The Libertarian Futurist Society has selected five finalists for the 2021 Prometheus Hall of Fame Award for Best Classic Fiction.
The Winter of the World, a 1975 novel by Poul Anderson
“As Easy as A.B.C.,” a 1912 novelette by Rudyard Kipling
“The Trees,” a 1978 song by Rush (recorded as part of the rock group’s 1978 album “Hemispheres”)
Emphyrio, a 1969 novel by Jack Vance
“Lipidleggin’,” a 1979 short story by F. Paul Wilson
The Prometheus Awards ballot will be emailed to LFS members at the usual time next May, The Prometheus Award, sponsored by the Libertarian Futurist Society (LFS), was established and first presented in 1979, making it one of the most enduring awards after the Nebula and Hugo awards, and one of the oldest fan-based awards currently in sf. Presented annually since 1982 at the World Science Fiction Convention, the Prometheus Awards include gold coins and plaques for the winners for Best Novel, Best Classic Fiction (Hall of Fame), and occasional Special Awards.
(1) ANDREW CARNEGIE MEDALS. No genre works were on the shortlist, so needless to say today’s Andrew Carnegie Medal winners were all non-genre books. The omnivorous readers among you might like to know what they are anyway:
The Tea Master & the Detective by Aliette de Bodard
The trouble with reading SFF is that you end up with amazing life goals that probably will not be attained during your own lifetime. It’s bad enough when a favourite book leaves you wanting a dragon librarian to be your best friend, or a magic school to invite you in when you turn eleven… and now I need a spaceship who brews tea in my life.
A really good cozy mystery balances rich characters with charmingly creepy murders, and de Bodard hits all the right notes in this wonderful, warm homage to Sherlock Holmes in which our detective is Long Chau, an angry and traumatised scholar, and her Watson is a calm, tea-brewing shipmind.
As with the original Watson, Long Chau’s story is told from the point of view of the detective’s friend, which allows a contrast between the detective’s technical brilliance, and our narrator’s emotional intelligence. Yes, the emotional work in the story is largely done by the spaceship. That’s how great it is. –Tansy
(4) HEMMING DEADLINE. If you’re going to nominate for the Norma K. Hemming Award, you need to get it done by January 31. Details at the website.
Designed to recognise excellence in the exploration of themes of race, gender, sexuality, class or disability in a published speculative fiction work, the Norma K Hemming award is open to short fiction, novellas, novels, anthologies, collections, graphic novels and stage plays, and makes allowances for serialised work.
Entry is free for all works, and entries may be provided to the judges in print or digital format.
Nominations are open to all relevant and eligible Australian work produced in 2018.
(5) FOOD REVELATIONS. Fran
Wilde did a class about “Fantastic Worldbuilding.” Cat Rambo tweeted the highlights.
A new trailer for The Wandering Earth — described as China’s biggest science fiction movie ever — landed earlier this week, showing off an ambitious adventure that follows the efforts to save Earth after scientists discover that the sun is about to go out.
The movie is based on a story by Chinese author Cixin Liu — who’s best known for his Three-Body Problem trilogy and last year’s Ball Lightning. While those books are huge, epic stories, The Wandering Earth is no less ambitious: when scientists realize that the sun will go out in a couple of decades, they hatch a desperate plan: to move the planet to Proxima Centauri. The construct thousands of giant engines to move the planet out of orbit, where it can then slingshot post Jupiter and out of the Solar System.
Robert Pattinson despises his iconic “Twilight” character, Edward Cullen, with a fury unlike any other. Pattinson has complained throughout so many interviews about Edward, the century-old telepathic vampire who falls for Kristen Stewart’s Bella (a witch or something), that there’s an entire Tumblr feed dedicated to his most (self-) scathing comments.
Among his harshest words: He has said “Twilight” “seemed like a book that shouldn’t be published.” That “if Edward was not a fictional character, and you just met him in reality — you know, he’s one of those guys who would be an ax murderer.” He called his performance “a mixture of looking slightly constipated and stoned.”
(8) OBSCURE AWARD. The Society of Camera Operators’ awards were presented January
26, and if you scan The Hollywood Reporter article closely enough you’ll be able
to discover the single winner of genre note: “‘A Star Is Born’ Camera Operator Tops SOC Awards”.
Movie category had no genre nominees
* P. Scott Sakamoto for A Star Is Born
* Chris Haarhoff and Steven Matzinger for Westworld
* Jane Fonda — Governor’s Award
* Harrison Ford— President’s Award
* “Lifetime Achievement award recipients were Dave Emmerichs, camera operator; Hector Ramirez, camera operator (live and non-scripted); Jimmy Jensen, camera technician; John Man, mobile camera platform operator, and Peter Iovino, still photographer.”
* Technical achievement award — makers of the Cinemoves Matrix 4 axis stabilized gimbal
Rami Harpaz lead a group of IAF pilots in Egyptian captivity to translate the iconic fantasy work into Hebrew while in prison, the book introduced Tolkien to Israeli readers and remains iconic.
…He was captured by the Egyptians during the War of Attrition, while in captivity he was given a copy of the Hobbit, the famous fantasy book by J.R.R. Tolkien, by his brother who was able to deliver the book to him via the Red Cross.
Prison conditions were harsh and the Egyptians tortured the Israeli prisoners, yet despite of this, Harpaz and his fellow prisoners began to translate the book into Hebrew. The initial motivation was to allow Israelis who could not read English well to enjoy the book in Hebrew.
The translation was done in pairs with one person reading in English and speaking it out in Hebrew and the translation partner writing it down in Hebrew and editing it. Harpaz and three other captured pilots were the translators of what became known as ‘the pilots translation’ of the Hobbit. The final product was seven notebooks written by hand, the book was published in 1977 with funding provided by the IAF.
by Cat Eldridge.]
Born January 27, 1832 – Lewis Carroll. Writer of Alice’s Adventures in Wonderland and its sequel Through the Looking-Glass. In 1876, he also produced his work, “The Hunting of the Snark”, a fantastical nonsense poem exploring the adventures of a very, very bizarre crew of nine tradesmen and a beaver who set off to find the snark. (Died 1898.)
Born January 27, 1940 – James Cromwell, 79. I think we best know him as Doctor Zefram Cochrane In Star Trek: First Contact which was re-used in the Enterprise episode “In a Mirror, Darkly (Part I)”. He’s been in other genre films including Species II, Deep Impact, The Green Mile, Space Cowboys, I, Robot, Spider-Man 3 and Jurassic World: Fallen Kingdom. He played characters on three Trek series, Prime Minister Nayrok on “The Hunted” episode of Star Trek: The Next Generation and Jaglom Shrek in the two part “Birthright” story, Hanok on the “Starship Down” episode of Deep Space Nine and Zefram Cochrane once as noted before on Enterprise.
Born January 27, 1957 – Frank Miller, 62. If you’re not a comic reader, you first encountered him in the form of Robocop 2 which I think is a quite decent film. His other films include Robocop 3, Sin City, 300, Spirit (fun) and various Batman animated films that you’ll either like or loathe depending on your ability to tolerate extreme violence. Oh, but his comics. Setting aside his Batman work all of which is a must read, I’d recommend his Daredevil, especially the Frank Miller & Klaus Janson Omnibus which gives you everything by him you need, Elektra by Frank Miller & Bill Sienkiewicz, all of his Sin City work and RoboCop vs. The Terminator #1–4 with Walt Simonson.
Born January 27, 1963 – Alan Cumming, 56. His film roles include his performances as Boris Grishenko in GoldenEye, Fegan Floop In the Spy Kids trilogy, Loki, god of Mischief in Son of the Mask (a really horrid film), Nightcrawler In X2 and Judas Caretaker in Riverworld (anyone know this got made?).
Born January 27, 1970 – Irene Gallo, 49. Associate Publisher of Tor.com and Creative Director of Tor Books. Editor of Worlds Seen in Passing: Ten Years of Tor.com Short Fiction. Interestingly she won all but one of the Chesley Award for Best Art Director that were given out between 2004 and 2012.
…Like Verne and Wells, Kipling wrote stories whose subject-matter is explicitly science-fictional. “With the Night Mail: A Story of 2000 A.D.” portrays futuristic aviation in a journalistic present-tense that recalls Kipling’s years as a teenaged subeditor on Anglo-Indian newspapers. “The Eye of Allah” deals with the introduction of advanced technology into a mediaeval society that may not be ready for it.
But it is not this explicit use of science and technology in some of his stories that makes Kipling so important to modern science fiction. Many of Kipling’s contemporaries and predecessors wrote scientific fiction. Nathaniel Hawthorne and Herman Melville, Mark Twain and Conan Doyle are among them. Yet echoes of their work are seldom seen in today’s science fiction. Kipling’s appeal to modern readers lies instead in his approach and his technique.
The real subject-matter of Rudyard Kipling’s writing is the world’s work and the men and women and machines who do it. Whether that work be manual or intellectual, creative or administrative, the performance of his work is the most important thing in a person’s life. As Disko Troop says in Captains Courageous, “the most interesting thing in the world is to find out how the next man gets his vittles”….
(12) PACIFIC INKLINGS FESTIVAL. Sørina Higgins, Editor of The Inklings and King Arthur, will be the featured speaker when The Southern California C.S. Lewis Society presents The Pacific Inklings Festival and General Meeting on March 9.
This came after Maher found himself in hot water once again after doubling down on his controversial comments about how comic books cannot be considered “literature” and how superhero movies are not “great cinema.” Moreover, he said that people who think otherwise “are stuck in an everlasting childhood.”
Maher played himself in a deleted scene in Iron Man 3, where he blames America for creating The Mandarin
Kihrin is a thief, an apprentice musician, and a resident of the Capital. He’s also possesses a rather powerful artifact whose provenance he does not quite understand, one that is difficult to take from him except by his free will. Even more than this, Kihrin and his artifact are pawns in a long simmering plot that would see him as key to the destruction of an empire. Instead of being a prophesied hero come to save the world, Kihrin’s role is seemingly destined for a much darker fate, unless his patron goddess, the goddess of luck, Taja, really IS on his side.
1. Somebody’s Trying to Kill Me and I Think It’s My Husband by Joanna Russ [Top] Someone’s Trying to Kill Me and I Think It’s My Husband is Joanna Russ talking about the narrative tropes of gothic fiction from the late sixties and early seventies. The essay itself was originally published in 1973; I first read it in the collection To Write Like A Woman, which is great if you have a chance to read it. I found Somebody’s Trying to Kill Me at work though, and ah, it’s good to have it back.
The premise of this essay is that Joanna Russ, faced with the new wave of gothic fiction, had a publisher friend send her some of the most representative examples of the genre and broke down all of the common elements and analysed them as expressions of the “traditional feminine situation.” I would argue that regardless of how representative those books were, that’s a very small sample size (she mentions about half a dozen titles, and I’m just trying to picture the reaction today if someone tried this with, say, romantic suspense books). But her analysis is interesting? She’s analysing it, justifiably, as an incredibly popular genre with female readers, and picking out the elements that might be contributing to that (“‘Occupation: housewife’ is simultaneously avoided, glamorised, and vindicated” is one of the stand-out points for me, especially when coupled with the observation that the everyday skills of reading people’s feelings and faces are often the only thing keeping the heroine alive), but it’s a little strange to read. It’s interesting, and I can definitely relate some of her points to female-led genres today (I’m mainly thinking of things like cozy mysteries), but it is definitely an outsider to a genre picking apart its building blocks. So, interesting as a dissection of those specific titles and tropes, but maybe not representative of the wider genre.
…In addition to balancing the magical aspects of the show, multiple episodes explore issues of feminism, smashing the patriarchy, race, sexual orientation, disability, and bullying. Through Sabrina, these becomes issues of her world rather than political statements. While TV shows at times have issue-driven episodes that seem to be responding to the political climate of the previous six months, The Chilling Adventures of Sabrina focuses on the lives of the characters, and since this is part of their lives, of course Sabrina is going to help them. That being said, especially early in the season, it at times felt a little white-savior as Sabrina works behind the scenes with magic to help her friends….
(17) THAT LEAKY WARDROBE. In this Saturday Night Live sketch, Mr. Tumnus (James McAvoy, reprising a character he played in a movie) meets several women who have recently arrived in Narnia.
(18) REVIEW OF “I AM MOTHER”.
Variety: “Sundance Film Review: ‘I Am Mother’”. “After
a mass extinction, a robot raises a little girl in a handsome, if derivative
sci-fi thriller that salutes its own parentage.” The review gives much of
this female-cast-led gerne film generally good marks, though significant issues
are also pointed out. Bottom line:
What really presses [Director Grant] Sputore’s buttons is proving that he can make an expensive-looking flick for relative peanuts. If this were his job application for a blockbuster gig, he’d get the job. Though hopefully he and [Screenwriter Michael Lloyd] Green realize that the best sci-fi thrillers don’t just focus on solving the mystery of what happened — they explore what it all means. Sputore is clearly an intelligent life form. But as even his robot creator knows, “Mothers need to learn.”
Cast: Clara Rugaard, Rose Byrne (voice), Hilary Swank, Luke Hawker (motion capture), Tahlia Sturzaker.
A tree made famous by the TV fantasy drama Game of Thrones has fallen in strong winds.
Gale force winds of up to 60 mph hit Northern Ireland overnight on Saturday.
The Dark Hedges are a tunnel of beech trees on the Bregagh Road near Armoy that have become an an international tourist attraction since featuring in the hit series.
(21) OVER THE TOP. Let
Quinn Curio tell you “The Dumbest Things About
What are the dumbest things that have ever happened on Fox’s Gotham show? Welcome to the party. The pain party.
[Thanks to John Hertz, Martin Morse Wooster, Cat Eldridge, Mark Blackman, JJ, Mike Kennedy, Chip Hitchcock, John King Tarpinian, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip Williams.]
By Colleen McMahon: Fans of the public domain have been looking forward to 2019 for a very long time — 20 years to be exact! This is because on January 1, 2019, new works will enter the public domain in the United States for the first time since 1998. In this edition of “Wandering Through the Public Domain,” I want to take a brief look at how the “public domain freeze” happened.
In 1998, the Copyright Term Extension Act (CTEA) was passed by Congress. For copyrights owned by an individual, the term was extended to life of the creator plus 70 years. For copyrights owned by corporations, the term was extended to 95 years from publication or first use.
The previous update to copyright law in 1976 had done away with the need to renew copyrights for 28-year terms. The 1976 law set the term for individual copyright at life plus 50 years, or 75 years for corporate copyrights, and the implications of this latter term is what set the stage for the 1998 changes.
Under the 1976 law, Disney faced the possibility of Mickey Mouse moving into the public domain in 2003, 75 years after the release of the first Mickey Mouse cartoon, “Steamboat Willie.” Beginning in the early 1990s, Disney heavily lobbied Congress to lengthen the copyright term, joined by other large corporations like Time Warner.
Republican Congressman Sonny Bono was a vocal supporter and sponsor of copyright extension legislation in the 1990s, and his unfortunate death in a ski accident in early 1998 created additional momentum for passage of the new law. Mary Bono, the late Congressman’s widow, was appointed to finish Sonny’s term and took up the copyright cause. The CTEA was renamed “TheSonny Bono Copyright Term Extension Act” and passage of the law was promoted as a way to memorialize a popular Congressman and celebrity. The law was passed by both houses of Congress and was signed into law by President Clinton in October 1998.
Up until the law was passed, works had been passing into the public domain each January as the 75-year mark was reached. Under the 75-year term, works copyrighted in 1923 would have moved into the public domain on January 1, 1999, but the 20-year extension meant that the new expiration date for 1923 works moved to 2019. The public domain limit that has been frozen at 1922 for two decades will at last begin moving again in just a few weeks.
I’ve been looking at 1923 publications and have not found much in the F/SF realm as yet. The one exception so far is H.G. Wells’ Men Like Gods, a “scientific fantasy” about a utopian society in a parallel universe. There is more to come just over the horizon, as the earliest science fiction magazines began publishing in the late1920s.
In the meantime, we can still enjoy the many pre-1923 works as well as later ones where the copyright was not renewed while we look forward to a new burst of public domain access each January — at least until Congress decides to change the laws again. Mickey Mouse is back on the expiration schedule for 2023, so Disney is probably revving up their lobbying efforts even as I write this….
On to this week’s finds:
Lester Del Rey (1915-1993) is best remembered these days as an editor, particularly of the publishing imprint that still bears his name, but he was also a prolific author of science fiction in earlier years. Project Gutenberg has three Lester Del Rey novels, all of which have also been recorded through Librivox:
A collection of unpublished writings of Samuel Butler, edited after his death by Henry Festing Jones. Musings on writing, art, and philosophy, including thoughts about Erewhon and Erewhon Revisited, which are often categorized as early F/SF.
[Full disclosure: I worked on this project, recording two of the chapters!]
In the Jungle Books, Kipling tells 9 wonderful and exciting tales about Mowgli, the human baby raised by a pack of wolves in the jungles of India. His exploits and adventures are many and varied especially his dealing with the other animals such as his wolf mother and father and brother wolves, Baloo the wise bear who teaches him the Law of the Jungle, and in his life long battle with Shere-Kahn, the lame human-killing tiger. This edition collects all the Mowgli stories from both Jungle Book volumes and places them in chronological order.
The Castle stood above the quiet little town for as long as folks remembered: barren, deserted, lonely and frightening to the townsfolk. Until one day, smoke began to ascend from the dunjon. They were warned not to go near, and when intrepid souls dared to venture to uncover the mystery of the ruined castle, they learned firsthand what supernatural terrors await inside The Castle of the Carpathians.
The Libertarian Futurist Society has selected five finalists for the 2016 Hall of Fame Award, given in recognition of a classic work of science fiction or fantasy with libertarian themes.
The descriptions of the works and their themes come from the Society’s press release.
Manna, by Lee Correy (published 1984)
A novel about the economic development of space in the twenty-first century, and about competing economic philosophies that shape it. One of its most interesting aspects is the setting: the United Mitanni Commonwealth, an imaginary small East African country founded on a distinctive vision of personal freedom of choice. Correy’s hero, a former American aerospace officer, is drawn into the Mitanni struggle both for a vision of the future and for simple survival, while discovering the customs of his new homeland.
Courtship Rite, by Donald M. Kingsbury (published 1982)
A novel set on a planet in a remote solar system, where human colonists struggle with a harsh environment. The author, a mathematician, explores the mathematical concept of optimization in biological evolution, in political institutions, in culture, and in personal ethics—through linked dramatic struggles over political ambition and the creation of a family.
“As Easy as A.B.C.,” by Rudyard Kipling (published 1912)
One of Kipling’s two “airship utopia” stories, set in the year 2065—but the utopia is an ambiguous one. Striking for its vision of a future that looks back in horror at the lynchings and racism of Kipling’s own time. Compact and evocatively written.
The Island Worlds, by Eric Kotani and John Maddox Roberts (published 1987)
A novel of asteroidal rebellion against a corrupt and oligopolistic Earth. Unusual in its portrayal of an internally divided liberation movement with conflicting ethical and strategic beliefs.
A Mirror for Observers, by Edgar Pangborn (published 1954)
A novel of conflicting factions of Martian refugees working in secret to influence humanity toward enlightenment and self-destruction. Notable for its vision of a future United States with two entirely new leading political parties—a constitutionalist party and a fascistic Organic Unity Party—and of its reaction to an engineered plague. Pangborn offers no radical solutions; he focuses on personal ethics, and he shows reasons for despair and then turns back to hope.
Fourteen nominees were considered for the award. Those not making the shortlist were: Firesign Theater’s “I Think We’re All Bozos on This Bus,” James P. Hogan’s The Mirror Maze, Murray Leinster’s “Exploration Team,” C.S. Lewis’s That Hideous Strength, O.T. Nelson’s The Girl Who Owned a City, Rush’s 2112, Robert Silverberg’s A Time of Changes, T.H. White’s The Book of Merlyn, and F. Paul Wilson’s Hosts.
Hall of Fame candidates are nominated by the members of the Libertarian Futurist Society. Any work first published more than five years ago is eligible. The finalists have been selected by a committee of judges. The winners will be determined by a vote of all members.
Last Year’s Hall of Fame Winner: Harlan Ellison recorded a short video accepting the 2015 LFS Hall of Fame award for “‘Repent, Harlequin!’ Said the Ticktockman.”