Review: A Monster Calls at Kennedy Center

By Martin Morse Wooster: So why do we go to the theatre?  The acting, yes, and the sets, and the importance of getting out of the house.  But I think the fundamental reason we watch plays is for the story.

Stories matter more in the theatre than in film because far more of a play is in our imagination than in a film.  Stripped of CGI and rewrites by multiple people, what plays offer at their best is one person’s offering us something where, if it works, we tell ourselves, “Yes, that was a good evening in the theatre,” and if it doesn’t, we gnash our teeth and feel miserable until we get home.[1]

A Monster Calls is an example of a production where the special effects are interesting, and the story is treacle.  I’m glad I saw it, but I wasn’t moved by the story.

The production is based on a novel by Patrick Ness.  I don’t know anything about Mr. Ness’s work and would love to hear from a Filer who is familiar with it and the work he has done for Doctor Who.  But he’s won a lot of British YA awards, including two Carnegie Medals, and his novel was turned into a film in 2016 with Sigourney Weaver and Liam Neeson.

A Monster Calls is the story of Conor O’Malley, who is 13 and is suffering in what the British call a comprehensive and we would call middle school. Other kids pick on him!  He talks back to his teachers!  His mother has a disease that requires a lot of pain pills!  His grandmother dreams about the 1970’s, where she wore hot pants and danced to Donna Summer!

Oh, and his father walked out on his family and started a new family in America, where he learned to say “buddy” and “champ” and complain about not having enough vacation.

But O’Malley’s home has a really old yew tree, old enough that it harbors a spirit.  Every night at 12.07, Conor falls asleep and drifts off to the land where the spirit emerges as The Monster, who makes O’Malley listen to his stories, including one set in some sort of primeval monarchy and another in the Industrial Revolution.  Can Conor get lessons from these stories that will help him solve his problems?

A Monster Calls is produced by Global Creatures, an Australian enterprise that has turned a bunch of Australian films into musicals (including Moulin Rouge!) but is also responsible for King Kong, a megaspectacle I never saw because, like Kong himself, it died in New York.[2]

 In the movie of A Monster Calls, the monster was CGI.  But I gather from this interview with director Sally Cookson the production team’s primary task was how to create the monster on stage.  Their solution was something with a lot of ropes that could be tied to represent the yew after being knotted in some secret way.  The monster was also an actor (played in the performance I saw by understudy Paul Sockett) who must spend a lot of time bare-chested in the tree and in at least one scene must walk around on stilts.

It’s an interesting effect, but I was also impressed with the eight cast members who, when not playing Conor’s tormentors at school, formed an ensemble that maneuvered on stage with the precision of a drill team.

But the problem with A Monster Calls is with its script by Sally Cookson and Adam Peck.  We’ve seen teens like Conor in a thousand movies and TV shows, and there’s nothing about him that is interesting or imaginative.   It’s so generic that the mother’s name is “Mum” and the grandmother’s is “Grandma.”  The interesting set design and the throbbing techno music by the Bower Brothers cover up a boring and generic story.  I was told by someone who has read the novel that in the book Conor and his mother are both artists who have both seen The Monster’s visions and can explain what they saw through their art.  That’s a subplot that doesn’t exist here.

I didn’t like A Monster Calls and I don’t think it was worth the ticket price.  But as someone with an abiding interest in fantasy and sf theatre, I’m glad I saw it.  It is a play that engaged my brain but not my heart.


[1]   Anyone who has seen A Doll’s House, Part II and remembers the profoundly stupid reverse that takes place 80 minutes into this 90-minute one-acter knows what I am talking about.  The production I saw could not be saved by the work of Holly Twyford, Craig Wallace, and Nancy Robinette, who are three of the best actors in Washington.

[2] Here I’m talking about the real King Kong, not any random giant ape who fought Godzilla.

2018 Novellapalooza

[Editor’s note: be sure to read the comments on this post for more novellas and more Filer reviews.]

By JJ: I’m a huge reader of novels, but not that big on short fiction. But the last few years, I’ve done a personal project to read and review as many Novellas as I could (presuming that the story synopsis had some appeal for me). I ended up reading 31 of the novellas published in 2015, 35 of the novellas published in 2016, and 46 of the novellas published in 2017 (though a few of those were after Hugo nominations closed).

The result of this was the 2016 Novellapalooza and the 2017 Novellapalooza. I really felt as though I was able to do Hugo nominations for the novella category in an informed way, and a lot of Filers got involved with their own comments. So I’m doing it again this year.

The success and popularity of novellas in the last 4 years seems to have sparked a Golden Age for SFF novellas, with Tor.com, Subterranean Press, NewCon Press, PS Publishing, Book Smugglers, Clarkesworld, Beneath Ceaseless Skies, and Tachyon bringing out a multitude of works, along with the traditional magazines Asimov’s, Fantasy and Science Fiction, and Analog – so there are a lot more novellas to cover this year. By necessity, I’ve gotten to the point of being more selective about which ones I read, based on the synopsis being of interest to me.

It is not at all uncommon for me to choose to read a book despite not feeling that the jacket copy makes the book sound as though it is something I would like – and to discover that I really like or love the work anyway. On the other hand, It is not at all uncommon for me to choose to read a book which sounds as though it will be up my alley and to discover that, actually, the book doesn’t really do much for me.

Thus, my opinions on the following novellas vary wildly: stories I thought I would love but didn’t, stories I didn’t expect to love but did, and stories which aligned with my expectations – whether high or low. Bear in mind that while I enjoy both, I tend to prefer Science Fiction over Fantasy – and that while I enjoy suspense and thrillers, I have very little appreciation for Horror (and to be honest, I think Lovecraft is way overrated). My personal assessments are therefore not intended to be the final word on these stories, but merely a jumping-off point for Filer discussion.

I thought it would be helpful to have a thread where all the Filers’ thoughts on novellas are collected in one place, as a resource when Hugo nomination time rolls around. Which of these novellas have you read? And what did you think of them?

I’ve included plot summaries, and where I could find them, links to either excerpts or the full stories which can be read online for free. Short novels which fall between 40,000 and 48,000 words (within the Hugo Novella category tolerance) have been included.

Please feel free to post comments about any other 2018 novellas which you’ve read, as well.

(Please be sure to rot-13 any spoilers.)

(fair notice: all Amazon links are referrer URLs which benefit non-profit SFF fan website Worlds Without End)

Read more…

Pixel Scroll 6/15/16 Great Sky Pixel

(1) DEFENDING SELF-DEFENSE. Larry Correia covers a lot of ground in “Self-Defense Is A Human Right” at Monster Hunter Nation. Here’s a representative excerpt.

Orlando is yet another example that Gun Free Zones are vile, stupid ideas. The intent is to prevent people from getting hurt. The reality is the opposite. Your feelings on the matter don’t change the results. The vast majority of mass shootings have taken place in areas where regular citizens are not allowed to carry guns.

I’ve seen a lot of people over the last few days saying that the “random good guy with a gun” is a myth. That is foolish simply because we have plenty of examples where a mass shooter was derailed or stopped by the intervention of a random person who happened to be near. Just in my home state alone, which is relatively peaceful, with low crime, a low population, and above average police response time in our urban areas, I can think of several instances where a killer was interrupted or stopped entirely by somebody other than the responding officers.

Sometimes these were regular citizens with concealed weapons permits (KSL shooting, mass stabbing at Smiths) and others they were off duty police officers in regular clothing going about their daily lives who responded first (Trolley Square, Salt Lake Library hostage situation) or even a parole officer who just happened to be at a hospital (Cache) for unrelated reasons, and ended up saving lives.

The identity of the responder doesn’t matter, just that there is one as soon as possible. The important thing is how much time elapses between the beginning of the massacre and the violent response, because that is time the killer is allowed to work unimpeded. In some cases the attack was in a gun free zone and the responders had to leave, go to their vehicles, retrieve a weapon, and then return (Pearl Mississippi, and if I recall correctly the Appalachian School of Law).

Traditionally the gay community has trended overwhelmingly statistically liberal in their politics, with a correspondingly low number of gun owners. But being unarmed also makes you easier victims for evil people. This has to change.

I don’t care what your personal beliefs are, or what your lifestyle is, self-defense is a human right. Take advantage of it. Please.

(2) EUROCON HITS MEMBERSHIP LIMIT. Eurocon 2016 Barcelona has sold out four months ahead of the event.

The committee is creating a waiting list where members who no longer want their memberships can arrange an exchange with people who wish to join—email [email protected]

Perhaps unexpectedly, the committee is also publicizing on its Facebook page things that people who don’t have memberships can do at and around the con:

Even if you are not lucky, there are several activities you can enjoy without a membership. Our DEALERS ROOM will be awesome! Bring your wallet and cards, we will make sure you keep on using them. You can also enjoy the EXHIBITIONS (three, but allow us our secrets for the moment), and there will be a number of presentations of books in the LIBRARIES of Barcelona.

Also, our friends at GIGAMESH bookstore will have special activities during the days before Eurocon, and CHRONOS bookstore has several surprises in the oven, too.

For a bit of money, if you have some left after the Dealers Room, there will be THREE PANELS open for the general public at CCCB. We are doing this in order to attract people from outside fandom, but that doesn’t mean these events can’t be enjoyed by true fans who, ahem, forgot to buy their memberships in time.

Last but not least, FILMOTECA DE CATALUNYA will project a few movies with panels afterwards featuring some of our celebrities. The tickets will not be expensive, we promise.

(3) CLASS. Showrunner Ness is conflicted — “Doctor Who spin-off will have a gay lead character”: should he take credit, or say that’s how the world should work?

Doctor Who spin-off TV series Class will feature an gay lead character, it has been confirmed.

Celebrated author Patrick Ness is helming upcoming the BBC spin-off series, which features teenagers at a school set in the Whoniverse.

The show has been described as a British take on Buffy the Vampire Slayer; and Ness revealed this week that like Buffy, one of the main characters will be gay.

After recent events in Orlando, he tweeted: “Been asked if Class will have LGBT representation in it. Will a lead character with a boyfriend who he kisses & sleeps with & loves do?

“We were keeping that secret, but today that secret doesn’t seem very important. #lovewins”

The series stars Mr Selfridge’s Greg Austin, alongside  Fady Elsayed, Sophie Hopkins and Vivian Oparah.

Ness added: “Kind of astounded that having a gay lead on Class has been such big news. One day it won’t be, one day soon.

(4) EYE ON SHORT FICTION. At Locus Online, “Rich Horton reviews Short Fiction, May 2016”.

March is science fantasy month at Beneath Ceaseless Skies, which I always like. There’s something about mixing SF and fantasy that to my mind brings forth ideas wilder and more colorful than either genre provides alone. The best, which is to say, weirdest example comes from Jason Sanford (not surprisingly). ‘‘Blood Grains Speak Through Memories’’ (3/17) is set in a far future in which the environment is preserved by ‘‘anchors’’, humans en­hanced by ‘‘grains’’ on their land. ‘‘Normal’’ humans (called day-fellows) are forced to a nomadic life: if they stay too long anywhere, or interfere with the environment (use too high technology, or cut down a tree), the grains will compel the anchors to kill them. Frere-Jones Roeder is an anchor with doubts, some related to her now dead life-partner, some to an atrocity she committed at the behest of the grains long before, some expressed in her concern for her son, exiled to life among the day-fellows. When a day-fellow girl becomes infected by the grains on her territory, she is finally pushed to take a drastic step. It’s cool and strange stuff, almost gothic at times, thought-provoking and honest.

(5) DROP IN ANYTIME. Jeremy P. Bushnell selects “Five Books Riddled with Holes” for Tor.com.

I have a good friend who suffers from trypophobia, the fear of holes. (If you think you might have this, I don’t recommend Googling it, as right on top of the search results is a rather horrific array of “images for trypophobia.”) When my new novel, The Insides, came out, I had to apologize to this friend—going so far as to offer to personally hand-annotate her copy of the book with trigger warnings—because holes are at the very center of the narrative. The novel features a set of characters who use magic to cut holes into the fabric of time and space, and these holes don’t always behave as they should: sometimes they open or reopen unexpectedly, sometimes weird things come out of them.

(6) THERE’S THAT PESKY TAVERN AGAIN. Guess what shows up in “Juliette Wade takes a ridiculously close look at the worldbuilding of Ancillary Justice” on Ann Leckie’s blog?

Paragraph 1:

The body lay naked and facedown, a deathly gray, spatters of blood staining the snow around it. It was minus fifteen degrees Celcius and a storm had passed just hours before. The snow stretched smooth in the wan sunrise, only a few tracks leading into a nearby ice-block building. A tavern. Or what passed for a tavern in this town.

I’m going to start here with the word “The.” That little article has an important job, which is to tell you that “body” is something that someone already knows about. It’s as if someone just said “Wow, a body,” and then the story picked up an instant later. As readers, we are seeing it for the first time, but we can sense that observing someone outside the boundaries of the page. Thus, “the” implies the presence of a narrator. The first hint of a world comes with “the snow around it.” Our minds produce a snowy scene.

(7) PLANETARY SOCIETY. In the fifth installment of The Planetary Post, Robert Picardo and Bill Nye take a special tour of NASA’s Goddard Space Flight Center to see the amazing new James Webb Space Telescope.

(8) EXTRA CREDIT. The Planetary Post webpage has additional links of interest.

Juno Orbit Insertion: The Juno spacecraft will arrive at Jupiter on July 4-5 (orbit insertion is on the night of July 4 in the Americas, early July 5 in the Eastern Hemisphere). This groundbreaking mission will improve our understanding of the solar system’s beginnings by revealing the origin and evolution of Jupiter. Watch our CEO Bill Nye demystify the cutting-edge science behind NASA’s Juno mission to Jupiter. Follow Emily Lakdawalla to learn when you will be able to see new Jupiter pictures from its camera, JunoCam.

Tanking It To The Streets: After an epic parade through the streets of Los Angeles, the last unflown space shuttle external tank arrived at the California Science Center to be displayed alongside the Space Shuttle Endeavour. The tank, known as ET-94, had quite an eventful journey—including a rescue at sea.

New Space Policy Podcast: Planetary Radio just launched a monthly podcast that looks underneath the hood of how NASA works. Join Space Policy Director Casey Dreier, Policy Advisor Jason Callahan, and Mat Kaplan in this new series exploring the history, politics, and process of how we get to space. A new episode will be released on the first Friday of every month. Subscribe to Planetary Radio on your favorite listening platform.

SpaceX’s Fantastic Four: Elon Musk and his team have done it again and landed a fourth first-stage booster. This makes three landings by sea and one by land. Be sure to watch the spectacular Falcon 9 landing from the side of the booster.

LightSail™ 2 Test Success: Our citizen-funded LightSail 2 spacecraft recently breezed through a major systems test. The CubeSat successfully deployed its antenna and solar panels, communicated with the ground, and unfurled its 32-square-meter solar sails in a lab setting. Read more in our full recap.

(9) JUST LIKE CLOCKWORK. Tor.com has posted the first chapter of David D. Levine’s Arabella of Mars as a free read.

Arabella-MarsA plantation in a flourishing 18th century British colony on Mars is home to Arabella Ashby, a young woman who is perfectly content growing up in the untamed frontier. But days spent working on complex automata with her father or stalking her brother Michael with her Martian nanny is not the proper behavior of an English lady. That is something her mother plans to remedy with a move to an exotic world Arabella has never seen: London, England.

However, when events transpire that threaten her home on Mars, Arabella decides that sometimes doing the right thing is far more important than behaving as expected. She disguises herself as a boy and joins the crew of the Diana, a ship serving the Mars Trading Company, where she meets a mysterious captain who is intrigued by her knack with clockwork creations. Now Arabella just has to weather the naval war currently raging between Britain and France, learn how to sail, and deal with a mutinous crew…if she hopes to save her family remaining on Mars.

Arabella of Mars, the debut novel by Hugo-winning author David D. Levine offers adventure, romance, political intrigue, and Napoleon in space—available July 12th from Tor Books. Read chapter one below, and come back all this week for additional excerpts!

(10) POWERED BY BELIEF. Kameron Hurley is a trusted interpreter of the career writer’s inner life — “Real Publishing Talk: Author Expectation and Entitlement”.

As I’ve had more interest in my work, and more opportunities have come my way, I’ve also learned how to say no to things that aren’t furthering my ultimate goal of building my work into its own powerhouse. This is another reason I still hold onto the day job, because it means I don’t have to take every deal or every opportunity. Still, it’s hard to say no. You’re always concerned about opportunities drying up. What if this is the best it ever gets? What if I don’t get an opportunity again?

And then I look at my career and I go, “We are just getting started.”

And it is this, this hope, this rally from the depths of doubt and despair, that keeps me going. You must believe in the future. You must believe you can create it. You must believe that endurance, and hard work, and persistence, will carry you through.

(11) YOON HA LEE. Aidan Moher was pleased he found a reason to persist, as he explains in “Stealing the Future: Ninefox Gambit by Yoon Ha Lee”.

I have a confession to make. When I finished the first chapter of Ninefox Gambit, the debut novel from noted short fiction author Yoon Ha Lee, I thought that was all I would read. It wasn’t clicking with me. I found the world confusing, the action gruesome, and the pace difficult to keep up with. I could recognize that novel’s quality, and the originality that Lee is known for, but other books beckoned, and there was an easy, lazy whisper at the back of my head. “It’s just not for you,” it said. I listened, and moved onto another book.

Yet, here I am reviewing it.

(12) SEASON 10 SHOOTING BEGINS. CinemaBlend tells fans “Doctor Who Is Giving Fans Way More Of An Unexpected Character”.

It was announced today that Bridesmaids star Matt Lucas will reprise Nardole for the opening episode of Doctor Who Season 10, which begins filming in Cardiff on June 20. Reuniting with the Twelfth Doctor and meeting his new companion, Bill (played by Pearl Mackie), for the first time, Lucas’ Nardole will have a recurring role throughout the season. The episode is being written by showrunner Steven Moffat, and it was also revealed that Sherlock actor Stephanie Hyam will have a guest cast role this season.

(13) CYBERPUNK WOMEN. Before moving on to the positives, Geoff Willmetts starts with the shortcomings of “Cyberpunk Women, Feminism And Science Fiction by Carlen Lavigne (book review)” at SF Crowsnest.

I had slight misgivings with the preface to Carlen Lavigne’s book, ‘Cyberpunk Women, Feminism And Science Fiction’ when she starts describing the history of cyberpunk without mentioning Bruce Bethke’s 1983 short story but in the proper introduction, she clearly is well read on the subject and covers the history in the following chapter. She describes cyberpunk as belonging to the 4 C’s: corporation, crime, computers and corporeality (read that as corporations) and the changes to our world today as computer technology takes over our reality and taken to extremes. She also includes cyborgs as a near fifth C. Oddly, she misses out the meaning of ‘punk’. Not the original meaning which meant ‘prostitution’ but that of rebellion as given with the UK punk movement of the 1980s. The reason why ‘cyberpunk’ didn’t really last that long was because, unlike William Gibson’s assertion that people would rebel against computers, is because they embraced the technology instead. Many of you people reading here lived through that period and look what you’re reading this review on. Something else Lavigne misses out on is Gibson admitting that he doesn’t like computers and I suspect those who read his novels probably raised their own eyebrows as to how druggies could program computers when you really need all your attention when writing code.

(14) OUTSIDE OF A WALRUS. Camestros Felapton created a parody of Tran Nguyen’s Spectrum-winning art “Traveling To a Distant Day,” as it appeared on the cover of semiprozine Hugo nominee Uncanny.

Then he shared his analysis: “Hugo Choices 8: Best Semiprozine – Sci-Phi beats No Award” — and for a moment I panicked because I thought that meant it was the only nominee he placed above the event horizon. But no, he means all the nominees deserve to be ranked above No Award.

What Sad Puppies (particularly SP4) has inadvertently demonstrated, is that the lack of authentic conservative voices in modern science fiction lies less with sinister conspiracies or SJW gate-keepers but rather a genuine lack of conservatives writing SF/F of any great depth. Sci-Phi journal hasn’t fixed that problem but at least it is attempting to do something constructive about it.

(15) GAIMAN ON STAGE. In the Baltimore Sun Tim Smith reviews a production of Neverwhere, the fantasy novel and BBC television series by Neil Gaiman adapted for stage by Robert Kauzlaric and performed by the Cohesion Theatre of Baltimore.  He says “this theatrical version…is well worth visiting.”

Whatever the influences, Gaiman spins a good, fresh yarn. And Kauzlaric’s adaptation does a mostly smooth job of cramming in characters and incidents, while maintaining a coherent thread.

Likewise, director Brad Norris proves adept at keeping the Cohesion production cohesive, drawing nicely delineated portrayals from the actors (accents are respectably achieved), and keeping the pace taut enough to make a long play feel almost speedy.

Some of the dry wit in the script could use brighter delivery; that may emerge as the run continues. But the violent bits — the story gets pretty dark at times — are well in hand, deftly guided by fight choreographer Jon Rubin….

(16) ABOUT FEYNMAN. In a 2011 TEDX talk called “Leonard Susskind: My Friend Richard Feynman”, Stanford physicist Susskind tells Feynman stories.  Sidney Coleman is mentioned starting at about 4:06 and continuing for a minute as Feynman, Susskind, and Coleman, take on some clueless philosophers over the nature of artificial intelligence.

Richard Feynman was a very complex man. He was a man of many, many parts. He was, of course, foremost, a very, very, very great scientist. He was an actor. You saw him act. I also had the good fortune to be in those lectures, up in the balcony. They were fantastic. He was a philosopher; he was a drum player; he was a teacher par excellence. Richard Feynman was also a showman, an enormous showman. He was brash, irreverent — he was full of macho, a kind of macho one-upmanship. He loved intellectual battle. He had a gargantuan ego. But the man had somehow a lot of room at the bottom. And what I mean by that is a lot of room, in my case — I can’t speak for anybody else — but in my case, a lot of room for another big ego. Well, not as big as his, but fairly big. I always felt good with Dick Feynman.

 

[Thanks to JJ, robinareid, Martin Morse Wooster, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day IanP.]