Seanan McGuire: “Any Way the Wind Blows,” Tor.com, 6/19
Christopher G. Nuttall, “Drang Nach Osten,” Trouble in the Wind, edited by Chris Kennedy and James Young, Theogony Books, 2019
Christopher G. Nuttall, “The Kaiserin of the Seas,” To Slip the Surly Bonds, edited by Chris Kennedy and James Young, Theogony Books, 2019
William Stroock, “The Blue and the Red: Palmerston’s Ironclads,” Those in Peril, edited by Chris Kennedy and James Young, Theogony Books, 2019
Harry Turtledove, Christmas Truce, Asimov’s, 11/19
2019 LONG FORM
K. Chess, Famous Men Who Never Lived, Tin House, 2019
Jared Kavanagh, Walking through Dreams, Sea Lion Press, 2019
John Laband, The Fall of Rorke’s Drift, Greenhill, 2019
Annalee Newitz, Future of Another Timeline, Tor, 2019
2020 SHORT FORM
Andrew J. Harvey: “1827: Napoleon in Australia,” Alternate Australias, edited by Jared Kavanagh, Sea Lion Press, 2020
Matthew Kresal: “Moonshot,” Alternate Australias, edited by Jared Kavanagh, Sea Lion Press, 2020
Sean McMullen, “Wheel of Echoes,” Analog, 1/20
2020 LONG FORM
Dennis Bock, The Good German, Patrick Crean Editions, 2020
Junior Burke, The Cold Last Swim, Gibson House Press, 2020
Mary Robinette Kowal, The Relentless Moon, Tor, 2020
Charles Rosenberg, The Day Lincoln Lost, Hanover Square, 2020
Adrian Tchaikovsky, The Doors of Eden, Pan McMillan, 2020
In addition, several of the judges wanted to call attention to Elektra Hammond’s 2019 short story “O-Rings,” which appeared in the anthology Alternate Peace, which is ineligible for nomination since Sidewise Administrator Steven H Silver was the anthology’s editor.
The winners will be announced during this year’s Worldcon, DisCon III. The Sidewise Awards have been presented annually since 1995 to recognize excellence in alternate historical fiction.
This year’s panel of judges was made up of Karen Hellekson, Matt Mitrovich, Olav Rokne, Kurt Sidaway, and Steven H Silver. Silver also noted, “We regret that earlier this year long-time Sidewise Award judge Jim Rittenhouse passed away.”
The Sidewise Awards for Alternate History were conceived in late 1995 to honor the best allohistorical genre publications of the year. The first awards were announced in summer 1996 and honored works from 1995. The award takes its name from Murray Leinster’s 1934 short story “Sidewise in Time,” in which a strange storm causes portions of Earth to swap places with their analogs from other timelines.
(1) FUTURE UNIONS. “Workers of All Worlds Unite,” a public talk about labor unions in science fiction with Olav Rokne, is a free Zoom event happening Thursday, April 29 at 7:30 p.m. Mountain time. Join the Zoom free here. Or you could also support the event by getting tickets here.
Workers Of All Worlds Unite!
Science fiction is filled with depictions of standard capitalist employment relationships, but little thought seems to have been given to how workers in the future will assert their rights. Join Olav Rokne as he explores the troubled history of labour unions in science fiction, and makes an argument as to why this history matters.
(2) ELLISON TRUST VICTORY. Two weeks ago J. Michael Straczynski, Executor of the Harlan and Susan Ellison Trust, updated fans about a successful action to fight off opportunistic banks.
(3) EXTREMELY HONEST. Ian Moore takes the first step in his Hugo finalist Mt. Tsundoku 12-step program by admitting powerlessness:
Ken MacLeod’s Road Trip takes us from Scotland through the north of England and London to the far side of the Earth. Three talkative passengers – Charles Stross, Justina Robson and Tasha Suri – read from their work, and over the car radio Hannah and Sam Bennett play drive-time music live from the wonderful world of tomorrow. Hosted by Shoreline of Infinity – science fiction magazine and publisher based in Scotland for the world to enjoy.
… Not that Hubbard was some kind of White Knight or anything, far from it. Even a brief perusal of our work here at the blog would tell you very quickly that we don’t go easy on Mr. Hubbard. But, I don’t think that we need to discredit his actual bad acts by throwing out wrong characterizations and outright lies about him either.
Hubbard has two big holes in his Navy history that none of the so-called ‘experts’ ever noticed that I documented in my post. Either one of which could easily have been this Aleutians business, and I’m guessing it was the second “hole” from November 3 to November 25, 1944.
It actually fits well with then being tasked with Heinlein to deal with anti-Kamikaze tactics. Heinlein details that two assignments came to him from Naval Intelligence, practically back to back. The problem is, people have put wrong times for when these were. Times that don’t fit with KNOWN dates and events.
Heinlein and other science fiction writers were utilized several times for Naval Intelligence projects…
Right on the back of that is when Heinlein formed his Think Tank on Kamikazes with Hubbard etc. which was also called a “crash” project.
In 1944, Heinlein recruited Hubbard, Sturgeon and others for a project: “Op-Nav-23, a brainstorming job on antikamikaze measures.”  The Bradbury Chronicles by Sam Weller, p. 12
I had been ordered to round up science fiction writers for this crash project-the wildest brains I could find, so Ted was a welcome recruit. Some of the others were George O. Smith, John W. Campbell Jr., Murray Leinster, L. Ron Hubbard, Sprague de Camp, and Fletcher Pratt…
Ok, first question would be when were these kamikaze attacks?
Although there had been spotty “kamikaze” actions by Japanese fighter pilots with engine troubles etc. earlier in WWII, the first inklings of an actual program appears to have been decided upon by August 1944 but not acted upon until Vice-Admiral Takijiro Onishi, took command of the 1st Air Fleet in the Philippines on October 17, 1944. Onishi had initially opposed the idea, but changed his mind when he took command.
Three days later kamikaze attacks – kamikaze means “Divine Wind” – were introduced October 20 of 1944 and on October 25 the first formal (and mass) kamikaze attacks launched in the Phillippines….
(6) MEMORY LANE.
1976 – Forty-five years ago at MidAmeriCon, the Hugo for Best Novella went to Roger Zelazny for “Home Is the Hangman” which was published in Analog, November 1975. It would also win the Nebula the same year. The other nominated novellas were “The Storms of Windhaven” by George R. R. Martin and Lisa Tuttle [Analog, May 1975] “ARM” by Larry Niven [Epoch, 1975] “The Silent Eyes of Time” by Algis Budrys [F&SF, Nov 1975] and “The Custodians” by Richard Cowper [F&SF, Oct 1975]. It is collected with the other two novellas in this series, “The Eve of RUMOKO“ and “Kjwalll’kje’k’koothaïlll’kje’k“ in My Name in Legion which is available from the usual suspects.
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born April 25, 1897 — Fletcher Pratt. He’s best remembered for his fiction written with L. Sprague de Camp, to wit Land of Unreason,The Carnelian Cube and The Complete Compleat Enchanter. I’m rather fond of The Well of the Unicorn and Double Jeopardy. I see that he and Jack Coggins were nominated for International Fantasy Award for their Rockets, Jets, Guided Missiles and Space Ships, a non-fiction work published in 1951. Anyone known about this? (Died 1956.) (CE)
Born April 25, 1915 — Mort Weisinger. Comic book editor best known for editing Superman during in the Silver Age of comic books. He also served as story editor for the Adventures of Superman series, Before that he was one of the earliest active sf fans, working on fanzines like The Planet (1931) and The Time Traveller (1932) and attending the New York area fan club known as The Scienceers. (Died 1978.) (CE)
Born April 25, 1915 – Leslie Croutch. Television & radio repairman. Half a dozen stories. Contributor to The Acolyte, Futurian War Digest, Spaceways, Tin Tacks, Voice of the Imagi-Nation, Le Zombie. Various fanzines of his own, notably Light. See here and Harry Warner’s appreciation here (PDF). (Died 1969) [JH]
Born April 25, 1920 — John Mantley. He wrote but one SF novel, The 27th Day, but it rated a detailed write-up by Bud Webster in The Magazine of F&SF which you can read here. (He wrote the screenplay for the film version of his novel which gets an abysmal score of twenty-five percent among audience reviewers at Rotten Tomatoes.) He also produced a number of episodes of The Wild Wild West, Buck Rogers in the 25th Century and MacGyver. (Died 2003.) (CE)
Born April 25, 1925 – Margery Gill. A dozen covers, as many interiors for us; much else. Here is Four-and-Twenty Blackbirds. Here is The Saracen Lamp. Here is Over Sea, Under Stone.Here is English Fairy Tales. Here is an interior from A Little Princess. See this appreciation in the Illustrators Wiki. (Died 2008) [JH]
Born April 25, 1929 — Robert A. Collins. Edited a number of quite interesting publications including the Fantasy Newsletter in the early Eighties, the IAFA Newsletter in the late Eighties and the early Nineties along with the Science Fiction & Fantasy Book Review Annual with Rob Latham at the latter time. He also wrote Thomas Burnett Swann: A Brief Critical Biography & Annotated Bibliography. (Died 2009.) (CE)
Born April 25, 1941 – Stella Nemeth, age 80. Book reviews and occasional drawings in The Diversifier, Lan’s Lantern, SF Booklog, Zeor Forum; seen in Algol. More recently in Art With a Needle. [JH]
Born April 25, 1957 – Deborah Chester, age 64. Three dozen novels for us (some under different names); several others. Has a recipe in Anne McCaffrey’s Serve It Forth. Professor at Univ. Oklahoma. [JH]
Born April 25, 1961 — Gillian Polack, 60. Australian writer and editor. She created the Ceres Universe, a fascinating story setting. And she’s a great short story writer as Datlow demonstrated when she selected “Happy Faces for Happy Families” for her recommended reading section in the ‘04 Year’s Best Fantasy and Horror. She’s reasonably stocked at the usual suspects. (CE)
Born April 25, 1975 – Courtney Schafer, age 46. Three novels, one shorter story. Electrical engineer, worked in aerospace. While at Cal Tech (California Inst. of Technology) she also learned rock climbing, skiing, SCUBA diving; later, figure skating. Favorite series, the Lymond Chronicles; has also read Hidden Figures, The Little Prince, Watership Down. [JH]
Born April 25, 1979 – Christopher Hopper, age 42. Half a dozen novels, a score more with co-authors; one shorter story. Encouraged by his wife he has two million words published; also plays in her band. He’s breakfasted with Winnie Mandela, kite-surfed in Hawai’i, photographed white rhinos in South Africa, climbed the Great Wall of China. [JH]
Born April 25, 1981 — Silvia Moreno-Garcia, 40. Canadian of Mexican descent. She’s the publisher of Innmouths Free Press, an imprint devoted to weird fiction. Not surprisingly, she co-edited with Paula R. Stiles for the press, the Historical Lovecraft and Future Lovecraft anthologies. She won a World Fantasy Award for the She Walks in Shadows anthology, also on Innsmouth Free Press. She was a finalist for the Nebula Award 2019 in the Best Novel category for her Gods of Jade and Shadow novel. And finally with Lavie Tidhar, she edits the Jewish Mexican Literary Review. Not genre, but sort of genre adjacent. (CE)
(8) COMICS SECTION.
Bizarro finds something at the window gently tapping.
(9) X-MEN NEWS. Christian Holub, in the Entertainment Weekly story “Marvel reveals the results of X-Men fan election” says Marvel sent out a bunch of mini-comics before deciding whether Banshee, Strong Guy, Boom-Boom, or other rookies got to join the X-Men team. Those Twitter comics are linked at the end of the article.
…Election season is finally over for the X-Men. Back in January, Marvel conducted a public vote for fans to choose a member of the newest X-Men team that is set to debut at the much-anticipated Hellfire Gala in June’s Planet-Sized X-Men #1. As with any election, there can only be one winner, and unfortunately lots of losers. But at least fans get to see how each of the candidates — Banshee, Polaris, Forge, Boom-Boom, Tempo, Cannonball, Sunspot, Strong Guy, Marrow, and Armor — responded to the results in a new series of mini-comics published to Marvel’s social media accounts over the past week.
Written by Zeb Wells (Hellions) and illustrated by a variety of artists (including Rachelle Rosenberg who colored them all), each installment of these Twitter comics featured two candidates each reckoning with their loss. First up was Strong Guy and Forge, illustrated by Mike Henderson. Despite the fact that Forge has used his mutant affinity with technology to develop all kinds of bio-organic resources for the new mutant nation-state on the living island of Krakoa, Strong Guy points out that they’re equal in defeat….
In 1967 the cult classic TV series, THE PRISONER, came bursting onto the screen. The series, about an unnamed British intelligence agent who awakes to find himself trapped in an idyllic seaside village, was not only an instant hit with viewers at the time, it went on to be watched and re-watched obsessively by fans, quickly gaining cult status.
While there have been several collectables released over the decades, THE PRISONER has never received a line of OFFICIALLY LICENSED ACTION FIGURES… and Wandering Planet Toys is working with our licensing partners at ITV Studios to bring to life 4-inch RETRO STYLE ACTION FIGURES that celebrate Patrick McGoohan’s brilliant series.
… Want to get information about these figures? Good, because by hook or by crook you will!
No discussion of THE PRISONER is complete without mention of the Village’s spherical guardian and menace, ROVER. In order to evoke the iconic moment of NUMBER 6 pushed up against the gelatinous side of the guardian, we’ve created a Limited Edition plastic packaging unit depicting our hero in the belly of the beast. This package is a resealable clamshell so the figure can be removed for display, then reinserted.
(11) SENATOR, YOU’RE NO JACK KENNEDY. But he makes a pretty good John Scalzi.
Mars is often referred to as the “Red Planet” because of the rusty, reddish-orange sandscape blanketing the planet. That comes into sharp focus in our first color photo snapped by the Mars Ingenuity helicopter.
That was taken about 17 feet above the ground. You can clearly see the sandy red-orange Martian surface. And if you look at the bottom of the image, you’ll clearly see Ingenuity’s shadow, with two of its spindly legs visibly jutting out from it’s rectangular body.
Those patterns in the ground that look like tracks are in fact… tracks left by the Perseverance rover, the remote-operated research vehicle that carried Ingenuity safely to Mars. Once it deposited its flying robot friend the Perseverance headed off to a new location, first to monitor the helicopter for a month and then to proceed with its other duties.
Here’s a closer look at those tracks….
(13) JOSH FIGHT. There can be only one… Josh! Wikipedia explains yesterday’s “Josh fight”. Which is sounds a little like a Pennsic Wars where all the combatants have the same first name.
Three ‘fights’ were held – one game of rock paper scissors for those named Josh Swain, a second with pool noodles for all attendees named Josh, and a third and final all-in battle for anyone in possession of a pool noodle willing to participate. Only two Josh Swains were in attendance – Josh Swain, the event’s creator, beat a rival Josh Swain from Omaha in the rock paper scissors event. A local four-year-old boy named Josh Vinson Jr., dubbed ‘Little Josh’, who had been treated at Children’s Hospital & Medical Center in Omaha for seizures when he was two years old, was declared the winner and crowned with a paper crown from Burger King as well as a replica AEW World Championship belt
But companies are trying to develop robots to take humans out of the equation – driverless robot cars, package delivery by drone. Doesn’t an animal analogy conceal what, in fact, is a significant threat?
There is a threat to people’s jobs. But that threat is not the robots – it is company decisions that are driven by a broader economic and political system of corporate capitalism. The animal analogy helps illustrate that we have some options. The different ways that we’ve harnessed animals’ skills in the past shows we could choose to design and use this technology as a supplement to human labour, instead of just trying to automate people away.
The first thing that Rita Leggett saw when she regained consciousness was a pair of piercing blue eyes peering curiously into hers. “I know you, don’t I?” she said. The man with the blue eyes replied, “Yes, you do.” But he didn’t say anything else, and for a while Leggett just wondered and stared. Then it came to her: “You’re my surgeon!”
It was November, 2010, and Leggett had just undergone neurosurgery at the Royal Melbourne Hospital. She recalled a surge of loneliness as she waited alone in a hotel room the night before the operation and the fear she felt when she entered the operating room. She’d worried about the surgeon cutting off her waist-length hair. What am I doing in here? she’d thought. But just before the anesthetic took hold, she recalled, she had said to herself, “I deserve this.”
Leggett was forty-nine years old and had suffered from epilepsy since she was born. During the operation, her surgeon, Andrew Morokoff, had placed an experimental device inside her skull, part of a brain-computer interface that, it was hoped, would be able to predict when she was about to have a seizure. The device, developed by a Seattle company called NeuroVista, had entered a trial stage known in medical research as “first in human.” A research team drawn from three prominent epilepsy centers based in Melbourne had selected fifteen patients to test the device. Leggett was Patient 14….
Even in his 70’s, Mel never lost those little voices. It amazes me how he could go from one to another so quickly and effortlessly.
[Thanks to Hampus Eckerman, John King Tarpinian, Mike Kennedy, JJ, Martin Morse Wooster, Andrew Porter, Cat Eldridge, John Hertz, and Michael Toman for some of these stories. Title credit goes to File 770 contributing editor of the day Jeff Smith.]
…When aggregate storytelling is done unofficially, we call it “transformative work,” of which fan fiction is a major part.
An especially intriguing example of modern-day aggregate storytelling — from both an official and unofficial standpoint — is the TV show Supernatural, about two monster-hunting brothers and the found-family they make along the way. The show has enjoyed a voracious fanbase, which kept the series alive for fifteen seasons and spawned thousands and thousands of fan works (as of this writing, there are 243,690 entries related to Supernatural on Archive of Our Own alone. This is to say nothing of Tumblr, Twitter, etc.).
Starting with the season four episode “The Monster at the End of this Book,” the show began engaging with fan reactions through self-referential stories. Sam and Dean literally read fan fiction about themselves on screen, and the characters used vernacular created by the Supernatural fanbase throughout.
The fans didn’t simply consume the story. They changed the way the story was told. It would be difficult to argue that the author(s) should be considered as good as dead in terms of critical consideration when the author(s) were still actively creating in tandem with the audience’s reception…
Escape Pod is pleased to announce a new special project for 2021: Black Future Month, a month-long celebration of Black voices in science fiction, guest edited by Brent Lambert of FIYAH Magazine. Episodes will air in the month of October and feature two original works of short fiction as well as two reprints.
NOTE: For this special event, we are only accepting submission from authors of the African diaspora and the African continent. This is an intersectional definition of Blackness, and we strongly encourage submissions from women, members of the LGBTQIA community, and members from other underrepresented communities within the African diaspora.
Pay rate, format, and content will follow Escape Pod’s regular guidelines, with two exceptions:
Manuscripts do not need to be anonymized for this submissions portal.
Stories must be between 1,500 – 5,000 words.
(3) SFF POSTAGE STAMPS COMING. The UK’s Royal Mail has announced that on March 16 the Legend of King Arthur stamps will be released. This set will be followed by an April 15 issue celebrating classic science fiction. As of today, no images from either set have been posted. Norvic Philatelics speculates what might be commemorated in the Classic Science Fiction set:
This issue consists of pairs of 1st class, £1.70 and £2.55 stamps – with the usual additions of a presentation pack first day cover, and postcards.
Some research reveals that this is the 75th anniversary of the death of the author H G Wells, and the 70th anniversary of the publication of John Wyndham’s The Day of the Triffids”, so it seems likely that one of Wells’ books will feature on one stamp and Wyndham’s will appear on another.
(4) GOODBYE, MR. CHIP. The trailer dropped for HBO Max’s Made for Love. It’s sf, right? At least for another few minutes.
The classic story of boy meets girl, boy implants high-tech surveillance chip in girl’s brain… Featuring Cristin Milioti, Ray Romano, Noma Dumezweni, and Billy Magnussen, Made for Love is coming to HBO Max this April.
…. Before I dive deep into Willis’s construction of parallel characters, I want to speak more generally about the potential for parallels — echoes — inside a book, when that book takes place in multiple timelines. Many books do take place in more than one timeline, of course, whether or not they involve time travel! And there’s so much you can do with that kind of structure. As you can imagine, life in Oxfordshire in 1348 is dramatically different from life in Oxford in 2054. But Willis weaves so many parallels into these two stories, big and small things, connecting them deftly, and showing us that some things never really change. I suppose the most obvious parallel in this particular book is the rise of disease. The less obvious is some of the fallout that follows the rise of disease, no matter the era: denial; fanaticism; racism and other prejudices; isolationism; depression and despair; depletion of supplies (yes, they are running out of toilet paper in 2054). She also sets these timelines in the same physical location, the Oxfords and Oxfordshires of 1348 and 2054 — the same towns, the same churches. Some of the physical objects from 1348 still exist in 2054. She sets both stories at Christmas, and we see that some of the traditions are the same. She also weaves the most beautiful web between timelines using bells, bellringers, and the significance of the sound of bells tolling.
Simply by creating two timelines, then establishing that some objects, structures, and activities are the same and that some human behaviors are the same across the timelines, she can go on and tell two divergent plots, yet create echoes between them. These echoes give the book an internal resonance….
Lisa and I have been getting increasingly antsy and wanting to get out of the house and go see things, but with no sign of a vaccine being available for us mere under-65s, we wanted something that would be away from other people and was close enough to be able to get back home the same day. So we decided to go see the site of the atomic test in our backyard….
I know it’s unlikely that anyone else will come visit this spot, but if somehow your travels take you across “The Loneliest Road,” you might consider a relatively short side trip to one of the few atomic bomb test sites you can visit on your own.
(7) FREE HWA ONLINE PANEL. The Horror Writers Association will present a free Zoom webinar, “Skeleton Hour 7: Writing Horror in a Post-Covid World” on Thursday, April 8, 2021 at 6 p.m. Pacific. Panelists will include: Richard Thomas (moderator), Sarah Langan, Usman T. Malik, Josh Malerman, A.C. Wise, and Lucy A. Snyder. Register here.
The Krakau found an Earth that has been overrun by the bestial survivors of a planetary plague. Still, better half a glass than an empty glass. The benevolent aliens retrieved suitable candidates from the raving hordes and applied suitable cognitive corrective measures. Lo and behold, humans were transformed from wandering monsters to trustworthy subordinates. Although perhaps not all that trustworthy. Humans are relegated to menial tasks.
Marion “Mops” Adamopoulos is in charge of Earth Mercenary Corps Ship Pufferfish’s Shipboard Hygiene and Sanitation team. Chief janitor, in other words. Not command crew. Except that an unexpected attack eliminates her Krakau commanders while most of Pufferfish’s humans revert into beasts. Mops has no choice but to take command of a ship neither she nor the remaining non-bestial humans know how to operate.
Tell, don’t show. Dump your information. Write in second person. Write in passive voice. Use adverbs. To heck with suspense. Rules mark what’s difficult, not what’s impossible. There’s a whole range of exciting storytelling possibilities beyond them. Not every story needs to be in second person, but when it’s the right voice for the right story, it can be magic. The right information dump, written perfectly, can become a dazzling gymnastic feat of beauty, fascination, or humor. “Break the Rules” will teach you inspirations and techniques for rowing upstream of common knowledge. You can break any rule–if you do it right.
Join award-winning speculative fiction writer Rachel Swirsky for a workshop in which she teaches you how and why to break the rules. Next class date: Sunday, April 4, 2021, 1:00-3:00 PM Pacific Time.
(10) MEDIA BIRTHDAY.
March 8, 1978 — The Hitch-Hiker’s Guide to the Galaxy was first broadcast forty-three years ago today on BBC Radio 4. It was written by Douglas Adams with some material in the first series provided by John Lloyd. It starred Simon Jones, Geoffrey McGivern, Mark Wing-Davey. Susan Sheridan and Stephen Moore. It was the only radio show ever to be nominated for a Hugo in the ‘Best Dramatic Presentation’ category finishing second that year to Superman at Seacon ‘79. It would spawn theater shows, novels, comic books, a TV series, a video game, and a feature film.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born March 8, 1859 — Kenneth Grahame. Author of The Wind in the Willows which it turns out has had seven film adaptations, not all under the name The Wind in the Willows. (Did you know A.A. Milne dramatized it for the stage as Toad of Toad Hall?) Oh, and he did write one other fantasy, The Reluctant Dragon which I’ve never heard of. Have any of y’all read it? (Died 1932.) (CE)
Born March 8, 1899 – Eric Linklater. The Wind on the Moon reached the Retro-Hugo ballot; it won the Carnegie Medal. Three more novels, nine shorter stories for us; two dozen novels all told, ten plays, three volumes of stories, two of poetry, three of memoirs, two dozen of essays & history. Served in both World Wars. Commander of the Most Excellent Order of the British Empire, Fellow of the Royal Society of Edinburgh. (Died 1974) [JH]
Born March 8, 1922 – John Burke. Co-edited The Satellite and Moonshine (not Len Moffatt’s fanzine, another one). A score of books including novelizations of Chitty Chitty Bang Bang and Those Magnificent Men in Their Flying Machines (okay, call it adjacent), fourscore shorter stories, for us; a hundred fifty novels all told. Correspondent of The Fantast, Zenith, and at the end Relapse, which I wish Sir Peter Weston hadn’t retitled from Prolapse, but what do I know? (Died 2011) [JH]
Born March 8, 1928 — Kate Wilhelm. Author of the Hugo–winning Where Late the Sweet Birds Sang. She also won a Hugo for Best Related Book and a Locus Award for Best Nonfiction for Storyteller: Writing Lessons and More from 27 Years of the Clarion Writers’ Workshop. SFWA renamed their Solstice Award the Kate Wilhelm Solstice Award. She established the Clarion Workshop with her husband Damon Knight and writer Robin Scott Wilson. (Died 2018,) (CE)
Born March 8, 1932 – Jim Webbert, age 89. Among our better auctioneers – we raise money that way, few would pay what con memberships really cost. Collector of books, other art, model rockets. HO model railroader. Chemist. Three decades in the Army Reserve, often teaching. Often seen at LepreCon. Fan Guest of Honor at TusCon 1, CopperCon 9, Con/Fusion, Kubla Khan 20 (all with wife Doreen). [JH]
Born March 8, 1934 — Kurt Mahr. One of the first writers of the Perry Rhodan series, considered the largest SF series of the world. He also edited a Perry Rhodan magazine, wrote Perry Rhodan chapbooks and yes, wrote many, many short stories about Perry Rhodan. He did write several other SF series. Ok, what’s the appeal of Perry Rhodan? He runs through SF as a genre but I’ve not read anything concerning him. (Died 1993.) (CE)
Born March 8, 1939 — Peter Nicholls. Writer and editor. Creator and co-editor of The Encyclopedia of Science Fiction with John Clute which won a Hugo twice. He won another Hugo for the Science Fiction Encyclopedia. His other publications were Science Fiction at Large, The Science in Science Fiction edited by Nicholls and written by him and David Langford, and Fantastic Cinema. He became the first Administrator of the United Kingdom based Science Fiction Foundation. He was editor of its journal, Foundation: The Review of Science Fiction, from 1974 to 1978. (Died 2018.) (CE)
Born March 8, 1973 – Daniel Griffo, age 48. Lives in La Plata (a Silver Age artist?), Argentina, with wife, son, and two pets named Indiana and Jones. I am not making this up. Comics, lettering, 3-dimensional activity books, My Visit to the Acupuncturist (I’m not; why shouldn’t there be a children’s book about that?), two about Dragon Masters – here’s one of them, Future of the Time Dragon. Website. [JH]
Born March 8, 1976 — Freddie Prinze Jr., 45. I’m fairly sure his first genre role was in Wing Commander as Lt. Christopher Blair followed by the animated Mass Effect: Paragon Lost in which he voiced Lieutenant James Vega. Speaking of animated endeavors, I’ve got him in Kim Possible: A Sitch In Time voicing Future Jim / Future Tim followed by being in all in all four seasons of the animated Star Wars Rebels as Kanan Jarrus. And that’s a series which I highly recommend as it may well be the best Star Wars fiction ever done. (CE)
Born March 8, 1978 – Samanta Schweblin, age 43. Another Argentine, this one living in Berlin, writing in Spanish. Two novels, two shorter stories for us; three collections. Casa de las Americas Award. Juan Rulfo Prize. Tigre Juan Award, Shirley Jackson Award for Distancia de rescate, in English Fever Dream. [JH]
(12) COMICS SECTION.
The Far Side reveals the tragic conclusion of a nursery rhyme.
(14) ON BOARD. [Item by Martin Morse Wooster.] In the March 3 Financial Times, gaming columnist Tom Faber looks at the appeal of board games during the pandemic.
For those who fancy themselves not Victorian engineers or colonial settlers but fantasy warriors and space explorers, games such as Twilight Imperium and Terraforming Mars hold more appeal. You can learn the rules of most within an hour or two, but there are some more elaborate offerings such as dungeon crawler Gloomhaven, which weighs 10kg and currently sits at the top of the ratings on the authoritative site BoardGameGeek. Games have grown in beauty as well as sophistication–see Wingspan, with its 180 gorgeous bird illustrations and pleasing tokens in the shape of pastel-shaded eggs.
As the games themselves have become more desirable, board game cafes such as Draughts in London and Snakes and Lattes in Toronto have sprung up and help legitimise board gaming, At the same time, the internet has facilitated the discovery of new games and willing opponents, as well as enabling the rising trend of board game crowdfunding–Frosthaven, the followup to Gloomhaven, raised almost $13m on Kickstarter.”
After having endured the horrors of Oklahoma and Kentucky, I’ve decided that I should announce my mask policy. I’m not a head of state or a governor, I’m just a guy, so there is no way to enforce my preferences on the world— except, of course, by way of sarcasm and mockery.
Just remember that I’m the guy that came up with several rules for living, including Williams’ First Law: Assholes Always Advertise.
So here goes:
While there is very little scientific data about how effective mask use is in preventing COVID, the wearing of masks in public is (at the very least) a courtesy to others, particularly those most vulnerable to the disease.
So if you’re in public and not wearing a mask, I’m not going to assume that you’re a brave iconoclastic thinker challenging accepted dogma, I’m going to assume that you are a complete asshole. And not only are you an asshole, you’re advertising yourself as such.
…On the positive side, I love the concept of the alien spaceship disintegrating as it enters the solar system. I’m frankly fascinated by the backstory of that, which sadly, in episode one at least, the series shows no signs of exploring, versus the “what does each piece of debris do this week” storytelling. I liked the way the program began, with the tiny shard of debris transporting an unfortunate maid from high up in a hotel to her death in the dining room, without marring any of the ceilings or floors she falls through. Grabbed my attention!
But there was very little about the alien technology or curiosity on anyone’s part about the aliens themselves or what destroyed the ship. No discussion about whether the debris is actually some kind of invasion or what might happen next. No one here seems to care if there was an FTL drive to be had. I frankly wished this was a series about going to explore what’s left of the hulk in space, rather than these cut and dried, solved in an hour individual cases….
(17) A LITTLE LIST. At the Hugo Book Club Blog, Olav Rokne has compiled a list of “Screen adaptations of Hugo-shortlisted works”. There are 47 so far. (The list excludes Retro Hugo awards as well as all Graphic Novels and comic book adaptations.)
The scrutiny also prompted some public libraries to review their Dr. Seuss collections.
A group of librarians across Toronto Public Library’s system will evaluate the titles in question and issue recommendations, according to a spokeswoman.
“Occasionally, children’s books written some time ago are brought to our attention for review,” Ana-Maria Critchley said in an email.
“If the review determines there are racial and cultural representation concerns the committee will recommend to either withdraw the book from our library collections or move the book from children’s collections to another location, such as a reference collection for use by researchers.”
The Vancouver Public Library is also launching reviews of each of the six Dr. Seuss titles.
Scott Fraser, manager of marketing and communications, said this process is usually initiated by a request from a patron, but the library made an exception given the “extremely unusual” decision by a rights holder to suspend publication.
Copies of the books will remain on the shelves while the review is underway, Fraser said, and officials will then decide whether to keep a title in the collection, change its classification or remove it from the stacks.
Vancouver Public Library previously reviewed “If I Ran the Zoo” in 2014 in response to a complaint about stereotypical depictions of Asians. A caption in the book describes three characters as “helpers who all wear their eyes at a slant.”
The library decided to keep the book on the shelves, but stop reading it at storytime, and only promote it as an example of how cultural depictions have changed….
…Prior to this discovery, Zhang and his research group had been pondering the possible existence of space hurricanes for years. The team’s research focus lies in the interactions between the ionosphere, an atmospheric layer that extends some 50 to 600 miles above Earth’s surface, and the magnetosphere, the region shaped by our planet’s protective magnetic field. At the poles, these interactions generate the magical and dazzling auroras that are popularly known as the Northern and Southern Lights.
Tropical hurricanes are driven in part by the movements of heavy air masses that generate strong winds; Zhang and his colleagues suspected a similar mechanism might be at work in the outer space environment close to Earth. In the case of space hurricanes, the solar wind, a stream of charged particles that flows from the Sun, slams into Earth’s upper atmosphere and transfers its energy into the ionosphere, driving the cyclone formation.
(20) VIDEO OF THE DAY. In “WandaVision Pitch Meeting” on ScreenRant, Ryan George explains that Marvel fans will be frustrated by the slow drip of revelations about how WandaVision connects to the MCU that they’ll become really frustrated by the phrase “Please Stand By.”
[Thanks to Andrew Porter, John Hertz, Martin Morse Wooster, Michael Toman, John King Tarpinian, Cat Eldridge, JJ, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day Brian Z.]
Being a Tolkien fan for so long, and someone who has been studying his works, one of my desires was to participate in one of the most important Tolkien fandom (and scholars) events created and organized by the Tolkien Society based in the UK. As I live far away, in Chile, and travelling is not cheap, I always thought that I would have to wait until being a granny (almost) to attend the event. But this year, despite covid bring us tragedy around the world, it also brought some great things. The Oxomoot had to be online, and allowed many more Tolkien fans and scholars from around the world, like me, to attend. This was the first Oxonmoot online ever, and it is estimated that it will be the only one for the others are expected to combine physical activities with online ones. The Oxonmoot has existed since 1974, a year later J. R. R. Tolkien left this world to reunite with Edith.
…I truly hope that next year I will be able to join again. It was such a great time and a beautiful opportunity to share the love for J.R.R. Tolkien, whose works join so many people and have given us hope and strength in the most difficult times, reminding us that not all is lost as we might think it is. Tolkien’s works have created a fellowship who unites readers from all over the world.
We’ve got panels from all over the world, a bunch of ceremonies, newly added workshops, even a GAME SHOW planned for your interactive viewing pleasure.
(3) INFINITE DIVERSITY EVOLVES. [Item by Olav Rokne.] At StarTrek.com, Carlos Miranda writes about the importance of diversity that reflects not only skin tone, but cultural signifiers. In a heartfelt article, “The Importance of Cristóbal Rios”, he praises Star Trek: Picard’s inclusion of not only a Latinx character, but one who speaks Spanish, and who is more nuanced than previous depictions.
I can’t quite describe the smile I had when we first heard Rios speak Spanish on camera — 9-year-old and 38-year-old me beamed enthusiastically. Rios curses (appropriately one might add) in Spanish, his ship is named La Sirena (Spanish for mermaid), one of his emergency holograms, Emmet, (the Emergency Tactical Hologram) also speaks and curses in Spanish, and he uses a classic Spanish nursery rhyme (one that most Spanish speakers would recognize, Arroz con Leche) to override La Sirena’s controls. This is a character whose cultural heritage and background is not simply window dressing, but in fact central to who they are as a person.
Polish SFT is a wonderful mix of science fiction and surrealism, fantasy and horror, cyberpunk and fairy tale. Since the 1960s, when Stanis?aw Lem, Witold Gombrowicz, and Stefan Grabi?ski were first translated and introduced to Anglophone audiences; to the present day, when Andrzej Sapkowski’s Witcher universe is available in English across various media; Polish SFT has shown us the richly imaginative worlds explored by the language’s most creative writers. Here you’ll find nanobot swarms on alien planets, occult practices, timeless villages, professional space travelers, clones, elves, ghost trains, and much more. So enjoy this month of Polish SFT and tell us your favorite stories/novels/collections/anthologies in the comments!
The Graphic Novels & Comics Round Table (GNCRT) of ALA and the Will and Ann Eisner Family Foundation are pleased to announce the opening of the 2021 Will Eisner Graphic Novel Grants for Libraries grant cycle. These grants recognizes libraries for their role in the growth of graphic literature and awards funds and resources for graphic novel collection development and programming.
Through these grants the GNCRT and the Will and Ann Eisner Family Foundation seek to continue to extend graphic novels into new realms by encouraging public awareness about the rise and importance of graphic literature and honoring the legacy and creative excellence of Will Eisner. For a career that spanned nearly eight decades — from the dawn of the comic book to the advent of digital comics — Will Eisner is recognized as the “Champion of the Graphic Novel.”
Three grants will be awarded: two recipients will receive the Will Eisner Graphic Novel Growth Grants which provides support to libraries that would like to expand their existing graphic novel collection, services and programs; and one recipient will receive the Will Eisner Graphic Novel Innovation Grant which provides support to a library for the initiation of a new graphic novel service or program. Recipients each receive a $4,000 programming and collection development grant plus a collection of Will Eisner’s works and biographies as well as a selection of the winners of the 2021 Will Eisner Comic Industry Awards at Comic-Con International. The grant also includes a travel stipend for a library representative to travel to the 2021 ALA Annual Conference in Chicago, IL to receive recognition from the Will and Ann Eisner Family Foundation. An applying librarian or their institution must be an ALA Member to be eligible and the grants are now open to libraries across North America, including Canada and Mexico….
…Recently I put out a request on social media for readers to suggest authors and works now obscure that deserve mention. To my surprise, someone suggested Arthur C. Clarke’s Tales from the White Hart.
…How on Earth could Tales from the White Hart be considered obscure? Well…for one thing, the author has been dead for over a decade. The collection is an astounding ten twenty thirty forty fiftysixty-three years old, which is to say it’s as ancient to a new SF reader in 2020 as H. G. Wells’ The Time Machine was for the new SF reader in 1957, when Tales first came out.
Tales from the White Hart is also an example of a genre once popular that seems to have fallen into comparative obscurity: the barroom tale….
…As some readers may recall, in my first report on reducing my biblio-clutter I mentioned having stored some books in a disused greenhouse. By “some books” you should be picturing two or three thousand. Now keeping any part of a library in a glass building designed to be tropically warm and moist is unquestionably a terrible idea. But I was tired of paying for an expensive storage unit in Kensington and this particular greenhouse allowed air to circulate freely and, really, it would all be okay, wouldn’t it?
Sigh. What would we poor deluded humans do without magical thinking?
(8) MEDIA ANNIVERSARY.
Forty years ago, Arthur C. Clarke’s The Fountains of Paradise won the Hugo Award for Best Novel at Noreascon Two. (It would also win the Nebula.) It was simultaneously published the previous year by Gollancz and Harcourt Brace Jovanovich. It would beat out John Varley‘s Titan, Frederik Pohl‘s Jem, Patricia A. McKillip‘s Harpist in the Wind and Thomas M. Disch‘s On Wings of Song. A space elevator is also constructed in the course of Clarke’s final novel, The Last Theorem, which was co-written with Frederik Pohl.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born October 1, 1914 – Donald A. Wollheim.One man deserves the credit, one man deserves the blame, and Donald Allen Wollheim, yes, Don Wollheim is his name! Hey! As Tom Lehrer said explaining the song I allude to, this is not intended as a slur on DAW’s character, but only given for prosodic reasons. DAW, earning praise and otherwise, even in the incident for which he was most blamed also did good. As a fan he among much else was a founder of FAPA and the Futurians, editor of The Phantagraph. As a pro he edited The Pocket Book of SF, first mass-marketed SF anthology; he was editor at Avon and Ace, eventually his own DAW Books, with a creditable yearly World’s Best SF 1971-1990. In publishing an unauthorized U.S. ed’n of The Lord of the Rings, which brought on an authorized one among much else, he has been called responsible for the fantasy boom. First Fandom Hall of Fame. Forry, Gallun, Solstice Awards. Pro Guest of Honor at Nolacon II the 46th Worldcon. I’ve always liked The Secret of the Martian Moons. (Died 1990) [JH]
Born October 1, 1922 – Terry Jeeves. Four short stories, including one in Tomorrow; famed mainly as a fan. Founding member of British SF Ass’n, two years editor of Vector. Three-part Checklist of “Astounding” for 1930-1959. Essays, letters, reviews, in Analog, Asimov’s, Banana Wings, Hyphen, Matrix, SF Commentary, Zenith. His own fanzine Erg. First Fandom Hall of Fame. Fine fanartist; Rotsler Award; see here. (Died 2011) [JH]
Born October 1, 1929 – Martha Beck. Hospitable mainstay and often hostess of All-Night Fandom. Active in the N3F (Nat’l Fantasy Fan Fed’n). Fan Guest of Honor at ChambanaCon 4, Genuine ConFusion, Archon 12, Windycon XVII. First Fandom Hall of Fame, as Associate Member. (Died 2002) [JH]
Born October 1, 1935 — Dame Julie Andrews, DBE, 85. The original Mary Poppins! I could stop there but I won’t. (Hee.) She had a scene cut in which she was a maid in The Return of the Pink Panther, and she’s uncredited as the singing voice of Ainsley Jarvis in The Pink Panther Strikes Again. Yet again she’s uncredited as in a Panther film, this time as chairwoman in Trail of the Pink Panther. (Andrews was married to Pink Panther producer Blake Edwards [d. 2010] which may explain the pattern.) She voices Queen Lillian in Shrek 2, Shrek the Third and Shrek Forever After. And she’s the voice of Karathen in Aquaman. (CE)
Born October 1, 1944 – Rick Katze, F.N., 76. (I’d tell you his name rhymes with Harry Bates, but have you read “Farewell to the Master”?) Diligent fan made a Fellow of NESFA (New England SF Ass’n; service award) decades ago. Discharged various thankless duties. Chaired three Boskones – oh, you say that’s no contradiction? Edited NESFA Press books including TheBest of Poul Anderson. A remark to me at Torcon 3 the 61st Worldcon was a model of discretion. [JH]
Born October 1, 1948 – Mike Ashley, 72. Co-editor of Fusion and Xeron, emerging as anthologist. History of the SF Magazine, originally with reprints, revised without them in four volumes 2000-2016 (through 1990). Thirty volumes so far in The Mammoth Book of — ; a dozen are SF. Half a dozen books on the Matter of Arthur. Several dozen others, some ours, recently Lost Mars (2018; “from the Golden Age of the Red Planet”; Univ. Chicago Press). Pilgrim Award. [JH]
Born October 1, 1953 — John Ridley, 67. Author of Those Who Walk in Darkness and What Fire Cannot Burn novels. Both excellent though high on the violence cringe scale. Writer on the Static Shock and Justice League series. Writer, The Authority : human on the inside graphic novel. And apparently there was the writer for Team Knight Rider, a female version of Knight Rider that lasted but one season in the Nineties. (CE)
Born October 1, 1960 — Elizabeth Dennehy, 60. She played Lt. Commander Shelby in “The Best of Both Worlds,” a two-part story on Star Trek: The Next Generation. It was her second genre role as she was Renata in Recall the previous year. She also showed up on Quantum Leap, Gattaca, Wishmaster 2: Evil Never Dies, Generation X, a spin-off of the X-Men franchise, Supernova and The Last Man on Planet Earth. (CE)
Born October 1, 1967 — Celine Kiernan, 53. She’s best known for her Moorehawke trilogy set in an alternate renaissance Europe, and she has written two books so far in her Wild Magic trilogy. She reads the first three chapters of her latest novel, Resonance, over at her blog. Being a gothic fiction, I’d say it’s appropriate for this time of year. (CE)
Born October 1, 1973 — Rachel Manija Brown, 47. Co-writer of the Change series with Sherwood Smith; Laura’s Wolf, first volume of the Werewolf Marines series. She wrote an essay entitled “The Golden Age of Fantasy Is Twelve: SF and the Young Adult Novel” which was published in Strange Horizons. The first two Change novels are available at the usual digital suspects. (CE)
Born October 1, 1976 – Angela Woolfe, 44. Seven novels. Also writes for The Guardian and Vogue. Knowing that in SF we can assume little about what we are to expect, she calls a title-role woman scientist Avril Crump whom we are thus not startled to see bald, pink, round, bumbling, lovable. Uses two other names, one for legendary movie stars appearing on a magical sofa with advice to the lovelorn. [JH]
Born October 1, 1979 — Holly Elissa, 41. A Canadian artist, actress, filmmaker and activist who, given that a lot of genre video is produced in Canada, not surprisingly shows up in one-offs on Outer Limits, Stargate SG-1 and Stargate Atlantis, Voyage of the Unicorn, Battlestar Galactica, Kyle X/Y, Eureka, Supernatural, Fringe, Flash Gordon, Colony, Van Helsing and Arrow. (CE)
Born October 1, 1989 — Brie Larson, 31. Captain Marvel in the Marvel film universe including of course the most excellent Captain Marvel film. She’s also been in Kong: Skull Island as Mason Weaver, and plays Kit in the Unicorn Store which she also directed and produced. Her first genre role was Rachael in the “Into the Fire” of the Touched by an Angel series; she also appeared as Krista Eisenburg in the “Slam” episode of Ghost Whisperer. I just wrote up a review of her Funko Rock Candy figure at Green Man Review. CE)
(11) SAY IT THIS WAY. [Item by rcade.] Podcast producer Jay Hamm writes on Twitter, “COMICS FANS, you’ve been pronouncing creators’ names wrong for far too long. I can’t take it anymore. Here’s a thread to put you right.”
Read the link to learn that Jeff Lemire rhymes with “fear” not “fire”, Mark Millar rhymes with “brr” not “bar”, Chip Zdarsky is “anything goes” and mysterious things are afoot in the name of Frank Quietly.
…Four astronauts — NASA’s Mike Hopkins, Victor Glover, and Shannon Walker, and Japan Aerospace Exploration Agency astronaut Soichi Noguchi — are set to climb aboard SpaceX’s Crew Dragon capsule on October 31, roar into space aboard a Falcon 9 rocket, then spend a six months aboard the International Space Station.
Their mission, called Crew-1, will be the first of six round-trip flights that NASA has contracted from SpaceX.
The company tested its human spaceflight capabilities this summer, when it launched NASA astronauts Bob Behnken and Doug Hurley on a test flight called Demo-2. That marked the first time humans had flown aboard a commercial spacecraft, and the first time the US had launched its own astronauts since the Space Shuttle program ended in 2011.
Behnken and Hurley named that capsule “Endeavour” after they launched. Now, following that longstanding tradition of naming spacecraft, the astronauts on the upcoming mission gave their new spaceship the name “Resilience” on Tuesday.
(13) SOMETHING BORROWED. [Item by Bill.] The Scroll recently linked to “Loose Ends”, a story made up from the last lines of SFF books. I just today ran across Final Cut: Ladies and Gentlemen, a feature length film made of clips from 400+ romantic films — but it includes a number of genre films. The very first scene, for example, is from Avatar.
If there’s any bright spot, it’s that October is an excellent month for new book releases — there are a lot of heavy hitters from the likes of Kim Stanley Robinson, Alix E. Harrow, V.E. Schwab, Rebecca Roanhorse, and many others. I’ve rounded up 24 of them that you should check out.
NASA’s first new space potty in decades — a $23 million titanium toilet better suited for women — is getting a not-so-dry run at the International Space Station before eventually flying to the moon.
It’s packed inside a cargo ship set to blast off late Thursday from Wallops Island, Virginia.
Barely 100 pounds (45 kilograms) and just 28 inches (71 centimeters) tall, it’s roughly half as big as the two Russian-built toilets at the space station. It’s more camper-size to fit into the NASA Orion capsules that will carry astronauts to the moon in a few years.
Station residents will test it out for a few months. If the shakedown goes well, the toilet will be open for regular business.
(16) SPAGHETTI ICE CREAM. Not really genre, just sounds weird.
You don’t need a fork to eat this plate of spaghetti. Just a spoon will do. And that’s because it’s not actually spaghetti. It’s Spaghettieis—vanilla ice cream noodles topped with strawberry sauce and white chocolate shavings. Dario Fontanella, the inventor of spaghetti ice cream, invites us into his dessert shop in Mannheim, Germany to sample this ice cold treat. Did we mention it’s served on a bed of whipped cream?
(17) VIDEO OF THE DAY. Think of ST:TNG reimagined as Data, “A wholesome 90s sitcom revolving around the beloved android crewmember of the starship Enterprise-D.”
[Thanks to Sultana Raza, Chris M. Barkley, John King Tarpinian, Lise Andreasen, Mike Kennedy, rcade, Bill, Jeffrey Smith, Martin Morse Wooster, JJ, Michael Toman, John Hertz, Cat Eldridge, Olav Rokne, and Andrew Porter for some of these stories. Title credt goes to File 770 contributing editor of the day Daniel Dern.]
(1) YOU HAVEN’T MISSED FUTURECON SF. View sessions from this past weekend’s FutureCon SF on their YouTube channel. For a list of the topics, check the schedule.
William Gibson once said that the future is already here, it’s just not evenly distributed. Geographical location and wealth could indeed limit access to considerable advances in technology. However, imagination is a more subtle power. It does not know borders or languages. From Beijing to Lagos, from Rio de Janeiro to Los Angeles, ideas are flourishing in the form of stories.
In the 21st century, a worldwide pandemic demands realists of a larger reality. So we reach out to you with our voices from all over the world through our devices. The time has come to draw attention to Science Fiction stories written all over the planet — stories made of different languages, colors, shapes, hopes, and beliefs.
The future happens everywhere. That’s why we are here.
(2) GOOD TO THE LAST DROP. “Miles grinned sleepily, puddled down in his uniform. ‘Welcome to the beginning.’” So starts Tom Comitta’s “Loose Ends”, a short story/study of sci-fi and fantasy novels published today in Wired magazine — a literary supercut made entirely out of last lines from 137 science fiction and fantasy novels.
Fragments of climactic and revelatory moments from classics and pulps line up into a sequence of vignettes that meditate on genre norms and the ideological undercurrents that support them. As with any of my supercuts, the goal is to examine patterns in how we produce fiction, while creating a new story in the process.
“Loose Ends” is a follow up to “First Impressions,” which was BOMB Magazine‘s most-read piece of 2018. While “First Impressions” explored the first sentences of hundreds of New Yorker stories, “Loose Ends” looks at how we conclude some of our greatest genre stories. Expect lots of long goodbyes, drinking, returning “home,” and turning away into the darkness.
(3) DOGGONE GOOD. [Item by Olav Rokne.] The kids fantasy TV show Wishbone, in which a Jack Russell terrier travels in time, is celebrating its quarter century this September. Christian Wallace and Cat Cardinas of the Texas Monthly took a deep dive into the series, its legacy and how it came to be in their article “Top Dog: An Oral History of ‘Wishbone’”.” It is a delightful (and surprisingly detailed) piece of reporting, filled with absolute gems such as: “If you could be friendly with the dog, you were a made man. Like mafia made.”
Texas has plenty to bark about when it comes to fictional canine heroes. There’s Old Yeller, the loyal Lab mix whose tragic end has made schoolchildren weep for six decades, and everyone’s favorite do-gooder Benji, whose antics have made him a box office smash. And of course there’s Hank the Cowdog, the self-styled head of ranch security who’s forever on patrol (when he’s not sleeping on his gunnysack) at his Panhandle spread in Ochiltree County. But only one pooch took children on adventures through classic works of literature: Wishbone.
Set in the fictional Texas town of Oakdale, Wishbone, which first aired on PBS in 1995, followed a plucky Jack Russell terrier as he daydreamed his way into literary masterpieces. …
(4) THE CAT’S MEOW. Cat Rambo’s latest Cat Chat is an interview with Russian speculative fiction writer Yaroslav Barsukov, the first installment of whose novella “Tower of Mist and Straw” appeared in the September issue of Metaphorosis Magazine.
Barsukov discusses the genesis of his novella, writer’s block, Russian speculative fiction and specifically Russian fantasy, as well as his hopes for the novella.
As you say, from fairly early in your career, you were able to produce publishable copy quickly and efficiently. During the mid-to-late ’50s, you were publishing close to a million words of SF annually, which is a stunning amount. A lot of your ’50s output was produced to order: you had contracts with several magazine editors that specified monthly wordage for a set fee. You’ve described much of your work during this period as “utilitarian prose […] churned out by the yard,” and you’ve written about how, when you attended the Milford Writers’ Conference in 1956, some older authors there upbraided you for essentially wasting your talents on slick product. Can you describe the sorts of pressures writers were under at the time, especially someone who, like you, was trying to make a career in SF, as opposed to simply moonlighting in the field, as so many others did?
Since I was particularly prolific and capable of meeting the demands of various markets from high to low, selling better than a story a week in those early years, I was under no particular economic pressure — right out of college, I was earning at the Heinlein and Asimov level. Except for Philip K. Dick and, for a time, Robert Sheckley, most of the other SF writers of the day were unable to produce any notable volume of material, and although the pay level of the magazines (book publication was not yet much of a factor) was quite good in terms of the purchasing power of the dollar in those days, one could not live comfortably selling one or two stories a month, as most of them did. Right out of college I had a handsome five-room apartment on one of Manhattan’s best residential streets, went to Europe in 1957, etc.
The older writers did not exactly “upbraid” me for my willingness to write quickie space opera, but they did tease me in a fairly affectionate way. The most useful criticism I got came from Lester del Rey, who pointed out that, although I was selling everything I wrote and making a good living at it, there was no long-term value in writing pulp stories that would never be reprinted in anthologies or story collections — all I would get would be the initial sale. I took that to heart and began concentrating on more ambitious stories for the better magazines. What neither Lester nor I nor anyone else foresaw was that in the age of the internet even those early pulp stories would be reprinted again and again and continue to bring in income, just as my stories for Astounding and Galaxy were doing. He was, though, fundamentally right, within the context of the times, that even if money was my primary concern, I would ultimately make more by aiming high rather than by churning out reams of “utilitarian” prose.
Supergirl‘s tenure as the resident defender of National City is reaching an unexpectedly early conclusion. The upcoming sixth season of The CW’s superhero series will be its last, TVLine has learned….
Supergirl‘s freshman run, which premiered in October 2015 on CBS, averaged 7.7 million total viewers and a 1.7 demo rating (in Live+Same Day numbers). Upon being relocated for Season 2, it slipped to a CW-typical 2.4 mil/0.7. With its most recent, fifth season, the Arrowverse series averaged 840,000 total viewers and a 0.22 demo rating, down a good (but not) 30 percent from Season 4.
(7) MEDIA ANNIVERSARY.
September 1997 — Kurt Vonnegut Jr.’s Timequake was first published by Putnam. This semi-autobiographical novel is definitely genre. It would not be on the Hugo ballot as his win for Best Dramatic Presentation for Slaughterhouse Five at TorCon twenty-four years earlier was his last appearance on the Hugo ballot, and his only Hugo. This novel didn’t impress the genre award nominators, only getting a preliminary nomination for the August Derleth Fantasy Award for Best Novel. It would be his final novel as another one was not forthcoming in the last decade of his life.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born September 22, 1917 — Samuel A. Peeples. Memory Alpha says he’s the person that gave Roddenberry the catch phrase he used to sell Star Trek to the network: “[As] fellow writer Harlan Ellison has credited him with the creation of one of the most famous catch phrases in Star Trek-lore, ‘[Gene Roddenberry] got “Wagon Train to the stars” from Sam Peeples. That’s what Gene said to me. They were at dinner and Sam Peeples, of course, was a fount of ideas, and Gene said something or other about wanting to do a space show and Sam said, “Yeah? Why don’t you do Wagon Train to the stars?”’” (Died 1997.) (CE)
Born September 22, 1921 – Will Elder. Comic Book Hall of Fame, 2003. Harvey Awards Hall of Fame, 2019. May have been a mad satirist; was certainly a Mad satirist. His first, “Ganefs!”, which I got in Son of Mad, with the 1959 cover, at a used-book shop, already had his characteristic line (though he grew famous for imitating others’) and gags. Of course I’d like to learn just what connection led him to the propeller beanie he put on “Woman Wonder!”. He and Harvey Kurtzman after leaving Mad drew Little Annie Fanny for Playboy; either they’d read Candy, or were phlebotomists enough to find the vein. (Died 2008) [JH]
Born September 22, 1925 – Aurel Buiculescu, 95. Fifty-five covers for Science Fiction Stories (in Romanian). Here is No. 88. Here is No. 124. Here is No. 337. Here is No. 408. Here is No. 464. Also I found this cover for Yefremov’s Andromeda Nebula (in Hungarian). [JH]
Born September 22, 1947 – Jo Beverley. One novel, half a dozen shorter stories for us. Better known for historical and modern romances: forty novels, a dozen shorter stories there; five RITAs; two Career Achievement Awards from Romantic Times; Golden Leaf; Readers’ Choice Award; only Canadian romance writer in the Romance Writers of America Hall of Fame. Website. (Died 2016) [JH]
Born September 22, 1952 – Paul Kincaid, 68. Reviews in fanzines; in Vector, variously Features Editor, Reviews Editor, Editor; reviews in Foundation, Interzone, NY Rev of SF, SF Site, Strange Horizons; also Literary Review, New Scientist, Times Literary Supplement. Co-edited three issues (with Bruce Gillespie, Maureen Kincaid Speller) of Steam Engine Time. Wrote A Very British Genre and What Is It We Do When We Read SF. Twenty years chairman of Clarke Award; co-edited (with Andrew Butler) the 2006 Clarke Award anthology; received Clareson Award. Website. [JH]
Born September 22, 1954 — Shari Belafonte, 66. Daughter of Harry Belafonte, I first spotted her on Beyond Reality, a Canadian series that showed up when I was living in upstate Vermont. You most likely saw her as Elizabeth Trent in Babylon 5: Thirdspace as that’s her most well-known genre performance. (CE)
Born September 22, 1968 — Eve Gil, 52. Eight novels (one for us), a few shorter stories. Premio La Gran Novela Sonorense, Premio Nacional de Periodismo Fernando Benítez, Concurso de Libro Sonorense (three times), Premio Nacional Efrain Huerta. Her SF novel Requiem for a Broken Doll has been excerpted in English. [JH]
Born September 22, 1971 — Elizabeth Bear, 49. Her first series was a superb trilogy, which might be considered cyberpunk, centered on a character named Jenny Casey. She’s a very prolific writer; I’m fond of her Promethean Age, New Amsterdam and Karen Memory series. She won a Astounding Award for Best New Writer, a Hugo Award for Best Short Story for “Tideline”, and a Hugo for Best Novelette for “Shoggoths in Bloom”. One of only five writers to win multiple Hugo Awards for fiction after winning the Astounding Award! Very impressive indeed! It is worth noting that she was one of the regular panelists on now sadly defunct podcast SF Squeecast, which won the 2012 and 2013 Hugo Awards for “Best Fancast”. (CE)
Born September 22, 1981 — Maria Ashley Eckstein, 39. She’s voice of Ahsoka Tano on Star Wars: The Clone Wars, Star Wars Rebels, and Star Wars Forces of Destiny. She even has a voice only cameo as Ashoka in Star Wars: The Rise of Skywalker. (CE)
Born September 22, 1982 — Billie Piper, 38. Best remembered as the companion of the Ninth and Tenth Doctors, she also played Lily Frankenstein in the TV series Penny Dreadful. She also played Veronica Beatrice “Sally” Lockhart in the BBC adaptation of Philip Pullman’s The Ruby in the Smoke and The Shadow in The North.(CE)
Born September 22, 1984 – Mo Francisco, 36. Four short stories for us in Alternative Alamat (Tagalog, “fable”), Philippine Speculative Fiction; half a dozen others. “Always very perky and friendly, but that could be just the caffeine.” [JH]
Born September 22, 1985 — Tatiana Maslany, 35. Best known for her superb versatility in playing more than a dozen different clones in the TV series Orphan Black which won win a Hugo for Dramatic Presentation (Short Form), for its “By Means Which Have Never Yet Been Tried“ episode, She received a Best Actress Emmy and more than two dozen other nominations and awards. She’ll be playing She-Hulk in an upcoming Marvel series. (CE)
If there is one, teeny tiny upside for Rhianna Pratchett in the fact that her father is no longer around, it’s that she doesn’t have to hear what he thinks about her first novel.
“Obviously, it goes without saying that I wish he was still here,” says Rhianna. Her father, Discworld author Terry Pratchett, died in 2015. “But the tiniest silver lining is that he would have had lots of opinions about what I was doing right and wrong, and I think it would have been probably even more nerve-racking to have him read it.”
Out next week, Crystal of Storms is the latest instalment in the rebooted Fighting Fantasy books, the popular 80s and 90s adventure game series in which the reader plays the hero, battles monsters armed only with a pencil and a dice, and makes choices (fight the beast or run away; take the left fork or the right) in an attempt to survive their quest unscathed. Twenty-million copies of the game books have sold around the world since the first was published in 1982.
7. Saruman: Can Influence The Weather And Conjure Storms
During an intense scene of Fellowship, Saruman is seen conjuring an ominous snowstorm to stop the heroes from passing through Caradhras. This quickly turns into a death storm that threatens to bury the Fellowship. And the fact that Gandalf’s efforts to counter it comes up empty would seem to show Saruman has the upper hand when it comes to influencing the weather.
Aside from Saruman’s ability to birth an army of super-Orcs with his industrial machine, he also proves to be quite a “force of nature” too.
Come and meet one of our Dinosaur Puppets and a Puppeteer from the Museum’s Performing Arts team in this virtual performance. They will share how they work together with paleontologists to help bring science to “life” through puppetry!
… The CDC [Centers for Disease Control and Prevention] also offers advice for mask-wearing.
“A costume mask … is not a substitute for a cloth mask,” reads the CDC guidance. “A costume mask should not be used unless it is made of two or more layers of breathable fabric that covers the mouth and nose and doesn’t leave gaps around the face.”
The CDC says that people should not wear a costume mask over a protective cloth mask, because the costume mask may make it hard to breathe.
… To capture the thrill of trick-or-treating while still staying safe, the CDC recommends having a “scavenger-hunt style trick-or-treat search with your household members” instead of going from house to house.
Some trick-or-treating options can be done outdoors while still maintaining social distance. According to the CDC, a “moderate risk” option is participating in one-way trick-or-treating neighborhood event where individually wrapped goodie bags are lined up at the edge of driveways or yards for kids to grab and go while maintaining a safe distance, and all going in the same direction. If you do choose this option and prepare goodie bags, make sure to wash your hands with soap and warm water for at least 20 seconds before and after preparing.
The novel and film Jurassic Park are based on the idea that DNA preserved in amber resin could provide the key for bringing dinosaurs back to life. Luckily, for avocados, making sure the world’s favorite toast topping doesn’t go extinct could be significantly easier.
Recent research out of Australia’s University of Queensland has demonstrated that avocado shoots can be cryogenically frozen for use by future generations. “The aim is to preserve important avocado cultivars and key genetic traits from possible destruction by threats like bushfires, pests and disease such as laurel wilt—a fungus which has the capacity to wipe out all the avocado germplasm in Florida,” PhD student Chris O’Brien stated. “Liquid nitrogen does not require any electricity to maintain its temperature, so by successfully freeze avocado germplasm, it’s an effective way of preserving clonal plant material for an indefinite period.”
…Neena Mitter, a professor at the University of Queensland’s Centre for Horticultural Science who has been working with O’Brien, was willing to take things one giant leap further. “I suppose you could say they are space-age avocados—ready to be cryo-frozen and shipped to Mars when human flight becomes possible,” she added. “But it is really about protecting the world’s avocado supplies here on earth and ensuring we meet the demand of current and future generations for their smashed ‘avo’ on toast.”
[Thanks to John King Tarpinian, Olav Rokne, Andrew Porter, Kathy Sullivan, JJ, Mike Kennedy, Tom Comitta, Martin Morse Wooster, Michael Toman, John Hertz, Chris Barkley, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day OGH.]
Instead, two years’ worth of awards will be presented at DisCon III, the 2021 Worldcon in Washington, D.C. Instructions for submitting for consideration works published in the eligibility years of 2019 or 2020 can be found here.
“It’s disappointing that global circumstances have forced us to delay our awards selection process this year, but that is just the timeline that we’re in,” Sidewise Award founder Steven H Silver said. “We considered cancelling this year’s award, but determined that the best course of action was to delay the awards so that we could ensure that great works continue to be recognized.”
The award takes its name from Murray Leinster’s 1934 short story “Sidewise in Time,” in which a strange storm causes portions of Earth to swap places with their analogs from other timelines. To be considered, a work must have either first English-language publication or first American publication in the calendar year prior to the year in which the award is to be presented. Two awards are usually presented each year, one for works of fewer than 60,000 words and one for works in excess of 60,000 words.
“Next year will mark the 25th anniversary of the first Sidewise Awards, which were presented at the 1996 Worldcon in Los Angeles,” Silver said. “We look forward to celebrating the award’s silver anniversary next year and anticipate finding excellent examples of alternate history literature in the future.”
The organization also announced a new member of the awards jury. Canadian fan and blogger Olav Rokne will join the current panel of Karen Hellekson, Matt Mitrovich, Jim Rittenhouse, Kurt Sidaway, and Steven H Silver.
“For more than 20 years, I’ve been reading books and stories when they appear on the Sidewise shortlist. This award was my road map to alternate history fandom,” Rokne said. “It is an honor to be asked to serve on this awards jury, and to help make the great works of alternate history better known to the world.”
Works published in 2019 and 2020 should be sent to all of the judges (non-DRM e-copies in MOBI, EPUB, and PDF may be sent to Steven H Silver at email@example.com for distribution to all the judges). Addresses for shipping physical books can be found at here. The judges read throughout the year and ask that copies be sent as early as possible.
(1) MARVEL’S VOICES EXPANDS. This November, Marvel celebrates Indigenous history with a landmark special, Marvel’s Voices: Indigenous Voices #1, written and drawn by some of the industry’s most renowned Indigenous talent along with talents making their Marvel Comics debut.
Celebrated writer and artist Jeffrey Veregge, who just wrapped up his exhibition Jeffrey Veregge: Of Gods and Heroes at the Smithsonian’s National Museum of the American Indian, is leading this book alongside a team of acclaimed creators to explore the legacy and experiences of Marvel’s incredible cast of Indigenous characters.
Hugo, Nebula, and Locus-award winning Black/Ohkay Owingeh writer Rebecca Roanhorse and Tongva artist Weshoyot Alvitre tell an Echotale like none before as she is set to play a critical role in Marvel Comics. Geoscientist and Lipan Apache writer Darcie Little Badger joins acclaimed Whitefish Lake First Nation artist Kyle Charles for a Dani Moonstarstory where she will face the crucial question of what her Indigenous heritage means in the new era of mutantkind. And Bram Stoker-winning horror writer Stephen Graham Jones of the Blackfeet Nation teams up with Qalipu Mi’kmaq First Nation artist David Cutler to revisit one of the darkest spots of X-Men history!
(2) BRIAN KEENE SPOTLIGHTS HAYWARD ALLEGATIONS. Soon after Brian Keene posted “Behind Closed Doors” supplementing his podcast’s report of multiple allegations of sexual misconduct within the industry, he and Mary SanGiovanni were alerted to yet another situation involving allegations that author Matt Hayward sent inappropriate communications to several women.
…We believe the women. We believe writer and book reviewer Cassie ‘Lets Get Galactic’, who has stepped forward. And we believe those who have not stepped forward.
We have known Matt for several years. He and his wife Anna have been guests in our home. Anna’s publishing company, Poltergeist Press, has published books by both of us. We consider them dear friends.
Approximately one year ago, Matt sent a series of inappropriate messages to Mary. Matt has acknowledged this and apologized for it. Mary accepted the apology because Matt was inebriated when the messages were sent, and he was going through a rough time emotionally, having just experienced the death of his best friend. Brian followed Mary’s lead, and in the time since, Mary has received no further inappropriate messages from Matt. Cassie’s account tells a similar story, as do the accounts of those women who have not shared their experience publicly. There is a pattern of behavior.
Again, we believe the women. And we apologize for the hurt that someone we are close to has caused you….
Since that time, several of us have spoke with Anna Mulbach, wife of Matt Hayward. She wishes to continue publishing Russian language translations. The financial stability of that line impacts the livelihood of many Russian citizens, including translators and investors. The success the line has had so far is a testimony to Anna. I wish to encourage that. Further, the fact that this successful foreign-language publisher is run and operated by a woman is something else I wish to encourage, because it’s something our industry desperately needs more of.
Anna has assured me that Matt will not be involved in any aspect of the Russian-language operation, including production or design.
With all that in mind, I have decided to continue working with Anna for Russian-language translations….
…After that was announced. Rights for Dissonant Harmonies were reverted, and Bev Vincent and I sold it elsewhere. Geoff Cooper wanted some time to consider the reversion clause for Shades, since he is not plugged in to the business and wanted to talk to people and determine the facts before signing it. Then Anna Hayward of Poltergeist press announced that she was shutting down the company.
A few weeks later, Anna contacted several of us and indicated that she would like to keep the Russian language imprint open. It was her company — not Matt’s. She assured us that Matt would not be involved in any way with the production.
And so Jeff Strand, myself, and Mary SanGiovanni released a third statement last month, which can be read here.
This will be my final statement, because quite frankly, I am sick of talking about this.
This statement is my own. I do not speak for Mary SanGiovanni (whose own final statement can be read here). I do not speak for Robert Ford, Bev Vincent, Jeff Strand, Wrath James White, Edward Lee, John Boden, Wesley Southard, Tim Meyer, Ronald Kelly or anyone else who has been impacted by this clusterfuck.
This statement will include foul language. It will include my personal opinions.
My personal opinions follow:
1. I support the victims. I have always supported the victims. Anyone who has listened to The Horror Show for the last 6 years knows that I support the victims. Anybody who has been following my career since 1996 knows that I support the victims. I was the first person to report on the then-whispered allegations involving Ed Kramer. I had my then budding-career threatened for doing so. I gave zero fucks then and I give zero fucks now. I will always support the victims. I myself am a victim, and several of the people most important in my life have been victims.
If you do not believe that I support the victims, then I respect your decision. Stop buying my books and listening to my podcasts.
2. I support and believe the victims in this case. I have seen people intimating online that the most vocal victim, Cassie, “made this all up” and others saying that she and the other victims “just want their 15 minutes of fame”. I don’t believe that. But I’ll tell you what, motherfuckers…lets buy into your conspiracy theory for a minute. Let’s say Cassie made it all up for 15 minutes of fame.
Mary SanGiovanni didn’t make it up. I know. I’ve seen the evidence. And Mary’s got an accomplished 20-year career. She doesn’t need fifteen minutes of fame. I believe Mary SanGiovanni. I believe Cassie. And I believe the other women who came forward.
If my belief in these women bothers you, then I respect your decision. Stop buying my books and listening to my podcasts.
(And to the fat fuck who looks like a dropout from Juggalo college and keeps repeating this “15 minutes of fame” bullshit, I’m not going to name you here, because you don’t deserve even a second of fame)….
Halloween is inevitably going to look a bit different this year with a number of highly-anticipated events canceled already, including Universal Studios’ Halloween Horror Nights, the Queen Mary’s Dark Harbor, and Oogie Boogie Bash at Disney California Adventure.
But fear not, the spooky holiday traditions will still be upheld in Costa Mesa thanks to this drive-through haunted house experience. Urban Legends of Southern California will conjure up all SoCal’s most terrifying urban legends, cursed souls and monsters that have haunted residents for generations. Whether it’s the mysterious winds that howl through the streets or the unnatural presences that make your hairs stand up, familiar stories will be brought to life through a series thrills.
Once you’ve purchased your ticket, you’ll arrive in your vehicle at your allocated timeslot. From there, you’ll be guided through a journey of immersive scenes, dazzling special effects, and live performances. It’s bound to get your pulse racing as you scramble to lock your car door. You won’t have to worry about monsters getting to close though, they’ll be wearing masks and social-distancing at all times…
…See, for example, discussions about where to place The Fifth Season and Gideon the Ninth. Both works have elements generally associated with science fiction, as well as elements traditionally associated with fantasy. Hard classification will fail because the assumption that things are only one thing at a time is wrong. Utterly wrong.
[sarcasm] I am certain that having explained this so clearly, there will never be another argument on such matters. [/sarcasm]
(5) DYSTOPIAN LIFE IMITATES DYSTOPIAN ART. [Item by Olav Rokne.] In 2019, UK high school student Jessica Johnson won the Orwell Youth Prize for writing a short story depicting computer systems that undermine lower-income students by adjusting grades downwards. This spring, in response to COVID-shortened school years, the government of the UK implemented a computer system that “projected” students’ grades forward based on assumptions on how they were doing — and it adjusted the grades of low-income students downwards. Jessica Johnson was one of the students adversely affected by the computer error. “Student who wrote story about biased algorithm has results downgraded” in The Guardian.
She says: “I based [the story] on the educational inequality I already saw. I just exaggerated that inequality and added the algorithm. But I really didn’t think it would come true as quick as it did!”
DAVID GREENE, HOST: George Orwell’s “Animal Farm” turns 75 this week. The book is now considered a classic, but NPR’s Petra Mayer reminds us that it almost wasn’t published at all.
…MAYER: Orwell biographer D.J. Taylor says the 6-year-old nephew of one of Orwell’s friends read it…
D J TAYLOR: …And reported back via his uncle that he loved it because it didn’t contain any difficult words.
MAYER: But “Animal Farm” is a dark, upsetting book. The pigs take over, and bit by bit, they grow more cruel and murderous, masking each new outrage in revolutionary rhetoric. By the end, drinking liquor, snapping whips and gambling with the neighborhood farmers, they’re indistinguishable from the humans they originally overthrew.
Broadly, “Animal Farm” is a fable about tyranny, but specifically, it’s a satire on the Soviet revolution and how it led to Joseph Stalin’s reign of terror. So why tell such a painful story in such a childish manner? D.J. Taylor says that Orwell was influenced by “Gulliver’s Travels” and French fables. But also, at the time he was writing “Animal Farm,” he and his first wife, Eileen, were adopting a child. So not only did he have kids on his mind…
TAYLOR: The era in which he wrote for the 10 years previous, cinema screens had been full of cartoon animals. You know, it was the great age of the Disney cartoon.
MAYER: It was, in fact, turned into a cartoon a few years after he died, but it almost wasn’t a book at all. Orwell was shopping “Animal Farm” to publishers in 1944 when the Allied victory in World War II was far from assured. Again, D.J. Taylor.
TAYLOR: So this is effectively a satire of Stalin, who was then – even America regarded as avuncular Uncle Joe, you know, our great ally in the fight against Nazism.
MAYER: No one wanted to take a potshot at Uncle Joe. It took more than a year and multiple publishers, but “Animal Farm” finally came out in the U.K. in 1945, and it was a massive hit. Its success enabled Orwell to write his masterwork, “1984.” When people use the adjective Orwellian today, they’re almost invariably talking about “1984.”
Brad Listi: That’s interesting. It’s interesting to think of it that way. I feel like when we go to read something, we’re trying to feel something, or hoping to at least. And if somebody can scare the shit out of you, that’s a feeling.
Stephen Graham Jones: It is. Horror can change your behavior. It can make you turn off the lights in your house in a different sequence at eleven o’clock at night. It can make you edge along the wall to get to your bed instead of just walking brazenly across the middle of your bedroom floor. I love that horror puts you on a string like that. It turns into a puppet, a puppet not necessarily of the the writer, but a puppet of your own terror and your own dread. I think that’s beautiful.
(8) MEDIA BIRTHDAY.
August 19, 2007 — Highlander: The Source premiered. The final film of the story that spanned both the film and television series, it saw the return of Adrian Paul reprising his character of Duncan MacLeod from Highlander: The Series and the fourth film, Highlander: Endgame. He also produced along with Peter S. Davis and William N. Panzer while Brett Leonard directed. The screenplay was Mark Bradley and Steven Kelvin Watkins from the story by the former. Reception was universally negative if not downright hostile with it being the first film in the series not to get a widescreen distribution. SciFi Channel instead aired it. Audience reviewers at Rotten Tomatoes currently give it a richly deserved 19% rating. (CE)
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born August 19, 1894 – H.W. Wesso. After covers for Amazing, painted every Astounding cover under W. Clayton (Jan 30 – Mar 33; H. Bates ed.), then more, also Astonishing, Marvel, Strange Tales, Thrilling, five dozen in all; eight hundred interiors. Here is the Jan 30 Amazing. Here is the Jan 38 Astounding. Here is an interior from a 1930s Astounding; I haven’t found the date more exactly, can you? Here is an interior from the Jan 41 Thrilling. Again I recommend Di Fate’s Infinite Worlds. (Died 1948) [JH]
Born August 19, 1921 — Gene Roddenberry. Oh, you know who he is. But did you know he wrote a lot of scripts for Have Gun – Will Travel? Indeed, his script for the show, “Helen of Abajinian” would win the Writer’s Guild of America award for Best Teleplay in 1958. (Died 1991.) (CE)
Born August 19, 1930 — D.G. Compton, 90. SWFA Author Emeritus whose The Steel Crocodile was nominated for the Nebula Award. The Unsleeping Eye, The Continuous Katherine Mortenhoe in the U.K., was filmed as Death Watch which the Audience Reviewers at Rotten Tomatoes actually like giving it a 60% rating. His two Alec Jordan near-future police stories are superb. Nearly everything he wrote of a genre nature is available from the usual digital suspects save Hot Wireless Sets, Aspirin Tablets, the Sandpaper Sides of Used Matchboxes, and Something That Might Have Been Castor Oil. (CE)
Born August 19, 1938 — Richard N. Farmer. Author of Islandia Revisited, a sequel to Austin Tappan Wright’s Islandia. No idea it was if authorized but I’m betting it wasn’t as it’s not in print in either print or digital editions currently. (Died 1987.) (CE)
Born August 19, 1938 –Diana Muldaur, 81. Student of Stella Adler. First woman President of the Acad. Television Arts & Sciences. Two Star Trek appearances (original series), later Katherine Pulaski, M.D., in The Next Generation. Voiced another physician in animated Batman (1992-1994). One appearance in The Hulk (1979). Don’t blame CE for omitting her, these things are hard. [JH]
Born August 18, 1945 – Roseanne di Fate. Teacher, mostly of nursery school, another hard thing; last position at Vassar, my grandmother’s college. Andrew Porter did a biography of R & Vincent in Algol 21 (Tim Kirk artwork! Bester interview of Heinlein! Benford on knowledge! Brunner on the art & craft of SF! Lupoff book reviews!). OGH’s appreciation here. (Died 2014) [JH]
Born August 19, 1947 – Dwain Kaiser. Active fan in Las Vegas and Los Angeles. Used-book shop owner; had several, all called Magic Door; at his death he was operating his fourth, in Pomona (L.A area). Founded a Las Vegas SF Society, thus repaying Arnie Katz, one of whose fanzines (with Lenny Bailes) let DK know there was such a thing as fandom. Published many zines and took part in apas. OGH’s appreciation here; you will want to know more, but this is the best I can do for now. (Died 2017) [JH]
Born August 19, 1950 — Jill St. John, 70. She’s best remembered as Tiffany Case, the Bond girl in Diamonds Are Forever. She was the first American to play a Bond girl. She shows in The Batman in “Smack in the Middle” and “Hi Diddle Riddle” as Molly. And she played Jennifer Holmes in the 1960 film version of The Lost World. (CE)
Born August 19, 1952 — Jonathan Frakes, 68. Best known for his portrayal of Commander William T. Riker in Next Gen though I’m fond of his voicing David Xanatos on the Gargoyles series which had at least five Trek actors doing voice work. Interesting bit of trivia: For a time in the Seventies, he worked for Marvel Comics at cons as Captain America. He has directed more than 70 television episodes, including episodes of five Trek series, Marvel’s Agents of S.H.I.E.L.D., The Librarians and The Orville. (CE)
Born August 19, 1961 – Randy Smith, 59. Wrote up the Hugo Awards Ceremony for the ConJosé Souvenir Book (60th Worldcon). Long helpful in the San Francisco area, currently a director of SFSFC (San Francisco SF Cons, the non-profit that hosted the 51st, 60th, 76th Worldcons; Westercon 53, 64, 66; and like that) and now tired but not exhausted having chaired its liaison committee for the 78th Worldcon we just virtually had. Relations with John Blaker a model of ecumenism (which, should they read this, they will blushingly try to disclaim). [JH]
Born August 19, 1988 – Veronica Roth, 32. Six novels, a dozen shorter stories. Divergent a NY Times Best Seller; it and first sequel sold five million copies before film version of Divergent released. Her gaze upon the world, says John Clute, is cuttingly sharp; she is said to be reading the Bible; “cuttingly sharp” could be said of Isaiah, though he did not give us dystopias; beyond that is beyond my pay grade. [JH]
(10) COMICS SECTION.
Ziggy shows that wile you can fool some of the people all of the time, you can’t fool the bird.
(11) FOLLOW THE MONEY. In “The Big Idea: Thomas Levenson” at Whatever, the author of Money for Nothing tells about the famous figure who unexpectedly had to learn the hard way that what goes up must come down.
…Then it happened again. Deep into that story, I came across this: a stray mention that [Isaac] Newton had lost £20,000–roughly four million dollars in 21st century money–in a financial scam that happened exactly three centuries ago this year, an event called the South Sea Bubble. Afterwards, he told his niece that he could “calculate the motion of heavenly bodies but not the madness of the people.”
That’s where Money for Nothing got its start: wondering why the smartest man of his day, someone who could surely do the math to expose the flaw in the South Sea scheme, got it so badly and expensively wrong. The book that’s finally here has traveled from that starting point to a much bigger and (I hope) more fascinating narrative: how the wild ferment in ideas and ambitions in Britain in the late seventeenth century that we now call the scientific revolution created a culture of number and measurement that mattered in the daily life of those who lived through it. From there, and how, as the Bubble played out, that disaster produced something very new: the modern financial capitalism that still plays out in all our lives, with all its wealth and woe….
(12) GREAT MINDS THINK ALIKE.
Back in the Seventies there was a San Diego fan who had his van painted as the Enterprise’s shuttlecraft. The guy went by the name of “James T. Kirk” which I guarantee you doesn’t make it any easier for me to search for a photo.
…The Oort cloud is the most distant region in the solar system, residing much farther than the outer planets and the Kuiper Belt. Unlike the Kuiper Belt, which is shaped like a donut, the Oort cloud is a massive and thick spherical shell that envelopes the entire solar system. The inner Oort cloud starts at around 1,000 AU from the Sun (in which 1 AU is the average distance from Earth to the Sun), while its outer edge stops at around 100,000 AU.
This region of space is filled with billions, possibly trillions, of rocky and icy objects left over from the formation of the solar system. According to the new paper, the overabundance of material presumed to exist in the outer Oort cloud is the result of our Sun’s early stint as a binary system.
To date, computers trying to simulate the formation of the solar system have failed to reproduce the proportion of objects seen in the outer realms of the Oort cloud and the scattered disc—a specific population of trans-Neptunian objects outside of the Kuiper Belt. As a result, the origin of the outer Oort cloud is “an unsolved mystery,” according to the paper, authored by astronomers Avi Loeb and Amir Siraj from the Center for Astrophysics at Harvard & Smithsonian.
The new paper presents an elegant solution to the overpopulation problem: a second sun.
“A stellar companion to the Sun would increase the chance of trapping objects from the birth cluster of the Sun,” wrote Loeb in an email. “The Sun and its companion act as a fishing net that traps objects gravitationally as they pass near one of the two stars and lose energy by kicking it slightly.”
Besides the typical holidays that call for extravagant food spreads and homemade meals, there are tons of national food days that should be on your radar. They don’t all require a celebration but if you’re ever looking for an excuse to have a themed dinner or to drink a certain liquor by the truck load—you should keep some of these days in mind.
A pair of these fall on April 2 — National Burrito Day, National Peanut Butter and Jelly Day – which shouldn’t inconvenience exotic burrito connoisseur John Scalzi.
(15) CORDWAINER BIRD OF A DIFFERENT FEATHER. [Item by Martin Morse Wooster.] “Burke’s Law S01E06 Who Killed Alex Debbs?” on YouTube is a 1963 episode of Burke’s Law written by Harlan Ellison. Ellison fans recall that he used the name “Cordwainer Bird” for work he disowned. Well, this episode is about the murder of Alex Debbs, founder of Debonair, a magazine vaguely like Playboy. The joke editor of the magazine is….Cordwainer Bird, and Bird is played by Sammy Davis Jr.! Bird’s appearance begins after the 16-minute mark. Burgess Meredith also appears as a very nearsighted cartoonist.
The image of a penguin might bring to mind an endless march across windswept ice. The reality of penguins is a bit different, says Grant Ballard of Point Blue Conservation Science.
GRANT BALLARD: There’s actually only two species of penguin that really love ice.
LEILA FADEL, HOST:
Only two species. Many others live in warmer waters.
BALLARD: So an emperor penguin could conceivably be dealing with something like minus 70 degrees or even colder than that, especially with wind chill. But a Galapagos penguin is encountering temperatures that are around 100 degrees Fahrenheit.
KELLY: So how did penguins evolve with such different lifestyles? A new study in the Proceedings of the National Academy of Sciences has some answers.
RAURIE BOWIE: We’ve been able to resolve several long-standing questions about penguin evolution, in particular where penguins originated.
FADEL: Rauri Bowie of UC Berkeley is an author on that study. He says there’s been a long debate about where the first penguins evolved. Was it Antarctica or farther north in New Zealand, as others have suggested?
KELLY: Well, armed with genetic evidence from 18 species of modern-day penguins, his team has an answer.
BOWIE: Which turned out to be along the coast of Australia and New Zealand and nearby islands of the South Pacific.
KELLY: They say that happened around 22 million years ago.
FADEL: From there, the penguins surfed on a circular current at the bottom of the world.
…KELLY: If there is one thing the paper makes clear, it’s that the evolution of penguins is far from black and white.
(17) WASHED UP ON THE SHORES OF THE INTERNET. During my search for neglected Scroll titles today I rediscovered this gem by Will R. from 2015.
Just scroll right down and you’ll hear a tale, a tale of a fateful trip, that started from this vile hive, aboard this tiny ship.
The Esk were mighty pixeled fen, the Blogger brave and sure, the Filers ticked the box that day, for a three hour tour, a three hour tour.
Discussion started getting rough, the tiny ship was tossed. If not for the filking of the fearless crew the comments would be lost. The comments would be lost.
The ship’s now lodged for good inside this Highly trafficked file, with Gilligan, the Blogger too, The reverend and the SMOFs, the wombat red, the dissenters and the grinning fan, here in Gilligan’s File.
(Ending verse) So this is the tale of our castaways, they’ll be here for a long, long time. They’ll have to make the best of things, it’s an uphill climb.
The first Esk and the Blogger too will do their very best, to make the others comfortable With their sordid rhetoric.
No threads, no lights, no time travel, not a single luxury. They’ll have to see what they can grow, like NASA’s Mark Watney.
So join us here each day my friends, you’re sure to get a smile, from countless dumbstruck Trufen brave… here in Gilligan’s File!
(18) VIDEO OF THE DAY. Stephen Colbert tells Late Show viewers, “You Owe Kevin Costner An Apology For ‘The Postman.’” The parting shot is a corker.
[Thanks to John King Tarpinian, JJ, Brian Keene, James Davis Nicoll, Olav Rokne, Andrew Porter, Martin Morse Wooster, Mike Kennedy, Michael Toman, Danny Sichel, Chip Hitchcock, Cat Eldridge, and John Hertz for some of these stories. Title credit goes to File 770 contributing editor of the day Ky.]
There are the really obvious ways to torch your career — rudeness to editors, for instance. And then there are the hidden trap doors. The one I am going to reveal today is truly obscure. It could be broadly described as meddling with the publication process. More specifically, you can enrage the publisher’s sales reps. Kill your book dead in one easy step! …
(2) AND DON’T BE THAT POET. F.J. Bergmann wrote and Melanie Stormm designed “How To Piss Off A Poetry Editor” for readers of SPECPO, the blog of the Science Fiction and Fantasy Poetry Association. Here’s the header —
(3) KGB READINGS ONLINE. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Benjamin Rosenbaum and Mike Allen Wednesday, July 15 in a YouTube livestream event. Starts at 7 p.m. Eastern.
Benjamin Rosenbaum’s short fiction has been nominated for the Nebula, Hugo, BSFA, Sturgeon, Locus, and World Fantasy Awards, and collected in The Ant King and Other Stories. His first novel, The Unraveling, a far-future comedy of manners and social unrest, comes out this October from Erewhon Books. His tabletop roleplaying game of Jewish historical fantasy in the shtetl, Dream Apart, was nominated for an Ennie Award. He lives near Basel, Switzerland with his family.
Mike Allen has twice been a finalist for the World Fantasy Award. His horror tales are gathered in the Shirley Jackson Award-nominated collection Unseaming, and in his newest book, Aftermath of an Industrial Accident. His novella The Comforter, sequel to his Nebula Award-nominated story “The Button Bin,” just appeared in the anthology A Sinister Quartet. By day, he writes the arts column for The Roanoke (Va.) Times.
Transmitted herewith are excerpts from statements provided by members of the Barsky family regarding the incident with Hayden Barsky, age 11.
The true origins of KHAOS remain unknown….
It was published along with a response essay, “How Not to Optimize Parenthood” by Brigid Schulte, director of the Better Life Lab and author of the book Overwhelmed: Work, Love, & Play When No One Has the Time.
Most parents are well-intentioned. We try to do the right thing, hoping to spare our children at least a measure of the pain or heartache we muddled through, to smooth the rough edges of life and give them every advantage to make it in an uncertain and often cruel world.
That’s at least the hope. In practice, no one really knows how to do that. So, particularly in America, where “winning” and the self-improvement dictate to “beat yesterday” are akin to sacred commandments, we have always turned to the experts for help. What does the science say? What are the neighbors doing? What book or podcast or shiny gadget will instantly make my child’s life easier? More joyful? Miraculous? And, perhaps most importantly, better than your kid’s?…
(5) LOCKDOWN MOVIE. “Quarantine Without Ever Meeting” – Vanity Fair profiles the filmmakers. Tagline: “The actors set up lights, did their own makeup, and ran the cameras. The filmmakers advised on Zoom. Somehow…it worked.”
…While Hollywood is struggling to figure out if it’s possible to make a feature-length movie in the grip of the coronavirus pandemic, this group of independent filmmakers and actors have already done it. “The whole movie has been written, produced, packaged, shot within quarantine. Now we’re in postproduction, and I had a first cut of the whole film done on Friday,” said director and cowriter Simon. As The Untitled Horror Movie nears completion, its producers are finally announcing the secret project and seeking a distributor. It appears to be the first movie created entirely within the parameters of the lockdown.
The horror comedy is about a group of needy and desperate young stars from a once-popular TV series who learn, via video conference, that their show has just been canceled. Fearing obscurity, they decide to stay in the spotlight by making a quickie horror film—but while shooting it, they perform a ritual that accidentally invokes an actual demonic spirit. Mayhem follows. “We kind of described it going into it as Scream meets For Your Consideration,” Simon said.
The card had been around since 1994, tagged “Invoke Prejudice” by the world’s most popular trading card game. It showed figures in white robes and pointed hoods — an image that evoked the Ku Klux Klan for many people.This month, the company behind “Magic: The Gathering” permanently banned that card and six others carrying labels like “Jihad” and “Pradesh Gypsies.” Wizards of the Coast, a subsidiary of toy giant Hasbro, acknowledged the images were “racist or culturally offensive.”
“There’s no place for racism in our game, nor anywhere else,” the company said in a statement announcing its action.
With the country roiled by tensions and protests over African Americans’ deaths at the hands of police, the issues entangling Magic and its creators are unlikely to subside soon. The fantasy game of goblins, elves, spells and more boasts some 20 million players, and in pre-pandemic times, thousands flocked to elite international tournaments with hefty prizes. Players of color say they have long felt excluded in the white- and male-dominated community from the game’s top echelons, as well as employment at the company….
(7) WHAT MIGHT HAVE BEEN. “A Better World ?” seems to be a kind of text-based game letting players choose among “Uchronies,” a French term that partakes of alternate history but is more fantastic in nature. I racked up a lot of karma in a hurry, sad to say.
I am monolingual, which limits me to reading works in English. One of the joys of this modern, interconnected world in which we’re living is that any speculative fiction work written in another language could (in theory) be translated into English. One of my frustrations is that, generally speaking, they haven’t been. Here are five works about which I know enough to know that I’d read them if only they were translated….
(9) I’M READY FOR MY CLOSE-UP. Olav Rokne says, “Sometimes, you just want to ask the question nobody wants.” He passed along some of the hilarious responses.
(10) CARL REINER OBIT. The creator of The Dick Van Dyke Show and straight man to Mel Brooks’ “2000 Year Old Man,” died June 29 at the age of 98. The duo won a Grammy in 1998 for their The 2000 Year Old Man in the Year 2000. (The New York Times eulogy is here.)
He shared the lead in The Russians Are Coming, the Russians Are Coming and appeared in It’s a Mad, Mad, Mad, Mad World. He directed numerous movies, including several starring Steve Martin. In recent years he voiced characters in several genre animated TV shows — and Carl Reineroceros in Toy Story 4.
John King Tarpinian remembers:
He is not genre but his passing reminds me of the good old days. Back in the 80s, I was president of the largest Atari club consortium in the US. One of the members owned the Vine Street Bar & Grill. It was between Hollywood & Sunset. The first Wednesday of the month the guest jazz singer was Estelle Reiner. Ron Berinstein, club member and club owner invited me to come on Estelle’s nights to make sure the club was always full. The first time I went her husband, Carl, was also there. I learned that he always came…and that he’d have friends join them. Over the years everybody from Sid Caesar, Buck Henry, Neil Simon, Dick Van Dyke, Mel Brooks & more.
During Estelle’s break between sets Carl & whomever was also there would get up and entertain. Carl & Mel would do their 2000 Year Old Man routine but not the Ed Sullivan version but the version they’d do a parties. My ribs would be sore the next morning from laughing so hard.
Sid Caesar would come to Ray Bradbury’s plays. Imagine somebody being able to upstage Ray…who also would be laughing so hard.
(11) MEDIA BIRTHDAY.
June 30, 1971 — Willy Wonka & the Chocolate Factory premiered. Based on Roald Dahl’s Charlie and the Chocolate Factory novel, it was directed by Mel Stuart, and produced by Stan Margulies and David L. Wolper. The screenplay was by Roald Dahl and David Seltzer. It featured Gene Wilder as Willie Wonka with a supporting cast of Jack Albertson, Peter Ostrum, Roy Kinnear, Julie Dawn Cole, Leonard Stone and Denise Nickerson. Some critics truly loved it while others loathed it. It currently holds an 87% rating among audience reviewers at Rotten Tomatoes. (CE)
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born June 30, 1905 — Nestor Paiva. Sometimes it only takes one film or series for a performer to get a Birthday write-up from me. Paiva makes it for Lucas the boat captain in The Creature from the Black Lagoon and its oft forgotten sequel Revenge of the Creature. Though that was hardly his only genre role as his first role was in the early Forties as an uncredited prison guard in Tarzan’s Desert Mystery and he’d be in many a genre film and series over the decades as Prof. Etienne Lafarge in The Mole People, as the saloon owner in (I kid you not!) Jesse James Meets Frankenstein’s Daughter, Felicity’s Father in The Spirit Is Willing, Captain Grimby in “The Great Treasure Hunt” of The Adamms Family and a Doorman in the “Our Man in Leotards” episode of Get Smart. (Died 1966.) (CE)
Born June 30, 1920 — Sam Moskowitz. SF writer, critic, and historian. Chair of the very first World Science Fiction Convention held in NYC in 1939. He barred several Futurians from the con in what was later called the Great Exclusion Act. In the Fifties, he edited Science-Fiction Plus, a short-lived genre magazine owned by Hugo Gernsback, and would edit several dozen anthologies, and a few single-author collections, most published in the Sixties and early Seventies. His most enduring legacy was as a historian of the genre with such works as Under the Moons of Mars: A History and Anthology of “The Scientific Romance” in the Munsey Magazines, 1912–1920 and Hugo Gernsback: Father of Science Fiction. (Died 1997.) (CE)
Born June 30, 1929 – Anie Linard, 91. Active from France, herself and with Jean Linard, in the 1950s and 1960s; fanzines Innavigable Mouth, Meuh, Vintkat, X-trap. Voted in the 1958 TAFF (Trans-Atlantic Fan Fund) campaign. She was, like many of us, a correspondent of Ned Brooks. I have not traced her more recently than June 1962. Anie, if you see this, salut! [JH]
Born June 30, 1935 – Jon Stopa, 85. Active with Advent publishing house, half a dozen covers including In Search of Wonder, The Eighth Stage of Fandom, and The Issue at Hand. Three stories in Astounding. Program Book for Chicon III the 20th Worldcon, and cover for its Proceedings; with wife Joni, Fan Guests of Honor at Chicon V the 49th, where I think they were in some of the Madeira tastings I assembled when I found four or five D’Oliveiras in the hotel bar. The Stopas were (Joni has left the stage) also great costumers, both as entrants and judges; there’s a YouTube of their work here. [JH]
Born June 30, 1959 — Vincent D’Onofrio, 61. Kingpin in that not terribly good or bad Daredevil film, Edgar the Bug in the only truly great Men in Black film and Vic Hoskins in Jurassic World. He also was Jason Whitney / Jerry Ashton in The Thirteenth Floor, loosely based upon Simulacron-3, a early Sixties novel by Daniel F. Galouye. (CE)
Born June 30, 1961 — Diane Purkiss, 59. I’ve not read her Corydon Trilogy she wrote with Michael Dowling, her son, but I can say that At the Bottom of the Garden: A Dark History of Fairies, Hobgoblins, Nymphs, and Other Troublesome Things is as splendid as the title suggests it is. She’s also written Fairies and Fairy Stories: A History. (CE)
Born June 30, 1961 – Nigel Rowe, 59. Published Timeless Sands history of New Zealand fandom, then moved to Chicago. Here is a 1994 photo of him with Russell Chauvenet (who coined the word fanzine) at Corflu 11 in Virginia. A 2019 photo of him is on p. 47 of Random Jottings 20 (PDF), the Proceedings of Corflu 36 in Maryland; he’s also on the cover (back right; you may be able to make out his badge “Nigel”). Very helpful relaying paper fanzines across the seas. [JH]
Born June 30, 1961 – carl juarez, 59. No capital letters in his name. Co-edited the fanzine Apparatchik with Andy Hooper (from Apak 62), later Chunga with Hooper and Randy Byers. Here is his cover for Chunga 8. He’s on the right of the cover for Chunga 17 (PDF). Chunga credited cj as designer, the results being indeed fine. He, Byers, and Hooper were such a tripod that with Byers’ death, Chunga tottered; should it fall, may cj find his feet. [JH]
Born June 30, 1963 — Rupert S. Graves, 57. Here because he played Inspector G. Lestrade on that Sherlock series. He also appeared on Doctor Who as Riddell in the Eleventh Doctor story, “Dinosaurs on a Spaceship”. He had one-offs in The Nightmare Worlds of H. G. Wells: The Moth, Twelve Monkeys, Krypton and Return of the Saint. (CE)
Born June 30, 1966 – Penny Watson, 54. Degrees in plant taxonomy, horticultural science, biology, and floral design; “there is nothing better than getting up in the morning, heading out to your garden and picking fresh basil, cherry tomatoes, cukes, and arugula greens for breakfast.” Obsessed with dachshunds. Has trained dolphins, coached field hockey and lacrosse. Nat’l Excellence in Romance Fiction Award. Eight novels, five of them and a novella for us. [JH]
Born June 30, 1966 — Peter Outerbridge, 54. Dr. David Sandström in what I think is the underrated ReGenesis series as well as being Henrik “Hank” Johanssen in Orphan Black anda recurring role on Millennium as Special Agent Barry Baldwin. He’s currently in two series, The Umbrella Academy with a recurring role as The Conductor, and as Calix Niklosin in V-Wars, yet another Netflix SF series. (CE)
Born June 30, 1972 — Molly Parker, 48. Maureen Robinson on the current Lost in Space series. One-offs in Nightmare Cafe, The Outer Limits, The Sentinel, Highlander: The Series, Poltergeist: The Legacy, Human Target and she appeared in The Wicker Man asSister Rose / Sister Thorn. (CE)
Born June 30, 1974 – Juli Zeh, 46. A dozen novels so far, three for us. Deutscher Bücherpreis, Solothurner Literaturpreis; doctorate in international law, honorary judge at the Brandenburg constitutional court. About Schilf (“reed”, name of a character – likewise an English surname), translated into English as Dark Matter (London) and In Free Fall (New York), when a Boston Globe interviewer asked “Are you asking the reader to reconsider the nature of reality?” JZ answered “Yes, I want to take the reader on an intellectual journey”; to “Can a novel of ideas be written today, without irony?” JZ answered “As long as mankind doesn’t lose its curiosity to think about the miracles of being.” [JH]
(13) COMICS SECTION.
Non Sequitur shows us the first science fiction writer — and true Hard SF, even as to the medium it’s composed on.
Today’s Bizarro is not an SF comic, but one with good advice for the privileged rich kid starting a literary career.
…With that said, there’s another aspect of it, too, which I think I’ve been minimizing: it’s not just time on social media, it’s engagement when I am on it, and how social media is making me feel when I use it. The term “doomscrolling” refers to how people basically suck down fountains of bad news on their social media thanks to friends (and others) posting things they’re outraged about. It’s gotten to the point for me where, particularly on Twitter, it feels like it’s almost all doomscrolling, all the time, whether I want it to be or not.
…The BLM movement are not terrorists. They are not thugs. They are peaceful protesters, marching against industrial discrimination and system-entrenched bigotry. The demonstrators have actually caught looters and rioters and delivered them to the police.
It doesn’t matter how much the limousine-liberals preach equality if there are no serious efforts to redress the grievances of the disadvantaged.
If we truly are all in this together, then it behooves all of us to reach out to each other and create partnerships and opportunities. This isn’t preferential treatment. It’s a necessary bit of repair work to a damaged genre.
If we don’t talk about it, if we don’t take steps, if we don’t address it, then we are guilty of complicity. If the racism of the past was a product of its time, then let our attempts to redress the situation be a product of our time.
… These sets are up for preorder now from Lego at $59.99 and are set to ship on April 19.
Stormtrooper Buildable Model Helmet ($59.99; lego.com)
Boba Fett Buildable Model Helmet ($59.99; lego.com)
TIE Fighter Pilot Buildable Model Helmet ($59.99; lego.com)
With the Stormtrooper, you’re getting a 647-piece helmet-building set, complete with the blacked-out visor, two nodes on the bottom for speaking and stickers to complete the look. Similarly, the Boba Fett helmet will let you pay homage to the original Mandalorian. This set is 21 centimeters tall (a little over 8 inches) and has 625 pieces. You’ll be constructing each detail of the helmet, including the fold-down viewfinder that lets Boba easily track down his targets. (He is a bounty hunter, after all.)
This in turn reminded me of one of my favorite songs by Chris Smither, “Henry David Thoreau” riffing on (same tune) Berry’s song. Oddly, even incomprehensibly, I find NO mention of it anywhere via DuckDuckGo nor Google, even though I’ve heard Smither sing it numerous times. (I also checked his discography.
It turns out that, while I have heard Chris Smither sing this song, he wasn’t the author. That was Paul Geremia, one of Boston/Cambridge’s wonderful acoustic blues musicians.
The song is on his Self Portrait In Blues album. (And on my ~2,800-song Spotify playlist, which is how, when it came around again this morning on the guitar, as it were, I realized my mistake.)
Flying snakes like Chrysopelea paradisi, the paradise tree snake, normally live in the trees of South and Southeast Asia. There, they cruise along tree branches and, sometimes, to get to the ground or another tree, they’ll launch themselves into the air and glide down at an angle.
They undulate their serpentine bodies as they glide through the air, and it turns out that these special movements are what let these limbless creatures make such remarkable flights.
That’s according to some new research in the journal Nature Physics that involved putting motion-capture tags on seven snakes and then filming them with high-speed cameras as the snakes flew across a giant four-story-high theater.
How far they can go really depends on how high up they are when they jump, says Jake Socha at Virginia Tech, who has studied these snakes for almost a quarter-century. He recalls that one time he watched a snake start from about 30 feet up and then land nearly 70 feet away. “It was really a spectacular glide,” Socha recalls.
Part of the way the snakes do this is by flattening out their bodies, he says. But the snakes’ bodies also make wavelike movements. “The snake looks like it’s swimming in the air,” he says. “And when it’s swimming, it’s undulating.”
The nation’s largest movie theater chain is delaying its U.S. reopening until the end of July because film companies have postponed release dates of two anticipated blockbusters.
AMC Theatres announced that a first round of approximately 450 locations will resume operations two weeks later than initially planned, to coincide with the updated August release dates of Warner Brothers’ Tenet and Disney’s Mulan.
“Our theatre general managers across the U.S. started working full time again today and are back in their theatres gearing up to get their buildings fully ready just a few weeks from now for moviegoers,” CEO Adam Aron said in a June 29 statement. “That happy day, when we can welcome guests back into most of our U.S. theatres, will be Thursday, July 30.”
The company said it expects its more than 600 U.S. theaters to be “essentially to full operation” by early August.
AMC Theatres made headlines earlier this month when it announced patrons will be required to wear masks, reversing course on a controversial reopening plan that had only encouraged them to do so.
For the first time, the familiar marble faces outside the New York Public Library will be obscured by masks.
Patience and Fortitude, the iconic lion sculptures guarding the 42nd Street library, are wearing face coverings to remind New Yorkers to stay safe and stop the spread of COVID-19.
The masks arrived on June 29, and measure three feet wide by two feet tall, according to a library statement.
New York Public Library President Anthony Marx emphasized the symbolism of the aptly named lions, and said New Yorkers are similarly strong and resilient.
(22) NEVERENDING SENDUP. The Screen Junkies continue their look at oldies with an “Honest Trailer” for The Neverending Story, where they show that gloomy Germans created “a world of neverending misery.” They discovered that star Noah Hathaway subsequently played Harry Potter Jr. in Troll (1986) with Michael Moriarty playing Harry Potter Sr.
[Thanks to John King Tarpinian, John Hertz, JJ, Joey Eschrich, Rich Horton, Mike Kennedy, Martin Morse Wooster, Michael Toman, Chip Hitchcock, Cat Eldridge, Daniel Dern, Darrah Chavey, Olav Rokne, and Andrew Porter for some of these stories. Title credit goes to wandering minstrel of the day Cliff.]
The bid committee to bring the Worldcon to Jeddah, Saudi Arabia in 2022 (JeddiCon) styles itself The Jeddi High Council. The Master of The Order – bid chair — is Yasser Bahjatt. He’s been to Worldcons, and Olav Rokne forwarded several photos he took of Bahjatt on a panel at the San Jose Worldcon of 2018. (Thanks to Steven H Silver for the panelist identifications.)
This was the alternate history panel “If This, Then What?” The panelists in order from left to right: Kaja Foglio, Steven H Silver, Yasser Bahjatt, Kay Kenyon, Harry Turtledove. (Foglio only appears in the last picture.)
(1) A CENTURY OF THE GOOD DOCTOR. This week Asimov would have been 100. James Gunn marked the
occasion in an article for Science “Asimov at 100”.
A case can be made that, like H. G. Wells, Asimov came along at the right time. (Wells once commented that he made his writing debut in the 1890s, when the public was looking for new writers.) But Asimov also had a restless and productive mind. His early experience of reading, and then writing, science fiction gave his popular science writing a rare narrative model, while his fiction similarly benefited from his scientific training.
(2) NOW A JOURNALISTIC TECHNIQUE. [Item by Olav Rokne.] The Columbia Journalism Review, in “Journalism and the foreseeable future”, takes note of the trend in mainstream publishing to look at contemporaneous and emerging issues through the lens of science fiction. It’s a welcome trend that is producing excellent work we’ve seen featured on the Pixel Scroll several times, and I’m very glad to see this getting attention within journalistic circles.
Despite its dangers, [Sam] Greenspan sees the value of speculative journalism’s mix of the true and the fanciful. “I think the goal should be to use fiction or sci-fi to tell a better true story,” he says. “And I’m taking seriously the kind of emotional impact these stories have on people. By introducing even just the slightest amount of something fantastical, it gives your audience permission to have their minds wander a bit from what we know to be true, and really opens up this window into possibility and hope.”
(3) GUD LISTENING. On the latest Rite Gud podcast R.S. Benedict’s guest is Stephen Mazur, associate editor
at The Magazine of Fantasy & Science Fiction. They talk about
whether or not originality really matters in writing. Stephen also gets into a
bit of inside baseball regarding F&SF publishing: the recent history
of the magazine, how many submissions they get, what kind of submissions they get,
the process, etc.
(4) ROMANCE WRANGLERS BEWARE. Who but Chuck Tingle would
add “no sex” as a selling point? Or need to?
Gorblin Crimble is an aspiring romance author with a brand new novel that could be his first breakthrough hit. Of course, Gorblin is going to need some help getting his work out there, and starts by seeking likeminded creatives.
After attending a local writer’s group, Gorblin makes a new friend, Amber, who points him towards Romance Wranglers Of America. It sounds like this community is exactly the helpful, loving, supportive group that Gorblin is looking for, but when him and Amber arrive at the Romance Wranglers Of America headquarters, they quickly realize something is wrong. This once loving group has been taken over by a dark and mysterious force; lead by a man named Demon and his chanting coven of board members in jet-black robes.
Something horrible from the depths of the cosmic Void has taken hold, but is it too late to prove that romance is about love, not hate?
This important no-sex tale is 4,300 words of reasonable writers looking for a kind and supportive romance community that respects its members and treats them fairly.
Jason Sanford: I suspect most people in the SF/F genre don’t understand the difficulties of publishing a magazine. What’s one aspect of running a genre magazine you wish more readers and writers knew about?
Lynne M. Thomas and Michael Damian Thomas: We think it’s important that people know the financial margins for magazines to stay in the black are razor thin, and that most of the magazines are unable to generate income for their publishers. (And many aren’t able to pay the editors.) Almost all of the income generated by magazines are going to the writers and artists….
Jason Sanford: Amazing Stories was the first science fiction magazine, and helped launch the pulp fiction era of the 1920s and ’30s. What is it like publishing a magazine with such history? Has that history presented any difficulties to your relaunch of the magazine?
Steve Davidson: Well, you get unexpected support and assistance; a lot of people in the field are still very fond of both the magazine and its place in Science Fiction’s history. But that brings with it two difficulties. One, most younger fans among our potential market seem to assume that we’re publishing reprints of older works or new works in a golden-age style, despite the fact that promotion and discussion of the magazine – let alone our contributor’s own statements – clearly say otherwise. We’re an old, venerable name in the genre publishing new, ground-breaking science fiction from the current era. …
Jason: In many ways Clarkesworld helped birth the current movement in online and genre magazines. How have things changed since the founding of Clarkesworld? Would you say it’s harder or easier to run a genre magazine these days?
Neil: It was a very different world for magazines in 2006. Online fiction wasn’t particularly respected. I remember having established authors tell me point-blank they wouldn’t publish online because it was the domain of “newbie writers and pirates.” The year’s best anthologies and various genre awards rarely featured works from those markets. With two-to-three years, that started changing and today, the awards have heavily swung the other direction – something you could reasonably argue is just as problematic….
When Don Ashby caught a lift through town on Tuesday afternoon, he counted as many as 20 properties destroyed. One was his mother-in-law’s mudbrick cottage. Another was his own home of 20 years.
Ashby had evacuated his family to Melbourne and spent Monday night helping a friend to defend her house.
It had been an exhausting night and morning, punctuated by the rapid combustion of gas cylinders at a nearby storage business.
“It was like we were in the middle of the battle of the Somme,” he said.
When he returned to his own home, it looked unscathed. Then he realised it was just the facade that had been untouched by fire. The rear of the house was a blazing ruin. With no CFA tankers nearby and no water pressure left to fight the fire, he could only stand and watch it burn.
“It is all a bit grim really,” he said. “We really copped it.
“I have been in a few bushfires before but nothing like this. Nothing like this has happened before. The whole of Gippsland was on fire.”
(8) 2020 SIR JULIUS VOGEL AWARD NOMINATIONS OPEN. The Science Fiction and Fantasy Association of New
Zealand (SFFANZ) is taking nominations for the 2020 Sir Julius Vogel awards until
11.59 pm NZT on March 31.
The awards recognise excellence and achievement in science fiction, fantasy, or horror works created by New Zealanders and New Zealand residents, and first published or released in the 2019 calendar year.
…A nomination made by a SFFANZ member carries a weight of two nominations, where non-members’ nominations carry a weight of one.
Full information about the awards, including the
rules and criteria for the Sir Julius Vogel Award, can be found here.
Eligibility list is here.
(9) PRO-ROWLING. Megan McArdle’s opinion piece in the
Washington Post “Has
J.K. Rowling figured out a way to break our cancel culture?” says that Rowling’s defense of Maya Forstater and
her refusal to back down after social media protests shows that “the
opinions of officious strangers, possibly thousands of miles away, who swarm
social media like deranged starlings over and over again” can be safely
The censorious power of Mrs. Grundys always depends on the cooperation of the governed, which is why their regime collapsed the moment the baby boomers shrugged off their finger-wagging. If Rowling provides an unmissable public demonstration that it is safe to ignore the current crop, we can hope others will follow her example, and the dictatorship of the proscriptariat will fall as quickly as it arose.
(10) TODAY IN HISTORY.
January 3, 1970 — Doctor Who’s “Spearhead from Space” serial started airing. The Third Doctor as played by John Pertwee first appears in this episode. It would also be the first appearance of companion Liz Shaw who’s played by Caroline John. She only lasted a season because the next showrunner decided she was too intelligent to be a proper companion.
January 3, 1993 — Star Trek: Deep Space Nine premiered in television syndication. As you know, it would have a seven-year run with one seventy-six episodes in total. S.D. Perry wrote a sort of authorized ninth season in her Avatar novels. She’s written a number of Trek universe novels including a Section 31 one.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born January 3, 1892 — J. R. R. Tolkien. I’m not going to waste my time detailing Tolkien to this group. My go-to book for him for him after over forty years of reading him remains The Hobbit. The book that still annoys me? The Two Towers. Best Tolkien experience? Seeing The Father Christmas Letters read live. (Died 1973.)
Born January 3, 1898 — Doris Pitkin Buck. She’s got my feline curiosity aroused. Wiki says “She published numerous science fiction stories and poems, many of them in The Magazine of Fantasy & Science Fiction.” That’s fine but there’s little said about her or how she came to be a SF writer. ESF notes her “still unpublished tale “Cacophony in Pink and Ochre” has long formed part of the announced contents of Harlan Ellison’s The Last Dangerous Visions.” So what do y”all do about her? (Died 1980.)
Born January 3, 1930 — Stephen Fabian, 90. He specializes in genre illustration and cover art for books and magazines such as H. Warner’s The Werewolf of Ponkert which you can see here. I see he got a World Fantasy Award—Life Achievement, and was nominated seven times for Hugo Award for Best Professional Artist. Is that the most times for being nominated without winning? His collected works include Ladies & Legends and Women & Wonders. Of course, they’re genre.
Born January 3, 1937 — Glen A. Larson. Triple hitter as a producer, writer and director. Involved in Battlestar Galactica, Galactica 1980, The Six Million Dollar Man, Manimal, Buck Rogers in the 25th Century, and Knight Rider. He also was responsible for Magnum, P.I. which I love but I’ll be damned if I can figure any way to claim that’s even genre adjacent. He also did a lot of Battlestar Galactica novels, some with Ron Goulart. (Died 2014.)
Born January 3, 1940 — Kinuko Y. Craft, 80. She is a Japanese-born American painter, illustrator and fantasy artist. True enough. So why is she here? Because she had an amazing run of illustrating the covers of the Patricia McKillip novels until quite recently. I’m linking here to our review at Green Man of The Bards of Bone Plain for a favorite cover she did. There’s a slim volume on Imaginosis called Drawings & Paintings which collects some of her work.
Born January 3, 1956 — Mel Gibson, 64. I know the first thing I saw was genre wise involving him was The Road Warrior in a cinema which would be some forty years ago. Likewise I saw Mad Max 2 and Mad Max Beyond Thunderdome in cinemas, but I admit have mixed feelings about both of those films, though less about the latter as it’s at least fun. He’s in FairyTale: A True Story, a look at the the Cottingley Fairy photographs of the 1920s, and voices John Smith in Pocahontas. He plays Hamlet in Hamlet but I really don’t think I can call that genre, but I know some of you will.
Born January 3, 1975 — Danica McKellar, 45. From 2010–2013 and since 2018, she’s voiced Miss Martian in Young Justice. It’s just completed its third season and it’s most excellent! She’s done far, far more voice work than I can list here, so if you’ve got something you like that she’s done, do mention it.
Born January 3, 1976 — Charles Yu, 44. Taiwanese American writer. Author of How to Live Safely in a Science Fictional Universe and the short-story collections, Sorry Please Thank You and Third Class Superhero. His novel was ranked the year’s second-best science fiction novel by the Center for the Study of Science Fiction at the University of Kansas — runner up for the Campbell Memorial Award.
It was before 10 a.m. on a gray summer Sunday, but already a small crowd had gathered outside Penguin Café at the end of a block in residential Tokyo. A woman named Kyoko, dressed in a white T-shirt and apron, unlocked the doors and motioned for everyone to come inside.
Half a dozen or so people filed in, several with signature pink dog carriers slung over their shoulders. As more entered, the group clustered at the center of the café. Carefully, they unzipped the mesh panels of their carriers and removed the small white and silver dogs inside, setting them down on the wooden floor. One owner peeled back a yellow blanket over a baby carrier strapped to her chest where she held her dog, still asleep.
Some of the owners fussed with the dogs’ outfits before putting them down — straightening a necktie or pulling up the elastic band on a pair of shorts. One owner had dressed their dog in a Hawaiian shirt, while another was wearing aviator goggles and had a strong resemblance to Snoopy. Several had tiny straw hats affixed between their ears. All the dogs were plastic, powered by facial recognition and artificial intelligence….
6. And speaking of that, what’s your latest book, and why is it awesome? Thor: Metal Gods is a Serial Box serialized novel by Aaron Stewart-Ahn (the lead writer), Jay Edidin, Brian Keene, and myself. It features Thor and Loki, both coming to terms with old sins and old friends, a Korean tiger goddess, and a genderfluid space pirate and astronomer. There are black holes, eldritch abominations, heavy metal, and mayhem. We had terrific fun writing it and we hope you’ll enjoy it too.
… The European Space Agency is about to pull one of the bigger hunks of garbage from orbit. But there’s a problem: The same tech that could help make space cleaner might, in the long run, also make it more dangerous.
That’s because the ESA’s ClearSpace-1 orbital garbage truck, as well as other spacecraft like it, could double as a weapon.
Swiss startup ClearSpace designed the ClearSpace-1 vehicle to intercept a chunk of debris, latch onto it, and drag it back into Earth’s atmosphere where it can safely burn up. The ESA has scheduled the clean-up mission for 2025 and has even identified its target: a 265-pound piece of an old rocket orbiting 310 miles above Earth’s surface.
The 2025 mission will involve what ClearSpace CEO Luc Piguet called “non-cooperative capture.” That is to say, the targeted piece of debris wasn’t designed with an interface or any other system that might help a clean-up craft grab onto it.
…In a landmark discovery revealed this month, archaeologists unearthed the remains of four female warriors buried with a cache of arrowheads, spears and horseback-riding equipment in a tomb in western Russia — right where Ancient Greek stories placed the Amazons.
The team from the Institute of Archaeology at the Russian Academy of Sciences identified the women as Scythian nomads who were interred at a burial site some 2,500 years ago near the present-day community of Devitsa. The women ranged in age from early teens to late 40s, according to the archaeologists. And the eldest of the women was found wearing a golden ceremonial headdress, a calathus, engraved with floral ornaments — an indication of stature.
(16) WORDSMITH ALSO TUNESMITH. Don’t say you never got the
chance to hear Norman Spinrad sing. Today on Facebook
he reminded people about the time he performed at the Cirque Electrique in
Not that I’m planning to ever give up my day job, but I’ve had a long slow minor career with music, something around a dozen songs written or co-written, something less than that creating and recording, occasional live performances too such as this one, my best I think.
7. Middlegame: Middlegame is perhaps the most ambitious novels from Seanan McGuire and is a showcase for her skill at telling a good and complex story. Twins, math, alchemy, murder, time-bending, family, secret organizations, impossible powers, and just about everything McGuire can throw into this wonderous novel. Seanan McGuire has blended together as much as she possibly could stuff into one novel and she makes the whole thing work. It’s impressive. McGuire goes big with Middlegame. Doubt Seanan McGuire at your peril. (my review)
Pilkey’s Captain Underpants and the Terrifying Return of Tippy Tinkletrousers, the ninth book in his popular children’s novel series, published in 2012, features a comic strip made by the book’s incorrigible pranksters George and Harold, the stars of the series. This comic-within-a-novel marks the first appearance of Dog Man, Pilkey’s lovable crime-fighting superhero, who is surgically constructed from the body of a cop and the head of his police dog companion after they were both injured in a typically Pilkey-style zany accident.
(19) VIDEO OF THE DAY. From
Savag Entertainment, “Timelapse Reveals How Clever This Billboard Ad For The
BBC’s ‘Dracula’ Is.”
[Thanks to Andrew Porter, John King Tarpinian, Mike Kennedy, SF
Concatenation’s Jonathan Cowie, Cat Eldridge, JJ, Michael Toman, Olav Rokne, Contrarius,
Daniel Dern, Chip Hitchcock, R.S. Benedict, and Martin Morse Wooster for some
of these stories. Title credit belongs to File 770 contributing editor of the
day Daniel Dern.]