Tag Archives: Oscars

Pixel Scroll 4/26/21 In A Scrolling Way, It’s About That Pixel

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(1) INTRODUCING BEST EDITOR. During last night’s telecast: “Harrison Ford uses Oscar soapbox to get some Blade Runner complaints off his chest”.

“I’d like to share some notes, some editorial suggestions that were prepared after the screening of, uh, a movie I was in,” joked Ford. “Opening too choppy. Why is this voice-over track so terrible? He sounds drugged.”

“Were they all on drugs? Dekker at the piano is interminable. Flashback dialogue is confusing. Is he listening to a tape? Why do we need the third cut to the eggs? The synagogue music is awful on the street. We’ve got to use Vangelis. Up to Zora’s death, the movie is deadly dull. This movie gets worse every screening.”

(2) TRUST ME, IT DIDN’T WIN. EscYOUnited, in “Eurovision Movie’s ‘Húsavík’ does not win 2021 Oscar for Best Original Song”, admits its fans are disappointed, but notes how many other honors the movie has received – including a Hugo nomination.

…Sadly things did not go in Fire Saga’s favor, as H.E.R., Dernest Emile II, and Tiara Thomas won the award for their song “Fight For You” featured in Judas and the Black Messiah. Even without tonight’s Oscar, the Eurovision movie is still a two time award winning film. Prior to tonight the music editor team won the award for Outstanding Achievement in Sound Editing – Musical for Feature film and “Húsavík” won the award for Outstanding Original Song for Visual Media….

(3) REMEMBERED. The Oscars 2021 In Memoriam video included Ian Holm, Max Von Sydow, Christopher Plummer, Wilford Brimley, Ron Cobb, Hal Holbrook, Helen McCrory, Carl Reiner, Brian Dennehy, Diana Rigg, Sean Connery, Chadwick Boseman, and others with genre credits.

(4) BONUS MURDERBOT. Tom Becker pointed out Tor.com’s post of “Home: Habitat, Range, Niche, Territory”, by Martha Wells.

Home: Habitat, Range, Niche, Territory was originally given free to readers who pre-ordered Martha’s Murderbot novel, Network Effect. The story is set just after the 4th novella,Exit Strategy.

(5) MARTHA WELLS PROFILE. The Orange County Register’s Erik Pedersen tells “How ‘Murderbot Diaries’ author Martha Wells overcame a career in crisis to create the killer series”.

There was a time before Martha Wells created Murderbot, the character that narrates her award-winning science fiction series “The Murderbot Diaries,” when she thought her career might be dead.

After a successful start in the ‘90s, things had cooled down by the mid-2000s. When the final book in her “Fall of Ile-Rien” trilogy was published without fanfare, the soft-spoken Texan wondered if that was it for her.

“I was kind of at that point in my career where, you know, women writers my age were supposed to quietly fade away. It’s like, ‘Well, you had your shot, and that was it, and now go away.’ So I was not real optimistic about being able to continue to be published,” says the now 56-year-old novelist during a call from her College Station home, which she shares with her husband and three cats.

“I could not sell another book,” says Wells. “I knew my career was in a lot of trouble.”

But she refused to give up. Over the next few years, she got a new agent, started a new series, found a new publisher.

“That kind of got me back going again. I ended up also doing a Star Wars novel and did some work on some stories for Magic the Gathering,” she says, describing herself as plugging away but not soaring during that period. “I thought, ‘Well, this is probably about as high up as I can go,’ you know? It’s like, I’m not gonna win awards, and I’m not gonna be, you know, super popular or anything like that. But if I can keep going at this level, I’ll be okay.

“And then Murderbot just hit big,” she says….

(6) EUROCON. Eurocon 2021 in Fiuggi, Italy will be an in-person con the committee announced.

Just had green light for Eurocon in-person!

All attendees will have to be vaccinated or pre-tested for Covid 19.

If the con were to be held today, we could accommodate a little more than 200 guests. We are confident that it will be possible to increase this number in July. Hope to see you in Italy!!!

(7) B5 WAS THE PROTOTYPE. TechRadar boldly asks “Is Babylon 5 secretly the most influential TV show of the past 25 years?”

… If most TV viewers had no idea what a showrunner was back in the ’90s, even fewer could name one. Only superstar producers such as Hill Street Blues and NYPD Blue creator Steven Bochco were big enough to occasionally eclipse their brands. However, the name of J Michael Straczynski was all over Babylon 5, as synonymous with the show as Minbari, Narn and Vorlons – just as much as The West Wing was Aaron Sorkin’s creation or The Sopranos David Chase’s, Babylon 5 was his. Arguably more so, in fact, seeing as he wrote 92 of the show’s 110 episodes, including the entirety of seasons 3 and 4. 

Babylon 5 was an auteur’s vision on an epic scale. On the rare occasions guest writers were brought in, they were often genre legends such as Neil Gaiman, Harlan Ellison and regular Star Trek writer DC Fontana – this show was never scared to embrace the harder edges of science fiction. And just as would later become the norm with showrunners such as Russell T Davies on Doctor Who or Dave Filoni on The Clone Wars, Straczynski was the public face of his show, becoming one of the first writers to talk directly to the fanbase via the internet.

A veteran of ’80s cartoons such as She-Ra: Princess of Power, The Real Ghostbusters, and Jayce and the Wheeled Warriors, Straczynski always had big plans for Babylon 5. He set out to tell a story taking in space battles, political intrigue, epic mythology and more, and wanted to do it over the course of five years. 

That may not feel unusual now, when shows such as Breaking Bad, Lost and even comedies such as Schitt’s Creek make a big thing of spreading their stories over multiple seasons. But in the mid-’90s, the Babylon 5 approach was seriously radical. Most of the TV of the era was built on standalone episodes, with serialization kept to a minimum to ensure episodes could be watched in any order once they ended up in syndication. That Babylon 5 should so brazenly break the mould was a big shock to the system for ’90s viewers…

… It was ‘Westeros in space’ before George RR Martin had even published his first A Song of Ice and Fire novel, a show that rewarded viewers who tuned in for every installment. Babylon 5 was a show purpose-built for streaming and binge-viewing, trapped in the era of broadcast and cable….

(8) ESSENCE OF WONDER. “Strategy Strikes Back: Star Wars And Modern Military Conflict” will be the topic on Essence of Wonder with Gadi Evron on May 1 at 3 p.m. Eastern. Register for the Zoom webinar here.

Strategy Strikes Back authors Lt. Col. Matt Cavanaugh, Max Brooks, August Cole, and Steve Leonard join Gadi and Karen to discuss Star Wars and modern military conflict. In the book, they made understanding strategy fun by the use of a common global language – The love of Star Wars. We’ll be happy to share that love with them.

(9) BILLIONS AND BILLIONS. What Carl Sagan used to say about the number of stars this fellow says about his bank account. SpaceX’s Elon Musk will host Saturday Night Live on May 8 reports NPR.

Saturday Night Live doesn’t usually have business executives host its show, but as pointed out in a story by The Associated Press, Musk is far from a stuffy corporate type. He regularly jokes around on Twitter, where he has nearly 52 million followers and has gotten into legal trouble for making disparaging remarks about critics and hinting that he might lead a buyout of Tesla that resulted him getting fined $20 million by stock market regulators.

… Not counting news interview shows and press conferences, Musk has made guest appearances on the CBS shows Young Sheldon and The Big Bang Theory. His voice has also been heard on the animated shows South Park, The Simpsons and Rick and Morty. Plus he made a cameo in the film Iron Man 2.

(10) WOLFE SPEAKS. Colombian author Triunfo Arciniegas reposted Lawrence Person’s 1998 interview with Gene Wolfe yesterday: “DRAGON: Suns New, Long, and Short / An Interview with Gene Wolfe”.

LP: You have literally dozens of characters in The Book of the Long Sun, yet many times you have scenes with a number of characters all speaking in turn, without being identified, and yet their speech patterns are so clearly and cleverly differentiated that we’re never confused about who’s talking. Just how do you do that?

GW: (Laughs) I’m certainly glad that you were never confused! There are two things. Obviously, you have the speech patterns. Spider does not talk like Maytera Mint. And if you understand speech patterns, you should be able to put in any statement Spider makes, certain characteristic phrases or mistakes, or whatever, that will identify him as the speaker. The other thing is, that if you’re doing it right, the speech that, oh, let’s say, Maytera Marble makes under a certain circumstance, is not the speech that Blood would make under that circumstance. When Maytera Marble talks, she is saying something that only Maytera Marble would say. When Blood speaks, he is saying something that only Blood would say. And so the reader, if the reader is intelligent, knows who said that from what was said.

(11) HWA POETRY SHOWCASE. Horror Writers Association is taking submissions from members to its 2021 Poetry Showcase.

The HWA is proud to announce that it will call for submissions from its members for the Poetry Showcase Volume VIII beginning April 1. Stephanie Wytovich will be the editor for the volume. This year’s judges, along with Stephanie, will include Sara Tantlinger and Angela Yuriko Smith.

Only HWA members (of any status) may submit. The reason for this can be found in the word “Showcase.” The HWA is very proud of the tradition of poetry in the horror genre and of the HWA’s support for poetry. This volume is designed to showcase the talents of HWA members which is why it is now limited to members….

(12) WILLIAMS OBIT. Charlie Williams, a long-time Nashville fan, passed away April 25 reports Tom Feller. He had been residing in a nursing home/rehab facility after being hospitalized for pneumonia.  He is survived by his wife Patsy and sister Jennifer.  Funeral arrangements are pending.

[NOTE: He is a different Charlie Williams than the fanartist from Knoxville.]

(13) MEDIA BIRTHDAY.

  • April 26, 2008 — On this date in 2008, Star Wars: The Clone Wars premiered on the Cartoon Network. created by George Lucas and produced by Lucasfilm Animation, the series ran for seven seasons. It’s currently airing, as is all things Star Wars, on Disney+. 

(14) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born April 26, 1914 – Horace L. Gold.  One novel (with Sprague de Camp), twoscore shorter stories.  Edited Galaxy (insistence on taking SF in a new direction resulted in “You’ll never see it in Galaxy!”) and If; a dozen anthologies.  A Best-Prozine Hugo for Galaxy; Life Achievement Award from Westercon 28; Forry, Milford Awards.  (Died 1996) [JH]
  • Born April 26, 1922 — A. E. van Vogt. I admit it’s been so long since I read him that I don’t clearly remember what I liked by him though I know I read Slan and The Weapon Makers.  I am fascinated by the wiki page that noted Damon Knight took a strong dislike to his writing whereas Philip K. Dick and Paul Di Filippo defended him strongly. What do y’all think of him? (Died 2000.) (CE)
  • Born April 26, 1925 — Richard Deming. I think that all of the Man from U.N.C.L.E. novellas, or in this case the Girl from U.N.C.L.E. novellas, were listed under the house name of Robert Hart Davis. Deming was only one of a very long list of writers (I know of Richard Curtis, Richard Deming, I. G. Edmonds, John Jakes, Frank Belknap Long, Dennis Lynds, Talmage Powell, Bill Pronzini, Charles Ventura and Harry Whittington) that were writers who penned novels in the twin U.N.C.L.E. series.(Died 1983.) (CE) 
  • Born April 26, 1939 — Rex Miller. Horror writer with a hand in many pies, bloody ones at that. (Sorry couldn’t resist.) The Chaingang series featured Daniel Bunkowski, a half-ton killing-machine. Definitely genre. He contributed to some thirty anthologies including Hotter Blood: More Tales of Erotic Horror, Frankenstein: The Monster Wakes, Dick Tracy: The Secret Files and The Crow: Shattered Lives and Broken Dreams. (Died 2005.) (CE)
  • Born April 26, 1950 — Peter Jurasik, 71. Ambassador Londo Mollari on Babylon 5 who would be Emperor one day and die for his sins. (Yes, spoiler.) He has also very short genre credits other than Babylon 5— Doctor Oberon Geiger for several episodes on Sliders and Crom, the timid and pudgy compound interest program, in the Tron film. (CE)
  • Born April 26, 1943 – Bill Warren.  Three stories, three poems; best known as a student and critic of SF film, see his Keep Watching the Skies!  Fan Guest of Honor at Ambercon 3, VCON 11, Loscon 11, MisCon 6.  Evans-Freehafer Award (service to LASFS, Los Angeles Science Fantasy Soc.), Sampo Award (unsung-hero service).  Edited 15 posthumous issues of Bill Rotsler’s Masque. Our Gracious Host’s appreciation here. (Died 2016) [JH]
  • Born April 26 [Year unknown] – Miriam Lloyd.  Various fanzines under Goojie Publications as M. Dyches; Klein Bottle and Fanac as M. Carr with first husband Terry Carr; A Funny Thing Happened on the Way to Poughkeepsie as M. Knight with second husband Jerry Knight; see here.  (Died 2020) [JH]
  • Born April 26, 1948 – Marta Randall, age 73.  Eight novels, a score of shorter stories.  Fanzine, Mother Weary.  Edited Nebula Awards 19, New Dimensions 11-13.  Interviewed in Lightspeed.  Toastmaster at Norwescon VII, Baycon ’87, Windycon XIII, ConFusion 14, Chicon IV & V the 40th and 49th Worldcons.  Master of Ceremonies at Con*Stellation V.  Pro Guest of Honor at ConClave VIII, WisCon 7, Lunacon 29.  First female President of SFWA (Science Fiction & Fantasy Writers of America).  [JH]
  • Born April 26, 1952 — Peter Lauritson, 69. Long involved with the Trek franchise starting with Star Trek II: The Wrath of Khan. He became the producer of Star Trek: The Next Generation, and supervising producer for Deep Space Nine, Voyager and Enterprise. He directed three episodes of those series, including the Hugo Award-winning “The Inner Light”, as well as being second unit director for two Trek films. (CE) 
  • Born April 26, 1955 – Brad W. Foster, age 66.  Widely-applauded fanartist.  Eight Hugos.  Chesley.  Rebel, Neffy (Nat’l Fantasy Fan Fed’n), Rotsler Awards.  Guest of Honor at ArmadilloCon 10, Loscon 18, Westercon 49, Norwescon XX, Conestoga 9, ReConStruction the 10th NASFiC (N. Amer. SF Con, since 1975 held when Worldcon is overseas), Sasquan the 73rd Worldcon.  [JH]
  • Born April 26, 1967 – Nicholas Whyte, age 54.  Hugo Administrator twice and still alive; at it again this year and Worldcon Site Selection too.  Dr Who fan which is less nearly unique.  Reads 200-300 books a year (“in non-plague times, I have a long commute”).  Announced as Fan Guest of Honour for Eastercon 72 (April 2022).  Helpful fan with catholic (I know I didn’t capitalize that, go look it up) taste.  [JH]
  • Born April 26, 1969 — Gina Torres, 52.  The first thing I remember seeing her in was Cleopatra 2525 where she was Helen ‘Hel’ Carter. Her first genre was in the M.A.N.T.I.S. pilot as Dr. Amy Ellis, and she actually was in The Matrix Reloaded and The Matrix Revolutions as a character named Cas but I’ll frankly admit I remember almost nothing of those films. She’s had a number of DC voice roles including a recurring Justice League Unlimited run as Vixen / Mari McCabe. And of course Zoe in the Firefly verse. Lastly anyone remember her on the Angel series as Jasmine? (CE) 

(15) I’M JUST DREW THAT WAY. Daniel Dern found the excuse to give this item its title in io9’s production news roundup “Marvel She-Hulk Filming Pictures Sees Tatiana Maslany on Set”:

Tom Swift joins Nancy Drew in the synopsis for “The Celestial Visitor” airing May 12.

TIAN RICHARDS (“BURDEN,” “DUMPLIN”) GUEST STARS AS TOM SWIFT – As things begin to go haywire at The Claw, a striking stranger appears looking for Nancy (Kennedy McMann), and announces himself as the billionaire Tom Swift (guest star Tian Richards).

(16) BIG CHAP. Yahoo! Entertainment’s Ethan Alter discusses a rare find: “’Alien’ Day: The terrifying, long-lost Xenomorph prototype never before seen in public” – photos at the link.

Here’s an #AlienDay reveal that’ll make you happier than a long-haul space tug crew member headed back to Earth: A piece of ultra-rare Alien memorabilia that was blasted out of the airlock four decades ago has been salvaged and is now up for sale. On April 29, Julien’s Auctions is unveiling a long-lost early prototype of H.R. Giger’s classic Xenomorph design as the centerpiece attraction in a genre-themed “Hollywood Legends” auction. Known as “Big Chap,” this version of the franchise’s signature creature features a translucent design that’s distinctly different than the opaque acid-spitting monster we know and love. 

It should be noted that bidding on the Big Chap starts at $40,000. But you can get a closer look at the big guy for free courtesy of our exclusive virtual experience, which allows you to zoom in on Giger’s original vision for the Xenomorph, which evolved out of the Swiss artist’s pioneering “biomechanoid” designs. (Giger died in 2014.)

(17) WARP FACTORY. [Item by SF Concatenation’s Jonathan Cowie.] Here is a ten-minute physics briefing on some recent research of SFnal relevance from the wonderful PBS Space Time: there are “NEW Warp Drive Possibilities”.

That Einstein guy was a real bummer for our hopes of a star-hopping, science-fiction-y future. His whole “nothing travels faster than light” rule seems to ensure that exploration of even the local part of our galaxy will be an excruciating slow. But Einstein also gave us a glimmer of hope. He showed us that space and time can be warped – and so the warp drive was conceived. Just recently, a couple of papers contend that these are not pure science fiction.

This briefing builds on another PBS Space Time video from five years ago that introduces the notion of an FTL warp drive asking “Is The Alcubierre Warp Drive Possible?” Since then it has racked up 2.4 million views.

Inspired by Gene Roddenberry’s Star Trek, physicist Miguel Alcubierre set out to transform one of the cornerstones of science fiction iconography, the Warp Drive, into reality. But is it even possible? Can we “warp” the fabric of reality so that we can break the speed of light?

(18) THREE’S A CHARM. Ingenuity buzzes Mars again. CNN has the story — “Ingenuity Mars helicopter achieves fastest, farthest flight yet”.

… Ingenuity exceeded speeds and distances beyond what it proved capable of doing during testing on Earth before launching to Mars.

The helicopter flew at 1:31 a.m. ET, or 12:33 p.m. local Mars time. Data and imagery began streaming into the control room at NASA’s Jet Propulsion Laboratory in Pasadena, California, at 10:16 a.m. ET Sunday. The Perseverance rover captured an image of the helicopter in flight and shared it shortly after.

(19) AND GNAW, THE GNEWS. Another Dern special, inspired by Gizmodo’s article “Beavers Take Down Canada Internet Service After Chewing Cables”.

…Tumbler Ridge, a tiny municipality in northeastern British Columbia with a population of about 2,000 people, lost service for roughly 36 hours in what Telus described as a “uniquely Canadian disruption!”

“Beavers have chewed through our fibre cable at multiple points, causing extensive damage,” said Telus spokesperson Liz Sauvé in an email to Gizmodo. “Our team located a nearby dam, and it appears the beavers dug underground alongside the creek to reach our cable, which is buried about three feet underground and protected by a 4.5-inch thick conduit. The beavers first chewed through the conduit before chewing through the cable in multiple locations.”

(20) VIDEO OF THE DAY. In “The Falcon and the Winter Soldier Pitch Meeting” on Screen Rant, Ryan George explains that one character’s gratuitous dancing was put in the series “because people enjoyed memes of Thantos twerking.” This spoiler-filled video dropped today.

[Thanks to Tom Becker, Rich Lynch, John King Tarpinian, Daniel Dern, Mike Kennedy, JJ, Martin Morse Wooster, SF Concatenation’s Jonathan Cowie, Andrew Porter, Cat Eldridge, John Hertz, Gadi Evron, and Michael Toman for some of these stories. Title credit goes to File 770 contributing editor of the day Jon Meltzer.]

2021 Oscar Awards

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The 2021 Oscar winners were announced by the Academy of Motion Picture Arts and Sciences in a televised ceremony on April 25.

Winners of genre interest are named below. The complete list of winners is here.

ANIMATED FEATURE FILM

  • SOUL — Pete Docter and Dana Murray

MUSIC (ORIGINAL SCORE)

  • SOUL — Trent Reznor, Atticus Ross and Jon Batiste

VISUAL EFFECTS

  • Tenet — Andrew Jackson, David Lee, Andrew Lockley and Scott Fisher

Note: The telecast is still going on as this is posted, however, there are no genre nominees in the remaining categories.

2021 Oscar Nominees

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Art by Krislam Chin

The 2021 Oscar nominees were announced by the Academy of Motion Picture Arts and Sciences on March 15.

Soul, Tenet, Mulan and Pinocchio, four sff films, received multiple nominations.

The awards will be presented in a televised ceremony on April 25.

Nominees of genre interest are listed below. The complete ballot is here.

  • Animated Feature Film

ONWARD
Dan Scanlon and Kori Rae

OVER THE MOON
Glen Keane, Gennie Rim and Peilin Chou

A SHAUN THE SHEEP MOVIE: FARMAGEDDON
Richard Phelan, Will Becher and Paul Kewley

SOUL
Pete Docter and Dana Murray

WOLFWALKERS
Tomm Moore, Ross Stewart, Paul Young and Stéphan Roelants

  • Costume Design

MULAN
Bina Daigeler

PINOCCHIO
Massimo Cantini Parrini

  • Makeup and Hairstyling

PINOCCHIO
Mark Coulier, Dalia Colli and Francesco Pegoretti

  • Music (Original Score)

SOUL
Trent Reznor, Atticus Ross and Jon Batiste

  • Production Design

TENET
Production Design: Nathan Crowley; Set Decoration: Kathy Lucas

  • Sound

SOUL
Ren Klyce, Coya Elliott and David Parker

  • Visual Effects

LOVE AND MONSTERS
Matt Sloan, Genevieve Camilleri, Matt Everitt and Brian Cox

THE MIDNIGHT SKY
Matthew Kasmir, Christopher Lawrence, Max Solomon and David Watkins

MULAN
Sean Faden, Anders Langlands, Seth Maury and Steve Ingram

THE ONE AND ONLY IVAN
Nick Davis, Greg Fisher, Ben Jones and Santiago Colomo Martinez

TENET
Andrew Jackson, David Lee, Andrew Lockley and Scott Fisher

2020 Oscar Winners

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Joker kept genre from being shut out at the 2020 Academy Awards.

The Best Actor Award went to Joaquin Phoenix. In the process he became the second person to win an Oscar for playing comic book villain The Joker. Heath Ledger was the first, who posthumously won for playing Joker in The Dark Knight. 

The composer of Joker’s score, Hildur Gudnadóttir also won an Oscar. In accepting the award she said, “To the girls, to the women, to the mothers, to the daughters who hear the music bubbling within, please speak up. We need to hear your voices.”

The full list of winners follows the jump.

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2020 Oscar Nominations

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Nominations for 92nd Academy Awards were announced January 13. Genre led the way, as Joker received the most nominations with 11, including nominations in the categories of Best Picture, Actor in a Leading Role, and Directing.

However, Star Wars: The Rise of Skywalker was the only other genre film to make a splash, nominated for Sound Editing, Visual Effects and Original Score.

The finalists for Best Animated Feature Film are How To Train Your Dragon: The Hidden World, I Lost My Body, Klaus, Missing Link and Toy Story 4.

The full list of nominees follows the jump.

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2020 Oscars Shortlists Announced for Nine Categories

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The Academy of Motion Picture Arts and Sciences today announced shortlists in consideration for the 92nd Academy Awards®  in nine categories: Documentary Feature, Documentary Short Subject, International Feature Film, Makeup and Hairstyling, Music (Original Score), Music (Original Song), Animated Short Film, Live Action Short Film and Visual Effects.

Genre films, which always do well in categories like Visual Effects, this time around are also the source of nearly half the shortlisted Original Songs.

Nominations for the 92nd Academy Awards will be announced on Monday, January 13, 2020.

The 92nd Oscars® will be held on Sunday, February 9, 2020, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood.

DOCUMENTARY FEATURE

Fifteen films will advance in the Documentary Feature category for the 92nd Academy Awards®. One hundred fifty-nine films were submitted in the category. Members of the Documentary Branch vote to determine the shortlist and the nominees.

The films, listed in alphabetical order by title, are:

  • Advocate
  • American Factory
  • The Apollo
  • Apollo 11
  • Aquarela
  • The Biggest Little Farm
  • The Cave
  • The Edge of Democracy
  • For Sama
  • The Great Hack
  • Honeyland
  • Knock Down the House
  • Maiden
  • Midnight Family
  • One Child Nation

DOCUMENTARY SHORT SUBJECT

Ten films will advance in the Documentary Short Subject category for the 92nd Academy Awards. Ninety-six films qualified in the category. Members of the Documentary Branch vote to determine the shortlist and the nominees.

The films, listed in alphabetical order by title, are:

  • After Maria
  • Fire in Paradise
  • Ghosts of Sugar Land
  • In the Absence
  • Learning to Skateboard in a Warzone (If You’re a Girl)
  • Life Overtakes Me
  • The Nightcrawlers
  • St. Louis Superman
  • Stay Close
  • Walk Run Cha-Cha

INTERNATIONAL FEATURE FILM

Ten films will advance to the next round of voting in the International Feature Film category (formerly known as Foreign Language Film) for the 92nd Academy Awards. Ninety-one films were eligible in the category.

Academy members from all branches were invited to participate in the preliminary round. They must have viewed the submitted films theatrically and met a minimum viewing requirement to be eligible to vote in the category. Their seven choices, augmented by three additional selections voted by the Academy’s International Feature Film Award Executive Committee, constitute the shortlist.

In the nominations round, Academy members from all branches are invited to opt-in to participate and must view all 10 shortlisted films in order to cast a ballot.

The films, listed in alphabetical order by country, are:

  • Czech Republic, The Painted Bird
  • Estonia, Truth and Justice
  • France, Les Misérables
  • Hungary, Those Who Remained
  • North Macedonia, Honeyland
  • Poland, Corpus Christi
  • Russia, Beanpole
  • Senegal, Atlantics
  • South Korea, Parasite
  • Spain, Pain and Glory

MAKEUP AND HAIRSTYLING

Ten films will advance in the Makeup and Hairstyling category for the 92nd Academy Awards. All members of the Academy’s Makeup Artists and Hairstylists Branch will be invited to view seven-minute excerpts from each of the 10 shortlisted films on Saturday, January 4, 2020.

Members will vote to nominate five films for final Oscar® consideration.

The films, listed in alphabetical order by title, are:

  • Bombshell
  • Dolemite Is My Name
  • Downton Abbey
  • Joker
  • Judy
  • Little Women
  • Maleficent: Mistress of Evil
  • 1917
  • Once upon a Time…in Hollywood
  • Rocketman

MUSIC (ORIGINAL SCORE)

Fifteen scores will advance in the Original Score category for the 92nd Academy Awards. One hundred seventy scores were eligible in the category. Members of the Music Branch vote to determine the shortlist and the nominees.

The scores, listed in alphabetical order by film title, are:

  • Avengers: Endgame
  • Bombshell
  • The Farewell
  • Ford v Ferrari
  • Frozen II
  • Jojo Rabbit
  • Joker
  • The King
  • Little Women
  • Marriage Story
  • Motherless Brooklyn
  • 1917
  • Pain and Glory
  • Star Wars: The Rise of Skywalker
  • Us

MUSIC (ORIGINAL SONG)

Fifteen songs will advance in the Original Song category for the 92nd Academy Awards. Seventy-five songs were eligible in the category. Members of the Music Branch vote to determine the shortlist and the nominees.

The original songs, along with the motion picture in which each song is featured, are listed below in alphabetical order by film title and song title:

  • “Speechless” from Aladdin
  • “Letter To My Godfather” from The Black Godfather
  • “I’m Standing With You” from Breakthrough
  • “Da Bronx” from The Bronx USA
  • “Into The Unknown” from Frozen II
  • “Stand Up” from Harriet
  • “Catchy Song” from The Lego Movie 2: The Second Part
  • “Never Too Late” from The Lion King
  • “Spirit” from The Lion King
  • “Daily Battles” from Motherless Brooklyn
  • “A Glass of Soju” from Parasite
  • “(I’m Gonna) Love Me Again” from Rocketman
  • “High Above The Water” from Toni Morrison: The Pieces I Am
  • “I Can’t Let You Throw Yourself Away” from Toy Story 4
  • “Glasgow” from Wild Rose

ANIMATED SHORT FILM

Ten films will advance in the Animated Short Film category for the 92nd Academy Awards. Ninety-two films qualified in the category. Members of the Short Films and Feature Animation Branch vote to determine the shortlist and the nominees.

The films, listed in alphabetical order by title, are:

  • Dcera (Daughter)
  • Hair Love
  • He Can’t Live without Cosmos
  • Hors Piste
  • Kitbull
  • Memorable
  • Mind My Mind
  • The Physics of Sorrow
  • Sister
  • Uncle Thomas: Accounting for the Days

LIVE ACTION SHORT FILM

Ten films will advance in the Live Action Short Film category for the 92nd Academy Awards. One hundred ninety-one films qualified in the category. Members of the Short Films and Feature Animation Branch vote to determine the shortlist and the nominees.

The films, listed in alphabetical order by title, are:

  • Brotherhood
  • The Christmas Gift
  • Little Hands
  • Miller & Son
  • Nefta Football Club
  • The Neighbors’ Window
  • Refugee
  • Saria
  • A Sister
  • Sometimes, I Think about Dying

VISUAL EFFECTS

Ten films remain in the running in the Visual Effects category for the 92nd Academy Awards. The Visual Effects Branch Executive Committee determined the shortlist. All members of the Visual Effects Branch will be invited to view 10-minute excerpts from each of the shortlisted films online or attend satellite bake-off screenings in January 2020. Following the screenings, members will vote to nominate five films for final Oscar consideration.

The films, listed in alphabetical order by title, are:

  • Alita: Battle Angel
  • Avengers: Endgame
  • Captain Marvel
  • Cats
  • Gemini Man
  • The Irishman
  • The Lion King
  • 1917
  • Star Wars: The Rise of Skywalker
  • Terminator: Dark Fate

Pixel Scroll 10/18/19 What Pixel Should A Poor File Scroll For All Tomorrow’s Entries

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(1) COLLECTIBLE PAPERBACKS SPOTLIGHTED. [Item by Andrew Porter.] This daily series of short videos concentrate on vintage and collectible paperbacks. It began barely more than a month ago, and so far, nearly 50 have been uploaded to Gary Lovisi’s YouTube channel.

Episodes have covered (starting with the most recent): Hardboiled Crime Fiction “Frank Kane” with Ron Lesser GGA covers; Dell 10¢ Paperbacks; Edgar Rice Burroughs “John Carter” inspired Pulp SF “Jon Kirk of Ares”; Sherlock Holmes Books; Sleaze “Kozy Books” Series; “The Thing” SF Horror in Paperback; ” UK Cherry Tree Books; Sexy Digest GGA Sleaze; Mysterious Bookshop NYC Tour; “Shuna” Jungle Girl Series; Best Rare US Dime Novels; Hardboiled Pulp Fiction Books; Rare British “World Fantasy Classics”; Fredric Brown early Bantam Paperbacks; “Boardman Bloodhound Books”; Checkerbooks US Paperback Book series; Gold Star “The New Tarzan Book Series”; British Gangster Digests; “Avon Science Fiction Reader” Series; Early Avon SF Fantasy & Horror.

(2) PETER RABBIT DEUX. The sequel arrives in theaters next Easter.

In PETER RABBIT™ 2: THE RUNAWAY, the lovable rogue is back. Bea, Thomas, and the rabbits have created a makeshift family, but despite his best efforts, Peter can’t seem to shake his mischievous reputation. Adventuring out of the garden, Peter finds himself in a world where his mischief is appreciated, but when his family risks everything to come looking for him, Peter must figure out what kind of bunny he wants to be.

(3) TOLKIEN GENESIS. Verlyn Flieger’s Scholar Guest of Honor Address for the 2019 Mythcon, “The Arch and the Keystone”, can be read online at Mythlore.

…Moving forward is more challenging. How can we contrive to move forward when, like Alice’s Red Queen, we have to run faster and faster just to stay in place? The growing body of writing both by and about Tolkien ensures that not only can we no longer read the unknown book I discovered in 1956, we can’t even all read the same book in 2019. We have too many opinions based on too much information from too many sources to come to a consensus. In spite of his fame, in spite of his position at the top of the heap, in spite of The Lord of the Rings’ established position as Waterstone’s Book of the Century, the world has and probably will continue to have trouble agreeing on who/what he is….

(4) BACK IN COSTUME. The Washington Post’s Tim Grieving interviews Mystery Science Theatre 3000 founder Joel Hodgson about why he returned to the series and why he is involved in Mystery Science Theatre 3000 Live, which is playing in Washington DC this weekend. “‘Mystery Science Theater 3000’ takes its audience down memory lane — with an eye on the future”.

…This weekend, Hodgson, 59, will sport the red jumpsuit for the first time since 1993 and bring the Great Cheesy Movie Circus Tour to the National Theatre, a live version of the MST3K format familiar to fans: making fun of bad movies — in this case, the British schlockfest “Circus of Horrors” (1960) and the 1986 kung fu flick “No Retreat, No Surrender” — interspersed with sketches.

(5) SF CONFERENCE IN CHINA. At Yunchtime, Mlex shares what he’s found out about “Chinese Science Fiction Conference 2019”, a November event sponsored by Science & Fantasy Growth Foundation.

…With the fourth annual conference scheduled to take place very soon in Beijing Nov 2019, I thought I would delve a little deeper into the conference and the organization behind it.

The 2019 conference will, for the first time, include participants from outside of China. These include Andrei Heim, Kevin Anderson, Leonard Mondrino, Mary Robinette Kowal, and Neil Clarke.

The Conference theme for 2019 is divided into tracks: “science fiction + culture”, “science fiction + technology”, “science fiction + science”, “sci-fi + film” “, science fiction + games”, “science fiction + youth.”

Organizationally, I get the impression that this has a professional team, strategizing about how to capitalize on the popularity of science fiction in China today, and that they are looking for not only ideas, but actual talent….

(6) BACK TO DUBLIN. I’m a bit overdue to link to España Sheriff’s conreport, “Worldcon 2019 in Dublin”.

…Besides the art show and print shop, Warehouse One was also housed several cool displays and craft items. There were half a dozen large scale lego constructions, including a massive Star Wars one by James Shields, a Community Drawing Wall, and a wall of art by Irish artist, including some Steve Dillon comic pages and Ian Clark’s wonderful Dublin 2019 artworks. There was programming in the Odean movie theatre screen rooms, and next door at the Gibson hotel, and some of it looked quite good. But ultimately when deciding what to see I factored in the walk there and back, and unless there were two items one after another there just didn’t seem worth it – by the end I attended no programming at Point Square excepting the art show and artist reception. In retrospect the 7-day LUAS transit pass would have been a good idea, but we didn’t see that option in time.

(7) BACK IN 1938. Let the LA Times’ Michael Rechtshaffen tell you about a cinematic discovery: “Review: Unreleased 1938 silent sci-fi film ‘As the Earth Turns’ boasts analog ingenuity”. The 45-minute film will be shown tonight in Glendale, CA.

Had Steven Spielberg been a 16-millimeter camera-toting teen in the 1930s, his home movies might have looked like “As the Earth Turns,” a black-and-white, silent 45-minute science-fiction film about a peace-crazed scientist named Pax who attempts to persuade the world to put down its weapons by inducing extreme climate change.

Made by Richard H. Lyford, a 20-year-old Seattle-based budding playwright and filmmaker who would go on to work as a Disney animator and Oscar-winning documentary director, the digitally restored 1938 original has been outfitted with a period-appropriate score by contemporary composer Ed Hartman.

(8) CROWDED FRAME. Variety headline: “Record 32 Animated Feature Films Submitted for Oscars”.

“The Addams Family,” “Frozen II,” “Toy Story 4,” “Abominable” and “The Secret Life of Pets 2” are among the record 32 movies submitted for the animated feature film category at the 2020 Oscars.

Last year’s Academy Awards race boasted 25 entries, while 2017 had 26 and 2016 had 27 (a then-record).

(9) ROAD MAP. This week’s Nature offers “Tips from a Pulitzer prizewinner” — author Cormac McCarthy. Though this advice is for writing research papers, it’s good, general writing advice…

• Use minimalism to achieve clarity. While you are writing, ask yourself: is it possible to preserve my original message without that punctuation mark, that word, that sentence, that paragraph or that section? Remove extra words or commas whenever you can.

• Decide on your paper’s theme and two or three points you want every reader to remember. This theme and these points form the single thread that runs through your piece. The words, sentences, paragraphs and sections are the needlework that holds it together. If something isn’t needed to help the reader to understand the main theme, omit it.

• Limit each paragraph to a single message. A single sentence can be a paragraph. Each paragraph should explore that message by first asking a question and then progressing to an idea, and sometimes to an answer. It’s also perfectly fine to raise questions in a paragraph and leave them unanswered.

• Keep sentences short, simply constructed and direct. Concise, clear sentences work well for scientific explanations. Minimize clauses, compound sentences and transition words — such as ‘however’ or ‘thus’ — so that the reader can focus on the main message.

(10) WHERE’D SHE GO? NPR’s Scott Tobias sighs, “‘Maleficent: Mistress Of Evil’ Clips Angelina Jolie’s Wings”.

As Disney continues to plunder its animated IP for live-action remakes, where these films fall on the spectrum of pointlessness has to do with how closely they adhere to the source. The remakes that simply copy the material from one format to the other, like Beauty and The Beast or Aladdin, have been consistently enervating whereas the ones that attempt a full gut rehab, like Dumbo or the excellent Pete’s Dragon, at least have the benefit of an independent artistic vision. In this particular creative desert, every droplet of water counts.

The 2014 fantasy Maleficent wasn’t a remake of Sleeping Beauty so much as an alternative telling, an act of playful revisionism that relates to the original as the novel and Broadway musical Wicked relates to The Wizard of Oz. The main twist — that Maleficent isn’t evil, but a wronged fairy taking revenge on a duplicitous king — riffs cleverly on the idea that everyone has their reasons. The film also nests other bits of commentary inside, like questioning whether Prince Phillip and Princess Aurora could have fallen in love so quickly or snickering at the notion that Aurora could dodge Maleficent’s curse by hiding in the woods for 16 years. But it works best as a vehicle for Angelina Jolie, whose enhanced cheekbones and villainous cackle suggested the making of a camp icon.

…Mistress of Evil loses the emotional stakes of the first film, which were rooted in a terrible injustice and the unlikely bond between Maleficent and the cursed princess she comes to adore. There’s a good angle here about the destructive potential of myth, tied to the stories that unfairly poison Maleficent in the human world, but Jolie goes missing for long stretches of the film as Ingrith does her scheming. And while it’s a pleasure to see Pfeiffer lay into a regal villain, it’s odd to see a Maleficent film with so little Maleficent, and all the giggly little sprites in the world can’t make up for it. Jolie was born to play the role, and the best strategy would have been to let her.

(11) TODAY IN HISTORY.

October 18, 2016 — The new edition of The Star Trek Encyclopedia by Michael Okuda and Denise Okuda was released. They were production staff on Next Generation, Deep Space Nine and Voyager. It was illustrated by Doug Drexler. Now a two volume. set with a slip case, it has five hundred new entries. 

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 18, 1917 — Reynold Brown. Artist responsible for many SF film posters. His first poster was Creature from the Black Lagoon which Mike included in a recent post, with other notable ones being Attack of the 50 Foot Woman, I Was a Teenage Werewolf and Mothra vs. Godzilla. (Died 1991.)
  • Born October 18, 1938 — Barbara Baldavin, 81. She was a recurring performer on Trek first as Angela Martine in “Balance of Terror” and “Shore Leave”.  She would also appear in the final season’s “Turnabout Intruder” as communications officer Lisa.  After that, she had one-offs on Fantasy Island and The Bionic Woman. She retired from the business in 1993.
  • Born October 18, 1938 — Dawn Wells, 81. Mary Ann Summers on Gilligan’s Island which y’all decided was genre. She and Tina Louise are the last surviving regular cast members from that series. She had genre one-offs on The Invaders, Wild Wild West and Alf.
  • Born October 18, 1944 — Katherine Kurtz, 75. Known for the Deryni series which started with Deryni Rising in 1970, and the most recent, The King’s Deryni, was published in 2014. As medieval historical fantasy goes, they’re damn great. 
  • Born October 18, 1951 — Jeff Schalles, 68. Minnesota area fan who’s making the Birthday Honors because he was the camera man for Cats Laughing’s A Long Time Gone: Reunion at Minicon 50 concert DVD. Cats Laughing is a band deep in genre as you can read in the Green Man review here.
  • Born October 18, 1951 — Pam Dawber, 68. Mindy McConnell in Mork & Mindy. She did very little other genre work, Faerie Tale Theatre and the Twilight Zone being the only other shows she did. She was however in The Girl, the Gold Watch & Everything as Bonny Lee Beaumont which is based off the John D. MacDonald novel of the same name. Go watch it — it’s brilliant! 
  • Born October 18, 1960 — Jean-Claude Van Damme, 59. Cyborg, the Universal Soldier film franchise and Time Cop are but three of his genre films. And he’s in some films in ways that aren’t necessarily apparent, i.e. he was an uncredited stunt double in Predator, and he had a cameo in Last Action Hero. 
  • Born October 18, 1964 — Charles Stross, 55. I’ve read a lot of him down the years with I think his best being the rejiggered Merchant Princes series. Other favorite works include the early Laundry Files novels and both of the Halting State novels. 

(13) COMICS SECTION.

  • The Argyle Sweater believes in ghastly puns, especially at Halloween.
  • JJ says, “Somehow I don’t think this was quite what Campbell had in mind for psience.” —

(14) CELEBRATING LONGEVITY. “Wonder Woman gets monumental, all-star 750th issue” – SYFY Wire has the story.

Wonder Woman is getting a special giant-sized comic book to commemorate an upcoming landmark issue.

Today, DC Comics announced it will assemble an all-star roster of writers and artists who will pack the 96-page super-sized one-shot with stories and artwork that chronicle the Amazonian princess from the 1940s all the way through to today. Contributing to the issue are long-time Wonder Woman scribes Greg Rucka and Gail Simone, along with the book’s current writer, Steve Orlando. 

(15) THE LATEST COUNT. John Kelly in the Washington Post has a profile of Dick Dyszel, who played “Count Gore De Vol” in Washington’s creature feature on Channel 20 from 1979-87.  The count is still busy, with his website, (countgore.com), and streaming short films on Vimeo. “The horror! Homegrown Count Gore De Vol is back for some Halloween high jinks” (2018 article.)

…I asked Dick which movies scared him as a kid growing up in Chicago. Not many, he said. “What I really liked were the big bug movies: ‘Them.’ ‘Tarantula.’ Things like that.”

In fact, Dick said he didn’t actually see the movie that scared him the most.

“I’m being very honest: There was a trailer I saw in the movie theater,” he said. “There was a closet door opening and some thing came out of the closet. It scared the living daylights out of me. I left the theater. Let’s face it, it’s a cheap horror thing: the unknown coming out of a door.”

Cheap but effective, just like Count Gore.

(16) SOUND RETREAT. SYFY Wire hopes this house may do as much for visiting writers as it did for the original owner: “Stephen King’s Bangor home to serve as archive, writers’ retreat”.

Great news, Stephen King fans … and aspiring writers! The Victorian mansion in Bangor, Maine, that King and his wife Tabitha have called home for decades has been reorged as a nonprofit and will open its ornate bat-decorated gate to scholars and authors.

The Bangor City Council on Wednesday approved the Kings’ request to rezone their home, per a story from Rolling Stone. Going forward, the red mansion at 47 West Broadway where the Kings raised their three children will serve as an archive of King’s work, while a guest house next door would serve as a writers’ retreat. The archive was previously at the Kings’ alma mater, the University of Maine….

(17) THE TIFF SPREADS. Another country objects to a map shown in this animated movie: “Abominable: A DreamWorks movie, a map, and a huge regional row”, followup on a Pixel from a few days ago.

Malaysian censors have ordered a scene to be cut from DreamWorks film Abominable before it is screened there – because of a brief glimpse of a map.

It is the third South East Asian country to take offence at the scene in the film, a Chinese co-production.

The contentious map shows the “nine-dash line”, which China uses to show its claims in the South China Sea.

Parts of the sea and various island groups are claimed by five other Asian countries, as well as China.

Vietnam has already pulled the movie – while Philippine politicians are calling for a DreamWorks boycott.

It might be merely a backdrop in an animated movie – but it shines a spotlight on one of the world’s hottest territorial disputes.

(18) SOME HOBBY. Meet “The man who owns 1,000 meteorites”.

On Christmas Eve 1965 a 4.5 billion-year-old meteorite exploded over the Leicestershire village of Barwell.

It was one of the largest and best recorded meteorite falls in British history: witnesses reported a flash in the sky accompanied by a loud bang, followed by a thud as one of the first pieces of space rock landed on the ground. As news of what happened emerged, the media descended on the village and a frantic search for the hundreds of scattered fragments began.

For nine-year-old Graham Ensor, who lived nearby, it was an event that would change his life, sparking an enduring passion for space rocks. The former lecturer now owns about 1,000 specimens, which experts believe could be the largest private collection in the UK.

(19) LOAFING AROUND. Kitchen Overlord celebrates this literary occasion with a ghastly looking baked good: “Dune Week: Spice Stuffed Sandworm Bread”. At the end of the post there are links to even more Dune-inspired recipes.

Since you honor my sietch with your visit, I will share the secrets of creating a proud, impressive, spice-scented effigy of the Great Maker of Arrakis….

 (20) VIDEO OF THE DAY. In “The Truth About Test Screenings” on Vimeo, SHAZAM! director David F. Sandberg gives an insider’s view of when test screenings matter and when they don’t.

[Thanks to John King Tarpinian, Martin Morse Wooster, JJ, Mlex, Chip Hitchcock, SF Concatenation’s Jonathan Cowie, Cat Eldridge, Mike Kennedy, Michael Toman, John Hertz, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Jack Lint.]

Pixel Scroll 2/27/19 A Pixel Traveling At 0.72C Is Approving a Rotating Scroll Travelling At 0.4C. Where’s The Best Place To Get Souvenir Turtles?

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(1) HOLLYWOOD ACCOUNTING. Bones isn’t a sff show (most of the time) but the litigation will send ripples throughout all the media empires: “Fox hit with $179-million judgment in dispute over profits from ‘Bones’ TV show” (LA Times).

In a stunning decision that could have widespread repercussions in the TV industry, Fox has been hit with a $178.7-million judgment in its profit participation dispute with the team behind the hit series “Bones.”

The ruling, which was decided in arbitration, excoriated senior Fox executives and criticized the studio and network for its conduct. The decision has also rattled other studios, including the highest echelons of the Walt Disney Co., which is bringing aboard some of the same executives in its $71 billion acquisition of Fox.

Hulu is also at the center of the storm, with accusations that Fox withheld revenues from “Bones” when the series became available for streaming on the digital platform. Fox owns a 30% stake in Hulu, along with other major studios.

… “The Arbitrator is convinced that perjury was committed by the Fox witnesses,” the ruling stated. “Accordingly, if perjury is not reprehensible then reprehensibility has taken on a new meaning.”

(2) STAND AND DELIVER. It’s Facebook’s ambition to supplant Patreon, but how greedy can you get? Very. See ComicsBeat’s roundup on the topic: “Shocker: Details of Facebook’s version of Patreon reveal very creator unfriendly terms”.

Despite some bumps, it’s obvious that Patreon’s subcription model for crowdfunding is a success, to the tune of $500 million in creat or payouts in 2019. With that kind of money floating around, it’s no wonder that some other giant entities – including YouTube and Facebook –  want to tap into the cash stream and launch their own subcription models to support creators.

Facebook’s version, “Fan Subscriptions,” rolled out last year in a very private test, offering to charge fans $4.99 a month for access to exclusive content by their favorite creators.

The program just expanded to offer its services to more content creators. And as Tech Crunch reports, reading the terms reveals, to the surprise of no one, that they are vastly less favorable to content creators than Patreon.

The Tech Crunch article says:

Facebook  will drive a hard bargain with influencers and artists judging by the terms of service for the social network’s Patreon-like Fan Subscriptions feature that lets people pay a monthly fee for access to a creator’s exclusive content. The policy document attained by TechCrunch shows Facebook plans to take up to a 30 percent cut of subscription revenue minus fees, compared to 5 percent by Patreon,  30 percent by YouTube, which covers fees and 50 percent by Twitch.

Facebook also reserves the right to offer free trials to subscriptions that won’t compensate creators. And Facebook demands a “non-exclusive, transferable, sub-licensable, royalty-free, worldwide license to use” creators’ content and “This license survives even if you stop using Fan Subscriptions.”

(3) NUMBER NINE. [Item by Greg Hullender.] Mike Brown just presented a paper with new results that significantly narrow down the parameters for a hypothetical Planet Nine beyond Neptune. He wrote a few blog posts about it, the most useful of which is probably this one: “version 2.X”.

The upshot is that this should make it easier to find, but it also seems more likely than ever that it’s really out there. Looking at that projected orbit, it’s way, way beyond Neptune. And, yes, it’s massive enough to have “cleared its orbit,” so it’s still a planet, even by the new definition.

In principle, there is so much more that I would like to say, but at this point I think it’s becoming progressively clearer that my coffee supply ran out a couple paragraphs ago, and in an effort to prevent further degradation of the text, I will get straight to the final point: if Planet Nine is smaller, does that mean it’s harder to find with a telescope? Counterintuitively, it’s the opposite. The smaller distance from the sun more than makes up for the diminished surface area. Indeed, if we make naive baseline assumptions about P9’s albedo and adopt the interpolated exoplanet mass-radius relation to estimate P9’s size, Planet Nine turns out to be about one magnitude brighter than we previously thought. Annoyingly, though, the aphelion is very close to (in?) the galactic plane, where confusion due to background stars can readily impede detection. Still, unless we are unlucky and P9 is unexpectedly small and/or dark, it should be within the reach of LSST and comparable telescopes like Subaru. The good news is that in the case of Planet Nine hypothesis, time truly will tell.

(4) OR HE COULD PHONE IT IN. A.V. Club reports “George R.R. Martin turned down a Game Of Thrones cameo for a very good reason”.

Speaking with Entertainment Weekly, Martin revealed that series showrunners David Benioff and D.B. Weiss asked him to travel all the way from his house in New Mexico to Ireland to film a cameo in one of the final season eight episodes, which, he says, he was “tempted to do.” Unfortunately, he’s a little too busy working on The Winds Of Winter, the next novel in the A Song Of Ice And Fire series–or so he says.

Anyway, if everyone wants this badly enough they can find a studio with a green screen in New Mexico, have Martin perform his bit, and fill in the rest with CGI.

(5) STORYBUNDLE. Cat Rambo has put together another Women’s History Month bundle, The 2019 Feminist Futures Bundle. She says –

This one has a great range of stuff in it, with some terrific indie and small press reads. One book I am particularly pleased to have there is K.C. Ball’s collection, which I edited. K.C. was a dear friend whose passing I wrote about here.

For StoryBundle, you decide what price you want to pay. For $5 (or more, if you’re feeling generous), you’ll get the basic bundle of four books in any ebook format—WORLDWIDE.

  • Snapshots from a Black Hole and Other Oddities by K.C. Ball
  • Sunspot Jungle by Bill Campbell
  • Elysium by Jennifer Marie Brissett
  • Queen of Roses by Elizabeth McCoy

If you pay at least the bonus price of just $15, you get all four of the regular books, plus SIX more!

  • Albatross by R.A. MacAvoy and Nancy L. Palmer
  • Cat Pictures Please and Other Stories by Naomi Kritzer
  • The Child Goddess by Louise Marley
  • Exile by Lisa M. Bradley
  • The Goodall Mutiny by Gretchen Rix
  • Mindscape by Andrea Hairston

(6) MEET THE CAST. SciFiNow has packaged them in one post — “The Twilight Zone teaser videos: meet the cast of the West End stage show”.

Reprising their highly praised performances from the Almeida run are Oliver Alvin-Wilson, Adrianna Bertola and Neil Haigh, who will be joined for the West End premiere by Alisha Bailey, Natasha J Barnes, Nicholas Karimi, Dan Crossley, Dyfan Dwyfor, Lauren O’Neill and Matthew Steer.

Here they are, talking about it…

(7) GET YOUR KICKS. Take a break and enjoy Genevieve Valentine’s lively and humorous “Red Carpet Rundown: The 2019 Oscars”.

Glenn Close. This is why some people who can reasonably expect a win still dress simply rather than go for something Fashiony; there’s no shame in seeming surprised you won, but the biggest shared glance-and-nod on this entire red carpet was Glenn Close dressing like the Oscar she was here to collect, and of course she was, because she had it in the bag, because she’d spent the entire red-carpet season in toned-down suits and gowns that looked extremely Career Oscar and reserved and dignified while she collected awards, and she threw it all out the window at the very last turn for this cape with four million beads (four MILLION beads!) to show up and get her statue, and then she didn’t get it.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 27, 1934 — Van Williams. He teamed for one season with the late Bruce Lee as his partner Kato on The Green Hornet and three Batman cross-over episodes. He would voice President Lyndon B. Johnson on the Batman series, show up in an episode of Mission Impossible, do a one-off Quinn Martin’s Tales of the Unexpected and that’s it. (Died 2016.)
  • Born February 27, 1938 — T.A. Waters. A professional magician and magic author. He appears not terribly well disguised as Sir Thomas Leseaux, an expert on theoretical magic as a character in Randall Garrett’s Lord Darcy fantasy series and in Michael Kurland’s The Unicorn Girl in which he also appears as Tom Waters. He himself wrote The Probability Pad which is a sequel to The Unicorn Girl. Together with Chester Anderson’s earlier The Butterfly Kid , they make up Greenwich Village trilogy. (Died 1998.)
  • Born February 27, 1944 — Ken Grimwood. Another writer who died way too young, damn it.  Writer of several impressive genre novels including Breakthrough and Replay which I’ve encountered and Into the Deep and Elise which are listed in ISFDB but which I’m not familiar with. (Died 2003.)
  • Born February 27, 1957 — Timothy Spall, 62. Before his more famous roles, he started off in late Sixties horror film Demon Dream as Peck Much later he’ll appear as Rosencrantz In Hamlet. And then we came to him as Mr. Poe in Lemony Snicket’s A Series of Unfortunate Events which I’ve yet to see. And of course he’s Peter Pettigrew, nicknamed Wormtail, in the Harry Potter franchise.  And yes, he’s done much, much more than that for genre roles, so do feel free to chastize me for not listing what you think is his best role. 
  • Born February 27, 1960 — Jeff Smith, 59. Creator and illustrator of Bone, the now complete series that he readily admits has “a notable influence being Walt Kelly’s Pogo”. Smith also worked for DC on a Captain Marvel series titled Mister Mind and the Monster Society of Evil.
  • Born February 27, 1962 — Adam Baldwin, 57. Genre roles include Firefly and its continuation in Serenity as Jayne Cobb. Colonel John Casey in Chuck, Independence Day as Major Mitchell and Mike Slattery in The Last Ship. He’s also done voice work such as Hal Jordan and Jonah Hex on Justice League Unlimited, and Metamorpho on Beware the Batman. 
  • Born February 27, 1964 — John Pyper-Ferguson, 55. I certainly remember him best as the villain Peter Hutter on The Adventures of Brisco County, Jr. but I see that he got he got his start in Canadian horror films such as Hello Mary Lou: Prom Night II and Pin: A Plastic Nightmare. His first major SF role was in Space Marines as Col. Fraser. And though he has an extensive one-off career in genre series, his occurrence as a repeated cast member is not uncommon, ie. he’s Agent Bernard Fainon the new Night Stalker for some episodes, shows up as Tomas Vergis on Caprica for six episodes and I see he’s had a recurring role on The Last Ship asTex Nolan. 
  • Born February 27, 1966 — Peter Swirski, 53. He’s a academic specialist on the late SF writer and philosopher Stanis?aw Lem. As such, he’s written the usual treatises on him with such titles as Stanislaw Lem: Philosopher of the Future, Lemography: Stanislaw Lem in the Eyes of the World and From Literature to Biterature: Lem, Turing, Darwin, and Explorations in Computer Literature, Philosophy of Mind, and Cultural Evolution. 

(9) COMICS SECTION.

  • Monty & Doc visit the past to find out how the Egyptian pyramids were constructed only to be surprised…
  • …but Monty still needs to be careful with his eggplant emoji; the Pharaoh might get the wrong idea.

(10) MAINTAIN AN EVEN STRAIN. Another dead author gets his name on a book above the title, though at least they acknowledge he didn’t write it (AP News: “Sequel to Michael Crichton’s ‘Andromeda Strain’ due in fall”). An authorized sequel to The Andromeda Strain—The Andromeda Evolution by Daniel H. Wilson—is due for a November 12 release by HarperCollins.

Its publication marks the 50th anniversary of “The Andromeda Strain,” Crichton’s techno-thriller about scientists fighting a lethal extraterrestrial microorganism. Released when Crichton was just 27, it was later adapted into a feature film and television miniseries, with Ridley Scott among the producers.

“It’s exciting to be shining a spotlight on the world that Michael so brilliantly created and to collaborate with Daniel Wilson,” [his widow,] Sherri Crichton[,] said in a statement. “This novel is for Crichton fans; it’s a celebration of Michael’s universe and a way to introduce him to new generations, and to those discovering his worlds for the first time.”

[…] “As a lifelong fan of Michael Crichton, it’s been an unbelievable honor to revisit the iconic world that he created and to continue this adventure,” Wilson said in a statement.

(11) MARS NEEDS LEGS. Wired UK says that, “Astronauts arriving on Mars won’t be able to walk. VR may save them.” It sounds a bit odd, but (re)training the brain to pay attention to signals from your inner ear is important after a long period of weightlessness.

It lasts around 23 minutes and feels “like going over Niagara Falls in a barrel, on fire, then crashing really hard.”

That’s how retired Nasa astronaut Ron Garan describes the return from space, strapped into the tight confines of a Soyuz capsule plummeting through the atmosphere back to Earth. The touchdown, slowed by a parachute and – at the very end – six small rockets, is called “soft,” but in reality it’s extremely rough.

We’ve all seen the scenes once the capsule has landed – astronauts and cosmonauts being carried away from Soyuz and carefully lowered into chairs. This is not a precaution; people returning from space literally cannot walk. The reason, however, is not the rough re-entry, but the fact that while in space, they have kind of lost their legs – albeit temporarily.

(12) DON’T YOU WANT SHORT FICTION TO LOVE: Continuing to read with cupidity,  Jason once again points to some February fiction he enjoyed including a possibly odd combination of horror and a Valentine’s Day tale in “Month in Review: February 2019”.

Counting a few stories from the late-breaking Tor.com Short Fiction and the last BCS and Terraform stories from January, February produced 48 stories of 210K words. It also produced the odd results of two recommended dark fantasy/horror stories with no SF or general fantasy and five otherwise noted SF stories with no fantasy (though one could easily be considered yet another sort of dark fantasy/horror). Three of the five come from my two February Tangent reviews of Constellary Tales and InterGalactic Medicine Show, which have some oddness of their own. The former was born recently and I reviewed the second issue. The latter contained the surprising announcement of its death in the editorial. So the gods of short fiction giveth and taketh away.

(13) MORE ON NEBULAS. J.A. Sutherland shines light on sff’s major awards and their different goals. Thread starts here.

https://twitter.com/JASutherlandBks/status/1100785659026042880
https://twitter.com/JASutherlandBks/status/1100785661756485632

Efforts to cast the kerfuffle over the 20BooksTo50K Nebula list as tradpub vs. indie civil war are tripped up by some of the facts.

It has come to our attention that one of our books, THE CONTINUUM by Wendy Nikel, was included in the 20booksto50K “slate” Nebula recommendation list. Neither the author nor anyone involved with World Weaver Press was aware of this list until yesterday, nor do we endorse it. While we would be thrilled to see this novella nominated for any of the major SFF awards, it needs to be nominated on its own merits, not as some sort of statement regarding “indie” vs. “trad pub.” Besides, we are actually a traditional publisher. Just a small one.

And JDA didn’t pay attention to Yudhanjaya Wijeratne saying he has a five book contract with HarperCollins.

Meanwhile, Wijeratne and his co-author are keeping the nomination but considering turning down the award if they win.

Cora Buhlert has an extensive review of what all parties have been saying in “Some Reactions to the 2018 Nebula Award Finalists”. She concludes:

As for the whole “indie versus traditional” rhetoric, honestly, that debate is so 2012. The stigma against self-publishing has long since evaporated. Can’t we move on and accept that indies, traditionally published authors and hybrids are all part of the same genre? The Nebulas aren’t hostile to indie works – the 2014 Best Novel finalist The Red: First Light by Linda Nagata was self-published, at a time when SFWA wasn’t even open to indie writers yet. The Hugos aren’t hostile to indie works  – the novelette “In Sea-Salt Tears” by Seanan McGuire in 2013 was the first self-published finalist and there have been several since.

Besides, most people were initially willing to give 20Booksto50K the benefit of a doubt. The reaction was mostly along the lines of, “Well, they’re new and don’t know the culture and etiquette. They’ll learn and maybe some of the stories are good.” But the huffy responses from some 20Booksto50K Nebula finalists and other members of the group (Lawsuits? Really?) have destroyed a lot of good will, not just towards this group, but also towards indie writers in general. And I really doubt that was the intent.

(14) IF THIS GOES ON. Bernard Lee’s cover art for Parvus Press’ forthcoming collection of original science fiction, IF THIS GOES ON: A Science Fiction Look at the Politics of Our Future, has been accepted into the exhibitions for both the Society of Illustrators East and West annual exhibitions.

Bernard is a California artist and illustrator and painted this cover as oil on canvas. It pictures the Lincoln Memorial lost to the waters of the Chesapeake following rampant, unchecked global warming. Underwater flora rise ominously behind the statue of the Great Emancipator and sandbar sharks, native to the Chesapeake, have taken residence inside the Memorial’s remains.

Said Colin Coyle, Publisher at Parvus Press, “It was nearly impossible to provide clear direction for the cover of a collection this diverse. But Bernard Lee rose to the challenge and produced a beautiful work of art that’s really a stand-alone contribution to the collection in its own right.”

The Society of Illustrators Exhibition in New York runs through March 9, 2019 as part of “Illustration 61” at the Society of Illustrations Museum in New York, located on 128 East 63rd Street. “Illustration West 57”, the annual exhibition of the Society of Illustrators of Los Angeles will be exhibiting the artwork in March. IF THIS GOES ON releases on March 5.

(15) NETFLIX. The OA Part II airs March 22.

No one survives alone.

(16) OPEN THE BOOK BOMB BAY DOORS. Following last week’s avalnche of posts by romance writers calling foul on people’s unscrupulous exploitation of Amazon’s business model comes one from Larry Correia defending himself for doing something no one has complained about: “A Note About Book Bombs” [Internet Archive link.] Isn’t there’s a Bible verse “The wicked flee where no man pursueth”?

A Book Bomb is when you get as many people as possible to buy a specific book on a specific day, with the goal of pushing it as high up in the sales rankings as possible on Amazon, with the goal of getting it onto some bestseller lists, so that more new eyeballs see it. This is a great way to expose an author to new readers.

Lots of people do this, but the ones we do here on Monster Hunter Nation tend to work better than average….

I’ve had bitter cranks whine about how this is “gaming the system” because apparently authors are supposed to sit quietly while tastemakers and critics decide what should be popular. No thanks. I’ll game that system then, and appointed myself a tastemaking critic. But a BB ain’t cheating because these are all legit sales using actual money, being purchased by actual human beings, who will hopefully enjoy the book enough to leave a review and purchase the author’s other books…. 

An altruistic effort to share his platform – what’s to complain about that?

(17) DREAM BIG. “OneWeb satellite internet mega-constellation set to fly” – BBC has the story.

London-based start-up OneWeb is set to launch the first six satellites in its multi-billion-pound project to take the internet to every corner of the globe.

The plans could eventually see some 2,000 spacecraft orbiting overhead.

Other companies are also promising so-called mega-constellations, but OneWeb believes it has first-mover advantage with an operational system.

…Assuming these pathfinders perform as expected, OneWeb will then begin the mass rollout of the rest of the constellation towards the end of the year.

This will see Soyuz rockets launching every month, lofting up to 36 satellites at a time.

To provide global internet coverage, there will need to be 648 units in orbit.

(18) SNEAK PREVIEW. “Sir Philip Pullman’s second Book of Dust out in October”. Here a clip from the top of the story; also has author commentary.

Sir Philip Pullman’s second instalment in his Book of Dust series, where he returns to the world of His Dark Materials, will be released in October.

Heroine Lyra Silvertongue is back as an adult in The Secret Commonwealth.

Lyra was a baby in the first book in the Book of Dust trilogy, La Belle Sauvage, which was critically acclaimed when it was released in 2017.

The new book is set 20 years after that, and seven years after the end of the His Dark Materials series.

Sir Philip’s publishers have released an extract from the start of the new book which sees Lyra at odds with her daemon Pantalaimon after they unwittingly witness a murder.

The book sees Lyra, now an independent young woman, “forced to navigate a complex and dangerous new world as she searches for an elusive town said to be haunted by daemons.”

[Thanks to Jason, Chip Hitchcock, JJ, John King Tarpinian, Martin Morse Wooster, Cat Eldridge, Mike Kennedy, Carl Slaughter, Cat Rambo, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Ellison Among SFF Figures in Academy Website’s Oscars In Memoriam 2019 Photos

Posted on by
Harlan Ellison

Many of the genre figures fans complained were missing from the “In Memoriam” video shown during the Academy Awards broadcast on February 24 do appear in its online gallery of over 200 “Oscars In Memoriam 2019 Photos”.

They include:

[Thanks to Steve Davidson for the story.]

2019 Academy Award Winners

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Black Panther claimed three Oscars at tonight’s 91st Academy Awards ceremony, for Production Design, Original Score, and Costume Design. First Man took the Visual Effects category. Spider-Man: Into the Spider-Verse was named the Best Animated Feature.

The complete list of winners follows:

Best Picture

  • Green Book

Lead Actor

  • Rami Malek, Bohemian Rhapsody

Lead Actress

  • Olivia Colman, The Favourite

Supporting Actor

  • Mahershala Ali, Green Book

Supporting Actress

  • Regina King, If Beale Street Could Talk 

Director

  • Alfonso Cuarón, Roma

Animated Feature

  • Spider-Man: Into the Spider-Verse, Bob Persichetti, Peter Ramsey, Rodney Rothman

Animated Short

  • Bao, Domee Shi

Adapted Screenplay

  • BlacKkKlansman, Charlie Wachtel, David Rabinowitz, Kevin Willmott, Spike Lee

Original Screenplay

  • Green Book, Nick Vallelonga, Brian Currie, Peter Farrelly

Cinematography

  • Roma, Alfonso Cuarón

Best Documentary Feature

  • Free Solo, Jimmy Chin, Elizabeth Chai Vasarhelyi 

Best Documentary Short Subject

  • Period. End of Sentence., Rayka Zehtabchi

Best Live Action Short Film

  • Skin, Guy Nattiv

Best Foreign Language Film

  • Roma (Mexico)

Film Editing

  • Bohemian Rhapsody, John Ottman

Sound Editing

  • Bohemian Rhapsody, John Warhurst

Sound Mixing

  • Bohemian Rhapsody

Production Design

  • Black Panther, Hannah Beachler

Original Score

  • Black Panther, Ludwig Goransson

Original Song

  • “Shallow” from A Star Is Born by Lady Gaga, Mark Ronson, Anthony Rossomando, Andrew Wyatt and Benjamin Rice

Makeup and Hair

  • Vice

Costume Design

  • Black Panther, Ruth E. Carter

Visual Effects

  • First Man