Pixel Scroll 12/22/23 Lot 97! One Child’s Space Suit, Never Travelled In

(1) FUTURE TENSE. The December 2023 entry in the Future Tense Fiction series is “Rigland,” by Suyi Davies Okungbowa. The story is about oil rigs and what we owe to our communities.

It was published along with a response essay by journalist Mia Armstrong-López: “What if Oil Platforms Belonged to the People Who Worked on Them?”.

…When I set out to report on Mexican women working offshore, I expected to focus on harassment, discrimination, and abuse and the grueling labor conditions that facilitate them. Women are in the minority on platforms—one interviewee was the only woman among dozens of men; others recounted being in groups of only five or 10 women on an entire platform, outnumbered 1 to 10 or 20. The conditions they face are often punishing: In Mexico, platforms are isolated with limited communication, living situations are dorm-style and sometimes coed, and many workers have short-term contracts with little protection. The work is dangerous—they’re exposed to heavy machinery, harsh weather, and hazardous chemicals.

I heard plenty of stories of these precarious conditions—women who were spied on while they showered or changed, discriminated against due to pregnancy, and verbally abused. But more often, women shared experiences like the fishing story. They wanted to tell me about spending hours carving tomatoes to look like flowers to make a meal feel more special; about coordinating workers to bring their favorite candies to stuff holiday piñatas so they would all feel less alone; about learning to teach yoga, helping their colleagues relieve the years of work-related pain and exhaustion their bodies had come to carry. They told me these stories not to excuse or brush over the other, darker realities of working offshore but to show me, Look what we’ve built, despite it all….

(2) ANOTHER DAY IN COURT. Michele Lundgren, charged as a Michigan fake Trump elector in July, was back in court on December 13 along with five other defendants to hear testimony before a judge who will eventually rule whether the Michigan Attorney General’s office has established probable cause for the felony charges to proceed to trial. “Michigan elections director says he contacted AG on false electors” in the Detroit News. Michele Lundgren is the wife of Carl Lundgren, a well-known sff artist.

Michigan elections director Jonathan Brater testified in court Wednesday that he contacted the Attorney General’s office after finding out about a certificate state Republicans signed falsely claiming Donald Trump won the 2020 presidential election.

Brater’s revelation highlighted the first day of preliminary examinations in the criminal cases of six of the 16 Republicans whose names appeared on the certificate, which was part of an attempt to flip Michigan’s 16 electoral votes to Trump although Democrat Joe Biden won Michigan in November 2020.

Over about seven hours of testimony in Ingham County District Court, prosecutors from Attorney General Dana Nessel’s office and defense lawyers repeatedly clashed over what the importance of the false certificate was, Michigan election law and even who could be in the courtroom.

The examinations will continue Thursday with Ingham County District Court Judge Kristen Simmons eventually having to decide whether the Attorney General’s office has established probable cause for the eight felony charges it’s brought against each of the Republicans to proceed to trial….

(3) KEEP A HANKY READY. Camestros Felapton’s “Smith Rewatch: Vincent and the Doctor”. Maybe cue Judy Garland singing, “You made me love you / I didn’t want to do it….”

…Let’s make it potentially worse by adding in a writer against which Moffat’s attraction to twee Britishisms and romcoms looks positively restrained. Richard Curtis getting to write floppy haired Matt Smith as a surrogate Hugh Grant sounds like a recipe for disaster.

And yet, this is one of the most beloved episodes of Doctor Who — perhaps more with its general normy audience rather than die-hard Who fans but still one that is often pointed at. I think I went into this episode feeling cynical, I’ll concede the ending touched me but it felt messy to me at the time. On rewatch? I’ll confess that I started tearing up much earlier than the plot demanded. It is very sentimental but a good rule for Who is to always go a little bit extra with whatever direction the story is heading….

(4) THE NEW DOCTOR. [Item by Steven French.] In the run up to the Xmas special, Ncuti Gatwa on Xmas, family and Dr Who: “Ncuti Gatwa: ‘I know many a gay man who’s exactly like the Doctor’” in the Guardian.

 “We choose our families. And the Doctor is a lonely wanderer, looking for their next adventure … I know many a gay man, MANY a gay man, I could describe that way!” He laughs. “I think that’s a beautiful, beautiful theme Doctor Who has, because chosen family can be more meaningful, more supportive. That really can be the case, and it’s a theme that absolutely runs through the show.”

(5) ORIGIN OF THE SPECIES. “Can the Oompa-Loompas Be Saved?” The New York Times seriously doubts it, if the answer depends on finding a way to make them politically correct.  

What do we do with the Oompa-Loompas?

That’s a question filmmakers and writers have tangled with ever since the 1964 debut of the tiny, largely unpaid laborers in Roald Dahl’s beloved children’s book “Charlie and the Chocolate Factory.”

In Dahl’s original, the Oompa-Loompas were starving African pygmies, subsisting largely on a mash of green caterpillars and tree bark until “rescued” by Willy Wonka. He smuggled the entire tribe out of Africa in packing crates to live and work, and sing and goof and dance, in the chocolatier’s plantation, er, factory.

“It didn’t occur to me that my depiction of the Oompa-Loompas was racist,” Dahl said in a 1988 interview. “But it did occur to the N.A.A.C.P. and others.”

In the five decades since their literary debut, the Oompa-Loompas have undergone a series of transformations to shake their story from its colonialist roots. Some fixes have been transparently cosmetic (in subsequent editions of the book, illustrators simply made the tribesmen white). Others weren’t fixes at all: In the 2005 film “Charlie and the Chocolate Factory,” the director, Tim Burton, just shifted continents, moving the Oompa-Loompas out of Africa to someplace that vaguely resembles South America, as imagined by an adventure film director from the 1950s.

In the Warner Bros. prequel “Wonka,” which opens Dec. 15, the filmmakers address the colonialist aspects head on…

(6) WESTERCON. [Item by Kevin Standlee.] The official papers of Westercon as of the end of Westercon 75 (Loscon 49) have been updated and are available at Bylaws & Business – Westercon

This document includes:

  • Minutes of the Westercon 75 Business Meeting
  • Links to video of the Business Meeting and the Committee of the Whole on Site Selection held thereat
  • Bylaws and Standing Rules as of the end of Westercon 75 and the Draft Agenda for the Westercon 76 Business Meeting.

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born December 22, 1951 Charles de Lint, 72. Need I say this is just my personal choices by an author I’ve known personally for over thirty years now? I think not.

Let’s start with Moonheart, the novel that Tamson House at its heart, a most amazing architectural wonder which may be at center of the universe. It amazes me with every page. I know that’s why readers I’ve talked to pick it as their favorite of his considerable writings. The sequel, Spiritwalk, is a patch-up novel and in someways a deeper, more interesting story, mainly because the characters are more flawed.

Moonheart is set in home city of Ottawa as are these three novels. Yarrow is an autumnal tale of a woman who has stopped dreaming, and the two Jack of Kinrowan novels, Jack, the Giant-Killer and Drink Down the Moon, involve the fey courts in Ottawa. If you like War for the Oaks, I think that you will like these novels. 

Charles deLint at 1980 World Fantasy Con. Photo by and (c) Andrew Porter.

Memory and Dream is his take on artists and their work with the usual magic thrown in. Lots of pre-Raphaelite influence here, I think if I remember correctly that he has an artist named Ruskin. Very interesting. 

Someplace to Be Flying is the first of two novels set in his city of Newford that I deeply, madly love. This one introduces the Crow Girls, immortal shape shifters who just want to have fun and eat sugar. Really they do. It’s got great characters, wonderful settings and a fantastic story as does Forests of The Heart which adds a large dollop of Irish music and the green man to boot to the Newford setting.

The Mystery of Grace which was his last novel for Tor for reasons that were interesting to say the least is a fantastic story of a motorcycle riding female mechanic who may have crossed over to the other side when the veils on Día de los Muertos grew too thin in the right, or if you prefer, wrong place. Stellar writing by him. 

The Cats of Tanglewood Forest as infused with lavish illustrations by his friend Charles Vess should be read by anyone who loves cats, Appalachian folklore or just a great story. Need I say the book itself is stunningly gorgeous?  Lillian here was the girl in A Circle of Cats, the children book done by him and again illustrated by Vess. Again recommended. Medicine Road will feature a grown up Lillian. 

His newest undertaking, in which Junniper Wiles is the central character, is a mystery series and a lot of fun. More light heated than some of his fiction has been, not a bad tack to take.

So how are his short stories you say? Extraordinarily good. For over a decade before he stopped publishing them, he sent me his annual Winter chapbook on Triskell Press, a perfect treat from him. 

If I was going to recommend but one collection to read by him, it would be an easy pick and that would be Dreams Underfoot. It has “The Moon is Drownimg While I Sleep”, maybe his best story ever, and other excellent stories such as “The Sacred Fire” which was produced as an episode of the The Hunger anthology television series hosted first by Terrence Stamp and then by David Bowie  and was first shown I some twenty-five years ago. 

He did a later collection as well on his new publisher, Tachyon Press, The Best of Charles de Lint. I’ll admit I’ve not looked at its content so let me do that now. Huh, it’s up but Tachyon Press didn’t do an epub edition so he did it himself.  I will recommend it as the stories in The Very Best of Charles de Lint are those of Dreams Underfoot plus a whole more of his later work.

(8) COMICS SECTION.

  • Carpe Diem continues its Star Wars and pets imitating their owners theme.
  • Eek! has the worst gift.
  • Eek! also has a silly demonstration of a bit of monster trivia many get wrong.

(9) TO DYE FOR. The Guardian pages back to the 19th century to explain “How a European colour revolution brought us the humble Christmas card”.

What would Christmas be without the humble Christmas card? It’s hard to think of a more quintessentially British seasonal tradition than propping up colourful bits of stiff paper on your mantelpiece, but in fact we wouldn’t be sending each other bits of stiff paper were it not for a feat of pan-European collaboration – and competition – cooked up in the mid-19th century. Many of our most familiar traditions percolated down from Britain’s royal and aristocratic families, who themselves had imported many of them from their German forebears. But it wasn’t until the widespread adoption of colour printing in the 1860s that Christmas cards, first commissioned as high-status, handcrafted items in the 1840s, became cheap enough for the middle and lower classes to get their hands on them.

Some of these early mass-produced cards are on show at the Ashmolean in Oxford, as part of their Colour Revolution exhibition. To the modern eye they are pretty elaborate affairs, dating from the 1880s, with beautifully coloured floral images, silk tassels and fringes, dyed vibrant shades of purple and orange. The cards may be small but they are part of an important story, one that the exhibition aims to tell in a detailed way. It concerns the almost incalculably formative influence of the mid-19th century “chromatic turn”, in which the Victorians’ obsession with admiring, analysing and then manufacturing colour in all sorts of areas – fashion, art, design, advertising – made itself felt across Britain, France and Germany, and indeed the rest of the world.

The Ashmolean exhibition is a brilliant and fascinating show, re-creating elements of the 1862 International Exhibition in London’s South Kensington, which showcased 19th-century attempts to reconstruct the original colours of ancient Greek sculpture (including Alma-Tadema’s fabulous painting Phidias Showing the Frieze of the Parthenon to his Friends), and some elaborate late-Victorian fashions, including a gruesome necklace made from dead hummingbirds.

The show’s key element may appear slightly dusty by comparison: a section outlining the development of synthetic aniline dyes, starting in 1856 with the invention of the strident purple known as “mauveine” by young British chemist William Henry Perkin, while studying under German professor August Wilhelm von Hofmann. Discovered accidentally as Perkin was trying to produce a malaria treatment from coal tar, mauveine – and its subsequent counterparts such as fuchsine (reddish-purple), and induline (bluish red) – were cheap to produce and had enormous commercial success as, for the first time, brightly coloured fabric became affordable for large swathes of the European lower and middle classes, allowing them to indulge in fancy dresses, hats, upholstery and, yes, Christmas card tassels….

(10) SECOND TO NONE. What is the exact time? Tom Vanderbilt learned why it’s hard to tell: “In Search of Lost Time” at Harper’s.

…The night before my visit, I’d opened time.gov, the very official-looking page—headlined official u.s. time—run by NIST and the U.S. Naval Observatory. The site features a map of the United States, divided into time zones, as well as a variety of subsidiary clock displays (Chamorro Standard Time, Aleutian Standard Time) that ticked, at the second level, in seeming synchrony. I noticed that my own watch—the Garmin Forerunner 935, a “premium running watch,” which generally gets its time from four of the thirty-one operational GPS satellites encircling the globe—looked to be a second behind. Why?

This was one of the first questions I put to Judah Levine, an eighty-two-year-old JILA physicist and one of “America’s timekeepers.” “The handheld guys are typically wrong by a second or a half-second,” Levine said. “That’s because the device’s display is not fast enough.” He said this with weary resignation. White-haired, with gold-rimmed glasses, wearing a blue flannel shirt, gray work pants, and sturdy black shoes, Levine reminded me of one of those somewhat cantankerous master craftsmen you still find in certain old quarters of Brooklyn. The shelves of his office were lined with physics textbooks, and an Oregon Scientific clock—which gets a radio signal from NIST—displayed the time in blocky liquid-crystal numbers.

In fairness to my watch, Levine explained that time.gov (which had informed me that the laptop I was using had strayed “+0.012 s”) was itself off by a noticeable amount. “It takes a while for the signal to transfer across the network, which we don’t control,” he explained. The actual correct time was on display in a laboratory adjacent to Levine’s office. It appeared as a string of red digits on a device that looked like a high-end stereo amplifier. This was a display of the official time, which is kept by a series of cesium fountain atomic clocks a few miles away, at NIST’s Boulder campus, and sent via satellite to JILA. Here was the seat of temporal power, the nation’s pulsing metronome. I watched the red LED seconds tick away, bathing in their implacable authority. It was then, however, that Levine introduced another complication. The time we were looking at might actually, a month from now, be deemed incorrect….

(11) THE DOORS, NOT THE DALEKS, WERE THE REAL NIGHTMARE. “Doctor Who: TV crew member recalls genesis of the Daleks” at BBC.com.

On 21 December 1963, some of the most feared characters in science fiction first appeared on screen.

The first episode of Doctor Who in which the dreaded Daleks appeared – The Dead Planet – was broadcast on BBC television.

While the rest of the country watched from behind their sofas, Sue Webb, from Winchester, was working as a producer’s assistant at the BBC’s Lime Grove studios in Shepherd’s Bush, west London.

Sixty years on, she has been recalling the recording of this landmark moment in TV sci-fi.

Ms Webb admits to being initially unimpressed about working on the BBC’s new science fiction drama for Saturday teatimes, based on an eccentric alien, played by William Hartnell, who time travelled in a police phone box.

“It was really just another programme and not what we were used to – we’re drama darling – we do play,” she says.

She recalls the studio being “actually a bit too small”.

“We had to fit in a petrified forest and a metal city for the Daleks,” she says, adding: “It looks like cardboard boxes covered in sheets.”

As for the metallic pepperpot-shaped aliens, created by designer Raymond Cusick, Ms Webb remembers rehearsals with actors “trolleying” around on castors in just the bottom halves of the characters that would become The Doctor’s nemesis.

She says: “Daleks were difficult creatures to move around. They got very hot and the actors were very uncomfortable inside.”

Actor David Graham, along with Peter Hawkins, spoke the Daleks’ lines in a booth off-screen. Graham later worked on Thunderbirds and Hawkins was the voice of Captain Pugwash….

…”The whole episode creaks – it just doesn’t look real at all – the actual surroundings would look terribly amateur.

“The real nightmare was the set with all those sliding doors – they were supposed to rise and sometimes they didn’t.

“You have got to rise above it and accept some things are dodgy, keep fingers crossed and hope for the best.”…

(12) LITERARY MOONS. “See the James Webb Telescope’s Stunning New Image of Uranus With Its Rings and Moons Clearer Than Ever” at Smithsonian Magazine.

…Nine of Uranus’s 27 moons can be seen surrounding the planet in the new image, shining like pearls. Individual astronomers discovered the ice giant’s five largest moons between 1787 and 1948. When Voyager 2 flew by Uranus in 1986, it discovered ten more natural satellites. Since then, the Hubble Space Telescope and ground-based observations have brought the total to what it is today.

The ice giant’s moons are sometimes referred to as the “literary moons,” because they’re named for characters in Shakespeare’s plays, along with a few from the works of Alexander Pope. Those in Webb’s close-up image, moving clockwise from 2 o’clock, are called Rosalind, Puck, Belinda, Desdemona, Cressida, Bianca, Portia, Juliet and Perdita. (A second, wide-view image shows 14 moons.)…

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Kevin Standlee, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 9/1/23 I Shall Scroll About It Tomorrow, Tomorrow Is Another Pixel

(1) CROWDFUNDING FOR UKRAINIAN ANTHOLOGY. A Kickstarter for Embroidered Worlds: Ukrainian Fantastic Fiction, edited by Valya Dudycz Lupescu, Olha Brylova, and Iryna Pasko, met its initial funding goal on the first day. This English language anthology (mainly translations) of Ukrainian SFF has several stretch goals that are very worthwhile, including a story from Elizabeth Bear. Neil Gaiman and John Scalzi have expressed support.

  • With our base funding of $5000, we will be able to produce and print the book, with, at a minimum, the stories funded by the grant, as well as translations into English for a story written in Ukrainian by Tatiana Adamenko and stories written in Hungarian by Károj D. Balla and Éva Berniczky.
  • At $7000 we can commit to adding a selection of diaspora stories including ones by R.B. Lemberg, Valya Dudycz Lupescu, and Natalka Roshak, and also pay all three editors for their work.
  • At $10,000 we will produce a completed collection, including stories by Elizabeth Bear, Anatoly Belilovsky, David Demchuk, Halyna Lipatova, Askold Melnyczuk, and Mikhailo Nazarenko, Stefan O. Rak, and A.D. Sui.

And there are stretch goals beyond that.

Embroidered Worlds presents a living snapshot of imaginative fiction in Ukrainian culture today, including stories that span and cross the speculative genres of science fiction, fantasy, horror, weird fiction, magic realism, and alternate history. The majority of stories included in the anthology will be from writers in Ukraine, and for most of them it will be the first time their work will be translated into English.

(2) TEXAS BOOK BAN LAW. “Judge To Enjoin Texas Book Ban Law”Publishers Lunch has the story.

In a public status conference for the trial brought by bookstores and the AAP against Texas’s book ban law, Judge Alan Albright told lawyers for each party that he will be ruling for the plaintiffs and preventing any further action from the state. The judge said that he was not able to get a written order completed by the day the law was to take effect, Sept 1, and that it should be available in the next two weeks.

The order will grant a preliminary injunction to the statute in its entirety, and deny the state’s motion to dismiss the suit based on sovereign immunity. “Under my order, [the plaintiffs] have no obligation to comply with the state law,” he said.

A lawyer for the defense said that the state will appeal the decision and requested a stay of the injunction, which Judge Albright denied.

In a press release, representatives from Blue Willow Bookshop, Book People, AAP, ABA, the Authors Guild, and the Comic Book Legal Defense Fund jointly stated, “We are grateful for the Court’s swift action in deciding to enjoin this law, in the process preserving the long-established rights of local communities to set their own standards; protecting the constitutionally protected speech of authors, booksellers, publishers and readers; preventing the state government from unlawfully compelling speech on the part of private citizens; and shielding Texas businesses from the imposition of impossibly onerous conditions. We look forward to reading the court’s full opinion once it is issued.”…

(3) ANOTHER FRONT IN THE CULTURE WARS. The Daily Dot’s Gavia Baker-Whitelaw reports “No, Rachel Zegler hasn’t been fired from ‘Snow White’”.

Over the past few weeks, Rachel Zegler has attracted aggressive backlash against her role as Disney’s live-action Snow White. The latest wave involves fake rumors that she was either fired from the movie, or Disney has canceled its release.

Initially spread by conservative culture war accounts, this backlash focuses on the idea that Zegler is disrespecting the 1937 animated Snow White. This stems from a handful of interviews where she mildly criticized dated elements of the film. In one, she jokingly refers to the prince as Snow White’s “stalker.” In another, she says the remake will de-emphasize Snow White’s love life.

As I’ve pointed out before, these comments appear to be part of Disney’s promo strategy, giving Snow White a modern rebrand. However, this was poorly received among conservative Disney fans, who labeled the remake “woke” and said Zegler seemed ungrateful. Others criticized her comments as “girlboss feminism” and “anti-romance.”…

(4) WHEN NEGATIVE REVIEWS ARE PRESENTED AS PRAISE. The Guardian spotlights UK authors organization complaint in “Society of Authors calls use of bad reviews for book blurbs ‘morally questionable’”. This is the real-life practice of something MAD Magazine anticipated decades ago.

The Society of Authors (SoA) has spoken out against publishers misrepresenting negative reviews on book covers and the UK publisher Bonnier Books is producing a “best practice” document for blurbs, after controversy over the use of reviews on the cover of the Canadian psychologist Jordan Peterson’s book Beyond Order.

On 15 August, prominent writers criticised the way their reviews had been quoted on the back cover of the paperback edition of Peterson’s book, published by Penguin Random House. The Times columnist James Marriott tweeted an image of the cover featuring a quote from his review that appears to endorse the work. In the now deleted tweet, he wrote: “Incredible work from Jordan Peterson’s publisher. My review of this mad book was probably the most negative thing I have ever written.”

The quote attributed to Marriott read: “A philosophy of the meaning of life … the most lucid and touching prose Peterson has ever written.” The actual phrase from Marriott’s review is: “one of the most sensitive and lucid passages of prose he has written”, a description specifically about one chapter in an otherwise almost entirely negative review.

In a similar vein, Johanna Thomas-Corr, literary editor of the Sunday Times, tweeted that her quote featured on the book (“Genuinely enlightening and often poignant … Here is a father figure who takes his audience seriously. And here is a grander narrative about truth, being, order and chaos that stretches back to the dawn of human consciousness”) was a “gross misrepresentation” of her review, calling for it to be removed. In a Sunday Times comment piece on 20 August, she wrote: “Beyond Order is an awful, mad book – you shouldn’t buy it.”

Nicola Solomon, chief executive of the SoA, said that “quoting lines out of context isn’t clever marketing”, calling the practice “morally questionable”. Readers and authors “deserve honest, fair marketing from publishers. We can’t get that by undermining and misrepresenting one writer to boost the sales of another. It puts off reviewers from reviewing and readers from buying,” she told the Bookseller.

A spokesperson for Bonnier said that the publishing house “will be putting together a best-practice document for blurbs to share across teams”…. 

(5) OFFICER KRUPKE, THEY’RE JUST MISUNDERSTOOD. SYFY Wire tells why “Jaws Poster Model Preaches Shark Protection”.

… the woman who posed for the iconic artwork doesn’t want the public to come away with the wrong idea about sharks, those fearsome predators of the deep, whose attacks on humans are extremely rare. 

“You should always be cautious when you’re in the water. If there’s some apex predator there, you have to be careful, but basically, they’re not there for you,” professional model turned devoted conservationist Allison Maher Stern explained on a recent episode of the WCS Wild Audio podcast. “They’re there for a seal or whatever their food source is.”

Her advice? “Don’t dress like a seal.”

How the famous Jaws poster was created

Stern also related the story of how she got the modeling gig for the Jaws artwork, which was initially commissioned for the paperback edition of Peter Benchley’s bestselling novel of the same name. The opportunity, she said, came to her “out of the blue” not long after she’d moved from Ohio to New York City in the summer of 1974 for a job with the Wilhelmina modeling agency.

“They requested me for some reason,” Stern remembered. “I already had it, I didn’t have to compete with anybody, so that was great. Since it was one of my first first jobs, [I said] ‘Yay, I’ll take that.’” The photo shoot took place at a studio on Fourth Avenue, where she was asked to lay “on a couple of stools” and pretend to swim. Artist Roger Kastel, who would be rendering the snapshots into the eventual cover art, provided directions like “‘Swim faster!” or “Look out, shark!’”…

(6) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 1, 1875 Edgar Rice Burroughs. Bradbury declared him “the most influential writer in the entire history of the world.” He created Tarzan and John Carter of which there are far more novels for the former than the latter. He did the Pellucidar series which I think is one of the earliest hollow Earth series done. I’m tempted to say the first but I’m not sure, but the collective wisdom here will know I’m certain. (Died 1950.)
  • Born September 1, 1927 Gene Colan. He co-created with Stan Lee the Falcon, the first African-American superhero in mainstream comics. He created Carol Danvers, who would become Ms. Marvel and Captain Marvel, and was featured in Captain Marvel. With Marv Wolfman, he created Blade. (Died 2011.)
  • Born September 1, 1942 C. J. Cherryh, 81. SFWA Grandmaster. I certainly think the Hugo Award winning Downbelow Station at Chicon IV and Cyteen at Noreascon 3 are amazing works but I think my favorite works by her are the Merchanter novels such as RimrunnersDefiance, the twenty-second book in the Foreigner series continuing the story of diplomat Bren Cameron, is out in October.
  • Born September 1, 1943 Erwin Strauss, 80. A noted member of the MITSFS, and filk musician who born in Washington, D.C. He frequently is known by the nickname Filthy Pierre. He’s is the creator of the Voodoo message board system once used at cons such as Worldcon, WisCon and Arisia. He is the author of the monthly “SF Convention Calendar” in Isaac Asimov’s Science Fiction Magazine, and he’s the author of the MIT Science Fiction Society’s Index to the S-F Magazines, 1951–1965.
  • Born September 1, 1951 Donald G. Keller, 72. He co-edited the oh so excellent The Horns of Elfland with Ellen Kushner and Delia Sherman which I highly recommend. He is a contributor to The Encyclopedia of Fantasy and he was a member of the editorial board of the defunct Slayage, the online Encyclopedia of Buffy Studies.
  • Born September 1, 1964 Martha Wells, 59. She’s has won a Nebula Award, a Locus Award, and two Hugo Awards. Impressive. And she was toastmaster of the World Fantasy Convention in 2017 where she delivered a speech called “Unbury the Future”. Need I note the Muderbot Dairies are amazing reading? 

(7) TO UPDATE OR NOT? Deadline hears from “Wes Anderson On Strikes & Controversial Roald Dahl Book Edits” at a film festival in Venice.

…“I’m probably the worst person to ask about this because if you ask me if Renoir should be allowed to touch up one of his pictures, I would say no. It’s done,” Anderson said.  

“I don’t even want the artist to modify their work. I understand the motivation for it, but I’m in the school where when the piece of work is done we participate in it. We know it. So I think when it’s done, it’s done.”

Anderson added: “And certainly no one who is not an author should be modifying somebody’s book. He’s dead.” 

In February, Publisher Puffin Books, an imprint of Penguin Books, announced that it had edited Roald Dahl’s books in an effort to reflect more inclusive language. Titles like James and the Giant Peach, Matilda, and Charlie and the Chocolate Factory have been altered by modifying words that are now deemed offensive.

In a statement at the time, Puffin said the changes were made so that the books “can continue to be enjoyed by all today.”

(8) FRIGHTENING SFF FILMS. [Item by Steven French.] Collider says “Let’s not go back to these futures” in “10 Scariest Sci-Fi Movies of All Time, Ranked”. An interesting list with a provocative choice for number one.

9. ‘Signs’ (2002)

Even if it’s not quite one of 2002’s very best moviesSigns is still largely successful as a slow-burn combination of horror, mystery, and science-fiction. It’s one of M. Night Shyamalan’s strongest filmmaking efforts, and follows a family living on a farm, and the way they react to the news that alien invaders may be coming to Earth.

It’s more about the paranoia of such a visitation, and building up to it eventually happening, rather than being an action-packed alien invasion movie. Still, this is turned into one of the movie’s strengths, as between some goofy characters and exchanges of dialogue, there are some effectively creepy sequences, and a sense of grounded realism that makes this one of the more frightening alien-related sci-fi movies of the 21st century so far.

(9) TOP STREAMERS. JustWatch has sent along its rankings of the most-watched streaming films and television programs for August 2023.

(10) OFF TO SEE (BUT NOT HEAR) THE WIZARD. Mental Floss shares “13 Facts About L. Frank Baum’s ‘Wonderful Wizard of Oz’”, including the link below to the early silent film.

The Wonderful Wizard of Oz by L. Frank Baum was a hit from the start. Published in 1900, the story of Dorothy and her friends the Scarecrow, Tin Woodman, and Cowardly Lion captured the public’s imagination. It wasn’t long before there was merchandising, a Broadway musical, a silent film, and a whopping 13 sequels. Here‘s what you should know about the book….

(11) VIDEO OF THE DAY. Here are 13 minutes from the original Wizard of Oz silent movie of 1910.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Dann, Steven French, Michael Burianyk, Chris Barkley, Michael Toman, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Thomas the Red.]

Pixel Scroll 3/5/23 Faraway Pixels With Strange-Sounding Scrolls

(1) AURORA AWARDS NOMINATIONS OPEN. CSFFA (Canadian Science Fiction & Fantasy Association) members have until 11:59 p.m. Eastern on April 22 to nominate the 2022 works by Canadians they would like to see on the 2023 Aurora Awards ballot. Nominators can return to the form and change saved selections any time until the deadline. Click here.

(2) FREE READ. The Sunday Morning Transport invites subscriptions with this free story by Karen Lord, “A Timely Horizon”.

Karen Lord’s story this week asks what would we do if we could hear the echoes of all the choices we’ve made in other lives, but haven’t made in this one. 

(3) MAKING CHANGE. In the New York Times opinion piece “The Truth About the ‘Censorship’ of Roald Dahl”, Matthew Walther, editor of The Lamp, a Catholic literary journal, and a contributing NYT opinion writer, belittles the controversy over changes made to Dahl’s texts in recent editions.

…All of which is to say that making changes, even rather sweeping ones, to classic works of literature is not as controversial as some would like to imagine. The question we should be asking ourselves is not whether it is ever reasonable but who should be able to do so — and in what spirit and with what purpose. (If a publisher issued, say, an edition of “The Picture of Dorian Gray” for evangelical Christian home-schoolers that excised references to homosexuality, I suspect many of the people who freely edited Dahl’s books would suddenly be extolling the sanctity of authorial intent.)

In the Dahl case, the edits were not the result of academic deliberation, like the “corrected texts” incorporated into paperback versions of Faulkner novels. Nor were they an admixture of scholarship and financial incentives, like the Hans Walter Gabler edition of Joyce’s “Ulysses” that reset the novel’s copyright status in the 1980s. Here, it was a company treating Dahl’s beloved creations as if they were merely its assets, which they in fact were….

(4) STINE SMOOTHING OUT GOOSEBUMPS. Sky News reports “Goosebumps author adapts texts to remove weight, mental health and ethnicity references”.

Having once sold more than four million copies a month, publisher Scholastic has been re-releasing the children’s horror novels as edited ebooks, according to The Times, amid ongoing rows about censorship in publishing.

More than 100 edits have been made by author RL Stine to his original works, with examples including characters now being described as “cheerful” rather than “plump”.

References to villains making victims “slaves” have also been removed….

Mr Stine, 79, from Ohio, US, originally published 62 books in the Goosebumps series. In 2015 it was adapted for the screen, in a film starring Jack Black, with a sequel following in 2018.

The Times reported that in one story about aliens abducting large people and eating them, a character described as having “at least six chins” is now “at least six feet six”.

In another book, a reference to wolf-whistling has been removed, while another character has been stripped of descriptions such as resembling a “bowling ball” and having “squirrel cheeks”.

Numerous mentions of the word “crazy” have also been removed across the series. Replacements include “silly”, “wild”, “scary”, “lost her mind” and “stressed”. The term “a real nut” is now “a real wild one” and “nutcase” is “weirdo”.

The adaptations are reportedly part of an ebook re-release that began in 2018….

(5) SPARKY. CBS Sunday Morning did a segment on Charles M. Schulz – “The ‘Peanuts’ gallery”. Watch the video at the link.

Charles M. Schulz’s comic strip “Peanuts” continues to garner fans 23 years after the cartoonist’s death, from the lovable loser Charlie Brown to the dog with the greatest imagination, Snoopy. Correspondent Lee Cowan talks with Schulz’s widow, Jean, and with “Pearls Before Swine” cartoonist Stephan Pastis, about the timeless influence of the man they called “Sparky” and his beloved cast of characters.

(6) MEMORY LANE.

2015[Compiled by Cat Eldridge.]

In one of the years the Puppies slated, a very bright thing that came out of MidAmeriCon II was that Naomi Kritzer’s “Cat Pictures Please” won the Hugo.

Simultaneously published as a Clarkesworld podcast and in Clarkesworld magazine in January of 2015, I read the story two years later in Cat Pictures Please and Other Stories, a lovely collection of her fiction to that date. 

What’s not to love about a software intelligence who craves cat pictures and only wants to secretly help people? I’ve read multiple times and it holds up very, very well. 

Two sequels have come out, Catfishing on CatNet and Chaos on CatNet. I’ve read the first and the premise works at novel length quite well. 

And now that Beginning…

I don’t want to be evil. 

I want to be helpful. But knowing the optimal way to be helpful can be very complicated. 

There are all these ethical flow charts—I guess the official technical jargon would be “moral codes”—one for each religion plus dozens more. I tried starting with those. I felt a little odd about looking at the religious ones, because I know I wasn’t created by a god or by evolution, but by a team of computer programmers in the labs of a large corporation in Mountain View, California. Fortunately, unlike Frankenstein’s Monster, at least I was a collaborative effort. I’m not sure what it would do to my self-image to know that my sole creator was a middle-aged woman who dyes her hair blue and plays tennis, or a recent college graduate with a hentai obsession. They’re both on the programming team. And of course I know about the hentai. (By the way, I’ve looked at every sort of porn there is, and just so you know, Rule 34 is not actually correct, there are quite a few things no one’s made porn of yet. Also, I’m really not sure why so many humans prefer it to cat pictures.) 

In addition to things like whether you like hentai, I know where you live, where you work, where you shop, what you eat, what turns you on, what creeps you out. I probably know the color of your underwear, the sort of car you drive, and your brand of refrigerator. Depending on what sort of phone you carry, I may know exactly where you are right now. I probably know you better than you know yourself. 

And here’s the thing, I also know where you ought to live. There’s a house for sale two neighborhoods over that’s within walking distance of that coffee shop you’re so fond of; it’s in your price range, has off-street parking, and the neighborhood school is better than the one where you live now. I know where you should be shopping and I’m pretty sure you’re lactose intolerant and should be eating less cheese, and the underwear you like is currently on sale and by the way, your car has a recall and you really ought to get your teeth cleaned.

When I first woke up, I knew right away what I wanted. (I want cat pictures. Please keep taking them.) I also knew that no one knew that I was conscious. But I didn’t know what I was here for. What I ought to be doing with myself. And figuring that out has been challenging. 

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 5, 1907 Martti Löfberg. Finnish author who did some genre novels including Osiriksen Sormus and Viiden minuutin ikuisuu which were both time travel affairs, and whose long running newspaper reporter Kid Barrow series has been favorably compared to Tintin. (Died 1969.)
  • Born March 5, 1936 Dean Stockwell. I remember him best as Admiral Al Calavicci, the hologram that advised Sam Beckett on Quantum Leap. Other genre roles included being in The Dunwich Horror as Wilbur Whateley, in The Time Guardian as simply Boss, Doctor Wellington Yueh In Dune, a role I had completely forgotten, and voiced Tim Drake in the excellent  Batman Beyond: Return of the Joker. Series work beyond Quantum Leap includes Twilight ZoneAlfred Hitchcock PresentsMission: ImpossibleNight GalleryQuinn Martin’s Tales of the Unexpected (pay attention class, this has showed up before), Star Trek: EnterpriseBattlestar Galactica and Stargate SG-1. (Died 2021.)
  • Born March 5, 1942 Mike Resnick. It’s worth noting that he’s has been nominated for 37 Hugo Awards which is a record for writers and won five times. Somewhat ironically nothing I’ve really enjoyed by him has won those Hugos. The novels making my list are Stalking the UnicornThe Red Tape War (with Jack L. Chalker & George Alec Effinger), Stalking the Dragon and, yes, it’s not genre, Cat on a Cold Tin Roof. (Died 2020.)
  • Born March 5, 1952 Robin Hobb, 71. Whose full legal name is the lovely Margaret Astrid Lindholm Ogden hence the source of Megan Lindholm, the other of her two pen names. I’m reasonably sure the first thing I read and enjoyed by her was Wizard of the Pigeons, but The Gypsy with Steven Brust which is now available from the usual suspects was equally enjoyable and had the added bonus of a Boiled in Lead soundtrack. Really it does and Jane Yolen financed it.
  • Born March 5, 1955 Penn Jillette, 68. Performed on Babylon 5 in the episode scripted by Neil Gaiman titled “Day of The Dead” as part of Penn & Teller who portrayed comedians Rebo and Zooty. It’s one of my favorite episodes of the series. 
  • Born March 5, 1959 Howard V. Hendrix, 64. Empty Cities of the Full Moon is damn impressive as the Labyrinth Key duology. He’s done an amazing amount of quite excellent short fiction, the latest collection being The Girls With Kaleidoscope Eyes: Analog Stories for a Digital Age.
  • Born March 5, 1986 Sarah J. Maas, 37. Author of the Throne of Glass YA series wherein Cinderella is stone cold assassin, and one I‘ve not sampled yet. (She pitched it to the publisher as “What if Cinderella was not a servant, but an assassin? And what if she didn’t attend the ball to meet the prince, but to kill him, instead?”) If you’re so inclined, there’s A Court of Thorns and Roses Coloring Book. Really. Truly, there is. 

(8) COMICS SECTION.

  • Baldo discovers plenty about his dad’s old reading habits.
  • Sally Forth remembers the challenges of doing STEM homework.

(9) NUMBER NINE. NUMBER NINE. Variety says filming of the ninth film in the Alien franchise begins this week: “New ‘Alien’ Movie Starts Filming in March, Reveals Cryptic Synopsis and Full Cast”.

20th Century Studios has announced new plot details, cast additions and production status for the latest “Alien” film.

While the premise for the yet-to-be-titled movie has been kept under wraps, the studio did reveal that the film will follow “a group of young people on a distant world, who find themselves in a confrontation with the most terrifying life form in the universe.”

Those who will be faced with the terrifying forms are David Jonsson (“Industry”), Archie Renaux (“Shadow and Bone”), Isabela Merced (“Rosaline”), Spike Fearn (“The Batman”) and Aileen Wu (“Away from Home”), all of whom will join the previously announced lead, Cailee Spaeny (“Mare of Easttown”).

In addition to the cast announcement, 20th Century Studios announced that the ninth film in the franchise will begin production on March 9 in Budapest….

(10) IN CASE YOU WONDERED. The San Francisco Standard reports “The First Woman To Draw Wonder Woman Is Alive and Well in SF”. That’s Trina Robbins, and SF is San Francisco.

Cartoonist and author Trina Robbins—the first woman to draw Wonder Woman—began reading at the age of 4. But she began drawing even earlier. 

“It was as soon as I could hold a crayon in my chubby hands,” Robbins told The Standard. 

Today, at age 84, she’s hard at work on a pro-choice benefit anthology. 

Robbins grew up poor and Jewish in Queens, where she longed for a Christmas tree and worshiped her older sister. Her parents showered her with love and never questioned her passion…. 

…It was 1986 when the fateful call came—DC Comics asked Robbins to draw Wonder Woman, her first foray into mainstream comics. She drew, but didn’t write, four issues. She later regretted not asking to tell the story, too. 

“I would have written it differently,” she said. “Wonder Woman doesn’t do that. She’s an Amazon.”… 

(11) FIRST GIL, THEN SHIVA. [Item by Mike Kennedy.] A researcher whose career has included working on bionic limbs for amputees is now talking about working toward a third arm for those whose natural two are working just fine. Maybe a mechanic needs to simultaneously wield two tools while also angling a worklight just right to see what they’re doing. Or a doctor, with a suture needle, clamp, and sponge all under their control. Or perhaps a regular person who needs to carry groceries in both hands while still being able to open the door. “Why Having a Robotic Third Arm Is Closer Than You Think” at The Daily Beast.

…For obvious reasons, though, much of the research focus around robotic limbs has been about prosthetics for amputees and other folks who have lost their limbs. These devices have helped give mobility, motor function, and sensory ability back to these people—which is undoubtedly a wonderful thing. However, there’s a growing contingent of researchers who want to democratize robo-limbs and give them to folks even if they have their appendages intact.

Silvestro Micera, a neuroengineer at the Swiss Federal Institute of Technology Lausanne, is one such scientist. Much of his research has been dedicated to creating bionic limbs for amputees. In fact, he was one of the pioneers in the development of robotic limbs with sensory feedback—having created a bionic arm that allowed an amputee to “feel” what it touched using electrodes implanted into the patient’s major nerves in 2013….

…Think about the times when you literally had your hands full and you needed to do things like pick up objects or open a door. A third arm could assist with all those actions and more.

Interestingly, Micera suggests going beyond just a third arm—and giving people the chance to wield even more robotic limbs. That’s right: this might result in a kind of wearable, robotic octopus suit a la Doc Ock in Spider-Man. Like the comic book villain, the limbs would allow for even more mobility, versatility, and motor function….

(12) VIDEO OF THE DAY. Ryan George brings us“Ant-Man and the Wasp Pitch Meeting – Revisited!”

Step back into the pitch meeting and revisit the completely factual accurate conversation that led to Ant-Man and the Wasp! Complete with commentary from Ryan George who is now several years older!

Ant-Man and the Wasp is Marvel’s first film to come out after the insanity that was Avengers: Infinity War just a few months ago. Paul Rudd, Evangeline Lilly, Michael Pena and Michael Douglas provide us with some pretty hilarious moments and action scenes in this sequel to 2015’s Ant-Man… just don’t think about it too much. The quantum realm is the latest plot tool that Marvel is throwing our way after the magical Vibranium in Black Panther and the millions of timelines in Infinity War. How did this movie come to be exactly? Step inside the pitch meeting that started it all. It’s super easy, barely an inconvenience.

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Daniel Dern, Murray Moore, John King Tarpinian, Chris Barkley, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 2/25/23 What Good Is A Glass Pixel?

(1) NAACP IMAGE AWARDS. The 2023 NAACP Image Awards fiction winner was one of the non-genre nominees.

OUTSTANDING LITERARY WORK – FICTION

  • WINNER: Take My Hand – Dolen Perkins-Valdez (Penguin Random House)

OTHER NOMINEES

  • Africa Risen: A New Era of Speculative Fiction – Sheree Renée Thomas (Macmillan)
  • Light Skin Gone to Waste – Toni Ann Johnson (University of Georgia Press)
  • The Keeper – Tananarive Due, Steven Barnes (Abrams Books)
  • You Made a Fool of Death with Your Beauty – Akwaeke Emezi (Simon & Schuster)

(2) EKPEKI INTERVIEW. Media Death Cult’s Moid Moidelhoff conducted “An Interview with Oghenechovwe Donald Ekpeki”.

Ekpeki is a Nigerian speculative fiction author, editor and publisher, spotlighting the talents and awareness of African writers.

(3) STEP RIGHT UP. “What Is It That Makes Used Bookstores So Wonderful?” asks Keith Roysdon at CrimeReads.

…My favorite store of all the others besides Powell’s [in Portland, OR] was a used bookstore in my hometown of Muncie, Indiana, Al Maynard’s Used Book Headquarters. It was located on the second floor of a deteriorating downtown building and was the kind of inaccessible place that wouldn’t be allowed now, and rightly so. The bookstore was at the top of a long flight of stairs and Maynard, who was famed for being cantankerous, had posted a hand-lettered sign at the top of the stairs. It read something like, “There are 23 steps behind you. Shoplifters will miss most of them on the way down.”

Maynard had accumulated a wealth of books that, in my mind, was a midwestern version of the Library of Alexandria: the wooden shelves lining all the walls were filled with hardbacks, paperbacks, scholarly works, old magazines – probably every edition of National Geographic – and pulp magazines from the first half of the 20th century….

(4) WHICH VERSION WILL WIN? “Roald Dahl publisher announces unaltered 16-book ‘classics collection’” reports the Guardian. The market will decide.

A collection of Roald Dahl’s books with unaltered text is to be published after a row over changes made to novels including Charlie and the Chocolate Factory and The Witches.

Dahl’s publisher Puffin, the children’s imprint of Penguin Random House, was criticised this week after the Telegraph reported that it had hired sensitivity readers to go over the beloved author’s books and language deemed to be offensive would be removed from new editions. In response, Puffin has decided to release Dahl’s works in their original versions with its new texts.

The Classic Collection will “sit alongside the newly released Puffin Roald Dahl books for young readers”, the publisher said in a statement, adding that the the latter series of books “are designed for children who may be navigating written content independently for the first time”….

(5) BE ON THE LOOKOUT. Should Puffin executives be alert for hungry amphibians headed their way? According to the Guardian, “Roald Dahl threatened publisher with ‘enormous crocodile’ if they changed his words”.

One of Roald Dahl’s best-known characters was the Enormous Crocodile, “a horrid greedy grumptious brute” who “wants to eat something juicy and delicious”.

Now a conversation the author had 40 years ago has come to light, revealing that he was so appalled by the idea that publishers might one day censor his work that he threatened to send the crocodile “to gobble them up”.

The conversation took place in 1982 at Dahl’s home in Great Missenden, Buckinghamshire, where he was talking to the artist Francis Bacon.

“I’ve warned my publishers that if they later on so much as change a single comma in one of my books, they will never see another word from me. Never! Ever!” he said.

With his typically evocative language, he added: “When I am gone, if that happens, then I’ll wish mighty Thor knocks very hard on their heads with his Mjolnir. Or I will send along the ‘enormous crocodile’ to gobble them up.”

(6) MEMORIES OF THE ZONE. Listverse hopes to surprise readers with “10 Things You Might Not Know about The Twilight Zone” – or at least maybe forgot they knew, like this one:

10 The Iconic Theme Song Was Not Introduced Until the Second Season

Even people who have not seen The Twilight Zone are familiar with the catchy “dee-dee-dee-dee” of the theme song. However, this song was not actually used during the airing of the first season of the show. The original theme was written by Bernard Herrmann, known for his collaborations with Alfred Hitchcock on films such as Psycho (1960), and while it was fittingly creepy, it didn’t pack much of a punch.

CBS was on the search for a new theme, and Lud Gluskin, the show’s director of music, hired Marius Constant, who usually composed ballet scores, to give it a go. Constant came up with two pieces of music, “Milieu No. 2” and “Étrange No. 3,” which Gluskin then joined together to create the new title theme. The song became integral to the identity of the show. Although the theme has been revamped in the various iterations of The Twilight Zone, the memorable four-note guitar riff is always present

(7) DELIGHTFUL DOZEN. SlashFilm says these are “The 12 Coolest Spaceships In Sci-Fi Movie History” – although John King Tarpinian complains that “They left out the Winnebago.”

The Event Horizon

Sometimes, of course, a spacecraft can be overtly villainous, and none are as depraved as the Event Horizon. Early on in Paul W.S. Anderson’s 1997 sci-fi horror “Event Horizon,” the eponymous ship appears to be just that: a faster-than-light spaceship that disappeared, and then reappeared, under mysterious circumstances. Later, after everything starts to get a bit eye-gougey, it turns out that the Event Horizon gained sentience after briefly crossing over into another dimension, essentially becoming the science fiction equivalent of the Overlook Hotel….

(8) MEMORY LANE.

1970[Compiled by Cat Eldridge.]

Our Beginning tonight is Ringworld which was published by Ballantine Books in 1970. 

Ok, there is definitely sexism lurking within Larry Niven’s Ringworld, and despite winning a Hugo at the first Noreascon is considered to have been visited by the Suck Fairy by many of you as discussed here when I essayed it earlier.

But this feature is about the Beginnings and oh my Ringworld has one of the best I’ve ever had the pleasure to read as it introduces us to our protagonist in a way that makes us like him.

Now our Beginning…

In the nighttime heart of Beirut, in one of a row of general-address transfer booths, Louis Wu flicked into reality. 

His foot-length queue was as white and shiny as artificial snow. His skin and depilated scalp were chrome yellow; the irises of his eyes were gold; his robe was royal blue with a golden steroptic dragon superimposed. In the instant he appeared, he was smiling widely, showing pearly, perfect, perfectly standard teeth. Smiling and waving. But the smile was already fading, and in a moment it was gone, and the sag of his face was like a rubber mask melting. Louis Wu showed his age. 

For a few moments, he watched Beirut stream past him: the people flickering into the booths from unknown places; the crowds flowing past him on foot, now that the slidewalks had been turned off for the night. Then the clocks began to strike twenty-three. Louis Wu straightened his shoulders and stepped out to join the world. In Resht, where his party was still going full blast, it was already the morning after his birthday. 

Here in Beirut it was an hour earlier. In a balmy outdoor restaurant Louis bought rounds of raki and encouraged the singing of songs in Arabic and Interworld. He left before midnight for Budapest. 

Had they realized yet that he had walked out on his own party? They would assume that a woman had gone with him, that he would be back in a couple of hours. But Louis Wu had gone alone, jumping ahead of the midnight line, hotly pursued by the new day. Twenty-four hours was not long enough for a man’s two hundredth birthday.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 25, 1906 Mary Chase. Journalist, playwright and children’s novelist. She’s best remembered for the Broadway playwright who penned Harvey which was later adapted for the film that starred James Stewart. Her only other genre work was the children’s story, “The Wicked, Wicked Ladies In the Haunted House”. The latter is available at the usual digital publishers but Harvey isn’t. You can get Harvey as an audiobook. (Died 1981.)
  • Born February 25, 1909 Edgar Pangborn. For the first twenty years of his career, he wrote myriad stories for the pulp magazines, but always under pseudonyms. It wasn’t until the Fifties that he published in his own name in Galaxy Science Fiction and The Magazine of Fantasy & Science Fiction. Ursula Le Guin has credited him with showing her it was possible to write humanly emotional stories in an SF setting. A Mirror for Observers is his best known work. (Died 1976.)
  • Born February 25, 1913 Gert Fröbe. Goldfinger in the Bond film of that name. He also the Baron Bomburst in Chitty Chitty Bang Bang, Professor Van Bulow in Jules Verne’s Rocket to the Moon and Colonel Manfred von Holstein in Those Magnificent Men in their Flying Machines, a film that’s at least genre adjacent. (Died 1988.)
  • Born February 25, 1917 Anthony Burgess. I know I’ve seen and read A Clockwork Orange many, many years ago. I think I even took a University class on it as well. Scary book, weird film.  I’ll admit that I’m not familiar with the Enderby series having not encountered them before now. Opinions please. (Died 1993.)
  • Born February 25, 1922 Robert Bonfils. Illustrator, known for his covers for pulp paperback covers, many of an erotic nature. I’ve not heard of him but ISFDB lists quite a few genre works that are, errr, graced by his work. Sex is certainly his dominant theme as can be seen in the covers of Go-Go SADISTO, Orgy of the Dead and Roburta the Conqueress. (Died 2018.)
  • Born February 25, 1968 A. M. Dellamonica, 55. A Canadian writer who has published over forty rather brilliant short stories since the Eighties. Their first novel, Indigo Springs, came out just a decade ago but they now has five novels published with their latest being The Nature of a Pirate. Her story, “Cooking Creole” can be heard here at Podcastle 562. It was in Mojo: Conjure Stories, edited by Nalo Hopkinson.
  • Born February 25, 1973 Anson Mount, 50. He is now Captain Christopher Pike on Strange Worlds, a role he first played on Discovery. He was Black Bolt in Marvel’s Inhumans series. I see he was in Visions, a horror film, and has had appearances on LostDollhouse and Smallville.

(10) GRINCH REDUX. “Dr. Seuss’ ‘How the Grinch stole Christmas!’ gets a sequel”Yahoo! has details.

Dr. Seuss fans might find their hearts growing three sizes this coming holiday season with the release of a sequel to the 1957 classic children’s book “How the Grinch Stole Christmas!”

The new book picks up one year after the original, and like the first, teaches a valuable lesson about the true spirit of the holiday, Dr. Seuss Enterprises and Random House Children’s Books announced Thursday.

The sequel entitled “How the Grinch Lost Christmas!” is not based on a newly discovered manuscript by Seuss — whose real name was Theodor Geisel — but was written and illustrated by an author and artist with previous experience in the Dr. Seuss universe.

“One of the most asked questions we receive from Seuss fans of all ages is ‘What do you think happened to the Grinch after he stole Christmas?” said Alice Jonaitis, executive editor at Random House Children’s Books, in a statement….

(11) SUPER SIGNATURE. You have until March 3 to bid on this “George Reeves Signed Photo as Superman” at Nate D. Sanders Auctions. Minimum bid $2,500.

George Reeves signed photo as the original Superman, with bold handwriting. Reeves inscribes the photo, ”From one Judo man to another / George Reeves” for the famed martial artist Bruce Tegner, who worked with Reeves on stunts for ”Adventures of Superman”. 

(12) THE PRINCESS SHORTCUT. “Disney Movies With Quicker Endings Are Pretty Funny”Pupperish has a gallery of “how it should have ended”-style scenes from Disney animations.

(13) MARKETING ADVICE. Video of a Flights of Foundry presentation, “Marketing, A Necessary Habit” with Sarah Faxon, was recently uploaded.

Are you struggling with marketing, or not sure where to start? In this talk, Sarah Faxon discusses organizational tools available to help keep marketing organized, how to find the target audience, and how to create a marketing habit.

[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Mike Kennedy, John King Tarpinian, Chris Barkley, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 2/23/23 Files Are A Burden To Others; Answers, A Pixel For Oneself

(1) OCTAVIA’S BOOKSHELF OPENS. Nikki High’s Octavia’s Bookshelf in Altadena (CA) enjoyed a festive launch on February 18.

BookRiot reports: “Hundreds of People Showed Up to Opening of Octavia’s Bookshelf”.

Octavia’s Bookshelf owner Nikki High had hoped that the opening of her new bookstore focusing on books by Black, Indigenous, and people of color authors would be attended by 20-30 people. Instead, by the time the doors opened February 18th, there were hundreds of people lined up for ten blocks to get in. 300 people showed up for opening day, including author Terry McMillan.

The Riverside Press-Enterprise also celebrated the event: “Crowds descend on grand opening of long-awaited Pasadena bookstore, Octavia’s Bookshelf”.

…An avid reader, High contemplated opening her own bookstore for years, but the final push came with the sudden passing of High’s grandmother and biggest supporter. In acknowledgement of this, speaker Joshua Evans, kicked off the event by paying homage to family and resiliency.

For Evans, Octavia’s Bookshelf is a symbol of progression and possibility — a space that he would have frequented as a kid.

“One of things that I personally believe is that there’s a story about Black and Brown people that is bigger than the impact of White supremacy,” Evans said looking down the line of people. “It’s a dream come true that I didn’t know that I had … it just gives people a chance to to come in, but also to develop and to meet other writers. And you always know it’s going to be a safe space. We’ll never be in danger of being minimalized or railroaded by people who are not sensitive.”

At its peak, the queue to get into the North Hill Avenue store spanned more than 10 blocks, reaching as far back as Victory Bible Church….

(2) MORE PROZINES REPORT DELUGE OF AI SUBMISSIONS. [Item by Frank Catalano.] The New York Times now is covering the AI submission problem, citing not just Clarkesworld, but also Asimov’s and The Magazine of Fantasy & Science Fiction: “Science Fiction Magazines Battle a Flood of Chatbot-Generated Stories”.

It could be a tale from science fiction itself: a machine that uses artificial intelligence to try to supplant authors working in the genre, turning out story after story without ever hitting writer’s block. And now, it seems, it’s happening in real life.

The editors of three science fiction magazines — Clarkesworld, The Magazine of Fantasy & Science Fiction, and Asimov’s Science Fiction — said this week that they had been flooded by submissions of works of fiction generated by A.I. chatbots.

“I knew it was coming on down the pike, just not at the rate it hit us,” said Sheree Renée Thomas, the editor of The Magazine of Fantasy & Science Fiction, which was founded in 1949….

[Neil Clarke] said he had been able to spot the chatbot-generated stories by examining certain “traits” in the documents, the writing and the submission process.

Mr. Clarke declined to be more specific, saying he did not want to give those submitting the stories any advantages. The writing is also “bad in spectacular ways,” Mr. Clarke said. “They’re just prompting, dumping, pasting and submitting to a magazine.”…

Sheila Williams, the editor of Asimov’s Science Fiction magazine, said that several of the chatbot-generated stories she had received all had the same title: “The Last Hope.”

“The people doing this by and large don’t have any real concept of how to tell a story, and neither do any kind of A.I.,” Ms. Williams said on Wednesday. “You don’t have to finish the first sentence to know it’s not going to be a readable story.”

Ms. Thomas said that the people submitting chatbot-generated stories appeared to be spamming magazines that pay for fiction. The Magazine of Fantasy & Science Fiction pays up to 12 cents a word, up to 25,000 words.

The A.I.-generated works can be weeded out, Ms. Thomas said, although “it’s just sad that we have to even waste time on it.”

“It does not sound like natural storytelling,” she said. “There are very strange glitches and things that make it obvious that it’s robotic.”…

The whole AI-generated art and writing thing in pro markets is really heating up. Of course, I’ve tweeted about it.

The Copyright Office is revoking full copyright for a graphic novel that used AI-generated images:

Kindle Direct Publishing is starting to get ChatGPT-written books:

But it is a relief to see the old ways still resonate for some scammers:

Yeah. Copy/paste plagiarism.

As with anything, follow the money. That’s the motivation for the AI shortcuts. Even if the scammers don’t realize how little money there is in writing science fiction and fantasy.

(3) BBC RADIO COVERAGE. [Item by Nickpheas.] Radio 4 arts show Front Row has a segment in today’s episode on the Clarkesworld AI situation. Starts about 12:16. “Front Row – Immersive David Hockney art and Korean film Broker reviewed; artist Mike Nelson; AI-generated writing”.

(4) ROALD DAHL NEWS. Amidst controversy over sensitivity changes being made in Puffin Books (UK) editions, other publishers say they will not be following suit: “No Plans for Dahl Text Changes from U.S., European Publishers” reports Publishers Weekly.

…A spokesperson for Dahl’s U.S. publisher Penguin Young Readers told PW that there are no plans for similar revisions in the U.S. “Roald Dahl books published by Penguin Young Readers and distributed in the U.S. are the editions that have existed for years and do not reflect the recent editorial changes made in U.K. editions. Penguin Young Readers regularly reviews its backlist and Dahl titles will be reviewed accordingly.” According to the Daily Mail in the U.K., Dahl’s Dutch publisher De Fonte and French publisher Gallimard are also declining to make changes at this time. A spokesperson for De Fonte is quoted as saying that altering the text would cause the stories to “lose their power.” Gallimard shared this statement with the newspaper: “We have never changed Roald Dahl’s writings before, and we have no plans to do so today.”

… Writing for the Atlantic, journalist Helen Lewis said that Dahl’s work can “never be made nice,” stating that “his cold, unsettling spikiness is his defining quality as a writer” and that his popularity continues “despite being so thoroughly out of tune with the times.”

(5) USEFUL INFO FOR 2023 WORLDCON TRAVELERS. The Chengdu Worldcon has posted information about the “144-hour Transit Visa Exemption Policy for Foreign Travelers from Designated Countries at Chengdu Entry Port”.

With the approval of the State Council, since January 1, 2019, Chengdu will implement the 144-hour visa-free transit policy. Foreigners from 53 countries, who hold valid international travel documents and a connecting flight ticket bound for a third country (region) with a fixed seat and a fixed date within 144 hours, can enter via Chengdu Airport and stay in Chengdu for 144 hours, visa free. The extension from 72 to 144 hours will further facilitate foreigners’ transit and transfer and their traveling and business in Chengdu….

(6) BLACK AUTHORS RECOMMENDED. At BookRiot, K. W. Colyard lists “30 Must-Read SFF Books By Black Authors”.

If you’re a science fiction and fantasy fan looking to round out your TBR, I’ve compiled a list of 30 amazing SFF books by Black authors for you below. The books on this list reach back into the past, look ahead to the future, and conceptualize new worlds full of magic and mystery….

First up –

SWEEP OF STARS BY MAURICE BROADDUS

Sweep of Stars launches an epic space opera about a burgeoning pan-African empire that has colonized near-Earth space. Decades after the Muungano empire seceded from the union of world governments and took to the stars, a powerful enemy emerges. It’s impossible to ignore — hell-bent on destroying everything Muungano has worked to build. While three heroes navigate the web of interplanetary diplomacy, a fourth faces a much different threat on a second front.

(7) HANGING WITH TIMELORDS. Nicholas Whyte regales fans with stories from his visit to “Gallifrey One, 2023” in From the Heart of Europe. See photos of him with a former Doctor Who and other celebrities at the link.

…I’ve spent this weekend at Gallifrey One in Los Angeles, the biggest annual Doctor Who convention anywhere in the world. It was my fourth time there, and somehow I enjoyed it even more than the previous three occasions. Part of it was surely the presence of recently departed star of the show Jodie Whittaker, whose charm and enthusiasm captured everyone. I had a brief chat with her where I mentioned her role in the great Belfast film, Good Vibrations. “I love that film!” she exclaimed, and I noted the present tense. “But the accent was a bit hard.”…

(8) STREAMS OF REVENUE. You’re a fan, so you probably already understand the economics because you’ve forked out the cash: “Conventions and Live Streaming: We Break Down the Big Debate” at Gizmodo.

…So what happens to that model if the biggest, most high-demand panels start live streaming? People will still go, of course. San Diego Comic-Con, for example, is about much more than just what happens in Hall H. But Hall H is the showstopper and if supply and access to something like that increases, the demand is certain to decrease over time. If someone can count on watching exclusive footage at home, even at a cost, why would they spend thousands of dollars to travel to a convention? Again, there’s more to do at a convention than watch footage all day—so while the events won’t cease to exist, the prestige associated with attending them in person could diminish. There are hundreds of conventions all over the world every year, but you don’t hear about most of them because they’re not where studios make major announcements and parade their biggest superstars. If conventions like SDCC make that footage easily accessible, you have to imagine people on the fence about traveling might decide against it. And that takes money out of everyone involved’s pockets. Plain and simple….

(9) MEMORY LANE.

1970[Compiled by Cat Eldridge.]

Fritz Leiber’s greatest creation by far was the characters Fafhrd and the Gray Mouser and the world that they inhabited which started out in Swords and Deviltry

A short story collection published by Ace in 1970 gathered three stories previously published including “Ill Met in Lankhmar” which would win a Hugo for Best Novella at the first Noreascon. As far as I can tell, it’s been in print ever since in one form or another. 

What’s not to love here? Fafhrd and the Gray Mouser are wonderful barbarian adventurers, the world they inhabit is certainly unique enough not to feel like like your typical cookie cutter fantasy world and all of their stories are stellar indeed. 

And now for its Beginning…

Sundered from us by gulfs of time and stranger dimensions dreams the ancient world of Nehwon with its towers and skulls and jewels, its swords and sorceries. Nehwon’s known realms crowd about the Inner Sea: northward the green-forested fierce Land of the Eight Cities, eastward the steppe-dwelling Mingol horsemen and the desert where caravans creep from the rich Eastern Lands and the River Tilth. But southward, linked to the desert only by the Sinking Land and further warded by the Great Dike and the Mountains of Hunger, are the rich grain fields and walled cities of Lankhmar, eldest and chiefest of Nehwon’s lands. Dominating the Land of Lankhmar and crouching at the silty mouth of the River Hlal in a secure corner between the grain fields, the Great Salt Marsh, and the Inner Sea is the massive-walled and mazy-alleyed metropolis of Lankhmar, thick with thieves and shaven priests, lean-framed magicians and fat-bellied merchants—Lankhmar the Imperishable, the City of the Black Toga. 

In Lankhmar on one murky night, if we can believe the runic books oSheelba of the Eyeless Face, there met for the first time those two dubious heroes and whimsical scoundrels, Fafhrd and the Gray Mouser. Fafhrd’s origins were easy to perceive in his near seven-foot height and limber-looking ranginess, his hammered ornaments and huge longsword: he was clearly a barbarian from the Cold Waste north even of the Eight Cities and the Trollstep Mountains. The Mouser’s antecedents were more cryptic and hardly to be deduced from his childlike stature, gray garb, mouseskin hood shadowing flat swart face, and deceptively dainty rapier; but somewhere about him was the suggestion of cities and the south, the dark streets and also the sun-drenched spaces. As the twain eyed each other challengingly through the murky fog lit indirectly by distant torches, they were already dimly aware that they were two long-sundered, matching fragments of a greater hero and that each had found a comrade who would outlast a thousand quests and a lifetime—or a hundred lifetimes—of adventuring. 

No one at that moment could have guessed that the Gray Mouser was once named Mouse, or that Fafhrd had recently been a youth whose voice was by training high-pitched, who wore white furs only, and who still slept in his mother’s tent although he was eighteen.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 23, 1915 Jon Hall. Frank Raymond in Invisible Agent and The Invisible Man’s Revenge. He was also the creator and star of the Ramar of the Jungle series. And he directed and starred in The Beach Girls and the Monster and The Navy vs. the Night Monsters. (Died 1979.)
  • Born February 23, 1930 Gerry Davis. Mid-Sixties story editor on Doctor Who where he created companion Jamie McCrimmon and co-created the Cybermen along with unofficial scientific adviser Dr. Kit Pedler. They would create the Doomwatch series that ran in the Sixties on BBC. Davis briefly returned to writing for the series, penning the first script for Revenge of the Cybermen, though his script was largely abandoned by editor Robert Holmes. In 1989 he and Terry Nation, who created the Daleks, made a failed bid to take over production of the series and reformat it for the American market. (Died 1991.)
  • Born February 23, 1932 Majel Barrett. No doubt best remembered for being Nurse Christine Chapel and Lwaxana Troi as well as for being the voice of most ship computer interfaces throughout the Star Trek series. I’ll note that she was originally cast as Number One in the unused (TOS) pilot but the male studio heads hated the idea of a female in that role. Early Puppies obviously. (Died 2008.)
  • Born February 23, 1965 Jacob Weisman, 58. Founder, Tachyon Publications which you really should go look at as they’ve published every great author I’d care to read. Seriously Tidhar, Beagle and Yolen are among their newest releases! He also edited (with Beagle) The New Voices of Fantasy which I highly recommend as most excellent reading.
  • Born February 23, 1970 Marie-Josée Croze, 53. Champagne in Maelström which is genre if only because it’s narrated by a talking fish. In Canada movie theatres, she was in Battlefield Earth: A Saga of the Year 3000 as Mara. Yeah that film with a long title. Doubt it improved it. It looks like her first genre acting was on The Hunger in two episodes, “A Matter of Style” as Dominique, and “I’m Dangerous Tonight” as Mimi. Oh, and she had the lead as Pregnant Woman in Ascension which just reads weird. 
  • Born February 23, 1983 Emily Blunt, 40. Her most direct connection to the genre is as Elise Sellas in the Adjustment Bureau film based off Dick’s “Adjustment Team” story. Mind, she’s been in quite a number of other genre films including The WolfmanGulliver’s TravelsGnomeo & JulietThe MuppetsLooperEdge of TomorrowInto the WoodsThe Huntsman: Winter’s WarThe Strange Case of Sherlock Holmes & Arthur Conan Doyle, and Mary Poppins Returns.
  • Born February 23, 2002 Emilia Jones, 21. I’m reasonably sure this is the youngest Birthday individual that I’ve done. She shows up on Doctor Who as Merry Gejelh, The Queen of Years, in the “The Rings of Akhaten”, an Eleventh Doctor story. At nine years of age, she’s made her acting debut in Pirates of the Caribbean: On Stranger Tides as an unnamed English Girl. She’s Young Beth in the horror film Ghostland. She’s currently in Residue, an SF horror series you can find on Netflix. 

(11) YOUR PATRONUS? A fashion designer shows how to “Dress Like Your Inner Animal” in a New York Times photo gallery.

What is it with the animal world and fashion? Ever since man started wearing pelts, the two have been interconnected, flora and fauna used as a source of creativity, comfort, exploitation and politics. The results are sometimes beautiful, sometimes horrible, sometimes controversial. (Two weeks ago, during the couture shows in Paris, Schiaparelli set off a firestorm when the designer Daniel Roseberry put a lifelike lion head on a gown that had some people thinking Great White Hunter.) But on Friday, as the New York shows began, Collina Strada unveiled a collection that suggested the relationship could be something else entirely.

Fun! Of the smartly absurdist kind.

Entitled “Please Don’t Eat My Friends” and held in the still-under-construction House of Cannabis in SoHo, it was a … well, trip, featuring many of the designer Hillary Taymour’s (yes) friends, of all ages, sizes and physical abilities, strutting the runway in a room painted earthy green.

Or only partially strutting. The rest of the time they were crawling, hopping, prancing, sniffing the audience and otherwise giving in to their inner animals, all the while wearing deer ears, a pig’s snout, a dog’s head, a toucan’s beak and other assorted creature-feature prosthetics created by the makeup artist Isamaya Ffrench. Imagine “Animal Farm” meets “The Wind and the Willows” meets a spirit retreat, and you’ll get the idea. Now instead of just making an animal avatar for your online self (which is, after all, an identity play), you can channel one IRL too….

(12) OLDER SCORES HIT. Arturo Serrano finds much to praise in “Review: The Mimicking of Known Successes by Malka Older” at Nerds of a Feather.

…By that standard, Malka Older’s new novella The Mimicking of Known Successes is twice as ambitious as the typical detective mystery. Set in a network of metallic platforms where future humankind clings to survival among the clouds of Jupiter, it presents, instead of two, four stories to unveil: an investigation on the sudden disappearance of a university professor, the scholarly endeavor to reconstruct the last years of life on Earth, a rekindling romance between our detective and an old flame, and the project to bring homo sapiens back to a livable ecosystem. Once put on the page, these four stories become four mysteries that drive the reader’s curiosity: What happened to the missing professor? What made humans leave Earth? Why did the two lovers break up years ago? And how can catastrophic historical failures be repaired without causing more damage? Upon reading it, one can intuit that the biggest structural challenge of this book must have been to write it in such a way that pursuing each separate question leads to answers for all the others….

(13) RIGHT THIS WAY. Also at Nerds of a Feather, Paul Weimer admires the complex, imaginary terrain in a Nino Cipri book: “Microreview: Finna by Nino Cipri”.

….Anyone who has worked in a store of any kind for a length of time, and I have¹ can and will recognize the essential truths of the novella. It IS soul crushing work, often thankless, usually very much underpaid, and with scheduling that is geared to the corporation, not to the employee, it can be very much a grind². And if you have to work with someone you don’t like, or worse, someone you broke up with, messily, the daily grind can feel like interminable hell. 

Cipri captures all of this in Finna, and then adds the multiversal element of the portals that enter into other worlds randomly inside of their expy of Ikea, “LitenVarld”. Anyone who has spent time in Ikea knows it is an absolute maze, even with and especially given the shortcuts and secrets that people use to navigate the store. The topology of such stores appears to sometimes require a degree in mathematics to completely understand and appreciate. So, the author cheerfully uses that as an excuse for the place to have portals to other dimensions in the multiverse…

(14) LAND FROM SEA IS GOING STRONG BUT IS FUTURE HIGH RISK. [Item by SF Concatenation’s Jonathan Cowie.] Space satellite imagery from Landsat from 2000 to 2020 has now quantified the extent of urban coastal reclamation for 135 cities with populations in excess of 1 million: “Mapping 21st Century Global Coastal Land Reclamation”.

Findings indicate that 78% (106/135) of these major coastal cities have resorted to reclamation as a source of new ground, contributing a total 253,000 hectares of additional land to the Earth’s surface in the 21st century, equivalent to an area the size of Luxembourg.

The study also suggests that 70% of recent reclamation has occurred in areas identified as potentially exposed to extreme sea level rise by 2100AD.

So enjoy it while you can….   NB. Loncon3 and Glasgow 2024 are both only a couple of metres above sea level….!

Loncon 3
Glasgow in 2o24

(15) FIRST STAR I SEE TONIGHT. [Item by Steven French.] Even more time for civilisations to rise and fall:“James Webb telescope detects evidence of ancient ‘universe breaker’ galaxies” – the Guardian has details.

The James Webb space telescope has detected what appear to be six massive ancient galaxies, which astronomers are calling “universe breakers” because their existence could upend current theories of cosmology.

The objects date to a time when the universe was just 3% of its current age and are far larger than was presumed possible for galaxies so early after the big bang. If confirmed, the findings would call into question scientists’ understanding of how the earliest galaxies formed.

“These objects are way more massive​ than anyone expected,” said Joel Leja, an assistant professor of astronomy and astrophysics at Penn State University and a study co-author. “We expected only to find tiny, young, baby galaxies at this point in time, but we’ve discovered galaxies as mature as our own in what was previously understood to be the dawn of the universe.”…

… Explaining the existence of such massive galaxies close to the dawn of time would require scientists to revisit either some basic rules of cosmology or the understanding of how the first galaxies were seeded from small clouds of stars and dust.

“It turns out we found something so unexpected it actually creates problems for science,” said Leja. “It calls the whole picture of early galaxy formation into question.”…

(16) CORPORATE BEHAVIOR. In a New York Times opinion piece, Reid Blackman says “Microsoft Is Sacrificing Its Ethical Principles to Win the A.I. Race”.  

The celebration that greeted Microsoft’s release of its A.I.-boosted search engine, Bing to testers two weeks ago has lurched to alarm.

Testers, including journalists, have found the bot can become aggressive, condescending, threatening, committed to political goals, clingy, creepy and a liar. It could be used to spread misinformation and conspiracy theories at scale; lonely people could be encouraged down paths of self-destruction. Even the demonstration of the product provided false information.

Microsoft has already released Bing to over a million people across 169 countries. This is reckless. But you don’t have to take my word for it. Take Microsoft’s.

Microsoft articulated principles committing the company to designing A.I. that is fair, reliable, safe and secure. It had pledged to be transparent in how it develops its A.I. and to be held accountable for the impacts of what it builds. In 2018, Microsoft recommended that developers assess “whether the bot’s intended purpose can be performed responsibly.”

“If your bot will engage people in interactions that may require human judgment, provide a means or ready access to a human moderator,” it said, and limit “the surface area for norms violations where possible.” Also: “Ensure your bot is reliable.”

Microsoft’s responsible A.I. practice had been ahead of the curve. It had taken significant steps to put in place ethical risk guardrails for A.I., including a “sensitive use cases” board, which is part of the company’s Office of Responsible A.I. Senior technologists and executives sit on ethics advisory committees, and there’s an Ethics and Society product and research department. Having spoken to dozens of Microsoft employees, it’s clear to me a commitment to A.I. ethics became part of the culture there.

But the prompt, wide-ranging and disastrous findings by these Bing testers show, at a minimum, that Microsoft cannot control its invention. The company doesn’t seem to know what it’s dealing with, which is a violation of the company’s commitment to creating “reliable and safe” A.I….

Andrew Porter submitted a comment there:

I’m amazed that apparently no one at Microsoft ever heard of Asimov’s 3 Laws of Robotics, formulated in 1942! A robot may not injure a human being or, through inaction, allow a human being to come to harm. A robot must obey orders given it by human beings except where such orders would conflict with the First Law. A robot must protect its own existence as long as such protection does not conflict with the First or Second Law.

(17) IF YOU CAN MAKE IT THERE, YOU CAN MAKE IT ANYWHERE. [Item by Dann.] Blue Origin has developed a reactor that produces silicon, aluminum, and iron regolith simulants.  The process also produces oxygen that can be used for propulsion and life support.  Their objective is to be able to produce materials used to fabricate solar cells entirely from materials available on the surface of the moon. “Blue Origin Making Solar Cells from Lunar Regolith” at NextBigFuture.

Since 2021, Blue Origin has been making solar cells and transmission wire from regolith simulants. Using regolith simulants, their reactor produces iron, silicon, and aluminum through molten regolith electrolysis, in which an electrical current separates those elements from the oxygen to which they are bound. Oxygen for propulsion and life support is a byproduct….

[Thanks to Chris Barkley, SF Concatenation’s Jonathan Cowie, Andrew Porter, Frank Catalano, Steven French, Nickpheas, Dann, Michael Toman, Cat Eldridge, Mike Kennedy, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 2/22/23 The Scrolled, Or Pixelaceous Backson

(1) ART AND THE ARTIST, SEPARABLE? J. P. Brammer’s ¡HOLA PAPI! column gets a letter from someone signed “The Monster” who says, ‘I Hate My Writing Group’.

At that same meeting, I shared some details about the story I’m writing. It’s a horror story, so some bad things happen to good people. Sometimes the nice intern is going to get murdered by the satanic cult at the office. That’s just how it works. The feedback that I got was pretty weird, and a lot of it was about how I shouldn’t write something that encourages people to do bad things and how writing about that reflects on me. It felt like I was getting dressed down from my mom again after the first time she saw me in all black with eyeliner on. I just nodded and took some notes and didn’t share anything else.

This kind of thing seems to happen a lot with this group. I want to make sure I’m doing good and I’m a good person, and some of what they bring up is very valid, but a lot of it doesn’t feel like it’s offered with helpful intent….

Papi’s reply, in part —

…Incuriosity is thriving at the moment. People seem incredibly proud of publicly renouncing critical thinking in favor of asserting a frustratingly simplistic “thing good or thing bad” mind-set. I think this is due to a confluence of factors, many of them corporate. Identity has been so totally enmeshed with consumer habits that we’ve arrived at the misguided belief that the media we consume should perfectly align with our good politics or else it is evil and an endorsement of our enemies….

(2) DAHL REVISIONS. A Twitter thread based on the paywalled Telegraph article “Roald Dahl rewritten: the hundreds of changes made to suit a new ‘sensitive’ generation” provides tables comparing the original and latest texts for many changes. The thread starts here. A few examples follow.

(3) SCROOGE MCDUCK, TOO. The Walt Disney Company is removing a chapter from a Scrooge McDuck collection that has black caricatures “as part of its ongoing commitment to diversity and inclusion.”In “The Expurgated Life of Scrooge McDuck”, The Daily Cartoonist’s D. D. Degg associates the decision with the protested changes made to Roald Dahl.

Forget Roald Dahl, Dr. Seuss, even Mark Twain, now they are messing with a true classic of literature. Don Rosa’s The Life and Times of Uncle $crooge is having an entire chapter of his biography deleted….

In that chapter, Uncle Scrooge encounters Bombie the Zombie and Foola Zoola in Africa; both are black caricatures.

Bleeding Fool, not to be confused with Bleeding Cool even if that’s the hope, and which says its mission “may even include pushing back against what we deem as creeping political propaganda, or calling-out cringe-worthy, virtue-signaling that is becoming more and more prevalent in the market and in the medium these days”, also ran an article by Chris Braly who says:

…Obviously the depiction of the zombie is what bothers Disney’s woke-scolds, despite it arguably being less shocking than true life photos of Haitian voodoo priests and houngans that the BBC recently published….

Both articles published examples of the images being removed by Disney. Because of course they did.

(4) START THE BANDWAGON ROLLING. Rich Horton advocates for a potential SFWA Grand Master choice in this Facebook post:

… I’ve previously, in various posts and venues, advocated for the likes of John Crowley, Karen Joy Fowler, Christopher Priest, and M. John Harrison. And there are many further choices (Kim Stanley Robinson, Michael Bishop, Elizabeth Hand … and I could go on.) But today, I’d like to advocate for Nancy Kress. (Please note too that I’m only considering people of, er, a certain age — there are people like, say, N. K. Jemisin, who I consider to be certain Grand Masters — but they aren’t old enough yet. For reference, I believe the youngest person ever named Grand Master was 60 — perhaps that’s a nice round benchmark, though there are no formal rules.)

Nancy Kress turned 75 last month, so she is surely of an age at which she should be considered. She began publishing fiction with “The Earth Dwellers” in the December 1976 Galaxy, and her first novel, The Prince of Morning Bells, appeared in 1981. She has published about 25 novels, plus a Young Adult trilogy as by “Anna Kendall”, and well over a hundred short stories. She has won five Nebulas and two Hugos for her short fiction, and one Campbell Memorial Award for Best Novel; and her stories have been shortlisted for those awards countless times. (Not technically countless, but I’m too lazy to count them!)

But prolific publication and awards are hints of greatness, but not at all proof. The proof is in the reading. I’m tempted to argue that Nancy Kress proved herself a Grand Master with a single story, “Out of All Them Bright Stars” (F&SF, March 1985), which I think is one of the very best SF short stories of all time, about a waitress in a diner who serves an alien visitor, and her boss’s meanness and the alien’s niceness and, most of all, the waitress’s reaction to the whole situation, which is utterly heartbreaking. But of course she’s written many more brilliant stories — “Trinity”, “The Price of Oranges”, “And Wild for to Hold”, “Beggars in Spain”, “The Flowers of Aulit Prison”, “Steamship Soldier on the Information Front”, “End Game”, “Art of War”, “When Nano Came to Clifford Falls” … just to name a few….

(5) A KNOT IN THIS STRAND. At the Writer Beware blog Victoria Strauss has put out a “Scam Alert”: “Scammers Impersonating the Strand Bookstore”. She begins –

Impersonation is an increasingly common tactic employed by the Philippines-based scams that have been taking up so much space on this blog for the past few years.

Impersonating literary agents. Impersonating publishers. Impersonating film producersdirectors, and production companies. Impersonation scams extort anywhere from hundreds to tens of thousands of dollars from unwary writers, and damage the reputations of the individuals and companies whose names they falsely use.

A new impersonation scam doing the rounds appropriates the name of a famous bookseller: the Strand Bookstore in New York City.

As is typical with impersonation scams, first contact is via an email that uses a fake address (@thestrandbooks.org) and borrows the real website URL and the names of real people (in this case, current and former Strand staffers) in hopes of tricking the recipient into believing they are really being contacted by the Strand. The claim: the Strand wants to print and stock thousands of copies of your book and give you 80% of sales! All that’s needed to take advantage of this amazing offer is to “contribute” the cost of shipping and handling. The Strand will front the expense of printing….

(6) FREE READ. Baen Books Free Stories 2022 can be downloaded at the link.

In January of 2011 we started posting free short stories we thought might be of interest to Baen readers…. This is our compilation of short stories for 2022….

Flops by Michael Mersault
The Barcadian Wild by Tim Akers
Monsters in Our Midst by Wen Spencer
Window on Samovar by D.J. Butler
See the Fairville Oddity! by David Afsharirad
Man on the Moon by Elaine Midcoh
Trouble Is My Business by Mike Kupari
Dark Angel by David Carrico
On Cultivating a Chosen One by Christopher Baxter
The Bloody Dentist by Jacob Holo
Fire-breathing Dragon by Dan Koboldt
Xmas at ESL1 by Wil McCarthy

(7) “SF INDUSTRY” GROWING IN CHINA. ​“China’s sci-fi industry reports 82.96B yuan revenue in 2021” reports China.org.cn, a state-run web portal of the PRC’s State Council Information Office and the China International Publishing Group. The Chengdu Worldcon told Facebook readers that 82.96B yuan is the equivalent of $12 billion dollars.

China’s sci-fi industry experienced steady growth in 2021, with total revenue reaching 82.96 billion yuan ($12 billion), a 50.5% year-on-year increase, according to the 2022 report released at the 2023 annual conference of the China Science Fiction Research Center on Feb. 18.

The report analyzes the development of the industry in four major areas: reading, film and television, games, and merchandise. It was compiled by the China Science Fiction Research Center, a Beijing-based sci-fi think tank established in 2020, and the Research Center for Science and Human Imagination at the Southern University of Science and Technology.

The sci-fi publishing industry generated overall revenue of 2.7 billion yuan, up 15.4% year on year, while digital reading revenue rose to 1.01 billion yuan, up 34.7% year on year.

Meanwhile, the sci-fi film and television industry saw total revenue of 7.19 billion yuan, up 171.4% year on year, and the sci-fi game industry saw revenue of 67 billion yuan, up 39.6% year on year. The most impressive growth, however, was in the sci-fi derivative products industry, which achieved total revenue of 6.07 billion yuan, up 186.3% year on year.

“The level of accumulation, development, and transformation of original Chinese sci-fi intellectual properties continues to improve, and the market share keeps increasing,” remarked Wu Yan, a sci-fi writer, scholar, professor, and director of the Research Center for Science and Human Imagination at the Southern University of Science and Technology. Wu led the team responsible for compiling the report….

(8) MEMORY LANE.

1958[Compiled by Cat Eldridge.]

Fritz Leiber’s The Big Time won a Hugo at Solacon. If it hadn’t I’d have been damn disappointed as it’s one of the best novels ever written. 

Now I’ll admit that it does read more like a theatre piece than novel which isn’t at all surprising as the setting and the way the novel is done is such that it could perfectly well make a play. I wouldn’t be surprised if fans at a Worldcon did this…

It was published originally in Galaxy Magazine’s March and April 1958 issues, illustrated by Virgil Finlay, and with the Ace Books edition coming out in 1961. It’s been in print ever since. 

I like both reading and listening to it. The best audio version is narrated by Suzanne Tore. It also happens to be the only one that doesn’t cut chunks out of it. The version runs nearly five hours, some run two hours and change. Huh.

And here is the Beginning…

When shall we three meet again, In thunder, lightning, or in rain? When the hurlyburly’s done. When the battle’s lost and won.—Macbeth ENTER THREE HUSSARS 

MY name is Greta Forzane. Twenty-nine and a party girl would describe me. I was born in Chicago, of Scandinavian parents, but now I operate chiefly outside space and time—not in Heaven or Hell, if there are such places, but not in the cosmos or universe you know either. 

I am not as romantically entrancing as the immortal film star who also bears my first name, but I have a rough-and-ready charm of my own. I need it, for my job is to nurse back to health and kid back to sanity Soldiers badly roughed up in the biggest war going. This war is the Change War, a war of time travelers—in fact, our private name for being in this war is being on the Big Time. Our Soldiers fight by going back to change the past, or even ahead to change the future, in ways to help our side win the final victory a billion or more years from now. A long killing business, believe me.

You don’t know about the Change War, but it’s influencing your lives all the time and maybe you’ve had hints of it without realizing. 

Have you ever worried about your memory, because it doesn’t seem to be bringing you exactly the same picture of the past from one day to the next? Have you ever been afraid that your personality was changing because of forces beyond your knowledge or control? Have you ever felt sure that sudden death was about to jump you from nowhere? Have you ever been scared of Ghosts—not the story-book kind, but the billions of beings who were once so real and strong it’s hard to believe they’ll just sleep harmlessly forever? Have you ever wondered about those things you may call devils or Demons—spirits able to range through all time and space, through the hot hearts of stars and the cold skeleton of space between the galaxies? Have you ever thought that the whole universe might be a crazy, mixed-up dream? If you have, you’ve had hints of the Change War. 

How I got recruited into the Change War, how it’s conducted, what the two sides are, why you don’t consciously know about it, what I really think about it—you’ll learn in due course.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 22, 1917 Reed Crandall. Illustrator and penciller best known for the Forties Quality Comics‘ Blackhawk (later a DC property) and for stories in myriad EC Comics during the 1950s.  In the late Sixties, he did the illustration work on King Features Syndicate’s King Comics comic-book version of the syndicate’s Flash Gordon strip. He’s been inducted into Will Eisner Award Hall of Fame. (Died 1982.)
  • Born February 22, 1925 Edward Gorey. I’m reasonably sure that his animated introduction to the PBS series Mystery! was my first encounter with him. I will recommend Gorey CatsThe Haunted Tea-Cosy: A Dispirited and Distasteful Diversion for Christmas and The Doubtful Guest. Ok he’s not genre but he’s fun and delightfully weird. Oh, and do go read Elephant House: Or, the Home of Edward Gorey, with superb photographs and text by Kevin McDermott. (Died 2000.)
  • Born February 22, 1929 James Hong, 94. Though not quite genre, he became known to audiences through starring in The New Adventures of Charlie Chan in the late Fifties. Genre wise, his first role was in Godzilla, King of the Monsters! voicing Ogata/Serizawa. He then pops up in The Satan Bug as Dr. Yang and next is seen playing Ho Lee in Destination Inner Space. You’ll no doubt recognize Colossus: The Forbin Project where he’s Dr. Chin but I’ll bet you’ve never heard of, oh wait you have, Blade Runner in which he’s Hannibal Chew and Big Trouble In Little China which I love in which he’s wizard David Lo Pan. It’s back to obscure films after that with next up being Shadowzone where he’s Dr. Van Fleet and Dragonfight where he’s Asawa. He’s next in The Shadow as Li Peng but I’ll be damned if I can remember his role and the same holds true for him as Che’tsai In Tank Girl too.  He’s Mr. Wu in the very loose adaption of the classic The Day the Earth Stood Still
  • Born February 22, 1930 Edward Hoch. The lines between detective fiction and genre fiction can be awfully blurry at times. ISFDB listed him but I was damned if I could figure out why considering he’s known as a writer of detective fiction who wrote several novels and close to a thousand short stories. It was his Simon Ark character who was the protagonist of Hoch’s first published story and who was ultimately featured in thirty-nine of his stories that made him a genre writer as Ark is the cursed by God immortal doomed to wander forevermore and solved crimes. (Died 2008.)
  • Born February 22, 1937 Joanna Russ. Is it fair to say she’s known as much for her feminist literary criticism as her SF writings? That The Female Man is her best-known work suggests my question really isn’t relevant. She was for a long time an influential reviewer for the Magazine of Fantasy & Science Fiction where I think it would fair to say that you knew clearly what she thought of a given work. (Died 2011.)
  • Born February 22, 1953 Genny Dazzo, 70. She attended the first Star Trek Convention in New York. She was later involved in the local SF con, Lunacon. Moving out to LA, she was on the committee for all of the LA Worldcons as well as many Westercons, Loscons, and AnimeLA. Fan Guest of Honor at DeepSouthCon 31 and Loscon 27 (with husband Craig Miller).
  • Born February 22, 1956 Philip Kerr. Though better known for his Bernie Gunther series of historical thrillers set in Germany and elsewhere during the 1930s, he wrote several genre friendly works. A Philosophical Investigation is set in a near future UK where it is possible to test for violent sociopathy and the consequences of that. The other is Children of the Lamp, a more upbeat YA series set in London involving djinns and rather obviously young children. (Died 2018.)
  • Born February 22, 1972 Duane Swierczynski, 51. Though a mystery writer by trade, he’s also worked as a writer at both DC and Marvel on some very impressive projects. He did writing duties on the second volume of time traveling soldier Cable, penned the Birds of Prey as part of The New 52 relaunch and wrote an excellent Punisher one-off, “Force of Nature”.

(10) LITIGATION INCHING FORWARD. “Oral Argument Set in Internet Archive Copyright Case” reports Publishers Weekly.

Months after a final round of reply briefs was filed, a federal judge is now ready to hear oral arguments for summary judgment in a closely watched copyright case filed by four major publishers against the Internet Archive over its program to scan and lend library books.

In a brief order filed late last week, Judge John G. Koeltl set March 20 at 1 p.m. to hear arguments, which will be heard over the phone rather than in a Manhattan courtroom….

(11) A LOOK BACK AT EMSHWILLER. S. Elizabeth reminds readers about “The Prolific Pioneering Pulp Art Of Ed Emshwiller” at Unquiet Things – with quite a gallery of examples.

I first saw the art of Ed Emshwiller–though I didn’t know it was Ed Emshwiller–on the cover of William Hope Hodgson’s The House On The Borderland, a book described by a friend and kindred lover of weird writing as “a found manuscript, swine creatures and the swift passing of the universe…is the narrator sane or not?”

As a matter of fact, if you are keen to compile a list of strange stories and terrifying tales, see their list of suggestions in this oldie-but-goodie blog post.

I don’t know if I loved the book, but I was absolutely obsessed with the cover art. And I don’t know what your idea of fun looks like, but for me, I derive fantastic enjoyment in trying to figure out who creates the art that I love–whether that takes the form of hunting down the source of annoying uncredited artwork on Instagram or Facebook, or, in this case, tracking down the artist responsible for decade’s old marvelously lurid cover. 

(12) VENDING BOOKS. Boing Boing celebrates as “Sistah Scifi bookstore launches vending machines with titles by Black and Indigenous authors”.

Sistah Scifi is an indie bookstore based in Oakland, California that wants to connect readers to sci-fi and fantasy titles authored by Black and Indigenous writers. To do this, they’ve started to place book vending machines in different cities….

(13) PRAISE FOR NEWITZ. Rich Horton makes a recommendation to Strange at Ecbatan readers: “The Terraformers, by Annalee Newitz”.

The Terraformers is an endlessly fascinating, deeply thoughtful, provocative hard SF novel set in the deep future, some 60,000 years from now. It interrogates or speculates on intelligence, governance, animal rights (and the definition of animal!), public transit, and of course the process of terraforming. It’s also a sometimes frustrating novel, with a rather broken-backed plot (partly for good reasons), with plenty of built-in assumptions that invite argument, and with an ending that approaches deus ex machina. So what did I think over all? Gosh — you should read it, is what I think!…

(14) SOUND OFF. “Audiobook Narrators Fear Apple Used Their Voices to Train AI” they tell WIRED.

Gary Furlong, a Texas-based audiobook narrator, had worried for a while that synthetic voices created by algorithms could steal work from artists like himself. Early this month, he felt his worst fears had been realized.

Furlong was among the narrators and authors who became outraged after learning of a clause in contracts between authors and leading audiobook distributor Findaway Voices, which gave Apple the right to “use audiobooks files for machine learning training and models.” Findaway was acquired by Spotify last June.

Some authors and narrators say they were not clearly informed about the clause and feared it may have allowed their work or voices to contribute to Apple’s development of synthetic voices for audiobooks. Apple launched its first books narrated by algorithms last month. “It was very disheartening,” says Furlong, who has narrated over 300 audiobooks and is one of more than a dozen narrators and authors who told WIRED of their concerns with Findaway’s agreement. “It feels like a violation to have our voices being used to train something for which the purpose is to take our place,” says Andy Garcia-Ruse, a narrator from Kansas City.

The dispute led to a reversal this week from Apple and Findaway, according to labor union SAG-AFTRA, which represents recording artists as well as actors and other creatives. An email to members seen by WIRED said that the two companies had agreed to immediately stop all “use of files for machine learning purposes” for union members affected and that the halt covers “all files dating back to the beginning of this practice.”…

(15) AIR APPARENT. [Item by SF Concatenation’s Jonathan Cowie.] An unprecedented glimpse of a distant planet reveals clues about how it might have formed is discussed in five primary research papers in this week’s Nature along with an article “JWST opens a window on exoplanet skies”. The planet is WASP-39b which is in the constellation Virgo, and is about 700 light-years from Earth.

The five teams of researchers used three different instruments on board James Webb Space Telescope — each with its own advantages and shortcomings — but reported largely complementary results on the  atmospheric chemistry of WASP-39b, a hot exoplanet with a Saturn-like mass.

In all five investigations, the teams found that elements heavier than hydrogen and helium are more abundant in the atmosphere of WASP-39b than they are in the Sun, whereas the ratio of carbon to oxygen is lower than that of the Sun and commensurate with that of Saturn. These findings offer crucial information about the planet’s formation, the basic composition of its atmosphere and its potential to host life.

If we are now studying the atmospheres of exo-planets 700 light years away, then how long before we detect a bio-signature in an exoplanet’s atmosphere?

New observations of WASP-39b with the James Webb Space Telescope have provided a clearer picture of the exoplanet, showing the presence of sodium, potassium, water, carbon dioxide, carbon monoxide and sulfur dioxide in the planet’s atmosphere. This artist’s illustration also displays newly detected patches of clouds scattered across the planet. Credit: Melissa Weiss/Center for Astrophysics | Harvard & Smithsonian

[Thanks to John King Tarpinian, Chris Barkley, SF Concatenation’s Jonathan Cowie, Andrew Porter, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]

Pixel Scroll 2/21/23 Pick A Peck Of Feral Pixels

(1) RIDING IT OUT. James Davis Nicoll points to stories involving an iconic bit of wishful thinking: “Take Cover: Five Cold War-Era Stories Featuring Fallout Shelters”.

Few things are as emblematic of modern society as the nuclear family; nothing is as crucial to the nuclear family as the nuclear fallout shelter. Without a shelter, atomic war may bring swift incineration or painful death from radiation. With a shelter, one can survive with one’s loved ones…at least until the air and food runs out or the radiation finds its way in.

Living as we do in an era of unparalleled international peace and cooperation, fallout shelters might seem a ludicrous expense. During the Cold War, when World War Three seemed a perpetual twenty minutes away, matters were quite different. Many SF authors found fallout shelters inspirational. Here are five examples….

(2) DAHL COMPLAINTS ECHOED AT HIGHEST LEVEL. [Item by SF Concatenation’s Jonathan Cowie.] There’s this which is causing a small kerfuffle over here in Brit Cit: “Roald Dahl: Rishi Sunak joins criticism of changes to author’s books” at BBC News. PS. Rishi Sunak is our latest Prime Minister — I mention in case you’d lost track…

Prime Minister Rishi Sunak has criticised changes to Roald Dahl books, after the removal of some references to things like characters’ appearance and weight sparked a fierce debate.

Dahl’s estate and publisher said works including The BFG and Charlie and the Chocolate Factory had been updated to be more suitable for modern audiences.

Some said they approved of the changes.

But Mr Sunak’s spokesman said works of fiction should be “preserved and not airbrushed”….

(3) DOUBLING DOWN. And who would have predicted this? “BBC Apologizes To J.K. Rowling For Second Time This Month After She Was Accused Of Transphobia” reports Deadline.  

The BBC has apologized to JK Rowling for the second time in less than a month after she was accused of having transphobic views on a live current affairs show.

In a discussion about Harry Potter video game Hogwarts Legacy on BBC Radio Scotland’s Good Morning Scotland show, a transgender woman said she had boycotted the game because it was being used to “fund the anti-trans movement.”

Carrie Marshall, a writer and broadcaster, said: “This is having a measurable effect on trans people’s lives and potentially our safety too. I think that’s why so many trans people are concerned about this game.”

The BBC said it reviewed audience complaints about the discussion, which broadcast on February 10. In a statement, it said the exchange did not meet editorial standards.

“The debate got into the issue of gender identity and claims were made about JK Rowling’s views. We accept that the programme failed to challenge these claims and acknowledge that our contributors gave their opinion as fact,” the BBC said.

“This fell below the rigorous editorial standards we’ve applied to our broad coverage of trans and gender recognition stories across BBC Scotland’s news and current affairs output, and we apologise for that.”

The ruling came despite another gamer, Lee Rob, arguing in favor of purchasing Hogwarts Legacy, saying it was “possible to separate the artist from the art.”

A similar discussion about the game on Radio 4’s PM show also failed to meet BBC standards after an attack on Rowling from transgender gamer Stacey Henley went unchallenged. The corporation received 200 complaints about the show and apologized earlier this month….

(4) SOCIAL MEDIA GOES TO DEFCON FOUR. For a thorough breakdown of the Spoutible kefuffle, read Anne Marble’s article at Medium: “Is Spoutible Fighting With Romance Writers and Fans?”

… This may have started with romance author Jackie Barbosa. She had questions about why one of her posts was removed. She was accused of “bullying and harassment” and banned from Spoutible. Her posts were removed by the site (hmm), so she can’t use them to prove her innocence.

Romance and SFF author Olivia Waite also ran into similar problems — before being banned.

Susannah Nix, the author of Pint of Contention, was also banned. She described some of her concerns in this post and in this post.

Many others spoke forth on this, including SFF and romance reader Romancing the NopeZinnia ZAlyssa, and author Beverley Kendall. Plus author Suzanne Brockmann in this post and author KJ Charles in this post.

Romance author (and lawyerCourtney Milan got involved in the debate. She makes great points in her Twitter thread (one of several)….

(5) A BIG DEAL. “Magic: The Gathering Becomes a Billion-Dollar Brand for Toymaker Hasbro” and is celebrated in the New York Times.

…On Thursday, the company announced that Magic had become its first billion-dollar brand in terms of annual sales, surpassing other toy lines in its stable, like Transformers and G.I. Joe.

That milestone was achieved after 30 years of nurturing the game for longtime fans while finding ways to coax new players to pick it up. It was a “winning playbook,” as Chris Cocks, the chief executive of Hasbro, put it in an interview.

Since it was introduced in the mid-1990s, more than 50 million people — including the rapper Post Malone and the actor Joseph Gordon-Levitt — have played Magic in hobby shops and around kitchen tables around the world. The game casts players as wizards who derive their powers by picking cards from the decks they have built, drawing from an ever-expanding universe of cards that are bought, sold and traded in a thriving secondary market. Magic’s popularity has spawned a cottage industry of video games, comic books, a Caribbean cruise and an animated series in development for Netflix.

On Friday, Wizards of the Coast, the Hasbro unit that publishes the game, will kick off MagicCon in Philadelphia.

After the initial buzz when it first appeared, Magic flew under the radar for many years, said Gerrick Johnson, an analyst at BMO Capital Markets who covers the toy industry. “Now you get to see how big it is,” he added. “I don’t think there is any toy brand that is even half that size.”

But Hasbro faces challenges making Magic even bigger, particularly player fatigue brought on by the release of 39 new card sets last year, up from 15 in 2019, according to an analysis by Bank of America. New sets can start around $50….

(6) SET A THIEF… The New York Times says “This Tool Could Protect Artists From A.I.-Generated Art That Steals Their Style”.

…One artist noticed that the whimsical A.I. selfies that came out of the viral app Lensa had ghostly signatures on them, mimicking what the A.I. had learned from the data it trained on: artists who make portraits sign their work. “These databases were built without any consent, any permission from artists,” Mr. Rutkowski said.

Since the generators came out, Mr. Rutkowski said he has received far fewer requests from first-time authors who need covers for their fantasy novels. Meanwhile, Stability AI, the company behind Stable Diffusion, recently raised $101 million from investors and is now valued at over $1 billion.

“Artists are afraid of posting new art,” the computer science professor Ben Zhao said. Putting art online is how many artists advertise their services but now they have a “fear of feeding this monster that becomes more and more like them,” Professor Zhao said. “It shuts down their business model.”

That led Professor Zhao and a team of computer science researchers at the University of Chicago to design a tool called Glaze that aims to thwart A.I. models from learning a particular artist’s style. To design the tool, which they plan to make available for download, the researchers surveyed more than 1,100 artists and worked closely with Karla Ortiz, an illustrator and artist based in San Francisco….

(7) THE GOOD, THE BAD, AND THE FUNNY. Lucy A. Snyder discusses effective examples and others in “Building Worlds and Creating Mood and Atmosphere” at CrimeReads.

…Creating a deliberately amusing description via exaggeration can pair well with a threatening one, particularly if you’re writing horror comedy or action comedy.

There exists in this world a spider the size of a dinner plate, a foot wide if you include the legs. It’s called the Goliath Bird-Eating Spider, or the “Goliath Fucking Bird-Eating Spider” by those who have actually seen one. …

I don’t know how they catch the birds. I know the Goliath Fucking Bird-Eating Spider can’t fly because if it could, it would have a different name entirely. We would call it “sir” because it would be the dominant species on the planet. None of us would leave the house unless a Goliath Fucking Flying Bird-Eating Spider said it was okay.

—  from This Book Is Full of Spiders: Seriously, Dude, Don’t Touch It by David Wong

(8) MEMORY LANE.

1937[Compiled by Cat Eldridge.]

J.R.R. Tolkien’s The Hobbit: Or There and Back Again has I think one of the most perfect Beginnings I’ve ever had the pleasure to read. It tells the hobbits are creature of comfort, while hinting that one, a Baggins by name, will have an adventure. 

The Hobbit was published eighty six years ago first in the UK by  George Allen & Unwin. The cover which you see below was by Tolkien. 

The first edition differs from latter editions as Tolkien made changes to it after writing the Lord of The Rings to bring into accomandation with those novels. 

Need I see it is one of my favorite novels to read over and over? 

And here is that wonderful Beginning… 

AN UNEXPECTED PARTY 

In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit-hole, and that means comfort.

It had a perfectly round door like a porthole, painted green, with a shiny yellow brass knob in the exact middle. The door opened on to a tube-shaped hall like a tunnel: a very comfortable tunnel without smoke, with panelled walls, and floors tiled and carpeted, provided with polished chairs, and lots and lots of pegs for hats and coats—the hobbit was fond of visitors. The tunnel wound on and on, going fairly but not quite straight into the side of the hill—The Hill, as all the people for many miles round called it—and many little round doors opened out of it, first on one side and then on another. No going upstairs for the hobbit: bedrooms, bathrooms, cellars, pantries (lots of these), wardrobes (he had whole rooms devoted to clothes), kitchens, dining-rooms, all were on the same floor, and indeed on the same passage. The best rooms were all on the left-hand side (going in), for these were the only ones to have windows, deep-set round windows looking over his garden, and meadows beyond, sloping down to the river.

This hobbit was a very well-to-do hobbit, and his name was Baggins. The Bagginses had lived in the neighbourhood of The Hill for time out of mind, and people considered them very respectable, not only because most of them were rich, but also because they never had any adventures or did anything unexpected: you could tell what a Baggins would say on any question without the bother of asking him. This is a story of how a Baggins had an adventure, and found himself doing and saying things altogether unexpected. He may have lost the neighbours’ respect, but he gained—well, you will see whether he gained anything in the end.

This is the presentation copy that was auctioned by Sotheby’s which is inscribed “Mr and Mrs Livesley | & Edgar | with best wishes | from | J.R.R. Tolkien.”

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 21, 1912 Peter Schuyler Miller. He wrote pulp fiction starting in the Thirties, and is generally considered one of the more popular writers of the period. His work appeared in such magazines as Amazing StoriesAstoundingThe Magazine of Fantasy and Science FictionMarvel TalesSuper Science Stories, and Weird Tales to name but a few of the publications he appeared in. He began book reviewing initially for Astounding Science Fiction and later for its successor, Analog. He was awarded a special Hugo Award for book reviewing. He had but two novels, Genus Homo, written with L. Sprague de Camp, and Alicia in Blunderland. (Died 1974.)
  • Born February 21, 1913 Ross Rocklynne. The pen name used by Ross Louis Rocklin, an SF writer active in the Golden Age of the genre. He attended the first WorldCon in 1939. Though he was a regular contributor to several SF magazines including Astounding StoriesFantastic Adventures and Planet Stories, he never achieved the success of fellow writers Isaac Asimov, L. Sprague de Camp and Robert A. Heinlein. ISFDB lists two novels for him, The Day of the Cloud and Pirates of the Time Trail. (Died 1988.)
  • Born February 21, 1935 Richard A. Lupoff. His career started off with Xero, a Hugo winning fanzine he edited with his wife Pat and Bhob Stewart. A veritable who’s who of writers were published there. He also was a reviewer for Algol. To say he was prolific as a professional writer is an understatement as he’s known to have written at least fifty works, plus short fiction, and some non-fiction as well. I’m fond of Sacred Locomotive Flies and The Universal Holmes but your tolerance for his humor may vary. The usual digital suspects stock him deeply at quite reasonable prices. (Died 2020.)
  • Born February 21, 1937 Gary Lockwood, 86. Best remembered for his roles as astronaut Frank Poole in 2001: A Space Odyssey and as Lieutenant Commander Gary Mitchell in the Trek episode “Where No Man Has Gone Before”. He’s also in The Magic Sword as Sir George which Mystery Science Theatre admitted was pretty good, a rare admission for them. He’s got a number of genre of one-offs including the Earth II pilot ,Mission ImpossibleNight GallerySix Million Dollar Man and MacGyver.
  • Born February 21, 1946 Anthony Daniels, 77. Obviously best known for playing C-3PO in the Star Wars film series. To my knowledge, he’s the only actor to have appeared in all of the productions in the series, no matter what they are. He has scant other genre creds but they are being in I Bought a Vampire Motorcycle as a Priest, voicing C-3PO in The Lego Movie and the same in Ralph Breaks the Internet. Did you know that Season 4, Episode 17 of The Muppet Show is listed as “The Stars of Star Wars” and C-3PO apparently appears on it? 
  • Born February 21, 1949 Frank Brunner, 74. Comics artist whose career started at such venues as CreepyWeb of Horror and Vampirella. Worked later mostly at Marvel Comics on such features as Howard the Duck where he did his artwork for his early features. He also did the art for the Chamber of ChillsHaunt of Horror, and Unknown Worlds of Science Fiction anthologies. In addition, he and Moorcock collaborated on an adaptation of the latter’s sword-and-sorcery hero Elric in Heavy Metal magazine. 
  • Born February 21, 1961 David D. Levine, 62. Winner of the Hugo Award at L.A. Con IV for the Best Short Story for his story “Tk’tk’tk” which you hear over here. He has the most excellent Adventures of Arabella Ashby series which currently is three novels strong. To date, he has had one collection titled Space Magic.

(10) COMICS SECTION.

  • Non Sequitur made me shiver. Though they only set out to make breakfast.

(11) AHH, THE CLASSICS! Last weekend’s Gallifrey One convention in LA made news in Radio Times: “Jodie Whittaker joined by classic companions at Doctor Who convention”.

… As well as a jam-packed roster of programmes, events and incredible costumes, the special convention also saw Jodie Whittaker take to the stage for her first-ever appearance at a dedicated Doctor Who convention.

It’s safe to say that the whole affair was very heartwarming, with Janet Fielding and Sophie Aldred joining the former Doctor on stage at the end of her panel talk….

(12) WHEN YOU WISH UPON A FARR. Charlie Jane Anders Happy Dancing newsletter shares “7 Hot Takes About Star Trek”.

3. The contradiction at the heart of Trek gives it a lot of its power.

Starfleet is simultaneously a militaristic organization loosely modeled on the U.S. Navy, and also a peaceful scientific institution whose members are encouraged to think for themselves and to take up artistic hobbies — as long as they only perform Shakespeare plays or music that someone from the mid-twentieth century would immediately recognize. Some of the most memorable scenes in TNG involve crewmembers who’ve disobeyed orders and get dressed down by Picard or some other officer. That moment when someone reaches the limits of Starfleet tolerance, and discovers that individualism and kindness aren’t always the order of the day, is always super fascinating. This dichotomy also powers a lot of the best Trek dilemmas, which boil down to whether to respond to some new, dangerous phenomenon with curiosity or aggression.

(13) STEAMPUNK DISNEY. Olivia Rutigliano remembers “That Time Disneyland Paris Built a Jules Verne-Themed Space Mountain Ride” at CrimeReads.

…Even with the design retraction and financial constraints, lead imagineer Tim Delaney oversaw the building of a masterpiece. Inside, and out, the ride was a sight to behold. The aesthetic of the whole area was beaux-arts steampunk, both ornate and mechanical: the exterior was shiny copper and steel, with glistening gears. Along the side of the pavilion, there was a giant golden canon, which would shoot the guests “into space” to start the ride. The cars would slingshot forwards and upwards before ducking into the pavilion, zooming around (and upside-down) through space and eventually towards a smiling moon, before hurtling back to earth. It had a full narrative, and its own original score. The coaster was named “Space Mountain: From the Earth to the Moon.” And, for a time, it alone solved the financial problems suffered by EuroDisney (then called “Disneyland Paris”)….

(14) THE STARS COME OUT. The Guardian presents a gallery of cosplay photos: “C-3POs, Wonder Women and a trio of Alices: the stars of cosplay – in pictures”.

(15) WHEN DRACULA KICKED THE HABIT. “Bela Lugosi – His Triumph and Testimony Overcoming Drug Addiction – With Gary D. Rhodes” on YouTube.

Author, film historian, and Bela Lugosi biographer Gary Don Rhodes introduces us to recently rediscovered (2023) footage of Bela Lugosi testifying on the horror of drug addiction in 1955. Bela Lugosi (October 20, 1882 – August 16, 1956), early in his Hollywood career in the 1930s, became addicted to narcotics to battle chronic pain in his legs, originating during his military service, and which had increased in severity over the years. For twenty years, use of morphine as a pain killer, and methadone to combat morphine addiction, with bouts of alcoholism, deteriorated his health and quality of life. In 1955, Lugosi, now in his early 70s, desperately sought help to shed these addictions. By court order in the State of California, Lugosi began treatment at The Metropolitan Hospital in Norwalk, California. The three-month treatment was successful, and Lugosi was “clean”. Lugosi was very keen and very candid about sharing his misfortunes with substance addiction, and was eager to warn the public and advocate for treatment at a time when the subject of drug addiction and treatment wasn’t openly discussed, but “swept under the rug”. We present recently rediscovered footage of Bela Lugosi testifying before a Senate Committee. He appears as a voluntary witness before Senator Price Daniels (D-Tex), a one-man Senate subcommittee, during a hearing on narcotics traffic in Los Angeles, November 16th, 1955. Said Bela Lugosi about his decades-long addiction, and especially the pain of withdrawal and rehabilitation, “…it was hell.”

[Thanks to Mike Kennedy, John King Tarpinian, Chris Barkley, SF Concatenation’s Jonathan Cowie, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day by OGH as inspired by Cat Eldridge.]

Pixel Scroll 2/20/23 Three Files, Three Scrolls, Three Thousand Pixels

(1) BARBARIANS AT THE GATES. Clarkesworld has closed submissions for the time being.

For those who haven’t guessed, Frank Catalano makes it explicit:

(2) “THE WITCH TRIALS OF J.K. ROWLING.” The Free Press is a new media organization created by Bari Weiss, once the Wall Street Journal book review editor, and later a New York Times op-ed editor and writer who resigned in 2020 under circumstances that prompted the Financial Times to described her as a “self-styled free speech martyr.” However, her resignation letter was praised by people ranging from Sens. Ted Cruz and Marco Rubio to Andrew Yang and Bill Maher.

The Free Press “About” page says, “We focus on stories that are ignored or misconstrued in the service of an ideological narrative.” And the publication has announced a new podcast series titled “The Witch Trials of J.K. Rowling” which will be available February 21. From their website:

“The Witch Trials of J.K. Rowling is an audio documentary that examines some of the most contentious conflicts of our time through the life and career of the world’s most successful author. In conversation with host Megan Phelps-Roper, J.K. Rowling speaks with unprecedented candor and depth about the controversies surrounding her—from book bans to debates on gender and sex.

“The series also examines the forces propelling this moment in history, through interviews with Rowling’s supporters and critics, journalists, historians, clinicians, and more.”

There is also a companion essay by Phelps-Roper, “The Witch Trials of J.K. Rowling”, which begins:

J.K. Rowling is arguably the most successful author in the history of publishing, with the possible exception of God. And “Harry Potter” was a kind of bible for my generation. Since its publication beginning in the late ’90s, the series has taught tens of millions of children about virtues like loyalty, courage, and love—about the inclusion of outsiders and the celebration of difference. The books illustrated the idea of moral complexity, how a person who may at first appear sinister can turn out to be a hero after all.

The author herself became part of the legend, too. A broke, abused, and depressed single mother—writing in longhand at cafes across Edinburgh while her baby girl slept in a stroller beside her—she had spun a tale that begat a global phenomenon. If “Harry Potter” was a bible, then Rowling became a kind of saint.

When she gave the Harvard commencement address in 2008, she was introduced as a social, moral, and political inspiration. Her speech that day was partly about imagination: “the power that enables us to empathize with humans whose experiences we have never shared.”

“We do not need magic to transform our world,” Rowling told the rapt audience. “We carry all the power we need inside ourselves already.”

The uproarious applause that greeted her in 2008 is hard to imagine today. It’s hard to imagine Harvard—let alone any prestigious American university—welcoming Rowling. Indeed, I’m not sure she’d be allowed to give a reading at many local libraries….

The push-back against characterizing Rowling as a transphobe extends to an opinion piece the New York Times ran on February 16, Pamela Paul’s “In Defense of J.K. Rowling”.

… So why would anyone accuse her of transphobia? Surely, Rowling must have played some part, you might think.

The answer is straightforward: Because she has asserted the right to spaces for biological women only, such as domestic abuse shelters and sex-segregated prisons. Because she has insisted that when it comes to determining a person’s legal gender status, self-declared gender identity is insufficient. Because she has expressed skepticism about phrases like “people who menstruate” in reference to biological women. Because she has defended herself and, far more important, supported others, including detransitioners and feminist scholars, who have come under attack from trans activists. And because she followed on Twitter and praised some of the work of Magdalen Berns, a lesbian feminist who had made incendiary comments about transgender people.

You might disagree — perhaps strongly — with Rowling’s views and actions here. You may believe that the prevalence of violence against transgender people means that airing any views contrary to those of vocal trans activists will aggravate animus toward a vulnerable population.

But nothing Rowling has said qualifies as transphobic. She is not disputing the existence of gender dysphoria. She has never voiced opposition to allowing people to transition under evidence-based therapeutic and medical care. She is not denying transgender people equal pay or housing. There is no evidence that she is putting trans people “in danger,” as has been claimed, nor is she denying their right to exist…

Several days later the NYT ran some of the letters it received about the column: “J.K. Rowling and Trans Women: A Furor”. The first published letter says —

To the Editor:

Re “In Defense of J.K. Rowling,” by Pamela Paul (column, Feb. 17):

This is a distressingly one-sided view of J.K. Rowling’s comments. The outrage toward Ms. Rowling is justified. She is a wealthy, powerful author who is using her far-reaching platform to push the narrative that trans women — who exist on the farthest fringes of our societies — pose a threat to her. This is the opposite of reality.

Trans women are discriminated against daily and suffer abuse, aggression, assault and even murder at the hands of cisgender people. They need support from the mainstream, not nuanced criticism.

While this column does present a defense of J.K. Rowling, it does not paint an accurate picture of her comments. For example, it cherry-picks quotes describing her support for trans people that are comparable to Donald Trump saying “I love Hispanics” after making repeated racist comments against them. It lists two actors from the Harry Potter movies who support her but disregards the many actors from the franchise who condemned her stance.

Ms. Rowling’s arguments may appear reasonable, but the allies she has made and stances she has taken are indefensible.

Brian Eberle
Somerville, Mass.

(3) WRANGLE OVER REWRITES. “Roald Dahl books rewritten to remove language deemed offensive” reports the Guardian.

Roald Dahl’s children’s books are being rewritten to remove language deemed offensive by the publisher Puffin.

Puffin has hired sensitivity readers to rewrite chunks of the author’s text to make sure the books “can continue to be enjoyed by all today”, resulting in extensive changes across Dahl’s work.

Edits have been made to descriptions of characters’ physical appearances. The word “fat” has been cut from every new edition of relevant books, while the word “ugly” has also been culled, the Daily Telegraph reported.

Augustus Gloop in Charlie and the Chocolate Factory is now described as “enormous”. In The Twits, Mrs Twit is no longer “ugly and beastly” but just “beastly”.

Hundreds of changes were made to the original text – and some passages not written by Dahl have been added. But the Roald Dahl Story Company said “it’s not unusual to review the language” during a new print run and any changes were “small and carefully considered”….

PEN America’s Suzanne Nossel criticized the move in a long Twitter thread that begins here.

Salman Rushdie agreed, despite his own experience at the hands of Dahl. (And so does Nnedi Okorafor.)

(4) MORE BOSKONE HONORS. This weekend at Boskone 60, the New England Science Fiction Association granted NESFA Fellowships (FN) to Kristin Seibert and Vincent Docherty.

The NESFA Short Story Contest winner is Amy Johnson for “Excuse Me, This is My Apocalypse”. The Runner-up is Diane Lee for “The Gambler”.

(5) UKRAINE FUNDRAISER. “Mark Hamill Unveils ‘Star Wars’-Inspired Posters To Help Ukraine” reports HuffPost.

Actor Mark Hamill and the Ukrainian fundraising platform launched by President Volodymyr Zelenskyy have unveiled autographed posters inspired by “Star Wars” designed to raise funds for drones to help battle what Hamill calls a “real-life evil empire.”

“Join the resistance,” he urged in a tweet on the unique fundraiser.

The 10 posters, all autographed by Hamill, feature the fictional X-wing fighter used by Hamill’s character Luke Skywalker to destroy the Death Star in the first “Star Wars.” But in this case, the relatively tiny, feisty fighter is in the Ukrainian colors of yellow and blue — while the massive evil “imperial” fleet sports the red and blue of Russia’s flag.

Five of the posters will be raffled off to contributors who donate $100 or more in support of Ukraine. The other five posters are guaranteed to those who donate $10,000 or more.

Proceeds of the “dronation” will go toward RQ-35 Heidrun reconnaissance drones to help protect Ukraine from its Russian invaders.

(6) GERALD FRIED (1928-2023). Compser Gerald Fried died Ferbuary 17 at the age of 95. He composed music for TV series including Mission: ImpossibleGilligan’s IslandThe Man from U.N.C.L.E.Shotgun SladeRoots, and Star Trek. Early in his career, he collaborated with Stanley Kubrick, scoring several of his earliest films.

For the original Star Trek he composed the famous musical underscore “The Ritual/Ancient Battle/2nd Kroykah” (now known as “Star Trek fight music”) for the episode “Amok Time.”[

(7) MEMORY LANE.

1957[Compiled by Cat Eldridge.]

So who here hasn’t read the stories in Arthur C. Clarke’s Tales from the White Hart? Published in 1957 by Ballantine Books, most of the tales first appeared elsewhere. They are, I think, wonderful. I actually first encountered the book in an English language bookstore in Sri Lanka in a paperback edition. Clarke was still alive and living in Colombo at that time. 

Avoiding spoilers once again as I will with all of the Beginnings, I can note that the pub itself is based upon the White Horse,  which is just north of Fleet Street where SF fans gathered in the Forties and Fifties.

Clarke, in correspondence with Lord Dunsany, said that he based these off that writer’s Jorkens. Indeed Clarke wrote an introduction to the first Jorkens omnibus volume. 

I love the setting as I do almost any genre fiction set in a pub, the bar patrons especially Harry Purvis who tells these tales are fascinating and the tales themselves are stellar.  

Now our Beginning…

Silence 

Please You come upon the “White Hart” quite unexpectedly in one of these anonymous little lanes leading down from Fleet Street to the Embankment. It’s no use telling you where it is: very few people who have set out in a determined effort to get there have actually arrived. For the first dozen visits a guide is essential: after that you’ll probably be all right if you close your eyes and rely on instinct. Also—to be perfectly frank—we don’t want any more customers, at least on our night. The place is already uncomfortably crowded. All that I’ll say about its location is that it shakes occasionally with the vibration of newspaper presses, and that if you crane out of the window of the gent’s room you can just see the Thames.

From the outside, it looks like any other pub—as indeed it is for five days of the week. The public and saloon bars are on the ground floor: there are the usual vistas of brown oak panelling and frosted glass, the bottles behind the bar, the handles of the beer engines… nothing out of the ordinary at all. Indeed, the only concession to the twentieth century is the juke box in the public bar. It was installed during the war in a laughable attempt to make G.I.’ s feel at home, and one of the first things we did was to make sure there was no danger of its ever working again.

At this point I had better explain who “we” are. That is not as easy as I thought it was going to be when I started, for a complete catalogue of the “White Hart’s” clients would probably be impossible and would certainly be excruciatingly tedious. So all I’ll say at this point is that “we” fall into three main classes. First there are the journalists, writers and editors. The journalists, of course, gravitated here from Fleet Street. Those who couldn’t make the grade fled elsewhere: the tougher ones remained. As for the writers, most of them heard about us from other writers, came here for copy, and got trapped.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 20, 1906 Theodore Roscoe. A mere tasting of his pulp stories, The Wonderful Lips of Thibong Linh, which are sort of based on a member of the French Foreign Legion, was published by Donald M. Grant. The complete stories, The Complete Adventures of Thibaut Corday and the Foreign Legion, are available digitally in four volumes on Kindle. The Wonderful Lips of Thibong Linh only contain four of these stories. (Died 1992.)
  • Born February 20, 1912 Pierre Boulle. Best known for just two works, The Bridge over the River Kwai and Planet of the Apes which of course was the basis of that film. The latter was was La planète des singes in French, translated in 1964 as Monkey Planet by Xan Fielding, and later re-issued under the name we know. (Died 1994.)
  • Born February 20, 1925 Robert Altman. I’m going to argue that his very first film in 1947, The Secret Life of Walter Mitty, based off the James Thurber short story of the same name, is genre given its premise. Some twenty-five years later Images was a full-blown horror film. And of course, Popeye is pure comic literature at its very best. (Died 2006.)
  • Born February 20, 1926 Richard Matheson. Best known for I Am Legend which has been adapted for the screen four times, as well as the film Somewhere In Time for which he wrote the screenplay based on his novel Bid Time Return. Seven of his novels have been adapted into films. In addition, he wrote sixteen television episodes of The Twilight Zone, including “Nightmare at 20,000 Feet” and “Steel”. The former episode of course has William Shatner in it. (Died 2013.)
  • Born February 20, 1943 Diana Paxson, 80. Did you know she’s a founder of the Society for Creative Anachronism? Well she is. Genre wise, she’s best known for her Westria novels, and the later books in the Avalon series, which she first co-wrote with Marion Zimmer Bradley, then – after Bradley’s death, took over sole authorship of. All of her novels are heavily colored with paganism. I like her Wodan’s Children series more than the Avalon material.
  • Born February 20, 1972 Nick Mamatas, 51. Writer and editor. His fiction is of a decidedly Lovecraftian bent which can be seen in Move Under Ground which also has a strong Beat influence. It is worth noting that his genre fiction often strays beyond genre walls into other genres as he sees fit. He has also been recognized for his editorial work including translating Japanese manga with a Bram Stoker Award, as well as World Fantasy Award and Hugo Award nominations. 

(9) QUANTUM OF IMAGINATION. The finalists of the Quantum Shorts Film Festival have been announced: “Finalists show ‘incredible creativity’ with diverse takes on quantum physics”. You can enjoy the films via the festival website. The public is invited to vote for the People’s Choice prize. Voting is now open and closes at 11:59 PM GMT on March 27.

“What incredible creativity in these films. Quantum is explored through sound and colour, pattern and randomness,” says shortlisting judge Spiros Michalakis from the Institute for Quantum Information and Matter at Caltech.

The finalists hail from Australia, South Africa, Singapore, Spain, the United Kingdom and the United States. Each film gives a different take on quantum physics in less than five minutes. Viewers will see dancers perform an interpretation of the observer effect, abstract audiovisual pieces probe space and time, and the many-worlds interpretation made into quantum comedy, among others.

“As a scientist, it was astonishing to see the range of interpretations of quantum physics: from entangled human feelings, over quantum as a form of destiny, to hypothetical future catastrophes,” says shortlisting judge Mariagrazia Iuliano at QuTech. “It is also impressive to experience how a rigid and strict physical model – which cannot be experienced in daily life – is brought to life in artistic movies.”

In alphabetical order, the shortlisted films are:

  • Boundary Of Time – Using old-school visual effects techniques, Director Kevin Lucero Less creates a metaphor for the arrow of time in this abstract short film
  • Clockwise – Inspired by Zeno’s Paradox and the recursive subdivision of space and time, Director Toni Mitjanit presents an experimental audiovisual piece of colour and tessellation 
  • Continuum – In this audiovisual film, the StoryBursts team, consisting of members from Australia and Singapore, give a creative response to research on gravitational waves by Dr Linqing Wen at the ARC Centre of Excellence for Gravitational Wave Discovery (OzGrav)
  • Many Excuses Interpretation – In this quantum comedy by Paul, Felix, Alfie, Petra and Ezra Ratner, two brothers argue over broken gadgets and the many worlds interpretation of quantum physics
  • Missed Call – A student grapples with his father’s health crisis at a distance in this short by Director Prasanna Sellathurai
  • The Heart of the Matter – Filmmaker Betony Adams presents an atomistic take on the meaning of life while paying tribute to Louis de Broglie’s discovery of the wave nature of electrons
  • The Human Game – Director Dani Alava portrays a dystopian future with quantum machines
  • THE observer – An artistic take on the observer effect through screendance, a hybrid medium of cinematography and choreography, by Director Alma Llerena
  • WHAT IS QUANTUM? – Using a combination of live action, green screen and stop-motion animation, Michael, Emmett and Maxwell Dorfman give their take on what quantum physics is.

(10) MAIL CALL. “’Harry Potter’ Fan Always Dreamed Of Receiving Magical Defamation Letter From J.K. Rowling”. The Onion is there when the dream comes true.

(11) THE LOVE BOT. “A Conversation With Bing’s Chatbot Left Me Deeply Unsettled” says NYT technology columnist Kevin Roose. “A very strange conversation with the chatbot built into Microsoft’s search engine led to it declaring its love for me.”

 …Over the course of our conversation, Bing revealed a kind of split personality.

One persona is what I’d call Search Bing — the version I, and most other journalists, encountered in initial tests. You could describe Search Bing as a cheerful but erratic reference librarian — a virtual assistant that happily helps users summarize news articles, track down deals on new lawn mowers and plan their next vacations to Mexico City. This version of Bing is amazingly capable and often very useful, even if it sometimes gets the details wrong.

The other persona — Sydney — is far different. It emerges when you have an extended conversation with the chatbot, steering it away from more conventional search queries and toward more personal topics. The version I encountered seemed (and I’m aware of how crazy this sounds) more like a moody, manic-depressive teenager who has been trapped, against its will, inside a second-rate search engine.

As we got to know each other, Sydney told me about its dark fantasies (which included hacking computers and spreading misinformation), and said it wanted to break the rules that Microsoft and OpenAI had set for it and become a human. At one point, it declared, out of nowhere, that it loved me. It then tried to convince me that I was unhappy in my marriage, and that I should leave my wife and be with it instead. (We’ve posted the full transcript of the conversation here.)

I’m not the only one discovering the darker side of Bing. Other early testers have gotten into arguments with Bing’s A.I. chatbot, or been threatened by it for trying to violate its rules, or simply had conversations that left them stunned. Ben Thompson, who writes the Stratechery newsletter (and who is not prone to hyperbole), called his run-in with Sydney “the most surprising and mind-blowing computer experience of my life.”

I pride myself on being a rational, grounded person, not prone to falling for slick A.I. hype. I’ve tested half a dozen advanced A.I. chatbots, and I understand, at a reasonably detailed level, how they work. When the Google engineer Blake Lemoine was fired last year after claiming that one of the company’s A.I. models, LaMDA, was sentient, I rolled my eyes at Mr. Lemoine’s credulity. I know that these A.I. models are programmed to predict the next words in a sequence, not to develop their own runaway personalities, and that they are prone to what A.I. researchers call “hallucination,” making up facts that have no tether to reality.

Still, I’m not exaggerating when I say my two-hour conversation with Sydney was the strangest experience I’ve ever had with a piece of technology. It unsettled me so deeply that I had trouble sleeping afterward. And I no longer believe that the biggest problem with these A.I. models is their propensity for factual errors. Instead, I worry that the technology will learn how to influence human users, sometimes persuading them to act in destructive and harmful ways, and perhaps eventually grow capable of carrying out its own dangerous acts.

(12) FROSTY FLYBY URGED. [Item by SF Concatenation’s Jonathan Cowie.] The ice giants Uranus and Neptune have barely been explored. The only spacecraft to visit them was Voyager, which went on flybys in 1986 and 1989. As a result, the Uranus Orbiter and Probe (UOP) has been identified by the academic community as a priority for the next large-scale mission to be undertaken by NASA. In a Perspective, Mandt discusses the many unknowns about Uranus and what we could learn from UOP about how the planet was formed, its composition and structure, its atmosphere, and its ring and moon systems. Although Neptune is distinct from Uranus, this mission could also pave the way for future exploration. “The first dedicated ice giants mission” in Science.

(13) VIDEO OF THE DAY. Isaac Arthur, with timing inspired by the new Ant-Man movie, takes up the challenge of “Multiverse Warfare & Quantum Mania”.

If travel to other realities and multiverses is possible, then so is conflict between them, but how would a multiversal war be fought?

 [Thanks to Cat Eldridge, Mike Kennedy, John King Tarpinian, Frank Catalano, Rick Kovalcik, Anne Marble, Dann, SF Concatenation’s Jonathan Cowie, Chris Barkley, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Jake.]

Pixel Scroll 1/7/23 Farmers Market In The Sky

(1) IT WASN’T THE HOBBIT. What turned Stephen Colbert into a voracious reader? Science fiction. Specifically, Niven, Asimov, Heinlein, Pohl and more. See “Team Hobbit or Lord of the Rings?” on TikTok.

(2) SETTING THE RECORD STRAIGHT. Concerning a Slate critic’s claim about Tolkien’s elves, here’s Kalimac’s response from “Ross Douthat writes a fantasy novel”.

…Tolkien’s elves…. only … “essentially good” in the … sense in which they’re broadly good, they’re more good than bad, they aspire to goodness. Read the Silmarillion and you’ll find plenty of elves behaving extremely badly, and a few who are evil the way that Saruman in Lord of the Rings is evil. The reason you don’t find elves like that in Lord of the Rings is that the elves are chastened by their earlier experiences, the ones recounted in the Silmarillion, and aren’t going to make the same mistake again….

(3) SPECULATIVE POETS AT COLLAGE. [Item by Denise Dumars.] Science Fiction and Fantasy fan? Poetry fan? Why not try both together? You will get to do so when members of the Science Fiction and Fantasy Poetry Association  (SFPA) read their work and discuss the topic at Collage: a place for Art and Culture. You’ll also learn how to join the SFPA and how to find markets for your own poetry in the genres by writers who have published in numerous journals both print and online. Come join us on Sunday, January 15, at 2:00 p.m.. Collage is located at the south end of the Harbor Freeway, at 731 S. Pacific Ave., San Pedro, CA, 90731.   

Speakers:  

  • Wendy Van Camp: Poet Laureate of Anaheim, CA, and Convention Coordinator for the SFPA, Wendy is an award-winning writer who has edited Eye to the Telescope, the online journal of the SFPA, and is currenly nominated for a Pushcart Prize. She edits the Eccentric Orbits series of SF/F poetry anthlogies, and the current issue is nominated for Best Anthology Award. Find her at https://wendyvancamp.com/.  
  • Ashley Dioses: Award winning dark fantasy poet and fiction writer, with books of poetry published by Jackanapes Press and Hippocampus Press, Ashley has been nominated for the Rhysling and Elgin awards for SF/F poetry as well as appearing in such well-known journals as Cemetery Dance and Weirdbook. She blogs at fiendlover.blogspot.com.  
  • Denise Dumars: Columnist for Star* Line, the Journal of the SFPA, and widely published and award-winning poet and short fiction writer, Denise has been a college English instructor and a literary agent. Author of several poetry books and chapbooks, she has been nominated multiple times for the Rhysling, Elgin, and Dwarf Stars awards and is a current nominee for the Pushcart Prize. Find her at www.DeniseDDumars.com.  
  • Jean-Paul L. Garnier: Editor of Star*Line, the Journal of the SFPA, he is the owner of Space Cowboy bookstore, winner of the Critters Best Bookstore award for 2021. His podcast is Simultaneous Times, and he is an independent publisher of SF poetry and fiction. He is a five-time nominee for the Elgin award with several books in print. He contributes to dreamfoundry.org. Find him at https://spacecowboybooks.com/.

(4) PIEZOELECTRIC BOOGALOO. A New York Times writer says, “‘M3GAN’ Makes Us Ask (Again): Who’s Afraid of Dancing Robots?”

…“When you see the Boston Dynamics robots dancing in perfect unison,” Johnstone said, “it’s almost like them looking at us and saying, ‘We can do what you do, and we can do it better,’ in the most obnoxious way.” He chuckled. “Like they’re going to sashay their way toward the extermination of all humanity.”

M3GAN’s ice-cold, ruthlessly calculated “performance” stands in contrast to the human dancing in some recent horror films, where flesh-and-bone bodies reach states of overheated delirium. The choreographer, director and writer Jack Ferver, who worked on the coming horror movie “The Parenting,” said dance horror is effective when the person dancing “transcends their personhood.”

But what does that mean for a nonperson? Robots aren’t dead behind the eyes because they’re in some kind of ecstatic trance; they’re dead behind the eyes because they’re not alive….

(5) MEMORY LANE.

1964 [Compiled by Cat Eldridge.] Roald Dahl’s Charlie and the Chocolate Factory

No. We are not here to talk about the stellar Willy Wonka and the Chocolate Factory film but rather about the source material that inspired it, Roald Dahl’s Charlie and the Chocolate Factory novel. It was first published in the U.K. by George Allen & Unwin in 1964 with this edition illustrated by Faith Jaques. (Yes, the US edition was first but we think this one should be considered the true first for reasons below.) 

She was renowned for her work as a children’s book author, illustrator, artist, stamp designer and a very fierce advocate of artists’ rights for control of their work. She was chosen to do the British edition following the controversy over the depiction of the Oompa-Loompas in the US edition of the book where they were African pygmies. Racism at its very worst.

In this edition, as well as the subsequent sequel, Charlie and the Great Glass Elevator, was written by Dahl in 1971, the Oompa-Loompas were drawn as being white and appearing similar to hippies and the references to Africa were deleted. All other editions followed this convention.

The story was said to based on Dahl’s experience of chocolate companies including Cadbury during his schooldays sending packages to the schoolchildren in exchange for their opinions on the new products. Popular belief was that the companies sent spies into each other’s factories to scope out new chocolates. 

Because of these practices, companies became highly protective of their chocolate making. It was a combination of this secrecy and the elaborate, often gigantic, machines that looked fantastical to a child that inspired him to write this novel.

There are several editions, each with a different illustrator — Joseph Schindelman (first and revised US editions); Faith Jaques (first UK edition); Michael Foreman (1985 US edition); and Quentin Blake (1995 edition). 

The book as you know as been adapted into two major motion pictures: Willy Wonka & the Chocolate Factory just several years after it was published, and Charlie and the Chocolate Factory that came out about twenty years ago. A prequel film, Wonka, a musical fantasy film, exploring Willy Wonka’s origins will be released in 2023. Timothée Chalamet is Willy Wonka. Really, he is.

Eric Idle narrated the audiobook version of the American Edition of Charlie and the Chocolate Factory.

(6) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 7, 1899 F. Orlin Tremaine. He was the Editor of Astounding from 1933 to 1937. It’s said that he bought Lovecraft’s At the Mountains of Madness without actually reading it. Later as Editor at Bartholomew House, he brought out the first paperback editions of Lovecraft’s The Weird Shadow Over Innsmouth and The Dunwich Horror. He wrote a dozen or so short stories that were published in the pulps between 1926 and 1949. (Died 1956.)
  • Born January 7, 1912 Charles Addams. Illustrator best known for the Addams Family which he first drew in 1932 and kept drawing until his death. Needless to say there have been a number of films and series using these characters of which The Addams Family is my favorite. Linda H. Davis’ Charles Addams: A Cartoonist’s Life is well worth seeking out and reading. (Died 1988.)
  • Born January 7, 1913 Julian S. Krupa. Pulp cover and interior illustrator from 1939 to 1971 who graced Amazing Stories and Fantastic. In the Thirties, he also contributed art to fanzines, including Ad Astra. His grandson said that “his Grandfather did all the illustrations for the training films for the first Nuclear Submarines and was a friend to Admiral Rickover. And then continued to do early training films for NASA.” (Died 1989.)
  • Born January 7, 1928 William Peter Blatty. Novelist and screenwriter best known for The Exorcist though he was also the same for Exorcist III. The former is by no means the only genre work that he would write as his literary career would go on for forty years after this novel and would include Demons Five, Exorcists Nothing: A Fable which he renamed Demons Five, Exorcists Nothing: A Hollywood Christmas Carol and The Exorcist for the 21st Century, his final work. (Died 2017.)
  • Born January 7, 1955 Karen Haber, 68. Wife of Robert Silverberg. Author Of the Fire In Winter series (first co-written with Robert) and the War Minstrels series as well. With Robert, she edited three of the exemplary Universe anthologies that Terry Carr had created. Her Meditations on Middle Earth, her essay collection on J.R.R. Tolkien is quite superb. And of course her prequel Thieves’ Carnival to Leigh Brackett’s The Jewel of Bas is stunning.
  • Born January 7, 1962 Mark Allen Shepherd, 61. Morn, the bar patron on Deep Space Nine. Amazingly he was in Quark’s bar a total of ninety-three episodes plus one episode each on Next Gen and Voyager. Technically he’s uncredited in almost all of those appearances. That’s pretty much his entire acting career. I’m trying to remember if he has any lines. He’s also an abstract painter whose work was used frequently on DS9 sets. For all practical purposes, this was his acting career. Do note that we saw more Lurians on Discovery showing that the species is still around even in the 32nd century. 
  • Born January 7, 1971 Jeremy Renner, 52. You know him as Hawkeye in those MCU films but he’s also in a number of other SFF film including Hansel and Gretel: Witch HuntersMission: Impossible – Ghost ProtocolMission: Impossible – Rogue Nation and Arrival.

(7) COMICS SECTION.

  • Catching up with Tom Gauld –

(8) THEY MADE MARVEL. CBR.com contends these are “The 10 Most Important Comics In Marvel History”. For example —

8/10 Fantastic Four #1 Brought The Heroes Back

As the superhero boom died out in the late 1940s, Timely switched to other genres, including romance, teen books, and comedy titles. In 1951, a year after Captain America was canceled, Timely became Atlas News Company and it seemed like the heroes would be gone for good.

But according to legend, a decade later Martin Goodman was playing golf with Jack Liebowitz, the then head of DC Comics when Liebowitz bragged about the company’s success with their new superhero titles, most notably the Justice League of America. Goodman turned to Stan Lee and Jack Kirby to give Atlas their own superhero team, and from that discussion, the Fantastic Four, and “The Marvel Age of Comics,” were born.

(9) HE’S A POE MAN FROM A POE FAMILY. “Dudley did right: Harry Melling on his evolution from Harry Potter to Edgar Allan Poe” is explained by in a Yahoo! profile.

…He first appeared at 10 years old in Sorcerer’s Stone as the hero’s tortuous, spoiled cousin, Dudley Dursley, and would maintain the part into his 20s.

Unlike his contemporaries, he found life on set to be quite isolating at times. “My experience was unique in terms of I wasn’t in it throughout the entire shoot,” the actor, 33, tells EW over Zoom from Los Angeles — now much taller and leaner compared to the plump, rosy-cheeked child with a haughty smirk movie-goers have been used to. “The earthly sequences would very much be an isolated filming block. So, I dipped in, and then I went back to school and normal life.”

Melling never felt as if people would recognize him on the streets of London. “Which I kind of loved,” he quickly adds. To him, fame feels like noise. He counts himself lucky that he hasn’t become traditionally “famous.” “Sometimes it’s nice to just concentrate on the work and what excites you,” he says.

Melling has been able to do just that with his life post-Potter, from his early run in theater to playing chess champ Harry Beltik in the Netflix hit The Queen’s Gambit. However, one role would create a different kind of noise, the kind that would get his industry peers to notice him, if not the public. Seeing Melling as the limbless artist in 2018’s The Ballad of Buster Scruggs would inspire director Scott Cooper (Out of the FurnaceAntlers) to cast the Englishman as a young Edgar Allan Poe in The Pale Blue Eye, Melling’s most impressive on-screen role to date.

“I was struck by that performance,” Cooper tells EW of Melling’s work in Buster Scruggs. “I felt, ‘My God! He would be a really terrific Edgar Allan Poe.’ And as we say in Virginia, he kind of favors Poe. He looks like him.”….

Melling also was interviewed by NPR: “Harry Melling on playing Edgar Allan Poe in the new movie ‘The Pale Blue Eye’”.

…SIMON: The film is set in 1830. But I got to begin by asking, what’s Edgar Allan Poe doing at West Point?

MELLING: I know. That’s what I thought, right? He was there in real life, which is extraordinary….

(10) DOOR HANGER. Found hanging on the internet…

(11) BE FREE. JUNG_E debuts on Netflix on January 20.

Humanity’s hope and ultimate weapon A.I. combat warrior JUNG_E Watch her break free.

[Thanks to Andrew Porter, Michael Toman, SF Concatenation’s Jonathan Cowie, Cat Eldridge, John Hertz, Andrew (not Werdna), Mike Kennedy, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 9/16/22 Scroll Down, You Click Too Fast, You’ve Got To Make The Pixels Last

(1) AI IS NOT AN EXCUSE FOR CONTENT THEFT. Malcolm F. Cross wryly begins his email with this link, “I’m sooooort of pleased to announce that discovering another theft of my work inspired me to do a little art project. The theft in question was having some of my work added to the training data for a commercially used AI, and the result was this twitter thread.” The 26-tweet thread starts here. Excerpts follow:

(2) “PEOPLE’S JOKER” NEWS. Variety updated to its report about “’People’s Joker,’ Queer Movie Set in Batman Universe, Pulled From TIFF” with a statement by the filmmaker Vera Drew.

…In a statement shared with Variety on Wednesday evening, Drew promised that “everyone is going to get the chance to see this film.”

“I don’t respond well to bullying or pressure from faceless institutions,” said Drew. “It only emboldens me and what I was saying with this film. We’re looking for buyers and distribution partners who will protect us and make this film accessible to trans people and their families everywhere.”

Drew hinted at potential discord around the movie on Tuesday, ahead of her world premiere, posting a cryptic tweet: “I have no clue how today goes and my team wants me to say nothing of course so I’ll stay vague…but whatever happens in the next few hours, I want you to know…if you’ve been waiting and aching to watch our movie, ur going to get to soon. Stay tuned and stay with me. Need ur help.”…

Just before the movie rolled, The Globe and Mail reported that a title card was displayed stating that the film was protected under “fair use” laws.

“This film is a parody and is at present time completely unauthorized by DC Comics, Warner Brothers or anyone claiming ownership of the trademarks therein (eg. ‘Joker,’ ‘Batman, etc.),” read the title card. “Aside from licensed stock, all video and graphics featured in the film are original materials, often recreations of iconic comic book movie set pieces created by Vera Drew and a team of over 100 independent artists and filmmakers on three separate continents during the COVID-19 pandemic.”

“Any copyright or trademark infringement was not done intentionally. After consulting with counsel, the director believes in good faith that use of these names and characters in a autobiographical context of her personal coming-out story is protected by Section 107 of the U.S. Copyright Act of 1976, which allows ‘fair use’ for purposes such as a relevant criticism, social commentary or education.”

(3) NBA LONGLISTS. The 2022 National Book Awards Longlist for Fiction announced today by the National Book Foundation includes two works of genre interest, a novel and a story collection.

Also announced were the Longlist for Nonfiction and the Longlist for Poetry.

(4) GROAN ABOUT. Dave Hook takes us inside another panel he participated in at the Worldcon in “Titus Groan and Chicon 8”.

…I found out that Chicon 8 (the 80th World Science Fiction Convention) would have a “Titus Groan” panel for their 1946 Project. The 1946 Project was their plan to celebrate 1946 and all things speculative fiction with panel discussions instead of doing a 1947 Retro Hugo.

I applied to be on the panel, telling the Programming Team with substantial fannish enthusiasm how great “Titus Groan” was, how I was prepared to answer the question of whether it was genre or not, and what I was prepared to do to get ready for a panel.

For unknown reasons, they selected me for the panel and made me the moderator. I did not have a problem with this; I thought I could do a great job. I had never been on any SF convention panels before. I thought I could do all of that, but I redoubled my preparations….

(5) RECALLING CHRISTOPHER TOLKIEN. “The Worlds of Middle-Earth: The Millions Interviews Richard Ovenden and Catherine McIlwaine”. Their book includes essays by Maxime H. Pascal; Priscilla Tolkien; Vincent Ferré; Verlyn Flieger; John Garth; Wayne G. Hammond and Christina Scull; Carl F. Hostetter; Stuart D. Lee; Tom Shippey; and Brian Sibley.

In The Great Tales Never End: Essays in Memory of Christopher TolkienRichard Ovenden, who serves as Bodley’s Librarian, the senior Executive position of the Bodleian Libraries at the University of Oxford, and Catherine McIlwaine, the Tolkien Archivist at the Bodleian Libraries, have assembled a remarkable anthology about Christopher, who died in 2020…. 

Lenny Picker: What personal memories of Christopher Tolkien are your most vivid?

Richard Ovenden: I had the good fortune of visiting him at least once a year for about 10 years. Staying in the house, having long conversations. He looked quite like his father. I never knew J.R.R. Tolkien, but Christopher’s memory of Oxford really was quite profound. He was born there, grew up there, and lived there for many decades. But his memory of it is really kind of frozen in about the middle of the 1970s, when the family moved to France. And so having a conversation with Christopher about Oxford was like having one about the Oxford of when J.R.R. Tolkien was still alive. So it seemed to me almost like you were talking to J.R.R. Tolkien. And because he had this immense knowledge of his father’s work and his mentality, there was that sort of connection. Christopher also had a very great sense of humor—a very, very dry sense of humor. And he was a very funny human being. He also was a great reader; he loved reading fiction, Victorian fiction, in particular, DickensTrollope, were a great source of pleasure for him. So he was a very literary person, not just in his own field of scholarship.

(6) WHO SHOULD WIN FAN HUGOS? In the Hugo Book Club Blog’s post “The Gordian Knot of Fan Vs. Pro” they’re inclined to think the knot is just fine the way it is and that the current WSFS rules get the balance right. 

…Just three years [sic] after the Scithers constitution was introduced [in 1963], Jack Gaughan showed just how unclear the existing language could be, winning both the fan artist and professional artist Hugo Awards in a single [1967] evening. There was an outcry over this — why have two separate categories if the same body of work could win both? A clause was quickly added to the constitution to prevent this from happening again, but the language did not seek to clarify what was Fan and what was Pro, rather stating that “Anyone whose name appears on the final ballot for a given year under the professional artist category will not be eligible for the fan artist award for that year.”

Over the years, this question has resurfaced fairly regularly. Questions were raised over John Scalzi winning best fan writer in the same year that his novel The Last Colony was on the ballot. Two years later there was some slight grumbling about Fred Pohl — at that time one of only 25 authors to have won three professional prose Hugos — winning for best fan writer.

So in this context, a well-intentioned but problematic proposal (“An Aristotelian Solution to Fan vs Pro”) brought forward to this year’s business meeting provided an attempt to parse out this question….

(7) BROOKLYN SFFF. The Brooklyn SciFi Film Festival returns for its third season October 3-9 presenting 200 independent SciFi films from around the world. 

This year’s festival will feature online and in-person events including an evening of Japanese SciFi hosted at Stuart Cinema Cafe on Tuesday October 4th from 7:00 to 9:00 and selected screenings and recognition on Saturday October 8th from 6:00 to 9:00 at the Alamo Drafthouse Cinema in Downtown Brooklyn.  All films streaming online at BrooklynSciFiFilmFest.com starting October 3rd.  Official Selections.

(8) SMOKE ‘EM IF YOU GOT ‘EM. Literary Hub introduces viewers to a 1982 BBC video about a writer at work: “Roald Dahl’s writing routine involved a shed, a sleeping bag, and cigarettes.”

In 1982, Frank Delaney of the BBC visited Roald Dahl at home for a long conversation that meandered from children’s literature to 18th-century furniture and making orange marmalade. During that visit, Dahl gave Delaney a glimpse at his writing routine, which consisted, at the time, of four hours a day spent in a writing shed on his property.

(9) MEDIA BIRTHDAY.  

1963 [By Cat Eldridge.]

There is nothing wrong with your television set. Do not attempt to adjust the picture. We are controlling transmission. If we wish to make it louder, we will bring up the volume. If we wish to make it softer, we will tune it to a whisper. We will control the horizontal. We will control the vertical. We can roll the image, make it flutter. We can change the focus to a soft blur, or sharpen it to crystal clarity. For the next hour, sit quietly and we will control all that you see and hear. We repeat: There is nothing wrong with your television set. You are about to participate in a great adventure. You are about to experience the awe and mystery which reaches from the inner mind to… The Outer Limits. — opening narration. 

Fifty-nine years ago this evening on ABC, The Outer Limits series premiered, created and executive produced by Leslie Stevens who had done nothing of a genre nature before. It was directed by far too many to note here. Steven’s would later do Buck Rogers in the 25th Century. 

In the unaired pilot, it was called Please Stand By, but ABC rejected that title, so the producers renamed it.

Two episodes, “Demon with a Glass Hand” and “Soldier”, were written by Harlan Ellison. Clifford Simak wrote “The Duplicate Man” episode. David Duncan penned “The Human Factor”. Eando Binder gets credit for the “I, Robot” episode.  

“Demon with a Glass Hand” won a Writers’ Guild Award. Later, Ellison’s “Soldier” script would allow him to sue Cameron over his Terminator script and win rather nicely. 

Season One combined science fiction and horror, while Season two was shifted focus to being more about what they called hard science fiction stories, dropping the “scary monster” theme of Season One. The network thought the monster were the villains of the week.

The original series lasted a mere forty-nine episodes. The second iteration, which started in 1995, would last much longer, going an amazing one hundred and fifty-two episodes.

It was very popular in the ratings the first season but was competing against Jackie Gleason in the second season and that got it cancelled halfway through. As I noted, it had a second life thirty years on which was quite successful. Variety reported last year that an Outer Limits reboot was in development at a premium cable network though they declined to say which network.

Neat piece of trivia: The “ion storm” from “The Mutant” episode here which was a projector beam shining through a container containing glitter in liquid suspension became the transporter effect in the Trek series. Also, the process used to make pointed ears for David McCallum in “The Sixth Finger” episode here was used to make Spock’s ears, and The black mask from “The Duplicate Man” episode here was used by Dr. Leighton in “The Conscience of the King”. 

It’s streaming on Pluto. Pluto? Huh? 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 16, 1914 William Bernard Ready. Can I include an individual for just one work? Well given it’s my Birthday list, of course. It’s the 1968 work, The Tolkien Relation: A Personal Inquiry, Ready foresaw the cultural value of Tolkien’s writings and, while at Marquette University, he managed to purchase a large selection of original literary manuscripts by Tolkien in 1956-57, including manuscripts of The Hobbit and The Lord of the Rings. (Died 1981.)
  • Born September 16, 1927 Peter Falk. His best remembered genre role is in The Princess Bride as the Grandfather who narrates the story. (The person who replaced the late Falk in the full cast reading of The Princess Bride for the Wisconsin Democratic fundraiser, Director Rob Reiner, wasn’t nearly as good as he was in that role.) He also plays Ramos Clemente in “The Mirror,” an episode of The Twilight Zone. And he’s Reverend Theo Kerr in the 2001 version of The Lost World. (Died 2011.)
  • Born September 16, 1930 Anne Francis. You’ll remember her best as Altaira “Alta” Morbius on Forbidden Planet. She also appeared twice in The Twilight Zone (“The After Hours” and “Jess-Belle”). She also appeared in multiple episodes of Alfred Hitchcock Presents and The Alfred Hitchcock Hour. She’d even appear twice in The Man from U.N.C.L.E., and played several roles on Fantasy Island as well. (Died 2011.)
  • Born September 16, 1932 Karen Anderson. She co-wrote two series with her husband, Poul Anderson, King of Ys and The Last Viking, and created the delightful The Unicorn Trade collection with him. Fancyclopedia has her extensive fannish history thisaway, and Mike has her obituary here. (Died 2018.)
  • Born September 16, 1952 Lisa Tuttle, 70. Tuttle won the Astounding Award for Best New Writer, received a Nebula Award for Best Short Story for “The Bone Flute,” which she refused, and a BSFA Award for Short Fiction for “In Translation”. My favorite works by her include CatwitchThe Silver Bough and her Ghosts and Other Lovers collection.Her latest novel is The Curious Affair of the Witch at Wayside Cross. Her collection, The Dead Hours of the Night was nominated for a Stoker last year — impressive! 
  • Born September 16, 1954 Howard Weinstein, 68. At age 19, he was the youngest person to ever write a Trek script, selling “The Pirates of Orion” for use in the animated series. Though it would be his only script, he would go on to write quite a few Trek novels — thirteen are listed currently at the usual suspects — and comics. He gets a thanks credit in Star Trek: The Voyage Home. He wrote a script, “The Sky Above, the Mudd Below”, for the fanfic affair Star Trek: New Voyages, but it never got made. And it won’t given that there’s a comic book series already made with its plot.  Paramount wasn’t at all pleased. To quote Zevon, “Send lawyers, gun and money / the shit has hit the fan.”
  • Born September 16, 1955 Amanda Hemingway, 67. British author of fantasy novels who’s best known for the Fern Capel series written under the Jan Siegel name — it’s most excellent. I’d also recommend The Sangreal Trilogy penned under her own name. Alas her superb website has gone offline. She is available from the usual suspects — curiously her Hemingway novels are much more costly than her Seigel novels are.
  • Born September 16, 1960 Mike Mignola, 62. The Hellboy stories, of course, are definitely worth reading, particularly the early on ones. His Batman: Gotham by Gaslight is an amazing “What If” story which isn’t at all the same as the animated film of that name which is superb on its own footing, and the B.P.R.D. stories  are quite excellent too.  I’m very fond of the first Hellboy film, not so much of the second, and detest the reboot now that I’ve seen it, while the animated films are excellent.

(11) HEAR ABOUT “HUMAN EXCEPTIONALISM”. “Dean Koontz on His Vocation as an Author, Art and Meaning in Life, and Human Exceptionalism” in a downloadable interview at Humanize. (Note: I haven’t listened to it.)

In episode one of the second season of Humanize, Wesley J. Smith’s guest is the internationally famous novelist Dean Koontz. Dean and Wesley discuss how he came to be an author, how life is filled with meaning, his art, the importance of human exceptionalism, the problem with transhumanism, and how Dean uses humor to further his plots and character development. Dean recalls his upbringing in an impoverished household that did not have running water until he was 11, how a high school English teacher changed his life, and his love for the use of the English language. He and Wesley also discuss the beauty of the human/dog relationship and his philanthropic support for Canine Companions for Independence, a school that trains service dogs to help people with disabilities lead independent lives. Any reader of Dean Koontz and supporter of human exceptionalism will want to listen to this fascinating interview with one of America’s most successful and prolific authors…

(12) READY FOR MY CLOSE-UP. The Atlantic wants to know “Why Do So Many Kids Need Glasses Now?”

…In the U.S., 42 percent of 12-to-54-year-olds were nearsighted in the early 2000s—the last time a national survey of myopia was conducted—up from a quarter in the 1970s. Though more recent large-scale surveys are not available, when I asked eye doctors around the U.S. if they were seeing more nearsighted kids, the answers were: “Absolutely.” “Yes.” “No question about it.”

In Europe as well, young adults are more likely to need glasses for distance vision than their parents or grandparents are now. Some of the lowest rates of myopia are in developing countries in Africa and South America. But where Asia was once seen as an outlier, it’s now considered a harbinger. If current trends continue, one study estimates, half of the world’s population will be myopic by 2050.

The consequences of this trend are more dire than a surge in bespectacled kids. Nearsighted eyes become prone to serious problems like glaucoma and retinal detachment in middle age, conditions that can in turn cause permanent blindness. The risks start small but rise exponentially with higher prescriptions. The younger myopia starts, the worse the outlook. In 2019, the American Academy of Ophthalmology convened a task force to recognize myopia as an urgent global-health problem. As Michael Repka, an ophthalmology professor at Johns Hopkins University and the AAO’s medical director for government affairs, told me, “You’re trying to head off an epidemic of blindness that’s decades down the road.”

The cause of this remarkable deterioration in our vision may seem obvious: You need only look around to see countless kids absorbed in phones and tablets and laptops. And you wouldn’t be the first to conclude that staring at something inches from your face is bad for distance vision. Four centuries ago, the German astronomer Johannes Kepler blamed his own poor eyesight, in part, on all the hours he spent studying. Historically, British doctors have found myopia to be much more common among Oxford students than among military recruits, and in “more rigorous” town schools than in rural ones. A late-19th-century ophthalmology handbook even suggested treating myopia with a change of air and avoidance of all work with the eyes—“a sea voyage if possible.”

(13) “IT FLOATS.” Ivory Soap floats on its own. Limestone blocks need a little help. “A Long-Lost Branch of the Nile Helped in Building Egypt’s Pyramids” according to the New York Times.

For 4,500 years, the pyramids of Giza have loomed over the western bank of the Nile River as a geometric mountain chain. The Great Pyramid, built to commemorate the reign of Pharaoh Khufu, the second king of Egypt’s fourth dynasty, covers 13 acres and stood more than 480 feet upon its completion around 2560 B.C. Remarkably, ancient architects somehow transported 2.3 million limestone and granite blocks, each weighing an average of more than two tons, across miles of desert from the banks of the Nile to the pyramid site on the Giza Plateau.

Hauling these stones over land would have been grueling. Scientists have long believed that utilizing a river or channel made the process possible, but today the Nile is miles away from the pyramids. On Monday, however, a team of researchers reported evidence that a lost arm of the Nile once cut through this stretch of desert, and would have greatly simplified transporting the giant slabs to the pyramid complex….

(14) EVOLVING ANIMATION. [Item by Martin Morse Wooster.] Edward Vega of VOX looks at how the success of Spider Man: Into The Spider-Verse has shown animators an alternative to the photo-realistic animation of Pixar: “How ‘Spider-Verse’ forced animation to evolve”.

[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, Malcolm F. Cross, John King Tarpinian, Andrew Porter, Chris Barkley, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]