By Mark L. Blackman: The Beatles entered my consciousness not
through the bathroom window but with my brother telling me about a new singing
group with “haircuts like Moe” of the Three Stooges. (Decades later, he watched
Sir Paul perform in Tel Aviv.) Soon after I saw their landmark first appearance
on Ed Sullivan. By then Beatlemania had
erupted – the moptops were the Fab Four – everyone had to get them into their
lives. We followed their long and winding road from sweet love songs to India
and Sergeant Pepper and The End.
friends visited from England, they made a pilgrimage to Strawberry Fields – a
place to go – then across the street to the Dakota.
time of year is a sad one for Beatles fans. Last month saw the anniversary of
George’s death, next week will be that of John’s murder. A celebration of their
music, fame and legacy, what they meant, something to say that it’s O.K. and
make us feel good in a special way, is most welcome. We saw a reminder of their
status as The ’60s Icons last summer as fans gathered on the 50th
anniversary of Abbey Road on, where
else?, London’s Abbey Road.
on the evening of Tuesday, December 3rd – Giving Tuesday
– at its venue, the Brooklyn Commons Café in Brooklyn, the New York Review of
Science Fiction Reading Series hosted a launch party (we’re going to a party
party) for Across the Universe, an anthology
of 25 freaky and twisted (and shouted) speculative fiction
stories about the Beatles and alternative variations of the still-Fab Four.
Edited by Michael A. Ventrella and Randee Dawn, the ticket to ride features
what-ifs by Spider Robinson, Jody Lynn Nye, David Gerrold, Cat Rambo, Lawrence
Watt-Evans, Allen Steele, Pat Cadigan, Gregory Frost, Gregory Benford, Matthew
Amati, Ken Schneyer, Bev Vincent, Patrick Barb, Gail Z. Martin, Barbara Clough,
Eric Avedissian, Alan Goldsher, R. Jean Mathieu, Beth Patterson, and Christian
Smith, coming together, plus the, um, Fab Five readers of the evening: Charles Barouch, Keith R.A. DeCandido, Carol Gyzander,
Gordon Linzner, and Sally Wiener Grotta.
As we gathered, Beatles tunes played to get us into
the spirit of things. The event opened, as usual, with producer and executive
curator Jim Freund, host of the long-running sf/fantasy radio program Hour of the Wolf (with WBAI-FM back on
the air, he’s no longer sitting in a nowhere land) welcoming the audience to
the last reading of 2019. He began by noting that tonight’s readings would be on
Facebook Live, rather than streamed on Livestream, plugging that the Café’s
kitchen would be open through most of the evening, and announcing that next
month’s readers (January
7th) would be Hildy Silverman and A.C. Wise (though without
glitter). He reminded those who can to donate to the Series ($7
is the suggested donation, but no one is ever turned away due to lack of
funds), and reported that the home audience may donate on its Patreon page, Jim
Bringing up guest host and the book’s co-editor Randee
Dawn, he reported that Across the Universe is actually the second such
anthology, the first being All Together
Now, edited by James Ryan. Dawn is a Brooklyn-based author and
entertainment journalist who focuses on speculative fiction, but is co-author
of The Law & Order: SVU Unofficial Companion. After
recounting how she and Ventrella pretty much simultaneously came up with the
idea, presented it to Ian Randal Strock of Fantastic Books and launched a
Kickstarter campaign to realize it, she introduced the evening’s first reader.
Sally Wiener Grotta is the author of The Winter Boy and Jo Joe, a journalist and the co-curator of the Galactic
Philadelphia author reading series. She read from her story “The Truth Within,”
in which George goes to Key Biscayne and tries to get Nixon interested in
(“hooked on”) transcendental meditation: “Imagine a chilled Nixon at peace with
himself. … And poof! No more carpet bombing and napalm.”
Carol Gyzander, writer of various crossgenre ’punk
stories and the second reader, read from “Deal with the Devil”, which is one
answer to “how did the Beatles get so good?” Set in Liverpool after their
return from playing clubs in Hamburg (Pete Best is still their drummer), two
kids, fans of Black Sabbath and Ozzy Osbourne, using black magic to connect
with their idols, instead reach – through their old black and white “telly” –
Next up was Gordon Linzner, founder and former editor
of Space & Time Magazine, author of The Spy Who Drank Blood, and who, as lead singer of the Saboteur
Tiger Blues Band, has covered a fair share of Beatles songs. His story alludes
to a tv show with four protagonists, “The Hey! Team.” With John as leader and
wacko Richard “Ringo” Starkey in the Murdoch role, they try to prevent the
abduction of Chuck Berry’s guitar Maybellene, while being pursued by Colonel
Pepper (he was promoted).
“The Perfect Bridge,” Charles Barouch’s quickie was
another time travel story. A computer programmer in 1978, using a “Yellow
Subroutine,” reaches across to 1967 to plant an Appleseed.
the intermission, a raffle was held for those who donated, with three prizes:
from Carol Gyzander’s What
We’ve Unlearned; Sally Wiener
Grotta’s Jo Joe; and Gordon Linzner’s
The Spy Who Drank Blood. Freund
reported that the Brooklyn Commons was starting a series or festival of short
subject films and invited us to sign up electronically at a terminal up front.
Opening the second half of the show was Keith R.A.
DeCandido, who is perhaps best known for his media tie-in work across “33
different universes, from Alien to Zorro.” In “Used to Be,” which is set sort of in his “Precinct” fantasy
police procedural series, the Beatles are recast as Jahn, Gyorg, Paol and
Starki, D&D tropes (Jahn is a bard, Starki a barbarian).
Filling in for the scheduled final reader, Dawn read Matthew Amati’s “Apocalypse Rock.” Set in an alternate
history where the U.S. lost JFK’s Cuban Missile Crisis gamble, four musicians
wander a postapocalyptic landscape of gangs and cannibal mutants to a battle of
the bands at the titular site.
Then, in a bonus, the book’s publisher (“the guy who
writes the checks”), Ian Randal Strock, read “Rubber Soul” by Spider Robinson.
In the 1985 story, John is resurrected 24 years after his death at 40, making him…
Finally, it being a party party and all the world is birthday
cake, Dawn brought out a huge cake (though not honey pie or marshmallow pie) decorated
with a copy of the cover art by Dave Alvarez. (I took a piece but not too much.)
The traditional Jenna Felice Freebie Table offered a
small assortment of books. The audience of close to 80, counting Freund and the
readers, included Karen Heuler, (House Manager) Barbara Krasnoff, John Kwok,
James Ryan and Susan Bratisher Ryan.
It was a hard day’s night.
Goodbye, goodbye, goodbye.
(1) MEAN STREETS. I Write Like says it analyzes a sample of your writing and determines the author you most write like. I pasted in a paragraph from my “Fourth of Sierra Madre” article and was very happy to be told —
(2) POUNDING THE KEYBOARD. Chuck Tingle’s encouraging words
for those taking up the NaNoWriMo challenge.
…The interruption of the aerial firefighting underscores growing concerns about how drones can bring added dangers to pilots battling major fires.
According to the National Interagency Fire Center, aerial firefighting efforts have been shut down at least nine times this year because of drone use, and at least 20 drone incursions have hindered firefighting capabilities nationwide from January through October. A report shared with The Times showed that of those 20 incursions, five were in California.
While the unmanned aerial vehicles are small, drones can wreak incredible havoc. A collision with a wing, engine or any part of a larger aircraft can cause severe damage.
“A bird collision with a plane can cause a plane to go down,” said Jessica Gardetto, a spokesperson for the National Interagency Fire Center. “These are hard plastic items.”
“This idea of purity, and you’re never compromised, and you’re always politically woke and all that stuff. You should get over that quickly,” he said. “The world is messy. There are ambiguities. People who do really good stuff have flaws.”
Obama also called out what he perceived as a “danger” among younger people.
“There is this sense sometimes of ‘the way of me making change is to be as judgmental as possible about other people, and that’s enough,’” he said, then offered an example:
“Like if I tweet or hashtag about how you didn’t do something right or used the wrong verb. Then, I can sit back and feel pretty good about myself because, ‘Man, you see how woke I was? I called you out.’ I’m gonna get on TV. Watch my show. Watch ‘Grown-ish.’ You know, that’s not activism. That’s not bringing about change. If all you’re doing is casting stones, you’re probably not going to get that far.”
(5) NYRSF READINGS. In honor of Guy Fawkes Day, the New
York Review of Science Fiction Reading Series offers two brilliant
speculative fiction writers who will make sure you will remember, remember, the
Fifth of November — Robert V.S. Redick and Gay Partington Terry. Event takes
place Tuesday, November 5 beginning at 7:00 p.m. in The Brooklyn Commons at 388 Atlantic Avenue in Brooklyn, NY.
Robert V.S. Redick‘s fantasy novel Master Assassins, an (anti-) war epic, was a finalist for the 2018 Booknest Award for Best Novel, and was described by Daryl Gregory as “A blazingly smart thrill-ride of an adventure.” He is also the author of the critically-acclaimed nautical epic fantasy series The Chathrand Voyage Quartet. His debut novel, The Red Wolf Conspiracy, received a special commendation by the 2010 Crawford Award Committee and was translated into five languages.
Robert teaches speculative fiction writing in the Stonecoast MFA Program in Freeport, Maine, and works as a freelance editor and book coach. He has worked for international development and environmental justice organizations for many years, including Oxfam, Friends of the Earth and the Center for International Forestry Research. He has lived in Indonesia (where he wrote Master Assassins), Colombia, Argentina, London and rural France. He’s also worked as a baker, horse handler, translator and stage critic. He now lives in Western Massachusetts with his family.
…I mentioned yesterday, when I wrote about writing The Last Emperox, my upcoming novel, that I sometimes write reference pieces for myself so I can give some context to myself about what I’m writing. Those pieces usually are never seen by others, but they’re useful for me, and they make a better book for everyone else.
This is one of those pieces. In the book, humans get around space via “The Flow” — a “metacosmological multidimensional space” that’s not of this universe but lets people get around in it at multiples of the speed of light. I decided I needed to give The Flow an origin story, as well as understand how people discovered it, so I wrote this piece for myself, which I am sharing with you now….
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born November 2, 1902 — John P. Fulton, A.S.C. A special effects supervisor and cinematographer. He’s the man who parted the Red Sea in The Ten Commandments. Neat trick that. Genre wise, we can first find him in 1931 on Frankenstein in a career that’ll stretch through The Mummy, The Invisible Man, The Bride of Frankenstein and I Married a Monster from Outer Space to name a few of the films he worked on. (Died 1966.)
Born November 2, 1913 — Burt Lancaster. Certainly being Dr. Paul Moreau on The Island of Doctor Moreau was his most genre-ish role but I like him as General James Mattoon Scott in Seven Days in May. And, of course, he’s really great as Moonlight Graham in Field of Dreams. (Died 1994.)
Born November 2, 1924 — Michi Kobi. She was Dr. Hideko Murata in Twelve to the Moon, half of as a double feature with either Battle in Outer Space or 13 Ghosts. Unless you consider her doing voices on Courage the Cowardly Dog, an early Oughts animated series, to be genre, this is her only SF work. (Died 2016.)
Born November 2, 1927 — Steve Ditko. Illustrator who began his career working in the studio of Joe Simon and Jack Kirby during which he began his long association with Charlton Comics and which led to his creating the Captain Atom character. Did I mention DC absorbed that company as it did so many others? Now he’s best known as the artist and co-creator, with Stan Lee, of Spider-Man and Doctor Strange. For Charlton and also DC itself, including a complete redesign of Blue Beetle, and creating or co-creating The Question, The Creeper, Shade the Changing Man, and Hawk and Dove. He been inducted into the Jack Kirby Hall of Fame and into the Will Eisner Award Hall of Fame. (Died 2018.)
Born November 2, 1941 — ?Ed Gorman. He’d be here if only for writing the script for the Batman: I, Werewolf series in which Batman meets a werewolf. Very cool. More straight SFF is his Star Precinct trilogy with Kevin Randle which is quite excellent, and I’m fond of his short fiction which fortunately is showing up in digital form at the usual spots. (Died 2016.)
Born November 2, 1942 — Carol Resnick, 77. Wife of that Resnick who credited her according to several sources with being a co-writer on many of his novels. (Does he do this in the actual novels?) He also credited her as being a co-author on two movie scripts that they’ve sold, based on his novels Santiago and The Widowmaker. And she’s responsible for the costumes in which she and Mike appeared in five Worldcon masquerades in the Seventies, winning awards four times.
Born November 2, 1942 — Stefanie Powers,77. April Dancer, the lead in The Girl from U.N.C.L.E. which lasted just one season. Did you know Fleming contributed concepts to this series and The Man from U.N.C.L.E. as well? She would play Shalon in the crossover that started on The Six-Million Man and concluded on The Six-Million Woman called “The Return of Bigfoot”.
Born November 2, 1949 — ?Lois McMaster Bujold, 70. First let’s note she’s won the Hugo Award for best novel four times, matching Robert A. Heinlein’s record, not counting his Retro Hugo. Quite impressive that. Bujold’s works largely comprises three separate book series: the Vorkosigan Saga, the Chalion series, and the Sharing Knife series. She joined the Central Ohio Science Fiction Society, and co-published with Lillian Stewart Carl StarDate, a Trek fanzine in which a story of hers appeared under the byline Lois McMaster.
Born November 2, 1980 — ?Brittany Ishibashi, 39. Ishibashi played Karai in Teenage Mutant Ninja Turtles: Out of the Shadows, the sequel to Teenage Mutant Ninja Turtles. She’s currently portrays Tina Minoru on Runaways, streaming on Hulu. And she was Maggie Zeddmore in the Ghostfacers webseries.
(8) JOIN THE JOURNEY. Galactic Journey’s Gideon Marcus will steer their time machine to a series of Southern California destinations to present these live events in November and December. Marcus says, “They are free (at least, we don’t charge, and only LosCon has a door fee) so if you’re in the neighborhood, please stop on by!” Here’s the list:
Once more, talking about the Women Pioneers of Space Science at another great dark sky site.
(9) MARTIAN HOPS. Behind a paywall in the October 26 Financial Times, Edwin
Heathcote reviews an exhibit on living on Mars that is at Britain’s Design
through February 23.
Another room is devoted to off-world agriculture, with terraria and complex hydroponic closed-loop systems, though it all depends on either transporting water from Earth or finding and extracting some of the ice at the Martian poles. Architect Xavier de Kesteller from Hasell suggests a circular economy is a matter of life and death on Mars–the extreme self-reliance necessary for a Martian mission, the need to recycle everything, might promote better use of our resources on Earth.
It all ends with an intriguing installation by Alexandra Daisy Ginsberg about a Mars ‘wilding,’ populating the planet not with people but with plants, presented through a series of screens and a gaming engine which maps the development of the fauna over millennia.
An American Werewolf in London. The zombies from Michael Jackson’s “Thriller.” Bela Lugosi’s Dracula from Ed Wood. The dark fairy Maleficent.
They’re all the work of Rick Baker, who created some of the most memorable movie monsters and creatures of the last four decades. Baker is retired now, having won seven Oscars for makeup. But he’s chronicled his long career in a new two-volume illustrated book titled Metamorphosis.
In the LA enclave Toluca Lake, Baker answers the door to his house-turned-studio wearing a t-shirt that says “I’d Rather Be Making Monsters.” Inside, the building is packed with gorilla skull casts, monster sculptures, masks of gruesome victims. There’s a mysterious room that looks from a distance like Dr. Frankenstein’s laboratory. (“Uh, that’s a room you probably shouldn’t go in,” Baker says, with a wink.)
His massive book documents his long career, starting when he was a 10-year-old kid making monster masks in his bedroom. His parents encouraged his passion, which included his fascination with the 1931 Frankenstein movie starring Boris Karloff.
Put away the chainsaw. Stow your machete. The best zombie-fighting tool in your arsenal may be … math?
Just in time for Halloween, mathematicians at the University of Sheffield in the U.K. have modeled different scenarios that may occur in the event of a zombie apocalypse. The math the team used to model these scary scenarios is a type of modeling scientists rely on to predict and prevent the spread of infectious diseases like measles.
“These models allow us to explain real-world data, make predictions about future disease outbreaks or control measures, and to gain a deeper understanding of the natural environment,” mathematician Alex Best of the University of Sheffield said in a statement.
…In 1931, he enrolled in Manhattan’s Grand Central School of Art. He set his sights on The New Yorker magazine. The next year he sold them his first spot sketch for $7.50. In 1933, the magazine bought the first of many drawings.
After his father died that year, he went to work for True Detective magazine. He relished retouching and removing the blood from the pictures of corpses.
In 1935, he joined the New Yorker staff. America was transfixed by the dark, shadowy Frankenstein and Dracula films, which likely inspired Addams to create his signature subjects: a slinky, pale, black-gowned vixen and her weird-looking clan in front of a dilapidated, haunted-looking Victorian mansion. Unlike movie monsters, Addams’ characters had an eerie yet healthy sense of humor.
The New Yorker started running his immediately recognizable Addams Family artwork that year. In 1942, his first anthology of drawings was published.
A Russian law has taken effect that, in theory, would allow the Russian government to cut off the country’s Internet from the rest of the world.
The “sovereign Internet law,” as the government calls it, greatly enhances the Kremlin’s control over the Web. It was passed earlier this year and allows Russia’s government to cut off the Internet completely or from traffic outside Russia “in an emergency,” as the BBC reported. But some of the applications could be more subtle, like the ability to block a single post.
It requires Internet service providers to install software that can “track, filter, and reroute internet traffic,” as Human Rights Watch stated. Such technology allows the state telecommunications watchdog “to independently and extrajudicially block access to content that the government deems a threat.”
The equipment would conduct what’s known as “deep packet inspection,” an advanced way to filter network traffic.
Such widespread control is alarming to human rights groups, which fear it could be used to silence dissent.
“Now the government can directly censor content or even turn Russia’s Internet into a closed system without telling the public what they are doing or why,” Rachel Denber, Human Rights Watch’s deputy Europe and Central Asia director, said in a statement. “This jeopardizes the right of people in Russia to free speech and freedom of information online.”
(14) IN THE STARS. The Cut collected proof from Instagram showing that “Celebrities Really Went All Out on Halloween”. A bit heavy on Kardhasians, sure, but without this post I would never have seen LeBron James perfectly attired as Edward Scissorhands,
[Thanks to JJ, Cat Eldridge, Martin Morse Wooster, John King
Tarpinian, Mike Kennedy, Chip Hitchcock, Olav Rokne, and Andrew Porter for some
of these stories. Title credit goes to File 770’s collaborating contributing
editors of the day Jon Meltzer, Soon Lee, and Xtifr.]
By Mark L. Blackman: One might think that, as we all
breathe air and need potable water to survive – among the few things that all
of humanity has in common – the environment would be as noncontroversial and
nonpartisan as anything could be, but no. Even the very first Earth Day in 1970
was savaged as, variously, Hitler’s birthday and Lenin’s birthday. One button
that I have from back then displays an upside-down peace sign, resembling a
tree, calling us to “make peace with nature” … thus environmentalism was deemed
“unpatriotic” (and ridiculed as “tree-hugging”) long before visible and
undisputed climate change was called “a Chinese hoax” and even weather reports
the evening of Monday, October 14 – Indigenous Peoples’ Day, Federal Columbus
Day and the start of the second day of Sukkot (a Jewish festival with arboreal
aspects) – at its venue, the Brooklyn Commons Café in
Brooklyn, two floors below the beleaguered WBAI-FM (more on that below), the New
York Review of Science Fiction Readings Series spotlighted Reckoning, an annual journal of creative writing on
environmental justice. (Trade paper, perfect-bound copies
are $15, but are free online to get the message out. The
4th issue will be out in January. Visit Reckoning.press for more information.) The event was guest-hosted by its
publisher, Michael J. DeLuca, and featured
readings by Emily Houk, Krista Hoeppner
Leahy, Marissa Lingen, Emery Robin and Brian Francis Slattery. (The readers
read from works in Reckoning 1 and 2, with the exception of Robin, whose
story will run in Reckoning 4.)
The event opened, as usual, with producer and executive curator
Jim Freund (and, until last week, host of the long-running sf/fantasy radio
program Hour of the Wolf) welcoming
the audience. He began by noting that tonight’s readings would on Facebook
Live, rather than streamed on Livestream, (Livestream should be back in
November.) He then addressed the
elephant in the room two floors above. A week earlier, WBAI-FM’s parent
company, Pacifica Across America – or, more specifically, a group of the owners
– abruptly shut down the listener-sponsored station. Legal counteractions
ensued, with more to come. Freund (who was wearing a WBAI t-shirt) assured all
that WBAI-FM would be back, and announced that there would be a rally and press
conference on the steps of City Hall on Tuesday the 15th at noon
(too late for those reading this) in support of BAI.
Returning to why we were there, he reminded those who can to
donate to the Series ($7 is the suggested donation, but no one is ever turned
away due to lack of funds), and reported that the home audience (to coin a
phrase) may donate on its Patreon page. He concluded by announcing future
readers: On Tuesday (yes, the
Series returns to its usual schedule), November 5th (Election Day
and Guy Fawkes Day – “Remember, remember, the 5th of November”), the
readers will be Gay Partington Terry
and Robert V.S. Redick. December 3rd will be “party time,” an
evening of Glitter Spec Fic, featuring A.C. Wise and others to be corralled “reading
stories and performing music to do with glitter.” (On the Series webpage, this
notice was displayed in multiple colors.) Disclosing his own early environmental
activism, he then turned “the show” over to DeLuca.
DeLuca describes his “roots as mycorrhizal with sugar maple and Eastern white pine,” a theme seen in his website, mossyskull.com. His fiction has appeared most recently in Beneath Ceaseless Skies, Three-Lobed Burning Eye, Strangelet and Middle Planet. He observed that holding the event on Indigenous Peoples’ Day was “in keeping with the spirit of environmental justice” (some anthropologists may disagree).
First up was Brian Francis Slattery, who has written four novels and is also the arts editor and a reporter for the New Haven Independent, and a musician. “For a week out of every year, lives without electricity” (and that’s without living in California). He read from his semi-fictional essay “The Kinder and More Caring Future,” musings on sustainability (we shouldn’t eat meat-eating predators, including certain fish like haddock) and a reminiscence on the wake of Hurricane Irene. “Hurricane Irene was the future calling,” showing us the perils of seas rising.)
Krista Hoeppner Leahy, the second reader, has appeared in a Year’s Best Science Fiction and Fantasy, Clarkesworld, Lady Churchill’s Rosebud Wristlet and Farrago’s Wainscot. Her offering washer short poem “Eathspun,” about our relationship with Nature (“All of us belong to the sky”). (Another memorable line was “Breathe through your cloaca.”)
During the intermission, a raffle was held (for those who
donated), with the prizes being copies of Infomocracy by Malka Older and Galápagos Regained by James Morrow. DeLuca then opened the second half of the
Houk commented that her story “Plague Winter” reads as science fiction, but is
historical, about bio-control of invasive species (we were referred to The Simpsons). Here a lab assistant sets
plague doctor beetles on hemlocks. (I might have seen the trees in her story in
In keeping with the ecological theme, Marissa
Lingen reported that she has “a large collection of foliage-themed jewelry.” She read her story “The Shale
Giants.” (“Humans want to steal their breath.”)
The final reader of the evening, Emery Robin, read a story set in her hometown Oakland, “Ambient and Isolated Effects of Fine Particulate Matter.” After fires – and drought – in Northern California, the sky is hazy, and the air quality has been severely affected, become unbreathable (people wear masks) and ashy – people are turning gray.
DeLuca concluded the evening by inviting submissions.
The traditional Jenna Felice Freebie Table offered a
small assortment of books along with copies of Cultural Survival Quarterly (focused indigenous issues and
traditional knowledge; DeLuca’s sister is on staff). The audience of about 40,
counting Freund and the readers (but not the Chabad duo who wandered in with
the Four Species), included Amy Goldschlager, (House Manager) Barbara Krasnoff,
John Kwok and (Tech Director) Terence Taylor. The kitchen closed early, but the
Café still offered beverages, cold food and snacks.
(1) NYRSF READINGS. The New York Review of Science Fiction
Readings presents “An Evening of ‘Reckoning’” — creative writing on
environmental justice – on October 14 with guest curator Michael J. DeLuca, featuring
Emily Houk, Yukyan Lam, Krista Hoeppner Leahy, Marissa Lingen, Emery Robin, and
Brian Francis Slattery. The event begins at 7:00 p.m. at The Brooklyn Commons Café, 388
Atlantic Avenue (between Hoyt & Bond St.). Full info on Facebook.
Michael J. DeLuca‘s roots are mycorrhizal with sugar maple and Eastern white pine. He’s the publisher of Reckoning, an annual journal of creative writing on environmental justice. His fiction has appeared most recently in Beneath Ceaseless Skies, Three-Lobed Burning Eye, Strangelet and Middle Planet.
Emily Houk’s short fiction has appeared previously in Conjunctions, and she has just finished her first novel. She is coeditor of Ninepin Press, and she thrives in the shade of the library stacks of Western Massachusetts.
Yukyan Lam is based in New York, NY, and works for a non-profit on environmental health and social justice. Her scientific writing has appeared in various academic journals. She loves reading and writing creative non-fiction and short stories, and currently serves as a prose editor for Typehouse Literary Magazine. Follow her @yukyan_etc
Krista Hoeppner Leahy is a poet, writer, and actor. Her work has appeared in Clarkesworld, Farrago’s Wainscot, Lady Churchill’s Rosebud Wristlet, Raritan, Shimmer, Tin House, Year’s Best Science Fiction and Fantasy and elsewhere. Born in Colorado, Krista currently resides in Brooklyn with her family.
Marissa Lingen is a freelance writer living in the suburbs of Minneapolis with two large men and one small dog. Mostly she writes speculative fiction. She has a large collection of foliage-themed jewelry.
Emery Robin is an Oakland-born and New York-based writer, previously published on Tor.com and in Spark: A Creative Anthology. When not busy reading, Emery is interested in propaganda, marginalia, and rock ‘n’ roll, and can be found on Twitter @ emwrobin .
Brian Francis Slattery is the arts editor and a reporter for the New Haven Independent. He has written four novels and is currently on the writing team of Bookburners, a serial fiction project. He’s also a musician and for a week out of every year, lives without electricity.
(2) JUNGLE CRUISE. Andrew Petersen, a student I met at Azusa Pacific University’s Yosemite
Semester in 2001, achieved his goal of becoming a driver on the Jungle
Cruise Ride. If only he hadn’t died
last year – he would have gotten a kick out of this movie.
Inspired by the famous Disneyland theme park ride, Disney’s JUNGLE CRUISE is an adventure-filled, Amazon-jungle expedition starring Dwayne Johnson as the charismatic riverboat captain and Emily Blunt as a determined explorer on a research mission. Also starring in the film are Edgar Ramirez, Jack Whitehall, with Jesse Plemons, and Paul Giamatti. Jaume Collet-Serra is the director and John Davis, John Fox, Dwayne Johnson, Hiram Garcia, Dany Garcia and Beau Flynn are the producers, with Doug Merrifield serving as executive producer. Disney’s JUNGLE CRUISE opens in U.S. theaters on July 24, 2020.
Captain Roger’s performance at the Battle of Wakanda has been widely and rightly panned. But nothing has been said about the profound failures of his enemy, the Thanosians. Despite every possible advantage in manpower, materiel, and circumstance, they still failed. All students of the military art should examine how they so masterfully snatched defeat from the jaws of victory.
The Thanosians had complete freedom in the approach to battle. Nevertheless, they committed two grievous and unforced errors. First, they failed to identify the large energy shield protecting Benin Zana and its immediate environs. This information would have been known with even the most cursory reconnaissance. The mistake cost them at least a battalion worth of troops, when their dropship smashed into it. It is generally agreed that losing a sixth of your force before battle commences is a bad thing. ..
Each of the defendants — including sitting Superior Court Judge Kathryn Schrader and DragonCon co-founder Ed Kramer — were present for a brief arraignment hearing, scattered across the courtroom gallery as attorneys spoke on their behalf. Their not guilty pleas mean the case against them will move forward. The next hearing in the case is scheduled for Nov. 7….
Billions of people around the globe are well-acquainted with SpongeBob Squarepants and the antics of the title character and his friends on Bikini Bottom. By the same token, there is an absence of public discourse about the whitewashing of violent American military activities through SpongeBob’s occupation and reclaiming of the bottom of Bikini Atoll’s lagoon. SpongeBob Squarepants and his friends play a role in normalizing the settler colonial takings of Indigenous lands while erasing the ancestral Bikinian people from their nonfictional homeland. This article exposes the complicity of popular culture in maintaining American military hegemonies in Oceania while amplifying the enduring indigeneity (Kauanui 2016) of the Marshallese people, who maintain deeply spiritual and historical connections to land—even land they cannot occupy due to residual radiation contamination from US nuclear weapons testing—through a range of cultural practices, including language, song, and weaving. This article also considers the gendered violence of nuclear colonialism and the resilience of Marshallese women.
… While Barker admits that the show’s creators likely did not have “U.S. colonialism” in mind while developing the cartoon, she calls it “disturbing” that they did not realize that “Bikini Bottom and Bikini Atoll were not theirs for the taking.” Consequently, Barker suggests that “millions of children” have “become acculturated to an ideology that includes the US character SpongeBob residing on another people’s homeland.”
In this way, colonialism is supposedly “produced, reproduced, and normalized” through the cartoon
As if fictionally “occupying” nonfictional land was not enough, Barker also accuses the cartoon of being biased against women.
The professor complains that “all of the main characters on the show are male,” except for Sandy Cheeks the squirrel, whom she suggests was only created in order to boost the gender diversity of the show.
“The name ‘Bob’ represents the everyday man, a common American male, much like a ‘Joe,'” Barker observes, concluding that “our gaze into the world of Bikini Bottom, as well as the surface of Bikini, is thus filtered through the activities of men.”
Barker concludes her article by insisting that even though SpongeBob’s writers likely did not mean “to infuse a children’s show with racist, violent colonial practices,” the show is part of a larger issue, an “insidious practice of disappearing Indigenous communities.”
(6) DANIUS OBIT. Sara Danius has
died due to breast cancer. She was the permanent secretary for the Swedish
Academy during the MeToo era and who was forced out from it due to her
determination to get rid of its toxic patriarchal working culture. She was 57
years old. (Swedish language news article here.)
(7) TODAY IN HISTORY.
October 12, 1987 — Ultraman: The Adventure Begins. This Japanese animated film stars the English voice lead talents of Adrienne Barbeau and Stacy Keach. Jr.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 12, 1875 — Aleister Crowley. Genre writer? You decide. But I’ve no doubt that he had a great influence upon the genre as I’m betting many of you can note works in which he figures. One of the earliest such cases is Land of Mist, by Sir Arthur Conan Doyle which was published in 1926. (Died 1947.)
Born October 12, 1903 — Josephine Hutchinson. She was Elsa von Frankenstein with Basil Rathbone and Boris Karloff in Son of Frankenstein. She was in “I Sing the Body Electric”, The Twilight Zone episode written by Bradbury that he turned into a short story. (Died 1998.)
Born October 12, 1904 — Lester Dent. Pulp-fiction author who was best known as the creator and main author of the series of novels chronicling Doc Savage. Of the one hundred and eighty-one Doc Savage novels published by Street and Smith, one hundred and seventy-nine were credited to Kenneth Robeson; and all but twenty were written by Dent. (Died 1959.)
Born October 12, 1916 — Lock Martin. His claim to fame was that he was one of the tallest humans that ever lived. At seven feet and seven inches (though this was dispute by some), he was also quite stocky. He had the distinction of playing Gort in The Day The Earth Stood Still. He was also in The Incredible Shrinking Man as a giant, but his scenes were deleted. And he shows up in Invaders from Mars as the Mutant carrying David to the Intelligence though he goes uncredited in the film. (Died 1959.)
Born October 12, 1924 — Randy Stuart. She’s best remembered as Louise Carey, the wife of Scott Carey, in The Incredible Shrinking Man. She was also Frances Hiller in “Anniversary of a Murder“ on One Step Beyond which conceived as a companion series to the Twilight Zone. (Died 1996.)
Born October 12, 1942 — Daliah Lavi. She’s in Casino Royale as The Detainer, a secret agent. In the same year, she was in Jules Verne’s Rocket to the Moon as Madelaine. She was Purificata in The Demon, an Italian horror film. If you’re into German popular music, you might recognize her as she was successful there in Seventies and Eighties. (Died 2017.)
Born October 12, 1943 — Linda Shaye, 76. She’s been an actress for over forty years and has appeared in over ninety films, mostly horror. Among them is A Nightmare on Elm Street, Critters, Insidious, Dead End, 2001 Maniacs and its sequel 2001 Maniacs: Field of Screams, Jekyll and Hyde… Together Again, Amityville: A New Generation, Ouija, and its prequel Ouija: Origin of Evil. She even appeared in The Running Man as a Propaganda Officer
Born October 12, 1965 — Dan Abnett, 54. His earlier work was actually on Doctor Who Magazine, but I’ll single out his co-writing Guardians of the Galaxy #1–6 with Andy Lanning, The Authority: Rule Britannia and his Border Princes novel he did in the Torchwood universe as great looks at him as a writer.
Born October 12, 1968 — Hugh Jackman, 51. Obviously Wolverine in the Marvel film franchise. He’s also been the lead character in Van Helsing as well as voicing him in the animated prequel Van Helsing: The London Assignment. One of his most charming roles was voicing The Easter Bunny in The Rise of The Guardians. And he played Robert Angier in The Prestige based off the novel written by the real Christopher Priest.
(9) COMICS SECTION.
Rich Horton says about today’s Dilbert: “I don’t know if Scott Adams nicked this idea from Fred Pohl or Greg Egan or someone else, but I think of Daniel Galouye’s Simulacron-3 (filmed as The Thirteenth Floor).”
…The exterior of Booking.com‘s Addams Family mansion doesn’t look spooky, but the inside makes up for it.
The [3700 square foot] mansion rents for just $101.10 per night, but not everyone interested will get in. [It will be available for only four one-night bookings starting the 29th of this month.] Mark your calendars now if you want to try to be one of the lucky ones. Bookings open on Oct. 28 at 9 a.m. PT, and they’ll probably disappear as fast as you can snap your fingers.
I had this book I loved, Bring on the Bad Guys. It was a big, chunky paperback collection of comic-book stories, and as you might guess from the title, it wasn’t much concerned with heroes. It was instead an anthology of tales about the worst of the worst, vile psychopaths with names like The Abomination and faces to match.
My dad had to read that book to me every night. He didn’t have a choice. It was one of these Scheherazade-type deals. If he didn’t read to me, I wouldn’t stay in bed. I’d slip out from under my Empire Strikes Back quilt and roam the house in my Spider-Man Underoos, soggy thumb in my mouth and my filthy comfort blanket tossed over one shoulder. I could roam all night if the mood took me. My father had to keep reading until my eyes were barely open, and even then, he could only escape by saying he was going to step out for a smoke and he’d be right back.
(14) FUTURIUM. Aa “house of futures” museum
opened in Berlin last month called the Futurium, and their website is futurium.de. The home site is in German, however, they
also offer an English language version.
Futurium celebrated its opening on 05 September 2019. Since then, the interest in the house of futures has exceeded all expectations. In the first month, 100,000 visitors already came to Futurium and devoted themselves to the question: How do we want to live?
(15) NOSFERATU. [Item by Steve Vertlieb.] Every
generation has its incarnation of the vampire mythos – Dark Shadows,
Twilight, True Blood, and more. But it all cinematically began with F.W.
Murnau’s 1922 silent movie masterpiece Nosferatu. Ninety-four years
after its inception, North Hollywood’s Crown City Theater Company unleashed an
astonishing live stage presentation entitled Nosferatu: A Symphony in Terror.
In “Nosferatu”, film historian Steve Vertlieb takes us aboard a dark yet
wonderful cinematic time machine, delving into the creation of Murnau’s seminal
horror film, examining it’s influence on generations (from Lugosi and Lee, to Salem’s
Lot, Harry Potter and more), then reviews the startling stage presentation
from a few years ago.
…Gather the LEGO bricks, sets or elements that you want to part with; put them in a cardboard box; and print out a free shipping label from the LEGO Replay website. At the Give Back Box facility, they’ll be sorted, inspected and cleaned.
“We know people don’t throw away their LEGO bricks,” Tim Brooks, vice president of environmental responsibility at the LEGO Group, said in a Tuesday news release. “The vast majority hand them down to their children or grandchildren. But others have asked us for a safe way to dispose of or to donate their bricks. With Replay, they have an easy option that’s both sustainable and socially impactful.”
What do you do with an old car park that no-one wants to park in? Why not use them to grow mushrooms – or even salad?
Paris built too many underground car parks in the 1960s and 70s. Falling car ownership means many are standing empty, or finding new and surprising uses.
(18) VIDEO OF THE DAY. In “Lauren Gunderson Is Taking On J.M. Barrie” on YouTube,
Lauren Gunderson discusses her adaptation of Peter Pan, which will be
produced by the Shakespeare Theatre in Washington in December.
[Thanks to Nancy Collins, Andrew Porter, Michael Toman, Mike
Kennedy, Martin Morse Wooster, Chip Hitchcock, JJ, John King Tarpinian, Karl-Johan Norén, Steve
Vertlieb, and Cat Eldridge for some of these stories. Title credit goes to File
770 contributing editor of the day Anne Sheller.]
By Mark L. Blackman: On the evening of Tuesday, September 3, 2019, the New York Review
of Science Fiction Readings Series opened its 29th Season with the
stellar line-up of Gregory Feeley and Michael Swanwick at its venue, the Brooklyn Commons Café in, of all
The event opened, as ever, with producer and executive curator Jim
Freund (and host of the long-running sf/fantasy radio program Hour of the Wolf) welcoming the audience
back after the summer hiatus. For a while now, the Readings have streamed on
Livestream, however, due to a difficulty, tonight’s wouldn’t be – we were on
Facebook Live! (Livestream will be back in October.) He reminded those who can to donate to the
Series ($7 is the suggested donation, but no one is ever turned away), and
reported that the home audience (to coin a phrase) may donate on its Patreon
page. He concluded by announcing future readers: on Monday, October 14th, guest
host Michael J. DeLuca will present
readers from Reckoning, including Emily Houk, Krista Hoeppner
Leahy, Marissa Lingen and Brian Francis Slattery. On Tuesday, November 5th
(Election Day and Guy Fawkes Day), the readers will be Gay Partington Terry and Robert V.S. Redick. December 3rd
will be “party time,” an evening of Glitter Spec Fic, featuring A.C. Wise and others
“reading stories and performing music to do with glitter.” (On the Series
webpage, this notice was displayed in multiple colors.)
Gregory Feeley, the
evening’s first reader, describes himself as a writer of and
about science fiction. His first novel, The Oxygen Barons, was nominated for the
Philip K. Dick award and his short fiction has twice been nominated for the
Nebula Award. His most recent novels are the historical novel Arabian Wine and Kentauros, “a fantasia on an obscure Greek myth.” He recently
completed a long novel, Hamlet the Magician. (In addition, he is
Thomas M. Disch’s literary executor for prose, and was part of the Series’
tribute to Disch last year.) He read the first half of “Cloudborn,” which also
draws from Greek myth. (Despite my childhood reading of Greek mythology, not to
mention watching Mighty Hercules
cartoons – his sidekick, recall, was a centaur – I was unaware that “cloudborn”
was an epithet for centaurs; as their genesis involved two separate instances by
Itzion of cross-species copulation, this omission is understandable.) The story
centers on children aboard a spaceship very slowly heading toward Neptune to
terraform and settle it; there are, of course, secrets being kept from them.
The girl Asia, it should be noted, is very into Greek mythology.
the intermission, a raffle was held (for those who donated), with the prizes
being copies of
Kentauros and The Iron Dragon’s Daughter.
I was asked to draw the tickets; no surprise, and despite the small number of
raffle tickets, the winning numbers were one immediately before and one immediately
Michael Swanwick, the evening’s final reader, is the author of ten novels, including Vacuum Flowers, Stations of the Tide, The Iron Dragon’s Daughter, Jack Faust, Bones of the Earth, The Dragons of Babel, Dancing With Bears, Chasing the Phoenix and the recently published The Iron Dragon’s Mother; and roughly 150 stories, many of which have been reprinted in Best of the Year anthologies. Notable among his non-fiction is Being Gardner Dozois, a book-length interview. Since his first story was published in 1980, Swanwick has been honored with the Nebula, Theodore Sturgeon and World Fantasy Awards, and received a Hugo Award for fiction in an unprecedented five out of six years. (He also has “the pleasant distinction of having lost more major awards than any other science fiction writer.”) The Iron Dragon’s Mother, from which he read, completes “a trilogy begun with The Iron Dragon’s Daughter twenty-five years ago. That’s far longer than it took Professor Tolkien to complete his trilogy.”
Caitlin, of House Sans Merci,
a dragon pilot, after a hard landing, is immediately arrested when she returns
to her base, and charged with corruption, a wide-ranging crime. It’s quickly
evident that the trial is rigged (her virginity is denied), so she escapes on a
Kawasaki and attempts to get answers from a dragon committing perjury against
her. As Swanwick’s reading selection breaks off, she discovers that she has the
mind of a dying old woman in her head.
The traditional Jenna Felice Freebie Table offered a
small assortment of books. The audience of about 20 – we were mystified by the
size of the turnout (but what there was, “was cherce”) – included Alan Beck,
Amy Goldschlager, (House Manager) Barbara Krasnoff, John Kwok, Marianne Porter,
Hildy Silverman and Henry Wessels. The Café closed early.
(1) STAMPEDE ZONE. Fran Wilde, in one of the New York Times’
op-eds from the future, implores “Please,
Stop Printing Unicorns”. Tagline: “Bioprinters are not toys, and parents shouldn’t give them to
… Making bioprinting more accessible to the public — especially to children — will be likely to lead to even worse disasters than last Friday’s blockade of the Chicago I-899 skyways off-ramp by a herd of miniature unicorns. Sure, the unicorns (whose origins are unknown) were the size of ducklings, but their appearance caused several accidents and a moral quandary.
These bioprinted unicorns were living creatures with consciousness — as defined by the A.I. Treaty of 2047 — trying to find their way in the world…..
Gregory Feeley writes novels and stories, most in some respect science-fictional. His first novel, The Oxygen Barons, was nominated for the Philip K. Dick award, and his short fiction has twice been nominated for the Nebula Award. His most recent novels are the historical novel Arabian Wine, and Kentauros, a fantasia on an obscure Greek myth. He recently completed a long novel, Hamlet the Magician.
Michael Swanwick writes fantasy and science fiction of all sorts, at lengths ranging from novels to flash fiction. Over the years, he’s picked up a Nebula Award, five Hugos and the World Fantasy Award–and has the pleasant distinction of having lost more of these awards than any other writer. Tor recently published The Iron Dragon’s Mother, completing a trilogy begun with The Iron Dragon’s Daughter twenty-five years ago. That’s far longer than it took Professor Tolkien to complete his trilogy.
The event is Tuesday,
September 3 at The Brooklyn Commons Café,
388 Atlantic Avenue (between Hoyt & Bond St.). Doors open at 6:30
p.m., event begins at 7:00 p.m.
Everybody calls Rob Kuntz last, he says. Those who want to know about the history of Dungeons & Dragons start with co-creator Gary Gygax’s kids, one of Gygax’s biographers, or D&D publisher Wizards of the Coast. As they’re wrapping things up, they might get around to dialing up Kuntz, a 63-year-old game designer. And once they call him, he tells them the same thing: Everything they know about the creation of the tabletop role-playing game is, in his opinion, sorely mistaken or flat-out wrong.
“There’s a myth that’s been propagated in the industry,” Kuntz told Kotaku during an interview in February of this year. “If you keep digging into this, you’re going to come up with a story that will enrage people and expose the truth.”
(4) MIND OF THESEUS. In the August 14 Financial Times (behind a
paywall), Library of Congress fellow Susan Schneider critiques the arguments
of Ray Kurzweil and Elon Musk that we should figure out how to download our
brains into the clouds to prevent really smart AI machines from taking over our
“Here is a new challenge, derived from a story by the Australian science fiction writer Greg Egan. Imagine that an AI device called ‘a jewel’ is inserted into your brain at birth. The jewel monitors your brain’s activity in order to learn how to mimic your thoughts and behaviours. By th time you are an adult, it perfectly simulates your biological brain.
At some point, like other members of society, you grow confident that your brain is just redundant meatware. So you become a ‘jewel head,’ having your brain surgically removed. The jewel is now in the driver’s seat.
Unlike in Mr Egan’s story, let us assume the jewel works perfectly, So which is you–your brain or your jewel?”
(5) CHAMBERS PRAISED. [Item by Olav Rokne.] The recent Worldcon in Dublin seems to be prompting some
discussion of the literary merit of genre work. Writing in the Irish Times, John
Connolly (“The future of sci-fi never looked so bright”) holds up the work of Hugo-winner Becky
Chambers as an example of meritorious genre work, writing that:
In a world in which intolerance seems to be implacably on the rise, the fundamental decency at the heart of Chambers’s narratives, her depiction of a post-dystopian humanity attempting to construct a better version of itself while encountering new worlds and species, begins to seem quietly, gently radical.
Disney released a new poster depicting the battle, presenting it to all attendees.
Fans can now watch the pinnacle moment of the footage – a cloaked Rey pulls out what appeared to be a red, double lightsaber in battle, similar to the infamous weapon wielded by Darth Maul in “Star Wars: Episode I – The Phantom Menace.”
The D23 crowd let out an immediate, overpowering cheer at the sight of the weapon’s return and proclaimed the sighting on Twitter.
It caused a disturbance in the Force which was felt well beyond the D23 walls.
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born August 26, 1911 — Otto Oscar Binder. He’s best remembered as the co-creator with Al Plastino of Supergirl and for his many scripts for Captain Marvel Adventures and other stories involving the entire Marvel Family. He was extremely prolific in the comic book industry and is credited with writing over four thousand stories across a variety of publishers under his own name. He also wrote novels, one of which was The Avengers Battle the Earth Wrecker, one of the series created by writer-editor Stan Lee and artist and co-plotter Jack Kirby. (Died 1974.)
August 26, 1912 – Ted Key. Of interest to us is his screenplay for The Cat from Outer Space about an apparent alien feline who has crash-landed here (starring Ken Berry, Sandy Duncan and Harry Morgan), which he followed up with a novelization. He also conceived and created Peabody’s Improbable History for producer Jay Ward’s The Rocky and Bullwinkle Show. It would become the Sherman and Peabody Show. (Died 2008.)
Born August 26, 1912 — Gerald Kersh. He wrote but one genre novel, The Secret Masters, and two genre stories in his Henry the Ghost series. So why’s he here, you ask? Because Ellison declared “you will find yourself in the presence of a talent so immense and compelling, that you will understand how grateful and humble I felt merely to have been permitted to associate myself with his name as editor.” You can read his full letters here. (Died 1968.)
Born August 26, 1938 — Francine York. Her last genre performance was on Star Trek: Progeny. Never heard of It? Of course not, as it was yet another fan project. It’s amazing how many of these there are. Before that, she appeared in Mutiny in Outer Space, Space Probe Taurus and Astro Zombies: M3 – Cloned. (Died 2017.)
Born August 26, 1949 — Sheila E Gilbert, 70. Co-editor-in-chief and publisher of DAW Books with Elizabeth R (Betsy) Wollheim. For her work there, she has also shared the Chesley Awards for best art director with Wollheim twice, and received a solo 2016 Hugo award as best professional editor (long form).
Born August 26, 1950 — Annette Badland, 69. She is best known for her role as Margaret Blaine on Doctor Who where she was taken over by Blon Fel-Fotch Pasameer-Day, a Slitheen. This happened during “Aliens of London” and “World War Three” during the Era of the Ninth Doctor. Her story would conclude in “Boom Town”.
Born August 26, 1970 — Melissa McCarthy, 49. Yes, I know she was in the rebooted Ghostbusters. Fanboys across the net are still wetting their pants about that film. I’m more interested in Super Intelligence in which she is playing a character that has an AI who has decided to take over her life. It reminds me somewhat of Kritzer’s “Cat Pictures Please” premise. It will be released on December 20 of this year. (And we are not talking about her The Happytime Murders.)
Born August 26, 1980 — Chris Pine, 39. James T. Kirk in the Star Trek reboot series. He also plays Steve Trevor in both Wonder Woman films and Dr. Alexander Murry in A Wrinkle in Time. He’s also Cinderella’s Prince in Into the Woods. Finally, he voices Peter Parker / Ultimate Spider-Man in Spider-Man: Into the Spider-Verse.
If you haven’t had a chance to try this snack yet, they’re basically Cheetos puffs that are shaped into various parts of a skeleton like the head, ribcage, hands, and bones. This means that besides being as delicious as a classic Cheeto, you can also build spooky skeletons with your food if you can resist scarfing down the whole bag for a while.
Not a blade of grass longer than the rest, a red “Remove Before Flight” tag unchecked, or a single Kiwi (be it bird or engineer) out of place: Rocket Lab’s Launch Complex-1 looks like an industry brochure come to life (better in fact). Located at the southern tip of the picturesque Mahia Peninsula on the east coast of New Zealand’s North Island, LC-1 is currently the only operational Rocket Lab launch site where the Electron vehicle—Rocket Lab’s low-cost small satellite launch vehicle—takes flight.
Rocket Lab just took advantage of the latest window at LC-1 on August 19. But back in December 2018, fellow rocket launch photographer Brady Kenniston had the exclusive opportunity to photograph Rocket Lab’s first NASA mission, ElaNa-19, from this private launch site. This launch was going to be Rocket Lab’s mostimportant mission to date because, as the leader in the small satellite industry, they had an opportunity to show NASA (and the world) what they are made of. If successful, it could lead to future business from other small satellites in need of a ride to space—not to mention, the company would earn the endorsement of NASA Launch Services as an eligible vehicle to fly future NASA small-satellite science payloads.
Joe: We’re a little more than seven months into what is shaping up to be an absolute stellar year for science fiction and fantasy fiction and I wanted to check in with the two of you to see what you’ve been reading and what has stood out in a year of excellence.
Adri: Indeed! well for starters I lost my heart in the time war…
Paul: I, too, lost my heart in the Time War. Among many other places, but having recently finished that, it is strongly on my mind. I am Team Blue, Adri, how about you?
Heinlein was not fond of critics, not entirely without reason. Even in his day, a good critic could be a wonder – and a bad one a nightmare. But I think he might have liked this book – and, as Heinlein remains popular, we should ask ourselves why. You may not agree with everything in this book, but it will make you think. Mendlesohn treats Heinlein as what he was, a man. Not an angel, or a demon, but a man. An influential man, but a man nonetheless.
(13) SMILE! Guess what this scene made Kevin Standlee think of —
(Now imagine, what if somebody used X-ray film?)
(14) CHALLENGES IN PRODUCING HEINLEIN BOOK. Shahid Mahmud of Arc Manor Publishers sent out an update about Phoenix Pick’s Heinlein novel The Pursuit of the Pankera.
…As many of you are aware from my previous emails, this is the parallel text to The Number of the Beast.
It is, effectively, a parallel book about parallel universes.
We had originally attempted to release the book before Christmas, but some production issues have delayed the release to Sprint/Summer of 2020.
These include sorting out some fairly intricate details discussed in the book. For example (for those of you dying to see what it is that we publishers actually do), here are a few internal excerpts between editors working on various aspects of the book:
“The planet-numbering system may be off in certain parts of the story. At the beginning of the story (and in real life) we live on planet Earth. In the course of the story, there is time travel, and that’s where it gets confusing… the story refers to both Earth-One and Earth-Zero. There is a detailed explanation of the numbering system (see pg. 312) wherein “Earth-Zero is so designated because Dr. Jacob Burroughs was born on that planet…”
However, in other parts of the book, Earth-One is referred to as the characters’ home planet.”
“After discussion with Patrick, I’ve settled on the following conventions: x-axis (hyphenated, lowercase, no italics) but axis x (no hyphen, lowercase, italic single letter). In the manuscript, of course, the italic letter would be underlined rather than set italic. The letters tau and teh remain in the Latin alphabet (rather than Greek or Cyrillic) and are lowercase but not set italic. When used with the word “axis” (tau-axis) they are hyphenated.”
These are the little details that keep us Publishers up at night 🙂
But alas, given a book of this magnitude and size (this is a BIG book, over 185,000 words) all this takes time.
Hence the delay.
Mahmud says the ebook will be priced at $9.99 at launch, but they will run a Kickstarter beginning September 4 to help pay for production, which will allow people to buy the ebook for just $7.00. And there will be other rewards available.
(15) THE NEXT BIG THING. Best Fanzine Hugo winner Lady Business tweeted a get-acquainted thread for new followers (starts here) which closes with this appeal –
Legion creator Noah Hawley’s feature directorial debut stars the Oscar-winning actress as Lucy Cola, a loose adaptation of real-life astronaut Lisa Nowak, who, after returning to earth from a length mission to space, began an obsessive affair with a coworker….
[Thanks to Jim Freund, JJ, Cat Eldridge, Mike Kennedy, Martin
Morse Wooster, Lise Andreasen, Chip Hitchcock, John King Tarpinian, Errolwi,
and Andrew Porter for some of these stories. Title credit goes to File 770
contributing editor of the day Soon Lee.]
…With the movie finally set to arrive in theaters next month, the cast has started making the press rounds to promote it. During a recent interview, James McAvoy and Michael Fassbender were asked about the extensive reshoots. That’s when things got interesting, as McAvoy gave anything but a typical answer. Here’s what he had to say about it.
“The end [of Dark Phoenix] changed a hell of a lot. The finale HAD to change. There was a lot of overlap and parallels with another superhero movie that came out… a while ago.”
READINGS. Chana Porter and Katharine Duckett will illuminate the stage at
the New York Review of Science Fiction
Readings series on June 4. The event begins at 7:00 p.m. at The Brooklyn Commons Café, 388 Atlantic
Avenue (between Hoyt & Bond St.), Brooklyn, NY.
Chana Porter is an emerging playwright, speculative novelist, and education activist. Her plays have been developed or produced at Playwrights Horizons, The Catastrophic Theatre, La MaMa, Rattlestick Playwright’s Theatre, Cherry Lane, The Invisible Dog, and Movement Research. She is a MacDowell Fellow, a New Georges Audrey Resident, a Target Margin Artist-in-Residence, and Honorable Mention for the Relentless Prize. She is currently writer-in-residence at The Catastrophic Theatre in Houston. Chana is the co-founder of the Octavia Project, a free summer writing and STEM program for Brooklyn teenage girls and nonbinary youth. Her play LEAP AND THE NET WILL APPEAR runs at The Flea Theater June 16-30th, directed by Tara Ahmadinejad. Her debut novel, THE SEEP, is forthcoming from Soho Press in 2019. www.chanaporter.com
Katharine Duckett is the author of MIRANDA IN MILAN, and her short fiction has appeared in Uncanny Magazine, Apex Magazine, Interzone, PseudoPod, and various anthologies. She is also the guest fiction editor for the Disabled People Destroy Fantasy issue of Uncanny. She hails from East Tennessee, has lived in Turkey and Kazakhstan, and graduated from Hampshire College in Amherst, Massachusetts, where she majored in minotaurs. She lives in Brooklyn with her wife.
…In the coming days, we’ll post discussion questions for “The Fifth Season,” an annotated excerpt from the book, and writing advice from Jemisin. At the end of the month, she will answer your questions on the PBS NewsHour. We hope you’ll join us and read along.
(5) THE HUGO AWARDS ON JEOPARDY! The Hugo was included in the “Awards and Prizes” category on last night’s show. Kevin Standlee shared the screen grab of the answer that the J! media team sent him.
(6) HUGO FINALIST SIGHTING.
Boyd Nation is trying to get on Jeopardy!
and thereby hangs the tale:
I was in a Jeopardy! audition today in Nashville, and one of the other participants was 2002 Best Novelette finalist Shane Tourtellotte. He’s still producing the occasional short fiction piece, but he’s mostly focusing on writing for a baseball web site as a source of income these days.
As an aside in the course of his interview, by the way, I learned that Frederick Pohl IV was a long-time writer for Jeopardy!
(7) HUGO VOTE COUNTING DEMO. Nice animation of
Single Transferable Vote (STV) in the Belfast (Ireland)Telegraph’s “Election
2019” coverage that may help people trying to explain how the Hugo awards work. (Via Robot Archie.)
STV is the system used to count the Hugo final ballot
and determine the winners. That’s different from EPH, which is used to count
…It is an interesting challenge to try and side step the imaginative approach, although I don’t see how that is possible. Alternatively we can delve into fiction and specifically, science fiction to explore minds quite different from our own. However, science fiction does not present us with the inner workings of alien minds as often as would be implied by its subject matter.
Science fiction aliens are often explorations of variations on human cognition, personality and culture. I don’t want to dismiss that — there is value (both speculatively and as entertainment) in thinking about the species of hyper-stoical Vulcans. Alternatively, aliens may be quite cryptic and offer a huge barrier to understanding that human characters may only bridge as the climax of a story (or in the case of Ender’s Game as a coda to the climax)….
(9) LOST AND
FOUND. View the NOVA episode
about the “Lost
Viking Army” on the PBS website.
Forty years ago, hundreds of skeletons were unearthed in a mass grave in an English village. Bioarchaeologist Cat Jarman believes these bones are the last remains of the “Great Heathen Army,” a legendary Viking fighting force that invaded England in the ninth century and has long been lost to history. Armed with the latest scientific methods, Cat’s team uncovers extraordinary human stories from the front line, including evidence of women fighters and a lost warrior reunited with his son in death.
Hi all, We are hoping to raise funds to help Kristina Etchison with costs incurred to have Dennis laid to rest.
The cost of dying is high, sadly, and Kris can use any help here that you can afford to give.
The final plans for memorial services, etc have not yet been made, and we will keep everyone up to date as plans are finalized in this very difficult time.
In the first six hours, people contributed $435 towards the $4,000
(11) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born May 30, 1914 — Bruce Elliott. His fifteen stories in The Shadow magazine in the late Forties are generally held in low esteem by Shadow fans because of his handling of the character, best noted by the three stories in which the Shadow does not appear at all in his costumed identity. Oh, the horror! He also wrote three genre novels — The Planet of Shame, Asylum Earth and, errr, The Rivet in Grandfather’s Neck. And he had stories in The Magazine of Fantasy & Science Fiction including “Wolves Don’t Cry”:and “The Last Magician”. (Died 1973.)
Born May 30, 1919 — Ronald Chetwynd-Hayes. British author best known for his ghost and horror stories though his first published work was the SF novel The Man from the Bomb in the late Fifties. The Monster Club, a series of linked tales, is a good place to start with him if you’ve not read him and it became a film with Vincent Price co-starring John Carradine. He won the Bram Stoker Award for Lifetime Achievement, and also a British Fantasy Society Special Award. (Died 2001.)
Born May 30, 1922 — Hal Clement. I’m reasonably sure Mission of Gravity was the first novel I read by him though I’ve not re-read it so the Suck Fairy not been tested. And I’m pleased to see that his short fiction which collected into three volumes is still available though only in hardcover. (Died 2003.)
Born May 30, 1936 — Keir Dullea, 83. David Bowman in 2001: A Space Odyssey and its sequel, 2010: The Year We Make Contact. I know I saw 2001 but I’ll be damned if if I can remember seeing 2010. He’s done a number of other genre films, Brave New World, Space Station 76, Valley of the Gods and Fahrenheit 451. And less we forget he was Devon in Starlost.
Born May 30, 1948 — Michael Piller. He was a writer and Executive Producer of The Next Generation, and co-creator of Deep Space Nine and Voyager. He’s likely best known for co-writing “The Best of Both Worlds” and the pilots of DS9 (“Emissary”) and Voyager (“Caretaker”). Post-Trek, he developed a short-lived series based off of Stephen King’s novel The Dead Zone, and he had a deal with WB for a series called Day One, a post-apocalyptic series based on the UK Last Train series. WB reneged on the contract. (Died 2005.)
Born May 30, 1952 — Mike W. Barr, 67. Writer of comics and sf novels. Created along with Jim Aparo Looker (Emily “Lia” Briggs), a hero in the DC Universe. She first appeared first appeared in Batman & the Outsiders #25. He worked for both major houses though I’d say most of his work was at DC. He wrote the “Paging the Crime Doctor” episode of Batman: The Animated Series.
Born May 30, 1953 — Colm Meaney, 66. Best known for playing Miles O’Brien in Next Generation and Deep Space Nine. Other genre roles include an unnamed Cop at Tess’s in Dick Tracy, Seamus Muldoon in The Magical Legend of the Leprechauns, a recurring role as Chief Cowen on Stargate Atlantis and Father Francis on Tolkien.
Born May 30, 1962 — Kevin Eastman, 57. Best known for co-creating Teenage Mutant Ninja Turtles with Peter Laird. He’s the editor and publisher of Heavy Metal which he purchased in 1992. He’s working on a new TMNT series with IDW Publishing.
Born May 30, 1964 — Mark Sheppard, 55. He’s the son of actor W. Morgan Sheppard. A number of genre roles including lawyer Romo Lampkin on the Battlestar Galactica reboot, sleazy crime lord Badger on Firefly, Tanaka on Dollhouse, Reagent Benedict Valda on Warehouse 13, Canton Everett Delaware III on Doctor Who and Willoughby Kipling, member of the Knights Templar, on Doom Patrol.
(12) TIME TO SLIME. In WIRED, Louise
Mitsakis reports on the World Slime Congress in Hershey, Pennsylvania where
5,000 people, mostly teens, go to see what’s new in slime, “participate in
slime drama,” and listen to “slime influencers” discuss the
latest trends in goop creation. “It’s the
World Slime Convention! Let’s Goo!”
…My first stop was the booth of Liz Park, a slime influencer whose Instagram, @slimeypallets, has more than 75,000 followers. Park has long, black hair, dyed stormy gray at the ends, and she was wearing enormous fake eyelashes and a Mickey Mouse-style headband, each ear plastered with a yellow Slimey Pallets sticker. The tween girls clustered around her booth wanted to score one of those palettes—sampler packages of six or so slimes that Park makes by hand and sells for around $18 each. I tried to step in to say hello, but a girl wearing a sparkly T-shirt pointed at me, turned to her friends, and loudly reported that I had cut the line. I retreated and watched as Park, who at 30 is much older than most of her fans, handed out slimes and signed posters, chatting and laughing.
One small step for woman, one giant leap for woman-kind!
After performing for a sold-out crowd in San Antonio, Texas, Ariana Grande accepted the opportunity to visit NASA’s Johnson Space Center in Houston on Saturday.
The pop star, 25, documented her tour on Instagram Story in videos that showed her dressed in an astronaut’s uniform, complete with helmet.
“Thank you for the coolest day of my life @nasa,” Grande captioned one of her videos.
(14) THE STAGES YOU’LL CROSS. In the Washington Post, Ron Charles says that Dr. Seuss’s last book, Oh, the Place You’ll Go! has become “a title as firmly associated with graduation as pumpkins are with Halloween or turkeys with Thanksgiving:” Charles provides a list of other books he thinks would be more sophisticated presents for college graduates. (Chuck Tingle’s new Seuss-ian book of erotica isn’t one of them.) – “How Dr. Seuss’s ‘Oh, the Places You’ll Go’ became a graduation-gift cliché”.
…How the Seuss stole graduation is a tale that sheds light on our own aspirations. The extraordinary success of “Oh, the Places You’ll Go” stems from the book’s infinitely flexible appropriateness. Like the knitted thneed in “The Lorax,” it’s a “Fine-Something-That-All-People-Need!” Children leaving kindergarten respond to Dr. Seuss’s colorful drawings and silly rhymes. For teens graduating from high school, the book is a sweet reminder of their waning adolescence. College graduates accept it as a cute token of nostalgia. And all allegedly resonate to the book’s rousing invocation of adventures just over the horizon.
…That change is reflected in their graduation gifts, too. In the 1970s, Lerer recalls, new graduates commonly received a copy of Roget’s Thesaurus and a fancy pen-and-pencil set. “The belief was that when you graduated, when you had a period of transition, you needed to be ready to read and write, that the transition was a transition of literacy,” Lerer says. “What Dr. Seuss hit in ‘Oh, the Places You’ll Go’ and the reason it’s been adopted is because many people now think that the transition is not about reading and writing, it’s about action. It’s about doing. It’s about going places.
(15) THE INCREDIBLE
SHRINKING BOOK EXPO. Andrew Porter says, “Book Expo continues to implode (diagram below shows exhibits now
just a portion of one floor), but I picked up a copy of a Lem story turned into
graphic novel [there].” (Stanislaw Lem’s
The Seventh Voyage, a graphic novel by Jon J. Muth, Scholastic Graphix,
Oct. 1 2019, Age 8-12, ISBN 978-0-545-00462-6).
Maskelyne developed a special telescope adapter for his camera to film the eclipse without frying his equipment. The 1900 eclipse was actually his second attempt. His first, an eclipse in India in 1898, was successful, but his film canister was stolen on the trip back to England.
(17) ECLIPSED BY WIL WHEATON. What did John Scalzi find out about his hometown when he checked out a unique map of the U.S. based on Wikipedia use? About what you’d predict. His explanatory post is titled: “In Which I Learn That I Live In Me”.
There’s a site out there that scraped Wikipedia entries from the last few years, and then put up a map of the United States where the place names were replaced with the person associated with that place (in apparently whatever capacity) whose Wikipedia article was looked at the most. For Bradford, Ohio, and perhaps not entirely surprisingly, that person happens to be… me. Yes, that’s correct, on this map, I live in me.
Since my own vanity knows no bounds I immediately searched Arcadia, CA – and found it is now known as Wil Wheaton. Well, I won’t be knocking him off the top of the hill any time soon. However, if I moved a mile down the street into Monrovia maybe I’d have a better chance – it’s only named for a former Boise State football player.
…As the efforts to build George Jetson’s robot have failed, evidence points to big barriers for his flying car. All these electric craft–be they powered by battery or hydrogen–are radically different contraptions from traditional planes and helicopters, posing a challenge for regulators trying to evaluate their safety.
Companies are hoping to lead the FAA on this process, advocating an approach in which the government sets overall safety goals that aircraft makers figure out how to achieve. But public sentiment may turn against industry-led regulation after the Boeing 737 Max crashes–possibly the result of the FAA’s light-touch evaluation of new software.
Then there’s hydrogen. While battery-powered electric cars are all over the road, fuel cell vehicles haven’t gotten beyond pilot projects. And all the same challenges faced by cars may carry over to planes. Electricity is almost everywhere in the U.S. and other developed countries. Hydrogen is not….
(19) PICARD TRIVIA QUIZ.Trek,
Actually challenges fans with its “Trivia
Quiz: Captain Picard Edition!”
John King Tarpinian, Cath, Martin Morse Wooster, Carl Slaughter, Andrew Porter,
PJ Evans, ULTRAGOTHA, Mike Kennedy, JJ, Cat Eldridge, Kevin Standlee, and Chip
Hitchcock for some of these stories. Title credit goes to File 770 contributing
editor of the day Anna Nimmhaus.]
Best-selling novelist Nora Roberts is suing a Brazilian writer for copyright infringement, alleging that Cristiane Serruya has committed “multi-plagiarism” on a “rare and scandalous” level.
In papers filed Wednesday morning in Rio de Janeiro, where Serruya lives, Roberts called Serruya’s romance books “a literary patchwork, piecing together phrases whose form portrays emotions practically identical to those expressed in the plaintiff’s books.” Citing Brazilian law, Roberts is asking for damages at 3,000 times the value of the highest sale price for any Serruya work mentioned in the lawsuit.
“If you plagiarize, I will come for you,” Roberts told The Associated Press during a recent telephone interview. “If you take my work, you will pay for it and I will do my best to see you don’t write again.”
Roberts added that she would donate any damages from the lawsuit to a literacy program in Brazil.
In a telephone interview Wednesday with the AP, Serruya called herself a “fanatic” of Roberts’ work. But she denied copying her and said she had not received notification of any lawsuit. Serruya added that she often used ghost writers for parts of her books and “could not guarantee that no part was copied” by them….
… Lawyer Saulo Daniel Lopez, a specialist in authors’ rights, said a case like this can take 5 to 10 years to be decided in Brazilian courts. If plagiarism is proven, Serruya could be forced to pay from the proceeds of her books, Lopez said.
The WGA has filed suit against the ATA and the Big Four agencies (WME, CAA, ICM and UTA), alleging that the practice of collecting package commissions constitutes breach of fiduciary duty and unfair competition under state and federal law.
The entire ecosystem under which writers found jobs is upended. Under the California Talent Agencies Act (TAA), only licensed talent agents can “procure” employment for writers. The WGA has issued a statement delegating authority to managers and lawyers to find work for writers notwithstanding the statute, but many (including the ATA) question the union’s authority to do so. The WGA has offered to indemnify lawyers and managers against TAA claims. So far, however, no one has taken it up on this offer.
Lawyers, but especially managers are in a tight spot. They have writer clients to service without agencies to back them up and provide cover. They can procure employment for their clients in violation of the TAA, at risk of being required to disgorge any commissions received if their client files a claim with the State Labor Commissioner. Meanwhile, the big agencies have made it clear that they will not look kindly upon managers and lawyers who encroach upon their territory, and will remember who their friends are when this dispute is finally resolved.
No one knows how open writing assignments will be filled, since this was a central role of the agencies. The WGA has set up an online database to facilitate matchmaking, and showrunners are falling back on their personal networks. These are early days, however. There will undoubtedly be loss of efficiency in staffing but how serious it will be and who will suffer remains to be seen.
(3) A VIEW OF THE
HIMALAYAS. Ursula Vernon continues to post Twitter threads with photos and
comments from her adventures in Tibet. Starting here,
(4) NYRSF READINGS. “Black Gods, Black Drums, Black Magic” is the theme of May’s installment of the New York Review of Science Fiction Reading Series, assembled by guest host Cam Rob. Phenderson Djèlí Clark and Yvonne P. Chireau will headline.
For most Americans, the historical and mystical dimensions of the African American religious experience remains unexplored, secret, long hidden. This place of heroines, gods, danger, and true things is a vital, living piece of our story. But to venture forth, require guides. Today, we will follow two griots who know the way.
This will be a reading, a seminar, and a discussion with professors Phenderson Djèlí Clark and Yvonne P. Chireau. Phenderson will read from his new novella, Black God’s Drum, and Professor Chireau will discuss the Black American magical traditions to give us historical context as well as read from her book, Black Magic. This will be followed by discussion and Q&A from the audience.
Yvonne Chireau is a professor of Religion at Swarthmore College. She is the author of Black Magic: African American Religion and Conjuring Tradition (2003) and co-editor of Black Zion: African American Religions and Judaism (1999) with Nathaniel Deutsch. She is interested in black religions in the US, African-based religions such as Vodou, and the intersection between magic and religion in America. She blogs subjects having to do with Voodoo and Africana religions at Academic Hoodoo.com
Phenderson Djéli Clark is the Hugo, Nebula, and Sturgeon nominated author of the novellas The Black God’s Drums and The Haunting of Tram Car 015. His stories have appeared in online venues such as Tor.com, Daily Science Fiction, Heroic Fantasy Quarterly, Apex, Lightspeed, Fireside Fiction, Beneath Ceaseless Skies, and in print anthologies including, Griots, Hidden Youth and Clockwork Cairo. He is founding member of the FIYAH: A Magazine of Black Speculative Fiction and an infrequent reviewer at Strange Horizons.
The readings take place Tuesday,
May 7, 2019 from 6:45-9 p.m. at the Brooklyn Commons Café, 388 Atlantic Bl.,
Brooklyn, NY 11217-1703. $7 suggested donation.
Kim Stanley Robinson–the multiple award-winning science fiction writer, climate change expert, and UC San Diego alum–joins us to deliver the closing keynote to San Diego 2049, sharing his insights into the future of the border region and how the practice of science fictional worldbuilding can help us imagine–and impact–issues of vital importance to individuals, our communities, our species, and life on planet Earth.
This evening will also feature the final projects of several UC San Diego graduate student teams who have been participating in the San Diego 2049 series and imagining their own future scenarios for the region.
Kim Stanley Robinson is a New York Times bestseller and winner of the Hugo, Nebula, and Locus awards, and in 2017 he was awarded the Arthur C. Clarke Award for Imagination in Service to Society. He is the author of more than twenty books, including Red Moon, New York 2140, the bestselling Mars trilogy and the critically acclaimed Forty Signs of Rain, The Years of Rice and Salt and 2312. In 2008, he was named a “Hero of the Environment” by Time magazine, and he works with the Sierra Nevada Research Institute and the Clarion Science Fiction and Fantasy Writers’ Workshop, which is hosted each summer at UC San Diego. He is an alumnus of both UC San Diego and the Clarion Workshop and lives in Davis, California.
Items from the Library’s Science Fiction and Fantasy Research Collection provide a window into the diversities of race, gender, sexual orientation, religion, and culture that have always been a part of science fiction and fantasy.
…Some of the many books represented in the exhibit are The Female Man, Dune and Memoirs of a Spacewoman. Explore the arts and visual media Cushing has displayed with posters from famous movies such as The Rocky Horror Picture Show,Captain Marvel and Wonder Woman and TV series like Star Trek:Discovery and Luke Cage. Album covers from David Bowie’s The Rise and Fall of Ziggy Stardust and the Spiders from Mars and Janelle Monae’s The ArchAndroid (Suites II and III) are on display as well.
“What both this exhibit and the Science Fiction and Fantasy Research Collection at Cushing Library hope to show visitors is simply this: science fiction and fantasy and horror, in their abounding variations, are part of our shared cultural heritage,” said Jeremy Brett, curator of the exhibit. “They are not, nor have they ever been, the property of any one class of creator or fan.”
Also included in the exhibition are the 1984 Grand Master Award and the 1998 World Fantasy Award for Life Achievement for famed female sci-fi and fantasy writer Andre Norton. She was the first woman to be made a Grand Master by the Science Fiction and Fantasy Writers of America.
Mary is still in touch with the Dietsches, the Wolfes’ old neighbors from Peoria. Rosemary Dietsch, Gene’s childhood playmate, comes to Texas for a visit. Gene and Rosemary discover that they still like each other. Before long, they’re engaged. Rosemary is Catholic, so before the wedding, Gene starts studying Catholic doctrine. For a while now, maybe because of his war experience, he’s been thinking about suffering and compassion and how human beings can be better. Catholicism resonates both with his sense of humanity’s fallenness and with his sense of the dedicated, lifelong commitment required for each individual’s redemption. Eventually, he decides to convert. He and Rosemary get married in 1956, two clean-cut kids smiling postwar American smiles. He tells people she saved him.
(8) NIGHTCAP. In 1982, Isaac Asimov,
Harlan Ellison, Gene Wolfe appeared together on the Nightcap cable TV talk show.
Isaac Asimov, Harlan Ellison, and Gene Wolfe discuss science-fiction writing with Studs Terkel and Calvin Trillin on the Alpha Repertory Television Service (ARTS), the predecessor of today’s A&E (Arts and Entertainment Network). The program was called “Nightcap: Conversations on the Arts and Letters.”
(9) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born April 27, 1901 — Frank Belknap Long. He’s best known for his short stories, including contributions to the Cthulhu Mythos. During his life, he received the World Fantasy Award for Life Achievement, the Bram Stoker Award for Lifetime Achievement and the First Fandom Hall of Fame Award. (Died 1994).
(11) ON THE BUTTON. Cora
Buhlert tweeted a photo of this Dublin 2019 memento:
(12) MY PETRONA. The 2019
Petrona Award shortlist for the Best Scandinavian
Crime Novel of the Year has been announced. In spite of the name, this is a
British award given out at CrimeFest Bristol and is one of the comparatively
few genre awards for translated fiction.
The Petrona Award is open to crime fiction in translation, either written by a Scandinavian author or set in Scandinavia, and published in the UK in the previous calendar year.
THE ICE SWIMMER by Kjell Ola Dahl, tr. Don Bartlett (Orenda Books; Norway)
THE WHISPERER by Karin Fossum, tr. Kari Dickson (Harvill Secker; Norway)
THE KATHARINA CODE by Jørn Lier Horst, tr. Anne Bruce (Michael Joseph; Norway)
THE DARKNESS by Ragnar Jónasson, tr. Victoria Cribb (Penguin Random House; Iceland)
RESIN by Ane Riel, tr. Charlotte Barslund (Doubleday; Denmark)
BIG SISTER by Gunnar Staalesen, tr. Don Bartlett (Orenda Books; Norway)
The winning title will be announced at CrimeFest on May 11.
The winning author and the translator of the winning title will both receive a
cash prize, and the winning author will receive a full pass to and a guaranteed
panel at CrimeFest 2020.
(13) SEEVERTLIEB ON TV. Steve Vertlieb’s star turn
is available for online viewing —
I want to thank popular comedian and radio personality Grover Silcox for inviting me to share a delightful segment of his new Counter Culture television interview series which aired February 19th on WLVT TV, Channel 39, Public Television in Allentown. We sat together at the famed “Daddypops Diner” in Hatboro, Pennsylvania where the wonderful series is filmed, and talked about Boris Karloff, Bela Lugosi…, Lon Chaney, Sr., and Lon Chaney, Jr. at Universal Pictures, as well as Christopher Lee, and Peter Cushing at Hammer Film Productions, and the long, distinguished history of Horror Movies. For anyone who didn’t see the program during its initial broadcast, you can catch my episode on line by accessing the link below. You’ll find my segment in the middle of Episode No. 3.
Winner of the Lambda Literary Award and nominee for the Nebula and Locus awards, her ability to use her scientific knowledge in both her fiction and nonfiction works is something that makes Newitz’s work remarkable. Dr. Brian Keating speaks to her about creative process behind her newest novel Autonomous, as well as the forthcoming The Future of Another Timeline, and more. Enjoy!
And if you’re curious about her talk at UC San
Diego, “Your Dystopia Is Canceled,” take a few minutes over at the
Clarke Center YouTube channel:
But speculative fiction studies, though it overlaps with scholarship on science fiction, is a different animal: broader, more capacious, less concerned with technical literary and generic questions. While some have tried to demarcate the bounds of speculative fiction—with Robert Heinlein and Margaret Atwood proposing the most famous definitions—others find the ambiguity of the term attractive.2 In Migrant Futures: Decolonizing Speculation in Financial Times, Bahng is “less interested in literary taxonomies than in the various modalities of writing and reading that can alter relations between writer and reader, shift ways of thinking, and produce different kinds of subjects”; she sees potential in speculative fiction’s “promiscuity and disregard for the proper” (13, 16). Similarly, Streeby embraces the term speculative fiction in Imagining the Future of Climate Change: World-Making through Science Fiction and Activism “because it is less defined by boundary-making around the word ‘science,’ stretching to encompass related modes such as fantasy and horror, forms of knowledge in excess of white Western science, and more work authored by women and people of color” (20). In Commander’s Afro-Atlantic Flight: Speculative Returns and the Black Fantastic, Afro-Atlantic speculation exceeds science fiction, or even Afro-futurism, which Commander regards as only one “subgenre of Afro-speculation of the twentieth and twenty-first century that is concerned with the artistic reimagining of the function of science and technology in the construction of utopic black futures”
STAGE PLAY. Mr. Sci-Fi, Marc Zicree, posted “My Favorite Moment” from the
high school performance of Alien. (Tough
audience – applauding the chest-burster scene!) Zicree adds —
And let’s give hats off to the writer Dan O’Bannon for thinking this up in the first place. Nothing like it had ever been seen before.
John King Tarpinian, JJ, Cat Eldridge, Cora Buhlert, Chip Hitchcock, Martin Morse
Wooster, Mike Kennedy, Carl Slaughter, Steve Vertlieb, and Andrew Porter for
some of these stories. Title credit goes to File 770 contributing editor of the
day Jack Lint.]
By Mark L. Blackman: On
the evening of Tuesday, April 2, 2019, at its venue, The Commons Café in
Brooklyn (just a half a mile from the
railroad tracks), the New York Review of Science Fiction Readings Series, in a
special event guest-hosted by Mike Allen of Mythic Delirium Books, presented
two writers of new fantasy collections from the imprint, Theodora Goss and
“mythically delirious” (as opposed to magically delicious) evening opened with
the customary welcome from Series producer/executive curator Jim Freund (who
was wearing a nifty T-shirt “Make Orwell Fiction Again”), longtime host of
of the Wolf radio program on sf and fantasy, cautioning us that we
were streaming live via Livestream, reminding all that the Series is supported
entirely by donations (the Readings are free, but there is a suggested
contribution of $7), notifying us that books by the authors were for sale at
the door, and announcing upcoming readings:
May 7th: guest co-host Rob Cameron promises “happy surprises”
June 4th: Katharine Duckett (“a queer month,” the 50th anniversary of Stonewall) and TBA
July 2nd: Sam J. Miller (his book is coming out that month) and TBA
dates are the first Tuesday of the month.) On a sad note, Freund informed any
who hadn’t yet heard that Vonda N. McIntyre had died the day before (April 1st);
she was, he said, incredibly influential in the genre and that “you know her
even if you don’t know her.” (On a personal note, I met her at Lunacon 1994, at
which she was Guest of Honor and I ran Program.) Finally, he introduced the
evening’s emcee – noting that it was just about the third anniversary of his
previous stint, a launch party for Clockwork Phoenix 5 – and
turned hosting duties over to Mike Allen.
Mike Allen is a Nebula Award and Shirley Jackson Award finalist, and winner of three Rhysling Awards for poetry,the author ofseveral poetry collections, the novel The Black Fire Concerto, (2013) and the short story collections Unseaming, The Spider Tapestries and the forthcoming Aftermath of an Industrial Accident; the editor of the Clockwork Phoenix anthologies (there may yet be a #6); and, with his wife Anita, publisher of Mythic Delirium Books. (He “wears many creative hats, and at least one of them, tailor-made by Anita, features a large bejeweled spider.”)
Theodora Goss (Dora to her friends) is the World Fantasy and Locus Award-winning author of the short story collection In the Forest of Forgetting; Interfictions, a short story anthology co-edited with Delia Sherman; The Thorn and the Blossom, “a novella in a two-sided accordion format;” and the novels The Strange Case of the Alchemist’s Daughter and European Travel for the Monstrous Gentlewoman , winner of the Lord Ruthven Award for vampire fiction. (The third book in her Athena Club trilogy, The Sinister Mystery of the Mesmerizing Girl, comes out in October.) She has also been a finalist for the Nebula, Crawford, Seiun, and Mythopoeic Awards, as well as on the Tiptree Award Honor List.
offering was from her newest collection of poetry and fiction, Snow
White Learns Witchcraft, just released by Mythic Delirium Books, eight
stories and twenty-three poems that “retell and recast fairy tales by Charles
Perrault, the Brothers Grimm, Hans Christian Andersen, and Oscar Wilde, in ways
that re-center and empower the women at the hearts of these timeless
narratives.” She began with the first poem in the volume, and the one that gave
it its title, “Snow White Learns
Witchcraft.” Set long after
the “happily ever after,” the prince-later-king has passed on, her beauty is
fading (her hair is now snow white) and all said and done, she has no (or at
least few) regrets.
The short story “Conversations with the Sea
Witch” was also a decades-later follow-up to a fairy tale. Now old, and the
dowager queen, Melusine (not Ariel)
of the sea folk (they’re mammalian, not piscine), who had traded her “song” to
the sea witch for legs – legs too weak to support “the crippled girl” – and
giving up 500 years of life in the sea for one human lifespan, chats and
reminisces at the edge of the sea with her old adversary; over all, she has no
regrets. “Mirror, Mirror,” the final poem in the book, presented yet a
different take on the post-tale Snow White.
the intermission, there was a raffle drawing for those who’d donated with the
prizes being two sets of books from Mythic Delirium.
Resuming the “evening of literal magic,” Allen introduced the second reader.
Barbara Krasnoff, a very familiar face at the NYRSF Readings, is the author of short fiction that has appeared in about 35 venues including Amazing Stories, Lady Churchill’s Rosebud Wristlet, Weird Tales, Sybil’s Garage, Space and Time, Crossed Genres, and Clockwork Phoenix, as well as the author of a YA non-fiction book, Robots: Reel to Real, and currently Reviews Editor for The Verge. In addition, every weekday morning, she “investigates what the animals and objects in our world are really thinking” in her whimsical and delightful Backstories series on Facebook, Twitter and Instagram (#theirbackstories).
Her debut novel The History of Soul 2065,
out in June from Mythic Delirium Books, is actually a mosaic novel, a collection
of twenty loosely interconnected tales. (It includes the 2016 Nebula finalist
short story “Sabbath Wine,” which originally appeared in Clockwork Phoenix 5,
edited by Mike Allen), and from which she read – evoking tears from some – at
previous NYRSF Readings events.) She realized that the stories that had
appeared “here and there” were, at heart, about “the same people with different
names.” Accordingly, she shared the story that “introduces the two people, the
young women, from whom the other characters come.” In “The Clearing in the
Autumn: A Story of Chana Rivka Krasulka and Sophia Stein,” on the eve of World
War I, the girls meet in a magical clearing (that may, according to Chana’s
mother, be haunted by ghost children) that the brilliant Chana (who aspires to
be a doctor) has entered from Lvov in Russia and the theatrical Sophia from
Munich, and form a friendship as they together rescue an injured pigeon. War
and Revolution are hard on the families of both girls and prevent future
meetings. As her family is leaving for America, Chana reenters the clearing to
say goodbye and finds a note in a jar from Sophia. (To those who read the book:
take note of the photographs on the cover; they have personal meanings to
Barbara and her partner Jim Freund.)
conclusion, Allen said that he was “proud to be the conduit” of some of their
traditional at these Readings, the Jenna Felice Freebie Table offered giveaway
crowd of about 60 included (to name a small few) Richard Bowes, C.S.E. Cooney, Madeline Flieger
(handling tech), Amy Goldschlager (filling in as ticket-taker for Barbara), Karen
Heuler, John Kwok, Lissanne Lake, James Ryan and Susan Bratisher, and (Tech
Director) Terence Taylor. Afterward, some stuck around to schmooze and/or
adjourned to the Café.
By Mark L. Blackman: On
the bitingly cold evening of Fat Tuesday (yes, it was Mardi Gras), March
5, 2019, at an event held at its venue, the Brooklyn Commons Café, the New
York Review of Science Fiction Readings Series featured a joint reading from Matthew Kressel and Mercurio D. Rivera of their co-written story “The Walk to Distant Suns,” which appears in the March issue of Analog.
evening kicked off as customary with a welcome from producer/executive curator
Jim Freund, longtime host of WBAI-FM’s Hour of the Wolf radio program on sf and fantasy, a
heads-up that we were on camera – the proceedings were streaming live via
Livestream (they may be accessed by going to Livestream.com and searching for
NYRSF) – and an announcement of scheduled upcoming readings. April 2nd’s event will be
guest-hosted by Mike Allen and feature Theodora Goss and Barbara Krasnoff. May 7th readers are to be
determined. June, being the 50th anniversary of Stonewall, on the 4th
will offer Katharine Duckett and another writer to be named; it will,
said Freund, be “queer-oriented.” He
then introduced the evening’s two readers before ducking into the control
booth; he was handling Tech.
Matthew Kresselis the author of the well-received novel King
of Shards and of short fiction that has appeared in Lightspeed,
Clarkesworld, Analog, Nightmare,
and Year’s Best Science Fiction anthologies, and been honored as a
three-time Nebula Award Finalist and a Eugie Award Finalist. Additionally, as a
coder, he created the Moksha submissions system currently in use by many of the
largest SF publishers. Locally, with Ellen Datlow, he is the co-host of the Fantastic
Fiction at KGB reading series at the titular East Village bar.
Mercurio D. (for David) Rivera is the World Fantasy Award-nominated writer of short fiction that has appeared in markets such as Analog,
Asimov’s, Lightspeed, Interzone, and Space and Time, and been anthologized
Year’s Best Science Fiction compilations as well as podcast. His most notable stories include “Tu Sufrimiento Shall Protect
Us,” “Longing for Langalana,” “Tethered,” “Dance of the Kawkawroons,” and
“Those Brighter Stars;” his own collection, Across the Even Horizon, was
critically acclaimed. Like Kressel, he is a member of
the Manhattan writing group Altered Fluid.
a silly attempt to read together, the duo took turns reading “The Walk to Distant Suns,” with Rivera leading off. The
“walk” is along an Einstein-Rosen Bridge, called “the Lift,” which transmutes
matter and transfers it, both objects and people, one quark at a time, through
a wormhole, from Earth (more precisely L-5) to a world dubbed Iris in the
Trappist-1 System 40 light years away; it is a one-way trip. Earth is in bleak
shape, with 80% of the population living in poverty and many eking out by
foraging through garbage, so a new life on the paradisiacal planet beckons.
Among them are Shandi, an engineer at the Lift, who hopes to make the trip one
day with her family (her mother is ill and her little sister is artistic).
Alas, the corporation that operates the Lift keeps raising the cost, so only
the rich can afford to go. Using the opportunity that her position affords,
Shandi schemes to smuggle them all onto the Lift. To be continued.
the intermission, there was a raffle drawing (with Freund boothed, Amy
Goldschlager was drafted to oversee it) with the prizes including the issue of Analog
containing the story, The Best
Science Fiction of the Year , and a signed copy of the manuscript
from which they were reading.
with Kressel leading off, the reading continued through to the end of the story
and its twist ending (no spoilers).
then moderated a Q&A, opening with a question from her about their
collaborative process. They broke up scenes, characters and motivations, said
Rivera, though Kressel wrote the first section, then they went back and forth.
It was “a successful collaboration;” in the end, they each “feel like they
wrote the whole thing.” Even outside of Altered Fluid, they’re used to
criticizing each other. Asked by an audience member if they’d thought of expanding
it, Kressel said that they’d thought that it would be a short story, but it
grew to 8,600 words. Goldschlager also delivered the “outro.”
traditional at these Readings, the Jenna Felice Freebie Table offered giveaway
books, and the Café saw to food, a coffee bar, beer and wine.
crowd of about 25-30 included Karen Heuler, Raj Khanna, Barbara Krasnoff (House
Manager), Lissanne Lake, and James Ryan and Susan
Ratisher Ryan. Afterward, there
was schmoozing, and feasting.