Pixel Scroll 8/18/20 It’s A World Of Cats On To Be Read Piles, It’s A Scroll, Scroll World!

(1) STATE GUIDANCE ISSUED FOR SF IN CHINA. Variety reports“China Issues Guidelines on Developing a Sci-Fi Film Sector”.

Chinese film authorities issued a new document outlining policy measures to boost the country’s production of science fiction movies.

Entitled “Several Opinions on Promoting the Development of Science Fiction Films,” the document highlights how the sci-fi genre fits into the ruling Communist Party’s broader ideological and technological goals. It was released earlier this month by China’s National Film Administration and the China Association for Science and Technology, a professional organization.

The document focuses on domestically developing pro-China science fiction film content and high-tech production capability. It comes in the wake of the country’s first VFX-heavy sci-fi blockbuster hit, “The Wandering Earth,” which remains the third highest grossing film of all time in the territory with a local box office of $691 million.

…To make strong movies, the document claims, the number one priority is to “thoroughly study and implement Xi Jinping Thought.” Based on the Chinese president’s past pronouncements on film work, filmmakers should follow the “correct direction” for the development of sci-fi movies. This includes creating films that “highlight Chinese values, inherit Chinese culture and aesthetics, cultivate contemporary Chinese innovation” as well as “disseminate scientific thought” and “raise the spirit of scientists.” Chinese sci-fi films should thus portray China in a positive light as a technologically advanced nation.

…Nevertheless, China’s lack of strong sci-fi is primarily due to a lack of innovative ideas and scripts, the document said. The country should focus on generating strong sci-fi scripts through talent incubators and prizes, and by urging film festivals to set up specific sci-fi film departments. The adaptation of sci-fi literature, animation and games should be encouraged to stimulate the production of new original content.

Elementary and middle school students should be made to watch “excellent sci-fi movies,” while universities should be urged to “strengthen the training of sci-fi related talent.”

(2) CANCELLATION CULTURE. David Brin writes much more about what he suspects in “The Postman speaks: Save the Post Office!”

Amid outcry over Republican efforts to wreck the U.S. Postal System, scientist/science-fiction author David Brin — author of the popular novel “The Postman” — offers a few tools and perspectives…. 

What Will They Do to Destroy the Mail?

Oh, these proto-Holnist traitors can be feral and clever. Here are some ways they have already — or plan to — sabotage our nation’s oldest institution.

  • Don’t allow overtime (done)
  • Remove extra mailboxes (started; incomplete)
  • Remove critical equipment (done)
  • Remove ballot bulk mail postage discount (done)
  • Reduce funding
  • Refuse to deliver if no/insufficient postage
  • Change filters on automated sorting to reject more mail
  • Demand postal workers take unused leave at critical times
  • Misprint ballots so auto-processing fails
  • Shut down critical sorting warehouses in key areas
  • Companies currying GOP favor will send a lot of mail during the 2 weeks that mail-in ballots are flooding the system, causing jams
  • Use mercenaries and ‘holnist’ barbarians to terrorize voters, sabotage mailboxes and vehicles and workers, sow chaos and provide excuses for ‘martial law.’
  • Don’t put anything past them.

(3) JOB DESCRIPTION. David Gerrold shared a free post on his Patreon: “I Am Not A Writer. I Am A Storyteller.”

…I have been accused of being a writer. I’m not. My 1962 writing instructor was right when he told me, “You can’t write. You’re wasting your time. You’ll never be a writer.”

He was right. I’m not a writer. 

I’m a storyteller. 

A story is — pay attention now, this is the good stuff —  a story is about a person with a problem. 

Let me repeat that. A STORY IS ABOUT A PERSON WITH A PROBLEM. 

This is why stories are the essential part of human intelligence. Because all human beings have problems. We either defeat them or they defeat us. 

But either way, we end up with a story about the problem. 

The essential definition of a story is this: “Here’s a problem. Here’s what didn’t work. Here’s what did work. And here’s what I learned.” It’s that last phrase that’s important. The problem is an access to the lesson. Even if the problem didn’t get solved, the lesson is still critical. And if there is no lesson to be learned, then it wasn’t a real problem, just some stuff to be handled. (“I have to do the dishes,” isn’t a problem. Just do the damn dishes.)…

(4) COMIC BOOK LEGAL DEFENSE FUND UPDATE. Graeme McMillan, in The Hollywood Reporter story “Comic Book Legal Defense Fund Attempts to Rebuild After Chief’s Exit” discusses how the fund is rebuilding after the departure of Charles Brownstein on sexual harassment charges. 

On June 22, Charles Brownstein resigned from the Comic Book Legal Defense Fund after serving as executive director for 18 years. The exit came following pressure from comic industry professionals as details of his alleged assault of creator Taki Soma 15 years earlier re-emerged online. More than a month after his departure, the CBLDF is attempting to rebuild both itself and trust from the comic book community.

In 2005, Soma reported to police that Brownstein assaulted her during the Mid-Ohio Con convention, with details becoming public the following year. In 2006, Brownstein admitted to the assault, calling it “a stupid, drunken prank, of which I’m ashamed” in a public statement, although he kept his position inside the CBLDF following an independent third party investigation.

… “Honestly, I don’t think I’ve seen a response from the fund that would make me feel comfortable supporting them after Brownstein’s departure,” Batman writer James Tynion IV told The Hollywood Reporter. “I want to see who they put forward as the voice of the fund, and see what kind of work they’re open to doing to make a better community. Until they do that, I’ll be a skeptical observer, and my money will keep going to the [another comic book non-profit] Hero Initiative, where I can see measurably good work being done.”

Harrow County artist Tyler Crook is also skeptical about the continued viability of the organization.

“I’m very glad to see Brownstein gone, but I won’t be supporting them until after we see what changes they make to reform the organization,” said Crook, adding that Brownstein remaining with the organization for so many years despite his alleged behavior identified structural problems that need to be addressed. “Right now, I’m feeling pretty pessimistic about the CBLDF’s ability to change. I think our industry might be better served with a new, organization built on stronger foundations and with a stronger moral compass.”

Calvin Reid, in “Trexler Named Interim CBLDF Executive Director” in Publishers Weekly, says that Jeff Trexler has been named interim director.

The Comic Book Legal Defense Fund has appointed Jeff Trexler its interim director, effective immediately. He succeeds Charles Brownstein, who resigned from the position in June after allegations of assault leveled against him resurfaced.

Trexler will oversee and update the CBLDF’s operations and its mission. He will also be charged with restoring the organization’s credibility and stature in the comics community after the departure of Brownstein, who held the executive director position at CBLDF for 18 years.

“The original mission of CBLDF is one I passionately support as a longtime member of the comics community,” Trexler said in a statement. “This is a time of evolution for the organization, and I am honored to be a part of it.”

Before joining the CBLDF, Trexler was associate director of the Fashion Law Institute. He is a member of the ethics committee at Kering Americas, and has served on the board of the Museum of Comics and Cartoon Art. Trexler is also a lifelong comics fan as well as a lawyer, and has provided legal analysis on a variety of issues surrounding the comics industry….

(5) FULL COURT PRESS. “CBS Beats Copyright Claims Over ‘Star Trek: Discovery’”Bloomberg Law has the story.

A story arc about a giant tardigrade in “Star Trek: Discovery” didn’t infringe a copyright in an unreleased video game that also featured a giant tardigrade, the Second Circuit affirmed Monday.

Many elements of the work that CBS Broadcasting Corp. and Netflix Corp. allegedly infringed covered uncopyrightable scientific facts and ideas about tardigrades, the U.S. Court of Appeals for the Second Circuit said.

Anas Osama Ibrahim Abdin owns a copyright in the “distillation” of the concept for his video game “Tardigrades,” a compilation of images, descriptions, and illustrations detailing the game’s characters and backstory. It features a space-station botanist who travels through space after being absorbed into a giant tardigrade, based on the real-life microscopic creature that can endure extreme heat, cold, pressure, and radiation.

Three episodes in the first season of CBS’ “Star Trek: Discovery” also involve a space encounter with a massive tardigrade-like creature, and Abdin sued CBS for copyright infringement in Manhattan federal court. The U.S. District Court for the Southern District of New York dismissed Abdin’s claims in September.

The Second Circuit affirmed that CBS and Netflix—which is licensed to air “Discovery” outside of the U.S.—didn’t infringe because the works aren’t substantially similar. Abdin’s use of tardigrades largely wasn’t copyrightable, the court said.

“Abdin’s space-traveling tardigrade is an unprotectable idea because it is a generalized expression of a scientific fact—namely, the known ability of a tardigrade to survive in space,” the court said. “By permitting Abdin to exclusively own the idea of a space-traveling tardigrade, this Court would improperly withdraw that idea from the public domain and stifle creativity naturally flowing from the scientific fact that tardigrades can survive the vacuum of space.”…

(6) WELL WORTH YOUR TIME. [Based on notes from John Hertz.] Roberta Pournelle left our stage on August 3, 2020.

There was no public church service and no public interment.  Her remains were laid to rest at Forest Lawn on August 14th, as it happens not far from OGH’s father’s.

“Roberta Jane Isdell Pournelle, 16 June 1936–3 August 2020” is Jennifer Pournelle’s eulogy.

 … I was hardly an “only child,” and I’m not merely referring to my wonderful brothers. Roberta taught in schools where most would not. She taught kids who were guilty of being poor, or black, or Latinx, or homeless. or abused, or dyslexic, or otherwise illiterate and/or desperate. Kids with “form,” kids with little future; kids who were pregnant or fathers or incarcerated for crimes real or imagined and precious little hope of anger management. The kids nobody wanted. The kids dismissed as “juvvies.” The kids about whom precious few truly, actually, cared.

Advised to leave, advised to cease, advised that her talents lay elsewhere, she taught on. She was there….

(7) MEDIA BIRTHDAY.

August 18, 1950 Destination Moon, produced by Geotge Pal, premiered in the United Kingdom. It would be voted a Retro Hugo for Best Dramatic Presentation at the Millennium Philcon. It was directed by Irving Pichel from the screenplay by Alford Van Ronkel and Robert A. Heinlein and James O’Hanlon. It’s based off Robert A. Heinlein‘s Rocketship Galileo novel. It starred John Archer, Warner Anderson,  Erin O’Brien-Moore, Tom Powers and Dick Wesson. Mainstream critics usually didn’t like but Asimov said In Memory Yet Green that it was “the first intelligent science-fiction movie made.”  Audience reviewers at Rotten Tomatoes give it a mediocre 48% rating. It is not in the public domain but the trailers are and here is one for you.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born August 18, 1929 Joan Taylor. Her first genre role was Earth vs. the Flying Saucers as Carol Marvin, and she followed that with 20 Million Miles to Earth as Marisa Leonardo. Her last genre role was as Carol Gordon in Men into Space, a late Fifties series about a USAF attempt to explore and develop outer space. She retired from acting in the early Sixties. (Died 2012.) (CE)
  • Born August 18, 1931 Grant Williams. He is best remembered for his portrayal of Scott Carey in The Incredible Shrinking Man though he did have the role of the psychopathic killer in Robert Bloch’s The Couch. Of course, he shows up in Outer Limits where he plays Major Douglas McKinnon in “The Brain of Colonel Barham”.  And he’s Major Kurt Mason in The Doomsday Machine. (Died 1985.) (CE)
  • Born August 18, 1931 – Seymour Chwast, 89.  French ed’n of Doctor DolittleOdysseyCanterbury TalesDivine Comedy; three dozen more.  Here is We.  Here is Analog 6 (anthology).  Here is Lord Tyger.  Much outside our field too; see hereherehere, and this archive.   Saint Gaudin Award, Art Directors Hall of Fame, American Inst. Graphic Arts Medal, honorary doctorate from Parsons.  [JH]
  • Born August 18, 1934 Michael de Larrabeiti. He is best known for writing The Borrible Trilogy which is noted by several sources online as being an influence by writers in the New Weird movement. Ok folks, I’ve not read so please explain how The Borrible Trilogy influences that literary movement as it doesn’t seem like there’s any connection. (Died 2008.) (CE)
  • Born August 18, 1935 — Brian Aldiss. He’s well known as an anthologist and SF writer with Space, Time and Nathaniel, a collection of short stories being his first genre publication. I’ll single out Space Opera and other such anthologies as my favourite works by him. His “Super-Toys Last All Summer Long” is the basis for A.I. Artificial Intelligence. Much honoured, he’s was named a Grand Master by SFWA and inducted by the Science Fiction Hall of Fame. He also has received two Hugo Awards, one Nebula Award, and one John W. Campbell Memorial Award. (Died 2017.) (CE)
  • Born August 18, 1943 –Richard Bober, 77.  Three dozen covers.  Here is Lake of the Long Sun (in Polish).  Here is Shards of Empire.  Here is the 2003 Chesley Awards Retrospective (at left, top to bottom, images by Bober, Ledet, Eggleton, Bonestell).  Gallery, Feb 98 Realms of Fantasy.  [JH]
  • Born August 18, 1947 – Paul Skelton, 73.  Long-active fanziner, in his own zines (sometimes with wife Cas Skelton) and letters of comment to others’.  Five FAAn (Fan Activity Achievement) Awards, four for Best Correspondent and one for life achievement thereat.  [JH]
  • Born August 18, 1949 –Takeshi Shudô.  Known for Magical Princess Minky Momo (television animé), Pokémon (pocket monsters; TV, film, novels), and Eternal Filena (serialized light novel, then OVA – original video animation, made for home release without prior theater or television showing – then role-playing video game).  For Pokémon, coined Team Rocket’s motto.  Won Best Screenplay at first Japan Animé Awards.  Memorial exhibit at Suginami Animation Museum, Tokyo, 2011.  (Died 2010) [JH]
  • Born August 18, 1950 Mary Doria Russell, 70. The Sparrow series, The Sparrow and its sequel Children of God, are awesome. The Sparrow won the Arthur C. Clarke, BSFA, and Tiptree Awards, and it was the reason she won the Astounding Award for Best New Writer. Though not genre, Doc and its  sequel Epitaph are mysteries using the historic character of  Doc Holliday.  (CE)
  • Born August 18, 1966 – Alison Goodman, 54.  Seven novels, five shorter stories.  Translated into ten languages.  Part of “Time Travel, Time Scapes, and Timescape” in NY Rev. of SF with Benford, Blackford, Broderick, McMullen, Townsend.  Two Aurealis Awards.  Website here.  [JH]
  • Born August 18, 1981 – Bridget (“B.R.”) Collins, 39.  Seven novels.  Bradford Boase Award.  Blog is called jugjugjug “because ‘jug jug jug’ is supposed to be the noise a nightingale makes (the way ‘tu-whit tu-whoo’ is supposed to be an owl).”  Website shows bookshelves with The Complete Sherlock Holmes and The Sot-Weed Factor.  [JH]

(9) COMICS SECTION.

(10) FACE THE MUSIC. Stephen Colbert repurposed the last Avengers movie trailer:

(11) CLOUDY WITH A CHANCE. David Langford’s contribution didn’t make it into the CoNZealand edition of Worldcon Order Of Fan-Editors (W.O.O.F.) for whatever reason, so he posted it on his own site: Cloud Chamber #164.

(12) FIRST CABIN. George R.R. Martin told Not A Blog readers he’s “Back in Westeros”.

…But some decades ago, wanting more solitude, I bought the house across the street and made THAT my writer’s retreat.   No longer would I write all day in my red flannel bathrobe; now I would have to dress and put on shoes and walk all the way across the street to write.  But that worked for a while.

Things started getting busier, though.   So busy that I needed a full-time assistant.   Then the office house had someone else in it, not just me and my characters.   And then I hired a second assistant, and a third, and… there was more mail, more email, more phone calls (we put in a new phone system), more people coming by.   By now I am up to five assistants… and somewhere in there I also acquired a movie theatre, a bookstore, a charitable foundation, investments, a business manager… and…

Despite all the help, I was drowning till I found the mountain cabin.

My life up here is very boring, it must be said.  Truth be told, I hardly can be said to have a life.   I have one assistant with me at all times (minions, I call them).  The assistants do two-week shifts, and have to stay in quarantine at home before starting a shift.   Everyone morning I wake up and go straight to the computer, where my minion brings me coffee (I am utterly useless and incoherent without my morning coffee) and juice, and sometimes a light breakfast.  Then I start to write.   Sometimes I stay at it until dark.   Other days I break off in late afternoon to answer emails or return urgent phone calls….   

(13) SFWA. “SFWA Announces New Communications Manager”, Rebecca Gomez Farrell.

… The Communications Manager will lead SFWA’s communications initiatives to produce high-quality content to engage both SFWA members and potential members within the SF/F community, as well as expand the organization’s brand recognition.

… SFWA Executive Director Kate Baker said, “Because of the nebulous nature of the organization, and because our members are located around the world, having a steady and engaging presence via social media is more important than ever. I am thrilled that Rebecca has joined the organization to help shape our messaging, to build upon the excellent work done by past volunteers, and to promote not only the organization and its members, but communicate what is important to all SF/F writers, wherever they may be. Please join us in welcoming Rebecca to the team!”

“Since joining in 2012,” said Gomez Farrell, “my fiction career has benefited greatly from the events and services SFWA offers its members, but most importantly, from the community we share. I’m thrilled to lend my skills in new media communication to fostering more of that community for my fellow members.” 

(14) SPECTRUM. The new Spectrum Advisory board was announced on Muddy Colors. Arnie Fenner listed the names with short bios at the link.

….it’s Cathy’s and my pleasure today to present in alphabetical order our new Spectrum Advisory board!

… Talk about a Dream Team!

And what exactly does the Spectrum Advisory Board do? Well, they have two primary jobs: the first is to nominate, debate, and ultimately select each year’s Grand Master honoree. (I wrote about the criteria for the Grand Master Award in a previous Muddy Colors post for anyone that’s curious.) It’s a big responsibility, for sure, but the Board’s second job is even more difficult and crucial:

Job #2 is to help us not be stupid.

Cathy and I started Spectrum because of a sincere love for fantastic art in whatever guise it takes and a desire to help creators receive the recognition and respect we felt they deserved. Spectrum quickly became a welcoming home, a community, and a family, for all artists regardless of gender, race, religion, nationality, politics, or ethnicity, a celebration of diversity and imagination. Though we’re moving a little slower and our energy isn’t what it once was, that love and that purpose are as strong in us today as they were when we first began 27 years ago. But time and technology march on and nothing survives in a vacuum: with so many changes and challenges, with so many societal minefields to traverse, we count on our Advisory Board to help us avoid the avoidable mistakes (as best anyone can) and better serve the community as a whole….

(15) STAND UP, EMPTY POCKETS. The “Stand Still. Stay Silent. – Book 3” Kickstarter appeal invites donors to “Help us print the third book of Minna Sundberg’s award-winning Nordic fantasy and adventure webcomic Stand Still. Stay Silent.” There being a lot of people wanting to lock down a copy of the book, they have raised $198,054 of their $35,000 goal with 26 days to go.

An underfunded, questionably selected, rag-tag team of explorers are assembled and launched into the unknown in a search for information and relics of the Old World – hopefully valuable relics. Stand Still. Stay Silent. follows six people (and a cat) on a journey filled with adventure, camaraderie and Nordic mythology. Who knows what they might find on their journey… and what they might lose.

(16) CATCHING UP. Nnedi Okorafor’s new book was released today – just in time for one feline’s appreciation.

(17) ALWAYS NEWS TO SOMEONE, Let File 770 be the last to tell you what Yahoo! Life was the next to last to tell you: “Somehow We All Just Figured Out Where Gandalf Keeps His Pipe”.

Nearly two decades years after the release of The Fellowship of the Ring, fans are still discovering new things in Peter Jackson‘s The Lord of the Rings trilogy. There’s a lot of material to cover, with the three lengthy theatrical releases further extended in their home video editions. Which is why it’s so surprising that, all these years later, people keep spotting one particular detail for the first time.

We’re talking about Gandalf’s pipe, specifically where he keeps it…

(18) REAR VIEW. “Why did scientists paint eyes on hundreds of cattle butts? To save lives, study says”.

For four years, researchers painted fake eyes on hundreds of cattle butts for the sake of science. What seems like a silly prank, the “eye-cow technique” proved lifesaving for the animals as it made predators rethink their attack, choosing another meal instead.

The scientists say their method is a more humane and “ecologically sound” alternative to lethal control and fencing used to separate cattle from carnivores. The team even theorizes the technique could be used to prevent human-wildlife conflicts and reduce criminal activity, according to a news release. A study was published Aug. 7 in the journal Communications Biology.

“The eye-cow technique is one of a number of tools that can prevent carnivore-livestock conflict—no single tool is likely to be a silver bullet. Indeed we need to do much better than a silver bullet if we are to ensure the successful coexistence of livestock and large carnivores,” study co-author Dr. Neil Jordan, a researcher with the University of New South Wales in Sydney, Australia and the Taronga Western Plains Zoo, said in the news release.

“But we’re hoping this simple, low-cost, non-lethal approach could reduce the costs of coexistence for those farmers bearing the brunt,” he added.

Eye patterns can be found — naturally — on butterflies, fish, molluscs, amphibians and birds to scare predators away. Images of eyes have even been shown to reduce bike theft in people, a 2012 study showed. But no mammals are known to possess eye-shaped patterns on their coats.

So, in the Okavango Delta of Botswana in Southern Africa, where livestock and lions, leopards, hyenas, cheetahs and wild dogs coexist, such a deceptive tactic could save animals from their death sentence, the researchers thought.

(19) VIDEO OF THE DAY. In “Honest Trailers:  The Old Guard” on YouTube, the Screen Junkies take on the latest film from Netflix designed to “make you look up from your phone for two minutes so it counts as a view.”  The film featured Charlize Theron leading a group of “illumi-hotties” who, although they’re thousands of years old, haven’t come up with a cool catchphrase.

[Thanks to Andrew Porter, JJ, Cat Eldridge, Lise Andreasen, Chip Hitchcock, John Hertz, Martin Morse Wooster, Mike Kennedy, Bill Higgins, Hampus Eckerman, Daniel Dern, Michael Toman, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W. (I had to come back and use the other half of Kip’s 2018 verse.)]

Pixel Scroll 10/26/19 A Møøse Once Bit My Pixel

(1) MORE MCU DEFENDERS, ER, AVENGERS SPEAK OUT. On The Late Show with Stephen Colbert, “The Avengers Respond To Marvel Movie Critics.”

You’re right, Hulk. The “Godfather” films do glorify violence.

(2) HELP IS ON THE WAY. S.L. Huang’s Ask an Author post “Cancelling Contracts and Norms in Publishing” does a full-spectrum post about contract cancellation – its infrequency, significance, how it can be handled badly, how a publisher ought to handle it, and what an author can do.

What makes cancellations worse:

There are two interrelated problems when a publisher has to suddenly cancel multiple contracts. The first is biting off more than they could chew as a press, which obviously isn’t ideal and can be a worrying comment on the state of their business, but it can happen without ill intent. But the second is how the publisher handles it.

Here are some things that can escalate a cancellation from unfortunate to disturbingly unprofessional: …

What a publisher should do in a situation like this:

Clarity. Communication. Transparency. Exploring any possible avenues before taking a route so extreme. If there are no other options, then: Apology, honest dialogue, taking responsibility, an immediate reversion of rights, an admission of the disservice they’ve done to the authors.

Ideally, a kill fee would be offered.

S&%t happens in publishing. How we treat people when it does is important. And yes, this is a business — but businesses have ethics, and norms, and professionalism. Contracts should be treated as if they mean something.

(3) TRICK OR TRICK. Former Horror Writers Association President Lisa Morton clues in the Washington Post about “The frightening history of Halloween haunted houses”.

It is unclear why exactly the pranks got so bad. Irish immigrants had carried over the Halloween tradition of pranking to the United States, but they had been pretty innocent. One of the most popular was to disassemble a neighbor’s front gate and reassemble it on top of a building. That one was so common that some people called Halloween “Gate Night.”But by the 1920s and ?30s, teenage boys had co-opted the pranking tradition, and they were on a Halloween warpath. They broke streetlights. They started fires. They tied wires across sidewalks to trip people….

“They were costing cities millions of dollars even in the early ’30s,” said Lisa Morton, author of “Trick or Treat: A History of Halloween,” in an interview with The Post. “There were a lot of cities that were really considering banning the holiday at that point. It was really, really intense.”

Parents and civil groups needed a solution. A distraction. Or a bribe.

And from this cauldron of parental panic, they pulled out an idea that, to this day, is part of what defines American Halloween.

They thought to throw the kids a party, but “because this was the Great Depression, a lot of people didn’t have the money … so one of the first things they did was called ‘house-to-house parties.’”

And the Guardian’s PD Smith devotes an article to Morton’s book in “Trick or Treat by Lisa Morton review – a history of Halloween”.  

(4) ALL OF HISTORY AND MORE Rudy Rucker’s book review “Two Dimensional Time and Annalee Newitz’s 2nd Novel” incorporates a detailed study of the genre’s different approaches to time travel – a virtual candy store of ideas.

The Newitz Option: Two Dimensional Time

Newitz takes an approach to the time paradoxes that’s kind of strange. She allows time travel and timeline editing. But she insists that there’s only one timeline. No parallel timelines, no branching timelines. Just our one timeline: “Our only timeline, whose natural stability emerged from perpetual revision.”

So, somehow, when you travel back in time, you alter the timeline..for everyone. But you yourself remember how it was before the change. This might be viewed as hopping to a different timestream, but Newitz doesn’t want that. She wants to have just one timestream. But the timestream is changing.

(5) FUTURE TENSE. Slate’s latest Future Tense story is Cory Doctorow’s “Affordances”, about how technical restrictions start with powerless people before coming for us all.

…Ninety-Two’s work in Building 34 was as an exceptions—catcher for a Re-Cog facial recognition product. All around the world, millions of people stepped in front of cameras and made a neutral face and waited: for their office door to unlock, for the lift to be summoned, for the gates at the airport to swing open. When the camera couldn’t figure out their face, it asked them to try again, and again, and again. Then it threw an exception, and 92, or someone else in Building 34, got a live view of the feed and tapped an icon: NO-FACE (for anything that wasn’t a face, like a picture of a face, or a balloon, or, one time, a pigeon); BAD SCENE (poor lighting, dirt on the lens); CRIME (once, a decapitated man’s head; once, an unconscious woman; once, a woman in terror, a hand in her hair); and OTHER (for suspected malfunctions).

Nettrice Gaskins, an artist-educator who collaborates with A.I., wrote the response essay “Not Just a Number”.

In “Affordances,” we see various forms of intelligence agents erase people’s names and identities, particularly those who are held back by and are fighting societal barriers. These people are reduced to numbers, to maps of their faces, to their risk scores. Facial recognition software identifies protesters and otherwise serves as a technological gatekeeper. Online filters flag or block video footage of migrants, and racially biased algorithms determine whether alleged perpetrators are taken into custody or released. In our world, the power of Facebook, Google, and other technology companies is so immense that it can feel futile to push back against them, especially for marginalized groups. But that sense of helplessness can also enable a dangerous complacency. It is exactly because these companies are so powerful that we need people to interrogate their work and challenge it….

(6) A BIG SQUEEZE FOR MAKING LEMONADE. James Davis Nicoll shows Tor.com readers “Five Ways To Benefit If Planet 9 Turns Out To Be a Black Hole”.

Finding a five-Earth-mass, ten-centimetre-diameter, 0.004 Kelvin object somewhere in the outer boroughs of the Solar System should be easy—I’m sure that some grad student or professor angling for tenure is hard at work right now! But what would be the use to the rest of us of a five-Earth-mass, ten-centimetre-diameter, 0.004 Kelvin primordial black hole (PBH) orbiting somewhere in the outer boroughs of the Solar System?

OK, sure: if it’s there, it offers us the chance to do some wonderful science; we’d be able to run experiments in regions of intense gravity. But people in general don’t seem to care all that much about pure science. So, what applied applications are there?

(7) TRIVIAL TRIVIA.

Ray Bradbury did not like the ending of It’s The Great Pumpkin Charlie Brown! because the Great Pumpkin did not appear.  Chuck Jones was a friend of Ray’s and he did not like the ending either.  Together they wrote a script about Halloween.  They could not sell it to any studio.  So, Ray turned the script into his book, The Halloween Tree.  The book was successful enough, it has never gone out of print, and it was finally sold as a half-hour animation special, which won an Emmy in 1994.  The lead character was voiced by Leonard Nimoy. [Source: John King Tarpinian.]

(8) TODAY IN HISTORY.

  • October 26, 1984 — Gale Anne Hurd and James Cameron’s The Terminator premiered. Starring Arnold Schwarzenegger and Linda Hamilton, it was received well by reviewers and audience alike with the notable exception of Ellison who noted successfully that the screenplay was based on a short story and the “Soldier” episode of The Outer Limits he had written. 
  • October 26, 1984  — V finally premiered as a regular weekly series  with “Liberation Day”. There were two previous miniseries.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 26, 1942 Bob Hoskins. I’ll insist his role as Eddie Valiant in Who Framed Roger Rabbit? is his finest genre role though I suppose Mario Mario in Super Mario Bros. could be said… Just kidding! He’s the Director of The Raggedy Rawney which he also had a role, a strange might be genre film, and he’s Smee in Hook as well. (Died 2014.)
  • Born October 26, 1945 Jane Chance, 74.Scholar specializing in medieval English literature, gender studies, and J. R. R. Tolkien with a very, very impressive publication list for the latter such as Tolkien’s Art: A “Mythology for EnglandTolkien the MedievalistThe Lord of the Rings: The Mythology of Power and Tolkien, Self and Other: “This Queer Creature”
  • Born October 26, 1954 Jennifer Roberson, 65. Writer of of fantasy and historical romances. The Chronicles of the Cheysuli is her fantasy series about shapeshifters and their society, and the Sword-Dancer Saga is the desert based adventure series of sort, but the series I’ve enjoyed her Sherwood duo-logy that consists of Lady of the Forest and Lady of Sherwood which tells that tale from the perspective of Marian. Her hobby, which consumes much of her time, is breeding and showing Cardigan Welsh Corgis.
  • Born October 26, 1960 Patrick Breen, 59. He’s Redgick, a Squid, a minor character that appeared in Men in Black. In beloved Galaxy Quest, he’s Quellek, a Thermian who forms a bond with Alexander Dane. it’s a wonderful role. 
  • Born October 26, 1962 Cary Elwes, 57. He’s in The Princess Bride as as Westley/Dread Pirate Roberts/The Man in Black. He also shows up in Dr. Lawrence Gordon in the Saw film franchise, and was cast as Larry Kline, Mayor of Hawkins, for the third season of Stranger Things.
  • Born October 26, 1963 Keith Topping, 56. Some of the best Who stories aren’t televised but written. The Hollow Men, his Seventh Doctor novel, is damn good and riffs off a Fifth Doctor story. He’s also written guides to that show plus The Avengers, Trek, Buffy and the X-Files.
  • Born October 26, 1971 Jim Butcher, 48. I really don’t know how far I got in the the Dresden Files, at least though Proven Guilty, and I will go back to it eventually. Who here has read his Cinder Spires series which sounds intriguing? 
  • Born October 26, 1971 Anthony Rapp, 48. Lieutenant Commander Paul Stamets on Discovery. His first role ever was Wes Hansen in Sky High, showed up early in his career as Jeff Glaser in the “Detour” episode of X-Files. He was Seymour Krelbourn in a national tour of Little Shop of Horrors.
  • Born October 26, 1973 Seth MacFarlane, 46. Ok, I confess that I tried watching the Orville which he created and is in and it just didn’t appeal to me. For those of you who are fans, why do you like it? Having it described as trying to be a better Trek I admit ain’t helping.

(10) GO AWAY OR I SHALL TAUNT YOU SOME MORE. Myke Cole and Sam Sykes got into it again.  Thread starts here (I hope).

And on the sidelines…

(11) THE FULL LID. Alasdair Stuart previews The Full Lid 25th October 2019.

Here’s the opening paragraph from the entry about Clipping.

Clipping are one of the most interesting musical acts on the planet right now. Jonathan Snipes, William Hutson and Daveed Diggs don’t so much embody modern hiphop as surround it. Diggs, best known of course as everybody’s favorite fighting Frenchman, is the crispest MC on Earth, No syllable escapes his sight, no word or metaphor gets free from the specific gravity of his boundless, graceful flow. This is a man who dances with the words, building structures and meaning, narrative and plot out of them and demolishing it just as easily. Snipes and Hutson in the meantime, excel at building audio landscapes for Diggs to bound across and occasionally be pursued through.Vast walls of noise, found audio, field recordings, structural jokes and aural wit. It’s all here and all at the control of these three flat out musical geniuses. And, in There Existed An Addiction to Blood, they’ve produced another genre adjacent work which is both completely in line with their previous work and sees them evolve once again.

(12) GREAT LEAP FORWARD. According to Forbes, “The UK’s First Moon Rover Will Be A Tiny Jumping Spider In 2021”.

Spacebit, a U.K.-based startup, has announced details of its planned lunar mission in 2021 – revealing a spider-shaped rover that will scuttle across the lunar surface.

As we first revealed last month, Spacebit has a contract with U.S. firm Astrobotic to hitch a ride on their Peregrine lunar lander. Originally part of the canceled Google Lunar XPRIZE, this private endeavor will now attempt to reach the Moon after launching on a Vulcan rocket from Cape Canaveral in Florida in late 2021.

(13) WORTHY OF A MUSEUM. Behind a paywall In the October 21 Financial Times, Tom Faber profiles Jenova Chen, whose moody and artistic games have been exhibited at the Museum of Modern Art and the Smithsonian American Art Museum.

Chen studied computer programming before moving to California to enrol at the University of Southern California.  It was there that he made Cloud, a game inspired by periods he spent hospitalised as an asthmatic child. Players are cast as a boy who daydreams about flying out of his hospital window and manoeuvering clouds to combat pollution.  For Chen it was wish-fulfillment.  In Shanghai there’s a lot of pollution, but during my childhood everyone said it was mist,’ he says.  ‘I think making the game I was subconsciously trying to clean the city and the air.’

It was an unusual game, with no scores, violence or competition. Still, it went viral, crashing the university servers with more than 600,000 downloads.  Chen received messages from fans all over the world.  ‘They told me they cried while playing, I think because of the deep desire to feel free.  People need to know gaming is not just about guns, soccer, and competition,’ he says.  ‘It can be something healing and positive.’

(14) VARIATIONS ON A THEME. The South China Morning Post tells readers “What cosplay is like in China, where home-grown heroes thrive, ‘play’ is emphasised and it’s not all about copying”

…Having characters that look Chinese matters, especially when the cosplay industry is obsessed with exactly replicating fictional characters, but the irony of cosplay in China is that it is less about copying and more about interpretation. According to Wang Kanzhi’s research for a master’s programme in East Asian Studies at Lund University in Sweden, cosplay in China is more open to interpretation because the “Great Firewall” has isolated the community from not only other cosers but also original source materials.

“Due to the different understanding of the original pieces, local cosplayers tend to add their own ideas and points of view into the activity, which obviously changes the original characters,” Wang says. “In other words, the local cosplayers do not only duplicate fictional characters, but add their own creative points to the original form and content.”

(15) LIGHTEN UP. NPR’s Mark Jenkins reports that “‘The Current War: Director’s Cut’ Shines At Low But Steady Wattage”.

Electricity’s domestication is a triumph of American ingenuity. But The Current War, despite depicting the likes of Thomas Edison and George Westinghouse, doesn’t feel very American at all. That’s probably one of the reasons the movie was received with so little enthusiasm when it debuted at the 2017 Toronto Film Festival. (Another problem is that the film was then a product of the Weinstein Co., which collapsed soon after.)

As its subtitle announces, The Current War: Director’s Cut is the not the same movie that nearly succumbed to critical disdain more than two years ago. For those of us who didn’t see the original, ascertaining any improvement is impossible. But the latest version is not bad at all. It’s just sort of odd.

Of the three central characters, only Westinghouse is played by an American, Michael Shannon. As Edison, Benedict Cumberbatch employs an accent that is, well, not British. Nicholas Hoult’s Nikola Tesla speaks in an indeterminate Eastern European mode that can be heard, symbolically at least, as true to his Austro-Serbian-Croatian origins.

The movie doesn’t mention that Tesla had worked for an Edison-affiliated company in Paris before was he encouraged to move to the U.S. In this telling, he’s hired on a whim by the Wizard of Menlo Park, who’s eager to light American cities with his newly perfected bulbs, powered by direct current.

Edison’s nemesis is Westinghouse, who promotes alternating current — cheaper and more versatile but potentially deadly. The two men are competing for the same prize: a contract to illuminate Chicago’s Columbian Exposition in 1893, a full 13 years after the film’s event-packed story begins. Edison wants to win so badly that he’s prepared to electrocute large animals to demonstrate AC’s dangers.

(16) GAMER STRIKES BACK. Not exactly man bites dog: “Gamer buys Fallout 76 add-on domain to criticise Bethesda”.

What would you do if a company did something you didn’t like?

Some people would take to social media to voice their frustrations. Others might consider writing a letter to the business.

But when game developer Bethesda introduced a new subscription to their online game Fallout 76, David Chapman felt he had to do something with more impact.

He made a website.

And not just any website – he pinched the domain from right under the developer’s nose, so anyone looking for information about the subscription would instead be greeted with his critique.

“My motivation stems from a frustration with Bethesda,” he told the BBC. “And in general the current trend of the gaming industry.”

He added: “They said players had been asking for this – players never asked to pay a subscription for features hidden behind a pay wall.

“That was the straw that broke the camel’s back and made me make this website.”

Wait, what did Bethesda do?

Bethesda Softworks developed and published post-apocalyptic game Fallout 76.

It is an online-only game, meaning that gamers must be connected to the internet to play, and will see other people they don’t know while they’re playing.

There is no monthly cost to play online, but in a sense this is about to change.

Now players will be offered additional features which affect the gameplay, such as the ability to play without strangers or store as many items as they like, for the annual price of £99.99.

The new service, called Fallout 1st, has angered gamers who point out Bethesda promised not to charge for additional features in the past.

(17) THE ADLER SANCTION. “Migrating Russian eagles run up huge data roaming charges”.

Russian scientists tracking migrating eagles ran out of money after some of the birds flew to Iran and Pakistan and their SMS transmitters drew huge data roaming charges.

After learning of the team’s dilemma, Russian mobile phone operator Megafon offered to cancel the debt and put the project on a special, cheaper tariff.

The team had started crowdfunding on social media to pay off the bills.

The birds left from southern Russia and Kazakhstan.

The journey of one steppe eagle, called Min, was particularly expensive, as it flew to Iran from Kazakhstan.

Min accumulated SMS messages to send during the summer in Kazakhstan, but it was out of range of the mobile network. Unexpectedly the eagle flew straight to Iran, where it sent the huge backlog of messages.

The price per SMS in Kazakhstan was about 15 roubles (18p; 30 US cents), but each SMS from Iran cost 49 roubles. Min used up the entire tracking budget meant for all the eagles.

…The SMS messages deliver the birds’ coordinates as they migrate, and the team then use satellite photos to see if the birds have reached safe locations. Power lines are a particular threat for the steppe eagles, which are endangered in Russia and Central Asia.

(18) TASTES LIKE CHICKEN. All That’s Interesting invites you to “Be One Of The First In History To Witness A Supermassive Black Hole Destroy A Star”.

Have you ever wondered what a star looks like as it’s ripped apart by a supermassive black hole? Probably not. But thanks to the diligent eyes at NASA and Ohio State University, you don’t have to wonder, you can see it for yourself.

According to local Ohio radio station WOSU, a NASA satellite and a network of robotic telescopes known as the All-Sky Automated Survey for Supernovae — or ASAS-SN for short — located at the university captured the cosmic battle for the first time on film.

[Thanks to JJ, Cat Eldridge, John King Tarpinian, Mlex, Mike Kennedy, Martin Morse Wooster, John A Arkansawyer, Chip Hitchcock, and Andrew Porter for some of these stories.  Title credit goes to File 770 contributing editor of the day Cassie B.]

Pixel Scroll 10/4/18 Scrolls Lift Us Up Where We Belong

(1) MOTHER’S DAY IN GOTHAM. ComicBook.com brings news that “Martha Wayne to Return in ‘Gotham’ Season 5”—the same actor who played her in the pilot will now reprise the part in the finale season.

In addition to moving toward Batman’s future in the upcoming final season of Gotham, it looks as though the FOX series will also be flashing back to Bruce Wayne’s past. Martha Wayne, Bruce’s mother who was murdered in the series premiere, will be returning in the second half of Season 5.

Actress Brette Taylor, who played Martha in the pilot, took to Twitter earlier this week to share a photo from the set. In the image, Taylor is sitting on a bench with Gotham stars Sean Pertwee (Alfred) and Cameron Monaghan (Jeremiah). Along with the photo, Taylor included the caption, “Takin a break with the gang,” and a hashtag for Martha Wayne, leading to speculation amongst fans that she would be appearing somehow.

While the photo simply indicates that she was on the set, ComicBook.com can now confirm that she is indeed filming Season 5, reprising her role as Martha Wayne.

(2) GETTING PAID. Another classic Scalzi / Sykes / Wendig exchange. Thread starts here.

(3) PENNSYLVANIA 221B. Rebecca Romney, in “The Art of the Painstaking Sherlock Recreation” on Crimereads.com, goes to the home of the Dobry family in Reading, Pennsylvania, where they have carefully reconstructed Sherlock Holmes’s flat.  We learn in the piece that there’s a guy in Los Angeles who makes his living creating Holmes-related stuff for collectors.

The man holds up a thin, sharp instrument. “Do you know which story this is from?” he asks. I hesitate. I’m not even sure what it is, except that its end forms a wickedly curved needle.

I browse through my mental catalog of murder weapons and other questionable objects. I’m trying not to get distracted by the phrenological bust in the corner of the room, or the initials “VR” dotted onto one section of the wall in shapes that resemble bullet holes.

Denny Dobry smiles, takes pity. “It’s a nineteenth-century cataract knife.” Of course it is. Now I know what it’s from: the Sherlock Holmes story “The Adventure of the Silver Blaze.”

I’m in 221B Baker Street, the residence of Sherlock Holmes. But I’m not in London. I’m in Reading, Pennsylvania.

(4) CBS ALL ACCESS DROPS SHORTS. The Star Trek: Short Treks were released today. The Hollywood Reporter’s spoiler-filled article “‘Star Trek: Short Treks’ Episode 1 Packs a Lot into 15 Minutes” tell what you’ll see.

In its new series Short Treks, Star Trek is going where no version of the show has gone before: online-only content. But the first of four monthly installments, which dropped Thursday on CBS All Access, made sure to bridge the gap between the familiar and the unfamiliar.

(5) SEPTEMBER’S STORIES. At the B&N Sci-FI & Fantasy Blog, Marla Haskins links to noteworthy stories from last month’s offerings: “Sci-Fi & Fantasy Short Fiction Roundup: September 2018”.

We Mete Out Justice With Beak and Talon“, by Jeremiah Tolbert in The Magazine of Fantasy & Science Fiction
Tolbert’s high-flying sci-fi tale is set in a near-future American city where law enforcement uses humans who are mentally linked to birds of prey to patrol the skies, sending them swooping in whenever they spot criminal activity. It’s a vividly told story; Tolbert skillfully draws you in to the strangeness of the joined human/bird mind-space, giving the reader dizzying new perspectives on the future of technology, and the future of police work. Thought-provoking and compelling.

(6) THAT STUFF YOU FIND IN BOOKS. At Mr. Sci-Fi, former Star Trek Writer Marc Zicree talking about the history of science fiction in novels. From Frankenstein to HG Wells.

(7) SABRINA. The Chilling Adventures of Sabrina premiere October 26 on Netflix.

Her name is Sabrina Spellman. Half witch. Half mortal. On her 16th birthday, Sabrina (Kiernan Shipka) has to make a choice between the witch world of her family and the human world of her friends. With her aunties (Miranda Otto, Lucy Davis), her cat Salem, and her boyfriend Harvey Kinkle (Ross Lynch), Sabrina will face horrors and new adventures in the mysterious town of Greendale. From the executive producers of Riverdale comes a haunting new tale.

 

(8) TODAY IN HISTORY

  • October 4, 2005 — Troma’s Rock’N’Roll Space Patrol Action Is Go premiered.

(9) COMICS SECTION.

(10) TIS THE SEASON. Camestros Felapton shared this epic from the desk of Timothy the Talking Cat — “The Timarillion”.

…Without the trees, Heaven is in dire need of some lightbulbs but Feanor won’t let anybody else use his. It’s a moot point anyway because Mmmm had stolen them. Feanor vows bloody vengeance against Mmmm for stealing his lightbulbs and over-billing his therapy sessions.

Meanwhile, the gods invent the Moon and the Sun, which is a better plan than trees if you think about it….

(11) TAKE A WHIFF. Evolution detectives tell NPR “Lemurs Provide Clues About How Fruit Scents Evolved”.

In Ranomafana National Park in Madagascar, where there is incredible diversity of fruits of all shapes and sizes, there are certain plants that rely only on lemurs to spread their seeds. There are other plants that rely on birds and other animals.

The researchers gathered hundreds of ripe and unripe fruit samples from 30 species of plants. They separated them into two groups — the ones that rely on lemurs, and the ones that rely on the other animals — and tested the chemicals emitted to see whether the smells were different between the ripe and unripe samples.

(12) UNHAPPY LANDINGS. They can’t all win the Darwin Award, can they? The BBC says “259 people reported dead seeking the perfect selfie”.

They found that selfie-related deaths are most common in India, Russia, the United States and Pakistan and 72.5% of those reported are men.

Previous studies were compiled from Wikipedia pages and Twitter, which researchers say did not give accurate results.

The new study also showed that the number of deaths is on the rise.

There were only three reports of selfie-related deaths in 2011, but that number grew to 98 in 2016 and 93 in 2017.

However, the researchers claim that the actual number of selfie deaths could be much higher because they are never named as the cause of death.

(13) IN COUNTRY. Spacefaring Kitten reviews a favorite for Nerds of a Feather: “Microreview [Book]: Lovecraft Country, by Matt Ruff”.

“Stories are like people, Atticus. Loving them doesn’t make them perfect,” The Safe Negro Travel Guide publisher George Berry tells his nephew Atticus Turner in the beginning of Matt Ruff’s Lovecraft Country.

Berry is sort of an old wise man character in the novel, always there delivering helpful truths and constructive advice when needed. Here he is unraveling Atticus’s – and his own – conflicted feelings towards science fiction and fantasy literature. They are both in love with genre classics such as Edgar Rice Burroughs and H.P. Lovecraft but at the same time register that the authors and their works are deeply problematic, especially from the viewpoint of black readers which is what both men are.

(14) SEPTEMBER (SWAN) SONG. Charles Payseur wraps up last month with “Quick Sips – Terraform September 2018”.

I’m closing out my September reviews with a look at Motherboard’s Terraform, which brings four new looks at rather terrifying possible futures. As usual, the stories range from predictive to outlandish, but all of them lean toward warnings. Signs for people to read and pay attention to. Turn back now. Avoid this possible time when humanity has lost respect for our world and our selves. These are pieces look at the way things could be with an unblinking gaze and invite readers to look into that abyss. It’s a nice range of works, too, from far future space extinctions to much more grounded political sci fi, where corruption and injustice are only a step or two beyond what we have now. It makes for a strong month of stories, which I’ll get right to reviewing!

(15) THE BEES KNEES. The folks at Archie McPhee would love to sell you their “Car Full of Bees Auto Sunshade”.

This sunshade has so many bees on it, we had to buy new computers that could handle the design! When you plop this in your window, it creates the illusion that your car is full of bees! Can you go in the carpool lane if you have a swarm of bees riding shotgun? At 50″ x 27-1/2″, this sunshade is big enough for most cars. It protects, cools and blocks out UV rays. Includes two suction cups for easy installation.

(16) BLADE RUNNER 2049 COMIC. Titan Comics announced that Blade Runner 2049 screenwriter Michael Green (Logan) will partner with long-term collaborator and comic writer Mike Johnson (Star Trek) to pen an in-canon Blade Runner comic series for Titan Comics and Alcon Media Group.

In addition to co-writing the screenplay for Blade Runner 2049, the critically-acclaimed sequel to Ridley Scott’s 1982 celebrated classic Blade Runner, Michael Green’s recent writing credits include Alien: Covenant, Murder on the Orient Express, the hit Starz series American Gods, and Logan, which earned Green an Oscar nomination for Best Adapted Screenplay in 2018.

Mike Johnson, Green’s co-writer on comics including Supergirl and Superman/ Batman, will co-write the Blade Runner series. A veteran writer of the Star Trek franchise, Johnson’s other comic credits include Transformers and Fringe

(17) RECURSION. SYFY Wire says another new sff TV show is on the way: “Shonda Rhimes and Matt Reeves team up for new science fiction venture on Netflix”.

Shondaland is expanding. The prolific producer and showrunner Shonda Rhimes is teaming with Matt Reeves for a science fiction film and television series on Netflix. The pair will bring Blake Crouch’s upcoming novel Recursion to life on the streaming service.

The novel centers on a female scientist who creates technology that allows people to recactivate their most powerful memories and rewrite them.

Rhimes told Variety, “Projects like this are why I came to Netflix. The opportunity to explore a multi-genre universe in innovative ways is extremely exciting. Matt and Blake both have the tremendous ability to build compelling characters and imaginative landscapes and I am thrilled to work alongside them.”

Rhimes signed a multi-year deal with Netflix last year to create new content for the streaming service, while Reeves signed a first look deal earlier this year….

(18) DAREDEVIL TRAILER. Season 3 of Marvel’s Daredevil debuts on Netflix October 19.

Missing for months, Matt Murdock (Charlie Cox) reemerges a broken man, putting into question his future as both vigilante Daredevil and lawyer Matthew Murdock. But when his archenemy Wilson Fisk (Vincent D’Onofrio) is released from prison, Matt must choose between hiding from the world, or embracing his destiny as a hero.

 

[Thanks to Martin Morse Wooster, Cat Eldridge, John King Tarpinian, JJ Chip Hitchcock, Mike Kennedy, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Rob Thornton.]

Pixel Scroll 9/14/18 Planetary Classification Just Ain’t About Sol Anymore

(1) MOON EXHIBITION IN DENMARK. Louisiana, the largest gallery of Modern Art in the Nordic countries, is holding an exhibition about The Moon from September 13-January 20. The themes are Moonlight, Selenography, The Moon of Myth, The Moon Landing, The Colonization of Space and Deep Time.

From painting to virtual reality, superstition to science, myths to missions, fantasies to space colonies, join Louisiana on a trip to the Moon – into space and into ourselves. ARTnews has already called THE MOON the most intriguing show of the season.

This large-scale exhibition at Louisiana highlights the role, the importance and the fascinating power of the Moon. The exhibition presents more than 200 works and objects—and show how the round white disc is reflected in our art and cultural history. From Galileo’s moon map to Norman Foster’s plans for 3D-printed moon bases.

The exhibition mixes art, film, music, literature, architecture, cultural history, design and natural science into a vibrant and diverse portrait of our closest neighbor in the sky. We encounter the Moon as a fundamental symbol and as a goal of romantic and artistic longings, scientific inquiry, existential issues—and the urge for political expansion.

With this exhibition, Louisiana commemorates the imminent 50th anniversary of man’s first steps on the Moon and also calls attention to a strong and renewed interest in the Moon both in art and as a springboard for a new Space Race with all its strategic and economic implications.

(2) CIXIN LIU. At The Paris Review, Amanda DeMarco’s overview “Cixin Liu, China, and the Future of Science Fiction” includes comments on the English translation of Liu’s Ball Lightning.

It’s been said that the past is a foreign country, and I’ve come to believe that the future is too. I’d just never been so immersed in it before. In Beijing this summer, I read about two thousand pages of work by Cixin Liu, possibly the world’s most important living science-fiction author and certainly among humanity’s most imaginative prognosticators. (A recent London Review of Books piece called his Three-Body trilogy, published in English in 2016, “one of the most ambitious works of science fiction ever written.”) Like life in Beijing, the experience was magnificent and exhausting and thrilling and flawed. Science fiction might be the genre best suited to Chinese society today; the breakneck pace of change becomes a constant, and to live in the present is to anticipate what is to come. When we told our acquaintance that we’d like to return next summer, she responded as many of our Chinese friends did: “You might not recognize it here.”

(3) BRADBURY STATUE ALMOST PAID FOR. In Waukegan, IL — “Ray Bradbury statue fundraising effort crosses $100,000 mark, enters final stretch”.

The fundraising effort behind a proposed 12-foot-tall statue honoring Waukegan native Ray Bradbury is in its final stretch, according to a library spokeswoman.

The group behind the campaign, now an official part of the Waukegan Public Library Foundation, has raised $107,000 of the $125,000 needed through a mix of individual, corporate and nonprofit donations and pledges, said Amanda Civitello, the library’s spokeswoman.

…The proposed 12-foot-tall, stainless steel statue, designed by artist Zachary Oxman, was inspired by Bradbury’s poem “If Only We Had Taller Been” and would show Bradbury astride a rocket ship, waving a book.

(4) INCURABLY VIRAL. Chuck Wendig explains how this movie got started: “You Might Be The Killer: The… Movie?”

So maybe you remember in the halcyon salad days of Summer 2017, one mister Sam Sykes and one mister, uhh, well, me, we got on The Twitters and we did an improvised horror story, kind of a riff on a slasher film, but in Twitter format. Shitposting, the kids call it!

(“Sam Sykes and Chuck Wendig Just Wrote Horror Movie Gold on Twitter.“)

(Or, read the whole thing starting here.)

Well, that went kinda viral.

And when a thing goes viral, it takes on a weird life of its own, meaning, we started fielding offers to make our Twitter thread into Something. Movies, YouTube series, cartoons — but at the end of the day, we had two guys, Craig Engler and Tom Vitale, say they had a vision for it, and it was a movie, and we said, HELL YEAH. Because, holy shit, a snarky slasher film from our tweets? Sign us up…

You Might Be the Killer will have its world premiere at Fantastic Fest in Austin September 21.

And there’s what you could call a companion Twitter thread that got started by Myke Cole – begins here.

(5) PRO TIP. From SFWA — “Contracts Committee Alert – Failure to Finalize Contracts”.

The Contracts Committee has learned of recent cases in which a publisher did not routinely send authors a copy of the final contract signed by both the author and publisher.  The authors had made significant amendments to their contracts which the publisher ignored, publishing material in a format which the authors had crossed out in the contract they signed.  Our understanding is that the books were thus published without a fully executed contract.

Failure to return counter-signed contracts is a failure to finalize the contract and is not an acceptable business practice. A deal should not be considered final until the author has received the final, mutually agreed-to, counter-signed contract….

(6) ASK AN AGENT. Fantasy-Faction has lined up four agents willing to answer people’s questions during the week of September 24, John Jarrold, Julie Crisp, Jamie Cowen, and Harry Illingworth  — “Announcing Agent Week!”

…To many of us, agents are mythic beasts who guard the doors to fame, fortune and the realisation of our dreams. There are a thousand websites out there with advice, tips and tricks on how to discover an agent and, hopefully, entice them enough to take you on as client.

Should you wish to, on those websites, you can find information on the publishing industry, what happens when you’ve snagged an agent, how to tread the minefield of getting your book out there and then the hard bit, getting people to read it.

But better surely is to ask an agent yourself?

Which isn’t always an easy thing to do. Especially if your introverted Britishness prevents you even putting digit to keyboard… Well, fear no more, the struggle is over. We have, through the kindness of four world class agents of impeccable taste, organised a week in which you can ask the questions and get your answers.

(7) TODAY’S BIRTHDAYS

[Compiled by Cat Eldridge.]

  • Born September 14 – Walter Koenig, 82. Obviously you know who he is. Author of Buck Alice and the Actor Robot which I assume is fiction, Chekov’s Enterprise: A Personal Journal of the Making of Star Trek-The Motion Picture and Warped Factors: A Neurotic’s Guide to the Universe. There’s also InAlienable, a SF film written and executive produced by him.
  • Born September 14 – Rowena Morrill, 75. Well-known for her genre illustration, and is one of the first female artists to impact paperback cover illustration. Her notable works include The Fantastic Art of Rowena, Imagine (France publication only), Imagination (Germany only), and The Art of Rowena.  Though nominated for the Hugo four times, she has not yet won, but has garnered the British Fantasy Award.

(8) COMICS SECTION.

  • It’s tough to be a schoolkid with an unusual name – Off the Mark.
  • A chance meeting with a dino pal from the neighborhood — Andertoons
  • WuMo raises the perpetual question – who decides where the story’s going, the writer or the characters?
  • We’ll let you be the judge of this joke — Andertoons
  • Yipes! Is that what we’re eating? — Scandiavia and the World

(9) WE MADE IT! MexicanX Initiative participant Iliana Vargas has reported on the experience of attending the Worldcon: “Hibridaciones sinápticas: Habitar la alteridad en todas sus posibilidades: TheMexicanxInitiative en la Worldcon 76” (There’s’ a Google Translate English language version here – as always with GT, buyer beware!)

Creo que si alguien me preguntara por los momentos más significativos de mi vida, sin duda diría que lo fue el entrar al centro de convenciones y ver a tantas personas con las que me identifiqué de inmediato, haciéndome sentir que estaba en un lugar en el que nadie me juzgaría por mi rareza, sino que la compartiría conmigo.Porque de eso se trata la Worldcon: es un ecosistema en el que uno no necesita usar la máscara del ser social con que interactúa cada día para funcionar en el mundo convencional; simplemente se es, con toda la libertad y con todo lo necesario para mostrarlo, lo que uno ha construido en su propio imaginario individual. Es una fiesta que dura cinco días, en la que uno puede encarnar todo aquello que ha abrevado de la literatura, el cine, el cómic, la exploración sonora, las artes visuales y multimedia, para crear su propia comunidadunderground;una comunidad en la que permea un ambiente de respeto, de asombro y de curiosidad, de expectativa constante por lo que uno encontrará cada día en los pasillos, lo que escuchará en cada panel, lo que descubrirá en la zona de vendimia, lo que aprenderá al final de cada día….

(10) NEXT GEN. Netflix picks up Chinese-Canadian animated genre film at Cannes — SYFY Wire has the story: “Next Gen: A Chinese meme, ghosting producer, and a lucky break led to Netflix’s biggest animated film”

The international sales market at Cannes generally runs on two parallel tracks: Big names make splashy deals for high-profile movies, while relatively unknown production companies hock not-so-high-profile projects to international distributors hungry for programming. So it created quite the stir and raised more than a few eyebrows online when, at this year’s festival, Netflix plunked down $30 million for Next Gen, a Chinese-Canadian animated sci-fi film from a pair of first-time feature directors and a studio that had never made a movie before.

…It began, as do seemingly all worthy modern stories, with a meme. Back in 2008, an artist in China named Wang Nima created his own riff on the American “Rage Comic,” a Reddit-grown comic form that couples consciously janky art and the hair-trigger anger inherent to the internet. The style, which became known as “Baozou,” was instantly popular in China, and Wang started up a site called BaozouManhua.com to build on his creation. Fast forward five years and the Baozou site had become a digital empire, with stand-up comedy, web series, and user-generated content, sort of a Chinese version of Funny Or Die.

 

(11) CRAIG MILLER. The latest Chatting With Sherri podcast is “with Producer; Craig Miller”.

Craig Miller is a well-known and respected writer/producer with over 300 credits but he began his Hollywood career as a specialist in motion picture publicity, promotion, and licensing. He started his marketing career fresh out of college, working for George Lucas on a science fiction movie nobody thought would break even: Star Wars. He was Producer-for-Lucasfilm on episodes of Sesame Street guest starring R2-D2 and C-3PO, the Star Wars robots, and other shows and projects.

Miller set up as an independent publicity consultant, working with most of the major studios and many independent companies through his company, Con Artists, and with creative forces of nature such as Stephen Spielberg and Jim Henson.  Films he’s worked on include The Dark Crystal, The Muppets Take Manhattan, Excalibur, Superman II, Altered States, Splash, The Black Cauldron, Real Genius, and dozens of others.

(12) CASTING CALL. If Henry Cavill is really out, Steven Colbert says he’s available.

(13) COMIC CON AFRICA. South Africa’s first Comic Con: “Tickets sold out for Africa’s first Comic Con show”. Yes, they’re calling it Comic Con; any bets SDCC will sue about use on another continent?

This will see thousands of gaming, pop culture, superhero comic fans descending on the Kyalami Grand Prix Circuit and International Convention Centre, north of Joburg, this weekend.

Comic Con Africa will see the best of the best in the industry of superhero comics to gaming, and fans will get an opportunity to see some of their favourite international stars in person.

The build-up to the three-day event has been overwhelming for organisers, who did not expect a sold-out response from fans.

“What to expect at Comic Con Africa 2018” —  for example:

(14) BEFORE THERE WAS TINTIN. Murals Hergé did as an art student are crumbling: “Tintin and the vanishing murals: Brussels races to save art”.

He’s one of the best-known artists of the 20th Century but, before The Adventures of Tintin, the Belgian artist Hergé created art of a different kind – murals at the Brussels school where he once studied.

In the early 1920s Hergé, then a 15-year-old Georges Remi, was a scout and student at Institut St Boniface, in the Ixelles area of Brussels.

He adorned the walls of the old scout HQ with lovingly rendered art showing scouts and Native American Indians, as well as a map of Belgium.

But now the small garage is in disuse, the walls are in a poor state and many of his drawings have crumbled away.

(15) UNWINDING A MYSTERY. Chip Hitchcock asks, “Did this inspire de Camp’s The Clocks of Iraz?”: “Why Edinburgh’s clock is never on time”.

Arrive in Edinburgh on any given day and there are certain things you can guarantee. The fairy-tale Gothic of the royal castle, built on an extinct volcanic plug. The medieval riddle of alleys and lanes. The majesty of the churchyards and macabre spires set against a barb of basalt crags, all as if created by a mad god.

Yet there is one other given in the Scottish capital, and it is the hallmark of Princes Street, the city’s main thoroughfare that runs east to west joining Leith to the West End. The time on the turret clock atop The Balmoral Hotel is always wrong. By three minutes, to be exact….

“We look after 5,000 different clock towers around the world, and to say The Balmoral’s is peculiar is a massive understatement,” [maintainer Smith of Derby]’s Tony Charlesworth told me. “It’s hard to believe, but it’s the only one we’re paid to keep wrong.”

(16) THE HILLS ARE ALIVE. That’s pretty funny —

(17) SQUIRREL POWER. Marvel released a trailer for its full-length animated film Marvel Rising Secret Warriors:

In Marvel Rising: Secret Warriors, powered teens Ms. Marvel, Squirrel Girl, Quake, Patriot, America Chavez, and Inferno join forces as an unlikely, but formidable crew of aspiring heroes. When a threat no one could have expected bears down on the Marvel Universe, this ragtag, untrained band of teens have no choice but to rise together and prove to the world that sometimes the difference between a “hero” and “misfit” is just in the name.

 

[Thanks to John King Tarpinian, JJ, Karl-Johan Norén, Mike Kennedy, Andrew Porter, Cat Eldridge, Carl Slaughter, Chip Hitchcock, Kendall, ULTRAGOTHA, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Brian Z.]

Pixel Scroll 11/17/17 No, I’m Never Gonna Tick  A Box, Guilty Scrolls Have Got No Pixels

(1) MARVEL CHOPS TOP. Newsweek reports “Marvel’s New Global-Minded Chief C.B. Cebulski Replaces Controversial Axel Alonso”.

Marvel Entertainment announced Friday that it has a new Editor in Chief. C.B. Cebulski is a comic book editor who has worked in Marvel’s global division for more than 15 years. The move comes as Marvel shows greater commitment to diversity in its superheroes, and as it eyes readership that reaches all over the globe.

The shakeup comes amid lagging sales for many of Marvel’s titles, which outgoing EIC Axel Alonso implied was due to the company’s push for ethnically diverse superheroes.

… At a retail summit last year, Marvel’s Vice President of Sales David Gabriel told attendees that the sales slump was due to updated versions of classic characters: a mixed-race Spider-Man, an Asian Hulk, a female Thor. Alonso was part of the discussion and seemingly agreed, saying Marvel had gotten too political. “We’ve gone through a period where in pop culture as a whole (and you guys notice that as much as we do), there’s been this massive discussion about inclusion and diversity,” he said. “But Marvel is not about politics.”

Cebulski, on the other hand, has always been entrenched in Marvel’s attempts to include heroes of diverse backgrounds. He began his career in manga, and worked on the Marvel Mangaverse in the early 2000s. He also worked on the Runaways spin-off Loners, overseeing Nico Minoru’s storyline in the series Mystic Arcana.

(2) CURSED. Camestros Felapton feels there’s a paranormal explanation behind these cinematic disappointments: “Review: Justice League The Curse of Zak Snyder”.

I was apprehensive walking into the cinema – I was out of town, with nothing to do but either stare at my feet in a soulless hotel room or visit the near by shopping mall with its requisite and equally soulless multiplex.

Not many people know that the witch character from the Suicide Squad movie cursed the DC movies with a hex so powerful that it ripples back in time and ruined the Green Lantern movie. Only Wonder Woman and Lego Batman have been strong enough to escape the curse.

So I knew I was paying money to see a film that unnatural powers had already undermined. Of the Zak Snyder films I have seen I only have affection for Legends of the Guardians – The Owls of Ga’hoole, I think it also be the only one of his films that feels like a complete narrative.

Yet Justice League is NOT terrible – don’t get me wrong it isn’t actually good but it’s not Batman v Superman or Suicide Squad….

(3) LEAGUE LUKEWARM. NPR’s Chris Klimek says: “‘Justice League’ Is Just OK”:

But the stuff that works in Justice League, if only just, bears [Whedon’s] stamp. It also sticks out from the material that Snyder started shooting 19 months ago like strapping Clark Kent in a newsroom full of pasty, soft-bellied bloggers.

(4) SOMETHING ROTTEN. The Washington Post’s Steven Zeitchik, in “Rotten Tomatoes under fire for timing of ‘Justice League’ review”, discusses the fire directed at Rotten Tomatoes after they delayed the rating (which was 43 percent) for Justice League for 24 hours, allegedly because Time Warner owns 30 percent of the site and Comcast owns 70 which would lead to Rotten Tomatoes giving Warner and Universal releases better treatment.

More than just a kerfuffle over one superhero movie, however, the incident raises larger questions about the relationship between reviewers and the public, the editorial objectivity of aggregators and how much studios should be empowered to control the pre-release messaging of their films.

“I think we need more transparency and equality on Rotten Tomatoes,” said Guy Lodge, a critic who writes for Variety. “An aggregation site should practice absolute objectivity. You mix Time Warner into it,” he added, “and it becomes very confusing.” A WB spokeswoman declined to provide a comment for this article.

(5) A RED S. Here’s a link to the catalog for Profiles in History’s Superman auction, which happens December 19.

An alien named Kal-El from the destroyed planet Krypton was sent to Earth and raised as Clark Kent by human foster parents. As an adult, he became the protector of Earth while Clark Kent worked as a mild-mannered reporter for The Daily Planet newspaper in Metropolis.  After several failed attempts to find a viable publisher for their story, artist Joe Shuster and writer Jerry Siegel’s creation hit the big time when it was chosen as the cover feature for Action Comics #1 in June 1938 by National Allied Publications (the precursor of DC Comics).  Thus marked the genesis of Superman and the superhero genre, forever changing popular culture. We are now on the cusp of the 80th anniversary of his colossal debut.

(6) EATING THE FANTASTIC. “Nibble frozen cranberries with Amal El-Mohtar” in Episode 52 of Scott Edelman’s Eating the Fantastic podcast:

Amal El-Mohtar

It’s time to say farewell to Helsinki—and hello to award-winning writer Amal El-Mohtar—in the final episode of Eating the Fantastic recorded during Worldcon 75. Our meal took place a mere 36 hours after she’d won this year’s Best Short Story Hugo Award for “Seasons of Glass and Iron,” for which she’d also won a Nebula Award earlier in the year.

We chose one of the city’s oldest seafood restaurants for our lunch—Sea Horse, which has been in operation since 1934. And it’s lasted that long for a good reason! We enjoyed the food and the ambiance so much I returned a few days later for dinner with my wife during our post-Worldcon stay.

Amal’s stories and poems have appeared in magazines such as Lightspeed, Uncanny, Strange Horizons, and Apex. Her stories “The Green Book” and “Madeleine” were finalists for the Nebula Award in 2011 and 2015 respectively, and “The Truth About Owls” won the Locus Award in 2015. She won the Rhysling award for Best Short Poem in 2009, 2011 and 2014, and in 2012 received the Richard Jefferies Poetry Prize.

We discussed the importance of female friendship, the first poem she wrote at age 6 1/2 (which you’ll hear her recite), how Charles de Lint helped her get her first bookstore job, the importance of welcoming newcomers into the tent of science fiction and fantasy, what she learned about empathy from Nalo Hopkinson, the only time she ever cosplayed, which book made her a writer, why Storm is her favorite member of the X-Men, the delicious magic of honey, the difficulties of reviewing books in a field where everybody knows everybody, and much more.

(7) AUDIO TORTURE. It’s beginning to look a lot like breakfast, everywhere we go.

(8) A PLEASURE. Elsewhere in the world Cheryl Morgan found easy listening: “M. John Harrison in Bath”.

Last night I took myself into Bath where M. John Harrison was reading from his latest collection, the wonderfully titled You Should Come With Me Now. The book is a mixture of short stories and flash fiction, and shows that Mike has lost none of his sentence-crafting skill, nor his biting wit.

The centerpiece of the reading was the magnificent “Psychoarchaeology”, inspired by the discovery of the (alleged) burial of Richard III under a car park. The story is a meditation on the heritage industry, and is both cutting and hilarious.

There’s always a rights issue. Where does the latest Tudor belong? Does he belong where he was found? Or whence he came? Who gets the brown sign? One wrong decision and York won’t talk to Leicester, the knives are out again after hundreds of years of peace. Contracts torn up, the industry at war with itself, we all know where that can lead: diminished footfall in the visitor centres. No one wants to see that.

(9) CHECKING OUT. Open Culture tells how “’Library Extension’ Helps You Find Books At Your Local Library While You Shop for Books Online”.

The concept beyond “Library Extension” is simple. As you browse books and e-books websites like Amazon, Barnes and Noble and Goodreads, the Library Extension will check the online catalog of your local library and see whether the book you’re interested in happens to be available at your local library. The browser extension currently works on Chrome. Firefox is coming soon. And the browser extension currently has access to data from 4000 local libraries and library systems.

 

(10) SDI. Thrillist revisits “How 2 Sci-Fi Writers Fueled a U.S. President’s Wild Quest to Weaponize Space”.

Larry Niven had the mind for space. An award-winning and best-selling author, his first installment of the Ringworld series — a futuristic and sometimes tongue-in-cheek saga about a massive space station that orbits a distant star as an artificial planet — was considered an instant classic. The book still remains one of the most popular of the several dozen he’s published, and he continues to flesh out the series.

But in 1980, Niven took a career detour. Soon after the election, the author hosted a group of colleagues for a meeting at his home to discuss President-elect Reagan’s stance on space. The “Citizens’ Advisory Council on National Space Policy” included mostly right-leaning military figures, ex-astronauts, scientists, plus a number of Niven’s science-fiction writer contemporaries. The group had the backing of the American Astronautical Society and the L-5 Society, both of which hoped to chart the course of the United States’ space interests over the next two decades, with the more immediate goal of building its recommendations into Reagan’s official policies.

In attendance was Jerry Pournelle, Niven’s co-author on both the 1974 book The Mote in God’s Eye — about a worst-case-scenario alien invasion — and 1977’s Lucifer’s Hammer — about a comet impact that creates widespread anarchy. A self-described centrist — but only in terms of his own elaborate political mapping system, the Pournelle Axes — Pournelle believed in a robust, technocratic military state wedged between the New Left and conservative factions of government.

(11) TODAY IN HISTORY

  • November 17, 1979 Salem’s Lot premiered on TV.

(12) COMICS SECTION.

John King Tarpinian learned about interior design Batman-style on Brevity.

(13) MANY DOLLARS. The BBC says San Diego Comic-Con has a big handle: “Comic book success: The rise of the Comic-Con festival”.

From a gathering of less than 300 people in 1970, the event has morphed into an annual, multi-day media bonanza that draws major corporate sponsors, movie studios and more than 150,000 people.

The event made more than $17m in revenue in 2015, according to the most recent tax filing available online, and it has spawned similar festivals in cities around the world.

“San Diego’s growth has been mind-boggling,” says author John Jackson Miller, who also owns Comichron, which tracks sales of comic books.

Mr Miller went to San Diego for the first time in the early 1990s, when it still drew less than 40,000 people.

(14) FOR WHICH TWITTER WAS MADE. Sam Sykes and Chuck Wendig are at it again. The thread starts here.

(15) MOSKOWITZ. Hal W. Hall’s Sam Moskowitz: A Bibliography and Guide is available as a free download online from Texas A&M University. The sketch of Sam Moskowitz on the cover is by Frank R. Paul.

A comprehensive bibliography of the writings of Sam Moskowitz. Sam Moskowitz was a fixture in science fiction, from near the beginning to the present day. He was a fan, editor, author, historian, critic, WorldCon organizer, and cheerleader for the science fiction field. He was a prolific author of books, articles and letters. His books are readily available in libraries or for sale. The same cannot be said of many of his articles, and certainly not of his letters. Many of the articles and letters appeared in science fiction pulps and in fanzines. Some of the fanzines were quite professional in appearance, content and editing, and served a valuable service to science fiction scholarship in preserving much of the early history of science fiction. The writings of Sam Moskowitz are an important part of that historical archive. Eric Davin notes that “Sam Moskowitz saw himself as the science fiction historian of record.” It is a good description. He researched and recorded much about the beginnings of science fiction.  Some items remain the only resource available on a particular person or topic. An accurate scholarly judgment of the historical and critical output of Moskowitz remains to be done.

(16) QUACKS ME UP.

(17) UNACQUIRED TASTE. Glenn Garvin of Reason.com reviews the Hulu series “Future Man,” in “Future Man is Gleefully Sophomoric, And That’s Part of Its Charm,” where he notes that the series, written and produced by the people who brought you the immortal masterpiece Sausage Party, which means it’s full of the sophomoric jokes teenage boys like, with many jabs at video gamers in general and The Last Starfighter in particular.

The two warriors who escape from the game, Tiger (Eliza Coupe, Quantico) and Wolf (Derek Wilson, Preacher), come from a future where the veneer of civilization has been pretty much worn away from everything, and their sanguinary work habits—Wolf’s favorite plan is “Rip his fucking dick off!”—supply much of Future Man‘s staple humor. (Bodily effluents, emitted in always surprising but ever disgusting ways, are pretty much the rest.)

But it’s hard to resist a show a show that so relentlessly mocks its own origins. Future Man is a tapestry of withering allusions to everything from The Terminator movies to the Mortal Kombat video games (can you guess which organ gets ripped out of losing contestants?) to Animal House.

(18) SAY CHEESE. “The Largest Digital Camera In The World Takes Shape”NPR has the story. “It will go on a giant telescope taking shape in Chile called the Large Synoptic Survey Telescope.”

LSST is different from most large telescopes. Instead of staring at a tiny patch of the sky and taking essentially one snapshot in time, LSST will take a panorama of every part of the sky…and it will do so over and over and over. The idea is to see what’s moving or changing in the heavens.

“That could be everything from asteroids, to variable stars, to supernova, to maybe new phenomenon that we don’t know about yet,” says Aaron Roodman, a physicist at the SLAC National Accelerator Laboratory. Roodman is the scientist in charge of the integration and testing of the camera.

(19) SILENT MOVIE THEATER. The future of a LA landmark is in doubt, as Variety says “Cinefamily to Permanently Shut Down Following Sexual Harassment Scandal”.

Los Angeles independent film venue Cinefamily will permanently shut down and dissolve the board following allegations of sexual misconduct made against some of Cinefamily’s executives in August that led to two resignations from the company.

Silent Movie Theater, Cinefamily’s longtime home, will be closed and renovated by the landlord, while the board will establish a transition team to handle the organization’s financial and legal affairs, according to a statement from the board of directors.

“The damage caused to the organization by the conduct of some and the crippling debt now facing the Cinefamily are, in the Board’s view, irreparable,” the board of directors wrote in a statement.

As previously reported by Variety, Cinefamily temporarily suspended all activities in August amid the scandal where anonymous emails accused Cinefamily leaders of sexual harassment. Executive director and co-founder Hadrian Belove and board member Shadie Elnashai resigned on Aug. 22.

(20) DON’T TREAD ON THESE. Peer treated us to a new Elvis lyric in comments.

Pixelled my blue suede shoes
And I clickboxed a plane
Scrolled down in the land of mounttsundokus
In the middle of the pournelle rain
JRR Tolien won’t you look down on me
Yeah, I got a fifth class ticket
But I’m as blue as a Filer can be
Then I’m scrolling in Comments
Keeping at least ten feet off of the Beale
Scrolling in Comments
But do I really file the way I file?

Read the ghost in the shell
Or Atomic Avenue
Followed up with the water knife
Then I waded right through Borne
Now Mord, they did not see him
And he just hovered ’round his town
But there’s a pretty little shell
Waiting for the hell
Down in the Broken Earth
When I was Scrolling the comments
I was clicking with The box right of the left
Scrolling the comments
But do I really file the way I file?

(21) VIDEO OF THE DAY. In “What’s New, Atlas?” on YouTube you can see a Boston Dynamics robot do a somersault.

[Thanks to John King Tarpinian, JJ, Cat Eldridge, Hal W. Hall, Martin Morse Wooster, Chip Hitchcock, and Andrew Porter for some of these stories,. Title credit belongs to File 770 contributing editor of the day Kurt Busiek.]

Pixel Scroll 7/29/17 So What’s It Gonna Be, Kid? Calendrical Rot Or Diachronic Shear?

(1) TWEETS OF GENIUS. The winner of the internet today begins here –

(2) NEXT CHIANG ADAPTATION. A Ted Chiang story will be the basis for this new AMC show: “AMC is developing a sci-fi show from the writers behind Arrival”.

During the Television Critics Association press tour, AMC announced a slate of eight new shows that it’s putting into development, according to Deadline, which includes a project based on a story by Ted Chiang, whose novella Story of Your Life was the basis for Denis Villeneuve’s movie Arrival.

Liking What You See is being developed by Arrival’s screenwriter, Eric Heisserer, with Chiang as a consultant. It’ll be based on Liking What You See: A Documentary, which Chiang published in his collection, Stories of Your Life and Others in 2002. The story is set in the near future where members of a community called Saybrook undergo a procedure called calliagnosia, which prevents them from perceiving beauty. The story plays out like a documentary, and its characters discuss the pros and cons of this procedure in a media-saturated world.

(3) ALTSPACEVR CROAKS. A social media pioneer ran out of money, as they do – The Verge has the story: “The most famous VR social network is abruptly shutting down”.

AltspaceVR, the virtual reality social network that has hosted everything from stand-up comedy to presidential debate-watching parties, is shutting down next week. The community announced “with heavy hearts” last night that AltspaceVR would be closing August 3rd at 10pm ET, after “unforeseen financial difficulty.”

Spokesperson Gerard Gottheil provided more detail in an email to The Verge and other outlets. “We had a supportive group of investors that last gave us money in 2015. It looked like we had a deal for our next round of funding, and it fell through,” he said. “Some combination of this deal falling through and the general slowness of VR market growth made most of our investors reluctant to fund us further. We’ve been out fundraising but have run out of time and money.”

Currently, AltSpaceVR has around 35,000 active monthly users, who spend an average of around 35 minutes a day on the free platform.

(4) FUTURE FORESEEN. UploadVR says “Here’s A Look Back at How Sci-Fi Literature Predicted the Rise of Modern Virtual Reality”. Sure, but did sci-fi predict it would go broke?

With the introduction of top-end devices such as the Oculus Rift and the HTC Vive as well as the simple ones such as Google Cardboard, Virtual Reality is the next digital frontier. While it’s a world that can now be practically realized, it’s not a new idea: Science Fiction has long been imagining virtual worlds within imagined ones.

From the early 1950s, authors had begun to experiment with stories involving simulated worlds. Ray Bradbury’s 1951 story The Veldt dealt with a pair of children and a virtual nursery, while Fredric Pohl’s 1955 short story The Tunnel Under the World told the story of a man who relived the same day over and over, only to discover that he was trapped in a cruel marketing simulation…..

(5) FAMOUS SF SERIES CONTINUES. C.J. Cherryh  announced in a public Facebook post that she and Jane Fancher are currently completing a new Alliance-Union book (titled Alliance Rising). It is set early in the universe’s timeline. At the moment, the book is being edited by Fancher and Cherryh has finished her edit.

It takes two people of similar style (check) and egos both strong enough and pliable enough (check) to see something you thought brilliant as fluid and changeable. In a profession as solitary as writing can be, it’s downright fun to sit down for a brainstorming session on the shared story. We’re already thinking about ‘next…’

(6) PRESTO. Camestros Felapton’s latest hilarious invention is the “Genre Shifter”.

Turns a single paragraph into different genres via the miracle of science!

(7) MORE MEMORIES OF JORDIN KARE. Bill Higgins of Fermilab recalls the science panels he did with Jordin Kare in their personas Fizz and Fuse.

(8) TODAY IN HISTORY

  • July 29, 1988 – George A. Romero’s Monkey Shines opens.
  • July 29, 1970 — The 1965-produced Invasion of the Astro-Monster finally found its way to a theatrical release in the United States.
  • July 29, 2002 Signs premieres in theaters.
  • July 29, 2011 — Director Jon Favreau spawned Cowboys & Aliens on this day in 2011.

(9) TODAY’S BIRTHDAY BOY

  • Born July 29, 1972 – Wil Wheaton

(10) COMIC SECTION R.I.P. The July 24 Financial Times has an article on D C Thomson, the Scottish publisher of “The Beano,” Briitain’s oldest comic (founded 1938), as they try to invent apps and short animations for tablets to keep kids interested an avoid the fate of another DC Thomson comic, “The Dandy” which died in 2012 after its circulation fell from 2 million in the 1950s to 7,500.  (“The Dandy” was supposed to move online, but hasn’t.)

(11) TIME TRAVEL. If you weren’t present in 1962 when Galactic Journey held its second tele-conference, thank goodness you have the means to go back in time whenever you want to watch Gideon Marcus and company present their predictions for the 1962 Hugo Science Fiction Awards.

(12) CONFEDERATE. The Hollywood Reporter’s Lesley Goldberg, in “HBO’s Casey Bloys Defends Slave Drama From ‘Game of Thrones’ Creators: ‘It’s a Risk Worth Taking'”, says that Bloys spoke at the Television Critics Association press tour and said Confederate was “weapons-grade material” but “If you can get it right, there is real opportunity to advance the racial discussion in America.”

If you can draw a line between what we’re seeing in the country today with voter suppression, mass incarceration, lack of access to public education and healthcare and draw the line to our past and shared history, that’s an important line to draw and a conversation worth having. [The producers] acknowledge this has a high degree of difficulty. It’s a risk worth taking.

(13) LATE SHOW. JJ admires these reviews by James Reid and wishes they’d been posted earlier so they could have been included in our roundup here. “I thought that the Campbell was the best eval (possibly the only one) for that category I’ve seen.”

Black Panther, Volume 1: A Nation Under Our Feet, writen by Ta-Nehisi Coates, illustrated by Brian Stelfreeze

Wakanda is beset by internal strife, and it’s king is overwhelmed.

How does a good king rule when they’ve failed their kingdom, and how do they fight a rebellion that philosophically might be right?  Wakanda has been devastated by war, their elite warriors have become vigilantes and rebels, and a woman flames fear in the populous and drives them to rebellion using mystical powers.  What is most interesting in this book is the sympathy that Coates shows those rising up, rather than assume that because Black Panther tries to be a good ruler he should rule, it looks at the consequences of his actions, and the role of kings.  As a book, Black Panther lacks in neither action nor thought, but unfortunately, as merely the first volume in a longer arc never has a chance to answer the questions it poses.  This is a series that demands further reading, but as a volume is all set up.

As art, the landscapes and cities are evocative, creating a technocratic eden in the jungle.  In contrast the characters are highly stylised and angular, better in motion than standing still.

A good introduction to what promises to be a well thought out look at leadership and governance combined with superhero action.

(14) COVER STORY. Shorpy is back with another old newsstand photo from around November 1938. For this one you don’t even need to squint to see the science fictional goodies. Bill says he sees these stories:

The Astounding has stories by Hubbard and Simak, and a letter from Asimov. The Amazing Stories has “I Robot” by Eando Binder. The Weird Tales has a Kull poem by REH, and stories by August Derleth, Clark Ashton Smith, Robert Bloch and Henry Kuttner. The Startling Stories has a novel (“The Black Flame”) by Stanley Weinbaum. The Argosy has a reprinted installment of “The Ship of Ishtar” by Merritt. The issue of Adventure Comics contains stories and art by Bob Kane, Bill Finger, Siegel and Shuster, and Sheldon Moldoff.

Although I think for some of these identifications, Bill must be using x-ray vision.

(15) I SCREAM, YOU SCREAM. We all scream… No, this isn’t a horror story, it’s a lyric: “Scoop! This Woman Tastes Ice Cream For A Living”.

Fast Company: How did you land that job, really?

Molly Hammel: It was a competitive process with dozens of applicants, but I’m not sure exactly how many people applied for this job.

One thing that really helped me stand out during the interview process was that I was on the dairy judging team in college. To participate in the team, I went through extensive training on how to judge dairy products (ice cream included). I came in second overall in the Collegiate Dairy Products Evaluation Contest in 2014 so that definitely helped as well. During my interviews, I also mentioned that I made up silly songs and walked around the office singing to get panelists to attend panels at my last internship. A couple of associates mentioned my songs to me after I was hired, so I think that helped me stand out.

(16) TIPPING THE SCALES. Only one can win! “Finalists to gather for Miss Mermaid United Kingdom pageant”.

The top mermaids in Great Britain will gather this weekend to determine who will earn the title of Miss Mermaid U.K.

Women from England, Scotland, Wales and Northern Ireland were invited to compete in regional pageants and the finalists will gather at Billing Aquadrome in Northampton on Saturday.

The winner will be adorned with a special crown and receive the opportunity to compete in the Miss Mermaid International final in Egypt in November.

Participants in the pageant are required to be females between 18 and 32-years-old who live in the U.K. and have strong swimming skills.

(17) SHAKE IT FAR, FAR AWAY. Eclectic Method has created Star Wars video you can dance to, using only sounds from the 8 Star Wars Movies, no added sugars or samples.

[Thanks to John King Tarpinian, Bill, Andrew Porter, JJ, Cat Eldridge, Martin Morse Wooster, Rob Thornton, and Cat Rambo for some of these stories. Title credit goes to File 770 contributing editor of the day Peer Sylvester.]