By Mark L. Blackman: On the evening of Thursday, September 9, 2021, the New York Review of Science Fiction Readings Series opened its 29th season with a reading from Nebula Award-winning author Michael Bishop. The event was simulcast on YouTube and Facebook.
(Yes, the readings are usually on Tuesdays, but Tuesday was Rosh HaShanah, and the reader was, after all, a Bishop. Appropriately, his text was a religious-themed story.)
Michael Bishop is the author of some 35 books, including collections, collaborations and anthologies that he has edited, among them No Enemy But Time, Unicorn Mountain, Brittle Innings, A Funeral for the Eyes of Fire (and its revision Eyes of Fire), and Transfigurations (an expansion of “Death and Designation Among the Asadi”), and short stories including “The Quickening” (which earned him his first Nebula Award), “The White Otters of Childhood,” “Dogs’ Lives,” “The Samurai and the Willows,” and “Life Regarded as a Jigsaw Puzzle of Highly Lustrous Cats.”
The evening began with Series Executive Curator Jim Freund, host of WBAI-FM’s The Hour of the Wolf, introducing and interviewing Bishop. The cover of Bishop’s current book, A Few Last Words for the Late Immortals, a collection of short pieces, including poetry, depicts a baseball player, led Freund to ask why is baseball (still officially our National Pastime) such a great venue for sf and fantasy? Bishop suggested several reasons. The stadiums have an enchanted, even a haunted quality; because the games have no time limit and so can go on for days, “even years”; and because it spotlights individuals as well as the teams that they are operating as part of.
Bishop read not from the title story, but the last story in the book, a 3,000-word science fantasy, “Yahweh’s Hour.” He indicated scenes set in Roman type (set in the main character’s present) and italics (scenes involving the audience and the Creator, who is not necessarily divine). Set in a we-hope-not future of the Patchwork States of America, a literal theocracy under Overman Dad (who is not above operating spas and casinos), the titular TVshow has 100% viewership. In the audience, Mercer, granted an amnesty by Dad for murdering a teenaged transsexual, is unimpressed, until he experiences a vision or miracle.
The story was originally published as “God’s Hour” in the June 1987 issue of Omni, and did not include Mercer or Overman Dad as characters. He began revising the story after the November 2020 Election and finished after the January 6th insurrection. This led organically to a side chat about politics. Georgia, where Bishop lives, is a red state becoming a blue state. Trump was “a wretched President,” “a parody of himself,” a man with no political philosophy except Trumpism; the “election-rigging” was that “people voted.” Bishop, who has medical issues, called politicization of getting shots “absurd.”
Freund asked about Mercer’s name. Bishop noted that there is a Mercer University in Macon, Georgia not far from him and the name evokes mercy. Freund wondered if it alluded to Mercer, a Sisyphus figure, and his religion Mercerism in Do Androids Dream of Electric Sheep? Bishop, the author of Philip K. Dick is Dead, Alas, was surprised and confessed that he had forgotten that there was a character Mercer in the book.
Freund relayed audience questions. Did he attend a lot of author readings and does he miss them? Well, he didn’t go to conventions monthly like some of his author friends, and especially now due to his health, but yes, he misses contact with an audience. Some authors had said that the pandemic had given them time to work, but that was not so for Bishop. After he related that many of his stories are about characters in conflict with themselves, but that he personally avoids conflict. Does he work out conflicts in his stories? Yes, and he cited Unicorn Mountain.
He was asked about his experiences of revising his work. Sometimes he was surprised that a story did not “work out well,” and his reason for revising is that he wants a piece “to be the best version of itself.” Also, medical issues have slowed down his production of new material, but he is able to revise, creating something akin to new.
He was “happy at the time” about “The Quickening” (well, it won the Nebula, Freund interjected), and surprised by No Enemy But Time’s win in view of what it was up against. It is being revised next year for a 40th anniversary edition, with some things “knocked out to improve it” (he thanked Gregory Feeley for advice).
He was asked what work of his had needed the most revision. Unicorn Mountain; he cut 20,000 words and added material. He also revised several stories for A Few Last Words for the Late Immortals, as well as poetry. “The Scaffold,” he reported, a new poem, was a response to Dylan Thomas’s “A Refusal to Mourn the Death, By Fire, of a Child in London,” which led to a digression about Thomas’s recording of Under Milk Wood by Caedmon Records in a studio later used by WBAI. Freund noted that none of Bishop’s books are in audiobook form, and that he might help arrange something.
There being time for it, Bishop ended with an sf poem that had been sold to Analog and reprinted in a Best of anthology, “Secrets of the Alien Reliquary.” An Earth military expedition explores an alien bawdy house displaying Earth “deviance” and just plain oddities (Ed Asner ??).
Freund concluded the evening with a request for donations (software and production do cost), thanking Barbara Krasnoff, who did the engineering, and announcing upcoming readers (back on Tuesdays):
October 5: Jason Erik Lundberg
November 2: Nicole Glover (event guest-curated by Amy Goldschlager)
(1) TROPE THE LIGHT FANTASTIC. The Nerds of Color had the opportunity to interview Denis Villeneuve. Their headline asks “Is ‘Dune’ Truly a White-Savior Story?”, however, there is much more to the interview than the part relating to the title, excerpted here:
There is a storytelling trope called the White Savior where a Caucasian will go into a foreign land and act as a rescuer or messianic figure to the indigenous people there. And Herbert’s work has been criticized for falling into that trope. So how do you contemporize the story to avoid falling into the problematic areas that trope may potentially present?
That’s a very important question. And it’s why I thought Dune was, the way I was reading it, a critique of that [trope]. It’s not a celebration of a savior. It’s a condemnation and criticism of that idea of a savior. Of someone that will come and tell another operation how to be and what to believe… it’s a criticism. That’s the way I feel it’s relevant and can be seen contemporary. And that’s what I’ll say about that. Frankly it’s the opposite [of that trope].
(2) DISCON III RATE HIKE SEPT. 15. DisCon III membership prices go up on September 15. Purchase your Attending, Virtual, or Supporting Worldcon membership now.
(3) NYRSF READINGS. Michael Bishop will feature in the New York Review of Science Fiction readings series on September 9. The program will livestream from the NYRSF Readings Facebook page at 7:00 p.m. Eastern.
They cheered a preshow announcement asking everyone to turn off their cellphones, “since they weren’t invented in 1985,” the year the original movie was released. They cheered when Marty McFly, the show’s main character (played by Olly Dobson), skateboarded onstage in an orange body warmer. And they cheered, again, when he started singing, surrounded by break dancers and women in aerobics getup to complete the 1980s vibe.
But the loudest applause came about 20 minutes in. After three loud bangs and a flash of light, a DeLorean car seemed to magically appear in the middle of the stage, lights bouncing off its steel bodywork and gull-wing doors.
The audience went wild.
Bob Gale, who co-wrote the original movie with Robert Zemeckis and wrote the musical’s book, said in a telephone interview that he always knew the car would be vital to the show’s success. “We knew if we pulled it off, it was going to make the audience go nuts,” he said.
He added he had been working on making that happen for over 15 years.
Made under license to HBO, Montegrappa’s new Game of Thrones pen, Winter is Here, pays homage to the mysterious forces from north of The Wall.
Using the ancient jeweller’s art of lost wax casting, Montegrappa has created half pen, half objet d’art.
Three-dimensional effigies of the Night King and White Walker form a sterling silver superstructure that encases a body of shiny lines celluloid. The figure of Viserion wraps around the cap, and the dragon’s head with a tongue of ice coming out of its mouth acts as an innovative pocket clip. Enamelled, crystal blue flames encircle the base of the cap, while semi-precious apatite stones emulate the cold, mysterious eyes unique to beings of the North.
Anyone can apply logic, taste, and methodical research to the problem of selecting which limited subset of the vast number of books available one is to read. Conversely, one can half-ass one’s way through Mt. Tsundoku using methods of dubious reliability. Don’t believe me? Here are five methods I have used, each more ludicrous than the one before….
(7) FREE MARS EVENT. Explore Mars, Inc., is holding a free S2021 Humans to Mars Summit (H2M 2021) on September 13–15. It will be a virtual event, however, Explore Mars plans to also conduct some in-person elements in Washington, D.C. Register here.
The topics include:
Planet of Robots: Recent Milestones and Discoveries on Mars
Artemis to Mars: Utilizing the Moon to sending Humanity to Mars
How Space Exploration Improves Life on Earth
Making it on Mars: 3-D Printing and Other Critical Technologies
Building a Space Workforce: Inspiring and Motivating Preprofessional and Early Professionals
EVA Suits and Surface Operations
Nuclear Propulsion and Surface Power
Robotic Support: Prior, During, and After Crewed Missions to Mars
How Can Space Exploration Expand Inclusiveness and Diversity?
Just wanted to let everybody know that my surgical consult is on Thursday afternoon, and I expect to be scheduled rapidly for surgery after that. If that goes well then I can look forward to a month off to heal and then radiation. If it goes poorly, alas, it’s probably straight into chemo but right now that is considered unlikely.
Scott can’t come in to the consult with me because plague. I’m going to ask if I can record it.
Got my You Are A Cancer Patient Now covid booster which was surprisingly emotional. Cue crying in a CVS. Could be worse… so glad I’m not doing this last year….
Jim Henson, the creator of the Muppets, has been honoured with a blue plaque at his former London home.
The US puppeteer, acclaimed for his work on Sesame Street and Fraggle Rock and as director of The Dark Crystal and Labyrinth, lived at 50 Downshire Hill in Hampstead from 1979….
…His son Brian, who is chairman of the board at The Jim Henson Company, said: “My father moved to London to make The Muppet Show, and then chose to stay because he was so impressed by the UK’s many gifted artists and performers….
(10) TONY SELBY (1938-2021). Actor Tony Selby died September 5 after contracting Covid-19. His genre work included Doctor Who and Ace of Wands.
…In a different vein – and sporting a beard – Selby was one of Doctor Who fans’ favourite guest stars. He played Sabalom Glitz, the selfish mercenary from the planet Salostopus who forms uneasy alliances with Colin Baker and Sylvester McCoy’s incarnations of the Time Lord in two adventures, the series-long story The Trial of a Time Lord (1986) and Dragonfire (1987). The unbroadcast back story for the second revealed that Glitz had taken the virginity of the doctor’s young companion Ace (Sophie Aldred).
Alongside guest roles as crooks in various television series, the actor played Sam Maxstead, reformed convict and assistant to the magician who uses his real supernatural powers to fight evildoers, in the first two runs (1970-71) of the children’s fantasy series Ace of Wands….
(11) MEDIA BIRTHDAY.
1974 – Forty-seven years ago this night, the Land of the Lost series premiered on NBC. (It went into syndication for the last two seasons.) It was created by Sid and Marty Krofft and (though uncredited during the series) also by David Gerrold, and produced by the Kroffts who were previously known for H.R. Pufnstuf and Sigmund and the Sea Monsters. (I actually remember the former. Particularly the theme song which is earworming its way into my brain now.) Starring Spencer Milligan, Wesley Eure, Kathy Coleman, Phillip Paley, and Ron Harper, it ran for three seasons and forty-three half hour episodes. A number of SF writers wrote scripts including Ben Bova, Larry Niven, Theodore Sturgeon and Norman Spinrad. The Kroffts continue to claim that they are working on an updated remake to the series and that this time it will be an hour-long series.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 7, 1921 — Donald William Heiney. Under the pseudonym of MacDonald Harris, which he used for all of his fiction, wrote one of the better modern set novels using the Minotaur myth, Bull Fever. His time travel novel, Screenplay, where the protagonist ends up in a film noir 1920s Hollywood is also well crafted. Most of his work is available from the usual digital suspects. (Died 1993.)
Born September 7, 1924 — Gerry de la Ree. He published fanzines such as Sun Spots ran for 29 issues from the that Thirties through the Forties, and as editor, he published such work as The Book of Virgil Finlay, A Hannes Bok Sketchbook, and Clark Ashton Smith – Artist. He was inducted into the First Fandom Hall of Fame. (Died 1993.)
Born September 7, 1955 — Mira Furlan. Damn, another early death among that cast. She’s best known for her role as the Minbari Ambassador Delenn on the entire run of Babylon 5, and also as Danielle Rousseau on Lost, a series I did not watch. (and have absolutely no interest in doing so.) She’s reunited with Bill Mumy and Bruce Boxleitner at least briefly in a Canadian SF series called Space Command. (Died 2021.)
Born September 7, 1956 — Mark Dawidziak, 65. A Kolchak: Night Stalker fan of the first degree. He has written The Night Stalker Companion: A 30th Anniversary Tribute, Kolchak: The Night Stalker Chronicles, Kolchak: The Night Stalker Casebook and The Kolchak Papers: Grave Secret. To my knowledge, he’s not written a word about the rebooted Night Stalker series. Proving he’s a man of discriminating taste.
Born September 7, 1960 — Susan Palwick, 61. She won the Rhysling Award for “The Neighbor’s Wife,” the Crawford Award for best first novel with Her Flying in Place, and the Alex Award for her second novel, The Necessary Beggar. Impressive as she’s not at all prolific. All Worlds are Real, her latest collection, was nominated for the 2020 Philip K. Dick Award. She was one of the editors of New York Review of Science Fiction which was nominated for the Best Semiprozine Hugo at Noreascon 3.
Born September 7, 1966 — Toby Jones, 55. He appeared in “Amy’s Choice,” an Eleventh Doctor story, as the Dream Lord. In Harry Potter and the Chamber of Secrets, he voiced Dobby the house elf. And in Finding Neverland, Mr. Smee, Captain Hook’s bo’sun. Guess what work that film was based on. Finally I’ll note that he was using motion capture as Aristides Silk in The Adventures of Tintin.
Born September 7, 1973 — Alex Kurtzman, 48. Ok, a number of sites claim he single-handedly destroyed Trek as the fanboys knew it. So why their hatred for him? Mind you I’m more interested that he and Roberto Orci created the superb Fringe series, and that alone redeems him for me. And I’m fascinated that he was Executive Producer on Hercules: The Legendary Journeys and Xena: Warrior Princess!
Born September 7, 1974 — Noah Huntley, 47. He has appeared in films such as 28 Days Later, The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (excellent film), Snow White and the Huntsman (great film), Event Horizon (surely you’ve something else to do) and Dracula Untold (well, not so great). He’s Gawain in The Mists of Avalon series which I refuse to watch, and shows up as Donovan Osborn in the CW series Pandora which, I’m not kidding, which gets a Rotten Tomatoes zero percent audience rating. Ouch. Anyone here seen it?
Mike Judge’s science fiction satire imagined what the United States might look like in the year 2505. From his perspective, that meant:
A population made stupid by advertising
A brash president who used to be a wrestler
Crocs dominating the footwear landscape
Society seems doomed until a 21st-century everyman (Luke Wilson) gets frozen by the military and wakes up 500 years later, making him the smartest person in America and the only man who can save it.
Beset by a low budget and little-to-no-advertising support from 20th Century Fox, Idiocracy almost didn’t happen at all. The fact that it exists is a miracle. The fact that it managed to accurately predict the future is just a bonus, though Judge loves to downplay his prescience….
JUDGE: I started talking to other writers; Etan Cohen was over at my house and I told him about the idea and the next day he said, “I really like that idea. I was thinking there could be a fart museum.” I thought, “Maybe his head’s in the right place for this.”
ETAN COHEN (CO-WRITER): It was great because there wasn’t a rush. It was a luxury to have that much time to generate the idea….
COHEN: One of the great things about the movie was it was very cathartic because you could just drive around and if anything got you angry it could go right in the movie….
(15) ANOTHER BITE OF THE POISONED APPLE. Two more authors think it’s not too late to mock the spirit of the times. Canadian authors Michael Cherkas and Larry Hancock have produced a new installment in their cult-classic graphic novel series, The Silent Invasion, coming out from NBM Publishing on October 19.
Dark Matter is the latest installment in the graphic novel series which began 35 years ago. The series originally focused on the paranoia and conspiracy theories in the 1950s including UFOs, alien abductions and invasions — both alien and communist. The current book continues with an emphasis on brainwashing by religious cults that may be in league with a secretive cabal of industrialists, military authorities and scientists, who may have the assistance of alien overseers .
The Silent Invasion is a visually striking series drawn in a bold and expressionistic European-influenced black and white style . However, Dark Matter is a complex, compelling and sometimes humorous tale filled with numerous twists and turns.
Referring to the current political atmosphere filled with rampant conspiracy theories, writer Larry Hancock, said, “If there is any time for a good dose of paranoia that doesn’t take itself seriously, it’s now.”
Co-author and illustrator Michael Cherkas added, “I’ve always been fascinated by the phenomenon of UFO sightings, aliens abductions and conspiracies. It’s interesting that this sort of “magical thinking” is no longer confined to the fringe element. It’s now part of the mainstream.”
Nicolas Cage’s love of comic books is fairly well known. The star of Ghost Rider and Kick-Ass once owned the legendary Action Comics No. 1, featuring the first appearance of Superman. What happened to this specific issue is quite wild, and the story even features a connection to the hit A&E series Storage Wars. Here’s what happened….
I can’t resist an item that mentions Storage Wars — my friend Elst Weinstein appeared as an expert in the show’s first season.
Marvel isn’t the only one capable of exploring alternate realities within established canon. The official trailer for the LEGO Star Wars Terrifying Tales special (coming to Disney+ early next month) teases a trio of stories that put a fresh — and borderline What If…? — twist on beloved characters and storylines.
Set on the volcanic planet of Mustafar, Terrifying Tales follows Poe Dameron (Jake Green), BB-8, and plucky mechanic Dean (Raphael Alejandro) as they’re treated to a hair-raising tour of Vader’s old castle. One of the most foreboding locations in the Star Wars mythos, the castle is being turned into a galactic tourist attraction by Graballa the Hutt (Dana Snyder)….
(18) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Shang-chi Pitch Meeting” on Screen Rant, Ryan George, in a spoiler-packed episode, has the producer take out the “Marvel Movies checklist” to find that Shang-Chi does have “a big messy CGI Battle,” ‘color-coded energy blasts,” and a hero who takes off his shirt to reveal sic-pack abs.
[Thanks to Michael Toman, John King Tarpinian, Cat Eldridge, Lise Andreasen, Alan Baumler, Jeffrey Smith, Mike Kennedy, Andrew Porter, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to contributing editor of the day Jack Lint.]
For centuries, we’ve been reading, watching and listening to science fiction. And all too often, it’s pretty pessimistic about our future, especially when it touches on the topic of climate change.
This is leading some to ask whether these doom and gloom stories are doing the climate fight more harm than good – causing us to feel so anxious and powerless that we don’t take action.
So for this week’s climate question, we’re asking: Is sci-fi holding us back?
Graihagh Jackson is joined by:
Amy Brady, editor-in-chief of the Chicago Review of Books, where she writes a monthly column called Burning Worlds. In it she explores how fiction addresses climate change.
Cheryl Slean is a playwright, filmmaker and educator working with the National Resource Defense Council’s Re-write the Future campaign to increase accurate climate stories in film and television.
Ken Liu is a futurist and author of speculative fiction. He has won the Nebula, Hugo, and World Fantasy awards. His debut novel, The Grace of Kings, is the first volume in a silkpunk epic fantasy series.
In a statement provided to EW, film distributor and production company Searchlight Pictures (formerly Fox Searchlight) indicated that the legal action against del Toro and associate producer Daniel Kraus had been dismissed after the Zindel estate’s attorney, Marc Toberoff, previously cited 69 points of alleged similarities between the 1969 stage play Let Me Hear You Whisper (about a woman who bonds with a lab dolphin) and del Toro’s movie (about a woman, played by Sally Hawkins, who bonds with a humanoid sea creature, played by Doug Jones, in a research facility).
“David Zindel, the son of Paul Zindel, author of Let Me Hear You Whisper, acknowledges, based on confidential information obtained during the litigation process, that his claims of plagiarism are unfounded,” the statement said. “He acknowledges Guillermo del Toro as the true creator of The Shape of Water. Any similarity between the two works is coincidental.”
… Both sides were reportedly slated to present additional information this year, and a trial had been set for July before the case was dropped.
… She says her family’s gathering and bonding time was spent watching movies and television, and they were big horror fans. And then she would realize that movies that she watched had sometimes been classic books. Then she would read those.
“That’s what I remember getting really excited about early on,” she said. “And then I started reading more science fiction work. And the writer that stood out the most for me, that I enjoyed consistently, was Ray Bradbury.”
Bradbury told stories in clear, sometimes lyrical prose, she said. And he had a great sense for characterization.
“People came alive in his writing,” Thomas said.
She can’t pinpoint when she moved from reading to writing, too. “I don’t know if it was a conscious thing. I felt like, ‘I’m consuming these other stories, whether it was a movie or I’m reading it, someone sat down to write those and my head was full of thoughts.’”
Thomas recalls that her interest in science fiction waned for a time because of the way Black people were depicted in the stories: “Either we weren’t in the future, or if we were present in the storytelling it wasn’t in a very complimentary light or wasn’t in a way which characters had agency, or operated or moved in ways that you could recognize as having been a person that is part of the Black community or a community at all.”
So she started reading mostly Black literature, specifically Black women writers, from her mother’s shelves and the public library. Reading work by Alice Walker, Gayle Jones, Gloria Naylor and Toni Morrison was formative to her….
(4) SECOND SEASON OF PICARD. Paramount + dropped a trailer for Star Trek: Picard, Season 2 which includes the return of Q.
(5) IS IT A PEARL? In the latest Young People Read Old SFF, James Davis Nicoll turns his readers loose on “All the Seas with Oysters,” a 1958 story that won a Hugo the same year (because those wacky LA fans running Solacon set the eligibility period from July 1957 to July 1958.)
Avram Davidson (April 23, 1923 – May 8, 1993) was (as so often true for authors of his vintage) prolific across an expanse of genres, including fantasy, science fiction, and mysteries, to name a few. His SFF awards include a World Fantasy Life Achievement award, World Fantasy Awards for The Enquiries of Doctor Eszterhazy, and ?“Naples”, and the Hugo Award for ?“All the Seas with Oysters”, not coincidentally the subject of this month’s Young People Read Old SFF.
… Young readers encountering the tale for the first time do so without the rosy patina of uncritical nostalgia concealing whatever issues the story might have. Still, this is a widely loved classic. What are the odds generations of SF readers overlooked something? Let’s find out!
(6) SECOND LOKI TRAILER. [Item by Daniel Dern.] Not that I wasn’t already psyched to watch this…
Loki’s time has come. Watch the brand-new trailer for “Loki,” and start streaming the Marvel Studios Original Series June 11 on Disney+.
And the first trailer, I believe.
BTW, the TVA (Time Variance Authority) is an established Marvel Comics organization. My main memories are from Walt Simonson’s fabulous run in Fantastic Four with the TVA. (Simonson also brought us Beta Ray Bill, and Thor as Frog, among many, many other delightful creations)
The Time Variance Authority (or TVA) is a fictional organization, a group of timeline monitors appearing in American comic books published by Marvel Comics. They first appeared in Thor vol. 1 #372 (October 1986). Created by Walt Simonson and Sal Buscema, the TVA originally paid homage to long-time Marvel writer/editor, and continuity expert, Mark Gruenwald: the TVA staff were all clones of Gruenwald.
(7) NYRSF READINGS. Ilana C. Myer will read from the third book in her Harp and Ring Sequence, The Poet King, and will talk will host Amy Goldschlager at the next NYRSF Readings on Facebook on Tuesday, April 6, 2021 at 7 p.m. Eastern. Viewers can ask questions and comment via the chat channel. Will be available later on YouTube.
Ilana C. Myer has worked as a journalist in Jerusalem and a cultural critic for various publications. As Ilana Teitelbaum she has written book reviews and critical essays for The Globe and Mail, the Los Angeles Review of Books, Salon, and the Huffington Post. Last Song Before Night was her first novel, followed by Fire Dance and The Poet King. A native New Yorker and longtime Jerusalem resident, she now lives in the mountains of Pennsylvania.
(8) CONFUSION AFTER ACTION REPORT. Farah Mendlesohn’s writeup about last weekend’s virtual Eastercon (UK) — “ConFusion FM’s con report” [PDF file] – covers the positive and negative con experiences, including how it was to use the Gather Town app, and delivers a withering comments about accessibility issues.
… I am not going to pretend here. I felt utterly betrayed. My sneaking feeling at other conventions that ‘only wheelchair users really mattered’, a feeling for which I’d berated myself, was utterly confirmed. Hearing, sight, neurodivergence, hand or co-ordination issues…. None of these things apparently mattered, yet all of them could have been addressed with good design, a careful choice of discussion platforms, and over and above all with conversation.
I didn’t go to the Feedback meetings because for much of the convention I was too angry. What would I have asked after all; “will the convention chair make a full and unqualified apology for the utter disregard of issues of accessibility in the planning and delivery of this convention?”
In future I will not vote for any bid that does not have a clear statement on access and inclusion. I will not go to a convention that does not support access and inclusion (I began declining conferences for this reason some time ago).
(9) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present via livestream Nalo Hopkinson and Bruce McAllister on April 21 at 7 p.m. Eastern. Check back for the link here.
Bruce McAllister has been writing science fiction, fantasy and horror for some decades. He began as an sf writer but these days writes more fantasy of the uncanny kind. His most recent novel is a little thing called The Village Sang to the Sea: A Memoir of Magic. His Hugo-nominee short story “Kin” launched the new podcast Levar Burton Reads.
Nalo Hopkinson is a Jamaican-born Canadian author and maker of objects. She has won the World Fantasy Award, the Andre Norton Nebula Award, and the Sunburst Award for Canadian Literature of the Fantastic. She authored and co-authored the series “House of Whispers” for DC Comics, set in Neil Gaiman’s “Sandman” universe. SFWA recently honored her with the “Grand Master” award for lifetime achievement.
After 30 years, a TV adaptation of J.R.R. Tolkien’s The Lord of the Rings long thought lost has resurfaced. The 1991 Soviet television adaptation has been uploaded to YouTube in two one-hour videos.
The film focuses on the events of the first book in the trilogy, The Fellowship of the Ring, and features many elements that were excluded from the popular global theatrical release by director Peter Jackson, including an extended sequence featuring the character Tom Bombadil—one of the biggest omissions by the bigger-budget 2001 film far more of us have seen.
Originally broadcast on TV in 1991 (and then never aired again), the film was thought lost to time by those who had seen it. But as reported in The Guardian, Leningrad Television successor Channel 5 uploaded the film to its YouTube page with little fanfare, surprising fans who had given up on seeing the production again. It is believed to be the only adaptation of these books produced in the Soviet Union….
(11) TODAY’S DAY.
(12) MEDIA BIRTHDAY.
April 5, 1992 — On this day in 1992, Mann & Machine premiered on 1992. It would last for only nine episodes. Starring David Andrews, Yancy Butler and S. Epatha Merkerson, it was a Dick Wolf production, he of the eventually myriad Law & Order series. Yancy Butler would go on to be the lead a decade late in Witchblade. It has no audience rating at Rotten Tomatoes but the critic rating there is 20%. NBC has the pilot available here for your viewing.
(13) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born April 5, 1526 – Giuseppe Arcimboldo. More than his work as a court painter, like this, his portraits composed of pertinent objects appeal to our fantasy. Here is the Emperor Rudolf II portrayed as Vertumnus, the god of plant growth and fruit trees. Here is a librarian. Here is a waiter. (Died 1593) [JH]
Born April 5, 1867 – Helen Stratton. Illustrator in monochrome and color. Three editions of H.C. Andersen, three of The Arabian Nights, three of Grimm, The Princess and the Goblin (G. MacDonald), Marie of Romania’s Lily of Life, many more. Here is The Wild Swans. This is from “The Tinderbox”. This is from “The Snow Queen”. (Died 1961) [JH]
Born April 5, 1917 — Robert Bloch. His Wiki Page says he’s best known as the writer of Psycho, but I’ll guarantee that only film geeks and many of y’all know that. I know him best as the writer of the Trek “Wolf in the Fold” episode. His Night of the Ripper novel is highly recommended by me. And I know that “That Hellbound Train” which won the Hugo Award for Best Short Story is the piece of fiction by him that I’ve read the most. He’s not well represented at the usual digital suspects. (Died 1994.) (CE)
Born April 5, 1926 — Roger Corman, 95. Ahhhh, popcorn films! (See popcorn literature for I mean.) Monster from the Ocean Floor in the early Fifties was his first such film and Sharktopus vs. Whalewolf on Syfy just a few years back was another such film. He’s a man who even produced such a film called, errr, Munchies. A Worldcon guest of honor in 1996. (CE)
Born April 5, 1931 – Al haLevy, age 90. Chaired Westercon 16 (2nd appearance of B. Trimble’s Project Art Show! rumor – false – that F. Pohl lost Galaxy to B. Bernard at late-night poker!), co-chaired Pacificon II the 22nd Worldcon. Revived Rhodomagnetic Digest awhile. [JH]
Born April 5, 1935 – Helen M. Hoover. A dozen novels for us, two others. Golden Duck Award. Two American Lib’y Ass’n Best Books. Alas, Children of Morrow and Treasures of Morrow are about a person, not a place, although come to think of it one could still tell people “Go to Morrow.” (Died 2018) [JH]
Born April 5, 1950 — A.C. Crispin. She wrote several Trek and Star Wars novelizations and created her own series called Starbridge which was heavily influenced by Trek. She also co-wrote several Witch World novels, Gryphon’s Eyrie and Songsmith, with Andre Norton. Pirates of the Caribbean: The Price of Freedom was her last novel prior to her death from bladder cancer while in hospice care. (Died 2013.) (CE)
Born April 5, 1955 – Toriyama Akira, age 66. (Personal name last, Japanese style.) So successful in manga and animé that he won not only Shogakukan Publishing’s Manga Award, but also the 40th Anniversary Festival Award at the Angoulême Int’l Comics Festival, and was made a Chevalier of the Ordre des Arts et des Lettres. Dragon Ball has sold 300 million copies worldwide, plus animé, video games. See more here. [JH]
Born April 5, 1963 – Arthur Adams, age 58. Artist and writer for Marvel, Legend (Monkeyman and O’Brien still appears here and there), DC, Wildstorm. Diana Schutz got him to draw Gumby Summer Fun Special 1, so of course he drew this – and won an Eisner. Front and back covers for Ron Goulart’s Great Comic Book Artists vol. 2. Frequently in Spectrum. Inkpot Award. Here is Wolverine. Here is Phoenix. [JH]
Born April 5, 1965 — Deborah Harkness, 56. She’s the author of the All Souls Trilogy, which consists of A Discovery of Witches and its sequels Shadow of Night and The Book of Life. I listened to the Jennifer Ikeda-narrated audiobooks which are an amazing experience. Highly recommended as Harkness tells a remarkable story here. I’m not even fond ’tall of vampires in any form and hers actually are both appealing and make sense. I’ve not seen the series made from the novels. (CE)
Born April 5, 1982 — Hayley Atwell, 39. Agent Carter with her as Peggy Carter I’ll freely admit has been the only series or film in the MCU repertoire save the first Iron Man and Avengers films being the ones that I’ve flat out enjoyed so far. Even the misogyny of the males though irritating in that setting made sense. Oh and I’m interested to see her in Christopher Robin as Evelyn Robin. (CE)
(14) COMICS SECTION.
The Far Side has a different opinion about what really happened to Godzilla. (OK, you’re right. That’s not really what it’s about.)
The Pink Cloud, written and directed by Iuli Gerbase, is about a couple whose one-night stand becomes a permanent arrangement when a killer cloud drifts into cities across the globe and forces people to shut their windows and quarantine at home. A film that seems like a painfully obvious metaphor for the pandemic was written in 2017 and filmed in 2019, according to a disclaimer that precedes the opening credits.
It’s not often one sees a film arguing against its own topicality, but that’s what happens at the outset of The Pink Cloud, a subtly fevered quarantine drama that is so of the moment, you all but wonder how they had time to shoot and cut it just last week. But they didn’t …
Not even sure they like each other to begin with, Giovana and Yago try things out as platonic roommates, friends with benefits and eventually lovers, never comfortable settling into any of those modes. Early in the lockdown, Giovana jokes that their setup is akin to an arranged marriage: It’s a comparison that seems less amusing as weeks turn to months, and months to years.
Public screenings at the film festival were stopped by a new pandemic lockdown caused by surging cases in Bulgaria.
In the title story of I’m Waiting For You, the first of Korean science fiction writer Kim Bo-Young’s works to be translated into English, the unnamed protagonist says he felt he was prepared for solo space travel because he’d once spent a few months without leaving his home. After a year in which so much of the world has experienced an even more extreme version of such isolation, that idea might seem trite. But then the character goes on to explain how wrong he was:
That wasn’t actually living alone. I have never once really lived alone. Someone cleared away the trash I left out for collection, and emptied the septic tank… In another place they boiled noodles and put them in a dish and delivered them… I had never lived alone, not once. How would really living alone even be possible?
“I’m Waiting For You” was originally written in 2015 at the request of a fan who wanted Kim to write a story he could use to propose to his girlfriend. The tale of a man journeying through time and space in an increasingly desperate and unlikely attempt to reunite with his fiancée has taken on new power as we look toward the end of more than a year of isolation that has also produced a newfound understanding of how connected we are to the communities around us….
The London-based, British Ghanaian artist and filmmaker Larry Achiampong explores race, class, and history in a multidisciplinary practice that, as described in the biography on his website, seeks to “examine his communal and personal heritage—in particular, the intersection between pop culture and the postcolonial position.” First devised in 2016, partially as a response to the sociopolitical shock of Brexit, Achiampong’s Relic Traveller is an ambitious project that has manifested as performance, sound installation, moving image, prose, and a remarkable public commission in which Achiampong reimagined London Underground’s iconic roundel in Pan-African colors—green, black, and red—that spoke symbolically to various African diasporic identities.
A central pillar of the project is a suite of four science fiction–inflected short films—Relic 0, Relic 1, Relic 2, and Relic 3—now streaming on the Criterion Channel.
… Clearly, these films engage deeply with long, painful histories and would be resonant at any time. But in the past few years, particularly in the UK, there’s been a real resurgence of empire fetishism, and seemingly more reluctance than ever among the media and ruling classes to address the reality of this history. To what extent are the films a reaction to that context?
For me, the films represent a warning to the West about its negligence, ignorance, mythical approach to history, omission of the histories and legacies of empire, slavery and colonization, and how those things affect the way that we live today: the way that Black people are still disenfranchised. They’re a stark warning that the West will undo itself as a result of the lies it has celebrated, taught, and disseminated for a while. It’s almost as if it will eat itself unless an understanding of the truth—or what has not been allowed to be revealed as the truth—is opened up….
Suppose there really are aliens out there who are creeping around on the surface of some faraway planet and have managed to survive everything space has thrown at them so far. How could we find out they exist?
The answer might lie in how they would (hypothetically) see us. We may never know whether there really are intelligent beings who have spotted our planet as it passed by the sun, but observing it from their perspective could help us see through extraterrestrial eyes. This is the objective of the Earth Transit Observer (ETO) mission concept. Led by a research team from the Johns Hopkins Applied Physics Laboratory (APL), ETO will watch Earth in transit as if it was a spacecraft sent out here by other intelligent beings.
Researchers Noam Izenberg and Kevin Stevenson, who will be the project leads if this mission becomes reality, and co-led a study recently presented at the 52nd Lunar and Planetary Science Conference, and Laura Mayorga, who also co-led the study, believe that observing Earth from the perspective of a being who never knew it existed could give us new insight on how to look for habitable—and possibly inhabited—planets….
(19) VIDEO OF THE DAY. In “Godzilla vs. Kong Pitch Meeting” on Screen Rant, Ryan George’s screenwriter tells the producer, “We’re just going to keep cutting to monsters punching each other so that no one has time to digest the mumbo-jumbo we use as explanation” for why Godzilla and King Kong fight each other. SPOILER WARNING.
[Thanks to Michael Toman, Lise Andreasen, N., Martin Morse Wooster, JJ, Mike Kennedy, rcade, Daniel Dern, Nicholas Whyte, Andrew Porter, John Hertz,John King Tarpinian, Rich Lynch, Nina Shepardson, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Bruce Baugh.]
Born March 22, 1931 in Montreal, Quebec, Canada, William Shatner has been an indelible part of popular culture for a good portion of a century. Though he’s most recognizable as Captain James T. Kirk in the Star Trek film and television franchise, Shatner’s career has encompassed everything from the earliest days of television to spoken-word recordings to his own sci-fi book series (TekWar)….
Yes! These are the kinds of things we need to know!
17. WILLIAM SHATNER WAS PRONE TO STEALING LEONARD NIMOY’S BICYCLE ON THE SET OF STAR TREK.
Ostensibly a prank, it was also Shatner’s way of expressing his frustration at Nimoy being able to get to the commissary for lunch faster than everyone else in the cast.
18. WILLIAM SHATNER HAS SOME TROUBLE WITH THE VULCAN SALUTE.
Shatner is apparently unable to do the Vulcan salute, where the Vulcans of Star Trek spread their four fingers to form a “V” shape. When prompted to do so by Conan O’Brien in 2009, Shatner gave the talk show host the middle finger instead.
(2) GOOD COPY. William Shatner is one of the best things that ever happened to science fiction news blogs. File 770 has run 128 items about him over the past 13 years. Here are links to five of my favorites.
(3) FROZEN IN TIME. “William Shatner’s Loblaws Commercial” on YouTube has Shat in the Seventies with a really bad toupee having to deal with a dude in a penguin suit while hawking a Canadian supermarket chain.
(4) NYRSF READINGS TOMORROW. The New York Review of Science Fiction Readings series continues with Karen Russell on March 23 at 7:00 p.m. Eastern. This free event can be viewed in the @NYRSF Readings group on Facebook, and on YouTube at https://youtu.be/L9N3j39kFr8
Karen Russell was already considered a great writer when she last read for us at the South Street Seaport in June, 2008, along with Thomas M. Disch. While we’ve conversed on the radio, it’s been all too long since we’ve been honored to play host here.
Karen Russell’s debut novel, Swamplandia!, was a finalist for the 2012 Pulitzer Prize for Fiction. She was also the recipient of a MacArthur Foundation “Genius Grant” in 2013. She has expanded her writing into the realm of non-fiction in the pages of The New Yorker, discussing how the pandemic has changed the English language. Her latest book is a collection of stories entitled “Sleep Donation.”
5. You can tell a few people you trust about your nomination as long as you know they won’t blab it all over the internet. Before the official announcement, a handful of people knew I was a Hugo finalist. These include my parents (whose reaction was, “That’s nice,” before turning back to watch a rerun of Midsomer Murders), some folks from Galactic Journey and others in the SFF community, who knew not to say anything before the official announcement, as well as my accountant (because I asked her if buying an evening gown for the Hugo ceremony was tax-deductible) and the guy who repaired my patio, because he just happened to be there, when I got the e-mail. Neither the accountant nor the patio guy are SFF fans, so chances of a leak were zero. They both also probably thought I was quite mad.
(6) IT’S LONG. Comedian Leslie Jones did an extended commentary while watching the Snyder Cut of Justice League. Her tweets are not threaded. They are all tagged longassmovie, but so are hundreds of other people’s. About all you can do is go to Jones’ account and scroll down, down, down. BEWARE SPOILERS, obviously.
The Black Panther and his native home of Wakanda will be in a Marvel’s Avengers expansion called War for Wakanda later this year, Crystal Dynamics and Square Enix announced Thursday during the Square Enix Presents digital showcase. The studio also highlighted the game’s most recent update, featuring Hawkeye, which launched alongside the next-gen console version of Marvel’s Avengers earlier today.
Klaw — the Vibranium thief played by Andy Serkis in the MCU — seems to be working alongside AIM in the new expansion, working to steal Wakanda’s most valuable resource.
(8) VOICE OF VAUGHN. In Odyssey Podcast #137, Carrie Vaughn, a guest lecturer at the 2020 Odyssey Writing Workshop, answers questions about revision, plot, and point of view during a Q&A session.
Carrie’s latest novels include the post-apocalyptic murder mystery, Bannerless, winner of the Philip K. Dick Award, and its sequel, The Wild Dead. She wrote the New York Times bestselling series of novels about a werewolf named Kitty, along with several other contemporary fantasy and young adult novels, and upwards of 80 short stories, two of which have been finalists for the Hugo Award. She’s a contributor to the Wild Cards series of shared world superhero books edited by George R. R. Martin, and a graduate of the Odyssey Fantasy Writing Workshop. An Air Force brat, she survived her nomadic childhood and managed to put down roots in Boulder, Colorado. Visit her at www.carrievaughn.com.
(9) MEMORY LANE.
2006 — Fifteen years ago, Neil Gaiman wins the Mythopoeic Fantasy Award for Adult Literature for his Anansi Boys novel, the sequel of sorts to American Gods, which had been published the previous year by William Morrow. It would also win the BFA August Derleth Fantasy Award and a Locus Award for Best Fantasy Novel. It was also nominated for the Grand Prix de l’Imaginaire.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born March 22, 1855 – Dorothy, Lady Stanley. Author, illustrator, painter (exhibiting in London, Glasgow, Liverpool, Manchester; here under her maiden name is His First Offence); married Sir Henry Stanley, edited his memoirs. Miss Pim’s Camouflage for us; Miss P can become invisible; you can read it here. (Died 1926) [JH]
Born March 22, 1896 – Joe Doolin. Two covers for Weird Tales, a hundred seventy interiors; Planet Comics, Planet Stories, and the range of air, detective, romance, Western magazines. Here is the Dec 26 Weird Tales.Here is a pencil page for “Mars, God of War” in Planet Comics 24. Here is Planet Comics 54 with Mysta of the Moon. More about JD here. (Died 1967) [JH]
Born March 22, 1911 – Raymond Gallun. Half a dozen novels, ten dozen shorter stories; various pseudonyms; “The Making of a Pulp Writer” with Jeffrey Elliot in Foundation; JE interviewed RG in Thrust, completed RG’s memoir Starclimber after RG’s death. First Fandom Hall of Fame. I-CON Lifetime Achievement Award, later named for him. (Died 1994) [JH]
Born March 22, 1920 — Ross Martin. Best known for portraying Artemus Gordon on The Wild Wild West. I watched the entire series on DVD one summer some decades back (which included all the films) in less than a month from start to finish. Now that was fun! It looks like Conquest of Space, a 1955 SF film, in which he played Andre Fodor was his first genre outing. The Colossus of New York in which he was the brilliant Jeremy ‘Jerry’ Spensser came next followed by appearances on Alcoa Presents: One Step Beyond, The Twilight Zone, Zorro, The Immortal, Night Gallery, Invisible Man, Gemini Man (a far cheaper version of Invisible Man), Quark (truly one of the dumbest SF series ever), Fantasy Island and Mork & Mindy. (Died 1981.) (CE)
Born March 22, 1920 — Werner Klemperer. Yes, he was Colonel Wilhelm Klink on Hogan’s Heroes, but he had a fair amount of genre of work starting with One Step Beyond, and continuing on with Men in Space, The Man from U.N.C.L.E., Voyage to the Bottom of the Sea, Lost in Space, Batman (where he appeared in a cameo as Col. Klink) and Night Gallery. (Died 2000.) (CE)
Born March 22, 1923 — Marcel Marceau. Professor Ping in Roger Vadim‘s Barbarella. A French mime, and I assume you know that, this is the first time Marceau’s voice is heard on film. This is his only genre appearance unless you count the Mel Brooks film Silent Movie as genre adjacent in which case he says the only words in that film. (Died 2007.) ( CE)
Born March 22, 1946 — Rudy Rucker, 75. He’s certainly best known for the Ware Tetralogy, the first two of which, Software and Wetware, both won the Philip K. Dick Award. Though not genre, I do recommend As Above, So Below: A Novel of Peter Bruegel.(CE)
Born March 22, 1950 — Mary Tamm. She’s remembered for her role as Romana as the Companion to the Fourth Doctor in “The Key to Time” storyline. It seemed liked she was there longer only because another actress, Lalla Ward, played her in the following season. Ward was soon to be married to Tom Baker. She also appears briefly in the 20th Anniversary special The Five Doctors through the reuse of footage from the uncompleted story Shada that Douglas Adams wrote. Tamm had only one other genre gig as Ginny in the “Luau” episode on the Tales That Witness Madness series. (Died 2012.) (CE)
Born March 22, 1950 — Alex Irvine, 51. I strongly recommend One King, One Soldier, his offbeat Arthurian novel, and The Narrows, a WW II Detroit golem factory where fantasy tropes get a severe trouncing. He’s also wrote The Vertigo Encyclopedia which was an in-house project so, as he told me back then, DC delivered him one copy of every Vertigo title they had sitting in the warehouse which was a lot. For research purposes of course. And he’s written a fair number of comics, major and minor houses alike. His newest novel, Anthropocene Rag, sounds intriguing. Has anyone read it? (CE)
Born March 22, 1954 – John Purcell, age 67. One short story I know of; current fanzines Askance and Askew; hosted the Fanzine Lounge at LoneStarCon 3 the 71st Worldcon; TAFF (Trans-Atlantic Fan Fund) delegate; chaired Corflu 37 (fanziners’ con; corflu = mimeograph correction fluid). Correspondent of Banana Wings, Flag, Lofgeornost, SF Commentary, The White Notebooks. College English teacher. Jazz musician. [JH]
Born March 22, 1967 – Suzanne Frank, age 54. Author, journalist. Five novels for us; one of women ornithologists; detective fiction. “I see connections everywhere…. identifying and understanding them deepens my appreciation and joy”. [JH]
Born March 22, 1986 – Tara Crowl, age 35. Two novels, one shorter story. Has read Notes of a Native Son, We Have Always Lived in the Castle, The Little Prince, Sense and Sensibility, both of Carroll’s Alice books, Lolita. [JH]
“The Falcon and the Winter Soldier,” the next Marvel Studios event for Disney Plus, debuted the first of six episodes on Friday. The show will follow two Captain America sidekicks, the Falcon/Sam Wilson (Mackie) and Bucky/the Winter Soldier (Sebastian Stan), as they become reluctant partners tasked with carrying the weight of the star-spangled Avenger’s legacy. America needs someone to wield the shield once more. Does Uncle Sam think another Sam is the right man for the job? Or will there be resistance to a Black Captain America — and what, exactly, will that imply about the country he has sought to protect?
Series head writer Malcolm Spellman gives credit to the billion-dollar box-office success of 2018’s “Black Panther,” which gave him the chance to write the journey of the Falcon, another of Marvel Comics’ most recognizable Black superheroes. “Black Panther’s” story of a secret, wealthy, powerful and technologically advanced African nation going up against a fallen son who was left on his own as a Black man in the American diaspora proved Marvel Studios could approach the subject of race and not lose a global audience.
“‘Black Panther’ shattered old superhero movies,” Spellman said. “Part of why it did that isn’t just by what you saw, it’s how positively the fans reacted. It proved that you could be relevant and tackle real stuff without alienating people. ‘Black Panther’ paved that runway for us to bring the America-ness and the obvious struggles that’s going to come from a Black man in America going through this [superhero] thing.”
Spellman would not specify if Sam Wilson does indeed become Captain America in this series. This is Marvel Studios, after all. No spoilers. The fun is always in the secrets that are discovered along the way.
…Time travel is as old as H G Wells (and there is lovely leitmotif to his time machine) and Time Travel Wars as mentioned above go to Jack Williamson. And guarding time is something that Marvel comics has done with Kang turned Immortus. So the ideas that are on display here are not new, but Tchaikovsky puts his own spin and speculations on the premise of how a Time War would look, and most importantly for the point of the novella, how would someone “win” such a Time War, and what would happen afterwards.
My additional touchstones for this story, although the novella is very different in tone and style, are Isaac Asimov’s The End of Eternity, and Amal El-Mohtar and Max Gladstone’s This is How You Lose the Time War. This novella is, spoiler, very much not a romance in the same nature as the Gladstone and El-Mohtar novella is, our protagonists here are very different people, but the novella has the same sort of breezy look at history that their story has.
One thing I had hoped for in This is How You Lose the Time War, despite its near perfection, was a bit more historical changes and bits. We get them here in Tchaikovsky’s novella in spades…
(13) UNREAL ESTATE. Bon Appétite’s M.M. Carrigan needs to get out of the house. Maybe out of the planet. “A Eulogy for Mars 2112”.
Mars 2112 was a science-fiction themed restaurant and tourist trap in New York City. Few mourned it when it closed in 2012, one hundred years ahead of its time. It was like a Rainforest Cafe, except with aliens, craters, and a spaceflight simulation ride that dropped space travelers off at the hostess stand. Patrons dined in the three-story high Crystal Crater, decorated with neon lights and bubbling lava pools. Martians with names and backstories mingled among the tables for photo ops and conversation. Having been there just once, when I was 18 years old, I can say it was tacky. It was overpriced. It was basically a space-themed version of Applebee’s. And goddamn it, I miss it. I miss all of it.
We’re over a year into the pandemic. I’ve been trapped in my house with my wife and children. I’m bored. I’m depressed. And I’m fantasizing about partying with martians.
…We’ve written so many eulogies for beloved restaurants over the last year. I guess I just wanted to write a eulogy for an unloved one. I miss restaurants. Nah, it’s more than that. I miss impromptu stupidity with other people in places designed to make it easy. I miss that magical type of food that’s bland and greasy when you’re alone but amazing when you’re with friends. It’s easy to laugh at the unreality of these themed restaurants, the Hard Rock Cafes and Planet Hollywoods and Medieval Times of the world. But after a year in the pandemic, in my 341st day of wearing gym shorts, I’ve begun to question what real even is….
(14) JEOPARDY! Andrew Porter spotted another genre miss on tonight’s Jeopardy! epsisode.
Category: Words in books
Answer: We use this word to describe a boy or girl of 11 or 12; Tolkien used it to mean a Hobbit not yet an adult.
Wrong question: What is an adolescent?
Right question: What is a tween?
(15) VIDEO OF THE DAY. in “Zack Snyder’s Justice League Pitch Meeting” on Screen Rant, Ryan George says that the four-hour Zack Snyder’s Justice League has plenty of room for character development because “you can dedicate a lot of time to characters if you devote half a work day” to your movie.
[Thanks to Cat Eldridge, JJ, Mike Kennedy, Andrew Porter, Michael Toman, John King Tarpinian, Martin Morse Wooster, John A Arkansawyer, and John Hertz for some of these stories. Title credit goes to File 770 contributing editor of the day Paul Weimer.]
(1) VARLEY MEDICAL UPDATE. R. Graeme Cameron relayed a report that John Varley’s heart bypass surgery today was successful.
Spider Robinson just dropped quickly in and out of my Monday fannish zoom meet to inform me that “Herb” John Varley’s heart operation went well, no complications, and they’ll be keeping him for five days to monitor recovery, then let him go home. Spider very relieved. Operation successful.
And according to Andrew Porter, “Varley’s partner Lee Emmett reports that he has successfully undergone a quadruple bypass and is in the ICU; he will be in the hospital for the next five days/”
(2) A LOOK AT THE NUMBERS. Mark Lawrence illustrates the limited effectiveness of an endorsement on a bookcover from a bestselling author by showing his own frustrated efforts to get attention from the many people who have already signed up for news about his work: “The Extraordinary Struggle to be Heard”.
…I’m a fairly popular author. People pay MONEY to read my books. Enough so that I can live off the proceeds. You would think this would mean that, when I offer my writing for free, people would jump on it. At least some of them. I’ve sold nearly two million books and must have hundreds of thousands of readers. So how many do you think would try on my recommendation not somebody they’ve never heard of but me: Marky?
On Wattpad I’ve been putting out chapters of a book I started writing called Jacob’s Ladder. I think it’s good. I’ve been alerting the 9,830 people who follow/friend me on Facebook to each chapter as it’s posted. I’ve also been posting about them to the 7,506 members of the Grimdark Fiction Readers & Writers group on Facebook where I’m reasonably popular.
I also have 2,815 followers on Wattpad itself who get alerts when I post the chapters. And I’ve tweeted about each chapter to my 28,600 followers on Twitter. And I’ve blogged on Goodreads about it where I have 48,029 followers.
I posted chapter 5 two days ago and it’s had 21 views (which are not necessarily reads) at least one of which was me.
All of which I throw out there to demonstrate how ridiculously hard it is to be heard and to have that audience act.
Now, new authors, consider how much of an impact the weeks this slow reader spends reading your book will have on your sales when condensed into a line on the cover…
(3) NYRSF READINGS THIS WEEK. Charles Yu will be on The New York Review of Books Readings livestream tomorrow, February 23.
CHARLES YU is the author of four books, including his latest, Interior Chinatown, which won the National Book Award for Fiction and was longlisted for the Andrew Carnegie Medal for Excellence in Fiction. He has been nominated for two Writers Guild of America awards for his work on the HBO series Westworld, and has also written for shows on FX, AMC, Facebook Watch, and Adult Swim. His fiction and non-fiction have appeared in a number of publications including The New Yorker, The New York Times, The Atlantic, Wired, and Harper’s. You can find him on Twitter @charles_yu.
The live event *should* be on https://www.facebook.com/groups/NYRSF.Readings and Jim Freund’s timeline, and you *should* (that word again) be able to join on YouTube at https://www.youtube.com/c/JimFreund
(4) YU CREATIVE WRITING AWARD. “Charles Yu establishes prize for young Taiwanese American creative writers” reports TaiwaneseAmerican.org. Submissions may be in any literary genre. Prior to his winning a National Book Award for his literary awork Interior Chinatown, Yu also wrote sff, such as How to Live Safely in a Science Fictional Universe (2010), and served as the Guest Editor for the Best American Science Fiction and Fantasy 2017. [Via Locus Online.]
TaiwaneseAmerican.org is pleased to announce the inaugural Betty L. Yu and Jin C. Yu Creative Writing Prizes. Created in collaboration with Taiwanese American author Charles Yu, the Prizes are intended to encourage and recognize creative literary work by Taiwanese American high school and college students, and to foster discussion and community around such work.
Submissions may be in any literary genre including fiction, poetry, personal essays or other creative non-fiction. Submissions must be sent via Google Form and must be received by March 31, 2021 at 11:59PM PT. In order to be eligible, submissions must be from writers of Taiwanese heritage (or writers with other significant connection to Taiwan), or have subject matter otherwise relevant to the Taiwanese or Taiwanese American experience.
Submissions will be considered in two categories, High School (enrolled in high school as of the deadline) and College (enrolled in community college or as an undergraduate as of the deadline). Winners and finalists will be announced in May 2021. A total of $1500 will be awarded to the winners. In addition, each of the winners and finalists will have their submitted work published online by TaiwaneseAmerican.org and considered for publication in a future edition of Chrysanthemum, and offered the opportunity to participate in an individual mentoring session with one of the judges.
Setting Boundaries: A writing career often comes with attention—wanted and unwanted. What kinds of boundaries do you set as an author with your readers, and how do those change throughout your career? Authors across the publishing spectrum discuss how they interact with, acknowledge, and encourage their readers while maintaining personal boundaries.
Writing Speculative Justice: Many envision a new role and future for the justice system in the United States and across the world—one that is more restorative, more equitable, and more just. As writers build our own worlds, what can and should we be thinking about when it comes to justice? How does our approach to laws, crime, retribution, and restoration impact the rest of our worldbuilding, characters, and plots? How can we craft a more just future?
(6) HOW MUCH ARE THOSE CLICKS IN THE WINDOW? James Pyles (PoweredByRobots) has been doing his darnedest to use the recent kerfuffle to get attention. And he doesn’t much care who that damages.
…Frankly, the Discon III / Worldcon decision to “uninvite” Weisskopf is looking less and less popular. Of course, I have no idea who Weber, Eggleton, and Gannon are (my understanding of SF/F personalities and their politics is shockingly limited), but on the surface, I can’t see anything awful, horrible, and offensive about their comments (well, maybe some of the language was just a little rough depending on how thin-skinned you are). In fact, they seem pretty reasonable….
Bounding Into Comics, as Doris V. Sutherland observes, belittled Sanford’s coverage, but they couldn’t deny what Jason found in Baen’s Bar.
Mad Genius Club’s Dave Freer’s purported explanation of the controversy rapidly deteriorated into gibberish: “Omnibus?”
…Back in the day you’d left right and center views – depending on where you went. His [Jason Sanford’s] ‘expose’ is drivel, out of context, imaginary and generally trivial — in keeping with how he earns his authorly income – but it is seized on as a reason to 1) expel Toni as a GoH from WorldCon (because you know, in omnibus, must chuck her under it – even though any sane definition of the Bar was 99.9999% innocuous by any interpretation. Omnibus see. Even if she had nothing to do with it, and didn’t know – and investigated once she did. Not good enough, Guilty. She turned Jason Sanford into a newt. And she has got a wart… maybe.) 2) The little friends mysteriously and suddenly attack the hosting service and other business connections to demand deplatforming because Baen is ‘hate speech and inciting violence’….
(7) IT’S THEIR RIGHT. Meanwhile, this unexpected announcement was tweeted today by American Conservative Union CPAC 2021. I don’t know who is being banned, either, it’s just a coincidence that’s remarkably timely.
…Creation games aren’t new; they go way back to the original SimCity and beyond. But in autumn 2019, during a period of intense, life-altering burnout, I came across Nathalie Lawhead’s Electric Zine Maker and it redefined what I thought I knew about play, creation and the art that can emerge from video game interfaces. Zine Maker is a clever, accessible tool in the disguise of a joyful toy. I had become sick from overwork and had resigned myself to transitioning careers, leaving writing fiction entirely to move into a more practical realm. I was convinced that the connection between the part of my brain that makes art and the part that produces joy was fried forever. But this game sparked it again.
… Electric Zine Maker gives us a playful way to design and create real, print zines once more. The software streamlines the creation of a one-page zine: an A4 page folded into an A8 booklet. The tools are simple: text boxes, image pasting, some paint brushes and filters. A folding guide tells you how to turn it from a flat page into a 3D object once you print it off. It’s all laid out in bright, roaring neon, reminiscent of a CD-Rom from the mid-1990s. It feels like a piece of time travel, a return to childhood tinkering in The Simpsons Cartoon Studio in 1996.
(9) GRR REMEMBERS WANDA JUNE. George R.R. Martin paid tribute to the late Wanda June Alexander, whose daughter is almost his neighbor in Santa Fe: “The Amazing Wanda June”.
…Wanda June was a dear dear friend… but more than that, really. She and Raya have been part of our family, in one sense or another, for decades. I do not actually recall when and where I first met Wanda. It was at a con, no doubt, probably in the late 70s or early 80s. I knew OF Wanda before I actually knew Wanda, however. She was an East Coast fan when I first began hearing tales of her, from mutual friends. Gardner Dozois, Jack Dann, David Axler, Dave Kogelmen, Joe and Gay Haldeman… all of them were friends of mine, and friends of the legendary Wanda June. She was one of Parris’s oldest, dearest friends, from the 70s on to this very day. …
(10) MEMORY LANE.
1961 — Sixty years ago at Seacon in Seattle, Rod Serling’s The Twilight Zone series wins the Hugo for Best Dramatic Presentation. It was directed by Wolf Rilla, and written by Stirling Silliphant, Wolf Rilla and Ronald Kinnoch. The other nominated works were the films Village of The Damned and The Time Machine.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born February 22, 1879 — Talbot Mundy. English-born, but based for most of his life in the States, he also wrote under the pseudonym of Walter Galt. Best known as the author of King of the Khyber Rifles which is not quite genre and the Jimgrim series which is genre, much of his work was published in pulp magazines. (Died 1940.) (CE)
Born February 22, 1879 – Norman Lindsay. When a critic said children liked to read about fairies more than about food, NL wrote The Magic Pudding, wherefore we may be grateful. He was also an artist in watercolour, oils, pencil, etching, bronze, concrete. A dozen other novels; essays, poetry, memoirs. Here is a World War I cover for The Bulletin. Here is Odysseus. Here is Age of Consent. Here is Lin Bloomfield’s book about NL’s drawings. (Died 1969) [JH]
Born February 22, 1917 – Reed Crandall. Early inker for Jack Kirby on Captain America. Did Blackhawk 1942-1953; Jim Steranko said “where [Chuck] Cuidera made Blackhawk a best-seller, Crandall turned it into a classic, a work of major importance and lasting value”. Forty interiors and a few covers for us, mostly of E.R. Burroughs. Here are the Blackhawks fighting a giant robot; here is a more airborne moment. Here is The Man with a Brain of Gold. Here is John Carter with the Giant of Mars. Eisner Hall of Fame. More here. (Died 1982) [JH]
Born February 22, 1953 – Genny Dazzo, Ph.D., age 68. Active Los Angeles fan. Fan Guest of Honor at DeepSouthCon 31, Loscon 27 (with husband Craig Miller). Reliable in local, regional, continental, World conventions; for example, Guest of Honor Liaison at L.A.con III the 54th Worldcon, L.A.con IV the 64th. Collects teapots. Member of County Fair Table Setting Competition fandom. Doctorate in Theoretical Chemistry. [JH]
Born February 22, 1955 — Paul J. McAuley, 66. Four Hundred Billion Stars, his first novel, won the Philip K. Dick Award, Fairyland which I adore won a Arthur C. Clarke Award and a John W. Campbell Memorial Award for Best SF Novel. He was Toastmaster along Kim Newman at Interaction. (CE)
Born February 22, 1956 — Caroline Thompson, 65. She wrote the screenplays for Tim Burton’s Edward Scissorhands, The Nightmare Before Christmas, and Corpse Bride. A stage version of the latter with director and choreographer Matthew Bourne was co-adapted with her this year. She also wrote the screenplay for The Addams Family. (CE)
Born February 22, 1965 – Max Frei, age 56. That age-statement isn’t quite right, because Max Frei was a composite of Svetlana Martynchik (whose birthday I gave) and her husband Igor Steopin (1967-2018) in writing (in Russian) Sir Max’s adventures in the Labyrinths of Echo; a score are available in English. More here. [JH]
Born February 21, 1974 – Michelle Knudsen, age 47. Six novels (Evil Librarian won a Fleischman Award – two sequels), one shorter story, for us; twoscore other books. Library Lion was a NY Times Best-Seller. Julie Andrews on a podcast reads “Marilyn’s Monster” aloud. Favorite Gilbert & Sullivan operetta, The Pirates of Penzance; has been in Iolanthe. Read aloud at the 2007 White House Easter Egg Roll. Taking boxing lessons. [JH]
Born February 22, 1981 – Ryan James, age 40. Two novels with his mother Syrie James. Much else in the games industry. Only a few decades ago, despite chess, bridge, gô, it would have been SF for there to be a games industry. [JH]
Therefore, I’m happy to welcome Jeff Goad and Ngo Vinh-Hoi of the Appendix N Book Club to my blog today:
Tell us about your podcast or channel.
We are a podcast about the literature that inspires our tabletop RPGs. Initially, we only focused on the Appendix N: a list of “inspirational reading” located in the back of the 1979 Advanced Dungeons & Dragons Dungeon Master’s Guide. Starting with episode 101, we are expanding the scope of the show to include ALL fiction that inspires our gaming. The first half of each episode focuses on the text from a literary perspective and the second half of each episode discussed the text from a gaming perspective….
Jim Henson’s classic series “The Muppet Show” began streaming on Disney+ on Friday, but now comes prefaced with an offensive content disclaimer.
“This program includes negative depictions and/or mistreatment of people or cultures,” the warning reads. “These stereotypes were wrong then and are wrong now. Rather than remove this content, we want to acknowledge its harmful impact, learn from it and spark conversations to create a more inclusive future together.”
The show, which ran for five seasons between 1976 and 1981, features the new content warning on 18 episodes, including those guest-hosted by Steve Martin, Peter Sellers, Kenny Rogers, Johnny Cash, Debbie Harry and Marty Feldman, among others.
Each episode bears the 12-second disclaimer for a different reason, from Cash’s appearance singing in front of a Confederate flag to negative depictions of Native Americans, Middle Easterners and people from other cultures. Additionally, two episodes from the final season, featuring guest stars Brooke Shields and staff writer Chris Langham, are left out entirely.
…In the Sherlock Holmes mythology, the “Baker Street Irregulars” are a group of street urchins in the employ of Holmes. They are his eyes and ears in the seedier parts of Jolly Ol’ Londontown. This version, naturally, will focus on that group. It appears they will have more in the vein of the supernatural to deal with. Various adaptations of Doyle’s stories have included a supernatural tinge, we should note, the original stories were always rooted in Victorian-era science. It’s elementary, really….
We have exclusively learned that certain characters from Big Hero 6 will be making their live-action debut in the MCU.
We’re not sure on who will be coming but we can at least expect Baymax and Hiro.
Some of the projects we heard about were Secret Invasion, Agents of Atlas, and Doctor Strange. However, we couldn’t get confirmation.
There’s also no word on if the actors will reprise their roles in regards to live-action appereances.
Big Hero 6 was loosely based on the comic of the same name. The comic was a three-part miniseries written by Scott Lobdell and artist Gus Vasquez. The series went on to be a very popular title, which spawned the animated film and TV series.
(16) FRANSON AWARD. National Fantasy Fan Federation (N3F) President George Phillies has picked the recipient of this year’s Franson Award, named for the late Donald Franson, and given as a show of appreciation:
It is my privilege and honor to bestow the Franson Award upon our new Treasurer, Kevin Trainor of Tonopah, Nevada. Being N3F Treasurer is a great responsibility. The Treasurer maintains the club financial records without which we would not know who is a member and who has departed. We spent close to a year during which the former Treasurer made clear he wanted to leave, but no member would volunteer to replace him. Can all be grateful to Kevin for volunteering and taking on the Treasurer’s role.
(19) VIDEO OF THE DAY. In “Transformers Pitch Meeting” on Screen Rant, Ryan George explains that Transformers is a “feature-length commercial with sort of a story line, because that’s what movies are these days.” Also, Megan Fox loves Burger King because, hey, it’s a product placement!”
[Thanks to John King Tarpinian, Martin Morse Wooster, James Bacon, Ben Bird Person, Michael Toman, Cat Eldridge, JJ, John Hertz, Andrew Porter, Michael J. Walsh, Daniel Dern, James Davis Nicoll, and Michael Toman for some of these stories. Title credit goes to File 770 contributing editor of the day Cat Eldridge with an assist from Tom Becker and Paul Weimer.]
By Mark L. Blackman: On the evening of Tuesday, January 5, 2021, the New York Review of Science Fiction Reading Series opened 2021 and the second half of its 30th season with a virtual reading by writer Sam J. Miller (“to make sure we stay on our toes,” said the Series’ executive curator, Jim Freund). The event was guest hosted by Amy Goldschlager (who was described by Freund as “the general series dogsbody” – a word I’ve only otherwise encountered in Shakesperean comedies and Blackadder).
Sam J. Miller (website samjmiller.com) is the Nebula Award-winning author of The Art of Starving and Blackfish City. His short story “57 Reasons for the Slate Quarry Suicides” won the 2013 Shirley Jackson Award, and other stories have been nominated for the World Fantasy, Theodore Sturgeon, and Locus Awards, and reprinted in dozens of anthologies. Miller’s offering was an excerpt from his latest novel, Between the Blades.
A living machine, Tyrannosaurus Hex, is rampaging through AR (Augmented Reality – a Monster from the Vid?) and, it seems, crossing over to reality.
After the reading, Goldschlager conducted a revealing interview with Miller. He agreed that the story is “very Ray-Bradburian, ’The Veldt’ in AR.” He went on to confess that he puts “a lot of me” in his fiction, but, even though “I’m a mess,” they do “dumb things that I hope I wouldn’t do.” (Besides that, his protagonist in Between the Blades has a Hungarian name.) She noted that whales appeared in both Between the Blades and Blackfish City. “I love whales; they’re amazing” (a whale appears on the city seal of Hudson, NY, where he’s from), and like us “engage in revenge.” James Baldwin, one of his favorite authors, also uses his and our history.
Goldschlager was in Downtown Brooklyn, which somehow led to a discussion of the issue of gentrification and the balance between “having nice things” and retaining neighborhood mix. He wants to take us to “a place where solutions can be found;” Between the Blades was “evenhanded” on the issue, she felt. A community activist and organizer, he was concerned that most people are struggling in a hard place right now, and encouraged us to understand what we can do about whatever issue we care about, health care, housing, racial and social justice. One of his is Health Care for the People – his husband is a nurse-practitioner and had Covid-19 last year – whose GoFundMe he shared: Healthcare for the People.
He misses having people to “geek out” with about Avatar: The Last Airbender (his favorite character is Prince Zuko) and the “disappointment” of Game of Thrones.
With Barbara Krasnoff as virtual “Audience Wrangler,” he took virtual questions from the virtual audience. Is “City Without a Map” a podcast or a radio show? (Freund, naturally, stuck up for radio.) Well, it’s in the future, so the words we use are not really applicable, but podcast is a good enough analogy. What genre programs (sf/fantasy) is he into currently? One obsession is Harley Quinn (HBO Max); “it has an edge.” (When Batman tells her that supervillains are ruining Gotham City, she responds no, lack of affordable housing is ruining Gotham City.) In terms of books, he praised Leo Mondello’s forthcoming Summer Suns, and said that Alaya Dawn Johnson is another favorite.
Miller has, of course, been asked the usual mainstream question “Where do you get your ideas?” (from his head), but the oddest one was whether his father reacted more to his coming out as gay or as a vegetarian. (Miller is the son of a butcher, and “the last in a long line of butchers.” That puts The Art of Starving in a whole new light.) He took them both with good humor and was quite amused by the latter. What is he working on now? Short stories, the very early draft of another novel, and a graphic novel pitch. It’s difficult to write in a visual medium like comics, and, as he can’t draw at a professional level, has to surrender some control to the artist. How has the pandemic affected his productivity? He moves between high levels and low.
Goldschlager concluded by announcing upcoming readers:
Tues., Feb. 2nd (Groundhog Day): Charles Yu
Tues., March 2nd: Karen Russell
She added that, even though the readings are virtual, there are still expenses involved and asked us to help keep the series going by donating to NYRSF Reading Series producer Jim Freund at PayPal.me/HourWolf. (And listen to Hour of the Wolf, his radio show on WBAI-FM.) Miller concluded by, as a writer, thanking Goldschlager and Locus for running audiobook reviews.
COMMEMORATING THE CENTENNIAL of the great Ray Bradbury, biographer Sam Weller sat down with former California poet laureate and former chairman of the National Endowment for the Arts Dana Gioia for a wide-ranging conversation on Bradbury’s imprint on arts and culture.
SAM WELLER: The first time I met you was at the White House ceremony for Ray Bradbury in November 2004. You were such a champion for Ray’s legacy — his advocate for both the National Medal of Arts and Pulitzer Prize. As we look at his 100th birthday, I want to ask: Why is Bradbury important in literary terms?
DANA GIOIA: Ray Bradbury is one of the most important American writers of the mid-20th century. He transformed science fiction’s position in American literature during the 1950s. There were other fine sci-fi writers, but Ray was the one who first engaged the mainstream audience. He had a huge impact on both American literature and popular culture. He was also one of the most significant California writers of the last century. When one talks about Bradbury, one needs to choose a perspective. His career looks different from each angle….
(2) TUCKER ON BRADBURY. [Item by Martin Morse Wooster.] This is from “Beard Mumblings,” a column by Bob Tucker that appears in the recently published Outworlds 71, but which was written in 1986 and is about the 1986 Worldcon.
There were some very pleasant memories of the con. One of them was when Ray Bradbury recognized me in the huge 10th floor consuite and came over to shake and talk. Mind you, we had not met each other for 40 years. Our last meeting was the 1946 Worldcon in Los Angeles, yet he recognized and remembered. I was very pleased to see him again, and equally pleased to get his autograph across the page of his chapter in Harry Warner’s All Our Yesterdays. Judging the way he examined that page and that chapter, he doesn’t have a copy.
…Thus, like both Achilles and Gilgamesh of early epic, baby Grogu has semi-divine aspects paired with Din Djarin’s stoic sense of duty and discipline. The pairing both calls to mind Patroclus who becomes a role model to the younger Achilles as well as Enkidu who becomes humanised through his friendship with Gilgamesh. In each epic tale the pair are changed by their bond of affection which is forged through shared experience. In all of these epics, the friends are also tragically separated, our ancients by death, and Grogu by Din Djarin’s quest to return him to the Jedi to finish his training. An element of danger is added by the fact that the Empire is seeking to capture or buy Grogu to increase its power through acquiring his force sensitive blood.
The weekly quest for survival as Din and Grogu, pursue their goal operates on the basis of pre-monetary economy that is reminiscent of maritime trade in the ancient Mediterranean. Food and drink are sometimes obtained through a shared code of hospitality, exchanging mercenary acts for information or needed supplies, transporting individuals from one port to another, providing Beskar ingots in exchange for ship repairs, and even trading spices. In other words, things haven’t changed a lot since the Silk Road brought needed goods from Asia to Mesopotamia or ships transported copper from Cyprus to Crete.
(4) OWN THOSE LITTLE BLACK BOOKS.[Item by Rob Thornton.] Games Designers Workshop is doing two Bundles of Holding that together will contain all of legendary science fiction roleplaying game Traveller’s Little Black Books (LBBs). Currently, “Traveller LBBs 1” and “Traveller LBBs 2” are available. Both bundles together comprise the complete LBB collection.
Traveller! We’ve resurrected both of our 2015 offers of the classic “Little Black Books” from the Golden Age of Traveller, the original science fiction tabletop roleplaying game. Together these two bargain-priced offers give you DRM-free .PDF ebooks of all 50+ rulebooks, supplements, and adventures published as half-size manuals (with elegant black covers) by Game Designers’ Workshop, 1977-1982.
I’ve finally finished my first-pass revision of Book Three of THE GREAT GOD’S WAR, “The Killing God” (formerly known as “The Last Repository”). The text is now ready to deliver to my agent and editor. In its current form, it stands at 1100 pages, a bit more than 283,000 words. What happens next? My agent will read the book much faster than my editor will; but I won’t start on the next revision until I’ve received what are politely called “comments” from both of them. At that point, no doubt, Berkley (and Gollancz in the UK) will schedule publication. Sometimes this requires me to do my next revision in a hurry. But not always.
12/6/20 “The Killing God”: bad news
My agent has submitted the book to my editor at Berkley. Without reading it (!), my editor informed me that Berkley will not consider publishing the book until I cut 100,000 words. Roughly 35% of the text. On the assumption that I will not do such violence to my own work, Berkley has removed the book from their publication schedule. Their assumption is correct. At this stage, I routinely prune my manuscripts by 10%. I may conceivably be able to go as far as 15%. But whether or not anyone likes my characters and how I handle them, my stories are very tightly plotted. Each piece relies on–and is implied by–what came before it. I can’t mutilate Book Three without making the entire trilogy incoherent. My agent believes that where we stand now is not the end of “The Killing God.” (Never mind of my career.) He has persuaded my editor to go ahead and read the book. He hopes that seeing how strongly Book Three caps Books One and Two (which she loved) will persuade her to rethink her position. I have my doubts. I suspect that her position is corporate rather than editorial: my books no longer earn enough to make them worth publishing regardless of their intrinsic merits. Naturally, I hope I’m wrong.
When I have more news, I’ll post it here. I don’t expect to hear anything until sometime in January.
Now that the Dystopia Year of 2020 is over, we will begin 2021 with the wonderful writer Sam J. Miller to make sure we stay on our toes.
Sam J. Miller is the Nebula Award-winning author of The Art of Starving (an NPR best of the year) and Blackfish City (a “Must Read” in Entertainment Weekly and O: The Oprah Winfrey Magazine). Sam’s short stories have been nominated for the World Fantasy, Theodore Sturgeon, and Locus Awards, and reprinted in dozens of anthologies. He is the last in a long line of butchers, and he has also been a film critic, a grocery bagger, a community organizer, a secretary, a painter’s assistant and model, and the guitarist in a punk rock band. He lives in New York City, and at samjmiller.com
After the reading general series dogsbody Amy Goldschlager will interview the author, and then we’ll open up the discussion to general questions from our virtual audience. Barbara Krasnoff will be the Audience Wrangler.
Please help us keep the series going by donating to NYRSF Reading Series producer Jim Freund at PayPal.me/HourWolf.
(7) EXPANDING THE HONORVERSE. Eric Flint did a title reveal on Facebook today.
Well, it’s official. After much wrangling and soul-searching, we’ve settled on the title To End In Fire for the upcoming Honorverse novel David Weber and I are writing. It’s tentatively scheduled for publication in October.
I tried to hold out for the more exciting title of The Cabal In The Luyten 726-8b (UV Ceti) System, but David overruled me. He thinks that title is too obscure. I find that hard to believe, given that the star system is clearly identified in the Gliese Catalog of Nearby Stars, which I’m sure can be found on every literate person’s bookshelves. But, he’s got the final sayso on account of he’s the one who created this whole setting.
Titles are just window dressing, anyway. What matters is the story — which in this case is shaping up to be a dandy. If I say so myself as shouldn’t, if I subscribed to Samwise Gamgee notions of modesty. Which (clears the throat), I don’t, on account of I’m a shameless scribbler and he’s, well, a hobbit when you get right down to it.
(8) MOSS OBIT. Actor Basil Moss (1935-2020) died November 28. There’s an overview of his career in The Guardian.
Basil Moss, who has died aged 85, was a perennial character actor often popping up in popular series as authority figures, but he found his best parts in two BBC soaps.
He became a familiar face on television as the librarian Alan Drew in Compact, set in the offices of a glossy women’s magazine…
After Compact, Moss’s other TV roles included … a doctor with the hi-tech military agency Shado, defending the Earth against aliens, in UFO (1970-71), the puppet master Gerry Anderson’s first full live-action series; and Robert Atkinson in the political thriller series First Among Equals (1986).
Uncredited, Moss was also seen as a Navy submarine officer in the James Bond film You Only Live Twice (1967).
(9) MEDIA BIRTHDAY.
December 29, 1967 — “The Trouble with Tribbles” first aired as written by David Gerrold and directed by Joseph Pevney, with some of the guest cast being Stanley Adams as Cyrano Jones, Whit Bissell as Station Manager and Michael Pataki as Korax. Memory Alpha says ”Wah Chang designed the original tribbles. Hundreds were sewn together during production, using pieces of extra-long rolls of carpet. Some of them had mechanical toys placed in them so they could walk around.” Memory Alpha also notes Heinlein had Martian flat cats in The Rolling Stones that were similar to these and Roddenberry called to apologize for these being so similar. Who remembers these? It would come in second in the Hugo balloting to “The City on the Edge of Forever” written by Harlan Ellison. All five final Hugo nominees at Baycon were Trek episodes written by Jerome Bixby, Norman Spinrad and Theodore Sturgeon.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born December 29, 1843 – Carmen Sylva. Keyboardist (piano, organ), singer, graphic artist (painting, illuminating), poet, writer in English, French, German, Romanian, she left us particularly a dozen tales published in English as Pilgrim Sorrow, one in The Ruby Fairy Book and more recently in the VanderMeers’ Big Book of Classic Fantasy (2019). CS was a pen name, she was the Queen of Romania. (Died 1916) [JH]
Born December 29, 1915 – Charles L. Harness. A dozen novels, five dozen shorter stories; appreciation of Van Vogt in Nebula Awards 31; interview “I Did It for the Money” in Locus (but, as has often been said, fiction-writers are liars). SFWA (Science Fiction & Fantasy Writers of America) Author of Distinction. Best known for “The Rose” and The Paradox Men. Three NESFA (New England SF Ass’n) Press books; here is Jane Dennis’ cover for Cybele, with Bluebonnets. Patent lawyer. (Died 2005) [JH]
Born December 29, 1916 — John D. MacDonald. He wrote three genre novels of which I think the best by far is The Girl, the Gold Watch & Everything. He also wrote some sixty genre short stories, many of the genre are collected in End of The Tiger which is available from the usual digital suspects (Died 1986.) (CE)
Born December 29, 1924 – Art Rapp. At his home in Michigan he welcomed fans and published Spacewarp; after two years’ Army service in Korea he married Nancy Share and moved to Pennsylvania. Two N3F Laureate Awards (Nat’l Fantasy Fan Fed’n), later a term as N3F President. To him was revealed the fannish ghod (naturally opinions differ on what this h is for; it may indicate the shape of a cheek with a tongue in it) Roscoe. (Died 2005) [JH]
Born December 29, 1928 — Bernard Cribbins, 92. He has the odd distinction of first showing up on Doctor Who in the Peter Cushing as The Doctor non-canon Daleks’ Invasion Earth 2150 A.D. film. He would show up in the canon when he appeared as Wilfred Mott in the Tenth Doctor story, “Voyage of the Damned”, and he‘s a Tenth Doctor companion himself in “The End of Time”, the two-part 2009–10 Christmas and New Year special. (CE)
Born December 29, 1945 – Sam Long, age 75. First noted in Fred Hemmings’ Viewpoint reporting Eastercon 23, he notably published (with Ned Brooks) the Mae Strelkov Trip Report (as you can see here; PDF) after friends brought the fine fanartist MS from Argentina. SL still appears e.g. in The MT Void (pronounce it M-T, not as an abbreviation for mountain). [JH]
Born December 29, 1950 – Gitte Spee, age 70. This Dutch artist born in (on?) Java has done lots of illustrations for us. Here is Detective Gordon’s first case in English and in Polish. Here is Rosalinde on the Moon(in French). [JH]
Born December 29, 1961 – Kenneth Chiacchia, Ph.D., age 59. Medical science writer at Univ. Pittsburgh, and since he is ours too, member of both SFWA and the Nat’l Ass’n of Science Writers. A dozen stories; poems (the 2007 Rhysling anthology has this one). Carnegie Science Center Journalism Award. [JH]
Born December 29, 1966 — Alexandra Kamp, 53. Did you know Sax Rohmer’s noels were made into a film? I didn’t. Well she was the lead in Sax Rohmer’s Sumuruwhich Michael Shanks also shows up in. She’s also in 2001: A Space Travesty with Leslie Neilsen, and Dracula 3000 with Caspar van Dien. Quality films neither will be mistaken for, each warranting a fifteen percent rating among audience reviewers at Rotten Tomatoes.. (CE)
Born December 29, 1963 — Dave McKean, 57. If you read nothing else involving him, do read the work done by him on and Gaiman called The Tragical Comedy or Comical Tragedy of Mr Punch: A Romance. Brilliant, violent, horrifying. Well and Signal to Noise by them is worth chasing down as well. (CE)
Born December 29, 1969 — Ingrid Torrance, 51. A very busy performer who’s had one- offs in Poltergeist: The Legacy, The Sentinel, Viper, First Wave, The Outer Limits, Seven Days, Smallville, Stargate: SG-1, The 4400, Blade: The Series, Fringe, The Tomorrow People, and Supernatural.
Born December 29, 1972 — Jude Law, 48. I think his first SF role was as Jerome Eugene Morrow in Gattaca followed by playing Gigolo Joe in A.I. with my fav role for him being the title role in Sky Captain and the World of Tomorrow. He was Lemony Snicket In Lemony Snicket’s A Series of Unfortunate Events, Tony in The Imaginarium of Doctor Parnassus, Dr. John Watson in Sherlock Holmes and Sherlock Holmes: A Game of Shadows, Remy In Repo Man and he voiced Pitch Black in one of my favorite animated films, Rise of the Guardians. (CE)
… While the teaser isn’t very long (or footage-heavy for that matter), it does give us our first look at the Kent family unit, while Clark talks about how the stress of life can strengthen a person beneath the surface. His use of the phrase “forged liked steel” is a nice little nod to one of Superman’s monickers: the Man of Steel.
Over the years, Spider-Man has donned a host of iconic costumes, from his classics digs to the black suit to the Iron Spider. Now in 2021, everyone’s favorite Wall-Crawler will get a brand-new costume to add to his legendary wardrobe! Designed by superstar artist Dustin Weaver, this vibrant new look is unlike any that Peter Parker has worn before. The mysterious look can be seen on Weaver’s incredible variant covers for AMAZING SPIDER-MAN #62 and April’s AMAZING SPIDER-MAN #63.
… Peter Parker will wear this new suit for his face-off against Kingpin in the next arc of writer Nick Spencer’s hit run. Discover the mystery behind this top-secret costume when AMAZING SPIDER-MAN #61 and AMAZING SPIDER-MAN #62 swing into shops this March!
The better-than-expected Christmas-weekend opening of Wonder Woman 1984 is giving most exhibition stocks a welcome boost as the misery of 2020 gives way to hope for a brighter 2021.
Shares in Cinemark, Imax, Marcus Corp. and National CineMedia rose between 3% and 7% apiece after the sequel took in $16.7 million domestically, the best bow by any film during the coronavirus pandemic.
AMC, the world’s largest theater circuit, was a notable exception to the rally. Its stock dropped 5% on ongoing investor concern about its liquidity and a potential bankruptcy filing….
…The partnership will begin experimenting with different types of wood in extreme environments on Earth.
Space junk is becoming an increasing problem as more satellites are launched into the atmosphere.
Wooden satellites would burn up without releasing harmful substances into the atmosphere or raining debris on the ground when they plunge back to Earth….
Does this train of thought wind up with Captain Harlock’s spaceship?
(16) VIDEO OF THE DAY. [By Martin Morse Wooster.] “Batman: The Animated Series/The Heart of Batman” on YouTube is a 2018 documentary, directed by Alexander Gray, on the 1990s “Batman: The Animated Series” which many critics, such as Glen Weldon, say is the best version of Batman. The film shows that the immediate inspiration for the series was Tim Burton’s Batman and Steven Spielberg’s desire to build an animation at Warner Bros., including giving the budget to have a full orchestra record Shirley Walker’s imaginative score. Creators Bruce Timm and Eric Radomski give many influences, including film noir, German expressionist films, Citizen Kane, Max Fleischer’s Superman cartoons, and the art of Alex Toth. But Andrea Romano gets a lot of credit for coming up with superb voices, including Mark Hamill as the Joker and Kevin Conroy as Batman. The series also turned Harley Quinn into a full-fledged, interesting character and led to Margot Robbie playing her in three big-budget movies.
As an aside, Batman: The Animated Series discusses how earlier animated shows of the 1980s had stifling restrictions imposed by network censors. One writer (who wasn’t identified) worked on Super Friends. One episode had the Justice League shrunk to midgets leading to Robin fighting a spider. The censors said the cartoon had to include a scene where the spider is seen crawling away because Robin couldn’t hurt the spider.
[Thanks to John Hertz, Andrew Porter, Michael Toman, JJ, Mike Kennedy, Cat Eldridge, John King Tarpinian, Rob Thornton, Louise A. Hitchcock, Michael J. Walsh, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]
…Back in 1991, 1997, and 2007, Science Fiction World, the largest SF magazine and publisher in China, convened for international conventions that not only received government support, but featured government leaders in attendance. Since 2016, the China Association for Science and Technology has sponsored the China SF Convention in Beijing, Chengdu, and Shenzhen. Not only was the opening ceremony attended by the Chinese vice president, but association leaders and local officials have attended every year since then. In 2017, Chengdu, Sichuan Province, co-hosted the 2017 China SF Con as well as the China International SF Conference, and it was declared that the latter event would, in perpetuity, become biennial and be held in Chengdu.
The aforementioned names and their linkages may be a complicated matter, but suffice it to say, the two major SF conventions in contemporary China are led by the China Association for Science and Technology and the Sichuan Province Association for Science and Technology. Another grassroots science fiction event—the Xingyun (Nebula) Awards for Global Chinese Science Fiction ceremony—gained government support and commercial viability a few years after being financially sponsored by its founders. Unlike the fan-fueled activities of their international counterparts, the major SF conventions within China are tied to the popularization of science and development of the SF industry and rarely do without speeches from officials, high-level summits, laser light shows, closed-door banquets, and the like. To solidify the connection between domestic and foreign conventions, the science and technology associations and local governments have regularly sent representatives to Worldcon in recent years, heading overseas to study how to hold international SF conventions, with panel discussions, marketplaces, exhibitions, and parties—and various other activities that have since become commonplace. Relatively speaking, China’s science fiction conventions have become fancier, as well as more commercial, whereas overseas science fiction conventions have generally become more grassroots.
Particularly noteworthy is the case of Chengdu, Sichuan Province, home of the longstanding Chinese SF institution, Science Fiction World magazine. Today, Chengdu is competing with Memphis in the United States to host the 2023 Worldcon. This is but one such initiative designed to cement Chengdu’s reputation as the Capital of Science Fiction. According to the 2019 Chinese Science Fiction Industry Report: “In order to develop the city’s ‘Silicon Valley’ for science fiction film and television industry, Chengdu plans to invest more than 2 billion yuan and add another 200,000 square meters to its current size of 150,000 square meters, for a total gross investment of 26 billion yuan.” Chengdu is not the only local government to invest in science fiction as a growth sector. In the city of Mianyang, also in Sichuan Province, the Pisces Dome Sci-Fi World is a project that spans about 2500 Chinese mu—or 412 acres—and calls for a total gross investment of 5 billion RMB to implement cutting-edge VR/AR (virtual reality and augmented reality) technology, establishing the city as a science and technology tourist destination. In Qianjiang, Hubei Province, plans are underway for the construction of the so-called Chinese Sci-Fi Author Village, where authors will be invited to assume the post of village head and write works on the theme of the Qianjiang crawfish (a local delicacy), and engage in other related commercial activities.
Thus, it should be clear that to the Chinese government, science fiction is not only literature, but a lucrative industry….
(2) CONTRADICTING THE RECEIVED WISDOM. From [link to pirate site removed.]
HALDERMAN: You do invent wonderful landscapes. The Earthsea trilogy creates such a vivid picture of the sea—have you done a lot of sailing?
LE GUIN: All that sailing is complete fakery. It’s amazing what you can fake. I’ve never sailed anything in my life except a nine-foot catboat, and that was in the Berkeley basin in about three feet of water. And we managed to sink it. The sail got wet and it went down while we sang “Nearer My God to Thee.” We had to wade to shore, and go back to the place we’d rented it and tell them. They couldn’t believe it. “You did what?” You know, it’s interesting, they always tell people to write about what they know about. But you don’t have to know about things, you just have to be able to imagine them really well.
(3) MORE ABOUT LUPOFF. The Wikipedia reminds us:
Starting in 1977, Lupoff co-hosted a program on Pacifica Radio station KPFA-FM in Berkeley, California that featured book reviews and interviews, primarily with science fiction (and mystery) authors. Originally an occasional one-hour program called Probabilities Unlimited, after several months it became a regular weekly, half-hour program called simply Probabilities, which aired until 1995. The program relaunched that year as Cover to Cover; Lupoff departed in 2001 to focus on his writing career. Among the notable authors interviewed by Lupoff and his co-host, Richard Wolinsky, were such luminaries as Ray Bradbury, Octavia Butler, Richard Adams, Ursula K. Le Guin, and Kurt Vonnegut.
(4) NYRSF READINGS. The New York Review of Science Fiction Readings for November 2 features James Morrow. The online event and starts at 7:00 Eastern. Jim Freund says —
Normally we convene (virtually or not) on the first Tuesday of each month, but this November that would mean Election Eve, and it was pointed out that may be a wee bit distracting. But you can’t ask for a better distraction than James Morrow, who will read from his latest published novella, “The Purloined Nation,” from the anthology “And the Last Trump Shall Sound.”
James Morrow is the award-winning author of over ten novels, as well as novellas and short-story collections. His critically acclaimed works include Blameless in Abaddon, New York Times Notable Book of the Year, and The Last Witchfinder called “provocative book-club bait” and “an inventive feat” by critic Janet Maslin. He has twice received the World Fantasy Award, for Only Begotten Daughter and Towing Jehovah, and has also won the Nebula Award and the Theodore Sturgeon Memorial Award. He lives in State College, Pennsylvania, with his wife and their two enigmatic dogs.
Arc Manor Books is generously offering a 40% discount to attendees through the end of November. the other contributors are Cat Rambo and Harry Turtledove, so you’ll want to take advantage.
…My 10th birthday, in January of 1991, was a special occasion for two very different reasons. There was a war going on in Iraq, and the adults at the party talked of little else. And my maternal grandmother — a Brazilian-Italian lady who had never been the warmest of women — gave me a collection of Jules Verne’s books as a present.
Those eleven hardcover books had once belonged to my mother. They were first published in Brazil in the early 1960s, with proper names translated into Portuguese (Conseil became Conselho and the Times of London became O Tempo) — but, other than that, they were completely unabridged.
These two facts moulded my life. I was curious about that strange, televised war — even moreso when my father explained there were rules to the battle. This led me, many years later, to a Master’s Degree in International Relations, focusing on conflict and news reception (namely, how do you know what you think you know about other countries?)
And then there was Captain Nemo.
Whenever someone talks about “The Great Canon of SFF”, I notice more of what’s not being said than what is. I’m Brazilian: my canon isn’t your canon. There’s the language barrier and the cultural perspective to consider. More’s the pity if you can’t read in Portuguese: you are missing out on fantastic stuff (but that’s a topic for another moment.)…
Robert Shearman has won the World Fantasy Award, the Shirley Jackson Award, and multiple British Fantasy Awards for his fiction, some of which has been gathered in such collections as Love Songs for the Shy and Cynical (2009), Remember Why You Fear Me (2012), They Do the Same Things Different There (2014), and earlier this year, a massive three-volume collection We All Hear Stories in the Dark. His writings for television, radio, and the stage have won him the Sophie Winter Memorial Trust Award, the Sunday Times Playwriting Award, the World Drama Trust Award, and the Guinness Award for Theatre Ingenuity. He also wrote the Hugo Award-nominated Doctor Who episode “Dalek” at the request of producer Russell T. Davies.
We discussed the reason we’re lucky we each survived to adulthood, how he almost talked his way out of selling his first short story, the way he starts every story thinking it’s funny even as things turn horrific, why some readers find his new collection offensive and others uplifting, how he’s following up that three-volume, 2,000-page, 650,000-word, 101-story collection, the way his brush with COVID-19 has affected his writing, and much more.
(8) WILLETT’S NEW BOOKS. In September, Saskatchewan author, Edward Willett released two books.
The Moonlit World from DAW is the third novel in his Worldshaper series.
In The Moonlit World, fresh from their adventures in Master of the World in a world inspired by Jules Verne, Shawna Keys and Karl Yatsar find themselves in a world that mirrors much darker tales. Beneath a full moon that hangs motionless in the sky, they’re forced to flee terrifying creatures that can only be vampires…only to run straight into a pack of werewolves….
His second release, Shapers of Worlds, is an anthology project that Willett took on himself with his own press and features stories from multiple award winners and international best sellers in the science fiction genre. Shapers of Worlds was successfully Kickstarted earlier this year, raising $15,700 from more than 330 backers and the book will be available through all major retailers. The ebook came out September 22, and the print edition is coming out November 14 Regina’s Shadowpaw Press.
Shapers of Worlds features new stories from Seanan McGuire, Tanya Huff, David Weber, L.E. Modesitt, Jr., D.J. Butler, Christopher Ruocchio, John C. Wright, Shelley Adina, and Willett himself, plus reprints from John Scalzi, David Brin, Joe Haldeman, Julie E. Czerneda, Fonda Lee, Dr. Charles E. Gannon, Gareth L. Powell, Derek Künsken, and Thoraiya Dyer.
All of the featured authors were guests during the first year of Willett’s podcast, The Worldshapers, winner of the 2019 Aurora Award (Canada’s top award for science fiction and fantasy) for Best Fan Related Work.
Willett is himself an award-winning author of more than sixty books of fantasy, science fiction, and non-fiction for readers of all ages.
(9) PAINSTAKING. Elizabeth Bear is interviewed about her new book, Machine, a sequel to Ancestral Night, at Fantasy Hive.
Dr. Jens in Machine has a chronic pain condition. And that’s one of the things that mediates the way through which she interacts with the world around her. What was it like writing for a character with this condition?
I have an autoimmune condition myself. So I do have a certain amount of chronic pain. It’s not as debilitating as Jens’ chronic pain. It occurred to me while I was writing this book that I have, throughout my career, actually tended to write a lot of characters with some sort of chronic pain disability. All the way back to my first published novel, Hammered, the protagonist of which is a military veteran with some long-term damage from her combat experience. This is the first time though that I’ve really been conscious of the fact that I was writing something like that out of my own experience.
It’s odd how your brain compartmentalizes things.
This is very personal, but I think it’s because I had a really bad autoimmune flare starting in about the summer of 2015. That has really changed my ability to do a lot of things that I took for granted. We all process our trauma through our art. If you try not to do it, you’re just going to be writing very two-dimensional art. And so, it was in some ways cathartic. It was in some ways difficult and emotional. But also, I feel very strongly that there need to be narratives about marginalized people that do not center that marginalization. That there need to be narratives about queer people where the entire point of the narrative is not to problematize their queerness. And having grown up very rarely seeing somebody who I felt reflected me in the books that I was reading, I like to be able to widen the door to different kinds of protagonists.
I think the real strength of science fiction and fantasy right now, my generation of writers and the generation of writers that are right after us, is that we are very diverse in our backgrounds and outlooks. And that… that is making science fiction and fantasy a much wilder and more interesting place.
(10) CHAMPION OBIT. Marge Champion, a great dancer in the 1940s and 1950s who was also a model that Disney animators used as Snow White and a hippopotamus in Fantasia died October 21 reports SYFY Wire. She was 101 years old. The Hollywood Reporter adds:
…Marge even danced for them as the dwarf Dopey, she recalled. She also served as a Disney model for the Blue Fairy in Pinocchio (1940), for Hyacinth Hippo in Fantasia (1940) and for Mr. Stock in Dumbo (1941).
…In 1936, she performed before large crowds with the Los Angeles Civic Opera and a year later married Art Babbitt, the Disney animator who created Goofy (she was 17 and he was 29; they divorced in 1940). She then played Snow White in a touring vaudeville act with The Three Stooges.
(11) MEDIA ANNIVERSARY.
1970 — Fifty years ago at Heicon ’70 which had John Brunner as Toastmaster, The Left Hand of Darkness by Ursula K. Le Guin won the Hugo for Best Novel. Runner-ups were Robert Silverberg’s Up the Line, Piers Anthony’s Macroscope, Kurt Vonnegut, Jr’s Slaughterhouse-Five and Norman Spinrad’s Bug Jack Barron. She would also win the Nebula for this novel. In all, she would garner nine Hugos with her final one being for the superlative The Books of Earthsea: The Complete Illustrated Edition for Best Art Book as illustrated by Charles Vess.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born October 23, 1919 – Roy Lavender. Engineer. First Fandom (active at least as early as the first Worldcon, 1939; few still alive; a First Fandom organization continues). Cincinnati Fantasy Group. Los Angeles Science Fantasy Society. Fan Guest of Honor, Kubla Khatch 22. Memoir here. Len Moffatt’s appreciation here (PDF). “When the Apollo circled the Moon and the astronauts reached into B-3 locker for their cameras, they pulled them from the shock absorbing sheath I designed. On the test stand for the Saturn rockets, cameras look up into the flame to photograph the performance (or failure) of the engines. They survive in a protective box I designed.” (Died 2007) [JH]
Born October 23, 1935 — Bruce Mars, 85. He was on Trek three times, one uncredited, with his best remembered being in the most excellent Shore Leave as Finnegan. He also had one-offs in The Time Tunnel, Voyage to the Bottom of The Sea, and Mission: Impossible. (CE)
Born October 23, 1938 — Christopher Lloyd, 82. He has starred as Commander Kruge in The Search for Spock, Emmett “Doc” Brown in the Back to the Future trilogy, Judge Doom in Who Framed Roger Rabbit, and Uncle Fester in The Addams Family and the Addams Family Values. (Huh. I didn’t spot him in those.) Let’s not forget that he was in The Adventures of Buckaroo Banzai Across the 8th Dimension as John Bigbooté, and he played Dr. Cletus Poffenberger in a recurring role on Tremors. (CE)
Born October 23, 1938 – Bob Pepper. Ten dozen covers. Here is Titus Groan. Here is a Fahrenheit 451. Here is a Demolished Man. Here is Lord Tyger. Here is The Continent Makers. Here is Lucky Starr and the Rings of Saturn. (Died 2007) [JH]
Born October 23, 1940 — Terry Gilliam, 80. He’s directed many films of which the vast majority are firmly genre. I think I’ve seen most of them though I though I’ve not seen The Man Who Killed Don Quixote, Tideland, The Zero Theorem or The Imaginarium of Doctor Parnassus. I’ve seen everything else. Yes, I skipped past his start as the animator for Monty Python’s Flying Circus which grew out of his for the children’s series Do Not Adjust Your Set which had staff of Eric Idle, Terry Jones, and Michael Palin. Though he largely was the animator in the series and the films, he did occasionally take acting roles according to his autobiography, particularly roles no one else wanted such those requiring extensive makeup. He’s also co-directed a number of scenes. Awards? Of course. Twelve Monkeys is the most decorated followed by Brazil with two and Time Bandits and The Fisher King which each have but one. My favorite films by him? Oh, the one I’ve watched the most is The Adventures of Baron Munchausen followed by Time Bandits. (CE)
Born October 23, 1948 – Kent Bloom, 72. Chaired Denvention 3 the 66th Worldcon. Earlier, living in Washington, DC, chaired DatClave 1 (Jack Chalker’s con report here); after moving to Denver, Smofcon 16 (SMOF for “secret masters of fandom”, as Bruce Pelz said, a joke – nonjoke – joke; SMOFcon draws people who often do the work at SF conventions and want to do it better). Host (with wife Mary Morman) of First Friday Fandom. Fan Guest of Honor (with Mary), Westercon 71. [JH]
Born October 23, 1952 – Donna Andrews, 68. A detective-fiction novel about an Artificial Intelligence personality that became sapient (I don’t know why people keep misusing “sentient” which means having senses – plants and animals are sentient, but so far as we can now perceive aren’t sapient, a distinction which makes a difference), named Turing Hopper, won the Agatha Christie award for best mystery of the year (You’ve Got Murder, 2002); three more. Many other novels and shorter stories in that genre. See her Website. [JH]
Born October 23, 1953 — Ira Steven Behr, 67. Best remembered for his work on the Trek franchise, particularly Star Trek: Deep Space Nine, on which he served as showrunner and executive producer. As writer and or producer, he been in involved in Beyond Reality, Dark Angel, The Twilight Zone, The 4400, Alphas, and Outlander. (CE)
Born October 23, 1957 – Olga Slavnikova, 63. Won the Russian Booker Prize for her novel 2017 (tr. English 2010); also for us A Light Head (2010; Eng. Light-headed 2015). Five other novels. Director since 2001 of the Debut Prize; see this 2012 New Yorker interview. [JH]
Born October 23, 1959 — Sam Raimi, 61. Responsible for, and this is not a complete listing, the Darkman franchise , M.A.N.T.I.S., the Jack of All Trades series that Kage loved, the Cleopatra 2525 series, Hercules: The Legendary Journeys and Xena: Warrior Princess series and the Spider-Man trilogy. (CE)
Born October 23, 1983 – Dan Salmieri, 37. Illustrator, sometimes for us. Here is his note about his book Bear and Wolf. Here is a sketch from the New York Times about the Twins Study brothers Mark & Scott Kelly. Here is one from Data Collector. Here is one from Brain Pickings. Here is a cover for What Do Dragons Like Best to Eat? (in Dutch). [JH]
Born October 23, 2007 — Lilly Aspell, 13. She’s a Scottish-born performer best known so far for portraying the young Diana in Wonder Woman. She was Newschild in Holmes & Watson, and Megan in the alien invasion flick Extinction. (CE)
(13) COMICS SECTION.
Close To Home says this is about Halloween but it reminds me of Dr. Moreau.
(14) CHECKING IN. Andrew Porter tears himself away from the TV to share a moment from tonight’s Jeopardy! He says, “Not SF/F, but memorable!”
Category: Movie Sum-Up
Answer: Death takes a chess holiday; your move, Max Von Sydow.
Wrong questions: “What is Checkmate?” “What is Bill and Ted’s Bogus Journey?”
When they came up with the idea of adapting the classic sci-fi horror film Alien for the stage, a troupe of amateur actors from deepest Dorset intended it to be faithful to the terrifying original.
It did not quite work out as as planned. The sets were shaky, the monsters not very scary and the acting not up to Hollywood standards – only one of the cast went with an American accent, the rest stuck with English west country. Nobody was frightened.
Alien on Stage, put on by a group of bus drivers and their friends, would have sunk without a trace had it not been noticed by a couple of London-based artistic types who had the madcap idea of transferring it to the West End of London.
The weird and wonderful tale of how Alien on Stage came to be performed in the West End is being told in a documentary to be premiered on Saturday at FrightFest in London…
In this informative animation we learn how the iconic Charles Bridge was constructed in 1357. The historic bridge crosses the Vltava (Moldau) river in Prague, Czech Republic and is 516 metres (1,693 ft) long and nearly 10 metres (33 ft) wide. It was built as a bow bridge with 16 arches shielded by ice guards.
Life on Earth is most likely doomed…in a billion years or so. The Sun’s slowly increasing luminosity will trigger a runaway greenhouse effect like that seen on Venus. Later stages in stellar evolution will further sear the Earth into an airless husk (unless the red giant sun simply gobbles up the planet like a piece of candy). Oh woe is us!
The following five tales of dying worlds might be of some interest during this interesting time. Remember: when the prospect of yet another Zoom meeting provokes anxiety and loathing, we can always tell ourselves that it could be worse…
(18) VIDEO OF THE DAY. In “If A Ghost Possessed Someone in 2020” on YouTube, Ryan George explains that demonic possession just isn’t scary in tumultuous 2020.
[Thanks to John King Tarpinian, John Hertz, JJ, Mlex, Michael Toman, Mike Kennedy, Andrew Porter, Martin Morse Wooster, Scott Edelman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day C.A. Collins.]
By Mark L. Blackman: On the evening of Tuesday, September 8, 2020 (Star Trek Day), the New York Review of Science Fiction Readings Series opened its 30th Season virtually (and perhaps virtuously) with a reading by Michael Swanwick from his extraordinary collaboration with the late Gardner Dozois, The City Under the Stars. The event was hosted by Series producer and executive curator Jim Freund, host of the long-running sf/fantasy radio program Hour of the Wolf on WBAI-FM, and was live on Facebook and posted to the Series’ page for later viewing. (Tech was handled by Barbara Krasnoff, and Amy Goldschlager was the virtual audience’s “Question Wrangler.”)
Michael Swanwick, a longtime reader at the Series, is the author of ten novels, including Vacuum Flowers, Stations of the Tide, The Iron Dragon’s Daughter, Jack Faust, Bones of the Earth, The Dragons of Babel, Dancing With Bears, Chasing the Phoenix, and The Iron Dragon’s Mother; and roughly 150 stories. Notable among his non-fiction is Being Gardner Dozois, a book-length interview. He has been honored with the Nebula, Theodore Sturgeon, the World Fantasy Award, and the Hugo Award. (He has frequently noted that he has “the pleasant distinction of having lost more major awards than any other science fiction writer.”)
Gardner Dozois was, of course, the editor of Asimov’s Science Fiction magazine for almost 20 years, winning the Hugo Award as the year’s Best Editor 15 times. He was also honored with the Locus Award, the Nebula Award and the Sidewise Award, inducted into the Science Fiction Hall of Fame, and the Skylark Award for Lifetime Achievement in Science Fiction. He was the author or editor of more than a hundred books.
The evening opened with a discussion between Swanwick and Freund (who proudly displayed his very own Darger and Surplus pen). The book that became The City Under the Stars was long in the making, said Swanwick. Dozois began the story in 1972, but hit a snag. He handed a cardboard box with his unfinished manuscript to Swanwick and asked if he could turn it into a novella. Swanwick said he saw a way – “I lied” – but later did see a plotline. “The City of God” (now the first half of this novel) was published in Omni and Asimov’s. The novella was “bleak,” “dark,” and “a little more downbeat than the Book of Job, without the happy ending.”
Its ending seemed to preclude any sequels, but, over the decades, he and Dozois “talked over what might come next” and how a longer, complete story would end; Dozois had “an uplifting idea” for how to give it “a surprisingly happy ending.” They planned to write two more novellas, “The City of Angels” and “The City of Men,” however, midway through the second novella, Gardner Dozois died.
Subsequently, Swanwick returned to the project – now a memorial to Dozois – because “I wanted the world to see this genuinely happy ending.” Aiming to “keep Gardner’s vision,” he revised and combined both novellas, and changed the direction of the work in progress. As he wrote on Tor.com, Swanwick “made of them a novel I think Gardner would have been pleased with. The ending is exactly what Gardner envisioned all those decades ago. A happy one. For everyone. When I wrote the last words of it, I cried.”
Swanwick’s reading selection was from the very beginning of Chapter 1, opening in Orange, NY. The protagonist, Hanson, is part of a crew digging in a pit for and shoveling coal to feed the machines. From there, though, he can see the City of God, “perfect and inviolate.” It’s an “astonishingly depressing story.” After that “bleak” passage, “things get even worse and worse.” He later enters the City of God, but that’s not yet “the happy ending” by any means.
Hanson, Swanwick surmised, was based on Dozois himself, “a blue-collar kid who grew up in the factory town of Salem, Massachusetts. … His sympathy was with the downtrodden.” Despite his image of being “large and jolly,” Dozois was “shy and private.” He knew that by becoming editor of Asimov’s, he was effectively ending his writing career, and his output did decrease.
Answering Freund about his own path, Swanwick said that he decided to become a writer after reading The Lord of the Rings; he wanted to make an impact like that. Another influence or impetus was his father’s early onset Alzheimer’s. This segued into a Q&A, with questions from Carol Gyzander, Ian Randal Strock and Gregory Frost, among others.
Swanwick reminisced about a collaboration of his with Dozois and Jack Dann, “An Afternoon at Schraft’s,” which was eventually published in a themed anthology with one title. His personal favorite Dozois story is “A Special Kind of Morning,” a war story. In his collaborations with Dozois, “Gardner was always the alpha male,” with say on the final draft. He reminisced about hosting the Milford-style workshop “Philford.” He met Dozois shortly after he (Swanwick) came to Philadelphia, through a friend of a friend. Eventually, Dozois shrugged and offered to make suggestions on “your sucky stories.” Swanwick is currently working on short stories for Tor.com. Final words: “Don’t let your babies grow up to be writers.” (It’s a funny business, he observed. On the same day, he received checks for $9 and $1,400.)
The next reading, announced Freund, is Tuesday, October 6th, with C.L. Polk and will be guest-hosted by Amy Goldschlager. As a postscript, he noted that the software being used was “not free” and suggested that donations be made via PayPal (details are on the Series’ Facebook page). Finally, he noted again that this was the first reading of the Series’ 30th Season, also Series founder Gordon Van Gelder’s birthday – and Star Trek Day.
There seem to be a lot of cooks hovering over the broth:
Benioff and Weiss executive produce under their Bighead Littlehead banner along with the company’s newly installed president, Bernadette Caulfield. [Rian] Johnson, Ram Bergman, and Nena Rodrigue executive produce via T Street Productions. [Brad] Pitt executive produces with along with Dede Gardner and Jeremy Kleiner for Plan B Entertainment. [Rosamund] Pike and Robie Uniacke executive produce for Primitive Streak. Lin Qi, chairman of Yoozoo Group and The Three-Body Universe, and Zhao Jilong, vice president of The Three-Body Universe, also executive produce.
…Author Liu Cixin and accomplished sci-fi writer Ken Liu, who translated the English versions of the first and third books, serve as consulting producers.
The article quotes Liu Cixin:
“I have the greatest respect for and faith in the creative team adapting ‘The Three-Body Problem’ for television audiences,” said Cixin. “I set out to tell a story that transcends time and the confines of nations, cultures and races; one that compels us to consider the fate of humankind as a whole. It is a great honor as an author to see this unique sci-fi concept travel and gain fandom across the globe and I am excited for new and existing fans all over the world to discover the story on Netflix.”
…Since the start of the coronavirus outbreak in the US earlier this year, campaigns like Biden’s have been forced to entirely rethink how they organize voters. Instead of in-person rallies, Biden’s team has opted for live-streamed events and fundraisers along with socially distanced productions and interviews. The entire Democratic National Convention was held virtually earlier this month, with most guests streaming in over video software like Zoom to deliver speeches.
The Biden-Harris campaign released four sign designs for players to download, featuring the official Biden-Harris logo, Team Joe logo, the “Joe” Pride logo, and an image of aviator sunglasses shaded in red, white, and blue. Players will be able to access the designs in-game by scanning the design QR codes through the Nintendo Switch Online app.
…Millions of people have picked upAnimal Crossing: New Horizons since its initial release in March, and the Biden campaign is hoping to engage that large base with their new merch. “Animal Crossing is a dynamic, diverse, and powerful platform that brings communities together from across the world. It is an exciting new opportunity for our campaign to engage and connect Biden-Harris supporters as they build and decorate their islands,” Christian Tom, director of digital partnerships for the Biden campaign, said in a statement to The Verge. “As we enter the final campaign stretch towards November, this is one way we are finding new creative and innovative ways to meet voters where they are and bring our supporters together.”
…The first panel I watched was “Fantasy for YA vs. Adults”, featuring Alma Alexander, Farah Mendlesohn, Sherwood Smith and Kathryn Sullivan. I picked this panel over the horror panel going on at the same time, because I knew and liked the panelists. There was some concern in the chat that the panelists were all white. And indeed, more diversity would have been nice, especially considering what a diverse field fantasy in general and YA in particular is.
Talking of the chat, unlike other recent virtual conventions, NASFiC opted not to use the Zoom chat, but have the Discord chat side by side with the panel. From the POV of an audience member, this was a lot better than having to switch between Discord and Zoom in different tabs/windows. Though I’m not sure how it was from the POV of a panelist, since panelists and moderators can more easily see questions, when they are asked in the Zoom chat…
(5) MASTERING DUALITY. Sarah Gailey’s Personal Canons series continues with “Abhorsen”.
…When I first read the Abhorsen books, I was very young, and I was just starting to grapple with questions of identity, duality, and choice. Bound up in those questions was a larger, overarching question of worth. I felt certain that if I didn’t answer those questions about myself correctly, I’d lose some degree of goodness. Bit by bit, parts of me would tarnish; I’d become Bad, and there would be no place in the world for me. That feeling was too much. I couldn’t face it.
But in Garth Nix’s books, I saw that perhaps the answers could be more complicated than I realized. In Sabriel, I saw that feeling afraid and unprepared didn’t have to mean surrender, so long as I could be resourceful and stubborn. In Lirael, I saw that it’s possible to survive the crushing feeling that life is unsurvivable.
This reading marks the beginning of our 30th Season! Sadly, we cannot all join together for a fete, but over the course of time, we’ll figure something out. We wish to experiment with simulcasting the reading on our traditional home here on Facebook, but also try simulcasting it on YouTube. We’ll be testing this through the week so be sure to check back here to find out where to log in.
On Tor.com, Michael Swanwick wrote: “Almost a quarter century ago, Gardner Dozois and I published “The City of God,” now the first half of this novel. It ended with a slam, seemingly precluding any sequels. But over the decades Gardner and I talked over what might come next. We planned to write two more novellas, “The City of Angels” and “The City of Men,” which would tell one long, complete story. One with a happy ending.
Yes, Gardner could be a bleak writer. Yes, the novella was dark even for him. But he had an uplifting idea for how the book would end. We discussed it often. We were midway through the second novella and aiming at that happy ending when, without warning, Gardner died.
I knew I would never write that third novella without his input, his genius. Nevertheless I wanted the world to see this genuinely happy ending. So I changed the direction of the work in progress, combined both novellas, divided them into chapters, and made of them a novel I think Gardner would have been pleased with.
The ending is exactly what Gardner envisioned all those decades ago. A happy one. For everyone.
When I wrote the last words of it, I cried.”
(7) NOT TOO LATE TO TUNE IN. [Item by Martin Morse Wooster.]“Arthur Charles Clarke discusses science fiction” at the Studs Terkel Radio Archive is a 1959 interview Studs Terkel conducted with Clarke where Clarke discusses his novels Childhood’s End and Earthlight, explains why he thought sf was not escapist, and said that “I’m a moral vegetarian, although I hate vegetables.”
…The series trailer (watch it above) sets up the premise of Camp Cretaceous: A group of six teenagers are trapped at a new adventure camp on the opposite side of Isla Nublar. When the events of the film unfold and dinosaurs are unleashed across the island, each kid realizes their very survival rests on the shoulders of themselves and their fellow campers. Unable to reach the outside world, the six teens will go from strangers to friends to family as they band together to survive the dinosaurs and uncover hidden secrets so deep they threaten the world itself.
Jurassic World: Camp Cretaceous premieres September 18 on Netflix.
The new interactive site, live now, invites users to experience a behind the gates look at Jurassic World: Camp Cretaceous. At CampCretaceous.com, users can tour the campgrounds, get up close with dinosaurs, check out tree top cabins and a zipline, among other adventures.
(10) GOSPEL OR BLASPHEMY? Chris Mooney, in “You Don’t Have To Be A Genre Writer To Explore Genre” on CrimeReads, says his desire to put sf elements in a suspense novel led him to explore other works that combine sf and suspense, including novels by Colson Whitehead, Margaret Atwood, and Sir Kazuo Ichiguro.
…Sometimes when you mix things together, the results are amazing, even spectacular. As I was writing Blood World, I realized that almost of my all-time favorite books—the ones that had the greatest impact on me—were from authors who successfully incorporated elements from more than one genre. And now, it’s mid-August, the height of vacation season, and if, like me, you find yourself stuck in your backyard on a “staycation,” or lucky enough to live near a beach, you can do no better than these definitive, intelligent, page-turning, genre-bending classics.
(11) MEDIA BIRTHDAY.
September 1, 1950 — Dimension X’s “The Roads Must Roll.” Based on the Robert Heinlein story that first was published in Astounding Science Fiction in the June 1940 issue, it would first be broadcast on this date on NBC in 1950. It would win the Retro Hugo for Best Novella at MidAmericon II, the same year that OGH won another Hugo for Best Fan Writer. Jason Bolander, Norman Rose and Karl Weber were the cast. You can listen to it here. (CE)
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born September 1, 1875 — Edgar Rice Burroughs. Bradbury declared him “the most influential writer in the entire history of the world.” Now I’d not necessarily disagree or agree with that statement but I would note that he has largely fallen out of public notice once again. So what’s your favorite works by him? The Barsoom stories are mine. (Died 1950.) (CE)
Born September 1, 1928 – Shelby Vick. Edited Planetary Stories 2005-2017. Edited a new (i.e. 2013, centuries after the original) volume of Sindbad stories (with E. Erdelac & E. Roberts; unable to resist the spelling “Sinbad”), writing one. A score of short stories around then. Leading fan since the 1940s. Introduced Lee Hoffman (to some of us, after this incident, “Hoffwoman”), to Bob Tucker. Started WAW with the Crew in ’52 bringing W.A. Willis to Chicon II the 10th Worldcon. Organized, if that word may be used, Corflu 16 (fanziners’ con; corflu = mimeograph correction fluid, once indispensable); brought as a guest to Corflu 29. Rebel Award. (Died 2018) [JH]
Born September 1, 1942 — C. J. Cherryh, 78. I certainly think the Hugo Award-winning Downbelow Station and Cyteen are amazing works but I think my favorite works by her are the Merchanter novels such as Rimrunners. Anyone familiar with “Cassandra“, the short story she won a Hugo for at Seacon ‘79? What’s it part of? (CE)
Born September 1, 1943 – Filthy Pierre, 77. So unassumingly and widely helpful for so long he was at length given the Big Heart (our highest service award) and more locally made a Fellow of NESFA (New England SF Ass’n; its service award). With Marilyn Wisowaty (as she then was; also F.N.) compiled The Blackdex and Bluedex indexing SF prozines. FP being a filker is often at hand during an SF con and, when waiting is, inspires song, accompanying us on the current version of the Filth-O-Phone. Made the well-named Microfilk, an early filk index. Filk Hall of Fame. Invented the Voodoo Message Board. Fan Guest of Honor at Albacon 2010, Baltcon 52. Under a transparent pseudonym has conducted the SF Conventional Calendar for Asimov’s since 1977. [JH]
Born September 1, 1951 — Donald G. Keller, 69. Editor and critic. Co-edited Phantasmicom with Jeff Smith (1969-1974). A contributor to The New York Review of Science Fiction in the early Nineties which is where his “The Manner of Fantasy” essay appeared. He also edited The Horns of Elfland anthology with Ellen Kushner and Delia Sherman. Inactive genre wise for a decade now other than being a member of the editorial board of Slayage, the online Encyclopedia of Buffy Studies. (CE)
Born September 1, 1952 – Brad Linaweaver. Productive pro writer found lovable by many because of or despite proclaimed libertarian opinions. A dozen novels, five dozen shorter stories, some with co-authors. Artbook anthology Worlds of Tomorrowwith Forrest J Ackerman. Interviewed William Tenn for Riverside Quarterly. Two Prometheus Awards. Phoenix. Heinlein’s brass cannon bequeathed to him. (Died 2019)
Born September 1, 1954 – Larisa Mikhaylova, Ph.D., 66. Editor, critic; translator including Cadigan and Le Guin. Editor-in-chief, Supernova. Organizer of conferences on Ivan Yefremov, co-ordinator of preparing his Complete Works. Biography of HE in J. Francaville ed., Harlan Ellison. “Shore Leave Russia” on Star Trek fandom in Russia, Eaton Journal of Archival Research in SF. Academic Secretary, Russian Soc. Amer. Cultural Studies. [JH]
Born September 1, 1961 – Jacinta Escudos, 59. Mario Monteforte Toledo Central American Prize for Fiction. Collection, The Devil Knows My Name (in Spanish, i.e. El diablo sabe mi nombre). Anthologized in And We Sold the Rain, Lovers and Comrades, You Can’t Drown the Fire. Widely known outside our field. Blog here (in Spanish). [JH]
Born September 1, 1964 — Martha Wells, 56. She’s has won a Nebula Award, a Locus Award, and two Hugo Awards, one for the “All Systems Red” novella at WorldCon ‘76, and the other for her “Artificial Condition“ novella at Dublin 2019. Impressive. And she was toastmaster of the World Fantasy Convention in 2017 where she delivered a speech called “Unbury the Future”. Need I note the Muderbot Diaries are a truly amazing reading? (CE)
Born September 1, 1967 — Steve Pemberton, 53. He’s on the Birthday List for being Strackman Lux in the most excellent Eleventh Doctor stories of “Silence in the Library” and “Forest of the Dead” but he has other genre credits including being Drumknott in Terry Pratchett’s Going Postal, Professor Mule in the Gormenghast series and Harmony in the Good Omens series as well. (CE)
Born September 1, 1974 — Burn Gorman, 46. Best known for his roles as Owen Harper in Torchwood , Karl Tanner in the Game of Thrones, Philip Stryker in The Dark Knight Rises and also as Hermann Gottlieb in Pacific Rim and the sequel Pacific Rim: Uprising. Like so many of his fellow Torchwood performers, he’s been active at Big Finish where he’s been in nine Torchwood stories to date. (CE)
Born September 1, 1978 — Yoav Blum, 42. Software developer and author. First novel translated (from Hebrew), The Coincidence Makers. Ranks Guards! Guards! about the same as Winnie-the-Pooh. [JH]
(13) COMICS SECTION.
Ziggy listens to an outburst about an unfair evolutionary advantage.
Off the Mark comes up with one of those times when you shouldn’t count on Superman to save your life.
….I’ve been in a bit of a reading rut in recent weeks, but one book that I’ve been enjoying is The Human Cosmos: Civilization and the Stars by Jo Marchant. It’s out today, and Marchant takes a slightly different tack on the history of astronomy: she looks at not how humanity discovered the stars and planets, but how it impacted our development as a civilization. It’s an excellent example of multidisciplinary history, looking at archeology, science, mathematics, and of course, astronomy. I highly recommend it.
If you’re looking for other books coming out this month, here are 22 science fiction and fantasy ones hitting stores that you should check out.
(15) THE STICKS HAVE BEEN HEARD FROM. SF Concatenation’s Jonathan Cowie, who has been without the internet most of the time during the pandemic, broke out of isolation to update “Concatenation Science Communication News”.
Prior to CoVID-19 / SARS-CoV-2, neither abode being connected to the internet was not a problem (not even required) as regular internet access was available at college, volunteer work offices as well as learned society Fellows rooms’ and public libraries’ cybercafes (plus even hotels when travelling). However, with SARS-CoV-2, access to these has ceased. This means no e-mail communication since 20th March 2020 and this will not resume until we get a vaccine and restrictions are lifted. So if you have e-mailed, now you know why you have not had a response.
All other (non-e-mail) communications are working fine…
More news at the link.
He also tweeted assurance that there will be an autumnal edition of SF2 Concatenation as contributors have been snail-mailing contributions in on memory sticks.
… The material that this movie is based upon is Max McLean’s one man stage play that chronicles the Narnia author’s journey from atheism to Christianity… Although a filmed from the stage version of this production is already available on DVD, the new movie version will be entirely different with a full cast shooting at historic locations from C.S. Lewis’s life.
“The difference about this play is it’s going to be on location all over Oxford. We have full access to Maudlin College, The Kilns, the church, [and] various other places that are mentioned in the play. Instead of it being a one person show, it’s going to be a multi-actor show. I’ll play the older Lewis, we’ll have a boy Lewis, a young Lewis in his 20’s, cast his mother, his father, Tolkien, Barfield, Kirk, among others, and that is going to begin shortly.”
In March 2020 the entire world of Fellowship for Performing Arts came to a complete standstill. The New York based theatrical organization had been selling 2,000 tickets a week for their four productions, but that quickly dropped to 0 tickets a week and there is no expectation that live theater will resume until 2021. More than 30 FPA shows have been canceled because it is far too dangerous to hold any public gatherings in the United States.
“Since our plays have all shut down, we’ve moved up our feature film adaptation of C.S. Lewis’s conversion story. That was designed to be a 2021/2022 project, well we’ve moved it up to September and October of this year. I’ll be leaving tomorrow for the UK to begin shooting in mid-September (I have to quarantine for two weeks before we begin shooting).”-Max McLean
Norman Stone is the producer of this movie. This award-winning British director also directed Shadowlands (1985), C.S. Lewis: Beyond Narnia (2005), and The Narnia Code (2009).
(17) WILL CROWDFUNDING LET THEM MAKE THEIR TEASER TRAILER? The Kickstarter for “BAÏDIR – the animated series”, a space-opera animated series, looks to be far from funding, having raised only $29,266 of its $35,968 goal and the appeal ending September 6.
This is an epic, modern, ecological, and family fable…
It tells the initiatory path of a hero willing to do anything to locate his sister, and thus restore the family’s lost balance. It is also a story that echoes a much broader collective quest. At stake: restoring our planet’s lost environmental equilibrium.
Baïdir is a series designed to span three parts, each composed of 8 episodes of 26 minutes. The genre varies from adventure to science fiction with a good dash of fantasy.
Born from the imagination of Slimane Aniss, then enriched by the graphic universe spun by Charles Lefebvre and Thierry Rivière, Baïdir got its first teaser in 2009. Several years later, in 2012, the concept for the series was purchased by a first production studio. This resulted in a second teaser being hatched. Then several years after that, Andarta Pictures managed to acquire the rights to the work. At long last, work could begin on building the narration and the universe, thus allowing it to take shape for the television screen.
Baïdir is a project that has garnered quite a lot of interest during its various development phases. There is a massive amount of fan art on social networks. This crowdfunding campaign will allow us to breathe life into this whole universe and to tell the story of Baïdir and his friends at last.
Join Neil deGrasse Tyson, the Frederick P. Rose Director of the Hayden Planetarium, and a panel of experts for a livestream debate and question-and-answer session to discuss how life may have formed on Earth and explore what alien life might look like elsewhere in the universe.
What criteria do we use to classify life as we know it? Should the criteria be revised as we look for life on other worlds? The debate will bring together scientists from different fields–Nathalie A. Cabrol of the SETI Institute, Vera Kolb of the University of Wisconsin-Parkside, Seth Shostak of the SETI Institute, Carol Cleland of the University of Colorado, and Max Tegmark of MIT–to share their creative ideas for what forms life might take in an extraterrestrial environment and what these predictions can teach us about life on our own planet.
(19) HO, HO PHO. Archie McPhee has “Ketchup, Shiitake And Pho Candy Canes” ready for the holiday season – whatever holiday that may be. (“National Flash on Your Carpet Day”?) Wait – they seem to think it’s Christmas!
This year’s Archie McPhee candy canes are here! We’ve got three crazy flavors to make your Christmas more delicious than ever. Ketchup Candy Canes are fresh-from-the-bottle candy that tastes just like America’s favorite condiment. Shiitake Mushroom Candy Canes have a mushroom flavor that will make Christmas morning even more fungus than usual. And, finally, Pho Candy Canes are un-pho-gettable!
[Thanks to N., John King Tarpinian, Lise Andreasen, Contrarius, Michael Toman, JJ, Cat Eldridge, John Hertz, Martin Morse Wooster, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Daniel Dern, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day O. Westin.]