Pixel Scroll 4/9/19 In The Comments The Filers Come And Go Scrolling Pixelangelo

(1) MISSING SUPERHEROES FORMATION. The Wrap tells how “‘Avengers: Endgame’ Press Conference Leaves Seats Empty for Thanos’ Victims”.

In a cheeky nod to the end of “Infinity War,” Sunday’s press conference for the upcoming “Avengers: Endgame” left several seats empty for the actors who played characters snapped into oblivion by Thanos.

“Post-Snap, there’s a few empty seats, so I’d like to welcome back the people that you see here onstage,” said “Iron Man” director and star Jon Favreau, who hosted the event.

Those who did make it included Marvel Studios head Kevin Feige, “Endgame” directors Anthony and Joe Russo, and stars Robert Downey Jr., Chris Evans, Mark Ruffalo, Danai Gurira, Chris Hemsworth, Don Cheadle, Scarlett Johansson, Paul Rudd, Karen Gillan, Jeremy Renner, and “Captain Marvel” newcomer Brie Larson.

(2) CAPTAINS UMBRAGEOUS. Yahoo! Lifestyle brings us a sneak peek released yesterday on Good Morning America: “Marvel Released a New Clip from ‘Avengers: Endgame’ and Someone Isn’t Happy About Captain Marvel Joining the Team”.

(3) CELLAR DOOR (NOT INTO SUMMER). Empire posted an exclusive clip from the Tolkien biopic.

Tolkien explores the formative years of the orphaned author as he finds friendship, love and artistic inspiration among a group of fellow outcasts at school. This takes him into the outbreak of World War I, which threatens to tear the “fellowship” apart. All of these experiences would inspire Tolkien to write his famous Middle-Earth novels.

(4) INSPIRING CHART. The Book Smugglers host “Fran Wilde: A Map of Inspirations and Influences for RIVERLAND”. Wilde’s post begins —  

The last time I did an inspirations and influences post here, I drew you a literary family tree for Updraft. It got a little out of hand. (Carmina Burana and a taxidermied weasel qualify as out of hand.)

This time, for Riverland, which is my first middle grade novel, I drew you a map. …

(5) APOLOGIA FOR AO3. Slate’s Casey Fiesler tries to explain “Why Archive of Our Own’s Surprise Hugo Nomination Is Such a Big Deal”.

…But fan works, and the community that surrounds them, often don’t get the respect they deserve. So AO3’s nomination for the prestigious award—both for the platform itself and for the platform as a proxy for the very concept of fan fiction—is a big deal. Many, both inside and outside the sci-fi and fantasy community, deride fan fiction as mostly clumsy amateur works of sexual fantasy—critiques that, as those who have looked at them closely have pointed out, have a glaringly gendered component. Erotic fan fiction is part of the landscape—and, frankly, can be a wonderful part of it—but it’s about more than that. It’s about spending more time in the worlds you love and exploring characters beyond the page. It’s about speculating over how things could be different, just as good science fiction and fantasy does. And it’s also about critiquing source texts, pushing back against harmful narratives, and adding and correcting certain types of representation (including the ways women and LGBTQ people are portrayed in these genres).

(6) SHOOTING THE MOON. Christian Davenport in the Washington Post questions whether the administration’s goal of landing on the Moon in 2024 can be met, since the plan is based on a lunar orbital station that has not been built, much less contracted.  Davenport notes that Vice-President Pence “has dedicated more time to space than any other White House official since the Kennedy administration.” — “Trump’s moonshot: The next giant leap or another empty promise?”.

…NASA officials also face a major test of their agency’s effectiveness: Is this another empty promise by an administration nostalgic for the triumph of Apollo and looking to make a splash while in office, or can NASA somehow pull off what would be an audacious step just in time for the presidential election?

Already, there are signs that the White House’s plan is running into fierce head winds.

At a hearing Tuesday, Rep. Eddie Bernice Johnson (D-Tex.), the chair of the House Committee on Science, Space and Technology, blasted Pence’s speech for lacking any details of how NASA would achieve what she called a “crash program” or what it would cost.

“We need specifics, not rhetoric,” she said. “Because rhetoric that is not backed up by a concrete plan and believable cost estimates is just hot air. And hot air may be helpful in ballooning, but it won’t get us to the moon or Mars.”

(7) EARLY LESSONS. Tobias Buckell tells about the famed magazine’s significance to him, and empathizes with those affected by its parent company’s recent bankruptcy filing, in “100 Years of Writer’s Digest (#WritersDigest100): Some Thoughts”.

…I did a keynote for Writer Digest conference in Cincinnati not too long ago. I really tried to kick my keynoting abilities up to a new level, and I think I was able to deliver. But while there, I met quite a few staff from Writers Digest. I really hope this ends well for them, as they were all excited about helping writers and celebrating books.

(8) SAY (SWISS) CHEESE! Science says we may know tomorrow: “Here’s what scientists think a black hole looks like” .

More than half a dozen scientific press conferences are set for 10 April, raising hopes that astronomers have for the first time imaged a black hole, objects with gravitational fields so strong that even light cannot escape. Although their existence is now almost universally accepted, mostly from the effect of their gravity on nearby objects, no one has actually seen one.

Black holes themselves are entirely dark and featureless. The giant ones at the centers of galaxies are also surprisingly small, despite containing millions or billions of times the mass of our sun. To make observing them yet more difficult, those giants are shrouded in clouds of dust and gas. But streams of superhot gas swirl around the holes, emanating radio waves about a millimeter in wavelength that can penetrate those clouds.

Two years ago, an international collaboration known as the Event Horizon Telescope (EHT) corralled time on eight different radio telescopes around the world to try to image the supermassive black hole at the center of our galaxy, known as Sagittarius A*, and another at the center of nearby galaxy M87. They used a technique known as interferometry to combine the output of the globally scattered instruments to produce images as if from a single dish as wide as Earth. A dish that large is needed to see the details of something that would fit easily within the orbit of Mercury and is 26,000 light-years away.

(9) MORE MCINTYRE MEMORIES. A lovely tribute to Vonda McIntyre by Arwen Curry, director of Worlds of Ursula K. Le Guin:

On camera in Worlds of Ursula K. Le Guin, Vonda keenly describes the moment when women began to make a space for themselves in science fiction and fantasy, and the controversy it stirred up. I recorded her during a vacation with Ursula and Charles Le Guin in the southeast Oregon desert on a blistering day — a day so hot that the camera overheated and we had to pause filming and cool off. I still feel a little guilty about the heat of that afternoon, and grateful that she endured it.

(10) TODAY IN HISTORY.

  • April 9, 1960 – The Mercury Seven astronauts were introduced to the public.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 9, 1911 George O. Smith. He was an active contributor to Astounding Science Fiction during the Forties. His collaboration with the magazine’s editor, John W. Campbell, Jr. ended when Campbell’s first wife, Doña, left him in 1949 and married Smith. Ouch.  He was a prolific writer with eight novels and some seventy short stories to his name.  He was a member of the all-male dining and drinking club the Trap Door Spiders, which was the inspiration for Asimov’s the Black Widowers. (Died 1981.)
  • Born April 9, 1926 Hugh Hefner. According to SFE, he  had been an avid reader of Weird Tales when he was younger.  Perhaps as a result, Playboy came to feature stories from the likes of Poul Anderson, Isaac Asimov,  Algis Budrys, Ray Bradbury,  Richard Matheson, James Blish,  Robert A Heinlein, Frederik Pohl and Rod Serling.  Arthur C. Clarke’s “A Meeting with Medusa” which would first run here won a Nebula. (Died 2017.)
  • Born April 9, 1926 Avery Schreiber. Principal genre claim is being in Galaxina which parodied Trek, Star Wars and Alien. Other genre appearances included being a rider on a coach in Dracula: Dead and Loving It, the Russian Ambassador in More Wild Wild West and the voice ofBeanie the Brain-Dead Bison on the Animaniacs. (Died 2002.)
  • Born April 9, 1954 Dennis Quaid, 65. I’m reasonably sure that his first genre role was in Dreamscape as Alex Gardner followed immediately by the superb role of Willis Davidge in Enemy Mine, followed by completing a trifecta with Innerspace and the character of Lt. Tuck Pendleton. And then there’s the sweet film of Dragonheart and him as Bowen. Anyone hear of The Day After Tomorrow in which he was Jack Hall? I hadn’t a clue about it.
  • Born April 9, 1972 Neve McIntosh, 47. During time of the Eleventh Doctor, She plays Alaya and Restac, two  Silurian reptilian sisters who have been disturbed under the earth, one captured by humans and the other demanding vengeance. Her second appearance on Doctor Who is Madame Vastra, in “A Good Man Goes to War”.  Also a Silurian, she’s a Victorian crime fighter. She’s back in the 2012 Christmas special, and in the episodes “The Crimson Horror” and “The Name of the Doctor”. She reprises her role as Madame Vastra, who along with her wife, Jenny Flint, and Strax, a former Sontaran warrior, form an private investigator team. 
  • Born April 9, 1982 Brandon Stacy, 37. He worked on both of the new Trek films as a stand-in for Quinto with obviously the acting jones as he become involved in two of the Trek video fanfics, Star Trek: Hidden Frontier and Star Trek: Phase II, the latter in which he portrays Spock of course. 
  • Born April 9, 1990 Kristen Stewart, 29. She first shows up in our area of interest in The Flintstones in Viva Rock Vegas as a Ring Toss Girl (ok, it wasn’t that bad a film). Zathura: A Space Adventure based off the Chris Van Allsburg book has her playing Lisa Budwing. Jumper based off the Stephen Gould novel of the same name had her in a minor role as Sophie. If you’ve not seen it, I recommend Snow White and the Huntsman which has her in the title role of Snow White. It’s a really great popcorn film. Finally she’s got a gig  in The Twilight Saga franchise as Bella Cullen. 
  • Born April 9, 1998 Elle Fanning, 21. Yes, she’s from that acting family. And she’s certainly been busy, with roles in over forty films! Her first genre film is The Curious Case of Benjamin Button followed by Astro Boy, Super 8MaleficentThe BoxtrollsThe Neon Demon, the upcoming Maleficent: Mistress of Evil and a recurring role on The Lost Room, a Cursed Objects miniseries that aired on Syfy. 

(12) COMICS SECTION.

  • Grimmy tries a familiar origin story on for size – and it doesn’t fit!

(13) BIGGEST BANG. The makers of the Top Sci-Fi Weapons infographic say —

Sci-fi movies aren’t complete if they don’t show highly advanced and destructive weapons. From lightsabers to photon torpedoes, they’ve been iconic on their own.

As these weapons caught our interest, we’ve put together the ultimate arsenal of reality-warping weapons in order to compare which is the most powerful sci-fi weapon in the universe.

This is not just random ranking. Would you believe we worked with physicists and engineers on this infographic.

(14) WAKANDA SOUND. Hear “Wakanda Funk Lounge” by SassyBlack at Bandcamp.

“Wakanda Funk Lounge” by SassyBlack, is a svelte slab of hologram funk delivered directly from the Black Panther nation of Wakanda. This four-song EP contains the chart-topping hits from that nation’s funk lounges, and rising star, SassyBlack.

SassyBlack is a queer “blaxploitation, sci-fi warrior queen” and is also a multi-talented, space-aged songwriter, beatmaker, composer and singer. Her music has been described as “electronic psychedelic soul,” with roots in experimental hip-hop, R&B, and jazz. Her voice has been compared to that of Ella Fitzgerald, Erykah Badu, and Georgia Anne Muldrow and her beats owe a debt to Herbie Hancock and Quincy Jones. Like Queen Latifah, she sings, raps, is an actor (who recently appeared on Broad City) and produces all her own music. Before going solo, she recorded and performed as half of the Afrofuturist hip-hop duo THEESatisfaction. Her music has received attention from Okayplayer, Afropunk, The Fader, Pitchfork, Bitch magazine and more.

Her brand new “Wakanda Funk Lounge” EP has been recently released as a 500-copy special-edition 7” single on Seattle hip-hop record label Crane City Music. The cover was designed by visual artist Wutang McDougal and each copy is pressed on colored vinyl and is individually numbered. The music is also available online on all major streaming services and can be purchased digitally through Bandcamp. It’s funky music that reminds us that Wakanda’s main export is “VIBE-ranium.” 

In describing the project, SassyBlack says that “Wakanda Funk Lounge is about black freedom. When I think of “Black Panther,” it is talking about black freedom, so much that we have our own secret space. What would be freer than a Wakanda funk lounge?”

This is not her first sci-fi or superhero-themed project. SassyBlack performed at 2018’s Emerald City Comic Con, and her 2016 full-length album, “No More Weak Dates” contains numerous references to Star Trek. In an interview with Hearst publication Shondaland, she explains her sci-fi fascination: “Star Trek and Star Wars have always had bars and concerts. There’s no culture without music… And so Black Panther’s M’Baku invites me to come and perform in one of Wakanda’s funk lounges. This EP is the music I perform there. And where it gets crazy is that I’m like, ‘Listen, I have to leave Wakanda now because I’m going to go join Starfleet.’ [laughs] It could technically work.”

(15) SEE SPACEX MISSION. NBC News: “SpaceX’s Falcon Heavy rocket set for first commercial launch. Here’s how to watch it live online.”

Thirteen months after its maiden flight, SpaceX’s huge Falcon Heavy rocket is being readied for its first commercial launch on Wednesday.

The 230-foot-tall rocket is scheduled to lift off at 6:35 p.m. ET from the Kennedy Space Center in Cape Canaveral, Florida. This will be only the second flight for the world’s most powerful rocket now in operation.

(16) SPFBO ENTRY. Jessica Juby reviews Self-Published Fantasy Blog-Off #4 finalist Symphony of the Wind by Steven McKinnon” at Fantasy-Faction.

…You’d be wrong if you thought this was going to be a light-hearted jaunt on airships. We’re quickly introduced to our rag-tag crew aboard the Liberty Wind, with plucky protagonist Serena and the chip on her shoulder, discovering their unique personalities. It’s not long into the story before things start going wrong, the pace immediately picks up and gives us a taste of what’s yet to fully unfold.

It’s commendable that the author strikes while the iron is hot and gets down and dirty within the first chapter…

(17) IN MEMORY NOT GREEN. Out of This World SFF Reviews’ Nick T. Borrelli delves into After the Green Withered  by Kristin Ward.

AFTER THE GREEN WITHERED is definitely a book with a relevant political and social message.  Author Kristin Ward does not pull any punches in this regard and the reader absolutely gets a taste of what the world could possibly be like if we continue down our current path with regard to how we are addressing environmental issues.  I’m a fan of dystopian SF like this one, and I thought that by and large the author did a solid job of creating an atmosphere that delved into the hopelessness that living under these conditions would obviously engender. 

(18) SERIES REVIVED. Joe Sherry heralds an author’s return to an iconic setting in “Mircoreview [book]: Alliance Rising, by C.J. Cherryh and Jane Fancher” at Nerds of a Feather.

Alliance Rising marks the return of C.J. Cherryh to her Alliance-Union Universe. It’s been ten years since the publication of Regenesis, and since then she’s published nine more Foreigner novels, but it’s been a long wait for Alliance-Union fans. Alliance Rising is the earliest novel set in the timeline. Set on the cusp of the Company Wars, there are plenty of references for long time Cherryh readers: Pell Station, Cyteen, the azi and the Emorys, the ship Finity’s End and its captain JR Neihart. Put together, the novel is grounded in a particular time and the edges of a setting that many readers are well familiar with even though no prior knowledge is required.

(19) KARMA CHAMELEON. To beat computer hackers, do cybercrime professionals need to change their Patronus? — “Should cyber-security be more chameleon, less rhino?”

Billions are being lost to cyber-crime each year, and the problem seems to be getting worse. So could we ever create unhackable computers beyond the reach of criminals and spies? Israeli researchers are coming up with some interesting solutions.

The key to stopping the hackers, explains Neatsun Ziv, vice president of cyber-security products at Tel Aviv-based Check Point Security Technologies, is to make hacking unprofitable.

“We’re currently tracking 150 hacking groups a week, and they’re making $100,000 a week each,” he tells the BBC.

“If we raise the bar, they lose money. They don’t want to lose money.”

This means making it difficult enough for hackers to break in that they choose easier targets.

And this has been the main principle governing the cyber-security industry ever since it was invented – surrounding businesses with enough armour plating to make it too time-consuming for hackers to drill through. The rhinoceros approach, you might call it.

But some think the industry needs to be less rhinoceros and more chameleon, camouflaging itself against attack.

(20) END OF AN ERA? BBC asks “Is ‘Game of Thrones’ the last great blockbuster TV show?” And I obligingly click…

As the fantasy saga returns for its final series, Chris Mandle asks whether the small screen will ever produce such a worldwide obsession again.

…In the US, season seven had an astonishing average viewership of 32.8 million people per episode – to put that in context, the finale of Mad Men, another critically acclaimed, much talked about prestige drama, pulled in 4.6 million US viewers in 2015 – while in recent years, interest in the show has surged in Asian markets, among others.

But while Thrones changed television, it’s also true that television itself changed during the show’s run. As the wars between the factions of Westeros’s Seven Kingdoms have raged, traditional television has been usurped by streaming services, non-linear viewing and ‘binge’ culture, where consumers, rather than wait patiently for an episode airing each week, are more used to having an entire season dropped in their lap to watch at their leisure.

What seems likely is that Game of Thrones’ swansong might also mark the end of TV’s monoculture era – the age of shows that everyone watches and talks about together. Certainly, nothing else that appears on traditional broadcasters seems primed to roll out on its scale….

(21) UNEXPECTED TRAIT. And he’s not the only one at the studio who has it — “Aphantasia: Ex-Pixar chief Ed Catmull says ‘my mind’s eye is blind'”.

The former president of Pixar and Walt Disney Animation Studios says he has a “blind mind’s eye”.

Most people can close their eyes and conjure up images inside their head such as counting sheep or imagining the face of a loved one.

But Ed Catmull, 74, has the condition aphantasia, in which people cannot visualise mental images at all.

And in a surprising survey of his former employees, so do some of the world’s best animators.

Ed revolutionised 3D graphics, and the method he developed for animating curved surfaces became the industry standard.

He first realised his brain was different when trying to perform Tibetan meditation with a colleague.

(22) TIME FOR SILVERBERG. Rob Latham discusses “Temporal Turmoil: The Time Travel Stories of Robert Silverberg” at LA Review of Books.

… But throughout his career, Silverberg returned obsessively to one of the genre’s key motifs — time travel — upon which he spun elaborate and strikingly original variations. During his New Wave heyday, when he was one of the preeminent American SF writers, he produced six novels dealing centrally with themes of temporal transit or displacement — The Time Hoppers (1967), Hawksbill Station (1968), The Masks of Time (1968), Up the Line (1969), Son of Man (1971), and The Stochastic Man (1975) — his treatment of the topic ranging from straightforward adventure stories to heady philosophical disquisitions. The new collection Time and Time Again: Sixteen Trips in Time (Three Rooms Press, 2018), which gathers 16 stories published between 1956 and 2007, provides a robust — and very welcome — conspectus of Silverberg’s short fiction on the subject….

(23) NO SPARKLES. BBC wants to explain “What unicorns mean to Scottish identity”.

From Edinburgh to St Andrews and Glasgow to Dundee, the one-horned mythological horse is real in Scotland.

In a corner of Edinburgh, outside the Palace of Holyroodhouse with its witches’ hat towers and crenellated turrets, 74-year-old tour guide Kenny Hanley can often be found pointing to a little piece of magic atop an ornamental gateway at the residence’s southern approach.

The focus of his attention is an almost-forgotten stone emblem of the city and country in which he lives, and yet few realise it’s one that teems with meaning, telling an almost unbelievable story about Scotland’s national identity.

Take a step back, and the fuller picture emerges. There’s a second cast-stone figure opposite – a rampant lion, crowned, and holding a ceremonial flag as it stands guard. But Hanley’s gaze remains drawn to the slender, mythical creature wrapped in chains to our right.

The stone is just stone and the lion is just a lion, but this horse-like figure – adorned with a singularly fancy horn on its forehead – is extraordinary. It is a unicorn. And, believe the hype or not, it is Scotland’s national animal.

…“It’s long been a symbol of purity and power, but also of virginity and subtlety,” said Hanley, who works as a Blue Badge guide for the Scottish Tourist Guides Association. “And those values still stand up when thinking about Scotland today. These are characteristics embedded in the Scottish psyche.”

…According to the National Museum of Scotland, medieval legend further suggests only a king could hold a unicorn captive because of the supposed danger it posed, something that may have given rise to its widespread adoption. What is known is James II wholeheartedly embraced the legend, and the unicorn became the symbol of purity and power that Scottish kings and nobility identified with in the 15th Century. Over time, this led to the unicorn becoming officially recognised as Scotland’s national animal.

[Thanks to John King Tarpinian, Martin Morse Wooster, JJ, Chip Hitchcock, Cat Eldridge, Mike Kennedy, SF Concatenation’s Jonathan Cowie, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint, who wears his scrolls rolled.]

Pixel Scroll 2/4/19 Like Pixels Through File 770, So Are The Scrolls Of Our Lives

(1) COVER REVEAL. Here is The Magazine of Fantasy & Science Fiction’s March/April 2019 cover. The cover art is by Kent Bash.

(2) BETTER WORLDS. The latest short story (and video adaptation) in The Verge’s “Better Worlds” series is “A Sun Will Always Sing,” by Karin Lowachee. (Video byYeah Haus.)

There’s also a Q&A: “Karin Lowachee on how humanity can peacefully coexist with AI” conducted by Andrew Liptak.

What inspired this story, and how did you construct this future?

I’d seen on YouTube a discussion from scientists about if an AI possessed an exact neural map of the human brain that it would not be out of the realm of possibility to believe that they would also be imbued with curiosity and maybe even a sense of responsibility for the Earth because now they, too, were a part of its systems. Around the same time, I stumbled on articles written by social scientists who believed that in taking care of certain economic necessities, humanity ideally could free up resources for creative problem-solving on the world scale and exploration.

These points of reference were really the general jumping-off points for me to try to logically extrapolate a human society that accommodated AIs (though not without some implied struggle) because the AIs were not, in fact, seeking a judgment day. They wanted to live and progress just as humans, and though their consciousness was not exact to humans, they were their own kind and just as worthy to be respected. We recognize this in intelligent animals, or even animals as a whole, so my thinking was it could be possible for AIs as well.

(3) WASTE NOT, WANT NOT. Max Florschutz offers advice about “Being a Better Writer: Garbage”. His ideas are far more realistic than J.K. Rowling’s.

Consider, for example, your trash. What happens to it? How do you dispose of it? Is it a garbage can next to your desk or in the kitchen? What happens to it once the can is full? Where does it go? Who deals with it? Do you know? Or does it simply “vanish?”

Well, here’s the thing. It definitely doesn’t vanish. Refuse is refuse: Someone has to do something with it or it piles up. Waste from your home, for example, at least in the US, is collected in a larger can and taken to the side of the road for a garbage truck to collect (99% of the time. The US’s coverage with this system is so ubiquitous that I’ve been to rural places where the only vehicle in town that isn’t a four-wheeler or a boat is the town garbage truck). That truck then takes it to a landfill or a processing center. At the first, the garbage is dumped out. At the second, it’s sorted and separated, usually with an end-goal in mind of dividing up the garbage into smaller, more dedicated end-states, from compost to recycling.

(4) NYRSF READINGS. Jim Freund asks, “Why waste your time with the State of the Union, when we have such a brilliant and more fulfilling alternative?”

The New York Review of Science Fiction Readings Series resumes Tuesday, February 5.

Mimi Mondal (Bone Stew) writes about history and politics, occasionally disguised as fiction. Her first co-edited anthology, Luminescent Threads: Connections to Octavia E. Butler won a Locus Award and was nominated for a Hugo Award in 2018. In the past Mimi has worked as an editor at Penguin India and Uncanny Magazine, and spent eleven years at universities in India, Scotland and the US, from which she is currently recovering in New York and at @Miminality on Twitter.

Karen Heuler’s stories have appeared in over 100 literary and speculative magazines and anthologies, from Conjunctions to Clarkesworld to Weird Tales, as well as a number of Best Of anthologies. She has received an O. Henry award, been a finalist for the Iowa short fiction award, the Bellwether award, the Shirley Jackson award for short fiction (twice), and others. She has published four novels and a novella, and her fourth story collection has just been published by Tartarus Press.

The events begins at 7:00 p.m. in The Brooklyn Commons Café, 388 Atlantic Avenue (between Hoyt & Bond St.) in Brooklyn, NY.

(5) FIVE STORIES IN ONE. Syfy Wire gets to Hogwarts by way of Korea: “Geek Road Trip: Harry Potter fans in South Korea just opened a five-story cafe devoted to the boy wizard”.

Once we get inside, we’re quickly pointed to the counter. The food and drink offerings here are relatively run-of-the-mill Seoul cafe classics: Americanos, various flavored lattes and milk teas, and fruity adeS. On the menu, they promise chocolate wands are coming soon, and on select days there’s Butterbeer. Dessert-wise there’s a selection of cakes, none of which are themed, save for one: the wizard cake, a mini replica of the birthday cake Hagrid brings to Harry. We ordered the wizard cake for a cool 17,000 Won (around $15), grabbed our pager, and began to explore.

And trust me, there’s a lot to explore. Everywhere you turn there’s a poster or a reference to something Harry Potter-esque. Quotes in English and Korean line the staircases along with posters and portraits. Even the elevator is fully decked out.

(6) NO CODE FOR THIS CONDUCT.  The infosec industry conference DerbyCon is calling it quits after this year. Their explanation sounds like “We’re closing down rather than resorting to enforcing our code of conduct.”

Read their announcement here: “DerbyCon 9.0 – Every Beginning Has an End”.

…This year, we had to handle issues that honestly, as an adult, we would never expect to have to handle from other adults. Conferences in general have shifted focus to not upsetting individuals and having to police people’s beliefs, politics, and feelings. Instead of coming to a conference to learn and share, it’s about how loud of a message a person can make about a specific topic, regardless of who they tear down or attempt to destroy. To put it in perspective, we had to deal with an individual that was verbally and mentally abusive to a number of our volunteer staff and security to the point where they were in tears.

This is not what we signed up for.

Admittedly, we had no idea how to handle this person, and in fear of repercussion of removing this person, allowed them to stay at the conference in order to “not upset the masses”. The best we could do was just apologize, for other apologies, and apologize more for another’s actions. This is just one example of many we have had to deal with over the past few years, and each year it becomes increasingly harder for us to handle. We do everything as a conference to ensure the safety, security, and go above and beyond that of others. Maybe that puts us on a different level where something that would normally not be an issue explodes into a catastrophic situation on social media.

Who knows? What we do know is each year it gets harder and harder.

2019 will be our last year of DerbyCon.

Motherboard reports “Hackers Baselessly Blame Women and ‘SJWs’ for the End of DerbyCon Security Conference”.

…Some in the infosec community read the organizers’ statement and began to blame the shutdown on “Social Justice Warriors,” and women who complained too much. For example, far right blog Gateway Pundit pointed to an incident where an attendee complained that other attendees were joking about sexual assault outside of the conference’s Mental Health Village. Others on Twitter latched on to the rumor that “SJWs” killed DerbyCon.

Regardless of the reason for the conference’s cancellation, the announcement renewed a conversation about toxicity in the infosec community that has been taking place in earnest since at least 2017 (and in smaller circles before then), when the Verge reported on chat logs from well-known security researcher Morgan Marquis-Boire, in which he confessed to a series of sexual assaults; the Verge and VICE corroborated that reporting with multiple women who have knowledge of the assaults.

While some women in the cybersecurity world were discussing the toxic interactions, sexual harassment, and assaults they’ve faced in the infosec community, members of a popular closed Facebook hacking group called “illmob” began to attack women who have spoken up about these issues, including Georgia Weidman, a security researcher who recently tweeted that her career was hurt by attending and speaking at DerbyCon in 2013….

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 4, 1925 Russell Hoban. Riddley Walker may well be one of the most difficult novels I’ve ever read but it’s certainly also worth it. ISFDB lists a lot of other SF works by him but I must say I hadn’t realised that he’d written any beyond this work. Had any of you known this? (Died 2011.)
  • Born February 4, 1940 John Schuck, 79. My favorite SF role by him is as the second Draal, Keeper of the Great Machine, on the Babylon 5 series. I know it was only two episodes but it was a fun role. He’s also played the role of Klingon ambassador Kamarag in Star Trek IV: The Voyage Home and in  Star Trek VI: The Undiscovered Country. He guest starred in Deep Space Nine as Legate Parn In “The Maquis: Part II”, on Star Trek: Voyager as Chorus #3 in the “Muse” episode, and on Enterprise as Antaak in the “Divergence” and “Affliction” episodes. Oh, and he was Herman Munster in The Munsters Today.  Now that was a silly role! Did you know his makeup was the Universal International Frankenstein-monster makeup format whose copyright NBCUniversal still owns? 
  • Born February 4, 1961 Neal Asher, 58. I’ve been reading and enjoying his Polity series since he started it nearly twenty years ago. Listing all of his works here would drive OGH to a nervous tick as I think there’s now close to thirty works in total. I’m listening to The Line War right now and it’s typically filled with a mix of outrageous SF concepts (Dyson spheres in the middle of ten thousand year construction cycles) and humans who might not be human (Ian Cormac is back again). He’s the sort of writer that I think drives our Puppies to madness — literate pulp SF pumped out fast that readers like. 
  • Born February 4, 1970 Gabrielle Anwar, 49. Currently Lady Tremaine on Once Upon a Time. On the BBC series Prince Caspian and the Voyage of the Dawn Treader, she once played Ramandu’s Daughter. Marti Malone in Body Snatchers which is the third film adaptation of that Finney novel.  She was Queen Anne in The Three Musketeers which I love and Emily Davenport in The Librarian: Return to King Solomon’s Mines

(8) COMICS SECTION.

  • Patriotic Ewoks will shed a tear over this Brevity.

(9) STAR TREK: RENT. On The Late Late Show With James Corden, the cast of Star Trek: Discovery leaves the bridge for this week’s episode of Carpool Karaoke. Sing along with Sonequa Martin-Green, Anthony Rapp, Doug Jones and Mary Wiseman. Complete show is accessible through an Apple app.

There’s another preview on Twitter.

(10) WORLDCON ECONOMICS. Persistent Scribble tasks an unnamed author who feels the Worldcon should give them a free membership. Thread starts here.  

(11) VAMPING IT UP. What We Do in the Shadows, from writer Jemaine Clement and director Taika Waititi, premieres March 27 on FX.

What We Do in the Shadows is a half-hour comedy series based on the feature film of the same name by co-creators Jemaine Clement and Taika Waititi. Set in New York City, the show follows three vampires who have been roommates for hundreds and hundreds of years. Stars Matt Berry, Kayvan Novak, Natasia Demetriou, Harvey Guillen and Mark Proksch.

(11) Y? Y NOT? The Hollywood Reporter has posted that, “‘Y: The Last Man’ Ordered to Series at FX.” Much of the cast had been announced as early as mid 2018 (The Hollywood Reporter: “‘Y: The Last Man’ FX Cast Unveiled, Diane Lane and Barry Keoghan to Star”), but FX has now definitized the series order.

File this under “years in the making.”

Brian K. Vaughan’s beloved comic series Y: The Last Man is finally coming to a screen. FX on Monday announced that it has picked up its TV adaptation to series. The network has handed out a series order for the drama from showrunner Michael Green and starring Barry Keoghan and Diane Lane. It is expected to premiere in 2020.

[…] Green (American GodsBlade Runner 2049Logan) and Aïda Mashaka Croal (Luke CageTurn) serve as showrunners and executive producers. Nina Jacobson and Brad Simpson of Color Force (American Crime StoryPoseThe Hunger Games) and Vaughan executive produce and developed the series. Melina Matsoukas (InsecureMaster of NoneBeyonce: Formation) directed the pilot and exec produce the FX Productions drama. In addition to Keoghan and Lane, the cast also includes Amber TamblynImogen Poots, Lashana Lynch, Juliana Canfield and Marin Ireland.

(12) BLUER MARBLE. BBC story says “Climate change: Blue planet will get even bluer as Earth warms”.

Rising temperatures will change the colour of the world’s oceans, making them more blue in the coming decades say scientists.

They found that increased heat will change the mixture of phytoplankton or tiny marine organisms in the seas, which absorb and reflect light.

Scientists say there will be less of them in the waters in the decades to come.

This will drive a colour change in more than 50% of the world’s seas by 2100.

(13) AS EASY AS A. Chip Hitchcock says BBC’s article “How easy will it be to build a Moon base” is an “interesting overview despite one huge error-of-fact.” (Can you spot it?)

How can astronauts build a lunar base if traditional building materials are too heavy to load into a rocket?

In 1975, three years after the final Apollo Moon landing, Space: 1999 first aired on British television. It began with a nuclear explosion wrenching the Moon, and an international lunar colony of over 300 people, out of its orbit and into an unknown journey into space.

The TV series obviously made an impression on a young Elon Musk because, when the SpaceX founder revealed their plans for a lunar colony in August 2017, he called it Moonbase Alpha after the lunar base in Space: 1999. “Cheesy show,” Musk tweeted, “but I loved it.”

SpaceX is not alone is wanting to get humans back on the Moon. The Chinese space agency CNSA (China National Space Administration) has announced the next stages of its successful Chang’e lunar exploration missions – shortly after Chang’e 4 became the first spacecraft to make a soft landing on the far side of the Moon.

Chang’e 5 and 6 will be sample return missions while Chang’e 7 will survey the South Pole, a region of specific interest for human habitation because it contains water ice. “We hope that Chang’e 8 will help test some technologies and do some exploring,” deputy head of the CNSA Wu Yanhua said in January, “for the building of a joint lunar base shared by multiple countries.”

China is not alone in this ambition. Across the globe, 50 years after the Moon landings, the practicalities of a moonbase are taking shape. The irony is that, while only the United States of America has left footprints on the Moon, the Americans are now having to play catch up. It didn’t unveil plans for a permanent moonbase until August 2018. Nasa’s primary focus until then had been Mars. The European Space Agency (Esa) was already one step ahead.

(14) YARN V. GLASS CEILING. Pixar has a new short film that blurs the line between genre and a workplace dramedy (Mashable: “Pixar’s newest short ‘Purl’ is a must-watch for every workplace”).

Pixar’s new animation program SparkShorts has released its first short film, a powerful story about the difficulty of fitting into a workplace of human males. 

“Purl” might be about a pink ball of yarn, but its title character adopts new behaviors and aggression to be one of the boys, a transparent allegory for women trying to break the glass ceiling in corporate culture.

[Thanks to Martin Morse Wooster, Gordon Van Gelder, Chip Hitchcock, Daniel Dern, Mike Kennedy, Errolwi, JJ, John King Tarpinian, Cat Eldridge, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to ULTRAGOTHA.)

Pixel Scroll 11/12/18 Could He Show Up In A Noodle-Poodle, Bottle-Beetle, Paddle-Battle, Pixle-Scroodle?

(1) FIRE MISSES DEL TORO’S “BLEAK HOUSE”. Unlike houses belonging to some other celebrities in the area, filmmaker Guillermo del Toro’s Bleak House has survived the Woolsey fire Remezcla reports:

Bleak House is not actually where del Toro lives (he lives nearby), but it is home to his collection of more than 700 pieces of art, props, and memorabilia. He has everything from concept sketches from Disney’s Fantasia to figures from his Blade 2 to a life-sized statue of Edgar Allan Poe. These serve as his inspiration from both his own films and the movies he hopes to make in the future. In 2016, del Toro let fans inside his Bleak House with a curated exhibit that traveled to museums around North America showing off some of his items. Looking at pictures from the collection you can almost imagine the inside of the fantastical and dark director’s mind.

Luckily, del Toro’s collection has been spared by the Woosley fire. He tweeted about returning to his home to find it still standing with only some minor smoke damage.

(2) FUTURE HISTORY. Professor James Davis Nicoll today lectures the class on “World States and Mega Empires in SF” at Tor.com.

How stable would a World State be, in practice? Sure, one could argue (and people have) that without external enemies there’s no particular reason for a world-spanning government to fall apart. That was the argument in A World Out of Time: the state controlled all the apparatus necessary to sustain Earth’s vast population, making rebellion suicidal.

The problem is that one can point to historic polities that managed to dissolve into independent regions without much help from the outside…

(3) BARBIE WHO? The Guardian disapproves: “Doctor Who Barbie: time-travelling back to the sexist 1970s”.

Name: Doctor Who Barbie.

Age: About a week old.

Appearance: Like Barbie, if she went to a Halloween party as the Doctor.

This is a doll we’re talking about, is it? Yes. The “Doctor Who Barbie doll is sculpted to the likeness of the 13th Doctor and comes dressed in her iconic look.”

What do you mean, iconic? These are not my words, but the words of the US manufacturer, Mattel. “Additional true-to-character details include Doctor Who Barbie doll’s signature suspenders and lace-up boots.”

I don’t remember any suspenders. Are they from a later, more risque episode? They mean braces – Americans!

(4) UNLEASH IMAGINATION AWARDS. The Arthur C. Clarke “Unleash Imagination” Awards were  presented November 8 in Washington, D.C. [Via Locus Online.]

  • Lifetime Achievement Award – Irwin Jacobs, Chairman of the Salk Institute, co-founder and former Chairman of Qualcomm, co-developer of CDMA, Philanthropist
  • Innovator Award – Jill Tarter, astronomer, Emeritus Chair for SETI Research at the SETI Institute, and seeker of the answer to “Are we alone?”
  • Imagination in Service to Society – Liu Cixin acclaimed author of The Three Body Problem and other science fiction works, winner of the Hugo and five Chinese Galaxy Awards

(5) ASTOUNDING AUTHOR IN PERSON. Alec Nevala-Lee will be appearing at two library events this week to discuss his new book Astounding: John W. Campbell, Isaac Asimov, Robert A. Heinlein, L. Ron Hubbard, and the Golden Age of Science Fiction:

  • Chicago

The Golden Age of Science Fiction with Alec Nevala-Lee and Gary K. Wolfe

Sulzer Regional Library (4455 N Lincoln Ave, Chicago)

Thursday, November 15

7-8pm

Join Alec Nevala-Lee, author of Astounding, and Gary K. Wolfe, critic and co-host of the science fiction podcast Coode Street, for an engaging discussion on the history and evolution of science fiction. (Note: The event is sponsored by One Book, One Chicago, which has chosen the science fiction classic Do Androids Dream of Electric Sheep? by Philip K. Dick as this year’s selection.)

  • Oak Park

Astounding: Oak Park Author Alec Nevala-Lee

Oak Park Public Library (834 Lake St., Oak Park)

Sunday, November 18

2-4pm

Meet Oak Park author Alec Nevala-Lee and hear about his newly released book, Astounding. The Book Table will have books for sale and signing.

(6) DISNEY PIXAR. Disney has put up the first teaser trailer for Toy Story 4, where we learn about Forky the Spork! The movie comes to U.S. theaters on June 21, 2019.

Woody has always been confident about his place in the world and that his priority is taking care of his kid, whether that’s Andy or Bonnie. But when Bonnie adds a reluctant new toy called “Forky” to her room, a road trip adventure alongside old and new friends will show Woody how big the world can be for a toy.

 

(7) IT’S BEASTLY. The BBC’s Nicholas Barber says Fantastic Beasts: The Crimes of Grindelwald is an “ultimately numbing sprawl that seems to drag on forever.” The BBC critic gives it 2/5 stars:

Considering that JK Rowling’s books have made several zillion pounds and her films have made several zillion more, it would take a lot of gall to read one of her screenplays and say, actually, could you cut 50 pages? But her latest ‘Wizarding World’ instalment, Fantastic Beasts: The Crimes of Grindelwald, would have been improved if someone had said just that.

(8) WHEN BEZOS MET STEPHENSON. The cover story of the November WIRED is about Jeff Bezos’s efforts to fund private space exploration through his company Blue Origin: “Jeff Bezos Wants Us All to Leave Earth—for Good”. Writer Steven Levy says that Neal Stephenson was recruited for Bezos’s space exploration efforts very early —

Bezos went to Princeton, where he attended seminars led by O’Neill and became president of the campus chapter of Students for the Exploration and Development of Space. At one meeting, Bezos was regaling attendees with visions of hollowing out asteroids and transforming them into space arks when a woman leapt to her feet. “How dare you rape the universe!” she said, and stormed out. “There was a pause, and Jeff didn’t make a public comment,” says Kevin Polk, another member of the club. “But after things broke up, Jeff said, ‘Did she really defend the inalienable rights of barren rocks?’?”

After Princeton, Bezos put his energies toward finance, working at a hedge fund. He left it to move to Seattle and start Amazon. Not long after, he was seated at a dinner party with science fiction writer Neal Stephenson. Their conversation quickly left the bounds of Earth. “There’s sort of a matching game that goes on where you climb a ladder, figuring out the level of someone’s fanaticism about space by how many details they know,” Stephenson says. “He was incredibly high on that ladder.” The two began spending weekend afternoons shooting off model rockets.

In 1999, Stephenson and Bezos went to see the movie October Sky, about a boy obsessed with rocketry, and stopped for coffee afterward. Bezos said he’d been thinking for a long time about starting a space company. “Why not start it today?” Stephenson asked. The next year, Bezos incorporated a company called Blue Operations LLC. Stephenson secured space in a former envelope factory in a funky industrial area in south Seattle.

(9) LEE OBIT. Legendary comics creator Stan Lee died November 12 at the age of 95.

Great photo of Stan Lee writing in
his backyard in Hewlett Harbor, on the jury-rigged arrangement he worked out,
tables placed on top of one another. This is precisely how Lee wrote some of the most widely read words of fantasy in
the 1960s.

When Stan Lee was inducted into the Science Fiction and Fantasy Hall of Fame in 2017 the citation read:

Stan Lee

One of the most influential comic book writers of all time, Stan Lee is responsible for the creation of numerous Marvel Comics characters including Spider-Man, Black Panther, and the X-Men. Born Stanley Martin Lieber, Lee began working as an assistant at Timely Comics when he was just seventeen and became the editor soon after, writing every style of comic from romance and westerns to horror. In 1961, while considering switching careers, Lee decided to take his wife’s advice and write a comics story to please himself. The story, about four people given superpowers after being exposed to cosmic rays, was called The Fantastic Four, and it began an era of unparalleled success for the newly renamed Marvel Comics. Lee’s creations captured fans’ imaginations through a combination of relatable characters and the idea of a shared universe inhabited by all of Marvel’s characters.

Lee’s characters and storylines have appeared across all types of media including animated series, video games, television shows, and the long-standing Marvel Cinematic Universe. A self-proclaimed frustrated actor, Lee has made a cameo in every Marvel film to date.

Hollywood celebrities including the leadership at Marvel and Disney paid tribute to his accomplishments in the Los Angeles Times obituary.

Marvel Comics and the Walt Disney Company honored Lee in a statement posted online Monday.

“Stan Lee was as extraordinary as the characters he created,” said Bob Iger, chairman and CEO of the Walt Disney Company. “A super hero in his own right to Marvel fans around the world, Stan had the power to inspire, to entertain, and to connect. The scale of his imagination was only exceeded by the size of his heart.”

“No one has had more of an impact on my career and everything we do at Marvel Studios than Stan Lee,” tweeted Kevin Feige, the president of Marvel Studios. “Stan leaves an extraordinary legacy that will outlive us all.”

File 770 readers saw Lee’s name in the news all the time for anything from his signature cologne to sharing the 2013 J. Lloyd Eaton Lifetime Achievement Awards with Ursula K. Le Guin and Ray Harryhausen (Lee’s acceptance was on video).

And everyone knows how he followed Alfred Hitchcock’s example by making a cameo appearance in every Marvel film. I have it on the authority of Christian B. McGuire that “For those of you who imagine there will be no more cameos for Stan, listen up! In Stan Lee’s contract it specifies that he will appear in ALL Marvel films in perpetuity. And that this contract MUST be accepted by anyone buying the Marvel universe. There’s enough video; image and sound, for the purveyors of Marvel Magic to synthesize him and put him in everything they make.” If someone feels like fact-checking that claim, help yourself.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and JJ.]

  • Born November 12, 1917  Dahlov Ipcar, Writer, Artist, and Illustrator. Though primarily an artist — and you really should go visit her website — she wrote three amazing young adult novels between 1969 and 1978, which are The Warlock of Night, The Que’en of Spells, and A Dark Horn Blowing. She lived but thirty miles north of here and I was privileged to meet her a few times. Lovely lady! A gallery of her fantastical works can be seen here. (Died 2017.)
  • Born November 12, 1929 Michael Ende, Writer from Germany who is best known for the novel The Neverending Story; it was turned into three adaptations, of which The Neverending Story was the first film — and certainly the best known version. The NeverEnding Story II: The Next Chapter was the next version, and it is a sort of sequel to the first; I never saw the third, The NeverEnding Story III, but it apparently only uses the characters and has nothing to do with the tale itself. Momo, or The Strange Story of the Time-Thieves and the Child Who Brought the Stolen Time Back to the People as it translates in English, is a charming if strange novel worth your time. The rest of his children’s literature has been translated from  German into English mostly by small specialist presses down the years, but unlike The Neverending Story and Momo, I’ve not read any of these. (Died 1995.)
  • Born November 12, 1943Wallace Shawn. First genre appearance was in All That Jazz. Best known genre role is Vizzini in The Princess Bride but what would you put in second place? No doubt Grand Nagus Zek in Deep Space Nine but he has other performances to note including as Warren Hughes in Eureka, Van Helsing in Vamps and the voice of Gilbert Hugh in The Incredibles.
  • Born November 12, 1945 Michael Bishop, 73, Writer, Editor, Poet, and Critic whose Urban Nucleus series and Georgia Stories are especially popular. He has won two Nebulas along with Mythopoeic, Shirley Jackson, and Rhysling Awards, and his works have garnered a multitude of Hugo, Nebula, World Fantasy, and British Science Fiction Award nominations. He was honored with Southern Fandom’s Phoenix Award, and has been Guest of Honor at numerous conventions, including a World Fantasy Convention.
  • Born November 12, 1950 Michael Capobianco, 68, Writer and Linguist, author of several SFF novels and some shorter works who has made major contributions for the benefit of genre writers as a Past President, Vice-President, and Treasurer of SFWA. Currently, he is a member of several SFWA writers’ advocacy committees, and writes informational pieces for Writer Beware, a writing scam investigation and warning site created by his wife A.C. Crispin and Victoria Strauss. He and Crispin were joint recipients of the Service to SFWA Award in 2003.
  • Born November 12, 1973 Radha Mitchell, 45, Actor, Director, and Producer, who broke into genre film with a role as a kickass spaceship pilot in Pitch Black, then played the obsessed J.M. Barrie’s long-suffering wife in Finding Neverland. Other genre appearances include Silent Hill, Rogue, Surrogates, The Crazies, and The Darkness.
  • Born November 12, 1980 Ryan Gosling, 38, Oscar-nominated Actor, Director, and Producer who debuted at the age of 15 in Frankenstein and Me; other genre appearances include Stay, the Hugo-nominated and Oscar- and Saturn-winning Blade Runner 2049 (for which he also received a Saturn nomination), and his role as Neil Armstrong in First Man (we’ll ignore the ill-conceived Lost River, which he wrote, produced, and directed). He has also had guest roles on episodes of Are You Afraid of the Dark?, PSI Factor: Chronicles of the Paranormal, Goosebumps, Flash Forward, Young Hercules, and Hercules: The Legendary Journeys. For more on Baby Gooseman, see here.
  • Born November 12, 1982 Anne Hathaway, 36, Oscar-winning Actor of Stage and Screen and Producer who received Saturn nominations for her roles in The Dark Knight Rises and the Hugo finalist Interstellar, and appeared in Ella Enchanted, Get Smart, Alice in Wonderland and Alice Through the Looking Glass, Passengers, Colossal, and the Ruritanian film series The Princess Diaries. Voice roles include parts in Hoodwinked!, The Cat Returns, the Rio films, and three episodes of The Simpsons.

(11) SPIDER-GWEN. The Comics Beat’s Joe Grunenwald asks the questions in this — “INTERVIEW: Seanan McGuire on writing SPIDER-GWEN: GHOST-SPIDER under the watchful eye of Marvel’s ‘snipers’”.

Grunenwald: Gwen is sort of having a Moment right now, too, between, obviously, the new series and then in other media there’s Marvel Rising and she’s going to be in the Into the Spider-Verse movie, so she’s got a higher profile now arguably that she’s ever had before. Has there been any pressure as a result of that, coming onto the character and having to keep that momentum going?

McGuire: My editors are amazing. I love them. And they hired me because they were reasonably sure I could keep that momentum going. Most of the pressure is internal. When you’re a novelist and represented by a literary agent, one of the first things they’ll do is sit you down and say, ‘Where do you see your career going?’ And this is because if you say ‘I want to be the next J.K. Rowling,’ they want to be ready to kind of talk you down. That’s the ‘No, no, honey, let’s be reasonable’ conversation.

When my agent sat me down for that conversation ten years ago, I said, “I want to write the X-Men.” And she went, ‘Excuse me?’ And I said, “I need you to make me famous enough that they will let me write the X-Men.’ So writing for Marvel is my life’s dream. This is what I’ve been working toward all this time, so there’s a huge amount of pressure but it’s all internal. I’m very aware that I’m making canon.

(12) TRANSFORMERS FANDOM. BBC covers “Transformers: Misfit robots and the women who love them”.

Over three decades Transformers has grown from a line of children’s toys to a media franchise encompassing film, TV and gaming. Perhaps its most radical spin-off though is a comic that has used wit and humanity to reach a new, diverse fan base.

Transformers started out as a boy’s toy. The robot characters, which could be quickly reconfigured into guns and cars – tapped into the young male zeitgeist of 1984.

Those children have grown into today’s adult collectors. But thanks to a cult comic, the franchise’s male-dominated audience has crossed the gender divide.

At Europe’s largest Transformers convention this year, TFNation, women accounted for almost half of attendees aged 21 to 31. It caps a three-year trend in which female attendance grew by a third. Taking the credit is the comic Lost Light.

(13) CENTENNIAL. This was one of the many commemorations of the 100th anniversary of the end of World War I tweeted yesterday –

(14) BREATHING LIFE INTO OLD FOOTAGE. New technology enables full color restoration. This week the Smithsonian Channel will broadcast a new season of America in Color with even better images than ever before:

Witness defining moments of early 20th century America like never before: in dramatic color. Roam the untamed Wild West, visit burgeoning cities, and enter the dream factory of Hollywood. Follow larger-than-life figures who drove America’s industrial transformation, turned crime into an organized business, and built political dynasties. Using cutting-edge digital technology, we bring our young country’s most seminal landmarks, people, and moments to vibrant life.

Mark Kermode also discusses Peter Jackson and team’s painstaking restoration and colorization of First World War footage: “They Shall Not Grow Old review – an utterly breathtaking journey into the trenches” in The Guardian.

The challenges involved in achieving this miracle are manifold. Most obviously, the digital restoration and colourisation of the original films has been painstakingly carried out with meticulous attention to detail, rendering everything from skin tones to scenery in impressively natural hues. (For theatrical presentation, a moderate 3D enhancement has also been applied.)

More complex is the correction of the film’s pace. The century-old footage with which Jackson was working was shot at anything from 10 to 18 frames per second, with the rate often changing within a single reel. We’ve all seen old movies projected at the modern speed of 24fps, creating that skittering, agitated effect that fixes such footage in the dim and distant past. Here, Jackson and his team have used computers to build interstitial frames that recapture the rhythms of real life, tuning into the music of the soldiers’ movements, breathing intimate life into their smallest gestures. The process may sound nerdily technical but the effect is powerfully emotional. It’s as if the technology had somehow pierced the surface of the film, causing (virtual?) memories to come pouring out.

 

(15) REVERE THE SJWC. “Archaeologists Discover Dozens Of Cat Mummies, 100 Cat Statues In Ancient Tomb” — The real surprise: mummified scarabs. No reports whether the scarabs were for the cats to play with…

Egypt’s Ministry of Antiquities announced Saturday that a team of Egyptian archaeologists excavating a 4,500-year-old tomb near Cairo has found dozens of mummified cats. Also in the tomb were 100 gilded wooden cat statues, as well as a bronze statue of Bastet, the goddess of cats.

The discoveries were made at a newly discovered tomb in Saqqara, the site of a necropolis used by the ancient city of Memphis. The tomb dates from the Fifth Dynasty of the Old Kingdom, and archaeologists have found another one nearby with its door still sealed — raising the possibility that its contents are untouched.

(16) THE INCREDIBLE SHRINKING KILOGRAM. Twitter thread discusses why the kilogram is the one measure that still relies on a material instance rather than a definition-by-physics, and how this is being fixed.

(17) HARRYHAUSEN THE ARTIST. David Rosler praises the animator to the skies in “RAY HARRYHAUSEN: The Twentieth Century Leonardo da Vinci” at Films in Review.

Da Vinci’s time of Renaissance humanism recognized virtually no mutually exclusive differences between sciences and the arts, and artists often thought in terms of science and scientists delved into the arts, heedless of any abstract concept now assumed to separate them. Both Ray and da Vinci were Renaissance men of the highest caliber of their respective times, both became positively revered by their contemporaries and, most importantly, both changed much of how the world saw their forms of art by leading the way with uniquely original creations, significantly changing the larger world around them.

Ray Harryhausen self-portrait

[Thanks to Cat Eldridge, Chip Hitchcock, Mike Kennedy, JJ, John King Tarpinian, Martin Morse Wooster, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W.]

Pixel Scroll 10/28/18 Wanna See My Smilin’ Face On The Cover Of The Pixel Scroll

(1) SMOKE GETS IN YOUR EYES. And everywhere else. Juliette Wade’s latest Dive Into Worldbuilding features “Sean Grigsby and Smoke Eaters”. Read the synopsis, and/or view the video at the link.

It was a real pleasure to have Sean Grigsby on the show! He’s the author of Smoke Eaters, one of the most high-concept novel ideas I’ve encountered. It’s basically “firefighters versus dragons.” I was eager to hear how, as a firefighter himself, he’d approached depicting the firefighting realistically and not just on the basis of speculation. Sean told us he was surprised how many internet references to firefighters are actually romance- or erotic-leaning, and assured everyone listening that that’s not what Smoke Eaters is all about. He also remarked that there are an astonishing number of stories involving firefighters who turn into dragons. The whole shirtless thing doesn’t make a lot of sense when you’re trying to protect yourself from fire…

 

(2) NELSON BOND. Mike Allen was the keynote speaker as “West Virginia university celebrates ‘Dean of Roanoke Writers'” – the Roanoake Times has the story.

A stage play with a Roanoke connection delighted an audience of about 75 on a recent October weekend. Before the play started, I addressed the audience, sketching out the life of author Nelson Bond as best I could in the time allotted.

Bond, once called “the dean of Roanoke writers,” had his heyday in the 1930s, ’40s, and ’50s. He wrote more than 250 short stories, most of them science fiction and fantasy. He also wrote radio shows and television scripts. He retired from writing in the 1960s, which is one of the reasons why his work is little known today.

…Ten years ago, I spoke at the dedication of the Nelson Bond Room on the third floor of the university’s Morrow Library. Frankly, I was gobsmacked and humbled that his family would ask that of me, and the same was true when I was asked to be the keynote speaker for the theater school’s Oct. 20 production of “Mr. Mergenthwirker’s Lobblies.”

… “Mr. Mergenthwirker’s Lobblies” tells the story of an eccentric, nervous, sweet young man who has two invisible companions called “Lobblies,” who have the power to foretell the future and use that power to thwart crime. The original story has a tragic ending — but proved so popular that Bond brought Mergenthwirker back and featured him in more stories. When Bond’s career made the leap to radio and then to television, he brought the character with him. In 1946, “Mr. Mergenthwirker’s Lobblies” became the first full-length stage play ever broadcast on a television network.

(3) WHO ON DISPLAY. Once upon a time there were Doctor Who Exhibitions in various places, now commemorated at this website:

And others….

(4) WHO ON THE DANCEFLOOR. Enjoy this Doctor Who dance from last night’s Strictly Come Dancing (aka Dancing With The Stars in the US.)

(5) JOHN WILLIAMS ON THE MEND. Fantha Tracks learned “John Williams is doing well and will return to Los Angeles shortly”.

John Williams is recovering well from his illness (read news), and will return to Los Angeles next week, according to information provided by Mike Matessino, producer and close friend of John Williams.

(6) SO YOU WANT TO BE IN MOVIES. Lance Phan has become an Instagram Famous artist, making 3-D models that can cast you as an animated character (BuzzFeed: “This Artist Can Draw You As If You’re A Character In A Disney Pixar Movie”).

How cool would it be to see yourself as a 3D-like cartoon character in the vein of a Disney Pixar film?

Well, that’s exactly what Lance Phan can do. He’s a super talented 3D artist who can make anyone look like a bonafide animated character from any Pixar film.
Lance tells BuzzFeed he’s been doing 3D art for about five years.
He started by drawing environment only because he claims his character modeling wasn’t good, but he had a goal.

He tells BuzzFeed, “Two years ago, I told myself that I needed more practice and commitment, then I went online to ask random people for their consent to make characters out of their profile picture.”

Once Lance began posting his new and improved 3D drawings online, people wanted to pay him to draw them, too.

(7) KAREN OBIT. The Boston Globe reports the passing of “James Karen, 94, character actor from ‘Poltergeist,’ ‘Return of the Living Dead’”.

James Karen, who began a long career as a character actor at the suggestion of a congressman and who appeared in thousands of commercials and more than 200 film and television roles, including ‘‘All the President’s Men,’’ ‘‘Poltergeist,’’ ‘‘The China Syndrome’’ and the cult classic ‘‘The Return of the Living Dead,’’ died Tuesday at his home in Los Angeles. He was 94.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and JJ.]

  • Born October 28, 1902 – Elsa Lanchester, Actor from England who is famous for playing both Mary Wollstonecraft Shelley and The Monster’s Mate in Bride of Frankenstein, which is considered one of the few sequels to a great film that is even better than the original film on which it is based. She has a surprisingly deep list of genre credits; she also played the Red Queen in Alice in Wonderland, and had parts in Mary Poppins, The Ghost Goes West, Passport to Destiny, The Spiral Staircase, The Bishop’s Wife, The Glass Slipper, Bell, Book and Candle, Blackbeard’s Ghost, Willard, Terror in the Wax Museum, and the SJW favorite That Darn Cat!, as well as guest roles in episodes of The Man from U.N.C.L.E., Night Gallery, and Off to See the Wizard.
  • Born October 28, 1951 – William H. Patterson, Jr., Writer, Conrunner, and Fan who was particularly known for his appreciation of, and scholarship for, the work of Robert A. Heinlein. He founded the Heinlein Journal in 1997, and co-founded the Heinlein Society with Virginia Heinlein in 1998. He also helped organize the Heinlein Centennial which took place in Kansas City in 2007. He published a two-volume biographical work entitled Robert A. Heinlein: In Dialogue with His Century, the first of which was nominated for the Best Related Work Hugo. He was part of a successful Worldcon bid, as well as a failed Westercon bid about which he wrote a one-shot fanzine called The Little Fandom That Could. Mike Glyer’s tribute to him can be read here.
  • Born October 28, 1951 – Joe R. Lansdale, 67, Writer and Martial Arts Expert who has written novels, stories, and comic books in many genres, including science fiction, horror, mystery, suspense, and western. He was a co-founder of the Horror Writers’ Association, and several of his novels have been made into movies. His DCU Jonah Hex animated screenplays are far superior to the live action Hex film. Bubba Ho-Tep, a comedy horror film starring Bruce Campbell, is his best known genre work, though he has done a number of novel series including The God of The Razor and Reverend Jedidiah Mercer, which are definitely Weird Westerns. He has been Guest of Honor at many conventions, including a World Fantasy Convention. His work has been nominated many times for awards, and he has won the Stoker Awards a stunning 10 times across most of its categories, including one for Lifetime Achievement. His short story, “On The Far Side Of The Desert With Dead Folk”, won a British Fantasy Award.
  • Born October 28, 1952 – Annie Potts, 66, Actor whose most famous genre role is undoubtedly as the admin assistant to the parapsychologists in the original Hugo finalist Ghostbusters and Ghostbusters II; in one of the many fan-pleasing cameo roles featuring actors from the original, she was the hotel clerk in the Hugo-nominated  Ghostbusters reboot. She had a role in the Hugo finalist The Man Who Fell To Earth, provided the voice of Bo Peep in three of Pixar’s Hugo-nominated Toy Story films, also appeared in episodes of Hercules, The Twilight Zone and Amazing Stories, and currently plays the Meemaw of the titular character in Young Sheldon.
  • Born October 28, 1958 – Amy Thomson, 60, Writer of hard science fiction whose first novel, Virtual Girl, which featured a female Artificial Intelligence and explored themes of feminism, was a Prometheus and Locus Award finalist and earned her a nomination for the Campbell Award for Best New Writer. Subsequent novels featuring uniquely-alien aliens were finalists for Philip K. Dick and Endeavour Awards. A really interesting io9 interview with her can be read here.
  • Born October 28, 1978 – Gwendoline Christie, 40, Actor from England whose distinctive 6’3″ height gave her the perfect stature to play Brienne of Tarth in the Hugo-winning Game of Thrones (for which she received a Saturn nomination), and Stormtrooper Captain Phasma in the Hugo finalists The Force Awakens and The Last Jedi, along with the animated series spinoff Star Wars Resistance and Star Wars videogames. Other genre appearances include parts in The Imaginarium of Doctor Parnassus, The Zero Theorem, and The Hunger Games: Mockingjay, and a main role in the TV series Wizards vs. Aliens. She also appeared in the music video for Goldfrapp’s “Strict Machine” in 2003.
  • Born October 28, 1982 – Matt Smith, 36, Actor from England who, at the age of 26 – the youngest actor to be given that role – was tapped for a career-making part as the Eleventh incarnation of The Doctor in the very long-running, Saturn-nominated BBC series Doctor Who, a role which he reprised in the Sarah Jane Adventures crossover episode “The Death of the Doctor”, as well as voicing the Big Finish full cast audiowork and several videogames. Twelve of his episodes were Hugo finalists; two of those were winners. In other genre work, he portrayed the physical embodiment of Skynet in the Terminator Genisys film and had roles in Pride and Prejudice and Zombies, and another zombie film, Patient Zero. It was recently announced that he has been cast in a yet-to-be-disclosed role in Star Wars: Episode IX. And he wears a fez oh so well.

(8) A PAIR OF BIRTHDAY REVIEWS. And two writers continue their daily celebrations:

Richard A. Lovett is one of Analog’s most regular contributors (of non-fiction as well as fiction), and one of its best. Today is his 65th birthday, and so here is a compilations of many of my Locus reviews of his stories.

Thomson won the John W. Campbell Award for Best New Author in 1994 on the basis of her debut novel, Virtual Girl. She subsequently published two novels in The Color of Distance series and the stand-alone novel Storyteller, as well as three short stories. She has been nominated for the Prometheus Award for Virtual Girl, the Philip K. Dick Award and Seiun Award for The Color of Distance, and the John W. Campbell Memorial Award, Gaylactic Spectrum Award, and Endeavour Awards for her novel Storyteller. In the trading card series issued by the Chicago in 2000 Worldcon bid, card number 28 was of Thomson and identified as the “Official Rookie Card.”

(9) COMICS SECTION.

(10) HARRY POTTER. NPR looks at Harry Potter’s influence: “Inside The Ever-Expanding Wizarding World: Harry Potter At 20”. Chip Hitchcock observes, “The hotel that hosted all 4 Noreascons is buttoned up due to a strike, but next door the Barnes & Noble has a standup of tchotchkes right in the middle of the store.”

It’s hard to remember a world before Harry Potter. The children’s book series is a juggernaut that spawned a film series, theme parks, a Broadway play and museum exhibits. It’s been 20 years since readers in the U.S. were first introduced to the wizarding world, and more than 500 million copies of the books have been sold worldwide.

The series is still intensely personal for the boys and girls who have read, and still read the books. It’s also had a deep impact on what children read.

At the New York Historical Society, a new exhibit called “Harry Potter: A History of Magic” traces the roots of author J.K. Rowling’s novels — and it’s filled with Potterheads of all ages. Inside the museum, curator Roberta Olson is justifiably proud to show what she’s got.

(11) WHAT’S THE PLAN WHEN IT ALL GOES TO HELL? Douglas Rushkoff tells Medium readers what’s on the minds of the wealthy: “Survival of the Richest”.

After I arrived, I was ushered into what I thought was the green room. But instead of being wired with a microphone or taken to a stage, I just sat there at a plain round table as my audience was brought to me: five super-wealthy guys?—?yes, all men?—?from the upper echelon of the hedge fund world. After a bit of small talk, I realized they had no interest in the information I had prepared about the future of technology. They had come with questions of their own.

They started out innocuously enough. Ethereum or bitcoin? Is quantum computing a real thing? Slowly but surely, however, they edged into their real topics of concern.

Which region will be less impacted by the coming climate crisis: New Zealand or Alaska? Is Google really building Ray Kurzweil a home for his brain, and will his consciousness live through the transition, or will it die and be reborn as a whole new one? Finally, the CEO of a brokerage house explained that he had nearly completed building his own underground bunker system and asked, “How do I maintain authority over my security force after the event?”

(12) SUDDENLY LAST SUMMER. Runes are busting out all over: “Heatwave reveals England’s lost prehistoric sites” – pictures from all over the UK.

Surveys from the air have revealed Neolithic ceremonial monuments, Iron Age settlements, square burial mounds and a Roman farm for the first time.

Historic England said the weather “provided the perfect conditions” to see the crop marks because of the lack of moisture in the soil.

They include two Neolithic monuments discovered near Milton Keynes.

The long rectangles near Clifton Reynes are thought to be paths or processional ways dating from 3600 to 3000BC, one of the oldest of their type in the country.

Numerous features in a ceremonial landscape near Eynsham, a few miles north-west of Oxford, date from 4000BC to 700BC.

Monuments to the dead, a settlement and a circle of pits can be seen in crop marks on the field in an area that is already protected….

In each case the remains are revealed as differences in colour or in the height of crops or grass.

Duncan Wilson, chief executive of Historic England, said: “The discovery of ancient farms, settlements and Neolithic cursus monuments is exciting.

(13) LOADS OF REVIEWS. If you’re looking for reviews to read, there are links to the reviews of all the works listed below at “Friday’s Forgotten Books, October 26, 2018”.

  • Les Blatt, THE LADY IN THE LAKE, Raymond Chandler
  • Brian Busby, THE TRIUMPHS OF EUGENE VALMONT, Robert Barr
  • Kate Jackson/CrossExaminingCrime. N OR M?, Agatha Christie
  • Martin Edwards, THE MURDER OF MARTIN FOTHERIL, Edward C. Lester
  • Curtis Evans, Felicity Worthington Shaw/”Anne Morice”: Her Life in Crime
  • Rich Horton, MASTER OF LIFE AND DEATH, Robert Silverberg; THE SECRET VISITORS, James White
  • George Kelley, THE FUTURE IS FEMALE, edited by Lisa Yaszek
  • Margot Kinberg, TESS, Kirsten McDougall
  • Rob Kitchin, THE FALCON AND THE SNOWMAN, Robert Lindsey
  • B.V. Lawson, SHE SHALL HAVE MURDER, Delano Ames
  • Evan Lewis, THIRD ON A SEESAW, “Neil MacNeil” (W. T. Ballard)
  • Steve Lewis, SQUEEZE PLAY, Paul Benjamin
  • Todd Mason, YESTERDAY’S TOMORROWS edited by Frederik Pohl; EDITORS edited by Saul Bellow and Keith Botsford; Futurian editors Doris Baumgardt, Donald Wollheim, Robert Lowndes, Larry Shaw; and the likes of Samuel Delany’s DHALGREN, Josephine Herbst’s THE STARCHED BLUE SKIES OF SPAIN and Gustav Hasford’s THE SHORT-TIMERS
  • J.F. Norris, THIRTEEN STANNERGATE, G.M. Wilson
  • Mike Lind/Only Detect, A PUZZLE FOR FOOLS, “Patrick Quentin”
  • Matt Paust, WHEN TIME RUNS OUT, Elina Hirnoven
  • James Reasoner, THE MANITOU, Graham Masterson
  • Richard Robinson, THE HAPPY BIRTHDAY MURDER, Lee Harris
  • Gerard Saylor, DEAD BEFORE DYING, Deon Myer
  • Kevin Tipple hosting Barry Ergang, WHISTLE UP THE DEVIL, Derek Smith
  • TomCat, APPLEBY’S OTHER STORY, Michael Innes
  • TracyK, HIS BURIAL TOO, Catherine Aird

(14) BATWOMAN PHOTO. Melissa Benoist (Supergirl) has posted a photo of Ruby Rose in her Batwoman costume for this year’s Arrowverse crossover.

[Thanks to Martin Morse Wooster, Hampus Eckerman, John King Tarpinian, JJ, Cat Eldridge, Mike Kennedy, Chip Hitchcock, Todd Mason, Mark Hepworth, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Steve Davidson.]

Pixel Scroll 7/8/18 My Friend, Can Your Heart Stand The Shocking Facts Of Pixel Scrollers From Outer Space?

(1) CASH THEFT AT MONTREAL COMIC CON. Peter Chiykowski, creator of Rock, Paper, Cynic, told fans that thieves took over $1,000 from his booth at Montreal Comic Con on July 7. He has written a long post on Facebook about the theft, its toxic emotional impact on him, plus a full description of the three perpetrators, who have hit other vendors, too.

Peter Chiykowski and Husein Panju at Montreal Comic Con booth.

Yesterday an organized group of thieves stole about $1,000 cash from my booth at comic con. (Fellow vendors: details at the bottom about how to recognize them and fight back.)

I’m feeling a lot of things right now. Angry. Hurt. Defeated. Spiteful. Grateful to all the people who helped me in the aftermath, including friends and fellow vendors and comic con staff.

…They stole $1,000 in 30 seconds.

I was one of about 4 booths they hit in an hour. I seem to have been hit the hardest. Apparently this is the 3rd con they’ve done this at.

This year has been personally terrible for me. There’s been a lot going in my personal and professional life that I haven’t discussed and that has made this by far the low point and most difficult and financially strained year of my career. On the way to this show I was very seriously questioning if I want to keep doing this.

I can’t help feel like yesterday was a sign. A big fuck you, because no matter how hard I work, there will always be shitty people who can take it away.

I am going to move on from this, because I have to move on from this, and in the grand scheme of my life, $1,000 is far from the biggest thing I’ve lost….

Rodney Valerio has set up a fundraiser with the goal of replacing the thousand dollars that was taken: “Peter’s Rock, Paper, Cyncic Dream”.

(2) SMOFCON SCHOLARSHIPS OFFERED. CanSMOF Inc. is taking applications for three scholarships for convention runners to be used towards the cost of attending SMOFcon 36, to be held in Santa Rosa, CA, November 30-December 2, 2018. SMOFCon is the annual convention about organizing Science Fiction conventions.

  • The first Scholarship of up to 500 CAD is open to a Canadian citizen or resident involved in running conventions with a preference for those who have not previously attended a SMOFCon.
  • The second scholarship of up to 1000 CAD is open to anyone not residing in North America, involved in running conventions with a preference for those who have not previously attended a SMOFCon.
  • The third scholarship of up to 500 CAD is open to anyone involved in running conventions, regardless of their place of residence with a preference for those who have not previously attended a SMOFCon.

Preference will be given to fans who have not previously attended a SMOFCon, but this is not necessary to be an applicant. The submission deadline is September 9.

To apply for a scholarship, follow this link: https://goo.gl/forms/4rNPJbZ7f2Vx1NMJ2

(3) KEPLER NEARS RETIREMENT. On July 6, NASA announced that they have put the Kepler space observatory in a “no-fuel-use safe mode” in preparation for downloading data from what may have been the final Kepler observational campaign. Kepler has been very successful at finding exoplanets (both confirmed and candidates) since commissioning in 2009. After 2 of the 4 reaction wheels failed (the second in 2013), the mission was replanned to use thrusters as well as the remaining reaction wheels to point the telescope. Now, however, thruster fuel is critically low. NASA currently “expects it to run out of fuel in the next few months.”

NASA plans to take Kepler out of safe mode on August 2. It will then be commanded to reorient and point its high-gain antenna at Earth so data currently stored onboard can be downloaded. This reorientation maneuver uses significantly more fuel than observation mode and NASA notes that, “Returning the data back to Earth is the highest priority for the remaining fuel.” If the download is successful, NASA will command one more observation campaign (the 19th), to begin 6 August.

(4) WONDER WOMAN DROPS BY. Syfy Wire, in “’Wonder’-ful surprise: Gal Gadot visited a children’s hospital in her full Wonder Woman costume”, reports Wonder Woman actress Gal Gadot made a surprise appearance at Inova Children’s Hospital in Annandale VA on Friday 6 July… in her full battle armor costume.

Surgeon Dr. Lucas Collazo posted a photo to his Twitter account of Gadot posing with nearly a score of staff members and thanking her for brightening the day of many of the children (and staff).

Other pics were posted on Twitter (@WonderWomanHQ) and on Reddit (/u/oligarchyoligarchy). Gadot was apparently in the area while shooting Wonder Woman 1984, the upcoming sequel.

(5) PREMIERE. The Verge posted an excerpt of Rich Larson’s debut novel from Orbit: “A transgender girl rises up against alien invaders in Rich Larson’s novel Annex”. Previous work from Larson includes short genre fiction in Apex Magazine, in Clarkesworld Magazine, at Daily Science Fiction, on Tor.com, and in the anthology War Stories: New Military Science Fiction.

Later this month, Rich Larson will publish his debut novel, Annex, the start to his Violet Wars trilogy. The book is set in the aftermath of an alien invasion, and follows Violet, a transgender girl who has escaped capture and discovered that an alien parasite has given her strange powers. The aliens have tagged the adults of the world with a device that leaves them in a zombie-like state. She and a group of children called “Lost Boys” struggle to survive in order to take the fight back to the otherworldly invaders.

(6) SF V. LITERATURE. Gautham Shenoy interviews Adam Roberts in his 100th sff column for Factor Daily: “‘We’re Winning the War’: A Q&A with SF writer, critic and historian, Adam Roberts”.

Shenoy: I remember a few years ago, Kim Stanley Robinson angrily (I’d presume) calling the judges of the Man Booker Prize ignorant for ignoring science fiction, singling you out as the author who should’ve won that year, for your book, Yellow Blue Tibia. How did that make you feel? Which leads me to the second part of this question, where do you stand on this ‘literary apartheid’ if I can call it as such, where the ‘literary establishment’ tends to ignore if not sneer at ‘low brow’ science fiction, which in turn one could say has become ghettoised.

Roberts: Stan was being kind (really, incredibly kind and flattering) rather than wholly accurate when he said that. I’m never going to win the Man Booker, and I’m content with that. By the same token, I wonder if the ghetto doesn’t figure the opposite way to how it’s often invoked. It’s not that SFF is a ghetto inside the glorious city of ‘Literary Fiction’, but the reverse. “Literary” novels sell abominably badly, by and large; popular culture in the main belongs to SF and Fantasy, eighteen of the top twenty highest grossing movies of all time are SFF, everybody recognises SFF icons and memes, and not only popular bestsellers like Andy Weir’s The Martian but the best in contemporary experimental fiction is now SF. Nicola Barker’s Goldsmith’s Prize-winning H(a)ppy is SF; Kim Stanley Robinson’s own New York 2140 is as stylistically and formally innovative as Dos Passos, and so on. We’re winning the war.

(7) NEWS TO ME. Fafnir – Nordic Journal of Science Fiction and Fantasy Research is “a peer-reviewed, interdisciplinary academic journal published by the The Finnish Society for Science Fiction and Fantasy Research.”

Fafnir aims at serving as an international forum for scholarly exchange on science fiction and fantasy and for discussion on current issues on the field. Fafnir welcomes contributions from a wide range of perspectives.

(8) TRIBUTE TO DITKO. Sam Thielman, in “Steve Ditko’s Genius Made Him Something He Disdained–A Beloved Celebrity” in The Daily Beast, offers an appreciation of Ditko, and explains that many comics fans made the trip to 1650 Broadway, Suite 715 (an address that was in the phone book) only to find that Ditko refused to give interviews to anyone, including Neil Gaiman, who left Ditko’s office with a bag of comics and no interview.

For this beloved artist, the focus was entirely on his work, and he wanted other people’s focus there, too. “I never talk about myself,” he said when his own editors asked for a promotional interview after he’d created a new character, The Creeper, for DC Comics in 1974. “My work is me. I do my best, and if I like it, I hope somebody else likes it too.”

Pretty much everybody else did like it. There is a peculiar grammar to comics, a way that one panel suggests the next panel, that is ephemeral and hard to learn; some people intuitively understand it and reading their comics is like watching actual movement. Ditko is their patron saint.

(9) VANZINA OBIT. Carlo Vanzina (1951 – 2018): Italian screenwriter and director, died July 8, aged 67. Often collaborated with his brother Enrico. Genre work included Nothing Underneath (1985), A spasso nel tempo (1996), A spasso nel tempo – L’avventura continua (1997), 2061: Un anno eccezionale (2007).

(10) COMICS SECTION.

  • Why are UFO sightings down? Mike Kennedy learned the answer in Brewster Rockit.

(11) SHE LIGHTS UP THEIR LIVES. Mark Jenkins in the Washington Post reports on a forthcoming concert by Hatsume Miku, who is a hologram (her name means “first sound of the future” whose manga-loving fans have composed 100,000 songs in at least five languages for her, some of which have gotten 25 million hits on YouTube. “This singer is part hologram, part avatar, and might be the pop star of the future”.

When Japanese pop idol Hatsune Miku makes her Washington debut at the Anthem on Thursday, fans will be asked to use the official glow sticks for sale at the show instead of the regular brighter ones. The thing is, if too much light shines from the audience, Miku might simply disappear.

That’s because Miku is a hologram — at least when she performs in concert, backed by a quartet of flesh-and-blood musicians. She’s also an anime character, a video-game avatar, a bundle of sophisticated “vocaloid” code and a fascinating experiment in crowd-sourced pop art.

(12) AN INCREDIBLE NUMBER. ComicBook.com has pointed out that Incredibles 2 is about to set a record—the highest domestic gross for an animated film. According to BoxOfficeMojo’s Domestic Gross table, as of 5 July 2018, I2 was sitting at $475,361,414 (and #13 overall for all films), just behind Finding Dory at $486,295,561.

On the other hand, I2 would have a long way to go to gain the same distinction internationally. On BoxOfficeMojo’s Worldwide Gross chart, Frozen is the highest ranked animated film (#12 overall; $1,276.5 million) while I2 is way down the rank (#109 overall; $693.4 million). Animated films between them include Up (#96), Monsters University (#94), Madagascar 3 (#91), Shrek Forever After (#89), Maleficent (#85), Shrek the Third (#74), Coco (#73), Inside Out (#63), The Secret Life of Pets (#57), Ice Age: Continental Drift (#56),  Ice Age: Dawn of the Dinosaurs (#52),  Shrek 2 (#49), Finding Nemo (#45), The Lion King (#38), Despicable Me 2 (#37), Zootopia (#32), Finding Dory (#29), Despicable Me 3 (#27), Toy Story 3 (#23), and Minions (#16).

Of course, when adjusting Domestic Gross for inflation, no animated film can beat out Snow White and the Seven Dwarfs (#10 overall) or even 101 Dalmatians (#12 overall). And those two films together don’t add up to the inflation adjusted Domestic Gross for #1 Gone with the Wind. [Item penned by  Mike Kennedy.]

(13) SDCC PROGRAM. Comic-Con has released its program. They’ve finally found something for all the Hollywood lawyers to do.

(14) ELLISON TRIBUTE AT SDCC. San Diego’s Comic-Con International also will host a panel discussion about the late Harlan Ellison on Sunday at 3 p.m. in Room 6DE.

Josh Olson, Bill Sienkiewicz, William Stout, Erik Nelson, Steve Barnes, Nat Segaloff, Jude Meyers, Scott Tipton, J. K. Woodward, Christine Valada, Jason Davis will honor the memory of Harlan Ellison and the lasting effects of his work.

(15) PIERS ANTHONY ON ELLISON. Piers Anthony devotes a long section of his latest Newsletter to reminiscing about Ellison.

Yet there are limits. When Harlan made comments that could be dangerous to my career, I wrote to him privately saying in essence that I did not want trouble with him, as we were on the same side in so many cases, but if he repeated some of the things in print I would have to take legal action to protect my reputation. He was dismayed, listing three things that I should have said and had not. I replied by quoting all three things from the first page of my letter. Again he had accused me without cause. It was apparent that he was incorrigible, simply not capable of getting such things straight; he was a loose cannon, possibly more dangerous to friends than to enemies. Strike Three. I decided to disengage. “Fare well, Harlan,” I wrote, and cut him off.

[Thanks to Steve Green, Chip Hitchcock, Cat Eldridge, JJ, John King Tarpinian, Carl Slaughter, Martin Morse Wooster, Mike Kennedy, Andrew Lipitak, and Andrew Porter for some of these stories, Title credit goes to File 770 contributing editor of the day Brian Z.]

Pixel Scroll 6/17/18 Come Away, O Meredithed Book, To The Kindle And The Nook

(1) ADVICE AND DISSENT. When Elon Musk described himself as “…a utopian anarchist of the kind best described by Iain Banks” on Twitter he got plenty of pushback. Soon Lee and Rob Thornton report that the pushers included Charles Stross, Hal Duncan, Cory Doctorow, and —

For those who need an introduction, Edward Champion’s 2013 essay “The Culture Novels of Iain M. Banks” looks promising:

When not committing his considerable energies to such intense Bildungsromans as The Wasp Factory or bleak-humored narratives like The Crow Road, Banks inserts an M into “Iain Banks” and writes science fiction novels. Most of these speculative volumes concern the Culture, a utopian-anarchist society that extends across a sizable cluster of the universe. These Culture vultures gambol across the galaxy in ships with such eccentric names as Don’t Try This at Home and Serious Callers Only. Culture citizens live for centuries, and can even change their appearances if they grow discontent with their corpora. These conditions encourage these civilized sybarites to have more fun than a flighty Dalmatian discovering a chiaroscuro sea of spotty companions. Never mind that there’s always an intergalactic war going on.

(2) DOLLAR BLAST. Just as you’d expect superheroes to do: “‘Incredibles 2’ crushes animation box office record”.

The Disney and Pixar film premiered to an estimated $180 million at the domestic box office this weekend. The sequel to the popular 2004 computer animated film soared past the record for biggest animated film opening in box office history by $45 million.

That record belonged to another Pixar film, “Finding Dory,” which opened to roughly $135 million two summers ago.

So far the film brought in $231.5 million around the world.

(3) BIG CAT. Should an owner discourage the ambitions of an SJW credential?

(4) HARRY POTTER AND THE CURSED LEX. Some fantastic beasts who practice law in Hollywood are sowing darkness across the land: “Warner Bros. Crackdown Puts Dark Mark Over Harry Potter Festivals”.

Warner Bros. is cracking down on local Harry Potter fan festivals around the country, saying it’s necessary to halt unauthorized commercial activity. Fans, however, liken the move to Dementors sucking the joy out of homegrown fun, while festival directors say they wll transfigure the events into generic celebrations of magic.

“It’s almost as if Warner Bros. has been taken over by Voldemort, trying to use dark magic to destroy the light of a little town,” said Sarah Jo Tucker, a 21-year-old junior at Chestnut Hill College, which hosts a Quidditch tournament that has coincided with an annual Harry Potter festival in suburban Philadelphia.

Philip Dawson, Chestnut Hill’s business district director, said Warner Bros. reached out to his group in May, letting them know new guidelines prohibit festivals’ use of any names, places or objects from the film series. That ruled out everything from meet-and-greet with Dumbledore and Harry to Defense Against the Dark Arts classes.

(5) WELL ABOVE MINIMUM WAGE. Owen King tells readers of The New Yorker about “Recording Audiobooks For My Dad, Stephen King”.

My father gave me my first job, reading audiobooks on cassette tape. He had caught on to the medium early, but, as he explained later, “There were lots of choices as long as you only wanted to hear ‘The Thorn Birds.’ ” So, one day, in 1987, he presented me with a handheld cassette recorder, a block of blank tapes, and a hardcover copy of “Watchers,” by Dean Koontz, offering nine dollars per finished sixty-minute tape of narration.

This was an optimistic plan on my father’s part. Not only was I just ten years old, but when it came to reading aloud I had an infamous track record. My parents and I still read books together each night, and I had recently begun demanding an equal turn as narrator. Along our tour through Robert Louis Stevenson’s “Kidnapped,” I had tested their love with reckless attempts at a Scottish accent for the revolutionary Alan Breck Stewart, whom the novel’s protagonist, David Balfour, befriends. Even as they pleaded for me to stop, I made knee-deep haggis of passages like the following:

“Do ye see my sword? It has slashed the heads off mair whigamores than you have toes upon your feet. Call up your vermin to your back, sir, and fall on! The sooner the clash begins, the sooner ye’ll taste this steel throughout your vitals.”

Despite this, my father enlisted me to narrate “Watchers.”

(6) WHAT A RUSH. It’s not going to take long for Mark Lawrence’s Self-Published Fantasy Blog-Off 2018 to fill up –

(7) ARCHEOVIDEOLOGY. Echo Ishii returns to the history of TV sff in “SF Obscure: Ace of Wands.

Ace of Wands is an ITV fantasy show broadcast in 1971 to 1972. It’s technically a children’s/ family show, but it’s fairly sophisticated and one that held my interest. Ace of Wands ran for three series, however, only the third series remains. At the time, ITV wiped old series due to the high cost of production materials and storage.

(8) CATCHY TITLE. Anna-Marie Abell gave her novel an irresistible name — Holy Crap! The World is Ending!: How a Trip to the Bookstore Led to Sex with an Alien and the Destruction of Earth. For the next couple of days it’s a 99-cent special on Amazon. If somebody reads it they can tell the rest of us whether it lives up to the promise of the cover.

Anna-Marie Abell grew up in a trailer park. Well, several actually. Her trailer was on wheels so she got to experience the Pacific Northwest’s vast array of mobile home parks as her parents moved her from one to the other. Somewhere along the way, she got totally into UFOs. Probably because she was hoping extraterrestrials would come and abduct her. But they never did. Luckily for her she was smart, because her only hope of escaping trailer life was college and a full scholarship. Moving to sunny California on her almost full ride to Chapman University, she was well on her way to her new life. Two bachelor degrees later (Film and Television Production and Media Performance), and several honors and awards for her accomplishments, she managed to start working in an almost completely unrelated industry from her majors: infomercials.

It was in college that she got bit by the “ancient alien” bug after listening to Zecharia Sitchin on Coast to Coast AM. In her pursuit to uncover the truth, she has spent the last twenty years researching the ancient Sumerian culture—in particular their “gods” called the Anunnaki—and their connection to the creation of the human race. What she found changed her life, her beliefs, and her understanding of the universe and everything beyond. Her humorous science fiction trilogy, The Anunnaki Chronicles, is a culmination of all her research, her borderline obsession for all things paranormal, and approximately 2,300 bottles of wine.

(9) FRONT, PLEASE. Dorothy Grant’s “Cover caveats” at Mad Genius Club is a great introduction to the process.

So where do you find your cover art and cover designer? Well, you can search the premade options put together by artists and designers, so you know exactly what it’ll look like when you get the “Your Title” swapped out for your actual title, and “Author Name” swapped for your pen name or real name.

Or you can get one designed for you. If you have no idea what you want or need, this can involve writing up a short description of the book or sending the book to the designer. Be aware that a busy professional designer probably will not read your entire book, but is skimming for worldfeel, character descriptions, possibly an iconic scene.

Or, if you’re a little more artistically inclined, you’ll send the designer / artist basically three sets of URLs.

First, links to bestselling books in the same subgenre that have covers similar to what you want. (send 3, so they can get a feel for what’s standard to that subgenre vs. particular to that single cover.)

Second, Send them URLs from stock photo sites that say “models like this”

Third, URLs from stock photo sites saying “backgrounds like this”

Artists think in pictures, not words, so communicate in visuals as much as possible.

(10) IN THE ROOM WHERE IT HAPPENS. I watched the first part of Live Slush Session 2 and was intrigued to hear Baen’s publisher and a contributing editor give candid reactions to authors’ manuscripts.

Baen Books’ Publisher Toni Weisskopf and “Slushmaster General” Gray Rinehart read the openings of volunteer submissions to give writers some insight into the evaluation process.

 

(11) COMICS SECTION.

  • John King Tarpinian saw how Deadpool celebrates Father’s Day at Brevity.
  • And Ben Solo’s dad featured in yesterday’s Brevity.
  • Mike Kennedy sent along Pearls Before Swine’s suggestion for how to get people to read. (He didn’t say it was a good suggestion….)

(12) ALDEBURGH FESTIVAL. The Stage’s George Hall reviews the opera based on a Silverberg story: “To See the Invisible review at Britten Studio, Snape – ‘a musical patchwork’”.

New at this year’s Aldeburgh Festival, Emily Howard’s chamber opera To See The Invisible has been freely adapted by playwright Selma Dimitrijevic from a taut and distinctly Kafkaesque short story by the American sci-fi writer Robert Silverberg.

The central character has been found guilty of the crime of coldness and is sentenced to a year’s invisibility, during which he is completely ignored by (almost) everyone he meets.

In Dimitrijevic’s libretto the character’s isolation remains severe, though he now has a family consisting of a mother, father and sister. His encounters with them and other individuals – in court, in a public gardens and a brothel – ameliorate his plight while also allowing some of Silverberg’s focused purity to dissipate.

In the opera he also has a kind of shadow in the shape of what the libretto describes as The Other Invisible – Anna Dennis’ female soprano regularly in synch with Nicholas Morris’ baritonal male. The character’s dual vocality is undoubtedly one of the more successful features of Howard’s score….

(13) IT’S NOT EASY BEING MEAN. Olga Polomoshnova analyzes the villain who gave evil a bad name — “On Sauron’s motives” at Middle-Earth Reflections.

Being the chief villain of the Second and Third Ages, Sauron sparks numerous questions concerning his motives. How did he become the evil figure we know him to be? Why did he run the risk of transferring a great amount of his inherent power into the One Ring knowing that it could lead to his destruction? Let us look at his downfall and motives through Tolkien’s own stories and letters.

Having risen like the shadow of Morgoth, Sauron was nevertheless different from his former lord. His downfall arose out of good motives, nor was he the beginner of discord. Sauron belonged to the Maiar — spirits created from Ilúvatar’s thought. He came into existence before the physical world took shape. Originally Sauron, who was known as Mairon (the Admirable) at that time, was associated with the people of Aulë, so he was a very skillful smith….

(14) EATON PHOTOS ONLINE. Andrew Porter labors on, identifying people in Jay Kay Klein’s photos. At the 1967 Worldcon, NYCon 3, this shot of a panel audience showed Walt Liebscher, Ray Fisher, Arnie Katz, Lee Hoffman, and Bob Tucker:

(15) A PENNYFARTHING FOR YOUR THOUGHTS. Ninety years ago, when Frank R. Paul painted his cities of the future, he didn’t include any bicycles at all. Now the BBC is asking — “Tomorrow’s Cities: Will the bike become an urban must-have?”

Fifteen years ago there were just four bike-sharing schemes in cities around the world, but now there are close to 1,000.

Most require you to pick up and leave a bike at a designated area, but new “dockless” schemes from China are coming to cities around the world – and proving controversial.

(16) THE MUMMY DIET. There’s a blog devoted to mummies, and Michele Brittany’s Musing on Mummies is up to “Episode 11: Sokushinbutsu and the Mummification Method Not Often Discussed”.

Ii-wey! Natural or intentional is usually what comes to mind when discussing the process of mummification. Certain environments, deserts, high altitudes or arid cold for example, will naturally dry the deceased, arresting the process of decay as a result. Intentional mummification requires human intervention after a person has died and most often, the Egyptian mummies come to mind. However, there is a third process that is not as well known.

Sokushinbutsu is a Japanese term that refers to a Buddhist mummy that remained incorrupt, or without decay after death….

(17) RADIO FREE BRADBURY. Listen to Ray Bradbury’s Tales of the Bizarre on BBC Radio 4. Four episodes are available online, with three more to come.

(18) NOT THIS WAY. “Astronaut Chris Hadfield says the rockets from NASA, SpaceX, and Blue Origin won’t take people to Mars” — Hadfield told Business Insider why he’s skeptical.

…NASA’s Space Launch System, which is slated to debut in the 2020s, will power its engines with a combination of liquid hydrogen and solid chemical fuels. Blue Origin, the rocket company founded by Jeff Bezos, is also looking to use liquid hydrogen. SpaceX, founded by Elon Musk, is staking its future on burning liquid methane, which the company believes it can generate on the Martian surface.

Like other experts, Hadfield doesn’t doubt that any of the vehicles could actually get to Mars; his issue is about the safety of any humans on board. Explosions, radiation, starvation, and other problems would constantly threaten a mission.

“We could send people to Mars, and decades ago. I mean, the technology that took us to the moon back when I was just a kid, that technology can take us to Mars — but it would be at significant risk,” he said. “The majority of the astronauts that we send on those missions wouldn’t make it. They’d die. Because the technology is still quite primitive.”

(19) EMMY TREK. Star Trek: Discovery submitted a long list of material to the Academy of Television Arts & Sciences in over 20 categories. The full list is available at the linked GoldDerby story: ”’Star Trek: Discovery’ Emmy Submissions: How Many Will it Win?”.

That post also links to a separate story showing Trek Emmy winners from the past series.

The original “Star Trek” series ran from 1966-1969 and didn’t win any Emmys, but it was nominated 13 times, including twice for Best Drama Series (1967-1968). “Star Trek: The Next Generation” followed two decades later and aired for seven seasons from 1987 to 1994, during which time it won a whopping 19 Emmys, all in Creative Arts categories. “TNG” struggled in top races, however, and wasn’t nominated for Best Drama Series until 1994 for its final season.

(20) DON’T QUIXOTE. Terry Gilliam’s tragedy-plagued project is still plagued but it may not be his anymore. Io9 reports: “Terry Gilliam Has Lost the Rights to The Man Who Killed Don Quixote”.

Well, this is a strange new chapter in one of the strangest stories in modern film. For decades, famed genre director (and former Monty Python, uh, snake) Terry Gilliam struggled to make The Man Who Killed Don Quixote, his own surreal take on the classic Spanish novel. He succeeded, finally, with a rendition starring Adam Driver, and the film premiered this year at Cannes Film Festival.

Except, uh, apparently Terry Gilliam just lost the rights to it. Yes, that’s correct: as reported by Screen Rant, the Paris Court of Appeal just ruled in favor of the film’s former producer, Paulo Brancho, who sued for rights to the project on the grounds that Gilliam made the film illegally.

(21) OH NOOO…. When will they make an end? Comicbook.com is spreading the alarm, er, the — “Rumor: ‘Star Wars’ Actor Claims 9 Movies in Development, Including More ‘Story’ Stand-Alones”. Voice actor Tom Kane is said to have claimed there are nine Star Wars movies in some stage of development. Kane has provided voices for Star Wars video games (starting with Shadows of the Empire in 1996), TV shows (Star Wars: The Clone Wars and Star Wars Rebels), and several of the more recent movies (Star Wars: The Force Awakens, Rogue One, and Star Wars: The Last Jedi).

Only six of the projects are known:

Disney-owned Lucasfilm also has plans for fan-favorite Jedi Obi-Wan Kenobi and famed bounty hunter Boba Fett, who will reportedly receive his own stand-alone from 3:10 to Yuma and Logan director James Mangold.

Lucasfilm is also said to be developing an all-new trilogy under The Last Jedi writer-director Rian Johnson, which will be unconnected to the Skywalker saga depicted in the episodic installments and set in an unexplored corner of the galaxy.
Johnson’s producer, Ram Bergman, recently gave an update on the “completely new trilogy,” saying, “It’s all new characters. Everything is new.” The project, he added, is “just in the early stages.”

Abrams’ Episode IX, Johnson’s planned three-movie series, and two new anthologies in Obi-Wan and Boba Fett make six, leaving three supposed projects on the docket.

[Thanks to Dann, John King Tarpinian, JJ, Rob Thornton, Soon Lee, Chip Hitchcock, Cat Eldridge, Martin Morse Wooster, Mike Kennedy, Carl Slaughter and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Ky.]

Pixel Scroll 6/16/18 And I Awoke And Found Me Here On The Scrolled Pixelside

(1) DOUG JONES’ NEW GIG. GeekTyrant points to the first installment of an sf video series premiering on Dust’s YouTube channel: “Dust Created a Cool 1930’s Sci-Fi Noir Series AUTOMATION with Doug Jones; Watch the First Episode Now!”.

In an alternate 1930’s Prohibition-era New York City, it’s not liquor that is outlawed but the future production of highly sentient robots known as automatons. Automata follows former NYPD detective turned private eye Sam Regal and his incredibly smart automaton partner, Carl Swangee. Together, they work to solve the case and understand each other in this dystopian America. Putting a science ?ction twist on the classic hard-boiled detective drama, Automata explores a dystopian alternative version of Prohibition-era New York City, similarly shaped by moral panic even though the alcohol ?ows freely here. In this universe, Prohibition doesn’t ban drinking, but the further production of sapient androids that have become prevalent by the 1920s. As a result, the existing androids, called automatons, are shunned by society, relegated to an untouchable caste of servants despite their near-human thought capability, and are frequently subjected to hatred and violence. It’s in this oppressive setting that human private detective Sam Regal (Basil Harris, “Grimm”) and his automaton partner Carl Swangee (Doug Jones, The Shape of Water) work together to solve cases for both communities, learning to see humanity in one another while trying to prove that justice is still worth serving.

 

(2) WILDERNESS TREK. Who doesn’t want one of these? Lost at E Minor introduces the world to “A tent that looks like a Star Trek shuttlecraft for all your camping missions”.

Canadian designer Dave Delisle, of Dave’s Geeky Ideas, has come up with a concept tent that resembles a Star Trek Federation shuttlecraft.

The two-person tent, though not able to travel to other galaxies, allows Trekkies to go on their ‘away missions’.

It features a hull that looks like the real spacecraft, with an entrance at the back. When you want to stow it away, the tent can easily fit inside one of its thrusters.

(3) I’M LOSING IT HERE. RedWombat strikes a blow for artistic freedom. The thread starts here.

(4) TECH VIRTUOSO. Ursula V’s Twitter stream is also where I found this:

(5) SPFBO 2018. Mark Lawrence, who announced the 2017 Self-Published Fantasy Blog-Off winner just the other day, wasted no time cranking up the next round of the contest:  SPFBO 2018 – A call to authors.

This is the call for authors wanting to enter books for the fourth Self-Published Fantasy Blog-Off.

The contest will be open for entries until August 1st or when 300 titles have been entered, whichever comes first.

If 250+ titles are not gathered by August 1st the contest will be deferred for a year. I have no idea if there is a limit to how many years we can gather 250+ new self-published fantasy book 1s.

So far they have 101 entries. These bloggers will review and rate the submissions.

(6) ESSENTIAL SF. Factor Daily directs you to “Something for everyone: 5 essential science fiction anthologies you must read”. Don’t panic – only the first two were published over 30 years ago….

If you’re someone with a passing interest in science fiction who’d like to know the genre better or would like to experience all the many splendours it has to offer without having to read 300-page novels, one of the best ways is through an anthology. If you’re a hardcore science fiction reader who wants to discover new authors or get deeper into the genre’s history and trends, one of the best ways is through an anthology.

Here then, are five essential science fiction anthologies that will appeal to – and are recommended for – both, the seasoned sci-fi fan, and the casual reader who’d really like to know what the big fuss about science fiction really is. Whatever it is that you’re looking for – spaceships and robots, interstellar travel or the future of humankind, feminist stories, swashbuckling adventures, stories about love and loss, funny stories, stories to make you ponder, about politics, economics, about culture(s), stories about the future that are really a commentary on our present, stories about technology done right, of technology gone wrong – they’re all in here, and then some….

(7) QUICK SIPS. Charles Payseur’s Quick Sip Reviews catches up with “Strange Horizons 06/04/2018 & 06/11/2018 “.

The first two weeks of June’s Strange Horizons brings a pair of stories and a pair of poems. The fiction is a mix of fantasies, one with magic and ghosts and monsters and the other with a looser grasp on reality. Both feature characters charged with watching over a space through. For one, it’s through elaborate ritual. For the other, it’s by house sitting. In both, there’s a feeling of something being trapped, of something being infested, and of the characters having been wronged. The poetry deals with myths, with mythical creatures, and with longing and endings and beginnings. And all together it makes for a rather lovely but haunting collection of short SFF. To the reviews!

(8) SHORT ORDER. What screens ahead of Incredibles 2? (Besides half an hour of trailers, I mean….) Something that left an NPR interviewer impressed: “In Pixar’s First Female-Directed Short, A Dumpling Child Fills An Empty Nest”.

Moviegoers sitting down to see Incredibles 2 are in for a tasty treat in the form of an animated short called Bao. It tells the story of an empty nester who discovers joy — and sorrow — when a steamed bun she makes comes to life.

The story is pulled from the childhood of Domee Shi, who wrote and directed the Pixar film. Shi was born in China and raised in Toronto. She started working at Pixar as an intern in 2011, and now she’s the first woman to direct a Pixar short.

Pixar and the larger animation industry have been criticized for shutting female animators out of top jobs, but Shi says that culture is changing.

“You’re just seeing this gradual shift in the industry because, before, animation was predominantly white and male, but now in animation schools all over the country enrollment is now over 50 percent female. … I think just more and more girls are just getting into animation. And I hope that we’re going to see those numbers be reflected in the industry and not just in the animation schools.”

(NPR interviewed Shi before the announcement that Pixar’s co-founder, John Lasseter, would be leaving the company. Lasseter had been absent since November, when allegations of sexual harrassment surfaced.)

(9) TODAY IN HISTORY

On this day in 1960, Alfred Hitchcock’s Psycho has its world premiere in New York. Did you know: Paramount gave Hitchcock a very small budget to work with, because of their distaste with the source material. They also deferred most of the net profits to Hitchcock, thinking the film would fail.

(10) TODAY’S BIRTHDAY

  • Born June 16 – John Cho, 46. Sulu in Star Trek, Star Trek into Darkness and Star Trek Beyond. First genre role appears to on Charmed, other shows includes Static Shock, Star Trek and Batman video games, Flashforward and the current season of The Exorcist.

(11) TIMOTHY THE TALKING CAT AND SUSAN THE TRICERATOPS. Camestros Felapton’s “The Bortsworth Mysteries: The Case of the Shifting Genre”, soon to be winning indie book awards near you….

“Wake up!” said Timothy the Talking Cat, a highly intelligent cat with a piercing intellect who was looking very dapper that bright morning in a yellow bow tie that deftly coordinated with his purple, velvety fur.

“I am awake,” said Susan.

“It is so hard to tell because you sleep standing up and also last night I painted eyes on your eyelids which was funny at the time but now I regret because when you close your eyes it looks like you are staring at me in a really angry way like you are about to stomp on me,” replied Timothy loquaciously (who was briefly surprised that of all the words the meat robot hadn’t spelt incorrectly “loquaciously” was one of them).

(12) HARDWICK UNPLUGGED.  “AMC Silences Chris Hardwick Talk Show & Comic-Con Panels After Abuse Claims”. Deadline quotes Hardwick’s denial, and speculates about the fate of his as-yet-unaired TV work.

A day after allegations of emotional abuse and sexual assault were leveled against Chris Hardwick by an ex-girlfriend, AMC has decided today to officially pull the plug on their long time host’s talk show and appearances at San Diego Comic-Con next month.

“We have had a positive working relationship with Chris Hardwick for many years,” said the home of The Walking Dead in a statement on Saturday, one day before Season 2 of Talking With Chris Hardwick was set to debut. “We take the troubling allegations that surfaced yesterday very seriously. While we assess the situation, Talking with Chris Hardwick will not air on AMC, and Chris has decided to step aside from moderating planned AMC and BBC America panels at Comic-Con International in San Diego next month.” …

(13) ERRATA. Locus Online’s item “Jemisin Wins 2018 BoBi” repeats Publishers Weekly’s mistake – the portion in quotes:

N.K. Jemisin will receive the annual Best of Brooklyn (BoBi) Award, and “is the first author of speculative fiction to win the BoBi.”

I omitted the quote when that news was reported in yesterday’s Scroll because the original Brooklyn Book Festival press release lists two authors of speculative fiction among the previous winners —

… Past honorees have included Colson Whitehead, Jacqueline Woodson, Jonathan Lethem, James McBride, Lois Lowry and Pete Hamill.

It’s still a fine honor for Jemisin.

(14) FREE READ. Stephen Lawson’s Jim Baen Memorial Short Story Award winner “Homunculus” has been posted on the Baen Books website.

The yellow-orange tholin haze above Titan’s surface whirled around the chassis of a lighter-than-air research drone. A tiny carbon-fiber humanoid robot sat perched on its support structure, dangling his feet next to the drone’s camera as it took pictures of the rocky surface below. The dirigible, designed to carry sampling probes and communication equipment, barely registered the stowaway’s mass. Folded aramid-fiber wings fluttered on aluminum ribs on the bot’s back as the breeze swept over the drone’s chassis….

(15) EXPLORING FAN PHOTOS. Andrew Porter has been working on identifying people in the Jay Kay Klein photos posted by the UC/Cal/Riverside Collection. He sent out links to some of his finds —

(16) CLARKE LITERARY BIO. Gary Westfahl’s book Arthur C. Clarke will be published by the University of Illinois Press in July.

Already renowned for his science fiction and scientific nonfiction, Arthur C. Clarke became the world’s most famous science fiction writer after the success of 2001: A Space Odyssey. He then produced novels like Rendezvous with Rama and The Fountains of Paradise that many regard as his finest works.

Gary Westfahl closely examines Clarke’s remarkable career, ranging from his forgotten juvenilia to the passages he completed for a final novel, The Last Theorem. As Westfahl explains, Clarke’s science fiction offered original perspectives on subjects like new inventions, space travel, humanity’s destiny, alien encounters, the undersea world, and religion. While not inclined to mysticism, Clarke necessarily employed mystical language to describe the fantastic achievements of advanced aliens and future humans. Westfahl also contradicts the common perception that Clarke’s characters were bland and underdeveloped, arguing that these reticent, solitary individuals, who avoid conventional relationships, represent his most significant prediction of the future, as they embody the increasingly common lifestyle of people in the twenty-first century.

Westfahl, formerly of the University of La Verne and the University of California, Riverside, has now retired to focus exclusively on research and writing. His many books on science fiction include William Gibson and Hugo Gernsback and the Century of Science Fiction

(17) FEATHERED NERD RANKINGS. Joe Sherry’s “Reading the Hugos: Short Story” puts this one somewhere in the middle of his ballot.

“Fandom for Robots”: So, the original sentient AI discovers fan fiction and gets involved in the fandom for the anime Hyperdimension Warp Record. On its surface, “Fandom for Robots” is exactly what it seems to be – an AI learning about fandom, about shipping characters, about writing fan fiction and commenting on other stories. But, I wonder, is there a point here where Prasad is also talking about how fanfiction gives a greater opportunity to marginalized people to see themselves in stories where they are otherwise excluded? Is Prasad telling a story about how fanfiction can build community and inclusion?

“Fandom for Robots” was a lot of fun to read, but it’s a better story when I’m reading a bit deeper into what message may be baked into an otherwise basic story of an AI discovering fanfiction.

(18) PANDORA PREVIEW. The official Disney blog takes fans inside the technology: “Pandora – The World of Avatar Time Capsule: Imagineers Create the Most Advanced Audio-Animatronics Figure, the Shaman of Songs for Na’vi River Journey”

Guests can encounter the Shaman of Songs inside Na’vi River Journey, after they board a boat and are whisked away on an immersive journey deep into a bioluminescent rainforest on Pandora. There, the Shaman of Songs sits, sending positive energy out into the forest through the power of her movements and music.

But bringing her to life required the Imagineering/LEI project team to not only apply the latest technologies in robotics, but also develop an estimated 20 new technologies to bring this figure to life. The goal was to make the figure’s tech as hidden as possible, to make the shaman as lifelike as possible.

 

[Thanks to Chip Hitchcock, Carl Slaughter, Andrew Porter, Chip Hitchcock, JJ, John King Tarpinian, Mike Kennedy, Martin Morse Wooster, Cat Eldridge, and BigelowT for some of these stories. Title credit goes to File 770 contributing editor Lurkertype.]

Pixel Scroll 6/13/18 But File’s Just A Pixel And Pixels Weren’t Meant To Last

(1) WW 1984. Director Patty Jenkins and Gal Gadot tweeted today about Wonder Woman 2 — now called Wonder Woman 1984.  Jenkins’ tweet shows that Chris Pine is in the movie even though his character, Steve Trevor, was killed at the end of Wonder Woman.

(2) YOON HA LEE ON TOUR. The 1000 Year Plan is today’s stop on the “Revenant Gun Blog Tour – A Q&A with Yoon Ha Lee”.

In nearly two decades of publishing short fiction, you’ve built so many different universes and mythologies where we are only offered a glimpse of what seems like a much richer context. Most of these stories are one-offs; what was it about the Hexarchate concept that compelled you grow it into a larger epic? Have you entertained the idea of expanding on any of your other stories?

I’d been wanting to write a novel for a while, but my first substantive attempt, which I (affectionately?) call the Millstone Fantasy Novel, was ten years in the making and turned out to be fatally flawed, so I trunked it. I love space opera, though, everything from Simon R. Green’s Deathstalker books to Lois McMaster Bujold’s Vorkosigan Saga to Jack Campbell’s Black Jack Geary books, and I wanted to try my hand at it. Even then, Ninefox Gambit was originally going to be a one-off. When I came to the end, however, I realized that I had more to say about the setting and more ideas for plot. I suppose part of it’s laziness as well–having generated all those setting details, it seemed a shame not to get some more use out of them!

I’ve occasionally thought about revisiting a few of my past stories, but most of them feel complete in themselves. Especially at shorter lengths, I’m really more focused on the idea than building an elaborate world that can be explored again and again. I’m probably more likely to do something new and different to keep myself entertained.

(3) IT’S IMPOSSIBLE. In “Timothy and Babies”, Camestros Felapton and Timothy the Talking Cat get into a big brawl over terminology despite never once using the word “decimate.”

Dramatic Personae:

  • Camestros Felapton – raconteur and bon-vivant
  • Timothy the Talking Cat – a rat-auteur and bomb-savant
  • Mrs Brigsly – an inhabitant of Bortsworth and carekeeper of a baby
  • A baby – a baby of unknown provenance in the care of Mr Brisgly

[Timothy] I had to look up ‘bon-vivant’ and the dictionary did not say ‘binges on Netflix and chocolate hob-nobs’
[Camestros] It is more of an attitude than a strictly prescribed lifestyle.
[Timothy] and I’m the one who tells anecdotes in a ‘skilful or amusing way’
[Camestros]…well…
[Timothy] It cleary says “OR”!
[Camestros] Let’s change the subject shall we? I’m already on the sixth line of dialogue, I’m not going back and changing the list of characters now.

(4) QUESTION AUTHORITY. Rachel Swirsky speaks up: “In Defense of ‘Slice of Life’ Stories”.

Many poems attempt to communicate an impression or an emotion. A poem about nature might not be intended to communicate “here is an intellectual idea about nature,” but instead “this is what it looked like through my eyes” and “this is how it felt.” Fine art landscapes can be like that, too. They depict a place at a time, both transient, through the eye of the painter (where the eye of the painter may figure more or less into the image, depending on whether it’s a realistic painting, etc).

What this makes me wonder is–why are we so dismissive of this in fiction? Plots are excellent; ideas are excellent. But what’s so wrong with a slice of life, that we refer to it with distaste? Why can’t fiction be about rendering transient, momentary emotions? Why do we demand they always be in the context of a plot?

(5) A GOOD EXAMPLE. Tor.com’s Leah Schnelbach tells “How Ann Leckie’s Ancillary Justice Avoids the Dreaded Infodump”.

…In the interest of slaying this monster, I’m going to walk you through the opening pages of Ann Leckie’s Hugo Award-winning Ancillary Justice—which gives the reader the perfect amount of info, without becoming too dumpy.

Think of this like going on a date, or grabbing coffee with a new friend—you give a few details, sure, but you don’t narrate a bullet list of your whole life. When you’re writing, you’re on a date with your reader. Ideally, your story will charm them enough that they lose track of time and hang out with you until you both suddenly realize that the restaurant has closed, all the other diners have left, and an annoyed busboy has to unlock the front door to let you out.

To get a feel for how to include lots of worldbuilding without killing your story’s momentum, let’s look at an example of a great opening. The first four pages of Ancillary Justice introduce us to a mysterious narrator, a harsh world, and two different conflicts right away, all while seeding in enough questions about the book’s world to keep us turning pages. You can read the first chapter over on NPR; below, I’ll pull the text apart (roughly half of NPR’s excerpt) paragraph by paragraph and unpack how and why it works.

(6) STAN LEE NEWS. The Hollywood Reporter says “Stan Lee Granted Restraining Order Against Business Manager, LAPD Investigating Claims of Elder Abuse”.

The move comes two days after Keya Morgan was arrested on suspicion of filing a false report to police.

Stan Lee on Wednesday filed for a restraining order against the man he said last week was the only person who was handling his affairs and business, Keya Morgan, a Los Angeles Superior Court media relations rep confirmed to The Hollywood Reporter.

Lee was granted a temporary restraining order against Morgan, authorities told THR. The request for a permanent order is 43 pages long. A court date to decide that request is set for July 6.

The restraining order request was filed two days after Morgan was arrested on suspicion of filing a false report to police. Morgan was released from jail on $20,000 bail.

The LAPD is investigating reports of elder abuse against Lee. The investigation began in February, but only became public knowledge Wednesday.

(7) WELDON ON INCREDIBLES 2. NPR’s Glen Weldon says: “Retrofuturistic ‘The Incredibles 2’ Is More Retro Than Futuristic”.

Brad Bird’s virtuosic 2004 animated movie The Incredibles is the best superhero film that has ever been made and is likely the best superhero film that ever will be made.

This is a fact — a cold, hard one. The massive, resolute, essential truth of this fact is abiding and irresistible and immovable; it possesses its own magnetic field, its own solar day….

The villain — a mysterious masked figure known as the Screenslaver, who uses television to control the minds of hapless citizens (and heroes) — arrives with a villainous manifesto, albeit a slightly muddier one than that of the first film’s nemesis. And that same conceptual muddiness, a byproduct of the sequel’s need to expand on and complicate the world of the first film, seeps slowly into the entire film.

(8) KNOCK IT OFF. Another response to abusive Star Wars fans — “John Boyega tells Star Wars fans to stop harassing cast”.

Star Wars actor John Boyega has urged fans of the franchise to stop harassing the cast on social media.

His comments came after two co-stars, Daisy Ridley and Kelly Marie Tran, quit Instagram after receiving online abuse.

The actor, who plays Finn, tweeted: “If you don’t like Star Wars or the characters, understand that there are decisions makers [sic] and harassing the actors/actresses will do nothing.”

(9) TODAY IN HISTORY

  • June 13, 1953The Beast From 20,000 Fathoms was released theatrically.

(10) TODAY’S BIRTHDAYS

  • Born June 13 – Malcolm McDowell, 75. Alex in A Clockwork Orange of course but King Arthur in Arthur the King, Dr. Miles Langford in Class of 1999, Soran in Star Trek: Generations, Arcady Duvall in the Jonah Hex episode of Batman: The Animated Series, Mr. Roarke, The Host, in the second Fantasy Island series, and far, far took many other roles to note here.
  • Born June 13 – Tim Allen, 65. Galaxy Quest’s Jason Nesmith and Toy Story’s Buzz Lightyear.
  • Born June 13 – Ally Sheedy, 56. In X-Men: Apocalypse  Scott’s Teacher as Scott’s Teacher.
  • Born June 13 – Chris Evans, 37. Various Marvel films including of course The Avengers and Thor.
  • Born June 13 – Aaron Taylor-Johnson, 28. In Avengers: Age of Ultron  as Pietro Maximoff / Quicksilver,

(11) COMICS SECTION.

(12) PURE IMAGINATION. The Washington Post’s John Kelly asks “Are cartoon characters on lottery scratch-off tickets a way to lure young gamblers?”. The journalist investigates the Willy Wonka Golden Tickets currently being sold by the Maryland Lottery, and is told by Maryland Lottery and Gaming Control Agency director Gordon Medenica that they aren’t trying to get kids hooked on lottery tickets because Willy Wonka “has almost zero resonance with children today.”

To put it another way: Are colorful, cartoonish Racing Presidents and Willy Wonka scratchers the alcopops and fruit-flavored vape pens of the lottery world?

I contacted the two lottery agencies and they said no. Oh, good, okay then. .?.?.

But, you know, let’s explore this a little more.

Gordon Medenica, director of the Maryland Lottery and Gaming Control Agency, said he was actually a little reticent when first approached by the company that created the Willy Wonka scratch-off, Scientific Games of Las Vegas.

“Frankly, we avoided it for some period of time,” he said. “My concern was still mainly just a personal thing: Isn’t this a children’s brand? Shouldn’t we be avoiding something like this?”

What changed Medenica’s mind were assurances from Scientific Games that Willy Wonka was no longer a children’s character. Many casinos, they reminded him, have Willy Wonka-branded slot machines.

“The adults who play the games have a fond memory of that movie, but in fact it has almost zero resonance with children today, oddly enough,” Medenica said.

(13) MOAT NOT INCLUDED. One of Mike Kennedy’s local news feeds (WAFF TV) alerted him to the availability of some prime unreal estate: “You can own this castle in Georgia for less than $1 million”.

Kennedy says there is a Zillow listing for the residence in question:

This 57,000 sq.ft. castle is in Menio GA — that’s near the state line with Alabama but not terribly near any sizable city. By road, it’s about 100 miles NW of Atlanta, about 50 miles SSW of Chattanooga TN, and a little over 100 miles NE of Birmingham AL. From my home (Huntsville AL), I’d have to travel over 80 miles EbS — part of it through some seriously back-country roads across the Cumberland Plateau.

The owner has dropped the asking price from $1,500,000 to a mere $999,999 (it’s been on Zillow for over 1000 days, after all). Earlier in the decade it was listed for as much as $5,9000,000. It has 30 bedrooms; 15 bathrooms; and sits on almost 250 acres.

Only 18,000 sq.ft. of the 57,000 sq.ft. floor space is finished, but Zillow says materials are on site to finish out most of the rest. Only some of the exterior stonework is installed. Think of it as your own little fixer upper. (You should be handy with a backhoe if you want to extend the ceremonial water feature in front to a full moat.)

(14) NO FALL OF MOONDUST. Figuratively speaking, this genie is still in the bottle. Now, who gets to keep the bottle? Yahoo! News has the story — “Woman Says Neil Armstrong Gave Her A Vial Of Moon Dust, Sues NASA To Keep It”.

A Tennessee woman is proactively suing NASA to keep what she says is a vial of moon dust gifted from astronaut Neil Armstrong.

Laura Cicco said Armstrong was a family friend, and that her mother gave her a tube of priceless lunar particles when she was 10, along with a note that read: “To Laura Ann Murray — Best of Luck — Neil Armstrong Apollo 11

Cicco told The Washington Post she kept Armstrong’s autograph in her bedroom but didn’t see the dust until she was going through her parents’ possessions five years ago.

NASA has not confiscated the vial, but Cicco says she doesn’t want the space agency to take it, so she filed a lawsuit on Wednesday to proactively assert her rights.

It might seem strange to sue at this point, but proactive law maintains that in some cases, such as those involving trademarks, contracts, and potential disputes, it is easier, cheaper and faster to address problems before they happen instead of reacting to them.

(15) BLOWN UP, SIR. Strange Angel premieres tomorrow, and I don’t remember linking to it before.

Watch the official trailer for Strange Angel, premiering June 14th, exclusively on CBS All Access. Strange Angel, a drama series created by Mark Heyman (Black Swan, The Skeleton Twins) and based on George Pendle’s book of the same name, is inspired by the real life story of Jack Parsons and explores the dramatic intersection between genius and madness, science, and science fiction.

 

(16) NOT EXACTLY AMAZING. After you read Galactic Journey’s review, you probably won’t jump into your time machine to look for a 1963 newsstand where you can buy this issue: “[June 13, 1963] THUD (the July 1963 Amazing)”.

Jack Sharkey’s serialized novella The Programmed People, which concludes in this July 1963 Amazing, describes a tight arc from mediocre to appalling and lands with a thud….

(17) BRADBURY CALLING. This is from a column by Nilanjana Roy called “When Books Are Burned” in the Financial Times (behind a paywall).

Fahrenheit 451 began in 1951 as a novella called The Fireman. Bradbury set down 25,000 words in nine days, renting a desk in the typing room in the basement of the UCLA library.  He wrote to a fan in 2006, ‘How could I have written so many words so quickly?  It was because of the library.  All of my friends, all of my loved ones, were on the shelve above and shouted, yelled, and shrieked at me to be creative…You can imagine how exciting it was to do a book about book burning in the very presence of hundreds of my beloveds on the shelves…’

…What he (Bradbury) anticipated, even in the pre-Internet, pre-Twitter, pre-WhatsApp 1950s, was the time we’ve reached–an age of manic consumption of a constant stream of often useless information.  For Bradbury, what was terrifying was not just the burning of books, it was the way in which people were prepared to turn against those who refused to sup at the same shallow pools, to persecute those who step away from the stream.

Re-reading Fahrenheit 451 decades after I’d first read it as a teenager, I heard Bradbury’s plea far more clearly.  In a world gone mad from too much junk, don’t forget reading, or books, or the necessaity of slow conversations and contemplative silence in a time of howling mobs and incessant noise.

(18) GENRE INTEREST LIBERALLY CONSTRUED. Hey, is this an appropriate headline, or what? USA Today reports that a “Kickstarter aims to make Ruth Bader Ginsburg into action figure”.

If you’ve ever wanted an action figure of Supreme Court Justice Ruth Bader Ginsburg, your chance is coming.

FCTRY, a product incubator, kicked off a crowd fundraiser on Tuesday to raise the money to create an action figure of the 85-year-old associate justice.

It gave itself 35 days to raise its $15,000 goal on Kickstarter. As of Tuesday evening, just hours after launch, the company had raised more than $67,000.

(19) DUMBO TRAILER. Now out –  the teaser trailer for Tim Burton’s all-new live-action Dumbo, coming to theatres March 2019.

From Disney and visionary director Tim Burton, the all-new grand live-action adventure “Dumbo” expands on the beloved classic story where differences are celebrated, family is cherished and dreams take flight. Circus owner Max Medici (Danny DeVito) enlists former star Holt Farrier (Colin Farrell) and his children Milly (Nico Parker) and Joe (Finley Hobbins) to care for a newborn elephant whose oversized ears make him a laughingstock in an already struggling circus. But when they discover that Dumbo can fly, the circus makes an incredible comeback, attracting persuasive entrepreneur V.A. Vandevere (Michael Keaton), who recruits the peculiar pachyderm for his newest, larger-than-life entertainment venture, Dreamland. Dumbo soars to new heights alongside a charming and spectacular aerial artist, Colette Marchant (Eva Green), until Holt learns that beneath its shiny veneer, Dreamland is full of dark secrets.

 

(20) VIDEO OF THE DAY. Fish With Legs is a Screen Australia cartoon on Vimeo, directed by Dave Carter, about what happened when all the fish in Australia suddenly sprouted legs!

[Thanks to John King Tarpinian, Chip Hitchcock, JJ, Cat Eldridge, Andrew Porter, Mike Kennedy, Martin Morse Wooster, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]

Pixel Scroll 6/12/18 Your Mother Was A Scrollster And Your Father Smelt Of Pixelberries! I File In Your General Direction!

(1) ON WITH THE SHOW, THIS IS IT. Deadline learns “‘Looney Tunes’ Getting Short-Form Revival At WB Animation”.

Warner Bros Animation is creating a new series of short-form cartoons based on the studio’s iconic Looney Tunes Cartoons franchise featuring the likes of Bugs Bunny, Daffy Duck and the gang that will harken to the original Looney Tunes theatrical shorts. The studio said today multiple artists will produce 1-6 minute shorts “written” and drawn by the cartoonists allowing their own personality and style to come through.

The plan is to produce 1,000 minutes each season, with the content to be distributed across multiple platforms including digital, mobile and broadcast…

(2) ADVANCE WORD. “How incredible is Incredibles 2? The critics give their verdicts” in a BBC roundup.

Fourteen years on from The Incredibles, a sequel to Pixar’s hit animation has arrived – and it’s “worth the wait”.

That’s the verdict of the Hollywood Reporter, which praises its “engaging” characters and “deep supply of wit“.

Screen International lauds the film’s “kinetic elan“, while Forbes called it “funny, thoughtful and thrilling”….

(3) GOOD POINT. Concern for passing on a legacy is surprisingly absent from many corners of fandom.

(4) BULLIED. ScreenRant tells the story of “5 Actors Who Were Bullied Off Social Media By Angry Fans.”

Let’s kick this whole thing off with a very obvious and very simple fact that shouldn’t even need stating: Actors are NOT the same as the characters they play. When they’re in movies or television shows, they’re ACTING (the clue is in the word “actor”). And if you’ve ever bullied an actor because of something their CHARACTER did – online or otherwise – you really do need to take a long hard look at yourself! That being said, sadly, cowardly bullying of that nature happens all the time in the modern world – it’s particularly easy to do from behind a computer screen when you have a picture of a cat as your profile picture – and, rather unsurprisingly, the actors on the receiving end don’t like it very it much. In this video, we’ll take a look at five actors who were ruthlessly and senselessly bullied off social media (Twitter, Facebook, Instagram etc) by angry so-called “fans” of their movies and TV shows who simply didn’t think before they spoke (N.B. You’re absolutely NOT a fan if you’ve ever done this). The actors in question are; the Star Wars sequel trilogy’s Daisy Ridley, Star Wars: The Last Jedi’s Kelly Marie Tran, Ghostbusters’ Leslie Jones, The Walking Dead’s Josh McDermitt and Game of Thrones’ Faye Marsay.

 

(5) JACKPOT HGHWAY. What do you get when you combine Heinlein’s “Let There Be Light” with “The Roads Must Roll” (give or take a few details)? Roads paved with solar panels! The New York Times has the story — “Free Power From Freeways? China Is Testing Roads Paved With Solar Panels”.

On a smoggy afternoon, huge log carriers and oil tankers thundered down a highway and hurtled around a curve at the bottom of a hill. Only a single, unreinforced guardrail stood between the traffic and a ravine.

The route could make for tough driving under any conditions. But experts are watching it for one feature in particular: The highway curve is paved with solar panels.

“If it can pass this test, it can fit all conditions,” said Li Wu, the chairman of Shandong Pavenergy, the company that made the plastic-covered solar panels that carpet the road. If his product fares well, it could have a major impact on the renewable energy sector, and on the driving experience, too.

(6) EMERGENCY BACKUP SIXTH ITEM. (Someone noticed I left a gap in the numbering.) Syfy Wire calls these The 13 best friendships in sci-fi & fantasy.

As we alluded to earlier, it was Sam who literally carried Frodo at a critical point in The Lord of the Rings trilogy. But Frodo would have been lost to the ring long before that if his best friend hadn’t accompanied him. In terms of trios, Harry Potter, Hermione Granger, and Ron Weasley could face almost anything together. The original Star Trek also had a core trio of friends: Kirk, Spock, and McCoy.

 

(7) ALTERNATE UNIVERSE NEWS. Kevin Lincoln, in “What If Star Wars Never Happened?” at Polygon, has an alternative universe where George Lucas passes on Star Wars to direct Apocalypse Now (which comes out in 1976), which begins a chain of events including the election of Al Gore in 2000 and the non-existence of Netflix.

The 1970s

Hot off the runaway success of 1973’s American Graffiti, which becomes one of the most profitable movies ever made, 29-year-old George Lucas tries to write a script about a moral, expansive universe filled with mysterious power and mythological heroes and villains. The first treatment he produces is, by many accounts, incoherent. Discouraged by the negative response, he decides to take up his friend Francis Ford Coppola’s offer to direct a Vietnam War movie called Apocalypse Now, written by their other friend, John Milius.

Lucas brings the film in on time and just barely over budget, delivering a well-reviewed movie shot in cinema-verite style that draws comparisons to The Battle of Algiers and Z. But audiences are tired of the Vietnam War, which had finally ended in 1975, and when the movie comes out in 1976, it’s a modest success rather than a breakout hit like Graffiti. However, combined with the success of The Godfather II in 1974, it’s enough to impress the holders of the rights to Flash Gordon, who earlier refused Lucas’ offer to adapt the property. They agree to allow him to make a movie based on the character, produced by Coppola.

(8) SNAP, CRACKLE AND PLOT. Atlas Obscura tells about the importance of some low-tech effects: “Why Foley Artists Use Cabbage and Celery to Create Hollywood’s Distinctive Sounds”.

In one of the final scenes of James Cameron’s Titanic, Rose (played by Kate Winslet) clings to a floating headboard, a piece of debris from the shipwreck that claimed over 1500 lives. A delirious Rose, adrift in the freezing ocean, sees a rescue team in the distance and moves her head. As she lifts her frozen hair off the wood, it crackles audibly.

But Rose’s hair never actually crackled, and the sound wasn’t made by hair at all: It was the sound of frozen lettuce being peeled by Foley artists in a studio. While subtle to the ear, and almost unnoticeable amidst the dialogue, score, and other sound effects, the crackle is critical to amplifying the scene’s drama. And it’s the responsibility of Foley artists to forge these unique sounds in post-production, often from lettuce heads, coconuts, and other foods.

It’s an uncharacteristically overcast May day in Culver City, California—an enclave within Los Angeles where many production studios are found. I’m at Sony Pictures, where two of the studio’s resident Foley artists, Robin Harlan and Sarah Monat-Jacobs, recount the struggle to make Rose’s frozen hair sound like frozen hair. First they tried freezing a wig, but that didn’t work. Velcro didn’t do the trick, either. Later, Harlan was at home and, while making herself a sandwich, found that a head of lettuce’s crackle worked perfectly. “They really wanted to hear the sound of frozen hair pulling off of this wood bedstead, but I mean, you can’t really freeze your own head,” says Harlan.

(9) PETERS OBIT. Only just announced… Luan Peters (1946-2017): Actress and singer, died December 24, 2017, aged 71. Genre appearances include Doctor Who (two episodes, 1967 and 1973), Randall and Hopkirk (Deceased) (aka My Partner the Ghost, one episode, 1969), Lust for a Vampire, Twins of Evil  (both 1971), The Flesh and Blood Show (1972), Vampira (aka Old Dracula, 1974), Land of the Minotaur (aka The Devil’s Men. 1976).

(10) TODAY IN HISTORY

  • June 12, 1987 Predator premiered on this day
  • June 12, 2012 — Ray Bradbury’s Kaleidoscope went into general release.
  • June 12, 2015 Jurassic World debuted

(11) COMICS SECTION.

  • Frazz discusses an application of Sturgeon’s Law but Mike Kennedy doesn’t think the math works.
  • Lise Andreasen asks if you can pass all four of the Turing Tests posed in Tom Gauld’s comic?

(12) POINT OF EXCLAMATION. Do not miss Camestros Felapton’s “Beard Subgenres (Crossover event!)” unless you have something important scheduled, like sorting your sock drawer. Just kidding!

Combining our occasional series of pointless infographics, with our occasional series of misclassifying mundane things by sub-genres of SFF and our occasional series of pictures of beards, Felapton Towers presents: beards by subgenres!

(I have no idea how I am going to justify linking to this. There’s not even a cat this time.)

(13) LEVEL-HEADED. This amazing movie technology advance is still news to me – million dollar idea:

instead of spending thousands of dollars on steady-cam equipment, filmmakers should just attach a camera to the head of a chicken and carry the chicken around as you film.

(14) ERRANT PEDANTRY. Marko Kloos volunteered these examples –

(15) TIDHAR. Jonathan Thornton reviews Candy by Lavie Tidhar” at Fantasy-Faction.

Candy is Lavie Tidhar’s first book for children. It is a perfectly pitched noir take on Charlie and the Chocolate Factory (1964). Its delightful premise following a twelve-year-old private detective in a city where chocolate, candy and sweets are banned. As such the book is both fun and amusing. However, as with Tidhar’s earlier work, his playful approach to genre is in service to the story’s hidden depths. He uses the trappings of noir detective tales to tell a subversive children’s story about corruption, the exploitation of vulnerable communities, and the limits of justice. The end result is a novel that for all its joyous sense of fun still packs a surprising emotional and philosophical punch.

(16) OUTCOME OF SENSITIVITY READ. At The Book Smugglers: “Between the Coats: A Sensitivity Read Changed my Life – an Essay by Sarah Gailey”.

I’m queer, which is why I always thought I’d be dead by now….

… I was a new writer, alien to the writing community, completely unaware of the conversations about queer representation that had been developing for years before I’d thought to write a single word of my story. It didn’t occur to me that queer tragedies like that are part of an agenda, and that the agenda had been working on me for a long time. That agenda had succeeded at keeping me quiet and scared and lonely in ways that I thought were fine, just fine, thanks, how are you? That agenda had succeeded at making me hold my breath. Because of that agenda, I spent my days hoping that no one ever noticed me.

None of that entered my mind, not even once. I thought I was writing in-genre. Fantasy stories have magic. Science fiction stories have rules that I don’t always understand because I somehow got through high school without taking a physics class. Queer stories have death.

And then I got some feedback on the story from a sensitivity reader. They had volunteered to make sure I wasn’t screwing up on a particular point of representation — but they took issue with the story as a whole. They told me emphatically that I should reconsider writing a queer tragedy; that it was a trope, that it was harmful to readers, that it was overused and dangerous. I took the feedback with mortifyingly poor grace. I was lucky enough to be quickly corrected on my behavior. In the wake of that correction, trying to figure out which way was up, I asked friends for help processing the critique.

My straight friends said it was bullshit. They said there was nothing wrong with queer tragedies — that queer people dying again and again was fine. Queer people are just people, and people die, they said. That’s just how it is. Really, it’s best not to overthink it. Go ahead and Forget.

My queer friends didn’t tell me that. Instead, they pointed me to articles and blog posts and callouts pointed at the Bury Your Gays trope. They talked to me about representation with more patience than I deserved. Many of them said that it was okay that I didn’t know, because a lot of straight writers don’t think about these things….

(17) HORRIFIC SCENARIO. In “‘Rosemary’s Baby’ at 50: How the horror classic is more relevant than ever in the #MeToo era”, Yahoo! Entertainment writer Nick Chasger looks at Rosemary’s Baby on its 50th anniversary in the wake of both director Roman Polanski and star Mia Farrow’s role in the #MeToo movement.

Focused on a powerless (and physically slight) female who’s marginalized, assaulted, and controlled in equal measure, Rosemary’s Baby soon becomes a terrifying tale about misogyny’s many guises. As the thing growing in her womb makes her sicker and sicker, her face so ashen that friends can’t help but remark upon it, Rosemary is made to feel crazy as well as helpless. That’s most evident when, after getting into an argument with Guy over her description of Sapirstein as “that nut,” she makes sure to assuage her husband that she’s not going to have an abortion — an option that, it’s clear, she doesn’t have the right to choose, even if she wanted.

(18) VOICE OF COMMAND. A new scheme for playing video games….

For the very first time ever, take your rightful place as the Dragonborn of legend (again) and explore Skyrim using the power of your own voice…your Thu’um!

 

[Thanks to Martin Morse Wooster, ULTRAGOTHA, Steve Green, JJ, John King Tarpinian, Lise Andreasen, Cat Eldridge, Chip Hitchcock, Mike Kennedy, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day jayn.]

Pixel Scroll 6/9/18 Scroll-The-Pooh Filed In A WordPress All By Himself Under The Name Of Pixel

(1) DAMES AND KNIGHTS. The Queen’s birthday honours list is out. The Guardian has the highlights likely to be of interest to Filers (although it does not cite any of the recipients’ genre credits).

The Queen’s birthday honours list, in which actor Emma Thompson was made a dame,…

Thompson, who is one of Britain’s best loved actors, has been made a dame, adding to a long list of awards including Oscars, Baftas, Golden Globes and Emmys.

…The damehood awarded to the classicist Mary Beard is likely to prove more popular. The Cambridge professor, author and TV presenter described it as a “smashing honour” and attributed it to growing interest in her field of work.

“I feel especially pleased that someone working on the ancient classical world gets honoured in this way,” she said. “I’d like to treat it as a bit of a tribute to the Greeks and Romans themselves, as well as to all my wonderful academic colleagues who also do so much for the study of antiquity.”

The actors Keira Knightley and Tom Hardy are awarded an OBE and CBE respectively.

The author Kazuo Ishiguro, whose works include The Remains of the Day, the film adaptation of which starred Thompson, is knighted for his services to literature. He said he was “deeply touched to receive this honour from the nation that welcomed me as a small foreign boy”.

(2) EPISODE HATE. The Late Show with Stephen Colbert concocted a hilarious “’Stars Wars’ Trailer To Piss Off Hateful Fanboys.” Starts around 2:20 of this video.

There’s a special new ‘Star Wars’ movie for all the angry fans whose racist, misogyny led ‘Last Jedi’ actress Kelly Marie Tran to leave Instagram.

 

(3) DRAGON CON TURNOVER. Early this month bloggers Francis Turner and Jon Del Arroz celebrated a Dragon Con staff firing, however, those searching for an objective explanation of what transpired had nowhere to turn until this week when Richard “Fife” Blaylock published two resignation statements on his blog, one by former Dragon Con Fantasy Literature Track director Charlotte Moore, and his own.

Moore committed what she terms “an error in judgment” in telling a ConCarolinas supporter and regular Dragon Con panelist his support of that convention made him “less welcome” by the Fantasy Literature Track. Dragon Con leadership considered that beyond her authority and a misrepresentation of the convention’s commitment to political neutrality. Almost concurrently,  Moore tweeted in support of a friend she saw being harassed in social media. Dragon Con leadership ultimately told Moore the appearance of the con’s neutrality was more important than these acts of conscience, and she was fired.

Moore initially put a farewell post on the Fantasy Literature at Dragon Con Facebook page, which was taken down by Facebook. It has been reposted to Blaylock’s blog. Here is an excerpt:

Hi, everyone. It’s Charlotte.

Effective immediately, I am no longer the Fantasy Literature Fan Track Director.

I apologize for the cryptic nature of what follows. I will, at my discretion and on a person-by-person basis, give details in private, or when plied by sufficient quantities of alcohol.

First:

I would like to thank Rachel Reeves and David Gordon for working with me to find an equitable resolution to some longstanding and, ultimately, insurmountable differences between my priorities and the convention’s.

I deeply regret that, in an effort to defend this community I love so much, I have, in moments of anger, occasionally overstepped my bounds, resorting to tactics that were unbecoming of me. My behavior has not consistently reflected the convention’s values—nor, in my better moments, mine.

While I do not regret, for one second, standing up to any person who, through their stories, statements, or behavior, threatens this community—or who, out of self-preservation, chooses not to see injustice and abuse—there are ways I might have done so without grabbing for low-hanging fruit.

Dragon Con strives to be apolitical. Perhaps that’s admirable (and perhaps it isn’t? I truly don’t know), but it strikes me that the most bombastic champions of this position are the ones most incensed by social justice, a phrase they sneer as a term of derision and ridicule.

I believe that Dragon Con’s heart is in the right place. I really do. They made it clear to me that they have no compunction with the fundamental nature of my values; that they welcome strong opinions among their track directors; and that they share a desire to create a diverse and safe environment.

They want everyone to have a seat at the table. Unfortunately, they also want everyone to have a seat at the table. And a table that seats abusers beside their abused is not, in fact, a table for all: “If you are neutral in situations of injustice, you have chosen the side of the oppressor.”

So. The convention and I are at an impasse. And perhaps it is best if Dragon Con finds a less vociferous replacement for me, though I regret that this must happen so close to this year’s event….

—Charlotte, who will miss you all very much.

Richard Blaylock, likewise, has quit the convention as he explains in “My Resignation from Dragon Con” (full statement at the link.)

The below is my resignation as Director’s Second of Fantasy Literature at Dragon Con, as I sent it in. For some quick context:

  • The prior director had acted out of line and was due some form of censure, along the lines of public apology and a warning to chill.
  • Instead of a transparent process, she was fired without being allowed to defend herself, and before she was even informed that she was being fired, they were soliciting potential new directors.
  • The “greater crime” for which she was fired was that she was vocally expressing that she would not provide a platform for bigotry and hate in her programming.

So, without further adieu, and with the intent to allow this to be shared easily across social media platforms (I’d already shared it on Facebook), my letter of resignation to Dragon Con:

To: Director, Fantasy Literature
CC: Sr. Director, Fan Track Operations; Dragon Con Board of Directors
Thank you for the opportunity to stay on as Director’s Second for Fantasy Literature. After a long time mulling it over, I regret to inform you that I cannot, in good conscience, continue on in this position.

While I do not agree with all of Prior Director Charlotte Moore’s means and methods, and I do feel she stepped out of line in her interaction with [guest name redacted] in specific, I cannot countenance the actions that have been taken—actions taken both by means of punishing her and of the convention making a political statement in her firing and its choice for her replacement.

I can appreciate that the convention doesn’t want to become accused of being a political entity for both legal and social reasons. But there is a false equivalency and a tone deafness in the convention claiming that bigotry and harassment is “just politics.” It is the paradox of tolerance that those who try to uphold absolute tolerance invite the absolutely intolerant. A political difference is how to provide health care, entitlements, and the size and role of government. It is not debating the fundamental humanness of those who are not white, heteronormative men.

A “Safe Space” is also a paradox. It is a place where those accepting of differences, willing to admit that all people have a fundamental equality, are welcome. It is not, in truth, “safe” for everyone, because it should be absolutely unwelcoming of bigots. By their fundamental nature, bigots make others unsafe. Fantasy Literature has, in the five years I’ve worked for it, always been a Safe Space, and I thought this was not just because of the actions of the director and her volunteers, but because senior convention leadership saw the value in this as well.

However, in its actions, Dragon Con has made the declaration that hate and bigotry are acceptable behaviors, and that the deluge of snide micro-aggressions that people of color, the differently-abled, women, and the LGBT community will suffer is an acceptable price for convention leadership to pay so they don’t have an angry, vocal, and harassing minority emailing them…..

Dragon Con prides itself on “running like a business.” I am sure that the mentality is you don’t care that a few offended attendees won’t come because of this decision; the numbers are still going up overall. On the whole, the masses don’t care.

But the thing is, the masses don’t care. Dragon Con could do the right thing, take a stand against bigotry and refuse to give it a platform, and you will only lose a minor handful of other bigots.

The masses don’t care. So it becomes such a puzzlement when the only action taken is to turn a blind eye and allow the tyranny of one minority over another so you don’t have to make a decision.

I have made my decision. I hope that you and others will come to see that it was correct one day.

Richard “Fife” Blaylock
Formerly Director’s Second, Fantasy Literature, Dragon Con

(4) ON THE OTHER SIDE OF THE WALL. Galactic Journey imported Cora Buhlert to 1963 where she discusses “[June 8, 1963] The Future in a Divided Land (An Overview of Science Fiction in East and West Germany) Part 1”.

…I am fortunate enough to live in West Germany and therefore the main focus of this article will be on West German science fiction. However, I will also take a look at what is going on in East Germany.

In the US and UK, science fiction is very much a magazine genre, even if paperback novels are playing an increasingly bigger role. In West Germany, there are a couple of science fiction publishers, such as the Balowa and Pfriem, which specialise in hardcovers aimed at the library market, as well as the paperback science fiction lines of Heyne, Fischer and Goldmann. The three paperback publishers focus mainly on translations, whereas the library publishers offer a mix of translations and works by German authors. Though Goldmann has recently started publishing some German language authors such as the promising new Austrian voice Herbert W. Franke in its science fiction paperback line.

However, the main medium for science fiction and indeed any kind of genre fiction in West Germany is still the so-called “Heftroman:” digest-sized 64-page fiction magazines that are sold at newsstands, gas stations, grocery stories and wherever magazines are sold. Whereas American and British science fiction magazines usually include several stories as well as articles, letter pages, etc…, a “Heftroman” contains only a single novel, technically a novella. “Heftromane” are the direct descendants of the American dime novel and the British penny dreadful – indeed, they are also referred to as “Groschenroman”, which is a literal translation of “dime novel”….

(5) TODAY IN HISTORY

  • June 9, 1790 — The first copyright for a book was given to The Philadelphia Spelling Book by John Barry.
  • June 9, 1934 —  Donald Duck made his debut in the cartoon “The Wise Little Hen”.
  • June 9, 1978 The Cat From Outer Space premiered theatrically
  • June 9, 1989 Star Trek V: The Final Frontier debuted on this day

(6) TODAY’S BIRTHDAYS

  • Born June 9, 1930 – Lin Carter
  • Born June 9, 1943 – Joe Haldeman
  • Born June 9, 1963 – David Koepp

(7) HUGO BALLOT PREVIEW. Nicholas Whyte groks “The 2018 Hugo finalists for Best Dramatic Presentation, Short Form”. At the top of his ballot —

1) Doctor Who: “Twice Upon a Time”

The Moffat era had its low points, but the return of the First Doctor for the Twelfth Doctor’s final story was not one of them. I actually thought that the 2018 season was Capaldi’s best in general, and would have rated a couple of the other episodes higher than this; but this one deserves its place on the ballot and gets my vote. Bonus points for having scenes set in Belgium.

(8) PIXAR PIONEER GOING. Yahoo! Entertainment says “Lasseter, Pixar co-founder, to step down at end of year”.

John Lasseter, the co-founder of Pixar Animation Studios and the Walt Disney Co.’s animation chief, will step down at the end of the year after acknowledging “missteps” in his behavior with staff members.

Disney announced Friday that Lasseter — one of the most illustrious and powerful figures in animation — will stay on through the end of 2018 as a consultant. After that he will depart Disney permanently.

Lasseter in November took what he called a six-month “sabbatical.” He apologized “to anyone who has ever been on the receiving end of an unwanted hug” or any other gesture that made them feel “disrespected or uncomfortable.” At the time, Lasseter signaled that he hoped to then return to Disney. Many in Hollywood were skeptical that was possible.

“The last six months have provided an opportunity to reflect on my life, career and personal priorities,” Lasseter said in a statement. “While I remain dedicated to the art of animation and inspired by the creative talent at Pixar and Disney, I have decided the end of this year is the right time to begin focusing on new creative challenges.”

(9) JUNOT DIAZ. Boston Review’s decision to keep Junot Diaz as an editor has driven three other editors to quit reports the Boston Globe “Boston Review editors resigning in protest of decision to retain Junot Diaz”.

The decision by Boston Review to retain Junot Diaz as an editor despite recent sexual misconduct allegations isn’t sitting well with some members of the magazine’s staff.

Three poetry editors have announced they plan to resign effective July 1 because they disagree with the decision of Boston Review editor in chief Deborah Chasman to keep Diaz on as fiction editor, a position he’s held since 2003.

In a statement posted on the magazine’s website this week, Chasman and executive editor Joshua Cohen said they had done a “careful review of the public complaints” about Diaz, as well as their own inquiry, and determined that “the objectionable conduct described in the public reports does not have the kind of severity that animated the #MeToo movement.”

That prompted Boston Review poetry editors Timothy Donnelly, BK Fisher, and Stefania Heim to respond with a statement of their own.

“What most distresses us are the [Boston Review statement’s] apparent arbitration of what constitutes inclusion in the #MeToo movement and its lack of attentiveness to power dynamics in a star-driven media and publishing landscape,” the three editors wrote. “Though we raised these reservations to the executive editors and asked them repeatedly to rethink their position, they went forward as planned.”

The decision-makers explained why they did not remove Dias in “A Letter from Deborah Chasman and Joshua Cohen” at Boston Review.

Junot Díaz has been Boston Review’s fiction editor since 2003. Like many others, we were deeply moved by Junot’s recent essay in the New Yorker  describing his experience as a child victim of rape, and also struck by his acknowledgment in that essay that he had hurt people with his “lies and choices.” Also, like many others, we have been disturbed by recent reports from women who have come forward to describe the ways they were hurt by him. We have read their reports carefully, taken their complaints seriously, and thought hard about how we should respond.

On the basis of what we have learned, we have decided to continue our editorial relationship with Junot. We want to give a few words of explanation.

First, during his 15-year tenure as fiction editor, we have never received any complaints about Junot’s conduct, either from our staff or from writers.

If we were only an employer, that might be the end of the discussion. But issues of gender and race are at the heart of our mission. Because of Junot’s important public role, we cannot narrowly confine our attention to his role as our fiction editor.

Second, then, we do not think that any of the individual actions that have been reported are of the kind that requires us to end the editorial relationship. To be clear: we do not condone the objectionable behavior that they describe. Instead, we asked ourselves whether the conduct they report is of a kind that—given his role and our mission—requires us to end the editorial relationship. We do not think so. The objectionable conduct described in the public reports does not have the kind of severity that animated the #MeToo movement.

Third, we considered whether, as some have suggested, the complaints point to a larger pattern of abusing power—the kind of star power that has attached to Junot as a successful writer, editor, and public intellectual. On the basis of a careful review of the public complaints, we think not. The events they characterize—including several episodes of aggressiveness in public discussion—are dispersed over a long stretch of time, and do not, as we see it, show the characteristics, repetition, and severity required to establish such a pattern….

(10) THE WHO FAMILY. Don’t ask whether Doctor Who is the Doctor’s Daughter’s father or mother now. This isn’t that kind of project. Syfy Wire reports Doctor Who’s “daughter” is back In Universe, this time in a series of audio adventures: “The Doctor’s Daughter finally returns this week but it could have been much sooner”.

It’s been a decade, but the Doctor’s daughter is finally back for a series of new Big Finish audio adventures out this week. However, if it had been up to Georgia Tennant, her Doctor Who character would have returned to the Whoniverse much sooner.

Thing is… she was never asked back.

“I’ve always been aware of what Doctor Who brings to it, and what you then carry on throughout your life,” explained the actress (who happens to be the daughter of Fifth Doctor Peter Davison and the wife of Tenth Doctor David Tennant) to Radio Times. “But because it was just one episode I thought ‘Oh…that’ll just come and go.’ But it hasn’t, and everyone’s so lovely. Everyone’s wanted me to do this, and at conventions everyone’s been like ‘Why don’t you come back and do something?’ And you know, obviously they never asked me on the TV show…”

(11) PREGAME RITUAL. HBO needs to find a way to keep the cash register ringing: “Game of Thrones: HBO orders spinoff prequel pilot”.

Game of Thrones could be getting a prequel series, HBO has announced, one of five potential spin-offs from the series.

Book author George RR Martin has created the new series alongside British screenwriter Jane Goldman.

HBO has ordered a pilot episode for the show, set thousands of years before the battles over the Iron Throne.

Executives say any spin-off will not be broadcast until after Game of Thrones’ final season in 2019.

If picked up, the prequel will chronicle “the world’s descent from the golden Age of Heroes into its darkest hour”, HBO said in a statement.

“From the horrifying secrets of Westeros’ history to the true origin of the White Walkers, the mysteries of the East, to the Starks of legend… it’s not the story we think we know.”

Gosh!

(12) LIGHTLY FROSTED. David Pogue, in the Yahoo Entertainment story “How technology brings Broadway’s ‘Frozen’ musical to life”, looks at how the current theatrical adaptation of Frozen is a very high-tech production.

In “Frozen,” technology is behind most of it. Almost none of the effects in the Broadway show would have been technologically possible five years ago.

“I mean, scenery remains scenery, but the video and the lighting equipment is changing so fast. Even by the time we take the show to London, the video technology we use here will almost be obsolete. It moves that rapidly.”

According to stage manager Lisa Dawn Cave, that technology includes an enormous video screen that forms the back wall of the stage. “Our video wall weighs about 8,600 pounds and contains more than 7 million individual LEDs,” she says.

It’s complemented by 19 projectors — six over the stage, and 13 on the ceiling of the theater, on the balcony railing, and on the box seats. “They’re laser projectors — not lasers in the sense like you see laser beams in movies,” says show electrician Asher Robinson, “but they have a laser phosphor source, which means that we’re not changing the lamps in them, and they’re not making a lot of heat.”

(13) PLANTING SEASON. Elon Musk—in the guise of SpaceX—wants a major upgrade to Kennedy Space Center and has provided NASA with a plan laying out their vision. That plan includes a 133,000 sq.ft. hangar to process used SpaceX boosters and a 32,000 sq.ft., 300 ft. tall control tower with a retro-futuristic ovoid top. “NASA Publishes SpaceX Maps and Renderings from Its Proposed “Rocket Garden”Inverse has the story. Quoting the article:

The Kennedy Space Center might be getting a major upgrade and expansion soon if Elon Musk gets his way. NASA published a plan submitted by SpaceXthat dramatically reimagines the company’s presence at KSC in Cape Canaveral, Florida. The plans include everything from a control tower that resembles a flying saucer to a “rocket garden,” showcasing futuristic designs that will expand the space company’s footprint and potential influence within the US agency.

NASA published a draft environmental review for the proposed SpaceX Operations Area, as first reported by Florida Today on Friday. According to the document, SpaceX is seeking permission to build on a 67-acre patch of land about one mile north of KSC’s visitor center complex.

…The proposal justifies the expansion by arguing that the KSC’s current offerings won’t support the 54 launches that SpaceX plans of Falcon 9 or the 10 annual launches planned for Falcon Heavy. By obtaining the space and the green light to build, the proposal says, SpaceX will have the facilities it needs to build, repair, and launch more rockets each year.

SpaceX plans to reach 30 orbital launches in 2018, which is already a record number of missions for the United States. Considering the grandiose proportions presented in the current proposal, it’s clear that the company intends to reach even further with orbital launches in 2019.

[Thanks to Todd, Chip Hitchcock, Martin Morse Wooster, Andrew Porter, Carl Slaughter, JJ, John King Tarpinian, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day Rick Moen.]