The Colorado Authors Hall of Fame’s 2021 Inductees include a dozen living and four legacy authors — three of whom have written sff: Kevin J. Anderson, W. Michael Gear, and the late Robert A. Heinlein. The induction ceremony will be held September 18 in Denver.
The first Hall of Fame induction in 2019 honored 22 authors, among them Stephen King, Clive Cussler, and Connie Willis, eligible because they either lived in Colorado at some time or featured Colorado prominently in their works.
KEVIN J. ANDERSON
With more than 170 published books, 58 of which have been national or international bestsellers, Kevin Anderson is a true creative wordsmith. He has written numerous novels in the Dune, Star Wars, X-Files, and Batman/Superman universes, as well as unique steampunk fantasy novels Clockwork Angels and Clockwork Lives, written with legendary rock drummer Neil Peart. His original works include the Saga of Seven Suns series, the Wake the Dragon and Terra Incognita fantasy trilogies, the Saga of Shadows trilogy, and his humorous horror series featuring Dan Shamble, Zombie P.I. He has edited numerous anthologies, written comics and games, and the lyrics to two rock CDs. Kevin is the director of the graduate program in Publishing at Western Colorado University in Gunnison and he and his wife Rebecca Moesta are the publishers of Colorado-based WordFire Press.
Kevin does most of his writing by dictation while out hiking in the Colorado mountains. He has climbed all the Fourteeners in the state and has completed the entire Colorado Trail, and after lengthy hikes he enjoys relaxing with an IPA from one of Colorado’s many excellent craft breweries. His most recent novels are Vengewar, Dune: The Duke of Caladan (with Brian Herbert), Stake (set in Colorado Springs), Kill Zone (with Doug Beason), and Spine of the Dragon.
Books of note: Dune: The Duke of Caladan and Hidden Empire: The Saga of Seven Suns Book 1
W. MICHAEL GEAR
Being a professional archaeologist and New York Times bestselling author with 60 novels, 2 short stories, and 82 non-fiction articles in print that have been translated into 29 languages is what brings William Michael Gear to the Hall. Earning his BA and MA in physical anthropology at Colorado State University, he transitioned to Wyoming as a field archaeologist. He is the 2020 winner of the Owen Wister Award and inductee into the Western Writers of America Hall of Fame. Over 17 million copies of his books are in print in 29 languages. His novels have been used as educational tools in grammar schools and high schools, and used as textbooks in university classes in archaeology, anthropology, and literature courses.
His writing was inspired by historical inaccuracies he encountered in reading historical fiction. “Irritated by historical inaccuracies in Western fiction, he swore he could do better. …he read a Western novel about a trail drive.. the historical inaccuracies of the story bothered him all night. The next morning, he hammered out his first five hundred and fifty page novel. It reads wretchedly—but the historical facts are correct.
His North America’s Forgotten Past series (co-authored with Kathleen O’Neal Gear) has educated millions around the world and is the only series of books written by professional archaeologists that tackles the panorama of extraordinary native cultures that have inhabited North America over the past twenty thousand years. Gear’s educational effort have been recognized by state and regional library organizations, and the Kansas National Education Association for the Kansas State Reading Circle for Middle/Junior High School students. He’s also won numerous awards from bison organizations, including the Western Bison Association’s Founders Award, the Classic Producer’s Award from the Dakota Territory Buffalo Association, and the FFA Pride Award for agricultural education.
Michael’s literary work has been honored by literary organizations, educational associations, and state and regional library organizations, as well as organizations dedicated to the history and future of bison. His service to other writers is demonstrated by his eight President’s Awards from the Western Writers of America, and the Emmie Mygatt Award and Arizola Magnanat Awards from Wyoming Writers, Inc. All were for dedicated service to writers that inspired and helped other writers.
Books of note: Unreconciled and Flight of the Hawk: The Plains
ROBERT HEINLEIN – JULY 7, 1907 – MAY 8, 1988
Calling Colorado Springs home in 1949, Robert Heinlein’s personally designed house was featured in Popular Mechanics. Often called the “dean of science fiction writers”, he was among the first to emphasize scientific accuracy in his fiction and became a pioneer of the subgenre of hard science fiction. He was an American science-fiction author, aeronautical engineer, and Naval officer creating 32 published novels, 59 short stories, and 16 collections during his life. Four films, two television series, several episodes of a radio series, and a board game have been derived directly from his work. Heinlein edited an anthology of other writers’ Science Fiction short stories.
WWII, the atomic bombings in Japan, and the Cold War, galvanized Heinlein’s determination to make a difference with his writing. He published four influential short stories for The Saturday Evening Post magazine, including The Green Hills of Earth, which made him the first science fiction writer to break out of the “pulp ghetto”. In 1950, the movie Destination Moon—the documentary-like film for which he had written the story and scenario, co-written the script, and invented many of the effects—won an Academy Award for special effects. Understanding that the YA market devoured fantasy and sci-fi, he embarked on a series of juvenile novels for the Charles Scribner’s Sons publishing company that went from 1947 through 1959, at the rate of one book each autumn, in time for Christmas presents to teenagers.
Books of note: Stranger in a Strange Land, The Star Beast and Starship Troopers
CAEZIK Notables, an imprint of Arc Manor Books, is putting out a series of speculative fiction books marking important milestones in science fiction or fantasy. Each book in the series is given a new introduction highlighting the book’s significance within the genre. Two of those books were released this month, and two more are coming in June and July.
Friday by Robert A. Heinlein
Release Date: May 5
The comeback novel for Heinlein after he recovered from his reversible neurologic dysfunction which had impacted his writing. First published in 1982.
New introduction by Richard Chwedyk, ascience fiction writer and teacher. He won a Nebula Award in 2002 and has been nominated for the Hugo Award, the Rhysling Award, and shortlisted for the Theodore Sturgeon Memorial Award. He has been teaching creative writing and literature, and science fiction writing, at Columbia College Chicago since 2009. He currently writes the book review column for Galaxy’s Edge magazine
Midnight At The Well Of Souls byJack L. Chalker
Release Date: May 11
One of the original gender and species transformation novels. First published in 1977.
New introduction by David Boop, an author, screenwriter and award-winning essayist. His debut novel, the sci-fi/noir She Murdered Me with Science was published in 2017. His follow-up, The Soul Changers, is a Victorian Horror based on Rippers is due out in 2021. As editor, David edited the bestselling weird western anthology series for Baen beginning with Straight Outta Tombstone.
The Long Tomorrow by Leigh Brackett
Release Date: June 15
One of the original novels of post-nuclear holocaust America, The Long Tomorrow is considered by many to be one of the finest science fiction novels ever written on the subject. First published in 1955.
New introduction by Howard Andrew Jones, author of the historical fantasy novels, The Desert of Souls, and its sequel, The Bones of the Old Ones. He has also written a Pathfinder Tales novel, Plague of Shadows.
Simulacron-3 by Daniel F. Galouye
Release Date: July 13, 2021
The original “Cyberpunk” novel. A story about virtual reality written before anyone knew about the concept. It has been converted into various media productions. First published 1964.
New introduction by Richard Chwedyk.
COMING ATTRACTIONS. Three more books scheduled for release as Caezik Notables in the coming months are:
Double Star by Robert A. Heinlein (intro not yet decided, 9/7/21)
Bolo: Annals of the Dinochrome Brigade by Keith Laumer (intro by Jack Campbell, 9/7/21)
The Warlock in Spite of Himself by Christopher Stasheff (intro not yet decided, 2/8/22)
The most remarkable thing about the 1944 Retro Hugos is that there is no Heinlein. Not a single Heinlein story was nominated for the Retro Hugos this year, not because fandom has suddenly lost its taste for Heinlein, but because Heinlein was too busy in 1943 testing military equipment at the Navy Yard* to write science fiction. Also notable by his absence (except for one fairly obscure story) is Isaac Asimov, who was also too busy testing military equipment at the Navy Yard to write, though unlike Heinlein, Asimov didn’t have a choice, because he was at danger of being drafted and expected (not without justification) that he’d be killed if he were ever taken prisoner, as Alex Nevala-Lee describes in his (excellent) chronicle of the Golden Age and what followed Astounding.
World War II also took other Golden Age stalwarts such as Lester Del Rey (also busily doing something at the Navy Yard) and L. Ron Hubbard (busily shooting at phantom subs off the Mexican coast) out of the game, leaving the field open for other voices and the 1944 Retro Hugo finalists certainly reflect that. This is a good thing, because it means that writers who are not normally recognised by the Retro Hugo Awards (though some of them have been recognised by the regular Hugos) finally get their dues.
This is the third year of the Best Series category and personally, I’m getting really frustrated with it, even though I initially supported the idea. But the way I viewed the Best Series Hugo (and the way it was originally sold) was as a way to award the sort of extremely popular SFF series that are beloved by fans and regularly hit bestseller lists, but whose individual volumes are almost never recognised by the Hugos, because the whole is often greater than the sum of its parts (see Wheel of Time, which was obviously misclassified in Best Novel, but would have been a natural for this category). When the category was announced, I assumed we’d see finalists like the Dresden Files by Jim Butcher (which might have been nominated, except that the series hasn’t had a new book in years, because Jim Butcher is apparently ill), the Kate Daniels series by Ilona Andrews (which actually ended in 2018 and really would have deserved a nod), the Mercy Thompson and Alpha and Omega series by Patricia Briggs, the Outlander series by Diana Gabaldon, the Honor Harrington series by David Weber (not to my taste, but obviously beloved by many), etc… But that’s not what we’re seeing in this category. Instead, we’re getting the same finalists we’re seeing elsewhere on the ballot. Perhaps the Hugo electorate aren’t really series readers to the degree initially assumed. Or maybe they just have a really weird taste in series.
(3) CLARIFYING TWEET. Archive of Our Own is up for the Best Related Work Hugo. The facility
of the site, not the individual works of fanfic. Did someone need that
explained, or were they only amusing themselves? Just in case, someone
(4) MARK YOUR CALENDAR. The
dates for the next two LA Vintage Paperback Shows have been set — March 8, 2020 and
March 28, 2021.
(5) STRONG WILL. Red
Wombat needs to get something done before heading to China:
Work on the new Heinlein work continues, but we are experiencing some production delays and so may have to postpone the release from November, to Spring of 2020….
Some questions on the new Heinlein answered:
1. Is Spider Robinson completing an unfinished work by Heinlein? NO. Neither Spider Robinson, nor anyone else has been tasked with completing the book. The book is complete. It did survive in fragments, but the fragments contain the complete book. It is being edited (as is every published book) to eliminate errors, inconsistencies, etc. But the work is 100% Heinlein.
2. Is this the rumored alternate text to The Number of the Beast? Yes. This is the alternate text that Heinlein wrote. There are many reasons that have been suggested as to why this was never published, including certain copyright issues that may have existed at that time (the book uses the characters created by other authors, and the book acts as a homage to a couple of authors Heinlein admired).
3. Is the unpublished version similar to the published version? No, though it largely shares the first one-third of the book, it then becomes a completely different book in every way. In the published version the villains are largely forgotten as the novel evolves into something else completely. The unpublished version is much more of a traditional Heinlein book, with a much more traditional storyline and ending.
4. What is the release date? We are trying to publish it by November, but it appears we may have to delay it till Spring 2020 due to a number of reasons
SFWA President Cat Rambo noted, “Vonda was one of our best and brightest, and she had three times the heart of most of the people I know. I’m so glad she managed to finish the book she was working on, but her loss hits so many of us who loved her and her words with a hardness that is tough to bear. Be kind to each other today in her honor; I can’t think of any way that would be better to celebrate the goodness and grandeur that she was.”
The best part of In the Vanisher’s Palace is de Bodard’s fascinating world. I want to know more about the Vanishers and how they destroyed Yên’s society. I’d gladly read other stories set in this world. I also loved the “non Euclidean” and “escherscape” palace which at first makes Yên nauseated.
If you read KILL THE FARM BOY, then NO COUNTRY FOR OLD GNOMES is the same in tone, silliness, puns, wordplay, and corny jokes. Except this time we don’t see much of Gustave, Grinda the Sand Witch, Fia, and the others; no, this is about the gnomes Offi and Kirsi and their new friends whose quest to stop the halflings turns into a journey fraught with danger.
Theory of Bastards is set in the near future, and Schulman does an impressive job (especially for a newcomer to the genre) of constructing a plausible and thought-out portrait of life in the coming decades. She casually drops into the narrative such ideas as a future type of internet in which computer-generated avatars present the news, or a combination implant and gene therapy that turns the deaf bonobo keeper’s mouth into another ear, able to perceive vibrations and translate them into sound. But for the most part, the picture she paints is not encouraging.
In December of 1847, John D. Fox moved his family to a house in Hydesville, New York. Although the house had an odd reputation (the previous tenant had vacated because of mysterious sounds), it wasn’t until March of the following year that the family’s troubles began. Before long, daughters Kate and Margaret claimed to be communicating with the spirit of a peddler who had been murdered in the house. The communications took the form of rapping noises in answer to questions asked aloud.
The Fox sisters (along with a third sister, Leah, who acted as their manager) soon parlayed their rapping skills into celebrity. The young ladies held public séances, underwent “tests,” and inspired copycat mediums around the world. By the time the Foxes were debunked, they’d helped to inspire a new religion, Spiritualism, which was popular in both America and Great Britain, that held as its central tenet that the spirits of the dead continued to exist on another plane and could be contacted by human mediums. The Spiritualist movement had no less a figure as its international spokesperson than Sir Arthur Conan Doyle, whose wife Jean was also a medium.
It’s no coincidence that the ghost story experienced a rebirth of popularity at about the same time….
Janice Frank’s body was often a burden to her, and she likely would be unfazed by the fact that her cremated remains have been lying, unclaimed, in a funeral parlor since her untimely death in 2014 at 59.
But the news that she was there stunned her daughter, Sovay Fox, and her daughter’s partner, Hallie Hauer, who both thought she’d been given a pauper’s burial and had given up on ever having possession of her ashes.
Ms. Frank, born in 1954, contracted polio from the vaccine that was designed to prevent it. She was 8 years old, and the disease left her with a deformed leg. She walked her whole life with a cane.
A journalist and author, she told other writers that the best of their craft would come from tapping into their own pain, and it seemed she had a bottomless well of suffering from which she often wrote.
(14) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born April 2, 1914 — Alec Guinness. Obi-Wan Kenobi in the Star Wars trilogy. (What? There were more movies after them? No!) That’s it for filmed genre roles but theatre is another matter altogether. He played Osric first in Hamlet in the early Thirties in what was then the New Theatre, Old Thorney in The Witch of Edmonton at The Old Vic and the title role of Macbeth of course at Sheffield. (Died 2000.)
Born April 2, 1933 — Murray Tinkelman. Illustrator of genre covers during the Seventies. Glyer has a most excellent look at him here in his obituary posting. I’m very fond of his cool, diffuse style of illustration that made it seem as if the subject of the cover was just coming into focus as you looked at them. (Died 2016.)
Born April 2, 1939 — Elliot K. Shorter. Fan, bookseller, and Locus co-editor once upon a time. He was attending conventions by the early Sixties and was a major figure in Sixties and Seventies fandom, and involved in a number of APAs. And as Glyer notes, he spread his larger than life enthusiasm wide as he ‘belonged to the Tolkien Society of America, Hyborean Legion, the City College of New York SF Club, ESFA, Lunarians, Fanoclasts and NESFA.’ He was involved in the Worldcon bid and helped run Suncon, the 1977 Worldcon which came out of the bid. All of this is particularly remarkable as he was one of the very few African-Americans in Sixties fandom. (Died 2013.)
Born April 2, 1975 — Adam Rodriguez, 44. His first genre role is on All Souls, the haunted hospital drama, as Patrick Fortado. He’s also in season three of Roswell as Jesse Esteban Ramirez.
Born April 2, 1978 — Scott Lynch, 41. Author of Gentleman Bastard series of novels which is to my utter surprise now at seven with the forthcoming one. I know I read The Lies of Locke Lamora but who here has read the entire series to date? And I see he was writing Queen of the Iron Sands, an online serial novel for awhile. May I note he’s married to Elizabeth Bear, one of my favorite authors?
Are you devoted enough to watching “Avengers: Endgame” that you’re willing to sacrifice two-and-a-half days of your life hyping up for it?
AMC is hosting yet another Marvel movie marathon leading up to “Endgame,” a 22-film marathon saga that covers every MCU dating back to 2008’s “Iron Man” and concludes with “Endgame.” And just … why? Does anyone honestly need this?
Those who do brave the experience will get special marathon collectibles, content, concession offers and will get to see “Avengers: Endgame” at 5 p.m. local time on April 26, one hour earlier than regular public show times.
(16) CLASSIC ILLUSTRATIONS. The
Society of Illustrators in New York hosts its “Masters
of the Fantastic” exhibit through June 8. Includes work by many artists
including Winsor McCay, Kinuko Y. Craft, Leo and Diane Dillon, Vincent Di Fate, Ed Emshwiller, Hannes Bok, Virgil
Finlay, and Frank Frazetta.
The art of the fantastic gives vision to our dreaded nightmares and our most fervent hopes. Stories of fantasy and science fiction have risen from the quaint traditions of the tribal storyteller through children’s fables and pulp magazines to dominate today’s cultural mainstream. Through their use on the covers of bestselling books, to their appearance in blockbuster movies, TV shows and videogames, illustrative images play a central role in the appeal and popular acceptance of the fantastic narrative and the Society of Illustrators is pleased to celebrate this rite of passage with an exhibition of more than 100 examples of the genre’s finest artistic works. MASTERS OF THE FANTASIC encompasses a full range of otherworldly images—from dragons, specters and demons, to the far reaches of deep space—in the form of paintings, drawings and sculpture, highlighting the works of the artistic innovators who have given shape and substance to the world’s most imaginative kinds of storytelling.
(17) TO THE MOON. In the March 29 Financial Times, Jan Dalley reviews a
virtual reality voyage to the moon by performance artist Laurie Anderson
collaborating with Taiwanese artist Hsin-Chien Huang, in an installation
currently at Art Basel Hong Kong.
The hateful headset is instantly forgotten as, with gut-lurching suddenness, the ‘floor’ shatters beneath you and you are cast off, a weightless space traveller in the wonder of the galaxy. And quickly dumped on the surface of the moon, quaking (in my case), to face and explore a series of visions and adventures: ghost dinosaurs composed of mathematical symbols splinter into nothing as you navigate yourself toward them (one is replaced by a phantom Cadillac); a glittering diamond-shaped mountain sucks you on high among its giant peaks, perilously close; a plethora of swirling, hideous space junk crashes into your visor before you realise you have grown an immensely long pair of arms with which, presumably, to fend off the aggressions of this man-made trash, while behind looms the immense, terrifyingly beautiful sight of Earthrise. A fathomlessly deep stone rose (remember Saint-Exupéry’s The Little Prince?), still and lovely, is vast enough to be slowly circled by its own eerie moons. Later you lose your body completely; suddenly you’re on a donkey ride; an entire galaxy explodes into a vast cosmic firework display.
HEADS ARE BETTER. Bill Nye and Bob Picardo talk all about how advocating
for space really works in the February edition of The Planetary Post.
An hour south of Charlotte, N.C., two forks in the road beyond suburbia, a freshly constructed house sits in a wind tunnel waiting to be set on fire.
To the left of the house is a brick wall with a hole in the middle, made by a 2-by-4 propelled at 70 miles per hour.
In front of the house is a metal staircase five stories tall. At the top are the hail guns.
More than 100 fans begin to turn, slowly at first and then faster. The ember generators flicker on. The fire is about to begin.
The past two years have been particularly costly for insurance companies that are on the hook for billions of dollars in damage done by hurricanes, wildfires, floods and other disasters. As these disasters become more frequent and expensive, in part because of climate change, insurers are investing more in this research facility that studies how to protect homes and businesses from destructive wind, water and embers.
The facility in rural South Carolina is run by the Insurance Institute for Business & Home Safety, a nonprofit research organization funded by U.S. insurance companies….
(20) HOW TO
FAIL PHYSICS. “NASA: India’s satellite destruction could endanger
ISS”. Chip Hitchcock’s summary: “The perfectly safe test wasn’t.
Follow-on to links you didn’t use last week; now there’s hard evidence — but
somebody should have figured that a blowup in LEO would send debris up, not
just down and sideways.”
Nasa has called India’s destruction of a satellite a “terrible thing” that could threaten the International Space Station (ISS).
The space agency’s chief, Jim Bridenstine, said that the risk of debris colliding with the ISS had risen by 44% over 10 days due to the test.
However he said: “The international space station is still safe. If we need to manoeuvre it we will.”
India is the fourth country to have carried out such a test.
Prime Minister Narendra Modi announced the test – Mission Shakti – with great fanfare on 27 March, saying it had established India as a “space power”.
In an address to employees, Mr Bridenstine sharply criticised the testing of such anti-satellite (ASAT) weapons.
He said that Nasa had identified 400 pieces of orbital debris and was tracking 60 pieces larger than 10cm in diameter. Twenty-four of those pieces pose a potential risk to the ISS, he said.
…Delhi has insisted it carried out the test in low-earth orbit, at an altitude of 300km (186 miles), to not leave space debris that could collide with the ISS or satellites.
Sarcos Robotics is responsible for some incredible technology. Last July, we introduced you to the company’s Guardian S, the 4-foot-long inspection robot that uses magnetic tracks to inch along everything from metal walls to oil pipelines.
The Salt Lake City-based company is also responsible for the Guardian GT robot, which allows an operator to remotely control two massive robotic arms on a tracked (or wheeled) robot to perform dangerous inspection and maintenance tasks in the nuclear, oil and gas, and construction industries.
The company also designed a powerful robotic exoskeleton, the Guardian XO, a smooth, battery-powered exoskeleton initially designed to give industrial workers the ability to repeatedly lift 200 pounds without any physical exertion.
In early March, Sarcos partnered with the U.S. Navy to evaluate how workers at naval shipyards could benefit from exoskeletons. Through the deal, shipyard workers could one day use the XO to work with heavy payloads and use power tools. The deal also calls for the Guardian S to potentially inspect confined spaces — for example, in submarines as they are modernized or retired.
Figuring out how to repurpose food packaging, plastic, paper, fabric and other types of waste without gravity to work with is difficult. That’s why NASA, in partnership with NineSigma, created the Recycling in Space Challenge.
The purpose of the challenge is to engage the public to develop methods of processing and feeding trash into a high-temperature reactor. This will help NASA’s Advanced Exploration Systems and space technology programs develop trash-to-gas technology that can recycle waste into useful gases.
The NASA Tournament Lab (NTL) crowdsourcing challenge received submissions from participants around the world. A panel of judges evaluated the solutions and selected one first place and two second place winners.
The award recipients are:
· Aurelian Zapciu, Romania – $10,000 for first place, Waste Pre-Processing Unit
· Derek McFall, United States – $2,500 for second place, Microgravity Waste Management System
· Ayman Ragab Ahmed Hamdallah, Egypt – $2,500 for second place, Trash-Gun (T-Gun)
The three winners brought a variety of approaches to the table for the challenge. Zapciu’s submission proposed incorporating space savings features and cam actuated ejectors to move trash through the system, before bringing it to another mechanism to complete the feed into the reactor. McFall’s submission indicated it would use a hopper for solid waste and managed air streams for liquids and gaseous waste. Hamdallah proposed using air jets to compress the trash and cycle it through the system instead of gravity.
ALL-STARS. The Dead Don’t Die promises
— the greatest zombie cast ever disassembled starring Bill Murray, Adam Driver, Tilda Swinton, Chloë Sevigny, Steve Buscemi, Danny Glover, Caleb Landry Jones, Rosie Perez, Iggy Pop, Sara Driver, RZA, Selena Gomez, Carol Kane, Austin Butler, Luka Sabbat and Tom Waits. Written and directed by Jim Jarmusch. In Theaters June 14th.
Martin Morse Wooster, John King Tarpinian, Daniel Dern, Cat Eldridge, JJ, Andrew
Porter, Mike Kennedy, Chip Hitchcock, Michael Toman, and Carl Slaughter for
some of these stories. Title credit goes to File 770 contributing editor of the
day Matthew Johnson.]
Robert Heinlein is the legendary author of such classic works as Starship Troopers, The Moon Is a Harsh Mistress, and Stranger in a Strange Land. His books have influenced generations of artists and scientists, including physicist and science fiction writer Gregory Benford.
“He was one of the people who propelled me forward to go into the sciences,” Benford says in Episode 348 of the Geek’s Guide to the Galaxy podcast. “Because his depiction of the prospect of the future of science, engineering—everything—was so enticing. He was my favorite science fiction writer.”
Heinlein appears as a character in Benford’s new novel, a time travel thriller called Rewrite. The novel depicts Heinlein as a MacGyver-esque man of action who dispatches his enemies with the aid of improvised traps. Benford, who met Heinlein in the late 1960s and knew him throughout his life, says this is an extremely accurate portrayal.
“He had a degree in engineering from Annapolis, and he liked doing things himself,” Benford says. “You can certainly see it in his novels, which are full of people rigging stuff up and making it work. He loved that kind of thing.”
(Note: The item’s subtitle references a Heinlein character in Time Enough for Love who also had some
things in common with the author.)
Are lazy people really smarter and more successful?
That certainly doesn’t add up. But part of the problem might have to do with how we view laziness itself; it’s very possible that the things we associate with laziness are actually not so indicative of laziness at all.
Bill Gates has often been quoted as saying, “I always choose a lazy person to do a hard job, because a lazy person will find an easy way to do it.” Whether Gates even said that in the first place is questionable, but the quote still gets repeated — and that’s because there’s some truth in it.
Many obsessively critical thinkers (a.k.a. people with a high “need for cognition”) are concerned with reducing wasteful actions, and instead prefer to use efficient processes….
(3) ZONE TRANSFERS TO WEST
END. The Twilight Zone is coming
to the West End at
London’s Ambassadors Theatre March 4, 2019 after its initial run elsewhere.
Poster photos by Steve Green.
The 1960s CBS series has been adapted for the stage by Anne Washburn (Mr. Burns: A Post Electric Play) as eight stories from original writers Rod Serling, Charles Beaumont, and Richard Matheson unfold. Richard Jones directs.
(5) BERLIN FILM FESTIVAL. [Item by Cora Buhlert.] The Berlin film festival ended tonight with various awards being
handed out (and there are a lot of awards). The full list is here in a lengthy PDF document. Most
of the winners are not genre.
Two winners are genre interest. The Teddy Award for the best LGBT
feature film as well as the Teddy Readers Award, awarded by the readers of the
went to Breve Historia Del Planeta Verde
(A Brief Story from the Green Planet), an Argentinian movie about a transwoman
taking a road trip with a purple alien through rural Argentina, which sounds
pretty fabulous. Here is the Teddy Award website and here is a
bit more about the movie from the official Berlin film festival website.
And this year’s honorary Golden Bear was awarded to Charlotte
Rampling, whose genre roles include Zardoz
and the upcoming Dune adaptation by
Denis Villeneuve. More here.
(6) THE GAME’S AFOOT. Cheryl
Morgan tweeted photos of her walking tour of Dublin, especially the vicinity where
the Worldcon will be held. The thread starts here.
(7) SMITH OBIT. Disney archivist
Dave Smith died February 15. Disney Parks
Blog profiles him in “Remembering
Dave Smith” .
Walt Disney Archives founder Dave Smith passed away in Burbank, California, on February 15, 2019. He was 78. Dave dedicated his four-decade career at The Walt Disney Company to preserving Disney’s precious treasures from film, television, theme parks, and beyond. Named a Disney Legend in 2007, Dave was beloved by fans around the world for his wide knowledge of the Company’s rich history, which he shared in books and through his popular magazine column “Ask Dave.”
(8) GANZ OBIT. Swiss actor Bruno Ganz died today. Cora Buhlert recollects: “Genre roles include Werner Herzog’s take on Nosferatu, Wim Wenders’ Der Himmel über Berlin/Wings of Desire and its sequel Faraway, So Close, and The Boys From Brazil, which I’ve totally forgotten he was in. Oh, yes, and he gave the best ever portrayal of Adolf Hitler in Downfall, i.e. the movie all of those subtitled ranting Hitler videos on YouTube were taken from. My parents actually saw him on stage in the 1960s, when he played at the Bremen theatre early in his career.”
By many standards, the greatest honor Mr. Ganz received was possession of the Iffland-Ring, a diamond-studded piece of jewelry named for an 18th-century German actor and given to the “most significant and most worthy actor of the German-speaking theater.” When he received it in 1996, as a bequest from his predecessor, Josef Meinrad, he was only the fifth actor to have held it since the 1870s.
Mr. Ganz admitted that his convincing performances seemed to transcend reality for some fans. “People really seemed to think of me as a guardian angel” after “Wings of Desire,” he told The Irish Times in 2005. “People would bring their children before me for a blessing or something.”
(9) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born February 16, 1909 – George Gross. Pulp artist whose first cover work was for Mystery Novels Magazine starting with their March 1935 cover. He then had a very long association with Jungle Stories from 1941 to 1954. In the 70s, he illustrated The Avenger series of paperback books which were published by Warner Paperbacks. (Died 2003.)
Born February 16, 1953 – Mike Glyer, 66. Happy Birthday! OGH has won the Hugo Award 11 times in two categories: File 770 won the Best Fanzine Hugo seven times. He himself has won the Best Fan Writer Hugo four times. Chicon IV, the 1982 Worldcon, presented him a special award for “Keeping the Fan in Fanzine Publishing.” It is even rumored that he might have written several pieces of genre short fiction.
Born February 16, 1953 – Roberta Williams, 66. Video game designer and writer, and considered to be the creator of the graphic adventure game genre. Her work include: King’s Quest, Phantasmagoria, and Mystery House. She and her husband founded Sierra Entertainment. Are video games genre? Depends on the story being told, and her stories were some of the best.
Born February 16, 1954 – Iain M. Banks. I think I’ve read the entire Culture series even though I certainly didn’t read them in the order they were written. My favorites? Certainly The Hydrogen Sonata was bittersweet for being the last ever, Use of Weapons and the very first, Consider Phlebas are also my favs. And though not genre, I’m still going to make a plug for Raw Spirit: In Search of the Perfect Dram. It’s about whisky, George Bush and the Iraq War. Oh and his love of sports cars. (Died 2013.)
Born February 16, 1957 – LeVar Burton, 62. Well y’all know what series he was on and what character he played that he’s best known for so I can dispense with that. Other genre appearances include The Supernaturals, a zombie film, as Pvt. Michael Osgood, Superman/Batman: Public Enemies voicing Black Lightning and in another zombie film Rise of the Zombies as Dr. Dan Halpern.
Born February 16, 1958 – Ice-T, 61. Really how could I pass up an actor who played a kangaroo named T-Saint In Tank Girl? It’s not his only genre appearance as he did show up in Johnny Mnemonic as J-Bone. Remember the Warwick Davis Leprechaun horror series I noted on his Birthday? Well he’s in The fifth one, Leprechaun in the Hood as Mack Daddy. And he’s in Bloodrunners as Chesterfield, the lead bloodsucker. He was also in Frankenpenis but frankly let’s not go that way..
Born February 16, 1964 – Christopher Eccleston, 55. The Ninth Doctor and the first of the new series of Doctors who despite the all the controversy among fans actually only agreed to one season. Other genre work includes 28 Days Later, The Seeker, G.I. Joe: The Rise of Cobra (a truly shitty film), Thor: The Dark World, The Leftovers, The Second Coming and The Borrowers. He also played Macbeth at the Royal Shakespeare Theatre and the Barbican Theatre, both in London.
Born February 16, 1968 – Warren Ellis, 51. English comic-book writer, novelist, and screenwriter. Ok I think Planetary is fucking brilliant as is Global Frequency and Transmetropolitan. His work on The Authority is not to sniffed either, nor should we overlook Iron Man: Extremis. He’s got two rather superb novels, Crooked Little Vein and Gun Machine, that are not genre but which if if you like hard boiled detective fiction, I strongly recommend.
Born February 16, 1972 – Sarah Clarke, 57. Renée Dwyer In The Twilight Saga franchise and starred on The Tomorrow People series as Marla Jameson. She was also in The Booth at the End series as Sister Carmel
Born February 16, 1974 – Mahershala Ali, 45. First shows up in the genre in The Curious Case of Benjamin Button ss Tizzy Weathers. He was. Obsessed in The Hunger Games: Mockingjay and voices Aaron Davis / The Prowler In Spider-Man: Into the Spider-Verse, a film on my short list to purchase from iTunes. He was on The 4400 as Richard Tyler, and was on Marvel’s Luke Cage as Cornell “Cottonmouth” Stokes.
Valentine’s Day is the perfect day to sit your special someone down, look deep into their eyes, and coo, “Why the hell did Rory ever go out with Dean?” Love is all over television, but sometimes television gets love W-R-O-N-G.
We’re looking at 10 instances of bad love from some of our favorite television shows. Some of these scarred us in the past, some are still going, but all of them are relationships that were doomed from the beginning despite the shows’ best efforts to make us swoon and ship. Nice try, TV!
While Surette has plenty to say about each couple, the
list looks like this:
Ross and Rachel, Friends
Veronica and Duncan, Veronica Mars
Damon and Elena, The Vampire Diaries
Jon and Dany, Game of Thrones
Rory and Dean, Gilmore Girls
Ted and Robin, How I Met Your Mother
Sayid and Shannon, Lost
Olivia and Fitz, Scandal
Rosita and Father Gabriel, The Walking Dead
Dawson and Joey, Dawson’s Creek
(11) THE HERMITAGE. Fanzine
fans may be interested to know that Harry
Warner Jr.’s old home in Hagerstown, MD is up for sale. I sent many an
issue of File 770 to the Hermit of
Hagerstown at 423 Summit Ave., and looked forward to letters of comment with
that return address.
The Song of All uses Saami culture and mythology, as well as a crunchy set of characters and motivations to portray a frozen and bloody tale.
…This is a novel that reads much more like a saga than an epic fantasy novel, and a saga told to locals more than a secondary fantasy novel in typical fashion trying to build that out. One could imagine Irjan’s story, as written here, being presented for the benefit of the inhabitants of that world, who would already know what, for instance, a duollji is. The novel is far more interested in actions, and the consequences of those actions. So while the novel is light on traditional worldbuilding, it is very strong on plot. There is a rich tapestry of character stories and motivations here that, when the novel gets out of that early roughness, propels the narratives of the characters forward in a very readable fashion…
Witchmark by C. L. Polk — Oh no, I loved it. Miles Singer, an army doctor turned psychiatrist is treating returned soldiers with PTSD – until a dying man charges him with solving his murder. It’s so satisfying – the mystery is compelling, like full on “I just lost three days of my life and immediately started rereading the book to pick up the clues better” levels of compelling, and I may have raptor screeched about both the romance and the sibling relationships that we get to see here. The world-building is superb, and the way it gets revealed and built up made me so happy! … Plus, I spent most of the book viscerally angry at the secondary characters, and I was supposed to be! It’s been so long since I got to be angry at a book for the reasons that the author wanted me to be angry, and I’m so glad C. L. Polk brought that joy back to me. Basically, I adored it, and I am desperate for the sequel to come out now!
Earlier this week it was announced that DC Entertainment and Nickelodeon were teaming up to produce an animated film called Batman Vs. Teenage Mutant Ninja Turtles. Today we’ve got a new image from this exciting crossover film and it features the Ninja Turtles coming in contact with The Dark Knight.
The film is based on the Batman/Teenage Mutant Ninja Turtles comics miniseries by James Tynion IV and Freddie Williams II. The story “will see the turtles meeting Batman via a transdimensional encounter, and feature our heroes teaming up to face Batman’s deadly rogues gallery.”
Elon Musk’s SpaceX has a big stake in the battle over border security being waged in Congress: a launchpad on the U.S.-Mexico border that it plans to use for rockets carrying humans around the world and eventually to Mars.
Democratic lawmakers have taken up the cause of Space Exploration Technologies Corp. and are trying to thwart the Trump administration’s efforts to build a border barrier that could cut across the company’s facility in Boca Chica, Texas, on the Gulf of Mexico coast near Brownsville.
[…] Representative Filemon Vela, a Democrat whose district includes the SpaceX facility, said the company isn’t happy about the plans, though it hasn’t publicly raised objections.
“They are way behind the scenes on this, they are lying pretty low,” said Vela, citing information he was given by local officials. “SpaceX doesn’t want to offend DHS.”
(17) DELVING INTO EARTH’S
PAST. The “Dinosaur
Pictures and Facts” site allows you to see the shape of the continents
and oceans at many times in Earth’s past. You can enter an address to locate it
on past landmasses (or ocean depths) from the present back to 750 million years
ago. Each selection also comes with a blurb about the diversity of life at that
Early Triassic. Oxygen levels are significantly lower due to the extinction of many land plants. Many corals went extinct, with reefs taking millions of years to re-form. Small ancestors to birds, mammals, and dinosaurs survive.
NASA said on Friday it was weighing an option to buy two additional astronaut seats aboard a Russian rocket as a contingency plan against further delays in the launch systems being developed by Elon Musk’s SpaceX and Boeing Co.
A possible purchase “provides flexibility and back-up capability” as the companies build rocket-and-capsule launch systems to return astronauts to the International Space Station (ISS) from U.S. soil for the first time since NASA’s Space Shuttle program went dark in 2011.
(19) TITLE TUNE. Anna Nimmhaus penned a verse to
go along with today’s title —
When You Wish Upon a Scroll
* * *
When you wish upon a scroll,
Makes no difference who’s a troll;
When you wish upon a scroll,
As Filers do;
With your pixels in your dreams,
Ignore “Blameless me, it seems”;
When you wish upon a scroll,
Kind dreams come true.
JJ, Mike Kennedy, Cora Buhlert, Chip Hitchcock, Cat Eldridge, Gregory Benford,
John King Tarpinian, Martin Morse Wooster, Carl Slaughter, and Andrew Porter
for some of these stories. Title credit goes to File 770 contributing editor of
the day Anna Nimmhaus.]
(1) THE BETTER BATTLE ANGELS
OF OUR NATURE. The Hollywood Reporter’s
Stephen Dalton makes it sound like the promotional beer (linked here the
other day) is better than the movie — “‘Alita:
Battle Angel’: Film Review”
…Twenty years in gestation, James Cameron’s long-cherished manga adaptation Alita: Battle Angel finally reaches the big screen with help from director Robert Rodriguez and Peter Jackson’s digital effects team. With that kind of cinematic pedigree, backed by a reported $200 million budget, this kick-ass cyberpunk adventure seems to be aiming for the same blockbusting box office heights as the Hunger Games franchise. But a lumpy script, muddled plot, stock characters and tired genre tropes may dampen its commercial breakout potential beyond its core sci-fi action-fantasy demographic. While not exactly a misfire, Rodriguez and Cameron’s joint effort lacks the zing and originality of their best individual work. Fox is releasing it across much of Europe next week, with a U.S. launch to follow Feb. 14.
(2) GOFUNDME AND CHARITY
ANTHOLOGIES BENEFIT ROPES. Splatterpunk writer Christopher Ropes has a
serious health problem with his teeth, and the horror-writing community is
rallying to make the funds available. First, there’s Ropes’ GoFundMe, “Get
Christopher’s Teeth Fixed” with photos that illustrate the problem.
My name is Christopher Ropes. I was born with ameleogenesis imperfecta, a condition that has caused more pain and suffering in my life than any other source, even my fibromyalgia. Essentially, I have teeth that rot and break much more easily than normal because they lack proper enamel protection. I’ve suffered through countless infections that swell up the entirety of my face. And all of this doesn’t even begin to describe the fact that my teeth just make me feel ugly and unloveable.
I have no dental insurance because I’m on Disability and Medicare doesn’t cover any dental work, no matter how medically necessary.
My problems with my teeth have gotten so bad, I can hardly even chew anything anymore. I got an estimate from the dentist and all the work is going to come to approximately $14,000. I added a little bit to the total to cover any GoFundMe fees, as well as medications and special dietary needs while the work is being done, and the possibility that the estimate is shy of what the actual total will be.
On the same day his GoFundMe launched, two charity anthologies were released,
the profits to benefit Christopher Ropes.
Planet X Publications is proud to present this charity anthology, benefitting our friend, horror writer Christopher Ropes. It features stories & poems generously donated from members of the weird fiction & horror communities.
Tables of Contents: Introduction by Nadia Bulkin / 1) Blue Broken Mind by Farah Rose Smith / 2) An Incident on a Cold Winter’s Afternoon by Matthew A. St. Cyr / 3) Fishing Boots by Douglas Draa / 4) Chindi & Night of the Skinwalker by Frank Coffman / 5) How to Live Without Meds? by Norbert Góra / 6) Nothing Else Matters by Calvin Demmer / 7) The Denturist by Jo-Anne Russell / 8) The Tooth by Russell Smeaton / 9) To Anne by Paula Ashe / 10) I Can’t See the Bottom by James Fallweather / 11) Forbidden Knowledge by K.A. Opperman / 12) Outlaws by Bob Pastorella / 13) Project AZAZEL by Christopher Slatsky / 14) Prototype by E.O. Daniels / 15) Eton’s Last Will and Testament by Maxwell Ian Gold / 16) Last Call at the Overlook by Kathleen Kaufman / 17) Reflection in Blood by Scott J. Couturier / 18) Four Ropes by Shayne Keen / 19 Vore by Brian O’Connell / 20) “Hotel California” is the Devil by John Claude Smith / 21) Spare Parts by Jill Hand / 22) Salten by John Boden / 23) The Fever River by Matthew M. Bartlett / 24) Verdure by Brandon Barrows / 25) “INK” by Sarah Walker / 26) Twitching and Chirping by Robert S. Wilson / 27) Denizens of Mortuun by C.P. Dunphey / 28) Hungery by John Linwood Grant / 29) Chrysalises by Jeffrey Thomas / 30) I Keep It in a Little Box by S. L. Edwards / 31) Trace of Presence by Jason A. Wyckoff / 32) Thirty-Two by Donald Armfield / Wisdom Tooth ~ Insanity’s Steed by Frederick J. Mayer / Afterword by Christopher Ropes
Table of Contents: Introduction to Volume Two by Michael Wehunt / 1) “Alouette A La Blanc” by Bob Freville / 2) A Plague Of The Most Beautiful Finery by Kurt Fawver / 3) Believe Me by Ashley Dioses / 4) New Moon in November by K.A. Opperman / 5) That What Was Under The Surface by Norbert Góra / 6) My Valentine’s Day Ball by Donna Marie West / 7) The Last to Die by Jayaprakash Satyamurthy / 8) Hammer Dulcimer by T.M. Morgan / 9) The Ballad Stone by Adam Bolivar / 10) Lost on the Road to Nowhere by Pete Rawlik / 11) The City of Xees by Scott J. Couturier / 12) The View by Philip Fracassi / 13) The Figurehead by A.P Sessler / 14) The Triumph of the Skies by Eric Ruppert / 15) Growth; or, The Transubstantiation of Apartment 3C by Ross T. Byers / 16) Fertility by Brooke Warra / 17) Zugzwang by K. H. Vaughan / 18) On a Bed of Bone by Can Wiggins / 19) Yellow Voices by Luis G. Abbadie / 20) The Outsider by John Paul Fitch / 21) Mutinous Facial Abstractions by John Claude Smith / 22) Of Blood, Oil & Tin by Michael Brueggeman / 23) Cold by Sean M. Thompson / 24) Umbriel is The Darkest Moon by Marguerite Reed / 25) Humlin by Farah Rose Smith / 26) 32 White Horses by Justin Burnett / 27) Convince Me Not to Put a Bell on You by Andrew M. Reichart / 28) A Little Delta of Filth by Jon Padgett / 29) 2.0 by Aaron Besson / 30) We All Make Sacrifices by Jonathan Maberry / 31) Insect Queen by Roy K. Phelps / 32) Last Wraps by Duane Pesice / Afterword by Christopher Ropes
(3) KGB. Fantastic Fiction at KGB reading
series hosts Ellen Datlow and Matthew Kressel present F. Brett Cox and Peng
Shepherd on Wednesday, February 20 at the KGB Bar in New York.
F. Brett Cox
F. Brett Cox’s debut collection, The End of All Our Exploring: Stories, was published by Fairwood Press in 2018. His fiction, poetry, plays, articles, and reviews have appeared in numerous magazines and anthologies. With Andy Duncan, he co-edited the anthology Crossroads: Tales of the Southern Literary Fantastic. He is a co-founder of the Shirley Jackson Awards and currently serves as Vice-President of the SJA Board of Directors. A native of North Carolina, Brett is Charles A. Dana Professor of English at Norwich University and lives in Vermont with his wife, playwright Jeanne Beckwith.
Peng Shepherd was born and raised in Phoenix, Arizona, where she rode horses and trained in classical ballet, and has lived in Beijing, Kuala Lumpur, London, Los Angeles, Philadelphia, Washington, D.C., and New York. Her debut novel, The Book ofM, was chosen as an Amazon “Best Science Fiction and Fantasy Books of the Year,” and has been featured on The Today Show, NPR On Point, and in The Guardian, io9, Gizmodo, SYFY Wire, andElle Canada. Find her at www.pengshepherd.com or on Twitter @pengshepherd.
Starts 7 p.m. at the KGB Bar, 85 East 4th Street (just off 2nd
Ave, upstairs.) New York, NY
The Authors Guild has released their 2018 Author Income Survey. 5,067 authors participated, and the Guild says the results point to a “crisis of epic proportions for American authors, particularly literary writers.” The median income from writing was $6,080, a decline of 3% from their 2013 survey, and 42% from 2009, a drop the Guild ascribes to declining royalties, “blockbuster mentality” at publishing companies, and the sales practices of Amazon.com.
The Guild’s conclusions, and a PDF with lots of data
(and anecdata) is available at the Authors Guild website.
Phoenix Pick recently announced that, working with the Heinlein Prize Trust, they have been able to reconstruct the complete text of an unpublished novel written by Robert A. Heinlein in the early eighties.
Heinlein wrote this as an alternate text for “The Number of the Beast.” This text of approximately 185,000 words largely mirrors the first one-third of the published version, but then deviates completely with an entirely different story-line and ending.
This newly reconstructed text also pays extensive homage to two authors Heinlein himself admired: Edgar Rice Burroughs and E. E. “Doc” Smith, who became a good friend. Heinlein dedicated his book “Methuselah’s Children” to Smith, and partially dedicated “Friday” to Smith’s daughter, Verna.
The alternate text, especially the ending, is much more in line with more traditional Heinlein books, and moves away from many of the controversial aspects of the published version.
There has been speculation over the years about a possible alternate text, and the reason it was written, particularly since one version is not just a redo of the other ? these are two completely different books.
It is possible that Heinlein was having fun with the text as “The Number of the Beast” and the new book both deal with parallel universes. Given his sense of humor, it would not be surprising for Heinlein to have written two parallel texts for a book about parallel universes.
The new book was pieced together from notes and typed manuscript pages left behind by the author. It is currently under editorial review by award-winning editor, Patrick LoBrutto .
Phoenix Pick expects to publish both The Number of the Beast and the new book, tentatively titled ”Six-Six-Six,” just ahead of this year’s holiday season.
…So on the one hand, I’m overjoyed to say that Netflix’s The Umbrella Academy adaptation has all the absurdity and chaos of the source material. On the other hand, I’m bummed because it feels like some of the comic’s inherent joy was lost in the jump between the page and the screen…
…Portraying the rough parts of being a superhero has been a little bit harder, mainly because it’s so hard to believe that superhero lives could ever be that terrible.
[…] Making the rotten part of being a superhero as essential as the good parts is where Netflix’s The Umbrella Academy begins. The stylish and crackling new series — written by Steve Blackman and developed by Jeremy Slater — is based on the Eisner Award-winning comic book by Gerard Way (who is also the frontman for the band My Chemical Romance, and serves as the Netflix show’s co-executive producer) and artist Gabriel Ba (also a co-executive producer).
[…] The basic premise revolves around the parasol protégés: seven kids born to different mothers who are brought together as young children a man named Sir Reginald Hargreeves (Colm Feore) who becomes their adopted “dad.” He assembles them into a makeshift family, helps them hone their powers, and turns them into an efficient and successful teenage superhero squad known as the Umbrella Academy.
[…] Style and doomsday aside, it’s in these pockets of emotion that The Umbrella Academy flashes its true beauty and intent. The show may be wrapped in superheroics and action, but it’s really about a group of people who have to work through their painful pasts and realize that forgiving one another is far tougher than the bigger task (saving the world, I guess) at hand.
As we prepare to make our first pilgrimage to the fringes of Wild Space and journey to the planet of Batuu, when Star Wars: Galaxy’s Edge opens at Disneyland Resort and Walt Disney World Resort later this year, there’s a galaxy of books and comics coming to shelves featuring stories that intersect with the inhabitants of the far-flung world.
Meet Dok-Ondar, the infamous Ithorian who deals in rare antiquities, find out why General Leia Organa takes an interest in Black Spire Outpost, and indulge in myths and fables from a galaxy far, far away, plus other stories set on the Outer Rim locale.
(9) VIDEO OF THE DAY. In
“Things Used To Be Hidden” on Vimeo, Tara Mercedes Wood looks at what
happens if people could see -everything- other people were trying to hide.
(10) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born February 2, 1905 – Ayn Rand. Best known for The Fountainhead and Atlas Shrugged which is ISFDB lists as genre though I personally think they’re just pieces of badly written political shit. Her works have made into films many times starting with The Night of January 16th based on a play by her in the early Forties to an animated series based off her Anthem novella. No, I really don’t care who John Galt is. (Died 1982.)
Born February 2, 1933 – Tony Jay. Ok I most remember him as Paracelcus in the superb Beauty and the Beast series even it turns out he was only in for a handful of episodes. Other genre endeavours include, and this is lest OGH strangle me only the Choice Bits, included voicing The Supreme Being In Time Bandits, an appearance on Star Trek: The Next Generation as Third Minister Campio In “Cost of Living”, being in The Adventures of Brisco County, Jr. (and yes I loved the series) as Judge Silot Gato in “Brisco for the Defense” and Dougie Milford In Twin Peaks. (Died 2006.)
Born February 2, 1940 – Thomas Disch. Camp Concentration, The Genocides, 334 and On Wings of Song are among the best New Wave novels ever done. He was a superb poet as well though I don’t think any of it was germane to our community. He won the Nonfiction Hugo for The Dreams Our Stuff Is Made Of, a critical but loving look on the impact of SF on our culture. (Died 2008.)
Born February 2, 1949 – Brent Spiner, 70. Data on more Trek shows and films than I’ll bother listing here. I’ll leave it up to all of you to list your favorite moments of him as Data. He also played Dr. Brackish Okun in Independence Day, a role he reprised in Independence Day: Resurgence, a film I’ve not seen. He also played Dr. Arik Soong/Lt. Commander Data in four episodes of Enterprise. Over the years, he’s had roles in TwilightZone, Outer Limits, Tales from the Darkside, Gargoyles, Young Justice, The Avengers: Earth’s Mightiest Heroes, Warehouse 13 and had a lead role in the thirteen-episode run of Threshold.
Born February 2, 1949 – Jack McGee, 70. Ok so how many of us remember him as Doc Kreuger on the Space Rangers series? Six episodes all told. Not as short as The Nightmare Cafe I grant you but pretty short. I’ve also got him as Bronto Crane Examiner in The Flintstones in Viva Rock Vegas, as a Deputy in Stardust, Mike Lutz in seaQuest, Doug Perren in Buffy the Vampire Slayer and a Police Officer Person of Interest, to name some of his genre roles.
Born February 2, 1986 – Gemma Arterton, 33. She’s best known for playing Io in Clash of the Titans, Princess Tamina In Prince of Persia: The Sands of Time, Strawberry Fields in Quantum of Solace, and as Gretel in Hansel and Gretel: Witch Hunters. She also voiced Clover in the current Watership Down series.
Old-style Discovery comes roaring back with a vengeance and a bloody bat’leth. Spore drive, parasites, Klingon man-buns, Ash Tyler, black-ops Star Fleet, hallucinating Tilly, grimdark space-opera — its a week for the weird and wacky on Discovery and I love it.
It’s all story arc this week. Michael is looking for Spock and in a twist so is Spock’s mum. Meanwhile, Ash Tyler is starring in Game of Thrones: The Klingon Years as he struggles with his new reality and seeks to support L’rell as she attempts to unite the now much hairier Klingons. Meanwhile, meanwhile, Tilly is being harassed by the annoying ghost of a former school mate.
(13) COLLECTIBLES AUCTION. Prop Store (offices in London & LA) has an upcoming auction of vintage toys &
collectables. Dozens of TV series and movies/series are represented, with
the large majority of them genre. The full catalog is online as a PDF. A quick perusal of that
reveals pre-auction estimates ranging from $100 (US) to at least $20,000.
Prop Store is pleased to announce its first Toys & Collectibles auction, to be held as a live-auction on Thursday February 28, and Friday March 1, 2019. The auction will include high-quality production toys, preproduction items, international collectables, store displays & marketing materials, bootlegs, posters, press kits, cast and crew items, and more.
(14) VERSE OF THE DAY. From
Each day we scroll up every pixel. Their coruscant electronic tricks’ll Make the Filers smile. If we miss some, those five or six’ll Set off commenters, whose kicks’ll Busy us for a while; Call OGH: he in the mix’ll Let things run, unless a nix’ll Scatter a dog-pile. And never fear for Oz. Your clicks’ll Safely mispronounce “Pyrzqxgl”, Not in dangerous style.
Award-winning author Neil Gaiman has spent more than a quarter of a century crafting vivid, absorbing fiction. Now, the author of Stardust, Coraline, and The Sandman teaches his approach to imaginative storytelling. Learn how to find your unique voice, develop original ideas, and breathe life into your characters. Discover Neil’s philosophy on what drives a story—and open new windows to the stories inside you.
At the touch of a button, these incredible homes of the future can self-deploy and build themselves in less than 10 minutes, transforming from a box into a building eight to ten times its original size. Ten Fold Engineering’s David Martyn explains the surprisingly simple design concept that makes this possible.
We already know it’s chilly on the moon. A lunar night lasts 14 Earth days, and its temperatures can dip into a cold so punishing it makes the polar vortex look like a hot tub. But yesterday, China’s space agency announced that the frigidity of the lunar night is even more intense than we’d thought: The country’s Chang’e 4 spacecraft recorded an icy low of –310 degrees Fahrenheit (–190 degrees Celsius).
Consisting of a stationary lander and a six-wheeled rover named Yutu-2, Chang’e 4 landed on the far side of the moon earlier this [year]—a first for any spacecraft. During its first lunar night, Chang’e 4 went into hibernation, relying on internal heat sources to survive.
[…] With both the lander and rover awake, the rover should soon begin its task of exploring and analyzing the 115-mile-wide Von Kármán crater. Exploring the moon’s far side comes with many challenges: The lunar surface is exposed to more impacts from cosmic debris, so the rover will need to carefully watch the terrain (it has already beamed backed a panorama of its surroundings). […]
(18) READY FOR YOUR CLOSE-UP?
The subject line “Press Release: Former TAFF delegate found brutally
murdered (NSFW?)” was pretty scary ‘til I found out the email press release was
about Steve Green’s appearance in a horror movie:
British science fiction fan Steve Green, former editor of the newszine Critical Wave and European TAFF delegate to the 2009 Worldcon in Montreal, has been found brutally murdered in the isolated English village Bell’s End… or at least, his character has, in a pastiche movie trailer currently in production from indie team Vamporama Films.
Terror at Bell’s End is an homage to the 1980s giallo slashers directed by the likes of Lucio Fulci (The Black Cat), Riccardo Freda (Iguana in a Woman’s Skin) and Luciano Ercoli (Forbidden Photos of a Woman Under Suspicion — the new Blu-ray release of which includes a 44-minute documentary from Vamporama Films among the extras). Steve, who’s producing the short, was persuaded by writer-director Chrissie Harper to make a grisly cameo as the mysterious killer’s first on-screen victim.
“It’s very tongue-in-cheek,” Steve explains, “only we’re not quite sure where the tongue came from and precisely whose cheek it’s been left in. My character gets murdered with his own pipe, which I guess underlines the health risks of smoking.”
Meanwhile, Vamporama Films is also seeking festivals and conventions interested in screening its latest horror short Monsters, described by former Giallo Pages editor John Martin as “a chilling glimpse into our future that looks like it was shot by the ghost of Mario Bava”.
Turns out training a robotic arm to play Jenga is a surprisingly complex task. There are, so to speak, a lot of moving parts. Researchers at MIT are putting a modified ABB IRB 120 to work with the familiar tabletop game, utilizing a soft gripper, force-sensing wrist joint and external camera to design a bot that can remove a block without toppling the tower.
[…] “Unlike in more purely cognitive tasks or games such as chess or Go, playing the game of Jenga also requires mastery of physical skills such as probing, pushing, pulling, placing and aligning pieces. It requires interactive perception and manipulation, where you have to go and touch the tower to learn how and when to move blocks,” says MIT assistant professor Alberto Rodriguez. “This is very difficult to simulate, so the robot has to learn in the real world, by interacting with the real Jenga tower. The key challenge is to learn from a relatively small number of experiments by exploiting common sense about objects and physics.”
(20) SIL RETURNS. An old and much-missed Doctor Who villain is returning — but
not in the current iteration of “NuWHO”. The original creator of the
evil alien Sil, Philip Martin, and the original actor, Nabil Shaban, are
reuniting in Devil Seeds of Arodor,
which is being produced independently of the BBC. The DVD’s due out in
November. Full details here.
An original drama from the world of BBCtv’s DOCTOR WHO, featuring SIL, the ruthless alien entrepreneur from planet Thoros Beta, played by NABIL SHABAN.
SIL is worried, very worried, which doesn’t keep his reptilian skin in the best condition! Confined in a cold detention cell on the moon, awaiting a deportation hearing for trial on drugs offences on Earth, he faces a death sentence if the application is successful and he is found guilty.
And his employers at the Universal Monetary Fund aren’t pleased either. Not at all.
As time runs out and friends desert him, SIL must use all of his devious, vile, underhanded, ruthless, and amoral business acumen to survive.
Can he possibly slime his way out of this one?
(21) ANOTHER DOCTOR
WHO REFERENCE. This tweet went viral yesterday —
[Thanks to JJ, Chip Hitchcock, Martin Morse Wooster, Andrew, Robert Adam Gilmour, Steve Green. Lise Andresen, Cat Eldridge, Mike Kennedy, John King Tarpinian, James Davis Nicoll, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Steve Davidson.]
In post-war Germany, a version of Casablanca was produced, re-edited and with a new script for the dubbing, that had no Nazis in it. As you can imagine, given the role Nazis play in the plot, they had to do a lot of work.
I was wondering if you could do the same to Star Wars Episode 4 – remove the Empire…
Star Not Wars Because They Aren’t Having a War With Anybody: A New Hope
A spaceship has broken down. Princess Leia finds a robot on the ship and gives it something. The robot (R2D2) finds an escape pod with its friend (C3PO). They leave the ship. We don’t see the ship again. It probably had engine trouble or something. Maybe the robots have gone off to get some fuel from a service station.
The robots land in a desert. After an argument, they split up. Later they each get caught by tiny people.
Meanwhile, young Luke Skywalker is unhappy being a farmer and living with his uncle. He’d rather be…doing something else I suppose.
(3) MARK YOUR CALENDAR. The Vintage Paperback Show returns to Glendale, CA on March 18.
Is it worse if a robot instead of a human is used to deter the homeless from setting up camp outside places of business?
One such bot cop recently took over the outside of the San Francisco SPCA, an animal advocacy and pet adoption clinic in the city’s Mission district, to deter homeless people from hanging out there — causing some people to get very upset.
The article quotes this tweet from Brianna Wu:
I’m sorry for being so frank, but this absolutely disgusts me as someone that experienced homelessness.
Every time I travel to San Fran my heart breaks from seeing all the homelessness in a city with so much wealth and privilege.
The SPCA deployed a robot from security startup Knightscope to deter crime and vandalism on their campus.
And, according to both the S.F. SPCA and Knightscope, crime dropped after deploying the bot.
However, the K9 unit was patrolling several areas around the shop, including the sidewalk where humans walk, drawing the ire of pedestrians and advocacy group Walk SF, which previously introduced a bill to ban food delivery robots throughout the city.
“We’re seeing more types of robots on sidewalks and want to see the city getting ahead of this,” said Cathy DeLuca, Walk SF policy and program director, who also mentioned S.F. district 7 supervisor Norman Yee would be introducing legislation around sidewalk use permits for robots in the beginning of 2018.
Last week the city ordered the S.F. SPCA to stop using these security robots altogether or face a fine of $1,000 per day for operating in a public right of way without a permit.
The S.F. SPCA says it has since removed the robot and is working through a permitting process. It has already seen “two acts of vandalism” since the robot’s removal.
…Speaking to Maureen Dowd for a Vanity Fair article published in April, Musk gave an example of an artificial intelligence that’s given the task of picking strawberries. It seems harmless enough, but as the AI redesigns itself to be more effective, it might decide that the best way to maximize its output would be to destroy civilization and convert the entire surface of the Earth into strawberry fields. Thus, in its pursuit of a seemingly innocuous goal, an AI could bring about the extinction of humanity purely as an unintended side effect.
This scenario sounds absurd to most people, yet there are a surprising number of technologists who think it illustrates a real danger. Why? Perhaps it’s because they’re already accustomed to entities that operate this way: Silicon Valley tech companies.
(6) CHEERS AND BOOS. Fanac.org has posted a 36-minute video of Robert A. Heinlein’s guest of honor speech at the 1976 Worldcon.
MidAmeriCon, the 34th World Science Fiction Convention, was held in Kansas City in 1976, with Robert A. Heinlein as Guest of Honor. With a warm introduction by Bob Tucker, this sometimes uncomfortable speech touches on Heinlein’s belief in the inevitability of atomic war and his belief that mankind will go to the stars. There are comments on Russia and China, the role of men, and more than a few very bad jokes. You will hear applause and you can hear disapproving boos. If you are one of “Heinlein’s Children”, or simply a reader of classic SF, this video is a rare opportunity to hear that legendary figure.
To figure out whether Star Wars is science fiction, you first need to figure out how to define the term — which is harder than you might think. Genres are notoriously difficult to pin down, which is why they spark so many arguments. Some country fans protested loudly when Beyoncé appeared at the Country Music Awards because she (supposedly) was not a country artist. Some critics similarly argued that Bob Dylan’s lyrics are not literature, though the Nobel committee disagreed.
Genre is a marker of quality and belonging, of seriousness and community. Science fiction in particular is often seen as more important or serious than fantasy, so it’s no wonder that there’s been some struggle over how to place the films. George Lucas himself declared that “Star Wars isn’t a science-fiction film, it’s a fantasy film and a space opera” in 2015. Others have also waded in over the years; Annalee Newitz included Star Wars in a list of 10 science-fiction works that are really fantasy at io9, while author Brian Clegg says Star Wars is only “low-grade science-fiction” — it’s not quite real science-fiction, so it’s not high quality.
(10) TODAY IN HISTORY
December 18, 1957 — The Monolith Monsters premiered.
December 18, 1968 — Chitty Chitty Bang Bang opens in New York City.
December 18, 1985 — Terry Gilliam’s Brazil! was released.
December 18, 1996 — Wes Craven’s Scream hits theaters, and a Halloween mask was born.
December 18, 2009 – Director James Cameron’s Avatar premiered.
December 18,2013 — Forbidden Planet (1956) is selected by the Library of Congress for inclusion in the National Film Registry.
(11) TODAY’S BIRTHDAYS
Born December 18, 1939 – Michael Moorcock
Born December 18, 1941 – Jack Haldeman
Born December 18, 1946 — Steven Spielberg
Born December 18 — Steve Davidson
(12) COMICS SECTION.
Mike Kennedy overheard Dilbert talking about a zombie apocalypse.
(13) I HAVE A LITTLE LIST. SyFy Wire’s Swapna Krishna names these as “The 10 best sci-fi and fantasy books of 2017”. People get upset if I say I haven’t heard of all the books on a “best” list, so let me say I have heard of many of these.
(14) THE GHOST OF CHRISTMAS 2014. Everyone has their own way of celebrating the holidays. John King Tarpinian’s traditions include rewatching Thug Notes’ analysis of Dickens’ “A Christmas Carol.”
This will be less a review of The Last Jedi (Episode VIII) than it will be… my thoughts? An analysis? Me opening my head like a flip-top Pac-Men and seeing what globs of brain-goo I can grab and hastily smack into the screen?
So please, take seat. The flavors on tap this month are perfect for those looking to unwind by the fire, to shed a tear for those who have not made it this far, and to reaffirm a commitment to pushing forward, into a future that is not mired by the same harms and dangers as the past. Each pint today comes with a special side of memories and a tendril of shadow creeping just out of view. The only remedy is to drink deep, and share the moment with those you care about, and look for ways to escape the familiar cycles of hate, loss, and fear—together….
Notes: Pouring a dark brown rimmed with gold, the first sip is deep, subtle and smoky like dreams burning, only to reveal newer, sweeter tones underneath, a future still bright despite loss and danger.
Pairs with: Honey Bock
Review: Kalyani is a young (probably autistic) girl who experiences the world quite differently from the rest of her family. It’s something that Aruni, her older brother, finds quite difficult to handle, especially when his parents have left him in charge while they are away. For Kalyani, though, it’s the rest of the world that doesn’t make as much sense, that overflows with threats and dangers…
In 1959, a groundbreaking TV series began in the USA. The Twilight Zone came to be regarded as a classic of science fiction for the small screen. Now the Almeida Theatre in London is taking eight episodes to make a Twilight Zone for the stage.
“Their brains are very responsive to emotionally arousing stimuli,” he explains. During this time, there are so many new emotions and they are much stronger than those kids experienced when they were younger.
“When teenagers feel sad, what they often do it put themselves in situations where they feel even sadder,” Steinberg says. They listen to sad music — think emo! — they watch melodramatic TV shows. So dystopian novels fit right in, they have all that sadness plus big, emotional ideas: justice, fairness, loyalty and mortality.
This time in a kid’s life is often defined by acting out, but, Steinberg says, that’s a misguided interpretation of what’s happening. “It isn’t so much rebellion, but it is questioning.”
…Where they all screwed up, is that I’m a competent writer who works hard. I’m a competent businessman who markets hard. I don’t take my ball and go home and I’m not deterred from speaking the truth by some threats or someone’s bully pulpit.
And now I’ve got a platform. It’s one a lot of people read on a daily basis. It’s only going to grow bigger in 2018. I’m a well-respected journalist, I’m a multiple-award nominated author with an avid readership. I’m winning. Readers and audiences like winners. Yet not one of these people has come forward and said “you know what, Jon, I shouldn’t have attacked you, let’s be friends.”
(22) TO SMELL THE TRUTH. Hugo-winning editor Gordon Van Gelder had a famous father, Dr. Richard Van Gelder, who tried to stump the panelists on the episode of game show To Tell The Truth aired March 13, 1961. The chairman of the Department of Mammals at the American Museum of Natural History, Van Gelder pere was specially touted as an expert on skunks. The real Van Gelder and two impostors appear at 17:00, and the truth is told right after the 23:00 mark.
[Thanks to Andrew Porter, JJ, John King Tarpinian, Chip Hitchcock, Carl Slaughter, Cat Eldridge, and Martin Morse Wooster for some of these stories, Title credit goes to File 770 contributing editor of the day Daniel Dern.]
James Dashner (Maze Runner) and I put on a fun event at the Utah State Prison last night. If two writers can make an auditorium full of felons laugh non-stop for one hour we know we did our job right. Mr. Dashner’s sense of humor and story-telling gifts were spot-on perfect. My favorite line of the night from Dashner, “My next book is about a serial killer…oh…um…are there any serial killers here tonight?” It brought down the house. He received a standing ovation.
And today, walking around the prison, I’ve received nothing but huge smiles and mega thanks from all the Inmates who attended. Gotta give a huge shout out to all who helped make it happen. Many publishers donated books and comics. Many writer friends donated signed books. Plus all the staff at the prison who got behind the project and helped out. I will post a link to the Dept of Corrections official event page w/photos when our public relations team makes it available.
PS I’ll try and make this an annual event bigger and better each year including the women’s unit, drug rehab, mental health, etc. One day I will have all the guards in Harley Quinn cosplay…
Ah F&SF. What happened to one of my very favorite mags? That’s a rhetorical question; Avram Davidson happened. The new editor has doubled down on the magazine’s predilection for whimsical fantasy with disastrous (to me) results. Not only that, but it’s even featuring fewer woman authors now than Amazing, of all mags. I am shaking my head, wishing this was all some Halloween-inspired nightmare. But no. Here it is in black and white with a forty cent price tag. Come check out this month’s issue…but don’t say I didn’t warn you:…
California’s controversial law that requires booksellers to obtain a certificate of authenticity before they could sell books autographed by authors has been rescinded.
The move follows a lawsuit filed in May by Book Passage owner Bill Petrocelli and backed by the Pacific Legal Foundation that argued that common bookstore practices like guest author lectures and book signings “are fundamental to First Amendment freedoms.” The original law was enacted to require that store owners certify that any autographed item over $5 carry an authentic signature. The law was passed to fight against the sale of fake memorabilia, but included books.
Petrocelli, as well as other California booksellers, argued that the paperwork involved to meet the new law would make selling copies of autographed books too expensive. Book signings are an important part of booksellers’ business model, with Book Passage, for example, hosting more than 800 signings a year.
Faced with the lawsuit and opposition from booksellers, California governor Jerry Brown signed a bill that exempted books from the law, after which the PLF dropped its lawsuit.
(4) THE CURSE. Don Steinberg in the Wall Street Journal (in an article behind a paywall), notes that nearly all of the companies that paid for product placements in the original Blade Runner either no longer exist or are in severe financial trouble.
Atari began its downward spiral a year after the film’s 1982 release; Koss went bankrupt in 1984, and RCA and Bell Telephone received substantial screen time and disappeared by the late 1980s. The last company Blade Runner promoted that failed was Pan Am, which folded in 1991.
(5) YOUR PERSONAL POP CULTURE SF RADAR. Daniel Dern sent these selected YA sci-fi references from contemporary TV shows:
This week’s episode of The Flash: Barry Allen is speed-binging all the shows he missed over the previous six months… “…wait, Jon Snow is dead [two seconds later] … wait, Jon Snow is alive?”
Unexpected music: In last week’s episode of Gotham, one scene opens to the sound of Jefferson Airplane’s “Go Ask Alice.” No obvious direct plot or character reference, but it sonically made sense. (Vs the use of Led Zepp’s “Foreigner” for the upcoming Thor/Ragnarok trailer and theme, which also makes topical sense, along with being great.)
Ditto vs a mountainside of characters singing or otherwise mutilating Nirvana’s “Sounds Like Teen Spirit” in the 2015 movie Peter Pan.
Fictional drugs are miniature rocket ships: they take characters to places unknown and strange. The practice of drug invention goes back to the ancient Greeks (Moly, Lethe) and Shakespeare (Oberon’s love potion). Here are some modern examples from the pharmacopoeia of dangerous delights.
The first two are:
Soma (Brave New World by Aldous Huxley) Soma is used to calm and pacify, suspending people in a state of permanent bliss. The World State of Huxley’s dystopian novel issues the drug as a means of control, to quell rebellious feelings. This is a drug used as a political metaphor, a form of mass entertainment taken to its ultimate level, a replacement for religion. In contrast, Huxley’s own mescaline-induced journey through the “doors of perception” gave him a glimpse of the mystery of pure being. From which we can only conclude that he kept the best drugs for himself.
Melange (Dune by Frank Herbert) The most famous drug in science fiction – and one of the most powerful – melange or “spice” is found on the desert planet of Arrakis, produced and guarded by giant sandworms. In small doses it brings on a perfect high and increases sensual awareness of the world around you. In large amounts it enables the user to travel through the folds of space. Wow. This property makes it highly desirable, and entire empires rise and fall in the struggle to control its procurement and distribution. This is drug as merchandise, and as a gateway to the stars.
I was wondering why Thiotimoline wasn’t in the list ‘til I refreshed my memory – it’s a chemical compound, not a drug.
I am pleased to report I have finished the first draft of a new Penric & Desdemona novella, sequel to “Mira’s Last Dance”. Title is decided all but one vowel — I’ll add it when my aesthetic waffling concludes. About 44,980 words.
Later: Having spent the whole last day wrestling with one. dratted. vowel., title has finalized as: “The Prisoner of Limnos”
I plan to have cover art by Ron Miller again, of which I will post a sneak peek in due course.
…This e-publication thing is getting frighteningly fast, in part because a lot of little things which were baffling decisions or upward learning curves first round are now set templates which only need replicated.
(8) TRIVIAL TRIVIA
Vincent Price’s grandfather invented baking powder. (Source: Cooking Price-Wise)
…I’m not going to quote pre-print stuff [from Farah Mendlesohn’s Heinlein book] but I’ll pass along one detail I never would have guessed. Heinlein was, apparently, a huge James Branch Cabell fan. He loved Jurgen: A Comedy of Justice. I have just started rereading Jurgen myself, since I’m done with Dunsany. (I’m not making any systematic early 20th century fantasy circuit, mind you. We just shifted houses and, somehow, an old, long-unregarded 60’s paperback copy of Jurgen floated to the top. Perhaps this universe’s God is a Richard Thaler-type, giving me a nudge. Also, Mendlesohn is apparently not the first to note that Heinlein liked Cabell. Wikipedia knows. I am, apparently, last to know. But perhaps you have been in that sorry boat with me.)
This isn’t a major theme of her monograph, but Mendlesohn suggests Heinlein wanted to be a satirist in a Cabell-ish (and/or Swiftian, Twainian, Sinclairian, Kiplingesque) vein, in some of his works. But he didn’t really have it in him. He’s too earnest and convicted, albeit eccentrically so. He doesn’t do ironic equivocation. (I imagine if Cabell had tried to write Jurgen as a boy’s adventure book – Have Fine, Snug, Well-Fitting Garment With Curious Figures On It, Will Travel – he might have encountered equal and opposite stylistic incapacities in his soul.)
Alex Sorina Moss is an artist and a model, but that’s just a side hustle for her main ambition – to design an ear piece that could transform medicine and space travel forever.
Moss’s idea has already shot her team to stardom, winning a 2016 Nasa prize for the Best Use of Hardware. But what’s more, it signals an uplifting new direction for wearable tech.
Canaria is a small cuff worn on the ear which measures vital bodily statistics, as well as other metrics such as levels of certain gases in the air around the wearer. Where other well-known biometric wearables target consumers looking to keep fit, Canaria is being prepped as a medical grade instrument.
It is December 1968, and a truly ground-breaking airliner is about to take its first flight.
It resembles a giant white dart, as futuristic an object as anything humanity has made in the 1960s. The aircraft is super streamlined to be able to fly at the speed of a rifle bullet – once thought too fast for a passenger-carrying aircraft.
The distinctive, needle-nosed front of the aircraft looks like the business end of something rocket-powered from a Flash Gordon serial; when the aircraft approaches the runway, the whole nose is designed to slide down, giving the pilots a better view of the ground. The effect makes the aircraft look like a giant bird about to land.
It sounds like a description of the Anglo-French Concorde, the plane that will cross the Atlantic in little more than three hours – but it’s not. The spaceship-styled jet sports the hammer and sickle of the Soviet Union on its giant tailfin. It is the Tupolev Tu-144, the communist Concorde, and the first passenger aircraft to fly more than twice the speed of sound….
(20) HEARTBREAKER. Steven Soderbergh tweeted what he says is “a rejection from Lucasfilm” from 1984 — but which is actually a standard Hollywood release saying that they won’t consider unsolicited material.
(21) COMING TO NETFLIX, Bright Official Trailer #3.
(22) VIDEO OF THE DAY. “Sputnik-2, or Laika, Our Hero” is a video from Popular Science about the 50th anniversary of Laika’s journey into space aboard Sputnik 2.
When the international press reported that the Soviets sent a dog into orbit, the public freaked. Not because communism was beating democracy in the space race, but because how could anyone send a dog—alone—into space. If there’s one global commonality, it’s this: everyone loves dogs. So, the Soviets spun the story. Laika, the space dog, became a national hero. Yes, she died on her one way mission. But, she gloriously orbited Earth for over a week until her eventual, peaceful death. And, because of Laika’s sacrifice, the Soviet space program was now years ahead of the Americans…
But, none of that was true.
Based on declassified Soviet space program documents as well as primary source archive from back in the day, this is a revised version of Laika’s one way trip. In her words. That is, approximately her words. She was a dog, after all.
[Thanks to Daniel Dern, JJ, Cat Rambo, Cat Eldridge, ULTRAGOTHA, Chip Hitchcock, Martin Morse Wooster, and John King Tarpinian for some of these stories, Title credit goes to File 770 contributing editor of the day Daniel Dern.]
(2) WRITING ABOUT HEINLEIN. Farah Mendlesohn answers some pointed questions about her forthcoming Heinlein book in “Q&A with Ken MacLeod”.
KMM: Heinlein is a hero to and an influence on the ‘right’ of the SF field. I remember many years ago being surprised to hear you being enthusiastic about Heinlein, and I probably asked you something like this: As a feminist of the left, why do you find Heinlein so intriguing?
FJM: Heinlein has always been a hero to parts of the left as well, particularly to the anarcho-left of which I am, loosely, a part both as a feminist and because I’m a Quaker (Quakers invented anarchist decision practice, and it’s interesting that anti-pacifist Heinlein has a soft spot for them). But to return to the question: at the age of 12-20 it was because he was pretty much the only male sf writer writing women who had jobs, adventures, access to engineering jobs, and who got to be spies and ornery grandmas, and be liked by men who weren’t as smart as they. Believe me, when you are a smart girl in school, that’s pretty reassuring. In my late teens and twenties I started to get annoyed with the requirement to be “sexy” but attracted to the arguments about consent; frustrated with the performativity of the romances, and irritated by everyone wanting babies but attracted to the arguments about the different ways to construct families. This time round I’ve been fascinated by the way it’s clear that Heinlein knows what his women are up against; I’ve ended up with very different readings of Podkayne, Friday and Maureen (To Sail Beyond the Sunset) in which all three of them become resisters of other people’s narrative of them.
The crowdfunding appeal has reached 80% of its goal as of today.
The “Ensign’s Prize” are multiple titles of pirated Heinlein works that Ginny Heinlein won in a lawsuit. She donated them to The Heinlein Society for fund-raising. Until now we have limited sales only to THS members, but as you can see in the link, purchases are now open to anyone while supplies last. There are different numbers of remaining copies of the various titles, and being a pirated version, the quality is what it is (though surprisingly not bad).
More info at the Society website:
There are some rare editions here to add to your collection. A prime example is the only known hardcover edition of The Notebooks of Lazarus Long with lettering by D.F. Vassallo.
The numbers of available individual copies varies by book with no individual copies of Methuselah’s Children. Only a handful of individual copies of Stranger in a Strange Land (5) are available. All individual copies will be offered for a suggested donation of $60 each except for The Notebooks of Lazarus Long which is offered for a suggested donation of $75 each with shipping & insurance on single books at $6.00 in the US. Overseas shipping will be determined at time of donation.
These books/sets are used as a fundraiser to support projects and programs of The Heinlein Society, a 501(c)3 non-profit organization dedicated to paying it forward. Proceeds from these books/sets will be used to support projects and programs of The Heinlein Society such as the scholarship program and Heinlein For Heroes.
This link will take you to a page where you can read a description of the books being offered and then click the “Details” link at the bottom of the page to be directed to the ordering site.
New Species of Dinosaur Is the Largest Land Animal to Ever Walk the Earth
One hundred million years ago, a colossal creature the size of a 737 thundered through the forests of South America, picking trees clean with its head extended five stories in the air and sending ferocious T. rex-like therapods scattering like mice below its trunk-sized legs. It’s the largest dinosaur ever found — a titanosaur so huge that its skeleton can’t even fit into a single room in its home at the American Museum of Natural History. Scientists this week unveiled their first study on the ancient beast alongside its new, official name, Patagotitan mayorum, or, The Giant from Patagonia. Astoundingly, the Big Apple’s biggest resident wasn’t even fully grown when it died (scientists don’t know if it was male or female) — and an even more whopping cousin could be waiting to be uncovered, experts said Wednesday. “This animal [hadn’t] stopped growing at the time of death,” said Diego Pol, an Argentina paleontologist who helped dig it up.
…The scientists reproduced the skeleton in 3-D models, but the specimen was too large to fit in any local museum, Pol said, so they sent a fiberglass cast to New York last year. It has been welcoming visitors to the museum’s dinosaur floor ever since — literally, because its massive skull extends all the way out into the elevator bay. “[It’s] probably one of the world’s great selfie spots,” said John Flynn, the museum’s curator of fossil mammals.
Mission plan: retrieve lost votes from deep within black hole of democratic disillusionment…
Cash’s statement says the agency “will be the anchor for our domestic coordination and the front door for our international engagement”, but there’s no detail on the agency’s name, budget, start date or anything else that would tell us what it will actually do. The fact that its future existence was first revealed to media in the city of Adelaide suggests one mission: help revive the city’s economy, which has struggled since auto-makers left in recent years (along with many votes for the governing Liberal Party).
(6) MAKE YOURSELF A GIBSON. Martin Morse Wooster says, “I finished Conversations With William Gibson and learned about this story, which was new to me. This is from an episode of the Geek’s Guide To The Galaxy podcast by John Joseph Adams and David Barr Kirtley, who interviewed William Gibson in 2012. This probably took place in the early 1990s.
GEEK’S GUIDE: So when I first started going to science fiction conventions, I heard this funny story about you, and I’ve never been sure if it was true or if it happened the way I heard it, and I was wondering if you knew what I was talking about. It was this story where you go into a hotel to check in, and you say, ‘Hi, I’m Mr. Gibson,’ and everyone acts all shocked at the hotel.”
GIBSON: It was the Beverly Hills Hotel, and I don’t know, somebody had checked me in.It was when I had started doing some contact screenplay work after the ALIEN 3 script. So I got there, and it was like, you know, I couldn’t figure out what was going on. The desk people looked gobsmacked and really unhappy. So the bellman takes me up to this very fancy suite, and in this suite there’s a table lavishly arrayed with very expensive wines and liquors and expensive floral displays, and a bit thing that says, ‘The Beverly Hills Hotel welcomes Mel Gibson.'”
And so I looked at the bellman, and I said, ‘No, no, I’m not him. Take this stuff away.’ And he said, ‘No, no, no, you can keep it.’ And I said, ‘What am I supposed to do with it?” He said, ‘Call some friends, have a party.'”
…[DJ Jean] Shepherd decided that he wanted to get a book on the bestseller list—an imaginary book. “What do you say tomorrow morning each one of us walk into a bookstore, and ask for a book that we know does not exist?” he asked his listeners. The book they decided to ask for was I, Libertine, its author, Frederick R. Ewing, published by Excelsior Press, an imprint of Cambridge University Press. And ask they did…
…What is true, though, is that this book became real through sheer force of will. After only a few months, the story broke: I, Libertine was a hoax. But then it was un-hoaxed: Theodore Sturgeon, a friend of Shepherd’s, actually wrote the book, and Ballantine Books published it.
(8) TODAY’S DAY
The purpose of Batman Day is to celebrate the anniversary of the character’s first ever appearance, which was in Detective Comics #27 way back in May 1939. Since those early comic book appearances, Batman has grown into one of the world’s best-loved and most recognizable fictional characters, and is the focal point of television shows, animated cartoons, video games and Hollywood blockbusters.
(9) TODAY IN HISTORY
September 26, 1937 – The first episode of The Shadow was broadcast.
September 26, 1987 — Star Trek: The Next Generation premiered.
With Star Wars: The Last Jedi still upcoming, John Boyega let confirmation of a few major cameos — specifically, Princes William and Harry — slip out in an interview on BBC Radio (via Screen Rant). As he stated:
I’ve had enough with those secrets. They came on set. They were there. I’m sick of hiding it. I think it was leaked, anyway. There were images. Every time I get asked, I have to dodge it. I’m tired of dodging it. They were there. Tom Hardy was there too.
Hardy is certainly a major cameo. But he’s actually just one of many big names to show up in a film from the Star Wars franchise.
As fans look forward to the surprise appearances that are set to come in The Last Jedi, we take a look back at the history of celebrity cameos in the Star Wars franchise — including some you may not have noticed or heard about.
Yes, I did ask Jody Wheeler and Carlos Pedraza to back off on the Axanar stuff — not just because of my respect for Alec Peters, but also because of my equal respect for Jody Wheeler and Carlos Pedraza, both of whom I have worked with. Fan-feuding helps no one. It hurts everyone. It destroys possibilities. It destroys opportunities. (I know of two entities who decided not to engage with Jody and Carlos because of their efforts in the anti-Axanar movement.) I speak from a half-century of direct experience on this.
But yeah, my bad. I should know better than to ask fans to disengage from a feud. Especially this one. I should have known better because internecine warfare is always more important than mutual support and partnership in any endeavor. It’s much more fun to have enemies — war is the most profitable human product, because it gives you not only the illusion of power and authority, it creates the opportunity to control how others think and act…
J.K. Rowling has been accused of idea theft, and vice versa, so many times that there’s a whole Wikipedia page for “legal disputes over the Harry Potter series.” The earliest was American writer Nancy Kathleen Stouffer, who sued Rowling for infringement in 1999, when only three of the books had been published (although it was already clear that the series was turning a handsome profit). Stouffer claimed that she’d invented the word “muggle” in her vanity-press book The Legend of Rah and the Muggles, and that another of her works featured a character named Larry Potter. This is thin enough—but the court didn’t just rule that the similarities were too vague to amount to much. It actually found that even Stouffer’s weak evidence may have been fabricated.
Two other cases involve Stephenie Meyer’s Twilight and Cassandra Clare’s Darkhunter series.
Some industry observers say that the spike in challenges to illustrated books can be attributed to the recent rise in the literary form’s popularity and accessibility on bookshelves, as well as the subject matter.
“Graphic novels are more popular and widely read than ever,” said Charles Brownstein, executive director of the Comic Book Legal Defense Fund, an advocacy organization. “Their authors are speaking directly to the real concerns of their audiences in an accessible way.”
Brownstein noted, too, that the illustrated form can attract challenges that other books might not.
“There are many other factors to weigh, including the medium’s reliance on the power of the static image,” he said. “Graphic novels are frequently reduced to a single image or sequence of images that can be removed from the larger context of the work, and used to justify censorship. Comics’ use of images and words give the stories added power that resonates with audiences, and makes works like ‘This One Summer’ and ‘Drama’ even more compelling. These works must be considered as a whole to be fully appreciated. When that happens, the complexity, nuance and sophistication of the stories can be fully appreciated.”
The CBLDF director pointed, as well, to how comics are perceived by many parents and officials. “In many cases, comics are still regarded as lesser reading,” he said. “Some people don’t expect comics to have the kind of complexity or depth that earned ‘This One Summer’ the Caldecott honor and ‘Drama’ a Stonewall honor. We’ve seen cases where comics are challenged because the conversations that they raise were unexpected.”
In this year of all things King, with nearly two dozen movies, TV shows or miniseries based on Bangor’s own horror-meister in production or on screens, it makes perfect sense to add another Stephen King-thing to what has become a total-immersion experience.
Enter “Sleeping Beauties,” a novel that’s a team effort by Stephen King and his son, Owen. Published by Scribner, it goes on sale on Tuesday, Sept. 25 ($32.50 hardcover).
The duo’s first tandem effort on a novel, “Sleeping Beauties” is an ambitious work that combines some age-old Stephen King themes — the potential end of the world, the battle between good and … well … not so good, if not evil — with a distinctly sci-fi premise.
Simply put: Women around the world are falling asleep, and being covered in wispy cocoons. They may never wake up (and in true Stephen King fashion, those who try to rouse the females from their slumber quickly learn that doing so was a big, bad, bloody mistake).
Is the human race’s demise insured? Will a world with no women become a reality (for a time)? Or is there another option that we just can’t see on this side of the story? Good questions, all
(16) UNDER THE HAMMER. The Daryl Litchfield Collection of Arkham House & H.P. Lovecraft goes on the auction block October 5. So do a great many volumes by Edgar Rice Burroughs and other sff authors.
More than 300 lots of fine literature, from the 18th through the 21st centuries, are included in this exciting auction. Headlining the sale is the Daryl Litchfield collection of Arkham House and H.P. Lovecraft. The collection includes the earliest work by Lovecraft and a near complete collection of Arkham House publications. Many other science fiction and fantasy first editions are also offered, including nearly fifty lots of Edgar Rice Burroughs novels, many in the rare original dust jackets. Also featured are more than fifty lots of Black Sparrow press limited editions of the writings of Charles Bukowski, many signed by the author. Other rare literary works from the last 300 years are also offered, including titles by Dickens, Faulkner, Fitzgerald, Stowe, Twain, Wilde, and many others.
(18) VIDEO OF YESTERDAY. In March 1971, General Mills introduced the chocolate-flavored Count Chocula and the strawberry-flavored Franken Berry.
[Thanks to Keith Kato, Cat Eldridge, David K.M. Klaus, Martin Morse Wooster, Michael J. Walsh, Wendy Gale, and John King Tarpinian for some of these stories.. Title credit goes to File 770 contributing editor of the day Daniel Dern, who inquires “Not having read all the Dune books (by Frank Herbert, and then the non-FH prequels), and not remembering all of those I did read… did any of the individual sandworms have names (i.e., not ‘Shai Halud’ (sp?), which was the general name). E.g. ‘Big Fella,’ ‘Spot,’ ‘Masterful Mighty Wriggler of Doom,’ ‘Fluffy’?”]
This line-up shouldn’t shock me, given the pre-convention buzz, and yet it does. Stranger has gotten a lot of attention, particularly from the mainstream edges of our fandom (probably because it dares to mention sex). It has also earned its fair share of scorn. It’s a lousy, preachy book, but if we’re judging by the sales, then it’s won its trophy, fair and square.
He hates Brian Aldiss’ winning works too! (Quick, the fainting cloths!)
I did give a Star to the first story in the Hothouse series, but the quality of the tales went down over the course of the publication. I understand they were novelized early this year, so Aldiss may get another bite at the apple. He doesn’t deserve it, though (the reviewer for UK sf digest, New Worlds, agrees with me).
Will an Indiana Jones protege soon snatch the iconic wide-brimmed fedora from atop Harrison Ford’s head? Perhaps, but it won’t be Mutt Williams — a.k.a. Indy’s son, Henry Jones III — the character Shia LaBeouf played in 2008’s Kingdom of the Crystal Skull.
“Harrison plays Indiana Jones, that I can certainly say,” screenwriter David Koepp, who has penned a script for the fifth film in the storied Indiana Jones franchise, tells EW. “And the Shia LaBeouf character is not in the film.”
James Patrick Kelly is a Hugo and Nebula Award-winning writer who recently published a career short story retrospective as part of the Centipede Press Masters of Science Fiction series. And had I not been turned down by the Clarion Science Fiction Writers Workshop in 1974, I might have shared a dorm room with him! (But don’t worry. I was accepted in 1979.)
We discussed the reason he needed to attend the Clarion Science Fiction Workshop twice—and why the rules were then changed so no one could do it again, the suggestion Kate Wilhelm made that saved one of his short stories, why his reaction to comics as a kid was “Marvel, yes, DC, feh,” how the science fiction field survived the Cyberpunk/Humanist wars of the ‘80s, why he takes an expansive view of fanfic, how Cory Doctorow inspired him to enter the world of podcasting early, what allows him and frequent collaborator John Kessel to work together so well, his advice for how writing 10 endings to a story in progress will help writers find the right ending, and more.
(6) GEEKWIRE. Frank Catalano returns with the second podcast in his GeekWire special series on science fiction, pop culture and the arts.
This time, I interview SFWA President Cat Rambo about the new game writer’s Nebula Award, consider the importance of awards in a crowd-sourced recommendation landscape, revisit the Puppies controversy in light of last month’s Hugo results (you’ll recall I wrote about the Puppies for GeekWire two years ago), and get some advice for wanna be writers.
SFWA President Cat Rambo says the organization began admitting game writers as members last year, and announced a Best Game Writing award category for 2018 to cover works published this year.
“I would think that one of the things a Nebula imprimatur would mean for a game is that it is a game that really has some story to it,” Rambo said. “That it’s a game that can achieve that sort of immersive wonderful experience that only text can bring.”
Rambo, a Seattle writer who is in her second term as SFWA president, sat down with GeekWire for this episode of our new podcast series on science fiction, pop culture, and the arts. Rambo has written more than 200 short stories and been nominated for the Nebula and World Fantasy Awards. Her stories are most recently collected in Neither Here Nor There (Hydra House) and Altered America: Steampunk Stories (Plunkett Press)….
Catalano says, “I have to admit, I’m enjoying mining my science fiction writing background. (And I do provide a full disclosure disclaimer early in the podcast interview that I am a former officer of SFWA, and still-active member.)”
The lawsuit is between descendants of author Philip Francis Nowlan, who created the fictional space explorer in the 1920s, and descendants of John Flint Dille, whose newspaper company once syndicated a Buck Rogers comic strip. On Friday, a Pennsylvania federal judge wrote the latest chapter in a long-running contest over rights with a decision that sets up a forthcoming trial over ownership….
“Although the question of whether the commercial success of Buck Rogers owes more to John F. Dille or Philip F. Nowlan is surely of great interest to the parties, and to Buck Rogers fans, it is simply irrelevant to the trademark questions that the trier of fact must answer here,” writes the judge.
The first big trademark question is who had priority on “Buck Rogers.” Who came first to claim “Buck Rogers” as their own? Not Nowlan or Dille, but rather their respective trusts. The Dilles no longer have a valid federal registration, so they must establish prior use of the mark in a way sufficiently public to be identifiable in the minds of the public.
Beetlestone writes that “there is a genuine issue as to whether Plaintiff can establish priority of use in the BUCK ROGERS mark. It must be noted that it is not necessary for Plaintiff to trace its claim to the BUCK ROGERS mark back to John F. Dille or Philip F. Nowlan. Instead, Plaintiff need only point to evidence from which a trier of fact could conclude that it developed trademark rights in the mark prior to January 15, 2009.”
That’s the date the Nowlans filed an intent-to-use trademark application.
The judge notes that the Dilles held registrations on “Buck Rogers” in the 1980s and had licensed those rights for games, comics and books.
Despite its recent vintage, the Dragon Awards already have a rocky history. Last year, the awards largely reflected the tastes of a very specific voting bloc: namely, supporters of the Sad Puppies and Rabid Puppies campaigns that formed to counter perceived left-wing bias at Worldcon’s Hugo Awards.
This led to such ludicrous situations as Brian Niemeier, a Puppy-aligned author, campaigning for his little-known space opera Souldancer to be voted into the Best Horror category for tactical reasons — and winning. L. Jagi Lamplighter, who edited Souldancer and became a finalist this year for her YA novel Rachel and the Many Splendored Dreamland, acknowledged the Puppies’ influence on the Dragon Awards results in 2016: “Puppy fans were eager to vote in a new award and may have been more vigilant than general fans who didn’t necessarily know about the Dragon Awards ahead of time.” Other authors from the Puppysphere, meanwhile, insisted that the Dragons were evidence of their mass popularity with the wider fandom.
However, it seems the farce of the 2016 Dragon Awards can now be consigned to the dustbin of fandom history. The 2017 Dragons have received a much higher turnout of voters and, all in all, they have done a considerably better job of living up to their stated aim of offering “a true reflection of the works that are genuinely most beloved by the core audience.”
This year, the one victory from the Puppy circles was earned by Larry Correia and John Ringo’s Monster Hunter Memoirs: Grunge, which won Best Fantasy Novel. Correia was the founder of the Sad Puppies campaign and is almost certainly the most popular author to be aligned with the movement, so his success here should not come as too much of a surprise.
(14) NIEMEIER ON DRAGON AWARDS. It’s kind of like watching a dog take a victory lap with one leg lifted.
I (probably unwisely) tried to ask some of the people crowing over how the recent Dragon Awards are the Best Awards Evar and that The Hugo Awards are dead, dead, dead because of course the only Real Awards are the Dragons, etc., asking why they thought an award that allowed someone with a bit of internet savvy the ability to vote potentially hundreds of times was a good thing, and the amount of vitriol sent my way was, well, not surprising, really. I’m sort of wondering if these people simply assume that everything is corrupt and everyone is on the take. They assumed, after all, that the Hugo Award results were rigged by a Secret Cabal. They don’t care of their pet system is rigged or flawed, as long as they Get What They Want. It’s sort of like the people who were quoted as saying they didn’t care if the last American Presidential election was corrupted, because Their Guy Won, and that’s all that matters.
The first panel was called Bad Romance. I’d chosen it because I write romance and I don’t want to write it badly, but also because Max Gladstone was on it. He doesn’t strike me as a romance writer, but I like his Craft Sequence fantasy series and wanted to hear him. He turned out to be worth the queuing.
The panel had a hiccupy start as the chair didn’t show up, but a member of the audience volunteered to moderate. She turned out to be Julia Rios, who had won a Hugo Award the previous night for Uncanny Magazine and had partied till four in the morning, but she still managed to be a great moderator. Not only did she keep the conversation flowing, she also managed to live tweet the panel. As a whole, the panel was good and funny, though I didn’t learn anything I hadn’t known before.
(17) MARVEL’S INHUMANS. Sneak peek.
[Thanks to JJ, Mark-kitteh, Chip Hitchcock, Andrew Porter, Cat Eldridge, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Steve Davidson.]