Tag Archives: Rite Gud

Pixel Scroll 6/17/21 Had We Scrolls Enough, And Time, These Pixels, Filer, Were No Crime

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(1) STATHOPOULOS ON TV. The Age’s reviewer Debi Enker manages to put Nick Stathopoulos’ TV appearance in a good light in an otherwise snarky piece: “Three-part documentary Finding the Archibald and weekly magazine show Art Works can’t fix ABC TV’s coverage of the arts”. Nick is a past Hugo, BSFA Award, and Chesley nominee who’s won Australia’s Ditmar Award 10 times. He also designed the Aussiecon 4 (2010) Hugo base.  

Actor and presenter Rachel Griffiths, Nick Stathopoulos and Deng Adut in Finding The Archibald. ABC

… The series about “the Archie” arrives in the popular prize’s centenary year. Producer, writer and director Griffiths endeavours to establish her cred as host by telling us that she is the daughter of an art teacher and the wife of a painter, as well as “an actor who’s spent her whole life trying to understand the human condition”.

Apparently, a survey of the Archibald’s history and consideration of what it might reflect about our country isn’t sufficient: the production requires some tricking up. So Griffiths embarks on a mission to select a single portrait that she believes “captures the changing face of Australia and will stand the test of time”.

She interviews a range of artists who have submitted portraits to the prize, as well as people who have posed for them, and ponders the question of what makes a great portrait. She also poses for one herself.

Meanwhile, the series also follows Natalie Wilson as she curates an exhibition of 100 portraits to accompany the NSW Art Gallery’s display of this year’s entrants. Her search involves thousands of emails sent in an effort to locate past Archibald entries. Fortunately, Sherlock Griffiths is on hand to help her find the one of Molly Meldrum, which is hanging in the first place that anyone might look for it: his house….

(2) EARNING PENNIES FROM A DEAD MAN’S EYES. The Rite Gud podcast wonders aloud: “H.P. Lovecraft: Why We Can Stop Flogging His Dead Bloated Corpse”.

In today’s sci-fi/ fantasy community, it’s fashionable to dig up H.P. Lovecraft and put him on trial as the avatar of everything wrong with speculative fiction. While we won’t defend Lovecraft’s abhorrent social values, we have to ask: what is the point of this? What do we gain by canceling a man who is now a dusty skeleton mouldering in the dirt? Are we really reckoning with genre fiction’s bigoted past, or are we just looking for a way to distract from our contemporary problems?

In this episode, Karlo Yeager Rodríguez joins us to talk about horror, colonialism, and Captain Picard’s dangerous space dumps.

(3) BLUE PLATE SPECIALS REMAIN ON MENU. “English Heritage recognises Blyton and Kipling’s racism – but blue plaques to stay” reports The Guardian.

English Heritage has acknowledged the “racism, xenophobia and lack of literary merit” in Enid Blyton’s writing, and the “racist and imperialist sentiments” of Rudyard Kipling, as part of its ongoing efforts to better reflect today’s values in its blue plaques.

While English Heritage’s blue plaques commemorating both authors remain unchanged, the charity’s online information about both now goes into detail about the problematic aspects of their writing and views.

English Heritage notes online how in 1960, Macmillan refused to publish Blyton’s children’s novel The Mystery That Never Was, noting her “faint but unattractive touch of old-fashioned xenophobia”. It would go on to be published by William Collins….

English Heritage has also noted the views of Kipling, who is still commemorated with a blue plaque at 43 Villiers St in London where he lived between 1889 and 1891.

English Heritage’s online information for Kipling now highlights how his political views “have been widely criticised for their racist and imperialist sentiments”. It points in particular to works such as The White Man’s Burden “with its offensive description of ‘new-caught, sullen peoples, half devil and half child’” which “sought to portray imperialism as a mission of civilisation”.

It also highlights that “George Orwell found Kipling’s attitude to instances of colonial brutality ‘morally insensitive and aesthetically disgusting’, but admitted the importance of his work to him in his younger life.”

(4) STATION-TO-STATION. Abigail Nussbaum is a big fan of this, as shown by her “Five Comments on The Underground Railroad” at Asking the Wrong Questions.

The Underground Railroad is a stone cold masterpiece, one that not only shoulders the challenging task of adapting the novel it was based on with seeming ease, but that breaks new ground in terms of what television can be and how it can achieve its effect. It deserves sustained, continued discussion and exploration. So this post isn’t a review—I’m not sure I feel equal to that—so much as a series of observations, ones that will hopefully get more people to watch the show, and talk about it….

(5) BROMANCE, ROMANCE, NUANCE. In “Anthony Mackie on Sam & Bucky’s ‘Bromance’ on Falcon & Winter Soldier” in Variety, the new Captain America tells things from his perspective.

…So getting to wear the costume, hold the shield, and call himself Captain America — as Wilson does in the Marvel comics — was somewhat overwhelming for Mackie.

“Having if not one of my bucket lists, the bucket list moment happen, is not so much about becoming Captain America — it’s about having my dreams realized,” he says. “It’s very humbling when, you know, you get the opportunity that you’ve always dreamed of.”

The other half of Sam’s journey on the show is the transformation of his relationship with Bucky Barnes (Sebastian Stan) from simmering resentment to a lasting and profound friendship. That translated into several scenes of emotional and physical familiarity between Sam and Bucky that some fans interpreted as a budding romance — similar to how some Marvel fans desired Bucky and the first Captain America, Chris Evans’ Steve Rogers, to be a couple.

Mackie points out that he’s played in these kinds of waters before, in an episode of “Black Mirror” in which he and Yahya Abdul-Mateen II star as best friends who play an immersive, virtual reality video game that allows them to simulate being a man and woman in a sexual relationship. But he resists an interpretation that Sam and Bucky are sexually or romantically attracted to each other.

“So many things are twisted and convoluted. There’s so many things that people latch on to with their own devices to make themselves relevant and rational,” he says. “The idea of two guys being friends and loving each other in 2021 is a problem because of the exploitation of homosexuality. It used to be guys can be friends, we can hang out, and it was cool. You would always meet your friends at the bar, you know. You can’t do that anymore, because something as pure and beautiful as homosexuality has been exploited by people who are trying to rationalize themselves. So something that’s always been very important to me is showing a sensitive masculine figure. There’s nothing more masculine than being a superhero and flying around and beating people up. But there’s nothing more sensitive than having emotional conversations and a kindred spirit friendship with someone that you care about and love.”

“Sam and Steve had a relationship where they admired, appreciated and loved each other,” Mackie continues. “Bucky and Sam have a relationship where they learn how to accept, appreciate and love each other. You’d call it a bromance, but it’s literally just two guys who have each other’s backs.”…

(6) MEDIA BIRTHDAY.

  • June 17, 1960 –  The Twilight Zone’s “The Mighty Casey.”

What you’re looking at is a ghost, once alive but now deceased. Once upon a time, it was a baseball stadium that housed a major league ball club known as the Hoboken Zephyrs. Now it houses nothing but memories and a wind that stirs in the high grass of what was once an outfield, a wind that sometimes bears a faint, ghostly resemblance to the roar of a crowd that once sat here. We’re back in time now, when the Hoboken Zephyrs were still a part of the National League, and this mausoleum of memories was an honest-to-Pete stadium. But since this is strictly a story of make believe, it has to start this way: once upon a time, in Hoboken, New Jersey, it was tryout day. And though he’s not yet on the field, you’re about to meet a most unusual fella, a left-handed pitcher named Casey. — Opening narration 

It’s almost summer, so let’s have a baseball story. On this day in 1960, The Twilight Zone first aired “The Mighty Casey” in which a down-and-out baseball team’s fortunes are lifted by a mysterious but seemingly unbeatable young player. It was directed by Robert Parrish and Alvin Ganzer, and of course written by Rod Serling. Cast was Jack Warden as McGarry, Robert Sorrells as Casey and Abraham Sofaer as Dr. Stillman. 

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 17, 1898 — M. C. Escher. Dutch artist whose work was widely used to illustrate genre works such as the 1967 Harper & Row hardcover of Kate Wilhelm’s Where Late the Sweet Birds Sang, or Berkley Books 1996 cover of Clive Barker’s Athens Damnation Game. (Died 1972.)
  • Born June 17, 1903 — William Bogart. Pulp fiction writer. He is best remembered for writing several Doc Savage novels using the pseudonym Kenneth Robeson. Actually he’s responsible for thirteen of the novels, a goodly share of the number done. It’s suggested that most of his short stories were Doc Savage pastiches. (Died 1977.)
  • Born June 17, 1927 — Wally Wood. Comic book writer, artist and independent publisher, best known for his work on EC Comics’ Mad magazine, Marvel’s Daredevil, and Topps’s landmark Mars Attacks set. He was the inaugural inductee into the comic book industry’s Jack Kirby Hall of Fame, and was later inducted into the Will Eisner Comic Book Hall of Fame. (Died 1981.)
  • Born June 17, 1931 — Dean Ing. I reasonably sure the first thing I read by him was Soft Targets and I know I read all of his Man-Kzin Wars stories as I went through a phase of reading all that popcorn literature set in Niven’s universe. His “Devil You Don’t Know” novelette was nominated at Seacon ‘79. I also liked  his L-5 Community series. (Died 2020.)
  • Born June 17, 1941 — William Lucking, 80. Here because he played Renny in Doc Savage: Man of Bronze. (I know I’ve seen it, but I’ll be damn if I remember much about it.)  He’s also had one-offs in Mission: Impossible, The Incredible Hulk, The American Hero, The Quest, Voyagers, X-Files, The Lazarus Man, Millenium, Deep Space Nine and Night Stalker. 
  • Born June 17, 1953 — Phyllis Weinberg, 68. She’s a fan who was married to fellow fan Robert E. Weinberg. She co-edited the first issue of The Weird Tales Collector. She co-chaired World Fantasy Convention 1996. 
  • Born June 17, 1982 — Arthur Darvill, 39. Actor who has had two great roles. The first was playing Rory Williams, one of the Eleventh Doctor’s companions. The second, and to my mind the more interesting of the two, was playing the time-traveler Rip Hunter in the Legends of Tomorrow. He also played Seymour Krelborn in The Little Shop of Horrors at the Midlands Arts Centre, and Mephistopheles in Doctor Faustus at Shakespeare’s Globe.  
  • Born June 17, 1982 — Jodie Whittaker, 39. The Thirteenth Doctor now in her third series and hopefully not final one. She played Ffion Foxwell in the Black Mirror‘s “The Entire History of You”, and was Samantha Adams in Attack the Block, a horror SF film. 

(7A) NUTS. [Item by Martin Morse Wooster.] This is from a review by Robert Armstrong of Charlie Brown’s America: The Popular Politics of Peanuts by Blake Scott Ball in the June 12 Financial Times.  Armstrong notes that Charles Schultz was a World War II veteran.

Snoopy’s alternative identity as a first world war flying ace–with his dog-house propeller plane–was a childhood favourite.  It never occurred to me to read the strips as commentaries on the Vietnam War.  Yet they were.  It is telling that Snoopy never defeated the Red Baron, and equally notable that the strips became more bleak as the war went on.’I’m exhausted,’ Snoopy complains in 1971. ‘this stupid war is too much.’  Readers got the message:  Schultz supported the fighting man, but not the war.  The soldiers in Asia got it too.

(8) STRACZYNSKI BOOK LAUNCH. J. Michael Straczynski will do a Zoom book launch for his new non-sf novel Together We Will Go on Tuesday, July 6 at 5:30 p.m. Central. Free to attend, registration required. Register here.

Known for his groundbreaking work across television, comics, films, and more, award-winning and bestselling author J. Michael Straczynski joins us to celebrate the publication day of Together We Will Go (Gallery/Scout Press), his stirring first foray into literary fiction. A powerful tale of a struggling young writer who assembles a busload of fellow disheartened people on a journey toward death, Together We Will Go grapples with the biggest questions of existence while finding small moments of the beauty in this world that often goes unnoticed. As Straczynski’s travelers cross state lines and complications to the initial plan arise, it becomes clear that this novel is as much about the will to live as the choice to end it—and that it’s a book readers will remember for a lifetime.

(9) THREE TAIKONAUTS REACH CHINA’S SPACE STATION. AP News covers the moment as “Chinese crew enters new space station on 3-month mission”.

Three Chinese astronauts arrived Thursday at China’s new space station at the start of a three-month mission, marking another milestone in the country’s ambitious space program.

Their Shenzhou-12 craft connected with the space station module about six hours after taking off from the Jiuquan launch center on the edge of the Gobi Desert.

About three hours later, commander Nie Haisheng, 56, followed by Liu Boming, 54, and space rookie Tang Hongbo, 45, opened the hatches and floated into the Tianhe-1 core living module. Pictures showed them busy at work unpacking equipment.

“This represents the first time Chinese have entered their own space station,” state broadcaster CCTV said on its nightly news broadcast.

The crew will carry out experiments, test equipment, conduct maintenance and prepare the station for receiving two laboratory modules next year. The mission brings to 14 the number of astronauts China has launched into space since 2003, becoming only the third country after the former Soviet Union and the United States to do so on its own.

(10) MORE POWER. Netflix dropped a trailer for How I Became a Superhero. Airs July 9.

Who are the real superheroes? In a world where humans and superheroes coexist, a lone wolf cop teams up with a brilliant detective to dismantle a dark organization trafficking superpowers.

(11) REH IN THE COMICS. The Cromcast: A Weird Fiction Podcast lets you listen in to a panel from the recent get-together in Cross Plains: “Howard Days 2021 – REH in the Comics!”

This conversation from Friday, June 11th, at the First United Methodist Church in Cross Plains, Texas. The panel focuses on the history of Robert E. Howard’s characters and stories presented in a comic book format. Mark Finn moderates Roy Thomas, Fred Blosser, Patrice Louinet, and Jay Zetterberg. 

(12) REBORN SERIES CONTINUES. Jenna Greene is a teacher and author whose novel, Reborn, won the 2019 Moonbeam Children’s Book award. She is the co-host of Quill & Ink: A Podcast for Book Lovers.

In Reborn, a character tries to escape her fate:

The marks on Lexil’s skin state she is a Reborn – someone who has lived before. As such, she must toil in service to those who have only one chance at life. Sold at auction, she is fearful but accepting of her new life. Everything changes when she must save a young child from a fate worse than death.

With the help of a new ally named Finn, she flees to the Wastelands. There she struggles to survive, while discovering more about herself, the world, and what it truly means to be Reborn.

Now, in the series’ second book, Renew, Lexil and Finn are forced to venture back into the Wastelands:

The Unclaimed Cities are not the idyllic setting Lexil, Finn, and Ceera thought it would be. This new land has challenges of its own – which they soon discover.

When Lexil and Finn return to the Wastelands, they are accompanied by Kaylen, someone they can’t decide is a friend or foe.

(13) MEMORY JOGGER. B-Side Books from Columbia University Press has some writers you’ve heard of advocating for books they hope you’ll love, too. Got to love this cover, anyway!

…What do you do when a book that you love has been neglected or dismissed by everyone else? In B-Side Books, leading writers, critics, and scholars show why their favorite forgotten books deserve a new audience. From dusty westerns and far-out science fiction to obscure Czech novelists and romance-novel precursors, the contributors advocate for the unsung virtues of overlooked books. They write about unheralded novels, poetry collections, memoirs, and more with understanding, respect, passion, and love.

In these thoughtful, often personal essays, contributors—including Stephanie Burt, Caleb Crain, Merve Emre, Ursula K. Le Guin, Carlo Rotella, and Namwali Serpell—read books by writers such as Helen DeWitt, Shirley Jackson, Stanislaw Lem, Dambudzo Marechera, Paule Marshall, and Charles Portis.

(14) BIG FANS OF BUGS. “Entomologists discover dozens of new beetle species—and name some after iconic sci-fi heroines” – Phys.org has the story.

… Fast forward to now and there are thousands of ambrosia beetle species, including more than 70 of the Coptoborus genus—and counting. In christening the new beetles, Smith and Cognato got some inspiration by finding similarities between the beetle and its namesake.

For instance, the C. uhura was given its name because its reddish color, reminiscent of the uniform worn by Nichelle Nichols’s Uhura character in the original “Star Trek” TV series.

And Sigourney Weaver’s Ellen Ripley character in the “Alien” film franchise had a shaved head in the movie “Alien 3.” One of the beetles, now named C. ripley, was also glabrous, or without hair.

Other names were selected because the duo just liked the characters and found them inspiring. For example, the C. scully beetle was named after Dana Scully, Gillian Anderson’s character on “The X-Files.”

The character is also behind what’s known as the “Scully Effect.” By showing a successful female scientist on TV, the show helped raise awareness of science, technology, engineering and mathematics—or STEM—professions among young women.

In their paper, Smith and Cognato wrote, “We believe in the ‘Scully Effect’ and hope future female scientists, real and fictional, continue to inspire children and young adults to pursue STEM careers.”…

(15) VIDEO OF THE DAY. And here’s “How The Falcon And The Winter Soldier Should Have Ended”.

[Thanks to Mike Kennedy, Andrew Porter, Martin Morse Wooster, Cora Buhlert, Moshe Feder, JJ, Michael Toman, John King Tarpinian, and Cat Eldridge for some of these stories. Title credit belongs to contributing editor of the day Jim Janney.]

Pixel Scroll 5/27/21 We Sell Mobius Scrolls, In Klein Bottles

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(1) SUPPORT THE OTHERWISE AWARD. The Otherwise Award benefit auction will be online Saturday night May 29 at 7:00 p.m. Central, as part of WisCon’s online festivities: “The Otherwise Auction? In MY Visioning WisCon?” The fun for everyone will include a custom crossword puzzle with Otherwise-related clues. Register here to join them May 29 & 30 at Visioning WisCon.

The Otherwise Auction supports the Otherwise Award, and it’s always a good time — famed Otherwise auctioneer Sumana Harihareswara will be reprising her role. As Otherwise Award Motherboard member Pat Murphy says:

“Last year, Sumana’s online auction was amazing, compelling, and impossible to describe. I’m a science fiction writer; I should be able to describe just about anything. But somehow Sumana managed to auction off things that didn’t actually exist but were (despite that) real. It was one of those “you had to be there” events — even though none of us were actually there.

“This year Sumana promises that there will actually be some physical things that people can buy and possess — along with a custom crossword puzzle with Otherwise-related clues. Just a few tangible objects and a lot of intangible fun — which seems appropriate as we slowly ease back into the physical world.”

Unlike last year, we’ll be using actual money for this auction. (If you have no idea what we’re talking about, ignore this whole paragraph! You never saw us, we were never here.)

The auction will start at 7pm Central on Saturday night (5/29), and will end when Sumana says it’s over. We’re really excited to have a chance to support the Otherwise Award, even without an in-person convention this year, and to have fun doing it!

(2) FROM SOAP TO SPACE. Rich Horton calls back to his 2014 anthology by that name in “Space Opera: Then and Now” at Strange at Ecbatan.

The term space opera was coined by the late great writer/fan Wilson (Bob) Tucker in 1941, and at first was strictly pejorative. Tucker used the term, analogous to radio soap operas, for “hacky, grinding, stinking, outworn, spaceship yarn[s].” The term remained largely pejorative until at least the 1970s. Even so, much work that would now be called space opera was written and widely admired in that period . . . most obviously, perhaps, the work of writers like Edmond Hamilton and, of course, E. E. “Doc” Smith. To be sure, even as people admired Hamilton and Smith, they tended to do so with a bit of disparagement: these were perhaps fun, but they weren’t “serious.” They were classic examples of guilty pleasures. That said, stories by the likes of Poul Anderson, James Schmitz, James Blish, Jack Vance, and Cordwainer Smith, among others, also fit the parameters of space opera and yet received wide praise.

It may have been Brian Aldiss who began the rehabilitation of the term with a series of anthologies in the mid 1970s: Space Opera (1974), Space Odysseys (1974), and Galactic Empires (two volumes, 1976). Aldiss, whose literary credentials were beyond reproach, celebrated pure quill space opera as “the good old stuff,” even resurrecting all but forgotten stories like Alfred Coppel’s “The Rebel of Valkyr,” complete with barbarians transporting horses in spaceship holds.

(3) IZUMI SUZUKI. Lex Berman interviews Daniel Joseph about Terminal Boredom, the first anthology of Izumi Suzuki’s science fiction to appear in English for the Diamond Bay Radio podcast.

The author, Izumi Suzuki, who committed suicide in 1986, wrote science fiction to project her own experience of the drug-fueled Japanese counter-culture into fantastic realms and situations. 

Is it nihilism? Is it true love? Is it an altered consciousness critique of the mundane world? Yeah.

“‘How long are you planning on staying on this planet?’ asks CHAIR after about half an hour has passed. ‘I want to stay here forever.’ ‘Everyone says that, dear. But you can’t, can you? You have to live your life. You have to cook, clean, look after the kids when they’re sick. You have to go out to work.’ ‘Why do I have to keep on living that life?’ ‘Well, I’m not sure why.’ Her voice strikes a gentler chord, all of a sudden. And I repeat that phrase in my head. ‘I’m not sure why.’ I fluff my pillow, turn off the lights, and chant a spell. Sleep, sleep. Make the world disappear…”

(4) NEW FANTASY TRILOGY. “Q & A with Victoria Aveyard” at Publishers Weekly.

Victoria Aveyard’s dystopian fantasy debut, Red Queen, launched a hit series and landed on bestseller lists in its first week of publication. Aveyard is hoping for a repeat performance with Realm Breaker, a YA high fantasy that marks the start of a trilogy….

Was it challenging to incorporate adult perspectives into a YA story?

The key is—and I think this is the hallmark of the YA genre—that all of your characters are figuring out who they are. While that is usually something that happens when you’re a young adult, that isn’t always the case. You have adults who discover who they are much later in life—in the case of some of these characters, hundreds and hundreds of years in. They are, compared to some people, kind of young adults themselves. So that was a fun dichotomy to play with—that trope of the all-knowing immortal who’s actually kind of a dummy when it comes to the real world…

(5) CONDUITS OF POWER. “Octavia Butler’s ‘Kindred’ and ‘Fledgling,’ Reviewed: She Wanted to Write a ‘Yes’ Book” explains The New Republic’s Stephanie Burt.

…“I began writing about power,” Butler once said, “because I had so little.” Hannah Arendt’s distinction between power and violence—the first a tacit cooperation or compact, the second mere force—makes no sense in the world of Kindred, nor in most of Butler’s worlds: Consent, political, legal, or sexual, is at best contingent and suspect, at worst nonsensical. We did not, could not, consent to our own existence beforehand: We are born into the country that we get—for 330 million of us, the United States—not a country we chose in advance. It is a country founded on anti-Blackness, on white supremacy, on what that very un-American thinker Michel Foucault called biopower, the use of knowledge and law and information not to create free or equal individuals but as a channel for force….

(6) DOES IT BITE? WE’LL NEVER KNOW. Here’s the New York Times’ take on Steinbeck’s unpublished werewolf book: “Yes, Steinbeck Wrote a Werewolf Novel. Don’t Expect to Read It.”

…“I was expecting a fragmented, bizarre, incomplete work,” Professor Jones said.

Instead he found a coherent, completed 233-page manuscript. “It’s a potboiler, but it’s also the caldron of central themes we see throughout Steinbeck’s later work,” he said. For this reason, he believes it’s worth sharing with the public.

His campaign prompted a firm email statement from Steinbeck’s agents this week.

“Steinbeck wrote ‘Murder at Full Moon’ under a pseudonym, and once he became an established author, he did not choose to seek publication of this work,” a representative of the New York-based agency, McIntosh & Otis, wrote. “There are several other works written by Steinbeck that have been posthumously published, with his directions and the careful consideration of the Estate. As longtime agents for Steinbeck and the Estate, we do not exploit works that the author did not wish to be published.”

The pseudonym Steinbeck chose was Peter Pym. Professor Jones said the use of the name did not mean Steinbeck had not wanted the book to see the light of day. The author did not get rid of the manuscript, something he had done with other unpublished works, the professor noted.

“He didn’t destroy ‘Murder at Full Moon,’” he said.

Steinbeck wrote the story in nine days, according to William Souder, who wrote the biography “Mad at the World: A Life of John Steinbeck.”

The writer was 28 in 1930, living in a cottage in Pacific Grove, near Monterey, Calif., hoping for his big break. The year before, he had published his first book, “Cup of Gold,” a swashbuckling pirate adventure set in the Caribbean in the 1600s. Though it received better than expected reviews, it was already out of print, Mr. Souder said.

Steinbeck had written more serious books but had not had any luck selling them. He told a friend that all he needed was another 10 or so rejections to become convinced that he should give up on writing….

(7) HARDWARE INVENTORY. Book Riot’s Jenn Northington has compiled “A Guide To The Fantasy And Science Fiction Awards Scene”.

… These have been organized by date first awarded, from most recent on, since many of these prizes have been around for decades and I wanted to show some love to the new folks on the scene. 

Before we dive in, may I also present: Jenn’s Theory Of Why To Care About Awards. Let’s start with a given: all awards, no matter their voting system, are inherently subjective and biased. Whether it’s decided by a public popularity contest, a committee, or a single judge, literary merit is in the eye of the beholder. A book that has won science fiction or fantasy awards isn’t guaranteed to be great (for you) and a book that hasn’t won an award isn’t guaranteed to be a dud (for you). To quote S.R. Ranganathan: “Every book its reader.” So why should we care?…

By the time Northington finishes all the caveats, you may be talked out of reading the list.

(8) MEDIA ANNIVERSARY.

  • May 27, 1996 — On this date in 1996, Doctor Who premiered on BBC. The film involving the Eighth Doctor played by Paul McGann that is. Short of The War Doctor as portrayed by John Hurt, he would have the briefest tenure of any Doctor from a video representation viewpoint having just the film and a short video later on. (He has done some seventy Big Finish audio stories to date.) The film was directed by Geoffrey Sax off the screenplay by Matthew Jacobs. The remaining cast of importance was Daphne Ashbrook as the Companion to the Doctor, Dr. Grace Holloway, and Eric Roberts as The Master. Critics, American and British alike, were decidedly mixed on their reactions, and the audience reviewers at Rotten Tomatoes are equally divided and give it exactly a fifty percent rating.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born May 27, 1894 — Dashiell Hammett. He’s widely regarded as one of the finest mystery writers of all time, but ISFDB says that he was also the editor of three genre anthologies, Creeps by Night: Chills and Thrills, The Red Brain and Other Creepy Thrillers and Breakdown and Other Thrillers with writers such as Frank Bellnap Long and H.P. Lovecraft, it certainly looks that way. ISFDB also says one Continental Op story, “The Farewell Murder,” is at genre adj. (Died 1962.) (CE)
  • Born May 27, 1911 — Vincent  Price. Ok, what’s popping into my head is him on The Muppets in “The House of Horrors“ sketch they did in which he and Kermit sport impressive fangs which you can see here. If I had to single out his best work, it’d be in such films as House on Haunted Hill, House of Usher and The Pit and the Pendulum. Yes, I know the latter two are Roger Corman productions.  He also did a lot of series work including being Egghead on Batman, appearing in the Fifties Science Fiction Theater, having a recurring role as Jason Winters on the Time Express and so forth. (Died 1993.) (CE) 
  • Born May 27, 1918 — Robert C. Stanley. He was one of the most two prolific paperback book cover artists used by the Dell Publishing Company for whom he worked from 1950 to 1959. Among the covers he did was Edgar Rice Burroughs’ Tarzan and the Lost Empire, Anthony Boucher’s Rocket to the Morgue and Olaf Stapledon’s Odd John. (Died 1996.) (CE)
  • Born May 27, 1922 — Christopher  Lee. He first became famous for his role as Count Dracula in a series of Hammer Horror films.  His other film roles include The Creature in The Curse of Frankenstein, Sherlock Holmes in Sherlock Holmes and the Deadly Necklace, Kharis the Mummy in The Mummy, Francisco Scaramanga in The Man with the Golden Gun, Lord Summerisle In The Wicker Man, Saruman in The Lord of the Rings films and The Hobbit film trilogy, and Count Dooku in the second and third films of the Star Wars prequel trilogy. Now interestingly enough, ISFDB lists him as being the co-editor in the Seventies with Michael Parry with a number of horror anthologies such as Christopher Lee’s ‘X’ Certificate No. 1, From the Archives of Evil and The Great Villains. (Died 2015.) (CE)
  • Born May 27, 1900 – Rudolph Belarski.  Virtuoso at air-combat magazine covers; five dozen covers for us; interiors too.  Here is one from 1955.  Here is a 2018 reprint.  (Died 1983) [JH]
  • Born May 27, 1915 – Herman Wouk.  (Pronounced “woke”.)  Gag man for Fred Allen; Pulitzer Prize; four honorary doctorates.  Besides The “Caine” Mutiny, his masterpiece Marjorie Morningstar, The Winds of War and War and Remembrance, he wrote the fine SF novel A Hole in Texas.  (Died 2019) [JH]
  • Born May 27, 1929 – Burnett Toskey, age 91.  Among the Nameless Ones of Seattle.  Edited several Cry of the Nameless issues.  Made Official Editor of SAPS (Spectator Amateur Press Society) in 1968; moved to Los Angeles; OE off and on since.  [JH]
  • Born May 27, 1930 – John Barth, age 91.  Fellow of Am. Acad. Arts & Sciences.  Lannan Award for lifetime achievement.  National Book Award.  The Floating Opera is only strange (it won the Roozi Rozegari at Teheran for best translated novel, also strange); The Sot-Weed Factor could perhaps be called historical fiction; by Giles Goat-Boy he was doing SF.  Heinlein compared Stranger in a Strange Land to it.  In The Last Voyage of Somebody the Sailor a man jumps overboard from a reconstructed Arab ship and finds himself in the world of Sindbad.  Nor was that all.  [JH]
  • Born May 27, 1934 — Harlan Ellison. He was a SFWA Grandmaster, member of the SF Hall of Fame, and winner of eight other life achievement awards. His short story “‘Repent, Harlequin!’ Said the Ticktockman” is the second-highest ranked of the 102 Top SF/F/H Short Stories listed at Science Fiction Awards Database. Ellison wrote the most famous episode of Star Trek: The Original Series, “The City on the Edge of Forever” (setting aside the backstory about Roddenberry and others who had a hand in the broadcast version). His Dangerous Visions and Again Dangerous Visions anthologies were milestones, while Last Dangerous Visions was a millstone around his neck because it never appeared. Further harming his reputation, he groped Connie Willis during the 2006 Hugos. He won 8 Hugos, 4 Nebulas, 2 World Fantasy Awards, 6 Bram Stoker Awards and 18 Locus Awards. But there were lighter moments, like this 30-second clip of Harlan as himself conversing with “H.P. Hatecraft” in the Scooby-Doo episode “Shrieking Madness.” (Died 2018.) (OGH)
  • Born May 27, 1940 – Jackie Causgrove.  Prominent fan in the U.S. Midwest, then Southern California.  For Bruce Pelz’ Fantasy Showcase Tarot Deck she did the Knight of Cups; each card by a leading fan or pro (or both) artist of the day, styles quite various; see the whole deck here (PDF; scroll down to Cups; you can get a deck from Elayne Pelz, or if you don’t know how to do that, write to me, 236 S. Coronado St., No. 409, Los Angeles, CA 90057).  With Bruce Gillespie, administered the Tucker Fund that sent Bob Tucker to Aussiecon I the 33rd Worldcon.  One of her fanzines (as J. Franke) was Dilemma, illustrated by her; see here.  Fan Guest of Honor at Chambanacon 5, Confusion Pi.  (Died 1998) [JH]
  • Born May 27, 1971 – Vilma Kadleckova, age 50.  (The character after the e should have a little v over it for the sound of ch in English “church”.)  A dozen SF novels and shorter stories, half a dozen local prizes.  Four novels so far in her Mycelium series; the first two won Book of the Year and Original Czech/Slovak Book from the SFFH Acad. in Prague; second and third available in English.  In Vector 166, contributed “The View from Olympus” with Carola Biedermann and Eva Hauser.  [JH]

(10) COMICS SECTION.

  • Carpe Diem shows Vader doing a good deed.
  • The Flying McCoys illustrates one of the seven deadly sins, which this character presumably does all of sooner or later.

(11) SEKRIT MESSAGE IN HUGO EMAIL. Andrew Porter clued me into the presence of an invisible last line in the email DisCon III sent to members today announcing the opening of Hugo voting. I found it in mine. Check it out.

(12) THE SOLUTION. What to do when there’s not enough of the stories you want to read? “The Big Idea: Christian Klaver” at Whatever.

The Big Idea: We needed more Narnia.

Shadows Over London was born out of reading to my daughter before bedtime. Katie was five or six at that time, and destined to become a voracious reader. (She’s just this month finished her Masters in Library Science.) I was just getting divorced at the time and had Katie every weekend, but not during the week, so we did chapter one of The Lion, the Witch, and the Wardrobe or “The Lucy Book,” as she dubbed it, the first night. Then chapter two the second, but then she had to wait five days to get chapters three and four.

She loved the first and second installments, but this had a very short duration for two reasons:  Reason #1: It was really only the first three books. Try explaining to a child that age that the “Lucy Books” didn’t have Lucy in them after book three! She wanted to know why and I had no answer that didn’t fall flat. Even the second book: Prince Caspian has a long stretch without the main characters. (Don’t even get me started about the alternate order for these! That just makes it worse, in terms of storytelling.) Reason #2: while we were still in books 1-3, of which we had copies at both her mother’s house and mine, she couldn’t resist and read by herself during the week, so we finished those first three that first month.

So, the first chapter of Shadows Over London, complete with serene, crunchy snow and a Faerie King waiting underneath moonbeams slanting through darkened trees, all came from trying to write something that felt as magical as Narnia did…

(13) YA CHALLENGES. The Rite Gud podcast discusses “Writing for Young Audiences with Celine Kiernan”.

“If someone is mad enough to publish my weird shit, I am going to do my utmost to be a little bit more complex.”

In this episode, middle grade horror/fantasy author Celine Kiernan joins us to talk about writing fiction for young people. How do you handle dark, difficult topics? How do you fight the censors? How do you bridge the generation gap between author and audience? How do you temper your language for inexperienced readers? What do writers owe young people? What does it mean to exploit your audience?

Celine Kiernan is the author of The Moorehawk Trilogy, Into the Grey, Resonance, and The Wild Magic Trilogy. She is also a freelance editor. She lives in Ireland.

(14) THE LAWS OF PHYSICS AREN’T JUST A GOOD IDEA, DARN IT. The Atlantic says “If Aliens Are Out There, They’re Way Out There”.

…This is real; the videos are real; UFOs, in the most basic sense, are real. The military has spotted objects flying in the sky, and it has not identified what they are. These objects, whatever you want to call them, are worth close examination. But there’s no reason to think they’re alien.

Why not? Jason Wright, an astronomer at Penn State University, gets this question a lot, especially recently. Wright works in the field of SETI—the search for extraterrestrial intelligence. His job is to look for signs of alien technology, so it seems logical that he might have some thoughts on UFOs and their rumored extraterrestrial origins. But ufology and SETI are two entirely different fields.

SETI operates on the principle that extraterrestrials follow the laws of physics as we know them, but what makes these UFO videos so enticing is precisely the opposite—whatever is captured in them seems to be moving in a way that appears to defy those exact laws. Guided by known physics, SETI astronomers look for aliens deep in space, rather than in the clouds overhead—because if the truth is out there, it’s way, way out there, around stars many light-years away. Even after decades of research, the SETI community has yet to find evidence of aliens, probably for the same reason that extraterrestrial beings, should they exist, would be unlikely to visit our planet—the space between stars, let alone galaxies, is unfathomably vast. And astronomers are just starting to understand the planets around other stars. “Every star could have an intelligent, technological civilization like Earth and we wouldn’t know it,” Wright told me. He sees no problem with the desire to better understand our airspace and investigate unexplained phenomena, “but why drag astronomers into it?”

Perhaps because the alternatives to aliens are much more boring.

(15) LIFTOFF. Watch video of the launch at USA Today: “SpaceX launches more broadband satellites”.

SpaceX has launched another fleet of Starlink broadband satellites into orbit. The Falcon 9 rocket with 60 satellites took off from Florida on Wednesday (May 26)

(16) ARE HUMANS BUILT FOR THIS ADVENTURE? Gloomy predictions about space travel from Future Tense at Slate: “Deep-space human travel is a lose-lose proposition”.

… Then there’s sleep. Between 2007 and 2011 the European Space Agency worked with Russia to simulate the conditions of a trip to Mars, particularly as a psychological isolation experiment. Called Mars500, the longest part of this study ran between 2010 and 2011, and revealed a significant degradation of the simulacral explorers’ sleep patterns. While on wide-body airliners, a business class cocoon seat can deliver comfort (and even luxury) during an overnight flight, such ergonomic palliatives won’t be as easy for a yearlong journey. Space travel to Mars is supposed to be a bold and daring adventure. But what if it ends up feeling more like a superlong red-eye flight?

For years, Musk has compared his rockets to airliners, using the familiar sizes and thrust capacities of Boeing 737s and 747s as reference points for his future-bound ships. These comparisons circulate on social media, by way of making SpaceX craft both more graspable and more impressive. But the analogies are telling. As much as the goal is to reduce the time of feeling trapped inside a cramped cabin, the endgame is in fact more of this time. And let’s be honest: A hab on Mars is not going to be a whole lot more spacious than the interior of the ship.

If the dream of space travel involves new horizons and feelings of unbound freedom—to explore, to discover, to spread humanity—a nightmare lurks just around the corner of consciousness. There will be no real “arrival” on this fantasy trip: It’s enclosures and pressurized chambers all the way down. When it comes to human space travel, the destination really is the journey. And the journey will be long, and claustrophobic. As far as “quarantine” goes, spacefaring may feel familiar to those who lived through the COVID pandemic—and certain survival tactics may crossover.

Musk wants to send humans to Mars (and beyond) because he believes that the species is doomed on Earth, sooner or later. This bleak assessment belies two haunting presuppositions: The miserable masses will wither on a climate-scorched and ecologically damaged planet back home; meanwhile, the spacefaring select will find themselves in a whole new purgatory of cramped isolation, en route and wherever they “land.”…

(17) OCTOTHORPE. John Coxon is insidious, Alison Scott is simmering, and Liz Batty was on committees in Episode 32 of Octothorpe: “Maybe This Conversation Can Go Down a Vortex”.

We discuss letters of comment, and then the BSFA and SFF, before moving onto <checks notes> new-fangled publications called fanzines.

(18) VIDEO OF THE DAY. Watch as “Zack Snyder Directs A Dark, Gritty Reboot Of The Late Show”. The Hollywood Reporter provides the warm-up.

…For Colbert’s monologue, Snyder says he was hoping to deliver what Zack Snyder fans have been “demanding for years… Another classic Zack Snyder slow-motion shot.” To offer some action, Snyder threw a knife at the late-night host, which was filmed in slow-motion. “Directing is all about keeping talent out of their comfort zone,” Snyder said, with Colbert adding that a lot of blood was lost that day.

When considering “Zack Snyder leads,” Colbert says he was “flattered” for Snyder to help him given the director works with leading men considered to be “Gods among mortals.”

Because Colbert “fills out his clothes like lentils fill out a sandwich bag,” Snyder explains that he enlisted an “elite Hollywood personal trainer” to help Colbert in his fitness regimen but it ended with “unbelievable” results such as actually losing muscle mass….

[Thanks to Martin Morse Wooster, Joel Zakem, Mlex, JJ, Michael Toman, John King Tarpinian, Cat Eldridge, John Hertz, Mike Kennedy, Sumana Harihareswara, R.S. Benedict, and Andrew Porter for some of these stories. Title credit belongs to contributing editor of the day Daniel Dern.]

Pixel Scroll 5/11/21 Pixelai Filevanovich Scrollachevsky Is His Name. Hey!

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(1) MACHADO ON BOOK BANS. Carmen Maria Machado has an op-ed in today’s New York Times: “Banning My Book Won’t Protect Your Child”.

… Book bans in America are nothing new. As long as there have been writers, there have been reactionaries at their heels. (Boston held its first book burning in 1650.) Today in the United States, books that feature characters who are Black, Latinx, Indigenous, queer or trans — or are written by authors who identify that way — frequently make up a majority of the American Library Association’s annual list of the top 10 books most often censored in libraries and schools. These book bans deprive students of a better understanding of themselves and one another. As a writer, I believe in the power of words to cross boundaries at a time of deep division. Now more than ever, literature matters.

Those who seek to ban my book and others like it are trying to exploit fear — fear about the realities that books like mine expose, fear about desire and sex and love — and distort it into something ugly, in an attempt to wish away queer experiences.

They do not try to hide their contempt, or their homophobia. They accuse teachers who want to assign my book of “grooming” students, language that’s often used to accuse someone of being a pedophile and a common conservative dog whistle when it comes to queer art. They want to shield their children from anything that suggests a world beyond their narrow perception.

As anyone can tell you — as history can tell you — this is ultimately a fool’s errand. Ideas don’t disappear when they’re challenged; banned books have a funny way of enduring. But that doesn’t mean these efforts are without consequences.

The high school seniors affected by this action are on the cusp of adulthood, if not already there. Soon, they will go into the world. They will date and fall in love and begin relationships, good and bad. I understand that for a parent, it’s almost unthinkable to imagine that your child could experience such trauma. But preventing children from reading my book, or any book, won’t protect them. On the contrary, it may rob them of ways to understand the world they’ll encounter, or even the lives they’re already living. You can’t recognize what you’ve never been taught to see. You can’t put language to something for which you’ve been given no language.

Why do we not see these acts of censorship for what they are: shortsighted, violent and unforgivable?

(2) WISCON PLANS. This year’s WisCon substitute, although still online, will be different from last year’s virtual convention: “Visioning WisCon”.  

This spring (unlike last spring) has gone fast, but we’ve found the time to be sad about the lack of a WisCon this year as much as we have been hearing you are missing it. But we looked at our energy levels (sadly low) and our virtual-event-expertise levels (also pretty low), and we had to conclude that we weren’t going to be able to do a second WisCONline.

… We will be asking folks to register, so we can send you the information you need to attend. Our base ticket price is FREE! Tickets priced at $10 help us make the next in-person convention happen; $60 tickets go to our Member Assistance Fund, helping folks attend in 2022; the $200 tickets help assure that WisCon can keep happening past 2022. The program space will be open 4pm to 11pm Central time, Saturday May 29 & Sunday May 30.

(3) WRITERS GETTING PAID – WE HOPE. At BookRiot, Sarah Nicolas takes a crack at answering “How Much Do Authors Make Per Book?”

…When I teach classes and am asked how much do authors make, people tend to be deeply unsatisfied with my “it depends” answer. There is no way to predict how much a book will make, but I spoke with 15 authors of all stripes to demonstrate the variety of options. I spoke with self-published authors and traditionally published authors who have made less than they spent on expenses, authors of both paths who easily make a living off their writing, and everyone in between.

While there are many author earning surveys done by a variety of organizations, they are self-reported and only reach the sphere of influence of the organization. Much like with this article, mega bestsellers -— think Stephen King or James Patterson — don’t participate in those surveys. I would also like to caution against reading any kind of “data” on author earnings from websites that are also trying to sell you author services. I ran across many of these in my research and the numbers they present are incredibly skewed and intentionally misleading.

Many of the quoted writers have not let their real name be used. But here’s one you’ll recognize:

…Popular science-fiction author Jim C. Hines has been publishing his income reports every year since 2007. He’s never hit a bestseller list, but his last five books have been lead titles for his publisher. He made $31,411 in 2020, including $13.5k from a Kickstarter. In 2016, he also published a survey of almost 400 authors’ income, which resulted in an average of $114,124, but a median of $17,000, meaning a handful of high-earning outliers were bringing that average up….

(4) HEAR FROM THE HISTORIC TRIMBLES. Fanac.org’s next Zoom fanhistory session will host An Interview with Bjo and John Trimble on May 22 at 2:00 p.m. Eastern. For reservations, send an RSVP to [email protected].

An Interview with Bjo and John Trimble. Bjo and John Trimble have had an enormous impact on fandom from the 1950s onward. They’ve pubbed their ish, and some of the zines are available on FANAC.org. Bjo created the convention art show as we know it today (pre-pandemic) with Project Art Show, and published PAS-tell to share info with interested fans everywhere. In LASFS,  Bjo had a large role in reviving a flagging LASFS in the late 50s. Her most famous contribution was the successful Save Star Trek campaign which resulted in a 3rd year of the original series. Bjo was one of the organizers of Los Angeles fandom’s film making endeavors.  John is a co-founder of the LASFS clubzine, De Profundis and an editor of Shangri-L’Affaires. Bjo and John were Fan Guests of Honor at ConJose (2002), and were nominated twice for Best Fanzine Hugos. Bjo was nominated for Best Fan Artist Hugo. They were also involved in the SCA and costuming, receiving a lifetime achievement award from the International Costumers Guild in 1992. In this interview, expect stories and anecdotes of Los Angeles fandom, how the art show came to be, Save Star Trek and more.  For reservations, send an RSVP to [email protected].

(5) REASONS TO JOIN. “Recruiting the Millennials” on Facebook is a long post about what it takes to get people under the age of 30 interested in the Society for Creative Anachronism. Is any of the experience transferable to your activities?

…Gulf Wars is where I fell in love with the SCA. It got me hooked. I would meet people at Gulf Wars in 2013 who would quite literally change my life, and what got me addicted to the society, what finally set the hook, was being introduced to someone my own age. This seems like such a simple, easy arbitrary thing, but it mattered. You see, before I was introduced to someone my age the SCA felt intimidating, a bit unobtainable in it’s scope and culture. Seeing someone my own age thriving in the society, fighting, with a group of friends also within my age-group was welcoming and showed me that someone so comparatively young can come to fit in here.

Since those days I have made lots of friends my own age in the SCA, most tell a story not to dissimilar to my own. You see the antiquated recruitment methods of the SCA are simply not working. The old pitch “I get to hit my friends with a stick, and have a beer with them later.” is corny, it made me cringe when I first heard it and it makes me cringe now when I hear someone deliver it to someone new like it’s the golden ticket to a life-long member. I am a heavy fighter in the SCA, fighting was a huge draw for me. I grew up on video games and I wanted to be the hero of my own story. That journey is a hard one, and it takes time and dedication. Not everyone is going to have the discipline to stick with it to get to the level of fighting that they want out of themselves, and that’s ok. Some may join wanting to be a fighter, and end up taking up in metalwork or bardic. They may simply fall in love with the culture of the SCA, and do a little bit of everything, and that’s ok too….

(6) IN MEMORY YET GREEN. Coming to theaters July 30: The Green Knight.

An epic fantasy adventure based on the timeless Arthurian legend, The Green Knight tells the story of Sir Gawain (Dev Patel), King Arthur’s reckless and headstrong nephew, who embarks on a daring quest to confront the eponymous Green Knight, a gigantic emerald-skinned stranger and tester of men. Gawain contends with ghosts, giants, thieves, and schemers in what becomes a deeper journey to define his character and prove his worth in the eyes of his family and kingdom by facing the ultimate challenger.

(7) UP FRONT ADULTING. “Netflix Drops a New Red Band Trailer For Love, Death + Robots Volume 2” and SuperHeroHype points the way.

Last month, Netflix finally revealed the first look at the highly-anticipated second season of Love, Death + Robots. The trailer featured footage from brand new animated shorts. However, it didn’t exactly showcase the adult-oriented tone that the series was praised for when it debuted in 2019. Thankfully, Netflix has provided a simple fix to that problem. A new red-band preview for Love, Death + Robots Volume 2 has found its way online, this time offering a better look at what grown-up viewers can expect from the new season.

(8) MEDIA ANNIVERSARY.

  • May 11, 1955 — On this day in 1955, Ed Wood’s Bride Of The Monster had its original theatrical premiere in Hollywood, California.  It was produced by Ed Wood and written as well by him with assistance by Alex Gordon. The film starred Bela Lugosi in his last film and Tor Johnson as well. Most critics panned it, though a few thought it was almost decent by his low standards. Not so with the audience reviewers at Rotten Tomatoes who definitely didn’t like it at all and gave it a twenty-eight percent rating. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born May 11, 1899 — E. B. White. Author of Charlotte’s Web and Stuart Little, both of which are surely genre. Along with William Strunk Jr. he is the co-author of the English language style guide The Elements of Style. (Died 1985.) (CE) 
  • Born May 11, 1904 – Salvador Dalí.  Two Basket of Bread paintings twenty years apart – The Persistence of Memory between them – show he could be realistic if he felt like it.  Having said “The difference between me and a madman is that I am not mad,” he told a group of Surrealists “The difference between me and the Surrealists is that I am a Surrealist.”  He put an unfolded tesseract in Crucifixion; created in 1950 a Costume for 2045 with Christian Dior; drew, etched, sculpted; illustrated The Divine Comedy and The Arabian Nights.  Memoir, The Secret Life of Salvador Dalí.  (Died 1989) [JH]
  • Born May 11, 1918 – Richard Feynman.  He had a gift for looking from the abstract to the concrete: hence Feynman diagrams; plunging a piece of O-ring material into ice water at a hearing on the Challenger disaster; winning a Nobel Prize and teaching undergraduates. Kept a notebook Things I Don’t Know About.  A curved-space lecture handout had a bug on a sphere: “the bug and any rulers he uses are all made of the same material which expands when it is heated.”  Surely You’re Joking, Mr. Feynman reviewed by Alma Jo Williams in SF Review.  (Died 1988) [JH]
  • Born May 11, 1930 — Denver Pyle. His first genre performance is in The Flying Saucer way back in 1950 where he was a character named Turner. Escape to Witch Mountain as Uncle Bené is his best known genre role. He’s also showed up on the Fifties Adventures of Superman, Commando Cody: Sky Marshal of the Universe, Men Into  Space, Twilight Zone and his final role was apparently in How Bugs Bunny Won the West as the Narrator. (Died 1997.) (CE) 
  • Born May 11, 1935 — Doug McClure. He appeared in Seventies SF films The Land That Time Forgot, The People That Time Forgot, Warlords of the Deep and even Humanoids From The Deep. Genre-wise, he also appeared in one-offs in The Twilight Zone, Out of This World, AirWolf, Alfred Hitchcock Presents, Fantasy Island and Manimal. (Died 1995.) (CE) 
  • Born May 11, 1952 — Frances Fisher, 69. Angie on Strange Luck and a recurring role as Eva Thorne on Eureka. Have I mentioned how I love the latter series? Well I do! She’s also shown up on Medium, X-Files, Outer Limits, Resurrection, The Expanse and had a role in the Watchmen series. (CE) 
  • Born May 11, 1952 — Shohreh Aghdashloo, 69. Best known genre role is Chrisjen Avasarala on The Expanse series. (I’ve not seen it, but have listened to all of The Expanse series.) She also had a recurring role as Farah Madani on The Punisher. She was also in X-Men: The Last Stand as Dr. Kavita Rao, but her role as The Chairman in The Adjustment Bureau didn’t make it to the final version. She was Commodore Paris in Star Trek Beyond, and she had a recurring role as Nhadra Udaya in FlashForward. (CE) 
  • Born May 11, 1960 – Irwin Hirsh, age 61.  Early co-editor of Thyme.  Compiled The Incompleat Bruce Gillespie for the Bring Bruce Bayside Fund which brought Gillespie to Corflu 22 (fanziners’ con) and Potlatch 14.  GUFF delegate (northbound, Get-Up-and-over Fan Fund; southbound, Going Under Fan Fund).  Maintains an Australian Fan Funds Website.  [JH]
  • Born May 11, 1979 – Alice Lewis, F.N., age 42.  Made the logograph for First Night at Noreascon IV the 62nd Worldcon; you can see it on the First Night program sheet here.  Designed thirty NESFA Press books, like this (Tim Powers) and this (Roger Zelazny).  President of Harvard animé club while a senior there.  Fellow of NESFA (New England SF Ass’n; service).  Now designing for Viz Media.  [JH]
  • Born May 11, 1981 – Erin Hoffman, age 40.  Three novels, a score of shorter stories, half a dozen poems.  Co-edited The Homeless Moon.  Game designer.  She’s read Moby-Dick, two Austen novels, Treasure Island, four Shakespeare plays, Borges’ Ficciones, a Complete Poems of Emily Dickinson, The Hunt for “Red October”.  [JH]

(10) COMICS SECTION.

(11) A VISIT TO MILLARWORLD. In the Washington Post, David Betancourt interviews Scottish comics writer Mark Millar, whose strips Kick-Ass and The Secret Service have become films and whose company, Millarworld, was bought by Netflix and whose new show “Jupiter’s Legacy” is the first part of his production deal.  Millar explains how Netflix’s deal with Marvel to develop second-tier superheroes broke down and how Netflix is counting on Millar to supply superheroes to compete with Disney Plus and HBO Max. “Mark Millar’s ‘Jupiter’s Legacy’ kicks off Netflix’s new superhero universe”.

… “I’ve always avoided having a job. Like most writers, the idea of a job horrifies me. They knew I was never a guy who was going to come in and sit at a desk all day,” he said of the company. But his new arrangement “basically makes me feel as if I’m still running my own show, which is a perfect environment. You don’t feel like you have a boss watching everything you’re doing. It’s a very relaxed and chill environment.”

On a normal work day in his native Scotland, Millar spends most of his morning and afternoon writing, while he waits for Los Angeles to reach a Zoomable hour for calls with producers. Millar was a huge fan of Netflix’s “Daredevil” and was thrilled to have its originalshowrunner, Steven S. DeKnight, on “Jupiter’s Legacy” (even though DeKnight eventually exited)….

(12) WELL SPOKEN. The Rite Gud podcast says it’s also important to “Talk Gud: A Dialog About Dialog”. 

In this irregular episode, audio gremlin Sid Oozeley talks shop with returning guest Mario Coelho about fantasy and science fiction’s long-standing vendetta against dialogue writing.

Why is it frequently so stilted and stiff? Why are American writers so averse to local flavor? Why do so many grown adults still try to write like Joss Whedon? Just how far off-topic can Sid take a conversation? What the hell is verisimilitude, exactly?

Our boys get to the bottom of all of this and more on this unusual episode of Rite Gud.

(13) COUNT TO 19. The Los Angeles Times discovers that “Dracula’s castle proves an ideal setting for COVID-19 jabs”.

At Dracula’s castle in picturesque Transylvania, Romanian doctors are offering a jab in the arm rather than a stake through the heart.

A COVID-19 vaccination center has been set up on the periphery of Romania’s Bran Castle, which is purported to be the inspiration behind Dracula’s home in Bram Stoker’s 19th century gothic novel “Dracula.”

Every weekend through May, “vaccination marathons” will be held just outside the storied 14th-century hilltop castle, where no appointment is needed, in an attempt to encourage people to protect themselves against COVID-19.

“We wanted to show people a different way to get the [vaccine] needle,” Alexandru Priscu, the marketing manager at Bran Castle, told the Associated Press….

Those brave enough to get a Pfizer vaccine shot receive a “vaccination diploma,” which is aptly illustrated with a fanged medical worker brandishing a syringe….

“Besides the diploma, people benefit with free entry to the [castle’s] torture rooms, which have 52 medieval torture instruments,” Priscu noted.

(14) OVERTIME. James Davis Nicoll names “Five SF Novels That Take the Long View of History” for Tor.com readers.

You might think that it would be hard to make such books interesting. (I don’t think that anyone has ever described The Decline and Fall of the Roman Empire as a cracking thrill ride: “Could not put it down!”) The following five novels show that it is possible to write interesting works that take the long view….

Children of Time by Adrian Tchaikovsky (2015)

Doctor Kern did not personally terraform the nameless world twenty light-years from Earth but she plans to shape its destiny. Kern intends to seed what she dubs Kern’s World with monkeys infected with a nanovirus. The virus has been designed to force the monkeys along a deterministic path towards a new and better species, one far superior to disappointing humanity. Alas, her bold vision has failure points. Points which doom it.

The monkeys die on their way to the surface. The nanovirus, on the other hand, makes planetfall. Lacking its intended host, the nanovirus abandons Chordata in favour of Arthropoda. Kern’s World is ruled by generation after generation of very bright, surprisingly social spiders. Humans will one day make their way to Kern’s World, where they will either find some way to deal with the spiders or perish.

(15) THE RED, GREEN, AND BLUE PLANET. Adam Mann, in The New Yorker article “Is Mars Ours?”, asks “Should we treat other planets like natural resources or national parks?”

Last year, about a month into the pandemic, I reached for something comforting: the 1992 science-fiction novel “Red Mars,” by Kim Stanley Robinson. I’d first read it as a teen-ager, and had reread it a handful of times by my early twenties. Along with its two sequels, “Green Mars” and “Blue Mars,” the novel follows the first settlers to reach the red planet. They establish cities, break away from Earth’s control, and transform the arid surface into a garden oasis, setting up a new society in the course of a couple hundred years. On the cover of my well-worn copy, Arthur C. Clarke declared it “the best novel on the colonization of Mars that has ever been written.” In my youth, I considered it a record of what was to come.

It had been a decade since I’d last cracked open the book. In that time, I’d become a journalist specializing in space, covering its practical, physical, biological, psychological, sociological, political, and legal aspects; still, the novel’s plot had always stayed with me, somewhere in the back of my mind. It turns on a series of questions about what we owe to our planetary neighbor—about what we are allowed to do with its ancient geological features, and in whose interests we should be willing to modify them. In Robinson’s future, a disgruntled minority of settlers argue that humanity has no right to alter a majestic place that has existed without us for billions of years; they undertake ecoterroristic acts to undermine Martian terraforming efforts and, in the end, succeed in keeping parts of Mars a wilderness. I used to think it sensible that their opinion was relegated to the margins. Reading the novel again, I wasn’t so sure.

“It seemed to me obvious,” Robinson told me, over the phone this winter, when I asked him how he’d come to place that particular dilemma at the center of his trilogy…. 

(16) HONEST TRAILER. In “Mortal Kombat (2021),” the Screen Junkies say the new Mortal Kombat film is “a martial arts movie that takes itself way too seriously” and features “four real martial artists but you’d never know it from all the quick cuts.”

[Thanks to Martin Morse Wooster, N., JJ, Michael Toman, Jeffrey Smith, John King Tarpinian, Cat Eldridge, John Hertz, Mike Kennedy, James Davis Nicoll, Joe Siclari, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Acoustic Rob.]

Pixel Scroll 4/22/21 Do Jedi Name Their Lightsabers?

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(1) FREE ON EARTH DAY. Yes, it’s F.O.E. Arizona State University’s Center for Science and the Imagination, in honor of Earth Day, has published Everything Change, Volume III, a free digital anthology of climate fiction featuring the winner and finalists of their 2020 global climate fiction contest. Edited by Angie Dell and Joey Eschrich, the book is available in a variety of digital formats. View the 10 original illustrations created by Brazilian artist João Queiroz at the book’s webpage (scroll down).

The title Everything Change is drawn from a quote by Margaret Atwood, our first Imagination and Climate Futures lecturer in 2014. The contest and anthology are presented by the Imagination and Climate Futures Initiative at Arizona State University, a partnership of the Center for Science and the Imagination and the Virginia G. Piper Center for Creative Writing.

Stories by: Barakat Akinsiku, Amanda Baldeneaux, J.R. Burgmann, Mason Carr, Scott Dorsch, Sigrid Marianne Gayangos, Kathryn E. Hill, Jules Hogan, Anya Ow, Natasha Seymour

(2) PENNSIC WAR DELAYED AGAIN. The Society for Creative Anachronism’s Pennsic War will not happen again in 2021, however, a non-SCA event called Armistice will be run at the same site. Here are excerpts from the official explanations:

From the Mayor: Pennsic War 49

G’Day Everyone When taking office in the position of Mayor for Pennsic 49 I made a promise to everyone. That promise was that above all else, I would endeavour to run a fiscally responsible and safe Pennsic 49. It was my dear friend and mentor Viscount Sir Edward that said to me “The people that attend this event are Pennsic, take care of them.” I promised him I would. Then COVID 19 hit and the entire world was plunged into a crisis, the like of which we have not witnessed in our lifetimes. Over the past few months, I have been in constant discussions with The Pennsic Seneschals Group (PSG), The President of the SCA Inc, Coopers Lake Management and my Pennsic Senior Executive Group. In addition, I have seen the comments from many of you and listened to the comments from my Deputy Mayors and their staff. I have kept you all updated as much as possible so that you all understand my decision-making process and so that you understand the path I am walking when I make decisions. Although change is happening and things are getting better, I must deal with the now, rather than what I think it may be like in 3 months’ time and unfortunately our vendors needs for commitment and certainty are requiring us to make commitments earlier than we originally intended. As Mayor of Pennsic 49, I was entrusted with, the welfare and safety of the entire Pennsic Family. It is therefore with great sadness that I must inform you today that, I have decided to Postpone Pennsic 49 for another 12 months to 2022. The new dates for Pennsic 49 will be 29 July 2022 – 14 August 2022. This has been an exceedingly difficult decision to make but I trust you understand the reasoning behind it.
…Yours in Service, Sir Gregory of Loch Swan Mayor Pennsic 49

To explain a little further, I just want to put a couple of ‘Myths” that are circulating to bed and for people to clearly understand a few things that have and are happening behind the scenes.

Please understand that SCA, Pennsic staff, and Coopers management are jointly working together to find a solution. A separate, non-SCA event Armistice was the best joint solution that solved the issues of liability, allowed the business to survive, and provided an event for folks.

1. We needed to make a decision earlier because as PA (Just talking about our PA based Support services) started to emerge from the pandemic and slowly ramp up their businesses to pre-pandemic levels over the next 6 months, vendors need some certainty about their future commitment for everything from Portaloos to Waste Disposal bookings. We could not commit to that as the Pennsic War considering the current rules the SCA has in place today for SCA events. That was one consideration in our decision.

2. …All these decisions were made in concert with the SCA, the Pennsic Financial Committee, and the Coopers management working together to determine the best path forward for this summer.

3. For the Pennsic War to survive for another 20+ years, we need to support the main business that has supported us over these many years, Cooper’s Lake Campground and many of the smaller businesses and merchants that rely on Pennsic for part of their yearly income.  They have survived 18 months of no business income and forced closure. That is tough for any business, let alone one, like Coopers Lake,  that solely depends on campers and events. To that end we have been in discussions with the Coopers Lake Management for weeks about their options to survive. Armistice is that option.

4. Armistice “IS NOT” taking over from the Pennsic War. The Coopers Lake Management don’t want that at all. This is a one off event to help them through another tough year and is supported by Pennsic War and many Pennsic staff will be working to make Armistice event successful. It’s an option that gives those that wish to camp and relax with friends in PA, under PA health Guidelines the option to do so in a relaxed medieval environment.

5. We are all adults. Many have asked how to support the Coopers, well I’d suggest that this is a way of doing that, even if you can’t attend the event. I registered even though it is likely I won’t be able to attend, given current international travel rules.

6. This “Is Not” an SCA event. It is a Coopers Lake event run under their rules and insurance.

I hope that clears up some of the questions. Simple language, we knew about this alternate event, were consulted and even offered our expertise to support it. I know, there will be those that want to see some hidden secret SMOF type agenda, but those that know me, know that isn’t the case….  

(3) TONY STARK, COME FORTH. “Marvel Fans Rent Billboard Campaigning For Iron Man To Be Brought Back To Life” – CinemaBlend has the story.

…The above image comes to us from a now-deleted Twitter post, which was shared a few hundred times ahead of its mysterious disappearance. Both the social media account and said billboard encourage Marvel fans to use the hashtag #BringBackTonyStarkToLife on April 24th, marks the two-year anniversary of Avengers: Endgame.

…It seems the Marvel fans behind the campaign want to see Iron Man/Tony Stark get a happy ending in the MCU. A number of characters fell throughout Infinity War and Endgame, including Black Widow. But Tony’s death hit especially hard, and his funeral scene was an emotional one considering Pepper Potts and their daughter Morgan.

While both Natasha and Tony died in Avengers: Endgame, Captain America was given a chance at a happy ending. After returning the Infinity Stones to their proper place in the timeline, Steve went back and lived his happy ending with Peggy Carter. It’s likely due to this that fans want to see Iron Man get the same treatment.

Still, it seems unlikely that Tony Stark would somehow be brought back to life in the MCU. The Russo Brothers have spoken about the importance of real stakes, and that includes death scenes. Tony Stark’s death wrapped up the character’s arc, and showed the real sacrifices that come with saving the galaxy.

(4) FIYAHCON PLANS. FIYAHCON 2021, a virtual convention centering the perspectives and celebrating the contributions of BIPOC in speculative fiction, will be held September 16-19.

…The event is hosted by FIYAH Literary Magazine and carries a variety of entertaining and educational content surrounding the business, craft, and community of speculative literature. The inaugural event took place in October of 2020 to great acclaim, and we look forward to doing it all again this year!

Get ready for three-point-five days of dynamic, entertaining content with BIPOC at the center of speculative literature discourse! The event takes place September 16-19, 2021 and includes panels, presentations, games, office hours, write-ins, workshops, kickbacks, and more.

Where the magazine is focused specifically on the elevation of Black voices in short speculative fiction, FIYAHCON seeks to center the perspectives and experiences of BIPOC (Black, Indigenous, and People of Color). The reasoning is that Black voices are not the least represented in the field, and we don’t want to exclude groups who are already systemically excluded from other spaces….

(5) THE THAWED LEFTOVER EQUATIONS. [Item by Cliff.] The premise for this movie sounds strangely familiar…. “Stowaway review – a devastating dilemma drives tense Netflix sci-fi” in the Guardian.

Ever since Sandra Bullock MacGyver’d her way from mid-orbit chaos back down to earth in Alfonso Cuarón’s show-stopping thriller Gravity, we’ve seen a rise in briskly efficient sci-fi competency porn. It’s a subgenre of films working off the thrill of watching high-stakes problem-solving, of professionals using their reality-rooted smarts to deal with fantastical situations. We’ve since seen Matt Damon use botany in The Martian, Amy Adams use linguistics in Arrival, Natalie Portman use cellular biology in Annihilation and Chris Pratt use Jennifer Lawrence in the unintentionally creepy Passengers. Just a few months after Netflix ventured into similar territory with George Clooney’s business first, emotion later drama The Midnight Sky, they’re taking us up into the stars with Stowaway, a late-stage acquisition title that should scratch that itch a little more successfully….

(6) TUBERS. [Item by Martin Morse Wooster.] In the April 21 Financial Times, gaming columnist Tom Faber discusses the rise of virtual YouTubers, or “VTubers.”

CodeMiko is a video game character without a game.  The pink-haired avatar lives on Twitch, the live streaming platform owned by Amazon, where she chats with her half-million fans and interviews internet personalities in a signature style marked by absurdist humour and non sequiturs.  Her videos are immensely enjoyable, and they might just signal the next frontier of digital entertainment.

Controlling Miko is a human actress and programmer wearing a motion capture suit, known only as ‘The Technician.’  When The Technician moves or speaks, the Miko avatar mimics her precisely on screen.  This set up is a variation on the virtual YouTuber, or VTuber, a phenomenon where live streamers host videos as fictional characters, masked behind cutesy anime avatars..  As of last October, VTuber streams on YouTube were wracking up more than 1.5bn views a month.  It may seem curious that audiences choose animated figures over real humans, but the VTuber concept offers striking advantages to both streamers and viewers.

(7) THE PRESSURE IS ON. James Wallace Harris asks “Will Climate Change Crush Our Science Fictional Dreams?” at Classics of Science Fiction.

… Elon Musk might get people to Mars but we’ll discover two things. Living on Mars will not be the romantic fantasy that science fiction fans have always dreamed, and leaving Earth won’t save us. We’ll probably also return to the Moon, but we’ll discover trying to colonize it will be nearly impossible and we’ll learn the true value of the Earth and its biosystem that was so perfect for us.

As the years progress and the concentration of CO2 in the atmosphere increases and the percentage of habitable land decreases I believe our desire for space travel will wane. We won’t have to wait for dramatic sea level rise for everyone to be convinced, heat waves will start to kill millions. Just read the first chapter of The Ministry for the Future to understand. I expect events like it will come true sometime this decade. We won’t need to see drowned cities to know the disciples of Ayn Rand have doomed us. Increasing weather catastrophes, declining food production, and mass migrations of refuges will make it plain enough we made the wrong decisions and believed the wrong people….

(8) CON WILL REQUIRE ATTENDEES BE VACCINATED. Blerdcon, to be held July 16-18 in Washington, D.C., announced on Facebook they have decided to make Blerdcon 2021 “a vaccine mandated event (even if you HAD covid and recovered).”

…Only those having received their completed vaccine regiment and showing their Covid-19 Vaccination Record Card at registration will be admitted into the convention. This extends to all staff, volunteers, vendors, contractors and sponsors.

The community simply has too much to lose and nothing to gain by taking on any unnecessary risks, even as we anticipate low infection/high vaccination rates for mid-July. So we are adding this to our other anti-covid measures: outdoor parties and events, spaced seating in all panel rooms, mask mandate for all indoor spaces, sanitation stations, nightly cleaning.

(9) CAPTAIN JACK IS IMMORTAL – YOU ARE NOT. Radio Times thinks they have found some Secret Information in the advertising for a comic book: “Doctor Who leaks | Will time windows and Captain Jack be in series 13?” If you don’t want to know a possible spoiler – don’t blink click!

… The synopsis was originally found on the official Penguin Random House website, and while it has since been removed it is still publicly available to view on other sites. When contacted by RadioTimes.com, the BBC declined to comment on “speculation.”

(10) POWELL OBIT. Costume designer Anthony Powell died April 18 at the age of 85 reports Deadline. Powell won multiple awards for non-genre productions — a Tony Award for the costumes of 1963’s School for Scandal, and Oscars in 1972 for Travels with My Aunt  1978 for Death on the Nile and in 1979 for Tess. He received the Costume Designers Guild’s Career Achievement Award in 2000. For genre work he earned Academy Award nominations for Pirates (1986), Hook (1991) and 102 Dalmatians (2000) (for the costumes of Glenn Close’s Cruella de Vil). His other credits included Sorcerer, Indiana Jones and the Temple of Doom and Indiana Jones and the Last Crusade, 101 Dalmatians, The Avengers, The Ninth Gate and Miss Potter, the 2006 Beatrix Potter biopic.

(11) MEDIA BIRTHDAY.

  • April 22, 2005 — On this day in 2005, Star Trek: Enterprise went where the original series and Deep Space Nine had gone before as they ventured into the Mirror Universe with “In A Mirror Darkly”  with the first part of a two-part adventure in the program’s fourth season. (Star Trek: Discovery would later retcon itself into this universe.)  It was written by Mike Sussman who got his start on Star Trek: Voyager and wrote nearly thirty Trek episodes across the two series.

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born April 22, 1887 – Kurt Wiese.  A score of covers, many interiors for Walter Brooks’ Freddy the Pigbooks.  Among much else, here is Twenty Thousand Leagues Under the Sea; Caldecott Honor for You Can Write Chinese.  (Died 1974) [JH]
  • Born April 22, 1899 – Vladimir Nabokov.  Scientist, poet, translator, critic, teacher, fiction author, memoirist.  Said he didn’t like SF but wrote some anyway, e.g. “Lance”.  Superb treatment of “Dr. Jekyll and Mr. Hyde” and “Metamorphosis” in Lectures on Literature.  (Died 1977) [JH]
  • Born April 21, 1902 — Philip Latham. Name used by Robert Shirley Richardson on his genre work. His novels were largely first published in Astounding starting in the Forties, with the exception of his children’s SF novels that were published in Space Science Fiction Magazine. He also wrote a few scripts for Captain Video, the predecessor of Captain Video and his Video Rangers. His Comback novel starts this way: ‘ When Parkhurst heard the announcement that climaxed the science fiction convention, he found that he’d been right, years ago when he had faith in science-fictionists’ dreams. But, in another way, he’d been wrong . . .’ It’s available at the usual digital suspects for a buck. (Died 1981.) (CE) 
  • Born April 22, 1928 – Robert Schulz.   Two dozen covers.  Here is The Sword of Rhiannon.  Here is The Caves of Steel.  Here is Space Tug.  Here is Beyond Time and Space.  (Died 1978) [JH] 
  • Born April 21, 1937 — Jack Nicholson, 84. I think my favorite role for him in a genre film was as Daryl Van Horne in The Witches of Eastwick. Other genre roles include Jack Torrance in The Shining, Wilbur Force in The Little Shop of Horrors, Rexford Bedlo in The Raven, Andre Duvalier in The Terror, (previous three films are all Roger Corman productions), Will Randall in Wolf, President James Dale / Art Land in Mars Attacks! and Jack Napier aka The Joker in Tim  Burton’s The Batman. (CE) 
  • Born April 21, 1977 — Kate Baker, 44. Editor along with with Neil Clarke and Sean Wallace of the last two print issues of Clarkesworld .  She won the Hugo Award for Best Semiprozine twice, and the World Fantasy Award (Special Award: Non Professional in 2014, all alongside the editorial staff of Clarkesworld . She’s a writer of three short genre stories, the latest of which, “No Matter Where; Of Comfort No One Speak”, you can hear it here. Warning it has as subject matters abuse and suicide. (CE)
  • Born April 21, 1984 — Michelle Ryan, 37. She had the odd honor of being a Companion to the Tenth Doctor as Lady Christina de Souza for just one story, “Planet of the Dead”.  She had a somewhat longer genre run as the rebooted Bionic Woman that lasted eight episodes, and early in her career, she appeared as the sorceress Nimueh in BBC’s Merlin. Finally I’ll note she played Helena from A Midsummer Night’s Dream in BBC’s Learning project, Off By Heart Shakespeare. (CE) 
  • Born April 22, 1943 – Louise Glück, age 78.  Her poem “Circe’s Power” is anthologized here.  In The Wild Iris flowers talk with a gardener and an “unreachable father”.  Pulitzer Prize, William Carlos Williams Award, Bollingen Prize, U.S. Poet Laureate 2003-2004, Nat’l Humanities Medal, Nobel Prize.  Professor at Yale.  [JH]
  • Born April 21, 1944 — Damien Broderick, 77. Australian writer of over seventy genre novels. It is said that The Judas Mandala novel contains the first appearance of the term “virtual reality” in SF. He’s won five Ditmar Awards, a remarkable achievement. I know I’ve read several novels by him including Godplayers and K-Machines which are quite good. (CE) 
  • Born April 22, 1966 – Marie Javins, age 55.  Editor-in-chief at DC Comics.  Has done Marvel too, e.g. prose adaptation of graphic novel Iron Man: In extremis; with James Gunn, The Art of “Guardians of the Galaxy”.  Colorist.  Travel writer.  Website.  [JH]
  • Born April 22, 1989 – Catherine Banner, age 32.  Three novels for us, the first when she was 19; another outside our field well received.  Lives in Turin.  “I underwent a shift, as all writers who continue writing beyond adolescence probably do, from thinking ‘What story shall I write?’ to asking, instead, the more pertinent question, the one which can sustain a lifetime of work: ‘How can I do justice to this story I feel I must tell?’”  [JH]

(13) COMICS SECTION.

  • Bizarro reveals the surprise ending to a crime story.

(14) THE HOSTS WITH THE MOST. “’Jeopardy!’: Robin Roberts, LeVar Burton & George Stephanopoulos To Guest Host” says Deadline. A different source reports LeVar Burton’s episodes will air July 26-30.

Jeopardy! has unveiled the final group of season 37 guest hosts, with Robin Roberts, LeVar Burton and George Stephanopoulous among the TV personalities set to lead the  popular trivia game.

Executive producer Mike Richards revealed that David Faber, who is a former Celebrity Jeopardy! champion,  and Joe Buck will also step up to the lectern to wrap up the game show’s 37th season. Previous season 37 guest hosts, who have stepped in for the late longtime host Alex Trebek, include Anderson Cooper, Dr. Mehmet Oz, Dr. Sanjay Gupta, Savannah Guthrie, Bill Whitaker, Mayim Bialik, Katie Couric and Aaron Rodgers.

(15) RITE GUD. Raquel S. Benedict has released more Rite Gud podcast episodes. (Previously identified in this space by her initials, she is now going by her full name.)  

What makes a writer? Is it coffee and cats? Is it a good author photo? Is it having a screenname like @JaneDoeWrites? Is it in your soul, in your bones, in your DNA? Is it collecting photos of books and sharing writing memes and penning endless posts about writing (specifically, about how much you hate it)?
In this episode, Carmilla Mary Morrell joins us to talk about the dark secret of being a writer: you have to fucking write. We also discuss the problem of defining people by rigid identities and the Doctrine of Dog Cum.

If you’ve spent any time talking about geek culture, you’ve probably seen one word come up over and over again: gatekeeper. To be a gatekeeper is bad. To be a gatekeeper is exclusionary and harmful and discriminatory.

The internet was supposed to get rid of gatekeepers and usher in a new, democratic era of content, an era free of inequality or bias or those evil old boogeymen called gatekeepers. But is it really? Are we really getting rid of gatekeepers, or are we just replacing the old gatekeepers with new ones?

In this episode, Colin Broadmoor joins us to talk about fandom, The Monk, and why fiction should hurt.

If you’re into science fiction and fantasy, you might have heard of something called hopepunk. Hopepunk, according to its supporters, is a creative movement that believes that producing and consuming optimistic fiction will make the world a better place. But does hopepunk really offer meaningful hope and revolution, or is it just a way to numb yourself and hide from the world?

In this episode, Sid Oozeley gets on the mic to talk about how all fiction is escapist: the only question is, what are you escaping from?

(16) PINBALL WIZARDRY. SYFY Wire tells what players what to expect when “Star Wars Pinball, Resident Evil go VR in Oculus virtual reality gaming showcase”.

With Baby Yoda and Din Djarin as ringside spectators, you might think there’d be galactic levels of pressure not to foul up a task — even if it’s something as casual as a game of Star Wars Pinball. But in Oculus’ big quest (pun intended) to bring the galaxy far, far away and other big-name game franchises to its family of VR platforms, it all actually ends up feeling pretty fun….

For its VR upgrade, Star Wars Pinball isn’t just replaying the classics, it’s also roping in newcomers to Lucasfilm’s ever-expanding galaxy. In addition to familiar tables based on the original films, watch for a pair of new themes created specifically for VR, as well as franchise newcomers straight out of The Mandalorian. While Oculus unveiled the new look, its Quest platforms aren’t the only place you’ll be able to hone your virtual skills; in addition to Oculus Quest 1 & 2, Star Wars Pinball is also headed to Steam VR and PlayStation VR on April 29….

(17) BUTLER RESEARCHER. In “How Octavia Butler Created Her SciFi Worlds” at Jezebel. Joyzel Acevedo interviews Lynell George, author of A Handful of Earth, A Handful of Sky: The World of Octavia E. Butler.

Originally, it was Lynell George’s mother who was the Octavia Butler fan. A Los Angeles-based English teacher for 30 years, George’s mother would hand Butler’s books to students who didn’t like reading; “‘What are you interested in? Who are you? Oh, here, this is for you’,” she recalls. Once, she brought George along to a Butler reading in Pasadena, California, and George describes the awe she felt seeing Butler in person for the first time: “There was something very powerful about this tall, Black woman walking to the bookstore and sitting inches away from me—it was a small store—to talk about her work, to talk about writing.”…

(18) ZOOM WITH OKUNGBOWA. Powell’s Books presents Suyi Davies Okungbowa in conversation with S. A. Chakraborty on May 18, at 5:00 PM Pacific. Register for the Zoom webinar here.

From Suyi Davies Okungbowa, one of the most exciting new storytellers in epic fantasy, comes Son of the Storm (Orbit), a sweeping tale of violent conquest and forgotten magic set in a world inspired by the precolonial empires of West Africa. In the ancient city of Bassa, Danso is a clever scholar on the cusp of achieving greatness — only he doesn’t want it. Instead, he prefers to chase forbidden stories about what lies outside the city walls. The Bassai elite claim there is nothing of interest. The city’s immigrants are sworn to secrecy. But when Danso stumbles across a warrior wielding magic that shouldn’t exist, he’s put on a collision course with Bassa’s darkest secrets. Drawn into the city’s hidden history, he sets out on a journey beyond its borders. And the chaos left in the wake of his discovery threatens to destroy the empire. Okungbowa will be joined in conversation by S. A. Chakraborty, author of The Daevabad Trilogy.

(19) CAN’T BEAT THAT. The Guardian’s Alison Flood celebrates a new edition of the author’s first book in “Terry Pratchett’s debut turns 50: ‘At 17 he showed promise of a brilliant mind’”. There’s a 2-minute audio clip at the link.

In November 1971, a debut novel from a young author was published, to a small but not insignificant splash. Set in a world of tiny people who live in a carpet, it was described by the book trade journal Smith’s Trade News as “one of the most original tots’ tomes to hit the bookshops for many a decade”, while Teachers’ News called it a story of “quite extraordinary quality”.

The unknown author was Terry Pratchett, and the book was The Carpet People. This week, publisher Penguin Random House Children’s is releasing a 50th-anniversary edition, with Doctor Who and Good Omens star David Tennant reading the new audiobook.

“Terry would have loved knowing that David was going to do it,” said Rob Wilkins, Pratchett’s former assistant and friend who now manages the Pratchett estate. “David was a Doctor Who that really mattered in the Pratchett household, so he would have been so thrilled.”…

(20) VENISON WITH A VENGEANCE. The Late Show with Stephen Colbert shows what happens when you mess with nature in “Bambi Returns: The Clone Wars”.

(21) VIDEO OF THE DAY. In “How WandaVision Should Have Ended” on YouTube, the How It Should Have Ended Team thinks WandaVision would be better with the addition of several DC superheroes, Mel Gibson, and Keanu Reeves! QUITE POSSIBLY SPOILERS.

[Thanks to Peer, John Hertz, Cat Eldridge, Martin Morse Wooster, N., Andrew Porter, Cliff, John King Tarpinian, Michael Toman, JJ, Raquel S. Benedict, IanP, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 2/14/20 Requires Much More Work Before It Can Be Submitted

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(1) VOTE ON BOOK SUPER LIST. A bit of genre seasons the stew: “British Book Awards 2020: Nibbies unveils #30from30 super list” at The Bookseller. [Via Locus Online.]

Books by J K Rowling, E L James, Peter Kay, Stephenie Meyer, Philip Pullman and Zadie Smith will battle it out to be crowned the overall book of the past 30 years at this year’s British Book Awards (a.k.a. the Nibbies), as part of a unique celebration of the three decades of publishing championed at the annual awards, which were founded in 1990.

The longlist of titles—from Brick Lane to Longitude to Dreams From My Father—is made up of past winners at the British Book Awards, the book and trade awards founded in 1990 by Publishing News, and run since 2017 by The Bookseller. The longlist makes for a compelling history of the book trade and 30 years of successful publishing, with books such as Harry Potter and the Philosopher’s Stone by Rowling, The Gruffalo’s Child by Julia Donaldson and Axel Scheffler, Northern Lights by Pullman, and The Da Vinci Code by Dan Brown going on to become huge backlist bestsellers, and spawning many imitators.

See the full list and ballot here.  The winner will be announced May 18, 2020.

The Bookseller now invites readers and the trade to share their memories of these books, make the case for titles to make it through to the next round, and suggest wildcard entries. A shortlist of ten will be announced in March. The winning author will be invited to the British Book Awards on 18th May to pick up their prize.

Which 10 books would make up your shortlist?

Vote below, tweet using #30from30 or email [email protected] and share your memories of the longlist.      

(2) IT JUST GOT STRANGER. Netflix has dropped a trailer for Season 4 of Stranger Things.

(3) WHEN GREEN KNIGHTHOOD WAS IN FLOWER. [Item by Dann.] Corey Olsen is an English professor with at PH.D. in medieval literature. His classes cover a broad range of medieval mythologies; including Arthurian legends and faerie stories. His course offerings include the obvious children of those mythos; J.R.R. Tolkien’s The Lord of the Rings. He has adopted the sobriquet of The Tolkien Professor.

In addition to his work in academia, Professor Olsen has also participated in many cons and symposiums (symposia?) focused on LOTR and medieval literature. He currently serves as the president of Signum University; an online university.

Back in 2011, Professor Olsen recorded a series of classes at Washington University on the original Sir Gawain and the Green Knight. It may be useful to listen to some of his earlier classes on faerie in medieval literature to acquire a broader context of faeries within that period.

There are one, two, three, four episodes covering the Green Knight story.

(4) SLF TAKING GRANT APPLICATIONS. The Speculative Literature Foundation is accepting applications for the 2020 Older Writers Grant and A.C. Bose Grant for South Asian Speculative Literature through March 31st, 2020.

The $1,000 Older Writers Grant is awarded annually to a writer who is fifty years of age or older at the time of grant application, and is intended to assist such writers who are just starting to work at a professional level. Grant funds can be used as each writer determines will best assist his or her work. For more information about the Older Writers Grant, or how to apply, click here.

The $1,000 A.C. Bose Grant for South Asian Speculative Literature, co-sponsored by the SLF and DesiLit, is awarded to a South Asian or South Asian diaspora writer developing speculative fiction. The grant is named in memory of Ashim Chandra Bose, a lover of books, especially science fiction and fantasy, and was founded by his children, Rupa Bose and Gautam Bose. For more information about the A.C. Bose Grant, or to how to apply, click here.

The SLF is also currently accepting applications for the 2019 Working Class Grant until February 29, 2020.  For more information, or how to apply, click here. 

(5) SLF HONORS ART. Sofiia Melnyk’s “Sir Spacediver 3020” is the Speculative Literature Foundation’s 2020 Illustration of the Year.

The Speculative Literature Foundation has chosen its 2020 Illustration of the Year, for a piece of artwork that combines elements of science fiction and fantasy as well as incorporating the SLF’s literary focus. The 2020 Illustration of the Year, entitled “Sir Spacediver 3020, is by artist and animator Sofiia Melnyk. Melnyk has a degree in animation from the Animationsinstitut of the Filmakademie Baden-Württemberg. Melnyk’s winning piece is now featured n the Speculative Literature Foundation’s website and will be on its social media and marketing material throughout 2020. 

(6) FANDOM IN THE SHADE. The Rite Gud podcast has posted Part 2 of their discussion — “The Dark Side of Fandom Part 2: Friendship Simulator”. It’s all about parasocial relationships.

Why do people love the Disney corporation? Why do people watch other people play video games? Can fans influence creatives’ work for the worse? Does the mainstreaming of geek culture represent a triumph for social outcasts, or is it all just a capitalist plot?

In part two of our discussion on the dark side of fandom, RS Benedict talks to Tim Heiderich about parasocial relationships, Twitch streamers, Nazis, Pink Floyd’s The Wall and fans who want to watch their idols burn.

(7) TODAY IN HISTORY.

  • February 14, 1963 — The Day Mars Invaded Earth premiered. Directed by produced and directed by Maury Dexter, it stars Kent Taylor, Marie Windsor, and William Mims. Dexter named the film in hopes it’d remind film goers of The Day The Earth Stood Still. The storyline is merging of the story lines in The War of the Worlds and Invasion of the Body Snatchers. Strangely enough, it was the bottom half of a double feature with the Elvis Presley‘s Kissin’ Cousins. The NYT critic at the time  called it a “pallid, pint-sized exercise” and the audience score at Rotten Tomatoes is a rather poor 18%.  You can see the film here.
  • February 14, 1986 — Terrorvision premiered. It was directed by Ted Nicolaou, produced and written by Albert and Charles Band. It starred  Diane Franklin, Gerrit Graham, Mary Woronov, Chad Allen and Jonathan Gries. Wiki notes that “several songs (including the movie’s theme) were contributed by Los Angeles art rock band The Fibonaccis. TerrorVision was hoped to bring more attention to the group, but the movie (and ultimately the soundtrack) failed.” Pop Matters called TerrorVision “a truly wretched movie.”  It holds a decent 43% audience rating at Rotten Tomatoes. Of course you can judge the film by seeing it here.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 14, 1919 — David A. Kyle. He chaired the 1956 Worldcon, was a leader in First Fandom, and wrote innumerable fanhistorical articles for Mimosa. Along with Martin Greenberg, he founded Gnome Press in the late Forties. He also penned two illustrated SF histories, A Pictorial History of Science Fiction and The Illustrated Book of Science Fiction Ideas and Dreams. He wrote three novels set in the Lensman universe: The Dragon Lensman, Lensman from Rigel and Z-Lensman. So has anybody read these? (Died 2016.)
  • Born February 14, 1925 — J. T. McIntosh. Scottish writer at his best according to Clute in his early work such as World Out of Mind and One in Three Hundred. He’s deeply stocked at the usual digital sources at very reasonable rates. (Died 2008.)
  • Born February 14, 1942 — Andrew Robinson, 78. Elim Garak on Deep Space Nine. He wrote a novel based on his character, A Stitch in Time, and a novella, “The Calling,” which can be found in Prophecy and Change, a DS9 anthology edited by Marco Palmieri. Other genre credits include Larry Cotton in Hellraiser, appearing in The Puppet Masters as Hawthorne and playing John F. Kennedy on the The New Twilight Zone.
  • Born February 14, 1951 — John Vornholt, 69. I was musing on the difference between fanfic and profic (if such a word exists) when I ran across this writer. He’s written in a number of media properties with the most extensive being the Trek ‘verse where he’s written several dozen works, but he’s penned works also in the Babylon 5, Buffyverse, Dinotopia, Earth 2, Marvel metaverse… Well you get the idea. All authorized, but really no different than fanfic on the end, are they? Other than they pay a lot better. 
  • Born February 14, 1952 — Gwyneth Jones, 68. Interesting person the she is, let’s start with her thoughts on chestnuts. Just because I can. Now regarding her fiction, I’d strongly recommend her Bold As Love series of a Britain that went to pieces as it now certainly is, and her twenty year-old Deconstructing the Starships: Science, Fiction and Reality polemic is still worth reading.
  • Born February 14, 1963 — Enrico Colantoni, 57. Any excuse to mention Galaxy Quest is one I’ll gladly take. He played a delightful Mathesar on that film and that was his first genre role, lucky bastard. Up next for him was A.I. Artificial Intelligence as The Murderer followed by appearing in the most excellent animated Justice League Dark as the voice of Felix Faust where his fate was very, very bad. He had an amazing role on Person of Interest as Charlie Burton / Carl Elias. Not genre, but his acting as Sgt. Gregory Parker on Flashpoint, a Canadian police drama television series is worth noting.
  • Born February 14, 1970 — Simon Pegg, 50. Best known for playing Montgomery Scott in the new Star Trek franchise. His first foray into the genre was Shaun of the Dead which he co-wrote and had an acting role in. Late genre roles include Land of the Dead where he’s a Photo Booth Zombie, Diary of the Dead where he has a cameo as a Newsreader, and he portrays Benji Dunn in the ongoing Mission: Impossible franchise.
  • Born February 14, 1975 — M. Darusha Wehm, 45. New Zealand resident writer who was nominated for the Nebula Award and won the New Zealand Sir Julius Vogel Award for The Martian Job novel. She says it’s interactive fiction. You can read the standalone prequel novella, Retaking Elysium, on her website which can be found here.

(9) DEMONSTRATING APPLIANCES. That doesn’t mean what it used to. “Why ‘Star Trek’ Star Jeri Ryan Had a Tough Time Returning for ‘Picard'” — The Hollywood Reporter found out. BEWARE SPOILERS, dammit.

“The scale of the show. The scale of these sets, the costumes, it’s crazy. It’s like you’re doing a feature film every week.” Ryan says with a big smile. What impressed her most was the advances in set design and tech from her days on Voyager. 

“In one of my scenes, where I had to go in and work a console, we go in for the first rehearsal and I had to touch buttons and the screen actually does something! And I totally flipped out, like: ‘Oh my god, actually having buttons that work!” 

There was another change from working on Voyager that surprised her.

“What’s funny is that they actually added time to my ready time. They made [Seven’s] prosthetics more complicated to put on. So now I actually do have prosthetic makeup to add, outside of the full Borg suit and makeup, that I didn’t have on the old show.” (And yes, fans, she still has Seven’s original facial appliances somewhere in her house. “Though it’s pretty crunchy at this point,” she says. She also got to keep her first new set of appliances from Picard.)

(10) UNMAKING BOOK. Publishers Weekly reports “In 2021 Budget Proposal, Trump Once Again Seeks to End Federal Library Funding”.

For a fourth straight year, the Trump administration has once again proposed the permanent elimination of the federal Institute of Museum and Library Services (IMLS), and with it virtually all federal funding for libraries.

…In a statement, IMLS officials confirmed the Trump Administration will once again propose the elimination of the agency, with $23 million reportedly proposed in the 2021 budget proposal to wind the agency down.

The good news for library supporters: for the last three years, the library community has not only successfully countered the administration’s proposal to axe the IMLS—the agency through which most federal library funding is distributed in the form of grants to states— but IMLS has actually seen increases in each of the last three years. The FY2020 budget, which Trump signed in January, included a $10 million increase to the IMLS budget, including $6.2 million for the Library Services and Technology Act (LSTA), the largest increase in LSTA funding in over a decade.

(11) FAKIN’ BACON. FastCompany tells how they’re doing it: “This bacon looks like the real thing as it sizzles—but it’s made from fungus”.

Most fake meat products get protein from a small group of plants. In the case of the Beyond Burger or Nestle’s Awesome Burger, the main ingredient is pea protein; the Impossible Burger gets protein from soy and potatoes. Kellogg’s “Incogmeato” line is made with soy. But one new Bay Area startup relies on fungus instead—specifically, koji, the fungus used to make sake.

The startup, called Prime Roots, launched limited sales of its first product—a fungi-based bacon—online today. Bacon “is a very underserved meat alternative,” says Prime Roots cofounder Kimberly Le. “There’s a lot of ground beef out there. But there isn’t as much in the way of whole-muscle meat or a more formed product like bacon or chicken breast, which is something that koji does really well at replicating.”

(12) ALONG CAME JONES. Harrison Ford is making the rounds to promote the next Indy film. The Hollywood Reporter got an article out of his appearance on Ellen: “‘Indiana Jones 5’ Will Begin Filming This Summer, Harrison Ford Says”.

The 77-year-old actor told host DeGeneres that filming would begin late this summer. 

“it’s going to be fun,” Ford said. “They are great fun to make.” 

The upcoming film’s title has yet to be revealed. 

Ford has a TV interview about the production that will air on Sunday – here’s a teaser.

In this preview of a conversation with correspondent Lee Cowan to be broadcast on “CBS Sunday Morning” on February 16, Harrison Ford, the actor who has played iconic characters in the “Star Wars” and Indiana Jones franchises, talks about returning to familiar roles.

(13) I’VE BEEN THINKING. Maltin on Movies visited with Craig Ferguson.

Craig Ferguson is one of the funniest men on the planet, as he proves yet again in his multi-episode web series Hobo Fabulous, a hybrid of stand-up comedy and documentary on the Comedy Dynamics network. It’s no surprise that the former late-night host is a master of conversation, leaving Leonard and Jessie to marvel at his rapid-fire mind. He has significant film credits, as well, not the least being his voice-over work in the How to Train Your Dragon animated features. Be sure to listen if you’re in need of cathartic laughter.

(14) VIDEO OF THE DAY. “Hair Love–Oscar Winning Short Film” on YouTube is the animated feature by Matthew A. Cherry that won this year’s Oscar for best short animated film.

[Thanks to John King Tarpinian, Cat Eldridge, JJ Chip Hitchcock, Andrew Porter, Mike Kennedy, Martin Morse Wooster, and Michael Toman for some of these stories. Title credit belongs to PJ Evans with an assist from Anna Nimmhaus.]

Pixel Scroll 1/23/20 No-One Expects The Scrollish Pixelation!

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(1) THE DOCTOR IS STILL IN. Entertainment Weekly confirms “Doctor Who star Jodie Whittaker will play time traveler for at least one more season”.

… “I’ve seen loads of fan art, which I always love,” she says. “But it’s never been that great for me to immerse myself in noise that you can’t control, good or bad. I think both are a rabbit hole that you shouldn’t necessarily go down. We know that we work really hard for the show to be the best it can be in this moment. Once it’s out in the ether, how people feel, in a way, is kind of irrelevant.”

But Whittaker isn’t going anywhere. The length of time an actor has played the Doctor has varied over the years — back in the ’70s and ’80s, Tom Baker’s Fourth Doctor piloted the TARDIS for seven seasons; in the aughts, Christopher Eccleston’s Ninth Doctor survived just one. So, will Whittaker return for a third run of shows? “Yes, I’m doing another season,” she confirms. “That might be a massive exclusive that I’m not supposed to say, but it’s unhelpful for me to say [I don’t know] because it would be a massive lie! [Laughs] I absolutely adore it. At some point, these shoes are going to be handed on, but it’s not yet. I’m clinging on tight!”

(2) GUINAN. Patrick Stewart, while appearing on The View, extended an invitation to host Whoopi Goldberg to appear in Picard’s second season. See 4-minutue video here. Stewart said —

“I’m here with a formal invitation, and it’s for you, Whoopi.  Alex Kurtzman, who is the senior executive producer of Star Trek: Picard, and all his colleagues, of which I am one, want to invite you into the second season.”

The crowd delivered a standing ovation as Goldberg and Stewart hugged, and Goldberg replied, “Yes, yes, yes!” 

(3) THE PEOPLE ALL RIDE IN A WORMHOLE IN THE GROUND. The New York Post tells readers “Here’s where to get ‘Star Trek: Picard’ MetroCards featuring Patrick Stewart”.

“Star Trek: Picard” is beaming to a subway station near you.

For three weeks starting Thursday, when the show premieres on CBS All Access, the series will be promoted on special MetroCards available at six MTA stations in Manhattan.

In the drama, Sir Patrick Stewart, 79, reprises his “Star Trek: The Next Generation” role of Jean-Luc Picard, the retired Starfleet admiral and former captain of the Starship Enterprise who is living out his latter days on his family’s vineyard in France. Fittingly, the subway promotion will showcase two different cards — one featuring Picard on the front and his family’s sweeping vineyard on the back, the other with Picard’s dog, No. 1, on the front and several planets on the flip side.

(4) IS PICARD MESSAGE-HEAVY? The Daily Beast argues “‘Star Trek: Picard,’ With Its Refugee Crisis and Anti-Trump Messaging, May Be the Most Political Show on TV”.

…At the crux of the Picard premiere is a devastating monologue Stewart delivers recounting a catastrophic event that happened years before, triggering a refugee crisis and driving Picard to quit his position in the Starfleet, disgusted by what the organization and the Federation now stood for. 

It might sound in the weeds if you’re not a Trekkie, but the basics of the plot are refreshingly simple. 

A supernova blast threatened the planet Romulus. Despite their antagonistic relationship, the Federation agreed to rescue the Romulan people. But in the midst of the rescue mission, synthetic lifeforms like Data, who helped Picard pilot his ship, went rogue and destroyed the Federation’s base on Mars, killing over 90,000 people. In the wake of the incident, synthetic lifeforms were banned, a decision that appalled Picard and caused him to quit before he carried out his Romulan rescue mission. 

“It has always been part of the content of Star Trek that it will be attempting to create a better future with the certain belief that a better future is possible if the right kind of work and the right kind of people are engaged in that,” Stewart told reporters. “And my feeling was, as I look all around our world today, there has never been a more important moment when entertainment and show business can address some of the issues that are potentially damaging our world today.” 

(5) CLONE WARS TRAILER. The final season of Star Wars: The Clone Wars starts streaming Feb. 21 on DisneyPlus.

One of the most critically-acclaimed entries in the Star Wars saga will be returning for its epic conclusion with twelve all-new episodes on Disney+ beginning Friday, February 21. From Dave Filoni, director and executive producer of “The Mandalorian,” the new Clone Wars episodes will continue the storylines introduced in the original series, exploring the events leading up to Star Wars: Revenge of the Sith.

(6) HAVE SPACEWORTHY 3D PRINTER, WILL TRAVEL. Daniel Dern looks into “NASA’s 3D Printing Space Initiatives” in an article for GrabCAD.

…The SLS [Space Launch System] is intended to be the primary launch vehicle of NASA’s deep space. By manufacturing as many of the engine’s parts as possible (like the fuel injectors, turbo pumps, valves, and main injectors) with 3D printing, NASA can significantly reduce time and money spent.

“NASA is on track to reduce the number of individual parts by an order of magnitude — from hundreds to tens — and reduce the cost of the entire engine by 30% and later by 50%, and the build time by 50%,” John explains.

Dern notes, “This is the 3rd or 4th NASA-related article I’ve gotten to do over the past six months. I had a lot of fun researching and writing this, and hope find more assignments on this stuff over the coming year.”

(7) WHAT IT TAKES. “Oscar-nominated filmmaker Chris Butler’s top animation tips” – BBC video.

Film writer and director Chris Butler, who has been nominated for an Oscar, has said anyone who wants to be an animator needs to be prepared for “hard work”.

His film Missing Link is up against Toy Story 4 in the Animated Feature category, but Butler, from Maghull, Merseyside, has already beaten it – and Frozen II – to a Golden Globe.

He said he was “shell-shocked” when it was announced as the winner earlier this month – so much so that he cannot remember going on stage to collect the award.

Butler said making animated films was “not easy” and warned that budding filmmakers have to “put in long hours” to make it in the industry.

(8) STONE AGE. First Fandom Experience not only remembers when — “In 1939, Lithography Came To Fanzines — But Why?”. Zine scans at the link.

Beginning in 1932, Conrad H. Ruppert reshaped the world of fan publications with the printing press he bought with money saved by working in his father’s bakery. He printed issues of the most prominent fanzines of the period, including The Time Traveller, Science Fiction Digest, and Charles D. Hornig’s The Fantasy Fan. It’s not unreasonable to assert that the professional appearance of Hornig’s leaflet-sized ‘zine contributed to his ascension to the editorship of Wonder Stories at the age of 17….

(9) THOSE DARN FANS. RS Benedict posted a new episode of the Rite Gud podcast — “This is the first of a two-part series about the dark side of fandom. Why does fandom turn toxic? Can over-investment in fandom stunt your social and artistic growth?” The first episode is here: “The Dark Side of Fandom, Part 1: Have You Accepted Spider-Man as Your Lord and Savior?”

Tim Heiderich of Have You Seen This took the time to talk to us about the creative perils of fandom. Fandom can be fun, but it can also turn ugly too, or it can keep us so busy focusing on someone else’s work that we fail to develop our own talents.

This was a huge conversation, so we split it into two parts. In the first installment, we talk about toxic fandom, simulacra, and the siren song of nostalgia.

(10) EXTRA, EXTRA, READ ALL ABOUT IT. “Orange Mike” Lowrey’s TAFF win attracted local media attention: “From Chester County High School to Stockholm and Birmingham (England)” in the Chester County Independent.

…Lowrey has been attending these conventions since 1975 and loves it. He said he loves how the conventions are filled with interesting, intelligent people. The interaction of science fiction fans overseas is awesome as well he said.
“I got people I consider good friends that I never met before,” he said.
He actually met the woman whom he would spend his life with and marry, C.K. “Cicatrice” Hinchliffe of Bertram, Iowa, at the local Milwaukee science fiction convention in 1981.
Lowrey graduated from Chester County High School in 1971 and earned a magna cum laude degree in history from the University of Wisconsin-Milwaukee. In addition to his job with the State of Wisconsin, he’s been working as a writer and editor since 1984.
He is also a bookseller, serves as a local president and state executive board member of the American Federation of State, County and Municipal Employees, and acts as a volunteer administrator for Wikipedia. He has had book reviews published and also Dungeon and Dragon articles published in Dragon magazine.

(11) KARLEN OBIT. John Karlen , the actor who played multiple roles (Willie Loomis, Carl Collins, William H. Loomis, Desmond Collins, Alex Jenkins and Kendrick Young) on the ABC serial Dark Shadows died January 22 at the age of 86.

(12) TODAY IN HISTORY.

  • January 23, 1954 — Killers From Space made it to your local drive-in. It was produced and directed by W. Lee Wilder, brother of Billy Wilder. It has a cast of Peter Graves, Barbara Bestar and James Seay. We should note that Killers From Space came about as a commissioned screenplay from Wilder’s son Myles Wilder and their regular collaborator William Raynor. How was it received? Not well. There was, in the opinion of critics, way too much too talk, too little action, poor production values… you get the idea. Though they liked Graves. Who doesn’t? Reviewers at Rotten Tomatoes give it a decidedly unfavourable rating of just 24%. 
  • January 23, 1974 — The Questor Tapes first aired on NBC. Created and written by Roddenberry himself with Gene L Coon as co-writer, it was by Richard Colla. It starred Robert Foxworth, Mike Farrell and John Vernon. (Fontana’s novelisation would be dedicated to Coon who died before it aired.) though it was intended to be a pilot fir a series, conflict between Roddenberry and the network doomed the series. It would place fifth in the final Hugo balloting the following year at Aussiecon One with Young Frankenstein being the Hugo winner.
  • January 23, 1985 — The Rankin-Bass version of ThunderCats premiered in syndication. Leonard Starr was the primary writer with the animation contracted to the Japanese studio Pacific Animation Corporation, with Masaki Iizuka as the production manager. It would run for four years and one and thirty episodes. Need we note that a vast media empire of future series, films, comics, t-shirts, statues, action figures and so forth have developed since then?

(13) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 23, 1923 — Walter M. Miller Jr. He’s best remembered  for A Canticle for Leibowitz, the only novel he published in his lifetime. Terry Bisson would finish off the completed draft that he left of Saint Leibowitz and the Wild Horse Woman, a sequel of sorts to the first novel. He did a fair amount of short fiction as well. He’s poorly represented both digitally and in the dead tree sense as well beyond A Canticle for Leibowitz. (Died 1996.)
  • Born January 23, 1932 — Bart LaRue. He was the voice of The Guardian  of  Forever in the “City on the Edge of Forever” episode of Trek as well as doing voice roles in “Bread and Circuses” (on-screen too) “The Gamesters of Triskelion” as Provider 1 (uncredited) “Patterns of Force” as an Ekosian newscaster (Both voice and on-screen) and “The Savage Curtain” as Yarnek. He did similar work for Time Tunnel, Mission Impossible, Voyage to The Bottom of The Sea, The Andromeda Strain, Wild Wild West, Land of Giants and Lost in Space. (Died 1990.)
  • Born January 23, 1939 — Greg and Tim Hildebrandt. Greg’s aged eighty one years, and Tim passed in 2006. I’d say best known for their very popular and ubiquitous Lord of the Rings calendar illustrations, also for illustrating comics for Marvel Comics and DC Comics. They also did a lot of genre covers so I went to ISFDB and checked to see if I recognized any. I certainly did. There was Zelazny’s cover of My Name is Legion, Tolkien’s Smith of Wootton Major and Farmer Giles of Ham and Poul Anderson’s  A Knight of Ghosts and Shadows. Nice.
  • Born January 23, 1942 — Brian Coucher, 78. He appeared in three genre series — first  the second actor to portray Travis in Blake’s 7 and also as Borg in the Fourth Doctor story, “The Robots of Death”. Finally genre wise he appeared in a Doctor Who spin-off that I’ve never heard existed, Shakedown: Return of the Sontarans. No Who characters appeared though Sophie Alfred played someone other than Ace here. 
  • Born January 23, 1943 — Gil Gerard, 77. Captain William “Buck” Rogers in Buck Rogers in the 25th Century which I fondly remember as a really a truly great SF series even if it really wasn’t that great. He also shows up in the very short lived E.A.R.T.H. Force as Dr. John Harding, and he’s General Morgenstern in Reptisaurus, a movie title that proves someone had a serious lack of imagination regarding titles that day. In Bone Eater, a monster film that Bruce Boxleitner also shows up in as Sheriff Steve Evans, he plays Big Jim Burns, the Big Bad. Lastly I’d like to note that he got to play Admiral Sheehan in the “Kitumba” episode of fan created Star Trek: New Voyages. 
  • Born January 23, 1950 — Richard Dean Anderson, 70. Unless you count MacGyver as genre which I can say is open to debate, his main and rather enduring SF role was as Jack O’Neill in the many Stargate Universe series. Well Stargate SG-1 really as he only briefly showed up on Stargate Universe and Stargate Atlantis whereas he did one hundred and seventy-three episodes of SG-1. Wow. Now his only other SF role lasted, err, twelve episodes in which he played Enerst Pratt alias Nicodemus Legend in the most excellent Legend co-starring John de Lancie. Yeah, I really liked it. And damn it should’ve caught on. 
  • Born January 23, 1976 — Tiffani Thiessen, 44. Better known by far by me at least her role as Elizabeth Burke on the White Collar series which might be genre adjacent, she did end up in three films of genre interest: From Dusk Till Dawn 2: Texas Blood Money, Shriek If You Know What I Did Last Friday the 13th (a parade of the Friday the 13th films) and Cyborg Soldier. They’re average rating at Rotten Tomatoes among reviewers is fifteen percent in case you were wondering how good they were. 
  • Born January 23, 1973 — Lanei Chapman, 47. She’s most remembered as Lt. Vanessa Damphousse on Space: Above and Beyond, a series that ended well before it should’ve ended. She made her genre debut on Next Gen as Ensign Sariel Rager, a recurring character who was a conn officer. 
  • Born January 23, 1977 — Sonita Henry, 43. Her very first was as President’s Aide on Fifth Element. She was a Kelvin Doctor in the rebooted Star Trek film, and she’s Colonel Meme I the Eleventh Doctor story, “The Time of The Doctor”.  Her latest is playing Raika on Krypton.

(14) COMICS SECTION.

(15) AND SPREAD HIM OUT THIN. Adweek says “Rest in Peace, Mr. Peanut—Planters Kills Off Iconic Mascot in Lead-Up to Super Bowl”.  

… In a shocking move, Planters, the Kraft-Heinz-owned snack brand, has killed off its iconic mascot in a teaser for its Big Game spot. Mr. Peanut’s untimely demise began with a Nutmobile crash, followed by falling off a cliff and ending in an explosion.

… And when will the classic mascot be memorialized? During Super Bowl 2020, naturally.

…The loss of Mr. Peanut is a major moment for the brand. Planters first introduced Mr. Peanut to audiences in 1916, meaning that the mascot has been around since the midst of World War I, making him of the longest-standing brand mascots of all time.

The spot, which will air during the third quarter of the Big Game on Feb. 2, was produced by VaynerMedia. Planters also has several promotions and activations to honor Mr. Peanut’s life, including commemorative pins for fans who spot the Nutmobile on the streets and a hashtag, #RIPeanut, for fans to share their sympathies.

(16) POMPEII AND CIRCUMSTANCE. “Mount Vesuvius eruption: Extreme heat ‘turned man’s brain to glass'” – BBC has the story.

Extreme heat from the Mount Vesuvius eruption in Italy was so immense it turned one victim’s brain into glass, a study has suggested.

The volcano erupted in 79 AD, killing thousands and destroying Roman settlements near modern-day Naples.

The town of Herculaneum was buried by volcanic matter, entombing some of its residents.

A team of researchers has been studying the remains of one victim, unearthed at the town in the 1960s.

A study, published in the New England Journal of Medicine on Thursday, said fragments of a glassy, black material were extracted from the victim’s skull.

Researchers behind the study believe the black material is the vitrified remains of the man’s brain.

(17) YOUR PAL IN SPACE. “Meet Vyom – India’s first robot ‘astronaut'” – BBC video.

India’s space agency has unveiled a robot that will travel to space later this year as part of an unmanned mission

Scientists hope that it will be able to later assist astronauts in a manned space mission called Gaganyaan, which is scheduled for December 2021.

Isro will conduct two unmanned missions – one in December this year and another in June 2021 – before the Gaganyaan mission.

The robot, which has been named Vyom Mitra (which translates from the Sanskrit to friend in space) is designed to perform a number of functions including responding to astronaut’s questions and performing life support operations.

(18) DO IT FOR SCIENCE. Public spirited citizens arise! “Wanted – volunteers to monitor Britain’s growing slug population”.

Citizen scientists are being sought to help carry out the first survey in decades of Britain’s slug populations.

To take part, all that’s required is curiosity, a garden, and a willingness to go out after dark to search for the likes of the great grey or yellow slug.

The year-long research project will identify different slug species and the features that tempt them into gardens.

The last study conducted in English gardens in the 1940s found high numbers of just nine species of slug.

Many more have arrived in recent years, including the Spanish slug, which is thought to have come in on salad leaves. Less than half of the UK’s 40 or more slug species are now considered native.

(19) TRANSMUTING GOLD TO LEAD. Iron Man never had days like this. GQ asks “Does Dolittle’s Box Office Flop Spell Trouble for Robert Downey Jr.?”

For over a decade, Robert Downey Jr. played MCU pillar Tony Stark, a billionaire superhero who would almost certainly consider Dolittle’s abysmal opening weekend earnings to be little more than pocket change.

Despite opening on a holiday weekend, RDJ’s Dolittle made just $29.5 million over the four-day period, and only an additional $17 million internationally. Dolittle cost a jaw-dropping $175 million to make, so those box office numbers are kind of catastrophic, with Universal expected to lose $100 million on the movie, according to The Wrap. Universal, it should be noted, also took a bath last month when the furry fever dream that is Cats flopped, but at least Cats only cost $90 million to make, so the loss isn’t quite as terrible.

The only slim hope for Dolittle’s prospects is a higher than expected haul in the international markets where it hasn’t opened yet—including China—but maybe don’t hold your breath.

It took the strain of wielding all six Infinity Stones to kill him in the Marvel Cinematic Universe, so Robert Downey Jr. will probably survive Dolittle’s bomb. Still… yikes.

(20) I SPY, AGAIN. “Twitter demands AI company stops ‘collecting faces'”

Twitter has demanded an AI company stop taking images from its website.

Clearview has already amassed more than three billion photographs from sites including Facebook and Twitter.

They are used by the FBI and Department of Homeland Security and more than 600 other law-enforcement agencies around the world to identify suspects.

In a cease-and-desist letter sent on Tuesday, Twitter said its policies had been violated and requested the deletion of any collected data.

…US senator Ron Wyden said on Twitter Clearview’s activities were “extremely troubling”.

“Americans have a right to know whether their personal photos are secretly being sucked into a private facial-recognition database,” he said.

“Every day, we witness a growing need for strong federal laws to protect privacy.”

(21) PYTHON PASSPORT. [Item by Hampus Eckerman.] A fitting (and unintentional) tribute to Terry Jones. I’d vote for a Brexit for this one if I could.

Original:

Sad to say, the Express graphic is fixed now — “Britons will fly to 2020 summer holiday destinations on classic BLUE passport”.

(22) VIDEO OF THE DAY. In “Model Citizen” on YouTube, David James Armsby portrays what seems to be the perfect nuclear family–but why is it controlled by evil robots?

[Thanks to Mike Kennedy, Martin Morse Wooster, Cat Eldridge, Hampus Eckerman, Chip Hitchcock, John King Tarpinian, JJ, Contrarius, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Anthony.]