2021 Munsey Award Nominees

Frank Munsey in 1910.

The PulpFest Organizing Committee has announced the twelve nominees for the 2021 Munsey Award

Named for Frank A. Munsey, publisher of the first pulp magazine, the award recognizes someone who has contributed to the betterment of the pulp community through disseminating knowledge, publishing, or other efforts to preserve and to foster interest pulp magazines.

The winner of the 2021 Munsey Award will be selected by a committee made up of all the living LamontMunsey, and Rusty Award recipients and announced on Friday, August 20.

Here are the nominees and the citations that explain why they are up for this honor.

  1. Begun in 2004, AIRSHIP 27 PRODUCTIONS was the brainchild of veteran comic book writer, Ron Fortier. Familiar with the reprints being published to keep alive the memory of the classic pulp heroes, Ron wondered why no one was creating brand new adventures featuring these amazing characters. Partnering with professional comic book illustrator and graphic artist, Rob Davis, Fortier self-published THE HOUNDS OF HELL, co-authored with Gordon Linzner. In this tale, the TEN DETECTIVE ACES  hero, The Moon Man, battles Doctor Satan, the equally famous WEIRD TALES villain. They followed this book with their first anthology, LANCE STAR – SKY RANGER, starring all-new exploits of a long-forgotten Canadian aviation pulp hero. Then came two anthologies of brand new Secret Agent “X” stories and the first all-new adventures of Ace Periodicals’ Captain Hazzard. Today, Airship 27 Productions continues its mission of producing brand new adventures of classic pulp heroes, as well as new, pulp-inspired heroes. There are over 200 titles in its catalog. Through Airship 27, Ron Fortier and Rob Davis have helped to establish and invigorate the new pulp fiction genre and introduce classic pulp characters to new enthusiasts. Airship 27 has also provided many new writers and artists an outlet for their work, helping them to establish their careers. Airship 27 continues to promote new pulp through such outstanding titles as LEGENDS OF NEW PULP FICTION and the non-fiction guidebook, WHO’S WHO IN NEW PULP, as well as their longtime support for the Pulp Factory Awards, presented annually for the best in New Pulp Fiction.
  2. As the publisher of Wildside Press, JOHN BETANCOURT has made available hundreds of stories from pulp magazines, digests, and early paperbacks available in print and ebook form, particularly in his MEGAPACK format. In the late 1980s, John also helped to revive WEIRD TALES. The magazine went on to garner a World Fantasy Award in 1992 and a Hugo Award in 2009. In 2015, Betancourt helped the revived WEIRDBOOK get off the ground. Originally published by W. Paul Ganley — for which he won a World Fantasy Award in 1992 — WEIRDBOOK continues to appear on a fairly regular basis from Betancourt and Wildside Press. He also serves as the publisher of SHERLOCK HOLMES MYSTERY MAGAZINE and the infrequently issued ADVENTURE TALES, which presents classic tales from the pulp magazines. Earlier this year, John revived STARTLING STORIES, the classic science fiction pulp originally published by Ned Pines’ Standard Magazines.
  3. The Collections Librarian at the University of Connecticut, RICHARD BLEILER is a bibliographer and researcher in the areas of science fiction, fantasy, horror, crime, and adventure fiction. In 2002, he was nominated for the Bram Stoker Award for Best Non-Fiction for the second edition of SUPERNATURAL FICTION WRITERS: FANTASY AND HORROR. With his father, Everett Bleiler, Richard compiled SCIENCE-FICTION: THE EARLY YEARSand SCIENCE-FICTION: THE GERNSBACK YEARS, both published by Kent State University Press. His other work includes THE INDEX TO ADVENTURE MAGAZINE, THE ANNOTATED INDEX TO THE THRILL BOOK, the second edition of SCIENCE FICTION WRITERS: CRITICAL STUDIES OF THE MAJOR AUTHORS FROM THE EARLY NINETEENTH CENTURY TO THE PRESENT DAY, and REFERENCE AND RESEARCH GUIDE TO MYSTERY AND DETECTIVE FICTION. Richard’s essay, “Forgotten Giant: A Brief History of ADVENTURE MAGAZINE,” originally published in EXTRAPOLATION: A JOURNAL OF SCIENCE FICTION AND FANTASY, is considered the finest overview of the classic pulp magazine. He has also written essays on early science fiction, fantasy, and mystery authors for THE DICTIONARY OF LITERARY BIOGRAPHY and other reference works, as well as articles on the writings of Frank Belknap Long and Clark Ashton Smith for Gary Hoppenstand’s PULP FICTION OF THE ’20S AND ’30S.
  4. A researcher of fantasy, science fiction, mystery, and adventure fiction for over thirty years, GENE CHRISTIE has extensively studied and indexed the magazines of the pulp era, especially those published by the Frank A. Munsey Company. Never too busy or tired to help, Gene has volunteered his time, knowledge, and editorial abilities, contributing to projects published by Adventure House, Off-Trail Publications, Battered Silicon Dispatch Box, and others. He annually volunteers at the Windy City Pulp and Paper Convention, in addition to proofing their program book, and has been a long-time attendee at other pulp-related conventions. In conjunction with Black Dog Books, he has compiled and edited several rare and previously unreprinted works, including Cornell Woolrich’s THE GOOD DIE YOUNG, George Allan England’s THE EMPIRE IN THE AIR, Seabury Quinn’s DEMONS OF THE NIGHT, Murray Leinster’s THE SILVER MENACE, and the excellent Munsey anthologies THE SPACE ANNIHILATOR and THE PEOPLE OF THE PIT. He also serves as the editor for Black Dog Books’ Talbot Mundy Library. At PulpFest 2019, Gene offered convention attendees a wonderful presentation on Robert Hobart Davis, considered by many to be the greatest editor of the pulp era.
  5. Probably best known for the SCIENCE FICTION, FANTASY, AND WEIRD FICTION MAGAZINE INDEX that he originally compiled with Steve Miller, WILLIAM CONTENTO has assembled other works that have become essential tools of reference. These include his INDEX TO SCIENCE FICTION ANTHOLOGIES AND COLLECTIONS, INDEX TO CRIME AND MYSTERY ANTHOLOGIES (with Martin H. Greenberg), THE SUPERNATURAL INDEX (with Mike Ashley), and others. Since 2003, he and Phil Stephensen-Payne have built up the online FictionMags Index into a research juggernaut. It currently lists the contents of over 75,000 issues of thousands of different magazine titles. Pulps are heavily represented, of course, but pulp writers turn up in other magazines, too, and the FictionMags Index allows them to be discovered. A huge endeavor, the FictionMags Index has been a tremendous boon to pulp-magazine research.
  6. Although pulp reprints abound in our day and age, such was not always the case. Along with John Gunnison of Adventure House, RICH HARVEY was one of the first small publishers to get the pulp reprint movement off the ground. He started in the pages of his fanzine, PULP ADVENTURES — begun in 1992 — where he published stories from COMPLETE NORTHWEST NOVEL, DIME DETECTIVE, .44 WESTERN MAGAZINE, NEW DETECTIVE MAGAZINE, and other pulps. Two of the highlights were two short stories by Norvell Page, offering the first two adventures of the popular pulp hero The Spider. Rich — along with his onetime partner, Cat Jaster, would go on to reprint two dozen of The Spider’s adventures. As Bold Venture Press, he has published a six-volume series reprinting the complete run of Johnston McCulley’s Zorro tales, reprinted unique tales from one of the longest-lived pulp magazines, RAILROAD STORIES, “new pulp” adventures in AWESOME TALES, and pulp old and new in the continuing PULP ADVENTURES. In 2020, he was the publisher of ZORRO: THE DARING ESCAPADES, an anthology of sixteen all-new adventures from multiple authors, based on the legendary character created by Johnston McCulley. Along with his current partner, Audrey Parente, Rich manages the twice-a-year Pulp AdventureCon in two locations, New Jersey and Florida. These one-day events help to bring the world of pulp to a wider geographic range of fans. Rich is also great at personally communicating with fans one-on-one, whether by email or through social media.
  7. CHRIS KALB is known in pulp circles for his hero pulp websites, like The 86th Floor and The Spider Returns, ventures that have helped to attract people who are new to the pulps. There isn’t anyone out there making better use of all the new technology while still preserving the “oldness” of pulps and popular culture. He has become the person to go to for publishers who want a retro-design for their books or website, including Ed Hulse’s Murania Press. He is also the lead designer for Age of Aces Books, a pulp reprint house that specializes in air war fiction. In 2010, Age of Aces received two National Indie Excellence Awards for Chris’s work on the bestselling THE SPIDER VS. THE EMPIRE STATE. Chris was the designer of PulpFest‘s original website and for many years, put together the convention’s print advertisements.
  8. Like many of us, RICK LAIhas dedicated much of his adult life and disposable income to his passion for collecting pulp fiction (in all its permutations). Rick distinguished himself with the erudite and insightful scholarship that has made him respected among Wold Newtonians and purists alike. Rick’s speculative theories on character and continuity may have been inspired by Philip José Farmer, but were never bound by Farmer or anyone else’s parameters. Rick’s brilliant and provocative flights of fantasy informed, inspired, and even infuriated readers, but kept them coming back for the next article or book. Later in life, Rick made the natural progression from scholar to storyteller as he began creating works that supplement and expand upon his literary speculations. Among his many books are CHRONOLOGY OF SHADOWS: A TIMELINE OF THE SHADOW’S EXPLOITS, THE RETURN OF JUDEX, THE REVISED COMPLETE CHRONOLOGY OF BRONZE, RICK LAI’S SECRET HISTORIES: DARING ADVENTURERS, RICK LAI’S SECRET HISTORIES: CRIMINAL MASTERMINDS, and SHADOWS OF THE OPERA: RETRIBUTION IN BLOOD. Rick has also presented at PulpFest and written many articles for THE PULP COLLECTOR, PULP VAULT, ECHOES, BLOOD ‘N’ THUNDER, and other periodicals.
  9. From the beginning of his very varied career, writer GARY PHILLIPS has always tipped his cap to those who came before, and been a living, breathing homage to pulp culture and aesthetic. From his graphic novels — PEEPLAND, ANGELTOWN — to his short stories — “L. A. Noir,” “Treacherous” — and his novels — the most recent featuring a pulp reimagining of Matthew Henson, the first black explorer to reach the North Pole, his ethos has remained true. A long-time native of Los Angeles who lives near to where he was born and raised, Phillips writes some of the most realistic crime fiction in the genre, filling his stories with characters that fit right into the context of their times. He particularly admires Dashiell Hammett for his plotting and ability to keep his stories “grounded in reality.” Phillips’ restless devotion to bettering his craft shows, as he is still publishing some of his best work even after twenty-three years of being a professional author. Chantelle Aimée Osman, his editor at Agora Books, has written, “Knowing him for a decade before acting as his editor, I can’t think back to a single conversation where Gary didn’t refer me to some (usually obscure) pulp author or series. To me, and to many in the industry, Gary basically serves as the pulp ‘North Star,’ pointing the way for those who come after and making sure we remember those who came before.” In addition to his Doc Savage inspired novel, MATTHEW HENSON AND THE ICE TEMPLE OF HARLEM and his Hammett-inspired detective novels, Gary has contributed stories to ASIAN PULP, THE AVENGER CHRONICLES, BASS REEVES, FRONTIER MARSHALL, BLACK PULP, THE DARKER MASK: HEROES FROM THE SHADOWS, ECHOES OF SHERLOCK HOLMES, THE GREEN HORNET CASEFILES, JEWISH NOIR, LOS ANGELES NOIR, THE SPIDER: EXTREME PREJUDICE, and similar pulp-inspired anthologies.
  10. While some nominees are like Doc Savage — out front and known to most — others are like The Shadow — hidden from view for most of the time, yet still there and appearing when needed. A pulp collector since a teenager, SHEILA VANDERBEEK began attending pulp conventions in 1975. She has attended nearly all of the major pulp conventions since her first. She helped with all the radio recreations that were performed at Pulpcon. A member of the Battered Silicon Press pulp advisory committee, Sheila has helped on many books for the publisher. In addition to recommending authors and series, she has supplied all or most of the stories included in Battered Silicon’s Great Merlini, John Solomon, Needle Mike, Park Ave Hunt Club, Satan Hall,  and Suicide Squad collections, as well as others. She has also provided copies of stories to Steeger Books and other pulp-related publishers. Owning one of the largest and wide-ranging pulp collections in existence, Sheila also provided content information to Leonard Robbins for his groundbreaking pulp magazine indices. She has also helped with countless other research projects in the pulp field. Sheila has been a member of the Pulp Era Amateur Press Society since 1997.
  11. For twenty-five years, HOWARD WRIGHT was the publisher of the Doc Savage fan magazine THE BRONZE GAZETTE. He created his magazine when there was no real Internet and very little information readily available about Lester Dent’s “Man of Bronze.” His main reason for starting the publication was to gather information about Doc Savage, disseminate this news to the “Fans of Bronze,” and keep Doc fans going during the “lean” years when Doc was, for the most part, a mere memory. Through Howard’s sustained efforts, interest in Doc was maintained and his return to the limelight assured. His final issue of the GAZETTE was published at the beginning of 2016. The magazine is being continued by Terry Allen, Kez Wilson, and Chuck Welch, creator of the Hidalgo Trading Company and a former member of the PulpFest organizing committee. It takes three people to duplicate Howard’s superb work on the GAZETTE.
  12. DAN ZIMMER has been working to promote greater awareness of pulp artists by producing and distributing ILLUSTRATION MAGAZINE since 2001. He has published over seventy issues of his magazine. Dan has tirelessly contributed his time, expertise, and personal wealth to promote a more respectful awareness of the artistic accomplishments of pulp artists through the deluxe publication of the many biographical articles on such artists that have appeared in his magazine. He has done this despite the overwhelming fact that his creative vision is far beyond receiving any reasonable economic return for his efforts. His devotion to classic American illustrators is manifest in the elegant presentation of his magazine and has helped to turn the tide in our culture’s growing appreciation of pulp art. Dan has also published illustrated biographies of pulp artists Walter Baumhofer, H. J. Ward, and Norman Saunders through his book-publishing arm, The Illustrated Press. Additionally, he has supported the pulp community by drawing his readers’ attention to various pulp conventions, including the Windy City Pulp and Paper ConventionPulpcon, and PulpFest. Dan has also served as the sponsor of Windy City’s annual pulp art exhibit and created the limited edition print of David Saunder’s Munsey Award painting without cost to the PulpFest organizing committee.

[Via Locus Online.]

Pixel Scroll 5/10/21 One Scroll Deserves the Credit, One Scroll Deserves the Blame

(1) CRISIS FOR GOLDEN GLOBES. The Hollywood Foreign Press Association, which has less than 90 member journalists but gives the annual Golden Globes in a well-rated TV ceremony, has come under so much criticism for its lack of diversity, and greed, that a network has backed away from airing next year’s show: “NBC won’t air Golden Globes in 2022 following Times report”. (The report is here – “HFPA faces new scrutiny ahead of Golden Globes 2021”.)

With controversy engulfing the Hollywood Foreign Press Assn. and major Hollywood players backing away from the embattled organization, NBC announced Monday that it will not air the Golden Globe Awards in 2022.

…The decision comes as influential studios continued to back away from the Hollywood Foreign Press Assn., with WarnerMedia joining Netflix and Amazon Studios in cutting ties with the organization until sweeping reforms are enacted.

The WarnerMedia letter says in part:

We understand the challenges ahead for you, as we work towards diversifying our own executive and employee ranks. However, we call upon you to move with greater urgency. The currently planned 18-month timeline runs through the 2023 Golden Globes, which means the same voting body will be impacting the next two nomination and voting cycles. The HFPA has a membership of less than 90 journalists. Lasting and meaningful change to your membership goals could be achieved in under 18 months. The HFPA cannot accurately reflect the best of our industry until your membership expands to reflect more of the social, cultural and ethnic diversity that exists in the stories we tell and the creators with whom we work.

We’re also asking for a strong commitment to significant change in talent press conferences. We are keenly aware of how much harder we’ve had to lobby to secure press conferences for a number of Black performers and creators, representing unquestionably worthy content. This same work has often then gone unrecognized in your nomination and awards process. In addition, our teams have endured press conferences where our talent were asked racially insensitive, sexist and homophobic questions. For far too long, demands for perks, special favors and unprofessional requests have been made to our teams and to others across the industry. We regret that as an industry, we have complained, but largely tolerated this behavior until now.

Our talent and our staff deserve a professional environment while doing their jobs promoting our series and films. Therefore, we would also like to see the HFPA implement a specific and enforced code of conduct that includes zero tolerance for unwanted physical contact of all talent and staff. We recognize that this conduct is not representative of your full membership, but we need assurances that there will be timely, actionable next steps to discipline members who exhibit inappropriate behavior.

(2) TED CHIANG Q&A. The New York Times published a transcript of Ezra Klein’s interview of Ted Chiang in March.

…So you sent me this wonderful speech questioning the old Arthur C. Clarke line, “Any sufficiently advanced technology is indistinguishable from magic,” what don’t you like about that line?

TED CHIANG: So, when people quote the Arthur C. Clarke line, they’re mostly talking about marvelous phenomena, that technology allows us to do things that are incredible and things that, in the past, would have been described as magic, simply because they were marvelous and inexplicable. But one of the defining aspects of technology is that eventually, it becomes cheaper, it becomes available to everybody. So things that were, at one point, restricted to the very few are suddenly available to everybody. Things like television — when television was first invented, yeah, that must have seemed amazing, but now television is not amazing because everyone has one. Radio is not amazing. Computers are not amazing. Everyone has one.

Magic is something which, by its nature, never becomes widely available to everyone. Magic is something that resides in the person and often is an indication that the universe sort of recognizes different classes of people, that there are magic wielders and there are non-magic wielders. That is not how we understand the universe to work nowadays. That reflects a kind of premodern understanding of how the universe worked. But since the Enlightenment, we have moved away from that point of view. And a lot of people miss that way of looking at the world, because we want to believe that things happen to us for a reason, that the things that happen to you are, in some way, tied to the things you did….

(3) AN EMMY FOR GINA CARANO? Here’s a surprising development: Disney+/Lucasfilms have included Gina Carano in their “for your consideration” advertising that promotes their works for the Emmy Awards.  Carano was dropped from consideration in future Star Wars properties after she issued a series of tweets that Disney labeled “abhorrent and unacceptable”. The New York Post has the story: “Fired ‘Mandalorian’ star Gina Carano gets Emmy nomination push”.

Three months after Lucasfilm gave “The Mandalorian” star Gina Carano the axe for a series of controversial social-media posts, the company has included her in their 2021 Emmy Awards campaign. 

The 39-year-old’s name is listed under the Supporting Actress category in a “for your consideration” poster promoting various Season 2 stars of the Disney+ show, CNET reported. The poster also advocates for lead actor nominations for Pedro Pascal, supporting actor noms for Giancarlo Esposito and Temuera Morrison, and guest actor nods for 18 actors, including Rosario Dawson, John Leguizamo, Mark Hamill and Amy Sedaris. 

(4) PENNSYLVANIA LIFTING RESTRICTIONS. And an in-person PulpFest is back on track:

On Tuesday, May 4, Pennsylvania Governor Tom Wolf announced that nearly all COVID-19 mitigation orders—including capacity restrictions on indoor gatherings—will be lifted on Memorial Day.

According to the coronavirus page of the Pennsylvania Department of Health: “Effective May 31, we are lifting COVID mitigation orders, except masking. The masking order will be lifted when 70% of Pennsylvania adults are fully vaccinated.”

Pennsylvania’s acting Health Secretary, Alison Beam, encouraged everyone to get vaccinated. “Follow through with both doses if you receive the Moderna or Pfizer vaccines, and continue to take steps like masking, frequent handwashing and sanitizing, and social distancing,” Beam said.

But that’s not all. There’s more good news to share!

On the same day as Governor Wolf’s announcement, the convention’s host hotel—the DoubleTree by Hilton Pittsburgh – Cranberry —informed PulpFest that the meeting rooms where the convention is scheduled to be held will be available to the convention for the entire weekend.

So as things now stand, PulpFest 2021 will take place from Thursday, August 19, through Sunday, August 22….

(5) INFLUENTIAL MEETING. At CNN, “’United Shades’ imagines the moment ‘Star Trek’s’ Nichelle Nichols met MLK”. (Video.)

After “Star Trek’s” launch, legendary actress Nichelle Nichols considered leaving the series — until an encounter with one of her biggest fans.

(6) OUTLANDISH CLAIMS. [Item by Olav Rokne.] Writing at Collider, Tom Reitman makes an excellent argument in favor of Sean Connery’s movie Outland. He argues that it is a piece of cinema worth reconsidering as an excellent example of how to remake movies. “Why Sean Connery’s Outland Is a Perfect Remake”.

By updating not only the setting of High Noon but also the moral conflict at its center, Outland successfully reinterprets the story for a new generation of moviegoers. Rather than simply redoing the movie with a new cast and modern dialogue and setpieces, Outland took the bones of its predecessor and created a more relatable exploration of the same themes, resulting in a movie that is both a perfect companion piece to High Noon as well as a captivating story that stands on its own.

(7) CAN YOU USE IT FOR PAY TV? Today the Royal Mint made available the John Logie Baird 2021 UK 50p Brilliant Uncirculated Coin. The Queen is on the flip side.

Known the world over as ‘The Father of Television’, John Logie Baird’s contributions to the world of technology cannot be understated.

His groundbreaking exploration into moving images paved the way for a revolutionary invention that changed the world as we know it and his impact

is still being felt to this very day. However, his journey to television was far from easy, and was filled with obstacles and speed bumps along the way.

Find out more about the life and work of this legendary inventor.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born May 10, 1863 Cornelius Shea. As the authors of SFE  put it, “author for the silent screen and author of dime novels (see Dime-Novel SF), prolific in many categories but best remembered for marvel stories using a fairly consistent ‘mythology’ of dwarfs, subterranean eruptions, and stage illusion masquerading as supernatural magic.” To my surprise, only two of his novels are in the Internet Archive, though Complete Mystery Science Stories of Cornelius Shea which includes two of these Novels is available from iBooks  and Kobo. (Died 1920.) (CE) 
  • Born May 10, 1895 Earl Askam. He played Officer Torch, the captain of Ming the Merciless’s guards, in the 1936 Flash Gordon serial. It’s his only genre appearance though he did have an uncredited role in a Perry Mason film, The Case of Black Cat, which is at least genre adjacent as the defendant is a feline! (Died 1940.) (CE) 
  • Born May 10, 1899 Fred Astaire. Genre work includes On The BeachFinian’s Rainbow and The Man in the Santa Claus Suit. Did a surprising amount of acting for someone who’s Hollywood screen test result was “Can’t act. Slightly bald. Also dances.” (His non-genre 1958 TV special An Evening with Fred Astaire won 11 Emmys, one of them shared by OGH’s father, NBC video engineer Harry Glyer.) (Died 1987.) (CE)
  • Born May 10, 1905 – Alex Schomburg.  A hundred thirty covers, two hundred sixty interiors – not counting five hundred comic-book covers, although some are ours e.g. The Human Torch.  Here is Son of the Stars.  Here is the Apr 53 Galaxy.  Here is the Oct 61 Fantastic.  Here is the Westercon 37 Program Book (designed to look like The Magazine of Fantasy and Science Fiction).  Here is the Jan 93 Tomorrow.  Here is his endpaper for the Winston SF books, later used by Vincent DiFate for Infinite Worlds.  Frank R. Paul Award.  Inkpot.  Chesley for Artistic Achievement.  Special Committee Award for Lifetime Achievement from Noreascon III the 47th Worldcon.  First Fandom Hall of Fame.  Artbook Chroma (with Jon Gustafson).  (Died 1998) [JH]
  • Born May 10, 1935 Terrance Dicks. He had a long association with Doctor Who, working as a writer and also serving as the program’s script editor from 1968 to 1974. He also wrote many of its scripts including The War Games which ended the Second Doctor’s reign and The Five Doctors, produced for the 20th year celebration of the program. He also wrote novelizations of more than sixty of the Doctor Who shows. Yes sixty! Prior to working on this series, he wrote four episodes of The Avengers and after this show he wrote a single episode of Space: 1999 and likewise for Moonbase 3, a very short lived BBC series. (Died 2019.) (CE) 
  • Born May 10, 1936 – Anthea Bell.  Translator from Danish, French, German, e.g. Hans Christian Andersen, Asterix, E.T.A. Hoffmann.  Four Schlegel-Tieck Prizes.  Three Marsh Awards.  Wolff Prize.  Earned four Batchelder Awards for three publishers.  German Federal Republic’s Cross of Merit.  Officer of the Order of the British Empire.  (Died 2018) [JH]
  • Born May 10, 1944 – Bruce Pennington, age 77.  A hundred ninety covers, a score of interiors.  Here is Dune.  Here is The Moon Is a Harsh Mistress.  Here is The Island of Doctor Death and Other Stories and Other Stories.  Here is Dreaming Spheres.  Two British SF Ass’n Awards.  [JH]
  • Born May 10, 1955 – Tim Illingworth, age 66.  Chaired Eastercon 40 and 44 (combined with Eurocon 16; also SMOFcon 10 the next weekend).  Doc Weir Award.  [JH]
  • Born May 10, 1963 Rich Moore, 58. He’s directed Wreck-It Ralph and co-directed Zootopia and Ralph Breaks the Internet; he’s has worked on Futurama. It’s not really stretching the definition of genre, so I’ll note that he did the animation for the most excellent Spy vs. Spy series for MADtv. You can see the first one here. (CE)
  • Born May 10, 1964 – Pauline Alama, age 57.  One novel, a score of shorter stories, poems.  “Which part of the label are you questioning – science fiction or romance?”  Website.  [JH]
  • Born May 10, 1969 John Scalzi, 52. I’ve enjoyed everything I’ve ever read by him. What would I recommend to anyone who hasn’t read him? The Old Man’s War series certainly is fantastic, with Zoe’s Tale bringing tears to my eyes. The Interdependency series is excellent. I really have mixed feelings about Redshirts in that it’s too jokeyfor my taste. I will note that his blog is one of a very few where I read every post. (CE) 
  • Born May 10, 1975 – Jeremy Zimmerman, age 46.  Two novels, a dozen shorter stories.  Games.  Mad Scientist Journal (with wife Dawn Vogel), six MSJ Presents anthologies.  Website.  [JH]

(9) COMICS SECTION.

  • On The Far Side, somebody must’ve made a wrong turn at Betelgeuse.

(10) GRRM PHD. George R.R. Martin’s alma mater, Northwestern, will present him with an honorary doctorate on June 14.

Come June, I won’t be able to play cards with Nelson Algren any more, I guess.

I am very pleased and proud to announce that my alma mater, Northwestern University, will be presenting me with an honorary doctorate at this year’s commencement, on June 14…

This year’s commencement will be virtual, so the presentation and my acceptance will be taped.

It is hard to believe that it has been half a century since my own commencement from Northwestern, in 1970.   Where have the years gone?

If I could go back in time and tell 1970 Me that this would happen one day, he would never have believed me.  (On the other hand, 1970 Me believed that one day he would vacation on the Moon, so… he may have written science fiction, but predicting the future was not his strong suit).

Northwestern’s announcement is part of this post: “Alum Gwynne Shotwell, president and COO of SpaceX, will address the Class of 2021”.

(11) BRIN INTERVIEW. At the Odyssey Writing Workshop Blog Guest Lecturer David Brin answers questions about his drafting process:

You’ve written a number of stories in the Uplift universe, which is a science fiction series about biological uplift. How much planning for the series did you do ahead of time? Do you tend to be more of an outliner, or do you tend to write by the seat of your pants?

I’ve written two novels from strict outline and that went very well. Why do I do it so seldom, then? Starting a novel is hard for me because I don’t know the characters yet and I haven’t yet had multiple “aha!” moments when I discover what the story is really about. I end books really, really well. For more on the great idea of uplift, which could be done very badly and likely has already begun, see http://www.davidbrin.com/uplift.html.

(12) ELECTRIC SUIT. In the Washington Post, Dalvin Brown surveys efforts to add technology to clothes, including clothes that can make phone calls, warm you in the winter and cool you in the summer. “Nextiles, Apple, Samsung envision future where people wear high-tech clothes”.

… What if your shirt could sense that you’re sweating and adjust its temperature? Or what if your pants could notice that your stride has changed and alert you at the onset of injuries? That’s what the future may hold, textile researchers say. It might be years, possibly even decades, for the tech to reach consumers, but the foundation is being laid today with scientists creating pieces of fabric that push the boundaries of what’s been possible before.

In March, researchers from China’s Fudan University published findings on electronic fabric capable of turning clothing into a display screen. They hope to turn their attention to the consumer market next, according to Qibing Pei, a materials scientist at the University of California at Los Angeles who co-authored the study….

(13) HOW MUCH IS THAT DOGECOIN IN THE WINDOW? CNBC reports “SpaceX accepts Dogecoin as payment to launch ‘DOGE-1 mission to the Moon’ next year”.

Elon Musk’s SpaceX will launch the “DOGE-1 Mission to the Moon” in the first quarter of 2022, with the company accepting the meme-inspired cryptocurrency as full payment for the lunar payload.

Geometric Energy Corporation announced the dogecoin-funded mission on Sunday, which SpaceX’s communications team confirmed in an email to reporters. The mission’s financial value was not disclosed.

DOGE-1 will fly a 40 kilogram cube satellite as a payload on a Falcon 9 rocket, with Geometric Energy Corporation saying its payload “will obtain lunar-spatial intelligence from sensors and cameras on-board with integrated communications and computational systems.”

SpaceX vice president of commercial sales Tom Ochinero said in a statement that DOGE-1 “will demonstrate the application of cryptocurrency beyond Earth orbit and set the foundation for interplanetary commerce.”…

(14) LOOKS LIKE THE FUTURE. Atlas Obscura takes you to “The Real-World Locations of 14 Sci-Fi Dystopias” (a 2014 post).

Logan’s Run (1976)
Fort Worth, Texas

Dallas and Fort Worth hosted the 1976 dystopian film Logan’s Run. Several scenes were filmed in the Dallas Market Center, a shopping mall standing in for “The City,” an underground complex whose residents believe is the only safe place left on Earth. Another mall, the Hulen Mall in Fort Worth, was just completing construction during filming and was also used for some scenes. 

(15) 60 MINUTES ON MARS. [Item by Martin Morse Wooster.] Anderson Cooper on 60 Minutes had a segment about Perserverance and Ingenuity.  What makes this interesting is that JPL let them have test footage of Ingenuity showing how complicated the helicopter is based on early models that crashed.  This reminds us of how complex an achievement the new Mars mission is. There is extra footage on 60 Minutes Overtime. “Perseverance rover, Ingenuity helicopter, and the search for ancient life on Mars”.

(16) VIDEO OF THE DAY. In “Transformers:  Revenge of the Fallen Pitch Meeting” on ScreenRant, the screenwriter explains that this Transformers movie has nothing to do with earlier ones because he trashed his DVD player by sticking a bagel in it and trying to toast the bagel by throwing the DVD player in the oven.  Also, many pages of the script simply say, ‘EXPLOSIONS.”

[Thanks to Mike Kennedy, Lise Andreasen, John King Tarpinian, JJ, Olav Rokne, John Hertz, Rob Thornton, Dann, Cat Eldridge, Martin Morse Wooster, Michael Toman, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Anna Nimmhaus.]

Ashley Wins 2020 Munsey Award

Munsey Award print. Art by David Saunders.

The winner of Pulpfest’s 2020 Munsey Award is Mike Ashley, author, bibliographer, critic, editor, and historian with a special expertise in the history of magazine science fiction, fantasy, and weird fiction.

The award is named for Frank A. Munsey, publisher of the first pulp magazine, and recognizes someone who has contributed to the betterment of the pulp community through disseminating knowledge, publishing, or other efforts to preserve and to foster interest pulp magazines. The winner is selected by a committee made up of all the living LamontMunsey, and Rusty Award recipients. The award is a fine art print created by David Saunders and published by Dan Zimmer of The Illustrated Press.

The award citation notes that Mike Ashley is the author or co-author of numerous works related to the pulps, science fiction, and fantasy. These include The Age Of The Storytellers: British Popular Fiction Magazines, 1880-1950, Algernon Blackwood: A Bio-Bibliography, “Blue Book — The Slick In Pulp Clothing,” The Gernsback Days: A Study In The Evolution Of Modern Science Fiction From 1911 To 1936, Monthly Terrors: An Index To The Weird Fantasy Magazines Published In The United States And Great Britain, Science Fiction, Fantasy And Weird Fiction Magazines,  The Supernatural Index: A Listing Of Fantasy, Supernatural, Occult, Weird And Horror Anthologies, and others. In 2000, Ashley began to publish his multi-part The History Of The Science-Fiction Magazines, beginning with The Time Machines: The Story Of The Science-Fiction Pulp Magazines From The Beginning To 1950. 

Ashley has also edited many anthologies and single-author collections, often drawing work from the pulps. He is currently part of a team compiling an index to the most important British popular fiction magazines published between 1880 and 1950, including all the British pulps.

In 2002, he received a Pilgrim Award from the Science Fiction Research Association in recognition of his distinguished contributions to the study of science fiction.

Pulpfest’s Mike Chomko posted these acceptance remarks from Mike Ashley:

It’s really great to win this award and I must thank everyone who voted for me. Especially as I feel such a long way from the epicentre of the pulp world, tucked away as I am in North Kent in England. Britain had its pulps, but nothing like those that appeared in the United States. In the early 1960s, when I started researching and collecting them, not only had the heyday of the pulps long passed, but it wasn’t easy to track them down in Britain.

Sure we had some dreadful British editions of American pulps that had appeared during the War and continued afterwards for some years, but these were often abridged versions and always looked second rate. If I was going to collect and understand the pulps properly, I had to collect the originals. However, in those long-ago, pre-internet days, doing so wasn’t that easy.

I now forget all of the dealers who helped me. There were some in Britain who had US pulps for sale — Ken Slater and Ken Chapman in particular. In the States, I was helped by Bob Madle, Bob Weinberg, and others. And bit by bit my collection grew.

However, my fascination was not just collecting pulps, but understanding their history. And it wasn’t just the science fiction or weird pulps that intrigued me. I suppose I have to thank or blame Sam Moskowitz for really setting my interest on fire, though it wasn’t just him. Tom Cockcroft in New Zealand was always enticing me with references to obscure magazines. Billy Pettitt said to me once that I was wasting my time researching the primary science fiction and fantasy magazines because they had already been covered. He told me that I ought to turn my attention to the rare British pulps like HUTCHINSON’S MYSTERY-STORY or the obscure PAN.

This was in the mid-sixties, and there was one small fanzine in particular that drove my collecting bug. That was LORE. Produced by Jerry Page and Jerry Burge, it made references to all kinds of lesser-known magazines — both British and American — and pushed for resources not only to index them, but to reprint them.

These days, with the wonderful work achieved by Adventure House, Black Dog Books, Steeger Books, and so many others, it’s relatively easy to acquire facsimile or reprinted issues of the old pulps. I never believed back in 1965 that I would have a complete reprint of THE THRILL BOOK – admittedly not as pulps in their original format — but no matter. It was so legendary that I doubted I’d ever see them. I remember trying to check out these early pulps at the British Library only to have my submission card returned time and again with the notation, ‘Destroyed in the War.’

In some ways, the comparative ease with which — thanks to the internet and reprint sources — you can now find so many of these early pulps has perhaps tainted some of that thrill of the chase. But for research purposes it’s brilliant. However, there is still so much that is not readily available. I wonder whether I’ll ever assemble a complete run of the British magazine, YES OR NO – not a pulp in looks, but definitely in content. This was another destroyed in the War, but in this case, very few seemed to have bothered to collect it. I may well have the biggest run of that magazine of anyone. However, I still have only 237 of its 798 issues, which is less than a third. It’s that kind of research that drives me on. The delight in discovering, reading, and researching such early magazines is still as vibrant in me now as it was almost sixty years ago.

Now I have another thrill, with the Munsey Award. How wonderful.

Many thanks.

2020 Munsey Award Nominees

Frank Munsey in 1910.

The PulpFest Organizing Committee has announced the fourteen 2020 Munsey Award nominees. Named for Frank A. Munsey, publisher of the first pulp magazine, the award recognizes someone who has contributed to the betterment of the pulp community through disseminating knowledge, publishing, or other efforts to preserve and to foster interest pulp magazines.

Although the 2020 PulpFest has been canceled due to the coronavirus pandemic, the convention’s organizing committee felt it was important to continue the tradition of honoring the service of such individuals. The winner of the 2020 Munsey Award will be selected by a committee made up of all the living LamontMunsey, and Rusty Award recipients and announced on Monday, August 3, at the start of the week that PulpFest 2020 was scheduled to take place.

  1. Author, bibliographer, critic, editor, and historian MIKE ASHLEY has a special expertise in the history of magazine science fiction, fantasy, and weird fiction. In 2002, he received a Pilgrim Award from the Science Fiction Research Association in recognition of his distinguished contributions to the study of science fiction. He is the author or co-author of numerous works related to the pulps, science fiction, and fantasy. …In 2000, Ashley began to publish his multi-part THE HISTORY OF THE SCIENCE-FICTION MAGAZINES, beginning with THE TIME MACHINES: THE STORY OF THE SCIENCE-FICTION PULP MAGAZINES FROM THE BEGINNING TO 1950. Mr. Ashley has also edited many anthologies and single-author collections, often drawing work from the pulps. He is currently working to compile an index to the most important British popular fiction magazines between 1880 and 1950.
  2. The Collections Librarian at the University of Connecticut, RICHARD BLEILER is a bibliographer and researcher in the areas of science fiction, fantasy, horror, crime, and adventure fiction. In 2002, he was nominated for the Bram Stoker Award for Best Non-Fiction for the second edition of SUPERNATURAL FICTION WRITERS: FANTASY AND HORROR. With his father, Everett Bleiler, Richard compiled SCIENCE-FICTION: THE EARLY YEARSand SCIENCE-FICTION: THE GERNSBACK YEARS, both published by Kent State University Press. His other work includes THE INDEX TO ADVENTURE MAGAZINE, THE ANNOTATED INDEX TO THE THRILL BOOK, the second edition of SCIENCE FICTION WRITERS: CRITICAL STUDIES OF THE MAJOR AUTHORS FROM THE EARLY NINETEENTH CENTURY TO THE PRESENT DAY, and REFERENCE AND RESEARCH GUIDE TO MYSTERY AND DETECTIVE FICTION. Richard’s essay, “Forgotten Giant: A Brief History of ADVENTURE MAGAZINE,” originally published in EXTRAPOLATION: A JOURNAL OF SCIENCE FICTION AND FANTASY, is considered the finest overview of the classic pulp magazine….
  3. For several years, JASON RAY CARNEY has been researching, publishing, and teaching about the pulps, helping to maintain knowledge and interest in this important part of American popular culture. Here at Christopher Newport University, Dr. Carney makes pulps — such as WEIRD TALES — and pulp authors, including Robert E. Howard, Clark Ashton Smith, and H.P. Lovecraft, an integral part of many of his classes, from freshmen and sophomore composition, to popular genres, special topics, and Honors classes. Hundreds of students have now read, analyzed, discussed, and written about these pulp magazines and writers. Additionally, he has worked with undergraduate research assistants on his pulp-related writing projects, allowing select students to study elements of pulp fiction more closely. As a scholar, Dr. Carney’s monograph WEIRD TALES OF MODERNITY: THE EPHEMERALITY OF THE ORDINARY IN THE STORIES OF ROBERT E. HOWARD, CLARK ASHTON SMIT, AND H.P. LOVECRAFT, was released in July 2019 by MacFarland…. He is on the board for The Robert E. Howard Foundation and serves as co-editor for the academic journal dedicated to Howard and pulp fiction, THE DARK MAN: THE JOURNAL OF ROBERT E. HOWARD AND PULP STUDIES. He has been a speaker at numerous pulp-related conferences and events, including the annual Howard Days and Necronomicon. Finally, he is the area chair for the Pulp Studies section of the Popular Culture Association’s National Conference.
  4. CAMILLE CAZEDESSUS has been publishing a fanzine devoted to pulp fiction for more than fifty years, first as ERB-DOM and later as THE FANTASTIC COLLECTOR. All told, he has edited and published almost 250 issues, as well as several books. In its earliest incarnation, Caz’s magazine focused on the work of Edgar Rice Burroughs, presenting background information and bibliographic details about the author’s work as it appeared in magazines, books, comics, and movies. ERB-DOM won a Hugo Award in 1966. In the late nineties, Caz rechristened his fanzine as PULPDOM, a publication devoted to “studying the authors that wrote for the pulps and reprinting the ‘fantastic adventure’ type stories from pulp magazines.” … Caz continues to publish PULPDOM today as an online pulp fanzine.
  5. A researcher of fantasy, science fiction, mystery, and adventure fiction for over thirty years, GENE CHRISTIE has extensively studied and indexed the magazines of the pulp era, especially those published by the Frank A. Munsey Company. Never too busy or tired to help, Gene has volunteered his time, knowledge, and editorial abilities, contributing to projects published by Adventure House, Off-Trail Publications, Battered Silicon Dispatch Box, and others….
  6. Probably best known for the SCIENCE FICTION, FANTASY, AND WEIRD FICTION MAGAZINE INDEX that he originally compiled with Steve Miller, WILLIAM CONTENTO has assembled other works that have become essential tools of reference. These include his INDEX TO SCIENCE FICTION ANTHOLOGIES AND COLLECTIONS, INDEX TO CRIME AND MYSTERY ANTHOLOGIES (with Martin H. Greenberg), THE SUPERNATURAL INDEX (with Mike Ashley), and others. In the last seventeen years, he and Phil Stephensen-Payne have built up the online FictionMags Index into a research juggernaut. It currently lists the contents of over 75,000 issues of thousands of different magazine titles….
  7. STEPHEN HAFFNER — The “Big Poobah” of Haffner Press — has been returning the work of many well-regarded pulp fiction writers into print for nearly twenty years. Specializing in science fiction, fantasy, and mystery fiction, Stephen has brought back the early work of Leigh Brackett, Fredric Brown, Howard Brown, Edmond Hamilton, Henry Kuttner, C. L. Moore, Manly Wade Wellman, and Jack Williamson in a series of beautifully designed hardcovers. He is also working on volumes featuring the fiction of Robert Bloch, Donald Wandrei, and others. Ed Gorman wrote the following about Haffner Press books: “They’re among the best made and most handsomely illustrated of all the collectibles I’ve ever seen. These are masterpieces in every way.” Stephen has also been involved in furthering interest in the pulps among both academia and the general public. He has been associated with the annual Jack Williamson Lectureship at Eastern New Mexico University for many years and in 2009 was a co-sponsor with the Kinsman Historical Society of the first Edmond Hamilton Day in the late author’s hometown….
  8. Although pulp reprints abound in our day and age, such was not only the case. Along with John Gunnison of Adventure House, RICH HARVEY was one of the first small publishers to get the pulp reprint movement off the ground. He started in the pages of his fanzine, PULP ADVENTURES — begun in 1992 — where he published stories from COMPLETE NORTHWEST NOVEL, DIME DETECTIVE, .44 WESTERN MAGAZINE, NEW DETECTIVE MAGAZINE, and other pulps. …Along with his current partner, Audrey Parente, Rich manages the twice-a-year Pulp AdventureCon in two locations, New Jersey and Florida. These one-day events help to bring the world of pulp to a wider geographic range of fans. Rich is also great at personally communicating with fans one-on-one, whether on email or Facebook.
  9. CHRIS KALB is known in pulp circles for his hero pulp websites, like The 86th Floor and The Spider Returns, ventures that have helped to attract people who are new to the pulps. There isn’t anyone out there making better use of all the new technology while still preserving the “oldness” of pulps and popular culture. He has become the person to go to for publishers who want a retro-design for their books or website, including Ed Hulse’s Murania Press. He is also the lead designer for Age of Aces Books, a pulp reprint house that specializes in air war fiction. In 2010, Age of Aces received two National Indie Excellence Awards for Chris’s work on the bestselling THE SPIDER VS. THE EMPIRE STATE. Chris was the designer of PulpFest‘s original website and for many years, put together the convention’s print advertisements.
  10. Like many of us, RICK LAI has dedicated much of his adult life and disposable income to his passion for collecting pulp fiction (in all its permutations). Rick distinguished himself with the erudite and insightful scholarship that has made him respected among Wold Newtonians and purists alike. …Among his many books are CHRONOLOGY OF SHADOWS: A TIMELINE OF THE SHADOW’S EXPLOITS, THE RETURN OF JUDEX, THE REVISED COMPLETE CHRONOLOGY OF BRONZE, RICK LAI’S SECRET HISTORIES: DARING ADVENTURERS, and SHADOWS OF THE OPERA: RETRIBUTION IN BLOOD.
  11. DAVID PHIPPS is the creator and driving force behind the PULP ALLEY miniatures game. David’s enthusiasm for pulp fiction is evident in the mystery, excitement, and adventure that gameplayers encounter whenever they play another round of PULP ALLEY. …Another PULP ALLEY player suggested that, “. . . through the medium of tabletop gaming, Dave is attracting both people with a casual awareness of pulp fiction as well as those who are new to the field. . . . His enthusiasm for pulp fiction is genuine and infectious. He has led me to discover the likes of Solomon Kane, John Carter, and others. I honestly do not know if this qualifies him for the Munsey Award . . . However, in his own way, David Phipps, through PULP ALLEY, is introducing pulp fiction to a new audience. . . . Bringing new blood to tabletop gaming and piquing interest in a style of storytelling (in many mediums) . . . can only be good for the greater community.”
  12. While some nominees are like Doc Savage — out front and known to most — others are like The Shadow — hidden from view for most the time, yet still there and appearing when needed. A pulp collector since a teenager, SHEILA VANDERBEEK began attending pulp conventions in 1975. She has attended 62 of the 63 major pulp conventions since her first. She helped with all the radio recreations that were performed at Pulpcon. A member of the Battered Silicon Press pulp advisory committee, Sheila has helped on many books for the publisher…
  13. For twenty-five years, HOWARD WRIGHT was the publisher of the Doc Savage fan magazine THE BRONZE GAZETTE. He created his magazine when there was no real Internet and very little information readily available about Lester Dent’s “Man of Bronze.” His main reason for starting the publication was to gather information about Doc Savage, disseminate this news to the “Fans of Bronze,” and keep Doc fans going during the “lean” years when Doc was, for the most part, a mere memory…
  14. DAN ZIMMER has been working to promote greater awareness of pulp artists by producing and distributing ILLUSTRATION MAGAZINE since 2001. He has published over sixty issues of his magazine. Dan has tirelessly contributed his time, expertise and personal wealth to promote a more respectful awareness of the artistic accomplishments of pulp artists through the deluxe publication of the many biographical articles on such artists that have appeared in his magazine. He has done this despite the overwhelming fact that his creative vision is far beyond receiving any reasonable economic return for his efforts. His devotion to classic American illustrators is manifest in the elegant presentation of his magazine and has helped to turn the tide in our culture’s growing appreciation of pulp art. Dan has also published illustrated biographies of pulp artists Walter Baumhofer, H. J. Ward, and Norman Saunders through his book-publishing arm, The Illustrated Press….

The complete citations are here.

[Based on a press release.]

Pixel Scroll 5/25/20 Five Hundred Twenty-Five Thousand Six Hundred Pixels How Do You Measure, Measure A Scroll?

(1) THE SANTA FE. Now he’ll really be George Railroad Martin: “George R. R. Martin Buys Part of Historic Santa Fe Railroad”.

George R. R. Martin, who wrote the book series that was adapted into the HBO series “Game of Thrones,” and two co-investors have bought an abandoned, 18-mile spur railroad line from Santa Fe to Lamy, New Mexico, with the intent of restoring it to its former glory as a tourist attraction, The Business Insider reported on Monday.

No price was mentioned for the purchase, which also includes 10 antique rail cars, two vintage locomotives, and a station house at Lamy currently leased by Amtrak that is part of its twice daily line from Chicago to Los Angeles.

“There are a lot of opportunities for a new tourist attraction,” Martin told the Albuquerque Journal. “COVID has thrown a monkey wrench into our plan. We had hoped to get things up and running in 2021, but now it won’t be until 2022.”

I’ve caught a train at the Lamy station, after visiting my sister in Santa Fe. It’s miles out of town — despite the city’s iconic railroad name, the Amtrak line doesn’t run through the city.

Martin explains his plans in more detail in his blog post “All Aboard for Lamy” which concludes:

…It is going to take a lot of work, more than a few bucks, and a fair amount of time to get the railroad running again.   There are tracks and trestles to inspect and repair, old historic coaches to restore to their former splendor, a dead locomotive to bring back to life.   And the coronavirus has slowed the process way down.   But sooner or later, we do hope to have the old Lamy Line chuffing and puffing once again, and we have all sorts of fun ideas for the future, live music and murder mysteries and train robberies and escape rooms and… well, we shall see.

And best of all, we won’t need to pull up the tracks when Christmas is over.

(2) CON CANCELLATION. Pulpfest, planned for August, has been cancelled, too. They made the announcement today: “There is Nothing Wrong with Your Television Set . . .”

…We regret to announce that PulpFest is being postponed until August 2021.

Although it is likely that businesses and events in the region where PulpFest is staged will be allowed to resume operations in June, they will have to follow guidelines issued by the United States Centers for Disease Control and Prevention and the Pennsylvania Department of Health.

…Given the substantial risks involved and our desire to maintain the health and well-being of our many supporters, the PulpFest organizing committee voted unanimously to postpone this year’s convention until early August 2021.

(3) LEAP, BUT NOT QUANTUM. Chancellor Agard, in “Watch Legends of Tomorrow jump from Friends to Downton Abbey in exclusive sneak peek” on Entertainment Weekly discusses tomorrow’s episode, where the Legends jump from the world of a show like Friends to one like Downton Abbey to one like Star Trek.

(4) A HORSE, OF COURSE. Yesterday was the thirtieth anniversary of the debut of the third Back to the Future movie. Yahoo! Entertaiment put together a quiz — “‘Back to the Future Part III’ turns 30: Take this quiz to test your knowledge”. I really blew this one – only 6 out of 14. And one of my right answers was about how special effects manure was made – am I supposed to be proud of that?

… On May 24, 1990, the final film in Robert Zemeckis and Bob Gale’s Back to the Future trilogy premiered in theaters. Directly picking up from the cliffhanger of 1989’s Back to the Future Part II, where Doc Brown (Christopher Lloyd) and the DeLorean time machine accidentally being struck by lightning, sending him back to the Old West. Part III picks up with Marty McFly (Michael J. Fox) traveling to 1885 to rescue Doc and return him to the present. 

(5) SPACE FORCE REDUX. Netflix dropped a second trailer for Space Force, which they have cleverly called Space Force Trailer 2.

Steve Carell was also on The Late Show with Stephen Colbert on Thursday  promoting Space Force but he doesn’t talk about the show until 5-1/2 minutes into the segment.

(6) STILES REMEMBERED. Balticon 54’s website includes a tribute to the late fanartist: “In Memoriam: Steve Stiles (1943-2020)”. Includes lots of photos and art.

Steve Stiles became a science fiction fan in 1957; he’d been illustrating fanzines from then until his death, earning him the first Rotsler Fan Artist Award in 1998, and a Fan Artist Hugo in 2016. Professionally, he worked in numerous comic book genres since 1973 (horror, super hero, science fiction, humor), including the award-winning Xenozoic Tales and perhaps the first steampunk graphic novel, The Adventures of Professor Thintwhistle, with author Richard Lupoff.

(7) TODAY’S DAY.

May 25Towel Day which is celebrated by fans every year on May 25 as a tribute to the author Douglas Adams. Fans carry a towel with them as described in The Hitchhiker’s Guide to the Galaxy. The commemoration was first held May 25, 2001 two weeks after Douglas Adams’ death. [Via Rocketmail.]

(8) TODAY IN HISTORY.

  • May 25, 1977 Star Wars premiered. Later retitled as Star Wars: Episode IV – A New Hope, it was written and directed by George Lucas. You know who the cast is so we’ll not list all of them here. Lucas envisioned the film as being in the tradition of Buck Rodgers which he originally intended to remake but couldn’t get the rights to.  Reception by critics and fans alike was fantastic with IguanaCon II voting it the Best Dramatic Presentation Hugo over Close Encounters of The Third Kind. It holds a stellar 96% rating among audience reviewers at Rotten Tomatoes. 
  • May 25, 1983 Return of the Jedi, the last of the original trilogy, premiered. Later retitled Star Wars: Episode VI – Return of the Jedi, it came out six years after Star Wars. It is directed not by Lucas this time but by Richard Marquand from a screenplay by Lucas and Lawrence Kasdan who co-wrote Raiders of the Lost Ark.  The principal cast is the same as the first film. Critics were ever so slightly less pleased with this concluding film of the trilogy but the audience reviewers at Rotten Tomatoes give it an equally stellar 94% rating as the first film. It would win The Best Dramatic Presentation Hugo at L.A. con II beating Right Stuff and WarGames. Box office wise, it sold more tickets for most of its first eight week American run than any other film.  

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born May 25, 1915 – DeeDee Lavender.  Four decades an active fan with her husband Roy.  Together they were Secretary-Treasurer of the Nat’l Fantasy Fan Fed’n in 1950.  They were at Aussiecon I the 33rd World Science Fiction Convention (I wasn’t), and Noreascon II the 38th (I was).  They’re in Harlan Ellison’s forewords to his collections I Have No Mouth and I Must Scream and Angry Candy; they knew Leigh Brackett & Edmond Hamilton, and were guests at the B&H homes in Ohio and California.  They were part of a Southern California fannish social group called the Petards, named by one of Rick Sneary’s famous misspellings, hoist for host.  Here she is with Roy at a Petards meeting in 1983 (Dik Daniels photo), and thirty years earlier in New York (L to R, Bea Mahaffey, Hannes Bok, DeeDee, Roy, Stan Skirvin; Mike Resnick collection).  (Died 1986) [JH]
  • Born May 25, 1916 – Charles Hornig.  Publishing his fanzine The Fantasy Fan in 1933, thus First Fandom (i.e. active by at least the first Worldcon, 1939), and hired, age 17, by Hugo Gernsback to edit Wonder Stories.  Founded the Science Fiction League with HG, 1934; later edited Fantasy; also Future and Science Fiction (they eventually combined); SF Quarterly.  See his notes on Nycon I, the first Worldcon, here.  (Died 1999) [JH]
  • Born May 25, 1926 – Phyllis Gotlieb.  Prix Aurora for A Judgement of Dragons (note spelling; she was Canadian).  The Sunburst Award is named for her first novel.  Thirteen SF novels, twenty shorter stories, eight poetry collections (the first being Who Knows One?).  Translated into Dutch, French, German, Italian.  Among her husband’s Physics students was Cory Doctorow’s father.  (Died 2009) [JH]
  • Born May 25, 1946 Frank Oz, 74. Actor, director including The Dark Crystal, Little Shop of Horrors and the second version of The Stepford Wives, producer and puppeteer. His career began as a puppeteer, where he performed the Muppet characters of Animal, Fozzie Bear, Miss Piggy, and oh so patriotic Sam Eagle in The Muppet Show, and Cookie Monster, Bert, and Grover in Sesame Street. Genre wise, he’s also known for the role of Yoda in the Star Wars franchise. An interesting Trivia note: he’s in the Blues Brothers as a Corrections Officer, and is the Warden in Blues Brothers 2000. (CE)
  • Born May 25, 1946 Janet Morris, 74. Hey I get to mention Thieves’ World! Yea! In that universe, she created the Sacred Band of Stepsons, a mythical unit of ancient fighters modeled on the Sacred Band of Thebes. She has three series, both listed as SF though I’d call one of them fantasy,  the Silistra quartet, the Kerrion Space trilogy and the Threshold series. And let’s not over overlook her Heroes in Hell series she wrote,most co-authorEd with her husband Chris Morris, some with C J Cherryh and David Drake. (CE)
  • Born May 25, 1950 – Kathryn Daugherty.  Engineer.  Married four decades to James Stanley Daugherty.  Back when FORTRAN wasn’t even Two-tran she fed punch-cards to a Control Data CDC 6400.  For ConFrancisco the 51st Worldcon, Official Editor of the con committee’s APA (Amateur Press Ass’n, a collection of fanzines) The Never-Ending Meeting.  At Bucconeer the 56th Worldcon, headed Contents of Tables; a typo made it “Contests of Tables”: in each newsletter I announced “Today’s winner is the Picnic”, “Today’s winner is the Periodic”.  Chaired Westercon LIII, a hard one: it was at Honolulu, see my report here [PDF; p. 11].  Luckily not exhausted; she and JSD were Fan Guests of Honor at Baycon in 2001, and Loscon XXXI (2004).  Joined me in liking Mission of Gravity.  Obituary by OGH here.  (Died 2012) [JH]
  • Born May 25, 1952 Al Sarrantonio, 68. His horror short stories are brilliant and they‘ve earned him a Stoker for 999: New Tales of Horror and Suspense and a Jackson for Stories: All-New Tales, the latter co-edited with Gaiman. His Masters of Mars series is SF and he’s written a Babylon 5 novel as well, Personal Agendas. (CE)
  • Born May 25, 1953 – Stan Sakai.  Lettered Groo the Wanderer comics; since 1984, author of Usagi Yojimbo comics about samurai rabbit Miyamoto Usagi, who has (wouldn’t you know it) crossed paths with the Teenage Mutant Ninja Turtles.  The rônin lifeis hard.  During the most recent Year of the Rabbit (2011), the Japanese-American Nat’l Museum in Los Angeles had an Usagi Yojimbo exhibit.  Sakai has won a Parents’ Choice award, an Inkpot, six Eisners, an Inkwell, two Harveys, two Haxturs (Spain), a Plumilla de Plata (Mexico), a Cultural Ambassador award, and a Nat’l Cartoonists Society award.  [JH]
  • Born May 25, 1960 Eric Brown, 60. Well-deserved winner of two BSFA awards for his short stories, “Hunting the Slarqye” and “The Children of The Winter”.  He’s very prolific, averaging a novel a year over the past three decades and countless novellas and short stories. As far as SF goes, I’d start with his Binary System and Bengal Station series, both of which are superb. And I’m going to single out his Sherlock Holmes metaverse novel, The Martian Menace, in which The Great Detective meets and defeats those Invaders. (CE)
  • Born May 25, 1966 Vera Nazarian, 54. To date, she has written ten novels including Dreams of the Compass Rose, what I’d called a mosaic novel structured as a series of interlinked stories similar in to The One Thousand and One Nights that reminds a bit of Valente’s The Orphans Tales. She’s the publisher of Norilana Books which publishes such works as Catherynne M. Valente’s Guide to Folktales in Fragile Dialects, Marion Zimmer Bradley’s Sword and Sorceress anthologies,and Tanith Lee’s Lee’s Sounds and Furies. (CE)
  • Born May 25, 1982 – Bertrand Bonnet.  Six dozen reviews in Bifrost (French-language prozine; European SF Society award for Best Magazine, 2016), of Blish, Le Guin, Pohl (with and without Kornbluth), Resnick, Tolkien (including the Letters, yay).  [JH] 

(10) COMICS SECTION.

  • Non Sequitur’s birds learn about their ancestors.
  • Non Sequitur sells foresight.
  • Non Sequitur has an SJWC intervention.
  • Mikey Heller drew a comic about a cat café. It’s got sjw credentials, sf, everything!

(11) LID OVERFLOW. In The Full Lid 22nd May 2020 Alasdair Stuart takes a look “at how now is very much the time for Strange New Worlds and what the Short Treks set on Pike’s Enterprise can teach us about the show’s tone.”

I also take a look at excellent, furious and overlooked movie Assassination Nation and Bog Bodies, a superb crime graphic novel out this week. Signal Boost is big this week but the YA/MG Author spotlight that follows it is much bigger and full of amazing books.

This week Stuart also launched The Full Lid Plus! A monthly supplement covering Disney Plus.

It’s first issue covers what we learn in the first for episodes of The Mandalorian and looks at award winning free-climbing documentary Free Solo. Oh and Will Smith sings.

The Full Lid Plus is published monthly and run off a paid subscription model, Details at the link.

Stuart’s Hugo Voting Packet for 2020 is also available at his website. “It touches on all my non-fiction work, has links to every piece and a consolidated PDF of everything too.”

(12) NO GO. It barely got out of California:“Virgin Orbit rocket fails on debut flight”

Sir Richard Branson’s Virgin Orbit company has tried unsuccessfully to launch a rocket over the Pacific Ocean.

The booster was released from under the wing of one of the UK entrepreneur’s old jumbos which had been specially converted for the task.

The rocket should have ignited its engine seconds later but engineers had to terminate the flight.

Virgin Orbit’s goal is to try to capture a share of the emerging market for the launch of small satellites.

It’s not clear at this stage what went wrong but the firm had warned beforehand that the chances of success might be in the region of 50:50.

The history of rocketry shows that maiden outings very often encounter technical problems.

The firm is sure to be back for another attempt pretty soon – depending on the outcome of the post-mission analysis.

(13) FLOCKING OFF. [Item by John A Arkansawyer.] I just noticed this monologue from the May 18th Late Night with Seth Meyers. There was no genre-related sketch that night. However!

When Seth Meyers first started broadcasting from home, he apparently (to my eyes, at least) ordered several feet of cheap respectable-looking trade paper and hardcover books from a local used book store. One that caught my eye was Shardik, which has a lot of whitespace on the spine and that weird symbol. The two copies of a book about Thessalonica were the big tip-off to me these were surplus and not garage detritus.

And then there was The Thorn Birds. No one seemed to believe Seth Meyers was a Thorn Birds fan.

Soon Meyers moved out of his garage and into his attic, where he has a plain backdrop…and an end table with a small stack of books. I’ve seen two dust-jacketed books claiming to be The Thorn Birds and one unjacketed copy between them. The Janelle Monae clip has a stack of Thorn Birds, Thorn Birds II: More Thorns, and Thorn Birds III: Something written in script too fine for me to read.

But the best one yet you can see in this clip, in the lower left-hand corner:

(14) JUST WHEN THE PREZ LEARNED HOW TO PRONOUNCE IT. BBC reports “WHO halts trials of hydroxychloroquine over safety fears”.

Testing of the malaria drug hydroxychloroquine as a possible treatment for coronavirus has been halted because of safety fears, the World Health Organization (WHO) says.

Trials in several countries are being “temporarily” suspended as a precaution, the agency said on Monday.

It comes after a recent medical study suggested the drug could increase the risk of patients dying from Covid-19.

(15) DON’T KNOW HOW GOOD YOU’VE GOT IT. And we close with this benediction from The Onion: “Nation’s Politicians, Law Enforcement, Corporate Executives Marvel At Futuristic Utopia They’re Living In”.

“To think that I have all this at my fingertips, whether it’s automated high-volume stock trading or unlimited surveillance footage of my employees, it’s like something out of a science fiction paradise,” said pharmaceutical executive Ron Pollard, who claimed previous generations of police officers, elected officials, and business leaders could never comprehend the world of unlimited possibilities that has been created for them, where they are free to do whatever they want all the time.

[Thanks to John King Tarpinian, John Hertz, Andrew Porter, Chip Hitchcock, Michael Toman, Mike Kennedy, Lise Andreasen, Cat Eldridge, Alasdair Stuart, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Kurt Busiek.]

2019 Munsey Award Winner

Munsey Award print. Art by David Saunders.

Publisher George Vanderburgh is the winner of the 2019 Munsey Award. The award was presented at PulpFest in Pittsburgh on August 17.

GEORGE VANDERBURGH has published over 600 books through his Battered Silicon Dispatch Box, many of them directly related to the pulps. He was largely responsible for finally getting all of Fred Davis’ classic Moon Man stories back into print. And what about his Peter the Brazen series, his five volumes featuring the work of Seabury Quinn, THE COMPLEAT ADVENTURES OF THE PARK AVENUE HUNT CLUB, his Green Ghost set, THE COMPLEAT SAGA OF JOHN SOLOMONTHE ADVENTURES OF THE GOLDEN AMAZONTHE COMPLEAT ADVENTURES OF THE SUICIDE SQUAD, and others? He has also given us numerous collections of detective fiction, including volumes featuring the Thinking Machine, Dr. Thorndyke, and Martin Hewitt. Looking at his website, his future plans include several books reprinting pulp authors who have been unjustly forgotten. Along with the late Robert Weinberg, George served as the co-editor of Arkham House Publishers until the death of April Derleth. A regular attendee of pulp conventions, George has helped both longtime and new fans to collect the tales of some of the most fantastic heroes from the pulps. At this year’s PulpFest, George was part of our presentation, “The Game’s Afoot: Sherlock Holmes and the Pulps.”

Bill Lampkin, last year’s winner, made the presentation.

The award, named for Frank A. Munsey, publisher of the first pulp magazine, recognizes someone who has contributed to the betterment of the pulp community through disseminating knowledge, publishing, or other efforts to preserve and to foster interest pulp magazines. The winner is selected by a committee made up of all the living Lamont, Munsey, and Rusty Award recipients. The award is a fine art print created by David Saunders and published by Dan Zimmer of The Illustrated Press.

2019 Munsey Award Nominees

Frank Munsey in 1910.

The PulpFest Organizing Committee has announced the fifteen 2019 Munsey Award nominees. Named for Frank A. Munsey, publisher of the first pulp magazine, the award recognizes someone who has contributed to the betterment of the pulp community through disseminating knowledge, publishing, or other efforts to preserve and to foster interest pulp magazines. The winner will be selected by a committee made up of all the living Lamont, Munsey, and Rusty Award recipients and named August 17 at PulpFest in Pittsburgh.

  1. Author, bibliographer, critic, editor, and historian MIKE ASHLEY has a special expertise in the history of magazine science fiction, fantasy, and weird fiction. In 2002, he received a Pilgrim Award from the Science Fiction Research Association in recognition of his distinguished contributions to the study of science fiction. He is the author or co-author of numerous works related to the pulps, science fiction, and fantasy. …In 2000, Ashley began to publish his multi-part THE HISTORY OF THE SCIENCE-FICTION MAGAZINES, beginning with THE TIME MACHINES: THE STORY OF THE SCIENCE-FICTION PULP MAGAZINES FROM THE BEGINNING TO 1950. Mr. Ashley has also edited many anthologies and single-author collections, often drawing work from the pulps. He is currently working to compile an index to the most important British popular fiction magazines between 1880 and 1950.
  2. The Collections Librarian at the University of Connecticut, RICHARD BLEILER is a bibliographer and researcher in the areas of science fiction, fantasy, horror, crime, and adventure fiction. In 2002, he was nominated for the Bram Stoker Award for Best Non-Fiction for the second edition of SUPERNATURAL FICTION WRITERS: FANTASY AND HORROR. With his father, Everett Bleiler, Richard compiled SCIENCE-FICTION: THE EARLY YEARS and SCIENCE-FICTION: THE GERNSBACK YEARS, both published by Kent State University Press. His other work includes THE INDEX TO ADVENTURE MAGAZINE, THE ANNOTATED INDEX TO THE THRILL BOOK, the second edition of SCIENCE FICTION WRITERS: CRITICAL STUDIES OF THE MAJOR AUTHORS FROM THE EARLY NINETEENTH CENTURY TO THE PRESENT DAY, and REFERENCE AND RESEARCH GUIDE TO MYSTERY AND DETECTIVE FICTION. Richard’s essay, “Forgotten Giant: A Brief History of ADVENTURE MAGAZINE,” originally published in EXTRAPOLATION: A JOURNAL OF SCIENCE FICTION AND FANTASY, is considered the finest overview of the classic pulp magazine….
  3. CAMILLE CAZEDESSUS has been publishing a fanzine devoted to pulp fiction for more than fifty years, first as ERB-DOM and later as THE FANTASTIC COLLECTOR. All told, he has edited and published almost 250 issues, as well as several books. In its earliest incarnation, Caz’s magazine focused on the work of Edgar Rice Burroughs, presenting background information and bibliographic details about the author’s work as it appeared in magazines, books, comics, and movies. ERB-DOM won a Hugo Award in 1966. In the late nineties, Caz rechristened his fanzine as PULPDOM, a publication devoted to “studying the authors that wrote for the pulps and reprinting the ‘fantastic adventure’ type stories from pulp magazines.” … Caz continues to publish PULPDOM today as an online pulp fanzine.
  4. Probably best known for the SCIENCE FICTION, FANTASY, AND WEIRD FICTION MAGAZINE INDEX that he originally compiled with Steve Miller, WILLIAM CONTENTO has assembled other works that have become essential tools of reference. These include his INDEX TO SCIENCE FICTION ANTHOLOGIES AND COLLECTIONS, INDEX TO CRIME AND MYSTERY ANTHOLOGIES (with Martin H. Greenberg), THE SUPERNATURAL INDEX (with Mike Ashley), and others. In the last seventeen years, he and Phil Stephensen-Payne have built up the online FictionMags Index into a research juggernaut. It currently lists the contents of over 75,000 issues of thousands of different magazine titles….
  5. WIN SCOTT ECKERT is the coauthor with Philip José Farmer of the Wold Newton novel THE EVIL IN PEMBERLEY HOUSE and the author of THE SCARLET JAGUAR, both featuring Patricia Wildman, daughter of the pulp hero Doc Wildman, the bronze champion of justice. …Additionally, he is the editor of and a contributor to MYTHS FOR THE MODERN AGE: PHILIP JOSÉ FARMER’S WOLD NEWTON UNIVERSE — a 2007 Locus Awards finalist — and the coeditor with Christopher Paul Carey of TALES OF THE WOLD NEWTON UNIVERSE. He was the coeditor of FARMERPHILE from 2007–2009. His massive timeline of crossover stories — CROSSOVERS: A SECRET CHRONOLOGY OF THE WORLD — was published by Black Coat Press in 2010. In 1997, he launched the first Wold Newton website, The Wold Newton Universe. A tireless chronicler of Farmer’s idiosyncratic view of a broad shared universe, Eckert has shown remarkable fidelity to Farmer’s vision and serves as an inspiration to the many who have followed in his wake. Like Farmer, Win is one of the leading “Children of the Pulps.”
  6. RALPH GRASSO may just be the ultimate pulp fan. He has created and is the administrator for at least 25 pulp and pulp-related Facebook groups. Ralph actively participates in these groups to engage members in spirited conversation relative to the group topic. These groups provide a place for fans of the pulps to congregate and chat. They also serve to bring in new members and introduce them to pulp literature, authors, and characters. Just some of the groups that Ralph has created are A. MERRITT FAN GROUP, FANS OF BRONZE, H.P.L. — THE MASTER OF COSMIC HORROR, IN THE ROARING HEART OF THE CRUCIBLE, THE MYSTERY MEN OF JOHNSTON MCCULLEY, PULP SWORD AND SORCERY, THE SHADOW STRIKES, SWORD AND PLANET FICTION, TWO-GUN BOB — THE WORLDS OF ROBERT E. HOWARD, and WELLMAN’S GUYS!
  7. STEPHEN HAFFNER — The “Big Poobah” of Haffner Press — has been returning the work of a number of well-regarded pulp fiction writers into print for nearly twenty years. Specializing in science fiction, fantasy, and mystery fiction, Stephen has brought back the early work of Leigh Brackett, Fredric Brown, Howard Brown, Edmond Hamilton, Henry Kuttner, C. L. Moore, Manly Wade Wellman, and Jack Williamson in a series of beautifully designed hardcovers. …Stephen has also been involved in furthering interest in the pulps among both academia and the general public. He has been associated with the annual Jack Williamson Lectureship at Eastern New Mexico University for many years and in 2009 was a co-sponsor with the Kinsman Historical Society of the first Edmond Hamilton Day in the late author’s hometown….
  8. Although pulp reprints abound in our day and age, such was not only the case. Along with John Gunnison of Adventure House, RICH HARVEY was one of the first small publishers to get the pulp reprint movement off the ground. He started in the pages of his fanzine, PULP ADVENTURES — begun in 1992 — where he published stories from COMPLETE NORTHWEST NOVEL, DIME DETECTIVE, .44 WESTERN MAGAZINE, NEW DETECTIVE MAGAZINE, and other pulps. …Along with his current partner, Audrey Parente, Rich manages the twice-a-year Pulp AdventureCon in two locations, New Jersey and Florida. These one-day events help to bring the world of pulp to a wider geographic range of fans….
  9. CHRIS KALB is known in pulp circles for his hero pulp websites, like The 86th Floor and The Spider Returns, ventures that have helped to attract people who are new to the pulps. There isn’t anyone out there making better use of all the new technology while still preserving the “oldness” of pulps and popular culture. He has become the person to go to for publishers who want a retro-design for their books or website, including Ed Hulse’s Murania Press. He is also the lead designer for Age of Aces Books, a pulp reprint house that specializes in air war fiction. In 2010, Age of Aces received two National Indie Excellence Awards for Chris’ work on the bestselling THE SPIDER VS. THE EMPIRE STATE. Chris was the designer of PulpFest‘s original website and for many years, put together the convention’s print advertisements.
  10. Like many of us, RICK LAI has dedicated much of his adult life and disposable income to his passion for collecting pulp fiction (in all its permutations). Rick distinguished himself with his erudite and insightful scholarship that has made him respected among Wold Newtonians and purists alike. …Among his many books are CHRONOLOGY OF SHADOWS: A TIMELINE OF THE SHADOW’S EXPLOITS, THE RETURN OF JUDEX, THE REVISED COMPLETE CHRONOLOGY OF BRONZE, RICK LAI’S SECRET HISTORIES: DARING ADVENTURERS, and SHADOWS OF THE OPERA: RETRIBUTION IN BLOOD.
  11. While some nominees are like Doc Savage — out front and known to most — others are like The Shadow — hidden from view for most the time, yet still there and appearing when needed. A pulp collector since a teenager, SHEILA VANDERBEEK began attending pulp conventions in 1975. She has attended 62 of the 63 major pulp conventions since her first. She helped with all the radio recreations that were performed at Pulpcon. A member of the Battered Silicon Press pulp advisory committee, Sheila has helped on many books for the publisher….
  12. GEORGE VANDERBURGH has published over 600 books through his Battered Silicon Dispatch Box, many of them directly related to the pulps. He was largely responsible for finally getting all of Fred Davis’ classic Moon Man stories back into print. …Looking at his website, his future plans include several books reprinting pulp authors who have been unjustly forgotten. Along with the late Robert Weinberg, George served as the co-editor of Arkham House Publishers until the death of April Derleth….
  13. Although some may believe he is old enough to have purchased pulps off the newsstand, CHUCK WELCH is a mere whippersnapper. As one of the original Internet Fans of Bronze, Chuck started attending the summer pulp convention in the late 1990s. After meeting his future wife at one of those conventions, Chuck took some time off to start a family. At the behest of Bill Mann, he returned to attend PulpFest. As was his wont, Chuck immediately started volunteering and making suggestions to the organizing committee. Having enough of his puppy-dog eyes, he was asked to join the team. Chuck served as the convention’s technology and social media director until his resignation in 2018, due to family commitments. When the Internet began to take off, Chuck began Flearun, a Doc Savage group now at Facebook. He is also the creator of the Hidalgo Trading Company — perhaps the closest anyone has come to presenting an online Doc fanzine — and the current editor of the Doc Savage fan magazine THE BRONZE GAZETTE.
  14. For twenty-five years, HOWARD WRIGHT was the publisher of the Doc Savage fan magazine THE BRONZE GAZETTE. He created his magazine when there was no real Internet and very little information readily available about Lester Dent’s “Man of Bronze.” His main reason for starting the publication was to gather information about Doc Savage, disseminate this news to the “Fans of Bronze,” and keep Doc fans going during the “lean” years when Doc was, for the most part, a mere memory…
  15. DAN ZIMMER has been working to promote greater awareness of pulp artists by producing and distributing ILLUSTRATION MAGAZINE since 2001. He is nearing the sixtieth issue of his magazine. Dan has tirelessly contributed his time, expertise and personal wealth to promote a more respectful awareness of the artistic accomplishments of pulp artists through the deluxe publication of the many biographical articles on such artists that have appeared in his magazine. He has done this despite the overwhelming fact that his creative vision is far beyond receiving any reasonable economic return for his efforts. His devotion to classic American illustrators is manifest in the elegant presentation of his magazine and has helped to turn the tide in our culture’s growing appreciation of pulp art. Dan has also published illustrated biographies of pulp artists Walter Baumhofer, H. J. Ward, and Norman Saunders through his book-publishing arm, The Illustrated Press.…

The complete citation are here.

[Via Locus Online.]

Pixel Scroll 9/7/18 Pixel Yourself On A Spinning Space Station, With Alien Porters With Arthropod Eyes

(1) HAPPENS TO THE BEST OF US. Kristine Kathryn Rusch writes about battling website and ISP) problems in “Business Musings: Website Issues”. The post begins —

It’s tough to write my blog when my website is down…for the second time in two weeks. Both times had nothing to do with me and everything to do with the website hosting service, which is so monumentally incompetent that I’m speechless.

I learned a lesson during this incident. A big important lesson.

And it ends —

…And as I (and the kind folks at WMG) rebuild, we will be doing so with an eye to a 2018 website, not a 2010 website. We’ll make information easy to find. The weekly features will remain as well.

It’s going to take a bit of time, but it was something I needed to do. Bluehost forced me into it.

They also taught me a valuable lesson. Every few years, I need to re-evaluate every service that I hire to help with my business, not just to see if the service is doing well, but also to make sure the service itself is the same company that I hired a few years before.

Things change quickly in this modern world, and I really need to incorporate that awareness of change into my own business planning…

In between, Rusch explains how she learned the lesson the hard way.

(2) ABOUT GRIMDARK. Paul Weimer analyzes “The Fugue of Fantasy and the Grimdark Interregnum” at Nerds of a Feather.

…In the history of epic fantasy, following this analogy and paradigm, there has always been a voice in a minor key, a strain of fantasy with antiheroes, shades of dark grey and darkness, worlds where hope and optimism are not valued or are even punished. Violence is the name of the game, dystopic amorality the norm and the worlds are often the successor states or the  ruins of another, brighter time. The classical Western European model of the first few centuries after Rome fell is the historical ur-model, and indeed, many novels use thinly disguised or even explicitly set in that time period. The latest iteration of this minor-key fantasy, which had in recent years become a dominant theme in epic fantasy, is what we call Grimdark….

(3) EATING THE FANTASTIC. Scott Edelman invites you to share a steak dinner with legendary comics creator Don McGregor in episode 76 of the Eating the Fantastic podcast.

I reached out to Dauntless Don — we all had nicknames back them; he was Dauntless, I was Sparkling — and said, hey, how about if when I’m on the way back to the airport at the end of Readercon, I swoop down, take you out for dinner, and we chew over the old times. And that’s exactly what we did, at the Safehouse in East Greenwich, Rhode Island, along with Dauntless Don’s wife, the Marvelous Marsha, whose voice you’ll occasionally hear in the background of this episode.

Don started out his career in comics by writing some of the best horror stories to appear in the pages of Creepy and Eerie — and I remember well reading the first of them in the early ’70s. When he moved on to Marvel Comics, he did groundbreaking work with such characters as Black Panther, Killraven, and Luke Cage. In fact, his two-year “Panther’s Rage” arc was ranked as the third most important Marvel Comics storyline of the ’70s by Comics Bulletin. In 2015, he was awarded the Bill Finger Award for Excellence in Comic Book Writing at San Diego Comic-Con International.

We discussed how meeting Jim Steranko led to him selling his first comics story, why when he was 13 years old, he wanted to be Efrem Zimbalist Jr., what he learned from Naked City creator Stirling Silliphant, how his first meeting with future Black Panther artist Billy Graham could have been disastrous, why the comics he wrote in the ’70s wouldn’t have been able to exist two years later, the reasons Archie Goodwin was such a great editor, how he convinced Stan Lee to allow the first interracial kiss in mainstream comics, what life lessons he took from Westerns in general and Hopalong Cassidy in particular, why he almost stopped writing Lady Rawhide, and much more.

(4) ALIEN ENCOUNTER NUMBER CRUNCHING. James Davis Nicoll discourages the idea that we’ll be meeting aliens in reality: “Doing the Math: Aliens and Advanced Tech in Science Fiction”. After reading Liu Cixin’s Three-Body Problem, maybe that’s a relief?

Everyone loves them some aliens. But …if the encounter is to work out to the satisfaction of all concerned, it is best if the aliens not be too advanced (because they could brush us aside like ants) or too primitive (we might brush them aside like ants). No, there’s a Goldilocks zone for aliens, in which they are close to the same tech level as humans … and can interact peaceably with us.

Which leads me to wonder: just how likely is it that two unconnected civilizations could reach the same technological level (roughly) at the same time?

Time for some large, round numbers….

(5) EXCEEDING THE READ LIMIT. Walter Mosley declares, “Enough with the Victors Writing History”, at LitHub.

I have studied the great powers that vie to control what they want us to believe about the past; but I don’t identify with them. I identify with the librarians who, when asked by GW Bush to report on their visitors’ reading habits, held up a hand and said, “First Amendment.” I identify with outsider artists and labor organizers and autodidacts who either refuse to or are unable to believe in the lies foisted upon us by the conquerors. I identify with the belief that there exists a history out there just beyond the reach of our powers of cognition. And I believe that a lie is a lie; that if you coexist with a population that helped to build your house, your culture, your music, a population that helped to raise your children and fine-tune your language, and you deny that culture’s impact on who you are… then your knowledge of history will fail you and the past will devour you and your children.

If you deny your past your future will be a detour around your fondest hopes and dreams…

Daniel Dern sent the link with a note, “While best known for his detective fiction, Mosley has written a handful of sf… and is a big sf fan… I’ve got a photo from Millennial PhilCon (Worldcon 2001) of him and Orson Scott Card, just after they met and near-simultaneously said to the other ‘I’m a huge fan.’”

(6) WOMBAT TO RETURN TO ALBUQUERQUE. Kevin Sonney boosts the signal –

(7) A MARTIAN ODYSSEY. Chabeli Herrera in the Orlando Sentinel reports that the Kennedy Space Center has opened up the Astronaut Training Experience, which simulates a trip to Mars by having visitors “strap onto a microgravity simulator: and then carry out a repair on the space station.  There’s also a simulation of Mars Base 1, where visitors can “work together to solve various technical problems” including “programming a team of robots to clean dust off the base’s solar panels.” — “Like real astronaut training, Kennedy Space Center’s new simulators let you work in zero gravity, drive Mars rover”.

Like a scene from “The Martian,” the botany lab in Mars Base 1 at the Kennedy Space Center Visitor Complex grows vegetables under the glow of fluorescent purple lights.

But it’s not all potatoes like in the 2015 film. This room can grow anything from cress to tomatoes, and all of the crops are planted and harvested by guests playing astronaut for the day.

The botany room is one of several new features at Kennedy Space Center’s Astronaut Training Experience Center, a two-year project designed to simulate astronaut training and work on Mars. The attraction opened in February, but officials gathered Thursday to officially kick off the opening of the ATX with representatives from its sponsor, aerospace company Lockheed Martin.

(8) SPEAK MEMORY. Hear the Harlan Ellison Memorial Panel at Worldcon 76:

(9) SHELLEY OBIT. Actress Carole Shelley (1939-2018), who appeared on stage in The Odd Couple and Wicked, and voiced characters in the Disney animated movies The Aristocats (1970) and Robin Hood (1973), died August 31 reports the New York Times:

A new generation of theatergoers knew Ms. Shelley for originating a less sympathetic character in the musical “Wicked,” a prequel of sorts to L. Frank Baum’s novel “The Wonderful Wizard of Oz.”

The show opened in 2003 with Kristin Chenoweth as Glinda, the putatively good witch, and Idina Menzel as Elphaba, who becomes the Wicked Witch of the West. (“Wicked” was still running on Broadway, with a different cast, when Ms. Shelley died.)

Ms. Shelley played Madame Morrible, a college official who pairs Glinda and Elphaba as roommates. She later helps arrange a series of events that push Elphaba toward wickedness.

(10) TODAY IN HISTORY

  • September 7, 1958  — Queen of Outer Space premiered.
  • September 7, 2017 – Jerry Pournelle died. Cat Eldridge notes: “Author, The Mote in God’s Eye with Larry Niven, numerous other works including the Janissary series, and superb tech commentary writer as well. His Byte column was something I very much looked forward to reading every month.”

(11) TODAY’S BIRTHDAYS

[Compiled by Cat Eldridge.]

  • Born September 7 – Karen Frenkel, 63. Author, Robots: Machines in Man’s Image (1985) with Isaac Asimov. Available on her website.

(12) COMICS SECTION.

  • A Hollywood in-joke you’ll all get – Long Story Short.
  • Scene from a comic con by Nigel Auchterlounie —

(13) HIGH CONCEPT. This December in Infinity Wars: Fallen Guardian #1.

(14) CATS IN THE VICINITY OF SFF. David D. Levine made a fan —

(15) ONE RING TO RULE THEM ALL. [Item by Mike Kennedy.] Data from the Chandra X-ray telescope has been combined with optical data to image a distant galaxy that seems to be encircled by black holes and/or neutron stars (International Business Times: “Ring Made Of Black Holes? Massive Cosmic Structure Found Encircling Distant Galaxy”). Galaxy AM 0644-741 was involved in a recent (astronomically speaking) collision with another galaxy that boosted star formation. The most massive of those stars had a very short life and have since gone supernova, leaving behind black holes and neutron stars.

Out of the newborn baby stars, the most massive ones probably led a short life, spanning on the scale of millions of years. They lost their nuclear fuel with time and exploded as supernovae, where the majority of the stellar material is blown away, leaving black holes 5 to 20 times heavier than the sun or dense neutron stars carrying approximately same mass as the sun.

This indicates the ring is either made from stellar-mass black holes or neutron stars that are accompanied by close companion stars. The dense objects are drawing gas from their stellar counterparts, forming a super-hot spinning disk which acts as a detectable X-ray source for Chandra.

Though the researchers behind the discovery — a team from INAF-Osservatorio Astronomico di Brera, Italy — couldn’t confirm the identity of individual sources making up the ring, they believe this could either be a case of all black holes or all neutron stars, or a mix of both.

The NASA website (“Cosmic Collision Forges Galactic One Ring—in X-rays”) that AM 0644-741 is only one of several galaxies with such X-ray rings and adds a link to the pre-print article on the arXiv service.

The paper describing the study of AM 0644 and its sister ring galaxies appeared in the August 10, 2018 issue of the Astrophysical Journal and is available online. The co-authors of the paper are Antonella Fruscione from the Harvard-Smithsonian Center for Astrophysics in Cambridge, Mass., and Michela Mapelli from INAF-Osservatorio Astronomico di Padova in Padova, Italy.

(16) PULPFEST DATES IN 2019. The dates for PulpFest 2019 are the same weekend at the Dublin 2019 Worldcon but that may not represent an actual conflict for more than a few fans.

PulpFest 2019 will take place from Thursday, August 15, through Sunday, August 18. We’ll be returning to the DoubleTree by Hilton Hotel Pittsburgh – Cranberry, just north of Pennsylvania’s “Steel City.” PulpFest will be joined by FarmerCon. Hopefully, they’re not too hung over from this year’s Philip José Farmer centennial.

Start making your plans for the 48th convening of PulpFest and its celebration of mystery, adventure, science fiction, and more. Join us for “Children of the Pulps and Other Stories” at “Summer’s Great Pulp Con.” Please bring your friends!

(17) ALMOST. James Davis Nicoll credits John Varley for showing us “How to Make a Near-Utopia Interesting: John Varley’s Eight World Stories” at Tor.com.

Peace and prosperity sound like they’re good things, but perhaps not for authors. What kind of plots can be imagined if the standard plot drivers are off the table? How does one tell stories in a setting that, while not a utopia, can see utopia at a distance ? The premise seems unpromising, but thirteen stories and a novel argue that one can write absorbing narratives in just such a setting. So how did Varley square this particular circle?

(18) AN OSCAR ON HOLD. About that new “popular film” Oscar? Like the Magic Eight-Ball says – “Ask again later” — “Oscars postpone plans for new popular film category”.

…The award, which could have recognised films popular with audiences but not critics, was only announced last month.

In a statement, the Academy’s CEO said she had “recognised the need for further discussion” with its members about the proposal first.

…In previous years, films which have done well at the box office with audiences – including Mamma Mia, Avatar and the Mission Impossible franchise – have been snubbed by the Academy.

The Oscars’ organisers did not elaborate in their August announcement how eligibility for the new category would have been established.

Some Hollywood critics suggested the new category’s “popular” tag was confusing and could risk creating a two-tier system among films.

It was feared films praised by critics and audiences alike, such as Dunkirk and Get Out, would risk being relegated to the new category rather than standing a chance in the prestigious Best Film award category.

(19) MORE RUBY SLIPPER NEWS. [Item by Mike Kennedy.] Smithsonian has a little more info, including how the recovered shoes were authenticated, as well as more info about the ownership of this pair and the others pairs still extant: “After 13-Year Chase, F.B.I. Nabs Pair of Dorothy’s Ruby Slippers”.

…The slippers, it turns out, were not actually owned by the Judy Garland Museum. Instead, they were property of a collector named Michael Shaw, who purchased them in 1970 for a mere $2,000, reports Jennifer Medina for The New York Times. Shaw, who also owns one of Dorothy’s dresses, a witch’s hat and a munchkin outfit from the 1939 movie, was in the habit of loaning out the slippers to museums around the country, donating his display fee to children’s charities. The slippers were on display as part of a 10-week traveling tour when they were stolen on the night of August 28. According to a press release from the Grand Rapids police, a thief or thieves broke into the museum’s back door and smashed open the plexiglass case. There were no cameras on the premises and the museum’s alarm failed to sound.

…After the shoes were apprehended, the F.B.I. brought them to the Smithsonian, which owns another pair of slippers used in the filming, to confirm their ruby slippers were the real deal. For the last two years, Smithsonian’s National Museum of American History has been analyzing and conserving a different pair of slippers donated to the museum in the late 1970s as part of a Kickstarter campaign. The F.B.I. brought the purloined pair to objects conservator Dawn Wallace for a look.

“We were able to spend two days looking at them and doing close examination as well as some analysis,” Wallace tells Smithsonian.com. “Not only did we have a physical examination, but we were able to conduct some technical analysis of the material to confirm that they were in fact consistent.”

Wallace says two other details cinched the case: First, it’s difficult to fake 80 years of aging on a pair of shoes. Second, the pair in the Smithsonian’s collection is actually a mismatched pair of ruby slippers, with the left sized “5C” and the right sized “5BC.” The pair recovered by the F.B.I. turned out to be the mates of the museum’s shoes (which are set to go back on display in a climate-controlled case on October 19)….

Since Mr. Shaw had received an $800,000 insurance settlement quite some time ago, the shoes belong to the insurance company now.

(20) FOYLES SOLD:BBC reports “Waterstones buys Foyles to defend bookshops against Amazon” – the Foyles Charing Cross Road location hosted this year’s Clarke Award announcement.

Waterstones is buying the 115 year-old family-owned chain Foyles, saying the deal will help to “champion” real bookshops in the face of online rivals.

The sale includes Foyles’ well-known Charing Cross Road store in central London, which was relocated to larger premises in 2014.

Waterstones said the deal would help booksellers fight back against Amazon’s “siren call”.

The larger chain has 283 bookshops across the UK and northern Europe.

[Thanks to Scott Edelman, Mike Kennedy, JJ, John King Tarpinian, Cat Eldridge, Chip Hitchcock, Martin Morse Wooster, James Davis Nicoll, Carl Slaughter, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day jayn.]

2018 Munsey Award Winner

Munsey Award print. Art by David Saunders.

William Lampkin is the winner of the 2018 Munsey Award. The award was presented at PulpFest in Pittsburgh on July 28.

William Lampkin, is a freelance writer/editor and publication designer who has spent much of his work life in the newspaper field, much like Rambler Murphy (but without the cool nickname and crime-solving). After freelancing for a number of years, he’s now the public information officer for a professional licensing board. Like many from his generation, Bill discovered the pulps through paperback reprints of Edgar Rice Burroughs, Robert E. Howard, The Shadow, Doc Savage, and The Spider. He bought his first actual pulp in the seventies. Bill runs ThePulp.Net, which he created in 1996, and also writes the Yellowed Perils blog. He founded the Facebook group Southern Pulpsters in 2015. A resident of Florida, he has designed THE PULPSTER since 2008, and beginning with its 22nd issue, became editor of the award-winning program book.

The first twenty-one issues of the magazine were edited by Tony Davis, winner of the 1999 . Tony calls Bill: “One of the unsung heroes of contemporary pulp fandom.” In late 2013, Bill also began to design <PulpFest‘s print advertisements, badges, and other materials. He is a member of the <PulpFest organizing committee, serving as the convention’s advertising director and webmaster.

The award, named for Frank A. Munsey, publisher of the first pulp magazine, recognizes someone who has contributed to the betterment of the pulp community through disseminating knowledge, publishing, or other efforts to preserve and to foster interest pulp magazines. The winner is selected by a committee made up of all the living Lamont, Munsey, and Rusty Award recipients. The award is a fine art print created by David Saunders and published by Dan Zimmer of The Illustrated Press.

2018 Munsey Award Nominees

Frank Munsey in 1910.

The PulpFest Organizing Committee has announced the fifteen 2018 Munsey Award nominees. Named for Frank A. Munsey, publisher of the first pulp magazine, the award recognizes someone who has contributed to the betterment of the pulp community through disseminating knowledge, publishing, or other efforts to preserve and to foster interest pulp magazines. The winner will be selected by a committee made up of all the living Lamont, Munsey, and Rusty Award recipients and named July 28 at PulpFest in Pittsburgh.

  • Author, bibliographer, critic, editor, and historian MIKE ASHLEY has a special expertise in the history of magazine science fiction, fantasy, and weird fiction. In 2002, he received a Pilgrim Award from the Science Fiction Research Association in recognition of his distinguished contributions to the study of science fiction. He is the author or co-author of numerous works related to the pulps, science fiction, and fantasy. …Mr. Ashley has also edited many anthologies and single-author collections, often drawing work from the pulps. He is currently working to compile an index to the most important British popular fiction magazines between 1880 and 1950.
  • The Collections Librarian at the University of Connecticut, RICHARD BLEILER is a bibliographer and researcher in the areas of science fiction, fantasy, horror, crime, and adventure fiction. In 2002, he was nominated for the Bram Stoker Award for Best Non-Fiction for the second edition of SUPERNATURAL FICTION WRITERS: FANTASY AND HORROR. With his father, Everett Bleiler, Richard compiled SCIENCE-FICTION: THE EARLY YEARS and SCIENCE-FICTION: THE GERNSBACK YEARS, both published by Kent State University Press.
  • CAMILLE CAZEDESSUS has been publishing a fanzine devoted to pulp fiction for more than fifty years, first as ERB-DOM and later as THE FANTASTIC COLLECTOR. All told, he has edited and published almost 250 issues, as well as several books. In its earliest incarnation, Caz’s magazine focused on the work of Edgar Rice Burroughs, presenting background information and bibliographic details about the author’s work as it appeared in magazines, books, comics, and movies. ERB-DOM won a Hugo Award in 1966. In the late nineties, Caz rechristened his fanzine as PULPDOM, a publication devoted to “studying the authors that wrote for the pulps and reprinting the ‘fantastic adventure’ type stories from pulp magazines.” With the help of various writers and indexers including Gary Lovisi, Al Lybeck, Jerry Page and, most recently, Mike Taylor, PULPDOM has explored nearly every pre-1932 general fiction pulp ever published, including ARGOSY, ALL-STORY, BLUE BOOK, CAVALIER, and THE POPULAR. Caz continues to publish PULPDOM today as an online pulp fanzine.
  • Probably best known for the SCIENCE FICTION, FANTASY, AND WEIRD FICTION MAGAZINE INDEX that he originally compiled with Steve Miller, WILLIAM CONTENTO has assembled other works that have become essential tools of reference. These include his INDEX TO SCIENCE FICTION ANTHOLOGIES AND COLLECTIONS, INDEX TO CRIME AND MYSTERY ANTHOLOGIES (with Martin H. Greenberg), THE SUPERNATURAL INDEX (with Mike Ashley), and others. In the last seventeen years, he and Phil Stephensen-Payne have built up the online FictionMags Index into a research juggernaut. It currently lists the contents of over 75,000 issues of thousands of different magazine titles. Pulps are heavily represented, of course, but pulp writers turn up in other magazines, too, and the FictionMags Index allows them to be discovered. A huge endeavor, the FictionMags Index has been a tremendous boon to pulp-magazine research.
  • RON FORTIER has been a professional writer for three decades. In 2007, Ron teamed up with illustrator Rob Davis to start Airship 27 Productions and build a home for new adventures featuring long moribund pulp characters such as the Green Lama, the Masked Rider, Secret Agent X, and Fortier’s own version of Ace Periodicals’ Captain Hazzard….
  • The late JOEL FRIEMAN worked for many years in the publishing industry. He was the person most responsible for taking The Shadow to a new paperback house — Pyramid/Jove — after it had failed at Bantam Books. It was Joel who worked to have Jim Steranko do the covers for the new Shadow line. Joel was also responsible for the Pocket Books editions of The Spider in the 1970s and, as the fiction editor at Freeway Press, he reprinted several Operator 5 adventures in paperback, featuring cover art by pulp illustrator George Gross. In 1981, Joel purchased Popular Publications from Popular Publications International. Joel was directly involved with every Popular Publications reprint in any format ever since….
  • STEPHEN HAFFNER — The “Big Poobah” of Haffner Press — has been returning the work of a number of well-regarded pulp fiction writers into print for nearly twenty years. Specializing in science fiction, fantasy, and mystery fiction, Stephen has brought back the early work of Leigh Brackett, Fredric Brown, Howard Brown, Edmond Hamilton, Henry Kuttner, C. L. Moore, Manly Wade Wellman, and Jack Williamson in a series of beautifully designed hardcovers….
  • Although pulp reprints abound in our day and age, such was not only the case. Along with John Gunnison of Adventure House, RICH HARVEY was one of the first small publishers to get the pulp reprint movement off the ground. He started in the pages of his fanzine, PULP ADVENTURESbegun in 1992 — where he published stories from COMPLETE NORTHWEST NOVEL, DIME DETECTIVE, .44 WESTERN MAGAZINE, NEW DETECTIVE MAGAZINE, and other pulps. …Along with his current partner, Audrey Parente, Rich manages the twice-a-year Pulp AdventureCon in two locations, New Jersey and Florida. These one-day events help to bring the world of pulp to a wider geographic range of fans….
  • CHRIS KALB is known in pulp circles for his hero pulp websites, like The 86th Floor and The Spider Returns, ventures that have helped to attract people who are new to the pulps….
  • WILLIAM LAMPKIN is a freelance writer/editor and publication designer who has spent much of his work life in the newspaper field, much like Rambler Murphy (but without the cool nickname and crime-solving). …A resident of Florida, he has designed THE PULPSTER since 2008, and beginning with its 22nd issue, became editor of the award-winning program book. The first twenty-one issues of the magazine were edited by Tony Davis, winner of the 1999 Lamont Award. Tony calls Bill: “One of the unsung heroes of contemporary pulp fandom.” In late 2013, Bill also began to design PulpFest‘s print advertisements, badges, and other materials. He is a member of the PulpFest organizing committee, serving as the convention’s advertising director and webmaster.
  • …A pulp collector since a teenager, SHEILA VANDERBEEK began attending pulp conventions in 1975. She has attended 62 of the 63 major pulp conventions since her first. She helped with all the radio recreations that were performed at Pulpcon. A member of the Battered Silicon Press pulp advisory committee, Sheila has helped on many books for the publisher….
  • GEORGE VANDERBURGH has published over 600 books through his Battered Silicon Dispatch Box, many of them directly related to the pulps. …Along with the late Robert Weinberg, George served as the co-editor of Arkham House Publishers until the death of April Derleth. A regular attendee of pulp conventions, George has helped both longtime and new fans to collect the tales of some of the most fantastic heroes from the pulps.
  • Although some may believe he is old enough to have purchased pulps off the newsstand, CHUCK WELCH is a mere whippersnapper. As one of the original Internet Fans of Bronze, Chuck started attending the summer pulp convention in the late 1990s. …When the Internet began to take off, Chuck began Flearun, a Doc Savage group now at Facebook. He is also the creator of the Hidalgo Trading Companyperhaps the closest anyone has come to presenting an online Doc fanzine — and the current editor of the Doc Savage fan magazine THE BRONZE GAZETTE.
  • For twenty-five years, HOWARD WRIGHT was the publisher of the Doc Savage fan magazine THE BRONZE GAZETTE….
  • DAN ZIMMER has been working to promote greater awareness of pulp artists by producing and distributing ILLUSTRATION MAGAZINE since 2001. …Dan has also published illustrated biographies of pulp artists Walter Baumhofer, H. J. Ward, and Norman Saunders through his book-publishing arm, The Illustrated Press….