Pixel Scroll 11/30/19 As Godstalk Is My Scrollness, I Thought Pixels Could Teleport

(1) ONE CRITIC’S CHOICE. Adam Roberts anoints the “Best science fiction and fantasy books of 2019” in the Guardian.

My pick for the book of the year, Tim Maughan’s Infinite Detail (MCD x FSG Originals), is a before-and-after tale of near-future social collapse after a coordinated attack takes the internet down. It’s hard to believe it is a debut, so assured and evocative is Maughan’s writing. As a portrait of the fragility of our current status quo it is as thought-provoking as it is terrifying; you won’t ever take your wifi for granted again.

(2) RESERVATIONS OPEN FOR 2020 NASFIC. The Columbus in 2020 NASFiC hotel room block is now open.

Marriott reservation link

Click on the above link to take you to the Hotel page to book your room for The Columbus NASFIC in 2020 at a cost of $129.00 per night. Room Nights will be available at the discounted rate from August 16th thru the 27th.

You can also go to our website http://columbus2020nasfic.org/our-facilities and click on the link to make your reservation.

Dennis Howard sent the link with this advisory:

I tried to book for 5 nights starting the Wednesday before the convention, but the hotel’s system said that there were no rooms available on Wednesday. So I booked for 4 nights starting Thursday and emailed the con about the issue. Within 24 hours they had added Wednesday to my reservation. So I’m happy. I was probably not the only person having issues because they have now added a note about booking problems on their facilities webpage. But they are obviously working on it.

The note on the Columbus website says —

Apparently there are people who are having issues making extended reservations.
If you are having these issues try and make the reservation for just the weekend of the convention. Until we can get this straightened out, Email the confirmation number to hotel@columbus2020nasfic.org with the dates you want to add and we’ll get them added.

(3) THESE ARE THE VOYAGES. “Star Trek TOS Captain Kirk Cat Polystone Statue” in shops December 18.

James T. Kirk Cat is the inaugural release in Chronicle Collectibles’ new line of the legendary original Star Trek crew, reimagined as cats. This adorable 1:9 scale James T. Kirk Cat comes with his official command chair so that he can direct the furry crew of the Enterprise. Just the right size for any office desk at 7.5 inches tall, you just know this is going to be the right conversation starter at work that combines your love of Star Trek and cats.

(4) TENTACULAR SPECTACULAR. Ursula Vernon weighed in on a question about Disney love interests. Thread starts here.

(5) NEW WORLDS AND OTHERS. Hannah Nussbaum finds forgotten literary connections in UK speculative fiction: “‘An inward looking outer space’: a brief history of Corridor.

What follows is an abridged excavation of the history of Corridor8, under which hides a dense archive of art and literary material reaching back to the 1960s.

The history of Corridor8 begins with Michael Butterworth, the Manchester-based writer, editor, and artist who originally conceived of a publication called Corridor in the early 1970s. This first issue of Corridor can be understood as one discrete point amid a trail of interrelated literary projects fomenting at the time. Before Corridor there was a broadsheet called Concentrate, and before (and during) Concentrate there was a thriving publication called New Worlds. These iterations were surrounded by a succession of other broadsheets and half-imagined projects consigned to the wastebaskets of avant-garde history. The resultant archive relays a history of experimental writing in the North of England, and leads us by way of papery trail to our present Corridor8 platform.

… With these aims (of creating slippages between reader, writer, and editor), Butterworth published the fourth issue Corridor later in 1972, with renewed commitment to destabilising and hybridising form. The teaser language on the cover of the issue shows the extent to which Corridor had evolved into a magazine dedicated to dissolving edges between text-art, criticism, and fiction. This new issue contained a new Jerry Cornelius story by Moorcock, a ‘word movie’ by John Riley, a long poem by Kevin Dixon-Jackson, ‘acid head fantasy’ by Chris Naylor, a review of William Burroughs written by Jay Jeff Jones, experimental work by Trevor Hoyle’s ‘the constant copywriter’ as well as a healthy smattering of letters to the editor. It was an issue that particularly reflected the post-industrial landscape of Manchester: Kevin Dixon-Jackson’s long poem evoked the strange, derelict geometry of Manchester’s city centre, alongside a photo series, also by Jackson, ringing with a palpable hauntology for lost Northern futures.

(6) THE INVISIBLE WOMAN. “Space ageing: where are the galactic grandmas?” According to Nature’s Sylvia Spruck Wrigley, “The lack of older women in sci-fi novels reflects and reifies ageism and sexism.”

As women get old, they gain a superpower: invisibility. And not only in real life. ‘Young adult’ fantasy and science-fiction hits such as Suzanne Collins’s novel series The Hunger Games and Stephenie Meyers’s Twilight series have been taken to task for doing away with mature women. In fantasy generally, older women mainly occupy supporting roles, such as fairy godmothers, wise crones and evil witches. The best are subversions — George R. R. Martin’s Queen of Thorns in A Song of Ice and Fire, for instance, or Terry Pratchett’s wonderful Granny Weatherwax and Nanny Ogg in the Discworld series. All of them embrace old age with gusto. I expected better from science-fiction novels, where alternative worlds and alien nations explore what it means to be human. In 1976, after all, Ursula K. Le Guin argued in her essay ‘The Space Crone’ that post-menopausal women are best suited to representing the human race to alien species, because they are the most likely to have experienced all the changes of the human condition. And Robert A. Heinlein offers a fantastic galactic grandmother in The Rolling Stones (1952): Hazel Stone, engineer, lunar colonist and expert blackjack player irritated by the everyday misogyny of the Solar System.  

(7) CHANDLER AWARD. Nominations for Australia’s A. Bertram Chandler Award for Outstanding Achievement in Australian Science Fiction will open in December. A jury picks the winner.

Nominations for the A Bertram Chandler Award for Outstanding Achievement in Australian Science Fiction will open in December and close 1 February 2020. The Award was established in recognition of the contribution that science fiction writer A. Bertram Chandler made to Australian Science Fiction and to Australian fandom in general. It is Australia’s premier award for lifetime achievement in science fiction.

You are encouraged to nominate a person who fulfils the criteria on the nomination page here at ASFF.

Please read the guidelines carefully before making a nomination. The winner of the award will be announced at the 2020 Natcon — which is Swancon in Perth — over the Anzac Day weekend 2020.

(8) THAT BITES. Andrew Porter was in front of his TV when another group of Jeopardy! contestants plotzed on a genre answer.

Category: Classic British Novels.

Answer: “The title character of this novel says of his home, ‘The wind breathes cold through the broken battlements and casements.'”

Wrong questions:

“What is The Hunchback of Notre Dame?’

“What is Tristam Shandy?”

Correct question (which no one got): “What is Dracula?”

(9) TODAY IN HISTORY.

  • November 30, 1959 – On UK screens, The Man Who Could Cheat Death premiered. Starring Anton Diffring and Christopher Lee, Hammer Story: The Authorised History of Hammer Films says  the film “suffers from an excess of dialogue and a lack of action.” Not surprisingly, it gets only 37% at Rotten Tomatoes. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 30, 1835 Mark Twain. It’s been decades since I read it but I still know I loved A Connecticut Yankee in King Arthur’s Court when I read it. His other genre work is The Mysterious Stranger In which Satan might be visiting us went unpublished in his lifetime and it’s only relatively recently with the University of California Press editions of all his completed and uncompleted versions in one volume that a reader can see what he intended. (Died 1910.)
  • Born November 30, 1906 John Dickson Carr. Author of the Gideon Fell detective stories, some of which were decidedly genre adjacent. The Burning Court with Fell is on this list as is his vampire mythos backstoried novels, Three Coffins and He Who Whispers. And I really should note his Sir Henry Merrivale character has at one genre outing in Reader is Warned. (Died 1977.)
  • Born November 30, 1937 Ridley Scott, 82. Alien: Covenant, which did surprisingly well at the box office, is his most recent genre work of note but he’s got a long and distinguished list that includes Blade Runner, Alien, the 1984 Apple advert, Exodus: Gods and Kings , Legend,  Alien: Covenant,  Prometheus and Robin Hood. I’ve watched Blade Runner sans the narration and I’ll say I prefer the original version. 
  • Born November 30, 1945 Billy Drago. Best remembered, I think, as the evil John Bly in The Adventures of Brisco County, Jr.  He was certainly booked in a lot of genre roles as he has appearances in Cyborg 2,  Sci-Fighters,  Supernatural and X-Files. He also played the demon Barbas in the original Charmed series. He also was in Tremors 4: The Legend Begins, a film I’m sure no one was begging for. He was in the Masters of Horror “Imprint” episode, which Showtime pulled due to “disturbing content” which you can read about here. (Died 2019.)
  • Born November 30, 1950 Chris Claremont, 69. Writer in the comic realm. Best known for his astounding twenty year run on the Uncanny X-Men starting in 1976. During his tenure at Marvel, he co-created at least forty characters. Looking at his bibliography, I see that he did Sovereign Seven as a creator own series with DC publishing it.  And then there’s the matter of Lucas providing the notes for The Chronicles of the Shadow War trilogy to follow the Willow film and then contracting our writer to make them exist.  Anyone ever encountered these?
  • Born November 30, 1955 Andy Robertson. A fan and editor who worked as an assistant editor on Interzone and contributed myriad  reviews and interviews. He published some fiction and edited two anthologies based on the works of William Hope Hodgson’s Night Lands, Volume 1: Eternal Love, featuring tales set in Hodgson’s world, and William Hope Hodgson’s Night Lands Volume 2: Nightmares of the Fall. Alas, they never made into digital editions. (Died 2014.)
  • Born November 30, 1955 Kevin Conroy, 64. Without doubt, best known for voicing Batman on Batman: The Animated Series. Justice League Action which just just had its twofirst seasons on the Carton Network saw him reprise that role with the other characters often noting his stoic personality.  I’ve not seen it, but on  Batwoman, he plays  Bruce Wayne in the “Crisis on Infinite Earths: Part Two” episode. 
  • Born November 30, 1957 Martin Morse Wooster, 62. He discovered fandom in 1974 when he heard about “a big sci-fi con” in downtown Washington where admission was $10 at the door.  He had ten bucks, and so attended Discon II at 16.  A year later, he discovered fanzines through Don Miller, and discovered he liked writing book reviews.  He has been turning them out ever since.  In 1975, he was one of twelve founders of the Potomac River Science Fiction Society, which split from the Washington Science Fiction Association, and regularly attends PRSFS meetings to discuss books.  He has contributed to File 770 since 1978.
  • Born November 30, 1965 Andrew Tiernan, 54. British actor who, yes, did show up on Doctor Who playing Purcell in “Night Calls”, an Eleventh Doctor story. He’s also played Banquo in MacBeth on The Estate, was a Paris vampire in Interview with the Vampire and, skipping several decades worth of performances, is The Manager in Autómata, a neat sounding Spanish-Bulgarian SF film.

(11) TEN BEST. CBR.com celebrates a famous creator in “Osamu Tezuka: 10 Best Works That Aren’t Astro Boy, Ranked”.

Osamu Tezuka is well known for being “the father of manga”, and for good reason. His prolific and pioneering works, and the way he redefined genres has rightfully earned him that title. It was Tezuka who developed and shaped the modern style of manga that we know today. Many considered him the Japanese equivalent of Walt Disney. Tezuka’s most famous work is arguably Astro Boy, which tells the story of an android with human emotions who is created by Umataro Tenma after the death of his son. But what about Tezuka’s other works? They deserve some love, too. So, here’s Osamu Tezuka’s ten best works that aren’t Astro Boy, ranked.

10. Kimba the White Lion

Kimba the White Lion tells the story of a young cub whose family is killed en route to a zoo before being shipwrecked on the Arabian Peninsula. After the stars form the face of his mother, Kimba must journey back to his home in Africa to become his father’s successor.

Kimba was written early in Tezuka’s career and he drew inspiration from post-WW2 Japan and the hardships and struggles they were facing. Kimba’s story is an emotional tale about self discovery and overcoming adversity, serving as a touching metaphor for Japan’s journey toward prosperity following World War II.

(12) ONE LAST LANDING. “The best holiday displays in NYC, mapped” at Curbed New York helps everyone navigate their way to the showiest decorations around town. Some are genre —

3. Bloomingdale’s

Bloomingdale’s is looking to the stars for its holiday windows this year. Inspired by the 50th anniversary of the first lunar landing, the store pays tribute to space travel with “An Out of This World Holiday Windows.” The first diorama begins the journey with a silver flying saucer beaming up beings dressed in futuristic fashions followed by a series of extraterrestrial holiday scenes….

(13) BACK IN THE NEIGHBORHOOD. The LA Times’ Amy Kaufman writes “How befriending Mister Rogers’ widow allowed me to learn the true meaning of his legacy”, her profile of Sarah Joanne Byrd Rogers.

…On the flight home, I became oddly emotional thinking about Fred and Joanne — about how much they’d affected so many simply by expressing genuine care and kindness toward their neighbors. As she told the moviemakers, Fred wasn’t a saint. Since his death, she feels as if he’s been placed on an even higher pedestal. And she doesn’t like it.

“He’s out there now as somebody who’s somehow way above all the rest of us,” she said. “People invariably say, ‘Well, I can’t do that, but I sure do admire him. I would love to do it.’ Well, you can do it. I’m convinced there are lots of Fred Rogerses out there.”

(14) PULP IN NEW JERSEY. Gary Lovisi and Paperback Parade takes a tour of the “Bold Venture” Annual Pulp Fest in Bordentown NJ.

(15) DC PULLS POSTER. “DC Comics Comes Under Fire for Deleting Batman Poster That Sparked Chinese Backlash”Variety has the story.

DC Comics has yanked a poster for a new Batman title from its social media accounts after the image drew criticism from Chinese commenters who said it appeared to support the ongoing pro-democracy protests in Hong Kong.

The artwork depicts Batman throwing a Molotov cocktail against a backdrop of hot-pink words spelling out the new comic book’s tagline, “the future is young.” It was posted on DC Comics’ Twitter and Instagram accounts; both platforms are blocked in mainland China. The poster was meant to promote a forthcoming DC Black Label comic called “Dark Knight Returns: The Golden Child,” due to hit shelves Dec. 11. DC Black Label is an imprint that seeks to appeal to an older-skewing readership through reprints and original limited series.

But the poster came under fire from Chinese internet users who contended that it contained coded messages in support of Hong Kong’s pro-democracy protests. They said that the Molotov cocktail alluded to young Hong Kong protesters’ more violent tactics, that the “dark knight’s” choice of black attire referred to the black-clad Hong Kong protesters, and that the “golden child” of the book’s title was a veiled reference to the color yellow, which was taken up by previous pro-democracy protesters in Hong Kong five years ago….

(16) CAN YOU DIG IT. NPR has learned that “A ‘Mole’ Isn’t Digging Mars: NASA Engineers Are Trying To Find Out Why”.

There’s a mole on Mars that’s making NASA engineers tear their hair out.

No, they haven’t discovered a small, insectivorous mammal on the red planet.

The mole vexing engineers at the Jet Propulsion Laboratory in Pasadena is a scientific instrument known as the Heat Flow and Physical Properties Package, or HP3 — or just “the mole” — carried on NASA’s InSight probe that landed on Mars a year ago.

“The mole is designed to measure heat flow coming out of the interior of Mars,” says Troy Hudson, InSight’s instrument system engineer.

Scientists are interested to know how much heat is still being generated inside the core of the once geologically active Mars. To do that, the mole has to bury itself about 16 feet below the Martian surface so it won’t be affected by daily temperature fluctuations.

The mole is basically a tube about 16 inches long and an inch in diameter. It has a pointy tip and an internal hammer that works like a kind of pile driver to pound the instrument into the ground.

The frustrations began last February when the digging started. Instead of going down to 16 feet, it got stuck after just 14 inches.

Maybe they need to send for the crew from Armageddon?

(17) FROM GO TO GONE. Yonhap reports: “Go master Lee says he quits unable to win over AI Go players”

South Korean Go master Lee Se-dol, who retired from professional Go competition last week after gaining worldwide fame in 2016 as the only human to defeat the artificial intelligence (AI) Go player AlphaGo, said his retirement was primarily motivated by the invincibility of AI Go programs.

“With the debut of AI in Go games, I’ve realized that I’m not at the top even if I become the number one through frantic efforts,” said Lee.

“Even if I become the number one, there is an entity that cannot be defeated,” he said in an interview with Yonhap News Agency in Seoul on Monday.

AlphaGo, built by Google’s DeepMind Technologies, won four of its five matches against Lee in March 2016, but Lee’s sole win in Game 4 remains the only time a human has beaten the AI player.

A documentary about the epic match was released in 2017.

With more board configurations than there are atoms in the universe, the ancient Chinese game of Go has long been considered a grand challenge for artificial intelligence. On March 9, 2016, the worlds of Go and artificial intelligence collided in South Korea for an extraordinary best-of-five-game competition, coined The DeepMind Challenge Match. Hundreds of millions of people around the world watched as a legendary Go master took on an unproven AI challenger for the first time in history.

Directed by Greg Kohs with an original score by Academy Award nominee, Hauschka, AlphaGo chronicles a journey from the halls of Oxford, through the backstreets of Bordeaux, past the coding terminals of Google DeepMind in London, and ultimately, to the seven-day tournament in Seoul. As the drama unfolds, more questions emerge: What can artificial intelligence reveal about a 3000-year-old game? What can it teach us about humanity?

[Thanks to Dennis Howard, JJ, John King Tarpinian, Chip Hitchcock, Mike Kennedy, Martin Morse Wooster, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

Pixel Scroll 7/17/16 Dr. Pixel And Mr. Hive

(1) FIRST TO WHAT? Matthew Kirschenbaum’s latest discovery about the early days of writers using word processors is shared in “A Screen of Her Own: Gay Courter’s The Midwife and the Literary History of Word Processing” at the Harvard University Press Blog. He acknowledges that by this point, it’s hard to define the question he’s trying to answer —

*First to purchase a system? First to publish their book? First to fully compose? What counts as a word processor anyway? And so on. Besides Pournelle and the others whose names I conjecture in this passage, Track Changes also includes detailed accounts of John Hersey and Len Deighton in its discussion of word processing firsts. Hersey used a mainframe computer at Yale to revise and typeset—but not compose—his novel My Petition for More Space (1974); Deighton leased an IBM Magnetic Tape/Selectric Typewriter for the benefit of his assistant, Ellenor Handley, in managing the revisions for Bomber (1970). The MT/ST was the first office product ever to be actually marketed as a word processor, the ancestor of the System 6—itself not a “digital computer” strictly speaking, it performed no calculations—that the Courters would purchase a decade later.

David Gerrold commented on Facebook:

I think Pournelle was computerized before I was, but I was writing on a word processor before any other writer I knew. I think I started that in 75 or maybe 76.

I had a Savin 900 which was a big box that recorded what you typed onto a cassette tape. The way it stored data, you could also use it for storing mailing lists too.

It connected to a specially modified IBM Selectric — they added a framework between the base and the top, which raised the height of the machine an inch or so. So you still worked on a typewriter, but what you typed was stored.

I put a roll of butcher paper through the machine and I could type all day. Later, I could print out what I’d typed. I could print it out with each line numbered, so I would know where it was on the cassette, or I could print it out formatted, one page at a time. I don’t remember if it numbered the pages, I might have had to do that manually….

ghostbusters-full-new-img COMP(2) SEE GHOSTBUSTERS. JJ, saying “I really love it when someone articulates so well the things which I’ve had difficulty putting my finger on. Kate Tanski does that here, in triplicate,” sent a link to Tanski’s post “The Importance of Seeing Ghostbusters” at Women Write About Comics.

One of the themes in this movie is the importance of being believed. Yes, in this movie, it’s about being believed about ghosts. Erin talks about how she saw a ghost when she was 8, every night for a year. Her parents didn’t believe her, and she went into therapy. Abby (Melissa McCarthy) was the only one who believed her, which was one of the reasons they became friends. It’s not that much of a stretch to think about all the things that women are also often not believed about, as children or as adults. And that part of the movie, thankfully, and pointedly, doesn’t devolve into comedy. It lets the moment of remembered trauma be serious….

But despite of all its very good qualities and the high entertainment factor, the reason why I want this movie to succeed so hard is because of the row of girls who sat behind me. It’s because of the little girl, probably no more than six, who hid behind her dad and whispered to him, that I was “dressed up like the lady from the movie” when she saw me in my Ghostbusters coveralls and then smiled shyly when our eyes met. It’s for the teenage girl who rolled down her window and yelled “GHOSTBUSTERS, YEAH!” as I was walking to my car after the movie got out.  It’s for this entire generation of girls who now, because of this movie, think that Ghostbusters can be women. Because it’s not something that I, even a few years ago, would’ve believed possible, even in cosplay….

… it never occurred to me when I was a child that I could be a Ghostbuster. I could be Janine, sure, and pine awkwardly for the scientist. It never occurred to me that I could be a scientist. Or that it didn’t have to be a boy I was pining for. And that’s why these movies, these reclamations of childhood favorites retold as something more than just a male power fantasy, are so important… A new Ghostbusters that doesn’t just feature a singular woman as part of a team, but a new team wholly composed of women who decide for themselves to do this not because of any male legacy, but because of who they are, and who doesn’t wait for anyone’s permission to exist…

(3) GHOSTBUSTER SHORTCOMINGS. Dave Taylor finds things he likes but also points out many flaws in his “Movie Review: ‘Ghostbusters’” for ScienceFiction.com.

Let’s start with the good news: The new Ghostbusters is funny and entertaining, the story moves along at a solid clip and has lots of cameos from the stars of the original 1986 Ghostbusters too. The story works with four women in the lead roles instead of the four men in the original film just fine.

That’s not the problem with this remake. In fact, there are two fundamental problems when you look at it more closely than just asking whether it’s funny: The first is that there’s not much actual story, no real narrative crescendo that is resolved in the last reel. That’s because of the second, bigger problem: The new film tries way too hard to pay homage to the original movie.

There aren’t just cameos, for example, there are characters on screen that have pointless, flat scenes that break the narrative flow….

(4) GHOSTBUSTER LIKER. Ben Silverio at ScienceFiction.com answers with a “Movie Review Rebuttal: ‘Ghostbusters’ (2016)”.

Another thing that worked really well for me was the way that they showed the trial and error of the Ghostbusters’ equipment. This was their first mission together and most of Holtzmann’s tools had gone untested up until this point. Not only was it cool to see the proton packs evolve, but it was also very, very cool to see female scientists onscreen in a major Hollywood blockbuster bringing this technology to life.

At the end of the day, I only had one major complaint about ‘Ghostbusters’: How do you set a movie in a major metropolis like New York City and only have one Asian character with lines? (For those wondering, that character was Bennie the delivery boy, who was played by ‘Deadpool’ and ‘Safety Not Guaranteed’ star Karan Soni.) But since that’s a problem throughout the entertainment industry and not just this isolated film, it’s hard to come up with any other reasons for me to generally dislike this reboot.

(5) BUSTER BUSTER. John Scalzi delivers “A Short Review of Ghostbusters and A Longer Pummel of Manboys”. BEWARE SPOILERS.

BUT THEY’VE RUINED MY CHILDHOOD BY BEING WOMEN, wails a certain, entitled subset of male nerd on the Internet. Well, good, you pathetic little shitballs. If your entire childhood can be irrevocably destroyed by four women with proton packs, your childhood clearly sucked and it needs to go up in hearty, crackling flames. Now you are free, boys, free! Enjoy the now. Honestly, I don’t think it’s entirely a coincidence that one of the weakest parts of this film is its villain, who (very minor spoiler) is literally a basement-dwelling man-boy just itchin’ to make the world pay for not making him its king, as he is so clearly meant to be. These feculent lads are annoying enough in the real world. It’s difficult to make them any more interesting on screen.

(6) MEDICAL UPDATE. “Boston area fan (and an old friend of mine) Stephanie Clarkson is in a bad way,” writes James Davis Nicoll.

Clarkson’s friend Laurie Beth Brunner fills in the details in a public Facebook post that begins —

It is with a heavy heart that I must tell you that Stephanie’s condition has taken a drastic turn for the worse in the last week.

(7) SILVER ON RADIO. On Tuesday, July 19, Steven H Silver will be interviewed on “The Colin McEnroe Show”, carried on WNPR in the New York-Boston corridor, or available for streaming on their website. The show will focus on Alternate History and runs from 1:00-2:00 p.m. and again from 8:00-9:00 p.m.

(8) FEEDBACK. Fynbospress at Mad Genius Club runs through the value of reviews at different stages of the process in “Reviews – Alpha, Beta, Gamma, Delta? All Greek to You?”

Since the subject of reviews came up, here’s an overview of a few sorts of reviews, and what’s most helpful on each one. The critical thing to remember is that reviews vary by audience, as well as reviewers!

There are no fixed definitions, so these term vary wildly from author to author. I’ll just walk through the concepts in Greek letter order, completely ignoring what any particular author calls ’em.

Alpha Reviews: Technical Aspects

These are often sought before the manuscript is written, much less complete – but sometimes the author just writes the scene in their head, then hits up people afterward to fact-check. Often submitted with “So, can you parachute out of a small plane?” or “Where is the firing switch on a T-38?” or “You’ve ranched in the southwest. What do you think of this trail scene?”

Sometimes, the feedback will make it clear you can’t do the scene you wanted, not without breaking the suspension of disbelief of anyone who knows anything about the subject. Often, though, more discussion will turn up even niftier alternatives. Tell your technical expert what you want to accomplish, and they may come up with things you never dreamed of….

(9) TODAY IN HISTORY

(10) TODAY’S BIRTHDAY GIRL

  • Born July 17, 1950 – P.J. Soles, whose credits include Carrie and Halloween.

(11) TODAY’S BIRTHDAY BOY

  • Born July 17, 1952 — David Hasselhoff, with an sf resume that spans from Knight Rider to Sharknado.

(12) VOTE. In “The 2016 Hugo Awards: Two Weeks Out”, Abigail Nussbaum spends the first three paragraphs explaining that compared to 2015, practically no one is talking about the Hugos this year. It’s hard to imagine how with that alternate reality introduction she still manages to lead to a final, important admonition:

Which is great on one level, and on another is worrying.  Because another thing that hasn’t been happening this year is the huge influx of Worldcon members buying supporting memberships for the sole purpose of protesting against the puppies’ attempts to dominate the Hugos.  At the moment, MidAmericon II has 5,600 members, and is on track to be a mid-sized North American convention, which probably means fairly normal Hugo voting numbers, not the outsized protest vote we saw last year.  Now, as I’ve said many times in the past, I have a great deal of faith in Hugo voters’ ability to tell astroturf nominees from the real deal, and to smack down nominees that have no business being on the ballot.  But the numbers still need to be on our side.  Chaos Horizon estimated that there were between 250 and 500 Rabid Puppy nominators this year.  I’d like to believe that the real number is closer to the lower boundary than the higher–there can’t, surely, be 500 people with so little going on in their lives that they’d be willing to spend good money just to make Vox Day happy (or whatever approximation of the human emotion known as happiness can be felt by someone so occupationally miserable).  But if I’m wrong, and those people show up in the same numbers this year, then they have a solid chance of overwhelming the good sense and decency of the people who want the Hugos to be what they were meant to be, an award recognizing the excellence and diversity of what science fiction and fantasy achieved in the last year.

So, if you are a member of MidAmericon II, please remember to vote.

(13) MACII BINGO DISSENT. Patrick Nielsen Hayden is not a fan of the grid –

(14) BALLOT SNAPSHOT. Mark Ciocco says Stephen King gets his vote for the Best Novelette Hugo.

Continuing the march through the Hugo finalists, we come to the awkward middle-ground between short stories and novellas that no one else uses but SF people: Novelettes. Fortunately, this is a pretty decent bunch of stories (especially compared to the lackluster short story ballot), even if none of them really stands out as truly exceptional. For me, they are all flawed in one way or another, making it pretty difficult to rank them. As such, this ranking will probably shift over time.

  1. “Obits” by Stephen King – A modern-day journalism student who naturally has difficulty landing a real job creates a snarky obituary column for a trashy internet tabloid. One day, frustrated, he writes an obituary for a living person. This being a Stephen King story, I think you can pretty much predict what’s going to happen from there. Admittedly, this is a bit on the derivative and predictable side, but King’s got the talent to pull it off with aplomb. He ably explores the idea at it’s core, taking things further than I’d expect, even if the premise itself doesn’t quite allow him much room. King has a tendency to write himself into corners, and you could argue that here, but I think he just barely skirted past that potentiality. It’s comforting to be in the hands of a good storyteller, even if this is not his best work. Still, its flaws are not unique in this batch of novelettes, so it ends up in first place for me.

(15) CAREY’S LIBRARY. Lis Carey also has been reviewing her way through the nominees. Here are three recent links:

(16) LETTERS TO TIPTREE. Aaron Pound discusses World Fantasy Award nominee Letters to Tiptree, and notes it is a significant omission from the list of Best Related Work Hugo nominees.

And yet, despite its many other honors, Letters to Tiptree did not receive a place among the Hugo finalists. While no work is ever entitled to become a Hugo finalist in the abstract, this is exactly the sort of book that one would normally expect to receive one. The reason for this lack of Hugo recognition this year is quite obviously the Puppy campaigns, which promoted a collection of Related Works onto the Hugo ballot that range from mediocre and forgettable down to juvenile and puerile. Leaving aside the fact that the finalists pushed by the Puppy campaigns are of such low quality, it seems relatively obvious that, given the Puppy rhetoric on such issues, Letters to Tiptree is exactly the sort of book that they want to push off of the Hugo ballot. After all, it is an explicitly feminist work, with all of the letter writers and most of the other contributors being women discussing a writer whose fiction was loaded with feminist issues. This book would seem to represent, at least in the eyes of many Pups, the recent encroachment of feminism into science fiction.

Except it doesn’t. Alice B. Sheldon died twenty-nine years ago. Her best fiction – including Houston Houston, Do You Read?, The Girl Who Was Plugged In, The Women Men Don’t See, and The Screwfly Solution – was written between forty and forty-five years ago….

(17) UNDERRATED BUT NEVER FORGOTTEN. Reddit is collecting suggestions for “The Long Tail: r/Fantasy’s Underrated/Underread Books”. And look what’s on the list!

God Stalk by P.C. Hodgell (Kencyrath), 1761 ratings.

In the first book of the Kencyrath, Jame, a young woman missing her memories, struggles out of the haunted wastes into Tai-tastigon, the old, corrupt, rich and god-infested city between the mountains and the lost lands of the Kencyrath. Jame’s struggle to regain her strength, her memories, and the resources to travel to join her people, the Kencyrath, drag her into several relationships, earning affection, respect, bitter hatred and, as always, haunting memories of friends and enemies dead in her wake.

When Reddit put together such a list two years ago with similar criteria (<5000 Goodreads ratings) it also had a Hodgell book – but a different one.

(18) TIME FOR POKÉMON. Pat Cadigan is mentioned in Time’s coverage of Pokemon and augmented reality.

But Go successfully uses AR as a sweetener to a mix of nostalgia for Pokémon, which peaked in popularity during the late ’90s when many millennials were preteens, as well as elements of long-gone Internet-age fads from geocaching to flash mobs. While technologists have been trying to perfect how AR works, Pokémon has provided one early answer for why you’d want it to.

The basic goodness or badness of AR—like any technology that proposes tinkering with the material of our reality—will be long debated. In science fiction, at least, the results are decidedly mixed. Star Trek’s holodeck is a (mostly) beneficent tool for shared understanding; in Pat Cadigan’s 1991 classic Synners, the augmentation of reality takes on a macabre, nightmarish quality enabling corporate interests and human sensualism to run amok. Advanced AR could allow you to experience the world from another person’s perspective—or lock you permanently into your own.

(19) BRING QUINN TO MACII. Kurt Busiek gave a plug to Jameson Quinn’s fundraiser.

(20) FAST WORK. Did Lou Antonelli maybe set a record?

Those of you who attended the panel on short stories at LibertyCon that Friday may recall I mentioned that I wrote a story, submitted it, and received an acceptance in four hours. That story is “The Yellow Flag” and it is being published on-line by Sci-Phi Journal on August 1st.

(21) MONKEYING AROUND. Ms. Rosemary Benton at Galactic Journey discovers a Japanese animated movie rendered in English, “[July 17, 1961] Bridging Two Worlds (The Anime, Alakazam The Great)”. One thing I’m curious about – was the word anime used in 1961?

I was very excited to see this film for two major reasons, as well as many many lesser reasons.  First and foremost the credited director of the film is Osamu Tezuka, one of modern Japan’s most prolific “manga” (Japanese comics) creators.  I am an appreciator of the comic book medium, so Tezuka is hardly an unknown name to me.  Thanks to my soon-to-be-aunt I’ve been able to obtain translations of numerous works of his, all of which are exceptional with whimsical storytelling ferrying intense characters into entrancing conflicts.  To date he has created numerous adaptations of western classics like Faust (1950) and Crime and Punishment (1953), and has created hugely popular works for Japanese young adults including the science fiction action story Astro Boy and the coming of age title Jungle Emperor.  Upon looking into the production of the film, however, it is unclear how much direct involvement he had.  Still, I like to think that he had a part in not only the style, but the script — both of which bear a striking similarity to Tezuka’s situational humor and Disney-inspired art style.

(22) BIG COFFIN. Another casualty of the Civil War, “Marvel kills off Hulk alter ago Bruce Banner”. According to the BBC:

The character is seen dying as a result of an arrow to the head from Hawkeye, his Avengers teammate, in the third issue of Civil War II.

Banner has been the Hulk’s alter ego since the character’s creation in 1962.

Dawn Incognito, who sent the link, calls the last line of the post “My favourite quote.”

It is not yet clear whether Banner could return in a similar way [to Captain America and Spider-Man], but Marvel indicated there were no plans for a return.

“Suuuuuure,” says Dawn. “Pull the other one, Marvel, it’s got bells on.”

(23) IMMOVABLE FORCE, IRRITABLE OBJECT. These are the kinds of questions comics fans live for. “Comic Book Questions Answered – Could the Hulk Have Torn Wolverine’s Admantium Skeleton Apart?”

Now that the Hulk has joined his old sparring partner, Wolverine, in death, reader Roger B. asked whether the regular Marvel Universe Hulk could have torn the regular Marvel Universe Wolverine’s adamantium skeleton apart (we know the Ultimate versions of the characters could).

Read on for the answer! …

(24) STAR WARS 8 SPOILER? Your mileage may vary, but you’ve been warned. Carrie Fisher may have leaked an interesting bit about the next movie while speaking at Star Wars Celebration Europe.

During a panel discussion at Star Wars Celebration Europe this weekend, Carrie Fisher, aka the iconic Princess Leia, seemingly revealed what might be a pretty big spoiler for the upcoming “Star Wars Episode 8.”

When panel host Warwick Davis asked Fisher what she knew about the time period between “Return of the Jedi” and “The Force Awakens,” Fisher seemingly mistook his question to mean the time between “The Force Awakens” and “Episode 8.” As a result, she let slip two little words that caught everyone’s attention…

[Thanks to Dawn Incognito, Michael J. Walsh, Bartimaeus, Gary Farber, James Davis Nicoll, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W.]