Readers young and old from across the nation will gather by their TV sets, computers, tablets, and phones to watch a historic reading of Ray Bradbury’s classic novel Fahrenheit 451 streamed over YouTube, Facebook, and Instagram. The Library of Congress, the Los Angeles Public Library, and the Alliance for Young Artists & Writers, along with other public and university libraries nationwide have joined together to bring Bradbury’s classic novel to today’s audiences.
Carla Hayden, the Librarian of Congress, will introduce each of the three parts of Bradbury’s book, while John Szabo (Los Angeles Public Library), Rachel Bloom (actress), Charles F. Bolden Jr. (12th NASA Administrator), and Ann Druyan (writer/producer/director) will offer additional introductions.
Readers from across the United States will join William Shatner (actor), Neil Gaiman (author), Marlon James (author), Marjorie Liu (author), P. Djèlí Clark (author), Dr. Brenda Greene (author), Alley Mills Bean (actress), James Reynolds (actor), Tananarive Due (author), and Steven Barnes (author) to bring this relevant work to social media. Susan Orlean (author) provides an afterword.
The American Writers Museum (AWM) welcomed visitors back one month ago with new safety measures including providing gloves and styluses to promote safe interaction with museum exhibits. On Saturday, August 22, the AWM will open its doors for free to mark the Centennial of Ray Bradbury’s birth, giving visitors a chance to get an up-close look at Bradbury’s typewriter that is on display in the Tools of the Trade exhibit and learn more about the upcoming exhibit Ray Bradbury: Inextinguishable, set to open in early 2021.
…Bradbury was trying to get the second volume of stories published in 1949, but every publisher he approached told him they were looking for novels. He met at Doubleday with editor Walter Bradbury (no relation), who asked if his existing stories about the first human colony on Mars could be tied together into a novel; Walter even suggested a name: The Martian Chronicles. Ray wrote an outline for the connective material overnight, and Walter bought what was now a novel the next day.
The novel was a great success, in part because of another lucky accident. Bradbury happened to meet Christopher Isherwood in a bookstore shortly after the book was published. He gave Isherwood a copy, and Isherwood’s glowing review of The Martian Chronicles helped bring the book to the attention of readers who might otherwise have ignored it. The book was so popular that Broadway composers Alan Jay Lerner and Frederick Loewe wanted to turn it into a musical. Bradbury declined, but did approve an operatic version several decades later.
(5) WAUKEGAN ACQUIRES CARNEGIE LIBRARY. And the officials of the City of Waukegan have a few things lined up: “Ray Bradbury Centennial”. For example, they announced on August 13 –
In partnership with the Waukegan Historical Society, the Waukegan Park District is excited to announce that it has officially acquired the historic Carnegie Library from the City of Waukegan. The Carnegie Library, located at 1 N. Sheridan Road, was made famous by Ray Bradbury in a variety of stories, possibly most especially in Something Wicked This Way Comes. Designated as a Waukegan Historic Landmark and listed on the National Register of Historic Places, the Carnegie Library will become the new site for the Waukegan Historical Society’s expanded history programming, archives, collections, exhibits, and research library. The building will also be used by the Waukegan Park District for programs, classes, events, and registrations.
That I am a Martian is thanks in no small part to Ray Bradbury. As a child growing up in northern NY, I spent many nights reading and rereading his books. From Fahrenheit 451 to Something Wicked This Way Comes to The Illustrated Man and everything in between. But it was the Martian Chronicles that really captured my attention. After reading it multiple times, I’d play outside and imagine ancient Martian civilizations living on a drying Red Planet long before humans appeared on the Earth.
This all happened at about the same time I was eagerly waiting for first the Mariner 9 and then Viking missions to reach Mars. Although prior missions had flown by the planet, these missions were the first to go into orbit and, in the case of Viking, successfully land on the surface of Mars. When Mariner 9 arrived at Mars, a global dust storm was largely obscuring the surface from view. As the dust slowly cleared and Mars was unveiled, a diverse landscape was revealed that included not only impact craters, but also giant volcanoes, ice caps, and even ancient water-carved channels. The Viking orbiters followed this up with even better and broader resolution images of surface features and the Viking landers revealed a landscape that to me looked somewhat similar to deserts on the Earth, sans vegetation of course.
(7) RAY’S OLD HOME BY THE BEACH. The Friends of Venice (CA) Library are “Celebrating Bradbury’s 100th Birthday” online – register at the link. This year’s annual meeting will honor Ray Bradbury’s Centennial with a showing of the classic Twilight Zone episode “I Sing the Body Electric,” written by Bradbury. In addition, a visit by the LA Book Bike, and a joint display with the Venice Heritage Foundation will focus on Bradbury’s life in Venice.
…Many may not be aware that Bradbury’s life as a writer began in Venice. In 1942, he moved to a small house at 670 Venice Boulevard where he sat in a one-car garage and wrote short stories like “The Lake” and “The Wind” as well as the famed “Martian Chronicles.” From “The Fog Horn” inspired by the shattered remains of the Venice Pier roller coaster to the decaying Venice Canals that set the scene for “Death Is a Lonely Business,” Venice had a large influence on the stories he told.
(8) RAY’S FAMILY TREE. An article in Spanish at El Universal’s Confablario – “Ray Bradbury, el hijo de Julio Verne” – “hijo” means “son” so you can figure out that part easily enough. It starts out quoting Ray’s whole family tree —
En su prólogo a S is for Space Ray Douglas Bradbury escribió lo siguiente: “Julio Verne fue mi padre. H. G.Wells fue mi tío sabio. Edgar Allan Poe era el primo con alas de murciélago que guardábamos en lo alto del desván. Flash Gordon y Buck Rogers fueron mis hermanos y amigos. Ahí tienen mi linaje. Añadiendo, por supuesto, el hecho de que muy probablemente, Mary Wollstonecraft Shelley, la autora de Frankenstein, era mi madre”.
(1) TAKING NOTES. I’d love to see more panel reports of this kind.
(2) FAN FUNDS AUCTION. Alison Scott announced that today’s CoNZealand Fan Funds auction raised 2190$NZD for GUFF, TAFF, DUFF and FFANZ.
(3) YOU GOT YOUR POLITICS IN MY FICTION! This happened to a CoNZealand panel participant yesterday.
Schluessel also reports getting dinged for having a Black Lives Matter background. Which is pretty bizarre, because there’s a Black Lives Matter banner in CoNZealand’s virtual Exhibit Hall, as seen in the screencap below. However, Schluessel says “CoNZealand has extended me a full apology, which I have accepted.”
(4) ROTSLER AWARD EXHIBIT. CoNZealand’s virtual exhibit hall includes many things, such as the Rotsler Award exhibit (membership required to access) with artwork from each year’s award winner. Click the link, select “Boldy Go,” select Exhibits, and once there, click on Displays. The Rotsler link is last on the bottom right.
(5) PLEASE UNSIGN THEM. When she saw her sff group’s name listed as a signer of the Open Letter to WSFS about the Saudi Arabia Worldcon bid, Fran Dowd, “Sofa” of the Sheffield Science Fiction and Fantasy society posted a denial on the group’s Facebook page.
I’d like to put it on record that I have no idea how this group appeared as a signatory to the Jeddah letter. Whatever our personal feelings might be, I would not expect anyone to sign such a statement on our behalf without consultation at the least.
I have spent this morning, when I would actually rather be at the current Worldcon, trying to spread the word. Apologies have been given to the NZ Chairs and to Kevin Standlee. Given the spread of social media, getting a retraction would be meaningless.
I apologise to any members of the group who have been dragged into this. If it is of any help, please point people to this statement.
Signed by me in my capacity as Chair When We Need One.
The 1945 Retro Hugo for Best Novelette goes to “City” by Clifford D. Simak. This isn’t a huge surprise, because the City cycle is well regarded, still in print and Clifford D. Simak was one of the best writers of the Golden Age. “City” is a pretty good story, too, though not the best City story of 1944 or even the best City novelette, because “Census”, which didn’t make the ballot, is better.
That said, this was not the category I wanted to see Simak win. In fact, I was hoping that C.L. Moore, either with or without Henry Kuttner, would win Best Novelette, because both “No Woman Born” (which finished second) and “The Children’s Hour” (which finished unfairly in sixth place) are great stories.
Though I’m glad that “Arena” by Fredric Brown was its “Genocide is good” message didn’t win, because I feared that it might.
(7) MORE OR LESS RETRO-HUGOS? Charles Stross thinks pausing the Retro-Hugos for about a quarter century might address some of the competing values now in conflict. Thread starts here.
Alasdair Stuart laments the Campbell and Lovecraft Retro wins. Thread starts here.
The US space agency’s Perseverance robot has left Earth on a mission to try to detect life on Mars.
The one-tonne, six-wheeled rover was launched out of Florida by an Atlas rocket on a path to intercept the Red Planet in February next year.
When it lands, the Nasa robot will also gather rock and soil samples to be sent home later this decade.
Perseverance is the third mission despatched to Mars inside 11 days, after launches by the UAE and China.
Lift-off from Cape Canaveral Air Force Station occurred at 07:50 local time (12:50 BST; 11:50 GMT).
Nasa made this mission one of its absolute priorities when the coronavirus crisis struck, establishing special work practices to ensure Perseverance met its launch deadline.
“I’m not going to lie, it’s a challenge, it’s very stressful, but look – the teams made it happen and I’ll tell you, we could not be more proud of what this integrated team was able to pull off here, so it’s very, very exciting,” Administrator Jim Bridenstine told reporters.
…BRENDAN BYRNE, BYLINE: When the Perseverance rover lands on Mars in February, it will unpack a suite of scientific experiments to help uncover ancient signs of life on the red planet – high-tech cameras, spectrometers, sensors and…
ROGER WIENS: This is the voice of Roger Wiens speaking to you through the Mars microphone on SuperCam.
BYRNE: Roger Wiens is the principal investigator of the rover SuperCam, a slew of instruments, including a camera, laser and spectrometer, that will examine the rocks and soil of Mars for organic compounds, a hint that there might be further evidence of past life. Tucked away inside the SuperCam is the Mars microphone.
WIENS: And so it is there to listen to anything interesting, first of all, on Mars. And so we should hear wind sounds. We should hear sounds of the rover. We might hear things that we never expected to hear. And so that’s going to be interesting to find out.
BYRNE: The mic will also listen as Perseverance’s onboard laser blasts nearby rocks.
ADDIE DOVE: You might think we’re going to hear, like, pew pew, but we probably won’t.
BYRNE: University of Central Florida planetary scientist Addie Dove says the sounds of Martian rock blasts will help scientists determine if they might contain organic material, evidence of life on Mars. But it will actually sound more like this.
(SOUNDBITE OF ROCK BLASTS)
(10) JOSE SARAMAGO NEWS. [Item by Martin Morse Wooster.] In the July 24 Financial Times, Sarah Hemming discusses a new adaptation of Nobel Laureate Jose Saramago’s sf novel Blindness at the Donmar Warehouse in London (donmarwarehouse.com). Donmar’s director, Michael Longhurst says the production will be a hybrid of theatre and “sound installation” that will let the theatre hold four shows a day. I can’t tell from the review how much actual theatre there is in the production. The only Donmar production I’ve seen was an all-female Julius Caesar on PBS that had an impressive performance by Dame Harriet Walter as Brutus.
Lockdown has emphasised the importance of sound for many of us from that early experience of hearing birdsong in unusually quiet city centres, to a keener awareness, prompted by physical separation, of the way we listen. And several online drama offerings, such as Simon McBurney’s The Encounter and Sound&Fury’s wartime meditation Charlie Ward At Home, have used sophisticated recording to steep their homebound audiences in other worlds and prompt reflection.
Blindness, in a sense, builds on that (there will be a digital download for those unable to get to the theatre). So why attend in person? Longhurst suggests the very act of being in a space will change the quality of listening–and reflect the way we have all had individual journeys through the collective experience of lockdown. And while this is a one-off piece about a society in an epidemic, created for an industry in a pandemic, that physical presence marks a move towards full performance.
(11) MEDIA ANNIVERSARY.
July 1987 — Emma Bull’s War for The Oaks was published by Ace Books. This urban fantasy would get its own trailer courtesy of Will Shetterly who financed it instead of running for Governor. You’ll no doubt recognize many of the performers here. Decades later, it was scheduled to have a hardcover edition from Tor Books but it got canceled after the books were printed. And the music in War for The Oaks would later be done by Cats Laughing, a band that includes Emma Bull and other members of Minneapolis fandom.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born July 30, 1800 – Aleksandr Veltman. Order of St. Vladimir (bravery) while in the Russian army, eventually Director of the Museum of Armaments. Poetry praised by Pushkin, second wife’s novel praised by Gorky. The Wanderer in an imaginary journey parodies travel notes. Koshchei the Deathless parodies historical adventures. The Year 3448 is supposedly by Martin Zadek (who also finds his way into Pushkin and Zamyatin). The Forebears of Kalimeros has time-travel (by riding a hippogriff; “Kalimeros”, a nudge at Napoleon, is the Greek equivalent of Buonaparte) to meet Alexander and Aristotle. Tolstoy and Dostoevskyapplauded AV too. (Died 1870) [JH]
Born July 30, 1873 – Curtis Senf. Four dozen covers and hundreds of interiors for Weird Tales, after which what the Field Guide to Wild American Pulp Artists modestly calls “a more lucrative career as a commercial artist in the Chicago advertising industry”. Here is the Oct 27 WT; here is the Jan 30; here is the Mar 32. (Died 1949) [JH]
Born July 30, 1911 — Reginald Bretnor. Author of many genre short stories involving Ferdinand Feghoot, a comical figure indeed. It looks like all of these are available in digital form on iBooks and Kindle. He was a consummate SJW. He translated Les Chats, the first known book about cats which was written by Augustin Paradis de Moncrif in 1727. He also wrote myriad articles about cats, was of course a companion to cats, and considered himself to have a psychic connection to cats. Of course most of us do. (Did 1992.) (CE)
Born July 30, 1927 — Victor Wong. I remember him best as the Chinese sorcerer Egg Shen in John Carpenter’s Big Trouble in Little China. He was also The Old Man in The Golden Child, Walter Chang in Tremors, Dr. Wong in the “China Moon” episode of the Beauty and the Beast series and Lee Tzin-Soong in the “Fox Spirit” episode of Poltergeist: The Legacy. (Died 2001.) (CE)
Born July 30, 1947 – John Stith, 73. Eight novels, a dozen shorter stories, translated into French, German, Italian, Japanese, Portuguese, Russian. Wrote about John Kennedy (i.e. our JK; indeed John R.; 1945-2009) in 1992 (for the limited ed’n of “Nova in a Bottle” bound with “Encore”), interviewed by him in 1993 (SF Chronicle 164). Did his own cover for a reprinting of Death Tolls. [JH]
Born July 30, 1948 — Carel Struycken, 72. I remember him best as the gong ringing Mr. Holm on Next Gen, companion to Deanna Troi’s mother. He was also Lurch in The Addams Family, Addams Family Values and the Addams Family Reunion. He’s listed as being Fidel in The Witches of Eastwick but I’ll be damned if I remembered his role in that film. And he’s in Ewoks: The Battle for Endor which I’ve never seen… (CE)
Born July 30, 1961 — Laurence Fishburne, 59. In The Matrix films. His voice work as Thrax in Osmosis Jones on the other hand is outstanding as is his role as Bill Foster in Ant-Man. (CE)
Born July 30, 1966 — Jess Nevins, 54. Author of the superlative Encyclopedia of Fantastic Victorian and the equally great Heroes & Monsters: The Unofficial Companion to the League of Extraordinary Gentlemen which is far better than the film ever could be. I didn’t know he was an author ‘til now but he has two genre novels, The Road to Prester John and The Datong Incident. (CE)
Born July 30, 1967 – Ann Brashares, 53. Famous for The Sisterhood of the Traveling Pants (that’s the U.S. meaning of “pants”, in this case a magical pair of blue jeans), a NY Times Best-Seller, and its sequels, films, companions. Two more novels for us, one other. Indies Choice Book Award, Quill Award. Philosophy major (yay!) at Barnard, 1989. [JH]
Born July 30, 1971 – Kristie Cook, 49. Nine novels, a dozen shorter stories (some with co-authors; publishes Havenwood Falls shared-world stories, some wholly by others). Loves cheese, chocolate, coffee, husband, sons, motorcycle. “No, I’m not crazy. I’m just a writer.” [JH]
Born July 30, 1974 – Jacek Dukaj, 46. Ten novels, half a dozen shorter stories, translated into Bulgarian, Czech, English (he’s a Pole), German, Hungarian, Italian, Macedonian, Russian, Slovak. Six Zajdel Awards. EU Prize for Literature. Another writer with a Philosophy degree, from Jagiellonian University even. His Culture.plpage (in English) is here. [JH]
Born July 30, 1975 — Cherie Priest, 45. Her southern gothic Eden Moore series is kickass good and Clockwork Universe series isa refreshing take on steampunk which has been turned into full cast audiobooks by GraphicAudio. I’ve not read Cheshire Red Reports novels so have no idea how they are. Anyone read these? (CE)
(13) NOW WITH MORE MASK. Ray’s playing it safe, I see. Incidentally, the Ray Bradbury Experience Museum is accepting RSVP’s here for entry during RBEM’s Ray Bradbury Centennial Celebration on August 22, 2020.
(14) OOPS. Marc Zicree has issued a video “Apology to the Science Fiction Writers of America,” for using their membership list to publicize Space Command.
(15) A DISSATISFIED CUSTOMER. And not only that, we line up for the opportunity!
(16) BACURAU. The Criterior Channel’s August lineup includes Bacurau on August 20, an exclusive streaming premiere, featuring an interview with directors Kleber Mendonça Filho and Juliano Dornelles.
… After all, who doesn’t periodically yearn to flee the nightmarish world we now live in? A persistent feeling of helplessness, frustration, anger and mild despair has emerged as the “New Normal” — which is one reason my recent reviews and essays tend to emphasize escapism, often into books from the past. A similar impulse lies behind the pruning of my basement hoard. Going through my many boxes, I am no longer the plaything of forces beyond my control. I have, to use a vogue term, agency. I alone decide which books to keep, which to let go.
However, making these decisions has turned out to be harder than I expected.
Here’s an example of what I mean. I’m fond of a slightly overwritten travel book called “A Time of Gifts” by English writer Patrick Leigh Fermor. It recounts in striking detail a walk across half of Europe undertaken by the young Leigh Fermor in 1933. Somehow, I possess four copies of this minor classic: a Penguin paperback that I read and marked up, an elegant Folio Society edition bought at the Friends of the Montgomery County Library bookstore, a later issue of the original John Murray hardback, and a first American edition in a very good dust jacket acquired for a bargain price at the Second Story Books warehouse. Given the space-saving principle of eliminating duplicates, I should keep just one copy. Which one?
You draw seven cards. You look at your hand. It would be perfect if you had that one card.
Too bad it costs $50. And your local game store is closed anyway.
Depending on where you lie on the nerd spectrum, you may or may not have heard of Magic: The Gathering. It’s a trading card game that’s been in production for almost three decades. Even if you haven’t heard of it or played it, you probably know someone who has. It’s one of the most popular trading card games of all time, and that isn’t an exaggeration; there are millions of Magic: The Gathering players worldwide.
…Before COVID-19 hit the Magic community, players packed into local game stores to sling spells and blow off steam. Now, as players move toward the online versions, there are additional financial hurdles to clear.
There’s a reason it’s called Magic: The Gathering. Most of the fun comes from squaring off against other players, catching the clandestine tells of your opponent as they draw powerful spells. Game stores across the country offer opportunities to play; they host tournaments, stock up on new cards and teach new wizards how to play.
But even if veteran players and shop owners welcome new Planeswalkers with open arms, how accessible is Magic: The Gathering?
Players can craft a variety of decks, and if they’re playing the more common formats of the game, a deck can cost anywhere from about $275 to $834 or more. Not only are full decks expensive, but so are individual cards. The card Thoughtseize, for instance, has a current value of around $25 per copy. If a deck contains four copies of a single card (the maximum), just that one card would bring the price of a deck up by $100. And there are much more expensive cards on the market.
…There is an online version of the game, but Magic Online isn’t cheap either. And while it isn’t as expensive as its cardboard counterpart, a player still has to buy new digital versions of physical cards they already own. On top of that, a Magic Online account costs $10 just to set up. And while a Magic veteran might jump at the opportunity to play online, a new player may feel less inclined to pay the fee when there are other online deck-building games, like Hearthstone, that are free to try.
In 2018, Magic’s publisher Wizards of the Coast released a free, digital version of the game called Magic: The Gathering Arena. It’s a more kid-friendly online option for new Planeswalkers, but it still has the same Magic charm for older players. Arena does include in-game purchases, but players can obtain better cards by grinding out a lot of games instead of spending extra money. And while Arena can be a great way to introduce a new player to the online format, if they don’t want to empty their wallets, they’ll have to get used to losing for a while.
[Thanks to John Hertz, N., Mike Kennedy, Martin Morse Wooster, JJ, Cat Eldridge, Michael Toman, Chip Hitchcock, John King Tarpinian, Jeffrey Smith, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jayn.]
…But what of the 1945 Retro Hugo Awards finalists? There is unlikely to be a Voter Packet for these, so how are Hugo Awards voters to go about making an informed choice here? Fortunately, many of the works that will be on the ballot are available online, either on the Internet Archive or elsewhere. Below I have compiled links to as many of these as I could find, and provided information about whether items are in print or otherwise….
MINAS TIRITH — The White Council of the Wise issued a decree today that all fellowships in Middle Earth shall be no larger than five companions for at least the next quarter-age to help slow the spread of the Samund-01 curse that has already killed over 30,000 elves, dwarves, and men.
…It does feel like we’re living through another Black Death.
But in recent days, as the horrors of the coronavirus pandemic have begun to unfold, I’ve also been reminded of similarities of this pandemic to the Blitz:
1. The disruption of our daily lives. The orderly schedules of the British people was completely upended by the Blitz. People found themselves sleeping under the kitchen table or in basements or tube shelters. They went to work in the morning after a sleepless night with bombs falling overhead, only to find that their place of work was closed or bombed out, and when they went home, they found that had been bombed out, too. Everything changed in an instant. Theaters and museums were closed, and the way of life they’d always known disappeared overnight as if it had never been….
She comes up with three more parallels before concluding –
Everybody’s rising to the occasion, and, in spite of my having occasional worried thoughts about all of us becoming the crazy characters in Shirley Jackson’s WE HAVE ALWAYS LIVED IN THE CASTLE, we’re doing great. When this is all over, we’re going to be able to say, just like the British, “This was their finest hour.”
(4) SEEKING DONATIONS. The Ray Bradbury Experience Museum (RBEM) asks for help to open ‘The Martian Chronicles’ exhibit area for the Ray Bradbury Centennial celebration in “Green Town” in 2020. The donation link is here.
(5) WHO MEMORIAL. “Farewell, Sarah Jane” on the official Doctor Who YouTube channel.
Today marks the anniversary of the passing of Elisabeth Sladen, who played the Doctor’s friend Sarah Jane Smith. In a new video, scripted by Russell T Davies and narrated by Jacob Dudman, Sarah Jane Smith’s closest friends come together to say “Farewell, Sarah Jane”.
Sadie Miller, the actress daughter of the late Elizabeth Sladen, is boarding the TARDIS in the role her mother made famous on the iconic BBC sci-fi series — that of intrepid investigative reporter Sarah Jane Smith — in Big Finish‘s highly anticipated audio drama Doctor Who: Return of the Cybermen.
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born April 19, 1907 — Alan Wheatley. Best remembered for being the Sheriff of Nottingham in The Adventures of Robin Hood TV series, with Richard Greene playing Robin Hood. In 1951, he had played Sherlock Holmes in the first series about him, but no recordings of it are known to exist. And he was in Two First Doctor stories as Temmosus, “The Escape” and “The Ambush” where he was the person killed on screen by Daleks. (Died 1991.)
Born April 19, 1925 — Hugh O’Brian. He was Harry Chamberlain in Rocketship X-M which you can see here. (It was nominated in the 1951 Retro Hugo Awards given at The Millennium Philcon but lost out to Destination Moon.) He would later play Hugh Lockwood in Probe, the pilot for Search, and Search itself, an SF series. His only other genre appearance I think was playing five different roles on Fantasy Island. (Died 2016.)
Born April 19, 1933 — W.R. Cole. Author of A Checklist of Science Fiction Anthologies, self-published In 1964. Ok, I’m including him today because I’m puzzled. SFE said of this work that ‘Though it has now been superseded and updated by William Contento’s indexes of Anthologies, it is remembered as one the essential pioneering efforts in Bibliography undertaken by sf Fandom.’ Was this really the first time someone compiled an index of anthologies? I seem to remember earlier efforts though I can’t remember precisely who. (Died 2002.)
Born April 19, 1935 — Herman Zimmerman, 84. He was the art director and production designer who worked between 1987 and 2005 for the Trek franchise. Excepting Voyager, he worked on all other live-action productions including the first season of Next Gen, the entire runs of Deep Space Nine and Enterprise, as well as six Trek films. As Memory Alpha notes, “Together with Rick Sternbach he designed the space station Deep Space 9, with John Eaves the USS Enterprise-B and the USS Enterprise-E. His most recognizable work though, have been his (co-)designs for nearly all of the standing sets, those of the bridge, Main Engineering (co-designed with Andrew Probert) and Ten Forward for the USS Enterprise-D in particular.” Not surprisingly, he co-wrote the Star Trek: Deep Space Nine Technical Manual with Rick Sternbach and Doug Drexler.
Born April 19, 1936 — Tom Purdom, 84. There’s very little on him on the web, so I’ll let Michael Swanwick speak for him in the introduction to his Lovers & Fighters, Starships & Dragons collection: ‘How highly do I regard Tom’s fiction? So highly that I wrote the introduction to the collection — and I hate writing introductions. They’re a lot of work. But these stories deserve enormous praise, so I was glad to do it.’ He’s written five novels and has either one or two collections of his stories. He’s deeply stocked at the usual digital suspects.
Born April 19, 1946 — Tim Curry, 74. Dr. Frank-N-Furter in The Rocky Horror Picture Show of course, but it’s not his first genre appearance as he’d appeared a year earlier at the Scottish Opera in A Midsummer Night’s Dream as Puck. And yes I know that he appeared in the live show which was at the Chelsea Classic Cinema and other venues before the film was done. Other genre appearances include playing Darkness in Legend, an outstanding Cardinal Richelieu in The Three Musketeers, Farley Claymore in The Shadow (great role), another superb performance playing Long John Silver in Muppet Treasure Island and in Rosencrantz and Guildenstern Are Dead as The Player.
Born April 19, 1952 — Mark E. Rogers. Best remembered for the Samurai Cat series which in the first book, The Adventures of Samurai Cat, lampooned Tolkien, Lovecraft and Howard. Indiana Jones. Burroughs’ Barsoom and Star Wars would also get their due. (Died 2014.)
Born April 19, 1967 — Steven H Silver, 53. Fan and publisher, author, and editor. He has been nominated for the Hugo Award for Best Fan Writer twelve times and Best Fanzine four times. He’s a longtime contributing editor to SF Site and has written that site’s news page since its beginning. Over twenty years ago, he founded the Sidewise Award for Alternate History and has served as a judge ever since. He publishes his own fanzine, Argentus, and is a Hugo nominee this year for his work on Journey Planet.
Born April 19, 1968 — Ashley Judd, 52. Best known genre wise for playing Natalie Prior in the Divergent film franchise. She was also Carly Harris-Thompson in the Tooth Fairy film, and was Ensign Robin Lefler in a few episodes of Next Gen. She played Beverly Paige on several episodes of Twin Peaks as well.
As a sci-fi and fantasy nerd, of course I love the cartoon of the scientist being tempted by science fiction. Where did that one come from?
I think the scientist character in that cartoon is a bit like me when I’m making these cartoons, because I have to resist the temptation to draw silly robots and over-the-top science fiction technology every week. I am a SF/F nerd myself and while that’s one of the things that draws me to science, I have to remind myself to look in all the different areas of science to find cartoon themes.
(9) MARLOWE AND THE QUEEN. Francis Hamit, who frequently shared with File 770 readers his experience as a writer publishing via early indie platforms, and has spent years trying to get a movie made, sends this update.
I dissolved the Kit Marlowe Film Co, Ltd in February after five years and one month of trying to get CHRISTOPHER MARLOWE produced. My recent surgery for spinal stenosis, (the first of two with the second on hold now because of the pandemic) makes it impossible for me to produce anything, even if our great producer Gary Kurtz hadn’t died in September, 2018, the HMRC had not changed the EIS rules and Brexit had not changed all of the assumptions we had when we started the company in 2014. I’m an old poker player. I know when to fold a losing hand. Rising from the ashes, however, is the five-time award-winning screenplay and the curious fact that BFI says our letter of comfort for the film tax relief can be used by any UK film production company. That’s a twenty percent rebate on the spend in the UK. But coronoavirus has shut down the entire industry in the USA and UK. Except for “development” and I have that script and two others out for consideration. (Details on Facebook).
I also have a few hundred copies of The Shenandoah Spy and The Queen of Washington left in the distributor’s warehouse. I am reducing the retail price to $12.95 and $14.95 respectfully. This is slightly below my break-even point but will free up cash to get another book to market. Regular publishing has ls shut down so it may be DIY for the one I’m working on now STARMEN, a multi-genre romp that begins in El Paso, Texas in 1875 with the Pinkertons, who investigated all sorts of strange things. I might also do some crowd-funding.
Anyway those who would like to buy a copy of either book should call Pathway Book Service at 1-800-345-6665. The Shenandoah Spy is $12.95 plus shipping and handling and they take credit cards. The Queen of Washington is a hardbound at $14.95 plus shipping and handling. Amazon has a few copies at the old prices but has stopped taking third party distributors’ books to deal with the emergency. Both books are in e-book at $9.99 on Amazon Kindle and as audiobooks at Audible, Amazon and iTunes, sometimes for free.
Anyone who wants a signed copy should contact me directly. (firstname.lastname@example.org). (My other books are also available but not discounted.)
Direct sales will be $27.50 per book, $50 for two plus $5.00 shipping each and these will be signed. I’m running out of copies here and will have to order some from Pathway, which costs me for shipping. If they are able. In the current emergency. We can’t be sure. On the other hand they will be signed.
Gail Shalan and I are converting The Shenanoah Spy audiobook to a Young Adult title. That simply means we are going to cut the more graphic sexual content. Probably less than a thousand words that won’t be missed. Times have changed since 2008 when the book was first published and we don’t want to provide “triggers” that get some readers upset and detract from the story. That means the sexual content is still there but more is left to the imagination. Gail’s performance will be intact. BTW the audiobook is “free” if it is a title used to sign up for Audible and Gail and I split a nice bonus.
.. The first three films in Jackson’s Middle-earth franchise raked in nearly $3 billion worldwide. And no, that number doesn’t account for DVD or memorabilia sales, or the sale of the trilogy’s television broadcast rights.
(15) FROST READS. The editors of the Beatles-themed anthology Across the Universe, Michael A. Ventrella and Randee Dawn, are posting videos of various authors in the anthology reading from their work. Here, Gregory Frost reads “A Hard Day’s Night at the Opera.”
[Thanks to Cat Eldridge, John King Tarpinian, Martin Morse Wooster, JJ, Chip Hitchcock, Mike Kennedy, Michael Toman, Steve Green and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]
One the most emotional world premieres at the upcoming 2020 Berlin International Film Festival is bound to be “Last and First Men,” the directorial feature debut of the late Icelandic composer Jóhann Jóhannsson. The musician died in February 2018 at the age of 48 amid an acclaimed career that saw him score back-to-back Oscar nominations for Best Original Score in 2015 and 2016 thanks to his work on “The Theory of Everything” and “Sicario.” The latter was one of several collaborations between Jóhannsson and Denis Villeneuve. Jóhannsson’s other score credits include Villeneuve’s “Prisoners” and “Arrival,” plus “Mandy” and “The Mercy.” Jóhannsson served as a mentor to Hildur Guðnádottir, who recently won the Oscar for her “Joker” original score.
Jóhannsson’s only directorial feature, “Last and First Men” is an adaptation of his touring multimedia project of the same name. The movie — shot on 16mm black-and-white film with “Victoria” and “Rams” cinematographer Sturla Brandth Grøvlen — played in concert halls, accompanied by Jóhannsson’s score with a live orchestra. The feature film playing at Berlin includes the composer’s original score and narration from Tilda Swinton….
Long considered one of the most unfilmable classics of science fiction, Last And First Men has been adapted to the screen by Oscar-nominated Icelandic composer Johann Johannsson. The results are being lauded as “dazzling” and “visionary. This might be one of the films I’m most anticipating this year.
“Halfway between fiction and documentary, Last and First Men is a visionary work about the final days of humankind that stretches the audience’s ability to imagine not only an immense time frame reaching over billions of years, but huge steps in human evolution.”
(2) SOCIAL MEDIA NEVER FAILS TO GET WORSE. A Twitter thread
contends Bronys (My Little Pony fandom) has been co-opted by white nationalists.
Wootmaster’s thread starts here. Warning
about the images, which is why the tweets are not fully reproduced here.
For many years the pony fandom has been a decidedly neutral, “apolitical” one. Even with its origins on 4chan, there was a sort of innocence and naivete that pervaded the fandom, and even the internet as a whole. Hell, even the 4chan of 2010 hardly resembled the 4chan of today….
Then in 2016 something happened that would transform both 4chan and the fandom forever, even if most bronies wouldn’t realize it for years. The polarization of politics reached its peak with the election of Donald Trump. Right-wing populism entered its heyday, with 4chan in tow….
Only a year later another event happened, almost in tandem with the first. For April Fool’s 2017 4chan’s then admin moot thought it’d be hilarious to combine several boards together. As a cheap joke, he combined My Little Pony and the political board into one entity. /mlpol/…
It was supposed to be a joke. The two communities should have hated each other. A fandom of full of guys who idolized a girl’s cartoon show, and community of far-right fascists LARPers who idolized hitler and wanted to massacre jews. But a strange thing happened. They got along.
(3) BRADBURY POSTERS. Three poster sets are being published by the Ray Bradbury
Experience Museum (RBEM) through an Illinois Humanities grant. The poster sets are free for schools, libraries, and other
Poster Set 1 currently available now: “How did I get from
Waukegan to Red Planet Mars?” highlights places named for Ray Bradbury in
Waukegan, Hollywood, on the Moon and, yes, even on Mars. Click here for full
information. Sets 2 and 3 will be available this spring.
He’s 14 feet tall, 700 pounds and, some would say, a bit of an icon.
A beloved spinning statue of Bullwinkle holding his friend Rocky was first installed outside Jay Ward Productions’ animations studios on the Sunset Strip in 1961, across the street from the Chateau Marmont. Meant to parody a twirling showgirl advertising the Sahara Hotel, Bullwinkle’s outfit would change colors whenever hers did, injecting a dose of silliness and whimsy into the Strip’s capitalist jousting.
The statue was hoisted away in 2013 to the lament of neighbors and fans, many of whom made their voices heard at a recent, bizarre West Hollywood city council meeting. The night’s agenda? Re-anointing the moose on a traffic island where Holloway and Sunset meet….
… Despite an improbable plot and negative reviews, “Raise the Titanic!” sold 150,000 copies, was a Times best seller for six months and became a 1980 film starring Richard Jordan and Jason Robards Jr.
While Dirk Pitt books appeared throughout his career, Mr. Cussler also wrote other series: “The NUMA Files,” featuring the hero Kurt Austin and written with Graham Brown or Paul Kemprecos; “The Fargo Adventures,” about husband-and-wife treasure hunters, written with Grant Blackwood or Thomas Perry; “The Oregon Files,” set on a high-tech spy ship disguised as a freighter, written with Jack DuBrul or Mr. Dirgo; and “The Isaac Bell Adventures,” about an early-20th-century detective, written with Justin Scott.
…With Mr. Cussler leading expeditions and joining dives, the organization eventually located some 60 wrecks. Among them were the Cunard steamship Carpathia, first to reach survivors of the lost Titanic on April 15, 1912, then itself sunk by German torpedoes off Ireland in 1918; Commodore Cornelius Vanderbilt’s coastal steamer Lexington, which caught fire and went down in Long Island Sound in 1840; and Manassas, the Confederacy’s first Civil War ironclad, sunk in battle in the Lower Mississippi in 1862.
What were once oral histories, myths, and legends retold around the fire or by traveling storytellers, have been written down and become known the world over as fairy tales.
The origins of most fairy tales were unseemly and would not be approved or rated as appropriate for children by the Association of Fairy Tales by today’s standards. Most were told as a way to make children behave, teach a lesson or pass the time much like ghost stories around a campfire today.
Many of the stories have some basis in truth. For example, some believe the story of Snow White and the Seven Dwarfs is inspired by the real-life of Margarete von Waldeck, the daughter of the 16th century Count of Waldeck. The area of Germany where the family lived was known for mining. Some of the tunnels were so tight they had to use children – or small people such as dwarfs – to work the mines.
(7) TODAY IN HISTORY.
February 26, 1988 — The Alien From L.A. premiered. directed by Albert Pyun. It was produced by Menahem Golan and Yoram Globus from a story written by Regina Davis, Albert Pyun and Debra Ricci. It starred Kathy Ireland in what was supposed to be a break-out role for her. William Mose and Richard Haines also had lead roles with the latter playing Arnold Saknussemm, a reference to Arne Saknussemm in Verne’s Journey to the Center of the Earth. How it was received is best judged by it being featured in an episode of Mystery Science Theater 3000. Band the audience rating at Rotten Tomatoes is 4%. You can see it here.
February 26, 1977 — Doctor Who’s “The Talons Of Weng-Chiang, Part 1” first aired. It featured Tom Baker, one of the most liked of all the actors who’ve played The Doctor, and Leela, the archetypal savage that British Empire both adored and despised, played by Louise Jameson. The villain was most likely a not accidental take-off of Fu Manchu. You can see the first part here with links to the rest of the story there as well.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born February 26, 1921 — Bill Evans. First Fandom member who wrote a number of important works, With Bob Pavlat, Evans edited/published the Evans-Pavlat Fanzine Index during the Fifties which he followed up with Index of Science Fiction Magazines 1926 – 1948 that Bob Petersen co-wrote. With Francis T. Laney, Evans published HowardPhilips Lovecraft (1890-1937): A Tentative Bibliography. His final work was with Ron Ellik, The Universes of E. E. Smith. (Died 1985.)
Born February 26, 1918 — Theodore Sturgeon. Damn, I hadn’t realized that he’d only written six novels! More Than Human is brilliant and I assumed that he’d written a lot more long form fiction but it was short form where he excelled with more than two hundred such stories. I did read over the years a number of his reviews — he was quite good at it. (Died 1985.)
Born February 26, 1945 — Marta Kristen, 75. Kristen is best known for her role as Judy Robinson, one of Professor John and Maureen Robinson’s daughters, in Lost in Space. And yes, I watched the entire series. Good stuff it was. She has a cameo in the Lost in Space film as Reporter Number One. None of her other genre credits are really that interesting, just the standard stuff you’d expect such as an appearance on The Man from U.N.C.L.E. and Alfred Hitchcock Presents.
Born February 26, 1948 — Sharyn McCrumb, 72. ISFDB lists all of her Ballad novels as genre but that’s a wee bit deceptive as how genre strong they are depends upon the novel. Oh, Nora Bonesteel, she who sees Death, is in every novel but only some novels such as the Ghost Riders explicitly contain fantasy elements. If you like mysteries, all of them are highly recommended. Now the Jay Omega novels, Bimbos of the Death Sun and Zombies of the Gene Pool are genre, are great fun and well worth reading. They are in print which is interesting as I know she took out of print for awhile.
Born February 26, 1957 — John Jude Palencar, 63. Illustrator whose artwork graces over a hundred genre covers. In my collection, he’s on the covers of de Lint’s The Onion Girl and Forests of the Heart (one of my top ten novels of SFF), Priest’s Four & Twenty Blackbirds and Le Guin’s Tehanu: The Last Book of Earthsea. Origins: The Art of John Jude Palencar is a perfect look at his work and marvelous eye candy as well.
Born February 26, 1963 — Chase Masterson, 57. Fans are fond of saying that she spent five years portraying the Bajoran Dabo entertainer Leeta on Deep Space Nine which means she was in the background of Quark’s bar a lot though she hardly had lines. Her post-DS9 genre career is pretty much non-existent save one-off appearances on Sliders, the current incarnation of The Flash and Star Trek: Of Gods and Men, a very unofficial Tim Russ project. She has done some voice work for Big Finish Productions as of late. The series features as Vienna Salvatori, an “impossibly glamorous bounty hunter” as the publicity material puts it.
Born February 26, 1965 — Liz Williams, 55. For my money, her best writing by far is her Detective Inspector Chen series about the futuristic Chinese city Singapore Three, its favourite paranormal police officer Chen and his squabbles with Heaven and Hell. I’ve read most of them and recommend them highly. I’m curious to see what else y’all have read of her and suggest that I read.
Born February 26, 1977 — Ingrid Oliver, 43. She’s played the rare secondary character in the Who verse who had a recurring presence as she was around for quite awhile and I’m going to let Doctor Who Online tell her tale: “She appeared in the 50th anniversary special of Doctor Who, ‘The Day of The Doctor’, as Osgood. She was seen wearing the Fourth Doctor’s iconic scarf. In November 2014 she appeared again as Osgood in the series finale of Peter Capaldi’s first series, dressed as The Doctor, this time mimicking Matt Smith’s 11th Doctor (shirt and red bow tie) as well as David Tennant’s 10th Doctor (blue trousers and red Converse shoes) as they faced the Cybermen, where she is vaporized by Missy.”
I am delighted, needless to say. Especially by the kind words of the discoverer, paleontologist Rodrigo Pegas, who is solidly on my side about dragons having two legs, not four, and pfui on those medieval heralds with their wyvern talk.
(10) ACQUISITION NEWS. Riverdale Avenue Books has
acquired the assets of sff publisher Circlet Press, which specializes in science fiction erotica.
They will continue to publish Circlet’s over 170-title catalog under a new
Circlet imprint. Founder Cecilia Tan will remain on staff to edit upcoming
… DAJAE WILLIAMS: Mmm hmm. So I get to get in the cleanroom every day and do a lot of inspections on how tight a screw is being tight or how – are we keeping this hardware clean so that we don’t get our germs into space? We make sure this thing actually works once it is launched.
NADIA SOFIA, HOST: She loves her job, but it didn’t start that way. When Dajae got to NASA in 2018, just out of college…
WILLIAMS: It was very exciting, a little bit overwhelming. I suffered from a little bit of imposter syndrome, for sure – and a bit confusing, I will be honest.
SOFIA: What do you mean by a bit confusing?
WILLIAMS: There’s no women in my group. There are only a few African Americans in my group or people of color, for that matter. So nobody looks like me. No one acted like me. So it was definitely different, and I did not fit in.
SOFIA: That feeling of not fitting in at a place like NASA is something that Dajae is working to change. And she’s doing it in kind of an awesome way, a way that helped her fall in love with math and science when she was a teenager.
WILLIAMS: (Singing) Energy of force, mathematics, studying the Big Bang. I’m observing something, and it may be nothing. A hypothesis could change the game, OK.
As day turns to night in Singapore’s Changi Airport, a queue of people wait patiently for a picture with an old star.
They leave their bags by a bench, turn their cameras on themselves, and pose for a photo.
Some smile; some jump like starfish; one even dances. As they upload to Instagram, the old star watches on, unmoved.
And then – a noise. The moment they’ve been waiting for. The travellers turn their cameras round, and the star begins one last turn.
In a blur of rotation, Kuala Lumpur becomes Colombo; Brunei turns into Tokyo; and a dozen other cities whirr into somewhere else.
Two people taking photos, Eileen Lim and Nicole Lee, aren’t even flying. They have come especially to see the departures board.
“It’s therapeutic to see the names turn round,” says Eileen, a teacher in Singapore. “And that sound – I love it.”
Every time she comes to Terminal 2, Eileen takes a photo with the board. But now, she is saying goodbye.
In less than three hours, the hoardings will come up, and the sign will come down. Changi Airport, like hundreds of others already, will whirr, spin, and flap for the final time.
…Solari di Udine, as it is now known, was founded in 1725 – more than 250 years before Changi Airport opened – in a small town in northern Italy. It specialised in clocks for towers.
After World War Two, the company began working with designer Gino Valle. He and Remigio Solari developed a sign with four flaps, each containing ten digits – perfect for telling the time.
The now-familiar design, with white numbers on black flaps, won the prestigious Compasso D’Oro award in 1956. In the same year, Solari sold its first moving sign to Liege railway station in Belgium.
…In 2013, six engineers who worked together at Drexel University, Philadelphia, formed Oat Foundry – a company that built “cool mechanical things for brands and companies”.
Three years later, they were approached by a “fast-casual” restaurant who wanted to display orders in a “non-digital way…without guests bathing in that blue light glow”.
The client suggested “an old-school train departure board”, and, after four months of research, they had a prototype.
The product was a mixture of old – they tested a number of materials “to get that iconic sound of 1960s airports and stations” – and new: it was integrated with an iPad point of sales system.
[Thanks to Rob Thornton, Olav Rokne, JJ, Cat Eldridge, Martin
Morse Wooster, Chip Hitchcock, Mike Kennedy, John King Tarpinian, Steven H
Silver, Michael Toman, and Andrew Porter for some of these stories. Title credit
goes to File 770 contributing editor of the day Xtifr.]
By Steven H Silver: On August 22, 1920, Esther and Leonard Bradbury became parents to a son they named Ray Douglas Bradbury in Waukegan, Illinois. A century later, the city of Waukegan is preparing to remember this child who grew up to write the novels Dandelion Wine, Something Wicked This Way Comes, and Farewell Summer, all of which take their inspiration from his childhood in Waukegan, which he called Green Town in many of his writings, by opening a museum, The Ray Bradbury Experience Museum (RBEM).
January 9, 2020, I attended an event thrown by the committee behind the museum.
Held in a storefront at 13 N. Genessee Street, a block east of the Lake County
courthouse and a block south from the Genesee Theatre, this storefront is in
the process of being transformed into the museum, with the intention of phase
one being ready for the public in time for the centennial of Ray Bradbury’s
the moment, the building isn’t much to look at. Signs in the window announce
the imminence of the museum, along with a poster that outlines the way Bradbury
has been honored throughout the solar system. The interior of the building is
currently even less impressive than the exterior: a mostly empty warren of
halls and rooms that are undergoing construction, awaiting the installation of
front room was filled with rows of chairs, a large monitor, a podium, and a
variety of displays related to Bradbury’s career and his life in Waukegan. One
wall included framed magazines that included Bradbury’s work including the
original serialization of Fahrenheit 451,
another wall had posters describing his ties to Waukegan, including a picture
of his childhood home at 11 S. James Street, about half a mile from the museum.
was greeted at the door by Sandy Petroshius, the Chair of RBEM. She asked about
me and the next thing I knew I was being introduced to Michael Stoltz, a member
of the Mars Society who had joined the RBEM board to help run their publicity. We
chatted for a while and I made my way around the room, looking at the displays.
were asked to sit down and Petroshius took to the podium and welcomed us all.
She pointed out that Waukegan has already embraced Bradbury and that last year
Ray Bradbury Park was named a national literary landmark and a sculpture
showing Bradbury riding a rocket was installed outside the Waukegan Public
Library. Finally, she introduced Sam Cunningham, the mayor of Waukegan.
pointed out that Waukegan was also represented by several of their alderman,
the city clerk, and other dignitaries. He spoke about what Bradbury’s pride in
Waukegan and what the author means to the city, and spoke of how the RBEM would
assist in making the community of Waukegan into a destination. Cunningham also
announced that although the plans weren’t finalized yet, Waukegan was planning
a massive celebration in August to coincide with the centennial.
members of the RBEM committee also spoke. Vance D. Wyatt discussed the
importance of showcasing Bradbury’s books and his tie to Waukegan to help
inspire local students. Living in a city in which a quarter of the population
lives below the poverty line and unemployment has fluctuated in the last year
between 4.2% and 9.5%, it is important for them to see that people from
Waukegan can, and have succeeded.
was followed by Pat O’Keefe who has traveled around the world and spoken to
people about Ray Bradbury’s influence on their lives and their reading. O’Keefe
talked about the awards Bradbury has won, and those named in his honor, the
adaptations of his work for film, television, and radio, and showed some
artifacts of Bradbury’s career. When I was speaking to him after the
presentations, I learned he had never seen the Ray Bradbury Award he had
mentioned. Since I had some pictures of it on my phone from the last Nebula
Conference, I showed them to him.
Edgar, the President of the Greater Waukegan Development Coalition, took the
podium next. As noted above, Waukegan suffers from unemployment and poverty.
The RBEM is part of a multi-year renovation project the city is undergoing.
Edgar discussed the ways Waukegan is working to support and attract businesses
to Waukegan and spoke about RBEM’s role in boosting Waukegan’s downtown.
next speaker was Mikayla Khramov, who is a film documentarian who did her Master’s
thesis on Bradbury’s Green Town and is currently working on a documentary
entitled Dear Ray Bradbury. She
previewed the opening of the film, which she expects to finish in time for the
centennial and which will be a feature length film. She also showed a short
film that she’s working on called “I Met Ray,” which has short interviews with
people who have come into contact with Bradbury, either directly or through his
works. In addition to featuring several citizens of Waukegan, the film also
featured actor Joe Mantegna, who starred in The
Wonderful Ice Cream Suit and who co-produced the 2013 documentary Live Forever: The Ray Bradbury Odyssey.
the event so far had been entertaining and informative, the real purpose of the
evening was about to happen, although it was also the part that was least
connected directly to Bradbury. Local H&R Block franchisees Feroze and
Samia Hanif had been selected as an H&R Block Franchisee of the Year. They
were lauded by Karen Orosco, a Senior Vice President of the firm who had flown
in from their Kansas City headquarters to recognize the Hanifs and present them
with a check for $10,000. The Hanifs, in turn presented a check for $10,000 to
RBEM to help with their efforts to complete the first phase of the museum.
museum’s exhibits are being designed by Chicago Exhibit Productions, with a
team headed by Keith Michalek. Michalek stepped in front of the audience with
the meatiest part of the evening. He explained the difference between an
experiential museum and a display museum. The goal of the RBEM would be to take
whatever image a visitor had of Bradbury and his work when they entered the
museum and to transform it before they left through hands-on, interactive
exhibits that would not remain static, but would change.
museum would have seven rooms, with each room having a different focus. The
room we were all sitting in, the Martian Chronicle room, would focus on space
exploration. Other rooms would include a biographical exhibit about Bradbury,
the Fahrenheit 451 room which would aim to explore freedom of expression,
censorship, and creativity. The Something Wicked room wood look at horror,
fantasy, and circuses. The Dandelion Wine room would be devoted to libraries,
books, and the tie between Bradbury and Waukegan. The remaining rooms would
focus on tributes to Bradbury by other creatives and a viewing room where films
and television shows based on Bradbury’s works and documentaries about Bradbury
could be screened.
organization clearly has detailed plans for the museum and the images Michalek
showed of the concepts for their exhibits appear well thought out. In addition
to the interactive exhibits, the museum plans on holding a variety of events to
inform and interact with the public.
I did find my visit transformative, even if the displays are not installed yet.
I walked into the event to learn about what the museum was going to have to
offer and perhaps get a sneak preview of their exhibits. By the time I left, I
had made plans to talk to various members of the board to find out what I could
do to help bring the museum and their vision to fruition.