Pixel Scroll 3/27/23 When The Fifth Is Found To Be Lies, And All The File Within You Dies, Don’t You Want Some Pixel To Scroll?

(1) 2023 NASFIC. Pemmi-Con, the 2023 NASFiC, has posted Progress Report 1, a free download.

This Progress Report includes information about programming, our venues, exhibits, accessibility, NASFiC site selection, how to check and confirm your membership level, and a brief Q&A about Winnipeg with our Co-Chair, Linda Ross-Mansfield. Are you a book lover? We feature an article about used book and music stores in Winnipeg. And more.

(2) SFF FOR PEDESTRIANS. [Item by Dale Arnold.] The Baltimore Science Fiction Society successfully deployed a Little Free Library in front of our building at 3310 East Baltimore Street on March 25. The library features a two-compartment design with the lower one for children’s books and the upper for YA+ books. Books will be suitable SF and fantasy duplicates donated to our library (our holdings are over 17,000 titles inside the building) and other children’s books donated specifically to assist in improving reading skills in a fun way. The design of this library fits to the odd available location available at our building and criteria specified by our friends in Baltimore City Government. (And still look like a typical little library as much as possible.)

(3) WILL THE WGA STRIKE? The New York Times investigates “Why There Is Talk of a Writers’ Strike in Hollywood”.

What are the writers’ complaints?

Every three years, the writers’ union negotiates a contract with the major studios that establishes pay minimums and addresses matters such as health care and residuals (a type of royalty), which are paid out based on a maze of formulas.

And though there has been a boom in television production in recent years (known within the industry as “Peak TV”), the W.G.A. said that the median weekly pay for a writer-producer had declined 4 percent over the last decade.

Because of streaming, the former network norms of 22, 24 or even 26 episodes per season have mostly disappeared. Many series are now eight to 12 episodes long. At the same time, episodes are taking longer to produce, so series writers who are paid per episode often make less while working more. Some showrunners are likewise making less despite working longer hours.

“The streaming model has created an environment where there’s been enormous downward pressure on writer income across the board,” David Goodman, a co-chair of the guild negotiating committee, said in an interview.

Screenwriters have been hurt by a decline in theatrical releases and the collapse of the DVD market, union leaders said.

Between 2012 and 2021, the number of films rated annually by the Motion Picture Association fell by 31 percent. Streaming services picked up some slack, but companies like Netflix and Warner Bros. Discovery, which owns HBO Max, have been cutting back on film production to reduce costs amid slowing subscriber growth….

(4) AI SINCE 1956. “Throughline’ examines artificial intelligence — and these days AI is everywhere” at NPR.

…ABDELFATAH: Keep in mind, at this point, computers were so big, they took up whole rooms, made tons of noise and had vacuum tubes for data input.

DICK: You know, the most disturbing part of the history of AI for me comes from the fact that these men who were working in artificial intelligence looked at those massive, noisy, hot mainframe computers and saw themselves in it.

ARABLOUEI: One proposed measure of machine intelligence was something called the Turing test, named for its creator, British mathematician Alan Turing.

ABDELFATAH: The way it works is a computer and a human being are put in separate rooms. A judge asks each of them questions without seeing either.

DICK: And then the judge, of course, is meant to be able to figure out whether the machine is the human or the human is the human. And what I have always found so shocking about the Turing test is that it reduces intelligence to telling a convincing lie, to putting on the performance of being something that you’re not…

(5) ROBOTS AT WORK. NPR profiles “The role robots play in getting your online orders to you”.

…Robots are key to helping Amazon sort and send 5 billion packages a year.

At Amazon Air, the company’s global air hub at the Cincinnati Northern Kentucky International Airport, hundreds of self-charging electric robots that look like small scooters go whizzing across a giant concrete floor. As they work to fill your orders, some speed up and others slow down because they all don’t have the same priority.

Director of Operations Adrian Melendez explains how the “drives” know where to go on this robotics sortation floor.

“They primarily use the square stickers on the floor we call ‘fiducials.’ And so the drive unit has a sensor on the bottom of it that reads these fiducials as it makes its way across the floor. And it knows exactly where it needs to speed up and slow down,” he says.

Even a year ago at all its facilities, the company had a half-million drives and more than a dozen types of robots. In Boston, it’s testing a robot called Sparrow. It’s the first Amazon robot that can sort different shapes and sizes. Some worry it might replace people. Melendez says don’t worry about that.

“Robotics can never replace people,” Melendez says. “The robots are really good at algorithms or following a set path. People are problem-solvers and that’s what we want to keep our folks doing.”…

(6) NPR CUTBACKS. And after we link to two items from NPR, what thanks do they get? “NPR Cuts 10% of Staff and Halts Production of 4 Podcasts” – and the New York Times assesses the damage.

…Although production is stopping, she added, “we’re not using the word ‘canceling,’ as the work may continue in other forms.”

“Invisibilia,” a podcast about the invisible forces that guide human behavior, began in January 2015, around the beginning of the podcast boom. It quickly reached No. 1 on Apple Podcasts, and its episodes were streamed or downloaded more than 10 million times in four weeks.

NPR will also halt production of “Everyone & Their Mom,” a comedy spinoff of the company’s weekend news quiz show, “Wait Wait… Don’t Tell Me!”

Rough Translation,” a podcast that tells stories from places around the world in a relatable manner, will stop production after its new season airs this summer.

“How to say goodbye to a show that you’ve made for 6 years?” Gregory Warner, the host of the show, said on Twitter. “I’ll be trying to figure that out.”

Louder Than a Riot,” a music podcast, will also cease production after its current, second season. The show explores marginalization in hip-hop and how misogynoir — the combined racism and misogyny against Black women — is embedded in culture….

(7) FLATIRON AUCTIONED. A building once known as home to Tor Books has a new owner:“Empty for years, NYC’s famous Flatiron Building — and its weird narrow passages — may get a fresh start with $190M sale”.

The Flatiron Building is one of New York City’s most recognizable structures, and it now has a new owner after a public auction on Wednesday.

In an auction ordered by the New York Supreme Court, investor Jacob Garlick outbid the building’s current owners and other big names in real estate to secure the Manhattan landmark for $190 million, Smithsonian Magazine reported.

Dozens of onlookers gathered in Lower Manhattan to watch the historic building go on the block with an opening bid of $50 million. It went for nearly four times that to Garlick following a 45-minute bidding war.

“It’s been (a) lifelong dream of mine since I’m 14 years old. I’ve worked every day of my life to be in this position,” Garlick, managing partner at firm Abraham Trust, told NY1. “We are honored to be a steward of this historic building, and it will be our life’s mission to preserve its integrity forever.”…

(8) SHATNER IS PEEVED. “Elon Musk Ruffles William Shatner’s Feathers (And He Has Some Words)” – and The Street will tell you what those words are.

…Before Musk purchased Twitter, the blue check was free and was given to prominent politicians, businesses, journalists and personalities.

Now, the blue badge costs $7.99 per month. But those users who previously had the blue checkmark accompanying their accounts, before Twitter started charging for it, were allowed to keep it for a grace period.

That grace period is over as of April 1, when all legacy checkmarks will disappear.

“Hey @elonmusk, what’s this about blue checks going away unless we pay Twitter? I’ve been here for 15 years giving my time and witty thoughts all for bupkis,” tweeted Shatner. “Now you’re telling me that I have to pay for something you gave me for free? What is this — the Colombia Records and Tape Club?”

(9) MUSIC OF THE FEARS. American Songwriter introduces readers to “5 Songs You Didn’t Know Credit Edgar Allan Poe”.

…Long after his mysterious death at 40 in 1849, the legend, myths and mystery of Poe and his works continue to get reinterpreted and adapted in film, television, stage, books, and other forms of media.

Poe’s words have also been transmitted through music, with many of his poems and stories credited in more contemporary songs….

Here’s number two on the list:

2. “Ol’ Evil Eye,” Insane Clown Posse (1995)
Written by Edgar Allan Poe, Mike E. Clark and Insane Clown Posse

“Ol’ Evil Eye” is an Insane Clown Posse (ICP) retelling of Poe’s more horrid 1843 short story “The Tell-Tale Heart.” Released on the group’s third album, Riddle Box, the track features ICP’s studio vocalist and guitarist Legz Diamond reading an excerpt of the Poe classic.

I ring the doorbell, the door creeps open
And there it was starin’ and scopin’
The man’s left eye, red, big, and drippin’
I was trippin’. “Ahh, seeya!”
I ran home. I couldn’t stop thinking
About his eyeball winking and blinking
And it looked not a damn thing like the other. Ugh!
Shoulda wore a patch on the motherfucker
It hypnotized me, mesmerized me
Traumatized, paralyzed, terrorized me
Creepers, where’d you get that ball?
And tell me how it even fits in your skull

(10) MEMORY LANE.

1933[Compiled by Cat Eldridge.]

I’m fairly eclectic in my reading — I like equally fantasies, science fiction of all sorts and a wide range of mysteries, mostly I’ll admit mostly done though the Forties. And this is why the Beginning this Scroll is from Erle Stanley Gardner’s The Case of the Velvet Claws which was published by William Morrow and Company in 1933.

It’s the first of his Perry Mason mysteries which will eventually number eighty two plus four short stories. Many of you will have seen the simply extraordinary Perry Mason series that started in the Fifties which starred Raymond Burr. (I’m watching it right now.) Yes, I know there’s a new HBO Max series but I’ve no interest in seeing it. The Perry Mason series ran for two hundred snd seventy one episodes plus thirty movies. 

I like the Beginning has Perry exhibiting some of the traits of the classic private investigators. 

And now our Beginning…

AUTUMN SUN BEAT against the window. 

Perry Mason sat at the big desk. There was about him the attitude of one who is waiting. His face in repose was like the face of a chess player who is studying the board. That face seldom changed expression. Only the eyes changed expression. He gave the impression of being a thinker and a fighter, a man who could work with infinite patience to jockey an adversary into just the right position, and then finish him with one terrific punch. And now our Beginning…

Book cases, filled with leather-backed books, lined the walls of the room. A big safe was in one corner. There were two chairs, in addition to the swivel chair which Perry Mason occupied. The office held an atmosphere of plain, rugged efficiency, as though it had absorbed something of the personality of the man who occupied it. 

The door to the outer office opened, and Della Street, his secretary, eased her way into the room and closed the door behind her.

 “A woman,” she said, “who claims to be a Mrs. Eva Griffin.” 

Perry Mason looked at the girl with level eyes. 

“And you don’t think she is?” he asked. She shook her head. “

“She looks phony to me,” she said. “

“I’ve looked up the Griffins in the telephone book. And there isn’t any Griffin who has an address like the one she gave. I looked in the City Directory, and got the same result. There are a lot of Griffins, but I don’t find any Eva Griffin. And I don’t find any at her address.” 

“What was the address?” asked Mason.

“2271 Grove Street,” she said. 

Perry Mason made a notation on a slip of paper.

“I’ll see her,” he said.

“Okay,” said Della Street. “I just wanted you to know that she looks phony to me.” 

Della Street was slim of figure, steady of eye; a young woman of approximately twenty-seven, who gave the impression of watching life with keenly appreciative eyes and seeing far below the surface. 

She remained standing in the doorway eyeing Perry Mason with quiet insistence. “I wish,” she said, “that you’d find out who she really is before we do anything for her.”

“A hunch?” asked Perry Mason.

“You might call it that,” she said, smiling. 

Perry Mason nodded. His face had not changed expression. Only his eyes had become warily watchful.

“All right, send her in, and I’ll take a look at her myself.” 

Della Street closed the door as she went out, keeping a hand on the knob, however. Within a few seconds, the knob turned, the door opened, and a woman walked into the room with an air of easy assurance. 

She was in her early thirties, or perhaps, her late twenties—well groomed, and giving an appearance of being exceedingly well cared for. She flashed a swiftly appraising glance about the office before she looked at the man seated behind the desk.

“Come in and sit down,” said Perry Mason.

She looked at him then, and there was a faint expression of annoyance upon her face. It was as though she expected men to get up when she came into the room, and to treat her with a deferential recognition of her sex and her position.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 27, 1892 Thorne Smith. A writer of humorous supernatural fantasy. He is best remembered for the two Topper novels — a comic fantasy fiction mix of plentiful drink, many ghosts and sex. Not necessarily in that order.  The original editions of the Topper novels complete with their erotic illustrations are available from the usual digital sources. (Died 1934.)
  • Born March 27, 1901 Carl Barks. Cartoonist, writer, and illustrator. He is best known for his work in Disney comic books, as the writer and artist of the first Donald Duck stories and as the creator of Scrooge McDuck. He wrote The Fine Art of Walt Disney’s Donald Duck and Walt Disney’s Uncle Scrooge McDuck. He was one of the three inaugural inductees of the Will Eisner Comic Book Hall of Fame. (Died 2000.)
  • Born March 27, 1942 Michael York, 81. I remember him in the Babylon 5 episode “A Late Delivery from Avalon” as a man who believed himself to be King Arthur returned. Very chilling. I also enjoyed him as D’Artagnan in the Musketeers films and remember him as Logan 5 in Logan’s Run. So what in his genre list really impresses you?
  • Born March 27, 1949 John Hertz, 74. Winner of the Big Heart Award, presented at the 2003 Worldcon. He’s quite active in the fanzine world publishing the Vanamonde fanzine. Four collections of his fanwriting have been published, West of the MoonDancing and Joking, On My Sleeve, and Neither Complete nor Conclusive. He‘s been nominated for the Hugo for Best Fan Writer three times.
  • Born March 27, 1952 Dana Stabenow, 71. Though better known for her superb Kate Shugak detective series of which the first, the Edgar Award-winning A Cold Day for Murder is a Meredith moment right now, she does have genre work to her credit in the excellent Star Svensdotter space series, and the latter is available at the usual digital suspects.
  • Born March 27, 1953 Patricia Wrede, 70. She is a founding member of The Scribblies, along with Pamela Dean, Emma Bull, Will Shetterly, Steven Brust and Nate Bucklin. Not to be confused with the Pre-Joycean Fellowship which overlaps in membership. Outside of her work for the the Liavek shared-world anthology created and edited by Emma Bull and Will Shetterly, there are several series she has running including Lyra (Shadow Magic)Enchanted Forest Chronicles and Cecelia and Kate (co-written with Caroline Stevermer). She’s also written the novelizations of several Star Wars films including  Star Wars, Episode I – The Phantom Menace and Star Wars, Episode II – Attack of the Clones  in what are  listed  as  ‘Jr. Novelizations’. 
  • Born March 27, 1969 Pauley Perrette, 54. Though she’s best known for playing Abby Sciuto on NCIS, a role she walked away from under odd circumstances, she does have some genre roles. She was Ramona in The Singularity Is Near, a film based off Ray Kurzweil’s The Singularity Is Near: When Humans Transcend Biology. Next up is the most excellent Superman vs. The Elite in which she voices Lois Lane. Let’s see… she had a recurring role on Special Unit 2 as Alice Cramer. 
  • Born March 27, 1971 Nathan Fillion, 52. Certainly best known for being Captain Malcolm “Mal” Reynolds in Firefly ‘verse. An interesting case of just how much of a character comes from the actor. In his case, I’d say most of it. He portrayed Green Lantern/Hal Jordan in Justice League: DoomJustice League: The Flashpoint Paradox and Justice League: Throne of AtlantisThe Death of Superman and Reign of the Supermen. Oh, and he appeared in a recurring role in Buffy the Vampire Slayer as Caleb. Anyone watch him in the Castle series? Opinions please.

(12) MAIL FROM JRRT. Two recently discovered “Tolkien letters shine new light on writer’s life and work” at The National Archives. The first page of one of the letters can be read in an image at the link.

Two handwritten letters penned by JRR Tolkien have been discovered for the first time, almost 50 years after the death of the Lord of the Rings author.

The previously unrecorded documents were unearthed by a volunteer working at The National Archives in Kew ahead of Tolkien Reading Day on March 25.

Written in 1945, shortly after Tolkien’s appointment as Professor of English Language and Literature at Merton College, Oxford, the letters are part of an exchange with the British Council about funding for his research into early English languages….

(13) ABOUT THOSE PERSONAL APPEARANCES. After a certain point Bob Kane paid other artists to do the work. Which brings up a question. “Batman: How Did Bob Kane Fake Doing ‘Spur of the Moment’ Drawings?” CBR.com knows the answer. You’ll find it at the link.

…However, that certainly did bring up a major problem for Kane. It was one thing to take credit for other artists’ work, but what happens when you have to demonstrate that you can draw yourself? It’s certainly a bit of a pickle, especially since Kane was such a lover of publicity that he WANTED to do as many public appearances as possible. Well, as it turned out, he solved his problem with a little help from Joe Giella (who was inking “Kane” on the Batman titles at the time, and also ghost penciling and inking the Batman comic strip under Kane’s byline)….

(14) DEATH ON BOARD. “Scare Me Once? Great Game. Scare Me Twice? Great Remake.” The New York Times studies the return of “Isaac Clarke” and what is needed to make successful new versions of vintage video games.  

Die-hard fans wanted the floating spaceship of their nightmares, one stocked with mutilated zombies, improvised blowtorches and zero-gravity spectacles. The fictional engineer Isaac Clarke navigated this ramshackle vessel in Dead Space, the popular survival horror video game from 2008 that spawned two sequels.

But when developers at Motive Studios, a division of Electronic Arts based in Montreal, revisited the original for a planned remake nearly 15 years later, something was amiss.

What players remembered as terrifying seemed almost campy by modern standards because of technological advancements to graphics and artificial intelligence that have made gaming more immersive. The developers realized they would need to start from scratch, dismantling the spaceship, redesigning the zombies — known as necromorphs — and constructing new story lines.

“We don’t necessarily want to recreate the game as it was, but like you remember it,” said the remake’s creative director, Roman Campos-Oriola, who previously worked on the Ghost Recon franchise. “That often means breaking stuff, which has a ripple effect.”…

(15) HAWKEYE ACTOR RECOVERING.  Jeremy Renner is making progress: “Jeremy Renner Walks in New Video of His Snow Plow Accident Recovery, Actor Uses Anti-Gravity Treadmill”.

… The “Hawkeye” star posted a video to his Instagram story in which he walks with the assistance of an anti-gravity treadmill. Renner confirms in the video that he is doing all of “the walking motion” himself, with the anti-gravity treadmill taking off a percentage of his body weight as his legs slowly recover.

The actor captioned the post: “Now is the time for my body to rest and recover from my will.”…

(16) BEADS OF MOISTURE. From the Guardian: “Glass beads on moon’s surface may hold billions of tonnes of water, scientists say”.

…Anand and a team of Chinese scientists analysed fine glass beads from lunar soil samples returned to Earth in December 2020 by the Chinese Chang’e-5 mission. The beads, which measure less than a millimetre across, form when meteoroids slam into the moon and send up showers of molten droplets. These then solidify and become mixed into the moon dust.

Tests on the glass particles revealed that together they contain substantial quantities of water, amounting to between 300m and 270bn tonnes across the entire moon’s surface.

“This is going to open up new avenues which many of us have been thinking about,” said Anand. “If you can extract the water and concentrate it in significant quantities, it’s up to you how you utilise it.”

Hints that the moon might not be an entirely arid wasteland have emerged from previous missions. In the 1990s, Nasa’s Clementine orbiter found evidence for frozen water in deep, steep-sided craters near the moon’s poles. In 2009, India’s Chandrayaan-1 spacecraft spotted what appeared to be a thin layer of water bound up in the surface layer of moon dust.

The latest research, published in Nature Geoscience, points to fine glass beads as the source of that surface water. Unlike frozen water lurking in permanently shaded craters, this should be far easier to extract by humans or robots working on the moon.

“It’s not that you can shake the material and water starts dripping out, but there’s evidence that when the temperature of this material goes above 100C, it will start to come out and can be harvested,” Anand said….

(17) KEEPING THE ART IN ARTESIAN. This water is closer to home, and leans towards fantasy rather than science fiction. “Elven Spring Magic Water”.

(18) ROCK AROUND THE CLOCK. ScienceAlert breaks the news: “Nope, Stonehenge Isn’t an Ancient Calendar After All, Scientists Say”.

… As dawn breaks on summer solstice and the Sun boldly climbs above the Heel Stone that lies northeast of the circle, shining its rays directly into the heart of Stonehenge, it’s hard to deny that the monument was designed with the turning-point of the seasons in mind.

To a number of scholars, there’s more to Stonehenge’s design than a symbolic reverence for the changing lengths of days. It’s a timekeeper of some detail, a ‘Neolithic computer‘ even, tasked with dividing up the year around less significant events.

Last year, Bournemouth University archaeologist Tim Darvill published his claim that the monument operated as some kind of ‘perpetual calendar’, one based on a solar year equivalent to 365.25 days.

Now, Polytechnic University of Milan mathematician Giulio Magli and astronomer Juan Antonio Belmonte from the Institute of Astrophysics of the Canary Islands, Spain, have countered Darvill’s claim, stating it is based on “a series of forced interpretations, numerology, and unsupported analogies with other cultures”….

(19) HIS SHIP COMES IN. Artist Rick Sternbach shared on Facebook how touched he was to have his name added to canon via Star Trek: Picard.

I’ll say one other thing that should be somewhat obvious; my thanks to everyone involved with Picard for making the USS Sternbach a canon thing. I absolutely appreciate it. When I pressed for the name Bussard to be attached to the matter collectors in Star Trek, and it was accepted, Bob Bussard– *Dr. Robert W. Bussard*, whom I had the pleasure of talking with and learning from as far back as 1983, thanked me for the inclusion. I know how it feels. Onward.

(20) SPACE COMMAND. “Mr. Sci-Fi at Wondercon!” encourages viewers to contribute to “Space Command Forgiveness: The Final Shoot” Kickstarter.

We’re filming the final climax to the next installment of Space Command Forgiveness, the epic Sci-Fi adventure created by Marc Zicree.

[Thanks to Chris Barkley, Andrew Porter, Michael Toman, Murray Moore, Michael J. Walsh, Dale Arnold, JJ, Cat Eldridge, Mike Kennedy, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Xtifr.]

Pixel Scroll 9/21/20 A Sandworm Wearing A Face Mask Walks Into A Bar

(1) TOP TARDIS OWNER DECIDED AT BALLOT BOX. Radio Times counted 50,000 votes and the result was close — “Doctor Who fans vote David Tennant best Doctor, narrowly beating Jodie Whittaker”.

…Both actors took 21 per cent of the overall poll vote with over 10,000 votes apiece, with Tennant squeaking ahead with just 100 extra votes in the final count. At other points, Whittaker had been leading the poll or was just below eventual third place winner Peter Capaldi, Whittaker’s predecessor in the role (playing the Twelfth Doctor from 2013-2017) who claimed 18 per cent in the final count….

You can see a full breakdown of the votes and results below.

  1. David Tennant 10518 / 21%
  2. Jodie Whittaker 10423 / 21%
  3. Peter Capaldi 8897 / 18%
  4. Matt Smith 7637 / 16%
  5. Tom Baker 3977 / 8%
  6. William Hartnell 1983 / 4%
  7. Paul McGann 1427 / 3%
  8. Christopher Eccleston 1144 / 2%
  9. Jon Pertwee 1038 / 2%
  10. Patrick Troughton 915 / 2%
  11. Sylvester McCoy 462 / 1%
  12. Colin Baker 359 / 1%
  13. Peter Davison 351 / 1%

(2) STAR CHOW. Sir Pat Stew and Mark Hamill (as Luke Skywalker) face off in a new commercial for Uber Eats.

(3) A COUPLE OF…WHAT? That’s what they’re trying to figure out. Disney+ dropped a trailer for WandaVision.

Welcome to WandaVision. Coming soon to Disney+. Marvel Studios’ captivating new series “WandaVision” stars Elizabeth Olsen and Paul Bettany, and marks the first series from Marvel Studios streaming exclusively on Disney+. The series is a blend of classic television and the Marvel Cinematic Universe in which Wanda Maximoff and Vision—two super-powered beings living idealized suburban lives—begin to suspect that everything is not as it seems.

(4) OUTPOST. Skeptoid Media and The Outpost’s title sponsor, Texas Tech, will host a new virtual popular science and entertainment convention, Outpost 2020, from October 23-25, 2020. Yoon Ha Lee will be one of the GoHs.

With an interdisciplinary focus on entertainment, science, literature and education, Outpost 2020 is what happens when a comic con meets a science fair and sets up shop at the intersection of science literacy and science fiction.  In addition to social events, a screening of Science Friction and two full days of panels, The Outpost will feature a track of podcasts recording live, including Everyday Einsten, Grief Burrito, Monster Talk and more. Guests of honor include planetary scientist Tanya Harrison (Tanya of Mars); Locus winner Yoon Ha Lee (Machineries of Empire); actress Susan Egan (Steven Universe), and award-winning composer Brian Tyler (Avengers: Age of Ultron.)

The virtual format enables attendees to tune in from anywhere in the world and the event will be recorded for those who are unable to attend live via Crowdcast. To maximize accessibility, ticket prices are only $25, and a limited number of free tickets are available at registration.

Asteroid Awards. Outpost 2020 features the inaugural Asteroid Awards, recognizing the impact of entertainers, educators and scientists working to further an informed future by inspiring audiences with innovation and the power of narrative. Each award will come with a cash prize sponsored by Texas Tech or Skeptoid Media, and winners will be announced in an awards ceremony on October 24.

(5) BLEAK DEFINITION. Merriam-Webster’s “Words We’re Watching” today discusses “On ‘Doomsurfing’ and ‘Doomscrolling’”]

What to Know

Doomscrolling and doomsurfing are new terms referring to the tendency to continue to surf or scroll through bad news, even though that news is saddening, disheartening, or depressing. Many people are finding themselves reading continuously bad news about COVID-19 without the ability to stop or step back….

(6) DUBLIN DOWNLOAD. [Item by Martin Morse Wooster, Designated Financial Times Reader.] In the September 18 Financial Times, Sarah Hemming writes about To Be A Machine (Version 1.0), a play at the Dublin Theatre Festival (dublintheatrefestival.ie) being performed until October 10 and adapted from Mark O’Connell’s book about people who want to download their brains into computers.

Now the book is a play.  And not only that–it’s a play that mirrors its subject, inviting you to attend in person by sending in your disembodied self via video.  To Be A Machine (Version 1.0), which opens (live-streamed shortly at Dublin Theatre Festival, features actor Jack Gleeson, playing the bemused O’Connell while around him 110 audience members flicker on multiple iPad screens.

The show was originally going to be more conventional, a piece with disembodied actors and a physical audience that explored the friction between the transhumanist desire to free ourselves from our bodies nd the fct live theatre depends on bodies in a room.  Then the pandemic intervened.  The solution seems curiously apt, playing with the idea of what theatre ‘without the hindrance of the body’ actually means.

(7) COBB OBIT. Ron Cobb, a former draughtsman with the Army Corps in Vietnam who became a famous cartoonist for the LA Free Press and went on to a career in Hollywood, died September 21. “Ron Cobb, Designer of the ‘Alien’ Ship and the ‘Back to the Future’ DeLorean, Dies at 83”.

Ron Cobb, the underground cartoonist turned production designer who influenced the making of E.T. the Extra-Terrestrial and helped shape the worlds of Conan the BarbarianAlien and Back to the Future, has died. He was 83.

Cobb died Monday — his birthday — of Lewy body dementia in Sydney, his wife of 48 years, Robin Love, reported.

Cobb brought to life several cantina creatures for Star Wars (1977) and came up with weaponry and sets for Conan the Barbarian (1982), the exterior and interior of the Nostromo ship in Alien (1978) and the earth colony complex in Aliens (1986) and the DeLorean time machine in Back to the Future (1985).

His prolific design work also included the breathing tanks and helmets in The Abyss (1989), the Omega Sector logo and the H bombs in True Lies (1990)the interior of the Mothership and the stranded tanker in Close Encounters of the Third Kind (1977) and the vehicles of The Last Starfighter (1984)….

Rick Sternbach said, “He was amazing to work with on The Last Starfighter. We know of his incredible skills as an artist, and I learned a great deal from him on that single film, but the thing that impressed me the most was his almost giddy enthusiasm for SF and tech.”

Early in his career, Cobb designed some covers for Forry Ackerman’s Famous Monsters. He even showed up for the first meeting in LASFS’ original clubhouse in 1973.

First meeting at the original LASFS clubhouse in 1973. Photo by Stan Burns. Back row, L to R: Robert Bloch, Ray Bradbury, Jerry Pournelle, A. E. Van Vogt, Forry Ackerman. Middle row, L to R: Unknown, Harlan Ellison, Larry Niven, Wendayne Ackerman Front row, L to R: Unknown, Bill Mills, Ron Cobb.

(8) MEDIA ANNIVERSARY.

  • Fourteen years ago, the Worldcon Guest of Honor Speeches as edited by Mike Resnick and Joe Siclari was published by ISFiC Press. It would place second for Best Related Work to James Tiptree, Jr.: The Double Life of Alice B Sheldon by Julie Phillips at Nippon 2007.  With an introductory essay by the editors, it collected a number, though not all, of the speeches made by Guests of Honor starting with the one by Frank R. Paul at the first Worldcon up to the one by Christopher Priest at Interaction. Some have been published elsewhere such as Philip José Farmer’s which appeared as “ Reap” first in Richard E. Geis’ Science Fiction Review in November 1968. It had a press run of a thousand copies with a cover by Bob Eggleton who had won a Hugo for Best Professional Artist at L.A. Con III. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born September 21, 1840 – Thèrése Bentzon.  Essayist, journalist, novelist, translator.  Important in the history of e.g. abolitionism and feminism.  Translated Dickens and Twain.  For us, she tr. (and abridged and rewrote, alas) some of Haggard’s Allan Quatermain in 1888 (and yes, J. Hetzel did it).  (Died 1907) [JH]
  • Born September 21, 1866 – H.G. Wells.  Two dozen novels, a hundred short stories, for us; many others, essays, even this which he illustrated himself.  Hardly kept his opinions out of his fiction; sold his birthright for a pot of message, said Chesterton; but The Time MachineThe War of the WorldsThe Invisible Man, at least, are classic.  (Died 1946) [JH]
  • Born September 21, 1912 – Rod Ruth.  Good at interiors, of which he did nearly two hundred; a few covers, like this for the Dec 41 Amazing.  Here is “Letter to the Editor” (note fictional date 24 Nov 10!) from the Feb 44 Fantastic.  Series, “Romance of the Elements”; here is Hydrogen.  Outside our field, here is a Julian May book; RR also drew The Toodles.  (Died 1987) [JH]
  • Born September 21, 1912 — Chuck JonesLooney Tunes and Merrie Melodies creator (think Bugs Bunny). His work won three Oscars, and the Academy also gave him an honorary one in 1996.  (Died 2002.) (CE)
  • Born September 21, 1935 Henry Gibson. I’m going confess upfront that I remember best him as a cast member of Rowan & Martin’s Laugh-In. On regards his genre work, he showed up on the My Favorite Martian series as Homer P. Gibson, he was in Chitty Chitty Bang Bang as an uncredited dancer, in Bewitched twice, once as Napoleon Bonaparte, once as Tim O’ Shanter, he was the voice of Wilbur in Charlotte’s Web, in The Incredible Shrinking Woman as Dr. Eugene Nortz, and even in an episode of Star Trek: Deep Space Nine, the “Profit and Lace” episode to exact in which he was Nilva, a Ferengi. (Died 2009.) (CE) 
  • Born September 21, 1937 – Ron Cobb, 83.  Having worked on Sleeping Beauty he became a political cartoonist for the Los Angeles Free Press and The Mother Earth News.  In our field he did motion picture design work for AlienConan the BarbarianThe Last StarfighterStar Wars; also Rocket Science Games.  Here is his cover for the Jul 59 F&SF.  Here is a ship he designed for Alien.  Artbook, Colorvision.  [JH]
  • Born September 21, 1947 Nick Castle, 73. He co-wrote with director John Carpenter the scripts for Escape from New York and Escape from L.A., but he’s best remembered for directing The Last Starfighter. He was Michael Myers in Halloween, a role he’d later reprise in, errr, Halloween.  His other interesting genre cred is performing the title song of Big Trouble in Little China as The Coup De Villes with Carpenter and Tommy Lee Wallace. (CE) 
  • Born September 21, 1947 Stephen King, 73. I once saw him leaning up against a wall in Bangor outside his favorite breakfast spot nose deep in a paperback novel. I didn’t approach him to see what he was reading so intently. That’s how his native city treats him. Favorite by him? I’m not fond of his novels but I love his novellas and shorter fiction, so Different SeasonsFour Past Midnight and Skeleton Crew are my picks.  (CE)
  • Born September 21, 1950 Bill Murray, 70. Scrooged is my favorite film by him by a long shot followed by the first Ghostbusters film as I remain ambivalent about the second Ghostbusters film. I’m also fond of his voicing of Clive the Badger in Fantastic Mr. Fox. (CE)
  • Born September 21, 1964 – Andy Duncan, 56.  Three dozen short stories; a sestina in Asimov’s; essays, reviews in The Cambridge Companion to SFFoundationLocusNova Express (i.e. the fanzine, not the W. Burroughs book), NY Rev SF; interviewed in Intergalactic Medicine ShowLightspeedStrange Horizons.  One Sturgeon, one Nebula, three World Fantasy Awards.  [JH]
  • Born September 21, 1972 – Laurine Spehner, 48.  A dozen covers, three dozen interiors; a few short stories.  Here is The Year in Québécois SF, 1999 (2004) and here is 1994 (2014); here is Solaris 204 and here is 215 (all in French).  [JH]
  • Born September 21, 1983 – Cassandra Rose Clarke, 37.  A dozen novels, a score of shorter stories; a sestina in Liminality, half a dozen more poems.  John Clute says Star’s End has “ethical complexity that marks the tale off from much space opera”.  CRC ranks, low to high, We Have Always Lived in the CastleDeclarePale Fire.  [JH]
  • Born September 21, 1990 Allison Scagliotti, 30. One of the primary cast of Warehouse 13, a show that I really, really loved. Her first genre role was as Jayna, one of the Wonder Twins, on the Smallville series. And she showed in a crossover episode of Eureka called appropriately “Crossing Over”. Her last gig is as Camille Engelson on Stitchers which to my surprise got good ratings. (CE)

(10) COMICS SECTION.

(11) SUNDAY SUPPLEMENT. [Item by rcade.] The Sunday installment of the Mutts comic strip brings back a character not seen on the funny pages since the 1950s:

The catchphrase “Nov Schmoz Ka Pop?” identifies the Keebler Elf-looking fellow as the Little Hitchhiker, the creation of Gene Ahern in the Squirrel Cage comic strip that ran from 1936 to 1953. The absurd ride-thumbing character inspired Robert Crumb’s iconic Mr. Natural from the underground comix era.

Mutts creator Patrick McDonnell is a fan of classic strips, sometimes bringing their characters into his own. Before the Little Hitchhiker, there was a 10-strip series in August featuring Popeye, Olive Oil and Sea Hag.

(12) CRAZY-EX NEXT. Rachel Bloom, first introduced to fans by her Hugo-nominated song about Ray Bradbury, has a new project: “Romantic Mystery Drama ‘I’m In Love With The Dancer From My Bat Mitzvah’ in Development at The CW”.

A romantic mystery drama called I’m In Love With The Dancer From My Bat Mitzvah is in development at The CW, according to Deadline. The series comes from CBS Studios.

Ilana Wolpert (High School Musical: The Musical: The Series) will serve as creator, writer, and executive producer. Rachel Bloom (Robot Chicken) will also write and executive producer with Debbie Liebling signed on as an EP (PEN15).

The new series follows a young woman right before her college graduation who gets romantically rejected by her best friend. She soon becomes obsessed with a dancer from her bat mitzvah and convinces her friends to join her down a path of criminal conspiracy. The story is inspired by true events and explores the theme of what we tell ourselves in order to prevent dealing with the reality of a situation.

This is the next project for Crazy Ex-Girlfriend alums Wolpert and Bloom. The CW series ended in 2019.

(13) WITH A CAST OF LEGO. The Star Wars Holiday Special, famous for all the wrong reasons, is getting a second chance: “The Lego Star Wars Holiday Special To Premiere On Disney+”

This November, The LEGO Star Wars Holiday Special, — which premieres on Life Day, November 17, 2020 on Disney+, — will reunite Rey, Finn, Poe, Chewie, Rose and all your favorite droids, from R2-D2 to BB-8, for a joyous feast on Life Day, the holiday first introduced in 1978’s Star Wars Holiday Special. The new LEGO special is the first to debut on the streaming platform and will continue the rich longtime collaboration between Lucasfilm and the LEGO Group — playful adventures told in an endearingly irreverent way.

Set after the events of Star Wars: The Rise of Skywalker, Rey leaves her friends to prepare for Life Day as she embarks on a new adventure with BB-8 to gain a deeper knowledge of the Force. At a mysterious Jedi temple, Rey finds herself hurled into a cross-timeline adventure through beloved moments in Star Wars cinematic history, coming into contact with Luke Skywalker, Darth Vader, Yoda, Obi-Wan Kenobi and other iconic heroes and villains from all nine Skywalker saga films. But will she make it back in time for the Life Day feast and learn the true meaning of holiday spirit?  You’ll have to watch to find out!

(14) CANON, CAN OFF. [Item by Daniel Dern.] This “Walk’n’Cut” can opener from Tanga looks (to me) like Ultron’s nephew, or something.

(15) VIDEO OF THE DAY. In “The Hobbit:  An Unexpected Journey Pitch Meeting” on ScreenRant, Ryan George explains that the producers of the Hobbit movies turned one normal-sized book into three very long movies by padding the hell out of it and throwing in stuff that’s completely unnecessary.”

[Thanks to John King Tarpinian, JJ, Cat Eldridge, Daniel Dern, Michael Toman, Andrew Porter, Dann, John Hertz, Martin Morse Wooster, John A Arkansawyer, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

The 1972 SF Author Cruise To The Final Apollo Launch

The price was right – free.

On December 3, 1972 many of the leading sf writers, artists, and scientists of their generation boarded Holland America’s cruise ship SS Statendam to view the launch of Apollo 17 and to discuss the future of space travel. This would be the last manned mission to the Moon — the rest of the Apollo series had been cancelled — but it was still too early for so many optimists to internalize that America was entering the doldrums of manned space exploration.

A documentary of the cruise, Voyage Beyond Apollo, was recently posted on YouTube.

Some of the most interesting figures on board were Isaac Asimov, the only two people Asimov would admit were more intelligent than he was, Carl Sagan and AI specialist Marvin Minsky, plus Richard Hoagland, Ben Bova, poet Berguet Roberts, artists Rick Sternbach and Don Davis, Harry Stine, Robert Heinlein, Frederik Pohl, Theodore Sturgeon, Fred Ordway, rocket designer and space visionary Krafft Ehricke, SETI pioneer and director of the Arecibo Observatory Frank Drake, and physicist Robert Enzmann. They were joined by a sprinkling of other comped celebrities – Norman Mailer and Katherine Anne Porter among them. All that was really missing were — paying passengers.

In the first of several posts he wrote about the cruise for The Way The Future Blogs,“The Ship of Foolishness, Part 1: The Foreplay”, Frederik Pohl said the three men who organized the cruise were an astronaut, a communications genius who used to work with Walter Cronkite, and a highly respected scientist, but 40 years having passed by the time he penned these memories Pohl decided the organizers deserved anonymity. He just called them “Jim, Joe and Jack.”

The trio knew a lot of people would like to view an Apollo launch, and had experienced what a pain it was to drive down to the Cape, book a hotel, and find parking near the site. One had an inspiration.

“Hey, what about watching it from a cruise ship anchored just offshore?”

And another one, maybe Jim, said, “Great idea! And, listen, if you really wanted to do it, maybe you could get a bunch of people like us to give lectures on the ship in exchange for free tickets.” And somebody, possibly Joe, said, “Why the dickens don’t we just go ahead and do it?”

They did. They talked to Holland America line (my own personal first choice among cruise companies), who loved the idea, only they wanted to make a real cruise out of it, with visits to four or five gorgeous tropical islands. Then they got busy compiling a guest list of leading science-fiction writers and assorted celebrities to attract hoi polloi. To all of which Holland America responded with approval and encouragement, and did they have any other ideas like that?

They invited Pohl and filled him in on who else would be there.

Things were going splendidly, they said. They had been working the invitation list. Robert Heinlein was coming, and Ted Sturgeon and Isaac Asimov and at least a dozen other top science-fiction writers, said Joe. And other celebrities, too, Jack added, people like Carl Sagan and Norman Mailer and Katherine Anne Porter, whose 1962 novel Ship of Fools had created a stir in the world of publishing (an invitation which produced quite a lot of joking from Jim and Joe when Jack mentioned the title).

“And,” Joe put in, giving me a grin, “of course everybody brings his wife or husband or main squeeze. And we’re all comped, for the whole cruise, courtesy of Holland America. In your case, Fred, you don’t even have to worry about air fare, because you live near New York and that’s where this cruise starts and finishes.”

…I don’t actually know what these follies cost Holland America. A figure I have heard mentioned was half a million 1972 American dollars. Jim, Joe and Jack might have been able to give a more precise figure, but we couldn’t ask them.

They hadn’t come aboard.

According to Up Ship, Katherine Anne Porter’s biographer reports only 100 people in total paid for the cruise. There were only 40 “premium tickets” sold for the conference itself. It seems that staggeringly few people wanted to pay the $400 for the conference on top of the $400-$900 for the cruise.

Of course, the guests had no need to think about that, they were there to have a good time, and in “The Ship of Foolishness, Part 2” Pohl assures everyone they did.

Well, enough of telling you about experiences you can’t have. Simply imagine that you’re at the best con you’ve ever attended, only it’s with fewer people than usual and it runs twice as long. And it takes place not in a hotel in some strange city but on board of some twenty thousand tons of steel that is chugging through blue waters under balmy skies. Put them together with a host of entertaining companions available on what is almost a twenty-four hour schedule, and you’ve got the picture.

The titles of the talks presented at the on-board conference are listed in Up Ship’s article about the cruise titled “The Conference That Vanished”.

CORNUCOPIA OF SPACE (1st seminar 6th December)

Bruce Hunt: Co-Chairman

Donald Banks: Co-Chairman

  • Isaac Asimov: What is a Cornucopia
  • Norman Mailer: Is there a Cornucopia out there?
  • Pandora Duncan: Planetary rover designs
  • Robert D Enzmann: Out of the Cornucopia
  • Richard Hoagland: The Space Shuttle
  • Ben Bova: Expanding the Cornucopia
  • Berguet Roberts: Last Lunar Flight Dreams

ECOLOGICAL NICHES

Krafft Ehricke: Co-Chairman Extraterrestrial Industries

Kenneth Franklin: Co-Chairman

  • Eric Burgess: Emerging Conscience of Man
  • Roger Caras: Earth the Teacher, Lessons learned from out 1st planet
  • Isaac Asimov: A heirarchy of niches from comets to Earthlike planets
  • Neil Ruzic: Development of the moon as a niche
  • Richard Sternbach: Experiment that failed
  • Don Davis: Paintings: Clones

PROPULSION INTELLIGENT MACHINES AND SOCIO-GENETIC CHANGE

Roger Caras: Co-chairman

Harry Stine: Co-chairman The Third industrial Revolution

  • Robert Heinlein: Genetic fitness, Social fitness, training & technology and communications Marvin Minsky: Artificial intelligence
  • Sarah Meltzoff: Universals, Cultural viability, economic specialization
  • Janet Jepperson: Psychological barriers to full realization
  • Linda Sagan: Comment: Ultimate Machines
  • Krafft Ehricke: Comment: Ultimate Machines

ENERGY AND PROPULSION

Donald Banks: Co-Chairman Energy

Ben Bova: Co-Chairman

  • Werner Rambauske: Observation of the Universe
  • Brude hunt: Propulsion
  • Robin Anderson: Plowshare: Big guns for the benefit of the people
  • Fred Pohl: The shape of shadows from the future
  • Carl Sagan: Interstellar probes and Pioneer 10
  • Neil Ruzic: Human acquisition of Moon and its effects on war and peace

THE GRAND DESIGN

Gillet Griffin: Co-chairman

  • Eric Burgess: of Mankind but no longer Men
  • Cassandra Boell: Space states and the howling of beasts
  • Harry Stine: Comment: Ultimate Machine
  • Robert D. Enzmann: Statement of grand design, & galactic fertile crescent
  • Robert Heinlein: The grand design
  • Theodore Sturgeon: Communications, The Cold Equations, and the grand design
  • Fred Pohl: Star flight and relativistic twins “lost in space”
  • Fred Ordway: Use of satellite systems for education
  • Marvin Minsky: Artificial intelligence and the grand design, have we nurtured “The Descent of Machines?”
  • Richard Sternbach: Paintings: Mankinds’ grand design

SCIENCE, ART, COMMUNICATION, AND COSMOLOGY

Neil Ruzic: Co-chairman

Eric Burgess: Co-chairman

  • Donald Burgy: Order theory: an art exhibit in the clipper room
  • Gillett Griffin: Migrations of men and their art
  • Isaac Asimov: stellar types and organic evolution
  • Robert D Enzmann: Force= dp/dt (F=/ma) and e=hv(1-d/D) That is an intellectual revolution
  • Ben Bova: galaxies and quasars
  • Norman Mailer: Revolutionaries of science and technology
  • Donald Davis: Paintings: Cupules and stick charts

Asimov told what it was like to witness the launch of Apollo 17 in his column for The Magazine of Fantasy and Science Fiction, saying he —

… watched Apollo 17 rise into the air like the biggest firefly in creation. It lit the sky from horizon to horizon, turning the ocean an orange-grey and the sky into an inverted copper bowl from which the stars were blanked out.”

Slowly it rose on its tail of fire, and it was well up in the sky before the first shaking rumble reached us some forty seconds after ignition and shook us savagely.

Mankind was making its attempt to reach the moon a sixth time and place and eleventh and twelfth man upon it. It was the last launching of the Apollo series (and the only night launching, hence incredibly spectacular, and I was delighted to see it). It may be decades before mankind returns to the task – after establishing a space station that would make it possible to reach the Moon more easily, more economically, and more elaborately.

Pohl, in “The Ship of Foolishness, Part 3: Apollo 17”, wrote:

We saw something flaring around the base of the rocket. Then that whole precarious stack of thrusters and capsules began to ease itself upward.

We all blinked and squinted as the five great rocket nozzles on the Saturn 5 savaged our eyes with the five blinding supernovas of hydrogen burning in air. The blinding flames began moving upward with the rest of the train, slowly at first, then picking up speed. Everything moved straight up together until the thrusters were level with the little bridge the astronauts had walked on, then higher and clear of the launch tower entirely.

And then at last the sound of those five Saturn rockets reached us, over beach and water, from far away, but still making the ship’s lighting fixtures rattle and our ears hurt. Now the entire construct was overhead, the hydrogen fire stretching down toward us, but far away and getting rapidly farther. Now the departing assembly of space-going parts was vertically over our heads.

Every head was craned back, every face aimed at the spectacle above. I turned around to look at my companions behind me. There were the upturned faces of Bob Heinlein and Isaac and Ted Sturgeon and others, clustered like blossoms in a flower-shop bouquet, starkly lit by that super-sun that was sliding across the sky above them. I could have kicked myself, angry at my dimwitted absence of forethought for failing to stick a camera in my pocket to capture a shot of those faces in that wondrous light.

Others’ attempts to put their experience into words are quoted in Realizing Tomorrow: The Path to Private Spaceflight by Chris Dubbs and Emeline Paat-Dahlstrom.

For space artist Rick Sternbach, the launch was all about visual images and color, “the repeating shockwaves off rocket, the blowtorch yellow-orange glow around the vehicle, the smoke and steam streaming away in every direction.” He had witnessed the daytime launches of Apollo 11 and Apollo 13, but this was an altogether different experience.

After the launch, the ship’s many bars filled with celebration and discussion. Ehricke estimated to a gathered crowd that the brightness of the night launch was about that of five hundred full moons. “Incomparably beautiful,” Robert Heinlein termed it. For Norman Mailer, “It was the one time when I wanted instant replay.” Eighty-two-year-old novelist Katherine Anne Porter, on assignment to cover the launch for Playboy magazine, never expected to witness anything like it in her life. “I came out of a world so primitive you can scarcely imagine it,” she said. “We barely had gaslight in New Orleans when I was a girl. When I saw them take off, I wanted with all my soul to be going with them.”

Fresh from his own rounds of celebration, Richard Hoagland commandeered the ship’s public address system to announce that “due to a lack of interest, tomorrow has been canceled” —as though the launch were so singular an event that all else lost meaning in its wake. The comment might have served as a final epitaph for the extraordinary Apollo program, except that the Statendam passengers had gathered precisely to consider “tomorrow” and how to fill its possibilities.

[Thanks to David K.M. Klaus for the story.]

Sternbach on Trekyards

The lure of Trekyards, the weekly online program, is its detailed look at the ships created for every Star Trek format – TV series, movies, and games.

Creators Stuart Foley and Samuel Cockings started producing episodes last October. Now they’d like to buy a high-spec video editing computer to help raise the bar on the work they’ve been doing and have launched an Indiegogo appeal to raise $4,000.

And to loosen your pursestrings the Trekyards duo offers an episode featuring a real name to conjure with, Rick Sternbach, the artist behind Voyager, Delta Flyer and Deep Space Nine to name a few.

Sawyer and Sternbach GoHs for 2016 Lunacon

Author Robert J. Sawyer and artist Rick Sternbach will be Lunacon’s guests of honor when the convention resumes in 2016 chair Mark Richards announced today.

Sawyer is the author of 21 novels (and counting) and a celebrated and influential writer both in his native Canada and internationally. He has won numerous awards for his work (Nebula, Hugo, Campbell Memorial, Prix Aurora), including the Hugo for Best Novel in 2003 for Hominids and the 1999 Prix Aurora for Flashforward, which was made into a television series.

Sternbach is winner of the Hugo for Best Professional Artist in 1977 and 1978, and of an Emmy in 1981 for his work on the original Cosmos, hosted by Carl Sagan. He’s best known for his work on Star Trek, where he helped define the look of the 24th century in Star Trek: The Next Generation and the series that followed, Star Trek: Deep Space Nine and Star Trek: Voyager.

And Richards says the convention is at work confirming additional major guests.

The Lunarians, the club that runs Lunacon, cancelled the 2015 edition while they reorganized and addressed some financial issues.

Life Found on Denver

Worldcon coverage on the Internet – Eureka!

Fast Forward: Contemporary Science Fiction has posted a several-minutes-long video blog about Denvention Day 1. It’s rather good, too, mixing brief interviews with various fans (among them, Michael Walsh and Phil Foglio), shots of a Registration line already made notorious by Cheryl Morgan, and excerpts from Opening Ceremonies and a Rick Sternbach program item. The small-format video came through with jewel-like clarity on my computer. Highly recommended.