[Editor’s note: be sure to read the comments on this post for more novellas and more Filer reviews.]
TL;DR: Here’s what I thought of the 2020 Novellas. What did you think?
I’m a huge reader of novels, but not that big on short fiction. But the last few years, I’ve done a personal project to read and review as many Novellas as I could (presuming that the story Synopsis had some appeal for me). I ended up reading:
31 of the novellas published in 2015,
35 of the novellas published in 2016,
50 of the novellas published in 2017,
38 of the novellas published in 2018,
57 of the 2019 novellas,
and this year I was waiting for access to a few novellas from my library, so I was reading others, and thus my final total crept up to 59!
I really felt as though this enabled me to do Hugo nominations for the Novella category in an informed way, and a lot of Filers got involved with their own comments. So I’m doing it again this year.
It is not at all uncommon for me to choose to read a book despite not feeling that the jacket copy makes the book sound as though it is something I would like – and to discover that I really like or love the work anyway. On the other hand, It is not at all uncommon for me to choose to read a book which sounds as though it will be up my alley and to discover that, actually, the book doesn’t really do much for me.
Thus, my opinions on the following novellas vary wildly: stories I thought I would love but didn’t, stories I didn’t expect to love but did, and stories which aligned with my expectations – whether high or low.
Bear in mind that while I enjoy both, I tend to prefer Science Fiction over Fantasy – and that while I enjoy suspense and thrillers, I have very little appreciation for Horror (and to be honest, I think Lovecraft is way overrated). What’s more, I apparently had a defective childhood, and I do not share a lot of peoples’ appreciation for fairytale retellings and portal fantasies. My personal assessments are therefore not intended to be the final word on these stories, but merely a jumping-off point for Filer discussion.
Novellas are listed in two sections below. The first section, those with cover art, are the ones I have read, and they include mini-reviews by me. These are in approximate order from most-favorite to least-favorite (but bear in mind that after around the first dozen listed, there was not a large degree of difference in preference among most of the remainder, with the exception of a handful at the bottom). The second section is those novellas I haven’t read, in alphabetical order by title.
I’ve included plot summaries, and where I could find them, links to either excerpts or the full stories which can be read online for free. Some short novels which fall between 40,000 and 48,000 words (within the Hugo Novella category tolerance) have been included, and in a couple of cases, novelettes which were long enough to be in the Hugo Novella tolerance were also included.
Please feel free to post comments about 2020 novellas which you’ve read, as well. And if I’ve missed your File 770 comment about a novella, or an excerpt for a novella, please point me to it!
If you see something that looks like gibberish, it is text that has been ROT-13’ed to avoid spoilers. (Please be sure to rot-13 any spoilers.)
The year 2020 will go down in history for many reasons. It also happens to be a major milestone for Toronto Public Library’s most far-out collection. In 1970, science-fiction author and editor Judith Merril donated 5,000 books to TPL to found the “Spaced Out Library.”
…To help mark the 50th anniversary of the Merril Collection, I asked Lorna Toolis (former Collection Head), Annette Mocek (Services Specialist) and Kimberly Hull (Librarian) to reflect on their favourite items and stories from the stacks. Together, they have 88.5 years of experience working with the collection! …
What is the strangest or most memorable patron request you ever received?
Lorna: On my first day of work, a patron ran in and demanded “that book you have on UFOs, with the chart so that people can distinguish between the ones with round lights and the ones with square lights.” Other memorable questions included the Madonna of Lourdes as a UFO phenomenon, the possibility of pregnancy for vampires, Victorian era fiction involving carnivorous plants, transhumanism, etc. A recurring favourite question was the quest for H.P. Lovecraft’s Necronomicon. Apocryphal books were always in demand.
People tend not to remember the authors or titles of short stories. More patrons than I could count over the years wanted to know the title of the short story where someone travels back in time to hunt a dinosaur and kills a butterfly and everything changes. “The Sound of Thunder” by Ray Bradbury was probably the most requested short story ever.
(2) YOUR TV GUIDE. [Item by Daniel Dern.] Season 2 of HBO’s His Dark Materials starts tonight, Monday November 16.
I liked Season 1. My question: Will Lin-Manuel Miranda, playing rifle-packing aeronaut/balloonist Lee Scoreseby, get to sing, or at least say that he is not going to miss his shot?
(3) PKD THOUGHTS AND THEMES. Arthur B. analyzes the final novels and stories [Philip K.] Dick wrote from 1967 until “his transformative 2-3-74 experience” in “A Maze of Dick” at Fake Geek Boy. Quite interesting.
…This does not include A Scanner Darkly, which is properly placed among the novels written after 2-3-74; although begun in 1972, Dick would make extensive revisions to it until it was finally in a state he was satisfied with in 1976, and among those revisions were a number of additions and tweaks which worked in themes and imagery related to 2-3-74.
The Exegesis makes this explicit: Dick breaks down particular, identifiable scenes from A Scanner Darkly and directly says that he included them as a result of the experience, rather than those scenes informing the experience, and included them in a manner which was conscious and deliberate, as opposed to the inadvertent subconscious inclusion of such themes in pre-2-3-74 fiction which he occasionally believed had happened. (Those of us with more conventional understandings of cause and effect may instead conclude that the 2-3-74 experience, being a neurological incident produced by Dick’s mind, naturally ended up reflecting the themes and concepts that Dick had been thinking extensively about over his lifetime.)…
(4) BISHOP MEDICAL UPDATE. Michael Bishop shared about his cancer treatment in a public Facebook post on November 13. Much more at the link.
Had my first immunotherapy infusion yesterday at Emory University Hospital Midtown. No side effects yet, and I feel better this morning than I did yesterday morning. Even if it’s my imagination, I’m grateful….
One predictable side effect of my therapy, Dr. Read had told us, is a palpable energy deficit, and although it seemed too early for any such effect to kick in, I was totally dragged out by the time we got home. So I hit our bed upstairs and slept for almost two hours. All in all, a happy 75th birthday indeed.
…Today’s collaborative tension between humans and machines is not a binary divide between master and servant—who overthrows whom—but a question of integration and its social and ethical implications. Instead of creating robots to perform human labor, people build apps to mechanize human abilities. Working from anywhere, we are peppered with bite-sized names that fit our lives into bite-sized bursts of productivity. Zoom. Slack. Discord. Airtable. Notion. Clubhouse. Collaboration means floating heads, pop-up windows, chat threads. While apps give us more freedom and variety in how we manage our time, they also seem to reduce our personalities to calculations divided across various digital platforms. We run the risk of collaborating ourselves into auto-automatons.
“SO YOU’RE TELLING me we’re going to be automated out of existence,” Romesh said. “I’m telling you that what you’re doing is wrong, wrong, wrong, and if you had any morals you’d shoot yourself.”
The complaint was made in a bar that was mostly cigarette smoke by this point, and to a circle of friends that, having gathered for their quarterly let’s-meet-up-and-catch-up thing, had found each other just as tiresome as before. Outside, the city of Colombo was coming to a crawl of traffic lights and halogen, the shops winking out, one by one, as curfew regulations loomed. Thus the drunken ruminations of Romesh Algama began to seem fundamentally less interesting….
(6) SUPPORT SUSAN PETREY SCHOLARSHIPS. Organizers Debbie Cross and Paul M. Wrigley are holding a fundraiser through eBay for the Susan Petrey Clarion Scholarship Fund, which has been helping people attend Clarion and the Clarion West Writer’s Workshops since 1982.
At present we award two scholarships & one fellowship annually. Our biggest fund raiser is at the OryCon science fiction convention which should have been held this past weekend. Instead we are running an Ebay auction with books, glass & jewelry, many quilted items & artwork. The link is below, the auction runs through Friday. We’ll ship everything but pickup in Troutdale is available.
Marvel’s Storyboards is a 12-episode non-fiction series following Joe Quesada, EVP, Creative Director of Marvel Entertainment, as he explores the origin stories and inspirations of storytellers of all mediums, backgrounds, and experiences at their favorite spots throughout New York City and beyond. The series aired its first six-episode season this past summer, and continuing this second season, will showcase a variety of visionary, critically acclaimed storytellers including Sasheer Zamata (actress, stand-up comedian and former SNL), Ed Viesturs (high-altitude mountaineer), Nelson Figueroa (former MLB pitcher for the New York Mets), Gillian Jacobs (Community, Love), Samhita Mukhopadhyay (Executive Editor, Teen Vogue), and Taboo (Black Eyed Peas), adding to the first season’s featured guests Natalia Cordova-Buckley (Marvel’s Agents of S.H.I.E.L.D.), Bobby Lopez (EGOT winning songwriter, Frozen, Avenue Q), Johnny Weir (former Olympic figure skater), Christian Borle (Something Rotten, Smash), Margaret Stohl (Life of Captain Marvel), and Hugh Jackman (Wolverine).
Marvel’s Storyboards Season 2 Episode Release Schedule:
Monday, November 16: Episode 1 feat. Gillian Jacobs
Friday, November 20: Episode 2 feat. Sasheer Zamata
Tuesday, November 24: Episode 3 feat. Samhita Mukhopadhyay
Tuesday, December 1: Episode 4 feat. Nelson Figueroa
Tuesday, December 8: Episode 5 feat. Taboo
Tuesday, December 15: Episode 6 feat. Ed Viesturs
(8) MEDIA ANNIVERSARY.
1975 — Forty five years ago, Patricia McKillip’s Forgotten Beasts of Eld would win the World Fantasy Award over Poul Anderson’s A Midsummer Tempest and H. Warner Munn‘s Merlin’s Ring. It would the nominated for the Locus Best SF Novel and the Mythopoeic Fantasy Award as well. The wrap-around cover art was by Peter Schaumann. (CE)
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born November 16, 1862 – Edith Ogden Harrison. Five novels, half a dozen collections, of fairy tales and other fantasy; retold Bible stories; travel; recollections. Wife of five-term Chicago mayor, illustrated his memoirs. The Lady of the Snows illustrated by J. Allen St. John. (Died 1955) [JH]
Born November 16, 1907 — Burgess Meredith. Brief though his visit to genre be, he had two significant roles. The first was in Twilight Zone: The Movie as Narrator although initially he was uncredited. One of his other genre roles was a delightful take as The Penguin in original Batman series. He also shows up in Tales of Tomorrow, an anthology sf series that was performed and broadcast live on ABC from 1951 to 1953, and on The Invaders, The Twilight Zone, Faerie Tale Theatre: Thumbelina (with Carrie Fisher!) and The Wild Wild West. Did I mention he he voiced Puff the Magic Dragon in a series of the same name? Well he did. Ok, so his visit to genre wasn’t so brief after all… (Died 1997.) (CE)
Born November 16, 1942 – Milt Stevens. Co-chaired L.A.con II the 42nd Worldcon, Westercon 33, and the first Loscon. Fan Guest of Honor at Loscon 9, Westercon 61. Among our finest fanwriters, in his own zine The Passing Parade and many letters of comment. Our Gracious Host’s appreciation here. Mine here (PDF; p. 7). (Died 2017) [JH]
Born November 16, 1950 – P.J. Evans, 70. A frequent Filer (which tested my typo-avoiding powers). Her adventures on an electric bendy-bus have been reported elsewhere. Her many other adventures in fandom I have not found documented, and I won’t rely on memory. I think they included Reynolds Rat and Rat Masterson. [JH]
Born November 16, 1952 — Candas Jane Dorsey, 68. Canadian writer who’s the winner of the Prix Aurora Award and the Otherwise Award for Genre Bending SF for her Black Wine novel. She’s also won a Prix Aurora Award for her short story, “Sleeping in a Box”. She’s one of the founders of SF Canada which was founded as an authors collective in the late Eighties as Canada’s National Association of Speculative Fiction Professionals. At the present time, she appears to have little available from the usual digital suspects. (CE)
Born November 16, 1958 — Marg Helgenberger, 61. She’s best remembered no doubt as Catherine Willows on CSI which might be treated as genre. She was Hera in the recent Wonder Woman, and also appeared in Conan: Red Nail which doesn’t even get ratings on Rotten Tomatoes, Species and Species II, not to mention Tales from the Crypt. Oh, and two Stephen King series as well, The Tommyknockers and Under the Dome. (CE)
Born November 16, 1972 — Missi Pyle, 48. Laliari in Galaxy Quest which is one of my fav SF films of all time. Let’s hope that a series never comes to be. She’s also has been in Charlie and the Chocolate Factory, Percy Jackson: Sea of Monsters, A Haunted House 2, Jumanji: Welcome to the Jungle, Star Trek: The Next Generation, Roswell, The Tick, Pushing Daisies and Z Nation. (CE)
Born November 16, 1959 – Jessica Rydill, 61. Five novels, three shorter stories. Here is her own cover for Malarat (there are other editions too). In Winterbloom actual historical figures appear, including John Dee, whom I’ve always thought more interesting than Aleister Crowley, but what do I know? With Cora Buhlert, edits Speculative Fiction Showcase. [JH]
Born November 16, 1972 – Tobe Sunaho, 48. (Her personal name last, Japanese style.) Illustrator and character designer. Here is Yurusa reshi itsuwari (“Forgiven and False”). Here is Riviera. Here are some images from Yggdra Unison (or Union). Here is a Halloween greeting. Here is an image from Shiueru’s Web. [JH]
Born November 16, 1976 — Lavie Tidhar, 44. The first work I read by him was Central Station which was the2017 John W. Campbell Memorial Award for Best Science Fiction Novel winner. It certainly deserved that accolade! The next work by him I experienced was The Bookman Histories in which Mycroft Holmes is murdered and, well, everything of a pulp nature gets tossed into alternate history England. Both brilliant and annoying at times. I’ve just read Unholy Land, his telling of the founding of a Jewish homeland long ago in Africa, and I’ve got By Force Alone, his profane Arthurian retelling, on my TBR list. (CE)
Born November 16, 1977 — Gigi Edgley, 43. Though her genre experiences are varied, I think she’ll be only remembered for her role as Chiana, a Nebari who was a member of Moya’s crew on Farscape. Other genre appearances include Beastmaster, The Lost World, Quantum Apocalypse and she has a role in the video fanfic Star Trek Continues in the “Come Not Between the Dragons” episode. (CE)
Born November 16, 1988 – Samantha Bailly, 32. Six novels for us, three shorter stories; nine other novels, three collections, manga. Imaginales de Lycéens prize for her first novel Oraisons (French, “prayers”) at age 19. [JH]
(10) COMICS SECTION.
Broom Hildaalmost immolates some visitors to a small planet.
(11) TA-NEHISI COATES’ BLACK PANTHER RUN RETURNS. Ta-Nehisi Coates resumes his run on Black Panther in February. Featuring outstanding art by Daniel Acuña and Ryan Bodenheim, Black Panther #23 will continue to reveal Coates’ grand vision for the character of King T’Challa and the Kingdom of Wakanda.
Since taking over as writer in 2016, the acclaimed author has taken Black Panther and Wakanda to the stars and beyond. Across the multiverse, T’Challa discovered an alternate Wakanda, one ruled far differently than his own. Having abandoned their once peaceful ways, this Intergalactic Empire of Wakanda will stop at nothing to rule all of the cosmos. After initially being enslaved by the empire and then joining a rebellion against it, T’Challa has finally made his way back to Earth, but this twisted reflection of Wakanda is not far behind…
…Said editor Wil Moss, “I promise, these last three issues will be worth the wait — Ta-Nehisi and Daniel have been building to this finale for over two years now, and the ensuing battle between the forces of T’Challa’s Wakanda and Emperor N’Jadaka’s Intergalactic Empire is going to knock your socks off! Just wait’ll you see who shows up to help defend Wakanda…”
This weekend, Baby Yoda wasn’t the only endearing Child of a doting father to turn up on The Mandalorian. Episode director Bryce Dallas Howard took the opportunity to remind the world—well, at least to remind Apollo 13 fans—that she, like Baby “The Child” Yoda, has a dad.
…Given the opportunity to pay a little homage to one of her dad’s better-known flicks, it seems that Bryce Dallas Howard couldn’t resist. And yes, technically this is her second go-round as one of The Mandolorian’s directors, but here she was given a chance to nod to Apollo 13 in a way that’s absolutely suited to the story she was telling. Miss the reference and it’s still a cool sequence.
In Part Two of our look at great literary genres, Jacke probes the development of science fiction, from ancient Greek travels to the moon to the amazing stories of the 20th century. Along the way, he chooses four candidates for the Mount Rushmore of Science Fiction, reads a passage from science fiction’s O.G., and sees if there is a secret to science fiction that he can discover.
Jacke Wilson: …[Hugo Gernsback] had a tumultuous career as a publisher and a lousy reputation in the industry. Writers couldn’t stand him. They thought he ripped them off. They thought he was a crook. He was a little sleazy. He didn’t pay writers well and he stole their rights. He himself tried writing stories and the results were not good. But his magazine, that first magazine especially, Amazing Stories, was transformative. There’s no denying that the stories in the magazine are what launched the genre as we know it today. These magazine stories led to the Golden Age of Science Fiction. They were there for a whole generation of young people to discover.
That’s sort of the joke about the Golden Age of Science Fiction. They say, what’s the Golden Age of Science Fiction? Answer: 14. Get it? We call the ’30s and ’40s and ’50s the Golden Age as magazines thrilled readers with stories about space travel and time travel and nuclear power and everything else. And this was the era of World War II and the Cold War, and we had Sputnik and all of that to fill the need of science, fill the gap that that our confusion and fear about the world was putting into place thanks to our existential threat. Well, science was there to fill that gap, and science stories were there, too.
But 14 is the Golden Age. That’s what people say when they tell this joke. The Golden Age is that these stories hit you when you’re 14, when you’re looking for answers, looking to absorb reality, looking to make sense of it, and looking for something else, too—which is what I’ll save until the end.
SpaceX launched four astronauts to the International Space Station on Sunday on the first full-fledged taxi flight for NASA by a private company.
The Falcon rocket thundered into the night from Kennedy Space Center with three Americans and one Japanese, the second crew to be launched by SpaceX. The Dragon capsule on top — named Resilience by its crew in light of this year’s many challenges, most notably COVID-19 — reached orbit nine minutes later. It is due to reach the space station late Monday and remain there until spring.
…This would mark the first Latina superhero title character of a DC TV series. Rodriguez, who is the daughter of Cuban immigrants, is executive producing with Berlanti Prods.’ Greg Berlanti, Sarah Schechter and David Madden. Berlanti Productions produces in association with Warner Bros. Television.
The series tells the backstory/origin story of the DC Comics character of Yara Flor, who was recently revealed as a new Wonder Woman. Yara will make her comic book appearance this January in Future State: Wonder Woman, part of DC’s Future State event written and drawn by Jones.
In an experiment that could portend a real-life Planet of the Apes situation, scientists spliced human genes into the fetus of a monkey to substantially increase the size of the primate’s brain. And it worked.
Researchers from Germany’s Max Planck Institute of Molecular Cell Biology and Genetics in Germany and Japan’s Central Institute for Experimental Animals introduced a specifically human gene, ARHGAP11B, into the fetus of a common marmoset monkey, causing the enlargement of its brain’s neocortex. The scientists reported their findings in Science.
The neocortex is the newest part of the brain to evolve. It’s in the name—“neo” meaning new, and “cortex” meaning, well, the bark of a tree. This outer shell makes up more than 75 percent of the human brain and is responsible for many of the perks and quirks that make us uniquely human, including reasoning and complex language.
(17) VIDEO OF THE DAY. In “Star Trek: Into Darkness Pitch Meeting” on Screen Rant, Ryan George explains the reason Spock throws a cold-fusion machine into a volcano early in the film “was because it has ‘cold’ in the title.”
[Thanks to Andrew Porter, Michael Toman, Mike Kennedy, John Hertz, Martin Morse Wooster, Cat Eldridge, John King Tarpinian, Daniel Dern, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]
…For their research, the organization pooled all titles on the NYT List from June 22, 2008 to March 29, 2020. They then determined the top 100 titles from the NYT list based on the number of times it appeared on the lists in that time frame, and each of those titles was subtracted from its average ranking on the list. This made for a total of 716 unique titles.
Once those titles were identified, the top 100 reviews on Goodreads—the reader’s view of books—were pulled. The researchers looked at how many times those titles appeared on the NYT List, then subtracted this from the average list ranking. A book’s total score was calculated using this number, as well as the average Goodreads starred rating for the title….
READERS RANK THE BEST BESTSELLERS
Using the methodology laid out above, which books that landed on the NYT List were among the most well-reviewed by readers on Goodreads? The researchers calculated 20 titles among the top.
… The top ranking best seller for readers was Diary of a Wimpy Kid by Jeff Kinney. The book appeared on the bestseller list over 600 times, ranking at an average of #3, and readers gave it an average rating of 4.1 stars on Goodreads.
Interestingly, 11 of the titles on this list are children’s, middle grade, or YA books, and of the remaining titles, six are self-help/productivity books. Given that the NYT List has primarily featured white authors until more recently—and it’s still primarily white in some categories—it’s not a surprise to see that only a small number of the top 20 books are by authors of color…
(2) HOW HUMANS RELATE TO PROGRAMS. Future Tense ran a piece by Torie Bosch about “Shouting at Alexa”.
… For years now, commentators have reminded us that the gendered dynamics of digital assistants are troubling. In September, Future Tense ran an excerpt from The Smart Wife: Why Siri, Alexa, and Other Smart Home Devices Need a Feminist Reboot by Yolande Strengers and Jenny Kennedy. “Friendly and helpful feminized devices often take a great deal of abuse when their owners swear or yell at them. They are also commonly glitchy, leading to their characterization as ditzy feminized devices by owners and technology commentators—traits that reinforce outdated (and unfounded) gendered stereotypes about essentialized female inferior intellectual ability,” they write.
That’s me, swearing and yelling at my feminized device even though it only wants to be friendly and helpful.
What I tell myself, though, is that I’m really trying to avoid anthropomorphizing the Echo and the rest of the tech in my life. It’s a tendency I’ve had ever since I got to know ELIZA, the chatbot created by an MIT researcher in the 1960s. ELIZA was designed to mimic Rogerian therapy—which basically means that this simple program turns everything you say into a question. For some reason, it was installed on some of the computers in my middle-school library in the ’90s. Most of the time, I tried to get her—I mean it!— to swear, but I also spilled my tweenage heart out occasionally. And I’m not the only one. As a Radiolab episode from 2013 detailed: “At first, ELIZA’s creator Joseph Weizenbaum thought the idea of a computer therapist was funny. But when his students and secretary started talking to it for hours, what had seemed to him to be an amusing idea suddenly felt like an appalling reality.”…
(3) THE WRITER’S CRAFT. Delilah S. Dawson on how to write a synopsis. Thread starts here. (H/t to Cat Rambo.)
…Terry Pratchett’s daughter, Rhianna Pratchett, responded to the clips on Twitter, writing “Look, I think it’s fairly obvious that @TheWatch shares no DNA with my father’s Watch. This is neither criticism nor support. It is what it is.”
… Beloved author Neil Gaiman also weighed in on Twitter in response to fan questions on the faithfulness of adaptions. Gaiman, who collaborated with Terry Pratchett on Good Omens, personally oversaw the novel’s adaptation into a miniseries on Amazon Prime, serving as writer and showrunner for the series. Gaiman defended the creator’s original vision of their work, stating “If you do something else, you risk alienating the fans on a monumental scale. It’s not Batman if he’s now a news reporter in a yellow trenchcoat with a pet bat.”
It was 1993 when I thought of Lyra and began writing His Dark Materials. John Major was prime minister, the UK was still in the EU, there was no Facebook or Twitter or Google, and although I had a computer and could word-process on it, I didn’t have email. No one I knew had email, so I wouldn’t have been able to use it anyway. If I wanted to look something up I went to the library; if I wanted to buy a book I went to a bookshop. There were only four terrestrial TV channels, and if you forgot to record a programme you’d wanted to watch, tough luck. Smart phones and iPads and text messaging had never been heard of. The announcers on Radio 3 had not yet started trying to be our warm and chatty friends. The BBC and the National Health Service were as much part of our identity, of our idea of ourselves as a nation, as Stonehenge.
Twenty-seven years later I’m still writing about Lyra, and meanwhile the world has been utterly transformed.
To some extent, my story was protected from awkward change because I set it in a world that was not ours. It was like ours, but different, so I could take account of the real-world changes that helped my story, and ignore those that didn’t.
Arkady Martine’s A Memory Called Empire, which recently won the Best Novel award at science fiction’s prestigious Hugo Awards, reads like its author was simultaneously influenced by Game of Thrones, histories of the Cold War, various anti-colonialism writings, and the Star Wars prequels. It’s a grand, galaxy-spanning space opera that is mostly about diplomacy. Or, if you prefer, it’s an impressively wonky novel about galactic geopolitics that just happens to feature spaceships and aliens. I love it.
It’s difficult to talk about A Memory Called Empire without spoiling some of its best surprises because the core of the book sounds impossibly dry. But let me give it a shot anyway, because the best way to read this book is to know almost nothing about what happens after its first few chapters….
Another day, another cancellation – or at least, that’s how it’s starting to feel when it comes to Netflix. Having culled the likes of Sense8, The OA, Santa Clarita Diet and Altered Carbon in recent years, all after two or three seasons and often leaving viewers on major cliffhangers, the streaming service has turned its bloodlust on to Glow, which had already started filming its fourth season before the pandemic hit, and The Dark Crystal: Age of Resistance.
The latter, a prequel to the cult-favourite 1983 Jim Henson movie, produced and performed entirely with staggeringly intricate puppets and animatronics, and featuring an all-star cast, premiered on Netflix in August 2019. It garnered near-universal acclaim from critics, and a slate of awards nominations – including, crucially, picking up a 2020 Emmy for outstanding children’s program. Yet even awards success hasn’t spared it the axe, with the executive producer, Lisa Henson, confirming it won’t be returning….
(8) MEDIA ANNIVERSARY.
1993 – Twenty-seven years ago, The Flash Girls released their first album, The Return of Pansy Smith and Violet Jones. The Minneapolis based band consisted of Emma Bull and Lorraine Garland, also known as The Fabulous Lorraine. Garland is notable as being Neil Gaiman’s personal assistant. Among the songwriters were Jane Yolen, Alan Moore, and Neil Gaiman. Bull and Garland adopted the names Pansy Smith and Violet Jones as their alternate personas and would become characters in the DC Sovereign Seven series where they run a coffee shop. They would release two more albums, Maurice and I and Play Each Morning Wild Queen. Bull and Shetterly moved to California which broke up the band and Garland formed Folk Underground which also had songs written by Neil Gaiman and Jane Yolen.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born October 10, 1895 – Lin Yutang, Ph.D. Author, editor, translator, gifted popularizer (yes, it’s possible). One SF novel. Built a working Chinese typewriter (yes, it’s –) never developed commercially but pivotal in machine-translation research. My Country, My People a best-seller. (Died 1976) [JH]
Born October 10, 1929 — Robin Hardy. Wicker Man is the film he’s known for though he followed that up with The Wicker Tree, an adaptation of his Cowboys for Christ novel. Anyone seen it? The Bulldanceis at least genre adjacent. (Died 2016.) (CE)
Born October 10, 1931 — Victor Pemberton. Writer of the script for the “Fury from the Deep”, a Second Doctor story in which he created the Doctor’s sonic screwdriver. He had appeared as an actor in the series, in a non-speaking role as a scientist in “The Moonbase”, a Second Doctor story. In the Seventies, he wrote the BBC Doctor Who and the Pescatons audio drama which I remember hearing. It was quite excellent. (Died 2007.) (CE)
Born October 10, 1931 – Jack Jardine. Writing under another name, four Agent of T.E.R.R.A. novels, three others. Indeed many other names. Radio disc jockey, humorist. See Bill Mills’ appreciation here. (Died 2009) [JH]
Born October 10, 1942 – Wojtek Siudmak, 78. More than seven hundred covers, seventy interiors. Six artbooks (in French). Two Chesleys. Here is Double Star. Here is a volume of Norman Spinrad. Here is Dune. Here is The Return of the King. Here is Expansion. [JH]
Born October 10, 1957 – Rumiko Takahashi, 63. (Names would be reversed in Japanese style.) Manga artist with 200 million copies of her work in circulation. Two Shogakukan Awards, two Seiun Awards. Inkpot. Science Fiction & Fantasy Hall of Fame, Eisner Hall of Fame. Grand Prix de la ville d’Angoulême, second woman and second Japanese to win. Scottish rock band named for Urusei Yatsura, her first to be animated. This cover reprinting vols. 1&2 of Ranma 1/2 shows Ranma’s dad changed into a panda and Ranma into a girl. [JH]
Born October 10, 1959 — Kerrie Hughes, 61. Anthologist, some of which impressively have had several printings. Favorite titles for me for me include Chicks Kick Butt (co-edited with Rachael Caine), Zombie Raccoons & Killer Bunnies (with Martin H. Greenberg) and Shadowed Souls (with Jim Butcher). She’s written short fiction and essays as well. It looks like almost all of her anthologies are available from the usual digital suspects. (CE)
Born October 10, 1968 — Mark Bould, 52. British academic whose done a number of interesting genre-related works including Red Planets: Marxism and Science Fiction, co-edited with China Miéville, Parietal Games: Critical Writings by and on M. John Harrison with M. John Harrison and Michelle Reid, and Fifty Key Figures in Science Fiction written with Andrew M. Butler and Adam Roberts and Sherryl Vint. (CE)
Born October 10, 1976 — Marjan Neshat, 44. Best remembered for her recurring role as Samar Hashmi on Quantico which is at least genre related. She’s also had roles in the Robocop reboot, Fringe, Elementary, New Amsterdam and Person of Interest. (CE)
Born October 10, 1971 – Jeff Miracola, 49. Magic, the Gathering (over a hundred cards) and Shadowrun; children’s books e.g. The Book of Impossible Objects; Electronic Arts video game Mini-Golf. In eight issues of Spectrum so far (2-5, 15-16, 19-20); Advanced Photoshop magazine; 30 Years of Adventure (Dungeons & Dragons). Here is a cover for Tower of Babel. “Continue to work on your craft. Draw, paint, and create always. Consider getting together with other artists…. actually creating and feeding off each other’s energy.” [JH]
Born October 10, 1984 — Jenna Lê, 36. Minnesota-born daughter of Vietnam War refugees, her genre poetry is collected in A History of the Cetacean American Diaspora along with other poems. That collection placed second for an Elgin Award. You can find an excellent interview with her here. (CE)
… The Beginners victor was Commander Poptart, a U.S. entrant who dressed as Ahsoka Tano from Star Wars: The Clone Wars. “This was an incredible build for a beginner. Well, done, Commander Poptart,” said JediManda, who was dressed as Baby Yoda from The Mandalorian.
No runner-up was announced.
The runner-up in Needlework was Demorafairy from the U.K., who dressed as Little Red Ashe from Overwatch. “We loved this costume, the letterwork is so impressive on it. All her engineering, like the vest, was done in three different layers, so every piece would lay correctly,” said Yaya Han. “I thought that was just really genius and it just has such a great balance of different techniques used. All her sewing was very clean and the skirt was the right length and everything was finished.”
Sewcialist Revolution from the U.S. nabbed the top honor for the Needlework category with her Claire Fraser costume inspired by Outlander. She spent five years learning how to make 18th-century clothing and then hunkered down for an extra six months putting the dress together. “This is needlework in its best representation,” Han added. “She used period-accurate methods, so much of it was hand-done … We really appreciated all of the efforts that she went into.”…
…Consider the monstrous, man-eating Shoggoths of HBO’s “Lovecraft Country,” last seen decimating a squad of racist police officers on Sunday night. They may not be the mind-bending series’s most terrifying menace — that title goes to vintage, 1950s white supremacy — but it isn’t for lack of trying.
Shoggoths are hideous to look at — pale, bulbous, covered in scabby, asymmetric eyes — and deadly to encounter, with concentric rows of gnarled teeth that turn trespassers into tartare. H.P. Lovecraft first wrote about blob-like creatures called Shoggoths in the late ’20s in a series of sonnets, and they appeared in his 1936 novella “At the Mountains of Madness.”
But the original Shoggoths, described by Lovecraft as “normally shapeless entities composed of a viscous jelly which looked like an agglutination of bubbles,” bear little resemblance to the fast-moving, gorilla-like beasts that first terrorized Tic, Leti and co. in the series premiere.
As science fiction spread within music, fans began to share songs with one another, and the movement became known as Filk. It took its name from a 1950s article about these unusual songs, which misspelled “Folk” as “Filk.” Bill Sutton is the president of Interfilk, an organization that helps fans and musicians attend Filk conventions. Sutton says otherworldly ideas in popular music, combined with excitement about the space program, made people believe that technology could save everything.
(14) 007, MUNSTER, AND RIPLEY, OH MY! Want to buy the Green Hornet’s car? At Profiles in History’s “The Icons & Legends of Hollywood Auction” on November 12-13, many extraordinary costumes, props and relics are going under the hammer.
Following is just a glimpse of the items awaiting you in these pages that left indelible marks in Hollywood history:
John Travolta “Tony Manero” screen worn signature leather jacket from Saturday Night Fever.
Leonardo DiCaprio “Jack Dawson” poker game/boarding costume from Titanic.
Roger Moore “James Bond” Royal Navy uniform jacket from The Spy Who Loved Me.
Jane Seymour “Solitaire” psychic medium cape and headdress from Live and Let Die.
Orson Welles “Charles Foster Kane” coat from Citizen Kane.
Marilyn Monroe “The Girl” fantasy tiger gown from The Seven Year Itch.
Gene Kelly “Don Lockwood” legendary rain suit from the Singin’ in the Rain.
Gary Cooper “Lou Gehrig” Yankee uniform from The Pride of the Yankees.
James Dean “Jett Rink” tuxedo from Giant.
Elizabeth Taylor “Leslie Benedict” arrival to Reata ensemble from Giant.
Vivien Leigh “Scarlett O’Hara” traveling dress from Gone With the Wind.
Fred Gwynne “Herman Munster” signature costume from The Munsters.
Tina Louise “Ginger” signature glamor dress from Gilligan’s Island.
Sir Richard Attenborough “John Hammond” signature cane from Jurassic Park.
Sigourney Weaver “Ripley” signature Nostromo jumpsuit from Alien.
Hero “ramming” Chestburster with articulating jaw and “whiplash” tail from Alien.
Hero “Ra” Cheops class Pyramid Warship filming miniature from Stargate.
Hero X-71 Shuttle “Independence” filming miniature from Armageddon.
Zed’s “Grace” Harley chopper ridden by Bruce Willis “Butch Coolidge” in Pulp Fiction.
[Thanks to John King Tarpinian, John Hertz, JJ, Andrew Porter, Mike Kennedy, Martin Morse Wooster, Michael Toman, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Niall McAuley.]
(1) GARCIAGATE GOFUNDME. Chris Garcia, Vanessa and the boys had to evacuate from their Northern California home because of the fires. So far their house has survived, but there’s no telling when they will be able to return. Til then, they’re in hotels. A GoFundMe appeal launched yesterday: “GarciaGatePenguins Fire Relief” People have donated $5,780 of the $10,000 goal in less than 24 hours.
…Initially they believed their home is lost, but are holding out hope that their home and belongings aren’t destroyed. It may still be a long voyage in the clean up process, assuming the house is still standing. What may have been destroyed by smoke damage is also still an unknown. It has been an incredibly hard time and they are incurring many added expenses for temporary lodging and having to eat out.
(2) EATING THE FANTASTIC. Scott Edelman continues having the conversations he would have had in New Zealand had there been a flesh-and-blood CoNZealand. It’s time for tea and scones with Farah Mendlesohn on Episode 126 of Eating the Fantastic.
I’d previously made plans to chat and chew with three guests on the ground in Wellington, but since that proved impossible, I decided to go virtual, too, urged on by my Patreon supporters. And so, during my previous two episodes, you were able to eavesdrop as I dined with Lee Murray in New Zealand and Stephen Dedman in Australia. This time around, we’re off to Stoke-on-Trent in Staffordshire, England for tea and scones with Farah Mendlesohn.
Farah was a Hugo Award finalist this year in the category of Best Related Work for her book The Pleasant Profession of Robert A. Heinlein, and had previously been nominated in that category for The Inter-Galactic Playground: A Critical Study of Children’s and Teens’ Science Fiction, and On Joanna Russ. She won a Hugo (with Edward James) in 2005 for The Cambridge Companion to Science Fiction, as well as a World Fantasy Award in 2017 for Children’s Fantasy Literature: An Introduction, which she wrote with Michael M. Levy.
She’s also edited anthologies, including Glorifying Terrorism, Manufacturing Contempt: An Anthology of Original Science Fiction, which she created to protest laws introduced by the British Government she saw as restricting free speech. She was the chair of the Science Fiction Foundation from 2004-2007, served as President of the International Association of the Fantastic in the Arts from 2008-2011, and is currently an Associate Fellow of The Anglia Ruskin Centre for Science Fiction and Fantasy.
We discussed the reasons Robert A. Heinlein resonated with her, how her early and current readings of Heinlein differ, why the science fiction of the ’30s was far more politically radical than that of the ’40s and ’50s, her deliberately controversial comment about Ursula K. Le Guin, the circumstances under which she’s more interested in the typical rather than the groundbreaking, that period during the ’20s when everyone was fascinated by glands, the one Heinlein book she wishes we’d go all back and reread, our joint distaste for fan policing, and much more.
We’re getting the first look at the upcoming second season of His Dark Materials, HBO/BBC’s big-budget adaptation of Philip Pullman’s fantasy epic.
The second season begins after Lord Asriel has opened a bridge to a new world, and, distraught over the death of her best friend, Lyra follows Asriel into the unknown. In a strange and mysterious abandoned city she meets Will, a boy from our world who is also running from a troubled past. Lyra and Will learn their destinies are tied to reuniting Will with his father but find their path is constantly thwarted as a war begins to brew around them. Meanwhile, Mrs. Coulter searches for Lyra, determined to bring her home by any means necessary.
“Harry Potter” author J.K. Rowling has emerged into a fresh controversy after she returned the Ripple of Hope Award bestowed upon her by the Robert F. Kennedy Human Rights organization in December 2019, following criticism from Kerry Kennedy. Kerry is the daughter of Robert F. Kennedy, and the president of the organization.
“Over the course of June 2020 — LGBTQ Pride Month — and much to my dismay, J.K. Rowling posted deeply troubling transphobic tweets and statements,” Kennedy posted on the organization’s website on Aug. 3. “On June 6, she tweeted an article headlined “Opinion: Creating a more equal post-COVID-19 world for people who menstruate.” She wrote glibly and dismissively about transgender identity: ‘People who menstruate.’ I’m sure there used to be a word for those people. Someone help me out. Wumben? Wimpund? Woomud?”
Kennedy said she had spoken with Rowling “to express my profound disappointment that she has chosen to use her remarkable gifts to create a narrative that diminishes the identity of trans and nonbinary people, undermining the validity and integrity of the entire transgender community — one that disproportionately suffers from violence, discrimination, harassment, and exclusion and, as a result, experiences high rates of suicide, suicide attempts, homelessness, and mental and bodily harm. Black trans women and trans youth in particular are targeted.”
“Because of the very serious conflict of views between myself and RFKHR, I feel I have no option but to return the Ripple of Hope Award bestowed upon me last year,” said the author. “I am deeply saddened that RFKHR has felt compelled to adopt this stance, but no award or honor, no matter my admiration for the person for whom it was named, means so much to me that I would forfeit the right to follow the dictates of my own conscience.”
Rowling said Kennedy’s statement “incorrectly implied that I was transphobic, and that I am responsible for harm to trans people.”
While appearing on David Tennant’s celebrity interview podcast, David Tennant Does a Podcast With…, Sulu actor Takei alleged that the cast of the original Star Trek TV series all got along apart from Shatner, with Takei confirming that it often felt like “William Shatner versus the rest of the world”.
“It got more and more intense,” Takei recalled. “How do I put it? It began from the TV series. There was one character whose charisma and whose mystery was like a magnet.
“It was Spock, the strange alien with pointy ears. That intrigued the audience and women thought ‘I’m the one who can arouse him.’ His fan letters were this many, and Leonard’s were that many, and that created an insecurity [in Shatner].”
He continued: “Movie-making, TV-making, theatre-making is all about collaborative teamwork. A good actor knows that the scene works when there’s that dynamic going on with the cast. Some actors seem to feel that it’s a one-man show. That’s the source of some tensions.”
Shatner saw the article and lashed out —
Then, in an unrelated exchange on Twitter, Shatner downplayed Trek’s immediate benefits to his career.
(6) THE MARTIAN CANTICLES. [Item by Martin Morse Wooster.] In the August 24 Financial Times, Ludovic Hunter-Tilney talks to progressive rocker Rick Wakeman about his new album, The Red Planet, He says he got the idea for the album about Mars by attending the Starmus International Festival of astronomy and music in Tenerife, Spain.
“Next year’s Starmus, due to be held in Armenia, marks the 50th anniversary of the first orbit of Mars by a space probe. Wakeman will be among the musicians appearing. He describes how the event’s founder, the astrophysicist Garek Israelian, updated him about the latest Martian findings.
‘He told me that it’s beginning to look like 20bn years ago Mars was a blue planet with oceans and rivers. ‘Your good friend David Bowie may have been right,’ Wakeman recalls. The rock musician–who played the piano part on Bowie’s celebrated ‘Life on Mars’ in 1971–went very quiet as the scientist spoke. Inside, a light went on. ‘Bingo!’ he said to himself/”
(7) THE TOON IS OUT THERE. [Item by Olav Rokne.] Lower Decks must look like a success, since now X-Files seems to be jumping onto the animated spin-off bandwagon. But since this show is being done by the creators of Movie 43 (which currently earns a generous 5% on Rotten Tomatoes) I wouldn’t hold out much hope for the series being watchable. From Variety: “‘X-Files’ Animated Comedy Series in Development at Fox”.
An animated “X-Files” comedy series spinoff is in the works at Fox, Variety has confirmed.
The project is currently titled “The X-Files: Albuquerque.” It has received a script and presentation commitment at the broadcaster. The show would revolve around an office full of misfit agents who investigate X-Files cases too wacky, ridiculous or downright dopey for Mulder and Scully to bother with. They’re basically the X-Files’ B-team.
“X-Files” creator Chris Carter is attached to executive produce the project, with Rocky Russo and Jeremy Sosenko attached to write and executive produce. Gabe Rotter, who worked on the “X-Files” revival at Fox, will also executive produce. 20th Television and Fox Entertainment will produce. Bento Box will provide animation. Neither Gillian Anderson or David Duchovny is involved with the project at this time.
(8) UP THE AMAZON. Publishers Lunch reports:
…In advance of Independent Bookstore Day on August 29, Powell’s Books announced that it will no longer sell rare and collectible books through Amazon Marketplace. Owner Emily Powell wrote in a message to customers, “For too long, we have watched the detrimental impact of Amazon’s business on our communities and the independent bookselling world…. The vitality of our neighbors and neighborhoods depends on the ability of local businesses to thrive. We will not participate in undermining that vitality.”
We’ve all read about it: after decades of construction, a shiny new generation ship is loaded with a crew of bright-eyed optimists. Once the sun is just another bright star in the sky, mutiny and civil war reduce the crew to ignorant peasants…unless something worse happens. This is a narrative pattern set as early as Murray Leinster’s 1935 “Proxima Centauri,” solidified by Heinlein’s 1941 “Universe,” and embraced by authors ever since: human foibles in the confined space of a generation ship ensure calamity. Ideally not of the sort that leave everyone too dead to be interesting.
But it does not have to go that way! Here are five examples of generation ships that managed to avoid mutiny, civil war, barbarism, and mass cannibalism.
(10) THE MAGIC OF LONDON BOOKSHOPS. Publishers Weekly conducted a “Q & A with Garth Nix” whose new book is The Left-Handed Booksellers of London.
Why did you choose to set the tale in 1983 London?
In part I chose to set the story in 1983 London because that was when I first saw it in person, visiting from Australia. I was there for about six months, off and on—even though I have returned to the U.K. many times since—so I have particularly concrete memories of that time. But I also wanted to make it a slightly alternate 1983, so the world of the book could be more diverse and have greater gender equality, and I could enjoy myself including and transforming various cultural references of the time.
The magic users in your book are booksellers rather than being specifically wizards, witches, magicians, etc. What’s the connection for you, between selling books and casting spells?
I think bookshops have always been rather magical, so by extension, the people who work in them are too! There is also something magical about making the connection between a book and a reader. I always had tremendous satisfaction in match-making a customer with a book they didn’t know they wanted, but would later come back in to rave about and buy everything the author had written.
In Merlin and the booksellers generally, you’ve created a group of characters who are magically gender-fluid. Why was it important for you to include this facet of the characters?
I think this is similar to my writing about places I wish really existed, that I could visit. While it isn’t easy for the booksellers to physically become the gender they feel they are, it is far easier than it is in this world. I think it would be good to be, as Merlin says, “somewhat shape-shiftery.”
(11) MEDIA BIRTHDAY.
August 28, 1956 — X Minus One’s “Surface Tension.” Based off the short story of the same name by the Hugo Award winning James Blish that was first published in the August 1952 edition of Galaxy Science Fiction, it first aired on this date in 1956. A Cold War tale in which The East and The West knowing the sun will soon explode meet to decide how to save the human race. Can this end well? The story was adapted as usual by George Lefferts. The rather extensive radio cast was Luis Van Rooten, Danny Auchal, Lawson Zerbe, Larry Haines, Mason Adams, Jim Stevens and Bob Hastings. You can listen to it here.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born August 28, 1749 – Johann von Goethe. Two-part play Faust big in the history of fantasy; four shorter stories, a dozen poems, also ours; other plays, poems, novels; criticism; science, particularly anatomy, botany, color; three thousand drawings. Inspired Mozart, Beethoven, Schubert, Mendelssohn, Berlioz, Gounod. On the cusp leaving the balance of Classicism for the passion of Romanticism. (Died 1832) [JH]
Born August 28, 1833 – Sir Edward Burne-Jones, Bt. Painter, illustrator, designer. “I mean by a picture a beautiful, romantic dream of something that never was, never will be – in a light better than any light that ever shone – in a land no one can define or remember, only desire – and the forms divinely beautiful”. Here is The Beguiling of Merlin. Here is Angeli laudantes (Latin, “Angels praising”; tapestry). Here is The Golden Stairs. Here is The Wheel of Fortune. Here is a study for The Masque of Cupid (Desiderium is Latin, “desire”). His accepting a baronetcy disgusted his socialist wife and friends. (Died 1898) [JH]
Born August 28, 1896 — Morris Ankrum. Numerous appearances in the Fifties — in Rocketship X-M as Dr. Ralph Fleming, as a Martian leader in Flight to Mars, in Red Planet Mars playing the United States Secretary of Defense, in Invaders From Mars playing a United States Army general, and as yet another Army general in Earth vs. the Flying Saucers. (Died 1964.) (CE)
Born August 28, 1916 – Jack Vance. Forty novels – these are round numbers; I think The Dying Earth is a novel, and I think it’s science fiction. Sixty shorter stories. Memoir This Is Me, Jack Vance (or more properly “This is I”). Interviewed in Aberrations, Lighthouse, Locus, Orbit (Dutch, hello Kees van Toorn), SF Review, StarShipSofa. Mystery novels too (Edgar for The Man in the Cage), unless they all are. Three Hugos, a Nebula; Prix Utopia; Forry (for service to SF; Los Angeles Science Fantasy Soc.); Jupiter; Emperor Norton Award (for extraordinary invention and creativity); Seiun; World Fantasy Award for Life Achievement; SFWA (Science Fiction & Fantasy Writers of America) Grand Master; SF Hall of Fame. (Died 2013) [JH]
Born August 28, 1917 — Jack Kirby. Responsible for a goodly part of modern comics from Captain America and the X-Men to Challengers of the Unknown and the New Gods. I’m very much looking forward to the New Gods film being worked on, now delayed by the Pandemic. (Died 1994.) (CE)
Born August 28, 1925 – Arkady Strugatsky. A score of novels, fifty shorter stories, with his brother Boris; also translated English (with B) and Japanese. Roadside Picnic is much applauded; I recommend Hard to Be a God. Interviewed in Fiction (French), Foundation, Locus, Polaris (German), Urania (Italian), Yellow Submarine (French). Together Guests of Honour at Conspiracy ’87 (45th Worldcon). (Died 1991) [JH]
Born August 28, 1948 — Vonda McIntyre. I’ve read a number of her works including Dreamsnake and The Moon and the Sun which are all phenomenal. The latter was based on a short stor of hers done as a faux encyclopaedia article “The Natural History and Extinction of the People of the Sea”, that was illustrated by Le Guin. Way cool. (Died 2019.) (CE)
Born August 28, 1951 – Barbara Hambly, 69. Forty novels, two dozen shorter stories. Interviewed in Andromeda Spaceways, Locus. Forry Award. Two Lord Ruthven Awards. Children of the Jedi a NY Times Best Seller. Served a term as SFWA President. Black Belt in karate (shôtôkan). Outside our field, notably historical fiction (free man of color Benjamin January, nineteen detective novels in antebellum New Orleans; The Emancipator’s Wife; Search the Seven Hills; several others). Peter Nicholls calls her writing vigorous, interesting, and alert. [JH]
Born August 28, 1954 – Diane Turnshek, 66. Astronomer; teaches at Carnegie Mellon Univ. and Univ. Pittsburgh. Four short stories and a Probability Zero. SFWA Speakers’ Bureau. Dark Sky Defender Award from Int’l Dark Sky Ass’n. Ranks Flatland about the same as The Taming of the Shrew. [JH]
Born August 28, 1964 – Traci Harding, 56. A score of novels, half a dozen shorter stories. Her publisher (HarperCollins/Voyager Australia) says she blends fantasy, fact, esoteric theory, time travel, and quantum physics; sold half a million books in Australia alone. Worked in film studio management before starting to write novels. Website here. [JH]
Born August 28, 1965 — Amanda Tapping, 55. She’s best known for portraying Samantha Carter on Stargate SG-1 and Stargate Atlantis. She also starred as Helen Magnus on Sanctuary which I never managed to see. Anyone seen it? She was in The Void which also starred Adrian Paul and Malcolm McDowell. (CE)
Born August 28, 1978 — Rachel Kimsey, 42. She voices Wonder Woman on Justice League Action, yet another series that proves animation, not live, is the DC film strong point. Here’s a clip of her voice work from that show. She was Zoe, the old imaginary friend of Frances, on Don’t Look Under The Bed, a supposedly horror that ran on Disney. Disney, horror? And she was a zombie in the “Don’t Let Her Pull You Down” musical video by New Found Glory. (CE)
Born August 28, 1978 — Kelly Overton, 42. She has the lead role of Vanessa Van Helsing in Van Helsing, a Syfy series based off of Zenescope Entertainment’s Helsing graphic novel series. She‘s been on True Blood as the werewolf Rikki Naylor, and then there’s The Collective, a horror film written, directed, and produced by her and her husband, Judson Pearce Morgan. (CE)
Each week on NewberyTart, Jennie and Marcy, two book-loving mamas (and a librarian and a bookseller, respectively), read and drink their way through the entire catalogue of Newbery books, and interview authors and illustrators along the way.
On today’s episode, Jennie and Marcy talk about the finalist of the 1971 Newbery Medal for excellence in American children’s literature, Enchantress from the Stars by Sylvia Engdahl.
Marcy: Since I started reading what I consider to be better science fiction, the tone of the book leaves me thinking it could be a little better, even if it might not necessarily be true, but it just falls in that category. Does it make sense the association?
Jennie: I think that we’re both talking about prejudices we have when it comes to books as we approach them and what we enjoy versus what we have been exposed to in the past. I think that makes total sense. I’m just like, Elana should be with a knife in her teeth and she should be hanging from the rafters.
Marcy: You want her to be Zoe from Firefly.
Jennie: I was thinking more Ripley.
This is a really great discussion about what we’ve come to expect from heroines in sci-fi!
Marcy: Which is ironic because this is probably one of the building blocks that got us to where we are to the ones that we wanted.
Jennie: I think it’s really good that we take some time and look at this and hopefully bring it to some new new readers.
Marcy: I have nothing but gratitude for the innovators who gave us any main characters, much less ones who rebelled in even any small ways and accomplished things and were characters who had agency. In this case, literally, even if they make bad choices sometimes, which people do. It’s still totally necessary to get us to where we are now, where we have so many choices and so many great female characters. We wouldn’t be here without those.
Libraries have long been home to feline residents who keep patrons company, promote activities and programs, and assist with pest control. We checked in on four library cats (and their humans) to see how their lifestyles have changed during the pandemic.
Browser from Texas’s White Settlement Public Library may be one of the nation’s most famous library cats. In a viral story from 2016, a city council member tried to oust Browser from his position at the library; after a public outcry, Browser was reinstated for life while his political opponent lost his reelection campaign.
Browser has stuck around the library during the pandemic closure but seems to be missing the crowds.
“He is generally quite independent, but since the closure he always wants to be near people. We can usually find him in the lap of a staff member, or lying helpfully on their keyboard,” library staffer Kathryn King told I Love Libraries. “Now that we are offering curbside service, he posts himself at the window during curbside hours to watch the patrons come and go.”…
…What is true is that Heinlein is probably less generally relevant to newer science fiction readers and writers than he was to new SF readers and writers in earlier eras. I have essayed this at length before and therefore won’t go into it again now. I will say, however, that Heinlein’s work and the work of many of his contemporaries are at an awkward age: enough decades after publication that the underlying cultural assumptions of the work and the author are no longer consonant with contemporary times, but not enough decades out that the work can be comfortably be considered a “period piece,” which means that consonance is no longer expected.
In other words: a lot of “Golden Age of Science Fiction” work currently lies in a sort of cultural uncanny valley, existing in a simultaneous state of being too distant from contemporary readers, and also not nearly distant enough. That’s not Heinlein’s fault, precisely; it’s a matter of time and culture. It’s going to happen to most creative work — well, most work that’s remembered at all.
(17) BRADBURY’S CRIME. Time travelers…dark carnivals…living automata…and detectives? Hard Case Crime is celebrating Ray Bradbury’s centennial, with a deluxe illustrated commemorative collection of his finest crime stories: Killer, Come Back To Me.
Honoring the 100th birthday of Ray Bradbury, renowned author of Fahrenheit 451, this new, definitive collection of the master’s less well-known crime fiction, published in a high-grade premium collectible edition, features classic stories and rare gems, a number of which became episodes of Alfred Hitchcock Presents and The Ray Bradbury Theater, including the tale Bradbury called “one of the best stories in any field that I have ever written.”
Is it murder to destroy a robot if it looks and speaks and thinks and feels like a human being? Can a ventriloquist be incriminated by the testimony of his own dummy? Can a time traveler prevent his younger self from killing the woman they both loved? And can the survivor of a pair of Siamese twins investigate his own brother’s murder? No other writer has ever rivaled the imagination and narrative gifts of Ray Bradbury, and the 20 unforgettable stories in this collection demonstrate this singular writer’s extraordinary range, influence and emotional power.
(18) HOLE NEW IDEA. [Item by Mike Kennedy.] Universe Today brings to our attention a new theory that would allow human-transmissible wormholes. There are, however, just a feeeew caveats. For instance, though the trip would be almost instantaneous for the passengers, an outside perspective would see the trip take longer than light would take to travel the same distance. Oh, and there’s the bit where the engineering would be many, many orders of magnitude greater than anything humans are currently capable of. And the thing where the effect depends on whether a particular 5-dimensional model of the universe correctly describes it or not. “One Theory Beyond the Standard Model Could Allow Wormholes that You Could Actually Fly Through”.
The study, titled “Humanly traversable wormholes,” was conducted by Juan Maldacena (the Carl P. Feinberg Professor of theoretical physics from the Institute of Advanced Study) and Alexey Milekhin, a graduate of astrophysics student at Princeton University. The pair have written extensively on the subject of wormholes in the past and how they could be a means for traveling safely through space.
…The fireworks underlined the light in the darkness, the path forward, the bombs bursting in air, and made me reflect on our journey here for our movement to push this great American culture in a healthy and wondrous direction through science fiction and comics.
God’s blessed me with talents beyond most of the field in science fiction, fantasy, and comics, and on top of it, a clear vision of what needs to be done with the work not only to produce greatness for my own edification, but to do glory to His name and bring a return to hope, heroism, and the exceptionalism of mankind to fiction and culture.
It’s been missing for a long time, and the trials and tribulations, the struggles, the blacklisting, the bannings, they all were trials given to me to push me to outwork and out-innovate the competition, which is the true American way of winning.
(20) SONG DYNASTY CAT TWEETS. You wouldn’t want to miss this. Thread starts here.
[Thanks to John King Tarpinian, John Hertz, JJ, Martin Morse Wooster, Cat Eldridge, Lise Andreasen, Michael Toman, James Davis Nicoll, Mike Kennedy, Chris Barkley, Olav Rokne, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Olav Rokne.]
HBO is celebrating Comic-Con@Home with a first look at Season 2 of His Dark Materials. During today’s virtual panel for the show, HBO unveiled the trailer for the upcoming season of the drama, which introduces some fresh faces.
The YouTube description adds –
His Dark Materials stars Dafne Keen, James McAvoy, Ruth Wilson and Lin-Manuel Miranda. Adapting Philip Pullman’s award-winning trilogy of the same name, which is considered a modern masterpiece of imaginative fiction, the first season follows Lyra, a seemingly ordinary but brave young woman from another world. Her search for a kidnapped friend uncovers a sinister plot involving stolen children, and becomes a quest to understand a mysterious phenomenon called Dust. As she journeys through the worlds, including our own, Lyra meets Will, a determined and courageous boy. Together, they encounter extraordinary beings and dangerous secrets, with the fate of both the living?—?and the dead?—?in their hands.
(3) COMMITMENT TO EXCELLENCE? A second trailer for Bill & Ted Face the Music. Available On Demand and in theaters September 1.
(4) SCARES THAT CARE. Brian Keene and friends have done a few 24-hour telethons to raise funds for Scares That Care. The most recent event was canceled due to Covid.
They are opting to do a virtual fundraiser on August 1st. It’s only 13 hours, but it looks like it will be packed with lots of interesting panels. See the FAQ and schedule at the Scares That Care Virtual Charity Event link. Say, they get the same kind of questions as the Worldcon!
Q: I’m a celebrity who works in the horror genre. Why wasn’t I included in programming? A: We tried to accommodate as many horror professionals as we could, but unlike our physical Scares That Care Weekend charity events, we are limited by the technological restrictions and time constraints of this virtual event. However, you can still help the cause by sharing the event with your fans and encouraging them to donate.
If you want to sell books during a pandemic, it turns out that one of the best places to do it is within easy reach of eggs, milk and diapers.
When the coronavirus forced the United States into lockdown this spring, stores like Walmart and Target, which were labeled essential, remained open. So when anxious consumers were stocking up on beans and pasta, they were also grabbing workbooks, paperbacks and novels — and the book sales at those stores shot up.
“They sell groceries, they sell toilet paper, they sell everything people need during this time, and they’re open,” said Suzanne Herz, the publisher of Vintage/Anchor. “If you’re in there and you’re doing your big shop and you walk down the aisle and go, ‘Oh, we’re bored, and we need a book or a puzzle,’ there it is.”
Big-box stores do not generally break out how much they sell of particular products, but people across the publishing industry say that sales increased at these stores significantly, with perhaps the greatest bump at Target. In some cases there, according to publishing executives, book sales tripled or quadrupled.
Dennis Abboud is the chief executive of ReaderLink, a book distributor that serves more than 80,000 retail stores, including big-box and pharmacy chains. He said that in the first week of April, his company’s sales were 34 percent higher than the same period the year before.
“With the shelter in place, people were looking for things to do,” he said. “Workbooks, activity books and just general reading material saw a big increase.”
…And then the other reason we’re never sure how much we should talk about it is because rolling this information out in numbers can sort of feel like it’s…IDK. Attempting to lay on a guilt trip, or something, which is honestly not the goal! Because, like…there are always reasons people aren’t gonna buy a book! It’s not their genre! They don’t have any spare money right now! They already have a copy! There’s a million reasons! So talking about this is never meant to make people feel badly for not buying a book right now! Okay? Okay! 🙂
So let’s talk about numbers. Newsletter numbers, specifically, because the people who have chosen to be on my newsletter are my captive audience, and presumably are the most likely to buy any given book. (Join my newsletter! :))
Right now I have about 1630 newsletter subscribers, and in any given month, about 100 people—7% of the subscribers—buy the book I’m promoting that month. That’s pretty reliable.
(7) US IN FLUX. The latest story for the Center for Science and the Imagination’s Us in Flux project launched today: “Even God Has a Place Called Home” by Ray Mwihaki, a story about environmental health, witchcraft, technophilia, and transcendence.
On Monday, July 27 at 4:00 p.m. Eastern, they wll host another virtual event on Zoom, with Ray and science fiction author Christopher Rowe.
(8) CLARKE AWARD LOWDOWN. On Five Books, Cal Flyn interviews Arthur C. Clarke Award director Tom Hunter about this year’s nominees for the prize: “The Best Science Fiction of 2020”.
…In terms of who the audiences are for these books, on the one hand, if you like science fiction, you’ll find much to enjoy here but if you haven’t really tried the genre before, or if you might have been put off, I’d stress that these are all books published in 2019, for a 2020 prize, so they’re very contemporary-feeling in terms of their characterisation, quality of prose, plotting and so forth. You can definitely trace their lineage through the different eras of science fiction as it has evolved as a genre, and all of these books interrogate and tease and play with that tradition in different ways, but are also respectful of it. That’s the difference between, say—insert name of mainstream author—who has discovered a science fiction concept and written a book about it, then does a press tour where they try and convince you they’ve somehow invented robots, or space travel or parallel universes, or whatever. You know: ‘Before me science fiction was just cowboys in space, but my book is about real futures…’
… In his rendering of the 2001 story, Clarke may be marginally more emollient than Kubrick when it comes to assessing humanity’s chances of genuine uplift at the hands of a transcendent superbeing, but compared with contemporary in-house American SF visions of the future, both novel and film are baths of cold water.
Both were tortuously understood by many genre viewers as optimistic paeans to technological progress, with a bit of hoo-ha at the end; and Clarke himself never directly contradicted Kubrick’s dramatic rendering of his own exceedingly measured presentation of his clear message—also articulated in Childhood’s End, and hinted at strongly in Rendezvous with Rama—that as a species we may simply not quite measure up.
But this calm magisterial verdict, couched smilingly, mattered little to his own career, even when understood correctly. The huge success of 2001 had both made him rich and transformed him into a world gure; an addressable, venerated guru whose declarations on the shape-of-things-to-come were now given to the world at large. The best of this nonfiction work was collected years later as Greetings, Carbon-Based Bipeds! (1999), a huge volume whose title perfectly sums up the coign of vantage from which he wrote: which is to say, as though from the future itself, from somewhere on the far side of the slingshot ending….
(10) MORE UK FANHISTORY ONLINE. Rob Hansen has expanded THEN’s 1961 coverage of the SF Club of London. And “I’ve also added a link to a report by George Locke on the 1960 Minicon in Kettering. I didn’t think any report beyond a couple of sentences in Skyrack existed for that con so I was quite surprised to stumble across it.” Scroll down to 1960s section for links on the THEN index.
At the dawn of “The Muppet Show” in the late 1970s, a visit to the Muppet Labs consisted of watching its nebbishy proprietor, Dr. Bunsen Honeydew, demonstrate misbegotten inventions like an exploding hat or a self-destructing necktie with a brief burst of pyrotechnics, a canned explosion sound and a puff of smoke.
Today, a return visit to those labs on the Disney+ series “Muppets Now” features Honeydew and his agitated assistant, Beaker, using a homemade device called the Infern-O-Matic to reduce everyday items — a carton of eggs, a wall clock, a guitar — to smoldering piles of ashes.
If this scene from “Muppets Now” feels manic and combustible — and even a bit familiar — that is by design: as Leigh Slaughter, vice president of the Muppets Studio, explained recently, she and her colleagues are hopeful that this series will conjure up “that true Muppet anarchy — that complete chaos.”
She added: “If they’re going to take on real-world science, we thought, we have to burn things. We have to drop things. We have to blow things up.”
“Muppets Now,” a six-episode series that debuts on July 31, is both Disney’s attempt to bring those familiar, fuzzy faces to its streaming service and a parody of internet content. Its segments feature characters like Miss Piggy and the Swedish Chef in rapid-fire comedy sketches that lampoon popular online formats.
The new series also strives to reconnect the Muppets with the disorderly sensibility they embodied in the era of “The Muppet Show” and get back to basics after other recent efforts to reboot the characters fizzled out.
“The thinking is to stop trying so hard to be like everybody else and just be the Muppets,” said Bill Barretta, a veteran Muppet performer and an executive producer of “Muppets Now.” “Let’s celebrate the fact that they all have to deal with each other and just be silly and play and entertain again.”
(12) MEDIA BIRTHDAY.
July 23, 1995 — The Outer Limits aired “I, Robot”. This is a remake of the November 14th, 1964 episode that aired during the second season of the original Twilight Zone. This is not based on Asimov’s “ I, Robot” but rather on a short story by Eando Binder that ran in the January 1939 issue of Amazing Stories. The script was by Alison Lea Bingeman who also wrote episodes of Robocop, Flash Gordon, Forever Knight, Beyond Reality and The Lost World at that time. Adam Nimoy was the director and Leonard Nimoy, his father, was in it as he been the earlier production playing a different character. (CE)
(13) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born July 23, 1889 – Yuri Annenkov. Illustrator, portraitist, theater and cinema designer. Zamyatin said he “has a keen awareness of the extraordinary rush and dynamism of our epoch.” Here is a Synthetic landscape. Here is the photographer M.A. Sherling. Here is Zamyatin. Here is a frog costume. Here is Miydodir, an animated washstand that eventually makes the boy at left wash. (Died 1974) [JH]
Born July 23, 1910 — Ruthie Tompson, 110. An animator and artist. Her first job was the ink and paints, uncredited, on Snow White and the Seven Dwarfs. She was involved in every animated from film Disney for three decades, stating with Pinocchio (Retro Hugo for Best Dramatic Presentation, Short Form). Some she was an animator on, some she was admin on. She worked on Bakshi’s Lord of the Rings, too. (CE)
Born July 23, 1914 – Virgil Finlay. Pioneering illustrator. Hugo for that in the first year we gave them; five Retrospective Hugos. First sale, the Dec 1935 Weird Tales; probably 2,600 works of graphic art; fifty poems, mostly published after his death. Here is a cover for The Stars Are Ours. Here is the Dec 56 Galaxy. Some of his marvelous monochrome: The Crystal Man; “Flight to Forever”; I haven’t identified this, can you? SF Hall of Fame. First Fandom Hall of Fame. See the Donald Grant and the Gerry de la Ree collections. (Died 1971) [JH]
Born July 23, 1926 — Eunice Sudak, 94. Novelizer of three early Sixties Roger Corman films: Tales of Terror, The Raven and X, the latter based of The Man with the X-Ray Eyes. She wrote a lot of other novelizations but they weren’t even genre adjacent.(CE)
Found Fandom July 23, 1937 – Cyril M. Kornbluth. Wikipedia says July 2 is his birthday — 1940 Who’s Who in Fandomsays July 23 is the date he discovered fandom. I certainly read and liked The Space Merchants and The Syndic which are the two I remember reading these years on. Given his very early death, he wrote an impressive amount of fiction, particularly short fiction which Wildside Press has all of n a single publication, available at the usual digital suspects. (Died 1958.) (CE)
Born July 23, 1947 – Gardner Dozois. Three novels, five dozen shorter stories, some with co-authors, translated into Croatian, Dutch, French, German, Italian, Japanese, Polish, Romanian, Russian, Serbian. Two Nebulas. Editor of Asimov’s 1984-2004; two dozen Asimov’s anthologies, many with Sheila Williams. Four years editing Best SF Stories of the Year, thirty-five of The Year’s Best SF (no, I shan’t explain, and I shan’t tell the jelly-bean story, either). Four dozen more anthologies; one Nebula Showcase. Fifteen Hugos as Best Pro Editor; one as Best Pro Editor, Short Form. Skylark Award. SF Hall of Fame. (Died 2018) [JH]
Born July 23, 1948 – Lew Wolkoff, 72. Long-time laborer in fanhistory and the workings of our conventions. Some highlights: co-chaired ArtKane IV, an art-focussed con in Harrisburg, Pennsylvania, 1979; assembled Phoxphyre, a fanzine anthology of the 1936 Philadelphia convention, with reminiscences by Baltadonis, Goudket, Kyle, Madle, Newton, Pohl, Train, 1983; Program Book appreciation of Barbi Johnson, a Guest of Honor at Lunacon 26, 1983; helped design the base for the 1951 Retro-Hugo trophy, 2001; chaired PSFS (Philadelphia SF Soc.) Young Writers’ Contest, 2018; got 120 audiotapes of Philcon proceedings to the SF Oral History Ass’n; founded, or purported to found, the SF Union of Unpublished Authors (“ess-eff-double-U-ay”, i.e. taking off SFWA the SF Writers of America). [JH]
Born July 23, 1949 – Eric Ladd, 71. Twenty covers for us. Here is The Falling Torch. Here is Convergent Series. First suggested to Bob Eggleton that BE should exhibit in our Art Shows. [JH]
Born July 23, 1954 – Astrid Bear, 66. One of the great entries in our Masquerade costume competitions was The Bat and the Bitten, Karen Anderson and her daughter Astrid at the 27th Worldcon. In 1983 Astrid married Greg Bear; they have two children. Here is AB at the 76th Worldcon on a panel discussing the 26th (L to R, Astrid, Tom Whitmore, Mary Morman, Ginjer Buchanan, Suzanne Tompkins, Gay Haldeman). For the 71st, since Jay Lake whom she and all of us loved had contrived to obtain whole-genome sequencing, and AB had become a fiber artist, she made Jay Lake Genome Scarves in time to give him one, as you can see here. Fanzine, Gallimaufry. It’s not true that this book is about her. [JH]
Born July 23, 1970 — Charisma Carpenter, 50. She’s best remembered as Cordelia Chase on Buffy the Vampire Slayer and Angel. She was also Kyra on Charmed and Kendall Casablancason Veronica Mars. She was Sydney Hart in Mail Order Monster and Beth Sullivan in the direct to video Josh Kirby… Time Warrior! Franchise. (CE)
Born July 23, 1982 — Tom Mison, 38. He is best-known as Ichabod Crane on Sleepy Hollow which crosses-over into Bones. Currently he’s Mr. Phillips in The Watchmen. It’s barely (if at all) genre adjacent but I’m going to that he Young Blood in A Waste of Shame: The Mystery of Shakespeare and His Sonnets. (CE)
(14) COMICS SECTION.
Fresh from his Hugo voter reading, Dann writes, “In light of Charlie Jane Anders’ The City in the Middle of the Night, I thought this xkcd might be useful. Check out the mouse-over/alt text.”
(15) WORLDCON TIME OUT OF JOINT. Bill Higgins started out teasing David Levine about CoNZealand’s July 16 “Wild Cards” panel, then his imagination ran away with him:
For years, Luigi’s kindhearted nature and well-meaning oafishness have endeared him to millions of fans who were willing to look past his lengthy history of incompetence. But it seems like the iconic Nintendo character might have just passed the point of no return: The big guy in green apparently left his space heater plugged in for three days straight, and now the entire Paper Mario kingdom has burned to the ground….
(17) STAR TREK: LOWER DECKS. CBS All-Access dropped a clip today.
Get an exclusive look at a hilarious scene from the upcoming series premiere of Star Trek: Lower Decks, an all-new animated comedy featuring the voices of stars Jack Quaid (Ensign Brad Boimler) and Tawny Newsome (Ensign Beckett Mariner).
A heavy-lift Long March-5 roared off a launch pad on Hainan Island Thursday, carrying China’s hopes for its first successful Mars mission – an ambitious project to send an orbiter, lander and rover to the red planet in one shot.
If everything goes according to plan, Tianwen-1 will be China’s first successful mission to Mars, after a previous attempt failed in 2011 — gaining it membership in an elite club including only the U.S. and Russia, of nations who have successfully landed on the planet. (Even so, the Soviet Union’s Mars 3 lander, which touched down in 1971, transmitted for mere seconds before contact was lost.)
…The goals of the mission are to map surface geology, examine soil characteristics and water distribution, measure the Martian ionosphere and climate and study the planet’s magnetic and gravitational fields.
China has launched its first rover mission to Mars.
The six-wheeled robot, encapsulated in a protective probe, was lifted off Earth by a Long March 5 rocket from the Wenchang spaceport on Hainan Island at 12:40 local time (04:40 GMT).
It should arrive in orbit around the Red Planet in February.
Called Tianwen-1, or “Questions to Heaven”, the rover won’t actually try to land on the surface for a further two to three months.
This wait-and-see strategy was used successfully by the American Viking landers in the 1970s. It will allow engineers to assess the atmospheric conditions on Mars before attempting what will be a hazardous descent.
…The targeted touchdown location for the Chinese mission will be a flat plain within the Utopia impact basin just north of Mars’ equator. The rover will study the region’s geology – at, and just below, the surface.
Tianwen-1 looks a lot like Nasa’s Spirit and Opportunity rovers from the 2000s. It weighs some 240kg and is powered by fold-out solar panels.
A tall mast carries cameras to take pictures and aid navigation; five additional instruments will help assess the mineralogy of local rocks and look for any water-ice.
This surface investigation is really only half the mission, however, because the cruise ship that is shepherding the rover to Mars will also study the planet from orbit, using a suite of seven remote-sensing instruments.
The UK and US have accused Russia of launching a weapon-like projectile from a satellite in space.
In a statement, the head of the UK’s space directorate said: “We are concerned by the manner in which Russia tested one of its satellites by launching a projectile with the characteristics of a weapon.”
The statement said actions like this “threaten the peaceful use of space”.
The US has previously raised concerns about this Russian satellite.
In his statement, Air Vice Marshal Harvey Smyth, head of the UK’s space directorate, said: “Actions like this threaten the peaceful use of space and risk causing debris that could pose a threat to satellites and the space systems on which the world depends.
“We call on Russia to avoid any further such testing. We also urge Russia to continue to work constructively with the UK and other partners to encourage responsible behaviour in space.”
A popular mobile game has been taken offline in mainland China for “rectification work”, after netizens discovered its musical director had written a song containing Morse code with a hidden Hong Kong pro-democracy message.
According to China’s Global Times newspaper, the Cytus II musical rhythm game, produced by Taiwan’s Rayark Games, has been removed from China’s mainland app stores.
This was done after netizens discovered a controversial song by Hong Kong musical director ICE, real name Wilson Lam, on his Soundcloud account.
The piece, Telegraph 1344 7609 2575, was actually posted on his page in March, but after netizens discovered it contained in Morse code the phrase “Liberate Hong Kong, the revolution of our times”, many in the mainland called for him to be sacked.
(22) RIGHT OUT FROM UNDER YOU. Floors that can scare you – a gallery of wild images at Imgur.
(23) VIDEO OF THE DAY. Fandom Games’ Honest Game Trailers: SpongeBob Square Pants–Rehydrated on YouTube says that “children and extremely inebriated adults” will enjoy this new version of a classic SpongeBob SquarePants game featuring “Rube Goldberg machines that require a Ph.D. in SpongeBob to complete.”
[Thanks to Chip Hitchcock, JJ, Mike Kennedy, Martin Morse Wooster, John King Tarpinian Cat Eldridge, John Hertz, Michael Toman, Dann, Joey Eschrich, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Paul Weimer.]
(1) US IN FLUX. The latest story from the Center for Science and the Imagination’s Us in Fluxproject launched today: “The Wandering City,” a story about temporal anomalies, public spaces, and a new global consciousness by Usman T. Malik.
On Monday, 7/13 at 4pm Eastern, they’ll have another virtual event on Zoom with Usman in conversation with James Graham, an architect and historian and director of the great series Columbia Books on Architecture and the City. Register at the link.
(2) AURORA AWARDS VOTING. Canadian Science Fiction and Fantasy Association members can now vote online for the Aurora Awards through July 25. You must be logged in with an active CSFFA membership in order to access the voting page.
This page provides informatin on this year’s Aurora nominees.
The Voter Package Downloads also give you access to many of the works up for the awards this year. Like with voting, you need to be logged in to the website with an active membership to access these downloads.
(3) OH CAPTAIN, MY CAPTAIN. [Item by Olav Rokne.] The Manchester Guardian newspaper pays tribute to Star Trek icon Sir Patrick Stewart on the advent of his 80th birthday today, printing reminiscences from numerous of Stewart’s friends, colleagues, and co-stars. It’s a delightful piece to read,and paints a picture of someone who is not only iconic, but warmly human. My favorite bit is from his X-Men co-star Ian McKellen: “He’s long forgiven me my advice not to risk a solid career on the British stage by falling for an uncertain future in Star Trek.” “‘He’s so strapping and virile’: Patrick Stewart at 80 – by Shatner, McKellen, Tennant and more”
He’s a love and he is an intellectual in an athlete’s body. We had a long horse scene to do together once, and I recommended him wearing women’s silk stockings to avoid chafing and he nodded his head as a thank you. When he came out of his dressing room, he was wearing the lace stockings outside of his costume. “No, no, Patrick, underneath your costume!” We laughed, as we ordinarily did. I didn’t know he was so old.
… It can’t be true that Paul Weimer knows everybody in science fiction but if we were to draw a huge network graph, I think Paul would be at on of those nodes that helps joins multiple groups together. A regular columnist and pod-casting panellist in multiple venues, Paul is an insightful observer of the wider landscape of science fiction and fantasy. Paul is a bridge that links communities and people (exemplified by his revival of the popular mind-meld posts (http://www.nerds-feather.com/2019/09/the-hugo-initiative-mind-meld-favorite.html ).
…On Wednesday, Netflix announced that Chilling Adventures of Sabrinawill conclude with Part 4 of the series, meaning that the final eight episodes will be the series’ last. Those eight episodes are set to air in late 2020 and will explore what happens when The Eldritch Terrors descend upon Greendale. (Odds are it won’t be good.)
(6) FANTASTIKA (SWECON 2020) NEWS. Even a postponement til October won’t work, so this year’s con is off. Carolina Gómez Lagerlöf told Facebook followers:
We had a committee meeting last Monday. We decided not to have Fantastika in October. We do not know when the restriction about having a max attendance of 50 persons is going to end. What we are thinking of is organising a smaller event for local fans in October with some items that are web based. We are also planning to move Fantastika to spring.
In an effort to decide which Netflix sci-fi show is actually the best, Inverse asked our readers to fill out an online poll and over 1,200 of you did (1,234 to be exact). Here are the results, presented from worst (or least popular) to best science fiction series.
In first place —
1. STRANGER THINGS
We always knew it would end this way. Stranger Things is Netflix’s biggest original anything ever, and it gets bigger with each new season. With 377 votes, it’s also the winner of our poll by a huge margin. And with Stranger Things Season 4 delayed indefinitely due to Covid-19, there’s never been a better time to rewatch the entire series, right?
Margaret Atwood commented: “No editor has seen so many changes and done so much in publishing as the legendary and much beloved Nan Talese, known fondly to some as ‘the Nanster.’ She first came into my life at Simon & Schuster, then dragged me behind her troika as she galloped through the wilderness to Houghton Mifflin–where she acquired The Handmaid’s Tale sight unseen, in a preemptive bid–and then sashayed over to Doubleday. ‘Nanster, what are you doing?’ I cried in dismay. ‘I like a challenge,’ she said calmly, adjusting her white beret and trademark pearls. I can’t imagine her actually ‘retiring.’ It’s a figure of speech. She will continue reading, and reading my work, I hope, and offering commentary: ‘None of these people are very nice.’ “
…So I was unprepared when, watching Sliding Doors again recently, I found myself absolutely wrecked by the viewing. The movie’s perky setup was agonizing; its cheerful toggling between Helen’s two fates felt painful to witness. Because when I watched the movie this time around—in the midst of a global pandemic that has killed more than 500,000 people, with no end in sight—I wasn’t just thinking of Helen’s divergent futures. I was thinking of everyone else’s. To be alive in America right now is to be acutely aware of the paths not taken—to live, essentially, in the Sliding Doors proposition, and in the paradigm of the alternate history. Our news is doubly haunted: by the horror of real loss, and by the shadow of what might have been.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born July 9, 1926 – Murphy Anderson. Drew for Planet and Amazing; after his World War II service, also Fantastic Adventures and Buck Rogers. At DC he drew the Atom, Batman, the Flash, Green Lantern, Hawkman, the Spectre, Superman; inked Gil Kane, Carmine Infantino, Curt Swan; designed the costume of Adam Strange. Drew Wonder Woman for the first cover of Ms. Helped me with the L.A.con II Program Book (42nd Worldcon) when we gave the Forry Award to Julie Schwartz. Seven Alleys; Inkpot; Kirby, Eisner, Sinott Halls of Fame. (Died 2015) [JH]
Born July 9, 1927 – Robert Goldston. Four novels for us, ten covers for Nebula (as by James Stark), like this (back cover by Ken McIntyre), and this and this (back covers by Atom). Guggenheim Fellowship. Histories, juveniles, many more. (Died 1982) [JH]
Born July 9, 1927 — Susan Cabot. Her final film appearance was in Roger Corman’s horror feature, The Wasp Woman in which she played the lead role. She played Sybil Carrington in his earlier SF film, War of the Satellites. And in yet a third Corman film, The Saga of the Viking Women and Their Voyage to the Waters of the Great Sea Serpent, she was Enger. (Died 1986.) (CE)
Born July 9, 1938 — Brian Dennehy. He was Walter in the Cocoon films, and, though it’s more genre adjacent than actually genre, Lt. Leo McCarthy in F/X and F/X 2. He also voiced Django in Ratatouille. His very last performance was as Jerome Townsend in the “Sing, Sing, Sing” episode of Penny Dreadful: City of Angels series. (Died 2020.) (CE)
Born July 9, 1911 — Mervyn Peake. Best remembered for the Gormenghast series which is delightfully weird. Most fans hold that there are but there novels in the series (Titus Groan, Gormenghast and Titus Alone) though there’s a novella, “Boy in Darkness”, that might be part of it. It has been adapted for radio three times and television once, and Gaiman is writing the script for a forthcoming series. (Died 1968.) (CE)
Born July 9, 1945 – Dean Koontz, 75. A hundred novels, sixty shorter stories; nine pen names; translated into forty languages; 500 million copies sold. Used to look like Gordon Liddy but tired of it and changed. Warns that supposed appearances in fanzines after 1968 are suspect, the tale to be told in his memoirs. His Website is here. [JH]
Born July 9, 1946 – Lynne Aronson, 74. Recruited by Phyllis Eisenstein. Entered the NyCon 3 Masquerade (25th Worldcon) in a dress made of magazine rejection slips. With husband Mark co-founded Windycon, chaired the first three, Guests of Honor at Windycon XV and XXX (some use Roman numerals, some don’t). Organized, if that word may be used in a fanzine, the Noreascon Two One-Shot Chorale (38th Worldcon). [JH]
Born July 9, 1957 – Todd Lockwood, 63. A hundred eighty book and magazine covers, a hundred sixty interiors. Here is a cover for Analog. Here is Karavans. Here is Resurgence. Known too for Dungeons & Dragons. Twelve Chesleys, one for Cerberus the Aardvark. Artbook, Transitions. [JH]
Born July 9, 1971 — Scott Grimes, 49. He’s Lieutenant Gordon Malloy. on The Orville, a show I’ve not watched and so would very much like to hear what y’all think of it. He did show up once in the Trek verse, playing Eric in the “Evolution“ episode Of Star Trek: The Next Generation. (CE)
Born July 9, 1972 – Rachel Hartman, 48. Three novels; a dozen cartoons in Strange Horizons. Madrigal choir, the QuasiModals. Having shown us the Goreddi religion she takes particular interest in its saints and their dogs. Admits her chief failing as a Canadian is that she is not a hockey person, but she did interview Ngozi Ukazu. [JH]
Born July 9, 1978 — Linda Park, 42. Best-known for her portrayal of communications officer character Hoshi Sato on the Enterprise. Her first genre role was Hannah in Jurassic Park III, she was Renee Hansen in Spectres which Marina Sirtis is also in. She was in some called Star Trek: Captain Pike three years back as Captain Grace Shintal. It has to be another one of those fan video fictions. (CE)
Born July 9, 1995 — Georgina Henley, 25. English actress, best remembered for her portrayal of Lucy Pevensie throughout the Chronicles of Narnia film franchise from age ten to age fifteen. She’s listed as having an unspecified role in an untitled Game of Throne prequel series but given the number of those proposed, this may or may not exist. (CE)
In time for the 25th anniversary of his beloved fantasy series-starter The Golden Compass, British author Philip Pullman will publish a new standalone short story featuring Lyra Belacqua and her daemon Pan. Alfred A. Knopf Books for Young Readers announced today the October 15 release of Serpentine in hardcover and ebook format, featuring illustrations by Tom Duxbury. Listening Library will simultaneously release an audiobook, narrated by Academy Award-winning actor Olivia Colman (The Crown; The Favourite).
(12) IF THERE WERE AIRBNB REVIEWS OF THESE. Riley Sager, in “Don’t Stay In These Famous Literary Haunted Houses!” on CrimeReads, has Airbnb news of haunted houses where you shouldn’t go on vacation, including the house where The Amityville Horror was set “how can you list a place on this site and NOT MENTION THERE’S A DEMON PIG!” and the Overlook Hotel, setting for The Shining (“I’m not sorry the place was destroyed #sorrynotsorry”.)
(13) ON YOUR MARK. Nate Hoffelder’s good work in registering www.cirsova.com and pointing it at Black Lives Matter caught someone’s attention:
Hmm, a search of the US Patent and Trademark Office shows no dead or live attempts to register Cirsova as a trademark. Maybe Nate could do that next?
Josephine Flowers became a ranked, competitive Scrabble player more than a dozen years ago, and to commemorate the moment, she inscribed her custom-built game board with one of her favorite sayings: “Never underestimate the power of words.”
The phrase serves as a constant reminder to her that, even when people say that the words formed on a Scrabble board are supposedly divorced of meaning, they can still inflict pain.
That is why Flowers, who is Black, and several other members of the North American Scrabble Players Association, have called on the organization to ban the use of an anti-Black racial slur, and as many as 225 other offensive terms, from its lexicon.
“You could be sitting there for a 45-minute game just looking at that word,” said Flowers, a mental health worker from West Memphis, Ark. “And if you don’t know the person who played it, then you wonder, was it put down as a slight, or was it the first word that came to their mind?”
Needless to say, the article does not include a list of these 226 terms.
Rats will enthusiastically work to free a rat caught in a trap — and it turns out that they are especially eager to be a good Samaritan when they’re in the company of other willing helpers.
But that urge to come to the rescue quickly disappears if a potential hero is surrounded by indifferent rat pals that make no move to assist the unfortunate, trapped rodent.
These findings, reported Wednesday in the journal Science Advances, suggest that rats are similar to people in that they’re usually eager to help, but bystanders can affect whether or not they’ll take action in an emergency.
“We are constantly looking at others to see their reactions. And this is not a human thing. This is a mammalian thing,” says Peggy Mason, a neurobiologist at the University of Chicago, adding that it’s something she watches play out in the daily news.
…”With the addition of more and more bystanders, the likelihood of helping goes progressively lower,” Mason explains. “It’s in every textbook. It’s a pillar of modern psychology.”
Until recently, though, the bystander effect had only been tested in humans. And Mason studies rats.
Many people might find it tricky keeping quiet through an entire roller coaster ride, but one Japanese theme park wants you to do that – and more.
Fuji-Q Highland near Tokyo re-opened last month after its virus shutdown.
It asked riders to avoid screaming when they go on its rollercoasters, to minimise spreading droplets, and instead “scream inside your heart”.
And to encourage people to play along, it’s getting riders to put on their most “serious face” for the ride photo.
They can share their photo online in the #KeepASeriousFace challenge, and those who do best will be given free day passes
…The no screaming rule – in addition to the mandatory use of masks – is meant to stop potential virus-carrying droplets from flying out of your mouth at 80mph.
Clearly, it’ll be impossible to enforce this ruling – and according to executives who spoke to the Wall Street Journal, violations will not actually be punished.
But it’s all part of measures being taken by theme parks to give customers the confidence to return after the shutdowns, and assure them their safety is being taken seriously.
[Thanks to Olav Rokne, Daniel Dern, Mike Kennedy, Andrew Porter, Michael J. “Orange Mike” Lowrey, John King Tarpinian, Michael Toman, Chip Hitchcock, John Hertz, Cat Eldridge, JJ, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Anna Nimmhaus.]
1)Lack of Training 2) Policies Without Procedures 3) Lack of Organizational Memory 4) Tribalism 5) Misogyny 6) Financial Incentive
Let’s look at each of these in order.
Lack of Training Con chairs are usually mostly-untrained volunteers with a staff of untrained volunteers. Even the largest cons tend to draw chairs from their own volunteers, so there’s no competence required beyond years of experience and your team of volunteers not walking out on you. No one receives training in sexual harassment policies, or, frankly, anything. Worse, many of the leadership structures in conventions encourages those seeking power and rewards those willing to be assholes. In our experience, we’ve seen volunteers who exploit or abuse their staff allowed to continue because no one feels comfortable removing them from that position. As people around them leave, they rise in the ranks, filling holes they cause. Abusive and exploitative leaders report to no one, especially at small conventions that are privately funded. AnimeMidwest is a perfect example of this. Having been banned from one con, [Ryan] Kopf created his own. Who will be in a position to police him? No one….
In general, classic SF wasn’t particularly interested in fiction about the disabled, except perhaps as a first step towards a new life as brain-a-jar piloting a space ship or a cyborg covert operative, or to justify testing Phillips’ experimental regeneration treatment on a Lensman. In A Matter of Proportion, Walker focuses on the challenges facing a disabled individual in a world not particularly invested in accommodating their needs. Anne Walker is an author new to me, one I discovered thanks to Rediscovery, Volume 1. This story convinced me I need to seek out more of her work.
…But initially, with no guarantee that the first film would be a box office success, let alone spawn a smash-hit series, and with no actual toys or market data to show potential buyers, Palitoy had a tough job to convince retailers to invest.
“You have to remember, this was a film people weren’t sure about… they were reluctant to take stuff because it was what they thought was a B-movie – you know, science fiction, all that business,” said Bob Brechin, the firm’s chief designer.
Salvation came in the form of Action Man. Retailers were offered discounts on the firm’s hugely popular soldier figures if they would take Star Wars toys.
Sales manager John Nicholas recalled how one chain’s whisky-loving buyer was handed a bottle of Scotch and asked how many Star Wars figures he wanted.
About half an hour later, and with a third of the bottle gone, he had decided. He would take a million.
“Well, it was my biggest order ever. I’ve never taken an order for that, and, you know, when Woolworths came along and said, ‘All right, I’ll have 100,000’, it was ‘Oh, is that all?’.”
(4) SPEAKING OF CREDENTIALS. I’d love to get another Cats
Sleep on SFF entry to see the year out!
A correspondent once told me a story — which I’ve never been able to trace, and I don’t know whether it’s true — about a bibulous, semi-literate, ageing country squire 200 years ago or more, sitting by his fireside listening to Paradise Lost being read aloud. He’s never read it himself; he doesn’t know the story at all; but as he sits there, perhaps with a pint of port at his side and with a gouty foot propped up on a stool, he finds himself transfixed.
Suddenly he bangs the arm of his chair, and exclaims “By God! I know not what the outcome may be, but this Lucifer is a damned fine fellow, and I hope he may win!”
Which are my sentiments exactly.
I’m conscious, as I write this essay, that I have hardly any more pretensions to scholarship than that old gentleman. Many of my comparisons will be drawn from popular literature and film rather than from anything more refined….
(6) WATCHMEN EFFECTS FEATURETTE. I don’t know if there are
any spoilers – caveat emptor!
The visual effects on Watchmen are a thermodynamic miracle. See how we brought you squid attacks, clones, and Europa
(7) TODAY IN HISTORY.
December 17, 1973 — Sleeper premiered. Directed by Woody Allen, starring Woody Allen and Diane Keaton, and written by him, it was made as a tribute to Groucho Marx and Bob Hope. Sleeper was awarded the Hugo for Best Dramatic Presentation at Discon II. It was equally well received among critics and reviewers, indeed it currently holds a hundred percent rating among the latter at Rotten Tomatoes.
December 17, 2010 — Tron: Legacy premiered. It was directed by Joseph Kosinski, in his feature directorial debut, from a screenplay written by Adam Horowitz and Edward Kitsis, based on a story by Horowitz, Kitsis, Brian Klugman and Lee Sternthal. It is a sequel to Tron, whose director Steven Lisberger returned to produce. The cast includes Jeff Bridges and Bruce Boxleitner reprising their roles as Kevin Flynn and Alan Bradley. It did decently at the box Office, got deciedly mixed reviews among critics and currently holds a 51% rating among reviewers at Rotten Tomatoes.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born December 17, 1903 — Erskine Caldwell. He’s listed by ISFDB as having only two SFF pieces, both short stories, of which one, and no I’m kidding, is titled “Advice About Women”. It was published in The Bedside Playboy as edited by a certain Hugh Hefner and published of course on Playboy Press in 1963. Fredric Brown, Ray Bradbury, Avram Davidson, Richard Matheson and Robert Sheckley were the SSF writers present therein. (Died 1987.)
Born December 17, 1929 — Jacqueline Hill. As Barbara Wright, she was the first Doctor Who companion to appear on-screen in 1963, with her speaking the series’ first lines. (No, I don’t know what they are.) She’d play another character later in the series. (Died 1993.)
Born December 17, 1930 — Bob Guccione. The publisher of Penthouse, the much more adult version of Playboy, but also of Omni magazine, theSF zine which had a print version between 1978 and 1995. A number of now classic stories first ran there such as Gibson’s “Burning Chrome” and “Johnny Mnemonic”, as well as Card’s “Unaccompanied Sonata” and even Harlan Ellison’s novella, Mephisto in Onyx which was on the Hugo ballot at ConAdian but finished sixth in voting. The first Omni digital version was published on CompuServe in 1986 and the magazine switched to a purely online presence in 1996. It ceased publication abruptly in late 1997, following the death of co-founder Kathy Keeton whose Birthday was noted here. (Died 2010.)
Born December 17, 1944 — Jack L. Chalker. I really, really enjoyed his Well World series, and I remember reading quite a bit of his other fiction down the years. Which of his other myriad series have you read and enjoyed? I find it really impressive that he attended every WorldCon from except one, from 1965 until 2004. One of our truly great members of the SF community as was a member of the Washington Science Fiction Association and was involved in the founding of the Baltimore Science Fiction Society. (Died 2005.)
Born December 17, 1945 — Ernie Hudson, 73. Best known for his roles as Winston Zeddemore in the original Ghostbusters films, and as Sergeant Darryl Albrecht in The Crow. I’m reasonably sure his first SF role was as Washington in Spacehunter: Adventures in the Forbidden Zone, a few years before the first Ghostbusters film. Depending on how flexible your definition of genre is, he’s been in a fair number of films including Leviathan, Shark Attack, Hood of Horror, Dragonball Evolution, voice work in Ultraman Zero: The Revenge of Belial, and, look there’s a DC animated movie in his resume!, as he voiced Lucius Fox in Batman: Bad Blood.
Born December 17, 1953 — Bill Pullman, 66. First SF role was as Lone Starr in Spaceballs, a film I’ll freely admit I watched but once which was more than enough. He next appears in The Serpent and the Rainbow which is damn weird before playing the lead in the even weirder Brain Dead. Now we come to Independence Day and I must say I love his character and the film a lot. Post-Independence Day, he went weird again showing up in Lake Placid which is a lot of fun and also voiced Captain Joseph Korso in the animated Titan A.E. film. Which at least in part was written by Joss Whedon. He reprises his Thomas J. Whitmore character in Independence Day: Resurgence which I’ve not seen.
Born December 17, 1973 — Rian Johnson, 46. Director responsible for the superb Looper, also Star Wars: The Last Jedi and Knives Out. I know, it’s not even genre adjacent. It’s just, well, I liked Gosford Park, so what can I say about another film similar to it? He has a cameo as an Imperial Technician in Rogue One, and he voices Bryan in BoJack Horseman which is definitely genre.
Born December 17, 1974 — Sarah Paulson, 45. She’s most likely best known for being Bunny Yeager in The Notorious Betty Paige, but she has solid genre creds having acted in Serenity, The Spirit, Bird Box, Abominable,American Gothic and Glass. She was in seven series of American Horror Story playing at least fifteen different characters. And she’s Nurse Ratched in the upcoming Ratched series.
Born December 17, 1975 — Milla Jovovich, 44. First SFF appearence was as Leeloo de Sabat in The Fifth Element, a film which still gets a very pleasant WTF? from me when I watch it. She was also Alice in the Resident Evil franchise which is five films strong and running so far. I see she shows up as Miliday de Winter in a Three Musketeers I never heard of which is odd is it’s a hobby of mind to keep track of those films, and plays Nimue, The Blood Queen in the rebooted Hellboy.
Born December 17, 1993 — Kiersey Clemons, 26. There’s a Universe in which films exist in which performers actually performed the roles they were hired for. Case in point is her who was Iris West is Justice League but all her scenes were deleted. You can see hose scenes in the extras of course. She has other genre creds including being in the reboot of Flatliners (saw the original but this one), in the live action version of Lady and the Tramp which is at least genre adjacent, and Lucy in Extant, a series produced by Steven Spielberg.
Plants have played key roles in science fiction novels, graphic novels, and film. John Wyndham’s triffids, Algernon Blackwood’s willows, and Han Kang’s sprouting woman are just a few examples. Plants surround us, sustain us, pique our imaginations, and inhabit our metaphors – but in many ways they remain opaque. The scope of their alienation is as broad as their biodiversity. And yet, literary reflections of plant-life are driven, as are many threads of science fictional inquiry, by the concerns of today. Plants in Science Fiction is the first-ever collected volume on plants in science fiction. Its original essays argue that plant-life in SF is transforming our attitudes toward morality, politics, economics, and cultural life at large; questioning and shifting our understandings of institutions, nations, borders, and boundaries; erecting – and dismantling – new visions of utopian and dystopian futures
(11) IN MEALS TO COME. Coincidentally, the journal Science asked young scientists to write an advertisement that
answers this question: “How will food options, food availability, and
individuals’ food choices change in the future?” Their answers were decidedly
SFnal. “Foods of the future” [PDF file.] For example —
Tired of managing your diet? Health Capsule provides non-invasive, cognitive control of your hunger, satiation, and weight. Made possible by deep brain stimulation and neuromodulation technology, this environmentally sustainable capsule will keep you healthy and fit while satisfying all your cravings. Put calculating your calories and carbon footprint behind you!
Send us your DNA, and we will predict your food preferences! Receive your personalized food basket, with a day-by-day diet program. We will send you full meals and personalized smoothies based on your genetic taste predisposition. We know what you love; it’s in your DNA.
Ada Gabriela Blidner
Laboratorio de Inmunopatología,
(12) EMPLOYEE THEFT! From Jimmy
Kimmel Live, “Star Wars Cast on Premiere, Stealing from Set & Gifts
from J.J. Abrams.”
J.J. Abrams, Daisy Ridley, John Boyega, Oscar Isaac, Billy Dee Williams, Anthony Daniels, Kelly Marie Tran, Naomi Ackie & Keri Russell talk about the premiere of Star Wars: The Rise of Skywalker, gifts that J.J. gave them, what they stole from set, and they surprise the audience with IMAX movie tickets.
Followed by —
J.J. Abrams, Daisy Ridley, John Boyega, Oscar Isaac, Billy Dee Williams, Anthony Daniels, Kelly Marie Tran, Naomi Ackie, Keri Russell & Chewbacca from the cast of Star Wars: The Rise of Skywalker play #ForceFamilyFeud!
(13) WINDOW ON TRAVEL INTO CHINA. [Item by
Bill.] Bunnie Huang is a well-known hardware hacker. He goes to China
annually with a group of MIT students to show them where the products they
design will be built, and has written a “how-to” guide for navigating the
Shenzen electronics district. Most of it is specific to the electronics
markets, but there is good information on getting around in China generally –
internet limitations and work-arounds (p. 19), local customs (dress, tipping,
etc.) (p. 20), point-to-translate written material for getting around (p.
67), visas and border crossing (p. 84), etc. With
all the recent discussion about China’s Worldcon bid, it might be a useful introduction.
The Essential Guide to Electronics
in Shenzhen [PDF file].
Israeli archaeologists have discovered the well-preserved remains of a 2,000-year-old factory for making garum, the fabled fish sauce that the Romans took with them on all their journeys of conquest.
The Israel Antiquities Authority came across the small cetaria, or factory for making the prized sauce, while inspecting the site of a planned sports park on the outskirts of the southern city of Ashkelon, Israel’s Kan public broadcaster reports.
The dig was funded by the local authorities, and young people and school children from the Ashkelon area came to help out.
It is one of the very few garum factories found in the eastern Mediterranean, despite the Romans’ long presence in the area and the premium they put on the pungent fermented sauce.
Most surviving examples are to be found in the Iberian Peninsula and southern Italy.
“We have something really unusual here,” Israel Antiquities Authority archaeologist Dr Tali Erickson-Gini told The Times of Israel, as the Romans added garum to almost all their dishes to give them a salty savoury kick.
“It’s said that making garum produced such a stench that cetariae were located some distance from the towns they served, and in this case the factory is about two kilometres from ancient Ashkelon,” Dr Tali Erickson-Gini said, according to Kan.
This is the face of a woman who lived 6,000 years ago in Scandinavia.
Thanks to the tooth marks she left in ancient “chewing gum”, scientists were able to obtain DNA, which they used to decipher her genetic code.
This is the first time an entire ancient human genome has been extracted from anything other than human bone, said the researchers.
She likely had dark skin, dark brown hair and blue eyes.
Dr Hannes Schroeder from the University of Copenhagen said the “chewing gum” – actually tar from a tree – is a very valuable source of ancient DNA, especially for time periods where we have no human remains.
“It is amazing to have gotten a complete ancient human genome from anything other than bone,” he said.
What do we know about her?
The woman’s entire genetic code, or genome, was decoded and used to work out what she might have looked like. She was genetically more closely related to hunter-gatherers from mainland Europe than to those who lived in central Scandinavia at the time, and, like them, had dark skin, dark brown hair and blue eyes.
It’s really happening. A bipartisan budget agreement for 2020 will see the creation of a new branch of the military specifically oriented towards space. The United States Space Force will be the first new service branch in more than 60 years, tasked to ensure America’s freedom to operate in outer space—or take space away from somebody else.
The service will be headed by a Chief of Space Operations, similar to how the U.S. Navy is headed by a Chief of Naval Operations and consist of “the space forces and such assets as may be organic therein.” That’s pretty ambiguous language but probably means most of the Air Force’s space assets, from satellite launching facilities like Vandenberg Air Force Base in California to spacecraft ground control bases like Schriever Air Force Base in Colorado. It’ll also include america’s network of GPS satellites, the X-37B spaceplane, and other military space assets. The Space Force will also likely strip away a smaller number of assets and personnel from the U.S. Army and Navy.
…Six humorous spots from The Martin Agency continue where the originals left off. Pinocchio continues his lying ways in two spots. One finds him pulled over by a cop and his nose grows as he tries to fib his way out of a ticket to no avail. The other finds his lengthening wooden nose becoming a problem as he lies on a first date he booked on a dating app….
You can access the playlist if you click through
this video to YouTube.
[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Cat
Eldridge, Chip Hitchcock, Mike Kennedy, Bill, N., SF Concatenation’s Jonathan Cowie,
and Andrew Porter for some of these stories. Title credit goes to File 770
contributing editor of the day Andrew with an assist from Anna Nimmhaus.]
(1) FAN NONPROFIT CALLS FOR SUPPORT. Con-or-Bust, the organization that helps people of color/non-white people attend SFF conventions, has put out a call for workers to keep it going. Their Twitter thread about what’s needed starts here.
LaValle explains how devices like monsters make it possible to write about how something feels, rather than merely what happened; Percy discusses doppelgängers, and asks whether politically, the call is coming from inside the house.
…As I walked out of the film last night I posted a five word recommendation of this film: “It gets Sarah Connor right.” This actually matters because despite the name of films, the “Terminator” films are about Sarah Connor, and the arc of her life dealing with the terrible fate that life has dealt her: Victim to fighter to avenger. Sarah Connor is realistically (with the context of these films) damaged by this fate of hers; particularly in this film she’s a PTSD wreck. And, well, she would be, wouldn’t she. It’s important that the Terminator films show her this way. It’s for better or worse the grounding the films need to make every other absurd thing that happens in them function on the level of plausibility.
(4) NOT SO BLITHE SPIRIT. In “Like
It or Not, Damon Lindelof Made His Own Watchmen”, Vulture’s Abraham
Reisman gets showrunner Damon Lindelof to answer several ethical questions
about Watchmen, including the morality of how he is making the series
without Allan Moore’s and Dave Gibbons’s permission because the rights were
supposed to revert to them if the comic books were out of print, and they’ve
never gone out of print, and how Robert Redford is “in the series” as
the perpetual president but the actual Robert Redford was neither approached or
asked because he had retired before the series started production.
Does it keep you up at night? Or have you made your peace with it? It wakes me up at night, but much less so now that it’s done. I’m about to say something very ridiculous, but in all sincerity, I was absolutely convinced that there was a magical curse placed upon me by Alan [Moore]. I’m actually feeling the psychological effects of a curse, and I’m okay with it. It’s fair that he has placed a curse on me. The basis for this, my twisted logic, was that I heard that he had placed a curse on Zack [Snyder]’s [Watchmen] movie. There is some fundamental degree of hubris and narcissism in saying he even took the time to curse me. But I became increasingly convinced that it had, in fact, happened. So I was like, “Well, at least I’m completely and totally miserable the entire time.” I should be!
His Dark Materialsis a sweeping fantasy epic, and it deserves a title sequence to match. Fortunately, thanks to HBO and the BBC, it’s got one. Today, BBC released the opening for the upcoming His Dark MaterialsTV show, and it absolutely lives up to the pedigree of the series. If you’re looking for something to build hype, this is it. I’m especially partial to the graphics at the end. Like, wow.
(6) HIS BARK MATERIALS. The previous item also reminded
Daniel Dern of a photo he shot at Arisia 2016 of an “Armored polar bear” from The Golden Compass.
This year marks the 20th anniversary of the National Novel Writing Month project, which challenges people to write a 50,000-word novel in November. NaNoWriMo, as it is known, is a nonprofit that supports creative writing and education. Those who sign up for the group’s free annual event get community support, progress tracking and motivational advice to complete a book draft.
If you think you have a novel in you, here is a quick guide to digital tools to help you along your way.
(And if the thought of cranking out an average of 1,667 words a day in the NaNoWriMo challenge doesn’t fit in with your schedule or you need more prep time — don’t despair. You could write it at your own pace.)
(8) SLADE OBIT. Bernard Slade, who co-created The Flying
Nun and wrote 17 episodes of Bewitched, has died at
the age of 89 reports the New York Times. Outside of genre his
successes were creating the 1970s television series The
Partridge Family, and the Broadway play “Same Time, Next Year.”
(9) TODAY IN HISTORY.
November 3, 1954 — In Japan, Godzilla (Gojira) premiered. This is the very first film in the Godzilla franchise. It was written by Honda, Takeo Murata, and Shigeru Kayama, and was produced by Tomoyuki Tanaka, with special effects by Eiji Tsuburaya. It enjoys a 89% rating at Rotten Tomatoes among viewers and an even more impressive 93% among critics. It made almost nothing on its first run here on the States.
And here is a good place to link to Funny or
Die’s Rambo/Godzilla mashup (released in June).
November 3, 1967 — The Trek episode of “I, Mudd” first aired. Starring Roger C. Carmel as Harry Mudd with Richard Tatro as Norman, Alyce Andrece as Alice #1 through #250, Rhae Andrece as Alice 251 through 500 and, lest we forget, Kay Elliot as Stella Mudd. Written by Stephen Kandel as based on a story by Gene Roddenberry.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born November 3, 1921 — Charles Bronson. He didn’t do he a lot of genre acting but I’ve got him in One Step Beyond as Yank Dawson in “The Last Round” and he’s in The Twilight Zone in “Two” as The Man opposite Elizabeth Montgomery as The Women. He was also in Master of The World which is based on the Verne novels Robur the Conqueror and its sequel Master of the World. (Died 2003.)
Born November 3, 1932 — Monica Vitti, 87. She’s best remembered in the English language movie going world for her performance as the lead agent in Modesty Blaise. It‘s rather loosely based upon the Modesty Blaise strip by Peter O’Donnell, who co-wrote the original story upon which Evan Jones based his screenplay.
Born November 3, 1932 — Jack Harness. Usually I’d give a précis of his fan bio based Fancyclopedia 3 and sources. Oh, this time you really need to go read the Fancyclopedia 3 write-up as the writer has detailed a true character among characters: Jack Harness (Died 2001.)
Born November 3, 1933 — Aneta Corsaut. If you saw The Blob, the original Fifties version, she was Jane Martin. Her only other genre film work was as an uncredited tourist mother in Blazing Saddles. And unless I’m mistaken, she had no other genre series work at all though she was popular in Westerns. (Died 1995.)
Born November 3, 1933 — Jeremy Brett. Still my favorite Holmes of all time. He played him in four Granada TV series from 1984 to 1994 in a total of 41 episodes. One source said he was cast as Bond at one point, but turned the part down, feeling that playing 007 would harm his career. Lazenby was cast instead. (Died 1995.)
Born November 3, 1933 — Ken Berry. He’s making the Birthday Honors for Disney’s The Cat from Outer Space in which he was Dr. Frank Wilson. No, the cat wasn’t Goose. And he played seven different roles on the original Fantasy Island which well may be a record. Oh, he like pretty much everyone else was a guest performer on Rowan & Martin’s Laugh-In. I know it’s not genre, I just find that amusing. (Died 2018.)
Born November 3, 1952 — Eileen Wilks, 67. Her principal genre series is the World of Lupi, a FBI procedural intertwined with shapeshifters, dragons and the multiverse. Highly entertaining, sometimes considered romance novels though I don’t consider them so. The audiobooks are amazing as well!
Born November 3, 1953 — Kate Capshaw, 66. Best known as Willie Scott in Indiana Jones and the Temple of Doom (which I’ll confess I’ve watched but a few times unlike the first film which I’ve watched way too much), and she was in Dreamscape as well. She retired from acting several decades ago.
Born November 3, 1953 — Adam Ant, 66. He actually has a decent genre acting history having been on the Eighties Amazing Stories, in Out of Time (a time travel film), Love Bites (oh guess), Tales from The Crypt, voiced a role on Batman: The Animated Series and Cyber Bandits. Oh and voicing Sri Charge-A-Lot on The Sylvester & Tweety Mysteries!
Born November 3, 1956 — Kevin Murphy, 63. Best known as the voice and puppeteer of Tom Servo for nine years on the Mystery Science Theater 3000. He was also the writer for the show for eleven years. I’m surprised the series was never nominated for a Hugo in the Long Form or Shot Form. Does it not qualify?
Born November 3, 1963 — Brian Henson, 55. Can we all agree that The Happytime Murders should never have been done? Thought so. Wash it out of your consciousness with Muppet Treasure Island or perhaps The Muppet Christmas Carol. If you want something darker, he was a puppeteer on The Witches, and the chief puppeteer on Teenage Mutant Ninja Turtles. And he voices Hoggle in Labyrinth.
In my latest novel, Synapse, I refer to slates, which are basically the tablets of the future. Who knows what phones thirty years from now or even five years from now will be able to do? Don’t make the smartphones of the future too dumb. If you can imagine it, there’s probably some software engineer somewhere out there who’s thought of the same thing.
So, when it comes to technology don’t try to get so specific that the technology will be outdated by the time the book comes out.
Here’s a prime example: years ago when I was writing my book The Rook, I thought it would be cool if someone could look up a song online just by humming it and search using sound-based search algorithms rather than just text-based ones. Cutting-edge, right? Well, as I was writing the manuscript, that technology was released. If I’d included it in my book as something new or innovative, readers would have shaken their heads: “They’ve been able to do that forever.” It’s important to keep an eye on current trends and technological breakthroughs.
What is Meow Wolf? An art collective founded in Santa Fe, N.M., whose name came from words picked out of a hat, and which puts on immersive exhibitions that tantalize audiences with vivid visuals and storytelling that is magical, mysterious, or just downright weird. Their latest exhibit, called “The House of Eternal Return,” is contained in a former bowling alley purchased by one of the group’s benefactors, “Game of Thrones” author George R.R. Martin. Conor Knighton reports.
The news drop came after several days of teasing and a pair of cryptic tweets posted to the official Twitter account for Spider-Man: Into the Spider-Verse. On October 27, the account posted a GIF of a genetically modified spider silk-gliding down to the streets of New York and creepy-crawling toward the camera — a moment fans will remember from the aesthetically striking film. The post was accompanied by an emoji of a pair of eyes, often used to indicate that secrecy, sneaky behavior, or some kind of deceitful act is taking place. Then, on October 31, the Into the Spider-Verse Twitter page shared a hype-boosting warning: “Something’s up. Our Spidey sense is tingling. RT if yours is, too.”
(16) VIDEO OF THE DAY. In “How To Power Your House, With xkcd’s
Randall Munroe” on YouTube, Randall Munroe offers all sorts of options for
powering your house using the amount of space in a typical front yard.
[Thanks to Andrew Porter, Mike Kennedy, John King Tarpinian,
Martin Morse Wooster, JJ, Chip Hitchcock, Darrah Chavey, Daniel Dern, and Cat Eldridge
for some of these stories. Title credit goes to File 770 contributing editor of
the day Patrick Morris Miller.]
…Most dragons don’t know how to read. They hiss and fume and guard their hoard. A tasty knight is what they need For dinner (they spit out the sword), Then go to sleep on heaps of treasure. They’ve no use for the written word….
(2) CLOUDY, WITH A CHANCE OF GENRE. Last night on Saturday
Night Live there were three sketches with fantasy in them:
Spooky Song is about a ghost who really doesn’t want to explain the tasteless way in which he died.
Dance Rehearsal asks, “What happens if you’re taking a dance class and your instructor is a werewolf?”
(3) ‘BOT AND SOULED. The LA Review of Books’ Patrick
House considers the writing of robots in “I, Language Robot”.
I was hired to write short fiction at OpenAI, a San Francisco–based artificial intelligence research lab. I would be working alongside an internal version of the so-called ‘language bot’ that produces style-matched prose to any written prompt it’s fed. The loss that I feared was not that the robot would be good at writing — it is, it will be — nor that I would be comparatively less so, but rather that the metabolites of language, which give rise to the incomparable joys of fiction, story, and thought, could be reduced to something merely computable.
…The model of growth that seems to lie behind that attitude—the idea that such critics have of what it’s like to grow up—must be a linear one; they must think that we grow up by moving along a sort of timeline, like a monkey climbing a stick. It makes more sense to me to think of the movement from childhood to adulthood not as a movement along but as a movement outwards, to include more things. C. S. Lewis, who when he wasn’t writing novels had some very sensible things to say about books and reading, made the same point when he said in his essay “On Three Ways of Writing for Children”: “I now like hock, which I am sure I should not have liked as a child. But I still like lemon-squash. I call this growth or development because I have been enriched: where I formerly had only one pleasure, I now have two.”
But the guards on the border won’t have any of that. They are very fierce and stern. They strut up and down with a fine contempt, curling their lips and consulting their clipboards and snapping out orders. They’ve got a lot to do, because at the moment this is an area of great international tension. These days a lot of adults are talking about children’s books. Sometimes they do so in order to deplore the fact that so many other adults are reading them, and are obviously becoming infantilized, because of course children’s books—I quote from a recent article in TheIndependent—“cannot hope to come close to truths about moral, sexual, social or political” matters. Whereas in even the “flimsiest of science fiction or the nastiest of horror stories . . . there is an understanding of complex human psychologies,” “there is no such psychological understanding in children’s novels,” and furthermore “there are nice clean white lines painted between the good guys and the evil ones” (wrote Jonathan Myerson in TheIndependent, 14 November 2001).
(5) GOALS AND PURPOSES. Robert J. Sawyer draws the title of
his article in the July edition of Galaxy’s Edge,“What
SFWA Was Supposed to Be”, from the contrast he perceives between founder
Damon Knight’s stated purpose for the organization and the SFWA mission
statement of 2018.
…Of course, times change; of course, publishing is different now than it was then. But in the thirty-six years I’ve been a member of SFWA, I’ve seen—and, indeed, foreseen—all the changes that people are talking about now and more (I was writing in 1998 as SFWA president about “the post-publisher economy”).
For instance, it used to be that giant print runs were required to get economical per-copy pricing; that’s no longer true. It used to be there were many thousands of bookstore accounts for publishers to service in North America; sadly, that’s no longer true. It used to be that audiobooks were only made in eviscerated abridgments and only of the biggest print sellers; wonderfully, that’s no longer true. And it used to be that the only effective way to publish a book was on paper. That’s no longer true, either (and I’ve got a bunch of my own older titles out in self-published e-book editions).
Whatever you might think of these changes, every single one of them came with enormous cost savings for publishers, but no portion of that was ever passed on to the authors. I remember at one convention this decade hearing the late David G. Hartwell brag that Tor, the publisher he worked for, had just had its best year ever, while one of his authors—with Hugos galore—confided to me that he didn’t know how he was going to heat his house that coming winter.
Among the most egregious things that have happened during my career: literary agents going from ten-percent commissions to a fifteen percent; publishers locking in a 3:1 split of e-book royalties—three dollars for them to every one for the writer; and publishers using print-on-demand and the mere notional existence of an e-book edition to keep from reverting rights to authors for titles the publisher is no longer promoting or selling in any meaningful quantity. SFWA rolled over on every one of these.
But never let it be said that SFWA is without achievements. They recently—and I’m not making this up—produced an official SFWA secret decoder ring. I didn’t pony up to get one; I doubt Damon Knight would have wanted such a thing, either.
(6) CHAPMAN OBIT. Scholar and regular attendee of the
International Conference on the Fantastic Arts Edgar Chapman (1936-2019), a Professor Emeritus in the English
Department at Bradley University, died
October 11 at the age of 83. He
authored numerous articles and books including The Magic Labyrinth of Philip
Jose Farmer (1984) and The Road to Castle Mount: The Science Fiction of
Robert Silverberg (1999). He also co-edited Classic and Iconoclastic Alternate
History Science Fiction (2003).
(7) TRIVIAL TRIVIA.
Don’t tell Harlan but Ray Bradbury gets credit for Terminator
first. Ray was on the Oscar nominating committee for documentaries, in
1977. The next screening for the committee was listed as a muscle
building movie, Pumping Iron. Without even screening it the
committee basically said NEXT. Ray spoke up and said they had to screen
it because his brother, Skip, was a body builder and worked out on Venice’s Muscle
Beach. After watching the documentary it was nominated. Making the
career for Arnold Schwarzenegger. Heck, we got Lou Ferrigno as the Hulk,
too. [Source: John King Tarpinian.]
(8) TODAY IN HISTORY.
October 27, 1967 — Star Trek’s “Catspaw” was first aired. Written by Robert Bloch who said it was based on his 1957 story, “Broomstick Ride” published in Super Science Fiction. It was their Halloween episode.
[Compiled by Cat Eldridge.]
Born October 27, 1922 — Ruby Dee. Her first genre role is in Cat People. No name there but she has the wonderful name of Mother Abagail Freemantle in The Stand series. (Died 2014.)
Born October 27, 1937 — Steve Sandor. He made his first genre appearance on Trek playing Lars in the second season episode “The Gamesters of Triskelion”. He also did one-offs on Knight Rider, Fantasy Island and The Six-Million Dollar Man. He did a choice bit of horror in The Ninth Configuration. (Died 2017.)
Born October 27, 1938 — Lara Parker, 80. Best known for her role as Angelique on Dark Shadows which aired from 1966 to 1971. She also played Laura Banner in The Incredible Hulk pilot, and Madelaine in the Kolchak: The Night Stalker “The Trevi Collection” episode. And she was on Galactica 1980 in “The Night The Cylons Landed” two-parter.
Born October 27, 1939 — John Cleese, 80. Monty Python of course, but also Time Bandits, Mary Shelley’s Frankenstein, two Bond films as Q and even two Harry Potter films as Nearly Headless Nick. He’s definitely deep into genre film roles. And let’s not forget he shows up as an art lover on the “City of Death” story, a Fourth Doctor story.
Born October 27, 1948 — Bernie Wrightson. Artist with who with writer Len Wein, he’s known for co-creating Swamp Thing. He did a lot of illustrations from Cemetery Dance magazine to Stephen King graphic novels to DC and Marvel comic. Ell me what you liked about his work. (Died 2017.)
Born October 27, 1953 — Robert Picardo, 66. He debuted in genre as Eddie Quist, the serial killer werewolf in The Howling. He’d be in Dante’s Explorers, Looney Tunes: Back in Action, Gremlins 2: The New Batch, Small Soldiers and Innerspace. And then of course he played the role of the Emergency Medical Hologram (EMH) on Voyager. And even managed to show on on Stargate SG-1. Busy performer!
Born October 27, 1963 — Deborah Moore, 56. English actress and the daughter of actor Roger Moore and Italian actress Luisa Mattioli. She’s an Air Hostess in Die Another Day, a Pierce Brosnan Bond film. And she was a secretary in Goldeneye: The Secret Life of Ian Fleming. Her very first role was as Princess Sheela in Warriors of the Apocalypse.
Born October 27, 1970 — Jonathan Stroud, 49. His djinn-centered Bartimaeus series is most excellent. Though considered children’s novels, I think anyone would enjoy them. I’ve also read the first two in his Lockwood & Co. series as well — very well done.
Shoe finds out why a character is not a Tolkien fan.
How To Cat hears Zarathustra speaking, if you know what I mean.
Takashi Miike’s 1999 horror movie “Audition” is often cited as one of the most disturbing films ever made. Ryo Ishibashi stars as a widow named Shigeharu Aoyama who stages auditions for men in hopes of meeting a new husband or life partner. Aoyama falls for Asami (Eihi Shiina), but her dark past has unexpected and brutal consequences. Tarantino called the movie one of his favorites since he’s been a director, referring to it as a “true masterpiece” in a 2009 interview.
Once Upon a Time In Hollywood, a.k.a. “the 9th film from Quentin Tarantino,” made quite the splash upon release when it hit theaters this past summer. It had all of Tarantino’s signature trademarks — a couple of cranky male leads, excessive violence, and a rockin’ retro soundtrack. And it’s left QT fans salivating for whatever his 10th (and possibly final?) movie will be. Rumors abound that it could in fact be a Star Trek film. Leading many fans to ponder just what the heck a “Pulp Fiction-esque Star Trek” movie would even look like.
Well, one fan has combined the well known Quentin Tarantino sensibilities and aesthetics with some old school StarTrek footage, and the result is “Once Upon a Time in Star Trek.”
…Bradbury’s novel “The Halloween Tree” tells the story of a group of trick-or-treaters who learn about the origins of Halloween while on an adventure to find their missing friend. Bradbury dreamed of having a Halloween Tree at Disneyland park, and on the 35th anniversary of the novel, his dream was brought to life.
“I belong here in Disneyland, ever since I came here 50 years ago. I’m glad I’m going to be a permanent part of the spirit of Halloween at Disneyland,” the author said at the tree’s dedication. Bradbury would visit the tree before he passed away in 2012.
Today, the Halloween Tree delights guests of all ages and honors Bradbury’s many contributions to Disney. A plaque at the base of the tree commemorates the night of its dedication: “On the night of Halloween 2007, this stately oak officially became ‘The Halloween Tree,’ realizing famed author Ray Bradbury’s dream of having his symbol for the holiday become a part of Disneyland.”
Showrunner Damon Lindelof was planning to give the “Watchmen” story quite a twist — so he told King to use her unfamiliarity to her advantage. It’s a different approach compared with many actors who land superhero roles and are immediately handed a stack of comics.
“He didn’t want me to confuse how he saw this world,” said King, who worked with Lindelof on HBO’s “The Leftovers.” “He was right.”
“Because I did watch the film after [filming the pilot], and I would have been confused,” she added. “They stand on their own. They don’t even feel related to me in any way. Which I think is a great thing. I think that’s the beauty of Damon making the choice of using the [comics] as canon instead of trying to duplicate, from my understanding, something that was already great.”
One of the more expensive offerings Hasbro had for this year’s Triple Force Friday extravaganza was the latest helmet in its Star Wars: The Black Series line of “roleplay” items. Joining a line that already had everything from Darth Vader’s helmet to more Stormtrooper variants than you can shake an Incinerator Trooper at, the Luke Skywalker X-Wing Battle Simulation Helmet is a 1:1 replica of the same helmet worn by everyone’s favorite Rebel-turned-Jedi-turned-Milk-Swigging-Curmudgeon in both A New Hope and The Empire Strikes Back.
Packed with lights and sounds to replicate Luke’s experiences at the battles of Yavin and Hoth, the main draw is it’s…well, a Star Wars helmet you can put on your head.
1. There’s a reason slow-moving zombies are terrifying.
When Romero was making his pioneering zombie favorites, the walking dead only moved at a slow and steady pace. But by the time that Wright, Pegg and Frost were making Shaun, zombies had acquired frightening busts of speed in films like 28 Days Later and Zack Snyder’s Dawn of the Dead remake. Previously a zombie originalist, Pegg now says that’s he’s come around on their lightning-quick descendants. “I’m not the purist I used to be — I’ve seen fast-zombie things that I’ve enjoyed,” the actor says, pointing to the 2016 South Korean cult favorite Train to Busan. But there was never a world in which Shaun would have made the switch, and not just because they were trying to remain true to Romero’s vision. Pegg argues that quicker creatures would have undermined the dramatic metaphor of a person — and entire society — caught in the grip of stagnation, which runs beneath the movie’s comedy. “There’s something incredibly creepy about the shambling dead. They’re more of an effective metaphor for death when they just sort of come slowly. That’s what death is — death doesn’t always just run at you.”
[Thanks to Martin Morse Wooster, Chip Hitchcock, JJ, Michael
Toman, Cat Eldridge, John King Tarpinian, Mike Kennedy, Lenore Jean Jones, and
Andrew Porter for some of these stories. Title credit goes to File 770
contributing editor of the day Xtifr.]
The update of these MS-DOS games comes from a project called eXoDOS, which has expanded over the years in the realm of collecting DOS games for easy playability on modern systems to tracking down and capturing, as best as can be done, the full context of DOS games – from the earliest simple games in the first couple years of the IBM PC to recently created independent productions that still work in the MS-DOS environment.
What makes the collection more than just a pile of old, now-playable games, is how it has to take head-on the problems of software preservation and history. Having an old executable and a scanned copy of the manual represents only the first few steps. DOS has remained consistent in some ways over the last (nearly) 40 years, but a lot has changed under the hood and programs were sometimes only written to work on very specific hardware and a very specific setup. They were released, sold some amount of copies, and then disappeared off the shelves, if not everyone’s memories.
It is all these extra steps, under the hood, of acquisition and configuration, that represents the hardest work by the eXoDOS project, and I recognize that long-time and Herculean effort. As a result, the eXoDOS project has over 7,000 titles they’ve made work dependably and consistently.
(2) THE WORD. Courtesy of ScienceFiction.com we learn that the Oxford English Dictionary’s “New Words List for October 2019” has loaded up on Star Wars terms. There are also a lot of additions you’d think would have gone into the OED years ago. Here are some of the October selections:
Jedi, n.: In the fictional universe of the Star Wars films: a member of an order of heroic, skilled warrior monks who are able to harness the mystical power of…
kapow, int.: Representing the sound of an explosion, a gunshot, a hard punch or blow, etc. Also in extended use, conveying the suddenness or powerful effect of an…
lightsabre, n.: In the fictional universe of the Star Wars films: a weapon resembling a sword, but having a destructive beam of light in place of a blade. Also: a…
Padawan, n.: In the fictional universe of the Star Wars films: an apprentice Jedi (see Jedi n.). Also (often humorously) in extended and allusive use: a youthful…
force, n.1 sense Additions: With the and chiefly with capital initial. In the fictional universe of the Star Wars films: a mystical universal energy field which certain…
They, pron. sense 2c: Used with reference to a person whose sense of personal identity does not correspond to conventional sex and gender distinctions, and who has typically asked to be referred to as they (rather than as he or she).
(3) ANTHOLOGY CROWDFUNDING. A
Kickstarter appeal to raise $8,300 to fund publication of Vital:
The Future of Healthcare launched October 15. The
anthology, a collection of short stories featuring the future of health and
medicine, will include works from notable authors such as David Brin, James
Patrick Kelly, Paolo Bacigalupi, Seanan McGuire, Annalee Newitz, Caroline
Yoachim, Alex Shvartsman, Eric Schwitzgebel, Congyun Gu, and others. Backers
will receive exclusive rewards such as advanced copies and other perks for
early support of the project. The campaign will last until November 14, 2019.
The idea for “Vital: The Future of Healthcare” was first conceived by RM Ambrose who will serve as editor of the book. He saw a need and opportunity to use fictional stories to address real life challenges. “Medical science continues to advance, but for many, healthcare has never been more broken,” says Ambrose. “This book will use the power of storytelling to explore and inspire solutions to the problems that government and even the tech industry have struggled to fix.”
Other writers are in discussion to be part of the project, with the goal of securing support from about 10 additional authors.
Once published, all proceeds from the sale of Vital
will be donated to Loma Linda University Health, a global leader in education,
research and clinical care.
Book editor RM Ambrose is Assistant Fiction Editor at
the Hugo Award winning “StarShipSofa” podcast. He attended Taos
Toolbox in 2017 and is an Affiliate Member of Science Fiction and Fantasy
Writers of America (SFWA).
(4) THUMB OUT. Behind a paywall, Financial
Times book columnist Nilanjana Roy’s piece
in the October 5 Financial Times is about the 40th anniversary of The
Hitchhiker’s Guide To The Galaxy.
He (Adams) was as much a futurologist, a wizard of predictions, as he was a writer. In the late 1970s, he dreamed up an ‘Electronic Thumb”–a device that looked like a large electronic calculator on which you could summon up a million ‘pages’–and perhaps my favourite robot of all time, Marvin the depressive Paranoid Android.
The first online translation service, Altavista’a 1995 Babelfish, was named after the fictional fish that translates languages in Hitchhiker when Arthur Dent sticks it in his ear. Deep Thought, the computer developed in the 1990s to play chess, was named in homage to Adams’s computer, which takes seven and a half million years to answer the question, ‘What is the meaning of life?’ (Forty-two, as every Hitchhiker fan knows.)
STORY. Tim Goodman says people who have never read the graphic novel before
may get lost: “‘Watchmen’:
TV Review” at The Hollywood Reporter.
It’s difficult to fully describe the visual and storytelling audacity behind HBO’s Watchmen, a series that warps perception in keenly original ways. It’s based on the late-1980s cult comic books of the same name (co-created by Alan Moore and Dave Gibbons), then given a wholly different spin by Damon Lindelof (Lost, The Leftovers), a superfan of the source material but a wildly creative force of his own. This latest version (there was also a Zack Snyder movie in 2009) is simultaneously unique — it will certainly bring in fans of Lindelof’s work and HBO’s pedigree — and true to the spirit of the comics.
The challenge that Lindelof and HBO face is a pretty simple one: Watchmen will be utterly confusing without at least some passing knowledge of the origin story. This is a tale that begs for context, no matter how compelling and wonderfully baroque Lindelof’s telling is. So, yes, if you know nothing about Watchmen other than HBO’s tantalizing trailers (and a standout cast that includes Regina King, Tim Blake Nelson, Don Johnson, Jean Smart, Jeremy Irons and others), you’d be well-served, at the very least, by reading the Wikipedia backstory. (Lindelof himself has said that if the series has new fans scrambling to discover the original work, that will be reward enough.)
(6) A THRONE OF METAL, AT LEAST. Actress Maisie Williams graces the latest cover of Metal.
The director shared the Hammer Museum stage with honoree Judy Chicago, presenters Gloria Steinem and Roxane Gay and performers Beck and Chris Martin at the record-setting Gala in the Garden fundraiser….
[Jordan Peele] He also dished out some of his early inspirations from the silver screen — with a nod to Martin Scorsese’s recent controversial statements about what qualifies as “cinema.”
“I can buy the premise for a second that this is a deserved thing, after all I spent so many hours growing up watching great cinema and absorbing art house classics of the 20th century like Ghostbusters 2, Gremlins 2, and Chud 2, all the twos,” he joked. “That’s my pathway of this great thing that Martin Scorsese calls cinema.”
He then got serious by expanding on his creative motivations.
“My passion is to entertain. I dream less about making a commentary about society than I do about getting a laugh or getting a scream or scaring anybody. Any audible noise that an audience can make, that’s my passion,” he explained. “Apparently to either get at something important or to just simply make people laugh, it involves a search of the same thing and that’s truth.”
Peele said that as he grew up, his perspective on life became “a little cynical,” and he found new truth in the exploration of what he refers to as “the human demon.”
“This is the idea that no matter what there is, whatever you do, there is an evil embedded into our DNA. It crystallizes when we get together. It’s in our tribalism, our nationalism, and our capitalism, our mob mentality, our obsession with categorization. We’re so good at masking our own evil from ourselves and so my obsession evolved to pulling down this mask,” he continued. “I figured why not try to reveal the truth in my language. Do it as entertaining as I could. I found early on that this would require a certain amount of vulnerability. if I was going to tap into fears that would resonate with others, I would need to explore and understand my own fears and my own faults.”
Laura Sirikul was on a mission. To the rest of the world, it was just October 4, but to movie fans like her, it was a galactic holiday—Triple Force Friday, when toys and merchandise from three upcoming Star Wars projects finally went on sale.
Sirikul ventured to big-box retailers around Pasadena, California, in search of items featuring her favorite character: Rose Tico, the quick-witted engineer played by Kelly Marie Tran. After hitting Target, Walmart, Hot Topic, and the Disney Store, Sirikul found herself asking a question that has since become a hashtag on social media: #WheresRose?
At the end of September, preview videos hyping the new merchandise showed a white T-shirt using the word “Rebel” as a backdrop for the character as she struck a heroic pose. “That ‘Rebel’ shirt was at the Disney Store, but she wasn’t on it,” Sirikul told Vanity Fair. “There was no Rose Tico at the mall.”
(9) TODAY IN HISTORY.
October 15, 1951 — I Love Lucy made its television debut on CBS. Not genre in any sense at all but still worth noting. Desi appeared in a short called “The Fountain of Youth” which is genre. Although Lucy didn’t do any genre, their series was the foundation for Desilu Productions which eventually brought Star Trek to TV.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 15, 1911 — James H. Schmitz. Writer of short fiction of a space opera setting, sold primarily to Galaxy Science Fiction and Astounding Science-Fiction. Sources laud him for his intelligent female characters. His collections are available on iBooks or Kindle. (Died 1981.)
Born October 15, 1919 — E.C. Tubb. A writer of at least 140 novels and 230 short stories and novellas, he’s best known for the Dumarest Saga. His other long running series was the Cap Kennedy stories. And his short story “Little Girl Lost” which was originally published in New Worlds magazine became a story on Night Gallery. (Died 2010.)
Born October 15, 1924 — Mark Lenard. Sarek, father of Spock, in Trek franchise. Surprisingly he also played a Klingon in Star Trek The Motion Picture, and a Romulan in an episode of Star Trek. He also had one-offs on Mission Impossible, Wild Wild West, Otherworld and Planet of The Apes. (Died 1996.)
Born October 15, 1926 — Ed McBain. Huh, I never knew he ventured beyond his mystery novels but he published approximately 24 genre stories and 6 SF novels between 1951 and 1971 under the names S. A. Lombino, Evan Hunter, Richard Marsten, D. A. Addams, and Ted Taine. ISFDB has a list and I can’t say I know any of them. Any of y’all read them? (Died 2005.)
Born October 15, 1932 — Virginia Leith, 87. The head in The Brain That Wouldn’t Die. Really. Truly.
Born October 15, 1947 — Lynn Lowry, 72. She is perhaps best known for her work in such horror films as George A. Romero’s The Crazies, David Cronenberg’s Shivers, Paul Schrader’s Cat People and David E. Durston I Drink Your Blood. Some of these are truly in bad taste.
Born October 15, 1955 — Tanya Roberts, 64. Stacey Sutton in A View to Kill. Quite the opposite of her role as Kiri in The Beastmaster. And let’s forget in the title role of Sheena: Queen of the Jungle.
Born October 15, 1969 — Dominic West, 50. Jigsaw in the dreadful Punisher film, Punisher: War Zone. His first SFF role was as Lysander in A Midsummer Night’s Dream which is the same year he shows up as Jerus Jannick in The Phantom Menace, and he was Sab Than on John Carter. His latest SFF role was as Lord Richard Croft in the Tomb Raider reboot.
(11) COMICS SECTION.
Off the Mark shows that this Halloween, if you won’t go to Mount TBR, your Mount TBR might come to you.
It could almost be a scene from a slapstick comedy: a marmot stands frozen in fear, slack-jawed and balanced on one foot, as it suddenly notices a charging fox.
The dramatic image, captured with perfect timing by Chinese photographer Yongqing Bao, has won the prestigious Wildlife Photographer of the Year award, given out annually by London’s Natural History Museum.
Some months ago, I had dinner in New York with an old friend, one of the most senior figures in the American mystery community. We tend to differ on almost every subject under the sun, food and wine apart, but it is possible to disagree without being disagreeable, and I like to think that we have both mastered that art, for the most part.
Toward the end of the evening, my friend suggested that I had made two errors in my career. One was the decision not to write exclusively in the mystery genre, but to explore other areas of writing. This, he felt, had damaged me commercially—although, as I pointed out to him, it had benefited me creatively. My second error, he believed, was to have mixed the mystery genre with the supernatural. Whatever its benefits or disadvantages to me, either commercially or creatively, he believed that this simply should not have been done. For him, the supernatural had no place in the mystery novel, and there are many in mystery community who share his opinion.
Ahead of the eight-part dramatisation of the first of Philip Pullman’s best-selling His Dark Materials novels, the BBC’s Sian Lloyd describes her sneak-preview behind-the-scenes set visit earlier this year.
Huddled around braziers filled with warm coals or sitting with blankets wrapped over shoulders, close to a hundred shivering extras are trying to keep the cold at bay.
They are the Gyptians, the nomadic closely-knit boat-dwelling tribe at the centre of Pullman’s trilogy, who are about to get some disturbing news.
In the real world, we’re on the site of a former ironworks in Blaenavon in the south Wales valleys. There’s snow on the ground, and temperatures are still plummeting.
Cast members and crew have gathered for the opening scenes from the series, which covers the events of the novel Northern Lights, and which receives its premiere in London on Tuesday.
A Long time ago, in a library far away, (well, Swindon, actually), a shy schoolboy who loved books but was a slow reader, borrowed three science fiction books per week. He didn’t read them. Instead, mesmerised by the covers, he imagined his own stories to match the cover paintings which he stared at intently for hours.
Invited to tell his classmates about the books he’d read, neither they nor the teachers spotted the invention. Few, if any, teachers read sci-fi and even though the early 1960s may have been a peak point for the excitement surrounding mankind’s initial steps beyond the Earth, teachers would sooner bore any potential interest in books out of children with Charles Dickens rather than risk capturing their imagination with Philip K Dick.
Decades passed. The moon was reached and then, it seemed, forgotten. The faraway galaxies became the stuff of mainstream cinema and TV. Books celebrating the work and art of an earlier generation of sci-fi writers and illustrators appeared. The boy in the library of the early 1960s, now a man in a comic book/graphic novel shop at the end of the first decade of a new millennium, discovered a book about Richard M. Powers and became a time traveller, transported back to the smell of the paper, the plastic protective library book coverings and the universe laid out, jigsaw like, on his bed. Richard M. Powers had been the principal artist, illustrator among illustrators and guide to unleashing Andy Partridge’s imagination among the stars and galaxies.
Andy’s response was to record a sort of soundtrack to the paintings which had been so inspirational to him. The resulting album conjures, via 12 enigmatic pieces – akin to a virtual Musique concrete (with the computer/editing process replacing the more cumbersome scissors/tape method) – a musical accompaniment to the variety of alien landscapes which Powers illustrated so profusely….
(18) LITTLE KNOWN STUFF. “William
Shatner beams in with hit TV show at 88” on AFP says that Shatner’s paranormal mysteries show The
UnXplained has been picked up for a second season on the History Channel
and that Shatner’s secret for being productive at 88 is to “keep taking on
Shatner beamed into Cannes in southern France on Tuesday to beat the drum for the series — which tries to explain some of the mysteries of the world around us — at MIPCOM, the world’s biggest entertainment market.
“A friend of mine once received a call from someone who had passed away,” he said. Finding answers to such strange phenomena “was what this show is all about”, he told reporters.
[Thanks to John King Tarpinian, JJ, Chip Hitchcock, Cat Eldridge,
Mike Kennedy, Martin Morse Wooster, Michael Toman, and Andrew Porter for some of
these stories. Title credit goes to File 770 contributing editor of the day Xtifr.]