(1) SPECULATIVE LITERATURE FOUNDATION. In the Mohanraj and Rosenbaum Are Humans podcast, episode 15, “An Interview with Farah Mendelsohn”, Mary Anne Mohanraj’s icebreaker question opens the way for an exchange with Farah Mendlesohn about the challenges of coming to a country from somewhere else, and some immediate worries for Mendlesohn about the consequence of Brexit. There follows discussion about international science fiction and Mendlesohn’s book The Pleasant Profession of Robert A. Heinlein.
(2) HARRYHAUSEN AWARDS CREATED. The Ray and Diana Harryhausen Foundation have announced a new film awards program — The Ray Harryhausen Awards — “established in honor of the legendary master of stop-motion animation.’ Beginning January 1, 2022 they will be accepting entries under the following categories:
Best Feature Film Animation
Best Short Film Animation
Best Student Film Animation
Best Commercial Film Animation
Best Online Film Animation
Best Television Animation
Harryhausen Hall of Fame Award
(3) FREE DOWNLOAD FROM TAFF. Rob Hansen collects the rare and esoteric convention reportage of … Rob Hansen! – in American Trips, the latest addition to the selection of free ebook downloads at David Langford’s unofficial Trans-Atlantic Fan Fund site, where they hope you’ll make a little donation to the fund if you please.
Following the 1984 TAFF trip described at length in On the TAFF Trail, Rob Hansen attended a number of other US conventions and wrote further reports collected in this ebook – covering multiple Corflus (1986, 1989, 1990, 2013), two Disclaves (1992, 1995) and the 1997 Boskone/Fanhistoricon at which Rob, as Britain’s leading fan historian, was a special guest.
The cover art is by Rob Hansen. 41,000 words.
Here is a brief extract:
The conversation turned to convention reports and I outlined my conreport writing philosophy for them.
“D. West says they should be ‘the truth, the whole truth, and a few lies to make it interesting’. My reports are the truth,” I explained, “but enhanced. I give the truth a little nip and tuck, and maybe a nose job, but I never go as far as breast implants.”
(4) LGBT PUBLISHING CONTROVERSY IN HUNGARY. AP News that Hungarian authorities have issued a fine over a book featuring ‘rainbow families’. The book in question is by Lawrence Schimel, who started out in the sff genre. His work has received the Science Fiction and Fantasy Poetry Associaton’s Rhysling and Dwarf Stars awards, the Gaylactic Spectrum Award, and also has twice received the Lambda Literary Award for non-genre work.
Hungarian authorities have fined the distributor of a children’s book that features families headed by same-sex parents, relying on a law prohibiting unfair commercial practices and fueling a debate over recent government steps seen as limiting the rights of LGBT people.
The fine comes as Hungary’s government is already under widespread scrutiny over legislation it passed last month that prohibits the depiction of homosexuality or gender reassignment to minors. The law, which is set to take effect on Thursday, was described by rights groups as an attack on the LGBT community, and rebuked by high-ranking European officials as a violation of the European Union’s values.
Speaking to the European Parliament in Strasbourg on Wednesday, European Commission President Ursula von der Leyen called the law “a disgrace” and warned Hungary that the EU’s executive arm would use all its powers to uphold European law.
It was amid this escalation over Hungary’s policies that a local government fined the distributor of “What a Family” – a combined Hungarian translation of American author Lawrence Schimel’s books “Early One Morning” and “Bedtime, Not Playtime!”— $830. Each of Schimel’s books depicts the daily routines of a child, one with two mothers and one with two fathers.
The fine was imposed by the Pest County Government Office — the local authority responsible for the county surrounding Hungary’s capital, Budapest….
A Pest County official told commercial television station HirTV Tuesday that the book’s Hungarian distributor, the Foundation for Rainbow Families, had violated rules on unfair commercial practices by failing to clearly indicate that “What a Family!” contained “content which deviates from the norm.”
“The book was there among other fairytale books and thus committed a violation,” Pest County Commissioner Richard Tarnai said. “There is no way of knowing that this book is about a family that is different than a normal family.”…
(5) MEMORY LANE.
2009 – Twelve years ago this week the Warehouse 13 series premiered on Syfy. It was produced by Jacks Kenny, David Simkibs and Drew Greenberg. It was created by Jane Espenson, writer and producer on Buffy the Vampire Slayer, and Brent Mote who had little genre writing experience at all. The original cast was Eddie McClintock, Joanne Kelly and Saul Rubinek. It would run for five seasons and sixty four episodes. Almost all critics really liked it although one who didn’t called it, and I quote, “An unholy cross between The X-Files, Bones, and Raiders of the Lost Ark.” WTF?!? Audience reviewers at Rotten Tomatoes currently really like it, giving it a rating of eighty eight percent. You can watch it on the Peacock streaming service where I plan on watching it. (CE)
(6) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 8, 1906 — Walter Sande. He’s best remembered for being on Red Planet Mars, The War of the Worlds and Invaders from Mars, but he also showed up playing a heavy in such serials as The Green Hornets Strikes Again! and Sky Raiders, the latter being at least genre adjacent. He’s had a recurring role as Col. Crockett on The Wild Wild West, and one-offs on Voyage to the Bottom of The Sea, The Man from U.N.C.L.E., Lost in Space and Bewitched. (Died 1971.)
Born July 8, 1944 — Jeffrey Tambor, 77. I first encountered him on Max Headroom as Murray, Edison’s editor. Later on, he’s Mayor Augustus Maywho in How The Grinch Stole Christmas. Finally I’ll note he was in both of the only true Hellboy films that there was playing Tom Manning, director of the Bureau of Paranormal Research and Defense.
Born July 8, 1953 – Mark Blackman, 68. Mark frequently writes about the Fantastic Fiction at KGB and New York Review of Science Fiction readings series for File 770. He was a member of Lunarians and chaired Lunacon 38 in 1995. He was a member of the New York in 1989 Worldcon bid. (OGH)
Born July 8, 1955 — Susan Price, 66. English author of children’s and YA novels. She has won both the Carnegie Medal and the Guardian Prize for British children’s books. The Pagan Mars trilogy is her best known work, and The Sterkarm Handshake and its sequel A Sterkarm Kiss, will please Outlander fans.
Born July 8, 1970 — Ekaterina Sedia, 51. Her Heart of Iron novel which was nominated for a Sidewise Award for Alternate History is simply awesome. I’d also recommend The Secret History of Moscow as well. It’s worth noting that both the usual suspects list several collections by her, Willful Impropriety: 13 Tales of Society, Scandal, and Romance and Wilful Impropriety. They’re quite superb it turns out as is Paper Cities: An Anthology of Urban Fantasy anthology she edited which won a World Fantasy Award. I note that’s she not published anything for a half decade now.
Born July 8, 1978 — George Mann, 43. Writer and editor. He’s edited a number of anthologies including the first three volumes of Solaris Book of New Science Fiction. Among my favorite books by him are his Newbury & Hobbes series, plus his excellent Doctor Who work. The Affinity Bridge, the first in the Newbury & Hobbes series, was nominated for a Sidewise Award.
Born July 8, 1988 — Shazad Latif, 33. If you watched Spooks, you’ll remember him as Tariq Masood. (Spooks did become genre.) He was Chief of Security Ash Tyler in Discovery,andDr. Jekyll and Mr. Hyde in Penny Dreadful. He voiced Kyla in The Dark Crystal: Voice of Resistance. And he was in the Black Mirror episode “The National Anthem” as Mehdi Raboud.
(7) COMIC-CON SCHEDULE. Comic-Con@Home 2021 will run for three days from July 23-25. The online event is free to attend. The Program Schedule dropped today. All panels will be available to stream on the Comic-Con International YouTube page. Most will be pre-recorded.
…Jokingly calling the stuffed alligator a “real diva” on set, Herron explains that the series’ first AD “actually stuck googly eyes on it. It was like a Muppet character on set.” But Alligator Loki wasn’t all just fun and games, as he was useful for the actors who had to interact with him, especially Jack Veal (Kid Loki), who frequently carries Alligator Loki from location to location.
“You put [the stuffed alligator] in there, and the actors can interact with it and get a sense of how heavy or how large the alligator would be,” notes Herron. “[It was filmed] in the world of imagination with our cast because sometimes they were acting to a blade of grass.”
Like all characters, Alligator Loki also went through a few different looks before settling on the version viewers see on-screen.
“We had some early versions when we were doing visual effects that probably were a bit too cute, in the sense of it was a bit more like a cartoony kind of alligator,” Herron explains. “But it just became funnier and funnier the more it looked like a real alligator that just happened to be wearing the horns. That was the sweet spot. Once we landed in that spot where it felt like a real alligator, but with a kind of slightly jaunty horns on, that’s where we were like, ‘Oh, there he is.’”
However, this doesn’t answer the most pressing question: Is Alligator Loki really a Loki?
Enter the multiverse of unlimited possibilities. Watch the exciting trailer for Marvel Studios’ first animated series, What If…? “What If… ?” features fan-favorite characters, including Peggy Carter, T’Challa, Doctor Strange, Killmonger, Thor and more. The new series, directed by Bryan Andrews with AC Bradley as head writer, features signature MCU action with a curious twist. What If…? starts streaming August 11, 2021, with new episodes Wednesdays on Disney+.
“Big week for #BlackAdam shooting my ‘champion’ scenes with my shirt off and showing my body” reads the caption. “Been working extremely hard dieting, training and conditioning unlike any other role of my entire career.” Johnson goes on to explain his training strategy, from manipulating his electrolytes and incorporating more intense cardio to push-and-pull resistance training in order to get the “dense, dry, detailed muscle” definition that he wanted for his role. The new photo comes weeks after Johnson gave fans the tiniest hint of his Black Adam costume in a similar social media post.
…But as the trailer (below) proves, this version of the beloved holiday figure is anything but jolly, and the only gift he’ll be bringing this year is the baseball bat he seems to be wielding. (No word yet if it makes a difference whether you’re naughty or nice.)
(12) TRAILERS AND CLIPS. Recently unveiled, a featurette about King’s Man: Legacy, coming in December, and a trailer for The Addams Family 2, in theaters October 1
As a collection of history’s worst tyrants and criminal masterminds gather to plot a war to wipe out millions, one man must race against time to stop them. Discover the origins of the very first independent intelligence agency in The King’s Man.
[Thanks to Mike Kennedy, Andrew Porter, Martin Morse Wooster, Meredith, Michael J. Walsh, Daniel Dern, David Langford, JJ, Michael Toman, John King Tarpinian, and Cat Eldridge for some of these stories. Title credit belongs to contributing editor of the day Peer.]
(2) BARBARIC YAWP. Cora Buhlert’s provocatively-titled “Conan the Socialist” lives up to its billing. (You never suspected that about Conan, did you?) BEWARE SPOILERS about the Thirties Robert E. Howard tale under discussion.
… My teenaged self certainly enjoyed the Conan stories as great and glorious adventures. Plus, there was the thrill of reading “violent American trash” that sensible educated people weren’t supposed to read or enjoy. However, upon rereading these stories as an adult, I find that there is a lot of depth and subtext in the Conan series that my teenaged self missed.
T2 is a departure from the far bleaker original, 1984’s TheTerminator, which its creator calls a “science-fiction slasher film.” Linda Hamilton’s franchise protagonist, Sarah Connor, has transformed from a put-upon heroine to a self-trained commando whose attempts to thwart the coming apocalypse land her in a psychiatric hospital. Her son, John, the future leader of the resistance in the war against the genocidally self-aware defense system Skynet, is in foster care. And the T-800, once a remorseless killer with a curious but hypnotic Austrian accent, somehow helps bring them together as a family—then helps them save the world.
… Cameron: I talked to Dennis Muren at ILM. I said, “I’ve got an idea. If we took the water character from The Abyss, but it was metallic so you didn’t have the translucency issues, but you had all the surface reflectivity issues and you made it a complete human figure that could run and do stuff, and it could morph back into a human, and then turn into the liquid metal version of itself, and we sprinkled it through the movie, can we do it?” He said, “I’ll call you back tomorrow.”
… Cameron: Linda, I called her up and I said, “Look, they want to pay us a lot of money to make a sequel. Are you in or are you out? But just between you and me, I don’t really want to do it if Sarah doesn’t come back and I don’t want to recast Sarah, so you got to say you’re in.” And she and I weren’t involved. [Editor’s note: Cameron and Hamilton were married from 1997 to 1999.] We hadn’t even really hung out at all much since the first film. She was making a movie somewhere down South.
And so she said, “Yeah, in principle, I’m in, but I want to be crazy.” I said, “Well, what do you mean, crazy? How crazy?” She said, “Crazy, like I’ve been driven crazy.” I said, “Like you’re in an insane asylum, like you’re institutionalized?” She said, “Yeah, sure. Let me play crazy. Let me go nuts.” I said, “All right. Well, you’re going to get my version of nuts,” and she said, “All right. I’m down.”
…The book is set some time after this Transition, and follows a tea monk, Sibling Dex, who goes from settlement to settlement as a travelling salesperson-slash-roaming therapist. Despite bringing joy and comfort to those visited, Dex is unsatisfied and heads out into the wilds, looking for a new purpose – eventually making contact with a robot, Mosscap, the first time humans and robots had met in centuries.
… There were less than 200 attendees. Nolacon Bulletin #2 (July 1951) lists 196 members; Harry Warner, Jr. in in his memoir of fandom in the 50s A Wealth of Fable says 183 were officially registered “and 300 or more persons were believed to be on hand at one time or another” (352).
…One highlight was a midnight showing of The Day the Earth Stood Still at the local Saenger Theater. Seating was segregated. Black attendees would have had to enter through a side door, to sit up on the balcony. Had any black science fiction fans done so, the film they watched could have stood as a metaphor for the mythic white space they found themselves in: a film of the possibilities of the future starring white people, for white people; the few non-white actors such as Rama Bai and Spencer Chan went uncredited….
… “Sectional discrimination” in 1952 was the “reverse racism” of the 2020s—a fallacy used by those who claim that efforts to combat or reverse racial discrimination are themselves a form of discrimination. Boggs’ claims break down what might be the typical white fan’s mindset of the era: philosophically displeased with Jim Crow, but unwilling to actually do anything about it….
(7) MEDIA BIRTHDAY.
July 3, 1985 – Thirty-six years ago, Back to the Future premiered. It was directed by Robert Zemeckis from a screenplay by Zemeckis and Bob Gale. Bob Gale and Neil Canton were the producers. It of course starred Michael J. Fox, Christopher Lloyd, Lea Thompson and Crispin Glover. It would win the Hugo Award for Best Dramatic Presentation at ConFederation besting Ladyhawke, Cocoon, Brazil and Enemy Mine. Critics loved it with Ebert comparing it to Capra’s It’s A Wonderful Life. It was a box office success being the top grossing film of the year. And audience reviewers at Rotten Tomatoes currently give it an absolutely superb ninety-four percent rating.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 3, 1926 — William Rotsler. An artist, cartoonist, pornographer and SF author. Well that is his bio. Rotsler was a many time Hugo Award winner for Best Fan Artist and one-time Nebula Award nominee. He also won a Retro Hugo for Best Fan Artist of 1946 and was runner-up for 1951. He is responsible for giving Uhura her first name, and he wrote “Rotsler’s Rules for Costuming.” (Died 1997.)
Born July 3, 1927 — Ken Russell. Film director whose Altered States based off of Paddy Chayefsky’s screenplay is certainly his best-remembered film. Though let’s not overlook The Lair of the White Worm he did off Bram Stoker’s novel, or The Devils, based at least in part off The Devils of Loudun by Aldous Huxley. (Died 2011.)
Born July 3, 1937 — Tom Stoppard, 84. Playwright of Rosencrantz and Guildenstern Are Dead. He co-wrote the screenplays for Brazil (with Terry Gilliam) and Shakespeare in Love (with Marc Norman). He’s uncredited but openly acknowledged by Spielberg for his work on Indiana Jones and the Last Crusade.
Born July 3, 1943 — Kurtwood Smith, 78. Clarence Boddicker in Robocop, Federation President in Star Trek VI: The Undiscovered Country, and voiced Kanjar Ro in the most excellent Green Lantern: First Flight. He’s got series appearances on Blue Thunder, The Terrible Thunderlizards (no, I’ve no idea what it is), The X-Files, Star Trek: Deep Space Nine, Star Trek: Voyager, Men in Black: The Series, 3rd Rock from the Sun, Todd McFarlane’s Spawn, Justice League, Batman Beyond, Green Lantern, Beware the Batman, Agent Carter and Star Trek: Lower Decks. His latest genre role was Old Man Miller on the Netflix series Jupiter’s Legacy.
Born July 3, 1946 — Michael Shea. Shea’s first novel, A Quest for Simbilis was an authorized sequel to the first two Jack Vance’s Dying Earth novels. Vance was offered a share of the advance but declined it. (It was declared non-canon when the next novels in the series were written by Vance.) A decade, he’d win a World Fantasy Award for his Nifftthe Lean novel, and a second twenty years later for a novella, “The Growlimb.” (Died 2014.)
Born July 3, 1948 — Marc Okrand, 73. A linguist in Native American languages who’s the creator of the Klingon language. He first applied it by dubbing in Vulcan language dialogue for Star Trek II: The Wrath of Khan, and then was involved in the Search for Spock, The Final Frontier, The Undiscovered Country, and the both rebooted Trek films. Later he developed the language for the Kelpien race in the second season of Discovery.
Born July 3, 1962 — Tom Cruise, 59. His first genre role was as Jack in Legend. Next up was Lestat de Lioncourt in Interview with the Vampire followed by being Ethan Hunt in the first of many excellent Mission Impossible films. Then he was John Anderton in Minority Report followed by Ray Ferrier in War of The Worlds. I’ve not see him as Maj. William Cage in Edge of Tomorrow so I’ve no idea how good he or the film is. Alas he was Nick Morton in, oh god, The Mummy.
Born July 3, 1964 — Payton Reed, 57. Did you know there was A Back to the Future TV series? Well there was and he directed it back in 1991. It was animated and only Christopher Lloyd was involved as a voice actor. He went on to much later direct Ant-Man, Ant-Man and the Wasp and the forthcoming Ant-Man and the Wasp: Quantumania. He directed two episodes of The Mandalorian.
(9) STAND UP GUY. [Item by Cora Buhlert.] From 2017, a full cast audio adaptation of the short story “Waterfront Fists” by Robert E. Howard, performed by a group called the Violet Crown Radio Players. This is not an SFF story, but one of the Sailor Steve Costigan stories about the adventures of a not very smart boxing sailor and his faithful bulldog (Howard wrote more Costigan stories than he ever wrote Conan stories), but very nicely done. Hosted by The Cromcast, a Weird Fiction Podcast: “The VCRP Present Waterfront Fists!”
(10) STONE SOUP. Sarah Gailey’s “Building Beyond” writing prompt “Optimus Prime Time” brings her together with Elizabeth Kestrel Rogers and Julian Stuart to play with this idea —
The AI uprising has come and gone and after a brief period of discomfort, we’re all mostly pretty cool with each other at this point. There’s a television network that is strictly dedicated to entertainment by robots, for robots.
More from Harryhausen’s conversation with David Kyle:
“In the mid-1930s when I was still in high school, Forry told me about the little brown room in Clifton’s Cafeteria where the Los Angeles chapter of the Science Fiction League would meet every Thursday. Members included Russ Hodgkins, Morojo, and T. Bruce Yerke. Robert Heinlein used to come around, and a guy named Bradbury. We were a group who liked the unusual. There was a fellow named Walt Daugherty, who was an anthropologist by trade, and a photographer. He would make presentations about Egyptology. Another young fellow named Ray Bradbury would arrive wearing roller skates. After selling newspapers on the street corner he would skate to meetings because he had no money. He used to go meet the stars at the Hollywood Theater where they did weekly radio broadcasts. Ray was writing for Forry’s magazine called Imagination. I did one of the covers for an issue, which was mimeographed.”…
(12) VAMPIRES AND WEREWOLVES. Anna J Walner has two books in The Uluru Legacy Series, the first out in June, the second coming in November.
A girl in search of her family finds more than she ever dreamed possible. Blending myth with reality, this award-winning debut provides a truly unique and realistic spin on the genre you love.
Enter a world hidden to human eyes for over three centuries. A safe haven for both Vampire and Werewolf. She’ll become something she never thought existed, agree to things she never thought she would, and find a life worth dying for.
Amelia’s journey to find the truth behind her adoption twenty-five years ago, might end up being just a quick tour around the sights and a visit with her biological family.
Or it could reveal a more mysterious and shocking history to her lineage than she thought possible. The realization that vampires and werewolves have existed all along in secret. A place called The Colony.
Amelia realizes she must make a choice. Join The Colony and her family, or literally be made to forget they ever existed in the first place.
The thrilling debut of The Uluru Legacy Series will change the vampire and werewolf rulebook. Blending myth with reality, it provides a truly unique and realistic spin on the genre you love.
In Larougo —
While some questions will be answered, more will be raised. As new truths come to light, and new evils make themselves known, not everyone will survive.
The vision for a new Colony is at stake as Amelia and Roan discover they’re part of something even larger than they thought.
(13) VIDEO OF THE DAY. Mind Matterssays about Sarah Gross’ short film Boléro:
The theme is very topical indeed: Ending crime on the part of private citizens via total surveillance (in this case via a sort of enhanced telepathy) results in unlimited crime on the part of the government.
The synopsis continues:
In a future where telepaths are used by the government to monitor the public and root out insurgents, Maya, a non-speaking teen, witnesses her father’s brutal and unjust execution. Set on a path of revenge and destruction, Maya joins the Resistance, hellbent on tracking down Reader 8, the telepath responsible for her father’s death. However, when Maya finally locates her target after years of searching, she is confronted with a choice: either capture Reader 8 and deliver essential intelligence to the Resistance or take him out and fulfill her vengeful quest.
[Thanks to Martin Morse Wooster, JJ, Michael Toman, Alan Baumler, John King Tarpinian, Cat Eldridge, Mike Kennedy and Andrew Porter for some of these stories. Title credit belongs to contributing editor of the day Soon Lee.]
Some of you have been asking about the Hugo voting links so, here’s what’s happening: Hugo voting links won’t appear on your DC3 membership page until voting opens. We’ll let our members and the public know when that happens via email, social media, website, press releases, etc. We’re also working hard to get the Hugo packet of nominated works Worldcon members have come to expect out later this spring.
(2) BEYOND AFROFUTURISM. Clarion West and the Seattle Public Library have two more Beyond Afrofuturism virtual panels happening in May. Register here.
Come talk publishers on Sunday, May 16th, 1 p.m. Pacific with Bill Campbell (Rosarium), Milton Davis (MVmedia), Zelda Knight (AURELIA LEO), and Nicole Givens Kurtz (Mocha Memoirs) for Power in Publishing: Publishers Roundtable.
With major publishers stuck in a cycle of selling the same mainstream stories or tightening their belts when it comes to the work of marginalized communities, how are Black publishers shaping opportunities for BIPOC writers to have their voices heard?
Featuring: Bill Campbell (Rosarium), Zelda Knight (AURELIA LEO), Milton Davis (MVmedia), and Nicole Givens Kurtz (Mocha Memoirs)
Moderated by Clinton R. Fluker, Ph.D. Curator of African American collections at Emory University’s Stuart A. Rose Library
The event is presented in partnership with the Seattle Public Library and is supported by The Seattle Public Library Foundation.
(3) U.S. BOOK SHOW. The U.S. Book Show is a new book fair created by Publishers Weekly. The three-day show debuts virtually May 25 – 27. Publishers Weekly says they are focusing “on crafting a meeting place for publishing professionals and book buyers, with an emphasis on serving the interests of librarians and booksellers.”It’s a successor to BookExpo America/
…While at its height ABA and BookExpo America attendance never reached the draw of European book shows such as the Frankfurt Book Fair (286,000 attendees in 2017, according to Wikipedia), BookExpo saw global acceptance from the publishing community. In its 2002 iteration at the Javits Center in New York, BEA saw more than 30,000 attendees, including approximately 7,000 booksellers and librarians. By 2018, BookExpo in the same venue saw 7,800 total attendees.
The demise of the show provided an opening for Publishers Weekly to step in. The U.S. Book Show will be held virtually in 2021 and assessed after the fact for future possibilities.
David Bradley has praised original Doctor Who star William Hartnell as he returns to the role of the First Doctor in much anticipated live event Time Fracture.
The renowned actor first played the role in 2013’s An Adventure in Space and Time, which explored the creation of the long-running series, in which he portrayed both Hartnell and the late actor’s incarnation of the Doctor.
Bradley made such a strong impression on fans that he was invited back by writer Steven Moffat to play the First Doctor in two episodes of Doctor Who, both of which aired as part of Peter Capaldi’s stint on the show.
As he prepares to return to the role once again for Time Fracture, Bradley has hailed Hartnell’s “total dedication” to Doctor Who in an interview on the show’s official YouTube channel.
“He laid the template,” Bradley said. “All of the other subsequent doctors, they all owe a lot to William Hartnell. As it was, it started this phenomenon.”
…Bradley will co-star opposite John Barrowman in upcoming live event Time Fracture, billed as an “immersive experience”, which he believes could convert even non-believers.
…For over 35 years, Clarion West has held strictly to the Milford peer workshop model, assuming it to be the superior workshop method for all writers.
This belief was shaken a year ago, when we had to postpone the Summer Workshop for the first time in our history. In discussions with our instructors, we heard something new. A quiet criticism of the unchanging. A gentle push to consider that not every writer has been involved in the conversations around — and represented in — the design of our workshops.
Over the course of the last year, Clarion West has begun the process of exploring where our assumptions about key components of the workshop, including critiquing methods and social interactions, have limited the experiences of writers from a broad range of underrepresented communities. Communities whose voices are still emerging in prominent speculative fiction outlets.
And as we started looking for answers, we have found that a serious examination of traditional peer critique methods has been happening in the broader writing and workshopping field. See below for a recommended reading list.
As a result of this self reflection, Clarion West recognizes that changes need to be made within the workshop model. Our staff, alumni, faculty, and participants will help evolve our workshop culture and create protocols towards equity, empowerment, and innovation.
Clarion West seeks to make the structural changes needed to ensure that our workshops and classes are places where all participants will feel welcome and safe….
(6) HARRYHAUSEN EXHIBITION. The Ray Harryhausen, Titan of Cinema Exhibition just opened at National Galleries Scotland in Edinburgh and continues through February 2022. Quite a bit of material at the link — video, images, articles.
Film special effects superstar Ray Harryhausen helped elevate stop motion animation to an art. His innovative and inspiring films, from the 1950s onwards, changed the face of modern movie making forever.?This is the largest and widest-ranging exhibition of Ray Harryhausen’s work ever seen, with newly restored and previously unseen material from his incredible archive.
Ray Harryhausen’s work included the films Jason and the Argonauts, the Sinbad films of the 1950s and 1970s, One Million Years B.C. and Mighty Joe Young. He inspired a generation of filmmakers such as Peter Jackson, Aardman Animations, Tim Burton, George Lucas, and Steven Spielberg, and his influence on blockbuster cinema can be felt to this day.
Titan of Cinema traces Harryhausen’s career as a special effects guru, whose only limits was his boundless imagination. Titan of Cinema shows his creative processes: from embryonic preparatory sketches, through to model making and bringing characters to life who went onto terrorise and delight audiences in equal measure on the cinema screen.
Two years after aliens land on Earth, survivors from Sydney, Aus., fight in a desperate war as the number of casualties continue to grow. It’s described as “Avatar meets Star Wars meets Independence Day,”
(8) DUKAKIS OBIT. Actress Olympia Dukakis died May 1 reports NPR. She was 89. An Oscar-winner, she was famous for non-genre roles in Moonstruck and Steel Magnolias. Her claims to genre fame are a role in the TV movie The Librarian: Return to King Solomon’s Mines and, if movies with talking dogs count as genre, Look Who’s Talking and its sequels Look Who’s Talking Too and Look Who’s Talking Now.
(9) MEDIA BIRTHDAY.
May 1, 1981 –On this day in 1981 in Canada, Outland premiered. Directed by Peter Hyams and produced by Richard A. Roth and Stanley O’Toole, it starred Sean Connery, Peter Boyle, Frances Sternhagen, James B. Sikking and Kika Markham. It made the final list of nominees for a Hugo at Chicon IV the next year. Most critics liked its high noon in space plot but the audience reviewers at Rotten Tomatoes gave it a mediocre fifty percent rating. The box office barely beat out the cost of making the film.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born May 1, 1905 – E. Mayne Hull. One novel, a dozen shorter stories. Some when re-issued also bore the name of her husband A.E. Van Vogt; for attempts to give credit where due, see here. (Died 1975) [JH]
Born May 1, 1924 — Terry Southern. Screenwriter and author of greatest interest for the screenplay from Peter George’s original novel, Two Hours to Doom (as by Peter Bryant) of Dr. Strangelove Or: How I Learned to Stop Worrying and Love the Bomb directed (and in part written) by Stanley Kubrick. He was also involved in scripting Barbarella. Though uncredited, he did work on the script of Casino Royale as well. (Died 1995.) (CE)
Born May 1, 1937 – Suzanne Vick. Two fanzines credited to both her and her husband Shelby Vick, one of our greats; much activity names him, careful fanhistory may discover her part more explicitly. Three daughters, of whom I have learned little. (Died 2002) [JH]
Born May 1, 1946 — Joanna Lumley, 75. No, she was no Emma Peel, but she was definitely more than a bit appealing (pun fully intended) in the New Avengers as Purdey. All twenty-six episodes are out on DVD. Her next genre outing was In Sapphire & Steel whichstarred David McCallum as Steel and her as Sapphire. If you skip forward nearly near twenty years, you’ll find her playing The Thirteenth Doctor in The Curse of Fatal Death in a Comic Relief special. Yes, she played the first version of a female Thirteenth Doctor.
Born May 1, 1952 — Andy Sawyer, 69. Member of fandom who managed the Science Fiction Foundation library in Liverpool for 25 years up to last year. For his work and commitment to the SF community, the Science Fiction Research Association awarded him their Thomas D. Clareson Award for Distinguished Service. The paper he wrote that I want to get and read is “The Shadows out of Time: H. P. Lovecraftian Echoes in Babylon 5” as I’ve always thought The Shadows were Lovecraftian! And his fanpublication list is impressive, editing some or all issues of &, Another Earth Matrix, Paperback Inferno and Acnestis. (CE)
Born May 1, 1954 – Joel Rosenberg. A score of novels, as many shorter stories. Correspondent of Asimov’s, the Patchin Review, SF Chronicle, SF Review. Interviewed in Thrust. Early author of gamers-transported-into-the-gameworld-which-may-not-be-what-they-thought fiction. (Died 2011) [JH]
Born May 1, 1956 – Phil Foglio, age 65. Colorful, comical graphic artist. Illustrated R. Asprin’s MythAdventures, drew comic books from them, worked for DC, Marvel. Magic: the Gathering cards. Some of this, and more particularly Buck Godot and Agatha Heterodyne, Girl Genius, with wife Kaja Foglio (who coined gaslamp fantasy: “we have no punk, and we have more than just steam”). Two Hugos for P as Best Fanartist; three for K & P with Girl Genius as Best Graphic Story. Website. [JH]
Born May 1, 1955 — J. R. Pournelle, 66. Some years ago, I got an email from a J. R. Pournelle about some SF novel they wanted Green Man to review. I of course thought it was that Pournelle. No, it was his daughter, Jennifer. And that’s how I came to find out there was a third Motie novel called Outies. It’s much better than The Gripping Hand. (CE)
Born May 1, 1957 — Steve Meretzky, 64. He co-designed the early Eighties version of The Hitchhiker’s Guide to the Galaxy video game with the full participation of Douglas Adams. ESF also says that he did also a space opera themed game, Planetfall and its sequel A Mind Forever Voyaging in the Eighties as well. He also did the definitely more erotic Leather Goddesses of Phobos as well. CE)
Born May 1, 1984 – Lindsay Smith, age 37. Six novels, a dozen shorter stories; also comics, serials. She & Max Gladstone created, and she is showrunner & lead writer for, The Witch Who Came in From the Cold. [JH]
Born May 1, 1985 – Catherine Cheek, age 36. Three novels, as many shorter stories. Interviewed in Fantasy. Clarion San Diego graduate. Brown belts in two martial arts. Taught English two years in Japan. Throws pots, binds books, plays with molten glass. Has read Moby-Dick, Lolita, The Grand Sophy, Watership Down. [JH]
…Officials announced the flight extension Friday, following three short flights in under two weeks for the $85 million tech demo. Soon afterward, there was more good news: Ingenuity — the first powered aircraft to soar at another planet — had aced its fourth flight at Mars.
For Friday’s trip, Ingenuity traveled 872 feet (266 meters) at a height of 16 feet (5 meters) for two minutes — considerably farther and longer than before. An attempt Thursday had failed because of a known software error.
On its fifth flight in another week or so, the 4-pound (1.8-kilogram) chopper will move to a new airfield on Mars, allowing the rover to finally start focusing on its own rock-sampling mission. The rover is seeking signs of ancient life at Jezero Crater, home to a lush lakebed and river delta billions of years ago….
It’s a balancing act that has to do with the individual person’s talents. I happened to have this already in place, and have the right layering to find something useful. Other writers are different in finding their way in. I’m always trying to write something that hopefully applies to the current moment, but if you read it down the line, it has something that’s meaningful, too.
In the press notes, you said this novel was the result of realizing that “we were living in a dystopia for some time.” Are you a pessimist? Are we getting out of this dystopia any time soon?
The pessimism/optimism thing boils down to me being pessimistic when we’re not dealing with the full issue and full facts in front of us. When we try to deflect. In Florida, we have these solar farms coming in, but which are destroying natural habitats. Green tech is being delinked from environmental issues in distressing ways. That’s the kind of thing that worries me more than, say, a climate-change denier, who isn’t going to help in the first place.
He later continues, “The Worldcon code of conduct should not be used to shut down a legitimate critique of a genre issue,” leaving untouched the issue actually raised here of whether the Worldcon should adhere to its own Code of Conduct and not broadcast the insulting title. A title Sanford himself is strangely reluctant to repeat, changing the “u” in “Fuck” to an asterisk.
(15) VIVO. Netflix dropped a trailer for Vivo, an animated musical with Lin-Manuel Miranda.
An animated musical adventure that follows VIVO, a one-of-kind kinkajou (aka a rainforest “honey bear,” voiced by Miranda), who must find his way from Havana to Miami in order to deliver a song on behalf of his beloved owner and mentor Andres (Buena Vista Social Club’s Juan de Marcos Gonzáles). The film features original songs by Miranda, a score by Alex Lacamoire, and a screenplay by Quiara Alegría Hudes and director Kirk DeMicco (The Croods)….
Voice talent includes three-time Grammy-winning Latin pop legend Gloria Estefan as Marta, the love of Andres’ life, newcomer Ynairaly Simo as Gabi, Andres’ grand-niece, Zoe Saldana as Rosa, Gabi’s mother, Michael Rooker as Lutador, a villainous Everglades python, Brian Tyree Henry and Nicole Byer as a pair of star-crossed spoonbills, Leslie David Baker as a Florida bus driver, and Katie Lowes, Olivia Trujillo, and Lidya Jewett as a trio of well-meaning but overzealous scout troopers. VIVO is an exhilarating story about gathering your courage, finding family in unlikely friends, and the belief that music can open you to new worlds.
(16) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “The Bizarre World of Fan Edits and Restorations” on YouTube, the Royal Ocean Film Society begins with fan edits we’ve all heard about (the mostly Jar Jar Binks-free version of The Phantom Menace) goes on to very strange edits (Planet Of The Apes reduced to a Twilight Zone episode, or Star Wars turned into silent films) and the historically important, such as a fan edit that presents a version of Richard Williams’s unfinished masterpiece The Thief And The Cobbler. As a bonus, you can find out which fan edit of a Brian De Palma film was so good that De Palma turned it into the director’s cut!
[Thanks to Martin Morse Wooster, Andrew Porter, Cat Eldridge, John Hertz, Michael Toman, John King Tarpinian, Mike Kennedy, and JJ for some of these stories. Title credit goes to File 770 contributing editor of the day Paul Weimer.]
More than a century before melting polar ice caps, geoengineering schemes, and soaring greenhouse gas emissions became the norm, humans causing climate change was the stuff of science fiction.
For a few decades in the late nineteenth and early twentieth centuries, authors from across ideologies and genres published stories that today would be called “cli-fi,” or climate fiction. French author Jules Verne, best known for popular adventure stories like Around the World in 80 Days and Twenty Thousand Leagues Under the Sea, penned a novel in 1889 called Sans Dessus Dessous about capitalists intentionally heating the Arctic to extract coal reserves. Mark Twain included a subplot of selling warm climates in his 1892 novel The American Claimant. Recently, literary scholar Steve Asselin reexamined these and dozens of other early cli-fi stories, finding several disquieting themes relevant to how we think about modern-day climate change.
…First the why: [Jude] Doyle says they left Substack because they were upset that Substack was publishing — and in some cases offering money upfront to — authors they say are “people who actively hate trans people and women, argue ceaselessly against our civil rights, and in many cases, have a public history of directly, viciously abusing trans people and/or cis women in their industry.”
Substack’s main business model is straightforward. It lets newsletter writers sell subscriptions to their work, and it takes 10 percent of any revenue the writers generate (writers also have to fork over another 3 percent to Stripe, the digital payments company).The money that Substack and its writers are generating — and how that money is split up and distributed — is of intense interest to media makers and observers
But in some cases, Substack has also shelled out one-off payments to help convince some writers to become Substack writers, and in some cases those deals are significant….
(3) CUT TO THE CHASE. In the Washington Post, David Betancourt interviews Zack Snyder and Deborah Snyder about the release of Zack Snyder’s Justice League, with Deborah Snyder saying “the fans got a huge corporation to listen to them and make this (Snyder cut) a reality,” but with Betanourt noting the release of the Snyder cut is also because HBO Max is hungry for superhero content to compete with Disney. “’Zack Snyder’s Justice League’ is what the director really wanted all along”.
… Knowing the Snyder Cut would be a streaming experience and not a theatrical one allowed it to grow. The film is four hours and two minutes, twice as long a the original. HBO Max’s hunger to have game-changing new superhero content to compete with Netflix and Disney Plus — not to mention a pandemic making everyone eager for more at-home offerings — created a golden opportunity for all involved.
“What the streaming services have done is allowed a lot more risks to be taken,” Deborah [Snyder] said. “There’s movies getting made — and [the Snyder Cut] is a perfect example — that wouldn’t be made if it wasn’t for the streamers. As a filmmaker and as a producer, that is exciting to me. I want to see the envelope being pushed and risks to be taken.”
(4) JOURNEY PLANET IS GETTING CRAFTY! They’re looking for a few good crafters… or any crafters really. Team Journey Planet (this time being James Bacon, Sara Felix, and Chris Garcia) is putting together a Crafting in the Time of COVID-19 theme issue that will explore the DIY methods that people tried to pass the time they would normally spend out in the world. They’re looking for stories of hobbies taken up or re-kindled, photos of crafts managed, art cars or campers created, art you might have created during lockdown, and much more.
Did you build a rudimentary lathe and start turning artisanal batbase bats? We wanna hear about it. Did you start painting alternate bookcovers for your favorite novels? We wanna see ’em? Take up bookbinding, or clockmaking, or knitting, crocheting or tiara-making? Share ’em with us.
China told local media not to broadcast next month’s Oscars ceremony in real time and to play down coverage of the awards, according to people familiar with the matter, after a documentary on the Hong Kong protests was nominated and amid concern over the political views of Best Director contender Chloe Zhao.
…“Do Not Split,” nominated for best short documentary, chronicles the anti-Beijing demonstrations that took hold in Hong Kong in mid-2019 and China’s growing power and influence in the former British territory.
…While initially lauded in the Chinese press for the success of her naturalistic film “Nomadland,” Zhao — who won the Golden Globe for Best Director last month — has since attracted criticism for a 2013 interview where she is said to have described China as “a place where there are lies everywhere.”…
(6) FRANK THORNE OBIT. Frank Thorne (1930-2021), artist of the Red Sonja comics of the 1970s has died. Heavy Metal pays tribute:
… Red Sonja, a character from the Conan-verse created by Robert E. Howard, made her Marvel Comics debut in Marvel Feature #1, penciled by Dick Giordano. Thorne took over as artist in the second issue, and remained Red Sonja’s artist through the title’s seventh and final issue, dated November 1976. Red Sonja got her own title beginning in January 1977, illustrated by Thorne (he did it all — pencils, inks, colors and lettering, and cover art) through issue 11.
Thorne clearly relished Red Sonja; his association with the title went beyond a job and became part of his identity. There was also a performative aspect — Thorne would show up at conventions dressed in a wizard costume, accompanied by a model or few (calling themselves “The Hyborean Players”) wearing the famous scale-mail bikini of Red Sonja. One of the Red Sonja models was Wendy Pini, who managed to make conventions and photo shoots when she wasn’t illustrating the series that would make her famous in the comics world: ElfQuest. Yup, that Wendy Pini….
(7) MEDIA BIRTHDAY.
March 19, 1999 — On this day in 1999, Farscape premiered on Syfy. The series was conceived by Rockne S. O’Bannon and produced by The Jim Henson Company and Hallmark Entertainment. The Jim Henson Company was responsible for the various alien make-up and prosthetics, and two regular characters, Rygel and Pilot were completely Creature Shop creations. Filmed in Australia by Network Nine, it would would last for four seasons ending in The Peacekeeper Wars which is considered the fifth season.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born March 19, 1821 — Sir Richard Francis Burton KCMG FRGS. He was a geographer, translator, writer, soldier, cartographer, ethnologist, spy, linguist, poet, fencer and diplomat. He worked on the translation of an unexpurgated version of One Thousand and One Nights. Also, Vikram and the Vampire or Tales of Hindu Devilry. Mind you, he was also the publisher of both Kama Sutra and The Perfume Garden. Philip Jose Farmer made him a primary character of the Riverworld series. (Died 1890.) (CE)
Born March 19, 1894 – Lilith Lorraine. Author of poetry and otherwise, editor, radio lecturer, under various names. Half a dozen short stories, a hundred poems. Founded Avalon poetry ass’n; The Avalonian carried Robert Silverberg’s first paid story. Time Grows Thin posthumous coll’n of poetry (so consider the title!) has an introduction by Steve Sneyd. (Died 1967) [JH]
Born March 19, 1926 — Joe L. Hensley. He was a First Fandom Dinosaur which is to say he was active in fandom prior to July 4, 1939 and he received the First Fandom Hall of Fame Award. He is also a published genre author with ”And Not Quite Human” in the September 1953 issue of Beyond Fantasy Fiction being his first published work, and The Black Roads being his only genre novel. It does not appear that his genre works are available in digital editions. (Died 2007.) (CE)
Born March 19, 1928 — Patrick McGoohan. Creator along with George Markstein of The Prisoner series with him playing the main role of Number Six. I’ve watched it at least several times down the years. It never gets any clearer but it’s always interesting and always weird. Other genre credits do not include Danger Man but do comprise a short list of The Phantom where he played The Phantom’s father, Treasure Planet where he voiced Billy Bones and Journey into Darkness where he was The Host. (Died 2009.) (CE)
Born March 19, 1936 — Ursula Andress, 85. I’m sure I’ve seen all of the original Bond films though I’ll be damned I remember where or when I saw them. Which is my way of leading up to saying that I don’t remember her in her roles as either as Honey Ryder in the very first Bond film, Dr. No, or as as Vesper Lynd in Casino Royale. Bond girls aren’t that memorable to me it seems. Hmmm… let’s see if she’s done any other genre work… well her first was The Tenth Victim based on Sheckley’s 1953 short story “Seventh Victim”. She also appeared in The Mountain of the Cannibal God, The Fifth Musketeer, Clash of the Titans where she played of course Aphrodite, on the Manimal series, The Love Boat series and the two Fantaghirò films. (CE)
Born March 19, 1946 – John Gribbin, Ph.D., age 75. Eight novels, a score of shorter stories; columnist, correspondent, reviewer for Analog, Omni, Vector; fourscore books of nonfiction e.g. Almost Everyone’s Guide to Science (with wife Mary Gribbin); Hyperspace, Our Final Frontier; biographies of Einstein, Feynman, Schrödinger. Lifetime Achievement Award from Ass’n of British Science Writers. [JH]
Born March 19, 1953 – Laurie Sutton, age 68. A dozen novels. Worked for the Comics Code Authority awhile; “I never considered my job to be one of censorship…. being a comic book fan.” Then comics for DC (including Adam Strange) and Marvel (including Star Trek); introduced Frank Miller to Japanese comics. Publishing Innovation Award. [JH]
Born March 19, 1955 — Bruce Willis, 66. So do any of the Die Hard franchise count as genre? Setting them aside, he has a very long genre list, to wit Death Becomes Her (bit of macabre fun), 12 Monkeys (weird shit), The Fifth Element (damn great), Armageddon (eight tentacles down), Looper (most excellent), The Sixth Sense (not at all bad), Sin City (typical Miller overkill) and Sin City: A Dame to Kill For (yet more Miller overkill). (CE)
Born March 19, 1960 – Karen Cooper, age 61. Chaired Ditto 12 (fanziners’ con; Ditto, a brand of spirit duplicator). Long-time member of Minn-Stf. Her Minicon 34 Restaurant Guide (with husband Bruce Schneier) was a Hugo finalist for Best Related Book (as the category then was, now “Best Related Work”). Fan Guest of Honor at WindyCon 40. [JH]
Born March 19, 1964 — Marjorie Monaghan, 57. JoJo on all six episodes of Space Rangers. My brain keeps insisting it lasted much, much longer. She also was on Babylon 5 as the Mars Resistance leader during the Earth Alliance Civil War, where she was known as Number One. She’s also appeared on Quantum Leap, in the cyberpunk Nemesis film, in The Warlord: Battle for the Galaxy film, on Andromeda series and on The Great War of Magellan film. (CE)
Born March 19, 1970 – Kimberly Sabatini, age 51. One novel so far. Alice Curtis Desmond Award. When her father died, she “discovered … she’s full of questions that need to be answered.” Has read Endurance (Scott Kelly), The Wonderful Wizard of Oz, Hidden Figures, Frankenstein, Nothing Stopped Sophie (Sophie Germain), Seabiscuit, Gone With the Wind. [JH]
Born March 19, 1973 – Josh Rountree, age 48. One novel, twoscore shorter stories including “The Review Lester Bangs Would Have Written for the New Stones Album if He’d Lived Long Enough to Witness the Fall of Humanity and the Rise of the Other”. Seen in Andromeda Spaceways, Beneath Ceaseless Skies, Daily SF, Electric Velocipede, Realms of Fantasy. [JH]
Of the seemingly thousands of Pop figures that Funko has made, it’s weird to think that the company has only released six from Star Trek: The Original Series, way back in 2013. Sure, it’s made characters from The Next Generation, the Star Trek Beyond movie, and even put the cast of The Big Bang Theory in Trek uniforms since then. But Funko will finally right this wrong later this year with eight new figures from TOS.
The original six Pop figures included Kirk, Spock, Scotty, a Klingon, an Andorian, and an Orion Slave Girl. It shouldn’t be surprising that after so long, as StarTrek.com reports, the new series also contains a Kirk and Spock, but now the former is sitting in his captain’s chair, while Spock is, uh… holding a cat…
The Scottish National Gallery of Modern Art has turned its Ray Harryhausen tribute into a “virtual experience” after spending years working on the exhibition with the legendary movie-maker’s family.
A £10 pass, which is available from today, will offer unlimited access to the online incarnation of the exhibition, which explores how Harryhausen inspired cinematic legends like Steven Spielberg, George Lucas and Peter Jackson thanks to his groundbreaking work on Jason and the Argonauts, Clash of the Sitans, Earth vs the Flying Saucers and the Sinbad series.
They will be able to secure glimpses of rarely-seen models, drawings, sketches, photographs, posters and storyboards drawn from the archives of the Ray and Diana Harryhausen Foundation, which is run by the family of the Californian-born special effects legend and his wife, who both passed away in 2013.
(11) ZOOMING WITH THE BENFORDS. Fanac.org’s next FanHistory Zoom will be “The Benford Twins, Fandom and the Larger Universe” on March 27, 2021, 2 pm Eastern. To receive a Zoom link, please RSVP to firstname.lastname@example.org.
Jim and Greg Benford (founding editors of the legendary fanzine Void) became fans in the 1950s, and throughout a lifetime of science, professional writing, and extensive accomplishments, they have remained fans. In this Zoom session, they’ll talk about their introduction into fandom, their fandom over the years, and tell stories about the important and interesting people they’ve met. What influence has fandom had on them? Did relocation change their interactions with fandom? How have their professional lives influenced their fandom? Join us and find out (and expect a few surprises.)
The current schedule of future Fan History zoom sessions is available here.
NASA completed an engine test firing of its moon rocket Thursday, after the first attempt in January ended prematurely.
This time, the four main engines of the rocket’s core stage remained ignited for the full eight minutes. Applause broke out in the control room at Mississippi’s Stennis Space Flight Center once the engines shut down on the test stand.
NASA officials called it a major milestone in sending astronauts back to the moon, but declined to say when that might occur or even whether the first test flight without a crew would occur by year’s end as planned.
Our solar system’s first known interstellar visitor is neither a comet nor asteroid as first suspected and looks nothing like a cigar. A new study says the mystery object is likely a remnant of a Pluto-like world and shaped like a cookie.
Arizona State University astronomers reported this week that the strange 148-foot (45-meter) object that appears to be made of frozen nitrogen, just like the surface of Pluto and Neptune’s largest moon Triton.
The study’s authors, Alan Jackson and Steven Desch, think an impact knocked a chunk off an icy nitrogen-covered planet 500 million years ago and sent the piece tumbling out of its own star system, toward ours. The reddish remnant is believed to be a sliver of its original self, its outer layers evaporated by cosmic radiation and, more recently, the sun.
(15) VIDEO OF THE DAY. “MCI Commercial With Leonard Nimoy, TOS Cast, and Jonathan Frakes” on YouTube reveals that in 1993 the original Star Trek cast was eager to call 1-800-3BEAMUP to get 20 percent off the MCI Friends and Family Plan. But who invited Jonathan Frakes to the party?
[Thanks to John King Tarpinian, Cora Buhlert, Mike Kennedy, Andrew Porter, Martin Morse Wooster, JJ, Cat Eldridge, John Hertz, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Nicole J. LeBoeuf-Little.]
… “How do YOU know what the deal is, huh? My guy talked to the executor just yesterday, who told him this straight-up. How do YOU know better than HE does?”
How do I know better? How do I know these are just rumors?
Because I am the Executor of the Harlan and Susan Ellison Trust.
I’ve kept a low profile since accepting this position in order to focus on of the million-and-one details that have to be addressed. I don’t know if anyone reading this has ever been appointed an executor, but it is a massive undertaking. To be an executor is to inherit nothing but be responsible for everything, and to implement the last wishes of those who entrusted you with the totality of their life’s work.
Consequently, ever since Susan’s passing, 80% of my day, every day, has gone into establishing the Trust, dealing with tax issues, creditors, court documents, lawyers, accountants, affidavits, death certificates, corporate minutes…in simpler cases, the process only takes a few months, and usually ends by parceling out bequests or auctioning off the estate.
But that is not the case here, because there is the legacy of Harlan’s work that must be preserved and enhanced. Looking after all this, and seeing to Harlan and Susan’s wishes, is something I will likely be doing for the rest of my life.
Everything that Harlan ever owned, did or wrote will be fiercely protected. Steps are being taken to certify Ellison Wonderland as a cultural landmark, ensuring that it will remain just as it is long after I have gone to dust.
To revive interest in his prose, literary representation has been shifted to Janklow & Nesbit, one of the largest and most prestigious literary agencies in the world. Film and TV rights will be handled through A3, previously known as the Abrams Agency, also a leading and influential agency. I will be working hand in glove with them to get Harlan’s work back into print in a big way.
There is more to say on future plans – much more – but all of that will come in time….
…Harrow likes a secret society in the best way, and Witches is riddled with secrets, honeycombed with groups working toward overlapping or opposing goals. The Sisters engage in imaginative skulduggery, scrounging plans from overlooked skills and ignored know-how. She also likes an uprising, and here, where witchery and sickness both run deep as water under a layer of oil, that’s heady stuff. We all (I hope) agree women getting the vote was long overdue. Framing the reclamation of magic and power against that real-world struggle, which we know turned out a certain way, feels particularly apt to themes of once and future, poignant to the powerlessness many feel this year.
I adored watching characters as their expectations were subverted, as their understanding of their world expanded. Harrow revels in many-layered mysteries, in a story of many acts, in wordplay….
…Spiegelman’s success had the disconcerting effect of placing an artist who had been happy in the comix-with-an-x underground – a lysergic disciple of R Crumb – very firmly in the literary establishment. He became a staple of Tina Brown’s New Yorker, a darling of academics, and came to be regarded by many, not without resentment, as a sort of capo of the US comics scene.
“I remember when I first got this Pulitzer prize I thought it was a prank call,” he says, “But immediately after I got back to New York, I got an urgent call from a wonderful cartoonist and friend, Jules Feiffer: ‘We have to meet immediately. Can you come out and have a coffee?’ And we met. He said: ‘You have to understand what you’ve just got. It’s either a licence to kill, or something that will kill you.’”
That comics are now considered “respectable” – thanks in part to Maus – is something Spiegelman never quite looked for. But he acknowledges it has its advantages. “I’m astounded by how things have changed. And I would say I might have been dishonest or disingenuous when I said I wasn’t interested in it being respectable. I love the medium. And I love what was done in it from the 19th century to now. But I know that on some level, I want it to be able to not have to make everything have a joke, or an escapist adventure story.”
His rocket launch into canonicity was both “liberating and also incredibly confining – trying to find places to go where I wouldn’t have to be the Elie Wiesel of comic books”. Even at the time, Spiegelman seems to have been conscious that Maus would be in danger of defining him. The next project he took on was illustrating Moncure March’s jazz-age poem The Wild Party for a small press: “This was going to be a kind of polar opposite [to Maus]: decorative, erotic, frivolous in many ways and involved with the pleasures of making; although it didn’t turn out to be so pleasurable in its third year. Every project I start turns into a coffin.”
… In an email interview, Roanhorse tells me that’s something she’s always wanted to write about. “I have been reading epic fantasies inspired by European settings since I was a child, and while I’m still a fan of many of these works, I longed to see something different,” she says. “So I wrote it. I never made a conscious decision to go in that direction. That direction was simply the natural culmination of my love of the architecture, poetry, politics, and history of these places and people that I’ve been learning about forever.”
Previous reports that Tatiana Maslany was getting ready to go green may have been premature. The Canadian-born Orphan Black star recently told an Ontario newspaper that she’s not been cast, after all, as the star of Marvel’s upcoming She-Hulk series at Disney+.
Speaking with the The Sudbury Star this week, Maslany tapped the brakes on all the She-Hulk hype, saying she’s “unfortunately” not currently tied to the series. First reported by Variety in September, word quickly spread that Marvel had tapped Maslany to play Jennifer Walters (aka She-Hulk), the comics-based cousin of Bruce Banner.
…So why, then, am I putting on my cape and riding out for this book as one that Everyone Must Read?
It’s not just because it remains a beautiful piece of art. Neither is it just because many other great books Card wrote have been silenced by his own inability to let them speak for themselves. Nor is it just because Ender’s Game deserves to be snatched from the canonical pyre and preserved for future generations.
It’s because Ender’s Game is a warning.
It’s a warning to privileged kids like me, who believe they know better than everyone else, when they don’t know how to turn in their homework on time. It’s a warning to everyone who thinks the universe owes them anything, just because of the circumstances of their birth. It’s a warning to a society that will stop at nothing to put itself first, even if that means perverting everything it’s supposed to stand for. Most of all, it’s a warning to authors, to readers, to writers, to the SFF community.
Yes, it’s possible to build a future where everyone can thrive together. Where our stories and our lives are enriched by the diversity of our voices, experiences, myths, cultures, and canons. Where the stories we tell light the way for all of humanity.
But the moral arc of the universe doesn’t bend toward justice by default. It requires constant, collective work with hammer and tongs. It requires pain, exhaustion, sacrifice by those who are able on behalf of those who aren’t. It requires humble reflection on everything we’ve ever done and choosing to do the right thing now, again and again, no matter how badly (or how often) we’ve screwed up. It is the journey of a lifetime, or many lifetimes.
(7) THE LIGHTHEARTEDNESS OF OTHER DAYS. James Wallace Harris surveys the field in “Poking Fun at Science Fiction”, but confesses, “My problem is sarcasm, satire, and subtle jabs go right over my head (my lady friends take advantage of this).”
…Study that Emsh (Ed Emshwiller) painting above. At first I thought it a clever way to suggest action – a woman had been abducted from a space colony. But then I thought of something, and it became funny, But how could it possibly comic? Obviously a woman has been kidnapped by an alien on a colony world – that’s tragic. But if you know the history of science fiction magazines, and the cliches about covers with BEMs carrying off a scantily clad women, then you might think Emsh is playing around. In case you don’t know the lingo, BEM stands for bug eyed monster. Sex sells, even for science fiction magazines. Why did Emsh leave off the sexy woman and lower the sales of that issue? Because we expected a naked woman he thought might be funny to disappoint us. Sure, the painting is of a serious action scene, a man is running to rescue a woman. Maybe even the editor told him, “No babes.” But I like to think Emsh is also poking fun at science fiction (See the section below, Sex, Nudity, and Prudity in Science Fiction.)
Rhonda Fleming, the red-haired actress who became a popular sex symbol in Hollywood westerns, film noir and adventure movies of the 1940s and ’50s, died on Wednesday in Santa Monica, Calif. She was 97.
Ms. Fleming’s roles included those of a beautiful Arthurian princess in the Bing Crosby musical version of Mark Twain’s novel “A Connecticut Yankee in King Arthur’s Court” (1949).
… Ms. Fleming’s … last film was “The Nude Bomb,” a 1980 spy comedy based on the 1960s sitcom “Get Smart,” in which she played Edith Von Secondberg, an international fashion designer.
In a 1993 interview with The Toronto Star, relaxing at her California home with Mr. Mann, she said, “My husband recently asked me if I’d seen any movie I wanted to appear in.” She went straight for a specific role. “I said yes, the dinosaur in ‘Jurassic Park.’”
(9) MEDIA ANNIVERSARY.
1980 — Forty years ago at Noreascon Two, Alien would win the Hugo for Best Dramatic Presentation. It was directed by Ridley Scott from the screenplay by Dan O’Bannon off the story by O’Bannon and Ronald Shusett. This would the second Hugo nomination form O’Bannon who was nominated earlier at MidAmeriCon for Dark Star. He’d would win his second Hugo several years later for Aliens at Conspiracy ’87, and be later nominated at Chicon V for Total Recall and Alien 3 at ConFrancisco. A half million audience reviewers at Rotten Tomatoes give it a horrifyingly great ninety-four percent rating.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born October 17, 1856 – Jane Barlow. Knew French & German; classical scholar; pianist. D.Litt. from Univ. Dublin. A score of books; Irish Idylls went into nine editions. For us The End of Elfintown book-length poem; translation of The Battle of Frogs and Mice, title page here; under another name, A Strange Land. (Died 1917) [JH]
Born October 17, 1917 — Marsha Hunt, 103. Performer who appeared in both the original versions of the Twilight Zone and the Outer Limits, also appeared in Star Trek: The Next Generation, Shadow Chasers and Fear No Evil. (CE)
Born October 17, 1934 — Alan Garner, 86. His best book? That’d be Boneland which technically is the sequel to The Weirdstone of Brisingamen and The Moon of Gomrath but really isn’t. Oh, and The Owl Service is amazingly superb! There’s a BBC video series of the latter but I’ve not seen it. (CE)
Born October 17, 1942 – John Sapienza, Jr., 78. Gamer (six years in Alarums & Excursions), WSFA (Washington, DC, SF Ass’n) stalwart, helpful con-runner (he was at SMOFcon 7; SMOF for “secret masters of fandom” being as Bruce Pelz said a joke-nonjoke-joke; SMOFcon draws people who often do the work at SF conventions and want to do it better; SMOFcon 37 was in 2019), and lawyer, who found himself marrying Peggy Rae Pavlat, which had an effect like Atomic Mouse’s U-235 pills. He was and is quite worthy; I said the only way Peggy Rae could have got more sapience was by marrying him. [JH]
Born October 17, 1948 – Robert Jordan. Best known for the Wheel of Time series, finished by Brandon Sanderson at RJ’s death. Also Conan the Barbarian books. Under other names, historical fiction, a Western, dance criticism. In the Army earned a Distinguished Flying Cross with oak-leaf cluster, Bronze Star with “V” and oak-leaf cluster, two Vietnamese Gallantry Crosses with palm. His widow continues as an editor. (Died 2007) [JH]
Born October 17, 1950 – Michael J. Walsh, F.N., 70. Another WSFA stalwart, he chaired ConStellation the 41st Worldcon, three Disclaves including one he couldn’t attend, two Capclaves, Balticon 15, three World Fantasy Conventions. Fan Guest of Honor at Balticon 29, Lunacon 40, Armadillocon 36, World Fantasy Con 2018. Fellow of NESFA (New England SF Ass’n; service award). Publisher, Old Earth Books. Occasional Filer. [JH]
Born October 17, 1951 – Geraldine Harris, 69. Five novels, two shorter stories; see her Website here. Also children’s books on ancient Egypt. Married name Geraldine Pinch identifies her academic work in Egyptology, from which she says she has retired. [JH]
Born October 17, 1958 — Jo Fletcher, 62. British editor who, after working for Gollancz for 16 years, founded Jo Fletcher Books in 2011. Interestingly ISFDB says she’s done two World Fantasy Convention souvenir books, Gaslight & Ghosts and Secret City: Strange Tales of London, both with Stephen Jones. She also wrote with him the British Report aka The London Report for Science Fiction Chronicle. (CE)
Born October 17, 1968 — Mark Gatiss, 52. English actor, screenwriter, director, producer and novelist. Writer for Doctor Who; with Steven Moffat, whom Gatiss worked with on Doctor Who and Jekyll, he also co-created and co-produced Sherlock. As an actor, I’ll noted he does Vogon voices in The Hitchhiker’s Guide to the Galaxy, and is Mycroft Holmes in Sherlock. (CE)
Born October 17, 1971 — Patrick Ness, 49. Best known for his books for young adults, including the Chaos Walking trilogy and A Monster Calls. He’s also the creator and writer of the Doctor Who spin-off Class series. And he’s written a Doctor Who story, “Tip of the Tongue”, a Fifth Doctor story. (CE)
Born October 17, 1983 — Felicity Jones, 37. She played Ethel Hallow for one series of The Worst Witch and its sequel Weirdsister College. She’d later be in The Amazing Spider-Man 2 as Felicia Hardy and in Rogue One as Jyn Erso. I’d say her role as balloon pilot Amelia Wren in The Aeronauts is genre adjacent. (CE)
Born October 17, 1984 – Randall Munroe, 36. Stick-figure cartoons can degenerate into word gags, and the endlessly sour can tire like the sweet, but speaking of endlessness, “Time” in RM’s xkcd won the Best-Graphic-Story Hugo having been updated every thirty minutes 25-30 Mar 2013, then every hour until 26 Jul, in total 3,099 images; he evidently learned Time must have a stop; Huxley did. A teacher of mine said “There’s a sense in which a genius can’t be wrong.” [JH]
(11) COMICS SECTION.
October 17, 1937 — Huey, Dewey, and Louie (Donald Duck’s nephews) first appeared in a comic strip.
…Collecting a sample from Bennu is no small challenge. The asteroid, which measures 500 meters (a third of a mile) wide, ended up being much rockier than mission designers expected. The sample site is just 16 meters in diameter and surrounded by boulders bigger than OSIRIS-REx itself. The spacecraft must collect its sample without guidance from Earth, since it currently takes nearly 20 minutes for signals to travel between our planet and Bennu at the speed of light.
The entire process takes almost 5 hours. OSIRIS-REx will match Bennu’s 4-hour rotation rate and slowly descend to the surface. To give the spacecraft more room to maneuver, it adjusts itself into a Y-shape, extending its sample arm 3 meters and tilting back its two solar panels. Eventually OSIRIS-REx must turn its high-gain antenna away from Earth, restricting the volume of information ground controllers can receive. The spacecraft figures out where it is by comparing surface views from prior flyovers with real-time camera images. It will back away immediately if it thinks it’s going to crash.
OSIRIS-REx won’t overstay its welcome, immediately backing a safe distance away from Bennu. The mission team will take pictures of TAGSAM to verify they got a sample, and later spin the spacecraft to weigh it. If for some reason things go awry, the spacecraft carries enough nitrogen for two more collection attempts. But if everything goes according to plan, OSIRIS-REx will store the sample in a capsule and depart for Earth next year. In September 2023, the capsule will parachute to a landing in Utah.
(13) POSSIBLE BREAKTHROUGH WITH BRAIN INSPIRED COMPUTING. [Item by SF Concatenation’s Jonathan Cowie.] A core trope of science fiction has been ‘artificial intelligence’ (AI) from Arthur Clarke’s HAL 9000 to Philip K. Dick’s replicants. In real life, computer scientists have over-used the term, applying it to things like facial recognition, and so for what SF folk would call AI they call it General Artificial Intelligence (GAI). In addition to the rod to GAI, there is also the problem of Moore’s Law by which computing power of a chip doubles every couple of years: this cannot go on indefinitely and we may reach the limit in a decade or so’s time. Chinese computer scientists from the Centre for Brain-Inspired Computing Research, Tsinghua University, Beijing, have just had a breakthrough that is likely to help address both issues. Their work is rather technical but in essence they have developed a new approach using neural networks. Instead of getting the network to work like a normal computer, they have developed a new computer system hierarchy. In essence, while normal computers have an algorithm described in software which is accurately compiled into an exact equivalent intermediate representation of hardware — a set of instructions that is then run on the hardware, what the computer scientists have done is develop an inexact, approximate way to do this. This overcomes the difficulty of producing exact representations in neural networks. One advantage of this is that their programs can be run on a number of different types of neural network. Another is that while exactness is lost, processing speeds and power greatly increases.
All this sounds very fine, but will it work? Well, they have tried it out with three experiments done both their new way and on a traditional computer as well as a platform, based on devices called memristors, that accelerate neural network function. One, was to simulate the flight of a flock of birds. The second was to simulate riding a bike, and the third performing a linear algebra analysis called QR decomposition. All worked. However the degree of accuracy presented by the new architecture depended on the degree of approximation used. For example, with 10% error no bird, in the flock of birds simulation, matched the standard computer simulation. But with 0.1% error nearly all the birds were plotted either overlapping or immediately adjacent to those plotted with the standard traditional computer simulation. It may well be that in a couple of decade’s time, when you are locked out of your home by your house AI and arguing with it to be let in, you may reflect that the key stepping stone to creating such GAIs was this research. (See the review article as well as the primary research abstract and the full paper (available only to subscribers and at subscribing academic libraries’ computer terminals.)
But beyond the big hitters, there are collectors all around the world quietly seeking out first editions. They can amass important collections that would be nigh-on impossible to achieve if it was art, and not books, they were buying.
… Beyond that, collectors love first editions because they can show how the author wanted the book to look and can be a joint collaboration between author and publisher.
F Scott Fitzgerald, for example, was shown the original artwork for the dust jacket of The Great Gatsby and it influenced his thoughts on the novel. He wrote to his publisher in August 1924, begging them to keep the jacket for him as he had “written it into the book”.
Arthur Ransome so disliked the drawings produced for his book Swallows and Amazons that only the dust wrapper, endpaper and frontispiece designs were retained. He would eventually go on to illustrate it himself.
The Hobbit’s famous first edition cover – featuring a mountainous landscape – was designed by JRR Tolkien himself and is loved by collectors and fans alike.
And Lewis Carroll withdrew the initial print run of Alice’s Adventures in Wonderland over the quality of the images. There are thought to be only 22 of them in existence; with such scarcity comes a willingness from collectors to pay huge sums.
Lightsaber technology has come a long way since Star Wars‘ George Lucas painted some wooden dowel rods for Obi-Wan and Darth Vader. Now people in the real world have actually created the ancient and respected blade of the Jedi — and it’s getting closer and closer to the legit canon construction. The latest evolution involves a retractable flaming beam that offers up 4000° of Darth Maul-halving power.
The latest step in The Hacksmith‘s grand quest for a real-life lightsaber (the YouTuber has been advancing his constructions over many different iterations) involves a retractable “blade” that replaces the super-hot metal rod from previous editions like the protosaber. Now it really looks like the lightsaber blade is extending and retracting, along with all the fiery damage it brings.
[Thanks to Andrew Porter, JJ, John King Tarpinian, Lise Andreasen, John Hertz, Mike Kennedy, Contrarius, Cat Eldridge, Michael Toman, SF Concatenation’s Jonathan Cowie, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day OGH. Every now and then.]
……But the Third Stage Guild navigator is not an alien. That’s a human who has been mutated by longterm exposure to the Spice. Outside of extraterrestrial animal life, there are precisely zero space aliens inDune. Arguably, this fact is part of what makes Dune so successful. Common science fiction ideas don’t really drive the story of Dune, mostly because alien life is totally left out of the equation. Here’s how that works, and why Dune’s world-building is super-reliant on a lack of aliens.
(2) FOR YOUR CONSIDERATION. [Item by Dann.] Grimdark Magazine’sissue #24 dropped a few days ago. There were a couple of non-fiction pieces that might be of interest.
A Slow Kill by Peter Orullian
Berzerker by Matthew X. Gomez
How Not to Invade a Country by Anna Stephens
The Hunt by Matthew Ward
An Interview with Richard K. Morgan by Beth Tabler
Review: Persephone Station by Stina Leicht
Robert E. Howard: Godfather of Grimdark? by Matthew John
The ‘TNG’ Uniforms Nearly Caused Permanent Damage To The Cast
To an observer, spandex may seem like the world’s easiest garment to wear. Super stretchy, light, and form-fitting, it looks like it should be comfortable. But looks can be deceiving, according to designer Robert Blackman:
Jumbo, or Super Spandex, whatever you want to call that heavier weight stretch, will stretch from side to side or top to bottom, depending on how you cut the garment. So the costume would dig into the actors’ shoulders, wearing them 12 or 15 hours a day.
Blackman explained that pressure from the spandex led to back problems among the cast. Patrick Stewart, who starred as Captain Jean-Luc Picard, was told by his chiropractor that he should sue Paramount for the “lasting damage done to [his] spine.”
Born October 4, 1904 – Earl Binder. First half of Eando Binder (second being E’s brother Otto 1911-1974), credited author of a dozen novels, twoscore shorter stories. Pioneering stories of robot Adam Link. Collection Anton York, Immortal about protagonist attaining immortality and then what? E quit about 1940; O developed a solo career. (Died 1966) [JH]
Born October 4, 1908 – Al Ashley. During the 1940s, among the top two dozen active fans. Fanzines En Garde, Nova, sometimes with wife Abby Lu. The Ashleys made their house in Battle Creek, Michigan, a co-operative dwelling for fellow fans; those were the days of Van Vogt’s Slan and the self-depreciative joke “Fans are slans” (as in “Wassamatta you, you think fans are –?”), so the house was the Slan Shack. Later, lived in Los Angeles. I assume Al has gone to After-Fandom, but I have not learned when he left. [JH]
Born October 4, 1917 – Donn Brazier. Charter member of N3F (Nat’l Fantasy Fan Fed’n). Army Air Corps during World War II, mustered out as a Major, his remains buried in Jefferson Barracks Nat’l Cemetery. Leading fanzine Title; later Farrago. Guest of Honor at AutoClave 1, first SF con devoted to fanzinery (1976). Early adopter of photocopy. See two appreciations of him in File 770 142 pp. 12-13 (PDF). (Died 2002) [JH]
Born October 4, 1923 — Charlton Heston. Without doubt, best remembered for playing astronaut George Taylor in the Planet of the Apes. He retuned to the role in Beneath the Planet of the Apes. He’s also Neville in The Omega Man based off of I Am Legend by Richard Matheson. By the way, he once at the LA Music Center played Sherlock Holmes in The Crucifer of Blood, opposite Richard Johnson as Dr. Watson. His IMDB credits show him as being on SeaQuest DSV in the “Abalon” episode. ((Died 2008.) CE)
Born October 4, 1928 — Alvin Toffler. Author of Future Shock and a number of other works that almost no one will recall now. John Brunner named a most excellent novel, The Shockwave Rider, after the premise of Future Shock. (Died 2016.) (CE)
Born October 4, 1946 — Susan Sarandon, 74. She makes the Birthday list just for being Janet Weiss in The Rocky Horror Picture Show, but she’s also been in Enchanted as Queen Narissa, The Witches of Eastwick as Jane Spofford, The Lovely Bones as Grandma Lynn and The Hunger as Sarah Roberts. An impressive genre list indeed! (CE)
Born October 4, 1946 – Val Ontell, 74. Chaired Lunacon 29 & 32, Conjecture 2010, World Fantasy Con 2011. Fan Guest of Honor (with husband Ron Ontell) at Lunacon 45, Westercon 70. The Ontells have conducted fannish travel expeditions on the occasion of Worldcons: Britain (1987), Scotland & Ireland (1995, 2005), Melbourne (1999, 2010), Yokohama (2007), London (2014), Helsinki (2017), Dublin (2019); see their Website. [JH]
Born October 4, 1975 — Saladin Ahmed, 45. His Black Bolt series, with Christian Ward as the artist, won an Eisner Award for Best New Series and the graphic novel collection, Black Bolt, Volume 1: Hard Time, was a finalist at Worldcon 76 for Hugo Award for Best Graphic Story. His first novel, Throne of the Crescent Moon, won a Locus Award for Best First novel. (CE)
Born October 4, 1979 — Caitriona Balfe, 41. She is best remembered for her lead role as Claire Fraser on Outlander. Her first genre role was as Elizabeth Lamb in Super 8, and she has two other genre credits, one voicing Tavra in The Dark Crystal: Age of Resistance, and the other playing Breena Sheehan in the H+: The Digital Series in which the singularity has come and gone. (CE)
Born October 4, 1984 – Sara Bickley, 36. Poetry, some ours, in Red Sky (anthology); Best of Every Day Poets, Haiku Journal, Punchnel’s, The Same, Three Line Poetry, Trinacria. Poetry editor of The Germ awhile. Short stories in Cover of Darkness, Drabblecast B-Sides, Not One of Us, Tales of the Talisman. [JH]
Born October 4, 1988 — Melissa Benoist, 32. Kara Danvers / Supergirl In the Arrowverse. It was recently announced that the Supergirl series is ending with the next season. She also voiced Overgirl in the animated Freedom Fighters: The Ray series. (CE)
Born October 4, 1990 – Carlyn Worthy, 30. Photographer, cook, author, Afrofuturist. One story for us I’ve found published so far; and see this interview. Other work, see this article about her University’s centennial. [JH]
This podcast is now in its third season, but it just doesn’t get the credit it deserves. The series is curated by writer Tonia Ransom, who intended Nightlight to highlight Black authors telling Black stories, and in doing so the show is releasing some of the very best horror stories out there. Some tales veer into romance, some into sci-fi, and some are more standard horror fare, but each story is haunting and unforgettable. Genre faves like reluctant werewolves and murderous mermaids embrace tropes while turning them on their head to give us something new. Each episode runs about half an hour, making it a great lunchtime listen.
(7) HARRYHAUSEN 100. Coming soon at the Scottish National Gallery of Modern Art: “Ray Harryhausen | Titan of Cinema” – October 24, 2020-September 5, 2021. Highlights include the Medusa model from Clash of the Titans.
Film special effects superstar Ray Harryhausen elevated stop motion animation to an art. His innovative and inspiring films, from the 1950s onwards, changed the face of modern movie making forever. For the first time, highlights chosen from the whole of Ray’s collection will be showcased, which will be the largest and widest-ranging exhibition of his work ever seen, with newly restored and previously unseen material from his incredible archive.
Ray Harryhausen’s work included the films Jason and the Argonauts, the Sinbad films of the 1950s and 1970s, One Million Years B.C. and Mighty Joe Young, and a wider portfolio including children’s fairy tales and commercials. He also inspired a generation of filmmakers such as Peter Jackson, Aardman Animation, Tim Burton, George Lucas, and Steven Spielberg, and his influence on blockbuster cinema can be felt to this day.
[Thanks to John Hertz, Cat Eldridge, JJ, Michael Toman, John King Tarpinian, Martin Morse Wooster, Mike Kennedy, Jeffrey Smith, Dann. and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day OGH, who cannot guarantee it hasn’t been used before.]
(1) COLUMBUS NASFIC OPENING CEREMONIES. [Item by David Doering.] Watching the Opening Ceremonies of the Columbus NASFiC, I noted the number of apologies for lack of the in-person meetings.
However, I also think we should celebrate that we are LIVING an SF novel. If we had written this 20 years ago, it would have been SF–real-time linkups with AV from around the globe!! Is that KEWL or what??
We did NOT have to cancel. We still have a great slate of programming. AND we still can get together to honor Mike Resnick.
I should add that we also don’t have worry about scaring each other with pathogens if we were in person. Thus potentially setting off a “War of the Worlds” scenario with all of us “aliens” descending on a single city only to be doomed by GERMS.
(2) ROGUE NASFIC. Chris Garcia is the virtual Columbus NASFiC’s Editor Guest of Honor. The con newsletter made everyone aware he’s also got some real-life concerns right now:
Please share your positive thoughts, hopes, prayers – as appropriate – and spare a moment of contemplation for Christopher J. Garcia (GOH), his wonderful family Vanessa, John Paul and Ben, as they await news of their home, and neighbourhood, evacuated as they are from Boulder Creek in the Santa Cruz County CZU August Lightning Complex Fire. Certainly, we all wish them well. (submitted by James Bacon)
In better Chris Garcia news, check out his Rogue NASFiC YouTube channel of extra programming. As Chris explained on Facebook:
This is what happens when I’m given the power of Guest of Honor without oversight!
This YouTube Channel has some great videos of interviews and more! I’ll be adding as the Weekend (and beyond!) goes on!
Coming soon will be our Podcast channel!
I wanna thank the entire team of the NASFiC for letting me have a little fun!!!
Here’s one example:
(3) NINA ALLAN FIRES A CANON. [Item by PhilRM.] Here’s another very interesting piece by Nina Allan, discussing, among other things**, the notion of an SFF canon: “Weird Wednesdays #11: the question of lineage”. There’s a well-known quote by Borges, from his essay on Kafka: “The fact is that every writer creates his own precursors. His work modifies our conception of the past, as it will modify the future.” Nina’s take (which I completely agree with) is that every writer creates their own canon; I’d extend this to say that every reader creates their own canon also.
**Her piece also convinced me that I really need to read William Golding’s The Inheritors and The Spire, which sound like fascinating books.
…I have explored and will continue to explore some of the ‘canonical’ works from science fiction’s so-called Golden Age – not because I feel I should but because I am interested. I enjoy thinking about these things, I enjoy writing criticism, and I happen to believe that the more widely you read around a subject, the more fiercely you can argue your corner, the more enjoyment you can derive. And having said that, I saw an interesting comment somewhere at some point during the post-Hugo furore with words to the effect that it is actually the middle generation of science fiction writers – Le Guin, Butler, Russ, Delany, Disch, Haldeman, Pohl – who are the true pioneers of the American tradition, who not only wrote better then but speak better now to the generation of writers currently winning Hugos. That definitely rings true for me, though it might not for you. But that’s the beauty of such contentions: they are there to be discussed.
In celebration of Bradbury, the AWM will also air in August on its newly launched podcast four conversations with contemporary science fiction and fantasy writers. Each weekly episode of the podcast features one of the AWM’s past live programs and covers a range of topics including process, writing influences, and the life of a writer. J. Michael Straczynski, author of Becoming Superman headlines the August 10 episode. On the August 17 episode, Annalee Newitz, author of The Future of Another Timeline, is joined by journalist Dan Sinker. Hugo-Award winner John Scalzi, author of The Consuming Fire, is featured on the August 24 episode. Isabel Ibanez, author of Woven in Moonlight, closes out the month on the August 31 episode.
If there is one lesson to be learned from Hamilton’s Broadway success, it’s that a surprising diverse number of themes can be successfully turned into musicals. After all, who would have believed Ontario’s steel town—just a second—I have just been informed that the musical Hamilton is not in fact about Hamilton, Ontario, but rather about a significant figure in the American Revolution. I see.
Nevertheless, my point stands: almost everything can be turned into a musical, given sufficient talent. Even science fiction epics. Which brings me to the exciting topic of What Science Fiction Works I Would Like to See as Musicals.
Ray Harryhausen original sculpture, #10 in the limited edition of 12 created in the early 1990s, and then cast in 2010, the last work of fine art by the cinematic trailblazer before his passing. Entitled ”Giving Life to Fantasy”, this self-portrait sculpture depicts Harryhausen as he wanted to be remembered, filming the animated creatures of his imagination: the Cyclops and Dragon in their climactic battle in ”The 7th Voyage of Sinbad”. Other personal touches in this detailed sculpture include Harryhausen’s Giant Octopus from ”It Came from Beneath the Sea” in a box on the floor (along with his inspiration, the gorilla from ”King Kong”), and his Brontosaurus from ”The Animal World” on the side table. Signed and numbered by Harryhausen on the corner of the table, ”Ray Harryhausen 10/12”. Sculpture stands on a green marble and wooden base, with entire presentation measuring 19” x 11.5” x approximately 11” tall, and weighing nearly 50 lbs. Some light patina to bronze, overall near fine condition.
(7) HUNGER GAMES IN EVERYDAY LIFE. [Item by Martin Morse Wooster, Designated Reader, Financial Times.] This is the lede of an article by John Reed in the August 20 Financial Times about protests against the Thai government.
“It is a morning ritual at every Thai school, steeped in tradition and nationalist decorum: children stand still and sing the national anthem as the kingdom’s blue, white, and red flag is raised.
But this week, amid a growing ‘Free People’ youth protest movement, children across Thailand raised their hands during the ceremony to make the protesters’ trademark, defiant three-fingered salute.
The gesture originated in The Hunger Games, the dystopian young adult franchise of books and films, but has been adopted as an emblem of a movement that has spread from university campuses to secondary schools…
…”it has become a peacefully powerful symbol of anti-authoritarianism,’ said Viengrat Nethipo, assistant professor of political science at Bangkok’s Chulalongkorn University. ‘Recently it’s been described among youth as symbolic of the French Revolution’s values of liberty, equality, and fraternity, so it’s easily adopted as a symbol.'”
(8) STATUE READY FOR PRIME TIME. [Item by rcade.] Medusa, a 2008 statue by the Argentine-Italian sculptor Luciano Garbati, is getting a seven-foot tall bronze version in New York City across from the New York Criminal Courthouse where Harvey Weinstein was put on trial. NSFW image in a tweet here.
Garbati’s statue is a response to Benvenuto Cellini’s famous Perseus with the Head of Medusa statue and the idea that Medusa is the villain of the story.
The original Greek myth of Medusa offers plenty to be angry about. The monstrous being with snakes for hair starts out as a human woman, who Poseidon rapes in Athena’s temple. The goddess then punishes Medusa by turning her into a Gorgon and exiling her. Perseus is later sent on an errand to bring Medusa’s head to King Polydectes. Equipped with a mirrored shield, winged sandals, and a special sack for her head, Perseus creeps up on Medusa while she lies sleeping, cuts off her head, and then uses it as a weapon for turning enemies into stone.”
Garbati says, “The representations of Perseus, he’s always showing the fact that he won, showing the head…if you look at my Medusa…she is determined, she had to do what she did because she was defending herself. It’s quite a tragic moment.”
…With Steven Universe and She-Ra both having ended this year, PAPER invited showrunners Rebecca Sugar and Noelle Stevenson to sit down with one another and reflect on the legacies of their respective series, getting their start in comics, the state of representation in the animated field and where things go from here.
PAPER: Since you’re both wrapping up your respective series’, looking back at what each of you have accomplished, in those series what are you proud of, what do you wish you could have improved on or pushed further?
Rebecca Sugar: Okay, well looking back on everything, I’m really proud of what we were able to do with the characters of Garnet and Ruby and Sapphire. It really goes all the way back to the time I spent on Adventure Time and when I got a chance to do some of the earlier episodes with Marceline and Bubblegum. This was 2010 so Don’t Ask Don’t Tell was still a national policy. It would be half a decade before same-sex marriage was legal in The United States and I wanted to do something with the characters of Marceline and Bubblegum but figure out how to get it on TV. The strategy at the time that I pitched was that because they’re both centuries-old, millenniums-old, had a relationship sometime in the past and they’re unpacking that in a way that would be apparent. That was the only way to be able to do something with these characters and their relationship on screen.
As I was entering my show, I really wanted to find a way to be able to show characters actively in a relationship happening in real-time. We strategized the concept of fusion to be able to explore relationships and include queer relationships. Central to that, one of the things we were excited about was to have the character of Garnet have a ton of screen time and be a main character. There were a lot of things I wanted to explore with an active relationship to parallel my own relationship. I was inventing these characters with my co-executive producer Ian Jones-Quartey, who is also my partner. We wanted to explore an active, queer relationship that would parallel a lot of our experiences with bigotry as an interracial couple.
(10) N.K. [Item by rcade.] While discussing a project called Women’s Prize for Fiction Reclaim Her Name that asked to publish one of her stories for free, then asked to publish one of her novels for free, Nora Jemisin explains how she came to write novels under the initials N.K. Thread starts here.
“(And for those wondering, I’ve said this in multiple interviews, but I did it bc at the time I was an academic starting to publish papers, and thought the initials would separate my fiction writing from my academic writing. [Yeah, this was before natural language processing.])”
Read the whole thread for how she handles a question about what the K stands for.
(11) MEDIA ANNIVERSARY.
August 1998 — Blade premiered. With Wesley Snipes as Blade, this film, the first of a trilogy, was directed by Stephen Norrington and written by David S. Goyer as based on the Marvel character developed by writer Marv Wolfman and penciller Gene Colan. It was produced by Snipes along with Peter Frankfurt and Robert Engelman. Stephen Dorff, Kris Kristofferson, N’Bushe Wright and Donal Logue were the other principal cast. Marvel, along with Amen Ra Films and Imaginary Forces, were the producing film companies. It was generally well-received by critics though several thought it was way too violent. Box office-wise, it did fantastic but Marvel earned just a flat fee of $25,000. Audience reviewers at Rotten Tomatoes currently only give it a 55% rating.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born August 21, 1872 — Aubrey Beardsley. Best remembered for his often highly erotic art, ISFDB lists him as having a genre novel, The Story of Venus and Tannhäuser, which bears one of the longest subtitles I’ve encountered (“The story of Venus and Tannhäuser in which is set forth an exact account of the manner of State held by Madam Venus, Goddess and Meretrix under the famous Hörselberg, and containing the Adventures of Tannhäuser in that Place, his Repentance, his Journeying to Rome, and Return to the Loving Mountain”). He has two genre novellas as well, “Catullus: Carmen Cl.“ and “ Under the Hill”. And yes, he was just twenty-five when he died of tuberculosis. (Died 1898.) (CE)
Born August 21, 1888 — Miriam Allen deFord. Although it is said that she started writing SF when Boucher became editor of The Magazine of Fantasy & Science Fiction, she only published five of her eighteen late Forties through Fifties works there. One published there, “Mary Celestial“, was written with Boucher. And one, “A Death in the Family”, was adapted in Night Gallery‘s second season. Best remembered as a mystery writer. I see no indication that she’s in print in any manner these days for her SF (but three of her mysteries are available from the usual suspects) though she had two SF collections, Elsewhere, Elsewhen, Elsehow and Xenogenesis. (Died 1975.) (CE)
Born August 21, 1911 – Anthony Boucher. Co-founded The Magazine of Fantasy & Science Fiction with Francis McComas, co-edited with him 1949-1954, alone through ’58; two Hugos for Best Professional Magazine. Eight Best of F&SF anthologies 1952-1959 (’52-’54 with FM). A Treasury of SF ’59, one of our best. Six dozen short stories. Translated into Dutch, French, German, Hungarian, Italian, Japanese, Russian. Opera lover. First translator of Borges into English, hello Evelyn Leeper. Also detective fiction (a star there too), radio drama, poker. (Died 1968) [JH]
Born August 21, 1927 – Arthur Thomson. Fanartist. Thirty covers, a hundred forty interiors. Signature often read as “ATom”, some insist it’s just “Atom”. Resident illustrator of Hyphen. Back covers for Nebula. Here is the Nov 64 Riverside Quarterly. Here is Banana Wings 49 (repr. from An ATom Sketchbook). TAFF (Trans-Atlantic Fan Fund) delegate, published ATom Abroad. Official Artist of Boskone 15. Two Novas. Rotsler Award. (Died 1990) [JH]
Born August 21, 1943 – Ron Walotsky. A hundred eighty covers, fifty interiors. Gallery in Locus 500. Interview in SF Chronicle 214. Magic: the Gathering cards. Ancient Warriors of Lost Civilizations series based on horseshoe-crab shells found near his Florida home. Here is the May 67 F&SF. Here is Lord of Light. Here is Earth Ship and Star Song. Here is The Shores Beneath. Here is Houston, Houston, Do You Read? (Souls cover bound with it is by Dieter Rottermund.) Here is the Nov 97 Analog. Here is Jimi Hendrix. Artbook, Inner Visions. (Died 2002) [JH]
Born August 21, 1943 — Lucius Shepard. Damn, I didn’t know he’d passed on. Life During Wartime which won him the Astounding Award for a Best New Writer is one seriously weird novel. And his World Fantasy Award winning The Jaguar Hunter is freaking amazing as are all his short collections. I don’t remember reading “ Barnacle Bill the Spacer” which won a Best Novella Hugo at ConFrancisco. (Died 2014.) (CE)
Born August 21, 1956 — Kim Cattrall, 64. Gracie Law in John Carpenter’s amazing Big Trouble in Little China. She also played Justine de Winter in The Return of the Musketeers, Paige Katz in Wild Palms, Lieutenant Valeris in Star Trek VI: The Undiscovered Country and Linday Isley in Good v. Evil. Series wise, she was one offs in Tales of the Gold Monkey, Logan’s Run, The Incredible Hulk and The Outer Limits. (CE);
Born August 21, 1957 – John Howe, 63. A hundred sixty covers, two hundred fifty interiors. The Maps of Middle-Earth, There and Back Again with Brian Sibley; A Middle-Earth Traveler. Here is Rip van Winkle. Here is The Lord of the Rings (presumably not meaning to imply Gandalf is he, aiee). Here is The Once and Future King. Here is Fool’s Errand. Here is Créatures. Artbooks Myth & Magic, Sur les terres de Tolkien, John Howe Fantasy Art Workshop, Forging Dragons, Lost Worlds, Coloring Dragons. Website here. [JH]
Born August 21, 1965 – Darynda Jones, 55. Sixteen novels, three shorter stories. Summa cum laude from U. New Mexico. Sign-language interpreter. RITA Award. Admits to almost finishing a post-Apocalypse story while in a corner booth at a Tastee Freez, kindly has never shown the manuscript. Lives in New Mexico with husband and two sons the Mighty Mighty Jones Boys. Third Grave Dead Ahead a NY Times Best Seller. [JH]
Born August 21, 1968 — Carrie-Anne Moss, 52. I first saw her as Tara McDonald in the Dark Justice series. Not genre, just her first video I think. Due later played Monica Howard in the “Feeding the Beast” episode of Forever Knight as her first genre role. Oddly enough her next role was as Liz Teel in the Canadian series called Matrix which has nothing to do with the Matrix film franchise where she’s Trinity. Her latest genre role was playing Jeryn Hogarth in the now defunct Netflix based Marvel Universe. (CE)
Born August 21, 1972 – Socorro Vegas, 48. Premio Nacional de Poesía y Cuento «Benemérito de América», Premio Nacional de Novela Ópera Prima «Carlos Fuentes» (Mexico). Five book-length works (Todos las islas is short stories). We may claim “The Giant in the Moon”, see it in English here. Other translations in Compressed, Concho River Review, The Listening Eye, Literal, The Modern Review. [JH]
Born August 21, 1975 — Alicia Witt, 45. Her first role was at age eight as Alia Atreides in David Lynch’s Dune. Next, genre wise at least, voices Caitlin Fairchild In the animated Gen¹³ film. She has series one-offs in Twilight Zone, Person of Interest, Elementary, Walking Dead, Supernatural and The Librarians. She showed up in an episode of the original Twin Peaks and reprised that role nearly thirty years later in Twin Peaks: A Limited Event Series. (CE)
(13) DC FANDOME. In addition to everything else happening this busy weekend is the DC Fandome. It’s free and signing up is easy — here. The 24-hour event starts at 10 a.m. Pacific.
(14) GRATITUDES. In “i am grateful”, Wil Wheaton admits it’s hard for him to fall asleep because when he’s trying, that’s when anxiety works on him most aggressively. He shares a practice that has made it easier.
…But I started doing something that’s been incredibly helpful, and I thought I’d share it.
Every night as I’m getting ready for bed, I focus on a list of things for which I am grateful. I call it “doing my gratitudes”. I just start somewhere, like “I am grateful that I am going to sleep in a warm, safe bed. I am grateful that I get to share this bed with Anne. I am grateful I have enough food.” Stuff like that. I remind myself that there is so much that is good in my life, and by thinking about those things, recognizing those things, and making space to feel grateful for them, I do not give my anxiety an opportunity to grab hold of anything and go to work on me.
… Those bright lights are so important right now, whether they are stadium lights turning night into day, or pinpricks that barely allow candlelight through black velvet. Spending time in gratitude makes it easier for me to find the light, and remember that it is there, even when I can’t see it.
Did the iconic theme song for The X-Files need fan-written lyrics? If it got the cast of the sci-fi series to reunite for a musical Zoom call, then, perhaps — like the massive government archives secreting away the supernatural — it’s worth it for the greater good.
…Now how many government secrets are hidden in this song? The new lyrics — courtesy of contest winners Jennifer Large and Rebecca MacDonald — give composer Mark Snow’s classic eerie theme a twist, especially when sung by a wide-ranging collection of cast members and crew.
…Explanations abound for the game’s sudden explosion in popularity, but I have noticed a particularly common camaraderie among fellow writers. What is it about this game, with so many other open-concept games already in existence, that draws writers to it with such gusto? The timing of release and the sweetness of the game in such dark times are no doubt factors, but I believe it goes deeper than that, down to the very core of our creative hearts.
…From that moment on, I unconsciously spun the narrative of my experience. From the clothes I wore to where I placed the coin-operated tourist binoculars I’d shot out of a balloon with a slingshot, I was crafting a story within this story-less game. This is the garden where I breed pink roses. Here is my carnival for when I need a bit of a thrill, outfitted with a popcorn machine and a teacup ride. There is the playground and community pool where I’ll meet my friends on the weekend, lined with color-coded tables for playing chess. Every piece of wallpaper, every color, every pair of jelly sandals I place on my chibi feet are dishing out tone and theme and mood.
And then there are the villagers. They are a delight to witness as they flit about the island, munching on popsicles, singing, or sprinting Naruto-style on the beach. I’ve dedicated far too many hours to crafting and designing spaces on my island that my residents might enjoy, despite many of the items being stationary and non-interactive. My imagination does all the work the game does not.
Alexander Muscat tweets, “In Microsoft Flight Simulator a bizarrely eldritch, impossibly narrow skyscraper pierces the skies of Melbourne’s North like a suburban Australian version of Half-Life 2’s Citadel, and I am -all for it-.”
In Japan, if you want to disappear from your life, you can just pick up the phone and a ‘night moving company’ will turn you into one of the country’s ‘johatsu,’ or literally ‘evaporated people.’ You can cease to exist. Meet the people who choose to disappear and the people who are left behind.
After a cliff collapsed in Grand Canyon National Park, a boulder with fossilized tracks was revealed, park officials said in a Thursday news release. The fossil footprints are about 313 million years old, according to researchers.
“These are by far the oldest vertebrate tracks in Grand Canyon, which is known for its abundant fossil tracks” Stephen Rowland, a paleontologist at the University of Nevada, Las Vegas, said in the news release. “More significantly, they are among the oldest tracks on Earth of shelled-egg-laying animals, such as reptiles, and the earliest evidence of vertebrate animals walking in sand dunes.”
Pumpkin spice came early this year — too early, according to majorities of consumers.
Dunkin’ Donuts’ pumpkin-flavored coffee and other fall treats returned to the menu earlier than ever this year, the company said, arriving at participating locations Wednesday. Starbucks Corp. has yet to confirm the return date for its much-loved pumpkin spice latte, but one location reportedly said the product would launch on Aug. 28.
While some social media users are eager for the early return of fall products — a silver lining in an otherwise difficult year — new polling from Morning Consult shows that many consumers would prefer to see products promoted closer to the seasons or holidays with which they’re associated….
(21) VIDEO OF THE DAY. Metal Monsterette is a fun family film made in 1957 with kids and cousins by Ed Emshwiller. His daughter Eve is the heroine and daughter Susan is the mad scientist Dr. Majenius.
[Thanks to Cat Eldridge, Mike Kennedy, John King Tarpinian, John Hertz, Michael Toman, JJ, rcade, Martin Morse Wooster, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W.]
(1) NEW BOB SHAW EBOOK. Rob Jackson and David Langford’s new Ansible Press edition The Full Glass Bushel by Bob Shaw is now available as a free download in multiple formats at the Trans-Atlantic Fan Fund website (where they hope you’ll make a little donation to the fund if you please.) The official release date is June 30 but Langford gave File 770 permission to jump the gun.
Bob Shaw’s column “The Glass Bushel” in the legendary fanzine Hyphen has never until now been collected in full. Thirteen of these columns – selected by Bob himself – were brought together as the printed booklet The Best of the Bushel (1979) edited by Rob Jackson, introduced by Walt Willis and illustrated by Jim Barker – who has recreated his cover illustration for this ebook. A different though partly overlapping selection of fourteen columns appeared as 14 Bob the Bushel (1995) edited by Bruce Pelz.
The Full Glass Bushel includes the entire text of The Best of the Bushel and adds the remaining seventeen “Bushel” instalments from Hyphen, plus six non-Bushel pieces that Bob Shaw also published in Hyphen and two further columns from Science Fiction Review, where “The Glass Bushel” was briefly revived in 1984. All in all, it’s a huge feast of wit, wisdom and autobiography by one of our greatest fanwriters.
This collection complements The Serious Scientific Talks, issued as a TAFF ebook in November 2019. A third and even larger ebook of Bob Shaw’s other fanzine writings is in preparation, tentatively titled Slow Pint Glass.
…New cover art and layout by Jim Barker, plus selected interior art by Jim from The Best of the Bushel. Edited by Rob Jackson (who has contributed a new introduction) and David Langford. 81,000 words.
Langford adds, “The page mentions a third Bob Shaw ebook still under construction, which currently contains nearly 80 articles — more than 120,000 words.”
(2) SLF SEEKS JURORS. The Speculative Literature Foundation is looking for people to read applications for their grants. More information on Facebook. There’s a $25 honorarium for serving.
The Speculative Literature Foundation needs jurors to read applications for the Diverse Writers and Diverse Worlds Grants, and the AC Bose Grant for South Asian Speculative Literature. Ideally, we’re looking for people who are well read in science fiction, fantasy and horror, but we’d also like a mix of readers, writers, librarians, teachers, editors, etc. who are capable of judging literary quality in a work. Please note: we’d love to have South Asian and South Asian diaspora jurors for the AC Bose Grant, but it’s not a requirement.
Jurors will probably read 25-50 applications, which includes a writing sample of no more than 5,000 words. Jurors will have about six weeks to read applications, select finalists, and choose a winner or winners for the grants, as can be seen in more detail below… If interested, please send a brief note to Malon Edwards at email@example.com with the subject line: JUROR. Please include the grant you wish to be a juror for and a paragraph about what your qualifying background is to serve as a juror: for example, your interest in / connection to the field. (i.e., “I’m an ardent reader!” or “I’ve been writing SF/F for seven years…”). Please feel free to ask any questions you may have as well.
‘Afterland,’ by Lauren Beukes (Mulholland, July 28)
After the “Manfall” pandemic wipes out most of the men on the planet, Cole disguises her son — one of the last males on Earth — as a girl and tries to get him to safety before the government can snatch him. Their cross-country journey is treacherous, as they evade not only the Department of Men but also Cole’s sister, Billie, who is determined to separate mother and son. Beukes’s imagined world — complete with bootleg sperm and faux baby bumps — is a thrilling setting for an examination of maternal love.
Full list is probably paywalled. No other real genre cites, but #2 is Jeopardy! host Alex Trebek’s memoir, and deep in the list is a discussion of popular superstitions like the “devil” of the New Jersey Barrens.
Daveed Diggs: Congratulations on jumping into “Altered Carbon.” Are you a sci-fi head? Because I am, and you do an awful lot of sci-fi stuff.
Anthony Mackie: I’m not a big sci-fi person. I grew up on “Star Wars,” but I never got into anything futuristic. When I was in high school, there was this movie called “Starship Troopers.”
Mackie: In New Orleans we had huge cockroaches. “Starship Troopers” freaked me out. I can’t do it, man. My imagination is too vivid. But “Altered Carbon” was great. If you look at the “Avengers” movies, I’ve never been the lead, or had to do that much action. It became a painstaking weekly hustle to finish that show.
(5) AS YOU WISH. “Watch the Celebrity-Filled Fan-Film Version of The Princess Bride”. Tagline: “A-list actors worked secretly in quarantine to create a rough-hewn, homemade version of the classic film and raise $1 million for charity. Vanity Fair has the exclusive look at three clips from the series, which will start showing this Monday on Quibi.”
… Jeffrey Katzenberg loved the concept and was moved by the charitable effort, so Quibi made a $1 million donation to World Central Kitchen, which equates to approximately 100,000 meals, in order to distribute the handmade project.
The creators hope the footage can also provide some laughter to viewers in a time of hardship. Their scrappy version of The Princess Bride leans into its continuity lapses, utilizes absurd household props and back-of-the-closet costumes, and deploys multiple castings of the same roles to show that in a true fantasy, anyone can play anything.
Before we go any further, just watch some. It’ll be easier to explain after that.
That’s Josh Gad playing the little boy with a cold who is reluctantly told the swashbuckling story by his grandfather. If you’re wondering what the director of the original movie, Rob Reiner, thinks of this riff on his work—that’s him playing the grandfather in this sequence.
[Film Historian Bruce] Crawford: When they made the first Jurassic Park (1993), originally the full-body shots of the dinosaurs were to be realized through a form of stop-motion animation called go-motion, to be done by Phil Tippett. And even though they ended up using CGI instead, Tippett stayed on as one of the lead technicians, and many people on the crew, including Dennis Murren at Industrial Light & Magic — not to mention director Steven Spielberg — are huge admirers of Ray’s. Many of them cite movies like One Million Years B.C. (1966) and The Valley of Gwangi (1969) as the most inspirational dinosaur films ever made. That shows in the film. For example, the scene where the T. rex attacks the Gallimimus was modeled specifically after a key moment in The Valley of Gwangi.
Also, remember when the T. rex eats the lawyer? Well, the lawyer survived in the book. But in the movie, the T. rex bites him from the head down and lifts him up in his mouth — very much like that scene in The Beast from 20,000 Fathoms (1953), where the Rhedosaurus is rampaging around the city and snatches up a police officer. It’s one of the most iconic scenes in monster movie history, and Ray recognized that moment in Jurassic Park as an homage to his work. He was really touched by that.
(7) MEDIA BIRTHDAY.
June 29, 1979 — Moonraker premiered. It was directed by Lewis Gilbert, and produced by Albert R. Broccoli. Screenplay was by Christopher Wood off the Moonraker novel by Ian Fleming. It was the fourth Bond film to star Roger Moore. Supporting cast was Lois Chiles, Michael Lonsdale, Richard Kiel and Corinne Cléry. Broccoli had originally intended to make For Your Eyes Only, but chose Moonraker because of the popularity of Star Wars. Some critics really liked it, some really hated it. (Connery thought it was crap.) Audience reviewers at Rotten Tomatoes give it a mediocre 43% rating. (CE)
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born June 29, 1900 – Antoine de Saint-Exupéry. Author, aviator, illustrator, journalist. His novella The Little Prince (1943) won the Retrospective Hugo and has been translated into 300 languages. He was a viscount, a pioneer of international postal flight, a pilot in and out of war with 13,000 flying hours; his complicated heroic life and his works outside SF are worth study, as is LP which may be even more than it seems. Prix Femina; Prix des Ambassadeurs; Grand Prix du roman de l’Académie française; inscribed in the Panthéon, Paris; Officer of the Legion of Honor; Croix de Guerre with Palm; U.S. Nat’l Book Award. (Died 1944, maybe) [JH]
Born June 29, 1919 —Slim Pickens. Surely you remember his memorable scene as Major T. J. “King” Kong in Dr. Strangelove? I certainly do. And. of course, he shows up in Blazing Saddles as Taggart. He’s the uncredited voice of B.O.B in The Black Hole and he’s Sam Newfield in The Howling. He’s got some series genre work including several appearances on Alfred Hitchcock Presents, plus work on The Man from U.N.C.L.E. and Night Gallery. (Died 1983.) (CE)
Born June 29, 1935 – Richard Harter, F.N. In his words, “a collector who prizes his mint copy of Dick and Jane meet Robby Robot, a club fan who is … also a diamond fan and a spade fan, a fanzine fan whose multitudinous publications, if not always award winning, certainly ought to be, and a convention fan noted for attending conventions that no one else attended.” Fellow of NESFA (New England SF Ass’n; a service honor); six entries in the history section of the NESFA Website. Proposed the NESFA Hymnal. Upon retirement, moved back to South Dakota, from which he remained active. Always a Marine. (Died 2012) [JH]
Born June 29, 1940 – Joe Sanders, 80. Reviewer for Algol, Delap’s, Fantasy Review, Int’l Ass’n for Fantasy in the Arts Newsletter, Locus, NY Review of SF, SF Book Review, SF Chronicle, SF Commentary, Starling, Starship. Wrote Roger Zelazny, a Primary & Secondary Bibliography (1980: who’ll do a 2nd ed’n?); E.E. “Doc” Smith; Science Fiction Fandom; The “Sandman” Papers; The Heritage of Heinlein (with T. Clareson). Clareson Award after C died. Professor emeritus, Lakeland Community College, Ohio. [JH]
Born June 29, 1950 – Michael Whelan, 70. Seven artbooks, from Wonderworks (edited by Kelly & Polly Freas) through Beyond Science Fiction with this exhibit. Fifteen Hugos. Fourteen Chesleys, recently for “In a World of Her Own”, which was made the Beyond cover. Spectrum Award; SF Hall of Fame; 370 book and magazine covers, plus interiors. Many times Guest of Honor including 56th and 65th Worldcons. Among the very best. [JH]
Born June 29, 1956 – David Mattingly, 64. Hundreds of book and magazine covers for us, two thousand in all, plus interiors; Chesley for the Amazing Sep 91 cover; two Magazine & Bookseller Best Cover of the Year awards. Here is the Aug 81 Asimov’s. Here is A Rising Thunder. Guest of Honor at Boskone 25, Con*Stellation XX (some use Roman numerals, some don’t), Lunacon 49, Bubonicon 36 & 38, Canvention 38, Loscon 42. [JH]
Born June 29, 1957 – Fred Duarte, Jr. Chaired Fandom Ass’n of Central Texas; member of NESFA. Chaired ArmadilloCon 9-10, 14, 17, Fan Guest of Honor at ArmadilloCon 33. Co-chaired Westercon 49. Chaired World Fantasy Con in 2000, 2006. Chaired Smofcon 13. Copperhead Award. OGH’s appreciation is here. (Died 2015) [JH]
(9) JUST NEEDS SOME BIPLANES PILOTED BY MICE. Mlex asks, “Does this count as genre? I was thinking: King-Kong-esque.”
Astronomers say big cool patches on a “supergiant” star close to Earth were behind its surprise dimming last year.
Red giant stars like Betelgeuse frequently undergo changes in brightness, but the drop to 40% of its normal value between October 2019 and April 2020 surprised astronomers.
Researchers now say this was caused by gigantic cool areas similar to the sunspots seen on our own parent star.
There had been speculation that Betelgeuse was about to go supernova.
But the star instead began to recover and by May 2020 it was back at its original brightness.
Betelgeuse, which is about 500 light-years from Earth, is reaching the end of its life. But it’s not known precisely when it will explode; it could take as long as hundreds of thousands of years or even a million years.
When the giant star does run out of fuel, however, it will first collapse and then rebound in a spectacular explosion. There is no risk to Earth, but Betelgeuse will brighten enormously for a few weeks or months.
(11) ROWLING REITERATES. Incredibly, J.K. Rowling was back for another round on Twitter this weekend. Thread starts here:
(12) PUPPY ACTS OUT. P. Alexander, publisher of Cirsova, a 2017 Hugo nominee courtesy of the Rabid Puppies slate, today proclaimed “SFWA is a Terrorist Organization” [Internet Archive copy] due to its statement in support of Black Lives Matter.
…And it is for this reason that Cirsova Publishing has officially adopted the policy of recognizing the SFWA as a terrorist organization.
We strongly recommend any authors with good conscience leave this malign organization.
We strongly recommend any authors considering membership to avoid it.
While we will not make it a policy to ask, Cirsova Publishing will no longer consider submissions from new authors with SFWA credentials in the bio materials that they send us until the organization takes a real stand against racism and disavows and ceases supporting domestic terrorist groups.
…The cape appeared in 1978’s Superman: The Movie, 1980’s Superman II, and possibly 1983’s Superman III. According to Julien’s Auctions, the trademark red cape was used to film Reeve while he was mounted on a wire harness, for both blue screen and front projection work, to make it appear as though he was flying. Slits in the fabric accommodated the wires. There are also pockets at the bottom of the cape so rods could be inserted to make it seem as though it were flapping in the air.
(14) VIDEO OF THE DAY. In “The Last Airbender Pitch Meeting” on YouTube, Ryan George explains why boiling down hours of anime into a 90-minute movie doesn’t work.
[Thanks to John Hertz, JJ, Chip Hitchcock, Cat Eldridge, Michael Toman, Martin Morse Wooster, Andrew Porter, Mike Kennedy, Mlex, and John King Tarpinian for some of these stories. Title cedit goes to File 770 contributing editor of the day Anna Nimmhaus.]
By Steve Vertlieb: Ray Harryhausen remains one of the most revered figures in fantasy/sci-fi motion picture history. Born June 29, 1920, Ray was not only a childhood hero, but became a dear and cherished friend of nearly fifty years duration. Today fans will commemorate his genius, as well as the joyous centennial of his birth with numerous remembrances, events, and exhibitions in celebration of his 100th birthday throughout the wondrous months ahead.
His work in films inspired and influenced generations of film makers, and garnered him a special Academy Award, presented by Tom Hanks, for a lifetime of cinematic achievement. Steven Spielberg joyously proclaimed that his own inspiration for directing Jurassic Park was the pioneering special effects work of Harryhausen.
Published shortly after his death on May 7, 2013, here is a celebration and loving remembrance of the life and work of cinematic master, and special effects genius, Ray Harryhausen. It is also the tender story of a very special man, as well as an often remarkable personal friendship. I love you, Ray. You filled my dreams, my life, and my world with your wondrous creatures.
In remembrance of this wonderful soul, here is my affectionate tribute to my friend of nearly fifty years, and boyhood hero of interminable recollection and duration…the incomparable stop-motion genius, and Oscar-honored special effects pioneer, Ray Harryhausen.
(1) IN VINO VERITAS. How’s your Finnish? Tähtivaeltajablogi has put up a post about the translation of Bradbury’s Dandleion Wine, “Kirjat – Ray Bradbury: Voikukkaviiniä”. The beautiful cover speaks for itself!
…In Surround Yourself With Your Loves and Live Forever, edited by John L. Coker III, Bradbury’s friend Ray Harryhausen later recalled:
“In the mid-1930s when I was still in high school, Forry told me about the little brown room in Clifton’s Cafeteria, where the Los Angeles chapter of the Science Fiction League would meet every Thursday. Robert Heinlein used to come around, and a guy named Ray Bradbury. We were a group who liked the unusual.
“Ray would arrive wearing roller skates. After selling newspapers on the street corner he would skate to the meetings because he had no money. He used to go meet the stars at the Hollywood Theater where they did weekly radio broadcasts.”
(3) RAY & RAY. Eyes on Cinema presents an undated video of these two friends and creators in dialog: “The importance of curiosity with Ray Bradbury and Ray Harryhausen.”
(4) CALLING. This is from an interview with Tobias S. Buckell in the June Locus. Buckell grew up biracial in the Caribbean Islands.
“Ray Bradbury has a story in The Martian Chronicles about a couple with a kid that dies. The Martians can adopt whatever form people around them want, so one of them goes to their parents and looks just like the kid. Their son is back from the dead, and they don’t care why–they fold him into their routine. He starts disappearing a lot, so they follow him, and realize he’s also being a lot kid for another family along the way. The two families call him back and forth like a dog until he just rips apart and dies. I read that in high school in the US Virgin Islands and broke into tears. That story literalizes a metaphor about the question you asked earlier, about being pulled to one side or the other. That story is not about being biracial–but for me it was.”
(5) DESPARACION DE LOS LIBROS. Ray Bradbury was interviewed by Cristina Mucci on the Argentine TV show Los siete locos in 1997. The program is “dedicated to the dissemination of books and culture.” Bradbury’s answers were broadcast with Spanish subtitles. Early on, he was asked about Fahrenheit 451.
(6) A VISIT ON CABLE TV. The Planetary Society has posted this 1982 interview with Bradbury on their YouTube channel.
Mat Kaplan crossed paths with author, poet, and visionary Ray Bradbury many times across three decades. UK Planetary Radio fan and Bradbury expert Dr. Philip Nichols recently revealed that he had a VHS copy of Mat’s first interview with Ray, conducted in 1982. The author of The Martian Chronicles was a frequent visitor to Long Beach, California where Mat managed a cable television channel. Here’s that interview.
…In the world of pandemia in 2020, Bradbury’s stories resonate with a different irony. For those who can afford the technology, screen life has become more critical than ever, critical to education, business, government, and ministry. It has become a way of connecting, a method of community. It keeps us close, yet as Bradbury thought, isolated from our neighbors and family. But that’s the nature of the current virus, a destroyer of community. Bradbury did not predict a plague-inspired isolation, at least not this type of plague.
Instead I think he saw technology as the plague that isolates, a relentless social force. He would ask us, “What are we dependent on? What can we not live without?” As if Bradbury was thinking aloud, he offers several “solutions.” We could destroy technology, especially if we realize it controls us too much. In “The Murderer” (1953) Albert Brock is arrested for shooting a television set, murdering a telephone, a wall radio, a wrist radio, intercom system, and other things. Brock is happily committed to an institution for six months in a quiet cell. This is the stance of a rebel, not a conformist….
Experience the transformative power of creative writing through the life and works of famed fantasy writer, Ray Bradbury. As the author of Fahrenheit 451, Bradbury remains one of the 20th century’s most visionary and celebrated writers. This course explores practical creative writing strategies through a deep dive into the “dark fantasy” of Ray Bradbury.
(9) APOLLO 11 NIGHT. Ray Bradbury is interviewed on the night of the first moon landing by Mike Wallace. From Comic-con 2009, Ray’s own DVD. Part 1 of 2
Ray Bradbury Moon Landing Interview part 2
Marc Scott Zicree (“Mr. Sci-Fi”) tells where he was when the Moon landing happened. And he also relates Ray Bradbury’s anecdote about why he skipped out on David Frost’s show that night to find someone who would interview him about this great event.