Pixel Scroll 8/27/18 Pixelbot Murderscrolls

(1) ON THE GROUND AT WORLDCON 76. Raven Oak’s trip report about Worldcon 76 includes a fun photo of astronaut Kjell Lindgren posing with fans costumed (so I believe) as the GalaxyQuest alien crew members.

Kjell thanked me and said he was an astronaut because of science fiction authors like me. He read lots of sci-fi books as a kid, which made him dream of going into space. He signed the back of one of my coloring book pages, the one featuring Bay-zar from my sci-fi novella Class-M Exile.

Lots of good photos of hall costumes, too.

(2) RETRO HUGOS OF 1943. Chair Kevin Roche sent along a better photo of the Retro-Hugo award base he designed for Worldcon 76.

The block is solid cherry, in honor of the orchards once common in San Jose (cherries were still one of the top cash crops in the Valley of Heart’s Delight in the early 40s).  The backplane is a laser-etched image I created of our SJ Galactic Tower, which is itself an homage to the historic San Jose Electric Tower, erected in 1881 and making San Jose the first electrified downtown west of the Rockies (the historic tower, alas, collapsed in 1915. I have photos from 1910 showing buses driving under the tower where it stood over the intersection of Market and Santa Clara Streets.)

(3) CHILDHOOD’S BEGINNING. James Davis Nicoll gives his opinions about “SF Books That Did Not Belong in the Kids’ Section of the Library” at Tor.com. He’s talking about his childhood, however, not whatever the current situation may be.

How Norman Spinrad’s The Men in the Jungle, which features drugs, violence, and infanticide, made it into the children’s section, I don’t know. Is there anything by Spinrad that is child-friendly? That was indeed a traumatizing book to encounter when I was prepared for something more along the lines of Blast-off at Woomera. If I think about that Spinrad book now (even though I am older and somewhat hardened) I still feel queasy.

(4) CAMPAIGN TRAIL WOES. Congressional candidate Brianna Wu was quoted in the New York Times campaign coverage: “For Female Candidates, Harassment and Threats Come Every Day”.

A different kind of normalization happens at the other end of the spectrum, where the harassment is so vicious and constant that it overwhelms the ability to react.

As an independent video game developer in 2014, Brianna Wu was the subject of abuse during GamerGate, when women involved in gaming were targeted for harassment.

Now a Democrat running for Congress in Massachusetts, Ms. Wu, 41, said death and rape threats came so routinely that she had ceased to feel much in response. Even when people threw objects through her window. Even when they vandalized her husband’s car. Even when they emailed paparazzi-like photos of her in her own home.

“I often look at it and I’m like: ‘I know I should be feeling something right now. I know I should be feeling scared or angry or stressed.’ And it’s at a point where I can’t feel anything anymore,” Ms. Wu said. “It’s almost like fear is a muscle that is so overtaxed, it can just do nothing else in my body.”

Many said it was a point of principle not to be intimidated into silence. Others said their political ideals were simply more important.

“For good reason, there’s never any shortage of telling stories about women being harassed on the campaign trail,” Ms. Wu said. “But I cannot communicate to you strongly enough: Over all, this job is fun. This job is exhausting, but this job is amazing.”

(5) ANOTHER BORDER ISSUE. Some artists on their way to a Dungeons & Dragons concept push were stopped from entering the US because their Electronic System for Travel Authorization waiver was not accepted as they expected.

According to the government website about the ESTA program –

ESTA is an automated system that determines the eligibility of visitors to travel to the United States under the Visa Waiver Program (VWP). Authorization via ESTA does not determine whether a traveler is admissible to the United States. U.S. Customs and Border Protection officers determine admissibility upon travelers’ arrival. The ESTA application collects biographic information and answers to VWP eligibility questions.

(6) VOTING WISDOM. Brandon Sanderson delivers a brief conreport and some classy advice in “Worldcon Wrap-up and Dragon Awards”.

The Hugo Awards ceremony was a delight. We didn’t win the Best Series award, but to be honest, at only three books into the Stormlight series it might have been a little preemptive to give it any awards. We’ll see how things go as the series progresses. Many congrats to Lois McMaster Bujold (the winner), who is a favorite around the Dragonsteel offices. She’s a fantastic writer, well worthy of the award.

Oathbringer still has one shot at an award, the Dragon Award, given out at Dragon Con. This is a newer award, one I’m not as familiar with, but man…the award itself is gorgeous. (Seriously, you guys should go have a look at the thing.)

…As always, however, I strongly urge you to be a thoughtful voter when it comes to awards. Don’t vote for Oathbringer just because I wrote it—only do so if you think this book, in specific, deserves the award. And there are some other excellent nominees, so if you enjoyed one of those more, then vote for it!

(7) IT’S NOT LOOKING GOOD. P.N. Elrod hopes people can help, especially those who like Elrod’s Patreon and Facebook entertainment.

Crap. Having a blubbing panic meltdown. In a month my rent goes up by 63 bucks. At this point I don’t have even half the rent for September. I’m facing the ugly reality of eviction.

The complex offered to get me into a different apartment with slightly lower rent, but that means moving. (Bureaucracy Stuff.) I can’t afford that, either, and most of all, I do not have the strength or mobility to move again. I just don’t. I am sick. I am tired.

The ONLY thing I can think of at this point to prevent that is to increase subscriptions to my Patreon page. Right now, that income isn’t enough to cover my bills, so some go unpaid until and unless I sell books from my library.

(8) VOX FEATURES JEMISIN. N.K. Jemisin guested on the latest episode of Vox’s podcast The Ezra Klein Show. You can access it at “N.K. Jemisin recommends stories from fellow groundbreaking sci-fi authors” — which lists two recommendations from her:

While Jemisin finds it hard to recommend books, she does offer up two recommendations from fellow award-winning female science fiction authors.

1) The Murderbot Diaries series by Martha Wells
Jemisin is “a giant fan” of Martha Wells’s Murderbot series, an “adorable little set of almost old-school science fiction.” The titular Murderbot is a rogue cyborg who works tirelessly to protect humans from themselves, though it would rather be watching soap operas. The latest novella in the series, Exit Strategy, will be released on October 2.

2) Unexpected Stories by Octavia Butler
Groundbreaking science fiction author Octavia Butler died in 2006, but two of her stories were found posthumously and published as an e-book. One of the stories in the volume, “Childfinder,” was commissioned by writer Harlan Ellison to be included in a never-published anthology.

The podcast is available direct from Apple iTunes as well as many other sources.

(9) BALL OBIT. K.C. Ball died of a fatal heart attack on August 26 reports the SFWA Blog: “In Memoriam: K.C. Ball”.

…Ball attended the Clarion West Writers Workshop in 2010 and Launch Pad in 2011.  She served as the publisher and editor of 10Flash Quarterly, an on-line flash fiction magazine.  She also won the Speculative Literature Foundation Older Writer Award….

Cat Rambo’s tribute is here.

And now she’s gone, fallen to another heart attack, and she never really got the chance to “break out” the way many writers do, which is through hard work, and soldiering on through rejection, and most of all playing the long game. If you want to read some of her kick-ass work, here’s the collection I edited, Snapshots from a Black Hole and Other Oddities.

I’m so sorry not to able to hear your voice any more, K.C. I hope your journey continues on, and that it’s as marvelous as you were.

(10) TODAY’S BIRTHDAYS

  • Born August 27 – Frank Kelly Freas, who won many Best Professional Artist Hugos, and drew Mad Magazine covers once upon a time.

[compiled by Cat Eldridge]

  • Born August 27, 1929 – Ira Levin. Author of many novels including The Stepford Wives and Rosemary’s Baby which of course became films.
  • Born August 27 – Paul Reubens, 66. Genre work includes GothamBatman:The Brave and the Bold, Tron: Uprising Star Wars Rebels and Buffy the Vampire Slayer. Is Pee-wee’s Playhouse genre?
  • Born August 27 – Alex PenaVega 30. Spy Kids film franchise and apparently a Spy Kids tv series as well, also The Tomorrow People, Sin City: A Dame To Live For and The Clockwork Girl, an animated film where love conquers all differences.

(11) COMICS SECTION.

(12) COLSON WHITEHEAD HONORED. “Writers with ties to Brooklyn named NYS author and poet” – the Brooklyn Eagle has the story.

Two renowned writers with Brooklyn ties have been appointed as the state’s official author and poet by Gov. Andrew Cuomo.

Colson Whitehead, Brooklyn resident for more than a dozen years, has been named New York’s 12th state author.

Alicia Ostriker, born in Brooklyn, has been named New York’s 11th state poet. Cuomo said the award recognizes their work “and the impact it has had on the people of New York and beyond.”

During their two-year terms the state laureates promote and encourage fiction writing and poetry throughout New York by giving public readings and talks.

(13) GATEKEEPING. I haven’t spent much time covering its peregrinations here, but in Camestros Felapton’s view, “’Comicsgate’ is the crappiest ‘gate’”.

The main focus of the campaign has actually been crowd-funding for comics by a rightwing creator, not all of whom use the term “Comicsgate” (Vox Day, for example, has been a bit more equivocal about the term because he thinks all these people should be joining his petty empire). So we have a ‘campaign’ that is just a collaboration of outrage marketing techniques following the standard Scrappy-Doo model: be as loud and as obnoxious as possible and then when people react, claim to be being persecuted.

(14) RAH IN CONTEXT. Charles Stross has a whole rant about what RAH was actually about, versus what his emulators seem to think he was about: “Dread of Heinleinism”.

…But here’s the thing: as often as not, when you pick up a Heinlein tribute novel by a male boomer author, you’re getting a classic example of the second artist effect.

Heinlein, when he wasn’t cranking out 50K word short tie-in novels for the Boy Scouts of America, was actually trying to write about topics for which he (as a straight white male Californian who grew up from 1907-1930) had no developed vocabulary because such things simply weren’t talked about in Polite Society. Unlike most of his peers, he at least tried to look outside the box he grew up in. (A naturist and member of the Free Love movement in the 1920s, he hung out with Thelemites back when they were beyond the pale, and was considered too politically subversive to be called up for active duty in the US Navy during WW2.) But when he tried to look too far outside his zone of enculturation, Heinlein often got things horribly wrong. Writing before second-wave feminism (never mind third- or fourth-), he ended up producing Podkayne of Mars. Trying to examine the systemic racism of mid-20th century US society without being plugged into the internal dialog of the civil rights movement resulted in the execrable Farnham’s Freehold. But at least he was trying to engage, unlike many of his contemporaries (the cohort of authors fostered by John W. Campbell, SF editor extraordinaire and all-around horrible bigot). And sometimes he nailed his targets: “The Moon is a Harsh Mistress” as an attack on colonialism, for example (alas, it has mostly been claimed by the libertarian right), “Starship Troopers” with its slyly embedded messages that racial integration is the future and women are allowed to be starship captains (think how subversive this was in the mid-to-late 1950s when he was writing it).

(15) ROCKET MAN. In the wake of yesterday’s report that 10% of Hugo novel winners are named Robert, and someone else’s observation that being named Robinson helped, too, Soon Lee composed this filk:

So here’s to you Robert Robinson
Hugo loves you more than you will know,
Wo wo wo
Awards you heaps Robert Robinson
Rockets coming out your ears all day
Hey hey hey, hey hey hey

Then Cath could only exorcise the earworm by finishing the verse –

Hide your rockets in the hiding place where no cat ever goes
Put them on your bookcase with your cupcakes
It’s a little secret just the Robinsons’ affair
Most of all you’ve got to hide it from the pups

Sitting in the green room on a Sunday afternoon
Feasting from the finalists’ cheese plate
Laugh about it, shout about it
When Hugo’s got to choose
There’s no way that you can lose

Where have you gone, John Picacio
A Worldcon turns its lonely eyes to you
Wu wu wu
What’s that you say, Robert Robinson?
Diversity shall never go away

(16) SUBTRACTION. Robert/Rob/Bob may be a statistically lucky name for a Hugo nominee, however, the odds won’t soon be improving in the astronaut program. Ars Technica has the info that, “For the first time in 50 years, a NASA astronaut candidate has resigned” — one of a class of 12:

A little more than a year ago, NASA introduced its newest class of 12 astronaut candidates. These talented men and women were chosen from a deep pool of 18,300 applicants, and after two years of training they were to join the space agency’s corps for possible assignment on missions to the International Space Station, lunar orbit, or possibly the surface of the Moon.

However, one of those 12 astronauts, Robb Kulin, will not be among them. On Monday, NASA spokeswoman Brandi Dean confirmed to Ars that Kulin had resigned his employment at NASA, effective August 31, “for personal reasons.”

(17) NAUGHTY GOOGLE. Fingerpointing: “Google is irresponsible claims Fortnite’s chief in bug row”. “Bug row” – there’s the Queen’s English for you.

The leader of the firm behind the hit game Fortnite has accused Google of being “irresponsible” in the way it revealed a flaw affecting the Android version of the title.

On Friday, Google made public that hackers could hijack the game’s installation software to load malware.

The installer is needed because Epic Games has bypassed Google’s app store to avoid giving it a cut of sales.

Epic’s chief executive said Google should have delayed sharing the news.

(18) BAD LUCK AND TROUBLE. Beyond the Sky trailer (2018). The movie is coming to theaters this September.

Chris Norton has been hearing about alien abductions his entire life but, in his gut, he knows they are not real. Setting out to disprove the alien abduction phenomenon once and for all, he attends a UFO convention to meet alleged abductees and reveal the truth behind their experiences. It is only when he meets Emily, who claims to have been abducted every seven years on her birthday, that Chris realizes there may be more to these claims than meets the eye. With Emily’s 28th birthday only days away, Chris helps her to uncover the truth as they come face to face with the reality that we are not alone.

CAST: Ryan Carnes, Jordan Hinson, Peter Stormare, Dee Wallace, Martin Sensmeier, Don Stark

 

(19) AN INTERPLANETARY ROMANCE. The restored 1910 Italian silent film Matrimonio interplanetario (“Marriage on the Moon”) is now online. Its antique delights include a very strange space launch facility that looks suspiciously like a samovar or maybe an espresso machine.

[Thanks to Chris Barkley, JJ, John King Tarpinian, Karl-Johan Norén , Cat Eldridge, Martin Morse Wooster, Mike Kennedy, Chip Hitchcock, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Camestros Felapton.]

Worldcon 76 Roundup

Worldcon 76 Chair Kevin Roche used his crafting and electronics skills to build a 1/10th scale model of the San Jose Electric Light tower.

Worldcon 76 Chair Kevin Roche used his crafting and electronics skills to build a 1/10th scale model of the San Jose Electric Light tower.

By JJ:

(1) 2018 Hugo Ceremony Video

(2) 2018 Hugo Ceremony CoverItLive Text Coverage by Kevin Standlee, Susan de Guardiola, and Cheryl Morgan (includes lots of photos!)

(3) 2018 Hugo Nominating and Voting Statistics

(4) 1943 Retro Hugo Nominating and Voting Statistics

(5) Hugo Finalist Photos taken by Olav Rokne and Amanda Wakaruk

 

(6) Masquerade Photos taken by Olav Rokne and Amanda Wakaruk

 

(7) Hugo Ceremony photos by Neil Ottenstein

(8) Hugo Ceremony photos by Alyshondra Meacham

 

(9) John Picacio on Worldcon 76 and the MexicanX Initiative

 

(10) WSFS Business Meeting Videos

(11) WSFS Business Meeting Summaries by Alex Acks

(12) 2018 Worldcon Photo Album by Kevin Standlee

(13) GRRM’s Hugo Losers Party photos from Best Novella-winning author Martha Wells

(14) Dancing Robots at GRRM’s Hugo Losers Party video by Alvaro Zinos-Amaro

(15) Alvaro also says, “I spotted this bit of Worldcon hotel snark at 3:30 in the morning on Sunday night:”

 

Please feel free to add links to more Worldcon 76 goodness in the comments.

Pixel Scroll 8/17/18 I Heard Him Say In A Voice So Gruff, I Wouldn’t Read You ‘Cause You’re So Tough

Super short tonight!

(1) BETSY WOLLHEIM HONORED. Penguin Random House has announced that DAW Books Publisher Betsy Wollheim will be awarded the World Fantasy Lifetime Achievement Award, for demonstrating outstanding service to the fantasy field.

(2) EATING THE FANTASTIC. Scott Edelman welcomes you to a fish and chips place with John Langan in episode 74 of the Eating the Fantastic podcast.

John Langan

John Langan wrote the poetic horror novel The Fisherman, which was probably my favorite book of 2016. And I obviously wasn’t the only one who felt that way, because it won the Bram Stoker Award for Superior Achievement in a Novel the following year. His short fiction has been published in magazines such as Lightspeed and Fantasy & Science Fiction, anthologies such as Lovecraft’s Children and Poe, plus many other venues.

His debut short story collection, 2008’s Mr. Gaunt and Other Uneasy Encounters, went on to become a Stoker Award nominee. He and I may be the only two people in the history of the planet to write zombie stories inspired by Thornton Wilder’s “Our Town”—his 2008 story “How the Day Runs Down” and my 2001 story “Live People Don’t Understand” tackle that theme in very different ways. He’s a co-founder and on the Board of Directors of the Shirley Jackson Awards.

We discussed how reading Conan the Barbarian comic books as a kid made him hope he’d grow up to be a comic book artist, why his evolution as a writer owes as much to William Faulkner as it does to Peter Straub, what he learned about storytelling from watching James Bond with his father and Buffy the Vampire Slayer with his wife, the best way to deal with the problematic life and literature of H. P. Lovecraft, the reason his first story featured a battle between King Kong and Godzilla, his process for plotting out a shark story unlike all other shark stories, why a writer should never fear to be ridiculous, what a science experiment in chemistry class taught him about writing, his love affair with semicolons, that time Lucius Shepard taught him how to box, the reason the Shirley Jackson Awards were created, and much more.

(3) TODAY’S BIRTHDAYS

  • Born August 17, 1879 – Samuel Goldwyn. Producer, The Unexplained series pilot (1956) which was titled ‘The Merry-Go Round’ and which Bradbury reused in the Something Wicked This Way Comes film. Also The Secret Life of Walter Mitty and Hans Christian Andersen.
  • Born August 17, 1917 – Oliver Crawford. Screenwriter for episodes of Star Trek, The Wild, Wild West, Terry and The PiratesVoyage to the Bottom of the SeaOuter Limits, I SpyLand of the Giants, The Six Million Dollar Man, and The Bionic Woman.
  • Born August 17 – Robert DeNiro, 75. Ok, I’m surprised in that he has at least three genre roles, to wit Fearless Leader in The Adventures of Rocky & Bullwinkle; also in Neil Gaiman’s Stardust in a role… well you decide, and in Brazil as well. Also in the forthcoming Joker film.
  • Born August 17 – Helen McCrory, 50. A lead in the Penny Dreadful series, also Dr. Who, the Harry Potter film franchise, a gender bending sf version of Frankenstein and Interview with the Vampire: The Vampire Chronicles.
  • Born August 17 – Taissa Farmiga, 24. Lead role in American Horror Story, voice work in the animated Teen Titans: The Judas Contract and Justice League vs. Teen Titans.

(4) END RUN. James Davis Nicoll pleads, “When Will SF Learn to Love the Tachyon Rocket?” at Tor.com.

Readers of a certain age may remember the excitement stirred up when various physicists proposed to add a third category of matter to:

  • A. matter with zero rest mass (which always travels at the speed of light), and
  • B. matter with rest mass (which always travels slower than light).

Now there’s C: matter whose rest mass is imaginary. For these hypothetical particles—tachyons—the speed of light may be a speed minimum, not a speed limit.

Tachyons may offer a way around that pesky light-speed barrier, and SF authors quickly noticed the narrative possibilities. If one could somehow transform matter into tachyons, then faster-than-light travel might be possible.

(5) RETRO HUGO BASE. At the official Hugo site, a picture of the prototype awarded on Thursday.

[Thanks to John King Tarpinian, Chip Hitchcock, Cat Eldridge, JJ, Mike Kennedy, Martin Morse Wooster, Carl Slaughter, Scott Edelman, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day IanP.]

1943 Retro-Hugo Winners

The winners of the 1943 Retrospective Hugo Awards were announced on Thursday, August 16 at Worldcon 76.

Best Fan Writer

Forrest J Ackerman

Best Fanzine

Le Zombie, edited by Arthur Wilson “Bob” Tucker

Best Professional Artist

Virgil Finlay

Best Editor – Short Form

John W. Campbell

Best Dramatic Presentation – Short Form

Bambi, written by Perce Pearce, Larry Morey, et al., directed by David D. Hand et al. (Walt Disney Productions)

Best Short Story

“The Twonky,” by Lewis Padgett (C.L. Moore and Henry Kuttner) (Astounding Science-Fiction, September 1942)

Best Novelette

“Foundation,” by Isaac Asimov (Astounding Science-Fiction, May 1942)

Best Novella

“Waldo,” by Anson MacDonald (Robert A. Heinlein) (Astounding Science-Fiction, August 1942)

Best Novel

Beyond This Horizon, by Anson MacDonald (Robert A. Heinlein) (Astounding Science-Fiction, April & May 1942)

The administrators report 703 valid ballots (688 electronic and 15 paper) were received and counted from convention members.

The Hugo Awards, presented first in 1953 and annually since 1955, are science fiction’s most prestigious award, and one of the World Science Fiction Convention’s unique and distinguished institutions.

Since 1993, Worldcon committees have had the option of awarding Retrospective Hugo Awards for past Worldcon years prior to 1953 where they had not been presented 25, 50, or 100 years prior to the contemporary convention, with the exception of the hiatus during World War II when no Worldcon was convened. A recent change in this policy has now allowed for Retro Hugos to be awarded for the years 1942-1945.

Pixel Scroll 7/13/18 It Was The Time Of The Pixel In The Year Of Scroll One

(1) DALEK WITH A COIFFURE. Look familiar? No, it’s not Davy Crockett…

(2) W76 MEMBER COMMUNICATIONS ASSET. Kevin Roche, Chair of Worldcon 76 in San Jose, announced: “Several members of the convention volunteered to moderate a Worldcon 76 resource sharing/membership transfer group for us on FaceBook. We happily took them up on the offer!”

WorldCon 76 Membership Transfer and Resource Sharing

This is the official page for WorldCon76 attendees seeking to connect with each other in order to transfer memberships and to share resources and information.

(3) SUPER SHRINKAGE. Kinky Data compares “Superheroes’ Height Vs
the Actor’s Actual Height”
. (Carl Slaughter wonders, “How exactly did they discover the height of so many comic book superheroes?”)

(4) WITH NO CLINCHES. The author of Archivist Wasp explains it all to you at The Book Smugglers: “Alternatives to Romance: Nicole Kornher-Stace on writing platonic relationships in Archivist Wasp and Latchkey (& a Giveaway)”.

In the three years since Archivist Wasp was published, there’s one thing about it that keeps coming up in reviews and reader comments/questions again and again. Which is fine by me, since I haven’t gotten tired of talking about it yet! (Hilariously, after signing up to write this post, I got put on a Readercon panel on the same topic. They said: Tell us why you should be on this
panel
. I said: I never shut up about this topic. Ever. It is the soapbox I will die on. And they gave me the panel! Readercon = BEST CON.)

And so, without further ado! The full, entire, possibly long story of why I write all my close relationships as friendships instead of romances, the pros and cons of same, and how I wish more books/movies/shows/etc would do so. (I do. So much. Universe, take note.)

(5) VALUES. A WisCon panel writeup by KJ – “Creativity and ‘Productivity’: A Panel Report and Meditiation”.

…One of the most interesting things to happen was also one of the first: as the panelists were introducing themselves, the moderator, Rachel Kronick, wondered out loud why, in these situations, we introduce ourselves with our resumes. Whether she’d planned to say it or was struck by inspiration in the moment, it was the perfect thing to get me thinking about how much we in fandom tend to define ourselves by our work, by our accomplishments. An immediate mindset shift, in the moment. I only had one panel after this one, and although I still gave the “resume” introduction, it was definitely in my mind.

One of the first topics for the panelists was the source of productivity as a measure of worth. Capitalism came in for a lot of the blame, of course, but the panelists also brought up Puritanism: if something is fun, it can’t be valuable. It’s the work ethic baked into American society (which I’ve most often heard called the “Protestant work ethic“: a tenant of Calvinism claiming you can tell who will be “saved” by their dedication to hard work and frugal living). When we measure our value by how much we produce, and how much we are paid for that production (whether that be in money, goodwill, or fandom attention), it’s really easy to think of any time not spent “producing” as “wasted.” This is absolutely a trap that I fall into, and although I fight it, I know I don’t succeed very well.

On the flip side, we have fandom as a capitalist activity: measuring your dedication as a fan by how much money you spend on Stuff. Books, movie tickets, video and other media, branded merch, costumes, going to cons… fannishness can get really expensive, and too much gatekeeping goes on around activities that cost money and time. Although this didn’t come up at the panel, as I type up these thoughts now I see a tension between the work ethic that values austerity on one hand, and a culture that demands voracious consumption on the other. This double bind isn’t unique to fandom, of course, but I’ve never really thought to apply it in this context before.

(6) THREATS. CBR.com reports “Vertigo Writer Receives Veiled Death Threats Ahead of SDCC Appearance”.

Comic-Con International in San Diego is a place where fans from all across the world gather to share their love of all things pop-culture, from comic books to movies to video games, etc. However, some fans, sadly, choose to share hate instead, as evidenced by a social media post from Border Town writer Eric M. Esquivel.

“I woke up to death threats (‘We’re not sending I.C.E. to Comic Con, we’re sending exterminators’),” Esquivel’s tweet reads. Even in the face of verbal assault, though, the writer remained positive, instead choosing to focus on the joy of holding the first issue of his and artist Ramon Villalobos’ soon-to-be-released Border Town in his hands….

(7) WE INTERRUPT YOUR FOOTBALL. For this important announcement:

Comparable information appears in this brief commercial:

(8) PRISONER COLLECTIBLE. Titan Comics is publishing The Prisoner: Kirby & Kane Artist Edition HC Vol.1 this week, “a hard cover edition of never-seen-before work based on the iconic TV series, created by two legends of comic book art.”

This special oversized collectors edition will contain the entire 17 page Jack Kirby strip, the first six pages of which were inked and lettered by Mike Royer, as well as 18 pages of pencils drawn by artist Gil Kane. In addition to reprinting these rare pages, this collection also features unmissable bonus archive material including facsimiles of the original script as written by Steve Englehart.

This book is part of several releases from Titan to mark the 50th anniversary of The Prisoner – join us in celebrating this cult classic!

(9) TODAY IN HISTORY

  • July 13, 1984 The Last Starfighter premiered on this day

(10) TODAY’S BIRTHDAYS

  • Born July 13, 1940 – Sir Patrick Stewart. Various Trek affairs but also roles in the X-Men franchise and Dune, and myriad voice work such as The Pagemaster, Steamboy, The Snow Queen and Gnomeo & Juliet. Yeah another animated gnome film.
  • Born July 13, 1942 – Harrison Ford. The Indiana Jones and Star Wars franchises, also Cowboys & Aliens and Blade Runner and Blade Runner 2049.
  • Born July 13 – Steve McQueen, 30. Yes the grandson of that actor. Genre roles in The Vampire DiariesThreshold, Piranha 3D and the forthcoming Legacies series which apparently features werewolf / vampire hybrids.

(11) COMICS SECTION.

  • I read the news today — PVP.

(12) WALKING HOUSEPLANT.

(13) LANGUAGE CREATOR. Lauren Christensen takes you “Inside
J.R.R. Tolkien’s Notebooks, a Glimpse of the Master Philologist at Work”

in her New York Times review.

From Qenya to Gnomish to Sindarin, the “high elven-speech” J. R. R. Tolkien uses amply throughout the “Lord of the Rings” trilogy was the product of almost 40 years of what the English author once referred to as his “secret vice”: glossopoeia, or language creation. As Carl F. Hostetter writes in an essay in Catherine McIlwaine’s “Tolkien: Maker of Middle-earth,” his was a labor “performed and preserved on thousands of manuscript pages containing Tolkien’s minutely detailed description and unceasing elaboration (and revision) of not just one but rather of a family of invented languages, which can be collectively called the Elvish tongues.”

Although not alone in this practice, Tolkien was the first philologist to establish such a network of evolving dialects that derive from one another “by slowly accumulating changes and divergences in form across time from a common ancestor species.” Tolkien drew this partial table of sound-correspondences among five Elvish languages — Qenya, Telerin, Noldorin, Ilkorin and Danian — around 1940….

(14) LOAD THE CANON. EpicPew gives a Catholic perspective on “Saint Tolkien’:
Why This English Don Is on the Path to Sainthood”
.

Evangelizing through beauty

J.R.R. Tolkien, in this writer’s opinion, has one of the best innate grasps of evangelizing through beauty of anyone writing in the 20th century. Why? Because his work is permeated with a Catholic understanding of beauty. That which is beautiful is pleasing to the senses, but doesn’t stop at a surface level, rather acting as an icon that draws you into deeper realities and encounter with the Divine.

The world Tolkien created in Middle Earth is steeped in this beauty and nobility that raises your mind upwards and calls you to higher things. You can’t readhis epic work without feeling stirred to your very bones to live a life of greatness, rather than comfort.

Is it possible that even Pope Emeritus Benedict XVI himself was thinking of the small hobbit Frodo Baggins when he exhorted us that “we are not made for comfort, but for greatness”?

Well, maybe not.

But it certainly applies, and the story is a grace of inspiration and encouragement for those who wish to take the path less traveled and embark on that narrower road which leads to salvation….

…Tolkien’s potential patronage

Who would turn to Tolkien with prayer requests? He’s the potential patron saint of the hopeless, the wanderers, and (of course) romantics.

(15) STRANGE HORIZONS. Charles Payseur’s short fiction reviews resume with: “Quick Sips – Strange Horizons 07/02/2018 & 07/09/2018”.

Two new issues of Strange Horizons means two new pieces of short fiction (one short story, one novelette) and two new poems, all of which look at distance and drive, humans and aliens. For the fiction, there’s not a whole lot to link the pieces together, one of which looks at language and abuse, the other at speed and drive and competition. Similarly, the poem isn’t incredibly similar either, one looking at the inhuman at the end of a long mission, the other at changes in body and relationship while also showing those changes striking toward a more stable truth. What does link everything together, though, is a wonderful and moving style, and a range of speculative visions all reflecting back the ways people are hurt by others, and the way people hurt themselves, all reaching for connection, community, and belonging. To the reviews!

(16) SHADOW SUN SEVEN. Paul Weimer has a “Microreview [book] Shadow Sun Seven by Spencer Ellsworth” posted today at Nerds of a Feather.

The complex tale of Jaqi, reluctant opposition to a Resistance that has in turn just toppled an oppressive human galactic empire, continues in Shadow Sun Seven, sequel to Spencer Ellsworth debut novella A Red Peace. This second novella jumps off not long after the first. It should be said that discussion of this second volume, a short novel, does necessarily spoil the first novella.

That novella, which posited, explored and depicted a wide ranging universe with half-Jorians, lots of biological weapons and creatures that would fit in a Kameron Hurley novel, and a net of complicated characters. By the end of the first novella, Jaqi, Half-Jorian, and Half Human pilot, had managed to spirit away two children from the Resistance that are looking for them at any cost, and had slowly started to learn that she has a destiny and power that she never knew, a destiny and power tied to the original, extinct race of which she is just a hybrid descendant gene engineered cross. Or is she?…

(17) WOMEN OF SFF IN THE SEVENTIES. James Davis Nicoll reaches names beginning with the letter R in “Fighting Erasure: Women SF Writers of the 1970s, Part IX” at Tor.com.

Pamela Sargent first caught my eye with 1976’s Cloned
Lives
, which takes a refreshingly mundane look at the lives of the world’s first clones.
Their unusual parentage does not confer on them any particular special abilities like telepathy or telekinesis. Her Venus terraforming epic (Venus of Dreams, Venus of Shadows, and Child of Venus) may have been denied its proper place in the public psyche due to a somewhat troubled publication history; all three are in print and worth consideration. Also of interest is Sargent’s Women of Wonder series (Women of Wonder, More Women of Wonder, and The New Women of Wonder, followed in the 1990s by Women of Wonder: The Classic Years, and Women of Wonder: The Contemporary Years). The difficulty of tracking down the rights at this late date probably precludes reprints, but used copies are easily obtained.

(18) HUGO NOMINEE RANKINGS. Joe Sherry’s series reaches the nonfiction: “Reading the Hugos: Related Work”. Surprisingly, he hasn’t read Ellison, but now he has read the Ellison bio —

A Lit Fuse: Here’s my genre confession: I can’t be sure if I’ve actually read Harlan Ellison before…

Nat Segaloff’s biography is necessarily a slanted one, biased towards Ellison. Segaloff doesn’t hide Ellison’s flaws, but he does minimize them and give them Ellison’s context and Ellison’s shading. As a biography, it’s a fairly well written and comprehensive one. If I were a fan of Ellison, I would probably be thrilled by detail of the man’s life. Also, a
person doesn’t need to be likeable to be interesting or to be worth writing about. This is good, because I’m not sure I would have liked him much. I’m quite sure he wouldn’t have liked me. The problem is that there is a bit of tedium to the writing and the recounting of Ellison’s life. Time will tell if A Lit Fuse turns out to be an important science fiction biography in the long run, but it is certainly a less vital and immediate work on the Hugo ballot.

(19) RETRO FAN HUGO RESOURCE. And when you’re all done with this year’s Hugo reading, you can get started deciding what to nominate for next year’s Retro-Hugos. The Fanac.org site has hundreds of zines already available.

Fan History Spotlight:

Next year’s Retro Hugos will cover 1943, and we’ve been focusing on that year as we put up additional fanzines. We have almost 250 zines from 1943 already online. Remember, before the internet, before inexpensive long distance phone calls, before air travel was common, the world came to your door by the mailbox, twice a day. The byplay, the chatting, the fannish flame wars were all conducted on paper. In 1943, FAPA (aka the Fantasy Amateur Press Association) sent out over 1,200 pages of fannish writing in 4 mailings. We have 1,196 pages of those online for you now. FAPA is a real window on the fannish world of that era, with contributions by all the BNFs of the time, including Ackerman, Ashley, Joquel, Laney, Shaw, Speer, Tucker, Warner, Widner, Wolheim and more. There’s the first publication of Lovecraft’s “Fungi From Yuggoth” Cycle. There’s a “Decimal Classification of Fantastic Fiction” by Sam Russell, and interesting in-context materials and commentary on Degler and the Cosmic Circle controversy. But wait! There’s more. See for yourself at http://www.fanac.org/fanzines/FAPA_Mailings/.

(20) 95 IS THE NEW 79. The Stan Lee hype machine gets back in gear – Syfy
Wire
has the story:“Stan Lee in first of new series of videos: ‘I’m back again with new energy'”

In a tweet posted on Thursday, Lee appeared in the first video since POW! Entertainment reasserted control over the creator’s social media channels. He joked about his age (“It’s taken me a while to get used to being 79 years old,” said the 95-year-old Lee) and promised his fans that he’s back.

(21) HARLAN STORIES. Ted White’s piece for the Falls Church News-Press,
“Remembering Harlan Ellison and His Place in My Life”, is not exactly a eulogy.

…Proximity to me reinforced in Harlan his need to settle his
debt to me. But Harlan was scuffling as a freelance writer; he had no regular income and coming up with an extra several hundred dollars wasn’t easy for him. But one August evening we went to a party in the Bronx and there encountered Ken, whom Harlan hadn’t seen in nearly five years. Harlan braced him for the money. Ken had effectively stolen the typewriter after all, and clearly owed Harlan, who owed me. Harlan was forceful in his demands, but Ken, still without a real income of his own (later he would edit a movie magazine), gave Harlan no
satisfaction.

But he did something else. He told his best friend about Harlan’s demand, and the colorful threats Harlan had made. His best friend told his mother. The mother was a crackpot who routinely complained to the FBI that her son’s antagonists were “Commies.” She called the NYPD and told them Harlan was a heroin dealer.

Ironically, Harlan did not use drugs or intoxicants of any kind, abstaining from both alcohol and caffeine (but he did sometimes smoke cigarettes or a pipe, I think for the image more than any other reason). When we went to jazz clubs together he ordered a glass of orange juice, which he could pass off as a Screwdriver.

When the police arrived at his door, Harlan was flabbergasted at the notion that he was a drug dealer, and freely allowed them to search his small apartment. In his closet, on a high shelf and in a box, they found three things: a small revolver, a set of brass knuckles, and a switchblade. They promptly arrested Harlan for possessing an unlicensed gun. New York City had very tough gun laws….

(22) TIME CAPSULE. Joe Siclari says the 1992 MagiCon time capsule will be opened this year in San Jose.

At closing ceremonies for MagiCon, the 1992 Worldcon, we created a time capsule. It was loaded with convention publications and the like, but at the ceremony something unexpected happened. Folks in the audience wanted to have their part of fandom memorialized in the time capsule, and came forward with all kinds of things to put in it. Well, at this year’s Worldcon, the time capsule will be opened. The contents will be put on exhibit. Has fandom really changed that much? If you are at the con, come and find out. We’ll also have a FANAC table with some interesting materials, so come get your contributor ribbon or sticker, and say hi.

(23) STALKED BY SFWA. Cue the Jaws theme…

(24) INSTANT MASTERPIECE. Camestros Felapton recently graced the comments section with this example of Bohemian Rhap Music:

Is this more sci-fi?
Is this just fantasy?
Caught in a pixel
No escape to reality
Open your files
Look up on the web and see…

I’m just a pixel
Not a John Williams symphony
Because I’m easy come, easy go
Scrolling high, scroll low
Any way the pix scrolls
Doesn’t really matter to me, to me

Mamaaa just filmed a cat
Put a phone just near its head
Pushed the shutter, as it fed
Mamaaa, my likes have just begun
But now I’ve gone and thrown them all away
Mamaaaaaa, ooooooooh
Didn’t mean to make you share
If I don’t tweet this time again tomorrow
Carry on, carry on as if nothing viral matters

Too late, my GIF has gone
Of cat shivers down its spine
Like it’s eating the sublime
Goodbye, everybody
I’ve got to mute
Gonna leave social media to face the truth
Mamaaaaaaaaaaaaaa, oooooooh (Anyway the pix scrolls…)
I don’t want these likes
Sometimes wish I’d never posted it at all

[Epic Guitar Solo]
[Sudden change of tempo]

I made an animated GIF of a dog
Scary pooch, Scary pooch, will you do the Fandango?
Bad contrast and lighting, very, very frightening me
(Galileo) Galileo (Galileo) Galileo, Galileo is irrelevant
Irrelevant-ant-ant
I’m just a pixel nobody loves me
He’s just a pixel from a scroll family
Spare him his life from this GIF travesty

Easy come, easy go, will you post this scroll?
Pixellah! No, we will not post this scroll
(Post this scroll!)
Pixellah! No, we will not post this scroll
(Post this scroll!)
Pixellah! We will not post this scroll
(Post this scroll!)(Will not post this scroll)
(Post this scroll!)(Will not post this scroll)
(Never, never, never, never)
Post this scro-o-o-oll
No, no, no, no, no, no, no
(Oh mama mia, mama mia) Mama Mia, ABBA is in this scroll!
The iTunes Store put soundtrack aside for me, for me, for me!

[Heavy rock break]

So you think you can quote me and make fun of my cat?
So you think you can repost that picture of it in a hat?
Oh, baby, can’t do this to me, baby
Just gotta get out, just gotta get right outta here

[Guitar Solo]
(Oooh yeah, Oooh yeah)

Nothing viral matters
Anyone can see
Nothing viral matters
Everything viral matters to me

Any way the pix scrolls….

[gong]

[Thanks to Kathy Sullivan, Hampus Eckerman, Cat Eldridge, Chip Hitchcock, JJ, John King Tarpinian, Carl Slaughter, Martin Morse Wooster, Dann, Mike Kennedy, Kevin Roche, James Davis Nicoll, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

What’s in the 1943 Retro Hugo Voter Packet?

Worldcon 76 has released the 1943 Retrospective Hugo Awards Voter Packet, a collection of finalists for the 1943 Retro-Hugo Awards created to assist Worldcon members in making informed decisions when voting on this year’s Hugo Awards.

All the files are PDFs, and many are simply PDF documents containing links to the works either at the Internet Archive, Fanac.org or eFanzines.com.

As the committee explains:

Not all works shortlisted for the 1943 Retrospective Hugo Awards appear in the Retro-Hugo Voter Packet due to challenges with obtaining rights to distribute them.

Members of Worldcon 76 can access the 1943 Retro-Hugo Award Voter packet and vote on the 1943 Hugo Awards using the PINs emailed them by the committee.

Novel

Six nominees, none in packet

Novella

Six nominees, four in packet

  • “Hell is Forever” by Alfred Bester [link to the Internet Archive]
  • “Nerves” by Lester del Rey [PDF]
  • “The Compleat Werewolf” by Anthony Boucher [PDF]
  • “The Unpleasant Profession of Jonathan Hoag” by Robert A. Heinlein [link to the Internet Archive]

 Novelette

Six nominees, one in packet

  • “The Star Mouse” by Fredric Brown [PDF]

Short story

Six nominees, three in packet

  • “Etaoin Shrdlu” by Fredric Brown [PDF]
  • “Proof” by Hal Clement [PDF]
  • “The Sunken Land” by Fritz Leiber [link to the Internet Archive]

Dramatic Presentation – Short Form

Six nominees, none in packet

Editor – Short Form

Six nominees, none in packet

Professional Artist

Six nominees, none in packet

Fan writer

All nominees in packet

  • Art Widner [links to 13 items at Fanac.org]
  • Arthur Wilson “Bob” Tucker [links to 20 items at Fanac.org]
  • Donald A Wollheim [links to 5 items at Fanac.org]
  • Forrest J Ackerman [links to 19 items at Fanac.org]
  • Harry Warner, Jr. [links to 17 items at Fanac.org]
  • Jack Speer [links to 16 items at Fanac.org]

Fanzine

All nominees in packet

  • Futurian War Digest [links to 9 issues at eFanzines]
  • Inspiration [link to 1 issue at Fanac.org]
  • Le Zombie [links to 4 issues at Fanac.org]
  • Spaceways [links to 6 issues at Fanac.org]
  • The Phantagraph [link to cover of 1 issue at Fanac.org]
  • Voice of the Imagination [links to 7 issues at Fanac.org]

[Thanks to Joe H. and Kevin Standlee for the story.]

Pixel Scroll 6/24/18 To File Where We Scrolled And Know The Pixel For The Fifth Time

(1) THUNDER LIZARDS MAKE BOX OFFICE NOISE. They tipped plenty of gold onto the scales this weekend: “‘Jurassic World: Fallen Kingdom’ Feasts on $150 Million Opening”.

Jurassic World: Fallen Kingdomtopped estimates to devour $150 million from 4,475 locations in North America this weekend. While it fell short of its predecessors’ record-shattering $208.8 million launch, the dinosaur sequel is off to a mighty start. The Chris Pratt and Bryce Dallas Howard-led tentpole has already amassed $711.5 million worldwide, including $561.5 million overseas.

“Fallen Kingdom” easily led the weekend as the lone wide release, though “Incredibles 2” enjoyed a heroic second weekend. The Disney Pixar sequel picked up another $80 million, bringing its domestic total to $350.3 million. The superhero blockbuster, directed by Brad Bird, launched with $182.7 million, making it the best opening for an animated feature and the eighth-biggest debut of all time.

(2) ROANHORSE INTERVIEW. AzCentral profiled Nebula-winning Rebecca Roanhorse: “Navajo legends come to life in Rebecca Roanhorse’s debut novel ‘Trail of Lightning'”

She also has a more personal inspiration. Born of Ohkay Owingeh (Pueblo) and African-American heritage, Roanhorse was adopted by an Anglo family and grew up in Texas. As an adult, she reunited with her indigenous birth mother in New Mexico and began to immerse herself in the culture. She picked up a law degree at the University of New Mexico and ended up marrying a Navajo man.

“I’ve been very lucky and very honored that so many Navajo folks have invited me into their families and shared with me, but I don’t presume to speak for the culture,” Roanhorse says. “I’m a fantasy writer, and this was the culture that I wanted to set my world in, because I love this culture. It’s something that I wanted to share and something that really spoke to me.” …

Q: There’s been some pushback against emerging voices in science fiction, especially women of color, particularly with the campaign a few years ago to vote against those authors for the Hugo Awards. How do you respond to that?

A: Science fiction, as Ursula LeGuin would probably tell you, is always about social issues. It’s never not been about social issues. Even if you’re writing rocket men going to space, you’re writing from a certain perspective. Whatever it is that defines your place in society, that’s where your voice comes from. So actually it makes a lot of sense that if science fiction is telling us what the future is supposed to look like, or fantasy is letting us play out our dream ideas of what society might be, that they would take up these issues of identity. I think it’s kind of exciting that you’re seeing the science-fiction and fantasy community push back against people like the Sad Puppies, the organizations that were trying to push out the voices, some of the underrepresented voices, from women of color, disabled voices, queer voices.

And the stories are great.

(3) BEWARE SPOILERS. Cinema Blend has a window into the Marvel Cinematic Universe’s future: “James Gunn Confirms When Guardians Of The Galaxy Vol. 3 Will Take Place”. BEWARE AVENGERS SPOILAGE.

And just like that, one of the biggest mysteries surrounding the Guardians of the Galaxy franchise has been put to bed. Guardians 3 will indeed be set after the events of Infinity War. This seems to hint that the fallen Guardians might return, although it’s currently unclear exactly how that might occur.

James Gunn’s tweet reveals that Guardians of the Galaxy Vol. 3 will be affected by the tragic events of the Russo Brothers’ Avengers movies. This is likely a relief for the fans, who wanted the story to continue moving forward, rather than backwards. And considering the insane fates of the Guardians’ members, simply ignoring their near-annihilation at the hands of Thanos would have felt disingenuous.

(4) COMING EXHIBIT. “‘Black Panther’ Is Coming To The Smithsonian’s African American Museum”. Artifacts from the movie will be displayed during the Smithsonian’s inaugural African American Film Festival in October.

After “Black Panther” basically broke the box office back in February, fans of the Marvel superhero movie have been clamoring for a sequel. But if you can’t wait for Hollywood to get its act together, the Smithsonian African American Museum of History and Culture has your back.

The museum announced Wednesday that it has acquired several objects from the film, including the Black Panther superhero costume. That is, the actual outfit that star Chadwick Boseman wore. On his body. While fighting to save Wakanda from evil.

…Curators are still in the process of figuring out plans for a permanent exhibit.

(5) DESTINATION MOON. And also on the way, a bit farther into the future, is the National Air and Space Museum’s exhibit “Destination Moon: The Apollo 11 Mission”. It’s on the road now, and will come home to a permenant exhibit in 2021.

Building on centuries of imagination and scientific discovery, and on the Smithsonian’s unequaled collection of space artifacts, Destination Moon will show those who remember the 1960s as well as generations born afterward how an extraordinary combination of motivations, resources, technologies, and teamwork made it possible to send people and robots to the Moon. The new gallery will help visitors discover the scope of lunar exploration from ancient dreams to contemporary spacecraft missions. The entrance will feature a gigantic 1957 Moon mural by Chesley Bonestell, under which it presents lunar flight mythology, Jules Verne, early Moon movies, and 1950s spaceflight advocacy. Two of the Museum’s most treasured Apollo 11 artifacts will be on display: the Command Module Columbia and Neil Armstrong’s spacesuit. The gallery’s last section exhibits the Lunar Reconnaissance Orbiter and a Space Launch System/Orion model and information about what has gone on at the Moon since the 1990s and what is happening now. A more focused touring version of the exhibition, called Destination Moon; The Apollo 11 Mission, features the Columbia. It is currently at the St. Louis Science Center and will continue to Pittsburgh and Seattle before returning to the Museum.

 

(6) CHABON COMIC REALIZED. NPR tells how “A Cornucopia Of Comic Artists Pay Homage To Michael Chabon’s Escapist”.

It’s got to be a bit daunting for a comics creator to contribute to an anthology revolving around Michael Chabon’s Escapist. Chabon created the Escapist in his 2000 novel The Amazing Adventures of Kavalier & Clay, which won a Pulitzer Prize and set a new standard for highbrow treatment of comics. He’s an author who’s always expected great things from the form; in the keynote speech at the 2004 Eisner Awards (included in this volume), Chabon called for writers and artists “to … increase the sophistication of [comics’] language and visual grammar, to probe and explode the limits of the sequential panel, to give free reign to irony and tragedy and other grown-up-type modes of expression.”

It’s a hefty agenda, and the creators assembled here clearly feel its weight. For some, the pressure has proven to be a valuable impetus. Several of the most successful stories, inspired by the anti-Fascist politics of the Escapist in the novel, find contemporary relevance in his message of liberation. In “The Death of the Escapist” by Kevin McCarthy and Shawn Martinbrough, the Escapist’s skills inspire the citizens of a North Korea-like dictatorship to contemplate rebellion: “for the first time in their lives, they allow themselves to entertain the idea that escape … may be possible.”

(7) UNDER THE HAMMER. The original Star Wars’ Oscar-nominated art director finally cashed in this relic: “Han Solo ‘blaster’ fetches $550,000 in New York”.

A “blaster” used by Harrison Ford’s character Han Solo in the film Return of the Jedi has sold at auction in New York for $550,000 (£415,000).

The weapon, made mostly of wood, had previously spent more than 30 years in the possession of the film’s art director James Schoppe.

It sold for more than a lightsaber used by Mark Hamill in the first two Star Wars films, which fetched $450,000.

Despite being a much less sophisticated weapon, this Star Wars prop also brought in a heap of money:

(8) TODAY IN HISTORY

  • June 24, 1983Twilight Zone – The Movie debuted.
  • June 24, 1987Spaceballs premiered theatrically.

(9) COMICS SECTION.

  • Kathryn Sullivan learned from Breaking Cat News why books make the best cat beds.
  • Daniel Dern promises Get Fuzzy has “SFish refs.” And you know what that means. (Don’t you?)

(10) HOLY REPO, BATMAN! Hampus Eckerman wonders if Wayne Enterprises went broke. “The Batmobile has been taken into custody and is being auctioned off by the Swedish bailiffs,” according to this Swedish-language auction listing.

The following statistics have not been verified.

Length: 6 meters
Weight: 1750 kg
Max speed: 260 km/h
Chassis Lincoln Continental 1973
Motor 460 Ford big block V8. 550 hk
Chassis bulletproof carbonfiber

(11) DIVIDING THE BABY. Crazy Eddie’s Motie News looks ahead to the Saturn Awards and the Retro Hugos in “‘Get Out’ wins Bradbury Award plus my take on the Retro Hugo nominees”. The author makes a Solomonic decision about two Retro Hugo categories:

My picks would be between Forrest J Ackerman and his fanzine Voice of the Imagi-Nation and Donald A. Wollheim and The Phantagraph.  Ackerman was a bigger name in fandom while Wollheim eventually became a professional writer.  If I were a Hugo voter, which I’m not, I’d split the difference by voting Wollheim as the better writer and Ackerman’s fanzine as the better publication.

(12) BEGINNING OF THE ENDS. How It Ends is a new Netflix sff series.

As a mysterious apocalypse causes the spread of misinformation and violence, a man and his estranged father-in-law race across a chaotic and fractured country to save his pregnant wife. Starring Theo James, Forest Whitaker and Kat Graham, How It Ends premieres July 13 only on Netflix.

 

(13) SHOPPING FOR YOUR EDITOR. Amanda J. Spedding advises on “Finding the right editor, and when to run like hell” — what an editor is for, and how to assess prospective editors.

This post is brought to you by a Twitter thread I came across yesterday about the importance of editors. I recently wrote a post on just such a thing. If you’re disinclined to read that, I’ll break it down quickly: YOU NEED AN EDITOR.

Right then. Within this Twitter thread, I came across some information that needs to be addressed, so I’m chucking on my ranty-pants (they’re fabulous, by the way), and I’m going to give you some insights into what to look for in a good editor, and how to help find the right editor for you. Yes, not all editors will be the right fit. (I had a whole thing about editors being like pants, but it just got… weird.)

Aaaanywho, what had me don my ranty-pants was a writer explaining they’d been quoted $10,000 for an edit. I’ll just let that sink in. Ten grand. For an edit. Of one book. Oh, hell no. HELL NO. I don’t know who the so-called “editor” was who thought this was a reasonable quote. If I did, I would call them out on their bullshit. Because bullshit it is. I can’t even fathom an instance where quoting or even charging someone this amount is even within the realm of possibility. That, folks, is a scam. Run far. Run fast.

On the flipside, if you’re quoted say, $200 for a full edit of a novel – run far, run fast. No editor worth their salt would charge this little for a full edit. There’s a lot of skill that goes into editing, and most editors study to gain qualifications, to understand the nuances of English and its building blocks that go into great storytelling. Their qualifications and experience are worth more than two hundred bucks.

(14) THE PANIC OF 2942. Camestros Felapton worries about economic justice in Middle-Earth in “Dragons and wealth inequality”.

Dragons of the Smaug-Tolkien variety must have some interesting economic impacts. Smaug hoards gold and jewels in vast quantities. Notably, Smaug (and presumably other gold obsessed dragons) know specifically what they have hoarded. When Bilbo steals one of Smaug’s treasures, the dragon notices that it is gone. So Smaug’s lair isn’t like Scrooge McDuck’s vault full of coins – the dragon is hoarding possessions rather than coinage or more abstract tokens of wealth. That’s not to say some of a dragon’s gold isn’t in the form of coins but clearly, the dragon wants the coins for their own sake and not as a unit of currency. Each piece of the dragon’s hoard is uninterchangeable. Furthermore, a dragon has nothing to spend his wealth on – there aren’t dragon shops and the dragon’s interaction with other species is one of eating them or burning them to a crisp.

So when a dragon hoards gold, the gold is removed from the economy….

(15) DIGITAL GASLIGHTING. Cory Doctorow discusses “The Internet of Shit: a godsend for abusers and stalkers” at Boing Boing.

People who help domestic abuse survivors say that they are facing an epidemic of women whose abusers are torturing them by breaking into their home smart devices, gaslighting them by changing their thermostat settings, locking them out of their homes, spying on them through their cameras.

The abusers are often ex-partners who retain authentication passwords that allow them to access the IoT devices after a breakup.

Many of the women facing this abuse are wealthy and well-off (domestic abuse affects people of all incomes, but wealthier people are more likely to own these gadgets). In interviews with the NYT, survivors called it “jungle warfare” and “asymmetric warfare,” likening their ex-partners to guerrilla fighters attacking in secret….

The New York Times source article is here: “Thermostats, Locks and Lights: Digital Tools of Domestic Abuse”.

The people who called into the help hotlines and domestic violence shelters said they felt as if they were going crazy.

One woman had turned on her air-conditioner, but said it then switched off without her touching it. Another said the code numbers of the digital lock at her front door changed every day and she could not figure out why. Still another told an abuse help line that she kept hearing the doorbell ring, but no one was there.

Their stories are part of a new pattern of behavior in domestic abuse cases tied to the rise of smart home technology. Internet-connected locks, speakers, thermostats, lights and cameras that have been marketed as the newest conveniences are now also being used as a means for harassment, monitoring, revenge and control.

In more than 30 interviews with The New York Times, domestic abuse victims, their lawyers, shelter workers and emergency responders described how the technology was becoming an alarming new tool.

(16) THE LAST BITE. The Biology of Sharks and Rays investigates “The Extinction of Megalodon”.

To a greater or lesser extent, all living lamnids – including the White Shark – have a modified circulatory system that enables them to retain metabolic heat and extend their range into chilly waters. With the exception of the Shortfin Mako (Isurus oxyrinchus), which makes a good living even in tropical waters, all extant lamnids are primarily cold-water animals. Although some lamnids – like the White Shark – occasionally visit warmer waters, very few actually live there. Like the primates slathered in coconut oil on tropical beaches, warm water lamnids are generally tourists. And, like their human counterparts, they eventually go home. In contrast, megalodon does not seem to have extended its range into cool temperate waters. Despite its enormous body mass, megalodon may not have shared the lamnids’ ability to retain significant metabolic heat. This shortcoming may have effectively trapped Megalodon in discrete, ever-decreasing puddles of warm coastal waters. If, as Robert Purdy’s paleoecological study suggests, Megalodon was limited to warm waters and relied on coastal areas as pupping grounds – no matter from whence it descended or what it looked like – it had a very sandtiger-like life history. And this may have led to Megalodon’s ultimate undoing.

(17) WALK A MILE IN HER SHOES. April Wolfe in the Washington Post explores the issue of “women wearing unreasonable shoes in action films” with a discussion of Bryce Dallas Howard’s high heels in Jurassic World and interviews with costume designers Ellen Mirojnick and Black Panther costume designer Ruth Carter: “The tortured history of action-film heroines and their high heels. (‘Jurassic World,’ anyone?)”

…What became clear is that movie audiences are more attuned than ever to on-screen footwear, amid our culture’s greater scrutiny of gender norms in film. But a look back at the history of heroines in heels shows that the issue is more complex than it seems.

For instance, one reason “Jurassic World” caught flak is not just that Howard was wearing heels but also that Trevorrow didn’t hide them. Veteran costume designer Ellen Mirojnick (“Cliffhanger,” “Speed,” “Strange Days”) explained that it’s typical for characters dressed in heels to be shot in a way that their shoes are not visible during any of the action. Try finding a single frame of “Hansel & Gretel: Witch Hunters” in which you can clearly make out Gemma Arterton’s shoes in a fight.

“We do substitutes, where we might put a wedge [heel] on her, because you won’t be actually seeing her feet,” Mirojnick said. “So we build a .?.?. shoe that will have the right height for the scene, but the audience is never to assume she’s wearing anything but the heel we saw her in before.”

It’s often just too difficult to perform any stunts, even running, in a heel. Some films, such as “True Lies” or “Red,” show a heroine in heels and then make it a point to show her removing them, to represent her shedding that more feminine identity, which also makes the action sequences easier to perform….

(18) A MONSTER “KID” REMEMBERS. Movie fan Steve Vertlieb shares the story of his life in “A Monster Kid Remembers” at The Thunderchild.

Cosmic dreams (and provocative nightmares) of tantalizing journeys through time and space … infinite, conceptual exploration of the stars … alien creatures … Hammer Films … Universal Pictures … “King Kong” … Harryhausen dinosaurs … and Famous “Monsters” of all shapes, sizes, and creeds, both conceived and lovingly chronicled in books, magazines, journals, tabloids, and on line for half a century, inspired this affectionate, deeply personal, if slightly Monstrous, remembrance of a life in “horror” by a gray haired, unabashedly child like, Monster “Kid.”

[Thanks to Bonnie McDaniel, Carl Slaughter, Andrew Porter, Chip Hitchcock, Hampus Eckerman, Mike Kennedy, Martin Morse Wooster, John King Tarpinian, JJ, Kathryn Sullivan, Steve Vertlieb, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

Where To Find The 1943 Retro Hugo Finalists For Free Online

By JJ, with content provided by Nicholas Whyte, Kat Jones, Carla H., Joe Siclari, Edie Stern, FANAC.org, Bill Burns, eFanzines.com, and The Internet Archive

Since the 1943 Retro Hugo Voter’s packet has not yet arrived, if you’d like to get a head start on your reading, you can use this handy guide to find material which is available for free online.

The Professional Artist images are taking quite a long time to locate and format into galleries, so I have gone ahead with this post so that people will be able to start reading works. When the galleries are finished, I will post an update.

Related articles:

Best Novel

  • Beyond This Horizon, by Anson MacDonald (Robert A. Heinlein) (Astounding Science Fiction, published as a two-part serial: April 1942 and May 1942)
  • Darkness and the Light, by Olaf Stapledon (Methuen / S.J.R. Saunders)
  • Donovan’s Brain, by Curt Siodmak (Black Mask, September-November 1942)
  • Islandia, by Austin Tappan Wright (Farrar & Rinehart)

(the published book is 1,014 pages; this archive is 2,293 scanned pages of the original unpublished, uncut manuscript and related materials, and if anyone can provide the page range of a 100- to 200-page segment of this archive as a recommended reading sample, it would be appreciated)

Best Novella

Best Novelette

Best Short Story

Best Dramatic Presentation – Short Form

  • Bambi, written by Perce Pearce, Larry Morey, et al., directed by David D. Hand et al. (Walt Disney Productions)  trailer
  • Cat People, written by DeWitt Bodeen, directed by Jacques Tourneur (RKO Radio Pictures, Inc.)  trailer
  • The Ghost of Frankenstein, written by W. Scott Darling, directed by Erle C. Kenton (Universal Pictures)  trailer
  • I Married a Witch, written by Robert Pirosh and Marc Connelly, directed by René Clair (Cinema Guild Productions / Paramount Pictures)  trailer
  • Invisible Agent, written by Curtis Siodmak, directed by Edwin L. Marin (Frank Lloyd Productions / Universal Pictures)  trailer
  • Rudyard Kipling’s Jungle Book, written by Laurence Stallings, directed by Zoltan Korda (Alexander Korda Films, Inc. / United Artists)  trailer

Best Editor – Short Form

John W. Campbell

Oscar J. Friend

  • Captain Future 1942 (Spring, Summer, Fall, Winter)
  • Startling Stories 1942 (Jan, Mar, May, Jul, Sep, Nov)
  • Thrilling Wonder Stories 1942 (Feb, Apr, Jun, Aug, Oct, Dec)

Dorothy McIlwraith

Raymond A. Palmer

Malcolm Reiss

  • Planet Stories 1942 (Spring, Summer)
  • Jungle Stories 1942 (Spring, Summer, Fall, Winter)

Donald A. Wollheim

Best Professional Artist (galleries still under construction)

  • Hannes Bok
  • Margaret Brundage
  • Edd Cartier
  • Virgil Finlay
  • Harold W. McCauley
  • Hubert Rogers

Best Fanzine

Best Fan Writer

* if you encounter any invalid links, please let me know in the comments *

Source links:

 

Worldcon 76 Hugo Base Designers

2018 HUGO BASE. Sara Felix and Vincent Villafranca are collaborating to create the 2018 Hugo Award base.

Each artist individually has created a past Hugo base.

Villafranca produced the iconic 2013 LoneStarCon 2 Hugo base. (And he designed the new World Fantasy Award trophy.)

Sara Felix of Austin, who is also the current president of the Association of Science Fiction and Fantasy Artists, created the 2016 MidAmeriCon II Hugo base.

1943 RETRO HUGO BASE. The 1943 Retrospective Hugo Award base is being created by con chair Kevin Roche.

[Thanks to JJ for the story.]

Pixel Scroll 4/8/18 Do Not Go Pixel Out Of That Good Hive, Buzz, Buzz, Against The Flying Of The Five

(1) WALK / DON’T WALK. This not-quite-infinite series of variations on Le Guin’s famous story: “Once upon a time there was a city called Omelas, where everyone lived good and happy and fulfilling lives” is a hoot!

“…the best predictions of our scientists suggest that there will be a slight average decrease in various hard-to-measure kinds of happiness, which nevertheless in total adds up to more suffering than this child experiences.”
And Outis said to the elder, “I will have no part in this evil thing.” And he took the child and bathed him and cared for his wounds. And the average happiness increased in some ways and decreased in others, and the net effect might have been negative, but the best results on the matter had p > 0.05, so the scientists of Omelas could not rule out the null hypothesis.

(2) SUE ‘EM, DANNO. Dorothy Grant gives the rundown on a scam to inflate payments from Amazon’s Kindle Unlimited program in “Book stuffing, KU reads, and Amazon’s Doing Something” at Mad Genius Club.

While I would hope that everyone who reads this is interested in being a real author making up real stories that are your own, writing them down, and publishing them, we are all aware that there are scammers out there, and people who care more about the money, than acting ethically or the readers. We also know that Amazon has a habit of taking a wide swath of potential wrongdoers, then filtering out and restoring the innocent.

Yep, they’re doing it again.

  1. David Gaughran gave us the first heads-up on twitter that Amazon has filed suit against an author for book-stuffing.

Forbes article here: https://www.forbes.com/sites/adamrowe1/2018/04/07/amazon-has-filed-suit-to-stop-the-six-figure-book-stuffing-kindle-scam/#2af7a11b7344

Book stuffing is when authors take all their works and stuff them into the back of every other book to artificially inflate their page count. Some authors even stuff in newsletters: the goal is to inflate the page count as much as possible, and thus the payout on KU page reads.

(3) ATOMIC PILES OF LAUGHS. Scott Tobias profiles “artificial intelligence-assisted comedy” in “Can algorithms be funny? Veterans of Clickhole and the New Yorker team up to find out” at the Washington Post. What they do is put giant amounts of text into a computer and produce “interactive text collages.”  For example, they put all the Harry Potter novels into a computer and came up with a pastiche that said, “Ron’s ron shirt was just as bad as Ron itself.”  A lot of the weird pastiches they produce are sf.

Onstage at the Hideout, a small Chicago music club, two performers read passages from Civil War love letters. “Oh darling wife of the war,” one begins, “I shall always be a husband to you and the children and all the folks in our neighborhood.” He goes on to complain that “the boys from the army have taken my breakfast.” The news is worse back home. “Our horses are sadly on fire,” his wife laments. But they’re ever reunited, she promises, “I would kiss you as many times as there are stitches in the children.”

Rest assured, every word from these letters is authentic. It’s just that the words have been scrambled up by a computer algorithm and pieced back together, one by one, by writers with an ear for the absurd.

(4) WESTERCON BID NEWS. Seattle (SeaTac, using the same hotel as Norwescon) has formally filed what Kevin Standlee says is likely to be the only bid for the 2020 Westercon.

(5) REINCARNANIMATION. MovieWeb has learned that “Lucasfilm Has Digital Clones of Every Star Wars Actor”.

The digitally recreated Grand Moff Tarkin and Young Princess Leia in Rogue One were unsettling and creepy for some Star Wars fans. But that technology is almost two years old and only improving at an expedient rate. The next time an actor gets digitally inserted into a Star Wars movie, it’s gong to be a lot harder to tell the difference. And before long, the line will be completely burred. Soon, Lucasfilm and Disney could have the potential to create a whole Star Wars movie featuring an authentic young Han Solo, Luke Skywalker and Princess Leia, which practical effects built around them. And this will be entirely possible, even for Carrie Fisher, as Lucasfilm has confirmed they have digital clones of all Star Wars actors both young and old.

Incredible, right? As of now, these digital clones are being used sparingly and are often mixed with live-action footage of the actor to create scenes that would be impossible to shoot or are deemed far to expensive to do practically. We’ve seen this with Tarkin and Leia in Rogue One, and we’ve also seen it in The Last Jedi, even if you didn’t know that’s what you were looking at.

(6) MCCANN OBIT. Chuck McCann died April 8 reports Mark Evanier. Much of his career revolved around children’s television, however, the Wikipedia recalls that he was in vogue as a TV/movie actor back in the Seventies —

In the 1970s, McCann’s life and career shifted west, and he relocated to Los Angeles. He made frequent guest appearances on network television shows including Little House on the Prairie, Bonanza, Columbo, The Rockford Files and The Bob Newhart Show. He appeared in the 1973 made-for-TV movie The Girl Most Likely to… and was a regular on Norman Lear’s All That Glitters.

In addition, he co-starred with Bob Denver in CBS’s Saturday-morning sitcom Far Out Space Nuts, which he co-created. The 1970s also brought him fame in a long-running series of commercials for Right Guard antiperspirant: he was the enthusiastic neighbor with the catch phrase “Hi, guy!” who appeared on the other side of a shared medicine cabinet, opposite actor Bill Fiore.

McCann impersonated Oliver Hardy in commercials for various products (teaming with Jim MacGeorge as Stan Laurel),

John King Tarpinian sent along a photo of McCann meeting Ray Bradbury.

Ray Bradbury and Chuck McCann

If you want to see his act, watch “Chuck McCann & Dick Van Dyke as Laurel & Hardy & The Honeymooners.”

(7) TODAY’S BIRTHDAY

  • Born April 8, 1974 – Nnedi Okorafor

(8) CANDLES ON THE CAKE. Steven H Silver celebrates Okorafor’s natal day at Black Gate in “Birthday Reviews: Nnedi Okorafor’s ‘Bakasi Man’”.

Nnedi Okorafor was born on April 8, 1974.

Okorafor won her first Carl Brandon Award for the novel The Shadow Speaker and she won the Carl Brandon Award and the World Fantasy Award for her novel Who Fears Death, which was also nominated for the Nebula Award. She won the Nebula Award and the Hugo Award for her novella Binti in 2016. Her fiction has also been nominated for the Theodore Sturgeon Memorial Award, the John W. Campbell Memorial Award, the James Tiptree, Jr. Award, the British Science Fiction Association Award, the British Fantasy Award, the Arthur C. Clarke Award, and the Andre Norton Award. Okorafor has collaborated with Alan Dean Foster and Wanuri Kahiu on short diction. She co-edited the anthology Without a Map with Mary Anne Mohanraj.

(9) COMICS SECTION.

  • Daniel Dern is right – Curtis knows how to throw a party.

(10) POISONING PIXELS IN THE SCROLL. Nature celebrates an April birthday boy: “Tom Lehrer at 90: a life of scientific satire”.

Much of Lehrer’s oeuvre — some 50 songs (or 37, by his own ruthless reckoning) composed over nearly three decades — played with tensions at the nexus of science and society. His biggest hit, That Was The Year That Was, covered a gamut of them. This 1965 album gathered together songs Lehrer had written for That Was The Week That Was, the US satirical television show spawned by the BBC original. ‘Who’s Next?’ exposes the dangers of nuclear proliferation. ‘Pollution’ highlights environmental crises building at the time, such as undrinkable water and unbreathable air.

The rousing ballad ‘Wernher von Braun’ undermines the former Nazi — who designed the V-2 ballistic missile in the Second World War and later became a key engineer in the US Apollo space programme. In Lehrer’s view, it was acceptable for NASA to hire von Braun, but making him into an American hero was grotesque. “‘Once the rockets are up, who cares where they come down?’/‘That’s not my department,’ says Wernher von Braun” — lines that still resonate in today’s big-tech ethical jungle.

(11) FINDING THE RETRO NOMINEES. Nicholas Whyte, with an assist from Carla, presents “How to get the 1943 Retro Hugo finalists” —

(12) CAST OF FAVORITES. And for your collecting pleasure, here is where you can get a copy of the Fifth Annual Science Fiction Film Awards (1978).

The 5th Annual (first televised) Science Fiction Film Awards. Hosted by Karen Black & William Shatner (who performs an absolutely jaw dropping rendition of Elton John and Bernie Taupin’s “Rocket Man”) Starring Buzz Aldrin, Richard Benjamin, Ray Bradbury, Mark Hamill, Charlton Heston, Wolfman Jack, Quincy Jones, Piper Laurie, Christopher Lee, Paula Prentiss, Ralph the Robot, Lord Darth Vader, and many more. Included are the original broadcast TV commercials from 1978!

(13) GOOD IS NOT BAD. Rich Horton is working his way through the Hugo nominees. Here are his comments on Six Wakes by Mur Lafferty.

…But even before the award nominations, Six Wakes was getting some good notice, and I bought it and read it after the Nebula nod. And, you know what – I liked it. It’s a good fun fast-moving read. I’m glad I read it.

But – well – you saw that coming, right? There had to be a but. The thing is, there are lots of enjoyable novels published any year, and I’m glad when I encounter those. But I can enjoy a novel and not think it worthy of an award. And, really, that’s the case with Six Wakes. It’s fun, it’s pretty darn pure hard SF (with the understanding that “hard SF” absolutely does NOT mean “SF that gets all the science right”), it’s exciting. But, it also has some annoying logic holes, and it doesn’t really engage with the central (and very worthwhile) moral issues it raises as rigorously as I wish it had, and the prose is just OK….

(14) ARISTOTLE. Nitsuh Abebe explores the question “Why Have We Soured on the ‘Devil’s Advocate’?” at the New York Times Magazine.

…That name dates back to the 17th century, when the Roman Catholic Church created an office popularly known as the advocatus diaboli — a person tasked with making the case against the canonization of new saints, scrutinizing every report of their miracles and virtue. How could a claim be trusted, the thinking went, if it hadn’t been rigorously tested? Plenty of educators will still tell you that devil’s advocacy isn’t just useful as a practical matter but also as an intellectual exercise: Imagining other perspectives and plumbing their workings is essential to critical thinking.

But on today’s internet, the devil’s advocate is less admired than ever, and it’s often the advocate’s own fault. The problem isn’t just debate-club tedium. Last year, on Slate, the writer Maya Rupert neatly outlined just how toxic devil’s advocates could be on a topic like race. She noted that they often seemed to be adopting the stance of a disinterested logician in order to air beliefs they knew were socially unacceptable to hold in earnest; the phrase “just to play devil’s advocate,” she wrote, had come to occupy the same role in her life as “not to sound racist, but. … ” A black person continually asked to consider — just hypothetically, just for a moment — whether she was possibly inferior to other humans would have to be masochistically broad-minded to entertain this challenge more than a few times before dismissing it, and the sort of people who presented it, forever.

A little more than a decade ago, around the same time online sentiment began to turn against the devil’s advocate, it also seized on a close cousin: the “concern troll.” If the devil’s advocate playacts disagreement with you for the sake of strengthening your argument, the concern troll is his mirror image, a person who pretends to agree with you in order to undermine you. The concern troll airs disingenuous worries, sows doubt, saps energy, has reservations, worries that things are going too far. At first, the term described purposeful double agents — people like the congressional staffer suspected, back in 2006, of posing as a Democrat to leave comments on liberal blogs suggesting everyone abandon the candidate vying for a Republican incumbent’s seat. But the term has evolved in such a way that, at this point, a person can very easily qualify as a concern troll without even knowing it.

A tidy summary on the “Geek Feminism” Wiki site explains why this is the case: Even earnest concern-airing can be pernicious, turning every discussion into a battle over basic premises. …

(15) UNEVENLY DISTRIBUTED. The BBC reports “The Swedes rebelling against a cashless society” where the elderly are especially likely to be left out.

However, while Sweden’s rush to embrace digital payments has received plenty of global hype, and is frequently flagged as an example of the Nordic nation’s innovation, there are growing concerns about the pace of change.

Some worry about the challenges it poses for vulnerable groups, especially the elderly.

“As long as there is the right to use cash in Sweden, we think people should have the option to use it and be able to put money in the bank,” says Ola Nilsson, a spokesperson for the Swedish National Pensioners’ Organisation, which is lobbying the government on behalf of its 350,000 members.

“We’re not against the cashless society, we just want to stop it from going too fast.”

(16) THE LIGHTS IN THE SKY ARE… What we can see from the ground is only part of what happens: “Hunting mystery giant lightning from space”.

The electrifying effects of storms are frequently observed from the space station.

Yet when lightning strikes downward, something very different is happening above the cloud tops.

Known as Transient Luminous Events (TLEs), these unusual features were first spotted by accident in 1989.

Minnesota professor John R Winckler was testing a television camera in advance of an upcoming rocket launch, when he realised that two frames showed bright columns of light above a distant storm cloud.

(17) SOLVING FOR 2001. The BBC Culture post “Why 2001 remains a mystery” actually dwells less on mystery, and more on interesting parallels with Kubrick’s Dr. Strangelove.

It’s been 50 years since the release of 2001: A Space Odyssey, and we’re still trying to make sense of it. Stanley Kubrick’s science-fiction masterpiece is regularly voted as one of the greatest films ever made: BBC Culture’s own critics’ poll of the best US cinema ranked it at number four. But 2001 is one of the most puzzling films ever made, too. What, for instance, is a shiny rectangular monolith doing in prehistoric Africa? Why does an astronaut hurtle through a psychedelic lightshow to another universe, before turning into a cosmic foetus? And considering that the opening section is set millions of years in the past, and the two central sections are set 18 months apart, how much of it actually takes place in 2001?

(18) VIDEO OF THE DAY. Chadwick Boseman hosted Saturday Night Live last night, and appeared in a Black Jeopardy! sketch:

[Thanks to Chip Hitchcock, JJ, Kevin Standlee, John King Tarpinian, Daniel Dern, Martin Morse Wooster, Cat Eldridge, Nicholas Whyte, ULTRAGOTHA, Carl Slaughter, Danny Sichel, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Ky.]