Pixel Scroll 3/10/24 He Who Controls The Pixels Controls The Scroll

(1) HUGO, GIRL! REVERSES PERMANENT RECUSAL DECISION. The Hugo, Girl! the Podcast team tells why they have changed their minds about permanently recusing themselves from the Best Fancast category in “Statement on the 2023 Hugo Awards”. The complete explanation is at the link.

Following the Chengdu Hugo Awards, we believed in good faith that we were the legitimate winners of the 2023 Hugo Award for Best Fancast. We subsequently announced Hugo, Girl’s permanent recusal from the Best Fancast category. We were honored and delighted by the win, and we wanted to make room for others to experience the same.

However, with each recent revelation about the administration of the Hugo Awards, we have become increasingly uncomfortable thinking of ourselves as legitimate winners. Viewing the nomination and voting data that others have meticulously combed through, analyzed, and presented in a thorough and digestible way, it initially seemed that Fancast was one of the less obviously suspicious categories. It did not appear that any of our Fancast co-finalists or entries on the long list had been mysteriously disqualified, as was the case in several other categories. That being said, Fancast is not free from strange numbers.

We became even more dubious once we learned that the Hugo Administrators had investigated and disqualified potential finalists* on the basis of assumed politics, queer and trans identity, and an imaginary trip to Tibet. We ourselves likely should have been disqualified under the same criteria. It does not escape our notice that as four white people, we may have been scrutinized less closely….

… For the foregoing reasons, we have decided to withdraw our recusal from Hugo eligibility, effective in 2025. We hope to have a future opportunity to participate in a fair, transparent Hugo Awards process, if voters decide to honor us again with a place on the ballot. 

(2) FALSE GRIT. Heard too much about Dune lately? Then your brain will probably explode in the middle of reading “Charles Bukowski’s Dune” at McSweeney’s Internet Tendency.

It had been a long day. The hot-shit new supervisor, who looked about sixteen and probably hadn’t even started shaving yet, had written me up twice. I’d crumpled both slips in front of him, thrown them in the trash.

On the way home, the 48-Arrakeen worm died at the base of the hill, and we all had to hop off into the sand. The thing was already starting to stink as I began the trudge uphill, bone-tired and thirsty….

(3) NO ARMY IS SO POWERFUL AS AN IDEA WHOSE TIME HAS COME. Variety reports, “SAG-AFTRA Chief: Chance of Strike Against Game Producers is ’50-50’”.

Issues around the use of AI in the production process is the big sticking point in SAG-AFTRA’s negotiations with the largest video game companies, SAG-AFTRA chief Duncan Crabtree-Ireland said Saturday during a wide-ranging Q&A at SXSW in Austin, Texas.

Crabtree-Ireland, who is national executive director and chief negotiator of the performers union, said he put the chances of union members striking against key game companies is “50-50, or more likely than that we will go on strike in the next four to six weeks because of our inability to get past these issues,” Crabtree-Ireland told Brendan Vaughan, editor-in-chief of Fast Company, during a conversation focused on AI….

… Some pushed the union to demand an outright ban on the use of AI in union-covered productions. Crabtree-Ireland said he know that was a nonstarter.

“We would not have succeeded, any more than any union ever in history has been able to stop technology,” he said. “Unions that try that approach, they fail and they give up the chance to influence how those technologies are implemented. “The fact of matter is, we’re going to have AI.”

Crabtree-Ireland emphasized repeatedly that the union’s position on AI revolves around “consent and compensation” for its members when AI engines use their work. “We want to make sure the implementation is human-centered and focused on augmentation [of production], not replacement of people,” he said….

(4) SFF WINS CANADIAN COMPETITION. The Québecois author Catherine Leroux’s The Future, in a translation by Susan Ouriou, has won the 2024 Canada Reads national competition. (Canada Reads is a television show. ) “’Canada Reads’ 2024 Winner: Catherine Leroux’s ‘The Future’” at Publishing Perspectives.

The Future by Catherine Leroux, published by Biblioasis in Windsor, was named the winner of the weeklong series of elimination programs  from the Canadian Broadcasting Corporation’s CBCbooks. The book is translated from French by Susan Ouriou and is a dystopian history of Detroit, a book the program refers to as, “a plea for persistence in the face of our uncertain future.”

(5) REID Q&A. Sff gets two callouts in this Guardian interview: “Taylor Jenkins Reid: ‘Elizabeth Bennet and Mr Darcy are unbeatable’”. Taylor Jenkins Reid will be international author of the day at the London Book Fair on March 12.

The writer who changed my mind
I thought I didn’t like sci-fi until I discovered Octavia Butler. Kindred defies genre, but it taught me that I’ll go anywhere in a story if I trust the writer….

My comfort read
Whenever I want to read a book I know will be good, I go to Silvia Moreno-Garcia. Her genres are ever changing, her ability to take on a wild story each time is incredible. You never know what she’s going to do, but you know it will be a page-turner. I cannot wait for her next book, The Seventh Veil of Salome. Fifties Hollywood, two starlets, the role of a lifetime … what more could you want?

(6) FLATIRON STILL AWAITS ITS FUTURE. [Item by Ersatz Culture.] In a news item today on the BBC about America’s office market, there’s a passing reference to the former Tor offices:

The famous triangular Flatiron building nearby has been vacant since 2019. Last autumn, the owners said it would be turned into condos.

Way back in January 2009, File 770 reported that the owners originally had different plans:

However, the offices of Tor Books are housed in New York’s Flatiron Building, which an Italian investor has announced plans to convert into a luxury hotel. Reports say hotels take so long to construct that it might be a decade before the Flatiron Building comes online in its new capacity.

The departure of Tor and the wider Macmillan publishing organization was reported in the June 5th, 2019 Pixel Scroll.

(7) TEENAGE BROADBAND. “New Emotions Move in for ‘Inside Out 2’” – and Animation Magazine makes the introductions:

Disney and Pixar today unveiled the official trailer plus new images and poster for Inside Out 2, which welcomes new Emotions to now-teenager Riley’s mind. Joining Joy (voice of Amy Poehler), Anger (Lewis Black), Sadness (Phyllis Smith), Fear (Tony Hale) and Disgust (Liza Lapira) is a group of Emotions perfectly suited for the teenage years: 

Maya Hawke voices Anxiety, the previously announced new arrival bound to shake up everything in headquarters and beyond. A bundle of frazzled energy, Anxiety enthusiastically ensures Riley’s prepared for every possible negative outcome.

Envy, voice of Ayo Edebiri, may be small but she sure knows what she wants. She’s perpetually jealous of everything everyone else has, and she’s not afraid to pine over it. 

Ennui, who’s voiced by Adèle Exarchopoulos, couldn’t care less. Bored and lethargic with a well-practiced eye-roll, Ennui adds the perfect amount of teenage apathy to Riley’s personality, when she feels like it.

Embarrassment, voiced by Paul Walter Hauser, likes to lay low, which isn’t easy for this burly guy with a bright blush-pink complexion….

(8) BILL WAHL TRIBUTE. Brian Keene is overwhelmed by the loss of another friend – Bill Wahl died March 6 — as he told readers of “Letters From the Labyrinth 371”.

…Bill, like me, was always blunt and spoke his mind. And he did indeed give Mary and I a TON of pointers and help in the setting up of Vortex Books & Comics. It is Saturday as I write this, in the bookstore, and it is not lost on me that he had planned on coming in here today, right about the time I’m typing this (2:31pm).

I guess maybe I wrote a eulogy after all. Maybe half-assed, but that’s still pretty good considering that I’m typing it amidst a car crash of mental, physical, and emotional exhaustion from which I may not be able to beat this time.

After 56 years on this planet, I finally know what it means to be tired…

(9) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 10, 1918 Theodore Rose Cogswell. (Died 1987.) Let’s consider Theodore Rose Cogswell. He was a member of the Minneapolis Fantasy Society and later noted that fellow members Poul Anderson and Gordon Dickson said that he should he should be a writer. 

He was in his thirties before his first work, “The Spectre General” novella was published in the June 1952 issue of Astounding. SWFA considers it one of our best novellas. 

He would co-write with Charles A. Spano, Jr., Spock, Messiah. Prior to this novel, only one Star Trek tie-in novel intended for adult readers instead of YA readers had been published, Spock Must Die!, written by James Blish. Blish was supposed to do a Mudd novel but his death obviously prevented that. A real pity that. Though Mudd’s Angels would be written by J.A. Lawrence, Blish’s wife.

Back to Cogswell.

He wrote a fair amount of short fiction, some forty works, collected in The Wall Around the World, the title novelette here was nominated for a Retro Hugo, and The Third Eye.

Perhaps, his most interesting work was as editor of Proceedings of the Institute for Twenty-First Century Studies where such individuals as Poul Anderson, Isaac Asimov, James Blish, Algis Budrys, Arthur C. Clarke, Avram Davidson, Gordon Dickson, Fritz Leiber engaged in what is best described as a very long running written bull session. A copious amount of these writings was published as PITFCS: Proceedings of the Institute for Twenty-First Century Studies. Though NESFA distributed it, it was published by Advent Publishing. It was nominated for a Hugo at ConAdian for Best Related Non-Fiction Book. 

(10) COMICS SECTION.

(11) NEW MARVEL UNLIMITED PROGRAM LETS YOU ACCESS INFINITY COMICS FOR FREE.  Marvel’s Infinity Comics: Start Scrolling became available starting March 7.  

It’s time to Start Scrolling! Today, comic fans will have even more access to their favorite stories spanning the Marvel Universe with the all-new Marvel’s Infinity Comics: Start Scrolling digital program. The new program, exclusively from Marvel Unlimited, allows readers to access select Infinity Comics for free.   
 
Marvel’s Infinity Comics: Start Scrollingwill provide instant access to select free comics, with no login required. Readers can experience over 100 issues of bingeable Marvel stories starring fan-favorites including the X-Men, Spider-Man, Jeff the Land Shark, and many more, by visiting Marvel’s Infinity Comics: Start Scrolling. With an extensive library of over 30,000 comics on Marvel Unlimited, fans can expect other free Infinity Comics to be rotated in throughout the year.  
 
Marvel’s Infinity Comics are a vertical format designed for phones and tablets exclusive to Marvel Unlimited. Since launching in September 2021, Marvel Unlimited has published over 1,000 Infinity Comics to date from over 300 top Marvel creators.  

(12) FOLLOW THE MONEY. Or the spice. The economic engine that drives Dune’s universe isn’t explained in the movie, but GameRant has volunteered for the job: “Dune: CHOAM, Explained”.

…The Combine Honnete Ober Advancer Mercantiles is a monopolistic conglomerate that controls all commerce throughout the Dune universe. All material goods flow through CHOAM. All substantial wealth comes through interests in CHOAM. The CHOAM network runs through every other seat of power. CHOAM is under the Corrino Empire, the highest station in the universe, which oversees CHOAM’s board of directors. CHOAM was a publicly traded company. Shareholder profits could make any participant fabulously wealthy. Only the noble patriarchs of the Great Houses could become shareholders in CHOAM. The Houses fought for directorship positions, seeking to earn dividends and skim profit from their impossibly vast businesses. The Emperor reserved the right to revoke or hand out director positions, giving him the final say in any profit-seeking venture….

(13) CALLING SOLOMON! Space tells “Why astronomers are worried about 2 major telescopes right now”.

There’s a bit of tension right now in the U.S. astronomy community and, perhaps unsurprisingly, it has to do with telescopes — extremely large telescopes, in fact. Here’s what’s going on.

The National Science Foundation (NSF), a source of public funding that two powerful next-gen observatories have been banking on for financial support, is facing pressure to go forward with only one telescope. This is because last month, the National Science Board — which is basically an advisory committee for the NSF — recommended that it cap its giant telescope budget at $1.6 billion. This is a lot of money, but it’s just not enough for both. The board even says the NSF will have until only May of this year to decide which telescope gets the go-ahead.Yet, both telescopes are already in the middle of construction, both are equally important and both are actually supposed to work together to fulfill a wide-eyed dream for astronomers. Because of how utterly huge they’re meant to be, they’re expected to one-up even the $10 billion James Webb Space Telescope (JWST) in many ways. That’s the gold-mirrored, silvery-shielded trailblazer sitting a million miles from Earth right now, finding deep space gems so quickly it’s normalizing us to seeing things humanity once couldn’t fathom seeing. Imagine something better….

… One of the big scopes is the Giant Magellan Telescope (GMT). It’s taking shape as you read this in the clear-skied deserts of Chile, and it’s projected to cost something like $2.54 billion as a whole. The other is called The Thirty Meter Telescope (TMT). That one’s location is a bit more controversial. It’s planned to decorate a mountain in Hawaii called Mauna Kea, but locals have protested the decision because this stunning volcanic peak that boasts low humidity and gentle winds (perfect conditions for astronomy) is extremely meaningful in native Hawaiian culture. It’s a fraught situation, as 13 other telescopes already live in the area and some local people say the facilities are  impacting the natural environment. In terms of cost, however, the projected amount is just about symmetrical to the GMT’s….

(14) WHAT’S THE MATTER? “Controversial new theory of gravity rules out need for dark matter” – and the Guardian tries to explain it to us. However, the last time I heard a doctor use the word “wobbly” in connection with anything about spacetime, his last name was “Who”.

…There are multiple lines of evidence for dark matter, but its nature has remained mysterious and searches by the Large Hadron Collider have come up empty-handed. Last year, the European Space Agency launched a mission, Euclid, aiming to produce a cosmic map of dark matter.

The latest paper, published on the Arxiv website and yet to be peer-reviewed, raises the question of whether it even exists, drawing parallels between dark matter and flawed concepts of the past, such as “the ether”, an invisible substance that was thought to permeate all of space.

“In the absence of any direct evidence for dark energy or dark matter it is natural to wonder whether they may be unnecessary scientific constructs like celestial spheres, ether, or the planet Vulcan, all of which were superseded by simpler explanations,” it states. “Gravity has a long history of being a trickster.”

In this case, the simpler explanation being proposed is Oppenheim’s “postquantum theory of classical gravity”. The UCL professor has spent the past five years developing the approach, which aims to unite the two pillars of modern physics: quantum theory and Einstein’s general relativity, which are fundamentally incompatible.

Oppenheim’s theory envisages the fabric of space-time as smooth and continuous (classical), but inherently wobbly. The rate at which time flows would randomly fluctuate, like a burbling stream, space would be haphazardly warped and time would diverge in different patches of the universe. The theory also envisions an intrinsic breakdown in predictability….

(15) GIANT SQUID. [Item by Lise Andreasen.] This is the last place I would look for characters from 20000 Leagues Under The Sea.

(16) NO PLANET FOR OLD MEN. Dan Monroe is determined to find out “What Happened to THE BOMB from BENEATH the PLANET of the APES?”

(17) WITH AND WITHOUT STRINGS ATTACHED. [Item by Carl.] “Here Come The Puppets” was a PBS special produced by KQED at the International Puppet Festival in Washington DC. It was hosted by Jim Henson and the Muppets, and features internationally known puppeteers. It’s NEVER been offered in DVD form. It can now be seen on YouTube.

(18) VIDEOS OF THE DAY. “Watch: Rare Footage Of Leonard Nimoy Hosting 1975 Special Presentation Of Star Trek’s ‘The Menagerie’” at TrekMovie.com.

In 1975, Paramount produced a special movie presentation for syndication of the two-part Star Trek episode “The Menagerie,” hosted by TOS star Leonard Nimoy. The original Spock recorded introductions for each part of the episode as well as closing remarks for the special presentation. In the special, Nimoy explains how “The Menagerie” uses footage from the original Star Trek pilot “The Cage” and more….

There’s a nod to its Hugo win at the 4:51 mark.

…This morning, WJAR Channel 10 in Rhode Island posted a clip from their morning show with guest Leonard Nimoy from what appears to be around the end of the first season of the series. The actor talks about concerns the show will be canceled and the fan campaign to keep it on the air along with the origins of his signature Vulcan ears….

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Kathy Sullivan, JJ, Lori, Carl, Ersatz Culture, Lise Andreasen, Mark Roth-Whitworth, Steven French, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Joseph Hurtgen.]

Pixel Scroll 11/10/23 Ralph 3.14159, P.I.

(0) Been having a lot of monitor trouble, so today’s Scroll is short.

(1) IN THE FALL. Mark Lawrence calls it the ”Goodreads Droop”. He shared a graph of the performance of his novel The Book That Wouldn’t Burn.

… When a book has ten or twenty ratings, many or all of them might come from friends and family, and the tendency is for these to rate highly. The first few hundred ratings will often come from highly motivated people – they may be fans of the author, or interested in new authors, and are generally predisposed to be generous. So that intitial high rating falls but not too much.

Next come the general readers who like the genre and specifics of the book but may have no general good feeling towards the author, and rate purely on what’s in front of them. Over the first few thousand ratings the average will generally drop swiftly…..

(2) PIECES OF EIGHT. “Paul McGann ‘to return as Eighth Doctor in new Doctor Who spin-off'” reports Radio Times.

… But just when you think things couldn’t get more exciting, the Doctor Who rumour mill has been churning out news of some very special potential spin-offs.

As reported by The Mirror, it looks as though Paul McGann could be set to make his return as the Eighth Doctor in a brand new series.

According to the newspaper, the spin-off will work in the same way as the Disney-created series for Star Wars and the Marvel Cinematic Universe, which also stream on Disney Plus, the new international home for Doctor Who.

A source told The Mirror: “Russell likes the idea of bringing back McGann with his own set of episodes in the TARDIS.

“Disney are on board as they want more original content and want to fully exploit the franchise as they know how big it could become.”…

(3) SWEET EMOTION. “’Inside Out 2′ Makes History as Disney’s Biggest Animated Trailer Launch” by Variety’s count.

People can’t get enough of Anxiety.

Not the emotion, but rather Pixar’s newest animated character played by Maya Hawke, as “Inside Out 2” marks the biggest animated trailer launch in Disney history.

The trailer to the animated sequel about personified feelings garnered 157 million views in 24 hours, according to Disney. “Inside Out 2” unseated the previous record holder, 2019’s “Frozen 2.” Of those 157 million views, 78 million came from TikTok.

“We are thrilled so many people have tuned in to check out the new trailer for ‘Inside Out 2,’” said Pete Docter, chief creative officer of Pixar. “When the first film came out, we knew that by telling a story where we could see our emotions — those little voices inside your head — there would be so much more to explore than we could possibly fit into one film.”…

(4) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]

The final part of Arthur Liu’s con report

The penultimate part – which was covered in Sunday’s Scroll – documented what could be thought of as more typical con activity, and was more upbeat than the earlier installments.  However the conclusion perhaps returns to the mood of the earlier parts, which is unsurprising when you read the opening paragraphs, which are very intense and perhaps not for all readers.

(Disclosure: I’m mentioned a couple of times in this report.)

Some extracts, via Google Translate with manual edits:

While we were waiting for the bus [well past midnight following the Hugo ceremony and party, after visiting RiverFlow in hospital], we looked across the road and saw the bright neon lights of a science fiction convention illuminating the ground in the cold night, like a gaudy cyberpunk street scene.

It was still dark on this side of the road, with only the screens of everyone’s mobile phones shining brightly.

We returned to the hotel in this atmosphere and went upstairs to rest.

Svetlana Alexievich once wrote a book titled [in Chinese] “I Don’t Know What to Say, About Death or Love”.  This state of wanting to say something, but being speechless due to continued depression, together with a nameless anger, continued to linger in my heart while attending the rest of the con. At 20:36 on Saturday 21st, after the Hugo Awards were presented, RiverFlow released the full text of his Hugo Award acceptance speech on his WeChat/Weixin account.  In the acknowledgments, he individually thanked all the friends who had supported Zero Gravity News. At the end, he said:

Grasp the things you can control, ignore the things you cannot control, and let go of your obsession with these uncontrollable things. This is maturity. Let your mentality be better. After all, the body is sinking, but the soul can be upward. Thank you, [Hugo Finalist] Lu Ban, for letting me understand this truth and sharing with me Marcus Aurelius’ famous saying: “Always remember, your soul is Invincible. As long as you are unwilling to be sad, nothing can make you sad. As long as you want to smile, you can smile immediately when you lift the corners of your mouth. Always remember, your heart is invincible, my friend.” [Note: I couldn’t find an English-language quote that matched this one; perhaps the Chinese version is a fairly loose translation?]

But “letting go of your obsession with things you can’t control” doesn’t mean you have to silently swallow all the hurt you receive. In China, what science fiction fans need most is a kind of self-esteem when facing so-called “professionals”, because the industry will not respect you just because you love science fiction. The industry will always only love the industry…

[From the Hugo acceptance speech Arthur prepared]

Five days ago, I came here with two identities; one as an invited guest because I was shortlisted for this award. The other was a staff member [of CSFDB and the Tsinghua University SF Society]. In the latter capacity, I had to host two panels and organize two fan tables.

When I first arrived on-site as a staff member five days ago, the reception we received was anything but friendly.  To this day, I continue to use my status as a finalist to try to resolve the various obstacles that have come in my role as a staff member. I don’t like using this privilege, but in this situation, it is the last resort.

Even so, I’m still enjoying the parts I can as much as possible.  I think this is a common goal of all the science fiction fans who have come here.  Meet up colleagues from both and abroad, whom you have never met before; make friends with them; take photos with them; exchange gifts, thoughts and imagination; and try to remember it all.  At DisCon III in Washington, it was precisely in order to share this experience and this memory with our international neighbors that we cast our votes to make the convention come true here.

This is a moment for all science fiction fans; this convention belongs to you.

On the night of the opening ceremony, when most people were waving flags and cheering, my friend RiverFlow, who was also a finalist for Best Fan Writer and Best Fanzine in this year’s Hugo Awards, was, due to physical reasons and venue reasons, sent to the hospital. That night was a sleepless night for many of us. That contrast makes me want to stand here and ask, “Why do we science fiction fans love science fiction?  What has science fiction brought us?  Why are we burdened with fatigue, illness, and all the inconveniences, yet still persevere?”

To me, the answer to these questions is this: science fiction gives us the power to use our imagination to understand these things, and to fight them. …

[End of extract from his prepared acceptance speech.]

On the way, [Dip Ghosh, who presented a panel about Indian SF] said that the “acceptance speech” I posted on WeChat Moments last night deeply touched him, and maintained the spirit of “Trufans”.  I asked him, can you read Chinese?  He replied no, but he could use machine translation.

At the fan tables, he gave me a copy of “Adventures of Ghanada“, and also the second volume of “The Gollancz Book of South Asian Science Fiction”, and Indian director Satvajit Ray’s memoir “Travails with the Alien”…  I was really humbled by these gifts, and it was a pity that the conference catalog was sold out, and I had no way to repay him. He also said that if a science fiction convention is held in India in the future, I can be a guest, and he will help me go through the procedures to go to New Delhi. His enthusiasm not only moved me, but also made me feel ashamed and sad at this time. I sincerely hope that this encounter will lead to a lasting friendship.

By now it was almost noon, so I stayed at the table, dismantling the display panels piece by piece, and handed them to Hua Wen [see the November 1st2nd and 5th Scrolls] along with the stickers for storage. I then took the last stack of commemorative cards and waited for someone to pick them up. Around twelve o’clock, Helen [Montgomery] came over again and gave Chicon 8 commemorative patches (the kind that can be ironed on clothes) to RiverFlow, Ling Shizhen and me. After handing over the two physical copies of “Journey Planet” to Liza [Groen-Trombi] of Locus Magazine and Vincent [Docherty] of Glasgow 2024, it was finally time to leave.

This time, it went very smoothly, except that I almost left my suitcase on the shuttle bus…

On the way to the airport, it seemed that I really had caught a fever, and it felt unbearable. On the way, Ann [Gry] sent her greetings and asked if the RiverFlow’s had improved, how I was doing, and expressed her agreement with the remarks I had made the day before. She said that while she was saddened by some of the organizational aspects, she hoped only the good memories would remain in her mind.  I think she is right, but it is precisely because of those bad memories, that the shining moments retrospectively seem more beautiful and more fragrant.

Taiyo Fujii posts about two more panels

The November 2nd Scroll linked to his “Decolonize the Future” panel, but he has since posted similar write-ups on the How I Became a Professional Science Fiction Writer and Localization Paths of Science Fiction in Non-English-Speaking Countries panels.

The first of those posts is also available in a Japanese language version, which seems to be a slightly different version of the text; the extracts below are a mix of the English post, and the Google Translate rendition of the Japanese post, with minor manual edits.

In Japan, many authors make their debut  through awards for new writers, but many of the panel members did not go through that route, and I was able to hear some interesting stories.

Hosuke Nojiri made his debut with a novelization of a game that was developed by his employer. As such, Mr. Nojiri was a professional writer from the very first work, but he then talked about how he moved into science fiction novels….

Yugen Yashima is from the SF writing school founded by Nozomi Omori. His works were published on the class website. Later, he won several contests. He’s a good example of how Omori’s writing school became a notable gateway for writers to become professionals.

Two bilingual Bilibili videos by Hong Hong

The aforementioned Localization Paths panel comes up in the second of two videos posted to the Bilibili video sharing site by Hong Hong, a Chengdu resident who I came into contact with on the HelloTalk language exchange app.  Her videos are in English with bilingual subtitles.

The first video is a 4-minute wander around the vicinity of the venue, on the day before the con started, plus a visit to a restaurant.

The second one is a 12-minute compilation of various footage from the con.  We see some of the catering facilities, which have been mentioned in previous items, but I don’t think we’ve actually seen them in any of the photos or videos that have been posted.  Content warning: the final minute of this second video features a cat who is clearly unimpressed at having to appear on camera.

Video of the water fountain show

Also from Bilibili, here’s a 23-minute video of the water fountain display that took place on the lake outside the SF museum.  There seems to be some sort of video projection or hologram sequences visible from around 09:00, maybe projections onto a continual spray of water?  Perhaps someone who was there knows more about what exactly those were?

(5) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 10, 1946Jack Ketchum. Winner of four Bram Stoker Awards, he was made a World Horror Convention Grand Master Award for outstanding contribution to the horror genre. Oh, and he wrote the screenplays for a number of his novels, all of which he quite naturally performed in. He’s deeply stocked at the usual suspects, most of the Meredith Moments, and if you like listening to your fiction, an impressive number of his novels had been done that manner. (Died 2018.)
  • Born November 10, 1948Steven Utley. Best known for his short stories of which he had two series, the first being his Silurian tales (collected in two volumes, The 400-Million-Year Itch and Invisible Kingdoms), and his time travel stories have been collected in Where or When. The Silurian tales Are available on iBooks and Kindle, Where or When isn’t either place. His “Custer’s Last Jump” novelette was nominated for Nebula and his “Invisible Kingdoms“ story was nominated for a Sturgeon. (Died 2013.)
  • Born November 10, 1950Dean Wesley Smith, 73. Editor of Pulphouse magazine, about which fortunately Black Gate has provided us with a fascinating history which you can read herePulphouse I first encountered when I collected the works of Charles de Lint who was in issue number eight way back in the summer issue of 1990. As a writer, he is known for his use of licensed properties such as StarTrekSmallvilleAliensMen in Black, and Quantum Leap. He is also known for a number of his original novels, such as the Tenth Planet series written in collaboration with his wife, Kristine Kathryn Rusch. 
  • Born November 10, 1960Neil Gaiman, 63. Where to start? By far, Neverwhere is my favorite work by him, especially the version narrated by him, followed by the Sandman series and StardustStardust is wonderful, particularly when voiced by him. And I sort maybe possibly kind of liked American Gods. I’ve not seen the video series. Who here has? Coraline is just creepy. By far, I think his best script is Babylon 5’s “Day of The Dead” though his Doctor Who episodes, “The Doctor’s Wife” and “Nightmare in Silver” are interesting, particularly the former. Anansi Boys is a tasty soufflé of a novel. 
  • Born November 10, 1971Holly Black, 52. Best known for her Spiderwick Chronicles, which were created with fellow writer & illustrator Tony DiTerlizzi, and for the Modern Faerie Tales YA trilogy. Her first novel was Tithe: A Modern Faerie Tale. (It’s very good.) There have been two sequels set in the same universe. The first, Valiant, won the first Andre Norton Award for Young Adult Science Fiction and Fantasy.  Doll Bones which is really, really creepy was awarded a Newbery Honor and a Mythopoeic Fantasy Award. Suffice it to say if you like horror, you’ll love her.  Definitely not horror, she and Ellen Kushher, co-edited the last Bordertown anthology, Welcome to Bordertown.
  • Born November 10, 1982Aliette de Bodard, 41. Author of the oh-so-excellent Xuya Universe series of which the latest is A Fire Born of Exile. Her Xuya Universe novella “The Tea Master and the Detective” won a Nebula Award and a British Fantasy Award, and was nominated for the Hugo and World Fantasy Award. “The Shipmaker”, also set herein, won a BSFA Award for Best Short Fiction. Her other major series is The Dominion of the Fallen which is equally lauded. More Hugos noms?  Oh yes indeed. LoneStarCon3 saw her nominated both for her oh so amazing “On a Red Station, Drifting” novella and her “Immersion” short story; Loncon 3 for her “The Waiting Stars” novelette (a Nebula winner); “Children of Thorns, Children of Water” novelette nominated at Worldcon 76; at Dublin2019, In a Vanishers’ Palace was nominated as was the ever so stellar The Tea Master and The Detective novella (a Nebula winner), a favorite of mine ever more; DisCon III saw another novelette, “The Inaccessibility of Heaven”, nominated . Her excellent Fireheart Tiger novella was nominated for a Hugo at Chicon 8. 

(6) AS THE CHILD IS BENT. Avatar: The Last Airbender Official Teaser Trailer.

Live-action adaptation of the animated series centering on the adventures of Aang and his friends, who fight to save the world by defeating the Fire-Nation.

(7) ONE IS THE LONELIEST NUMBER. “When Will the Singularity Happen? Scientist Says by 2031” in Popular Mechanics.

… Ben Goertzel, CEO of SingularityNET—who holds a Ph.D. from Temple University and has worked as a leader of Humanity+ and the Artificial General Intelligence Society—told Decrypt that he believes artificial general intelligence (AGI) is three to eight years away. AGI is the term for AI that can truly perform tasks just as well has humans, and it’s a prerequisite for the singularity soon following….

… Getting to the singularity, though, will require a significant leap from the current point of AI development. While today’s AI typically focuses on specific tasks, the push towards AGI is intended to give the technology a more human-like understanding of the world and open up its abilities. As AI continues to broaden its understanding, it steadily moves closer to AGI—which some say is just one step away from the singularity….

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, Ersatz Culture, and John King Tarpinian  for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 6/18/23 I Think There Is A World Market For About Five Pixel Scrolls

(1) STOKERCON 2024. Next year the Horror Writers Association will hold StokerCon in San Diego, CA from May 30-June 2. Here’s the Eventbrite listing: StokerCon 2024 Tickets.

(2) 3-BODY TRAILER FROM G-O-T CREATORS. “3 Body Problem: Netflix Show From Game of Thrones Creators Has Trailer” reports Variety.

At long last, Netflix has revealed the first footage of its highly anticipated sci-fi epic from “Game of Thrones” creators David Benioff and D.B. Weiss — their first large-scale project at the streamer since signing a mega overall deal in 2019 — and Alexander Woo.

Based on the book series by Cixin Liu, the eight-episode drama, which recently wrapped production, will launch in January 2024.

Per Netflix’s logline for the sci-fi series, “A young woman’s fateful decision in 1960s China reverberates across space and time to a group of brilliant scientists in the present day. As the laws of nature unravel before their eyes, five former colleagues reunite to confront the greatest threat in humanity’s history.”…

(3) BAD B.O. “Pixar’s ‘Elemental’ Falls Flat, Adding to Worries About the Brand” opines the New York Times.

Pixar is damaged as a big-screen brand.

That was one of the rather glum takeaways from the weekend box office, which found “Elemental,” a $200 million-plus Pixar original, arriving to a disastrous $29.5 million in domestic ticket sales. “The Flash,” a Warner Bros. superhero spectacle that cost about $200 million, also struggled, taking in a lethargic $55.1 million, according to Comscore, which compiles ticketing data.

“Hard to sugarcoat this,” said David A. Gross, a film consultant who publishes a newsletter on box office numbers.

Questions about Pixar’s health have swirled in Hollywood and among investors since last June, when the Disney-owned studio released “Lightyear” to disastrous results. How could Pixar, the gold standard of animation studios for nearly three decades, have gotten a movie so wrong — especially one about Buzz Lightyear, a bedrock “Toy Story” character?

Maybe pandemic-worried families were not quite ready to return to theaters. Or maybe, as some box office analysts speculated, Disney had weakened the Pixar brand by using its films to build the Disney+ streaming service. Starting in late 2020, Disney debuted three Pixar films in a row (“Soul,” “Turning Red” and “Luca”) online, bypassing theaters altogether.

By streaming standards, those three movies were runaway hits. But Pixar’s most recent box office success was in 2019, when “Toy Story 4” took in $1.1 billion worldwide…

(4) MASTERS OF THE UNIVERSE PIECE THEATRE. Cora Buhlert has posted a new Masters of the Universe toy photo story — or rather two short ones in time for the US Father’s Day: “Two Links and a Masters-of-the-Universe-Piece Theatre Double Feature: ‘New Dad’ and ‘Orko Interruptus’”.

…This version of King Randor is based on the 2002 cartoon, where Randor was protrayed as a somewhat younger and more active character than his Filmation counterpart. While the Filmation Randor mostly set around on his throne and occasionally gave a speech, the 2002 Randor charged into battle alongside his warriors on occasion and also seemed to do more actual governing. The 2002 cartoon also established that Randor was captain of the guard, i.e. Teela’s current, before he became king. All in all, I’d say that the 2002 cartoon features the best overall King Randor – and Randor is a difficult character, because his raison d’etre is to be the parent who does not understand or even see their child – though the Netflix CGI features the best version of Randor as a father. In case you’re wondering which version of King Randor is the worst, that would be the King Randor of Masters of the Universe Revelation, who narrowly missed winning the 2021 Darth Vader Parenthood Award

(5) AGENT OF CHAOS. But trolls have made Father’s Day rough for Oghenechovwe Donald Ekpeki as he told Twitter readers:

Hows my Father’s day going? Saw @virtuallyleslie wrote a racist manifesto where she said I only get attention cuz of political correctness. Her supremacist cult friends are on it, including the one impersonating my dead father who was gruesomely murdered, to defame & harass me

Patrick S. Tomlinson also has commented on what Leslie Varney wrote, and the significance of it coming from an agent. Thread starts here.

Leslie Varney wrote a reply thread that starts here.

(6) ONCE UPON A BIRTHDAY. Brian Murphy profiles Lin Carter for what would have been his 93rd birthday: “Lin Carter: Enthusiast of the Fantastic” at Goodman Games.

…. I love Carter’s illuminating and occasionally gushing introductions to the volumes he edited. Introducing readers to William Morris in the BAFS, Carter makes a compelling case that his The Wood Beyond the World (1895) was the first-ever novel of heroic fantasy ever written in a true secondary world, quipping that “it was the first of all such tales of adventurous wanderings through the marvelous landscapes of worlds which have somehow managed to avoid the wear and tear of ever having actually existed.”…

(7) FREE READ. Issue 7 of Whetstone Amateur Magazine of Sword and Sorcery has just come out and is available as a free download: Whetstone: Amateur Magazine of Pulp Sword and Sorcery: Issue 7.

(8) MEMORY LANE.

1999[Written by Cat Eldridge from a choice by Mike Glyer.]

Vernor Vinge’s A Deepness in The Sky is our Beginning this Scroll.  It won a much deserved Hugo at Chicon 2000 along with a John W. Campbell Memorial Award and a Prometheus Award for Best Libertarian SF Novel. It was also nominated for a HOMer and a Nebula as well. Damn impressive I’d say.

The novel is a loose prequel and is set twenty thousand years earlier to his A Fire Upon the Deep which was published previously. 

So let’s get to the Beginning…

The manhunt extended across more than one hundred light-years and eight centuries. It had always been a secret search, unacknowledged even among some of the participants. In the early years, it had simply been encrypted queries hidden in radio broadcasts. Decades and centuries passed. There were clues, interviews with The Man’s fellow-travelers, pointers in a half-dozen contradictory directions: The Man was alone now and heading still farther away; The Man had died before the search ever began; The Man had a war fleet and was coming back upon them. 

With time, there was some consistency to the most credible stories. The evidence was solid enough that certain ships changed schedules and burned decades of time to look for more clues. Fortunes were lost because of the detours and delays, but the losses were to a few of the largest trading Families, and went unacknowledged. They were rich enough, and this search was important enough, that it scarcely mattered. For the search had narrowed: The Man was traveling alone, a vague blur of multiple identities, a chain of one-shot jobs on minor trading vessels, but always moving back and back into this end of Human Space. The hunt narrowed from a hundred light-years, to fifty, to twenty—and a half-dozen star systems. 

And finally, the manhunt came down to a single world at the coreward end of Human Space. Now Sammy could justify a fleet specially for the end of the hunt. The crew and even most of the owners would not know the mission’s true purpose, but he had a good chance of finally ending the search.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 18, 1917 Richard Boone. He did only two genre roles of which one, playing Maston Thrust Jr. in The Last Dinosaur, I’m willing to bet almost all of you have never seen it. (It gets a fifty percent rating among audience reviewers at Rotten Tomatoes.) The other however is one that nearly everyone here has heard, yes heard, as he voiced Smaug in the Rankin/Bass animated version of The Hobbit. Of course his major non-genre role was as Paladin in Have Gun, Will Travel which I’ve seen every episode of at least three times. Really I have. (Died 1981.)
  • Born June 18, 1931 Dick Spelman. A fan and a legendary book dealer who was active at SF conventions from the late Seventies through the early Nineties. He chaired Windycon IX in 1982. He was a member of the board of directors of Chicon IV, and ran the Dealers’ Room at many Worldcons. In 1991 he sold his book business to Larry Smith and retired to Orlando, where he was active in local fannish affairs. (Died 2012.)
  • Born June 18, 1942 Roger Ebert. He got his start as a fanzine writer while in high school, publishing the Stymie zine and having his writing appear in XeroYandro and many other zines such as KippleParsection and Psi-Phi. At university, he was a member of the Champaign-Urbana Science Fiction Association. His fannish  autobiography is  How Propellor-Heads, BNFs, Sercon Geeks, Newbies, Recovering GAFIAtors and Kids in Basements Invented the World Wide Web, All Except for the Delivery System. Mike has much to say about him in a obituary here. (Died 2013.)
  • Born June 18, 1958 Jody Lee, 65. Illustrator with a long career in genre work. Her first cover art was Jo Clayton’s Changer’s Moon for DAW Books in 1985. Her latest is Passages: All-New Tales of Valdemar, a Mercedes Lackey anthology from DAW Books which seems to be her primary client. Her most stellar website is here.
  • Born June 18, 1960 Barbara Broccoli, 63. Daughter of the late James Bond producer Albert R. “Cubby” Broccoli. She has producer or director credit on at least fourteen Bond films which or may not be genre depending on how you view each one of them. Her only acting role is as an uncredited Opera patron in The Living Daylights. She produced the Chitty Chitty Bang Bang production staged in NYC at the Hilton Theater sixteen years ago. 
  • Born June 18, 1947 Linda Thorson, 76. Best known for playing Tara King, the only actual spy in The Avengers. For her role in that series, she received a special BAFTA at the 2000 BAFTA TV Awards along with the other three actresses from the series, Honor Blackman, Joanna Lumley and Diana Rigg. She’s also been in Return of the SaintTales from the DarksideStar Trek: The Next GenerationKung Fu: The Legend ContinuesF/X: The Series and Monsters
  • Born June 18, 1949 Chris Van Allsburg, 74. For some twenty years now until the Pandemic came upon us, the local Narrow Gauge Railroad ran a Polar Express every Christmas season compete with cars decorated in high Victorian fashion and steaming cups of hot chocolate for the children. It always sold out for the entire month they ran it. Allsburg‘s Polar Express book is just magical for me and I enjoy his Jumanji every bit as much. (I’ve never seen the film.) He illustrated A City in Winter which was written by Mark Helprin and I highly recommended it. 

(10) COMICS SECTION.

(11) ROLLING THE CREDITS. [Item by Mike Kennedy.] Descendants of Jack Kirby seem none too happy about the recently-released Disney+ documentary on Stan Lee’s life. Granddaughter Jillian Kirby has published a statement from her father Neal Kirby at the latter’s request. 

Among other things, Neil provides an analogy for Lee having an idea for a character to others bringing the character to life. “In 1501, the Opera del Duomo commissioned a 26-year-old Michelangelo to sculpt a statue of David for the Cathedral of Florence—their idea, their money. The statue is called Michelangelo’s David—his genius, his vision, his creativity.” “Jack Kirby’s Son, Neal Kirby Responds to Stan Lee Disney+ Documentary” at Bleeding Cool.

The following is an excerpt of the statement from Neal Kirby, son of the late Jack Kirby.

…I (000ps!) understand that, as a “documentary about Stan Lee,” most of the narrative is in his voice, literally and figuratively. It’s not any big secret that there has always been controversy over the parts that were played in the creation and success of Marvel’s characters. Stan Lee had the fortunate circumstance to have access to the corporate megaphone and media, and he used these to create his own mythos as to the creation of the Marvel character pantheon. He made himself the voice of Marvel. So, for several decades he was the “only” man standing, and blessed with a long life, the last man standing (my father died in 1994). It should also be noted and is generally accepted that Stan Lee had a limited knowledge of history, mythology, or science.

On the other hand, my father’s knowledge of these subjects, to which I and many others can personally attest, was extensive. Einstein summed it up better; “More the knowledge, lesser the ego. Lesser the knowledge, more the ego.”

If you were to look at a list and timeline of Marvel’s characters from 1960 through 1966, the period in which the vast majority of Marvel’s major characters were created during Lee’s tenure, you will see Lee’s name as a co-creator on every character, with the exception of the Silver Surfer, solely created by my father. Are we to assume Lee had a hand in creating every Marvel character? Are we to assume that the other co-creator never walked into Lee’s office and said, “Stan, I have a great idea for a character!” According to Lee, it was always his idea. Lee spends a fair amount of time talking about how and why he created the Fantastic Four, with only one fleeting reference to my father. Indeed, most comics historians recognize that my father based the Fantastic Four on a 1957 comic he created for DC, “Challengers of the Unknown,” even naming Ben Grimm (The Thing) after his father Benjamin, and Sue Storm after my older sister Susan.

Though the conflict between Lee and my father concerning creator credit gets glanced over with little mention, there is more attention paid to the strife between Lee and Steve Ditko, with Lee’s voice proclaiming, “It was my idea, therefore I created the character,” Ditko’s rebuttal being that his art and storyline is what brought life to Spiderman. In 1501, the Opera del Duomo commissioned a 26-year-old Michelangelo to sculpt a statue of David for the Cathedral of Florence – their idea, their money. The statue is called Michelangelo’s David – his genius, his vision, his creativity.

I was very fortunate. My father worked at home in his Long Island basement studio we referred to as “The Dungeon,” usually 14 – 16 hours a day, seven days a week. Most of the artists, writers, inkers, etc. worked at home, not in the Marvel offices as depicted in the program. Through middle and high school, I was able to stand at my father’s left shoulder, peer through a cloud of cigar smoke, and witness the Marvel Universe being created. I am by no means a comics historian, but there are few, if any, that have personally seen or experienced what I have, and know the truth with first-hand knowledge.

My father retired from comic books in the early 1980s and of course, passed away in 1994. Lee had over 35 years of uncontested publicity, much naturally, with the backing and blessing of Marvel as he boosted the Marvel brand as a side effect of boosting himself. The decades of Lee’s self-promotion culminated with his cameo appearances in over 35 Marvel films starting with “X-Men” in 2000, thus cementing his status as the creator of all things Marvel to an otherwise unknowing movie audience of millions, unfamiliar with the true history of Marvel comics. My father’s first screen credit didn’t appear until the closing crawl at the end of the film adaptation of Iron Man in 2008, after Stan Lee, Don Heck, and Larry Lieber. The battle for creator’s rights has been around since the first inscribed Babylonian tablet. It’s way past time to at least get this one chapter of literary/art history right. ‘Nuff said.

(12) JEOPARDY! [Item by David Goldfarb.] On Thursday’s episode there was a full category of “21st Century horror novels”, which the contestants took in order.

  • Returning champ Holly Hassel
  • Kiran MacCormick
  • Suzanne Goldlust

$200: Christina Henry’s “Looking Glass” is the last book in a chilling trilogy about a woman with this 5-letter name

Returning champ Holly Hassel tried: “What is Megan?”

Her name was Alice. (As in “Through the Looking-Glass”….)

$400: In Grady Hendrix’ “How to Sell” this place, it has a sealed attic & creepy puppet collection & Redfin will be no help

Suzanne Goldlust knew or guessed: “What is a haunted house?”

$600: The Scooby Gang was often accused of being these, the title of a book by Edgar Cantero about 4 teens with a telepathic pooch

Suzanne said, “What are meddling teens?”

Holly tried “What are those meddling kids?” but this was not accepted, as the title of the book was just “Meddling Kids”.

$800: Megan James pays homage to this horror master & his creation Cthulhu with her graphic novel “Innsmouth”

Holly knew this one.

$1000: Clive Barker’s “Scarlet Gospel” revisits the Hellraiser universe where this prickly priest of Hell mans the pulpit

Holly knew this one too: “Who is Pinhead?”

In the Double Jeopardy round, there was one:

TV Criminals, $800: The villainous supe Homelander on this series is the leader of The Seven, a group of some not-so-super heroes

This was triple stumper: nobody was familiar with the comic “The Boys” or its Amazon Prime adaptation. (I quibble with the question here. The Seven are super enough! It’s the “hero” part that should be getting the “not-so-“.)

(13) TURA SATANA. [Item by Steve Green.] Tura Satana, whose movie credits included The Astro-Zombies (1968) and its 2004 ‘reimaging’, is now an action figure, based upon her role in the 1965 cult classic Faster Pussycat… Kill! Kill!

Ms Satana, who died in 2011, was smart enough to trademark her own likeness, and this is apparently the first officially-licensed figure. It’s a collaboration between White Elephant Toyz and the publisher PlaidStallions (as Odeon Toys). “Tura Satana Action Figure Pre-Orders now open!”.

… This limited edition action figure is 8″ tall and features a detailed outfit, natural hair, motorcycle gloves, and boots. Tura is ready to kick your other action figures’ asses.

Each Tura Satana Action figure comes in vintage style packaging with striking artwork by Joseph Michael Linsner, creator of “Dawn.”…

(14) FIRST AMERICAN WOMAN IN SPACE. The National Air and Space Museum remembers “Sally Ride”.

40 years ago today, Dr. Sally K. Ride became the first American woman in space, launching aboard Space Shuttle Challenger on the STS-7 mission.

Dr. Sally Kristen Ride was a physicist, astronaut, educator, and advocate for young people in science, technology, engineering, and mathematics. Best remembered as the first American woman in space, Ride’s tenure as an astronaut was but one chapter in a long and impactful career.

Ride was accepted to the astronaut corps in 1978 as a member of Astronaut Group 8—NASA’s first astronaut class to include women. On June 18, 1983, when Dr. Sally K. Ride became the first American woman in space, she challenged long-held stereotypes about who would make a good astronaut. Ride spent more than two weeks in space over the course of two missions, STS-7 and STS-41G. Ride operated one of the Space Shuttle’s most important tools—the robotic arm—and loved taking photos of Earth from space.

When Ride retired from NASA in 1987, she dedicated herself to educating and inspiring learners. For more than 18 years she taught physics at the University of California San Diego. In 2001, Ride founded Imaginary Lines (now Sally Ride Science) with her partner, Dr. Tam O’Shaughnessy, to inspire girls and young women to explore science careers.

(15) ANKYLOBITERS. [Item by SF Concatenation’s Jonathan Cowie.] A new dinosaur has been found on the Isle of Wight so the BBC reports.

Don’t worry, it’s dead! So we are all safe. (Phew.) If you do go to the Isle of Wight to hunt for dinosaurs (they really all are dead) then I recommend a beer and food at the Crab and Lobster Inn. The view from outside to the left is mainland Brit Cit while straight ahead and left is the English Channel with a view of The Nab tower a few miles offshore and transatlantic liners going around the point.

But if you can’t be bothered then there is the primary research paper.

…It is the first new species of armoured dinosaur to be found on the island since 1865 and belongs to the same family – the ankylosaurs.

Though fearsome in appearance with its blade-like armour, the giant reptile – which has been named Vectipelta barretti – only ate plants.

It was discovered in rocks dating back between 66 and 145 million years….

(16) VIDEO OF THE DAY. Here’s the teaser trailer for One Piece.

Here’s a first look at the live action adaptation of the most popular manga in history, written by Eiichiro Oda. ONE PIECE sets sail on August 31st only on Netflix.

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Cora Buhlert, David Goldfarb, Steve Green, Rich Lynch, Andrew Porter, John King Tarpinian, Chris Barkley, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 6/15/23 Where Do Pixels Come From? They Are Born Of Scrolls. Where Do Scrolls Originate? Go Ask Mike

(1) BLACK MIRROR CREATOR. [Item by SF Concatenation’s Jonathan Cowie.] BBC Radio 4’s The Media Show yesterday was devoted to Charlie Brooker. You can download the episode here.

Brooker in SF terms is best known for being the writer behind the Black Mirror whose first two seasons were on Britain’s publicly-owned but self-financed Channel 4 before it migrated behind Netflix’s pay wall. (Netflix could afford the show a bigger budget.)

Charlie Brooker is one of the most influential satirists working today. Having started out as a cartoonist, his razor sharp writing on culture and the media made his TV columns for The Guardian, begun in 2000, essential reading for many. It wasn’t long until his acerbic and frequently absurd world view found a home on BBC Four in the form of the TV review show, Screenwipe. He’s also behind acclaimed comedies like Nathan Barley. But he’s found global fame with the series Black Mirror, which has entered the lexicon for a singular form of technology-enhanced dread. In the week that the new season launches, Charlie Brooker joins</I> The Media Show <I>to look back at his career.

(2) WOMEN’S PRIZE FOR FICTION. The 2023 winner of the Women’s Prize for Fiction is Barbara Kingsolver’s Demon Copperhead, which despite the thrilling sound of its title is a non-genre work.

(3) 2023 KAYMAR AWARDS. The National Fantasy Fan Federation has named Will Mayo and Justin E. A. Busch the winners of the 2023 Kaymar Awards. Each is a posthumous award, a first for the N3F.

The Kaymar Award recipient is selected by a committee consisting of previous winners who are still in the N3F, from nominations submitted by members.

The award, unlike many other awards in fandom, can be awarded only once. It is not given for talent or for popularity, but for work — work for the benefit of the club and its members. The award is a memorial to K. Martin Carlson [1904-1986], who originated, maintained, and financed it for 25 years. Carlson was a long-time N3F member who held many positions in the club, including club Historian. He went by the fan name of Kaymar.

(4) ELIO. Here’s a teaser for next year’s Pixar release, Elio.

Disney and Pixar’s 28th feature film is “Elio”. Jameela Jamil and Brad Garrett join previously announced America Ferrera and Yonas Kibreab in the intergalactic misadventure that is scheduled to take off next spring—March 1, 2024.   For centuries, people have called out to the universe looking for answers—in Disney and Pixar’s all-new movie “Elio,” the universe calls back! The original feature film introduces Elio, an underdog with an active imagination who finds himself inadvertently beamed up to the Communiverse, an interplanetary organization with representatives from galaxies far and wide. Mistakenly identified as Earth’s ambassador to the rest of the universe, and completely unprepared for that kind of pressure, Elio must form new bonds with eccentric alien lifeforms, survive a series of formidable trials and somehow discover who he is truly meant to be. 

(5) UPLIFTER. Steven Barnes showed Facebook readers his latest recognition, The Uplifter Ghost of Honor Award.

(6) ANOTHER COMPANION. “Doctor Who’ Casts BAFTA-Winner Lenny Rush As Morris” reports Deadline.

Lenny Rush, the BAFTA-winning star of BBC comedy Am I Being Unreasonable?, has joined the iconic sci-fi series as Time Lord companion Morris. No further details were given about his role.

Rush, 14, won Best Male Performance for Daisy May Cooper’s Am I Being Unreasonable? last month. He has previously appeared in shows including A Christmas Carol and Dodger.

Showrunner Russell T Davies said: “This is what Doctor Who‘s all about, brand new talent from the next generation, and no one’s more talented than Lenny. He joins the TARDIS team just in time for the Doctor’s greatest nightmare, so hold on tight.”

(7) IT’S A GAS. [Item by Steven French.] “Blending science and the supernatural, high art and gothic horror, Hamad Butt made work that was literally dangerous, in one case sparking fears of a gas leak. He is one of the stars of Tate Britain’s rehang”. “’Dicing with death’: the lethal, terrifying art of Hamad Butt – and the evacuation it once caused” in the Guardian.

But where’s the genre interest, you ask? The work being showcased at the art gallery is Transmission which features a circle of glass books displaying etchings of John Wyndham’s triffids.

…One particularly exciting addition is the little-known Pakistani-born artist Hamad Butt, whose striking 1990 installation Transmission has been given a whole room.

Created at the height of the Aids epidemic in Europe and the US, Transmission evokes multiple terrors. Donning safety goggles at the entrance, you encounter a darkened space with nine open glass books, lit by UV lamps, arranged in a circle on the floor as if for some cabalistic ritual. Through the eerie glow, an etching looms on each book of a triffid, the giant carnivorous plants that overrun Earth after a blinding meteor shower in John Wyndham’s 1951 sci-fi novel The Day of the Triffids. On the wall, nine cryptic statements pronounce things like: “We have the eruption of the Triffid that obscures sex with death” and “We have the blindness of fear and the books of fear”. The piece explores fears of the foreign invader, of deadly desire (through the distinctly phallic-looking triffid), of literal blindness as well as blind faith, the open tomes recalling a madrasa or a witch’s coven….

(8) ROBERT GOTTLIEB (1931-2023). Robert Gottlieb, an influential editor who worked at Simon & Schuster, Alfred A. Knopf and The New Yorker during his career, died June 14 reports the New York Times. He was 92. He edited many successful books “by, among many others, John le Carré, Toni Morrison, John Cheever, Joseph Heller, Doris Lessing and Chaim Potok; science fiction by Michael Crichton and Ray Bradbury; histories by Antonia Fraser and Barbara Tuchman; memoirs by former President Bill Clinton and Katharine Graham, the former publisher of The Washington Post; and works by Jessica Mitford and Anthony Burgess.”

(9) MEMORY LANE.

2001[Written by Cat Eldridge from a choice by Mike Glyer.]

If memory serves me right, the first thing that I read by  Kelly Link was something in an early issue of Lady Churchill’s Rosebud Wristlet that she and Gavin Grant sent to Green Man of Small Beer Press for review.

They also edited the last four years of The Year’s Best Fantasy and Horror that Datlow and Windling founded. Same anthology, different tastes under their editorship. 

Our Beginning this Scroll comes from the Nebula-winning “Louise’s Ghost” novelette which is in the Stranger Things Happen collection which is where it was originally published twenty-two years ago. The entire collection being her writing is wonderful. 

And now for her Beginning here…

Two women and a small child meet in a restaurant. The restaurant is nice—there are windows everywhere. The women have been here before. It’s all that light that makes the food taste so good. The small child—a girl dressed all in green, hairy green sweater, green T-shirt, green corduroys and dirty sneakers with green-black laces—sniffs. She’s a small child but she has a big nose. She might be smelling the food that people are eating. She might be smelling the warm light that lies on top of everything. 

Hit

None of her greens match except of course they are all green.

“Louise,” one woman says to the other.

 “Louise,” the other woman says. 

They kiss.

The maitre d’ comes up to them. He says to the first woman, “Louise, how nice to see you. And look at Anna! You’re so big. Last time I saw you, you were so small. This small.” He holds his index finger and his thumb together as if pinching salt. He looks at the other woman. 

Louise says, “This is my friend, Louise. My best friend. Since Girl Scout camp. Louise.” The maitre d’ smiles. “Yes, Louise. 

Of course. How could I forget?

Louise sits across from Louise. Anna sits between them. She has a notebook full of green paper, and a green crayon. She’s drawing something, only it’s difficult to see what, exactly. Maybe it’s a house. 

Louise says, “Sorry about you know who. Teacher’s day. The sitter canceled at the last minute. And I had such a lot to tell you, too! About you know, number eight. Oh boy, I think I’m in love. Well, not in love.” 

She is sitting opposite a window, and all that rich soft light falls on her. She looks creamy with happiness, as if she’s carved out of butter. The light loves Louise, the other Louise thinks. Of course it loves Louise. Who doesn’t?

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 15, 1942 Sondra Marshak, 81. Author of multiple Trek novels including The Price of the Phoenix and The Fate of the Phoenix, both co-written with Myrna Culbreath. She also wrote, again with Myrna Culbreath, Shatner: Where No Man …: The Authorized Biography of William Shatner which of course naturally lists Shatner as the third co-author. Finally she’s co-writer with Jacqueline Lichtenberg, and television producer Joan Winston of Star Trek Lives!
  • Born June 15, 1947 David S Garnett, 76. Not to be confused with the David Garnett without an S. Author of the Bikini Planet novels (StargonautsBikini Planet and Space Wasters) which should be taken as seriously as the names suggests. Revived with the blessing of Michael Moorcock a new version of New Worlds as an anthology. Last work was writing Warhammer novels.
  • Born June 15, 1960 William Snow, 63. He is best remembered as Lord John Roxton on Sir Arthur Conan Doyle’s The Lost World. (Yes, that’s its official title.) He also had the lead as David Grief on the Australian series Tales of the South Seas which had Rachel Blakey from Sir Arthur Conan Doyle’s The Lost World as Isabelle Reed. It was definitely genre. 
  • Born June 15, 1960 Sabrina Vourvoulias, 63. Thai-born author, an American citizen from birth brought up in Guatemala, but here since her teens. Her novel, Ink, deals with immigrants who are tattooed with biometric implants that are used to keep track of them no matter where they are. I’m assuming that the “Skin in the Game” story which appeared first on Tor.com is set in the future. Fair guess that “The Ways of Walls and Words” which also appeared on Tor.com is also set there.
  • Born June 15, 1963 Mark Morris, 60. English author known for his horror novels, although he has also written several novels based on Doctor Who and Torchwood. Given his horror background, these tend to be darker than many similar novels are, I recommend Forever Autumn and Bay of the Dead if you like a good chill. 
  • Born June 15, 1973 Neil Patrick Harris, 50. His first genre role was not Carl Jenkins in Starship Troopers, but rather Billy Johnson in Purple People Eater, an SF comedy best forgotten I suspect. Post-Starship Troopers, I’ve got him voicing Barry Allen / The Flash in Justice League: The New Frontier and Dick Grayson / Nightwing in Batman: Under the Red Hood. He also voiced Peter Parker and his superhero alias in Spider-Man: The New Animated Series. Finally he’s Count Olaf in A Series of Unfortunate Events which he also produces. 

(11) COMICS SECTION.

  • Eek! reveals something about smartphones and the undead.

(12) SIMULTANEOUS TIMES. Space Cowboy Books in Joshua Tree, CA has released episode 64 of its monthly science fiction podcast Simultaneous Times. The stories featured in this episode are:

  • “The Runner” by Jonathan Nevair (with music by Phog Masheeen)
  • “The Last AI Editor on Planet Earth” by Toshiya Kamei (with music by Patrick Urn)

(13) DOES SOMEBODY OWE YOU $7.70? From the New York Times: “Google Might Owe You Money. Here’s How to Get It.” “As part of a legal settlement, Google agreed to pay $23 million to users who clicked on a search link from 2006 to 2013. Individual payments are estimated to be less than $8.”

Anyone who clicked on a Google search result link from October 2006 to September 2013 is entitled to a piece — however small — of a $23 million settlement that the tech giant has agreed to pay to resolve a class-action lawsuit.

The settlement’s administrators set up a website for people to submit claims. According to the site, the estimated individual payout stands at $7.70. But that figure can fluctuate based on the number of people who make valid claims.

Google, which is owned by Alphabet Inc., agreed to the settlement in August. The consolidated class-action lawsuit filed in 2013 accused the company of “storing and intentionally, systematically and repeatedly divulging” users’ search queries and histories to third-party websites and companies….

(14) ROCKS AROUND THE CLOCK. Smithsonian Magazine can help you find “Seven Ways to Explore Space Without Leaving Earth”.

…Just up the road from the Cinder Hills is Sunset Crater Volcano National Monument, another astronaut training site. In the early 1970s, commander Gene Cernan and geologist Jack Schmitt trained here before Apollo 17. The mission for this final lunar landing was to find evidence of volcanism on the moon. The two astronauts used the jagged Bonito lava flow, along with surrounding cinder fields and cones, to test equipment and practice geological survey techniques.

In December 1972, Cernan and Schmitt landed in a valley of the Taurus mountain range in the Sea of Serenity. Satellite imagery had suggested these lunar highlands might be volcanic in nature. The pair’s first extravehicular activity—as astronauts call such trips outside their spacecraft—turned up mostly breccias, conglomerate rocks created by the meteorite impacts that actually formed most lunar mountains. But halfway through their second excursion, Schmitt became ecstatic when he spotted something unusual: orange soil. Analysis back on Earth proved the mission a success. They had found remnants of volcanic glass. The eventual theory was that billions of years ago, the moon was a magmatically turbulent place, where lava explosively burst from the low-gravity surface to great heights before raining down as tiny grains of orange glass.

Today, the 3,138-acre Sunset Crater Volcano National Monument offers an excellent way to experience the Arizona landscape that once simulated the lunar environment. A series of short trails allow you to explore some of the volcanic processes that Artemis astronauts may search for when they return to the moon in coming years….

(15) QUANTUM COMPUTER HITS THE MARK. “IBM quantum computer passes calculation milestone”Nature explains the significance.

‘Benchmark’ experiment suggests quantum computers could have useful real-world applications within two years.

“Four years ago, physicists at Google claimed their quantum computer could outperform classical machines — although only at a niche calculation with no practical applications. Now their counterparts at IBM say they have evidence that quantum computers will soon beat ordinary ones at useful tasks, such as calculating properties of materials or the interactions of elementary particles.”…

(16) WHAT IS A SAFE DISTANCE FROM A SUPERNOVA? [Item by SF Concatenation’s Jonathan Cowie.] You know me… I do worry so.  So much so that it is a wonder I get any sleep.

Among many troubling concerns is the end of the world.  Now, I have to admit liking the end of the world: it is great fun, but with the firm proviso that is that it is firmly in science fiction.  The real deal is the thing that gets me.

So Matt O’Dowd (he’s a physicist but don’t let that put you off) in this week’s PBS Space Time is sort of re-assuring (only sort of) as to one way the world might end… being caught in the blast of a supernova…

(Best make a calming cup of tea before viewing.)

The deaths of massive stars results in one of the most beautiful and violent events in the universe: the supernova. They are so luminous we can see them here on Earth and historical records show that we can even see them into the day. But supernovas release deadly and violent radiation that could destroy our atmosphere. So how far away do these supernova have to be for humanity to be safe? And when will the next supernova occur…

Nobody panic…

[Thanks to John King Tarpinian, Chris Barkley, Michael Toman, Cat Eldridge, Cliff, Steven French, SF Concatenation’s Jonathan Cowie, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 11/18/22 The Idiot’s Guide To Writing Scroll Titles

(1) TAKING TO THE LIFEBOATS. Jason Sanford’s Patreon has an informative open post about the current social media upheaval triggered by Elon Musk’s acquisition of Twitter: “Genre Grapevine Guide to Twitter’s Last Days (Including Steps to Take and Options to Consider)”.

Sanford begins with a roundup about Twitter’s state of crisis, then discusses several alternative platforms. The one he has personal experience with is Mastodon, and he shares what’s he’s learned from migrating there.

…You’ll also see the word “fediverse” a lot on Mastodon. As Lisbeth Campbell said, “Mastodon is ‘federated’ servers, not one unique platform,” hence the use of fediverse to designate different servers focused on different communities.

The fediverse a lot of SF/F authors are joining is Wandering.Shop. That’s also where I set up my account. Because Wandering.Shop has become so popular, they are currently limiting invitations to join. But invites should open again soon. And you can always join a different fediverse and follow and interact with people on different servers. The main Mastodon server page has a list of all these different fediverse and how to join them.

If you open a Mastodon account, be sure to use FediFinder to scan the people you follow on Twitter and locate those that are also on Mastodon. You can then export that list to CSV and import it into Mastodon, where the platform will automatically follow those people. FediFinder even shares the link on Mastodon where you need to go to upload the files….

(2) SPIEGELMAN HONORED. Maus creator Art Spiegelman received the Medal for Distinguished Contribution at the US National Book Awards gala reports Publishing Perspectives.

…Neil Gaiman, on hand to present the Medal for Distinguished Contribution to Maus author Art Spiegelman, told the audience about meeting Spiegelman, and watching as the writer-illustrator went on eventually to win a special Pulitzer Prize.

Having established that he has enjoyed a long, supportive friendship with Spiegelman, Gaiman pointed out that his own American Gods has been banned, and said of Spiegelman—who has taken many years of criticism for the Holocaust graphic-narrative Maus books, of course—”He’s one of the kindest people I know. He’s one of the wisest people I know. He is in every way a mensch. He is a New Yorker; he is a citizen of the world. He is a maker of comics that redefined what comics were capable of and how they were perceived. It changed the level of respect that comics got.”…

(3) DOCTOR WHO COMPANION NAMED: “Millie Gibson is the new Doctor Who companion, Ruby Sunday” at BBC Doctor Who.

Millie Gibson has landed the role of Ruby Sunday, the Doctor’s new companion.

Starring alongside Ncuti Gatwa, Millie will make her debut over the festive season in 2023 when the Fifteenth Doctor takes control of the TARDIS.

Best known for her role as CORONATION STREET’s Kelly Neelan, 18 year old Millie was the recipient of the Best Young Performer Award at The British Soap Awards earlier this year. Millie has also appeared in dramas BUTTERFLY (ITV) and LOVE, LIES AND RECORDS (BBC).

Speaking of her new role, Millie Gibson said: “Whilst still being in total disbelief, I am beyond honoured to be cast as the Doctor’s companion. It is a gift of a role, and a dream come true, and I will do everything to try and fill the boots the fellow companions have travelled in before me. And what better way to do that than being by the fabulous Ncuti Gatwa’s side, I just can’t wait to get started.”…

(4) KSR’S SUGGESTED TOOL TO ADDRESS CLIMATE CRISIS. Wailin Wong, an NPR reporter for the economics show The Indicator— and Alec Nevala-Lee’s wife — has a new episode featuring Kim Stanley Robinson. Listen at the link: “A monetary policy solution to to the climate crisis : The Indicator from Planet Money”.

Kim Stanley Robinson’s 2020 sci-fi novel The Ministry for the Future imagines a not-too-distant world where central banks worldwide come together to create a carbon coin, a monetary-policy-based solution to the climate crisis. The idea has been sparking real word debate in policy circles. What can a novel teach us about the role of central banks in addressing the climate crisis?

(5) SANDERSON KICKSTARTER NOVELS WILL ALSO GET TRADPUB. Tor US and Gollancz have announced they will also publish the four Brandon Sanderson novels marketed through his record-setting Kickstarter, which raised over $41 million.

Dragonsteel, Sanderson’s company, will release the Kickstarter titles in January, April, July and October 2023. 

The Gollancz hardcover editions will be published four months after each Kickstarter release: Tress of the Emerald Sea — 04/04/23; The Frugal Wizard’s Handbook for Surviving Medieval England — 06/27/23; Yumi and the Nightmare Painter — 10/03/23; The Sunlit Man — 01/02/24

(6) DWINDLING VALUES. New York Times columnist Paul Krugman asks “Is This the End Game for Crypto?” Although he doesn’t seem to think it is, his analysis of crypto’s reasons for existing is informative.

…The question we should ask is why institutions like FTX or Terra, the so-called stablecoin issuer that collapsed in May, were created in the first place.

After all, the 2008 white paper that started the cryptocurrency movement, published under the pseudonym Satoshi Nakamoto, was titled “Bitcoin: A Peer-to-Peer Electronic Cash System.” That is, the whole idea was that electronic tokens whose validity was established with techniques borrowed from cryptography would make it possible for people to bypass financial institutions. If you wanted to transfer funds to someone else, you could simply send them a number — a key — with no need to trust Citigroup or Santander to record the transaction.

It has never been clear exactly why anyone other than criminals would want to do this. Although crypto advocates often talk about the 2008 financial crisis as a motivation for their work, that crisis never impaired the payments system — the ability of individuals to transfer funds via banks. Still, the idea of a monetary system that wouldn’t require trust in financial institutions was interesting, and arguably worth trying.

After 14 years, however, cryptocurrencies have made almost no inroads into the traditional role of money. They’re too awkward to use for ordinary transactions. Their values are too unstable. In fact, relatively few investors can even be bothered to hold their crypto keys themselves — too much risk of losing them by, say, putting them on a hard drive that ends up in a landfill.

Instead, cryptocurrencies are largely purchased through exchanges like Coinbase and, yes, FTX, which take your money and hold crypto tokens in your name….

(7) GRRM STAYING FROSTY. A non-Westeros dragon story by George R.R. Martin will be turned into a movie: “Game of Thrones Author Announces Animated Film Adapting The Ice Dragon” at CBR.com.

Game of Thrones author George R.R. Martin recently announced an animated film adaptation of one of his early works, The Ice Dragon.

Martin, who penned the Song of Ice and Fire novels upon which Game of Thrones is based, announced the Ice Dragon movie during a promotional interview with Penguin Random House. “Some of you may know that I occasionally wrote other books that were not part of Westeros or that [story],” he said. “And one of them that I wrote way back in 1978 was a short story about a dragon, an ice dragon, and it’s called The Ice Dragon. Just a short story, as I said. It’s primarily a kid’s story, but we are going to make that [into a movie]. Warner Bros. Animation has purchased the rights to it, and we’re going to expand it to a fully animated film… a theatrical film, we hope, to be released in a motion picture palace near you, and David Anthony Durham will be writing the screenplay. And he better do a good job! [laughs]”

(8) ANNE HARRIS (1964-2022). Author Anne Harris died November 18. Their first genre publication, “Chango Was a Dog”, appeared in Nova Express in 1991. Their novel Accidental Creatures tied for the 1999 Gaylactic Spectrum Award. Inventing Memory was longlisted for the Otherwise Award in 2005. “Still Life with Boobs”, a short story, was a Nebula nominee in 2006. They also authored several novels under pen names, including a YA trilogy.  

(9) ALICE DAVIS (1929-2022). Costume designer Alice Davis, whose work many of us have seen in person, died November 3. “Alice Davis, Costume Designer for Disney Rides, Dies at 93” in the New York Times.

Alice Davis, a Disney Company costume designer who created the outfits worn by the animatronic figures in two of the company’s most enduring and popular rides, It’s a Small World and Pirates of the Caribbean, died on Nov. 3 at her home in Los Angeles. She was 93.

Her death was announced on the Walt Disney Company’s website.

Ms. Davis had been designing lingerie and other garments for several years when Walt Disney himself asked her in 1963 if she wanted to work on the costumes for It’s a Small World.

She jumped at the chance.

“I could hardly wait to get there for the first day,” she told The Los Angeles Times in 2014.

It’s a Small World, a 10-minute boat trip through a land populated by singing and dancing robotic children representing dozens of countries while the attraction’s titular earworm song plays, was to make its debut at the World’s Fair in New York in 1964 as a tribute to UNICEF sponsored by Pepsi. It was a huge hit.

Clothing that accurately reflected the international theme was essential. So, working with the renowned Disney artist Mary Blair, Ms. Davis designed more than 150 costumes while researching the relevant nations to ensure the garments’ authenticity….

(10) MEMORY LANE.

1947 [By Cat Eldridge.] Miracle on 34th Street 

Yes, let’s have a feel good film, one of Mike’s favorites as it turns out. It’s set between Thanksgiving and Christmas so it is appropriate to telling about now, and I will. I like to as it is indeed a very upbeat movie.

Seventy-five years ago, Miracle on 34th Street was initially released as The Big Heart across the pond, written and directed by George Seaton and based on a story by Valentine Davies. Seaton did uncredited work on A Night at the Opera, and Davies would later be nominated for an Academy Award for Best Original Screenplay for The Glenn Miller Story, a most stellar film.

SNOWFLAKES ARE FALLING, AND ODDLY ENOUGH, THEY CONTAIN ,SPOILERS. REALLY THEY DO.

Kris Kringle, no I did not make his name up, is pissed off that Santa in the Macy’s Thanksgiving Day Parade went missing because he was drunk. (I know that The Twilight Zone did this later.) When he complains to event director Doris Walker, she persuades him to take his place. He does so well that he is hired to play Santa at Macy’s on 34th Street.

Most of the film is about faith. In this case believing that Kris Kringle is really Santa Claus — or not. Or that in a larger sense that individuals believe in him. The Judge rules that both are true and this Kris Kringle is not confined to Bellevue Hospital as certain parties were eager to do. 

ANYONE FOR GINGERBREAD HOT FROM THE OVEN? 

Everyone including the most curmudgeonly of critics loved it. Certainly the most excellent primary cast of Maureen O’Hara as Doris Walker, John Payne as Fred Gailey, and Edmund Gwenn as Kris Kringle charmed everyone. 

It was shot on location in New York City, with the Macy’s Thanksgiving Day Parade sequences filmed live while the 1946 parade was happening. The rest it was set during the Christmas season but the Studio insisted on a May premiere as that they thought was when Americans went to see films. 

The Christmas window displays seen in the film have a very interesting history. They were first made by Steiff for Macy’s. Macy’s then sold the window displays to FAO Schwarz in New York and they in turn sold the windows to the BMO Harris Bank of Milwaukee where they are on display every December in the bank’s lobby on North Water Street. 

It was remade with same name in 1994. Due to Macy’s refusal to give permission to use its name, it was replaced by the fictitious “Cole’s”.  Why so? “We feel the original stands on its own and could not be improved upon,” said Laura Melillo, a spokeswoman for Macy’s. So there. 

A final note. One group didn’t like it. The Catholic Legion of Decency found it “morally objectionable” largely due to the fact that O’Hara portrayed a divorcée here. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 18, 1939 Margaret Atwood, 83. Well, there’s that work called The Handmaid’s Tale that’s garnering a lot of discussion now. (Not my my cup of Tea, Earl Grey, hot.) There’s the excellent MaddAddam Trilogy which I wholeheartedly recommend, and I’ve heard good things about The Penelopiad. What else do you like of hers? 
  • Born November 18, 1946 Alan Dean Foster, 76. There’s fifteen Pip and Flinx novels?!? Well the first seven or so that I read oh-so-long ago were superb. The Spellsinger series is tasty too. Can’t say anything about his Stars Wars work as I never got into it. Though I’m glad the Evil Mouse is paying him for it finally. 
  • Born November 18, 1950 Eric Pierpoint, 72. I’d say that he’s best known for his role as George Francisco on the Alien Nation franchise. He has also appeared on each of the first four Trek spin-offs, a neat feat indeed. And he’s got a very impressive number of genre one-offs which I’m sure y’all will tell me about. 
  • Born November 18, 1952 Doug Fratz. Long-time fan and prolific reviewer for the New York Review of Science Fiction and Science Fiction Age who also published a number of zines, and wrote a column superbly titled “Alienated Critic”. He was nominated for Best Fanzine Hugo four times. Mike has a remembrance of him here. (Died 2016.)
  • Born November 18, 1953 Alan Moore, 69. His best book is Voice of the Fire which admittedly isn’t genre. Though the first volume of The League of Extraordinary Gentlemen is very close. Pity about the film which surprisingly has a forty-four percent rating among audience reviewers at Rotten Tomatoes. I’m also fond of The Ballad of Halo Jones and Swamp Thing work that he did as well. And let’s not forget that the The Watchmen won a well-deserved Hugo at Nolacon II. 
  • Born November 18, 1970 Peta Wilson, 52. Wilhelmina “Mina” Harker in The League of Extraordinary Gentlemen film, a bit role as Bobbie-Faye in Superman Returns. Inspector (yes, just Inspector) in the “Promises” episode of the Highlander series. Though The League of Extraordinary Gentlemen was not well received, she received a Saturn Award Best Supporting Actress for being in it which is rather surprising I’d say. 
  • Born November 18, 1981 Maggie Stiefvater, 41. Writer of YA fiction, she has myriad series, of which I recommend The Dreamer trilogy, The Wolves of Mercy Falls and the astonishing Raven Cycle. With her sister, Kate Hummel, she writes and records a piece of music for each novel she releases. These are released in the form of animated book trailers. She’s had two Mythopoeic Award nominations but so far no wins. 

(12) WHICH CAME FIRST? The chicken, the egg, or the test tube? “Lab-Grown Meat Receives Clearance From F.D.A.” reports the New York Times.

The Food and Drug Administration has cleared a California company’s “slaughter-free” chicken, putting lab-grown meat one step closer to restaurant menus and grocery store shelves in the United States.

On Wednesday afternoon, the agency said it had completed an evaluation of chicken from the company, Upside Foods, and had “no further questions” about the product’s safety, signaling that the agency considered it safe for consumption. It will probably take months, if not longer, before the product reaches consumers, and it first must get additional clearance from the Department of Agriculture.

… For nearly a decade, companies have been competing to bring the first lab-grown meat (or “cultivated” meat, the term the industry has recently rallied around) to market. In a process often compared to brewing beer, animal cells are grown in a controlled environment, creating a product that is biologically identical to conventional meat. But until now, cultivated meat had received regulatory approval only in Singapore, where Good Meat’s lab-grown chicken was greenlit in 2020….

(13) JEOPARDY! Andrew Porter was tuned into last night’s Jeopardy! episode and witnessed contestants flailing with these genre wrong questions about a non-genre author.

Final Jeopardy: Movies and Literature

Answer: Ridley Scott’s first feature film, “The Duellists”, was based on a story by this author to whom Scott’s film “Alien” also pays tribute

Wrong questions: Who is [PK] Dick?; Who is A.C. Clarke?; Who is Lovecraft?

(All three contestants got it wrong!)

Correct question: Who is Joseph Conrad?

(14) WHIP IT GOOD. Find out what Indiana Jones looks like today in “Empire’s World-Exclusive Indiana Jones 5 Covers Revealed”.

…In a major world-exclusive, the new issue of Empire presents your first dive into the fifth (and still-untitled) Indiana Jones film – bringing back Ford (and his fedora), but teaming him with a new director in James Mangold, providing him with a fresh batch of allies and enemies, and pitching him into a whole different era of history. Inside, you’ll find a very first look at what the top-secret film has in store, with a deluge of exclusive images – as well as world-first interviews with stars Harrison Ford, Phoebe Waller-BridgeMads Mikkelsen, Shaunette Renée Wilson and Boyd Holbrook, director James Mangold, writers Jez and John-Henry Butterworth, and producers Kathleen Kennedy, Frank Marshall and Simon Emanuel. The adventure is only just beginning – get ready to uncover the most exciting movie of 2023….

(15) VIDEO OF THE DAY. Elemental, from Disney and Pixar, will debut in June 2023.

Disney and Pixar’s “Elemental,” an all-new, original feature film set in Element City, where fire-, water-, land- and air-residents live together. The story introduces Ember, a tough, quick-witted and fiery young woman, whose friendship with a fun, sappy, go-with-the-flow guy named Wade challenges her beliefs about the world they live in.

[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Cliff, Alec Nevala-Lee, SF Concatenation’s Jonathan Cowie, Mike Kennedy, JJ, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Steve Davidson.]

Pixel Scroll 6/13/22 Life’s Like A Pixel; Scroll Your Own Ending

(1) NOT QUIET ON THE BOOKSTORE FRONT. Sergej Sumlenny tweeted a long thread about “How [the] Russian book market prepared Russians for a full-scale war against Ukraine, NATO, the West, and promoted stalinism and nazism, and how this was ignored by the West.” Thread starts here. Some excerpts:

(2) THE BUZZ. Sam Stone returns an enthusiastic verdict on “Pixar’s Lightyear” at CBR.com. If it has a fault, it’s that the movie doesn’t swing for the fences as hard as it should.

… The animation team similarly pulls out all the stops to make Lightyear a memorable sci-fi film, with a visual style that feels very much its own thing compared with the Toy Story movies while retaining that sense of familiarity. Drawing from a whole line of sci-fi influences, Lightyear evokes the sensibilities of classic ’80s sci-fi cinema, from the Space Rangers’ tech and vehicles to the creepy extraterrestrials prowling the planet where Buzz and his friends have crashed. With its time-bending concepts and a genuine sense of heart, Lightyear earns its place among that pantheon of great science fiction….

(3) WHO LEFT THE GRAVITY TURNED ON? [Item by Martin Morse Wooster.] I’m up to February 2019 in my New Yorkers (you may report me to the magazine control board!) but I thought this Talk Of The Town piece was interesting: “When ‘Spaceman’ Came Crashing Down to Earth”.

… On February 22nd of last year, “Spaceman” made its début at the Wild Project, an eighty-nine-seat theatre in the East Village. The set was a room-size contraption made of welded steel and Plexiglas, fitted with buzzers and keyboards and a chair that spins on a truss. The production simulated zero gravity using low-light effects and a puppeteer. After the show, Treadway, feeling good about the performance, came out for a bow in her spacesuit. As she walked off the stage, she tripped over a speaker. She broke her fall with her arms, then popped back up and made a “clumsy old me” face.

“Then I walked backstage and was, like, whoa,” she recalled. “I realized I couldn’t even take my costume off.” Stevens helped her change clothes, and they took an Uber to a clinic in Red Hook. The doctor informed Treadway that she had broken both elbows and her left wrist. (“The woman at physical therapy said it’s an injury that a lot of break dancers have,” she said.) She would need hard casts for a week, and then splints. They would have to cancel the entire three-week run. Stevens recalled, “The next morning, I’m drafting an e-mail to everybody telling them the news, and I’m looking through all these e-mails from people saying, ‘Break a leg!’ ” He laughed ruefully. “I never want to hear that phrase again.”…

(4) THE DOOR INTO MUMMER. FirstShowing.net introduces a “Fun Trailer for Aliens vs Swordsmen Epic Sci-Fi ‘Alienoid’ from Korea”.

“How long do we have to stay on Earth?” CJ Entertainment in Korea has revealed the first international trailer for an epic sci-fi movie called Alienoid. Actually it’s two movies! This “Part 1” will be out in July in Korea, though no US date is set yet. During the Goryeo Dynasty (918-1392), Taoists try to take a mysterious holy sword. Meanwhile in present day (in 2022), aliens appear on Earth. A time door soon connects the late Goryeo period and the present day. The two parties cross paths when a time-traveling portal opens, causing chaos and confusion…. 

(5) AIYEE! SYFY Wire promises these are “The Star Trek movies’ 12 most disturbing moments”. First on the list:

1. RANDOM TRANSPORTER ACCIDENT (STAR TREK: THE MOTION PICTURE

Here’s one way to get rid of a science officer. Sonak is a Vulcan prepped to take the place of Spock at the start of the first Star Trek movie. His tenure in the position is quite short. Thanks to a random transporter malfunction, he (and the person he transports over to the Enterprise with) dies a gruesome death. 

Transporter malfunctions happen all the time, but this is not “The Next Phase” or “Tuvix.” These two people are dead, and it looks (and sounds) horrific. What little of them is recovered does not last long. That’s what Admiral Kirk is told, anyway. 

People make light of McCoy not wanting to use the transporter a little later in the movie, but after this? Damn right he shouldn’t use it, especially since the accident was so random and is never really addressed. It’s not a transporter, it’s a character killer. What did Sonak ever do to deserve it? Highly illogical and highly disturbing. 

(6) MEDIA BIRTHDAY.

1980 [By Cat Eldridge.] Forty-two years ago, a rather charming film premiered in syndication this evening as produced by Paramount. The Girl, The Gold Watch & Everything was based on the novel of the same name by John D. MacDonald who of course did the Travis McGee series. I know it watched it and I know I liked even four decades on.

It was written by George Zateslo who hadn’t written anything prior to this save an episode of CHIPS. After writing this, he’d write the script for the sequel, The Girl, the Gold Watch & Dynamite

The two cast members to note here are Robert Hays as Kirby Winter and Pam Dawber as Bonny Lee Beaumont. That because the story is — SPOILER ALERT — rather a thin SF plot involving a young male who inherits a gold watch that inherits from his millionaire uncle a gold watch that has the power to stop time. A series of rather unlikely and comic adventures ensue. And yes there’s a girl involved. END OF SPOILER ALERT. 

An episode of the Twilight Zone, “A Kind of Stop Watch”, has essentially the same story as that of “The Girl, the Gold Watch & Everything”. A lot of Twilight Zone fans would claim very loudly that McDonald ripped off Serling’s script. The episode, however, aired in October of 1963, the year after the publication of the novel on which the movie is based. Sigh. 

Neither film appears to streaming anywhere, nor does it appear to be available for purchase. Huh.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 13, 1893 — Dorothy Sayers. I absolutely love her mysteries. I think the Lord Peter Wimsey series are among the best mysteries ever done. And I thought that Ian Carmichael made a most excellent Lord Peter Wimsey in the Seventies Clouds of Witness series. Now to the matter at hand, ISFDB often surprises me and having her listed as writing four stories in the genre did it again. All of them were written in the Thirties and here they are: “The Cyprian Cat”, “The Cave of Ali Baba”, “Bitter Almonds” and “The Leopard Lady”. So, who here has read them and can comment on them being genre or not? (Died 1957)
  • Born June 13, 1892 — Basil Rathbone. He’s best remembered for being Sherlock Holmes in fourteen films made between 1939 and 1946 and in a radio series of the same period. For films other than these, I’ll single out The Adventures of Robin Hood (after all Robin Hood is fantasy), Son of Frankenstein and Voyage to the Prehistoric Planet. (Died 1967.)
  • Born June 13, 1903 — Frederick Stephani. Screenwriter and film director who is best remembered for co-writing and directing the 13-chapter Flash Gordon serial in 1936. He directed Johnny Weissmuller‘s Tarzan’s New York Adventure (aka Tarzan Against the World). He was also an uncredited writer on 1932’s Dracula. (Died 1962.)
  • Born June 13, 1929 — Ralph McQuarrie. Conceptual designer and illustrator. He worked on the original Star Wars trilogy, the first Battlestar GalacticaStar Wars Holiday Special (well somebody had to, didn’t they?), CocoonRaiders of the Lost Ark, Nightbreed, Star Trek IV: The Voyage Home andE.T. the Extra-TerrestrialAll of his work is quite stellar. Literally. Pun fully intended. (Died 2012.)
  • Born June 13, 1943 — Malcolm McDowell, 79. My favorite role for him was Mr. Roarke on the second rebooted Fantasy Island. (Still haven’t seen either of the recent versions.) Of course, his most infamous role was Alex in A Clockwork Orange. Scary film that was and yes, I saw it in the theater. His characterization of H. G. Wells in Time After Time was I thought rather spot on. And I’d like to single out his voicing Arcady Duvall in the “Showdown” episode of Batman: The Animated Series. Remember the truly awful Will Smith starred Wild Wild West film? Of course you do unfortunately. Here is the same premise with Jonah Hex involved instead as written by Joe R. Lansdale. Go watch it as it is a stellar script and of course everything is perfect. 
  • Born June 13, 1949 — Simon Callow, 73. English actor, musician, writer, and theatre director. So what’s he doing here? Well he got to be Charles Dickens twice on Doctor Who, the first being in “The Unquiet Dead” during the time of the Ninth Doctor and then later during “The Wedding of River Song”, an Eleventh Doctor story. He’d also appear, though not as Dickens, on The Sarah Jane Adventures as the voice of Tree Blathereen in “The Gift” episode. I’ve not watched the series. How is this series? He was also The Duke of Sandringham in the first season of Outlander. And he did have a role in Shakespeare in Love which I claim is genre. As of late, he’s been on Hawkeye as Armand Duquesne III in the pilot episode.
  • Born June 13, 1953 — Tim Allen, 69. Jason Nesmith in the much beloved Galaxy Quest. (Which of course won a much deserved Hugo Award for Best Dramatic Presentation at Chicon 2000.) He actually had a big hit several years previously voicing Buzz Lightyear in Toy Story which would be the first in what would become a long-running film franchise.
  • Born June 13, 1963 — Audrey Niffenegger, 59. Her first novel was The Time Traveler’s Wife. She has stated in interviews that she will not see the film or the series as only the characters in the novels are hers. Good for her. (I’ve stated before that I don’t watch films or the series based on novels that I really like.)  Raven Girl, her third novel about a couple whose child is a raven trapped in a human body, was turned into performance at the Royal Opera House. Oh, and her Ghostly: A Collection of Ghost Stories is, well, chillingly delicious.

(8) COMICS SECTION.

(9) WHEN WILL YOU MAKE AN END? “Taika Waititi’s Star Wars Script Is Still Not Finished” he tells CBR.com.

Taika Waititi has revealed that he is still hard at work finishing the script for his upcoming Star Wars movie.

In an interview with Screen Rant, Waititi explained where he’s currently at in the writing process for his untitled film and how he approached tying his script into the wider Star Wars universe. “That’s yet to be seen. I don’t know. I’m still writing. I’m still coming up with the ideas and storylining it and just wanted to make sure that it feels like a Star Wars film,” he said. “Because, I could say, ‘Oh yeah, we’ll just write any old thing and set in space and then put Star Wars on the front.’ But it wouldn’t be a Star Wars film without certain elements and a certain treatment, so I’ve just got to make sure that it stays within that wheelhouse.”…

(10) UTTERLY MADE UP. GameRant walks us through the development of the alien tongue: “Star Trek: The Klingon Language, Explained”. Dr. Marc Okrand’s 1985 book The Klingon Dictionary sold over 300,000 copies.

The Klingons have been a steady part of Star Trek right from the beginning, starting out as the main antagonists in The Original Series and progressing to tentative friends in series to follow. Roddenberry took a leaf out of Tolkien’s book, and created the Klingon language to flesh out the culture. In doing so, he was able to add a depth of realism to his fictional race that’s not often seen even today (with a few exceptions). Instead of a bare-bones array of random sounds, the language has its own vocabulary and grammar, even its own regional dialects. The language was not always present in its fullest form, and developed slowly alongside the show. The first Klingons during the main TV series simply spoke in English, with the audience first hearing their guttural tones during the Star Trek: The Motion Picture film in 1979….

(11) SO MANY TITLES. What should File 770’s headline be for Science Alert’s story “A Hitchhiking Rock Has Traveled With The Perseverance Rover For More Than 120 Days”? Mike Kennedy couldn’t decide on one, so he sent them all.

  • Rock and Roll, OR
  • (The) Rolling Stone, OR
  • Everybody Must Get Stoned, OR
  • (Just) Along For The Ride, OR
  • Pet Rock, OR
  • Moss-free, OR
  • Stone Cold, OR
  • The Stones Must Roll, OR
  • probably dozens more

Roaming Mars is a lonely existence for NASA’s Perseverance, but the exploratory rover now has a traveling companion: a hitchhiking “pet rock” that got stuck in one of its wheels.

Luckily, the Martian stone won’t impact the rover’s science mission and is only a minor inconvenience  – like having a pebble stuck in your shoe. 

Perseverance’s front-left wheel accidentally picked up the pet rock on Feb. 4, or Sol 341 – the 341st Martian day of the Martian year, according to a statement by NASA.

The rock has periodically photobombed images taken by the rover’s front-left Hazard Avoidance Camera (Hazcam).

Recent images show that the rock is still tumbling along with Perseverance 126 days (123 sols) after it first hitched a ride. (A sol, or Martian day, is just 37 minutes longer than an Earth day.)

[Thanks to John King Tarpinian, Chris Barkley, Andrew Porter, Todd Mason, Daniel Dern, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 4/21/22 And When The File Breaks The Pixel Will Scroll

(1) SDCC REPORTS LOSS; ALSO WARNED BY STATE ABOUT UNFILED RETURNS. Petréa Mitchell at SMOF News broke the story to her readers that San Diego Comic-Con’s nonprofit corporation suffered an $8 million loss in 2020, and has been warned by the state of California the corporation is delinquent in filing some required federal tax returns and reports due to the state, as reported by the Times of San Diego: “Double-Whammy for Comic-Con: $8M Loss and Threat to State Tax Exemption”. The 2020 loss is declared below in the screencap of a California Annual Renewal Registration Fee form they have filed.

Comic-Con is at risk of losing its nonprofit status, the state says, only days after the giant tourism draw signed up with IMG in a licensing deal amid a reported $8 million loss in COVID-stricken 2020….

But last Nov. 18, Comic-Con filed its annual registration renewal fee report, which said it had $3.97 million gross revenue in 2020, when the pandemic forced suspension of Comic-Con. Its gross expenses that year were $11.98 million. (Its total assets were $42.4 million.)

The letter to Comic-Con said it has until May 15 to file a state form. Bonta said that if IRS forms aren’t sent to the state Registry of Charitable Trusts within 60 days of April 7 — or June 6 — two things would happen:

      • His office would notify the California Franchise Tax Board to disallow Comic-Con’s tax exemption. (“The Franchise Tax Board may revoke the organization’s tax exempt status at which point the organization will be treated as a taxable corporation … and may be subject to the minimum tax penalty.”)
      • Late fees would be imposed for each month or partial month for which reports were delinquent. “Directors, trustees, officers and return preparers responsible for failure to timely file these reports are also personally liable for payment of all late fees.”

(2) KGB SHOTS. Ellen Datlow shared her photos from the (in-person!) Fantastic Fiction at KGB reading series event on April 20 where Robert Freeman Wexler and Victor LaValle each read form forthcoming work.

(3) FOUR TO DRAW TO. Fanac.org has posted the video of a Minicon 15 (1979) panel “History of the Future” with Ted Sturgeon, Clifford Simak, Lester del Rey, and Gordon Dickson.  

Minicon 15 was held April 13-15, 1979 in Minneapolis. In this recording, four of the most respected authors of their time—Theodore Sturgeon, Clifford D. Simak, Lester del Rey and Gordon Dickson—have a free ranging discussion on topics from earlier science fiction views of the future, to what the literature has “missed,” and the relationship of technocracy to then current society. 

Lester del Rey is at his most opinionated, getting laughs and applause, as well as exhibiting his encyclopedic knowledge of the field. There are discussions of freedom vs governance, the problems of finding information, and, triggered by a question from the audience, a long discussion on education. 

Simak tells a deeply personal story about his son’s experience in the public school system, and the other authors speak of their own experiences with education.  There are predictions, anecdotes, and a few surprising revelations…

Thanks to Geri Sullivan and the Video Archeology project for providing the recording. 

(4) HER TWIN FROM ANOTHER PLANET. The linked article talks about a science fiction film titled The Day Mars Invaded Earth and how the author, Hal Bookbinder, used his genealogical skills to sleuth out more about the twin actresses in the film: “The Day Mars Invaded Earth” at the JGSCV Newsletter.

While watching old movies. I often Google the film to learn more about it and its cast. “The Day Mars Invaded Earth” was filmed in 1962 and released in 1963. Among its cast are Betty Beall and Barbara Beall who play counterparts in the same scene, shown at the bottom. Betty Beall plays the teenage daughter of a NASA scientist who oversees the landing of a probe on Mars. After destroying the probe, unseen Martians create a duplicate of him to foil further attempts to land a probe. They then create duplicates of his family to cover their tracks. The NY Times panned the picture. Very little is to be found on either Betty or Barbara….

(5) POTLATCH. Ian Frazier shares some humorous confessions with readers of The New Yorker in “The Literature of Cabin Fever”. One paragraph reminds me that once there was an annual convention by this name (and with something of the same gift-sharing philosophy).

…A big excursion for me was to drive to the town of Kalispell, some twenty miles away. I was writing on a brand of paper called Potlatch. Such an interesting name for copy paper—Potlatch. I ran out of my first ream of it, and when I was buying more at an office-supply store in Kalispell I told the salesperson about potlatch—how it was a Native American word that meant a kind of party in which a chief or even just an ordinary person gave away stuff to other members of the tribe. “Giveaway” is a rough translation of the word into English, I told the salesperson. The potlatch was a system for showing status and spreading the wealth downward, I said. As I looked at the reaction on the salesperson’s face, it sank in that I was not in a normal frame of mind….

(6) WHEN AND WHERE DID HUMANS EVOLVE? [Item by SF Concatenation’s Jonathan Cowie.] We all know the basic story, archaic humans and then modern humans evolved in Africa and then migrated to the rest of the world, held SF conventions and went to the Moon (the Americans even did it without Cavorite!).

The problem is, is that the fossil record only provides snapshots.  A fossil tells us that this species lived at this place and at that time.  What it does not do is tell us when that species first evolved: it is very unlikely that a fossil discovered will be the remains of the first representative of a new species.  So, what to do?

“Climate effects on archaic human habitats”, rResearch published today in Nature  has taken a novel approach.  We know from fossils the environment in which archaic and modern human species inhabited.  What the researchers have done is link this into deep-time climate models and in turn linked that into an ecological model.  The idea here is that given a certain geography, location and climate, it is possible to work out the ecology of a locality.

Due to climate change, climate models have really improved the past one-third century and now have a good resolution and are capable of modelling back into glacial times (‘ice ages’ in common-but-inexact parlance). This means we can meaningfully identify when and where certain environmental types arise and wane as climate changes. Knowing the environmental preferences (from where fossils were found and conditions back then) of various human species, it is possible to see when and where the environmental conditions that could sustain these species begin and end.

The bottom line is that the researchers propose the following scenario: about 850–600 ka, H. heidelbergensis, which may have originated from H. ergaster in eastern Africa, split into southern and northern African branches, the latter of which included northern African and Eurasian populations.

The intensified dispersal into off-equatorial regions may have occurred during periods of high eccentricity around 680,000 and 580,000 years ago, which increased habitat suitability in otherwise inhospitable regions. The southern branch then experienced considerable climatic stress in southern Africa which could have accelerated a transition into H. sapiens. The Eurasian populations of the northern branch split around 430,000, possibly giving rise to Denisovans, which populated parts of central and eastern Asia. Inside central Europe, H. heidelbergensis, then experienced strong local climatic stress and gradually evolved into H. neanderthalensis between 400,000 and 300,000 years ago.

Neat, huh?

(7) LIGHTYEAR TRAILER. Disney Pixar’s Lightyear is coming to theaters on June 17.

Check out a new trailer for Disney and Pixar’s “Lightyear,” revealing new details about the upcoming sci-fi action adventure. The definitive origin story of Buzz Lightyear, the hero who inspired the toy, “Lightyear” follows the legendary Space Ranger after he’s marooned on a hostile planet 4.2 million light-years from Earth alongside his commander and their crew. As Buzz tries to find a way back home through space and time, he’s joined by a group of ambitious recruits and his charming robot companion cat, Sox. Complicating matters and threatening the mission is the arrival of Zurg, an imposing presence with an army of ruthless robots and a mysterious agenda. A new poster and images are also available.

(8) JEAN COCTEAU REOPENING. George R.R. Martin’s Jean Cocteau Cinema in Santa Fe, NM will reopen May 6, when people will get the opportunity to “Be the very first members of the public to sit in our new theater seats, hear the new sound system, and enjoy a transformed theatrical experience at the Jean Cocteau!”

It will kick off with a weekend of classic films hosted free of charge by the Jean Cocteau Cinema and Beastly Books, and they’re taking a poll to determine which five films from a curated list of 10 classics, including titles picked by GRRM, will be shown. Vote here. Voting ends Sunday, April 24th.

(9) MEDIA BIRTHDAY.

1976 [Compiled by Cat Eldridge.] The mark of how good a series is not how great the pilot is but the first episode after the pilot. Forty-six years ago this evening on ABC, the second episode of Wonder Woman aired, a curiosity titled affair called “Wonder Woman Meets Baroness Von Gunther”. In it she got to take resurgent Nazis on in form of a Nazi spy ring known as the Abwehr who are active again and who are targeting Steve Trevor for imprisoning the Baroness von Gunther, their leader. 

The Baroness Paula von Gunther was created by William Moulton Marston as an adversary for his creation Wonder Woman in Sensation Comics #4, 1942. Though she disappeared during the Crisis on Infinite Earth years, Jim Byrne brought her back in 1988 and made once again the Nazi villainess she once was. 

This episode is based off “Wonder Woman Versus the Prison Spy Ring” in Wonder Woman #1 (July 1942). (The title comes from when it was reprinted later.) In the story, Colonel Darnell informs Trevor that an army transport ship was sunk by a German U-Boat. Believing the Nazis must have had a traitor inside the Army, Darnell orders Steve to interrogate the former head of the Gestapo system in America — The Baroness who is now serving time in a federal penitentiary thanks to Wonder Woman. Note that this episode made Trevor responsible for her being captured. 

So how was it received? This episode ranked twelfth in the Nielsen ratings, shockingly beating out a Bob Hope special which ranked twentieth.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 21, 1911 John Lymington. Between the late Fifties and the mid-Eighties, he wrote twenty-six genre novels, an astonishing number but only a fraction of the estimated 150 books he wrote overall. His short genre fiction is published in his Night Spiders collection. He’s not made it into the digital realm and I’ll admit that I’ve not heard of him, so I’m hoping the brain trust here can tell me about him. E0sF says helpfully that this was the pseudonym of UK author John Newton Chance who wrote a lot of the Sexton Blake thrillers. Come on folks, tell me about him! (Died 1983.)
  • Born April 21, 1922 Alistair MacLean. I’ll admit that I know I read at least a handful of his works when I was much younger. ISFDB lists four novels (Goodbye CaliforniaThe Dark CrusaderThe Golden Gate and The Satan Bug) as being genre though I personally would say they are thrillers with genre elements. Clute at EoSF agrees saying that they are “Cold War thrillers which make use of sf McGuffins”. (Died 1987.)
  • Born April 21, 1928 Dee Hartford. Miss Iceland, companion of Mister Freeze in two episodes of that Batman series. She also had appearances on Time TunnelLost in SpaceLand of The Giants, The Man from U.N.C.L.E.The Twilight ZoneThe Outer Limits and The Alfred Hitchcock Hour.  Yes, she was very pretty and that really counted in that time. She appeared on “The Bewitchin’ Pool” which was the last original episode of The Twilight Zone to be broadcast (though it was not the last one to be filmed). (Died 2018.)
  • Born April 21, 1933 Jim Harmon. During the Fifties and Sixties, he wrote more than fifty short stories and novelettes for Amazing StoriesFuture Science Fiction, Galaxy Science FictionIfThe Magazine of Fantasy & Science Fiction and other magazines. Most of his fiction was collected in Harmon’s Galaxy. ISFDB says he has just one novel, Sex Burns Like Fire. He’s a member of First Fandom Hall of Fame. (Died 2010.)
  • Born April 21, 1939 John Bangsund. Australian fan from the Sixties through the Eighties. He was instrumental with Andrew Porter in Australia winning the 1975 Aussiecon bid, and he was Toastmaster at the Hugo Award ceremony at that con. His fanzine, Australian Science Fiction Review, is credited with reviving Australian Fandom in the Sixties. And he was the instigator of the term “Muphry’s law” which states that “If you write anything criticizing editing or proofreading, there will be a fault of some kind in what you have written.” (Died 2020.)
  • Born April 21, 1965 Fiona Kelleghan, 57. Though an academic to the bone, she has two genre stories “The Secret in the Chest: With Tests, Maps, Mysteries, & Intermittent Discussion Questions” and “The Secret in the Chest”. Of her academic works, I find most fascinating Mike Resnick: An Annotated Bibliography and Guide to His Work which last was revised in 2012 for the paperback edition. Wikipedia shows her Alfred Bester, Grand Master: An Annotated Bibliography is a work in progress. 
  • Born April 21, 1971 Michael Turner. Another one who died way, way too young. He was a comics artist known for his work on Witchblade,Tombraider / Witchblade one-off, the Superman/Batman story involving Supergirl, his own Soulfire, and various covers for DC Comics and Marvel Comics. He would die of bone cancer. A Tribute to Michael Turner with writings from people who knew him and a cover done by Alex Ross would be released to cover his medical expenses. (Died 2008.)
  • Born April 21, 1980 Hadley Fraser, 42. His first video acting role was Gareth in the superb Tenth Doctor story, “Army of Ghosts”. He’d later be Chris in The Lost Tribe, a horror film, and play Viscount Raoul de Chagny in The Phantom of The Opera, as well as being Tarzan’s father in The Legend of Tarzan. And though not even genre adjacent, I’m legally obligated to point out that he showed up as a British military escort in the recent production of Kenneth Branagh’s absolutely smashing Murder on the Orient Express. Branagh just directed his second Agatha Christie film in which he plays the Belgian detective, Death on the Nile.

(11) COMICS SECTION.

  • Hey, I used to sit in a green chair and read to my daughter just like in Hi and Lois. All we needed was a punchline!
  • Dino Comics knows the truth is out there.

(12) HE’S STILL READING. “Samuel R. Delany’s Life in Books” for the New York Times Magazine is a strong series of reminiscences all tied together by the printed page.

…I was brought up with a series called “My Book House,” edited by Olive Beaupré Miller, which I still refer to. Those books introduced me to mythology and history, to the “Iliad” and “The Odyssey,” the “Kalevala,” the legend of Dick Whittington and early stories of Johnny Appleseed. In them, I got my first images of what Shakespeare’s childhood must’ve looked like, and the great wagons on which the traveling mummers rode around and presented their plays. The drawings were wonderful. They were particularly important to me because I was dyslexic, and I got a lot of my education through images. The very first thing I read all the way through was a Bob Kane Batman comic book. My father wanted to stop me because he objected to comics, but my mother said, “No! He’s reading!”…

(13) MEET THE FILMMAKERS. Enjoy this featurette on Everything Everywhere All At Once.

(14) NETFLIX ORIGINAL ANIMATION ON DEATHWATCH. “Netflix kills the Bone show as its Original Animation department pretty much falls apart” reports A.V. Club. Yesterday streaming service Netflix saw its stock price plummet by record amounts in response to a dismal Q1 earnings call.

…Amidst the chaos, The Wrap released a quieter report this afternoon, one focused on the company’s once vaunted Original Animation department—reporting, among other things, that Phil Rynda, Netflix Director of Creative Leadership and Development for Original Animation, had been let go from the company this week, and that several high-profile animated projects, most notably the much-anticipated animated adaptation of Jeff Smith’s beloved comic series Bone, were dead at the service.

The Bone show is a blow, for sure; fans have been waiting for Smith’s all-ages adventure comic, seemingly a natural fit for animation, to get a worthy adaptation for years. But the report, written by Drew Taylor, also delves into Netflix’s overall treatment of animation creatives, who were once lured to the company with promises of creative freedom, and are now frequently tossed stacks of data to justify the company’s limited advertising for, and support of, its animated shows.

Case in point: The company’s slow response earlier this month to the news that Elizabeth Ito’s excellent (and already canceled) City Of Ghosts had won a Peabody Award. Ito was forced to basically launch a single-person campaign to even get the service to acknowledge the victory; this, after Netflix kept her in suspense about whether the show would get another season….

(15) THE HEAT IS ON. [Item by SF Concatenation’s Jonathan Cowie.] Radical emissions cuts combined with some atmospheric carbon removal are the only hope to limit global warming to 1.5 °C, scientists warn.

Further to last week’s research reported in File 770, the UN’s IPCC have upped the ante, as this week’s Nature says: “IPCC’s starkest message yet: extreme steps needed to avert climate disaster”.

Humanity probably isn’t going to prevent Earth from at least temporarily warming 1.5 °C above pre-industrial levels — but aggressive action to curb greenhouse-gas emissions and extract carbon from the atmosphere could limit the increase and bring temperatures back down, according to the latest report from the United Nations Intergovernmental Panel on Climate Change (IPCC)….

(16) I GO TO PIECES. “Lego’s Star Wars Day Offerings Include a new 1,890-Piece Ultimate Collector Series Version of Luke’s Landspeeder”Gizmodo has the story. (Or should I say, ad?)

May the 4th is just a few weeks away and just like the Death Star targeting a defenseless planet, there’s nothing you can do to protect your budget against the onslaught of Star Wars merchandise enroute, including a new addition to Lego’s pricey Ultimate Collector Series line.

As with all of Lego’s UCS models, the new Luke Skywalker’s Landspeeder puts previous Lego versions of the vehicle to shame with an incredible amount of detail and new parts you won’t find anywhere else…

(17) BRAZILIAN ANIMATION. Speaking of blocks… In Escalade, Luciano Fulgi and Paolo Muppet explain what happens when you want to tower over your neighbors!

(18) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Fantastic Beasts: The Secrets of Dumbledore Pitch Meeting,” Ryan George, in a spoiler-filled episode, says the producer has forgotten so much about this series he refers to hero Newt Scamander as “Nugget Scaffolding.”  The writer explains many puzzling plot twists in this film (such as how villain Grindelwald, played previously by Johnny Depp, has become Mads Mikkelsen) by saying “magic!” MANY MANY TIMES.

[Thanks to Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, Jeffrey Smith, Rob Thornton, SF Concatenation’s Jonathan Cowie, Daniel Dern, Linda Deneroff, John King Tarpinian, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Jack Lint.]

Pixel Scroll 3/21/22 Go Strider In The Sky 

(1) BALTICON GUEST NEWS. Balticon 56 announced that Odera Igbokwe has had to withdraw as Artist Guest of Honor due to personal reasons.

They followed up by naming two special guests: Kevin Roche, a costumer, conrunner, and quantum scientist and his husband Andy Trembley, a filker, costumer, and conrunner.

Balticon, which takes place May 27-30, also confirmed they will be streaming their most popular program tracks, and hosting virtual panels, kaffeeklatsches, author readings and more.

Virtual pricing for the whole weekend is $30 for adults and $20 for young adults. Virtual membership is automatically included with any in-person membership purchase. (Full rate information is here.)

(2) ESFS AWARDS NOMINEES. The European Science Fiction Society has released the nominations for the 2022 Achievement Awards, Hall of Fame Awards, and Chrysalis Awards.

The winners of these awards will be selected at the next general meeting of the ESFS, which will take place at Luxcon 2022, which takes place from 7th to 10th April, 2022 in Dudelange, Luxembourg.

(3) GRRM-CONNECTED GAME SUCCESS. Yahoo! reports “’Elden Ring’ Sells Over 12 Million Copies Worldwide”  — “Almost as many as PacMan,” teases John King Tarpinian.

While publisher Bandai Namco initially predicted that FromSoftware‘s Elden Ring would sell around 4 million units, the game has more than surpassed expectations. In the 18 days following its release, over 12 million copies of Elden Ring have been sold worldwide, the two companies announced on Monday.

According to the press release, the game was released throughout North America, Europe, Asia, Africa and the Middle East. 1 million units were sold in Japan alone.

Created in collaboration with novelist George R. R. Martin, who is best known for writing the series behind Game of Thrones, Elden Ring is an open-world action RPG that entered development in 2017. Players begin with a linear opening but are gradually enabled to explore the mythical Lands Between….

And George R.R. Martin recently took a moment to deny a story about the game.

…Oh, and as long as I am setting stuff straight, there’s a weird story all over the internet about how I “hid” my initials in ELDEN RING because… ah.. some of the characters have names beginning with R, or G, or M.   To which I say, “Eh?  What?  Really?”   This was news to me.    I have been writing and publishing stories since 1971, and I suspect that I have been giving characters names beginning with R and G and M since the start.   Along with the other twenty-three letters of the alphabet as well…  

(4) WHAT WOULD IT LOOK LIKE IF THE MANDALORIAN WAS INDIGENOUS? [Item by Olav Rokne.] Pretty cool Star-Wars-Inspired works by Canadian artist Christal Ratt got featured on the CBC News this weekend. Ratt, a member of the Barriere Lake Algonquin Nation in Quebec, used traditional techniques to create birch-bark armour modelled after the Mandalorian’s beskar armour. “What if the Mandalorian’s armour was birch bark instead of beskar? An Algonquin artist brings that to life”.

…And while it may not be able to stop lightsabers, the wearable piece of art also includes a birch bark helmet, with quilled Woodland florals and different shades of orange to honour residential school survivors from her community. 

The piece is called Shemaginish, which means warrior….

Personally, I find it really interesting to note that several artists of Indigenous Canadian descent are reinterpreting Star Wars iconography through traditional Indigenous styles. In addition to Ratt, there are several examples I can think of this, including well-known Canadian artists Andy Everson (a member of the Comox First Nation), and Aaron Paquette (a member of the Métis community in Edmonton) have found inspiration in mixing Star Wars with styles drawn from their respective Indigenous communities.

(5) AUTHOR’S GUILD SUPPORTS SMART COPYRIGHT ACT. The Author’s Guild announced, “AG Supports Introduction and Passage of the SMART Copyright Act of 2022”.

Why the Smart Copyright Act Is Necessary

The safe harbors for internet platforms in the Copyright Act are conditioned on the platforms’ cooperation to remove pirated content. The law has not worked as intended by Congress to encourage that cooperation, however, because the courts resisted enforcing the loss of safe harbors. In doing so, they took the teeth out of the law. As a result, piracy is out of control today, and the only mechanism that creators have to combat piracy is to send continuous takedown notices to the platforms, which is not only costly and time-consuming—for both the creators and platforms—but it is also ineffective because pirates often repost the infringing material. Online piracy harms the entire publishing and other creative ecosystems, leaving creators, who are usually at the bottom of the food chain, with only crumbs. Writers and other creators have no recourse except to watch the income from legitimate sales of their works dwindle while e-book pirates line their coffers.

The best way to curb piracy is for service providers to adopt STMs that automatically limit the amount of piracy on their services. These technologies already exist, and many platforms already use them effectively for certain types of works. The Authors Guild and other organizations representing creators have asked Congress to require all the major user-generated content sites to use such technologies to prevent or curb piracy. While the current law contemplates voluntary multi-industry convenings to create and adopt STMs, there has been no incentive for online providers to do so. As a result, no STMs have been formally recognized in the 23 years since the law was passed.

Bill co-sponsor Sen. Thom Tillis (R-NC) says on his site:

…Online service providers struck a deal with Congress twenty years ago—they wouldn’t have to pay for copyright theft facilitated by their systems if they worked with copyright owners to create effective standardized technical measures (STMs) to identify and protect against distribution of stolen content. In enacting this grand bargain, Congress clearly envisioned this safe harbor immunity would act as an incentive for platforms and rights holders to collaborate on developing effective measures to combat copyright theft, lower transaction costs, accelerate information sharing, and create a healthy internet for everyone. 

Yet rather than incentivizing collaboration, the law actually inhibits it because service providers cannot risk losing their valuable safe harbors if an STM is created. In addition, the current statute provides only one path to establish that a technological measure is a consensus-based STM that must be available to all. As a result, no STMs have been identified since the law took effect.  The issue isn’t whether technical measures to combat rampant copyright infringement exist—plenty do—but rather how to encourage service providers to adopt technical measures to combat stealing and facilitate sharing of critical copyright data.   

The Strengthening Measures to Advance Rights Technologies (SMART) Copyright Act of 2022 takes a measured approach to addressing these barriers in two ways. It creates flexibility so that more existing measures could be eligible for consensus created STMs and it addresses the incentive issue by authorizing the Librarian of Congress to designate through an open, public rulemaking process technical measures identified by stakeholders that certain service providers must accommodate and not interfere with. Instead of “bet the company” loss of safe harbors, violations involving designated technical measures (DTMs) risk only actual or statutory damages, from which innocent violators can be exempt.

Read a one-pager of the bill HERE and myth vs. fact HERE.

(6) LISTEN IN. Cora Buhlert is interviewed by Oliver Brackenbury in episode 36 of the So I’m Writing a Novel podcast: “Interview with Cora Buhlert”.

Cora Buhlert is a Hugo-nominated author and genre scholar who Oliver was lucky enough to meet through his research for the novel, and he’d love for you to meet her too!

Oliver and Cora discuss her falling in love with the very American body of work known as pulp fiction while she grew up travelling the world, the survival of dime novels in modern Germany, the irresistible pull of forbidden fiction, Thundarr and He-Man, “the best thing that happened in Germany in 1989”…

(7) SLICE OF LIFE. Did you ever want to know what H.P. Lovecraft thought of Gustav Meyrink’s The Golem and its silent film adaptations? If yes, Bobby Derie has you covered: “The Golem (1928) by Gustav Meyrink” at Deep Cuts in a Lovecraftian Vein.

Der Golem (“The Golem”) was a silent film directed by and starring Paul Wegener with German intertitles released in 1915. The film is now believed to be lost, aside from some fragments. This film was followed by two more: Der Golem und die Tänzerin (“The Golem and the Dancing Girl”) in 1917, and Der Golem, wie er in die Welt kam (“The Golem: How He Came Into The World”) in 1920, both of which were also directed by and starring Paul Wegener as the golem. So it isn’t clear which film Lovecraft actually saw. The 1920 film survives and is in the public domain.

Lovecraft claimed in most of his letters to have caught a showing of it in 1921, and like many an English student of the VHS era who needed to write a book report, he assumed somewhat erroneously that it was faithful to the plot of the book….

(8) ONCE UPON A NEWSSTAND. [Item by Cora Buhlert.] At Dark Worlds Quarterly, G.W. Thomas takes a look at Weird Tales’ shortlived sister magazine Oriental Stories a.k.a. Magic Carpet Tales: “Magic Carpet Tales: The Other Weird Tales” I’ve read some of Robert E. Howard’s contributions to Oriental Stories/Magic Carpet Tales and they were very good.

… Exotic locales, sexy seductresses and plotting agents aside, much of what appeared was a type of Horror fiction. Not always supernatural, torture tales, conte cruels but not your run-of-the-mill werewolf and vampire stories. For those who love Robert E. Howard and other WT authors, this is a bonanza of secondary tales….

(9) MEDIA BIRTHDAY.

1968 [Item by Cat Eldridge.] On this day in the United Kingdom fifty-four years ago, Planet of The Apes premiered. It was directed by Franklin J. Schaffner. The screenplay was by Michael Wilson and Rod Serling, and was based loosely upon Pierre Boulle‘s La Planète des Singes

It starred Charlton Heston, Roddy McDowall, Kim Hunter, Maurice Evans, James Whitmore, James Daly and Linda Harrison. Roddy McDowall had a long-running relationship with this series, appearing in four of the original five films (absent only from the second film of the series, Beneath the Planet of the Apes, in which he was replaced by David Watson in the role of Cornelius), and also in the television series.

It was met with critical acclaim and is widely regarded as a classic film and one of the best films of that year.  Roger Ebert of the Chicago Sun-Times said that it was “much better than I expected it to be. It is quickly paced, completely entertaining, and its philosophical pretensions don’t get in the way.” And Kevin Thomas of the Los Angeles Times exclaimed that it was, “A triumph of artistry and imagination, it is at once a timely parable and a grand adventure on an epic scale.” 

It did exceedingly well at the box office costing less than six million to make and making more than thirty million in its first year of screening.

Audience reviewers at Rotten Tomatoes give it an eighty-seven percent rating with over a hundred thousand reviewers having expressed an opinion!

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 21, 1931 Al Williamson. Cartoonist who was best known for his work for EC Comics in the ’50s, including titles like Weird Science and Weird Fantasy, and for his work on Flash Gordon in the Sixties. He won eight Harvey Awards, and an Eisner Hall of Fame Award.  (Died 2010.)
  • Born March 21, 1944 Lorene Yarnell Jansson. Yarnell played Dot Matrix (body acting, with Joan Rivers performing the voice) in Spaceballs. She was Sonia in The Wild Wild West Revisted, Formicida / Dr. Irene Janis in Wonder Woman’s “Formicida” episode and on the Muppet Show in season four episode, “Shields And Yarnell”. (Died 2010.)
  • Born March 21, 1946 Terry Dowling, 76. I was trying to remember exactly what it was by him that I read and it turned out to be Amberjack: Tales of Fear and Wonder, an offering from Subterranean Press a decade ago. Oh, it was tasty! If it’s at all representative of his other short stories, he’s a master at them. And I see he’s got just one novel, Clowns at Midnight which I’ve not read but really should. He’s not at all deeply stocked at the usual digital suspects but they do have this plus several story collections. He’s won ten Ditmars, very impressive indeed, and quite a few other Awards as well.
  • Born March 21, 1946 Timothy Dalton, 76. He is best known for portraying James Bond in The Living Daylights and Licence to Kill but is currently in The Doom Patrol as Niles Caulder, The Chief. As I’ve said before, go watch it now! He also was Damian Drake in Looney Tunes: Back in Action, Sir Malcolm on the Penny Dreadful series and Lord President of the Time Lords (Rassilon) during the Time of Tenth and Eleventh Doctors. He went to theatre to play Lord Asriel in the stage version of His Dark Materials.
  • Born March 21, 1956 Teresa Nielsen Hayden, 66. She is a consulting editor for Tor Books and is well known for her and husband, Patrick Nielsen Hayden’s superb weblog Making Light, and back in the Eighties, they published the Izzard fanzine. And she has three fascinating framing pieces in The Essential Bordertown, edited by Delia Sherman and Terri Windling. 
  • Born March 21, 1958 Gary Oldman, 64. First genre film role was as Rosencrantz in Rosencrantz & Guildenstern Are Dead. Next up is the lead role in Bram Stoker’s Dracula. And of course he was Jean-Baptiste Emanuel Zorg in Fifth Element, followed by being Lost in Space‘s Dr. Zachary Smith, which in turn led to Harry Potter’s Sirius Black, and that begat James Gordon in the Batman filmsAlthough some reviewers give him accolades for us as role as Dr. Dennett Norton in the insipid Robocop remake, I will not. Having not seen Dawn of the Planet of the Apes, I can’t say how he is as Dreyfus in it.
  • Born March 21, 1965 Cynthia Geary, 57. Best remembered as Shelly Tambo on Northern Exposure. It’s genre, isn’t it? If that’s not enough, she’s got a prime genre role in The Outer Limits episode “Mary 25” in which she plays Teryl who is not what she seems. And she shows up on Fantady Island in the “Dying to Dance” as Pamela Lewis.
  • Born March 21, 1970 Chris Chibnall, 52. Current showrunner for Doctor Who and the head writer for the first two (and I think) best series of Torchwood. He first showed up in the Whoverse when he penned the Tenth Doctor story, “42”.  He also wrote several episodes of Life on Mars. He’s been nominated for a Hugo three times for work on Doctor Who, “Rosa” at Dublin 2019, “Resolution” CoNZealand and for “Fugitive of the Judoon” at DisCon III.
  • Born March 21, 1985 Sonequa Martin-Green, 37. She currently plays Michael Burnham on Discovery which is now In its fourth series. She had a brief recurring role as Tamara in Once Upon a Time, and a much longer recurring role on The Walking Dead as Sasha Williams but I’ve never seen her there as zombies hold absolutely no interest to me. Well Solomon Grundy does…  And she was in the Shockwave, Darkside film.

(11) COMICS SECTION.

  • The Duplex shows the history you learn from watching movies.
  • Lise Andreasen says these are “Exactly the same things I would do!”

(12) OUTFOXED. Arturo Serrano reviews the new Pixar film for Nerds of a Feather in “’Turning Red’ finds joy in the scary messiness of puberty”.

…Disney/Pixar’s new animated movie Turning Red takes this metaphor of puberty as transformation and situates it in the no less stressful context of the immigrant experience during the rise of digital mass media. If being a teenager is hard, it’s almost unbearably so when inherited traditions and expectations conflict with multicultural openness and pop culture sex symbols. When protagonist Meilin Lee learns that the women of her family have the power to transform into enormous red pandas, it feels like it couldn’t have come at a worse time: she’s busy enough pleasing her parents and excelling at school and daydreaming about boy bands without going all Katie Ka-Boom every time she gets emotional. So she panics, and tries to hide what’s happening to her, and pretends to be in full command of her feelings—but her inner animal won’t be tamed. There’s no denying the call of nature….

(13) EFF ME. That was my reaction to the headline “Hugh Grant ‘in conversation’ to replace Jodie Whittaker as Doctor Who” at Metro News.

…Well, rumour has it the Love Actually star could be taking over from Jodie Whittaker as the Time Lord.

According to The Mirror, the BBC series could be heading for a Marvel-style makeover, with Hugh at the helm….

(14) WIN BY LOSING. “Loki Award Show Lost Saves Universe, According to Miss Minutes”Gizmodo has the story.

Awards season hit a high note this weekend as multiple guilds and groups gave awards leading up to the grand finale, the Oscars, which happen this coming Sunday. One of the biggest to do so was the Writers Guild of America—and apparently one specific category literally saved the world, at least according to a certain animated talking clock from the Marvel Cinematic Universe.

… In the Drama category, Succession was up against The Handmaid’s Tale, The Morning Show, Yellowjackets, and Marvel’s Loki. And it’s that last one we’re going to concentrate on. Showrunner and head writer Michael Waldron revealed on Twitter that, had Loki won, this is the acceptance speech the writers submitted to air.

(15) REGENCY TEA TIME. [Item by Cora Buhlert.] Aja Romano shares her appreciation for the works of Georgette Heyer and wonders why Heyer is not a household name and has never had a film or TV adaptation: “When will Hollywood discover Georgette Heyer?” at Vox. I’d say that Georgette Heyer is at least genre-adjacent, since a lot of SFF fans seem to like her and Regency romance in general. Plus, Regency dancing is a thing at many cons.

…[Jane] Austen’s relative lack of sentiment also helped her gain popularity and respect as a writer in a male-dominated century of literature. While other women writers of her time like Fanny Burney were reviled as trashy, Austen’s lack of interest in high drama and romance made her work acceptable to male readers as well as to women. One 19th-century critic wrote approvingly that “she sets her face zealously against romantic attachments.”

That patriarchal lack of respect for the art of writing about love may also explain why few outside of romance fans have ever heard of Austen’s primary successor: Georgette Heyer. Despite singlehandedly creating the modern romance, Heyer is still a niche author. And though she has nearly 10 times as many books available for cinematic adaptation as Austen, Hollywood has yet to discover her….

(16) PARALLAX VIEWS OF WESTEROS. George R.R. Martin introduces The Rise Of The Dragon” at Not A Blog and explains how it complements Fire & Blood. Sample art at the link.

We’re so excited to announce The Rise of The Dragon, a lavish visual history of House Targaryen – the iconic family at the heart of HBO’s Game of Thrones prequel series, House of the Dragon – featuring over 180 all-new illustrations!

For those of you who are wondering: What’s the difference between The Rise of the Dragon and Fire & Blood? Think of The Rise of the Dragon as a deluxe reference book, in which Westeros’ most infamous family – and their dragons – come to life in partnership with some truly incredible artists.

Fire & Blood was scribed as a grandmaesters’ account of events from Aegon Targaryen’s conquest of Westeros through to the infamous Dance of the Dragons, the civil war that nearly undid the Targaryen rule. The Rise of the Dragon will cover the same time period, but is written in a more encyclopedic style similar to The World of Ice and Fire. In fact, The World of Ice and Fire authors Elio M. García, Jr. and Linda Antonsson have returned to help with this tome. …

(17) AIRING ON THE SIDE OF CAUTION. [Item by Daniel Dern.] From the “By The Book” weekly interview in the NY Times (Sunday) Book Review section, 3/20/22, with Jeremy Denk, a question that IIRC is part of every interview:

Q: What books are on your night stand.

A: In Manhattan, my night stand has become commandeered by a CPAP machine. I chose breathing over reading.

He then goes on to list books elsewhere in his domicile(s).

(18) IT’S FOR YOU. [Item by Martin Morse Wooster.] The BBC shows it’s possible to walk outside with a mobile phone “as big as a walkie talkie” and make a phone call in this clip from a 1974 episode of Blue Peter.

[Thanks to John King Tarpinian, Andrew Porter, Michael Toman, Lise Andreasen, Olav Rokne, Daniel Dern, Cora Buhlert, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern, who calls it his Tolkien cowboy title.]

Pixel Scroll 3/12/22 Objects In The Scroll Are More Pixelated Than They Appear

(1) THE MASTER’S VOICE. “Hoard of the rings: ‘lost’ scripts for BBC Tolkien drama discoveredreports the Guardian. These artifacts of previously lost radio history include notes in Tolkien’s hand.

Decades before Peter Jackson directed his epic adaptations of The Lord of the RingsJRR Tolkien was involved with the first ever dramatisation of his trilogy, but its significance was not realised in the 1950s and the BBC’s audio recordings are believed to have been destroyed.

Now an Oxford academic has delved into the BBC archives and discovered the original scripts for the two series of 12 radio episodes broadcast in 1955 and 1956, to the excitement of fellow scholars.

Tolkien’s fantasy masterpiece was dramatised by producer Terence Tiller, whose scribbled markings on the manuscript no doubt reflect his detailed discussions with the author in correspondence and meetings. Among the typed pages is a sheet in Tolkien’s hand, with red crossings-out, showing his own reworking of a scene….

(2) RED DOG AT MOURNING. Vanity Fair takes readers “Inside the Succession Drama at Scholastic, Where ‘Harry Potter’ and ‘Clifford’ Hang in the Balance”, where the infighting continues over control of Scholastic after the death of longtime CEO Dick Robinson, which is now led by an executive who refuses to speak to the press.

The bleak grind of the pandemic had been wearing Dick Robinson down, just like everybody else. He’d been working long days in the near-empty SoHo Headquarters of Scholastic, the $1.2 billion corporation he ran, which his father founded more than 100 years ago. He was trying to keep the business powering on as schools shut down across the country, taking with them Scholastic’s legendary in-person bookfairs. He began spending weekends and holidays on Martha’s Vineyard, where he and his ex-wife Helen Benham had bought a place in the ’90s. The house in bucolic Chilmark still served as a retreat for Benham and their adult sons, Ben and Reece. One Friday last June, the exes talked late into the night about their plans for the family’s future together as well as for the company. The next day, during a ramble on the island’s Peaked Hill trails with Helen, Reece, and the family dog, Darla, Robinson collapsed from a stroke.

His sudden death was shocking, but then came another seismic surprise: Robinson had left controlling shares of the family company to a Canadian executive named Iole Lucchese, the company’s chief strategy officer and head of Scholastic Entertainment—and now, in the wake of his death, the chair of the board. With Peter Warwick as newly minted CEO, Lucchese would oversee a children’s media empire crammed with beloved (and lucrative) franchises like Clifford the Big Red Dog, Harry Potter, Captain Underpants, Animorphs, and The Magic School Bus in an era when Hollywood eagerly devours literary properties to feed the ever-flowing streamers. A Wall Street Journal story aired plenty of dirty laundry about Scholastic’s “messy succession” and the ascendance of Lucchese, Robinson’s “former girlfriend,” who had also inherited all of Robinson’s personal possessions. Robinson’s two sons began to consider contesting the will.

While Scholastic publicly closed ranks around Lucchese, a protective corporate force field, current and veteran employees privately traded bewildered gossip. The executive suites had already been gladiatorial, people said, with shifting alliances and backstabbing betrayals more suited to Game of Thrones than a wholesome children’s media company. Now, they argued over whether Lucchese was suited to the job, whether she could keep the place from being chopped up or sold off. And they pondered the shadow Robinson’s personal life had cast over the innovative, far-reaching business he had built around his deeply felt mission to get children to read books.

“It’s worse than a normal death because of the sense of betrayal that everybody’s feeling,” says a longtime former employee. “A big mistake is what it was.”…

(3) NO SAINT. A new critical biography of Stephen Hawking is rebutted by a former student and friend, Bernard Carr, in “Underselling Hawking” at Inference.

STEPHEN HAWKING WAS an icon of twentieth-century science, renowned for both his contributions to physics and his inspiring battle against motor neuron disease. But four years after his death, Charles Seife’s Hawking Hawking paints a different picture. As indicated by its provocative title, this book is no hagiography. Seife disparages Hawking on three levels, arguing that his status as a great physicist has been exaggerated, cataloging his various personal failings, and suggesting that he was a genius at self-promotion, his iconic status being attributable to media manipulation.

As one of Hawking’s first PhD students and his friend for forty years, I do not share Seife’s views.

Although his status as a physicist was sometimes exaggerated by the media, Hawking was undoubtedly one of the brightest stars within the relativistic community. Indeed, his discovery of black-hole quantum radiation was one of the key insights of twentieth-century physics. Hawking certainly had his failings, as acknowledged by the people who loved and admired him the most, but it is misleading to elevate these above his strengths: his courage, sense of humor, and determination to live life to the full, despite the relentless progress of his illness….

(4) TWO MORE JOHN CARTER RETROSPECTIVES. “On its 10th anniversary, TheWrap goes inside the birth, death and rebirth of the sci-fi blockbuster” — “The Untold Story of Disney’s $307 Million Bomb ‘John Carter’: ‘It’s a Disaster’”.

…[Andrew] Stanton had been following the various iterations of “John Carter” for years. “That’s something I have spent my whole life wishing somebody would make, and when I was in the industry from maybe the ’90s on, if I ever heard even the slightest rumor it might get made, I would get all excited like a fanboy and go, I’ll be the first in line to go and see it,” Stanton said. “I never had the hubris to think that’s something I would want to do or could do.” But when the Favreau iteration fell apart, something stirred inside him. “It was one of those kismet moments where I’m like, It’s so crazy, it just might work, you know?”

Disney didn’t own the rights yet. But Stanton went to the top brass and made, as he says, “an impassioned plea.”

“I had nothing to lose because it wasn’t like I had to do this in the sense of I have no career or that I needed the next paycheck or something like that,” Stanton said. Instead, he told the execs, “I think these things are about to fall into public domain and I think you could reinterpret them to be something that could be digested today.” Stanton was envisioning a classic tale for modern audiences. “I remember saying, ‘Fine if I don’t make it, but you should be the ones making it,’” Stanton said. “And I meant it. I thought it had the potential to just be a big franchise.”…

“John Carter director Andrew Stanton reveals for the first time his plans for the opening scenes of the abandoned sequel, titled Gods of Mars” – “Cancelled John Carter 2 Story Revealed By Director” at Screen Rant.

…Stanton goes on to reveal that Carter arriving on Mars is actually later than the prologue would have audiences believe, and Deja has gone missing. He also compares the film’s plot to Beneath the Planet of the Apes, showing how the Therns control the whole planet. The opening description does align with the second novel in Edgar Rice Burroughs series, The Gods of Mars. Stanton has previously revealed the title of the second film would be Gods of Mars, and the third film would have been titled Warlord of Mars, yet this is the first time the writer and director has shared any major details about the sequel films….

(5) IN THEIR OWN WORDS. “An Urgent Mission for Literary Translators: Bringing Ukrainian Voices to the West” – the New York Times tells how it’s being accomplished.

As Russian forces breached the border with Ukraine late last month, Kate Tsurkan issued an urgent call for help on social media.

Tsurkan, a translator who lives in Chernivtsi, a city in western Ukraine, wanted to give international readers a glimpse of what ordinary Ukrainians are experiencing — and to counter President Vladimir V. Putin’s claim that Ukraine and Russia “are one people” by highlighting Ukraine’s distinct literary and linguistic heritage.

What she needed, she said, was to get Ukrainian writers published in English. She needed translators.

The response was swift and overwhelming: Messages poured in from translators and writers like Jennifer Croft, Uilleam Blacker and Tetyana Denford, and from editors who wanted to polish and publish their work. As the war escalated, so did their effort. Soon, they had a dedicated group of literary translators — who often spend years working on books for small academic presses — speed translating essays, poems and wartime dispatches.

“We need to elevate Ukrainian voices right now,” said Tsurkan, an associate director at the Tompkins Agency for Ukrainian Literature in Translation, or Tault.

 (6) MEDIA BIRTHDAY.

1971 [Item by Cat Eldridge] Fifty-one years ago today, The Andromeda Strain premiered. It was based off the novel by Michael Crichton. This novel had appeared in the New York Times Best Seller list, establishing Crichton as a genre writer. The screenplay was written by Nelson Gidding, whose previous genre work was his screenplay for The Haunting, based on Shirley Jackson’s The Haunting of Hill House

Robert Wise directed, who you’ll no doubt recognize for his earlier work on West Side Story and The Sound of Music.

The primary cast was Arthur Hill as Dr. Jeremy Stone, James Olson as Dr. Mark Hall, David Wayne as Dr. Charles Dutton and Kate Reid as Dr. Ruth Leavitt. 

Produced on what was considered a high budget of six point five million, with special effects designed by Douglas Trumbull, it made a profit of six million in the States. 

So how did it fare among critics? Roger Ebert in his syndicated column at the time said of it that, “On the level of fiction, ‘The Andromeda Strain’ is a splendid entertainment that will get you worried about whether they’ll be able to contain that strange blob of alien green crystal.” And Kevin Maher of The Times was equally enthusiastic: “The Sound of Music director Robert Wise executed a spectacular volte-face with this sombre and painstakingly realistic scientific procedural about an alien micro-organism that threatens all life on Earth.” 

Audience reviewers at Rotten Tomatoes currently give it a seventy two rating. 

It was nominated for a Hugo at the first L.A. Con, the year A Clockwork Orange won.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 12, 1879 Alfred Abel. His best-known performance was as Joh Fredersen in Fritz Lang’s Metropolis.  It wasn’t his only genre as Phantom, a 1922 German film, was fantasy, and my German is just good enough forty years after I studied it to see that much of his work could be considered genre or genre adjacent. (Died 1937.)
  • Born March 12, 1886 Kay Nielsen. Though he’s best known for his work with Disney, for whom he did many story sketches and illustrations, not the least for Fantasia, and The Little Mermaid be it thirty years after his death, I’d be remiss not to note his early work illustrating such works as East of the Sun and West of the MoonHansel and Gretel and Andersen’s Fairy TalesEast of the Sun and West of the Moon Is my favorite work by him. (Died 1957.)
  • Born March 12, 1914 John Symonds. Critic of Alistair Crowley who published four, yes four, books on him over a fifty-year period: The Great BeastThe Magic of Aleister CrowleyThe King of the Shadow Realm and The Beast 666. Needless to say the advocates of Crowley aren’t at all happy with him. Lest I leave you with the impression that is his only connection to our community, he was a writer of fantasy literature for children including the feline magical fantasy, Isle of Cats with illustrations by Gerard Hoffnung. (Died 2006.)
  • Born March 12, 1925 Harry Harrison. Best known first I’d say for his Stainless Steel Rat and Bill, the Galactic Hero series which were just plain fun, plus his novel Make Room! Make Room!, the genesis of Soylent Green (a film which won a Hugo at DisCon II). It garnered a Nebula as well.  He was nominated for Hugos at Seacon for Deathworld, then at Chicon III for Sense Obligation, also known as Planet of the Damned.  I just realized I’ve never read the Deathworld series. So how are these? See our anniversary post on the Alex Cox animated version of Bill, the Galactic Hero here. And he was named a SFWA Grand Master in 2009 — a outstanding honor indeed! (Died 2012.)
  • Born March 12, 1933 Myrna Fahey. Though best known for her recurring role as Maria Crespo in Walt Disney’s Zorro, which I’ll admit is at best genre adjacent, she did have some genre roles in her brief life including playing Blaze in the Batman episodes of “True or False-Face” and “Holy Rat Race”. Her other genre appearances were on The Time Tunnel and Adventures of Superman. Cancer took her at just forty years. Damn it. (Died 1973.)
  • Born March 12, 1933 Barbara Feldon, 89. Agent 99 on the Get Smart series, who reprised her character in the TV movie Get Smart Again! (1989), and in a short-lived series in 1995 later also called Get Smart. Other genre credits include The Man from U.N.C.L.E. She didn’t have that much of an acting career though she was in the pilot of Rowan & Martin’s Laugh-In. It amazing how many performers guested on that show. 
  • Born March 12, 1952 Julius Carry. His one truly great genre role was as the bounty hunter Lord Bowler in The Adventures of Brisco County, Jr. oh but what a role it was! Over the course of the series, he was the perfect companion and foil to Bruce Campbell’s Brisco County, Jr. character. He did have one-offs in The Misfits of Science, Earth 2Tales from the Crypt and voiced a character on Henson’s Dinosaurs. (Died 2008.) 
  • Born March 12, 1960 Courtney B. Vance, 62. I know him best from Law & Order: Criminal Intent, in which he played A.D.A. Ron Carver, but he has some interesting genre roles including being Sanford Wedeck, the Los Angeles bureau chief of the FBI in the pilot of FlashForward, Miles Dyson: Cyberdyne Systems’ CEO who funds the Genisys project in Terminator Genisys, and The Narrator in Isle of Dogs. He had a recurring role in Lovecraft Country as George Freeman. He earned a Primetime Emmy Award for Outstanding Guest Actor in a Drama Series nomination for that role.

(8) COMICS SECTION.

(9) RED’S MOM. [Item by Martin Morse Wooster.] In the Washington Post, Michael Cavna interviews Domee Shi, director of Turning Red, which “is not only the first Pixar film to be solo-directed by a woman.  It also continues Pixar’s growth with personal stories along matrilineal lines.” “’Turning Red’ shows how Disney and Pixar movies are embracing mother-daughter relationships”.

…For “Turning Red,” Shi mined her own life for a story set in early-aughts Toronto, as 13-year-old Meilin “Mei” Lee (voiced by Rosalie Chiang) rebels against the hovering control of her mother, Ming (Sandra Oh). The supernatural secret in this Chinese-Canadian family, though, is that Mei suddenly begins turning into a giant red panda when her emotions are inflamed.

“I was her,” says Shi, who is in her early 30s. “I was Mei when I was 13 — I was this dorky, confident, obsessive girl who thought she had her life under control. I was her mom’s little perfect daughter and then one day woke up, and everything changed: my body, my emotions, my relationship with my mom — I was fighting with her every day.”…

(10) PULP WARS. Lots of inside stuff the actor’s Star Wars career in this article based on his TV interviews: “Samuel L. Jackson says he didn’t ask for a ‘Pulp Fiction’ engraving on his ‘Star Wars’ lightsaber: ‘They did that because they loved me’” at Yahoo!

…During the interview on “The Graham Norton Show,” Jackson said he asked George Lucas, the creator of “Star Wars,” for his fictional weapon to be purple so that he would be able to find himself in the battle scene in the second prequel movie, “Star Wars: Attack of the Clones.”

“I said to George, ‘You think maybe I can get a purple lightsaber?'” Jackson said. “He’s like, ‘Lightsabers are green, or lightsabers are red.’ And I’m like, ‘Yeah, but I want a purple one. I’m like the second-baddest Jedi in the universe next to Yoda.’ He’s like, ‘Let me think about it.'”

The “Shaft” actor added: “And when I came back to do reshoots, he said, ‘I’m going to show you something. It’s already caused a shitstorm online.’ And he had the purple lightsaber, and I was like, ‘Yeah!'”

(11) HE’S EVEN STRANGER. Marvel explains Baron Mordo, nemesis of Doctor Strange in the comics.

Langston Belton explains how Baron Mordo becomes a villain and primary enemy of Doctor Strange by aligning himself with monsters of the multiverse like Dormammu, Mephisto, and more!

(12) A MISS IS AS GOOD AS A MILE. [Item by Mike Kennedy.] After initial calculations that showed a newly-discovered 230-foot asteroid will hit the Earth next year, we’ve been given a reprieve. The initial data looked bad, then the asteroid disappeared from view because its line of site was close to that of the bright Moon.

After a little while on pins and needles, additional data showed that it will miss in 2023 by over 5 million miles. That’s good, since it could’ve caused an explosion the size of the atomic bomb leveled Hiroshima. “230-foot wide asteroid initially expected to hit Earth in 2023 was false alarm” at USA Today.

… Astronomers had been concerned that there wasn’t enough time to prepare a defense system against the asteroid had it been on track to strike Earth. In November, NASA launched the DART system, which will seek to determine whether crashing a spacecraft into an asteroid could change its course. The spacecraft is expected to hit the asteroid moon of Didymos in September. 

(13) CATCH ‘EM ALL. If he didn’t feel sick before, he does now. “Georgia man gets 3 years in prison for spending nearly $60,000 in COVID-19 relief money on a Pokémon card” at Yahoo!

… 31-year-old Vinath Oudomsine has been sentenced to 36 months in prison after admitting he used nearly $60,000 in COVID-19 relief funds to buy a Pokémon card, according to the U.S. Attorney’s Office for the Southern District of Georgia. He pleaded guilty to one count of wire fraud.

Oudomsine applied for a COVID-19 relief loan from the Small Business Administration, supposedly for an “entertainment services” business, and he received $85,000, prosecutors said. But he allegedly lied on the application and spent $57,789 of the relief money he received to buy a Charizard card.

Oudomsine was ordered to pay restitution of $85,000, and he was fined $10,000 and given three years of supervised release after his prison sentence is completed. He also agreed to forfeit the card….

(14) A TICK AWAY. J.G. Ballard discusses his fictions set “five minutes into the future” in the 2003 BBC profile hosted by Tom Sutcliffe.

(15) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “The Batman Pitch Meeting,” Ryan George, in a spoiler-filled episode, says that The Batman is dark–so dark “They have one lightbulb per household” in Gotham City.  The next Batman movie, says the writer, will be so dark “we can show a completely black screen” and have the characters read a Batman audiobook to save money.  Also, in The Batman, while Batman is “dark and brooding” Bruce Wayne is “brooding and dark.”

[Thanks to Mike Kennedy, Martin Morse Wooster, John King Tarpinian, Chris Barkley, Rob Thornton, Jeffrey Smith, Alan Baumler, Steven French, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Peer, in creative conversation with Soon Lee.]

Pixel Scroll 3/10/22 No Pixels Were Harmed In The Production Of This Scroll

(1) ANALYZING SANDERSON’S KICKSTARTER SUCCESS. Kristine Kathryn Rusch has an in-depth commentary about a seismic event in self-publishing, “Business Musings: Brandon’s Kickstarter”.

… If the past is any indication, however, these big Kickstarters increase the people who watch  the category and, to use the cliched phrase, they will become the rising tide that will lift all boats.

That’s the small picture.

The larger one? Smart traditionally published bestsellers should be looking closely at this. Smart unpublished writers should use this as a wake-up call.

Traditional publishing will never pay its writers tens of millions for unnamed projects. Traditional publishing can barely afford the million-dollar advances these days.

And please, remember, the Kickstarter numbers are only the beginning of the earnings on these books. These books will live for decades. Brandon will earn money on them for decades—without licensing any of the copyright to some gigantic corporate entity that does not have his best interest at heart.

Also, remember that this Kickstarter is advertising. It’s introducing millions of readers to Brandon Sanderson. These new readers are asking Who is this guy and why is he getting so much money? What are these new readers going to do? Why, they’re going to buy a backlist book and try to read it before the Kickstarter ends.

His published book sales are going to increase dramatically. So the tens of millions he’s earning on the Kickstarter does not count the other ways this Kickstarter is benefitting him financially. Nor is it counting the promotion value that he’s getting from projects that he felt inspired to write.

There’s a lot more to unpack—from some of the innovations he’s doing to the impact on the fantasy and science fiction field. But for the moment, I’m stopping here.

If you’re one of the sour grapes people, perhaps you should ask yourself why you’re being so very negative. Are you jealous? Or scared?

The rest of you should watch what happens next. This is a very big deal. For all of us.

(2) KDP WTF. Philip Beaufoy, author of the Lochwood Series, is another casualty of a sudden and unexplained Kindle Direct Publishing account closure.

(3) LOVE IS ALL AROUND. The SFWA Blog’s “Romancing Sci-Fi & Fantasy” series begins with Alex Chantel’s “I See Romance … Everywhere!”

… I see romance everywhere, on all levels, and it makes me love the books I read even more. There are books without romance, that don’t need romance, and readers that are perfectly happy without it. But borrowing from the romance genre can strengthen a story and the readers’ connection to the characters. 

We all want to craft memorable characters, and the strong ones can become more enduring with a partner—two are stronger than one, as the adage goes. Princess Leia and Han Solo from Star Wars—closely followed by Ben and Rey. Paul and Chani from Dune. Nahri and Ali from S.A. Chakraborty’s Daevabad Trilogy. K and Chloe from Terry Miles’s Rabbits. Euthalia and Conrí from Jeffe Kennedy’s Forgotten Empires series. Niko and Petalia from Cat Rambo’s You Sexy Thing. Some of those names may strike a romantic chord within you?…

(4) DISNEY RECORD ON LGBTQIA+ SET STRAIGHT. Deadline reports a “Internal Pixar Letter Disputes Disney’s Support Of LGBTQIA+ Employees & Questions Company’s Commitment to Change”. (The full text of the letter is quoted at the end of Variety’s coverage.)

Shortly after Disney CEO Bob Chapek spoke out publicly against Florida’s so-called “Don’t Say Gay” bill today, a very pointed response began circulating internally at the studio. A letter signed by “The LGBTQIA+ employees of Pixar, and their allies” took Chapek to task. It refuted, point by point, an internal memo Chapek sent to employees on Monday and also criticized the fact that the company “did not take a hard stance in support of the LGBTQIA+” at the shareholder meeting.

“Monday’s email, ‘Our Unwavering Commitment to the LGBTQ+ Community,’ rang hollow,” read the LGBTQIA+ letter. It said Chapek’s communication “began with the claim that Disney has a long history of supporting the LGBT community, but Disney Parks did not officially host Pride until 2019, in Paris alone. Disney has a history of shutting down fan-created Pride events in the parks, even removing same-sex couples for dancing together in the 1980’s.”

The letter goes on to say the corporation is “capitalizing on Pride” through merchandising, specifically The Rainbow Mickey Collection.

“It feels terrible to be a part of a company that makes money from Pride merch when it chooses to ‘step back’ in times of our greatest need, when our rights are at risk,” the letter asserts.

The “step back” bit is likely a reference to Chapek’s assertion at a shareholders’ annual meeting today that “we chose not to take a public position on [the bill] because we felt we could be more effective working behind the scenes, engaging directly with lawmakers on both sides of the aisle.” It later came out that Chapek had only reached out to Florida Gov. Ron DeSantis very recently….

… Finally, the letter damningly addresses Chapek’s repeated insistence that the best way for Disney to make change is through creating “powerful content that changes hearts and minds.”

It reads [in part]:

“We at Pixar have personally witnessed beautiful stories, full of diverse characters, come back from Disney corporate reviews shaved down to crumbs of what they once were. Nearly every moment of overtly gay affection is cut at Disney’s behest, regardless of when there is protest from both the creative teams and executive leadership at Pixar. Even if creating LGBTQIA+ content was the answer to fixing the discriminatory legislation in the world, we are being barred from creating it.”

(5) CALL TO REMOVE A 2023 WORLDCON GOH. SF² Concatenation has tweeted the link to an editorial comment ahead of its next seasonal edition (slated for April). Read it here.

Science fiction is far more than a genre, it enthuses science and warns of possible futures, among much else. More, many of its aficionados are part of a community: a community that crosses nations. Sometimes that community needs to nail its colours to the mast. Now, at this moment in time, due to circumstances up-to-now unthought-of in the early 21st century, those colours are blue and yellow….

On Wednesday, 2nd March (2022), the UN moved to condemn Russia’s war on Ukraine. 141 nations supported that call: only Belarus, Syria, North Korea and Eritrea supported Russia, while China, Cuba and Venezuela abstained. And here’s the thing, if China is abstaining then arguably the 2023 SF Worldcon should dis-invite Sergei Lukyanenko as a Guest of Honour: Lukyanenko has repeatedly and publicly proclaimed his support for his nation’s war against Ukraine…

In particular, there is one person in the west who is currently due to share the platform at the 2023 Worldcon with Lukyanenko. Is that something he really wants to do?…

(6) REVIEWING SFF. Strange Horizons hosts “The Author and the Critic I: Christopher Priest and Paul Kincaid”, featuring the two named figures discussing the present and future of sff criticism. They begin at the beginning.

Christoper Priest: Before I wrote and published my first novel I had already written several amateurish book reviews. I was young and inexperienced, unguided, learning slowly as I went along. I was writing for fanzines published by Peter Weston and Charles Platt, and others. It was a way of writing something and seeing it in print—or at least, typed out by someone else, which at the time felt almost as good because after the process of being retyped, with bits cut out or changed or just got wrong, it looked different. By looking different it made me read it again and look at it with some objectivity. Overall, it was much easier and quicker to write an opinion piece on a new book by Brian N. Ball or Ken Bulmer than write a novel of my own. None of this counted in the long run, of course, although I still think for a beginning writer it was a good way to learn.

Paul Kincaid: Personally, I can’t remember a time when I didn’t read reviews. This goes back to a time when newspapers used to publish things like book reviews and film reviews. But I never thought about writing them until I started getting involved in fandom…. 

(7) MORE FROM THE WORLDCON. Morgan Hazelwood posts her notes about another DisCon III panel: “The Nuts and Bolts of Chapters”. (She also presents the material in a YouTube video.)

The panelists for the titular panel were: Ada Palmer, Aparna Verma, Elle E. Ire, Nancy Kress, and Patricia A. Jackson, with Delia Sherman as moderator.

The panel description was as follows:

Do you even need chapters? How long should they be? Should you title your chapters or just number them? Where do you break a chapter, and how do you write a good cliffhanger? How do you write chapters with multiple character points of view? So much to discuss for such a small topic!

While the panelists didn’t address all of these, they shared some valuable tips.

(8) UNMADE HITCHCOCK PROJECT. “Alfred Hitchcock once planned a sci-fi epic, which he envisaged as ‘a projection into the life of a generation ahead’” – BFI looks back at “Hitchcock’s sci-fi movie, ‘a forecast of days to come’”.

… News of Hitchcock’s sci-fi project broke in October 1926, a month after The Lodger was first shown to the press. P.L. Mannock of the Kinematograph Weekly, who had spoken to Hitchcock about his “film laid in the future”, wrote that “If we except ‘Metropolis,’ it will be the first screen forecast of days to come,” the last words being a deliberate reference to a novella by one of Lang’s inspirations, H.G. Wells. “Television will be used dramatically, and Sir Alan Cobham will probably be consultant on big episodes of the air.”…

(9) MEDIA BIRTHDAY.

1964 [Item by Cat Eldridge]

“My specialty is wisdom. Do you know what wisdom is?””- Dr. Lao

“No sir.” – Mike 

“Wise answer.” – Dr. Lao

Fifty-eight years ago, 7 Faces of Dr. Lao premiered. It was George Pal’s last directorial effort. As you well know, it’s based off of Charles G. Finney’s The Circus of Dr. Lao. (There is now a Kindle edition of The Circus of Dr. Lao though it won’t be mistaken for a Meredith Moment.) It was nominated for a Hugo at Loncon II, the year Dr. Strangelove won. 

The screenplay was by Beaumont, who wrote twenty-two Twilight Zone episodes which given he died at 38 is quite astonishing, and Ben Hecht (originally uncredited), whose most notable work was Alfred Hitchcock’s Spellbound and Notorious, though he did have a genre credit writing The Thing from Outer Space, an early Fifties film. He also did uncredited work on Casino Royale.

Tony Randall played myriad roles in the 7 Faces of Dr. Lao including of course Dr. Lao, the Mysterious Visitor. And if you look carefully, you spot Randall simply as himself sans any makeup as a silent audience member. He also voices the Serpent, a stop-motion animated snake which has the face of another actor. Quite a performance indeed. 

Pal originally wanted Peter Sellers for the role of Dr. Lao and Sellers very much wanted to do the role. However, MGM had Randall under contract who was far cheaper than Sellers would’ve been. 

Pal also saved quite a bit of money here by reusing footage from Atlantis, the Lost Continent and The Time Machine. The Woldercan spectacular that Dr. Lao does as his grand finale of his circus is drawn entirely from the former. 

Pal has stated that it’s only film that he lost money on. It made just one million and I can’t find any mention of how much the production costs were but they were obviously higher than the very small box office was.

So how was it received? The Hollywood Reporter at the time said Randall’s performance was “a dazzling display of virtuosity, in some stunning makeup created by Bill Tuttle.” Audience reviewers at Rotten Tomatoes give a very strong rating of seventy-eight percent.

I don’t believe it’s streaming anywhere but you can rent it pretty much everywhere. Or you can buy it for little more than a Meredith Moment. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 10, 1891 Sam Jaffe, His first role was in Lost Horizon as the High Lama and much later in The Day the Earth Stood Still playing Professor Jacob Barnhardt. Later on we find him in The Dunwich Horror as Old Whateley, voicing Bookman in Bedknobs and Broomsticks, playing The Old-Man in The Tell-Tale Heart, and in his last film, appearing in Battle Beyond the Stars as Dr. Hephaestus. John Sayles wrote the script for the latter surprisingly enough. (Died 1984.)
  • Born March 10, 1905 Richard Haydn. Actor who appeared in a number of genre undertakings including voicing the Caterpillar in the early Fifties Alice in Wonderland, Professor Summerlee in the early Sixties version of The Lost World and Herr Falkstein in Young Frankenstein. I’d be very remiss not to note his appearance on The Twilight Zone as Bartlett Finchley in the chilling “A Thing About Machines”. And he had one offs on BewitchedShirley Temple’s Storybook and The Man from U.N.C.L.E., in the “The Mad, Mad Tea Party Affair” an unusual episode as it takes place almost entirely within U.N.C.L.E headquarters. (Died 1985.)
  • Born March 10, 1918 Theodore Cogswell. He wrote almost forty science fiction stories, most of them humorous, and was the co-author of a Trek novel, Spock, Messiah!, with Joe Spano Jr. He’s perhaps best remembered as the editor of the Proceedings of the Institute for Twenty-First Century Studies in which writers and editors discussed theirs and each other’s works. A full collection of which was published during 1993 except, as EoSF notes “for one issue dealing with a particularly ugly controversy involving Walter M Miller.”  Having not read these, I’ve no idea, what this details, but I’m betting one of y’all know. (Died 1987.)
  • Born March 10, 1921 Cec Linder. He’s best remembered for playing Dr. Matthew Roney in the BBC produced Quatermass and the Pit series in the later Fifties, and for his role as James Bond’s friend, CIA agent Felix Leiter, in Goldfinger. He also appeared on Alfred Hitchcock PresentsVoyage to the Bottom of the Sea, the Amerika series, The Ray Bradbury Theatre and The New Avengers. (Died 1992.)
  • Born March 10, 1938 Marvin Kaye. Editor of Weird Tales, he also edited magazines such as H. P. Lovecraft’s Magazine of Horror and Sherlock Holmes Mystery Magazine. His Cold Blue Light novels with Parke Godwin are quite superb. The Fair Folk anthology which is most excellent and which he edited won a World Fantasy Award. He wrote the “Marvin Kaye’s Nth Dimension” for the Space and Time website. (Died 2021.)
  • Born March 10, 1938 Ken Sobol. New to our Birthday honors list. I will single him out for having personally received Astrid Lindgren’s personal blessing to write the Pippi Longstocking series which he worked on with puppeteer Noreen Young. He also contributed scripts to Batman, Curious GeorgeG.I. JoeGeorge of the JungleHardy BoysHighlander, Superman, and Wizard of Id, and that’s hardly a complete listing.  He also wrote one of the best works done on baseball, Babe Ruth and the American Dream. (Died 2010.)
  • Born March 10, 1951 Christopher Hinz, 71. His Liege Killer novel, the first in his most excellent Paratwa Saga, won the Compton Crook Award, the BSFS Award for the Best First Novel. (And yes, there is a prequel, Binary Storm, which was written much later.) He was nominated for an Astounding Award for Best New Writer. 
  • Born March 10, 1956 Robert Llewellyn, 66. He plays the mechanoid Kryten in the Red Dwarf series. His It2i2 which was a television show about AI depicting fictional events but presented as a documentary. And he played a gryphon in the oh-so-superb MirrorMask

(11) AFROFUTURISM. The Schomburg Center’s 10th Annual Black Comic Book Festival in partnership with Carnegie Hall’s Afrofuturism Festival! Presents “Black Feminist Futures Series: Planting for the Future”.

The Black Feminist Futures Series features programs highlighting the powerful and long-standing relationship between Afrofuturism and Black feminism in genres ranging from literature, film, art, fashion, and community organizing. Planting for the Future, a virtual conversation on Black women’s participation in Afrofuturism through literature, film, art, fashion, and community organizing. The program features Dr. Andrea Hairston (author of Master of Poisons), Sheree Renee Thomas (author of Nine Bar Blues), Tananarive Due (author of The Between: A Novel), and Tanaya Denise Fields (founder of Black Feminist Project & Black Joy Farm, and author of “Dirty Business: The Messy Affair of Rejecting Shame” in the book You Are Your Best Thing). Moderated by Dr. Chesya Burke.

(12) GAIMAN MIRACLEMAN REPRINT. Following the herald of his return in Timeless #1 and the announcement of an all-new omnibus, Marvel Comics continues to mark the 40th anniversary of Miracleman’s modern era with a new printing of award-winning writer Neil Gaiman and artist Mark Buckingham’s redefining work on the character.

 Arriving in October, Miracleman By Gaiman & Buckingham Book 1: The Golden Age TPB will collect the first six issues of Gaiman and Buckingham’s groundwork to give a legendary super hero a fascinating future —a future that will now come to pass! Available for the first time in paperback, the Miracleman By Gaiman & Buckingham Book 1: The Golden Age TPB will give fans a chance to revisit this beloved era of Miracleman ahead of the exciting plans Marvel has in store for the iconic character later this year.

Atop Olympus, Miracleman presides over a brave new world forged from London’s destruction. It is a world free of war, of famine, of poverty. A world of countless wonders. A world where pilgrims scale Olympus’ peak to petition their living god, while miles below the dead return in fantastic android bodies. It is an Age of Miracles — but is humankind ready for it? Do we even want it? Is there a place for humanity in a world of gods? Gaiman and Buckingham delve into the lives of lonely idealists, rebellious schoolchildren and fracturing families, exploring the human constant in a changing world of gods and miracles.

(13) STAR WARS FAN NEWS. “’Star Wars’ fans are raising money for transgender youth”Yahoo! Life has the details. (The direct link to the GoFundMe is here: “Fundraiser by The Amidala Initiative (A Community Effort) : The Amidala Initiative for Equality Texas”. They have raised $8,292 of their $25,000 goal as of this writing.)

…Fans of the Star Wars franchise can relate to Padmé Amidala, a character from the Star Wars prequel trilogy played by Natalie Portman, for a multitude of reasons, from her troubled romance with Anakin Skywalker to her desire to do her best to protect her people.

It’s the latter that inspired the Amidala Initiative, a group of Star Wars fans and content creators who have joined … forces … to raise money for Texas advocacy organization Equality Texas after Texas Governor Greg Abbott directed the Texas Department of Family and Protective Services to investigate the parents of trans children who have had or are seeking elective gender-affirming procedures or treatments.

“We, the undersigned, are 77 fan content creators, podcasters, YouTubers, TikTokers, artists, writers and cosplayers who have joined together to use our limited platforms to stand in solidarity with our trans siblings and their families in Texas,” a GoFundMe site for the Amidala Initiative states. “No child should fear that their teachers will report their parents to the government for allowing them to live as their true gender. No parent should fear criminal charges for supporting their transgender child and helping them seek therapeutic and medical support to treat their gender dysphoria … this is something we refuse to stand by silently for.”…

(14) DOES NOT PLAY WELL WITH OTHERS. Radio Times listens in as “Christopher Eccleston rules out Doctor Who multi-Doctor story return”.

…However, according to the latest comments from The A Word star, there’s seemingly no chance he would return for a 60th anniversary team-up special currently rumoured for 2023.

He told crowds at Australian convention Supanova: “I’ve never been a fan of multi-Doctor stories. When I worked on the series, I had really strong ideas about what works and what doesn’t, and I always think that multi-Doctor stories are a bit of a cash-in, and a bit of exploitation.

“Creatively, they never worked for me. I looked at the script for the 50th anniversary and I felt as soon as I said I wasn’t doing it it got better because, well, if I’m not in it, it’s better. The creation of the War Doctor introduced a whole new facet to the canon.”

Interestingly though, a later comment from Eccleston suggested he would consider returning to Doctor Who in live-action for a solo storyline following the Ninth Doctor.

He added: “The Ninth Doctor, in particular, is a one-man band. Definitely. So he doesn’t work with other Doctors. If you want me back, you’d get me on my own.”

(15) HEAR FROM EDITORS. Space Cowboy Books will host an online panel discussion “Beyond the Submission Guidelines” on March 29 at 6:00 p.m. Pacific. Register for free here.

Join us for an online panel discussion with editors of SF/F magazines. Learn about the behind the scenes of running science fiction and fantasy magazines with editors: Arley Sorg (Locus & Fantasy Magazines), F.J. Bergmann (Mobius & Weird House), Rob Carroll (Dark Matter Magazine), and JW Stebner (Hexagon Magazine)

(16) PREDICTING THE PAST. [Item by SF Concatenation’s Jonathan Cowie.] Inscriptions provide an invaluable insight into the ancient world. But over the centuries, many inscriptions have been damaged and exist in fragmented or semi-legible forms, making the job of reading and interpreting them extremely difficult. In this week’s issue of Nature, “Restoring and attributing ancient texts using deep neural networks”, Yannis Assael, Thea Sommerschield and their team introduce Ithaca, a deep neural network designed to help historians restore and understand ancient Greek inscriptions. Working alone, Ithaca is able to restore damaged texts with a 62% accuracy, but when historians use Ithaca, their accuracy on the same task rises to 72%. Ithaca can also determine the original geographical location of inscriptions with 71% accuracy, and can date them to within 30 years from the date ranges proposed by historians. The researchers say that such cooperation between artificial intelligence and historians could help transform studies of the ancient world. 

(17) SOUNDTRACK OF SPACE. NASA’s Chandra X-Ray Observatory page hosts a “Sonification Collection” – maybe there is a “music of the spheres.”

…By translating the inherently digital data (in the form of ones and zeroes) captured by telescopes in space into images, astronomers create visual representations that would otherwise be invisible to us.

But what about experiencing these data with other senses like hearing? Sonification is the process that translates data into sound, and a new project brings the center of the Milky Way to listeners for the first time. The translation begins on the left side of the image and moves to the right, with the sounds representing the position and brightness of the sources. The light of objects located towards the top of the image are heard as higher pitches while the intensity of the light controls the volume. Stars and compact sources are converted to individual notes while extended clouds of gas and dust produce an evolving drone….

There’s a demonstration in this tweet:

(18) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] Arthur C. Clarke chats with Dick Cavett about 2001, life on other planets, and perpetual motion machines in this clip from a 1972 Dick Cavett Show. “Arthur C. Clarke on Why Aliens Would Be Superior To Humans”.

English science-fiction writer Arthur C. Clarke discusses the on-going research in astronomy into discovering new planets and how he believes there is life on other planets, although we don’t know it yet.

[Thanks to Michael Toman, Cat Eldridge, rcade, Phil Nichols, mlex, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]