Pixel Scroll 3/30/23 Yes! We Have No Pixels, We Have No Pixels Today

(1) NEW FUTURE TENSE FICTION PODCAST. The first episode of the Future Tense Fiction podcast series dropped this week. Produced by Slate, it’s hosted by science journalist Maddie Stone, and each episode features a voice actor reading one of the Future Tense stories, followed by a conversation with the author about how their own experiences with technology informed their writing and vision. The first episode features Sturgeon Award–winning story “When Robot and Crow saved East St. Louis,” by Annalee Newitz. The podcast is free and is available through any podcast service that people use (including but not limited to Apple Podcasts, Spotify, Stitcher, and Radio Public).

(2) THE BIG EUROVISION READ. Catherynne M. Valente ecstatically told Facebook followers:

Decibel Jones and the Absolute Zeroes have finally made it to the blue carpet. WHAT.

I could not possibly be more excited to announce that Space Opera, the literary lovechild of @Eurovision & a drunk thesaurus, is officially part of the #BigEurovisionRead and #Eurofestival, sponsored by @bbcarts and @thereadingagency this year!

From a throwaway joke on Twitter to really being part of actual #Eurovision? Oh. My. God.

It truly isn’t possible to express how thrilling it is for an utterly cringe #Eurovision dork like me to be anywhere near the actual event, let alone a small official part of it. I am so honored, so grateful, and I hope Dess and the gang find a whole new galaxy of friends.

Space Opera has been such a ride, and the sequel is out this fall! Thank you so much to all the librarians that chose this book and everyone who has jumped on Mr. Jones’ Wild Ride over the last five years.

Life is beautiful and life is stupid. Truly.

(3) STARFLEET ACADEMY. “’Star Trek: Starfleet Academy’ Series Ordered at Paramount+” and Variety has details.

 “Admission is now open to Starfleet Academy! Explore the galaxy! Captain your destiny! For the first time in over a century, our campus will be re-opened to admit individuals a minimum of 16 Earth years (or species equivalent) who dream of exceeding their physical, mental and spiritual limits, who value friendship, camaraderie, honor and devotion to a cause greater than themselves,” Kurtzman and Landau said. “The coursework will be rigorous, the instructors among the brightest lights in their respective fields, and those accepted will live and study side-by-side with the most diverse population of students ever admitted. Today we encourage all who share our dreams, goals and values to join a new generation of visionary cadets as they take their first steps toward creating a bright future for us all. Apply today! Ex Astris, Scientia!”

The official logline for the series states that it “will introduce us to a young group of cadets who come together to pursue a common dream of hope and optimism. Under the watchful and demanding eyes of their instructors, they will discover what it takes to become Starfleet officers as they navigate blossoming friendships, explosive rivalries, first loves and a new enemy that threatens both the Academy and the Federation itself.”

… Production on “Star Trek: Starfleet Academy” will begin in 2024….

(4) GOODNIGHT MOON. Here’s a strange exercise: “Every Page of Goodnight Moon, Ranked” at McSweeney’s Internet Tendency. This page is ranked next to last – and the commentary is one reason I’m not sure this article succeeds at being funny.

21. And goodnight mouse (Page 16)
Separated from the toy house on page 3, we see this mouse for what it really is: a thinly constructed, two-dimensional character. What had once seemed whimsical now appears in stark reality: a mouse running around a child’s bedroom, the treatment of which should neither be celebrated nor encouraged.

(5) MIKE MIGNOLA’S VISION. On exhibit at the Society of Illustrators through July 8 is “Picturing Pinocchio: Mignola Makes a Marionette”.

Deep in the midst of pandemic lockdowns, a plan was hatched: a new illuminated edition of Carlo Collodi’s Pinocchio, engineered to unDisnify one of the strangest, most startling pieces of fiction ever to be beloved by generations of children worldwide.

The seed was planted by cartoonist and author Mike Mignola (Hellboy), who had been pondering his own take on the puppet for decades. With the world closed up due to COVID, he teamed up with idiosyncratic publisher Beehive Books and holed up in his studio to create a portfolio of over fifty original illustrations re-envisioning Collodi’s tale. When author Lemony Snicket (A Series of Unfortunate Events) got wind of the project, he couldn’t resist joining, offering elaborate hand-typed annotations of his own maddening encounter with this singular text.

Pinocchio, though one of the most popular literary works of all time, is somewhat paradoxically ill-remembered. Collodi originally published the story as serialized installments in a children’s magazine. The original series ended with Pinocchio hung from a tree, dead by the hands of assassins, and was continued only because of an outcry from readers who couldn’t stand to see such a beloved character reach such a dismal end.  This is the true nature of Collodi’s tale — who better than Mike Mignola to illustrate the unremitting darkness and strange whimsy that characterized this bizarre children’s classic?

This exhibition will feature his full portfolio of yet-to-be-published Pinocchio illustrations, including drawings, paintings, process work and other ephemera of Mignola’s pandemic Pinocchio project. The Land of Toys, the City of Catchfools, the Blue Fairy, Fire Eater, the feline Assassins – as seen through the eyes of a modern master of illustration and storytelling.

(6) SMALL WONDERS KICKSTARTER FUNDS. Stephen Granade reports that the “Small Wonders Magazine: Year One” Kickstarter has funded! As a result, he says, all of their Issue 0 stories and poems, including Beth Cato’s “She Seeks a Home” and Premee Mohamed’s “From the Journal of Sawyer L. Gibbs, Hero, Aged 13 1/2”  are available on the Small Wonders website. They will be opening for story and poem submissions on April 1, no joke.

(7) JOE GIELLA (1928-2023). Comics artist Joe Giella died March 21 at the age of 94 reports Heritage Auctions.

Joe Giella is best known for his work at DC in the 1950s and 60s as an inker. But his career spanned 60 years! He studied art at three different schools before his first gig at age 17 in 1946 where he did “Captain Codfish” for Hillman. After some free-lance at Fawcett, former classmate Mike Sekowsky helped him land a job at Timely as an inker. He met Frank Giacoia there and went with Frank when he took a job at DC in 1949. Over the next two decades, at one time or another, Joe inked nearly every feature that Julius Schwartz edited. 

By 1970, Joe had started working with the syndicates and drew or inked Batman, Flash Gordon, the Phantom, while still doing occasional work for DC. In 1991, he took over the Mary Worth strip, where he continued to work until his retirement in 2016. Joe passed away at age 94 on March 21, 2023.

(8) MEMORY LANE.

1972[Compiled by Cat Eldridge.]

Clifford Simak’s A Choice of Gods was published fifty-one years ago by G.P. Putnam & Sons with a simultaneous edition done by SFBC. The superb cover art was by Michael Hinge. 

Sixty years ago at Torcon II, it would be nominated for Best Novel though Isaac Asimov’s The Gods Themselves would take home the Hugo that year.

Without being explicit, I will say that I think it shares some similarity in themes to City

I think A Choice of Gods has one of the finest Beginnings that I’ve ever had the pleasure to read, so without further commentary on my part, here it is…

Aug. 1, 2185: So we begin again. Actually, we began again fifty years ago, but did not know it then. There was hope, for a time, that there were more people left and that we could pick up where we had left off. We thought, somehow, that we could hang onto what we had, once the shock was over and we could think more clearly and plan more cleverly. By the end of the first year we should have known that it was impossible; by the end of five we should have been willing to admit it, but we weren’t. At first we refused to face the fact and once we had to face it we became stubborn with a senseless sort of faith. The old way of life could not be revived; there were too few of us and none with special knowledge and the old technology was gone beyond all restoration. The technology had been too complex and too specialized and too regimented to be picked up and carried on without a large work force equipped with appropriate skills and knowledge that were necessary not only to operate the technology itself, but to produce the energy that went into it. We are now no more than scavengers feeding on the carcass of the past and some day we’ll be down to the bare bones of it and will be finally on our own. But over the years we have been recovering or rediscovering, whichever it may be, some of the older and more basic technology geared to a simpler way of life and these basic rudimentary skills should keep us from sinking into utter savagery.

There is no one who knows what really happened, which does not, of course, deter some of us from formulating theories that might explain it all. The trouble is that all the theories boil down to simple guesses, in which all kinds of metaphysical misconceptions play a part. There are no facts other than two very simple facts and the first of these is that fifty years ago last month the greater fraction of the human race either went somewhere or was taken somewhere. Out of more than eight billion of us, which was certainly far too many of us, there are now, at most, a few hundred left. In this house in which I sit to write these words, there are sixty-seven humans, and only that many because on the night it happened we had invited some young guests to help us celebrate the coming of age of our twin grandsons, John and Jason Whitney. Of the Leech Lake Indians there may be as many as three hundred, although we now see little of them, for they have taken up again, quite happily and to their great advantage, or so it would seem to me, their old tribal wanderings. At times rumors reach us of other little pockets of humanity still surviving (the rumors chiefly brought by some loose-footed robot), but when we’ve gone to hunt for them, they are never there, nor is there anything to indicate they ever had been there. This, of course, proves nothing. It stands to reason that elsewhere on the Earth there must be others left, although we have no idea where. We hunt for them no longer, even when the rumors come, for it seems to us that we no longer have any need of them. In the intervening years we have become content, settling down into the routine of a bucolic life.

The robots still are with us and we have no idea how many there may be. All the robots that were ever in existence must still remain. They did not go or were not taken as was the human race. Over the years a number of them have come to settle in with us, doing all the work and chores necessary for our comfortable existence, becoming, in all truth, a part of our community. Some of them at times may leave and go elsewhere for a while and there are occasions when new ones float in and stay, either for good or for varying periods. It might seem to someone unacquainted with the situation that in the robots we had the labor force we needed to keep at least a small sector of the more vital parts of the old technology alive. It is possible the robots could have been taught the necessary skills, but the rub here is that we had no one who was equipped to teach them. Even if we’d had, I have some well-founded doubt that it would have worked. The robots are not technologically minded. They were not built to be. They were built to bolster human vanity and pride, to meet a strange longing that seems to be built into the human ego—the need to have other humans (or a reasonable facsimile of other humans) to minister to our wants and needs, human slaves to be dominated, human beings over which a man or woman (or a child) can assert authority, thus building up a false feeling of superiority. They were built to serve as cooks, gardeners, butlers, maids, footmen (I have never got quite straight in mind what a footman is)—servants of all kinds. They were the flunkeys and the inferior companions, the yea-sayers, the slaves. In a manner of speaking, in their services to us, I suppose they still are slaves. Although I doubt the robots think of it as slavery; their values, while supplied by human agency, are not entirely human values. They serve us most willingly; thankful of a chance to serve, they press their services upon us, apparently glad to find new masters to replace the old. This is the situation as it applies to us; with the Indians it is different. The robots do not feel at ease with the Indians and the Indians, in turn, regard them with an emotion that borders upon loathing. They are a part of the white man’s culture and are readily acceptable to us upon the basis of our onetime preoccupation with machines. To the Indians they are unclean, something that is repulsively foul and alien. They will have no part of them. Any robot stumbling into an Indian camp is summarily hustled off. A few of the robots serve us. There must be many thousands more. Those that are not with us we have fallen into the habit of calling wild robots, although I doubt they, in any sense, are wild. Often, from our windows or while sitting on the patio, or while out walking, we see bands of wild robots hurrying along as if they had an urgent destination or were involved in some great purpose. We have never been able to determine where the destination or what might be the purpose. There are certain stories of them that we hear at times, but nothing more than stories and with no evidence, and not worth repeating here.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 30, 1904 Herbert van Thal. Editor of the Pan Book of Horror Stories series, twenty-four volumes that appeared from 1959 to 1983. Back From the Dead: The Legacy of the Pan Book of Horror Stories is a look at the series and it contains Lest You Should Suffer Nightmares, the first biography of him written by Pan Book of Horror Stories expert Johnny Mains. (Died 1983.)
  • Born March 30, 1928 Chad Oliver. Writer of both Westerns and SF, a not uncommon occupation at that time. He considered himself an anthropological science fiction writer whose training as an academic informed his fiction, an early Le Guin if you will. Not a terribly prolific writer with just nine novels and two collections to his name over a forty-year span. Mists of Dawn, his first novel, is a YA novel which I’d recommend as it reads similarly to Heinlein. (Died 1993.)
  • Born March 30, 1930 John Astin, 93. He is best known for playing Gomez Addams in Addams Family, reprising it on the Halloween with the New Addams Family film and the Addams Family animated series. A memorable later role would be as Professor Wickwire in The Adventures of Brisco County, Jr., and I’d like single out his delightfully weird appearance on The Wild Wild West as Count Nikolai Sazanov in “The Night of the Tartar” episode.  Years later I remember that episode and him in it. 
  • Born March 30, 1934 Dennis Etchison. As an editor, he received two World Fantasy Awards for Best Anthology, MetaHorror and The Museum of Horrors. As a writer, he’s best remembered as a short story writer of quite tasty horror. Talking in the Dark Is his personally selected collection of his stories. (Died 2019.)
  • Born March 30, 1948 Jeanne Robinson. She co-wrote the Stardance Saga with her husband Spider Robinson. To my knowledge, her only other piece of writing was ‘Serendipity: Do, Some Thoughts About Collaborative Writing‘ which was published in the MagiCon Program. (Died 2010.)
  • Born March 30, 1950 Robbie Coltrane. I first saw him playing Dr. Eddie “Fitz” Fitzgerald on Cracker way back in the Ninties. Not genre, but an amazing role none-the-less. He was Valentin Dmitrovich Zhukovsky in GoldenEye and The World Is Not Enough, with a much less prominent role as a man at an airfield in Flash Gordon being his first genre role. Being Rubeus Hagrid in the Potter franchise was his longest running genre gig. He’s also voiced both Mr. Hyde in the Van Helsing film and Gregory, a mouse, in The Tale of Despereaux film. (Died 2022.)
  • Born March 30, 1965 Maurice LaMarche, 58. Voice actor primarily for such roles as Pinky and The Brain (both of which Stross makes use of in The Laundry series) with Pinky modeled off Orson Welles, near as I can tell the entire cast of Futurama, the villain Sylar on Heroes, the voice of Orson Welles in Ed Wood, a less serious Pepé Le Pew in Space Jam, and, though maybe not genre, he’s voiced  Kellogg’s Froot Loops spokesbird Toucan Sam and  the animated Willy Wonka character in Nestlé’s Willy Wonka Candy Company commercials.

(10) COMICS SECTION.

  • Sheldon shows that the Vanishing Cabinet from Harry Potter may have had other uses of interest to Valdemort.
  • Sheldon, again, depicts Pippin explaining so clearly and simply why it’s time for another meal that even a future King should be able to understand.
  • Order of the Stick has a magic trap that makes it a bit difficult to determine when the trap has been tripped. 

(11) CAT CHAT. Did we do this before? Well, if so, let’s do it again. CatGPT. It seems to be a one-joke idea, so I won’t excerpt the answer I received to my question “What makes a good social justice credential?”

(12) MASSACRE IN THE EXECUTIVE SUITE. With great power comes sudden unemployment.“Marvel Entertainment Chairman Ike Perlmutter Out at Disney” reports Yahoo! and so are some other top Marvel brass.

Isaac “Ike” Perlmutter, chairman of Marvel Entertainment, has been laid off at Disney. Marvel Entertainment will be folded into the larger Disney business units, a Disney spokesperson confirmed.

The move comes as Disney looks to eliminate 7,000 jobs in multiple rounds of layoffs that kicked off this week, in what CEO Bob Iger calls part of a “strategic realignment.”

Rob Grosser, a longtime third-party Marvel security consultant who is also considered to be Perlmutter’s fixer, is also out, according to two insiders with knowledge of the situation. In addition, Disney has terminated the employment of Rob Steffens, who served as co-president of Marvel Entertainment, and John Turitzin, who held the position of chief counsel for the same division….

(13) KICKED OUT THE DOOR TO THE REAL WORLD. Another casualty of cutbacks is Disney’s metaverse division. TechCrunch has the story: “Disney cuts metaverse division as part of broader restructuring”.

…The metaverse division is headed by Mike White, who was promoted to the role from SVP of consumer experiences and platforms in February 2022 and charged with getting Disney deeper into the web3 space. The unit aimed to find ways to tell more interactive stories in immersive formats using Disney’s extensive library of intellectual property, according to WSJ. Aside from the Disney we all know and love, that extensive library includes Pixar, Marvel and all of the Star Wars movies and shows.

All 50 or so members of the team have lost their jobs, sources told WSJ. White will remain at the company, but it’s not clear in what capacity….

(14) WJW INTERVIEW. A 90-minute video interview with Walter Jon Williams has been posted on Tubi by the program “About the Authors TV”. The Q&A is conducted by author and biographer Jake Brown.

Williams posted the link along with a self-deprecating comment: “I’ve viewed only a few minutes of the interview, enough to be amused by the way Zoom’s filters kept making parts of my anatomy appear and disappear. If you’re looking for inadvertent hilarity, or possibly an epileptic seizure, this is the place for you!”

(15) RAISING THE BAR. “Man proposes to girlfriend using a personal version of ‘Everything Everywhere’ in viral TikTok” at NBC News. The TikTok video can be viewed at the link.

A wedding proposal in a movie theater went viral on TikTok for a creator’s rendition of A24’s “Everything Everywhere All at Once,” and viewers say they’re in awe of the effort.

“I rented out a theater room, did some photoshop, brought her inside, edited a fake video with trailers in the beginning,” TikTok user Daniel Le, who goes by @danyo_le, wrote.

The TikTok, which garnered over 2 million views and included a film Le named “Anniething Anniewhere All at Once” after his girlfriend, showed clips from the acclaimed film and parody versions edited in by Le…. 

(16) JEOPARDY! Andrew Porter did not touch that dial while contestant flailed on tonight’s episode of Jeopardy!

Category: Quoth the title

Answer: Philip Pullman quoted Milton, “Unless the Almighty Maker them ordain” these “to create more worlds”

Wrong questions: “What are men?” and “What are children of men?”

Correct question: “What is ‘His Dark Materials’?”

Answer: The title of this “Hainting” Noel Coward comedy comes from Shelley’s “To a Skylark”

No one could ask, “Shelley wrote, ‘Hail to thee, “Blithe Spirit’.”

(17) OCTOTHORPE. The eightieth episode of the Octothorpe podcast, “Four Constituent Blobs”, is now up!

John Coxon is jetlagged, Alison Scott is working, and Liz Batty is under pressure. We get excited about the upcoming Eastercon, barely even mention Chengdu at all, talk a bit about science fiction, and round it all out with Gaming Corner, sponsored by Mark Plummer. Art by the fabulous Sue Mason.

[Thanks to Cat Eldridge, Mike Kennedy, SF Concatenation’s Jonathan Cowie, Dann, Joey Eschrich, Stephen Granade, John King Tarpinian, Chris Barkley, Andrew Porter, and Michael Toman, for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

2023 Annie Awards

Guillermo del Toro’s Pinocchio won five categories at the 50th anniversary Annie Awards on February 26 including Best Feature and Direction.

BEST FEATURE 

  • Guillermo del Toro’s Pinocchio – Netflix Presents A Double Dare You! Film / A Shadowmachine Production in association with The Jim Henson Company

BEST INDIE FEATURE 

  • Marcel the Shell with Shoes On – Marcel the Movie LLC 

BEST SPECIAL PRODUCTION

  • The Boy, the Mole, the Fox and the Horse – NoneMore Productions and Bad Robot Productions

BEST SHORT SUBJECT 

  • Ice Merchants – COLA Animation production & Wild Stream

BEST SPONSORED

  • Save Ralph – Arch Model Studio

BEST TV/MEDIA – PRESCHOOL

  • The Tiny Chef Show “Pancakes” – Tiny Chef Productions LLC / Imagine Entertainment 

BEST TV/MEDIA – CHILDREN

  • Abominable and the Invisible City “Everest Returns” – DreamWorks Animation

BEST TV/MEDIA – MATURE 

  • Bob’s Burgers “Some Like it Bot Part 1: Eighth Grade Runner” – 20th Television/Bento Box Entertainment

BEST TV/MEDIA – LIMITED SERIES

  • Oni: Thunder God’s Tale “The Demon Moon Rises” – A Netflix Series / A Tonko House Production

BEST STUDENT FILM 

The Soloists

Student director: Mehrnaz Abdollahinia, Feben Elias Woldehawariat, Razahk
Issaka, Celeste Jamneck & Yi Liu
School: Gobelins, l’école de l’image 

BEST FX – TV/MEDIA

  • Love Death + Robots “Bad Traveling” – Blur Studio for Netflix

BEST FX – FEATURE 

  • Avatar: The Way of Water – 20th Century Studios / Disney Studios, Wētā FX

BEST CHARACTER ANIMATION – TV/MEDIA

  • The Boy, the Mole, the Fox and the Horse Episode: [special production] – NoneMore Productions and Bad Robot Productions 

BEST CHARACTER ANIMATION – FEATURE 

  • Guillermo del Toro’s Pinocchio – Netflix Presents A Double Dare You! Film / A Shadowmachine Production in association with The Jim Henson Company: Tucker Barrie 

BEST CHARACTER ANIMATION – LIVE ACTION 

  • Avatar: The Way of Water – 20th Century Studios / Disney Studios, Wētā FX: Daniel Barrett, Stuart Adcock, Todd Labonte, Douglas McHale, Stephen Cullingford 

BEST CHARACTER ANIMATION – VIDEO GAME

  • Cuphead – The Delicious Last Course – Studio MDHR: Chad Moldenhauer, Hanna Abi-Hanna 

BEST CHARACTER DESIGN – TV/MEDIA 

  • Love Death + Robots “Jibaro” – Blur Studio for Netflix: Alberto Mielgo 

BEST CHARACTER DESIGN – FEATURE 

  • The Bad Guys – DreamWorks Animation: Taylor Krahenbuhl 

BEST DIRECTION – TV/MEDIA 

  • The Boy, the Mole, the Fox and the Horse Episode: [special production] – NoneMore Productions and Bad Robot Productions: Peter Baynton, Charlie Mackesy

BEST DIRECTION – FEATURE 

  • Guillermo del Toro’s Pinocchio – Netflix Presents A Double Dare You! Film / A Shadowmachine Production in association with The Jim Henson Company: Guillermo Del Toro, Mark Gustafson

BEST MUSIC – TV/MEDIA 

  • The Cuphead Show! “Carn-Evil” – Netflix Animation: Ego Plum

BEST MUSIC – FEATURE 

  • Guillermo del Toro’s Pinocchio – Netflix Presents A Double Dare You! Film / A Shadowmachine Production in association with The Jim Henson Company: Alexandre Desplat, Roeban Katz, Guillermo del Toro, Patrick McHale

BEST PRODUCTION DESIGN – TV/MEDIA 

  • Oni: Thunder God’s Tale “The Demon Moon Rises” – A Netflix Series / A Tonko House Production: Robert Kondo, Rachel Tiep-Daniels, Lia Tin, Yohei Hashizume, Masa Inada

BEST PRODUCTION DESIGN – FEATURE 

  • Guillermo del Toro’s Pinocchio – Netflix Presents A Double Dare You! Film / A Shadowmachine Production in association with The Jim Henson Company: Curt Enderle, Guy Davis 

BEST STORYBOARDING – TV/MEDIA 

  • Love Death + Robots Episode: [The Very Pulse of the Machine] – Blur Studio for Netflix: Emily Dean 

BEST STORYBOARDING – FEATURE 

  • Puss in Boots: The Last Wish – DreamWorks Animation: Anthony Holden 

BEST VOICE ACTING – TV/MEDIA 

  • Zootopia+ Episode: [The Godfather of the Bride] – Walt Disney Animation Studios: Maurice LaMarche (Character: Mr.Big) 

BEST VOICE ACTING – FEATURE 

  • Marcel the Shell with Shoes On – Marcel the Movie LLC: Jenny Slate (character: Marcel) 

BEST WRITING – TV/MEDIA 

  • Love Death + Robots Episode: [Bad Traveling] – Blur Studio for Netflix: Andrew Kevin Walker 

BEST WRITING – FEATURE 

  • Marcel the Shell with Shoes On – Marcel the Movie LLC: Dean Fleischer Camp, Jenny Slate, Nick Paley, Elisabeth Holm 

BEST EDITORIAL – TV/MEDIA 

  • The Boy, the Mole, the Fox and the Horse Episode: [special production] – NoneMore Productions and Bad Robot Productions: Daniel Budin 

BEST EDITORIAL – FEATURE 

  • Puss in Boots: The Last Wish – Dreamworks Animation: James Ryan, ACE, Jacquelyn Karambelas, Natalla Cronembold, Joe Butler, Katie Parody 

Also presented:

WINSOR MCCAY AWARDS for career contributions to animation

  • Pixar CCO Pete Docter
  • TV series creator Craig McCracken
  • Evelyn Lambart (posthumously) from the National Film Board of Canada

JUNE FORAY AWARD for charitable impact

  • Historian and educator Mindy Johnson

UB IWERKS AWARD for technical achievement

  • Visual Effects Reference Platform, initially developed by Nick Cannon and Francois Chardavoine to eliminate incompatibilities between digital content creation software. 

CERTIFICATE OF MERIT AWARD for service to the industry

  • John Omohundro

The Annie Awards™ were created in 1972 by voice actress June Foray.

2023 Annie Awards Nominees

ASIFA-Hollywood has announced the nominations for its 50th Annie Awards for animation. Guillermo del Toro’s Pinocchio leads all features with nine nominations.

The Annie Awards will be presented on February 25. The winners of the following special awards have already been announced.

WINSOR MCCAY AWARDS for career contributions to animation

  • Pixar CCO Pete Docter
  • TV series creator Craig McCracken
  • Evelyn Lambart (posthumously) from the National Film Board of Canada

JUNE FORAY AWARD for charitable impact

  • Historian and educator Mindy Johnson

UB IWERKS AWARD for technical achievement

  • Visual Effects Reference Platform, initially developed by Nick Cannon and Francois Chardavoine to eliminate incompatibilities between digital content creation software. 

CERTIFICATE OF MERIT AWARD for service to the industry

  • John Omohundro

The Annie Awards™ were created in 1972 by voice actress June Foray.

The full list of nominations follows the jump.

Continue reading

Pixel Scroll 1/6/23 I See Pixels Scrolling Down Broadway And Park Avenue With A Tiny Scottie Dog By Their Side

(1) WHO HOLDS THE RECORD? Scott Edelman notes that Lightspeed has published a new short story of his titled “A Man Walks Into a Bar: In Which More Than Four Decades After My Father’s Reluctant Night of Darts on West 54th Street I Finally Understand What Needs to Be Done”. And Edelman says, “I wondered how that compared to with other titles in our field, and dug out a science fiction book of list from 40 years ago which included a list of the longest titles” — The SF Book of Lists by Maxim Jakubowski and Malcolm Edwards, published in 1983. 

It shows Michael Bishop’s “On the Street of the Serpents or, The Assassination of Chairman Mao, as Effected by the Author in Seville, Spain, in the Spring of 1992, a Year of No Certain Historicity” as #1, with 31 words.

My story is also 31 words … but his is 169 characters to my 161.

When I sold the story to Lightspeed, I asked on social media for input on long titles since the time that list was assembled, and no one came up with anything longer.

Edelman appeals to File 770 readers, “With your vast intellects… do you know of any?”

The gallery below contains the three-page list – click for larger images.

(2) A STEP BACK. Publishing Perspectives reports industry decline in “AAP: US Book Publishing Revenues Down 9.3 Percent in October”

…In the October 2022 StatShot report, total revenues across all categories were listed as being down 9.3 percent over October 2021. As has happened throughout 2022, of course, observers look at year-over-year comparisons carefully, mindful that 2021 was the second year of the coronavirus COVID-19 pandemic‘s effects on the marketplace, both in the States and abroad….

(3) IRRESISTABLE TARGET. [Item by Jennifer Hawthorne.] Slate’s book critic Laura Miller did something rather unfair(-ish) and did a review of the first chapter of a fantasy book that Ross Douthat, conservative NY Times columnist, is writing.  I thought it contained some interesting points about how NOT to start a fantasy novel. “Ross Douthat’s fantasy novel: first chapter of The Falcon’s Children, reviewed.”

New York Times opinion columnist Ross Douthat recently revealed that he has written the first volume in a trilogy of fantasy novels. Titled The Falcon’s Children, it has not been a hit with the “reasonable list of reputable publishing houses” Douthat says he’s submitted it to. In an end-of-year what-the-hell mood, the author posted the prologue and first chapter to his otherwise dormant Substack. “Why,” New York magazine’s Choire Sicha asked on Twitter, “are publishers not desperate for Ross Douthat’s fantasy novel? History tells us this the one thing you actually do want a tortured moralizing Christian to write!” In keeping with Douthat’s good-faith request for feedback, here’s a good-faith critique that might help answer Sicha’s question…..

(4) FAAN VOTING BEGINS. Nic Farey today distributed The Incompleat Register 2022, the voters’ guide and pro forma ballot for the 2023 FAAn awards. Voting is open and continues until midnight (Pacific time) Friday March 10, 2023. The award recognizes work in fanzines.

The awards will be announced at Corflu Craic in Belfast, Northern Ireland on April 2 2023.

Voting is open to anyone with an interest in fanzines, membership in Corflu is not required.

(5) GEARHEADS. “For ‘Guillermo del Toro’s Pinocchio,’ a Star Built From Tiny Gears and 3-D Printing” – the New York Times finds out how it’s done.

…He likened the mechanics inside puppet heads to components of a Swiss watch. “Those heads are not much bigger than a ping-pong ball or a walnut,” he said, explaining that the animator moves the gears by putting a tiny tool into the character’s ear or the top of its head. “The gears are linked to the puppet’s silicone skin, enabling the animator to create the nuances you see on a big cinema screen,” he said.

The introduction of geared heads was part of a series of overlapping waves of innovation in stop-motion that brought visuals to the screen that had never been possible. Nick Park and the artists at the British Aardman Animations sculpted new subtleties into clay animation in “Creature Comforts” (1989) and “The Wrong Trousers” (1993). Meanwhile, Disney’s “The Nightmare Before Christmas” (1993) showcased the new technology of facial replacement. A library of three-dimensional expressions was sculpted and molded for each character; an animator snapped out one section of the face and replaced it with a slightly different one between exposures. Then the Portland, Ore.-based Laika Studios pushed this technique further, using 3-D printing to create faces, beginning with “Coraline” (2009).

For “Pinocchio,” which debuted on Netflix a few months after Disney released Robert Zemeckis’s partly animated version of the story, most of the puppets were built at ShadowMachine in Portland, where most of the film was shot. Candlewick, the human boy Pinocchio befriends in the film, “has threads set into the corners of his mouth which are attached to a double-barreled gear system,” explained Georgina Hayns, an alumna of Mackinnon and Saunders who was director of character fabrication at ShadowMachine. “If you turn the gear inside the ear clockwise, it pulls the upper thread and creates a smile. If you turn it anticlockwise, it pulls a lower thread which produces a frown. It really is amazing.”…

(6) ONE SIX. “A Jan. 6 Comic Book Asks the Terrifying Question: What if the Coup Had Worked?”Vice interviews the creators.

…The first wave of the mob breaks into the Capitol and ascends the stairs from the first floor to the second. Capitol Police Officer Eugene Goodman backs up to the top of the steps to try and divert the marauders. Goodman tries to get the crowd to go left. Instead they go right, overrunning him, and happen upon Vice President Mike Pence, who’s just off the Senate Floor. It’s a disaster. 

This a nearly-real scene from new, four-part comic series “1/6“ from Harvard law professor Alan Jenkins and author and activist Gan Golan.  It’s a speculative telling of the January 6 insurrection and coup attempt in an oppressive and authoritarian world where the mob, and Donald Trump, succeeded. (You’ll be able to find it on Amazon, in comic shops and in book stores starting on Jan. 8.) …

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 6, 1905 Eric Frank Russell. He won the first Hugo Award given for Best Short Story at Clevention in 1955 with “Allamagoosa”, published in the May 1955 issue of Astounding Science FictionSinister Barrier, his first novel, appeared in Unknown in 1939, the first novel to appear there. What’s your favorite work by him? (Died 1978.)
  • Born January 6, 1954 Anthony Minghella. He adapted his Jim Henson’s The Storyteller scripts into story form which were published in his Jim Henson’s The Storyteller collection. They’re quite excellent actually. Genre adjacent, well not really, but he did write an episodes of the excellent Inspector Morse series, “Driven To Distraction”. (Died 2008.)
  • Born January 6, 1955 Rowan Atkinson, 68. An unlikely Birthday perhaps except for that he was the lead in Doctor Who and The Curse of Fatal Death which I know did not give him the dubious distinction of the shortest lived Doctor as that goes to another actor although who I’ve not a clue.  Other genre appearances were scant I think (clause inserted for the nitpickers here) though he did play Nigel Small-Fawcett in Never Say Never Again and Mr. Stringer in The Witches which I really like even if the author hates. 
  • Born January 6, 1959 Ahrvid Engholm, 64. Swedish conrunning and fanzine fan who worked on many Nasacons as well as on Swecons. Founder of the long running Baltcon. He has many fanzines including Vheckans Avfentyr, Fanytt, Multum Est and others. He was a member of Lund Fantasy Fan Society in the University of Lund.
  • Born January 6, 1960 Andrea Thompson, 63. Her noted genre work was as the telepath Talia Winters on Babylon 5. Her first genre role was in Nightmare Weekend which I’ll say was definitely a schlock film. Next up was playing a monster in the short-lived Monsters anthology series. She had a one-off on Quantum Leap before landing the Talia Winters gig. Then came Captain Simian & The Space Monkeys. Really. Truly I’m not kidding. Her last genre role to date appears to be in the Heroes: Destiny web series.
  • Born January 6, 1969 Aron Eisenberg. Nog on Deep Space 9. Way after DS9, he’d show up in Renegades, a might-be Trek series loaded with Trek alumni including Nichelle Nichols, Robert Beltran, Koenig and Terry Farrell. It lasted two episodes. Lifelong suffer of kidney disease, he died from it at just age fifty. (Died 2019.)
  • Born January 6, 1976 Guy Adams, 47. If you’ve listened to a Big Finish audio-work, it’s likely that you are familiar with his writing as he’s done scripts for their Doctor, UNIT and Torchwood series among his many endeavors there. Not surprisingly, he’s also written novels on Doctor Who, Torchwood, Sherlock Holmes and so forth. I’ve read some of his Torchwood novels — they’re good popcorn literature. 

(8) SHE-HULK. Marvel announces the next arc in author Rainbow Rowell’s run on She-Hulk will take things to the next level for the character’s 175th issue issue in April. 

 In the pages of her latest solo series, Jennifer Walters has reopened her law practice, took on some of her most intense cases yet, defeated a duo of new villains, and even found time for a new romance! But this April in SHE-HULK #12, She-Hulk’s promising new super hero journey will be threatened by a dangerous new archnemesis known as THE SCOUNDREL! Just in time for her 175th solo issue, She-Hulk will meet her match in a wild showdown that will have all her fans talking!

“Every issue that I get to write She-Hulk is a delight — but I’m especially honored to escort her to her 175th issue,” Rowell said. “One of things we’ve focused on is building up Jen’s narrative support structure… Giving her friends, colleagues, a love interest and her very own antagonists. The Scoundrel is an adversary tailor-made for Jennifer Walters. A lot of things come easily for Jen. Nothing about the Scoundrel is easy.”

Check out Jen Bartel’s cover below.

(9) MALIGN HARDWARE. “‘M3gan’ Review: Wherever I Go, She Goes” from the New York Times.

…In a headier movie, there might be some misdirection. But M3gan (performed by Amie Donald) is clearly pure evil from the start. She’s a great heavy: stylish, archly wry, intensely watchful. Her wanton violence never gets graphic enough to lose a PG-13 rating. In early January, when prestige holiday fare tends to give way to trashier pleasures, a good monster and a sense of humor can be enough. This movie has both, and it makes up for a slow start, some absurd dialogue (“You didn’t code in parental controls?”) and a by-the-book conclusion….

(10) UK TOP BOX OFFICE TOP TEN FILMS OF 2022. [Item by SF Concatenation’s Jonathan Cowie.] SF2 Concatenation has just tweeted an advance post ahead of its Spring seasonal edition of its regular meta-analysis of 52 weekly top ten British Isles box office rankings: “Top Science Fiction Films – 2022”.

This is a box office analysis and so reflects the broader public interest in SF film and not that of SF fans. Scroll down the page on the latter link to see other (non-top ten) SF films of the year. Links to trailers are included.

(11) CROCNADO. “British Comedy ‘Peter Pan Goes Wrong’ Plans Spring Broadway Bow” reports the New York Times. “The farce, by the team behind ‘The Play That Goes Wrong,’ is about a bumbling theater company attempting to stage the popular children’s play.”

…The play’s creators are Henry Lewis, Jonathan Sayer and Henry Shields, who also wrote “The Play That Goes Wrong”; the three will again star in their production. “Peter Pan Goes Wrong” features the same slapstick sensibility as the earlier play, but has a bit more character development, and an even crazier set.

“The fictional theater company is taking on a much more ambitious production, with flying, crocodiles and a revolving stage, and they put on the play with the same disastrous results,” Lewis said. “You get more behind the scenes into what’s going on with the characters, as well as all the farce and the madcap comedy.”…

[Thanks to Chris Barkley, Andrew Porter, Michael Toman, Michael J. Walsh, Nic Farey, SF Concatenation’s Jonathan Cowie, Cat Eldridge, Mike Kennedy, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 12/10/22 Pixel Was A Scrollin’ Stone

(1) LEARNEDLEAGUE. [Item by David Goldfarb.] After a long drought, we get our second and third in the space of two days!

LL95 match day 22 Q3: What 1898 novel, famous in its own right, is also famous for its presentation in the October 30, 1938 installment of the CBS radio series “Mercury Theater on the Air”?

Filers no doubt will readily identify this as The War of the Worlds, and LLamas knew it too, with an 83% get rate.

Same match day, question 5: “SDCIWC” is an initialism common to many players of the roleplaying game Dungeons & Dragons. Per the game’s original 1974 rules, the first four letters stand for Strength, Dexterity, Constitution, and Intelligence. What do either of the final two letters stand for?

This was Wisdom or Charisma. Get rate was 65%, with 6% of players giving the most common wrong answer “Courage”.

(2) FTC HANGS UP ON CALL OF DUTY. “F.T.C. Sues to Block Microsoft’s $69 Billion Acquisition of Activision” – the New York Times covers the government’s grounds for a suit.

The Federal Trade Commission, in one of the most aggressive actions taken by federal regulators in decades to check the power of the tech industry’s giants, on Thursday sued to block Microsoft’s $69 billion acquisition of the video game maker Activision Blizzard.

The F.T.C. said that the deal would harm consumers because Microsoft could use Activision’s blockbuster games like Call of Duty to lure gamers from rivals. The agency’s commissioners voted 3to 1 to approve filing the suit.

The decision is a blow to the expansion of Microsoft’s video game business, which has become its most important consumer unit and topped $16 billion in annual sales during the most recent fiscal year. For the F.T.C. chair, Lina Khan, a legal scholar who rocketed to fame after she wrote an article criticizing Amazon, the lawsuit will test whether her aggressive plan to rein in the power of Big Tech can survive in the courts….

(3) YOUNG WOLVES. Wolf Pack, the newest release by Edo van Belkom, is the inspiration behind a new TV series coming to Paramount+ on January 26, 2023.

Nothing gets between a wolf and its pack…

Most of the time, Noble, Argus, Harlan and Tora are like any other teenagers. Prowling the halls of their high school in search of new crushes and true friendships, all while trying to keep up their grades. Except these teens are anything but ordinary…

Discovered as wolf cubs in the wilderness of Redstone Forest, the pack knows their adoptive parents are the only humans they can trust with their shape-shifting secret. So whenever the siblings want to wolf around, they race to the forest to run—and relish their special bond. Until the terrible day a TV crew films their shocking transformation—and Tora is captured by a scientist determined to reveal her supernatural abilities to the world.

Now the brothers will do anything to get their sister back. Even if it means taking their powers to a whole new level by becoming werewolves for the very first time–something their parents warned them never to attempt. But once the teens go to the dark side, will they ever make it back to the only life they’ve ever known?

Available on Amazon.ca and Amazon.com.

Bram Stoker and Aurora Award-winner Edo van Belkom is the author of over 200 stories of horror, science fiction, fantasy, and mystery. As an editor, he has four anthologies to his credit that include two books for young adults, Be Afraid! (A Canadian Library Association Young Adult Book of the Year finalist) and Be Very Afraid! (An Aurora Award winner — Best Work in English).

(4) ARTIFICIAL STUDENT INTELLIGENCE. The Atlantic’s article “ChatGPT Will End High-School English” is mostly paywalled, but there’s the beginning:

Teenagers have always found ways around doing the hard work of actual learning. CliffsNotes date back to the 1950s, “No Fear Shakespeare” puts the playwright into modern English, YouTube offers literary analysis and historical explication from numerous amateurs and professionals, and so on. For as long as those shortcuts have existed, however, one big part of education has remained inescapable: writing. Barring outright plagiarism, students have always arrived at that moment when they’re on their own with a blank page, staring down a blinking cursor, the essay waiting to be written.

Now that might be about to change. The arrival of OpenAI’s ChatGPT, a program that generates sophisticated text in response to any prompt you can imagine, may signal the end of writing assignments altogether—and maybe even the end of writing as a gatekeeper, a metric for intelligence, a teachable skill.

If you’re looking for historical analogues, this would be like the printing press, the steam drill, and the light bulb having a baby, and that baby having access to the entire corpus of human knowledge and understanding. My life—and the lives of thousands of other teachers and professors, tutors and administrators—is about to drastically change….

(5) DEL TORO’S PINOCCHIO. Nicholas Barber’s review for the BBC “Pinocchio: The scariest children’s story ever written” includes spoilers. Like these in the very first paragraph:

Two major Pinocchio films premiered this year, but it isn’t too difficult to tell them apart. One of them is Robert Zemeckis’s live-action remake of the 1940 Walt Disney cartoon, with Tom Hanks as a cuddly Geppetto, and Joseph Gordon-Levitt providing the voice of Jiminy Cricket. The other, directed by Guillermo del Toro, has Geppetto’s flesh-and-blood son being killed by a World War Two bomb, Geppetto (David Bradley) carving a wooden boy in a drunken fury, and Mussolini’s fascists ruling over Italy. And then there are the deaths, plural, of the title character. “Pinocchio dies in our film three or four times,” del Toro tells BBC Culture, “and has a dialogue with Death, and Death teaches him that the only way you can really have a human existence is if you have death at the end of it. There are roughly 60 versions of Pinocchio on film, and I would bet hard money that that doesn’t exist in any of the other 60.”…

(6) GARY FRIEDKIN (1952-2022). Actor Gary Friedkin, who made his film debut as a four-foot-tall Munchkin in the 1981 comedy Under the Rainbow, died December 2 of Covid complications. His other genre appearances include, uncredited, in Blade Runner and as an Ewok in Return of the Jedi.

(7) MEMORY LANE.

1994 [By Cat Eldridge.] Dorothy L Sayers

Now we have a statue of a mystery writer which you will notice includes her SJW credential. 

The statue of Dorothy L Sayers and stands in Newland Street, Witham, opposite the Witham Library, and also opposite her house.

The statue was cast in bronze, about six and feet tall tall, by the Ardbronze Foundry and designed by John Doubleday, the sculptor who did the Sherlock Holmes sculptures we talked about in the Scroll last night. It was erected in 1994. 

An amusing note: several commenters online say that you can see that quite a few children and even adults like to pet Blitz, Sayer’s feline companion — he is now quite shiny on top!

A very, very not amusing note: it was privately funded through sale of much smaller statues as the British government didn’t think she was worthy of have a statue and wouldn’t fund it saying that she lacked literary worth. Fans of Ngaio Marsh need not apply. 

The plinth bears the inscription: Dorothy L. Sayers 1893 – 1957 and the name John Doubleday, Sculptor with the foundry name.

Witham Library holds a reference collection of all of her works, press-clippings, all of her reviews and letters in the Dorothy L Sayers Centre, which is jointly managed by Essex Libraries and the Dorothy L Sayers Society, and which is held in a specially outfitted room on the upper floor.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born December 10, 1815 Ada Lovelace. English mathematician and writer, principally known for her work on Charles Babbage’s proposed mechanical general-purpose computer, the Analytical Engine. Genre usage includes William Gibson and Bruce Sterling’s The Difference Engine and S.M. Stirling’s The Peshawar Lancers. (Died 1852.)
  • Born December 10, 1824 George MacDonald. Scottish author I think best known for Phantastes: A Faerie Romance for Men and Women and The Princess and The Goblin. His writings have been cited as a major literary influence by many notable authors including C. S. Lewis, J. R. R. Tolkien, G. K. Chesterton and Madeleine L’Engle to name but a few who mention him. The Waterboys titled their Room to Roam album after a passage in Phantastes. (Died 1905.)
  • Born December 10, 1903 Mary Norton. Author of The Borrowers which won the 1952 Carnegie Medal from the Library Association, recognizing the novel as the year’s outstanding children’s book by a British author. She would continue to write these novels for three decades with Hallmark turning it into a film in the early seventies. Her novels The Magic Bed Knob; or, How to Become a Witch in Ten Easy Lessons and Bonfires and Broomsticks would be adapted into the Disney film Bedknobs and Broomsticks in the same period. (Died 1992.)
  • Born December 10, 1907 Graves Gladney. An illustrator known for his cover paintings for Street & Smith pulp magazines, especially The Shadow. He produced all the covers from April 1939 to the end of 1941, and here’s one of his covers from June 1st, 1939. It’s worth noting that when he replaced The Shadow‘s cover artist George Rozen who did a more fantastical approach to the covers, Gladney depicted an actual scene that Walter Gibson had written in a story inside. (Died 1976.)
  • Born December 10, 1927 Anthony Coburn. Australian writer and producer who spent most of his career living and working in the U.K. He was closely involved in the earliest days of Who to the extent that it’s believed it was his idea for the Doctor’s travelling companion, Susan, to be The Doctor’s granddaughter.  He wrote four scripts for the show, of which only An Unearthly Child was used. (Died 1977.)
  • Born December 10, 1953 Janny Wurts, 69. Illustrator and writer.  She’s won three Chesley Awards, plus a HOMer Award for her Servant of the Empire novel. I strongly recommend the Empire trilogy that she co-authored with Raymond E. Feist, and her excellent That Way Lies Camelot collection was nominated for a BFA.
  • Born December 10, 1984 Helen Oyeyemi, 38. I like it when a Birthday results in my adding to my audiobook listening list. She’s resident in Prague now and her take on European folktales that surround her there is particularly sharp in Mr. Fox, which was nominated for an Otherwise Award, off that well known tale. And White is for Witching has all the makings of a damn fine haunted house story. Now one should not overlook her Icarus Girl, her first novel, which is fascinating. I’ve not encountered Gingerbread, her latest novel. 

(9) COMICS SECTION.

  • The Flying McCoys shows a 20th Century answer to a 19th predicament that may not end as well for Tiny Tim.
  • Tom Gauld gives season’s greetings to a UFO.
  • In another cartoon, Tom Gauld renders a brutal translation of a familiar academic conversation.

(10) IT ONCE WAS WET. Yesterday’s Science journal reports from Mars: “Organic geochemistry in Jezero crater”.

The Perseverance rover has investigated the floor of Jezero crater on Mars, finding that it consists of igneous rocks that were modified by reactions with liquid water (aqueous alteration). Scheller et al. used the rover to perform Raman and fluorescence spectroscopy of rocks at two locations within the crater. They identified the presence of organic molecules, including aromatics with one and two benzene rings. The presence of perchlorates allowed the authors to set a limit of more than 2 billion years for the last time water filled the crater. Carbonates and sulphates were also found. The results demonstrate that the rocks in Jezero crater contain a record of ancient organic geochemistry.

Primary research paper here.

(11) VIDEO OF THE DAY. How It Should Have Ended presents “How Black Adam Should Have Ended”.

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, David Goldfarb, John King Tarpinian, Chris Barkley, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 11/9/22 The Night They Scrolled Old Pixels Down

(1) DRACULA DAILY. AudioFile’s Audiobook Break podcast has been sharing Dracula with audiobook listeners over the last weeks.

Embrace spine-tingling chills and vampiric horrors with AudioFile’s Audiobook Break podcast! In October, narrator Gildart Jackson and Dracula Daily’s Matt Kirkland joined AudioFile’s Michele Cobb to chat about the lasting impact of Bram Stoker’s DRACULA in pop culture, why they both loved serializing the timeless vampire story for their audiences, and more. Watch their discussion below—and start listening to DRACULA today.

Gildart Jackson narrates his Fireside Reading of Dracula with undisguised delight, letting listeners enjoy a masterpiece of horror on audio. Gildart has narrated more than 300 audiobooks and won multiple awards, and since Covid lockdowns began, he has been offering free daily Fireside Readings of classic books on Instagram and YouTube. Gildart’s entire family works on Fireside Readings—Gildart reads, Melora directs, Rory draws the illustrations, and Piper writes and performs the songs. It’s a true family affair.

Matt Kirkland’s Dracula Daily email newsletter has become “the internet’s biggest book club.” Matt shares how during the early days of Covid, he and his daughter realized how Bram Stoker’s epistolary tale is told through letters and diary entries throughout a summer and fall, and Dracula Daily was born. Now fans check their email messages with bated breath hoping for missives from all of Dracula’s characters, reordered as they occur chronologically in the novel. 

The audiobook will be ending on the podcast mid-month, but will stay up for people to listen to all the way through the end of the year. Listeners can follow along with DRACULA on our FREE Audiobook Break podcast now, with new chapters arriving every Monday, Wednesday, and Friday. Subscribe here.

(2) GUNN CENTER VIRTUAL BOOK CLUB. The Gunn Center for the Study of SF’s (CSSF) monthly virtual book club will meet on November 18.  For Native American Heritage Month, the Center has chosen Rebecca Roanhorse’s Black Sun, the first of the Between Earth and Sky trilogy, a high fantasy epic inspired from histories and civilizations from pre-Columbian America. 

To join their virtual meeting on November 18th at noon (Central Time), register here. This programming is running all year, click here to see what’s in the Book Club’s future.

(3) RECREATIONAL POETRY. [Item by Martin Morse Wooster.] In the Financial Times, behind a paywall, Tom Faber reviews Poetry Games, an exhibition at the National Poetry Library (nationalpoetrylibraryorg.uk) through January 15.

Writers have long experimented with games as part of their practice, notably the Francophone Oulipo group, whose member Georges Perec wrote his 300-page 1969 novel La Disparition without using the letter ‘e’.  Now, however, everyone can participate in the playfulness of writing.  There’s a poetic spin on Jenga by Astra Papachristodoulou, where you pull out blocks bearing words to construct a poem. And Jn Stone and Abigail Parry’s Adversary, which asks players to build poems out of word cards.  Just try to avoid the Writer’s Block’ card which says, sympathetically, ‘It happens to all of us.’

There are also digital games such as Gemma Mahadeo and Ian McLarry’s If We Were Allowed To Visit, a navigable 3D space where every object is made of words, poetic fragments that shift as you move.  Philippe Grenon’s Émile Et Moi is a simple platformer in which you jump between words to build a poem.  After hopping around for a while, I had made, ‘another day swells air-bridged and downy/golden the night and glittering my works/dream rai sways alongside.’  Not bad, but perhaps not great poetry.

(4) MANCHESTER ENGLAND ENGLAND. Rob Hansen has added a section on “SUPERMANCON (1954)”, the British National SF Convention, to his fanhistory website THEN with a lot of old photos.

The 1954 British National SF Convention was held at the Grosvenor Hotel in Manchester, over the Whitsun weekend, Saturday 5th – Sunday 6th June (after this, the national convention would be held over Easter weekends).

(5) THE VERY “SPACIAL” FRIENDSHIP OF BUSTER CRABBE. [Item by Steve Vertlieb.] When I was a little kid, prior to the Civil War, I had an imagination as fertile and as wide as my large brown eyes, dreamily filled with awe and wonder. My dad brought home our first television set in 1950.

Here is an affectionate remembrance of the Saturday Matinee and 1950’s Philadelphia television when classic cliffhanger serials thrilled and excited “children of all ages”… when careening spaceships and thundering hooves echoed through the revered imaginations and hallowed corridors of time and memory…and when Buster Crabbe lovingly brought “Flash Gordon,” “Buck Rogers,” “Red Barry,” and “Captain Gallant Of The Foreign Legion” to life in darkened movie palaces, and on television screens, all over the world.

Return with us now to “those thrilling days of yesteryear” when “Zorro’s Fighting Legion,” Buzz Corry of the “Space Patrol,” Ming, The Merciless, Hopalong Cassidy, The Lone Ranger, and Larry “Buster” Crabbe lit the early days of television, and Saturday afternoon motion picture screens, with magical imagery, and unforgettable excitement. Just click on the blue links above and below to escape into the past, via the world of tomorrow. “Careening Spaceships And Thundering Hooves: The Magic, Majesty And Visionary Splendor Of A Wondrous Childhood Era … And The Very “Spacial” Friendship Of Buster Crabbe” at Benner Days, Benner Nights.

(6) KEVIN O’NEILL (1954-2022.) “Kevin O’Neill, comic artist and ‘League of Extraordinary Gentlemen’ co-creator, dies at 69” reports the Los Angeles Times.

Kevin O’Neill, co-creator of “The League of Extraordinary Gentlemen” and “Marshal Law” comic books, died last week after being diagnosed with terminal cancer, according to longtime collaborator Gosh Comics. He was 69.

… He started working in the comics industry at age 16, first as an office assistant for children’s humor comic Buster. He eventually made his way to publisher 2000 AD, where he was both a writer and illustrator. Its stable of titles includes Judge Dredd and Nemesis the Warlock, which O’Neill created with Mills.

The British artist worked as a Disney Comics colorist among other jobs before joining DC Comics. It was at DC that he began getting recognition with a stint on “The Omega Men.” He also worked on Alan Moore’s stories for the “Tales of the Green Lantern Corps Annual” in 1986….

(7) MEMORY LANE.

2008 [By Cat Eldridge.] Doctor Who’s “The Unicorn and The Wasp”

Ok, this is simply my look at a favorite episode of Doctor Who which aired in May of 2008. 

If you haven’t seen this episode, go away now. Really. Truly. Everything that follows is spoilers in the extreme.

SPOILERS ALL THE WAY DOWN

One of my favorites of the newer episodes of this series is a country house mystery, “The Unicorn and The Wasp”, featuring a number of murders and, to add an aspect of meta-narrative to the story, writer Agatha Christie at the beginning of her career. It would riff off her disappearance for ten days which occurred just after she found her husband in bed with another woman. Her disappearance is a mystery that has never been satisfactorily answered to this day. Or it has depending on your viewpoint. 

Needless to say, the Doctor and Donna Noble arrived in the TARDIS at the grounds of the country house just before afternoon cocktails. The Doctor (David Tennant, my favorite of the new Doctors) uses his psychic power to convince The Lady of The Manor that she has met them previously and invited them for the weekend.

A murder will soon happen when Professor Plum is killed in The Library with a lead pipe. Yes, a Clue board game reference which his plucky companion (Catherine Tate) gleefully notes. And so it goes for the entire episode in a rather delightful manner. It’s silly, it’s fast-paced, and it’s one of the most British episodes that the new Who does. And it’s one that shows how clearly this series is fantasy, not SF.

The Unicorn of the title is simply the code name of an infamous jewel thief, but The Wasp of the title is a wasp, a bloody big one on that. A wasp that’s the love child of a shape shifting alien who made Her Ladyship pregnant in India forty years ago. A wasp that’s so big that it couldn’t survive in Earth’s gravity, but this is fantasy after all. (I firmly believe that almost all science fiction is fantasy — some are just more blatant about it.) And do keep an ear out for the many, many references to the novels Christie wrote.

A delightful romp which fits very nicely into the genre of Manor House mysteries which of course the future Dame Agatha would write a few herself. Oh and Agatha Christie was played by Fanella Woolgar, who was cast at the urging of Tennant who may or may not have known that the actress had appeared in the Poirot series several years previously.

Unfortunately it is now streaming only on Disney +, isn’t it?

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 9, 1921 Alfred Coppel. Have I ever mentioned how much I love pulp? Of course I have. Everything from the writers to the artwork to the magazines themselves are so, so cool. And this writer was one of the most prolific such authors of the Fifties and Sixties. That he was also a SF writer is an added bonus. Indeed, his first science fiction story was “Age of Unreason” in a 1947 Amazing Stories. Under the pseudonym of Robert Cham Gilman, he wrote the Rhada sequence of galactic space opera novels aimed at a young adult market. Wiki claims he wrote under the A.C. Marin name as well but I cannot find any record of this. (Died 2004.)
  • Born November 9, 1924 Larry Shaw. A Hugo Award-winning fan, author, editor and literary agent. In the Forties and Fifties, Larry Shaw edited NebulaInfinity Science Fiction and Science Fiction Adventures. He received a Special Committee Award during the 1984 Worldcon for lifetime achievement as an editor. (Died 1985.)
  • Born November 9, 1938 Carol Carr. Fan and writer of note. Her participation in the so-called secret APA Lilapa, and articles in the InnuendoLighthouse and Trap Door fanzines is notable. She wrote a handful of genre fiction, collected in Carol Carr: The Collected Writings. Mike has an obit here. (Died 2021.)
  • Born November 9, 1947 Robert David Hall, 75. Best known as coroner Dr. Albert Robbins M.D. on CSI, but he has quite as few genre credits. He voiced Dinky Little in the animated Here Come the Littles, both the film and the series, the cyborg Recruiting Sargent in Starship Troopers,  voice of Colonel Sharp in the G.I. Joe series, Abraham in The Gene Generation, a biopunk film, and numerous voice roles in myriad DCU animated series. He was the voice of Colonel Sharp in the G.I. Joe series, Abraham in The Gene Generation, a biopunk film, and numerous voice roles in myriad DCU animated series. Interesting note: in Starship Troopers he has no right arm, but in real life he lost both of his legs at age thirty-one when they had to be amputated as a result of an accident in which an 18-wheeler truck crushed his car.  
  • Born November 9, 1954 Rob Hansen, 68. British fan, active since the Seventies who has edited and co-edited numerous fanzines including his debut production Epsilon. And he was the 1984 Trans-Atlantic Fan Fund delegate. His nonfiction works such as Then: Science Fiction Fandom in the UK: 1930-1980, last updated just a few years ago, are invaluable, as is his fanhistory website.
  • Born November 9, 1971 Jamie Bishop. The son of Michael Bishop, he was among those killed in the Virginia Tech shooting. He did the cover illustrations for a number of genre undertakings including Subterranean Online, Winter 2008 and Aberrant Dreams, #9 Autumn 2006. The annual “Jamie Bishop Memorial Award for an Essay Not in English” was established as a memorial by the International Association for the Fantastic in the Arts. (Died 2007.)
  • Born November 9, 1988 Tahereh Mafi, 34. Iranian-American whose Furthermore is a YA novel about a pale girl living in a world of both color and magic of which she has neither; I highly recommend it. Whichwood is a companion novel to this work. She also has a young adult dystopian thriller series. 
  • Born November 9, 1989 Alix E Harrow, 33. May I note that her short story with one of the coolest titles ever, “Witch’s Guide to Escape: A Practical Compendium of Portal Fantasies”, won a Hugo at Dublin 2019. Well I will. And of course her latest novel, The Once and Future Witches, has an equally cool title. It won the BFA Robert Holdstock Award for Best Fantasy Novel. 

(9) OH NOES! Oh no for the “oh no” comic. Twitter thread about the litigation starts here.

(10) IN THE OLYMPIAN ROOM WHERE IT HAPPENS. Shelf Awareness reports on an interesting casting decision: “TV: Percy Jackson and the Olympians”.

Lin-Manuel Miranda will have a key guest-starring role on Disney+’s upcoming series Percy Jackson and the Olympians, based on Rick Riordan’s bestselling book series. Deadline reported that Miranda, who, along with his son, is a fan of the Percy Jackson books, “will play Hermes, the messenger god who looks out for travelers and thieves, and is a bit of a trickster himself.” 

(11) IN A HOLE IN THE GROUND THERE LIVED A MARTIAN. “House-Hunting for Caves on Mars Has Already Started” says the New York Times.

The neighborhood is a wild card, and moving there is bound to be expensive. But one of the best options for shelter when humans finally make it to the red planet will be subterranean caves. These rocky hollows, which exist in droves on both Earth and the moon, are natural buffers against the harsh conditions of Mars.

In a presentation this month at the Geological Society of America Connects 2022 meeting in Denver, researchers pinpointed nine leading cave candidates worthy of future exploration. All of these grottos appear to extend at least some distance underground, and they’re close to landing sites accessible to a lightweight rover.

These structures would offer a respite from the challenging Martian environment, said Nicole Bardabelias, a geoscientist at the University of Arizona. “Everything at the surface is subject to harsh radiation, possible meteorite or micrometeorite bombardment and really large day-to-night temperature swings,” she said.

To home in on Mars’ most sought-after real estate, Ms. Bardabelias and her colleagues consulted the Mars Global Cave Candidate Catalog. This compendium, based on imagery collected by instruments aboard the Mars Odyssey spacecraft and the Mars Reconnaissance Orbiter, inventories over 1,000 candidate caves and other peculiar-looking features on Mars. (Think of it as the first Martian multiple listing service.)…

(12) YOU MAY THINK YOU KNOW THIS STORY. So the cricket says. Netflix dropped this trailer for Guillermo Del Toro’s Pinocchio today.

[Thanks to Chris Barkley, Andrew Porter, Michael Toman, Hampus Eckerman, Steve Vertlieb, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Rob Thornton.]

Pixel Scroll 10/18/22 Pixelitl Axolotl Pixelitl Axolotl Cheep Cheep Cheep! Axelot, Pixelitl More…

(1) CLARION WEST AUCTION AND GALA. The Clarion West After Dark 2022 Auction is open until October 21 at 9:00 PM Pacific Time. You must register for the event to begin bidding on auction items. Clarion West After Dark is a fundraising event and auction created to help support Clarion West’s year-round speculative program. 

Here are a couple of the many items on the block:

Clarion West board member Yang-Yang Wang (Dungeon Scrawlers) will serve as DM for a One Shot Dungeons & Dragons adventure (a single self-contained adventure) with author Seanan McGuire (Middlegame, Every Heart A Doorway, X-Men) and up to 3 of your friends.

Nisi Shawl is an award-winning author of science fiction, fantasy, and horror. They also make delectable, unique, and magical teas. Spend time with Nisi learning how they buy, dry, cut, stir, and steep the best cup of tea. Join Nisi at the home of board member Susan Gossman in Queen Ann.

Includes a signed copy of Nisi’s book Everfair.

There will also be a livestreamed Clarion West After Dark 2022 event on YouTube on October 21 at 7:00 p.m. Pacific with Special Guest Author Daniel J. Abraham. Register at the link.

Join us as we journey across the dark expanse of space for a night of celebration, imagination, and inspiration. Clarion West is all about stories, and our story is like a generation ship: students become instructors and scholarship recipients become donors, powering this journey across time and space as we go boldly into the creation of wild and amazing worlds.

(2) SFBC’S PROMO ART RARITIES. The fourth installment of Doug Ellis’ look at the art from the Science Fiction Book Club’s Things to Come bulletin is now available; this one covers 1964-1966 and includes seldom seen work by Virgil Finlay. “The Art Of Things To Come, Part 4: 1964-1966” at Black Gate.

…As I’ve noted in prior installments, the artists who contributed to these early bulletins are often unidentified. That’s usually the case during this period as well.

The notable exception to that rule is the great Virgil Finlay, who kicks off our tour with his illustration for Fifth Planet by Fred Hoyle and his son, Geoffrey Hoyle (misspelled as Goeffrey) from the Winter and March 1964 issue of the bulletin. The original of this lovely piece still exists in a private collection….

(3) PARAMOUNT PLUS HALF PRICE DEAL. [Item by Daniel Dern.] Paramount Plus, where the new Star Trek shows (and some of the older ones) are available, is having a “temporary promotion” (not clear how that differs functionally from “a sale.” (Note: “Offer ends 11/3/22.”)

In particular (as in, the one I just went for), Paramount Plus’ with-ads version has a half-off year offer ($24.99 instead of $49.99). (And other offers which I ignored, because of lack of interest or frugality. We enjoyed no-ads on a previous promotion, which, when it expired, I cancelled our subscription.)

So if you plan to watch Star Trek (new seasons and some older ones, and, I believe, movies) (and/or want to watch the final season of The Good Fight), here’s a helpful article (where I learned about this) including a link: https://www.howtogeek.com/841103/you-can-get-an-entire-year-of-paramount-for-just-25

Quick notes:

(1) As HowToGeek cautions, “The only catch is that the subscription auto-renews, and the low price is only for the first year”.

If you don’t want to lose track and accidentally get auto-renewed, at full price, in a year, consider cancellation after, say, a month. (If you were able to get the free trial period, make sure you’re a few days past that.)

Paramount says: “If you cancel your subscription, the cancellation will go into effect at the end of your current subscription period, as applicable. You will have continued access to the Paramount+ Service for the remainder of your paid subscription period.”

(2) The HowToGeek article says [you] also get an Amazon Fire TV Stick Lite. https://www.amazon.com/fire-tv-stick-lite/dp/B07YNLBS7R ($29)

However, I didn’t see this offered in the actual subscribing process or the near-immediate confirmations from Paramount. I just did a Chat with Paramount customer service; they said I should have received an email with a PIN (didn’t comment whether that related to the promised Fire Stick), and will cause a new message-with-PIN to get sent to me.)

Even if you don’t need one for everyday use, if you’re actually travelling (within the US), it might be a convenient take-along.

(4) SCHULZ CENTENNIAL. Just to remind you, the new issue of Charles M. Schulz / Peanuts stamps is now available from the USPS.

New stamps salute the centennial of cartoonist Charles M. Schulz (1922–2000) whose “Peanuts” characters are some of the best known and most beloved in all of American culture. For five decades, Schulz alone wrote and drew nearly 18,000 strips, the last one published the day after he died. Each character reflects Schulz’s rich imagination and great humanity. His resonant stories found humor in life’s painful realities including rejection, insecurity and unrequited love.

In a celebratory mode, characters from “Peanuts” adorn 10 designs on this pane of 20 stamps and form a frame around a 1987 photograph of Schulz.

Art director Greg Breeding designed the stamps from Schulz’s artwork and an existing photograph by Douglas Kirkland.

(5) DOCTOR WHICH. [Item by Martin Morse Wooster.] Leslie S. Klinger provides background on Robert Louis Stevenson for a new edition of Dr Jekyll And Mr. Hyde.

… While RLS’s fiction never flagged in popularity, he was shunned by the critics for a long period. His work was excluded from major anthologies for much of the twentieth century. Today, however, he is highly regarded by academia as an original voice, an artist with a wide range of interests and insights, no longer to be relegated to the shelves of children’s literature or horror fiction. In 2004, the Journal of Stevenson Studies began publication, with an impressive editorial board and a mission: “The Journal of Stevenson Studies (JSS) is committed to the study and wider consideration of the work of Robert Louis Stevenson as a popular writer with an original and unique insight into the moral, psychological and cultural ambiguities of the modern world. This is the Stevenson admired by authors like Henry James, Graham Greene and Jorge Luis Borges….

(6) JEMISIN TAKES STOCK OF NYC. N. K. Jemisin was the guest on a New York Times podcast — The Ezra Klein Show: “A Legendary World-Builder on Multiverses, Revolution and the ‘Souls’ of Cities” on Apple Podcasts.

N.K. Jemisin is a fantasy and science-fiction writer who won three consecutive Hugo Awards — considered the highest honor in science-fiction writing — for her “Broken Earth” trilogy; she has since won two more Hugos, as well as other awards. But in imagining wild fictional narratives, the beloved sci-fi and fantasy writer has also cultivated a remarkable view of our all-too-real world. In her fiction, Jemisin crafts worlds that resemble ours but get disrupted by major shocks: ecological disasters, invasions by strange, tentacled creatures and more — all of which operate as thought experiments that can help us think through how human beings could and should respond to similar calamities.

Jemisin’s latest series, which includes “The City We Became” and “The World We Make,” takes place in a recognizable version of New York City — the texture of its streets, the distinct character of its five boroughs — that’s also gripped by strange, magical forces. The series, in addition to being a rollicking read, is essentially a meditation on cities: how they come into being, how their very souls get threatened by forces like systemic racism and astronomical inequality and how their energies and cultures have the power to rescue and save those souls.

I invited Jemisin on the show to help me take stock of the political and cultural ferment behind these distressing conditions — and also to remember the magical qualities of cities, systems and human nature. We discuss why multiverse fictions like “Everything Everywhere All at Once” are so popular now, how the culture and politics of New York and San Francisco have homogenized drastically in recent decades, Jemisin’s views on why a coalition of Black and Latinx voters elected a former cop as New York’s mayor, how gentrification causes change that we may not at first recognize, where to draw the line between imposing order and celebrating the disorder of cities, how Donald Trump kept stealing Jemisin’s ideas but is at the root a “badly written character,” whether we should hold people accountable for their choices or acknowledge the way the status quo shapes our decision-making, what excites Jemisin about recent discoveries about outer space, why she thinks we are all “made of exploding stars” and more.

(7) CINEMA FARAWAY. [Item by Cora Buhlert.] I review the 1967 West German Edgar Allan Poe adaptation The Snake Pit and the Pendulum at Galactic Journey as part of an overview post about recent movies. The other films covered are Quatermass and the Pit, The Day the Fish Came Out, which I have to admit I’d never heard of before, and Bonnie and Clyde, which is not even remotely SFF, but a film that reviewer Jason Sacks really likes: “[October 18, 1967] We Are The Martians: Quatermass and the Pit, Bonnie and Clyde, The Day the Fish Came Out and The Snake Pit and the Pendulum”.

… Compared to the many horrors of the real world, watching a spooky movie in the theatre feels almost cathartic. And so I decided to get away from the real world by watching the new West German horror movie Die Schlangengrube und das Pendel (The Snake Pit and the Pendulum) at my local cinema….

(8) ICONIC ARTIST. The Goodman Games website has a profile of Flash Gordon artist Alex Raymond: “A Profile of Legendary Illustrator Alex Raymond”.

Few people have influenced American comics as much as Alex Raymond. While “Jungle Jim” and “Rip Carson” [sic – Rip Kirby] may not be household names, Raymond’s most famous creation, Flash Gordon, is so ingrained into American pop culture that simply his name can be used as shorthand for a specific type of heroic, romantic science fiction. Alex Raymond’s career was short, and his death came far too soon, but his art and influence are immortal….

(9) SERIES COMPLETED. The Guardian interviews Malorie Blackman, author of dystopian YA fiction: “Malorie Blackman: ‘Thank God that’s done!’”.

…The sixth and final book in the Noughts & Crosses series, Endgame, came out last year. How do you feel now that’s over?
Mainly: Thank God I lived long enough to finish it! And: Thank God that’s done! OK, to be serious about it, it’s been a hell of a journey, which I’m really grateful for because it’s been 20-odd years. But I really do feel with the end of Endgame that really is it. And anyone who’s read it will know why. If there are more books written in that series, they won’t be by me….

(10) BE YOUR OWN SQUID. Also at the Guardian, Amelia Tait asks why immersive pop culture experiences are booming: “Dance like you’re in Bridgerton, play Squid Game: why are immersive experiences booming?”

…Welcome to the age of immersion. Dinosaurs and DC barely scratch the surface – this  summer also saw the launch of Stranger Things and Tomb Raider “experiences” in London, an I’m A Celebrity Jungle Challenge in Manchester, and an Alice in Wonderland “immersive cocktail experience” in Sheffield.

By September, fans were able to re-enact Netflix’s Squid Game at Immersive Gamebox venues in London, Essex and Manchester. In the coming weeks, London will also host an experience based on the horror franchise Saw, while Cheshire will see thousands visit Harry Potter: A Forbidden Forest Experience. And that’s without mentioning the boom in immersive art experiences, the most recent of which – Frameless – has just opened in central London….

(11) HAUNTED TRACKS. The Cromcast have launched their annual “Cromtober” event of reviewing spooky works in October. This time around, they discuss The Twilight Zone episode “A Stop at Willoughby”: “Episode 1: Get on the Ghost Train and Head to Willoughby”.

…For our first episode, we focus most of our discussion on the class Twilight Zone episode “A Stop at Willoughby” where our protagonist “Mr. Gart Williams, an ad agency exec, who in just a moment, will move into the Twilight Zone—in a desperate search for survival.”

Beyond our stop in the Twilight Zone, we also discuss why trains are kind of scary and the different things they symbols in folklore and ghost stories. Last but not least, let’s learn about President Abraham Lincoln’s Ghost TrainHop aboard, won’t you? …

(12) JIM MCDIVITT (1929-2022) Former astronaut Jim McDivitt, who played key roles in making America’s first spacewalk and moon landing possible, died October 17 at the age of 93. NPR paid tribute:

…In 1962, McDivitt was selected by NASA to become an astronaut. He was chosen to pilot Gemini 4 — becoming the first-ever NASA rookie to command a mission.

Considered NASA’s most ambitious flight at the time in 1965, the Gemini 4 mission was the first time the U.S. performed a spacewalk and the longest that a U.S. spaceflight had remained in Earth’s orbit: 4 days.

Four years later, McDivitt commanded Apollo 9 — a 10-day shakeout mission orbiting the Earth in March 1969 that involved testing the lunar landing spacecraft. It paved the way for NASA to successfully land humans on the moon four months later in July 1969.

Apollo 9 was his last trip to space. Despite his instrumental role in propelling NASA’s moon landing, McDivitt himself never reached the moon. Francis French, a spaceflight historian, said McDivitt chose not to command a moon landing mission and decided to take on a management role….

… McDivitt became manager of Lunar Landing Operations in May 1969, and in August of that year became manager of the Apollo Spacecraft Program. He was the program manager for Apollo missions 12-16….

(13) MEMORY LANE.

2005 [By Cat Eldridge.] Farscape: The Peacekeeper Wars (2005)

Once upon a time, a beloved SF series got cancelled, and yes there is absolutely nothing unusual in that happening, it happens more often than it should. What is extremely unusual is that it got a second chance to have a proper ending in the Farscape: The Peacekeeper Wars seventeen years ago. 

So let’s tell the tale of how that happened. Farscape arrived here twenty-three ago when Deep Space Nine was just wrapping up and Voyager was well into its seven year run. It started fine and ratings were strong until the fourth season and that, combined with regime change here in the States on who was picking up the tab for the two million dollars per episode led it to end abruptly. 

Fans being fans weren’t going to let things end that way, nor should we. (Yes I loved the show. Deeply, unreservedly. I think it was one of the best series ever made, if not the best.) A massive campaign was undertaken with of course emails,  letters, phone calls, and phone calls pleading with the network to reverse the cancellation. 

Even Bill Amend who created the Fox Trot series had his Jason Fox character direct his ire at SciFi and demand that they change their mind.

Well they did, sort of. A fifth season didn’t happen after all. What did happen in some ways I think was even better though I know that isn’t a popular opinion among those who wanted a full season. 

What we got was the two episode, one hundred and eighty minute Farscape: The Peacekeeper Wars which I thought splendidly wrapped things up. Every single storyline that wasn’t dealt with during the series was during this film.

SPOLER ALERT HERE.

We got a baby too. Yes, our Peacekeeper gives birth in a fountain in the middle of a firefight, insists she’s married while in labor, carries her baby unscathed through a battle. I assume that the baby was a puppet from the Henson labs. It was terribly cute.

END OF SPOILERS

I’ve watched it at least a half dozen times, probably more, in the last fifteen years. The Suck Fairy in her steel toed boots is obviously scared of those Aussie actors (and the non Aussie one as well) as she slinks away to harass someone else. 

Just looked at Rotten Tomatoes — not at all surprisingly, it carries a ninety-two percent rating among audience reviewers there. It’s streaming at Amazon Prime.

(14) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 18, 1934 Inger Stevens. She’s here for two appearances on The Twilight Zone. She had the lead as Nan Adams “The Hitch-Hiker” and she was again the lead, Jana, as the sensitive daughter of a creative genius in “The Late of The Hour”. Her only other genre credit was as Sarah Crandall in the post nuclear Holocaust film The World, the Flesh and the Devil. The coroner ruled her 1970 death a suicide. (Died 1970.)
  • Born October 18, 1938 Barbara Baldavin. She was a recurring performer on Trek first as Angela Martine in “Balance of Terror” and “Shore Leave”.  She would also appear in the final season’s “Turnabout Intruder” as communications officer Lisa.  After that, she had one-offs on Fantasy Island and The Bionic Woman. She retired from the business in 1993.
  • Born October 18, 1948 Dawn Wells. Mary Ann Summers on Gilligan’s Island which y’all decided was genre.. She had genre one-offs on The InvadersWild Wild West and Alf. (Died 2020.)
  • Born October 18, 1944 Katherine Kurtz, 76. Known for the Deryni series which started with Deryni Rising in 1970, and the most recent, The King’s Deryni, was published in 2014. As medieval historical fantasy goes, they’re damn great. 
  • Born October 18, 1951 Jeff Schalles, 71. Minnesota area fan who’s making the Birthday Honors because he was the camera man for Cats Laughing’s A Long Time Gone: Reunion at Minicon 50 concert DVD. Cats Laughing is a band deep in genre as you can read in the Green Man review here.
  • Born October 18, 1952 Pam Dawber, 71. Mindy McConnell in Mork & Mindy. She did very little other genre work, such as Faerie Tale Theatre and the Twilight Zone. She was however in The Girl, the Gold Watch & Everything as Bonny Lee Beaumont which is based off the John D. MacDonald novel of the same name. Go watch it — it’s brilliant! 
  • Born October 18, 1964 Charles Stross, 58 . I’ve read a lot of him down the years with I think his best being the rejiggered Merchant Princes series. Other favorite works include the early Laundry Files novels and both of the Halting State novels. 

(15) FIGURES DON’T LIE. Cora Buhlert posted another “Masters-of-the-Universe-Piece Theatre” photo story. This one is called “Fake Out”.

(16) SCI-FI BREAD. It turns out that the “Pan Solo” linked here the other day was only the latest genre baking stunt from this Benecia, CA bakery. The New York Times gets the goods: “Bakery Creates ‘Pan Solo,’ a 6-Foot Replica of ‘Star Wars’ Hero Made of Bread”.

…In 2018, the year they opened the family bakery, they made Game of Scones, featuring a White Walker made of bread, next to an iron throne of baguettes.

Encouraged by the positive response from the public, in 2020 they made the “Pain-dough-lorian,” clad in armor made of bread, “Baby Dough-Da” clothed in bread and “floating” in mixing bowls, and “the Pandroid,” made of pans and kitchen tools, all inspired by the television series “The Mandalorian.”

Last year, they created “Dough-ki,” a menacing alligator made of bread, with sharp teeth and curved horns, modeled after “Alligator Loki,” a creature on the Marvel television series “Loki,” starring Tom Hiddleston…..

(17) MERMAN FOR HIRE. The Los Angeles Times takes readers “Inside Southern California’s subculture of mermaid enthusiasts”.

…Laflin squirmed and flailed around on the floor for 45 minutes that first time. When he could finally sit up, he looked down his torso to inspect himself. Half fish, half man, it was a transformation that turned out to be life-altering.

Ten years after he first tried on the set piece in his apartment, Laflin, 40, is a full-time merman, part of a hub of mermaid enthusiasts in Southern California who inhabit personas that express everything from a yearning for childhood play and entertainment to environmental advocacy and gender identity. Going by the stage name “Merman Jax,” he runs a business that he christened Dark Tide Productions, which employs a team of about 10 men and women who perform at events such as birthday parties, corporate galas, and Renaissance fairs, sometimes in water, sometimes posing by a pool or the entrance of an event.

Mermaids tend to be more in demand, Laflin says, because most clients prefer to go with a performer who is female-presenting. But he loves the moments when he is swimming in a tank or lounging poolsidebecause of the sense of wonder it can inspire….

(18) THE MASKED HYMIE. “You probably forgot that Dick Gautier once filled in briefly as Batman” – let MeTV remind you.

In 1971, Adam West was done being Batman.

“I knew it was going to be hard to live down such a strong identification,” West told a TV columnist syndicated in The Newspaper Enterprise Association that year. “But it’s been even harder than I anticipated. And today the series is being widely rerun, so I’m still identified with Batman.”

This was three years past the series end, but the action series maintained a wide fan base, and that year, an idea was floated to use the popular characters of Batgirl, Batman, and Robin to run a public service announcement raising awareness for a movement to secure equal pay for women.

In the PSA, Batman and Robin are tied up, and Batgirl appears.

“Untie us before it’s too late,” Batman commands Batgirl.

“It’s already too late,” Batgirl retorts, refusing to set them free until Batman agrees to give her a raise. “I’ve worked for you a long time, and I’m paid less than Robin!”

The PSA was promoting awareness of the federal equal pay law, and it ends with a cliffhanger to tune in tomorrow to find out if Batman does his duty and gives Batgirl what she’s owed.

West refused to do this PSA, not because of politics, but because he just didn’t want to be Batman anymore….

(19) DEL TORO’S PINOCCHIO: ONE REVIWER’S TAKE. “’Guillermo del Toro’s Pinocchio’ Review: The Fantasy Master’s Distinctive Stop-Motion Take on the Old Story Carves Out Its Own Way” at Yahoo!

The possessive claim in the title “Guillermo del Toro’s Pinocchio” is a gutsy one. There’s confidence — some would even say arrogance — in filming an oft-told story at least as old as the hills, and suddenly branding it as your own: Even two auteurs as ballsy as Francis Ford Coppola and Baz Luhrmann didn’t slap their own names on “Bram Stoker’s Dracula” and “William Shakespeare’s Romeo + Juliet,” respectively. Still, you can hardly blame del Toro’s stop-motion spin on Carlo Collodi’s 19th-century chestnut “The Adventures of Pinocchio” for wanting to advertise its distinguishing vision up top: After umpteen tellings of the wooden-boy tale, and coming on the heels of Robert Zemeckis’ wretched Disney remake, Netflix’s rival adaptation has to announce itself as something different. That it is; it’s often delightful too….

(20) THESE ARE THE MENUS OF THE STARSHIP ENTERPRISE. “The New ‘Star Trek’ Cookbook Reveals the Challenges in Recreating Trek Food” reports Rachel P. Kreiter at Eater, who finds that making food green isn’t enough.

The Star Trek Cookbook is lightly bound by the conceit that Monroe-Cassel is a “gastrodiplomat” lecturing Starfleet cadets about how to further the Federation’s exploratory and expansionist goals through sharing a meal with representatives of other planets. The dishes themselves are all references I could ID from a lifetime of consuming Star Trek, but each dish’s franchise origin is noted. The book is organized by dish type, and not Star Trek series, era, or culture. In theory this makes it more usable for its intended purpose, that is, making and eating the food. This is (ugh) logical for a cookbook, and some of the recipes in here are good. Cardassian Regova eggs, for example: I boiled them, cracked the shells, and submerged them in dye diluted in water until they emerged a pretty, webby green. Spiked with some frilly bits of lettuce they looked striking; maybe I’d serve them at a Halloween party. They were also okay devilled eggs, and I learned a new trick: that you can slice off the tops and prepare them vertically.

But they’re also just devilled hen eggs, and nothing in the filling (yogurt, red pepper, garlic) makes them anything other than superficially a little weird. Everything about how the food looks — the plating, the reliance on dyes, the lightly modernist approach — broadcasts alienness, in a sci-fi aesthetic way. But making a traditionally structured cookbook with solid recipes for kinda odd-seeming food falls short of this project’s full potential, since nobody is going to a Star Trek cookbook first and foremost because it’s a cookbook…

(21) AI ART GENERATION. Camestros Felapton reviews one of the early books about the new AI art-creating systems, by a name that will be familiar to some of you: “Review: An Illustrated Guide to AI Prompt Mastery by Jack Wylder”.

…If the name sounds familiar, Jack Wylder does a lot of work with Larry Correia including producing Correia’s podcast. He’s recently produced a book which, unsurprisingly was promoted in former Puppy circles. That’s where I saw it but my interest wasn’t the connection to that particular circle of authors. Rather, I’ve been interested to see how independently published authors would start engaging with machine-learning art generation systems such as Midjourney and Dall-e for producing book covers.

An Illustrated Guide to AI Prompt Mastery attempts a system-agnostic approach to prompts. It doesn’t suggest a given system or discuss the syntax differences between systems. That is a sensible choice given that new systems are appearing regularly and the details of the syntax are better covered in their own documentation. The downside is that if you are expecting a kind of plug-and-play manual to AI-art syntax you’ll be disappointed….

(22) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers: Overwatch 2,” Fandom Games says this comes from Blizzard, which “delivers controversies faster than new titles,” as development of the game led to a lot of the staff quitting and the company releasing a bug-ridden game that included times where 40,000 people were in front of you to play.  Overwatch 2 is  for “people who fear change so much that you want sequels that are five percent different than the last title,”  and that Blizzard should have fixed the bugs in Overwatch rather than come out with a “new” line extension.

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Daniel Dern, Cora Buhlert, Doug Ellis, Martin Morse Wooster, JJ, John King Tarpinian, Andrew Porter, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]

Pixel Scroll 10/6/22 I’m Called Little Barlennan, Strong-Pincered Barlennan

(1) BRIDGING WORLDS EDITOR Q&A. Insightful questions, great answers in “Hugo Book Club Blog: Interview with Oghenechovwe Donald Ekpeki, editor of Bridging Worlds”.

It strikes me that your previous anthology Dominion was extremely successful. It seems to me like it would be tempting to take the easy route and follow that up with something very similar. One of the things that impresses me about Bridging Worlds is that you’ve taken a risk. Could you speak to that risk? To the fact that you’re tackling new ground here?

[ODE] I consider myself a literary explorer. I want to enjoy and experience things across the entire gamut of the literary, starting with the speculative. That is why I am engaged in a wide range of activities like writing and editing, long and short fiction, non-fiction, slush reading, publishing, conrunning, organizing awards, presses, etc. Even in my fiction, you’ll notice this. O2 Arena my Nebula-winning story is mundane sci-fi as Geoff Ryman coined, where my Nommo-winning “Witching Hour” is fantasyish. “Mother’s Love, Father’s Place” is a historical fantasy and “Destiny Delayed” in Asimov’s and Galaxy’s Edge published this year is a genre blender. My latest story “The Magazine of Horror”, yet unpublished is epistolary, written as a series of letters between magazine editors and a submitter. 

My editing is the same. After Dominion, an original fiction anthology, I undertook to do the first-ever Year’s Best African Speculative Fiction anthology, a Hugo, Locus, WFA & BFA finalist. It was a reprint anthology. And next was Bridging Worlds, an original non-fiction anthology, then I edited several collections with Interstellar Flight Press before returning to editing original fiction with Sheree Renée Thomas and Zelda Knight again in Africa Risen. I believe in exploring, charting and discovering new courses, to challenge myself to growth as you cannot find without risk. Rather than stagnating on the capitalist, hollywoodish attitude of being safe and dying on the altar of ‘never change a winning formula.’ The truest wins, are yet undiscovered and continued progress and the ongoing growth of the genre hinges on going outside our comfort zones to find what’s different, new, needed.

(2) NOBEL PRIZE FOR LITERATURE. Annie Ernaux is the winner of the 2022 Nobel Prize for Literature, a French author cited “for the courage and clinical acuity with which she uncovers the roots, estrangements and collective restraints of personal memory.” The summaries of Ernaux’ major works do not indicate that any are genre, but you wanted to know who won, didn’t you?

(3) RELATED WORKS. Cora Buhlert’s new “Non-Fiction Spotlight” is for Rising Sun Reruns: Memories of Japanese TV Shows from Today’s Grown-up Kids, edited by Jim Beard.

SFF-related non-fiction is somewhat sidelined by the big genre awards, since the Nebulas have no non-fiction category and the Best Related Work Hugo category has become something of a grab bag of anything that doesn’t fit elsewhere. So why do you think SFF-related non-fiction is important?

[Jim Beard] Because of the width and breadth of SF and Fantasy in pop culture, and how we all as fans have connection points throughout it. I personally love coming across a non-fiction book on a subject I love, whether well-known or obscure, and while I myself am chugging away on doing my own publications, I can’t wait to see what other editors and publishers are doing. We’ve only scratched the surface of what can be discussed, debated, and delivered in SFF non-fiction.

(4) TROLLING TOMLINSON. The Daily Beast gives mainstream media attention to a story fans have been following for some time: “Internet Trolls Have Tormented Patrick Tomlinson for Years and He Can’t Stop Them”.

…Tomlinson and his wife have both been the victims of impersonators spoofing their email and social media accounts to send bigoted messages to colleagues and random people, prompting intensive cleanup efforts on the sci-fi writer’s behalf.

All the while, the author continues to receive dozens of insulting texts, voicemails, and emails on a daily basis from his nameless stalkers, some of whom even send pictures indicating they’re just outside his house.

Yet, as Tomlinson told The Daily Beast, the efforts they’ve taken to identify his harassers and potentially bring them to justice have not only come up empty but cost them tens of thousands of dollars in legal fees. All because a court recently found that the identity of the anonymous owner of the message board can remain hidden and thus cannot be subpoenaed to provide information about the identities of the users on their site.

Tomlinson’s plight is somewhat similar to that of trans Twitch streamer Clara Sorrenti, who has been the focus of a lengthy, vicious, anti-trans harassment campaign by users on the internet message board Kiwi Farms. In fact, Tomlinson himself was the target of a 1,400-page thread on the notoriously toxic online community, whose users single out specific individuals to stalk and harass….

…During this period of time, Tomlinson filed a court action attempting to subpoena Cloudflare in an effort to seek the identity of the anonymous blogger who runs the OnA Forums. Tomlinson’s lawyers argued that he needed the ability to depose the forum owner in order to learn the identities of dozens of anonymous users he sought to sue for posting defamatory statements about him on the site.

In September 2021, a California judge granted John Doe’s order to quash Tomlinson’s petition to subpoena Cloudflare to learn Doe’s identity, citing protections under Section 230 that allows for anonymity for those who passively engage on the internet.

…Besides quashing the subpoena, Judge Ethan P. Schulman also ordered Tomlinson to pay a mandatory amount of $23,739.25 in attorneys’ fees and costs.

(5) CITY TECH SF SYMPOSIUM. The Seventh Annual City Tech Science Fiction Symposium has put out a “Call for Papers: Science Fiction and the Archive”. The online event, sponsored by the School of Arts and Sciences at the New York City College of Technology, CUNY, will take place Tuesday, December 6, 2022 from 9:00AM-5:00PM Eastern.

Continuing the explorations and conversations of the previous two symposia on “Race” and “Access” respectively, this year’s City Tech Science Fiction Symposium is focused on the idea of the “Archive.” The potential of the SF Archive as an inclusive and celebratory concept is increasing, and we hope this symposium will be a space to facilitate its expansion through our conversations and collegial debate. Of course, an archive (little a) can refer to practical considerations of Library-based Special Collections like those in the City Tech Science Fiction Collection and others, including the collected materials, cataloging, and providing access. However, we are also thinking of the Archive (big A) in terms of canonicity, cultural preservation, reading lists, and bookstore shelfspace. These latter considerations raise questions about what does and doesn’t get included within what we might call the SF Archive as well as who does and doesn’t get a say in those selections. Therefore, the SF Archive is a broadly based concept that encompasses Libraries and Special Collections and the larger cultural space of fandom, social media, and the marketplace, all of which involve the exchange of cultural capital, influence by different forms of gatekeepers, and conversations on many levels by different readers about what SF should be valued, recognized, and saved. 

The SF Archive changes over time. Perhaps most exciting for the present are the many initiatives to excavate our shared cultural histories for SF that had been overlooked or forgotten but certainly deserving of inclusion, such those by writers of color, women, and LGBTQ+ persons; and efforts to bring global SF to wider audiences thanks to growing networks of readers and scholars versed in the original language of a text and those wanting to experience those stories through translation. 

The Symposium is also where Analog Science Fiction and Fact will announce the winner of their second Analog Award for Emerging Black Voices Award.

(6) CROWDSOURCED QUESTIONS FOR KEVIN SMITH. [Item by Cora Buhlert.] Readers of the Guardian interview director Kevin Smith. Of his works Dogma and Masters of the Universe: Revelation are explicitly genre, the rest is at the very least genre-adjacent: “Kevin Smith: ‘How are you going to get laid if you look like an old person?’”. The answer to the first question is really sad BTW, because Smith says he received so much harassment from toxic fanboys about Masters of the Universe: Revelation that he wouldn’t even want to do a Star Wars or Marvel movie, because he fears it would be worse.

 What was it like working with Alan Rickman in Dogma? CWilliams1955

Bliss. Alan Rickman, it turns out, was my friend. I was such a fan from the moment I saw him in Die Hard. I assumed we were just associates, but he stayed in touch the rest of his life. Whenever I was in England, he would call out of the blue and say – I can’t do the voice: “I know you’re here, it’s time to hang out.” He wasn’t just being professionally courteous because we made a movie together 20 years ago. I still can’t believe Alan Rickman actually liked me.

One of my favourite memories is when he came to one of my shows at the O2 in London and we drove back to town together. He said: “I’ve finally broken and bought an apartment in New York.” I said: “That’s excellent.” He said: “It’s not excellent, it’s in the same building as my friend Ralph.” I said: “Why is that bad?” And he said: “Ralph Fiennes. If the Harry Potter world found out that Snape and Voldemort live in the same building, they’d burn it to the ground!”

(7) MEMORY LANE.  

1962 [By Cat Eldridge.] Sixty years ago, the very first novel in James White’s most exemplary Sector General series was published, Hospital Station

Now I wasn’t originally was going to do an essay on this series as I was about to do a UPN series about a human interstellar hospital series (and yes I’ll tell you about it next year) but I remember this series and yes I liked it a lot, so decided to essay it this time. Me, fickle? No. 

(That series, Mercy Point, was considered influenced by White’s series. It lasted seven episodes. No, I’ve not seen it.)

I think I was in University when I discovered the Ballantine Books paperback of the first novel  in a wonderful bookstore near the public library in the town near the University. (It had four used bookstores. Bliss!) I won’t say it was it was the cover that it attracted me as it wasn’t at all appealing, but the tag line of “the fabulous story of a hospital in the sky” did get my attention.  

It certainly didn’t disappoint. Hospital Station was quite amazing from beginning to end. It was the home of many strange creatures, including humans! 

As one reviewer so aptly put it, “Good-natured, high quality, pacifist SF that is ideal comfort food when looking to elevate your mood into the upper range of the happy scale.”  It was the antithesis of all the military SF in existence and I loved deeply it for being so. Humans and aliens not attacking each other, but working together instead. Oh how so very wonderful!

White was very good at envisioning both how humans would handle dealing with various aliens and those aliens themselves. One of the lasting advantages of text fiction over video fiction is it is easier to create in the mind’s eye an alien for the reader. And damn cheaper too! 

Some reviewers and readers have criticized the twelve novel series saying that as it went along its way that it got weaker, less interesting. Not for me, as I think it was perfectly fine right to the end, even the sometimes far too jokey The Galactic Gourmet. 

Okay, food in genre fiction is a tricky thing to doJust look at Steven Brust’s Cowboy Feng’s Space Bar and Grille which is the only novel by him that I deeply loathe with all my heart. (Don’t worry, he knows that. He gets dark chocolate from me.)

One critic compared the setting to that of Deep Space Nine which I must say makes me go WTF? Yes it’s a station in outer space but that’s the only resemblance. A pacifist hospital versus a heavily armed station? Huh?

I’ve re-read some of the novels several times such as Hospital Station forty years on and the steel booted Suck Fairy stubbed her toe on the way to it and broke her leg. It’s just as fine now as it was way back then. 

The first three novels, Hospital StationStar Surgeon and Major Operation are really a Meredith Moment from the usual suspects at twelve bucks.

White was a Guest of Honor of the L.A.con III Worldcon that Our Ever So Gracious Host chaired in 1996. 

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 6, 1942 Britt Ekland, 80. She starred in The Wicker Man as Willow MacGregor, and appeared as a Bond girl, Goodnight, in The Man with the Golden Gun. She was also Queen Nyleptha in King Solomon’s Treasure based off the H. Rider Haggard novels. 
  • Born October 6, 1946 John C. Tibbetts, 76. A film critic, historian, author. He’s written such articles as “The Illustrating Man: The Screenplays of Ray Bradbury” and “Time on His Hands: The Fantasy Fiction of Jack Finney”. One of his two books is The Gothic Imagination: Conversations on Fantasy, Horror, and Science Fiction in the Media, the other being The Gothic Worlds of Peter Straub.
  • Born October 6, 1950 David Brin, 72. Author of several series including Existence, the Postman novel, and the Uplift series which began with Sundiver, followed by Startide Rising, a most excellent book and a Hugo-winner at L.A. Con II (1984). I’ll admit that the book he co-wrote with Leah Wilson, King Kong Is Back! An Unauthorized Look at One Humongous Ape, tickles me to no end.
  • Born October 6, 1955 Ellen Kushner, 67. If you’ve not read it, do so as her now sprawling Riverside series is amazing. I’m quite sure that I’ve read all of it. And during the High Holy Days, do be sure to read The Golden Dreydl as it’s quite wonderful. As it’s Autumn and this being when I read it, I’d be remiss not to recommend her Thomas the Rhymer novel which won both the World Fantasy Award and the Mythopoeic Award.
  • Born October 6, 1952 Lorna Toolis. Librarian, editor, and fan Lorna was the head of the Merril Collection of Science Fiction, Speculation, and Fantasy at the Toronto Public Library from 1986-2017, a collection started in 1970 with a donation from Judith Merril. Toolis was a significant influence on the Canadian SF community, a founding member of SFCanada, who won an Aurora Award for co-editing Tesseracts 4 with Michael Skeet. (Died 2021.)
  • Born October 6, 1963 Elisabeth Shue, 59. Best known as Jennifer, Marty McFly’s girlfriend, in Back to the Future Part II and Back to the Future Part III, she also had roles in Hollow Man and Piranha 3D. Really Piranha 3D? Let’s look that up on Rotten Tomatoes… The audience reviewers there gave it a twenty-two percent rating.

(9) COMICS SECTION.

(10) ACTING IN THE AGE OF CGI. [Item by Francis Hamit.] I trained as an actor when I was a Drama major.  A Method actor should be able to handle this. British-trained actors may have a harder time of it.  But this may explain why the performances in comic book movies are so uneven. “Does it really matter if Marvel’s stars act in a state of utter bewilderment?” in the Guardian.

Ewan McGregor revealed earlier this year that he spent virtually the entirety of filming for 2002’s Star Wars: Attack of the Clones wandering round a blue-screen studio talking to inanimate objects while portraying the young Obi-Wan Kenobi, an experience he clearly found disgruntling. “I spent a lot of time off on my own and on this planet with tall aliens, and of course, none of that was there,” he said during interviews for the recent Disney+ show that revived the Jedi knight. “For me, it was, like, a long time walking around blue sets speaking to tennis balls and sticks and it was just not what I was used to, and it was hard to make. Hopefully, we made it realistic and we did the best we could.”

In the early days of CGI film-making, actors regularly reported similar unease, but in recent years the problem seems to have diminished. This is probably down to the increased use of motion capture where actors can bounce off their fellow cast members in a more organic fashion….

(11) STAR POWER. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Timmy Fisher discusses “When You Wish Upon A Star” from Pinocchio.

…The song was penned for Walt Disney’s original animated feature, with in-house composer Leigh Harline setting words by ex-Broadway lyricist Ned Washington.  That wistful version–a homage to the nursery rhyme ‘Star Light, Star Bright’–was perfectly suited for the crooning falsetto of Cliff Edwards, aka Ukulele Ike, a vaudeville star who voiced Jiminy Cricket and recorded abridged versions for the opening credits and the final scene….

Though Pinocchio initially struggled at the box office. ‘When You Wish’ was an instant hit:  a re-recording with Edwards and the Victor Young Orchestra jostled for attention among covers by Glenn Miller, Kate Smith, and Vera Lynn, as well as the movie soundtrack release.  Foreign-language versions such as the Swedish “Ser du Stjärnan I Det Blå” (“Do you see the star in blue”) soon popped up.  Even Nazi Germany succumbed.  According to Albert Speer, Hitler whistled it at the Palais de Chaillot overlooking a conquered Paris.

(12) THE DOC AND SPOCK. “Star Trek’s Leonard Nimoy nearly directed the Doctor Who TV movie” reports RadioTimes.

Having premiered just over 25 years ago to a mixed reception, the 1996 Doctor Who TV movie has slowly garnered an appreciation alongside a strong fandom for Paul McGann’s Eighth Doctor, who made a brief return appearance as part of the show’s 50th anniversary celebrations in 2013….

…While best known for his iconic role as Spock in Star Trek, Nimoy is no stranger to directing, having helmed Star Trek III and IV as well as Three Men and a Baby, which went on to become the highest-grossing film of 1987.

With an impressive track record not only with sci-fi fans but also at the box office, Nimoy might have seemed like a no-brainer to come on to direct. So, what happened?

“FOX did not want him to do it. They were concerned it looked very kitsch to go, ‘Aren’t we clever? We’ve got Spock from Star Trek directing.’”…

(13) YOU GOT TROUBLE, MY FRIEND. In the Washington Post, Michael Cavna says newspapers are slashing the space given to comic strips, with Lee Enterprises saying in its 77 dailies the comic strips will be cut to half a page.  Comic strip creators are scrambling to replace the lost income. “Is the print newspaper comics page in trouble?”

…And Patrick McDonnell, creator of the strip “Mutts,” which he says lost dozens of clients, underscores why comics are a popular staple of the newspaper, with readers developing long-term relationships with their favorite strips: “Over time, the characters are like family. Newspapers should consider this bond before they decide to make drastic changes.”…

(14) BOO! Alasdair Beckett-King sums up all haunted house movies in this clip from 2021.

(15) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers:  Metal:  Hellsinger,” Fandom Games says this game combines the thrill of blasting creatures with the throbbing beats of metal, with a different headbanging song on every level.  They say “We wonder what these guys could do with an actual budget,” but adds the key to success here is “just don’t expect to use any part of your brain that you can’t find on a lizard.  But sometimes smooth brain fun is the best kind of fun.”

[Thanks to John King Tarpinian, Andrew Porter, Chris Barkley, mark, Cora Buhlert, Francis Hamit, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern & Sullivan.]

Pixel Scroll 9/22/22 On Tsundoku Did OGH, A Stately Pixel-Scroll Decree

(1) TO BOLDLY SNIFF. No need to be shy about writing this subgenre:“Imagining The Real World by Rae Mariz” at Stone Soup.

…I write climate fiction and it took me a while to realize how saying that in a declarative sentence made publishing professionals recoil like I’d asked them to smell my skunk. I put it proudly in my pitches and query letters. Climate! Fiction!… Smell! My! Skunk! I didn’t know you weren’t supposed to say the c-word in polite company. I’m still not sure why that is, why it’s not something people are actively “looking for” in fiction. Because for me, stories are ideal places to work out the tangles of complicated issues—especially the “what are we not talking about when we refuse to talk about the climate crisis?” questions….

(2) BAIKONUR BOOGIE. Today I learned there is also a Russian Space Forces (they use the plural). And I’m told this is their anthem. You can dance to it!

(3) WINDOW ON CHICON 8. Keith Stokes’ photos of the Worldcon are now online at “Chicon 8 – the 2022 World Science Fiction Convention”.

Here’s his shot of the Chengdu Worldcon exhibit table.

(4) TOLKIEN IN THE BOOT. The New York Times covers “Hobbits and the Hard Right: How Fantasy Inspires Italy’s Potential New Leader”

Giorgia Meloni, the hard-right leader who is likely to be the next prime minister of Italy, used to dress up as a hobbit.

As a youth activist in the post-Fascist Italian Social Movement, she and her fellowship of militants, with nicknames like Frodo and Hobbit, revered “The Lord of the Rings” and other works by the British writer J.R.R. Tolkien. They visited schools in character. They gathered at the “sounding of the horn of Boromir” for cultural chats. She attended “Hobbit Camp” and sang along with the extremist folk band Compagnia dell’Anello, or Fellowship of the Ring.

All of that might seem some youthful infatuation with a work usually associated with fantasy-fiction and big-budget epics rather than political militancy. But in Italy, “The Lord of the Rings” has for a half-century been a central pillar upon which descendants of post-Fascism reconstructed a hard-right identity, looking to a traditionalist mythic age for symbols, heroes and creation myths free of Fascist taboos.

“I think that Tolkien could say better than us what conservatives believe in,” said Ms. Meloni, 45. More than just her favorite book series, “The Lord of the Rings” was also a sacred text. “I don’t consider ‘The Lord of the Rings’ fantasy,” she said….

(5) HORROR FILM MAGAZINE INTERVIEWS VERTLIEB. The new issue of We Belong Dead Magazine, the prestigious British horror film magazine, includes a twelve-page interview and color layout on the life and times of Steve Vertlieb. It’s issue No. 31, and is available now at Barnes and Noble, and wherever good books and magazines are sold throughout the globe. Get your copy now!

(6) I LIVE IN A CLOCK NOW. Keegan-Michael Key and Jordan Peele take on steampunks in this 2020 sketch. “When Your Friend Goes Steampunk”.

(7) MEDIA BIRTHDAY.  

1997 [By Cat Eldridge.] Time Travel series aren’t exactly rare, are they? A quarter of a century ago on this evening one such series, Timecop, premiered on ABC. It was based on the much more successful Jean-Claude Van Damme Timecop film. Yes, I liked that film a lot. 

If you blinked you missed this series as it lasted just nine episodes before the cancellation blues played out.

Mark Verheiden who later co-produced the more successful Falling Skies series for TNT created this series. 

It starred Ted King as the Timecop, Officer Jack Logan. You may remember him as Andy Trudeau on Charmed during its first season. There is only one character, Captain Eugene Matuzek, carried over from the film, but the premise is the same. 

And yes, the beautiful female character trope held true here. 

I wouldn’t say its originality quota was high as here’s the story for the pilot: “A time traveler from the twenty-first century kills Jack the Ripper and takes his place.” That Jack becomes the main antagonist.

Nine of the thirteen episodes ordered were televised. No, there’s not four unaired episodes out there as they were never produced.

A trilogy continuing the story was published by Del Rey Books: The ScavengerViper’s Spawn and Blood Ties.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 22, 1917 Samuel A. PeeplesMemory Alpha says that he’s the person that gave Roddenberry the catch phrase he used to sell Star Trek to the network: “[As] fellow writer Harlan Ellison has credited him with the creation of one of the most famous catch phrases in Star Trek lore, “[Gene Roddenberry] got ‘Wagon Train to the stars’ from Sam Peeples. That’s what Gene said to me. They were at dinner and Sam Peeples, of course, was a fount of ideas, and Gene said something or other about wanting to do a space show and Sam said, ‘Yeah? Why don’t you do Wagon Train to the stars?’” (Died 1997.)
  • Born September 22, 1939 Edward A. Byers. Due to his early death, he has but two published novels, both space operas, The Log Forgetting and The Babylon Gate. EOFSF says “Byers was not an innovative writer, but his genuine competence raised expectations over his short active career.” There’s no sign his double handful of stories was collected, though his two novels are in-print. (Died 1989.)
  • Born September 22, 1952 Paul Kincaid, 70. A British science fiction critic. He stepped down as chairman of the Arthur C. Clarke Award in April 2006 after twenty years. He is the co-editor with Andrew M. Butler of The Arthur C. Clarke Award: A Critical Anthology. He’s also written A Very British Genre: A Short History of British Fantasy and Science Fiction and What It Is We Do When We Read Science Fiction. His latest publication is The Unstable Realities of Christopher Priest.
  • Born September 22, 1954 Shari Belafonte, 68. Daughter of Harry Belafonte, I first spotted her on Beyond Reality, a Canadian series that showed up when I was living in upstate Vermont. You most likely saw her as Elizabeth Trent in Babylon 5: Thirdspace as that’s her most well known genre performance. Bet hardly of you saw her as Linda Flores in Time Walker, an Eighties SF horror film, or the Mars SF film in which she played Doc Halliday. 
  • Born September 22, 1957 Jerry Oltion, 65. His Nebula Award winning Abandon in Place novella is the beginning of the Cheap Hyperdrive sequence, a really fun Space Opera undertaking. Abandon in Place was nominated for a Hugo at LoneStarCon 2 (2013). The Astronaut from Wyoming was nominated for a Hugo at Chicon 2000. 
  • Born September 22, 1971 Elizabeth Bear, 51. I’m only going to note the series that I really like but of course you will course add the ones that you like. First is her White Space series, Ancestral Space and Machine, which I’ve read or listened to each least three times.  Next up is the sprawling Promethean Age series which is utterly fascinating, and finally The Jenny Casey trilogy which just came out at the usual suspects.
  • Born September 22, 1982 Billie Piper, 40. Best remembered as the companion of the Ninth and Tenth Doctors, she also played the dual roles Brona Croft and Lily Frankenstein in Penny Dreadful. She played Veronica Beatrice “Sally” Lockhart in the BBC adaptation of Philip Pullman’s The Ruby in the Smoke and The Shadow in The North. 
  • Born September 22, 1985 Tatiana Maslany, 37. Best known for her superb versatility in playing more than a dozen different clones in the Orphan Black which won a Hugo for Dramatic Presentation (Short Form) at the 73rd World Science Fiction Convention for its “By Means Which Have Never Yet Been Tried“ episode. She received a Best Actress Emmy and more than two dozen other nominations and awards. She is Jennifer Walters / She-Hulk in the new Marvel She-Hulk series.

(9) COMICS SECTION.

(10) IT COULD ALWAYS GET WORSE. Stephen King reviews Celeste Ng’s Our Missing Hearts for the New York Times: “Celeste Ng’s Dystopia Is Uncomfortably Close to Reality”.

The definition of “dystopia in the Oxford English Dictionary is bald and to the point: “An imaginary place in which everything is as bad as possible.”

Literature is full of examples. In “The Time Machine,” the Morlocks feed and clothe the Eloi, then eat them. “The Handmaid’s Tale” deals with state-sanctioned rape. The firefighters in “Fahrenheit 451” incinerate books instead of saving them. In “1984”’s infamous Room 101, Winston Smith is finally broken when a cage filled with rats is dumped over his head. In “Our Missing Hearts,” Celeste Ng’s dystopian America is milder, which makes it more believable — and hence, more upsetting.…

(11) MORE HORRIFYING THAN PUMPKIN SPICE. “Demonic Doll ‘Chucky’ Gets Pumpkin Beer for Halloween”. The official collaboration between Elysian Brewing and NBCUniversal has been launched to celebrate the second season of Chucky’s eponymous TV show. (That red color comes from the added cranberry juice.)

…”Chucky is one of Halloween’s most iconic, beloved characters, and we have found the perfect partner in Elysian Brewing to capture his spirit this season,” Ellen Stone, executive vice president for entertainment consumer engagement and brand strategy at the networks’ parent company NBCUniversal Television and Streaming, stated. “This custom pumpkin beer provides a fresh, unique way for fans and beer fanatics alike to quench their thirst with a taste of Chucky ahead of the season two premiere….

(12) IRON CONTRACT. “’Iron Widow’ YA Bestseller to Be Adapted Into Movies” reports Variety.

Iron Widow,” the New York Times bestselling novel by Xiran Jay Zhao, is headed to the big screen.

Erik Feig’s Picturestart has obtained adaptive rights and is plotting a franchise around the science fiction premise, with J.C. Lee (of the forthcoming “Bad Genius” remake) set to write the screenplay.

The book is set in the fictional world of Huaxia, where humanity’s only hope against alien invaders are giant transforming robots called Chrysalises, which require a boy-girl pair to pilot…. 

(13) THE 3-D LAWS OF ROBOTICS. [Item by SF Concatenation’s Jonathan Cowie.] Nature’s cover story is about new robots — move over Asimov… “Builder drones”.

Ground-based robots have potential for helping in the construction industry, but they are limited by their height. In this week’s issue, Mirko Kovac, Robert Stuart-Smith and their colleagues introduce highly manoeuvrable aerial robots that can perform additive 3D construction tasks. Inspired by natural builders such as wasps and bees, the researchers created BuilDrones (as shown on the cover) that can work in an autonomous team to perform 3D printing tasks using foam- or cement-based materials. They also created ScanDrones to assess the quality of the structures being built. The team hopes that this approach of ‘aerial additive manufacturing’ could help to build structures in difficult to access areas.

Aerial-AM allows manufacturing in-flight and offers future possibilities for building in unbounded, at-height or hard-to-access locations.

(14) JWST LOOKS AT NEPTUNE. “New Webb Image Captures Clearest View of Neptune’s Rings in Decades”. Read the NASA release at the link.

…Webb also captured seven of Neptune’s 14 known moons. Dominating this Webb portrait of Neptune is a very bright point of light sporting the signature diffraction spikes seen in many of Webb’s images, but this is not a star. Rather, this is Neptune’s large and unusual moon, Triton….

(15) VIDEO OF THE DAY. Ryan George takes you inside the Pitch Meeting that led to Pinocchio (2022)!

[Thanks to Chris Barkley, Michael Toman, Cat Eldridge, N., Lise Andreasen, Alan Baumler, SF Concatenation’s Jonathan Cowie, Steve Vertlieb, Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]

Pixel Scroll 8/24/22 Once the Pixels Go Up, Who Cares Where They Scroll Down?

(1) GUESSING GAME. Camestros Felapton invites you to take his “Hugo Novel Picture Quiz”.

This year, as the Hugo Awards come closer, I thought I’d combine my current hobby (throwing weird prompts as Midjourney AI) and a guessing game.

I used the names of each of the Hugo Award finalist novels as prompts for the AI. It drew a quartet of pictures for each. Based on the picture, you have to guess which pictures match which novels…

(2) L, D + R. [Item by Martin Morse Wooster.] I listened to this podcast Leonard and Jessie Maltin did with several people associated with Love, Death, and Robots because one episode from the show is up for an Emmy. 

Executive producer Tim Miller says he came up with the idea of “reviving Heavy Metal” over a decade ago. He and David Fincher started pitching this idea and Netfix greenlit the series, which is renewed for season 4.  Jennifer Yuh Nelson, who directed Kung Fu Panda 2 and Kung Fu Panda 3, says as supervising producer her role is to create the storyboards animators use and “head the quality control department.”  Sound editors Brad North and Craig Henigan explain what sound editors do, and we learn that the great sound editor Ben Burtt got part of the voice for Darth Vader from a noisy projector at the University of Southern California film school that is still being used. 

Finally, Leonard Maltin said that Alfred Hitchcock once opined that the advantage an animator has over a live action director is “If you don’t like your leading man, you can rip him up.” “Emmy Nominees for Love, Death & Robots” at Maltin on Movies.

(3) THE LIFE AND TIMES OF JOANNA RUSS. A feature of the Middletown (PA) Public Library’s Science Fiction Book Club is its online archive of Science Fiction Author Interviews. The latest is an “Interview about Joanna Russ” conducted with Lisa Yaszek, a Regents’ Professor of Science Fiction Studies at Georgia Tech.

Damo Mac Choiligh: Did Russ retain her perception of SF as a worthwhile literature into later life? I have always been struck by how she was optimistic about its potential, despite the extent to which it is dominated by writers and fans for whom her feminism was anathema or who simply did not understand it.

[Lisa Yaszek:] I’ve always liked Russ’s optimism as well! Russ spoke often about how she began reading science fiction as a teenager because it promised her that “life could be different!” than the stifling world of midcentury America. And then many of her early critical essays were all about why SF is an important genre. And of course, she continued to write both professional SF and amateur “slash” fiction until her death. If her production slowed down in the 1980s and 1990s, it was largely due to health issues. Having said that, Russ did become increasingly disenchanted with certain factions of the SF community as the 1970s unfolded. When Russ started out in the 1960s, she was actually quite well-received by the largely male/male-identified SF community because she wrote about the possibilities of science fiction as the premiere story form of modernity and her first really successful stories—the Alyx tales—followed the adventures of a strong, smart, successful woman living mostly amongst men. But then Russ began to write essays about the patriarchal limits of SF as it was currently practiced (in essays such as “The Image of Women in Science Fiction” and “Amore Vincent Foeminam!”) and more literarily-experimental stories about all[1]female futures and the women who would go to war with men to preserve them, such as “When It Changed” (1972), The Female Man (1975), and The Two of Them (1978). This led SF authors and editors including Poul Anderson, Judy Del Rey, and Avram Davidson to publicly turn against Russ, dismissing her as a “second rate academic” masquerading as an author. Even Samuel R. Delany—a queer Black experimental SF author who was friends with Russ and who Russ was careful to include in important gender and SF events, such as the 1974 Khatru symposium on “Women and Science Fiction”—was quite critical of her writing at the time. Little wonder then, that Russ gave up her post as a reviewer for the Magazine of Fantasy and Science Fiction in 1980 and began to focus more on writing and publishing in feminist and lesbian venues—even if she never quit writing science fiction itself….

(4) HUGO PICKS. Kristenelle – SFF Reader is a science fiction and fantasy focused booktuber who reads a lot of new releases and does commentary on awards such as the Hugos and Nebulas. Here are her “2022 Hugo Award Predictions”. The whole concept of booktubers fascinates me, I wish I had time to keep up with them.

(5) MENSA. Eve Peyser chronicles “My Week With America’s Smartest* People” for New York Magazine.

Despite its history and Loftus’s conclusions, I did not get the sense that Mensa is an unhealthy place to find community. Many of its members think of themselves as outsiders and feel like Mensa is a place where they can be themselves and connect with people who understand and appreciate them. It’s a place where they can find other folks who love to play Set or who have encyclopedic knowledge of minute Disney trivia. This isn’t to say that there aren’t toxic subsections of Mensa, because there are, but that’s true of any group that runs tens of thousands of members deep. And in an era when the internet and the pandemic have scrambled our sense of community and alienation reigns supreme, that’s no small thing.

(6) ARRAY OF TEMPESTS. Ars Technica tells why “We’re loving the lavish epic visuals in the new LOTR: Rings of Power trailer”.

…This latest trailer opens with a voiceover by Galadriel, telling us that her brother gave his life “hunting the enemy.” She takes up the cause in his stead. She asks for others to stand with her, as we see shots of several central characters who, one presumes, will become her comrades in arms. Or perhaps they will decline the offer. That seems to be the case with Halbrand, who insists, “I am not the hero you seek,” suggesting a dark secret in his past. “Whatever you did, be free of it,” Galadriel tells him.

Galadriel seems to be emerging as the most major protagonist, but we also get new footage of several other characters scattered throughout Middle-earth, including dwarves and hobbits. The latter, while humble, do have their strengths. “One thing we can so better than any creature in all Middle-earth—we stay true to each other, with our hearts even bigger than our feet,” Nori’s dad, Largo Brandyfoot (Dylan Smith), says. It looks like different kinds of struggles and battles will be waged on many different fronts, as befitting a sweeping epic series of this magnitude….

(7) NEVER? WELL, HARDLY EVER. Tom Mead chooses the “10 Most Puzzling Impossible Crime Mysteries” at Publishers Weekly.

… “Impossible crime” and “locked-room mystery” are two analogous terms referring to mysteries in which how a crime was committed is equally important as who committed it. Crimes which are seemingly impossible, which appear to have been committed in defiance of both physics and logic. As such, these mysteries are often tinged with a hint of the surreal, the sinister, and the uncanny. However—and this is particularly important—the crime always, always has a rational explanation. By its nature, this is a fiendish subgenre, but when done right it’s also one of the most satisfying for both writers and readers. The puzzle and the atmosphere are perfectly intertwined; all the clues are there, but they are so ingeniously disguised as to make it nigh-on impossible for the reader to suss out what is going on….

At the top of his list:

1. The Three Coffins/The Hollow Man by John Dickson Carr

Whenever I am asked what is my favorite locked-room mystery or impossible crime story, this is always my answer. The murder of Professor Charles Grimaud by the mysterious “hollow man” who vanishes without trace is a perfect locked-room problem. Meanwhile, the killing of illusionist Pierre Fley in a street carpeted with unmarked snow is an archetypal example of the popular impossible crime variant, the no-footprints puzzle. 

As well as one of the most famous examples of the subgenre, this novel remains an indisputable masterpiece. Not only is it a tour-de-force of plotting, prose, and atmosphere, it also happens to contain within it one of the definitive critical overviews of the genre itself: the famous “locked-room lecture,” a perfect piece of meta-fiction in which Dr. Gideon Fell examines the very nature of the impossible crime. It’s a treatise which probes just about every category of impossible crime, providing numerous examples of methods by which they could be achieved. But is the solution to these two murders lurking somewhere in those scant few pages? Or is the locked-room lecture itself just a red herring? 

When I first read this book, the brilliance of the solution left me giddy. Reading it again today, it has lost none of its impact. This book is one of the many reasons that John Dickson Carr remains (to borrow a phrase from Agatha Christie) the “supreme conjurer, the King of the Art of Misdirection.”

(8) MEDIA BIRTHDAY.  

1966 [By Cat Eldridge.] Fifty-six years ago, Fantastic Voyage premiered. It would the next year be nominated for a Hugo at NyCon 3 but Star Trek’s “The Menagerie” won. 

It was directed by Richard Fleischer and produced by Saul David. Fleischer had been responsible for the earlier 20,000 Leagues Under the Sea and David had produced Our Man Flint. (It is definitely genre.) The screenplay was by Harry Klein off an adaptation by David Duncan (yes, our David Duncan) of the story by Jerome Bixby and Otto Klement which I assume is “Small War” though nowhere is that stated. 

The film starred Stephen Boyd, Raquel Welch, Edmond O’Brien, Donald Pleasence, and Arthur Kennedy. Of course it has Welch in it , there had to be one sexy female on the crew, didn’t there?

Klement and Kleiner claimed to the studio that it would be “the most expensive science-fiction film ever made”, a odd thing I think to say to sell anything to a studio. It cost five million dollars which certainly was expensive but not that expensive. It didn’t do that well at the box office returning just twelve million.

I’ll quote but one review from the time, that of Variety: “Fantastic Voyage is just that. The lavish production, boasting some brilliant special effects and superior creative efforts, is an entertaining, enlightening excursion through inner space – the body of a man.”

Asimov wrote the novelization which readers thought the film was based on as it came out well before the film premiered. He was displeased with that take so he wrote another take, Fantastic Voyage II: Destination Brain,  and a third novel would follow written not by him but by Kevin J. Anderson, Fantastic Voyage: Microcosm.

It would spawn a short-lived animated series, Fantastic Voyage, thirteen episodes to be precise, and a Fantastic Voyage comic book, based on the series, published by Gold Key which lasted an amazingly short two issues.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 24, 1899 Gaylord Du Bois. He was a writer of comic book stories and comic strips, as well as Big Little Books. He wrote Tarzan for Dell Comics and Gold Key Comics from the Forties to early Seventies.) He was one of the writers for Space Family Robinson which was the basis for the Lost in Space series. (Died 1993.)
  • Born August 24, 1899 Jorge Luis Borges. I’m reasonably sure my first encounter with him was at University with the assignment of The Library of Babel. I’m not deeply read in him but I loved The Book of Imaginary Beings, and though not genre, recommend The Last Interview and Other Conversations for an excellent look at him as a writer. (Died 1986.)
  • Born August 24, 1915 Alice Sheldon. Alice Sheldon who wrote as James Tiptree Jr. was one of our most brilliant short story writers ever. She only wrote two novels, Up the Walls of the World and Brightness Falls from the Air but they too are worth reading even if critics weren’t pleased by them. (Died 1987.)
  • Born August 24, 1932 William Morgan Shepard. Best remembered I think as Blank Reg in Max Headroom: 20 Minutes into the Future. Genre wise I’d add him being the most believable Klingon Prison Warden In Star Trek VI: The Undiscovered Country, Merrit in The Prestige (nominated for a Hugo at Nippon 2007),the rather scary Soul Hunter on Babylon 5 and a Vulcan Science Minister in Star Trek. (Died 2019.)
  • Born August 24, 1934 Kenny Baker. Certainly his portrayal of R2-D2 in the Star Wars franchise is what he’s best known for but he’s also been in Circus of HorrorsWombling Free, Prince Caspian and the Voyage of the Dawn Treader series, The Elephant ManSleeping BeautyTime BanditsWillowFlash Gordon and Labyrinth. Personally I think his best role was as Fidgit in Time Bandits. (Died 2016.)
  • Born August 24, 1936 A. S. Byatt, 86. Author of three genre novels, two of which I’m familiar with, Possession: A Romance which became a rather decent film, and the Mythopoeic Fantasy Award for Adult Literature-winning The Djinn in the Nightingale’s Eye, and one I’ve never heard of, Ragnarok: The End of the Gods,  but I’m actually much, much more fond of her short fiction. I’d start with the Little Black Book of Stories and Angels & Insects collections. 
  • Born August 24, 1951 Tony Amendola, 71. Prolly best known for being the Jaffa master Bra’tac on Stargate SG-1. He’s also had recurring roles as Edouard Kagame of Liber8 on Continuum and on Once Upon a Time as Pinocchio’s creator, Geppetto. His list of one-off genre appearances is extensive and includes AngelCharmed,  Lois & Clark, Space: Above and Beyond, the Crusade spin-off of Babylon 5X FilesVoyagerDirk Gently’s Holistic Detective AgencyTerminator: The Sarah Connor Chronicles, AliasShe-Wolf of London and Kindred: The Embraced. He’s also been a voice actor in gaming with roles in such games as World of Warcraft: Warlords of DraenorWorld of Warcraft: Legion and World of Final Fantasy.
  • Born August 24, 1957 Stephen Fry, 65. He’s Gordon Deitrich in V for Vendetta, and he’s the Master of Laketown in The Hobbit franchise. His best role is as Mycroft Holmes in Sherlock Holmes: A Game of Shadows (I absolutely adore both films as I noted in my essay on them) though he made an interesting narrator in the film version of The Hitchhiker’s Guide to the Galaxy, and not to be overlooked is that he’s also the narrator for all seven of the Potter novels for the UK audiobook recordings.
  • Born August 24, 1958 Lisa A. Barnett. Wife of Melissa Scott. Some of her works were co-authored with her: The Armor of LightPoint of Hopes: A Novel of Astreiant and Point of Dreams: A Novel of Astreiant. They wrote one short story, “The Carmen Miranda Gambit”. (Died 2006.)

(10) BOOM TIMES. The New York Times takes readers “Inside the Making of New York City’s Bizarre Nuclear War P.S.A.”  This Bonestell art is not part of it…

The video opens gauzily on an empty New York City streetscape, with sirens echoing in the distance, as a woman dressed in black strolls in with some hypothetically catastrophic news.

“So there’s been a nuclear attack,” she says nonchalantly. “Don’t ask me how or why, just know that the big one has hit.”

The 90-second public service announcement, which instructed New Yorkers about what to do during a nuclear attack, was released by the city’s Department of Emergency Management in July.

It attracted attention: While most of the videos on the department’s YouTube page have recorded fewer than 1,000 views, at last count the nuclear preparedness video had been seen more than 857,000 times.

It also drew immediate and widespread derision, much of it centered on an underlying question: What were they thinking?

… Many Americans are concerned about the prospect of a nuclear attack. Nearly 70 percent of residents said they were “worried the invasion of Ukraine is going to lead to nuclear war,” according to a survey in March by the American Psychological Association.

Still, some questioned whether the city should have prioritized the nuclear preparedness video at a time when emergency officials are grappling with more imminent threats, like extreme heat and catastrophic flooding, and the city is dealing with the monkeypox health crisis.

Mr. Harvin, the former city official, said that emergency management professionals traditionally focus on events that are more likely to occur, including flash floods or mass shootings. New York City has recently experienced both….

(11) ARTEMIS ROCKET. MSN.com runs the AP’s “EXPLAINER: NASA tests new moon rocket, 50 years after Apollo”.

Years late and billions over budget, NASA’s new moon rocket makes its debut next week in a high-stakes test flight before astronauts get on top.

The 322-foot (98-meter) rocket will attempt to send an empty crew capsule into a far-flung lunar orbit, 50 years after NASA’s famed Apollo moonshots.

If all goes well, astronauts could strap in as soon as 2024 for a lap around the moon, with NASA aiming to land two people on the lunar surface by the end of 2025.

Liftoff is set for Monday morning from NASA’s Kennedy Space Center.

The six-week test flight is risky and could be cut short if something fails, NASA officials warn.

“We’re going to stress it and test it. We’re going make it do things that we would never do with a crew on it in order to try to make it as safe as possible,” NASA Administrator Bill Nelson told The Associated Press on Wednesday.

(12) YOUR SPITTING IMAGE. Gizmodo discusses a study that tells why “You and Your Doppelganger Might Have More in Common Than Just Looks”.

It turns out that unrelated doppelgangers may have quite a bit in common beyond just twin faces. New research suggests that lookalikes with incredibly similar faces tend to share many genetic variants—variants that don’t just seem to shape their appearance but general aspects of their life. At the same time, other important influences, such as the microbiome, appear to contribute little to their symmetry.

Study author Manel Esteller, a geneticist and director of the Josep Carreras Leukemia Research Institute (IJC) in Barcelona, Spain, is interested in what makes people the way they are. In 2005, he and his colleagues published research showing that identical twins weren’t as identical as they appear at first glance. While they had the same basic genetic patterns, they differed noticeably in their epigenetics: changes in how our genes express themselves, which are caused by environmental or behavioral factors, such as smoking or age.

In their new research, published Tuesday in Cell Reports, Esteller’s team wanted to look at the other side of the coin—people who look so similar that they could be twins but aren’t actually related…

(13) WOODEN IT BE ROMANTIC. Disney+ dropped their trailer for Pinocchio today (which is not Guillermo Del Toro’s Pinocchio–the Disney version is directed by Robert Zemeckis.)

(14) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] Ryan George, in this sketch that dropped four days ago, wonders what the billionaires would do when the apocalypse happens!

[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Andrew Porter, Chris Barkley, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Thomas the Red.]