Pixel Scroll 3/21/24 Mr. Sandworm, Bring Me A Dream

(1) MASTER OF SF. Vernor Vinge died March 20. One of the many callbacks to this distinguished sf author’s genre contributions comes from the Hugo Book Club Blog: “A Tribute To Vernor Vinge”.

…“Singularity is the point at which our old models will have to be discarded, where a new reality will reign,” Vinge wrote. “This is a world whose outlines will become clearer, approaching modern humanity, until this new reality obscures surrounding reality, becoming commonplace.”

One of these forays into singularitarianism helped launch an entire subgenre of science fiction. First appearing in a Dell paperback alongside George R.R. Martin’s Nightflyers, the story True Names offered a blueprint for cyberpunk that would influence and inspire everything from blockbuster movies to role playing games and television series….

(2) CIXIN LIU ON PRODUCTIVITY ISSUES. [Via Zionius on Weibo] On Wednesday, Singapore newspaper The Straits Times published an article tying in with the release of the Netflix adaptation of The Three-Body Problem.  The piece includes a few quotes from Liu himself, where he talks about his activity in recent years, and his sympathy with one of his peers, George R.R. Martin.

While he yearns to see Martin place the long-delayed sixth book, The Winds Of Winter, in the hands of publishers, Liu, 60, also sympathises with his 75-year-old peer’s plight – Liu himself has been through a long fallow period.

“The Winds Of Winter has been delayed for 10 years. As a writer who also writes fantasy literature, I completely understand this, because I have not been able to publish a new work for more than 10 years,” Liu tells The Straits Times in an e-mail interview…

Other than Of Ants And Dinosaurs (2010), a work that imagines a war between the two species of the title, Liu has not produced a new novel since.

“Martin has at least published other works during that time, and I had done almost nothing,” he says. 

(3) A LIFELINE TO SANITY. The Guardian calls it, “’A fascinating insight into pandemic psychology’: how Animal Crossing gave us an escape”.

“Today is the first day of your new life on this pristine, lovely island. So, congratulations!” says Tom Nook, the benevolent tanuki landlord, a few minutes into Animal Crossing: New Horizons. (Nook is often besmirched online, but you can’t argue that he’s extremely welcoming.) Many players read this comforting message at a destabilising and frightening time in the real world: Animal Crossing: New Horizons came out on Nintendo Switch on 20 March 2020, a few days before the UK entered its first Covid lockdown.

This was fortuitous timing. When we were all stuck at home, the game let us plant our native fruits, tend to our flowers and see what the town shop had on offer, repaying our extensive loans (interest-free, thankfully) to Tom Nook as a way of escaping the chaos and daily death tolls. We opened the gates to our islands and welcomed friends and strangers into our pristine little worlds. As real life crumbled, we started anew with bespectacled catssheep in clown’s coats and rhinos who looked like cakes.

The game’s sudden popularity caused Nintendo Switch sales to skyrocket among pandemic-induced shortages. New Horizons had sold 44.79 million units by December 2023 – nearly three-and-a-half times more than any other game in the Animal Crossing series, which has been running since 2001. It’s the second best-selling Switch game to date, behind Mario Kart 8 Deluxe….

(4) BOT AND PAID FOR. Annie Bot has already been called “A sharp take on a sex robot that becomes human” in a paywalled New Scientist review:

I opened the novel with low hopes, because the idea of a robot learning to be human, then chafing at its bonds, seemed a bit old hat. How wrong I was. Right from the first page, the book is coruscating, unexpected and subtle….

Now Glamour has interviewed author Sierra Green in a Q&A titled “Annie Bot Is a Chillingly Prescient Novel That Asks What Happens When a Sex Robot Realizes Her Worth”.

…The character of Doug felt so real to me (a man who would rather have a sex slave robot than a real human companion), which is scary, to say the least. What does his character represent to you, and why do you think it is important to demonstrate these types of men in the media?

This is a complicated subject. I think it’s important to try to understand what in our society encourages a man to feel like he ought to be in control, even when he’s not. No one likes to feel helpless, but men can feel doubly conflicted when they are denigrated because society has taught them that they deserve respect. Suddenly they have to reassess the entire system. When we see a character like Doug who is lonely and wants to be in control, we understand why he’s reaching out for a connection. We’re not surprised that men turn to the internet for pornography, and Annie is just a step beyond that. What matters to me is that Doug learns from his situation. He experiences deep shame, isolation, and rage, but he’s also willing to reflect on how to become a better man, a better human. Almost despite himself, he takes risks that lead him where he needs to go.

Do you think if Stellas really existed, a lot of men would buy them?

Yes. Women would buy them too, or the male Handy models. People will buy a new toy whether it’s good for them or not….

(5) MONSTER MASHER. Radio Times says “Doctor Who needs Steven Moffat – despite what he might say”.

…Every showrunner has brought something incredible to Doctor Who, from Russell T Davies’s famously skillful writing to Chris Chibnall’s bold new directions, but there’s something that Moffat brings to the show that no other writer does.

He remains unmatched as Doctor Who’s monster maker. By his own admission, his creations are simple and actually a little formulaic, usually riffing on a childhood fear to create a chilling physical embodiment of our nightmares. But it doesn’t get old – because he does it so well.

Moffat’s first episodes, a season 1 two-parter, introduced the Empty Child. Arming his creation with a haunting catchphrase (“Are you my mummy?”) and a gruesome physicality (I’ve never forgotten that transformation scene), he immediately ensured his first Doctor Who monster would be one for the ages. But it was far from his most iconic.

In season 3, Moffat penned what is widely described as one of Doctor Who’s best ever episodes, Blink, creating an all-time classic monster, the Weeping Angels….

(6) A TILT TOWARD NORTH AMERICA. “Doctor Who’s schedule change is inevitable – but still heartbreaking” opines Radio Times.

With the decision being made to debut new Doctor Who episodes at midnight on BBC iPlayer, many Whovians have expressed their disappointment. They argue that the choice was made for US-based audiences, and it undeniably was.

When the first two episodes are released on BBC iPlayer at midnight on Saturday 11th May, they will also be available on Disney Plus at 7pm ET on Friday 10th May, before BBC One airs them again later in the day on Saturday.

This means that while viewers on the US East Coast can enjoy the premiere episode in the late evening, UK fans will have to stay up into the late hours of the night to watch, diminishing the event nature and experience of watching the series…

(7) NEW HORROR. Gabino Iglesias reviewed Premee Mohamed’s The Butcher Of The Forest, C.J. Cooke’s A Haunting In The Arctic, Tim Lebbon’s Among The Living, and Amanda Jayatissa’s Island Witch in “Demons, Haunted Forests and Arctic Nightmares in 4 New Horror Novels” for the New York Times in February.

(8) SPUR AWARDS. The Western Writers of America have presented the 2024 Spur Awards. Complete winners list at the link – there do not appear to be any genre works among them. Not even Thomas Goodman’s Best First Novel The Last Man: A Novel of the 1927 Santa Claus Bank Robbery has much to do with jolly old elves.

(9) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 21, 1946 Timothy Dalton, 78. Timothy Dalton made his film debut sixty-eight years ago as Philip II of France in The Lion in Winter. I remember him distinctly in that role. Of course, I’ve watched that film enough times that I think I’ve memorized much of the script. 

He would do two Bond films, The Living Daylights and Licence to Kill. He made a decent Bond, but then I think the only true Bond was Connery. 

Timothy Dalton in 1987.

Now doing a dive into his genre roles, he was Prince Barin in Flash Gordon, and had a major role as film star Neville Sinclair, one of baddies in The Rocketeer. An absolutely amazing film which is why it got a nomination for a Hugo at MagiCon. 

And he was Lord President Rassilon in “The End of Time”, the last Tenth Doctor story. He made a rather impressive Time Lord indeed. 

I’ll finish up with his role as the Chief on the DC Universe/Max Doom Patrol series which just wrapped up. It was a great role for him, and a most excellent series indeed. 

(10) COMICS SECTION.

(11) TRAINING FOR WAR. James Bacon reviews an issue of Battling Britons, “The Fanzine of Vintage British War Comics”, for Downthetubes.net: “In Review: Battling Britons 6 – Planes, Trains and Giant Vampire Bats!”.

The Book: The latest issue of a fanzine dedicated to British war comics, offering articles, reviews and features on comics such as Commando, still published, and vintage comics such as Battle Picture Weekly, War Picture Library, including items on strips such as “Black Max”, “Dredger”, “Maddock’s Marauders”, “Kommando King” and more…

…Editor and publisher Justin Marriott often writes about subjects that are close to my heart, and this issue he looks at Commando comics that feature trains. He starts this with a fabulous laugh out loud list of the ten things he has learned from reading comics which featured trains. It’s a light hearted and humorous approach, and then lists some 30 Commando stories, and discusses them briefly….

(12) NOT JUST LOOKING AT THE PICTURES. And Downthetubes.net founder John Freeman suggests, “Comics: The Answer to The UK’s Literacy Crisis?”

We’re used to Spider-Man saving the world from the Green Goblin and a multiverse of masked miscreants. But new research by Comic Art Europe, and a separate research project by the National Literacy Trust, suggests that he could have the super-powers to do something even more valuable – something our government has signally failed to do: turn us into a nation of readers again

That’s the view, at least, of Lakes International Comic Art Festival chair Peter Kessler MBE, in an article for the latest issue of Books for Keeps magazine.

“A unique project has been unfolding in a primary school in North Manchester,” he notes, discussing the Comics and Literacy Project the Festival worked on as a partner of Comic Art Europelaunched in 2021, supported by The Phoenix comic, its full, interim report here on the Festival web site.“Abraham Moss is a typical, hard-working community school in an underprivileged area. Most of its students are from ethnic minority backgrounds, and it has a higher-than-average number in receipt of the Pupil Premium subsidy given to disadvantaged students. The school has spent two academic years participating in a Europe-wide research project entitled Comics and Literacy. The aim of the project: to analyse and quantify the impact of exposure to comics on young people.

“The results are jaw-dropping….”

(13) FANAC ZOOM NOW ONLINE. You can view the two-part FANAC History Zoom: “The Women Fen Don’t See” with Claire Brialey, Kate Heffner and Leah Zeldes Smith on YouTube.

Part 1 – 

Description: Women did not magically appear in fandom with the advent of Star Trek, but have been part of science fiction fandom since the earliest days. They’re faneds, and convention chairs, writers and artists, club fans and costumers. Sometimes, they’re all of the above. Our impressive panelists (see bios on the bottom) Claire Brialey, Kate Heffner and Leah Zeldes Smith talk about why early female fans have received less credit than they deserved, or been overlooked entirely, and describe the contributions of a number of them…In this recording (Mar 2024, part 1 of 2), our panelists talk about how this research began, and why women that were cranking the mimeos, writing fanzine articles and going to conventions were not even regarded as fans. Early fan historians didn’t correct this impression, reflecting the attitudes of society and ignoring women’s contributions to fandom, especially married women. In this recording, you’ll learn about what fans did say about women in the community, “the radical hoax of Lee Hoffman”, and Miss Science Fiction 1949 (and the Fake Geek Girl response that ensued).

Women discussed in this part 1 include Jean Bogart, Pam Bulmer, Daphne Buckmaster, Marion Eadie, Helen Finn, Nancy Kemp, Trudy Kuslan, Lois Miles, Frances Swisher, and Jane Tucker. There’s a lot of information, a little hero worship and a dive into those hard-to-research women whose fanac was not primarily in fanzines. The discussion continues in Part 2. For more fan history, go to https://fanac.org and https://fancyclopedia.org. If you enjoyed this video, please subscribe to our channel.

Bios: 

Claire Brialey – Claire encountered fandom in her early teens, in the mid-’80s, after having read SF for five or six years. She’s a fanzine fan and co-editor of Banana Wings, as well as having won the 2011 Best Fan Writer Hugo. She’s a former President of ANZAPA and a conrunner (up to and including the Worldcon level). She’s worked on clubs, fan funds, and awards administration. She is one of the Guests of Honor of the 2024 Worldcon in Glasgow. And she still enjoys reading and watching SF. 

Kate Heffner – Kate Heffner (she/they) is a PhD researcher at the University of Kent England in the Department of History and an adjunct faculty member in the School of Library and Information Science at the University of Iowa. She is completing her dissertation entitled ‘A Fanzine of Her Own: Femme Fans in the Post-War Era.’ She is the recipient of the 2022 Peter Nicholls prize for best essay and a former judge for the Arthur C Clarke Award. For the last several years, she has also been adding to Fancyclopedia.org. 

Leah Zeldes Smith – A retired journalist, Leah has been an actifan for more than 50 years, since she was a young teenager. She is a fanzine fan, and her zine STET was nominated for the Best Fanzine Hugo 3 times (1993, 1994, 2001). She’s a DUFF winner (93). She’s been involved with APAs, clubs and convention running. Leah’s involvement in documenting fanhistory dates back several decades. She has been a mainstay of Fancyclopedia, and has made thousands of updates to the site. Recently she’s pulled together a list of Fandom Firsts.

Part 2: 

Description: Women did not magically appear in fandom with the advent of Star Trek, but have been part of science fiction fandom since the earliest days. They’re faneds, and convention chairs, writers and artists, club fans and costumers. Sometimes, they’re all of the above. In this part 2 of the session (Mar 2024), our panelists Claire Brialey, Kate Heffner and Leah Zeldes Smith continue to talk about why early female fans have received less credit than they deserved, or been overlooked entirely, and describe the contributions of a number of them.

Women discussed here include Ina Shorrock, Bobbie Gray, and Ethel Lindsay. There’s more about Femizine, the impact that early female fans can have on younger generations today, and whether women fans today will experience the same sorts of erasure. At about 32 minutes in, Q&A from the audience begins, with the difficulty of researching women fans, especially those that change their names multiple times, and anecdotes of Nan Gerding, Lynette Mills, Fuzzy Pink Niven, and Noreen Shaw. Maggie Thompson contributes a wonderful anecdote about her mother SF author Betsy Curtis and Tony Boucher. The recording concludes with a welcome discussion of how women have been treated in fandom in recent years.

(14) OSCARS A RISING TIDE FOR THESE ACTORS. JustWatch asked: (1) Which movies featuring Oscar-winners Emma Stone and Cillian Murphy are the most popular with audiences? (2) Are their 2024 Oscar-winning pictures at the top?

Key Insights

Poor Things is topping our popularity ranking, with an overall popularity of 48.6% among global audiences. The Favourite, her other Oscar winning performance, is no surprise in second place. Followed by La La Land, which was also a top contender during the 2016 Oscars. Surprisingly, Cruella ranked lower on the list, even though it was a big budget Disney project. 

Oppenheimer blew away Cillian Murphy’s other movies, garnering more than 60% of global popularity. Inception, another Christopher Nolan project, took second place. Dunkirk, A Quiet Place, and The Dark Knight also ranked in our top 1010. 

We created this report by using our JustWatch Streaming Charts, which are calculated by user activity, including clicking on a streaming offer, adding a title to a watchlist, and marking a title as ‘seen’. This data is collected from >40 million movie & TV show fans per month. It is updated daily for 140 countries and 4,500 streaming services.

(15) DON’T BOTHER ME, I’M BUSY. The form letter Robert A. Heinlein devised to answer his mail is making the rounds again. In the Seventies when I heard this existed I wrote him a fan letter in hopes of receiving a copy in reply, and I did — though it was a later variation than this one. (Click for larger image.)

(16) VIDEO OF THE DAY. Arriving in theaters on September 9: “’Beetlejuice Beetlejuice’ Trailer: ‘The Juice Is Loose’ In Sequel Teaser”. Let Deadline lead the way.

… The logline: Still haunted by Beetlejuice, Lydia’s life is turned upside down when her rebellious teenage daughter, Astrid (Ortega), discovers the mysterious model of the town in the attic and the portal to the Afterlife is accidentally opened. With trouble brewing in both realms, it’s only a matter of time until someone says Beetlejuice’s name three times and the mischievous demon returns to unleash his very own brand of mayhem….

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Kathy Sullivan, Ersatz Culture, Zionius, James Bacon, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 3/14/24 I Am The Go-Captain Of The Pixelfore

(1) LIBBY BOOK AWARDS. Congratulations to Martha Wells and Rebecca Yarros, two of the 17 winners of the inaugural Libby Book Awards, chosen by a panel of 1700 librarians worldwide.

  • Fiction: The Heaven & Earth Grocery Store, by James McBride
  • Nonfiction: The Wager, by David Grann
  • Young Adult: Divine Rivals, by Rebecca Ross
  • Audiobook: I Have Some Questions for You, by Rebecca Makkai
  • Debut Author: The House in the Pines, by Ana Reyes
  • Diverse Author: Camp Zero, by Michelle Min Sterling
  • Comic Graphic Novel: The Talk, by Darrin Bell
  • Memoir & Autobiography: Pageboy, by Elliot Page
  • Cookbook: Start Here, by Sohla El-Waylly
  • Mystery: Vera Wong’s Unsolicited Advice for Murderers, by Jesse Q. Sutanto
  • Thriller: Bright Young Women, by Jessica Knoll
  • Romance: Georgie, All Along, by Kate Clayborn
  • Fantasy: Fourth Wing, by Rebecca Yarros
  • Romantasy: Iron Flame, by Rebecca Yarros
  • Science Fiction: System Collapse, by Martha Wells
  • Historical Fiction: Let Us Descend, by Jesmyn Ward
  • Book Club Pick: Yellowface, by R. F. Kuang

(2) BOOK BANS SURGED IN 2023. “American Library Association reports record number of unique book titles challenged in 2023” at ALA.org.

Stack of books background. many books piles

The number of titles targeted for censorship surged 65 percent in 2023 compared to 2022, reaching the highest levels ever documented by the American Library Association (ALA). The new numbers released today show efforts to censor 4,240 unique book titles* in schools and libraries. This tops the previous high from 2022, when 2,571 unique titles were targeted for censorship. 

ALA’s Office for Intellectual Freedom documented 1,247 demands to censor library books, materials, and resources in 2023. Four key trends emerged from the data gathered from 2023 censorship reports: 

  • Pressure groups in 2023 focused on public libraries in addition to targeting school libraries. The number of titles targeted for censorship at public libraries increased by 92 percent over the previous year; school libraries saw an 11 percent increase.
  • Groups and individuals demanding the censorship of multiple titles, often dozens or hundreds at a time, drove this surge.  
  • Titles representing the voices and lived experiences of LGBTQIA+ and BIPOC individuals made up 47 percent of those targeted in censorship attempts. 
  • There were attempts to censor more than 100 titles in each of these 17 states: Colorado, Connecticut, Florida, Idaho, Illinois, Iowa, Kentucky, Maryland, Missouri, North Carolina, Ohio, Pennsylvania, Tennessee, Texas, Utah, Virginia, and Wisconsin.

“The reports from librarians and educators in the field make it clear that the organized campaigns to ban books aren’t over, and that we must all stand together to preserve our right to choose what we read,” said Deborah Caldwell-Stone, director of ALA’s Office for Intellectual Freedom. “Each demand to ban a book is a demand to deny each person’s constitutionally protected right to choose and read books that raise important issues and lift up the voices of those who are often silenced.  By joining initiatives like Unite Against Book Bans and other organizations that support libraries and schools, we can end this attack on essential community institutions and our civil liberties.”…

(3) PNH’S NEW POST AT TPG. “Patrick Nielsen Hayden to Become Editor-at-Large for TPG” reports Publishers Weekly.

Patrick Nielsen Hayden has assumed the title of editor-at-large for the Tor Publishing Group. Hayden has been with TPG for 35 years and most recently served as v-p, associate publisher, and editor-in-chief.

During his tenure, he has published the debut novels of authors such as Charlie Jane Anders, Corey Doctorow, John Scalzi, and Jo Walton, and has received three Hugo Awards and a World Fantasy Award for his editorial work. In 2020, he founded our Tor Essentials imprint, which highlights a new generation of SFF classics. 

As editor-at-large, he will continue to edit such authors as Scalzi, Doctorow, and Walton, and will continue to select and oversee the Tor Essentials. 

In announcing Hayden’s new role, TPG president and publisher Devi Pillai added that the company “will not be replacing Patrick in his previous position—he is one of a kind.”

Patrick Nielsen Hayden in 2013. Photo by Scott Edelman.

(4) WICKED WORLD’S FAIR FOLLOWUP. “Eventbrite Refutes Mach’s Claims About WWF Payouts, Hints at Possible ‘Actions’” at The Steampunk Explorer. The linked post adds a great deal more coverage after this introductory item:

Amid the fallout from the Wicked World’s Fair (WWF), show organizer Jeff Mach has repeatedly blamed Eventbrite, the online ticketing and event management platform, for his inability to cover the event’s expenses. But in a statement provided Wednesday to The Steampunk Explorer, Eventbrite refuted key aspects of his claims.

WWF was held Feb. 23-25 at the SureStay Plus hotel in Bethlehem, Pennsylvania. Mach used Eventbrite to manage ticket sales, as well as sales of vendor spaces. During the event, as a sound crew was awaiting payment and vendors were requesting refunds, he told them that Eventbrite had frozen his account, preventing use of the platform’s payout features.

In the weeks that followed, Mach continued to blame Eventbrite for payment issues at WWF. “I had repeated assurances from Eventbrite that the money would be forthcoming,” he remarked in one statement to The Steampunk Explorer. “Why Eventbrite had the account locked down, but refused to tell us, I don’t know.”

This was the company’s response on Wednesday: “Eventbrite offers, but does not guarantee, multiple ways to request funds ahead of the event date. Due to an error on the organizer’s end, we can confirm that a few of these advance payouts were delayed. This was quickly remedied, and the organizer received much of his payout ahead of the event and has now been paid out in full.”…

(5) I NEVER WANTED TO GO DOWN THE STONEY END. [Item by Danny Sichel.] Last month, Doug Muir did a piece about the impending death of Voyager 1, originally launched in 1977. “Death, Lonely Death” at Crooked Timber.

…Voyager has grown old.  It was never designed for this!  Its original mission was supposed to last a bit over three years.  Voyager has turned out to be much tougher than anyone ever imagined, but time gets us all.  Its power source is a generator full of radioactive isotopes, and those are gradually decaying into inert lead.  Year by year, the energy declines, the power levels  relentlessly fall.  Year by year, NASA has been switching off Voyager’s instruments to conserve that dwindling flicker.  They turned off its internal heater a few years ago, and they thought that might be the end.  But those 1970s engineers built to last, and the circuitry and the valves kept working even as the temperature dropped down, down, colder than dry ice, colder than liquid nitrogen, falling towards absolute zero.  

(Voyager stored its internal data on a digital tape recorder.  Yes, a tape recorder, storing information on magnetic tape.  It wasn’t designed to function at a hundred degrees below zero.  It wasn’t designed to work for decades, winding and rewinding, endlessly re-writing data.  But it did.)…

… We thought we knew how Voyager would end.  The power would gradually, inevitably, run down.  The instruments would shut off, one by one.  The signal would get fainter.  Eventually either the last instrument would fail for lack of power, or the signal would be lost.

We didn’t expect that it would go mad.

In December 2023, Voyager started sending back gibberish instead of data.  A software glitch, though perhaps caused by an underlying hardware problem; a cosmic ray strike, or a side effect of the low temperatures, or just aging equipment randomly causing some bits to flip.

The problem was, the gibberish was coming from the flight direction software — something like an operating system.  And no copy of that operating system remained in existence on Earth….

But all is not lost. Well, probably. But not necessarily. At the link you can read the rest of the story about the people trying to put the smoke back in the system from fifteen billion kilometers away.

(6) WEIMER GUESTS ON WORLDBUILDING FOR MASOCHISTS. Paul Weimer joins hosts Marshall Ryan Maresca, Cass Morris, and Natania Barron for  episode 124 of the Worldbuilding for Masochists podcast, “Worldbuilding in Review”.

We spend a lot of time thinking about how to work with worldbuilding as writers — but how does a reviewer approach the topic when they’re reading works of sci-fi and fantasy? Guest Paul Weimer joins us to share his insights as a prolific consumer and critiquer of speculative fiction! Paul talks about the details that he pays attention to, the things he looks for, and the things that draw his attention, as well as discussing the purpose of reviews and who they’re for (hint: it’s not the authors!).

In this episode, we spin things around to look at how we approach worldbuilding and narrative construction as readers — since we are, of course, readers as well as writers! We explore of aspects of how a writer can set and, hopefully, meet expectations through worldbuilding — and where that can sometimes become challenging as a series goes on. What makes a world exciting to enter in the first place? What grips a reader and keeps them with it? And how can you use worldbuilding to make your wizard chase sequence a more cohesive part of your world?

(7) ENTRIES SOUGHT FOR BALTICON SHORT FILM FESTIVAL. Balticon Sunday Short Science Fiction Film Festival has been revised and is looking for talented filmmakers. Full guidelines here: “Short Film Festival”. Entries must be submitted by April 10 2024.

In 2024, the Balticon Sunday Short Science Fiction Film Festival (BSSSFFF) will take place on Sunday evening at 7:00pm. We will thrill festival attendees with independently produced short films from around the region and across the globe. BSSSFFF features live action and animated films in the science fiction, fantasy, and horror from some of the best independent filmmakers this side of the Crab Nebula.

Awards will be given in both the Live Action and Animation category based upon audience preferences. Some of the history of this film festival can be found on the BSFS website.

(8) TRY SUNDAY MORNING TRANSPORT. Mary Robinette Kowal has posted a link valid for a 60-day free trial of Sunday Morning Transport.

(9) ONE SUPERHERO ACTOR CONS ANOTHER. “Simu Liu was scammed by a Hollywood Boulevard Spider-Man” at Entertainment Weekly.

Simu Liu is reflecting on an enemy he made during his first visit to Los Angeles: a not-so-friendly neighborhood Spider-Man.

During an interview with Jesse Tyler Ferguson on Dinner’s On Me, the Shang-Chi and the Legend of the Ten Rings actor recalled an unfortunate encounter with a swindling web-slinger on Hollywood Boulevard. “I remember I was taking photos of the Chinese Theater and a Spider-Man came up to me and was like, ‘I’ll help you!’” the actor remembered.

Alas, Liu’s spider-sense didn’t alert him to the insidious plot that was about to unfold. “And then he took a bunch of photos of me, and then he took some selfies of himself, and then he was like, ‘That’ll be $20!’” the actor said. “And that was mortifying for me, because I didn’t have $20 to give him. Core memory, clearly.”

(10) INTELLECTUAL (?) PROPERTY. Jon Del Arroz tagged me on X.com about this. I clicked through and was fascinated to learn he has declared Sad Puppies is a movement “owned and led by JDA!”

OFFICIAL Sad Puppies merch is now live on the store! Show your allegiance to this great movement which is owned and led by JDA!

(11) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 14, 1933 Michael Caine, 91. On my list of favorite British performers of all time, Michael Caine is near the top of that list. Both his genre and non-genre performances are amazing. So let’s take a look at those performances.

Caine portrayed Alfred Pennyworth in Christopher Nolan’s Batman trilogy. He was quite stellar in this role. And he was in The Prestige, a truly great film, as John Cutter, in Inception as Stephen Miles, Professor John Brand in Interstellar and Sir Michael Crosby in Tenet.

Did you see him in as Ebenezer Scrooge in The Muppet Christmas Carol? If not, go see it now. He’s wonderful and The Muppet take on the Dickens story is, errr, well actually touching. Really it is.

Definitely not genre is The Man Who Would Be King, based off the Kipling story, which starred him with Sean Connery, Saeed Jaffrey and Christopher Plummer. The two primary characters were played by Sean Connery — Daniel Dravot — and Caine played the other, Peachy Carnehan. A truly fantastic film. 

Michael Caine and Sean Connery in The Man Who Would Be King.

In the Jekyll & Hyde miniseries, he’s got the usual dual role of Dr Henry Jekyll / Mr Edward Hyde. He was nominated for a Golden Globe Award for Best Actor – in a Miniseries. He did win a Globe for Best Actor for playing Chief Insp. Frederick Abberline in the Jack Ripper miniseries airing the same time.

Nearly thirty years ago, he was Captain Nemo in a 20,000 Leagues Under the Sea miniseries. 

He’s in Austin Powers in Goldmember, third film in the franchise. He’s Nigel Powers, a British agent and Austin and Dr. Evil’s father. Can someone explain to me the appeal of these films? 

In Children of Men, he plays Jasper Palmer, Theo’s dealer and friend, Theo being the primary character in this dystopian film. 

He’s Chester King in Kingsman: The Secret Service. That’s off the Millarworld graphic novel of Kingsman: The Secret Service by Mark Millar and Dave Gibbons.

I’m reasonably sure that’s all I need to mention about his career.

(12) COMICS SECTION.

  • Blondie anticipates tomorrow’s celebration of World Sleep Day.
  • Frazz figures out the anatomy involved in scientific advancement.
  • Does F Minus depict the dream of some File 770 commenters?
  • Non Sequitur imagines the earliest days of streaming.
  • Carpe Diem has a new origin story.

(13) OCTOTHORPE. In episode 105 of the Octothorpe podcast, John Coxon watches movies, Alison Scott walks on the Moon, and Liz Batty has special bonds. Listen here: “Scorching Hot Month-Old Takes”.

In this episode, we talk through your letters of comment with diversions into Zodiac podcasts, poetry collections, and Scientology. We discuss the BSFA Awards shortlist and return to the Hugo Awards for another round of head-scratching and bewilderment.

A famous photograph of Margaret Hamilton standing beside printed outputs of the code that took the Apollo spacecraft to the Moon, overlaid with the words “Octothorpe 105” and “Liz has finished reading the latest Hugo Award exposés”.

(14) OUTSIDE THE BOX — AND INSIDE THE SHELVES. Harlan Ellison’s Greatest Hits can already be found in some bookstores, ahead of the official release date.

(15) GLIMPSE OF BLACK MIRROR. “Black Mirror Season 7 Will Arrive in 2025 With a Sequel to One of Its Most Beloved Episodes”IGN has the story.

Netflix’s long-running bleak anthology series, Black Mirror, is coming back for Season 7 next year, and it’s bringing a sequel to fan-favorite episode USS Callister with it.

The streaming platform announced the news during its Next on Netflix event in London (via The Hollywood Reporter), later bringing public confirmation with a cryptic message on X/Twitter. The post contains a video teasing the six episodes, and judging by the familiar logo that appears, it sounds like the third will be the one to give us our USS Callister sequel.

(16) THE GANG’S ALL HERE. “Doctor Who’s Russell T Davies and Steven Moffat unite to support Chris Chibnall”Radio Times cheers the gesture.

Doctor Who writers past and present have shared a photo together after Russell T Davies and Steven Moffat attended a performance of Chris Chibnall’s new play.

Recently returned showrunner Davies posted the image to his Instagram page alongside the caption: “A marvellous night out in Salisbury to see Chris Chibnall’s wonderful new play, One Last Push.”

And he added: “Also, we plotted Zarbi vs Garms”, referencing two classic Doctor Who monsters…

(17) TRUE OR FALSE? Radio Times reviews evidence supporting story that “Doctor Who’s Steven Moffat ‘returns to write 2024 Christmas special’”.

More than six years after his final episode of Doctor Who aired, it appears that former showrunner Steven Moffat may be returning to write a new episode of the sci-fi.

While the news has not yet been confirmed, it was picked up on Tuesday 12th March that producer Alison Sterling’s CV had been updated to note she had worked on the show’s 2024 Christmas special.

Underneath this, it was noted that the director of the episode is Alex Pillai, while it was stated that the writer is one Steven Moffat. The notes regarding the writer and director of the episode have since been removed….

One factor which may throw doubt on the idea that Moffat has written the special, is that Russell T Davies previously said that he himself was writing it back in 2022.

(18) STARSHIP HITS SOME MARKS. “SpaceX celebrates major progress on the third flight of Starship”ArsTechnica has details.

… The successful launch builds on two Starship test flights last year that achieved some, but not all, of their objectives and appears to put the privately funded rocket program on course to begin launching satellites, allowing SpaceX to ramp up the already-blistering pace of Starlink deployments.

“Starship reached orbital velocity!” wrote Elon Musk, SpaceX’s founder and CEO, on his social media platform X. “Congratulations SpaceX team!!”

SpaceX scored several other milestones with Thursday’s test flight, including a test of Starship’s payload bay door, which would open and shut on future flights to release satellites into orbit. A preliminary report from SpaceX also indicated Starship transferred super-cold liquid oxygen propellant between two tanks inside the rocket, a precursor to more ambitious in-orbit refueling tests planned in the coming years. Future Starship flights into deep space, such as missions to land astronauts on the Moon for NASA, will require SpaceX to transfer hundreds of tons of cryogenic propellant between ships in orbit.

Starship left a few other boxes unchecked Thursday. While it made it closer to splashdown than before, the Super Heavy booster plummeted into the Gulf of Mexico in an uncontrolled manner. If everything went perfectly, the booster would have softly settled into the sea after reigniting its engines for a landing burn.

A restart of one of Starship’s Raptor engines in space—one of the three new test objectives on this flight—did not happen for reasons SpaceX officials did not immediately explain.

Part rocket and part spacecraft, Starship is designed to launch up to 150 metric tons (330,000 pounds) of cargo into low-Earth orbit when SpaceX sets aside enough propellant to recover the booster and the ship. Flown in expendable mode, Starship could launch almost double that amount of payload mass to orbit, according to Musk….

Space.com has a video at the link: “SpaceX launches giant Starship rocket into space on epic 3rd test flight (video)”.

(19) FAILURE TO LAUNCH. Elsewhere, some bad news from Japan: “Space One’s Kairos rocket explodes on inaugural flight” reports Reuters.

Kairos, a small, solid-fuel rocket made by Japan’s Space One, exploded shortly after its inaugural launch on Wednesday as the firm tried to become the first Japanese company to put a satellite in orbit…

(20) TALKING TO NUMBER ONE. In Gizmodo’s opinion, “This New Robot Is So Far Ahead of Elon Musk’s Optimus That It’s Almost Embarrassing”.

As if Elon Musk needed yet another reason to hate OpenAI. Figure, a startup that partnered with OpenAI to develop a humanoid robot, released a new video on Wednesday. And it’s truly heads above anything Tesla has demonstrated to date with the Optimus robot.

The video from Figure, which is available on YouTube, shows a human interacting with a robot dubbed Figure 01 (pronounced Figure One). The human has a natural-sounding conversation with the robot, asking it to first identify what it’s looking at….

(21) MILLION DAYS TRAILER. “A Million Days” is available on Digital Platforms 18 March.

The year is 2041 and the next step in the future of humankind is imminent. After decades of training and research, the mission to create the first lunar colony is about to launch with Anderson as lead astronaut. Jay, an AI purpose built for the mission, has simulated every possible outcome for the expedition. Tensions arise when the chilling motives of Jay become apparent, sowing the seeds of distrust between Anderson, and the group that had gathered to quietly celebrate the launch. As the night descends into chaos, the group’s faith in one another and their mission begins to crack, with the knowledge that the decisions they make before sunrise, will change humanity forever.

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Lance Oszko, Daniel Dern, Kathy Sullivan, Scott Edelman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 2/27/24 It’s Scrolls And Pixels I Recall, I Really Don’t Know Files At All

(1) BEN YALOW OFF LA IN 2026 BID. LA in 2026 Worldcon bid chair Joyce Lloyd told File 770 today, “I can confirm that Ben Yalow is no longer a member of the bid committee.”

Craig Miller, a director of the nonprofit, also said in a comment here that Yalow has resigned from SCIFI, Inc., the parent organization to the L.A. in 2026 Bid. And that Yalow is not going to be on the L.A. 2026 Worldcon Committee.

(2) SOUND OFF. Kristine Kathryn Rusch reacts to “Findaway And Corporate Rights Grabs” on Patreon.

…Does that mean that after next week, you will find my work on Findaway? Um, no. You will not. As a friend of mine said, they’ve shown their true colors. Musicians have had trouble with Spotify for years and these are Spotify-inspired changes.

Spotify bought Findaway in 2022, paying about $123 million dollars. At the time, Spotify CEO, Daniel Ek, told investors that he was “confident that audiobooks will deliver the kind of earnings that  investors are looking for, with profit margins north of 40 percent.”

Over the past 18 months or so, Spotify has tinkered with Findaway in a variety of ways, mostly to do with the way that they’re paying content providers. Then this new TOS rights grab, which is not unexpected. In fact, it’s right on time….

(3) VERSUS INJUSTICE. Reckoning publisher Michael J. DeLuca reacts to the 2023 Hugo disaster, then goes beyond, in his post “On Ongoing Prejudice in the SFF Community and What Is to Be Done”. (Or go straight to DeLuca’s “original, uncut and expletive-laden version” here: “Do the Right Thing: A Hugo Rant”  at The Mossy Skull.)

….We perceive the dangerous potential, as daily worse things seem to come out about the behavior of a Hugo admin committee responsible for hurting so many great authors and the entire fandom of China—not to mention individual humans in their immediate vicinity—of writing them off as irrevocably evil outliers and therefore not representative of problems in our field. We don’t want this latest crisis to overshadow the previous, ongoing crisis or the one before that. That the Hugo committee has provided a scapegoat to whom consequences can be applied cannot be allowed to obscure the fact that, for one glaring example, the insidious shutting-out of Palestinian voices is still going on. There are so many compounded crises, anyone can be forgiven for not addressing every one all the time loud enough so nobody else forgets. Individually, we must choose one injustice at a time to address, with our voices, our donations, our votes, because otherwise we’ll all implode from the pressure. But we can’t let the latest injustice blot out the rest.

How do individual people get to act this terribly? They get encouraged. If they’re entitled white men, that encouragement need amount to nothing more than looking the other way. How do individual people get encouraged to be better? By positive peer pressure. By example.

The antidote to bureaucratic power-clutching and uninterrogated fascist creep, like the problem, is manifold. We need juried awards with juries of accountable, well-intentioned people empaneled by accountable, well-intentioned people. The Ignyte awards are one such. So are the Shirleys. Support them, care about them, pay attention to who wins. Our fellow Detroit-based indie press Atthis Arts bent over backwards this past year rescuing an anthology of Ukrainian SFF, Embroidered Worlds, from the slag heap. Pay attention to what they’re doing. Lift them up. We need magazines like Strange Horizons (who published a Palestinian special issue in 2020), FiyahClarkesworld (who have long been in the vanguard of championing translated work and translators), Omenana, and khōréō (their year 4 fundraiser ends 2/29). We need magazines whose editors and staff are actively listening to, seeking out, boosting, celebrating, paying—and translating, paying, and celebrating translators of—Chinese, Taiwanese, Palestinian, Yemeni, Ukrainian, Russian, Israeli, Indigenous, Aboriginal, Congolese, Nigerian, disabled, neurodivergent, queer, and trans voices. Do we in that litany miss anybody currently getting oppressed and shut out? Undoubtedly. This work is unending. We choose to keep at it.

The Hugo admins aren’t the only ones failing at this. The PEN Awards have recently been actively lifting up pro-genocide voices and suppressing Palestinian voices. A story we published, “All We Have Left Is Ourselves” by Oyedotun Damilola Muees, won a PEN Award for emerging writers in 2021. How can the administrators of an award designed specifically to remedy the way the publishing establishment has systematically ignored marginalized voices side with imperialism? There’s an open letter calling the PEN organization to task for this. Reckoning is among those who have signed it….

(4) ROMANTASY. Vox explores “How Sarah J. Maas became romantasy’s reigning queen”.

… Within the stories themselves, Maas’s worldbuilding is full of hat tips to her predecessors. In A Court of Thorn and Roses, the faerie land is called Prythian, a nod to Lloyd Alexander’s Chronicles of Prydain. In Prythian, faeries use a form of teleportation called “winnowing,” and their explanation of it will be familiar to anyone who loved Madeleine L’Engle’s A Wrinkle in Time. “Think of it as … two different points on a piece of cloth,” Maas writes (very much her ellipses). “Winnowing … it’s like folding that cloth so the two spots align.” If you’ve read the classics of YA fantasy before, you’ll recognize the sampling and remixing she is doing here.

Part of the pleasure of reading Maas is seeing these familiar YA fantasy references lie cheek by jowl with the tropes of romance novels. In A Court of Mist and Fury, the second volume of the series, two lovers who have not yet admitted their feelings for each other find themselves forced by cruel circumstance to fake date. Later, they end up at an inn with only one bed to spare, not once but twice. Across ACOTAR, Maas’s protagonist, Feyre, is torn between two boys. One is blond and sunny; one is dark-haired and brooding; both are impossibly beautiful, rich, and powerful; both begin as Feyre’s enemies….

(5) CHESTBURSTERS, MUPPETS, AND A BLACK HOLE, OH MY! Hugo Book Club Blog calls 1980 “The Ascendancy of Science Fiction Cinema (Hugo Cinema 1980)”.

In each year from 1970 to 1975, fewer than five of the top-30 movies (which could only be seen in cinemas at that time) could even remotely be considered genre works. By 1979, just two years after Star Wars, most of the top grossing movies were science fiction.

When the Hugo Award for Best Dramatic Presentation began in 1958, there had been concerns raised about whether or not there could be sufficient SFF movies worthy of consideration. Several times between 1958 and 1978, fans voted to present no award because they were dissatisfied with the cinematic fare on offer. That would never happen again.

After decades as a marginal cinematic genre, science fiction was in its ascendancy.

Most of the movies on the 1980 Best Dramatic Presentation Hugo have withstood the test of time: The Muppet MovieTime After TimeStar Trek The Motion Picture, and Alien remain well-loved today. Only Disney’s The Black Hole stands out as being one we thought was unworthy of Hugo Awards consideration … and even it has some charm to it….

(6) GODZILLA MINUS ONE LIVE REVIEW. Artist Bob Eggleton and Erin Underwood will review Godzilla Minus One live on YouTube on February 29 at 1:30 p.m. Eastern. (YouTube link.)

Join a special live movie review on YouTube of Godzilla Minus One with award winning science fiction artist Bob Eggleton, whose past work on Godzilla imagery has earned him love from fans around the world. Godzilla Minus One is the newest Japanese remake of the iconic monster who has captured our hearts ever since its original release in 1954. The newest film in the Godzilla genre features post war Japan when the country is still trying to recover, and “a new crisis emerges in the form of a giant monster, baptized in the horrific power of the atomic bomb.”

Bob Eggleton: Instagram: https://www.instagram.com/bobeggleton; Bob Eggleton has won 9 Hugo Awards, and various other important awards for his art over the last 30 years of his career. He is a fan of Godzilla and worked as a creative consultant on the American remake. While in Japan he appeared as an extra in one of the more recent films. Bob has designed concepts for Star Trek, Jimmy Neutron Boy Genius (2001) and The Ant Bully (2006) as well as created art for various publishers, magazines, book covers and media projects. His passion is with classic masters of art such as JMW Turner, John Martin and the Romantic movement. Bob has always been fascinated with ‘scale’ as a philosophy in the painted image, whether it be the vastness of outer space, or the size of a kaiju, H P Lovecraft denizen, or a dragon viewed from a human perspective.

Erin Underwood: YouTube: www.youtube.com/@ErinUnderwood; Erin Underwood is a movie reviewer on YouTube. She’s also a science fiction and fantasy conrunner, fan, author, and editor who loves dissecting stories and talking about films, TV, and books. However, in the daylight hours, she designs and produces emerging technology conferences for MIT Technology Review, where she tells the story of how new technologies are being used and how they are likely to impact our world.

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born February 27, 1940 Howard Hesseman. (Died 2022.) So yes, I’m doing Howard Hesseman so I can mention how much I liked him as Dr. Johnny Fever on WKRP in Cincinnati. Hesseman prepared for the role by actually DJing at KMPX-FM in San Francisco for several months. 

In interviews, the producers of the show said that persona was largely developed by him and the following opening words of him on the first show are all his doing. 

All right, Cincinnati, it is time for this town to get down! You’ve got Johnny—Doctor Johnny Fever, and I am burnin’ up in here! Whoa! Whoo! We all in critical condition, babies, but you can tell me where it hurts, because I got the healing prescription here from the big ‘KRP musical medicine cabinet. Now I am talking about your 50,000 watt intensive care unit… 

Now let’s talk about his genre roles. 

He was Fred in Tarantulas: The Deadly Cargo, a television horror film that has no rating on Rotten Tomatoes, but one person there says the only interesting thing was the real tarantulas. 

Howard Hesseman in 2014.

No, Clue, one of my all-time favorite films cannot be stretched to be considered genre, but I’m including it here because he, though uncredited, had the juicy role of The Chief. 

He was in the wonderful Flight of the Navigator as Dr. Louis Farsday, and then there’s the amusing thing Amazon Women on the Moon where he’s Rupert King in the “Titan Man” segment. 

He was Dr. Berg in the excellent Martian Child which based the David Gerrold’s Hugo Award winning novelette, not the novel based off it. 

Yes, he was in both Halloween II as Uncle Meat and Bigfoot as Mayor Tommy Gillis, neither career highlights by any measure.

I see he showed up on one of my favorite series, The Ray Bradbury Theatre, playing a character named Bayes: in “Downwind from Gettysburg”.

Around the that time, he  went elsewhere to the new Outer Limits to be Dr. Emory Taylor in “Music of the Spheres”. 

I’m off to watch the pilot now…

(8) COMICS SECTION.

(9) NO SFF IN DICK TRACY RETURN. In “Dick Tracy Writers Tease the Legendary Detective’s Return” at CBR.com, Alex Segura and Michael Moreci celebrate Dick Tracy’s return. No fancy wrist-radio, though.

When does your series take place? What made you choose this era as a setting?

Moreci: We’re very specific in the time we’re setting this — our story takes place in 1947, so it’s just after World War II. Again, there’s a definite, clear reason for that, rooted in Tracy’s character and the mood we’re trying to set.

Segura: This is Dick Tracy: Year One, basically.

(10) CHARITY BEGINS AT HOME. In a manner of speaking… The Library Foundation of Los Angeles invites you to “The Stay Home and Read a Book Ball”, 36th edition, on Sunday, March 3 at 12:00 a.m. – “Wherever you are!”

While you’re celebrating, take a moment to support the Library Foundation of Los Angeles by donating what you would have spent on a night out.

Share photos of your literary festivities on our Facebook event pageInstagram, or Twitter and tell us what you’ll be reading. Tag us at @LibraryFoundLA and use hashtag #StayHomeandRead to let others know how you are celebrating!

(11) THE ROBOT YOU NEED? The “Lost In Space Electronic Lights & Sounds B9 Robot Golden Boy Edition” is offered by Diamond Select Toys on Amazon.

  • Eyes light up and sensors blink, Chest blinks when B-9 talks
  • Head bubble manually raises and lowers, Arms extend and collapse
  • Claws open and close
  • Wheels allow B-9 to roll
  • B-9 Says the following phrases, including dialogue from “Cave of the Wizards”: “Watch it, I do not like grubby finger stains on my new suit of gold.” “From now on I’d appreciate it if you’d call be Golden Boy” “In my opinion, it is not Professor Robinson who needs psychiatric treatment, it is his doctor.” “I forgot, you are brave, handsome Dr. Smith.” and more!

(12) SIDEWAYS ON LUNA. [Item by Steven French.] I wonder if one of the engineers went home before the launch thinking “I’m sure I’ve forgotten something”! “Odysseus craft’s moon mission to be cut short after sideways landing” in the Guardian.

….On Friday, Intuitive Machines had disclosed that the laser range finders – designed to feed altitude and forward-velocity readings to Odysseus’ autonomous navigation system – were inoperable because company engineers neglected to unlock the lasers’ safety switch before launch on 15 February. The safety lock, akin to a firearm’s safety switch, can only be disabled by hand….

(13) VIDEO OF THE DAY. Introduction from Deadline: “’The Watchers’ Trailer Sees Dakota Fanning Stalked Through Irish Forest”. Comes to theaters June 7.

Warner Bros on Tuesday unveiled the first trailer for The Watchers, the anticipated supernatural thriller marking the feature debut of writer-director Ishana Night Shyamalan, with Dakota Fanning (The Equalizer 3) in the lead.

Set up at New Line following a multi-studio bidding war, this film from the daughter of M. Night Shyamlan is based on the 2021 gothic horror novel by A.M. Shine. Pic tells the story of Mina (Fanning), a 28-year-old artist who gets stranded in an expansive, untouched forest in western Ireland. When Mina finds shelter, she unknowingly becomes trapped alongside three strangers that are watched and stalked by mysterious creatures each night….

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, N., Kathy Sullivan, Andrew (not Werdna), Olav Rokne, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Joe H.]

Pixel Scroll 2/2/24 Scroll Pixel Very Simple Man, With Big Warm Filey Secret Heart

(1) UNLOAD THE CANON. Rev. Tom Emanuel calls on scholars and students to “Decanonize Tolkien” at Queer and Back Again.

In the fifty years since Tolkien’s death, his work and legacy have irrevocably shaped our understanding of what fantasy even is. This Oxford don, whose seemingly anachronistic, unclassifiable, wildly popular stories of Elves, Hobbits, and magic rings were once dismissed by the self-appointed guardians of Western literature, has now become one of its canonical figures.

Whether this is a good or a bad thing depends very much on whom you ask. Speaking as a lifelong Tolkien fanatic, my answer is: a bit of both. Either way, we might as well throw in the towel on biblical scholarship as on Tolkien scholarship. Just as the Bible is an inescapable, bone-deep influence on Western culture even for those who do not accord it status as Scripture, Tolkien is an inescapable influence on modern fantasy and, by extension, the study of the fantastic. His canonical status is why we cannot yet write him off; he means too much to too many people, has exerted too great a gravitational pull upon our field of inquiry. Yet that same canonical status is also why Tolkien scholarship must explore new horizons of reception and applicability and grapple responsibly with Tolkien’s complicated legacies both literary as well as cultural, historical as well as contemporary – another feature his work shares with the Bible. In fairness to my colleagues, many exceptional scholars, both established and emerging, are actively breaking new ground in Tolkien studies. More is needed, however, and an active reconsideration of approaches which have held sway in our field for too long….

…Those of us who study the man will always find it edifying (possibly) and entertaining (most certainly) to “interpret every single note Tolkien once wrote on a napkin and subject this analysis to multiple peer review,” to quote from this forum’s prompt. If we seek to continue in a genuinely Tolkienian spirit, however, we would do well to consider more deeply and carefully the effects of Tolkien’s fiction upon his readers and the wider culture in which they are implicated.

Key to this endeavor will be loosening the grip of so-called “authorial intent” over large swaths of Tolkien fandom and scholarship….

(2) HUGO AWARDS MESS REACHES ESQUIRE. [Item by PhilRM.] A not-terrible article that just showed up in Esquire about Chengdu touches, briefly and not terribly accurately, on the Puppies, and is almost entirely about the exclusions rather than the complete lack of believability of the numbers (although Heather Rose Jones’ work gets a link), but at least it delivers a well-deserved drubbing to Dave McCarty. “Hugo Awards 2024: What Really Happened at the Sci-Fi Awards in China?”

…In 2021, the voting process to select the host city for the 2023 convention became a lightning rod for conspiracy theories. Each year, anyone who purchases a membership in the World Science Fiction Society can vote on where WorldCon will be held two years later. In 2021, voters could choose between Chengdu and Winnipeg, Canada for the 2023 convention. “There were concerns that a couple thousand people from China purchased memberships [in the World Science Fiction Society] that year to vote for Chengdu,” says Jason Sanford, a three-time Hugo finalist. “It was unusual, but it was done under the rules.”

While Sanford welcomed the participation of new Chinese fans, other people were alarmed that many of the Chinese votes for Chengdu were written in the same handwriting and posted from the same mailing address. The chair of the convention that year, Mary Robinette Kowal, says some members of the awards committee wanted to mark those votes as invalid. “But if you’re filling out a ballot in English and you don’t speak English, you hand it to a friend who does,” she says. “And the translation we’d put in could be read as ‘where are you from,’ not ‘what is your address.’”

Eventually, a few votes were invalidated by the committee, but most were allowed to stand. “China has the largest science fiction reading audience on the planet by several magnitudes, and they are extremely passionate,” Kowal says….

…When McCarty finally shared last year’s nominating statistics on his Facebook page, authors, fans, and finalists were shocked. In the history of the awards, no works had ever been deemed ineligible like this. Many people who had expected Kuang to win for Babel were now stunned to see she very well could have, and McCarty’s refusal to explain what happened made everything worse. (McCarty did not respond to interview requests for this story.)

“Fandom doesn’t like people fucking with their awards, no matter who does it or why,” says John Scalzi, a three-time Hugo Award winner who was a finalist last year in the Best Novel category: the very same category in which R.F. Kuang should have been nominated for Babel, according to the nomination count on page 20 of McCarty’s document. “The reason people are outraged right now is because they care about the award, in one fashion or another, and this lack of transparency feels like a slap,” Scalzi says….

The article ends:

At the end of my Zoom call with Sanford, I see some emotion in his face around the eyes. “When I was young, science fiction and fantasy books literally saved my life,” he says. “I looked for books that were Hugo finalists or winners, and they showed me a way forward. They showed me there are other people out there who think like me.”

Whatever happens to the Hugos moving forward, one thing is clear: No one should have the power to erase books from the reading lists of future Jason Sanfords.

Jason Sanford disavowed the last paragraph on Bluesky.

Yes, I read the Esquire article I was interviewed for about the Hugo Awards controversy. A good article overall. I liked how the transparency of the Hugos is compared to lack of the same with most literary awards. Then I read the closing paragraph. Oh gods. SMDH. Be nice & know I didn’t write that.

Editor’s Note: The article also says of McCarty, “Within the WorldCon community, he’s nicknamed the ‘Hugo Pope’ for serving on so many awards committees over the years.” It’s a nickname I haven’t heard before. And Ersatz Culture reminds me that the October 26 Scroll carried a photo of a signature book showing McCarty refers to himself as ‘Hugo Boss’.

(3) WE DON’T TALK ABOUT HUGOS. Artist Lar deSouza has done a cartoon inspired by the controversy. See it on Bluesky: “We don’t talk about Hugos….”.

(4) IN THE YEAR OF THE DRAGON, A HEADLINE. “Dungeons & Dragons Publisher Denies Selling Game To Chinese Firm: Here’s What To Know” reports Forbes.

Wizards of the Coast, the Hasbro division behind tabletop game Dungeons & Dragons, is denying rumors sparked by a Chinese news report that a struggling Hasbro could be selling its Dungeons & Dragons franchise to Chinese video game company Tencent….

…But in a Thursday statement to multiple outlets, including Forbes, Wizards of the Coast, the Hasbro division that publishes Dungeons & Dragons and games including Magic: the Gathering, denied the rumors, claiming while the company has multiple partnerships with Tencent, “we are not looking to sell our D&D [intellectual property],” and the company would not comment any further on “speculation or rumors about potential M&A or licensing deals.”…

(5) FIGHT GOES INTO THE SECOND ROUND. [Item by Cat Eldridge.] “Disney To Appeal Ron DeSantis Legal Loss As The Empire Strikes Back” reports Deadline. Of course they are. It’s The Mouse. They have far more lawyers than there are pirates in The Pirates of The Caribbean Ride at Walt Disney World. And those lawyers know more about fighting dirty than those pirates ever did. Hmmm…. Mickey with an eye patch and cutlass…

The lines at Disney World may be long, but the Mouse House isn’t standing around to let Ron DeSantis savor his win yesterday in the company’s First Amendment lawsuit against the failed presidential candidate.

Less than 24 hours after a federal judge agreed with the Florida Governor and deep-sixed Disney’s nearly year long legal action, the Bob Iger-run entertainment giant and Sunshine State mega-employer gave official notice they plan to challenge Wednesday’s dismissal.

“Notice is given that Plaintiff Walt Disney Parks and Resorts, U.S., Inc. (“Disney”) hereby appeals to the United States Court of Appeals for the Eleventh Circuit from the Order Granting Motions to Dismiss and the final judgment entered by the U.S. District Court for the Northern District of Florida on January 31, 2024,” said outside Disney counsel Daniel Petrocelli and a small legion of lawyers in a filing this morning.

No word yet when the actual appeal will be filed, but it could be within the next week or so, I hear.

In a Florida knife fight that started with Disney’s slow but eventual opposition to the state’s parental rights bill, known by detractors AKA the “Don’t Say Gay” law, and then turned to DeSantis’ throwing overboard the long standing governance the company had over the region around Orlando’s Disney World and appointing his own Central Florida Tourism Oversight District Board. As the dust-up escalated, Disney filed its suit in April, as past and now present CEO Iger and the so-called “woke” battling DeSantis, who was eyeing what became a face plant of a primary campaign, hurled missives at each other in public…

(6) URSA MAJOR. Nominations for the Ursa Major Awards, Annual Anthropomorphic Literature and Arts Award, are open and will continue until February 17.

To nominate online, all people must first enroll. Go here to ENROLL FOR ONLINE NOMINATIONS or to LOGIN if you have already enrolled.

You may choose up to five nominees for each category:

Nominations may be made for the following categories:

Best Anthropomorphic Motion Picture
Best Anthropomorphic Dramatic Short Work
Best Anthropomorphic Dramatic Series
Best Anthropomorphic Novel
Best Anthropomorphic Short Fiction
Best Anthropomorphic Other Literary Work
Best Anthropomorphic Non-Fiction Work
Best Anthropomorphic Graphic Story
Best Anthropomorphic Comic Strip
Best Anthropomorphic Magazine
Best Anthropomorphic Published Illustration
Best Anthropomorphic Game
Best Anthropomorphic Website
Best Anthropomorphic Costume (Fursuit)
Best Anthropomorphic Music

(7) CALL FOR ‘WEIRD HOLLYWOOD’ SUBMISSIONS. Christopher J. Garcia, Chuck Serface, and Alissa Wales are planning an issue of The Drink Tank about Weird Hollywood. “Weird,” however you define that term, can apply to Hollywood as the city itself or as the entertainment industry. The editors are interested in fiction, art, history, poetry, photography, or anything printable you want to contribute. Send submissions to Chris at [email protected] or to Chuck at [email protected]. The deadline is March 1, 2024.

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born February 2, 1990 Sarah Gailey, 33. Sarah Gailey comes to our attention with their Best Related Work Hugo at Worldcon 75 with their Women of Harry Potter posts. Fascinating look at some other commenters mostly. Here is the “Women of Harry Potter: Ginny Weasley Is Not Impressed” post at Reactor.

Their alternate history “River of Teeth” novella, the first work in that series, was nominated for  a Hugo Award for Best Novella at Worldcon 76 and a Nebula. It’s also the first work in their American Hippo duology, the other being the novella “Taste of Marrow”. 

Upright Women Wanted by Sarah Gailey, art by Will Staehle
Upright Women Wanted by Sarah Gailey, art by Will Staehle

Upright Women Wanted is set in the a fantasy of a Wild West of a twenty minutes into the future dystopian hyper heterosexual America which is all I can say about giving away spoilers about it. Major trigger warnings for any conservative readers here. 

Their Magic for Liars, is quite excellent I would say. It’s a murder mystery set in school for young wizards but it’s nothing like those books.  They discuss their book here in a YouTube video.

The Echo Wife is a thriller with some very adult questions about the nature of what being human actually means. To say anymore would be spoiling it. It’s damn good. I’d say that it’s their best work to date. 

Their latest novel, Just Like Home, is not one I’ve read. Let’s just say that I don’t do serial killers and leave it at that. 

They also scripted The Vampire Slayer series on Boom! Comics from the universe of Buffy the Vampire Slayer.

They have done a double, double handful of short fiction, almost so far collected though the American Hippo collects the “River of Teeth” novella and the “Taste of Marrow” novella, and two short stories, “Worth Her Weight in Gold” and “Nine and a Half”, all part of the River of Teeth storytelling. 

Finally they have a magical, in the best way magic is, newsletter called Stone Soup. “It’s about the things we cook, the things we read, the things we write. It’s about the things we care about, together and separately; it’s about everything we add to the pot, in little bits and pieces, to make something great. It’s about community.” You can sign up for the free level, or the paid which I do and is well worth the cup of coffee a month it’ll cost you. (My Patreon fees collectively are larger than any of my streaming services by far.) Mike has from to time included material from it here. 

(9) COMICS SECTION.

  • Frazz ponders the power of story.

(10) ARE WRITERS GETTING PAID? The Society of Authors is skeptical. According to the Guardian, “Spotify claims to have paid audiobook publishers ‘tens of millions’ in royalties”.

Spotify has said that it has paid audiobook publishers “tens of millions” since allowing users 15 hours of audiobook listening in its Premium subscription package last autumn.

The company said that the figure, reported by trade magazine the Bookseller, is “100% royalties” and that it expects to “continue growing” royalty payouts in future. It would not give a more precise amount for payouts made so far, but said that the “tens of millions” figure applies in both pounds and dollars.

However, the Society of Authors (SoA) said they “remain concerned at the lack of clarity about the deals”. The industry body said it is “still waiting to see the effect on author incomes and whether these are real additional sales or simply take market share from Amazon”….

(11) JEOPARDY! [Item by Andrew Porter.] A Tolkien category featured on tonight’s episode of Jeopardy! Some contestants stumbled.

Category: Talking About Tolkien

Answer: Humphrey Carpenter’s bio of J.R.R. Tolkien, C.S. Lewis & like-minded friends has this title, like their literary circle.

Wrong question: What is the Oxford group?

Right question: What is the Inklings?

Answer: To his family and close friends, Tolkien was known by this name, the first “R” in his initials.

Wrong questions: What is Rael? and What is Robert?

Right question: What is Ronald?

(12) CSI SKILL TREE. The latest episode of CSI Skill Tree is “Game Localization with Siyang Gao and Emily Xueni Jin”. The series examines how video games envision possible futures and build thought-provoking worlds. In this episode, the participants discuss the process of video game localization, which encompasses both translation and deeper work, even up to adapting a game’s mechanics, cultural references and allusions, and more to better resonate with players who encounter the game outside of its initial linguistic and cultural context.

Siyang Gao is a writer, translator, and video game localizer who specializes in narrative-heavy games, and Emily Xueni Jin is an essayist, researcher, and fantastic translator of science fiction who translates both from Chinese to English and the other way around. Also, here’s a YouTube playlist with all 14 of the Skill Tree episodes thus far.

(13) K5 WAS NO K9; RETIRED. The New York Times says “Goodbye for Now to the Robot That (Sort Of) Patrolled New York’s Subway”.

The New York Police Department robot sat motionless like a sad Wall-E on Friday morning, gathering dust inside an empty storefront within New York City’s busiest subway station.

No longer were its cameras scanning straphangers traversing Times Square. No longer were subway riders pressing its help button, if ever they had.

New York City has retired the robot, known as the Knightscope K5, from service inside the Times Square station. The Police Department had been forced to assign officers to chaperone the robot, which is 5 feet 3 inches tall and weighs 400 pounds. It could not use the stairs. Some straphangers wanted to abuse it.

“The K5 Knightscope has completed its pilot in the NYC subway system,” a spokesman for the department said in an email.

On Friday, the white contraption in N.Y.P.D. livery sat amid a mountain of cardboard boxes, separated from the commuting masses by a plate-glass window. People streaming by said they had often been mystified by the robot.

“I thought it was a toy,” said Derek Dennis, 56, a signal engineer.

It was an ignominious end for an experiment that Mayor Eric Adams, a self-described tech geek, hoped would help bring safety and order to the subways, at a time when crime remained a pressing concern for many New Yorkers….

(14) TUNES INSPIRED BY LOVECRAFT STORY. Another musical discovery that might be of interest: “The Music of Erich Zann” from Half Deaf Clatch via Speak Up Recordings at Bandcamp.

‘The Music of Erich Zann’ is one of my favourite short stories by H.P Lovecraft, and I’ve been wanting to do a musical adaptation for a long while now. This EP started out as a few short atmospheric instrumentals, but very quickly turned into a full blown musical work with lots of lyrics!

The words are an abridged version of the story and detail the salient points, rather than providing a blow by blow account, if you haven’t read the actual story I highly recommend it.

I kept the instrumentation relatively simple, just an acoustic guitar, electric cello, pipe organ, percussion and atmospheric soundscapes. The majority of the sounds are made by acoustic or electro-acoustic instruments, the electric cello was played through an Orange ‘Crush’ acoustic amp and EHX Soul Food pedal, any ‘otherworldly’ effects were created with instruments put through octavers and auto filters.

In the original story Lovecraft says that Eric Zann plays a ‘viol’, it is widely accepted that he meant a viol da gamba, a Baroque era instrument which closely resembles the cello, but has five to seven strings, and frets. Since these are rare and very expensive, I obviously decided to use my electric cello for this EP, as buying a viol da gamba seemed an unnecessary extravagance.

(15) OUT OF THE JUG. The Guardian visits with “The man who owes Nintendo $14m: Gary Bowser and gaming’s most infamous piracy case”.

In April 2023, a 54-year-old programmer named Gary Bowser was released from prison having served 14 months of a 40-month sentence. Good behaviour reduced his time behind bars, but now his options are limited. For a while he was crashing on a friend’s couch in Toronto. The weekly physical therapy sessions, which he needs to ease chronic pain, were costing hundreds of dollars every week, and he didn’t have a job. And soon, he would need to start sending cheques to Nintendo. Bowser owes the makers of Super Mario $14.5m (£11.5m), and he’s probably going to spend the rest of his life paying it back….

…In the late 00s he made contact with Team Xecuter, a group that produces dongles used to bypass anti-piracy measures on Nintendo Switch and other consoles, letting them illegally download, modify and play games. While he says he was only paid a few hundred dollars a month to update their websites, Bowser says the people he worked with weren’t very social and he helped “testers” troubleshoot devices.

“I started becoming a middleman in between the people doing the development work, and the people actually owning the mod chips, playing the games,” he says. “I would get feedback from the testers, and then I would send it to the developers … I can handle people, and that’s why I ended up getting more involved.”

In September 2020, he was arrested in a sting so unusual that the US Department of Justice released a press release boasting about the indictment, in which acting assistant attorney general Brian C Rabbitt called Bowser and his co-defendants “leaders of a notorious international criminal group that reaped illegal profits for years by pirating video game technology of US companies”.

“The day that it happened, I was sleeping in my bed, it was four in the morning, I’d been drinking all night,” Bowser says. “And suddenly I wake up and see three people surrounding my bed with rifles aimed at my head … they dragged me out of the place, put me in the back of a pickup truck and drove me to the Interpol office.”…

(16) VIDEO OF THE DAY. Ryan George’s “Echo Pitch Meeting” invites everyone to step inside the Pitch Meeting that led to Echo! Beware what you step in, though, because there are spoiler warnings.

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, JJ, Kathy Sullivan, Joey Eschrich, PhilRM, Jason Sanford, Robin Anne Reid, Ersatz Culture, Chuck Serface, Steven French, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 1/23/24 Tribbles, Like Pixels, Only Cuter

(1) TAKING THE CURSE OFF ADVERBS. Philip Athans is here to liberate us: “Adverbs Are Fine!” declares Athans at the Fantasy Author’s Handbook.

…Everyone tells you adverbs are bad, bad, terrible words! In On Writing Stephen King wrote that famous line:

I believe the road to hell is paved with adverbs, and I will shout it from the rooftops.

I even found a web site that said you can only use one adverb per 300 words, which is just bizarre. That’s not even a little bit a thing. This came from one of those goofy “writing” apps that count the number of adverbs in your manuscript so you can feel bad about yourself in a new and pointless way based on a software engineer’s lack of understanding of creative writing. Or, anyway, maybe not totally embarrass yourself in work emails….

Adverbs are fine!

Why say that to ourselves? Because it’s true. Adverbs are a perfectly acceptable, even necessary part of speech and blindly deleting them from a manuscript because an app told you to is the sign of an amateur. Learning how to use them properly is the sign of a writer.

You might be surprised by Athans’ choice of novel from which to draw his example texts:

…I pulled out some examples from Perry Rhodan #19: Mutants vs. Mutants by Clark Darlton, translated by Wendayne Ackerman and published by Ace Books in 1972… 

However, they’re pertinent to his interesting discussion. And in the end he reminds writers:

…Adverbs are words and as authors we get to use all the words. We even get to make some up from time to time. And there’s nothing special about adverbs. Use them—just like you use adjectives, nouns, and verbs—with care and thought and in service to your characters and the story they’re sharing with your readers.

The same discussion is also available as a YouTube presentation.

(2) CAN YOU HEAR ME MAJOR TOM? “Tin can alley: the return of the Sad Man in Space”, a Nicholas Barber column in the Guardian.


The Sad Man in Space is back! He was last seen orbiting our cinemas five years ago, when the average big-screen astronaut was less inclined to explore strange new worlds or fight bug-eyed monsters than to sit in a tin can feeling sorry for himself. Ryan Gosling was grief-stricken in First Man, Brad Pitt had issues in Ad Astra, Robert Pattinson was in low spirits in High Life, and Matthew McConaughey sobbed his eyes out in Interstellar, to name just four of the men who were lost in space in more ways than one. Floated around in zero gravity, but weighed down by their woes, they were so common that critics coined the terms “Sad Man in Space”, “Sad Dad in Space”, and “Sadstronauts” to describe them, while various articles traced the sub-genre back to Tarkovsky’s Solaris via Duncan Jones’s Moon. Being thousands of miles from home, separated from every other living being by cold, dark emptiness … this, film-makers realised, was a handy metaphor for being a bloke.

Now another Sadstronaut is on the launchpad. Earlier this week, Netflix debuted the first trailer for Spaceman, a science-fiction drama that premieres at the Berlin film festival in February. Adapted from Jaroslav Kalfar’s novel, Spaceman Of Bohemia, it stars Adam Sandler as Jakub, the titular astronaut – and you know it’s one of Sandler’s serious outings, because he’s got a beard….

…Where has the Sad Man in Space been since Gosling, Pitt and co were doing their intergalactic brooding? The answer, I’d argue, is that he fell to Earth, and now he’s everywhere. Countless major films in the last 12 months have revolved around masculinity in crisis: men without purpose, men perplexed by relationships, and men being generally depressed about being men. This has been the year of the Sad Man in Cinema….

(3) DIAMOND DAGGERS. The Crime Writers Association (CWA) of the United Kingdom will honor two writers this year: “Lynda La Plante and James Lee Burke share Diamond Dagger lifetime award” in the Guardian.

Lynda La Plante and James Lee Burke are the joint recipients of this year’s award, which is administered by the Crime Writers’ Association (CWA) and recognises sustained excellence in the genre.

“By an extraordinary quirk of fate, due to our new voting process, this year’s Diamond Dagger is, for the first time in seven decades, being awarded to two authors,” said Maxim Jakubowski, chair of the CWA Daggers’ committee. “If the Booker prize can do it, so can we!”

La Plante is best known for writing the Prime Suspect and Widows television and novel series. Her other series include Lorraine Page, Anna Travis and Trial And Retribution. In 2008, she received a CBE for services to literature, drama and charity. Her memoir is expected to be released later this year.

…James Lee Burke’s series about detective Dave Robicheaux spans more than 20 novels. Burke said he was “honoured and humbled” to receive his award. “It is also an honour to have my name among the best mystery and crime writers in the world,” he added….

(4) GLORIOUS EDITION OF LONG WAY. Becky Chambers announced The Folio Society’s limited edition of her book The Long Way to a Small, Angry Planet will be available beginning January 25.

…Yes indeed, that’s The Long Way to a Small, Angry Planet, complete with full-color artwork from award-winning illustrator Zoë van Dijk. Each copy is signed by both me and her, and there’s a new introduction written by yours truly. It’s got a folding box and cloth binding and lemon-gold foil and all other manner of fancy materials besides, but…the artwork. The artwork knocked me off my feet. I spent years living in that spaceship inside my head. What a wild thing, to see someone evoke it so perfectly….

(5) HEAR YE. Episode 53 of Phil Nichols’ Bradbury 100 podcast is about “Ray’s Fanzine, Futuria Fantasia. Listen to it at the link.

…The first issue of Futuria Fantasia, published when Ray was eighteen years old, catches him just before he heads off to New York for the first-ever World Science Fiction Convention. In that first issue, he is very much focused on “Technocracy”, a movement which promised to turn science fiction into political reality. The issue includes an essay on Technocracy by Bruce Yerke, followed by an early piece of Ray Bradbury science fiction: “Don’t Get Technatal”, a satirical look at how boring it will be to live in a utopia!

“Don’t Get Technatal” was Ray’s third piece of published fiction, although he hid behind the pseudonym of Ron Reynolds. I read it in full in the podcast, along with Ray’s other contributions to FuFa No. 1. (I also read selections from the writings of the other contributors.)

If you want to read the whole magazine, it’s freely available, since the copyright on FuFa expired decades ago. The best place to find it – and the other three issues that Ray published – is via the links at science fiction history site FANAC.

So, come with me now to the world of 1939, where fans of “scientifiction” enthusiastically support the bright future offered by the Technocracy movement, perhaps oblivious to the impending likelihood of world war…

Or to quote Ray: “But, Mr. Smith, how do you explain that gyro-statistic-electromagnetiosonomonator on the radiostuntomotor?”

(6) IT’S A TWISTER AUNTIE EM! Stephen Colbert opens the CBS vault to discover a lost segment from The Twilight Zone, where legendary host Rod Serling shares twist endings that were filmed but never aired. The Late Show Presents: “The Twilight Zone: Just The Twists”.

(7) GARY GRAHAM (1950-2024). Actor Gary Graham died January 23 at the age of 73. The Deadline tribute details his genre roles.

…Graham began making appearances on episodic TV in the mid-1970s, including one-off roles in Eight Is Enough, Starsky and Hutch, Police Woman and The Incredible Hulk.

His signature role came in 1989, when he was cast in the starring role of Detective Matthew Sikes in the television series Alien Nation. The series lasted only one season, but Graham would reprise the role in TV movies Alien Nation: Dark Horizon (1994), Alien Nation: Body and Soul (1995), Alien Nation: Millennium (1996), Alien Nation: The Enemy Within (1996), and Alien Nation: The Udara Legacy (1997).

Graham became part of the Star Trek universe in 2001 when he was cast in Star Trek: Enterprise in the recurring role of Vulcan Ambassador Soval (Graham had appeared as a different character in a 1995 episode of Star Trek: Voyager). He appeared as a character named Ragnar in the 2007 video Star Trek: Of Gods and Men, and reprised that role in the series Star Trek: Renegades….

(8) DAVID EMGE (1946-2024). He had only one hit role, but it made David Emge unforgettable: “David Emge Dead: Zombie Pilot In Horror Classic Dawn Of The Dead Was 77” reports Deadline.

…[George] Romero cast Emge as helicopter pilot Stephen “Flyboy” Andrews, an accident-prone but well-meaning news pilot who escapes the undead apocalypse to find safety with a few other survivors in a suburban shopping mall.

Emge’s character manages to avoid a zombie fate for much of the movie, but eventually falls victim.

A photo of Emge’s dead-eyed, blood-spattered Zombie Stephen would become the most famous image from the film, used in promotional material and capturing the lasting attention of generations of horror fans, among them a young Simon Pegg, future star of the 2004 horror-comedy Shaun of the Dead.

“I would stare at the image of David Emge’s zombified flyboy character,” Pegg wrote in his 2011 memoir Nerd Do Well. “The film became something of an obsession for me.”

Emge appeared in only two films after Dawn of the Dead – 1990’s Basket Case 2 and 1992’s Hellmaster – but years later he’d become a favorite at horror conventions for his role as Stephen….

(9) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born January 23, 1950 Richard Dean Anderson, 74. I’ve liked Richard Dean Anderson from the very first time I saw him playing Lt. Simon Adams in the one-season Emerald Point N.A.S., which befitted him more than his first acting job playing Dr. Jack Webber on the General Hospital daytime soap opera, as this was a military soap opera of the first degree.

Going from the short-lived and uniformed Emerald Point N.A.S. role, he got arguably the most interesting acting role of his career of his performing career, the lead in MacGyver. Was it genre? I think so. I enjoyed it immensely.

Richard Dean Anderson in 1985.

It had a very lean regular cast with Dana Elcar as Peter Thornton, MacGyver’s immediate supervisor at the Phoenix Foundation, and Bruce McGill as Jack Dalton, MacGyver’s best friend, the whole supporting cast. There were a few other performers that showed on up a recurring basis plus a legion of background characters.

Remember Heinlein’s “Specialization is for insects” quote from Time Enough for Love? Well MacGyver comes as close in his problem solving to that as any individual could. And with a sense of humor to boot. Something I sometimes suspect Heinlein characters of lacking.

It lasted seven seasons comprising 139 plus two films. The seventh was short as it was cancelled but as Anderson noted in a later interview, “The only reason it went off the air was that everybody was ready to move on. I was physically exhausted and had no life.”

As it’s streaming on Paramount+, I know what I’ll be watching soon! 

So having survived, and by his own admission mostly enjoyed, a long running series, what came next for him? Well you take a half decade off before getting involved in a series that was even a lot longer lasting than MacGyver turned out to be! 

Oops, my bad. I almost forgot about the series he did in between the two most important, that being Legend, all twelve episodes. Yes, you heard me. Twelve. He played Ernest Pratt, a hard-drinking writer who created Nicodemus Legend, the main character in pulp novels. The only other ongoing character was a Tesla ripoff by the name of Janos Bartok played by John de Lancie. Think SF western and you’ve got it. It was fun, it had absolutely no audience and it was cancelled apparently before it aired. Oh well.

So now for his longest running series. I loved Stargate, I really did. So when I heard a series was being made from the film I was definitely intrigued. And I was pleasantly surprised how well Stargate SG-1 worked. Stargate wasn’t really a developed reality, Stargate SG-1 was. So comparing the Jack O’ Neil character that he plays there to the character played Kurt Russell once and done makes no sense, really it doesn’t.

It was a great role that Anderson was allowed to develop I assume as an Executive Producer of the series. So how the long did it last? An amazing ten seasons, 214 plus two films. And he shows up elsewhere in the Stargate Universe unsurprisingly. 

So two-long running roles, 357 between them. Quite impressive I would say. 

He retired from acting a decade ago.

(10) COMICS SECTION.

(11) TELL FRIENDS YOU STOLE THEM FROM YOUR SCHOOL DINING HALL. A vendor on Amazon offers “Harry Potter Hogwarts House Logos 16-Piece Ceramic Dinnerware Set”. Take your choice of any of the four Houses:

Magical Mealtime: Entertain your guests with this gorgeous 16-piece Harry Potter Dinnerware Set. Featuring themed designs inspired by the Wizarding World, the fine detailing and gold edging make this a must-have dish set.

Elegant Styling: Each dinnerware place setting depicts a unique Hogwarts House: Gryffindor, Hufflepuff, Ravenclaw, and Slytherin. The Sorting Hat’s poem is also featured on the plates and bowls, tying all the pieces together in a cohesive style.

(12) CLOSING TIME. “Pioneering nuclear-fusion reactor shuts down: what scientists will learn” in Nature.

Scientists have begun to decommission one of the world’s foremost nuclear-fusion reactors, 40 years after it began operations. Researchers will study the 17-year process of dismantling the Joint European Torus (JET) near Oxford, UK, in unprecedented detail — and use the knowledge to make sure future fusion power plants are safe and financially viable….

…The thorniest part of decommissioning the JET site will be dealing with its radioactive components. The process of fusion does not leave waste that is radioactive for millennia, unlike nuclear fission, which powers today’s nuclear reactors. But JET is among the tiny number of experiments worldwide that have used significant amounts of tritium, a radioactive isotope of hydrogen. Tritium, which will be used as a fuel in future fusion plants including ITER, has a half-life of 12.3 years, and its radiation, alongside the high-energy particles released during fusion, can leave components radioactive for decades.

Decommissioning a fusion experiment doesn’t have to mean “bulldozing everything within sight into rubble and not letting anyone near the site for ages”, says Anne White, a plasma physicist at the Massachusetts Institute of Technology in Cambridge. Instead, engineers’ priorities will be to reuse and recycle parts. This will include removing tritium where possible, says Buckingham. This reduces radioactivity and allows tritium to be reused as fuel. “The sustainable recycling of this scarce resource makes economic sense,” he says…

(13) YOU’RE FROM THE SIXTIES. Is that a robot duking it out with a Dalek in this 1967 video? Sure, but that’s not the big secret of Robot Boy. Beware spoilers. Yes, even a 90-second video can have spoilers.

Several shots show a home-made ‘Robot Boy’ and a Dalek in a suburban back garden. The maker, Victor Sherlock, sits with some young boys on the back doorstep; one of the boys is sitting inside a model spaceship. The robot is apparently worked by remote control; Victor sits with a remote control box that he seems to be speaking into. The robot walks towards a lawnmower, then Victor makes some adjustments to the robot’s head. He then lifts the head off to reveal that his son, Peter, is inside the robot suit.

(14) VIDEO OF THE DAY. Avatar: The Last Airbender live action series arrives February 22 on Netflix.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Kathy Sullivan, Frank Catalano, JJ, Daniel Dern, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 1/16/24 What Can You Say About Chocolate Covered Pixels?

(1) WHAT, ME WORRY? Should we share Jeffrey Davies’ concern about “Is Reimagining History Through Biofiction Ethical?”. His Book Riot post focuses on work that is not marketed as genre, although it arguably is alternate history.

…On the other side of the argument, the popularity of biofiction in the digital age, where information about the past lives of our favorite celebrities and public figures is available instantly at our fingertips, speaks to an appetite for the comfort and familiarity a fictionalized account of our favorite famous people offers. Take Daisy Jones & The Six, for example. While not considered biofiction because Daisy Jones and her friends are entirely fictional, no one can deny that they bear a remarkable resemblance to Fleetwood Mac.

Sure, Daisy Jones is a rip-off, but don’t we like it that way? Doesn’t some part of us crave a new adventure surrounding characters we pretty much already know? It’s like rewatching a movie you haven’t seen in a really long time, but you remember enough of it that it’s not asking your brain to continue engaging with new material at the end of a long day. The same can be said for Lucy Holliday’s A Night in With Audrey Hepburn, also not quite biographical fiction, but the same effect.

Then there’s Elizabeth Letts’ Finding Dorothy, a biofiction novel following L. Frank Baum’s wife in the present (1938), witnessing the production of the MGM film adaptation of her husband’s most famous novel The Wonderful Wizard of Oz. It then flashes back to the late 1800s, imagining the historical events that led to the inspiration for Oz. Because the author treats its history with respect, it’s a joy to read and fun for any fan of Dorothy Gale, big or small, even if some aspects of the narrative can be fictionalized….

(2) SPACE UNICORNS SOUND OFF. You have until February 12 to make your voice heard:

We’ve set up a poll for Uncanny readers to vote for their top three favorite original short stories from 2023. (You can find links to all of the stories here.)

The poll will be open from January 15 to February 12, after which we’ll announce the results. We’re excited for you to share which Uncanny stories made you feel!

snazzy certificate will be given to the creator whose work comes out on top of  the poll!

(3) WORLD FANTASY AWARDS 2024 SUBMISSIONS UPDATE. Peter Dennis Pautz today sent this change in the instructions for sending items to judge Thomas Olde Heuvelt:

Due to new customs practices in Europe and the UK, some packages that are still marked “GIFT” or “NO VALUE” or “NO COMMERCIAL VALUE” or “PROMOTIONAL” or “WORLD FANTASY AWARDS JURY MATERIAL” are requiring a duty or “landing fee” at the recipient’s end.

While some packages are getting through with those fees, there are no funds available from the WFC, WFA, or the jury member(s) to pay for or reimburse those costs.

Thus, please be aware that those submissions requiring a fee will be refused by WFA Judge Thomas Olde Heuvelt, with our agreement.

M. Olde Heuvelt still prefers hard copies of any submissions. However, I suggest backing up those submissions with PDF or EPUB to ensure your submissions receive their due attention.

(4) COLLECTIBLE CRAZE. “Pokémon pandemonium: did the Van Gogh Museum play its cards right?” asks the Guardian.

In early November, I was standing in a long line at the Van Gogh gift shop in Amsterdam waiting to purchase a Pokémon ballpoint pen. It was one of the few remaining items left in the store – this was the second month of the establishment’s Pokémon collaboration, but the clamour for the limited edition merchandise was ceaseless. Everything from T-shirts to notebooks to shoulder bags with an image of Pikachu on the front had been picked bare, leaving only prints and postcards behind the till. It was barely past midday but the number of people crammed into the shop meant the area was soon cordoned off with others now rejected entry until it calmed down.

This had become an all too familiar sight for attendees and staff. From the very start of the collaboration, which began in September for the museum’s 50th anniversary and was intended to introduce new audiences to the work of the Dutch artist, the Pokémon merch caused mayhem as eager fans – and scalpers – clamoured for the best stuff. But the main cause was a single item: a limited edition “Pikachu With Grey Felt Hat” trading card. As soon as the card was made available, it sold out online, while desperate gallery visitors had to enter scrums to try and pick one up. Footage of the Poké riots soon hit Twitter (now known as X), and later, eBay listings had the card on sale for up to $900. In mid-October, the card was discontinued….

Pikachu inspired by Self-Portrait With Grey Felt Hat, Naoyo Kimura (1960) at Pokémon x Van Gogh Museum exhibition, Amsterdam. Right: Self-Portrait with Grey Felt Hat, Vincent van Gogh, 1887. Photograph: The Pokémon Company International/Vincent van Gogh Foundation

(5) NEW HORROR UNIVERSITY WORKSHOPS. The Horror Writers Association has announced that from January 22 to April 8, 2024, Horror University will offer these live workshops to horror writers everywhere interested in refining their writing, learning new skills and techniques, exploring new writing formats, or better understanding the genre. Full descriptions and registration information is available at Teachable.com: “Horror University Online”. Registration now open.

The Winter 2024 Session includes:

  • January 22: An Evening with Ellen Datlow: A wide-ranging discussing with multiple-award-winner, Ellen Datlow, editor of the annual The Best Horror of the Year. 
  • January 29: Writing for Haunts with Kevin Wetmore: Learn tips and techniques for writing scripts for engaging and frightening live haunted house attractions.
  • February 5: Shifting Shapes: Writing the Transformation Scene with Michael Arnzen: Learn the scenecraft for depicting how a “normal” body mutates, a mind spirals into madness, or a human morphs into a monster.
  • February 11: Horror Archives at University of Pittsburgh with Benjamin T. Rubi, Linda Addison, Clay McLeod Chapman, Lisa Morton, Tim Waggoner, and L. Marie Wood: Join curator Ben Rubin and several horror authors for a discussion of the Horror Studies Collection at the University of Pittsburgh! THIS SESSION IS FREE!
  • February 12: Anti-Ableism in Horror with Callie Stoker: How to write accurately and avoid pitfalls when representing all abilities in the human spectrum.
  • February 26: Building Your Author Roadmap with JB Kish: An interactive workshop to help identify your goals and the steps to achieve them using techniques of project management.
  • March 4: Expanding Your Writing Horizons with Lisa Morton: Learn how to move beyond fiction into non-fiction, poetry, screenwriting, paid blogging, and more!
  • March 11: Writing the Witch with Stephanie Wytovich: Immerse yourself in the rich literary history of witchcraft and create fictional work inspired by our interpretation of witches over time.
  • March 18: Bringing Cosmic Horror Down to Earth with James Chambers: Explore techniques for developing grounded settings, well-developed characters, and troubling themes for effective cosmic horror stories.
  • March 25: The Horror Hero’s Journey with Tim Waggoner: Learn how to adapt the “hero’s journey” template to write epic horror fiction!
  • April 8: Marketing 101: Selling and Extending The Life of Your Work with Robert P. Ottone: Learn ways to market your work–and yourself–to better extend the life of your publications and more.

(6) HUMAN PREDICTABILITY. Dan Rockmore’s article in The New Yorker, “How Much of the World Is It Possible to Model?”, naturally includes an Asimov reference:

… But as scientific as all this sounds, it remains hopelessly messy: it’s a model not of a natural system but of a sentimental one. In his “Foundation” novels, the writer Isaac Asimov imagined “psychohistory,” a discipline that would bring the rigor of cause and effect to social dynamics through equations akin to Newton’s laws of motion…

(7) VINTAGE VIDEO. Michael J. Walsh mourns the passing of Howard Waldrop, adding: “I look back to the 2013 Capclave and am so glad we were able to pull this off.” Click through to watch “The Howard, George and Gardner Show”.

(8) WALDROP REMEMBRANCE. James Hollaman tells about the time he made Howard Waldrop the guest of honor at Room Con – his con inside a con at ConQuesT.

I was staying with a person and had woke up early like I normally do. I went to the library of books they had and picked up a book and read a story called “Thirty Minutes Over Broadway!” by Howard Waldrop. I really liked the style, there was something about it. This was my introduction to Howard’s work. I then found a few other things that Howard had wrote. I really enjoyed them all. They all had a flavor, a style that I loved. (I think the one word that comes close is vaudeville, but that doesnt do it justice. I would pick up anything that he worked on.

Cut a few years when Howard was a guest at a con in Oklahoma. Before the con Howard, Bradley Denton, the Murray/Bahm’s and I went to eat at a BBQ place. When it came to pay the check I paid for Howards meal (which was a barbecue bologna sandwich). I told him that I owed him for the joy his work brought me. I found out later this was the way to handle it. He normally didn’t like when people did this. getting to hear him read at the con was a joy. So great. He had wrote the story on his way up to the con, it was all hand written.

I started a party called Room Con. We was up to Room Con 6(66) and I wanted to really do something evil, but cool at the same time. It dawned on me that I liked the guest list that ConQuesT had, but i could do better. So I got a hold of Brad and got the info for Howard as I was going to ask him to be my guest of honor. I got his info and called him. A few rings of the phone and he picked up. There I was, talking to a legend. You don’t know how much that meant to me. He agreed to do so. I got his info, bought him a ticket, got him a room, paid him a per diem. He was all set up, all he had to do was show up.

Paula took and drove me to the airport to pick Howard up. We got there just as he was getting off the plane. There he was, just a small carry on in his hand. He was ready for the weekend. Got him to the hotel and in his room. He had a few panels (his pay for the membership to the con), one being the George and Howard show, 2 hours getting to hear Howard and George R.R. Martin talk. That was amazing. Over the weekend I got to eat with Howard several times, him and i would talk. I enjoyed every bit of the time I got to spend with him.

It was time to get Room Con started. Howard got to the party before we started and staid for the whole thing. He liked hearing Bland Lemon Denton and David Lee Anderson play music. Oh and he talked to everyone, just as nice as a human could be. During the party a person took and pulled me off to the side and told me that he had heard I had brought Howard in on my own, to which i said “yes, i did”. He was shocked. He had thought that ConQuesT had brought him in. This made my day. I found out that some others had thought the same, all was shocked I had brought him in.

I didn’t help get him to the airport, mainly because I was a little sad to see the weekend was done. I saw him at a few other cons after that, enjoyed any time I got to spend with him. We wrote each other mainly. I did call him a few times, but they was short calls. We talked about how he was doing and what was going on. While i did not have as close of a relationship with him as others did, I still had a closer relationship than others, and i am all the better for it.

Howard, you will be missed. Thank you for the friendship, thank you for all you have done. Thank you for your kindness.

(9) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born January 16, 1970 Garth Ennis, 54. Garth Ennis is without no doubt one of my favorite comic writers. Born in Northern Ireland, though a rare individual who grew up with no religious background (and you are fully aware why I’m mentioning that), he’s now resident in the States.

Garth Ennis. Photo by and © Luigi Novi.

So as a six-year-old, his teacher told the class that God was a being who could see inside their hearts, was always around them, and would ultimately reward or punish them. It scared, as he says in an interview, the shite out of him, and that was the genesis of Preacher. I love that series, have read it multiple times and no, I have not seen the series. 

Next up on the list of series he wrote that he created and I seriously adore is Hellblazer with the supernatural detective John Constantine. I can’t say that I’ve read every issue of that series as I lost interest in it a decade or so ago but his work on it, mostly from issues forty to eighty three, was among the best undertaken in the series. 

He had a run on The Authority for the Wildstorm imprint, that run being possibly the most annoying run in the history of the series as it focused on a character called Kev; and the first arc of the Authority spin-off series Midnighter, a character he admits was conceived as an ainti-Superman by him and artist Brian Hitch. 

Before you ask, where’s the Marvel Comics, I looked at his work there and since I hadn’t read any of it, save random issues of his Punisher writing, I can’t say what is good and what isn’t. So do feel free to tell me what is good over there.

(10) COMICS SECTION.

  • Frazz admits another fandom interest.
  • Non Sequitur shows a side of public domain we never expected.
  • Hi and Lois illustrates why the difference between a Marvel superhero and Star Wars villain is just a little bit of sunshine.

(11) IT’S A BIRD! IT’S A PLANE! IT’S A ONE LINER! [Item by Mike Kennedy.] Just as we always suspected. That kid from Smallville wants to be a comedian. Faster than a speeding bullet, more powerful than a locomotive, able to make you laugh until your ribs hurt! Truth, Justice, and Impeccable Comedic Timing! “New Superman ‘Will Have a Sense of Humor,’ Says Lois Lane Actor Rachel Brosnahan: ‘Every Single Person Involved’ in the Film ‘Is a Perfect Nerd’” in Variety.

No surprise here. James Gunn is bringing comedy back to the Man of Steel, at least according to the director’s Lois Lane actor Rachel Brosnahan. The star recently told Entertainment Tonight that the new Superman (played by David Corenswet) will “have a sense of humor” and that her iteration of Lois Lane will be “feisty, marvelous and fiercely intelligent.”…

…Given that Gunn almost always infuses his work with comedy (see his “Guardians of the Galaxy” trilogy for Marvel), it’s not too surprising to hear his upcoming “Superman: Legacy” will be bringing out a more humorous side to the Man of Steel. It’s still a notable change given Superman’s last run on the big screen was defined largely by Zack Snyder’s ultra-serious and gritty tone. Henry Cavill played that iteration of the more super-serious Superman….

(12) EYE V. DRAGON. CBR.com wants to know “What If Smaug Had Survived The Hobbit?” Their thought experiment covers both the possibility that Sauron and Smaug would have allied, and that they would have become rivals.

Could Smaug Have Defeated Sauron?

…If Smaug and Sauron had gone to war with one another, the dragon would not have fared well. In The Lord of the Rings, Gandalf noted that dragon fire was capable of melting most Rings of Power, but not the One Ring. Smaug might have been able to destroy the Nazgûl’s rings, thus robbing Sauron of his most loyal servants, but without destroying the One Ring, Sauron would have persisted. Even if Smaug had annihilated Sauron’s army, the Dark Lord was an immortal Maia, so he could have retreated and rebuilt from the shadows as he did after his defeat in the Second Age. Additionally, Smaug’s weakness was far more exploitable than Sauron’s. Tolkien gave little information about the creation of the black arrow, but Sauron and Saruman were both master craftsmen with plentiful resources, so they surely could have reproduced it. From there, it would only have been a matter of time before an Orc archer got a lucky shot against Smaug….

(13) BACK IN THE ZONE. Interzone has published the January issue in EPUB form — Interzone #297. Costs 5 euros. Here’s the cover.

(14) WOULDN’T YOU RATHER VOTE FOR THEM? Atlas Obscura takes us inside the “Hall of Fake Presidents – Washington, D.C.” (Photos at the link.)

…Regally displayed in the cinema lobby, Alamo Drafthouse’s Hall of Presidents includes a dozen fictional U.S. Presidents from popular films. This is a bipartisan gallery that includes beloved leaders like Morgan Freeman in Deep Impact and Harrison Ford in Air Force One, to more polarizing Commanders-in-Chief like Peter Sellers in Dr. Strangelove and President Camacho himself: Terry Crews in Idiocracy. The hall’s centerpiece is a life-sized statue of President Whitmore (Bill Pullman) from Independence Day, framed by an engraving of his patriotic speech from that film….

(15) SMALL, CUTE ROBOTS. [Item by Mike Kennedy.] Gizmodo declares “These Were the Best, Cutest, Most Obscene Bots of CES 2024”. The cubist-face bot, the are-you-sure-this-isn’t-potentially-lethal industrial arm massage bot and the mini-Killdozer are particularly notable.

…Despite all the modern innovations, some of our favorite bots weren’t even meant to showcase the advancements of modern autonomous tech, one of our favorite displays was a simple, miniaturized Robot Wars demo layed out for tech press struggling after long days hoofing it through the halls of the Las Vegas Convention Center. Sometimes, the best way to unwind after listening to an obscene amount of robot promotion is to literally dismantle an opponent’s bot with large, serrated teeth.

(16) VIDEO OF THE DAY. Resident Alien’s third season gets under way on February 14 says SYFY Wire: “Resident Alien Season 3 Gets Premiere Date & New Trailer”.

Greetings, Earthlings, and welcome back to Patience, Colorado, for Resident Alien Season 3. When we last left our out-of-this-world hero Harry Vanderspeigle (Alan Tudyk), he was carving out his place in our world, struggling with his newfound humanity, and … learning that his alien race isn’t the only one determined to kill us all.

“The Grey Aliens, they are here to destroy the planet,” Harry explains in the first trailer for Resident Alien Season 3 (above). Now that he’s firmly set down roots on Earth, he seems ready and willing to fight for humanity — but not everyone trusts his motives….

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Andrew (not Werdna) Michael J. Walsh, Daniel Dern, Kathy Sullivan, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Patrick Morris Miller.]

Pixel Scroll 12/2/23 I Was Watching A Pixel Walk Through A Wall

(1) GET ON BOARD. Join the mission and have your name engraved on NASA’s Europa Clipper spacecraft as it travels 1.8 billion miles to explore Europa, an ocean world that may support life. Sign your name today to the… “Message in a Bottle”.

NASA’s Message in a Bottle campaign invites people around the world to sign their names to a poem written by the U.S. Poet Laureate Ada Limón. The poem connects the two water worlds — Earth, yearning to reach out and understand what makes a world habitable, and Europa, waiting with secrets yet to be explored. The campaign is a special collaboration, uniting art and science, by NASA, the U.S. Poet Laureate, and the Library of Congress.

The poem is engraved on NASA’s robotic Europa Clipper spacecraft, along with participants’ names that will be stenciled onto microchips mounted on the spacecraft. Together, the poem and names will travel 1.8 billion miles on Europa Clipper’s voyage to the Jupiter system. Europa Clipper is set to launch from NASA’s Kennedy Space Center in October 2024, and by 2030, it will be in orbit around Jupiter. Over several years, it will conduct dozens of flybys of Jupiter’s icy moon Europa, gathering detailed measurements to determine if the moon has conditions suitable for life….

(2) SURE, BUT DOES IT REALLY HAVE A FUTURE? “Alien nation: will the franchise’s new movie really cut all links to the past?” – the Guardian’s Ben Childtries to read the tea leaves.

…So what do you do when a sci-fi franchise has been poor to average for more than 30 years, yet everyone who has ever seen Ridley Scott’s gloomy yet exhilarating Alien (1979) or its all-American, gonad-swinging sequel Aliens (from James Cameron), is somehow still desperate for more? District 9 film-maker Neill Blomkamp clearly had the right idea in 2015, when without any apparent encouragement from Fox he decided he would make his own Alien film set in the wake of Aliens and before it all went wrong for Fincher. His idea was to bring back Sigourney Weaver’s Ripley (who died in Alien 3 but was restored as about a dozen freaky clones in Resurrection) along with Michael Biehn’s Hicks and potentially even Carrie Henn’s Newt.

It didn’t happen, not just because the original stars would all have been a bit ancient, but because Fox put the kibosh on the whole concept. But somebody somewhere at Disney (which bought Fox and the rights to Alien in 2017) was clearly paying attention. For what’s this we hear from a Variety report this week? The new Alien movie, Fede Alvarez’s Romulus, will be neither a sequel nor a prequel, but rather a new film set between Alien and Aliens.

Speaking at the Gotham awards, star Cailee Spaeny told the trade bible: “It’s supposed to slot in between the first movie and the second movie, adding: “They brought the same team from Aliens, the James Cameron film. The same people who built those xenomorphs actually came on and built ours. So getting to see the original design with the original people who have been working on these films for 45-plus years and has been so much of their life has been really incredible.”

How then, is this going to work? Well, there are 57 years between the events of the two movies, which Ripley spent drifting in space in a state of stasis. What might have happened in the meantime? …

(3) MEDICAL UPDATE. Erwin “Filthy Pierre” Strauss fell down 3-5 steps on flight of stairs while at SMOFCon and was taken by paramedics to a local Providence, RI hospital as a precaution.

Kevin Standlee reports, “I was the one on the scene when he fell (I was walking up the interior stairwell between the programming space and the ground floor of the Providence Marriott) while he was walking down the stairs and slipped, piling up in a heap on the landing. He never lost consciousness and remained alert and responsive, but after initially recovering a bid and starting to get up, announced that his neck hurt enough that he wanted me to call 911.”

Kevin has a longer post about it on his Dreamwidth blog. He adds, “I have no further update on his condition, but I’m hopeful that he’ll be okay. He reported nothing that sounded like anything broken, just bruised.”

(4) THEIR ONE DEMAND. “’Gay Furry Hackers’ Breached a Nuclear Lab to Demand Catgirl Research” reports Them.

A collective of self-professed “gay furry hackers” breached databases at a nuclear research laboratory in Idaho this week and released thousands of human resources records. Their only ransom demand? The lab must begin a catgirl research program.

SiegedSec, the hacker collective that attacked government systems in five states earlier this year, claimed responsibility for infiltrating the Idaho National Laboratory (INL) in a Telegram post on November 16. According to its website, INL is one of the country’s largest nuclear research facilities and maintains the Advanced Test Reactor, which is used for both medical and military programs.

The records, which contain names, addresses, and Social Security numbers of employees and other users, were released through SiegedSec’s Telegram channel and confirmed to be authentic by the INL and East Idaho News.

“meow meow meow meow meow meow meow […] woah so much crunchy data :3” SiegedSec wrote on Telegram. “we’re willing to make a deal with INL. if they research creating irl catgirls we will take down this post.”

SiegedSec rose to prominence in 2022 with several hacks protesting the overturning of Roe v. Wade. The hacker collective has since claimed responsibility for breaching government and NATO computer systems, as well as those of private companies, including software company Atlassian. They said their attacks on state governments earlier this year were in retaliation to those states’ anti-transgender laws. Since October, the group has also embarked on what it calls #OpIsrael, claiming responsibility for a string of cyber attacks on Israeli satellites, industrial systems, and telecommunications companies….

(5) UPDATED WSFS RULES AVAILABLE. The WSFS website has posted the latest draft of the Rules of the World Science Fiction Society with changes ratified by the Chengdu Worldcon Business Meeting. These include the Best Game or Interactive Work Hugo and its cross-references.

(6) DIAZ Q&A. [Item by Steven French.] From the Guardian’s interview with the Pulitzer Prize-winning novelist: “Hernan Diaz: ‘The Tintin books were problematic but they were also gorgeous and gripping’”:

The book I am currently reading

Sly Stone’s memoir, Thank You (Falettinme Be Mice Elf Agin). And today I also read the first chapter of Joanna Russ’s The Female Man.

Good choice!

(7) DOES THIS STORY DRAG ON? No, it apparently flies right along. “’House of the Dragon’: Season 2 Cast & Teaser Trailer Revealed” at Deadline.

House of the Dragon is set 172 years before the events of Game of Thrones and tells the story of House Targaryen. The two released posters for Season 2 are setting up an epic war between the Targaryens and the Hightowers following the crazy Season 1 finale that saw tragedy befall the former (R.I.P Prince Lucerys Velaryon) at the hands of the latter (Prince Aemond Targaryen)….

And according to Gizmodo’s article “House of the Dragon’s Season 2 Trailer Is All-Out Dragon War”:

…The first season ended with Lucerys (Elliot Grihault) getting eaten by Vhagar and his mother Rhaenyra (Emma D’Arcy) swearing revenge for her loss. Thus begins the Targaryen civil war known as the Dance of Dragons, which will run throughout the second season as the Green and Black factions of the family go head to head against one another. As the trailer shows us, there shall indeed be dragons and their riders engaging in fiery, bloody warfare, along with the requisite scheming, sex, and glares. And at least one gruesome part of the books is confirmed to be showing up in the new season, so longtime fans have that to look forward to….

(8) HOW NOT TO OPEN MOUTH AND INSERT FOOT. BookRiot knows “What Not To Say to Bookstore Employees”. Soon you will, too.

“Wow, you must love your job; you get to sit around and read all day. I am so jealous.” It’s a personal pet peeve of mine when people TELL you that “you must love your job.” Like, it’s a job. I am giving away my free time for money to be here. And people tend to say it to those of us who work in the arts — which, sure, maybe people who work in the arts DO more often love their jobs. But the work is chronically undervalued and underpaid, and so people constantly telling you that “you must love your job” when you work in the arts feels like the collective culture telling you that because you get so much joy from your job, you don’t even really need to be paid for it. You just do it for the passion!!! The more specific response to this sentence is that working in a bookstore is not the “I wish I could just be paid to read all day” utopia that we all imagine it to be. Yes, there are great parts of the job. But most people who work in bookstores don’t sit around and read all day. It’s still customer service, and it’s still inventory, and it’s still packing up returns and orders and creating spreadsheets and data entry and and and. You get it…. 

(9) ON THE ROAD AGAIN. The National Motor Museum at Beaulieu in the UK presents “Doctor Who’s futuristic Whomobile, Bessie and original Dalek feature in 60th anniversary display” through February 2024. The ClassicCars.com Journal tells more in a post here.

The National Motor Museum at Beaulieu is set to transport visitors through time and space with the unveiling of a new temporary display featuring the most iconic vehicles from the beloved British sci-fi series, Doctor Who. From the sleek and stylish Bessie to the futuristic Whomobile and a menacing Dalek, this collection marks the 60th anniversary of the series and opened to visitors on November 23, 2023.

Heading the line-up is none other than Bessie, the Third Doctor’s trusty yellow roadster. Bessie’s first appearance was in Doctor Who and the Silurians in early 1970 and appeared regularly with the Third Doctor, played by Jon Pertwee. It also made single appearances in Fourth, Seventh, Eighth and Eleventh Doctor stories. Familiar to fans of the classic era, Bessie has become synonymous with the Doctor’s adventures….

…Zooming in from the 1970s, the display presents the Whomobile, a custom-designed vehicle created for the Doctor by the brilliant minds at UNIT, the United Nations Intelligence Taskforce. A sleek blend of style and functionality, the Whomobile is a testament to the Doctor’s ability to traverse the cosmos. It made its first appearance in Invasion of the Dinosaurs broadcast in January and February 1974. The vehicle’s only other appearance was in Planet of the Spiders, which was the final adventure for Jon Pertwee’s Third Doctor and would see him regenerate as Tom Baker’s Fourth Doctor.

(10) WB RECOGNIZES ANIMATION UNION. Deadline reports “Warner Bros Discovery Welcomes WB Animation & Cartoon Network Unionization”.

David Zaslav has been preaching the gospel of Tinseltown labor peace since the SAG-AFTRA strike ended, and now the Warner Bros Discovery CEO is putting his money where his mouth is when it comes to his own backyard.

Almost five months after dozens of Warner Bros. Animation and Cartoon Network production workers began their efforts to unionize with The Animation Guild, WBD this week has recognized the move.

“After months of discussions with the studio, I am proud that we were able to reach an agreement with Warner/Discovery for representation of animation production workers at Warner Bros. Animation and Cartoon Network Studios,” said TAG IATSE Local 839 Business Representative Steve Kaplan to Deadline today.

(11) RETURN TO SENDER. “Never mind returning the Parthenon marbles – Britain wants this lot back!” The Guardian has a little list. “It’s all very well Greece wanting its rightful treasure – but the Brits have left some pretty good artefacts lying around the planet. Surely it’s time they came home?”

 As Rishi Sunak continued his war of words with the Greek government and threw a tantrum at PMQs on Wednesday, what cunning plan might he deploy to appease Tory headbangers and distract the electorate?

The row kicked off when Sunak cancelled a meeting with Greek PM Kyriakos Mitsotakis, after the latter said that Britain’s retention of a portion of the Parthenon marbles was like “cutting the Mona Lisa in half”. Mitsotakis was invited to see Oliver Dowden instead, to which he unsurprisingly replied “óchi efcharistó” (no thanks).

The ensuing furore may just have planted an idea in Sunak’s mind. After all, there are some on the Tory right who probably regret the Stone of Scone going north of the border in 1996 after centuries on display as Plantagenet war booty at Westminster Abbey.

The list of treasures actually stolen from the UK, given our former imperial power, is unsurprisingly small. But there are a number of either lost or stolen items, some entering the realm of mythology, others not. These include Excalibur, the earthly remains of Arthur, Alfred the Great, and Oliver Cromwell, the Three Crowns of East Anglia (immortalised in MR James’s A Warning to the Curious), Joseph of Arimathea’s staff and the Great Seal James II slung in the Thames during the Glorious Revolution of 1688. After his unfortunate death at the hands of Native Hawaiians, Captain Cook was supposedly baked (not to eat) and his bones hidden; also in the Pacific during the same era, The Bounty was scuppered and sunk at Pitcairn by the mutineers.

So what artefacts can the UK government demand the return of – even if we gave them away in the first place?

Here’s one of the items.

11. AA Milne’s actual Winnie-the-Pooh (New York)

Like Paddington Bear (isn’t he Peruvian?) Winnie-the-Pooh is an British icon. So to find the poor fellow and friends Tigger, Piglet, Kanga, and Eeyore on display in New York’s Public Library is nothing short of a disgrace. We say free the Pooh Five – prisoners in Manhattan since 1956!

(12) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born December 2, 1971 Frank Cho, 52. And tonight, we have Frank Cho. Surely many of you are familiar with the delightful obviously genre Liberty Meadows strip which he wrote and illustrated with its cast of not quite charming talking beasties and resident therapist to them Brandy Carter who Cho says is artistic crossing between Lynda Carter and Bettie Page. It ran from ‘97 to ‘01 with some additional material for a few years after that.  Here’s a Liberty Meadows strip.

Only in The Dreaming Library does this exist…he stated his comic career working for  Penthouse Comix along with Al Gross and Mark Wheatley. The three of them, likely after a very long weekend, thought up  a six-part “raunchy sci-fi fantasy romp” called The Body, centering on an intergalactic female merchant, Katy Wyndon, who can transfer her mind into any of her “wardrobe bodies”,  mindless vessels that she occupies to best suit her mediations with the local alien races that she encounters while traveling the galaxy trading and trying to become wealthy. 

The story was never published for several reasons. Even Kathy Keeton at Penthouse who published the raunchiest comics I’ve seen this side of The Hustler wasn’t interested. 

And then there’s Jungle Girl Comics which was created by Frank Cho, James Murray, and Adriano Batista. Think a female Tarzan. Cho loves young females in bikinis that barely cover the parts that need covering.

Unlike Marvel, he wrote nothing at all, the cover art work he did there was definitely worth seeing, so at just let’s do just that. His work there, well, other than the Harley Quinn covers which are decidedly on the silly edge of things are traditionally skewed and the Green Arrow one I’ve choose is certainly is too. And here it is. Yes I’m a really big Green Arrow fan, he’s one of my favorite DC characters, particularly the modern take on him.  Here’s a variant cover he did for volume 8, number 1 of that series. 

Name a character, Hulk, Spider-Gwen, Hellboy, Red Sonja, New Avengers, Batman, Harley Quinn, and Cho has likely had a hand in it. 

(13) COMICS SECTION.

  • Grickle. Bruce D. Arthurs says, “Thought F770 readers might enjoy this cartoon from Graham Annable I came across on Mastodon. He’s also on Instagram & Tumblr. Quite a few genre-related cartoons.”
  • Tom Gauld squeezes in a lot of fun here:

(14) INTELLIGENT SFF ANIMATION. Camestros Felatpton would hate for you to miss “Pluto (Netflix)”.

…It is the future (and arguably an alternative history) and humanity lives side by side with intelligent robots. Some robots are big machines, others very human like and some shift bodies (giant mech at work and human-like body at home). Robots have only recently acquirred civil rights, including the right to have families and bring up robot children. The world in general is just getting over the trauma of a recent (three years prior) war in central asia between the nation of Persia (which is depicted more like Iraq than Iran) and the United States of Thracia (basically the USA).

Inspector Gesicht is a very human-like detective with Europol and is given the task of investigating two recent murders: a famous and popular Swiss robot and a human who was instrumental in securing civil rights for robots. In both cases the killer left the victims heads adorned with horns…

(15) BOOKEND. Cute as the dickens. “Bilbo Baggins Home” from Geometryk.

Refresh your bookshelf, add a charming little world to your room, and also a wonderful collection and decoration. Let’s stop using those old, ordinary bookends, okay?

(16) CELLING POINT. [Item by Steven French.] The beginning of The Rise of the Anthrobots:

Scientists have developed tiny robots made of human cells that are able to repair damaged neural tissue1. The ‘anthrobots’ were made using human tracheal cells and might, in future, be used in personalized medicine….

Levin and his team grew spheroids of human tracheal skin cells in a gel for two weeks, before removing the clusters and growing them for one week in a less viscous solution. This caused tiny hairs on the cells called cilia to move to the outside of the spheroids instead of the inside. These cilia acted as oars, and the researchers found that the resulting anthrobots — each containing a few hundred cells — often swam in one of several patterns. Some swam in straight lines, others swam in circles or arcs, and some moved chaotically.

To test the anthrobots’ therapeutic potential, Levin and his colleagues placed several into a small dish. There, the anthrobots fused together to form a ‘superbot’, which the researchers placed on a layer of neural tissue that had been scratched. Within three days, the sheet of neurons had completely healed under the superbot. This was surprising, says study co-author Gizem Gumuskaya, a developmental biologist also at Tufts, because the anthrobot cells were able to perform this repair function without requiring any genetic modification. “It’s not obvious that you’re going to get that kind of response,” she says….

From “Tiny robots made from human cells heal damaged tissue” in Nature.

(17) BLINDED BY THE LIGHT. [Item by SF Concatenation’s Jonathan Cowie.] This week’s Nature has a newsy article on space junk and its light pollution. Yes, it’s getting to be a problem, but for the most part the article is the same old, same old. (We at SF2 Concatenation even had a piece on space junk in our first (print) edition way back in 1987.)

However this week’s Nature news piece has a decidedly SFnal conclusion: our species might be trapping itself on Earth! (Behind a paywall.) “Bright satellites are disrupting astronomy research worldwide”.

Any collisions in orbit will release many pieces of debris travelling at several kilometres per second, which can cause further collisions, and could lead to a runaway collisional cascade referred to as the Kessler syndrome. This is the worst-case scenario: the onset of full Kessler syndrome would prevent the use of communication, weather, science and astronautical satellites in low Earth orbit for decades. And it is unclear whether a spacecraft could even be launched successfully through the debris shell to enable travel to other planets. Humans would effectively be trapped on Earth by space junk, with multiple tonnes of vaporised metal being added to the upper atmosphere every day through re-entry.

Below: An astronomical picture of a galaxy marred by satellite trails. The research article which instigated this piece is here.

(18) EYEBALL ATTRACTORS. JustWatch lists the top 10 streaming programs for November 2023.

(19) SPELL CHECKING. “The ‘Agatha: Darkhold Diaries’ Featurette is Online, and It Reveals What’s in Store for Agatha” – all explained at The Mary Sue.

So what does the preview reveal?

First off, we see Agatha in her new costume: an updated, more modern-looking version of her purple dress from WandaVision. However, we also see her in a couple of her Westview looks, including her ’80s-era workout leotard. The sets seem to be new, though, so it’s possible the show may reveal more of Wanda’s hex from WandaVision. After all, when WandaVision ended, Agatha was still caught in Wanda’s spell….

The slug with the video adds:

Emmy-nominee Kathryn Hahn reprises her role as Agatha Harkness for a brand new Disney+ Marvel series launching later in 2024. Agatha: Darkhold Diaries will reveal more about the character first introduced in Marvel Studios’ WandaVision. Jac Schaefer, who served as head writer and executive producer on WandaVision, returns for Agatha: Darkhold Diaries.

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Kevin Standlee, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 10/2/23 Mammas Don’t Let Your Pixels Grow Up To Be Scrollboys

(1) THIS WEEK. My mother has been hospitalized since last Friday. While her main medical problem is abating, it’s still not clear to me what will happen next. She’ll be 97 next week, which makes the outcome hard to predict. I’ve been with her four or five hours a day, then coming home and working on the daily roundup. If something develops and I want to spend more time there, I will put up a placeholder Scroll for the day.

(2) CAINE PRIZE WINNER. “A Soul of Small Places” by Mame Bougouma Diene and Woppa Diallo is the 2023 winner of The Caine Prize for African Writing. The story appeared in Africa Risen edited by Sheree Renée Thomas, Z. Knight and Oghenechovwe Donald Ekpeki.

(3) THE DARK: CASE STUDY. The Dark’s Sean Wallace lays bare the facts about what the end of Amazon Newsstand did to his magazine. Thread starts here. Subscriptions absolutely welcome here.

(4) COIN OF THE REALM. Todd Allen has launched a Kickstarter for the audiobook of The Dragon Who Dabbled in Crypto.

Something wanted the podcaster dead.

An attempt to blow the whistle on a cryptocurrency scam drew a response: a botched assassination by supernatural means. Management brought in a consultant to “fix” the problem, but a trail of scorch marks from incinerated bodies leads into a web of demonic financial crimes, purloined precious metals and eSports game fixing. What is the secret of the “Schatzhorde des Drachen” coin and will it lead Mister Lewis into the lair of… The Dragon Who Dabbled in Crypto?

[No actual dragons were harmed in the writing of this book. Egos, on the other hand…]

 And Todd hopes you want to ask:

How did I come up with “The Dragon Who Dabbled in Digital?”

I typically lampoon the tech world or business world as a subtext for the Hardboiled Magic books. When I was looking around for something worth poking at the things that were bubbling to the surface were questionable behavior across the crypto world and the Gamestop stock shorting incident was still a meme until itself, if I could get a little punny.  When you bring memes into stock trading, the lines between that and crypto start to blur when you look at meme-based cryptocurrency like Dogecoin, so I felt confident putting those two things side by side in the plot.

And since Dumb Money came out as I was finalizing the release schedule, I’m apparently not the only person who was thinking in this general ballpark

The working title for quite awhile was “Dragoncoin,” and then I got to the point where I had finalize a name for the cryptocurrency the scam in the title would be based around. Would you believe most of the good crypto names are already taken. I retreated to German and named it “Schatzhorde des Drachen” or Dragon’s Treasure Hoard.

As I was thinking about names for the book, Dragoncoin is just way too close to some actual coins, I was bouncing around “Dragon” and “cryptocurrency” and “The Dragon Who Dabbled in Crypto” popped out when I was thinking about some of the more verbose titles I’ve seen lately. 

Todd Allen and narrator Erik Braa “The King of Voice” put together a promotional video.

(5) CHENGDU WORLDCON ROUNDUP. [By Ersatz Culture.]

  • Various con merchandise on sale

Mostly badges, but there’s also a pillow, fridge magnets, ornaments and brooches.  I’ve struggled to navigate the Taobao shop page, because it keeps wanting me to log in whenever I click on anything.

Weibo announcement: https://weibo.com/7634468344/Nm11GjBkX

Taobao store page: https://shop58985787.taobao.com/

  • Summary of the ticket/event schedule situation

Here’s a long Weibo post from SF Light Year aka commenter Adaoli, summarizing the current state of play.  A precis of the numbered points is (via Google Translate, and my summarizing skills, so there’s plenty of scope for error here):

  1. The 5-day in-person tickets that were priced at 320 yuan (approx $44 USD) were discontinued (over a week ago).
  2. Single day passes – reportedly costing 128 yuan (approx $18 USD) – have been promised, but are not yet available.  Holders of these tickets will not be able to attend the opening, closing or Hugo ceremonies.
  3. Supporters of the Chengdu bid at DisCon III will also have to apply via the lottery to attend any of those ceremonies
  4. People who already bought the 5-day in-person tickets also have to apply via the lottery to attend those ceremonies.  It won’t be possible to attend all the ceremonies.
  5. Foreigners don’t have to apply via the lottery, if they’ve previously applied to the “1/100 Light Second Plan”.  That said, if the “3000km travel distance” mentioned is strictly enforced, I think that might exclude people travelling from places like Korea, Thailand or the west of Japan?
  6. Hugo Finalists also don’t have to apply for the lottery, although I think they need to have had contact with someone from the organizing staff.
  7. Ditto Guests of Honour.
  8. Apparently announcements of the schedule are/were expected during China’s National Day Holiday, but that ended a few hours ago as I type this, and I don’t think anything has been announced.  However, the “Golden Week” holiday period runs until Saturday 7th, so it’s possible that’s the timeframe those announcements are expected in?
  • Three-Body Problem immersive experience

Here are a couple of posts to the Xiaohongshu social network, and a news report, showing a Three-Body Problem branded attraction that has just – I think – opened in Chengdu.  The images in the first linked post are actually short videos, although I could only get them to play in the app; I tried the website in a couple of different browsers, and they only appeared as static images.

  • More images of the con venue

I suspect these have long lost their novelty, but if not, here are some new aerial shots — https://weibo.com/1649289953/NlqFZcgzH?refer_flag=1001030103_

(6) LOST AND FOUND CAUSES. [Item by Bill.] An interesting thread about recent Russian propaganda novels in service of generating support for Putin and the invasion of the Ukraine, including a uniquely Russian strain of Alternate History. Thread starts here.

Here are a few excerpts from the 52-tweet thread.

(7) SCARIER THAN PUMPKIN SPICE. Variety gives us the “Best Halloween Movies Ever, Ranked”. Here’s one I wasn’t expecting —

13. Casper (1995)

This sweet film centers its biggest reveal around a tween Halloween party. A father and daughter (played by Bill Pullman and Christina Ricci) move into a haunted mansion to rid the pad of its poltergeist tenants (Casper and his three uncles, the Ghostly Trio). After lots of spirited capers and calamities, the true story behind Casper the friendly ghost is revealed. But the record scratch moment is truly when Casper is transformed into a human boy in the form of 90’s Tiger Beat sensation, Devon Sawa. The new boy surprises Ricci at the party and whisks her into the air for a floating dance that ends with a kiss as the human boy then returns to his original ghostly shape. It’s charming, it’s innocent and his presence scares all the other kids away. — M.W.

If you think you can guess what’s #1 on the list, you are probably right.

(8) KICKIN’ IT GUNDAM STYLE. [Item by Mike Kennedy.] For only $3 million (give or take, depending on the ¥/$ exchange rate) you could be running the controls inside your own Mobile Suit Gundam-inspired robot. Start-up Tsubame Industries plans to build 5 of the 3.5 ton, nearly 15-foot tall, bots. “Japan startup develops ‘Gundam’-like robot with $3 mln price tag” at Reuters.

… Called ARCHAX after the avian dinosaur archaeopteryx, the robot has cockpit monitors that receive images from cameras hooked up to the exterior so that the pilot can manoeuvre the arms and hands with joysticks from inside its torso….

“I wanted to create something that says, ‘This is Japan’.”

Yoshida plans to build and sell five of the machines for the well-heeled robot fan, but hopes the robot could one day be used for disaster relief or in the space industry….

(9) SAUNDERS TRIBUTE. The Washington Post’s Michael de Adder wrote a piece about colleague Charles R. Saunders, who died in 2020. Saunders was an African-American author and journalist, a pioneer of the “sword and soul” literary genre with his Imaro novels. 

(10) ED YOUNG (1931-2023). Ed Tse-chun Young, children’s book illustrator and author died September 29 at the age of 91. Young illustrated more than 100 children’s books, including Jane Yolen’s The Emperor and the Kite, which received a Caldecott Honor in 1968. The annual award from the American Library Association recognizes the previous year’s “most distinguished American picture book for children”. He also wrote and illustrated Lon Po Po, which won the Caldecott Medal in 1991, and Seven Blind Mice, which received a 1993 Caldecott Honor.

For his lifetime contribution as a children’s illustrator, he was U.S. nominee in both 1992 and 2000 for the biennial, international Hans Christian Andersen Award, the highest international recognition available to creators of children’s books. In 2016, Young was honored with Lifetime Achievement Awards from the Eric Carle Museum and the Society of Illustrators.

(11) DOUG BERRY OBIT. Bay Area fan Doug Berry died on September 30. Kevin Standlee said, “While he wasn’t a high flyer known much outside of certain SF Bay Area fan circles, he was a nice person who had a hard life, and he and his wife Kirsten (who is fighting cancer herself) were friends of Lisa and mine. They worked on the newsletter staff at Worldcon 76 in San Jose, and were active members of the local fandom.”

Dave Gallagher told Facebook readers, “Doug had medical issues that did not keep him from a job that he loved as a school crossing guard with the Santa Clara Police Department. He was also a rabid San Francisco Giants fan. His health took a turn for the worse a couple of weeks ago and was hospitalized.”

He also was a former game writer and served in the Army. He did this self-introduction video on his YouTube channel.

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 2, 1909 Alex Raymond. Cartoonist, generally only known for creating Flash Gordon for King Features in 1934. The strip has been adapted into many media, from a series of movie serials in the Thirties and Forties to a Seventies TV series and the Eighties feature film not to be confused with the American-Canadian tv series of the same vintage. Radio serials, myriad films, comic books, novels — any medium that exists has seen Flash Gordon fiction. And more action figures than I care to think about. Here’s a review of one of the better ones. There are at least fifteen authorized strips and a number of bootleg strips as well. Needless to say there are bootleg films and serials too. (Died 1956.)
  • Born October 2, 1911 Jack Finney. Author of many novels but only a limited number of them genre, to wit The Body Snatchers, Time and Again and From Time to Time. He would publish About Time, a short story collection which has the time stories, “The Third Level” and “I Love Galesburg in the Springtime”. The film version of The Body Snatchers was nominated for a Hugo at Seacon ‘79. He has a World Fantasy Award for Lifetime Achievement. (Died 1995.)
  • Born October 2, 1919 Edward Wellen. Mostly remembered for the most excellent mysteries he wrote in great number that showed up in the Alfred Hitchcock Magazine and other outlets. He’s here because he wrote an ongoing column in Galaxy called Spoofs with first one in July entitled “Origins of Galactic Slang”. It was followed by similar Galactic Origins well call them for lack of a better term spoofs over the following decade. He wrote a fair amount of short fiction, all if it quite good, most, if not all, is collected in two digital Golden Age Metapacks. (Died 2011.)
  • Born October 2, 1921 Edmund Crispin. He’s well remembered and definitely still read for his most excellent Gervase Fen mystery series. It turns out that he was the editor of the Best SF anthology series that ran off and on between 1955 and 1972. Writers such as Kuttner, Moore, Blish, Bradbury and Von Vogt had stories there. These anthologies alas are not available digitally or in hard copy except in gently or not so gently remaindered copies.  Buyer beware. (Died 1978.)
  • Born October 2, 1944 Vernor Vinge, 79. Winner of five Hugo Awards, none for what I consider his best series which is the Realtime/Bobble series. I’m also very fond of his short fiction, much of which is collected in The Collected Stories of Vernor Vinge, though the eighteen years’ worth of his work since remain uncollected.
  • Born October 2, 1954 Diane Carey, 69. A major contributor to the Trek multiverse of novel. I mean really, really major contributor. I learned there are lines of Trek novels that I never knew existed. She uses three pen names (Lydia Gregory, Diane Carey, and D. L. Carey) which helps when you’re pumping out a lot of product. She has novels in the Original Series, Next Generation, Deep Space Nine, and Enterprise franchises. So nothing surprising there you say. Then under Diane Carey, she has the New Earth series and there’s at least three other series which extrapolate off the existing series. She also did a novel about Kirk as a cadet at Starfleet Academy. 
  • Born October 2, 1972 Graham Sleight, 51. Editor of Foundation: The Review of Science Fiction between 2007 and 2011, and was a Locus reviewer 2005 to 2012. He is the Managing Editor of the 3rd edition of The Encyclopedia of Science Fiction and was so when the 2012 Hugo Award for Best Related Work was given to it. He oft times writes about Doctor Who. He co-edited (along with Simon Bradshaw and Antony Keen) The Unsilent Library, a book of essays about the Russell T Davies era. His other Doctor Who work, The Doctor’s Monsters: Meanings of the Monstrous in Doctor Who, is now available in a trade paperback edition. 

(13) COMICS SECTION.

(14) ALT RIGHT FOOD FIGHT. Camestros Felapton’s “Yet more scuttlebutt” is all about butts being shown, belonging to brawling authors Larry Correia, Jon Del Arroz, and Vox Day. If you can never get enough of that, uh, why?

It’s over ten years since the first Sad Puppy campaign, its over six years since this blog began covering Jon Del Arroz and yet the storm keeps rumbling. Adding to the Correia v Arroz fight is, of course, Vox Day. Unlike JDA, Day does exercise some diplomatic phrasing before joining the fray… However, Day feels he must defend JDA…

(15) SPACE FOR SURPRISES. Explore the eerie depths of the cosmos on Halloween in the Hayden Planetarium Space Theater. The American Museum of Natural History in New York is offering an in-person event “Spooky Space: Planetarium Tour of the Universe” on October 31 at 7:00 p.m. Eastern. Ticket info at the link.

Prepare to be spellbound by hauntingly spectacular views of monstrous stars, devilish supernova explosions, and frightful collisions that await you in the eerie depths of the cosmos!  

Join Jackie Faherty, senior scientist in the Museum’s Department of Astrophysics, for a spooky tour of our universe.  As you settle into the darkness of the Hayden Planetarium Space Theater, the universe’s most spine-tingling phenomena will be unveiled before your eyes, leaving you in awe of the cosmic mysteries and eerie enigmas. 

(16) MUSIC OF THE SPHERE. Chris Barkley asks, “Could this be Hugo-worthy in the Best Related category? Stay tuned.” “U2’s Sphere Opening Night Lives Up to the Hyperbole: Concert Review” in Variety.

This is pretty much the antithesis of any accepted, traditional rock ‘n’ roll orthodoxy. It is also the natural human reaction to just about any or all of “U2:UV Live at Sphere Las Vegas,” the greatest-show-on-earth that opened Friday night in an enormous dome just off the Strip. The just-over-two-hour show marks the apotheosis of a bigger-is-better ethos that has regularly occurred throughout the band’s career, and which they are not about to give up now that they’re in their 60s for any back-to-basics false modesty. The group that has spent so much of its recording output urging you to think about God, and other only slightly less weighty matters, is in Sin City mostly to make you say: “Oh my God.” And we can vouch that we were hearing that utterance, from people above, below and around us, in a kind of reactive, quadrophonic effect that nearly matched Sphere’s vaunted 22nd-century sound system….

(17) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] Moid over at Media Death Cult has recreated that scene from Everything, Everywhere, All At Once

It’s the Moideverse…

[Thanks to Mike Kennedy, Andrew Porter, Ersatz Culture, Todd Allen, James Reynolds, Kevin Standlee, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 9/22/23 Brand New Pixels Right Off The Cosmic Assembly Line

(1) FINALLY! MAX TO RUN FINAL HALF-SEASON OF DOOM PATROL. [Item by Daniel Dern.] According to Gizmodo, the long-overdue final half of the final season (Season 4) of Doom Patrol on MAX (aka HBO MAX, originally on DC’s streaming platform, yeesh) — the first half finished showing back in January — with, according to Gizmodo, “two episodes October 12, followed by a weekly drop through November 9.”

(While this is the first time actual drop dates have been announced, I’ll believe this is real only after I’ve seen ’em.)

Doom Patrol has been among my short-list favorites for comics-based live-action superhero/sf shows/movies:

  • Reason 3, history: I’ve been a DP fan since the group debuted back in June 1963, in DC’s My Greatest Adventure #80, for the modest price of twelve cents.

While I missed some issues/runs during the 1970s (when I thought I was done reading comics), I de-gafiated in time for fabulous mind-blowing runs starting with Grant Morrison, followed by Rachel Pollack, and others.

(Here’s the cover.)

The initial team consisted of Rita “Elastigirl” Farr, Larry “Negative Man” Trainor, and Cliff “Robotman” Steele, led by doctor/scientist-in-a-wheelchair Niles “The Chief” Calder.

(As opposed to Marvel’s X-Men, who started in their eponymous comic dated September 1963. (Reminder, comic issue dates often weren’t the same as “when released.”) (The DP Wikipedia page discusses some of the “plagiarism? coincidence” questions.)

  • Reason 2, respectful faithfulness to canon, versus teeth-gnashing gratuitous/disrespectful changes. The characters and plots come from all eras, heroes (and villains), and plots arcs, going back to Mento, Beast Boy, General Immortus, the Brain & Monsieur Mallah, and Garguax, through Flex Mentallo, Crazy Jane, Danny The Street, Coagula, and Casey “Space Case” Brinke.

That said, the creators haven’t hesitated to explore and extend characters’ backstories and development. Our heroes (and villains) bring a lot of baggage, and it gets unpacked.

  • Reason 1, this is a mind-blowingly great show. Plots, acting, visuals, ideas, and dialogue. A lot of heart. And a great cast, including Timothy Dalton, Alan Tudyk, Matt Bomer, Brendan Fraser, Diane Guerrero (to name the ones I’m familiar with).

Note, a fair amount of “adult language.” (Not at the level of The Boys, though.) Given the predicaments, all justified.

Plus the flying vampire butts, who we’ve previously seen singing/performing “Shipoopi” (from The Music Man).

I’m excited.

(2) CHENGDU WORLDCON UPDATES. [Item by Ersatz Culture.]

I think this needs someone more versed than me in Chinese culture/cuisine/promotional merchandise to fully explain…  As far as I can tell, for 158 yuan – around $21 USD – you get a gift box containing two jars of different types of bean paste, a mecha-panda figurine, a mobile phone ring holder (?) and 2 ribbons.

The branding is mainly associated with “the 6th Chengdu International SF Convention”, which seems like it was due to be held in November 2021, but got cancelled due to the pandemic, and hasn’t been rescheduled.  However, the packaging does also say “A Tribute to the 2023 Chengdu World Science Fiction Convention” and “Originating from the 2023 Chengdu World SF Convention site”, but I don’t think that it’s official Worldcon merchandise.

Estimated shipping date is 10th October; there’s a link to a purchase page at the Weibo link.

  • Two posts about the SF-themed tunnels that lead to the SF museum/con venue

One of these was mentioned in the 2023-09-15 Scroll, but it turns out there are three newly constructed SF-themed tunnels leading to the con venue, although currently only one is open to traffic, with the other two due to open in October.  

Red Star News has a couple of posts about them; yesterday they had an article going into detail about them [Chinese only], and today they posted a video: “Red Star Video: In Chengdu Drive into the ‘tunnel’ and look up at the ‘starry sky’”.

(3) TRIO OF WARNINGS. At Writer Beware, Victoria Strauss posts three “Cautions: Babelcube, Barnes & Noble Book Order Scams, Audiobook Order Scam (Featuring a Fake Non-Profit)”. Here’s an excerpt of the third warning:

Audiobook Order Scam (Featuring a Fake Non-Profit)

This one comes courtesy of 20/Twenty Literary Group, a fake literary agency with a roster of imaginary agents that does all the things that real agencies don’t, and none of the things they do.

Its latest gambit: an audiobook order scam.

The author is contacted by one of 20/Twenty’s imaginary agents with an offer to re-publish the author’s book–for a fee, naturally. Shortly afterward…surprise! The author gets a call from a Jennifer Lim, who claims to represent a society for the blind. Jennifer wants to order 5,000 audiobooks to be distributed to the society’s members! Naturally, 20/Twenty can oblige. The cost is steep–but oh, those royalties!…

(4) IS THEIR LOVE REAL? “Is The Creator the best science fiction movie of 2023 – or is AI controlling the hype?” – the Guardian’s Ben Child raises suspicions.

…Ahead of any official reviews of the AI-centric piece, studio 20th Century has allowed select critics to tweet their opinions, and the consensus seems to be that this could be the discerning sci-fi fan’s movie of the year. To reach that level for me, Edwards would have to deliver a film on a par with Neill Blomkamp’s District 9 (2009), Alex Garland’s Ex-Machina (2014) or Grant Sputore’s I Am Mother (2019). These films were full of vim and verve and imagined future worlds so rich and detailed that you can imagine never-ending sequels spinning off into infinity – perhaps the mark of all great celluloid sci-fi….

…Are studios using artificial intelligence to handpick journalists who are statistically more likely to provide positive hype? If it’s not happening already, it almost certainly will be soon. In the meantime, let’s hope Edwards’ film really is the zeitgeist-defining AI flick we’ve all been waiting for. If mankind is going down, the least we can expect is to do so while drinking in the finest tech-inspired entertainment human civilisation has ever delivered….

(5) GENRE CONTENT INDEED. Fascinating article: “I’m a fake brand, in a fake world: The secrets behind designing a great fictional brand for TV and film” at It’s Nice That.

Duff Beer, Dunder Mifflin Paper, Wonka Candies, Barbie merchandise… We’ve seen countless made-up brands transcend seamlessly from the screen into the real world. So what’s the key to their success? We chat to the graphics team behind the Barbie film, Wes Anderson’s go-to graphic designer, motion designer and 3D artist Lorenzo Bernini, and Adult Swim’s president Michael Ouweleen….

…When it comes to the make-up of fictional brands, Erica notes how, if done correctly, they can make the stylised world feel like a real place, and can become a playground for the characters to fully express themselves within the storyline. In Asteroid City, for instance, all of the roadside cafes have menus written on the facade, because cars don’t have time to stop for a menu. “The cafe is the canvas of the menu board,” she says. Additionally, one of the characters named Shelly constantly carries a book entitled Invisible Spectrum Elemental Surface Atomic Spectroscopy. There’s also a Girl Scout character who’s always walking around with her Jam Krispies. “Often the brands have a purpose for existing in the script. It’s about understanding what the purpose of that action prop is, and what they’re trying to say about a particular character.”…

(6) EATING THE FANTASTIC. Scott Edelman invites listeners to join Hildy Silverman for a Georgian feast in Episode 207 of the Eating the Fantastic podcast.

My guest this time around is Hildy Silverman, perhaps best known for having been the Editor-in-Chief of Space and Time Magazine from 2005 through 2018. But she’s also a writer of science fiction, fantasy, horror, and the interstitial spaces between. Her short stories have appeared in such anthologies as The Dystopian States of AmericaBad Ass MomsRelease the VirginsBaker Street Irregulars, and most recently, Three Time Travelers Walk Into.

Hildy Silverman

In 2013, her short story “The Six Million Dollar Mermaid,” which appeared in the anthology Mermaids 13: Tales from the Sea, was a finalist for the WSFA Small Press Award. In 2020, she joined the Crazy 8 Press authors collective, which publishes novels and anthologies by its membership. She is a past president of the Garden State Speculative Fiction Writers and has frequently pontificated with me on the science fiction convention circuit.

We discussed the kindergarten incident which taught her all she ever wanted to do was write, how to keep writing when the whole world is telling you to stop, what she learned early on from such literary lions as Sue Miller and Jayne Anne Phillips, the lunch that changed her life, why she loves writing for themed anthologies (and how to do it right), what made her decide to take over as editor and publisher of Space and Time magazine, how to beat the odds of the slush pile, the ways being an editor helped her become a better writer, how she’s managed to collaborate without killing her writing partner, and so much more.

Scott Edelman is raising money to upgrade his podcasting equipment. Between auctions and listener donations, he’s at about the 60% mark. Plenty of fun stuff still up on eBay here.

(7) TENTACLED TEASER. Variety fills readers in about the forthcoming series: “Squid Game The Challenge Trailer; Netflix Sets November Premiere”. November 22, to be precise.

…“Squid Game: The Challenge” will see 456 contestants from around the world battle it out through various challenges based on the Korean game show in the scripted series, as well as introducing some new games.

Only one winner will take home the $4.56 million cash prize….

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 22, 1917 Samuel A. PeeplesMemory Alpha says that he’s the person that gave Roddenberry the catch phrase he used to sell Trek to the network: “[As] fellow writer Harlan Ellison has credited him with the creation of one of the most famous catch phrases in Star Trek-lore, ‘[Gene Roddenberry] got “Wagon Train to the stars” from Sam Peeples. That’s what Gene said to me. They were at dinner and Sam Peeples, of course, was a fount of ideas, and Gene said something or other about wanting to do a space show and Sam said, “Yeah? Why don’t you do Wagon Train to the stars?”’” (Died 1997.)
  • Born September 22, 1939 Edward A. Byers. Due to his early death, he has but two published novels, both space operas, The Log Forgetting and The Babylon GateEOFSF says “Byers was not an innovative writer, but his genuine competence raised expectations over his short active career.” There’s no sign his double handful of stories was collected, though his two novels are in-print. (Died 1989.)
  • Born September 22, 1954 Shari Belafonte, 69. Daughter of Harry Belafonte, I first spotted her on Beyond Reality, a Canadian series that showed up when I was living in upstate Vermont. You most likely saw her as Elizabeth Trent in Babylon 5: Thirdspace as that’s her most well-known genre performance. 
  • Born September 22, 1957 Jerry Oltion, 66. His Nebula Award-winning Abandon in Place novella is the beginning of the Cheap Hyperdrive sequence, a really fun Space Opera undertaking. Abandon in Place was nominated for a Hugo at LoneStarCon 2 (2013). The Astronaut from Wyoming was nominated for a Hugo at Chicon 2000
  • Born September 22, 1971 Elizabeth Bear, 52. I’m only going to note the series that I really like but of course you will add the ones that you like. First is her White Space series, Ancestral Space and Machine, which I’ve read or listened to each least three times.  Next up is the sprawling Promethean Age series which is utterly fascinating, and finally The Jenny Casey trilogy which came out at the usual suspects several years ago.
  • Born September 22, 1982 Billie Piper, 41. Best remembered as the companion of the Ninth and Tenth Doctors, she also played the dual roles Brona Croft and Lily Frankenstein in Penny Dreadful. She played Veronica Beatrice “Sally” Lockhart in the BBC adaptation of Philip Pullman’s The Ruby in the Smoke and The Shadow in The North. 
  • Born September 22, 1985 Tatiana Maslany, 38. Best known for her superb versatility in playing more than a dozen different clones in the TV series Orphan Black which won win a Hugo for Dramatic Presentation (Short Form), for its “By Means Which Have Never Yet Been Tried“ episode, She received a Best Actress Emmy and more than two dozen other nominations and awards. She’s playing She-Hulk in a Marvel series. 

(9) COMICS SECTION.

  • Bizarro illustrates a tangled legal phrase.
  • Dork Tower shows us the kind of letter a warrior writes, just before a big battle. Big franchise alert.
  • The Argyle Sweater finds a crew member with a complaint about a Star Trek photo booth.

(10) EPIC COSPLAY PHOTOS. Bored Panda arrays “105 Of The Best Cosplay Costumes We’ve Ever Seen”. See photos at the link.

Includes an example of extreme dedication – the black plastic suit of “#7 My Catwoman Cosplay From 1992 ‘Batman Returns’”.

SaintElena added: “I experience almost everything the same as Michelle [Pfeiffer], unfortunately. If I spend more than 2 hours in this suit actively moving, then I can get heat stroke. If I’m not moving very actively, then I can break the stay in the suit up to 4 hours.”

(11) POLICE ROBOTS IN NYC ARE NOW A REALITY. [Item by Francis Hamit.] This isn’t what Asimov envisioned when he wrote the Three Laws but it’s close.  I invested in Knightscope in 2017 for several reasons.  Reading science fiction led me to make Robotics one of my beats as a trade magazine journalist.  I was once the West Coast Editor for ROBOTX News.  Economic circumstances made me transition from Real Estate broker to Security Captain, a temp gig that became a 20 years career while also continuing to be a professional writer.  So I understood instantly what Knightscope’s robots could add to the equation.  They extend the range and presence of human guards.  Security has never been a well-respected business, sort of the Rodney Dangerfield of corporate life but that’s changing because of all of the flashmob thieving and mass shootings.  It has evolved to a very serious part of corporate life with a strong moral center, led by a new generation of military and police veterans.

Knightscope is now a public company and trades under KSCP on the NASDAQ.  The share price has been under attack by trolls and short sellers for most of that time.  That gave me the opportunity of increasing my shares by a factor of ten at a very low price this year. So I’m not claiming to be objective.  It’s a very high risk investment but this NYPD trial is a tipping point.

(12) FEAR REVERED. The Chicago Sun-Times’ Richard Roeper looks back to the beginning: “‘The Exorcist’ at 50: Some things to look for in the classic that elevated horror”.

…When I’m asked about the scariest movie I’ve ever seen, there’s no asterisk, no hesitation, no wavering: It’s “The Exorcist.” I’ve never been as mesmerized, as terrified, as ain’t-no-way-you’re-sleeping-tonight shocked, as I was when I first saw William Friedkin’s demonic, head-turning, supernatural horror film at the Dolton Theater in the spring of 1974. (Warner Bros. actually released the film on Dec. 26, 1973 — the day after Christmas, how about that — but I had to wait for a second-run showing with the more user-friendly $1 admission price.)…

“The Exorcist” became the first pure horror film to be nominated for the best picture Oscar and continues to be a major influence on the genre to this day.In memory of Friedkin’s death last August and in anticipation of the 50th anniversary of the film, we’re getting a theatrical re-release and a 4K Ultra HD Blu-Ray and Digital edition of “The Exorcist” that includes the Original Theatrical Version and the Extended Director’s Cut, which incorporates 11 extra minutes of footage and ends with a certain exchange that offers a slightly more hopeful note.

(13) TRAIN UP ON THIS TOOL FOR WRITERS. “Decoding the Submission Grinder” is a $20 course offering at Reach Your Apex. Scheduled for Saturday, September 23 at 2:00 p.m. Eastern.

This class will show you how to use The Submission Grinder—the donation-supported web app for writers—to enhance your submission process. Find new publishers for your work that meet your criteria, track your submissions, track your income and expenses, set reminders for yourself, and more.  This course will help beginners and intermediate users get the most out of the tool to enhance their submission process. This course will be taught by David Steffen; co-founder, owner, data administrator, and developer of The Submission Grinder.

(14) WHO HYPE. “Doctor Who shares new pics of David Tennant’s Doctor reunited with Donna”Radio Times makes sure we don’t miss them.

…The BBC has released some exciting new stills from the upcoming Doctor Who 60th-anniversary specials – showing David Tennant’s Doctor reunited with Catherine Tate’s Donna Noble….

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Daniel Dern, Ersatz Culture, Lise Andreasen, Francis Hamit, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 8/16/23 La Pixel È Malleable

(1) NEW SFF NOVELLA CONTEST COMING IN SEPTEMBER. The Fantasy Review will take entries in the inaugural Speculative Fiction Indie Novella Championship (SFINCS) beginning September 2.

The Speculative Fiction Indie Novella Championship (SFINCS, pronounced “sphinx”) is a yearly competition to recognize, honor, and celebrate the talent and creativity present in the indie community. We are a sister competition to both SPFBO and SPSFC, and we highlight greatness in the novella format in all areas of speculative fiction (fantasy, science fiction, horror, etc.).

See eligibility requirements here. Find the judging process and timeline here.

These are the organizers and their social media pages: Nathan: TwitterInstagram, and TikTok; The Shaggy Shepherd: Twitter; Rowena: Twitter and Instagram; Tabitha: Twitter and Instagram.

(2) WILL FTC DIP INTO BIG RIVER? “Authors and Booksellers Urge Justice Dept. to Investigate Amazon” reports the New York Times.

With mounting signs that the Federal Trade Commission is preparing to file a lawsuit against Amazon for violating antitrust laws, a group of booksellers, authors and antitrust activists are urging the government to investigate the company’s domination of the book market.

On Wednesday, the Open Markets Institute, an antitrust think tank, along with the Authors Guild and the American Booksellers Association, sent a letter to the Justice Department and the Federal Trade Commission, calling on the government to curb Amazon’s “monopoly in its role as a seller of books to the public.”

The groups are pressing the Justice Department to investigate not only Amazon’s size as a bookseller, but also its sway over the book market — especially its ability to promote certain titles on its site and bury others, said Barry Lynn, the executive director of the Open Markets Institute, a research and advocacy group focused on strengthening antimonopoly policies.

“What we have is a situation in which the power of a single dominant corporation is warping, in the aggregate, the type of books that we’re reading,” Lynn said in an interview. “This kind of power concentrated in a democracy is not acceptable.”

The letter, addressed to Lina Khan, the chairwoman of the Federal Trade Commission, and Jonathan Kanter, who leads the Justice Department’s Antitrust Division, comes as the F.T.C. appears to be closing in on its decision to bring an antitrust case against Amazon. Amazon representatives are expected to meet this week with members of the commission to discuss the possible suit, a sign that legal action may be imminent….

(3) BARBIE’S TEACHABLE MOMENTS. The New York Times asks “Will Hollywood Learn These 5 Lessons From ‘Barbie’?” Here’s one of the lessons they have in mind:

5. Stop saving the good stuff for the sequel

With “Barbie” on a path to become the year’s highest-grossing movie worldwide, Warner Bros. will inevitably try to conjure a franchise from it. Yet much of what makes “Barbie” feel fresh is that it tells a complete story and doesn’t spend time setting up spinoffs or sequels. In fact, it ends in a place that would be hard to roll back: with its lead at the definitive end of her character arc. Gerwig and her stars aren’t signed for “Barbie” sequels, and when I spoke to Gerwig after her blockbuster opening weekend, she said she’d put every idea she had into this movie without the thought of doing more: “At this moment, it’s all I’ve got.”

(4) KING HAS PLANS. The Guardian tells readers, “Stephen King says he may continue the Talisman series”. Later in the article King tells what he finds scary.

Stephen King has suggested that he may write a third instalment of the two-book Talisman series, which he co-wrote with the late Peter Straub. Asked on a podcast if his days of writing “epics” were in the past, King replied “never say never”. “Before he died, Peter sent me this long letter and said we oughta do the third one, and he gave me a really cool idea and I had some ideas of my own,” he said.

Speaking as a guest on an episode of the Talking Scared podcast, King added that the volume – which would follow The Talisman and its sequel, Black House – “would be a long book”….

(5) HAUNTED LAUGHS. Nostalgia Central introduces a new generation to the Fifties ghostly comedy series Topper. Episode videos can be viewed there, too.

… The Thorne Smith classic came to television with Leo G Carroll as the stuffy and befuddled well-to-do banking vice president, Cosmo Topper, whose new house at 101 Yardley Avenue in New York, was inhabited by the ghosts of the former owners, George and Marion Kerby, who had been killed in an avalanche while skiing in Switzerland.

Only he could see them, which made for some hilarious situations indeed, especially as George and Marion – not to mention their alcoholic St Bernard dog, Neil – were prone to practical joking….

(6) EVEN A DOLLAR. Francis Hamit’s Kickstarter for his novel Starmen is over 80% funded. As he explained in the latest update, he’s looking for any level of help.

An old friend who I have not seen or heard from for many years wrote me to say that she hasn’t got much these days but would give something.  And that is all I want. Even a dollar is welcome.  Seriously.  I set the goal low deliberately because I want as many people as possible to read this book and tell their friends.  Most publishers will reject this out of hand.  It’s too long.  180,000 words  and counting as I add more material to fix flaws my developmental editors found.  

I’m a graduate of the Iowa Writers Workshop, generally acknowledged as the best writing school in the English speaking world but I never thought i’d learned it all.  My motto is KAISAN!, a Japanese management term meaning “continuous improvement”.  

Most publishers will also reject this book because it does not fit neatly into a genre.  They won’t know how to market it unless  there is  so much “buzz” that everyone wants to read it.  And that, Gentle Reader, is where you come in.   Give me a dollar or more and help me make goal.

 If I make more there are other things I can do with it.  Hire help.  Both Leigh and I are disabled. The goal amount will go to hire someone to properly format the E-Book so its a smooth read.  Buying reviews from Kirkus and other outlets. Managing the fulfillment.  The  T-shirts and mugs come from Printful.  They will send them directly to you.  Formatting and producing a paperback.  Upgrading our computers.  I have a big backlog of other work to publish. Every dollar helps!

As the old English folksong goes “Have you got a penny?  Can you give a  penny?  But if you haven’t got a penny, then God Bless You!

(7) ORPHANS IN THE SKY. “Our Galaxy Is Home to Trillions of Worlds Gone Rogue” in the New York Times says “Astronomers have found that free-floating planets far outnumber those bound to a host star.” But Andrew Porter is disappointed the article doesn’t mention “spindizzies”.

Free-floating planets — dark, isolated orbs roaming the universe unfettered by any host star — don’t just pop into existence in the middle of cosmic nowhere. They probably form the same way other planets do: within the swirling disk of gas and dust surrounding an infant star.

But unlike their planetary siblings, these worlds get violently chucked out of their celestial neighborhoods.

Astronomers had once calculated that billions of planets had gone rogue in the Milky Way. Now, scientists at NASA and Osaka University in Japan are upping the estimate to trillions. Detailed in two papers accepted for publication in The Astronomical Journal, the researchers have deduced that these planets are six times more abundant than worlds orbiting their own suns, and they identified the second Earth-size free floater ever detected.

The existence of wandering worlds orphaned from their star systems has long been known, but poorly understood. Previous findings suggested that most of these planets were about the size of Jupiter, our solar system’s most massive planet. But that conclusion garnered a lot of pushback; even scientists who announced it found it surprising.

To better study these rogue worlds, David Bennett, an astronomer at the NASA Goddard Space Flight Center, and his team used nine years of data from the Microlensing Observations in Astrophysics telescope at the University of Canterbury Mount John Observatory in New Zealand. Exoplanets were indirectly detected by measuring how their gravity warped and magnified the light arriving from faraway stars behind them, an effect known as microlensing.

With help from empirical models, the researchers worked out the spread of the masses for more than 3,500 microlensing events, which included stars, stellar remnants, brown dwarfs and planet candidates. (Data from one of those candidates was compelling enough for the team to claim the discovery of a new rogue Earth.) From this analysis, they estimate that there are about 20 times more free-floating worlds in our Milky Way than stars, with Earth-mass planets 180 times more common than rogue Jupiters…

(8) MEMORY LANE

1987 – [Written by Cat Eldridge.]

Sharyn McCrumb is, to me, an interesting writer that I like and admire a lot. Appalachian-born and resident, her novels are deeply rooted in the history and folklore of that region though for the most part our Beginning this Scroll is definitely not.

My favorite series by her is decidedly genre, the Ballad series, which has a woman who knows exactly when an individual is going to pass beyond the mortal veil, and more than one novel where ghosts figure in. I think Ghost Riders is the best of these.

And her Elizabeth MacPherson novels aren’t genre but they are really fun mysteries with MacPherson being an archaeologist. The Scottish games set Highland Laddie Gone is the best and intentionally comical of these. (Davina Porter narrates the audio version and does a stellar job.) You need to have attended a Scottish game or two, and been possible slightly inebriated while there to appreciate this novel. Don’t miss the haggis on a stick if you do go. Is it in a sheep’s stomach? Maybe, maybe not.

The Bimbos of the Death Sun duology where our Beginning comes includes Zombies of the Gene Pool

Bimbos of the Death Sun was published by Windwalker / TSR in 987 with the cover illustration by Jeff Easley. Zombies of the Gene Pool followed five years later from Simon & Schuster. Not quite a Meredith Moment but really close, both are available from the usual suspects. 

Both are set within fandom and that means that anyone who reads them, well, I like them a lot but I know that is not a opinion not universally shared. But since when is any book universally liked or disliked, loved or hated?

Now I expect nearly all of you have read these novels but some haven’t so I’m not spoiling a damn thing. 

So here’s the beginning of Bimbos of the Death Sun

The visiting Scottish folksinger peered out of the elevator into the hotel lobby. When he pushed the button marked “G,” he naturally assumed that he would arrive at the ground floor of the building. Now he wasn’t so sure. Things were different in America, but he hadn’t realized they were this different. Perhaps “G” stood for Ganymede, or some other intergalactic place. Who were those people? 

A pale blonde in blue body paint wearing a green satin tunic stepped on to the elevator, eyeing his jeans and sweatshirt with faint disapproval. “Going up?” she said in her flat American accent. She looked about twenty, he thought. The elevator was moving before he realized that he’d forgotten to get out.

 “You here for the con?” she asked, noticing his guitar case.

“No. I’m a tourist.” He liked that better than saying he was on tour; it prevented leading questions that ended in disappointment when the American discovered: 1) that they had never heard of him, and 2) that he didn’t know Rod Stewart. “What are you here for?” 

She grinned. “Oh, you mean you don’t know? It’s Rubicon—a science fiction convention. We’re practically taking over the hotel. There’ll be hundreds of us.” 

“Oh, right. Like Trekkies.” He nodded. “We have some of your lot back home.” 

“Where’s home?” she asked, fiddling with the key ring on her yellow sash.

“Scotland.” At least she hadn’t tried to guess. He was getting tired of being mistaken for an Australian. 

As the elevator doors rumbled open on the fifth floor, the departing blue person glanced again at his jeans. “Scotland, huh?” she mused. “Aren’t you supposed to be wearing some kind of funny outfit?” 

“Is Diefenbaker here yet?” asked Bernard Buchanan breathlessly. He always said things a little breathlessly, on account of the bulk he was carrying around, and he was always clutching a sheaf of computer printouts, which he would try to read to the unwary. 

Miles Perry, whose years of con experience had made him chief among the wary, began to edge away from the neo-fan. “I haven’t seen him,” he hedged.

“I had a letter from him on Yellow Pigs Day, and he said he’d be here,” Bernard persisted. “He’s supposed to be running one of the wargames, and I wanted him to look at my new parody.” 

Miles swallowed his exasperation. It was, after all, the first hour of the convention. If he started shouting now, his blood pressure would exceed his I.Q. in no time, and there were still two more days of wide-eyed novices to endure. Diefenbaker would encourage these eager puppies; he brought it on himself. Miles had a good mind to post a notice in the hotel lobby informing everyone of Diefenbaker’s room number. Maybe a few dozen hours of collective neo-fans, all reading him fanzine press at once, would cure him of these paternal instincts. Really, Diefenbaker would write to anybody. Just let someone in Nowhere-in-Particular, New Jersey, write in a comment to Diefenbaker’s fan magazine, and Dief would fire back a friendly five-page letter, making the poor crottled greep feel liked. More comments would follow, requiring more five-page letters. Miles didn’t like to think what Dief’s postage budget would run. And this is what it came to: post-adolescent monomaniacs waiting to waylay him at cons to discuss Lithuanian politics, or silicon-based life forms, or whatever their passion was. If he weren’t careful, he’d get so tied up with these upstarts that he wouldn’t have time to socialize with the authors and the fen-elite. Miles would have to protect Dief from such pitfalls, for his own good.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 16, 1884 Hugo Gernsback. Publisher of the first SF magazine, Amazing Stories in 1926. Also helped create fandom through the Science Fiction League. Writer of the Ralph 124C 41+ novel which most critics think is utterly dreadful but Westfahl considers “essential text for all studies of science fiction.” (Died 1967.)
  • Born August 16, 1930 Robert Culp. He’d make the Birthday Honors solely for being the lead in Outer Limits’ “Demon with a Glass Hand” which Ellison wrote specifically with him in mind. He would do two more appearances on the show, “Corpus Earthling” and “The Architects of Fear”. Around this time, he made one-offs on Get Smart! and The Man from U.N.C.L.E. before being Special FBI Agent Bill Maxwell in The Greatest American Hero. Did you know there was a Conan the Adventurer series in the Nineties in which he was King Vog in one episode? I’ve not seen it. Do we consider I Spy genre? Well we should. (Died 2010.)
  • Born August 16, 1933 Julie Newmar, 90. Catwoman in Batman. Her recent voice work includes the animated Batman: Return of the Caped Crusaders and Batman vs. Two-Face, both done in the style of the Sixties show. They feature the last voice work by Adam West. Shatner btw plays Harvey Dent aka Two Face.  She was on the original Trek in the “Friday’s Child” episode as Eleen. She also has one-offs on Get Smart!Twilight ZoneFantasy IslandBionic WomanBuck Rogers in the 25th CenturyBewitched and Monster Squad
  • Born August 16, 1934 Diana Wynne Jones. If there’s essential reading for her, it’d be The Tough Guide to Fantasyland which is a playful look at the genre. Then I’d toss in Deep Secret for its setting, and Fire and Hemlock for her artful merging of the Scottish ballads Tam Lin and Thomas the Rhymer. Now what’s the name of the exemplary short story collection she did late in life? Ahhh it was Unexpected Magic: Collected Stories with the great cover by Dan Craig. Yes, I bought it without opening the book solely because of the cover! (Died 2011.)
  • Born August 16, 1934 andrew j. offutt (and Andrew J. Offutt, A. J. Offutt, and Andy Offutt). I know him through his work in the Thieves’ World anthologies though I also enjoyed the Swords Against Darkness anthologies that he edited. I don’t think I’ve read any of his novels. And I’m not a Robert E. Howard fan so I’ve not read any of his Cormac mac Art or Conan novels but his short fiction is superb. His only award was a Phoenix Award which is a lifetime achievement award for a science fiction professional who had done a great deal for Southern Fandom. (Died 2013.)
  • Born August 16, 1952 Edie Stern, 71. Fancyclopedia 3 says that she is “a well-known SF club, con, filker, collector and fanzine fan.” Well it actually goes on at impressive length about her. So I’m going to just link to their bio for her thisaway.
  • Born August 16, 1960 Timothy Hutton, 63. Best known as Nathan Ford on the Leverage series which is almost genre. His first genre was in Iceman as Dr. Stanley Shephard, and he was in The Dark Half in the dual roles of Beaumont and George Stark. He’s David Wildee in The Last Mizo, based off “Mimsy Were the Borogoves” by Lewis Padgett (husband-and-wife team Henry Kuttner and C. L. Moore). He was Hugh Crain in The Haunting of Hill House series. I’m going to finish off this Birthday note by singling out his most superb role as Archie Goodwin on the Nero Wolfe series. 

(10) COMICS SECTION.

  • The Argyle Sweater has a superhero case of “It’s not you, it’s me…”
  • Last Kiss shows a summer camp where all eyes are on Wonder Woman

(11) DOES THIS DOME HAVE A FUTURE? The New York Times notes how “A Dormant Dome for Cinephiles Is Unsettling Hollywood”.

Since the November night in 1963 when the Cinerama Dome opened its doors with the premiere of “It’s a Mad Mad Mad Mad World” — drawing Milton Berle, Buddy Hackett and Ethel Merman to the sidewalks of Sunset Boulevard in Hollywood — the theater, and the multiplex that later rose around it, has been a home for people who liked to watch movies and people who liked to make movies.

Its distinctive geodesic dome, memorialized by Quentin Tarantino in the 2019 film “Once Upon a Time … in Hollywood,” has become more retro than futuristic over the years, a reminder of a Technicolor past. Yet through it all, the complex known as the ArcLight Hollywood remained a cinephile favorite, with no commercials, no latecomers admitted and ushers who would, after introducing the upcoming show, promise to stay behind to make sure the sound and picture were “up to ArcLight standards.”

But today the ArcLight Hollywood is closed, both a victim of the coronavirus pandemic and a symbol of a movie industry in turmoil, even in its own backyard….

The shuttered complex — its entrance marked by plywood boards instead of movie posters — stands as a reminder of the great uncertainty that now shadows old-fashioned cinema in American culture. Dual strikes have shut down production. Competition from streaming services, as well as shortened attention spans in a smartphone era, has led movie theaters around the nation to shut their doors….

Yes, that’s where I saw It’s a Mad Mad Mad Mad World. Also Krakatoa, East of Java. And years later, E.T. It would be missed.

(12) ELEMENTARY. [Item by Daniel Dern.] “12 Different Ways to Organize the Periodic Table of Elements” at Visual Capitalist. (Playlist: Tom Lehrer’s “The Elements”, of course…) I’m sure there are yet more arrangement variants out there.

The Periodic Table of Elements is an iconic image in classrooms and laboratories all around the world.

Yet despite having an almost unanimous agreement amongst scientists on its composition, there are over 1,000 different periodic tables—and that number continues to grow. This is because the standard table does not highlight all of the existing relationships between the elements.

With 118 elements currently known, there are many different interactions and stories to tell. Here are some of the most remarkable, fascinating and bizarre periodic tables that we could find….

(13) IT’S NOT EXACTLY SACRAMENTAL. Good grief, whoever thought of this branding? “The Exorcist Collectors Series” at Mano’s Wine.

Mano’s Wine is thrilled to offer horror fans the chance to collect officially licensed bottles featuring moments from their favorite movies. Whether you plan to kick back and calm your nerves after those jump scares with a glass of delicious Cabernet Sauvignon, or keep it on your bar for the suspense this bottle is a showstopper.

(14) TAKES A KICKING AND KEEPS ON TREKKING. [Item by Daniel Dern.] Tsk! and maybe “Maybe you don’t want to do that…” “Introducing Unitree H1: Its First General-purpose Humanoid Robot”.

(15) MENTAL MASONRY. Scientific American tells how “Neuroscientists Re-create Pink Floyd Song from Listeners’ Brain Activity”.

Researchers hope brain implants will one day help people who have lost the ability to speak to get their voice back—and maybe even to sing. Now, for the first time, scientists have demonstrated that the brain’s electrical activity can be decoded and used to reconstruct music.

A new study analyzed data from 29 people who were already being monitored for epileptic seizures using postage-stamp-size arrays of electrodes that were placed directly on the surface of their brain. As the participants listened to Pink Floyd’s 1979 song “Another Brick in the Wall, Part 1,” the electrodes captured the electrical activity of several brain regions attuned to musical elements such as tone, rhythm, harmony and lyrics. Employing machine learning, the researchers reconstructed garbled but distinctive audio of what the participants were hearing. The study results were published on Tuesday in PLOS Biology….

(16) VIDEO OF THE DAY. Billie Ellish sings “What Was I Made For?” from Barbie.

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Daniel Dern, Steven French, Andrew Porter, John King Tarpinian, Chris Barkley, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]