Pixel Scroll 9/8/19 To Be Placed On Our “Do Not Teleport” List, Please Press 1

(1) WRITTEN AS A WARNING. Margaret Atwood was featured today on CBS Sunday Morning: “’The Handmaid’s Tale’ author Margaret Atwood: ‘I have never believed it can’t happen here’”.

…When asked her inspiration for the handmaids’ outfits, Atwood replied, “The concealment of the body, number one, and the limitation of the body, number 2, so other people can’t see you, but you also can’t see other people.

“So, that, and the Old Dutch Cleanser package from the 1940s,” she added. “A vision from my childhood.”

Outside the church, Atwood is recognized by teenagers attending day camp. At 79, she is Canada’s most famous living writer. She’s published 60 books, but “The Handmaid’s Tale” has overshadowed the others. In English, it’s sold more than eight million copies.

She began the book in West Berlin in 1984: “A symbolic year because of Orwell, and how could I be so corny as to have begun ‘The Handmaid’s Tale’ in that year?  I couldn’t help it!”

(2) NO AWARD. David Pomerico was incensed that Anne Groell finished behind No Award in the Best Professional Editor, Long Form Hugo category. While some of these tweets are a bit overwrought (“Of course, maybe Anne wronged 97 of you somehow, but knowing her like do, I find that hard to believe”), it’s very fair to say most voters have only a very general idea what an editor does, and to wonder how they decided to fill out their ballots. Thread starts here.

I have observed in the fan categories that No Award votes can function as a protest against the existence of a category. If something similar is at work here, it would only be unfortunate collateral damage that a person received fewer votes than No Award on the first ballot. Note that although she wasn’t the first choice of very many voters, the sixth place runoff shows 446 people ranked Groell ahead of No Award.

(3) PKD’S FINAL RESTING PLACE. “Arts and Entertainment: Community celebrates Philip K. Dick” — The Fort Morgan (CO) Times covers a local PKD festival. Why Fort Morgan? For a couple of good reasons:

…PKD died in Santa Ana, California, on March 2, 1982, at the age of 53. After his death, Hollywood would make some of his work popular with films such as “Blade Runner” (based on his short story “Do Androids Dream of Electric Sheep”); “Total Recall” (based on “We can Remember it Wholesale”); “Minority Report” and “The Adjustment Bureau.”

Dick is buried at the Fort Morgan cemetery next to his twin sister, Jane, who died at 6 weeks old. That grave is a popular draw for fans of the prolific science fiction author from all over the world, with cemetery workers often seeing little trinkets related to his tales left on the stone.

Another connection to Fort Morgan with the late author is that his father’s family was from Fort Morgan.

Two years ago, an expert on author Philip K. Dick who goes by Lord Running Clam (aka David Hyde) saw his dream of having a PKD Festival held in Fort Morgan come true.

And this year, the second version of that every-two-years festival was held.

… One of the big events at this year’s PKD Festival was a panel discussion about “The Man In The High Castle.”

“The Man in the High Castle” is what many consider to be Dick’s first masterpiece, but not everyone feels that way. The panel consisted of Ted Hand, Dr. Andrew Butler, Tessa Dick and Frank Hollander.

(4) CLINGERMAN APPRECIATION. The Library of America’s “Story of the Week is “Mr. Sakrison’s Halt” by Mildred Clingerman (1918–1997), originally published in 1956 by Anthony Boucher in The Magazine of Fantasy and Science Fiction, and recently anthologized in The Future Is Female! 25 Classic Science Fiction Stories by Women.

During the last couple of decades the name Mildred Clingerman has popped up in prominent spots around the science fiction universe. Her works have been included in several significant anthologies and even in textbooks; indeed, her story “Wild Wood” is one of the more memorable entries in the late David G. Hartwell’s landmark collection of Christmas fantasy tales. In 2014 she received a posthumous Cordwainer Smith Rediscovery Award, joining such previous honorees as R. A. Lafferty, Leigh Brackett, and the collaborative team Henry Kuttner and C. L. Moore. And two years ago her family assembled The Clingerman Files, a book collecting most of the science fiction stories that appeared during her lifetime, along with two dozen unpublished tales found in her papers.

(5) TRUE CONFESSION. Cat Rambo is taking inventory:

(6) Q&A. Odyssey Writing Workshops taps into the experience of a successful grad — “Interview: Graduate Erin Roberts”.

Your story “Thanks for the Memories,” an interactive story about a woman piecing her life together one memory at a time, came out in Sub-Q in December 2018. What were some of the challenges in writing a story structured that way?

I had so much fun writing “Thanks for the Memories,” and it’s based on a story I wrote for my last week of Odyssey. I could never make it quite work in prose, but making it interactive and letting the player/reader experience the feeling of trying to work out the main character’s past from within her shoes, using her memories, was the perfect fit of story and format. The hardest part of doing it, other than learning a new coding language to write the piece, was figuring out how to make the piece non-linear (so you could experience the memories in any order), but also structured (so there was a set beginning, middle, and end to drive the story). My solution was to create a frame narrative with a ticking clock and key moments that always happened when the player got through a certain number of memories. That way their experience of the memories could always be different, but the story would still have a shape and forward plot momentum. I like to think it worked out in the end.

(7) HINTS OFFERED. At Writer’s Digest, Robert Lee Brewer has curated a list of links to other WD articles that will show you “How to Write a Science Fiction Novel”.

Whether you want to write about peace-loving aliens or a heartbreaking dystopian future, there are a number of practical strategies for starting your novel, building your world, and landing a satisfying finish. In this post, learn how to write a science fiction novel using some of the best advice on WritersDigest.com.

(8) A HISTORIC CONNECTION. Actor Robert Picardo celebrates Star Trek’s premiere 53 years ago today by sharing Trek-related things found in storage boxes at The Planetary Society’s headquarters. One is a signed letter from Gene Roddenberry encouraging the Star Trek community to join the Society.

Star Trek: Voyager’s holographic doctor, Robert Picardo, also serves on The Planetary Society Board of Directors. However, he is not the first connection between Star Trek and The Planetary Society. In 1980, the creator of Star Trek, Gene Roddenberry, wrote a letter and sent it out to a Star Trek fans mailing list. In the letter, Gene invited his fans to join us on our mission to explore the cosmos. Hear the letter as read by Robert Picardo, listen to his Jean-Luc Picard impression, and see inside Bill Nye’s office for more Star Trek artifacts on hand at The Planetary Society.

(9) TODAY IN HISTORY.

  • September 8, 1966 Star Trek’s first aired episode, “The Man Trap,” was written by George Clayton Johnson.
  • September 8, 1973 Star Trek: The Animated Series premiered on this day.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 8, 1911 William Morrow. He’s the first original Trek Admiral appearing as an Admiral in two episodes, Admiral Komack, in “Amok Time” and as Admiral Westervliet “For the World is Hollow and I Have Touched the Sky”.  Other genre appearances include Cyborg 2087, Mission ImpossibleColossus: The Forbin ProjectPanic in Year Zero!The Resurrection of Zachary Wheeler, Rollerball and Fantasy Island. (Died 2006.)
  • Born September 8, 1925 Peter Sellers. Chief Inspector Clouseau in the Pink Panther films which are surely genre, aren’t they? Of course, he had the tour de force acting experience of being Group Captain Lionel Mandrake and President Merkin Muffley and Dr. Strangelove in Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb. He also took multiple roles (even the Queen) in The Mouse That Roared. Amusingly he was involved in another of folk tale production over various mediums (film, radio, stage) including Cinderella, Tom Thumb, Mother Goose and Jack and The Beanstalk. (Died 1980.)
  • Born September 8, 1945 Willard Huyck, 74. He’s got a long relationship with Lucas first writing American Graffiti and being the script doctor on Star Wars before writing Indiana Jones and the Temple of Doom. And he was the writer and director on Howard the Duck which, yes, is a Lucasfilm. It’s the lowest rated on Rotten Tomatoes Lucasfilm production ever at 15% followed by Radioland Murders, the last script he’d write for Lucasfilm which would be a not quite so dismal 24%. 
  • Born September 8, 1948 Michael Hague, 71. I’m very fond of East of the Sun and West of the Moon retold by he and his wife Kathleen. Not to be missed are his Wind in The Willows and The Hobbit which are both lovely takes on those tales. 
  • Born September 8, 1954 Mark Lindsay Chapman, 65. Sorry DCU but the best Swamp Thing series was done nearly thirty years ago and starred the late Dick Durock as Swamp Thing and this actor as his chief antagonist, Dr. Anton Arcane. Short on CGI, but the scripts were brilliant. Chapman has also shown up in Poltergeist: The Legacy, The New Adventures of SupermanThe Langoliers and Max Headroom to name a few of his genre appearances.
  • Born September 8, 1965 Matt Ruff, 54. I think that his second book Sewer, Gas & Electric: The Public Works Trilogy is his best work to date though I do like Fool on The Hill a lot. Any others of his I should think about reading? 
  • Born September 8, 1966 Gordon Van Gelder, 54. From 1997 until 2014, he was editor and later publisher of The Magazine of Fantasy & Science Fiction, for which he was awarded twice, and quite well deserved they were, the Hugo for Best Editor Short Form. He was also a managing editor of The New York Review of Science Fiction from 1988 to 1993, for which he was nominated for the Hugo a number of times. 
  • Born September 8, 1971 Martin Freeman, 48. I’m not a fan of Peter Jackson’s Hobbit films but I really do think he made a very fine Bilbo Baggins. Now I will say that I never warmed to Sherlock with him and Benedict Cumberbatch. Elementary with Jonny Lee Miller and Lucy Liu works better for me.  
  • Born September 8, 1975 C. Robert Cargill, 44. He, along with Scott Derrickson and Jon Spaihts, worked on the script for Doctor Strange. More intriguingly they’re writing the script for The Outer Limits, a movie based on the television show. The film, produced by MGM, will be adapted from just the “Demon with a Glass Hand” episode begging the question of what they’re writing for a script given that Ellison did write the Writers Guild of America Awards Outstanding Script for a Television Anthology script. 

(11) COMICS SECTION.

(12) LOOK OUT BELOW. Speakers’ Corner finds an author who did a literal book launch: “Science Fiction Should Be Re-Named Science Prediction: Q&A With Sarah Cruddas”.

What inspired you to pick up a pen and write a book for children?

The Space Race: The Journey to the Moon and Beyond – which was released this May – is my third children’s book. Although I don’t see it as just a children’s book. Nearly all of us have a child like wonder about space, and I want to inspire as many people as possible about why space matters and how it is shaping our lives. What inspired me to write this book is that I wanted to inspire as many people as possible about why space matters. I even launched the book to the edge of space (using a balloon) to help showcase just how close space really is.

Wait, hang on – you actually launched your book into space?

Haha yes!

I launched my book to space using a special type of balloon filled with hydrogen gas. The science behind it is relatively simple, the gas in the balloon weighs less than the air around it, so that causes it to rise. The balloon continues to rise and expand until the air that surrounds is equal in pressure – at the edge of space at an altitude which in this case was 33.1km. It then pops and falls to the Earth by parachute.

However it’s also complicated in the sense, you have to notify the CAA and also track the balloon and predict rough landing sight using weather patterns. But it shows that space is truly not far away.

(13) GOOD AS GOLD. Somewhat unexpectedly, Joker has taken top prize at the Venice Film festival. Slate has the story: Joker Steals Golden Lion at Venice Film Festival!”.

               The Joker, that caliph of clowns, that prince of pranksters, that malevolent mischief-maker whose cunning capers continually confound the courageous crimefighters of Gotham City, has struck again! This time, the caped crusaders’ archest arch-nemesis has left Gotham for bella Italia—ancestral home of local heiress J. Pauline Spaghetti—to pull off his most daring, dastardly deed to date: Stealing the Golden Lion, the top prize at this year’s Venice Film festival, and awarding it to Joker, screenwriter and director Todd Phillips’ critically-acclaimed meditation on poverty, grief, and the myriad ways the social and economic forces of the Reagan era turned decent people into Clown Princes of Crime.

               The Joker’s fiendish feat of film flimflammery is a festival first: According to the Cinematic Milestone Bat-Disclosure Unit, Joker is the first superhero movie to win the Golden Lion. The festival jury, headed by Argentinean director Lucrecia Martel, has not commented on its role in the Joker’s scheme, but Commissioner Gordon believes that an empty box of “Joker Brand Film Festival Jury Hypnotic Gas Pellets (Italian Formulation)” found in the gondola where deliberations were held may hold a clue to the mystery. Authorities acknowledge, however, that their theory that the festival jury was biased in favor of supervillains is not entirely consistent with the fact that they awarded the festival’s next highest award, the Grand Jury Prize, to a small-time sex offender named Roman Polanski for An Officer and a Spy, a movie about the Dreyfus affair. Holy Ham-Handed Historical Analogy, Batman!

(14) NAVIGATING OZ. Daniel Tures looks back at the books and 1939 movie in “Dorothy, the Scarecrow, the Tin Man, the Lion, Oh My!” at the Los Angeles Public Library blog.

…As one of the cultural touchstones of the 20th century, almost any look into the history or production of The Wizard of Oz will spin the reader down endless rabbit holes of film criticism and intellectual wandering. From Judy Garland’s ruby slippers, silver shoes in Baum’s original book, illustrated by W.W. Denslow, to E. “Yip” Harburg and Harold Arlen’s iconic songs, and with heirs from The Wiz to the films of David Lynch, it stands at the crux of Hollywood history.

We tend to think of the books as being written in one place, and the movies based on them being made in another—yet strangely enough L. Frank Baum and his wife Maud Gage actually lived in the town of Hollywood from 1910 to 1919, at the end of his life, just as it was being transformed from a little-known agricultural paradise to a world-famous moviemaking one.

(15) KYLO REN IS DONE WITH IT. “Darth Vader’s Screen-Used Helmet From Star Wars: The Empire Strikes Back Goes up for Auction”: ComicBook.com says you’ll need a wheelbarrow full of cash.

Are you a Star Wars fan with $250,000 to spend? If so, iCollector has an item for you! The online collectibles auction is boasting a Darth Vader helmet worn onscreen by David Prowse in Star Wars: The Empire Strikes Back.

(16) HISTORY OF SF FILMS. Mr. Sci-Fi, Marc Scott Zicree, has been doing a History of Science Fiction, and in the third installment covers 1955 to 1959. He hopes viewers will support his efforts at www.patreon.com/marczicree.

[Thanks to JJ, Cat Eldridge, Chip Hitchcock, Michael Toman, Mike Kennedy, John King Tarpinian, Martin Morse Wooster, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 8/18/19 I Am Most Definitely Not Left Pixeled. That Would Be Sinister

A skeleton Scroll – but there are only so many hours in the day!

(1) DUBLIN 2019 MASQUERADE AWARDS. Issue #8 of the Worldcon daily newzine has the full list of Masquerade award winners — https://dublin2019.com/wp-content/uploads/2019/08/Issue8-final.pdf [PDF file].

(2) WORLDCON ATTENDANCE. The daily newzine reported that when the Registration desk closed Saturday night, the convention had registered a total of 5,554 attendees across all days.

(3) HUGO LOSERS PARTY PROBLEM. Alex Acks and a busload of people invited to the Hugo Losers Party were told they couldn’t get in when they arrived because the place was already filled to capacity. Thread starts here.

(4) GAMERGATE AT 5. Brianna Wu’s op-ed “I Wish I Could Tell You It’s Gotten Better. It Hasn’t” is part of the New York Times retrospective on the fifth anniversary of the start of Gamergate.

When Gamergate began, I was the head of development for my game studio, Giant Spacekat. I watched for months as a mob of trolls harassed women in game development with death threats and rape threats, and violated their privacy until they quit or gave up their careers.

What follows are a selection of quotes detailing threats and harassment claims from the FBI Gamergate report (2017)….

The men in our field were oblivious, saying it was “not an industry issue.” People in power did nothing.

Since industry leaders would not, I knew I had to act.

(5) REMEMBER WHAT VONNEGUT SAID PEOPLE WERE GOOD FOR. Cara Buckley asks “Why Is Hollywood So Scared of Climate Change?” in the New York Times.

Humans ruined everything. They bred too much and choked the life out of the land, air and sea.

And so they must be vaporized by half, or attacked by towering monsters, or vanquished by irate dwellers from the oceans’ polluted depths. Barring that, they face hardscrabble, desperate lives on a once verdant Earth now consumed by ice or drought.

That is how many recent superhero and sci-fi movies — among them the latest Avengers and Godzilla pictures as well as “Aquaman,” “Snowpiercer,” “Blade Runner 2049,” “Interstellar” and “Mad Max: Fury Road” — have invoked the climate crisis. They imagine postapocalyptic futures or dystopias where ecological collapse is inevitable, environmentalists are criminals, and eco-mindedness is the driving force of villains.

But these takes are defeatist, critics say, and a growing chorus of voices is urging the entertainment industry to tell more stories that show humans adapting and reforming to ward off the worst climate threats.

“More than ever, they’re missing the mark, often in the same way,” said Michael Svoboda, a writing professor at George Washington University and author at the multimedia site Yale Climate Connections. “Almost none of these films depict a successful transformation of society.”

(6) A MOVIE ABOUT A WRITER. The Austin Chronicle headline reads “To Know Joe Lansdale Is to Love Joe Lansdale” – and there’s a great deal of truth to that.

Documentary films about authors are few and far between. That’s chiefly because the act of putting pen to paper or fingers to keyboard isn’t anyone’s idea of high drama.

Not so with New York-based documentarian and self-professed fangirl Hansi Oppenheimer‘s All Hail the Popcorn King, a tribute to and examination of Joe Lansdale, the Lone Star State’s “writer of the purple rage.” Lansdale’s genre-defying, outrageously prolific curriculum vitae – some 50 novels, 500-plus short stories, comic books, screenplays, and not least his own brand of “martial science,” aka Shen Chuan – makes for an absorbing portrait of an artist whose imagination knows no bounds. Whether it’s on the screen (Bubba Ho-Tep; Sundance TV’s adaptation of Lansdale’s long-running Hap and Leonard series of novels) or on the page, the life story of this 10-time Bram Stoker Award-winning “Champion Mojo Storyteller” from the piney woods of Nacogdoches is every bit as extraordinary as any one of his artistic endeavors.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 18, 1929 Joan Taylor. Her first genre role was Earth vs. the Flying Saucers as Carol Marvin, and she followed that with 20 Million Miles to Earth as Marisa Leonardo. Her last genre role was as Carol Gordon in Men into Space, a late Fifties series about a USAF attempt to explore and develop outer space. She retired from acting in the early Sixties. (Died 2012.)
  • Born August 18, 1931 Grant Williams. He is best remembered for his portrayal of Scott Carey in The Incredible Shrinking Man though he will have the role of the psychopathic killer in Robert Bloch’s The Couch. Of course, he shows in Outer Limits, he plays Major Douglas McKinnon in “The Brain of Colonel Barham”.  And he’s Major Kurt Mason in The Doomsday Machine. (Died 1985.)
  • Born August 18, 1934 Michael de Larrabeiti. He is best known for writing The Borrible Trilogy which is noted by several sources online as being an influence by writers in the New Weird movement. Ok folks, I’ve not read so please explain how The Borrible Trilogy influences that literary movement. (Died 2008.)
  • Born August 18, 1925 Brian Aldiss. He’s well known as an anthologist and SF writer with Space, Time and Nathaniel, a collection of short stories being his first genre publication. I’ll single out Space Opera and other such anthologies as my favorite works by him. His “Super-Toys Last All Summer Long” is the basis for A.I. Artificial Intelligence. Much honored, he’s was named a Grand Master by SFWA and inducted by the Science Fiction Hall of Fame. He also has received two Hugo Awards, one Nebula Award, and one John W. Campbell Memorial Award. (Died 2017.)
  • Born August 18, 1954 Russell Blackford, 65. Writer resident in Australia for awhile but now in Wales. Author of Terminator 2: The New John Connor Chronicles, and editor of the Australian Science Fiction Review in the Eighties. With Van Ikin and Sean McMullen, he wrote Strange Constellations: A History of Australian Science Fiction, and Science Fiction and the Moral Imagination: Visions, Minds, Ethics which is just out.
  • Born August 18, 1958 Madeleine Stowe, 61. She’s in the Twelve Monkeys film as Kathryn Railly, and she’s in the Twelve Monkeys series as Lillian in the “”Memory of Tomorrow” episode. Her only other genre work was a one-off in The Amazing Spider-Man which ran for thirteen episodes nearly forty years ago. She was Maria Calderon in “Escort to Danger” in that series, and she also played Mia Olham in Impostor which scripted off Philip K. Dick’s “Impostor” story.
  • Born August 18, 1966 Alison Goodman, 53. Australian writer whose Singing the Dogstar Blues won an Aurealis Award for best young-adult novel. The Two Pearls of Wisdom which in the States as Eon: Dragoneye Reborn won a Aurealis Award for the Best Fantasy Novel, and was a 2008 James Tiptree, Jr. Award Honor Book as well.
  • Born August 18, 1967 Brian Michael Bendis, 52. He’s both writer and artist, a still uncommon occurrence. Did you know he’s garnered five Eisner Awards for both his creator-owned work and Marvel Comics? Very impressive! He’s the primary force behind the creation of the Ultimate Marvel Universe, launching Ultimate Spider-Man which is an amazing series which I been reading on the Marvel Unlimited app.

(8) CONZEALAND PR#1. If I didn’t mention it before, CoNZealand Progress Report 1 has been posted. It’s a free download for anyone.

(9) REQUIEM. The climate change dunnit: “Iceland’s Okjokull glacier commemorated with plaque”.

Mourners have gathered in Iceland to commemorate the loss of Okjokull, which has died at the age of about 700.

The glacier was officially declared dead in 2014 when it was no longer thick enough to move.

What once was glacier has been reduced to a small patch of ice atop a volcano.

Prime Minister Katrin Jakobsdottir, Environment Minister Gudmundur Ingi Gudbrandsson and former Irish President Mary Robinson attended the ceremony.

After opening remarks by Ms Jakobsdottir, mourners walked up the volcano northeast of the capital Reykjavik to lay a plaque which carries a letter to the future.

“Ok is the first Icelandic glacier to lose its status as glacier,” it reads.

“In the next 200 years all our main glaciers are expected to follow the same path. This monument is to acknowledge that we know what is happening and what needs to be done.

“Only you know if we did it.”

The dedication, written by Icelandic author Andri Snaer Magnason, ends with the date of the ceremony and the concentration of carbon dioxide in the air globally – 415 parts per million (ppm).

(10) HACKING THE WAY TO GLORY. The Hollywood Reporter reveals “How a Norwegian Viking Comedy Producer Hacked Netflix’s Algorithm”.  

…The key to landing on Netflix’s radar, he knew, would be to hack its recommendation engine: get enough people interested in the show early. Then, hopefully, Netflix’s mysterious algorithm would do its thing.

Netflix had given Tangen an Aug. 18, 2017, date for the premiere of Norsemen in its English-language territories (the show shot back-to-back versions in Norwegian and English). Three weeks before launch, he set up a campaign on Facebook, paying for targeted posts and Facebook promotions. The posts were fairly simple — most included one of six short (20- to 25-second) clips of the show and a link, either to the show’s webpage or to media coverage.

They used so-called A/B testing — showing two versions of a campaign to different audiences and selecting the most successful — to fine-tune. The U.S. campaign didn’t cost much — $18,500, which Tangen and his production partners put up themselves — and it was extremely precise.

(11) WHEN GOOD ISN’T ENOUGH. Odyssey Writing Workshops shares unexpected insights about the slushpile in “Interview: Graduate Kate Marshall (Part 2 of 2)”.

You used to read slush for Beneath Ceaseless Skies. What were some of the things you learned from reading all of those stories? 

The main thing I learned was that there’s a whole lot of “fine” and even “good” writing out there, far more than there is “bad” (in the slush, at least). The competently written stories abounded, and at first it was very hard to turn those down. There was nothing wrong with them, after all. But eventually, I learned to recognize the gulf between competent writing and a great story. There wasn’t one thing that set every great story apart; it wasn’t that clear-cut. It might be a killer voice, a grab-you-by-the-throat opening, an ending that left you feeling downright emotionally wobbly. Every one of those stories had something that provoked a reaction, and studying the difference between the death scene that was merely competent and the one that felt like a knife to the gut helped me start to think about what the true core of my stories was.

[Thanks to rcade, Mike Kennedy, Martin Morse Wooster, JJ, Cat Eldridge, Chip Hitchcock, John King Tarpinian, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Paul Weimer.]

Pixel Scroll 7/16/19 Abe Said, Where Do You Want This Filing Done? God Said, Out On Scrollway Pixel-One

(1) ABOUT “FANDOM”. Impressive piece on the meanings of “fandom” by Elise Matthesen: “A bit of musing on where fandom/fandoms communication has oft gone awry”. I’m only going to excerpt the preamble, and save the best parts for you to discover at the link:

The following excerpt is taken from an email conversation with friends about some online reactions to a screed someone had posted about how kids these days should get off of their lawn with their “fandoms” with an s and their fanwriters who are not oldphart fans, among other things. I was trying to explain to my friends how one particular misunderstanding involving the usage of “fandom” versus the usage of “fandoms” was making things so much worse, and how I had had very little luck explaining the particular connotations involved to either group of the fans involved.

Please note that the following has been edited for clarity, but I’m not guaranteeing I actually reached that destination….

(2) DIVE INTO WORLDBUILDING. Juliette Wade’s new Diving Into Worldbuilding introduces readers to Cadwell Turnbull and interviews him about how he devised the background for his novel: “Cadwell Turnbull and The Lesson. Read the synopsis at the link, and/or watch the video:

We were all really excited to meet Cadwell Turnbull and talk to him about his new novel, The Lesson. This is a first contact novel featuring aliens in the Virgin Islands. It takes place five years after the alien Ynaa integrated with humans, and examines the tensions and conflicts between humans and Ynaa. Cadwell told us it deals with the murky relationship between the two groups, and the social, personal, and cultural effects of having highly advanced aliens living here.

Cadwell explained that the Ynaa have one basic technology. “Reefs” are intelligent cells that manage body health and also change the Ynaa’s physiology so they can fit in. They can also be used for technology, ships, cities, and other things. The reefs can build themselves. This technology can also be used to kill people.

(3) MUSIC ABOUT THE FUTURE. Red Bull Music Academy presents 17 selections that make up “An Alternate Canon of Afrofuturist Classics”.

This list sprung from a short question: What is a song you feel best represents Afrofuturism? From that starting point, a number of artists, academics, authors, curators and creative minds contributed selections that reflect both canon and alternate cuts. This list is necessarily limited: The expansive applications of Afrofuturist thought means anything definitive remains out of reach. But wherever and however Afrofuturism travels, it remains a space of utmost creative freedom and expressive possibility.

The titles on the home page are linked to short articles about each selection.

(4) WE’LL SEA ABOUT THAT. The Hollywood Reporter finds support for a POC mermaid split along party lines: “Disney’s Choice to Cast Halle Bailey in ‘Little Mermaid’ Is Mostly Well-Received, Poll Finds”.

About 75 percent of self-described Democrats said they support the casting of the actress in the role, as opposed to 44 percent of Republicans, a Hollywood Reporter/Morning Consult poll finds.

(5) FANS COMMISSION HOGARTH NOVEL. M.C.A. Hogarth says —

I gave my fans a chance to “buy” a novel via Kickstarter I would ordinarily have backburnered and they decided they wanted it. The Kickstarter is still running but they’ve already hit my 10K goal (and in less than five days).

I continue to think it’s cool that we live in an age where fans can fund the books they want that authors would otherwise not have been able to afford. 🙂

The fundraising is not just about the book as a whole — Hogarth has set up an interesting menu of almost 20 different scenarios or character interactions that people can contribute toward having included in the story.

The “Major Pieces: A Peltedverse Collection” Kickstarter has raised $10,127 so far.

(6) SPACEWAR. MIT Technology Review news editor Nial Firth penned an article warning that war in space isn’t just a concern for science fiction writers, suggesting that the first skirmishes may already be occurring — “How to fight a war in space (and get away with it)” – behind a paywall at Technology Review. As Firth writes: “The major spacefaring nations ratified the treaty [against militarization of space] long ago, but the ambitions of the treaty to codify peaceful uses of space seem increasingly distant, as hawkish rhetoric and actions grow more common.”

In March, India became only the fourth country in the world—after Russia, the US, and China—to successfully destroy a satellite in orbit. Mission Shakti, as it was called, was a demonstration of a direct-ascent anti-satellite weapon (ASAT)—or in plain English, a missile launched from the ground. Typically this type of ASAT has a “kill vehicle,” essentially a chunk of metal with its own guidance system, mounted on top of a ballistic missile. Shortly after the missile leaves the atmosphere, the kill vehicle detaches from it and makes small course corrections as it approaches the target. No explosives are needed; at orbital speeds, kinetic energy does the damage.

(7) NOT THE NOMINATION HE’S AFTER. Talking about presidential candidate Andrew Yang, fivethirtyeight.com today said “But while the Yang platform can occasionally appear to drift toward a bid for a Hugo Award . . . .” — “How Weird Is Andrew Yang’s Tech Policy? Only About As Weird As America’s.”.

…In a Yang presidency, election results would be verified through blockchain (an encryption system best known for shoring up cryptocurrencies like Bitcoin), quantum computing research would be better funded, and a Legion of Builders and Destroyers would have the power to overrule local zoning and land-use decisions for the greater infrastructure good. He is definitely the only presidential candidate talking seriously about fighting climate change with giant space mirrors….

Greg Hullender opines, “In point of fact, his platform is pretty long. I’m not so sure it’s a good candidate for Best Related Work, although it does have its moments.” – “Yang 2020 – Our Policies” – “And how can you not like a guy whose response to pink MAGA caps is blue MATH hats?”

(8) A NICK LARTER UPDATE: Nick Larter, quoted in yesterday’s Scroll as opposed to a U.S Worldcon (immigration policies, difficulties), has been getting a crash course in site selection rules and today added this statement to his post:

Yesterday I sent an email to the address provided for the Dublin Worldcon Business Meeting, enquiring how I should proceed.  I have so far heard nothing back.  But others have kindly informed me online that the Business Meeting has no control over the voting process.  I have now looked at the relevant ballot paper.  It seems that if a majority of voters select the None of the Above option for the 2021 Worldcon location, then the Business Meeting is supposed to decide where it should be located.  On this basis, I’ll be voting None of the Above in Dublin.

(9) JACOB OBIT. Charlee Jacob (1952-2019) died July 14. The native Texan specializing in horror fiction, dark fantasy, and poetry won the Bram Stoker Award twice. Her novel Dread in the Beast tied for the Bram Stoker Award for Best Novel of 2005, and her poetry collection Sineater won the Bram Stoker Award for Best Poetry Collection in 2005 as well. Her first novel This Symbiotic Fascination (Necro Publications, 1997) was nominated for the International Horror Guild Award.

(10) TODAY IN HISTORY.

  • July 16, 1952  — Zombies of the Stratosphere premiered.
  • July 16, 1969 — Apollo 11 launched.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 16, 1882 Felix Locher. He is considered the oldest Star Trek actor of all time by birth year, appearing in  “The Deadly Years” episode. 0ther genre appearances included Curse of the Faceless Man,  The Twilight ZoneFrankenstein’s Daughter, The MunstersHouse of the DamnedThe Man from U.N.C.L.E. and Mission Impossible. His entire acting career was from 1957 to 1969. (Died 1969.)
  • Born July 16, 1928 Robert Sheckley. I knew that his  short story “Seventh Victim” was the basis of The 10th Victim film but I hadn’t known ‘til now that Freejack was sort of based of his Immortality, Inc. novel.  I’ve read a lot by him with Bring Me the Head of Prince Charming (written with Zelazny) and Babylon 5: A Call to Arms being my favorite works by him. Sheckley is very well stocked on the Kindle store but not in the iBook store. H’h. (Died 2005.)
  • Born July 16, 1929 Sheri Tepper. I think I’m going to single out her Marianne Trilogy (Marianne, the Magus and the Manticore; Marianne, the Madam and the Momentary Gods; Marianne, the Matchbox and the Malachite Mouse) as her best work. Both the setting and the characters are unique, the story fascinating. (Died 2016.)
  • Born July 16, 1951 Esther Friesner, 68. She’s won the Nebula Awards for Best Short Story, both “Death and the Librarian” and “A Birthday”.  I’m particularly fond of The Sherwood Game and E.Godz which she did with Robert Asprin. She’s better better stocked in the Kindle store than in the iBooks Store. 
  • Born July 16, 1956 Jerry Doyle. Now this one was depressing. Dead of acute alcoholism at sixty, his character Michael Garibaldi was portrayed as an alcoholic, sometimes recovering and sometimes not on Babylon 5. Damn. (Died 2016.)
  • Born July 16, 1963 Phoebe Cates, 56. Ok, her entire genre appearance credit is as Kate Beringer in Gremlins and Gremlins 2: The New Batch. It’s two films that I have an inordinate fondness for that the Suck Fairy cannot have any effect upon. 
  • Born July 16, 1967 Will Ferrell, 52. His last film was Holmes & Watson in which he played Holmes. It won Worst Picture, Worst Director, Worst Screen Combo and, my absolute favorite Award, Worst Prequel, Remake, Rip-off or Sequel. Wow. He was also in Land of the Lost which, errrr, also got negative reviews. Elf however got a great response from viewers and critics alike. 

(12) COMICS SECTION.

(13) MAKING BOOK. The correspondence of Amal El-Mohtar and Max Gladstone comprise today’s The Big Idea at Whatever.

In today’s Big Idea, Amal El-Mohtar and Max Gladstone are feeling epistolary, which, considering the letter-writing format of their collaborative novella This is How You Lose the Time War, is entirely appropriate.

AMAL EL-MOHTAR and MAX GLADSTONE:

Dearest Max,

I write to you from the past—knowing you’re presently asleep while I’m awake, three hours’ worth of time zone between us—to talk about ideas. It’s tricky to know where to begin; when the most succinct description we can manage of our book clocks in at “epistolary spy vs. spy novella across time and space,” the ideas crowd and clutter.

But I think it all ultimately begins and ends with us. The two of us, becoming friends, and writing each other letters.

Do you remember when we first decided to write something together? I know the fact of it, but I don’t remember the hour, the words—only that we loved each other’s work, wanted to work together, wanted to set a sensible boundary of how and when and for how long to work together….

(14) CAN YOU DIG IT? James Davis Nicoll will be your guide through “Great Lost Civilizations of Science Fiction and Fantasy” at Tor.com.

Thanks to the exploits of 19th-century archaeologists (many of them no better than Indiana Jones, digging for statues and jewelry while ignoring evidence of daily life), lost civilizations were common features of 19th-century adventure stories. The trope was imported wholesale into early SFF. Do you remember your first SFF lost civilization? I remember mine, which was thanks to Scholastic Books: the enthusiastically pulp-ish Stranger from the Depths, by Gerry Turner.

A mysterious relic reveals to humanity that there was an ancient civilization that arose before modern humans evolved in Africa. “Was”…or “is”? Ancient does not always mean vanished. These ancient aliens have, in fact, survived(!!!) in well-concealed refugia. Humans have now stumbled across them. Will humans survive the discovery?

(15) HELD OVER. There’s a new SF play being performed at Hollywood Fringe Festival one more time on July 20 at 8 p.m. called “Life Plan: How to Live Your Life in a Collapsing World”. Here’s the description:

It’s that rare time of year when the Life Plan presentation comes through the Los Angeles Habitable Zone! Tired of struggling in underground shelters and fleeing from mutated dumpster dogs? Life Plan is the answer! You can live out your dream life and you can experience true fulfillment, but only if you come to one of our five Life Plan Presentations this June. This is your last chance of 2068, so don’t miss out!

Life Plan is immersive satirical sci-fi — you’re live at a timeshare sales pitch from our dystopian future. Fulfillment is the offer. Salvation is the opportunity. Will you cash out? Will you buy in?

The play is written by Matthew Latkiewicz of You Can Do Better on truTV and former The Onion managing editor Brian Janosch. There are more details here.

The Parks and Recreation actor Alison Becker raves about the play on her Instagram wall, “I’ve seen A LOT of theater. And this was one of the best shows I’ve seen in my entire life. Wow. It’s like a weird mind fuck that stays in your head for weeks afterwards. It’s been extended for one night only (July 20th) so don’t say I didn’t tell you. I am NOT involved in this play. I am just telling you as a public service announcement — GO SEE THE BEST PIECE OF THEATER OF THE YEAR.”

(16) MAKING OF A WRITER. The Odyssey Workshop gets a plug from a graduate: “Interview: Graduate Farah Naz Rishi”.

You’ve worked as a video game journalist. How has gaming influenced your prose? What do you think writers could learn from successful video games?

I think analyzing video games actually helped me understand world-building a bit better. I try to treat every character, no matter how small their role, as an NPC (non-playable character). Every NPC in a video game should have a clear purpose, not just to propel the main characters on their quest, but to better flesh out the world around them. NPCs in games offer advice and opinions, sometimes drop hints that, if missed, can really screw over the player, or at least make their quest more difficult. In that way, they can make the story interactive. NPCs basically can reward a player for exploration. If you remove them, maybe the overall story won’t be affected, per se, but it will feel less rich.

(17) THE WELSHMEN WHO WALKED UP A HILL. BBC finds a road that’s ideal for geckoes, however, that’s not who’s using it: “Harlech street takes record as steepest in the world”.

A street in north Wales has been declared the steepest in the world.

Residents in Harlech, Gwynedd, are celebrating after Guinness World Records verified the gradient of Ffordd Pen Llech at 37.45%.

The title had been held by Baldwin Street in Dunedin, New Zealand, with a gradient of 35% at its steepest.

Campaigner Gwyn Headley said: “I feel utter relief – and jubilation. I feel sorry for the New Zealanders – but steeper is steeper.”

…Mr Headley and Sarah Badhan know just what an uphill struggle life can be for those living on Ffordd Pen Llech.

While most live at the bottom of the hill, the chemist and post office are at the top.

Mr Headley’s research found the street was the steepest in Great Britain, though a different methodology was used to calculate Baldwin Street in New Zealand.

So they engaged surveyors and measurements taken in January showed Fordd Pen Llech had a one in 2.67 gradient at its steepest part, compared with the current record holder’s one in 2.86.

(18) CREAM OF SDCC. Gizmodo previews what they consider to be “The 10 Most Exciting Panels Happening at San Diego Comic-Con 2019”. Marvel is number one.

2. Enter the Star Trek Universe

CBS has so many Star Trek projects going on, it chose to dump them all into one panel! “Enter the Star Trek Universe” will share news about several Star Trek projects—including the animated show Lower Decks, from the guys behind Rick and Morty, and Sir Patrick Stewart’s highly anticipated return as Jean-Luc Picard. We can’t wait, especially for the dog.

When and where: Hall H on Saturday, July 20 at 11:30 a.m.

Who will be there:

Star Trek: Discovery—Sonequa Martin-Green, Tig Notaro, and executive producers Alex Kurtzman, Michelle Paradise, and Heather Kadin.

Star Trek: Lower Decks—co-creator Mike McMahan

Star Trek: Picard—Sir Patrick Stewart, Alison Pill, Michelle Hurd, Evan Evagora, Isa Biones, Santiago Cabrera, Harry Treadaway, showrunner Michael Chabon, and executive producers Alex Kurtzman, Akiva Goldsman, and Heather Kadin.

[Thanks to Martin Morse Wooster, Andrew Porter, rcade, Carl Slaughter, Mike Kennedy, Cat Eldridge, Alan Baumler, JJ, John King Tarpinian, Greg Hullender, Olav Rokne, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Rob Thornton.]

Pixel Scroll 6/9/19 It’s the Great Pixel, Churlie Brown!

(1) WHITE SPACE. The public radio investigative news show Reveal included Vox Day and his foray into alt-right comics in its program “Hate in the homeland”. (He’s the topic of the second of the program’s three segments.)

The mass shooting at the Tree of Life Synagogue and the burning of churches in Louisiana are reminders that hate crimes are on the rise in the U.S. This episode surveys the state of the white supremacist movement in America, focusing on how hate groups are spreading their message.

The first segment is a discussion with Megan Squire, a professor of computer science at Elon University who’s been studying how hate groups are using the internet to win converts. She says that despite attempts to silence extreme sites, they are finding ways to stay online.

Al Letson then explores how comic books are being weaponized by the far right to spread the message of white supremacy.

We end with a conversation with Pastor Mike McBride, founder of The Way Church in Berkeley, California. He talks about how communities of color are standing up to attacks from white supremacists.

(2) SENSITIVITY. Vicky Who Reads takes on a big YA issue with “So. Your Favorite Books Are Problematic. Now What?”

…I’ve been thinking about this since January, especially with a lot of realizations on my part about some of the books I loved when I was younger.

Books like . . .

  • Eleanor & Park, which is extremely racist to Koreans & biracial Koreans
  • Cinder, which has questionable Asian representation and worldbuilding
  • The Grishaverse, which has bad Shu (aka East Asian) rep and magic yellowface

And so many others. These are the most stark to me, because all of them include negative portrayals of identities very close to my own (I’m East & Southeast Asian), yet these were also some of my favorite books when I was 14.

And there are so many other formative YA novels that are extremely popular, and also portray some minority group(s) badly.

(Okay, we definitely still are being hurt sometimes, but we’re letting less people hurt us.)

But these are our favorites. They hold a special place in our hearts. They’re almost untouchable.

Key word: almost.

Are you saying we should cancel them?

No, actually. I’m not.

I know you wanted to scream “cAnCeL cUlTuRe!!!1!!11!” at me, but not today, Satan.

I don’t think mass-cancelling them will do anything. I don’t think issuing a community-wide “Six of Crows is officially cancelled for bad Asian rep!!!” statement will do anything productive, nor will it help us do better in the future.

(And some people see themselves in that rep. I don’t, but some people do, and I respect this.)

I do think, that some people might want to individually-cancel books, in different extents….

(3) CANCELLATION FOLLOWED BY LITIGATION. In the Washington Post,  Deanna Paul and Lindsey Beyer report that Jordanian American writer Natasha Tynes is suing her former publisher, Rare Bird Books, for $13 million after they cancelled her forthcoming novel They Called Me Wyatt, “about a murdered Jordanian student whose ‘consciousness’ inhabits a 3-year-old boy with speech delays.”  At issue is a tweet Tynes wrote (and withdrew) showing an African-American woman working for the Metro subway eating her breakfast on a train, (which is against the rules) and whether, as her publisher claims, this deleted tweet was about “the policing of a black woman’s body.” “An author lost her book deal after tweeting about a Metro worker. She’s suing for $13 million”.

Natasha Tynes, an award-winning Jordanian American author who lost a book deal following claims of online racism, is suing her publishing house for $13 million. The lawsuit, filed in California on Friday, alleges that Rare Bird Books breached its contract and defamed her, causing “extreme emotional distress” and destroying her reputation.

… On the morning of May 10, the World Bank communications officer and mother of three tweeted a photo of a black female Metro worker who was breaking the D.C. region transportation agency’s rules by eating breakfast on a train….

…Hours later, Rare Bird released a statement, calling Tynes’s tweet — which it described as the policing of a black woman‘s body — “something truly horrible.”

As The Washington Post previously reported, in response to the tweet, Rare Bird announced it had decided not to distribute her book. “We think this is unacceptable and have no desire to be involved with anyone who thinks it’s acceptable to jeopardize a person’s safety and employment in this way,” the company announced on Twitter.

By the following day, the publisher had announced plans to halt shipments of the book and postpone the publication date while taking the “appropriate next steps to officially cancel the book’s publication.” Preorders for the novel were also canceled, even though sales had skyrocketed, court documents say.

… Court papers also said she temporarily returned to Jordan on May 21, fearing her family “would be the subject of violence, reprisals and harassment at the hands of a mob incited by Rare Bird if she remained in the United States.”

“What Rare Bird has done to Natasha Tynes is just beyond abhorrent,” said attorney William Moran, who is representing Tynes. “I’ve never seen a publisher throw an author under the bus like this before.”

(4) RIPLEY: BELIEVE IT. Sigourney Weaver chats with Parade about the 40th anniversary of Alien and her future roles: “Sigourney Weaver Reminisces on Her Career, Alien, Avatar and the New Ghostbusters

…She’ll soon head back to New Zealand, where she’s been at work filming the live and CGI portions of the long-awaited, effects-driven Avatar sequels. (Because her Avatar character died at the end of the 2009 original, she’ll be playing someone new in the next four installments, the first of which is scheduled for the big screen in 2021.) She’s also set to reunite with Bill Murray and Dan Aykroyd in the new Ghostbusters, due July 2020. “It’s going to be crazy working with the guys again!” she says. She won’t reveal any details except to confirm she’s reprising her role as hauntee Dana Barrett.

(5) CLEARANCE. Heather Rose Jones sorts her garage in anticipation of a “Yes, I’m ready to admit I’m not doing SCA any more” giveaway open house in “The Great SCA Gear Divestment Project”.

…The hardest part of this process isn’t the “stuff” itself, but the investment I put into making and adapting things for my “ideal medieval environment”. Some of those things I only enjoyed a few times. Some were still in the process of being perfected. But here’s the thing: I’m *not* using them. And I have no rational expectation of using them in the future. And I’d rather that someone else used them to help build *their* “ideal medieval environment” rather than having the stuff continue to collect dust in my garage.

There’s been a recurring theme in my life of needing to distinguish between living the life I will truly enjoy, and trying to live a fantasy life that I only *want* to want. Let me unpack that. The example I usually use to illustrate this struggle is My Fantasy Canopy Bed.

(6) HEERMAN SHARES EXPERIENCES. The Odyssey Workshop’s “Interview: Graduate Travis Heermann (Part 1 of 2)” includes advice about Kickstarter campaigns.

Your latest novel, The Hammer Falls, was funded on Kickstarter in only twelve hours. Congratulations on both a successful Kickstarter and on the release of a new novel! You wrote a post in 2016 for the Odyssey blog on running a Kickstarter. Would you share some tips for getting the word out about Kickstarters? How did you encourage people to participate?

The key is stoking up your friends, family, and fans. 90% of this campaign’s backers were friends, family, fans, and repeat business people who had supported my Kickstarters in the past. And then you have to ask. For many of us, that’s the hardest part.

For this campaign, I used several strategies to get the word out:

1. Facebook ads. Resulted in no traffic AT ALL. It’s like going back to an abusive, gold-digging ex, and you think it’ll be different this time…

2. Posting on Facebook. Way, way, way less useful than it used to be. Their algorithms make sure your link doesn’t get seen by anybody. Posting a textual message to your wall and then posting the link in the comments helps with this somewhat,but the results were not nearly as good as the campaign I ran in 2015.

3. Posting on Twitter. Similar problem to Facebook with its incomprehensible black box algorithm. Practically no engagement.

4. Posting updates in previous Kickstarter campaigns, so that all my previous backers could see that I had a new project coming. Theoretically, these are my staunchest supporters, most likely to come back for another go.

5. Appealing to my email list. This is where nearly half of the contributions came from. These are people I send communications to regularly. I got about a 30% click-through from the email list to the campaign. Not everybody who clicked contributed, but that’s a good click-through ratio….

(7) NOT A HIPPPOPOTAMUS. NPR’s Liza Graham reports that Sarah Gailey’s “‘Magic For Liars’ Asks, What If You’re Actually Not Magic?”

You are not the chosen one. You don’t get to leave your humdrum life behind and go to the mysterious school where they teach magic. You will not discover powers you never dreamed you had. The reason you don’t fit in socially is not because you’re a once-in-a-generation sorcerer. Your blemishes and aches and colds and unfulfilled longings will not miraculously fade away as you become the marvelous creature you were always meant to be. You are not magic.

But your twin sister is.

Ivy Gamble, PI, protagonist of Sarah Gailey’s Magic For Liars, has lived with disappointment for years. She wasn’t the chosen one — single and solitary in her 40s, she couldn’t be less chosen if she tried. But she’s smart and damn good at her job, and she keeps going. Until one day, she’s called into the magicians’ school — Osthorne Academy, where her brilliant sister is now a faculty member — to investigate a case no magician can crack….

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 9, 1925 Keith Laumer. I remember his Bolo series fondly and read quite a bit of it. Can’t say which novels at this point, though Bolo definitely and Last Command almost certainly. The Imperium and Retief series were also very enjoyable though the latter is the one I’d re-read at this point. Amazon and iBooks have decent though not complete ebooks listings for him, heavy on Imperium and Retief, no Bolo. (Died 1993)
  • Born June 9, 1930 Lin Carter. He is best known for his work in the 1970s as editor of the Ballantine Adult Fantasy series. As a writer, His first professional publication was the short story “Masters of the Metropolis”, co-written with Randall Garrett, in The Magazine of Fantasy and Science Fiction, April 1957. He would be a prolific writer, average as many as six novels a year. In addition, he was influential as a critic of the fantasy genre and an early historian of the genre. (Died 1988.)
  • Born June 9, 1934 Donald Duck, 85. He made his first appearance in “The Wise Little Hen” on June 9, 1934. In this cartoon, Donald and his friend, Peter Pig, lie their way out of helping the titular little hen tend to her corn. 
  • Born June 9, 1943 Joe Haldeman, 76. Whether or not, it was written as a response to Starship Troopers as some critics thought at time, The Forever War is a damn great novel. No surprise that it won the Hugo, Nebula and Locus Awards. 
  • Born June 9, 1949 Drew Sanders, 70. He’s an LA resident who’s active in con-running and costuming. He has worked on many Worldcons and is a member of LASFS and SCIFI, and has been a officer of both groups. He co-chaired Costume-Con 4 in 1986.
  • Born June 9, 1954 Gregory Maguire, 65. He is the author of Wicked: The Life and Times of the Wicked Witch of the West based of course on the Oz Mythos; Confessions of an Ugly Stepsister retelling the tale of Cinderella; and Mirror, Mirror, a revisionist retelling of the Snow White tale. Well you get the idea. He’s damn good at this schtick.
  • Born June 9, 1961 Michael J. Fox, 58. The Back to The Future trilogy stands as one of the best SF series ever done and his acting was brilliant. Since 1999 due to his Parkinson’s Disease, he’s has mainly worked as a voice-over actor in films such as Stuart Little and Atlantis: The Lost Empire. Prior to his diagnosis, he performed on Tales from the Crypt and directed “The Trap” episode. He would return to live action performing in 2014, bless him, with The Michael J. Fox Show series. 
  • Born June 9, 1967 Dave McCarty, 52. He’s a Chicago-area con-running fan who chaired Chicon 7. He also headed the Chicago Worldcon Bid who lost out in 2008 and was victorious in 2012. He is married to fellow fan Elizabeth McCarty. He was the Hugo Administrator for Loncon (2014), MidAmeriCon II (2016), and for Worldcon 76 (2018).
  • Born June 9, 1981 Natalie Portman, 38. Padmé Amidala in The Phantom Menace and Attack of the Clones. She also played Evey Hammond in V for Vendetta. (Very weird film.) And, of course, Jane Foster in Thor and Thor: The Dark World.

(9) COMICS SECTION.

  • Brevity explains why a leprechaun might object to Judy Garland singing her old standard.

(10) DUBLIN 2019. Now live — Dublin 2019 Irish WorldCon Member’s Page.

Hello and welcome members of Dublin 2019, An Irish WorldCon! This page has been created as a place where WorldCon members can chat, share information, sell memberships or swap accomdation with each other. This is not an official page and as such is not regulated by WorldCon staff. Please treat each other with respect and dignity. Can’t wait to see ye in Dublin this August!

(11) MINTY FRESH. A whole flock of coins celebrating the first manned Moon landing are on sale from the U.S. Mint. Here’s one in gold struck at West Point.

(12) GOING MONTHLY. At Galactic Journey, Gideon Marcus cheers Fred Pohl’s latest (1964) plans for IF: [June 8, 1964] Be Prepared! (July 1964 IF).

IF Worlds of Science Fiction, Galaxy’s scrappy younger sister, has also launched a big operation, the result of a long-ranged plan.  For years, the magazine has been a bi-monthly, alternating publication with Galaxy.  Now, editor Fred Pohl says it’s going monthly.  To that end, he lined up a slew of big-name authors to contribute enough material to sustain the increased publication rate.  Moreover, Pohl intends IF to be the adventurous throwback mag, in contrast to the more cerebral digests under his direction (Galaxy and Worlds of Tomorrow.  Or in his words:

“Adventure.  Excitement.  Drama.  Color.  Not hack pulp-writing or gory comic-strip blood and thunder, but the sort of story that attracted most of us to science fiction in the first place.”

Frankly, it was Galaxy that got me into SF in 1950, so I’m not sure I want a return to the “Golden Age”.  But I’m willing to see how this works out, and in fact, this month’s issue is encouragingly decent, as you shall soon see.

(13) DIFFERENCES IN THE ORIGINAL. Luke, I am your second cousin twice removed on your mother’s side: “The Original ‘Empire Strikes Back’ Script Shows Darth Vader Wasn’t Supposed to Be Luke’s Father” at Yahoo! Entertainment.

George Lucas once described his own father as a “domineering, ultra right-wing businessman”-a man who is largely believed to have inspired the relationship between Luke and Anakin Skywalker. In 1980, The Empire Strikes Back revealed that Darth Vader was actually Luke’s father, a twist that has become one of the most famous father-son stories of the century. That reveal marked a pivotal moment in the Star Wars franchise-one that turned this into a decades-long narrative about fathers and sons that has resonated in virtually every major plot point of the eight films in the Skywalker Saga.

But that major twist almost didn’t even happen. A transcript of what is allegedly the original script for The Empire Strikes Back has appeared online and includes a number of key differences.

(14) UNWANTED SJWCS. You know that plastic polluting the sea you always hear about? “Garfield phones beach mystery finally solved after 35 years”.

A French coastal community has finally cracked the mystery behind the Garfield telephones that have plagued its picturesque beaches for decades.

Since the 1980s, the Iroise coast in Brittany has received a supply of bright orange landline novelty phones shaped like the famous cartoon cat.

Anti-litter campaigners have been collecting fragments of the feline for years as they clean the beaches.

…The beach-cleaning teams had long suspected that a lost shipping container – perhaps blown overboard – had regurgitated its precious orange cargo. But they had never been able to find it.

(15) THREE MILE (SAND) ISLAND. The answer, my friend, is blowing in the Martian wind: “Exploring The Mysterious Origins Of Mars’ 3-Mile-High Sand Pile” at NPR.

… “We don’t have a gravimeter on the surface of Mars, but we do have accelerometers,” he says, “and gravity is just an acceleration.”

You may not think of gravity that way, but you can, and scientists do.

So with the help of engineers Stephen Peters and Kurt Gonter at NASA’s Jet Propulsion Laboratory, he was able to adjust the way the data from the RIMU were handled; that gave Lewis his gravimeter.

He knew just what he wanted to do with it: Try to figure out how a 15,000-foot-tall mountain could form in the middle of Gale crater, the crater Curiosity landed in.

(16) RAKSURA. Nina Shepardson reviews The Siren Depths by Martha Wells for Outside of a Dog.

In the third installment of Martha Wells’s Books of the Raksura series, Moon finds himself with exactly the opposite problem from what he’s used to. As he finally starts to settle into his home at Indigo Cloud, he discovers that another group of Raksura has taken an interest in him—and because of Raksura society’s complex rules, they may be able to force him to take up residence with them instead. Combined with gradually emerging hints about the reasons behind the Fell’s repeated attacks on Raksura settlements, this makes for a tense and dramatic story.

(17) CHALLENGE ACCEPTED. Paul Weimer tells what he likes about a new novel in “Microreview [book]: Velocity Weapon, by Megan E. O’Keefe” at Nerds of a Feather.

In Velocity Weapon, Megan O’Keefe takes her talents honed in steampunk fantasy and expands her oeuvre to an intriguing interplanetary space opera.

…The novel has lots of interesting ideas right down to character beats. Sanda’s war-manifested disability, the loss of a leg, is an abiding and recurring problem for her throughout the book. The author doesn’t trivialize the loss of the limb with magic future tech, especially given the impoverished, solitary future she now lives in, and we can see and understand the frustration that a soldier feels when so horrendously injured. On a similar beat, back in the past, Biran’s unexpected change in role and status when he is fruitlessly simply trying to find his sister means that he has to level up into a leadership role quickly.The author does a great job showing how he has to rise to this challenge and deal with the issues emerging from his rise. The two siblings, even though separated in time and space, make a strong core of a resonant pair of main characters to support action, plot and theme….

(18) UNDONE. Watch the first official teaser for Undone, a genre-bending animated series starring Rosa Salazar and Bob Odenkirk destined for Amazon Prime.

[Thanks to JJ, Cat Eldridge, Chip Hitchcock, Mike Kennedy, John King Tarpinian, Daniel Dern, Dann, Martin Morse Wooster, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Joe H.]

Pixel Scroll 5/31/19 Moon Pixel, Wider Than A File, I’m Scrolling You In Style Someday

(1) BEST TRANSLATED BOOK AWARDS. The winners of the 2019 Best Translated Book Awards were announced May 29. I believe neither is genre. (However, Sofia Samatar, past winner of a World Fantasy Award, is among the judges.)

Slave Old Man, written by Patrick Chamoiseau, translated (from the French and Creole) by Linda Coverdale, and published by The New Press, won for fiction. Of Death. Minimal Odes, written by Hilda Hilst, translated (from the Portuguese) by Laura Cesarco Eglin, and published by co-im-press, took the prize for poetry.

…Thanks to grant funds from the Amazon Literary Partnership, the living winning author and the translators will each receive $2,000 cash prizes…

The fiction jury included Pierce Alquist (BookRiot), Caitlin L. Baker (Island Books), Kasia Bartoszy?ska (Monmouth College), Tara Cheesman (freelance book critic), George Carroll (litintranslation.com), Adam Hetherington (reader), Keaton Patterson (Brazos Bookstore), Sofia Samatar (writer), Elijah Watson (A Room of One’s Own). The poetry jury included Jarrod Annis (Greenlight Bookstore), Katrine Øgaard Jensen (EuropeNow), Tess Lewis (writer and translator), Aditi Machado (poet and translator), and Laura Marris (writer and translator).

(2) SOUVENIR SEEKER OR ARMS DEALER? LA Times columnist Mary McNamara must learn new moves when she visits a new domain in the Magic Kingdom: “Tense and intense, Star Wars: Galaxy’s Edge is not your mother’s Disneyland”.

As a SoCal mom, I know what it takes to do Disneyland: water, sunscreen, sturdy walking shoes, lots of cash, phone, snacks and whatever other gear the age and Disney-geek demographic of the group demands.

Strollers, mouse ears, matching shirts, lanyards clanking with tradable pins, whatever; I’ve always had it covered, down to the Band-Aids, hand sanitizer and Advil.

But I never thought to pack a back story.

Within minutes of entering Galaxy’s Edge, the park’s brand-new “Star Wars”-themed land, I realized this was a hideous mistake.

“Are you looking for a job?” A young woman in native-Batuu garb asked in a low voice as she sidled up to my daughter and me.

“Um, no,” I said. “We’re looking for lightsabers.”

“Keep your voice down!” she said. “The First Order is everywhere. But Savi’s Workshop is right around the corner.”

I smiled in what I hoped was a knowing fashion and moved away….

(3) WORLDBUILDING. Marie Brennan continues with “New Worlds Theory Post: Exposition, Pt. 2” at Book View Café.

When we first hit the topic of worldbuilding exposition back in May, I discussed the exposition on the level of prose: how to work setting details into your sentences without putting a neon stop sign on them saying “HERE BE INFORMATION,” and how to use the surrounding context to make those details convey story as well as facts. That works on a small scale, but when you get to more complex matters, you often have to think larger in order to work them into the story.

One time-honored way to do this is with a naive protagonist: someone young, inexperienced, foreign, or otherwise unfamiliar with the situation at hand. They don’t have to be ignorant of everything, and in fact it can be annoying if they are — at least in fiction for adults. In kids’ literature and YA, a naive protagonist is often a natural choice….

(4) REALISM V. NUANCE. L. Jagi Lamplighter Wright explains these paradoxical characters in “The Paragon of Realism, Superheroes!” at Superversive SF.

… Reality is complicated, and it is the job of an author to reflect this. So, how does one do this? Simple, he has cause and effect function in a way that makes sense to the audience. For example, let’s talk about Superman.

One of the complaints made against Superman is that he is unrealistically good, that a normal person with his power would abuse it. To this I say, their definition of realistic is wrong. Their argument is that: since he has so much power, he must abuse it. The thing they don’t get is that by not abusing his power and being a good guy, he is making the D.C. universe more realistic. Just look at General Zod to see what I mean.

… There are many kings and presidents who use their power for good without abusing it, like Abraham Lincoln or George Washington, who was offered a crown but turned it down in favor of becoming president and then retired to his farm. It is not impossible that there could exist a man that could use his power for good without letting it control him. If there is such a man, then we as authors should write stories about him, for he is a hero. If Superman is this man, is it  any wonder he can use his power without abusing it.

Just because he does good does not make him more or less realistic than any other hero in the D.C. universe….

…This kind of touch is what makes your story realistic, having the character make logical choices in accordance with his fantastic circumstances. His job is logical.

Another example of this is the Science Patrol from Ultraman. In the Ultraman universe, there are giant monsters, generally called Kaiju, which are practically walking natural disasters.

…In a later season, someone on the staff realizes something interesting: the monsters are not innately evil. They are wild animals, so maybe we should have one of our heroes try not to kill them. Out of this idea came Ultraman Cosmos, the warrior of compassion. This is also something that comes naturally from the premise because a complicated interaction with the Kaiju makes the world seem more realistic, even with the fantastic premise.

All of these ideas take a premise and bring it to its logical extreme. ‘Realism’ so called, does not. ‘Realism’ only shows one small part of the human experience, while real realism shows as much of the human experience as is needed for the story, which is what all good stories show.

(5) ODYSSEY SCHOLARSHIP. George R.R. Martin announced Kyle De Waal is the winner of this year’s Miskatonic Scholarship to the Odyssey Writers Workshop in New Hampshire, given each year to a student working in the area of Lovecraftian cosmic horror. The scholarship is funded by Martin.

This year’s winner is Kyle de Waal, who loves to write anything with a monster in it, especially cosmic horror with a bent towards YA-lit. He also enjoys tabletop games, mountain biking, and Greek and Roman history. He lives in Canada with his border collie who is named after a poetic device: Volta.

(6) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 31, 1895 George Stewart. Author of Earth Abides which won the first International Fantasy Award in 1951. It’s worth noting that his novel Storm whichhad as its protagonist a Pacific storm called Maria prompted the National Weather Service to use personal names to designate storms. (Died 1980.)
  • Born May 31, 1897 Christine Hartley, better known as Christine Campbell Thomson. Best known for her horror anthologies published in the 1920s and 1930s. The first, Not at Night gave its name to the whole series, which ran to eleven volumes.  In all, there were 170 stories including ones by Howard and Lovecraft, and, according to bibliographer Mike Ashley, a hundred of these came from Weird Tales. All of the fiction she wrote was done under the pen name of Flavia Richardson. Neither the anthologies or her fiction appear to be in print currently. (Died 1985.)
  • Born May 31, 1907 Peter Fleming. Elder brother of that Fleming. Among his works is a novel written in 1940, The Flying Visit about an unintended visit to Britain by Adolf Hitler. It’s apparently a comedy. The Sixth Column: A Singular Tale of Our Time is also genre though it is now Forgotten Literature as his other book. (Died 1971.)
  • Born May 31, 1928 Bryce Walton. Writer on Captain Video and His Video Rangers though I can’t tell you exactly what that means as IMDB lists the numbers of episodes he did as unknown. He also wrote for Alfred Hitchcock Presents including “The Greatest Monster of Them All” which is definitely genre. He wrote one SF novel, Sons of the Ocean Deeps, and has one collection of stories, “Dark of the Moon” and Other Tales. (Died 1988.)
  • Born May 31, 1930 Gary Brandner. He’s  best known for The Howling trilogy. The first book was adapted quite loosely as into The Howling. Brandner’s second and third Howling novels have no connection to the movie series, though he was involved with writing the screenplay for the second Howling movie, Howling II: Your Sister Is a Werewolf. Who came up with that title?  Howling IV: The Original Nightmare is actually the most faithful adaptation of his first novel hence the title. (Died 2013.)
  • Born May 31, 1961 Lea Thompson, 58. She’s obviously best known for her role as Lorraine Baines in the Back to the Future trilogy though I remember her first as Beverly Switzler in Howard the Duck as I saw Back to the Future after I saw Howard the Duck. Not sure why that was. Her first genre role was actually as Kelly Ann Bukowski in Jaws 3-D, a film I most decidedly did not see. If you accept the Scorpion series as genre, she’s got a recurring role as Veronica Dineen on it.
  • Born May 31, 1968 John Connolly, 51. Best known for his Charlie Parker noir crime series where his character solves mysteries by talking to dead. His Chronicles of the Invaders written with Jennifer Ridyard, his wife, are more traditional SF as is the Samuel Johnson series.
  • Born May 31, 1976 Colin Farrell, 43. I remember him first as Bullseye in the much dissed Daredevil film. (It wasn’t that bad.) He was in Minority Report as Danny Witwer. And I see he’s listed as being the third transformation of Tony in Terry Gilliam’s The Imaginarium of Doctor Parnassus. H’h. Now he was Peter Lake in Winter’s Tale, a takeoff of Winter’s Tale by Mark Helprin, a novel no film could do justice to. Oh, he’s Holt Farrier in Dumbo
  • Born May 31, 1995 Jeremy Szal, 24. He says he was (probably) raised by wild dingoes. He writes about galactic adventures, wide-screen futures, and broken characters fighting for hope in dark worlds. He is author of the dark space-opera novel Stormblood out in February 2020, the first of a trilogy. His short fiction has appeared in Nature, Abyss & Apex, Lightspeed, Strange Horizons, Tor.com, The Drabblecast. He is the fiction editor for the Hugo-winning StarShipSofa, which once led to Harlan Ellison yelling at him on the phone. He carves out a living in sun-bleached Sydney, Australia. He loves watching weird movies, collecting boutique gins, exploring cities, and dark humour. Find him at http://jeremyszal.com/ or @JeremySzal

(7) COMICS SECTION.

Three stfnal installments of Bob the Angry Flower:

(8) MODERATELY GOOD OMENS. William Hughes explains the flaws that keep the first episode from perfection: “’In The Beginning,’ Good Omens struggles to let its more heavenly elements shine” at AV/TV Club.

There’s a question that inevitably dogs (or maybe that should be hellhounds?) the production of any TV or cinematic adaptation of a popular book: How close do you hew to the original text—i.e., the stuff that presumably got people in the door in the first place—vs. softening or changing it for the natural rhythms of human speech? It’s a query that gets extra tricky when the original author and the person doing the adapting are one and the same, which might help explain why screenwriter Neil Gaiman has filled so much of the first hour of his new Amazon series Good Omens with long passages taken directly from his and Terry Pratchett’s 1990 book. …And yet, Good Omens’ pilot occasionally feels like sitting through the process of listening to a friend read you some of their well-crafted short fiction while an energetic, eye-catching slideshow plays—provided, of course, that your friend was Frances McDormand, and she was also pretending to be the voice of God.

(9) NEWS SCOOP. Delish discovered that “Baskin-Robbins Is Adding Two Stranger Things-Inspired Ice Cream Flavors To The Menu”.

Earlier this week, BR announced two Flavors of the Month for June: Eleven’s Heaven and Upside Down Pralines. The first is a waffle cone-flavored ice cream (I know, WOAH) with chocolate-coated sugar cone pieces and chocolate icing. The latter is chocolate with praline pecans and chocolate caramel swirled in.

If you think those sound epic just wait, because there’s more:

  • The Upside Down Sundae includes praline scoops and toppings on the bottom.
  • The Demogorgon Sundae is served in a waffle bowl that “frightfully resembles” the monster.
  • Byers’ House Lights Polar Pizza Ice Cream Treat is basically an ice cream and candy ‘za. It has a Snickers ice cream crust and topped with fudge and M&M’s to look like Christmas lights.
  • USS Butterscotch Quarts are filled with butterscotch toffee ice cream and a toffee ribbon.
  • Elevenade Freeze = ice cream + Minute Maid Lemonade.

(10) BOOK EXPO. “What if they gave a Book Expo and no one came?” asks Andrew Porter, who shared his photos of the autographing lines on Wednesday afternoon, first day of the exhibits.

From Publishers Lunch (behind a paywall) — “Book Expo Panels: Retailers, Breakfast Authors and More”:

As predicted, this year’s Book Expo is effectively a one-day show played out over three days. After a quiet start on Wednesday, Thursday at least has attendees filling the very wide aisles, spacious lounges, empty booth slots and open meeting rooms at a convention that is more profoundly than ever a downgraded, modest shadow of its former self. (It’s very sustainable, though; exhibitors are using generous lengths of plain pipe and drape, rented chairs, and simple printed panels over fancy fixtures and displays.) With a generally quiet line-up of panels as well, one Thursday afternoon that still offered some substance of note focused squarely on physical retail.

Publishers Weekly’s public article: “BookExpo 2019: Slow Start to a Buzzy Show”

The noon opening for BookExpo on Wedesday led to a quiet start for this year’s fair. But as the day progressed, the crowd steadily built and by late afternoon, a palpable buzz began to fill the hall, as people lugged tote bags full of galleys and promotional swag.

Prior to the opening, more than 100 people, many of them book bloggers and independent authors, lined up to get an early start on the galley giveaways and literally dashed into the hall the moment the floor opened.

(11) MORE PORTER PHOTOS FROM BOOK EXPO.

  • For the YA near-future novel “Contagion,” Charlesbridge wrapped their display in Caution tape:
  • Pilgrim’s Progress: The Graphic Novel. Porter says, “The artwork reminded me of Basil Wolverton…”
  • Who knew? Dayglo and UV posters are back!

(12) SURPRISING STRIKEOUT. Kat Hooper concludes “Record of a Spaceborn Few: Third time’s not the charm” at Fantasy Literature.

…So many people love Becky Chambers’ WAYFARERS trilogy and all three books have been nominated for several awards. After reading the entire trilogy, it’s clear that it’s just not for me. I thought The Long Way to a Small, Angry Planet was a cool-sounding title, but the story was “like watching Barney & Friends while eating cotton candy.” I liked A Closed and Common Orbit even less, finding it dull and unchallenging. Both novels have very little plot or tension, but they do contain heart-warming scenes and sweet messages about cooperation, diversity, and other nice things.

Record of a Spaceborn Few has the same problem, but magnified….

(13) DYNAMIC DUO. Black Gate’s Elizabeth Crowens interviews one of the “Power Couples in the World of Speculative Fiction: Jim Freund and Barbara Krasnoff”. (Unexpectedly, the NYRSF Reading Series is mentioned only in photo captions, although their names appear on File 770 in connection with that more than anything else!)

Crowens: You guys are native Brooklyners, right?

Both: No.

Barbara: I’m the native Brooklyner. He’s from Queens.

Jim: I’m from Jackson Heights. She is from Canarsie… originally. It’s like the line from Captain America: Civil War when he meets Spider-man. Captain America is fighting him at the airport and says, “You’ve got heart, kid. Where are you from?” and Spider-man says, “Queens.” Captain America looks at him and says in a confrontational tone, “Brooklyn.”

(Laughs): That’s great.

Jim: Best line in the movie.

How did you guys meet?

Barbara: Online, basically.

(14) SUPPRESSING MALARIA. “GM fungus rapidly kills 99% of malaria mosquitoes, study suggests” – BBC has the story.

A fungus – genetically enhanced to produce spider toxin – can rapidly kill huge numbers of the mosquitoes that spread malaria, a study suggests.

Trials, which took place in Burkina Faso, showed mosquito populations collapsed by 99% within 45 days.

The researchers say their aim is not to make the insects extinct but to help stop the spread of malaria.

The disease, which is spread when female mosquitoes drink blood, kills more than 400,000 people per year.

Worldwide, there are about 219 million cases of malaria each year.

(15) PICK UP AFTER YOURSELF. Here’s the ultimate good example when it comes to attempts to sweep up orbital debris: “UK satellite ‘sets sail’ for return to Earth”.

A British satellite in space has just “set sail” to return to Earth.

TechDemoSat-1 was launched in 2014 to trial a number of new in-orbit technologies but has now reached the end of its operational life.

To bring it out of the sky faster than would ordinarily be the case, it has deployed a “drag sail”.

This large membrane will catch residual air molecules at its altitude of 635km and pull TDS-1 quickly into Earth’s atmosphere where it will burn up.

There is a lot of interest currently in “clean space” technologies.

The orbital highways above the planet are set to become congested with thousands of spacecraft in the coming years, and serious efforts need to be made to tidy away redundant hardware and other space junk if collisions are to be avoided.

(16) INSTANT CLASSIC. That old time edition is good enough for Matthew Johnson:

Give me that old time purple prose
Those long sentences soothe the soul
I reminisce about the pros of old
And that old time purple prose

Just take those old novels off the shelf
I’ll read Lord Dunsany by myself
I want some adjectives, sweet and low
I like that old time purple prose

Don’t try to keep me to a word count
In ten minutes I’ll be past that amount
I’ll savour adverbs Bulwer-Lytton chose
In his old time purple prose

Call it bad writing, call it what you will
Edgar Rice Burroughs can thrill me still
With each dependent clause my hunger grows
For that old time purple prose.

[Thanks to JJ, Martin Morse Wooster, Cath, Andrew Porter, Chip Hitchcock, Mike Kennedy, John King Tarpinian, Carl Slaughter, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Jenora Feuer.]

Pixel Scroll 3/10/19 Don’t Go Chasing Waterscrolls – Please Stick To The Pixels And The Clicks You Know

(1) WAYWARD WRITERS. Cat Rambo shares her notes from Kay Kenyon’s class about plotting, “Mapping the Labyrinth”:

(2) OUTSIDE THE THEATER. Abigail Nussbaum convincingly argues that the discussion around Captain Marvel is more significant than the movie.

…Which is really the most important thing you can say about Captain Marvel: this is a movie that is important not because of what happens in it, but because of what happens around it.  The most interesting conversations you can have regarding it all take place in the meta-levels–what does Captain Marvel mean for the MCU, for superhero movies, for pop culture?

…Another example is the way Captain Marvel refigures Samuel L. Jackson’s Nick Fury, who functions here as Carol’s sidekick on Earth, where she crash-lands after being captured by Skrulls, the enemies of the Kree.  Fury has been a fixture of the MCU since he showed up in the after-credits scene of Iron Man in 2008, and has always cut an imposing figure: a grey eminence, spymaster, and general who suffers no fools and always has plans within plans in his monomaniacal quest to defend the Earth from alien dangers.  The version of Fury we meet in Captain Marvel is much more down to earth–funny, self-deprecating, willing to pause his serious pursuits in order to coo over an adorable cat, and inordinately pleased with himself over minor bits of spycraft, like fooling a fingerprint reader with a bit of tape.

It can be hard to square the Fury in Captain Marvel with the one we’ve known for twelve years in the rest of the MCU, and once again, when looking for solutions, one immediately turns to the metafictional.  My first thought when the film’s credits rolled was “someone told Jackson to just do what he did in The Long Kiss Goodnight“.….

(3) SPEAKING OF THE BIG BUCKS. Forbes’ Scott Mendelson listened to the cash register ring this weekend: “Box Office: ‘Captain Marvel’ Trolled The Trolls With A $455M Global Launch”.

The Brie Larson/Samuel L. Jackson/Reggie the Cat sci-fi adventure opened with $153m in North America this weekend, which is the second-biggest solo superhero non-sequel launch behind Black Panther ($202m in 2018). It’s the third-biggest March opening of all time, sans inflation, behind Batman v Superman ($166m in 2016) and Beauty and the Beast ($174m in 2017).

(4) HEAR IT FROM AN AGENT: Odyssey Workshops interviewed guest lecturer, literary agent Joshua Bilmes:

You founded JABberwocky Literary Agency in 1994, and your agency has grown since, adding several agents and assistants. What are the most common problems in the manuscript submissions you receive?

Make every word count! No excess description. No tossing facial gestures like smiles and smirks onto the page for no good reason. Never stopping to give a three-line description of every character when they come on stage. Quoting two of Bradbury’s 8 Rules:

• Every sentence must do one of two things—reveal character or advance the action.

• Start as close to the end as possible.

Most writers don’t understand that an agent can only represent a limited number of authors, and that agents specialize in particular types of fiction. Can you discuss how many authors you represent and why you’ve settled on that number? Can you describe the areas that you specialize in and why you’ve chosen those areas?

In an alternate universe, the initial crop of mysteries I sold (my very first sale as an agent was a mystery) would have taken off and the sf/fantasy not done as well! I never consciously set out to be a specialist. I don’t count clients; I have “clients” who haven’t written a book in 20 years, so do I count them? And some I’m working with but haven’t yet sold. I don’t target a particular number of clients. I’d say it’s my ability to get through my reading pile that says if I can take on more or fewer; that’s the pressure valve that says if the apparatus can safely support more.

(5) ODIN’S OPINIONS. The New York Times interviews the actor about American Gods, Seasonn 2: “Ian McShane Puts All His [Expletives] in the Right Place”. Also discusses other projects, including a remake of Hellboy and the sequel to Deadwood.

The series touches on immigration, racism, xenophobia and gun control. Did you have any idea how prescient it would be?

Well, it was very interesting what was happening when we did the first season of “American Gods.” The country has taken a serious lurch to the right, as much as they’d love to say it’s taken a serious lurch to the left. I don’t think America would know a socialist if they fell over him. They think it’s somebody who lives in a garret in Russia and has no telephone and no refrigerator. But that’s due to their lack of education. America’s been dumbed down over the years, which is a shame. It’s wonderful to see Congress now with a rainbow color, if you like, of immigrants and nationalities and people who love this country. They’re talking about it in a different way.

(6) THE PRICE ON THE BOUNTY HUNTER. Popular Mechanic’s article “The Great Star Wars Heist” recalls that in 2017, an uncovered toy theft ruptured the Star Wars collecting community. Two years later, the collectors—and the convicted—are still looking for a way forward.

…After talking with Wise, though, Tann’s doubts reached beyond one Boba Fett. The legitimacy of the dozens of purchases he’d made from Cunningham were at stake. Were those stolen goods, too?

Tann shared a comprehensive list of his purchases with Wise and, sure enough, Wise recognized more collectibles of his. But he noticed something else, too. The large volume of items that Cunningham was selling suggested that he had been stealing from someone else.

And the quality of the collectibles left little doubt as to who it was.

(7) SHEINBERG OBIT. Universal Studios executive Sidney Sheinberg died March 7 reports the New York Times. His career-launching connection with Steven Spielberg proved lucrative for both.

Mr. Sheinberg, who could be as tender as he was prickly, was the one who allowed Mr. Spielberg to make “Jaws,” giving him a budget of $3.5 million (about $17 million in today’s money). A problem-plagued shoot pushed the cost to more than twice as much. But Mr. Sheinberg… continued to support the film, which went on to become the prototype for the wide-release summer blockbuster.

“Sid created me, in a way, and I also re-created Sid, in a way,” Mr. Spielberg was quoted as saying in The New York Times in 1997.

Under Mr. Sheinberg’s watch, Universal released two more hits from Mr. Spielberg, “E.T. the Extra-Terrestrial” (1982) and “Jurassic Park”(1993). It was Mr. Sheinberg who handed Mr. Spielberg Thomas Keneally’s novel “Schindler’s List,” which the director turned into his masterpiece of the same title. Released in 1993, it won seven Academy Awards, including best picture.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 10, 1891 Sam Jaffe. His first role was in Lost Horizon  as the High Lama and much later in The Day the Earth Stood Still  playing Professor Jacob Barnhardt. Later on we find in The Dunwich Horror as Old Whateley, voicing Bookman in Bedknobs and Broomsticks, playing The Old-Man in The Tell-Tale Heart, and in his last film, appearing in Battle Beyond the Stars as Dr. Hephaestus. John Sayles wrote the script oddly enough. (Died 1984.)
  • Born March 10, 1921 Cec Linder. He’s best remembered for playing Dr. Matthew Roney in the BBC produced Quatermass and the Pit series in the later Fifties, and for his role as James Bond’s friend, CIA agent Felix Leiter, in Goldfinger. He also appeared on Alfred Hitchcock PresentsVoyage to the Bottom of the Sea, the Amerika series, The Ray Bradbury Theatre and The New Avengers. (Died 1992.)
  • Born March 10, 1932 Robert Dowdell. He’s best known for his role as Lieutenant Commander Chip Morton in Voyage to the Bottom of the Sea. After that series, he showed up in genre series such as Max Headroom, Land of the GiantsBuck Rogers in the 25th Century  and Freddy’s Nightmares. (Died 2018.)
  • Born March 10, 1938 Marvin Kaye, 81. Currently the editor of Weird Tales, he has also edited magazines such as H. P. Lovecraft’s Magazine of Horror and Sherlock Holmes Mystery Magazine.  The Fair Folk anthology which is most excellent and which he edited won a World Fantasy Award.
  • Born March 10, 1958 Sharon Stone, 61. Damn, she’s the same age I am. She’s been in three genre films, her first being Total Recall where she played the ill-fated Lori Quaid. Her next was Sphere where she was cast as Dr. Elizabeth “Beth” Halperin, and last was in, errr, Catwoman where she was Laurel Hedare, an assassin. 
  • Born March 10, 1977 Bree Turner, 42. She’s best known for her role as Rosalee on Grimm. She also starred in the pilot episode (“Incident On and Off a Mountain Road”) of Masters of Horror. She was in Jekyll + Hyde as Martha Utterson. Confession time: I got through maybe three seasons of Grimm before giving up as it became increasingly silly.

(9) GODSTALK. Nerds of a Feather discusses “6 Books with Catherine Lundoff”:

3. Is there a book you’re currently itching to reread?

I’m in the middle of a slow reread of P.C. Hodgell’s Kencyrath series so I can get caught up with the latest volumes in time for the new book to come out later on in 2019. I’ve just finished rereading God Stalk and Dark of the Moon, so Seeker’s Mask is next. It’s been rereleased a few times but this remains my favorite cover. If you are looking for a really splendid high fantasy series with a darker edge, intricate worldbuilding, a complex heroine and fascinating cast of characters, this is one of the best around.

(10) AWARD WORTHY. Camestros Felapton is doing a review series about the Nebula-nominated novelettes. Here are links to three:

(11) SATURDAY NIGHT LIVE. Idris Elba guest hosted Saturday Night Live. His sketches included –

  • “The Impossible Hulk”
  • “Can I Play That/” in which actors are told they can’t play various parts because trolls on Twitter say they can’t.

(12) GONE CRUISIN’. I don’t know what to say… (See second tweet.)

(13) AKA JOHN CLEVE, Here’s a curiosity: a scan of a 7-page andy offutt letter to Bob Gaines from 1977, mostly a history/list of his porn novels, but also about a page of current events about his career at the time.

(14) DENIAL DENIERS. Cody Delistraty, in “John Lanchester’s Future Tells The Truth” on Vulture, profiles British novelist John Lanchester, whose new sf novel THE WALL is an attempt to educate readers about climate change without preaching to them.

…Something else sets Lanchester apart from crossover literary personalities of yore. He has the ability to deflect — and to notice, too, when most people want to look away from the truth. (He has a “deep sympathy” for climate-change deniers.) He knows where to find the most pressing emergencies facing humanity, as he’s proven time and again with his nonfiction. But, crucially, in his fiction, he also knows when and how people tend to avoid the toughest topics. A central goal of his recent novels — which grounds them in cold reality — is to draw attention to what we might otherwise not want to notice: What are the lies that we must tell ourselves? What must we believe in order to cope with the world? Questions that, perhaps unsurprisingly, spring directly from his own life.

(15) GIVE IT A MISS. Kevin Polowy, in the Yahoo! Entertaiment story “How Captain Marvel Avided Controversial Comic-Book Past To Create Empowered Female Ideal,” notes that when Carol Danvers first appeared in Marvel Comics in 1968, she was known as “Ms. Marvel,” but the producers of the Captain Marvel movie threw out these early years as sexist and based the film on a 2012 reboot of the character.

…Danvers first appeared in 1968. Originally known as Ms. Marvel, the character had fought for feminist causes throughout her comic book history, but her depiction by male writers and artists had several problematic elements. The oft-scantily clad Ms. Marvel had a tendency of being objectified or oversexualized; one infamous storyline in 1980 even featured her being raped and impregnated by an intergalactic supervillain….

(16) LEGACY. Neil Gaiman wrote this eulogy after Harlan Ellison passed away last June. It ends:

He left behind a lot of stories. But it seems to me, from the number of people reaching out to me and explaining that he inspired them, that they became writers from reading him or from listening to him on the radio or from seeing him talk (sometimes it feels like 90% of the people who came to see Harlan and Peter David and me talk after 911 at MIT have gone on to become writers) and that his real legacy was of writers and storytellers and people who were changed by his stories.

(17) VIDEO OF THE DAY. A clip from The Jack Benny Program with Rod Serling.

[Thanks to John King Tarpinian, JJ. Mike Kennedy, Martin Morse Wooster, Chip Hictchcock, Cat Eldridge, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Xtifr.]

Pixel Scroll 1/29/19 Dill Pixels

(1) TIPTREE ON TV? Jennifer Kent, who directed the exceptional horror film The Babadook, and is currently at Sundance screening her second film, the historical drama The Nightingale, is developing a project based on the life and stories of James Tiptree Jr. / Alice Sheldon: “Sundance 2019 Interview: Babadook Director Jennifer Kent on Her New Film, The Nightingale” at Rogerebert.com.

And Tiptree?

I don’t know where to start. There was this writer of short science fiction stories in ’60s and ’70s who was very feted, and of the level of Philip K. Dick, or Ursula Le Guin. He was really creating the most powerful stories of gender and of being an outsider. But they were so potent, very prescient; because it’s almost the world we’re living in now. So they were written 50 years ago. They’re incredibly relevant still, and then he was sort of well known. His stories were well known, but no one knew who he was for 10 years, and then eventually someone uncovered his identity to be a woman in her 60s, in I think Virginia. This woman’s story is unbelievable. Unbelievable. And she was a genius. So I want to tell her story.

So you’ll make something episodic at a network?

Yeah, but including her short stories within. It’s not a straight biopic; so aliens from her stories inhabit her true world, and then she will be in the world of her stories, and it’s so exciting to me. It’s science fiction, which I love. I came across that because I was being given a lot of science fiction scripts. And I thought, “Where are the female science fiction stories?” So I Googled “female science fiction”, and I came across her! It was so hard to get the rights. And then I got all the rights to these stories, so it’s just meant to be. I could sit for hours and tell you how we got these rights. I’m working with producer Brian Kavanaugh-Jones, who is wonderful. He’s engaged with a company called Imperative, and so that’s the deal at the moment. But Imperative has thrown some money at the development, but we want to keep control of it. So we didn’t want to go to HBO and have it sit on a shelf and not get made, for example. So, we want to come with a pilot and a bible, so I’m working on that at the moment.

(2) STOKERCON UK. In April 2020 the Horror Writers Association’s annual event, StokerCon, will be held in the UK, and A.K. Benedict will be the Mistress of Ceremonies.

Taking place in Scarborough, just down the coast from Whitby – the town that provided so much of the inspiration for Stoker’s iconic Dracula – this is an event not to be missed for writers and readers of horror fiction.

The event is delighted to confirm its Mistress of Ceremonies for the weekend will be author A.K. Benedict, who will be launching the weekend’s proceedings. A.K. Benedict was educated at Cambridge, University of Sussex and Clown School. Described by the Sunday Express as ‘one of the new stars of crime fiction with a supernatural twist’, AK Benedict’s debut novel, The Beauty of Murder, was shortlisted for an eDunnit award and is in development for TV by Company Pictures. Her second novel from Orion, The Evidence of Ghosts, is a love song to London and shows her obsession with all things haunted. Her radio drama includes Doctor Who and Torchwood plays for Big Finish and a modern adaptation of M.R. James’ Lost Hearts for Bafflegab/Audible.

(3) ODYSSEY WORKSHOP SCHOLARSHIPS. Here is an overview of “2019 Odyssey Writing Workshop Scholarship Opportunities”. The Odyssey Writing Workshop is an acclaimed, six-week program for writers of fantasy, science fiction, and horror held each summer in New Hampshire. Writers apply from all over the world; only fifteen are admitted.

  • George R.R. Martin sponsors the Miskatonic Scholarship, awarded each year to a promising writer of Lovecraftian cosmic horror, a type of fiction Martin loves and wants to encourage. The scholarship covers full tuition, textbook, and housing. Martin says, “It’s my hope that this new scholarship will offer an opportunity to a worthy applicant who might not otherwise have been able to afford the Odyssey experience.” Applicants must demonstrate financial need in a separate application. Full details at the link.
  • Bestselling author and Odyssey graduate Sara King is sponsoring the Parasite Publications Character Awards to provide financial assistance to three character-based writers wishing to attend this summer’s Odyssey. The Parasite Publications Character Awards, three scholarships in the amounts of $2,060 (full tuition), $500, and $300, will be awarded to the three members of the incoming class who are deemed extraordinarily strong character writers, creating powerful, emotional characters that grab the reader and don’t let go. No separate application is required.
  • The new Chris Kelworth Memorial Scholarship will be offered to a Canadian writer admitted to Odyssey. This scholarship, funded by alumni and friends of Chris, will cover $900 of tuition.
  • One work/study position is also available. The work/study student spends about six hours per week performing duties for Odyssey, such as photocopying, sending stories to guests, distributing mail to students, and preparing for guest visits. Odyssey reimburses $800 of the work/study student’s tuition.

(4) FREE READ. Arizona State University has published Everything Change: An Anthology of Climate Fiction, Volume II, an anthology featuring 10 short stories from ASU’s 2018 global climate fiction contest, plus a foreword by Kim Stanley Robinson, who also served as the lead judge for the contest.

The stories explore climate chaos, its aftermath, and possible ways forward through a variety of genres and styles, from science fiction and fantasy to literary fiction and prose poetry. It’s free to download in a variety of digital formats (HTML, EPUB, MOBI, and via Apple iBooks).

Table of Contents:

  • Kim Stanley Robinson, Foreword
  • Angie Dell and Joey Eschrich, Editors’ Introduction
  • Monarch Blue, by Barbara Litkowski
  • The Last Grand Tour of Albertine’s Watch, by Sandra K. Barnidge
  • Half-Eaten Cities, by Vajra Chandrasekera
  • Darkness Full of Light, by Tony Dietz
  • Luna, by David Samuel Hudson
  • Tuolumne River Days, by Rebecca Lawton
  • The Most Beautiful Voyage in the World, by Jean McNeil
  • Orphan Bird, by Leah Newsom
  • The Office of Climate Facts, by Mitch Sullivan
  • Losing What We Can’t Live Without, by Jean-Louis Trudel
  • About the Contributors
  • Honorable Mention: 2018 Contest Semifinalists

(5) HUGO VOTER ELIGIBILITY. Dublin 2019 is fixing this –

(6) MY KINGDOM FOR CANON. [Item by Mike Kennedy.] Retcons are king. Or kinda want to be. The Daily Dot stares into the abyss at the changing look of Klingons over the various Star Trek series and movies—and especially the significant changes between the first two seasons of Star Trek: Discovery  (“Here’s Why the Klingons Look Different in ‘Star Trek: Discovery’ Season 2”).

In the grand tradition of sci-fi retcons, there’s a canon explanation for the Klingons’ new look. While the humanoid Original Series Klingons were retroactively explained as victims of a genetic diseaseDiscovery’s bald Klingons [in season 1] were apparently making a fashion statement.

According to actress Mary Chieffo (L’Rell), designer Glenn Hetrick decided that the Klingons weren’t “bald” in season one—they just shaved their heads. Speaking at New York Comic Con last year, Chieffo said Hetrick was inspired by the Next Generation episode “Rightful Heir.”

“There is a reference to when [legendary Klingon hero] Kahless is brought back as a clone. The way he proves himself is he tells the story of how he cut off a lock of his hair and dipped it into a volcano and made the first bat’leth, with which he killed Molor, the terrible tyrant who was running Qo’noS at the time. We took that one little beautiful seed… and kind of expanded on that, and we see that in a time of war the Klingons would shave their heads, and in a time of peace, we start to grow it back out. I really love the symbolism of that.”

Meanwhile, ScreenRant.com has a different take on the whole, um, different Klingon thing (“Star Trek Theory: Discovery Is Why The Original Series Klingons Look Different”).

Star Trek: Discovery could finally explain one of the franchise’s biggest discrepancies: why do the Klingons in The Original Series look human? The answer might be the former Starfleet Lieutenant Ash Tyler, who is the surgically altered Klingon named Voq.

[…] It’s possible Star Trek: Discovery season 1’s transformation of Voq into Ash Tyler is the forerunner to why the Klingons Captain Kirk faced in The Original Series didn’t have the ridged brows and wild hair of later Klingons. Voq was the former Torchbearer of T’Kuvma who underwent surgery to become human in a horrifically painful process that damaged his mind. His lover L’Rell oversaw the procedure to turn Voq into Ash Tyler, a Starfleet Lieutenant who was captured during the Battle at the Binary Stars. Voq ended up believing he really was Ash and fell in love with Michael Burnham but his inner Klingon kept fighting his way to the forefront.

[…] By the time Captain Kirk faced the Klingons for the first time in the Star Trek: The Original Series’ episode “Errand of Mercy”, the warrior race looked and behaved human, albeit with darker, exotic skin. Kor, the Klingon Commander, even told Kirk “our races aren’t so different”. He meant that both humans and Klingons are war-like species, but his words could also now have a deeper context: the Klingons have 24 Great Houses and it’s possible this group of Klingons underwent the same (perfected) procedure that turned Voq into Ash Tyler.

(7) CELEBRATORY YEAR. “150 years of the periodic table: Test your knowledge”. I scored 5 for 5 – how unusual!

You’ll find it on the wall of nearly every school chemistry laboratory in the land.

And generations of children have sung the words, “hydrogen and helium, lithium, beryllium…” in an attempt to memorise some of the 118 elements.

This year, the periodic table of chemical elements celebrates its 150th birthday.

…The United Nations has designated 2019 as the International Year of the Periodic Table to celebrate “one of the most significant achievements in science”.

In March, it will be 150 years since the Russian scientist, Dmitri Mendeleev, took all of the known elements and arranged them into a table.

Most of his ideas have stood the test of time, despite being conceived long before we knew much about the stuff that makes up matter.

On Tuesday, the year will be officially launched in Paris. So, what’s so special about this iconic symbol of science?

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 29, 1923 Paddy Chayefsky. In our circles known as the writer of the Altered States novel that he also wrote the screenplay for. He is the only person to have won three solo Academy Awards for Best Screenplay. The other winners of three Awards shared theirs. He did not win for Altered States though he did win for Network which I adore. (Died 1981.)
  • Born January 29, 1940 Katharine Ross, 79. Yes, you know her as Elaine Robinson in The Graduate but that’s hardly genre, do shall we see what she done in our area of interest? Her first such work was as Joanna Eberhart in The Stepford Wives –scary film that. She shows up next as Helena in The Swarm and plays Margaret Walsh in The Legacy, both horror films. The Final Countdown sees her in the character of Laurel Scott.  And Dr. Lilian Thurman is her character in the cult favorite Donnie Darko. I’m fairly sure that the only genre series she’s done is on The Wild Wild West as Sheila Parnell in “The Night of the Double-Edged Knife” episode. I did debate if the I should could I count Alfred Hitchcock Presents aa genre or not as she did an episode there as well.
  • Born January 29, 1977 Justin Hartley, 42. Performer in the series as Green Arrow and Oliver Queen characters, season six on. Also director of the “Dominion” episode and the writer of the “Sacrifice” episode on that series. He’s also Arthur “A.C.” Curry in the unsold Aquaman television pilot. The latter is up on YouTube here. He’s also lead cast in a web series called Gemini Division.
  • Born January 29, 1978 Catrin Stewart, 31. Jenny Flint in five episodes of Doctor Who. She was friends with Madame Vastra and Strax (informally known as the Paternoster Gang) who appeared first during the Eleventh Doctor and last during the Twelfth Doctor. Big Finish has continued them in their audiobooks. She also played Stella in two episodes of the Misfits series, and was Julia in a performance of Nineteen Eighty-Four done at London Playhouse several years back. 

(9) COMICS SECTION.

  • Frank and Ernest encounter a superhero with a not very pleasant power.
  • Not everybody gets off the ground at Hogwarts according to Berkeley Mews.
  • A super warning about the cold and flu season at Off the Mark.

(10) ELGIN AWARD NOMINATIONS OPEN. The Science Fiction and Fantasy Poetry Association is taking nominations for the Elgin Award through May 15. Charles Christian will be the 2019 Elgin Awards Chair.

Only SFPA members may nominate; there is no limit to how many they can nominate, but they may not nominate their own work. Send title, author, and publisher of speculative poetry books and chapbooks published in 2017 and 2018 to elgin@sfpoetry.com by mail to the SFPA secretary: Renee Ya, P.O. Box 2074, San Mateo, CA 94401 USA. Books and chapbooks that placed 1st, 2nd, or 3rd, in last year’s Elgin Awards are not eligible.

(11) FOREVER YOUNG. A young Captain Picard steps up alongside a bunch of  Italian Renaissance turtles and other, um, beloved characters (SYFY Wire: “Exclusive: Young Captain Picard commands the U.S.S. Stargazer in Star Trek: IDW 20/20 one-shot”).

IDW Publishing’s big 20th anniversary celebration rolls on this month as the mini-major refreshes five of their major licensed titles with a time-traveling series of oversized one-shot releases. 

The January party sparkles with some of pop culture’s most treasured properties as GhostbustersJem and the Holograms, My Little Pony, Star Trek, and Teenage Mutant Ninja Turtles uncover characters’ secrets and mysteries shot 20 years into the future or tugged back to the past.

(12) RUN, CAT, RUN! Camestros Felapton has the news — “Shock billionaire spoiler candidate enters presidential race”.

Timothy the Talking Cat, billionaire CEO of publishing multinational “Cattimothy House” entered the 2020 Presidential fray, with a shock announcement on Tuesday. At a book launch in Borstworth Library, the outspoken cat and business guru laid out his vision for a new kind of US President.

(13) NEW BENNETT NOVELLA DISCUSSED. Several star reviewers from Nerds of a Feather participate in “Review Roundtable: Vigilance by Robert Jackson Bennett”.

CONTENT WARNING: This review discusses gun violence throughout, and includes references to child death. Also, we’re discussing the whole novella, so BEWARE SPOILERS.

Vigilance, the new novella from Robert Jackson Bennett, is out today and it’s a searing look at gun violence in the US. In this near future dystopia, John McDean is tasked with running “Vigilance”, the nation’s favourite reality programme, which releases real shooters are released on unsuspecting locations with military-grade armaments, and the resulting carnage is broadcast as a “lesson” in how to protect oneself. McDean and his crew at ONT station think they have the variables of Vigilance down to a fine art, but in the novella’s ensuing escalation find themselves taken down by one of McDean’s own blindspots, to dramatic effect.

We’ve got a lot of Bennett fans on our team here at Nerds of a Feather and when this novella came to our attention, lots of us were interested in reading it to review. That’s why, instead of taking it on alone, today I, Adri, am joined by Paul Weimer, Brian, and Joe Sherry to unpack Bennett’s highly topical novella and our reactions to it.

(14) MARKET UPDATE. Coming over the air now —

(15) PREY WITHOUT CEASING. We linked to the trailer yesterday, now The Hollywood Reporter explains it all to you: “How ‘Birds of Prey’ Footage Builds on ‘Suicide Squad’ Look”.

Margot Robbie’s next take on Harley Quinn is steeped in ’80s music video sensibilities. Gotham City’s newest protectors have arrived. Tuesday morning, following an Instagram post by Margot Robbie teasing her return as Harley Quinn, Warner Bros. released the first official behind-the scenes look at Cathy Yan’s Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn). The first look teases viewers with quick glimpses of the main characters, who, alongside Robbie’s Harley Quinn, are comprised of Huntress (Mary Elizabeth Winstead), Black Canary (Jurnee Smollett-Bell), Renee Montoya (Rosie Perez), Cassandra Cain (Ella Jay Basco), Victor Zsasz (Chris Messina), and Black Mask (Ewan McGregor). Birds of Prey follows the events of Suicide Squad and finds Gotham City in a very different place following an apparent disappearance of Batman, and Quinn’s separation from the Joker. Harley finds herself on a continued path of redemption when she seeks to help a young girl, Cassandra Cain, escape the wrath of Black Mask by recruiting a force of Gotham heroines.

(16) OUT OF TIME. Vicky Who Reads makes it sound irresistible: “Here and Now and Then by Mike Chen (DRC): An Amazing Adult Sci-Fi Novel with Strong Family Themes”. Her review begins….

Kin Stewart used to be a time-traveling secret agent from 2142.

Now, stranded in suburban San Francisco since the 1990s after a botched mission, Kin has kept his past hidden from everyone around him, despite the increasing blackouts and memory loss affecting his time-traveler’s brain. Until one afternoon, his “rescue” team arrives—eighteen years too late.

(17) FROG STUFFING. Jon Del Arroz’ Happy Frogs lists are callbacks to what JDA thinks were the good old days of the Sad and Rabid Puppies. How much pull does he actually have? We’ll know if any of these names from “The Happy Frogs Hugo Award list” [Internet Archive link] show up on the 2019 ballot. (Well, it wouldn’t be a complete shock if David Weber got a nod for Best Series on his own – but that still leaves the rest of them.)

(18) WHERE FEW HAVE GONE. After five decades it’s hard to believe, but newly uncovered (or rediscovered) wide-format footage and uncatalogued audio was available as the basis for a new Apollo 11 documentary. Rolling Stone has the story of the doc plus a trailer (“‘Apollo 11’ Trailer: See Never-Before-Seen Footage From NASA’s Moon Mission”).

New footage from the lead-up to NASA’s first manned trip to the moon (and the landing itself) features in the upcoming documentary Apollo 11, which premiered at the Sundance Film Festival.

“Crafted from a newly discovered trove of 65mm footage, and more than 11,000 hours of uncatalogued audio recordings, Apollo 11 takes us straight to the heart of NASA’s most celebrated mission—the one that first put men on the moon, and forever made Neil Armstrong and Buzz Aldrin into household names,” distribution company Neon said of the film.

“Immersed in the perspectives of the astronauts, the team in Mission Control, and the millions of spectators on the ground, we vividly experience those momentous days and hours in 1969 when humankind took a giant leap into the future.”

(19) LAST THOUGHTS ABOUT BROADWAYCON. [Item by Martin Morse Wooster.] On “Three on The Aisle:  Broadway Cosplay” at Americantheatre.org, Elisabeth Vincentelli gives a BroadwayCon report, which begins at sixteen minutes into the podcast and ends at 34 minutes.  She did see some cosplayers, such as a woman from West Virginia who sat on a bus wearing her costume as the Angel from Angels in America, and she occasionally did see fans wanting to get too close to the stars (which in the theatre world is known as “stagedooring.”)  But she also appreciated the substantive panels, such as one on Oklahoma where cast members sang songs they didn’t sing on stage, and noted that BroadwayCon is important enough that stars like Kristen Chenoweth show up there unannounced. Wall Street Journal drama critic Terry Teachout said he wanted to go next year and that “A critic incapable of being a fan is a critic that needs therapy.”

[Thanks to John King Tarpinian, Chip Hitchcock, Cat Eldridge, Martin Morse Wooster, JJ, Mike Kennedy, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip Williams.]

Pixel Scroll 11/11/18 I’m Scrolling On The Bad Side And I Got My Pixels To The Wall

(1) YA FOR YA. Vicky Who Reads has a lot of interesting observations about “The Many Ways YA Books & The Community Isolates Teens”. Following up her first point, that teens lack money and often do their reading in ways that don’t register with the market (e.g., borrowing books), she says that leads to —

Character Problems

Adults’ money speaks, and adults oftentimes support YA novels with older characters.

Actually–scratch that. Characters who are in their teen years, but basically act like adults.

I find this is both because adult publishing doesn’t want YA-style stories–character relationships and lots of entertainment value. But adults do want to read these types of books, and they show it by influencing the YA category.

So, we end up with lots of upper YA books featuring young adult characters that are acting older and older, but they’re still the same age.

And this doesn’t mean YA readers can’t enjoy adult characters or adult novels or novels with characters that act like adults. But it does mean that these books are taking up the space of books that should be representing teens and the teenage experiences–not a YA style story representing an adult experience.

(2) BREAKING THROUGH. From Odyssey Workshop: “Interview: Guest Lecturer Fran Wilde”.

Why do you think your work began to sell?

That’s a tough question because predicting what works for markets, when markets are always changing, is like trying to read tea leaves when you don’t know how. But early in my writing career, I read slush at a magazine, and that gave me some clues.

For me, tightening everything and making every image and scene as vivid as possible was part of it. And making sure first scenes are crystal clear in intent, voice, setting, and theme—essentially answering the question of why the reader should give this story their time—was part of what helped the work find its audience.

(3) SETTING BOUNDARIES. Con or Bust, which helps people of color/non-white people attend SFF conventions, has adopted a minimal set of anti-harassment policies for cons that wish to donate memberships, “because when Con or Bust accepts donated memberships, it necessarily promotes the conventions in question…” The guideline has been announced now, and will take effect in a year — “Con or Bust will require anti-harassment policies before accepting donated con memberships”.

Here are our requirements for a meaningful anti-harassment policy.

  • The policy’s definition of harassment must:

o   include offensive verbal statements, physical contact, and actions other than physical contact (e.g., stalking, non-consensual photography or recording); and

o   state that the convention prohibits harassment in relation to—at minimum—race, gender, sexuality, impairment, physical appearance, and religion.

  • The policy must state where and when it applies. (Does it extend to off-site events associated with the con, or to con-related online spaces? Does it apply before the con, or after?)
  • The policy must state what happens if someone violates it, including:

o   Who can report the harassment;

o   How to report the harassment. This must include a method of reporting that is not in-person and must include a method of reporting after the convention; and

o   The potential consequences for both the violator and the reporter, including what privacy the reporter will be provided and to what extent the con will take the reporter’s wishes into account when determining what action to take.

(4) NO KSM AWARD. The 20Booksto50K Vegas conference came and went without a word about the “Keystroke Medium Reader’s Choice Awards” expected to debut there following last February’s announcement. I sent a query and KSM’s Josh Hayes answered:

The KSM Awards project was put on hold indefinitely. We didn’t get enough responses to produce a fair and accurate accounting of winners. It’s something we’re looking into for the future!

(5) SHAPE OF THINGS TO COME. The Book Smugglers have announced retrenchment plans:

We have some important news to share with regards to Book Smugglers Publishing. As of December 31st 2018, we will be shifting our business away from for sale short stories, novellas, and novels….

After much thought, discussion, and agonizing–we came to the only decision that we felt was fair for our readers and our creators: to focus on our key Book Smuggler strengths as a website, and as a publisher of short fiction. Moving forward, we will continue to focus on The Book Smugglers as a website with our regular coverage of books–just as we’ve always done since the beginning. We would like to still acquire short stories in the future, but they will only be available for free on our website and without the for sale distribution into e-retail markets.

(6) RAPPING FOR SCIENCE. Rivkah Brown, in “When Rap Gets Physical” in the Financial Times, discusses rapper Consensus, who works with CERN to produce rap videos that explain particle physics. (I could access the article from Bing, but the URL copied here ends up at a paywall. So no link.) His latest video can be found is you look for “Consensus Dark Matter” on YouTube,’

Realising how rapidly CERN’s research moved, Consensus decided to avoid the theoretical and stick to facts. “I didn’t want to write a song, only for the science to change.”

The result of his research was ConCERNed. Released last year, the album condenses an astronomical amount of physics into nine tracks. The most densely packed is, unsurprisingly, “Higgs”. The other eight tracks, Consensus tells me, respect the fact that “there’s only so much people can absorb in four minutes”. But to do justice to the Higgs boson, a particle to which many devote their entire careers, he would have to surpass that saturation point.

Indeed, the lyrics to “Higgs” are pretty cryptic to those who don’t have a deep understanding of the science (“I’m looking to vacuum whatever you’ve got / And the value of what I’m expecting is not / To be zero”). They are, however, menacing. Borrowing from battle rap, Consensus delivers a guttural rhyme that moves between boasts (“People call me Higgs ’cos I’m massive”), insults (“You’re weak, and your life isn’t long”) and threats (“Treat ’em like the LHC / Smash ’em up collide”) to personify a particle that — given that it is known as the “God” particle — probably should intimidate. As he says on the track, “I’m practically the reason you exist.”

 

(7) DORRIS OBIT. Marcia Illingworth writes, “It pains me to have to tell you that Maurine [Dorris] passed away last night [November 11], shortly after 01:00 AM. She passed peacefully with her son Jimmy and friend JoAnn Parsons by her side.”

Maurine is old time SF Fandom. She and Joann Parsons started World Horror Convention. She was active in WorldCon Fandom and World Fantasy. She in known for running ASFA Suites and SWFA Suites at quite a few Worldcons.

(8) RAIN OBIT. Canadian actor Douglas Rain, who was the voice of HAL 9000 in 2001 and 2010, died November 11. (He also voiced Bio Central Computer 2100, Series G, the computer aiding in Our Leader’s cloning in Woody Allen’s comedy Sleeper.)

(9) TRIVIAL TRIVIA.

The SAL9000 was voiced by Candice Bergen.

(10) TODAY IN HISTORY

  • November 11, 1951Flight to Mars premiered in theatres.
  • November 11, 1994 Interview with the Vampire was released.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and JJ.]

  • Born November 11, 1916Donald Franson. Author of A Key to the Terminology of Science-Fiction Fandom. Also wrote A History of the Hugo, Nebula, and International Fantasy Awards, Listing Nominees & Winners, 1951-1970 and An Author Index to Astounding/Analog: Part II—Vol. 36, #1, September, 1945 to Vol. 73 #3, May, 1964, the first with Howard DeVore. When I first stumble across an author and their works I’m reminded how deep the genre is. (Died 2002.)
  • Born November 11, 1917Mack Reynolds. Author of a couple hundred published short stories and several novels, he sold more work to John W. Campbell Jr.’s Analog than just about anyone — but not the oft-anthologized “Compound Interest” which appeared in F&SF. His 1962 story “Status Quo” was a Hugo nominee, and he had two stories up for the Nebula in 1966, the clever Sherlock Holmes pastiche, “Adventure of the Extraterrestrial,” and “A Leader for Yesteryear.” OGH met him at the 1972 Worldcon. (Died 1983.)
  • Born November 11, 1922Kurt Vonnegut, Jr. The Sirens of Titan was his first SF novel followed by Cat’s Cradle which after turning down his original thesis in 1947, the University of Chicago awarded him his master’s degree in anthropology in 1971 for this novel. Next was Slaughterhouse-Five, or The Children’s Crusade: A Duty-Dance with Death which is one weird book and an even stranger film. It was nominated for best novel Nebula and Hugo Awards but lost both to Ursula K. Le Guin’s The Left Hand of Darkness. I’m fairly sure Breakfast of Champions, or Goodbye Blue Monday is his last genre novel there’s a lot of short fiction where something of a genre nature might have occurred. (Died 2007.)
  • Born November 11, 1925Jonathan Winters. Yes he did do quite a few genre performances including an early one as James Howard “Fats” Brown in “A Game of Pool”,  a 1961 episode of The Twilight Zone. He next shows up as Albert Paradine II in the TV movie More Wild, Wild West. He had a recurring role in Mork & Mindy as a character named Mearth. You’ll find him in The ShadowThe Adventures of Rocky and BullwinkleThe Flintstones, both of The Smurfs films and quite a bit more. He even of course was a guest on The Muppets Show. (Died 2013.)
  • Born November 11, 1945Delphyne Joan Hanke-Woods. Artist and Illustrator whose grandfather taught her to read using science fiction pulp magazines. After discovering genre fandom at Windycon in 1978, she became one of the leading fan artists in fanzines of the time, including providing numerous covers for File 770. In addition to convention art shows, her art also appeared professionally, illustrating books by R.A. Lafferty, Joan D. Vinge, and Theodore Sturgeon, and in magazines including Galaxy, Fantastic Films, and The Comics Journal. She won two FAAn Awards for Best Serious Artist and was nominated six times for the Best Fan Artist Hugo, winning in 1986. She was Fan Guest of Honor at several conventions, including back at a Windycon, where her fandom started. (Died 2013.)
  • November 11, 1948Kathy Sanders, 70, Costumer and Fan from the Los Angeles area who has chaired/co-chaired Costume-Cons, and has worked on or organized masquerades at a number of Westercons, Loscons, and a Worldcon. She received Costume-Con’s Life Achievement Award in 2015. She is a member of LASFS and of SCIFI, and ran for DUFF in 1987. Her essay “A Masquerade by Any Other Name” appeared in the L.A.con III Worldcon Program Book.
  • Born November 11, 1960Stanley Tucci, 58. Actor, Director, and Producer with a lengthy resume of character roles in genre films including The Core (Yay! The Core!), Prelude to a Kiss, A Midsummer Night’s Dream, Muppets Most Wanted, Beauty and the Beast, The Lovely Bones, Captain America: The First Avenger, Jack the Giant Slayer, Percy Jackson: Sea of Monsters, and The Hunger Games films, as well as numerous voice roles including Leonardo da Vinci in Mr. Peabody & Sherman.

(12) WHAT A PICTURE IS WORTH. Jeanette Ng visits The Fantasy Inn to tell about “5 Things That Medieval Bestiary Writers Almost Got Right”. Here’s one of them —

The Gold-Digging Ants

The story of the giant gold-digging ants date back to Herodotus, the father of lies and history. The story goes that these giant dog-sized, furry ants dig grains of gold from the ground. They guard this gold with military precision and diligent action.

It’s a ridiculous tall tale story, but where did it come from?

And is an ant really an ant when it is quite that big and furry?

Herodotus was also very keen on there being winged serpents in Egypt. I’ve long thought of him as travel writer keen to tell you all the stories random people tell him at the pub.

And with the ants, it is possible that it’s just a misunderstanding born out of a translation error. The Persian word for marmot and mountain ant are similar, and there is indeed a species of fox-sized marmot who regularly uncover gold dust in a province of Pakistan due to how rich that ground is in gold.

(13) DOCTOR WHO DOSSIER. Find out what police officer Yasmin Khan has on file about the Pting.

(14) ANIMATION CONFLAGRATION. The Washington Post’s Steven Zeitchik has an overview of the animation industry, “In epic rumpus, Hollywood’s animation sector looks to sort its royalty from its minions”, including whether Disney-Pixar will be in trouble after longtime CEO John Lasseter ended his employment because of sexual harassment allegations and whether Illumination will use its success in the Minions franchise to move into the top tier.

The sector known as one of the film world’s most stable — “Incredibles 2” and “Hotel Transylvania 3” were both hugely lucrative this past summer — is slowly playing out its own mythic dramas, if with less-catchy music.

Companies are beset by mergers, or #MeToo scandals. Studios are wedded to big ambitions, or shackled to past successes.

And internal questions are only the start. Leaders such as Disney and Pixar are trying to maintain dominance over the field, while close competitors like Illumination are closing in. Once-great studios such as DreamWorks are struggling to find their way back. And well-funded upstarts from Sony to Netflix are seeking to knock them all off.

…In interviews with The Washington Post, 16 animation executives and experts, many of whom spoke on the condition of anonymity because of the highly competitive nature of the field, described a world of intense battles, complex strategies and, maybe most telling, modern motivations. In an era in which entertainment has become fragmented and niche, with kids and parents rarely agreeing on what to watch, animation’s reliable power to attract whole families is the reason studios can’t let it go.

At stake is not just which Hollywood conglomerate will reap financial bounties — major franchises like Toy Story can take in $2 billion or more globally — but which will define the tone and style of animation moviegoers see for years to come. Will the category continued to be dominated by the computer-generated soulfulness of Disney and Pixar? Or will the off-kilter, European flavor of Illumination and its lovably goofy “Minions” make more inroads?

(15) FEMINIST FUTURES. Joe Sherry adds a file on Sheri S. Tepper’s book to Nerds of a Feather’s series: “Feminist Futures: The Gate to Women’s Country”.

The Gate to Women’s Country has a reputation for being among the great works of feminist science fiction, and it may have been at the time, but now thirty years after it was first published, The Gate to Women’s Country does not quite hold up to that legacy. Its importance to the canon of science fiction is not in question. The Gate to Women’s Country has earned that importance. Its reputation as a novel that remains great today is, however, very much in question.

(16) WHERE TO FIND REVIEWS. This week’s collected links to book reviews at Pattinase: “Friday’s Forgotten Books, November 9, 2018”.

  • Mark Baker, DEATH ON THE NILE, Agatha Christie
  • Les Blatt, THE CONQUEROR, E.R. Punshon
  • Elgin Bleecker, GUNS OF BRIXTON, Paul D Brazill
  • Brian Busby: “Grant Allen”
  • Kate Jackson/CrossExaminingCrime, ROCKET TO THE MORGUE, Anthony Boucher
  • Curtis Evans, THE ELECTION BOOTH MURDER, Milton M. Propper
  • Elisabeth Grace Foley, REST AND BE THANKFUL, Helen MacInnes
  • Rich Horton, SKIN HUNGER and SACRED SCARS, Kathleen Duey
  • Jerry House, STAR OVER BETHLEHEM AND OTHER STORIES, Agatha Christie Mallowan
  • George Kelley, END OF THE LINE, Burt and Dolores Hitchens
  • Margot Kinberg, DESERT HEAT, J.A. Jance
  • Rob Kitchin, SIRENS, Joseph Knox
  • B.V. Lawson, VOICE OUT OF DARKNESS, Ursula Curtiss
  • Evan Lewis, THE SEVEN PERCENT SOLUTION, Nicholas Meyer
  • Steve Lewis, SHADY LADY, Cleve Adams
  • Todd Mason, THE AMERICAN FOLK SCENE ed. David DeTurk & A. Poulin, Jr.; BOB
    DYLAN: DON’T LOOK BACK transcribed & edited by DJ Pennebaker et al.;
    DANGEROUSLY FUNNY by David Bianculli
  • Kent Morgan, IN A TRUE LIGHT, John Harvey
  • J. F. Norris, MAYNARDS’S HOUSE, Herman Raucher
  • James Reasoner, THE COMPLETE MIKE SHAYNE, PRIVATE EYE, Ken Fitch and Ed Ashe (1960s comics adaptation)
  • Richard Robinson, THE WAY THE FUTURE WAS, Frederik Pohl
  • Mike Sind/Only Detect, DARKNESS TAKE MY HAND, Dennis Lehane
  • Kevin Tipple, CORKSCREW, Ted Wood
  • TomCat, THE HOUSE OF STRANGE GUESTS, Nicholas Brady
  • TracyK, THE BIRTHDAY MURDER, Lange Lewis

(17) VIDEO OF THE DAY. In “Why Does The Grim Reaper Exist?” on YouTube, The New Yorker looks at the 132 Grim Reaper cartoons published in their magazine (including ones by Charles Addams and Gahan Wilson) to see why the Grim Reaper exists and why we think he can be mocked.

[Thanks to JJ, Marcia Illingworth, Karl-Johan Norén, Cat Eldridge, John King Tarpinian, Carl Slaughter, Martin Morse Wooster, Andrew Porter, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day cmm.]

Register for 2019 Odyssey Online Writing Classes

Odyssey Writing Workshops is offering three live, intensive online classes this winter. Odyssey’s nonprofit mission is to help writers of fantasy, science fiction, and horror, however, writers of all genres are welcome to apply. Courses will cover issues relevant to writers of adult, young adult, and middle grade fiction. Full information can be found at their website or by emailing jcavelos@odysseyworkshop.org.

The three classes are:

Emotional Truth: Making Character Emotions Real, Powerful, and Immediate
Course Meets: January 10 – February 7, 2019
Instructor: Award-winning editor and publisher Scott H. Andrews
Level: Intermediate to Advanced
Application Deadline: December 12, 2018

Instructor Scott H. Andrews is the editor-in-chief and publisher of the fantasy magazine Beneath Ceaseless Skies, a six-time Hugo Award finalist and winner of the World Fantasy Award. When asked the most common weakness in the submissions he receives, Scott says, “Most writers fail to convey character emotions in a powerful way.”

How do you convey a character’s emotion? You might just tell readers what the character is feeling (“He was afraid”), which can convey that information clearly but fail to make the emotion real and immediate. You might try an internal life sign (“His heart pounded”), which can be more immediate but often feels clichéd. Or you might try an external action (“His eyes widened”), but this can sometimes feel like overacting, or if we’re in the character’s point of view, it can feel like we’ve jumped to a point of view outside the character.

Scott will explain the most effective techniques to convey character emotions realistically and powerfully on the page, so that moment by moment, you can create an authentic and evocative experience. He’ll show you which techniques work best for point-of-view characters, and which work best for non-point-of-view characters. He’ll also discuss how to handle multiple emotions, conflicting emotions, and complex emotions, because that’s when stories get really interesting.

More than that, the course will cover strategies for developing situations and stories with strong potential for emotional resonance, and how to use character emotions to make every page a gripping read. You’ll dig deep into your own emotional reservoir to find that emotional truth that will give readers an authentic, powerful, involving experience.

Riveting Descriptions: Bringing Your Story to Life in the Reader’s Mind
Course Meets: January 3 – 31, 2019
Instructor: Award-winnng author and editor Lucy A. Snyder
Level: Beginner to Intermediate
Application Deadline: December 5, 2018

For most writers, crafting strong, effective description is a major struggle. Some avoid description, fearing they’ll lose the reader’s attention, and instead they leave the reader lost in a vast, white nothingness. Some embrace description, drowning the reader in details so important ones are lost and unimportant ones create expectations that will never be fulfilled. Some use a hit or miss approach, throwing in a detail here or there and hoping they’ve magically made the right choices.

You don’t need to guess or struggle anymore. Award-winning fiction writer, poet, and editor Lucy A. Snyder will guide you through this critical and often-avoided subject. You’ll learn how to identify the key details that will immerse readers in your world, allow them to feel they know your characters, and put them in the middle of the action. Lucy will explain the qualities of strong description, how to know how much description is enough, which details to include, and where in the scene to include them. You’ll also learn how to use subtext so your description suggests deeper meanings, and how to write description with emotional impact.

More than that, this course will explore the role of point of view in description. How a character sees and describes his world can deepen personality, convey motivation, increase tension, and drive plot. Lucy will also discuss how to use poetic techniques in your description, and how to avoid common descriptive pitfalls. You’ll finish this course feeling much more assured about your description and knowing how to use description to make your story more impactful.

Getting the Big Picture: The Key to Revising Your Novel
Course Meets: January 2 – February 13, 2019
Instructor: Award-winning novelist Barbara Ashford
Level: Intermediate
Application Deadline: December 4, 2018

In response to many requests, we’re bringing back this course, one of our most highly rated. There are few things more difficult than revising a novel. You’ve worked on it for months, or years, and you’re so immersed in it you can’t step back and see the big picture. You might polish the draft and make minor changes, but you don’t really know what to change to turn that rough draft into a powerful, unified novel. And chances are, major changes are necessary. In this course, Barbara Ashford, one of our most popular instructors, will guide you in a deep examination of the “big picture” elements of your novel–premise, promise, theme, world, character, plot. Analyzing each of these building blocks and how well they are working together can give you new perspective on your novel, reveal weaknesses, and provide direction for major changes that will help you to maximize your novel’s potential.

Whether you’ve already completed your first draft, are still working on it, or are struggling with revisions, this course will provide invaluable insights into your novel through the lectures, assignments, and critiques. Barbara’s feedback on assignments has been widely praised for its depth and helpfulness.

Barbara’s course will be longer than the standard Odyssey online class, with four class meetings rather than our usual three, so you’ll be able to fully process and incorporate the important concepts discussed. If you’re participating in #NaNoWriMo, this course can show you the path from rough draft to completed novel.

In live class meetings, students learn specific, invaluable techniques, ask questions, and participate in discussions. Between meetings, they interact with each other and the instructor in a discussion group, complete demanding assignments, and give and receive in-depth feedback. Each student also has a one-on-one meeting with the instructor.

Odyssey Online offers only three online classes each year and admits only fourteen students per class, to keep quality high and ensure each student receives individual attention.

[Based on a press release.]

Odyssey Writing Workshop Taking Applications

Each year, writers of fantasy, science fiction, and horror from all over the world apply to the Odyssey Writing Workshop for fantasy, science fiction, and horror, which this year will be held June 4 to July 13 at Saint Anselm College in Manchester, New Hampshire. Only fifteen are admitted.

Class meets for over four hours each day, five days a week, with time split between lectures and workshopping.  Students spend about eight hours more per day writing and critiquing each other’s work.

Odyssey is for writers whose work is approaching publication quality and for published writers who want to improve their work.

The early action application deadline is JANUARY 31, and the regular application deadline is APRIL 7.

The workshop is held by the Odyssey Writing Workshops Charitable Trust, a 501(c)(3) nonprofit.  Odyssey is funded in part by donations from graduates, grantors and supporters, and in part by student tuition.  Tuition is $2,025, and housing in campus apartments is $892 for a double room and $1,784 for a single.  All applicants receive feedback on their writing sample.

Financial Aid

  • Beginning this year, bestselling author George R. R. Martin is funding a scholarship for an Odyssey student. The Miskatonic Scholarship will be awarded to a promising writer of Lovecraftian cosmic horror. It will cover full tuition, textbook, and housing. As Martin notes –

We are not looking for Lovecraft pastiches, nor even Cthulhu Mythos stories. References to Arkham, Azathoth, shoggoths, the Necronomicon, and the fungi from Yuggoth are by no means obligatory…though if some candidates choose to include them, that’s fine as well. What we want is the sort of originality that H. P. Lovecraft displayed in his day…. What we want are nightmares new and resonant and profound, comic terrors that will haunt our dreams for years to come.

  • The Parasite Publications Character Awards, sponsored by Odyssey graduate Sara King, provide financial assistance to three character-based writers wishing to attend.  The awards provide three scholarships in the amounts of $2,025 (full tuition), $500, and $300.
  • Several other scholarships and a work/study position are also available.

Odyssey’s Director and Primary Instructor

Odyssey founder Jeanne Cavelos is a bestselling author and former senior editor at Bantam Doubleday Dell, where she won the World Fantasy Award for her work.  She works individually with students, meeting with them over the six weeks to set goals, chart progress, and talk out problems.  She also provides students with detailed, constructive critiques that average over 1,500 words each.  In 2015, Jeanne was nominated for the World Fantasy Award for her work teaching and running Odyssey.

2018 Guest Lecturers

Lecturers for the 2018 workshop include —

  • Elizabeth Hand
  • Theodora Goss
  • E. C. Ambrose
  • Nisi Shawl
  • Meagan Spooner
  • Gary A. Braunbeck
  • Scott H. Andrews, editor/ publisher of Beneath Ceaseless Skies

Here is a video of graduates describing their Odyssey experiences:

Odyssey Graduates

Recent novels by Odyssey graduates include Bannerless by Carrie Vaughn, published by Houghton Mifflin Harcourt; The Thickety: The Last Spell by J. A. White, from HarperCollins; The Strange Case of the Alchemist’s Daughter by Theodora Goss, from Saga Press; The Dark Apostle:  Elisha Mancer by E. C. Ambrose, from Baen Books; and Hunted by Meagan Spooner, published by HarperTeen.  Odyssey graduates have had short fiction published in the top magazines in the field:  Fantasy & Science Fiction, Analog, Asimov’s, Tor.com, Weird Tales, Lightspeed, Clarkesworld, Strange Horizons, and many more.

[Based on a press release.]