Tag Archives: Rob Wilkins

Pixel Scroll 9/28/23 I’ll Scroll What She’s Scrolling

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(1) SFWA GIVERS FUND GRANT DEADLINE OCTOBER 1. During SFWA’s recent annual business meeting, Chief Financial Officer Erin M. Hartshorn gave an update on the current amounts in each of the organization’s benevolent funds: $388,000 for the Emergency Medical Fund, $66,000 for the Legal Fund, and $103,000 for the Givers Fund, which will give away $30,000 worth of grants this fall. Applications for grants from the Givers Fund are due October 1. 

(2) RUSHDIE TO SPEAK. On October 21, Salman Rushdie will make one of his first in-person appearances since being severely injured in a stabbing attack last August, at Frankfurter Buchmesse: “Salman Rushdie Appears at Frankfurt’s Saturday Gala” reports Publishing Perspectives.

…This program, supported by ARD, ZDF, and 3sat, precedes the October 22 presentation to Rushdie of the Peace Prize of the German Book Trade, as Publishing Perspectives readers know. The award carries a purse of €25,000 (US$26,389).

In a statement today, Frankfurt president and CEO Juergen Boos  has said, “I was very moved that Salman Rushdie is not missing the opportunity to meet the audience in Frankfurt in person, in addition to attending the award ceremony for the Peace Prize….

…As you’ll remember, the stabbing attack on Rushdie at the Chautauqua Institution in upstate New York occurred on August 12, 2022. Dealing with severe injuries and the preparation of his new book, Rushdie has made very few public appearances since then, one of them in May in a videotaped message from New York for the British Book Awards….

(3) HOW NETFLIX DVD WORKED. [Item by Dan Bloch.] Tomorrow is, of course, Netflix DVDs last day, and there are of course lots of articles about this, all saying more or less the same thing (“Netflix DVD, we’ll miss you, even though we canceled our subscription a long time ago”). This one is different: “Netflix’s DVD service shuts down: here’s the complex tech behind it” at The Verge. It’s a longish but very interesting article about how the technology in their shipping hubs works.

… Bronway custom-designed a massive disc robot called the “automated rental return machine,” or ARRM 3660. The ARRM, as Netflix employees simply called it, was an assembly-line-sized machine consisting of 6,500 parts total. At its center were two carousels, housed behind glass doors, that were loaded up with incoming mail and then used pneumatic arms to perform all of the things people had done before: slice open returned envelopes, unpack discs, inspect them, clean them, add them to a facility’s inventory system, and get them ready to go out of the door again — basically, every job short of sorting discs and stuffing envelopes for the next customer. 

The robotics company sold 180 of these machines to Netflix in 2010, and they were deployed in stages across all of its hubs. The labor savings alone were enormous. “The hubs were a spectacular number of people,” recalled Johnson. “You could replace about five humans opening the discs with one machine.”

Once a hub was fully automated, it really only required a handful of people to operate. Warehouse workers would arrive at 2AM each day to flip on the machines and process tens of thousands of DVDs in time to deliver them to the Postal Service later that morning. “It was just one person per machine,” Gallion said. “You’d have one person running the stuffer, one person running the sorter, one person running the rental return machine.”

But automation wasn’t just about labor costs alone. Machines were also a lot better at their job, which led to less frustration for Netflix subscribers. Customers who borrowed entire seasons of a TV show would frequently mix up discs — they might put season 7 disc one of The Simpsons in the sleeve for season 7 disc two.

Netflix hub employees were supposed to catch those mix-ups and make sure that the next customer didn’t accidentally receive the wrong disc. “But humans aren’t very good at that,” Johnson said. Machines, on the other hand, aren’t fooled by similar-looking titles. “If barcode A doesn’t match barcode B, then clearly, you’ve got a mismatch,” he said…

(4) PLUMBING THE ABSTRUSE. Timothy B. Lee and Sean Trott promise: “Large language models, explained with a minimum of math and jargon” at Understanding AI.

… If you know anything about this subject, you’ve probably heard that LLMs are trained to “predict the next word,” and that they require huge amounts of text to do this. But that tends to be where the explanation stops. The details of how they predict the next word is often treated as a deep mystery.

One reason for this is the unusual way these systems were developed. Conventional software is created by human programmers who give computers explicit, step-by-step instructions. In contrast, ChatGPT is built on a neural network that was trained using billions of words of ordinary language.

As a result, no one on Earth fully understands the inner workings of LLMs. Researchers are working to gain a better understanding, but this is a slow process that will take years—perhaps decades—to complete.

Still, there’s a lot that experts do understand about how these systems work. The goal of this article is to make a lot of this knowledge accessible to a broad audience. We’ll aim to explain what’s known about the inner workings of these models without resorting to technical jargon or advanced math….

(5) CHENGDU WORLDCON UPDATE. [Item by Ersatz Culture.]

  • Day tickets still not available

After the closure of regular ticket sales – on the con site, and on the damai.cn vendor site – the day tickets that were promised exactly a week ago — https://en.chengduworldcon.com/news3_35_95_32_66_76_50/151.html — have not yet materialized.  Here’s a (Chinese language) Weibo post from File 770 commenter Adaoli summarizing the situation:  https://weibo.com/5726230680/Nllv9A08q

I’m not sure if this is a new announcement, but I don’t recall seeing any mention of it prior to today.  Douban – which can be compared to both IMDB and Goodreads – has a listing for “Stellar Concerto”, which features stories from the three Worldcon GoHs.  The listing indicates there are new stories in this anthology, although I assume that means they are new in translation, but have been previously published in their original language.  The publisher is the Chengdu-based 8 Light Minutes Culture, which has a few staff on the Chengdu concom.

The October issue’s cover feature is about SF, although it doesn’t seem to have an explicit Worldcon connection, on the cover at least.  There are photos of some of the interior content, which seems to involve at least a couple of people on the concom, at this Weibo post: https://weibo.com/1662229842/NlnnPvnGo

The HelloChengdu Weibo account linked to a Sichuan Daily post from a couple of days ago with a 2-minute Worldcon-related video that has CG renderings of the venue that I don’t think I’ve seen before.  Although given that the con is ~20 days away, I’d have thought the time for CG renders over real-world footage should have long passed.

This one is way beyond my negligible language skills – and I think it might be a repost of something previously released – but I believe it goes over the Puppies stuff (29:43 and later), Marko Kloos declining his Hugo nomination (from 36:26) and the resulting elevation of The Three-Body Problem to be a finalist.,  Other people/things shown or namechecked include: VD and LC (30:02, VD numerous times after that), Zoe Quinn (from 32:39), GRRM’s Puppygate blog post (37:33), N. K. Jemisin (40:30), Robert Silverberg (45:24), the “GRRM Can Fuck Off Into the Sun” blog post (48:00).

This isn’t something that most File 770 readers are going to need or want to watch, but I think it’s a good illustration that Chinese fans aren’t ignorant of stuff that happens in the Anglosphere.

(6) SOMETHING MISSING. Abigail Nussbaum voices the opinion that “Terry Pratchett: A Life With Footnotes by Rob Wilkins” has a lot of deficiencies as a biography at Asking the Wrong Questions.

…The core problem of A Life With Footnotes is one that felt easy to predict before even turning the first page. Terry Pratchett, to be perfectly blunt, did not live a particularly interesting life. He was the precocious son of working class parents in post-war England, who fell in love with science fiction and fantasy in his teens, fooled around with writing them with only moderate success, did some creative-adjacent salaried work (journalism, then PR), and then hit on a concept that ballooned into a world-class success with remarkable speed, after which he was very rich and very successful for the rest of his life. In other words, the life story of quite a few midcentury authors (give or take the stratospheric success). What set Pratchett apart, like most writers, was what was going on in his head….

But then, one of the most startling choices in A Life With Footnotes is how little it has to say about Pratchett the author….

Wilkins’s focus seems, instead, to be on the business side of things….

While I agree with Nussbaum’s description of what is and isn’t there, Pratchett was unable to complete his autobiography before he died so my own focus is on the book we have thanks to Rob Wilkins’ efforts, not the book we wanted.

(7) FROM PIXELS TO BRICK AND MORTAR. The New York Times says “Instagram’s Favorite Bookseller Is Ready to Go Offline”.

For Idea, a rare-book dealer and publisher in London, the dwindling of print has never been much of an issue. If anything, it has been a boon for the understated business that David Owen and Angela Hill have built, largely on the back of Instagram’s early infrastructure.

But now, Idea is navigating yet another swerve — the death of the Instagram timeline. In 2021 the social media platform moved from a chronological feed to a more opaque algorithm, which boosted videos. That meant less exposure for posts of, for example, vintage fashion books, which in turn made book selling on Instagram something of a slog.

And even though Idea has some 500,000 followers — W magazine called it an “Instagram phenomenon” in 2015 — the company is ready to experiment with a fairly antiquated idea that some may consider riskier than print itself: a physical bookstore.

In late September, Idea will open a store spread over three floors of a brick building on Wardour Street, in the London neighborhood of Soho. (The location is also Mr. Owen and Ms. Hill’s current home — they rent in the building — in a district crowded with David Bowie walking tours and lines for a Supreme store nearby.)

“What it really feels like is the perfect answer to all the frustration we’ve had with Instagram for the last couple of years, compared to the absolute joy and wonder we’ve had with it the eight previous to that,” Mr. Owen said.

When Mr. Owen and Ms. Hill started their Instagram account in 2010, it quickly became a popular feed. Glossy scans of their collection — which included issues of Six, a magazine by Commes des Garçons ($3,050); “Pentax Calendar” by Guy Bourdin ($500); and “Fiorucci: The Book” by Eve Babitz ($365) — popped out against a sea of heavily filtered selfies….

(8) MOTE GETS SHOPPED BY UNTITLED.TV. The Chaos Manor Facebook page announced an interest in making series from two Niven/Pournelle books has been expressed by Untitled.

A shopping agreement for a streaming series based on The Mote in Gods Eye and The Gripping Hand has been secured by Untitled.

With the end of the WGA strike, real work has begun to craft and pitch an expected 24+ episode, 3 year story arc.

Questions abounded on how to both streamline and lengthen the proposed series for streaming audiences. Let’s see how Untitled proceeds, now that the clock has started.

—

When asked Why 3 Arms? Larry Niven explained yesterday that his approach to the initial alien design was inspired by the dual question of why tool makers would need symmetry in their biology if there was limited-to-no gravity. He also posed: Do we need a spine? What if the spine was an evolutionary mistake?

(9) WHAT SIR PAT READS. The New York Times asks the actor about his reading habits in “The Most Novelistic Part That Patrick Stewart Ever Played”. But first – the hook!

“I acted Macbeth for exactly 365 days,” says the actor, whose new memoir is “Making It So.” “The role got into me so deeply it dominated my life at the time and caused me to drink too much alcohol after the performance was over. No other role I have played has affected me so profoundly.”…

…Describe your ideal reading experience (when, where, what, how).

Immediately on waking up I make a cup of Yorkshire Gold with a chocolate digestive and read in bed for half an hour, or more. Always a book. Never a script or emails. This not only wakes me up, it puts me back in the world we are living in and who we are today. Unless there is an urgent reason I do not look at newspaper headlines, or listen to the news until halfway through the morning.

What’s your favorite book no one else has heard of?

You know, I haven’t heard of it either….

(10) MICHAEL GAMBON (1940-2023). Actor Michael Gambon died September 27. Variety profiles his career in its obituary: “Michael Gambon Dies: Harry Potter’s Dumbledore Was 82”.

Michael Gambon, the Irish-English actor best known for his role as Hogwarts headmaster Albus Dumbledore in six of the “Harry Potter” movies, has died, Variety has confirmed. He was 82.

“We are devastated to announce the loss of Sir Michael Gambon,” his family said in a statement. “Beloved husband and father, Michael died peacefully in hospital with his wife Anne and son Fergus at his bedside, following a bout of pneumonia.”

While it is easier for a character actor, often working in supporting roles, to rack up a large number of credits than it is for lead actors, Gambon was enormously prolific, with over 150 TV or film credits in an era when half that number would be impressive and unusual — and this for a man whose body of stage work was also prodigious.

He played two real kings of England: King Edward VII in “The Lost Prince” (2003) and his son, King George V, in “The King’s Speech” (2010); Winston Churchill in his later years in the 2015 ITV/PBS “Masterpiece” telepic “Churchill’s Secret”; U.S. President Lyndon Johnson in John Frankenheimer’s 2002 HBO telepic “Path to War,” for which he was Emmy-nominated; and a fictional British prime minister in “Ali G Indahouse,” also in 2002. And as Hogwarts headmaster in the “Harry Potter” movies, he presided over the proceedings therein. In 2016, he served as the narrator for the Coen brothers’ paean to golden-age Hollywood, “Hail! Caesar.”…

And you can see a photo of Michael Gambon, circa 1970, from when he was invited by producer Cubby Broccoli to test for James Bond at the Tim Burton Wiki.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 28, 1913 — Ellis Peters. Nom de plume of the writer of The Cadfael Chronicles,which I’ll admit I broke my rule of never watching a video adaption of a print series that I like. Derek Jacobi as Cadfael was damn perfect. She is here because she was the writer of two excellent ghost novels, The City Lies Four-Square and By This Strange Fire, under her real name of Edith Pargeter. (Died 1995.)
  • Born September 28, 1932 — Michael G. Coney. British-born writer who spent the last half of his life in Canada. He’s best remembered for his Hello Summer, Goodbye novel. I’m very fond of The Celestial Steam Locomotive and Gods of the Greataway which might be set on what could be Vancouver Island. His only Award was from the BSFA for Brontomek!, one of his Amorphs Universe works, although he was a 1996 Nebula nominee for his “Tea and Hamsters” novelette, and a five-time finalist for the Aurora Award. (Died 2005.)
  • Born September 28, 1938 — Ron Ellik. Writer and Editor, a well-known SF fan who was a co-editor with Terry Carr of the Hugo winning fanzine, Fanac, in the late 1950s. Ellik was also the co-author of The Universes of E.E. Smith with Bill Evans, which was largely a concordance of characters and the like. Fancyclopedia 3 notes that “He also had some fiction published professionally, and co-authored a Man from U.N.C.L.E. novelization.” The Encyclopaedia of Science Fiction says he died in an auto accident the day before his wedding. (Died 1968.)
  • Born September 28, 1950 — John Sayles, 73. I really hadn’t considered him a major player in genre films but he is. He’s writer and director The Brother from Another Planet and The Secret of Roan Inish; and he wrote the scripts of Piranha, Alligator, Battle Beyond the Stars, The Howling, E.T. the Extra-Terrestrial, The Clan of the Cave Bear and The Spiderwick Chronicles.
  • Born September 28, 1963 — Greg Weisman, 60. Writer who’s best remembered for Gargoyles, Spectacular Spider-Man and Young Justice. He also scripted some of Men in Black: The Series and Roughnecks: Starship Troopers Chronicles. He also wrote children’s novel World of Warcraft: Traveler, followed by a sequel, World of Warcraft: Traveler – The Spiral Path. Children’s novels in the Warcraft universe? Hmmm… 
  • Born September 28, 1982 — Tendai Huchu, 41. Zimbabwean author who’s the editor along with Raman Mundair and Noel Chidwick of the Shores of Infinity zine. He’s also written a generous number of African centric stories of which “The Marriage Plot” won an African Speculative Fiction Society Nommo Award for African Speculative Fiction for Best Short Story.
  • Born September 28, 1986 — Laurie Penny, 37. They are the writer of one genre novella to date, “Everything Belongs to the Future“, published at Tor.com, and a generous number of genre short stories. They were a finalist for the Astounding Award for Best New Writer at Worldcon 75 won by Ada Palmer.  “Vector at Nine Worlds: Laurie Penny”, an interview with them by Jo Walton is in Vector 288.

(12) COMIC SECTION.

  • The Far Side shows something that might be a case for an insurance company. But is it an act of God? 

(13) FIFTY CALIBER. Congratulations to Michaele Jordan on her appearance in 50 Give or Take!

(14) CHOPPED. “Now that Winnie-the-Pooh is in the public domain, it’s a free-for-all.” NPR tells how “Winnie-the-Pooh is now being used to raise awareness about deforestation”. [Click for larger image.]

Winnie-the-Pooh: The Deforested Edition is a reimagining of the A.A. Milne classic created by the toilet paper company Who Gives A Crap.

There is just one, stark difference: There are no trees.

The Hundred Acre Wood? Gone.

Piglet’s “house in the middle of a beech-tree” is no longer “grand.”

Six Pine Trees is six pine stumps.

Yes, this is imaginative PR (a free eBook is available on the Who Gives A Crap website; a hardcover was available for purchase but is now sold out). But the company’s co-founder, Danny Alexander, said the goal is to raise awareness about deforestation. Who Gives A Crap prides itself on “creating toilet paper from 100% recycled paper or bamboo,” he said….

… Alexander said Who Gives A Crap has tried to spread the word that “over a million trees are cut down every single day just to make traditional toilet paper,” according to a study the company commissioned….

(15) OCTOTHORPE. Episode 93 of the Octothorpe podcast “The Good Thing About the Hugos” is now up.

John Coxon is husky, Alison Scott is a dingo, and Liz Batty is a ridgeback.

We discuss Chengdu, our impact on Chinese fandom, Glasgow, its impact on Glaswegian fandom, and then all the Hugo categories bar one (foreshadowing). Or four, depending on how you count.

(16) PROTON ART. “Painting with protons: treatment beams recreate works of art” at Physics World.

Intensity-modulated proton therapy (IMPT) is an advanced cancer treatment technique that uses narrow pencil-like beams of protons – painted spot-by-spot and layer-by-layer within the patient – to deliver radiation in highly complex dose patterns. Combined with sophisticated treatment planning techniques, IMPT can shape the proton dose to match the targeted tumour with unprecedented accuracy, maximizing the destruction of cancer cells while minimizing damage to nearby healthy tissue.

Looking to showcase the impressive power of IMPT to create intricate dose distributions, medical physicist Lee Xu from the New York Proton Center came up with an unusual approach – he used proton pencil beams to recreate a series of well-known paintings as treatment plans, effectively using the protons as a paintbrush….

(17) DISKWORLDS. In this week’s Nature: “How worlds are born: JWST reveals exotic chemistry of planetary nurseries”, “The telescope is delivering a cascade of insights about the ‘protoplanetary’ disks where planets take shape.”

 The James Webb Space Telescope (JWST) is aweing scientists and the public alike with its spectacular images of distant galaxies and its discoveries of dozens of new black holes. Yet JWST is also rewriting scientists’ understanding of objects on a slightly smaller, more relatable scale: how planets form from swirls of gas and dust around young stars. Such ‘protoplanetary’ disks are what the environs of the Sun would have been like 4.6 billion years ago, with planets coalescing from the whirling material around an infant star.

JWST is revealing how water is delivered to rocky planets taking shape in such disks. It’s providing clues to the exotic chemistry in these planetary nurseries. And it has even found fresh evidence for a cosmic hit-and-run in one of the most famous debris disks, encircling the star Beta Pictoris…

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Steven French, Lise Andreasen, Jeff Smith, SF Concatenation’s Jonathan Cowie, Dan Bloch, Bill, Mike Kennedy, Andrew Porter, and Ersatz Culture for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

BSFA Awards 2022

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The British Science Fiction Association announced the winners of the 2022 BSFA Awards at Eastercon on April 9.

The awards are voted on by members of the British Science Fiction Association and by the members of the year’s Eastercon, the national science fiction convention, held since 1955.

The BSFA Awards have been presented annually since 1970. 

NOVEL 

  • City Of Last Chances by Adrian Tchaikovsky 

SHORT FICTION

  • Of Charms Ghosts and Grievances by Aliette de Bodard

ARTWORK

  • Cover of The Red Scholar’s Wake by Alyssa Winans

NON FICTION

  • Terry Pratchett: A Life with Footnotes by Rob Wilkins

BEST BOOK FOR YOUNGER READERS

  • Unraveller by Francis Hardinge 

[Thanks to Dave Lally for the results.]

Pixel Scroll 9/18/22 Scrolling Pixels In The Park

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(1) HE KEPT IT UNDER HIS HAT. Rob Wilkins, who assisted Terry Pratchett for many years, writes a long profile about him for the Guardian: “’I think I was good, though I could have been better’: Terry Pratchett and the writing of his life”. “After he was diagnosed with Alzheimer’s, the Discworld author began an autobiography. He never finished it, but seven years after his death, his long-time assistant has taken up the task.”

…Terry also had strong and, some might even say, puritanical ideas about how much money he should accept in advance of a book’s publication. If he couldn’t be confident that the advance would earn itself out inside three years and that the book would go into profit and yield royalties, he refused to accept it. At one point, for example, Transworld offered Terry £125,000 for a book. This was in the mid-1990s, when a generous offer for a book of its nature would have been in the region of £25,000, so that six-figure offer was an emphatic demonstration of confidence in Terry’s writing. Colin, naturally, was excited to tell Terry about it. The conversation they had was short and pointed. Colin then found himself ringing Transworld and saying: “I have conveyed your offer to Terry, and I’m afraid he is not at all happy with it … No, he says it’s far too much and he would like me to agree a deal with you for less.”…

(2) THE KICKOFF. Charlie Jane Anders is the new sf/fantasy book reviewer for The Washington Post. Here is her first column: “4 witchy books from the world of science fiction and fantasy”.

When Megan Giddings told her agent she wanted to write a novel about witches, he told her: “If anybody can make them feel new, it’s you.” In the acknowledgments of her new novel, “The Women Could Fly” (Amistad),Giddings says she didn’t entirely agree with him that witches feel like a tired subgenre; to her, there’s always room for another take.

Luckily for anyone who feels the same way, a wealth of novels about witches has come out recently — and many of them do feel brand new.

To be sure, many recent witch novels explore timeworn themes: Witches are distrusted and feared and must conceal themselves from the world. But Giddings and other authors also uncover fresh layers to the classic witch tales, exploring the complexity of anti-witch attitudes in an enriching and timely way….

(3) IT’S NOT EVEN THE THING I’M POINTING AT WHEN I SAY ‘FANZINE’.  In “Fan v Pro v Fanzine”, Camestros Felapton ventures into the twisty little maze of passages all alike.

…But seriously, I think the current knot arises out of an unwillingness to redefine what a fanzine is. Functionally, fan artist and fan writer arose out of fanzine culture where fanzine didn’t need a definition. To a lesser degree the mess around semi-prozine arises there as well. There’s an intuitive sense of three grades of platforms were stuff happens: professional, fan and somewhere in between (a labour of love that aspires to be a going concern).

There are many available dimensions but none by themselves capture the essence of the fanzine distinction:

  • profit v non-profit
  • paywall v open access
  • corporate v non-corporate
  • size – number of people involved in the endeavour
  • fiction v non-fiction
  • hobby v “job”
  • weight class – a mix of size, influence and professional demeanour I guess
  • paying writers or not
  • paying staff or not
  • general vibe

¯\_(ツ)_/¯

commercial-corporate v. non-commericial-corporate gets closest to a distinction but not one that I could convert into a sensible set of rules.

Which means that I must circle back to the notion of self-identification as fan or pro. That also has tricky cases (a pro-writer who is a fan artists or vice versa) but if the point is to address the weight-class idea then maybe that is the least problematic pain point to accept. Put another way, if we see the “original sin” of John Scalzi’s* fan writer win not as blogs v print fanzines, not as style of genre question (clearly it was in the genre of fan writing), not as whether he is a real fan (clearly he is), but as a question of whether the voting is distorted because he had a large voting base in the Hugo Awards and major name recognition…then self-identification for the purpose of award eligibility gets at that issue….

(4) AND HE’D DO IT ALL OVER AGAIN.  Meanwhile, John Scalzi’s ears are burning.

(5) HWA CELEBRATES LATINX HORROR AUTHORS. The latest entry in the Horror Writers Association blog’s “Latinx Heritage in Horror” series is an “Interview with LP Hernandez”.

What inspired you to start writing?

Reading fueled my love of writing. I was a constant Scholastic Book Fair customer, addicted to the smell of new Goosebumps or Fear Street books. Eventually, I progressed to King, McCammon, and Tolkien. I began writing stories at around nine or ten. I remember corralling my mother in the morning as she attempted to get ready for work, handing her what I knew was going to be a best seller and requesting she read it right there in front of me.

(6) RATED ARRRRH! Do people still do “Talk Like a Pirate Day”? If so, it’s tomorrow, September 19.

(7) UNTRUE GRIT. Brian Murphy shares his appreciation for the Bard books by Keith Taylor: “Under the Spell of Keith Taylor’s Bard Songs” at Goodman Games.

…A characteristic of good sword-and-sorcery is earthiness; even if not set in some ancient age of our own earth, sword-and-sorcery nevertheless is typically gritty, even grimy, in its realism. Joseph McCullough once described sword-and-sorcery with the terse, pithy, “fantasy with dirt.” That works for me.

Over this layer of grit, which serves to ground the reader somewhere recognizable and to spare overly tedious worldbuilding, the skilled sword-and-sorcery writer adds in the fantastic, in small doses. Weird monsters and dark sorcery that feels alien, and dangerous, and when it appears casts its spell upon the reader….

(8) HOUSES DIVIDED. The New York Times explores “How Russian Trolls Helped Keep the Women’s March Out of Lock Step”.

…For more than a century, Russia and the Soviet Union sought to weaken their adversaries in the West by inflaming racial and ethnic tensions. In the 1960s, K.G.B. officers based in the United States paid agents to paint swastikas on synagogues and desecrate Jewish cemeteries. They forged racist letters, supposedly from white supremacists, to African diplomats.

They did not invent these social divisions; America already had them. Ladislav Bittman, who worked for the secret police in Czechoslovakia before defecting to the United States, compared Soviet disinformation programs to an evil doctor who expertly diagnoses the patient’s vulnerabilities and exploits them, “prolongs his illness and speeds him to an early grave instead of curing him.”

A decade ago, Russia’s president, Vladimir V. Putin, oversaw a revival of these tactics, seeking to undermine democracies around the world from the shadows.

Social media now provided an easy way to feed ideas into American discourse, something that, for half a century, the K.G.B. had struggled to do. And the Russian government secretly funneled more than $300 million to political parties in more than two dozen countries in an effort to sway their policies in Moscow’s favor since 2014, according to a U.S. intelligence review made public last week.

What effect these intrusions had on American democracy is a question that will be with us for years. It may be unanswerable. Already, social media was amplifying Americans’ political impulses, leaving behind a trail of damaged communities. Already, trust in institutions was declining, and rage was flaring up in public life. These things would have been true without Russian interference.

But to trace the Russian intrusions over the months that followed that first Women’s March is to witness a persistent effort to make all of them worse….

(9) MORE TROLLS WITH OPINIONS. The homegrown trolls are also busy. “The Rings of Power Gets Review Bombed: Amazon Turns Off Ratings” – The Hollywood Reporter has the story.

Where’s a wizard to fight trolls when you need one?

The mega-budget fantasy series The Lord of the Rings: The Rings of Power is under fire from some of its viewers. A day after the first two episodes of Amazon’s billion-dollar baby debuted on Prime Video, the show’s average audience score on Rotten Tomatoes is a “rotten” 37 percent, and reviews on Amazon have been outright suspended.

Compare that score to TV critics giving the show a very fresh 83 percent average, and many of the reviews were highly enthusiastic (“It’s great: a gorgeously immersive and grandly ambitious spectacle, packed with stunning imagery and compelling plot threads,” wrote TV Line). The Hollywood Reporter dubbed the first two episodes a rather successful, promising start.

The scores come a couple weeks after Marvel’s She-Hulk was declared review bombed on the site, with 88 percent critics score and an initial 36 percent audience score.

How The Rings of Power is doing on Amazon’s own user review ecosystem is not yet clear because the company has taken the unusual step of suspending user ratings for the show. An Amazon source says reviews are being held 72 hours to help weed out trolls and to ensure each review is legitimate. The source later claimed Prime Video started the policy this summer on all its shows.

“Review bombing” is when a group of online users post numerous negative reviews for a product or service due to its perceived cultural or political issues rather than its actual quality….

(10) HENRY SILVA (1926-2022). [Item by Cora Buhlert.] Actor Henry Silva, whose genre rolls include The Manchurian Candidate (well, I think it’s genre), Killer Kane in Buck Rogers in the 25th Century and the voice of Bane in Batman: The Animated Series, died September 13 at the age of 95.

…“Henry Silva is one of those guys you most likely will recognize even if you don’t know his name,” onetime Crimespree magazine writer Dave Wahlman wrote in 2016. “His face is something straight out of central casting if you were looking for a villain. It alternates between the insipid glee of potential mayhem and looking emotionless and dead as a stone.”

…He went on to make dozens of movies in Europe, the majority of which were in the Italian “poliziotteschi” genre. “Funny thing,” he said in a 1971 interview, “over here they see me as a bad guy; in Europe, they see me as a hero.”… 

(11) MEDIA BIRTHDAY.  

1964 – [By Cat Eldridge.] There are series I refuse to rewatch lest the Suck Fairy with her steel toed boots stomps all over it.  The Addams Family series which premiered on this evening fifty-eight years ago on ABC is definitely one of them. I unreservedly loved that series. 

The Los Angeles Times in its obituary of David Levy explained how he came to create the series: “The idea for the series came to Levy when he was strolling with a friend down New York’s 5th Avenue and passed a display of Addams’ books. One, ‘Homebodies,’ showed the entire group of Addams characters in a family portrait on the cover. Levy was stopped in his tracks by the sight and told his friend: ‘There’s a hit series!’”

Now let’s talk about the characters here. Who wasn’t perfect? Be it John Astin as Gomez Addams or Carolyn Jones as his wife Morticia, they played their roles perfectly. And no, I’m certainly not forgetting Wednesday, their child. (Surely the name comes from the English folk poem, Wednesday’s child is full of woe), Uncle Fester or Thing. Not to mention Lurch played oh-so-well by Ted Cassidy. 

It had pets, presaging to a great extent what Lio would have. Aristotle was Pugsley’s pet octopus and Fang was his pet jaguar. Addams Family had a lion called Kitty Kat and they piranhas, Tristan and Isolde. Zelda was their vulture. Morticia had a very large carnivorous plant named Cleopatra and Wednesday has a pet tarantula by the name of Homer.

It didn’t last nearly as long as I thought did — just two seasons totaling sixty-four episodes shot in glorious black and white. 

Halloween with the New Addams Family aired eleven years after the series went off the air with new characters added in. Seven years after the series was cancelled, the animated version of The Addams Family aired for sixteen episodes. It’s notable for a young Jodie Foster voicing Pugsley Addams. Only Jackie Coogan and Ted Cassidy, who played Uncle Fester and Lurch from the series, returned in voice acting roles.

Gold Key Comics produced a comic book series in connection with the show, but it only lasted three issues.

It streams on Amazon and Paramount +. Of course Paramount + owns the Columbia catalog and Columbia produced it.

It has a near perfect ninety-eight percent rating among audience reviewers at Rotten Tomatoes.

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 18, 1884 — Gertrude Barrows Bennett. She’s been called by many a pioneering author of genre fiction. She wrote a number of fantasies between in the late 1910s and early 1920s, and has been called “the woman who invented dark fantasy”. Her short story, “The Curious Experience of Thomas Dunbar” which was published under G.M. Barrows in Argosy is considered the first time that an American female writer published an SF story using her real name. (Go ahead, dispute it.) I’m pleased to say that the usual suspects are heavily stocked with her works.  (Died 1948.)
  • Born September 18, 1917 — June Foray. Voice performer with such roles as Cindy Lou Who, Natasha Fatale and Rocky the Flying Squirrel. She also provided the voice of Lucifer the Cat from Disney’s Cinderella. She also did a lot of witches such as Looney Tunes’ Witch Hazel which you can hear over here. She was instrumental in the creation of the Academy Award for Best Animated Feature twenty years ago. OGH has a most touching remembrance here. (Died 2017.)
  • Born September 18, 1946 — Struan Rodger, 76. He was the Bishop in Stardust, and shows up in the A Discovery of Witches as John Dee. (Loved the novels, skipped the series as I always do.) He voiced the Three-Eyed Raven in The Game of Thrones’ “The Lion and The Rose” and “The Children”.  More interestingly he’s got multiple roles in Doctor Who. First he’s The Voice of The Face of Boe in the Tenth Doctor stories, “New Earth” and “Gridlock”, next he’s Clayton in the Twelfth Doctor story, “The Women Who Lived” and finally he’s a voice again, that of Kasaavin in “Skyfall, Part One”, a Thirteenth Doctor story. 
  • Born September 18, 1946 — Nicholas Clay. Here for playing Lancelot on Excalibur. He did two earlier horror films, The Damned and Terror of Frankenstein, and he was The Prince in Sleeping Beauty. For television work, he’s done The Adventures of Sherlock Holmes, The Hound of the Baskervilles, Zorro, The New Adventures of Robin Hood, Virtual Murder, Highlander and Merlin. (Died 2000.)
  • Born September 18, 1948 — Lynn Abbey, 74. She’s best known for co-creating and co-editing with Robert Lynn Asprin (whom she was married to for 13 years) the quite superb Thieves’ World series of shared-setting anthologies. (Now complete in twelve volumes.) Her Sanctuary novel set in the Thieves’ World universe is quite excellent. I’ve not kept up with her latter work, so y’all will have to tell me how it is. Most, if not all, of the Thieves’ World series is available from the usual digital suspects.
  • Born September 18, 1959 — Mark Romanek, 63. His first film was Static about a teenager who invents a device he claims can show picture of Heaven. Cult hit in the UK after Robyn Hitchcock prompted it. Never Let Me Go, a film released a decade ago postulated clones whose organs were harvested that made life extension possible in the UK. US reviewers thought it was fact leading it to having a text prologue explaining it was fiction.
  • Born September 18, 1963 — Gary Russell, 59. A very prolific director of audio narratives for Big Finish Productions, having done forty-five Doctor Who and related productions, which is to say the Sarah Jane and Bernice Summerfield lines as well. He’s written novels that feature Doctor Who and related characters. He’s written three nonfiction works, two Who related, no surprise there, and one called The Art of The Lord of the Rings.
  • Born September 18, 1984 — Caitlin Kittredge, 38. Known for her Nocturne City series of adult novels which I’d not heard of before this, and for The Iron Codex, a series of YA novels, but I think her best work is by far the Black London series. She’s penned a Witchblade series at Image Comics, and the excellent Coffin Hill series for Vertigo. 

(13) COMICS SECTION.

(14) EDGE CASE. “R. Crumb Means Some Offense” is a profile of the iconic comix creator in the New York Times.

…Crumb used to attend comic conventions and book signings, but now he makes very few public appearances. He never really picked up French (he relies on Kominsky-Crumb for that), and his social circle is small. Crumb’s followed in the long line of artists and writers who have exiled themselves from America, but his life abroad feels far more circumscribed than most. He doesn’t even have a cellphone. (At one point, he looks at his wife’s and says earnestly, “It’s listening to us right now.”) He uses email but “I worry about it,” he says. “Any email you write goes into the N.S.A. computer banks.” He’s only voted once in his life, for Barack Obama in 2008. Yet even living thousands of miles from America, disconnected from its culture by so many moats of his own making, he is, like many of his expatriate predecessors, a dedicated and unflinching observer of home. It was his ability to capture the id of America — in all its decadence, hypocrisy and lecherousness — that established him as an artist; that ability is unmatched nearly six decades later. He’s been called an “equal opportunity offender”: For his entire career, he’s angered the left, the right and everyone in between. It’s why his work remains, more than that of perhaps any other artist today, a litmus test for how much we’re willing to put up with for the sake of art….

(15) CONSTANTINE NEWS. [Item by Mike Kennedy.] There can be only one. AKA The Law of Conservation of Constantines. “Keanu Reeves’ Constantine Sequel Means JJ Abrams’ Constantine Show is Dead, For Now” reports Gizmodo.

Just before the weekend started, Warner Bros. Discovery up and surprised everyone when they revealed that a sequel to their 2005 Constantine movie was in development. With Keanu Reeves and original director Francis Lawrence both set to return, it seemed like a pleasant shock…until one had to remember that way back in 2021, the corporation announced that JJ Abrams was working on a series for the Hellblazer. And like with much of what’s recently happened with HBO Max, the situation for Abrams’ show is now in a weird bind.

Per Variety, the new Constantine show, along with the Madame Xanadu series being headed up True Blood’s Angela Robinson, are both dead at the moment…. 

(16) SCREEN TIME. Gizmodo is also prepared to fill you in about the coming season of genre TV: “Fall 2022 TV Preview: All the Sci-Fi, Fantasy, and Horror Shows”.

Your TV brain might be completely hardwired into magical rings and lusty dragons these days, but there are so many more sci-fi, fantasy, and horror shows—both returning and new—coming to screens this season.

Scroll through for our handy calendar of all the geeky series that you need to know about, with the caveat that dates may be subject to change….

(17) LIFE LESSONS. His role in Tron is the ObSF reference, however, there’s so much more! “’Dealing with your mortality, it makes things more precious’: Hollywood legend Jeff Bridges on the gift of life after cancer” in the Guardian.

…So he’s someone who can quickly identify and make the most of a bright side. As I’m not someone like that, I ask him how he does it. How did he stay positive through two vicious illnesses? Bridges starts to tell an apparently unrelated story, the relevance of which only gradually becomes clear. “So I’m remembering the very last gift my father gave me, before he died,” he says. His father, Lloyd, was a successful TV actor who died in 1998. “Sue and I had this new house at the time,” Bridges continues, “huge grounds, and what I really wanted for my birthday was a neat little electric golf cart to get around the property. I know Dad’s bought something cool for me. I open a door. And there… It’s not the golf cart I wanted… It’s like a motorised, gasoline-operated, dump truck kind of a thing. In my mind I’m thinking, ‘Oh, shit. This is not what I want at all.’ But I say thank you to him. Then he dies. Suddenly I’m using this vehicle all the time. I’m constantly saying to myself, ‘This is so much better than a golf cart! It’s so much more powerful! There are so many things I can get done!’”…

(18) HOT STUFF. Get ready to serve breakfast on Halloween: “Dash Mini Waffle Maker — Halloween, Black and Orange”.

SPOOKY WAFFLES: The Dash Halloween Mini Waffle Maker 2-pack is perfect for making spooky waffles for fall and beyond. Plus make your favorite breakfast classics and get creative with waffled hash browns, cookies and more

(19) NASA RELIC. “A Busted Trailer Listed on a Government Auction Website Turned Out to Be a Space Fan’s Dream: a NASA Command Vehicle”. ArtNet News tellxs all about it.

For most people trawling government auctions, the listing would not have stood out: GSA Auctions, a division of the General Services Administration, was offering up a vehicle described simply as a “1989 Airstream Executive Air Coach,” with no minimum bid.

An online sleuth, however, was able to determine that the RV was probably once used in NASA’s Space Shuttle program. Acquired for just $21,000, the historic item was a major steal for any fan of space memorabilia…. 

The upshot? “This van was the official Convoy Command Vehicle for the Space Shuttle at Edwards,” Higgins wrote. “It directed all Shuttle recovery procedures once the spacecraft was on the ground! And it’s for sale currently at $10k.” (He also shared a YouTube video of the vehicle in action.)

Some 19 bidders competed for the former Convoy Command Vehicle, with interest leaping from $10,000 to over $20,000 in the final day….

(20) VIDEO OF THE DAY. Alasdair Beckett-King parodies “Every ‘Not So Fast… I’ll Be Taking That’ Scene”.

When you’re a rogue archaeologist in search of a surprisingly cheap-looking idol. I’m really pushing the limits of what one man with four hats can do, here.

[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Cora Buhlert, Steven French, Andrew Porter, Chris Barkley, Michael Toman, Cat Eldridge, and Mike Kennedy  for some of these stories. Title credit belongs to File 770 contributing editor of the day Cliff.]

Pixel Scroll 4/29/20 The Voyage Of The Space Pixel

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(1) RECOGNIZING THE TROUBLE. Yoon Ha Lee’s Phoenix Extravagant is set for an October release. Learn more about the author’s experience writing it in “Comma-Shaped Jades And Other Curiosities: An Article By Yoon Ha Lee” at SciFiNow.uk.

One of the things people warned me about when it comes to writing novels is that no matter how smoothly novel N goes, there’s no guarantee that novel N+1 will also go smoothly. I learned this the hard way in writing Phoenix Extravagant.

I thought I had the plot all planned out, and I knew my protagonist was going to be a painter, and that there would be a mecha dragon. As for the worldbuilding, well, I’d make that up on the fly.  That’s what I did with the hexarchate and it more or less worked then; why not now?

You’re probably thinking that making things up on the fly is where I went wrong, and that’s not quite true. If I try to linearize worldbuilding down a checklist, it kills the world flat dead for me. No: the issue was a bigger one. I picked the wrong setting….

(2) WHERE’S THE BEEF? What’s the first thing New Zealanders wanted to do when the government eased lockdown restrictions from level four to level three? Not what I’d guess. “New Zealanders are so eager to eat burgers after the coronavirus lockdown that police are having to enforce crowd control”.

Police in New Zealand have been required to enforce crowd control measures at a popular fast food outlet after large numbers of people rushed to buy burgers following a relaxing of the country’s lockdown measures on Tuesday.

New Zealand, which has reported 1,474 confirmed and probable coronavirus cases and 19 deaths, spent almost five weeks under a strict, level four lockdown. The country eased into level three restrictions on Tuesday, meaning some children could go back to school and 400,000 people were able to go back to work.

But for many, it was a chance to finally eat the fast food they had been craving. Under level three restrictions, a limited number of restaurants and cafes have been permitted to reopen. According to TVNZ, that resulted in long queues of cars at KFC and McDonald’s drive-thrus outlets throughout Auckland, the country’s biggest city.

(3) ROBOT CENTENARY NEARS.  Jaroslav Olsa Jr. has a plan for celebrating Capek’s famous robot story when its hundredth birthday rolls around. If you can help, email him at olsa-jr (at) post (dot) cz

One hundred years ago, in November 1920, drama “R. U. R. Rossum´s Universal Robots” by Czech writer Karel Capek (1890-1938) saw its first edition. Story about a rebellion of artificial people ending with an extinction of humanity saw the first use of the word “robot”.

Though Isaac Asimov didn´t like the play, he rightly commented that R. U. R. is “immortal for that one word. It contributed the word ‘robot’ not only to English but, through English, to all the languages in which science fiction is now written.”

This year we will have an anthology of original science fiction stories set and connected to Capek´s world of R.U.R. But we are also thinking about an international anthology of the best robotic stories from all over the world… as another homage to maybe the most famous Czech – ROBOT. If you know such excellent piece from the East or West, South or North, send me a copy of the story…

(4) PRATCHETT’S FUTURE ON THE SMALL SCREEN. Media adaptations of favorite writers’ work can be chancy, but Variety makes this sound like a great idea: “Terry Pratchett’s ‘Discworld’ Series to Be Adapted by Endeavor Content, Motive Pictures”.

Narrativia, the production company launched by Pratchett in 2012, has struck an exclusive development deal with Motive Pictures and Endeavor Content for a series of TV adaptations. It is not yet known which of the “Discworld” books will be adapted initially….

Rhianna Pratchett, co-director of Narrativia and Pratchett’s daughter, said: “Discworld teems with unique characters, witty narrative and incredible literary tropes, and we feel these should be realised on screen in a form that my father would be proud of. It’s wonderful to embark on this journey with Motive and Endeavor Content, who both perfectly share our vision to make this a reality.”

Rob Wilkins, managing director of Narrativia, added: “The Discworld books are a huge source of joy to millions of readers, and rightly so; every paragraph, phrase and footnote was crafted with brilliance and flair and we are committed to bringing Terry’s world to the screen with the respect and care it deserves. With this partnership, we are delighted to say that Discworld has finally found its home.”

(5) FLYING SOLO. Cinema’s hottest pilot is in trouble again. “Harrison Ford plane incident under investigation by FAA” reports PageSix. He did the Kessel run in thirteen parsecs, but he screws up crossing a runway at a Southern California airport.

Harrison Ford says an airport runway incident now under investigation by the Federal Aviation Administration came about because he “misheard a radio instruction.”

The 77-year-old star, who is an avid pilot, was operating a plane at California’s Hawthorne Airport on April 24 when he crossed a runway while another aircraft was landing.

“Mr. Ford crossed the airport’s only runway in his aircraft after he misheard a radio instruction from [air traffic control],” Ford’s rep told Page Six in a statement Wednesday. “He immediately acknowledged the mistake and apologized to ATC for the error. The purpose of the flight was to maintain currency and proficiency in the aircraft.”

His rep added that no one was injured in the incident and “there was never any danger of a collision.”

The FAA confirmed that the two aircraft were approximately 3,600 feet away from each other at the time….

(6) WRITE IF YOU GET WORK. The good news is — “Harrison Ford Reportedly Being Eyed For Guardians Of The Galaxy Vol. 3 Role”. Let WeGotThisCovered tell you all about it.

…According to our sources – the same ones who told us that the Guardians will cameo in Thor: Love and Thunder and Now You See Me 3 is in development, both of which have since been confirmed – Harrison Ford is reportedly wanted for a villainous part in the film. It’s unclear exactly which one it could be at the moment, but one possibility is the High Evolutionary, a role that his former Star Wars co-star Mark Hamill has been linked to in the past. In certain canon, the character has a hand in the creation and subsequent experiments on Rocket, which ties into the vague plot details that we know so far.

(7) ANDERS INTERVIEW. At Black Gate, Brandon Crilly introduces his “Interview with Charlie Jane Anders, Recorded Live at Can*Con 2019”.

At Can*Con 2019 in Ottawa, Ontario, Author Guest of Honour Charlie Jane Anders sits down for a one-on-one with programming lead and author Brandon Crilly, discussing her latest novels, short fiction, and her work in fandom and the SFF community.

Which made me curious what’s the latest subject Charlie Jane Anders and Annalee Newitz are discussing on the Our Opinions Are Correct podcast. The answer — “Episode 55: 9 New Shows You Should Be Watching Right Now”.

In these tough times, we need great TV shows more than ever. We have lots of opinions about nine new series that are making us happy because they’re smart, fun, and — best of all — colorful! Plus, we’ve got recommendations for over a dozen more not-so-new shows that are worth digging up from last year, or last century. Stay safe at home and plunge your mind into dazzling new worlds. 

(8) OSCARS AFFECTED. NPR publicizes a “Academy Awards Eligibility Rules Change Due To COVID-19”.

With movie theaters shuttered and film festivals canceled due to the coronavirus pandemic, films once slated for the big screen are now premiering in people’s homes, streaming on digital platforms or showing as video on demand. In an unprecedented move, the board governing the Academy of Motion Picture Arts and Sciences will allow movies that originally had theatrical release dates but are now being screened online to be eligible to be considered for awards.

“The historically tragic COVID-19 pandemic necessitates this temporary exception to our awards eligibility rules,” Academy president David Rubin and CEO Dawn Hudson wrote in a statement. Until now, to qualify for awards, a film had to run at least seven consecutive days in a commercial theater in Los Angeles County. Under the new rules, when theaters reopen, films may qualify for awards if they have theatrical runs in L.A., New York, California’s Bay Area, Chicago, Miami or Atlanta.

(9) WHERE TO HEAR FROM DOCTOROW. The Essence of Wonder livestream will offer “Cory Doctorow Being Civil With Security Experts” on May 9.

Cory Doctorow will join Gadi [Evron] on Saturday (9 May) to talk on DRM, Right to Repair, and COVID-19/Med-Tech, read from “Unauthorized Bread”, and moderate a panel discussion featuring Steve Crocker, Martin Roesch, Keren Elazari, Ron Gula, Dmitri Alperovich, and Caleb Sima, discussing the challenges of digital policy when facing security and privacy realities.

(10) TODAY IN HISTORY.

  • April 29, 1950 — Dimension X’s “No Contact” aired. The copy at the time described the episode such, “It was in the year 1982 that space men first discovered the great galactic barrier… 5 exploratory ships went out and none came back each disappearing mysteriously at the same vanishing point an invisible wall somewhere in the vast outer reaches that became known as the wrecker of spaceships.” Mel Brandt as usual was the announcer and  with George Lefferts being the writer, and the cast being Donald Buka, Matt Crowley and  Cameron Prudhomme. You can hear it here.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 29, 1887 — H. Bedford-Jones. Pulp writer of whom only maybe ten percent of his twelve hundred stories could be considered genre, but some such as the Jack Solomon novels, say John Solomon, Argonaut and John Solomon’s Biggest Gam,e are definitely genre. Like many of the early pulp writers, he used a number of pen names, to wit Michael Gallister, Allan Hawkwood, Gordon Keyne, H. E. Twinells and L. B. Williams. Wildside Press published in 2006 a collection of his short stories, The House of Skulls and Other Tales from the Pulps. (Died 1949.)
  • Born April 29, 1908 — Jack Williamson. I’ll frankly admit that he’s one of those authors that I know I’ve read a fair amount by can’t recall any specific titles as I didn’t collect him. A quick research study suggests the Legion of Space series was what I liked best. What did y’all like by him? (Died 2006.)
  • Born April 29, 1923 — Irvin Kershner. Director and producer of such genre works as the Amazing Stories and seaQuest DSV series, Never Say Never Again, RoboCop 2 and The Empire Strikes Back. By the way several of the sources I used in compiling this Birthday claimed that was the best Star Wars film. (Died 2010.)
  • Born April 29, 1943 — Russell M. Griffin. Author of but four novels as he died far too young of a heart attack. The Makeshift God, his first novel, I remember as being a rather decent dystopian affair, and Century’s End was even bleaker. He wrote but nine stories. He alas has not made it into the digital realm yet. (Died 1986.)
  • Born April 29, 1946 — Humphrey Carpenter. Biographer whose notable output of biographies includes J. R. R. Tolkien: A Biography; he also edited The Letters of J. R. R. Tolkien. He is responsible for The Inklings: CS Lewis, JRR Tolkien, Charles Williams and their Friends. He also wrote the engaging Mr. Majeika children’s series which was decidedly genre. (Died 2005.)
  • Born April 29, 1960 — Robert J. Sawyer, 60. Hominids won the Hugo for Best Novel at Torcon 3, and The Terminal Experiment won a Nebula as well. Completing a hat trick, he won a John W. Campbell Memorial Award for Mindscan too. Very impressive.  And then there’s the FlashForward series which lasted for thirteen episodes that was based on his novel of that name.  Interesting series that ended far too soon. 
  • Born April 29, 1958 — Michelle Pfeiffer, 62. Selina Kyle aka Catwoman in Tim Burton’s Batman Returns. She was also in the much better The Witches of Eastwick as Sukie Ridgemont and was Brenda Landers in the “Hospital” segment of Amazon Women on the Moon. She played Laura Alden in Wolf, voiced Tsipp?r?hin The Prince of Egypt, was Titania in A Midsummer Night’s Dream, voiced Eris in Sinbad: Legend of the Seven Seas, was Lamia in Stardust and is playing The Wasp (Janet van Dyne) in Ant-Man and the Wasp. 
  • Born April 29, 1970 — Uma Thurman, 50. Venus / Rose in The Adventures of Baron Munchausen (Kage’s favorite film), Maid Marian in the Robin Hood starring Patrick Bergin which I highly recommend, Poison Ivy in Batman & Robin (bad, bad film) which she will follow by being Emma Peel in The Avengers, an even worse stinker of a film. 

(12) MORE ABOUT KERSHNER. [Item by John King Tarpinian.] Today being Irvin Kershner’s celebration of what would have been his 97th birthday, here is a little photo and story. “Kersh” is the older gentleman in the blue shirt and black jacket holding court with the line, (The hat in the lower right belongs to George Clayton Johnson.)  This was the premiere of Roger Lay Jr’s graduate thesis film, Chrysalis, based on Ray Bradbury’s story. Ray was sitting to George’s left, out of picture.  They held court before the screening.

Kersh kind of snuck into the theater, unbeknownst to Roger, so he was not introduced.  Once the screening was over and thank yous expressed people in attendance were getting up and heading for the door or giving a final good-bye to Ray.  I realized that most of the people in the audience were “future” directors.  I shouted out how many liked The Empire Strikes Back?  All hands were raised.  I pointed out Kersh, introduced him and the fact that he directed it.  A line quickly formed.

(13) COMICS SECTION.

  • Free Range depends on a little inside joke. Robert Bloch would have understood it.
  • The Argyle Sweater returns with another batch of “not-so-famous second careers” – three are genre.

(14) A PAIR TO DRAW TO. Two Chairs Talking, the podcast where past Australian Worldcon chairs Perry Middlemiss and David Grigg “talk about books, movies and other stuff,” is celebrating its one-year anniversary! Grigg says Episode-26: “Now We Are One” is “a special episode in which Perry and I each pick our five favourite books/series of all time and explain why we love them so much.”

For the record, the books discussed are: The Left Hand of Darkness by Ursula K. Le Guin, The Stars My Destination by Alfred Bester, The Hero With a Thousand Faces by Joseph Campbell, His Dark Materials by Philip Pullman, The Tango Briefing by Adam Hall, The Lymond Chronicles by Dorothy Dunnett, Guns Germs and Steel by Jared Diamond, The Path Between the Seas by David McCullough, and The French Lieutenant’s Woman by John Fowles, and Jonathan Strange & Mr. Norrell by Susanna Clarke

(15) CATCHING UP. Wil Wheaton admits it was news to him — “Radio Free Burrito Presents: A Modest Proposal by Jonathan Swift”. Hear him read it on Soundcloud.

A Modest Proposal is brilliant, biting, hilarious satire, that is as horrifyingly relevant in 2020 as it was in 1729. This reads like one of those brilliant editorials from The Onion, or a Hannity monologue.

… By the time I was in middle school, I was struggling to deal with my abusive father, and I just did what I had to in school to keep my grades up and not fail. My teachers were fantastic, but the curriculum was very narrow, and there was little appreciation for art and literature in it. When I got into high school, I was working full time on Star Trek. I had a magnificent on-set tutor who took me all the way from grade 9 to grade 12, who encouraged me to do all the things my previous educators had not, but by that time it was just too late for me. I have regretted all of this, from the moment I became aware of it in my 30s, and I’ve been working hard to educate myself in the middle of my life, since I was not educated fully at the beginning of my life.

I am so embarrassed and disappointed that my education is a mile wide and half an inch deep. I realized this years ago, and I’ve been doing what I can to educate myself, using college lectures that are online, and by reading as much as I can, to expose myself to the great works of art and literature that my parents didn’t care about, and my educators didn’t teach me about….

(16) PROMISE MORE THAN FULFILLED. Tsana Dolichva reviews “The Future of Another Timeline by Annalee Newitz”:

The Future of Another Timeline by Annalee Newitz is a time-travelling science fiction novel. I picked it up based on the promise that there would be both time travel and lesbians, though it turned out to be more diverse than just that description implies….

…But the overarching story is about fighting for rights and the methods by which history is made/changed. An ongoing debate in the book concerns the efficacy of collective action vs the Great Man theory; whether history can be changed incrementally and/or whether killing Hitler actually does anyone any good. But this is more a book about the characters, mostly women, looking out for each other, no matter the time period. If that’s your jam, then this may well be the book for you.

(17) JEOPARDY! Andrew Porter says tonight a Jeopardy! contestant’s genre answer was mistaken.

The category: 19th Century novels.

The answer: “It’s first line ends, ‘the period was so far like the present period…for good or for evil, in the superlative degree of comparison only.'”

Wrong question: “What is ‘The Time Machine’?”

Correct question: “What is ‘A Tale of Two Cities’?”

(18) LIKE FANTASIA’S HIPPOS. BBC reports“Dancing gargantuan black holes perform on cue”.

Astronomers have been able to test key consequences of Einstein’s theories by studying the way a couple of black holes move around each other.

One of these objects is a true colossus – a hole weighing 18 billion times the mass of our Sun; the other not quite so big at “only” 150 million Sun masses.

Scientists managed to predict their interactions very precisely.

They did so by including their warping effects on space-time and by assuming the larger hole had a smooth “surface”.

The black hole pairing, known as OJ 287, exists about 3.5 billion light-years from Earth.

Scientists have long recognised a sudden brightening from this system that occurs twice every 12 years. The outburst of energy is equivalent to a trillion suns turning on at once in the holes’ host galaxy.

The best explanation for this extraordinary behaviour is that the smaller object is routinely crashing through a disc of gas and dust that’s accreting on to its larger companion, heating the inspiraling material to extremely high temperatures in the process.

But this flaring is somewhat irregular. Sometimes the brightening episodes in the 12-year period occur as little as one year apart; other times, as much as 10 years apart.

It speaks to the complexity of the path the small hole takes around its partner – a complexity the research team has now built into a highly sophisticated model.

(19) NO PET ROCKS. The court extends a fannish rule: “AI cannot be recognised as an inventor, US rules”.

An artificial intelligence system has been refused the right to two patents in the US, after a ruling only “natural persons” could be inventors.

The US Patent and Trademark Office rejected two patents where the AI system Dabus was listed as the inventor, in a ruling on Monday.

US patent law had previously only specified eligible inventors had to be “individuals”.

It follows a similar ruling from the UK Intellectual Property Office.

(20) CHECKING UP ON THE OTHER DOCTOR. “Dr Chuck Tingle is the glue holding this fragile and crumbling existence together,” says Jake Dowzell. The current crisis has inspired these two topical tinglers.

Meanwhile, a Tingle fan has found a way to show love through Animal Crossing.

https://twitter.com/vye_curious/status/1254985825747517440

(21) SEEDING TIME. Nothing to do with sff, but I found it a relaxing report.

https://twitter.com/NeolithicSheep/status/1255466954061684743

[Thanks to John King Tarpinian, Andrew Porter, Cat Eldridge, Chip Hitchcock, Martin Morse Wooster, Andrew Porter JJ, Mike Kennedy, and Michael Toman for some of these stories. Title credit goes to File 770 contributing editor of the day Niall McAuley.]

Pixel Scroll 9/18/17 The Lethal Weapon Shops Of Isher

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(1) GOOD OMENS. Shooting began yesterday… After they got Neil Gaiman and Rob Wilkins (Terry’s manager) to return a necessary bit of equipment:

And Terry Pratchett’s account tweeted a photo of David Tennant and Michael Sheen in costume as Crowley and Aziraphale. [H/T to Nerd & Tie blog.]

(2) HIGH EXPECTATIONS. Joe Sherry gets on the scoreboard with a “Microreview [book]: Provenance, by Ann Leckie” at Nerds of a Feather.

Let’s start like this: Provenance is a novel about family, identity, culture, truth, and what it means to belong.  Provenance is set in the universe of Ann Leckie’s earlier Imperial Radch trilogy, but only connects with references and by association. This is not Breq’s Story 2.0. This is the story of a young woman, Ingray, attempting to run a pretty significant con in order to impress her mother, the matriarch of the Aughskold family.  She’s a bit out of her league on this one.  There’s something about hiring a company to rescue a disgraced member of a rival family out of a prison planet called Compassionate Removal with the hope / assumption that he will be willing to embarrass his family and help hers by providing her with stolen “vestiges” from his family.

A word about vestiges. Vestiges are highly valued historical documents and items, which could range from documents similar to a Declaration of Independence or the American Liberty Bell to an original copy of a famous speech or perhaps some sort of miscellany from some long ago gala where someone famous appeared. The older and the more historical the vestige, the more valuable and the more important the vestige. Vestiges can, in some respects, represent the identity of not only a family, but the heritage of an entire world.

So, what happens when some of the most significant of them are quietly called into question?

(3) HUGO HISTORY. Just like you read in one of those clickbait history articles about some artifact that sat unrecognized on a museum storage shelf for time out of mind, at last someone has recognized the significance of the lists in a 1956 Worldcon progress report. The official Hugo Award site announced the find in “1956 Hugo Award Page Updated”.

Thanks to new information coming to light, we have updated the 1956 Hugo Award history page with the finalists that appeared on the ballot that year. We thank Olav Rokne for bringing to our attention an article on page 15 of the 1956 Worldcon Progress Report 3 that included the names of the finalists along with voting instructions.

Note that the order in which the finalists are listed is the same order that they appeared in the progress report and does not imply order of finish on final ballot. According to the article, the final ballot included space for write-in candidates. In Best Fanzine, one of the winners appears to have been such a write-in. In Best Professional Magazine, no finalists were listed at all, so all votes were write-ins.

Also, Kevin Standlee said in a comment here:

Remember that in those early days, the rules were “whatever the committee says” and were probably first-past-the-post, and quite possibly “close enough, we’ll call it a tie.” We’ll probably never know the full details. Over time, the model for the Hugo Awards has been evolving toward “tell us everything you possibly can short of how each individual person voted.”

(4) LONG LIST 3. David Steffen has launched his Kickstarter for “Long List Anthology Volume 3”, the third edition of an anthology series of stories loved by Hugo voters – this year including stories by Seanan McGuire, Mary Robinette Kowal, Cat Rambo, and others.

The base goal of the campaign will include only the short stories.  There will be stretch goals to add novelettes and novellas.  The goals listed here include only stories that I’ve heard agreement back from the authors–some queries to authors are still pending, there may be another story or two added as an additional stretch goal.  If these stretch goals are reached, I may add on other goals as well.

This project is not endorsed by nor affiliated with the Hugo awards, WSFS, WorldCon, or any associated entities. The Hugo name is used with permission. Please note that the anthology is NOT called “The Hugo Long List Anthology”. It is called “The Long List Anthology”, or the full wordy title: “The Long List Anthology: More Stories From the Hugo Award Nomination List”.  (I’m noting this because it’s pretty commonly referred to by the wrong name)

At this writing people have contributed $1,094 of its $1,700 goal.

(5) THE FUTURE IS NOW. Eliza Angyanwe of The Guardian says of Nnedi Okorafor, “the Nigerian-American writer is flying the flag for black, female geeks” — “‘So many different types of strange’: how Nnedi Okorafor is changing the face of sci-fi”.

As the science fiction novelist Nnedi Okorafor takes to the stage at the TEDGlobal conference in Tanzania, she challenges stereotypes before she has said a word. The 43-year-old writer who won the 2016 Hugo award (the Oscars of the sci-fi world) for best novella doesn’t look like much of a geek. Yes, she wears oversized glasses, but Okorafor’s specs are trendy, royal-blue Cat-Eyes, not wiry aviators. And, crucially, she happens to be a black woman.

The Nigerian-American’s success has been applauded as a victory by a community that has long cheered her on from the margins. So when she tweeted on 11 August that she was working on her first project with the comic publisher Marvel, fans were thrilled. (“A Marvel story. Written by a Nigerian woman. Set in Lagos. Superhero’s name: NGOZI. What a time to be alive,” wrote one fan on Twitter) And with a novel, Who Fears Death, to be adapted for TV by HBO (George RR Martin is its executive producer) Okorafor is about to go from the solitary geek reference-point for young African women to everybody’s favourite new sci-fi writer.

(6) MORE SUPERHEROS. The Teen Titans are coming to CW (well, actually, to DC’s new digital service.)

(7) TODAY IN HISTORY

  • September 18, 1973 – Georgia governor (and future President) Jimmy Carter reports a UFO sighting.
  • September 18, 1989 – Alien Nation premiered on TV.
  • September 13, 2002 – The third incarnation of The Twilight Zone TV series premiered.

(8) COMICS SECTION.

Web comic artist M. Patrinos of Seasonal Depression made this clever comic about the questionable marketing decisions LEGO has made to target girls with the “LEGO Friends” line.

(9) GET YOUR SHARE OF SMUGGLED BOOKS. Ana Grilo & Thea James from The Book Smugglers have added a bunch of new signed copies of books as reward levels for donors to “The Book Smugglers: Level Up” Kickstarter.

Thanks to the generosity of some of the best SFF and YA authors out there, we have a number of signed copies of new and upcoming books including but not limited to: Provenance by multiple-award winner Ann Leckie, audiobooks of the astonishingly good Illuminae and Gemina by Amie Kaufman and Jay Kristoff, both Ninefox Gambit and Raven Stratagem by the incomparable Yoon Ha Lee, the YA time travel Fantasy The Girl With the Red Balloon by Katherine Locke, and many more.

We also have MAPS AND ART! Aliette de Bodard donated a copy of House of Binding Thorns, along with character art by Hugo Award nominated artist M. Sereno! And Megan Whalen Turner is offering signed copies of not only her entire Queen’s Thief series (and we turned that into a SUPER MEGA reward level for SUPER FANS) but also a cool map of that world.

They’re raising money for “A brand new season of short stories and novelettes, new contributors, …a new look and more.” As of today, backers have given $8,068 toward their $16,500 goal, with 16 days to run.

(10) THE POET FROM BEGINNING TIL NOW. SPECPO, in “Monsters and Heroes: An Interview with Bryan D. Dietrich”, quizzes the author of a book-length study on comics, Wonder Woman Unbound, and six books of poems, who’s also co-editor of Drawn to Marvel, the world’s first anthology of superhero poetry, and a past president of the Science Fiction and Fantasy Poetry Association.

When are you most satisfied with a poem you’ve written?

When it surprises me.

When it does something I never do.

When it loses control and runs rogue, only to come back to the pack.

When it makes me cry.

When it reminds me why I started writing poems in the first place, which is to say when it lives up to the debt I owe to the language I love.

George Orwell once famously said that a poetry reading is “a grisly thing.” How do you feel about poetry readings?

Well, I think reading about a man having his soul broken in a locked room with a locked cage filled with rats attached to his face is a pretty grisly thing too, but then who am I to judge?

(11) CRACKDOWN ON NAZI COSPLAY. Nerd & Tie’s Trae Dorn reports “Rose City Comic Con Taking Firmer Stance Against Nazi ‘Cosplay’”.

When you get down to it, there are two kinds of people who put on Nazi cosplay. There are people who are two microfocused on their fandom to think about how what they’re wearing will be perceived by the people around them, and then there are people who are completely aware of it and it’s the whole reason they’re doing it. The former are good people who need to take their convention blinders off (and I’ve been complaining about this issue for a while). The latter though are people who have no place in our community, and we need to take a stand against it as a community.

(12) ASSUME A KINDER, GENTLER ASTEROID. “What if dinosaurs hadn’t died out?” — a fannish preoccupation.

Imagine a world where an asteroid hadn’t wiped out the dinosaurs. What would have happened afterwards – and how might their presence have affected mammals like us?

…Even closer to the present day, dinosaurs would have had to deal with the various ice ages of the past 2.6 million years. But we know that Cretaceous dinosaurs were living above the Arctic Circle. “Maybe in cooler places you would see things with thick and elaborate pelts, covered in fuzz and feathers all the way down to the tips of their toes and tails,” says Naish.

“It wouldn’t have been difficult for a ‘woolly’ tyrannosaurus or dromaeosaur relatives of Velociraptor to evolve,” adds armoured dinosaur expert Victoria Arbour of the Royal Ontario Museum in Canada. “Maybe we could have even had shaggy and woolly ceratopsians, ankylosaurs, or hadrosaurs.”

(13) TIPSY SCHADENFREUDE. BBC has the story: “The whiskey toasting the demise of Lehman Brothers bank”. Chip Hitchcock asks, “Perhaps a Maltcon will tell us if it’s any good?”

A London entrepreneur decided that the whole world should be able to taste one of the most profound company collapses in modern times. On 15 September nine years ago 25,000 people lost their jobs when the bank went bankrupt.

James Green says he was inspired to keep the bank’s name alive by the significance of those events.

“After living through the economic disaster of 2008, it really resounded with me. I personally related to it, there were people in my neighbourhood, my family that were personally affected by the crash,” he says.

He says his three different whiskies, one of which is named Ashes of Disaster, have been specially crafted to capture the flavour of the once mighty bank’s fall from grace.

(14) NOTHING IMPORTANT. From the BBC we learn that “Carbon dating reveals earliest origins of zero symbol”.

The Bakhshali manuscript is now believed to date from the 3rd or 4th Century, making it hundreds of years older than previously thought.

It means the document, held in Oxford, has an earlier zero symbol than a temple in Gwailor, India.

The finding is of “vital importance” to the history of mathematics, Richard Ovenden from Bodleian Libraries said.

The zero symbol evolved from a dot used in ancient India and can be seen throughout the Bakhshali manuscript.

Other ancient cultures like the Mayans and Babylonians also used zero symbols, but the dot the Bakhshali manuscript developed a hollow centre to become the symbol we use today.

It was also only in India where the zero developed into a number in its own right, the Bodleian Libraries added

(15) TV GUIDANCE. Do you get Turner Classic Movies? Then you can look forward to a very scary month! So says a blogger at Thought Catalog — “Here Are All The Classic Horror Movies TCM Will Be Airing (Commercial Free!) During October”.

It’s good to see some classic movies getting some love. This year Turner Classic Movies will be airing vintage horror movies all month, and unlike other networks, TCM airs the movies commercial free. If you know someone who needs a good education in the history of horror movies, tell them to tune in.

(17) FAUX WORLDCON BID. Calamity Caitlin rediscovered the exhibit she and a friend made for a Springfield, Vermont Worldcon bid in years gone by. (There are 1+12 tweets, but the chain is broken, so you have to look at her Twitter accountfor September 17 or use this search to see them all.)

And it ends with this one:

(18) REPLACES DANDELION. Do you want to know what the latest Crayola crayon color is? Well, here’s the link anyway…

The winner was chosen beat out four other names with 40% of the vote in an online naming contest launched in July.

(19) THE HISTORIC DOCUMENTS. Ed Emshwiller’s sf parody short The Thing From Back Issues, made at the Original Milford Science Fiction Writers Conference in the 1950s, was posted online this past summer by Susan Emshwiller. I only recognize one of the writers, although some well-known names were at the 1956 conference, including Robert Silverberg, Cyril Kornbluth, Katherine MacLean, and Lester Del Rey.

[Thanks to Cat Eldridge, JJ, Chip Hitchcock, Carl Slaughter, Ana Grilo, Kevin Standlee, Andrew Porter, David Steffen, and John King Tarpinian for some of these stories. And an overdue credit for iphinome. Title credit goes to File 770 contributing editor of the day Daniel Dern.]