Daniel Dern shares his pictures of guests, panelists and vendors who participated in Readercon 29 over the July 12-15 weekend.
GoH Nisi Shawl
Daniel Dern shares his pictures of guests, panelists and vendors who participated in Readercon 29 over the July 12-15 weekend.
GoH Nisi Shawl
(1) GONE WITH THE YUAN. The most expensive film ever made in China bombed and is already out of theaters. The Hollywood Reporter has the story — “China’s First $100M Film Pulled From Cinemas After Disastrous Opening Weekend”.
In the long lead-up to its release, Chinese fantasy epic Asura was promoted as China’s most expensive film ever made, with a production budget of over $110 million (750 million yuan). So perhaps it’s unsurprising that the film’s producers, which include Jack Ma’s Alibaba Pictures, decided to take desperate action after the movie opened to just $7.1 million over the weekend.
Late Sunday evening in Beijing, Asura‘s official social media accounts posted a simple statement saying that the film would be pulled from cinemas as of 10 p.m. local time. After landing in theaters with limited fanfare, China’s priciest picture ever would vanish from the scene entirely.
Asura is co-produced by Zhenjian Film Studio and Ningxia Film Group — two of the investors behind the successful Painted Skin fantasy franchise — along with Alibaba Pictures Group and other minority investors.
The statement announcing Asura‘s retreat from cinemas supplied no explanation for the unprecedented move. But a representative from Zhenjian Film, which is credited as lead producer, later told Chinese news site Sina: “This decision was made not only because of the bad box office. We plan to make some changes to the film and release it again.”
Chinese site Sixth Tone tells it this way: “Epic Budget, Epic Fail: Chinese Blockbuster ‘Asura’ Tanks”.
China’s latest fantasy epic, “Asura,” claimed to be the most expensive domestic production to date — but it didn’t even last three days in cinemas.
Six years in the making, the film was planned as the first of a trilogy based on ancient Tibetan mythology. The Alibaba Pictures production promised lush CGI from an award-winning, international team in its depiction of war between two heavenly realms. Marketing campaigns for the film emphasized its budget of $100 million.
But after opening on Friday, the film made a mere $7.1 million over its first weekend. By contrast, “Hidden Man,” a highly anticipated action-thriller by actor and director Jiang Wen, brought in $46.5 million. Meanwhile “Dying to Survive,” a dark comedy about cancer drug smuggling operations, defended its box office lead, racking up $68.5 million on its second weekend and even prompting a spike in online insurance sales.
Aggregate user ratings of “Asura” varied wildly across China’s two biggest ticketing platforms, Tencent-funded Maoyan and Alibaba-owned Tao Piaopiao, earning 4.9 and 8.4 out of 10, respectively. Users of review platform Douban rated the film a miserable 3.1 out of 10.
(2) EFFECTS OF COMIC CON PROLIFERATION. Heidi MacDonald tells Publishers Weekly readers why “In a World of Too Many Cons, San Diego Is Still King”.
An ever-increasing number of comics and pop culture conventions are taxing publishers’ exhibition budgets and turning artists into nomads, on the road signing autographs in a different city or country every weekend….
Indeed, the expanding comics convention schedule is beginning to tax publisher budgets while turning comics creators into a hardened (and often exhausted) group of road warriors who must trek to a different city every weekend.
As more and more events flood the schedule, publishers and creators alike are developing new strategies for dealing with the demands for their time. And the conventions are beginning to evolve, some developing business models to stay above the pack of newly launched shows, while others, including many poorly planned and financed events, are becoming synonymous with disaster, poor attendance, canceled events, and disappointed fans.
“The number of cons has really exploded over the last five years,” says Martha Donato, president of MAD Events Management, which puts on the Long Beach Comic Con every September, along with other shows. “It’s [become] every city, every weekend, all year, globally.”
Even for a location such as Long Beach, Calif., close to many West Coast comics publishers, the competition for guest artists and publisher-exhibitors has become fierce, she says. “A much bigger percentage of our time, energy, and resources are now devoted to getting exhibitors to attend,” she adds. “Talent and their publishers have many more offers than they could ever accept, even if they wanted to.”
Donato’s show gets support from publishers in Los Angeles, including Top Cow and Aspen, but even loyal exhibitors have to pick and choose. “Publishers are facing a deluge of opportunities and they can afford to be choosy,” says Donato. “There’s a lot of saying no.”
(3) RECASTING MUPPETS MOVIES. The most selfless answer is….
You can replace the cast of any movie with The Muppets, but you keep one of the human actors. What movie and which human do you keep?
— Cory Taylor (@CoryjTaylor) July 15, 2018
Dark City. Keep the rest of the cast. Replace me with Beaker.
— Rufus Sewell (@FredrikSewell) July 15, 2018
(4) TODAY IN HISTORY
(5) TODAY’S BIRTHDAYS
(6) COMICS SECTION.
(7) THE TIDE IS IN. Camestros Felapton continues scoping out the Hugo nominees: “Review: The Black Tides of Heaven (Novella) J.Y.Yang”.
As I said above, I found the second half easier to engage with than the first. It focuses more on Akeha, the surpising “spare” half of the twins, who in post-adolesence decides to be confirmed as a male (gender is assigned post-childhood in this world). Fate, prophercy, control and inevitability (whether magical or political) play out as important themes but, again, I think their impact as ideas get lost amid the scale of the story.
(8) IN ORDER. Mark Kaedrin gives his rankings and his reasons — “Hugo Awards: Short Stories”.
In the past five years of reading Hugo nominated short stories, I think I’ve enjoyed about 2-3 of the stories quite a bit. That’s… not a very good batting average. For whatever reason, I always find that this category just fills up with stories that don’t work for me. True, several puppy trolling nominations made the cut, which didn’t help (for example: they nominated SF-themed erotica two years in a row, and then another that was a bad parody of a bad story, etc…), but even the stories I liked weren’t that great. I’ve always chalked that up to this category having the lowest barrier to entry. It doesn’t take a whole lot of time or effort to seek out a bunch of short stories (mostly available for free online too), so the nominations are spread far and wide. There used to be a requirement that a finalist had to have at least 5% of the nominations in order to be considered, which often resulted in a small category because most stories couldn’t clear that bar. So basically, the stories that do make it here rarely have wide appeal. That being said, this year’s nominees are actually a pretty congenial bunch. I don’t actually hate any of the stories, even if a few don’t quite tweak me the way I’d like (even those are pretty good though). I do still find it hard to believe that these are the actual best short fiction of the year, but I’ll take this over the past 4 years’ worth of nominations. However, I do think it’s telling that at least one story on the 1942 Retro Hugos ballot, Proof by Hal Clement, is far better than any of these nominees, which I think says something (I’d have to read/reread a couple of the other 1942 finalists to be sure, but I suspect that ballot is more my speed). Anyway, let’s get to it….
(9) CURRENT EVENTS. And don’t forget this year’s fiction. Rocket Stack Rank hasn’t — “July 2018 Ratings”. Greg Hullender summarizes:
We posted our monthly ratings last night. It was a typical month, with 11 stories recommended (with 4 or 5 stars) out of 72 (expected would be 11 to 13).
We recommended 4 stories from F&SF, 3 from Asimov’s, 2 from Analog had 2. The other two were in Beneath Ceaseless Skies and Lightspeed. Over time, the three print and seven online magazines we follow split the recommendations 50/50 (not counting stand-alone novellas or original anthologies), and the print magazines only come out 6 times a year, so this isn’t quite as lopsided as it looks, but it was definitely a good month for the traditional three magazines.
(10) START YOUR COCKY CAREER. This article on “Cocky-gate” also seems to be a great blueprint for how to use Kindle Unlimited to give you a 6-figure salary. Let The Verge tell you about it: “Bad Romance”.
…The fight over #Cockygate, as it was branded online, emerged from the strange universe of Amazon Kindle Unlimited, where authors collaborate and compete to game Amazon’s algorithm. Trademark trolling is just the beginning: There are private chat groups, ebook exploits, conspiracies to seed hyperspecific trends like “Navy SEALs” and “mountain men,” and even a controversial sweepstakes in which a popular self-published author offered his readers a chance to win diamonds from Tiffany’s if they reviewed his new book.
Much of what’s alleged is perfectly legal, and even technically within Amazon’s terms of service. But for authors and fans, the genre is also a community, and the idea that unethical marketing and algorithmic tricks are running rampant has embroiled their world in controversy. Some authors even believe that the financial incentives set up by Kindle Unlimited are reshaping the romance genre — possibly even making it more misogynistic.
A genre that mostly features shiny, shirtless men on its covers and sells ebooks for 99 cents a pop might seem unserious. But at stake are revenues sometimes amounting to a million dollars a year, with some authors easily netting six figures a month. The top authors can drop $50,000 on a single ad campaign that will keep them in the charts — and see a worthwhile return on that investment….
(11) THEY’VE GOT ‘RITHIM. Or you can try this route–sell your old pb’s for hundreds or thousands of dollars each on Amazon. The New York Times has the story: “Amazon’s Curious Case of the $2,630.52 Used Paperback”.
Even a casual browse through the virtual corridors of Amazon reveals an increasingly bizarre bazaar where the quaint policies of physical bookstores — the stuff no one wants is piled on a cart outside for a buck a volume — are upended. John Sladek, who wrote perceptive science fiction about robotics and artificial intelligence, predicted in a 1975 story that computers might start making compelling but false connections:
If you’re trying to reserve a seat on the plane to Seville, you’d get a seat at the opera instead. While the person who wants the opera seat is really just making an appointment with a barber, whose customer is just then talking to the box-office of “Hair,” or maybe making a hairline reservation …
Mr. Sladek, who died in 2000, is little read now, which naturally means his books are often marketed for inordinate sums on Amazon. One of his mystery novels, “Invisible Green,” has a Red Rhino “buy box” — Amazon’s preferred deal — offering it for $664.
That is a real bargain compared with what a bookseller with the improbable name Supersonic Truck is asking: $1,942. (Copies from other booksellers are as little as $30.) Supersonic Truck, which Amazon says has 100 percent positive ratings, did not respond to a message seeking comment.
Ms. Macgillivray, who has published eight novels, said she had been poking around Amazon’s bookstore and was more perplexed than ever by the pricing.
“There’s nothing illegal about someone listing an item for sale at whatever the market will bear, even if they don’t have the book but plan to buy it when someone orders it,” she said. “At the same time, I would think Amazon wouldn’t want their platform used for less than honorable practices.”
(12) READERCON PORTRAITS. Paul Di Filippo shares photos of “Some Members of Fictionmags Attending Readercon 2018 “ at The Inferior 4.
In order of appearance: Ellen Datlow, Fred Lerner, Gary Wolfe, George Morgan, Gordon van Gelder, Henry Wessells, Jess Nevins, Michael Dirda, Peter Halasz, Scott Andrews, Scott Edelman, Sheila Williams, Steve Dooner, Mark Walsh.
(13) ONCE MORE WITH FEELING. And Daniel Dern covered the non-human population at ReaderCon, photographing this “alternative SJW credential.”
An ‘edge-‘og (hedgehog). (Not mine.)
Yeah, the SF context isn’t visible, would you take my word for it?
(14) ICE DELIVERY. NPR tells what it’s like for locals: “Massive Iceberg Looms Over A Village In Greenland”.
The photographs are stunning: a giant mountain of ice towers over a tiny village, with colorful homes reminiscent of little doll houses against the stark, blue-gray landscape.
But for the people living in those houses – that beauty could be life-threatening.
“It’s kind of like, if you lived in the suburbs, and you woke up one morning and looked out, and there was a skyscraper next to your house,” says David Holland, an oceanographer at New York University who does research in Greenland during the summer months. “I’d be the first to get out of there.”
He says that’s why authorities have taken action to evacuate those living closest to the water from the village of Innaarsuit, where the iceberg has parked itself just off the coast. According to the BBC, the village has just 169 residents.
(15) THE IMPORTANCE OF POORFEADING. “Harry, it s***s” — just not quite so badly: “Aliens killed by spelling mistake in 2013 Colonial Marines game”.
An infamously dreadful 2013 Aliens video game is now believed to have fallen victim to the most chilling of threats in the universe: a typo.
Aliens: Colonial Marines was released on PC, PlayStation 3 and Xbox 360 to terrible reviews.
Many of them mentioned how badly the artificial intelligence (AI) behaved.
But it has now emerged that a single stray “a” in the game’s code may have been to blame.
Videos on YouTube show the game’s AI characters – the aliens and human teammates the player doesn’t control – ignoring threats, shooting wildly at nothing or standing in the line of fire.
(16) EARLY BRADBURY. David Doering has been digging through ancient fanzines and found a curiosity: “Here’s a little gift for you: a verse by Ray Bradbury himself–likely never before reprinted in the history of, well, like poetry or something. And maybe for some reason…”
VERSE OF THE IMAGI-NATION
“TIs a Sinema”
by Ray Bradbury
I think that I shall never see
Flash Gordon as he ought to be.
Midst growls of pain & awful lafter
each Saturday I see a chapter.
I cannot bear to see him more
for he Is really such a bore.
& Tarzan! too, is all so poor:
A shrinking violet demure
who beats upon his frazzled chest
& turns his puss into the west
to roar defiance with…”Fresh fish!”
–I think that he’s a lousy dish…
From: Imagination, v. 1, issue 11, whole no. 11, August 1938
[Thanks to David Doering, Chip Hitchcock, JJ, Mike Kennedy, StephenfromOttawa, Brian Z., Martin Morse Wooster, Andrew Porter, Cat Eldridge, Greg Hullender, Bill Burns, John King Tarpinian, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Mix Mat.]
Readercon’s Board of Directors posted an apology to Facebook for the letter sent to some of its past program participants informing them they would not be invited back this year. The full text of the apology is below.
A number of older writers who received the letter took offense, both for being dropped, and for being offered an unfortunately-phrased “PASTPRO” discount. Readercon apologized for the wording and for failing to make clear that writers getting the letter were being rotated out but could be considered as participants in future years.
The charge of age discrimination, which Kathryn Cramer publicly called on Readercon’s board to investigate, is not addressed by the statement.
Dear Readercon Community,
This year for the first time Readercon sent a letter notifying some previous program participants that they would not be invited onto panels this year. We sent the letter to assist them in planning for the con. We are a convention of under 1000 people. We usually have around 150 panelists/program participants each year, but the list of invitees onto program had grown to over 900.
It has always been our policy that program participants do not pay for their convention membership. In some years we had more invited panelists than paying attendees, and that is not a viable model. We cannot afford to give free memberships to everyone.
Readercon is at its best when we strive to include a mix of experienced and rising authors, editors, publishers, and others in the community. We need to rotate the names on that list to ensure we continue nurturing a strong mix. We only have so many slots available on panels each year.
That 900+ person list was reviewed by several people including the past three program chairs. Together they determined a process for selecting who would rotate out and identified who would be affected for Readercon 29.
While similar rotation has been happening for several years behind-the-scenes, we realized that there was a need to start letting recent program participants know that they would not be invited for programming this coming year.
We realize we did not handle this well. The letter we sent was not well written.
We neglected to point out explicitly that even if individuals were not going to be considered for panels this year, they would always be eligible for consideration in years to come. We would like to make that known now and will be correcting it in next year’s letter.
We should have been more transparent and clearer.
It was never our intention to give people the impression that they will never be invited to participate in Readercon programming again. We also hoped and continue to hope that they will choose to attend Readercon because they enjoy the convention itself.
In conclusion, we messed up and we are sorry.
We should have said upfront that not every program participant will be invited back every year. Our only exception is that all past Guests of Honor receive invitations every year.
As important members of the industry, you are always welcome to tell us if you are an expert on one of our upcoming Guests of Honor or the Cordwainer Smith Award winner, if you are publishing a piece by an upcoming Guest of Honor, or if you have a new book coming out. We have always worked hard to support the incredible people who have participated in Readercon programming over time. This has included talking with the US State Department , universities, and supplying documentation for grants.
The Readercon Board of Directors:
B. Diane Martin
(1) MANAGEMENT CHANGES AT TOR. Today Tor.com announced “Fritz Foy Named President and Publisher of Tor and Forge Books”.
Tom Doherty, who will become Chairman, wrote:
Fritz Foy, Senior Vice President of Strategic Technology at Macmillan and Publisher of Tor.com, will join Tom Doherty Associates as President and Publisher, with all the Tom Doherty Associates publishing units reporting to him.
Fritz has had an impressive career in publishing, first at Simon & Schuster, and for the last 21 years at Macmillan. He has had roles in sales, marketing, operations, technology, workflow, production, and analytics. He brings with him a passion for books and publishing. For the last decade he has been actively engaged with me at Tor Books.
Fritz will be reporting to me as I move into the role of Chairman and as he begins to lead Tom Doherty Associates into the future.
Fritz Foy announced additional promotions and changes, including:
Effective immediately, Devi Pillai, previously Associate Publisher, is now Vice President and Publisher of Tor Books, reporting to me. In her year and a half with Tor, Devi has brought a true sense of author and editor care to the organization, while also building efficiency through the adoption of publishing-industry best practices. She is uniquely qualified to help lead Tor into the future.
Patrick Nielsen Hayden, Associate Publisher, is now also Vice President and Editor-in-Chief of Tor Books, reporting to me. Patrick’s 29 years at Tor, coupled with his encyclopedic knowledge of the industry and his award-winning editing skills, make him perfect for this key role that will help us to continue to grow the business.
Kathleen Doherty, Publisher of Tor Teen/Starscape, has been promoted to Vice President. Kathleen has been instrumental in the establishment of our young adult and teen publishing programs, and has been responsible for our success across educational markets.
While continuing in her role as Creative Director of Tom Doherty Associates, Irene Gallo will take on the additional responsibility of Publisher of Tor.com. I’ve been working with Irene for over a decade on online community building, and more recently on launching the novella imprint, and I prize her innovative spirit.
[H/t Locus Online.]
(2) READERCON AND THE AGE DISCRIMINATION CHARGE. Kathryn Cramer listed her takeaways from social media response to her request that the Readercon Board investigate age discrimination against writers told they will not be invited to be on program this year.
First of all, the Readercon board not only did not answer the questions I asked but never acknowledged receipt of that email. The conclusions I draw from that are that they feel the questions I asked in my letter should not have been asked and that I am not entitled to an answer. This may in part be because I framed my quantitative questions with a suggested remedy involving the firing of the program chair. So maybe my framing got their back up. But since I am not the only one who has expressed concerns about age discrimination, I think the main problem is that they don’t want to talk about it. This, in itself, is not all that surprising.
Here is what does surprise me. After several days of relatively unpleasant conversation of the topic, I also arrive at the following conclusions…
5) There are worthwhile values such as increasing diversity and showcasing new talent that are sometimes in conflict with non-discrimination, and these are some of the values that are cited by people who think age discrimination should not be seen as a problem.
6) Inexperienced convention-runners have fewer strategies for resolving the conflicts between these conflicting values and some seem uninterested in learning them.
7) Because of the lack of consensus against retaliation, engaging with and further exploration of this problem should be done by writers collectively rather than individually. SFWA, of which I am not a member, is the obvious organization to draft best practices guidelines on how conventions might achieve diversity goals and liven up their programs without engaging in one or more kinds of discrimination. Another possible organization that might be a venue for such best practices guidelines would be the Worldcon Runners Guide Editorial Committee, which is tasked with curating information about con-running best practices. I have no involvement with that either.
8) Given the overlap between con-running and the small press, publishing, reviewing, etc. all of the above-listed issues may occur in those areas as well.
When I engaged with the question of whether there had been age discrimination, I made two basic assumptions: that we all agree that age discrimination as such is a bad thing, and secondly that we all agree that it is something that it is OK to ask questions about. Since both of those assumptions appear to be wrong, I exit the conversation, leaving the matter to others with more organization and institutional umph behind them. Good luck.
(3) SFWA SPACE OPERA PANEL. The SFWA YouTube channel did an episode on space opera featuring Ann Leckie, Bonnie Milani, Khaalidah Muhammed-Ali, Chandra
Trulove Fry, and Diane Morrison:
(4) MAKING A STINK STINKIER. Io9 is tracking the daily changes in Terry
Goodkind’s justification for disliking Bastien Lecouffe Deharme’s cover on his new book: “FantasyWriter Terry Goodkind Now Claims He Hated His Book Cover Because It’s ‘Sexist’”:
Earlier this week, Goodkind wrote a post on Facebook calling Shroud of Eternity “a great book with a very bad cover. Laughably bad,” inviting readers to share their thoughts in a poll. He later apologized to cover artist Bastien Lecouffe Deharme in a follow-up post, though Deharme said he was never contacted by Goodkind personally nor does he plan on working with the author again. Now, after posting a video of his dog licking the book cover, Goodkind has added a new layer to his previous criticism. The author told io9 he and his agent had objected to the cover upon release because the protagonist’s portrayal was too sexist and didn’t match the character in-book.
…I followed up with Deharme, who said this was the first time he’d heard any claims of sexism regarding the book cover, from Goodkind or anyone else. On the contrary, he said Tor Books specifically asked him to avoid typical sexist fantasy tropes when designing the cover. After reading the part of the book sent to him by the art director, as well as the character description provided, Deharme said he chose to focus on Nicci’s strength. He gave her practical armor and didn’t put the focus on the traditionally exploited parts of the female body.
(5) PLAYING WITH A MISSION. Filers attending Emerald City ComicCon this weekend can support a good cause by playing games with awesome authors: “Worldbuilders Party: Emerald City Comic Convention”. Cat Rambo will be one of them.
Where: Washington State Convention Center, Room 3AB
When: Friday, March 2nd, 7 – 11 p.m.
Tickets and Info: https://worldbuildersparty.com/
Have you ever wondered what it would be like to play tabletop games with some of the folks who create the books, podcasts, games, and other geeky stuff you love? Wonder no more! Join Worldbuilders, Pat Rothfuss and friends for an evening of games, food, drinks, and mingling with some awesome authors, game designers, and creators. Sign up to play games with the celeb of your choosing in a relaxed environment, and participate in the silent auction and raffle for a chance to win some cool geeky prizes.
This is a charity event and all proceeds will go towards Worldbuilders.
(6) THE GREENING OF A WRITER. Cat Rambo has become a contributor to Green Man Review. Her first review is of “Tim Cooper’s The Reader: War For The Oaks“.
The Reader: War For The Oaks is a hardbound book presenting a photography project by Tim Cooper. It’s a slim little 8.5?x 11? volume, clocking in at 96 pages. The pleasant interior design presents the photos nicely, along with some pretty arboreal details. The cover, whose design is unobjectionable but unremarkable, features a photo that lets the reader know exactly what the book is about: photos of people reading War For the Oaks in various Minneapolis locations.
She follows with: “Recent Reading: Cat Valente Launches in a New Direction”.
It is difficult to describe how Catherynne M. Valente’s new book Space Opera (Saga Press, available April 3, 2018, 292 pages) manages to be so wonderfully resonant of Douglas Adams’ The Hitchhiker’s Guide to the Galaxy yet so insistently, inimitably her own. And yet, that’s the challenge.
Valente’s skill manifests in a book that bounces right along, full of glorious, funny, wonderful, sparkly explosions of humor and wit that still, just as Adams always did, manages to say Insightful and Interesting Things about Human Nature. And it’s funny. Did I mention that this is a funny book? It’s the story of failing rock singer Decibel Jones and his dysfunctional band, the Absolute Zeroes, who have been chosen to represent their world in an interstellar challenge that determines whether or not the Earth will be destroyed.
(7) A NEW SCREEN. Another first for Cat Rambo – she made her Twitch TV debut in February.
(8) ALT-RIGHT COMICS. At Medium, Jason Yungbluth takes aim at Theodore Beale’s recent attempt to create an alt-right brand of comic books: “The Menace of Doc Vox!” The article dates to last October, but hasn’t been mentioned in the Scroll before. The article explores the business model that Beale is using, all designed to monetize controversy.
Can Teddy make a profit off of this effort? Sure, but not much. There is obviously a fascist ecosystem out there capable of bringing a project like this to life, but it is very niche. The thrill of pissing in liberals’ Cheerios (which, as Markku put it to me, was this project’s first, last and only goal) won’t make ugly, politically driven comic books any less boring….
What, then, will Teddy get out of all the time he will ultimately have to pour into this low-reward venture? An excuse to troll the Eisner awards? The thrill of ruining the costume contest at Comic-Con?
(9) TODAY’S THING TO WORRY ABOUT. Never mind global warming or the imminent extinction of honeybees – Camestros Felapton has discovered s fresh crisis: “Felapton Towers Scoop – How Numbers are Disappearing”.
Look, there’s just some breaking stories that you can only read here thanks to the deep investigative journalism that my crack team of journalists do. In this case – plugging two digit numbers into Google n-gram.
I don’t know what I expected the graph to look like but apparently peak numbers-in-books was sometime in the late 1980s after which the bubble burst plunging books into a deepening two-digit-numbers-as-words recession.
Are digits really disappearing? Maybe they have migrated to television? Sesame Street seems to use plenty of them.
(10) JUST WHAT IS IT? Cora Buhlert is catching up with The Orville — “The Other Star Trek Show: Some Thoughts on The Orville”.
For starters, The Orville is not a Star Trek parody in the vein of Bully Herbig’s Traumschiff Surprise skits, Pigs in Space or even Galaxy Quest. And The Orville is indeed very different from Seth MacFarlane’s comedy work (which is a good thing, as far as I’m concerned, considering how dreadful my previous experience with Seth MacFarlane and his work was), though it does resort to typical US sitcom humor on occasion. Now some of the jokes – mostly those arising out of science fiction and Star Trek clichés, e.g. the jokes about the “anti-banana ray”, drinks on the bridge and cannabis from the replicator, Ed accidentally walking through the Blob like crewmember, the tentacled underwater creature which turns out to be a botanist or the bit with the Krill commander standing off center on the viewscreen (come on, it is weird that people always stand exactly in the middle of the viewscreen in SF films and TV shows, to the point that I even included a “Sorry, could you please adjust your screen” line in Graveyard Shift) – work. They work precisely because these jokes arise naturally out of the science fiction setting.
In the interests of good taste, please, no one tell Seth MacFarlane the German word for space travel is “raumfahrt.”
(11) MORE MEXICANX PICKS. The next group of Mexicanx Initiative recipients of Worldcon 76 memberships has been announced by John Picacio.
Proudly announcing #TheMexicanxInitiative's next Sponsored Membership Receipients to @worldcon2018: @AndreaChapela @joseluiszarate Verónica Murguía @NativeCreate @VaniaSoto @hrniles @omgjulia @GeekintheCity @ggmccall cc: @DavidOBowles @NB_Chris @JoSVolpe @scalzi @MaryRobinette pic.twitter.com/EhWj89W75O
— John Picacio (@JohnPicacio) March 1, 2018
(12) WALKING THE PATTERN. Michael Michel talks about “Forming Practice from Passion” at the SFWA Blog.
Success is not a thing given, nor a thing taken or forced. It is something practiced. The pathways we travel most often are the ones with the deepest grooves. Ever heard the term, “Get in the groove?” It holds more truth and functionality than folk might realize. Success depends on the proverbial grooves we create–practices forming pathways.
Here’s a quick and easy process to get in the Write Groove:
- Orient: Despite my B.S., how would I love to show up to my writing, right here and now?
- Engage: Am I willing to show up to it in the way I’d love?
- If yes, continue to step three…
- If no, see step one again…
- Practice: Show this by completing a small, clear action step.
- Celebrate: You’ve practiced successful writing. Savor the truth, then repeat at later date.
(13) A DISNEY WINTER IS COMING. Peter Marks has written in the Washington Post about the development of the Broadway version of Frozen, which has ten new songs, a new ending, and has been in development for seventeen months:
Disney likes to hire directors who don’t just reorchestrate, but also can cogitate freshly about what on the surface might merely seem easily digested fairy tales rendered immaculately on celluloid. This has not always translated into success on Broadway: Think of opera director Francesca Zambello’s overproduced “The Little Mermaid” or design auteur Bob Crowley’s turgid “Tarzan.” When it does work, though, as in Julie Taymor’s visually ravishing “The Lion King,” the enchanting results fulfill the artistic mission the company has striven to uphold as it continues the tradition of big-time transferences from screen to stage it commenced with “Beauty and the Beast” in 1994.
For Grandage, the challenge has not only been to accept the magnitude of expectation fans of the movie would bring into the theater — “You realized you were taking on something that has seeped so deeply into the consciousness of people globally” — but also to bring to the fore an emotionality better suited to characters in three dimensions.
“It’s a show that’s very much about a family in trauma,” says Kristen Anderson-Lopez, who with her husband, Robert Lopez, wrote the score for the film and added more than a dozen other songs for the Broadway version, which of course retains the Oscar-winning “Let It Go.” That was sung on screen by Idina Menzel as the tormented Elsa, the young queen cursed with an ice-making power that bedevils her subjects and sends her into self-imposed exile.
(14) TWO MUSIC LOVERS. Steve Vertlieb invites you to watch a video of “a delightful conversation with composer and music preservationist Roger Hall in my living room, talking candidly about the cultural significance and artistic importance of Music For The Movies … our interaction with composers Elmer Bernstein, Lee Holdridge and Mark McKenzie … as well as the oldest, most successfully enduring website devoted entirely to the study and presentation of original motion picture music, Film Music Review.”
[Thanks to Mark Hepworth, JJ, Cat Eldridge, Cat Rambo, Carl Slaughter, Cora Buhlert, Olav Rokne, Martin Morse Wooster, John King Tarpinian, Chip Hitchcock, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Cat Rambo.]
Kathryn Cramer announced on Facebook that she has asked the Readercon board to investigate whether its program organizers engaged in age discrimination while culling their program participants list and violated the convention’s own Code of Conduct.
Several older white male writers who have been on Readercon’s program in previous years have posted to Facebook that they were notified they won’t be on this year’s program, or simply haven’t received the expected invitation. The wording of the notice sparked resentment —
Allen Steele’s reaction was typical:
Oh, we’re still welcome to attend, if we pay the registration fee. In fact, because of our exalted former status, we’re entitled to a 25% discount … if we go to a private registration site and enter the password (get this) PASTPRO.
So not only have we been told that we’re not welcome to come as professionals, we’re also being told that we’re no longer professionals, period.
Whether writers/editors/artists who have been on a convention’s program in the past are owed the courtesy of being formally notified that they are not going to be on the current year’s program, or a con should let silence speak for itself, is worthy of discussion in its own right, however, Readercon made the former choice.
Even more important than the careless language of the letter (“PASTPRO”), some writers who received it say they suspect that Readercon’s effort to churn its roster of panelists has been done entirely at the expense of older writers.
A few days ago Jeffrey A. Carver added his name to the list of writers who have gotten the letter: “Readercon Says, ‘So Long, and Thanks for All the Fish!’”
I worried I was getting old when I turned 50 and started getting mail from AARP. And then, when I wasn’t looking, I suddenly became eligible for senior discounts. (No, that can’t be right. My parents were seniors, not me!) And now…
Readercon, once one of my favorite conventions, has decided that—well, let’s let them tell it in their own words: “You won’t be receiving an invitation to participate in programming for Readercon 29. We’re deeply grateful to you for your years of participation at Readercon… but…” But so long, and thanks for all the fish!
They go on to say that they’re making room for fresh, young writers—which, if I thought that were the real reason, would at least be understandable. The truth, of course, is that Readercon has always been welcoming to new writers. I was one myself once, and Readercon always gave me a place at the table, as they did others. In fact, one of the things I liked about it was the yeasty mix of writers of all kinds, all ages, genders, creeds, etc. It made for great conversations. I guess the newer team of organizers are aiming for a new shape for their demographics. Either that, or they think they’re comping too many memberships to program participants.
I’m not the only one to receive this letter, of course. A number of older, white male writers (including my friend Craig Shaw Gardner) have received the same email. I don’t know if any female writers have received it or not. I’d be interested in knowing. (Update: I’ve received a secondhand report that a woman-writer friend of mine, also in my age group, got a similar boot to the backside.)
Kathryn Cramer tried to bring the matter to a head and tweeted Readercon a question —
Hey Kathryn! Age did not enter into the deliberations when we were making these admittedly tough choices. Happy to answer any other questions you may have.
— readercon (@readercon) February 20, 2018
…Speaking as the widow of a Readercon 13 GoH, I take exception to your complaints about past program participants’ “longevity.” You may find this whole matter “hilarious” (as per screen shot). I do not. Readercon has a code of conduct. I suggest you read it. And if you still think it is hilarious that you have given offense to many of the writers you have written such things to, and if you still think other peoples’ impression that you are engaging in age discrimination is hilarious, then I suggest you politely submit your resignation to the Readercon committee and find another hobby.
(This page lists 150 program participants from the 2017 Readercon – how Wagner’s 700 figure relates to that is unclear.)
Cramer has made a public request that the Readercon Board get involved.
I have just sent the following letter to firstname.lastname@example.org: To the ReaderCon Board:
In light of letters from Emily Wagner, writing as program Chair, recently received by older writers and professionals disinviting them from future participation on the ReaderCon program based their “longevity”, offering a discount code of “pastpro,” I formally request that the Board open an inquiry into whether Emily Wagner has committed age discrimination and whether she has, in the process, violated ReaderCon’s published Code of Conduct as pertains to age. Since Emily Wagner also sits on the Board, it would be appropriate for her to recuse herself from this inquiry.
I further request that the ReaderCon board publicly release the age demographics of the list of people to whom such letters were sent. And further, should these demographics demonstrate that all or nearly all such letters were sent to writers over age 50, I request that Emily Wagner be removed as Program Chair of ReaderCon and removed from the ReaderCon Board.
Ms. Wagner has posted on Facebook that she finds these allegations of age discrimination on her part “hilarious.” Age discrimination is not hilarious.
Further, should the Board determine that age discrimination has, in fact, taken place – which is to say that all or almost all of those disinvited are over 50 – I request that the Board take appropriate action to remedy the situation.
Several other well-known writers have added their protests. Peter Watts ended a comment on the subject:
Readercon, you suck.
Barry Longyear chimed in:
So, the Readercon “Dump-the Old” program is still in effect. It makes me think there ought to be two new categories in the Hugo Awards at the World SF Con: Best Science Fiction Convention, and a booby prize for that convention committee deemed as “doing the absolute least to promote science fiction and fellowship surrounding the literature of science fiction.” Designs for the Fucktard Award are currently being solicited.
David Gerrold made a more substantial comment on Cramer’s announcement:
About ten years ago or so, the Writers Guild of America won a major lawsuit on age discrimination. The studios paid out $70 million, some of which was distributed to writers who had proven they had been discriminated against, the rest to establish protections for the future.
Age discrimination is real — it’s pernicious, it’s vile, and in venues where there are laws prohibiting it, it is illegal.
For it to occur in the science fiction community is appalling. This is a community that has prided itself on inclusion. The rule in fandom is that “the ceiling constitutes an introduction.” That is, we’re all in the same room, we’re all fans, we’re here to have fun celebrating what we love.
So for any convention to knowingly violate the trust of the community, to disinvite the experienced and respected members of that community — this doesn’t just punish the authors, it punishes the fans who want to hear from those authors.
I’ve always wanted to attend a Readercon. I’ve only heard good things about Readercon — but now I suspect that I am too old to be considered worthy to contribute to Readercon.
I hope that this is a momentary glitch that the Board of Directors will address quickly. Otherwise, Readercon’s good reputation will be soiled for a long time to come
(1) QUEEN OF PULP. Twitter’s Pulp Librarian today did a retrospective of illustrator Margaret Brundage, “the Queen of Pulp,” with lots of her Weird Tales covers from the 1930s. Jump on the thread here —
Today I'm looking at the Queen of pulp: Margaret Brundage! pic.twitter.com/Yb1lVFBr9q
— Pulp Librarian (@PulpLibrarian) February 3, 2018
(2) ELLEN KLAGES DONATES CLARION WEST INSTRUCTORSHIP. Clarion West announced Karen Lord is the recipient of “The Sally Klages Memorial Instructorship 2018”.
The Sally Klages Memorial Instructorship will be awarded in 2018 in memory of Sally Klages, with love from her sister Ellen Klages….
Ellen Klages’ tribute begins —
Sally was a writer. I never heard her say that she wanted to be one; she simply proclaimed, proudly, that she was. She wrote every day in tiny, cramped cursive: working on her autobiography, lectures to her Invisible Friends, instructions about how life ought to be led.
Like many of us, she owned dozens of notebooks and countless pens, and was never without them. She once packed a gallon-sized Ziploc bag of pens and markers into her carry-on bag for a two-hour flight, “in case one runs out.” Writing was her joy, her recreation, her solace.
Sally was born with Down Syndrome. As far as she was concerned, that wasn’t a handicap — it was what made her special. And she was. She was Valedictorian of her class at Northeast Training Center, and an employee at Columbus State University for 17 years. She was one of the founding members of the Down Syndrome Association of Central Ohio (DSACO), she was on the board of the National Down Syndrome Conference, and was a featured speaker there in 1989. An active participant in the Special Olympics, she won more than three dozen medals in swimming, diving, track and field, bowling, and cross-country skiing….
[Via Locus Online.]
(3) PICACIO AT THE MIKE. In “Your 2018 Hugo Awards MC Is….” John Picacio tells why he is proud to be Worldcon 76’s choice.
Today, the 76th World Science Fiction Convention has announced me as the Master of Ceremonies for this year’s Hugo Awards in San Jose, CA, while also announcing that the Hugo Awards’ Nominations Period is now open! Having won two Hugos for Best Professional Artist, I know how much the Hugos mean to the sf/f field, and it’s a huge honor to serve this stage in front of my colleagues and heroes. Worldcon 76 asked me to be the 2018 Hugo MC last August so it’s been fun keeping that under wraps the last five months, even after being announced as this year’s Artist Guest of Honor.
There’s some history that comes along with this role.
- I’m the first visual artist to ever be a Hugo Awards MC. I think this could perhaps be a harbinger of Hugo Ceremonies to come. Many of our best visual creators — such as Brom, Todd Lockwood, Ruth Sanderson, Gregory Manchess, and more — are becoming author / artist / storytellers, conjuring the words and pictures of their own bestselling books and media. Our next generation of illustrators are aspiring to tell their own stories, just as much as becoming hired guns. I suspect there will be more artists following through the Hugo MC door behind me, and they’ll likely come from this expanding universe of hybrid, contemporary artists.
- I’m only the third Worldcon Guest of Honor to also serve as Hugo Awards MC at the same Worldcon. I believe Connie Willis and David Gerrold are the only others to do this in the con’s 76-year history. We must all be insane. ?.
- I’m especially proud to be the first Mexicanx to ever serve as a Hugo Awards MC. I love being first, but the most important thing is that I’m not the last. With the daily assaults upon our DREAMers, villainizing of our culture by racists, and terroristic threats against our citizens, we’re living in an important moment for Mexicanx north and south of the border. I’m looking forward to sharing my spotlight with all of them.
(4) WITHOUT A SHADOW OF A DOUBT. 2016 Clarke Award judge David Gullen discusses what the experience taught him about his own fiction writing: “Things I Learned Judging the Arthur C. Clarke Award” at Medium.
At some point during reading those 113 books it occurred to me what a difficult thing writers are trying to do and just how many different things each author is trying to get right. It’s not just character and plot and pace and tension, world-building, good dialogue, effective exposition, setting story questions and keeping story promises, it’s also trying to get that motivating vision in your head down onto the page. Even a pretty ordinary book takes a lot of effort. If you assume each of those books took 6 months to write?—?and many would have taken more?—?that is 57 years of effort, not far from the entire productive life of a single person.
(5) THE WRITER’S EMOTIONAL ROLLER COASTER. A tweet from Annie Bellet.
Me at beginning of this book: how did I word even for like 17 books they were a fluke
Me toward end of this book: I am amazing this book will be amazing I love writing why don't I write 20 more things asap
Me during release week: this book will flop everyone has forgotten me
— Annie Bellet (@anniebellet) February 4, 2018
(6) READERCON PRUNES PROGRAM INVITE LIST. Several older, white male writers who have participated on Readercon’s program in previous years have posted to Facebook over the past month that they have been notified they won’t be on this year’s program, or simply haven’t received the expected invitation. There’s no reason they have to be happy about it, and understandable if it triggers a bit of insecurity and resentment. However, the whiff of controversy around this development is not completely unlike Jon Del Arroz’ certainty that politics were the real reason he was rotated off BayCon programming.
Allen Steele wrote on Facebook yesterday:
The other convention I’ve usually gone to in the past, but will no longer attend, is Readercon. I’ve been an invited guest since Readercon 2 (had to skip the first one because of a schedule conflict), and have attended most of the 36 previous conventions … and then last year, without any sort of notice or explanation, I wasn’t invited. I was recovering from last year’s pancreas operation, so I probably wouldn’t have been able to show up anyway, but I wondered why nonetheless.
This year, I have an explanation … just not a good one. It appears, in an effort to be fair to young new writers, Readercon has been sending out form email letters to older authors such as myself (everyone known to have received the letter is male and above age 50), telling them that they’ve been dropped from the program participant list and therefore will not be invited guests.
Oh, we’re still welcome to attend, if we pay the registration fee. In fact, because of our exalted former status, we’re entitled to a 25% discount … if we go to a private registration site and enter the password (get this) PASTPRO.
So not only have we been told that we’re not welcome to come as professionals, we’re also being told that we’re no longer professionals, period.
I haven’t received the letter … but neither have I been invited. As I said, I wasn’t invited last year either, nor was I ever offered a reason why. To their program chair, I sent a polite letter calmly explaining why the letter is demeaning, insulting, and for the convention disastrously short-sighted; the response I got was a “so sorry you feel that way” blow-off. This pretty much confirms that I’ve been cast into the outer darkness for being … well, let’s not go there. And even if I’m not on the “past pro” list, I won’t come to a convention that would treat my friends and colleagues this way.
I mention this because I usually see at Readercon quite a few people who follow this page. Sometimes they bring copies of my books so I can sign them, and they need to know in advance not to use valuable suitcase-space. Sorry, guys … this year, it’s Boskone and the Hong Kong SF Forum only. At least those conventions still have respect for senior authors.
A month ago Ian Randall Strock said he got the letter and named two others who’d received it:
Anyone else get the email (under the subject line “Thank you for your service to Readercon”) starting out “There’s no easy way to say this, so I’ll be straightforward: you won’t be receiving an invitation to participate in programming for Readercon 29.”?
Another thought occurs: are they only doing this to folks who are also dealers, thinking we’ll be there anyway? I’ll have to run the numbers to see if it’s worth attending.
Readercon 29 takes place July 12-15 in Quincy, MA.
(7) TODAY IN HISTORY
(8) TODAY’S BIRTHDAY SUBCREATOR
(9) COMICS SECTION.
— Rosemary Mosco (@RosemaryMosco) February 3, 2018
(10) ARE YOU SURPRISED? Mental Floss tempts readers with “16 Surprising Facts About Ray Bradbury’s Fahrenheit 451”. Some are no more surprising than this —
- BRADBURY DID NOT WRITE FAHRENHEIT 451 IN NINE DAYS.
A popular apocryphal story is that Bradbury hammered out Fahrenheit 451 in just over a week. That story is wrong: It was the 25,000-word “The Fireman” that he wrote in that time period. The author would later refer to the short story as “the first version” of the eventual novel. But over the years, he would often speak about “The Fireman” and Fahrenheit 451 interchangeably, which has caused some confusion.
- HE WROTE HIS FIRST VERSION ON A RENTED TYPEWRITER IN A LIBRARY BASEMENT.
Bradbury and wife Marguerite McClure had two children in 1950 and 1951, and he was in need of a quiet place to write but had no money for renting an office. In a 2005 interview, Bradbury said:
“I was wandering around the UCLA library and discovered there was a typing room where you could rent a typewriter for 10 cents a half-hour. So I went and got a bag of dimes. The novel began that day, and nine days later it was finished. But my God, what a place to write that book! I ran up and down stairs and grabbed books off the shelf to find any kind of quote and ran back down and put it in the novel. The book wrote itself in nine days, because the library told me to do it.”
- HE SPENT $9.80 ON TYPEWRITER RENTAL.
Bradbury’s nine days in the library cost him, by his own estimate, just under $10. That means he spent about 49 hours writing “The Fireman.”
(11) NOT YOUR TYPICAL FLORIDA MAN STORY. From Futurism, “Florida Man Becomes First Person to Live With Advanced Mind-Controlled Robotic Arm”.
Prosthetics have advanced drastically in recent years. The technology’s potential has even inspired many, like Elon Musk, to ask whether we may be living as “cyborgs” in the not-too-far future. For Johnny Matheny of Port Richey, Florida, that future is now. Matheny, who lost his arm to cancer in 2005, has recently become the first person to live with an advanced mind-controlled robotic arm. He received the arm in December and will be spending the next year testing it out.
The arm was developed by Johns Hopkins Applied Physics Lab as part of their program Revolutionizing Prosthetics. The aim of the program, which is funded by the Defense Advanced Research Projects Agency (DARPA), is to create prosthetics that are controlled by neural activity in the brain to restore motor function to where it feels entirely natural. The program is specifically working on prosthetics for upper-arm amputee patients. While this particular arm has been demoed before, Matheny will be the first person to actually live with the prosthesis. The program does hope to have more patients take the tech for a longterm test run, though.
(12) FROM SOMEWHERE BESIDES LAKE WOEBEGONE. Since the firing of Garrison Keillor A Prairie Home Companion has a new host and a new name – Cat Eldridge reviews “Live from Here, the show formerly known as APHC, hosted by Chris Thile” at Green Man Review.
… Where Kellior was the sedate, downbeat host who wanted you to be part of the Lake Woebegon community, Thile is more than a bit manic, bouncing around in delight apparently as he gets to interact with musicians and other folk who he obviously admires a lot. APHC put me to sleep, LFH is definitely designed to keep me actively listening.
Shovel & Rope, a really good Americana couple, is dok good a bluesy travel song as I listen this moment. (By now I’d usually have decided to turn Kellior off.) Some minutes later, Gabby Moreno is playing a very lively (I think) a Tex-Mex song. Need I say Thile is really excited like her being on Live from Here?
… I’m an hour in and still not even close to tuning out though the comedy riff just now was meh but I’m not a fan of most such comedy anyways. That segued into a very nice and quite tasty bit of jazzy music by Snarky Puppy which is enhanced by the production team cleverly positioning mics in the audience which is more than a bit raucous all show long which they really demonstrate when Chris musically deconstructs ‘I’ll Be There’ in words and music….
(13) FAR SIDE OF THE KERFUFFLE. Most of the post is more abuse, so won’t be excerpted here, but Vox Day hastened to say Foz Meadows won’t be getting an apology from him: “I’ll take ‘things that will never happen’”. He adds —
Third, Dave Freer didn’t sic me on anyone about anything. I don’t recall having any communication with him in years. I just checked my email and I haven’t received even a single email from him since I set up my current machine in April 2016. Nor have I spoken to him.
(I’m not creating an Internet Archive page for this one so people can somehow feel okay about insisting on reading the insults.)
(14) COUGH IT UP. Add this contraption to the list of things science fiction never predicted: “When The Flu Hits Campus, The Gesundheit Machine Will Be Ready”.
Those sick enough will get sent around the corner to a room with a crazy-looking, Rube-Goldberg-like contraption known as the Gesundheit machine.
For half an hour, the student sits in the machine. As the student breathes, the machine collects whatever virus they’ve got from the droplets in their breath.
The researchers will then use the student’s contacts to try to figure out how infections spread from person to person: “roommates, study buddies, girlfriends and boyfriends,” Milton says. “We’re going to swab them every day for a week to see if they get infected.”
If the student’s contacts get infected, researchers will try to pin down whether they got the bug from the original subject or someone else.
“We’re going to deep sequence the genetic code of the agent to see if it was really exactly the same thing,” Milton explains. He’s aware that confirming that your roommate gave you a horrible flu could ruin some perfectly nice relationships, but it’s for science.
(15) MELTING, MELTING. BBC tells how “Space lasers to track Earth’s ice”.
Ice is the “climate canary”. The loss, and the rate of that loss, tell us something about how global warming is progressing.
In the Arctic, the most visible sign is the decline of sea-ice, which, measured at its minimum extent over the ocean in September, is reducing by about 14% per decade.
At the other pole, the marine floes look much the same as they did in the earliest satellite imagery from the 1960s, but land ice is in a negative phase.
Something on the order of 160 billion tonnes are being lost annually, with most of that mass going from the west of the White Continent.
(16) STAR WARS MEETS PETER RABBIT. Daisy Ridley is still a rebel. And a rabbit.
[Thanks to Cat Eldridge, Bill, JJ, John King Tarpinian, John Picacio, Carl Slaughter, Chip Hitchcock, Andrew Porter, Mark Hepworth, Chris Garcia, Will R., Vox Day, StephenfromOttawa, Christopher Rowe, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Jamoche.]
(1) UNORTHODOX APPROACH. Beginning July 18, a weekly podcast will be hosted by Sixth & I in Washington DC — “Harry Potter and The Sacred Text”.
What if we read the books we love as if they were sacred texts? What would we learn? How might they change us? Harry Potter and the Sacred Text is a podcast the reads Harry Potter, the best-selling series of all time, as if it was a sacred text.
Just as Christians read the Bible, Jews the Torah, and Muslims read the Quran, Harvard chaplains Vanessa Zoltan and Casper ter Kuile embark on a 199 episode journey (one chapter per week) to glean what wisdom and meaning J.K. Rowling’s beloved novels have in store.
The chaplains read the beloved series through the lens of instructive and inspirational text and extract lessons that can be applied to our own lives.
At the end of 199 weeks will something more emerge from these readings?
(2) JUSTICE IS BLIND. At Sharps & Flatirons, Peter Alexander says blind orchestral auditions have leveled the playing field — “Women in Classical Music: Some Good News, Some Bad News” .
First the good news: professional orchestras are filled with women today, a vast contrast to 40 or 50 years ago when orchestras were almost entirely male. This is now a viable career for the most talented women instrumentalists.
The bad news is that the picture is not nearly as rosy for women composers, who are not well represented on orchestral programs. And women conductors are no better off than composers.
The growing numbers of women in professional orchestras at every level can be traced to a single innovation that began around 1970: “blind auditions,” where competing candidates for open orchestral jobs play behind a screen. The selection committee does not know if it is hearing a man or a woman. The rapid change in the makeup of orchestras since 1970—casually visible and backed up by the numbers—is compelling evidence of the opposition women orchestral players faced before that innovation.
… In an article titled “Orchestrating Impartiality,” published in 2000 in The American Economic Review, researchers Claudia Goldin and Cecilia Rouse concluded that “the screen increases—by 50 percent—the probability that a woman will be advanced from certain preliminary rounds and increases by severalfold the likelihood that a woman will be selected in the final round.” Their conclusion is backed up by 25 pages of charts, graphs and statistical studies.
(3) CON OR BUST AUCTION. The Con or Bust annual fundraising auction has begun and runs until May 7 at 4:00 p.m. Eastern. Con or Bust, Inc., is a tax-exempt not-for-profit organization that helps people of color/non-white people attend SFF conventions.
The available items include a signed galley of Ann Leckie’s next novel Provenance (to be published in October.) When I last looked, bidding was already up to $120.
Here are a few examples of the wide variety of auction items –
The whole list of auction tags is here.
(4) EMOJI CODE. There are four summaries, and I didn’t understand even one. Your turn! “Can you guess the Doctor Who episodes told in emojis?”
Test your Doctor Who knowledge by deciphering these emoji plots and guessing the episode!
If you’re stuck, answers are at the bottom of the page…
(5) LOOK, UP IN THE SKY. Talk about timing! Carl Slaughter referenced Larry Page in the other day’s flying car roundup, and today the news is “Larry Page’s flying car will be available to buy before the end of the year”
The Kitty Hawk Flyer is an electric aircraft that, in its current version, looks a bit like a flying Jet Ski. Cimeron Morrissey, who test flew the aircraft, wrote in a review that the final version would look quite different from the prototype, which doesn’t look all that practical.
A New York Times profile of the Flyer describes it as “something Luke Skywalker would have built out of spare parts.” The vehicle weighs about 100 kilograms and, according to Morrissey, can travel up to 25 mph. She likened the Flyer to “a toy helicopter.”
(6) PETER S. BEAGLE. Initially Barry Deutsch was signal-boosting an appeal for funds — “Peter S Beagle, author of ‘The Last Unicorn,’ is in dire need! Here are three ways you can help.” However, Beagle’s fans immediately came through on the short-term goal, which still leaves two longer-term needs:
Go to the Support Peter Beagle website and use the button there to contribute to a fund to help pay for Peter Beagle’s legal costs. You can leave a message for Peter in the paypal field; I am told he will receive and read all messages sent this way.
BUY THE HUMBLE BUNDLE!
Peter Beagle has curated a Humble Bumble of unicorn fiction, called “Save the Unicorns.” You can pay as little as $1 to get a ton of novels to read, and support Peter Beagle at the same time! Important: In “choose where your money goes,” pick 100% Tachyon Press. Peter Beagle will get royalties and such from Tachyon for these Humble Bumble sales.
To be kept up-to-date on Peter Beagle news, follow @RealPeterBeagle on Twitter.
(7) UNGRADED HATE MAIL. Margaret Atwood answers Patt Morrison’s questions in the LA Times.
I can imagine your fan mail. I can’t imagine your hate mail.
I’ve gotten lots of hate mail over the years. I’ll probably get more once the television series comes out. But I’m not advocating for one thing or the other. I’m saying that what kind of laws you pass — those laws will have certain kinds of results. So you should think carefully about whether you want to have those results or not.
If you’re going to ban birth control, if you’re going to ban information about reproduction, if you’re going to defund all of those things, there will be consequences. Do you want those consequences or not? Are you willing to pay for them or not?
Listen to the “Patt Morrison Asks” podcast and read the full interview at here.
(8) WHO’S THAT SHOUTING? Two writers here for the LA Festival of Books indulge in shenanigans. (Hm, just discovered my spellchecker has a different opinion of how shenanigans is spelled than I have – dang, it did it again!)
— John Scalzi (@scalzi) April 24, 2017
— John Scalzi (@scalzi) April 24, 2017
(9) CITIZEN SCIENCE. And they call the wind
aurora whatever-it-is… Steve? “Aurora photographers find new night sky lights and call them Steve”
Relatively little else is known about the big purple light as yet but it appears it is not an aurora as it does not stem from the interaction of solar particles with the Earth’s magnetic field.
There are reports that the group called it Steve in homage to a 2006 children’s film, Over the Hedge, where the characters give the name to a creature they have not seen before.
Roger Haagmans of the ESA said: “It is amazing how a beautiful natural phenomenon, seen by observant citizens, can trigger scientists’ curiosity.
“It turns out that Steve is actually remarkably common, but we hadn’t noticed it before. “It’s thanks to ground-based observations, satellites, today’s explosion of access to data and an army of citizen scientists joining forces to document it.”
(10) A CERTAIN GLOW ABOUT THEM. If you don’t already know this story, you should: “Dark Lives Of ‘The Radium Girls’ Left A Bright Legacy For Workers, Science”,an interview with the book’s author Kate Moore.
In the early days of the 20th century, the United States Radium Corporation had factories in New Jersey and Illinois, where they employed mostly women to paint watch and clock faces with their luminous radium paint. The paint got everywhere — hair, hands, clothes, and mouths.
They were called the shining girls, because they quite literally glowed in the dark. And they were dying.
Kate Moore’s new book The Radium Girls is about the young women who were poisoned by the radium paint — and the five who sued United States Radium in a case that led to labor safety standards and workers’ rights advances.
(11) WHILE YOU WERE OUT: One big step for…. “Astronaut Peggy Whitson breaks new space record”.
Peggy Whitson has broken the record for most days in space by a US astronaut.
Dr Whitson already holds records for the most spacewalks carried out by a woman astronaut and is the first woman to command the International Space Station (ISS) twice.
Now she’s beaten the record previously set by Jeff Williams, who had a total of 534 days in space.
President Donald Trump and his daughter Ivanka have called Dr Whitson to congratulate her.
(12) AN EYEFUL. Forbes has a gallery of “The Top Cosplayers From Silicon Valley Comic Con”.
This weekend the second Silicon Valley Comic Con took place, featuring robotics, virtual reality and a wax statue of Steve Wozniak. But everyone knows that Comic Con is really about one thing, and that’s the jaw dropping cosplay. From menacing Jokers to an adorable Hatsune Miku costume, enjoy this roundup of some of the most eye-catching costumes at the show…
(13) DOC WEIR AWARD. British Eastercon members voted the 2017 Doc Weir Award to Serena Culfeather and John Wilson.
The Doc Weir Award was set up in 1963 in memory of fan Arthur Rose (Doc) Weir, who had died two years previously. Weir was a relative newcomer to fandom, he discovered it late in life – but in the short time of his involvement he was active in a number of fannish areas. In recognition of this, the Award is sometimes seen as the “Good Guy” Award; something for “The Unsung Heroes”.
(14) SCIENCE QUESTION. I thought you could only get hit by a meteorite? (Unless it’s being smacked by a wet echinoderm he’s worried about.)
Oooh #HugoAwards voting is now open! I'll have to get a safety ballot in, in case I get hit by an asteroid
— Ray Radlein (@Radlein) April 24, 2017
(15) TODAY IN HISTORY
(16) TODAY’S BIRTHDAY SCHLOCK MEISTER
(17) CARTOON OF THE DAY. “Cat City” by Victoria Vincent on Vimeo explains what happens when a cat runs away from home to become a hairdresser and drinks too much!
(18) WILL WORK FOR CLICKS. Camestros Felapton renders another much-needed public service: “See how your favourite Games of Thrones Characters are related”. Go there to see the family trees.
(19) NOVELLA INITIATIVE. The Book Smugglers published the first 2017 entry in their Novella Initiative last week, Dianna Gunn’s novella Keeper of the Dawn.
In Keeper of the Dawn, the first novella from Book Smugglers Publishing, author Dianna Gunn introduces readers to strong-willed Lai. All her life she has dreamed of following in the footsteps of her mother and grandmother and becoming a priestess in service to her beloved goddesses. But even after lifelong preparation, she fails trials and her next instinct is to run away.
Off in the north kingdom of Alanum, as she works to recalibrate her future, Lai becomes the bodyguard of a wealthy merchant, who is impressed by her strength and bravery. One night she hears stories about a mountain city where they worship the same goddesses she does. Determined to learn more about these women, these Keepers of the Dawn, Lai travels onward to find their temple and do whatever it takes to join their sacred order. Falling in love with another initiate was not part of the plan.
Keeper of the Dawn, rich with female empowerment, is a multi-layered LGBTQIA YA Fantasy story about fate, forgiving yourself, and the endurance of hope.
Gunn also wrote a post about her inspirations and influences.
In many ways Lai’s story also mirrors the story of my own career. I’ve dreamed about being an author since the age of eight, and as a child I stubbornly believed I would have my first novel published before my eighteenth birthday.
Well, my eighteenth birthday came and went some years ago, and only now is my first book coming out. But I have already been a working writer for six years, writing marketing materials for many different companies and non-profits. More importantly, my dream still came true—just a few years later than planned.
(20) CLARKE AWARD CONTENDERS. A couple of Shadow Clarke jurors take their turn discussing what have proven to be group favorites, while another visits less familiar ground.
Part of the way it reworks things is that it’s not about the Up and Out, but the ups and downs. The rigors of life are always present: people make decisions, those decisions impact life, and they rarely have anything to do with that giant monstrosity towering from the south that hurls people into outer space. The Central Station of Central Station is a mere landmark, an economic hub and cultural icon, but as Maureen K. Speller points out in her review, “…even in science fiction, that so-called literature of the future, nothing lasts forever. The symbolic tropes – space ships, robots, AIs – will all eventually be absorbed and become part of the scenery.” The Central Station of the future is the airport of today: not that big of a deal.
This is a difficult, intractable, Gordian knot of a novel, the kind you recommend to like-minded friends more out of curiosity to see what they’ll make of it than from any reasonable belief that they’ll enjoy the book. Whether this novel – formally and stylistically perfect though it is, a rare gem of a debut that hints at that rare beast, a writer who knows precisely where he’s going and what he wants – can be enjoyed on anything other than a purely intellectual level is a debatable point; whether it can be enjoyed as science fiction still more so.
The Underground Railroad is about as significant a novel as American literary culture is capable of producing in the first quarter of the 21st century.
If you care enough about books to be reading this kind of essay then chances are that you have either purchased or taken an interest in this novel. Far from being organic and spontaneous, your decision to purchase Colson Whitehead’s latest novel is the result of almost every facet of American literary culture coming into alignment and choosing to imbue a single work with as much cultural significance as those institutions can conceivably muster. Already a winner of many prestigious literary awards and a beneficiary of both the Guggenheim and MacArthur fellowships, Colson Whitehead has now seen his sixth novel celebrated not only by Pulitzer and National Book Award judges but also by the – arguably more influential and economically important – face of Oprah’s Book Club.
(21) DOCTOR TINGLE AI. Applied Digital Studies Project uses a twitter bot to form new titles based on novels by Dr. Chuck Tingle. Not surprisingly, there is a good deal of butt and pounding in these titles. Still, some of them are funny.
The terror of my ass being haunted by Trains Living inside My Own Butt
— Tingle (@tinglemysenses) April 24, 2017
Seduced By My Billionaire Unicorn
— Tingle (@tinglemysenses) April 24, 2017
and now some entertainment from the film The Sun Living inside My Own Butt
— Tingle (@tinglemysenses) April 22, 2017
(22) MYTHIC FIGURE. Today Chuck Tingle is busy burnishing his legend.
jom applespeed… pauls bunyon… CHUCK TINGLE. these are heroes of the ameican wild. i am proud to be one with these handsome men
— Chuck Tingle (@ChuckTingle) April 24, 2017
(23) READERCON. Tracy Townsend announced she will be at Readercon in Quincy, MA from July 13-16.
Guests of Honor:
Memorial Guest of Honor:
Although Readercon is modeled on “science fiction conventions,” there is no art show, no costumes, no gaming, and almost no media. Instead, Readercon features a near-total focus on the written word….
(24) MOVIE RESTORATION. The Verge says those who have heard of it should be pleased — “Andrei Tarkovsky’s sci-fi classic Stalker is getting an HD restoration”. And those like me, who haven’t, will be intrigued.
Cinephiles, rejoice! Criterion Collection will be adding a major science-fiction classic to its roster this summer: a restored version of Stalker, directed by Solaris filmmaker Andrei Tarkovsky.
Based off the 1971 Russian science-fiction novel Roadside Picnic by Arkady and Boris Strugatsky, Stalker was originally released in 1979. The film follows a man known as “the Stalker” as he leads an expedition into a mysterious, forbidden area known as “The Zone.” In the book, the mysterious Zone is the location of an alien visitation decades before the story, littered with fantastic pieces of technology and dangers; in the film, its origins are more obscure. But in both cases, reality there is distorted, and somewhere inside is a room that will grant visitors’ innermost desires. The journey to get there is physically and philosophically arduous, and it tests the trio of men traveling there.
(25) SUBTITLES IN I KNOW NOT WHAT LANGUAGE. The Justice League Official International Trailer dropped today.
Fueled by his restored faith in humanity and inspired by Superman’s selfless act, Bruce Wayne enlists the help of his newfound ally, Diana Prince, to face an even greater enemy.
(26) A VISIT TO MARVEL. SlashFilm leads readers on a “Marvel Studios Offices Tour: A Behind-the-Scenes Look”. (Photos at the site.)
The Marvel Studios offices are located on the second floor of the Frank G. Wells Building on the Walt Disney Studios lot. When you exit the elevators, you are greeted by a wall-to-wall mural featuring the Guardians of the Galaxy, and a big Marvel Studios logo.
Marvel Studios began in a tiny office in Santa Monica that they shared with a kite factory. After that, the company moved to an office above a Mercedes dealership in Beverly Hills. They were based out of Manhattan Beach Studios for a few years before Disney asked them to move onto the Burbank lot in 2014. But it wasn’t until a few months ago that Marvel fully decorated their offices….
(27) BOMBS AWAY. A new record for a domino toppling specialty was set in March.
A group of domino builders in Michigan created the world’s largest “circle bomb” using nearly 80,000 dominoes.
The Incredible Science Machine team broke the Guinness World Record for “Most dominoes toppled in a circle bomb/circle field” by creating a series of 76,017 dominoes that toppled from the center of a circle to its outer edge.
“The Incredible Science Machine Team is very passionate about domino art and sharing it with an audience to amaze and inspire them,” team leader Steve Price, 22, said.
A total of 18 builders from the United States, Canada, Germany and Austria spent 10 days constructing the domino formation at the Incredible Science Machine’s annual event in Westland, Mich.
[Thanks to John King Tarpinian, JJ, Cat Eldridge, Mark-kitteh, Martin Morse Wooster, Chip Hitchcock, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Mart.]
The winners of the 2015 Shirley Jackson Awards were presented July 10 at Readercon 27 at a ceremony hosted by convention guests of honor Catherynne M. Valente and Tim Powers.
The awards recognize outstanding achievement in the literature of psychological suspense, horror, and the dark fantastic, and are voted upon by a jury of professional writers, editors, critics, and academics. The 2015 jurors were Livia Llewellyn, Robert Shearman, Simon Kurt Unsworth, Bev Vincent, and Kaaron Warren.
(1) HEARTS MADE OF TIN. David Brin says robots will be so charming they won’t have to conquer us physically, in “Endearing Visages”.
I’ve been pondering Artificial Intelligence or AI a lot, lately, with several papers and reviews pending. (Indeed, note who is one of the ‘top ten people followed by AI researchers.’) One aspect that’s far too-little discussed is how robots are being designed to mess with human emotions.
Long before artificial intelligences become truly self-aware or sapient, they will be cleverly programmed by researchers and corporations to seem that way. This – it turns out – is almost trivially easy to accomplish, as (especially in Japan) roboticists strive for every trace of appealing verisimilitude, hauling their creations across the temporary moat of that famed “uncanny valley,” into a realm where cute or pretty or sad-faced automatons skillfully tweak our emotions.
Human empathy is both one of our paramount gifts and among or biggest weaknesses. For at least a million years, we’ve developed skills at lie-detection (for example) in a forever-shifting arms race against those who got reproductive success by lying better! (And yes, there was always a sexual component to this.)
But no liars ever had the training that these new, Hiers or Human-Interaction Empathic Robots will get, learning via feedback from hundreds, then thousands, then millions of human exchanges around the world, adjusting their simulated voices and facial expressions and specific wordings, till the only folks able to resist will be sociopaths. (And sociopaths have plenty of chinks in their armor, as well.)
(2) READERCON. A lot of good tweets coming out of Readercon this weekend. Here’s a small sampling.
— Fran Wilde ????? (@fran_wilde) July 9, 2016
— Sara (@leprechaun42) July 9, 2016
(3) THE TWINKIE OFFENSE. Hostess has marketed two new Twinkie flavors to celebrate the release of the new Ghostbusters movie — Key Lime Slime and White Fudge Marshmallow.
The Stay Puft Marshmallow Man wouldn’t be able to contain himself! Or maybe he would — isn’t that kind of like cannibalism? Either way, if you like marshmallows, you are going to like these Twinkies.
(4) FEZ CLAIM TO FAME. Closed for renovation in 2012, the world’s oldest library in Morocco reopened this year.
A wealthy Tunisian merchant’s daughter, Fatima al-Fihri, founded al-Qarawiyyin University as a mosque in 859 CE. By the 10th century, Atlas Obscura reports, it grew into a full-fledged university with a library. Today, it’s considered to be the world’s oldest existing and continually operating institute of higher education, as well as the first degree-awarding educational institution. Eventually, the University of al-Qarawiyyin moved to another location in Fez, but the mosque and library remained at the original site.
(5) CROTCHETY DOESN’T MEAN WRONG. Steve Davidson has a point – “Pay for the Privilege” at Amazing Stories.
…sometimes a new way of doing things comes along and it is Just. Not. Right.
Take the internet as a perfect example.
Why are we all still individually paying for it?
It watches and records us without our consent. Data miners have found all manner of ways to entice us into revealing even more behaviors and data through the internet of things. Those useful, free apps and games aren’t really free, are they?
Aggregated data and its derivatives are both earning and saving business concerns billions of dollars annually. And we’re just in the infancy of this technology.
(6) MONKEYING AROUND. Those with Facebook accounts might get a kick out of the Turner Classic Movies video of Dr. Zaius sharing stories about working with Charlton Heston on the set of Planet of the Apes.
(8) PHYSICIST WHO DID FANAC. Sidney Coleman remembered on the Not Even Wrong blog.
A couple months ago there was a session at an APS meeting with the topic Sidney Coleman Remembered. Slides are available for talks by Coleman’s student Erick Weinberg and colleague Howard Georgi. Georgi has recently posted a written version of the talk here. He also a few years ago wrote this biographical memoir about Coleman for the National Academy of Sciences.
David Derbes and collaborators [see comment section for details] are putting together a book version of Coleman’s famous lectures on quantum field theory, hope to be finished with this by the end of the summer.
Coleman was a long-time Boston fan and a founder of Advent:Publishers.
(9) FEYNMAN TALES. Nobel laureate Frank Wilczek writes in Quanta Magazine “How Feynman Diagrams Almost Saved Space”. The story begins in 1982 when Wilczek asked Feynman, “Why doesn’t empty space weigh anything?”
I asked Feynman the most disturbing question in physics, then as now: “There’s something else I’ve been thinking a lot about: Why doesn’t empty space weigh anything?”
Feynman, normally as quick and lively as they come, went silent. It was the only time I’ve ever seen him look wistful. Finally he said dreamily, “I once thought I had that one figured out. It was beautiful.” And then, excited, he began an explanation that crescendoed in a near shout: “The reason space doesn’t weigh anything, I thought, is because there’s nothing there!”
(10) BEAGLE COMING TO SDCC. Peter S. Beagle will be at Comic Con 2016, participating in a panel entitled “Creating Your Own Universe”, in addition to signing autographs and meeting fans at his table.
His first novel in well over a decade, Summerlong, will be released September 15 on Tachyon.
(11) SULU STILL BEING DEBATED. Adam-Troy Castro answered a reply to his post about Sulu being revealed as a gay character in Star Trek Beyond.
Concerned STAR TREK fan in a thread, on the revelation of Sulu’s sexuality:
“It is also pointless for the story to just make the character gay for no other reason than to be so. Is important to the plot? Does it advance the story somehow? This is ultimately the only way it would make sense.”
What you’re talking about is the principle of Chekhov’s Gun. Not Pavel Chekov, but Anton Chekhov, who held that if you put a gun on the mantelpiece in one scene, then at some point somebody was going to have to take it down and fire it.
What perplexes is just how any STAR TREK character’s homosexuality could possibly “be important to the plot” or “advance the story somehow.”….
In the original series, one crew member being Asian, another being Scottish, another being a southern gentleman, another being Russian, another being African, was all texture. It was there, and then for the most part unremarked-upon, because Gene Roddenberry wanted to establish, within the boundaries of his time, that in the far future he wished to present, this was nothing unusual. (And even then, we had manifestations of his time’s near-sightedness, as when Janice Lester bitterly complains that the profession of starship captains is closed to women.)
Similarly, that brief shot of Sulu’s husband does not “advance the plot;” chances are that there will be no action climax where the ship can only be saved by the two of them having sex atop the warp nacelles. It does, however, provide more texture to the hypothetical universe around them, by establishing for the first time ever that Sulu has a personal life, that he must leave his family behind every time he goes on some mission for Kirk’s glory, that in the utopian world where he lives a marriage like his is just something that exists and that it is not remarked-upon as unusual, by anyone.
(12) ALL’S QUIET ON THE DRAGON FRONT. Nominations for the inaugural Dragon Awards close on July 25, just a little over two weeks from now. If anybody’s excited about that, they’re mostly keeping it a secret from the internet.
Declan Finn wrote a long post about what to vote for so that he could ask people to nominate his book Honor at Stake (which is absolutely fine under the rules). Then he used the Sad Puppies list as a memory prompt for the rest of his suggestions.
Alfred Gennesson’s picks for the new Dragon Awards led off with John C. Wright, Larry Correia, and Rod Walker (published by Castalia House). Then he signed off with these thoughts —
I like the Dragon Awards already. Quality indicators for the year are going to be more honest than Hugo/Nebula, just in nomination process. And those ignore games. When you play Social Justice, the world loses.
Two other writers are looking for support on Twitter —
— A.J. Hartley (@authorajhartley) July 7, 2016
— Alethea Kontis (@AletheaKontis) July 8, 2016
However, since June 1, the only tweets about the Dragon Awards other than from people already mentioned were generic calls to vote from Larry Correia and Daddy Warpig.
(13) FELAPTON SPEAKS. Camestros Felapton reviews all five Hugo-nominated Novellas.
I think this is one of the most interesting categories this year. Each one of the nominees is a plausible candidate as a finalist but there isn’t a real stand-out winner. Three out of the five are by well-established writers and two are by newer writers. The least good (IMHO) has some excellent writing and made me want to read more by the same author. The best felt lacking in places and didn’t hit knock-your-socks-off great.
(14) STATE OF MIND. The Publishers Weekly story poses the question “Was Philip K. Dick a Madman or a Mystic?”, but do we really have to ask?
In The Divine Madness of Philip K. Dick, Kyle Arnold delves into the complicated psyche of one of the 20th century’s most important writers. At the center of the subject is the profound vision Dick experienced in 1974, which he referred to as “2-3-74.” Arnold, a psychologist at Coney Island Hospital and Clinical Assistant Professor of Psychiatry at SUNY Downstate Medical Center, explains the experience and its significance.
In February of 1974, Philip K. Dick was home recovering from dental surgery when, he said, he was suddenly touched by the divine. The doorbell rang, and when Dick opened the door he was stunned to see what he described as a “girl with black, black hair and large eyes very lovely and intense” wearing a gold necklace with a Christian fish symbol. She was there to deliver a new batch of medications from the pharmacy. After the door shut, Dick was blinded by a flash of pink light and a series of visions ensued. First came images of abstract paintings, followed by philosophical ideas and then, sophisticated engineering blueprints. Dick believed the pink light was a spiritual force which had unlocked his consciousness, granting him access to esoteric knowledge.
(15) ASIMOV SINGS! Fanac.org has uploaded a third segment of sound recording of the 1971 Hugo Banquet at Noreascon.
Banter and badinage from Robert Silverberg and Isaac Asimov, and the awarding of the Hugos. Asimov sings!
(16) RENT LONG AND PROSPER. Treknews featured this movie-related promotion.
In the commercial, entitled “Business Is Going Boldly,” Enterprise employees are shown beaming, speaking Klingon in the break room and renting the Starship Enterprise to customers.
Remember, the Romulans always get the damage waiver.
As we’ve previously reported, select Enterprise locations will have Star Trek related signage, plus Enterprise airport shuttle buses in New York City and Philadelphia will be wrapped with images of the U.S.S. Enterprise and the phrase: “Until We Can Beam You Up, We’ll Pick You Up”.
The dialect jokes are amusing, but should Enterprise Rent-A-Car really be renting starships to Klingons?
[Thanks to John King Tarpinian, Cat Eldridge, Martin Morse Wooster, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Steve Davidson. (OK Steve – now it’s up to you whether you record a hat trick.)]
The shortlist for the 2015 Shirley Jackson Awards has been released. The awards recognize outstanding achievement in the literature of psychological suspense, horror, and the dark fantastic, and are voted upon by a jury of professional writers, editors, critics, and academics.
The awards will be presented on Sunday, July 10, 2016, at Readercon 27 in Quincy, Massachusetts.