Days left to vote, the Hugo Administrators have discovered an error in their
tally of the nominations for the 1944 Retro Hugo for Best
Fanzine and updated the ballot.
Whyte, Hugo Administrator for Dublin 2019: An Irish Worldcon, explains:
In fact, Guteto, edited by Morojo (Myrtle R. Douglas) received enough votes to qualify for the final ballot; and Fantasy News, edited by William S. Sykora, did not.
We have accordingly revised the online ballot, and the downloadable ballot form, to reflect that Guteto is a finalist in this category, and that Fantasy News has been disqualified. Write-in votes for Guteto on previously printed hard copy versions of the ballot will be accepted.
We apologize to voters, and to the estates of Myrtle R. Douglas and William S. Sykora, for the inconvenience.
When the ship in which they are traveling is captured by Carpagamon island raiders, Temple sorcerer Penric and his resident demon Desdemona find their life complicated by two young orphans, Lencia and Seuka Corva, far from home and searching for their missing father. Pen and Des will need all their combined talents of mind and magic to unravel the mysteries of the sisters and escape from the pirate stronghold.
This novella follows about a year after the events of “The Prisoner of Limnos”.
E-publication before the end of the month, I’m pretty sure; this week or next, maybe. I still have some last polishing and fretting to do on the text file, and then there is the vexing question of a map.
(2) GAINING INSIGHT. Jonathan LaForce advises writers
looking to base their stories on lived experience “How
to Talk with Veterans” at Mad Genius Club.
Last month, we talked about telling the stories of combat veterans as they really happened. Without whitewashing or varnish. Without embellishment. Without lies. In the third-to-last paragraph, I make mention of sitting down and talking with veterans. Over the last month I’ve been looking around and realizing nobody has ever explained how to talk with veterans, as a writer looking for technical (and personal) knowledge about the profession of arms. Today, we’re gonna start down that road.
This project started because I was wrong. My initial premise was that speculative fiction relegated women “of a certain age” to very specific roles: the crone, the wise woman, the meddling mother, the friendly innkeep. This seemed such an obvious truth that it was barely even worth stating. We’ve seen these women all our lives, in fairy tales and epic fantasy, and of course in Terry Pratchett’s wonderful parodies of old women in all of their cliched roles.
However, when pressed, I discovered that there was one place where we do not see these women: in science fiction novels. Old women are a rarity in science fiction and when they do exist, they inhabit a very different space. We don’t have innkeeps, we have immortals. We don’t have crazy cat ladies, we have body snatchers. There’s a distinct lack of old ladies who love solving cozy mysteries, but we do have a greater than-normal number of politicians.
“I was born with the devil in me.” So said H.H. Holmes, one of America’s most notorious serial killers. Holmes began construction of his so-called hotel as Chicago was gearing up for the 1893 World’s Fair. Far from your normal bed and breakfast, the building included soundproofed rooms, maze-like hallways and, in the basement, a crematorium and acid vats. Although the number of people he killed there is unknown, it was more than enough to give the building a different name—“The Murder Castle.”
…But perhaps the oddest Moon-related cultural experience was one that happened on the occasion of the launch of Apollo 17, in December 1972, the last Apollo mission to the Moon. It was a Caribbean cruise on Holland America’s ship, the S.S. Statendam, and anyone with the money for a ticket could mingle with NBC newsman Hugh Downs, science fiction legends Isaac Asimov and Ben Bova, novelist Katherine Anne Porter, and yes, Norman Mailer himself. This curious collection of luminaries also organized events and panels as part of the ship’s entertainment. The cruise lasted almost as long as the Apollo 17 mission itself: nine days, starting with a seaborne view of Apollo 17’s launch from seven miles off Cape Kennedy….
(6) DECALCOMANIA. The family that cosplays
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 7, 1907 — Robert Heinlein. So what do you like by him? I’m very fond of The Moon is A Harsh Mistress. And I like Starship Troopers despite the baggage around it. The Cat Who Walks Through Walls is on my occasional re-read list as I find a fun read in a way that Friday isn’t. Time Enough for Love is, errr, self-indulgent in the extreme. Fun though. (Died 1988.)
Born July 7, 1919 — Jon Pertwee. The Third Doctor and one that I’ll admit I like a lot. He returned to the role of the Doctor in The Five Doctors and the charity special Dimensions in Time for Children in Need. He also portrayed the Doctor in the stage play Doctor Who – The Ultimate Adventure. After a four year run here, he was the lead on Worzel Gummidge where he was, errr, a scarecrow. And I must note that one of his fist roles was as The Judge in the film of Toad of Toad Hall by A. A. Milne. (Died 1996.)
Born July 7, 1931 — David Eddings. Prolific and great, with his wife Leigh, they authored several best-selling epic fantasy novel series, including The Belgariad, The Malloreon and The Dreamers to name but three of their series. They’ve written but one non-sriracha novel, The Redemption of Althalus. (Died 2009.)
Born July 7, 1948 — Kathy Reichs, 71. Author of the Temperance Brennan series which might be genre adjacent, she’s also the author of Virals, a YA series about a group of a young adults with minor super powers.
Born July 7, 1959 — Billy Campbell, 60. There are some films so good in my memory that even the Suck Fairy can’t spoil them and The Rocketeer in which he played stunt pilot Cliff Secord is one of them. BTW, IDW did a hardcover edition called Dave Stevens’ The Rocketeer: The Complete Adventures and Amazon has it for a mere twenty-five bucks!
Born July 7, 1968 — Jeff VanderMeer, 51. Ok I’ll admit that I’m ambivalent about the Southern Reach Trilogy and am not sure if it’s brilliant or not. I will say the pirate anthology he and his wife Anne did, Fast Ships, Black Sails, is quite tasty reading.
Born July 7, 1969 — Cree Summer, 50. Voice performer in myriad series such as as Spider-Man: The New Animated Series, Justice League Unlimited, Star Wars: The Clone Wars, and Marvel’s Guardians of the Galaxy. She’s playing a number of the cast in the current Young Justice series including Madame Xanadu and Aquagirl.
Born July 7, 1987 — V. E. Schwab, 32. I’m very pleased with her A Darker Shade of Magic which explores magicians in a parallel universe London. It’s part of her Shades of Magic series.
(8) COMICS SECTION.
Free Range is there when an important discovery is made about the dark side of the moon.
Soon in Dublin the winners of this year’s Hugo Awards will be revealed, including the winners of the Retro Hugo Awards for science fiction published in 1943. This year unfortunately there is no voters packet for the Retro Hugos. However most of the publications in which the finalists appeared are available on the Internet Archive, where they can be read online or downloaded by Hugo Award voters. See below for links to where the various works can be found. Voting closes at midnight on 31July, so get reading.
(10) NOW IN BLACK AND WHITE. Missed out on this when it
first came around in 2015 – a takeoff on “Batman v Superman” courtesy of a “Vulture Remix” of
two 1940s serials.
These days, superhero movies are all about bombast — take, for example, the upcoming “Batman v Superman: Dawn of Justice.” But there was a simpler time, when superheroes looked terrible and were more charming than scary. We imagine what a Batman/Superman matchup would’ve looked like in the era of the first serial films about the characters from way back in the middle of the century.
Revoked White House credentials, the mysterious death of a journalist and a conspiracy to profit from the separation of migrant families at the border. This looks like a job for … Lois Lane, the Daily Planet reporter.
The character, who, like Superman and Clark Kent, first appeared in 1939, is starring in a 12-issue comic book series that begins on Wednesday. The story, written by Greg Rucka and drawn by Mike Perkins, focuses on Lois Lane as she tries to find out more about the death of Mariska Voronova, a journalist who had been critical of the Kremlin.
(12) NOTES FROM SPIKECON. David Doering sent a couple of
short news items from the NASFiC/Westercon:
Joy Day’s fabulous ASFA award, a vibrant spherical interpretation of a Black Hole, got lost enroute to Layton in the Black Hole of the USPS…
While I hoped for one or more of our locals who were nominated to win, but those that did were very worthy.
Sadly, not one winner was in attendance. We need to elevate the appreciation of art. Cover art and illustrations are often the cause of us picking up a book or magazine in the first place.
I still associate Lord of the Rings with the gum drop tree cover art from 1965…
this morning, Dave was able to check another box on his fannish bucket list:
I earned the dubious honor tonight of having our room party shutdown for being too noisy. Who knew that LTUE and World Fantasy crowd could be so boistrous?
(13) ALSO SEEN AT SPIKECON. Tanglwyst de Holloway was encouraged by John Hertz to share this photo, as it was the first time John had seen it done:
His latest, “Fall; or, Dodge in Hell,” is another piece of evidence in the anti-Matrix case: a staggering feat of imagination, intelligence and stamina. For long stretches, at least. Between those long stretches, there are sections that, while never uninteresting, are somewhat less successful. To expect any different, especially in a work of this length, would be to hold it to an impossible standard. Somewhere in this 900-page book is a 600-page book. One that has the same story, but weighs less. Without those 300 pages, though, it wouldn’t be Neal Stephenson. It’s not possible to separate the essential from the decorative. Nor would we want that, even if it were. Not only do his fans not mind the extra — it’s what we came for.
“Unlike some of my hard science fiction books, such as ‘Seveneves’—where I sweated the details of orbits, rocket engines, etc.—‘Fall’ is meant to be read as more of a fable,” Stephenson explains. “I’m not making any pretense in the book that the neuroscience and computer science are plausible. My approach was to take a particular way of thinking around brains and the uploading of human consciousness into digital form, and just say, ‘Suppose this is all true; let’s run with it and see where it takes us on a pure storytelling level.’”
Enchanted Designs Limited miners digging at Alberta’s Bearpaw Formation for rainbow-shaded ammolite gemstones, which are created by the fossilized shells of extinct marine mollusks called ammonites, discovered the nearly complete remains of the “T-rex of the Seas” in soft black-shale mudstone. The impressive specimen measured in at between 20 and 23 feet long.
(16) PITCH MEETINGS. Beware spoilers in ScreenRant’s “Spider-Man: Far From Home Pitch Meeting.”
Marvel Studios wrapped up Phase 3 of the Marvel Cinematic Universe with Avengers: Endgame — except wait no, they squeezed another Spider-Man movie in there before closing the curtains. Spider-Man: Far From Home is Tom Holland’s second “solo” outing as Peter Parker, and the character is still heavily influenced by the recently departed Tony Stark AKA Iron Man. Far From Home raises a lot of questions. Like what exactly is Mysterio’s long-term plan? What’s going on with all the other living Avengers? How does Spider-Man get his Peter Tingle back? Why are the mid-credits and post-credits scenes the most memorable parts of this film? To answer all these questions and more, step inside the pitch meeting that led to Spider-Man: Far From Home! It’s super easy, barely an inconvenience!
[Thanks to JJ, Cat
Eldridge, Chip Hitchcock, Nicholas Whyte, Tanglwyst de Holloway, Alan Baumler,
Michael Toman, Martin Morse Wooster, Rob Thornton, Mike Kennedy, Carl
Slaughter, John King Tarpinian, and Andrew Porter for some of these stories.
Title credit goes to File 770 contributing editor of the day Soon Lee.]
by Shieldforyoureyes Dave Fischer – Own work, CC BY-SA 3.0
By Jo Van Ekeren:
I’ve spent the last couple of years exhuming statistics and ephemera about the Hugo Awards from various sources, including old Usenet posts on Google Groups, old fanzines, archived con websites, and various historical documents which have been scanned and made available online (and I give my thanks to those of you who have been making those archiving efforts, especially Joe Siclari, Edie Stern, Mark Olson, and Bill Burns).
I’ve managed to resurrect full or partial statistics for around 23 additional years beyond what was posted at TheHugoAwards.org. A few years have already been posted there, and I will be gradually rolling out the rest of them over the next few months as I get them formatted into readable documents.
I’ve updated it with Site Selection ballot numbers, Advance Membership numbers, and Hugo participation percentages for 2000-2019, plus Retro Hugo data, as well as showing the difference between the number of categories which were on the nominating ballot versus the number of categories which had sufficient participation to be on the final voting ballot.
You are welcome to link to the full Google document — and certainly can make a backup of it if you wish — but please be aware that I expect it to continue to change as more bits of information become available.
Please do report to me any errors or omissions you might notice, either in the comments on this post, or by submitting a message here.
What does the most recent data about Hugo nominators and voters tell us?
Tracking of the electronic vs. paper nominations and votes, at the turn of the century, was helpful in evaluating the amount of electronic uptake by Hugo voters. That hit 99% in 2011, and has remained there ever since. Now this comparison tracking is chiefly of interest in noting how many remaining members are either unable or unwilling to nominate and vote electronically.
From 1989 through 2007, participation in the final ballot was consistently under 20% of the Advance membership (those eligible to participate in voting). In 2008, both overall membership numbers and Hugo participation began to rise steadily. It is likely that common acceptance and the ease of the ability to nominate and vote electronically contributed significantly to this. In addition, 2008 was the first year of the annual Hugo Voter Packet – containing finalist works which were not otherwise available for free – and this has also likely contributed to the rise of member numbers and of Hugo participation among members.
The ratio of Supporting to Attending members has also steadily risen in the last 10 years, and while some of this can be attributed to the Puppy campaigns of 2015-2016 as well as to fans from the U.S. being unable to attend overseas Worldcons in London and Helsinki, it seems clear that access to a large number of free works in the Hugo Voter Packet is also a contributing factor. Percentage of eligible advance member participation in the Hugo Awards is now at an all-time high, at 40% to 50% of the eligible membership.
Site Selection, which has remained a mail-in or on-site endeavour, has seen somewhat of a decline in participation in the last 10 years. This is likely due to having only one bid site in many of those years, but possibly also somewhat due to people who previously voted for both Hugos and Site Selection by mail in the past now only voting for the Hugos online. This is not likely to change unless and until it becomes common for bidcoms to be willing to have electronic voting for Site Selection.
Hugo Voting: Let's Look At The Record Again (1971-1999), by George Flynn
29 - Noreascon I
30 - L.A.Con I
31 - Torcon II
32 - Discon II
33 - Aussiecon One
34 - MidAmeriCon
35 - SunCon
36 - IguanaCon II
37 - Seacon '79
38 - Noreascon Two
39 - Denvention Two
40 - Chicon IV
41 - ConStellation
42 - L.A.con II
43 - Aussiecon Two
44 - ConFederation
45 - Conspiracy '87
46 - Nolacon II
47 - Noreascon 3
48 - ConFiction
The Hague, Netherlands
49 - Chicon V
50 - MagiCon
51 - ConFrancisco
52 - ConAdian
53 - Intersection
54 - L.A.con III
55 - LoneStarCon 2
56 - BucConeer
57 - Aussiecon Three
Hugo Voting: Let's Look At The Record Yet Again (2000-2020),
by Jed Hartman and Jo Van Ekeren
Valid Nominating Ballots
Valid Final Ballots
58 - Chicon 2000
59 - Millennium Philcon
60 - ConJosé
61 - Torcon 3
62 - Noreascon 4
63 - Interaction
64 - L.A.con IV
65 - Nippon2007
66 - Denvention 3
67 - Anticipation
68 - Aussiecon 4
69 - Renovation
70 - Chicon 7
71 - LoneStarCon 3
72 - Loncon 3
73 - Sasquan
74 - MidAmeriCon II
75 - Worldcon 75
76 - Worldcon 76
77 - Dublin 2019
78 - CoNZealand
Wellington, New Zealand
Hugo Voting: Let's Look At The Record for the Retro Hugos
Valid Nominating Ballots
Valid Final Ballots
54 - L.A.con III
59 - Millennium Philcon
62 - Noreascon 4
72 - Loncon 3
74 - MidAmeriCon II
76 - Worldcon 76
77 - Dublin 2019
Number of categories includes the Hugo Awards, the Campbell Award, the Lodestar/YA Award, and any other special categories or awards announced that year. Discrepancies between total nominating categories and total voting categories are the result of categories with insufficient nominations being dropped from the final ballot.
Chicon 2000 received 1,101 Hugo ballots, of which 475 were electronic ballots and 626 were paper ballots. 30 ballots were invalid, which left 1,071 valid ballots. It is unclear how many of the 30 invalid ballots were paper vs. electronic.
ConJosé received 940 Hugo ballots. There were 697 were electronic ballots, 226 paper ballots, and 17 fax ballots. 16 ballots were invalid, which left 924 valid ballots. It is unclear how many of the 16 invalid ballots were paper vs. electronic vs. fax.
Torcon 3 received 805 Hugo ballots, of which 478 were electronic ballots and 327 were paper ballots. 29 ballots were invalid, which left 776 valid ballots. It is unclear how many of the 29 invalid ballots were paper vs. electronic.
The number of final Hugo ballots for Nippon 2007 is unknown. The quoted figure is the number of Novel ballots / 80%, which is the average percentage of final ballots cast for Novel during that stretch of years.
Site Selection went from 2 years to 3 years in advance
Site Selection went from 3 years to 2 years in advance
(1) AVOIDING THE HIT PARADE. The Planetary Society welcomes
you to enroll in “Asteroid
Defense 101” “A short course introduction to asteroid impact and what
we can do to prevent it.” It’s free.
In this course, you’ll learn about the threat of asteroid impact, the history of asteroid impacts on Earth, asteroids and comets in general, and The Planetary Society’s 5 step plan to prevent asteroid impact. At the end of the course you’ll be presented with resources to learn more, and encouraged to share what you’ve learned with others. The entire course can be completed in about an hour or a little bit more. See below to learn about the instructor and see the curriculum. Let’s save the world!
Lien is originally from Taiwan and lives in Hollywood, California. He has been an attorney, a teacher at UCLC Extension, and an art dealer in Los Angeles, representing artists from the Americas and Eurasia. He has also served as president of the West Hollywood Fine Art Dealers’ Association and on the board of the West Hollywood Avenues of Art and Design.
…My first serious fannish activity was writing Star Trek: The Next Generation fanfic, largely focusing on my two favorite/self-insert characters: Data and Wesley Crusher.
My first social fanac was half-assedly joining a play-by-mail Starfleet simulation RPG.
My first “no shit there I was” fan story was giving a homemade snickerdoodle cookie to Brent Spiner.
You don’t get my fandom experience without Tolkien, for sure; but you damn sure don’t get it without Star Trek, either. Star Trek is where I start doing fandom, as a social thing broader than the scope of my family, rather than merely reading my father’s shelves ravenously. (Though of course my immediate social circle of fic writers included at least one person who sneered at anything involving Wesley Crusher positively, and I came away with the impression that she did it to fit in and I would be expected to do the same. So I stopped sharing my fic.)
I used to comment about the watershed of the post-Star Wars fandom experience; I am pretty sure that the post-Harry Potter fandom experience has only increased this phenomenon. Older fen I saw talk about being teased or bullied for liking science fiction and fantasy; I got a bit of that for reading, generally, but it was a given that I would read genre. Everyone did genre, at least people who actually read.
I was… sometime in my teens before I learned that there was stuff out there that wasn’t genre. It was the Doonesbury sequence on The Bridges of Madison County that did it. This wasn’t something that was explained to me – or remotely apparent to me – before then. Everything I read, I read as Strange People In Unfamiliar Situations, and the same principles applied that to Dickens and Robert Louis Stevenson and whatever nonsense was assigned in English class, where it worked just as well as it did on Niven and my beloved Cherryh.
One of my first encounters with old-school convention/zine fandom was being indirectly mocked for saying “sci-fi”, the way my father did, the way everyone I knew did. It was made clear to me that this was the mark of an Outsider, possibly an Interloper, certainly not someone who was qualified to be welcomed into the inner circles….
…On Friday, Mr. Kranz and Jim Bridenstine, the NASA administrator, cut a ribbon marking the official reopening of the restored Apollo Mission Control Center. It was a three-year, $5 million project, and every inch of the famed heart of America’s lunar aspirations was repaired and refurbished. Its reopening comes three weeks before the 50th anniversary of Neil Armstrong’s giant leap for mankind, and helps to kick off Apollo festivities across the country.
Apollo mission control had been abandoned in 1992, with all operations moved to a modernized mission control center elsewhere in the building. Center employees, friends, family — and anyone, really, who had access to Building 30 — could walk in, take a seat, take a lunch break and take pictures.
While they were there, they might take a button from one of the computer consoles. Or a switch or dial, anything small — a personal memento from an ancient American achievement. The furniture fabric and carpet underfoot grew threadbare. The room was dark; none of the equipment had power. Wires hung where rotary phones had once sat. The giant overhead screens in front of the room were damaged, and the room smelled of mildew. Yellow duct tape held carpet together in places….
“One basic rule of dystopian fiction is that the future should be worse than the present,” said the German novelist [Tom Hillenbrand]. “But in this case it turns out I was a bit too optimistic.
“In my book Britain has actually worked out how it wants to leave and the EU is preparing a new constitution as a result. The real Brexit is actually much more dystopian.”
Since Drone State was published in Germany to critical acclaim in 2014, two years before the EU referendum on EU membership, a new micro-genre has flourished in the country’s publishing industry: dystopian fiction about Brexit Britain.
(6) KGB.Fantastic Fiction at KGB reading series hosts Ellen Datlow
and Matthew Kressel present Theodora Goss and Cadwell Turnbull on Wednesday,
July 17, 7 p.m. at the KGB Bar.
Theodora Goss is the World Fantasy and Locus Award-winning author of novels, short stories, essays, and poetry, including debut novel The Strange Case of the Alchemist’s Daughter and sequel European Travel for the Monstrous Gentlewoman. She has been a finalist for the Nebula, Crawford, Seiun, and Mythopoeic Awards, as well as on the Tiptree Award Honor List, and her work has been translated into twelve languages. She teaches literature and writing at Boston University and in the Stonecoast MFA Program.
Cadwell Turnbull is the author of the The Lesson. His short fiction has appeared in The Verge, Lightspeed, Nightmare, Asimov’s Science Fiction, The Best American Science Fiction and Fantasy 2018, and The Year’s Best Science Fiction and Fantasy 2019 (forthcoming). He lives with his wife in Somerville, Massachusetts.
KGB Bar: 85 East 4th Street (just off 2nd Ave, upstairs.) New
(7) TODAY IN HISTORY.
June 30, 1971 — Willy Wonka & The Chocolate Factory was released on this day
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born June 30, 1902 — Lovat Dickson. Australian-born publisher and author who was half-brother of Gordon R Dickson. He wrote the biography H G Wells: His Turbulent Life and Times. (Died 1987.)
Born June 30, 1905 — Nestor Paiva. Sometimes it only takes one film or series for a performer to get a Birthday write-up from me. Paiva makes it for Lucas the boat captain in The Creature from the Black Lagoon and its oft-forgotten sequel Revenge of the Creature. Though that was hardly his only genre role as his first role was in the early Forties as an uncredited prison guard in Tarzan’s Desert Mystery and he’d be in many a genre film and series over the decades as Prof. Etienne Lafarge in The Mole People, as the saloon owner in (I kid you not!) Jesse James Meets Frankenstein’s Daughter, Felicity’s Father in The Spirit Is Willing, Captain Grimby in “The Great Treasure Hunt” of The Adams Family and a Doorman in the “Our Man in Leotards” episode of Get Smart. (Died 1966.)
Born June 30, 1920 — Sam Moskowitz. SF writer, critic, and historian. Chair of the very first World Science Fiction Convention held in NYC in 1939. He barred several Futurians from the con because they threatened to disrupt it in which was later called the Great Exclusion Act. In the Fifties, He edited Science-Fiction Plus, a short-lived genre magazine owned by Hugo Gernsback, and would edit several dozen anthologies, and a few single-author collections, most published in the Sixties and early Seventies. His most enduring legacy was as a historian of the genre with such works as Under the Moons of Mars: A History and Anthology of “The Scientific Romance” in the Munsey Magazines, 1912–1920 and Hugo Gernsback: Father of Science Fiction. (Died 1997.)
Born June 30, 1959 — Vincent D’Onofrio, 60. Not Kingpin in that not terribly good or bad Daredevil film, but rather in the Daredevil series, Edgar the Bug in the only truly great Men in Black film and Vic Hoskins in Jurassic World. He also was Jason Whitney / Jerry Ashton in The Thirteenth Floor, loosely based upon Simulacron-3, a early Sixties novel by Daniel F. Galouye.
Born June 30, 1961 — Diane Purkiss, 58. I’ve not read her Corydon Trilogy she wrote with Michael Dowling, her son, but I can say that At the Bottom of the Garden: A Dark History of Fairies, Hobgoblins, Nymphs, and Other Troublesome Things is as splendid as the title suggests it is. She’s also written Fairies and Fairy Stories: A History.
Born June 30, 1966 — Peter Outerbridge, 53. Dr. David Sandström in what I think is the underrated ReGenesis series as well as being Henrik “Hank” Johanssen in Orphan Black anda recurring role on Millennium as Special Agent Barry Baldwin. He’s currently in two series, The Umbrella Academy with a recurring role as The Conductor, and as Calix Niklosin in V-Wars, yet another Netflix SF series.
Born June 30, 1972 — Molly Parker, 46. Maureen Robinson on the current Lost in Space series. One-offs in Nightmare Cafe, The Outer Limits, The Sentinel, Highlander: The Series, Poltergeist: The Legacy, Human Target and she appeared in The Wicker Man asSister Rose / Sister Thorn.
(10) WILL YOU SEE IT AGAIN? Emergency Awesome gives a rundown of the extras tacked onto the end of the Avengers: Endgame re-release, done in hopes of topping Avatar’s box office record.
Covering new Avengers Endgame Post Credit Scene with Hulk from Endgame Re Release. Special Stan Lee Cameo Scene and Avengers Endgame Spider-Man Far From Home Post Credit Scene. New Footage, Deleted Scenes and Bonus Features. Most of which will be on the Avengers Endgame Blu Ray later this year.
(11) COURT IS IN SESSION. At Legal Eagle, “Real Lawyer Reacts to Daredevil (The
Trial of Frank Castle).”
Is Frank Castle a hero or a villain? Is Matt Murdock a good lawyer or a bad one?
A legal analysis of Frank Castle’s trial from season 2 episode 7 and 8 of Marvel’s Daredevil. As Vulture eloquently put it: “In the Marvel Cinematic Universe, the “trial of the century” does not concern O.J. Simpson, but Frank Castle. It’s finally time for the Punisher to stand trial, and thanks to just about every imaginable thing going wrong, Nelson and Murdock must defend him against District Attorney Reyes, who has a stacked deck and enough clout to steamroll our favorite tiny firm with ease.”
(12) HUGO’S GREATEST MOMENTS. This is probably well-intended, but my goodness!
Translation: HUGO AWARD 2018: SCIENCE FICTION and FANTASY AWARD – SUMMARY WITH THE BEST MOMENTS http://www.
(13) SHOOTING SPARKS. The Monica Bellucci sf movie Nekrotronic
has dropped its official trailer.
To my surprise, the number quoted was not remotely as high as that. Just HOW high, I asked? He did a few calculations about his costs, and compared examples on line, and gave me a number that led me to swallow and say, “I can do that!” Mind you, I will be scraping together everything I can spare for the next three months, along with everything else I had already spend at the show, but I CAN do it. It will be the most expensive coin I have ever bought in the past, or am ever likely to buy in the future, and it was more expensive than anything else of any kind that I have ever bought, but IT IS MINE! I now own a gold aureus by the emperor Nero, roughly 54 to 68 AD. I think I have experienced an epiphany of sorts.
3) S.A. Chakraborty (my review of her novel here).
This is an Arabic-inspired fantasy, set in the secret magical land of the daeva, or djinn. This world is well built, with a great weight of history and backstory conveyed without infodumping. There’s also some meaty themes of discrimination and oppression.
(16) RETRO HUGO NOMINEE DECODED.
[Item by Cora Buhlert.] For all of us Retro Hugo
voters who are confused by the rather incoherent horror film The Seventh
Victim, here is an older article from Vice which explains why the
movie is so strange: “The 1940s Horror Movie That
Embraced Lesbianism and Satanism” (2017).
The signs are plentiful. Jacqueline has recently married a lawyer Gregory Ward (Hugh Beaumont), yet shows no signs of wanting to take his name or be with him romantically. Ward reveals to Mary, “There’s something about your sister a man can never quite get hold of.” Jacqueline is also “miserable” with her life, necessitating regular visits to psychiatrist Dr Louis Judd. (The doctor is played sarcastically by Tom Conway, who reprises the same character from Lewton’s similarly odd 1942 masterpiece Cat People—a film that also tackles repressed sexuality.) It turns out that Jacqueline has fallen in with the secretive cult and is now wanted dead by its members, who fear that she has told her psychiatrist about them.
In short, the missing women everybody is looking for
is a lesbian and because society doesn’t accept her, she becomes depressed and
commits suicide. But Jacques Tourneur and Val Lewton weren’t allowed to do more
than vaguely hint at the character’s sexual orientation, so they shoehorned in
a plot about Satanists, since Satanists are apparently less scary than
lesbians.The article certainly caused me to reevaluate the movie, since a) it’s
now even less SFF than before, and b) equating lesbians with Satanists is
(17) ALTERNATE MUSICAL HISTORY. Whether it’s sff or not isn’t
something Leonard Maltin is concerned about – it’s the disappointing execution:
A good idea is a rare and precious gift. Screenwriter Richard Curtis has had many of them, leading to such films as Four Weddings and a Funeral, Love Actually and Notting Hill. He and Jack Barth had another good one: What if a time warp erased the whole world’s memory of The Beatles, and a struggling singer presented their songs as his own? They brought this concept to director Danny Boyle, whose enthusiasm led to Yesterday.
An idea, however, is not the same thing as a story. This film is an unfortunate example of a premise that doesn’t blossom into a full-fledged screenplay. The cast is engaging enough, with Himesh Patel as a hard-luck guy who has greatness thrust upon him and Lily James as his platonic pal. They’ve been like brother and sister since childhood, always there for each other, but neither one can admit that they are truly in love. This relationship, fraught with hesitations and crises, becomes repetitious and tiresome.
Sena Runa (previously) twists, folds, and stacks layers of thick paper to create dynamic paper sculptures. The Turkish artist uses a wide range of hues to create chromatic elephants with a rainbow of shades, or work all of the brilliant blues of the ocean into a single sea turtle.
(19) KURTZMAN DEFROCKED. Midnight’s Edge explains
why Alex Kurtzman can’t be fired but has been sidelined as the maven of all
things Star Trek at CBS.
On June 27, CBS officially confirmed what Midnight’s Edge revealed almost two weeks earlier: that Michael Chabon is the new showrunner of Star Trek Picard. In this video, we will begin by going through what this implies about Alex Kurtzman and his current role, before moving on to what Chabon might bring to Picard.
(20) RE-VERSE. A visit to Bonnie McDaniel’s blog led me to rediscover
this wonderful verse Stoic Cynic posted
in comments in 2016 (it was a very good year!)
A fragmented excerpt from The Filer and the Astronaut by Louise Carol:
‘The time has come,’ the Filer said, ‘To talk of many things: Of pups — and picks — and palimpsests — Of Cadigan — and King — And why this movie, cult is not — And whether trolls believe.’
‘But scroll a bit,’ the Pixels cried, ‘Before you have your chat; For some of us are full of links, Oh do not rush so fast!’ ‘No hurry!’ said the Astronaut. They thanked him much for that.
‘A post of fifth,’ the Filer said ‘Is what we chiefly need: Filking and Punnery besides Are very good indeed — Now, if you’re ready, Pixels dear, We can begin to read.’
‘O Pixels,’ said the Astronaut, ‘You’ve had a pleasant run! Shall we be posting here again?’ But answer came there none — And this was scarcely odd, because They’d scrolled up every one.
[Thanks to mlex, Carl Slaughter, Mike Kennedy, Martin Morse
Wooster, John King Tarpinian, JJ, Bruce D. Arthurs, P J Evans, Cat Eldridge, Andrew
Porter, Alan Baumler, and Chip Hitchcock for some of these stories, Title
credit goes to File 770 contributing editor of the day GSLamb.]
(1) STRIVING FOR BALANCE. Mystery writer Laura Lippman has an op-ed in the Washington Post
about how her next novel, Lady in the Lake, will be narrated by an
African American ghost and whether it is all right for a white woman to write
about black characters: “Is
it ok for a white author to write black characters? I’m trying.” She notes that none of the 20 characters in
her novel resemble her, and “In creating this wide-ranging cast, I took a lesson
from one of my heroes, Donald Westlake, who once said, ‘I became a novelist so
I could make things up.’ So I did that–but I also asked that my novel be
assigned to a sensitivity reader.”
…When I teach creative writing, I tell my students that the biggest mistake they can make is to try to write around problems, hoping no one else will see them. I advocate running right at the problem, making it the story. I have never shied away from writing characters of color, but that choice is clearly different and more fraught now, even in the 14 months since my last novel appeared. So with my most recent book, to be published next month, I took my own advice, inventing a middle-aged white woman who tries to give her life meaning and purpose by investigating the death of a young black woman. It was a particularly meta choice. This is what I do, after all. I write about death, and the stories are often inspired by real-life crimes, which is another kind of appropriation….
Shannon Wheeler, Eisner Award-winning New Yorker cartoonist (Too Much Coffee Man, Sh*t My President Says, God is Disappointed in You), and veteran journalist Steve Duin (The Oregonian, Comics: Between the Panels, Oil and Water) turn their critical eye on the Mueller Report – a comprehensive, understandable, and readable graphic novel version of the book every patriot needs.
Fight the spin spewing forth from both parties and political pulpits and check out this graphic novel that brings a 400-page legal document down to size. Wheeler and Duin, in graphic form, bring to life scenes detailed in the report: from the infamous Trump Tower Meeting of 2016 to Trump exclaiming “I’m f*cked” upon finding out he was the subject of investigation. It’s in the report and it’s in the graphic novel!
The Mueller Report: Graphic Novel borrows style from classic private detective yarns, complete with a villain’s rogues’ gallery, nail-biting cliffhangers, and a lone lawman standing proud against the wave of crime.
…To go to an academic conference, let alone earn an advanced degree in history, literature, or art history, requires an enormous amount of money and free time. To participate in the SCA requires… an interest in the Middle Ages and a reasonable attempt at pre-17th century clothing, which can be made with $12 of material from Jo-Ann’s Fabric and half an hour at a sewing machine. (I should know; that was me in college.) Who, then, are the privileged ones? If anything, the SCA game threatens to destabilize systematic racism by replacing real-world hierarchies of race and class with its own imaginary social structure.
The SCA is diverse in other ways, as well: While academic historians focus narrowly on, say, women’s faith in the 14th century or the role of the Capetian dynasty in building the French state, the SCA is interested in everything that happened under the premodern sun from the death of Elizabeth I back to… the birth of Hammurabi, apparently. These include sword-fighting, cooking, visual arts, fabric arts, dancing, equestrian arts, and the list goes on. As my friend Mike Cramer points out, it’s like a state fair of medieval stuff.
(5) HOLLAND OBIT. [Item by Rob Hansen.] News of someone who was a LASFS club mascot as a child in the 1940s, namely Francis T. Laney’s daughter. She was named in Harry Warner Jr’s All Our Yesterdays (Advent, 1969):
To this second wife, Jackie, the two Laney Children were born. They were Sandra Rae, born Aptil 8th, 1940, and Sonya Lynn, born November 11th, 1942, mentioned in a thousand fanzine pages as Sandy and Quiggy.
Rob Hansen says, “Out of curiosity I did a web search and discovered this obit for Sandy originally published by Oregon Live from which I discover her sister still goes by Quig, and that Jackie’s actual name was Alberta, something I hadn’t known.”
Sandra Rae Laney Holland April 8, 1940 – Sept. 11, 2018 Sandra Rae Laney Holland, 78, of Vancouver, passed away Sept. 11, 2018, in Vancouver. Sandi was born in Lewiston, Idaho to Francis and Alberta Laney, April 8, 1940….
Found among Washington Irving’s papers are fragments of what might have been notes for a memoir, scribbled down in spare moments during either 1843 or 1845 (the date is hard to decipher), when he was the American minister to Spain under President John Tyler. In one entry he describes the genesis of his most famous story:
When I first wrote the Legend of Rip van Winkle my thought had been for some time turned towards giving a colour of romance and tradition to interesting points of our national scenery which is so deficient generally in our country. My friends endeavored to dissuade me from it and I half doubted my own foresight when it was first published from the account of the small demand made for that number, but subsequent letters brought news of its success and of the lucky hit I had made. The idea was taken from an old tradition I picked up among the Harz Mountains.*
June 23, 1976 — The George Clayton Johnson/William F. Nolan-scripted movie based on their book, Logan’s Run, premiered.
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born June 23, 1945 — Eileen Gunn, 74. Her story “Coming to Terms” based on her friendship with Avram Davidson won the Nebula Award for Best Short Story. Her stories are in Stable Strategies and Others, Steampunk Quartet and Questionable Practices. With L. Timmel Duchamp, she penned The WisCon Chronicles, Vol. 2: Provocative Essays on Feminism, Race, Revolution, and the Future.
Born June 23, 1947 — Mark Olson, 72. One could reasonably call him an Uberfan. And among his many accomplishments is that he oversees Fancyclopedia 3 which I constantly use. If you don’t know him, I’m going to send you to his Fancyclopedia 3 bio which is far too long to quote here. It’s just a little boastful as it should be.
Born June 23, 1957 — Frances McDormand, 62. She’s God. Well at least The Voice of God in Good Omens. Which is on Amazon y’all. Her first genre role was in the “Need to Know” episode of Twilight Zone followed shortly thereafter by being Julie Hastings in Sam Raimi’s excellent Dark Man. She’s The Handler in Æon Flux and that’s pretty much everything worth noting.
Born June 23, 1963 — Liu Cixin, 56. He’s a winner of a Hugo Award for The Three-Body Problem and a Locus Award for Death’s End. Anyone got a clue what’s going on with the alleged Amazon production of The Three-Body Problem as a film?
Born June 23, 1964 — Joss Whedon, 55. I think I first encounter him with the Buffy tv series. And I’ll hold that I think Angel was better told. Firefly was an interesting mess. And don’t get me started on the Avengers: Age of Ultron…
Born June 23, 1972 — Selma Blair, 47. Liz Sherman in Hellboy and Hellboy II: The Golden Army. She also voiced the character in the animated Hellboy: Sword of Storms and Hellboy: Blood and Iron. She’s Stevie Wayne in The Fog, a slasher film a few years later and was Cyane on the “Lifeblood” episode of Xena: Warrior Princess. Later on, she’d be Jessica Harris in the “Infestation” episode of Lost in Space.
Born June 23, 1980 — Melissa Rauch, 39. Bernadette Rostenkowski-Wolowitz on The Big Bang Theory which is at least genre adjacent if not genre. She gets to be really genre in voicing Harley Quinn in Batman and Harley Quinn which Bruce Timm considers “a spiritual successor to Batman: The Animated Series”. H’h.
Born June 23, 2000 — Caitlin Blackwood, 19. She was the young Amelia Pond in these Doctor Who episodes; “The Eleventh Hour”, “The Big Bang”, “Let’s Kill Hitler”, and “The God Complex”, and had a cameo in “The Angels Take Manhattan”. She’s the cousin of Karen Gillan who plays the adult Pond. No idea how she was cast in the role.
…There had been some worry inside NASA about whether, from Earth, they would be able to pinpoint the lunar module’s landing location. The Moon was mapped, but not in anything like fine, up-close detail; there were no constellations of tracking satellites around the Moon in 1969. “With a wry smile, (Armstrong) radioed Houston, ‘The guys who said we wouldn’t know where we were are the winners today.’ ”
It’s an interesting selection of these that 1943 brings us. First off, there are three instances of a peculiar little subgenre, the afterlife story – people who are newly dead or on the verge of death, who are given a last chance to face up to the realities of heaven and hell, and try to make the right choice….
Three films with the same underlying idea, but the treatment of it is very different.
2. BattleTech: The Crescent Hawk’s Inception (Infocom 1988)
Way back in the pivotal year of 1984, Chicago-based FASA developed a mecha combat game using designs from Japanese sources without permission. Coming at the perfect time, FASA had a true hit on their hands, and the BattleTech empire was founded. While originally, BattleTech was a tabletop wargame, today, BattleTech is also a successful series of video games that all started in 1988. Infocom, that gave us Zork!. The first BattleTech game, The Crescent Hawk’s Inception, was released for a variety of PC machines like the Commodore 64 and the ATARI ST. Featuring an amazing cover, it was sadly not as dynamic as the cover art would lead you to believe. This turn-based RPG game looks more like The Legend of Zelda than MechWarrior, and had you play as a Mechwarrior cadet named Jason Youngblood in the service of the Lyran Commonwealth during the 31st century. During the game, Jason will be thrust into a war, finding LosTech, and the fate of this lost father. From videos and articles, the game is complex and lengthy, that proved successful enough to warrant a sequel in 1990 called BattleTech: The Crescent Hawk’s Revenge. The reason for these early BattleTech games becoming LosTech was that the kinetic nature of mech combat was not expressed in the gameplay like later titles, and the fact they were released back in 1988 media.
It’s midnight in Sommaroy, but the sun is still shining on this Norwegian island. The clock strikes 12, but the island’s residents are playing, working, fishing and socializing. Nighttime commands sleep, but Sommaroy doesn’t want to listen.
If the 350 residents of Sommaroy get their way, the clocks will stop ticking and the alarms will cease their noise. A campaign to do away with timekeeping on the island has gained momentum as Norway’s parliament considers the island’s petition.
“Why do we need time and clocks when there is no night?” reads the campaign’s Facebook page. During a 70-day period leading up to and following the summer solstice, from May 18 to July 26, darkness never falls across the sky.
“There’s always less wind at night here, perfect to paint the garage. Fishermen are out half the night, after all. If we get tired, we’re fit to go after a nap on the sofa. Why don’t we just sign out of time, throw away all the clocks and forget about them? Life would be so much easier,” the Facebook post continues.
This 1987 science fiction novel concerns a woman named Lilith who wakes up with no idea where she is or how she got there. As she begins to figure things out, she comes to understand that she’s been taken by the Oankali, aliens who want to blend with humanity as a way of diversifying their species and allowing the remnant of humanity to continue in a less violent (and less human) fashion. What makes this book so effective is you are never sure to what degree Lilith should be considered a collaborator with the enemy. Even Lilith isn’t sure. The moral implications of the novel are immense, and Butler shifts the tension every time you (or Lilith) begin to become comfortable. It builds slowly but inexorably, leaving readers in ethical ambiguity until the end, trapped in the dilemma of not knowing what to think. It’s one of the most unsettling books I’ve ever read, partly because of how benign and reasonable the aliens seem as they gently manipulate Lilith.
(13) SO MUCH SPACE, SO LITTLE TIME. Or so it might seem.
The size and age of the universe seem to not agree with one another. Astronomers have determined that the universe is nearly 14 billion years old and yet its diameter is 92 billion light years across. How can both of those numbers possibly be true? In this video, Fermilab’s Dr. Don Lincoln tells you how.
(14) HOT PITCH. ScreenRant encourages everyone to step inside the pitch meeting that led to 2005’s Fantastic
[Thanks to Rob Hansen, JJ, Michael Toman, Cat Eldridge, Chip
Hitchcock, Martin Morse Wooster, John King Tarpinian, Mike Kennedy, Carl
Slaughter, and Andrew Porter for some of these stories. Title credit goes to
File 770 contributing editor of the day Ingvar.]
(1) MÜNCHHAUSEN DEBATE. Some regard Retro-Hugo nominee Münchhausen to be the best thing on the ballot, while others are considering refusing to rank it at all because the movie was made in Germany during the Third Reich. Cora Buhlert and Evelyn C. Leeper are two fans who are on opposite sides of the argument.
… This post grew out of a comment on Steve J. Wright’s blog (whose Hugo and Retro Hugo reviews you should really read), where Steve expressed that he was unsure whether he should vote for Münchhausen due to its provenance. His is not the only comment along those lines I have seen, so here is a post explaining why you should not dismiss Münchhausen out of hand.
… However, quite a few Hugo voters have issues with Münchhausen, because it was made in Germany during the Third Reich and they don’t want to vote for “a Nazi film”. This is wrong, because – unlike some of the pretty crass propaganda stuff found elsewhere on the Retro Hugo ballot, particularly in the dramatic presentation and graphic story categories – Münchhausen is not a propaganda film, merely a film that happened to be made during the Third Reich. For while the Nazi propaganda movies are infamous – even though hardly anybody has seen them, because they still cannot be publicly displayed in Germany except for educational purposes* – these propaganda movies (about forty) only make up a small percentage of the total film output of the Nazi era. In fact, it’s a lot more likely to find propaganda in a random Hollywood movie made during WWII than in a random German movie. For the vast majority of the German movies made during the Third Reich were apolitical entertainment: musicals, melodramas, comedies, romances and the like.
…It’s also notable that most of the Münchhausen cast and crew, including director Josef von Baky, had careers that continued unimpeded in postwar Germany. And considering that both the Allies and the postwar West and East German authorities came down harder on artists who were involved with questionable movies than on Nazi doctors, judges, civil servants, military officers, etc… who were actually responsible for the deaths of many people (cause the latter were deemed important for building up the postwar state, while the former were not), this means that most of the people involved with Münchhausen were not Nazis….
MUNCHHAUSEN was an attempt to provide the German audience with the lush Technicolor films they were not getting from Hollywood in 1943. And the film is beautiful, with some scenes reminiscent of Brueghel paintings, and the scenes on the moon quite fantastical. As a Hugo finalist, though, it has two flaws. One is that long stretches are fairly boring–I just don’t find Munchhausen’s intrigues with Catherine the Great very interesting. The second is that if people balk at giving an award to a film directed by someone accused of sexual misconduct and possible rape, what should one think of awarding a Hugo to a film made by the Nazis as a propaganda film (of the “Volksfilm” style)? It’s a fine line, I agree, but while I think the film worth watching (it’s available free on YouTube, and if you get it on DVD, whoever is getting the royalties, it’s not the Nazi party), I cannot vote to give it a Hugo.
(2) SCALING MT. TSUNDOKU. [Item by
rcade.] Wajahat Ali, a New York Times opinion writer
and CNN contributor, asked for advice on Twitter about meeting his goal of
reading 3 books a month:
…“Toy Story 4” is directed by Josh Cooley, and it must be said that, for a while, the tale doesn’t seem like the freshest that Pixar has ever told. Woody (voiced by Tom Hanks, as ever), Buzz Lightyear (Tim Allen), and their bunch of pals are forced to adjust when young Bonnie (Madeleine McGraw), in whose bedroom they reside, departs for orientation day at kindergarten and returns with a toy—or a thingamajig—that she has made. His name is Forky (Tony Hale), he was put together from cutlery, pipe cleaners, and goggly eyes, and he clings to a fervent belief that he is trash. Time and again, despite not having read Dostoyevsky, he has to be stopped from throwing himself away. Parents with children of Bonnie’s age may find these scenes difficult to explain….
One world is not enough (probably). There are space operas that center on one world—novels such as Dune or The Snow Queen come to mind—but their plots require interactions between that planet and the rest of the narrative universe. The story may take place on one world, but this world is only one of many.
Space travel is a therefore a necessary feature of space opera. Travel can delightfully complicate the plot: trade, migration, proselytization, and the chance that the local equivalent of the Yekhe Khagan might pop by with ten thousand of his closest friends to discuss taxation and governance.
(5) PREFERRED SFF. [Item by Martin Morse Wooster.] Tyler Cowen interviewed Google’s chief economist, Hal Varian, in his podcast “Conversations With Tyler.” (“Hal Varian on Taking the Academic Approach to Business”). In minute 38 of the interview, Varian recommended some sf. He liked Frederik Pohl’s “The Midas Plague” in which robots produce so much stuff that the rich live lives of bucolic simplicity while the poor have to consume until they keel over. Varian also liked L. Sprague de Camp’s Lest Darkness Fall, and said that if he could live at any time in history, it would be in the Rome of the fifth century described in de Camp’s classic novel.
Read free sample chapters from the most exciting new voices in science fiction and fantasy today, including C. S. E. Cooney, Katharine Duckett, Jennifer Giesbrecht, Kerstin Hall, Vylar Kaftan, Scotto Moore, Tamsyn Muir, Lina Rather, Priya Sharma, and Emily Tes.
Data from self-published authors has shown a much greater variability.
If you want to help out (note your name and your book name will not be used) then message me the following information for each fantasy book you want to tell me about. It will become a point on a graph. I will not share your figures with anyone (except as an anonymous point on a graph). Note – please only submit info for books with more than 200 Goodreads ratings:
Year the book was published
number of Goodreads ratings for the book
number of copies sold via Kindle Unlimited
number of copies sold in all other formats
estimate the % of all non KU sales (i.e number listed in 4) that were free / £0.00
(8) FIELDS OBIT. Star
Trek writer Peter Alan Fields died June 19. StarTrek.com paid tribute:
For Trek, Fields wrote or co-wrote a total of 13 episodes, most notably the TNG hours “Half a Life,” “Cost of Living” and “The Inner Light,” as well as the DS9 installments, “Dax,” “Duet,” “Blood Oath,” “In the Pale Moonlight” and “The Dogs of War,” among others. In short, he had a hand in several of both shows’ finest moments. He also served DS9 as a co-producer and later producer from 1993 to 1994, spanning seasons one and two.
(9) TODAY IN HISTORY.
June 22, 1925 — The Lost World enjoyed its original theatrical premiere. The feature starred Wallace Beery and Bessie Love. And yes, Arthur Conan Doyle was said to have approved of this version. Indeed in 1922, Conan Doyle showed O’Brien’s test reel to a meeting of the Society of American Magicians, which included Harry Houdini. He refused to say if it was actual footage or not.
June 22, 1979 – Alien debuted.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born June 22, 1856 — H. Rider Haggard. Writer of pulp fiction, often in the the Lost World subgenre. King Solomon’s Mines was the first of his novels with Allan Quatermain as the lead and it, like its sequels, was successful. These novels are in print to this day. Haggard by the way decided to take ten percent royalties instead of a flat fee for writing, a wise choice indeed. And let’s not forget his other success, She: A History of Adventure, which has never print out of print either. (Died 1925.)
Born June 22, 1936 — Kris Kristofferson, 83. He first shows up in a genre film, The Last Horror Film, as himself. As an actor, his first role is as Bill Smith in Millennium which is followed by Gabriel in Knights, a sequel to Cyborg. (A lack of name creativity there.) Now comes his role as Abraham Whistlerin Blade and Blade II, a meaty undertaking indeed! Lastly, he voiced Karubi in Planet of the Apes.
Born June 22, 1947 — Octavia E. Butler. As you know, I do research before I decide who gets a Birthday write-up. I kept running across her detractors who grumbled that she was one of those dread SJWs. Well let’s note that she’s a multiple recipient of both the Hugo and Nebula awards, and she became in 1995 the first genre writer to receive a MacArthur Fellowship. As regards her fiction, I’d suggest the Xenogenesis series shows her at her very best but anything by her is both good and challenging. I’m pleased to note that iBooks and Kindle have everything of hers available. (Died 2006.)
Born June 22, 1949 — Meryl Streep, 70. She’d make the Birthday list just for being Madeline Ashton in Death Becomes Her and her epic battle there with Goldie Hawn. She’s the voice of Blue Ameche in A.I. Artificial Intelligence, and a very real Aunt Josephine in Lemony Snicket’s A Series of Unfortunate Events. She’s the voice of Felicity Fox in Fantastic Mr. Fox, based off the on Dahl’s 1970 children’s novel. She voices Jennie in a short that bring Maurice Sendak’s dog to life, Higglety Pigglety Pop! or There Must Be More to Life. She’s The Witch in Into The Woods. I think that it.
Born June 22, 1953 — Cyndi Lauper, 66. Ok I’m officially old as I’m thinking of her as always young. Genre-wise, she played a psychic, Avalon Harmonia, on the Bones series. She also has one-offs in series as diverse as The Super Mario Bros. Super Show!, Shelley Duvall’s Mother Goose Rock ‘n’ Rhyme and Happily Ever After: Fairy Tales for Every Child. Oddly enough she has one serious acting credit, Jenny (Ginny Jenny/Low-Dive Jenny) in Bertolt Brecht’s The Threepenny Opera.
Born June 22, 1958 — Bruce Campbell, 61. Where to start? Well let’s note that Kage loved him so I’ve linked to her review of Jack of All Trades. I personally like just as much The Adventures of Brisco County, Jr. and think it’s well worth checking out. I think his work as Ash Williams in the Evil Dead franchise can be both brilliant and godawful, often in the same film. The series spawned off of it is rather good. Oh and for popcorn reading, check out IfChins Could Kill: Confessions of a B Movie Actor, his autobiography.
Born June 22, 1971 — Laila Rouass, 48. She was Sarah Page, an Egyptologist on Primeval, a series I highly recommend if you’ve not seen it. She played Colonel Tia Karim, a traitorous UNIT officer in the two part “Death of The Doctor” on The Sarah Jane Adventures. This story was the last to feature Sarah Jane Smith and the Doctor, The Eleventh here, together onscreen. Jo Grant would also show up.
Born June 22, 1973 — Ian Tregillis, 46. He is the author of the Milkweed Triptych trilogy which is frelling brilliant. He’s contributed three stories to Max Gladstone’s The Witch Who Came in From the Cold, a rather good serial fiction anthology (if that’s the proper term) and he’s got another series, The Alchemy Wars, I need to check out.
There’s no real news on the cancer front. If all goes well, Amy will get the next dose of chemo on Monday and Tuesday. But we have to wait a bit longer to see if and how well this is working. We’re also waiting on insurance approval for the CAR T-cell procedure she needs. In the meantime, she’s still pretty weak, but her pain is better managed, which helps a lot.
This last round – discovering the masses in her abdomen after six months of chemo and treatment – flipped a switch in my brain. Before, I’d been struggling to make time to write, squeezing in anywhere from 200-500 words a few times a week. But with this setback, I just stopped.
I’m not quitting forever. Terminal Peace is still under contract, and I’ve got an idea for a contemporary fantasy I want to do next. But…priorities, you know? I need to spend time with my wife. I need to be there for the kids. And I need to stop pushing myself to do ALL THE THINGS, and to stop beating myself up for not being able to do everything.
My editor has been incredibly understanding. So much love for Sheila and DAW! The longer gap between books two and three of this trilogy is going to suck, but c’est la vie. I just can’t worry about that right this minute….
THE GLOBE. Rich Lynch has posted the 22nd issue of his zine My
Back Pages online at eFanzines.com.
Because of the temporal nearness of the upcoming Irish Worldcon, Issue #22 has a travel-oriented theme and has essays involving Native American culture and Indian food, tall mountains and ocean vistas, ancient computers and modern cell phones, completed walks and works-in-progress, rental cars and water buses, famous writers and somewhat obscure composers, small spittoons and large ash heaps, opened time capsules and preserved brains, strange stories and familiar melodies, glass artifacts and wooden bells, sunny afternoons and inky-dark skies, colorful theories and black & white comics, intense business meetings and serene beach life, fine cheese and a traffic jam, labyrinthine passageways and an expansive convention center, old friends and “old school”…and 15 minutes of media fame – in Estonia!
(13) LOOKING TO REDECORATE? Popular Mechanics displays
the latest fashions from Star Wars.
(14) BITE YOUR TONGUE. The Warp Zone’s sketch shows
scenes from Steve Rogers’ domestic life with Peggy Carter in “Captain America’s Life After Endgame.”
If you had a spare $25,000 lying around, what would you spend it on? Believe it or not, a total of three people have already spent that amount of money on a very specific purchase at Star Wars: Galaxy’s Edge, the latest Disneyland attraction that immerses fans in the galaxy far, far away. According to The OCR, the park is selling a “$25,000 life-size custom astromech unit” which is sold at Driod Depot and “looks just like the 3-and-half-foot-tall R2-D2.”
AND LIDDED. Alasdair Stuart says, “This week’s The Full Lid takes
us from the mutable dimensions of grief and horror to how much fun dying slowly
in orbit can be.”
In the first instance, I take a look at Starfish, AT White’s fiercely inventive and intensely personal exploration of grief and inter-dimensional invasion. It’s a great, determined and uniquely voiced movie and one you should definitely seek out.
Elsewhere, Matt Miner’s eco-noir direct action specialists return and get WAY more than they bargained for in Lab Raider issue 1. I’ve enjoyed the way Matt’s explored this world through the two previous standalone mini-series, Liberator and Critical Hit and this new series looks to be just as good.
Finally, I take a look at Adr1ft, the under-rated EVA/Survival game released a couple of years ago. It has interesting things to say about the pressures of modern spaceflight, looks absolutely beautiful and is frequently terrifying. An overlooked gem, albeit one leaving a trail of empty oxygen cylinders in its wake.
I’ve spent a good chunk of this week slowly dying in space. it’s been fun! Adr1ft, by Three One Zero and published by 505 Games is a pared down, minimalist game that demands attention and cheerily punishes you for not giving it. I found a lot to enjoy in there, not the least of which is the killer opening. You wake up in a damaged space suit, in a decaying orbit, surrounded by the shattered remains of a vast space station that has very recently exploded. Player and character enter the game in identicla states of confusion and the plot unfolds at the same pace you follow the debris trail around the shattered station. You are Commander Alex Oshima, head of the HAN-IV project. You are the lone survivor of a catastrophic accident. The accident was your fault.
The game perfectly embodies the brutal math of orbital survival without ever getting over-excited about how unforgiving it is….
The efficiency of junction-based solar cells has almost reached its theoretical limit, and it is therefore imperative to explore methods for converting sunlight into electricity that do not require semiconductor junctions. Writing in Nature, Zhang et al. report a key advance in this direction. They demonstrate a junction-free solar cell that is produced by curling an atom-thick semiconductor layer into a nanoscale tube.
It’s easy to get jaded about potential signs of life on Mars, but a recent discovery might raise eyebrows. The New York Times has learned that NASA’s Curiosity rover has detected “startlingly high” levels of methane — the gas typically produced by life as we know it. The quantities are still tiny at 21 parts per billion, but that’s three times the amount Curiosity spotted during a surge in 2013. The rover’s operators were reportedly surprised enough to pause regularly scheduled studies to obtain follow-up data, with the additional findings slated to arrive on June 24th.
For the fifth consecutive year, the student robotics team from The University of Alabama won NASA’s grand prize in its Robotics Mining Competition.
[…] Made up of 60 students, primarily from UA’s College of Engineering, Alabama Astrobotics won the Joe Kosmo Award for Excellence, the grand prize, in NASA’s 2019 robotic mining competition, NASA announced. UA’s teams previously placed first in 2012 and from 2015-2018.
[…] In a separate event hosted at The University of Alabama, UA’s team bested 27 other robotics teams from across the nation to win first in mining, first in the Caterpillar Autonomy Awards and the SSERVI Regolith Mechanics Award.
In the Robotic Mining Challenge held at UA, teams demonstrated how a robot they built over the past year could autonomously navigate and excavate simulated lunar and Martian soil, known as regolith.
[Thanks to Chip Hitchcock, Martin Morse Wooster, John King
Tarpinian, Dann, Carl Slaughter, JJ, Cat Eldridge, Andrew Porter, SF
Concatenation’s Jonathan Cowie, rcade, Daniel Dern, and Mike Kennedy for some
of these stories. Title credit goes to File 770 contributing editor of the day Rob
By John Hertz: Hermann Hesse’s Glass Bead Game is one of the finest s-f novels, indeed one of the finest novels. I rejoice to find it on the Retro-Hugo ballot.
Its architecture, characterization, and what we’ve called world-building, are masterly. In these I include timing, and imagination and handling of its s-f element.
It raises to a peak Sturgeon’s great pun “Science fiction is knowledge fiction” (the Latin root of “science” means knowledge). It deserves fullest attention.
It was one of the S-F Classics we discussed at the 69th World Science Fiction Convention.
Here’s a story from my Westercon LV report, a few years earlier, in File 770 142 [PDF].
Before the con when Glyer [who was head of Programming] put me on The Glass Bead Game I thought to help find panelists. Against “The Popularity of Alternative History” and “The Bar’s My Destination” there were conflicts. Greg Benford, who I hoped might’ve read it in German, was distracted with other affairs. Ellison? Len Wein encouraged me.
I phoned. “Don’t even start with me,” Ellison said. “I’ve been asked to do every kind of panel, and I’ve done every kind of panel, and I don’t want to do any more just now.” What about The Glass Bead Game, I asked. He stopped. “You’re right,” he said. “No one has ever asked me to sit on a panel about The Glass Bead Game.” Until the end of the century it was the only Nobel Prize s-f novel, and it might be Hesse’s greatest.
Alas, Ellison still couldn’t do it. I phoned Wein to report. “You know,” I said, “I got the distinct notion he felt he wasn’t worthy.” Ulrika O’Brien and I had to do without him. Art Widner and Geri Howard came by.
E.B. Frohvet thinks Game isn’t s-f, but although I was half joking when I said the book Lord of the Rings was, treating manufacture of a device and its consequences, about Game I mean it. Poetic even in translation, superb at character study, it handles what-if wonderfully in its future world, and for lagniappe brings a fine unreliable narrator and hints hard questions.
From the audience: is there such a thing as decadent art? I said, maybe but watch out for that narrator.
For an 800-word note by me, go to the sidebar, below “meta”.
(1) KLOOS SIGNS OFF TWITTER. Marko Kloos left Facebook
seven months ago, and today deleted his Twitter account, too. He explains why
in “Writing and the
I have to come to realize that over the last few years, the Internet has had a profoundly corrosive effect on my professional output and occasionally even my emotional health.
This effect has been especially severe in two areas: social media and email, both of which basically constituted my consent to being easily and directly available to contact by anyone with an Internet connection. In Twitter’s case, that contact has also been fully public, which means that anyone with a Twitter account has been able to see and share any conversation I’ve had with people outside of direct messages.
As of today, I am withdrawing that consent by getting off social media and curtailing my availability via email.
Late last year, I got so tired of the constant necessity to curate my Facebook feed and the drama resulting from pruning my Friends list that I pulled the plug for good and deleted my account. In the seven months since then, I have not missed it, and beyond a few concerned messages from long-time Facebook acquaintances, my absence has been inconsequential to the world and a lot less aggravation and anxiety in my life. Last night, I deleted my Twitter account as well, for slightly different reasons that boil down to the strong feeling that it will have a similar life-improving consequence….
… To put it bluntly: I can no longer allow anyone with a smartphone and a data plan the potential ability to darken my day or interrupt my work by trying to pick an argument or fill my Twitter feed with aggravating stuff. Most emails and Twitter interactions with fans have been fun and positive, but there have been exceptions. And even the well-meaning emails from happy readers take a slice out of my writing time.
… And hoo boy, their expectations were met. That inaugural installment of Jessica Jones was a true humdinger. It was distinctive without being flashy, mature without being ponderous, ambitious without being self-satisfied, sexy without being exploitative, and just … good. I can’t tell you how much of a revelation a good superhero show was at that time. We were used to spandex outings that were inane, formulaic, and utterly uninterested in pushing a single envelope. But here was a tale that seemed like it was going to grapple with everything from PTSD to queerness and do it all with style. Showrunner Melissa Rosenberg and star Krysten Ritter genuinely seemed to be elevating the game. As soon as the screening was done, I rushed to the lobby to get reception and email my editor like an old-timey reporter clamoring for a pay phone just after getting a hot scoop. I have seen the future of superheroes, I thought, and it is Marvel Netflix.
If it ever was the future, it is now the past. This week sees the barely ballyhooed release of the third and final season of Jessica Jones, which is itself the final season of Marvel’s four-year Netflix experiment. Its death has been agonizingly and humiliatingly gradual: Over the course of the past few months, each of the five ongoing series that made it up has been given the ax, one after another. Daredevil, Jessica Jones, Luke Cage, Iron Fist, The Punisher; their fans saw them all go the way of the dodo — without fanfare….
(3) ENDS WITH A BANG. Fast Company’s article “The most expensive hyphen in history” unpacks an historic incident in the U.S. space program (that inspired a scene in Mary Robinette Kowal’s Calculating Stars.)
Mariner 1 was launched atop a 103-foot-tall Atlas-Agena rocket at 5:21 a.m. EDT. For 3 minutes and 32 seconds, it rose perfectly, accelerating to the edge of space, nearly 100 miles up.
But at that moment, Mariner 1 started to veer in odd, unplanned ways, first aiming northwest, then pointing nose down. The rocket was out of control and headed for the shipping lanes of the North Atlantic. Four minutes and 50 seconds into flight, a range safety officer at Cape Canaveral—in an effort to prevent the rocket from hitting people or land—flipped two switches, and explosives in the Atlas blew the rocket apart in a spectacular cascade of fireworks visible back in Florida.
… A single handwritten line, the length of a hyphen, doomed the most elaborate spaceship the U.S. had until then designed, along with its launch rocket. Or rather, the absence of that bar doomed it. The error cost $18.5 million ($156 million today).
(4) BATMAN AT 80. The Society of Illustrators is opening several momentous Batman exhibits at its New York museum.
Join us for a celebration of three momentous exhibits:
Starting out with Dirk Gently, Adams breaks away from the science-fiction/comedy genre a bit, creating a “ghost-horror-detective-time travel-romantic comedy epic” as the promotional copy on the hardback release claims. It does combine several divergent plotlines that mostly come together at the end. The main characters include a computer programmer, a mysterious detective, and an eccentric professor along with an Electric Monk, and an ancient ghost (as well as a more recent one). Part of the plot line of the book is similar to the Doctor Who story “City Of Death” with the main characters involved with an alien being from the past and using a time travel machine to defeat it. The time travelling done in Dirk Gently seems to be done by TARDIS. The professor in the book is Professor Chronotis from the Doctor Who story Shada that was written by Douglas Adams but was never completed. The setting of Cambridge, is also the same. Overall, it is an enjoyable book, although a bit hard to follow at times.
With the release of the HHG Companion book, even more links with Doctor Who are made known. Neil Gaiman has done a good job chronicling the history of the Hitchhiker’s Guide along with the rest of Douglas Adams career to date.
(6) CHANDLER AWARD. This is what the 2019 A. Bertram Chandler Award looks like – Edwina Harvey posted the photo.
The Lorax would be devastated to hear that the tree that inspired Dr. Seuss’ 1971 children’s book has fallen.
The Monterey Cypress tree was at Ellen Browning Scripps Park in La Jolla, California, the seaside community where author Theodor Seuss Geisel lived from 1948 until his death in 1991.
(8) TODAY IN HISTORY.
June 18, 1964 — The Twilight Zone aired its series finale: “The Bewitchin’ Pool”.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born June 18, 1908 — Bud Collyer. He was voiced both the Man of Steel and Clark Kent on The Adventures Of Superman radio show in the Forties on the Mutual Broadcasting System. He also voiced them in the animated The New Adventures of Superman which was a Filmation production. Joan Alexander voiced Lois Lane in both shows. (Died 1969.)
Born June 18, 1917 — Richard Boone. You likely know him as Paladin on Have Gun – Will Travel, but he does have some genre appearances including on The Last Dinosaur as Maston Thrust Jr. and in Rankin Bass’s The Hobbit the voice of Smaug. He also played Robert Kraft in I Bury the Living, a horror flick that I think has zombies and more zombies. (Died 1981.)
Born June 18, 1931 — Dick Spelman. He was a fan who was a legendary book dealer that really hated being called a huckster. He was active at SF conventions from the late 1970s through the early 1990s. He was guest of honor at ICON (Iowa) 12. Fancyclopedia 3 says it was themed “money-grubbing capitalist con” in his honor. (Died 2012.)
Born June 18, 1942 — Paul McCartney, 77. Well, I could include him for the Magical Mystery Tour which might be genre, but I’m not. He actually has a cameo in Pirates of the Caribbean: Dead Men Tell No Tales as a character named Uncle Jack in a cell playing poker singing “Maggie May”. A shortened version of the song is on the Let It Be album.
Born June 18, 1945 — Redmond Simonsen. Coined term ‘games designer’. Best remembered for his design of the Seventies games Starforce: Alpha Centauri, Battlefleet Mars and Sorcerer. He cofounded Simulations Publications Inc (SPI) with James Dunnigan. (Died 2005.)
Born June 18, 1947 — Linda Thorson, 72. Best known for playing Tara King in The Avengers. For her role in that series, she received a special BAFTA at the 2000 BAFTA TV Awards along with the other three actresses from the series, Honor Blackman, Joanna Lumley and Diana Rigg. She’s also been in Return of the Saint, Tales from the Darkside, Star Trek: The Next Generation, Kung Fu: The Legend Continues, F/X: The Series and Monsters.
Born June 18, 1949 — Chris Van Allsburg, 70. He won two Caldecott Medals for U.S. picture book illustration, for Jumanji and ThePolar Express, both of which were made into films. Guess which one I like? He illustrated A City in Winter by Mark Helprin which won the World Fantasy Award for Best Novella.
Born June 18, 1958 — Jody Lee, 61. Illustrator with a long career in genre work. Her first cover art was Jo Clayton’s Changer’s Moon for Daw Books in 1985. Her latest was Michelle West’s First Born that came out this year on Daw Books which seems to be her primary client. Her rather excellent website is here.
(10) COMICS SECTION.
Close To Home is there when diplomas are handed out at the Academy of Paranormal Studies.
A star of Avengers: Endgame, one of the biggest movies of all time, was completely excised from a modified pirated version of the film — along with everything else in the film seen as feminist or gay.
An anonymous fan edited out shots, scenes and characters in a “defeminized” version circulating now on an illegal streaming site. As well as losing Larson’s character, Captain Marvel, the defeminized edit is missing a scene where Hawkeye teaches his daughter to shoot. (“Young women should learn skills to become good wives and mothers and leave the fighting to men,” the editor opined in an accompanying document.) The role of Black Panther is minimized. (“He’s really not that important.”) Spider-Man doesn’t get rescued by women characters anymore. (“No need to.”) And male characters no longer hug.
(15) PITCH MEETING. Step
inside the pitch meeting that led to the final season of Game of Thrones!
[Thanks to Cat Eldridge, Mike Kennedy, John King Tarpinian, JJ,
Chip Hitchcock, Martin Morse Wooster, Carl Slaughter, and Andrew Porter for
some of these stories. Title credit goes to File 770 contributing editor of the
And the number one, all time best space opera as selected by DiscoverSciFi readers is the Honor Harrington series! Otherwise known as The Honorverse, most of the more than 20 novels and anthology collections cover events between 4000 and 4022 AD. Much of the series’ political drama follows that of Europe’s political scene from the 1500’s to 2000’s.
Waid attributes getting the chance to write comics to dumb luck. But there was also a lot of hard work. He started his career at Fantagraphics in Thousand Oaks, doing editing, layout, and other production on comic book fan magazine Amazing Heroes.
He also had the chance to write for the magazine, doing interviews that he described as puff pieces — but discovered that he was inadvertently networking, since he was now in touch with every editor and creator in comics.
When an editorial position opened up at DC Comics in 1987, he was known there for his work in those fan magazines.
“Was I interested in coming in for an interview? Well, yes. Jesus, yes,” Waid said.
After decades of neglect, the world’s space agencies can no longer resist the pull of Earth’s evil twin.
…Venus is Earth’s double. Recent research has even suggested that it might have looked like Earth for three billion years, with vast oceans that could have been friendly to life. “That’s what sets my imagination
on fire,” says Darby Dyar, a planetary scientist at Mount Holyoke College in South Hadley, Massachusetts. “If that’s the case, there was plenty of time for evolution to kick into action.” That could mean that Venus was (somewhat surprisingly) the first habitable planet in the Solar System — a place where life was just as likely to arise as it was on Earth. That alone is a reason to return to the former ocean world.
(7) LEAVING MEATSPACE. [Item by Jonathan Cowie.]Nature this week reviews an SF novel in a substantive way – we perhaps get a full page SF novel a review once a year or twice if we are lucky. Up this time is Neil Stephenson’s new novel Fall. “A digital god: Neal Stephenson rides again”
Neal Stephenson likes to blow things up. In Seveneves (2015), for instance, the prolific science-fiction writer detonated the Moon, then played out how humanity tried to save itself from extinction. In his new tome, Fall, the metaphorical explosion kills just one man. But this is an individual sitting on a few billion dollars, and longing to escape the shackles of mortality. The aftermath of the blast is thus just as powerful, and changes the fate of humanity just as profoundly.
(8) NASA COLLECTIBLES. [Item by Daniel Dern.] This Orion appears to be a spacecraft, rather than the
boom-boom drive discussed in a recent scroll; submitted here for the souvenir-turtles
(1) aspect: “Orion Collectibles”.
(1) If you don’t recognize the Heinlein reference, you
won’t be gathering moss. Or syng pngf, aka Zamboni’d credentials.
…In space, no one can hear your echo chamber. Those who worked on Apollo were not immune to human foibles, such as being a little too fond of their own reasoning, but the mission came first. Fishman recalls disputes over the mission plan. Engineers in Huntsville wanted to fly directly from Earth orbit to the lunar surface. Engineers in Houston wanted to use lunar orbit as a way station. The meetings got heated. NASA commissioned two studies, with the twist that each team had to flesh out the other’s plan. Making the engineers step into each other’s shoes unstuck the debate, and Huntsville came around to Houston’s approach. That one decision ended up saving billions of dollars.
But as much as the Apollo program inspires, it also taunts. The unity of purpose, the technological virtuosity, and the exploratory achievements seem beyond us today—not just in space, but in every domain. I almost wish we didn’t remember Apollo, because the remembrances fill a void. The space program still does amazing things, but nothing like Apollo. The world has made itself a safer and healthier place, but some problems demand direction from the top, and we don’t get much of that.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born June 6, 1853 — Charles Howard Hinton. British mathematician and writer of SF works titled Scientific Romances. He’s largely known now for coining the word “tesseract” which would get used by writers as diverse as Charles Leadbeater, H.P. Lovecraft, Robert Heinlein and Madeleine L’Engle. He and his, errr, unique family would in turn figure into the fiction of Alan Moore, Carlos Atanes, Aleister Crowley, John Dewy and Jorge Luis Borges. (Died 1907.)
Born June 6, 1915 — Tom Godwin. He published three novels and twenty-seven short stories in total. SFWA selected his story, “The Cold Equations”, as one of the best SF short stories published before 1965, and it is therefore included in The Science Fiction Hall of Fame, Volume One, 1929–1964. (Died 1980.)
Born June 6, 1947 — Robert Englund, 72. I think his best performance was as Blackie on the very short-lived Nightmare Cafe. Of course, most will remember him playing Freddy Krueger in the Nightmare on Elm Street franchise. He actually appeared in a couple of now forgotten horror films, Dead & Buried and Galaxy of Terror, before landing that role. And he’s continued to do myriad horror films down to the years ranging from CHUD to Strippers vs Werewolves. Versatile man, our Robert.
Born June 6, 1951 — Geraldine McCaughrean, 68. Fifteen years ago, she wrote Peter Pan in Scarlet, the official sequel to Peter Pan commissioned by Great Ormond Street Hospital, the holder of Peter Pan’s copyright which J.M. Barrie granted them. So has anyone here read it?
Born June 6, 1959 — Amanda Pays, 60. I first encountered her as Thero Jones on Max Headroom, a series I think could be considered the best SF series ever made. She also had a guest role as Phoebe Green in the episode “Fire” of The X-Files, and and as Christina “Tina” McGee in The Flash. She appeared as Dawn in the Spacejacked film.
Born June 6, 1961 — Lisabeth Shatner, 58. Uncredited as child along with her sister Melanie in “Miri” episode. Also appeared uncredited on TekWar entitled “Betrayal” which she wrote. The latter also guest-starred her sister, and was directed by their father. Co-wrote with father, Captain’s Log: William Shatner’s Personal Account of the Making of Star Trek V the Final Frontier.
Born June 6, 1963 — Jason Isaacs, 56. Captain Gabriel Lorca, the commanding officer of the USS Discovery in the first season of Discovery and also provided the voice of The Inquisitor, Sentinel, in Star Wars Rebels, and Admiral Zhao in Avatar: The Last Airbender. Oh, and the role of playing Lucius Malfoy in the Harry Potter film franchise.
Born June 6, 1964 — Jay Lake. Another one who died far too young. If you read nothing else by him, read his brilliant Mainspring Universe series. Though his Green Universe is also entertaining and I see Wiki claims an entire Sunspin Universe series is forthcoming from him. Anyone know about these novels? (Died 2014.)
(11) COMICS SECTION.
Love of books features in Grant Snider’s Incidental Comics:
(12) WW84. On Twitter, Patty Jenkins posted a photo of Gal Gadot’s snappy new costume for Wonder
The collapse of The Flow, the interstellar pathway between the planets of the Interdependency, has accelerated. Entire star systems—and billions of people—are becoming cut off from the rest of human civilization. This collapse was foretold through scientific prediction… and yet, even as the evidence is obvious and insurmountable, many still try to rationalize, delay and profit from, these final days of one of the greatest empires humanity has ever known.
…Free roaming domestic animals can have a profound effect on wildlife. To better understand and mitigate any impact, it is important to understand the behaviour patterns of the domestic animals, and how other variables might influence their behaviour. Direct observation is not always feasible and bears the potential risk of observer effects. The use of animal-borne small video-cameras provides the opportunity to study behaviour from the animal’s point of view….
Indoors, Huck said, most cats’ No. 1 activity would almost certainly be sleeping. But these cats’ lives were recorded when they were outdoors, and they had a higher priority: Their top activity was “resting” — not sleeping, but not exactly up and at ’em. Another preferred pastime was “exploring,” which Huck said amounts to “sniffing at plants or things.”
Although “cats are famous for being lazy,” Huck said, even their alfresco resting was active, if subtly so. The cat’s-eye-view videos revealed many instances of felines sitting for some time in one spot, but “constantly scanning the area,” as evidenced by faint shifts in the camera angle — left to right, up and down.
“They are really very patiently watching the environment, not wasting energy,” Huck said.
(15) THE SOON TO BE LATE AUTHOR. You’ll need to hurry. In
LA, it’s opening weekend for “The Assassination of Edgar Allan Poe” at the Downtown Repertory Theater. Tickets
for Poe on June 7th, 7:30pm are $25 (discount)
(16) RETRO REVIEWS. Steve J. Wright has completed his Retro
Hugo Novelette finalist reviews.
According to a report in Archaeology in Bulgaria, the balls were “most likely” used by Count Vlad in the winter of 1461-1462 during his “siege and conquest” of the Zishtova Fortress being held by the Ottoman Turks. The balls were used for culverins, an early, primitive form of the cannon.
[Thanks to JJ, Chip Hitchcock, Jonathan Cowie, Mike Kennedy,
Martin Morse Wooster, Cat Eldridge, SF Concatenation’s Jonathan Cowie, John
King Tarpinian, Carl Slaughter, and Andrew Porter for some of these stories.
Title credit goes to File 770 contributing editor of the day Jack Lint.]
Die Kasseler Liste is a growing database that presently comprises 125,000 data sets. It documents the global scale of censorship. Book bans persist across the world, on all continents, with varying reach and intensity, depending on political and social contexts.
Die Kasseler Liste covers vast territories and a large time frame. The earliest entries are taken from the „Index Librorum Prohibitorum,” which the catholic church first published in 1559 and which is represented in the database in its final version from 1948. It is but one example for censorship originating not only from government institutions. Civil and religious institutions similarly have their own history of systematically infringing on the right to freedom of expression. The Catholic lay organization Opus Dei, also featured in Die Kasseler Liste, is another case in point, where rigid and coercive reading directions provide the members with a tiered index. On the other hand, school districts and school libraries in the United States of America also have a record of systematically banning books from their collections.
…But even taking the known problems with the Retro Hugos into consideration, the breadth and variety of stories on the 1944 Retro Hugo ballot is astounding (pun fully intended), as is the fact that quite a few of them don’t really fit into the prevailing image image of what Golden Age science fiction was like. And this doesn’t just apply to left-field finalists such as Das Glasperlenspiel by Hermann Hesse in the novel category or Le Petit Prince by Antoine de Saint-Exupéry and The Magic Bed-Knob by Mary Norton in the novella category, neither of whom I would have expected to make the Hugo ballot in 1944, if only because US science fiction fans wouldn’t have been familiar with them. No, there also is a lot of variety in the stories which originated in US science fiction magazines.
So let’s take a look at the novelette category at the 1944 Retro Hugos….
…The message of The Phantom Menace is that even the most stable of societies can topple with the smallest push — in this case a minor trade dispute that sets the stage for the rise of a previously obscure senator with imperial ambitions. As he did with A New Hope, Lucas cloaked that larger lesson in a PG-rated adventure that’s made with children in mind … but not the children who saw Star Wars in theaters in the ’70s. And so — unhappy with a Star Wars movie that wasn’t the Star Wars they remembered — a sizable segment of the fanbase made their displeasure known, embracing an image of themselves as the keepers of the flame, which meant that their opinion of Star Wars was the only correct opinion of Star Wars.
They found an outlet on the still-young medium the internet, where like-minded critics could congregate and launch their arguments or personal attacks anonymously out on the franchise’s creator and other fans as the prequel series continued…
(5) TODAY IN HISTORY.
One of these movies did not feature Jar Jar Binks. I hope it isn’t too toxic of me to point that out.
May 19, 1966 — The Navy Vs. The Night Monsters premiered in theaters.
May 19, 1999 — Star Wars: Episode I – The Phantom Menace was released theatrically.
(6) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born May 19, 1944 — Peter Mayhew. Chewbacca from the beginning to The Force Awakens, before his retirement from the role. The same year he first did Chewy, he had an uncredited role as the Minotaur in Sinbad and the Eye of the Tiger. He also shows in the Dark Towers series as The Tall Knight. (Died 2019.)
Born May 19, 1946 — Andre the Giant. Fezzik in The Princess Bride, one of all-time favourite films. Also an uncredited role as Dagoth In Conan the Destroyer. He’s actually did a number of genre roles such as The Greatest American Hero and The Six Million Dollar Man. (Died 1993.)
Born May 19, 1948 — Grace Jones, 71. First genre appearance was as Stryx in Rumstryx, an Italian TV series. Her next was Zulu in Conan the Destroyer followed by being May Day in A View to Kill and Katrina in Vamp. She was Masako Yokohama in Cyber Bandits which also starred Adam Ant. Her last genre role to date was Christoph/Christine in Wolf Girl.
Born May 19, 1948 — Paul Steven Williams. Editor, Complete Stories of Theodore Sturgeon and the PKDS Newsletter. Writer, The Only Apparently Real: The World of Philip K. Dick of Philip K. Dick and Theodore Sturgeon, Storyteller. (Died 2013.)
Born May 19, 1966 — Polly Walker, 53. She’s performed on Caprica as Clarice Willow and on Warehouse 13 in the recurring role of Charlotte Dupres, as well as performing the voice work for Sarkoja in John Carter. And she was in Clash of the Titans as Cassiopeia.
Born May 19, 1966 — Jodi Picoult, 53. Her Wonder Women work is exemplary (collected in Wonder Women, Volume 3 and Wonder Woman: Love and Murder).
…The robot vanguard has already set forth. Later this year India will attempt to become the fourth nation to land a probe on the moon; an Israeli attempt to get there failed in April, but its backers plan to try again. China has landed two robot rovers on the moon’s surface in the past five years. One visited the near side, the familiar pockmarked face seen from Earth; the other went to the overflown-but-never-before-visited far side. The Chinese space agency has talked of sending humans in their wake, perhaps in the early 2030s.
They may be beaten to it. Last year Yusaku Maezawa, a Japanese fashion entrepreneur and art collector, signed a contract with SpaceX, the rocket firm founded by Elon Musk, for a flight around the moon. He intends to take a crew of as-yet-unspecified artists with him…
…That setup is the start to a stunning story that impressively blends together Martine’s fantastic and immersive world, a combination political thriller, cyberpunk yarn, and epic space opera that together make up a gripping read. Mahit’s situation is the perfect introduction to an unfamiliar world, as Martine moves her through the gilded halls of the Teixcalaanli capitol, meeting the politicians she’s been sent to interact with, the fantastical technologies installed in the city, and the poetry that represents the pinnacle of high culture for the empire.
Bending and stretching its conventions to imagine new, more feminist futures and new ways of experiencing gender, visionary women writers have been from the beginning an essential if often overlooked force in American science fiction. Two hundred years after Mary Shelley’s Frankenstein, SF-expert Lisa Yaszek presents the best of this female tradition, from the pioneers of the Pulp Era to the radical innovators of the 1960s New Wave, in a landmark anthology that upends the common notion that SF was conceived by and for men….
Visit the companion website for more on these stories and writers, including author biographies, appreciations by contemporary writers, original pulp covers and illustrations, adaptations into other media, press coverage, and more.
(11) WHEN IN CRETE. Israeli author Yakov Merkin is not impressed. I recognize his name as someone JDA interviewed for his YouTube show.
(12) CRUMB CONTROVERSY, In “Cancel Culture Comes for Counterculture Comics” in Reason, Brian Doherty looks at pioneering underground comics artist R. Crumb and the vigorous debate about whether he should still be read or is so irretreivably racist and sexist that he should be “cancelled.”
…The brief against Crumb is both specific to his famous idiosyncrasies and generally familiar to our modern culture of outrage archeology. His art has trafficked in crude racial and anti-Semitic stereotypes, expressed an open sense of misogyny, and included depictions of incest and rape. Crumb’s comics are “seriously problematic because of the pain and harm caused by perpetuating images of racial stereotypes and sexual violence,” the Massachusetts Independent Comics Expo (MICE) explained last year when removing Crumb’s name from one of its exhibit rooms.
Such talk alarms Gary Groth, co-founder of Fantagraphics, the premiere American publisher of quality adult comics, including a 17-volume series of The Complete Crumb Comics. “The spontaneity and vehemence” of the backlash, Groth says, “surprised me—and I guess what also disheartened me was, I’m pretty sure the vast majority of people booing Crumb are not familiar with his work.…This visceral dislike of him has no basis in understanding who Crumb is, his place in comics history, his contribution to the form.”
(14) TRIVIAL TRIVIA. Walter Lantz, Woody Woodpecker’s creator, did the opening sequence animation along with the animation of Bella Lugosi’s Dracula turning into a bat for Abbott and Costello meet Frankenstein.
JJ, Chip Hitchcock, Cora Buhlert, Cat Eldridge, Michael Toman, Mike Kennedy,
Martin Morse Wooster, John King Tarpinian, Andrew Liptak, Carl Slaughter, and
Andrew Porter for some of these stories. Title credit goes to File 770
contributing editor of the day Jack Lint.]