[Editor’s note: be sure to read the comments on this post for more novellas and more Filer reviews.]
TL;DR: Here’s what I thought of the 2019 Novellas. What did you think?
I’m a huge reader of novels, but not that big on short fiction. But the last few years, I’ve done a personal project to read and review as many Novellas as I could (presuming that the story synopsis had some appeal for me). I ended up reading:
31 of the novellas published in 2015,
35 of the novellas published in 2016,
46 of the novellas published in 2017,
and 38 of the 2018 novellas.
(and this year I was waiting for access to a few novellas, so I was reading others, and thus my final total crept up to 55!)
I really felt as though this enabled me to do Hugo nominations for the Novella category in an informed way, and a lot of Filers got involved with their own comments. So I’m doing it again this year.
The success and popularity of novellas in the last 5 years seems to have sparked a Golden Age for SFF novellas – so there are a lot more novellas to cover this year. By necessity, I’ve gotten to the point of being more selective about which ones I read, based on the synopsis being of interest to me.
It is not at all uncommon for me to choose to read a book despite not feeling that the jacket copy makes the book sound as though it is something I would like – and to discover that I really like or love the work anyway. On the other hand, It is not at all uncommon for me to choose to read a book which sounds as though it will be up my alley and to discover that, actually, the book doesn’t really do much for me.
Thus, my opinions on the following novellas vary wildly: stories I thought I would love but didn’t, stories I didn’t expect to love but did, and stories which aligned with my expectations – whether high or low.
Bear in mind that while I enjoy both, I tend to prefer Science Fiction over Fantasy – and that while I enjoy suspense and thrillers, I have very little appreciation for Horror (and to be honest, I think Lovecraft is way overrated). What’s more, I apparently had a defective childhood, and do not share a lot of peoples’ appreciation for fairytale retellings and portal fantasies. My personal assessments are therefore not intended to be the final word on these stories, but merely a jumping-off point for Filer discussion.
Novellas I’ve read appear in order based on how much I liked them (best to least), followed by the novellas I haven’t read in alphabetical order.
I’ve included plot summaries, and where I could find them, links to either excerpts or the full stories which can be read online for free. Short novels which fall between 40,000 and 48,000 words (within the Hugo Novella category tolerance) have been included.
Please feel free to post comments about any other 2019 novellas which you’ve read, as well. And if I’ve missed your comment about a novella, or an excerpt for a novella, please point me to it!
Here’s the logline on Way Station: For more than 100 years Enoch Wallace has been the keeper of a Way Station on Earth for intergalactic alien travelers as they teleport across the universe. But the gifts of knowledge and immortality that his intergalactic guests have bestowed upon him are proving to be a nightmarish burden, for they have opened Enoch’s eyes to humanity’s impending destruction. Still, one final hope remains for the human race.
A second Game of Thrones prequel is in the works at HBO.
Sources confirm to The Hollywood Reporter that the premium cable network is near a deal for a pilot order for a prequel set 300 years before the events of the flagship series that tracks the beginnings and the end of House Targaryen. Ryan Condal (Colony) and Game of Thrones author George R.R. Martin will pen the script for the drama, which is based on Martin’s book Fire & Blood.
…I asked myself three questions, then, to challenge my knee-jerk defense of the status quo–and I’d encourage you to employ similar the next time a group decision focussed on harm-reduction finds you, initially, “on” or “on the other side of” the fence.
1. To whom are you listening in this debate?
In the wake of my defensiveness, I had to make a concerted effort to read counterpoints to my perspective. Lots of them. And as I did, I took note of the times when I felt the greatest urgency to seek out both-sides-ism, to return to the security of others whose initial reactions were the same as mine: folks reluctant to change the name of this award, to own up to the pain Sheldon’s story has left in the hearts of many living human beings.
Critically, too, I didn’t then seek out those arguments when I wanted to–because what need did I have of them? They’d be sheer preaching to the choir, like the reading of apologetics for some Christians when faced with doubts. But I did note the contexts in which I most wanted to dive for shelter… and those contexts? They were usually when someone said something that challenged me to reason from empathy, to recognize the humanity of other people marginalized by Sheldon’s prominence at potential cost to the value of her disabled husband’s life. At those points most of all, I felt the urge to hide behind the presumption of neutrality, in superficial phrasing like, Well, no one can say for sure what happened that night!
Which, sure, is true… but then why was I still automatically favouring one interpretation–the more convenient interpretation–over another that people were actively telling me did harm to their sense of full and safe inclusion in SF?
…Toy Biz’s motion acknowledged that the X-Men “manifest human characteristics at varying degrees,” but argued that most are more of a mixed bag of human and non-human aspects. For example, the document specifically calls out Wolverine (rude!) for having “long, sharplooking [sic] claws grafted onto his hands that come out from under his skin along with wolf-like hair and ears.”
Don’t body-shame Wolverine! He tries very hard!
Judge Barzilay’s official ruling, in which Toy Biz prevailed, states “the action figure playthings at issue here are not properly classifiable as ‘dolls’ under the HTSUS by virtue of various non-human characteristics they exhibit.”
You’re a parent. You love horror. But horror is scary. So how to share this love of horror with your young, innocent, in-love-with-the-world child?
…For me and my family, the first step to introducing horror was to introduce the language of scares without, really, the fear. It’s hard to be a little kid. You are tiny, and surrounded by giants. Nothing makes sense, and every outcome is uncertain. Mom’s leaving…Will she come back?! How long is an hour?! It’s unknowable. And worse, there might actually be a monster under the bed. Or in the closet — you just don’t know.
This is where Vincent Price and Scooby-Doo came in handy. It’s pretty unlikely any kid is going to be legitimately frightened by an episode of Scooby-Doo. And yet, there are ghosts, goblins, witches, vampires, werewolves, creepers, and more, all running about. I’m actually not a huge Scooby fan, but I found the Cartoon Network Scooby-Doo Mystery Incorporated series to be excellent. I watched a big chunk of it with my kids, who were five and seven at the time. They loved it, and still do. We re-watch episodes regularly. In a world where asking a kid who has grown up with an iPhone to watch Bela Lugosi’s Dracula seems like a bridge too far, this is a show that is fast-paced, conversant in horror tropes, dabbles in grotesque/frightening imagery, and is funny, smart, and good. It’s also a show that prominently features Vincent Van Ghoul, who is a not-at-all-disguised representation of Vincent Price.
…So far, that action includes two rather modest initiatives, unveiled on Wednesday. One is an online petition (eBooksForAll.org) urging Sargent and Macmillan to reconsider the publisher’s recently announced embargo. The other is a new online book club, in partnership with OverDrive. The “Libraries Transform Book Pick” will offer library users unlimited access to a selected e-book for two weeks, with no holds list and no waiting. The first pick is Kassandra Montag’s debut novel After the Flood (HarperCollins), which will be available for unlimited e-book checkouts at public libraries from October 7-21.
(7) WORDS OF A FEATHER. Paul Di Filippo’s F&SF
column “Plumage from
Pegasus” tells all about a collaboration by two of the genre’s
founders that was largely unknown ‘til a couple of years ago: Flora Columbia: Goddess of a New Age, by Jules Verne and H. G. Wells.
In the year 1901, with the publication of his ninth novel, The First Men in the Moon, H. G. Wells, then a thirty-five-year-old wunderkind, cemented his reputation as the leading purveyor of “scientific romances.” The acclaim accorded to this British upstart, however, did not sit well with the aging lion of the nascent genre, Jules Verne—then an ailing seventy-three and just a few years away from his own death. Verne did not care for Wells’s less-stringent approach to scientific speculation, nor for his wilder imagination. In fact, Verne was so perturbed that he gave vent to his famous direct criticism of the novel: “I sent my characters to the moon with gunpowder, a thing one may see every day. Where does M. Wells find his cavorite? Let him show it to me!”
So much is a matter of historical record. But what came next remained secret until just recently.
Both irked and disappointed by the jab from this venerable figure who had done so much to pioneer imaginative literature and whose respect he would have relished, Wells did a daring thing. On a mission both conciliatory and confrontational, he journeyed to France to confront the Master. In Amiens, at 44 Boulevard de Longueville, he was received with a wary hospitality. But after some awkward conversation over a lunch of calvados and choucroute garnie, the two writers found a shared footing in their mutual love of “science fiction,” a term they would not even have recognized. And then, impulsively, they decided to seal their tentative new friendship in a manner befitting their shared passion.
They would collaborate on a short novel….
(8) COLLINS OBIT. Charles Collins (1935-2019) died August 26 at the age of 83. He worked as a Publisher’s Representative, eventually becoming co-owner of Como Sales Company. Also, with Donald M. Grant, he co-founded Centaur Press, later renamed Centaur Books, a small press active from 1969 through 1981.
It was primarily a paperback publisher, though one of its more successful titles was reissued in hardcover. It was notable for reviving pulp adventure and fantasy works of the early twentieth century for its “Time-Lost Series.”
Authors whose works were returned to print include Robert E. Howard, Arthur O. Friel, Talbot Mundy, H. Warner Munn, and William Hope Hodgson. In the sole anthology it issued, the press also premiered a new work by Lin Carter. In later years it also published longer works by contemporary authors, including Carter, Galad Elflandsson, and Robb Walsh. Its books featured cover art by Jeff Jones, Virgil Finlay, Frank Brunner, Stephen Fabian, Randy Broecker, and David Wenzel.
The family obituary is here.
Collins’ own history of Como Sales Company is here.
(9) TODAY IN HISTORY.
September 13, 1969 – CBS introduced Scooby Doo, Where Are You? 50 years ago this week: Quoting the Wikipedia —
September 13, 1974 — Planet of the Apes debuted as a weekly television series with the “Escape from Tomorrow” episode. Roddy McDowall was once again Galen. Due to really poor rating, CBS canceled the series after 14 episodes.
September 13, 1999 — On this day, in the timeline inhabited by the crew of Space: 1999, the events told in the “Breakaway” premier episode happened.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 13, 1898 — Arthur J. Burks. He sold his first stories to Weird Tales in 1924. He became one of the “million-word-a-year” men in the pulp magazines by dint of his tremendous output. He wrote in the neighborhood of eight hundred stories for the pulps. Both iBooks and Kindle have some of his fiction available for free if you care to see how this pulp writer reads. (Died 1974.)
Born September 13, 1926 — Roald Dahl. Did you know he wrote the screenplay for You Only Live Twice? Or that he hosted and wrote for a sf and horror television anthology series called Way Out which aired before The Twilight Zone for a season? He also hosted the UK Roald Dahl’s Tales of the Unexpected. My favorite Dahl work is The BFG. What’s yours? (Died 1990.)
Born September 13, 1931 — Barbara Bain, 86. She’s most remembered for co-starring in the original Mission: Impossible television series in the 1960s as Cinnamon Carter, and Space: 1999 as Doctor Helena Russell. I will confess that I never watched the latter. Her first genre role was as Alma in the “KAOS in CONTROL” episode of Get Smart!
Born September 13, 1932 — Dick Eney. Most notably, in 1959 he published Fancyclopedia 2, an over two hundred page encyclopedia of all things fandom. He worked on committees for Discon I, Discon II, and Constellation and was the Fan Guest of Honor at L.A.Con II, the 1984 Worldcon. He served as OE of FAPA and SAPS and was a member of The Cult and the Washington in ’77 Worldcon bid. He was toastmaster at Conterpoint 1993. (Died 2006.)
Born September 13, 1936 — Richard Sapir. Pulp writer in spirit if not in actuality. Among his many works is The Destroyer series of novels that he co-created with Warren Murphy. (Murphy would write them by himself after death of Sapir starting with the seventy-first novel until the series concluded with ninety-sixth novel.) And the main character in them is Remo Williams who you’ll no doubt recognize from Remo Williams: The Adventure Begins where Fred Ward played Remo which I’ve watched but remember nothing of thirty years on. (Died 1987.)
Born September 13, 1939 — Richard Kiel. He’s definitely best remembered for being the steely mouthed Jaws n The Spy Who Loved Me and Moonraker. Now let’s see what other SFF films he’s been in… His very last genre work was voicing Vlad in the animated Tangled with first his being The Salorite in The Phantom Planet. He was Eegah in the low budget horror film Eegah, a giant House of the Damned, Dr. Kolos in The Human Duplicators, Psychiatric Hospital Patient in Brainstorm, Bolob in the Italian L’umanoide, internationally released as The Humanoid, and he reprised his Jaws character in Inspector Gadget. Series wise, he’s shown up in The Man from U.N.C.L.E., Twilight Zone, Kolchak: The Night Stalker, The Wild Wild West (where he working in a recurring role with Michael Dunn as Dr. Miguelito Loveless), I Dream of Jeannie, Gilligan’s Island, Land of The Lost and Superboy. (Died 2014.)
Born September 13, 1944 — Jacqueline Bisset, 75. I never pass up a Bond performance and so she’s got on the Birthday Honors by being Giovanna Goodthighs in Casino Royale even though that might have been one of the dumbest character names ever. As near as I can tell, until she shows up in as Charlotte Burton in the “Love the Lie” episode of Counterpart that’s her entire encounter with genre acting.
Born September 13, 1947 — Mike Grell, 72. He’s best known for his work on books such as Green Lantern/Green Arrow, The Warlord, and Jon Sable Freelance. The Warlord featuring Travis Morgan is a hollow Earth adventure series set in Skartaris which is a homage to Jules Verne as Grell points out “the name comes from the mountain peak Scartaris that points the way to the passage to the earth’s core in Journey to the Center of the Earth .
Born September 13, 1961 — Tom Holt, 59. Assuming you like comical fantasy, I’d recommend both Faust Among Equals and Who Afraid of Beowulf? as being well worth time. If you madly, truly into Wagner, you’ll love Expecting Someone Taller; if not, skip it.
Born September 13, 1969 — Bob Eggleton, 50. He’s has been honored with the Hugo Award for Best Professional Artist eight times! He was guest of honor at Chicon 2000. There’s a reasonably up to date look at his artwork, Primal Darkness: The Gothic & Horror Art of Bob Eggleton which he put together in 2010 and was published by Cartouche Press.
Mapping Winter (2019) is Marta Randall’s reworking of her 1983 novel, The Sword of Winter. (Randall talks more about the story behind the book here.) Its release as Mapping Winter was followed shortly by the all-new sequel The River South, with the two novels making up the RIDERS GUILD series. It’s a secondary-world fantasy, but without magic; I was about two-thirds of the way through the book when I realized, “Huh, I don’t think there’s been any magic!” What it does have is a nation poised between feudalism and industrialization.
Kazuma Kamachi’s ongoing series of short novels and their associated manga and anime (A Certain Magical Index, A Certain Scientific Railgun, A Certain Scientific Accelerator, etc.) is set in Academy City. The city is home to over two million students, most of whom have some degree of reality-breaking Esper power. Some can control electromagnetism; some can keep objects at a constant temperature. Imagine the Xavier School for the Gifted with the population of Paris, France. Unlike the leadership of Xavier’s school, however, the people running Academy City are ambitious people entirely unfamiliar with the concepts of consent or ethics….
(13) ABOUT THAT DEAD HORSE. Good point – after all, how many people would watch a channel that mostly runs commercials?
…In a world of twitter, and direct messages, and texts, and instant social media, long form letters are a delightful retro technology and form. Epistolary novels and stories, never the most common of forms even when letters were dominant as a means of communication, are exceedingly distinctive just by their format in this day and age. It’s a bold choice by the authors to have the two agents, Red (from a technological end state utopia) and Blue (from a biological super consciousness utopia) to start their correspondence and to have their letters (which take increasingly unusual forms as described in the narrative) be the backbone of the action. Every chapter has one of the principals in action, and a letter from the other principals, giving a harmonic balance for the reader as far as perspective. But it is within the letters themselves that the novella truly sings and shows its power.
The theme of Sarah Moss’s latest novel, Ghost Wall, can be summed up by a William Faulkner quote: “The past is never dead. It isn’t even really past.” Sylvie’s father plans an unusual vacation for their family: joining a local college professor’s project to spend a couple of weeks living the way British people did in the Bronze Age. This involves some of the physical discomforts you would expect, such as foraging for food in the summer heat and living in huts. But things take a darker turn as Sylvie’s father’s fascination with the period deepens into obsession. And not all the hazards of the era were natural ones; there’s evidence that a nearby bog was a site of human sacrifice….
(16) ALASDAIR STUART. It’s Full Lid o’clock!
(17) THE MESSAGE. Joseph Hurtgen has just released his
second sff novel with a theme chosen for reasons he explains in “Why I Wrote an Anti-Gun, Anti-Trump, Environmental
Science Fiction Novel “. “This novel is an exercise in hoping our
democracy outlasts this election cycle, hoping our generation doesn’t destroy
the planet, and hoping that we could rise above greed to make our nation safe
for our children. What better place to do all this hoping than in the pages of
The book follows William Tecumseh Sherman as he time travels around America’s history, talking to presidents that like their guns and aren’t interested in instituting environmental protections.
I realize that it’s a bit of stretch that Sherman would get involved politically. Sherman once said if he was elected, he wouldn’t serve. But isn’t that precisely the kind of leader America needs? Someone disinterested in leadership wouldn’t likely have ulterior motives for holding a position of power: no Putins to please, no buildings to build in Moscow or the Middle East.
But the reality of American politics is that those willing to profit from power are rewarded for it. In 2019, the emoluments clause might as well be struck from the record. It clearly isn’t taken seriously. But emoluments are only the tip of the ugly iceberg.
It’s being promoted as the biggest live immersive game yet. Variant 31 is theatre – there are 150 real-life performers involved. But its creator is hoping it will bring in video gamers – and people who like jumping out of aircraft.
If you heard reports of reanimated cadavers roaming at will beneath New Oxford Street you might suppose London had been having a particularly bad day for public transport.
But producer Dalton M Dale is proud to stand in a slightly musty former shop basement and talk of the malevolent band of marauding zombies he’s adding to the growing world of immersive theatre.
He’s from North Carolina but in 2017 he came to London after a few years working on immersive shows in New York.
“London is the place to push the envelope of what immersive storytelling can do: the point about Variant 31 is that as you move through our really large site you get actively involved in the story. That’s instead of standing at a slight distance and observing and admiring, which has often been the case with even the best immersive experiences.”
…”You start at Patient Intake at Toxico Technologies,” Dale explains. “Toxico 25 years ago has manufactured strange and nefarious materials for chemical warfare. You are given a piece of wrist technology which at key points across 35 floors will allow you to do various things: you can alter the lighting and open hidden passages and even change the weather.
“Creatures emerge as you move through. From the moment you step into this world the hunt is on and someone wants to catch you. Oh, and always bear in mind: the only way to kill a zombie is to aim for the head.
Players score points by killing the creatures and at the end of the experience there will be just one winner from your group. “We claim this is the first truly immersive experience: it’s not spoon-fed like some other shows. Your presence matters and genuinely changes what goes on.”
A Russian activist used a drone to get his data out of his high-rise flat when police came to search it.
Sergey Boyko says he sent hard drives to a friend by drone when police banged at his door at 10:00 local time, to avoid them getting hold of the data.
The search was part of a nationwide crackdown on the opposition.
Around 200 raids have been carried out in the past few days after the ruling party suffered major losses in local elections in Moscow.
A YouTube video taken (in Russian) by a female companion shows Mr Boyko, who lives in the Siberian city of Novosibirsk, releasing a drone from his flat in a tall apartment block as police wait to be let in.
Mr Boyko heads the local branch of the movement of opposition leader Alexei Navalny, who campaigned for voters to defeat candidates of the United Russia party using tactical voting in Sunday’s city council election.
The activists say the raids are a form of revenge by the authorities for the setbacks.
OF THE DAY. In A Month of Type on Vimeo, Mr Kaplin animates
[Thanks to Mike Kennedy, JJ, Martin Morse Wooster, Chip Hitchcock,
John King Tarpinian, Cat Eldridge, Joseph Hurtgen, IanP, and Andrew Porter for
some of these stories. Title credit goes to File 770 contrbuting editor of the
day Matthew Johnson.]
…Mascarenhas has said of her novel that time travel “[makes] you constantly think of what stories people leave behind”. Every time we recover a female author, scientist, doctor, activist, every time we affirm that black people lived in medieval Europe, that queer people have always existed and often led happy lives, we change history – not the past, crucially, but history, our story about the past, our narratives and paradigms. And as we change history, we change the future. I’d worried that our book wouldn’t be relevant – it turns out all of us were right on time.
(2) WORLDCON DINING. Now is when this massive project pays
off – Dublin 2019 Eats – compiled by Guest of Honour Diane Duane and Peter Morwood.
…For a lot of years now, SFF conventions have often had local restaurant guides to help their attendees find out what the local food options were. With this concept in mind, and as a way of assisting our thousands of convention visitors in finding their way around the Dublin food scene, in 2018 we came up with the concept of this casual online guide to food that’s either in the immediate area of the Dublin Convention Centre, the Worldcon’s main venue, or accessible from that area via public transport. Your two site managers — locally-based science fiction and fantasy novelists and screenwriters Peter Morwood and Diane Duane — have between them some seventy years of experience at the fine art of tracking down and enjoying great Dublin food.
For the purposes of this guide, our attention is focused mostly on food located near the city’s fabulous Luas tram system — mainly the Red Line that serves the DCC, but also the Luas Green Line that connects to it.
We have a focus on affordable food — because we, like a lot of our Worldcon guests, have often had to spend enough just getting to the venue to make the cost of eating an issue.
…The result is a show suffused with anxiety. When discussing Years and Years, I’ve found that people tend to reference its big dramatic moments, such as the ending of episode 1, in which an air raid siren alerts the gathered family to the fact that the US has dropped an atomic bomb on a Chinese military base (Davies doesn’t try too hard to ground his predictions in carefully-reasoned reality, but his speculation that Donald Trump would do something like this on his final day in office is scarily plausible). Or that of episode 4, in which Daniel and Viktor board an overloaded inflatable raft in a desperate attempt to cross the handful of miles separating Calais from England. But I think the scene that will hit a lot of viewers where they live is actually the end of episode 2, in which Stephen and Celeste race to their bank to try to retrieve even some of their money, and find themselves in a crowd of people hoping to do the same, all equally doomed. The first two are things that you can imagine happening, but maybe not to you. The second feels like exactly the sort of calamity that the comfortably middle class people the show has been aimed at are most likely to experience in the coming decades….
Renowned for his beloved and acclaimed children’s books, Maurice Sendak (1928–2012) was also an avid music and opera lover. In the late 1970s, he embarked on a successful second career as a designer of sets and costumes for the stage. Drawing the Curtain: Maurice Sendak’s Designs for Opera and Ballet will be the first museum exhibition dedicated to this aspect of his career. It will include storyboards, preparatory sketches, costume studies, luminous watercolors, and meticulous dioramas from Mozart’s Magic Flute, Janá?ek’s Cunning Little Vixen, Prokofiev’s Love for Three Oranges, Tchaikovsky’s Nutcracker, and an opera based on Sendak’s picture book Where the Wild Things Are.
The exhibition will include nearly 150 objects drawn primarily from the artist’s bequest to the Morgan of over 900 drawings. Sendak borrowed gleefully from a personal pantheon of artists, some of whom he encountered firsthand at the Morgan. Several such works, by William Blake, Wolfgang Amadeus Mozart, and Domenico and Giambattista Tiepolo, will be displayed alongside his designs. Although less well known than his book illustrations, Sendak’s drawings for the stage embody his singular hand, fantastical mode of storytelling, keen—sometimes bawdy—sense of humor, and profound love of music and art history.
…The emotional dynamism of Delany’s sentences has been perhaps less acknowledged than his world-building, or the sweep of his vision. But when asked to speak about writing as a practice, Delany himself often turns to the art ofsentences, and of how to imbue words with such “ekphrastic force” that they summon the material presence of an imagined world. When Korga and Marq return to themselves they are awe-struck, struggling to narrate the intensity of their own transformative experience. It is impossible not to hear in that a metatextual echo of the obsession of Delany’s practice: that of creating the most immersive possible aesthetic experience for us, his readers and devoted enthusiasts….
…Not long ago I was reading a collection of essays by Hilaire Belloc titled One Thing and Another, and, as is sometimes the case when I read other people’s essays, I got the idea of writing this one. The “idea,” such as it was, had nothing to do with the subject matter of any of the forty essays contained in Belloc’s book; what struck me was that the pages smelled as if they had been soaked in gasoline. I remembered abruptly that it had smelled that way when I’d bought it, and although it has sat on the shelf in my study for twenty years, waiting to be read, the odor hasn’t diminished. It could be fatal to light a match anywhere near it.
This olfactory discovery sent me off in a nostalgic search for my copy of Philip K. Dick’s Dr. Bloodmoney, which Phil gave to me in 1975. My wife, Viki, and I took off on a road trip a few days later in our old Volkswagen Bug, and I brought the book along. It mysteriously disappeared early one rainy morning in central Canada, and I didn’t find it again until a year later, after the car’s battery died. The VW’s battery was under the back seat, and when I pulled out the seat to get at the battery, there was Dr. Bloodmoney, its cover partly eaten by battery acid. I was monumentally happy to find it. The book is inscribed to “Jim Blaylock, a hell of a neat dude,” the only existing written evidence of that allegation….
Built in 1907, the Mizpah Hotel in haunted Tonopah has many spirits supposedly roaming its halls, including Rose, a prostitute murdered by a jealous gambler. Guests report items that mysteriously move and an old elevator whose doors randomly open and close.
…Also, I’ve only ever seen one scene from the entire movie, when a hooded figure wielding a hook stabs a dude in the stomach and blood starts coming out of that man’s mouth. I have watched hundreds of horror films since, but stop me in the street and ask me: What’s the scariest movie you’ve ever seen? and I will unwaveringly answer “I Know What You Did Last Summer, because I was a seven-year-old wuss who had never seen a grown man run through with a sheep hook in a gas station lot before.”
What I’m saying is, “scary” is a silly metric by which to measure a horror movie’s quality, especially if it’s the only one you use. Not to get all “I own a thesaurus” on you, but there are distinct differences between something that’s scary, spooky, threatening, shocking, dreadful, et cetera. The new big horror release, Scary Stories To Tell In the Dark, for example, writes a check the movie needs to cash. It’s right there in the title…
(9) TODAY’S DAY. [Item by Hampus Eckerman.] Moomin Day today:
But not everyone is happy. Here are demonstrators from
last weeks manifestation against the placement of a new Moomin theme park in
the Swedish city of Karlstad. Anti-Moonin feelings are running high. The
picture says it all: “Flera
hinder för Mumin”
(10) TODAY IN HISTORY.
August 9, 1930 — Betty Boop debuted in the animated film Dizzy Dishes.
August 9, 1989 — James Cameron’s The Abyss premiered on this day.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born August 9, 1899 — P.L. Travers. Yes, she’s genre. A flying nanny is certainly fantasy. Did you know there are total of eight books? I’m sure I’ve seen the film but it’s been so long that I remember ‘nought about it. Anyone here seen the new film? (Died 1996.)
Born August 9, 1920 — Jack Speer. He is without doubt was one of the founders of fandom and perhaps the first true fan historian having Up to Now: A History of Science Fiction Fandom covering up to 1939 as well as the first Fancyclopedia in 1944. Fannish song-writing (before the term “filk” was coined) and costume parties are also widely credited to him as well. Mike has a proper remembrance here. (Died 2008.)
Born August 9, 1927 — Daniel Keyes. Flowers for Algernon was a novel that I read in my teens. Two of the teachers decided that SF was to be the assigned texts for that school year and that was one of them. I don’t now remember if I liked it or not (A Clockwork Orange was another text they assigned and that I remember) nor have I ever seen Charly. I see he has three other genre novels, none that I’ve heard of. (Died 2014.)
Born August 9, 1944 — Sam Elliott, 75. Weirdly the source for this Birthday thought he’d only been in one genre role, General Thaddeus E. “Thunderbolt” Ross in the 2003 Hulk film, but he’s got many other roles as well. His first was Duke in Westworld followed by being Luke Peck in Time Bandits, Flik Whistler in The Thing and Lock in The Adventures of Buckaroo Banzai Across the 8th Dimension. He’s the Phantom Rider in Ghost Rider and Lee Scoresby in The Golden Compass. His latest genre is as the lead in The Man Who Killed Hitler and Then the Bigfoot as The Man Who Killed Hitler and Then the Bigfoot.
Born August 9, 1947 — John Varley, 72. One of those authors that I’ve been meaning to read more of. I read both The Ophiuchi Hotline and Titan, the first novels respectively in his Eight Worlds and the Gaea Trilogy series, but didn’t go further. (See books, too many to read.) If you’ve read beyond the first novels, how are they as series? Worth pursuing now?
Born August 9, 1949 — Jonathan Kellerman, 70. Author of two novels in the Jacob Lev series (co-authored with Jesse Kellerman), The Golem of Hollywood and The Golem of Paris. I’ve read the first — it was quite excellent with superb characters and an original premise. Not for the squeamish mind you.
Born August 9, 1968 — Gillian Anderson, 51. The ever-skeptical, well most of the time, Special Agent Dana Scully on X-Files. Currently playing Media on American Gods. And she played Kate Flynn in Robot Overlords. Did you know she’s co-authored a X-File-ish trilogy, The EarthEnd Saga, with Jeff Rovin?
Without two Cleveland kids from Glenville High School, Superman never would’ve taken flight.
Those two kids, Jerry Siegel and Joe Shuster, fought for decades to get the recognition they deserved for creating the Man of Steel, which became a huge moneymaker for DC Comics- but not for them.
Now their story of financial hardship is the subject of a graphic novel, told specifically from the point of view of the artist in “The Joe Shuster Story” by writer Julian Voloj and illustrator Thomas Campi….
…In Queen of Crows, author Myke Cole explores the burning question: Now what? A blow for freedom has been struck, yes, but the Sacred Throne, and in particular, the Inquisition-like Order is not going to take this lying down. Heloise may well be a saintly figure, possibly even a holy Palatinate, but her actions are not an unalloyed good. The Empire will, indeed, Strike Back, and it is only a question of time before overwhelming force is brought to bear on Heloise and the people she has sworn to protect. This leads to Heloise and her people going on the road, meeting others who have not done well under the Empire’s tyranny, and asking hard questions about oppression, revolt, tyranny, resistance, prejudice, and at the same time providing solid medieval fantastic action….
(14) SILENCE OF THE TWEETS. Jon Del Arroz is in Twitter jail again.
(15) AT GEN CON. Brian’s “Pop Up Gen Con!” report for Nerds of a
Feather begins with an intriguing summary of “We’re
a game where the world is ending and the governments of the world (each
government is a player) need to jointly construct a rocket ship.”
(16) CHOW QUEST. In “Military
Logistics for Fantasy Writers” at the SFWA Blog, Mollie M.
Madden, holder of a Ph.D. in medieval history, challenges authors to explain how
the big armies of their imaginations avoid starving to death.
We all know ‘an army marches on its stomach,’ but it’s not like Napoleon discovered something new. Vegetius (De re militari) and Sun Tzu (The Art of War) were well aware of this concept, as was Alexander the Great (Engels, Alexander the Great and the Logistics of the Macedonian Army, 1980). And it wasn’t news to them, either. Pre-modern military commanders knew this; they planned for this. They paid attention to logistics.
A U.S. court has ruled that Facebook users in Illinois can sue the company over face recognition technology, meaning a class action can move forward.
The 9th Circuit U.S. Court of Appeals issued its ruling on Thursday. According to the American Civil Liberties Union, it’s the first decision by a U.S. appellate court to directly address privacy concerns posed by facial recognition technology.
“This decision is a strong recognition of the dangers of unfettered use of face surveillance technology,” Nathan Freed Wessler, an attorney with the ACLU Speech, Privacy and Technology Project, said in a statement. “The capability to instantaneously identify and track people based on their faces raises chilling potential for privacy violations at an unprecedented scale.”
Facebook told NPR that the company plans to ask the full circuit court to review the decision of the three-judge panel. “We have always disclosed our use of face recognition technology and that people can turn it on or off at any time,” said Joe Osborne, a Facebook spokesman. Information about its facial recognition technology is available in the company policy online.
The case concerns Facebook users in Illinois who accused the social media giant of violating the state’s Biometric Information Privacy Act.
Facebook argued that the users had experienced no concrete harm. But the 9th Circuit panel noted that intangible injuries can still be concrete, and it noted the Supreme Court has said advances in technology can lead to more personal privacy intrusions.
The appeals panel decided that Facebook’s technology “invades an individual’s private affairs and concrete interests.”
…On one level, this constant release of tension from individual incidents is quite nice – no need to worry about Chekov’s gun on the mantlepiece, in this universe it’s going to stay right where it is. However, it also means that the link between individual incidents and the emotional arc of the novella – as the characters grapple with their place in the universe, without a link to Earth calling them back – is either subtle or non-existent, depending on how generous one feels….
A £5m footbridge to a dramatic, wind-battered headland that is at the heart of Arthurian legend will this weekend finally open to the public.
The bridge, one of the most ambitious, complicated and at times controversial heritage projects seen in the UK in recent years, will, says English Heritage, restore the lost crossing of Tintagel Castle in north Cornwall.
Sugary cereal, toys inside the box, Disney characters—does it get any more nostalgic than this? FunkO has announced the latest additions to its cereal portfolio, and my inner child is pumped.
Disney fanatics will want to get their hands on the Ursula (from The Little Mermaid) cereal, a purple version of the FunkO multigrain O’s. Tim Burton devotees and former mall goths will obviously need to try the Oogie Boogie—of The Nightmare Before Christmas fame—version, a green take on the breakfast treat. Insider reports that both cereals will come with Pocket Pop! versions of the characters’ figurines. Considering that FunkO’s Pop! figures are established as cool collectibles, these cute minis are a pretty great prize to get in your cereal box.
[Thanks to Hampus Eckerman, JJ, John King Tarpinian, Cat Eldridge,
Chip Hitchcock, Top Elf, PhilRM, Martin Morse Wooster, Mike Kennedy, Michael J.
Walsh, Carl Slaughter, and Andrew Porter for some of these stories. Title
credit goes to File 770 contributing editor of the day Soon Lee.]
The former business manager for Stan Lee has been charged with multiple counts of elder abuse related to the late Marvel icon.
Keya Morgan was charged with multiple counts related to elder abuse, including alleged false imprisonment, a spokeswoman for the Los Angeles Superior Court told The Hollywood Reporter.
…Last summer, legal representatives for Lee filed for a restraining order against Morgan, which was granted.
… Morgan, who has long been involved in the pop culture memorabilia scene, was one of the subjects of the investigation.
Last month, Morgan pleaded no contest to filing a false police report. He must stay away from Lee’s family and residence, along with completing 100 hours of community service, according to the Los Angeles City Attorney’s office.
(3) NYT BOOK REVIEW ON MCEWAN. The New York Times Book Review’s Tina Gordon
reluctantly reports on the speculative fiction
community’s response to Ian McEwan’s novel and his dismissal of the genre in
The sci-fi community began calling out McEwan’s genre snobbery on Twitter and in opinion pieces. ‘It is as absurd for McEwan to claim he’s not writing sci-fi as it is for him to imply that sci-fi is incapable of approaching these themes interestingly,” said one ‘Alternative history and nonhuman consciousness are established sci-fi motifs.’ Another wrote, ‘Anyone is entitled to try out ideas. What you can’t do is write a detective story and think ‘the butler did it’ is a world-first clever twist.’
As [NYT Book Review’s] Dwight Garner noted in his review of Machines Like Me ‘people are touchy about genre.’ Kurt Vonnegut famously complained that he was ‘a soreheaded occupant of a file drawer labeled ‘science fiction’ … and I would like out, particularly since so many serious critics regularly mistake the drawer for a urinal.’ And Harlan Ellison once said, ‘Call me a science fiction writer. I’ll come to your house and I’ll nail your pet’s head to a coffee table. I’ll hit you so hard your ancestors will die.’
…This immensely valuable and entertaining volume — purportedly the first of several — captures for posterity a chronologically delimited slice of the subculture of science-fiction fandom — currently dying or healthy; vanished or extant? — in such a manner that even those folks who have no prior inkling of the subculture — assuming they possess a modicum of curiosity and intelligence — should still be able to completely grok the subject matter and derive amusement and pleasure and wisdom from this richly annotated compilation….
… So just be aware that, for the most part, you will not get rehashed literary battles of the day as fought in the pages of these zines, but rather insights into the amateur press people and their publications themselves….
(5) TRAILER TIME. Disney’s Maleficent: Mistress of Evil is in theaters
“Maleficent: Mistress of Evil” is a fantasy adventure that picks up several years after “Maleficent,” in which audiences learned of the events that hardened the heart of Disney’s most notorious villain and drove her to curse a baby Princess Aurora. The film continues to explore the complex relationship between the horned fairy and the soon to be Queen as they form new alliances and face new adversaries in their struggle to protect the moors and the magical creatures that reside within.
(6) EATING THE FANTASTIC. Scott
Edelman says, “Dare to eat donuts with a dozen horrific creators during the ’StokerCon
Donut Spooktacular’” on his Eating
the Fantastic podcast.
Regular listeners to Eating the Fantastic know that once a year, instead of serving up the usual well-researched one-on-one conversations which make up most of this podcast’s ear candy, I opt for total anarchy, plopping myself down in a heavily trafficked area of a con with a dozen donuts and chatting with anybody who’s game to trade talk for sugar and grease. It’s totally spontaneous, as I never know to whom I’ll speak until they pass by and their eyes light up at the sight of a free donut.
Late Saturday night, I sat down with an assorted dozen from The Donut Conspiracy in Grand Rapids accompanied by the usual sign explaining the setup, and found no shortage of willing guests.
Join us as Michael Bailey describes his novel inspired by a fire which turned his home to ashes in seven minutes, Geoffrey A. Landis shares about the Sherlock Holmes/Jack the Ripper horror story he published in the science fiction magazine Analog, Brian Keene explains why he chose last weekend to finally reappear at an HWA event, Wile E. Young tells why he thinks of the Road Runner whenever a story gets rejected, Anton Cancre reveals which guest that weekend earned most of his squee, and Wesley Southard offers his schtick for selling books when stuck behind a dealers table at a con.
Plus Erik T. Johnson gives an unexpected (but perfectly logical) answer when asked about one of the perks of StokerCon, Patrick Freivald looks back on how his horror career began via a collaboration with his twin brother, Josh Malerman recounts how he replaced readings with full blown Bird Box interactive performances and how an audience of 85-year-olds reacted, Asher Ellis shares how the Stonecoast MFA program made him a better writer, Kennikki Jones-Jones discusses her Final Frame award-winning short film Knock Knock, Eugene Johnson celebrates his Bram Stoker Award win that night for It’s Alive: Bringing Your Nightmares to Life, and much, much more!
(7) DAY OBIT. Her
recordings showed up in episodes of Quantum
Leap and The Simpsons. Steve
Vertlieb writes about “Remembering Doris Day, the ‘Girl Next Door’” who died
Remembering the wondrously youthful, eternally vivacious Doris Day whose infinite flirtation with joy, music, and film ended this morning with her passing at age 97. She will forever remain timeless in our hearts and memories. She was truly everyone’s favorite “girl next door.” While famously private in her personal life, I was fortunate enough to receive a beautiful response from her several years ago when I wrote her of my life long affection for her. It is reproduced here with love, reverence, and respect. Doris Day will forever remain an integral component of my precarious youth, and coming of age. Rest Well, Doris. I shall always love you.
While well-known to the Baby Boomer generation for his comedic work on McHale’s Navy and The Carol Burnett Show, Conway also endeared himself to Millennials and Generation Z, even if they don’t know him by sight. That’s because he voiced the character of Barnacle Boy on SpongeBob, the sailor’s uniform-wearing super-sidekick to Mermaid Man, who was played by Conway’s McHale’s Navy co-star, Ernest Borgnine (1917-2012).
(9) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born May 14, 1933 — Siân Phillips, 86. Reverend Mother Gaius Helen Mohiam in Dune, Cassiopeia in Clash of The Titans, and Red Queen in Alice Through the Looking Glass.
Born May 14, 1944 — George Lucas, 75. He created the Star Wars and Indiana Jones franchise. (Raiders of the Lost Ark and Indiana Jones and the Last Crusade are fine. Several Star Wars films are.) and let’s not forget THX 1138.
Born May 14, 1945 — Francesca Annis, 74. Lady Jessica in Dune, Lady Macbeth in Roman Polanski’s Macbeth.
Born May 14, 1945 — Rob Tapert, 74. I’d say he’s best known for co-creating Xena: Warrior Princess. He also produced and/or wrote several other television series including Hercules: The Legendary Journeys, M.A.N.T.I.S. and American Gothic. Tapert also co-created the prequel series Young Hercules which I loved. He’s married to actress Lucy Lawless.
Born May 14, 1952 — Robert Zemeckis, 67. So he’s responsible for some of my favorite films including the Back to the Future trilogy, Who Framed Roger Rabbit and Death Becomes Her. What’s your favorite films that’s he had a hand In?
Born May 14, 1952 — Kathleen Ann Goonan, 67. Her Nanotech Quartet is most particularly the first novel, Queen City Jazz. She’s written an interesting essay on the relationship between sf and music, “Science Fiction and All That Jazz”.
Born May 14, 1961 — Tim Roth, 58. Guildenstern In Rosencrantz & Guildenstern Are Dead. Gary ‘Hutch’ Hutchens in Twin Peaks, plus several one-offs in such genre series as Tales from the Crypt and Theatre Night.
Born May 14, 1965 — Eoin Colfer, 54. He is best known for being the author of the Artemis Fowl series. He wrote the sixth novel of the Hitchhiker’s Guide to the Galaxy series, entitled And Another Thing…
(10) TONOPAH BID. Kevin
Standlee says his proposed 2021 Westercon won’t have guests of honor and will
have light programming, so he really needs to answer the question “Why Tonopah?”, which he does in this post on the SFSFC
Relaxed: We are currently planning a relatively light schedule of programming, giving our members an expanded opportunity to socialize and to explore the community. Rather than running the members off their feet rushing from item to item and constantly protesting that they seem to need to be in three places at once, we want our members to enjoy themselves without running themselves ragged.
(11) RELATED REVIEWS. Steve
J. Wright has completed his Best Related Work Hugo Finalist reviews
On the night of Jan. 16, Liz O’Sullivan sent a letter she’d been working on for weeks. It was directed at her boss, Matt Zeiler, the founder and CEO of Clarifai, a tech company. “The moment before I hit send and then afterwards, my heart, I could just feel it racing,” she says.
The letter asked: Is our technology going to be used to build weapons?
With little government oversight of the tech industry in the U.S., it’s tech workers themselves who increasingly are raising these ethical questions.
O’Sullivan often describes technology as magic. She’s 34 — from the generation that saw the birth of high-speed Internet, Facebook, Venmo and Uber. “There are companies out there doing things that really look like magic,” she says. “They feel like magic.”
Her story began two years ago, when she started working at Clarifai. She says one of her jobs was to explain the company’s product to customers. It’s visual recognition technology, used by websites to identify nudity and inappropriate content. And doctors use it to spot diseases.
Clarifai was a startup, founded by Zeiler, a young superstar of the tech world. But shortly after O’Sullivan joined, Clarifai got a big break — a government contract, reportedly for millions of dollars.
It was all very secretive. At first, the people assigned to work on the project were in a windowless room, with the glass doors covered.
O’Sullivan would walk by and wonder: What are they doing in there?
An American explorer has found plastic waste on the seafloor while breaking the record for the deepest ever dive.
Victor Vescovo descended nearly 11km (seven miles) to the deepest place in the ocean – the Pacific Ocean’s Mariana Trench.
He spent four hours exploring the bottom of the trench in his submersible, built to withstand the immense pressure of the deep.
He found sea creatures, but also found a plastic bag and sweet wrappers.
It is the third time humans have reached the ocean’s extreme depths.
(15) GOOGLE U. During
an exchange about JDA’s lawsuit, Steve Davidson told Adam Rakunas “I went to
the same law school you did,” So Rakunas replied, “Remember
our school’s fight song?”
We’re gonna fill up those search boxes We’re gonna write out those search strings! We’re the Fightin’ Queries of Internet U And we look up all the things!
Oh, we don’t have accreditation And no one gets degrees But that doesn’t stop us from sounding off Go, go, go, Fightin’ Queries!
Chip Hitchcock, Cat Eldridge, Rob Thornton, John King Tarpinian, JJ, Carl Slaughter,
Andrew Porter, Mike Kennedy, and Martin Morse Wooster for some of these
stories. Title credit goes to File 770 contributing editor of the day Daniel
“The shortlisting of AO3 does not mean that every work published on the site is a Hugo Award finalist,” clarified Kevin Standlee, a member of the Hugo Awards Marketing Committee, to Polygon. “By analogy, if a magazine is nominated for Best Semiprozine, it does not mean that every work and every author published during that year’s run of the magazine is a Hugo Award finalist.”
Whyte also emphasized that Archive of Our Own as a project met all the requirements of the Best Related Work category as far as the Hugo administrators were concerned.
“Archive of our Own as a project is on the Hugo final ballot,” Whyte wrote in an email. “A substantial number of voters supported it, and it is not really the role of the Hugo administrators to second-guess or interpret their intentions. Our job is to determine whether it qualifies under the rules. We considered the precedents in this and other categories very carefully, and found no good reason to disqualify it.”
Archive of Our Own is a platform for fanfiction, yes, but it is also an intricate system of archiving and hosting said fanfiction, as well as a space built up by fandom members for their very own. No “one part” of AO3 qualifies the site for the prize. The entirety — past, present, and promise to the future — makes it uniquely primed for the honor.
“So if the question is, which of that work is the nomination recognizing?” penned Naomi Novik on her Tumblr. “It’s recognizing all of it. You can’t separate one part of it from the other. The garden wouldn’t exist without all of it. And I am grateful for it all.”
As far as the most bonkers fan theories go in the Marvel Cinematic Universe, one clear-cut winner has emerged recently in predicting the climax (back end?) of the highly anticipated Avengers: Endgame.
That would be the premise coined “Thanus,” which posits that the Avengers will finally triumph over intergalactic, snapping super-baddie Thanos (Josh Brolin) when Ant-Man (Paul Rudd) uses his size-altering abilities to shrink down, enter the villain’s butthole and then expand, killing his target in what would essentially be the most volatile hemorrhoid ever.
(3) SNACK TIME. Ursula
Vernon is served a Tibetan delicacy. Thread starts here.
Followed by more culinary adventures. Thread starts here.
(4) KGB. Here are Ellen
Datlow’s photos from the April
17 KGB readings by Dale Bailey and Arkady Martine.
Theodore McCombs: What about Carmilla first attracted you to this project? What do you hope 2019’s readers will find in this 1872 vampire tale?
Carmen Maria Machado: The connection between narratives of vampires and narratives of women—especially queer women—are almost laughably obvious. Even without Carmilla, they would be linked. The hunger for blood, the presence of monthly blood, the influence and effects of the moon, the moon as a feminine celestial body, the moon as a source of madness, the mad woman, the mad lesbian—it goes on and on. It is somewhat surprising to me that we have ever imagined male vampires at all. But of course, that’s because we think of Dracula as the ur-text, the progenitor of the vampire in literature. Carmilla simply isn’t as well-known; I was as surprised as anyone to learn about it. But despite the fact that it’s a somewhat obscure text, its influence can be keenly felt. So I wanted modern readers to understand both Carmilla and Carmilla’s importance.
The novelist Don DeLillo wrote shortly after the attacks that 9/11 would change “the way we think and act, moment to moment, week to week, for unknown weeks and months to come, and steely years.” It’s hard to deny that he was right. Several pop-culture phenomena sprang up in the years after 9/11, HBO’s Game of Thrones being one of the most important, but by no means operating in a vacuum. The runaway popularity of The Walking Dead and The Hunger Games in the 2000s also signaled a different sort of sensibility from Tolkien’s postwar years. The enemies were closer, and sometimes they were even friends — or had been. Nothing was entirely trustworthy, not family, not community, and certainly not the government. The anti-establishment cynicism of the ’60s and ’70s had been replaced by a cynicism about virtually everything, and certainly about all institutions. Priests and teachers were now seen as potential molesters. Presidents were no longer just wrong as far as their opponents were concerned — they were actual criminal enemies. George W. Bush was labeled a murderer and Barack Obama was called a fascist. Political and cultural media were weaponized.
It’s the typeface that greets you on your tax forms. It announces MBTA station stops. Its sans-serif letters glow in the night outside Target and CVS.
In the world of typography, Helvetica is as common as vanilla ice cream. The 62-year-old font is celebrated and loathed for its ubiquity. Now, it’s getting a face lift for the digital age.
The reboot — by Monotype, a Woburn [MA]-based firm that owns Helvetica and thousands of other fonts — has set off a new round of debate over a typeface that has not only divided font fanatics but also transcended the field of design.
Indeed, not many fonts are controversial enough to show up on Twitter’s trending topics. So when Mitch Goldstein saw the word “Helvetica” among the social network’s hottest discussions, he joked that it must be there for the same macabre reason that sees celebrity names suddenly pop up.
With the passing of Science Fiction Writers of America Grandmaster Gene Wolfe (1931-2019), literature has lost a unique writer who embraced fruitful paradox. He was at once traditionalist and rebel, metaphysician and realist, trickster and pontiff, experimentalist and conservative, the consummate professional and the most endearingly heart-on-his-sleeve fan. He married the pulp tropes of science fiction and fantasy and horror to the stringent esthetics and techniques and multivalent worldview of echt modernism to produce works which both camps felt did honor to their respective lineages. Readers of “The Death of Doctor Island” or The Fifth Head of Cerebrus could discover all the thematic density and narrative complexity they might seek in a work by Pynchon or Nabokov in tales fully alive as visionary works in SF. In 2014, writer Michael Swanwick, himself a master craftsman, dubbed Wolfe “the single greatest writer in the English language alive today.”…
Born April 18, 1884 — Frank R. Paul. Illustrator who graced the covers of Amazing Stories from May 1926 to June 1939, Science Wonder Stories and Air Wonder Stories from June 1929 to October 1940 and a number of others well past his death date. He also illustrated the cover of Gernsback’s Ralph 124C 41+: A Romance of the Year 2660 (Stratford Company, 1925), published first as a 1911–1912 serial in Modern Electrics. He was inducted into Science Fiction and Fantasy Hall of Fame in 2009. Stephen D. Korshak and Frank R. Paul’s From the Pen of Paul: The Fantastic Images of Frank R. Paul published in 2010 is the only work I found that looks at him. (Died 1963.)
Born April 18, 1938 – Superman. Age: damn if I know. Created by writer Jerry Siegel and artist Joe Shuster, the character first appeared in Action Comics #1 on April 18, 1938. Yes, it was cover-dated as June, 1938. This is generally thought of as the beginning of the Golden Age of Comics. (Died 1992. But he got better.)
Born April 18, 1945 — Karen Wynn Fonstad. She was a cartographer and academic who designed several atlases of literary worlds. Among her work are The Atlas of Middle-earth which is simply wonderful, and The Atlas of Pern which I’ve not seen. (Died 2005.)
Born April 18, 1946 — Janet Kagan. She wrote but three novels in her lifetime, Uhura’s Song, set in Trek universe, Hellspark and Mirabile which is a stitch-up of her Mirabile short stories. The Collected Kagan collects all of her short fiction not set in the Mirabile setting. Her story “The Nutcracker Coup” was nominated for both the Hugo Award for Best Novelette and the Nebula Award for Best Novelette, winning the Hugo. (Died 2008.)
Born April 18, 1953 — Rick Moranis, 66. Though now retired from acting, he was active genre-wise once upon a time in such properties as Ghostbusters, Little Shop of Horrors (the remake obviously), Honey, I Shrunk the Kids (which isn’t bad compared to the stinkers that followed in this franchise), The Flintstones and of course Spaceballs. For you next Christmas viewing delight, may I recommend Rudolph the Red-Nosed Reindeer and the Island of Misfit Toys in which he voices The Toy Maker?
Born April 18 — Cheryl Morgan, born, as she put it to me today when I dared to ask her age, so long ago no one can remember. She is a Hugo award-winning critic and publisher now living in Britain. She is the owner of Wizard’s Tower Press and was running the Wizard’s Tower Books ebook store before she closed it due to changes in EU regulation. She was previously the editor of the Hugo award-winning Emerald City fanzine which I confess I read avidly. And she shares joint wins with the rest of the Clarkesworld team for Best Semiprozine in 2010 and 2011. Superb magazine that. Oh, and her personal blog which is great reading won a Hugo In 2009. Read it for the reviews, read it for the occasional snarky commentary. She is on the advisory board of Fafnir – Nordic Journal of Science Fiction and Fantasy Research.
Born April 18, 1965 — Stephen Player, 54. Some birthday honor folks are elusive. He came up via one of the sites JJ gave me but there is little about him on the web. What I did find is awesome as he’s deep in the Pratchett’s Discworld and the fandom that sprung up around it. He illustrated the first two Discworld Maps, and quite a number of the books including the 25th Anniversary Edition of The Light Fantastic and The Illustrated Wee Free Men. Oh, but that’s just a mere wee taste of all he’s done as he did the production design for the Sky One production of Hogfather and The Colour of Magic. He did box art and card illustrations for Guards! Guards! A Discworld Boardgame. Finally, he contributed to some Discworld Calendars, games books, money for the Discworld convention. I want that money.
Born April 18, 1969 — Keith DeCandido, 50. Another writer whose makes his living writing largely works based on series. He’s done works set within the universes of Sleepy Hollow, Star Trek, Buffy, Spider-Man, X-Men, Doctor Who, Supernatural, Andromeda, Farscape, Spider-Man, X-Men, and Stargate SG-1. He has a fantasy series, Dragon Precinct, ongoing.
Born April 19, 1971 — David Tennant, 48. Eleventh Doctor and my favourite of the modern Doctors along with Thirteen whom I’m also very fond of. There are some episodes such as the “The Unicorn and The Wasp” that I’ve watched repeatedly. He’s also done other spectacular genre work such as the downright creepy Kilgrave in Jessica Jones, and and Barty Crouch, Jr. in Harry Potter and the Goblet of Fire. He’s also in the Beeb’s remake of the The Quatermass Experiment as Dr. Gordon Briscoe.
We now know that Julian Assange’s cat, who lived with him in the Ecuadorian embassy for a time, is safe and being looked after, but we didn’t know this when I asked about it late last month. And I didn’t know that asking about it would result in the ‘Defend Assange Campaign’ getting in touch….
The highly anticipated film adaptation of Andrew Lloyd Webber’s musical Cats is making its way to theaters. The story is based on T.S. Eliot’s book of poems titled Old Possum’s Book of Practical Cats.
The live production-turned-movie follows a tribe of felines, known as the Jellicle Cats, as they attend the annual Jellicle Ball. During the ball, the tribe’s leader Old Deuteronomy chooses one cat to be reborn and return to a new life.
The Universal film features a star-studded cast that includes Jennifer Hudson, Idris Elba, Taylor Swift, Ian McKellen, Judi Dench, Rebel Wilson, James Corden, Jason Derulo and Steven McRae.
After considering a number of career choices I decided that ‘novelist’ was the best match to my temperament and experience. With both my schooling and military service behind me, I had a wealth of life experience to draw from and the natural wit of England’s upper classes running through my veins.
Here’s the deal: The Fourth of July-inspired sweets are the classic chocolate and creme combo we all know and love but with a twist. They’re filled with red and blue popping candies, so they will quite literally explode in your mouth—in a totally safe Pop Rocks kind of way, you know?
A Russian company called StartRocket says it’s going to launch a cluster of cubesats into space that will act as an “orbital billboard,” projecting enormous advertisements into the night sky like artificial constellations. And its first client, it says, will be PepsiCo — which will use the system to promote a “campaign against stereotypes and unjustified prejudices against gamers” on behalf of an energy drink called Adrenaline Rush.
Yeah, the project sounds like an elaborate prank. But Russian PepsiCo spokesperson Olga Mangova confirmed to Futurism that the collaboration is real.
“We believe in StartRocket potential,” she wrote in an email. “Orbital billboards are the revolution on the market of communications. That’s why on behalf of Adrenaline Rush — PepsiCo Russia energy non-alcoholic drink, which is brand innovator, and supports everything new, and non-standard — we agreed on this partnership.”
(17) RONDO. Steve
Vertlieb would be thrilled if you’d consider voting for his article:
It’s “Rondo Award” time again, and my work on “Dracula In The Seventies: Prints of Darkness” has been nominated by the “Rondo Award” committee for “Best Article of the Year.” Anyone can vote once for their favorites in this category, and voting continues through April 20th, 2019. I’ll go “bats” if you care to vote for my work. Winning a competitive “Rondo” would mean a great deal to me, and sublimely reward these sometimes fragile seventy three years. Simply send your selection (along with your name and e-mail address) to David Colton at firstname.lastname@example.org, and please accept my sincere thanks for your most gracious kindness.
Sometimes rare diseases can let scientists pioneer bold new ideas. That has been the case with a condition that strikes fewer than 100 babies a year in the United States. These infants are born without a functioning immune system.
The disease is called severe combined immunodeficiency, or SCID. “It was made famous in the mid ’70s when the ‘Bubble Boy’ was described in a documentary, and I think it captured the imagination of a lot of people,” says Matthew Porteus, a pediatrician at Stanford University.
David Vetter was the boy who spent most of his short life inside a plastic bubble to protect him from infection. He died at age 12 in 1984.
All babies born in the United States are now screened for this condition, and the best treatment today — a bone marrow transplant — succeeds more than 90 percent of the time. The disease remains a source of great interest to researchers.
“This is one of those diseases in which there’s probably more doctors and scientists studying the disease than patients who have the disease,” Porteus says.
In the 1990s, European scientists actually cured SCID in some patients, using a technique called gene therapy. This process involves removing defective blood cells from a patient, inserting a new gene with the help of a virus and then putting the cells back into the body. Those cells then build up the patient’s immune system.
At first, this treatment in the 1990s and early 2000s looked really promising.
“Of the 20 patients, they all had immune recovery,” says Donald Kohn, an immunologist at UCLA’s Broad Center of Regenerative Medicine and Stem Cell Research. “But, over time, five of them went on to develop a leukemia.”
Pennsylvania’s soon-to-be official amphibian has more than its fair share of nicknames: snot otter, mud devil, Allegheny alligator, devil dog, lasagna lizard.
In short, it’s not exactly a looker.
But the Eastern hellbender salamander was the overwhelming choice of lawmakers for amphibian representation in the state. On Tuesday, the state’s House of Representatives voted 191-6 on a bill that would name the aquatic creature its state amphibian. The Senate passed the bill in February.
The hellbender is a nocturnal salamander that can grow more than 2 feet long. The mud-colored creature, covered in a layer of mucus, breathes primarily through loose flaps of thick, wrinkled skin that look a little bit like lasagna noodles.
The hellbender is also a canary for environmental degradation.
A new species of giant mammal has been identified after researchers investigated bones that had been kept for decades in a Kenyan museum drawer.
The species, dubbed “Simbakubwa kutokaafrika” meaning “big African lion” in Swahili, roamed east Africa about 20 millions years ago.
But the huge creature was part of a now extinct group of mammals called hyaenodonts.
The discovery could help explain what happened to the group.
…”Based on its massive teeth, Simbakubwa was a specialised hyper-carnivore that was significantly larger than the modern lion and possibly larger than a polar bear,” researcher Matthew Borths is quoted by AFP news agency as saying.
(21) READY, AIM, MEOW. Here’s
a piece of technology some of you will want – the Catzooka – Cat Launcher!
Unlike traditional headphones, AirPods are the kind of things you can keep in your ears at all times, and many people do. Their sleek design and lack of wires make it easy to forget they’re resting in your head. And their status symbol shine doesn’t exactly scream “take me out.” This may be great for Apple and its bottom line, but it’s making life weird for people interacting with those wearing them. Are they listening to me? Are they listening to music? A podcast? Just hanging? It’s tough to know.
(23) VIDEO OF THE DAY. In “Cabin Pressure” on Vimeo,
Matthew Lee explains how to behave badly on airplanes!
Martin Morse Wooster, Ellen Datlow, Mike Kennedy, JJ, Mark Hepworth, Chip
Hitchcock, John King Tarpinian, Daniel Dern, Cat Eldridge, Carl Slaughter, Rob
Thornton, and Andrew Porter for some of these stories. Title credit goes to
File 770 contributing editor of the day Kip Williams.]
(1) HORROR FAN. Tananarive Due was interviewed in the Washington
Post in a story by Elahe Izadi about
how people terrified by horror movies psychologically prepare themselves for
seeing a quality horror film like A Quiet
Place or Us. Due is the executive
producer of Horror Noire and teaches
a course at UCLA on Get Out. “Horror
is a must-see genre again. What’s a scaredy-cat to do?”
Due loved horror as a child, when watching it was a fun way to be scared within a safe context; with age, it became a therapeutic method to deal with heavier anxieties. It’s a lesson she gleaned from her mother, the late civil rights activist Patricia Stephens Due, who was a horror fan; the genre served as an outlet for the racial trauma she endured.
“Headlines scare me. True crime stories scare me. .?.?. Real, human monstrosity is not fun for me to watch,” Due says. “When those people are supernatural or when there’s a fantasy element, when there’s a monster, now I’m ready to watch because the monster in a horror movie can be a stand-in for real-life monstrosity that lets me engage with it from a distance, but also leech out that trauma and expel it in a way that can feel fun.”
(2) WE LOST. New featurette from Marvel Studios’ Avengers Endgame, in theaters in one month.
(3) FUTURE TENSE. This month’s entry in the Future Tense Fiction series is “The Arisen” by Louisa Hall, author of the novels Speak
“Once upon a time,” Jim said, “in a country called Acirema—”
“Acirema,” I said. “How imaginative, it’s—”
“Do you want me to tell this story or not?” Jim said. His tone was suddenly harsh.
Yes, it’s true that there are no true stories. Human beings are story-making creatures, but no story can possibly be better that an edited, digested, spin-doctored version of events in we might still call the real world. The real story makers, the ones who give us our professed fictions, know that well and take full advantage of the techniques and the conveniences of their craft, the better to point us toward thoughts we would not come to so easily otherwise.
Total cost of the shoot, including cast and crew (I’m not taking any salary myself) will be $15,000.
Time is of the essence — we’d like to shoot as soon as possible — and it would mean so much for all of us to be able to make this happen.
(5) WHEN YOU OUTGROW THE
GOLDEN AGE OF SF. John Scalzi gave this example of how his perspective has
changed over time:
He brought back my memory of Harlan Ellison standing in the lobby after a 1977 Star Wars pre-screening, verbally assailing the movie he had just seen. However, the main thrust of Harlan’s complaints were that the story, a throwback to the serials, didn’t represent state-of-the-art science fiction. Likewise, he when he wrote about the movie in Harlan Ellison’s Watching he continued the same theme – that it was superficial, “the human heart is never touched.”
It sounds simple, but it’s not. Sometimes it helps to glance through all the edits, then just close the file. Come back the next day, if you can. Then consider, why did the editor make this suggestion? Don’t dismiss anything, and don’t hold anything too sacred to be changed.
Rule #2: Only make changes you like
It sounds simple, but it’s not. If the editor’s version is smoother, or more correct, or whatever, but you don’t like it, then don’t do it. You’ll be the one answering to readers if it reads funny, but that’s your call. It’s your story. It’s your art. You’re the one who knows what you meant.
(7) GAHAN WILSON. The GoFundMe for Gahan
Wilson has received contributions from 1,180 people amounting to $55,547 of
its $100,000 goal after 23 days. The most recent update said:
Gahan was interviewed today for a newspaper piece that will probably go out nationwide. The people on the reporting team were very sweet and sensitive to Gahan.
Gahan was on his game…speaking about his life and other things.
(8) PUGMIRE OBIT. The horror writer W.H. “Wilum” Pugmire died today, aged 67. The major influence upon his writing was H P Lovecraft, of course, and S T Joshi described him in 2010 as “perhaps the leading Lovecraftian author writing today.” Scott Edelman tweeted the photo below – Pugmire’s on the right.
(9) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born March 26, 1850 — Edward Bellamy. Looking Backward: 2000–1887 is really the only work that he’s remembered for today. He wrote two other largely forgotten works, Dr. Heidenhoff’s Process and Miss Ludington’s Sister: A Romance of Immortality. (Died 1898.)
Born March 26, 1931 — Leonard Nimoy. I really don’t need to say who he played on Trek, do I? Did you know his first role was as a zombie in Zombies of the Stratosphere? Or that he did a a lot of Westerns ranging from Broken Arrow in which he played various Indians to The Tall Man in which at least his character had a name, Deputy Sheriff Johnny Swift. His other great genre role was on Mission: Impossible as The Great Paris, a character whose real name was never revealed, who was a retired magician. It was his first post-Trek series. He of course showed up on the usual other genre outings such as The Twilight Zone, The Man from U.N.C.L.E., The Outer Limits, Night Gallery and Get Smart. And then there’s the matter of “The Ballad of Bilbo Baggins”. (Died 2015.)
Born March 26, 1942 — Erica Jong, 77. Witches, which was has amazing illustrations by Joseph A. Smiths, is still worth your time nearly forty years later. ISFDB also lists Shylock’s Daughter: A Novel of Love in Venice which is a time travel story but it soul does more like a romance novel to me. And Sappho’s Leap which they also list just seems soft core lesbian porn with a slight genre twist.
Born March 26, 1950 — K. W. Jeter, 69. Farewell Horizontal may or may be punk of any manner but it’s a great read. Though I generally loathe such things, Morlock Night, his sequel to The Time Machine , is well-worth reading reading. I’ve heard good things about his Blade Runner sequels but haven’t read them. Opinions?
Born March 26, 1953 — Christopher Fowler, 65. I started reading him when I encountered his Bryant & May series which though explicitly not genre does feature a couple of protagonists who are suspiciously old. Possibly a century or more now. The mysteries may or may not have genre aspects but are wonderfully weird. Other novels by him are I’d recommend are Roofworld and Rune which really are genre, and Hell Train which is quite delicious horror.
Born March 26, 1960 — Brenda Strong, 59. First film genre appearance was on Spaceballs as Nurse Gretchen. The role you probably remember her was on Starship Troopers as Captain Deladier though post-death she shows up in Starship Troopers 2: Hero of the Federation as Sergeant Dede Rake. She showed up on Next Gen as a character named Rashella in the “When the Bough Breaks” episode and she’s been a regular on Supergirl as Lillian Luthor.
Born March 26, 1966 — Michael Imperioli, 53. Detective Len Fenerman in Peter Jackson’s The Lovely Bones and Detective Ray Carling, the lead in Life on Mars and Rosencrantz in a recent Hamlet.
Born March 26, 1985 — Keira Knightley, 34. To my surprise and this definitely shows I’m not a Star Wars geek, she was Sabé (Decoy Queen). Next up for her is Princess of Thieves, a loose adaptation of the Robin Hood legend. Now I didn’t see that but I did see her in Pirates of the Caribbean: The Curse of the Black Pearl as Elizabeth Swann though I’ll be damned if I remember her role. (She’s in several more of these films. Rinse. Lather. Repeat.) we saw Herve we saw as Guinevere, an odd Guinevere indeed, in King Arthur. Her last role I must note I must note is The Nutcracker and the Four Realms in which she was the Sugar Plum Fairy!
(10) TO SET THE RECORD
STRAIGHT. We got a pair of big things wrong in Andrew Porter’s birthday
listing the other day.
“Science Fiction Chronicle which he founded in May 1980…”
The first issue appeared Labor Day weekend, 1979, at the
Louisville NASFiC, cover dated October 1979.
“Algol now known as Starship lasted less than five years…”
Algol started in
1963; the last issue of Algol/Starship,
#44, appeared in 1984.
(12) VOICES DISSENT. Anime News Network speculates about the
potential for litigation in its story “Kameha
Con Responds to Recent Guest Cancellations”. Several guests bailed
after the con added Vic Mignogna to its lineup. An unnamed lawyer consulted by ANN says they may be in violation of
their contracts if they don’t attend.
The staff of the upcoming Kameha Con in Irving, Texas issued a statement via Facebook and Twitter on Monday regarding recent guest cancellations due to the addition of voice actorVic Mignogna as a guest. Mignogna was added to the convention’s guest roster on March 22 following a previous cancellation by con staff on February 2. Since the announcement, five voice actors have announced they will no longer attend the convention along with multiple panelists.
…“The Right Stuff” tells the true story of the seven military pilots who were selected for the NASA project to launch the first ever manned spaceflight. In a similar way, Carol, an Air Force test pilot, ends up soaring farther than she could have ever expected when she travels into space and becomes a member of the Kree and, later, one of Earth’s superheroes.
In “Us,” that same VHS tape is much easier to miss, and is used in a possibly more ironic and darker context. You can find “The Right Stuff” among the VHS tapes that flank the TV displaying the Hands Across America commercial in the opening scene.
(14) LIVE THEATER. Marjorie Prime, a 2015 Pulitzer Prize nominee, set in a future
of “beneficial AI,” will be staged in Norwich, CT the next two weekends.
The special feature of the first two performances — March 29 and 31 – will be post-performance
discussions led by sff writers Carlos Hernandez and Paul Di Filippo.
Additional performances Saturday April 6 at 7:30 pm and Sunday April 7 at 3 pm
Tickets are $10 in advance or seniors; $12 at door Cash or Check only—no credit cards
Open Seating—limited to 70 attendees
House Opens at 7 pm Friday and Saturday; 2:30 pm Sunday
United Congregational Church Hall 87 Broadway, Norwich CT. (Note: This address brings you to the church’s main door—do NOT enter there. Make first right on Willow Street, right turn into lower level of covered parking deck. A few stairs here. Level entrance and handicapped permit parking available at 11-39 Chestnut Street)
Friday March 29, 7:30 pm
Featuring. . . .a talkback led by Carlos Hernandez. Carlos Hernandez is the author of the critically acclaimed short story collection The Assimilated Cuban’s Guide to Quantum Santeria (Rosarium 2016) and most recently, as part of the Rick Riordan Presents imprint of Disney Hyperion, the novel Sal and Gabi Break the Universe (2019). By day, Carlos is a mild-manned reporter associate professor of English at the City University of New York, with appointments at BMCC and the Graduate Center, and a game designer and enthusiast. Catch him on Twitter @writeteachplay.
Sunday March 31, 3 pm
Featuring. . .a talkback led by Paul Di Filippo, who has been publishing professionally for over 40 years. He has continued to reside in Providence throughout his career, with over 200 stories published and many novels. Beginning with The Steampunk Trilogy: (1995), which remains his most widely known title, this shorter material has been assembled in twenty substantial collections. Di Filippo also reviews widely, online and in print.
Ahead of its time when it was released 20 years ago, The Matrix is a monument to Generation X self-pity that is out of step with today, writes Nicholas Barber.
The Matrix was way ahead of its time. The Wachowskis’ tech-noir mind-bender came out in 1999 – 20 years ago – which meant that it reinvented big-screen superhero action a year before X-Men was released and showcased Hong Kong-style ‘wire-fu’ fight choreography a year before Crouching Tiger, Hidden Dragon. Its ‘bullet-time’ effects have been copied by blockbusters ever since, and its thoughts about virtual reality and artificial intelligence have been mimicked just as often. Despite all this, though, in some crucial respects The Matrix has dated so badly that it now seems to be a relic. It is a film that, like the human race in the Wachowskis’ story, is trapped forever in the 1990s.
…It’s a fantastic premise, but it does have its flaws. Twenty years on, it’s embarrassing to see a white male saviour with two sidekicks – one black, one female – whose primary task is to assure him how gifted he is. The female sidekick, Trinity, even falls in love with him for no reason except, I suppose, that he looks like Keanu Reeves. And, in general, Anderson/Neo is one of those uninspiring heroes who do next to nothing to earn their hero status. He becomes an unbeatable martial artist not by training for years, but by being plugged into a teaching program for a few hours. And he becomes omnipotent in the Matrix not because he is particularly brave, noble or clever, but because, as Morpheus says, he is willing “to believe”.
The largest solar farm east of the Rocky Mountains could soon be built in Virginia and, depending on whom you ask, it would be either a dangerous eyesore that will destroy the area’s rural character or a win-win, boosting the local economy and the environment. The solar panels would be spread across 10 square miles — 1.8 million panels soaking up the sun’s rays.
The project is planned for Spotsylvania County, about 60 miles south of Washington, D.C. Amid the county’s Civil War battlefields, farms and timberland, a fight is raging over the future of energy in Virginia, and in the Eastern U.S.
The heart of the solar resistance is in a gated community called Fawn Lake, built around a golf course and man-made lake.
“I mean we live at a resort, essentially,” says Dave Walsh, one of the many Fawn Lake residents organizing against the planned solar farm. One corner of the massive project would butt up against the back of the gated community. Walsh says he supports solar, in theory, but not here.
[Thanks to Chip Hitchcock, Carl Slaughter, Steve Green, Cat Eldridge, Martin Morse Wooster, Joey Eschrich, Daniel Dern, Mike Kennedy, JJ, John King Tarpinian, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]
(1) CLARKE CENTER. Here are two of the most interesting videos posted by The Arthur C. Clarke Center for Human Imagination in the past several months.
Freeman Dyson and Gregory Benford: Forseeing the Next 35 Years—Where Will We Be in 2054?
35 years after George Orwell wrote the prescient novel 1984, Isaac Asimov looked ahead another 35 years to 2019 to predict the future of nuclear war, computerization, and the utilization of space. The Arthur C. Clarke Center for Human Imagination and the Division of Physical Sciences at UC San Diego were honored to welcome two living luminaries in the fields of physics and futurism—Freeman Dyson and Gregory Benford (Ph.D. ’67)—to peer ahead another 35 years, to 2054, and share their insights into what may be in store for us.
An Evening with Cixin Liu and John Scalzi at the Clarke Center
Cixin Liu, China’s most beloved science fiction writer—and one of the most important voices of the 21st century—joins celebrated American science fiction writer John Scalzi at the Clarke Center to discuss their work and the power of speculative worldbuilding.
If Game of Thrones Oreos are just normal Oreos in a GoT package, hopefully it’s not a sign of things to come. The final season of Game of Thrones is one of the most highly-anticipated seasons of television ever, not just because it’s the final season, but also because it’s slated to reveal details of the sixth book in the series which fans have been waiting for nearly eight years. Expectations are ridiculously high — meaning HBO better deliver something better than the television equivalent of regular Oreos, even if regular Oreos are delicious.
(3) REASONS TO ATTEND THE
NEBULAS. SFWA gives you ten of them. Thread starts here.
(4) APOLOGY. FIYAH Magazine of
Black Speculative Fiction’s Executive
Editors Troy Wiggins and DaVaun Sanders have issued “An Apology” for
publishing two collections of stories from FIYAH
without first obtaining the rights to reprint them.
We messed up.
Earlier in the month, we released two collected volumes of fiction and poetry: our FIYAH Year One collection and our FIYAH Year Two collection. We were very excited to get these collected editions out to the public, and in our haste, we did not secure the rights to collect or republish those stories. By doing this, we have disrespected our authors and their work, and not acted in service to our stated mission of empowering Black writers.
We deeply apologize to our contributors and to our readers for this oversight. Unfortunately, several copies of the collected volumes have already been purchased before we were informed about our mistake. We can’t take those purchased issues back, so here’s what we will do instead:
* We have removed the collected issues from Amazon
* We sent an apology to contributors taking full responsibility for our error
* We are splitting the proceeds from the already purchased copies of the collection among all of our Year One and Year Two contributors.
We know that this doesn’t begin to cover the damage we’ve done to authors, but we will continue to improve our accountability measures and internal processes. We are also going to be seeking legal counsel to help us make sure that our contracts are fair to both us and our contributors.
Again, we are so sorry that this happened. We promise to do much better going forth.
(5) WONDERFUL COPENHAGEN.
Denmark’s Fantasticon 2019 has adopted Afrofuturism as its theme. They’ve got
some great guests. The convention’s publicity poster is shown below:
by Cat Eldridge.]
Born February 25, 1909 — Edgar Pangborn. For the first twenty years of his career, he wrote myriad stories for the pulp magazines, but always under pseudonyms. It wasn’t until the Fifties that he published in his own name in Galaxy Science Fiction and The Magazine of Fantasy & Science Fiction. Ursula Le Guin has credited him with her is was possible to write humanly emotional stories in an SF setting. (Died 1976.)
Born February 25, 1917 — Anthony Burgess. I know I’ve seen and read A Clockwork Orange many, many years ago. I think I even took a University class on it as well. Scary book, weird film. I’ll admit that I’m not familiar with the Enderby series having not encountered them before now. Opinions please. (Died 1993.)
Born February 25, 1964 — Lee Evans, 55. He’s in The History of Mr Polly as Alfred Polly which is based on a 1910 comic novel by H. G. Wells. No, not genre, but sort of adjacent genre as some of you are fondly saying.
Born February 25, 1968 — A. M. Dellamonica, 51. A Canadian writer who has published over forty rather brilliant short since the Eighties. Her first novel, Indigo Springs, came out just a decade ago but she now has five novels published with her latest being The Nature of a Pirate. Her story, “Cooking Creole” can be heard here at Podcastle 562. It was in Mojo: Conjure Stories, edited by Nalo Hopkinson.
Born February 25, 1971 — Sean Astin,48. His genre roles include Samwise Gamgee in Rings trilogy (, Mikey Walsh in The Goonies, and Bob Newby in the second season of Stranger Things. He also shows up in Justice League: War and in Justice League: Throne of Atlantis filmsvoicing both aspects of Shazam, a difficult role to pull off. He prises that role on the Justice League Action series.
Born February 25, 1973 — Anson Mount, 46. He was Black Bolt in Marvel’s Inhumans series. He now has a recurring role as Captain Christopher Pike on the current season of Discovery. I see he was in Visions, a horror film, and has had appearances on Lost, Dollhouse and Smallville.
Born February 25, 1994 — Urvashi Rautela, 25. An Indian film actress and model who appears in Bollywood films. She has a Birthday here because she appears in Porobashinee, the first SF film in Bangladesh. Here’s an archived link to the film’s home page.
Hearing that your husband needs immediate open-heart surgery is terrifying, especially when he’s been healthy his whole life.
When Jennifer Powell heard the sudden news about her husband, Seth Marko, 43, she spun into action. First, she found care for their 3-year-old daughter, Josephine, so she could be at the hospital for her husband’s 10-hour surgery.
Then Powell’s mind went to their “second kid” — the Book Catapult — the small independent bookstore the couple owns and runs in San Diego. Their only employee had the swine flu and would be out for at least a week.
Powell, 40, closed the store to be with her husband in the hospital. She didn’t know for how long….
(8) BATTING AVERAGE. This
bookstore had a little visitor. Thread starts here.
Alternately confused and clearsighted, utopian and nihilistic, Jan and Remo live the archetypal bohemian life in Mexico City, occupying squalid digs and barely getting by. Jan is 17 and more visionary and less practical than Remo, 21. Jan seldom leaves their apartment, preferring to spend his time writing letters to American science-fiction authors: James Tiptree, Jr., Ursula K. Le Guin, Robert Silverberg, Philip Jose Farmer. Remo brings in some paltry cash as a journalist…
…Jan’s passion for pulp is front and center, bringing to mind Kurt Vonnegut’s SF-loving protagonist Eliot Rosewater. Jan’s letters to his sf heroes are basically a plea to be recognized, a demand that this medium–at the time seen, rightly or wrongly, as a quintessentially Anglo domain–open its gates to other cultures, other countries. Jan’s solidarity with his distant American mentors and their visions is al one-way. He adores them, but they do not know he exists, The ache to remedy this unrequited love affair is palpable.
[Joe Sherry]: The point of that is that I look at the game writing category and think “I’ve heard of God of War, didn’t realize Bandersnatch was actually a *game* and have no idea what the three Choice of Games finalists are”. It turns out they are fully text based, 150,000+ word interactive adventures that can be played on browser or your phone. I’ll probably pick up one of them and see how I like it (likely the Kate Heartfied, because her Nebula finalist novella Alice Payne Arrives is bloody fantastic.)
I was surprised to see Bandersnatch a finalist for “game writing”, though. I don’t want to get sued, but I’ve thought of it more akin to the Choose Your Own Adventure books many of us grew up on. Despite the branching path narrative, those were books. Not games. Now, part of why I think of Bandersnatch just as a movie is the medium in which it is presented. Streaming on Netflix equals television or movie in my brain. Branching narrative paths doesn’t change that for me. I haven’t watched Bandersnatch, so I’m staying very high level with what I’m willing to read about it, but I know Abigail Nussbaum has compared Bandersnatch more to a game than a movie and obviously she’s not alone in that opinion if it’s up for the Game Writing Nebula. But much like the Choose Your Own Adventure books, you’re watching the movie and then occasionally making choices. You’re not “playing” the game.
The judge threw out their argument, because it was absurd. It also didn’t even address the “racist bully” defamatory claim they made. It’s sad to watch because anything, I’ve been the victim of racism from the extreme left science fiction establishment. It’s my opinion that this predominantly white group targets me in particular because I’m a minority that won’t toe the line. There’s a lot of psychology to this I’ll have to go into at another time, but a lot of the way the left acts treats minorities like we’re inferior (or, racism as it’s commonly referred to) and we can’t make decisions for ourselves. I oppose this and all forms of racism and it’s a large reason as to why I speak out.
Their entire case appears to be that I’m mean online (which doesn’t impact a convention at all), and therefore should be banned, which has nothing to do with their defamatory statement regarding racism. Our response on that front said there were plenty of extreme leftists who are mean online, they were invited, clearly showing the double standard they enacted against me because of right wing politics. When we reach The Unruh Act appeal process, this will be important.
last line implies he plans to appeal one or more rulings that went against him.
…Jonathan Brazee cleared the posting of the reading list with SFWA beforehand, so there was nothing underhanded at play. It’s a reading list, and members nominated (or didn’t) the works they read and enjoyed.
Indies have been part of SFWA’s membership for several years now, so it’s not surprising that there is now more representation at awards. I’ve interacted with many SFWA members on the forums and at conventions, so I’m not an unknown in writerly circles. Many authors don’t go indie because we couldn’t get a trad deal; we chose to self-publish because of the flexibility and income potential it affords. I am very excited to be an author during this time with so many possibilities.
Thank you for the opportunity to chime in on the discussion! I’m going to go back to writing my next book now :-).
(13) HOW MANY BOOKS A
MONTH. Sharon Lee has some interesting comments about the #CopyPasteCris
kerfuffle on Facebook. The best ones follow this excerpt.
…Unfortunately, said “writer” was not very generous to her ghosts, and. . .well, with one thing and another, said “writer’s” books, in said “writer’s” own words were found to “have plagiarism.”
(I love, love, love this quote. It’s, like, her books caught the flu or some other disease that was Completely Outside of the said “writer’s” ability to foresee or prevent. Also, she apparently doesn’t even read her “own” books.)
Anyhow, the Internet of Authors and the Subinternet of Romance Authors went mildly nuts, as is right and proper, and since none of said “writer’s” books appear to “have plagiarism” from our/my work, I’ve merely been a viewer from the sidelines…
(14) PIRACY. Meanwhile,
Jeremiah Tolbert received some demoralizing news about other shenanigans on
Trevor Noah used Sunday’s Oscars ceremony as a chance to poke fun at people who think Wakanda, the fictional African homeland of Black Panther, is a real place.
While presenting the film’s nomination for Best Picture, the South African comedian said solemnly:
“Growing up as a young boy in Wakanda, I would see T’Challa flying over our village, and he would remind me of a great Xhosa phrase.
“He says: ‘Abelungu abazi ubu ndiyaxoka’, which means: ‘In times like these, we are stronger when we fight together than when we try to fight apart.”
But that’s not what that phrase actually means.
The BBC’s Pumza Fihlani says the true translation into English is: “White people don’t know that I’m lying”. His joke, which was of course lost on the Academy Awards’ audience in Hollywood, tickled Xhosa speakers on social media.
The new documentary, Life After Flash, casts a wide net in terms of looking at the classic character of Flash Gordon, the 1980 big screen rendition, the questions about a sequel, and the life of its star, Sam J. Jones.
When creator Alex Raymond first published Flash Gordon in 1937, his square-jawed hero was a star polo player. For the film, he was the quarterback of the New York Jets. But in every iteration of the character, he was just a man… with a man’s courage.
In this new exclusive clip, the late Stan Lee discusses whether or not Flash Gordon counts as a ‘superhero,’ since he has no traditional superpowers.
Surprising no one in the history of anything ever, there’s an angry contingent of “fans” upset over a Marvel movie with a woman in the leading role coming out. Or, they’re upset that said star of that movie championed and pushed for more diversity in film journalism.
Whatever the reason, these people are throwing a massive online hissy fit, taking to review aggregating site Rotten Tomatoes to make Captain Marvel’s “want to see” rating the lowest in the history of the Marvel Cinematic Universe.
[…] Whatever the cause for the online trolling, one man (a hero, or quite possibly, a reasonable adult) is telling all these upset dudes: Knock it off!
(19) VIDEO OF THE DAY. Kitbull
on Youtube is a Pixar film
by Rosana Sullivan about the friendship between a feral cat and an abused pit
John King Tarpinian, JJ, Nancy Sauer, Gregory Benford, James Davis Nicoll, Martin
Morse Wooster, Chip Hitchcock, Daniel Dern, Cat Eldridge, Mike Kennedy, Carl
Slaughter, and Andrew Porter for some of these stories, Title credit goes to
File 770 contributing editor of the day Kurt Busiek.]
[Editor’s note: be sure to read the comments on this post for more novellas and more Filer reviews.]
By JJ: I’m a huge reader of novels, but not that big on short fiction. But the last few years, I’ve done a personal project to read and review as many Novellas as I could (presuming that the story synopsis had some appeal for me). I ended up reading 31 of the novellas published in 2015, 35 of the novellas published in 2016, and 46 of the novellas published in 2017 (though a few of those were after Hugo nominations closed).
The result of this was the 2016 Novellapalooza and the 2017 Novellapalooza. I really felt as though I was able to do Hugo nominations for the novella category in an informed way, and a lot of Filers got involved with their own comments. So I’m doing it again this year.
The success and popularity of novellas in the last 4 years seems to have sparked a Golden Age for SFF novellas, with Tor.com, Subterranean Press, NewCon Press, PS Publishing, Book Smugglers, Clarkesworld, Beneath Ceaseless Skies, and Tachyon bringing out a multitude of works, along with the traditional magazines Asimov’s, Fantasy and Science Fiction, and Analog – so there are a lot more novellas to cover this year. By necessity, I’ve gotten to the point of being more selective about which ones I read, based on the synopsis being of interest to me.
It is not at all uncommon for me to choose to read a book despite not feeling that the jacket copy makes the book sound as though it is something I would like – and to discover that I really like or love the work anyway. On the other hand, It is not at all uncommon for me to choose to read a book which sounds as though it will be up my alley and to discover that, actually, the book doesn’t really do much for me.
Thus, my opinions on the following novellas vary wildly: stories I thought I would love but didn’t, stories I didn’t expect to love but did, and stories which aligned with my expectations – whether high or low. Bear in mind that while I enjoy both, I tend to prefer Science Fiction over Fantasy – and that while I enjoy suspense and thrillers, I have very little appreciation for Horror (and to be honest, I think Lovecraft is way overrated). My personal assessments are therefore not intended to be the final word on these stories, but merely a jumping-off point for Filer discussion.
I thought it would be helpful to have a thread where all the Filers’ thoughts on novellas are collected in one place, as a resource when Hugo nomination time rolls around. Which of these novellas have you read? And what did you think of them?
I’ve included plot summaries, and where I could find them, links to either excerpts or the full stories which can be read online for free. Short novels which fall between 40,000 and 48,000 words (within the Hugo Novella category tolerance) have been included.
Please feel free to post comments about any other 2018 novellas which you’ve read, as well.
The Testaments, set 15 years after the final scene of The Handmaid’s Tale, will be published on September 10, 2019, by Nan A. Talese/Doubleday, with an announced first printing of 500,000 copies….
“Dear Readers: Everything you’ve ever asked me about Gilead and its inner workings is the inspiration for this book,” Atwood said in a statement. “Well, almost everything! The other inspiration is the world we’ve been living in.”
The Testaments is not connected to the television adaptation of The Handmaid’s Tale, which is headed into its third season, six Emmy Awards in tow.
(2) NEBULA CONFERENCE PRICE RISE. Sean Wallace reminded people you have only until Friday to get the early bird special convention rate for SFWA’s Nebula Conference before it goes significantly up.
(3) IN FUTURE TENSE. Each month in 2018, Future Tense Fiction—a series of short stories from Future Tense and ASU’s Center for Science and the Imagination about how technology and science will change our lives— publishes a story on a theme. The theme for October–December 2018: Work. And this month’s story is “Overvalued” by Mark Stasenko, a TV writer whose credits include the Peabody Award–winning series American Vandal.
“How was your day?” Jack asked his wife as she took off her black leather pumps at the door of their spacious industrial-chic condo in NoMad.
“Good,” Sophia lied.
They didn’t use to lie to each other, not even about small things. Unfiltered honesty had always come naturally to them, despite their glaring differences—maybe because of them. But for the past six weeks, nothing seemed natural anymore. It was strange how much the death of a stranger had changed things.
That’s the specter raised by Mark Stasenko’s macabre short story of a not-too-distant future in which the potential of an individual has been turned into a tradeable security via a Prodigy Market in which investors can buy, sell, or short promising people.
Elements of the story are already real. Insurance companies have for many years insured vital aspects of individual talent and worth—Lloyd’s of London has famously insured Betty Grable’s legs and Bruce Springsteen’s voice….
(4) RESPONSES TO SILVERBERG. Here are a pair of analytical reactions to Robert Silverberg’s Racism and Sexism post on File 770, plus N.K. Jemisin’s answer.
…I understand you are upset that someone spread your words around. Such is the way with playground gossip, too. You still need to apologize.
I understand that you don’t mean to cause harm. You should still think critically about how your words have evoked it.
I understand you do not go into your projects with an explicitly biased eye. You should consider one of the truest premises Science Fiction embraces: we are not always aware of our biases.
I understand you are not trying to exclude others. Consider that systems are built with inclusion and exclusion in mind. You should think through who is excluded in our publishing model and how that is painful and harmful to our community….
Will Emmons’ Facebook post tries to place Silverberg’s arguments in cultural and political context:
…The ‘drama’ is sort of beside the point though. Except it’s a place to jump off for a conversation of culture and politics. A better question than Robert Silverberg’s personal views, or even his personal history, is what the politics of fandom and/or other cultural affinity groups is or should be. I’m a communist and have my own views about this but I’m mostly going to be talking about other people’s views as I understand them.
A position common to the old school liberals and conservatives as well as the emergent far right is the intellectually dishonest statement that politics has no place in fandom. Silverberg writes of Jemisin’s Hugo speech that he “felt that her angry acceptance speech had been a graceless one, because I believe that Hugo acceptance speeches should be occasions for gratitude and pleasure, not angry statements that politicize what should be a happy ceremony.”
I say this is dishonest because the old school liberals and conservatives of the generation before Silverberg’s engaged in personal and political struggles against the left-leaning Futurian fans. It came to a head at the 1939 Worldcon when a number of important Futurians were barred from entry. For his own part, back in the 50s Silverberg’s immense output included, among everything else, what Nazis call “message fic,” i.e. stories that disagree with fascist values. Google “The Happy Unfortunate,” a public domain short story where genetically engineered spacemen are kept out of the main city through an apartheid-like arrangement.
Well, no. It's really just a longer doubling-down of his original screed, plus mischaracterizing my figurative "finger" as "brandishing her new Hugo as a weapon," and "I have black and women friends." Then he starts ranting about some old beef with somebody else. ??
Anyway, since folks have asked, I will not be making a counterpost. I had a book come out yesterday and I'm trying to finish another by the end of this month. I don't have time for this. That's all I have to say.
(5) MORE ON FACIAL RECOGNITION. Writing in Forbes Magazine, Emeritus Professor of AI and Robotics Noel Sharkey looks at the dire warnings of totalitarianism that science fiction has provided, from Orwell to Doctorow, and asks us to consider what the tipping point is at which unfreedom begins: “Get Out Of My Face, Get Out of My Home: The Authoritarian Tipping Point”.
…There is an even more serious question than the massive inaccuracy of face recognition technology outside of the lab. It is even more serious than the racial and gender prejudice of the technology. The question is why the hell are we allowing law enforcement to scan our faces and use them for data?
Inaccurate face recognition creates grave injustices and sooner or later the wrong people will die because of it. But better accuracy may be even worse for the direction of our society. I fully understand how useful it would be for the police to catch dangerous wanted criminals and safely follow potential terrorists wherever they go. But at what cost to our lives?
Imagine if all of the mass of security cameras were equipped with reasonably accurate face recognition – and this is not totally unrealistic – there would be no place to hide. The more this is used, the cheaper it will get and the more AI will be used to act on the data. How long will it be before people are tracked for trivial offenses by face recognition software and told to wait until they are picked up? This technology would put great power in the hands of the authorities.
This is not the society that I wish to live in. Yet huge numbers of us are helping the quest by allowing apps like Facebook to collect data about our faces. When we post pictures of our friends on Facebook and tag them, we are providing data for face recognition algorithms to link those faces with their personal data. Some phones now acquire your face data so that it can be used to recognize you and open your phone….
(6) HILLENBURG OBIT. SpongeBob Squarepants’ creator Stephen Hillenburg died November 26 at age 57 — Variety has the story.
That same year  he won an award for Best Animated Concept at the Ottawa International Animation Festival for his animated short “Wormholes”, which went on to be shown at various international animation festivals. From 1993 to 1996 he would pursue work in television as a director and writer on Nickelodeon’s series “Rocko’s Modern Life.”
From there, he began to work full-time on writing producing, and directing on the animated series that would eventually become “SpongeBob SquarePants.” The first episode aired on Nickelodeon on May 1, 1999 and the series commenced its full run on July 17 of that year. The series has aired nearly 250 episodes to date. It appealed not only to children but older viewers as well, with college students even organizing viewing parties for the show.
(7) BURT OBIT. Andrew Burt (1945-2018): British actor, died November 16, aged 73. Genre appearances include The Legend of King Arthur (seven episodes, 1979), Blake’s 7 (one episode, 1980), Gulliver in Lilliput (four episodes, 1982), Doctor Who (three episodes, 1983), Super Gran (one episode, 1985).
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and JJ.]
Born November 28, 1930 – William Sargent, 88, Actor who played Dr. Leighton in “The Conscience of the King”, a first-season episode of Star Trek. He also had guest roles on Mission: Impossible, The Twilight Zone, The Alfred Hitchcock Hour, The Invaders, and Voyage to the Bottom of the Sea, and appeared in the zombie movie Night Slaves. He was in the pilot but not the regular cast for the TV series The Immortal, for which SFWA Grand Master James Gunn was head writer.
Born November 28, 1939 – Walter Velez, Artist. His agent and fellow artist Jill Bauman wrote, “Walter created illustrations for most of the major book and gaming companies. He has been long known for his cover art for such popular books such as the Thieves World series and the Myth Adventures series, both edited by Robert Asprin; and the Ebenezum, Wuntor, and Cineverse Cycle series, all by Craig Shaw Gardner. Walter illustrated for TSR games extensively. He applied his multi-faceted talents to trading cards for the Goosebumps series for the Topps Company, and a series of Dune trading cards. In the early 80’s he worked with Random House to create art for several Star Wars books that were licensed from George Lucas.” (Died 2018.)
Born November 28, 1946 – Joe Dante, 72, Director and Producer. Warning, this is a personal list of works he directed that I’ve really, really enjoyed – starting off with The Howling, then adding in the Saturn-nominated Innerspace, both of the Saturn-nominated Gremlins films (though I think only the first is a masterpiece, which is why that Saturn nom got him a trophy), Small Soldiers, and The Hole (2009). For television work, he’s directed episodes for quite a number of series, but the only one I can say I recall and was impressed by was his Legends of Tomorrow “Night of the Hawk” episode. As Producer, I see he’s responsible for The Phantom (proving that everyone has a horrible day), the Jeremiah series, and an upcoming horror film called Camp Cold Brook.
Born November 28, 1950 – Ed Harris, 68, Actor, Director, and Producer with a lengthy genre resume whose first role was in the Michael Crichton-directed version of Robin Cook’s Coma, but whose most famous genre role, depending on your flavor of fandom, might be his Oscar-nominated turn as Flight Director Gene Kranz in the Hugo finalist Apollo 13 (which earned him a sly voice cameo as Mission Control in Gravity), his Saturn-winning lead role as The Man in Black in the TV series Westworld, his Saturn-nominated performance as an undersea explorer in the Hugo finalist The Abyss, or his Oscar- and Saturn-nominated part as the exploitative genius of The Truman Show.
Born November 28, 1952 – S. Epatha Merkerson, 66, Actor who has spent around 25 years in main roles in Dick Wolf’s Law & Order and Chicago procedural dramas, but who managed to sneak in genre roles in the films Jacob’s Ladder, Terminator 2: Judgment Day, and Slipstream, and a main role in the short-lived 1990s cyborg police series Mann & Machine.
Born November 28, 1961 – Alfonso Cuarón, 57, Writer, Director, and Producer from Mexico who has directed three impressive genre films: the Hugo finalists Harry Potter and the Prisoner of Azkaban and Children of Men (based on P. D. James’ 1992 novel of the same name) and the Hugo Award-winning Gravity, for which he also won an Oscar. He also produced the Hugo-winning Pan’s Labyrinth, and is the creator of Believe, a TV series about a young girl born with special supernatural abilities she can not control, which lasted thirteen episodes. The Possibility of Hope, a documentary short film which he directed, looks at different matters of the world such as immigration, global warming and capitalism through the eyes of scientists and philosophers.
Born November 28, 1962 – Mark Hodder, 56, Writer from England who is best known for his Burton & Swinburne alternate-history Victorian steampunk novels, starting off with The Strange Affair of Spring-Heeled Jack, which deservedly garnered the 2010 Philip K. Dick Award. Books 3 and 4, Expedition to the Mountains of the Moon and The Secret of Abdu El Yezdi, were finalists for Sidewise Awards. His A Red Sun Also Rises recreates a sort of Victorian London on a far distant alien world (emphasis on “sort of”). And then there’s Consulting Detective Macallister Fogg, which appears to be his riff off of Sherlock Holmes, only decidedly weirder.
Born November 28, 1984 – Mary Elizabeth Winstead, 34, Actor, Singer, and Producer whose roots are deepest in the horror genre, with notable roles in Sky High, Final Destination 3, Monster Island, Black Christmas (so merry-sounding, that), the recent reboot of The Thing, Abraham Lincoln: Vampire Hunter (anyone seen this?), 10 Cloverfield Lane (for which she won a Saturn Award), The Ring Two, and the upcoming Gemini Man. Her series work includes Touched by an Angel and its spinoff Promised Land, Wolf Lake, Tru Calling, The Returned, and a guest voice role on the animated Danger & Eggs series (which I am not describing).
Born November 28, 1987 – Karen Gillan, 31, Actor, Writer, and Director whom Doctor Who fans know as Amy Pond, companion to the Eleventh Doctor; two episodes in which she appeared, “The Pandorica Opens/The Big Bang” and “The Doctor’s Wife”, won Hugo Awards. More recent high-profile roles include playing Nebula in the Guardians of The Galaxy and Avengers movies, and Ruby Roundhouse in Jumanji: Welcome to the Jungle. Other genre appearances include the supernatural thriller films Outcast and Oculus, and the multi-platform horror story The Well.
(9) BOOKSHOP OPENS NEW BRANCH UNDER FANNISH MANAGEMENT. Milwaukee’s Renaissance Bookshop (best known for having the world’s first used-book store in an airport) opened a new branch in suburban Southridge Mall at 6 a.m. on Black Friday. The manager is 23-year-old second-generation fan/bookseller Kelly J.A. Lowrey, child of “Orange Mike” Lowrey and C.Kay “Cicatrice” Hinchliffe. The present staffing at the Southridge store is “heavily fannish”, reports proud papa Mike, and looks likely to remain so.
Philip F. Nowlan, the fellow who created Buck Rogers, worked as a journalist prior to that milestone. By accident, I stumbled on a column he used to write, three samples of which are here…
(11) DILLON SOLO. Aficianados remember Leo & Diane Dillon’s many collaborative sff book covers. But I haven’t seen much solo work. Now there’s a gallery of Leo Dillon’s solo art at the Flying Cars and Food Pills blog. Andrew Porter sent the link together with his photo of Leo (Diane visible over his left shoulder) from the opening of a show at their son’s Fusion Designs Gallery, a now-closed gallery in Brooklyn.
(12) PRINCESS CASTING. The Washington Post’s Michael Cavna interviews Pamela Ribon, a writer of Ralph Breaks the Internet, about a scene where Vannellope Van Schweetz is surrounded by nearly a dozen Disney princesses. She talks about how she developed the scene and how she recruited seven former Disney princesses to recreate their original roles as cameos. “How ‘Ralph Breaks the Internet’ spoofs the Disney Princess industrial complex”.
That conversation carried over to the early story stages of the “Ralph” sequel. “I thought: ‘Gosh, why isn’t Vanellope canon?’ “ Ribon says. “To me, she’s my kind of princess — in a hoodie.”
“At first we were joking about Vanellope photobombing the [seven] dwarfs,” Ribon says. That brainstorming evolved into having Vanellope — who goes AWOL from her Sugar Rush game — come upon the Oh My Disney area of the Internet.
“What if they’re trying to determine whether or not she’s canon — whatever that thing [is] that they decide at Disneyland that allows some of them to get their coronation,” Ribon says of having the princesses grill Vanellope on her potentially royal résumé. “And so I took it from there.”
But while executing her idea, Ribon says, she began to have a “true panic attack,” so she contacted a friend — a walking Wikipedia of Disney facts — and told her: “I have all these tropes and I just want to make sure I have the right princesses. Which ones were kidnapped? Which ones have daddy issues?
Over the Thanksgiving holiday, Disney released the first trailer for next year’s “Lion King” remake — which trades in the 1994 original’s 2D animation for CGI re-creation — and after more than 224 million views within the first day, the debate was sparked: Just how is this a “live-action” film when everything on the screen looks like a painted pixel?
Some viewers tweeted their confusion over the trailer — perhaps expecting a so-called live-action remake of “The Lion King” to be more in the vein of the costuming in Julie Taymor’s smash Broadway musical.
And the high degree of cinematic similarity prompted some users to post shot-by-shot comparisons of the original and the remake.
No hope for men with pretensions of following in Captain Kirk’s footsteps in Joan D. Vinge’s 1974 novella Tin Soldier (originally collected in Orbit 14, later reprinted in Eyes of Amber). Starflight is the exclusive domain of women; men, physiologically incapable of serving as waking crew, are consigned to the status of hibernating cargo. The story follows an intermittent romance between two people: a woman whose career as crew leaves her skipping across decades and her immortal cyborg bartender friend, who is making his way through time the slow way.
(15) VIRGIN GALACTIC ON THE CUSP. Christian Davenport’s Washington Post article “Virgin Galactic’s quest for space” has an article about Virgin Galactic and Sir Richard Branson’s plans for space exploration. He believes that the company has nearly recovered from the death of test pilot Michael Alsbury in 2014 and that SpaceShipTwo should offer tourist flights very shortly.
Today, four years later, the company says it is once again at that moment. Branson, chastened by the crash and the ensuing federal investigation, recently said that the company is “more than tantalizingly close” and that “we should be in space within weeks, not months.”
Virgin Galactic’s next flight of SpaceShipTwo, its winged and sporty space plane, is scheduled for launch in the coming weeks and could, after years of trying, give Branson his long elusive conquest of blasting through the atmosphere. It would mark a historic milestone for Virgin and Branson, a master of marketing and hype who for years has become an evangelist for space exploration.
[Thanks to Olav Rokne, Steve Green, Joey Eschrich, Cat Eldridge, JJ, John King Tarpinian, Chip Hitchcock, Martin Morse Wooster, Mike Kennedy, rcade, Orange Mike Lowrey, Carl Slaughter, StephenfromOttawa, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Olav Rokne.]
When the spacecraft is sleeping at night, we work. So we get all the data down, look at it and tell the spacecraft: “Hey InSight, tomorrow these are the tasks I want you to do!”
And then we uplink it, right before it wakes up in the morning. Then we go to bed and the spacecraft does its work.
But because the Mars day shifts every day, we also have to shift our schedule by an hour every day. So the first day we’ll start at 6am, and then [the next] will be 7am… 8am… 9am… and then we take a day off.
What fictional foods make you as excited as a hobbit in a pantry?
Sure, you can buy a Wonka Bar at any candy store. You can drink a sugary Butterbeer at the Wizarding World of Harry Potter attraction in Orlando. And you can find a recipe for Lembas Bread on about a million Lord of the Rings fan sites. But none of these initially fictional foods could ever live up to how we imagined they would taste when we first saw or read about them….
We’ve collected our favorite responses below. Next time you encounter a mouth-watering food that doesn’t exist, try and decide for yourself what incredible, impossible flavors it might actually have….
Pan Galactic Gargle Blaster from The Hitchhiker’s Guide to the Galaxy
What might it taste like?
“A cataclysm of citrus with an effervescent apocalypse. Anything that would make you simultaneously evolve and devolve seems like an interesting way to not die.” — Ian Maxwell, Denver, Colorado USA
A Shmoo from the Lil’ Abner Comics
What might it taste like?
“It says it can taste like steak, chicken or oysters… They are genial playmates for children and then will jump into your frying pan and become dinner. I’ve always remembered the shmoo.” — Roseann Milano, Tucson, Arizona…
Roast Porg from The Last Jedi
What might it taste like? “Teriyaki chicken. Chewbacca wanted to cook one in The Last Jedi. Might be succulent and savory.” — Leon Easter, Stockton, California
(4) CORDWAINER SMITH’S ALTER EGO. Paul DiFilippo has reproduced Paul M.A. Linebarger’s 1951 article for Nation’s Business, “Hotfoot for Stalin” at theinferior4.
My business manager once said: “Don’t buy anything that eats while you sleep.” Thankfully, I ignored that advice. My wife, Elizabeth, and I have horses in Kentucky and in Moorpark. I’ll ride two, three hours every morning that I’m not working — two or three days a week. People don’t realize it, but you’re not just passively sitting there on a horse. Riding is a stretching and strengthening exercise. It requires balance, expertise, finesse and strength.
(6) SWOFFORD OBIT. Actor Ken Swofford died November 1. He mostly played authority figures —
… On the big screen, Swofford had roles in Robert Wise’s The Andromeda Strain (1971), Stanley Kramer’s The Domino Killings (1977), Blake Edwards’ S.O.B. (1981), John Huston’s Annie (1982) and Ridley Scott’s Thelma & Louise (1991).
…Swofford provided the voice of the title character in the 2018 short film Happy the Angry Polar Bear, written and directed by his grandson.
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and JJ.]
November 3, 1925 – Monica Hughes, Writer from England who emigrated to Canada, and became known as known as one of Canada’s best writers for children and young adults, especially science fiction. She is best known for the Isis Trilogy, about the descendants of Earth colonists on a far-flung planet, which won the Phoenix Award from the Children’s Literature Association. Invitation to the Game, a hard science fiction dystopian novel which features robots and has been translated into numerous languages, won the Hal Clement Young Adult Award.
November 3, 1928 – Tezuka Osamu, Artist, Animator, and Producer who is often considered the Japanese equivalent to Walt Disney, a major inspiration during his formative years. His manga series, all of which have had English language translations, include Astro Boy, Black Jack, Kimba the White Lion, and Phoenix, all of which won several awards including four Eisner Awards.
November 3, 1933 – John Barry Prendergast, Oscar-winning Composer who wrote the scores for more than 120 films, including the genre works Moonraker (and 10 other Bond films), Starcrash, Mercury Rising, Howard the Duck, The Black Hole (for which he received a Saturn nomination), the 1976 King Kong, and the 1972 Alice’s Adventures in Wonderland. However, he is best known for his pièce de résistance: the haunting, emotive soundtrack for Somewhere in Time – the Saturn-winning film adaptation of SFF author Richard Matheson’s novel Bid Time Return – for which he also won a Saturn Award. Rather than taking a set fee upfront, he had presciently agreed to a percentage of sales. The soundtrack became one of the most popular movie soundtracks of all time, eventually selling more than a million copies, and continues to sell well to this day.
November 3, 1950 – Massimo Mongai, Writer from Italy who produced Memorie di un Cuoco d’Astronave (Memories Of A Spaceship Cook), an apparent merging of space opera and cooking manual which won Italy’s Urania Award. I’m really, really hoping someone has read this in the original language as I’d love to know what it’s about!
November 3, 1952 – Jim Cummings, 66, Voice Actor and Singer who has hundreds of voice credits in animated features and TV shows, including Aladdin, The Lion King, Shrek, Who Framed Roger Rabbit (as a bullet), The Addams Family, Batman: The Animated Series, Duck Dodgers, The Transformers, Teenage Mutant Ninja Turtles, Gargoyles (one of my favorite shows), at least three of the animated Star Wars series, and dozens of videogames. He has won two Annie Awards, which are given to recognize outstanding work in the animation industry.
November 3, 1952 – Eileen Wilks, 66, Writer whose principal genre series is the World of Lupi, a FBI procedural intertwined with shapeshifters, dragons and a multiverse. Highly entertaining, sometimes considered romance novels, though I don’t consider them so. The audiobooks are amazing!
November 3, 1963 – Brian Henson, 55, Actor, Puppeteer, Director, and Producer who, as the son of Jim and Jane Henson, now runs the Jim Henson Company along with his sister Lisa. He voiced the character of Hoggle in the original Hugo and Saturn Award-nominated Labyrinth, and is in the process of producing a remake of that movie. He has provided other voice and puppet characters in many films, including Little Shop of Horrors, Teenage Mutant Ninja Turtles, Muppets from Space, and The Muppets’ Wizard of Oz.. He was a producer for the awesome Farscape series, but the less said about his venture The Happytime Murders, the better.
November 3, 1964 – Marjean Holden, 54, Actor who has had recurring roles in the genre TV series Crusade, the short-lived spinoff from Babylon 5, and in the Beastmaster series. She’s also appeared in Philadelphia Experiment II, Bill & Ted’s Excellent Adventure, Babylon 5: A Call to Arms, The Lost World: Jurassic Park, Dr. Caligari, and Nemesis, and had guest parts on episodes of Star Trek: Deep Space Nine and Tales from the Crypt.
November 3, 1964 – Brendan Fraser, 50, Actor and Producer whose genre work includes The Mummy films, which I dearly love, but also Monkeybone, based on Kaja Blackley’s graphic novel Dark Town, the Bedazzled remake, Sinbad: Beyond the Veil of Mists, Looney Tunes: Back in Action, Journey to the Center of the Earth, Encino Man, G.I. Joe: The Rise of Cobra, and voicing Robotman on the Titans series that airs on DC Universe.
Good grief, nine books into the Laundry Files and Stross is still creating these weird, tense thrillers without really ever repeating himself. The novels have gradually shifted from clever pastiche to exploring their own premise….
M&M’s are known and enjoyed worldwide as movie snacks or general goodies. However, since 2016, this has not been true for Sweden, where the sweets have been banned due to a trademark dispute with a local candy company’s M Peanut.
Marabou’s M Peanut is very similar in taste and appearance to Peanut M&M’s: Both are chocolate-covered peanuts with lowercase m’son their packaging. They’re so similar that one might think Marabou is an imitation brand. However, in Sweden, M&M’s are seen as the imitator, as Marabou’s candy had been sold in its native country for 50 years before M&M’s arrived.
(12) XENA PREBOOT SCRIPT. The 2016 attempt to reboot Xena never made it off the ground, but now a draft of the pilot script is available online for anyone to read (io9/Gizmodo: “Check Out the Script For the Pilot of the Canned Xena Reboot”). Now I’m wondering when the first dramatic reading will take place at a con.
Xena, brilliant warrior, princess, hero, and one more cancelled reboot.
But now, thanks to Xena Movie Campaign, a Facebook fan group, with the blessing of Javier Grillo-Marxuach, who wrote it, the unused script for the pilot episode of an attempted 2016 reboot of Xena is now available to read online.
But what is a radio telescope? How can we observe space through radio? Does Jupiter sing? Are the bodies of the solar system harmonising in a heavenly chorus?
Well, that’s not far off the mark. If you have the right equipment, you can even listen to Jupiter’s emissions yourself! You’ll need a shortwave radio (Jupiter radiates strongest at 22Mhz), and you’ll have to build yourself a large dipole antenna. What you’ll hear is an eerie, aggressive static, a lot like waves crashing on the beach. These are the radio emissions produced by charged particles racing through Jupiter’s magnetic field.
(15) VIDEO OF THE DAY. “Mr. Death” from Norwegian director Andreas J. Riiser is a short film on Vimeo that imagines what Death would be like if he was a chain-smoking Norwegian who has a buzz cut and loves Beethoven’s Seventh Symphony.
[Thanks to Cat Eldridge, John King Tarpinian, ULTRAGOTHA, Mike Kennedy, JJ, Martin Morse Wooster, Carl Slaughter, Chip Hitchcock, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Joe H.]