By Mark L. Blackman: On the evening of Tuesday, September 3, 2019, the New York Review
of Science Fiction Readings Series opened its 29th Season with the
stellar line-up of Gregory Feeley and Michael Swanwick at its venue, the Brooklyn Commons Café in, of all
The event opened, as ever, with producer and executive curator Jim
Freund (and host of the long-running sf/fantasy radio program Hour of the Wolf) welcoming the audience
back after the summer hiatus. For a while now, the Readings have streamed on
Livestream, however, due to a difficulty, tonight’s wouldn’t be – we were on
Facebook Live! (Livestream will be back in October.) He reminded those who can to donate to the
Series ($7 is the suggested donation, but no one is ever turned away), and
reported that the home audience (to coin a phrase) may donate on its Patreon
page. He concluded by announcing future readers: on Monday, October 14th, guest
host Michael J. DeLuca will present
readers from Reckoning, including Emily Houk, Krista Hoeppner
Leahy, Marissa Lingen and Brian Francis Slattery. On Tuesday, November 5th
(Election Day and Guy Fawkes Day), the readers will be Gay Partington Terry and Robert V.S. Redick. December 3rd
will be “party time,” an evening of Glitter Spec Fic, featuring A.C. Wise and others
“reading stories and performing music to do with glitter.” (On the Series
webpage, this notice was displayed in multiple colors.)
Gregory Feeley, the
evening’s first reader, describes himself as a writer of and
about science fiction. His first novel, The Oxygen Barons, was nominated for the
Philip K. Dick award and his short fiction has twice been nominated for the
Nebula Award. His most recent novels are the historical novel Arabian Wine and Kentauros, “a fantasia on an obscure Greek myth.” He recently
completed a long novel, Hamlet the Magician. (In addition, he is
Thomas M. Disch’s literary executor for prose, and was part of the Series’
tribute to Disch last year.) He read the first half of “Cloudborn,” which also
draws from Greek myth. (Despite my childhood reading of Greek mythology, not to
mention watching Mighty Hercules
cartoons – his sidekick, recall, was a centaur – I was unaware that “cloudborn”
was an epithet for centaurs; as their genesis involved two separate instances by
Itzion of cross-species copulation, this omission is understandable.) The story
centers on children aboard a spaceship very slowly heading toward Neptune to
terraform and settle it; there are, of course, secrets being kept from them.
The girl Asia, it should be noted, is very into Greek mythology.
the intermission, a raffle was held (for those who donated), with the prizes
being copies of
Kentauros and The Iron Dragon’s Daughter.
I was asked to draw the tickets; no surprise, and despite the small number of
raffle tickets, the winning numbers were one immediately before and one immediately
Michael Swanwick, the evening’s final reader, is the author of ten novels, including Vacuum Flowers, Stations of the Tide, The Iron Dragon’s Daughter, Jack Faust, Bones of the Earth, The Dragons of Babel, Dancing With Bears, Chasing the Phoenix and the recently published The Iron Dragon’s Mother; and roughly 150 stories, many of which have been reprinted in Best of the Year anthologies. Notable among his non-fiction is Being Gardner Dozois, a book-length interview. Since his first story was published in 1980, Swanwick has been honored with the Nebula, Theodore Sturgeon and World Fantasy Awards, and received a Hugo Award for fiction in an unprecedented five out of six years. (He also has “the pleasant distinction of having lost more major awards than any other science fiction writer.”) The Iron Dragon’s Mother, from which he read, completes “a trilogy begun with The Iron Dragon’s Daughter twenty-five years ago. That’s far longer than it took Professor Tolkien to complete his trilogy.”
Caitlin, of House Sans Merci,
a dragon pilot, after a hard landing, is immediately arrested when she returns
to her base, and charged with corruption, a wide-ranging crime. It’s quickly
evident that the trial is rigged (her virginity is denied), so she escapes on a
Kawasaki and attempts to get answers from a dragon committing perjury against
her. As Swanwick’s reading selection breaks off, she discovers that she has the
mind of a dying old woman in her head.
The traditional Jenna Felice Freebie Table offered a
small assortment of books. The audience of about 20 – we were mystified by the
size of the turnout (but what there was, “was cherce”) – included Alan Beck,
Amy Goldschlager, (House Manager) Barbara Krasnoff, John Kwok, Marianne Porter,
Hildy Silverman and Henry Wessels. The Café closed early.
(1) STAMPEDE ZONE. Fran Wilde, in one of the New York Times’
op-eds from the future, implores “Please,
Stop Printing Unicorns”. Tagline: “Bioprinters are not toys, and parents shouldn’t give them to
… Making bioprinting more accessible to the public — especially to children — will be likely to lead to even worse disasters than last Friday’s blockade of the Chicago I-899 skyways off-ramp by a herd of miniature unicorns. Sure, the unicorns (whose origins are unknown) were the size of ducklings, but their appearance caused several accidents and a moral quandary.
These bioprinted unicorns were living creatures with consciousness — as defined by the A.I. Treaty of 2047 — trying to find their way in the world…..
Gregory Feeley writes novels and stories, most in some respect science-fictional. His first novel, The Oxygen Barons, was nominated for the Philip K. Dick award, and his short fiction has twice been nominated for the Nebula Award. His most recent novels are the historical novel Arabian Wine, and Kentauros, a fantasia on an obscure Greek myth. He recently completed a long novel, Hamlet the Magician.
Michael Swanwick writes fantasy and science fiction of all sorts, at lengths ranging from novels to flash fiction. Over the years, he’s picked up a Nebula Award, five Hugos and the World Fantasy Award–and has the pleasant distinction of having lost more of these awards than any other writer. Tor recently published The Iron Dragon’s Mother, completing a trilogy begun with The Iron Dragon’s Daughter twenty-five years ago. That’s far longer than it took Professor Tolkien to complete his trilogy.
The event is Tuesday,
September 3 at The Brooklyn Commons Café,
388 Atlantic Avenue (between Hoyt & Bond St.). Doors open at 6:30
p.m., event begins at 7:00 p.m.
Everybody calls Rob Kuntz last, he says. Those who want to know about the history of Dungeons & Dragons start with co-creator Gary Gygax’s kids, one of Gygax’s biographers, or D&D publisher Wizards of the Coast. As they’re wrapping things up, they might get around to dialing up Kuntz, a 63-year-old game designer. And once they call him, he tells them the same thing: Everything they know about the creation of the tabletop role-playing game is, in his opinion, sorely mistaken or flat-out wrong.
“There’s a myth that’s been propagated in the industry,” Kuntz told Kotaku during an interview in February of this year. “If you keep digging into this, you’re going to come up with a story that will enrage people and expose the truth.”
(4) MIND OF THESEUS. In the August 14 Financial Times (behind a
paywall), Library of Congress fellow Susan Schneider critiques the arguments
of Ray Kurzweil and Elon Musk that we should figure out how to download our
brains into the clouds to prevent really smart AI machines from taking over our
“Here is a new challenge, derived from a story by the Australian science fiction writer Greg Egan. Imagine that an AI device called ‘a jewel’ is inserted into your brain at birth. The jewel monitors your brain’s activity in order to learn how to mimic your thoughts and behaviours. By th time you are an adult, it perfectly simulates your biological brain.
At some point, like other members of society, you grow confident that your brain is just redundant meatware. So you become a ‘jewel head,’ having your brain surgically removed. The jewel is now in the driver’s seat.
Unlike in Mr Egan’s story, let us assume the jewel works perfectly, So which is you–your brain or your jewel?”
(5) CHAMBERS PRAISED. [Item by Olav Rokne.] The recent Worldcon in Dublin seems to be prompting some
discussion of the literary merit of genre work. Writing in the Irish Times, John
Connolly (“The future of sci-fi never looked so bright”) holds up the work of Hugo-winner Becky
Chambers as an example of meritorious genre work, writing that:
In a world in which intolerance seems to be implacably on the rise, the fundamental decency at the heart of Chambers’s narratives, her depiction of a post-dystopian humanity attempting to construct a better version of itself while encountering new worlds and species, begins to seem quietly, gently radical.
Disney released a new poster depicting the battle, presenting it to all attendees.
Fans can now watch the pinnacle moment of the footage – a cloaked Rey pulls out what appeared to be a red, double lightsaber in battle, similar to the infamous weapon wielded by Darth Maul in “Star Wars: Episode I – The Phantom Menace.”
The D23 crowd let out an immediate, overpowering cheer at the sight of the weapon’s return and proclaimed the sighting on Twitter.
It caused a disturbance in the Force which was felt well beyond the D23 walls.
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born August 26, 1911 — Otto Oscar Binder. He’s best remembered as the co-creator with Al Plastino of Supergirl and for his many scripts for Captain Marvel Adventures and other stories involving the entire Marvel Family. He was extremely prolific in the comic book industry and is credited with writing over four thousand stories across a variety of publishers under his own name. He also wrote novels, one of which was The Avengers Battle the Earth Wrecker, one of the series created by writer-editor Stan Lee and artist and co-plotter Jack Kirby. (Died 1974.)
August 26, 1912 – Ted Key. Of interest to us is his screenplay for The Cat from Outer Space about an apparent alien feline who has crash-landed here (starring Ken Berry, Sandy Duncan and Harry Morgan), which he followed up with a novelization. He also conceived and created Peabody’s Improbable History for producer Jay Ward’s The Rocky and Bullwinkle Show. It would become the Sherman and Peabody Show. (Died 2008.)
Born August 26, 1912 — Gerald Kersh. He wrote but one genre novel, The Secret Masters, and two genre stories in his Henry the Ghost series. So why’s he here, you ask? Because Ellison declared “you will find yourself in the presence of a talent so immense and compelling, that you will understand how grateful and humble I felt merely to have been permitted to associate myself with his name as editor.” You can read his full letters here. (Died 1968.)
Born August 26, 1938 — Francine York. Her last genre performance was on Star Trek: Progeny. Never heard of It? Of course not, as it was yet another fan project. It’s amazing how many of these there are. Before that, she appeared in Mutiny in Outer Space, Space Probe Taurus and Astro Zombies: M3 – Cloned. (Died 2017.)
Born August 26, 1949 — Sheila E Gilbert, 70. Co-editor-in-chief and publisher of DAW Books with Elizabeth R (Betsy) Wollheim. For her work there, she has also shared the Chesley Awards for best art director with Wollheim twice, and received a solo 2016 Hugo award as best professional editor (long form).
Born August 26, 1950 — Annette Badland, 69. She is best known for her role as Margaret Blaine on Doctor Who where she was taken over by Blon Fel-Fotch Pasameer-Day, a Slitheen. This happened during “Aliens of London” and “World War Three” during the Era of the Ninth Doctor. Her story would conclude in “Boom Town”.
Born August 26, 1970 — Melissa McCarthy, 49. Yes, I know she was in the rebooted Ghostbusters. Fanboys across the net are still wetting their pants about that film. I’m more interested in Super Intelligence in which she is playing a character that has an AI who has decided to take over her life. It reminds me somewhat of Kritzer’s “Cat Pictures Please” premise. It will be released on December 20 of this year. (And we are not talking about her The Happytime Murders.)
Born August 26, 1980 — Chris Pine, 39. James T. Kirk in the Star Trek reboot series. He also plays Steve Trevor in both Wonder Woman films and Dr. Alexander Murry in A Wrinkle in Time. He’s also Cinderella’s Prince in Into the Woods. Finally, he voices Peter Parker / Ultimate Spider-Man in Spider-Man: Into the Spider-Verse.
If you haven’t had a chance to try this snack yet, they’re basically Cheetos puffs that are shaped into various parts of a skeleton like the head, ribcage, hands, and bones. This means that besides being as delicious as a classic Cheeto, you can also build spooky skeletons with your food if you can resist scarfing down the whole bag for a while.
Not a blade of grass longer than the rest, a red “Remove Before Flight” tag unchecked, or a single Kiwi (be it bird or engineer) out of place: Rocket Lab’s Launch Complex-1 looks like an industry brochure come to life (better in fact). Located at the southern tip of the picturesque Mahia Peninsula on the east coast of New Zealand’s North Island, LC-1 is currently the only operational Rocket Lab launch site where the Electron vehicle—Rocket Lab’s low-cost small satellite launch vehicle—takes flight.
Rocket Lab just took advantage of the latest window at LC-1 on August 19. But back in December 2018, fellow rocket launch photographer Brady Kenniston had the exclusive opportunity to photograph Rocket Lab’s first NASA mission, ElaNa-19, from this private launch site. This launch was going to be Rocket Lab’s mostimportant mission to date because, as the leader in the small satellite industry, they had an opportunity to show NASA (and the world) what they are made of. If successful, it could lead to future business from other small satellites in need of a ride to space—not to mention, the company would earn the endorsement of NASA Launch Services as an eligible vehicle to fly future NASA small-satellite science payloads.
Joe: We’re a little more than seven months into what is shaping up to be an absolute stellar year for science fiction and fantasy fiction and I wanted to check in with the two of you to see what you’ve been reading and what has stood out in a year of excellence.
Adri: Indeed! well for starters I lost my heart in the time war…
Paul: I, too, lost my heart in the Time War. Among many other places, but having recently finished that, it is strongly on my mind. I am Team Blue, Adri, how about you?
Heinlein was not fond of critics, not entirely without reason. Even in his day, a good critic could be a wonder – and a bad one a nightmare. But I think he might have liked this book – and, as Heinlein remains popular, we should ask ourselves why. You may not agree with everything in this book, but it will make you think. Mendlesohn treats Heinlein as what he was, a man. Not an angel, or a demon, but a man. An influential man, but a man nonetheless.
(13) SMILE! Guess what this scene made Kevin Standlee think of —
(Now imagine, what if somebody used X-ray film?)
(14) CHALLENGES IN PRODUCING HEINLEIN BOOK. Shahid Mahmud of Arc Manor Publishers sent out an update about Phoenix Pick’s Heinlein novel The Pursuit of the Pankera.
…As many of you are aware from my previous emails, this is the parallel text to The Number of the Beast.
It is, effectively, a parallel book about parallel universes.
We had originally attempted to release the book before Christmas, but some production issues have delayed the release to Sprint/Summer of 2020.
These include sorting out some fairly intricate details discussed in the book. For example (for those of you dying to see what it is that we publishers actually do), here are a few internal excerpts between editors working on various aspects of the book:
“The planet-numbering system may be off in certain parts of the story. At the beginning of the story (and in real life) we live on planet Earth. In the course of the story, there is time travel, and that’s where it gets confusing… the story refers to both Earth-One and Earth-Zero. There is a detailed explanation of the numbering system (see pg. 312) wherein “Earth-Zero is so designated because Dr. Jacob Burroughs was born on that planet…”
However, in other parts of the book, Earth-One is referred to as the characters’ home planet.”
“After discussion with Patrick, I’ve settled on the following conventions: x-axis (hyphenated, lowercase, no italics) but axis x (no hyphen, lowercase, italic single letter). In the manuscript, of course, the italic letter would be underlined rather than set italic. The letters tau and teh remain in the Latin alphabet (rather than Greek or Cyrillic) and are lowercase but not set italic. When used with the word “axis” (tau-axis) they are hyphenated.”
These are the little details that keep us Publishers up at night 🙂
But alas, given a book of this magnitude and size (this is a BIG book, over 185,000 words) all this takes time.
Hence the delay.
Mahmud says the ebook will be priced at $9.99 at launch, but they will run a Kickstarter beginning September 4 to help pay for production, which will allow people to buy the ebook for just $7.00. And there will be other rewards available.
(15) THE NEXT BIG THING. Best Fanzine Hugo winner Lady Business tweeted a get-acquainted thread for new followers (starts here) which closes with this appeal –
Legion creator Noah Hawley’s feature directorial debut stars the Oscar-winning actress as Lucy Cola, a loose adaptation of real-life astronaut Lisa Nowak, who, after returning to earth from a length mission to space, began an obsessive affair with a coworker….
[Thanks to Jim Freund, JJ, Cat Eldridge, Mike Kennedy, Martin
Morse Wooster, Lise Andreasen, Chip Hitchcock, John King Tarpinian, Errolwi,
and Andrew Porter for some of these stories. Title credit goes to File 770
contributing editor of the day Soon Lee.]
…With the movie finally set to arrive in theaters next month, the cast has started making the press rounds to promote it. During a recent interview, James McAvoy and Michael Fassbender were asked about the extensive reshoots. That’s when things got interesting, as McAvoy gave anything but a typical answer. Here’s what he had to say about it.
“The end [of Dark Phoenix] changed a hell of a lot. The finale HAD to change. There was a lot of overlap and parallels with another superhero movie that came out… a while ago.”
READINGS. Chana Porter and Katharine Duckett will illuminate the stage at
the New York Review of Science Fiction
Readings series on June 4. The event begins at 7:00 p.m. at The Brooklyn Commons Café, 388 Atlantic
Avenue (between Hoyt & Bond St.), Brooklyn, NY.
Chana Porter is an emerging playwright, speculative novelist, and education activist. Her plays have been developed or produced at Playwrights Horizons, The Catastrophic Theatre, La MaMa, Rattlestick Playwright’s Theatre, Cherry Lane, The Invisible Dog, and Movement Research. She is a MacDowell Fellow, a New Georges Audrey Resident, a Target Margin Artist-in-Residence, and Honorable Mention for the Relentless Prize. She is currently writer-in-residence at The Catastrophic Theatre in Houston. Chana is the co-founder of the Octavia Project, a free summer writing and STEM program for Brooklyn teenage girls and nonbinary youth. Her play LEAP AND THE NET WILL APPEAR runs at The Flea Theater June 16-30th, directed by Tara Ahmadinejad. Her debut novel, THE SEEP, is forthcoming from Soho Press in 2019. www.chanaporter.com
Katharine Duckett is the author of MIRANDA IN MILAN, and her short fiction has appeared in Uncanny Magazine, Apex Magazine, Interzone, PseudoPod, and various anthologies. She is also the guest fiction editor for the Disabled People Destroy Fantasy issue of Uncanny. She hails from East Tennessee, has lived in Turkey and Kazakhstan, and graduated from Hampshire College in Amherst, Massachusetts, where she majored in minotaurs. She lives in Brooklyn with her wife.
…In the coming days, we’ll post discussion questions for “The Fifth Season,” an annotated excerpt from the book, and writing advice from Jemisin. At the end of the month, she will answer your questions on the PBS NewsHour. We hope you’ll join us and read along.
(5) THE HUGO AWARDS ON JEOPARDY! The Hugo was included in the “Awards and Prizes” category on last night’s show. Kevin Standlee shared the screen grab of the answer that the J! media team sent him.
(6) HUGO FINALIST SIGHTING.
Boyd Nation is trying to get on Jeopardy!
and thereby hangs the tale:
I was in a Jeopardy! audition today in Nashville, and one of the other participants was 2002 Best Novelette finalist Shane Tourtellotte. He’s still producing the occasional short fiction piece, but he’s mostly focusing on writing for a baseball web site as a source of income these days.
As an aside in the course of his interview, by the way, I learned that Frederick Pohl IV was a long-time writer for Jeopardy!
(7) HUGO VOTE COUNTING DEMO. Nice animation of
Single Transferable Vote (STV) in the Belfast (Ireland)Telegraph’s “Election
2019” coverage that may help people trying to explain how the Hugo awards work. (Via Robot Archie.)
STV is the system used to count the Hugo final ballot
and determine the winners. That’s different from EPH, which is used to count
…It is an interesting challenge to try and side step the imaginative approach, although I don’t see how that is possible. Alternatively we can delve into fiction and specifically, science fiction to explore minds quite different from our own. However, science fiction does not present us with the inner workings of alien minds as often as would be implied by its subject matter.
Science fiction aliens are often explorations of variations on human cognition, personality and culture. I don’t want to dismiss that — there is value (both speculatively and as entertainment) in thinking about the species of hyper-stoical Vulcans. Alternatively, aliens may be quite cryptic and offer a huge barrier to understanding that human characters may only bridge as the climax of a story (or in the case of Ender’s Game as a coda to the climax)….
(9) LOST AND
FOUND. View the NOVA episode
about the “Lost
Viking Army” on the PBS website.
Forty years ago, hundreds of skeletons were unearthed in a mass grave in an English village. Bioarchaeologist Cat Jarman believes these bones are the last remains of the “Great Heathen Army,” a legendary Viking fighting force that invaded England in the ninth century and has long been lost to history. Armed with the latest scientific methods, Cat’s team uncovers extraordinary human stories from the front line, including evidence of women fighters and a lost warrior reunited with his son in death.
Hi all, We are hoping to raise funds to help Kristina Etchison with costs incurred to have Dennis laid to rest.
The cost of dying is high, sadly, and Kris can use any help here that you can afford to give.
The final plans for memorial services, etc have not yet been made, and we will keep everyone up to date as plans are finalized in this very difficult time.
In the first six hours, people contributed $435 towards the $4,000
(11) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born May 30, 1914 — Bruce Elliott. His fifteen stories in The Shadow magazine in the late Forties are generally held in low esteem by Shadow fans because of his handling of the character, best noted by the three stories in which the Shadow does not appear at all in his costumed identity. Oh, the horror! He also wrote three genre novels — The Planet of Shame, Asylum Earth and, errr, The Rivet in Grandfather’s Neck. And he had stories in The Magazine of Fantasy & Science Fiction including “Wolves Don’t Cry”:and “The Last Magician”. (Died 1973.)
Born May 30, 1919 — Ronald Chetwynd-Hayes. British author best known for his ghost and horror stories though his first published work was the SF novel The Man from the Bomb in the late Fifties. The Monster Club, a series of linked tales, is a good place to start with him if you’ve not read him and it became a film with Vincent Price co-starring John Carradine. He won the Bram Stoker Award for Lifetime Achievement, and also a British Fantasy Society Special Award. (Died 2001.)
Born May 30, 1922 — Hal Clement. I’m reasonably sure Mission of Gravity was the first novel I read by him though I’ve not re-read it so the Suck Fairy not been tested. And I’m pleased to see that his short fiction which collected into three volumes is still available though only in hardcover. (Died 2003.)
Born May 30, 1936 — Keir Dullea, 83. David Bowman in 2001: A Space Odyssey and its sequel, 2010: The Year We Make Contact. I know I saw 2001 but I’ll be damned if if I can remember seeing 2010. He’s done a number of other genre films, Brave New World, Space Station 76, Valley of the Gods and Fahrenheit 451. And less we forget he was Devon in Starlost.
Born May 30, 1948 — Michael Piller. He was a writer and Executive Producer of The Next Generation, and co-creator of Deep Space Nine and Voyager. He’s likely best known for co-writing “The Best of Both Worlds” and the pilots of DS9 (“Emissary”) and Voyager (“Caretaker”). Post-Trek, he developed a short-lived series based off of Stephen King’s novel The Dead Zone, and he had a deal with WB for a series called Day One, a post-apocalyptic series based on the UK Last Train series. WB reneged on the contract. (Died 2005.)
Born May 30, 1952 — Mike W. Barr, 67. Writer of comics and sf novels. Created along with Jim Aparo Looker (Emily “Lia” Briggs), a hero in the DC Universe. She first appeared first appeared in Batman & the Outsiders #25. He worked for both major houses though I’d say most of his work was at DC. He wrote the “Paging the Crime Doctor” episode of Batman: The Animated Series.
Born May 30, 1953 — Colm Meaney, 66. Best known for playing Miles O’Brien in Next Generation and Deep Space Nine. Other genre roles include an unnamed Cop at Tess’s in Dick Tracy, Seamus Muldoon in The Magical Legend of the Leprechauns, a recurring role as Chief Cowen on Stargate Atlantis and Father Francis on Tolkien.
Born May 30, 1962 — Kevin Eastman, 57. Best known for co-creating Teenage Mutant Ninja Turtles with Peter Laird. He’s the editor and publisher of Heavy Metal which he purchased in 1992. He’s working on a new TMNT series with IDW Publishing.
Born May 30, 1964 — Mark Sheppard, 55. He’s the son of actor W. Morgan Sheppard. A number of genre roles including lawyer Romo Lampkin on the Battlestar Galactica reboot, sleazy crime lord Badger on Firefly, Tanaka on Dollhouse, Reagent Benedict Valda on Warehouse 13, Canton Everett Delaware III on Doctor Who and Willoughby Kipling, member of the Knights Templar, on Doom Patrol.
(12) TIME TO SLIME. In WIRED, Louise
Mitsakis reports on the World Slime Congress in Hershey, Pennsylvania where
5,000 people, mostly teens, go to see what’s new in slime, “participate in
slime drama,” and listen to “slime influencers” discuss the
latest trends in goop creation. “It’s the
World Slime Convention! Let’s Goo!”
…My first stop was the booth of Liz Park, a slime influencer whose Instagram, @slimeypallets, has more than 75,000 followers. Park has long, black hair, dyed stormy gray at the ends, and she was wearing enormous fake eyelashes and a Mickey Mouse-style headband, each ear plastered with a yellow Slimey Pallets sticker. The tween girls clustered around her booth wanted to score one of those palettes—sampler packages of six or so slimes that Park makes by hand and sells for around $18 each. I tried to step in to say hello, but a girl wearing a sparkly T-shirt pointed at me, turned to her friends, and loudly reported that I had cut the line. I retreated and watched as Park, who at 30 is much older than most of her fans, handed out slimes and signed posters, chatting and laughing.
One small step for woman, one giant leap for woman-kind!
After performing for a sold-out crowd in San Antonio, Texas, Ariana Grande accepted the opportunity to visit NASA’s Johnson Space Center in Houston on Saturday.
The pop star, 25, documented her tour on Instagram Story in videos that showed her dressed in an astronaut’s uniform, complete with helmet.
“Thank you for the coolest day of my life @nasa,” Grande captioned one of her videos.
(14) THE STAGES YOU’LL CROSS. In the Washington Post, Ron Charles says that Dr. Seuss’s last book, Oh, the Place You’ll Go! has become “a title as firmly associated with graduation as pumpkins are with Halloween or turkeys with Thanksgiving:” Charles provides a list of other books he thinks would be more sophisticated presents for college graduates. (Chuck Tingle’s new Seuss-ian book of erotica isn’t one of them.) – “How Dr. Seuss’s ‘Oh, the Places You’ll Go’ became a graduation-gift cliché”.
…How the Seuss stole graduation is a tale that sheds light on our own aspirations. The extraordinary success of “Oh, the Places You’ll Go” stems from the book’s infinitely flexible appropriateness. Like the knitted thneed in “The Lorax,” it’s a “Fine-Something-That-All-People-Need!” Children leaving kindergarten respond to Dr. Seuss’s colorful drawings and silly rhymes. For teens graduating from high school, the book is a sweet reminder of their waning adolescence. College graduates accept it as a cute token of nostalgia. And all allegedly resonate to the book’s rousing invocation of adventures just over the horizon.
…That change is reflected in their graduation gifts, too. In the 1970s, Lerer recalls, new graduates commonly received a copy of Roget’s Thesaurus and a fancy pen-and-pencil set. “The belief was that when you graduated, when you had a period of transition, you needed to be ready to read and write, that the transition was a transition of literacy,” Lerer says. “What Dr. Seuss hit in ‘Oh, the Places You’ll Go’ and the reason it’s been adopted is because many people now think that the transition is not about reading and writing, it’s about action. It’s about doing. It’s about going places.
(15) THE INCREDIBLE
SHRINKING BOOK EXPO. Andrew Porter says, “Book Expo continues to implode (diagram below shows exhibits now
just a portion of one floor), but I picked up a copy of a Lem story turned into
graphic novel [there].” (Stanislaw Lem’s
The Seventh Voyage, a graphic novel by Jon J. Muth, Scholastic Graphix,
Oct. 1 2019, Age 8-12, ISBN 978-0-545-00462-6).
Maskelyne developed a special telescope adapter for his camera to film the eclipse without frying his equipment. The 1900 eclipse was actually his second attempt. His first, an eclipse in India in 1898, was successful, but his film canister was stolen on the trip back to England.
(17) ECLIPSED BY WIL WHEATON. What did John Scalzi find out about his hometown when he checked out a unique map of the U.S. based on Wikipedia use? About what you’d predict. His explanatory post is titled: “In Which I Learn That I Live In Me”.
There’s a site out there that scraped Wikipedia entries from the last few years, and then put up a map of the United States where the place names were replaced with the person associated with that place (in apparently whatever capacity) whose Wikipedia article was looked at the most. For Bradford, Ohio, and perhaps not entirely surprisingly, that person happens to be… me. Yes, that’s correct, on this map, I live in me.
Since my own vanity knows no bounds I immediately searched Arcadia, CA – and found it is now known as Wil Wheaton. Well, I won’t be knocking him off the top of the hill any time soon. However, if I moved a mile down the street into Monrovia maybe I’d have a better chance – it’s only named for a former Boise State football player.
…As the efforts to build George Jetson’s robot have failed, evidence points to big barriers for his flying car. All these electric craft–be they powered by battery or hydrogen–are radically different contraptions from traditional planes and helicopters, posing a challenge for regulators trying to evaluate their safety.
Companies are hoping to lead the FAA on this process, advocating an approach in which the government sets overall safety goals that aircraft makers figure out how to achieve. But public sentiment may turn against industry-led regulation after the Boeing 737 Max crashes–possibly the result of the FAA’s light-touch evaluation of new software.
Then there’s hydrogen. While battery-powered electric cars are all over the road, fuel cell vehicles haven’t gotten beyond pilot projects. And all the same challenges faced by cars may carry over to planes. Electricity is almost everywhere in the U.S. and other developed countries. Hydrogen is not….
(19) PICARD TRIVIA QUIZ.Trek,
Actually challenges fans with its “Trivia
Quiz: Captain Picard Edition!”
John King Tarpinian, Cath, Martin Morse Wooster, Carl Slaughter, Andrew Porter,
PJ Evans, ULTRAGOTHA, Mike Kennedy, JJ, Cat Eldridge, Kevin Standlee, and Chip
Hitchcock for some of these stories. Title credit goes to File 770 contributing
editor of the day Anna Nimmhaus.]
Best-selling novelist Nora Roberts is suing a Brazilian writer for copyright infringement, alleging that Cristiane Serruya has committed “multi-plagiarism” on a “rare and scandalous” level.
In papers filed Wednesday morning in Rio de Janeiro, where Serruya lives, Roberts called Serruya’s romance books “a literary patchwork, piecing together phrases whose form portrays emotions practically identical to those expressed in the plaintiff’s books.” Citing Brazilian law, Roberts is asking for damages at 3,000 times the value of the highest sale price for any Serruya work mentioned in the lawsuit.
“If you plagiarize, I will come for you,” Roberts told The Associated Press during a recent telephone interview. “If you take my work, you will pay for it and I will do my best to see you don’t write again.”
Roberts added that she would donate any damages from the lawsuit to a literacy program in Brazil.
In a telephone interview Wednesday with the AP, Serruya called herself a “fanatic” of Roberts’ work. But she denied copying her and said she had not received notification of any lawsuit. Serruya added that she often used ghost writers for parts of her books and “could not guarantee that no part was copied” by them….
… Lawyer Saulo Daniel Lopez, a specialist in authors’ rights, said a case like this can take 5 to 10 years to be decided in Brazilian courts. If plagiarism is proven, Serruya could be forced to pay from the proceeds of her books, Lopez said.
The WGA has filed suit against the ATA and the Big Four agencies (WME, CAA, ICM and UTA), alleging that the practice of collecting package commissions constitutes breach of fiduciary duty and unfair competition under state and federal law.
The entire ecosystem under which writers found jobs is upended. Under the California Talent Agencies Act (TAA), only licensed talent agents can “procure” employment for writers. The WGA has issued a statement delegating authority to managers and lawyers to find work for writers notwithstanding the statute, but many (including the ATA) question the union’s authority to do so. The WGA has offered to indemnify lawyers and managers against TAA claims. So far, however, no one has taken it up on this offer.
Lawyers, but especially managers are in a tight spot. They have writer clients to service without agencies to back them up and provide cover. They can procure employment for their clients in violation of the TAA, at risk of being required to disgorge any commissions received if their client files a claim with the State Labor Commissioner. Meanwhile, the big agencies have made it clear that they will not look kindly upon managers and lawyers who encroach upon their territory, and will remember who their friends are when this dispute is finally resolved.
No one knows how open writing assignments will be filled, since this was a central role of the agencies. The WGA has set up an online database to facilitate matchmaking, and showrunners are falling back on their personal networks. These are early days, however. There will undoubtedly be loss of efficiency in staffing but how serious it will be and who will suffer remains to be seen.
(3) A VIEW OF THE
HIMALAYAS. Ursula Vernon continues to post Twitter threads with photos and
comments from her adventures in Tibet. Starting here,
(4) NYRSF READINGS. “Black Gods, Black Drums, Black Magic” is the theme of May’s installment of the New York Review of Science Fiction Reading Series, assembled by guest host Cam Rob. Phenderson Djèlí Clark and Yvonne P. Chireau will headline.
For most Americans, the historical and mystical dimensions of the African American religious experience remains unexplored, secret, long hidden. This place of heroines, gods, danger, and true things is a vital, living piece of our story. But to venture forth, require guides. Today, we will follow two griots who know the way.
This will be a reading, a seminar, and a discussion with professors Phenderson Djèlí Clark and Yvonne P. Chireau. Phenderson will read from his new novella, Black God’s Drum, and Professor Chireau will discuss the Black American magical traditions to give us historical context as well as read from her book, Black Magic. This will be followed by discussion and Q&A from the audience.
Yvonne Chireau is a professor of Religion at Swarthmore College. She is the author of Black Magic: African American Religion and Conjuring Tradition (2003) and co-editor of Black Zion: African American Religions and Judaism (1999) with Nathaniel Deutsch. She is interested in black religions in the US, African-based religions such as Vodou, and the intersection between magic and religion in America. She blogs subjects having to do with Voodoo and Africana religions at Academic Hoodoo.com
Phenderson Djéli Clark is the Hugo, Nebula, and Sturgeon nominated author of the novellas The Black God’s Drums and The Haunting of Tram Car 015. His stories have appeared in online venues such as Tor.com, Daily Science Fiction, Heroic Fantasy Quarterly, Apex, Lightspeed, Fireside Fiction, Beneath Ceaseless Skies, and in print anthologies including, Griots, Hidden Youth and Clockwork Cairo. He is founding member of the FIYAH: A Magazine of Black Speculative Fiction and an infrequent reviewer at Strange Horizons.
The readings take place Tuesday,
May 7, 2019 from 6:45-9 p.m. at the Brooklyn Commons Café, 388 Atlantic Bl.,
Brooklyn, NY 11217-1703. $7 suggested donation.
Kim Stanley Robinson–the multiple award-winning science fiction writer, climate change expert, and UC San Diego alum–joins us to deliver the closing keynote to San Diego 2049, sharing his insights into the future of the border region and how the practice of science fictional worldbuilding can help us imagine–and impact–issues of vital importance to individuals, our communities, our species, and life on planet Earth.
This evening will also feature the final projects of several UC San Diego graduate student teams who have been participating in the San Diego 2049 series and imagining their own future scenarios for the region.
Kim Stanley Robinson is a New York Times bestseller and winner of the Hugo, Nebula, and Locus awards, and in 2017 he was awarded the Arthur C. Clarke Award for Imagination in Service to Society. He is the author of more than twenty books, including Red Moon, New York 2140, the bestselling Mars trilogy and the critically acclaimed Forty Signs of Rain, The Years of Rice and Salt and 2312. In 2008, he was named a “Hero of the Environment” by Time magazine, and he works with the Sierra Nevada Research Institute and the Clarion Science Fiction and Fantasy Writers’ Workshop, which is hosted each summer at UC San Diego. He is an alumnus of both UC San Diego and the Clarion Workshop and lives in Davis, California.
Items from the Library’s Science Fiction and Fantasy Research Collection provide a window into the diversities of race, gender, sexual orientation, religion, and culture that have always been a part of science fiction and fantasy.
…Some of the many books represented in the exhibit are The Female Man, Dune and Memoirs of a Spacewoman. Explore the arts and visual media Cushing has displayed with posters from famous movies such as The Rocky Horror Picture Show,Captain Marvel and Wonder Woman and TV series like Star Trek:Discovery and Luke Cage. Album covers from David Bowie’s The Rise and Fall of Ziggy Stardust and the Spiders from Mars and Janelle Monae’s The ArchAndroid (Suites II and III) are on display as well.
“What both this exhibit and the Science Fiction and Fantasy Research Collection at Cushing Library hope to show visitors is simply this: science fiction and fantasy and horror, in their abounding variations, are part of our shared cultural heritage,” said Jeremy Brett, curator of the exhibit. “They are not, nor have they ever been, the property of any one class of creator or fan.”
Also included in the exhibition are the 1984 Grand Master Award and the 1998 World Fantasy Award for Life Achievement for famed female sci-fi and fantasy writer Andre Norton. She was the first woman to be made a Grand Master by the Science Fiction and Fantasy Writers of America.
Mary is still in touch with the Dietsches, the Wolfes’ old neighbors from Peoria. Rosemary Dietsch, Gene’s childhood playmate, comes to Texas for a visit. Gene and Rosemary discover that they still like each other. Before long, they’re engaged. Rosemary is Catholic, so before the wedding, Gene starts studying Catholic doctrine. For a while now, maybe because of his war experience, he’s been thinking about suffering and compassion and how human beings can be better. Catholicism resonates both with his sense of humanity’s fallenness and with his sense of the dedicated, lifelong commitment required for each individual’s redemption. Eventually, he decides to convert. He and Rosemary get married in 1956, two clean-cut kids smiling postwar American smiles. He tells people she saved him.
(8) NIGHTCAP. In 1982, Isaac Asimov,
Harlan Ellison, Gene Wolfe appeared together on the Nightcap cable TV talk show.
Isaac Asimov, Harlan Ellison, and Gene Wolfe discuss science-fiction writing with Studs Terkel and Calvin Trillin on the Alpha Repertory Television Service (ARTS), the predecessor of today’s A&E (Arts and Entertainment Network). The program was called “Nightcap: Conversations on the Arts and Letters.”
(9) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born April 27, 1901 — Frank Belknap Long. He’s best known for his short stories, including contributions to the Cthulhu Mythos. During his life, he received the World Fantasy Award for Life Achievement, the Bram Stoker Award for Lifetime Achievement and the First Fandom Hall of Fame Award. (Died 1994).
(11) ON THE BUTTON. Cora
Buhlert tweeted a photo of this Dublin 2019 memento:
(12) MY PETRONA. The 2019
Petrona Award shortlist for the Best Scandinavian
Crime Novel of the Year has been announced. In spite of the name, this is a
British award given out at CrimeFest Bristol and is one of the comparatively
few genre awards for translated fiction.
The Petrona Award is open to crime fiction in translation, either written by a Scandinavian author or set in Scandinavia, and published in the UK in the previous calendar year.
THE ICE SWIMMER by Kjell Ola Dahl, tr. Don Bartlett (Orenda Books; Norway)
THE WHISPERER by Karin Fossum, tr. Kari Dickson (Harvill Secker; Norway)
THE KATHARINA CODE by Jørn Lier Horst, tr. Anne Bruce (Michael Joseph; Norway)
THE DARKNESS by Ragnar Jónasson, tr. Victoria Cribb (Penguin Random House; Iceland)
RESIN by Ane Riel, tr. Charlotte Barslund (Doubleday; Denmark)
BIG SISTER by Gunnar Staalesen, tr. Don Bartlett (Orenda Books; Norway)
The winning title will be announced at CrimeFest on May 11.
The winning author and the translator of the winning title will both receive a
cash prize, and the winning author will receive a full pass to and a guaranteed
panel at CrimeFest 2020.
(13) SEEVERTLIEB ON TV. Steve Vertlieb’s star turn
is available for online viewing —
I want to thank popular comedian and radio personality Grover Silcox for inviting me to share a delightful segment of his new Counter Culture television interview series which aired February 19th on WLVT TV, Channel 39, Public Television in Allentown. We sat together at the famed “Daddypops Diner” in Hatboro, Pennsylvania where the wonderful series is filmed, and talked about Boris Karloff, Bela Lugosi…, Lon Chaney, Sr., and Lon Chaney, Jr. at Universal Pictures, as well as Christopher Lee, and Peter Cushing at Hammer Film Productions, and the long, distinguished history of Horror Movies. For anyone who didn’t see the program during its initial broadcast, you can catch my episode on line by accessing the link below. You’ll find my segment in the middle of Episode No. 3.
Winner of the Lambda Literary Award and nominee for the Nebula and Locus awards, her ability to use her scientific knowledge in both her fiction and nonfiction works is something that makes Newitz’s work remarkable. Dr. Brian Keating speaks to her about creative process behind her newest novel Autonomous, as well as the forthcoming The Future of Another Timeline, and more. Enjoy!
And if you’re curious about her talk at UC San
Diego, “Your Dystopia Is Canceled,” take a few minutes over at the
Clarke Center YouTube channel:
But speculative fiction studies, though it overlaps with scholarship on science fiction, is a different animal: broader, more capacious, less concerned with technical literary and generic questions. While some have tried to demarcate the bounds of speculative fiction—with Robert Heinlein and Margaret Atwood proposing the most famous definitions—others find the ambiguity of the term attractive.2 In Migrant Futures: Decolonizing Speculation in Financial Times, Bahng is “less interested in literary taxonomies than in the various modalities of writing and reading that can alter relations between writer and reader, shift ways of thinking, and produce different kinds of subjects”; she sees potential in speculative fiction’s “promiscuity and disregard for the proper” (13, 16). Similarly, Streeby embraces the term speculative fiction in Imagining the Future of Climate Change: World-Making through Science Fiction and Activism “because it is less defined by boundary-making around the word ‘science,’ stretching to encompass related modes such as fantasy and horror, forms of knowledge in excess of white Western science, and more work authored by women and people of color” (20). In Commander’s Afro-Atlantic Flight: Speculative Returns and the Black Fantastic, Afro-Atlantic speculation exceeds science fiction, or even Afro-futurism, which Commander regards as only one “subgenre of Afro-speculation of the twentieth and twenty-first century that is concerned with the artistic reimagining of the function of science and technology in the construction of utopic black futures”
STAGE PLAY. Mr. Sci-Fi, Marc Zicree, posted “My Favorite Moment” from the
high school performance of Alien. (Tough
audience – applauding the chest-burster scene!) Zicree adds —
And let’s give hats off to the writer Dan O’Bannon for thinking this up in the first place. Nothing like it had ever been seen before.
John King Tarpinian, JJ, Cat Eldridge, Cora Buhlert, Chip Hitchcock, Martin Morse
Wooster, Mike Kennedy, Carl Slaughter, Steve Vertlieb, and Andrew Porter for
some of these stories. Title credit goes to File 770 contributing editor of the
day Jack Lint.]
By Mark L. Blackman: On
the evening of Tuesday, April 2, 2019, at its venue, The Commons Café in
Brooklyn (just a half a mile from the
railroad tracks), the New York Review of Science Fiction Readings Series, in a
special event guest-hosted by Mike Allen of Mythic Delirium Books, presented
two writers of new fantasy collections from the imprint, Theodora Goss and
“mythically delirious” (as opposed to magically delicious) evening opened with
the customary welcome from Series producer/executive curator Jim Freund (who
was wearing a nifty T-shirt “Make Orwell Fiction Again”), longtime host of
of the Wolf radio program on sf and fantasy, cautioning us that we
were streaming live via Livestream, reminding all that the Series is supported
entirely by donations (the Readings are free, but there is a suggested
contribution of $7), notifying us that books by the authors were for sale at
the door, and announcing upcoming readings:
May 7th: guest co-host Rob Cameron promises “happy surprises”
June 4th: Katharine Duckett (“a queer month,” the 50th anniversary of Stonewall) and TBA
July 2nd: Sam J. Miller (his book is coming out that month) and TBA
dates are the first Tuesday of the month.) On a sad note, Freund informed any
who hadn’t yet heard that Vonda N. McIntyre had died the day before (April 1st);
she was, he said, incredibly influential in the genre and that “you know her
even if you don’t know her.” (On a personal note, I met her at Lunacon 1994, at
which she was Guest of Honor and I ran Program.) Finally, he introduced the
evening’s emcee – noting that it was just about the third anniversary of his
previous stint, a launch party for Clockwork Phoenix 5 – and
turned hosting duties over to Mike Allen.
Mike Allen is a Nebula Award and Shirley Jackson Award finalist, and winner of three Rhysling Awards for poetry,the author ofseveral poetry collections, the novel The Black Fire Concerto, (2013) and the short story collections Unseaming, The Spider Tapestries and the forthcoming Aftermath of an Industrial Accident; the editor of the Clockwork Phoenix anthologies (there may yet be a #6); and, with his wife Anita, publisher of Mythic Delirium Books. (He “wears many creative hats, and at least one of them, tailor-made by Anita, features a large bejeweled spider.”)
Theodora Goss (Dora to her friends) is the World Fantasy and Locus Award-winning author of the short story collection In the Forest of Forgetting; Interfictions, a short story anthology co-edited with Delia Sherman; The Thorn and the Blossom, “a novella in a two-sided accordion format;” and the novels The Strange Case of the Alchemist’s Daughter and European Travel for the Monstrous Gentlewoman , winner of the Lord Ruthven Award for vampire fiction. (The third book in her Athena Club trilogy, The Sinister Mystery of the Mesmerizing Girl, comes out in October.) She has also been a finalist for the Nebula, Crawford, Seiun, and Mythopoeic Awards, as well as on the Tiptree Award Honor List.
offering was from her newest collection of poetry and fiction, Snow
White Learns Witchcraft, just released by Mythic Delirium Books, eight
stories and twenty-three poems that “retell and recast fairy tales by Charles
Perrault, the Brothers Grimm, Hans Christian Andersen, and Oscar Wilde, in ways
that re-center and empower the women at the hearts of these timeless
narratives.” She began with the first poem in the volume, and the one that gave
it its title, “Snow White Learns
Witchcraft.” Set long after
the “happily ever after,” the prince-later-king has passed on, her beauty is
fading (her hair is now snow white) and all said and done, she has no (or at
least few) regrets.
The short story “Conversations with the Sea
Witch” was also a decades-later follow-up to a fairy tale. Now old, and the
dowager queen, Melusine (not Ariel)
of the sea folk (they’re mammalian, not piscine), who had traded her “song” to
the sea witch for legs – legs too weak to support “the crippled girl” – and
giving up 500 years of life in the sea for one human lifespan, chats and
reminisces at the edge of the sea with her old adversary; over all, she has no
regrets. “Mirror, Mirror,” the final poem in the book, presented yet a
different take on the post-tale Snow White.
the intermission, there was a raffle drawing for those who’d donated with the
prizes being two sets of books from Mythic Delirium.
Resuming the “evening of literal magic,” Allen introduced the second reader.
Barbara Krasnoff, a very familiar face at the NYRSF Readings, is the author of short fiction that has appeared in about 35 venues including Amazing Stories, Lady Churchill’s Rosebud Wristlet, Weird Tales, Sybil’s Garage, Space and Time, Crossed Genres, and Clockwork Phoenix, as well as the author of a YA non-fiction book, Robots: Reel to Real, and currently Reviews Editor for The Verge. In addition, every weekday morning, she “investigates what the animals and objects in our world are really thinking” in her whimsical and delightful Backstories series on Facebook, Twitter and Instagram (#theirbackstories).
Her debut novel The History of Soul 2065,
out in June from Mythic Delirium Books, is actually a mosaic novel, a collection
of twenty loosely interconnected tales. (It includes the 2016 Nebula finalist
short story “Sabbath Wine,” which originally appeared in Clockwork Phoenix 5,
edited by Mike Allen), and from which she read – evoking tears from some – at
previous NYRSF Readings events.) She realized that the stories that had
appeared “here and there” were, at heart, about “the same people with different
names.” Accordingly, she shared the story that “introduces the two people, the
young women, from whom the other characters come.” In “The Clearing in the
Autumn: A Story of Chana Rivka Krasulka and Sophia Stein,” on the eve of World
War I, the girls meet in a magical clearing (that may, according to Chana’s
mother, be haunted by ghost children) that the brilliant Chana (who aspires to
be a doctor) has entered from Lvov in Russia and the theatrical Sophia from
Munich, and form a friendship as they together rescue an injured pigeon. War
and Revolution are hard on the families of both girls and prevent future
meetings. As her family is leaving for America, Chana reenters the clearing to
say goodbye and finds a note in a jar from Sophia. (To those who read the book:
take note of the photographs on the cover; they have personal meanings to
Barbara and her partner Jim Freund.)
conclusion, Allen said that he was “proud to be the conduit” of some of their
traditional at these Readings, the Jenna Felice Freebie Table offered giveaway
crowd of about 60 included (to name a small few) Richard Bowes, C.S.E. Cooney, Madeline Flieger
(handling tech), Amy Goldschlager (filling in as ticket-taker for Barbara), Karen
Heuler, John Kwok, Lissanne Lake, James Ryan and Susan Bratisher, and (Tech
Director) Terence Taylor. Afterward, some stuck around to schmooze and/or
adjourned to the Café.
By Mark L. Blackman: On
the bitingly cold evening of Fat Tuesday (yes, it was Mardi Gras), March
5, 2019, at an event held at its venue, the Brooklyn Commons Café, the New
York Review of Science Fiction Readings Series featured a joint reading from Matthew Kressel and Mercurio D. Rivera of their co-written story “The Walk to Distant Suns,” which appears in the March issue of Analog.
evening kicked off as customary with a welcome from producer/executive curator
Jim Freund, longtime host of WBAI-FM’s Hour of the Wolf radio program on sf and fantasy, a
heads-up that we were on camera – the proceedings were streaming live via
Livestream (they may be accessed by going to Livestream.com and searching for
NYRSF) – and an announcement of scheduled upcoming readings. April 2nd’s event will be
guest-hosted by Mike Allen and feature Theodora Goss and Barbara Krasnoff. May 7th readers are to be
determined. June, being the 50th anniversary of Stonewall, on the 4th
will offer Katharine Duckett and another writer to be named; it will,
said Freund, be “queer-oriented.” He
then introduced the evening’s two readers before ducking into the control
booth; he was handling Tech.
Matthew Kresselis the author of the well-received novel King
of Shards and of short fiction that has appeared in Lightspeed,
Clarkesworld, Analog, Nightmare,
and Year’s Best Science Fiction anthologies, and been honored as a
three-time Nebula Award Finalist and a Eugie Award Finalist. Additionally, as a
coder, he created the Moksha submissions system currently in use by many of the
largest SF publishers. Locally, with Ellen Datlow, he is the co-host of the Fantastic
Fiction at KGB reading series at the titular East Village bar.
Mercurio D. (for David) Rivera is the World Fantasy Award-nominated writer of short fiction that has appeared in markets such as Analog,
Asimov’s, Lightspeed, Interzone, and Space and Time, and been anthologized
Year’s Best Science Fiction compilations as well as podcast. His most notable stories include “Tu Sufrimiento Shall Protect
Us,” “Longing for Langalana,” “Tethered,” “Dance of the Kawkawroons,” and
“Those Brighter Stars;” his own collection, Across the Even Horizon, was
critically acclaimed. Like Kressel, he is a member of
the Manhattan writing group Altered Fluid.
a silly attempt to read together, the duo took turns reading “The Walk to Distant Suns,” with Rivera leading off. The
“walk” is along an Einstein-Rosen Bridge, called “the Lift,” which transmutes
matter and transfers it, both objects and people, one quark at a time, through
a wormhole, from Earth (more precisely L-5) to a world dubbed Iris in the
Trappist-1 System 40 light years away; it is a one-way trip. Earth is in bleak
shape, with 80% of the population living in poverty and many eking out by
foraging through garbage, so a new life on the paradisiacal planet beckons.
Among them are Shandi, an engineer at the Lift, who hopes to make the trip one
day with her family (her mother is ill and her little sister is artistic).
Alas, the corporation that operates the Lift keeps raising the cost, so only
the rich can afford to go. Using the opportunity that her position affords,
Shandi schemes to smuggle them all onto the Lift. To be continued.
the intermission, there was a raffle drawing (with Freund boothed, Amy
Goldschlager was drafted to oversee it) with the prizes including the issue of Analog
containing the story, The Best
Science Fiction of the Year , and a signed copy of the manuscript
from which they were reading.
with Kressel leading off, the reading continued through to the end of the story
and its twist ending (no spoilers).
then moderated a Q&A, opening with a question from her about their
collaborative process. They broke up scenes, characters and motivations, said
Rivera, though Kressel wrote the first section, then they went back and forth.
It was “a successful collaboration;” in the end, they each “feel like they
wrote the whole thing.” Even outside of Altered Fluid, they’re used to
criticizing each other. Asked by an audience member if they’d thought of expanding
it, Kressel said that they’d thought that it would be a short story, but it
grew to 8,600 words. Goldschlager also delivered the “outro.”
traditional at these Readings, the Jenna Felice Freebie Table offered giveaway
books, and the Café saw to food, a coffee bar, beer and wine.
crowd of about 25-30 included Karen Heuler, Raj Khanna, Barbara Krasnoff (House
Manager), Lissanne Lake, and James Ryan and Susan
Ratisher Ryan. Afterward, there
was schmoozing, and feasting.
What inspired this story, and how did you construct this future?
I’d seen on YouTube a discussion from scientists about if an AI possessed an exact neural map of the human brain that it would not be out of the realm of possibility to believe that they would also be imbued with curiosity and maybe even a sense of responsibility for the Earth because now they, too, were a part of its systems. Around the same time, I stumbled on articles written by social scientists who believed that in taking care of certain economic necessities, humanity ideally could free up resources for creative problem-solving on the world scale and exploration.
These points of reference were really the general jumping-off points for me to try to logically extrapolate a human society that accommodated AIs (though not without some implied struggle) because the AIs were not, in fact, seeking a judgment day. They wanted to live and progress just as humans, and though their consciousness was not exact to humans, they were their own kind and just as worthy to be respected. We recognize this in intelligent animals, or even animals as a whole, so my thinking was it could be possible for AIs as well.
Consider, for example, your trash. What happens to it? How do you dispose of it? Is it a garbage can next to your desk or in the kitchen? What happens to it once the can is full? Where does it go? Who deals with it? Do you know? Or does it simply “vanish?”
Well, here’s the thing. It definitely doesn’t vanish. Refuse is refuse: Someone has to do something with it or it piles up. Waste from your home, for example, at least in the US, is collected in a larger can and taken to the side of the road for a garbage truck to collect (99% of the time. The US’s coverage with this system is so ubiquitous that I’ve been to rural places where the only vehicle in town that isn’t a four-wheeler or a boat is the town garbage truck). That truck then takes it to a landfill or a processing center. At the first, the garbage is dumped out. At the second, it’s sorted and separated, usually with an end-goal in mind of dividing up the garbage into smaller, more dedicated end-states, from compost to recycling.
(4) NYRSF READINGS. Jim
Freund asks, “Why waste your time with the State
of the Union, when we have such a brilliant and more fulfilling alternative?”
The New York Review of Science Fiction Readings
Series resumes Tuesday, February 5.
Mimi Mondal (Bone Stew) writes about history and politics, occasionally disguised as fiction. Her first co-edited anthology, Luminescent Threads: Connections to Octavia E. Butler won a Locus Award and was nominated for a Hugo Award in 2018. In the past Mimi has worked as an editor at Penguin India and Uncanny Magazine, and spent eleven years at universities in India, Scotland and the US, from which she is currently recovering in New York and at @Miminality on Twitter.
Karen Heuler’s stories have appeared in over 100 literary and speculative magazines and anthologies, from Conjunctions to Clarkesworld to Weird Tales, as well as a number of Best Of anthologies. She has received an O. Henry award, been a finalist for the Iowa short fiction award, the Bellwether award, the Shirley Jackson award for short fiction (twice), and others. She has published four novels and a novella, and her fourth story collection has just been published by Tartarus Press.
The events begins at 7:00 p.m. in
The Brooklyn Commons Café, 388 Atlantic Avenue (between Hoyt & Bond St.)
in Brooklyn, NY.
Once we get inside, we’re quickly pointed to the counter. The food and drink offerings here are relatively run-of-the-mill Seoul cafe classics: Americanos, various flavored lattes and milk teas, and fruity adeS. On the menu, they promise chocolate wands are coming soon, and on select days there’s Butterbeer. Dessert-wise there’s a selection of cakes, none of which are themed, save for one: the wizard cake, a mini replica of the birthday cake Hagrid brings to Harry. We ordered the wizard cake for a cool 17,000 Won (around $15), grabbed our pager, and began to explore.
And trust me, there’s a lot to explore. Everywhere you turn there’s a poster or a reference to something Harry Potter-esque. Quotes in English and Korean line the staircases along with posters and portraits. Even the elevator is fully decked out.
(6) NO CODE FOR THIS
CONDUCT. The infosec industry conference
DerbyCon is calling it quits after this year. Their explanation sounds like “We’re closing
down rather than resorting to enforcing our code of conduct.”
…This year, we had to handle issues that honestly, as an adult, we would never expect to have to handle from other adults. Conferences in general have shifted focus to not upsetting individuals and having to police people’s beliefs, politics, and feelings. Instead of coming to a conference to learn and share, it’s about how loud of a message a person can make about a specific topic, regardless of who they tear down or attempt to destroy. To put it in perspective, we had to deal with an individual that was verbally and mentally abusive to a number of our volunteer staff and security to the point where they were in tears.
This is not what we signed up for.
Admittedly, we had no idea how to handle this person, and in fear of repercussion of removing this person, allowed them to stay at the conference in order to “not upset the masses”. The best we could do was just apologize, for other apologies, and apologize more for another’s actions. This is just one example of many we have had to deal with over the past few years, and each year it becomes increasingly harder for us to handle. We do everything as a conference to ensure the safety, security, and go above and beyond that of others. Maybe that puts us on a different level where something that would normally not be an issue explodes into a catastrophic situation on social media.
Who knows? What we do know is each year it gets harder and harder.
…Some in the infosec community read the organizers’ statement and began to blame the shutdown on “Social Justice Warriors,” and women who complained too much. For example, far right blog Gateway Pundit pointed to an incident where an attendee complained that other attendees were joking about sexual assault outside of the conference’s Mental Health Village. Others on Twitter latched on to the rumor that “SJWs” killed DerbyCon.
While some women in the cybersecurity world were discussing the toxic interactions, sexual harassment, and assaults they’ve faced in the infosec community, members of a popular closed Facebook hacking group called “illmob” began to attack women who have spoken up about these issues, including Georgia Weidman, a security researcher who recently tweeted that her career was hurt by attending and speaking at DerbyCon in 2013….
(7) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born February 4, 1925 – Russell Hoban. Riddley Walker may well be one of the most difficult novels I’ve ever read but it’s certainly also worth it. ISFDB lists a lot of other SF works by him but I must say I hadn’t realised that he’d written any beyond this work. Had any of you known this? (Died 2011.)
Born February 4, 1940 – John Schuck, 79. My favorite SF role by him is as the second Draal, Keeper of the Great Machine, on the Babylon 5 series. I know it was only two episodes but it was a fun role. He’s also played the role of Klingon ambassador Kamarag in Star Trek IV: The Voyage Home and in Star Trek VI: The Undiscovered Country. He guest starred in Deep Space Nine as Legate Parn In “The Maquis: Part II”, on Star Trek: Voyager as Chorus #3 in the “Muse” episode, and on Enterprise as Antaak in the “Divergence” and “Affliction” episodes. Oh, and he was Herman Munster in The Munsters Today. Now that was a silly role! Did you know his makeup was the Universal International Frankenstein-monster makeup format whose copyright NBCUniversal still owns?
Born February 4, 1961 – Neal Asher, 58. I’ve been reading and enjoying his Polity series since he started it nearly twenty years ago. Listing all of his works here would drive OGH to a nervous tick as I think there’s now close to thirty works in total. I’m listening to The Line War right now and it’s typically filled with a mix of outrageous SF concepts (Dyson spheres in the middle of ten thousand year construction cycles) and humans who might not be human (Ian Cormac is back again). He’s the sort of writer that I think drives our Puppies to madness — literate pulp SF pumped out fast that readers like.
Born February 4, 1970 – Gabrielle Anwar, 49. Currently Lady Tremaine on Once Upon a Time. On the BBC series Prince Caspian and the Voyage of the Dawn Treader, she once played Ramandu’s Daughter. Marti Malone in Body Snatchers which is the third film adaptation of that Finney novel. She was Queen Anne in The Three Musketeers which I love and Emily Davenport in The Librarian: Return to King Solomon’s Mines.
(8) COMICS SECTION.
Patriotic Ewoks will shed a tear over this Brevity.
(9) STAR TREK: RENT. On The Late Late Show With James Corden, the cast of Star Trek: Discovery leaves the bridge for this week’s episode of Carpool Karaoke. Sing along with Sonequa Martin-Green, Anthony Rapp, Doug Jones and Mary Wiseman. Complete show is accessible through an Apple app.
There’s another preview on Twitter.
(10) WORLDCON ECONOMICS. Persistent
Scribble tasks an unnamed author who feels the Worldcon should give them a free
membership. Thread starts here.
(11) VAMPING IT UP. What We Do in the Shadows, from writer Jemaine Clement and director Taika Waititi, premieres
March 27 on FX.
What We Do in the Shadows is a half-hour comedy series based on the feature film of the same name by co-creators Jemaine Clement and Taika Waititi. Set in New York City, the show follows three vampires who have been roommates for hundreds and hundreds of years. Stars Matt Berry, Kayvan Novak, Natasia Demetriou, Harvey Guillen and Mark Proksch.
Brian K. Vaughan’s beloved comic series Y: The Last Man is finally coming to a screen. FX on Monday announced that it has picked up its TV adaptation to series. The network has handed out a series order for the drama from showrunner Michael Green and starring Barry Keoghan and Diane Lane. It is expected to premiere in 2020.
[…] Green (American Gods, Blade Runner 2049, Logan) and Aïda Mashaka Croal (Luke Cage, Turn) serve as showrunners and executive producers. Nina Jacobson and Brad Simpson of Color Force (American Crime Story, Pose, The Hunger Games) and Vaughan executive produce and developed the series. Melina Matsoukas (Insecure, Master of None, Beyonce: Formation) directed the pilot and exec produce the FX Productions drama. In addition to Keoghan and Lane, the cast also includes Amber Tamblyn, Imogen Poots, Lashana Lynch, Juliana Canfield and Marin Ireland.
How can astronauts build a lunar base if traditional building materials are too heavy to load into a rocket?
In 1975, three years after the final Apollo Moon landing, Space: 1999 first aired on British television. It began with a nuclear explosion wrenching the Moon, and an international lunar colony of over 300 people, out of its orbit and into an unknown journey into space.
The TV series obviously made an impression on a young Elon Musk because, when the SpaceX founder revealed their plans for a lunar colony in August 2017, he called it Moonbase Alpha after the lunar base in Space: 1999. “Cheesy show,” Musk tweeted, “but I loved it.”
SpaceX is not alone is wanting to get humans back on the Moon. The Chinese space agency CNSA (China National Space Administration) has announced the next stages of its successful Chang’e lunar exploration missions – shortly after Chang’e 4 became the first spacecraft to make a soft landing on the far side of the Moon.
Chang’e 5 and 6 will be sample return missions while Chang’e 7 will survey the South Pole, a region of specific interest for human habitation because it contains water ice. “We hope that Chang’e 8 will help test some technologies and do some exploring,” deputy head of the CNSA Wu Yanhua said in January, “for the building of a joint lunar base shared by multiple countries.”
China is not alone in this ambition. Across the globe, 50 years after the Moon landings, the practicalities of a moonbase are taking shape. The irony is that, while only the United States of America has left footprints on the Moon, the Americans are now having to play catch up. It didn’t unveil plans for a permanent moonbase until August 2018. Nasa’s primary focus until then had been Mars. The European Space Agency (Esa) was already one step ahead.
Pixar’s new animation program SparkShorts has released its first short film, a powerful story about the difficulty of fitting into a workplace of human males.
“Purl” might be about a pink ball of yarn, but its title character adopts new behaviors and aggression to be one of the boys, a transparent allegory for women trying to break the glass ceiling in corporate culture.
[Thanks to Martin Morse Wooster, Gordon Van Gelder, Chip Hitchcock, Daniel Dern, Mike Kennedy, Errolwi, JJ, John King Tarpinian, Cat Eldridge, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to ULTRAGOTHA.)
By Mark L. Blackman: On the evening of Tuesday, January 8, 2019, the New York
Review of Science Fiction Readings Series held a Diamond Jubilee celebration
for local writer Richard (Rick) Bowes on the occasion of his 75th Birthday.
Richard Bowes is the author of six novels, four story collections
and over 80 short stories, earning two World Fantasy Awards, a Lambda Award, a
StorySouth Million Writers Award, and an International Horror Guild Award, as well
as works short-listed for the Nebula Award. He is a familiar face (and voice)
as reader and audience at both the NYRSF and the Fantastic Fiction at KGB
Reading Series. Born in Boston (with the accent to prove it), he grew up there
and on Long Island, and has lived for decades in Greenwich Village.
The event, held at the Series’ venue, the Brooklyn Commons Café on
Atlantic Avenue in the Borough sharing its name, kicked off as usual with a
welcome from producer/executive curator Jim Freund, longtime host of WBAI-FM’s Hour of the
Wolf radio program on sf and fantasy (99.5 FM in New York and
worldwide at wbai.org), a reminder – or warning – that cameras were recording
(the readings are Livestreamed), and an announcement of upcoming readers:
Feb. 5: Karen
Heuler and Mimi Mondal
March 5: To Be
Theodora Goss and Barbara Krasnoff, guest-hosted by Mike Allen
Concluding his introduction to the event, Freund remarked that he
“first met Rick forever ago” and described him as “a writer (and personal
friend) whose accomplishments have entertained and challenged the thinking of
innumerable readers” during his over 35 years in the genre, and his “go-to
guest on Hour of the Wolf.” A reading
by Bowes of his 9/11 story, “There’s a Hole in the City” (online now at Nightmare Magazine), is broadcast each
year around 9/11 over WBAI.
At the microphone, much-honored editor of over 100 anthologies
(and co-host of the aformentioned Fantastic Fiction Reading Series), Ellen
Datlow, characterized Bowes as “a natural-born storyteller,” and read a tribute
essay by Jeffrey Ford, “Bowes.” In it, Ford related how he met Bowes (at a
Nebula Weekend) and how he was mentored by him. (Rick has also similarly helped
other writers in the sf/fantasy community.) Bowes, he declared, is “low-key,
but hysterical” (indeed, he has a wicked sense of humor that veers between
acerbic wit and smartass cracks). “No one writes about New York like Rick” (as
his followers on Facebook know) as “he moves through history in his fiction.”
His time in New York (by which is meant the Village, East and West) encompasses
the eventful (and tumultuous) times pre- and post-Stonewall, the AIDS crisis,
and, as noted, 9/11.
Next, Barbara Krasnoff conducted an interview with Bowes (both are
members of the New York City writers group Tabula Rasa) about his early writing
career and an overview of his body of work, which includes If Angels
Fight, Minions of the Moon,
Files of the Time Rangers, and Dust Devil On a Quiet Street. If he is “remembered
for anything,” he mused, “it will be for ‘There’s a Hole in the City.’” (Set on
Wednesday, Sept. 12th, in it he alludes as well to past tragedies
like the General Slocum, an excursion
steamer that burned in the East River, and the Triangle Shirtwaist Factory
More recently, his work has appeared (or will be appearing) in Mad Hatter and March Hares, Queers
Destroy Fantasy, The Doll Collection,
Black Feathers, and The Eyes Of Jack Saul. He is currently
writing stories for a “fix-up novel” (short stories stitched together into a
novel) about a gay kid in 1950s Boston. In a closing quip, he thanked
Barbara and the gathering “for helping me remember stuff about myself that I
didn’t know.” (At one point, he attributed a memory lapse to “This is what Trump
has done to me.”)
During the intermission, there was a raffle drawing for donors
(suggested donation is $7, but no one is turned away), with the prizes being
Bowes’ Minions of the Moon and “short
short stories” in the form of haikus, plus a copy of Ford’s tribute essay.
Opening the second half of the evening, Freund revealed that,
among his other talents, Bowes is a songwriter, and brought up Natti Vogel to
sing a ditty, lyrics by Rick and his brother Jerry, “I’m Oedipus Rex” (to the
tune of “I’m Henry VIII,” from long before Natti’s time):
I’m Oedipus Rex, I am,
Oedipus Rex, I am, I am.
I got married to the widow next door.
She was married to my father before.
Rehabilitating himself from that literary travesty, Bowes read a
story from his fix-up novel about Kevin, a gay kid with a shadow, his
doppelganger, and the opening pages from “There’s a Hole in the City,” set on
the evening of the day after 9/11, smoke and dust still in the air (and a
family of tourists tries to get past checkpoints to gawk at Ground Zero).
Then, to conclude the festivities, a birthday cake – a vanilla
cake decorated by Randee Dawn – was brought out (only one candle) and Vogel led
us in “Happy Birthday.” Finally, his sister came up to share brief
reminiscences about her “amazing” and “remarkable” brother, “Ricky.” (He taught
her how to play chess and how to give him backrubs.)
As traditional at these Readings, the Jenna Felice Freebie Table
offered giveaway books. The Café saw to more
substantial food (and cake) needs.
The crowd of about 60 also included Rob Cameron, Madeline Flieger
(Tech Director), Amy Goldschlager (filling in as ticket-taker for Barbara),
Karen Heuler, Andrea Katz, Lynn Cohen Koehler, Matthew Kressel, Lissanne Lake, Brad
Parks, David Mercurio Rivera, Pam Roberson, and Paul Witcover.
I’d love to write a lot of inspirational entries about still being alive but Buffy the Vampire Slayer was right when she said, ‘The hardest thing in this world is to live in it.’ It’s also the busiest. I’ve been so busy continuing to be alive, I haven’t had time to wax rhapsodic about continuing to be alive.
That my sound sarcastic but in truth, I wish I could. I wish I could tell you that every glitch and inconvenience, every little (and not so little) ache and pain, every boring chore and utterly grey day is a reminder that it’s still great to be alive and to know that I’m going to be alive for some indefinite period of time.
Cancer and I have reached a stand-off that puts it in the background of my life. In fact, it’s so much in the background that I really do forget I have it.
This is a collection of memories, a spontaneous burst of creative works, a celebration of Mexicanx creators and fans, and a documentation of something that started with passion and a vision and grew into so much more.
The Mexicanx Initiative, started by Worldcon 76 Artist Guest of Honor, John Picacio, and sponsored by many wonderful and caring members of the Worldcon community, brought 42 Mexican and Mexican-American people to San Jose, California in August of 2018 to attend Worldcon 76.
Stories, essays, food, poems, art, and so much more were born of this experience….
In the introduction to How Long ‘til Black Future Month?, you write that short stories presented a way for you to work out techniques and consider perspectives without the commitment of a novel. What else do short stories offer you that the novel doesn’t?
Really, that’s the main thing. You’re still putting a pretty hefty mental commitment into making a short story. Even though it’s relatively brief, you still have to come up with a world that’s coherent. I find short stories almost as difficult to write as novels, it’s just less time-consuming. Short stories are hard for me. That’s why the collection is something like fifteen years worth of short stories. They asked me to write several new ones for the collection and I was just like, Not likely to happen. In fact, I can really only write them when I’m between novels because they take away from whatever energy I’m trying to pour into a novel.
I have the distinct joy to hand off the role of editor to Elora Gatts, recently of PodCastle. She is a keen and insightful reader and I can’t wait to read the stories she picks for the zine.
(5) A FUTURE WITHOUT HER. Wow. No sooner did she introduce The Verge’s “Better Worlds” than she was out.
media is cutthroat etc. but it feels absolutely wild to see the verge promoting their flashy, v cool new project on the same day that the editor of said project reveals she's been laid off by the verge? we are an industry of sociopaths pic.twitter.com/9vFwxScat4
(6) NYRSF’S TWELFTHMONTH. With the aid of C.S.E. Cooney and Carlos Hernandez, the New York Review of SF Readings Series maintains its tradition of having families perform at the December gathering.
The New York Review of Science Fiction Reading Series provides performances from some of the best writers in science fiction, fantasy, speculative fiction, etc. The series usually takes place the first Tuesday of every month,
C.S.E. Cooney lives and writes in the Borough of Queens. She is an audiobook narrator, the singer/songwriter Brimstone Rhine, a Rhysling Award-winning poet, and the author of World Fantasy Award-winning Bone Swans: Stories (Mythic Delirium 2015). Her recent short fiction can be found in Sword and Sonnet, an anthology of battle poets, and in Ellen Datlow’s Mad Hatters and March Hares: All-New Stories from the World of Lewis Carroll’s Alice in Wonderland.
Carlos Hernandez is the author of the critically acclaimed short story collection The Assimilated Cuban’s Guide to Quantum Santeria (Rosarium 2016) and most recently, as part of the Rick Riordan Presents imprint of Disney Hyperion, the novel Sal and Gabi Break the Universe (2019). By day, Carlos is an associate professor of English at the City University of New York, with appointments at BMCC and the Graduate Center, and a game designer and enthusiast. Catch him on Twitter @writeteachplay.
The event takes place December 11 at the Brooklyn Commons Cafe, 388 Atlantic Avenue, Brooklyn, NY. Doors open at 6:30 — event begins at 7
(7) THE HUMANITY BUREAU. A dystopian thriller set in the year 2030 that sees the world in a permanent state of economic recession and facing serious environmental problems as a result of global warming. The film, starring, Nicolas Cage, Sarah Lind, and Jakob Davies, [correction] was released in April 2018.
(8) NEW CAR SPELL. When John Scalzi went to shift to a higher gear he discovered he’d already used his quota.
(I did check the online MINI store to see if there was a replacement there. There was not, or at least not for this model, with a manual. SO, I think that triggers the "whole new replacement model" clause.)
Born December 7, 1945 – Clive Russell. Currently Brynden Tully in Game of Thrones. Other genre roles include but are not limited to Helfdane in The 13th Warrior (a retelling of Beowulf), Mr. Vandemar in the Neverwhere series, Lancelot’s Father in King Arthur, Bayard in the Merlin series, Maqueen in the 2010 remake of the classic 1941 film The Wolfman, and Tyr in Thor: The Dark World.
Born December 7, 1945 – W.D. Richter. As a screenwriter, he was responsible for Invasion Of The Body Snatchers, Dracula, and Big Trouble In Little China. As a director, he brought Late for Dinner and Buckaroo Banzai Across The 8th Dimension to us. He was also co-writer with Stephen King on the adaptation of King’s Needful Things novel to film.
Born December 7, 1965 – Jeffrey Wright. Felix Leiter in the James Bond films Casino Royale and Quantum of Solace which I rather liked, Beetee in The Hunger Games films which I’ve not seen, and played the real-life Sidney Bechet in The Young Indiana Jones Chronicles, a series I adored.
Born December 7, 1978 – Kristofer Hivju. His first genre role was as Jonas in The Thing, based on the John W. Campbell novella Who Goes There?, and it is a prequel to the 1982 film of the same name by John Carpenter. He next shows up as an unnamed security chief in M. Night Shyamalan’s After Earth. He’s currently Tormund Giantsbane in Game of Thrones.
Born December 7, 1979 – Jennifer Carpenter. Ok, usually I pay absolutely no attention to Awards, but she got a nomination for her work as Emily Rose in The Exorcism of Emily Rose. It was the MTV Movie Award for Best Scared-As-Shit Performance. It later got renamed to Best Frightened Performance. She’s apparently only got two other genre credits, both voice work. One is as Black Widow in Avengers Confidential: Black Widow & Punisher which is a horridly-done anime film that I do not recommend; the other is as Selina Kyle aka Catwoman in Batman: Gotham by Gaslight, the animated version of the Mike Mignola Elseworld series which I strongly recommend. Possibly the Limitless series she was in is genre, possibly it isn’t…
Born December 7, 1989 – Nicholas Hoult. His first genre role was as Eusebios in Clash of the Titans which was a 2010 remake of of the 1981 film of the same name. He went on to play The Beast aka Hank McCoy in X-Men: First Class and X-Men: Apocalypse. Other roles included that of Jack in Jack the Giant Slayer, followed by a role in Mad Max: Fury Road as Nux, and he’s slated to be in the forthcoming X-Men: Dark Phoenix.
John Krasinski knew he had a potential hit on his hands when he attended a test screening for “A Quiet Place.” A horror movie about a family battling largely unseen creatures who attack at the slightest noise, the film transpires with no verbal dialogue: The characters communicate with American Sign Language, or through meaningful glances and gestures. This wasn’t Krasinski’s first effort as a director; still, he and his wife, Emily Blunt — who play the parents in “A Quiet Place” — weren’t sure audiences would accept a genre picture that harked back to cinema’s silent roots more than its special effects-driven present.
From 1958 to 1962, illustrator and futurist Arthur Radebaugh thrilled newspaper readers with his weekly syndicated visions of the future, in a Sunday strip enticingly called “Closer Than We Think”.
Radebaugh was a commercial illustrator in Detroit when he began experimenting with imagery—fantastical skyscrapers and futuristic, streamlined cars—that he later described as “halfway between science fiction and designs for modern living.” Radebaugh’s career took a downward turn in the mid-1950s, as photography began to usurp illustrations in the advertising world. But he found a new outlet for his visions when he began illustrating a syndicated Sunday comic strip, “Closer Than We Think,” which debuted on January 12, 1958—just months after the Soviet Union launched Sputnik—with a portrayal of a “Satellite Space Station.” …
15. Electronic Home Library
The media library of the future was going to be rich and varied. But there’s something a bit off about this prediction from 1959. Maybe it’s the film canisters lining the shelves. Or maybe it’s the 3D-TV sans glasses that Pop is watching. Or maybe it’s the fact that Mother is reading a book on the ceiling in what looks like the most uncomfortable way to read a book of all time.
(12) TREK BEHIND THE SCENES. Titan Comics has released Star Trek: Epic Episodes, a special collection of the best of Star Trek Magazine focusing on the stunning 2-part episodes and landmark episodes of both Star Trek: The Original Series and Star Trek: The Next Generation. Presenting cast and crew interviews, guides, behind the scenes exclusives and revelations on the making of everyone’s favorite epic episodes
(13) SPEAK, MEMORY.
This is how bad my attention span is today: a) I email myself my current novel draft, as one of my many reiterative backups b) wait three seconds c) an email sound d) excitement as I wonder who emailed me, and then I check, and OH YEAH it was me, three fucking seconds ago
In the space of weeks, Marvel went from proudly announcing a new Darth Vader miniseries at New York Comic Con to scrapping the whole thing entirely. Now, less than a month later, they’ve already found a replacement.
Marvel has announced—via the official Star Wars website—Vader: Dark Visions, a new limited miniseries that will launch in March. That’s just two months after the Chuck-Wendig-penned Shadow of Vader miniseries was set to originally debut. Instead, days after its announcement in October, Marvel fired the writer from the project three issues in, with Wendig citing internal concern at the publisher over his political commentary on social media as a primary reason for his exit.
Empire of Sand is an immersive and compulsively readable epic fantasy that draws on traditions and cultures and milieus, the Mughal Empire, a culture and heritage hitherto rarely seen in the Western fantasy tradition.
This week’s books, unfairly (or sometimes fairly) neglected, or simply those the reviewers below think you might find of some interest (or, infrequently, you should be warned away from); certainly, most weeks we have a few not at all forgotten titles” —
Frank Babics: The Reality Trip and Other Implausibilities by Robert Silverberg
Les Blatt: Artists in Crime by Ngaio Marsh
Elgin Bleecker: Lie Catchers by Paul Bishop
Brian Busby: Maclean’s, December 1918, edited by Thomas B. Costain (and featuring Robert Service’s poem “The Wife”)
Alice Chang: All Your Worth by Elizabeth Warren and Amelia Warren Tyagi
Martin Edwards: On Suspicion by “David Fletcher” (Dulan Barber)
Peter Enfantino and Jack Seabrook: DC war comics: December 1973 and the best of ’73
Will Errickson: Winter Wolves by Earle Westcott
Curtis Evans: Scared to Death and Death in the Round by Anne Morice
Paul Fraser: New Worlds, June 1965, edited by Michael Moorcock and Langdon Jones
Barry Gardner: Beggar’s Choice by Jerry Kennealy
John Grant: The Black Angel by Cornell Woolrich; A Grave Mistake by Ngaio Marsh; The House by the Lock by A. M. Williamson
James Wallace Harris: Friday by Robert Heinlein
Rich Horton: Where I Wasn’t Going (aka Challenge the Hellmaker) by Walt and Leigh Richmond; Absolute Uncertainty (and other stories) by Lucy Sussex; some short fiction by John Crowley
Jerry House: Ahmed and the Oblivion Machines by Ray Bradbury
Kate Jackson: Courtier to Death by “Anthony Gilbert” (Lucy Malleson); Murder by Matchlight by E. C. R. Lorac
Tracy K: Iron Lake by William Kent Krueger
Colman Keane; The First Short Story Collection by “Anonymous-9” (Elaine Ash)
George Kelley: The Great SF Stories 4 edited by Isaac Asimov and Martin H. Greenberg
Joe Kenney: Glimpses by Lewis Shiner
Margot Kinberg: The Invisible Onesby Stef Penney
Rob Kitchin: Red Plenty by Francis Spufford
B.V. Lawson: Five Passengers from Lisbon by Mignon G. Eberhart
Evan Lewis: Dark Valley Destiny: The Life of Robert E. Howard by L. Sprague de Camp, Catherine Crook de Camp and Jane Whittington Griffin; Carmine Infantino et al.: “Charlie Chan: The Hit and Run Murder Case” (Charlie Chan, June/July 1948)
Jonathan Lewis: The Boys from Brazil by Ira Levin
Steve Lewis: Behold, Here’s Poison by Georgette Heyer; Blood Shot by Sara Paretsky; “Double Dare” by Robert Silverberg (Galaxy Science Fiction, November 1956); “The Silver Mask Murders” by Erle Stanley Gardner (Detective Fiction Weekly, 23 November 1935)
Mike Lind: The Moving Target by “Ross Macdonald” (Kenneth Millar)
Gideon Marcus: Gamma, July 1963, edited by Charles Fritch
Todd Mason: some 1963 and 1973 fantasy magazines: Gamma, July 1963, edited by Charles Fritch; Magazine of Horror, August 1963, edited by Robert A. W. Lowndes; Fantastic, September 1973, edited by Ted White; The Magazine of Fantasy and Science Fiction, August 1973, edited by Edward Ferman; The Haunt of Horror, August 1973, edited by Gerard F. Conway
Francis M. Nevins: Q.E.D., Hell-Gate Tides and Dead End Street by [Emma] Lee Thayer
John F. Norris: Death at the Wheel by Vernon Loder
John O’Neill: The Fungus by “Harry Adam Knight” (John Brosnan and Leroy Kettle, in this case)
Matt Paust: Death of a Dissident by Stuart Kaminsky
James Reasoner: A Day Which Will Live in Infamy edited by Brian Thomsen and Martin H. Greenberg
Richard Robinson: Stakeout on Page Street by Joe Gores
Gerard Saylor: The Zealot by Simon Scarrow
Jack Seabrook: “And the Desert Shall Blossom” by Loren D. Good (Ellery Queen’s Mystery Magazine, March 1958)
Steven H. Silver: “The Tweener” by Leigh Brackett; “Worlds within Worlds” by Roger Dee; “The Power of Kings” by John DeCles; “Intaglio” by Kurt R. A. Giambastiani; “In the Bosom of His Family” by John Dalmas; “Death in Transit” by Jerry Sohl; “Escape to Other Worlds with Science Fiction” by Jo Walton
Kerrie Smith: The Honourable Thiefby Meaghan Wilson Anastasios
Kevin Tipple: Snowjob by Ted Wood
“TomCat”: The Strawstack Murder Case by Kirke Mechem
Danielle Torres: Singing in Tune with Time: Stories and Poems About Ageingedited by Elizabeth Cairns
Prashant Trikannad: Timequake by Kurt Vonnegut
David Vineyard: The Darkness at Windon Manor by “Max Brand” (Frederick Faust)
A.J. Wright: the work of W. C./William Chambers Morrow
Matthew Wuertz: Galaxy Science Fiction, May 1954, edited by H. L. Gold
Extraordinary ensemble includes the hero metal Cirrus X3 Art Deco-styled “flame” rocket pack with leather harness and buckles, glove with built-in ignition trigger, signature leather jacket, fireproof stunt jodhpur pants, and a production made signature Rocketeer helmet.
Hark! The herald pixels scroll
“The comment section’s free of trolls!
Double fifths and sevens filed
Dog and shoggoth reconciled.”
Joyful, all you Filers rise,
For new books are on half-price;
When a typo you proclaim
Of libations appertain.
Hark! The herald pixels file,
Rotating the WABAC dial,
“From Mount Tsundoku’s overlook
I see cats sitting on my books.”
And I’m told Anna Nimmhaus has been singing:
Oh my little pixel scroll,
I’ll comment to you.
You were my first love,
And you’ll be my fifth love,
You won’t lack for egoboo,
I’ll comment to you.
In this whole world
Each day one scroll’s unfurled,
Let me help it unfurl.
I’ll comment to you.
Possibly inspired by the Shirelles’ hit song “Soldier Boy” (F. Green & L. Dixon, 1962)
(20) CALL ME WHATSISNAME. Could it be… Moby Dick in space? In theaters December 14.
When a deep space fishing vessel is robbed by a gang of pirates, the Captain (Holt McCallany) makes a daring decision to go after a rare and nearly extinct species. On the hunt, his obsession propels them further into space and danger as the crew spins into a downward spiral of mutiny and betrayal.
[Thanks to Paul Di Filippo, Steven H Silver, Chip Hitchcock, Michael Toman, John King Tarpinian, JJ Cat Eldridge, Martin Morse Wooster, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]
Memories, anecdotes, appreciations, confessions, and clickbait, from:
Michael Bishop • F. Brett Cox • Jack Dann Samuel R. Delany • Andy Duncan Greg Frost • Eileen Gunn • Joe Haldeman John Kessel • Nancy Kress • George R.R. Martin • Mike Resnick Darrell Schweitzer • Nisi Shawl Allen M. Steele • Michael Swanwick Lynne M. & Michael Damian Thomas Gordon Van Gelder • Howard Waldrop Patty Wells • Henry Wessells Fran Wilde • Sheila Williams
Michael Swanwick’s contribution leads off the issue:
Daredevil: Gardner appeared as a character in a Daredevil comic book. I am not kidding you. It was a minor role. His friend George Alec Effinger, aka “Piglet,” played a larger part in the plot, much to Gardner’s pretended chagrin. “I don’t know why I couldn’t get to beat up crooks,” he would say. “Piglet did!”
Eccentrics: Susan Casper loved to relate how she had once overheard two writers bemoaning the fact that, with the deaths of some of the founding fathers of science fiction, there were no longer any great eccentrics in the genre. Those two writers were Gardner and Howard Waldrop.
(2) INVALUABLE MAPS. The Guardian has three excerpts from The Writer’s Map, An Atlas of Imaginary Lands, ed. Hew Lewis-Jones. In the excerpts, called “Wizards, Moomins and pirates: the magic and mystery of literary maps”, Frances Hardinge discusses the map she made of Tove Jansson’s Moominland, Miraphora Mina writes about the Marauder’s Map featured in Harry Potter and the Prisoner of Azkaban, and Robert Macfarlane writes about his map of Treasure Island.
I remember poring over the Moominland map at the front of Tove Jansson’s Finn Family Moomintroll. The map is homely, crowded and jubilantly out of scale, yet also haunting. Like the books themselves, the map always touched me with a gentle and inexplicable sadness. I imagined the Lonely Mountains isolated by their own vastness and strangeness, their slow, cold hearts filled with a drear and incurable loneliness.
But even then I noticed that one feature of the little map was not accurate, except in the sense that a stopped clock is right twice a day. Near a bridge is drawn a small tent, and beside it sits a little figure in a tapering hat. This is clearly meant to show the campsite of the green-clad, harmonica-playing Snufkin. But Snufkin cannot be pinned to a location so easily. He is an inveterate nomad, vanishing from the Moominvalley for long months at a time, then returning without warning or explanation. He was probably packing up his tent before the ink on the map had dried.
I mention this as one example of the strange narcotic power that maps have, especially fictional ones, even when they’re present only in trace quantities. Of course I also had the usual transports over maps of Middle-earth, and Narnia, and the archipelagos of Earthsea, and the Hundred Acre Wood, and The Lands Beyond, where The Phantom Tollbooth took place. But I could get a contact high just from the cartographical border of the Uncle Wiggily board game. All maps are fascinating, but there’s something extra-mesmerizing about maps of places that don’t exist. Maps are part of the apparatus of reality, and the navigation thereof. There’s a subversive, electric pleasure in seeing them miswired up to someplace fictional. In most cases, the closest you can get to actually visiting the land in a fictional map is by reading about it. But in my youth I got a little closer. I did this by playing Dungeons & Dragons.
…I looked at my field of ashes draft and thought I might as well toss it in the bin: usually I manage to salvage scenes but this felt like no single scene was working properly.
I moped for a couple of weeks (a totally writer thing to do! Well, at least this writer!) And then I sat down, turned to a fresh page in my brainstorming notebook, and wrote, very deliberately, “list of current scenes in the draft”, and “list of scenes I would like in new draft” (ok, it might have been a teensy bit more cryptic since they were notes to myself). I also took another notebook and did pages of brain dumps that were essentially me talking to myself about what I needed to fix. Writing it down without judgement was actually super helpful to unlock the issues and possible fixes: since it was longhand and not on a computer, I didn’t feel like it was a final story or even graven in stone. It forced me to keep thinking, to keep track of what I was doing, but not in a way that paralyzed me….
(5) HE CONTROLS THE VERTICAL. While it’s cliché to ask an sf writer “Where do you get your ideas?”, Alastair Reynolds is happy to tell you where he got one of his — “Oh, Atlanta”.
I haven’t been back to Atlanta since 1992, but the hotel did have one lingering influence on my work which that article prompts me to mention. Those swooping interior elevators left a big mark on me, and when I came to write Revelation Space – which I started later that year – they became the model for the elevators in the Nostalgia for Infinity, especially the part where Ilia Volyova’s elevator plunges through the vast interior of the cache chamber. When, in Chapter Two, Ilia’s elevator announces its arrival at the “atrium” and “concierge” levels, that’s all down to the Marriot Marquis. I’d never been in an elevator that spoke before.
You can’t understand Lovecraft’s conflation of personal miscegenation and hereditary flaws with outside threats, social decay, and vast panoramas of evolution across Deep Time without first understanding the turn-of-the-century traditions within mainstream experimental literature and polemical pseudo-scientific writing that influenced him. Lovecraft may have been a bizarre, original outlier in the context of 1920s horror or science fiction, but he was completely comprehensible (and even representative) within these older and larger traditions. Many other far-right literary figures on both sides of World War I share much of Lovecraft’s grab-bag of Symbolist, Decadent, Spenglerian, and world-weary fin-de-siècle values and tropes. Period clichés of Yellow Book dandyism and racial doomsaying abound in this context. D’Annunzio, Hamsun, and Jean Lorrain would all have recognized a kindred spirit in Lovecraft, and period readers of Max Nordau’s Degeneration and sponsors of the Race Betterment Foundation would recognize familiar ideas, thinly recast, in Lovecraft’s oeuvre.
…So I hate it when people refer to going to these sorts of events as “networking.” I dislike the whole concept of networking. It makes people feel like tools. Networking implies business. It’s about profit and career. I never approach a friend with “Hey, you wanna network on Saturday?” I never ask a partner “Hey, I miss you, haven’t networked with you in a bit, got plans this weekend?” So why the hell am I “networking” at a convention about one of my passions in life?
I blame capitalism. Apparently one can’t even have fun without feeling guilty, unless it’s about advancing oneself in life. >:( I just like meeting people and talking and making acquaintances. I don’t expect anything from any of these evenings except a fun evening.…
There was once a time when robots roamed the surface of Mercury, when a shape-shifting alien emerged from the ice of Antarctica, and when a galactic empire of 25 million planets spanned the Milky Way. It was called the “Golden Age” of science fiction, the period from the late 1930s to the late 1940s, when pioneering authors such as Isaac Asimov and Robert A. Heinlein wrote their first mind-bending stories. And though newer literary movements have mutated sci-fi’s DNA since then, the last surviving storyteller of the Golden Age—95-year-old James Gunn—is still writing.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and JJ.]
Born October 23, 1918 – James Daly, Actor known best to genre fans as Flint in the Star Trek original series episode “Requiem for Methuselah”. He also played the simian prosecutor in Planet of the Apes, and had the role of the sinister pioneering doctor in what was possibly the first movie about providing organ transplants from the body parts of clones, The Resurrection of Zachary Wheeler. In addition to roles on The Invaders, Mission: Impossible, The Twilight Zone, and The Evil Touch, he appeared in the Wernher von Braun docudrama I Aim at the Stars.
Born October 23, 1919 – Roy Lavender, Aerospace Engineer, Writer, Conrunner, and Member of First Fandom. He was one of the early members of the Cincinnati Fantasy Group (the third-oldest continuously running SF fan club), a member of the National Fantasy Fan Federation, and a co-founder of Midwestcon. He sent out an annual newsletter in which he discussed both scientific and science-fictional subjects. He and his wife, DeeDee (who was also a member of First Fandom) played instrumental roles in the planning and running of Cinvention, the 7th Worldcon, in 1949. He later moved from Ohio to California, where he was part of John and Bjo Trimbles’ sercon (serious and constructive) fan group The Petards, formed to actually discuss SF books (out of disgust with those feckless socializers in LASFS). He was Fan Guest of Honor at Kubla Khatch in 1994.
Born October 23, 1942 – Michael Crichton, Physician (non-practicing), Writer, Director, and Producer who became disillusioned with medicine after graduating from Harvard Medical School. He went on to write many genre novels which were made into movies (or vice-versa), including the Hugo-nominated Westworld and The Andromeda Strain (which won a Seiun Award), The Terminal Man, Sphere, the Hugo-winning Jurassic Park, The Lost World, Eaters of the Dead (filmed as The 13th Warrior), and Timeline. He wrote and directed Looker, which is notable for being the first commercial film to attempt to make a realistic computer-generated character, and was also the first film to create 3D shading with a computer, months before the release of the better-known Tron. (JJ is sorry to report that The Suck Fairy has had a go at many of these films – sometimes before they even got to the theaters! – but at least Timeline had the virtue of featuring Billy Connolly, Gerard Butler and Marton Csokas.)
Born October 23, 1950 – Wolf Muser, 68, Actor originally from Germany who has had recurring roles on Alias, Grimm, and The Man in the High Castle, guest roles in episodes of Carnivale, Timecop, and Misfits of Science, and appearances in the films Kiss Me Goodbye, Pandora’s Clock, and Final Equinox. He played a major role in The Beast Within: A Gabriel Knight Mystery, an interactive movie point-and-click adventure game released by Sierra On-Line in 1995 which was produced entirely in full motion video, was noted by a reviewer for being “one of the few computer games to actually involve personal, meaningful growth in a player-character”, and was named Game of the Year by Computer Gaming World.
Born October 23, 1953 – Ira Steven Behr, 65, Television producer and screenwriter, most known for his work first on Star Trek: The Next Generation, but especially on Star Trek: Deep Space Nine, for which he served as showrunner and executive producer, and for which he wrote 53 episodes. He also had a hand in such genre series as Dark Angel, The 4400, The (new) Twilight Zone, Alphas, and Outlander, for which he is Executive Producer. He is credited with the DS9 novel The Ferengi Rules of Acquisition, and he has been the driving force, as producer, behind the DS9 documentary What We Left Behind, which is now premiering in selected theaters.
Born October 23, 1959 – Sam Raimi, 59, Writer, Director, and Producer known for his frequently over-the-top genre works, including Hercules: The Legendary Journeys, Young Hercules, Xena: Warrior Princess, the cult horror Evil Dead series, the original, Hugo-nominated Spider-Man trilogy, Darkman, and Oz the Great and Powerful. Okay, he produces lots of popcorn video. Let’s now give this writeup a true genre connection: Kage Baker, who was a dyed-in-the-wool Bruce Campbell fan, reviewed not only The Adventures of Brisco County Jr. for us over at Green Man Review, but she did a very nice look at Jack of All Trades, which Raimi produced and of which Campbell is the star. For your reading pleasure, here’s the review: Jack of All Trades: The DVD Set.
Born October 23, 1969 – Trudi Canavan, 49, Graphic Artist, Writer and Fan from Australia who started her own graphic design business and became editor of the Australian fantasy and science fiction magazine Aurealis, where she was responsible for the cover art and design, reading manuscripts, and maintaining the website. During this time, she took up writing, and went on to win Ditmar and Aurealis Awards, first for her short fiction, and then for her novels. She has done covers and many interior illustrations for books and magazines, and received two Ditmar nominations for Best Artwork. She has been a Guest of Honour at numerous conventions, including the Australian and New Zealand National Conventions, and Denmark’s Fantasy Festival.
Born October 23, 1970 – Grant Imahara, 48, Engineer, Roboticist, TV Host, and Actor who is probably best known for his work building robots and providing engineering and computer support on the Mythbusters TV series, which, using scientific methodology, engages in spectacular tests of myths and fictional book and movie scenes. He started his career at Lucasfilm’s THX and ILM divisions, working on special effects for many blockbusters including the Star Wars, Terminator, Matrix, and Jurassic Park films. He has made appearances on Battlebots with his robot Deadblow, and had cameo appearances in episodes of Eureka and The Guild. He also portrayed Mr. Sulu in the Star Trek Continues webseries, and had a role in the fan film Star Trek: Renegades.
Born October 23, 1976 – Ryan Reynolds, 42, Actor and Producer from Canada who had early roles in Sabrina the Teenage Witch, Boltneck, Blade: Trinity, The Amityville Horror remake, and The Nines, before being tapped to play Wade Wilson, aka Deadpool, in X-Men Origins: Wolverine. He has since appeared as that wisecracking character in two, now going on three, Deadpool movies and associated shorts and cameos in related films, including in the Celine Dion video for the music from Deadpool 2. No, there was no such thing as a Green Lantern movie, that was just a figment of your imagination.
Born October 23, 1986 – Emilia Clarke, 32, Actor from England who has become famous for playing Khaleesi Daenerys Targaryen in the Hugo-winning series Game of Thrones – a role for which she has received Emmy and Saturn nominations. She also played major roles in Terminator Genisys (as Sarah Connor) and Solo: A Star Wars Story (sans dragons). She auctioned a chance to watch an episode of Game of Thrones with her, which raised more than $120,000 for a Haitian Disaster Relief Organization.
(11) COMICS SECTION.
This Close To Home joke won’t be too obscure after all the time spent on the Ark in recent comments.
(12) GRAHAM JOYCE. A 1998 interview with speculative fiction writer Graham Joyce, recipient of numerous awards, including the O. Henry Award and the World Fantasy Award, has just been uploaded — “Graham Joyce BBC Radio Leicester Interview 1998”.
Microplastics have been found in human stool samples from countries in many parts of the world, according to a small pilot study being presented this week at the 26th annual United European Gastroenterology conference in Vienna.
The study, conducted by researchers from the Medical University of Vienna and the Environment Agency Austria, looked at stool samples from eight individuals in eight different countries: Finland, Italy, Japan, the Netherlands, Poland, Russia, the U.K. and Austria. Every stool sample tested positive for up to nine different plastic types, with an average of 20 particles of plastic per 10 grams of stool.
“Personally, I did not expect that each sample would … [test] … positive,” says lead researcher Dr. Philipp Schwabl of the Medical University of Vienna. He and his colleagues found that all eight stool samples contained polypropylene and polyethylene-terephthalate particles, which are major components of plastic bottle caps and plastic bottles. “Is it harmful to human health? That’s a very important question and we are planning further investigations.”
A Greek merchant ship dating back more than 2,400 years has been found lying on its side off the Bulgarian coast.
The 23m (75ft) wreck, found in the Black Sea by an Anglo-Bulgarian team, is being hailed as officially the world’s oldest known intact shipwreck.
The researchers were stunned to find the merchant vessel closely resembled in design a ship that decorated ancient Greek wine vases.
The rudder, rowing benches and even the contents of its hold remain intact.
… The vessel is similar in style to that depicted by the so-called Siren Painter on the Siren Vase in the British Museum. Dating back to around 480 BC, the vase shows Odysseus strapped to the mast as his ship sails past three mythical sea nymphs whose tune was thought to drive sailors to their deaths.
(15) MORE BOMB THEORIES. Steven Zetichik in the Washington Post looks at the box-office failure of First Man (Peter Rabbit did better!) and says two reasons are that the film opened as a wide release, whereas director Damian Chazelle’s other two films, Whiplash and La La Land, opened in limited releases and built momentum. Also, the film didn’t do as well in space-friendly Houston and Los Angeles because Astros and Dodgers fans were too deeply involved in the playoffs to think about movies — “The Neil Armstrong movie appears to be flopping because of Marco Rubio. The truth is more complicated.”.
Some Hollywood pundits certainly thought so. In a post on the trade site Deadline, Michael Cieply asked, “What Do Words Cost? For ‘First Man,’ Perhaps, Quite A Lot,” and broke down the box-office underperformance by the word count in Gosling’s interview. Meanwhile, the Hollywood Reporter columnist Scott Feinberg advanced the theory even more directly.
“FIRST MAN got Swiftboated,” he posted on Twitter, referring to the politically motivated set of attacks during the 2004 presidential election about John Kerry’s Vietnam War record. “I genuinely believe its box-office performance was undercut by the BS about the planting of the American flag.”
He makes a potent case, given the decibel level of the controversy and the fact that “First Man” contains subject matter that might be expected to play strongly in red states.
But this political question, attention-grabbing as it is, ignores more nuts-and-bolts movie issues that were just as likely to have a significant impact, relating as much to how and when the film was released as to what a politician was tweeting about it.
Back in the 1960s, when I was just a young lad and when there were only three major television stations to contend with, The New York Times used to make pithy commentaries, in their TV section, regarding films that were to be aired that day. I have never forgotten the terse words that the paper issued for the 1957 cult item From Hell It Came. In one of the most succinct pans ever written, the editors simply wrote: “Back send it.” Well, I have waited years to find out if this hilarious put-down was justified or not, and now that I have finally succeeded in catching up with this one-of-a-kind cult item, have to say that I feel the Times people may have been a bit too harsh in their assessment….
Mary Poppins Returns will be set in Depression-era London and follow now-grown up versions of Jane and Michael Banks, as well as Michael’s three children who are visited by Poppins following a personal loss….
When the pixels
From the day’s scroll
Get up and tell you where to go,
And you’ve just had some kind of comment
And your cursor’s moving, oh —
Go ask Glyer.
I think he’ll know.
When logic and proportion
Won’t even keep credentials fed,
And Camestros is hoaxing Hampus,
And Anna Nimmhaus’ titles are dead,
What the Filers said:
Get books read.
[Thanks to Mike Kennedy, John A Arkansawyer, Chip Hitchcock, John King Tarpinian, JJ, Martin Morse Wooster, Cat Eldridge, John Hertz, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]