Compton’s 1970 novel The Steel Crocodile was nominated for the Nebula Award, and his 1974 novel The Continuous Katherine Mortenhoe was filmed as Death Watch by Bertrand Tavernier in 1979. His 1980 novel Ascendancies was on the “100 Must-Read Science Fiction Novels” list created by Stephen E. Andrews and Nick Rennison in 2006. He was named a SFWA Author Emeritus in 2007.
The Cordwainer Smith Rediscovery Award has been given annually since 2001 by the Cordwainer Smith Foundation, preserving the memory of science-fiction writer Paul Linebarger, who wrote under that pen name. The Cordwainer Smith Rediscovery Award honors under-read science fiction and fantasy authors with the intention of drawing renewed attention to the winners.
The award is presented at Readercon, and is sponsored by Paul Linebarger’s estate, represented by B. Diane Martin.
The 2021 jury consisted of Steven H Silver, Richard Horton, and Grant Thiessen. See the award discussion they did for Readercon on YouTube.
The Otherwise Auction supports the Otherwise Award, and it’s always a good time — famed Otherwise auctioneer Sumana Harihareswara will be reprising her role. As Otherwise Award Motherboard member Pat Murphy says:
“Last year, Sumana’s online auction was amazing, compelling, and impossible to describe. I’m a science fiction writer; I should be able to describe just about anything. But somehow Sumana managed to auction off things that didn’t actually exist but were (despite that) real. It was one of those “you had to be there” events — even though none of us were actually there.
“This year Sumana promises that there will actually be some physical things that people can buy and possess — along with a custom crossword puzzle with Otherwise-related clues. Just a few tangible objects and a lot of intangible fun — which seems appropriate as we slowly ease back into the physical world.”
Unlike last year, we’ll be using actual money for this auction. (If you have no idea what we’re talking about, ignore this whole paragraph! You never saw us, we were never here.)
The auction will start at 7pm Central on Saturday night (5/29), and will end when Sumana says it’s over. We’re really excited to have a chance to support the Otherwise Award, even without an in-person convention this year, and to have fun doing it!
(2) FROM SOAP TO SPACE. Rich Horton calls back to his 2014 anthology by that name in “Space Opera: Then and Now” at Strange at Ecbatan.
The term space opera was coined by the late great writer/fan Wilson (Bob) Tucker in 1941, and at first was strictly pejorative. Tucker used the term, analogous to radio soap operas, for “hacky, grinding, stinking, outworn, spaceship yarn[s].” The term remained largely pejorative until at least the 1970s. Even so, much work that would now be called space opera was written and widely admired in that period . . . most obviously, perhaps, the work of writers like Edmond Hamilton and, of course, E. E. “Doc” Smith. To be sure, even as people admired Hamilton and Smith, they tended to do so with a bit of disparagement: these were perhaps fun, but they weren’t “serious.” They were classic examples of guilty pleasures. That said, stories by the likes of Poul Anderson, James Schmitz, James Blish, Jack Vance, and Cordwainer Smith, among others, also fit the parameters of space opera and yet received wide praise.
It may have been Brian Aldiss who began the rehabilitation of the term with a series of anthologies in the mid 1970s: Space Opera (1974), Space Odysseys (1974), and Galactic Empires (two volumes, 1976). Aldiss, whose literary credentials were beyond reproach, celebrated pure quill space opera as “the good old stuff,” even resurrecting all but forgotten stories like Alfred Coppel’s “The Rebel of Valkyr,” complete with barbarians transporting horses in spaceship holds.
(3) IZUMI SUZUKI. Lex Berman interviews Daniel Joseph about Terminal Boredom, the first anthology of Izumi Suzuki’s science fiction to appear in English for the Diamond Bay Radio podcast.
The author, Izumi Suzuki, who committed suicide in 1986, wrote science fiction to project her own experience of the drug-fueled Japanese counter-culture into fantastic realms and situations.
Is it nihilism? Is it true love? Is it an altered consciousness critique of the mundane world? Yeah.
“‘How long are you planning on staying on this planet?’ asks CHAIR after about half an hour has passed. ‘I want to stay here forever.’ ‘Everyone says that, dear. But you can’t, can you? You have to live your life. You have to cook, clean, look after the kids when they’re sick. You have to go out to work.’ ‘Why do I have to keep on living that life?’ ‘Well, I’m not sure why.’ Her voice strikes a gentler chord, all of a sudden. And I repeat that phrase in my head. ‘I’m not sure why.’ I fluff my pillow, turn off the lights, and chant a spell. Sleep, sleep. Make the world disappear…”
Victoria Aveyard’s dystopian fantasy debut, Red Queen, launched a hit series and landed on bestseller lists in its first week of publication. Aveyard is hoping for a repeat performance with Realm Breaker, a YA high fantasy that marks the start of a trilogy….
Was it challenging to incorporate adult perspectives into a YA story?
The key is—and I think this is the hallmark of the YA genre—that all of your characters are figuring out who they are. While that is usually something that happens when you’re a young adult, that isn’t always the case. You have adults who discover who they are much later in life—in the case of some of these characters, hundreds and hundreds of years in. They are, compared to some people, kind of young adults themselves. So that was a fun dichotomy to play with—that trope of the all-knowing immortal who’s actually kind of a dummy when it comes to the real world…
…“I began writing about power,” Butler once said, “because I had so little.” Hannah Arendt’s distinction between power and violence—the first a tacit cooperation or compact, the second mere force—makes no sense in the world of Kindred, nor in most of Butler’s worlds: Consent, political, legal, or sexual, is at best contingent and suspect, at worst nonsensical. We did not, could not, consent to our own existence beforehand: We are born into the country that we get—for 330 million of us, the United States—not a country we chose in advance. It is a country founded on anti-Blackness, on white supremacy, on what that very un-American thinker Michel Foucault called biopower, the use of knowledge and law and information not to create free or equal individuals but as a channel for force….
…“I was expecting a fragmented, bizarre, incomplete work,” Professor Jones said.
Instead he found a coherent, completed 233-page manuscript. “It’s a potboiler, but it’s also the caldron of central themes we see throughout Steinbeck’s later work,” he said. For this reason, he believes it’s worth sharing with the public.
His campaign prompted a firm email statement from Steinbeck’s agents this week.
“Steinbeck wrote ‘Murder at Full Moon’under a pseudonym, and once he became an established author, he did not choose to seek publication of this work,” a representative of the New York-based agency, McIntosh & Otis, wrote. “There are several other works written by Steinbeck that have been posthumously published, with his directions and the careful consideration of the Estate. As longtime agents for Steinbeck and the Estate, we do not exploit works that the author did not wish to be published.”
The pseudonym Steinbeck chose was Peter Pym. Professor Jones said the use of the name did not mean Steinbeck had not wanted the book to see the light of day. The author did not get rid of the manuscript, something he had done with other unpublished works, the professor noted.
“He didn’t destroy ‘Murder at Full Moon,’” he said.
Steinbeck wrote the story in nine days, according to William Souder, who wrote the biography “Mad at the World: A Life of John Steinbeck.”
The writer was 28 in 1930, living in a cottage in Pacific Grove, near Monterey, Calif., hoping for his big break. The year before, he had published his first book, “Cup of Gold,” a swashbuckling pirate adventure set in the Caribbean in the 1600s. Though it received better than expected reviews, it was already out of print, Mr. Souder said.
Steinbeck had written more serious books but had not had any luck selling them.He told a friend that all he needed was another 10 or so rejections to become convinced that he should give up on writing….
… These have been organized by date first awarded, from most recent on, since many of these prizes have been around for decades and I wanted to show some love to the new folks on the scene.
Before we dive in, may I also present: Jenn’s Theory Of Why To Care About Awards. Let’s start with a given: all awards, no matter their voting system, are inherently subjective and biased. Whether it’s decided by a public popularity contest, a committee, or a single judge, literary merit is in the eye of the beholder. A book that has won science fiction or fantasy awards isn’t guaranteed to be great (for you) and a book that hasn’t won an award isn’t guaranteed to be a dud (for you). To quote S.R. Ranganathan: “Every book its reader.” So why should we care?…
By the time Northington finishes all the caveats, you may be talked out of reading the list.
(8) MEDIA ANNIVERSARY.
May 27, 1996 — On this date in 1996, Doctor Who premiered on BBC. The film involving the Eighth Doctor played by Paul McGann that is. Short of The War Doctor as portrayed by John Hurt, he would have the briefest tenure of any Doctor from a video representation viewpoint having just the film and a short video later on. (He has done some seventy Big Finish audio stories to date.) The film was directed by Geoffrey Sax off the screenplay by Matthew Jacobs. The remaining cast of importance was Daphne Ashbrook as the Companion to the Doctor, Dr. Grace Holloway, and Eric Roberts as The Master. Critics, American and British alike, were decidedly mixed on their reactions, and the audience reviewers at Rotten Tomatoes are equally divided and give it exactly a fifty percent rating.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born May 27, 1894 — Dashiell Hammett. He’s widely regarded as one of the finest mystery writers of all time, but ISFDB says that he was also the editor of three genre anthologies, Creeps by Night: Chills and Thrills, The Red Brain and Other Creepy Thrillers and Breakdown and Other Thrillers with writers such as Frank Bellnap Long and H.P. Lovecraft, it certainly looks that way. ISFDB also says one Continental Op story, “The Farewell Murder,” is at genre adj. (Died 1962.) (CE)
Born May 27, 1911 — Vincent Price. Ok, what’s popping into my head is him on The Muppets in “The House of Horrors“ sketch they did in which he and Kermit sport impressive fangs which you can see here. If I had to single out his best work, it’d be in such films as House on Haunted Hill, House of Usher and The Pit and the Pendulum. Yes, I know the latter two are Roger Corman productions. He also did a lot of series work including being Egghead on Batman, appearing in the Fifties Science Fiction Theater, having a recurring role as Jason Winters on the Time Express and so forth. (Died 1993.) (CE)
Born May 27, 1918 — Robert C. Stanley. He was one of the most two prolific paperback book cover artists used by the Dell Publishing Company for whom he worked from 1950 to 1959. Among the covers he did was Edgar Rice Burroughs’ Tarzan and the Lost Empire, Anthony Boucher’s Rocket to the Morgue and Olaf Stapledon’s Odd John. (Died 1996.) (CE)
Born May 27, 1922 — Christopher Lee. He first became famous for his role as Count Dracula in a series of Hammer Horror films. His other film roles include The Creature in The Curse of Frankenstein, Sherlock Holmes in Sherlock Holmes and the Deadly Necklace, Kharis the Mummy in The Mummy, Francisco Scaramanga in The Man with the Golden Gun, Lord Summerisle In The Wicker Man, Saruman in The Lord of the Rings films and The Hobbit film trilogy, and Count Dooku in the second and third films of the Star Wars prequel trilogy. Now interestingly enough, ISFDB lists him as being the co-editor in the Seventies with Michael Parry with a number of horror anthologies such as Christopher Lee’s ‘X’ Certificate No. 1, From the Archives of Evil and The Great Villains. (Died 2015.) (CE)
Born May 27, 1900 – Rudolph Belarski. Virtuoso at air-combat magazine covers; five dozen covers for us; interiors too. Here is one from 1955. Here is a 2018 reprint. (Died 1983) [JH]
Born May 27, 1915 – Herman Wouk. (Pronounced “woke”.) Gag man for Fred Allen; Pulitzer Prize; four honorary doctorates. Besides The “Caine” Mutiny, his masterpiece Marjorie Morningstar, The Winds of War and War and Remembrance, he wrote the fine SF novel A Hole in Texas. (Died 2019) [JH]
Born May 27, 1930 – John Barth, age 91. Fellow of Am. Acad. Arts & Sciences. Lannan Award for lifetime achievement. National Book Award. The Floating Opera is only strange (it won the Roozi Rozegari at Teheran for best translated novel, also strange); The Sot-Weed Factor could perhaps be called historical fiction; by Giles Goat-Boy he was doing SF. Heinlein compared Stranger in a Strange Land to it. In The Last Voyage of Somebody the Sailor a man jumps overboard from a reconstructed Arab ship and finds himself in the world of Sindbad. Nor was that all. [JH]
Born May 27, 1934 — Harlan Ellison. He was a SFWA Grandmaster, member of the SF Hall of Fame, and winner of eight other life achievement awards. His short story “‘Repent, Harlequin!’ Said the Ticktockman” is the second-highest ranked of the 102 Top SF/F/H Short Stories listed at Science Fiction Awards Database. Ellison wrote the most famous episode of Star Trek: The Original Series, “The City on the Edge of Forever” (setting aside the backstory about Roddenberry and others who had a hand in the broadcast version). His Dangerous Visions and Again Dangerous Visions anthologies were milestones, while Last Dangerous Visions was a millstone around his neck because it never appeared. Further harming his reputation, he groped Connie Willis during the 2006 Hugos. He won 8 Hugos, 4 Nebulas, 2 World Fantasy Awards, 6 Bram Stoker Awards and 18 Locus Awards. But there were lighter moments, like this 30-second clip of Harlan as himself conversing with “H.P. Hatecraft” in the Scooby-Doo episode “Shrieking Madness.” (Died 2018.) (OGH)
Born May 27, 1940 – Jackie Causgrove. Prominent fan in the U.S. Midwest, then Southern California. For Bruce Pelz’ Fantasy Showcase Tarot Deck she did the Knight of Cups; each card by a leading fan or pro (or both) artist of the day, styles quite various; see the whole deck here (PDF; scroll down to Cups; you can get a deck from Elayne Pelz, or if you don’t know how to do that, write to me, 236 S. Coronado St., No. 409, Los Angeles, CA 90057). With Bruce Gillespie, administered the Tucker Fund that sent Bob Tucker to Aussiecon I the 33rd Worldcon. One of her fanzines (as J. Franke) was Dilemma, illustrated by her; see here. Fan Guest of Honor at Chambanacon 5, Confusion Pi. (Died 1998) [JH]
Born May 27, 1971 – Vilma Kadleckova, age 50.(The character after the e should have a little v over it for the sound of ch in English “church”.) A dozen SF novels and shorter stories, half a dozen local prizes. Four novels so far in her Mycelium series; the first two won Book of the Year and Original Czech/Slovak Book from the SFFH Acad. in Prague; second and third available in English. In Vector 166, contributed “The View from Olympus” with Carola Biedermann and Eva Hauser. [JH]
The Flying McCoysillustrates one of the seven deadly sins, which this character presumably does all of sooner or later.
(11) SEKRIT MESSAGE IN HUGO EMAIL. Andrew Porter clued me into the presence of an invisible last line in the email DisCon III sent to members today announcing the opening of Hugo voting. I found it in mine. Check it out.
Shadows Over London was born out of reading to my daughter before bedtime. Katie was five or six at that time, and destined to become a voracious reader. (She’s just this month finished her Masters in Library Science.) I was just getting divorced at the time and had Katie every weekend, but not during the week, so we did chapter one of The Lion, the Witch, and the Wardrobe or “The Lucy Book,” as she dubbed it, the first night. Then chapter two the second, but then she had to wait five days to get chapters three and four.
She loved the first and second installments, but this had a very short duration for two reasons: Reason #1: It was really only the first three books. Try explaining to a child that age that the “Lucy Books” didn’t have Lucy in them after book three! She wanted to know why and I had no answer that didn’t fall flat. Even the second book: Prince Caspian has a long stretch without the main characters. (Don’t even get me started about the alternate order for these! That just makes it worse, in terms of storytelling.) Reason #2: while we were still in books 1-3, of which we had copies at both her mother’s house and mine, she couldn’t resist and read by herself during the week, so we finished those first three that first month.
So, the first chapter of Shadows Over London, complete with serene, crunchy snow and a Faerie King waiting underneath moonbeams slanting through darkened trees, all came from trying to write something that felt as magical as Narnia did…
“If someone is mad enough to publish my weird shit, I am going to do my utmost to be a little bit more complex.”
In this episode, middle grade horror/fantasy author Celine Kiernan joins us to talk about writing fiction for young people. How do you handle dark, difficult topics? How do you fight the censors? How do you bridge the generation gap between author and audience? How do you temper your language for inexperienced readers? What do writers owe young people? What does it mean to exploit your audience?
Celine Kiernan is the author of The Moorehawk Trilogy, Into the Grey, Resonance, and The Wild Magic Trilogy. She is also a freelance editor. She lives in Ireland.
…This is real; the videos are real; UFOs, in the most basic sense, are real. The military has spotted objects flying in the sky, and it has not identified what they are. These objects, whatever you want to call them, are worth close examination. But there’s no reason to think they’re alien.
Why not? Jason Wright, an astronomer at Penn State University, gets this question a lot, especially recently. Wright works in the field of SETI—the search for extraterrestrial intelligence. His job is to look for signs of alien technology, so it seems logical that he might have some thoughts on UFOs and their rumored extraterrestrial origins. But ufology and SETI are two entirely different fields.
SETI operates on the principle that extraterrestrials follow the laws of physics as we know them, but what makes these UFO videos so enticing is precisely the opposite—whatever is captured in them seems to be moving in a way that appears to defy those exact laws. Guided by known physics, SETI astronomers look for aliens deep in space, rather than in the clouds overhead—because if the truth is out there, it’s way, way out there, around stars many light-years away. Even after decades of research, the SETI community has yet to find evidence of aliens, probably for the same reason that extraterrestrial beings, should they exist, would be unlikely to visit our planet—the space between stars, let alone galaxies, is unfathomably vast. And astronomers are just starting to understand the planets around other stars. “Every star could have an intelligent, technological civilization like Earth and we wouldn’t know it,” Wright told me. He sees no problem with the desire to better understand our airspace and investigate unexplained phenomena, “but why drag astronomers into it?”
Perhaps because the alternatives to aliens are much more boring.
… Then there’s sleep. Between 2007 and 2011 the European Space Agency worked with Russia to simulate the conditions of a trip to Mars, particularly as a psychological isolation experiment. Called Mars500, the longest part of this study ran between 2010 and 2011, and revealed a significant degradation of the simulacral explorers’ sleep patterns. While on wide-body airliners, a business class cocoon seat can deliver comfort (and even luxury) during an overnight flight, such ergonomic palliatives won’t be as easy for a yearlong journey. Space travel to Mars is supposed to be a bold and daring adventure. But what if it ends up feeling more like a superlong red-eye flight?
For years, Musk has compared his rockets to airliners, using the familiar sizes and thrust capacities of Boeing 737s and 747s as reference points for his future-bound ships. These comparisons circulate on social media, by way of making SpaceX craft both more graspable and more impressive. But the analogies are telling. As much as the goal is to reduce the time of feeling trapped inside a cramped cabin, the endgame is in fact more of this time. And let’s be honest: A hab on Mars is not going to be a whole lot more spacious than the interior of the ship.
If the dream of space travel involves new horizons and feelings of unbound freedom—to explore, to discover, to spread humanity—a nightmare lurks just around the corner of consciousness. There will be no real “arrival” on this fantasy trip: It’s enclosures and pressurized chambers all the way down. When it comes to human space travel, the destination really is the journey. And the journey will be long, and claustrophobic. As far as “quarantine” goes, spacefaring may feel familiar to those who lived through the COVID pandemic—and certain survival tactics may crossover.
Musk wants to send humans to Mars (and beyond) because he believes that the species is doomed on Earth, sooner or later. This bleak assessment belies two haunting presuppositions: The miserable masses will wither on a climate-scorched and ecologically damaged planet back home; meanwhile, the spacefaring select will find themselves in a whole new purgatory of cramped isolation, en route and wherever they “land.”…
…For Colbert’s monologue, Snyder says he was hoping to deliver what Zack Snyder fans have been “demanding for years… Another classic Zack Snyder slow-motion shot.” To offer some action, Snyder threw a knife at the late-night host, which was filmed in slow-motion. “Directing is all about keeping talent out of their comfort zone,” Snyder said, with Colbert adding that a lot of blood was lost that day.
When considering “Zack Snyder leads,” Colbert says he was “flattered” for Snyder to help him given the director works with leading men considered to be “Gods among mortals.”
Because Colbert “fills out his clothes like lentils fill out a sandwich bag,” Snyder explains that he enlisted an “elite Hollywood personal trainer” to help Colbert in his fitness regimen but it ended with “unbelievable” results such as actually losing muscle mass….
[Thanks to Martin Morse Wooster, Joel Zakem, Mlex, JJ, Michael Toman, John King Tarpinian, Cat Eldridge, John Hertz, Mike Kennedy, Sumana Harihareswara, R.S. Benedict,and Andrew Porter for some of these stories. Title credit belongs to contributing editor of the day Daniel Dern.]
The animated adaptation of Terry Pratchett’s Carnegie Medal-winning 2001 children’s book The Amazing Maurice and His Educated Rodents has already commandeered a huge celebrity voice cast, but apparently there’s always room for more. Now Doctor Who’s David Tennant has joined the ranks, alongside Game of Thrones’ Emilia Clarke and House’s Hugh Laurie, among many others.
The Amazing Maurice novel is a comedic adaptation of the tale of the Pied Piper, who legendarily led the rats out of the town of Hamelin with his magic pipe, only to lead the town’s children away as well after the townsfolk failed to compensate him for his work. Pratchett’s book, which is part of his beloved Discworld series, is vastly different, featuring a sentient cat named Maurice, a pack of equally sentient rats, and a boy named Keith as they try to trick the town of Bad Blintz into hiring Keith to lead a newfound “rat infestation” away. Instead, they run into more malicious ratcatchers, a rat king with psychic powers, and more….
1. There are many aliens depicted in the Marvel Cinematic Universe. This alien race may be hard to depict definitively, as they are shapeshifters, but they do have a typical form. They appeared in Captain Marvel in the MCU, and in the comics as early as an issue of Fantastic Four in 1962. What is the name of this alien race? Click here
It’s been weeks since you last socialized (in the flesh) with anyone outside your household…or with anyone, if you live alone. Loneliness is tough. But things could be worse: you could be a rogue world, ejected from your home system billions of years ago. You could be a pitiful world formed far from any star. Such worlds are commonplace in our galaxy. They are not quite so common in science fiction. Still, a few of them feature in books that you may have read…
There has been a trading card accreditation bonanza that is leading to massive backlogs, hiring shortages, and big money as people seek to determine the worth of their Pokemon cards.
… SIMON: A trading card bonanza. These card-grading businesses are getting more cards over a couple of weekends than they used to get in an entire year. People are sending other cards, too. Baseball cards, of course, Magic: The Gathering, Yu-Gi-Oh. But Pokemon is still the main attraction.
KOEBLER: Many of these companies have been overwhelmed to the point where they’re no longer even accepting the cards because they have wait times of between, like, 10 months and a year for new cards that are mailed to them….
(5) TAKE THE 101 TO THE 451. Bradburymedia’s Phil Nichols has released another episode of his YouTube series Bradbury 101: “Fahrenheit 451”.
We’ve now reached the year 1953, and the release of Ray Bradbury’s first true novel, Fahrenheit 451. Except…
The first appearance of Fahrenheit was actually a collection rather than a novel!
…To ring in Disney Parks, Experiences, and Products’ “Halfway to Halloween” campaign, the Mouse House dropped a short teaser for Muppets Haunted Mansion, which arrives on Disney+ sometime this fall. The comedic announcement, made by Gonzo and Pepe the King Prawn, was short on details, but the official release promises “a star-studded Muppets cast, celebrity cameos, all-new music, and spooky fun for families to enjoy together.”
In terms of story, the plot revolves around Gonzo being challenged to spend one night in the scariest place on Earth: Disney’s Haunted Mansion….
(7) KITAEN OBIT. [Item by Dann.] Actress Tawny Kitaen died May 7 at age 59. The cause of death was not revealed.
Her early fame came from appearing in Whitesnake and Ratt videos. Her first genre role came in Witchboard in 1986 and was followed by an appearance in one episode of the short-lived They Came From Outerspace.
Tawny’s most prominent genre role was taht of Deianeira in the Hercules series. She appeared in all three Hercules movies (Hercules: The Legendary Journeys – Hercules and the Circle of Fire, Hercules in the Underworld, Hercules in the Maze of the Minotaur) as well as in the TV series Hercules: The Legendary Journeys from 1995 to 1997.
She also provided the voice of Annabelle in the animated series Eek! The Cat.
(8) MEDIA ANNIVERSARY.
May 8, 1955 — On this night in 1955, X Minus One’s “Mars is Heaven“ first aired on radio stations. It’s based on the Bradbury story of that name which was originally published in 1948 in Planet Stories. It later appears as the sixth chapter of The Martian Chronicles, retitled “The Third Expedition”. The premise is that this expedition discovers on Mars a small town spookily akin to that which they left behind on Earth. The people in the town believe it is 1926. Crew members soon discover there are old friends and deceased relatives there as well. The cast includes Wendell Holmes, Peter Kapell, Bill Zuckert, Bill Lipton, Margaret Curlen, Bill Griffis, Ken Williams, Ethel Everett and Edwin Jerome. You can hear it here.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born May 8, 1925 – Roy Tackett. Active fan from 1936; drifted away in the late 1950s, happened across Yandro and returned. His own fanzine Dynatron. Bruce Pelz managed to get him nicknamed HORT so we’d be cued to pipe up, when we heard it explained as Horrible Old Roy Tackett, “Oh, I know Roy Tackett. He’s not that old!” TAFF (Trans-Atlantic Fan Fund) delegate. Fan Guest of Honor at Westercon 22, MileHiCon 12, LoneStarCon 2 the 55th Worldcon. (Died 2003) [JH]
Born May 8, 1938 — Jean Giraud. Better to y’all as Moebius. He contributed storyboards and concept designs to myriad science fiction and fantasy films including Alien, The Fifth Element, The Abyss and the original Tron film. He also collaborated with avant-garde filmmaker Alejandro Jodorowsky for an unproduced adaptation of Dune. Oh, I would’ve loved to have seen that! And no, I’m not forgetting his work on both Heavy Metal and Marvel Comics but I’ll let you detail those endeavors. (Died 2012.) (CE)
Born May 8, 1940 — Peter Benchley. He’s known for writing Jaws and he co-wrote the film script with Carl Gottlieb. His novel Beast is genre and was adapted into a film as White Shark which has absolutely nothing to do with sharks. Another novel, The Island, was also turned into a film and it’s at least genre adjacent. (Died 2006.) (CE)
Born May 8, 1945 – Stanislaw Fernandes, age 76. Fourscore covers, a dozen interiors for us; much else. Here is Reach for Tomorrow. Here is the Feb 87 Omni. Here is the Mar 88 Asimov’s. Here is The Wheel of Darkness. Elsewhere, here is e.g. the 15 Jan 79 Business Week. I picked these from the past for a sense of scope; don’t think he hasn’t been busy. Website. [JH]
Born May 8, 1947 – Ron Miller, age 74. Five novels; a hundred seventy covers, a hundred thirty interiors; a dozen artbooks. Here is the Apr 74 Amazing. Here is The Grand Tour.Here is the Jan 01 Asimov’s. Here is 20,000 Leagues Under the Sea. Here is The Art of Chesley Bonestell (with F. Durant; cover by CB; Hugo for Best Related Book). Here is Up the Rainbow. [JH]
Born May 8, 1954 — Stephen Furst. Stephen is dead, damn it all. The saddest part of doing these Birthdays is discovering how many folks have died that I reasonably expected were still living. He died of complications from diabetes at a far too young age. You know him most likely as Centauri diplomatic attaché Vir Cotto on Babylon 5, a decent being way over his head in a job he was ill-prepared for. He also directed three low-budget movies for the Sci Fi Channel: Dragon Storm, Path of Destruction, and Basilisk: The Serpent King; he additionally co-starred in the last two films. And he produced Atomic Shark which aired during Sharknado Week on Syfy. (Died 2017.) (CE)
Born May 8, 1955 — Della Van Hise. Author was a prolific Trek fanwriter who later published an official Trek novel, Killing Time which in its first printing implied a sexual relationship between Spock and Kirk. Later printings didn’t include this passage as the copyright objected according to several sources. It’s available at all the usual digital suspects. (Died 2021.) (CE)
Born May 8, 1957 – Jenny Blackford, age 64. Co-edited Australian SF Review. A score of stories, two dozen poems; essays, letters, reviews in Foundation, NY Rev SF, SF Commentary. Elsewhere, e.g. 2020 Davitt Award for Best Children’s Crime Novel. “I have forgotten more Sanskrit than I ever learned, but I still recite Catullus, and my favorite playwright is of course Euripides.” [JH]
Born May 8, 1968 – LeAnn Neal Reilly, age 53. Five novels. Has read The Silmarillion, Ivanhoe, Norwich’s Short History of Byzantium, Crime & Punishment, Catch-22, Chesterton’s St. Augustine and 2 vols. of Father Brown stories, all six Jane Austen novels, The Sound and the Fury, The Little Prince. She writes, says Kirkus Reviews, “about resilient women caught in magical, otherworldly circumstances.” [JH]
Born May 8, 1982 – Leah Bobet, age 39. Two novels, twoscore short stories, two dozen poems. Founding editor of Abyss & Apex; edited Ideomancer. Aurora, Sunburst, Copper Cylinder Awards. Makes jam, climbs mulberry trees, plants gardens in back alleys, and contributes to access-to-democracy initiatives. [JH]
(10) HEAR ME ROAR. [Item by Mike Kennedy.] Now this is some cool crap. For the first time ever, one spacecraft has been used to record a “talkie” of another spacecraft.
The Mars rover Perseverance took a video of Ingenuity — the helicopter — during a test flight with sound. The NASA Jet Propulsion Laboratory has released the video which can be seen on YouTube. The sound is pretty low frequency (~84 Hz) so it’s recommended you watch the video on something with speakers that have decent base response.
… NASA’s Jet Propulsion Laboratory in California released this first-ever audio Friday, just before Ingenuity made its fifth test flight, a short one-way trip to a new airfield.
During the fourth flight a week earlier, the low hum from the helicopter blades spinning at more than 2,500 revolutions per minute is barely audible. It almost sounds like a low-pitched, faraway mosquito or other flying insect.
That’s because the 4-pound (1.8-kilogram) helicopter was more than 260 feet (80 meters) from the microphone on the Perseverance rover. The rumbling wind gusts also obscured the chopper’s sound.
Scientists isolated the sound of the whirring blades and magnified it, making it easier to hear….
…After Romeo Brown finished, Peter O’Donnell decided to create a more serious strip where a woman would be a capable hero rather than simply an object of desire or a damsel for the man to rescue. Apparently inspired by an orphan girl he met when stationed in Persia during the war, he teamed up once again with Holdaway to create Modesty Blaise.
Modesty reassures Willie’s girlfriend Marjorie that she has no romantic feelings for him.
Starting in 1963, Blaise feels like a totally new type of hero. Both Modesty Blaise and Willie Garvin (her loyal sidekick) are both former criminals neither from privileged backgrounds. Modesty grew up in refugee camps in Persia and other Middle Eastern countries, whilst Willie is very much a working-class character. There is also no suggestion that she has any romantic interaction with Willie, instead they are loyal professional colleagues.
An excellent action sequence where Willie rams a lorry into Gabriel’s mansion
It is not just the initial concept that is fresh, the quality of the strip feels ahead of anything else I could easily pick up. O’Donnell’s plots feel fresh and complex, varying significantly from story to story. One week she will be investigating drug running in the Vietnam war, the next dealing with psychic espionage. These are combined with characters that feel deep and real. O’Donnell’s writing and Holdaway’s art also come together to give a really cinematic presentation with a real eye for direction….
…Cats, like people, can be fooled by optical illusions, nifty new research out this week suggests. The study, based on experiments conducted by pet owners at home, found that cats tend to sit inside 2D shapes that only look like squares about as often as they’ll sit inside a real square. The findings might give us a little more insight into cat cognition.
Whether they’re big tigers or domestic felines, cats just seem to love wedging themselves into boxes, crates, or other four-sided objects. This fascination doesn’t stop at 3D objects either, as the social media hashtag #CatSquare showed a few years ago; even using tape to make the outline of a square on the floor will entice cats ready to plop down at a moment’s notice….
…The entire eight-episode first season debuted across the pond on April 30 to little fanfare, but streaming services are so hungry for content that was clearly not the issue….
The YouTube intro says —
Written by award-winning showrunner, Julie Gearey (“Prisoners’ Wives,” “Cuffs,” “Secret Diary of a Call Girl”), the series tells the story of fearless young cop and galactic pilot, Ash Harper (“Savannah Steyn”), who has her glittering career ripped away from her after being wrongly convicted of a treasonous crime and exiled to a distant prison colony. But on the way there, Ash’s fellow convicts stage a mutiny and seize control of their prison transfer ship. With the flight crew dead, mob leader Tula Quik (“Sharon Duncan-Brewster”), is intent on reaching the free world – Arcadia – with her gang; and Ash is the only pilot who can get them there. Ash is forced to join them on the run towards a distant galaxy and an uncertain future.
[Thanks to John Hertz, Mike Kennedy, JJ, Dann, Cat Eldridge, Martin Morse Wooster, Michael Toman, Andrew Porter, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Kyra.]
(1) SPEAK FRIEND. Guy Gavriel Kay will deliver the 2021 J.R.R. Tolkien Lecture on Fantasy Literature, an annual lecture on fantasy literature held at Pembroke College, Oxford. The digital lecture will take place on Tuesday, May 11th, 6 PM BST (1 PM ET).
Kay has published fourteen novels which have been translated into 30 languages and have appeared on bestseller lists around the world. He is also the author of the poetry collection, Beyond This Dark House. His most recent work is A Brightness Long Ago.
Before beginning his career as a novelist, Kay was retained by the Estate of J.R.R. Tolkien to assist in the editorial construction of The Silmarillion, the first and best-known of the posthumously published Tolkien works. Called to the Bar of Ontario in 1980, he has also been principal writer and associate producer for the CBC’s award-winning crime-drama series, The Scales of Justice.
The pair, who played hobbits Merry and Pippin inThe Lord of the Rings, are launching a podcast about the hit film franchise.
The duo are launching The Friendship Onion with podcast producer Kast Media and the series will premiere on May 18. They will bring banter, stories and comedy to the podcasting space, each week digging into the latest in pop culture, put fans’ Lord of the Rings knowledge to the test, reveal exclusive stories from filming and maybe even welcome surprise drop-ins from famous faces.
Monaghan, who is also known for his role on Lost, played Meriadoc ‘Merry’ Brandybuck in the films, close friend to Frodo Baggins, and along with Peregrin ‘Pippin’ Took, played by Boyd members of the Fellowship of the Ring.
The Friendship Onion will be available weekly on Spotify and across all podcast platforms, including video simulcast episodes on YouTube….
Following is a quiz I wrote for an online trivia league I am in. The subject matter is aliens in SF books, movies, TV, or comic books. Each question is accompanied by an image of the alien. The quiz ran over the weekend. Some of you may know the winner, David Goldfarb, who was prominent on the great Usenet newsgroup rec.arts.sf.written back in its glory days. Tom Galloway, another prominent fan known for his trivia knowledge, also did very well.
I need to thank Steven Silver and John O’Neill (as well as several members of the trivia league) for helping me improve the question set, including some excellent proposed questions.
I will post the answers in a day or two. If you want, you can post your guesses in the comments.
1. There are many aliens depicted in the Marvel Cinematic Universe. This alien race may be hard to depict definitively, as they are shapeshifters, but they do have a typical form. They appeared in Captain Marvel in the MCU, and in the comics as early as an issue of Fantastic Four in 1962. What is the name of this alien race? Click here
2. What’s the common name for this cowardly species featured in many of Larry Niven’s Known Space stories? The name is perhaps ironic as this species doesn’t seem to have the appendages normally used by the human performers known by that name. Click here …
(4) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Rebecca Roanhorse and Angela Slatter in a YouTube livestream on May 19 at 7:00 p.m. Eastern. Link to come – check back at the KGB site.
Rebecca Roanhorse is NYTimes bestseller and an award-winning speculative fiction writer. Her latest novel, Black Sun, was recently nominated for the Nebula award for Best Novel of 2020. She has short fiction published in Apex Magazine, Uncanny, and multiple anthologies. She has also written for Star Wars, Marvel , and for TV. She lives in Northern New Mexico.
Angela Slatter in a multi-award-winning Australian writer of dark fantasy and horror. Her latest publications are the gothic fairytale novel All the Murmuring Bones from Titan, and the mosaic collection The Tallow-Wife and Other Tales from Tartarus Press. She has a PhD, teaches for the Australian Writers’ Centre, and is trying to finish a new gothic novel, Morwood.
if you haven’t watched Solo in a while, away from all the drama and (maybe for you) bad lighting, give it another shot. It might just be the most pure fun Star Wars movie we’ve gotten from this era so far.
NOAF: Secret sisters, a geneticist studying illegal technology, and a deadly virus. What inspired this story, and how did all those elements get into the story?
SB: The initial central question of the story is identity. What makes us the same and different? Some of it is genetics, and some of it is life experiences. What makes those differences stand out? People show their true nature in a disaster. Because the story is about genetics, I brought more genetics and more disaster into it. The elements posed a lot of questions, and the story resulted from one set of answers.
Award-winning editor Sheila Williams was a guest lecturer at the 2020 Odyssey Writing Workshop. In this excerpt from a question and answer session, she answers questions about her editorial process, story endings, and what differentiates a good story from a story that she buys.
Sheila is the multiple Hugo Award-winning editor of Asimov’s Science Fiction magazine. She is also the winner of the 2017 Kate Wilhelm Solstice Award for distinguished contributions to the science fiction and fantasy community.
(8) COSINE COMING BACK.COSine, the Colorado Springs, CO convention, will be held in person once more next January 14-16.
Last June we had to make the difficult decision to postpone COSine 2021. After that we put ourselves into suspended animation until such time as a vaccine for COVID was available and an appropriate supply of lemon-soaked paper doilies could be acquired.
Well, the doilies arrived, and most of us have aching arms, so it looks like we are on track for COSine 2022:
Guest of Honor: C.J. Cherryh Artist Guest of Honor: Jane Fancher Special Guests: Connie Willis & Courtney Willis
Our lowest rates for registration are available through the end of October, but if you want to sign up now, you can beat the Halloween rush! At the very least, please make sure that we are on your calendar.
(9) HORROR UNIVERSITY. It’s time to enroll for the virtual Horror University, part of the Horror Writers Association’s StokerCon coming May 20-23. See the session schedule at the link. One session, $55/members, $65/nonmembers; multiple-session discounts available.
Horror University is one of the most successful and popular aspects of StokerCon™. We are proud to present another great series of workshops for StokerCon™ 2021. Horror University furthers the Horror Writers Association’s focus on education with a curriculum run by some of the best and brightest in the horror field.
HORROR UNIVERSITY offers a series of 90 minute to two-hour workshops. They are not your typical workshop experiences—they are hands-on, intensive classes that include interactive activities and exercises. Workshop registration will open April 12. Workshops for this year’s Horror University will be virtual, part of Horror University Online. All HU courses will be run through the Horror University School on Teachable.com and require separate registration and additional payment as has been the practice at all past StokerCons.
All workshops are in Eastern Standard Time. Click the workshop titles in the table below for more detailed information about each workshop and instructor. Pricing is provided below.
(10) THEY DIDN’T ABANDON HOPE. Sarah Gailey’s new “Building Beyond” writing prompt is “See You In Hell”. Amanda Hamilton and Brendan Williams-Childs play along.
Hell is an urban metropolis in the middle of a sprawling agrarian underworld. You’ve just moved to a farm about six hours upstate from Hell.
Amanda Hamilton (she/her) is a chaos scheduler for her spouse, daughter and myriad pets. She’s also a fundraising professional, primarily focused on corporations and foundations these days. When not managing various and sundry to-do lists, she likes to read and nap and read some more.
Gailey: What is it about Hell that made you decide to move?
They always said that if you could make it in Hell, you could make it anywhere. Well, after a decade of (barely) making it, I was done….
…At its core, science fiction as a genre reflects the fears, anxieties, politics, events, and mood of the present. Thus, the immediate question: What type of science fiction (and speculative fiction more broadly) will the Age of Trump and its aftermath produce?
In an effort to answer that question I recently spoke with author Andy Weir whose first best-sellling novel “The Martian” was adapted by Ridley Scott into a 2015 blockbuster feature film of the same title starring Matt Damon. Weir’s other work includes the novel “Artemis” and the beloved short story “The Egg.”…
What type of science fiction writing and other works – and creative arts more generally – do you think are going to come out of this moment?
My book “Project Hail Mary” was finished before the pandemic. The story involves an alien microbe. It may seem that “Project Hail Mary” is somehow-pandemic related, but that is just pure coincidence. Moreover, this microbe does not infect humans; it infects stars in outer space.
I honestly do not know what is going to come out of this.
I do not think that there is going to be quite as much disease-related science fiction, as one might suspect. We are all going through this pandemic, and when it’s over, it will be a common experience. It is not really something we are going to enjoy reminiscing about. We will never forget the experience with the pandemic, but it is not something we are going to want to mentally relive.
My instinct is that the pandemic experience is not going to impact science fiction very much because science fiction and fantasy are on a basic level about escapism. Spend some time in the world of this book so that you can enjoy yourself away from the world that you live in. The last thing anybody wants is for a book to drag them back to the world that they live in.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born May 5, 1856 – W.W. Denslow. First illustrator of Baum’s Wizard of Oz; also illustrated Baum’s Father Goose and Dot and Tot of Merryland. Designed the sets and costumes for the 1902 stage version of Wizard. Illustrated Denslow’s Mother Goose, Denslow’s “Night Before Christmas”, 18-vol. Denslow’s Picture Books. Comic strip Denslow’s Scarecrow and Tin Man. Newspaper reporter, editorial cartoonist, poster artist. Designed books and bookplates. (Died 1915) [JH]
Born May 5, 1907 – Pat Frank. Wrote what I’ve long thought the best-made atomic-bomb-and-after novel Alas, Babylon; two more novels, one shorter story for us; two other novels; memoir; journalism. Office of War Information overseas correspondent during World War II. American Heritage Foundation Award. (Died 1964) [JH]
Born May 5, 1942 — Lee Killough, 79. Author of two series, the Brill and Maxwell series which I read a very long time ago and remember enjoying, and the Bloodwalk series which doesn’t ring even a faint bell. I see she’s written a number of stand-alone novels as well – who’s read deeply of her? (CE)
Born May 5, 1943 — Michael Palin, 78. Monty Python of course. I’ll single him out for writing the BFA winning Monty Python’s The Meaning of Life and co-writing the BSFA winning Time Bandits with Terry Gilliam. And it might be at least genre adjacent, so I’m going to single him out for being in A Fish Called Wanda for which he won the BAFTA Award for Best Actor in a Supporting Role. (CE)
Born May 5, 1944 – Dave Locke. Active fanziner, e.g. Awry; electronic zine Time and Again. Loved by some, annoyed others (can this surprise you?), or both. Among his best, What do birds of a feather do? Dave Locke. More here. (Died 2012) [JH]
Born May 5, 1944 — John Rhys-Davies, 77. He’s known for his portrayal of Gimli and the voice of Treebeard in the Lord of the Rings trilogy, General Leonid Pushkin in The Living Daylights, King Richard I in Robin of Sherwood, Professor Maximillian Arturo in Sliders, a most excellent Hades in the animated Justice League Unlimted series, Hades in Justice League and Sallah in the Indiana Jones films. Oh, and voicing Macbeth in the exemplary Gargoyles animated series too.(CE)
Born May 5, 1957 — Richard E. Grant, 64. He first shows up in our world as Giles Redferne in Warlock, before going on to be Jack Seward in Bram Stoker’s Dracula. On a lighter note, he’s Frederick Sackville-Bagg in The Little Vampire, and the voice of Lord Barkis Bittern in Corpse Bride. He breaks into the MCU as Xander Rice in Logan, and the Star Wars universe by being Allegiant General Enric Pryde in Star Wars: The Rise of Skywalker. (CE)
Born May 5, 1958 – Ingrid Nielson, age 63. Drawings pp. 15, 21, Program Book for ConFederation the 44th Worldcon; see here (PDF). Photo of her & Andre Norton here. Moderated panel “ASFA [Ass’n of Science Fiction & Fantasy Artists of America] and the Chesleys” at Chicon VI the 58th Worldcon. 2010 Chesley “for work on the Chesley Awards for 20+ years”. [JH]
Born May 5, 1961 — Janet Brennan Croft, 60. She’s published any number of works on library science, but she is concentrated her research on Tolkien, winning the Mythopoeic Scholarship Award for Inkling Studies for War and the Works of J.R.R. Tolkien, Tolkien on Film: Essays on Peter Jackson’s The Lord of the Rings, Tolkien and Shakespeare: Essays on Shared Themes and Language, and Perilous and Fair: Women in the Works and Life of J. R. R. Tolkien. I’d also like to single her work, Baptism of Fire: The Birth of the Modern British Fantastic in World War I. (CE)
Born May 5, 1963 – Michelle West, age 58. Twoscore novels, fifty shorter stories (some as M. Sagara); book reviews for The Magazine of Fantasy & Science Fiction; interviewed in Challenging Destiny, Lightspeed, Northern Dreamers. Within a 4-page single-space rejection letter from Lester Del Rey was a curmudgeonly line of encouragement, and off she went. [JH]
Born May 5, 1975 – Tanya Tagaq, age 46. Canadian Inuk throat singer. Six albums; also collaborator with Kronos Quartet, Buffy Sainte-Marie (here is TT’s cover). Polaris Prize, Canadian Folk Music Award, two Junos, Western Canadian Music Award. Novel for us Split Tooth won Indigenous Voices Award. [JH]
Born May 5, 1979 — Catherynne M. Valente, 42. My favorite work by her? Oh, by far that’d be the two volumes of The Orphan’s Tales which I go back to fairly often — stunning writing. If you’ve not read them yet, here’s her telling “The Tea Maid And The Tailor” as excerpted from In the Night Garden which is from Green Man. (CE)
(13) COMICS SECTION.
Non Sequiturlives up to its name while depicting the first land-walking creatures.
(14) GETTING THE WORD OUT WITH PICTURES. [Item by Rose Embolism.] Jem Yoshioka, creator of the science fiction romance webcomic Circuits and Veins was tapped for the New Zealand Covid information campaign! The poster is seriously lovely!
(15) IF IT DIDN’T HAPPEN, IT’S NOT A SPOILER, RIGHT? In Brian Hiatt’s article for Rolling Stone,“Benedict Cumberbatch’s Dr. Strange Almost Appeared in ‘WandaVision’”, Kevin Feige explains that Dr. Strange was going to appear in the last episode of WandaVision but he thought having Dr. Strange show up “would take it away from Wanda” so Benedict Cumberbatch was written out of the script. This is a preview of a big oral history of WandaVision in Rolling Stone that has yet to appear.
The story of WandaVision‘s main character, Wanda Maximoff, a.k.a. the Scarlet Witch (played by Elizabeth Olsen), is set to continue in 2022’s Dr. Strange and the Multiverse of Madness, but the two projects were almost linked much more directly. As Marvel Studios president Kevin Feige reveals in Rolling Stone‘s upcoming, extensive oral history of WandaVision, Marvel struck a deal with Benedict Cumberbatch to appear in the final episode of the show as Dr. Strange. But late in the process, they wrote him out.
“Some people might say, ‘Oh, it would’ve been so cool to see Dr. Strange,’” says Feige. “But it would have taken away from Wanda, which is what we didn’t want to do. We didn’t want the end of the show to be commoditized to go to the next movie — here’s the white guy, ‘Let me show you how power works.’” That meant the Dr. Strange movie, too, had to be rewritten. In the end, Feige says, Marvel’s process is “a wonderful combination of very dedicated coordination, and chaos. Chaos magic.”…
After his mother’s untimely death, Rhett inherits a cookie jar which proves to have some very unusual properties…
‘I had sort of a peculiar childhood, because my mother was peculiar. Not outright crazy, but very, very peculiar. Stories were her way of staying sane… A way to cover that hole in reality the way you might cover a well with boards so no one would fall in. But her stories stopped working for her. Because the thing she was afraid of was in the house with her all along.’
From ‘The Bazaar of Bad Dreams’, Stephen King’s story adapted in three parts. Read by Colin Stinton.
On Tuesday, May 4 at 3:01 p.m. EDT, SpaceX launched 60 Starlink satellites from Launch Complex 39A (LC-39A) at Kennedy Space Center in Florida. This was the ninth launch and landing of this Falcon 9 first stage booster, which previously launched Telstar 18 VANTAGE, Iridium-8, and six Starlink missions.
The British military been exploring the possibility of boarding ships at sea with futuristic jet packs that let wearers fly over the water like Iron Man.
The “Jet Suit” was made by Gravity Industries. The company released a video Sunday that showed its operators wearing jet packs and working with the Royal Marines to launch from rigid inflatable boats and land aboard the Royal Navy Batch 2 River-class offshore patrol ship HMS Tamar.
…But one former top Pentagon intelligence official who has lobbied Congress to take more action on such sightings said on Tuesday that the IG’s involvement is a positive step to compel the military to take the issue more seriously.
“You are looking at how is it possible that restricted military airspace is being routinely violated for months and years and nobody is informed in the Defense Department or the Congress and there is a complete system breakdown,” said Christopher Mellon, former deputy assistant secretary of defense for intelligence. “That’s a valid thing for them to investigate.”
Our bodies can often seem possessed. To most people, that possession occurs in a metaphorical sense. Dogma possesses us, as it’s hammered down from society until it sticks, nailed down to our core whether we like it or not. And that dogma can deviate from what we want deep down, like how family values dictate who we can and can’t love. Black Water Sister explores that possession, and with clever skill, it combines it with literal possession. A family spirit inhabits the protagonist, while they’re dealing with family interference from all sides. It’s a compelling story that’s quality is heightened by witty dialogue, a pacey second half, and vibrant characters….
As Canada’s statistical portrait, the census is a reflection of who we are and what makes us Canadian. Listen to our Spotify and YouTube playlists while you complete your 2021 Census questionnaire to experience the different facets of Canadian culture through the sounds of our celebrated musical talent. If these songs aren’t already among your favourite tracks, we hope that you have the opportunity to discover something new as you fill out your questionnaire online in May.
Get comfortable, press play, and let’s experience Canada’s musical talent together.
R2-D2 and C-3PO from “Star Wars” in a 1980 anti-smoking public service announcement. Aired in 1984 on Milwaukee’s WVTV.
[Thanks to Michael Toman, Andrew Porter, John King Tarpinian, John Hertz, Mike Kennedy, SF Concatenation’s Jonathan Cowie, James Davis Nicoll, JJ, Cat Eldridge, Martin Morse Wooster, and Rose Embolism for some of these stories. Title credit goes to File 770 contributing editor of the day Peer.]
…The prevalence of human-to-humanlike alien combat in sci-fi has even been lampooned in Star Trek: Lower Decks, where First Officer Jack Ransom needs only his barrel roll and double-handed swinging-fist to throw down–good-natured pokes at the limited repertoire Captain Kirk demonstrates when fighting an anthropomorphic Gorn (TOS, “Arena”) Yet people in the speculative fiction galaxy aren’t cookie-cutter humanoid, and their fighting styles shouldn’t be either.
Enter: Spec-Fic-Fu—the art of using martial philosophy to create enhanced sci-fi battles.
First, consider an attacker’s primary targets. What must be protected? What should be attacked? Do your alien characters have the equivalent of Kung Fu paralysis points? Is your robot’s CPU located in its abdomen, making that a primary area to attack?…
(2) WHY AREN’T THERE MORE NOVELLAS? Lincoln Michel’s previous three posts in this series are quite interesting. The latest one is, too, but has definite flaws and oversights. “Novels and Novellas and Tomes, Oh My!” at Counter Craft. (You probably know Connie Willis wrote the 2011 award winner named in the excerpt.)
…So why are most novels published in a relatively narrow range of 60k to 120k words?
Or to put it another way: why doesn’t anyone publish novellas in America? Novellas as a form thrive in many parts of the world. They’re very popular in Latin America and Korea, and hardly uncommon in Europe. Yet it’s almost impossible to find a book labeled “a novella” in America outside of small press translations or classics imprints….
…Three quick notes on this chart. In 2012, the Pulitzer board refused to pick a winner from the finalists (justice for Train Dreams!). In 2019, the Booker co-awarded Bernardine Evaristo and Margaret Atwood so I averaged their page lengths. The 2011 Nebula and Hugo winner was Blackout / All Clear by Jo Walton, a single novel published as two books of 491 and 656 pages individually. Since the two were awarded as one book, I’ve combined the page count.
To be honest, I expected the page counts to be a bit more bloated than they are. Although the average (mean) for each award was in the tome territory of low 400s for the lit awards and high 400s for the SFF awards, excepting the NBA which came in at a longish-but-not-a-tome average of 321 pages.
The chart does add a data point to the anecdotal evidence that SFF books tend to be longer than literary fiction ones. Although the average (mean) lengths weren’t that different, there is far more variation of length in the lit awards including many shorter books below 300 pages. Between the Hugo and Nebula, only one book—Jeff VanderMeer’s Annihilation—is under 300 pages versus seven from the three lit world prizes. The median lit award novel was 336 pages vs. 432 pages for the SFF awards….
(3) HURLEY COLLECTION COMING NEXT YEAR. Apex Publications announced the acquisition of Future Artifacts: Stories by Kameron Hurley, the award-winning author and trained historian specializing in the future of war and resistance movements. Her books include The Light Brigade, The Stars are Legion, and The God’s War Trilogy, among others.
Future Artifacts is Kameron Hurley’s second short fiction collection and is comprised of 18 stories, many of which were previously only available through her Patreon. These stories include:
“Sky Boys” “Overdark” “The Judgement of Gods and Monsters” “The One We Feed” “Broker of Souls” “Corpse Soldier” “Leviathan” “Unblooded” “The Skulls of Our Fathers” “Body Politic” “We Burn” “Antibodies” “The Traitor Lords” “Wonder Maul Doll” “Our Prisoners, the Stars” “The Body Remembers” “Moontide” “Citizens of Elsewhen”
Future Artifacts: Stories is slated to be released in the first quarter of 2022.
We’re pleased to announce that Alice Bucknell will participate in BALTIC’s Writer/curator Residency in Alnmouth, Northumberland in collaboration with Shoreside Huts.
Alice Bucknell’s interdisciplinary practice spans writing, video, and 3D design to develop ecological world-building strategies. Drawing on the work of feminist science fiction authors including Octavia E. Butler and Ursula K. Le Guin, she is interested in the potential of emerging technologies including artificial intelligence and game engines in building alternative more-than-human futures.
Bucknell is currently a staff writer at Elephant Magazine and the Harvard Design Magazine, and her writing is published in titles including Flash Art, frieze, Mousse, PIN-UP, and The Architectural Review. During the BALTIC Writer/curator Residency, she will be laying the groundwork for ‘New Mystics’, a hybrid curatorial-editorial project that draws together the expanded practices of twelve artists fusing properties of mysticism and magic with advanced technology. The project will continue to be developed at Rupert in Lithuania in May and launched in summer 2021.
…I have an ongoing interest in Twayne Triplets*, even though only two were ever published, so I grabbed my used copy of Witches Three eagerly many years ago. But while I’ve leafed through it before, I haven’t read it, partly because I already had copies of the other stories….
(6) Q&A ABOUT EARLY STAR TREK FANDOM. Fanac.org’s Edie Stern outlines what was discussed in April 17’s interview with two founders of Star Trek fandom. See the hour-plus video on their YouTube channel.
In this Fan History Zoom (April 2021), fan historian Joe Siclari interviews Ruth Berman and Devra Langsam about early Star Trek fandom. Ruth and Devra speak candidly about their introductions to fandom, the origins of their seminal fanzines T-Negative, Spockanalia and Inside Star Trek, and how the first Star Trek convention came to be. Hear the first hand stories of the reactions of science fiction fandom to Star Trek, before, during and after the run of the original series. How did fan fiction become so prominent in Trek fandom? Where did slash fiction come from? How did clips from the show make their way into the community? With contributions by Linda Deneroff, and others, along with an excellent Q&A session, this recording provides an entertaining and informative look at the beginnings of the first real media fandom, and how it grew.
A script for “Star Wars: Episode V — The Empire Strikes Back” reveals how a pivotal plot twist in the movie franchise was considered to be such a secret that it was not reflected in the lines provided to actors.
The script, which belonged to Darth Vader actor David Prowse, will be auctioned next month by East Bristol Auctions in the UK. The actor died in November aged 85.
Prowse wore the black suit and helmet to play Vader in the original “Star Wars” trilogy.
But it was the actor James Earl Jones who provided the character’s voice — and who delivered one of Vader’s most famous lines to Luke Skywalker, telling the young Jedi: “I am your father.”
However, the script provided to Prowse omits this key revelation and shows different lines in its place.
“Luke, we will be the most powerful in the galaxy. You will have everything you could ever want… do not resist… it is our destiny,” the script given to Prowse reads….
Prowse’s incomplete copy of the “The Empire Strikes Back” script, which is marked “Vader” at the top of each page, is expected to sell for between £2,500-4,000 ($3,490-5,580) at auction alongside other “Star Wars” memorabilia.
It is a sad reflection of the times we live in that mass shootings in the United States tend to follow a specific pattern. In the hours after a shooting, reporters tend to comb through the shooter’s social media presence, usually revealing a lengthy history of anonymous message-board postings and far-right indoctrination. Following the April 15th attack on the FedEx ground facility in Indianapolis, which resulted in the deaths of nine people including the gunman, there was a slight variation on this pattern: The 19-year-old gunman was revealed to be affiliated with the brony subculture.
According to TheWall Street Journal — which cited internal memos circulated by Facebook in the wake of the attack — the gunman primarily used his Facebook accounts to discuss his love for My Little Pony: Friendship Is Magic, a children’s cartoon series featuring magical ponies; male fans of the show are often referred to as “bronies.”
Though the memo was quick to state that there was no indication that brony culture played a role in the attack, the gunman posted about his love of a tawny pony named Applejack, one of the main characters of the franchise, less than an hour before the rampage. “I hope that I can be with Applejack in the afterlife, my life has no meaning without her,” he wrote. “If there’s no afterlife and she isn’t real then my life never mattered anyway.” The gunman also reportedly had a history of posting far-right content, such as a meme suggesting Jesus had been reincarnated as Hitler, the memo stated.
It’s important to note that the brony fandom is highly misunderstood, and it is not inherently racist or white supremacist; the majority of members of the fandom are simply fans of My Little Pony: Friendship Is Magic. Members of the community have also rallied to raise money for the victims with various GoFundMe campaigns circulating on social media. Yet the shooter’s social-media presence has drawn renewed attention to a disturbing trend within the community, which has been infiltrated by far-right forces since its beginning….
Firefighters in Cape Town battled a wildfire on Monday that had engulfed the slopes of the city’s famed Table Mountain and destroyed parts of the University of Cape Town’s library, a devastating blow to the world’s archives of Southern African history.
… the fallout from this fire was also felt across the region after towers of orange and red flames devoured Cape Town University’s special collections library — home to one of the most expansive collections of first-edition books, films, photographs and other primary sources documenting Southern African history.
“We are of course devastated about the loss of our special collection in the library, it’s things that we cannot replace. It pains us, it pains us to see what it looks like now in ashes,” Mamokgethi Phakeng, vice chancellor of the University of Cape Town, said on Monday. “The resources that we had there, the collections that we had in the library were not just for us but for the continent.”
She added: “It’s a huge loss.”
By Sunday evening, a special-collections reading room at the university’s library had been gutted by the blaze, according to university officials. The reading room housed parts of the university’s African Studies Collection, which includes works on Africa and South Africa printed before 1925, hard-to-find volumes in European and African languages and other rare books, according to Niklas Zimmer, a library manager at the university.
A curator of the school’s archive, Pippa Skotnes, said on Monday that the university’s African film collection, comprising about 3,500 archival films, had been lost to the fire. The archive was one of the largest collections in the world of films made in Africa or featuring Africa-related content.
The library will conduct a full assessment of what has been lost once the building has been declared safe, university officials said.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born April 20, 1848 – Kurd Laßwitz, Ph.D. First major SF writer in German. One novel, seven shorter stories available in English; poetry; a dozen nonfiction books; four dozen essays; four hundred twenty works all told. Eponym – swell word, that – of the Kurd Laßwitz Award. (Died 1910) [JH]
Born April 20, 1914 – Karel Thole. (“tow-leh”) Best known as cover artist for Urania 233-1330; seven hundred sixty more covers, five dozen interiors. Here is Urania 247 (L’altra faccia di Mister Kiel “The other face of Mister Kiel” is J. Hunter Holly’s Encounter). Here is Do Androids Dream of Electric Sheep? Here is The End of Eternity. Here is The Long ARM of Gil Hamilton (tr. as “The third hand”). Here is White Queen. (Died 2000) [JH]
Born April 20, 1917 – Terry Maloney. Twoscore covers. Here is Sinister Barrier. Here is The Last Space Ship. Here is New Worlds 50. Here is the Apr 57 Science Fantasy. Here is New Worlds 62. (Died 2008) [JH]
Born April 20, 1926 – June Moffatt. First fannish career with husband Eph (“eef”) Konigsberg, then flourishing with 2nd husband Len Moffatt: TAFF (Trans-Atlantic Fan Fund) delegates, Fan Guests of Honor at Loscon 8, Evans-Freehafer Award (service to LASFS, Los Angeles Science Fantasy Soc.), co-editors with me of Button-Tack; First Fandom Hall of Fame; next door in detective-fiction fandom, co-founders of Bouchercon, named for Anthony Boucher who excelled there and in SF. Our Gracious Host’s appreciation of JM here; mine here and here. (Died 2018) [JH]
Born April 20, 1935 – Mary Hoffman, age 86. A score of novels, two dozen shorter stories, a dozen collections for us; seven dozen books all told. Outside our field Amazing Grace was a NY Times Best-Seller (1.5 million copies sold); its 2015 ed’n has an afterword by LeVar Burton. Here is Quantum Squeak. Here is Women of Camelot.Website. [JH]
Born April 20, 1937 — George Takei, 84. Hikaru Sulu on the original Trek. And yes, I know that Vonda McIntyre wouldn’t coin the first name until a decade later in her Entropy Effect novel. Post-Trek, he would write Mirror Friend, Mirror Foe with Robert Asprin. By the way, his first genre roles were actually dubbing the English voices of Professor Kashiwagi of Rodan! The Flying Monster and the same of the Commander of Landing Craft of Godzilla Raids Again. He also was Kaito Nakamura on Heroes. And later he got to play his character once again on one of those video fanfics, Star Trek New Voyages: Phase II. (CE)
Born April 20, 1939 — Peter S. Beagle, 82. I’ve known him for about fifteen years now, met him but once in that time. He’s quite charming. (I had dinner with him here once several years back. His former agent is not so charming.) My favorite works? A Fine and Private Place, The Folk of The Air, Tamsin, Summerlong and In Calabria. He won the Novelette Hugo at L.A. Con IV for “Two Hearts”. And he has the World Fantasy Award for Lifetime Achievement. (CE)
Born April 20, 1943 — Ian Watson, 78. He’s won the BSFA Award twice, first for his novel, The Jonah Kit, and recently for his short story, “The Beloved Time of Their Lives“. He also got a BSFA nomination for his charmingly-titled “The World Science Fiction Convention of 2080”. (CE)
Born April 20, 1949 — John Ostrander, 72. Writer of comic books, including Grimjack, Suicide Squad and Star Wars: Legacy. Well those are the titles he most frequently gets noted for but I’ll add in TheSpectre, Martian Manhunter and the late Eighties Manhunter as well. His run on the Suicide Squad isavailable on the DC Universe app as is his amazing work on The Spectre. (CE)
Born April 20, 1951 — Louise Jameson, 70. Leela of the Sevateem, companion to the Fourth Doctor. Appeared in nine stories of which my favorite was “The Talons of Weng Chiang” which I reviewed here. She segued from Dr. Who to The Omega Factor where she was the regular cast as Dr. Anne Reynolds. These appear to her only meaningful genre roles. And she like so many Who performers has reprised her role for Big Finish productions. (CE)
Born April 20, 1959 — Carole E. Barrowman, 62. Sister of John Barrowman. John and Carole co-wrote a Torchwood comic strip, featuring Jack Harkness, entitled Captain Jack and the Selkie. They’ve also written the Torchwood: Exodus Code audiobook. In addition, they’ve written Hollow Earth, a horror novel. She contributed an essay about her brother to the Chicks Dig Time Lords anthology which is lot of fun to read. (CE)
Born April 20, 1971 – Ruth Long, age 50. Author and librarian. Half a dozen novels, three shorter stories, some under another name. Spirit of Dedication Award from Eurocon 37. [JH]
… After all, to make animated TV, actors needed equipment that would normally be at the studio. So kits containing boom microphones, advanced screens and other digital implements were sent to dozens of them around the world, complete with a snake’s den of colorful wires they had to untangle.
“It was a suitcase full of tech with Ikea-level instructions,” Farrell said.
“Actors aren’t usually the head of IT,” said Danny Feldheim, senior vice president of original content for ViacomCBS’s Paramount Plus, who oversees the show.
Hollywood stars decoding Fig B and Input C was only the start of the trouble. Producers and the animation company they hired, Flight School Studio from Dallas, needed to turn around eight half-hour episodes of animation in 11 months to make the Paramount Plus launch. (It can often take 18 months to do that.) The budget also couldn’t grow even though animation can be expensive….
… Captain Janeway’s leadership style is different from other captains in the Star Trek universe. She is more measured than Captain Kirk and less aloof than Captain Picard. She is an immensely successful leader, succeeding in bringing Voyager home and solving problems never seen before. How she did it offers four main lessons about creative leadership.
Emotionally intelligent leaders are skilled in four ways related to dealing with one’s own and others’ emotions. First, they are skilled at accurately reading emotions, such as realizing when someone is frustrated or disappointed. They are not only aware of emotions but acknowledge them explicitly. Second, emotionally intelligent leaders help their staff channel feelings, even difficult ones, toward achieving important goals. They inspire enthusiasm and lead by hearing and considering both optimistic and pessimistic voices (or, concerns and hopes behind them). Third, emotionally intelligent leaders understand how their decisions or other events affect staff. And finally, they successfully manage their own emotions, as well as help staff when they are discouraged….
The production team at 455 Films will be discussing and showcasing the process behind the scenes in creating their recent documentary film “What We Left Behind” about the legacy of the Star Trek Deep Space Nine television series. Come learn how they created this documentary, from start to finish. They will be discussing how they came up with the idea, crowdsourced the financing, obtained legal approvals and contact with the actors and producers for filming, developed the film’s story and content throughout the whole process, and used G-Technology storage solutions during the filming and editing phases. There will also be a sneak peak of the current documentary they are working on for the Star Trek Voyager series. And there will be a raffle at the end of the event for a G-Technology hard drive.
(14) WORF NEWS. [Item by rcade.] Michael Dorn set all the planets of the federation ablaze with a tweet Monday afternoon.
While Dorn’s tweet about being summoned back into action by Starfleet could be seen as a hint related to his Captain Worf show, or possibly one of the three live-action or two animated Star Trek series currently in development, it appears that isn’t the case. TrekMovie has confirmed with sources that whatever this is, it isn’t related to a Paramount+ Star Trek project.
It probably doesn’t involve a movie either. Go back to your lives, citizens.
… The best time to glimpse the Lyrids is in the wee morning hours on Thursday, April 22, before the sun rises.
Waiting until the waxing moon sets – about 4 a.m. on the US East Coast – will make it easier to spot the meteors and their dust trains. Otherwise, the bright glow from the almost-full moon (it’ll be 68% full on Thursday) may obscure the meteor streaks.
Head to an area well away from a city or street lights, and bring a sleeping bag or blanket. No need to pack a telescope or binoculars, since meteor showers are best seen with the naked eye….
(17) VIDEO OF THE DAY. You can speak to a digital Albert Einstein thanks to UneeQ’s “digital human platform.”
On the 100th year anniversary of Albert Einstein winning the Nobel Prize for Physics, one of the smartest minds and most recognisable personalities in modern history is stepping back into the fray. Digital Einstein is a realistic recreation of his namesake, embodying the great man’s personality and knowledge – multiplied by the power of conversational AI and powered by UneeQ’s digital human platform.
(18) VIDEO OF THE NIGHT. In “Honest Game Trailers: Balan Wonderworld” on YouTube, Fandom Games says that Balan Wonderworld is so weird that it has “the deeply cursed vibes of a failed Kickstarter” and “might drive you insane H.P. Lovecraft-style if you play it too long.”
[Thanks to Meredith, John Hertz, Mike Kennedy, Lorien Gray, Steven H Silver, Andrew Porter, Martin Morse Wooster, Michael Toman, JJ, rcade, John King Tarpinian, Jason Sizemore, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Joe H.]
(1) A TAIL OF SPACE. A new Star Trek: Discovery trailer. Complete with a certain feline.
(2) PARIS CALLING. Halfway through the Constelación Magazine Kickstarter, they are announcing their second special event – “Translation Station” with Aliette de Bodard and Cristina Jurado. Takes place October 23 at 7 p.m. Paris time (10 a.m. Pacific / 1 p.m. Eastern) Register here.
Our very own Cristina Jurado is hosting a chat with multi-award-winning author Aliette de Bodard. They’ll have a fascinating conversation about translations and languages, and whever else happens to come up.
To date the Kickstarter has raised $10,048 of their $18,000 goal.
Barnes & Noble CEO Darren Guccione warned customers to be “on high alert” following an October 10 data breach. The company notified customers via email.
While we do not know if any personal information was exposed as a result of the attack, we do retain in the impacted systems your billing and shipping addresses, your email address and your telephone number if you have supplied these… It is possible that your email address was exposed and, as a result, you may receive unsolicited emails… We currently have no evidence of the exposure of any of this data, but we cannot at this stage rule out the possibility….
… To develop our list, we began in 2019 by recruiting a panel of leading fantasy authors—Tomi Adeyemi, Cassandra Clare, Diana Gabaldon, Neil Gaiman, Marlon James, N.K. Jemisin, George R.R. Martin and Sabaa Tahir—to join TIME staff in nominating the top books of the genre (panelists did not nominate their own works). The group then rated 250 nominees on a scale, and using their responses, TIME created a ranking. Finally, TIME editors considered each finalist based on key factors, including originality, ambition, artistry, critical and popular reception, and influence on the fantasy genre and literature more broadly.
… Chew on that for a bit. This list doesn’t include Jonathan Strange & Mr Norrell. It doesn’t include Little, Big. I could make a case that those are the two BEST fantasies of the past half-century. But they don’t make this list?…
He also noted that a third of the listed books came out in the past 6 years. Is this a Golden Age of fantasy, or is that another problem?
… These are fraught times—but there have always been fraught times for someone in the world, somewhere. And there have always been those whose mastery of the art of storytelling has helped us understand how powerfully stories shape the world. C.S. Lewis sought to comfort children with faith. Philip Pullman disturbed them with warnings of encroaching fascism. There is a preponderance of stories aimed at children on this list, possibly because we’re still openly hungry for stories in the years of our childhood, and thus the stories we absorb then have a lasting effect. Our hunger for stories doesn’t really change when we grow up, however; the need is still there, acknowledged or not—especially if the stories we’ve been given up to that point don’t accurately encapsulate reality. Thus it’s fitting that some of the most powerful storytellers on this list, such as Victor LaValle, engage with adult concerns like parenthood instead of myth.
Is it comforting to see how many of the stories on this list wrestle with the need to reform institutions and change the leadership of society? It could be. Yet the newer storytellers on the list, many of whom hail from colonized cultures and thus have vastly different background stories from those of “classic” fantasy authors, also warn us of the realities of societal strife. The good guys don’t always win, the bad guys don’t always lose, and either way, the ones who suffer most will be the people who were already struggling to get by….
(5) FORGOTTEN DOCTORS. Artist Paul Hanley posted his conceptions for the Doctor Who TARDIS console rooms of “forgotten doctors” or those seen briefly in the Fourth Doctor serial “The Brain of Morbius”. Thread starts here. The first two:
When Mary Laws set out to create “Monsterland,” her new socially conscious horror anthology series on Hulu, she drew inspiration from the concise, unnerving fables of the British playwright Caryl Churchill.
“She knows how to tell a scary story,” said Laws, who has a playwriting background. “She refuses to give the audience a break.”
But Laws also looked within.
“As a woman, part of why I’m interested in horror is that I’ve been put in horrific situations and have experienced something like real terror,” she said. “My womanness has led me into those action-packed two minutes of tense terror that you feel when you’re facing some kind of dreaded situation. That’s the way that I think horror has to work.”
Accelerated terror in a fleeting time frame: that’s the revved-up engine that drives “Monsterland” and other new horror anthologies out this spooky season. Hulu’s “Books of Blood” assembles three tales inspired by Clive Barker’s short stories. “The Mortuary Collection,” on Shudder, is a compilation of darkly antic narratives. Quibi’s blood-and-guts series “50 States of Fright” recently released several new episodes, each set in a different state.
Sam Raimi, an executive producer of “50 States of Fright,” said the best short-form horror is “designed like a great campfire tale.”
“It’s something you can really get goose bumps from in a brief amount of time,” said Raimi, known to horror fans as the director of the “Evil Dead” movies. “I like the precision that it takes for a filmmaker to hold the audience in its grip.”
(7) IMAGINARY PAPERS. ASU’s Center for Science and the Imagination has published the 4th issue of Imaginary Papers, their quarterly newsletter on science fiction worldbuilding, futures thinking, and imagination. The new issue features writing from SF critic Alvaro Zinos-Amaro and Katherine Buse, a scholar of digital media and the environmental humanities.
Buse’s Forgotten Futures segment discusses —
I like to say that my favorite video game is SimEarth(1990). But this is a joke: as far as I know, SimEarth has never been anyone’s favorite. Attempting to embody the paradox of “fun climate model,” it’s borderline unplayable: it’s baffling, slow, and lacking in what McKenzie Wark calls “satisfying win conditions.” It was created by Will Wright in consultation with James Lovelock as a software implementation of the Gaia Hypothesis, a theory of life at the planetary scale which Lovelock began to develop while working at NASA on astrobiology….
The panel discussion includes Neukom Award winners for Speculative Fiction (Debut) Cadwell Turnbull, author of The Lesson, Speculative Fiction (Open Category) Ted Chiang, whose stories are collected in Exhalation, and award judge Sam J. Miller.
1990 — Thirty years ago at ConFiction, the Hugo for Best Dramatic Presentation, Long Form, would go to Indiana Jones and the Last Crusade. Released the previous year by Lucasfilm, it was, of course, directed by Steven Spielberg from a screenplay by Jeffrey Boam which in turn was based off the story by George Lucas and Menno Meyjes. Need we note that George Lucas created the characters? Runners-up were The Adventures of Baron Munchausen, Batman, Field of Dreams and The Abyss. It holds a rather spectacular ninety-four percent rating among audience reviewers at Rotten Tomatoes.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born October 16, 1924 — David Armstrong. He never had a major role but he was in myriad gene shows. In The Man from U.N.C.L.E. alone he appeared in twenty-two episodes in twenty-two different minor roles, he was a henchman twice on Batman and had two uncredited appearances on Trek as well. He showed up on Mission Impossible, Get Smart!, The Girl from U.N.C.L.E. and even The Invaders. (Died 2016.) (CE)
Born October 16, 1925 — Dame Angela Brigid Lansbury, 95. She first shows up in a genre work as Sibyl Vane in The Picture of Dorian Gray. A few years later, she’s Queen Anne of France in The Three Musketeers. Somewhat later, she’s Miss Eglantine Price in Bedknobs and Broomsticks. She voices Mommy Fortuna in The Last Unicorn, and is Granny in A Company of Wolves which won the BSFA Award for Best Film and is based off Angela Carter’s A Company of Wolves. And yes, she’s in Mary Poppins Returns as The Balloon Lady. (CE)
Born October 16, 1947 — Guy Siner, 73. Apparently he’s one of only ten actors to appear in both the Trek and Who franchises. He appeared in the “Genesis of the Daleks”, a Fourth Doctor story, and on Enterprise in the “Silent Enemy” episode. Interestingly he shows up on Babylon 5 as well in “Rumors, Bargains and Lies”. And that might place him in very select acting company indeed. (CE)
Born October 16, 1958 — Tim Robbins, 62. I think his finest role was as Nuke LaLoosh in Bull Durham, but his first genre role was Phil Blumburtt in Howard the Duck. He played Erik in Erik the Viking, and is in The Shawshank Redemption as Andy Dufresne. He’s Woodrow “Woody” Blake in Mission to Mars. He was Harlan Ogilvy in the truly awful War of the Worlds followed by being Senator Robert Hammond in the even worse Green Lantern. (CE)
Born October 16, 1965 — Joseph Mallozzi, 55. He is most noted for his work on the Stargate series. He joined the Stargate production team at the start of Stargate SG-1’s fourth season in 2000. He was a writer and executive producer for all three Stargate series. He also co-created the Dark Matter comic book series with Paul Mullie that became a Syfy series. (CE)
Born October 16, 1973 — Eva Röse, 47. Most likely best known for her role as the android Niska in Season 1 of the Swedish Real Humans upon which AMC’s Humans was based. She also was one of the voice cast for the animated Creepschool series, and was Jasmie on The Befallen, a supernatural series that lasted one season there. (CE)
Born October 16, 1827 – Arnold Böcklin.Symbolist painter. Here is Self Portrait with Death Playing the Fiddle. Here is Silence of the Forest. Here is St. Anthony Preaching to the Fish. Here is Faun Whistling to a Blackbird. Most famous for five versions of The Isle of the Dead – here is one – which inspired Mahler, Rachmaninoff, and Zelazny: this Dean Ellis cover is an homage. (Died 1901) [JH]
Born October 16, 1891 – Frances Comstock. Illustrator, painter, sculptor. Here is her cover for Dewey’s Star People. Here is her frontispiece and an interior for Fairy Frolics. Here is her cover for La Mothe – Fouqué’s Undine and here is an interior. Here is an illustration for Crothers’ Ignominy of Being Grown-Up. (Died 1922) [JH]
Born October 16, 1926 – Ed Valigursky. Two hundred covers, six dozen interiors. Here is the Nov 51 Fantastic. Here is The Stars Are Ours!, hello Publius – note the really wonderful foreground faces. Here is The Pawns of Null-A. Here is City. Here is The Currents of Space. Here is an interior illustrating “The Black Tide”. (Died 2009) [JH]
Born October 16, 1947 – Laura Brodian Kelly-Freas Beraha, D.M.E., 73. Doctorate in Music Education (I heard her play piano two-hands with Somtow Sucharitkul), then San Francisco Bay area fandom. Moved to L.A., exchanged coats by mistake with Kelly Freas at a party, married him, won a Chesley with him, survived him, married a local teacher whose name means blessed. No one else outranks me as a Kelly Freas fan. [JH]
Born October 16, 1951 – Patrice Kindl, 69. Mythopoeic Fantasy Award, Children’s Fiction, for Owl in Love. Six more novels. She and husband (son works in Manhattan) have 1 dog, 1 parrot, 1 cat; have raised monkeys, have housed hawks. “All my characters are made up…. This isn’t an easy profession…. Read a lot and write a lot.” Do I have to wait until I’m grown up? “No. You should be reading and writing now.” Does spelling matter? “Yes. Yes, yes, yes!” Grammar isn’t important, is it? “YES! YES! YES!” Hmmmm. This sounds like work. “Yes.” [JH]
Born October 16, 1973 – Christian Cantrell, 47. Three novels, half a dozen shorter stories, despite or because of being Director of Design Prototyping at Adobe. Hulu, TriStar, Fox 21, Random House projects in the works. “You can,” he says, “plant paphiopedilums [Venus’ slippers] in lava rock”, and he shows us. [JH]
(11) END OF THE LINE. If you have the stomach for it, you can learn a lot about “The Last Days of Stan Lee” on the AARP site. Tagline: “A heartbreaking tragedy about the (alleged) abuse of the Marvel Comics creator by those who swear they loved him.”
…As we approach the second anniversary of Lee’s death, a half-dozen civil suits are pending and a criminal elder-abuse prosecution by the Los Angeles County District Attorney’s office remains mired in pretrial maneuverings. The courts have yet to shed light on many of the details and the veracity of the elder-abuse charges against several people. Elder-abuse cases are difficult to bring to trial, tough to litigate and hard to win. Was Stan Lee, like 1 in 10 Americans over age 60, a true victim of elder abuse, which can include physical violence, emotional torment, financial exploitation and willful deprivation? Plenty of evidence and testimony suggests that may be true.
But uncomfortable questions will arise along the way: Is it possible that our real-life hero, like many others in his situation, was complicit in his own abuse? And who will be the villain in this story? There will be plenty of suspects to choose from, but in the end, you will be shocked but not surprised.
(12) CAMEO COLLECTION. Last night’s Jeopardy hearkened back to Stan’s brighter days – unknown to the contestants, evidently. Andrew Porter took notes:
Final Jeopardy: Movie Appearances
Not an actor, this man who died in 2018 appeared briefly in some 40 mainly action films with a combined $30 billion worldwide gross,
Wrong question: Who is ?
Correct question: Who is Stan Lee?
(13) THE TWENTIES ARE NOT ROARING. [Item by Cora Buhlert.] Here are a few news stories about the pandemic woes of the British and global cinema industry, mostly from the Guardian:
Months after the initial Covid-19 restrictions closed all cinemas, Australian moviegoers are beginning to return for socially distanced screenings across most of the country.
But with most major international releases delayed, the large chains that rely on blockbusters face an uncertain future. And for independent operators, more accustomed to showing reruns of classics and local titles, the outlook is not much clearer….
…But the immediate future for Bollywood in the UK now looks particularly bleak, given that Cineworld venues host more than half of all Bollywood screenings in the UK, presenting between 40 and 50 different films a year. The prospect of reduced takings in the UK is being felt in Mumbai, where the industry relies on the territory for a sizeable chunk of its overseas revenue.
…“But for me the really big success is the BFI restoration of La Haine,” said Wood. “We’ve played it now for four weeks and it’s sold out every single performance.” Bong Joon-ho’s Memories of Murder has also been hugely popular.
“Many of the successes have been foreign language, a number are directed by women, some directed by people of colour,” Wood said.
…Do you need the same number of cinemas if they’re only showing blockbusters? For some time, many of them have been artificially sustained anyway, the real estate empty for much of the day. There’s also the problem that this is a sector that’s historically been very conservative and reluctant to innovate. I remember when there was a great controversy about the introduction of cup-holders.
…I love the cinema – it truly brings me joy. “Escapism” sells the experience short; I feel alive and engaged when lost in a narrative that is not my own. I used to see about three films a week, but I think I’ve seen about three films since March because watching them at home just doesn’t come close and I haven’t been back since the cinemas reopened as it doesn’t feel like the responsible thing to do. Covid is meant to spread best in an enclosed environment and I’d feel proper shit if I caught it and ended up giving it to my parents and they then died because I just had to see Tenet.
…One of my routes on my morning runs each week takes me past a small independent high-end movie theater, privately owned. It has a full restaurant, a beautiful bar, a space that can be rented for civic events, and six small theaters with extremely comfortable chairs.
In the Before times, as one reporter likes to call everything pre-Covid, the theater had a wait-staff that would take your orders while you sank into those seats to watch your favorite blockbuster. Every Democratic Presidential candidate held an event in that theater in the run-up to February’s caucus. Not a week went by when I didn’t see or get an invitation to a special event held there.
In March, when quarantine set in, the theater’s owners put up huge sheets of plywood over the display windows on all three stories of the building and made the lovely balcony inaccessible should someone get the bright idea to climb up there.
No one has painted the plywood, unlike so many other plywood coverings in the Arts District here. So the high-end theater now looks like an abandoned building. A group of homeless men slept against the plywood until someone moved them out. Occasionally, one of the totally stoned people from the high-end marijuana dispensary across the street will sit on a bench near the plywood, swaying to music only they can hear….
(14) BUTLER DID IT. Having seen the trailer, JJ calls Greenland “like a bad mashup of Deep Impact, Armagedddon, and 2012: We Were Warned.”
A family fights for survival as a planet-killing comet races to Earth. John Garrity (Gerard Butler), his estranged wife Allison (Morena Baccarin), and young son Nathan make a perilous journey to their only hope for sanctuary. Amid terrifying news accounts of cities around the world being leveled by the comet’s fragments, the Garrity’s experience the best and worst in humanity while they battle the increasing panic and lawlessness surrounding them. As the countdown to global apocalypse approaches zero, their incredible trek culminates in a desperate and last-minute flight to a possible safe haven.
Prehistoric footprints of a woman carrying a toddler while dodging sabre-toothed cats and giant sloths are the longest set of fossilised human prints ever found, scientists have said.
The prints, which stretch for almost a mile and were discovered in the White Sands National Park in New Mexico, USA, date back 13,000 years.
…Locally known as “ghost tracks” because they can only be seen under certain weather conditions, the adult tracks were first discovered in 2017, followed by the child’s.
The prints tell the remarkable story of a woman and a small child as they made their way across the mudflats with large predators crossing their path.
An analysis found the woman was moving at a rapid pace, intermittently carrying and putting down the child.
On the outward journey, her prints show that she was slipping, suggesting conditions were wet and treacherous. But on her return, following the same path almost exactly, she was alone and no slipping marks were detected.
During the trips, other tracks show a giant sloth, mammoths and sabre-tooth cats crossed their path, and the sloth was startled by their scent.
“As the animal approached the trackway, it appears to have reared up on its hind legs to catch the scent, pausing by turning and trampling the human tracks before dropping to all fours and making off,” Prof Bennett said….
(16) HOT ON THE TRAILER. Amazon Prime introduces Invincible. The series will be online in 2021.
INVINCIBLE is an adult animated superhero series that revolves around 17-year-old Mark Grayson (Steven Yeun), who’s just like every other guy his age — except his father is the most powerful superhero on the planet, Omni-Man (J.K. Simmons). But as Mark develops powers of his own, he discovers his father’s legacy may not be as heroic as it seems.
[Thanks to John King Tarpinian, Michael Toman, Cora Buhlert, Martin Morse Wooster, JJ, Cat Eldridge, Mike Kennedy, John Hertz, Joey Eschrich, Ben Bird Person, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel “I Can Improve On The Classics” Dern.]
The Science Fiction Research Association, unable to meet in person this year, has posted the names of the award winners they would have acknowledged at the annual banquet.
SFRA Award for Lifetime Contributions to SF Scholarship
(Originally the Pilgrim Award.) The SFRA Award for Lifetime Contributions to SF Scholarship was created in 1970 by the SFRA to honor lifetime contributions to SF and fantasy scholarship.
Sherryl Vint of the University of California, Riverside.
SFRA Innovative Research Award
The SFRA Innovative Research Award (formerly the Pioneer Award) is given to the writer or writers of the best critical essay-length work of the year.
Susan Ang for her essay “Triangulating the Dyad: Seen (Orciny) Unseen,” from Foundation 48.132.
Raino Isto received an honorable mention for his essay “‘I Will Speak in Their Own Language’: Yugoslav Socialist Monuments and Science Fiction,” from Extrapolation 60.3.
Thomas D. Clareson Award
The Thomas D. Clareson Award for Distinguished Service is presented for outstanding service activities-promotion of SF teaching and study, editing, reviewing, editorial writing, publishing, organizing meetings, mentoring, and leadership in SF/fantasy organizations.
Wu Yan of Beijing Normal University.
Mary Kay Bray Award
The Mary Kay Bray Award is given for the best essay, interview, or extended review to appear in the SFRA Review in a given year.
The Student Paper Award is presented to the outstanding scholarly essay read at the annual conference of the SFRA by a student.
Conrad Scott for his paper “‘Changing Landscapes’: Ecocritical Dystopianism in Contemporary Indigenous SF Literature.”
Erin Cheslow received an honorable mention for her paper “The Chow that Can Be Spoken Is Not the True Chow: Relationality and Estrangement in the Animal Gaze.”
SFRA Book Award
The SFRA Book Award is given to the author of the best first scholarly monograph in SF, in each calendar year. This year’s winner is the inaugural winner of the award
Xiao Liu of McGill University for her Information Fantasies: Precarious Mediation in Postsocialist China (University of Minnesota Press, 2019).
Science Fiction and Technoculture Studies Book Prize
Awarded by the Science Fiction and Technoculture Studies program at the University of California, Riverside, The Science Fiction and Technoculture Studies Book Prize honors an outstanding scholarly monograph that explores the intersections between popular culture, particularly science fiction, and the discourses and cultures of technoscience. The award is designed to recognize groundbreaking and exceptional contributions to the field.
Natania Meeker, Associate Professor of French and Comparative Literature at the University of Southern California, and Antónia Szabari, also Associate Professor of French and Comparative Literature at the University of Southern California, for their Radical Botany: Plants and Speculative Fiction (Fordham UP, 2019).
The judges also decided to recognize, as particularly strong runners-up, Kara Keeling’s Queer Times, Black Futures (New York University Press, 2019) and Xiao Liu’s Information Fantasies: Precarious Mediation in Postsocialist China (University of Minnesota Press, 2019).
The first thing I thought of when I saw the horrific police murder of George Floyd was the Salem witch trials. Most people think the innocent victims of those monstrous trials were burned at the stake, but they weren’t–they were hanged. Mostly. Fourteen women, five men, and two dogs were executed by hanging. And one, an eighty-one-year-old farmer named Giles Corey, was pressed to death by putting a large flat stone on his chest and then piling more stones on top of it till they crushed the life out of him.
Basically the same thing happened to George Floyd. The policeman kneeling on his neck cut off his airway, and the other two holding him down pressed him flat against the ground so that his rib cage couldn’t inflate, and he suffocated to death.
The atrocities in Salem were precipitated by a belief that Evil was loose in their community.
It was, but it didn’t reside in the helpless slaves and old women and religious dissenters (and people who dared to speak out against what was happening) who were “tried” for witchcraft and executed.
The terrible irony of Salem is that the evil they were trying so hard to stamp out resided in the pious Christian town folk who accused them and the self-righteous judges who presided over their mock trials– “spectral evidence” was allowed, and they were pronounced guilty of crimes they had supposedly committed in the town even though they were locked up in jail at the time–and sentenced them to death.
The crimes brought to light by the death of George Floyd haven’t just been the murders of other African-Americans killed by the police, but other crimes the police have committed and are committing: the brutalizing of people exercising their First Amendment rights, the calling out of troops against the citizens they’re supposed to protect, and administration officials directing them to do so, calling for violence against their own people. Crimes by so-called law-abiding citizens and the officials they’ve put in office to “serve and protect” the public….
In what just might be your next obsession from HBO, the weird fiction of H.P. Lovecraft finally does what the famed author never dared to do: Tell stories about Black people.
In August, HBO will premiere the television series Lovecraft Country, a road trip horror fantasy set in Jim Crow era America. It tells the story of an Army veteran and science fiction geek embarking on a cross-country trip to find his missing father, only to encounter otherworldly — and some very familiar — horrors along the way….
On Wednesday, the Associated Press released the 55th edition of its official Stylebook, complete with a new chapter on digital security practices for journalists. It also comes with a slew of new entries on technology that reinforce the importance of online advertising and cybersecurity in everyday life—and journalism.
For most journalists, the advice in the AP guide on how to secure their communications—through strong passwords, multifactor authentication, and the use of virtual private networks and encrypted messaging apps—will probably not come as a surprise. Still, for those tools to have made their way into the Associated Press Stylebook seems like a landmark of some kind for measuring how mainstream digital security concerns have become for journalists.
The new and revised technology-related entries in the Stylebook also reflect some interesting shifts in what the Associated Press believes journalists can expect general audiences to know. In general, many of the recommendations tend to urge journalists in the direction of greater specificity about the technologies they are describing and away from more generic, dated terms. For instance, the Stylebookendorses the terms digital wallets and mobilewallets, but it recommends avoiding e-wallet. In a similar vein, journalists are advised to use the prefix cyber– and the terms cyberspace and cyber sparingly, and instead substitute words like internet or digital….
Lockdown got you climbing the walls? Are you over feeling bored? While it’s certainly an unpleasant feeling, experts say boredom isn’t always a bad thing. Some say that ‘blah’ feeling can even spur you on to greatness.
“There’s a real misconception that boredom is a sign of laziness and associated with apathy — actually, it’s the opposite,” says Professor James Danckert, who studies boredom. “It’s motivating — and, if we listen to it, we can learn a lot.”
Other experts agree that being bored can be a good thing. “Most of the time our minds are constantly occupied by external stimuli like smartphones,” says psychologist Dr Joann Lukins. “But boredom gives us a space to pause, reflect and then, often out of necessity, sees us create our next opportunity. I find it interesting that we use negative phrases like ‘bored to tears’ to discuss boredom when we can be ‘bored to brilliance’.’’
In fact, when researchers at the UK’s University of Central Lancashire asked people to do a boring task for 15 minutes and then asked them to come up with a list of things they could do with a plastic cup, they came up with more creative ideas than those in the control group who weren’t bored….
(5) WRITING FOR TEENS. The Arthur C. Clarke Center for Human Imagination is promoting the SDFutures online writing courses, along with UCSD and other supporters.
Imagining fantastic worlds and the future has never been more important.
It’s how we expand our sense of what is possible. It’s how we change our culture, save our planet, and make stories that create better futures for our loved ones and ourselves. This summer, we’re inviting San Diego–area teens to join us in exploring the power and potential of one of our most powerful human capacities: imagination.
SDFutures is series of online courses to help young people write science fiction and fantasy stories by developing their skills, meeting other young writers, and stretching their imagination with incredible professional writers of speculative fiction as guides.
Our instructors include: Rebecca Roanhorse, Minh Lê, Kali Wallace, Lilliam Rivera, Patrick Coleman, Leah Thomas, Jeanelle Horcasitas, and Olivia Quintanilla.
If you know a community group, teacher, or young person who would benefit from this opportunity, please feel free to share.
(6) COMING ATTRACTIONS. Rich Horton put together a list of recommended books on his TBR pile. Many well-known titles here, but being TBR, he said his own score is zero. I’ve read 7. You have probably read multiples of my score.
Recently I posted a list of 100 books that was full of crap … it claimed to be a BBC list (it wasn’t) and it claimed that the average person had read only 6 (who knows?) and it was shoddily curated (multiple weird duplicates, etc.)
Here is what I believe to be a far better list. There are no duplicates (not even duplicate authors.) It is very English-language-centric — I can’t help that, English is all I can read…
(7) WITCHER WATCHER. [Item by Martin Morse Wooster.] Behind a paywall in the May 30 Financial Times, Nilanjana Roy says she misses browsing bookstores in Delhi but has found some consolation watching TV shows adapted from novels, including The Witcher.
The hugely popular Netflix series, The Witcher, is a dark fantasy based on five novels written by Andrzej Sapkowski in the 1990s, following Geralt of Rivia, a lone monster killer who plies his trade across time jumps in the Continent, a place where monsters, humans, and creatures from Slavic fantasy battle it out with one another. Sapkowski, now 71, lives in Lodz and is as big a star in Polang as Terry Pratchett was in the UK. In one of his interviews, he dismissed critics of the fantasy genre: ‘All literature is fantastic in its own way because it tells what wasn’t on paper before and it doesn’t matter whether you write about hobbits or love.’ Over the years, the community of Witcher fans has grown larger, drawn in by three wildly successful video games based on Geralt’s adventures, but it’s only now that the books have become a hit, propelled by the Netflix show.
What drew me in was not just the lure of a fantasy world peopled by vedmaks (sorcerers) or strigas (a flying witch who sucks the blood of infants at night); it’s that many of the characters are depicted as outsiders and outcasts. It’s refreshing to watch fantasy that has a subtle echo of this last century’s swirl of xenophobia and politics about who belongs and who lives in the periphery, and that seeps into Geralt’s bloody exploits.
(8) TODAY IN HISTORY.
June 6, 1980 — The decidedly low-budget Galaxina premiered. Starring the 1980 Playboy Playmate of the Year Dorothy Stratten as the android Galaxina and a cast too large to detail here, it was written and directed by William Sachs. Marilyn Jacobs Tenser was the producer. She did work for Crown International which did low-budget genre films such as horror cinema, biker films, exploitation films, and B-movie drive-in fare. Critics thought it was a failure at spoofing it’s intended victims of Star Trek, Stars Wars and Aliens. Audience reviewers at Rotten Tomatoes give it a not so generous 24% rating.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born June 6, 1799 – Alexander Pushkin. Sometimes after a surprise you re-examine and think “Oh. Of course.” When Ravi Shankar first visited Russia, people cried “Pushkin! Pushkin!” They loved Pushkin and there is a resemblance. I’d like to call Mozart and Salieri a fantasy but, as my father used to say, not within the normal meaning of that term. Anyway, we get Ruslan and Lyudmila and “The Queen of Spades” and The Bronze Horseman and “The Golden Cockerel” and The Stone Guest and “The Shot”. Speaking of which – (Died 1837) [JH]
Born June 6, 1918 — Richard Crane. In the Fifties, he would be cast in two of the series that largely defined the look and feel of televised SF for a decade. First, he was the dashing lead in Rocky Jones, Space Ranger which lasted for thirty-nine thrilling episodes; second, he’s Dick Preston in nine of the twelve episodes of the wonderfully titled Commando Cody: Sky Marshal of the Universe. He was also the lead in the fifteen-chapter serial Mysterious Island which was a very loose adaption of the Jules Verne novel. (Died 1969.) (CE)
Born June 6, 1921 – Milton Charles. Artist and art director in and out of our field; Art Director for Jaguar (New York), later for Pocket Books; five hundred awards from Amer. Inst. Graphic Arts (AIGA), Society of Illustrators, Amer. Book Publishers, and like that. Here is his cover for Tucker’s Wild Talent; here is Vonnegut’s Mother Night; here is a study of his V.C. Andrews covers. (Died 2002) [JH]
Born June 6, 1924 — Robert Abernathy. Writer during the 1940s and 1950s. He’s remembered mostly for his short stories which were published in many of the pulp magazines that existed during the Golden Age of Science Fiction such as Planet Stories, Galaxy, F&SF, Astounding and Fantastic Universe. He did around forty stories in total, and apparently wrote no novels that I can locate. There’s no collection of his works currently available in digital form but some of his stories are up at the usual digital suspects. (Died 1990.) (CE)
Born June 6, 1942 — Dorothy Heydt, 78. She was the creator and first editor of the Star Trek Concordance, first published in March of 1969. (Yes, I owned a copy.) A linguist, she credited with creating one of the first widely used Vulcan languages in 1967 for a Trek fan fiction series. Though most of her short fiction is set in her own Cynthia, Daughter of Euelpides series, some was set in Bradley’s Darkover series. (CE)
Born June 6, 1945 – Vivian French. Libraries in the United Kingdom say she is borrowed – that’s a metaphor, folks – shall we call it a Thing Contained for the Container? – half a million times a year; the Tiara Club books have sold three million copies. Three dozen novels for us, some shorter stories, not least “I Wish I Were an Alien” in which the extraterrestrial boy, for his part, wishes – [JH]
Born June 6, 1947 – Robert Englund, 73. I think his best performance was as Blackie on the very short-lived Nightmare Cafe. Short-lived as in six episodes. Of course most will remember him playing Freddy Krueger in the Nightmare on Elm Street franchise. He actually appeared in a couple of now forgotten horror films, Dead & Buried and Galaxy of Terror, before landing that role. And he’s continued to do myriad horror films down to the years ranging from CHUD to Strippers vs Werewolves. Versatile man, our Robert. (CE)
Born June 6, 1948 – Ron Salomon. Hey Ron, I saw you had a Supporting Membership in last year’s Worldcon; thanks! If CoNZealand has published a list I haven’t got one yet. [JH]
Born June 6, 1959 – Amanda Pays, 61. I first encountered her as Thero Jones on Max Headroom, a series I think should be considered one of the best SF series ever made. She appeared as Dawn in the Spacejacked film. She also had a guest role as Phoebe Green in the episode “Fire” of The X-Files, and was cast as Christina “Tina” McGee in The Flash of the 1990 series, and she has a recurring role on the present Flash series as the same character.(CE)
Born June 6, 1964 – Jay Lake. Born on Taiwan, lived in Nigeria, Dahomey (as it then was), Canada, and the U.S. Won the Campbell Best New Writer award (as it then was); anyway, he was astounding. Endeavour Award, also appropriate. A dozen novels, two hundred seventy shorter stories, some co-authored. Here is a cover he did for Polyphony – also appropriate. (Died 2014) [JH]
Born June 6, 1973 – Anne Ursu. Teaches at Hamline, first university in Minnesota. She’s given us eight novels, for children, adults, both. The Lost Girl is told from the viewpoint of a crow. In The Cronus Chronicles – three so far – two cousins find they’re in Greek myths; the first cousin we meet is Charlotte Mielswetzki, and if I say so myself it’s about time we did. Breadcrumbs retells The Snow Queen; creatures from Hans Andersen’s tales keep showing up; and Jack, Hazel’s only friend in 5th Grade, may not want to be saved. [JH]
Born June 6, 1973 — Guy Haley, 57. British author of the Richards & Klein Investigations series, a cyberpunk noir series where the partners are an android and an AI. His regular paycheck comes from his Warhammer 40,000 work where he’s written a baker’s dozen novels so far. Not surprisingly, he’s got a novel coming out in the their just announced Warhammer Crime imprint which, though I’ve read no other Warhammer 40.000 fiction, I’m interested in seeing how they do it. (CE)
So to mark his farewell, Mad’s “Usual Gang of Idiots” will salute Jaffee with a tribute issue next week. It will be the magazine’s final regular issue to offer new material, including Jaffee’s final Fold-In, 65 years after he made his Mad debut.“He deserves some spotlight outside our industry,” Mad caricature artist Tom Richmond said of the magazine’s beloved elder statesman, who broke into the business during World War II.
One of the most heartfelt features in the send-off issue will be by Sergio Aragones, a fellow Mad legend who befriended Jaffee in 1962 upon joining the staff. They formed a mutual admiration society — both deeply steeped in the craft of the pantomime cartoon — and were occasional roommates on the Mad staff’s storied annual trips to far-flung vacation spots….
There is so much that this movie does right. Superman’s strength, powers, and heroic optimism are fully realized, while Christopher Reeve gives a performance as strong as his character’s steely muscles. In his civilian life as Clark Kent, he is bumbling and shy, but sweet and a skilled reporter.
The biggest problem working against this movie is the famous scene in which Superman turns back time by flying around the Earth and reversing its rotation. This is not how time works, and it is certainly not how Superman’s powers work. If not for this scene, Christopher Reeve would top this list (at least in his first two films).
…Part of me wants to tell you to read this collection in the order the stories are presented, so that you can move from least dark and scary to most dark and scary: Start with Cooney’s beautifully rendered fantasy “The Twice Drowned Saint”; then go to Jessia P. Wick’s “An Unkindness”, a dark fantasy of a sister trying to save her brother from the fae; from there go to Amanda J. McGee’s “Viridian”, a contemporary gothic horror of isolation and obsession; and from there go to Mike Allen’s absolutely horrifying and terrifying “The Comforter”. If you go that path, you’ll slowly ramp up from “fun, sorta creepy” to “not sure I should be reading this before bed”.
…one day, when the family is on an outing, having left Caseopea at home, as a punishment, she takes special notice of an old trunk in her grandfather’s bedroom. And she opens the trunk.
What’s in the trunk? oh, only the bones and soul of Hun-Kame, Lord of Xibalba, and one of his bone shards gets lodged in Casiopea’s hand. no biggie, right? He can just, remove the shard, and then he can go back to Xibalba to dethrone his brother, and then Casiopea can pretend none of this ever happened, right?
Facebook has begun labeling content produced by media outlets it says are under state control, enacting a policy the social network first announced in October.
Pages and posts from at least 18 outlets including Russia Today, China’s People’s Daily and Iran’s Press TV now carry notices to users that they are “state-controlled media.” Ads from state-controlled publishers will also be labeled starting later this year. The labels will initially be shown to U.S. Facebook users and roll out to other countries over time.
“We’re providing greater transparency into these publishers because they combine the influence of a media organization with the strategic backing of a state, and we believe people should know if the news they read is coming from a publication that may be under the influence of a government,” Nathaniel Gleicher, Facebook’s head of cybersecurity policy, wrote in a blog post.
Facebook will also begin barring state-controlled outlets from buying advertising in the U.S. later this summer. Gleicher said that decision was “out of an abundance of caution to provide an extra layer of protection against various types of foreign influence in the public debate” ahead of the 2020 presidential election. He noted that these outlets “rarely” advertise in the U.S.
CEO Mark Zuckerberg told Facebook employees on Friday that the social network will review how it handles some of the most incendiary posts on its platform, including those by President Trump. His announcement follows a revolt by employees over his decision to do nothing about messages the president posted about violence toward protesters and mail-in voting.
In a memo to staff, Zuckerberg said he wanted “to acknowledge that the decision I made last week has left many of you angry, disappointed and hurt.”
Zuckerberg said Facebook will consider labeling posts that violate its rules, a more nuanced approach than the company’s current policy, which states that posts should either be removed or left alone. It will also review its policies allowing “discussion and threats of state use of force” and its policies on voter suppression.
A light-up face mask that responds to the sound of the wearer’s voice has been developed by a games developer in California.
The BBC’s Chris Fox spoke to designer Tyler Glaiel and had a go at making the mask himself – although he keeping his purely as a novelty.
(18) CONZEALAND CHAIRS Q&A. Norman Cates and Kelly Buehler held a video Q&A session this afternoon. Bottom line: Hugo voting is only being done with paper ballots right now. Site selection voting won’t start until the online advanced memberships fee token payment system is available — perhaps next week.
[Thanks to JJ, Cat Eldridge, Andrew Porter, John Hertz, Chip Hitchcock, John King Tarpinian, Michael Toman, Mike Kennedy, Soon Lee, and Martin Morse Wooster for some of these stories. Title credit goes o File 770 contributing editor of the day John A Arkansawyer.]
(1) READ THESE. BBC’s Culture assembled a list of “The
most overlooked recent novels” – “Eight acclaimed authors reveal their favourite hidden
gems outside the literary canon.” There are several sff writers among the
respondents, and sff books among their recommendations.
Helen DeWitt writes: “In the summer of 1994 I was in despair. It seemed to me that books were predictable and unexciting compared with the astonishing variety and inventiveness of art – why bother with a novel? Mooching glumly around a museum bookshop, I came across a book plastered with raves by the likes of Anthony Burgess. I opened to the first page and read: ‘On my naming day when I come 12 I gone front spear and kilt a wyld boar he parbly ben the las wyld pig on the Bundel Downs…’ It was like nothing I’d ever seen. Russell Hoban’s Riddley Walker is set on a post-apocalyptic post-British landmass thousands of years after a nuclear holocaust. All scientific knowledge has been lost, but its traces linger on in a loss-marked language which repurposes the mangled terms to mythology. The book had come out in 1980 to acclaim; I’d never heard of it. And yet this extraordinary book seemed to me to be the equal of The Waste Land; it was embarrassing to have to recommend it to people, as if one were to go about saying ‘I’ve just discovered this amazing poem by someone called TS Eliot.’”
Hoban was an American who lived in Britain. He wrote across genres: fiction, the fantastic, poetry, children’s literature. Anthony Burgess said of Riddley Walker: “This is what literature was meant to be.” Max Porter (see below) has called it a “stone-cold classic”.
(2) MAGIC INSIDE. Below, Paste
TV Editor Allison Keene and Editor-in-Chief Josh Jackson offer “An
Appreciation of The Magicians”. (A show in its last season, it was
announced very recently.)
Naturally, there are friends and enemies and Big Bads along the way, and plenty of fast-moving plot points, but one of the things that has made the show so unique and worthy is that it addresses mental health issues in thoughtful, compelling ways, and how that colors the experiences of the cast (which includes Stella Maeve, Olivia Taylor Dudley, Hale Appleman, Arjun Gupta, and Summer Bishil). And that—even in a world with magic—magic doesn’t necessarily solve everything.
If you have tens of millions of dollars to spare, you could as soon as next year be one of three passengers setting off aboard a spaceship to the International Space Station for a 10-day stay.
On Thursday, Axiom Space, a company run by a former manager of NASA’s part of the space station, announced that it had signed a contract with SpaceX, Elon Musk’s rocket company, for what might be the first fully private human spaceflight to orbit.
“I think you’ll see a lot more energy in the market as people come to realize it’s real, and it’s happening,” said Michael T. Suffredini, the president and chief executive of Axiom.
The spaceflight, Axiom officials said, could take off as soon as the second half of 2021.
SpaceX developed its Crew Dragon capsule for taking NASA astronauts to and from the space station. But just as the company’s development of its Falcon 9 rocket for taking cargo to the space station led to a vibrant business of launching commercial satellites, SpaceX is also looking to expand Crew Dragon passengers beyond just NASA astronauts.
According to an online conspiracy theory, the American author Dean Koontz predicted the coronavirus outbreak in 1981. His novel The Eyes of Darkness made reference to a killer virus called “Wuhan-400” – eerily predicting the Chinese city where Covid-19 would emerge. But the similarities end there: Wuhan-400 is described as having a “kill?rate” of 100%, developed in labs outside the city as the “perfect” biological weapon. An account with more similarities, also credited by some as predicting coronavirus, is found in the 2011 film Contagion, about a global pandemic that jumps from animals to humans and spreads arbitrarily around the globe.
But when it comes to our suffering, we want something more than arbitrariness. We want it to mean something. This is evident in our stories about illness and disease, from contemporary science fiction all the way back to Homer’s Iliad. Even malign actors are more reassuring than blind happenstance. Angry gods are better than no gods at all….
To the surprise of no one paying attention to her for the past few years, Janelle Monáe is the future — but the question at the heart of the first trailer for upcoming horror movie Antebellum is, what if she was also the past, as well …?
Monáe plays author Veronica Henley, a figure who finds herself seemingly trapped in the past, or a terrifying recreation of it, and forced to discover the truth behind her experience before it’s too late.
(6) SCOOB TRAILER. The final trailer dropped – movie arrives
in theaters May 14.
The first full-length animated Scooby-Doo adventure for the big screen is the never-before told stories of Scooby-Doo’s origins and the greatest mystery in the career of Mystery Inc. “SCOOB!” reveals how lifelong friends Scooby and Shaggy first met and how they joined with young detectives Fred, Velma and Daphne to form the famous Mystery Inc. Now, with hundreds of cases solved and adventures shared, Scooby and the gang face their biggest, most challenging mystery ever: a plot to unleash the ghost dog Cerberus upon the world. As they race to stop this global “dogpocalypse,” the gang discovers that Scooby has a secret legacy and an epic destiny greater than anyone imagined.
(7) HATCHER OBIT. Kate Hatcher, Chair of SpikeCon (2019 NASFiC/Westercon 72) died March 5,
reportedly of complications of pneumonia. Her conrunning experience also
included Westercon 67, LTUE, Westercon 70, 71 (tech), and as staff on
Worldcon 76 and LTUE 2018. David Doering, who worked with her on several of
these conventions, says: “She
always gave 110% to Fandom and will be sorely missed.”
(8) TODAY IN HISTORY.
March 7, 1980 — The Brave New World film premiered on NBC. (It would show on BBC as well.) It was adapted from the novel by Aldous Huxley by Robert E. Thompson and Doran William Cannon, and was directed by Burt Brinckerhoff. It starred Kristoffer Tabori, Julie Cobb and Budd Cort. You can see it here. Strangely it has no ratings at Rotten Tomatoes, not very much of a web presence. You can watch it here.
March 7, 1988 — The Probe series premiered. It was created by Michael I. Wagner and Isaac Asimov as a sort of live action version of Jonny Quest. Wagner wrote the two-hour pilot, and became Executive Producer for the series. Parker Stevenson had the lead in the series and Ashley Crow was his secretary. It was a mid-season replacement that wasn’t renewed and thus lasted but six episodes. You can see the first half of the pilot here. There’s a link to the second half on that YouTube page.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born March 7, 1873 — J. D. Beresford. Now remembered for his early horrors and SF stories including The Riddle of The Tower which was co-written with Esme Wynne-Tyson. He was a keen admirer of Wells, and wrote the first critical study of him in 1915, coincidentally called H. G. Wells: A Critical Study. The latter is free at the usual digital suspects and his fiction ranges from free to reasonably priced there. (Died 1947.)
Born March 7, 1905 — Beatrice Roberts. Her most notable role was that of Queen Azura in Flash Gordon’s Trip to Mars, a 1938 serial which you can see the beginning of here. She also shows up in Frankenstein Meets the Wolf Man as Varja the Barmaid, and she’s a Nurse in The Invisible Man’s Revenge. (Died 1970.)
Born March 7, 1944 — Stanley Schmidt, 76. Between 1978 and 2012 he served as editor of Analog Science Fiction and Fact magazine, an amazing feat by any standard! He was nominated for the Hugo Award for Best Professional Editor every year from 1980 through 2006 (its final year), and for the Hugo Award for Best Editor Short Form every year from 2007 (its first year) through 2013 with him winning in 2013. He’s also an accomplished author with more than a dozen to his name. I know I’ve read him but I can’t recall which novels in specific right now.
Born March 7, 1945 — Elizabeth Moon, 75. Since I’m not deeply read in her, I’ll let JJ have her say on her: “I’ve got all of the Serrano books waiting for when I’m ready to read them. But I have read all of the Kylara Vatta books — the first quintology which are Vatta’s War, and the two that have been published so far in Vatta’s Peace. I absolutely loved them — enough that I might be willing to break my ‘no re-reads’ rule to do the first 5 again at some point. Vatta is a competent but flawed character, with smarts and courage and integrity, and Moon has built a large, complex universe to hold her adventures. The stories also feature a secondary character who is an older woman; age-wise she is ‘elderly,’ but in terms of intelligence and capability, she is extremely smart and competent — and such characters are pretty rare in science fiction, and much to be appreciated.”
Born March 7, 1949 — Pat Mills, 71. He is best remembered for creating the 2000 AD zine and playing a major role in the development of Judge Dredd. He has also written two Eighth Doctor audio plays, “Dead London” and “The Scapegoat” for Big Finish Productions.
Born March 7, 1954 — Elayne Pelz, 66. She is a member of LASFS (and officer) and SCIFI who worked on myriad cons, mainly in art show and treasury. She was married to famous SF fan Bruce Pelz and assumed leadership of Conagerie, the 2002 Westercon, upon Bruce’s death and the con was held successfully. She was the Chair of Loscon 20.
Born March 7, 1965 — E. E. Knight, 55. I’d swear I should know this author but he’s not ringing even a faint bell. He’s written two series, Vampire Earth and Age of Fire. What do y’all know about him?
Born March 7, 1970 — Rachel Weisz, 50. Though better known for The Mummy films which I really, really love, and her first genre film was Death Machine, a British-Japanese cyberpunk horror film. I’ve also got her in Chain Reaction and The Lobster.
When a sff movie literally delivers what its title promises, you get something like this installment of Lio.
As for their shared property, William will keep their Studio City home and Three Rivers ranch in California. However, they’ve agreed to let Elizabeth visit the ranch to “occasionally harvest fruit” and visit the graves of her first husband and several horses.
Elizabeth also gets their homes in Malibu Cove and Versailles, Kentucky.
(12) EFFECTIVE FX. The Maltin on Movies podcast interviews
Three-time Oscar winner John Dykstra may go down in history as the man who devised the Light Saber for Star Wars, but that’s just one achievement in a lengthy career in visual effects. In fact, he helped usher in the modern era of fx and has adapted to digital sleight-of-hand…but he misses the scrappy days when he built actual models and then blew them up! His credits range from Spider-man and Stuart Little to Quentin Tarantino’s last four films. Best of all, from Leonard and Jessie’s point of view, he has retained his youthful enthusiasm and is exceptionally articulate about his work.
For some reason, cats are major staples of the anime world. It is “neko” this and “neko” that. The answer may be the same reason that the internet itself is obsessed with cats. They are cute, have strong personalities, and can go from mysterious to totally goofy in an instant….
8 Artemis And Luna From Sailor Moon
Technically Luna and Artemis are not cats. They are aliens from a planet called Mau. Luna even has a human form in the anime. However, they will always be truly remembered as cats. They are pretty cute cats too and really played a part in the trope that magical girls have animal companions/mentors.
Luna and Artemis eventually get romantically involved, which is proved by having a kitten together. However, there is one part of the anime where Luna fell in love with a human man.
I’ll reiterate my admiration for John Boston and John O’Neill. John Boston’s most publicly available recent stuff is at Galactic Journey, where he reviews issues of Amazing from 55 years ago, month by month. (It will be noted, perhaps, that I also review issues of Amazing from the same period, at Black Gate.) John’s work there is linked by this tag: http://galacticjourney.org/tag/john-boston/.
As for John O’Neill, of course his central contribution is as editor of Black Gate, for which he writes a great deal of the content, often about, “vintage” books he’s found on Ebay or at conventions, and also about upcoming fantasy books.
Another Black Gate writer, and fan writer in general, who did great work last year was Steven Silver, particularly his “Golden Age Reviews”.
Rich adds some kind words for File 770, much
appreciated, but remember I have withdrawn myself and the zine from further
(15) AROUND THE BLOCH.
Cora Buhlert calls our attention to another Retro-Hugo eligible story in
Review: ‘Iron Mask’ by Robert Bloch”. BEWARE SPOILERS. It was the
cover story in an issue of Weird Tales, for which Margaret Brundage did
“Iron Mask” is a novelette by Robert Bloch, which was first published in the May 1944 issue of Weird Tales and is therefore eligible for the 1945 Retro Hugos. The story may be found online here.
Robin, a.k.a. the Boy Wonder, celebrates his birthday this week: He made his debut in Detective Comics No. 38 on March 6, 1940, and he and Batman became nearly inseparable in the war on crime. But while Bruce Wayne has nearly always worn Batman’s cowl, there have been many different characters behind Robin’s mask. Here is a look at some of the men and women who have called themselves Robin.
First and foremost is Dick Grayson. Like Batman, Dick lost his family to crime. His parents, circus acrobats, were casualties in a mob-protection racket. Batman (Bruce Wayne) trained Dick to help bring the culprit to justice. The two orphans were a positive influence on each other.
Doctor Who’s 12th modern series brought a darker, more personal storyline for Jodie Whittaker’s Doctor, more characterisation for her companions (even if the show still wasn’t entirely successful on this front), interesting new takes on old-school series elements and delved more deeply into Doctor Who lore than would have been thought possible in 2018.
Really, looking at the bare facts of the latest series, Chris Chibnall almost couldn’t have done more to address fans’ basic wishes after series 11.
When we consulted Whovians in 2019 about what changes they’d like to see in series 12, they asked for “more two-parters, long episodes and cliffhangers,” a proper series arc, the return of old monsters, more cold opens, a comeback for John Barrowman’s Captain Jack Harkness, a darker side to Jodie Whittaker’s Doctor and more background for her companions Graham, Ryan and Yaz (played by Bradley Walsh, Tosin Cole and Mandip Gill).
Amid the chaos of partisan
battles, epistemic crises, and state-sponsored propaganda, it’s nice to think
that good-hearted people who care about a shared reality could defeat all the
b.s. out there. And there’s so much of it. If 2016 was the debut of a new kind
of information war, this year is promising to be something like the darker,
more expensive sequel. Yet while places like Facebook, YouTube, and Twitter
struggle to fend off a barrage of false content, with their scattershot mix of policies, fact-checkers, and
algorithms, one of the web’s most robust weapons against misinformation
is an archaic-looking website written by anyone with an internet connection,
and moderated by a largely anonymous crew of volunteers.
…The red giant star is on its way to recovery, regaining its brightness and crushing the hopes of astronomers everywhere who wanted to witness a supernova unfold in our skies.
But while astronomers are no longer wishing upon the star to explode, Betelgeuse’s dimming has left them wondering what may have caused this odd behavior in the first place.
The findings suggest Betelgeuse’s signature bright light was temporarily blocked from our view by material shed by the star, in the form of a cloud of dust.
The study is based on observations of Betelgeuse taken on February 14, 2020, at the Lowell Observatory in Arizona. There, astronomer Philip Massey, an astronomer with Lowell Observatory, and co-author of the new study, and his colleagues had their instruments trained on Betelgeuse to get a reading on the star’s average surface temperature. The reason? If Betelgeuse was truly dimming, its surface would be cooler than usual.
(20) CAT WIDE AWAKE ON SFF.
[Thanks to JJ, Cat Eldridge, John King Tarpinian, Mike Kennedy,
Martin Morse Wooster, Chip Hitchcock, Michael Toman, Mlex, Hampus Eckerman, and
Andrew Porter for some of these stories. Title credit goes to File 770
contributing editor of the day Andrew.]