Lots of well-known writers and artists came and signed at last Sunday’s LA Vintage Paperback Show. Robert Kerr shot these photos (below) of some of the participants.
(1) YIDDISH POLICEMEN’S UNION. Deadline says a TV series based on a Hugo-winning novel is in development: “‘Yiddish Policemen’s Union’ Alt-History Drama Set From Michael Chabon & Ayelet Waldman, PatMa, Keshet & CBS Studios”.
What if Alaska is home of a big Jewish settlement and the fledgling state of Israel was destroyed? That is the setup of a TV series project based on Michael Chabon’s acclaimed 2007 alternative history book Yiddish Policemen’s Union. CBS TV Studios, Nina Tassler and Denise DiNovi’s PatMa Productions and Keshet Studios have acquired a spec drama script by husband-and-wife writing duo Chabon and Ayelet Waldman. The project will be taken out shortly to premium cable and streaming networks….
Yiddish Policemen’s Union, published in 2007 by HarperCollins, has received the Hugo, Sidewise, Nebula and Ignotus awards. Chabon’s other notable books include Wonder Boys (1995), The Amazing Adventures of Kavalier & Clay (2000), Telegraph Avenue (2012), and Moonglow: A Novel (2016). He received the Pulitzer Prize for fiction in 2001.
(2) TOLKIEN COMES TO AMERICA. The Morgan Library & Museum in New York will host the “Tolkien: Maker of Middle-earth” exhibit from January 25-May 12.
Tolkien: Maker of Middle-earth celebrates the man and his creation. The exhibition will be the most extensive public display of original Tolkien material for several generations. Drawn from the collections of the Tolkien Archive at the Bodleian Library (Oxford), Marquette University Libraries (Milwaukee), the Morgan, and private lenders, the exhibition will include family photographs and memorabilia, Tolkien’s original illustrations, maps, draft manuscripts, and designs related to The Hobbit, The Lord of the Rings, and The Silmarillion.
[It is] an exhibition organized by the Bodleian Libraries, University of Oxford in collaboration with the Morgan Library & Museum, New York with the support of The Tolkien Trust.
(Robin Anne Reid, who toured the exhibit when was at The Bodleian in Oxford, wrote an overview, ”Visiting Middle-Earth”. Reid predicts the Morgan version will not be as large.)
(3) FUTURE TENSE. Each month in 2018 Future Tense Fiction — a series of short stories from Future Tense and ASU’s Center for Science and the Imagination about how technology and science will change our lives— published a story on a theme. A new story came out December 29: “When Robot and Crow Saved East St. Louis” by Annalee Newitz.
It was time to start the weekly circuit. Robot leapt vertically into the air from its perch atop the History Museum in Forest Park, rotors humming and limbs withdrawn into the smooth oval of its chassis. From a distance, it was a pale blue flying egg, slightly scuffed, with a propeller beanie on top. Two animated eyes glowed from the front end of its smooth carapace like emotive headlights. When it landed, all four legs and head extended from portals in its protective shell, the drone was more like a strangely symmetrical poodle or a cartoon turtle. Mounted on an actuator, its full face was revealed, headlight eyes situated above a short, soft snout whose purple mouth was built for smiling, grimacing, and a range of other, more subtle expressions.
It was published along with a response essay by AI programmer Janelle Shane, “No Robot Like Robot”
In 2018 the A.I. robot CIMON was sent to the International Space Station—and that’s when the awkwardness began. A floating sphere with a digital face displaying a few simple expressions, CIMON was supposed to help astronauts through many-step procedures by displaying information and answering questions. When astronaut Alexander Gerst tested it, he found CIMON’s maneuverability impressive but its social awareness perhaps less so. It had been programmed to know Gerst’s favorite song, but had to be ordered multiple times to stop playing it. “Let’s sing along with those favorite hits,” it interrupted, as Gerst tried to get it to record video. Moments later it seemed to take exception to Gerst’s mild comments on its flying ability. “Don’t be so mean, please,” it told him. “Don’t you like it here with me?” Soon it seemed CIMON’s mood detection system had a “hangry” category and had confusedly placed Gerst in it. “Oh, dear, I feel you. I can already hear your stomach roaring. Should we take a look for when it is time for food?” CIMON was soon stowed away.
(4) BIO COMICS. Print recommends the “3 Best Biographical Comics of 2018”. First on the list —
Femme Magnifique: 50 Magnificent Women Who Changed The World
editor: Shelly Bond (Black Crown)
In Femme Magnifique, Michelle Obama is quoted as saying, “We’ve got a responsibility to live up to the legacy of those who come before us by doing all that we can to help those who come after us.” And that, in a nutshell, is what this book is helping to accomplish. Appropriately subtitled 50 Magnificent Women Who Changed The World, it includes biographies of Michelle and of Hillary Clinton, Harriet Tubman and Margaret Sanger, Disney’s Mary Blair and Brenda Starr’s Dale Messick, Björk and Laurie Anderson, Ursula K. Le Guin and Elizabeth Cady Stanton… you get the idea.
(5) DC GOES MORE UNLIMITED. According to a press release from DC —
DC, comiXology, and Amazon have announced that select DC and DC Vertigo titles are now available through multiple subscription services at no additional cost: comiXology Unlimited, Kindle Unlimited, and Prime Reading. Expanding availability to these three services makes it easier than ever for Amazon customers to enjoy DC’s Super Heroes like Batman, Superman, Wonder Woman, Aquaman, and Justice League, as well as DC Vertigo’s high concept series like Sandman, Watchmen, V for Vendetta, Transmetropolitan, Preacher, 100 Bullets, Fables, and more.
With the addition of thousands of select DC single issues, collections and graphic novels – including exclusive fan-favorites from the DC Vertigo imprint – comiXology Unlimited remains $5.99 a month with a 30-day free trial for new members. Kindle Unlimited members will also enjoy a selection of single issues, collections and graphic novels, while subscribers of Prime Reading will have access to a curated and rotating list of highly regarded DC and DC Vertigo graphic novels, for no additional cost. This expansion across the three services provides the perfect entry points for those new to DC and DC Vertigo.
(6) EXTRA TREKS. More Trek animation and “Short Treks” are on the way says The Hollywood Reporter: “‘Star Trek’: Second Animated Series, More ‘Short Treks’ Coming to CBS All Access”.
Alex Kurtzman tells The Hollywood Reporter that there will be a “minimum of two” animated series as he continues to build out the franchise.
Alex Kurtzman isn’t done building out the Star Trek franchise for CBS All Access.
The franchise captain has plans for at least one more animated series to join the previously announced Star Trek: Lower Decks, the half-hour animated comedy from Mike McMahan (Rick and Morty). Additionally, CBS All Access has ordered two more installments of shortform series Star Trek: Short Treks — both of which will be animated. Both installments will debut in the spring, after Star Trek: Discovery wraps its second season on CBS All Access.
(7) PICARD. And another Hollywood Reporter article, “‘Star Trek’ Boss: Picard Leads “Radically Altered” Life in CBS All Access Series”, hints at the answer to the other big Trek question —
What is the next chapter in the life of Jean-Luc Picard?
That’s the question Star Trek diehards have been asking since August, when Patrick Stewart officially boarded an untitled CBS All Access series that will see him play Picard for the first time since 2002’s Star Trek: Nemesis. Little is known about the plot of the show, which has been described as an exploration of the next chapter of Picard’s life. Fans have speculated that it will find him serving as an ambassador, just as Leonard Nimoy’s Spock did in the later years of his life.
Now, Trek captain Alex Kurtzman is pulling back the curtain on the upcoming project, revealing that a cataclysmic event depicted in J.J. Abrams’ 2009 Star Trek movie impacted Picard in a big way. In that film, written by Kurtzman and former producing partner Roberto Orci, it was revealed that Nimoy’s Spock failed to save the Romulan homeworld Romulus from a supernova several years after the events of Nemesis.
(8) SPACE COMMAND. Mr. Sci-Fi, Marc Scott Zicrees, discusses his Space Command pilot.
A hopeful vision of the future spanning the galaxy! Starring Ethan McDowell, Doug Jones, Robert Picardo, Bruce Boxleitner, Mira Furlan.
(9) SAMUEL L. JACKSON. The coolest ever: “120 Movies, $13 Billion in Box Office: How Samuel L. Jackson Became Hollywood’s Most Bankable Star “.
He arrives exactly on schedule, not a minute early, not a minute late, and comes dressed in character: Armani cashmere shirt, translucent Alain Mikli eyeglasses and, of course, a Kangol cap. There are no formalities, no handshakes, no, “Hi, nice to meet you, I’m Samuel L. Jackson.” He simply strolls into the restaurant in midtown Manhattan — a short walk from the $13 million condo he shares with his wife of 38 years, LaTanya Richardson, who’s currently starring as Calpurnia in Aaron Sorkin’s Broadway adaptation of To Kill a Mockingbird — slips into a corner booth and buries his face behind a menu.
“Go ahead,” he says. “I’m listening.”
This is how the world’s most successful actor begins an interview.
(10) IO TRAILER. Io is a new sff series coming to Netflix on January 18:
Sam, one of the last survivors on a post-cataclysmic Earth, is a young scientist dedicated to finding a way for humans to adapt and survive, rather than abandon their world. But with the final shuttle scheduled to leave the planet for a distant colony, her determination to stay is rocked by the arrival of another survivor, Micah. She must decide whether to journey with him to join the rest of humanity and begin life anew, or stay to fight for Earth’s survival.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
- Born January 9, 1890 — Karel Capek. Author of the his 1936 novel War with the Newts and 1920 play R.U.R. (Rossum’s Universal Robots), which introduced the word robot. R.U.R.was a dystopian work about a really bad day at a factory populated with sentient androids. ISFDB shows two additional works by him, Krakatit: An Atomic Fantasy and The Absolute at Large which I’ve not heard of. (Died 1938.)
- Born January 9, 1931 – Algis Budrys. I trying to remember what I read by him him and I think it was Some Will Not Die which I remember because of the 1979 Starblaze edition cover. I’ve also read and enjoyed his Rogue Moon. Setting aside his work as a writer which was exemplary, he was considered one of our best genre reviewers ever reviewing for Galaxy, Magazine of Fantasy and Science Fiction, and genre reviews even in the more mainstream Playboy. He edited a number of the L. Ron Hubbard Presents Writers of the Future anthologies which I’ll admit I’ve not read any of. (Died 2008.)
- Born January 9, 1950 – David Johansen, 69. He’s the wisecracking Ghost of Christmas Past in Scrooged, he played Halston in Tales from the Darkside: The Movie in “The Cat from Hell” episode, and he appeared as a character named Brad in Freejack.
- Born January 9, 1955 — J.K. Simmons, 64. You may know him as J. Jonah Jameson in the various Spider-Man films but I find his more interesting genre role to be as Howard Silk in the Counterpart series where he plays two versions of himself in two versions of parallel Berlins in a spy service that may or may not exist. He also portrayed Commissioner James Gordon in Justice League.
- Born January 9, 1956 – Imelda Staunton, 63. Voice of the Snow Queen in The Snow Queen’s Revenge, A Nurse in Shakespeare in Love, Polly in A Midsummer Night’s Dream, Dolores Jane Umbridge In Harry Potter and the Order of the Phoenix (which I thought was a so-so film at best) and in Harry Potter and the Deathly Hallows as well and Knotgrass In Maleficent and the sequel.
(12) COMICS SECTION.
- Candorville shows some people look farther ahead than others.
(13) RICHARD & WENDY PINI. SYFY Wire’s “Behind the Panel” interviews “Elfquest Creators On How They Met & Jack Kirby Stories You Never Knew.”
Richard & Wendy Pini have been the creative force behind Elquest for 40 years. And now it’s ending. They tell us what the future holds, how they met (it’s AWESOME), Jack Kirby stories & more. These two are just the best – and this interview will show you.
(14) PRE-THRONES CASTING. “‘Game of Thrones’ Prequel Casts 8 Rising Stars “ – The Hollywood Reporter tells who they are:
The cast of HBO’s Game of Thrones prequel is coming together.
The premium cable network has cast eight rising stars to join Naomi Watts and Josh Whitehouse in the pilot from writers Jane Goldman and franchise mastermind George R.R. Martin. Additionally, SJ Clarkson (Jessica Jones, Succession and the upcoming Star Trek feature) has been tapped to direct the pilot.
Cast as series regulars are Naomi Ackie (next appearing in J.J. Abrams’ Star Wars), Denise Gough (Guerrilla, Tony-nominated for Angels in America), Jamie Campbell Bower (Sweeney Todd, Twilight, Mortal Instruments), Sheila Atim (Harlots), Ivanno Jeremiah (Black Mirror, Humans), Georgie Henley (The Chronicles of Narnia), Alex Sharp (To the Bone) and Toby Regbo (Fantastic Beasts: The Crimes of Grindelwald).
As with all things Game of Thrones, details about their characters are being kept under wraps. The only character detail that has been revealed is that Watts is taking on the role of a charismatic socialite hiding a dark secret.
(15) AND PRE-GRRM. The PBS series Finding Your Roots kicked off its fifth season with “Grandparents and Other Strangers”, which includes a session with George R.R. Martin.
Host Henry Louis Gates, Jr. helps actor Andy Samberg and author George R. R. Martin answer some family mysteries when DNA detective work uncovers new branches of their family trees. The DNA analysis upends family history and reveals new relatives.
(16) IN FLUX. The Washington Post’s John Kelly tracks down the “big nerd” and ’80s sci-fi movie fan who put an ad in the Post asking for a “flux capacitor” like that in Back to the Future: “Who placed a classified ad in The Washington Post looking for a flux capacitor?”
A mysterious ad appeared over the weekend in The Washington Post Classifieds, under the Electronics category, sandwiched between Collectibles and Furniture. It took up three lines and it read: “WANTED — Flux Capacitor — Needed to complete an important project. Must be in good condition. 571-444-5995.”
Because, after all, what use is a busted flux capacitor? You’d never get your DeLorean to achieve time travel, as explained in “Back to the Future,” that documentary movie released in 1985.
I called the number and got a recording. It was of a harried-sounding man saying, “If my calculations are correct, when this baby hits 88 miles per hour, we’re gonna see some serious [stuff].”
I left a message and my cellphone number….
…He collects replicas of movie props, including the hoverboard that Marty McFly rode and the self-lacing Nikes he wore. Doc even owns a DeLorean. (“I’m in one right now, waiting to go to lunch,” he said.)
Doc’s stunt — placing “Back to the Future”-inspired ads — reminded me of the 2014 movie “Safety Not Guaranteed,” based on a joke ad a writer placed inviting people to travel back in time with him.
(17) A TRANS-FJORD TUNNEL, HUZZAH! “Norway Embarks On Its Most Ambitious Transport Project Yet” and NPR is there:
Driving the nearly 700 miles along the coastal route from the city of Kristiansand in the south to the city of Trondheim now takes about 21 hours and requires seven ferry crossings. To cut travel time in half, the Norwegian Public Roads Administration has launched a nearly $40 billion transportation project that will include the world’s longest floating bridge and — perhaps — a first-of-its-kind floating underwater traffic tunnel.
Daniel Dern sent the link with a note that “This article has what could easily become my favorite proverb for the new year: ‘It’s a saying that there’s nothing in the world that is in a bigger rush than a dead fish,’ Kleppe says.”
(18) SEXISM AT CES. BBC reports “‘Award-winning’ sex toy for women withdrawn from show”.
A sex toy designed for women has been banned from the technology show CES.
Lorna DiCarlo said it had been invited to display its robotic Ose vibrator at CES, after winning an innovation award.
CES organiser the Consumer Technology Association, which granted the award, said it had included the device by mistake and could withdraw any immoral or obscene entry at any time.
Lorna DiCarlo chief executive Lora Haddock said the CES and CTA had a history of gender bias.
In a statement to The Next Web, the CTA said: “The product does not fit into any of our existing product categories and should not have been accepted.
“We have apologised to the company for our mistake.”
But, in a statement on the Lora DiCarlo website, Ms Haddock cites several examples of other female-oriented products included in the award category the vibrator was in.
“Two robotic vacuum cleaners, one robotic skateboard, four children’s toys, one shopping companion robot – looks like all of women’s interests are covered, right?” she said.
…Ms Haddock said there was a double-standard at CES when it came to sexual health products targeted at men versus women.
“Men’s sexuality is allowed to be explicit, with a literal sex robot in the shape of an unrealistically proportioned woman and VR porn in point of pride along the aisle,” she said.
(19) CLEANUP ON VEIN SIX. A kind of advance in fighting cancer: “Sponge offers hope of ‘less toxic’ chemotherapy”.
Scientists believe they may have found a way to make cancer chemotherapy treatment less toxic to the body.
They have begun testing a tiny sponge that sits inside a vein and removes excess chemo drugs from the blood once they have attacked the target tumour.
Experts say the early work, in the journal ACS Central Science, offers hope of avoiding treatment side-effects, such as hair loss and nausea.
So far, it has been tried in pigs, but researchers want to test it in people.
If all goes well, those trials could happen within a couple of years, says scientist Dr Nitash Balsara, from the University of California.
(20) YOU BOUGHT IT, YOU UN-BREAK IT. “Climate change: ‘Right to repair’ gathers force” – BBC has the story.
It is frustrating: you buy a new appliance then just after the warranty runs out, it gives up the ghost.
You can’t repair it and can’t find anyone else to at a decent price, so it joins the global mountain of junk.
You’re forced to buy a replacement, which fuels climate change from the greenhouse gases released in the manufacturing process.
But help is at hand, because citizens in the EU and parts of the USA will soon get a “right to repair” – of sorts.
This consists of a series of proposals from European environment ministers to force manufacturers to make goods that last longer and are easier to mend.
The European proposals refer to lighting, televisions and large home appliances.
At least 18 US states are considering similar laws in a growing backlash against products which can’t be prised apart because they’re glued together, or which don’t have a supply of spare parts, or repair instructions
(21) EQUAL TIME. Cthulu’s response to President Trump’s speech last night:
(22) MAGNOLIA PARK. Help save John King Tarpinian’s favorite Burbank neighborhood:
The retro charm of Burbank’s unique shops is what makes Magnolia Boulevard a must-visit destination for all. Beloved by the community and visited by people worldwide, we are now in danger of losing everything that makes this strip unique.
[Thanks to John King Tarpinian, Martin Morse Wooster, Daniel Dern, Cat Eldridge, Chip Hitchcock, Mike Kennedy, Carl Slaughter, Bill, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]
(1) DILLON KICKSTARTER. A Kickstarter to crowdfund “Daydreamer’s Journey, a new Art Book by Julie Dillon” was launched July 24. Dillon is one of the top artists in the field, a three-time Hugo Award winner (plus five Chesley Awards, three Locus Awards, and a British Fantasy Award).
I absolutely love to draw and paint, and art has been a vital part of my life for as long as I can remember. Art can offer an escape as well as an invitation; a way to process one’s experience of the world, a way to offer a different perspective. It can illuminate and reveal the magic lurking just beneath the surface of the world, and that is what I’ve attempted to do throughout my career as an artist.
I’ve put together an art book that will let me share with you more of my art and ideas than I ever have before….
Daydreamer’s Journey will be a 200 page 8.5″ x 11″ hardcover book, on beautiful thick glossy paper. This book will contain personal work, freelance projects, sketches, studies, and illustration drafts, some of which either has never been posted online or that hasn’t been available online in over a decade. Also included will be my commentary and thoughts, as well as progress shots for most pieces so you can see part of my painting and brainstorming process.
With 29 days to go, Dillon so far has raised $12,653 of her $18,500 goal.
(2) #METOO AT COMIC-CON. SFGate evaluates the attention to antiharassment efforts at this year’s Comic-Con International in San Diego: “Comic-Con in the #MeToo Era: Progress Comes One Panel at a Time”.
…Officially, Comic-Con was silent about #MeToo. When SDCC programming director Eddie Ibrahim gave his traditional kick off speech in Hall H on Thursday morning, notably absent was any mention of the convention’s harassment policies. That continued for all four days of the convention.
…Comic-Con for its part has chosen not to update those anti-harassment policies, which state in part that “harassing or offensive behavior will not be tolerated,” and that “persons finding themselves in a situation where they feel their safety is at risk or who become aware of an attendee not in compliance with this policy” should seek out security or SDCC staff.
Whatever actions the organization is taking behind the scenes, it ultimately chose not to discuss them publicly. Comic-Con International did not immediately respond to a request for comment from TheWrap
Unofficially, fans and creators were frequently vocal in support of greater inclusion and representation, and in talking about harassment and abuse.
The panel for NBC’s “Brooklyn Nine-Nine” on Friday night was a particular stand out, with cast members, producers, and fans touching on a range of sensitive issues. Notably, one fan thanked Terry Crews, who accused William Morris Endeavor agent Adam Venit of groping him, “for your part in #MeToo,” adding, “I’m so sorry for all of us that are part of #MeToo that you have to be part of it.”
And at a panel called “The Future Is Female,” “Bumblebee” and “Birds of Prey” screenwriter Christina Hodson got huge cheers and lots of knowing muttering when she celebrated the successes of the #MeToo era but noted that much work remains.
“Nine months ago, no one gave a s—. Like, no one cares what happens. Now everything has shifted. So I think behavior on set, in writers’ rooms, that’s all going to shift. So I’m very happy about that,” she said.
(3) ELFQUEST PROFILED. Rob Beschizza explores “The Weird Of Wendy Pini” at BoingBoing. “Voices from another world spoke with sublime otherness, helping an indie cartoonist face down prudes, pain and the patriarchy.”
Elfquest began in 1978 and concluded this spring, forty years in the telling. Devised and written with her husband Richard, its story follows the Wolfrider clan and its chief, Cutter, burned from their ancient forest home by vengeful humans. Sweeping from a rough fantasy premise to epic science fiction, the Wolfriders find other elfin refugees, the derelict spaceship of their shape-shifting ancestors, and unsettling truths concerning their own nature. At its sales peak, the magazine-sized pamphlets were selling 100,000 copies at an intersection of fandom rarely seen in comic book stores: women, queer folk, people of color.
The American Library Association describes Elfquest as “one of the most important works in American fantasy”. Georgy Khoury and Alex Ross, in Comic Book Fever, call it one of the “first long-form sagas of the art form,” unique for its “confident and inspired storytelling.” Artist and historian Trina Robbins told me that Wendy’s strong women characters were responsible for getting countless young girls into comics. Elfquest was one of the books targeted as obscene material in the Comic Book Legal Defense Fund’s first case. Buzzfeed ranked it as the most life-changing graphic novel of all time.
(4) TODAY’S VISION. Rick Liebling recalibrates the historic look of sf in a post for Medium: “The Aesthetics of Science Fiction. What does SciFi Look Like After Cyberpunk?” (First in a two-part series.)
But now, some three decades-plus since we first “saw” Cyberpunk, what do we have now? Is there a unifying visual idea that we associate with modern (2000 and beyond) science fiction? I’ve noticed over the last decade or so that there are some recurring themes. Perhaps not exclusive to science fiction – in the same way that the Cyberpunk aesthetic wasn’t exclusive to science fiction (see: Black Rain) – but that I’ve seen recurring in genre work.
I call it Hard Concrete.
Like Cyberpunk and Atomic Age &Space Age design before it, Hard Concrete is linked to the realities of the times. If Cyberpunk was the visual embodiment of the corporation as mysterious behemoth, Hard Concrete parallels a world where corporations and governments have been exposed as brutal, uncaring and stripped of their shiny, mirror-glass facades. They may be no less controlling, violent or malevolent, they just no longer bother to hide it.
(5) ORDER ME ANOTHER SCREWDRIVER. The Thirteenth Doctor has a collectible out already: “Jodie Whittaker Reveals the New Sonic Screwdriver Fan Collectible at San Diego Comic-Con”.
Today in Hall H at San Diego Comic-Con, Jodie Whittaker revealed the new Sonic Screwdriver Fan Collectible, a replica of the one her character will use in the new series of Doctor Who, now available to pre-order.
Designer Arwel Wyn Jones talked through the new sonic; “It’s a privilege to have been asked to redesign the iconic Sonic Screwdriver for the Thirteenth Doctor and a new generation of audiences. I can’t wait for people to see how the Doctor acquires it!”
(6) ORIGINAL WONDER. Al Abbazia’s superb Rockwell-inspired Saturday Evening Post magazine cover featuring Wonder Woman can be seen on Facebook. The artist said:
It’s beyond gratifying that the granddaughter of William Marston, creator of Wonder Woman, found me and took a special liking of my art piece, saying it honored her family. My daughter, Emily Claire Abbazia (who came up with the concept) and myself thank you Christie Marston 🙂
And thank you to the wonderful Shiree Collier for her excellent modeling and Gal Gadot for that pretty face.
(7) ‘WARTS AND ALL. [Item by Mike Kennedy.] Those cunning Danes are at it again, dreaming up ways to take your money. LEGO has announced a new Hogwarts set (io9: “Lego’s New 6,020-Piece Hogwarts Castle Set Is Huge and Pricey”) priced at a “mere” $399.99. It’s built on their “microscale” standard, to use microfigs rather than the more familiar minifigs—presumably to keep the both the overall size and the price in check.
Quoting the io9 article:
…Lego is also bundling 27 microfigures with the set, including Dumbledore, Harry, Ron, Hermione, Draco, Snape, McGonagall, Remus, Umbridge, and even Lord Voldemort, as well as Aragog the spider, the Basilisk, a Hungarian Horntail dragon, and five dementors.
There are minifigs involved, thogugh. The founders of the four houses of Hogwarts (Godric Gryffindor, Helga Hufflepuff, Salazar Slytherin, and Rowena Ravenclaw) are included in minifig form. Writing for io9, Andrew Liszewski seems taken by the quality of the set:
Despite the smaller overall footprint of the set, Lego has still managed to stuff an incredible amount of detail into Hogwarts, including the castle’s Great Hall, the library, potions class, the Room of Requirement, the giant chess set, and the Chamber of Secrets, among other places for the microfigures to re-enact scenes from the books and movies.
(8) KGB READINIGS. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Michael Swanwick and Jeffrey Ford on Wednesday, August 15, 7 p.m. at the KGB Bar.
Michael Swanwick has received the Nebula, Theodore Sturgeon, World Fantasy and Hugo Awards, and has the pleasant distinction of having been nominated for and lost more of these same awards than any other writer. He has written ten novels, over a hundred and fifty short stories, and countless works of flash fiction. His latest novel The Iron Dragon’s Mother, will be published by Tor Books in 2019
Jeffrey Ford is the author of the novels The Physiognomy, The Girl in the Glass, The Portrait of Mrs. Charbuque, The Shadow Year, and the four collections: The Empire of Ice Cream, The Drowned Life, Crackpot Palace, and A Natural History of Hell. His most recent novel is Ahab’s Return: Or The Last Voyage published by HarperCollins. He has been the recipient of the Nebula Award, the World Fantasy Award, and the Edgar Award. He lives in Ohio and teaches writing part time at Ohio Wesleyan University.
The KGB is at 85 East 4th Street (just off 2nd Ave, upstairs) New York, NY. Website: www.kgbfantasticfiction.org.
(9) COMICS SECTION.
- Cheshire cat humor in The Argyle Sweater.
(10) WORLDCON 76 BUSINESS MEETING AGENDA. More items have been added, so WSFS Secretary Linda Deneroff suggests you re-check the Business Meeting Agenda.
(11) ONE IS THE ONLIEST NUMBER. James Davis Nicoll asks “What’s With Sci-Fi’s Fixation on Single-Gendered Planets?” at Tor.com.
I recently reread three thematically similar books: Poul Anderson’s Virgin Planet, A. Bertram Chandler’s Spartan Planet, and Lois McMaster Bujold’s Ethan of Athos. All three imagine single-gender planets: worlds whose populations are either all men or all women. This particular selection of books to reread and review was mere chance, but it got me thinking…
There are actually quite a few speculative fiction books set on single-gender planets (in which gender is mainly imagined in terms of a binary model) 1. Most of them are what-if books. As one might expect, they come up with different extrapolations….
(12) REMEMBERING THE PAPERBACK REVOLUTION. Kim Huett of Doctor Strangemind, in “Doubling Down With Don Wollheim”, says “The Ace Double paperbacks have long been a favourite of science fiction collectors. So here are 15 amazing facts about the Ace Doubles, #6 will shock you to your very core (he claims tongue in cheek).”
…So how similar was the packaging? Well this is the cover of the very first Signet Double….
And this is the cover of the very first Ace Double….
Okay, so they don’t look that alike and the Ace artwork is decidedly pulpier in style. But then it would be, wouldn’t it? Don Wollheim wasn’t going to try and muscle in on Signet’s classier patch. No, Don Wollheim was going to do what he knew best and let’s not forget that Don’s editorial career had begun with Cosmic Stories and Stirring Science Stories, two of the pulpiest of the pulp magazines.
Covers not withstanding it’s pretty clear to me that the Ace books borrowed a lot of layout detail from Signet. If you have any doubt about that compare the spine of Signet’s Knock On Any Door with the spine of a 1958 Ace Double featuring Eric Frank Russell I just happen to have laying about.
Oh, Don Wollheim you clever scamp.
Now you might be thinking that this is all very well but really, what did the Ace Doubles do other than borrow some layout details from Signet? The core feature, the two different novels in one volume, well that’s clearly unique to Ace, isn’t it? Now if you’ve been thinking anything like that then you are so very wrong. Consider the examples pictured below and their publication dates; Two Complete Detective Books (Winter 1939), Two Daring Love Novels (January 1948); and Two Complete Science-Adventure Books (Winter 1950). Three magazine titles that predated Ace Doubles by years (and the first two even left Kurt Enoch and his Signet Doubles in their dust).
(13) THERE GOES THE NEIGHBORHOOD. At Tor.com, James Davis Nicoll complains that “Classic Sci-Fi Star Systems Keep Getting Ruined by Science”. Well, complains is probably overstating things….
There are a lot of SF novels, particularly ones of a certain vintage, that feature that particular set of stars. If one is of that vintage (as I am), Alpha Centauri, Epsilon Indi, Epsilon Eridani, Procyon, and Tau Ceti are old friends, familiar faces about whom one might comment favourably when it turns out, for example, that they are orbited by a pair of brown dwarfs or feature an unusually well-stocked Oort cloud. “What splendid asteroid belts Epsilon Eridani has,” one might observe loudly, in the confident tone of a person who never has any trouble finding a seat by themselves on the bus.
In fiction, Procyon is home to L. Sprague de Camp’s Osiris, Larry Niven’s We Made It, and Gordon R. Dickson’s Mara and Kultis, to name just a few planets. Regrettably, Procyon A should never ever have been tagged as “possesses potentially habitable worlds.” Two reasons: solar orbits and Procyon B’s DA classification.
(14) THE LATE MR. ELLISON. Mark Evanier tells “A Harlan Ellison Story” at News From Me.
Now with Harlan’s passing, the Internet is filled with remembrances and honors and cyber-mourning and tributes, and in lot of them you’ll see some version of the phrase, “He inspired me to become a writer.” Harlan did a lot of that. He inspired people in other ways, as well. He occasionally inspired someone to hate Harlan Ellison but we won’t go into that here. Here, I’m celebrating him for inspiring so many people in a good way. Like I said, he was a writer who made other writers proud to be writers.
So many of us learned good, valuable things from him but a few writers I can think of learned to yell and scream about every rewrite, every note, every alteration. I can’t guarantee the following but supposedly, someone once asked Ray Bradbury if it was a wise idea for a writer to fight about each bit of interference the way Harlan did. Bradbury reportedly replied — and this sure sounds like an answer he’d give — “I don’t know if that’s okay but if you try it, check first and make sure you have the talents of a Harlan Ellison.”
…But he was late with so much of what he wrote, and I suspect…well, I know there are writers who think, “If Harlan Ellison can be weeks/months/years late, so can I.” To quote Ray Bradbury again, assuming he even said it, “I don’t know if that’s okay but if you try it, check first and make sure you have the talents of a Harlan Ellison.”
One might argue that he was not late with the Batman story he promised in 1971 to write for Julie Schwartz since he never had a firm deadline. But it finally saw print in the October, 1986 issue of Detective Comics, fifteen years later…and eight years after Julie had stepped down as the editor of Detective Comics. Deadline or no deadline, that’s late…
And all that is just an introduction to the story Evanier promised in the title….
(15) MORE TO BE READ. Publishers Weekly lists books of interest to adult-age readers of children’s literature in the ambiguously-titled post “2018 Adult Books on Children’s Lit”:
From an analysis of the psychological impact of fairy tales to an illustrated biography of a well-known illustrator and a book about the landscape that inspired Anne of Green Gables, there’s plenty to inform and inspire adult readers of children’s books.
What are we talking about? Here are three of the titles on the list:
Astrid Lindgren: War Diaries 1939–1945
By Astrid Lindgren, translated from the Swedish by Sarah Death (Feb. 27, Yale, $20 paper, ISBN 978-0-300-23456-5).
Originally released in hardcover in 2016, the wartime diaries of the author of Pippi Longstocking are now in paperback.
Daemon Voices: On Stories and Storytelling
By Philip Pullman (Sept. 18, Knopf, $30 ISBN 978-0-525-52117-4).
The author of the His Dark Materials series shares the secrets behind how he writes his influential novels.
Meg, Jo, Beth, Amy: The Story of Little Women and Why It Still Matters
By Anne Boyd Rioux (Aug. 28, Norton, $27.95, ISBN 978-0-393-25473-0).
In time for the 150th anniversary of the story of four American sisters, Rioux, a professor of gender studies, explores the impact the novel has had through its depiction of female growth.
(16) CALL GOES OUT. Manifold Press is relaunching and Managing Editor Farah Mendlesohn wants to spread the word.
Please RT far and wide From today I am the new Managing Editor of @ManifoldPressUK Our new call for fiction is at https://t.co/6P0g6PcVhq Do you have queer historical fiction tucked away? Now is the time to dig it out. I am looking for twelve varied titles for our 2019 list.
— Farah Mendlesohn (@effjayem) July 25, 2018
As from today, we are delighted to announce that after a period of reorganisation, Manifold Press will relaunch on the 1st January 2019.
Please note: we are revamping our web pages so none of the menu links work. That will change bit by bit over August. We’ll announce on the blog and on twitter and fb etc as we create new pages.
At our AGM in July we bade a fond farewell to Julie Bozza who is heading back to Australia; Fiona stood down as Managing Editor after 9 years with the press.
The new Board consists of Farah Mendlesohn (Managing Editor), Sandra Lindsey, Fiona Pickles and Aleksandr Voinov. We are actively recruiting others.
We have opened a new call for submissions.
(17) DO YOU GROWL WHEN YOU’RE PLEASED? The BBC story “The complicated truth about a cat’s purr” notes that cat research lags behind the study of dogs because dogs are more willing subjects….
Part of the mystery around the purr is that we often only notice cats purring “when we tickle them in places that they like to be tickled”, says Debevere. Yet they also purr when we’re not around, and the extent of that purring varies between individuals. “All cats are different, some never purr and some will purr constantly,” she says. She draws the comparison between her cat Luigi – a stray who followed someone in to their office and was subsequently taken to a shelter – and Archie, who “moved in from next door” and became part of the family. Luigi purrs little, and Archie a lot.
“I’ve photographed more than 3,000 cats so far [at shelters] and no two are the same,” Debevere says. “I’ve witnessed a lot of cats purring when they’re dying, and when they’re being put to sleep. The vet will say something like ‘They were purring right up until the end’, and people assume they’re happy when they’re purring. That’s just not always the case.”
(18) UH-OH. Sarah Kaplan and Joel Achenbach in the Washington Post report that the James Webb Space Telescope, which has already cost $7,6 billion, will have its launch delayed until 2021 because of screws that fell off of the sun shield during a test, leaving critics to argue that the telescope could be “too big to fail and too complicated to work.” “NASA’s next great space telescope is stuck on Earth after screwy errors”.
The Webb’s problems have rattled many powerful constituencies. NASA is embarrassed and dismayed by the human errors that have snarled its biggest robotic science project, which was identified by the astronomy community back in 2000 as its top priority.
(19) NOT THE SAME SHAPE. Judge dismisses The Shape of Water copyright suit – the BBC has the story.
The plot of Oscar-winning fantasy film The Shape of Water was not copied from a 1969 play, a US judge has ruled.
Judge Percy Anderson has dismissed a legal action that claimed Guillermo del Toro’s film copied the story of Let Me Hear You Whisper by Paul Zindel.
The late playwright’s son sued del Toro, the Fox Searchlight studio and others in February, claiming the two works were “in many ways identical”.
In his ruling, however, the judge said they only shared “a basic premise”.
(20) THE STARS THEIR DESTINATION. Something people of the future will be running into: “Japanese firm to launch wedding plaques into space”.
According to the Yomiuri Shimbun newspaper, the Warpspace start-up in the city of Tsukuba is working with Kibo, Japan’s orbital science module, to launch wedding plaques from the International Space Station.
The company, which is largely staffed by faculty members from the University of Tsubuka, says that it will engrave couples’ names, messages, and other information on titanium plaques, measuring some 16 millimetres by eight millimetres.
The plaques will then be loaded onto miniature cubic satellites, which can hold several hundred plaques, and be released into orbit. They will join the tens of thousands of satellites, man-made objects and space junk already orbiting the Earth.
(21) BATMAN’S AMBITION. On the Conan O’Brien show, “Batman Wants To Join The Marvel Universe.”
Batman is sick of the perpetually rainy and depressing DC Universe; he’d rather have a seat at the Avengers’ table.
[Thanks to John King Tarpinian, JJ, Hampus Eckerman, Cat Eldridge, Martin Morse Wooster, Chip Hitchcock, Mike Kennedy, Carl Slaughter, Daniel Dern, James Davis Nicoll, Julie Dillon, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Anthony.]
Acclaimed speculative fiction writer Harlan Ellison died today at the age of 84. Here is a selection of tributes and reactions posted in social media immediately following the announcement.
Harlan Ellison: There was no one quite like him in American letters, and never will be. Angry, funny, eloquent, hugely talented. If there's an afterlife, Harlan is already kicking ass and taking down names.
— Stephen King (@StephenKing) June 28, 2018
Samuel Delany on Facebook
Here’s the guy who started the notable part of my career. At the Tricon, he ran up to me and demand a story: I wrote it at the upcoming Milford–Aye and Gomorrah, which won the following year’s Nebula Award.
My heart is broken. Off to gather what few thoughts I can for awhile.
What an awful day.
Harlan Ellison is dead.
— Patton Oswalt (@pattonoswalt) June 28, 2018
Arthur Cover on Facebook
As most of the planet knows, Harlan Ellison passed away in his sleep last night. I am seriously bummed. Little did I know when I bought the first volume of the paperback edition on Dangerous Visions when I was a sophomore at Tech did those two words would have such a profound impact on my life. Harlan was responsible for my first sale, to the mythical Last Dangerous Visions, at a Clarion Workshop.
He became a big brother figure to me, and I stayed at Ellison Wonderland on and off during the many times when I was *ahem* between places in LA. I knew his dog Abu, who used to sneak out of the house to get some Hungarian Goulash from a couple down the street. I knew his maid Yosondua, a wonderful person. And I missed meeting his mother by a couple of weeks. There’s so much to remember about him that I can barely stand it.
I met a whole bunch of interesting people thanks to him. Forget the famous ones like Erica Jong; thanks to him, I met Pam Zoline, author of “The Heat Death of the Universe.” We saw Borges together. Thanks to him, I discovered Mahler and Bruckner. I turned him on to Kalinnikov. We both read comics and he liked to impersonate the Hulk with the voice of Ronald Coleman. (Try it.) He tried to set me up with young women; usually I ignored them, thus driving him stinking bonkers. And that was just the 70s.
Then there’s that Dangerous Visions thing – a whole bunch of autograph parties just for starters. (And let’s not forget the time he streaked A Change of Hobbit.) He was immensely supportive throughout the entire frustrating, rewarding enterprise. True, he had his faults; usually I ignored them too. But the exception of my family and friends from Tazewell, I wouldn’t know any of you today were it not for his generosity and friendship. He was a helluva guy, and I have been proud to be his friend forever.
Barbara Hambly on Facebook
Just got word that my friend Harlan Ellison passed away last night. An amazing man to know. I knew he was very ill – he’d never really recovered from a stroke a couple of years ago. So I feel no surprise. Just very, very sad.
Michael Cassutt on Facebook
A talented writer for sure, a self-made writer for absolutely sure…. I so remember “Repent, Harlequin” and “On the Downhill Side” and THE CITY ON THE EDGE OF FOREVER… and his columns that became THE GLASS TEAT, which sent me here to LA…. and more, the friendship that developed in the past decade or so, where I would pop up to Ellison Wonderland and have coffee with HE in his kitchen…. telling tales of George O. Smith and who else. I am actually bawling right now…..Harlan was my big brother and while his passing now, given his stroke three years back, is not a surprise…. it’ s still a shock.
Jaym Gates on Facebook
Harlan Ellison has died. My sympathies to those who will miss him. His voice was powerful, sometimes for good.
As a woman, I am not sad that there will be one less person who thinks it is funny to grope a woman on stage, and who was often used as a smoke screen for bad behavior by creative men.
Wil Wheaton on Twitter
Rest in Peace, Harlan. You always treated me like I was a person whose voice mattered, and I will cherish that memory for the rest of my life.
David Gerrold on Facebook
Harlan didn’t drink. I rarely drink.
Today I will drink.
Today I will toast a man who was a role model, a mentor, a critic, a friend — and ultimately my big brother.
He knew how much I loved him. I told him more than once.
The one thing he said about me that I cherish the most was shortly after I adopted Sean. He said, introducing me to someone else, “David Gerrold is the most courageous man I know.” Actually, it was Sean who needed the courage, but I understood what he was saying. He was acknowledging that I had finally grown up.
Harlan had a great public persona — but it was the private soul I loved the most. And goddammit, I’m going to miss that man.
Charles de Lint on Facebook
I’m very sad to have to write this but Harlan Ellison has passed away. He was a voice of reason, if somewhat contrary, and one of the best short story writers this field, or really any field, has known. He wore his “angry young man” persona lost after he was a young man but behind that bluster was a kind and generous man who would do anything for a friend. He will be greatly missed.
Cory Doctorow on Boing Boing
Ellison’s voice was infectious and has a tendency to creep into his fans’ writing. When I was 19, I attended a writing workshop at a local convention taught by Ann Crispin, who told me that I would be pretty good writer once I stopped trying to write like Harlan Ellison (I went on to sell that very Ellisonian story to Pulphouse).
Harlan was one of my Clarion instructors in 1992. He taught us remotely, by speakerphone, from his hospital bed in LA where he was recovering from angioplasty. I had attended that year because I couldn’t miss the opportunity to learn from Harlan Ellison, whom I held in highest regard (“hero worship” is not too strong a phrase to use here).
Ellison was not a good teacher (that year, at least). In fact, I think it’s safe to say that his instructional methods, which involved a combination of performative bullying and favorite-playing, were viewed as a disaster by all of my classmates, at least in hindsight.
Confronting the very real foibles of the object of my hero-worship was the beginning of a very important, long-running lesson whose curriculum I’m still working through: the ability to separate artists from art and the ability to understand the sins of people who’ve done wonderful things.
John Scalzi in the Los Angeles Times
…My second Harlan Ellison story was from 2011, the last time he was a finalist for the Nebula Award, given out by SFWA. Traditionally, SFWA contacts the Nebula finalists by phone to see if they’ll accept being on the ballot, and knowing of Harlan’s sometimes irascible phone manners, I was the one to call.
Harlan was not irascible. He wept into the phone. He had been ill, he said, and he wondered if what he was writing now still resonated and still mattered to people. To have his professional peers nominate him for one of the field’s most significant awards, he said, meant everything to him.
In that moment he wasn’t a giant of the field, a figure equally loved and loathed, a man about whom everyone had a story, or an opinion, about. He was simply a writer, happy to be in the company of, and remembered by, other writers.
Jeff VanderMeer on Facebook
He was a monumental personality who was influential in his day and to some extent today. He dove into the style and issues of his times with vigor, which sometimes makes his work feel dated but also resulted in classics that feel timeless. As an anthologist, he pushed boundaries in ways that, like his fiction, risked looking silly or actively terrible to modern audiences, but because of that also published a ton of innovative material and furthered the careers of writers who were quite experimental.
In erratic and sporadic fashion Ellison tended to be immensely helpful to some beginning writers and actively not helpful to others for no particular reason. Sometimes, I think, because he was too caught up in his mythology. Sometimes because he had a chip on his shoulder and was mercurial. I have mixed feelings about him for that reason, not to mention others, but there’s no denying he was a protean creative talent. I did learn to take risks in my writing from him, while also learning who I did not want to be as a teacher.
Richard Pini on Facebook
There are no words. He used them all anyway, and far better than most.
Robert Crais on Facebook
We lost Harlan Ellison today. The dedication to THE FIRST RULE reads as follows: “For my friend, Harlan Ellison, whose work, more than any other, brought me to this place.”. He cannot be replaced. He was a giant. He mattered.
David Brin on Facebook
Harlan was wickedly witty, profanely-provocative, yet generous to a fault. His penchant for skewering all authority would have got him strangled in any other human civilization, yet in this one he lived – honored – to 84… decades longer than he swore he would, much to our benefit with startling, rambunctious stories that will echo for ages.
I can’t remember who first remarked that “H.E.” stood equally for Harlan Ellison and High Explosive.
It also stands for His Excellency. Our H.E. being a whole-souled egalitarian would never have stood for that. But if one can break from the bonds of aristocratic associations – which in principle he was always for – it’s true.
I’m glad, not I hope without humility, that what pushed down the Montaigne piece was your notice of Brother Ellison’s death. Although Montaigne and the nature of zeal were two topics I never discussed with him, he might – and he did this sometimes – have approved.
I feel a strong sense of loss with his passing. While he and I shared few opinions in common, I always appreciated his ability to stir up discussion.
To be clear, I did not have much personal interaction with Harlan over the years. The first tho was at a Worldcon in the 80s when he asked a large audience who had read a particular book he appreciated. Turned out that only he and I had done so. We chatted for a minute sharing comments, and, as a first encounter, I found him pleasant despite his reputation.
The other time was when Ray Bradbury suggested I call “his friend Harlan” about serving as a guest to LTUE. I can just imagine what must have gone through Harlan’s mind when he got a call from Utah, and from very Mormon BYU at that, asking about being a guest. (Had it happened, it would certainly have stirred things up here!) He was polite, straightforward, and nothing like his public “persona”. I came away appreciating him much more.
The last time was at a LASFS meeting at the old “Hooverville” building. He looked tired, but came to be with fen and seemed to have a good time. I’ll keep that image in my mind as I remember him.
Along with the Star Trek episode, Ellison’s 1964 Outer Limits installment “Demon with a Glass Hand” is widely considered among the best of its series. The bizarre, uncanny episode starred Robert Culp as a man who wakes with no memory but an apparently all-knowing glass hand. For years, rumors persisted that “Demon” inspired Terminator, though Ellison was quoted to have said, “Terminator was not stolen from ‘Demon with a Glass Hand,’ it was a ripoff of my OTHER Outer Limits script, ‘Soldier.’” According to a 1991 Los Angeles Times article, Ellison once again sued and settled.
ComicBook.com — Sci-Fi Writer Harlan Ellison Dies At 84
…Ellison also crafted a script for the Batman ’66 television series that would’ve introduced Two-Face into the show’s canon, but it was never shot. The story recently was turned into a comic titled Batman ’66: The Lost Episode, which officially brings the character into the series.
…When he dealt with Hollywood, he fearlessly said exactly what he thought again and again — often causing fallout as a result. In the wake of the 1977 release of “Star Wars,” a Warner Bros. executive asked Ellison to adapt Isaac Asimov’s short story collection “I, Robot” for the bigscreen.
Ellison penned a script and met with studio chief Robert Shapiro to discuss it; when the author concluded that the executive was commenting on his work without having read it, Ellison claimed to have said to Shapiro that he had “the intellectual capacity of an artichoke.” Needless to say, Ellison was dropped from the project. Ellison’s work was ultimately published with permission of the studio, but the 2004 Will Smith film “I, Robot” was not based on the material Ellison wrote.
Perhaps Ellison’s most famous story not adapted for the screen was 1965’s “Repent, Harlequin! Said the Ticktockman,” which celebrates civil disobedience against a repressive establishment. “Repent” is one of the most reprinted stories ever.
[Editor’s note: The evil done to Harlan Ellison’s television scripts by cigar-chomping producers has long been part of his legend. In some of the worst cases he refused to have his name appear in the credits, and they aired with his pseudonym Cordwainer Bird shouldering the blame.]
Harlan’s death is accompanied by the passing of Cordwainer Bird, his writing partner of many years, described as “a short, choleric, self-possessed writer of mystery stories and science-fiction for television”, who “has no compunction about punching directors and producers two foot taller than himself right in the mouth.” Bird’s parents were Jason Bird and Rhonda Rassendyll, and he is nephew to The Shadow and a descendent of Leopold Bloom. As a member of the Wold Newton Family himself, Bird’s illustrious heritage has made him something of a fighter for justice in his own right.
A great voice silenced.
Until you pick up one of his books…
(1) Richard Powers has been inducted into the Society of Illustrators Hall of Fame reports Irene Gallo on Tor.com.
Science fiction artist Richard Powers is among the Society of Illustrators’ newest Hall of Fame inductees, along with Beatrix Potter, Peter de Seve, Marshall Arisman, Guy Billout, Rolf Armstrong, and William Glackens. Since 1958, the Society of Illustrators has elected to its Hall of Fame artists recognized for their “distinguished achievement in the art of illustration.”
Richard Powers was a hugely influential science fiction illustrator throughout the 1950s and ’60s…
Powers was dedicated to a fine art career alongside of his commercial work—the influences of modern art were clear throughout his illustration. While trends switched towards more literal and rendered illustration in the ’80s to ’90s, Powers is still beloved today. This year’s World Fantasy Convention mounted a special exhibit of nearly 90 Powers paintings and collages.
(2) There are many shots of the Richard Powers exhibit in John Davis’ photos from the 2015 World Fantasy Convention.
Andrew Porter, who sent the link, hopes you will also appreciate the five paintings and the other Powers material he contributed to the show.
(3) Gallo’s post “Twelve Tor.com Story Illustrations Make it Into Society of Illustrators Awards” features all 12 images.
We talk a lot of about writers and stories on Tor.com but we always strive to give equal attention to our visual presentation. We are indebted to the artists who work tirelessly to make us, and our stories, look good and connect to readers. With that in mind, I’m sure you can appreciate how delighted and honored I am that 12 illustrations for Tor.com Publishing have been selected for this year’s Society of Illustrators annual exhibition.
(4) Simon Spanton, associate publisher at Gollancz, left Orion on November 20. Orion said Spanton was leaving the publisher after 19 years “by mutual agreement.”
Spanton joined Orion in 1996, having started out as a bookseller in 1986 and after a spell at Macmillan UK.
He first worked on Orion’s Millennium imprint in a wide role encompassing fiction, sports books, military history and children’s fiction before it was bought by Cassell in 1999, after which he became co-editorial director for Gollancz with Jo Fletcher. Spanton was promoted to the position of associate publisher at the sci-fi and fantasy imprint in May 2013, tasked with responsibility for “innovative acquisitions and Gollancz’s social media and community engagement, as well as continuing to publish his award-winning list to its full potential”.
(5) N. K. Jemisin’s newest fan is a reader who had given up on fantasy – but is back now.
There does seem to be a theme running through a lot of the fanmail I get, along these lines: people who’d stopped reading fantasy for whatever reason have been reading my work and then feeling pulled back into the genre. And that’s awesome. I love that my audience contains so many “non-traditional” fantasy fans. But this is the kind of thing that shouldn’t be happening just because of my fiction. There’s plenty of fantasy out there with “no wizards or orcs or rangers or elves”… and while I think there isn’t nearly enough fantasy out there starring middle-aged mothers of color (or biracial polyamorous proto-goddesses, or blind black women, or Asian male ex-gods with daddy issues, or gay black male assassins, or shy black female healers, or…), there’s some other stories like that out there, too. So what’s happening here, that so many ex-fantasy readers — readers who really just need one non-formulaic book to bring them back into the fold — aren’t aware that there’s stuff here they might enjoy?
(6) Pam Uphoff rides to the rescue of NaNoWriMo participants who are out of gas, in her post at Mad Genius Club.
Welcome to the last third of NaNoWriMo, where we all despair! Let me throw out some ideas that might help you get going again.
Finished? Ha! Go back a make a searchable mark (I use ///) everyplace where you told us about something instead of showing us, instead of pulling us into the situation.
Then go back to the start and search those out. Rewrite them. Use lots of dialog. Don’t be stiff and terse. Have some fun. Have your hero call something pink. Have your heroine disagree. “Don’t be silly! It’s obviously a soft dusty salmon.” “It’s a fish?” Or flip the genders on it. He’s an artist, he sees these colors. Make the reader laugh. Or cry. Or get mad.
Then go to the next mark and rewrite that bit. Do them all.
(7) A local Spokane man was in court November 16, charged with attacking his neighbor with a Klingon bat’leth, a bladed weapon, reports TV station KREM.
Carlo Morris Cerutti was in court Monday, accused of attacking his neighbor for putting trash in his trash can on Saturday. Court documents Cerutti, 50, is charged with Assault after swinging a Klingon sword at his neighbor.
Documents said Cerutti’s wife, Joyce, had accused their neighbor of putting trash in their trash can. The neighbor told police he had gotten into argument with the wife about the trash.
“Our next door neighbor was evicted and he was throwing his stuff in our garbage can so I took it put it in a bag, took it to him and said Jr. will you please not put your stuff in our garbage can,” said Joyce.
Joyce said the incident only escalated from there.
“I turned around and he chucked the bag at me and hit me in the back and then he started throwing garbage all over my yard,” said Joyce.
The neighbor said after the argument, Cerutti came rushing out of his house with a weapon that had multiple blades and started swinging. Court documents said the neighbor put his hands up and blocked the blade from striking him. The neighbor said he was able to pull the weapon away from Cerrutti and in the process, he fell backwards off the porch. The neighbor then called 911. Documents said when police arrived on scene Cerrutti was taken into custody for Assault and was later booked into the Spokane County Jail.
Joyce said that her husband never attacked the neighbor with a sword. She said her husband did grab the Klingon sword off the wall and said he did swing it at the neighbor. She said he only did this after he barged into their home.
(8) Neal Stephenson will be at George R. R. Martin’s Jean Cocteau Theatre in Santa Fe to discuss Seveneves next Friday at 3:30 p.m.
(9) While I don’t think Brian Clegg’s “A Strange Relationship” for the SFWA Blog is heretical, surely somebody will.
Although definitions of science fiction are tricky, it surely specializes in “What if?” – placing humans (or aliens) in an imagined scenario that has an element of science or technology in its set-up and seeing how they react. This is why Jules Verne got it so wrong about H. G. Wells when comparing their fictional voyages to the Moon. Verne remarked “It occurs to me that his stories do not repose on a very scientific basis… I make use of physics.” Yet in reality, Wells did the better job. He took an admittedly fictional means of travel, but then followed it through logically in its impact on humans. Verne took an existing technology – the cannon – and used it in a totally illogical fashion, firing his astronauts into space with a g force that would have left them as soup.
It is far more important in science fiction for the follow-through of the “what if” to be realistic and logical than it is for the setup to make a clear prediction of scientific possibility.
(10) Cheezburger is letting people vote on whether “H.P. Lovecraft Looks Totally Like Woodrow Wilson”.
And you wonder why I don’t link more often to Cheezburger…
(11) Michael G. Gross, who designed the Ghostbusters logo and a famous/infamous magazine cover died November 16 at the age of 70.
Gross is perhaps best remembered at National Lampoon for the 1973 “Death” issue, whose cover featured the words “If You Don’t Buy This Magazine, We’ll Kill This Dog” emblazoned over an image of a dog with a gun to its head. “This very talented comedian named Ed Bluestone came to the office in 1972 with the line,” Beard told Splitsider in 2012. “The next day Michael found a dog who would turn its eyes away from a pistol with a little prodding. I saw this picture and simply couldn’t believe it. And it was like with a wave of his left hand. Magic.”
(12) Mike Hale finds many good things to say about Netflix’ new Jessica Jones in his review at the New York Times.
“Jessica Jones,” the second of Netflix’s original series based on Marvel comic books (after “Daredevil”), is reluctantly superheroic. Created by Melissa Rosenberg, the screenwriter of five “Twilight” movies as well as a writer on TV shows including “Dexter,” and starring the acerbic Krysten Ritter of “Don’t Trust the B____ in Apartment 23,” it’s a clever 21st-century take on film noir, featuring a heroine who hides her superstrength because it’s at the root of her extreme emotional vulnerability and fear. There’s a tricky balancing act going on — crossing a moody detective show with both a comic action thriller and a woman-in-peril psychological drama — but Ms. Rosenberg proves to be mostly up to the task.
(13) M.I.T. researchers’ haste to open a time capsule addressed to the year 2957, found during construction, led the media to kid them about their deficient counting skills.
(14) Hunger Games‘ heroine Katniss Everdeen (played by comedian Whitney Avalon) and Harry Potter‘s Hermione Granger (played by actress Molly C. Quinn) are facing off in an epic edition of Princess Rap Battles.
[Thanks to Brian Z., John King Tarpinian, Steven H Silver, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day JJ .]
Richard and Wendy Pini have donated the archive of Elfquest, the popular comic book they created 1978, to Columbia University Libraries/Information Services’ Rare Book and Manuscript Library.
Columbia is getting every piece of original art from ElfQuest, including original art boards and pages from the comic book series, which was largely self-published by the Pinis.
Richard Pini explains why they did not follow the trend of many other artists and sell their original pages —
At first, the decision to hang on to every page of Wendy’s Elfquest art was mostly a commercial one; we never knew when we might need the original boards for reprinting. There was also an emotional component. I remembered the long hours Wendy put in, the editorial debates we had, the shared joy of seeing exactly the right expression on a character’s face. Now that we have high-quality digital scans of it all, we’re honored to donate the entire archive to Columbia.
The Pinis’ archives also include original art from an unrealized animated adaptation of Michael Moorcock’s fantasy novel Stormbringer and from a graphic novel adaptation of The Masque of the Red Death; drafts of scripts and novelizations; copies of each edition of the ElfQuest graphic novels; fanzines created by both the Pinis and their fans; correspondence, contracts, and legal records; and the design for Wendy Pini’s Red Sonja cosplay costume.
[Thanks to Michael J. Walsh for the story.]