Pixel Scroll 3/9/21 Forty And Twenty Novels Added To The To-Read Piles

(1) MONSTROUS EMOTION. Sonny Bunch, in a Washington Post opinion piece, says “‘WandaVision’ punted on its most interesting idea about grief”. BEWARE SPOILERS.

In the eighth episode of “WandaVision,” the Disney Plus series featuring Marvel Cinematic Universe witch Wanda Maximoff (Elizabeth Olsen), her resurrected partner and android, Vision (Paul Bettany), and a lot of clever riffs on classic sitcom tropes, one line seems to have struck a chord: “What is grief, if not love persevering?” After a year of living under the threat of a pandemic, it seems viewers were looking for art that dealt with loss — and didn’t involve putting in the work of reading Russian literature.But the rhapsodizing over that bit of dialogue concealed a larger, more difficult, point. In the end, “WandaVision” punted on its most interesting idea about grief: that wallowing in it can turn people into monsters….

(2) HYBRID OF DESTINY. “How Octavia E. Butler Reimagines Sex and Survival” by Julian Lucas in The New Yorker.

…The nineties were a breakout decade. Frustrated by publishers’ refusals to send her on book tours, she signed with an independent press, which promoted her work to Black and feminist booksellers. “Parable of the Sower” won critical acclaim, and in 1995 Butler became the first science-fiction writer to receive a MacArthur grant. The honor coincided with a growing interest in how Black writers, artists, and musicians drew on the dislocation of the past in critically reflecting on the future. The critic Mark Dery called it “Afrofuturism,” and Butler has become its most widely recognized literary avatar.

Perhaps her greatest talent was the clear evocation of thinking in a crisis. The thrill of her fiction lies in its learn-or-die urgency, conveyed in a streamlined prose of situational awareness. The brinkmanship of the Reagan era inspired her standout Xenogenesis trilogy, collected in the volume “Lilith’s Brood.” (Ava DuVernay is producing a TV series based on the first installment, “Dawn.”) It begins in a womblike cell on a living spaceship, where Lilith Iyapo, one of the only survivors of a nuclear war, waits for her captor-saviors to show themselves. They are part of a galactic diaspora of tentacled bipedal “gene traders,” the Oankali, who propose a merger of the species. The scheme is not only the price they exact for repopulating Earth but a biological necessity. “We are committed to the trade as your body is to breathing,” one explains. “We were overdue for it when we found you. Now it will be done—to the rebirth of your people and mine.” Lilith is to be the first mother of this hybrid species, and an evangelist for Oankali-human interbreeding to fellow-survivors, many of whom consider her a traitor….

(3) JUSTICE LEAGUE TRAILER PARK. Comicbook.com introduces the video: “Zack Snyder’s Justice League Cyborg Trailer Released”.

HBO Max has revealed the new trailer for Zack Snyder’s Justice Leaguethis time spotlighting Cyborg. This latest trailer follows previous trailers focusing on BatmanSupermanAquaman, Wonder Woman, and The Flash. 

(4) SUPERTROOPER. Christine Feehan, in “Six Movies (and One TV Show) Featuring Genetically Engineered Soldiers” on Crimereads gives her recommendations for favorite works with bionic supersoldiers.

…The soldier or hero who can rush in and save the day because of his super skills is a common trope in film. I’d like to share with you my top five favorite characters from stories about super soldiers whose ultra-abilities have been the result of DNA experiments, secret government training, or a means of surviving the situation they find themselves in….

(5) JUSTER OBIT. Norton Juster, best-known as author of The Phantom Tollbooth (illustrated by Jules Feiffer), died March 8. The Independent is one of many outlets with the AP story: “Norton Juster, ‘The Phantom Tollbooth’ author, dead at 91”.

Norton Juster, the celebrated children’s author who fashioned a world of his own in the classic “The Phantom Tollbooth” and went on to write such favorites as “The Dot and the Line” and “Stark Naked,” has died at 91.

Juster’s death was confirmed Tuesday by a spokesperson for Random House Children’s Books, who did not immediately provide details. Juster’s friend and fellow author Mo Willems tweeted Tuesday that Juster “ran out of stories” and died “peacefully” the night before.

Andrew Liptak paid tribute at Tor.com “The Phantom Tollbooth Author Norton Juster Has Died at the Age of 91”

…While beloved as a children’s book author, Juster’s primary vocation throughout his life was architecture, telling an interviewer that “I grew up in architecture, my father was an architect, my brother, who is four and a half years old, was training and then became an architect. I had no idea I was every going to be a writer or anything like that.” After attending college, he joined the US Navy’s Civil Engineer Corps, which he described as a “terrific experience,” but in which “a lot of your time is wasted.” To help pass the time, he began drawing and writing, and was chastised by his CO for it.

After leaving the Navy, he joined a New York architectural firm, and began to think about writing a book that would teach children about cities. He ultimately got a grant for the project, and began writing. It didn’t go well: “I started with great energy and enthusiasm until I found myself waist-deep in stacks of 3-by-5 note cards, exhausted and dispirited,” He told NPR in 2011. “This is not what I wanted to do.” He began to think about another story, and “The Phantom Tollbooth came about because I was trying to avoid doing something else.”

While looking for that other story, he was inspired by a conversation he had with a boy about the notion of infinity, and began writing the story that would ultimately become The Phantom Tollbooth….

The New York Times report is here. (Their full obituary is promised later.)

“Most books advertised for ‘readers of all ages’ fail to keep their promise,” Ann McGovern wrote in her review in The New York Times in 1961. “But Norton Juster’s amazing fantasy has something wonderful for anybody old enough to relish the allegorical wisdom of ‘Alice in Wonderland’ and the pointed whimsy of ‘The Wizard of Oz.’”

Publishers Weekly includes more details of Juster’s later years: “Obituary: Norton Juster”.

…Juster retired from teaching in 1992 and from his architecture practice in 1996, though he continued writing. He wrote two picture books illustrated by Chris Raschka and inspired by his granddaughter: The Hello, Goodbye Window (Hyperion/Michael di Capua, 2005), for which Raschka won the 2006 Caldecott Medal, and a sequel, Sourpuss and Sweetie Pie (Scholastic/Michael di Capua, 2008). In 2010, Juster and Feiffer reunited for the picture book The Odious Ogre (Hyperion/Michael di Capua, 2010). At the time, Juster quipped, “We realized it was such fun working together that we made a pact: we are prepared to do a new book every 50 years.” The duo spoke with PW then about what it was like teaming up again.

Juster’s wife of 54 years, Jeanne, died in 2018. He is survived by his daughter Emily and granddaughter Tori, both of Amherst. A celebration of Juster’s life is being planned for a later date….

(6) ENGELBERG OBIT. Dr. Michael Engelberg, an oncologist at Cedar-Sinai in Los Angeles and a film producer, recently died. He was executive producer of The Puppet Masters (1994). Among the other films he tried to develop was one based on Wild Cards.

George R.R. Martin wrote an affectionate memoir on his blog: “Covid Claims Another Friend”.

…A PRINCESS OF MARS was his passion project, but by no means the only one he worked on.    There was a time back in the 90s when I had four — yes, count ’em, four — films in active development at Hollywood Pictures, and Dr. Michael Engelberg was the executive producer and guiding hand on all of them.   Besides PRINCESS, Melinda and I were also developing WILD CARDS as a feature film, collaborating on a screenplay built around our own most iconic characters, Dr. Tachyon and the Great and Powerful Turtle.   Michael also picked up the rights to FADEOUT, an original SF screenplay I had written for a small independent that had gone bust.    For a time there was talk of attaching Sharon Stone to that one, but when that fell through, so did the project.  And Hollywood also optioned my historical horror novel, FEVRE DREAM.  I was so busy with other work — the aforementioned PRINCESS, WILD CARDS, FADEOUT, as well as three television pilots, the Wild Cards books, and this fantasy novel I had started in 1991 — that I did not get around to writing the screenplay for FEVRE DREAM for a while, alas.   Big mistake.   By the time I turned in the script, Hollywood Pictures was on its last legs and had lost all interest in steamboats and vampires.   They put the script in turnaround the day after I turned it in.

None of that was Dr. Michael’s fault.   He was as frustrated as any of us by the vagaries of development hell.   Maybe more so.   I loved working with him, maybe because he had a trufan’s reverence for the original material.  Whether dealing with ERB, RAH, or GRRM, he always argued for staying with the book and doing faithful adaptations.

Melinda Snodgrass also mourns his loss: “In Memoriam”.

There have been four men in my life who I have considered to be beyond brilliant. One was my father, the second a professor at my law school, another an inventor and space visionary, and the fourth was my friend, Dr. Michael Engelberg. I first met Michael at what would become our traditional meeting at Hop Li Seafood Restaurant in L.A.’s Chinatown.

Michael was an oncologist at Cedar’s Sinai, a brilliant physician, but he was also a movie producer. He had made Heinlein’s Puppet Masters for Disney, and he absolutely loved the Wild Cards series. That’s how we ended up meeting because he wanted to make a Wild Cards movie. It’s because of Michael that George and I got to pitch directly to Michael Eisner, the head of Disney at the time….

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born March 9, 1918 Mickey Spillane. His first job was writing stories for Funnies Inc. including Captain Marvel, Superman, Batman and Captain America. Do note these were text stories, not scripts for comics. Other than those, ISFDB lists him as writing three genre short stories: “The Veiled Woman“ (co-written with Howard Browne),  “The Girl Behind the Hedge” and “Grave Matter” (co-written with Max Allan Collins).  Has anyone read these? (Died 2006.) (CE)
  • Born March 9, 1934 – Yuri Gagarin.  First human being in Space, April 12, 1961.  (Died 1968) [JH]
  • Born March 9, 1937 – Robin Johnson, age 84.  Chaired Aussiecon the 33rd Worldcon, first in Australia; Fan Guest of Honour at Aussiecon 4 the 68th.  In between, Fan GoH at the 10th Australian natcon (i.e. national convention); at Syncon ’78; Swancon 7; ARCon.  Chaired Thylacon 1-3.  Succeeded Leigh Edmonds as editor of Norstrilian News.  Ditmar Award for contributions to fandom.  Big Heart (our highest service award).  [JH]
  • Born March 9, 1940 Raul Julia. If we count Sesame Street as genre, his appearance as Rafael there was his first genre role. Yeah I’m stretching it. Ok, how about as Aram Fingal In Overdrawn at the Memory Bank, a RSL production off the John Varley short story? That better?  He later starred in Frankenstein Unbound as Victor Frankenstein as well. His last role released while he was still living was in Addams Family Values as Gomez Addams reprising the role he’d had in The Addams Family. (Died 1994.)  (CE)
  • Born March 9, 1945 Robert Calvert. Lyricist for Hawkwind, a band that’s at least genre adjacent. And Simon R. Green frequently mentioned them in his Nightside series. Calvert was a close friend of Michael Moorcock.  He wrote SF poetry which you read about here. (Died 1988.) (CE)
  • Born March 9, 1947 – David Emerson, age 74.  Chaired ReinCONation 5-6, also Not-a-ReinCONation (of course there was one, consider Minneapolis fandom).  Served a term as editor of Rune.  In several performances of The Mimeo Man; co-director of Midwest Side Story.  [JH]
  • Born March 9, 1952 – Jim Shull, age 69.  One of our best fanartists.  Four FAAn (Fan Activity Achievement) Awards.  Fanzine, Crifanac (“critical fan activity”); co-editor of The Essence.  Here is some of his work in Outworlds 15; here is some more.  Here is his cover for Prehensile 6.
  • Born March 9, 1955 Pat Murphy,66. I think her most brilliant work is The City, Not Long After. If you’ve not read this novel, do so now. The Max Merriwell series is excellent and Murphy’s ‘explanation’ of the authorial attributions is fascinating. And The Falling Woman by her is an amazing read as well. She’s reasonably well stocked at the usual digital suspects. (CE)
  • Born March 9, 1957 – Diann Thornley, age 64.  Three novels, four shorter stories.  Two dozen years in the U.S. Air Force; finished Ganwold’s Child at Wright-Patterson Air Force Base near my alma mater Antioch.  Two drawings in The Leading Edge, hello Dave Doering.  [JH]
  • Born March 9, 1965 Brom, 56. Artist and writer whose best work I think is Krampus: The Yule Lord and The Child ThiefThe Art of Brom is a very good look at his art. He’s listed as having provided some of the art design used on Galaxy Quest. (CE)
  • Born March 9, 1978 Hannu Rajaniemi, 43. Author of the Jean le Flambeur series which consists of The Quantum ThiefThe Fractal Prince and The Causal Angel. Damn if I can summarize them. They remind me a bit of Alastair Reynolds and his Prefect novels, somewhat of Ian Mcdonald’s Mars novels as well. Layers of weirdness upon weirdness. Quite fascinating. (CE)
  • Born March 9, 1990 – Delson Armstrong, age 31.  Three novels (one with Rishabh Jain).  Likes Bach, Mozart, Beethoven, Chopin, wishes he could manage to play piano more.  Travels between New York and Bombay (as, he confesses, he still calls it; he was born there).  Has read The Iliad, four Shakespeare plays, Paradise Lost – and Siddhartha, aiee; dare we ask how it looks to him? [JH]

(8) COMICS SECTION.

  • The Argyle Sweater finds a place where that timepiece takes a licking and keeps on ticking.

(9) BEAM UP ANOTHER CANDLE. “William Shatner to celebrate 90th birthday with ‘Star Trek’ event in Upstate NY” reports NYup.com. March 22 is his birthday.

Captain James T. Kirk is boldly returning to Upstate New York.

William Shatner will celebrate his 90th birthday with a special event at the “Star Trek Set Tour” exhibit in Ticonderoga, N.Y., on the weekend of July 23-24, 2021.

Trekkies, or Trekkers, can book a number of options, including an early bird general admission price of $49.99 (regular price $80), $499 for a tour with Shatner himself, $160 for a photo, $80 for an autograph, or $1,500 for a “VIP All-Inclusive Package” featuring a dinner gala with Shatner plus the tour, photo, autograph and a “Bridge Chat.”…

(10) BLACKWOOD. Eugene Thacker analyzes how “How Algernon Blackwood Turned Nature Into Sublime Horror” at Literary Hub. His primary text is Blackwood’s 1901 article “Down the Danube in a Canadian Canoe”: 

…Already this is the stuff of Blackwood’s many stories of supernatural horror. But what gives scenes like this their ambiance of otherworldliness is not that there are menacing monsters in the night, but rather that the entire environment—the mountains, sky, river, trees—are somehow alive, and alive in an impersonal but sublime way that far exceeds the taxonomies of the naturalist or the theories of the biologist. At one point in the journey, Blackwood makes note of a scene that, in itself, has nothing supernatural about it—circling crows, swaying trees, crepuscular sky—but it is precisely its naturalism that gives Blackwood the sense of “a something alive”:

“Big grey hawks circled ever over head and grey crows by the thousand lined the shores. That evening, after crossing and re-crossing the river, we found a sheltered camp on a sandy island where pollards and willows roared in the wind. As if to show the loneliness of the spot an otter, rolling over and over among the eddies, swam past us as we landed. About sunset the clouds broke up momentarily and let out a flood of crimson light all over the wild country. Against the gorgeous red sky a stream of dark clouds, in all shapes and kinds, hurried over into the Carpathian mountains…”

In short, a landscape without human beings—except, of course, for the enigma of the solitary observer Blackwood himself, bearing witness to the absence of all humanity….

(11) JEOPARDY! Andrew Porter witnessed proof that some of tonight’s Jeopardy! contestants know their Ray Bradbury.

Final Jeopardy; category: Science Fiction

Answer: In a 1962 sci-fi story, a time traveler returning to the present finds a dead one of these insects on his shoe.

Wrong question: What is a cockroach?

Correct question: What is a butterfly? (2 contestants got it right)

The temporary host, Katie Couric, mentioned that the Ray Bradbury story gave rise to the term “The Butterly Effect.”

Photo by and (c) Andrew Porter

(12) FROM COLLECTIBLE TO CONTRABAND. One item on Mental Floss’ list of “The TSA’s 10 Weirdest Confiscations From 2020” is genre-related.

…a set of knives concealed in a secret compartment in a copy of Brian W. Aldiss’s science fiction novel Helliconia Summer. The cavity was created in part by cutting out pages from a chapter called “A Way to Better Weaponry.”

See it at the 18-second point in this video:

(13) DRUMMING UP INTEREST. At the link is a scan of the Philadelphia Inquirer’s pre-con coverage of the “1953 World Science Convention”. Andrew Porter also sent along this image of the postage stamps referenced in the article.

(14) YOUR LACK OF FAITH IS DISTURBING. In “Warp Drive News. Seriously” on YouTube, Austrian physicist and sf fan Sabine Hossenfelder explains how new discoveries in physics show that warp drives are possible by manipulating space-time.

(15) VIDEO OF THE DAY. In “Honest Trailers:  Kung Fu Panda” on YouTube, the Screen Junkies say this film is a good choice if you don’t want to spend $30 for Raya And The Last Dragon and if your kids won’t understand Soul.  They say the film is “better than it has a right to be” and its victory over Wall-E in the Annie Awards caused Disney to boycott the Annies for 10 years.

[Thanks to Jennifer Hawthorne, Rich Lynch, Olav Rokne, Mike Kennedy, Michael Toman, Andrew Porter, JJ, John King Tarpinian, Martin Morse Wooster, John Hertz, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew (not Werdna).]

When Bob Madle Named
The Hugos

Willy Ley accepts his 1953 Hugo. Olga, his wife, is seated at right.

By Mike Glyer: It’s Bob Madle’s 100th birthday tomorrow, when File 770 will have more to say about his days in fandom. One contribution I’d like to discuss right now is his naming of the Hugo Awards, first conceived in 1953.

As Madle told the story in ”A Personal Sense of Wonder (Part 2)” (Mimosa #30, 2003)

The idea for the Awards was the brainchild of one of our [Philadelphia] club members, Hal Lynch. He came running over to my house one night, and said, “Hey, Bob, I’ve got a great idea! Why don’t we give awards for things like Best Novel and Best Magazine — sort of like the Oscars.”

And I said, “Gee, that’s great! We could call them the ‘Hugos’.” At the time I was writing a column, “Inside Science Fiction” for Robert Lowndes, and I used that to play up the idea of the Hugos before the convention.

Here’s a scan of the Philcon II segment of his column in the October 1953 issue of Dynamic Science Fiction (a quarterly publication which went on sale August 1, 1953, a month before the Worldcon. The October cover date was when it would be taken off sale.)

Harry Warner Jr.’s history of fandom in the Fifties, A Wealth of Fable (1996) confirmed Madle’s claim to have coined the nickname.

Dick Eney’s Fancyclopedia 2 (1959), produced only a few years after the awards were created, also credited Madle with attaching the name to the awards. You can tell from how Eney annotated the entry. He explained in the front matter:

A name in parentheses after a word or phrase to be defined is the originator of the term, or of its use in fandom; where this is followed by a colon and a second name, the second is the person who had most to do with making it a part of fandom’s vocabulary. 

The entry for “Hugo” displays Madle’s name in parentheses, identifying him as the originator.

Madle came up with the nickname, however, there was some resistance to overcome before it became universal. An item in Fantasy Times #184 (August 1953), published a couple of weeks after Madle’s column hit the newsstands, shows the committee was denying the “Hugo” name, trying to control the spin about what people should call their brand new Science Fiction Achievement Awards before they had even been given for the first time:

Fans obviously liked the suggestion. Not only did Madle’s nickname for the awards gain immediate currency, by the second time the awards were given (1955) the convention committee was using the nickname, too.

Pixel Scroll 8/22/18 If All The Pixels At File 770 Were Scrolled End To End, I Wouldn’t Be At All Surprised

(1) WORLDCON 76 ATTENDANCE. Kevin Standlee blogged this first-cut attendance figure on Monday:

A tentative membership count (subject to clean up after the convention) of warm bodies on site for Worldcon 76 is 5,440 individual human beings who attended the convention at some time during the five days of the event. There are a bunch of other numbers I have, but I’m waiting for the post-con clean up before reporting them to the WSFS Formulation of Long List Entries (FOLLE) committee.

(2) PLANE SPEAKING. How did Cat Rambo convince TSA to let her on the plane after she lost her wallet and ID’s? She showed them this – her Walter Day trading card.

(3) TOLKIEN MENTIONS AT W76. Kalimac reports on two Worldcon panels with Tolkien in them”:

The two best panels I attended at Worldcon 76 were both relatively sparsely attended, perhaps because they lacked famous names at the table. Instead, the panelists were young writers unfamiliar to me, representing a variety of ethnicities and gender/sexual identities. They were as articulate and interesting as any more famous names would have been, probably more so. The topics were intriguing, which is why I was there….

Details at the link.

(4) MOBIS AT CONVENTIONS. Seanan McGuire complimented Worldcon 76 on the number of mobis they arranged. She passionately argues for accepting them in convention space here.

(5) FIVE SEVEN FIVE. John Hertz shared his unpublished submission to the Worldcon daily newzine:

Science, fantasy
Joining, jostling, we’re here to
Commune if we can.

(6) BOBBLEHEAD. Major League baseball has Game of Thrones nights.  The Texas Rangers have capitalized on the name of their second baseman Rougned Odor with a new bobblehead that portrays him in a scene from the series: “The Rangers’ new Game of Thrones bobblehead for Rougned Odor will bring back painful memories”.

Martin Morse Wooster adds, “The Orioles’s Game of Thrones promotion was one with pitcher Kevin Gausman riding a dragon.  Mr. Gausman was unable to be present for his bobblehead, due to his employment by the Atlanta Braves…”

(7) AS OTHERS SEE THEM. At Poore House, Cormac’s “Hate Speech: Perceptions and Responses in the SCA” models the reasons for different levels of obliviousness, denial, engagement, and hate in connection with a Society of Creative Anachronism coronation where the king and queen wore swastika patterned garments.

…Interactions

Each of these three groups have connections to the others, and discussions quickly became heated. Team Trust felt attacked by Team Vigilance when the latter accused the organization of institutional racism, and they grew frustrated by Team Familiarity’s refusal to recognize the dangers of public perception. Team Familiarity felt that Team Trust’s outrage was driven by ignorance of historical design, and that Team Vigilance was fueling the controversy due to unfounded oversensitivity. And Team Vigilance saw Team Trust as complicit for turning a blind eye to the warning signs, and they hold Team Familiarity guilty of normalizing and defending the display of hate symbols.

Some in each group became so frustrated that they walked away from the discussion, and from the organization. Members of Team Trust felt disillusioned at what the Dream had become, and stopped showing up. Members of Team Familiarity retreated to their research, and looked for more historically accurate organizations with whom to spend their time. And members of Team Vigilance turned their energies to letting as many people as possible know that there were white supremacists in the SCA, including reporting us to the Southern Poverty Law Center….

[Thanks to Chip Hitchcock, Mark Hepworth, Martin Morse Wooster, JJ, John King Tarpinian, Mike Kennedy, Carl Slaughter, rcade, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Matthew Johnson.]

Prix Aurora/Boréal 2017 Nominees

The Prix Aurora/Boréal 2017 will be presented this weekend at Congrès Boréal in Québec City, in Canada. Here are the works on the shortlist:

Prix Aurora/Boréal 2017 • Oeuvres en nomination

Prix Aurora/Boréal – Meilleur roman (Best novel)

  • Chartrand, Sébastien : Le crépuscule des arcanes 3. Le sorcier de l’Île d’Orléans (Alire)
  • Côté, Héloïse : Les monstres intérieurs (Alire)
  • Desjardins, Martine : La chambre verte (Alto)
  • Gélinas, Ariane : Les Cendres de Sedna (Alire)
  • Raymond, Frédéric : La rue du Lac-Frisson 1. L’arbre maléfique (Éditions du Phoenix)

Prix Aurora/Boréal – Meilleure nouvelle (Best short story)

  • Adam, Raphaëlle B. : « La maison verte » (Solaris 197)
  • Côté, Dave : « Angle mort » (Brins d’éternité 43)
  • Gauthier, Éric : « Éclairer l’origine » (Solaris 199)
  • Laframboise, Michèle : « La Cousine entropie » (Galaxie 40)
  • Lauzon, Isabelle : « Consortium : L’initiation » (Solaris 197)
  • Meynard, Yves : « Le guerrier aveugle » (Solaris 200)
  • Simard, Éric : « Je ne suis pas mort » (Clair/Obscur 17)
  • Tessier, Mario : « Le sommeil de la raison » (Brins d’éternité 43)
  • Tessier, Mario : « Tempus fugit » (Solaris 198)
  • Vonarburg, Élisabeth : « Le printemps de Krijka » (Solaris 200)

Prix Aurora/Boréal – Meilleure bande dessinée (Best Comic Book)

  • Bulle Contagion T5 – Pandémie. Jean Philippe, Damien et als. (BerBer)
  • Hiver nucléaire T2. Cab (Front froid)
  • Turbo kid T1. Dion, RKSS (Studio Lounak)

Prix Aurora/Boréal – Meilleur ouvrage connexe (Best related work)

  • Brins d’éternité (Ariane Gélinas, Alamo St-Jean et Guillaume Voisine, direction)
  • La République du Centaure (Alain Ducharme, coordonnateur)
  • Solaris (Jean Pettigrew, éditeur)
  • Gélinas, Ariane : Recueil Les murmurantes (Les Six Brumes)
  • Tessier, Mario : Chronique «Les Carnets du Futurible» (Solaris 197-200)

Prix Boréal – Création artistique visuelle et audiovisuelle (Best audiovisual artistic creation)

  • Léger, Émilie: Illustrations, Solaris 198-199; couverture, Les Cendres de Sedna, etc.
  • Khaos, Mary: Couverture, Brins d’éternité 43, etc.
  • Blanché, Pascal: Couverture, Brins d’eternité 45, etc.
  • Fromenteau, Grégory: Couverture, Les Monstres intérieurs, Le Sang de Mirial et La Chute de Mirial, etc.
  • Spehner, Laurine: Illustrations, Solaris 197, 199-200, etc.

Prix Boréal – Fanédition (Fan work)

Pixel Scroll 4/3/16 The Transatlantic Taste Gap – Hurrah!

(1) GUILLERMO DEL TORO. The Pacific Rim director admires this fan art:

Del toro tweet 2 CROPDel toro tweet 2 5 CROPDel Toro tweet 3 CROPDel Toro tweet 3 5 CROP

(2) SHEIKH DJIBOUTI. I always wondered what he looked like.

Heinlein stamp

(3) WORLDCON STAMPS. And for the next few days “Mars & Lunar Colony Postage Stamp Sheets for 11th Worldcon (Philcon II) 1953” are up for auction on eBay.

Unused collection of Interplanetary Postage Stamps in very good condition. The two different stamps were designed by Russell Swanson for the 1953 11th World Science Fiction Convention (PhilCon II) in Philadelphia, PA.  One stamp is marked “Luna Colony Postage; First Moon Rocket – 1965; a $5 blue horizontal. The other stamp is a $10 red vertical, “Mars Postage; First Mars Expedition, 1974, and depicted “Preparing the Atmosphere Rocket”. In 1953, these were sold in sheets of 40  for 50 cents by the PhilCon II Committee for publicity and revenue.

 

s-l1600

(4) I PITY THE FOOL. Will R. can’t get rid of the haunting feeling that he’s been fooled twice by Gmail’s “mic drop” button. Will says —

Though the laugh may still be on me, just so you know: the retraction followed the announcement, and there are actual comments out there (not just the questionable Twitter grabs) from people who seem to confirm that the button was real for at least a while. I admit, though, that it feels a bit phildickian trying to pin it down now, that it would indeed be a clever metaprank if the button never were real, that I’m certainly never long from playing the fool again, and that I hope whatever joke there ever was here is now wrung out.

Really, only meant to apologise if I had steered someone toward a harmful link. No joke!

(5) SPACE PARTY. Yuri’s Night is the World Space Party, celebrated at events on and around April 12.

Yuri-wp-be-human-2015-logo

Yuri’s Night is a global celebration of humanity’s past, present, and future in space. Yuri’s Night parties and events are held around the world every April in commemoration of Yuri Gagarin becoming the first human to venture into space on April 12, 1961, and the inaugural launch of the first Space Shuttle on April 12, 1981.

“Circling the Earth in my orbital spaceship I marveled at the beauty of our planet. People of the world, let us safeguard and enhance this beauty — not destroy it!” — Yuri Gagarin, 1st human in space….

Since 2001, Yuri’s Night has:

  • Featured talks and presentations by Ray Bradbury, Will Wright, George Takei, Richard Garriott, Anousheh Ansari, and many others
  • Been celebrated at the South Pole, Hayden Planetarium, and in orbit on the International Space Station
  • Planted hundreds of “moon trees” around the world in collaboration with American Forests
  • Received the “Best Presentation of Space” award from the Space Frontier Foundation
  • Trained the next generation of space leaders for organizations such as the National Space Society, Virgin Galactic, and Space Florida

Anyone can start a Yuri’s Night event, and it’s completely free.

(6) LA EDITION. Find out about Yuri’s Night in LA, April 9 at the California Science Center, on Facebook.

Join with 100+ events around the world in celebrating the 1st human mission to orbit the Earth and all space can make possible for us. Come to the pre-party, make your own space hero trader card, listen to Samantha Cristoforetti talk about her 199 days on ISS last year. Apollo 11 moonwalker, Buzz Aldrin, and Star Trek’s Lt Uhura, Nichelle Nichols will also be there. Your best playa wear or space costume is encourged. DJ Dynamix will be spinning till midnight! Don’t wait, event has sold out every year!

(7) SWIRSKY RECOMMENDS. There was no foolishness in Rachel Swirsky’s April 1 “Friday Fiction Recommendation: ‘One Paper Airplane Graffito Love Note’ by Will McIntosh”

Will McIntosh is an exceptional writer whose work deserves more recognition than it gets. He won the Hugo Award several years ago for the excellent short story “Bridesicle,” but I wish people had paid more attention to his following novels and short stories. He does aliens really, really well.

However, this story has no aliens. It has dreamy magical realism instead.

The full 2007 McIntosh story is a free read at Strange Horizons.

(8) MORE ACCOLADES FOR BECKY CHAMBERS. While musing about the Hugos (“Hugo nominations for novels: And the final nomination list will be…”) Rachel Neumeier added a paean of praise for The Long Way to a Small, Angry Planet by Becky Chambers, which certainly would have been on my ballot if it had been eligible.

This was recommended to me by Linda S, who was right — I loved it. I was trusting her when I didn’t quite have time to finish the book before nominations closed, which worked out fine because I liked the resolution quite a bit. But I notice one File 770 commenter said it might not be eligible. I don’t know why, but if not, too bad! I guess I should have nominated Bryony and Roses instead. Well, at least Ursula Vernon’s story “Wooden Feathers” was on a lot of lists; I was glad to see that.

Anyway, I have not had time to write a review of The Long Way to a Small Angry Planet, obviously, but I nominated it because it is a really fun SF space opera with a cluttered Star-Trek-Federation type of setting — I haven’t seen anybody tackle a setting like that for a long time. Actually, the closest background I can think of in recent SFF is in Tanya Huff’s Valor series.

I had quibbles here and there with the worldbuilding and story, but OMG did I ever love Kizzy, one of the Best! Characters! Ever! Chambers must have had so much fun writing her, seriously. I have a new ambition: to write a wild impulsive uninhibited extrovert who is as much fun as Kizzy. Wonderful character building through dialogue. I wound up becoming quite attached to all the characters, including the ones who were thoroughly unsympathetic at the beginning. I also liked the rather intimate feel of the story against the very wide-scale background, which Chambers pulled off despite frequently switching the pov. And as I say, I liked the resolution. There are sad things about the ending, but it is not a downer.

(9) INDIE. Today’s Brevity cartoon has a kind word for writers from Middle-Earth.

(10) ANNIHILATION CASTING. Uproxx reports Ex Machina’s Oscar Isaac and Alex Garland are teaming up with Natalie Portman“’Annihilation’ Becomes A ‘Star Wars’ Party As Oscar Isaac Joins Natalie Portman”.

Based on Jeff VanderMeer’s novel, the story follows a team of female scientists exploring “Area X,” a supposed environmental disaster zone in a future America. Portman’s character, never identified by name in the book, has the ulterior motive of looking for her husband, who was lost on an expedition. In the grand tradition of environmental disaster areas with creepy pedigrees, things get weird pronto for the expedition as Things Are Not What They Seem, but Portman is unlikely to stumble across a little green dude with a strange grasp of sentence structure.

(11) COMPLAINT DEPARTMENT. Jonathan McCalmont was dubious about being quoted in yesterday’s Pixel Scroll:

The correct context of yesterday’s tweet may not have been Puppies, but rather McCalmont’s general policy, tweeted today –

(12) DROP EVERYTHING. AWOL announces “Tasmania Is Currently Looking For A ‘Chief Wombat Cuddler’”

OK I know what you’re thinking, what even is a Chief Wombat Cuddler? Well, you’ll be the chief… of… wombat cuddlng at Tassie’s Flinders Island. Makes perfect sense.

Apparently over the past few weeks, a cheeky wombat from our southernmost state has been getting quite a bit of attention online thanks to a real cute YouTube video. Derek the wombat – great wombat name, by the way – lives out on Flinders Island, and because the Internet is all but obsessed with him, the folk over on the island have decided he needs a little company….

All you have to do is fill out the application form here before 10pm on April 16. Entrants must be over the age of 18 and of course, love cuddling wombats. What are you waiting for!?

[Thanks to John King Tarpinian, Michael J. Walsh, Will R., and Kyra for some of these stories. Title credit goes to File 770 contributing editor Cora.]

Pixel Scroll 11/23 Mister Scrollman, Bring Me A Screed

(1) Syfy offers a free viewing of the first episode of The Expanse  — Episode 1: Dulcinea. (Also available on the Syfy Now App, Hulu, Amazon, Google Play, Vudu, iTunes, Playstation, Xbox, and Facebook.)

(2) Variety says additional episodes have been ordered for Rachel Bloom’s series and CW’s iZombie.

Freshman comedy “Crazy Ex-Girlfriend” has landed five more episodes, bringing its first season total to 18, while “iZombie” has received an additional six-episode order, giving the second season a total of 19.

Audience for the Bloom series is growing slowly.

While the positively-reviewed “Crazy Ex-Girlfriend” hasn’t gained much ratings traction, it has posted its best numbers to date in recent weeks. Paired with sophomore critical breakout “Jane the Virgin,” the six episodes averaged a 0.34 rating in 18-49 and about 1 million total viewers in Nielsen’s “live plus-3” estimates.

(3) Misty Massey tells about a live slushpile reading in “Getting What You Ask For” at Magical Words.

Many, many times I hear writers complain how much they hate getting form rejections from editors, because such things do nothing to help them understand why the editor didn’t want to buy their story. Editors don’t understand, they cry, that writers can’t fix stories if they aren’t told what went wrong in the first place. Some writers say editors are lazy, others think they’re cruel. For whatever reason, it’s always the editor’s fault.

A couple of years ago, David Coe approached Faith Hunter and me to present a panel called Live Action Slush. (For those who don’t know, the writers submit the first pages of their novels anonymously. A designated reader reads each page aloud, and the three of us listen as if we were slush editors, raising our hands when we reach a place that would cause us to stop reading and move on to the next submission.  Once all three hands are up, the reading stops and we discuss what made us stop reading.) David had done such a panel at another con, to great acclaim, and wanted to bring it to ConCarolinas. We had two sessions, both standing room only. As far as we could tell, anyway. We were asked to present it at Congregate later that same summer, and since then we’ve offered it in various incarnations at any cons we attended.

Most of the time, the writers seemed happy to hear our suggestions, although once in a while we would run into a writer who just couldn’t handle the idea that their story wasn’t already perfect.  You see, the point of Live Action Slush is to give the writers exactly what they’ve been complaining they never receive – a specific, clear reason for the turndown. Sometimes the problem is that nothing is happening by the time we reach the end of the first page. Sometimes the writer spends the entire first page describing the characters without giving the reader the slightest idea what the book’s about. Characters might be hideous stereotypes, or flat and wooden.  There are tons of reasons, most of which are easily repaired once the writer knows what has happened. But there are some writers who really aren’t ready to hear what needs fixing. They’ve come to the workshop fully expecting that the panelists will declare their first page to be utter brilliance. Those are the writers who storm out of the room, instead of staying to listen to the critique of other writers under the same scrutiny. They go into the hallway and tell their friends how mean we were, how we don’t really know anything. Most important, they don’t make any changes.

(4) In an Absolute Write forum, Alessandra Kelley gives the context for a wisecrack James Frenkel made on a Windycon panel and asks “Is what I witnessed abusive behavior?”

There are a number of important questions that urgently need discussing if we are to have any sort of careful, agreeable, professional and accepting environment for our conventions.

Many people make thoughtless remarks or cruel witticisms or little jokes. Should people be more mindful of them?

Is it right to treat a category of people as inherently funny or insulting?

How much tolerance should there be for little jokes? At what point does laughing them away become aiding and abetting the marginalization of a segment of the community?

Should a person with a known history of abusive behavior be held to a higher standard than others? What about a person in a position of authority?

Should we not speak up when we see such behavior?

(5) Lucy Huntzinger reports that the Down Under Fan Fund will be receiving a $2,000 donation from Sasquan, the 2015 Worldcon. The DUFF co-administrator said, “Thank you for supporting face to face encounters between international fandoms!”

(6) Today In History

The first of a four-part pilot episode of the series aired on the BBC on this day in 1963. Titled “An Unearthly Child”, the story introduced the Doctor, the Tardis, and many other things that would become hallmarks of the program.

(7) Today’s Birthday Boys

  • Born November 23, 1887 — Boris Karloff, birthname William Henry Pratt, in Camberwell, London, England.
  • Born November 23, 1914 – Wilson “Bob” Tucker

(8) Early suggestions coming in for the 2016 Worldcon program…

(9) The Kickstarter for The Dark North – Volume 1, a premium coffee table art book with new stories from Scandinavia’s best illustrators and concept artists, is just fully financed, but it’s still possible to contribute.

Artist: Lukas Thelin

Artist: Lukas Thelin

(10) “Being a Better Writer: Names”  by Max Florschutz at Unusual Things has four good ideas for dealing with a fundamental sf writing challenge.

So, naming things. This is, as you might guess, a requested topic. And to be honest, I think it’s one worth talking about.

See, naming things can actually be pretty tricky. When creating a world from scratch, or even just a redesigned/repurposed version of our own world, often one of the first things a lot of young writers do is assign their characters, places, and things very interesting names. It’s kind of a trope by this point, but if I had to guess my prediction would be that to the new writer, the goal is to excitedly show you how fantastical their world is. So they don’t have people with names like Joe or Samantha. They have people with names like Krul’Qa’pin or something like that.  And they live in the city of Byulnqualalaltipo! Aren’t those fantastic?

Well, in sense, sure. They’re also completely unpronounceable, for a start. And that is just the start.

See, there are a host of problems with names like this. The first being that they’re difficult for the reader to read, pronounce, and parse. They’re these very out there, fantastical names that are hard to make sense of, and the more of them a writer puts into his story, the harder it will be not only for the reader to keep interest, but to keep everything straight. Especially if the writer has gone and made a number of the names similar through conventions such as “I’ll stick apostrophe’s here and here and that’ll make a name.” And while it certainly might create names that look impressive, the truth is that a lot of “name creation techniques” that novice writers go for tend to create a whole host of problems like what we just discussed.

Okay, so this is writing that, if not bad, is certainly not good, clearly. But in order to avoid this trap, it’s worth understanding why it’s a trap in the first place. Why are writers doing this? What makes creating a multi-syllable name that defies typical English attractive?

(11) A dress worn by Judy Garland in The Wizard of Oz, (which did not win the brackets, darn it) sold at auction for $1.56 million today.

The blue and white gingham dress, one of 10 thought to have been made for Garland in her role as Dorothy in the movie, was among the top items in the Bonham’s and Turner Classic Movies Hollywood memorabilia auction….

A year ago, the Cowardly Lion costume worn by actor Bert Lahr in the movie sold for almost $3.1 million at a Bonham’s auction.

(12) National Geographic reveals “An 80-Year-Old Prank Revealed, Hiding in the Periodic Table!”

You wouldn’t know it, because it’s hiding down there at the bottom of the periodic table of elements, but it’s a prank—something a five-year-old might do—and the guy who did it was one of the greatest chemists in America. It’s pure silliness, staring right at you, right where I’ve drawn my circle, at element 94.

(13) At Motherboard, “For the First Time Ever, Astronomers Have Observed the Birth of a Planet”:

The new research, published this week in Nature, provides hard evidence of a developing gas giant orbiting a young Sunlike star called LkCa 15, located 450 light years away in the constellation Taurus. What’s more, it appears as if at least two other giant bébés are also forming around the star, though only one was directly detected.

“No one has successfully and unambiguously detected a forming planet before,” said astronomer Kate Follette, a co-author on the study, in a statement. “There have always been alternate explanations, but in this case we’ve taken a direct picture, and it’s hard to dispute that.”

(14) Click at your own risk! From ScienceFiction.com “Thanks To A Leaked Children’s Book We Have Some HUGE ‘Star Wars: The Force Awakens’ Spoilers!”

(15) “Steven Moffat Reveals the Nightmare Doctor Who 50th Anniversary Special We Could Have Had” on io9.

But while those meetings went on, more and more actors publicly denied that they would be a part of the special, prompting growing discontent from Doctor Who fans—who didn’t realize that behind-the-scenes problems with the script, and a ticking clock, meant that Moffat very nearly had to scrape together a story with whatever actors he could find. Case in point? In one form or another, there was a story outline for “The Day of the Doctor” that featured no Doctors at all… only Jenna Coleman as Clara.

(16) A project known as “Justice League Dark” is inching closer to a greenlight. Joblo lists the front-running candidates to direct:

Things are heating up for DARK UNIVERSE, as casting rumors have been swirling around the past week and now we have word on who the studio is eyeing to direct the supernatural superhero tale. We’re told that BIG BAD WOLVES directing duo Aharon Keshales and Navot Papushado, as well as EVIL DEAD remake director Fede Alvarez are the top contenders to take the gig right now. Both sets of filmmakers have a strong grasp of the dark and macabre genre and would easily fill the shoes of Guillermo Del Toro, who left the film after turning in his screenplay and toiling with the studio over casting and scheduling. However, Del Toro’s script is said to be excellent and one of the main reasons that the studio is pushing to get JLD underway with a shooting start in early 2016.

Yahoo! says Dark Universe is expected to put the spotlight on some of the lesser-known heroes and villains of the DC Comics universe whose adventures typically involve magic or supernatural elements of some sort.

Among the characters rumored to have a role in the film are occult detective John Constantine, who was featured in a short-lived television series of his own recently, and Swamp Thing, a multimedia sensation who was the subject of two live-action movies, a live-action television series, and an animated series to go along with his long-running comic book series and other projects. The film will also reportedly feature the villain Anton Arcane, the antihero demon Etrigan, and the sorceress Zatanna, as well as Madame Xanadu and the body-swapping spirit Deadman.

(17) Ice Age 5 short: Scrat In Space!

[Thanks to Hampus Eckerman, Will R., JJ, John King Tarpinian, and Michael J. Walsh for some of these stories. Title credit goes to File 770 contributing editor of the day RedWombat.]

Sasquan Posts Committee Reports to Business Meeting

For your advance reading pleasure, Sasquan has posted these committee reports being submitted to the business meeting.

Kevin Standlee has also announced:

The Business Meeting videos are going to be uploaded to a YouTube channel set up for this: The Worldcon Events Channel, 2015 WSFS Business Meeting Playlist at https://www.youtube.com/playlist?list=PL0oLnkb-s4Yd_nZwV7lG_aItUV_5aP0aB

The easiest way to find out when each segment is uploaded is to subscribe to this channel, because nobody (especially me) is going to have the time to Tweet out the uploads as they happen.

One of the most anticipated reports comes from the YA Hugo Committee. It begins:

The Committee was (re)formed at Loncon 2014 in order to consider the issues surrounding a possible Young Adult Hugo. Such an award was first proposed at Chicon 1991 and in the 24 intervening years of debate, several proposals have been nixed, and discussions have at times been contentious. This Committee was therefore formed to approach and research the issue in a (somewhat) systematic manner, and to report its research to the Business Meeting.

Findings: The Committee looked into comparable awards, addressed past debates at Business Meetings, and considered the present Hugo Awards. Details of this work can be found in the Exhibits to this report, entitled ‘Common Concerns Expressed at the WSFS BM’, ‘Definitions of YA,’ and ‘The Hugo vs. The Newbery.’

The Committee finds that requests for an award recognizing teen literature (or YA) are indeed reasonable: teen lit, despite its popularity and quality, is not well represented by the current Hugos; the majority of YA awards are given by juries; the Worldcon community of teens, adults, and professionals would make the award unusual; the long-lasting demand for such an award is attested by repeated debates during almost a quarter-century of Business Meetings.

Under the existing methodology of the Hugo Awards, however, a separate category for YA fiction is not practical. That is, the Hugo fiction categories are defined by word count, not by age categories. We suggest instead the creation of a Campbell-like award, since the Campbell addresses authors and thereby functions outside the Hugo methodology.

Motion: The Committee requests that the Business Meeting reform the Committee for another year (with the addition of new members). The new version of the Committee will focus specifically on the issues surrounding the creation of a Campbell-like YA/teen lit award (possible topics of discussion presented in Exhibit 4), with the results presented at next year’s Business Meeting.

The First Ever Call For Hugo Bloc Voting

Sad and Rabid Puppies are spending unlimited effort to find old Hugo recommendation lists in order to prove with geometric logic that people were trying to manipulate the awards before they came along.

Allow me to spare you further digging!

I now provide definitive evidence that the earliest appeal to organize bloc voting for the Hugos occurred in the very year the awards were invented.

What may surprise you is that the appeal came from the Philcon II committee itself. See the second paragraph below from the August 1953 Progress Report.

Philcon2r4-03 CROP

Pratchett’s Tuckerizations

The late Terry Pratchett enjoyed a great reputation as a fan-friendly pro who sometimes drew inspiration from those he talked to at cons, while Tuckerizing others for charity.

Tuckerization — using a person’s real name in a science fiction story as an in-joke – is derived from Wilson Tucker, the author who made the practice famous.

Tom Meserole recalls, “My wife was Tuckerized in the novel Night Watch as ‘Lady Roberta Meserole, international woman of mystery, but her friends call her Bobbi.’ I also got a passing mention in the same novel.” Tom’s name was given to her cat.

Tom won the Tuckerization rights at a charity auction during a St. Louis convention where Pratchett was a guest of honor. People like to joke that the auction was for one Tuckerization but Terry threw in the cat for free….

Pratchett fans have spotted these other Tuckerizations:

Follett paid £2,200 to charity for his Discworld appearance in Night Watch, although as Dave Langford writes in Starcombing

He publicly expressed hopes that he’d appear as a giant. Instead, Terry Pratchett introduced the sinister Doctor Follett, past head of the Assassins’ Guild (‘Is that his own hair?’). Type-casting, no doubt.

Other fans are certain (with good reason) they made anonymous appearances in Pratchett’s work.

Perdita Nit

Perdita Nit

Magrat Garlick wears my jewelry,” says Sue Mason. “Terry was impressed at breakfast at some convention when I turned up with full silver jewelry, no makeup, no hair do, but full jewelry and he dragged me the length of an Eastercon dealer room to show me the Clarecraft Perdita Nit, as apparently he had described me to the sculptor and they had done a splendid job.”

“Some of the antics by the post grads in the high energy magic department are apparently based on a late night slightly alcohol fueled discussion Terry, I and a couple if others had about games we played with radars, missile systems and other electronics,” says Mike Rennie. “Terry used to make toast on resistor arrays for example.”

2014 Prix Aurora-Boréal Nominees

The 2014 Prix Aurora-Boréal shortlist was released April 11 by Congress Boréal on Facebook. The award recognizes the best French language sf and fantasy works published in Canada.

SFSF Boréal Inc. and the Canadian Association of Science Fiction and Fantasy are the award’s sponsors. Winners are selected by a vote of readers and will be announced May 4 in Quebec.

Prix Aurora-Boréal: Meilleur roman (Best Novel)

  • Le crépuscule des arcanes 1. L’ensorceleuse de Pointe-Lévy, de Sébastien Chartrand
  • Les villages assoupis 2. L’île aux naufrages, d’Ariane Gélinas
  • Malphas 3. Ce qui se passe dans la cave reste dans la cave, de Patrick Sénécal

Prix Aurora-Boréal: Meilleure nouvelle (Best Novella)

  • Vortex, de Dave Côté
  • Les mystères d’Innsmouth, d’Yves Meynard
  • La légende de McNeil, de Jonathan Reynolds

Prix Aurora-Boreal: Meilleur ouvrage connexe (Best Related Work)

  • La revue Brins d’éternité
  • Le recueil Le sabbat des éphémères, d’Ariane Gélinas
  • La revue Solaris
  • La chronique « Les Carnets du Futurible », de Mario Tessier

Prix Boréal: Création artistique audiovisuelle (Artistic Audiovisual Creation)

  • Grégory Fromenteau
  • Nathalie Giguère
  • Émilie Léger
  • Laurine Spehner
  • Sybiline (Chantal Lajoie)

Prix Boréal: Fanédition