Tag Archives: Psycho

Steve Vertlieb’s Bernard Herrmann Favorites

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By Steve Vertlieb: Elmer Bernstein once commented that, in his considered opinion, Bernard Herrmann and Miklos Rozsa were the two greatest practitioners of symphonic motion picture composition in the long history of the genre. The centennial of Herrmann’s birth was celebrated in 2011, and so we thought it appropriate, then, to commemorate his enormous contribution to the art of cinema by applauding some of his more outstanding works. While choosing merely ten scores by the composer to discuss is a daunting task, it is nevertheless the assignment for which we were chosen. For my own singular collection of titles, I have decided to include those Herrmann scores which have had the most profound emotional influence, and impact upon me. My reasons, as you will read, are purely personal, reflecting an unabashed affection for both the composer and his incomparable artistic legacy.

THE GHOST AND MRS. MUIR (20th Century Fox, 1947) – Among the most searingly romantic, and deeply sensitive scores ever composed for a motion picture, Herrmann’s outward bravado, as Elmer Bernstein tellingly observed in the documentary, Bernard Herrmann: Music For The Movies, was belied by the musical expression of his secret soul. For the timeless story of star crossed lovers, whose depth of passion for one another transcended mortal barriers, finding resolution at last, beyond the ethereal veil of eternal sleep, Bernard Herrmann composed, perhaps, his most profoundly beautiful score…a haunting, emotional masterpiece on wings of lyrical romanticism. The score, like the film that sired it, remains a gloriously tender rhapsody of idealized love and eternal devotion.

VERTIGO (Paramount, 1958) – Perhaps Herrmann’s masterpiece, as well as Hitchcock’s, this unforgettable film and score remain as arresting and fresh as when first released. Herrmann reached the zenith of his artistry with this heart breaking, Wagnerian score, filled with near operatic aspirations and tonality. Once again, idealized love is frustrated to the point of madness as the woman of James Stewart’s dreams is lost to him, an apparent victim of suicide. Obsession drives him literally to the brink and back again, realizing the living specter of his dead love embodied in another woman. Herrmann’s music rises achingly to levels of exquisite torment as Stewart fights to recover both the woman he lost, and his own sanity.

FAHRENHEIT 451 (Paramount, 1966) – Ray Bradbury, an American treasure, lent his genius to the motion picture screen when Francois Truffaut filmed the visionary science fiction classic. A tale of intellectual and emotional repression, Bernard Herrmann masterfully captured and conveyed the longing of souls yearning for freedom with his beautiful score, particularly expressed in the hauntingly eloquent final track, “The Road,” in which the chords of melancholy transition, from ashes to rebirth rise, as a phoenix of hope, in the rustling winds.

OBSESSION (Columbia, 1976) – Brian DePalma, who unashamedly found his own cinematic voice while emulating Alfred Hitchcock, filmed his own singular masterpiece in tribute to the Master’s Vertigo. A ghostly apparition of the earlier film, Obsession is, nonetheless, a stunningly erotic tale of romantic love lost, as Cliff Robertson (channeling James Stewart) finds his dead wife once more, seemingly reincarnated as a young Italian girl he meets at an art gallery. Consumed with her uncanny likeness to his deceased bride, he blindly and selfishly works to recreate the past and restore her to his personal happiness. Herrmann, having lost none of his sentimental heart, fills the soundtrack with one of his most deeply felt and passionate scores for this hauntingly psychotic story of love and betrayal. Reportedly, Herrmann wept openly when viewing the finished picture. It would be, sadly, his next to last work for the screen.

NORTH BY NORTHWEST (MGM, 1959) – Bernard Herrmann was one of a gifted hand full of screen composers equipped to write a truly exciting main title sequence. The overture for this Hitchcock classic is as remarkable an achievement musically, as was Hitchcock’s stunning, accompanying visual text. David Raksin remarked that only “Benny” Herrmann could get away with using a Fandango for a theme. However one describes it, Herrmann’s opening title music for North By Northwest is an exhilarating roller coaster ride through a cinematic amusement park that sparks the flame for one of the most entertaining thrillers ever conceived, either by director or composer. The main titles set the uncertain stage and, like the fragile instability of exposure to an earthquake, we remain off center and on tilt for the remainder of the film. The exuberance and sheer vitality of the score weaves a dizzying maze from which neither Cary Grant nor the audience will soon recover.

GARDEN OF EVIL (20th Century Fox, 1954) – Herrmann proved himself as adept at writing period scores as he was at home with contemporary music. This Gary Cooper vehicle, despite its western setting, contained all of the elements of great drama…survival, greed, heroism, and lust. Bernard Herrmann obliged the studio by writing richly expressive, full bodied and expansive themes, filling his musical landscape with one of his most colorful scores. So visual was his thematic material that 20th Century Fox chose to use elements of this score, along with his comparable music for Five Fingers, as the basis for its stock music library, in trailers advertising the studio’s products for years to come.

PSYCHO (Paramount, 1960) – This is, unquestionably, among the most influential motion pictures scores since sound transformed the movies. Herrmann’s music for Hitchcock’s most grizzly, and infamous production, haunted both showers and bathroom tile for decades, foreshadowing countless succeeding scores, and contemporary composer’s inspiration. In the absence of Herrmann’s unforgettable presence, Psycho remains an excellent film. With the addition of his haunting main title music, and searingly abrasive accompaniment to murderous thrusts of a blade most “foul,” the picture becomes at once a masterwork of terror and, ultimately, poignant depravity. It is a testament to Herrmann’s power and inspiration that the score for Alfred Hitchcock’s most notorious motion picture is continually performed today by orchestras around the world.

FIVE FINGERS (20th Century Fox, 1952) – Written and Directed by Joseph L. Mankiewicz, and based upon the book Operation Cicero, this wartime thriller focused on the exploits of a renowned British spy. James Mason tendered his usual finely tuned, cultured, and dapper performance as the spy in the employ of the British Consulate, while Bernard Herrmann contributed the superb and thrilling themes that would add immeasurably to the suspense, and eventual undoing of the greedy, albeit brilliant, valet. As noted earlier, the generous thematic musical materials were used often in subsequent trailers, and television series produced by Twentieth Century Fox.

THE SNOWS OF KILIMANJARO (20th Century Fox, 1952) – Based quite loosely upon the story by Ernest Hemingway, this stirring production directed by Henry King became a thoughtful, poetic, heart breaking romantic melodrama centered upon the tragic consequences of indulgence, war and remembrance. For the main titles Herrmann composed one of the most thrilling preludes, perhaps, in the history of cinema. His opening theme is a startling revelation, pulsing with dramatic urgency, compelling the listener to follow in rapt, spellbinding attention. Herrmann’s raging overture is among the most exciting pieces of music in his career, or any other. Rarely has the screen produced so ravenous and intense a musical salutation.

JANE EYRE (20th Century Fox, 1944) – Charlotte Bronte’s sweeping novel offered the composer the groundwork for one of his most profoundly passionate and romantic scores. Alternately somber and rhapsodic, the tragic tale of a lonely heroine accepting a position as a governess at a Victorian mansion, lorded over by a dark, brooding widower, was the stuff of classic love, and legendary devotion. Beautifully directed by Robert Stevenson, and performed by Orson Welles and Joan Fontaine, the heroic grandeur of Bronte’s haunting adventure gave Bernard Herrmann wondrous license to explore the full breadth, and limitless horizons of his fierce, artistic palette. Herrmann’s lush, deeply sensitive translation of Bronte’s stormy romantic fantasy, awakened memories of love’s awesome power and beauty, expressed so eloquently by his tortured, yet exquisite musical tapestry.

Bernard Herrmann was a legendary force in Hollywood, contributing some of the most singularly remarkable music in motion picture history. Over a period of thirty five years, he composed the symphonic accompaniment and inspiration for our most treasured dreams and aspirations. If music is the light by which cinematic imagery is emotionally defined and illuminated, then Bernard Herrmann was the flame that danced atop the candle. Dominating the expressive, new art form, Herrmann’s massive contributions forever changed the way we listen to movies, turning a largely polite, arid background into a psychologically complex, meaningful exploration of character and definition. Herrmann was prolific in the concert hall, as well as related media. For television, he wrote the ethereal background music for Rod Serling’s bittersweet tale of childhood’s wonder lost in “Walking Distance” for The Twilight Zone. It was a memorable achievement in a rich lifetime of memorable achievements. On this, the one hundredth anniversary of his birth…we celebrate his life.

++ Steve Vertlieb, January 1, 2011

Pixel Scroll 6/13/20 Scroll Me The Pixel Of Alfredo Tsundoku

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(1) EMERGENCY KERFUFFLE. When the New York Times recently reported that “the Internet Archive is ending its program of offering free, unrestricted copies of e-books because of a lawsuit from publishers, which said lending out books without compensation for authors or publishing houses was ‘willful mass copyright infringement’”, part of the internet fell on Chuck Wendig who had called IA a ”pirate site” for setting up the so-called National Emergency Library, even though he was only one of many to do so. His thread starts here. Update: “Only approved followers can see @ChuckWendig’s Tweets”

(2) ACTION ITEMS. The Booktubers behind the BooktubeSFF Awards have postponed the awards in favor of addressing some compelling issues:

(3) POINTING THE WAY. Here’s Buzzfeed’s list of “20 Books To Read If You Want To Get Into Black Sci-Fi And Fantasy”.

BuzzFeed Books recently asked Goodreads about its most popular Black speculative fiction titles. Below are 20 books that get high ratings and ample attention from the site’s many lovers of sci-fi and fantasy….

20. Mothership: Tales From Afrofuturism and Beyond, edited by Bill Campbell and Edward Austin Hall

Mothership: Tales From Afrofuturism and Beyond is an anthology gathering the writings of some of the most talented and groundbreaking authors of Afrofuturism and beyond, including N.K. Jemisin, Linda D. Addison, Rabih Alameddine, and more.

5-star review: “The best thing about this anthology is that it is filled with a variety of fiction across speculative genres from authors with both complementary and completely different styles. Mothership is a go-to if you want to bathe in Black speculative excellence, but it is also simply about the human experience across ethnicities, times, and places. It features works from and about other peoples of color, multi-racial individuals, and seats them all in different contexts.” —Dara Crawley

(4) WW. Another delay: “Wonder Woman 1984 sets release date for Oct. 2” – CNET has the story.

… “Wish we were sharing our film yesterday but there are more important things going on in our world we’d rather you focus on for now,” Wonder Woman director Patty Jenkins tweeted. “Thank you to our fans for being so great, by our sides.”

(5) UNDER THE HOOD. The guidelines for CoNZealand’s virtual masquerade are out. There are a lot of them. This is just an excerpt.

…Due to the current pandemic and global and local responses to it we are going digital! Both for our event and for all registrations, content, and that means entries.

All of the above rules apply. These are standard health and safety rules.

All entries will be pre-recorded.

You will have 2 minutes for your performance, solo entries included! Technical advice on recording your performance will be coming shortly, but most smartphones will be up to the task for video, more care will be needed for audio so please plan and have a back up accordingly!

You will also have 5 mins for a Q&A that will introduce you to our CoNZealand crew and audience.

We will be streaming the Masquerade as well as have the entries viewable before and after the event, this necessitates changes to what we are able to use for audio in entries. This information will be available soon.

(6) FULL LID. Alasdair Stuart, in this week’s “The Full Lid — 12th June 2020”, takes a long look at the extraordinary Blindspotting, written by and starring Daveed Diggs and Rafael Casal and directed by Carlos López Estrada. Then, “From Oakland we go to deep space and check out Nerys Howell’s precise, brilliant one-season science fiction podcast Seren. Finally, we come into land in rural Ireland with the fantastic The Hole in the Ground, directed by Lee Cronin who will be directing the next Evil Dead movie.” The interstitials this week are episodes of the superb Nightlight horror fiction podcast. 

(7) LIZARD LEFTOVERS. You couldn’t make this stuff up! But somebody did — “5 Super Weird Godzilla Vs. Movies That Almost Got Made”. For instance:

Godzilla vs. Batman

Holy radiated lizard scales, is Godzilla vs. Batman really a thing? Yes, I’m afraid it is, and Toho isn’t the only one that came up with the idea. American studio Greenway Productions, led by producer William Dozier, who produced Adam West’s Batman: The Movie, had a script drafted called Batman Meets Godzilla. Toho, for its part, had screenwriter Shinzi Sekizawa, who wrote Mothra vs. Godzilla, write its own version, but little is known about that one. The draw to have Godzilla fight Batman in both Japan and the United States seemed purely logical at the time. Batman’s comic books were flying off the shelves in Japan, and Godzilla movies were relatively popular in America too. So for both production companies, it seemed like a no-brainer to have a man dressed up like a bat fight a giant radiated lizard.

In William Dozier’s script, Batman, Robin and Batgirl first fight the villainous mad scientist Klaus Finster, who eventually awakens Godzilla. Batman and his sidekicks use every Bat-tool in their Bat-belts to stop the destructive Godzilla, but eventually settle on a plan to lure Godzilla with a mating call and then knock him out with explosives. After a thrilling battle between Godzilla and the Bat-crew, Batman finds a way to attach an explosive to Godzilla’s neck with Bat-rope and detonates it. While Godzilla is unconscious, the humans build a rocket around him and send him into the far reaches of outer space.

Sadly, this whimsical and silly adventure would never come to pass, likely because it’s insane, but also because the seas of change were roaring. The Adam West Batman TV show only lasted three seasons and a much darker interpretation of Batman was brewing in the comic books. Eventually, both Batman and Godzilla would see a radical transformation, but they would never meet on the big screen.

(8) MEDIA BIRTHDAY.

  • June 13, 1958 — Forbidden Planet premiered. It was produced by Nicholas Nayfack, and directed by Fred M. Wilcox. The screenplay was by Cyril Hume from a story by Irving Block and Allen Adler. It starred Walter Pidgeon, Anne Francis and Leslie Nielsen, with narration by Les Tremayne. Critics loved the film. “Weird but fascinating and exciting” said one. On its initial run the film turned a modest profit. Audience reviewers at Rotten Tomatoes give it a spectacular 85% rating. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born June 13, 1860 – Lancelot Speed.  Painter, illustrator, director of early British silent films, cartoonist in Punch and elsewhere.  Illustrated Andrew Lang’s Fairy books and Rider Haggard’s She, for which he also designed the film sets.  Here is Swanhild walking the seas, from Haggard’s Eric Brighteyes; here is Snowdrop in her glass coffin, from The Red Fairy Book; here is a scene from The Odyssey.  (Died 1931) [JH]
  • Born June 13, 1865 – W.B. Yeats.  Nobel Prize in Literature.  Co-founded the Abbey Theatre.  Student of Irish folklore & fantasy; Fairy and Folk Tales of the Irish Peasantry reprinted 2015 as Irish Fairy Tales.  A dozen short stories, forty poems, for us.  Here is “Among School Children” (How can we know the dancer from the dance?).  Here is “Byzantium”.  Here is “The Second Coming” (what rough beast?).  (Died 1939) [JH]
  • Born June 13, 1892 — Basil Rathbone. He’s best remembered for being Sherlock Holmes in fourteen films made between 1939 and 1946 and in a radio series of the same period. For films other than these, I’ll single out The Adventures of Robin Hood (all Robin Hood is fantasy), Son of Frankenstein and Voyage to the Prehistoric Planet. (Died 1967.) (CE) 
  • Born June 13, 1893 – Dorothy Sayers.  Known for Lord Peter Wimsey, whom I applaud – including his meticulously shown faults – but little of her detective fiction is ours (there are a few, like “The Cyprian Cat” which happens not to have Lord Peter).  Her religious writing was not fantasy for her.  I offer two points.  One small: in Busman’s Honeymoon, climax of the Wimsey stories, the ghost, almost an aside, is superb.  One great: her rendition of The Divine Comedy: it is fantasy: it’s Dante’s dream.  Sayers didn’t invent it; nor did Pope invent the Iliad and the Odyssey, his renditions of which, liberties taken and all, still shine.  (Died 1957) [JH]
  • Born June 13, 1903 — Frederick Stephani. Screenwriter and film director who is best remembered for co-writing and directing the 13-chapter Flash Gordon serial in 1936. He directed Johnny Weissmuller‘s Tarzan’s New York Adventure (aka Tarzan Against the World). He was also a uncredited writer on 1932’s Dracula. (Died 1962.) (CE)
  • Born June 13, 1920 – Walter Ernsting.  Co-founded the Science Fiction Club Deutschland – note its combined English-German name – editing its newsletter five years.  Called the father of German fandom.  Big Heart Award.  Co-invented (as Clark Darlton) Perry Rhodan – who began, in 1961, as a U.S. Space Force Major of 1971; here is the first cover; as of early 2019, more than 3,000 weekly digest-size booklets, 400 paperbacks, 200 hardbacks, two billion copies in novella format sold worldwide.  As CD and otherwise, three hundred SF novels, many shorter stories, many with co-authors; translated into Dutch, English, French, Russian; commemorative book in 2000, Clark Darlton, the Man who Brought the Future.  (Died 2005) [JH]
  • Born June 13, 1929 — Ralph McQuarrie. Conceptual designer and illustrator. He worked on the original Star Wars trilogy, the first Battlestar Galactica, Star Wars Holiday Special, Cocoon, Raiders of the Lost Ark, Nightbreed, Star Trek IV: The Voyage Home andE.T. the Extra-Terrestrial. (Died 2012.) (CE)
  • Born June 23, 1934 – Doreen Webbert.  First appeared in 1959, joining SAPS (the Spectator Amateur Press Society) and with husband Jim serving jointly as Official Editors six years.  First convention, Westercon 13 (Boise, Idaho).  Later to Arizona.  Stalwart of Leprecons, Coppercons, Westercons, NASFiCs (N. Amer. SF Con, since 1975 held when the Worldcon is overseas).  Fan Guest of Honor at Tuscon 15, Coppercon 9, Con/Fusion (sponsored by San Diego Comic-Con), Kubla Khanterfeit.  [JH]
  • Born June 13, 1943 — Malcolm McDowell, 77. My favorite role for him was Mr. Roarke on the rebooted Fantasy Island. Of course, his most infamous role was Alex in A Clockwork Orange. Scary film that. His characterization of H. G. Wells in Time After Time was I thought rather spot on. And I’d like to single out his voicing Arcady Duvall in the “Showdown” episode of Batman: The Animated Series. (CE)
  • Born June 13, 1949 — Simon Callow, 71. English actor, musician, writer, and theatre director. So, what’s he doing here? Well he got to be Charles Dickens twice on Doctor Who, the first being in “The Unquiet Dead” during the time of the Ninth Doctor and then later during “The Wedding of River Song”, an Eleventh Doctor story. He’d also appear, though not as Dickens, on The Sarah Jane Adventures as the voice of Tree Blathereen in “The Gift” episode. I’ve not watched the series. How are they? He was also The Duke of Sandringham in the first season of Outlander. (CE)
  • Born June 13, 1953 — Tim Allen, 67. Jason Nesmith in the much beloved Galaxy Quest. (Which won a much deserved Hugo Award for Best Dramatic Presentation at Chicon 2000.) He actually had a big hit several years previously voicing Buzz Lightyear in Toy Story which would be the first in what would become a film franchise.
  • Born June 13, 1974 – Jeaniene Frost.  Her Night Huntress books have been New York Times and USA Today best-sellers.  Fifteen of them so far, nine more novels, half a dozen shorter stories.  Audiobooks.  She says, “In my dream, I saw a man and a woman arguing.  Somehow I knew the woman was a half-vampire, the man was a full vampire, and they were arguing because he was angry that she’d left him.”  Her Website is here.  [JH]

(10) COMICS SECTION.

(11) HISTORY MOVES IN HITCHCOCK’S DIRECTION. SYFY Wire tells “Six Ways Psycho Impacted The Future Of Film”.

Psycho inspired the first documentary about a single scene in a film

By now, we are used to feature-length documentaries about the making of certain classic films – or what they could have been. Room 237, Jodorowsky’s Dune, Lost Soul: The Doomed Journey of Richard Stanley’s Island of Dr. Moreau, Lost in La Mancha, and Never Sleep Again: The Elm Street Legacy are just a few recent examples. But 78/52 is the first documentary to concentrate on a single scene in a film. The documentary, directed by Alexandre O. Philippe, focuses on the infamous “shower scene.” The title refers to the number of set-ups in the scene (78) and the number of cuts (52). What other film has a three-minute scene that could hold enough interest to generate a 91-minute documentary?

(12) MARS SCIENCE CITY. CNN tells how “Architects have designed a Martian city for the desert outside Dubai” – with photos.

Dubai is a city where firefighters use jetpacks, archipelagos are built from scratch, and buildings climb into the clouds; a slick metropolis in the middle of a vast red desert. First-time visitors would be forgiven for thinking they had stumbled onto a film set for a sci-fi movie.

Now Dubai is set for what must be its most other-worldly architectural project yet.

In 2017, the United Arab Emirates announced its ambition to colonize Mars within the next 100 years. But architects are already imagining what a Martian city might look like — and planning to recreate it in the desert outside Dubai.

Mars Science City was originally earmarked to cover 176,000 square meters of desert — the size of more than 30 football fields — and cost approximately $135 million.

Intended as a space for Dubai’s Mohammed Bin Rashid Space Centre (MBRSC) to develop the technology needed to colonize Mars, architects Bjarke Ingels Group were asked to design a prototype of a city suitable for sustaining life on Mars — and then adapt it for use in the Emirati desert.

(13) WATCHING MASTER SHIFU.  “Red pandas tracked by satellite in conservation ‘milestone'”.

Conservationists are satellite tracking red pandas in the mountains of Nepal to find out more about the factors that are driving them towards extinction.

The mammals are endangered, with numbers down to a few thousand in the eastern Himalayas and southwestern China.

Ten red pandas have been fitted with GPS collars to monitor their range in the forests near Mount Kangchenjunga.

(14) BEST GUESSES. Vice is delighted to inform readers that “Scientists Have Discovered Vast Unidentified Structures Deep Inside the Earth”. What are they? The article offers a couple of wild-ass theories.

Scientists have discovered a vast structure made of dense material occupying the boundary between Earth’s liquid outer core and the lower mantle, a zone some 3,000 kilometers (1,864 miles) beneath our feet.

The researchers used a machine learning algorithm that was originally developed to analyze distant galaxies to probe the mysterious phenomenon occurring deep within our own planet, according to a paper published on Thursday in Science.

(15) DON’T LOSE THIS NUMBER. Marc Laidlaw shares “The Satellite 37L4O5 Etc. Waltz.”

In the future, everyone will have a unique customized waltz, personalized entirely for them, which identifies them immediately. Reminder: Any waltz may be suspended at the discretion of the Identi-Waltz Authority.

[Thanks to Cat Eldridge, Andrew Porter, Martin Morse Wooster, Mike Kennedy, John Hertz, Michael Toman, Chip Hitchcock, JJ, Contrarius, and John King Tarpinian. Title credit goes to File 770 contributing editor of the day Bill.]

Pixel Scroll 9/12/19 The Last Voyage Of The Space Unicorn, By A.E. Van Beagle

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(1) DEFINITELY A FIRST. Somtow Sucharitkul’s full day included release of the Czech translation of his short story collection — Den v Mallworldu

What a day!

Siam Sinfonietta was honored by being made Orchestra in Residence of the International Music Festival in Olomouc

I received a medal for my work in cross-cultural outreach from Festa Musicale

My book was launched, the first book by a Thai author ever to appear in Czech

…Amazingly, while taking my orchestra on tour in Central Europe, well known fan and translator Jaroslav Olša organized the publication of all my stories that have previously appeared in Czech as a collection and I am having a book launch today – followed by conducting the orchestra in Martinu Hall! This has got to be a SF first, I would think!

(2) ALPHABET SLOOP. Camestros Felapton saw a need and filled it: “The less loved Star Wars wing fighters”.

I was impressed by this comprehensive list of ‘alphabet’ fighters from Star Wars https://www.gizmodo.com.au/2019/09/star-wars-wings-ranked/

I hadn’t realised there were so many but I can’t help thinking that there is a lot more of the alphabet Star Wars could have covered. So I have decided to fill in some of the gaps.

(3) DINOS FROM DUBLIN. Collider features a long interview with the director — “Exclusive: Colin Trevorrow on How He Secretly Made the ‘Jurassic World’ Short Film ‘Battle at Big Rock’”.

A lot of people are going to wonder how did you make a Jurassic World short film without anyone getting wind of it?

TREVORROW: We shot it in Ireland last winter. They have a grove of redwood trees outside Dublin that look exactly like the national parks in Northern California. I honestly never thought we’d make it this far without getting found out. The Irish can keep a secret….

Netflix has a Jurassic World animated series arriving next year. Do you guys have an idea of how long you want the animated series to go for? Do you have a plan if the show is a huge hit?

TREVORROW: Camp Cretaceous. The animation is gorgeous, it’s really exciting and emotional. I think kids are going to love these characters. The writers are so deeply invested in making something we can all be proud of. If it’s a hit and people want more, we’re ready. Just say the word

(4) FUNDRAISER. Kristine Kathryn Rusch sends fans “A Charitable Reminder” about an event she’s doing tomorrow —

I will be doing a live reading and Q&A for the Read for Pixels YouTube Session at 6.00pm PST on September 13th, 2019 (Friday).

The Pixel Project is a worldwide coalition of grassroots activists and volunteers who strongly believe that men and women must take a stand together for the right of women and girls to live a life free of gender-based violence. Our team, our allies, and our supporters use the power of the internet to mount a global effort to raise awareness about and hopefully mobilize communities around the world to get involved with ending violence against girls and women.

I’m participating in their fall fundraiser which began on September 1. Several other authors are participating as well. We’re donating our time and some goodies to encourage you to give a little bit of your hard-earned cash for the cause. So please join me on Friday!

(5) MAKING PARANORMAL MORE CONVINCING. Erin Lindsey, in “Tying In History, Mystery, and The Supernatural” on CrimeReads tells historical paranormal romance novelists that they’ll write better books if their history is accurate.

…Hang on a minute, you say. I was with you up to the magic paintings, but aren’t we writing historical fiction here? Isn’t that supposed to be, you know… accurate?

For the most part, yes. That’s why it’s so important to get the details right. To make sure everything else is meticulously researched and faithfully rendered, so that when that moment of departure comes, it makes a big impression. It helps if you can even ground your supernatural elements in real life – for example, by referring to unexplained incidents that actually exist in the historical record. For Murder on Millionaires’ Row, I researched ghost stories in the New York Times, selecting a few that took place at roughly the same time and even turning one of the real-life investigating officers into a major secondary character. Readers can go back to 19th century newspaper clippings and connect the dots between murders, ghosts, and a few other surprises—all against the backdrop of an otherwise historically accurate Gilded Age New York.

(6) TODAY IN HISTORY.

  • September 12, 1958 – The Blob premiered.
  • September 12, 1993 — CBS first aired Rockne S. O’Bannon’s Seaquest DSV on this date in 1993. Seaquest DSV would last just three years.
  • September 12, 1993 — Genre fans were treated to latest version of the Man Of Steel when Lois & Clark: The New Adventures Of Superman debuted this day.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 12, 1897 — Walter B. Gibson. Writer and professional magician who’s best known for his work creating and being the first and main writer of the pulp character The Shadow. Using the pen-name Maxwell Grant, he wrote 285 of the 325 Shadow stories published by Street & Smith in The Shadow magazine of the Thirties and Forties. He also wrote a Batman prose story which appeared in Detective Comics #500 and was drawn by Thomas Yeates. (Died 1985.)
  • Born September 12, 1914 — Desmond Llewelyn. He’s best known for playing Q in 17 of the Bond films over thirty-six years. Truly amazing. Live and Let Die is the only one in the period that Q was not in. He worked with five Bonds, to wit Sean Connery, George Lazenby, Roger Moore, Timothy Dalton and Pierce Brosnan. Other genre appearances include The Adventures of Robin Hood, the Strange Case of Dr Jekyll and Mr Hyde, The Curse of the Werewolf and Chitty Chitty Bang Bang. (Died 1999.)
  • Born September 12, 1916 — Mary, Lady Stewart (born Mary Florence Elinor Rainbow). Yes, you know her better as just Mary Stewart. Genre wise, she’s probably best known for her Merlin series which walks along the boundary between the historical novel and fantasy. Explicitly fantasy is her children’s novel A Walk in Wolf Wood: A Tale of Fantasy and Magic. (Died 2014.)
  • Born September 12, 1921 — Stanislaw Lem. He’s best known for Solaris, which has been made into a film three times. Both iBooks and Kindle have generous collections of his translated works at quite reasonable prices. (Died 2006.)
  • Born September 12, 1922 — John Chambers. He’s best known for designing Spock’s  pointed ears, and for the prosthetic make-up work on the Planet of the Apes franchise. Some of those character creations, including Cornelius and Dr. Zaius from the Planet of the Apes series, are on display at the Science Fiction Museum. He worked on the Munsters, Outer Limits, Lost in Space, Mission Impossible, Night Gallery and I Spy along with uncredited (at the time) prosthetic makeup work on Blade Runner. (Died 2001.)
  • Born September 12, 1940 — Brian De Palma, 79. Though not a lot of genre in his resume, he has done some significant work including Carrie. Other films he’s done of interest to us are The Fury which most likely you’ve never heard of, and the first Mission: Impossible film along with Mission to Mars. Not genre, but I find it fascinating that he directed Bruce Springsteen’s Dancing in the Dark video which has a genre connection as actress Courtney Cox would be in the Misfits of Science series and the Scream horror franchise as well. 
  • Born September 12, 1940 — John Clute, 79. Critic, one of the founders of Interzone (which I avidly read) and co-editor of the Encyclopedia of Science Fiction (with Peter Nicholls) and of the Encyclopedia of Fantasy (with John Grant) as well as writing the Illustrated Encyclopedia Of Science Fiction. All of these publications won Hugo Awards for Best Non-Fiction. And I’d be remiss not to single out for praise The Darkening Garden: A Short Lexicon of Horror which is simply a superb work.
  • Born September 12, 1942 — Charles L. Grant. A writer who said he was best at what he called “dark fantasy” and “quiet horror”. Nightmare Seasons, a collection of novellas, won a World Fantasy Award, while the “A Crowd of Shadows” short garnered a Nebula as did “A Glow of Candles, a Unicorn’s Eye” novella. “Temperature Days on Hawthorne Street” story would become the Tales from the Darkside episode “The Milkman Cometh”. Both iBooks and Kindle have decent but not outstanding selections of his works including a few works of Oxrun Station, his core horror series. (Died 2006.)
  • Born September 12, 1962 — Mary Kay Adams, 57. She was Na’Toth, a Narn who was the aide to G’Kar in the second season of Babylon 5, and she would show up as the Klingon Grilka in the episodes “The House of Quark” and “Looking for par’Mach in All the Wrong Places”. 

(8) DOCTOR WHO COLLECTIBLES. If you’re at the New York Comic Con (October 3-6) you might have a shot at these —

DOCTOR WHO 3″ Thirteenth Doctor “Kerblam!” Kawaii TITAN

Titan Entertainment are proud to present the latest in their series of limited edition Thirteenth Doctor Kawaii TITANS vinyls! For NYCC 2019, we’re showcasing the Thirteenth Doctor as she appears in the seventh episode of season eleven “Kerblam!” Available in very limited numbers at Titan Entertainment Booth #2142!

DOCTOR WHO 3″ Thirteenth Doctor “Rosa” Classic TITAN

Titan Entertainment are thrilled to announce the latest in their series of limited edition Thirteenth Doctor classic TITANS vinyls! For NYCC 2019, we’re debuting the Thirteenth Doctor as she appears in the third episode of season eleven “Rosa”. Available in very limited numbers at Titan Entertainment Booth #2142!

(9) FILM NOTES. The New York Times’ Joshua Barone is there when two movie scores, overshadowed for one reason or another when they first screened, get their due in a performance at David Geffen Hall: “‘Psycho’ and ‘Close Encounters’ Roll at the Philharmonic”.

‘Close Encounters of the Third Kind’

That Mr. Williams wrote his score for “Star Wars” in the same year as “Close Encounters” speaks to his versatility. One is a grand space opera, with catchy Wagnerian leitmotifs and blaring immensity; the other is atonal and elusive, full of amorphous sound that rarely coalesces into melody. (Mr. Williams, ever adaptable, later wrote playfully enchanting music for “Harry Potter and the Sorcerer’s Stone,” which the Philharmonic will perform in December.)

If you listen closely, there are signs that “Star Wars” and “Close Encounters” share a composer: an affinity for Ligeti comes through in both, as does a mastery of cosmic Romanticism. But their differences are clear from the first measure. Where “Star Wars” begins with fanfare and a brassy overture, Mr. Spielberg’s movie doesn’t open with any sort of memorable theme….

‘Psycho’

Steven C. Smith, in his biography “A Heart at Fire’s Center: The Life and Music of Bernard Herrmann,” repeats a quip from the composer that Hitchcock completed only 60 percent of any film.

“I have to finish it for him,” Herrmann said.

That’s not too outrageous; in the films they collaborated on between 1955 and 1964, from “The Trouble With Harry” to “Marnie,” Herrmann’s soundtracks were vital in setting tone and offering insight into psychology.

(10) CATS SLEEP ON SFF. Twitter edition –

(11) TURN BACK THE CLOCK. [Item by SF Concatenation’s Jonathan Cowie.] The SF concept of Anagathics or Antiagathics may about to come of age as an article in Nature reveals…. “First hint that body’s ‘biological age’ can be reversed”.

In a small trial, drugs seemed to rejuvenate the body’s ‘epigenetic clock’, which tracks a person’s biological age.

A small clinical study in California has suggested for the first time that it might be possible to reverse the body’s epigenetic clock, which measures a person’s biological age.

For one year, nine healthy volunteers took a cocktail of three common drugs — growth hormone and two diabetes medications — and on average shed 2.5 years of their biological ages, measured by analysing marks on a person’s genomes. The participants’ immune systems also showed signs of rejuvenation.

The results were a surprise even to the trial organizers — but researchers caution that the findings are preliminary because the trial was small and did not include a control arm.

(12) DYNASTIC DUO. SciFiNow shared Eoin Colfer reading from a forthcoming novel — “Exclusive video: Artemis Fowl author Eoin Colfer reads his new book The Fowl Twins”.

The new fantasy series sees Artemis’s twin brothers at the helm of a dangerously fast-paced adventure. With their brother, criminal virtuoso Artemis Fowl, away on a five-year mission to Mars, the younger Fowl children, 11- year-old twins Myles and Beckett, have been left alone at the Fowl family home.

One day, the twins manage to accidentally get caught up in an interspecies dispute when a troll burrows out of the Earth’s core right in front of Beckett’s eyes! In the events that follow the boys are shot at, kidnapped, buried, arrested, threatened and even temporarily killed but, despite their differences, the twins find that there is no force stronger than the bond between them. 

(13) THE TESTAMENTS ON RADIO. [Item by SF Concatenation’s Jonathan Cowie.] B Beeb Ceeb Radio 4 are doing a Book at Bed Time, Atwood’s The Testaments. They must have been quietly working on this as I only heard of it yesterday (usually I am pretty genned up on Radio 4 as it is piped to my study).

If you want an abridged audio book then this could be it for you. Episodes begin Monday 16th Sept (so not downloadble yet) starting here.

Margaret Atwood’s powerful and hugely anticipated sequel to The Handmaid’s Tale picks up 15 years after Offred stepped into the unknown. Now shortlisted for the Booker Prize.

(14) ROWLING HONORS MOTHER. It involves a charitable contribution: “JK Rowling donates £15.3m to Edinburgh MS research centre”.

JK Rowling has donated £15.3m to support research into neurological conditions at a centre named after her mother.

The Anne Rowling Regenerative Neurology Clinic at the University of Edinburgh was established with a £10m donation from the Harry Potter author in 2010.

Her latest gift will help create new facilities and support research.

Anne Rowling died aged 45 from complications related to multiple sclerosis (MS).

The centre is an integrated care and research facility focusing on MS and neurological conditions with the aim of bringing more clinical studies and trials to patients.

Neurological conditions studied at the clinic include motor neurone disease (MND), Parkinson’s and dementias.

(15) LEGENDARY ELEMENT. BBC asks, “‘Red mercury’: why does this strange myth persist?”.

For centuries rumours have persisted about a powerful and mysterious substance. And these days, adverts and videos offering it for sale can be found online. Why has the story of “red mercury” endured?

Some people believe it’s a magical healing elixir found buried in the mouths of ancient Egyptian mummies.

Or could it be a powerful nuclear material that might bring about the apocalypse?

Videos on YouTube extol its vampire-like properties. Others claim it can be found in vintage sewing machines or in the nests of bats.

There’s one small problem with these tales – the substance doesn’t actually exist. Red mercury is a red herring.

The hunt for red mercury

Despite this, you can find it being hawked on social media and on numerous websites. Tiny amounts are sometimes priced at thousands of dollars.

Many of the adverts feature a blurry photo of a globule of red liquid on a dinner plate. Next to it there will often be a phone number scribbled on a piece of paper, for anybody foolish enough to want to contact the seller.

(16) EXIT INTERVIEW. [Item by Jo Van.] In New Zealand, the law requires that people going for an employment-related meeting or medical consultation be permitted to bring a support person, who may be there to provide emotional support, other kinds of support for a mentally- or physically-disabled or ill person, or translation services in the case of someone whose English comprehension may not be strong. “Auckland adman hires professional clown for redundancy meeting” in the New Zealand Herald. (“redundancy” = “down-sized” or “laid off”.)

…The Herald understands that the clown blew up balloons and folded them into a series of animals throughout the meeting.

It’s further understood that the clown mimed crying when the redundancy paperwork was handed over to the staffer.

[Thanks to Cat Eldridge, John King Tarpinian, JJ, Mike Kennedy, SF Concatenation’s Jonathan Cowie, Martin Morse Wooster, Chip Hitchcock, Iphinome, Jo Van, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]