on Amazon,com  (Reviews are appreciated too).  I have a stage play at Stageplays,com which I’m trying to get produced.  I may add others soon.  Donations are accepted on Paypal at [email protected].  I’m not a crusader, just a businessman.  Support allows me to create new work.

(5) EYES ON THE PRIZE. At the risk of turning into a platform that mainly steers its audience to Camestros Felapton (oops, too late!), there are some good things there this weekend:

…Yet not unlike DC’s Shazam! film , WW84 form offers charm and its apparent naivety at least avoids the dourness of the Snyder films or broader cynicism…

(6) WWDC. In the Washington Post, Michael Cavna interviews Wonder Woman 1984 director Patty Jenkins, who explains the reason the film is set in Washington in the 1980s is because it reflects Jenkins’s experiences.  For example, there are sequences at the Hirshhorn Museum because Jenkins was an art student there in 1987. “How Patty Jenkins turned ‘Wonder Woman 1984’ into a personal Washington story”.

“First of all, where would Diana go?” Jenkins says of the Amazonian warrior from the isle paradise of Themyscira, who headed to World War I’s European theater in “Wonder Woman.” “She would go to the heart and center of where power is.”

Once Jenkins and co-writer Geoff Johns were settled on setting, the director plunged deep into her own memories of Washington, where she often visited before moving to the area as a teenager in 1987, staying for a bit over a year.

“The style of D.C. is so wonderful” for Wonder Woman, says Jenkins, who shot numerous scenes on the Mall, in Georgetown and in Northern Virginia. “Having her live at the Watergate, the modernity of it, cut against the Reflecting Pool and the Hirshhorn — it just felt elegant and beautiful and intellectual and pop at the same time.”

(7) NPR’S BOOKS OF THE YEAR. [Item by Contrarius.] NPR’s Best Books Of 2020  is out. The sff included on the list are mostly the usual suspects for this year. Sadly, The Vanished Birds isn’t on it. Interestingly, the new translation of Beowulf is.

Click this link to go direct to the list’s Sci Fi, Fantasy & Speculative Fiction section.

(8) EVANS OBIT. 1632universe author Kevin H. Evans died on December 23 announced Eric Flint on Facebook. Evans often wrote in collaboration with his wife, Karen, who survives him.

Evans also was known as Sir Thorgeirr in the Society for Creative Anachronism.

(9) MEDIA ANNIVERSARY.

  • December 26, 1954 — On this day in 1954, the very last episode of The Shadow radio serial aired.  This was the program’s 665th installment and its twenty-first season. The serial first appeared on the air on Sept 26, 1937 with Orson Welles as Lamont Cranston and The Shadow and Agnes Moorehead as Margo Lane. It would end its run with Bret Morrison, who took over the lead roles from season twelve onward, and Gertrude Warner, who was Margo Lane from season thirteen onward. The final episode was “Murder by the Sea” which unfortunately is lost to us as the tape was not kept. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born December 26, 1842 – Laura Gonzenbach.  German-Swiss of Sicily.  Collected Sicilian fairy tales; her two volumes among few major collections by a woman. Beautiful Angiola (2004) has the title story and sixty more in English.  (Died 1878) [JH]
  • Born December 26, 1903 Elisha Cook Jr. On the Trek side, he shows up as playing lawyer Samuel T. Cogley in the “Court Martial” episode. Elsewhere he had long association with the genre starting with Voodoo Island and including House on a Haunted HillRosemary’s BabyWild Wild West, The Night Stalker and Twilight Zone. (Died 1995.) (CE) 

  • Born December 26, 1938 – John Kahionhes Fadden, age 82.  (Kahionhes “Long River” is his Mohawk name; he’s Turtle, his mother’s clan.)  Maintains the Six Nations Indian Museum (i.e. the six nations of the Iroquois Confederacy; see e.g. the 2010 U.S. dollar coin; Haudenosaunee on it is “People of the Long House”, the Iroquois) started by his parents.  Four covers for us; here is Native American Animal Stories.  More here.  [JH]
  • Born December 26, 1942 – Catherine Coulter, age 78.  Six novels, four shorter stories for us; ninety books all told, many NY Times Best-Sellers.  Historical romances (“I love in particular Georgette Heyer, a British author who actually invented the Regency Romance – an extraordinary talent”), suspense thrillers (“at least six times as many loose ends that I have to keep searching out and tying up, and they always seem to multiply”).  Advice, “READ TO YOUR CHILDREN.”  [JH]
  • Born December 26, 1951 – Priscilla Olson, F.N., age 69.  Chaired Boskone 29, 38, 42, 48; introduced Featured Filker.  Ran Programming at Noreascon 4 the 62nd Worldcon.  Fellow of NESFA (New England SF Ass’n; service).  Introductions & essays in NESFA Press books An Ornament to His ProfessionCybele, Rings (Charles Harness); Ingathering (Zenna Henderson); Far From This EarthFrom Other Shores (Chad Oliver); Once More With Footnotes (Sir Terry Pratchett); also “…And What We Think It Means”, ConJose Souvenir Book (60th Worldcon).  Fan Guest of Honor at Minicon 34, Windycon 33.  [JH]
  • Born December 26, 1953 T. Jefferson Parker, 67. Author of the rather excellent Charlie Hood mystery series which ISFDB claims is paranormal. Huh. He’s one of the very few writers to win three Edgars. (CE) 
  • Born December 26, 1953 Clayton Emery, 67. Somewhere there’s a bookstore that consists of nothing but the franchise novel and collections that exist within a given franchise. No original fiction what-so-ever. This author has novels in the Forgotten Realms, Shadow WorldThe Burning GoddessCity of Assassins, The Secret World of Alex MackMagic: The Gathering and Runesworld franchises, plus several genre works including surprisingly Tales of Robin Hood on Baen Books. Must not be your granddaddy’s Hood. (CE)
  • Born December 26, 1960 Temuera Morrison, 60. Ahhhh clones.  In Attack of the Clones, he plays Jango Fett and a whole bunch of his clone troopers, and in Revenge of the Sith, he came back in the guise of Commander Cody. He goes on to play him in the second season of The Mandalorian.  Crossing over, he plays Arthur Curry’s father Thomas in Aquaman. (CE) 
  • Born December 26, 1961 Tahnee Welch, 59. Yes, the daughter of that actress. She’s in both Cocoon films as well in Sleeping BeautyBlack Light and Johnny 2.0 which she’s in might qualify as genre in the way some horror does. She stopped acting twenty years ago. (CE)
  • Born December 26, 1968 – Julia Elliott, Ph.D., age 52.  Jaffe Foundation award.  Amazon Shared-Worlds Residency.  A novel (“loopy lyricism … whacked out paranoia … joyous farce”, NY Times Book Review) and a dozen shorter stories.  Teaches at Univ. S. Carolina (Columbia). [JH]
  • Born December 26, 1970 Danielle Cormack, 50. If it’s fantasy and it was produced in New Zealand, she might have been in it. She was in Xena and Hercules as Ephiny on recurring role, Hercules again as Lady Marie DeValle,in Jack of All Trades, one of Kage Baker’s favorite series because, well, Bruce Campbell was the lead. She was Raina in a recurring role, and Samsara on Xena in another one-off and Margaret Sparrow in Perfect Creature, an alternate universe horror film. (CE)
  • Born December 26, 1983 – Nicholas Smith, age 37.  Thirty novels, half a dozen shorter stories.  Ironman tri-athlete.  NY Times and USA Today Best-Seller.  Has read Custer Died for Your Sins and The Hobbit.  “I only leave positive reviews…. If I don’t like a book [and] don’t finish it … I don’t trash it because who knows what I missed.”  [JH]

(11) COMICS SECTION.

  • Close to Home shows how Santa anticipated the current surveillance society.

(12) PLAY IT AGAIN. Nerdist would like to convince you “Why LEGENDS OF TOMORROW Is Perfect for 2020 and 2021”.

…It’s not the writing, acting, special effects, or deus ex furby plot twists that make Legends worth a (re)watch these days. While the show found its niche in a careful balance of absurdity with genuine tension (case in point: season four, episode 13, which simultaneously featured an Indiana Jones-esque plot to keep a dragon egg away from Nazis, a book club gone wrong, and a surprise attendee at a romance novel convention; we cannot make this stuff up), it’s the surprising attention to character development and the ongoing themes of hopefulness, redemption, and growth in the face of trauma and loneliness that sets Legends apart.

(13) REVISITING LEMURIA. A news story I couldn’t link here because it’s member-locked turned out not to be all that new – except to me, and perhaps you, too. Here are three updates that appeared between 2015-2018.

Erin Ehmke on hibernation in the fat-tailed dwarf lemur:

It could be an internal genetic trigger for hibernation in the fat-tailed dwarf lemur. Since we share genetic code with the federal dwarf lemur, [the medical community is interested in understanding if] we have that same intrinsic trigger that could be tapped into for long term coma patients to prevent the cell breakdown – deep space travel, could we somehow trigger hibernation in astronauts to help get to deep space travel.

… Those lemurs could hold the key to faster recovery times from injuries and even deep space travel because of hundreds of species of primates, the fat-tailed dwarf lemur is the closest genetic cousin to humans that can hibernate.

“That suspended animation doesn’t occur in primates very often,” explained Duke Lemur Center veterinarian Bobby Schopler. “These are relatives of ours that do this, and it’s a fascinating aspect.”

Scientists have been studying the primates in their natural habitat for 48 years at the Duke Lemur Center. Duke researchers want to find out how some of the lemurs can regulate body temperature, store massive amounts of energy and sleep for 7 months at a time.

… Interest in suspended animation, the ability to set biological processes on hold, peaked in the 1950s as Nasa poured money into biological research. The hope was that sleeping your way to the stars would mean spacecraft could carry far less food, water and oxygen, making long-haul flights to distant planets more practical. It would also save astronauts from years of deep-space boredom.

Nasa’s interest died at the end of the space race, but Mr Vyazovskiy and his team of researchers at the University of Oxford are now exploring ways to put astronauts into stasis, using knowledge gained from mammals, including bears and dwarf lemurs.

(14) PRESERVED IN PUMICE. [Item by Cora Buhlert.] Archeologists have discovered a 2000-year-old street food stall in Pompeii, complete with illustrations of the food (or rather the animals that provide the food) on offer. I’m amazed how modern the whole thing looks. I can imagine this stall setting up shop at our annual autumn fair without raising any eyebrows: “Pompeii: Ancient snack stall uncovered by archaeologists” at CNN.

[Thanks to John King Tarpinian, JJ, Contrarius, Francis Hamit, Martin Morse Wooster, Cat Eldridge, Michael Toman, Cora Buhlert, Steven H Silver, Mike Kennedy, John Hertz, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Steve Wright.]