Pixel Scroll 11/25/23 The Pixelman’s Scroll is Half-Constructed

(1) OVERCOMING REJECTION. Her rejection slips are a key part of the display: “Malorie Blackman’s career honoured in British Library exhibition” in the Guardian.

“To my great embarrassment, I’ve just discovered that I have been holding onto your novel, HACKER, since February 1990”, read a letter to Noughts & Crosses author Malorie Blackman from the senior commissioning editor of Simon & Schuster, dated nearly two years later. “I’m afraid we are not publishing any teenage novels in the near future”. The printed letter, addressed to “Marlorie”, with the extra “r” struck through in pen, was one of 82 rejection letters the writer received before her first book was published.

Hole-punched and stored in a ring binder, the letter is now on display at a British Library exhibition about Blackman, who has gone on to write more than 70 books for children and young adults, including the million-selling Noughts & Crosses series. The rejections folder is one of the artefacts that the author is most excited for the public to see, she says. “I hope that does encourage people.”…

…The exhibition traces Blackman’s young adulthood: the Lewisham homeless shelter she lived in aged 13 is pictured; the comics she turned to as a “shield against the real world” are displayed. In the local library, which she says “saved my life”, she would read novels, including classic fiction – the likes of Jane Eyre. Later, at 22, she came across Walker’s The Color Purple – the first novel she had read that was written by a Black author and featured Black protagonists. “It had a profound effect on me,” says Blackman. “She was a Black woman author. They existed!”…

(2) MEDICAL UPDATE. Jane Yolen suffered a fall the other day and required surgery. Her daughter Heidi has been posting updates on Facebook and says the surgery went great.

(3) REVENGE IS A DISH BEST SERVED BY PROCESS SERVERS. “‘Squid Game: The Challenge’ Contestants Threaten Lawsuit After Claiming They Suffered Hypothermia & Nerve Damage During Filming” reports Deadline.

Squid Game: The Challenge contestants are threatening legal action against Netflix and producers after claiming they were injured during the filming of the game show.

A British personal injuries law firm is representing two unnamed players who say they suffered hypothermia and nerve damage while shooting in cold conditions in the UK.

Express Solicitors said in a press statement that it had sent letters of claim to Studio Lambert, the co-producer of Netflix’s Squid Game: The Challenge.

The contestants’ allegations concern their experience shooting the show’s opening game ‘Red Light, Green Light,’ in which players must evade the attention of a menacing robotic doll.

The game was filmed at Cardington Studios, a former Royal Air Force base in Bedford, during a cold snap in Britain. Netflix confirmed at the time that three of 456 players required medical attention.

Express Solicitors, which specializes in no win no fee claims, said its clients risked their health by having to stay motionless for long periods during the shoot as they attempted to stay in the competition….

(4) AUTHORS’ RIGHTS IN THE AGE OF AI. [Item by Francis Hamit.] The Authors Licensing and Collecting Society is the UK outfit that manages the Public Lending Right. I’ve been a member for several years and get regular payments for my photocopying royalties, something that does not exist in the U.S. 

The ALCS’ two-page white paper “Authors and AI principles” is the most sensible thing I’ve seen yet about AI and Authors’ rights. 

First on the list of principles:

1. Human authors should be compensated for their work and have transparent information of uses of their work – new technologies and types of uses should respect the established precedent that there must be fair payment for use and transparency regarding how works have been used.  

There should be no use without payment. While many systems of remuneration reflect the ways in which we consume media at the time, the principles of copyright remain: that authors should share in the enjoyment of their work, especially financially. Licensing continues to be an effective way to adapt to, support and remunerate a wide range of uses of original works. As authors works are often used in ways to develop AI technology, authors must also have transparent information regarding when and how their work has been used….

(5) DIY DALEK. Dr. Glyn Morgan pays tribute to fans in a post to the UK Science Museum blog — “Building for the Fans: Daleks and Doctor Who”.

…Fans are the lifeblood of any creative endeavour, but this is particularly powerful point for science fiction: were it not for the continued enthusiasm from fans then Doctor Who might have died never to be regenerated after initially leaving the air in 1989, or after the underperforming TV-movie in 1996 (starring the criminally underrated Paul McGann)….

…Along with the Doctor’s equally iconic TARDIS, the Dalek is a firm favourite construction project for fans and has been since they first appeared, inspiring people’s creativity and technical innovation at home. Indeed, building your own Dalek became such a recognised rite of passage for fans that the BBC issued official instructions on how to build your own as part of a Radio Times special issue celebrating the tenth anniversary of Doctor Who in 1973. The article suggested that the project would be particularly good ‘as an exercise for a well-equipped school, using the resources and facilities of several departments- woodwork, metalwork, art and so on.’ The practicality of the design was tested by students of London’s Highbury Grove School (now City of London Academy Highbury Grove): ‘With help from their staff, they produced [a] magnificent black-and-orange specimen in two weeks, at a cost of £12’, which is a considerable saving on the approximately £250 the 1963 originals cost: although the Radio Times models were designed to be static, not operational TV props. Either way, I suspect it would cost a little more now…. 

(6) HOW HAS THE LAST WHO ANNIVERSARY SPECIAL AGED? Very well decrees Gizmodo’s James Whitbrook in “10 Years Later, Doctor Who’s ‘Day of the Doctor’ Still Hits”.

For a show that is about the capability to be everywhere and anywhere, any period in time, Doctor Who is a show that is arguably burdened with context. Now 60 years old today, the thought of navigating any of its stories without an awareness of its place in that history is almost unthinkable. But every once in a while, in a very long while, Doctor Who wields that context to set itself free.

That’s the paradox—as well as the philosophy of John Rawls—that sits at the heart of “The Day of the Doctor,” Doctor Who’s 50th anniversary special that climaxed a blockbuster period of celebrations for the series 10 years ago tonight. It is, of course, almost impossible to think of “Day” outside of this context—metatextually, we now know so much of what almost happened during its production and ideation that it’s almost a miracle to revisit the final product and not deem it miraculous for simply existing. 

…And it is about the weight of context. The tragic heart of “Day of the Doctor” is John Hurt’s aforementioned “War” Doctor: the regeneration that took part in the Time War, an incarnation left to banished memories out of the shame of what he had to do to end the conflict between the Time Lords and the Daleks once and for all, one petrified to even call himself a Doctor for the hurt he wielded to do so. Following him on the eve of the final days of the conflict as he steals a weapon of mass destruction from his own people—the Moment, a weapon so powerful, so horrifying, it developed its own conscience to almost stop itself from being—the War Doctor’s arc is one about wrestling with the weight of his own personal history, a push and pull that haunts him, and is compacted when he comes face to face with his future: two further incarnations of himself that yes, still feel the pain of the Time War, a pain muted in some ways, but still, a future for himself that exists beyond the horrifying task he has burdened himself with…

(7) TODAY’S THING TO WORRY ABOUT. “Robot Takes Order at Wendy’s. It Catches an ‘Attitude’” claims the Daily Dot.

Wendy’s has started rolling out its new AI chatbot system that is supposed to be handling customer orders at the drive thru. However, according to one TikTok video, what was intended to be a seamless transition turned into a comical and frustrating experience.

The video, which was posted by Macey (@maceitrain) this week, kicks off with Macey already mid-order, requesting a Coke. The Wendy’s robot promptly responds with a simple, “Anything else?”

The TikToker then proceeds to modify her order. “Can I make the junior bacon cheeseburger Biggie bag a medium, please?” she says.

After each update to the order, the robot mechanically repeats, “Anything else?”

…The video has since accumulated over 944,200 views with over 550 comments. Some commenters were not overly impressed by the speed of the new ordering system.

“I feel like that took longer than having a human take the order,” one commenter said….

(8) MARTY KROFFT (1937-2023). Marty Krofft, who partnered with his older brother Sid to build a kids’ TV empire around shows like The Banana Splits Adventure HourH.R. Pufnstuf and Land of the Lost, died November 25. The Hollywood Reporter profile is here.

The Kroffts followed Pufnstuf with The Bugaloos (1970-72), the Claymation series Lidsville (1971-73), Sigmund and the Sea Monsters (1973-75) and Land of the Lost (1974-76)…

Indeed, the Kroffts’ style was so popular that McDonald’s copied it to create Mayor McCheese and McDonaldland for an early ’70s advertising campaign. The Kroffts sued, winning a reported seven-figure settlement in 1977….

…Marty joined his brother full-time in 1958 after Sid’s assistant left, and they opened Les Poupees de Paris, an adults-only burlesque puppet show that played to sold-out crowds at a dinner theater in the San Fernando Valley….

Les Poupees went on the road and played world’s fairs in Seattle in 1962, New York in 1964 and San Antonio in 1968. It featured 240 puppets, mostly topless women, and Time magazine called it a “dirty puppet show.”

After that, it was so popular, “we couldn’t even get our own best friends in the theater,” Sid said. It drew an estimated 9.5 million viewers in its first decade of performances….

(9) TODAY’S BIRTHDAYS.

[Written by Cat Eldridge.]

Born November 25, 1926 Poul Anderson. (Died 2001.) Need I say that he’s one of my favourite writers? I’m reasonable sure that along with Heinlein, Bradbury and Le Guin that he was the first of the writers that I read extensively. And as Algis Budrys said in his Galaxy review column of February 1965, “we will all soon realize he has for some time been science fiction’s best storyteller.”

Poul Anderson

Poul was really, really prolific which will mean that I’m not going to detail everything he did here. Indeed, ISFDB list twenty-three novels and an amazing thirty-three collections of his short stories! So where to start? 

Well in my case, that is quite easy as my go to works by him when I want to be entertained at length by great storytelling is the Technic History stories with those of Nicholas van Rijn and Dominic Flandry being the ones I like the best. Not that other stories aren’t excellent in their own as they are. 

Now there’s the ever so fun Hoka novels (Earthman’s Burden and Star Prince Charlie) and the Hoka! short stories, a sequel to the first novel, that were co-written with Gordon R. Dickson. 

I’ve always enjoyed his Time Patrol stories as they’re some of the best such tales that were ever written. These of course, as are all of his short stories, to found in The Collected Short Works of Poul Anderson that NESFA published. All seven volumes are now available as epubs! 

What’s next?  Orion Shall Rise remains one of my most read novels by him. It’s part of his Maurai & Kith series, a most interesting future history. The short stories, also excellent, were collected in, not surprisingly, his Maurai & Kith collection. 

I was surprised to find that Operation Chaos and Operation Luna actually had a handful of short stories as well, six to be exact, one written by Eric Flint. I shall need to seek them out. Another set of novels that I’ve read several times. 

Let’s not forget The Unicorn Trade that he and Karen collaborated on. Such a wonderful collection it is.

Yes, there’s lots more, but I’m going to finish off with A Midsummer Tempest which is always a delight to experience. 

No, I didn’t forget he won seven Hugo Awards and three Nebula Awards. All well deserved. 

And if you go here, you get to hear the delightful story of Karen and her role role in filk songs. I’m told that Poul had a fine singing voice. I wonder if there’s any recording of him and her singing.  

(10) MONITORING WHO MEDIA. [Item by SF Concatenation’s Jonathan Cowie.] More from Beeb.  Alas you have to have a BBC Sounds account to download in this case… “Doctor Who: 60 years of Friends and Foes”.

As Doctor Who celebrates its 60th anniversary, Sue Perkins explores how the programme has reflected our social history across the decades both on and off screen. From advances in technology to politics, violence, gender and sexuality.

Featuring archive footage, interviews and new conversations with showrunner Steven Moffat, script editor Andrew Cartmel, former companions including Anneke Wills, Katy Manning and Janet Fielding, and the voice of the Daleks Nicholas Briggs along with Dalek Operator Barnaby Edwards. Also, there’s analysis from several academics who have published books on the subject.

Sue examines how progressive the show has been, questioning if our favourite time traveller has kept with the times.

Sue Perkins

(11) BEWARE SPOILERS. If you have already seen the newest Doctor Who special, or don’t care about spoilers, you’re a candidate to read this Inverse profile about the latest iteration of the sonic screwdriver: “54 Years Later, The Oldest TV Sci-Fi Hero Just Got A Massive Tech Upgrade”.

(12) CULTURAL CORNER. Lavie Tidhar tweeted a fresh humorous sendup of the classic poem.

(13) VIDEO OF THE DAY. “Tolkien explains on BBC how he started The Hobbit” is a brief clip from a 1968 interview.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Patrick Morris Miller.]

Warner Holme Review: Call Me Joe by Poul Anderson

Call Me Joe (The Collected Short Works of Poul Anderson)
NESFA Press, 2009

Review by Warner Holme: Call Me Joe by Poul Anderson strongly starts off a NESFA Press series of volumes covering the work of one of the key 20th century writers of Science Fiction, Poul Anderson.

In the introduction, the editor, Rick Katze, states “This is the first in a multi-volume collection of Poul Anderson stories. The stories are not in any discernible pattern…” The pieces of fiction are an eclectic mix of early works in his oeuvre, mixed with poetry and verse that range across his entire career.

The contents include: Call Me Joe, Prayer in War, Tomorrow’s Children, Kinnison’s Band, The Helping Hand, Wildcat, Clausius’ Chaos, Journey’s End, Heinlein’s Stories, Logic, Time Patrol, The First Love, The Double-Dyed Villains, To a Tavern Wench, The Immortal Game, Upon the Occasion of Being Asked to Argue That Love and Marriage are Incompatible, Backwardness, Haiku, Genius, There Will Be Other Times, The Live Coward, Ballade of an Artificial Satellite, Time Lag, The Man Who Came Early, Autumn, Turning Point, Honesty, The Alien Enemy, Eventide, Enough Rope, The Sharing of Flesh, Barbarous Allen, Welcome,Flight to Forever, Sea Burial, Barnacle Bull, To Jack Williamson, Time Heals, MacCannon, The Martian Crown Jewels, Then Death Will Come, Prophecy, Einstein’s Distress, Kings Who Die, Ochlan and Starfog.

The introduction is not quite correct, in that the reader can find resonances between stories, sometimes in stories back to back. There are plenty of threads, and a fan of Anderson and his Nordic viewpoint might call it a skein, a tangled skein of fictional ideas, themes, ideas and characters. The same introduction notes that a lot of the furniture of science fiction can be found in early forms here, as Anderson being one of those authors who have made them what they were for successive writers. In many cases, then, it is not the freshness of the ideas that one reads these stories for, but the deep writing, themes, characters and language that put Anderson in a class of his own.

The titular story, for example, Call Me Joe, leads off the volume. It is a story of virtual reality in one of its earliest forms, about Man trying to reach and be part of a world he cannot otherwise interact with. Watchers of the movie Avatar will be immediately struck by the story and how much that movie relies on this story’s core assumptions and ideas. But the story is much more than the ideas. It’s about the poetry of Anderson’s writing. His main character, Anglesey, is physically challenged (sound familiar). But as a pseudoJovian, he doesn’t have to be and he can experience a world unlike any on Earth:

Anglesey’s tone grew remote, as if he spoke to himself. “Imagine walking under a glowing violet sky, where great flashing clouds sweep the earth with shadow and rain strides beneath them. Imagine walking on the slopes of a mountain like polished metal, with a clean red flame exploding above you and thunder laughing in the ground. Imagine a cool wild stream, and low trees with dark coppery flowers, and a waterfall—methanefall, whatever you like—leaping off a cliff, and the strong live wind shakes its mane full of rainbows! Imagine a whole forest, dark and breathing, and here and there you glimpse a pale-red wavering will-o’-the-wisp, which is the life radiation of some fleet, shy animal, and…and…”

Anglesey croaked into silence. He stared down at his clenched fists then he closed his eyes tight and tears ran out between the lids, “Imagine being strong!”

 Reader, I was moved.

That’s only part of the genius of Anderson’s work shown here. Anderson has many strings in his harp and this volume plays many of those chords.

There is the strong, dark tragedy of “The Man who Came Early” which is in genre conversation with L Sprague De Camp’s “Lest Darkness Fall” and shows an American soldier, circa 1943, thrown back to 11th century Iceland and, pace Martin Padway, doing rather badly in the Dark Ages. Poul Anderson is much better well known for his future history that runs from the Polesotechnic League on through the Galactic Empire of Dominic Flandry, but this volume has three stories of his other future galactic civilization, where Wing Alak manages a much looser and less restrictive galactic polity, dealing with bellicose problems by rather clever and indirect means.

 And then there is his time travel tales. Time Patrol introduces us to the entire Time Patrol cycle and Manse Everard’s first mission. I’ve read plenty of his stories over the years, but this first outing had escaped me, so it was a real delight to see “where it all began”. A wildcat has oil drillers in the Cretaceous and a slowly unfolding mystery leads to a sting in the tail about the fragility of their society.  And then there is one of my favorite Poul Anderson stories, period, the poetic and tragic and moving “Flight to Forever”, with a one way trip to the future, with highs, lows, tragedies, loss and a sweeping look at man’s future. It still moves me.

And space. Of course we go to space.  From the relativistic invasion of “Time-Lag” to the far future of “Starfog” and “The Sharing of Flesh”, Anderson was laying down his ideas on space opera and space adventure here in these early stories that still hold up today. “Time-Lag’s” slow burn of a captive who works to save her planet through cycles of invasion and attack, through the ultimate tragedy of “Starfog” as lost explorers from a far flung colony seek their home, to the “Sharing of Flesh”, which makes a strong point about assumptions in local cultures, and provides an anthropological mystery in the bargain. “Kings Who Die” is an interesting bit of cat and mouse with a lot of double dealing espionage with a prisoner aboard a spacecraft.

Finally, I had known that Anderson was strongly into verse and poetry for years, but really had never encountered it in situ. This volume corrects that gap in my reading, with a variety of verse that is at turns, moving, poetic, and sometimes extremely funny. The placing of these bits of verse between the prose stories makes for excellent palette cleansers to not only show the range of Anderson’s work, but also clear the decks for the next story.

The last thing I should make clear for readers who might be wondering if this volume truly is for them to is to go back to the beginning of this piece. This volume, and its subsequent volumes, are not a single or even multivolume “best of Poul Anderson”. This is a book, first in a series, that is meant to be a comprehensive collection of Poul Anderson. This is not the book or even a series to pick up if you just want the best of the best of a seminal writer of 20th century science fiction. This volume (and I strongly suspect the subsequent ones) is the volume you want if you want to start a deep dive into his works in all their myriad and many forms. There is a fair amount from the end of the Pulp Era here, and for me it was not all of the same quality. I think all of the stories are worthy but some show they are early in his career, and his craft does and will improve from this point.  While for me stories like the titular Call Me Joe, “Flight to Forever”, “The Man Who Came Early”, and the devastating “Prophecy” are among my favorite Poul Anderson stories, the very best of Poul Anderson is yet to come.

(NESFA, 2009)


Often shy and retiring Warner Holme has worn many hats over the years. He has worked in fields ranging from the medical to advertising, but always finds himself most at home among stories and words. He can usually be found in the mid-south, caring for some person or animal, and is almost never more than a meter away from a few books.

Pixel Scroll 4/6/23 Other Files Just Make You Swear And Curse, When You’re Chewing On Life’s Pixel

(1) CHANGES IN PUBLISHING. Pete Kahle of Bloodshot Books is stepping down from publishing and Joe Mynhardt of Crystal Like Publishing is stepping in to help Bloodshot Books’s authors by offering them all a new home at Crystal Lake — or offering them the option to simply take their rights back if they prefer. See “Big Publishing News” on the Crystal Lake Publishing website.

Anyone who knows me [Joe Mynhardt] knows that I’m a big supporter of great books and great authors. I believe in the power of stories, and want to give my all to the genre fiction community.

So whenever I see authors or even a publisher in need, I reach out. Sometimes it’s to help publishers end things on the best of terms, and other times to help authors find a new home for their books.

That’s why I made the decision to step in and offer all the authors at Bloodshot Books a new home at Crystal Lake Publishing. I’m familiar with most of the authors there (yip, I always keep an eye on talented authors), and some of the actual books. Plus, I know Pete Kahle at Bloodshot Books has a great eye for talent. Unfortunately Pete has to step down from publishing, so this is our way of helping him and the 40+ authors involved.

We have given all the authors the option to take their rights back, in case they want to sub elsewhere or self-publish, but I’m confident that Crystal Lake is a great publishing house. We’re trustworthy, pay on time, and hell, we’ve been around for over 10 years. Which is almost impossible in this industry.

If any Bloodshot Books authors are reading this and you haven’t received our emails (there are a few authors we’re struggling to get a hold of), please message me. Even if you’re not interested, you’ll need a rights reversion letter from us.

The essence of why Pete Kahle would be stepping down can be discerned in Brian Keene’s “An Open Letter to Pete Kahle of Bloodshot Books” from last December.

(2) GET READY BEAGLE FANS! The Essential Peter S. Beagle, which celebrates the storied career of the bestselling author of The OverneathSummerlong, and The Last Unicorn, will be released May 16 by Tachyon Publications. They will begin taking preorders on April 11 starting at noon Pacific time.

In addition to the two-volume trade editions, Tachyon Publications has announced single-volume, lettered and numbered limited editions. See details at the link.

Beagle, one of America’s most influential fantasists, continues to evoke glowing comparisons to such iconic authors as Twain, Tolkien, Carroll, L’Engle, and Vonnegut. From heartbreaking to humorous, these tales show the depth and power of Beagle’s incomparable prose and storytelling.

Featuring original introductions from Jane Yolen (The Devil’s Arithmetic) and Meg Elison (Find Layla), and gorgeous original illustrations from Stephanie Law (Shadowscapes), The Essential Peter S. Beagle is a must-have for any fan of classic fantasy.

(3) MATTER HERE, MATTER THERE. James Davis Nicoll takes us to “Five SF Futures Where Teleportation Is Possible (But Not Necessarily Safe)” at Tor.com.

Few headlines thrill like “‘Counterportation’: Quantum breakthrough paves way for world-first experimental wormhole.” The article itself delivers, raising the possibility that “disembodied transport (…) without any detectable information carriers” may prove to be physically realizable.

Teleportation by another name is still teleportation….

First on his list is —

All the Colors of Darkness by Lloyd Biggle, Jr. (1963)

The Universal Transmitting Company has a simple dream: provide the Earth of the mid-1980s with facilities that would allow travellers to step from city to city or continent to continent in a single stride. The business would be instantly profitable and the founders able to sit back and rake in the dough.

This elegant plan is straightforward in concept. In practice, the project has met impediment after impediment. Why, it’s almost as if the Universal Transmitting Company had a very determined enemy…

(4) PUTTING CHATGPT TO WORK. Joe Pitkin says “I Used ChatGPT to Write My Novel!” at The Subway Test. But he doesn’t mean what was probably the first thought that came to your mind.

Well, not really. Or at least not in the way that you might think: I’m definitely not one of those scammy side hustlers sending ChatGPT-generated concoctions to award winning science fiction magazines.

But the novel I’m working on now, Pacifica, begins each of its 74 chapters with an epigraph. Much like the computer game Civilization, each chapter is named after one of the technologies that have made modern humanity possible. And, much like Civilization, each technology is accompanied by an apposite quote. Leonard Nimoy was the gold standard narrator for those quotes in Civilization IV (though Sean Bean has his moments in Civilization VI).

One of the most fun parts of drafting Pacifica has been finding the right quotes for each chapter. I picked from books and poems that I love (as well as a few books that I hated) to put together what I imagined as a kind of collage or mosaic of human knowledge. I imagined the task as something like a literary version of the cover of Sgt. Pepper’s Lonely Hearts Club Band, where The Beatles assembled a photo-collage crowd of their favorite thinkers and artists and goofball influences.

… So I asked ChatGPT to find me some quotes about superconducting….

(5) AN INDEX OF FOOLISHNESS. “The Post ruins April Fools’ Day, 2023 edition” is a compilation of shenanigans published yesterday by the Washington Post. Here are a couple of literary-themed examples.

(6) SLF GULLIVER GRANT. The Speculative Literature Foundation announced in February that Em North is the winner of the 2022 Gulliver Travel Grant. North’s winning piece is The School of Forgetting.

Since 2004, the Gulliver Travel Grant has sought to assist writers of speculative literature (in fiction, poetry, drama, or creative nonfiction) in their research. The grant awards one writer $1000 annually, to be used to cover airfare, lodging, and/or other travel expenses.

Em North is a writer who has lived in eighteen different states and still can’t figure out where to settle down. Their debut novel, IN UNIVERSES, is forthcoming from Harper Books (US) and Heinemann Hutchinson (UK) in March 2024. They received their MFA from Johns Hopkins University, where they were awarded the Benjamin T. Sankey Fellowship for a graduating student. They have also received fellowships from the Bread Loaf Writers’ Workshop, the Tin House Summer Workshop, Aspen Words, and the Clarion Writers’ Workshop. Their fiction and essays have appeared or are forthcoming in The Sun, Conjunctions, Lightspeed Magazine, Threepenny Review, and Best American Experimental Writing 2020.

Before becoming a writer, they studied physics and philosophy, writing their undergraduate thesis on the many-worlds interpretation of quantum mechanics. In previous lives, they’ve worked as an observational cosmologist, snowboard instructor, horse trainer, wine taster, pure math researcher, (very brief) investment banker, ranch caretaker, and creative writing instructor.

(7) SLF VIRTUAL CLASSES. The Speculative Literature Foundation has three courses and workshops on its April schedule – see full details and registration cost at the link.

Nancy Hightower, essayist and author, is teaching a workshop on writing about mental health on April 22. The day after, our course on screenwriting begins with Ted Schneider, director and writer of films like “Early Light” and “Iqaluit.” On May 13 our Writing the Taboo workshop returns, instructed by our very own director, Mary Anne Mohanraj.

(8) LEO D. SULLIVAN (1940-2023). Animator Leo D. Sullivan, whose most famous work was the chugging engine that opened Soul Train, died March 25 at the age of 82 reports Deadline.

…In addition to creating the memorable Soul Train opener, Sullivan contributed to cartoons featuring Fat Albert, Transformers and My Little Pony. He worked as an animator for five decades.

His resume included television work for The Incredible Hulk, Flash Gordon, BraveStarr and Scooby-Doo, his family said.

Born in Lockhart, Texas, Sullivan moved to Los Angeles in 1952, and started working for Looney Tunes animator Bob Clampett. In the 1960s, he joined forced with Floyd Norman, the first Black animator at Disney, and cofounded Vignette Film, which created educational films about historic Black figures.

He also published a video game that honored the Tuskegee Airmen and taught at the Art Institute of California-Orange County.

Sullivan was honored by the Black Filmmakers Hall of Fame in 1979 and 1991….

(9) MEMORY LANE.

1984[Compiled by Cat Eldridge.] Poul Anderson & Karen Anderson’s “Cosmic Concepts”

This is less about “Cosmic Concepts” which this is the Beginning of, but rather all of the splendid poetry of The Unicorn Trade.

Now most of you know that this collection which is mostly by Poul Anderson & Karen Anderson was published first by Tor thirty-nine years ago. It’s an amazing collection of stories, poems, and, errr, science fiction haikus, something I never knew even existed. 

I am not by any means a big poetry fan but I was quite delighted by everything that was here for poetry, most of which is by her.  The poetry is a sheer joy to read. Of the collection starts off with “The Unicorn Trade”, a stellar affair, by her but I will also single out “Haiku for Mars” and “Professor James” by both of them. A deep drink of their favorite ale is in order! 

And now the Beginning of “Cosmic Concepts”… 

This is the science fiction story.
This is the young man full of pride,
whose gadgets work the first time tried
in a science fiction story.

This is the elder scientist,
every year on the honors list,
who trained the young man full of pride,
whose gadgets work the first time tried
in a science fiction story.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 6, 1924 Sonya Dorman. Her best-known work of SF is “When I Was Miss Dow” which received an Otherwise retrospective award nomination. Her “Corruption of Metals” received won the Rhysling Award of the Science Fiction Poetry Association. She also appeared in Dangerous Visions with the “Go, Go, Go, Said the Bird” story. (Died 2005.)
  • Born April 6, 1926 Gil Kane. Artist who created the modern look and feel of Green Lantern and the Atom for DC, and co-created Iron Fist with Roy Thomas for Marvel. I’m going to single him out for his work on the House of Mystery and the House of Secrets in the Sixties and Seventies which you can find on the DC Universe Infinite app. (Died 2000.)
  • Born April 6, 1935 Douglas Hill. Canadian author, editor and reviewer. For a year, he was assistant editor of Michael Moorcock’s New Worlds magazine. I’m going to admit that I know more of him as a decidedly and to be admired Leftist reviewer than I do as writer, indeed he held the same post of Literary Editor at the socialist weekly Tribune as Orwell earlier did. Who here is familiar with fiction? He was quite prolific indeed. (Died 2007.)
  • Born April 6, 1948 Sherry Gottlieb, 75. Best remembered and loved as owner of the Change of Hobbit bookstore whose origin story you can read in her memoir. It closed in 1991. She’s written two horror novels Love Bites and Worse Than Death
  • Born April 6, 1948 Larry Todd, 75. Writer and cartoonist, best known for the decidedly adult Dr. Atomic strips that originally appeared in the underground newspaper The Sunday Paper and his other work in underground comics, often with a SF bent. In our circles, Galaxy Science FictionAmazing Science Fiction and Imagination were three of his venues. He also did some writing for If. He also did, and it’s really weird art, the cover art and interior illustrations for Harlan Ellison’s Chocolate Alphabet.
  • Born April 6, 1956 Mark Askwith, 67. Did you know there was an authorized Prisoner sequel? Well there was. The Prisoner: Shattered Visage is a four-issue comic book series written by him and Dean Motter who was also the artist. Askwith also wrote for DC Comics, specifically Batman: Gotham Knights
  • Born April 6, 1977 Karin Tidbeck, 46. Her first work in English, Jagannath, a short story collection, made the shortlist for the Otherwise Award and was nominated for the World Fantasy Award. The short story “Augusta Prima”, originally written by her in Swedish, was translated into English by her which won her a Science Fiction & Fantasy Translation Award in the Short Form category.

(11) NEVER LET THE FACTS STAND IN THE WAY. “ChatGPT is making up fake Guardian articles. Here’s how we’re responding” says the Guardian’s Chris Moran.

Last month one of our journalists received an interesting email. A researcher had come across mention of a Guardian article, written by the journalist on a specific subject from a few years before. But the piece was proving elusive on our website and in search. Had the headline perhaps been changed since it was launched? Had it been removed intentionally from the website because of a problem we’d identified? Or had we been forced to take it down by the subject of the piece through legal means?

The reporter couldn’t remember writing the specific piece, but the headline certainly sounded like something they would have written. It was a subject they were identified with and had a record of covering. Worried that there may have been some mistake at our end, they asked colleagues to go back through our systems to track it down. Despite the detailed records we keep of all our content, and especially around deletions or legal issues, they could find no trace of its existence.

Why? Because it had never been written.

Luckily the researcher had told us that they had carried out their research using ChatGPT. In response to being asked about articles on this subject, the AI had simply made some up. Its fluency, and the vast training data it is built on, meant that the existence of the invented piece even seemed believable to the person who absolutely hadn’t written it.

Huge amounts have been written about generative AI’s tendency to manufacture facts and events. But this specific wrinkle – the invention of sources – is particularly troubling for trusted news organisations and journalists whose inclusion adds legitimacy and weight to a persuasively written fantasy. And for readers and the wider information ecosystem, it opens up whole new questions about whether citations can be trusted in any way, and could well feed conspiracy theories about the mysterious removal of articles on sensitive issues that never existed in the first place.

If this seems like an edge case, it’s important to note that ChatGPT, from a cold start in November, registered 100 million monthly users in January. TikTok, unquestionably a digital phenomenon, took nine months to hit the same level. Since that point we’ve seen Microsoft implement the same technology in Bing, putting pressure on Google to follow suit with Bard….

This reminds me of the punchline from an old Peanuts strip.

(12) JEOPARDY! David Goldfarb brings us more highlights from Wednesday’s Jeopardy! episode, which had (in the Double Jeopardy round) a category called “Literary Bad Day for the Planet”. 

$1600: Early in this novel Prostetnic Vogon Jeltz informs humanity Earth will be destroyed for a hyperspatial express route

Returning champion Brian Henegar responded: “What is the Hitchhiker’s Guide to the Galaxy?”

$400: Set in Melbourne, Nevil Shute’s 1957 novel “On the Beach” finds much of the world destroyed by this man-made disaster

Brian: “What is a nuclear war?”

$800: In Neal Stephenson’s “Seveneves”, this mysteriously blows up into 7 pieces that rain bolides onto Earth

Brian: “What is the moon?”

$1200: Arthur C. Clarke’s “The Star” is a sun that went supernova, killing a planet, & is this celestial object from the New Testament

Teresa Browning: “What is the Star of David?”
Silence from the other two.

$2000: John Wyndham’s novel about “The Day of” these meat-eating plants sees most of humanity blinded before being featured on the menu

Brian: “What are the triffids?”

(13) FUTURISM RESOURCE. John Shirley and Brock Hinzmann have launched Instant Future, a new site for essays and articles.

Instant Future offers both quick jumps and deep dives into futurist prediction. We look with open minds, informed by critical thinking, to refine the lens of prediction, sorting through new research and media reports so you don’t have to. We look for the most insightful voices in the field of prediction, to cite and to interview. We combine the insights of professional futurists and forward-thinkers of all kinds, to give you an advanced look at what’s coming.

We’re offering a brisk trip to the edge the future itself…an edge that’s always edging away.

(14) DO CHICKENS HAVE LIPS? Maybe they would have if they were descended from T. Rex. “Facelift for T. rex: analysis suggests teeth were covered by thin lips” is a report in today’s Nature. “Crocodiles and Komodo dragons provide evidence to support the idea of a scaly cover over the teeth of dinosaur Tyrannosaurus rex.”

…In crocodiles, the enamel is thick and stays hydrated because they live in the water. Even so, crocodile teeth bear the signs of cracks and damage on their outer surface. That’s not the case in theropods, she says. Theropod teeth are covered by just a thin layer of enamel, indicating that these dinosaurs probably had lips to keep the teeth protected and coated in saliva when their mouths were closed….

(15) FREE SHOWING OF SF CLASSIC. The UCLA Library Film & Television Archive will be showing a restored print of Invaders from Mars at the campus’ Billy Wilder Theater on April 9 at 7:00 p.m.

Admission is free. No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis. The box office opens one hour before the event.

Invaders From Mars. U.S., 1953

Young David (Jimmy Hunt) wakes up in the middle of the night and sees a flying saucer land in his backyard. So begins the visually stunning and whimsical film that has been captivating audiences for 70 years, directed by production designer William Cameron Menzies (Gone with the Wind) and photographed by studio legend John F. Seitz (Double Indemnity). Politically and socially charged, this superbly crafted sci-fi thriller captures the paranoia of the time, complemented by a curiosity for the universe. Physically compromised shortly after its release—butchered, recut, elements scattered—Invaders from Mars has been retrieved from the brink of extinction thanks to this dazzling new restoration. Screening on the same date the movie premiered in 1953, the film will be preceded with a presentation about the restoration by former Head of Preservation at the UCLA Film & Television Archive, Scott MacQueen.

DCP, color, 78 min. Director: William Cameron Menzies. Screenwriter: Richard Blake. With: Leif Erickson, Jimmy Hunt, Helena Carter, Arthur Franz.

Restored by Ignite Films in collaboration with the UCLA Film & Television Archive, George Eastman Museum and the National Film and Sound Archive of Australia.

(16) VIDEO OF THE DAY. Philip Harbottle’s 1950s British Science Fiction YouTube channel has over 60 videos on the topic. The latest is “John Russell Fearn Inspired Comic Strips (#62)”.

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Anne Marble, David Goldfarb, Moshe Feder, SF Concatenation’s Jonathan Cowie, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 1/25/23 The Demolished Music Man

(1) CANADA READS SFF. Silvia Moreno-Garcia’s Mexican Gothic is a finalist in the 2023 CBC Canada Reads competition. She told her newsletter readers today:

Canada Reads is a literary battle, with panelists championing five books. Each day, they vote to eliminate one book, until a single title is chosen as the book the whole country should read this year. 

 The champion for my novel is TikTok creator and nursing student Tasnim Geedi, known as groovytas. The debates will take place March 27-30, 2023. They will be hosted by Ali Hassan and will be broadcast on CBC Radio One, CBC TV, CBC Gem and on CBC Books. 

(2) SF RELATED CONTENT ON JEOPARDY! 2023-01-24. [Item by David Goldfarb.] The current Jeopardy! champion is four-time LearnedLeague champion Troy Meyer. On Tuesday’s episode he faced some SF-related clues.

In the first round, one of the categories was “Finding Nimoy”. At the $1000 level:

This remake about a pod people takeover moved the action from a small town to San Francisco, with Leonard as a famous psychologist.

Troy Meyer correctly responded, “What is Invasion of the Body Snatchers?”

At the $400 level:

Nimoy’s plentiful voice-over work included the evil robot Galvatron in the cartoon movie version of this TV show.

Joe Incollingo responded, “What is Transformers?”

At the $200 level:

Nimoy appeared in other TV series with this “Star Trek” co-star, including “The Man From U.N.C.L.E.” and “T.J. Hooker”.

Troy Meyer responded, “Who is William Shatner?”

In the Double Jeopardy round, one of the categories was “Pop Culture Goes to Mars”. This category was actually majority mundane, cluing things like “Veronica Mars” and the rock band “30 Seconds to Mars”, but there were two actual SF clues:

$1200: Jack Nicholson was the President & Glenn Close, the First Lady in this 1996 Tim Burton film.

Troy Meyer responded, “What is Mars Attacks?”

$400: “Mars ain’t the kind of place to raise your kids, in fact it’s cold as hell”, sang Elton John in this hit.

Troy Meyer responded, “What is Rocket Man?”

(3) ROME PLUS MAGIC. At Speculative Fiction Showcase, an “Interview with Cass Morris, author of The Bloodstained Shade, Book 3 of The Aven Cycle”.

… Where Aven differs from the Rome of antiquity is that, in this version of the world, magic has shaped the course of history as much as war, politics, law, and religion. Adding that additional lever of power complicates both interpersonal and geopolitical relationships in ways that I adore playing with.

You co-host the Hugo Award Finalist podcast Worldbuilding for Masochists. Why ‘for masochists’?

It’s a teasing way of referring to those of us with a tendency to go way overboard in our worldbuilding. The “iceberg principle” of worldbuilding says that there’s far more below the surface than makes it onto the page of the finished product. My cohosts and I are people who have really, really big icebergs, and the way we create them can sometimes seem like self-torture….

(4) STRONG Q&A. Karen Strong, editor of the young adult anthology Cool. Awkward. Black, answers questions about books she’s read in “Shelf Awareness for Wednesday, January 25, 2023”.

Handsell readers your book in 25 words or less:

CoolAwkwardBlack. is a multi-genre anthology that centers Black teens who celebrate their nerdy passions of cosplay, manga, STEM, gaming and the arts….

Favorite line from a book:

“In her spare time, she looked to books or the stars for company.” —Gods of Jade and Shadow by Silvia Moreno-Garcia

I read so many books and have many favorite lines but this particular one has stayed with me. I truly believe books and stars can be great company.

(5) MELTS IN YOUR BRAINS, NOT IN YOUR HANDS. “M&M’s Replaces ‘Spokescandies’ With Maya Rudolph”The Takeout has the story.

In news that has arrived suspiciously close to Super Bowl Sunday, M&M’s announced today that the brand’s “beloved spokescandies” would be placed on “indefinite pause” for being ostensibly divisive. The spokescandies will be replaced by comedian Maya Rudolph, who will be tasked with “champion[ing] the power of fun.”…

In the past year, M&M’s changes to the personalities and likenesses of its candy characters have stoked the ire of conservatives, who facilitated a minor uproar against the brand for being too “woke” as it made such minor adjustments as redesigning some M&M’s shoes and removing titles like “Mr.” and “Mrs.” from certain candies.

(6) IN PASSING: MICHAEL DOUGAN. Cartoonist Michael Dougan died recently. Specifics about exactly when are scarce, however, there are two solid tributes.

The Editors of The Comics Journal: “Remembering Michael Dougan”.

… Michael was so well-rounded; he was at times a cartoonist, a newspaperman, a barista, a restauranteur, a tv writer, and a great conversationalist, to name a few. His work is not as well-remembered as it should be, although his best book, I Can’t Tell You Anything, was released by Penguin in 1993 and still holds up as some of the best autobiographical work of its era. Part of Michael’s obscurity is because in 2006 a fire destroyed his house in Seattle, taking all of his art and archives—and in some ways his comics career—with it. He seemed to process what was a cartoonist’s Worst Case Scenario better than most could have, but it also seemed to fuel a desire to move forward rather than look backward. He spent a couple of years in LA writing for television. Whenever I brought up doing a collection of his work, he was interested but ultimately dismissed it as being too much of an “epic undertaking” to find the time for…. 

Robert Boyd: “In memoriam Michael Dougan” at The Great God Pan Is Dead.

I first became aware of Michael Dougan in the mid-80s from his work in Weirdo. The first story of his that I can remember was “Dennis the Sullen Menace”, written by Dennis P. Eicchorn. This issue (no. 19) was edited by Aline Kominsky-Crumb, who took over the editorship of the magazine after Peter Bagge moved on. Bagge had been the editor until issue 17, and his tastes still informed the contents of Weirdo. In addition to Michael Dougan and Dennis P. EicchornWeirdo No, 19 had Mark Zingarelli and Bagge himself. Bagge knew all of the aforementioned cartoonists because they were all Seattle homers. Bagge got a bunch of his fellow Seattlites to contribute. Therefore, when I moved to Seattle in 1989, I got to know those guys, as well as other cartoonists from the region in Bagge’s artistic and social circle….

(7) MEMORY LANE.

1958 [Compiled by Cat Eldridge.]

Poul Anderson loved beer. In fact, he was the first writer to imagine a spaceship powered by beer in the Bicycle Built for Brew novel published in Astounding Science Fiction sixty-five years ago.  It’s available from the usual suspects in The Makeshift Rocket.

It wasn’t unusual for his characters to hoist a brew or two as I experienced when listening to some of the Nicholas Van Rijn stories recently. 

So I leave you with a quote from “The Innocent Arrival” which is collected in Karin and Poul Anderson’s The Unicorn Trade (highly recommend and available from the usual suspects as a Meredith Moment): 

“I see. Well, what are you having to drink?”

“Beer,” said Matheny without hesitation.

“Huh? Look, pal, this is on me.”

“The only beer on Mars comes forty million miles, with interplanetary freight charges tacked on,” said Matheny. “Tuborg!”

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 25, 1905 Margery Sharp. Her best remembered work is The Rescuers series which concerns a mouse by the name of Miss Bianca. They were later adapted in two Disney animated films, The Rescuers and The Rescuers Down Under. I’m reasonably sure I’ve seen the first one a very long time ago. Her genre novel, The Stone of Chastity, is according to her website, based on English folklore. Other than the first volume of The Rescuer series, she’s not really available digitally though she is mostly in print in the dead tree format. (Died 1991.)
  • Born January 25, 1918 King Donovan. His first SF films has him as Dr. Dan Forbes in the 1953 The Magnetic Monster and as Dr. Ingersoll In The Beast from 20,000 Fathoms. The very next year, he plays James O’Herli in Riders to the Stars. And now we get to the film that you know him from — Invasion of the Body Snatchers in which he plays Jack Belicec. After that, I show him only in Nothing Lasts Forever which has never been released here in the States. (Died 1987.)
  • Born January 25, 1920 Bruce Cassiday.Under two different pen names, Con Steffanson and Carson Bingham , he wrote three Flash Gordon novels (The Trap of Ming XIIThe Witch Queen of Mongo and The War of the Cybernauts) and he also wrote several pieces of non-fiction worth noting, The Illustrated History of Science Fiction, co-written with Dieter Wuckel, and Modern Mystery, Fantasy and Science Fiction Writers. The latter done in ‘93 is rather out of date and out of print as well. Checking the usual suspects shows nothing’s available by him for this genre though some of his pulp novels are available with appropriately lurid covers such as The Corpse in the Picture Window. (Died 2005.)
  • Born January 25, 1943 Tobe Hooper. Director of such genre films as The Texas Chain Saw Massacre (the original of course), Poltergeist (damn scary film) Invaders from Mars and Djinn, his final film. He directed a smattering of television episodes including the “Miss Stardust” of Amazing Stories, “No More Mr. Nice Guy” of Freddy’s Nightmares, “Dead Wait” of Tales from the Crypt and the entire Salem’s Lot miniseries. He also wrote a horror novel with Alan Goldsher,  Midnight Movie: A Novel, that has himself in it at a speaking engagement. (Died 2017.)
  • Born January 25, 1958 Peter Watts, 65. Author of the most excellent Firefall series which I read and enjoyed immensely. I’ve not read the Rifters trilogy so would welcome opinions on it. And his Sunflower-linked short stories sound intriguing. He won a Hugo for Best Novelette at Aussiecon 4 for “The Island”.
  • Born January 25, 1973 Geoff Johns, 50. Where to begin? Though he’s done some work outside of DC, he is intrinsically linked to that company having working for them for twenty years. My favorite work by him is on Batman: Gotham KnightsJustice League of America #1–7 (2013) and 52 which I grant which was way overly ambitious but really fun. Oh, and I’d be remiss not to note his decade long run on the Green Lantern books. He’s the writer and producer on the most excellent Stargirl that streamed on HBO Max. Johns is producing the Green Lantern series that will stream on HBO Max.
  • Born January 25, 1975 Mia Kirshner, 48. She was Amanda Grayson in Star Trek: Discovery. Her first genre was in the really not great The Crow: City of Angels as Sarah Mohr. (I editorialize, it is what I do. It’s like cats playing with string.) She had another run as Isobel Flemming in The Vampire Diaries and one-offs in The War of The WorldsDracula: The SeriesAre You Afraid of the Dark? and Wolf Lake. She had a plum role in Defiance as Kenya Rosewater. 

(9) COMICS SECTION.

  • Blondie copes with cats’ wedding ideas.

(10) INSTANT RED PLANET LIBRARY. Manhattan Rare Books has an online preview of the specialty collection it is offering for $975,000: “Mars and the Imagination: A Record of Our Relationship with the Red Planet”.

Background

Mars and the Imagination was conceived and assembled by the experienced collector David Wenner – whose comprehensive collection on the history of physics now resides at the Niels Bohr Library of the American Institute of Physics – and represents much more than a “collection” of works. Through his years of research and study, Wenner was able to unearth important and previously unrecognized literary and historical texts, making new connections among them. Contextualized in such a way, the items in Mars and the Imagination collectively tell an illuminating story through primary sources that to our knowledge has not been previously attempted. It is the story of our fascination with the Red Planet, a story of our wonder about something that is just out of reach, a story that has revealed as much about us as it has about Mars.

Fiction and Non-Fiction

For hundreds of years, Mars has been observed by scientists, but lurked tantalizingly on the edge of our ability to truly understand the nature of the planet. It thus became a perfect template for speculation: What are the conditions on Mars? Is it hospitable to life? Are there, or have there ever been, living beings on Mars and if so, are they like us? Superior to us? Threatening to us? Will we ever be able to visit Mars?

The approaches to answering these questions have been varied, with both scientific inquiry and imaginative fiction in a continual dialogue of influence on each other. Mars and the Imagination, therefore includes texts by such scientific giants such as Kepler, Huygens, Hooke, and Cassini, but also fiction by literary masters such as Swift, Wells, Asimov, Bradbury, and Clarke.

(11) A KLINGON SCREWDRIVER. Or more like a Swiss Army knife, except these aliens aren’t neutrals: “Star Trek Klingon Bat’leth 6-In-1 Multitool Kit”.

Tools Of Honor: No Klingon ever breaks his word. Shaped like the traditional Klingon Bat’leth weapon, this 6-in-1 multitool will help you tackle a variety of daily tasks. Perfect for when you’re exploring the universe, hiking, or camping.

(12) NOT ICE NINE. BBC News covers how the “Webb telescope hunts life’s icy chemical origins”.

The new super space telescope James Webb has ventured into the freezer.

It’s been probing some of the darkest, coldest regions in space for clues about the chemistry that goes into making planets, and perhaps even life.

This newly released image shows a segment of the Chameleon I molecular cloud, some 630 light years from Earth.

It’s here, at temperatures down to about -260C, that Webb is detecting types of ice grains not previously observed….

[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, David Goldfarb, SF Concatenation’s Jonathan Cowie, Mike Kennedy, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Review: The Complete Psychotechnic League, Volume 1

In the aftermath of World War III, with restoration of peace and order, and the efforts to cope with the nuclear fallout, a new science of the human mind is secretly invented. Its inventors and those who study and work with it aim to create a stable, new, human civilization that will ultimately prevent war. They also want a civilization that protects the maximum freedom of individuals while preventing the nationalism and fanaticism and power hunger that ultimately crushes that freedom. Achieving this requires a certain amount of ruthlessness, and absolute secrecy, and the dangers in that are fairly obvious. Poul Anderson largely abandoned the series after the 1950s, both because the nuclear third world war hadn’t happened, and because he was losing his naivety. These are good stories despite that, and the characters are complex and realistic, as Anderson characters remained throughout his career.

The Complete Psychotechnic League, Volume 1 (The Complete Psychotechnic League #1), by Poul Anderson
Baen Books, October 2017

By Lis Carey: Poul Anderson began writing his own “future history” in the 1950s, with its starting point being that there would be a limited nuclear war at some point in the 1950s. From that point would develop a secret effort to build a new social structure that could permanently prevent war. This project was founded on a new discipline of social psychology, and a secret organization within the UN, secretly manipulating people and events, including the occasional assassination.

You might think these people are the bad guys, but Anderson intended them to be the good guys, building a human civilization of freedom, prosperity, individual freedom, and no more war. Nuclear weapons meant war could never be allowed to happen again. If you’ve looked at photographs and films from Hiroshima and Nagasaki, including interviews with the survivors, it should be clear why. So Anderson has his initially tiny cadre of people studying the mathematics of the new science of the human mind, who work first to ensure militaristic dictatorship doesn’t become an acceptable form of government for UN members, and then to have enough influence to ensure all the countries stay on track and the UN develops toward being a true world government.

One of the interesting features of this story sequence is the Un-Men, the UN’s top, and top secret, agents, who undertake all the most dangerous missions to thwart the efforts of nationalists and authoritarians in various countries, including the US, to weaken the UN, strengthen national governments, and bring back the ability of national governments to pursue their view of national interests, even if it means invading and conquering their neighbors. Two things go into making these Un-Men the super-agents that they are. One is superior mental and physical training grounded in the ever-advancing science of the human mind, related to the science that also enables the Psychotechnic Institute to project and manage the future development of human civilization in the direction they want. (It’s worth noting that the Psychotechnic Institute is officially independent of the UN, lessening its direct power, but providing a level deniability on both ends.)

The other thing is that one very exceptional man, extremely intelligent, strong, and adventurous, never chose to enlist in the program, but was eventually cloned. The clones emerge identical to the original, not just physically and in some important aspects of temperament and personality, but in every way, except for particular scars that one individual got and another didn’t. And this is true to the point that, when necessary, one Un-Man can impersonate another well enough to fool even his wife, in even the most intimate circumstances. This is of course impossible because nurture and life experience does play a role in how we turn out. But in the 1950s, who knew? We were still decades away from cloning Dolly the sheep. The superior science of the mind resulting in more effective education for those to whom it is extended, I’m totally willing to believe as a potential reality. The completely identical Un-Men? That’s something I go with for the sake of the story.

Another interesting feature is the story set on Venus. You might argue with the politics of it, and Anderson in his later years certainly did. But this Venus is not the verdant jungle of other sf of this period. It’s oppressively hot still, but dry, barren, and uninhabitable in its current state. It’s not the real Venus we know now, but it’s a lot more realistic than most sf and popular imagination portrayed at the time. The now-independent and unified colonies on Venus are working on terraforming it. But to do so, the colony has become extremely collectivist and top-down, with little to now personal freedom and an ever-present secret police. This is something the 1950s Anderson didn’t approve of, the 1990s disapproved of even more, and no one who remembers the USSR, or Mao’s China, or other such regimes, would volunteer to live in. Anderson and his protagonist in this story do both concede, and I agree, that some degree of collectivization is necessary to the project they’re undertaking. This much, though, stems from the greed and power-hunger of those in charge.

It’s also noted that the Venusian political bosses are making use of the as much of the same science the Psychotechnic Institute is using to remake Earth to their vision, and using it quite effectively. And that right there is one of the things I’ve always loved about Anderson — that ability and willingness to see that there’s more than one side, even when he’s coming down firmly on one particular side.

Another thing I love is that the characters are interesting, complex, and realistic. People are individuals, not stereotypes or stick figures. There aren’t many women in these stories, but the ones that are here, and play significant roles, are also intelligent, resilient, and interesting, as well as varied in their interests and goals. The ones that are more in the background? They look and sound more like what we find conventional 1950s fiction. The basic social roles seem similar. But the ones who are significant characters are real people, without being portrayed as freakish in their own setting.

The stories weren’t written in any particular order, but in 2017, Baen gathered them into three volumes, presenting them in internal chronological order, and providing an introduction and interstitial material reframing these stories as the alternate history they became when we didn’t have a nuclear war by the end of the 1950s. The stories in this volume range from shortly after the nuclear war, starting with one of the early experts in the new science of human behavior confronting a valued old friend, to try to dissuade him from unfortunately short-term goals, which would result in more war and death in the longer run.

I haven’t talked much about the individual stories. They’re good stories, and I enjoyed them, but what struck me most deeply in rereading these, is the overall impact, and experience of reading these 1950s stories in the 2020s. Still very good stories, but as different as my politics are from Anderson’s in his later years, I agree with him about the weaknesses here. The Venus story isn’t the only one where the potential danger of the Psychotechnic Institute’s psychometric science is acknowledged, and yes, I think it’s a greater danger than the younger Anderson recognized at the time.

And yet these are still very good stories, and I enjoyed them.

Recommended.

I received this book as a gift, and am reviewing it voluntarily.

Pixel Scroll 11/4/22 All Hearts Is Turned To Gizzards

(1) ABOUT THE BIRD. Neil Clarke, Editor of Clarkesworld, tweeted a series of thoughtful insights in reply to the current anxiety about Twitter’s future as a vehicle for marketing short fiction magazines. Thread starts here. Excerpts follow.

(2) EATING THE FANTASTIC. Scott Edelman invites listeners to munch Carnitas Benedict with the award-winning Michael Swanwick in Episode 184 of the Eating the Fantastic podcast.

Michael Swanwick

Michael has won five Hugo Awards and three Locus Awards, as well as a Nebula, World Fantasy, and Theodore Sturgeon Memorial Award — plus has been nominated for and lost more of these major awards than any other writer. His novels include Vacuum FlowersStations of the Tide, and Bones of the Earth, plus his most recent, City Under the Stars, a novel co-authored with the late Gardner Dozois. He’s also published a baker’s dozen of short story collections over the past three decades, starting with Gravity’s Angels in 1991 and most recently Not So Much Said the Cat in 2016, as well as the 118 short stories included in The Periodic Table of Science Fiction, one per each element. His recent novel The Iron Dragon’s Mother completed a trilogy begun with The Iron Dragon’s Daughter in 1993, which was named a New York Times Notable Book. Two of his short stories — “Ice Age” and “The Very Pulse of the Machine” — were adapted for the Netflix series Love, Death + Robots.

We discussed his response to learning a reader of his was recently surprised to find out he was still alive, how J. R. R. Tolkien turned him into a writer, why it took him 15 years of trying to finally finish his first story, how Gardner Dozois and Jack Dann taught him how to write by taking apart one of his tales and putting it back together again, why it was good luck he lost his first two Nebula Awards the same year, the good advice William Gibson gave him which meant he never had to be anxious about awards again, which friend’s story was so good he wanted to throw his own typewriter out the window in a rage, the novel he abandoned writing because he found the protagonists morally repugnant, why he didn’t want to talk about Playboy magazine, the truth behind a famous John W. Campbell, Jr./Robert Heinlein anecdote, and much more.

(3) NEW YORK STATE OF MIND. Chris Barkley, Astronomicon GoH, is a newsmaker on CBS affiliate WROC as “Sci-fi convention ‘Astronomicon’ returns to Rochester”.

…Various authors and artists are invited to come to the event, including Chris Barkley who is Astronomincon’s guest fan of honor this year.

“Science fiction conventions have been around for much longer than people think. Most people believe the mythology that Star Trek conventions were the beginning start of science fiction conventions. No, the first science fiction conventions actually took place in the 1930s, 1936. And the first World Science Fiction Convention took place in New York City in 1939,” Barkley said….

(4) LOTS OF POSSIBILITIES. At The New Yorker, Stephanie Burt asks if the Multiverse is where originality goes to die or if it unlocks new storytelling possibilities. Includes references to Leinster and Stapleton (and Borges) with quotes from Sanifer. “Is the Multiverse Where Originality Goes to Die?”.

…All these multiverses might add up to nothing good. If all potential endings come to pass, what are the consequences of anything? What matters? Joe Russo, the co-director of “Endgame,” has warned that multiverse movies amount to “a money printer” that studios will never turn off; the latest one from Marvel, “Doctor Strange in the Multiverse of Madness,” a sloppily plotted heap of special effects notable for its horror tropes, cameos, and self-aware dialogue, has earned nearly a billion dollars at the box office. This year, Marvel Studios announced the launch of “The Multiverse Saga,” a tranche of movies and TV shows that features sequels and trequels, along with the fifth and sixth installments of the “Avengers” series. (“Endgame,” it turns out, was not the end of the game.) Warner Bros. has released MultiVersus, a video game in which Batman can fight Bugs Bunny, and Velma, from “Scooby-Doo,” can fight Arya Stark, from “Game of Thrones.” Even A24, a critically admired independent film studio, now counts a multiverse movie, “Everything Everywhere All at Once” (2022), as its most profitable film.

There’s a reason that studios plan to spend billions of dollars—more than the economic output of some countries—to mass-produce more of the multiverse: tens of millions of people will spend time and money consuming it. Is the rise of the multiverse the death of originality? Did our culture take the wrong forking path? Or has the multiverse unlocked a kind of storytelling—familiar but flexible, entrancing but evolving—that we genuinely need?

Andrew (not Werdna) dissents on one count: “I wouldn’t consider Endgame to be a multiverse movie.”

(5) PERSONAL WORLDS. At the Guardian, Tom Shone uses Avatar as a takeoff point for an interesting article about worldbuilding and paracosms: “’Storytelling has become the art of world building’: Avatar and the rise of the paracosm”.

…Developmental psychologists have their own vocabulary for what [James] Cameron was up to in math class. His teenage dream of Pandora was somewhere between a heterocosm – the imaginary world of an adult author intended for publication such as Thomas Hardy’s Wessex or Mervyn Peake’s Gormenghast – and a paracosm, an imaginary world conjured by a child that, in its original form, is almost entirely private. Usually begun between ages six and 12, they seem to be linked to all the private clubhouses, hidden rituals and secret societies of middle childhood, in that they are maintained over a period of time, sometimes years, as the child builds a logically consistent, satisfyingly complete alternative universe for themselves. They tend to peter out with adolescence, about 12 or 14.

Many cultural figures have been drawn to these imaginary worlds. Wolfgang Amadeus Mozart and his sister, for example, shared a secret language and addressed one another as “King” and “Queen” of their fictional kingdom. The Brontës imagined an “infernal world” of Byronic villains and architectural majesty. CS Lewis made up a land of animals where cats acted like the knights of the round table. Robert Louis Stevenson drew maps. JRR Tolkien invented languages, while the Polish science-fiction writer Stanisław Lem issued fake passports. Friedrich Nietzsche and his sister Elisabeth created an imaginary world revolving around an inch-and-a-half-tall porcelain squirrel. “Everything that my brother made was in honour of King Squirrel; all his musical productions were to glorify His Majesty; on his birthday poems were recited and plays acted, all of which were written by my brother.”

Today, the Nietzsches would be show-runners with a deal with Apple+ to write and direct their own long-running King Squirrel series (“From the mind that brought you Thus Spake Zarathustra and the studio that brought you God is Dead: A CSI investigation …”).

(6) HORROR FOR LAUGHS. At the Guardian, Rich Pelley interviews Garth Marenghi (a.k.a. comedian Matthew Holness) from the British cult TV show Garth Marenghi’s Darkplace“Garth Marenghi: ‘Many writers cite me as an influence … and I will be suing them all’”

Anyway, you’re back with brand new horror book Garth Marenghi’s TerrorTome. Apparently it’s been 30 years in the making. How come it took so long?
[Wiping anti-bacterial gel into hands] The nature of time has been the main issue. Seconds and minutes quickly form themselves into hours, transmuting by degrees into days, weeks, months and, ultimately, years. Before you know it, decades have elapsed. The essential issue was the ever passing of time between the commencement and conclusion-ment of my task.

Would it have been quicker had you bothered to learn how to type with more than two fingers?
Writing balls-to-the-walls horror is extremely physical. Typing with more than two fingers is counterproductive for any horror writer; you need to concentrate your strength on two fingers alone. I get quite hard when I write, so the best way to channel that energy is by banging – bang, bang, bang. If you type with your hands dancing all over the keyboard [mimes touch-typing], you’re essentially rubbing without release. It’s far more potent to jab….

(7) THE LAST ROUNDUP. “HBO Cancels ‘Westworld’ in Shock Decision”The Hollywood Reporter has the story.

…The network has decided to cancel the sci-fi drama after its recent fourth season.

It’s an unexpected fate for a series that was once considered one of HBO’s biggest tentpoles — an acclaimed mystery-box drama that racked up 54 Emmy nominations (including a supporting actress win for Thandiwe Newton).

… Yet linear ratings for the pricey series fell off sharply for its third season, and then dropped even further for season four. Westworld’s critic average on Rotten Tomatoes likewise declined from the mid-80s for its first two seasons to the mid-70s for the latter two. Fans increasingly griped that the show had become confusing and tangled in its mythology and lacked characters to root for. Looming over all of this is the fact Warner Bros. Discovery CEO David Zaslav has pledged aggressive cost-cutting, though network insiders maintain that saving money was not a factor in the show’s cancellation….

(8) SHE REALIZED HER DREAM. Fanac.org has posted a video interview, “Maggie Thompson:  Before, During and After the Origins of Comics Fandom”, in two parts. Maggie Thompson has the unique distinction of being a second generation science fiction fan, one of the architects of comics fandom in the early 60s, and is a much-revered professional in the comics field.  She is interviewed by Dr. Chris Couch.

Part 1: In this absolutely delightful interview, Maggie talks about her lifelong experiences with science fiction, science fiction fandom, and popular culture. From her early love of the Oz books and her delight in John Campbell’s magazine Unknown, to her convention and masquerade experiences, to her professional successes, Maggie’s anecdotes are engrossing. There are great stories here – how she acquired her complete set of Unknowns, the origins of her publications Comic Art and Newfangles, the family connection to Walt Kelly (and the Pogo comic strip), her friendship with Carl Barks, and more.

Endearingly, when asked as a child what she wanted to be when she grew up, Maggie answered “I want to be a BNF” (Big Name Fan). She has certainly accomplished that ambition. 



Part 2: In this part of the interview by Dr. Chris Couch, we learn more about Maggie Thompson and her influence on comics. With husband Don Thompson, she published fanzines Comic Art and Newfangles, and went on to edit The Comics Buyer’s Guide and others. Maggie is a respected professional in the field and has been recognized with many awards, including the Eisner, the Harvey, the Inkpot, and the Jack Kirby awards.

Continuing this absolutely delightful interview, Maggie talks about her segue into the professional field, the end of Newfangles and the start of the The Comic Buyers Guide. The engrossing anecdotes continue, with the nature of cosmopolitan Iola, Wisconsin,  her articulation of “perpetual but non-exclusive rights”, Dark Shadows, and the Done in One label for comics.  There are stories of some of the field’s great figures, including Harlan Ellison, Stan Lee, and Carl Barks.  You’ll see questions from the audience as well. 

After decades of furious activity in science fiction and comics, Maggie remains bubbling and full of enthusiasm for her chosen community. There was no need to ask Maggie what keeps her involved—the answers are more than clear. 

(9) THE SUCCESSOR TO SMALL, CUTE ROBOTS. [Item by Martin Morse Wooster.] I saw this documentary about the rover Opportunity tonight. The film has very good special effects from ILM. But people should know the film, as the trailer points out, tries to turn the rover into Wall-E (“She” “has a face”). I would have liked at least five minutes about the science Opportunity discovered instead of having NASA people who have spent too much time in media training talk about how brave the robot was. *Sigh* “Good Night Oppy – Official Trailer”.

(10) MEMORY LANE.

1983 [By Cat Eldridge.] Poul Anderson’s Orion Shall Rise (1983) 

There was a man called Mael the Red who dwelt in Ar-Mor. That was the far western end of Brezh, which was itself the far western end of the Domain. Seen from those parts, Skyholm gleamed low in the east, often hidden by trees or hills or clouds, and showed little more than half the width of a full moon. Yet folk looked upon it with an awe that was sometimes lacking in those who saw it high and huge. — first words of Orion Shall Rise

Some novels I really like. Such is the case with Poul Anderson’s Orion Shall Rise. By now, I must’ve read it at least a dozen times.

It was first issued by Phantasia Press Inc., a small publisher created  by Sidney Altus and Alex Berman. (This I did not know having, the Timescape Books from 1983.) They published short-run, hardcover limited editions of science fiction and fantasy books with an emphasis L. Sprague de Camp C. J. Cherryh, Philip José Farmer, and Alan Dean Foster. It was lasted from 1978 to 1989.

The book is said to be part of his Maurai series which really is a bit of lie. There are is only three more stories in total, “The Sky People”, “Progress” and “Windmill” I wonder if he meant to write more, but didn’t.  And yes, the Maurai world is visited by the time-traveling character of There Will Be Time.

SPOILERS BEWARE ARE SWIMMING AROUND, AND FLYING TOO

The novel is set apparently several hundred years after a devastating nuclear war which has set back civilization on Earth from a technology viewpoint. and vastly reduced the population as well, by billions it seems. Most of the planet has no advanced technology at all, and The Maurai Federation, the radically anti-technology society in the Pacific Ocean region, is dominated by the Maurai peoples of N’Zealann.

Meanwhile on the other side of the planet, the Domain of Skyholm, a class-based European society, rules over much of lower Europe from their pre-war dirigible aerostat.

Let’s not forget the Northwest Union, a clan-based society based in Pacific Northwest is the most technologically advanced and, and here comes the major spoiler — I did warn you, didn’t I? — they’ve been scavenging pre-War nuclear material to fuel the Orion class starship they have been constructing.

NOW BACK YO MY IMPRESSIONS

So why do I like the Orion Shall Rise so much? Well the story writing is damn perfect and doesn’t slip up at all. I do wish that Anderson had indeed written an actual Maurai series as there’s much here that could’ve been expanded upon.

There is one other thing that is wonderful and that is his characters. It is quite obvious to me that he loves his characters here, so let me quote a lengthy description of one early on:

Clansman was unmistakable. Even his clothes – loose-fitting shirt beneath a cowled jacket, tight-fitting trousers, low boots – were of different cut from their linen and woolen garb, and of finer material. At his ornate belt, next to a knife, hung a pistol; a rifle was sheathed at his saddlebow; and these were modern rapid-fire weapons. His coat bore silver insignia of rank on the shoulders, an emblem of a gold star in a blue field on the left sleeve. Before all else, his body proclaimed what he was. He sat tall and slender, with narrow head and countenance, long straight nose, large gray eyes, thin lips, fair complexion but dark hair that hung barely past his ears and was streaked with white. Though he went clean-shaven in the manner of his people, one could see that his beard would be sparse. He carried himself with pride rather than haughtiness, and smiled as he lifted an arm in greeting.

Everything here feels right, feels alive. I truly regret that was never told in an oral form as its sounds so much like a spoken tale.

It is available from the usual suspects. The Timescape trade edition is available, errr, new for just ten dollars on Amazon. They must have a time machine sitting around. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 4, 1912 Wendayne Ackerman. Wife of Forrest J Ackerman in the Forties. After eight years of marriage, she and FJA divorced but remained friends and companions. Later she translated the German language Perry Rhodan books he acquired for English-language publication. (Died 1990.)
  • November 4, 1934Gregg Calkins. Writer, Editor, and Fan. Mike Glyer’s tribute to him reads: “Longtime fan Gregg Calkins died July 31, 2017 after suffering a fall. He was 82. Gregg got active in fandom in the Fifties and his fanzine Oopsla (1952-1961) is fondly remembered. He was living in the Bay Area and serving as the Official Editor of FAPA when I applied to join its waitlist in the Seventies. He was Fan GoH at the 1976 Westercon. Calkins later moved to Costa Rica. In contrast to most of his generation, he was highly active in social media, frequently posting on Facebook where it was his pleasure to carry the conservative side of debates. He is survived by his wife, Carol.” (Died 2017.)
  • November 4, 1953Kara Dalkey, 69. Writer of YA fiction and historical fantasy. She is a member of the Pre-Joycean Fellowship (which if memory serves me right includes both Emma Bull and Stephen Brust) and the Scribblies. Her works include The Sword of SagamoreSteel RoseLittle Sister and The Nightingale. And her Water trilogy blends together Atlantean and Arthurian mythologies. She’s been nominated for the Mythopoeic and Tiptree Awards.
  • November 4, 1953Stephen Jones, 69.  Editor, and that is putting quite mildly, as he went well over the century mark in edited anthologies quoted sometime ago. The Mammoth Book of Best New Horror accounts for seventeen volumes by itself and The Mammoth Book of (Pick A Title) runs for at least another for another dozen. He also, no surprise, to me, has authored a number of horror reference works such as The Art of Horror Movies: An Illustrated HistoryBasil Copper: A Life in Books and H. P. Lovecraft in Britain. He has also done hundreds of essays, con reports, obituaries and such showing up, well, just about everywhere.
  • November 4, 1957Jody Lynn Nye, 66. She’s best known for collaborating with Robert Asprin on the ever so excellent  MythAdventures series.  Since his death, she has continued that series and she is now also writing sequels to his Griffen McCandle series as well. She’s got a space opera series, The Imperium, out which sounds intriguing. And she has written novels with Travis Taylor, Moon Beam and Moon Tracks.
  • November 4, 1958Nancy Springer, 64. May I recommend her Tales of Rowan Hood series of which her Rowan Hood: Outlaw Girl of Sherwood Forest is a most splendid revisionist telling of that legend? And her Enola Holmes Mysteries are a nice riffing off of the Holmsiean mythos. She won an Otherwise Award for her Larque on the Wing novel. The Oddling Prince came out several years ago on Tachyon. 
  • November 4, 1958Lani Tupu, 64. He’d be here just for being Crais and the voice of the Pilot on the Farscape series but he’s actually been in several other genre undertakings including the 1989 Punisher as Laccone, and  Gordon Standish in Robotropolis. He also had roles in Tales of the South SeasTime Trax and The Lost World. All of which we can guess were filmed in Australia. Lastly, he appears in the Australian remake of the Mission: Impossible series which if you haven’t seen it is quite excellent. I just found it in DVD format sometime in the past several years.
  • November 4, 1960John Vickery, 62. In Babylon 5, he played Neroon which is where I remember him from as he was a Right Bastard there.  His major Trek universe role was as Rusot, a member of Damar’s Cardassian resistance group, appearing in the DS9 episodes “The Changing Face of Evil”, “When It Rains…” and “Tacking Into the Wind”.  He also played a Betazoid in Next Gen’s “Night Terrors” and a Klingon in Enterprise‘s “Judgment” episode. 

(12) COMICS SECTION.

(13) QUANTUM OF KNOWLEDGE. Available to watch now, a Quantum Week webinar exploring the forthcoming quantum technology revolution: “Perspectives on societal aspects and impacts of quantum technologies” at Physics World. The participants are listed with brief bios at the link.

Quantum science and technology is advancing and evolving rapidly and, in the last decade, has shifted from foundational scientific exploration to adoption by commercial and government organizations. It is essential that scrutiny and guidance is applied to this quantum revolution to bring other societal stakeholders onboard and ensure that the benefits can be maximized for all society.

What considerations exist for quantum technologies? How should we engage as a society in the future, as promised and created by this emerging sector? We will discuss some key questions that will shape the forthcoming quantum technology revolution.

(14) FROM THE VAULT. [Item by Martin Morse Wooster.] Charles Schulz tells the BBC’s Peter France about the importance of perseverance and draws a strip with Snoopy in this 1977 BBC clip that dropped today.

(15) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “She-Hulk Pitch Meeting,” Ryan George says She-Hulk is “one of the most meta” Disney Plus shows ever.  It has a gratuitous twerking scene with Megan Thee Stallion which is put in there “to rile up angry internet dudus, and then we’re going to make fun of them for getting angry.” This is the show where She-Hulk smashes into the show’s writer’s room, demands they produce better scripts, and then meets the writers’ boss, who is not Kevin Feige.

[Thanks to Cat Eldridge, Mike Kennedy, Martin Morse Wooster, Cora Buhlert, Steven French, Andrew (not Werdna), JJ, John King Tarpinian, Chris Barkley, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day a Civil War farmer.]

Pixel Scroll 6/29/22 I Want To Scroll, What The Pixel On The Table Number 5 Is Scrolling!

(1) MARCEAU RAISES ISSUE ABOUT H.A.G. PRESIDENT. Author Caitlin Marceau tweeted yesterday that she has made the decision to leave the Horror Authors Guild (a different organization than the Horror Writers Association) due to Facebook comments made by the group’s newly-appointed president Don Smith on his own page. Smith was appointed President of HAG after D.A. Roberts stepped down, as Roberts announced June 14 on Facebook. Thread starts here.

(2) OTHER TIMES. Oliver Brackenbury of the Unknown Worlds of the Merril Collection podcast interviews Galactic Journey’s Gideon Marcus about alternate history fiction: “Alternate Histories”.

(3) A BARBARIAN’S BIRTHDAY. The Cromcast shares another Howard Days recording, this time of a panel to celebrate the 40th anniversary of the Conan the Barbarian film: “Howard Days 2022 – Part 6 – Conan the Barbarian at 40!”

In this recording from Saturday, June 11, Paul Sammon shares comments and stories related to his involvement with the first two Conan movies starring Arnold Schwarzenegger .

(4) BEYOND PEEVED. The Guardian tells how the superhero show The Boys enraged its rightwing fanbase, because they apparently did not realize that The Boys was supposed to be satire: “Why superhero satire The Boys turned off its rightwing fanbase”.

There seems to be a low-key competition within the culture at the moment as to who can produce the worst sort of fan. For years, Star Wars has been the far and away winner, with fans bitching and crowing like wounded animals any time the series dares to venture out of its very narrow parameters. And Rick and Morty had a decent shot at the title a few years ago, when fans furious that their favourite show had the temerity to hire a female writer published her personal details online.

But now, thanks to a large and increasingly dunderheaded minority, it would appear that the show with the worst fans alive is currently Amazon’s The Boys. These fans have just twigged that the show’s main villain is actually a villain, and they’re absolutely furious….

(5) MURRAY LEINSTER SIGHTING. A Virginia news site remembers the Dean of Science Fiction on the date he once received a statewide honor: “Editorial: The Virginia writer and inventor who predicted the internet and the multiverse” in The Roanoke Times.

We’ve opined on a number of heavy topics in recent weeks. Today we’re going to take a breather, and contemplate space, time, alternate realities and the possibility of contact with extraterrestrial civilizations.

In this instance, especially on this day, these topics have a Virginia connection.

Thirteen years ago, the General Assembly passed a resolution declaring June 27, 2009, as William Fitzgerald Jenkins Day.

Who the heck, you might wonder, is Will Jenkins?

…Jenkins, who died in 1975, is today remembered above all else as an author, but his most enduring work was not published under his own name. He used a nom de plume, Murray Leinster (pronounced LEN-ster).

As is the case with the invention of front screen projection, while you may not have personally read a Murray Leinster story, odds are extremely high that you’ve been entertain by a book or movie built on themes that he was the first to tackle — or at least the first to tackle in a manner that left a memorable impression through the decades.

Case in point, his 1945 story “First Contact,” which the General Assembly resolution billed as “the first science fiction story to present the dramatic scenario of the first meeting between earthlings and aliens.” The phrase “first contact” has since been used so often in that context that it’s understood to refer to a first encounter of the extraterrestrial kind….

(6) PULLMAN PROTESTS. Sheffield Hallam University in the UK has shuttered its English literature program, because the current UK government considers it a “low value” degree, which caused angry reactions from many prominent writers, including Philip Pullman: “Philip Pullman leads outcry after Sheffield Hallam withdraws English lit degree” in The Guardian.

The award-winning author Philip Pullman has said the study of literature “should not be a luxury for a wealthy minority of spoilt and privileged aesthetes” after it emerged that Sheffield Hallam University is to pull its English literature degree from next year.

He was one of a number of writers to raise concerns about the university’s decision to stop teaching the standalone degree and incorporate it instead into a broad-based English degree, a year after the University of Cumbria took similar action.

A Sheffield Hallam spokesperson confirmed that English literature was among a small number of its courses that were being either suspended or closed, largely due to lack of demand. They said the changes would not involve job losses….

(7) DOROTHY J. HEYDT (1942-2022). Author Dorothy J. Heydt, the originator and first editor of the Star Trek Concordance (1969), died this month reported Seanan McGuire on Twitter. Memory Alpha notes that beginning in 1967 her series of Star Trek stories, “Dorothy and Myfanwy” were published in Ruth Berman’s fanzine T-Negative. The Wikipedia credits her with the invention of the first widely used Vulcan conlangs for that series.

Its words were picked up and used by other fan fiction authors such as Claire Gabriel. One term, ni var, meaning “two form”, an art form in which two contrasting aspects of a subject are compared, is still used on Star Trek: Enterprise, as the name of a Vulcan ship and on Star Trek: Discovery as the new name of the planet Vulcan itself.

She also had poetry and articles published in the first Trek fanzine, Spockanalia.

Later she was an active participant in the Usenet newsgroups rec.arts.sf.written and rec.arts.sf.fandom. She wrote numerous short stories and two novels. Many of her stories appeared in Marion Zimmer Bradley’s Fantasy Magazine, or in collections edited by Marion Zimmer Bradley, including the Sword and Sorceress series, and stories in the Darkover series shared world. 

(8) BILLY WOLFENBARGER (1943-2022). Author and poet Billy Wolfenbarger died June 26. In addition to short fiction and poetry, he wrote columns and contributions for fanzines, especially Bill Bowers’ Outworlds and Xenolith. Two years ago William Breiding fulfilled the late Bowers’ vision of gathering these works in a book – Language at Midnight – now available at eFanzines. Breiding’s introduction shares some of that history:

In 1973 Bill Bowers published The Lizard Speaks by Billy Wolfenbarger in Outworlds 15, the 3rd anniversary issue, as a “book” inclusive to that issue. He then did an overrun of 50 “books” (a mimeographed pamphlet) that he distributed to its author and other interested parties. This was the culmination of an affectionate editor/writer relationship between Bill Bowers and Billy Wolfenbarger that dated as far back as 1964 and the Bill Bowers/Bill Mallardi fanzine Double:Bill.

In 1974 Bowers ran Wolfenbarger’s first “Language At Midnight” column in Outworlds 19. The column continued through Outworlds 26, published in 1975, then hopped over to Bill’s Xenolith in 1977 and ran there until 1980, when Billy stopped writing the column. Billy had a scattershot of other pieces in Bill’s publications—prose and verse—but never another “Language At Midnight” column, which had its own cast of characters and feel to it. (“Where it’s always midnight in October.”)

(9) MEMORY LANE

1972 [By Cat Eldridge.] Fifty years ago, at the very first L.A. Con, we saw Poul Anderson’s “A Queen of Air and Darkness” novella which has been published in F&SF, the April 1971 edition, win the Hugo for Best Novella. (Mike says he both nominated and voted for it.)

It was a particularly strong field that year with the other works being Arthur C. Clarke’s “A Meeting with Medusa”, Larry Niven‘s “The Fourth Profession”, John Brunner’s “Dread Empire” and Gardner R. Dozois’s “A Special Kind of Morning”. 

It would remain in print thereafter showing up immediately in Terry Carr’s The Best Science Fiction of the Year and Lloyd Biggle Jr.’s Nebula Award Winners 7. Anderson put in several collections including, not unsurprisingly, The Queen of Air and Darkness and Other Stories. Currently, of course, it is in the NESFA volumes. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 29, 1919 — Slim Pickens. Surely you remember his memorable scene as Major T. J. “King” Kong in Dr. Strangelove? I certainly do. And of course, he shows up in Blazing Saddles as Taggart. He’s the uncredited voice of B.O.B in The Black Hole and he’s Sam Newfield in The Howling. He’s got some series genre work including several appearances on Alfred Hitchcock Presents, plus work on The Man from U.N.C.L.E. and Night Gallery. (Died 1983.)
  • Born June 29, 1920 — Ray Harryhausen. All around film genius who created stop-motion model Dynamation animation. His work can be seen in The 7th Voyage of Sinbad (his first colour film) which was nominated for a Hugo at Detention, Jason and the Argonauts, Mighty Joe Youngand Clash of the Titans. I’ve got him voted into the First Fandom Hall of Fame twice, in 1996 and 2008. Any idea why?  (Died 2013.)
  • Born June 29, 1943 — Maureen O’Brien, 79. Vicki, companion of the First Doctor. Some forty years later, she reprised the role for several Big Finish Productions Doctor Who audio works. She had a recurring role as Morgan in The Legend of King Arthur, a late Seventies BBC series. Her Detective Inspector John Bright series was well received.
  • Born June 29, 1947 — Michael Carter, 75. Best remembered for being Gerald Bringsley in An American Werewolf in London, Von Thurnburg in The Illusionist and Bib Fortuna in the Return of the Jedi. He plays two roles as a prisoner and as UNIT soldier in the Third Doctor story, “The Mind of Evil”. 
  • Born June 29, 1950 — Michael Whelan, 72. I’m reasonably sure that most of the Del Rey editions of McCaffrey’s Dragonriders of Pern series was where I first noticed his artwork but I’ve certainly seen it elsewhere since. He did Heinlein’s The Cat Who Walks Through Walls cover which I love and many more. And there’s a wonderful collection of his work available, Beyond Science Fiction: The Alternative Realism of Michael Whelan.
  • Born June 29, 1956 — David Burroughs Mattingly, 66. He’s an American illustrator and painter, best known for his numerous book covers of genre literature. Earlier in his career, he worked at Disney Studio on the production of The Black HoleTronDick Tracy and Stephen King’s The Stand. His main cover work was at Ballantine Books where he did such work as the 1982 cover of Herbert’s Under Pressure (superb novel), the 2006 Anderson’s Time Patrol and the 1983 Berkley Books publication of E. E. ‘Doc’ Smith Triplanetary.
  • Born June 29, 1957 — Fred Duarte, Jr. His Birthday is today and this long-time Texas fan was well eulogized by Mike here upon his passing several years back. 
  • Born June 29, 1963 — Judith Hoag, 59. Her first genre role was in Teenage Mutant Ninja Turtles as April O’Neil followed by being in Armageddon playing Denise Chappel and then a Doctor in A Nightmare On Elm Street. She filmed a cameo for another Turtle film, Teenage Mutant Ninja Turtles: Out of the Shadows, but it was deleted. She’s got one one-offs in Quantum LeapThe Adventures of Brisco County, Jr., Strange WorldThe Burning ZoneX-FilesCarnivàle and Grimm. Her lady genre role was in The Magicians as Stephanie Quinn.

(11) ORIGINAL HORROR ANTHOLOGY BY POC. Following a successful Kickstarter, Death In The Mouth: The Best of Contemporary Horror, a horror anthology showcasing BIPOC and other ethnically marginalized writers and artists from around the world edited by Sloane Leong and Cassie Hart, will be released October 1 and is available for pre-order.

Sloane Leong is a cartoonist, artist and writer of Hawaiian, Chinese, Mexican, Native American and European ancestries. She’s written and drawn two acclaimed graphic novels, Prism Stalker and A Map to the Sun, and has short fiction credits with Fireside Magazine, Dark Matter Magazine and Entropy Magazine. She’s also co-edited the anthology Cautionary Fables and Fairy Tales: Oceania Edition. Sloane is currently living on Chinook land near what is known as Portland, Oregon.

Cassie Hart is a Māori/Pākehā author and editor from New Zealand. She has been an Australian Shadow, Hugo, and Sir Julius Vogel award finalist across the years, co-winning an SJV for Best Collected works for the anthology, Tales for Canterbury, and is a finalist for Best Edited Works in the Australian Shadow Awards 2021. Her supernatural suspense novel, Butcherbird, releases from Huia in 2021.

The anthology includes these authors and artists:

  • Jolie Toomajan – “Water Goes, Sand Remains”, with art by Jabari Weathers
  • Yah Yah Scholfield – “They Will Take Up Serpents”, with art by Makoto
  • ChiIsha Karki – “Welcome to Labyrinth”, with art by Natalie Hall
  • Endria Richardson – “Wind Up Teeth”, with art by Tsulala
  • Johnny Compton – “No Hungry Generations”, with art by Pierre Roset
  • Arasibo Campeche – “Drowned in Mindfulness”, with art by Michael Deforge
  • K-Ming Chang – “The Three Resurrections of my Grandfather”, with art by Sloane Hong
  • Reno Evangelista – “Her Apocrypha”, with art by Jess Hara
  • Catherine Yu – “Balloon Girl”, with art by Joy San
  • Daphne Fama – “The Pleiades”, with art by Alicia Feng
  • Beatrice Iker– “They’ll Keep You Gestated”, with art by Molly Mendoza
  • Cassie Hart – “She”, with art by Weiwei XuC
  • Pam Zang – “Alice or Rose or Aurora or Allerleuirah or Belle, on the Occasion of the Burial of the Beast”, with art by Charlotte Gomez
  • P. H. Low – “Tongue is a Void”, with art by JaeHoon Choi
  • Kelsea Yu – “The Obedient Son”, with art by Audrey Murty
  • JL Akagi – “Henry Watanabe and the Wandering Hand”, with art by Bhanu Pratap
  • Amaranta Sepulveda Durán – “The Mother-Wound”, with art by Vivian Magaña
  • Sloane Leong – “Paradise”, with art by Solomon Enos
  • Rivers Solomon – “Some of us are Grapefruit”, with art by Junko Mizuno
  • Ras Cutlass – “Melinda and the Grub”, with art by Naomi Butterfield
  • R.S.A. Garcia – “A Bonfire in the Night”, with art by Zhang Hetian
  • Jessica Cho – “On Tattered Wings”, with art by Lina Wu
  • M. L. Krishnan – “The Eggshell Sanctuary”, with art by Julie Benbassat
  • Priya Chand – “Never Lie to Me” with art by Congming
  • Karin Lowachee – “The Black Hole of Beaumort”, with art by Allissa Chan
  • Darcie Little Badger – “Homebody”, with art by Apolo Cacho

(12) IS IT TIME FOR YOUR MOUNT TSUNDOKU TO ERUPT AGAIN? [Item by BGrandath.] Matt of Bookpilled is IMHO one of the best SF reviewers on BookTube, he has a great respect for classic SF. He is going to have an auction of vintage books on Sunday and I thought some Filers might be interested. These are the two links to the event he discusses in the video. (1) Whatnot – Vintage SF & Fantasy Book Clearout Livestream by thriftalife #books, and (2) Bookpilled – Etsy.

(13) A LIVING SKIN COVERING FOR ROBOTS HAS BEEN CREATED. [Item by SF Concatenation’s Jonathan Cowie.] In The Terminator film franchise, the hideous form of the robotic Terminators were covered by biological skin. This has now been developed for real by researchers in Japan. They have developed a living-skin consisting of cells and extracellular matrix, as a human-like and self-healing coverage material for robots. It was flexible and felt like skin. If scratched it could even heal. However, this artificial living skin was prone to drying out. To avoid such drying, building perfusion channels within and beneath the outer skin so as to mimic blood vessels to supply water, as well as the integration of sweating glands in the skin equivalent, need to be developed. (See Kawai, M. et al (2022) https://doi.org/10.1016/j.matt.2022.05.019 Matter, vol. 5 1-19.)

(14) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers:  Diablo Immortal,” Fandom Games says this version of Diablo meant for phones is yet another example of how “a thing you love is processed by the same garbage-content processing machine” that is ruining entertainment today. The game is so focused on making you by stuff to make the play enjoyable that the only people who can afford it are “Saudi princes and whales who badly need a gambling intervention.”

[Thanks to John King Tarpinian, Chris Barkley, Andrew Porter, Cora Buhlert, Steven H Silver, BGrandath, Christian Brunschen, SF Concatenation’s Jonathan Cowie, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Peer.]

Pixel Scroll 1/27/22 All Ringworlds Great And Small

(1) MAUS OUT OF SCHOOL LIBRARY. In response to the banning of Art Spiegelman’s Maus by the McMinn County Tennessee School Board Neil Gaiman has tweeted: “There’s only one kind of people who would vote to ban Maus, whatever they are calling themselves these days.” “Tennessee school board bans Holocaust comic ‘Maus’ by Art Spiegelman” at CNBC.

A Tennessee school board has voted to remove the Pulitzer Prize-winning graphic novel “Maus” from an eighth-grade language arts curriculum due to concerns about profanity and an image of female nudity in its depiction of Polish Jews who survived the Holocaust.

The Jan. 10 vote by the McMinn County School Board, which only began attracting attention Wednesday, comes amid a number of battles in school systems around the country as conservatives target curriculums over teachings about the history of slavery and racism in America.

“I’m kind of baffled by this,” Art Spiegelman, the author of “Maus,” told CNBC in an interview about the unanimous vote by the McMinn board to bar the book, which is about his parents, from continuing to be used in the curriculum.

“It’s leaving me with my jaw open, like, ‘What?’” said Spiegelman, 73, who only learned of the ban after it was the subject of a tweet Wednesday – a day before International Holocaust Remembrance Day.

He called the school board “Orwellian” for its action….

In “Maus,” different groups of people are drawn as different kinds of animals: Jews are the mice, Poles are pigs and Nazi Germans — who had a notorious history of banning and burning books — are cats. It has won a slew of awards, including a 1992 Pulitzer Prize.

(2) CATHERYNNE M. VALENTE MEDICAL UPDATE. Author Catherynne M. Valente has contracted Covid and has been tweeting about how she feels, and is handling quarantining away from the rest of the family. She also will be unable to appear in person at Capricon the first weekend in February.

(3) THE GAME’S AFOOT. In the Washington Post, Michael Dirda gives a con report on the Baker Street Irregulars annual convention. “Sherlock Holmes gets the gala treatment in New York”.

…This year, socializing got underway on Thursday afternoon at the Grolier Club, the country’s leading society for bibliophiles. Opening that week, and running till April 16, was “Sherlock Holmes in 221 Objects,” an exhibition drawn from the fabled collection of Glen S. Miranker. Fabled? As I once wrote, “If the Great Agra Treasure — from ‘The Sign of Four’ — contained rare Sherlockian books and manuscripts instead of priceless gems, it would resemble Glen Miranker’s library.”

In display cases below a huge banner depicting Holmes in his signature dressing gown, one could see the only known copy in its dust jacket of the first edition of “The Adventures of Sherlock Holmes,” with original artwork by Sidney Paget and Frederic Dorr Steele, handwritten drafts of four major stories, and even Conan Doyle’s work ledger containing the December 1893 memorandum, “Killed Holmes.” This refers to “The Final Problem,” which ends with the great detective and his arch-nemesis, Professor Moriarty, both falling to their deaths, or so it seemed, at the Reichenbach Falls….

(4) PHILOSOPHICAL FAVES. University of California (Riverside) philosopher Eric Schwitzgebel picks five sf novels of interest to philosophers. “Science Fiction and Philosophy – Five Books Expert Recommendations”.

It’s an interesting conundrum, because some science fiction seems to extrapolate from existing science to a future that’s possible and consistent with what we know about science today. That is, a hypothetical situation that is a plausible, possible future world—or maybe not so plausible, but still could happen. But there’s another kind of science fiction which doesn’t seem to be bound by anything we know about science now—it just allows what you might call magical things to happen. I wonder how the two of them relate to philosophy.

Fantasy just allows magical things to happen. And that can be very useful in thinking through philosophical issues because you might be interested in considering things that aren’t scientifically plausible at all, exploring them as conceptual possibilities. Now, within the constraints of scientific plausibility we can find a second big philosophical value in science fiction: thinking about the future. For example, I think it’s likely that in the next several decades, or maybe the next 100 or 200 years, if humanity continues to exist and continues along its current trajectory, we will eventually create artificial beings who are conscious. Maybe they’ll be robots or maybe they’ll artificial biological organisms. Or they might be a bio-machine hybrid or the result of technology we can’t yet foresee. We might create artificial entities who are people—entities with conscious experiences, self-knowledge, values, who think of themselves as individuals. They might be very much unlike us in other ways—physiologically, physically, maybe in their values, maybe in their styles of thinking.

If that happens, that’s hugely significant. We’d have created a new species of person—people radically different from us, sharing the world with us. Humanity’s children, so to speak. Few things could be more historically momentous than that! But these matters are hard to think about well. Maybe that future is coming. But what might it even look like? What would it do to ethics? To philosophy of mind? To our sense of the purpose and value of humanity itself? Science fiction is a tool for imagining the possible shape of such a future. So that’s just one example of the way in which science fiction can help us think about future possibilities.

(5) WTF. In the Washington Post, Jonathan Edwards says that Peter Dinklage, a guest on”WTF With Marc Maron,” slammed the live-action remake of Snow White and the Seven Dwarfs as “a backward story about seven dwarfs living in a cave.” “Actor Peter Dinklage calls out ‘Snow White’ remake for its depiction of dwarves”.

…Dinklage, 52, told Maron he was surprised by what he saw as a contradiction.

“They were very, very proud to cast a Latino actress as Snow White, but you’re still telling the story of ‘Snow White and the Seven Dwarfs,’ ” Dinklage said, adding, “You’re progressive in one way … but you’re still making that … backward story about seven dwarfs living in a cave. What … are you doing, man?”

On Tuesday, Disney responded, saying it will aim to present the characters in a sensitive manner….

(6) POUL AND GORDY. Fanac.org has posted a 1977 video recording from ConFusion 14 with Poul Anderson and Gordon R. Dickson holding forth about a chapter in sf history: “The Way It Was (Pt  1): Minneapolis Fantasy Society”.

This short video features a conversation between authors Poul Anderson and Gordon Dickson on the history of the Minneapolis Fantasy Society (MFS). Gordy, the older of the two, begins with a description of the prewar (World War II) MFS, a serious writers’ group with members such as Clifford Simak and Donald Wandrei. Poul and Gordy then bring the calendar forward with anecdotes of traveling to Torcon (1948), MFS parties, and how the writing community worked in the middle of the century. 

These much loved members of the science fiction community are by turns very earnest, very funny and always very engaging in telling us “The Way It Was”…

Note that this is part 1 of a longer program. As of January 2022, we are working to digitize the next part.

Also note that there are about 5 seconds of disrupted video towards the end of the recording.

Thanks to Geri Sullivan and the Video Archeology project for providing the recording. 

(7) SEE VIDEO OF MANCHESS ADAPTATION. On Muddy Colors, Gregory Manchess posted a link to a video of the stage production of Above the Timberline, based on his story and art. “Watch the Stage Play of Above the Timberline!” (The video has to be watched at the link.)

In an alternate future where the weather of the world has been permanently altered, the son of a famed polar explorer sets out in search of his father, who disappeared while looking for a lost city buried under the snow. But Wes Singleton believes his father is still alive – somewhere above the timberline. Adapted from the exquisitely painted novel, the world premiere stage adaptation is sure to delight.

(8) FARLAND MEMORIES. The Writers & Illustrators of the Future have produced a visual tribute to their coordinating judge who recently died: “David Farland Memorial (1957 – 2022)”.

One only needs to look at Dave Farland’s vast roster of names discovered and nurtured. It is no wonder his keen eye for talent was dubbed “Writer Whisperer.” Dave was an extraordinary individual, a kind soul, and a cherished personal friend and friend to everyone in the writing community. He was always there to lend a helping hand. Dave will be greatly missed. But it is good to know that due to his excellent work and dedication to creating the future, science fiction and fantasy will continue to be in good hands.

(9) MEDIA BIRTHDAY.

1999 [Item by Cat Eldridge.]

Captain Janeway: Coffee, black. 

Neelix: I’m sorry, Captain. We’ve lost another two replicators – 

Kathryn Janeway: Listen to me very carefully because I’m only going to say this once. Coffee – black.

Twenty three years ago this evening on the UPN network, Star Trek: Voyager‘s “Bride of Chaotica!” first aired. It was the twelfth episode of the fifth season of the series. The episode is loving homage to the 1936 Flash Gordon film serial and 1939 Buck Rogers film serial that followed film. Much of the episode was shot in black and white to emulate the look of those shows. 

The story was Bryan Fuller who was the writer and executive producer on Voyager and Deep Space Nine; he is also the co-creator of Discovery. The script was by Fuller and Michael Taylor who was best known as a writer on Deep Space Nine and Voyager.

Critics really liked it. SyFy Wire said it was “campy, hilarious, hysterical, brilliant, and an absolute joy.” And CBR noted that Voyager was “having fun with its goofier side.”

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 27, 1832 Lewis Carroll. Writer, Alice’s Adventures in Wonderland and its sequel Through the Looking-Glass. In 1876, he also produced his work, “The Hunting of the Snark”, a fantastical nonsense poem about the adventures of a very, very bizarre crew of nine tradesmen and a beaver who set off to find the snark. (Died 1898.)
  • Born January 27, 1938 Ron Ellik. A well-known sf fan who was a co-editor with Terry Carr of the Hugo winning fanzine Fanac in the late Fifties. Ellik was also the co-author of The Universes of E.E. Smith with Bill Evans which was largely a concordance of characters and the like. Fancyclopedia 3 notes that ‘He also had some fiction published professionally and co-authored a Man from U.N.C.L.E. novelization.’ (ISFDB says it was The Cross of Gold Affair.) Encyclopaedia of Science Fiction says he died in an auto accident the day before his wedding. (Died 1968.)
  • Born January 27, 1940 James Cromwell, 82. I think we best know him as Doctor Zefram Cochrane in Star Trek: First Contact, which was re-used in the Enterprise episode “In a Mirror, Darkly (Part I)”.  He’s been in other genre films including Species IIDeep ImpactThe Green MileSpace CowboysI, Robot, Spider-Man 3 and Jurassic World: Fallen Kingdom. He played characters on three Trek series, Prime Minister Nayrok on “The Hunted” episode of Star Trek: The Next Generation and Jaglom Shrek in the two part “Birthright” story, Hanok on the “Starship Down” episode of Deep Space Nine and Zefram Cochrane once as noted before on Enterprise
  • Born January 27, 1953 Joe Bob Briggs, 69. Writer, actor, and comic performer. Host of the TNT MonsterVision series, and the ongoing The Last Drive-in with Joe Bob Briggs on Shudder from 2018–present. The author of a number of non- fiction review books including Profoundly Disturbing: Shocking Movies that Changed History!  And he’s written one genre novel, Iron Joe Bob. My favorite quote by him is that after contracting Covid and keeping private that he had, he said later that “Many people have had COVID-19 and most of them were much worse off than me.  I wish everybody thought it was a death sentence, because then everyone would wear the f*cking mask and then we would get rid of it.”
  • Born January 27, 1957 Frank Miller, 65. If you’re not a comic reader, you first encountered him in the form of Robocop 2 which I think is a quite decent film. His other films include Robocop 3Sin City300Spirit (fun) and various Batman animated films that you’ll either like or loathe depending on your ability to tolerate extreme violence. Oh, but his comics. Setting aside his Batman work all of which is a must read, I’d recommend his Daredevil, especially the Frank Miller & Klaus Janson Omnibus which gives you everything by him you need, Elektra by Frank Miller & Bill Sienkiewicz, all of his Sin City work and RoboCop vs. The Terminator #1–4 with Walt Simonson. 
  • Born January 27, 1963 Alan Cumming, 59. His film roles include his performances as Boris Grishenko in GoldenEye, Fegan Floop in the Spy Kids trilogy, Loki, god of Mischief in Son of the Mask (a really horrid film), Nightcrawler in X2 and Judas Caretaker in Riverworld (anyone know this got made?)
  • Born January 27, 1970 Irene Gallo, 52. Associate Publisher of Tor.com and Creative Director of Tor Books. Editor of Worlds Seen in Passing: Ten Years of Tor.com Short Fiction which won a World Fantasy Award. Interestingly, she won all but one of the Chesley Award for Best Art Director that were given out between 2004 and 2012. 

(11) THE SOUND AND THE FURRY. [Item by Michael Kennedy.] A Texas primary candidate for the state House got in an uproar regarding a tall tale about Furries. She decided that it was an outrage that some schools would be lowering their cafeteria tables to make it easier for these anthropomorphs to eat out of their bowls—sans utensils or hands. 

This despite the fact that Furrys don’t do that. Or that the schools in question had no intention of lowering their tables. Or that, in fact, it was impossible to do so given the tables’ design.

This is hardly the only tall tale about Furries and schools. I’ll leave it to your imagination (or to your clicking though to read the article) as to what alternative restroom arrangements were supposedly on the table for one school system in Michigan. Or, rather, on the floor.  “A Texas GOP Candidate’s New Claim: School Cafeteria Tables Are Being Lowered for ‘Furries’”

On Sunday night, a candidate in the GOP primary for Texas House District 136, which includes a large portion of the suburbs north of Austin, tweeted a curious allegation. That candidate, Michelle Evans—an activist who works with the local chapter of conservative parents’ group Moms for Liberty and who cofounded the anti-vaccine political action committee Texans for Vaccine Choice, back in 2015—tweeted that “Cafeteria tables are being lowered in certain @RoundRockISD middle and high schools to allow ‘furries’ to more easily eat without utensils or their hands (ie, like a dog eats from a bowl).”

She was responding to a tweet from right-wing Texas provocateur Michael Quinn Sullivan, who had shared a video of a woman speaking at a December school board meeting in Midland, Michigan, claiming that schools there have added “litter boxes” in the halls to allow students who identify as “furries” to relieve themselves. Sullivan retweeted the video, adding, “This is public education.” (It isn’t; the claims made by the speaker in the video have been shown to be untrue.) 

… Similar reports have popped up elsewhere. In Iowa, an unsourced, anonymous report claimed that school boards were considering placing litter boxes in the bathrooms, while a Canadian public school director took to the media to connect similar rumors in his community to a backlash around accommodations that his schools had created for transgender students. Evans’s claim that Round Rock lowered its tables appears to simply be a new variation on the myth…. 

(12) JEOPARDY! Andrew Porter tuned into tonight’s Jeopardy! and saw a contestant struggling with this:

Category: Books and authors

Answer: This feral character raised by jungle animals originally appeared in Rudyard Kipling’s short story “In The Rukh”

Wrong question: Who is Tarzan?

Correct question: Who is Mowgli?

(13) DRY FUTURE FOR SOME. [Item by SF Concatenation’s Jonathan Cowie.] With a global population explosion and climate change, both factors will combine to create water shortages in some places (which would not happen otherwise if one or other factor did not exist).  Now, writing in Nature Communications, N. American researchers based in Canada and the US have mapped the global situation.  (Not looking good for SW of the USA.) “Hotspots for social and ecological impacts from freshwater stress and storage loss”.

The most-vulnerable basins encompass over 1.5 billion people, 17% of global food crop production, 13% of global gross domestic product, and hundreds of significant wetlands. There are substantial social and ecological benefits to reducing vulnerability in hotspot basins, which can be achieved through hydro- diplomacy, social adaptive capacity building, and integrated water resources management practices, the researchers conclude.

(14) A LITTLE CHILD SHALL MISLEAD THEM. In “Misunderstandings”, David Bratman says, “A comment elsewhere prompted me to drag out recollections of words whose meaning I misunderstood as a child,” and gives several engaging examples.

*blind spot
I thought this meant you were literally struck blind if you looked in that direction – whether permanently or momentarily I wasn’t sure and didn’t want to find out the hard way. I specifically remember our coming across a road sign with this warning when we were out driving around house-hunting in the hill country, which would put my age at 7. It is characteristic of me that, well over a half century later, I still remember exactly where this was, even though I’ve never gone back to check if the sign is still there. (I might be struck blind!) But from Google street view, apparently not.

(15) A PARAGON. I felt much better about File 770’s copyediting when I read artist James Artimus Owen tell Facebook readers

I have accidentally replaced all the spaces in my current manuscript with the words, “Chuck Norris”. But I’m leaving it in, in hopes that the change will be accepted as one of those necessary, semi-invisible words like “and”, “the”, and “defenestrate.”

(16) VIDEO OF THE DAY. In “Honest Game Trailers:  Final Fantasy XIV Endwalker,” Fandom Games, in a spoiler-packed episode, says the concluding Final Fantasy game has many “beautiful and poignant moments” because “you spent 5,000 hours with these characters in the previous 13 episodes,” but there are exciting sidebars, such as “waiting for a really rare monster to appear while someone writes the entire plot of Shrek in chat.”

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Chris Barkley, Joel Zakem, Bruce D. Arthurs, BravoLimaPoppa, Martin Morse Wooster, JJ, John King Tarpinian, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 11/12/21 She Scrolls In Pixels Like The Flight, Of Rocketships In Starry Skies

(1) PLANE CRASH CLAIMS BLUE ORIGIN TRAVELER. Just last month he was part of the foursome with William Shatner who rode Blue Origin to the edge of space: “Blue Origin astronaut Glen de Vries dies in plane crash” reports CNN.

One of Blue Origin’s newest astronauts, 49-year-old Glen de Vries, survived a ride to space in October alongside actor William Shatner. But less than a month later, he was killed in a small plane crash on Thursday in New Jersey.

…De Vries never disclosed how much he paid for a seat on the New Shepherd spacecraft. But whatever the amount was, after returning to Earth, de Vries told CNN it was worth it.

“We are devastated to hear of the sudden passing of Glen de Vries,” a spokesperson for Blue Origin said. “He brought so much life and energy to the entire Blue Origin team and to his fellow crewmates. His passion for aviation, his charitable work, and his dedication to his craft will long be revered and admired.”

Also on last month’s flight was Chris Boshuizen, a co-founder of satellite company Planet Labs, and Audrey Powers, Blue Origin’s vice president of mission and flight operations.

(2) LITERARY ARTS EMERGENCY FUND. Applicants can apply for funds administered by the American Academy of Poets, National Book Foundation, and Community of Literary Magazines and Presses until January 6, 2022: see the Literary Arts Emergency Fund Submission Manager.

ELIGIBILITY

  • Literary arts organizations and publishers* AND
  • Incorporated nonprofits with 501(c)3 status OR a fiscal agent AND
  • Based in the United States, U.S. territories, or Tribal lands

*Because recent financial losses experienced by nonprofit literary arts organizations and publishers have been substantial and emergency relief is limited, libraries, museums, book arts organizations, humanities councils, centers for the book, residencies, playwriting organizations, author’s homes, and organizations devoted to championing the legacy of an individual writer are ineligible.

(3) COME EXPERIENCE NONVIRTUAL REALITY. “Iceland Skewers Mark Zuckerberg’s Metaverse With New Tourism Ad”Gizmodo sets the frame for this wonderful send-up:

Iceland released a new tourism ad on Thursday, poking fun at Facebook’s (sorry, Meta’s) recent promises for how we’re all going to live in the future. But Iceland’s version of Mark Zuckerberg doesn’t want to sell you on visiting the sci-fi dystopia that we were all warned about for decades. No, Iceland just wants you to see its geysers and stuff.

… Iceland is desperate to get tourists back into the country, with tourism accounting for almost 9% of the nation’s GDP before the pandemic and employing roughly 30,000 people. But covid-19 obviously put the brakes on tourists visiting its scenic vistas—though Iceland is looking to lure those people back with clever ads.

(4) EATING THE FANTASTIC. Scott Edelman invites listeners to Take a break for baklava with Suzanne Palmer in episode 158 of the Eating the Fantastic podcast.

Suzanne Palmer

…Ay last month’s Capclave in Rockville, Maryland. I was able to harvest two con conversations for you there, something I haven’t been able to do in far too long — the first, this episode’s lunch at Mykonos Grill with Suzanne Palmer.

Suzanne Palmer is a multi-award-winning science fiction writer. Her novelette “The Secret Life of Bots” won a Hugo Award in 2018, as well as the Washington Science Fiction Association Small Press Award, plus her story “Waterlines” won the 2020 Theodore Sturgeon Memorial Award. She’s published three novels with DAW Books about an interstellar repo man — her debut novel Finder in 2019, followed by Driving the Deep (2020) and The Scavenger Door (2021).

Her love of narrative science fiction extends beyond the written word, for when she was obtaining her Bachelors degree of Fine Arts in sculpture from the University of Massachusetts at Amherst, her thesis exhibition consisted of an entire museum of artifacts from a fictional world, including clothing, coins, furniture, manuscripts — and an 8? tall horned creature covered with fur. I found that part of her background, unknown to me until I started preparing for my conversation, fascinating, since as longtime listeners know from my interview with the team at Submersive Productions in Episode 86, I love immersive theater.

We discussed her recurrent dreams of accidentally impaling someone with her Hugo Award trophy during the ceremony, the Ray Bradbury story she copied out of a library book by hand word for word as a child, the differences between The Hobbit and The Lord of the Rings (and why some readers have difficulties with the latter), the way a friend’s urgings she do NaNoWriMo caused her to take her writing more seriously, the spark that gave birth to her interstellar repo man Fergus Ferguson, how the pandemic affected the writing of her latest novel, and much more.

(5) ON THE MOVE. A new quarterly magazine of speculative fiction by immigrant and diaspora writers has produced its third issue. Click here.

We are dedicated to diversity and elevating the voices of immigrant and diaspora authors.

We publish fiction, genre non-fiction, and art; our stories include fantasy, sci-fi, horror, and any genre in between or around it — as long as there’s a speculative element. We’re especially interested in writing and art that explores migration. Examples include themes of immigration, diaspora, and anti-colonialism, as well as more metaphorical interpretations of the term. 

Any act of migration, whether voluntary or forced, requires a recalibration of self-identity. We are defined, after all, by the environment that surrounds us: people, language, food, smell, sound. To change any one of them may be disorienting; to change them may leave us adrift. What better medium to explore this sensation than speculative fiction, where the author must create a new world for the reader to inhabit?  

(6) GAINING MOMENTUM. Fusion Fragment was relaunched in March 2020 as a semi-pro SF market. Issue #8 is already here, and issue #9 is coming soon.

The publisher tweeted about #9: “Also did I imagine that this is the biggest issue ever? And also that it has a new layout? And also that it has a new short fiction review column? I’m super excited and gonna start proofreading immediately to get this issue out to everyone soon!”

(7) BAYMAX! The trailer for a Disney Plus series in the Big Hero 6 universe dropped today.

(8) MEDIA BIRTHDAY.

  • 1961 — Fifty years ago at Seacon with the Toastmaster being Harlan Ellison, Poul Anderson wins the first of what eventually will be seven Hugos, for “The Longest Voyage.” It was first published in Analog Science Fact -> Fiction in the November 1960 edition. The other nominated works that year were Pauline Ashwell’s “The Lost Kafoozalum”, Philip José Farmer’s “Open to Me, My Sister” and Theodore Sturgeon’’s “Need”. It’s in The Collected Short Works of Poul Anderson, Volume Two: The Queen of Air and Darkness that NESFA published.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 12, 1917 Dahlov Ipcar. Though primarily an artist and you really should go visit her website, she wrote three amazing young adult novels between 1969 and 1978 which are The Warlock of Night, The Queen of Spells and A Dark Horn Blowing. She lived but thirty miles north of here and I was privileged to meet her a few times. Lovely lady! (Died 2017.)
  • Born November 12, 1922 Kim Hunter. She portrayed the chimpanzee Zira in the Planet of the Apes films For the first three outings. Her first genre roles was her first film role as Mary Gibson in the early Forties, The Seventh Victim. She’s June in A Matter of Life and Death, and Amanda Hollins in The Kindred. She has one-offs on Project U.F.O.Night GalleryMission Impossible and even appeared on The Evil Touch, an Australian horror anthology series. (Died 2002.)
  • Born November 12, 1929 Michael Ende. German author best known for The Neverending Story which is far better than the film which only covers part of the novel.  Momo, or the strange story of the time-thieves is a charming if strange novel worth your time.   The rest of his children’s literature has been translated from German into English mostly by small specialist presses down the years. Unlike The Neverending Story and Momo which I’ve delightfully encountered, I’ve not read any of these.  (Died 1995.)
  • Born November 12, 1943 Wallace Shawn, 78. Probably best remembered as the ferengi Grand Nagus Zek on Deep Space Nine, a role he only played seven times. He was also Vizzini in the beloved Princess Bride, and he played Dr. Elliott Coleye in the My Favorite Martian film. He also was the voice of Rex in the Toy Story franchise. 
  • Born November 12, 1945 Michael Bishop, 75. David Pringle included his Who Made Stevie Crye? novel in Modern Fantasy: The 100 Best Novels, An English-Language Selection, 1946-1987, high praise indeed. Though it feels slightly dated now, I’m fond of his Urban Nucleus of Atlanta series. And Philip K. Dick is Dead, Alas is simply amazing. He’s nominated for far too many Hugos to recount here. His major Award is a Nebula for his No Enemy but Time novel. 
  • Born November 12, 1952 Max Grodenchik, 69. He’s best known for his role as Rom, a recurring character on Deep Space Nine. He has a long genre history with appearances in The RocketeerHere Come The MunstersRumpelstiltskinStar Trek: Insurrection (scenes as a Trill were deleted, alas), Tales from The CryptSlidersWienerlandThe Adventures of Rocky and Bullwinkle and Bruce Almighty.
  • Born November 12, 1982 Anne Hathaway, 39. She starred as Selina Kyle in The Dark Knight Rises, the final installment in The Dark Knight trilogy. More impressive she was The White Queen In Alice Through the Looking Glass, and she was Agent 99 in the remake of Get Smart! No, not as good as the original but fun nonetheless.

(10) COMICS SECTION.

  • Saturday Morning Breakfast Cereal  “Norms”: The times they are a’changing? Yes? No?

(11) BOOZE WITH A VIEW. Untapped New York takes you to the “7 Best Bars in NYC Where a Drink Is Served with a Work of Art”. Only one or two are in the genre of fantastic art, still, it’s a very interesting article.

7. Marie’s Crisis

Located at 59 Grove Street, Marie’s Crisis is housed in an 1839 building. Its name is derived from Thomas Paine’s essay, The American Crisis, since Paine died on the site in 1809, and from Romany Marie, who was the proprietor of several tearooms in Greenwich Village at the turn of the century. Today, Marie’s Crisis is a piano bar where a showtune is never far away and was a former haunt of Eugene O’Neill and Edward VIII. The ambiance is aided by a WPA mural, whose origins are unknown. The mural  behind  the bar depicts the French and American revolutions and another mural entitled  La Convention depicts Robespeirre, Danton, and Paine.

(12) SECOND WORLDSHAPERS ANTHOLOGY. Edward Willett’s Shapers of World Volume II, a sequel to last year’s Shapers of Worlds, was released November 2, featuring new stories from Kelley Armstrong, Marie Brennan, Garth Nix, Candas Jane Dorsey, Jeremy Szal, Edward Willett, Bryan Thomas Schmidt, Lisa Foiles, Susan Forest, Matthew Hughes, Heli Kennedy, Helen Dale, Adria Laycraft, Edward Savio, Lisa Kessler, Ira Nayman, James Alan Gardner, and Tim Pratt, plus reprints from Jeffrey A. Carver, David D. Levine, Carrie Vaughn, Nancy Kress, Barbara Hambly, and S.M. Stirling. Both books were Kickstarted, with each raising approximately $16,000 CDN in pledges. The book is available from Shadowpaw Press and other retailers.

All of the authors were guests during the second year of Willett’s Aurora Award-winning podcast, The Worldshapers.

Willett is himself an award-winning author of more than sixty books of fantasy, science fiction, and non-fiction for readers of all ages, including eleven novels for New York’s DAW Books. His twelfth novel for DAW, the humorous space opera The Tangled Stars, will be out in 2022.

(13) IT IS THE END MY FRIEND. The Guardian profiles a band that draws on sff as one of its inspirations: “Placebo: ‘It’s not the end of the world. It’s just the end of the human species’”.

… While writing the album, Molko returned to the sci-fi films he had loved as a child – psychedelic ruminations on technology and power from the 1970s, such as Fantastic Planet and Silent Running. “I’m very interested in creating, with each song, an alternative universe where the laws of physics don’t necessarily apply,” he says. “Each song really does exist in its little parallel universe. If we’re not tied down to the laws of physics that are generally accepted in the universe we see, then certainly emotion will follow. Certainly anything is possible in another reality. It allows me to speak freely about what bothers me. I try to exaggerate things to increase dramatic effect, to highlight how ridiculous our reality is.”…

(14) INGENUITY INDEED. [Item by Mike Kennedy.] It’s Summer on Mars where the Ingenuity helicopter is, and this is an issue. The atmosphere is significantly thinner in the Martian Summer’s relative warmth, which cuts down on the lift the rotors can generate. 

Not wanting to give in to the mere fact of trying to operate a helicopter remotely in conditions it was never designed to accommodate, NASA engineers used a little ingenuity of their own. 

By sharply upping the rotors‘ RPM, then remotely diagnosing a problem with the flight control motors, NASA took Ingenuity for a short test hop then a longer checkout flight. This sets the scene to resume using Ingenuity to scout locations for the Perseverance rover. Ars Technica reassures us that “NASA’s stalwart Mars helicopter is back and better than ever”.

…Cumulatively, Ingenuity has now flown more than 3 km across the surface of Mars—more than five times farther than NASA had hoped to demonstrate with this technology. It’s safe to say that flying on other worlds, with atmospheres, will be more than just a passing fad for future exploratory missions. Rather, it likely represents the future.

(15) INTELLIGENT LIFE – ON EARTH? [Item by SF Concatenation’s Jonathan Cowie.] Nature reports on papers that show “Mysterious ‘alien beacon’ was false alarm” — “Radio signal seemed to originate from the star Proxima Centauri, and provided a helpful drill for future searches.”

A radio signal detected by an Australian telescope in 2019, which seemed to be coming from the star closest to the Sun, was not from aliens, researchers report today in two papers in Nature Astronomy [here and here];

“It is human-made radio interference from some technology, probably on the surface of the Earth,” says Sofia Sheikh, an astronomer at the University of California (UC), Berkeley, and a co-author of both papers.

But the disturbance, detected by Breakthrough Listen — an ambitious and privately funded US$100-million effort in the search for extraterrestrial intelligence (SETI) — looked intriguing enough at first that it sent astronomers on a nearly year-long quest to understand its origins. It was the first time that data from Breakthrough Listen triggered a detailed search, and the experience puts scientists in a better position to study future candidate detections.

“It’s really valuable for us to have these dry runs,” says Jason Wright, an astronomer at Pennsylvania State University in University Park. “We need these candidate signals so we can learn how we will deal with them — how to prove they are extraterrestrial or human-made.”

Mysterious blips

Since 2016, Breakthrough Listen has used telescopes around the world to listen for possible broadcasts from alien civilizations. The programme has picked up millions of radio blips of unknown origin, nearly all of which could be swiftly classified as coming from radio interference on Earth, from sources such as mobile-phone towers or aircraft radar.

The 2019 signal was different. It was detected by the 64-metre Parkes Murriyang radio telescope in southeastern Australia and came from the direction of Proxima Centauri — the nearest star to the Sun, just 1.3 parsecs (4.2 light years) away. Proxima Centauri is of intense interest to SETI researchers, not just because it is nearby. The star has at least two planets, one of which orbits at the right distance for liquid water to be present on its surface — a prerequisite for life as it exists on Earth…

…“The Universe gives us a haystack,” says Ravi Kopparapu, a planetary scientist at NASA’s Goddard Space Flight Center in Greenbelt, Maryland. “It is our need to find the needle in it, and make sure that it is actually a needle that we found.”…

(16) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In Ryan George’s “James Bond: Skyfall” on Screen Rant, Bond gets shot, falls off a high bridge, and his semi-conscious body plunges down a giant waterfall.  But why didn’t he die?  We don’t know, but there’s a cool opening song by Adele to cover up the handwaving!

[Thanks to JJ, John King Tarpinian, Andrew Porter, Lise Andreasen, Scott Edelman, SF Concatenation’s Jonathan Cowie, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]

Pixel Scroll 10/18/21 Will You Still Need Me, Will You Still Feed Me, When I Pixel Scroll

(1) WRECKS APPEAL. The Hugo Book Club Blog in “American Cleon” points out, among other things, that “Hari Seldon never suggests making something better than an Empire. He wants to make Trantor Great Again.”

….Foundation as a narrative has to be understood in this context; Isaac Asimov’s understanding of history was informed by American exceptionalism, the influence of America’s third ‘Great Awakening’ of apocalyptic religiosity, the wake of the Great Depression, and of a period of upheaval and uncertainty about the country’s future. It might be asked why, after 80 years, the books are finally being adapted to the screen; is it perhaps because we are again in a period of upheaval and uncertainty?

While we should be aware that the original novel is a product of the ideas and concerns of the time it was written, the television show is a product of today and makes arguments about the world of 2021. We would suggest that the television series version of Foundation contains hints of Gibbons’ classism, echoes of Asimov’s concerns about America on the eve of the Second World War, but also reflects our own 21st Century concerns about decline.

Margaret Atwood has said that “Prophecies are really about now. In science fiction it’s always about now.” And it’s really more about how people perceive the present, as today’s perceptions determine the actions of tomorrow. Apple TV’s Foundation series resonates because people perceive these trends to be inescapable, and determinative….

(2) BACKING UP THE TRAIN. Release dates have been pushed back, partly as a domino effect of one movie’s production delays. “Disney Delays ‘Doctor Strange,’ ‘Thor 4,’ ‘Black Panther’ Sequel and ‘Indiana Jones 5’” reports Variety.

Disney has delayed release plans for several upcoming films, including “Doctor Strange in the Multiverse of Madness” from March 25 to May 6, “Thor: Love and Thunder” from May 6 to July 8 and “Black Panther: Wakanda Forever” from July 8 to Nov. 11. With the “Black Panther” sequel jumping to November, “The Marvels” has been postponed to early 2023 and “Ant-Man and the Wasp: Quantumania” was bumped from Feb. 17 to July 28, 2023.

Along with the deluge of Marvel delays, Disney has moved the fifth “Indiana Jones” installment back nearly a year. The still-untitled film, starring Harrison Ford as the fedora-wearing, swashbuckling archaeologist, will open on June 30, 2023 instead of July 29, 2022.

…The scheduling overhaul is related to production and not box office returns, according to sources at Disney. The next “Black Panther” entry, for one, is still filming in Atlanta. Since Marvel has become an interconnected and meticulously planned universe — which spans dozens of film and several new television series — any production delay causes a domino effect on the rest of the franchise. As for “Indiana Jones,” the 79-year-old Ford sustained a shoulder injury on set in June, requiring the actor to take a break from filming while he healed. Though director James Mangold continued to shoot without Ford, there are a limited amount of scenes that don’t involve the adventurer. Ford has since recovered and returned to set…

(3) SHELF LIFE. “I got Tor to pay me for having organized my shelves,” says James Davis Nicoll. Well, and writing about the results, of course. “Fifteen Classic SFF Works By Three Extremely Prolific Authors”. (Tor.com has been hacked and is currently not safe to visit.)

It is not a coincidence that this essay was written after completing a grand personal library project that required alphabetizing and shelving a lot of books. One soon notices that which authors are best represented in one’s library. As far as vintage authors go, these are my top three by shelf-feet.

Poul Anderson (November 25, 1926 — July 31, 2001)

First published in 1947, Anderson’s career spanned seven decades. Although he slowed down towards the end of that period, in the end he was responsible for an astounding number of words and books. This was not an uncommon pattern for authors who started writing in the era of pulp magazines. Authors were paid poor per-word rates and learned to write quickly if they wanted to eat. Anderson was one of few from that era whose material was, well, often quite readable. Anderson combined quantity with range, publishing many works in multiple genres.

(4) SHAT TO THE FUTURE. Grand Valley State anthropologist Deana Weibel finds Shat’s experience of space different and profound. “Black ugliness and the covering of blue: William Shatner’s suborbital flight to ‘death’”.

… Among the astronauts I’ve interviewed as a cultural anthropologist studying religious aspects of space exploration, most have had some experience of the Overview Effect, but others were unaffected. An astronaut I’ll call “Alan,” for instance, told me, “The first time I looked out at the Earth from space… I even intentionally paused and kind of collected myself and meditated a little bit to kind of clear my head before I opened my eyes and looked out the window for the first time. And I didn’t really feel anything. It’s kind of a letdown. There was nothing. And maybe it’s because I’m not a spiritual person, that’s quite possible…It was a beautiful sight and a unique vantage point, but there was nothing about it that I felt in any way unlocked any kind of philosophical mysteries or spiritual mysteries.”

For others, the experience is life-changing, with the realization of the Earth’s delicacy inspiring environmentalism, such as in the cases of astronauts José Hernández, Scott Kelly, Mary Cleave, and many of their peers. Like them, Shatner clearly experienced the Overview Effect even during his very short suborbital flight above the Kármán line. In his now-famous post-flight conversation with Jeff Bezos, broadcast live and unfiltered, for instance, he described the fragility of the planet, saying, “This air which is keeping us alive is thinner than your skin. It’s a sliver. It’s immeasurably small when you think in terms of the universe. It’s negligible, this air… It’s so thin.”…

(5) BUTLER BOOK DISCUSSION. Join the South Pasadena Library’s in-person discussion of Parable of the Sower by Octavia Butler on October 21.

The Library’s Citywide reading program, One City One Story, winds up with two librarian-led discussions of our 2021 title, Parable of the Sower, by Octavia Butler. Borrow the ebook, eaudiobook, or a hard copy from the Library. This Thursday, October 21 at 7PM, join us for the in-person book discussion in the Library Community Room at 1115 El Centro Street.  Masks are required.

There will also be a virtual discussion over Zoom on November 10. Register on their Eventbrite page.

(6) YOU CAN CALL ME RAY. NASA has picked the next telescope it will deploy: “NASA Selects Gamma-ray Telescope to Chart Milky Way Evolution”.

NASA has selected a new space telescope proposal that will study the recent history of star birth, star death, and the formation of chemical elements in the Milky Way. The gamma-ray telescope, called the Compton Spectrometer and Imager (COSI)is expected to launch in 2025 as NASA’s latest small astrophysics mission.

NASA’s Astrophysics Explorers Program received 18 telescope proposals in 2019 and selected four for mission concept studies. After detailed review of these studies by a panel of scientists and engineers, NASA selected COSI to continue into development.

…COSI will study gamma rays from radioactive atoms produced when massive stars exploded to map where chemical elements were formed in the Milky Way. The mission will also probe the mysterious origin of our galaxy’s positrons, also known as antielectrons – subatomic particles that have the same mass as an electron but a positive charge. 

COSI’s principal investigator is John Tomsick at the University of California, Berkeley. The mission will cost approximately $145 million, not including launch costs. NASA will select a launch provider later….

(7) PAIZO UNIONIZING UPDATE. “Paizo Freelancers Support Union” – details at Morrus’ Unofficial Tabletop RPG News.

Jason Tondro, senior developer for Pathfinder and Starfinder, has indicated that a large swathe of Paizo freelancers have stopped work in support of the recently formed union by Paizo employees.

Initially the freelance group had a range of demands, but in light of the new union, they have put forward one single new demand instead: to recognize the union.

Tondro’s message begins:

Today I want to shine a spotlight on UPW’s secret weapon: freelancers. Paizo’s freelancers are our ally in this fight and we’re helping each other. Here’s how:

Paizo’s business model is built on freelancers. Very few of the words in our publications are written in-house by full time employees on the clock. Instead, we outline projects, hire freelancers to execute those outlines, and develop and edit those manuscripts.

This allows a relatively small number of people (about 35, including art directors, editors, designers, developers, and more) to produce, well, everything. Have you seen our publication schedule lately? It’s LONG. And Paizo must publish new books to pay its bills.

Well, about a month ago, about 40 of Paizo’s most reliable, prolific, and skilled freelancers simply stopped working. In official parlance, this is called “concerted action.” In layman’s terms, it’s a strike without a union….

(8) EASY LISTENING AND OTHERWISE. Lifehacker recommends these “15 Sci-Fi Podcasts to Listen to When You Need a Break From This Reality”. (Slideshow format.)

…What follows are 15 of the best and most interesting sci-fi podcasts in this reality, representing a wide array of styles and sub-genres: from full-cast productions to stories told by a single narrator, from cyberpunk to adventures with aliens, they’re all the products of talented creators shooting their freaky, whacked-out, forward-looking ideas directly into our brains—via our ears.

Slide 6 praises Twighlight Histories

There are several neat things going on with Twilight Histories, which is a podcast of alternate history stories, or at least stories with a pseudo-historical context (though a handful involve the future and space travel). It’s not an RPG podcast in the sense of something like The Adventure Zone, but the adventures are all narrated in the second person, which can be alienating at first—though it’s a good fit with the old time radio-style narration. The show’s been going on for quite some time, so there are a wide variety of adventures in various lengths to choose from, from ice-age time travel to a 13-part epic involving a war between Rome and the Saxons. The host, Jordan Harbour, is a trained archaeologist, so expect particular passion and verisimilitude in the historical worldbuilding.

(9) MEDIA BIRTHDAY.

  • 2004 – Seventeen years on this evening, the first half of Farscape: The Peacekeeper Wars as written by Rockne S. O’Bannon and David Kemper and directed by Brian Henson first aired on the Sci-Fi Channel.  It was the rare case where a series got a chance to have proper send-off as it had been cancelled two years earlier on a cliffhanger. This finale happened after a change in ownership for the Sci-Fi Channel. It has since been released on DVD with the US version having both segments edited into a single three-hour movie. Audience reviewers at Rotten Tomatoes currently give it a most excellent ninety-two percent rating. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 18, 1927 George C. Scott. A number of genre roles including his first, General Buck Turgidson, in Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb. Next up is Dr. Jake Terrell in The Day of the Dolphins followed by being The Beast in Beauty and the Beast. He was John Russell in a tasty bit of horror, The Changeling, and John Rainbird in Stephen King’s Firestarter. Of course you know he played Ebenezer Scrooge in A Christmas Carol.  And I’m going to include his being in The Murders in the Rue Morgue as C. Auguste Dupin as at least genre adjacent. (Died 1999.)
  • Born October 18, 1935 Peter Boyle. The monster in Mel Brooks’ Young Frankenstein. He won an Emmy Award for a guest-starring role on The X-Files episode, “Clyde Bruckman’s Final Repose”. He also played Bill Church Sr. in Lois and Clark: The New Adventures of Superman.  One of his final roles was in the “Rosewell” episode of Tripping the Rift.  (Died 2006.)
  • Born October 18, 1938 Dawn Wells. Mary Ann Summers on Gilligan’s Island which y’all decided several years ago was genre. She and Tina Louise were the last surviving regular cast members from that series as of two years ago, so Tina  who is eighty-seven years old is now the last surviving member. Summers had genre one-offs on The InvadersWild Wild West, Fantasy Island  and Alf. She reprised her role on the animated Gilligan’s Planet and, I kid you not, The Harlem Globetrotters on Gilligan’s Island. I think I’ll shudder at the thought of the last film. (Died 2020.)
  • Born October 18, 1944 Katherine Kurtz, 77. Known for the Deryni series which started with Deryni Rising in 1970, and the most recent, The King’s Deryni, the final volume of The Childe Morgan Trilogy, was published several years back. As medieval historical fantasy goes, they’re damn great. Her only Award is a Balrog for her Camber the Heretic novel.
  • Born October 18, 1947 Joe Morton, 74. Best remembered as Henry Deacon on Eureka in which he appeared in all but one of the seventy-seven episodes. He has other genre appearances including in Curse of the Pink Panther as Charlie, The Brother from Another Planet as The Brother, Terminator 2: Judgment Day as Dr. Miles Bennett Dyson, The Walking Dead as Sergeant Barkley, and in Batman v Superman: Dawn of Justice and Zack Snyder’s Justice League as Silas Stone, head of S.T.A.R. Labs and father of Victor Stone aka Cyborg.
  • Born October 18, 1951 Jeff Schalles, 70. Minnesota area fan who’s making the Birthday Honors because he was the camera man for Cats Laughing’s A Long Time Gone: Reunion at Minicon 50 concert DVD. Cats Laughing is a band deep in genre as you can read in the Green Man review here.
  • Born October 18, 1964 Charles Stross, 57. I’ve read a lot of him down the years with I think his best being the rejiggered Merchant Princes series especially the recent trilogy ofnovels. Other favored works include the early Laundry Files novels and both of the Halting State novels though the second makes me cringe.
  • Born October 18, 1968 Lisa Irene Chappell, 53. New Zealand actress here for making a number of appearances on Hercules: The Legendary Journeys after first appearing in the a pre-series film, Hercules and the Circle of Fire. Curiously, according to IMDB, one of her roles was as Melissa Blake, Robert Tapert’s Assistant. Quite meta that.

(11) SETTING THE VISION. In the Washington Post, Jon Paul Brammer says while he’s glad that Superman’s son is now bisexual “why can’t we have completely new LGBTQ characters” instead of being happy when old characters are revealed as being gay. “Bisexual Superman has his critics — and they get some things right”.

… This multiverse business is a convenient way for creators to have their cake and eat it in an entirely different dimension. The workaround surfaces in DC’s Superman, too. Taylor affirmed that the other Kent, the one currently on TV in the CW’s “Superman and Lois,”is still straight. “We can have Jon Kent exploring his identity in the comics as well as Jon Kent learning the secrets of his family on TV,” Taylor said. “They coexist in their own worlds and times, and our fans get to enjoy both simultaneously.” If your company is struggling with the low bar for LGBTQ representation, simply make up a parallel universe in which you clear it.

Whom does this serve? Such technicalities suck the joy out of ostensible breakthroughs for queer fans, and it’s not as though they temper backlash. The Superman news still riled conservatives, whose reaction could be summarized as “It’s Clark Kent, not Clark and Kent!” Traditionalists are invested in Superman and his Superspawn being red-blooded, American heterosexuals, and tinkering with that in any way is a capitulation to the woke mob. My God, what’s next? Will they make him Mexican? Can’t they just have their own heroes?

That last bit, lodged in among all the fearmongering over Supergays and Superbis, is actually a decent point: Why can’t we have completely new LGBTQ characters, and why should we praise DC Comics as brave for a half-measure that, frankly, is long overdue? Why should we keep celebrating the scraps?…

(12) PRIME EXHIBIT. In “Kubrick’s 2001: A Space Odyssey: What Happened to The Space Ship?”, Air Mail tells “How 2001: A Space Odyssey’s long-lost lunar lander found its way to L.A.’s new Academy Museum of Motion Pictures.”

No one’s really sure how the only remaining model spaceship from 2001: A Space Odyssey ended up in an English garden shed. But its journey to the soon-to-open Academy Museum of Motion Pictures, in Los Angeles, is among Hollywood’s more bizarre lost-and-found stories.

Released 53 years ago, in 1968—a year before the Apollo 11 moon landing—2001 was the second-highest-grossing movie of that year, and its influence can be detected everywhere, from Star Wars and Alien to Gravity and Interstellar, along with myriad lesser science-fiction movies. Steven Spielberg, who donated a wing to the Academy Museum, once called 2001 “the Big Bang” of his filmmaking generation.

… Then, in 2015, appearing out of nowhere like the film’s mysterious black monoliths, one turned up at a movie-memorabilia auction: the spherical, white Aries 1B. It got several minutes of screen time floating toward the moon to Johann Strauss II’s “The Blue Danube” waltz, ferrying passengers who were treated to a liquid-meal service by flight attendants walking upside down in grip shoes and Pan Am uniforms (a company which did not make it to the titular year), and eventually touching down with a plume of exhaust….

(13) THE FINAL SECONDS. Now you know.

(14) LATE WOLFE. Paul Weimer reviews “The Land Across by Gene Wolfe” at Nerds of a Feather. It doesn’t get a high score, even from a Wolfe aficianado.

…Gene Wolfe novels, especially his late novels, have some things in common, elements you expect, tropes and motifs you are hoping for. Unreliable narrator. Check. Mis-identification or confusing identification of characters in various guises. Check. Land with customs that are strange to a stranger in a strange land. Check. A book that you probably have to re-read to really understand what is happening. Check.

There is much here for the reader, as usual. This is Wolfe’s first and only dive into Kafkaesque fiction, and there is a delight in seeing Wolfe try a new subgenre for the first time. He’s done his research, has done the reading, and Grafton’s situation at first does feel like something out of Kafka….

(15) WILL IT BE A HIT? The story of a monkey on a mission. Marvel’s Hit-Monkey premieres November 17 on Hulu. A minor character in the first episode is voiced by George Takei.

(16) EYELASHES TO DIE FOR. [Item by Daniel Dern.] “I Enjoy Being A Girl” sung by Carol Burnett, Chita Rivera, and Caterina Valente all in costume as Morticia Addams, probably from the Sixties-vintage Gary Moore Show. (And, around 4:30, they bring in an older clip of Boris Karloff not-quite-singing “Chim Chim Cheree.”) [From Steve Dooner’s FB page.]

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Nancy Sauer, Michael J. Walsh, Chris Barkley, Daniel Dern, Martin Morse Wooster, JJ, John King Tarpinian, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Rob Thornton.]