Die Kasseler Liste is a growing database that presently comprises 125,000 data sets. It documents the global scale of censorship. Book bans persist across the world, on all continents, with varying reach and intensity, depending on political and social contexts.
Die Kasseler Liste covers vast territories and a large time frame. The earliest entries are taken from the „Index Librorum Prohibitorum,” which the catholic church first published in 1559 and which is represented in the database in its final version from 1948. It is but one example for censorship originating not only from government institutions. Civil and religious institutions similarly have their own history of systematically infringing on the right to freedom of expression. The Catholic lay organization Opus Dei, also featured in Die Kasseler Liste, is another case in point, where rigid and coercive reading directions provide the members with a tiered index. On the other hand, school districts and school libraries in the United States of America also have a record of systematically banning books from their collections.
…But even taking the known problems with the Retro Hugos into consideration, the breadth and variety of stories on the 1944 Retro Hugo ballot is astounding (pun fully intended), as is the fact that quite a few of them don’t really fit into the prevailing image image of what Golden Age science fiction was like. And this doesn’t just apply to left-field finalists such as Das Glasperlenspiel by Hermann Hesse in the novel category or Le Petit Prince by Antoine de Saint-Exupéry and The Magic Bed-Knob by Mary Norton in the novella category, neither of whom I would have expected to make the Hugo ballot in 1944, if only because US science fiction fans wouldn’t have been familiar with them. No, there also is a lot of variety in the stories which originated in US science fiction magazines.
So let’s take a look at the novelette category at the 1944 Retro Hugos….
…The message of The Phantom Menace is that even the most stable of societies can topple with the smallest push — in this case a minor trade dispute that sets the stage for the rise of a previously obscure senator with imperial ambitions. As he did with A New Hope, Lucas cloaked that larger lesson in a PG-rated adventure that’s made with children in mind … but not the children who saw Star Wars in theaters in the ’70s. And so — unhappy with a Star Wars movie that wasn’t the Star Wars they remembered — a sizable segment of the fanbase made their displeasure known, embracing an image of themselves as the keepers of the flame, which meant that their opinion of Star Wars was the only correct opinion of Star Wars.
They found an outlet on the still-young medium the internet, where like-minded critics could congregate and launch their arguments or personal attacks anonymously out on the franchise’s creator and other fans as the prequel series continued…
(5) TODAY IN HISTORY.
One of these movies did not feature Jar Jar Binks. I hope it isn’t too toxic of me to point that out.
May 19, 1966 — The Navy Vs. The Night Monsters premiered in theaters.
May 19, 1999 — Star Wars: Episode I – The Phantom Menace was released theatrically.
(6) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born May 19, 1944 — Peter Mayhew. Chewbacca from the beginning to The Force Awakens, before his retirement from the role. The same year he first did Chewy, he had an uncredited role as the Minotaur in Sinbad and the Eye of the Tiger. He also shows in the Dark Towers series as The Tall Knight. (Died 2019.)
Born May 19, 1946 — Andre the Giant. Fezzik in The Princess Bride, one of all-time favourite films. Also an uncredited role as Dagoth In Conan the Destroyer. He’s actually did a number of genre roles such as The Greatest American Hero and The Six Million Dollar Man. (Died 1993.)
Born May 19, 1948 — Grace Jones, 71. First genre appearance was as Stryx in Rumstryx, an Italian TV series. Her next was Zulu in Conan the Destroyer followed by being May Day in A View to Kill and Katrina in Vamp. She was Masako Yokohama in Cyber Bandits which also starred Adam Ant. Her last genre role to date was Christoph/Christine in Wolf Girl.
Born May 19, 1948 — Paul Steven Williams. Editor, Complete Stories of Theodore Sturgeon and the PKDS Newsletter. Writer, The Only Apparently Real: The World of Philip K. Dick of Philip K. Dick and Theodore Sturgeon, Storyteller. (Died 2013.)
Born May 19, 1966 — Polly Walker, 53. She’s performed on Caprica as Clarice Willow and on Warehouse 13 in the recurring role of Charlotte Dupres, as well as performing the voice work for Sarkoja in John Carter. And she was in Clash of the Titans as Cassiopeia.
Born May 19, 1966 — Jodi Picoult, 53. Her Wonder Women work is exemplary (collected in Wonder Women, Volume 3 and Wonder Woman: Love and Murder).
…The robot vanguard has already set forth. Later this year India will attempt to become the fourth nation to land a probe on the moon; an Israeli attempt to get there failed in April, but its backers plan to try again. China has landed two robot rovers on the moon’s surface in the past five years. One visited the near side, the familiar pockmarked face seen from Earth; the other went to the overflown-but-never-before-visited far side. The Chinese space agency has talked of sending humans in their wake, perhaps in the early 2030s.
They may be beaten to it. Last year Yusaku Maezawa, a Japanese fashion entrepreneur and art collector, signed a contract with SpaceX, the rocket firm founded by Elon Musk, for a flight around the moon. He intends to take a crew of as-yet-unspecified artists with him…
…That setup is the start to a stunning story that impressively blends together Martine’s fantastic and immersive world, a combination political thriller, cyberpunk yarn, and epic space opera that together make up a gripping read. Mahit’s situation is the perfect introduction to an unfamiliar world, as Martine moves her through the gilded halls of the Teixcalaanli capitol, meeting the politicians she’s been sent to interact with, the fantastical technologies installed in the city, and the poetry that represents the pinnacle of high culture for the empire.
Bending and stretching its conventions to imagine new, more feminist futures and new ways of experiencing gender, visionary women writers have been from the beginning an essential if often overlooked force in American science fiction. Two hundred years after Mary Shelley’s Frankenstein, SF-expert Lisa Yaszek presents the best of this female tradition, from the pioneers of the Pulp Era to the radical innovators of the 1960s New Wave, in a landmark anthology that upends the common notion that SF was conceived by and for men….
Visit the companion website for more on these stories and writers, including author biographies, appreciations by contemporary writers, original pulp covers and illustrations, adaptations into other media, press coverage, and more.
(11) WHEN IN CRETE. Israeli author Yakov Merkin is not impressed. I recognize his name as someone JDA interviewed for his YouTube show.
(12) CRUMB CONTROVERSY, In “Cancel Culture Comes for Counterculture Comics” in Reason, Brian Doherty looks at pioneering underground comics artist R. Crumb and the vigorous debate about whether he should still be read or is so irretreivably racist and sexist that he should be “cancelled.”
…The brief against Crumb is both specific to his famous idiosyncrasies and generally familiar to our modern culture of outrage archeology. His art has trafficked in crude racial and anti-Semitic stereotypes, expressed an open sense of misogyny, and included depictions of incest and rape. Crumb’s comics are “seriously problematic because of the pain and harm caused by perpetuating images of racial stereotypes and sexual violence,” the Massachusetts Independent Comics Expo (MICE) explained last year when removing Crumb’s name from one of its exhibit rooms.
Such talk alarms Gary Groth, co-founder of Fantagraphics, the premiere American publisher of quality adult comics, including a 17-volume series of The Complete Crumb Comics. “The spontaneity and vehemence” of the backlash, Groth says, “surprised me—and I guess what also disheartened me was, I’m pretty sure the vast majority of people booing Crumb are not familiar with his work.…This visceral dislike of him has no basis in understanding who Crumb is, his place in comics history, his contribution to the form.”
(14) TRIVIAL TRIVIA. Walter Lantz, Woody Woodpecker’s creator, did the opening sequence animation along with the animation of Bella Lugosi’s Dracula turning into a bat for Abbott and Costello meet Frankenstein.
JJ, Chip Hitchcock, Cora Buhlert, Cat Eldridge, Michael Toman, Mike Kennedy,
Martin Morse Wooster, John King Tarpinian, Andrew Liptak, Carl Slaughter, and
Andrew Porter for some of these stories. Title credit goes to File 770
contributing editor of the day Jack Lint.]
Online ballots for the 2019 Hugo Awards and 1944 Retro Hugo Awards are now available and open for voting. Dublin 2019 also has opened Site Selection voting for the location of Worldcon in 2021.
AND 1944 RETRO HUGO VOTING. Members
of Dublin 2019: An Irish Worldcon are eligible to choose the winners
of the Hugo Awards, the John W Campbell Award for Best New Writer, and the
Lodestar Award for Best Young Adult Book for 2019; and also the Retrospective
Hugo Awards for 1944.
Online voting is now enabled for the Hugos and Retro
Hugos, though you can also vote via a paper
have been emailed personalized links for use in voting.
deadline for voting is Wednesday 31 July 2019 at 11:59pm Pacific Daylight Time
(2:59 am Eastern Daylight Time, 07:59 Irish time, all on 1 August).
Voters can make additions or changes to their ballots as
often as they like up
until the deadline. A copy of their current ballot will be emailed to them 30
minutes after they finish modifying it.
(1) You must be a Full Attending, Young
Adult, First Worldcon, or Supporting Member of Dublin 2019; and
(2) You must also pay an Advance Supporting Membership
fee of €40, which goes to the winning bid. This process also makes you a
Supporting Member of the winning bid’s convention.
If you mail your ballot to the address in the USA
(but only then) you may pay your voting fee with a personal cheque in U.S.
funds ($45), payable to “Dublin 2019”. NO CHEQUES are accepted to the address
in Ireland or at this year’s Worldcon in Dublin.
To pay your Advance Supporting Membership fee
online, sign in to our member services site at api.dublin2019.com and click on “Buy a site
selection token”. If you are signed in, this direct link will also take you there
There will also be onsite voting at Dublin 2019,
see their website for the schedule.
…This handsome, earnest, yet overstuffed and poorly paced film deviates frequently from the historical record. Most seriously, it ignores Tolkien’s devout Christian faith: there is no indication that he served Mass daily as a boy or ever even entered a Catholic church. His punch-ups with Wiseman and drunken night-time profanities are, in comparison, unimportant inventions.
But departures from reality are inevitable in dramatisations, and enumerating them can quickly devolve into captiousness. What’s more relevant is whether the artistic licence results in a successful story. One expects a biopic to sit somewhat loose to the facts, yet one hopes it will also hold the attention and make one care about the characters, however far from real life they may diverge.
A helpful comparison is Richard Attenborough’s Shadowlands, the story of CS Lewis’s late marriage. It’s worthless as an account of actual events, but works brilliantly as a movie: engaging, well-structured, powerful and poignant.
Here, with Lewis’s friend Tolkien, it’s a different story. Incidents come thick and fast, but are strangely uninvolving….
the co-editor of The Cambridge Companion to CS Lewis.
(2) A MODEST PROPOSAL. Daniel Dern is
making an offer –
Our dead tree edition of the Sunday New York Times this week (here in the year 2019 – April 28) included a special 12-page section, consisting of (a version of) Ted Chiang’s story, “Better Versions of You,” adapted from his story “Anxiety is the Dizziness of Freedom” from Chiang’s new (coming out May 7) collection Exhalation. Illustrations by Daehyun Kim/Moonassi.
According to social media, “The piece is PRINT ONLY.” (My brief searches don’t show otherwise; I’d been looking for it before I found this tweet.)
Once we’re done reading the story, I don’t feel the need to keep it. So I’m happy to pass it along to the first Filer who asks for it, via a comment to this post. (We’ll sort out snail addresses, etc. off-list. If need be, I’ll ask OGH to be the email-address intermediary.)
Beyond possibly the minor cost of mailing it, I’m not asking any $ for it.
OTOH, I’m happy if the recipient will in turn, once it’s arrived, make a modest (say, $10-$25) donation to some sf/fan related fund/fundraiser or other Good Cause (of their choice, e.g., the Gahan Wilson GoFundMe, or some WorldCon-related fundraiser — your choice, I don’t need to know what/who, how much, or whether). But this is an optional follow-through.
(I don’t see Chiang listed in the current ReaderCon Guests list, so you’d be on your own for trying to get it autographed.)
Owner Alan Beatts, also the owner of Borderlands Books — which will remain open on Valencia Street at least for the next year — said that the decision to shutter the cafe was, by and large, voluntary. He attributed the move to a confluence of factors, including staff retention, slumping sales, and his personal desire to focus on the bookstore….
“It’s more of a full circle than you realize,” Starlin says. “I got the assignment to draw Invincible Iron Man #55-56 because the regular penciller on it, George Tuska, had to go in for some elective surgery. So I did the first issue, which I plotted out with Mike Friedrich, and then the second one I worked with this writer Steve Gerber. We did a funny Iron Man issue, and Stan Lee hated it so much he fired both of us.”
The Tonopah Westercon committee is a standing committee of San Francisco Science Fiction Conventions, Inc. answerable to the corporation’s Board of Directors. Our organizing committee consists of the following people, with others helping on an ad hoc basis.
Chair: Kevin Standlee (Co-chair, 2002 Worldcon, San José CA) Assistant to Chair/Hospitality Lead : Lisa Hayes Treasurer: Bruce Farr (Chair, Westercon 45 (1992), Phoenix AZ) Facilities: Mike Willmoth (Chair, Westercon 62 (2009), Tempe AZ) Website Planning: Cheryl Morgan Travel Coordinator: Sandra Childress
Other Committee Members Without Portfolio: David W. Clark (Chair, 1993 Worldcon, San Francisco CA) Lisa Detusch Harrigan (Chair, Westercon 40 (1987), Oakland CA) Kevin Roche (Co-Chair, Westercon 66 (2013), Sacramento CA and Chair, 2018 Worldcon, San José CA) Andy Trembley (Co-Chair, Westercon 66 (2013), Sacramento CA)
(7) IT’S HISTORY. “And she’s
not only merely dead, she’s really most
sincerely dead.” At Gizmodo/io9,
last Thursday’s Morning Spoilers
column drops the news that “At Least One of the Game of
Thrones Spinoff Series Is Truly Dead” and the creator is
done, at least for now, at HBO. Tidbits for a dozen or so shows are shared in
Speaking to the Hollywood Reporter, Bryan Cogman confirmed that his time with the franchise is over for now—because the spinoff series he was attached to is officially scrubbed…
(8) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born April 30, 1926 — Cloris Leachman, 93. I’ve got grist in the genre in Young Frankenstein as Frau Blücher. (Strange film.) she does her obligatory mouse role when she voices Euterpe in The Mouse and His Child. Next up is being The Lord’s Secretary in The Muppet Movie. (Always a fun time.) Hmmm… she’s Millie Crown in Shadow Play, a horror film that I don’t plan on seeing. Not my cup of tea. Lots of voice work from there out and I will only note her as Mrs. Tensedge in The Iron Giant, a great film indeed. She in the live action and I assume disgusting Scouts Guide to the Zombie Apocalypse as Ms. Fielder.
Born April 30, 1934 — Baird Searles. Best- known for his long running review columns in Asimov’s, Amazing Stories and The Magazine of Fantasy & Science Fiction. For a time, he managed a genre bookstore in New York City’s Greenwich Village, the Science Fiction Shop, which is no longer in business. With Brian Thomsen, he edited Halflings, Hobbits, Warrows & Weefolk: A Collection of Tales of Heroes Short in Stature, and among other publication that he wrote was the Cliff Notes on Heinlein’s Stranger in a Strange Land. (Died 1993.)
Born April 30, 1938 — Larry Niven, 81. One of my favourites author to read, be Ringworld, The Mote in God’s Eye with Jerry Pournelle, or the the Rainbow Mars stories, there’s always good reading there. What’s your favourite Niven story?
Born April 30, 1968 — Adam Stemple, 51. Son of Jane Yolen. One-time vocalist of Boiled in Lead. With Yolen, he’s written the Rock ‘n’ Roll Fairy Tales, Pay the Piper and Troll Bridge which are worth reading, plus the Seelie Wars trilogy which I’ve not read. He’s also written two Singer of Souls urban fantasies which I remember as engaging.
Born April 30, 1973 — Naomi Novik, 46. She wrote the Temeraire series which runs nine novels so far. Her first book, His Majesty’s Dragon, won the Compton Crook Award for best first novel in the science fiction and fantasy category. She most deservedly won the Nebula Award for Best Novel for Uprooted which is a most excellent read. I’ve not yet her Spinning Silver, so opinions are welcome.
Born April 30, 1982 — Kirsten Dunst, 37. Her first genre role was as Claudio in Interview with the Vampire. Later genre roles include Judy Shepherd in Jumanji, voicing Christy Fimple in Small Soldiers, voicing Becky Thatcher in The Animated Adventures of Tom Sawyer, Mary Jane Watson in Spider-Man franchise, voicing Kaena in Kaena: The Prophecy, and showing up on Star Trek: The Next Generation as Hedrilin in the “Dark Page” episode. She would have been nine years old in that episode!
Born April 30, 1985 — Gal Gadot, 34. Wonder Woman, of course, in the DC film universe. Other genre work, well, other than voicing Shank on Ralph Breaks the Internet, there really isn’t any. She did play Linnet Ridgeway Doyle in the Kenneth Branagh of Murder on the Orient Express which is quite lovely but hardly genre…
(13) BEAUTIFUL BOOK. Look
at the gorgeous endpapers in the Russian edition of Goss’ novel:
(14) CELEBRATING THE RONDO
WINNERS. Steve Vertlieb sends his regards:
I want to take a moment this morning to wish hearty congratulations to all of this year’s most worthy Rondo Award winners. As always, the nominated films, television shows, writers, and artists were strong and worthy contenders, and each winner was deservedly voted the absolute best in his or her field of endeavor. In particular, however, I’d like to pay respect and homage to Veronica Carlson, Caroline Munro, and Martine Beswick whose long overdue recognition by The Rondo Hall of Fame was enthusiastically welcomed, and for my lifelong friend and brother, Wes Shank, whose loss late last Summer shattered us all, and whose entry last night into “The Monster Kid Hall of Fame” was a most fitting tribute to a beloved friend and fan. My personal remembrance of Wes was posted on File 770. Congratulations once again to all of this year’s most deserving Rondo Award winners.
A cat lover and space fan is about to make history by launching the remains of a cat named Pikachu into orbit around the Earth.
“Pikachu will have a final send-off like no cat has ever had before,” Steve Munt, Pikachu’s owner, wrote on a GoFundMe page dedicated to raising funds for Pikachu’s space memorial. Thanks to a company called Celestis — which also offers memorial spaceflights for humans — the orange tabby’s cremated remains will hitch a ride to space as a small secondary payload on a satellite launch sometime in the next 18 months, Munt told Space.com.
(16) MICE IN
SPACE. These mice, however, made it to orbit while still alive. Ben
Guarino in “Up
in space, mice found a new way to play” in the Washington Post, says a paper in Scientific Reports discusses what happened to mice that spent a
month in the International Space Station on the NASA Rodent Habitat.
After more than a week in space, young mice began to psrint and glide, as though they were zooming inside invisible hamster wheels. The scientists called this circling behavior, which they hadn’t seen before, ‘racetracking.’ Within a few days, other mice joined the fray. As a group, they ran laps around the habitats, reaching speeds of about a mile an hour. It’s strange to watch.
(17) HEDGEHOGGING THE ROAD. Sonic The Hedgehog is fast enough to create a blue shift.
He’s a whole new speed of hero. Watch the new trailer for Sonic The Hedgehog, in theatres this November
Cat Eldridge, John King Tarpinian, Martin Morse Wooster, JJ, Chip Hitchcock,
Mike Kennedy, Daniel Dern, Carl Slaughter, and Andrew Porter for some of these
stories. Title credit goes to File 770 contributing editor of the day Hampus
Eckerman and/or Daniel Dern. It’s complicated.]
… It’s five years later, and in my opinion, Kate’s done what she set out to do. She didn’t do it alone, of course. She had the help of a whole lot of amazing SFWA staff and volunteers, including the amazing Terra LeMay and Steven H Silver. Mary Robinette Kowal got turned loose on programming the last couple of years and has been doing a stellar job. And others have made their mark with additions, such as the Nebula Award Alternate Universe Acceptance speeches or the mentoring program led by Sarah Pinsker or (I’d like to think) two I’ve contributed: the volunteer appreciation breakfast as well as the spouses and partners reception that have been regular features (and I hope will continue to do so!) Or the Book Depot, because I don’t know of ANY other con that takes as much care to make sure that its authors — including the indies — can sign and sell their books there. And there’s a fancy Nebula website, which remains a work in progress as more and more gets added to it, preserving the history of the Awards.
We’ve only got a small fraction of the schedule so far, with plenty of new stuff getting added every day, but here’s some highlights…
On Thursday, SpaceIL’s lunar lander attempted to make a soft landing on the surface of the Moon, but it apparently crashed instead into the gray world. Although a postmortem analysis has not yet been completed, telemetry from the spacecraft indicated a failure of the spacecraft’s main engine about 10km above the Moon. Thereafter, it appears to have struck the Moon at a velocity of around 130 meters per second.
“We have had a failure in the spacecraft,” Opher Doron, general manager of the space division at Israel Aerospace Industries, which built the lander, said during the landing webcast. “We have unfortunately not managed to land successfully.” Israeli engineers vowed to try again.
The failure to land is perhaps understandable—it is extremely hard to land on the Moon, Mars, or any other object in the Solar System. In this case, the private effort to build the lunar lander worked on a shoestring budget of around $100 million to build their spacecraft, which had performed admirably right up until the last few minutes before its planned touchdown.
NASA’s trailblazing Twins Study moved into the final stages of integrated research with the release of a combined summary paper published in Science.
The landmark Twins Study brought ten research teams from around the country together to observe what physiological, molecular and cognitive changes could happen to a human from exposure to spaceflight hazards. This was accomplished by comparing retired astronaut Scott Kelly while he was in space, to his identical twin brother, retired astronaut Mark Kelly, who remained on Earth.
The PR’s summaries of the 10 research topics includes –
Gene Expression: Samples taken before, during and after Scott’s mission in space revealed some changes in gene expression. Mark also experienced normal-range changes in gene expression on Earth, but not the same changes as Scott. Changes Scott experienced may have been associated with his lengthy stay in space. Most of these changes (about 91.3%) reverted to baseline after he returned to Earth; however, a small subset persisted after six months. Some observed DNA damage is believed to be a result of radiation exposure. Gene expression data corroborated and supported other findings in the Twins Study, including the body’s response to DNA damage, telomere regulation, bone formation and immune system stress. These findings help demonstrate how a human body was able to adapt to the extreme environment of space and help researchers better understand how environmental stressors influence the activity of different genes, leading to a better understanding of physiological processes in space.
(4) BRACKETT BOOKS FALL THROUGH. The two Leigh Brackett titles announced by the Haffner Press in late 2015, The Book of Stark and Leigh Brackett Centennial have been cancelled. Stephen Haffner e-mailed an explanation to fans who preordered the books:
The fault for the cancellation of these two titles lies completely with Haffner Press and with me personally.
Rights to these titles were not evergreen and I failed to complete and publish these books within the contracted period. Believe me, I made every attempt to recover/resurrect these titles. At this point, the agent for the estate of Leigh Brackett is making other arrangements for the Stark books and Leigh Brackett. If this status changes, you’ll be one of the first to know.
Haffner is offering a complete refund, or application of the credit to another purchase.
(5) GUGGENHEIM FELLOWSHIPS. Authors Edward Carey, Michael Helm, Carmen
Maria Machado, and Luis Alberto Urrea are among the winners of the 2019 Guggenheim Fellowships reports Locus Online.
(6) NEWITZ TALK. The Arthur C. Clarke Center for Human Imagination has
posted video of Annalee Newitz speaking at UCSD on April 4 as part of the San Diego 2049 series .
Realistic worldbuilding requires that we get out of the dystopia/utopia binary and imagine futures that are a diverse mix of worlds. To imagine a plausible future world, we need to look critically at our own history, where progress is uneven and resistance is not futile. Annalee Newitz, journalist, co-founder of the website io9, and author of the acclaimed science fiction novel Autonomous, joined the Arthur C. Clarke Center for Human Imagination and the School of Global Policy and Strategy at UC San Diego to share her insights into worldbuilding as part of the San Diego 2049 series of programs.
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born April 11, 1883 — Leonard Mudie. His very last screen role was as one of the survivors of the SS Columbia in Trek’s original pilot episode, “The Cage.” He also appeared as Professor Pearson opposite Boris Karloff in The Mummy released in 1932. He appeared in the 1938 Adventures of Robin Hood as the town crier and the mysterious man who gives Robin directions. (Died 1965.)
Born April 11, 1892 — William M. Timlin. Author of The Ship that Sailed to Mars, a remarkable work that has 48 pages of text and 48 color plates. It has become a classic of fantasy literature. You can view the book here. (Died 1943.)
Born April 11, 1920 — Peter O’Donnell. A British writer of mysteries and of comic strips, best known as the creator of Modesty Blaise. He also did an adaptation for the Daily Express of the Dr. No novel. (Died 2010.)
Born April 11, 1953 — Byron Preiss. Writer, editor and publisher. He founded and served as president of Byron Preiss Visual Publications, and later of ibooks Inc. If I remember correctly, ibooks was the last publisher for Zelazny for most of his books. Any idea what happened to those rights after ibooks went into receivership? The only book I can find him writing is the children’s novel Dragonworld which is co-authored with Michael Reaves who was involved in including Gargoyles and Batman: The Animated Series. (Died 2005.)
Born April 11, 1957 — Marina Fitch, 62. She has published two novels, The Seventh Heart and The Border. Her short fiction has appeared in Pulphouse, MZB, F&SF, and Asimov’s Science Fiction Magazine, and the anthologies, Desire Burn and Peter S. Beagle’s Immortal Unicorn. She is currently at work on a novel and several new stories.
Born April 11, 1963 — Gregory Keyes, 56. Best known for The Age of Unreason tetralogy, a steampunk and magical affair featuring Benjamin Franklin and Isaac Newton. He also wrote The Psi Corps Trilogy and has done a lot of other media time-in fiction including Pacific Rim, Star Wars, Planet of The Apes, Independence Day and Pacific Rim.
Born April 11, 1974 — Tricia Helfer, 45. She is best known for playing the humanoid Cylon model Number Six in the re-imagined Battlestar Galactica. In addition, she plays Charlotte Richards / Mom on Lucifer. And she voiced Boodikka in Green Lantern: First Flight.
Born April 11, 1981 — Matt Ryan, 38. John Constantine in NBC’s Constantine and The CW’s Arrowverse, as well as voicing the character in the Justice League Dark and the animated Constantine: City of Demons films as well. And he played Horatio in Hamlet in the Donmar production at the Wyndham’s Theatre.
A 29-year-old computer scientist has earned plaudits worldwide for helping develop the algorithm that created the first-ever image of a black hole.
Katie Bouman led development of a computer program that made the breakthrough image possible.
The remarkable photo, showing a halo of dust and gas 500 million trillion km from Earth, was released on Wednesday.
For Dr Bouman, its creation was the realisation of an endeavour previously thought impossible.
(9) LOL! Oh,
HUGO FAN MATERIAL ONLINE. Joe Siclari of Fanac.org has assembled a resource for this year’s Retro Hugo
Dublin 2019 has announced the Finalists for this year’s Retro Hugo Awards to be given for works published in 1943. We’ve pulled together what we have on Fanac.org, along with a few zines from eFanzines and the University of Iowa, to give you a single place where you can find all the Finalist publications available online. Read before you vote! http://fanac.org/fanzines/Retro_Hugos.html
A comprehensive visual overview of George R. R. Martin’s A Song of Ice and Fire series—plus A Knight of the Seven Kingdoms and Fire and Blood—through over 300 drawings and paintings by the award-winning illustrator Gary Gianni.
I’m very pleased to announce that Tor has acquired my recent space fantasy (maybe?), as part of a three book deal, and I’ll be working with Christopher Morgan there. While I’ve had a lot of short stories published traditionally, this is the first novel to go through that, and I’m looking forward to seeing what the process is like. What is the book about? Well, I’m actually not sure of the genre but have been describing it as a banter-driven space military fantasy in which a group of ex-military turned restauranteurs get an unexpected package, just as things start exploding. I’m 40k words into the sequel.
(13) AMAZON’S #1 AUTHOR. It took five days for Scalzi’s cats to turn him into a telethon host.
A yearlong investigation by government scientists has concluded that a major accident at a nuclear waste dump was caused by the wrong brand of cat litter.
The U.S. Department of Energy has released a 277-page report into an explosion that occurred on Feb. 14, 2014, at the Waste Isolation Pilot Plant in New Mexico. According to a summary of the report, the incident occurred when a single drum of nuclear waste, 68660, burst open.
The Washington County sheriff in Oregon says there was nothing unusual about the call. Sure, it was broad daylight — 1:48 p.m. local time exactly — but “crime can happen anytime.”
So the frantic call from a house guest about a burglar making loud rustling noises inside the house, specifically from within the locked bathroom, deserved an urgent response, Sgt. Danny DiPietro, a sheriff’s spokesman, tells NPR.
“The man had just gone for a walk with his nephew’s dog and when he came back, he could see shadows moving back and forth under the bathroom door,” DiPietro says.
Resources were immediately deployed: three seasoned deputies — one with at least 20 years on the force — a detective who happened to be in the area, and two canine officers from Beaverton Police Department, about 7 miles outside Portland.
There’s a new addition to the family tree: an extinct species of human that’s been found in the Philippines.
It’s known as Homo luzonensis, after the site of its discovery on the country’s largest island Luzon.
Its physical features are a mixture of those found in very ancient human ancestors and in more recent people.
That could mean primitive human relatives left Africa and made it all the way to South-East Asia, something not previously thought possible.
The find shows that human evolution in the region may have been a highly complicated affair, with three or more human species in the region at around the time our ancestors arrive.
(18) THE AI SHORTFALL. IEEE Spectrum’s article “How
IBM Watson Overpromised and Underdelivered on AI Health Care”illustrates the gap between reality and
the popular imagination regarding AI. Greg Hullender sent the link with a comment,
“I think the key point is in the last two paragraphs: Watson makes a great AI
librarian, but it really isn’t a doctor at all, and likely never will be. Also
worth noting is that the areas where they had the most success were the ones
that needed the least AI, e.g. Watson for Genomics, which benefited from not
needing natural language processing (NLP).”
The U.S. Department of Veterans Affairs uses Watson for Genomics reports in more than 70 hospitals nationwide, says Michael Kelley, the VA’s national program director for oncology. The VA first tried the system on lung cancer and now uses it for all solid tumors. “I do think it improves patient care,” Kelley says. When VA oncologists are deciding on a treatment plan, “it is a source of information they can bring to the discussion,” he says. But Kelley says he doesn’t think of Watson as a robot doctor. “I tend to think of it as a robot who is a master medical librarian.”
Most doctors would probably be delighted to have an AI librarian at their beck and call—and if that’s what IBM had originally promised them, they might not be so disappointed today. The Watson Health story is a cautionary tale of hubris and hype. Everyone likes ambition, everyone likes moon shots, but nobody wants to climb into a rocket that doesn’t work.
While sitting in the balcony of a movie theater waiting for Jordan Peele’s much-anticipated horror film Us, I began thinking about my personal relationship with the horror genre. “When I was pregnant with you I used to watch scary movies all the time,” my mom confessed years before as we left the Roosevelt Theatre in Harlem one afternoon after a screening of Night of the Living Dead. Although I was only seven and much too young to have seen that first zombie apocalypse, which gave me nightmares for a week, but afterwards I became a horror junkie. As much as I might’ve nervously jumped while watching The Blob, The Fly or Dracula, it was those stories that appealed to me.
…During the 1970s, with the exception of a few artists (Billy Graham, Keith Pollard, Ron Wilson and Trevor Von Eeden), there weren’t many African-American creators working in commercial comics, something I noticed when I attended my first comic convention that same year. However, while I didn’t see any scripters that “looked like me,” that wasn’t going to keep me from trying. Truthfully, I wasn’t trying to be the Rosa Parks of horror comic book writers, I just wanted to be down.
What terrifies children isn’t just the stuff designed to scare. In The Wizard of Oz, for example, you get the witch but also the comedy lion – and even though cackling evil is dispelled at the end, the incidentals offer nightmare fodder: the tree with a human face, the winged monkeys, even the horse of a different colour. As Tim Burton or Guillermo del Toro – both jumpy kids who have grown up to love monsters – have shown, the world of an imaginative child is full of wonders and terrors, and if you strip out the latter by insisting on a diet of just Peppa Pig you risk raising a generation unable to cope with the slightest trauma.
(21) ENDGAME PROMO. “You know your teams. You know your
missions.” Marvel Studios’ Avengers:
Endgame is in theaters April 26.
Joe Siclari, Susan de Guardiola, John King Tarpinian, Cat Eldridge, JJ, Olav
Rokne, Michael Toman, Martin Morse Wooster, Cat Rambo, Chip Hitchcock, Stephenfrom
Ottawa, Arnie Fenner, Greg Hullender, Mike Kennedy, Carl Slaughter, and Andrew
Porter for some of these stories. Title credit goes to File 770 contributing
editor of the day Daniel Dern.]
The most remarkable thing about the 1944 Retro Hugos is that there is no Heinlein. Not a single Heinlein story was nominated for the Retro Hugos this year, not because fandom has suddenly lost its taste for Heinlein, but because Heinlein was too busy in 1943 testing military equipment at the Navy Yard* to write science fiction. Also notable by his absence (except for one fairly obscure story) is Isaac Asimov, who was also too busy testing military equipment at the Navy Yard to write, though unlike Heinlein, Asimov didn’t have a choice, because he was at danger of being drafted and expected (not without justification) that he’d be killed if he were ever taken prisoner, as Alex Nevala-Lee describes in his (excellent) chronicle of the Golden Age and what followed Astounding.
World War II also took other Golden Age stalwarts such as Lester Del Rey (also busily doing something at the Navy Yard) and L. Ron Hubbard (busily shooting at phantom subs off the Mexican coast) out of the game, leaving the field open for other voices and the 1944 Retro Hugo finalists certainly reflect that. This is a good thing, because it means that writers who are not normally recognised by the Retro Hugo Awards (though some of them have been recognised by the regular Hugos) finally get their dues.
This is the third year of the Best Series category and personally, I’m getting really frustrated with it, even though I initially supported the idea. But the way I viewed the Best Series Hugo (and the way it was originally sold) was as a way to award the sort of extremely popular SFF series that are beloved by fans and regularly hit bestseller lists, but whose individual volumes are almost never recognised by the Hugos, because the whole is often greater than the sum of its parts (see Wheel of Time, which was obviously misclassified in Best Novel, but would have been a natural for this category). When the category was announced, I assumed we’d see finalists like the Dresden Files by Jim Butcher (which might have been nominated, except that the series hasn’t had a new book in years, because Jim Butcher is apparently ill), the Kate Daniels series by Ilona Andrews (which actually ended in 2018 and really would have deserved a nod), the Mercy Thompson and Alpha and Omega series by Patricia Briggs, the Outlander series by Diana Gabaldon, the Honor Harrington series by David Weber (not to my taste, but obviously beloved by many), etc… But that’s not what we’re seeing in this category. Instead, we’re getting the same finalists we’re seeing elsewhere on the ballot. Perhaps the Hugo electorate aren’t really series readers to the degree initially assumed. Or maybe they just have a really weird taste in series.
(3) CLARIFYING TWEET. Archive of Our Own is up for the Best Related Work Hugo. The facility
of the site, not the individual works of fanfic. Did someone need that
explained, or were they only amusing themselves? Just in case, someone
(4) MARK YOUR CALENDAR. The
dates for the next two LA Vintage Paperback Shows have been set — March 8, 2020 and
March 28, 2021.
(5) STRONG WILL. Red
Wombat needs to get something done before heading to China:
Work on the new Heinlein work continues, but we are experiencing some production delays and so may have to postpone the release from November, to Spring of 2020….
Some questions on the new Heinlein answered:
1. Is Spider Robinson completing an unfinished work by Heinlein? NO. Neither Spider Robinson, nor anyone else has been tasked with completing the book. The book is complete. It did survive in fragments, but the fragments contain the complete book. It is being edited (as is every published book) to eliminate errors, inconsistencies, etc. But the work is 100% Heinlein.
2. Is this the rumored alternate text to The Number of the Beast? Yes. This is the alternate text that Heinlein wrote. There are many reasons that have been suggested as to why this was never published, including certain copyright issues that may have existed at that time (the book uses the characters created by other authors, and the book acts as a homage to a couple of authors Heinlein admired).
3. Is the unpublished version similar to the published version? No, though it largely shares the first one-third of the book, it then becomes a completely different book in every way. In the published version the villains are largely forgotten as the novel evolves into something else completely. The unpublished version is much more of a traditional Heinlein book, with a much more traditional storyline and ending.
4. What is the release date? We are trying to publish it by November, but it appears we may have to delay it till Spring 2020 due to a number of reasons
SFWA President Cat Rambo noted, “Vonda was one of our best and brightest, and she had three times the heart of most of the people I know. I’m so glad she managed to finish the book she was working on, but her loss hits so many of us who loved her and her words with a hardness that is tough to bear. Be kind to each other today in her honor; I can’t think of any way that would be better to celebrate the goodness and grandeur that she was.”
The best part of In the Vanisher’s Palace is de Bodard’s fascinating world. I want to know more about the Vanishers and how they destroyed Yên’s society. I’d gladly read other stories set in this world. I also loved the “non Euclidean” and “escherscape” palace which at first makes Yên nauseated.
If you read KILL THE FARM BOY, then NO COUNTRY FOR OLD GNOMES is the same in tone, silliness, puns, wordplay, and corny jokes. Except this time we don’t see much of Gustave, Grinda the Sand Witch, Fia, and the others; no, this is about the gnomes Offi and Kirsi and their new friends whose quest to stop the halflings turns into a journey fraught with danger.
Theory of Bastards is set in the near future, and Schulman does an impressive job (especially for a newcomer to the genre) of constructing a plausible and thought-out portrait of life in the coming decades. She casually drops into the narrative such ideas as a future type of internet in which computer-generated avatars present the news, or a combination implant and gene therapy that turns the deaf bonobo keeper’s mouth into another ear, able to perceive vibrations and translate them into sound. But for the most part, the picture she paints is not encouraging.
In December of 1847, John D. Fox moved his family to a house in Hydesville, New York. Although the house had an odd reputation (the previous tenant had vacated because of mysterious sounds), it wasn’t until March of the following year that the family’s troubles began. Before long, daughters Kate and Margaret claimed to be communicating with the spirit of a peddler who had been murdered in the house. The communications took the form of rapping noises in answer to questions asked aloud.
The Fox sisters (along with a third sister, Leah, who acted as their manager) soon parlayed their rapping skills into celebrity. The young ladies held public séances, underwent “tests,” and inspired copycat mediums around the world. By the time the Foxes were debunked, they’d helped to inspire a new religion, Spiritualism, which was popular in both America and Great Britain, that held as its central tenet that the spirits of the dead continued to exist on another plane and could be contacted by human mediums. The Spiritualist movement had no less a figure as its international spokesperson than Sir Arthur Conan Doyle, whose wife Jean was also a medium.
It’s no coincidence that the ghost story experienced a rebirth of popularity at about the same time….
Janice Frank’s body was often a burden to her, and she likely would be unfazed by the fact that her cremated remains have been lying, unclaimed, in a funeral parlor since her untimely death in 2014 at 59.
But the news that she was there stunned her daughter, Sovay Fox, and her daughter’s partner, Hallie Hauer, who both thought she’d been given a pauper’s burial and had given up on ever having possession of her ashes.
Ms. Frank, born in 1954, contracted polio from the vaccine that was designed to prevent it. She was 8 years old, and the disease left her with a deformed leg. She walked her whole life with a cane.
A journalist and author, she told other writers that the best of their craft would come from tapping into their own pain, and it seemed she had a bottomless well of suffering from which she often wrote.
(14) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born April 2, 1914 — Alec Guinness. Obi-Wan Kenobi in the Star Wars trilogy. (What? There were more movies after them? No!) That’s it for filmed genre roles but theatre is another matter altogether. He played Osric first in Hamlet in the early Thirties in what was then the New Theatre, Old Thorney in The Witch of Edmonton at The Old Vic and the title role of Macbeth of course at Sheffield. (Died 2000.)
Born April 2, 1933 — Murray Tinkelman. Illustrator of genre covers during the Seventies. Glyer has a most excellent look at him here in his obituary posting. I’m very fond of his cool, diffuse style of illustration that made it seem as if the subject of the cover was just coming into focus as you looked at them. (Died 2016.)
Born April 2, 1939 — Elliot K. Shorter. Fan, bookseller, and Locus co-editor once upon a time. He was attending conventions by the early Sixties and was a major figure in Sixties and Seventies fandom, and involved in a number of APAs. And as Glyer notes, he spread his larger than life enthusiasm wide as he ‘belonged to the Tolkien Society of America, Hyborean Legion, the City College of New York SF Club, ESFA, Lunarians, Fanoclasts and NESFA.’ He was involved in the Worldcon bid and helped run Suncon, the 1977 Worldcon which came out of the bid. All of this is particularly remarkable as he was one of the very few African-Americans in Sixties fandom. (Died 2013.)
Born April 2, 1975 — Adam Rodriguez, 44. His first genre role is on All Souls, the haunted hospital drama, as Patrick Fortado. He’s also in season three of Roswell as Jesse Esteban Ramirez.
Born April 2, 1978 — Scott Lynch, 41. Author of Gentleman Bastard series of novels which is to my utter surprise now at seven with the forthcoming one. I know I read The Lies of Locke Lamora but who here has read the entire series to date? And I see he was writing Queen of the Iron Sands, an online serial novel for awhile. May I note he’s married to Elizabeth Bear, one of my favorite authors?
Are you devoted enough to watching “Avengers: Endgame” that you’re willing to sacrifice two-and-a-half days of your life hyping up for it?
AMC is hosting yet another Marvel movie marathon leading up to “Endgame,” a 22-film marathon saga that covers every MCU dating back to 2008’s “Iron Man” and concludes with “Endgame.” And just … why? Does anyone honestly need this?
Those who do brave the experience will get special marathon collectibles, content, concession offers and will get to see “Avengers: Endgame” at 5 p.m. local time on April 26, one hour earlier than regular public show times.
(16) CLASSIC ILLUSTRATIONS. The
Society of Illustrators in New York hosts its “Masters
of the Fantastic” exhibit through June 8. Includes work by many artists
including Winsor McCay, Kinuko Y. Craft, Leo and Diane Dillon, Vincent Di Fate, Ed Emshwiller, Hannes Bok, Virgil
Finlay, and Frank Frazetta.
The art of the fantastic gives vision to our dreaded nightmares and our most fervent hopes. Stories of fantasy and science fiction have risen from the quaint traditions of the tribal storyteller through children’s fables and pulp magazines to dominate today’s cultural mainstream. Through their use on the covers of bestselling books, to their appearance in blockbuster movies, TV shows and videogames, illustrative images play a central role in the appeal and popular acceptance of the fantastic narrative and the Society of Illustrators is pleased to celebrate this rite of passage with an exhibition of more than 100 examples of the genre’s finest artistic works. MASTERS OF THE FANTASIC encompasses a full range of otherworldly images—from dragons, specters and demons, to the far reaches of deep space—in the form of paintings, drawings and sculpture, highlighting the works of the artistic innovators who have given shape and substance to the world’s most imaginative kinds of storytelling.
(17) TO THE MOON. In the March 29 Financial Times, Jan Dalley reviews a
virtual reality voyage to the moon by performance artist Laurie Anderson
collaborating with Taiwanese artist Hsin-Chien Huang, in an installation
currently at Art Basel Hong Kong.
The hateful headset is instantly forgotten as, with gut-lurching suddenness, the ‘floor’ shatters beneath you and you are cast off, a weightless space traveller in the wonder of the galaxy. And quickly dumped on the surface of the moon, quaking (in my case), to face and explore a series of visions and adventures: ghost dinosaurs composed of mathematical symbols splinter into nothing as you navigate yourself toward them (one is replaced by a phantom Cadillac); a glittering diamond-shaped mountain sucks you on high among its giant peaks, perilously close; a plethora of swirling, hideous space junk crashes into your visor before you realise you have grown an immensely long pair of arms with which, presumably, to fend off the aggressions of this man-made trash, while behind looms the immense, terrifyingly beautiful sight of Earthrise. A fathomlessly deep stone rose (remember Saint-Exupéry’s The Little Prince?), still and lovely, is vast enough to be slowly circled by its own eerie moons. Later you lose your body completely; suddenly you’re on a donkey ride; an entire galaxy explodes into a vast cosmic firework display.
HEADS ARE BETTER. Bill Nye and Bob Picardo talk all about how advocating
for space really works in the February edition of The Planetary Post.
An hour south of Charlotte, N.C., two forks in the road beyond suburbia, a freshly constructed house sits in a wind tunnel waiting to be set on fire.
To the left of the house is a brick wall with a hole in the middle, made by a 2-by-4 propelled at 70 miles per hour.
In front of the house is a metal staircase five stories tall. At the top are the hail guns.
More than 100 fans begin to turn, slowly at first and then faster. The ember generators flicker on. The fire is about to begin.
The past two years have been particularly costly for insurance companies that are on the hook for billions of dollars in damage done by hurricanes, wildfires, floods and other disasters. As these disasters become more frequent and expensive, in part because of climate change, insurers are investing more in this research facility that studies how to protect homes and businesses from destructive wind, water and embers.
The facility in rural South Carolina is run by the Insurance Institute for Business & Home Safety, a nonprofit research organization funded by U.S. insurance companies….
(20) HOW TO
FAIL PHYSICS. “NASA: India’s satellite destruction could endanger
ISS”. Chip Hitchcock’s summary: “The perfectly safe test wasn’t.
Follow-on to links you didn’t use last week; now there’s hard evidence — but
somebody should have figured that a blowup in LEO would send debris up, not
just down and sideways.”
Nasa has called India’s destruction of a satellite a “terrible thing” that could threaten the International Space Station (ISS).
The space agency’s chief, Jim Bridenstine, said that the risk of debris colliding with the ISS had risen by 44% over 10 days due to the test.
However he said: “The international space station is still safe. If we need to manoeuvre it we will.”
India is the fourth country to have carried out such a test.
Prime Minister Narendra Modi announced the test – Mission Shakti – with great fanfare on 27 March, saying it had established India as a “space power”.
In an address to employees, Mr Bridenstine sharply criticised the testing of such anti-satellite (ASAT) weapons.
He said that Nasa had identified 400 pieces of orbital debris and was tracking 60 pieces larger than 10cm in diameter. Twenty-four of those pieces pose a potential risk to the ISS, he said.
…Delhi has insisted it carried out the test in low-earth orbit, at an altitude of 300km (186 miles), to not leave space debris that could collide with the ISS or satellites.
Sarcos Robotics is responsible for some incredible technology. Last July, we introduced you to the company’s Guardian S, the 4-foot-long inspection robot that uses magnetic tracks to inch along everything from metal walls to oil pipelines.
The Salt Lake City-based company is also responsible for the Guardian GT robot, which allows an operator to remotely control two massive robotic arms on a tracked (or wheeled) robot to perform dangerous inspection and maintenance tasks in the nuclear, oil and gas, and construction industries.
The company also designed a powerful robotic exoskeleton, the Guardian XO, a smooth, battery-powered exoskeleton initially designed to give industrial workers the ability to repeatedly lift 200 pounds without any physical exertion.
In early March, Sarcos partnered with the U.S. Navy to evaluate how workers at naval shipyards could benefit from exoskeletons. Through the deal, shipyard workers could one day use the XO to work with heavy payloads and use power tools. The deal also calls for the Guardian S to potentially inspect confined spaces — for example, in submarines as they are modernized or retired.
Figuring out how to repurpose food packaging, plastic, paper, fabric and other types of waste without gravity to work with is difficult. That’s why NASA, in partnership with NineSigma, created the Recycling in Space Challenge.
The purpose of the challenge is to engage the public to develop methods of processing and feeding trash into a high-temperature reactor. This will help NASA’s Advanced Exploration Systems and space technology programs develop trash-to-gas technology that can recycle waste into useful gases.
The NASA Tournament Lab (NTL) crowdsourcing challenge received submissions from participants around the world. A panel of judges evaluated the solutions and selected one first place and two second place winners.
The award recipients are:
· Aurelian Zapciu, Romania – $10,000 for first place, Waste Pre-Processing Unit
· Derek McFall, United States – $2,500 for second place, Microgravity Waste Management System
· Ayman Ragab Ahmed Hamdallah, Egypt – $2,500 for second place, Trash-Gun (T-Gun)
The three winners brought a variety of approaches to the table for the challenge. Zapciu’s submission proposed incorporating space savings features and cam actuated ejectors to move trash through the system, before bringing it to another mechanism to complete the feed into the reactor. McFall’s submission indicated it would use a hopper for solid waste and managed air streams for liquids and gaseous waste. Hamdallah proposed using air jets to compress the trash and cycle it through the system instead of gravity.
ALL-STARS. The Dead Don’t Die promises
— the greatest zombie cast ever disassembled starring Bill Murray, Adam Driver, Tilda Swinton, Chloë Sevigny, Steve Buscemi, Danny Glover, Caleb Landry Jones, Rosie Perez, Iggy Pop, Sara Driver, RZA, Selena Gomez, Carol Kane, Austin Butler, Luka Sabbat and Tom Waits. Written and directed by Jim Jarmusch. In Theaters June 14th.
Martin Morse Wooster, John King Tarpinian, Daniel Dern, Cat Eldridge, JJ, Andrew
Porter, Mike Kennedy, Chip Hitchcock, Michael Toman, and Carl Slaughter for
some of these stories. Title credit goes to File 770 contributing editor of the
day Matthew Johnson.]
finalists for the 2019 Hugo Awards, John W. Campbell Award for Best New Writer,
the World Science Fiction Society (WSFS) Award for Best Young Adult Book, and
the 1944 Retrospective Hugo Awards were announced April 2 in a live webcast.
were 1800 valid nominating ballots (1797 electronic and 3 paper) received and
counted from the members of the 2018 and 2019 World Science Fiction Conventions
for the 2019 Hugo Awards.
the 1944 Retro Hugo Awards, 217 valid nominating ballots (214 electronic and 3
paper) were received.
webcast announcing the finalists is available for viewing on the Dublin 2019
Dublin 2019 – An Irish Worldcon will take place in and around the
Convention Centre Dublin from August 15 to 19. More than 5,600 people have
already signed up as members, including more than 4,580 attending members.
on the final ballot will open later this month. Only Dublin 2019 members will
be able to vote on the final ballot and choose the winners.
The Calculating Stars,
by Mary Robinette Kowal (Tor)
Record of a Spaceborn Few,
by Becky Chambers (Hodder & Stoughton / Harper Voyager)
by Yoon Ha Lee (Solaris)
by Catherynne M. Valente (Saga)
by Naomi Novik (Del Rey / Macmillan)
Trail of Lightning,
by Rebecca Roanhorse (Saga)
by Martha Wells (Tor.com publishing)
Beneath the Sugar Sky,
by Seanan McGuire (Tor.com publishing)
Binti: The Night Masquerade,
by Nnedi Okorafor (Tor.com publishing)
The Black God’s Drums,
by P. Djèlí Clark (Tor.com publishing)
Gods, Monsters, and the Lucky
Peach, by Kelly Robson (Tor.com publishing)
The Tea Master and the Detective,
by Aliette de Bodard (Subterranean Press / JABberwocky Literary Agency)
“If at First You Don’t Succeed, Try, Try Again,” by Zen
Cho (B&N Sci-Fi and Fantasy Blog, 29 November 2018)
“The Last Banquet of Temporal Confections,” by Tina
Connolly (Tor.com, 11 July 2018)
“Nine Last Days on Planet Earth,” by Daryl Gregory
(Tor.com, 19 September 2018)
The Only Harmless Great Thing,
by Brooke Bolander (Tor.com publishing)
“The Thing About Ghost Stories,” by Naomi Kritzer (Uncanny
Magazine 25, November-December 2018)
“When We Were Starless,” by Simone Heller (Clarkesworld
145, October 2018)
“The Court Magician,” by Sarah Pinsker (Lightspeed,
“The Rose MacGregor Drinking and Admiration Society,” by
T. Kingfisher (Uncanny Magazine 25, November-December 2018)
“The Secret Lives of the Nine Negro Teeth of George
Washington,” by P. Djèlí Clark (Fireside Magazine, February 2018)
“STET,” by Sarah Gailey (Fireside Magazine, October
“The Tale of the Three Beautiful Raptor Sisters, and the
Prince Who Was Made of Meat,” by Brooke Bolander (Uncanny Magazine 23,
“A Witch’s Guide to Escape: A Practical Compendium of Portal
Fantasies,” by Alix E. Harrow (Apex Magazine, February 2018)
The Centenal Cycle,
by Malka Older (Tor)
The Laundry Files,
by Charles Stross (most recently Tor/Orbit)
Machineries of Empire,
by Yoon Ha Lee (Solaris)
The October Daye Series, by Seanan McGuire (most recently DAW)
The Universe of Xuya,
by Aliette de Bodard (most recently Subterranean Press)
by Becky Chambers (Hodder & Stoughton / Harper Voyager)
Archive of Our Own,
a project of the Organization for Transformative Works
Astounding: John W. Campbell,
Isaac Asimov, Robert A. Heinlein, L. Ron Hubbard, and the Golden Age of Science
Fiction, by Alec Nevala-Lee (Dey Street Books)
The Hobbit Duology (documentary
in three parts), written and edited by Lindsay Ellis and Angelina Meehan
An Informal History of the Hugos:
A Personal Look Back at the Hugo Awards, 1953-2000,
by Jo Walton (Tor)
Mexicanx Initiative Experience at Worldcon 76 (Julia
Rios, Libia Brenda, Pablo Defendini, John Picacio)
Ursula K. Le Guin: Conversations
on Writing, by Ursula K. Le Guin with David Naimon (Tin House Books)
Best Graphic Story
written by Saladin Ahmed, art by Sami Kivelä, colours by Jason Wordie, letters
by Jim Campbell (BOOM! Studios)
Black Panther: Long Live the King,
written by Nnedi Okorafor and Aaron Covington, art by André Lima Araújo, Mario
Del Pennino and Tana Ford (Marvel)
Volume 3: Haven, written by Marjorie Liu, art by Sana Takeda (Image Comics)
On a Sunbeam,
by Tillie Walden (First Second)
Volume 4, written by Brian K. Vaughan, art by Cliff Chiang, colours by Matt
Wilson, letters by Jared K. Fletcher (Image Comics)
Volume 9, written by Brian K. Vaughan, art by Fiona Staples (Image Comics)
Dramatic Presentation, Long Form
directed and written for the screen by Alex Garland, based on the novel by Jeff
VanderMeer (Paramount Pictures / Skydance)
Avengers: Infinity War,
screenplay by Christopher Markus and Stephen McFeely, directed by Anthony Russo
and Joe Russo (Marvel Studios)
written by Ryan Coogler and Joe Robert Cole, directed by Ryan Coogler (Marvel
A Quiet Place,
screenplay by Scott Beck, John Krasinski and Bryan Woods, directed by John
Krasinski (Platinum Dunes / Sunday Night)
Sorry to Bother You,
written and directed by Boots Riley (Annapurna Pictures)
Spider-Man: Into the Spider-Verse,
screenplay by Phil Lord and Rodney Rothman, directed by Bob Persichetti, Peter
Ramsey and Rodney Rothman (Sony)
Dramatic Presentation, Short Form
“Abaddon’s Gate,” written by Daniel Abraham, Ty Franck and Naren
Shankar, directed by Simon Cellan Jones (Penguin in a Parka / Alcon
“Demons of the Punjab,” written by Vinay Patel, directed by Jamie
written by Janelle Monáe, directed by Andrew Donoho and Chuck Lightning
(Wondaland Arts Society / Bad Boy Records / Atlantic Records)
The Good Place:
“Janet(s),” written by Josh Siegal & Dylan Morgan, directed by
Morgan Sackett (NBC)
The Good Place:
“Jeremy Bearimy,” written by Megan Amram, directed by Trent O’Donnell
“Rosa,” written by Malorie Blackman and Chris Chibnall, directed by
Mark Tonderai (BBC)
Professional Editor, Short Form
Lynne M. Thomas and Michael Damian Thomas
E. Catherine Tobler
Professional Editor, Long Form
Sheila E. Gilbert
Anne Lesley Groell
Best Professional Artist
Beneath Ceaseless Skies,
editor-in-chief and publisher Scott H. Andrews
edited by Julia Rios, managing editor Elsa Sjunneson-Henry, social coordinator
Meg Frank, special features editor Tanya DePass, founding editor Brian White,
publisher and art director Pablo Defendini
of Black Speculative Fiction, executive editors Troy L. Wiggins and DaVaun
Sanders, editors L.D. Lewis, Brandon O’Brien, Kaleb Russell, Danny Lore, and
publisher Beth Wodzinski, senior editor E. Catherine Tobler
edited by Jane Crowley, Kate Dollarhyde, Vanessa Rose Phin, Vajra
Chandrasekera, Romie Stott, Maureen Kincaid Speller, and the Strange Horizons
publishers/editors-in-chief Lynne M. Thomas and Michael Damian Thomas, managing
editor Michi Trota, podcast producers Erika Ensign and Steven Schapansky, Disabled
People Destroy Science Fiction Special Issue editors-in-chief Elsa
Sjunneson-Henry and Dominik Parisien
founder Gideon Marcus, editor Janice Marcus
edited by Team Journey Planet
editors Ira, Jodie, KJ, Renay & Susan
nerds of a feather, flock together,
editors Joe Sherry, Vance Kotrla and The G
Quick Sip Reviews,
editor Charles Payseur
Rocket Stack Rank,
editors Greg Hullender and Eric Wong
Be the Serpent,
presented by Alexandra Rowland, Freya Marske and Jennifer Mace
The Coode Street Podcast,
presented by Jonathan Strahan and Gary K. Wolfe
Fangirl Happy Hour,
hosted by Ana Grilo and Renay Williams
hosted by Alisa Krasnostein, Alexandra Pierce, and Tansy Rayner Roberts,
produced by Andrew Finch
Our Opinions Are Correct,
hosted by Annalee Newitz and Charlie Jane Anders
The Skiffy and Fanty Show,
produced by Jen Zink and Shaun Duke, hosted by the Skiffy and Fanty Crew
James Davis Nicoll
Grace P. Fong
Likhain (Mia Sereno)
The Books of Earthsea: The
Complete Illustrated Edition, illustrated by Charles Vess,
written by Ursula K. Le Guin (Saga Press /Gollancz)
Daydreamer’s Journey: The Art of
Julie Dillon, by Julie Dillon (self-published)
Dungeons & Dragons Art &
Arcana: A Visual History, by Michael Witwer, Kyle Newman,
Jon Peterson, Sam Witwer (Ten Speed Press)
Spectrum 25: The Best in
Contemporary Fantastic Art, ed. John Fleskes (Flesk
Spider-Man: Into the Spider-Verse
– The Art of the Movie, by Ramin Zahed (Titan Books)
Tolkien: Maker of Middle-earth,
ed. Catherine McIlwaine (Bodleian Library)
W. Campbell Award for Best New Writer
Katherine Arden (2nd year of eligibility)
S.A. Chakraborty (2nd year of eligibility)
R.F. Kuang (1st year of eligibility)
Jeannette Ng (2nd year of eligibility)
Vina Jie-Min Prasad (2nd year of eligibility)
Rivers Solomon (2nd year of eligibility)
Lodestar Award for Best Young Adult Book
by Dhonielle Clayton (Freeform / Gollancz)
Children of Blood and Bone,
by Tomi Adeyemi (Henry Holt / Macmillan Children’s Books)
The Cruel Prince,
by Holly Black (Little, Brown / Hot Key Books)
by Justina Ireland (Balzer + Bray)
by Peadar O’Guilin (David Fickling Books / Scholastic)
Tess of the Road,
by Rachel Hartman (Random House / Penguin Teen)
RETROSPECTIVE HUGO AWARD FINALISTS
by Fritz Leiber, Jr. (Unknown Worlds, April 1943)
Earth’s Last Citadel,
by C.L. Moore and Henry Kuttner (Argosy, April 1943)
Gather, Darkness! by
Fritz Leiber, Jr. (Astounding Science-Fiction, May-July 1943)
Das Glasperlenspiel [The
Glass Bead Game], by Hermann Hesse (Fretz & Wasmuth)
by C.S. Lewis (John Lane, The Bodley Head)
The Weapon Makers,
by A.E. van Vogt (Astounding Science-Fiction, February-April 1943)
“Attitude,” by Hal Clement (Astounding
Science-Fiction, September 1943)
“Clash by Night,” by Lawrence O’Donnell (Henry Kuttner
& C.L. Moore) (Astounding Science-Fiction, March 1943)
“The Dream-Quest of Unknown Kadath,” by H.P. Lovecraft,
(Beyond the Wall of Sleep, Arkham House)
The Little Prince,
by Antoine de Saint-Exupéry (Reynal & Hitchcock)
The Magic Bed-Knob; or, How to
Become a Witch in Ten Easy Lessons, by Mary Norton (Hyperion Press)
“We Print the Truth,” by Anthony Boucher (Astounding
Science-Fiction, December 1943)
“Citadel of Lost Ships,” by Leigh Brackett (Planet
Stories, March 1943)
“The Halfling,” by Leigh Brackett (Astonishing
Stories, February 1943)
“Mimsy Were the Borogoves,” by Lewis Padgett (C.L. Moore
& Henry Kuttner) (Astounding Science-Fiction, February 1943)
“The Proud Robot,” by Lewis Padgett (Henry Kuttner) (Astounding
Science-Fiction, February 1943)
“Symbiotica,” by Eric Frank Russell (Astounding
Science-Fiction, October 1943)
“Thieves’ House,” by Fritz Leiber, Jr (Unknown Worlds,
“Death Sentence,” by Isaac Asimov (Astounding Science
Fiction, November 1943)
“Doorway into Time,” by C.L. Moore (Famous Fantastic
Mysteries, September 1943)
“Exile,” by Edmond Hamilton (Super Science Stories,
“King of the Gray Spaces” (“R is for Rocket”),
by Ray Bradbury (Famous Fantastic Mysteries, December 1943)
“Q.U.R.,” by H.H. Holmes (Anthony Boucher) (Astounding
Science-Fiction, March 1943)
“Yours Truly – Jack the Ripper,” by Robert Bloch (Weird
Tales, July 1943)
Best Graphic Story
Buck Rogers: Martians Invade
Jupiter, by Philip Nowlan and Dick Calkins (National Newspaper Service)
Flash Gordon: Fiery Desert of
Mongo, by Alex Raymond (King Features Syndicate)
by Steve Dowling (Daily Mirror)
Plastic Man #1: The Game of Death,
by Jack Cole (Vital Publications)
Le Secret de la Licorne [The
Secret of the Unicorn], by Hergé (Le Soir)
Wonder Woman #5: Battle for
Womanhood, written by William Moulton Marsden, art by Harry G. Peter (DC
Dramatic Presentation, Long Form
written by Victor McLeod, Leslie Swabacker and Harry L. Fraser, directed by
Lambert Hillyer (Columbia Pictures)
Cabin in the Sky,
written by Joseph Schrank, directed by Vincente Minnelli and Busby Berkeley
A Guy Named Joe,
written by Frederick Hazlitt Brennan and Dalton Trumbo, directed by Victor
Heaven Can Wait,
written by Samson Raphaelson, directed by Ernst Lubitsch (20th Century Fox)
written by Erich Kästner and Rudolph Erich Raspe, directed by Josef von Báky
Phantom of the Opera,
written by Eric Taylor, Samuel Hoffenstein and Hans Jacoby, directed by Arthur
Lubin (Universal Pictures)
Dramatic Presentation, Short Form
The Ape Man,
written by Barney A. Sarecky, directed by William Beaudine (Banner Productions)
Frankenstein Meets the Wolfman,
written by Curt Siodmak, directed by Roy William Neill (Universal Pictures)
Der Fuehrer’s Face,
story by Joe Grant and Dick Huemer, directed by Jack Kinney (Disney)
I Walked With a Zombie,
written by Curt Siodmak and Ardel Wray, directed by Jacques Tourneur (RKO Radio
The Seventh Victim,
written by Charles O’Neal and DeWitt Bodeen, directed by Mark Robson (RKO Radio
written by Tedd Pierce, directed by Charles M. Jones (Warner Bros)
Professional Editor, Short Form
John W. Campbell
Oscar J. Friend
Raymond A. Palmer
Donald A. Wollheim
Antoine de Saint-Exupéry
J. Allen St. John
editor William S. Sykora
Futurian War Digest,
editor J. Michael Rosenblum
editor Donald A. Wollheim
Voice of the Imagi-Nation,
editors Jack Erman (Forrest J Ackerman) & Morojo (Myrtle Douglas)
editor Art Widner
editor Wilson “Bob” Tucker
Forrest J. Ackerman
Morojo (Myrtle Douglas)
Wilson “Bob” Tucker
Donald A. Wollheim
The Hugo Awards are the premier award in the science fiction genre, honoring science fiction literature and media as well as the genre’s fans. The Awards were first presented at the 1953 World Science Fiction Convention in Philadelphia (Philcon II), and they have continued to honor science fiction and fantasy notables for more than 60 years.
1944 Retro Hugo Awards will be presented on Thursday, August 15, the opening
night of Dublin 2019. The 2019 Hugo Awards, and the Lodestar and Campbell
Awards, will be presented on Sunday, August 18 as part of the main Hugo Awards
2019 Hugo base will be designed by Dublin artist Jim Fitzpatrick. The 1944
Retro Hugo base will be designed by Eleanor Wheeler, a ceramicist in County
Down. The 2019 Lodestar Award will be designed by Sara Felix, the Austin,
Texas-based president of the Association of Science Fiction and Fantasy
information and membership registration for Dublin 2019 are available at https://dublin2019.com. Follow the convention
on Twitter at @dublin2019.
Science Fiction Society,” “WSFS,” “World Science Fiction Convention,”
“Worldcon,” “NASFiC,” “Hugo Award,” the Hugo Award Logo, and the distinctive
design of the Hugo Award Trophy Rocket are service marks of the World Science
Fiction Society, an unincorporated literary society.
(1) RETRO HUGO FAN CATEGORY
RESOURCE. Joe Siclari and the FANAC Fan History
Project are providing support to Dublin 2019 Retro Hugo voters:
The nomination forms have gone out for Dublin 2019’s Retro Hugo awards for works published in 1943. It’s often very difficult to find materials relevant to the Fan Categories for the Retros, but we have a solution! FANAC.ORG has assembled the list of fanzines published in 1943, with links to those available on line. We’ve made several hundred fanzines available, and more will be added if they become available at http://fanac.org/fanzines/Retro_Hugos1943.html .
Here you’ll find fanzines from 4sj, Doc Lowndes, J. Michael Rosenblum, Bob Tucker, Jack Speer, Larry Shaw, F. T. Laney and other stalwarts of 1943 fandom (and also Claude Degler). There are genzines, FAPAzines, newszines, and letterzines. There is fannish artwork, and fannish poetry. There’s even the first publication of Lovecraft’s “Funghi From Yuggoth”. Fanzines which meet the issue requirements for Best Fanzine are so marked.
I am sad to report that Orson Scott Card’s Intergalactic Medicine Show will be pulling up stakes in June 2019. I’ve been a reader since the first issue, and on the staff since 2009. My kids have grown up with the magazine in their lives, and I am fiercely proud of all that we’ve accomplished.
I am also very, very pleased with the state of science fiction and fantasy in general today. When IGMS first rolled onto the scene, online magazines were few and far between. Now the main mode of consumption of short SFF literature is online in one form or another (podcasts, e-issues, webpages, etc). And the voices of SFF today are vibrant, strident, beckoning, beseeching, screeching, awesome myriads. We have been a part of that polysymphonic wonder. We were one of the first to tell our truest lies on the brave digital frontier.
Ah, ravens. They’re smart, they’re beaky, they come in murders, and many in our world are better Londoners than I am. They’re also the subject of more than their share of both folklore and, through that, fantasy interest. Whether they’re harbingers of death, guides to the spirit world, speakers of prophecy and truth or otherworldly tricksters, there’s a lot of mileage in these feathery next-level dinosaurs. Now, in Ann Leckie’s first novel-length foray into fantasy, a raven god is front and centre, alongside a cast whose human members often play second fiddle to their divine counterparts.
Ruthanna Emrys is best known for the H. P. Lovecraft-inspired Innsmouth Legacy series, which so far includes the 2014 novella “The Litany of Earth,” followed up by the novels Winter Tide in 2017 and Deep Roots in 2018. Her fiction has also appeared in such magazines as Strange Horizons and Analog Science Fiction and Fact, plus anthologies such as Timelines: Stories Inspired by H. G. Wells’ The Time Machine and The Mammoth Book of Cthulhu: New Lovecraftian Fiction.
We discussed the ways in which her first exposure to Lovecraft was through pop culture references rather than the original texts, the reasons for the recent rise of Lovecraft recontextualisation, how tea with Jo Walton convinced her she was right to go ahead and write her first Innsmouth Legacy novel, why she ascribes to the tenets of the burgeoning Hopepunk movement, her love of writing X-Men fanfic and her hatred of gastropods, how she recovered from a college professor’s unconstructive criticism, the time George Takei was nice to her at age 8 after she attended her first con in costume on the wrong day, and much more.
(5) NEW AWARD HONORS SUE GRAFTON.
Mystery Writers of America has established the
Sue Grafton Memorial Award for the best novel in a series with a female
protagonist. (Do I hear Puppies howling?) The announcement is here.
Thirty-five years ago, Sue Grafton launched one of the most acclaimed and celebrated mystery series of all time with A is for Alibi, and with it created the model of the modern female detective with Kinsey Millhone, a feisty, whip-smart woman who is not above breaking the rules to solve a case or save a life. Like her fictional alter ego, Grafton was a true original, a model for every woman who has ever struck out on her own independent way.
Sue Grafton passed away on December 28, 2017, but she and Kinsey will be remembered as international icons and treasured by millions of readers across the world. Sue was adored throughout the reading world, the publishing industry, and was a longtime and beloved member of MWA, serving as MWA President in 1994 and was the recipient of three Edgar nominations as well as the Grand Master Award in 2009. G.P. Putnam’s Sons is partnering with MWA to create the Sue Grafton Memorial Award honoring the Best Novel in a Series featuring a female protagonist in a series that also has the hallmarks of Sue’s writing and Kinsey’s character: a woman with quirks but also with a sense of herself, with empathy but also with savvy, intelligence, and wit.
The inaugural Sue Grafton Memorial
Award will be presented at the Edgar Awards on April 25. The nominees are:
Lisa Black, Perish – Kensington
Sara Paretsky, Shell Game, HarperCollins – William Morrow
Victoria Thompson, City of Secrets, Penguin Random House – Berkley
Charles Todd, A Forgotten Place, HarperCollins – William Morrow
Jacqueline Winspear, To Die But Once, HarperCollins – Harper
(6) A VANCE MYSTERY. At
Criminal Element, Hector Dejean
Man in the Cage by John Holbrook Vance, better known as Jack Vance,
which won the 1961 Edgar Award for the best first mystery novel, even though it
wasn’t his first novel in either genre: “Jack Vance’s Edgar Award: A Mystery Novel Wrapped
in an Enigma”.
Vance was extremely talented and prolific, publishing his first book, The Dying Earth, in 1950, and his last work of fiction, Lurulu, in 2004. In 1957, he published his first mystery novel, Take My Face, using the pen name Peter Held. Later that year, he published another novel, titled either Isle of Peril or Bird Island, under the name Alan Wade. (Different versions exist, and according to some Vance-ologists the book doesn’t really qualify as a crime novel.) A year later, he wrote his first mystery to be published under his full name, John Holbrook Vance. That book’s title, according to sources on the Internet, was Strange People, Queer Notions.
This is where things get odd. Following a trip to Morocco—Vance was as impressive a traveler as he was a writer—Vance wrote a mystery set in North Africa; John Holbrook Vance was the name on this one as well. The book was The Man in the Cage, and it’s quite good—I would even say it’s a standout book, especially for readers curious about Vance who might not care for the conventions of sci-fi and fantasy. The MWA agreed, and in 1961 they gave it an award, making Vance’s awards-shelf one of the more diverse of any American author.
Awarding Vance isn’t the weird part. It’s that the book won the Best First Novel by an American Author award, even though it was not Vance’s first book, nor even his first mystery….
Dejean then goes on to laud the merits of the story itself.
(7) CONTRASTING EDGARS AND
HUGOS. Criminal Element is also
doing a retrospective of all Edgar Award winners for best novel: “The Edgar Awards Revisited”.
Cora Buhlert sent the link with a comment: “It’s an interesting project and I
was struck by how many women won Edgar Awards in the early years (the first
five winners are four women and Raymond Chandler), which is very different from
the early years of the Hugos.”
(8) CRIMEMASTER AWARD. The
Maine Writers and Publishers Alliance has awarded its 2019
CrimeMaster Award to Lisa Gardner.
Storied crime author Lisa Gardner writes award-winning novels that are addictive. Thankfully for us, there are more than 30 of them, with some 22 million copies in print. That’s more copies than the entire population of New England, where she and her family live.
(9) TAKE COVER. Regarding the #CopyPasteCris plagiarism scandal, Nora Roberts is one of the authors whose work was appropriated, and as Kristine Kathryn Rusch phrased it —
…I personally don’t believe fiction writers should use ghosts. Celebrity auto-biographies and such, that’s the job. If a fiction writer uses a ghost to help flesh out a book, or hires a book doctor to whip a book into shape, I strongly believe that person should be acknowledged–on the book.
The reader deserves honesty. The reader’s entitled to know she’s buying the author’s–the one whose name’s on the book–work, not somebody that writer hired for speed or convenience. And I’ll state here as I have before. If a book has my name on it, I wrote it. Every word of it.
I do not, never have, never will comprehend how someone can feel any pride claiming a book they didn’t write.
…A creature like Serruyo can have a decent run, make some money–make some best-seller lists–before she (or he, or they, who knows?) is found out. And the pain, the scars, the emotional turmoil this causes to the victims of plagiarism never ends.
Serruyo won’t be the only one using that underbelly, exploiting the lack of real guardrails on Amazon and other sites for a few bucks.
I’ll have a lot more to say about this, all of this. I’m not nearly done. Because the culture that fosters this ugly behavior has to be pulled out into the light and burned to cinders. Then we’re going to salt the freaking earth….
Born February 22, 1925 — Edward Gorey. I reasonably sure that his animated introduction to the PBS series Mystery! Was my first encounter with him. I will recommend Gorey Cats, The Haunted Tea-Cosy: A Dispirited and Distasteful Diversion for Christmas and The Doubtful Guest. Ok he’s not genre but damn if he’s fun and delightfully weird. Oh, and do go read Elephant House: Or, the Home of Edward Gorey, with superb photographs and text by Kevin McDermott. (Died 2000.)
Born February 22, 1929 — James Hong, 90. Though not genre, became known to audiences through starring in The New Adventures of Charlie Chan in the late Fifties. Genre wise, his first role was in Godzilla, King of the Monsters! voicing Ogata/Serizawa. He then pops up in The Satan Bug as Dr. Yang and next is seen playing Ho Lee In Destination Inner Space. You’ll no doubt recognize him in Colossus: The Forbin Project, he’s Dr. Chin, but I’ll bet you’ve never heard of, oh wait you have, Blade Runner in which he’s Hannibal Chew and Big Trouble In Little China which I love in which he’s wizard David Lo Pan. its back to obscure films after that with next up being Shadowzone where he’s Dr. Van Fleet and Dragonfight where he’s Asawa. He’s next in The Shadow as Li Peng but I’ll be damned if I can remember his role and the same holds true for him as Che’tsai In Tank Girl too. He’s Mr. Wu in the very loose adaption of the classic The Day the Earth Stood Still.
Born February 22, 1930 — Edward Hoch. The lines between detective fiction and genre fiction can be awfully blurry at times. ISFDB listed him but I was damned if I could figure out why considering he’s known as a writer of detective fiction who wrote several novels and close to a thousand short stories. It was his Simon Ark character who was the protagonist of Hoch’s first published story and who was ultimately featured in thirty-nine of his stories that made him a genre writer as Ark is the cursed by God immortal doomed to wander forevermore and solved crimes. (Died 2008.)
Born February 22, 1937 — Joanna Russ. Is it fair to say she’s known as much for her feminist literary criticism as her SF writings? That The Female Man is her best-known work suggests my question really isn’t relevant as there may be no difference between the two. She was for a long time an influential reviewer for the Magazine of Fantasy & Science Fiction where I think it would fair to say that you knew clearly what she thought of a given work. (Died 2011)
Born February 22, 1944 — Tucker Smallwood, 75. Space: Above and Beyond as Commodore Ross is by far my favorite genre role by him. I think his first genre appearance was as President Mazabuka on Get Smart followed by one-offs on Babylon 5, Bio-Dome, X-Files, Contact, Millennium, NightMan, Voyager, Seven Days, The Others, The Invisible Man, The Chronicle, Mirror Man and Spectres. After that he landed a role on Enterprise playingXindi-Primate Councilor for an extended period of one season.
Born February 22, 1956 — Philip Kerr. Though better known for his Bernie Gunther series of historical thrillers set in Germany and elsewhere during the 1930s, his write several genre friendly works. A Philosophical Investigation is set in a near future UK where it is possible to test for violent sociopathy and the consequences of that. The other is Children of the Lamp, a more upbeat YA series set in London involving djinns and rather obviously young children. (Died 2018.)
Born February 22, 1959 — Kyle MacLachlan, 60. Genre-wise known for his role as Dale Cooper in Twin Peaks and its weird film prequel Twin Peaks: Fire Walk with Me, Paul Atreides in Dune, Lloyd Gallagher in The Hidden, Clifford Vandercave In The Flintstones, Calvin Zabo in Agents of S.H.I.E.L.D. and Jeffrey Beaumont in Blue Velvet (OK not genre, just weird).
Born February 22, 1968 — Jeri Ryan, 51. Seven of Nine of course but she’s had other genre roles including being Juliet Stewart in Dark Skies, an UFO conspiracy theory series. She’s showed up in briefly roles in Warehouse 13, The Sentinel, Helix and had recently showed up in the Arrowverse.
Born February 22, 1972 — Duane Swierczynski,47. Though a mystery writer by trade, he’s also worked as a writer at both DC and Marvel on some very impressive projects. He did writing duties on the second volume of time traveling soldier Cable, penned the Birds of Prey as part of The New 52 relaunch and wrote an excellent Punisher one-off, “Force of Nature”.
For children’s books in particular it was an era of quantity over quality, an unremitting glut. In those pre–Harry Potter days, a typical “series” meant hundreds of books churned out on a monthly basis by teams of frantic ghostwriters. You could order them by the pound. Often they came with a free bracelet or trinket, as if resorting to bribery. There were 181 Sweet Valley High books, 233 Goosebumps books, and so many Baby-Sitters Club books that their publisher, Scholastic, has never made the full number public (by my count it was at least 345 if you include all the spin-offs)—and they were all, to a certain degree, disposable crap.
The fifth book in the series, Harry Potter and the Order of the Phoenix, was published in the summer of 2003, by which point Harry was fifteen and those of us growing up along with him had discovered sex. The Harry Potter years also happened to coincide with the Wild West era of the internet and the rise of abstinence-only sex education; as a result, for better or for worse, erotic Harry Potter fan fiction played a major and under-discussed role in millennial sexual development. This was especially true if you were queer—or, not to put too fine a point on it, if you were me—and had picked up on the secret gay love story that existed between the lines of Rowling’s text.
I refer, of course, to Sirius and Lupin….
(14) THEY’RE MADE OF MEAT. [Item by Mike Kennedy.] A team from Sweden’s Lund University is searching for
the elusive Borkborkborkino particle, which would be proof that the Chef field
exists. Or at least I guess that’s what they were doing at this year’s
“Stupid Hackathon Sweden” event. Gizmodo has the story: “Particle Physicists Build a Meatball
A team of particle physicists wanted “to unveil the deepest secrets of the Universe—and of Swedish cuisine.” So, naturally, they built a Swedish meatball collider.
The MEAL, or MEatball AcceLerator collaboration, could answer important questions such as why we’re made of meatballs, rather than anti-meatballs, or whether we can create dark meatballs. The proof-of-concept experiment was a success.
[…] they’ve got lofty goals for their next steps, according to the project’s slides: “Get funding for a meatball—anti-meatball collider that has the circumference of the solar system and meatballs the size of the Earth.”
A Virgin Galactic rocket plane on Friday soared to the edge of space with a test passenger successfully for the first time, nudging British billionaire Richard Branson’s company closer to its goal of suborbital flights for space tourists.
An Israeli spacecraft blasted off this evening, aiming to land on the moon. And if the mission is successful, it would make Israel the fourth country to land a spacecraft on the lunar surface – after the U.S., the former Soviet Union and China.
It would also be the first privately initiated project to do so, although it was assisted by government partners, as Nature notes. “The feat seems set to kick off a new era of lunar exploration – one in which national space agencies work alongside private industries to investigate and exploit the moon and its resources,” Nature added.
The spacecraft, which is called Beresheet (Hebrew for “in the beginning”), was launched from Cape Canaveral, Fla.
It was initially conceived as part of Google’s challenge called the Google Lunar XPRIZE for a private company to complete a soft landing on the moon. The Israeli non-profit SpaceIL was one of five international teams in the running for the $20 million grand prize; Google announced last year that the contest would end with no winner because no team was prepared to launch by the deadline. Still, the Israeli engineers at SpaceIL continued to work toward landing a spacecraft on the moon.
(17) A SCALZI CONSPIRACY
FONDLY REMEMBERED. John Scalzi’s classic prank showed up in the background
of a recent Big Bang Theory episode.
Wil and I both grew up on camera, and we also are geeky nerds who share a passion for discussing our mental illness struggles publicly. We are very similar, and it’s so refreshing to work with him.
The set that was used as his living room was really special because it contained actual items from Wil’s real life house. I was so delighted to see artwork, fan art, and memorabilia from his life—and I was so delighted that I photographed all of it and asked him to describe each item.
Without knowing that I needed a reminder not to take this stuff so seriously, without knowing – in April, when the wheels were set into motion – that around the beginning of August I’d be feeling pretty lousy about getting cut from the show I look forward to attending every year, John did what good friends do: pick you up when you’re down, and provide reality checks when you need them the most.
5. What’s one book, which you read as a child or a young adult, that has had a lasting influence on your writing?
John Christopher got under my skin as a child and has never let me go. Kids’ books like The Prince in Waiting fed me those nostalgic and valedictory notes you need if you’re going to write into the British fantasy tradition. Much, much later I discovered the man had teeth: Death of Grass is a sort of John-Wyndham-without-the-apology tale about how personal virtue actually works in a disintegrating culture. Kindness is not a virtue. It is a sentiment. There, I’ve said it. But JC said it first.
(19) OSCAR-WORTHY FX. Here
are three BBC posts with behind-the-scenes info about movie special effects.
Robert Rodriguez’s latest stint as director is on the sci-fi blockbuster Alita: Battle Angel.
The film was written and produced by James Cameron, who originally planned to direct it.
Rodriguez says he made the movie for half the price Cameron would have, but with a reported budget of $200m (£154m), it still cost considerably more than your average indie-flick.
BBC Click’s Marc Cieslak speaks to the director and cast of the film, to find out more.
John King Tarpinian, Cora Buhlert, Jason, Cat Eldridge, Mike Kennedy, Carl
Slaughter, Chip Hitchcock, JJ, Andrew Porter, SF Concatenation’s Jonathan
Cowie, and Martin Morse Wooster for some of these stories. Title credit belongs
to File 770 contributing editor of the day Kip Williams.]
Welcome to Debate Club, where Tim Grierson and Will Leitch, the hosts of the Grierson & Leitch podcast, tackle the greatest arguments in pop culture.
Hey, it’s Valentine’s Week! And even if you’re not out with your significant other on Thursday night, you can still appreciate a good love story, particularly one that’s surrounded by the genre trappings we’ve all come to appreciate. We need love stories to humanize all the theatrics, to make sure human beings aren’t lost among the stars.
Skipping all the details, the movies (and couples and actors, where applicable) Grierson and Leitch choose are:
5 Upstream Color (2013) — Jeff (Shane Carruth) and Kris (Amy Seimetz)
4 The Empire Strikes Back (1980) — Han Solo (Harrison Ford) and Princess Leia (Carrie Fisher)
3 Edward Scissorhands (1990) — Edward (Johnny Depp) and Kim (Winona Ryder)
2 Eternal Sunshine of the Spotless Mind (2004) — Joel (Jim Carrey) and Clementine (Kate Winslet)
This Valentine’s Day, there’s no better place to look for love than in the Marvel Cinematic Universe, which boasts more than 80 characters in 20 movies with stories spanning across various countries, realms, galaxies, and even timelines. And only half of them are dead!
Many characters are now gone. We get it. But hey, love is complicated! Love is patient. Love is kind. Time travel Love can fix anything.
(3) BEWARE THE IDEAS OF
MARCH. John Scalzi tweeted, “Oh, hey, here’s a
trailer for you, he said, with no personal vested interest at all.” I wonder what
he meant by that? Love Death + Robots debuts on Netflix on March 15.
Sentient dairy products, werewolf soldiers, robots gone wild, garbage monsters, cyborg bounty hunters, alien spiders and blood-thirsty demons from hell – all converge in eighteen NSFW animated stories. Presented by Tim Miller & David Fincher.
(4) WAKE-UP AND
SMELL THE COFFEE. Um, can you even do that in the vacuum of
space? The promoters of Space
Roasters say that’s where they’ll
perfect your cup of coffee.
Space Roasters is looking to “revolutionize coffee roasting” by taking the process to outer space. Space Roasters plans to send green coffee into space and allow the heat from its re-entry through Earth’s atmosphere to take care of the roasting—and in the process, address many of the pitfalls of conventional coffee-roasting practices. Since gravity interferes with coffee beans tumbling and breaking, Space Roasters aims to create a zero-gravity setting for roasting that creates evenly distributed heat and perfectly roasted beans.
Daniel Dern notes: “This makes me think of the Tom
Swift Jr book where he sends up rockets holding cargoes of solar batteries so
they can charge in space, and then come back to earth.”
(5) GEORGE PAL. Arnold Leibovit’s GoFundMe “Fantasy Worlds of George Pal Film Preservation” hope to raise $9,850 to preserve a series of historic rare archival videotape interviews – many never released – from The Fantasy Film Worlds of George Pal (1986).
In the annals of Hollywood, Academy Award winner George Pal will always be remembered as a titan, a brilliant visionary who profoundly shaped the art of motion pictures. As an animator, Pal was a pioneer of stop-motion animation known as Puppetoons ™ and a peer of Walt Disney and Walter Lantz. In the 1950’s as a producer and director of live-action films, he brought to the screen such classics as “The War of the Worlds”, “The Time Machine”, “When Worlds Collide”, “Destination Moon”, “Tom Thumb”, “Houdini”, “Atlantis the Lost Continent” “The Wonderful World of the Brothers Grimm”, “7 Faces of Dr. Lao”, “The Power”, “Doc Savage: Man of Bronze” and others. Pal’s cinematic legacy can be traced in the works of Walt Disney, George Lucas, Steven Spielberg, Gene Roddenberry, Tim Burton, James Cameron, Peter Jackson and dozens of others.
The original 1 inch ‘B’ NTSC video format used in the production of “The Fantasy Film Worlds of George Pal” are long out of use. To make matters worse, only 2 working ‘B’ NTSC machines exist that can aid in the digitization process. There is no telling how long these machines will last or their working parts as they are also no longer in existence!
… Talent interviews to preserve includes: Rod Taylor, Alan Young, Tony Randall, Tony Curtis, Ray Harryhausen, Ray Bradbury, Gene Roddenberry, Charlton Heston, Janet Leigh, Russ Tamblyn, Barbara Eden, Ann Robinson, Roy E. Disney, Ward Kimball, Robert Wise, George Pal, Mrs. George Pal, David Pal, Gae Griffith, Walter Lantz, Gene Warren Sr., Wah Chang, Jim Danforth, Robert Bloch, Chesley Bonestell, Albert Nozaki, William Tuttle, Duke Goldstone, Bob Baker and Phil Kellison….
…I might also urge you to kondo your prose of what I call the Wan Intensifiers and Throat Clearers® — the “very”s and “quite”s and “rather”s and “actually”s in which many (most?) of us bury our writing like so many packing peanuts. Because once you’ve stripped those away, I insist, you’ll find yourself looking at sentences that are bolder in their spareness.
And perhaps be less eager to grab up the latest bit of jargony businessspeak — is it not enough to orient new employees? Must we onboard them, and is that not prohibited anyway by the Geneva Conventions?
As a copy editor I find myself frequently asked to weigh in on an array of language peeves and crotchets: “Is it okay to use ‘literally’ to mean ‘figuratively’?” “What about ‘begs the question’?” “What do I do about supermarket signs that read ‘Ten Items or Less’?” (Respectively: If I say no, is that going to stop you? I plead the Fifth. Get a hobby.)
The actor has already provided the voice for the bear for two films that were critical and box office hits.
The series for pre-schoolers will be a 3D CG-animated series, which follows the adventures of a younger Paddington.
[…] “It is a joy to bring this uniquely life-enhancing bear to a whole new audience of younger children. We are thrilled that the inimitably brilliant Ben Whishaw will continue to voice Paddington,” [executive producer David Heyman] said.
(8) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born February 14, 1929 – Vic Morrow. I usually avoid dealing in death here but this time I can’t. He and two child actors were killed in 1982 by a stunt helicopter crash during the filming of Twilight Zone: The Movie. It was his first big budget SF film having done only two low-budget ones before that, Message from Space (Ucyuu karano messeiji), a Japanese film where he was cast as General Garuda, and as Hank Slattery in Humanoids of the Deep. (Died 1982.)
Born February 14, 1933 – Robert Shea. Author with Robert Anton Wilson of The Illuminatus Trilogy (The Eye in the Pyramid, The Golden Apple and Leviathan). Weird shit. Is it really genre? Or just the ravings of two insane writers? (Died 1994.)
Born February 14, 1942 – Andrew Robinson, 77. Elim Garak on Deep Space Nine. He wrote a novel based based on his character, A Stitch in Time and a novella, “The Calling” which can be found in Prophecy and Change, a DS9 anthology edited by Marco Palmieri. Other genre credits include Larry Cotton in Hellraiser, appearing in The Puppet Masters as Hawthorne and playing John F. Kennedy on the The New Twilight Zone.
Born February 14, 1948 – Teller, 70. Performed on Babylon 5 in the episode scripted by Neil Gaiman titled “Day of The Dead” as part of Penn & Teller who portrayed comedians Rebo and Zooty. It’s one of my favorite episodes of the series.
Born February 14, 1952 – Paula M. Block, 67. Star Trek author and editor; but primarily known for working in Paramount Pictures’ consumer licensing division and then with CBS Consumer Products. Remember that novel I noted by Andrew Robinson? Yeah that’s her bailiwick. She’s also written with her husband Terry J. Erdmann, Star Trek: Deep Space Nine Companion and Star Trek: Costumes: Five Decades of Fashion from the Final Frontier. It looks like she did some Trek fanfic as well including “The Girl Who Controlled Gene Kelly’s Feet”.
Born February 14, 1952 – Gwyneth Jones, 67. Interesting person the she is, let’s start with her thoughts on chestnuts. Just because I can. Now regarding her fiction, I’d strongly recommend her Bold As Love series of a Britain that went to pieces, and her twenty year-old Deconstructing the Starships: Science, Fiction and Reality polemic is still worth reading.
Born February 14, 1963 – Enrico Colantoni, 56. Any excuse to mention Galaxy Quest is one I’ll gladly take. He played a delightful Mathesar on that film and that was his first genre role, lucky bastard. up next for him was A.I. Artificial Intelligence as The Murderer followed by appearing in Justice League Dark as the voice of Felix Faust where (SPOILER!) his fate was very, very bad. He had an amazing role on Person of Interest as Charlie Burton / Carl Elias. Not genre, but his acting as Sgt. Gregory Parker on Flashpoint, a Canadian police drama television series is worth noting
Born February 14, 1970 – Simon Pegg, 49. Best known for playing Montgomery Scott in Star Trek, Star Trek Into Darkness and Star Trek Beyond (with a co-writing credit for the latter). His first foray into the genre was Shaun of the Dead which he co-wrote and had an acting role in. Late genre roles include Land of the Dead where he’s a Photo Booth Zombie, Diary of the Dead where he has a cameo as a Newsreader, and he portrays Benji Dunn in the present Mission: Impossible franchise.
Born February 14, 1978 – Danai Guirira, 41. She’s best known for her role as Michonne on The Walking Dead, and as Okoye in the MCU franchise starting with Black Panther, and later reprising that role in Avengers: Infinity War and Avengers: Endgame. Her first genre film was Ghost Town in which she’s listed as playing assorted ghosts, and she’s got some role in the forthcoming Godzilla vs. Kong.
…Science fiction pictures as we know them now were still relatively rare in 1943. However, horror films provide a rich vein of Retro Hugo eligible material, admittedly of variable quality. Universal brought out another version of The Phantom of the Opera, with Arthur Lubin directing Claude Rains in the title role. Somewhat unusually for horror films of the era, this film was awarded Academy Awards in the cinematography and art direction categories. At just over 90 minutes it is eligible for the long form dramatic Retro Hugo.
Universal also brought out the short Frankenstein Meets the Wolf Man, directed by Roy William Neill. This was the first of their films to feature an encounter between two of their monsters. Lon Chaney Jr. reprised his role as the Wolf Man while Bela Lugosi finally played Frankenstein’s Monster, a role he had famously turned down when the 1931 Frankenstein was being cast. Chaney also appeared in the Universal short films Calling Dr. Death (directed by Reginald LeBorg), a lost memory murder mystery, and Son of Dracula (directed by Robert Siodmak), in which he took on Lugosi’s Dracula role. By 1943 Lugosi meanwhile was ageing, but he still managed to play another vampire role in Columbia’s short Return of the Vampire (directed by Lew Landers) and The Ape Man (a short for Banner Pictures, directed by William Beaudine), in which he plays a scientist who transforms into an ape-man hybrid following some ethically dubious experiments….
(11) VALENTINE’S DAY BURRITO. John Scalzi reached 160,000 Twitter followers yesterday. By popular acclaim he celebrated by making a burrito. A thread with the recipe starts here. He’s also published it as a Whatever blog post.
Two years ago, during my annual pilgrimage to the Lesbian Herstory Archives’ book sale, I stumbled across Kindred Spirits, the first anthology of gay and lesbian science fiction stories ever, to my knowledge, published. First published in 1984 by Alyson Publications, one of the oldest LGBTQ publishing houses in operation, the anthology boasted twelve queer science fiction stories written by authors of varying identities, ranging from legendary lesbian author Joanna Russ to openly gay Star Trek screenwriter David Gerrold, who wrote the iconic episode “The Trouble With Tribbles.”
[…] [Editor Jeffrey M.] Elliot clearly hoped that anthologizing these stories would engender empathy and acceptance in his readers, but he was also cognizant of the limitations of fiction, citing the clear and urgent work of queer activists as moving the goalposts forward. Turning away from the darkness of the past, Elliot looks hopefully to a future where speculative fiction both reflects increasing acceptance of the LGBTQ community and can be used to increase acceptance of the LGBTQ community.
It’s been 35 years since Kindred Spirits was published in that hope. Have we lived up to it?
…Bradbury, it seems, is something of a student of fear. It is, he suggests, much more complex than we might think. It is certainly not just one thing. I once lived in an apartment overlooking the Thames. Seeing so much of the old river made me realise how different it could be from day to day, from hour to hour. It swirled and settled, it grew darker, it sparkled, it seemed, sometimes, almost to stop flowing. It feels as if Bradbury, through his writings, has similarly studied fear on a daily basis, noting its ebbs and flows, recognising its surprising variety. Thirteen-year-old boys can be a strange mix of high energy and deep languor. Their fear, Bradbury shows us, is subject to similar peaks and troughs. Having been near-paralysed with foreboding for a sustained period, Will and Jim become ‘starchy with boredom and fatigued with sameness’ and consider giving themselves up to the carnival just for something to do….
(14) IT’S A DRY HEAT. So far, Dune has pretty firmly resisted adaptation to the silver screen. Director Denis Villeneuve (Blade Runner 2049) is lining up talent for the next attempt (IGN Entertainment: “Dune Movie: Every Actor in the Sci-Fi Reboot”). Actors listed in the article as signed (or in talks) include:
Timothée Chalamet (Call Me By Your Name) — Paul Atreides
Rebecca Ferguson (Mission: Impossible – Fallout) — Lady Jessica
Oscar Isaac (Star Wars: The Force Awakens) — Duke Leto Atreides
Stellan Skarsgård (The Girl With the Dragon Tattoo) — Baron Vladimir Harkonnen
Dave Bautista (Blade Runner 2049) — Glossu Rabban
Zendaya (Spider-Man: Homecoming) — in talks to play Chani
Charlotte Rampling (Red Sparrow) — Reverend Mother Gaius Helen Mohiam
Javier Bardem — in talks to play Stilgar
Josh Brolin (Deadpool 2) — Gurney Halleck
Jason Momoa (Aquaman) — reportedly in talks to play Duncan Idaho
(15) ASKING FOR A TIME REFUND. Think Story deems the TV production of Nightflyers to be “A Hot Mess in Space.”
Were you as disappointed in Netflix’s “Nightflyers” as I was? Join me as we take a look at what could have been a great series but was thrown out the airlock.
[Thanks to Charles Mohapel, JJ, John King Tarpinian, Mike Kennedy, Martin Morse Wooster, Chip Hitchcock, Carl Slaughter, Daniel Dern, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]