Pixel Scroll 12/30/23 Always Cool To See A Reference To Big Pixel And The Scrolling Company

(1) THUMB OUT, THUMBS DOWN.  The 1979 Best Dramatic Hugo race is analyzed by the Hugo Book Club Blog in “Death From Above (Hugo cinema 1979)”. In spite of everything going for it, this finalist did not win:

…Hitchhiker’s Guide To the Galaxy is rightly regarded as a classic of science fiction comedy. Those in our cinema club who love it, do so unreservedly … but it was not to everyone’s taste. Understated and ironic, some consider it a masterpiece of timing and laconic charm, despite the dialogue feeling loose and unstructured. Following an everyday Englishman who survives the destruction of planet Earth, the series meanders between various science fiction tropes before the protagonist uncovers the galactic conspiracy behind his planet’s demolition. There’s a reason this radio show spawned four sequels, was adapted into a television series, a movie, a video game, and a novelization that sold more than 14 million copies….

(2) URSULA VERNON’S GOOD NEWS.

(3) SMALL WONDERS. Issue 7 of Small Wonders, the magazine for science fiction and fantasy flash fiction and poetry, is now available on virtual newsstands here. Co-editors Cislyn Smith and Stephen Granade bring a mix of flash fiction and poetry from authors and poets who are familiar to SFF readers as well as those publishing their first-ever piece with us.

The Issue 7 Table of Contents and release dates on the Small Wonders website:

  • Cover Art: “Entrance” by Sarah Morrison
  • “Hikari” (fiction) by Morgan Welch (8 Jan)
  • “The Mummy Gets Adopted” (poem) by Amy Johnson (10 Jan)
  • “Quantum Eurydice” (fiction) by Avi Burton (12 Jan)
  • “Whispers of Ascension” (fiction) by Wendy Nikel (15 Jan)
  • “Lekythos” (poem) by Casey Lucas (17 Jan)
  • “The Sternum Ties it All Together” (fiction) by Janna Miller (19 Jan)
  • “Constellations of Flesh, Bone, and Memory” (fiction) by Timothy Hickson (22 Jan)
  • “Another Cemetery Wedding ” (poem) by Belicia Rhea (24 Jan)
  • “All the Dead Girls, Singing” (fiction) by Avra Margariti (26 Jan)

Subscriptions are available at the magazine’s store and on Patreon.

(4) MEDICAL UPDATE. Rusty Burke experienced a serious fall on December 16, resulting in severe head injuries and two subdural hematomas. Since then, he has been under intensive care, including intubation and sedation. There’s an extensive medical update at “The World of Robert E. Howard” on Facebook.

Rusty Burke is President of the Robert E. Howard Foundation, has edited several editions of Howard’s work, and has published countless articles on Howard for the academic and fan press. He founded The Dark Man: Journal of Robert E. Howard and Pulp Studies.

(5) EATING THE FANTASTIC. Scott Edelman invites listens to join Pat Murphy for lunch at “the single best restaurant in the world” in Episode 215 of the Eating the Fantastic podcast.

Pat Murphy

My guest this time around is Pat Murphy, who won the Nebula Award for her 1986 novel The Falling Woman, plus a second Nebula the same year for her novelette, “Rachel in Love.” She also won the Philip K. Dick Award for her 1990 short story collection Points of Departure, and the World Fantasy Award for her 1990 novella, Bones. For more than 20 years, she  and Paul Doherty cowrote the recurring Science column in the Magazine of Fantasy & Science Fiction. She also co-founded the James Tiptree, Jr. Award in 1991. And that’s just the tip of the iceberg.

I’ve known Pat for a loooong time, and I can tell you exactly how long — we met on September 4, 1980, more than 43 years prior to the conversation you’re about to hear. If you want to learn exactly how and why I can pinpoint that date, well, the episode will reveal all.

We discussed the part of Robert A. Heinlein’s famed rules of writing with which she disagrees, why she felt the need to attend the Clarion writing workshop even after having made several sales to major pro markets, the occasional difficulties in decoding what an editor is truly trying to tell you, the importance of never giving up your day jobs, why she can’t read Dylan Thomas when she’s working on a novel, the differences between the infighting we’ve seen in the science fiction vs. literary fields, what we perceive as our personal writing flaws, a Clarion critiquing mystery I’ve been attempting to solve since 1979, the science fiction connection which launched her career at the Exploratorium, and much more.

(6) ATWOOD. Margaret Atwood has been revealing aspects of her life and writing to BBC Radio 4’s This Cultural Life. Download program at the link.

Margaret Atwood talks to John Wilson about the formative influences and experiences that shaped her writing. One of the world’s bestselling and critically acclaimed authors, Atwood has published over 60 books including novels, short stories, children’s fiction, non-fiction and poetry. She’s known for stories of human struggle against oppression and brutality, most famously her 1985 novel The Handmaid’s Tale, a dystopian vision of America in which women are enslaved. She has twice won the Booker Prize For Fiction, in 2000 for The Blind Assassin and again in 2019 for her sequel to The Handmaid’s Tale, The Testaments.

Growing up in remote Canadian woodland with her scientist parents, she traces her career as a story-teller back to sagas that she invented with her older brother as a child, and her first ‘novel’ written when she was seven. She recalls an opera about fabrics that she wrote and performed at high school for a home economics project, and how she staged puppet shows for children’s parties. Margaret Atwood also discusses the huge impact that reading George Orwell had on her, and how his novel Nineteen Eighty-Four especially influenced The Handmaid’s Tale. She reveals how that novel – written whilst she was living in Berlin in 1985 – was initially conceived after the 1980 election of President Ronald Reagan and the resurgence of evangelical right-wing politics in America.

(7) ECSTASY OF HORROR. The BBC ruminates on “The Wicker Man: The disturbing cult British classic that can’t be defined”.

…At different times and from different perspectives, it can feel as though you’re watching a crime thriller, a fantasy, a celebration of alternate lifestyles or nature-centred folklore – or brilliantly conceived arthouse cinema. In the 2008 book Fifty Key British Films, Justin Smith considered The Wicker Man “a curious mixture of detective story and folk musical”.

The Wicker Man can also be watched as a challenge to orthodox religion – not least when Lord Summerisle defends his pagan ethos by wryly questioning Howie’s Christian worship of “the son of a virgin impregnated by a ghost”. Or perhaps it’s the first mockumentary in British cinema history, given an opening credit offering thanks to Summerisle residents “for this privileged insight into their religious practices and for their generous cooperation in the making of this film”….

(8) AT SWIM-TWO-BIRDS AND GRAHAM GREENE. [Item by James Bacon.] Irish science fiction fan Pádraig Ó Méalóid investigates the circumstances under which one of the leading novelists of the twentieth century, Graham Greene, came to write a blurb for the back cover of the first edition of Flann O’Brien’s debut novel At Swim-Two-Birds, published by Longmans, Green & Co. in 1939. “The Mexican Pas de Trois of Flann O’Brien, Graham Greene, and Shirley Temple: The Background to At Swim-Two-Birds’s Back Cover Blurb” at The Parish Review: Journal of Flann O’Brien Studies.

…Greene had worked as a publisher’s reader for Eyre & Spottiswoode in his younger days,13 but by the time At Swim-Two-Birds was published in 1939 he had already had eight novels published, including England Made Me (1935) and Brighton Rock (1938), so was probably both too busy and too successful to be working for anyone as a first reader for incoming manuscripts from first-time writers. At Swim-Two-Birds came to Longmans recommended by A.M. Heath, which might have meant that it would have started its journey on a higher rung than a book straight off the slush pile…

(9) ROGER HILL (1948-2023). “Roger Hill, Early Comics Fan, Historian and Scholar, Dies at 75”The Comics Journal paid tribute. Here’s a brief excerpt:

… During the early 1990s, Roger worked with [Jerry] Weist as comic art advisor to the Sotheby’s Comic Book and Comic Art auctions in New York City.

Beginning in 2004, he edited and published his own fanzine called the EC Fan-Addict Fanzine. The fifth issue was published by Fantagraphics in November 2023, and a sixth, posthumous issue is due out in June 2024 (also from Fantagraphics). He was the art editor for Bhob Stewart’s 2003 book Against the Grain: MAD Artist Wallace Wood, writing several chapters as well. In 2010, Roger contributed an essay called “The Early Years” for the Éditions Déesse edition of the WOODWORK: Wallace Wood 1927-1981 catalog done for the Wally Wood exhibition presented by the Casal Solleric in Palma City, Spain. After Jerry Weist’s passing, in 2012 Roger and Glynn Crain finished assembling his book Frank R. Paul: The Dean of Science Fiction Illustration for IDW Publishing.

Roger’s first book, Wally Wood: Galaxy Art and Beyond, was published by IDW in 2016. His other books include Reed Crandall: Illustrator of the Comics (2017), Mac Raboy: Master of the Comics (2019), and The Chillingly Weird Art of Matt Fox (2023), all for TwoMorrows Publishing….

(10) TOM WILKINSON (1948-2023). [Item by Cat Eldridge.] Definitely one of ours — Shakespeare in Love as Hugh Fennyman, the fantasy film Black Knight in the role of Sir Knolte of Marlborough,  in the sublime Eternal Sunshine of the Spotless Mind as as Dr. Howard Mierzwiak, next is Batman Begins as Mafia boss Carmine Falcone, The Exorcism of Emily Rose has him playing Father Moore, he’s  a taxi driver in the romantic fantasy If Only and finally he’s James Reid in The Green Hornet.  

Late in his career, he had two animated genre voicing credits. First as The Fox in The Gruffalo’s Child based off  the picture book of the same name written by Julia Donaldson and illustrated by Axel Scheffler. It looks adorable. 

The second is yet another of the seemingly endless credits for Watership Down, this time for the character Threarah. 

Died December 30.

(11) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born December 30, 1865 Rudyard Kipling. (Died 1936.) Yes, Rudyard Kipling. I’ve not ever dealt with him at length so let’s do so now.

I think the works I like best by him are The Jungle Book and The Second Jungle Book, the 1894 and 1895 collections of stories. Most of the characters are animals such as Shere Khan the tiger and Baloo the bear, though a main character is a boy Mowgli. As with most of his work, it reflects strongly his Anglo-Indian heritage and upbringing. 

Up next for us is the Just So Stories for Little Children written eight years later. This collection of origin stories such as how the elephant got his trunk is considered a classic of children’s literature, and deservedly so.

Puck of Pook’s Hill borrows that character, and you know which character I mean, and drops him in 1906 Britain for a series of comical adventures with two children. Really, really fun stories.

He’s written at least two ghost stories, “The Phantom ‘Rickshaw” and “My Own True Ghost Story” published in his 1888 The Phantom ‘Rickshaw & other Eerie Tales collection.

Lastly he did write some SF. To wit, “With the Night Mail” a 1905 story and As Easy As A.B.C., a 1912 publication. (Both were set in the 21st century in Kipling’s Aerial Board of Control universe.)  The first was published in McClure’s Magazine in November 1905, and then in The Windsor Magazine in December 1905. In 1909 it was issued as a popular book, slightly revised and with additional poetry and faux advertisements and notices from the future. Both have anthologized repeatedly in the last one hundred and twenty-five years.

(12) COMICS SECTION.

  • Bizarro has that name for good reason, as this arrest for a peculiar game-related crime will show.
  • Nancy sounds like someone who went to the same school as Writer X.
  • Tom Gauld presents:

(13) SPARKLING DEBUT. This is who was named TVLine’s “Performer of the Week”: “Ncuti Gatwa’s Performance as the Fifteenth in ‘Doctor Who’ Special”.

…On top of it all, Gatwa also plays the more serious moments so well, mining them not just for the inherent drama (Ruby has mysteriously vanished from the timeline!) but also the emotionWatch him watch the woman who left newborn Ruby at the church doorstep walk away, and you feel the conflict. The heartbreak. Perhaps a hint of recognition…? And then, Fifteen’s eventual resolve to stick to his plan.

Gatwa has stepped into this role with such elan and ease, while also infusing it with specific and fresh nuances, well, it’s almost as if he’s been playing it for 900 years.

(14) TOMB OF THE UNKNOWN ALIEN. Atlas Obscura takes readers to “1890s Alien Gravesite – Aurora, Texas”.

According to a story run in the April 19, 1897, edition of the Dallas Morning News a “mystery airship,” as UFOs were known in those days, came sailing out of the sky, smashing through a windmill belonging to Judge J.S. Proctor, before finally crashing into the ground. The debris also destroyed the good judge’s flower garden. Unfortunately the pilot was also killed in the collision, but locals were able to drag what was described as a “petite” and “Martian” body from the wreckage. The body was supposedly buried under a tree branch in the Aurora cemetery, observing good Christian rites….

…Today, the alien’s headstone has been stolen but all traces of the Wild West alien spot are not lost. The Texas state historical marker that commemorates the cemetery still mentions the Martian burial among the other honored (and real) dead buried at the site….

(15) HE’S GOT TO HAVE IT. “’I’d sell a kidney for a Jarvis Cocker Spitting Image puppet!’ The collectors who’ll do anything for a TV treasure” in the Guardian.

…Is there any piece of television treasure [TV writer Tom Neenan is] still holding out for? “There is a Spitting Image puppet of Jarvis Cocker from the 90s that’s really spindly and awesome. If that came up I’d consider selling a kidney or something to buy it,” says Neenan. “Oh and I’m building a Dalek at the minute. It’s based on the plans for the new series and it’s all built by me but I’m very jealous of people who have a screen-used Dalek.”

Ah yes, Daleks. Holy mackerel, there is a wealth of Doctor Who collectors, hunters and enthusiasts out there, meeting up in conference centres, museums and online message boards to compare their wares. It is on one such website that I first came across Chris Balcombe, a man who owned and restored an original 1960s Dalek….

(16) FRIGHTENINGLY NUTRITIOUS. This 1945 Cream of Wheat ad was illustrated by Charles Addams. (Click for larger image.)

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Olav Rokne, Rich Horton, Scott Edelman, James Bacon, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Tom Becker.]

Pixel Scroll 12/7/22 Pixels: What Are They Scrolling? Are They Scrolling Anything? Let’s Find Out!

(1) 2022 #BLACKSPECFIC. FIYAH has posted the 2022 #BlackSpecFic Report, an examination of the state of representation of Black authors within the speculative short fiction market published in 2021. This report was composed by L. D. Lewis and Nelson Rolon with sponsor support from the Carl Brandon Society, Diabolical Plots, and CatStone Books.

In the report, “a market is considered “successful” with regard to its publication of Black authors if their percentages are within 2% of the U.S. census reported Black population (13.6%)” —

Highlights

  • Of the 23 pro and semipro markets examined in all 2015-2017 studies, 11 showed an increase in publishing works by Black authors relative to their respective outputs.
  • While Black editors of short speculative fiction continue to represent a small portion of the field, nearly all of the surveyed markets who host a Black owner, editor, or guest editor made the “Most Successful (without reprints)” list. And those four publications (Anathema, Fantasy Magazine, Fantasy & Science Fiction, Uncanny Magazine) are responsible for 25.4% of the entire field’s Black-authored works.

The next report is slated for 2025.

(2) AUTHORS NOT GETTING PAID. In the Guardian, Joanne Harris states “Horribly low pay is pushing out my fellow authors – and yes, that really does matter”, and goes on to spotlight how bad things are.

…We arrive at what we imagined would be the creative heart of an industry, but it turns out to be a room full of slot machines. Some of us are lucky enough to feed the right slot at the right time and hit jackpots of varying sizes. Others bring their own luck to the room – they can afford to feed the slots regardless of what they get in return. But what about everyone else? Who can honestly afford to stay?

The trouble with luck is that it is not a reliable foundation for a profession. Nor is it a reliable way to run an industry. Yet here we are.

When the ALCS first ran its survey of author incomes in 2006 it found that the median self-employed income of a full-time author was £12,330. In 2022 – a year in which multiple publishers have posted record profits while freelancers in all professions are still reeling from the impact of Covid-19, Brexit and rising living costs – the median full-time income has fallen to £7,000. That’s a drop of more than 60% when accounting for inflation.

There is also a more worrying, granular luck at play. The gender pay gap is getting worse – men earn 41% more than women (compared with 33% five years ago). Payment for Black and mixed-heritage authors is a full 51% lower than for white authors. Young authors earn less, as do older ones. Fewer authors than ever are receiving advances…

(3) LOCUS INDIEGOGO AT 82%. With 8 days to go, the Locus Magazine Indiegogo appeal has raised $61,790 of its $75,000 goal.

(4) AMAZING KICKSTARTER FALLS SHORT. Despite attracting contributions from 114 backers, the Amazing Stories Kickstarter failed reports publisher Kermit Woodall. Only $3,330 was pledged towards the $13,000 goal.

I’m afraid Amazing Stories failed to meet its Kickstarter goal.  This means the SOL SYSTEM issue won’t be coming out as planned.  Kickstarter won’t take pledge money from backers. No worries!

We do still plan to have an online convention, I can’t promise all the same writers will attend, but it will be different and possibly better! More news as that develops.

…The special SOL SYSTEM issue won’t happen.

(5) GENRE ON STRIKE. The call is out for authors and readers to join the HarperCollins picket line on December 16. (Via John Scalzi.)

https://twitter.com/kuangrf/status/1600524438105194501

(6) IN COLLABORATION. “I See, Therefore You Are: PW Talks with Robert Lanza and Nancy Kress”, a Publishers Weekly Q&A.

Scientist Lanza conveys his theory that “the universe springs from life, not the other way around” in Observer (Story Plant, Jan.), a thriller coauthored with Kress.

How did you come to develop your theory of biocentrism?

Lanza: It goes back to when I was a young boy, when I used to explore the forests of eastern Massachusetts. I was observing nature and pondering the larger existential questions, and it occurred to me that the static objective view of reality that I was being taught just wasn’t right. The Nobel Prize was just awarded just a few months ago to three gentlemen whose experiments showed that entangled particles change behavior depending on whether you look at them or not. Why? The answer is that that reality is a process that involves our consciousness.

How did this partnership begin?

Kress: Our agent put us together, because Bob, who’s published several nonfiction books on biocentrism, wanted to embody his ideas in a novel.
I was intrigued by the project from the very beginning because I have always thought that consciousness is woven into the universe. What we wanted to write together was about how these ideas might inform a possible future. And we worked until we got something we were both happy with….

(7) MEMORY LANE.

2019 [By Cat Eldridge.] Rudyard Kipling statue 

So today is we’re looking at a quite new statue, that  of Rudyard Kipling which unveiled in Burwash just three years ago. Kipling as you know did The Jungle Booksand The Just Stories, plus two true pieces of SF in his Aerial Board of Control series, With the Night Mail and As Easy as A.B.C.: a Tale of 2159 A.D.

The fully life-size figure which is located on High Street shows Kipling,  who lived in the village, sitting on a bench also cast in bronze. Burwash Parish Council commissioned the piece in 2018 and it was created by local sculptor Victoria Atkinson.

Atkinson researched Kipling using archives at Bateman’s,  the Jacobean house which was the home of Rudyard Kipling, and the National Portrait Gallery with the Kipling Society providing details such as Kipling’s height and hat and shoe size.  Of course she needed a live model to actually create the statue so she used one of her neighbors who wore a thick suit of the type favored by Kipling as a model to get the look and pose of Kipling right.

Oh the book underneath the bench? It’s The Just So Stories

It was actually, to keep costs down, cast in Athens, Greece.

Now comes a really cool thing. The unveiling took place on February 25, 2019. So who did the unveiling? Why it was Mike Kipling, grandson of Rudyard Kipling! 

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born December 7, 1915 Eli Wallach. I‘ve a fondness for anyone who appeared on the Sixties Batman series. He played Mr. Freeze in a two part story, the third actor to do as both George Sanders and Otto Preminger had done so in previous two part stories. He also had one-offs in Worlds BeyondAlfred Hitchcock PresentsVeritas: The Quest and Tales of the Unexpected. (Died 2014.)
  • Born December 7, 1923 Johnny Duncan. Was the Sixties Batman the first Batman series? You know better. Johnny here was Robin on Batman And Robin (1949) for Columbia Pictures Corporation. It ran for fifteen episodes of roughly fifteen or so minutes apiece. Robert Lowery was Wayne / Batman. He has only one other genre appearance, an uncredited one in Plan 9 from Outer Space as Second Stretcher Bearer. (Died 2016.)
  • Born December 7, 1915 Leigh Brackett. Let’s us praise her first for her Retro Hugo for Shadow Over Mars, originally published in the Fall 1944 issue of Startling Stories. Now surely her scripts for The Big Sleep and The Long Goodbye are genre adjacent? Ok, I’m stretching it, I know.  Ok, then her very pulpy Sea-Kings of Mars is? Being rhetorical there. And I love her Eric John Stark stories! (Much of these were written with her husband Edmond Hamilton.) She completed The Empire Strikes Back script for George Lucas just before she died, and although it did not become the final script many of its elements made it into the movie and she received credit along with Lawrence Kasdan. (Died 1978.)
  • Born December 7, 1945 W.D. Richter, 77. As a screenwriter, he was responsible for Invasion Of The Body Snatchers, Dracula, and Big Trouble In Little China, the latter one of my favorite popcorn films. As a director, he brought Late for Dinner and Buckaroo Banzai Across The 8th Dimension to us. He was also co-writer with Stephen King on the adaptation of King’s Needful Things novel to film.
  • Born December 7, 1949 Tom Waits, 73. He’s got uncredited (but obviously known) roles in Wolfen and The Fisher King. He is in Bram Stoker’s Dracula as R.M. Renfield, and he shows up in Mystery Men as Doc Heller and in Mr.Nick in The Imaginarium of Doctor Parnassus. He’s simply Engineer in The Book of Eli
  • Born December 7, 1953 Madeleine E Robins, 69. I’m very fond of her Sarah Tolerance series which starts often Point of Honour, it features a female PI in an alternate version of Georgian London. The Stone War set in a post-apocalyptic NYC is quite interesting as well, and she has quite a bit short fiction, though only three have been collected so far in Lucstones: Three Tales of Meviel. Much of her fiction is available from the usual digital suspects.
  • Born December 7, 1973 Kelly Barnhill, 49. Her The Girl Who Drank the Moon novel was awarded the Newbery Medal and she was a McKnight Writing Fellow in Children’s Literature. Four years ago, her “Unlicensed Magician” novella received the World Fantasy Award for Long Fiction. Iron Hearted Violet was nominated as Andre Norton Award. 
  • Born December 8, 1979 Jennifer Carpenter, 43. Ok, usually I pay absolutely no attention to TV awards, but she got a nomination for her work as Emily Rose in The Exorcism of Emily Rose. It was the MTV Movie Award for Best Scared-As-Shit Performance. It later got renamed to Best Frightened Performance. She’s apparently only got two other genre credits, both voice work. One is as Black Widow in Avengers Confidential: Black Widow & Punisher which is a horridly-done anime film that I do not recommend; the other is as Selina Kyle aka Catwoman in Batman: Gotham by Gaslight, the animated version of the Mike Mignola Elseworld series which I strongly recommend. Possibly the Limitless series she was in is genre, possibly it isn’t…

(9) BRACKETT BIRTHDAY SUGGESTION. Bill Higgins— Beam Jockey – thinks this would be most appropriate.

(10) ENTERPRISING LAWYERS. This legal advertisement is making the rounds in social media.

Evidently the “Shaw-Louvois” firm name is appropriate for Trek because in the 1967 Original Series episode Court Martial Lt. Areel Shaw prosecutes Captain Kirk, and in ST:TNG Phillipa Louvois is a member of Starfleet’s Judge Advocate General branch who has to rule on the rights of Lt. Cmdr. Data in “The Measure of a Man.”

(11) CANCEL THOSE KILLER ROBOTS. Gizmodo reports “San Francisco Votes Down Killer Robots After Fierce Backlash”.

In a hasty retreat, San Francisco lawmakers have reversed a vote allowing local police to use remote-controlled robots equipped with lethal explosives in extreme situations. The move comes after a wave of backlash from the community and activist organizations.

San Francisco’s Board of Supervisors voted 8-3 Tuesday on a revised version of the policy, which now prohibits police from using robots to kill people. Tuesday’s vote was a surprise turn of events after the board approved the policy last week, including a clause allowing for the lethal bots. As reported by the San Francisco Chronicle, the board rarely changes its mind on second round votes, which are typically seen as formalities. However, since the first vote on Nov. 29, the policy has received a wide range of criticism both locally and nationally. Lawmakers will debate the issue for another week before voting on yet another version of the policy next week….

Cat Eldridge is skeptical: “So the Terminators lost this first skirmish against humanity. But to paraphrase Arnold‘s character in the first Terminator film, ‘They’ll be back.’” 

(12) GOOD LORD. “Figgy Pudding | SPAM® Brand”. Eh, so the main ingredient is still pork? Then shouldn’t this be Piggy Pudding?

(13) HOT DAGNABIT. Here’s an NPR segment and another article on this important topic: “Swear words across languages may have more in common than previously thought”.

AILSA CHANG, HOST:

There’s a common trope in sci fi when characters curse.

RYAN MCKAY: I watched “Mork & Mindy” when I was growing up.

CHANG: That’s psychologist Ryan McKay. He’s, of course, talking about a sitcom that starred a young Robin Williams as an extraterrestrial named Mork.

MCKAY: He would often cry out shazbot when he would, you know, stub his toe or bang his head or something….

Inverse ran an article about the same study: “Scientists want to know why swear words share this one universal trait”. And unlike NPR, they didn’t bury the lede:

…Rather than present the perfect ingredients for a swear, this study identifies something that all swear words seem to lack. Across languages, swear words tend to exclude sounds like l, r, and w, known as approximants.

If you’re like me, then the first thing you did was scour your brain for exceptions to the rule (and “asshole” was the first one that came to mind, followed by “wanker”). This isn’t to say that swear words wholesale lack these phonemes, but statistically speaking, curses across different languages are less likely to contain approximants….

(14) THIRTY. Open Culture introduces “The 30 Greatest Films Ever Made: A Video Essay” by Lewis Bond from his Youtube channel The Cinema Cartography. Three genre films make Bond’s top 10.

… You may not feel exactly the same as Bond does about both My Dinner with Andre and the Lord of the Rings trilogy (a rare dual enthusiasm in any case), but seeing where he places them in relation to other movies can help to give you a sense of whether and how they could fit into your own personal canon — as well as the kind of context a film needs to earn its place…

(15) VIDEO OF THE DAY. Via DUST, JJ Pollack’s sci-fi short film Jettison.

A restless young woman ships off to fight an interstellar war, only to struggle with the effects of being cut off from her home by both time and space.

(16) DEFINITELY NOT TODAY’S SCROLL TITLE. By Daniel Dern:

Scrollomon Grundry
Filed On Sunday
Posted On Monday
Notified On Tuesday
Clicked On Wednesday
Commented On Thursday
Fifth’ed On Friday
Stalked On Saturday
This is the lifecycle of
Scrollomon Grundy

[Thanks to John King Tarpinian, Chris Barkley, Daniel Dern, Soon Lee, Dann, Andrew Porter, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]

Pixel Scroll 6/17/21 Had We Scrolls Enough, And Time, These Pixels, Filer, Were No Crime

(1) STATHOPOULOS ON TV. The Age’s reviewer Debi Enker manages to put Nick Stathopoulos’ TV appearance in a good light in an otherwise snarky piece: “Three-part documentary Finding the Archibald and weekly magazine show Art Works can’t fix ABC TV’s coverage of the arts”. Nick is a past Hugo, BSFA Award, and Chesley nominee who’s won Australia’s Ditmar Award 10 times. He also designed the Aussiecon 4 (2010) Hugo base.  

Actor and presenter Rachel Griffiths, Nick Stathopoulos and Deng Adut in Finding The Archibald. ABC

… The series about “the Archie” arrives in the popular prize’s centenary year. Producer, writer and director Griffiths endeavours to establish her cred as host by telling us that she is the daughter of an art teacher and the wife of a painter, as well as “an actor who’s spent her whole life trying to understand the human condition”.

Apparently, a survey of the Archibald’s history and consideration of what it might reflect about our country isn’t sufficient: the production requires some tricking up. So Griffiths embarks on a mission to select a single portrait that she believes “captures the changing face of Australia and will stand the test of time”.

She interviews a range of artists who have submitted portraits to the prize, as well as people who have posed for them, and ponders the question of what makes a great portrait. She also poses for one herself.

Meanwhile, the series also follows Natalie Wilson as she curates an exhibition of 100 portraits to accompany the NSW Art Gallery’s display of this year’s entrants. Her search involves thousands of emails sent in an effort to locate past Archibald entries. Fortunately, Sherlock Griffiths is on hand to help her find the one of Molly Meldrum, which is hanging in the first place that anyone might look for it: his house….

(2) EARNING PENNIES FROM A DEAD MAN’S EYES. The Rite Gud podcast wonders aloud: “H.P. Lovecraft: Why We Can Stop Flogging His Dead Bloated Corpse”.

In today’s sci-fi/ fantasy community, it’s fashionable to dig up H.P. Lovecraft and put him on trial as the avatar of everything wrong with speculative fiction. While we won’t defend Lovecraft’s abhorrent social values, we have to ask: what is the point of this? What do we gain by canceling a man who is now a dusty skeleton mouldering in the dirt? Are we really reckoning with genre fiction’s bigoted past, or are we just looking for a way to distract from our contemporary problems?

In this episode, Karlo Yeager Rodríguez joins us to talk about horror, colonialism, and Captain Picard’s dangerous space dumps.

(3) BLUE PLATE SPECIALS REMAIN ON MENU. “English Heritage recognises Blyton and Kipling’s racism – but blue plaques to stay” reports The Guardian.

English Heritage has acknowledged the “racism, xenophobia and lack of literary merit” in Enid Blyton’s writing, and the “racist and imperialist sentiments” of Rudyard Kipling, as part of its ongoing efforts to better reflect today’s values in its blue plaques.

While English Heritage’s blue plaques commemorating both authors remain unchanged, the charity’s online information about both now goes into detail about the problematic aspects of their writing and views.

English Heritage notes online how in 1960, Macmillan refused to publish Blyton’s children’s novel The Mystery That Never Was, noting her “faint but unattractive touch of old-fashioned xenophobia”. It would go on to be published by William Collins….

English Heritage has also noted the views of Kipling, who is still commemorated with a blue plaque at 43 Villiers St in London where he lived between 1889 and 1891.

English Heritage’s online information for Kipling now highlights how his political views “have been widely criticised for their racist and imperialist sentiments”. It points in particular to works such as The White Man’s Burden “with its offensive description of ‘new-caught, sullen peoples, half devil and half child’” which “sought to portray imperialism as a mission of civilisation”.

It also highlights that “George Orwell found Kipling’s attitude to instances of colonial brutality ‘morally insensitive and aesthetically disgusting’, but admitted the importance of his work to him in his younger life.”

(4) STATION-TO-STATION. Abigail Nussbaum is a big fan of this, as shown by her “Five Comments on The Underground Railroad at Asking the Wrong Questions.

The Underground Railroad is a stone cold masterpiece, one that not only shoulders the challenging task of adapting the novel it was based on with seeming ease, but that breaks new ground in terms of what television can be and how it can achieve its effect. It deserves sustained, continued discussion and exploration. So this post isn’t a review—I’m not sure I feel equal to that—so much as a series of observations, ones that will hopefully get more people to watch the show, and talk about it….

(5) BROMANCE, ROMANCE, NUANCE. In “Anthony Mackie on Sam & Bucky’s ‘Bromance’ on Falcon & Winter Soldier” in Variety, the new Captain America tells things from his perspective.

…So getting to wear the costume, hold the shield, and call himself Captain America — as Wilson does in the Marvel comics — was somewhat overwhelming for Mackie.

“Having if not one of my bucket lists, the bucket list moment happen, is not so much about becoming Captain America — it’s about having my dreams realized,” he says. “It’s very humbling when, you know, you get the opportunity that you’ve always dreamed of.”

The other half of Sam’s journey on the show is the transformation of his relationship with Bucky Barnes (Sebastian Stan) from simmering resentment to a lasting and profound friendship. That translated into several scenes of emotional and physical familiarity between Sam and Bucky that some fans interpreted as a budding romance — similar to how some Marvel fans desired Bucky and the first Captain America, Chris Evans’ Steve Rogers, to be a couple.

Mackie points out that he’s played in these kinds of waters before, in an episode of “Black Mirror” in which he and Yahya Abdul-Mateen II star as best friends who play an immersive, virtual reality video game that allows them to simulate being a man and woman in a sexual relationship. But he resists an interpretation that Sam and Bucky are sexually or romantically attracted to each other.

“So many things are twisted and convoluted. There’s so many things that people latch on to with their own devices to make themselves relevant and rational,” he says. “The idea of two guys being friends and loving each other in 2021 is a problem because of the exploitation of homosexuality. It used to be guys can be friends, we can hang out, and it was cool. You would always meet your friends at the bar, you know. You can’t do that anymore, because something as pure and beautiful as homosexuality has been exploited by people who are trying to rationalize themselves. So something that’s always been very important to me is showing a sensitive masculine figure. There’s nothing more masculine than being a superhero and flying around and beating people up. But there’s nothing more sensitive than having emotional conversations and a kindred spirit friendship with someone that you care about and love.”

“Sam and Steve had a relationship where they admired, appreciated and loved each other,” Mackie continues. “Bucky and Sam have a relationship where they learn how to accept, appreciate and love each other. You’d call it a bromance, but it’s literally just two guys who have each other’s backs.”…

(6) MEDIA BIRTHDAY.

  • June 17, 1960 –  The Twilight Zone’s “The Mighty Casey.”

What you’re looking at is a ghost, once alive but now deceased. Once upon a time, it was a baseball stadium that housed a major league ball club known as the Hoboken Zephyrs. Now it houses nothing but memories and a wind that stirs in the high grass of what was once an outfield, a wind that sometimes bears a faint, ghostly resemblance to the roar of a crowd that once sat here. We’re back in time now, when the Hoboken Zephyrs were still a part of the National League, and this mausoleum of memories was an honest-to-Pete stadium. But since this is strictly a story of make believe, it has to start this way: once upon a time, in Hoboken, New Jersey, it was tryout day. And though he’s not yet on the field, you’re about to meet a most unusual fella, a left-handed pitcher named Casey. — Opening narration 

It’s almost summer, so let’s have a baseball story. On this day in 1960, The Twilight Zone first aired “The Mighty Casey” in which a down-and-out baseball team’s fortunes are lifted by a mysterious but seemingly unbeatable young player. It was directed by Robert Parrish and Alvin Ganzer, and of course written by Rod Serling. Cast was Jack Warden as McGarry, Robert Sorrells as Casey and Abraham Sofaer as Dr. Stillman. 

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 17, 1898 — M. C. Escher. Dutch artist whose work was widely used to illustrate genre works such as the 1967 Harper & Row hardcover of Kate Wilhelm’s Where Late the Sweet Birds Sang, or Berkley Books 1996 cover of Clive Barker’s Athens Damnation Game. (Died 1972.)
  • Born June 17, 1903 — William Bogart. Pulp fiction writer. He is best remembered for writing several Doc Savage novels using the pseudonym Kenneth Robeson. Actually he’s responsible for thirteen of the novels, a goodly share of the number done. It’s suggested that most of his short stories were Doc Savage pastiches. (Died 1977.)
  • Born June 17, 1927 — Wally Wood. Comic book writer, artist and independent publisher, best known for his work on EC Comics’ Mad magazine, Marvel’s Daredevil, and Topps’s landmark Mars Attacks set. He was the inaugural inductee into the comic book industry’s Jack Kirby Hall of Fame, and was later inducted into the Will Eisner Comic Book Hall of Fame. (Died 1981.)
  • Born June 17, 1931 — Dean Ing. I reasonably sure the first thing I read by him was Soft Targets and I know I read all of his Man-Kzin Wars stories as I went through a phase of reading all that popcorn literature set in Niven’s universe. His “Devil You Don’t Know” novelette was nominated at Seacon ‘79. I also liked  his L-5 Community series. (Died 2020.)
  • Born June 17, 1941 — William Lucking, 80. Here because he played Renny in Doc Savage: Man of Bronze. (I know I’ve seen it, but I’ll be damn if I remember much about it.)  He’s also had one-offs in Mission: ImpossibleThe Incredible HulkThe American HeroThe QuestVoyagersX-FilesThe Lazarus ManMilleniumDeep Space Nine and Night Stalker
  • Born June 17, 1953 — Phyllis Weinberg, 68. She’s a fan who was married to fellow fan Robert E. Weinberg. She co-edited the first issue of The Weird Tales Collector. She co-chaired World Fantasy Convention 1996. 
  • Born June 17, 1982 — Arthur Darvill, 39. Actor who has had two great roles. The first was playing Rory Williams, one of the Eleventh Doctor’s companions. The second, and to my mind the more interesting of the two, was playing the time-traveler Rip Hunter in the Legends of Tomorrow. He also played Seymour Krelborn in The Little Shop of Horrors at the Midlands Arts Centre, and Mephistopheles in Doctor Faustus at Shakespeare’s Globe.  
  • Born June 17, 1982 — Jodie Whittaker, 39. The Thirteenth Doctor now in her third series and hopefully not final one. She played Ffion Foxwell in the Black Mirror‘s “The Entire History of You”, and was Samantha Adams in Attack the Block, a horror SF film. 

(7A) NUTS. [Item by Martin Morse Wooster.] This is from a review by Robert Armstrong of Charlie Brown’s America: The Popular Politics of Peanuts by Blake Scott Ball in the June 12 Financial Times.  Armstrong notes that Charles Schultz was a World War II veteran.

Snoopy’s alternative identity as a first world war flying ace–with his dog-house propeller plane–was a childhood favourite.  It never occurred to me to read the strips as commentaries on the Vietnam War.  Yet they were.  It is telling that Snoopy never defeated the Red Baron, and equally notable that the strips became more bleak as the war went on.’I’m exhausted,’ Snoopy complains in 1971. ‘this stupid war is too much.’  Readers got the message:  Schultz supported the fighting man, but not the war.  The soldiers in Asia got it too.

(8) STRACZYNSKI BOOK LAUNCH. J. Michael Straczynski will do a Zoom book launch for his new non-sf novel Together We Will Go on Tuesday, July 6 at 5:30 p.m. Central. Free to attend, registration required. Register here.

Known for his groundbreaking work across television, comics, films, and more, award-winning and bestselling author J. Michael Straczynski joins us to celebrate the publication day of Together We Will Go (Gallery/Scout Press), his stirring first foray into literary fiction. A powerful tale of a struggling young writer who assembles a busload of fellow disheartened people on a journey toward death, Together We Will Go grapples with the biggest questions of existence while finding small moments of the beauty in this world that often goes unnoticed. As Straczynski’s travelers cross state lines and complications to the initial plan arise, it becomes clear that this novel is as much about the will to live as the choice to end it—and that it’s a book readers will remember for a lifetime.

(9) THREE TAIKONAUTS REACH CHINA’S SPACE STATION. AP News covers the moment as “Chinese crew enters new space station on 3-month mission”.

Three Chinese astronauts arrived Thursday at China’s new space station at the start of a three-month mission, marking another milestone in the country’s ambitious space program.

Their Shenzhou-12 craft connected with the space station module about six hours after taking off from the Jiuquan launch center on the edge of the Gobi Desert.

About three hours later, commander Nie Haisheng, 56, followed by Liu Boming, 54, and space rookie Tang Hongbo, 45, opened the hatches and floated into the Tianhe-1 core living module. Pictures showed them busy at work unpacking equipment.

“This represents the first time Chinese have entered their own space station,” state broadcaster CCTV said on its nightly news broadcast.

The crew will carry out experiments, test equipment, conduct maintenance and prepare the station for receiving two laboratory modules next year. The mission brings to 14 the number of astronauts China has launched into space since 2003, becoming only the third country after the former Soviet Union and the United States to do so on its own.

(10) MORE POWER. Netflix dropped a trailer for How I Became a Superhero. Airs July 9.

Who are the real superheroes? In a world where humans and superheroes coexist, a lone wolf cop teams up with a brilliant detective to dismantle a dark organization trafficking superpowers.

(11) REH IN THE COMICS. The Cromcast: A Weird Fiction Podcast lets you listen in to a panel from the recent get-together in Cross Plains: “Howard Days 2021 – REH in the Comics!”

This conversation from Friday, June 11th, at the First United Methodist Church in Cross Plains, Texas. The panel focuses on the history of Robert E. Howard’s characters and stories presented in a comic book format. Mark Finn moderates Roy Thomas, Fred Blosser, Patrice Louinet, and Jay Zetterberg. 

(12) REBORN SERIES CONTINUES. Jenna Greene is a teacher and author whose novel, Reborn, won the 2019 Moonbeam Children’s Book award. She is the co-host of Quill & Ink: A Podcast for Book Lovers.

In Reborn, a character tries to escape her fate:

The marks on Lexil’s skin state she is a Reborn – someone who has lived before. As such, she must toil in service to those who have only one chance at life. Sold at auction, she is fearful but accepting of her new life. Everything changes when she must save a young child from a fate worse than death.

With the help of a new ally named Finn, she flees to the Wastelands. There she struggles to survive, while discovering more about herself, the world, and what it truly means to be Reborn.

Now, in the series’ second book, Renew, Lexil and Finn are forced to venture back into the Wastelands:

The Unclaimed Cities are not the idyllic setting Lexil, Finn, and Ceera thought it would be. This new land has challenges of its own – which they soon discover.

When Lexil and Finn return to the Wastelands, they are accompanied by Kaylen, someone they can’t decide is a friend or foe.

(13) MEMORY JOGGER. B-Side Books from Columbia University Press has some writers you’ve heard of advocating for books they hope you’ll love, too. Got to love this cover, anyway!

…What do you do when a book that you love has been neglected or dismissed by everyone else? In B-Side Books, leading writers, critics, and scholars show why their favorite forgotten books deserve a new audience. From dusty westerns and far-out science fiction to obscure Czech novelists and romance-novel precursors, the contributors advocate for the unsung virtues of overlooked books. They write about unheralded novels, poetry collections, memoirs, and more with understanding, respect, passion, and love.

In these thoughtful, often personal essays, contributors—including Stephanie Burt, Caleb Crain, Merve Emre, Ursula K. Le Guin, Carlo Rotella, and Namwali Serpell—read books by writers such as Helen DeWitt, Shirley Jackson, Stanislaw Lem, Dambudzo Marechera, Paule Marshall, and Charles Portis.

(14) BIG FANS OF BUGS. “Entomologists discover dozens of new beetle species—and name some after iconic sci-fi heroines”Phys.org has the story.

… Fast forward to now and there are thousands of ambrosia beetle species, including more than 70 of the Coptoborus genus—and counting. In christening the new beetles, Smith and Cognato got some inspiration by finding similarities between the beetle and its namesake.

For instance, the C. uhura was given its name because its reddish color, reminiscent of the uniform worn by Nichelle Nichols’s Uhura character in the original “Star Trek” TV series.

And Sigourney Weaver’s Ellen Ripley character in the “Alien” film franchise had a shaved head in the movie “Alien 3.” One of the beetles, now named C. ripley, was also glabrous, or without hair.

Other names were selected because the duo just liked the characters and found them inspiring. For example, the C. scully beetle was named after Dana Scully, Gillian Anderson’s character on “The X-Files.”

The character is also behind what’s known as the “Scully Effect.” By showing a successful female scientist on TV, the show helped raise awareness of science, technology, engineering and mathematics—or STEM—professions among young women.

In their paper, Smith and Cognato wrote, “We believe in the ‘Scully Effect’ and hope future female scientists, real and fictional, continue to inspire children and young adults to pursue STEM careers.”…

(15) VIDEO OF THE DAY. And here’s “How The Falcon And The Winter Soldier Should Have Ended”.

[Thanks to Mike Kennedy, Andrew Porter, Martin Morse Wooster, Cora Buhlert, Moshe Feder, JJ, Michael Toman, John King Tarpinian, and Cat Eldridge for some of these stories. Title credit belongs to contributing editor of the day Jim Janney.]

2021 Prometheus Hall of Fame Finalists

The Libertarian Futurist Society has selected five finalists for the 2021 Prometheus Hall of Fame Award for Best Classic Fiction.

  • The Winter of the World, a 1975 novel by Poul Anderson
  • “As Easy as A.B.C.,” a 1912 novelette by Rudyard Kipling
  • “The Trees,” a 1978 song by Rush (recorded as part of the rock group’s 1978 album “Hemispheres”)
  • Emphyrio, a 1969 novel by Jack Vance
  • “Lipidleggin’,” a 1979 short story by F. Paul Wilson

The Prometheus Awards ballot will be emailed to LFS members at the usual time next May, The Prometheus Award, sponsored by the Libertarian Futurist Society (LFS), was established and first presented in 1979, making it one of the most enduring awards after the Nebula and Hugo awards, and one of the oldest fan-based awards currently in sf. Presented annually since 1982 at the World Science Fiction Convention, the Prometheus Awards include gold coins and plaques for the winners for Best Novel, Best Classic Fiction (Hall of Fame), and occasional Special Awards.

Pixel Scroll 1/27/19 My Daddy Was A Pixel – I’m A Son Of A Dot!

(1) ANDREW CARNEGIE MEDALS. No genre works were on the shortlist, so needless to say today’s Andrew Carnegie Medal winners were all non-genre books. The omnivorous readers among you might like to know what they are anyway:

(2) ST:D PREMIERE FREE FOR A SHORT TIME. Thanks to The Verge I learned: “You can now watch Star Trek: Discovery’s season 2 premiere on YouTube”.

According to ComicBook.com, the episode will be available for the next two weeks, long enough to serve as a reminder that the series is back,

(3) OUTSPOKEN AI. Tansy Rayner Roberts and Rivqa Rafael listed “5 Books that Give Voice to Artificial Intelligence” for Tor.com readers. Among their picks is —

The Tea Master & the Detective by Aliette de Bodard

The trouble with reading SFF is that you end up with amazing life goals that probably will not be attained during your own lifetime. It’s bad enough when a favourite book leaves you wanting a dragon librarian to be your best friend, or a magic school to invite you in when you turn eleven… and now I need a spaceship who brews tea in my life.

A really good cozy mystery balances rich characters with charmingly creepy murders, and de Bodard hits all the right notes in this wonderful, warm homage to Sherlock Holmes in which our detective is Long Chau, an angry and traumatised scholar, and her Watson is a calm, tea-brewing shipmind.

As with the original Watson, Long Chau’s story is told from the point of view of the detective’s friend, which allows a contrast between the detective’s technical brilliance, and our narrator’s emotional intelligence. Yes, the emotional work in the story is largely done by the spaceship. That’s how great it is. –Tansy

(4) HEMMING DEADLINE. If you’re going to nominate for the Norma K. Hemming Award, you need to get it done by January 31. Details at the website.

Designed to recognise excellence in the exploration of themes of race, gender, sexuality, class or disability in a published speculative fiction work, the Norma K Hemming award is open to short fiction, novellas, novels, anthologies, collections, graphic novels and stage plays, and makes allowances for serialised work.

Entry is free for all works, and entries may be provided to the judges in print or digital format.

Nominations are open to all relevant and eligible Australian work produced in 2018

(5) FOOD REVELATIONS. Fran Wilde did a class about “Fantastic Worldbuilding.” Cat Rambo tweeted the highlights.

Fran Wilde’s online writing class talks about how to build a vivid, compelling world in the context of writing about an event set in that world. For other Rambo Academy live classes, see http://www.kittywumpus.net/blog/upcoming-online-classes/

(6) BASED ON CIXIN LIU STORY. A trailer for The Wandering Earth has shown up on The Verge (“A new trailer for The Wandering Earth shows off a desperate plan to save the planet”). The film is slated for a limited release starting on February 8.

A new trailer for The Wandering Earth — described as China’s biggest science fiction movie ever — landed earlier this week, showing off an ambitious adventure that follows the efforts to save Earth after scientists discover that the sun is about to go out. 

The movie is based on a story by Chinese author Cixin Liu — who’s best known for his Three-Body Problem trilogy and last year’s Ball Lightning. While those books are huge, epic stories, The Wandering Earth is no less ambitious: when scientists realize that the sun will go out in a couple of decades, they hatch a desperate plan: to move the planet to Proxima Centauri. The construct thousands of giant engines to move the planet out of orbit, where it can then slingshot post Jupiter and out of the Solar System. 

And there was a previous trailer in December.

(7) THEY’D RATHER PLAY SOMEONE ELSE. Travis M. Andrews in the Washington Post tells about actors who really didn’t like their roles. People know Harrison Ford doesn’t like Han Solo, and Robert Pattinson apparently won’t like you if you tell him you really loved Twilight: “Penn Badgley thinks his ‘You’ character is a creep. Here are 5 other actors who hated the people they played.”

Robert Pattinson despises his iconic “Twilight” character, Edward Cullen, with a fury unlike any other. Pattinson has complained throughout so many interviews about Edward, the century-old telepathic vampire who falls for Kristen Stewart’s Bella (a witch or something), that there’s an entire Tumblr feed dedicated to his most (self-) scathing comments.

Among his harshest words: He has said “Twilight” “seemed like a book that shouldn’t be published.” That “if Edward was not a fictional character, and you just met him in reality — you know, he’s one of those guys who would be an ax murderer.” He called his performance “a mixture of looking slightly constipated and stoned.”

(8) OBSCURE AWARD. The Society of Camera Operators’ awards were presented January 26, and if you scan The Hollywood Reporter article closely enough you’ll be able to discover the single winner of genre note: “‘A Star Is Born’ Camera Operator Tops SOC Awards”.

Movie category had no genre nominees

Movie category winner

* P. Scott Sakamoto for A Star Is Born

TV category winner

* Chris Haarhoff and Steven Matzinger for Westworld

Other awards presented

* Jane Fonda — Governor’s Award

* Harrison Ford— President’s Award

* “Lifetime Achievement award recipients were Dave Emmerichs, camera operator; Hector Ramirez, camera operator (live and non-scripted); Jimmy Jensen, camera technician; John Man, mobile camera platform operator, and Peter Iovino, still photographer.”

* Technical achievement award — makers of the Cinemoves Matrix 4 axis stabilized gimbal

(9) HARPAZ OBIT. Former Israel Air Force Pilot Colonel (Res.) Rami Harpaz passed away January 24 at the age of 80: “Father of iconic ‘Hebrew Pilots’ translation of Tolkien dies” in the Jerusalem Post (behind a paywall).

Rami Harpaz lead a group of IAF pilots in Egyptian captivity to translate the iconic fantasy work into Hebrew while in prison, the book introduced Tolkien to Israeli readers and remains iconic.

…He was captured by the Egyptians during the War of Attrition, while in captivity he was given a copy of the Hobbit, the famous fantasy book by J.R.R. Tolkien, by his brother who was able to deliver the book to him via the Red Cross. 

Prison conditions were harsh and the Egyptians tortured the Israeli prisoners, yet despite of this, Harpaz and his fellow  prisoners began to translate the book into Hebrew. The initial motivation was to allow Israelis who could not read English well to enjoy the book in Hebrew. 

The translation was done in pairs with one person reading in English and speaking it out in Hebrew and the translation partner writing it down in Hebrew and editing it. Harpaz and three other captured pilots were the translators of what became known as ‘the pilots translation’ of the Hobbit. The final product was seven notebooks written by hand, the book was published in 1977 with funding provided by the IAF.   

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 27, 1832 Lewis Carroll. Writer of Alice’s Adventures in Wonderland and its sequel Through the Looking-Glass. In 1876, he also  produced  his work, “The Hunting of the Snark”, a fantastical nonsense poem exploring the adventures of a very, very bizarre crew of nine tradesmen and a beaver who set off to find the snark. (Died 1898.)
  • Born January 27, 1940 James Cromwell, 79. I think we best know him as Doctor Zefram Cochrane In Star Trek: First Contact  which was re-used in the Enterprise episode “In a Mirror, Darkly (Part I)”.  He’s been in other genre films including Species IIDeep ImpactThe Green MileSpace CowboysI, RobotSpider-Man 3 and Jurassic World: Fallen Kingdom. He played characters on three Trek series, Prime Minister Nayrok on “The Hunted” episode of Star Trek: The Next Generation and Jaglom Shrek in the two part “Birthright” story, Hanok on the “Starship Down” episode of Deep Space Nine and Zefram Cochrane once as noted before on Enterprise
  • Born January 27, 1957 Frank Miller, 62. If you’re not a comic reader, you first encountered him in the form of Robocop 2 which I think is a quite decent film. His other films include Robocop 3, Sin City, 300, Spirit (fun) and various Batman animated films that you’ll either like or loathe depending on your ability to tolerate extreme violence. Oh, but his comics. Setting aside his Batman work all of which is a must read, I’d recommend his Daredevil, especially the Frank Miller & Klaus Janson Omnibus which gives you everything by him you need, Elektra by Frank Miller & Bill Sienkiewicz, all of his Sin City work and RoboCop vs. The Terminator #1–4 with Walt Simonson. 
  • Born January 27, 1963 Alan Cumming, 56. His film roles include his performances as Boris Grishenko in GoldenEye, Fegan Floop In the Spy Kids trilogy, Loki, god of Mischief in Son of the Mask (a really horrid film), Nightcrawler In X2 and Judas Caretaker in Riverworld (anyone know this got made?). 
  • Born January 27, 1970 Irene Gallo, 49. Associate Publisher of Tor.com and Creative Director of Tor Books. Editor of Worlds Seen in Passing: Ten Years of Tor.com Short Fiction. Interestingly she won all but one of the Chesley Award for Best Art Director that were given out between 2004 and 2012. 

(11) KIPLING, SFF AUTHOR? Fred Lerner’s well-regarded essay “A Master of our Art: Rudyard Kipling considered as a Science Fiction writer” addresses a topic that surfaced in comments the other day.

…Like Verne and Wells, Kipling wrote stories whose subject-matter is explicitly science-fictional. “With the Night Mail: A Story of 2000 A.D.” portrays futuristic aviation in a journalistic present-tense that recalls Kipling’s years as a teenaged subeditor on Anglo-Indian newspapers. “The Eye of Allah” deals with the introduction of advanced technology into a mediaeval society that may not be ready for it.

But it is not this explicit use of science and technology in some of his stories that makes Kipling so important to modern science fiction. Many of Kipling’s contemporaries and predecessors wrote scientific fiction. Nathaniel Hawthorne and Herman Melville, Mark Twain and Conan Doyle are among them. Yet echoes of their work are seldom seen in today’s science fiction. Kipling’s appeal to modern readers lies instead in his approach and his technique.

The real subject-matter of Rudyard Kipling’s writing is the world’s work and the men and women and machines who do it. Whether that work be manual or intellectual, creative or administrative, the performance of his work is the most important thing in a person’s life. As Disko Troop says in Captains Courageous, “the most interesting thing in the world is to find out how the next man gets his vittles”….

(12) PACIFIC INKLINGS FESTIVAL. Sørina Higgins, Editor of The Inklings and King Arthur, will be the featured speaker when The Southern California C.S. Lewis Society presents The Pacific Inklings Festival and General Meeting on March 9.

(13) NOT A STAN FAN. HuffPost reports “Bill Maher Doubles Down On Trashing Stan Lee Fans, Adults Who Like Comics”.

His latest was supposed to address a controversial blog post from shortly after Stan Lee’s death. Address it, yeah. Back down from it? Not at all.

Bill Maher is not backing down when it comes to criticizing fans of Marvel giant Stan Lee, and fans of comic books in general.

On Friday’s “Real Time With Bill Maher,” the host insisted that he had nothing against the late Lee, but that adult fans of comics simply need to “grow up.”

“I’m not glad Stan Lee is dead, I’m sad you’re alive,” Maher said.

But the head of Marvel did not respond as you might have predicted SYFY Wire learned: “Bill Maher receives high-profile invite to Stan Lee tribute event after controversial comic book remarks”.

Bill Maher received an invite to the Stan Lee tribute event in Los Angeles this coming Wednesday from none other than Marvel‘s Chief Creative Officer, Joe Quesada.

This came after Maher found himself in hot water once again after doubling down on his controversial comments about how comic books cannot be considered “literature” and how superhero movies are not “great cinema.” Moreover, he said that people who think otherwise “are stuck in an everlasting childhood.”

Maher played himself in a deleted scene in Iron Man 3, where he blames America for creating The Mandarin

(14) NEEDS SOME LUCK. Paul Weimer says this epic fantasy novel is well worth your time and attention in a review for Nerds of a Feather: “Microreview [book]: The Ruin of Kings by Jenn Lyons”

Kihrin is a thief, an apprentice musician, and a resident of the Capital. He’s also possesses a rather powerful artifact whose provenance he does not quite understand, one that is difficult to take from him except by his free will. Even more than this, Kihrin and his artifact are pawns in a long simmering plot that would see him as key to the destruction of an empire. Instead of being a prophesied hero come to save the world, Kihrin’s role is seemingly destined for a much darker fate, unless his patron goddess, the goddess of luck, Taja, really IS on his side.

(15) MORE GOOD REVIEWS. Lady Business links to selected reviews around a theme — “Eight Book Minimum: Bring me queer ladies or bring me death!”

1. Somebody’s Trying to Kill Me and I Think It’s My Husband by Joanna Russ [Top]
Someone’s Trying to Kill Me and I Think It’s My Husband is Joanna Russ talking about the narrative tropes of gothic fiction from the late sixties and early seventies. The essay itself was originally published in 1973; I first read it in the collection To Write Like A Woman, which is great if you have a chance to read it. I found Somebody’s Trying to Kill Me at work though, and ah, it’s good to have it back.

The premise of this essay is that Joanna Russ, faced with the new wave of gothic fiction, had a publisher friend send her some of the most representative examples of the genre and broke down all of the common elements and analysed them as expressions of the “traditional feminine situation.” I would argue that regardless of how representative those books were, that’s a very small sample size (she mentions about half a dozen titles, and I’m just trying to picture the reaction today if someone tried this with, say, romantic suspense books). But her analysis is interesting? She’s analysing it, justifiably, as an incredibly popular genre with female readers, and picking out the elements that might be contributing to that (“‘Occupation: housewife’ is simultaneously avoided, glamorised, and vindicated” is one of the stand-out points for me, especially when coupled with the observation that the everyday skills of reading people’s feelings and faces are often the only thing keeping the heroine alive), but it’s a little strange to read. It’s interesting, and I can definitely relate some of her points to female-led genres today (I’m mainly thinking of things like cozy mysteries), but it is definitely an outsider to a genre picking apart its building blocks. So, interesting as a dissection of those specific titles and tropes, but maybe not representative of the wider genre.

(16) HOURS OF WITCHING. Phoebe Wagner checks in about the first season of a TV reboot: “Microreview [TV Series]: The Chilling Adventures of Sabrina” at Nerds of a Feather.

…In addition to balancing the magical aspects of the show, multiple episodes explore issues of feminism, smashing the patriarchy, race, sexual orientation, disability, and bullying. Through Sabrina, these becomes issues of her world rather than political statements. While TV shows at times have issue-driven episodes that seem to be responding to the political climate of the previous six months, The Chilling Adventures of Sabrina focuses on the lives of the characters, and since this is part of their lives, of course Sabrina is going to help them. That being said, especially early in the season, it at times felt a little white-savior as Sabrina works behind the scenes with magic to help her friends….

(17) THAT LEAKY WARDROBE. In this Saturday Night Live sketch, Mr. Tumnus (James McAvoy, reprising a character he played in a movie) meets several women who have recently arrived in Narnia.

(18) REVIEW OF “I AM MOTHER”. Variety: “Sundance Film Review: ‘I Am Mother’”. “After a mass extinction, a robot raises a little girl in a handsome, if derivative sci-fi thriller that salutes its own parentage.” The review gives much of this female-cast-led gerne film generally good marks, though significant issues are also pointed out. Bottom line:

What really presses [Director Grant] Sputore’s buttons is proving that he can make an expensive-looking flick for relative peanuts. If this were his job application for a blockbuster gig, he’d get the job. Though hopefully he and [Screenwriter Michael Lloyd] Green realize that the best sci-fi thrillers don’t just focus on solving the mystery of what happened — they explore what it all means. Sputore is clearly an intelligent life form. But as even his robot creator knows, “Mothers need to learn.”

  • Cast: Clara Rugaard, Rose Byrne (voice), Hilary Swank, Luke Hawker (motion capture), Tahlia Sturzaker.

(19) SPONSOR WILL DROP MAN BOOKER. BBC reveals that the sponsoring hedge fund feels “underappreciated” — “Man Booker loses £1.6m hedge fund sponsor amid talk of tension”.

Britain’s most famous literary award is looking for a new sponsor after hedge fund Man Group said it would end its support after 18 years.

The UK-based financial giant said its annual £1.6m backing of this year’s Man Booker Prize would be its last.

The link between the hedge fund and the literary world has not always been a smooth, with novelist Sebastian Faulks last year calling the firm “the enemy”.

Man Group said in a statement it had been a privilege to sponsor the prize.

But the BBC’s arts editor, Will Gompertz, said relations between Man Group and Booker organisers had been strained for some time, with a company source suggesting they felt underappreciated.

(20) DID IT MAKE A SOUND? A celebrity tree is no more: “Game of Thrones: Dark Hedges tree falls in high winds”.

A tree made famous by the TV fantasy drama Game of Thrones has fallen in strong winds.

Gale force winds of up to 60 mph hit Northern Ireland overnight on Saturday.

The Dark Hedges are a tunnel of beech trees on the Bregagh Road near Armoy that have become an an international tourist attraction since featuring in the hit series.

(21) OVER THE TOP. Let Quinn Curio tell you “The Dumbest Things About Gotham.”

What are the dumbest things that have ever happened on Fox’s Gotham show? Welcome to the party. The pain party.

[Thanks to John Hertz, Martin Morse Wooster, Cat Eldridge, Mark Blackman, JJ, Mike Kennedy, Chip Hitchcock, John King Tarpinian, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip Williams.]

Wandering Through the Public Domain #3

A regular exploration of public domain genre works available through Project Gutenberg, Internet Archive, and Librivox.

By Colleen McMahon: Fans of the public domain have been looking forward to 2019 for a very long time — 20 years to be exact! This is because on January 1, 2019, new works will enter the public domain in the United States for the first time since 1998. In this edition of “Wandering Through the Public Domain,” I want to take a brief look at how the “public domain freeze” happened.

In 1998, the Copyright Term Extension Act (CTEA) was passed by Congress. For copyrights owned by an individual, the term was extended to life of the creator plus 70 years. For copyrights owned by corporations, the term was extended to 95 years from publication or first use.

The previous update to copyright law in 1976 had done away with the need to renew copyrights for 28-year terms. The 1976 law set the term for individual copyright at life plus 50 years, or 75 years for corporate copyrights, and the implications of this latter term is what set the stage for the 1998 changes.

Under the 1976 law, Disney faced the possibility of Mickey Mouse moving into the public domain in 2003, 75 years after the release of the first Mickey Mouse cartoon, “Steamboat Willie.” Beginning in the early 1990s, Disney heavily lobbied Congress to lengthen the copyright term, joined by other large corporations like Time Warner.

Republican Congressman Sonny Bono was a vocal supporter and sponsor of copyright extension legislation in the 1990s, and his unfortunate death in a ski accident in early 1998 created additional momentum for passage of the new law. Mary Bono, the late Congressman’s widow, was appointed to finish Sonny’s term and took up the copyright cause. The CTEA was renamed “TheSonny Bono Copyright Term Extension Act” and passage of the law was promoted as a way to memorialize a popular Congressman and celebrity. The law was passed by both houses of Congress and was signed into law by President Clinton in October 1998.

Up until the law was passed, works had been passing into the public domain each January as the 75-year mark was reached. Under the 75-year term, works copyrighted in 1923 would have moved into the public domain on January 1, 1999, but the 20-year extension meant that the new expiration date for 1923 works moved to 2019. The public domain limit that has been frozen at 1922 for two decades will at last begin moving again in just a few weeks.

I’ve been looking at 1923 publications and have not found much in the F/SF realm as yet. The one exception so far is H.G. Wells’ Men Like Gods, a “scientific fantasy” about a utopian society in a parallel universe. There is more to come just over the horizon, as the earliest science fiction magazines began publishing in the late1920s.

In the meantime, we can still enjoy the many pre-1923 works as well as later ones where the copyright was not renewed while we look forward to a new burst of public domain access each January — at least until Congress decides to change the laws again. Mickey Mouse is back on the expiration schedule for 2023, so Disney is probably revving up their lobbying efforts even as I write this….

On to this week’s finds:

Lester Del Rey (1915-1993) is best remembered these days as an editor, particularly of the publishing imprint that still bears his name, but he was also a prolific author of science fiction in earlier years. Project Gutenberg has three Lester Del Rey novels, all of which have also been recorded through Librivox:

I’m not sure this is really science fiction, but Atom Mystery by Charles Coombs (1914-1994) is a fun kid/YA book with a trope you don’t see anymore — finding a uranium mine as a ticket to riches!

Recent Librivox releases:

The Note-Books of Samuel Butler by Samuel Butler (1851-1928) and Henry Festing Jones (1835-1902)

A collection of unpublished writings of Samuel Butler, edited after his death by Henry Festing Jones. Musings on writing, art, and philosophy, including thoughts about Erewhon and Erewhon Revisited, which are often categorized as early F/SF.

[Full disclosure: I worked on this project, recording two of the chapters!]

Mowgli: All of the Mowgli Stories from the Jungle Books by Rudyard Kipling (1868-1936)

In the Jungle Books, Kipling tells 9 wonderful and exciting tales about Mowgli, the human baby raised by a pack of wolves in the jungles of India. His exploits and adventures are many and varied especially his dealing with the other animals such as his wolf mother and father and brother wolves, Baloo the wise bear who teaches him the Law of the Jungle, and in his life long battle with Shere-Kahn, the lame human-killing tiger. This edition collects all the Mowgli stories from both Jungle Book volumes and places them in chronological order.

The Castle of the Carpathians by Jules Verne (1828-1905)

The Castle stood above the quiet little town for as long as folks remembered: barren, deserted, lonely and frightening to the townsfolk. Until one day, smoke began to ascend from the dunjon. They were warned not to go near, and when intrepid souls dared to venture to uncover the mystery of the ruined castle, they learned firsthand what supernatural terrors await inside The Castle of the Carpathians.

Short Science Fiction Collection 059 by Various

20 short science fiction stories by various authors. This volume includes stories by Lester Del Rey, H.Beam Piper, Robert Silverberg, Miriam Allen DeFord, Philip K.Dick, and others. 

Shortlist Announced for Libertarian Futurist Society’s 2016 Hall of Fame Award

The Libertarian Futurist Society has selected five finalists for the 2016 Hall of Fame Award, given in recognition of a classic work of science fiction or fantasy with libertarian themes.

The descriptions of the works and their themes come from the Society’s press release.

  • Manna, by Lee Correy (published 1984)

A novel about the economic development of space in the twenty-first century, and about competing economic philosophies that shape it. One of its most interesting aspects is the setting: the United Mitanni Commonwealth, an imaginary small East African country founded on a distinctive vision of personal freedom of choice. Correy’s hero, a former American aerospace officer, is drawn into the Mitanni struggle both for a vision of the future and for simple survival, while discovering the customs of his new homeland.

  • Courtship Rite, by Donald M. Kingsbury (published 1982)

A novel set on a planet in a remote solar system, where human colonists struggle with a harsh environment. The author, a mathematician, explores the mathematical concept of optimization in biological evolution, in political institutions, in culture, and in personal ethics—through linked dramatic struggles over political ambition and the creation of a family.

  • “As Easy as A.B.C.,” by Rudyard Kipling (published 1912)

One of Kipling’s two “airship utopia” stories, set in the year 2065—but the utopia is an ambiguous one. Striking for its vision of a future that looks back in horror at the lynchings and racism of Kipling’s own time. Compact and evocatively written.

  • The Island Worlds, by Eric Kotani and John Maddox Roberts (published 1987)

A novel of asteroidal rebellion against a corrupt and oligopolistic Earth. Unusual in its portrayal of an internally divided liberation movement with conflicting ethical and strategic beliefs.

  • A Mirror for Observers, by Edgar Pangborn (published 1954)

A novel of conflicting factions of Martian refugees working in secret to influence humanity toward enlightenment and self-destruction. Notable for its vision of a future United States with two entirely new leading political parties—a constitutionalist party and a fascistic Organic Unity Party—and of its reaction to an engineered plague. Pangborn offers no radical solutions; he focuses on personal ethics, and he shows reasons for despair and then turns back to hope.

Fourteen nominees were considered for the award. Those not making the shortlist were: Firesign Theater’s “I Think We’re All Bozos on This Bus,” James P. Hogan’s The Mirror Maze, Murray Leinster’s “Exploration Team,” C.S. Lewis’s That Hideous Strength, O.T. Nelson’s The Girl Who Owned a City, Rush’s 2112, Robert Silverberg’s A Time of Changes, T.H. White’s The Book of Merlyn, and F. Paul Wilson’s Hosts.

Hall of Fame candidates are nominated by the members of the Libertarian Futurist Society. Any work first published more than five years ago is eligible. The finalists have been selected by a committee of judges. The winners will be determined by a vote of all members.

Last Year’s Hall of Fame Winner: Harlan Ellison recorded a short video accepting the 2015 LFS Hall of Fame award for “‘Repent, Harlequin!’ Said the Ticktockman.”