(1) ABOUT TIME. At Young People Read Old SFF, James Davis Nicoll has one he’s sure the panel will like. Can that actually happen?
This month, the Old Hugo Finalist the Young People read was Samuel R. Delany’s “Time Considered as a Helix of Semi-Precious Stones”, which was first published in New Worlds, #185 December 1968. Despite my track record of guessing wrong about what older SFF will appeal to younger people, I am pretty confident about this one. Not only did “Time” win both the Nebula and the Hugo in its category, but Delany’s fiction is objectively popular. The Bantam edition of Delany’s crowd-pleasing Dhalgren, for example, went through 19 editions and sold over a million copies. Success in this matter is therefore utterly assured….
Type “Edgar Allan Poe” into your preferred image search engine, brace for impact, and press Enter. Instantly you hit a wall of chalk-white faces, each conveying a mixture of despair, dyspepsia, grief, wonderment, and wounded pride. Some are actual daguerreotypes, while the rest are fan art or movie stills inspired by those antique likenesses. In every case, one has the distinct feeling that misery could not ask for better company. This is Poe.
Now try searching “Poe Osgood portrait” instead. What comes up this time is a face totally different from those in the previous set. It can’t be the same person. There is color in his cheeks and light in his eyes, and his brow looks quite unburdened. The expression registers as neither menacing nor miserable, but magnanimous. This too is Poe.
It is Samuel Stillman Osgood’s more human version of the poet, novelist, and critic that interests us here. That the portrait has become emblematic of a close friendship between Poe and Frances Osgood, the artist’s wife, makes it still more surprising, because Poe is not supposed to have had friends….
… In an apparent bid to make the historiography of the Debarkle easier, multiple members of 2014’s Evil League of Evil banded together to publish an anthology entitled “Forbidden Thoughts”. The title, evocative of Harlan Ellison’s never fully completed Dangerous Visions anthologies, was predicated on the idea that the last bastion of transgressive ideas in speculative fiction is reactionary conservatism….
City planners in this civilization rely on fungus to help them do their jobs.
(5) THE END IS NEAR. Leonardo DiCaprio is part of a celebrity ensemble cast in Don’t Look Up, which tells the story of two low-level astronomers who must go on a giant media tour to warn mankind of an approaching comet that will destroy planet Earth. On Netflix on December 24.
(6) MEDIA BIRTHDAY.
1966 – Fifty-five years ago on NBC, Star Trek premiered. Roddenberry had pitched a brief treatment to Desi Arnaz and Lucille Ball’s Desilu Productions, producers of Mission: Impossible, three years previously, calling it “a Wagon Train to the stars”. I won’t go into details here as y’all know them all too well but will note that it would spawn eleven television series to date, thirteen films, and numerous books, games, and more toys than you can possibly keep count. The series won two Hugos, one at NyCon 3 for “The Menagerie”, and another at Baycon for “The City on the Edge of Forever”.
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 8, 1925 — Peter Sellers. Chief Inspector Clouseau in the Pink Panther films which are surely genre, aren’t they? Of course he had the tour de force acting experience of being Group Captain Lionel Mandrake, President Merkin Muffley and Dr. Strangelove in Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb. Amusingly he was involved in a number of folk tale productions in various mediums (film, radio, stage) including Cinderella, Tom Thumb, Mother Goose and Jack and The Beanstalk. (Died 1980.)
Born September 8, 1937 — Archie Goodwin. Comics writer and editor with a very long career. He was the writer and editor of the horror Creepy and Eerie anthologies, the first writer on the Iron Man series, wrote comic book adaptations for Marvel of the two Star Wars sequels and edited the Star Wars line for them. For DC, he edited Starman which Robinson said he was inspiration for. (Died 1998.)
Born September 8, 1945 — Willard Huyck, 76. He’s got a long relationship with Lucas, first writing American Graffiti and being the script doctor on Star Wars before writing Indiana Jones and the Temple of Doom before being the writer and director on Howard the Duck which, yes, is a Lucasfilm. It’s the lowest rated on Rotten Tomatos Lucasfilm production ever at 15% followed by Radioland Murders, the last script he’d write for Lucasfilm.
Born September 8, 1952 — Linda D. Addison, 69. First Black winner of the Stoker Award which she has won five times. Amazingly, The first two awards were for her poetry collections Consumed, Reduced to Beautiful Grey Ashes and Being Full of Light, Insubstantial. All five of her Awards were for poetry collections. She does write more than poetry as her story, “Shadow Dreams”, was published in the Black Panther: Tales of Wakanda anthology.
Born September 8, 1954 — Mark Lindsay Chapman, 67. Sorry DCU but the best Swamp Thing series was done nearly thirty years ago and starred the late Dick Durock as Swamp Thing and this actor as his chief antagonist, Dr. Anton Arcane. Short on CGI, but the scripts were brilliant. Chapman has also shown up in Poltergeist: The Legacy, Bram Stoker’s Legend of the Mummy, The New Adventures of Superman, The Langoliers and Max Headroom to name a few of his genre appearances.
Born September 8, 1965 — Matt Ruff, 56. I think that his Sewer, Gas & Electric: The Public Works Trilogy is his best work to date though I do like Fool on The Hill a lot. Any others of his I should think about reading? And of course there the adaptation of Lovecraft Country which I’ve not seen as I don’t have HBO. He won an Otherwise Award for Set This House in Order: A Romance of Souls, and an Endeavour Award for The Lovecraft Country.
Born September 8, 1966 — Gordon Van Gelder, 55. From 1997 until 2014, he was editor and later publisher of The Magazine of Fantasy & Science Fiction, for which he was awarded twice, and quite well deserved they were, with the Hugo for Best Editor Short Form at Nippon 3 and at Devention 3. He was also a managing editor of The New York Review of Science Fiction from 1988 to 1993, for which he was nominated for the Hugo a number of times.
Born September 8, 1975 — C. Robert Cargill, 46. He, along with Scott Derrickson and Jon Spaihts, worked on the script for Doctor Strange. More intriguingly they’re writing the script for The Outer Limits, a movie based on the television show. The film, produced by MGM, will be adapted from just the “Demon with a Glass Hand” episode begging the question of what they’re writing for a script given that Ellison did write the Writers Guild of America Awards winning Outstanding Script for a Television Anthology script.
(8) TRAILER PARK. A new DCEU animated film trailer: “Injustice”.
Inspired by Injustice: Gods Among Us, NetherRealm Studios’ popular video game, and the best-selling DC graphic novel based on the video game, Injustice: Gods Among Us: Year One by Tom Taylor, the animated film Injustice finds an alternate world gone mad – where The Joker has duped Superman into killing Lois Lane, sending the Man of Steel on a deadly rampage. Unhinged, Superman decides to take control of the Earth for humanity’s own good. Determined to stop him, Batman creates a team of like-minded, freedom-fighting heroes. But when Super Heroes go to war, can the world survive?
(11) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers: The Great Ace Attorney Chronicles” on YouTube, Fandom Games says this steampunk series “has almost nothing to do with what actually goes on in a courtroom” and featrues Sherlock Holmes as “an arrogant moron.” “So strap on that katana and get ready to make objections!”
[Thanks to John King Tarpinian, Cat Eldridge, Mike Kennedy, Andrew Porter, Martin Morse Wooster, JJ, and Michael Toman for some of these stories. Title credit belongs to contributing editor of the day Andrew (not Werdna).]
(1) MASSIVE DOCTOR WHO POLL. Herald of Creation today finished releasing the results of its poll of the best Doctor Who episodes, a Twitter marathon that began in July with number 296 “The Battle of Ranskoor av Kolos” (a Thirteenth Doctor episode, unfortunately.) Here are the top five, with apologies that WordPress won’t display single tweets. (And since Herald of Creation revealed them in last to first order, that shuffles things up, too.)
This is one of those bad news but not the worst news posts, which is to say that I’ve been diagnosed with early stage breast cancer and am in the process of scheduling surgery and radiation for it.
This means that The Folded Sky will probably be a little delayed, because at least two months of my life are going to vanish in a puff of waiting rooms and lasers. The good news on that front is that I’m working on the copy edits for The Origin of Storms right now and those should be handed back very soon. And I think I’ll get the short story I’m working on finished by deadline, too…
Don’t fret about me too much: I’ve got a great care team and a great group of local family and friends, and the odds are in my favor. The survival rate for early detected breast cancer is 99% these days.
I expect to be crushingly bored and annoyed and somewhat terrified for three months or so, and then suffer through biannual mammograms for the rest of my life, however long that is….
The magically amazing artwork of Rowena is known to people everywhere in the world. She painted literally hundreds of book covers and illustrations for many different publications. She won many awards during her career, including the British Fantasy Award for Best Artist in 1984, and was a four-time Hugo finalist for Best Professional Artist. Her professional peers made her a 1999 Chesley Award nominee. And the World Fantasy Conventions awarded her a lifetime achievement award in 2020.
Sadly, Rowena passed away in February 2021 and the art world experienced a profound loss.
And that means, of course that there will be no more Rowena art produced…ever. However, legends never die and here is the opportunity to keep her legend alive. This new book of her artwork contains many pieces that were never published before. And will also include several pieces that were never published in Rowena’s previous art books. Over 100 pages of paintings and drawings and even some poetry are contained within this hard cover volume.
This beautiful book is being lovingly designed and edited by Kim DeMulder, who had lived with Rowena for approximately the last 18 years.
This has been a difficult year for the conventions that have long been the lifeblood of our field. The SLF is pleased to announce a new Convention Support Grant for 2021-2022.
We’ll be giving out $10,000 over the course of the year, in grants of $500 – $1000 each, to science fiction and fantasy conventions. (Literary conventions that have significant speculative literature content are also welcome to apply.)
These grants are intended to support conventions both in developing their online presences (through the purchase of tech, training costs, hosting costs, etc.) and making in-person gathering safer once it’s appropriate, perhaps in the last quarter of 2021 (through purchase of cleaning supplies, masks, renting additional rooms for better spacing, etc.). Non-profit organizations preferred.
Applications will be reviewed on a rolling basis. Open for submissions: Conventions taking place between January 1 and May 31, 2022, application period: August 15 – September 15, 2021
…Essentially, reports Le Monde and WorldCrunch, the French Military of Defense is working with the University of Paris Sciences and Lettres to train their military on sci-fi-esque ideas. The science fiction writers, already in the business of thinking of futuristic technology and social innovations, come up with futuristic scenarios that could possibly endanger France between 2030 and 2060. Once the sci-fi writers, called the “Red Team,” fact-check with “The Purple Team,” academics working in AI and tech, and the “Blue Team,” military, the military uses those ideas as practice scenarios.
The Red Team also has a YouTube channel filled with what are essentially commercials for themselves.
(6) IN A HOLE IN THE GROUND. [Item by Martin Morse Wooster, Designated Financial Times Reader.] In the August 28 Financial Times (behind a paywall), Lorien Kite discusses a vacation she took with her family in Iceland, organized by Black Tomato “Take me on a Story” based on Jules Verne’s Journey To The Centre Of The Earth.
The action begins almost as soon as we make it through the melee of duty-free shopping and Covid-related bureaucracy at Keflavik arrivals only to be greeted by our guide for the next four days, Arnar Olafsson. Outside, loading the vehicle, we find an envelope wedged under the windscreen wiper, which opens to reveal a letter with certain words rendered in Scandinavian runes together with part of a runic-to-roman key–though not a big enough part for us to make much headway. Later, after we are dropped off at our base for the first two days, the stylish Hotel Husafell near the Lankjokull glacier, a parcel including the missing section is delivered to our door.
The packages keep coming, all containing puzzles or messages that whet the appetite for the next day’s activities and sustain the narrative of a mysterious uncle with the initials “GH” who has discovered a way to the centre of the Earth and is now on the run: It’s a kind of treasure hunt, borrowing from the 1959 and 2008 films as well as from the book.
(7) DHALGREN IN DEPTH. On Samuel R. Delany’s Dhalgren, edited by Bill Wood, and put together with a great deal of assistance from Delany himself, will be released by Fantastic Books on September 9.
This book—full of reviews, critical essays, and in-depth analyses of Dhalgren as a novel, and as commentary on life and the world—is an excellent companion to the novel itself. There are also discussions of how to read the novel, and clues to unraveling some of the mysteries hidden therein. Dhalgren is a difficult novel to read—playing with the reader’s perception through the use of circular text, interior echoes, multistable perception, and repeated imagery—but it is a worthwhile read. The book includes nine full-color illustrations (and more spot black-and-white illos), as well as an essay on “The Making of Hogg,” Delany’s infamous and nearly unpublishable novel.
Samuel R. Delany is the winner of two Hugos and four Nebula Awards. He has been honored with lifetime achievement awards, including SFWA’s Grand Master, the Eaton Award, the Lambda Pilgrim Award, and the Gaylactic Spectrum Award, and was inducted into the Science Fiction Hall of Fame. Dhalgren, his most popular and most controversial novel, was first published in 1975. It was nominated for the Nebula Award, remains in print to this day, and has sold close to two one million copies in a variety of editions.
Contributors include Douglas Barbour, Mary Kay Bray, Rudi Dornemann, Harlan Ellison, Robert Elliot Fox, Jean Marc Gawron, Kenneth R. James, Gerald Jonas, John Nizalowski, Steven Paley, Darrell Schweitzer, Steven Shaviro, K. Leslie Steiner, Theodore Sturgeon, and Samuel R. Delany himself.
2003 – Eighteen years on this date, Seven Seasons of Buffy: Science Fiction and Fantasy Writers Discuss Their Favorite Television Show was published by BenBella Books. It’s a look by Buffy the Vampire Slayer and Angel by genre writers who are very obviously fans of those series. I won’t list all of the authors and their essays who are here so I’ll single out just a few such as David Brin who wrote “Buffy vs. the Old-Fashioned ‘Hero'”, Laura Resnick’s “The Good, the Bad, and the Ambivalent” and Sherrilyn Kenyon “The Search for Spike’s Balls”. It’s available should you want to read it from the usual suspects for a mere four dollars and ninety nine cents.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 3, 1940 — Pauline Collins, 81. She played Queen Victoria in the Tenth Doctor story, “Tooth and Claw”, a most excellent tale, but she first showed up on Who over thirty years earlier as Samantha Briggs in “The Faceless Ones”, a Second Doctor story. She’s appears in Tales of the Unexpected, The Three Musketeers, Julian Fellowes’ From Time to Time film and the Merlin series.
Born September 3, 1943 — Valerie Perrine, 78. She has an uncredited role as Shady Tree’s sidekick in Diamonds Are Forever, her first film appearance. Her first credited film role is as Montana Wildhack in Slaughterhouse-Five. She’s Eve Teschmacher in Superman and Superman II. She showed up as Tins in “The Three Little Pigs” episode of Faerie Tale Theatre, and was April Flowers in “Who’s Who: Part 3” of Ghostwriters.
Born September 3, 1943 — Mick Farren. Punk musician who was the singer with the proto-punk band the Deviants. He also wrote Hawkwind lyrics who several genre writers have included in their novels. His most well-known genre work was the The Renquist Quartet about an immortal vampire. His late Eighties novel The Armageddon Crazy was set in a post-Millennium States dominated by fundamentalists who toss the Constitution away. (Died 2013.)
Born September 3, 1954 — Stephen Gregg. Editor and publisher of Eternity Science Fiction which ran 1972 to 1975 and 1979 to 1980. It had early work by Glen Cook, Ed Bryant, Barry N Malzberg, andrew j offutt and Roger Zelazny. (Died 2005.)
Born September 3, 1959 — Merritt Butrick. He played Kirk’s son, David, in The Wrath of Khan and again in The Search for Spock. Note the very young death. He died of toxoplasmosis, complicated by AIDS to be precise. (Died 1989.)
Born September 3, 1969 — John Picacio, 52. Illustrator who in 2005 won both the World Fantasy Award for Best Artist and the Chesley Award for Best Paperback Cover for James Tiptree Jr.’s Her Smoke Rose Up Forever. He won the Hugo for Best Professional Artist at LoneStarCon 3 and at CoNZealand. He’s nominated this year for the same Award.
Born September 3, 1974 — Clare Kramer, 47. She had the recurring role of Glory, a god from a hell dimension, that was the main antagonist of the fifth season of Buffy the Vampire Slayer. She’s been a lot of horror films including The Skulls III, The Gravedancers, The Thirst, Road to Hell, Road to Hell, Big Ass Spider! and Tales of Halloween.
… The book I wish I’d written The Man Who Was Thursdayby GK Chesterton. It’s an extraordinary novel, funny and clever. It is subtitled A Nightmare. But it’s an odd sort of nightmare – one where terror keeps dissolving into cheerfulness (which is the opposite way round from most nightmares, and from a lot of contemporary fiction). Chesterton describes scenes and objects and colours with an almost heraldic vividness – or, looked at another way, as if they were pages in a modern graphic novel. He makes London feel like a fairytale, which to him I think it was. I have read The Man Who Was Thursday many, many times, but I still don’t understand it. I’ll keep going.
A word of warning: it is a book of its times. There are no women characters. Well, there might be one, but she says three things and vanishes immediately….
(12) DUELING KAIJU. John Scalzi’s tweet brings to mind something I saw during the 1986 Worldcon, possibly in the same hotel. (How many downtown Atlanta hotels have these glass-walled elevators?) Quote follows.
…At other times, the illusion of flight and the view of other elevator cars hurtling past inspired new fannish stunts. Late Friday night the car I was riding stopped at the 38th floor, admitting Jerry Pournelle and Barbara Clifford. Seconds later, another car stopped beside us on the 38th floor. Staring from its window was a 3-foot-tall inflatable Godzilla held upright by two laughing fans. Both elevators left the 38th floor together, and raced downward on a parallel course. Like a tailgunner sighting bogies through his perspex dome, Pournelle jackhammered his arms from the recoil of imaginary twin-.50s and yelled, “Die, monster, die!” Godzilla’s bodyguards imitated Jerry and they shot each other down into the lobby….
(13) MORE NEWS. Petréa Mitchell returns to the con reporting field with the launch of her new Substack newsletter SMOF News. Issue 1 is live here.
SMOF News aims to be a newsletter covering fan conventions and related topics of interest. Please send your press releases, your news tidbits, and your outraged letters to firstname.lastname@example.org.
Each issue will have 4 parts:
Discussion of the big news of the week. If there is no big news, the space will be filled by editorializing, helpful tips for congoers, Q&As, or whatever else seems appropriate to the moment. Like this introduction, for instance.
News in brief from around the convention world.
Convention listings for the next five weekends.
One interesting link that may or may not have anything at all to do with geek fandoms.
Newsletters will be published every Wednesday evening, Pacific Time.
(14) OCTOTHORPE. Episode 39 of the Octothorpe podcast is now up. John Coxon, Alison Scott, and Liz Batty are at their computers for the first time in ages, and spend awhile catching up on locs before talking about convention COVID-19 policies. Listen here: “Bar Cookies”.
On TikTok, the hashtag #disneyhouse currently has over 120 million views. Here, you can see everything from handles shaped like the talking doorknob in Alice In Wonderland to princess beds to Aladdin rugs to doors decaled to look like Boo’s from Monsters, Inc. In recent years, much has been made of ‘Disney adults’ – often childless millennials with an all-consuming love of Walt’s wares. Disney adults subtly dress like Disney characters, they holiday in the parks multiple times a year and they fill their homes with Disney décor.
(16) TEN PERCENTER. Powell’s Books has picked a list of 50 Books for 50 Years. I’ve read five. (Sometime I’m going to make my own list so for once I can have a good score.)
Which books have foretold the present, lit our paths, warned us back, egged us on? What books stand with us now, reflecting the present?
Read why we picked each of these remarkable volumes of fiction, nonfiction, poetry, and comics for our anniversary list — and share your favorites with us using the hashtag #50Books50Years.
(Click for larger image.)
(17) MADE OF CHEESE. The moon, maybe, the movie for sure. Moonfall comes to theaters February 4, 2022.
In Moonfall, a mysterious force knocks the Moon from its orbit around Earth and sends it hurtling on a collision course with life as we know it. With mere weeks before impact and the world on the brink of annihilation, NASA executive and former astronaut Jo Fowler (Academy Award® winner Halle Berry) is convinced she has the key to saving us all – but only one astronaut from her past, Brian Harper (Patrick Wilson, “Midway”) and a conspiracy theorist K.C. Houseman (John Bradley, “Game of Thrones”) believes her. These unlikely heroes will mount an impossible last-ditch mission into space, leaving behind everyone they love, only to find out that our Moon is not what we think it is.
(18) VIDEO OF THE DAY. Mark Hamill talks to Star Wars Coffee about his role in The Mandalorian. This is actually quite interesting and only four minutes long.
[Thanks to Mike Kennedy, Andrew Porter, Martin Morse Wooster, JJ, SF Concatenation’s Jonathan Cowie, Ian Randal Strock, Michael Toman, John King Tarpinian, and Cat Eldridge for some of these stories. Title credit belongs to contributing editor of the day Jack Lint. Or Kendall. I’m not sure.]
(1) UNRELATED TWINS. Darryl Mott tweeted a rundown about why two gaming companies that each go by the name TSR are making the wrong kind of news recently. Thread starts here.
(2) COOL IDEA. IceCon 2021, the convention happening this November in Reykjavík, Iceland has added Ted Chiang as its third GoH. The first two are Mary Robinette Kowal and Hildur Knútsdóttir.
(3) ABOUT HUGO FINALIST STRANGE HORIZONS. Maureen Kincaid Speller, Strange Horizons’ Senior Reviews Editor speaking here as an individual, set the record straight about their interactions with DisCon III in a Facebook public post.
… There has been a lot of pushback against this kind of thing in the last few years, especially as more groups/collectives are nominated, and rightly so. There is something very wrong with trying to reduce the work of many to one or two names, as if there is something inherently wrong in not being a lone creator. Is it not amazing that all these people pull together to produce this material in their spare time? For nothing? Apparently, it isn’t.
Last year, unforgettably, Fiyahcon showed that it is actually possible to work successfully to a different model. Strange Horizons was nominated for the inaugural Ignyte Award (which we won), and the difference in approach was unbelievable. Everything from happily listing everyone in the press releases to checking how we wanted our names pronounced to providing free access to the convention online for the entire weekend. I mean, wow? Winning was purely a grace note in some ways, but god, did I feel seen! Didn’t we all.
And so to this year’s Worldcon. SH gets nominated for Semi-Prozine again! Yay! Strange Horizons has a civil interaction with the Hugo Awards team and it is agreed that all of the collective can be individually named in the announcement, because pixels are not in short supply.
Except, apparently, they are.
We cannot all be listed, because we are too many. I’m not sure what went on behind the scenes but then, suddenly, we were not too many after all, and we were all listed.
I was not privy to the discussion about what would happen at the ceremony, but here are the things I do know, based on ludicrous claims I have seen on the internet this week….
What has writing horror taught you about the world and yourself?
Speculative fiction and horror are my go-to regarding explaining the world and reflect current events from a differing perspective. I wrote a short story that was painful and cathartic regarding a beloved cousin who was murdered. The story “L’Chaim” is my way of giving her a chance to live. My editor read the story and informed me that I had written psychological horror.
I had no idea that what I wrote could be seen as horror since I’m kinda a wimp when it comes to consistently watching or reading horror. Looking back I’ve noticed my Urban Fantasy stories have more of a horror slant and it’s surprising to me.
(5) DELANY IN ACADEMIA. Samuel R. Delany answers the question “How did I become a professor?” for Facebook readers.
…Now even then I knew enough about the history of the world to know that people who deluged older folks in a position of authority with long polemical letters are often thought of as basically nuisances whose screeds are to be glanced at and put aside to be looked at later, if not to be simply consigned to the circular file. Basically I was writing across an ocean into a world about which I had no real notion of how it worked: the American academic system.
What Leslie [Fielder]’s letter said was: Would you consider coming to the U. of Buffalo for a term, and teaching here, as Visiting Butler-Chair Professor. It’s an endowed chair. You will have a 10k fund to do with as you wish, as long as it benefits the university, as well as a salary of . . . I don’t even remember what it was. I just know that, other than a job in a rotisserie on upper Broadway (from which I’d been fired after a few weeks because I couldn’t make change) to another as a stock clerk at Barnes & Noble on 18th and 5th to still another behind the counter at a small walk-in soft-core porn and second-hand sex magazine store called Bob’s Bargain Books on West 42 St., for a couple of months each, I’d never had a salary since I was 15, working as a library page at the St. Agnes Branch Library on Amsterdam Avenue.
So Marilyn and I talked about it, and I wrote back “Yes.”
A single term as a guest professor, however, is not the same as full professorship—which did not happen until eleven years later. But it was certainly connected to it….
…But post-Brexit, politically the will is there to challenge the dominance of British TV and film.
When the European Commission president, Ursula von der Leyen, visited Rome this week to formally approve Italy’s spending plan for its share of the EU’s recovery fund, the Italian prime minister, Mario Draghi, hosted her at the Cinecittà film studios in Rome, where €300m (£257m) of the funds are to be invested in development.
“It’s obvious that if Britain leaves the EU, then its productions no longer fall within the community’s quotas,” the Italian culture minister, Dario Franceschini, told Corriere della Sera. “Europe will have to respond on an industrial and content level, and Cinecittà will be strategic on this front.”
Sten-Kristian Saluveer, an Estonian media policy strategist, said EU plans to reassess the amount of UK content – in particular on streaming platforms such as Netflix and Amazon – were inevitable.
“A big catalyst is the increased trade tensions between the UK and France, as well as the EU’s anti-trust procedures,” he said. “The question is not so much about original content produced in the UK as it is about studios in the UK connected to platforms like Apple and Netflix, which are very well positioned to utilise the good relations the UK has with the US – as well as exploiting the European capacity, including everything from work permits to subsidies,” he said.
“When Britain was in the EU there were spillover effects for the rest of the bloc. But now it’s not, the question is why should these platforms be able to exploit the same benefits?”
Saluveer said smaller EU members could stand to benefit from a reduction in UK content, as it could allow more room for their content. He cited the box office success Tangerines – an Estonian-Georgian co-production which was nominated for a Golden Globe – or the Oscar-nominated The Fencer, a Finnish-Estonian-German collaboration…
(7) THE LIGHT OF OTHER DAYS. MIT Press’ new Radium Age imprint will republish “proto-sf” from the early 20th Century.
Under the direction of Joshua Glenn, the MIT Press’s Radium Age is reissuing notable proto–science fiction stories from the underappreciated era between 1900 and 1935. In these forgotten classics, science fiction readers will discover the origins of enduring tropes like robots (berserk or benevolent), tyrannical supermen, dystopian wastelands, sinister telepaths, and eco-catastrophes. With new contributions by historians, science journalists, and science fiction authors, the Radium Age book series will recontextualize the breakthroughs and biases of these proto–science fiction classics, and chart the emergence of a burgeoning genre.
ABOUT RADIUM AGE PROTO-SF
Do we really know science fiction? There were the Scientific Romance years that stretched from the mid-19th century to circa 1900. And there was the so-called Golden Age, from circa 1935 through the early 1960s. But between those periods, and overshadowed by them, was an era that has bequeathed us such memes as the robot (berserk or benevolent), the tyrannical superman, the dystopia, the unfathomable extraterrestrial, the sinister telepath, and the eco-catastrophe. A dozen years ago, writing for the sf blog io9.com at the invitation of Annalee Newitz and Charlie Jane Anders, I became fascinated with the period during which the sf genre as we know it emerged. In honor of Marie Curie, who shared a Nobel Prize for her discovery of radium in 1903, only to die of radiation-induced leukemia in 1934, I dubbed it the “Radium Age.”
Curie’s development of the theory of radioactivity, which led to the freaky insight that the atom is, at least in part, a state of energy constantly in movement, is an apt metaphor for the 20th century’s first three decades. These years were marked by rising sociocultural strife across various fronts: the founding of the women’s suffrage movement, the National Association for the Advancement of Colored People, socialist currents within the labor movement, anti-colonial and revolutionary upheaval around the world… as well as the associated strengthening of reactionary movements that supported, e.g., racial segregation, immigration restriction, eugenics, and sexist policies….
Here are the covers of the first books in the series.
(8) MEMORY LANE.
1966 – Fifty five years ago at Tricon which was held in Cleveland and had Issac Asimov as its Toastmaster, Roger Zelazny would win his first Hugo for …And Call Me Conrad which would later be called This Immortal. It was published in Fantasy & Science Fiction, October and November of 1965 and then in book form by Ace the same year. It tied with Frank Herbert’s Dune. It would be the first of six Hugos that he would win and one of two for Best Novel, the other being for Lord of Light. His other four Hugos would be for the “Home Is the Hangman” novella, the “Unicorn Variation“ novelette, “24 Views of Mt. Fuji, by Hokusai” novella and “Permafrost” novelette.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born June 25, 1904 — Peter Lorre. I think his first foray into genre was in the Voyage to the Bottom of the Sea film as Comm. Lucius Emery though he was in Americanized version of Casino Royale which an early Fifties episode of the Climax! series as Le Chiffre. (James Bond was called Jimmy. Shudder!) Other genre roles were in Tales of Terror as Montresor in “The Black Cat” story, The Raven as Dr. Adolphus Bedlo and The Comedy of Terrors as Felix Grille. (Died 1964.)
Born June 25, 1910 — Elsie Wollheim. The wife of Donald A. Wollheim. She was one of the original Futurians of New York, and assisted them in their publishing efforts, and even published Highpoints, her own one-off fanzine. When he started DAW Books in 1972, she was the co-founder, and inherited the company when he died. Their daughter Elizabeth (Betsy) now runs the company along with co-publisher and Sheila E. Gilbert. (Died 1996.)
Born June 25, 1950 — Tom DeFalco, 71. Comic book writer and editor, mainly known for his Marvel Comics and in particular for his work with the Spider-Man line. He designed the Spider-Girl character which was his last work at Marvel as he thought he was being typecast as just a Spider-Man line writer. He’s since been working at DC and Archie Comics.
Born June 25, 1965 — Daryl Gregory, 56. He won a Crawford Award for his Pandemonium novel. And his novella, We Are All Completely Fine, won the World Fantasy Award and a Shirley Jackson Award as well. It was also a finalist for the Sturgeon Award. I’m also fond of his writing on the Planet of The Apes series that IDW published.
Born June 25, 1969 — Austin Grossman, 52. Twin brother of Lev. And no, he’s not here just because he’s Lev’s twin brother. He’s the author of Soon I Will Be Invincible which is decidedly SF as well as You: A Novel (also called YOU) which was heavily influenced for better or worse by TRON and Crooked, a novel involving the supernatural and Nixon. He’s also a video games designer, some of which such as Clive Barker’s Undying and Tomb Raider: Legend are definitely genre.
Born June 25, 1969 — Lev Grossman, 52. Author most noted for The Magicians trilogy which is The Magicians, The Magician King and The Magician’s Land. Winner of the Astounding Award for Best New Writer. His latest work was the screenplay for The Map of Tiny Perfect Things film which was based off his short story of that name.
Born June 25, 1980 — Jason Schwartzman, 41. He first shows up in The Hitchhiker’s Guide to the Galaxy as Gag Halfrunt, Zaphod Beeblebrox’s personal brain care specialist. (Uncredited initially.) He was Ritchie in Bewitched, and voiced Simon Lee in Scott Pilgrim vs. the Animation. He co-wrote Isle of Dogs alongwith Wes Anderson, Roman Coppola, and Kunichi Nomura. I think his best work was voicing Ash Fox in Fantastic Mr. Fox.
Born June 25, 1984 — Aubrey Plaza, 37. April Ludgate on Parks and Recreation which at least one Filer has insisted is genre. She voiced Eska in recurring role on The Legend of Korra which is a sequel to Avatar: The Last Airbender. She was in Scott Pilgrim vs. the World as Julie Powers. And she was Lenny Busker on Legion.
(10) COMICS SECTION.
Alley Oop runs into a little Moon explorer name confusion.
The new £50 note goes into circulation on Wednesday – but with consumers increasingly going cashless, for millions of people it may be months or even years before they see or touch one….
However, perhaps the new-look £50 – featuring Alan Turing, the scientist best known for his codebreaking work during the second world war – will give the note’s image a makeover.
Its arrival is notable as it means the Bank of England has now completed its switch away from paper money.
The Turing £50 will join the Churchill £5, the Austen £10 and the Turner £20, all of which are printed on polymer, a thin and flexible plastic material that is said to last longer and stay in better condition than paper.
… The new £50 note, which features Alan Turing, contains advanced security features including two windows and a two-colour foil, making it very difficult to counterfeit.
…There is something inherently lovable about the heist story. They have been a mainstay of cinema since the mid-twentieth century and feature prominently in novels, TV, video games and across all media. The heist story often gives us many of the things we love in story, underdogs, a sense of style, thrills, adventure and a chance to see characters who are the smartest, the fastest, the best at what they do. Heists are also perfectly set up for the structure of a story. We usually have a clear external conflict from the very beginning, our team versus whatever is protecting the ‘big score’. Then, we get to see how the crew are going to overcome the odds by being (often literally) in on the plan, blueprints and all. Throw some spanners in the works, maybe a betrayal, a few character flaws to be overcome, and you’re primed to go for a terrific caper.
There’s something else I find interesting about heist stories—they are, in many ways, genre-neutral. They appear most commonly as contemporary action stories but also in historical fiction, fantasy and, of biggest interest to me, science-fiction. I am a fan of many genres, including crime and thriller, but I am foremost an author of science-fiction….
Frank Herbert was a veteran newspaper reporter when he began circulating Dune, his 1965 novel of galactic intrigue over spice. Though it was well-received by sci-fi fans and even serialized in Analog magazine, Herbert had no takers until it was accepted by automotive publisher Chilton. By 1972, Herbert had given up his newspaper career to write novels.
(14) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers: League of Legends: Wild Rift” on YouTube, Fandom Games says this is “a bite-sized version of League of Legends that lasts half as long” and “has no chat functionality, making it “one of the few games that people who haven’t had their hearts turned to coal by the Internet” can enjoy.
[Thanks to Martin Morse Wooster, JJ, James Davis Nicoll, Nic Farey, Daniel Dern, Michael Toman, John King Tarpinian, Cat Eldridge, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to contributing editor of the day Bill.]
…“We are now passing Beacon Hill, home to John F. Kennedy, John Hancock, and John Kerry, the three Johns. And we’re coming up on the West End, formerly an immigrant neighborhood that was demolished in the 1950s to make way for quote-unquote urban renewal. Of course, the most famous resident of the original West End is none other than Leonard Nimoy, who starred as Mr. Spock on ‘Star Trek.’ Do we have any ‘Star Trek’ fans on board?”
About a half dozen people raised their hands. Some yelped their excitement. I got all warm and fuzzy inside. Dad sat with his arms crossed over his linen jacket and gave one of his approving nods. Paul Revere, John Adams, John Kennedy, and . . . Leonard Nimoy. What a lineup — “highly illogical,” as Mr. Spock would say.
The trip to Boston gave me the chance to see the city through my father’s eyes while giving Dad an opportunity to relive the events that shaped his life and career. Father and son closeness was relatively new to us….
Dad’s zeal for work had its downside. His career always came first. He was not one to come to Little League games, for example — a regular source of disappointment for a boy who just wanted to please the father he so admired….
In the world of Star Trek, Spock was never a father, but the actor who played him, Leonard Nimoy, certainly was. The actor juggled a busy career along with being a good father to his two children, Adam and Julie and, on Father’s Day, Julie Nimoy shared a special letter with CinemaBlend to her father on this special holiday….
“…Forever my rock, I could always depend on him for his wise advice. Like most dads, he was very protective, but always encouraged me to be independent, starting at very young age….”
(2) INFLUENTIAL IDEAS. Samuel R. Delany shares his experiences reading and meeting Arthur C. Clarke on Facebook.
…(I’ve incorporated a lot of his ideas into my own, such as his early defense of the space program as a money saver on the large scale, because of the weather damage it prevented.) I met him—possibly, but I don’t even remember for sure—at a gathering at Michael Moorcock’s home at the end end of my first (’66) or in the midst of my second (for three weeks, covering Christmas/New Years ’66-’67) trip to London. The gathering was overshadowed by the presence of J. G. Ballard, whom most of his friends called Jimmy, and the growing pains of the “New Wave” and *New Worlds.* To me he was always Dr. Clarke—and when I met him the second time, in this country, at the opening of his, I-can-only-call-it World-Changing collaboration with the consistently greatest American filmmaker, Stanley Kubrick, “2001: A Space Odyssey,” he recognized me as “Chip.” (That made it into the first volume of my journals and the review I wrote, one of a pair—the other by filmmaker/artist Ed Emshwiller— that were published on the film in F&SF.)…
…it appears in The Magazine of Fantasy and Science Fiction and in Galaxy, Worlds of If and International Science Fiction magazines (the latter three of which are published by the same publisher, Robert Guinn of the Galaxy Publishing Co., and edited by Frederik Pohl, the first edited by Edward Ferman and published by his father Joseph Ferman), along with a corresponding ad from “hawks” who are moved by Wilhelm and Merril’s canvassing….
…As mentioned, Lord Kalvan is part of the Paratime universe. It was originally published in two parts, the second posthumously to Piper’s death. “Gunpowder God” first appeared in Analog in November 1964. The second part — “Down Styphon” — was published in the November 1965 issue. The novel, Lord Kalvan of Otherwhen (1965), is a compilation of the two which also includes new material expanding on the original stories.
In our reality and timeline, Pennsylvania state trooper, Corporal Calvin Morrison, is part of a group of police about to burst in on a criminal hiding out in an old farmhouse. As he walks forward with pistol drawn, he is accidently caught up in a Ghaldron-Hesthor temporal field….
Back on Home timeline, paracops quickly figure out what’s happened. Our old friend Verkan Vall, Special Assistant to the Chief of the Paratime Police, is there to see the damage.
“A man who can beat a Paracop to the draw won’t sink into obscurity on any time-line,” he says and decides to take charge of the case himself…
Before What We Do in the Shadows became a hit TV series on FX, the first spinoff from the iconic 2014 mockumentary arrived on TV in its homeland of New Zealand. First announced in 2017, Wellington Paranormal began broadcasting into Kiwi homes in 2018, and has since produced three successful seasons and a holiday special, all without being widely available to U.S. viewers who’ve been enjoying a spinoff of their own. Next month, that holdout finally ends.
Back in the spring, The CW announced that it would begin airing Wellington Paranormal for American audiences this year, with episodes made available to stream the next day on HBO Max. Now, a new trailer’s here to get us all excited about finally seeing this show in all its clumsy paranormal cop glory. Check it out:
Visiting a local book store recently, I bought the book “Fahrenheit 451” by Ray Bradbury. I had read some of Bradbury’s books in the past (I’m a science fiction fan) and thought I would enjoy this one. Unfortunately, the book written in 1951 has so many parallels with today’s political climate that I am not sure I can finish it.
The plot covers the life of Guy Montag, a fireman in the not too distant future. The occupation of the firemen in Bradbury’s story is markedly different from the firemen today. Montag’s crew of firemen are tasked with burning books as well as the houses of the people that own them. It does not matter what books are in the house; their mere presence qualifies for destruction.
The firemen pull their hoses from the fire truck and start spraying kerosene on the offensive house. The kerosene is ignited, and the fire destroys the house and the books in it.
If the owner of the house refuses to leave, then the firemen burn him or her, too. The government has ordered that this is to be done because books contain dangerous ideas.
The similarity to today is the effort of the Trump Republicans and the Georgia State Board of Education to limit the discussion of Critical Race Theory. The full definition of CRT is complicated, involving White privilege and economic advantage based simply on the color of skin. However the CRT acronym makes it something that the Trump Republicans can get excited about. It looks good on a poster held up at a school board meeting, and it allows a racist to appear as someone that is only interested in having the youngsters in public schools receive the “correct” history instruction….
(6) WALTER SCHNEIDERMAN (1922-2021). The acclaimed makeup artist Walter Schneiderman died April 8 at the age of 98 reports The Guardian:
…The complex makeup required for the title character of The Elephant Man was nearly the undoing of that celebrated 1980 film. … But applying the resulting designs, which had been modelled from a cast of the real Joseph Merrick … fell upon the makeup artist Walter Schneiderman.
Schneiderman, who has died aged 98, called the film “one of the hardest pictures I had to do”. It took seven hours each day to put the makeup on Hurt, and another two to take it off again. Schneiderman was acclaimed for his work on the movie, which was nominated for eight Oscars. The lack of official recognition for … Schneiderman caused a furore, which led to the implementation the following year of a new Oscar category for best makeup.
Uncredited early work came his way on … Powell and Pressburger’s Tales of Hoffman (1951).
He spent five years, first as makeup artist and then as makeup supervisor, on the television series The Adventures of Robin Hood (1955-60). He moved into more film work with … One Million Years BC (1966), … Rollerball (1975). Schneiderman was makeup supervisor on the fantasy Labyrinth (1986), starring David Bowie as the flamboyant Goblin King.
Although an inventive and resourceful practitioner, he was always practical. “Directors think you open your box and out pops magic,” he said. “It does. But you’ve got to know how to apply it.” After his retirement, he went on to create and sell a line of commercial products under the name Make-Up International. Among them were Quick Action Powder Blood, Bruise Simulation Gel and Omaha Action Mud.
(7) MEMORY LANE.
1981 — Forty years ago at Denvention Two, The Empire Strikes Back which was released the previous year by Lucasfilm, won the Hugo for Best Dramatic Presentation. Other nominated works were Lathe of Heaven, the Cosmos series, The Martian Chronicles and Flash Gordon. It was directed by Irvin Kershner from the screenplay by Leigh Brackett and Lawrence Kasdan with story by being George Lucas.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born June 20, 1897 — Donald Keyhoe. Early pulp writer whose works included the entire contents of all three published issues of the Dr. Yen Sin zine. The novels were The Mystery of the Dragon’s Shadow, The Mystery of the Golden Skull and The Mystery of the Singing Mummies. He would create two pulp characters, one with ESP who was a daredevil pilot and one who was blind that could see none-the-less in the dark. He’s best remembered today for being one of the early believers in UFOs and being very active in that community. (Died 1988.)
Born June 20, 1913 — Lilian Jackson Braun. Author of The Cat Who… series which I think is genre. The two cats in it are delightful and one, Koko, certainly has a sixth sense, but the author never suggests is psychic. The first, The Cat Who Could Read Backwards, was published in 1966. She’d publish twenty-nine more novels plus three collections of The Cat Who… shorter tales over the next forty years. Good popcorn reading. (Died 2011.)
Born June 20, 1928 — Martin Landau. I’ve got his first genre role as being on The Twilight Zone as Dan Hotaling in “Mr. Denton on Doomsday” episode. Of course his longest running genre role was as Rollin Hand on Mission Impossible though he had a good run also on Space: 1999 as Commander John Koenig. His last role was in Tim Burton’s Frankenweenie voicing Mr. Rzykruski. (Died 2017.)
Born June 20, 1951 — Tress MacNeille, 70. Voice artist extraordinaire. Favourite roles? Dot Warner on The Animaniacs, herself as the angry anchorwoman in Elvira, Mistress of the Dark, Babs Bunny on Tiny Toons and Hello Nurse on Pinky and The Brain.
Born June 20, 1952 — John Goodman, 69. Some may know him as the TV husband of a certain obnoxious comedian but I’ve never watched that show. So I picture him as Fred Flintstone in The Flintstones, a role perfect for him. Mind you he’s had a lot of genre roles: voicing James P. “Sulley” Sullivan in the Monsters franchise, a cop in the diner in C.H.U.D., and he’ll even be the voice of Spike in the Tom and Jerry film that came out recently.
Born June 20, 1947 — Candy Clark, 74. Mary Lou in The Man Who Fell to Earth which of course featured Bowie. She also was in Amityville 3-D, Stephen King’s Cat’s Eye and The Blob inthe role of Francine Hewitt. That’s the remake obviously, not the original. Oh, and she’s Buffy’s mom in Buffy the Vampire Slayer. Wiki being Wiki lists that as non-canon because it’s not the Whedon Buffy.
Born June 20, 1967 — Nicole Kidman, 54. Batman Forever was her first foray into the genre but she has done a number of genre films down the years: Practical Magic, The Stepford Wives, Bewitched (I liked it), The Invasion (never heard of it), The Golden Compass (not nearly as good as the novel was), the splendid Paddington and her latest was as Queen Atlanna in the rather good Aquaman.
Born June 20, 1968 — Robert Rodriguez, 53, I’ll single out the vastly different Sin City and Spy Kids franchises as his best work, though the From Dusk till Dawn has considerable charms as well. ISFDB notes that he’s written two novels with Chris Roberson riffing off his The Adventures of Sharkboy and Lavagirl in 3-D film, The Day Dreamer and Return to Planet Droll.
(10) FIRE IN THE SKY. Did the monks see what they say they saw in 1178? Connie Willis is rooting for them in her Facebook post. Astronomers and scientists have their own ideas:
Canterbury Cathedral was part of St. Augustine’s Abbey, a monastery founded in 598 A.D. It endured Viking raids, William the Conqueror’s invasion, a large fire (in 1168), and the murder of its archbishop, Thomas a Becket, and was finally done in by Henry VIII. But possibly the most important event in its long history was something happened on a summer night in June in 1178.
That night, “after sunset when the moon was first seen,” five monks were sitting outside looking at the sky and the crescent moon when the upper part of the horn “suddenly split in two. From the midpoint of this division, a flaming torch sprang up, spewing out fire, hot coals, and sparks. The body of the moon writhed like a wounded snake. Afterwards it resumed it proper state. This phenomenon was repeated a dozen times or more, the flame assuming various twisting shapes at random and then returning to normal. Then, after these transformations, the Moon, from hook to horn, that is, along the whole length, took on a blackish appearance.”
The five monks told Gervase of Canterbury, the chronicler of the Abbey, what they’d seen, and he wrote it all down, adding that the monks were “prepared to stake their honor on an oath that they have made no addition or falsification in the narrative.” Unfortunately, they were the only people to have seen it. According to European chroniclers of the time, the continent was “fogged in” that night, so the five Canterbury monks were the only witnesses, and nobody paid any attention to their account for nearly eight hundred years, at which point geologist Jack B. Hartung proposed a theory for what they might have seen: a giant asteroid slamming into the moon.
If it had, there should be a crater at the place the monks described the explosion as being, so Hartung went about looking for one–and found a likely candidate…
(11) THE DAWN OF HARRY. Harry Harrison started out drawing horror comics in the 1950s. Here is a post by G. W. Thomas which looks at his comics work: “Harry Harrison… Beware!”
Harry Harrison… Beware! Not of Harry Harrison’s writing because that’s excellent. Beware he drew horror strips for more than just EC Comics. While he and Wally Wood produced some classic comics there, HH began selling off other strips to packagers for a fee. The authors are not know for sure but Harry wrote most of these, including the writing in the fee. Some of these free market sales ended up at Youthful’s Beware and later Trojan’s Beware when the comic changed hands….
(12) NEFFY NOMS. The National Fantasy Fan Federation, in the June issue of TNFF, corrected the omission of Elizabeth Bear’s novel Machine, and the fanzine Outworlds, from the previously-announced list of finalists for the Neffy Awards.
… The Calvino of “Crossed Destinies” is a familiar one, the magical realist with a playful approach to the author-narrator-reader relationship. But the book also captures one of his spinier qualities: his aura of danger. He likes to pry things open, often in uncomfortable ways; “Crossed Destinies” throws together characters who can communicate only through tarot cards, and ends when the deck scatters, along with their identities. This is formal violence, the story flying apart like a tossed hand, but a bodily analogue is never far away: one man describes being dismembered, how “sharp blades .?.?. tore him to pieces.” And yet, because much of Calvino’s cruelty is abstracted, it seems free of malice, which makes it all the more magnetic. Even before they disintegrate, the characters in “Crossed Destinies” are subject to bizarre structural rigors: pulled from the forest, stripped of their voices, severed from their pasts. When brutality occurs at the level of form, flashing in every choice (or “renunciation”), it can surface how narrative is not just an act of creation but—for the unseen, unwritten alternative—a death sentence….
(14) KEVIN SMITH NEWS. [Item by Martin Morse Wooster.] Kevin Smith says he really enjoyed his time running the He-Man and The Masters of the Universe universe and 12-year-olds of all ages will love Masters of the Universe: Revelation when it comes to Netflix in July.
[Thanks to JJ, Michael Toman, John King Tarpinian, Lise Andreasen, Cora Buhlert, James Reynolds, Cat Eldridge, Mike Kennedy, Andrew Porter, and Martin Morse Wooster for some of these stories. Title credit belongs to contributing editor of the day Jack Lint.]
(1) DESIGNS FOR THE TIMES. Jane Frank reviewed a portfolio project by famed sff artist Richard Powers as a vehicle for studying his career and influence: “Richard Powers: The World of fFlar” at NeoText.
…Powers happily obliged, by portraying the Portfolio as a single story told in 16 (17, if you include the cover) illustrations even though the very first painting reproduced in the portfolio, The Ur-City of fFlar, cropped on the right, began life in 1958 as the cover to the fourth in a popular digest anthology series Star Science Fiction, edited by Frederik Pohl. And the same image served further duty, cropped on the left side this time, as the cover for The Deep by John Crowley, published by Berkley, 1976.
This use, and re-use of imagery, I should add, was common for Powers’ – who excelled in “re-purposing” his art, both to gain monetarily from additional usages, but also to save time. He had no qualms about cutting up and pasting portions of existing artworks in order to fashion “new” illustrations, and publishers either didn’t realize it, or didn’t care. Not only the images themselves, but also certain compositional elements, can be spotted on other covers, as if both publishers and Powers himself enjoyed creating variations on a favored theme . . . and there are fans of Powers’ art who make a sport out of discovering such connections. The humorous caption for The Ur City of fFlar indeed suggests that Powers was well aware of several uses to which one painting could be put:
…Freed from the need to produce garish imagery designed to lure adolescent readers to buy magazines, Lehr soon developed his own unique voice and palette.
One of Lehr’s studio experiments ended up being his first published cover.
“I constructed spaceships out of wire, cardboard toilet paper tubes, ping pong balls and the like, making strange looking ships. I painted them silver and white, and hung them up as still lifes against dark backgrounds, shining a strong light upon them, embellishing them with stars, bursts of fire, and other bits of painterly cosmic excitement. I also bought model kits and assembled them in crazy ways. A B-17 would become a moonlander or shuttleboat.” (Visions of Never” 2009)…
With so much grim news in the real world, you just want to escape into a book. So I was happy to find Babel-17, the latest science fiction novel by Samuel R. Delany, in the spinner rack at my local import bookstore. The blurb promised a mix of space opera and James Bond style spy adventure, which sounded right up my alley….
(4) PREDICTING STAR TREK. And there’s still time for you to add your guess to Galactic Journey’s poll about what that soon-to-premiere TV show Star Trek will be like. (Is the second choice below really a title? It looks like a code off my phone bill.)
(5) WELL-MET IN LAKE GENEVA. James Maliszewski, who runs the RPG blog Grognardia, has dug up a 1976 report about GenCon IX by none other than Fritz Leiber: “Fritz Leiber at GenCon”.
Earlier this month, I posted an image of an article penned by author Fritz Leiber that appeared in the San Francisco Examiner on September 5, 1976. Leiber recounts his experiences as guest of honor at GenCon IX and, as one might expect, what he writes is of great interest. He begins by briefly recounting the recent history of wargaming, starting with the publication of Gettysburg by Avalon Hill in 1958. (Why he starts there rather than with Tactics in 1954, I am not sure)
Moving on from that, he speaks of GenCon, the “oldest gathering of tabletop generals in America,” which is “held at the pleasant Wisconsin resort-town near Chicago.
(6) ESFS AWARDS OPEN. The European Science Fiction Society is gathering nominations for the Next ESFS Awards.
Nominations are now open for the ESFS Awards that will be held at the 2021 Eurocon in Fiuggi, 15th to 18th July. The last day nominations will be accepted is Tuesday 15th June 2021. This is also the last day that bids for future Eurocons will be accepted for discussion in the Business Meeting, and the last day that topics to be raised in the Business Meeting will be accepted.
There should only be a single nomination from each country, as selected by their own rules. In the event of multiple nominations from one country, only matching nominations or nominations without a competing name will be accepted. In the event that all ballots from one country contain different names, there will be no nominees accepted for that country.
Nominations are made for a country by representatives of that country. If you are not familiar with how your country chooses its nominations, the EuroSMOF Facebook group is a good place to connect with other Eurocon attendees from your country.
You probably know about the Loch Ness Monster, but have you ever heard of kelpies or wulvers?
Scots are legendary storytellers (they even host an International Storytelling Festival), and their culture is rich with imaginary creatures — or, perhaps, creatures not so imaginary… Here are some of my favorites.
No list of Scottish mythical creatures would be complete without mentioning Scotland’s national animal — the infamous unicorn, which adorns the country’s royal coat of arms. In Celtic mythology, the unicorn represents both purity and power, innocence and dominance. The creature has been part of Scotland’s ethos for centuries….
I woke up to the news that my longtime friend and fellow Sidewise Award judge Jim Rittenhouse has lost his final battle. Jim welcomed me into fandom early and we discovered our shared love for alternate history. While working on my first Windycon under the auspices of the late Ross Pavlac, Ross was listening to Jim and me discuss alternate history and at the next meeting he presented each of us with Captain Midnight decoders, so he would be able to understand what we were talking about in the future.
Eventually Jim founded the Apazine Point of Divergence, which I was a founding member of and stayed with for a while. I later invited Jim to become a judge for the Sidewise Award for Alternate History, for which he was one of the longest serving judges.
Jim had a deep and personal interest in Chinese history and last year when I was working on my story “The Prediscovered Country,” we discussed the history of the Ming Dynasty to figure out what a Chinese colony in Australia would look like. In return, I modeled the Dutch character De Bruijn after Jim.
There will probably be a memorial service for Jim at either Windycon or Capricon.
May his memory be for a blessing.
(10) MEMORY LANE.
1953 – Sixty-eight years ago, Alfred Bester’s Demolished Man wins a Hugo for Best Novel. It was first serialized in three parts, beginning with the January 1952 issue of Galaxy Science Fiction. The novel is dedicated to Galaxy’s editor, H. L. Gold, who made writing ideas to Bester. Bester’s suggested title was Demolition!, but Gold talked him out of it. It would be his only Hugo Award.
(11) TODAY’S DAY.
National Mimosa Day – They’re celebrating the six-time Hugo-winning fanzine at Fanac.org.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born May 16, 1918 – Colleen Browning. Set designer, illustrator, lithographer, painter. A Realist in the face of Abstract Realism and Abstract Expressionism, she later turned to Magic Realism blurring the real and imaginary. Here is Union Mixer. Here is Mindscape. Here is The Dream. (Died 2003) [JH]
Born May 16, 1920 – Patricia Marriott. Cover artist and illustrator, particularly for Joan Aiken; a score of covers, as many interiors. Here is Black Hearts in Battersea. Here is A Small Pinch of Weather. (Died 2002) [JH]
Born May 16, 1925 – Pierre Barbet. Author and (under another name) pharmacist. Towards a Lost Future; Babel 3805; space opera, heroic fantasy, alternative history. In The Empire of Baphomet an alien tries to manipulate the Knights Templar; in Stellar Crusade the knights go into Space after him; six dozen novels, plus shorter stories, essays. (Died 1995) [JH]
Born May 16, 1937 — Yvonne Craig. Batgirl on Batman, and that green skinned Orion slave girl Marta on “Whom Gods Destroy” on the original Trek. She also one-offs in The Man from U.N.C.L.E., The Wild Wild West, Voyage to The Bottom of the Sea, The Ghost & Mrs. Muir, Land of the Giants, Fantasy Island and Holmes and Yo-Yo. (Died 2015.) (CE)
Born May 16, 1942 – Judith Clute, age 79. Two dozen covers, thirty interiors. Here is the Dec 90 Interzone. Here is Chip Crockett’s Christmas Carol. Here is Pardon This Intrusion. Here is Stay. [JH]
Born May 16, 1944 — Danny Trejo, 77. Trejo is perhaps most known as the character Machete, originally developed by Rodriguez for the Spy Kids films. He’s also been on The X-Files, From Dusk till Dawn, Le Jaguar, Doppelganger: The Evil Within, From Dusk Till Dawn 2: Texas Blood Money, Muppets Most Wanted and more horror films that I care to list here. Seriously he’s really done a lot of really low-budget horror films. (CE)
Born May 16, 1953 — Pierce Brosnan, 68. James Bond in a remarkably undistinguished series of such films. Dr. Lawrence Angelo in The Lawnmower Man,and he was lunch, errr, Professor Donald Kessler in Mars Attacks! and Mike Noonan in Bag of Bones. (CE)
Born May 16, 1953 – Lee MacLeod, age 68. Four dozen covers, plus interiors, for us. Lee MacLeod SF Art Trading Cards.Batman, Howard the Duck, Pocahontas (i.e. Disney’s). Air Force Art Program. Here are two covers for The Mote in God’s Eye from 1993 and 2000. For his fine art e.g. plein air, see here. [JH]
Born May 16, 1962 — Ulrika O’Brien, 59. A Seattle-area fanzine fan, fanartist, con-running fan, and past TAFF winner. Her list of zines in Fancyclopedia 3 is quite amazing — Fringe, WideningGyre and Demi-TAFF Americaine (TAFF Newsletter). Her APAzines include Mutatis Mutandis, and APA memberships include APA-L, LASFAPA, Myriad and Turbo-APA. U. O’Brien won Best Fanartist in the 2021 FAAn (Fan Activity Achievement) Awards. (CE)
Born May 16, 1968 — Stephen Mangan, 53, Voiced Bigwig, Silverweed and Shale in the 1999 Watership Down series, Green Javelins in the Hyperdrive SF comedy series, and Dirk Gently in that series after the pilot. (CE)
Born May 16, 1969 — David Boreanaz, 52. Am I the only one that thought Angel was for the most part a better series than Buffy? And the perfect episode was I think “Smile Time” when Angel gets turned into a puppet. It even spawned its own rather great toy line including of course an Angel puppet. (CE)
Born May 16, 1978 – Marion Poinsot, age 43. Illustrator of comics, role-playing games. In the audio series The Keep [«le donjon»] of Naheulbeuk by John Lang, here is MP’s Quilt of Oblivion; here is Chaos Under the Mountain. Here is a poster for her Nina Tonnerre. Here is Perle the black dragon. [JH]
(14) AUDIO FICTION. The latest episode of the Simultaneous Times podcast from Space Cowboy Books includes Jean-Paul Garnier reading Cora Buhlert’s short story “Little Monsters” and “Hidden Underneath” by Toshiya Kamei.
…So while Mbedu always felt well cared for during filming — there was a guidance counselor on set “to bring me back to myself,” she says, and Jenkins himself “was always checking up on me” — the supportive cast and crew understood that putting on the chains and the burdens of being Black in antebellum America naturally took a toll.
“I had to have tricks, like moving through the set with my eyes downcast, so that when I opened my eyes I’d be experiencing everything only as Cora, because otherwise it would be too much for Thuso to take in,” Mbedu says.
The South African actress grew up in the immediate aftermath of apartheid and, like Cora, lost her parents at a young age. But she drew a sharp border between her life and Cora’s, relying on “a whole lot of research” to bring the character’s vocal, physical and psychological journey to life.
“The one time in the past where I made the mistake of trying to draw from my own experience, my brain went, ‘That was too traumatizing, we’re shutting down now.’ I can empathize, but I cannot personalize because it’s too traumatic to relive.”…
My comfort read Discworld by Terry Pratchett. I am always at some point through the cycle (I’m currently on The Thief of Time). They’re not only gloriously funny, they’re humane in a way that makes you actually feel seen and forgiven, with all your faults. He was a one-off, Sir Terry. When I finish reading them through, I simply put the last book down and pick the first one up again.
…Trying to figure out the actual sci-fi rules of Quantum Leap is a bad idea. As stated in the voice-over, Sam Beckett “stepped into the quantum leap accelerator and vanished.” The premise of the series is that his consciousness is transferred into various people’s bodies — regardless of gender — throughout time. Once Sam shows up in one of these bodies, a holographic projection from his associate Al (Dean Stockwell) advises him on what he’s supposed to accomplish in whatever historical period he’s found himself in.
Basically, Quantum Leap is a paint-by-numbers science fiction drama. Every episode begins with Sam trying to acclimate to his new body, while Al tells him the stakes. Despite the fact that Al is assisted by a super-computer named “Ziggy,” there’s never a clear path for what Sam is supposed to do. His essential mission — which is ill-defined — is to “set right what once went wrong” — but what that means exactly is relatively opaque until the end of each episode. This makes zero sense. It’s also brilliant.
[Thanks to John Hertz, Andrew (not Werdna), Mike Kennedy, Andrew Porter, Martin Morse Wooster, JJ, Michael Toman, Cora Buhlert, John King Tarpinian, Rich Lynch, and Cat Eldridge for some of these stories. Title credit goes to contributing editor of the day OGH.]
(1) DELANY’S CARTE BLANCHE. The Museum of Modern Art in Manhattan will present movies curated by Samuel R. Delany as part of its Carte Blanche series, in which cinema and art-world luminaries present a selection of films that are of personal or professional significance to them: Carte Blanche: Samuel R. Delany from May 20-June 6.
On the occasion of his 79th year, Samuel R. Delany, multi-time Nebula and Hugo award-winning author and lauded literary critic, taps into a lifetime of cinematic obsessions for MoMA’s Carte Blanche series. Delany’s colorful picks—encompassing the classical avant-garde of Jean Cocteau’s The Blood of a Poet, Maya Deren’s Meshes of the Afternoon, and Jean Vigo’s L’Atalante; masterworks by Michael Powell and Luis Buñuel; and newer treasures like Peter Jackson’s King Kong and Martin Scorsese’s Hugo—honor the expressive power of the fantastic on film. Accompanying his selections are a rare screening of his own experimental science-fiction featurette The Orchid and Fred Barney Taylor’s effervescent portrait of the author, The Polymath, or The Life and Opinions of Samuel R. Delany, Gentleman.
Of his choices Delany writes, “Sometimes I feel like the character in Myra/Myron Breckenridge who announces something to the effect: Between 1938 and 1950, there were no bad films made in the United States of America. That’s kind of how I feel about all films. It’s like Andrew Saris said, ‘There are no amateur films. They’re too expensive to make. If you can afford to make a film, you’re making a film.’”
If you’d like to explore more Delany cinema favorites, he’s recommended some additional films to seek out: Abel Gance’s Napoléon (1927), Jean Delannoy’s The Eternal Return (1943), Michael Powell and Emeric Pressburger’s The Red Shoes (1948), Ernest B. Schoedsack’s Mighty Joe Young (1949), Jacques Tourner’s The Flame and the Arrow (1950), Jean Cocteau’s Orphée (Orpheus) (1950), Stanley Donen’s Seven Brides for Seven Brothers (1954), Mervyn LeRoy’s Rose Marie (1954), Stanley Kubrick’s 2001: A Space Odyssey (1968), Sidney Lumet’s Dog Day Afternoon (1975), Ingmar Bergman’s Fanny and Alexander (1982), and Martin Scorsese’s Gangs of New York (2002).
(2) CONVENTION COMEBACK. The Windy City Pulp and Paper Convention announced on Facebook they’re planning an in-person event for September 9-12, 2021 at the Westin Lombard Yorktown Center, Lombard, Illinois.
…In IL, the State will be moving to a reopening Bridge Phase on May 14, with Phase 5 to occur on June 11. Both of these phases would permit conventions like ours to take place, so while we can’t predict what will happen over the summer, at this point it looks very likely that the show will go on!
It will be a requirement that masks covering the nose and mouth be worn during the convention. We don’t know yet whether vaccinations will be required by the State, but we encourage all attendees to have been vaccinated and bring proof of vaccination in case that is required. Obviously, if you have any symptoms of COVID-19, you should not attend the convention and should contact your doctor.
To help with social distancing, for this year’s show we will not have a con suite. Attendees arriving on Thursday will be able to pick up their materials outside the dealer room on Thursday evening. At the moment, this is the only change we anticipate to our programming; we hope to have the con suite back for the 2022 show, which will be held May 5-8, 2022.
…Our Friday evening auction will feature more rare material from the Estate of Robert Weinberg. Our Saturday evening auction will contain material from several consignors, including many rare items from the Estate of Glenn Lord as well as few scarce items from the Estate of August Derleth (including perhaps his scarcest book, “Love Letters to Caitlin”). Other great material includes a copy of the Herbert Jenkins edition of Robert E. Howard’s “A Gent From Bear Creek!”
The Noel Clarke sexual harassment controversy threatens to embroil the BBC after several sources came forward to allege they were sexually harassed or inappropriately touched by the actor on a flagship show, Doctor Who.
Another Doctor Who actor, John Barrowman, has also been accused of repeatedly exposing himself to co-workers on two BBC productions, prompting questions about whether the corporation allowed a lax culture on its sets during the mid-2000s.
The developments come a week after ITV, Sky and the BBC announced that they had cut ties with Clarke after the Guardian published testimony from 20 women who variously accused him of groping, sexual harassment and bullying.
… Barrowman, who played the character of Capt Jack Harkness in Doctor Whoand its spin-off show Torchwood, is accused of exposing himself repeatedly on both sets, although numerous witnesses described the incidents as inappropriate pranks rather than anything amounting to sexually predatory behaviour….
The National Air and Space Museum holds some of the most hallowed objects of the aerial age.
Visitors can marvel at the 1903 Wright Flyer that skimmed over Kitty Hawk, N.C., the bright red Lockheed 5B Vega that Amelia Earhart piloted alone across the Atlantic Ocean and the bell-shaped Friendship 7 capsule that made John H. Glenn Jr. the first American to orbit the Earth.
Now, the museum said, it will display a spacecraft that has flown only onscreen, in an entirely fictional galaxy where good and evil seem locked in eternal battle.
That’s right: An X-wing Starfighter will grace the museum’s newly renovated building on the National Mall sometime late next year, the museum said on Tuesday, which was celebrated by “Star Wars” fans as a holiday because it was May 4 (May the 4th be with you).
The Hollywood prop, with a wingspan of 37 feet, appeared in “Star Wars: The Rise of Skywalker” in 2019 and is on long-term loan from Lucasfilm, the movie’s production company.
While air and space purists may grumble about precious exhibition space being turned over to a pretend craft that played no role in advancing actual space travel, the exhibition is not the first time the museum has allied itself with the franchise’s crowd-pleasing power. In the late 1990s, it presented “Star Wars: The Magic of Myth,” a show based on the original “Star Wars” trilogy; that show went on tour across the country.
…“Massive camera hack exposes the growing reach and intimacy of American surveillance.” A breach of the camera start-up Verkada ‘should be a wake-up call to the dangers of self-surveillance,’ one expert said: ‘Our desire for some fake sense of security is its own security threat’, reports The Washington Post.
I remain appalled that so many very smart people actually seem to think that each year’s new tech levels – and menaces – will now freeze and stand still long enough for us to ban them. Cameras get smaller, faster, cheaper, better, more mobile and vastly more numerous far faster than Moore’s Law (Brin’s Corollary!)
Consider the recent case of San Francisco’s City Council banning facial recognition systems, when keeping them open to public criticism is exactly how we discovered and then corrected many problems like racial and gender bias in the programs.
Anyway Facial Recognition programs won’t be resident in police departments for long, where some city council can ban them, but will be cheap apps in phones and AR glasses, available from a thousand directions. Result? Cops who are banned from using versions that are open to supervision will instead surreptitiously use dark web versions, because it might save their own lives.
We need to focus not on uselessly trying to ban tech that might be abused, but on eliminating the abuses. And that can only happen with more light, aimed at those with power.
Oh, the dangers are very real! These techs will certainly empower agents and masters of despotism, if you already have a despotism. And hence the lesson and priority is to prevent despotism altogether! Because these same techs could instead empower vibrant citizenship, if we see to it they are well-shared and that no elite gets to monopolize them.
Which they will, if we try simplistically and reflexively to ban them.
It’s not that the ACLU and EFF and EU are wrong to fret! They are absolutely correct to point at problems and to worry that surveillance techs could empower Big Brothers and render citizen privacy extinct. It is their prescriptions that almost always are short-sighted and foolish.
Making a tech illegal will not stop elites form having and using it.
Let me repeat that.
Making a tech illegal will not stop elites form having and using it.
What it will do is make them arrange to do it secretly, where the methods won’t be appraised and criticized publicly.
We’ve got movie sign once again, amazingly, as Mystery Science Theater 3000, the TV show that taught us all the true meaning of a Patrick Swayze Christmas, has once again brought home a successful Kickstarter campaign to fund a full new season of the beloved movie-riffing show. The “Let’s Make More MST3K & Build The Gizmoplex!” campaign—the latter referring to a new web portal that series creator Joel Hodgson intends to build as the permanent online home for the show—wrapped up yesterday, hitting all of its funding goals, including milestones for a full 12 episodes, as well as Halloween and Christmas specials….
(8) MEDIA ANNIVERSARY.
May 9, 1997 — On this day in 1997, Fifth Element premiered in the United States. It was directed by Luc Besson and produced by Patrice Ledoux from the screenplay by Luc Besson and Robert Mark Kamen Whitchurch was based off the story by Luc Besson. It starred Bruce Willis, Gary Oldman, Ian Holm, Chris Tucker and Milla Jovovich. It did exceedingly well at the box office, far beyond returning the investment that the company put into it. It was both praised and damned in equal amounts by critics who either loved it passionately or despised it with all their heart. It finished fourth in the voting for the Hugo for Best Dramatic Presentation at BucConeer the next year. Audience reviewers at Rotten Tomatoes currently give it a rather excellent eighty-six percent rating.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born May 9, 1867 — J.M. Barrie. Scottish novelist and playwright, best remembered as the creator of Peter Pan. Scots by birth and education, he moved to London, where he wrote a number of successful novels and plays. There he met the Llewelyn Davies boys, who inspired him to write about a young boy who has magical adventures in Kensington Gardens (first included in Barrie’s 1902 adult novel The Little White Bird), then to write Peter Pan, or The Boy Who Wouldn’t Grow Up. (Died 1937.) (CE)
Born May 9, 1906 – Eleanor Estes. Three novels for us, a score of others. Librarian and teacher. Newbery Medal, Lewis Carroll Shelf Award. Eleanor Cameron said EE’s stories of fictional Moffats were classic. As it happens I have known two Moffatts and one Moffat in SF. (Died 1988) [JH]
Born May 9, 1913 – Richard McKenna. Half a dozen stories for us published while he was alive, a dozen more afterward. One Nebula, posthumously. The first and last stories to appear in his lifetime, “Casey Agonistes” and “Hunter, Come Home”, are masterworks and unforgettable. One novel, The Sand Pebbles, outside our field; made a successful film. Served a score of years in the Navy. (Died 1964) [JH]
Born May 9, 1920 — Richard Adams. I really loved Watership Down when I read it long ago so will not read it again that the Suck Fairy may not visit it. Are any of the various Watership animated affairs worth seeing? Reasonably sure I’ve read Shardik once but it made no impression one way or the other. I heard good things about Tales from Watership Down and should add it my TBR pile. (Died 2016.) (CE)
Born May 9, 1920 — William Tenn. Clute says in ESF that “From the first, Tenn was one of the genre’s very few genuinely comic, genuinely incisive writers of short fiction, sharper and more mature than Fredric Brown and less self-indulgent in his Satirical take on the modern world than Robert Sheckley.” That pretty sums him up I think. All of his fiction is collected in two volumes from NESFA Press, Immodest Proposals: The Complete Science Fiction of William Tenn: Volume I and Here Comes Civilization: The Complete Science Fiction of William Tenn: Volume II. (Died 2010.) (CE)
Born May 9, 1925 – Kris Neville. Four novels (a fifth still unpublished – in English; a Japanese translation by Yano Tetsu has appeared), six dozen shorter stories. Fan Guest of Honor at Westercon XVI. Impassioned remarks by Barry Malzberg here; he edited The SF of KN; recent coll’n Earth Alert! (Died 1980) [JH]
Born May 9, 1926 – Richard Cowper. A dozen novels, a score of shorter stories. Essays, letters in Focus, Foundation, Vector. Guest of Honour at Eastercon 30, Unicon 3, BECCON ’85. Outside our field, four novels, memoirs, under another name. More here and here. (Died 2002) [JH]
Born May 9, 1936 — Albert Finney. His first genre performance is as Ebenezer Scrooge in Scrooge. That’s followed by being Dewey Wilson in Wolfen, a deeply disturbing film. He plays Edward Bloom, Sr. In the wonderful Big Fish and voices Finis Everglot in Corpse Bride. He was Kincade in Skyfall. He was Maurice Allington in The Green Man based on Kingsley Amis’ novel of the same name. Oh, and he played Prince Hamlet in Hamlet at the Royal National Theatre way back in the Seventies! (Died 2019.) (CE)
Born May 9, 1938 – George Schelling, age 83. A score of covers, two hundred forty interiors. Here is the May 62 Amazing. Here is the Oct 64 Galaxy. Here is the May 65 Worlds of Tomorrow. Here is an interior, also from Amazing (Jun 64). Outside our field, animals, aquatics, e.g. for Field and Stream, Audubon. [JH]
Born May 9, 1951 – Joy Harjo, age 70. Poet Laureate of the United States (the 23rd; the second to be given a third term; the first Amerind, I believe – she is Creek). Nine books of poetry; plays; seven albums of music. Lily Prize, Wallace Stevens Award. Two short stories for us, one anthology (with Gloria Bird). Website. [JH]
Born May 9, 1979 — Rosario Dawson, 42. First shows as Laura Vasquez in MiB II. Appearances thereafter are myriad with my favs including being the voice of Wonder Women in the DC animated films, Persephone in Percy Jackson & the Olympians: The Lightning Thief and her take as Claire Temple across the entire Netflix Marvel universe. No, I don’t consider her or anyone else’s acting on the two Sin City films to a highlight of their acting careers. (CE)
(10) COMICS SECTION.
This Rhymes with Orange is what might be called a different take on a T. Kingfisher story.
I read several genres at once, rotating through as the mood strikes me. My long read right now is “The Coldest Winter,” by David Halberstam. My sibling book club picked “Ring Shout,” by P. Djeli Clark, which is paced wonderfully so it will not be over too soon (but luckily before our call). A recent discussion with my niece reminded me how much I love fairy tales of all kinds, so I decided to dive into “Tales of Japan: Traditional Stories of Monsters and Magic.”
Describe your ideal reading experience (when, where, what, how).
I had it a few weeks ago. Georgia’s mercurial weather shifted from an unreasonable 48 degrees to a balmy 75 degrees over the weekend. Knowing how soon it could be 25 degrees or 89 degrees, I filled my water bottle, poured myself a glass of Martinelli’s apple juice, and picked up “Black Sun,” by Rebecca Roanhorse. Soon, I was outside on the patio in the springtime, midafternoon, with my feet up on the ottoman and my reading glasses perched on my nose….
(12) TRANSPARENT FANTASY. In the Washington Post, Molly Born profiles West Virginia’s Blenko Glass, which nearly folded because of the pandemic but was saved because they started producing figurines based on “the mythical Flatwoods Monster,” which allegedly terrorizes the residents of Flatwoods, West Virginia. Liz Pavolvic, who designed the figurine, plans to develop “other sc-fi ideas” for Blenko, beginning with the Mothman, a legend made into the film The Mothman Prophecies. “How a mythical backwoods monster saved a struggling West Virginia glass company”.
… The first alleged sighting of the “green monster” occurred in the town of Flatwoods in 1952, when a group of locals reported seeing a giant floating creature with a spade-shaped head, claw-like hands and a metal “dress,” emitting a toxic mist or odor. In recent years the legend has inspired a museum, festival and tchotchkes sold at the local gas station.
Designer and illustrator Liz Pavlovic visited Blenko’s factory and flipped through old catalogues, looking for inspiration to pair with Pavlovic’s own playful renderings of this and other popular cryptids they sell on prints, stickers and magnets. Pavlovic submitted a sketch that captured the creature’s spooky aesthetic, right down to its beady eyes and the fabric-like swirls of its outfit….
The 23-ton core stage of a Long March 5B booster crashed back to Earth Saturday night (May 8), ending 10 controversial days aloft that captured the attention of the world and started a wider conversation about orbital debris and responsible spacefaring….
NASA Administrator Sen. Bill Nelson released the following statement Saturday regarding debris from the Chinese Long March 5B rocket:
“Spacefaring nations must minimize the risks to people and property on Earth of re-entries of space objects and maximize transparency regarding those operations.
“It is clear that China is failing to meet responsible standards regarding their space debris.
“It is critical that China and all spacefaring nations and commercial entities act responsibly and transparently in space to ensure the safety, stability, security, and long-term sustainability of outer space activities.”
Internet service providers funded an effort that yielded millions of fake comments supporting the Federal Communications Commission’s repeal of so-called net neutrality rules in 2017, the New York attorney general said on Thursday.
Internet providers, working through a group called Broadband for America, spent $4.2 million on the project, Attorney General Letitia James said. The effort generated roughly nine million comments to the agency and letters to Congress backing the rollback, almost all signed by people who had never agreed to the use of their names on such comments, according to the investigation. Some of the names had been obtained earlier, in other marketing efforts, officials said.The agency approved the repeal in late 2017.
Broadband for America’s members include some of America’s most prominent internet providers, like AT&T, Comcast and Charter, as well as several trade groups.
Supporters of the repeal regularly cited the number of comments opposing the rules. Investigators said Broadband for America had “commissioned and publicized a third-party study” of how many comments were being submitted, and then briefed F.C.C. officials on their findings as part of their push.
“Instead of actually looking for real responses from the American people, marketing companies are luring vulnerable individuals to their websites with freebies, co-opting their identities and fabricating responses that giant corporations are then using to influence the policies and laws that govern our lives,” Ms. James said in a statement.
In 1999, Katja Reichard, Jesko Fezer, and Axel J. Wieder launched Pro qm, a bookshop and laboratory for ideas on everything from urbanism to climate change. The white space is punctuated by shocking pink ladders and colorful tomes on design, architecture, and pop culture.
(16) LAST NIGHT ON SNL.
“Wario” introduces us to the evil brother of Super Mario Bros.’s Mario.
“Chad on Mars” has an unlikely hero out to save Elon Musk’s Mars mission.
“Weekend Update: Baby Yoda On Star Wars Day Celebrations” had an interview with Baby Yoda, who said he “smoked weed and took pills” on Star Wars Day, “because I’m not like a nerd, you know.”
[Thanks to Mike Kennedy, JJ, Cat Eldridge, James Davis Nicoll, Martin Morse Wooster, Michael Toman, Kathy Sullivan, StephenfromOttawa, Andrew Porter, Michael J. Walsh, John King Tarpinian, and John Hertz for some of these stories. Title credit goes to File 770 contributing editor of the day jayn.]
Samuel R. Delany received a Life Achievement Award today as one of the winners of the 86th Annual Anisfield-Wolf Book Awards. The awards “recognize books that have made important contributions to our understanding of racism and our appreciation of the rich diversity of human cultures.”
The 2021 recipients of the only national juried prize for literature that confronts racism and explores diversity are:
The Anisfield-Wolf jury members are chair Henry Louis Gates Jr, poet Rita Dove, novelist Joyce Carol Oates, historian Simon Schama and psychologist Steven Pinker.
“The new Anisfield-Wolf winners bring us fresh insights on race and the human condition,” said Gates Jr. “This year, we honor a brilliant military history, a breakout poetry collection that wrestles with mortality, a novel bursting with love and trouble centered around a Brooklyn church, and a memoir by a daughter reclaiming her mother’s story. All of which is capped by the lifetime achievement of Samuel R. Delany, who has broadened our humanity and sharpened our minds through his groundbreaking science fiction.”
[Based on a press release. Thanks to Todd Mason and Andrew Porter for the story.]
Mary Robinette Kowal is the author of the Lady Astronaut series — which so far includes the novels The Calculating Stars, The Fated Sky, and The Relentless Moon — as well as the historical fantasy novels in The Glamourist Histories series plus Ghost Talkers. Her short stories have appeared in Strange Horizons, Asimov’s, and other magazines and anthologies, and her collections include Word Puppets and Scenting the Dark and Other Stories.
She’s currently the President of SFWA, a member of the award-winning podcast Writing Excuses, and has received the Astounding Award for Best New Writer, four Hugo awards, the RT Reviews award for Best Fantasy Novel, the Nebula, and Locus awards. Her novel The Calculating Stars is one of only 18 novels to win the Hugo, Nebula, and Locus awards in a single year. She’s also a professional puppeteer and voice actor, and has won two UNIMA-USA Citations of Excellence, the highest award an American puppeteer can achieve.
We discussed the temporal differences between puppetry and science fiction conventions, how she transitioned from writing magical Regency novels to the Lady Astronaut series, why unlike many writers, she reads her reviews (albeit selectively), the reason she’s able to write relationships between reasonable people so well, how she constructs a science fiction mystery, why it’s so important she likes her characters’ clothing when she picks a project, the meaning of science fiction itself within her science fiction universe, the way she uses sensitivity readers to make her work better, how a novel is like a clear glass pitcher, and much more.
… Adam Roberts is one of the most intellectually daring British science fiction writers, trying something different in every book.Purgatory Mount (Gollancz, £16.99) starts off like classic space opera, on board a spaceship crewed by five quasi-immortal superhumans. On an empty planet they discover an enormous tower-like structure, possibly the remains of a space elevator, in which they perceive a resemblance to Dante’s mountain of Purgatory. However, this is not the real story….
(3) STURGEON AWARD CONSIDERATION. Nominations are open for the 2021 Sturgeon Award through March 15. Eligible works are science fiction short stories, novelettes, or novellas originally published in English during 2020, in a magazine, anthology, website, or other format.
If you are a reader/reviewer/critic:
If you are interested in participating, please submit via email (email@example.com) your list of up to ten (10) nominations for what you consider to be the top science-fiction short works of the year, ranked from 1 to 10, with 1 being your top pick. If possible, please include publication information and date of publication. If published online, please include a link. Include in the header: 2021 STURGEON NOMINATIONS LIST.
If you are an editor:
Please submit via email (firstname.lastname@example.org) a list of the three (3) best science fiction stories from your year’s editorial work. You do not need to rank these. Please include publication information and date of publication. If published online, please include a link. Include in the header: 2021 STURGEON EDITORIAL NOMINATIONS.
This year’s Sturgeon Award Jury members are Sarah Pinsker, Elizabeth Bear, Taryne Taylor, and Kij Johnson, and they will also involve Noel Sturgeon in the selection process. Noel is Trustee of the Theodore Sturgeon Literary Trust and one of Theodore Sturgeon’s children.
(4) SF POETRY PODCAST. Outskirts Poetry has launched The Outskirts Poetry Podcast, a “bi-weekly podcast beaming straight out of an underground bunker that perfectly marries SF Poetry/Fiction and the counterculture.”
The podcast is geared toward writers and readers of speculative genre poetry and fiction “who enjoy art that thrives at the fringes of society.” Season 1 guests include interviews with Catherynne M. Valente, space poet; Josh Pearce, Afrosurrealist; D. Scot Miller; and Augur Magazine Editor, Terese Mason Pierre. Outskirts Poetry is a creative media collaboration between Post-apocalyptic poet, Jake Tringali, who hosts the podcast, and fellow SFPA spec-fic writer and media specialist, Melanie Stormm.
Go to the link above to listen, or access the podcast at Apple Podcasts, Spotify, or Stitcher.
Outskirts Poetry Podcast covers the margins: science fiction, fantasy, weird, the things listeners should be in on, but might not be yet. Our main exports are badly behaved.
Alma Alexander, fantasy writer and all-around good egg, is facing the devastating loss of her husband, coupled with medical and funeral expenses, and the possible loss of her home.
We are trying to raise some funds to give her husband, Deck, a proper send-off, and ease the burden on Alma. The campaign is being organized by Tim Dunn of Nerdy Origami, and all monies raised will go directly to Alma.
…Pearson’s Puppeteers — the name makes sense in the book — are a fascinating non-humanoid race known for several unusual physical and psychological characteristics. For starters they have three legs and two heads, neither of which contain their brain, which is located in their torso. Their heads serve as multi-function limbs encompassing all the usual activities of seeing, eating, breathing, and speaking, while also being their primary manipulators. They’re also known for being incredibly intelligent and almost comically cowardly — everything scares the heck out of these creatures no matter how unlikely the threats. So their entire culture is based around making things as safe as possible for themselves. It’s such a part of their core being that any Puppeteer who shows even a little courage is considered certifiably insane. The absolute best example of this is the reason that no human has seen a Puppeteer for centuries at the start of the story. “We need to evacuate this entire section of the galaxy! The galactic core has exploded!” “What? When?” “10 000 years ago.” “Um, okay, and when is the blast wave going to reach us?” “20 000 years. We’re wasting time talking. Run!”
Yeah, they evacuated their entire species and started a mass exodus out of the galaxy 20 000 years in advance just to be safe. This conveniently leads up to the setup for the plot of this book…
ED: The key to good editing is asking questions and not imposing your own bias/style (if you’re also a writer) on someone else’s story. If you like a story and think you might want to acquire and edit it but believe it needs work, don’t be afraid to make suggestions, and if something isn’t clear, you might ask the writer to tell you what they think is going on––and if their vision is not coming through on the page, tell them that. But always remember: it’s not your story. It’s the writer’s. If you can’t agree on revisions, let it go. Learn to say “no.” Never feel obliged to buy stories by friends or big names if you don’t like the story or don’t think it works for the venue for which you’re editing.
Inigo Montoya trained to become a master swordsman for one driving purpose: to slay the six-fingered man who murdered Inigo’s father. Once he had become a master swordsman, Inigo discovered that his plan was flawed: Inigo had no idea who the six-fingered man might be or where he might be found. Years of searching turned into decades. A penniless Inigo had no choice but to hire himself out as a duellist. Alas, this meant he must work for evil men like master criminal Vizinni. Will he ever find the six-fingered man?
(10) INA SHORROCK OBIT. Liverpool fan Ina Shorrock (1928-2021) has died of a heart attack at the age of 92. She discovered fandom in 1950, was a member of the Liverpool Group, and generally acted as a social director for Liverpool fandom. Eric Bentcliffe in 1959 called her “British fandom’s ‘Hostess with the mostess’. Ina has superabundant energy, and a gift for making people both ‘at home’ and happy.” She belonged to the BSFA (which she chaired). She was married to fellow fan Norman Shorrock.
(11) MEDIA BIRTHDAY.
February 12, 1940 — On this day in 1940, The Adventures Of Superman radio program began with the airing on New York City’s WOR of its first episode, “The Baby from Krypton”. The story is what you expect it to be. It would air until March 1951 with 2,088 original episodes of the program airing. It starred Bud Collyer as Clark Kent / Superman and Joan Alexander as Lois Lane. You can hear it here.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born February 12, 1920 – Russell Chauvenet. Had he only coined the word fanzine (in his zine Detours; also generally credited with prozine) it would have been enough for us. He co-founded the N3F (Nat’l Fantasy Fan Fed’n; with Damon Knight and Art Widner) and served a term as President. Another zine Sardonyx was originally mimeographed but I feel sure I had in my hand a later multi-color issue, produced by spirit duplicator, in the Fanzine Lounge at Chicon VI the 58th Worldcon. Next door to us he was rated Expert at chess; also built his own Windmill-class sailboat, and was a medal-winning runner. (Died 2003) [JH]
Born February 12, 1929 — Donald Kingsbury, 92. He’s written three novels (Courtship Rite, The Moon Goddess and the Son and Psychohistorical Crisis) that could be akin to the Asimov’s Foundation novels. Clute at EOSF says that the Asimov estate explicitly refused him permission to set Psychohistorical Crisis in the Foundation universe. (CE)
Born February 12, 1933 – Juanita Coulson, age 88. Co-edited the Hugo-winning fanzine Yandro with husband Buck Coulson; you can see a lot of issues here; you can go directly to her cover for Y92 here. First-rate filker; won a Pegasus; Filk Hall of Fame. A dozen novels, half a dozen shorter stories. She and Buck were Fan Guests of Honor at L.A.Con the 30th Worldcon; the Coulsons to Newcastle fan fund sent them to Seacon ’79, the 37th; after Buck left, she was Fan Guest of Honor at Reconstruction the 10th NASFiC (North America SF Con; since 1975 held when the Worldcon is overseas). DUFF (Down Under Fan Fund) delegate. Big Heart (our highest service award). [JH]
Born February 12, 1942 — Terry Bisson, 79. He’s best known for his short stories including “Bears Discover Fire”, which won the Hugo Award and the Nebula Award and “They’re Made Out of Meat”. His genre novels includes Talking Man, Wyrldmaker and a rather cool expansion of Galaxy Quest into novel form. (CE)
Born February 12, 1945 — Gareth Daniel Thomas. His best known genre role was as of Roj Blake on Blake’s 7 for the first two series of that British show. He also had a minor role in Quatermass and the Pit, and had one-offs in The Avengers, Star Maidens, Hammer House of Horror, The Adventures Of Sherlock Holmes, Tales of the Unexpected, Randall & Hopkirk (Deceased) and Torchwood. (Died 2016.) (CE)
Born February 12, 1945 — Maud Adams, 76. Best remembered for being two different Bond girls, first for being in The Man with the Golden Gun where she was Andrea Anders, and as the title character in Octopussy. She shows up a few years later uncredited in a third Bond film, A View to Kill, as A Woman in Fisherman’s Wharf Crowd. (CE)
Born February 12, 1945 – David Friedman, Ph.D., age 76. Two novels from this man schooled as a physicist who taught law a dozen years at Santa Clara Univ. (now emeritus) and earned the rank of Duke in the SCA (Society for Creative Anachronism); it is said he while king of the Middle Kingdom challenged the East, later as king of the East accepted the challenge and lost (to himself). He is an incrementalist consequentialist anarcho-capitalist, and yes, I think all those terms are needed. [JH]
Born February 12, 1950 — Michael Ironside, 71. Ahhhh, he of Starship Troopers fame. His first SF role was actually as Darryl Revok in Scanners. Later roles included Overdog in Spacehunter: Adventures in the Forbidden Zone, Ricther In Total Recall, General Katana in Highlander II: The Quickening and of course Lt. Jean Rasczak In Starship Troopers. Now he also did some series work as well including being Ham Tyler on V The Final Battle and V The Series, seaQuest 2032 as Captain Oliver Hudson which I really liked, General Sam Lane on Smallville and on the Young Blades series as Cardinal Mazarin. (CE)
Born February 12, 1954 – Stu Shiffman. Long-time fanartist; won a Hugo; was given the Rotsler Award. TAFF (Trans-Atlantic Fan Fund) delegate. Fan Guest of Honor at WisCon 12, Minicon 20, Lunacon 43. Four stories. Here are covers for Chunga 1 and 19. Here is Taral Wayne’s tributezine The Slan of Baker Street (alluding to Van Vogt’s novel Slan and SS’ Sherlock Holmes hobby). One of my favorite photos of him is here. Randy Byers’ appreciation is here. Our Gracious Host’s appreciation is here. (Died 2014) [JH]
Born February 12, 1962 – Katherine Roberts, age 59. Welsh and Spanish. A score of novels, as many shorter stories. First class degree in mathematics. Boase Award. Correspondent of Vector. Contributed a “Top 10 SF Novels” to The Zone and Premonitions 6. Website. [JH]
Born February 12, 1981 – Lucy Christopher, age 40. Australian now in England. Five novels, one shorter story. Boase Award. Gold Inky. Teacher, horsewoman. “We are all storytellers…. Thinking about this is my life’s work.” [JH]
(13) TOMORROW’S MEREDITH MOMENT. The ebook edition of Return to Nevèrÿon, a four-volume “postmodern sword-and-sorcery” epic from Samuel R. Delany will be downpriced to $1.99 across all US and Canadian retailers on February 13 the author announced on Facebook. He provided this Amazon link.
On the surface, there couldn’t be a more wholesome story than the meteoric rise of the Libby app. A user-friendly reading app becomes popular during the pandemic, making books cool again for young readers, multiplying e-book circulation and saving public libraries from sudden obsolescence.
But the Libby story is also a parable for how the best-intentioned people can build a beloved technological tool and accidentally create a financial crisis for those who need the tech most. Public librarians depend on Libby, but they also worry that its newfound popularity could seriously strain their budgets.
… Libby downloads increased three times their usual amount beginning in late March. E-book checkout growth and new users on Overdrive both increased more than 50%.
Libby had helped to save libraries.
It had also accelerated a funding crisis. Public library budgets have never been luxe, and book acquisition budgets in particular have always been tight. Though it may seem counterintuitive to readers, e-books cost far more than physical books for libraries, meaning that increased demand for digital editions put libraries in a financial bind….
…Scholars have known for decades that most of Stonehenge’s bluestones were carried, dragged or rolled to Salisbury Plain from the Preseli Hills. In 2019, Parker Pearson and his team provided evidence of the exact locations of two of the bluestone quarries. And last year, another team of researchers led by David Nash of the University of Brighton revealed that most of Stonehenge’s sarsens hail from a woodland area in Wiltshire, some 15 miles from where they stand on Salisbury Plain.
The bluestones are thought to have been the first to be erected at Stonehenge some 5,000 years ago, centuries before the larger sarsen stones were brought there. The discovery by Parker Pearson and his team that the bluestones had been extracted from two quarries in the Preseli Hills before the first stage of Stonehenge was built in 3000 BC prompted them to reinvestigate the nearby Waun Mawn site to determine whether those monoliths were the remains of a stone circle supplied by the quarries that was then dismantled to build Stonehenge….
(16) THE WEB, ER, WEED OF CRIME BEARS BITTER FRUIT. Talk about “going bad.” Let the Wikipedia tell you the fate of “Saturn (magazine)”.
Saturn was an American magazine published from 1957 to 1965. It was launched as a science fiction magazine, but sales were weak, and after five issues the publisher, Robert C. Sproul, switched the magazine to hardboiled detective fiction that emphasized sex and sadism. Sproul retitled the magazine Saturn Web Detective Story Magazine to support the change, and shortened the title to Web Detective Stories the following year. In 1962, the title was changed yet again, this time to Web Terror Stories, and the contents became mostly weird menace tales—a genre in which apparently supernatural powers are revealed to have a logical explanation at the end of the story.
Donald A. Wollheim was the editor for the first five issues; he published material by several well-known authors, including Robert A. Heinlein, H. P. Lovecraft, and Harlan Ellison, but was given a low budget and could not always find good-quality stories. It is not known who edited the magazine after the science fiction issues…
…I met Spain and followed “Trashman,” his signature comic, at TheEast Village Other. He was a groundbreaker. What inspired you to make this film?
I made Bad Attitude because I wanted more people to see Spain’s bold, original pen-and-ink art. Just as the 1960s have a soundtrack, I’ve always thought Spain’s art helped design the “look” of the ’60s. When I began the film in 2012, it was a time of relative political complacency. I also wanted to rouse people with Spain’s fiery—yet self-satirizing—left-wing radicalism. As it turned out, Bad Attitude is perfect for the political ferment of 2021. Spain’s “anti-racist” work with the white working-class bikers of Buffalo in the early 1960s is a revealing part of the film….
[Thanks to John King Tarpinian, Jennifer Hawthorne, Cat Eldridge, Martin Morse Wooster, Michael Toman, Mike Kennedy, JJ, John Hertz, Daniel Dern, Melanie Stormm, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
(1) ALL THAT JAZZ. Elle M. has a fascinating commentary on the difference between worldbuilding and lore. Thread starts here. A few quotes follow —
They also use the author of Harry Potter as a compelling example of where lore gets injected at the expense of worldbuilding.
(2) TRENDY PLACES. Sarah Gailey’s Stone Soup blog is hosting “Building Beyond,” an “ongoing series about accessible worldbuilding. Building a world doesn’t have to be hard or scary — or even purposeful. Anyone can do it. To prove that, let’s talk to both a writer and a non-writer about a worldbuilding prompt.” For “Building Beyond: Robot Dating”, editor Brian J. White and writer Suzanne Walker imagine where they’ve gone on a date with a giant robot.
Gailey’s dry synopsis should make you very curious to read the post:
…Brian’s date is the foundation of a story about a robot who is learning to live in the world, and who just so happens to be inhabiting a city of decadences. Suzanne’s date is the beginning of a world in which robots and humans regularly go out together, and frogs have learned to cater to the complicated ecosystem of needs that arise in such relationships.
Constance Grady: I have a hard time working out exactly how I feel about volume two of this trilogy. Harrow the Ninth is a trickier book than Gideon the Ninth, in the same way that bitchy, conniving Harrow is a trickier protagonist than sweet basic jock Gideon.
First of all, there’s the problem of tone. Gideon mined enormous amounts of tension and humor out of the contrast between its lurid goth world and Gideon’s straightforward “it looks like a sword, I want to fight it” worldview and her dirty jokes. That’s part of what helps puncture the grandiosity of Muir’s worldbuilding and keep everything feeling accessible and human-scale, no matter how complicated the mythology might be.
But Harrowhark worships all the lurid skeletal nonsense around her with a religious intensity, and she considers boning jokes prurient. So the easy laughter of the first volume fades away: The jokes are meaner in Harrow than they were in Gideon, and darker….
(4) MRS. PEEL, WE’RE NEEDED. [Item by Martin Morse Wooster.] In the January 23 Financial Times, Peter Aspden writes about the 60th anniversary of British TV series The Avengers, which was first broadcast in January 1960.
The plots (of The Avengers), in the meantime, got crazier. In 1967’s ‘Epic,’ from the fifth season, Peel is kidnapped by a Teutonic film director named ZZ von Schnerk, who is filming a movie called The Destruction Of Emma Peel, for which he needs to kill her in real, or reel, life. The self-referntiality was off the scale, now. ‘Gloat all you like, but I am the star of his picture, says captive Peel to the villiainous director, and anyone interested in meta-texts.
Like so many of the fashions of the 1960s, Rigg only lasted a couple of seasons. She left to star in her own Bond Film, On Her Majesty’s Secret Service, in which she showed that her range extended further than understated self-mockery (in fairness, she had also already played Cordelia opposite Paul Scofield’s Lear) by providing one of the franchise’s few genuinely heartbreaking endings. Peel’s farewell to Steed was itself a rare poignant moment, a peck on the cheek with a final piece of womanly advice: ‘Always keep your bowler on it times of stress. And watch out for diabolical masterminds.’
(5) SPLATTERPUNK AWARDS. [Item by Dann.] Nominations are open for the 2021 Splatterpunk Awards through February 14. Brian Keene and Wrath James White have been experiencing….ummm…difficulties in getting valid nominations. Someone nominated HP Lovecraft who, being dead, is ineligible. Also, he hasn’t published anything new in the last year. Also, also, he hasn’t published anything that is close to being Splatterpunk.
Midnight Pals over on Twitter has the theoretic exchange where Brian and Wrath try to explain how this is supposed to work. (I’m pretty sure that Dean Koontz didn’t nominate HP Lovecraft.)
The awards will be presented during a ceremony at the 2021 Killercon Convention, taking place in Austin, Texas.
In addition to the Splatterpunk Awards, author John Skipp will receive this year’s J.F. Gonzalez Lifetime Achievement Award for his contributions to the field.
…Try as I might, I have great difficulty thinking of this novel as a science-fiction story. It could be conceived of as a psychological thriller, but no one dies except a mouse. It is deeply psychological and delves as far into the brain as anyone can get right now, accepting Freudian analysis as routine, while it is Jung’s “individuation” that the main character, Charlie Gordon, seeks without a guide except for his reading.
…I recommend this book, no matter its genre, and hope that anyone who reads it finds him- or herself touched by the plight of both those who are “exceptional” on the low end and those “exceptional” on the high end.
What will you see in it?
I see five stars.
(7) TAPPING INTO TED WHITE. Fanac.org posted a second installment of Ted White’s livestreamed interview, conducted by John D. Berry.
Ted White has been a science fiction fan for over 70 years, as well as an artist, fanzine editor and publisher, professional writer, editor and jazz critic. Interviewer John D. Berry has known Ted for more than 50 years.
In part 2 of the January 23, 2021 interview, Ted talks about how he began writing professional science fiction, and the influence of Marion Zimmer Bradley, Terry Carr, Bob Tucker and others. There are anecdotes of the New York Fanoclasts and of how the bid for the 1967 NyCon3 came about.
Ted discusses “The Club House” column in Amazing Stories, responsible for bringing many into fandom in the early 1970s, and speaks of his many fanzine collaborations, along with challenges along the way. This Zoom interview was very well received by all the attendees, who clamored for more. Look for the next part of the interview.
…Pitched as humorous, adult-orientated animated series in the Star Trek universe, the series creator is Mike McMahan, a lead writer from Rick and Morty. However, the show’s humour is both less crude and less imaginative than that show, indeed overall it pitches itself at ‘amusing’ rather than ‘funny’. The obvious comparison is with The Orville, rather than Galaxy Quest or John Scalzi’s Redshirts….
Issue #5 features writing from games critic Emma Kostopolus, on the space opera game Mass Effect 3 (2012), and writer and educator Malik Toms, on John Sayles’ The Brother from Another Planet (1984), as well as a piece from me about the collection Scotland in Space (2019).
(10) MEMORY LANE.
2000 — Twenty one years ago at Chicon 2000, Galaxy Quest, a DreamWorks film, would win the Hugo for Best Dramatic Presentation. It would edge out The Matrix (which lost by just three votes), The Sixth Sense, Being John Malkovich and The Iron Giant. It was directed by Dean Parisot. Screenwriters David Howard and Robert Gordon worked off the story by David Howard. It’s considered by many Trekkies to the best Trek film ever made.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born January 28, 1820 – Vilhelm Pedersen. First illustrator of Hans Christian Andersen; a hundred twenty-five in the five-volume 1849 edition. Indispensable like Tenniel’s for Lewis Carroll. Here is “The Top and Ball”. Here is “The Flying Trunk”. Here is “Hyldemor”. Here is “Thumbelina”. (Died 1859) [JH]
Born January 28, 1834 – Sabine Baring-Gould. Anglican priest, author of fiction, folklorist. Grandfather of the Holmes scholar. Wrote “Onward, Christian Soldiers” (music by Sir Arthur Sullivan). This edition including Curious Myths of the Middle Ages and Were-wolves appeared recently. (Died 1924) [JH]
Born January 28, 1929 — Parke Godwin. I’ve read a number of his novels and I fondly remember in particular Sherwood and Robin and the King. If you’ve not read his excellent Firelord series, I do recommend you do so. So who has read his Beowulf series? (Died 2013.) (CE)
Born January 28, 1931 – Komatsu Sakyô. (Personal name last, Japanese style.) Leading Japanese SF author. Most famous for Japan Sinks. Two shorter stories in this collection. Author Guest of Honor at Nippon2007 the 65th Worldcon – of which, incidentally, you can see my report here (PDF). (Died 2011) [JH]
Born January 28, 1957 – Joanne Findon, Ph.D., age 64. Assistant Professor of English at Trent Univ. (Peterborough, Ontario). Two novels for us. “I blame my two lifelong passions – writing fiction and studying the past – on … Lloyd Alexander.” More here. [JH]
Born January 28, 1959 — Frank Darabont, 62. Early on, he was mostly a screenwriter for horror films such as A Nightmare on Elm Street 3: Dream Warriors, The Blob and The Fly II, allminor horror films. As a director, he’s much better known as he’s done, The Green Mile, The Shawshank Redemption and The Mist. He also developed and executive-produced the first season of The Walking Dead. He also wrote Mary Shelley’s Frankenstein that I like a lot. (CE)
Born January 28, 1981 — Elijah Wood, 40. His first genre role is as Video-Game Boy #2 in Back to the Future Part II. He next shows up as Nat Cooper in Forever Young followed by playing Leo Biederman In Deep Impact. Up next was his performance as Frodo Baggins In The Lord of The Rings and The Hobbit films. Confession time: I watched the very first of these. Wasn’t impressed. He’s done some other genre work as well including playing Todd Brotzman in the Beeb’s superb production of Dirk Gently’s Holistic Detective Agency. (CE)
Born January 28, 1985 — Tom Hopper, 36. His principal genre role was on the BBC Merlin series as Sir Percival. He also shows up in Doctor Who playing Jeff during the “The Eleventh Hour” episode which would be during the time of the Eleventh Doctor. He’s also Luther Hargreeves in The Umbrella Academy which is an adaptation of the comic book series of the same name, created by Gerard Way and Gabriel Bá. (CE)
Born January 28, 1986 – Dame Jessica Ennis-Hill, age 35. This historic champion track & field athlete has recently written half a dozen children’s fantasies with Elen Caldecott, may the name be for a good omen. Here’s the latest I know of. [JH]
Born January 28, 1998 — Ariel Winter, 23. Voice actress whose shown up in such productions as Mr. Peabody & Sherman as Penny Peterson, Horton Hears a Who!, DC Showcase: Green Arrow as Princess Perdita and Batman: The Dark Knight Returns as Carrie Kelly (Robin). She’s got several one-off live performances on genre series, The Haunting Hour: The Series and Ghost Whisperer. (CE)
(12) COMICS SECTION.
At xkcd Randall Munroe has a couple more installments on his living in a scaled world series:
The poll will be open from January 11 to February 8, after which we’ll announce the results. We’re excited for you to share which Uncanny stories made you feel!
A snazzy certificate will be given to the creator whose work comes out on top of the poll!
(14) CON CALLS ON FANS FOR HELP. “Otakon Discusses Future, Asks for Donations” reports the Anime News Network. Their 2021 event is scheduled to be held at Walter E. Washington Convention Center in Washington, D.C. from August 6 to 8. Last year’s Otakon was cancelled.
Otakorp president Brooke Zerrlaut announced in a newsletter on Thursday that the organization is requesting donations for the first time. The Otakon convention’s staff are continuing to evaluate plans for 2021 and noted that the event may “potentially close” permanently.
The newsletter explained that Otakorp, a volunteer-run non-profit organization, runs the annual Otakon convention dedicated to Asian culture. Because of the cancelation of Otakon 2020 due to the effects of the COVID-19 pandemic, the organization is in a “precarious position.”
The makers of the new Vimeo documentary, The Last Wolf: Karl Edward Wagner, have trained their lens on an elusive horror and fantasy writer with a cult following. Besides the stories of supernatural and psychological terror collected in In a Lonely Place (1983) and Why Not You and I? (1987), Wagner spun tales about Kane, a hero sometimes compared to Robert E. Howard’s Conan the Barbarian, who wanders and fights his way through a fantasy realm peopled with brigands, thieves, sorcerers, monks, and shapeshifters. This body of work exceeds the better-known Conan mythos in its sexuality and violence, tropes that Wagner used with uneven results.
Wagner was also a longtime editor of the Year’s Best Horror Stories series, showcasing the work of Stephen King, Ramsey Campbell, Harlan Ellison, Robert Bloch, Brian Lumley, Elizabeth Hand, David J. Schow, T.E.D. Klein, Charles L. Grant, Dennis Etchison, and dozens of others in the field. A few of these scribes appear in The Last Wolf, with especially vivid remembrances coming from Campbell and Etchison. Peter Straub, who wrote a foreword to In a Lonely Place, also has a lot to say.
…The sources interviewed in The Last Wolf render a portrait of an ambitious youth who collected paperbacks, became well known to the staff of a used bookshop in Knoxville through constant visits, and liked to freak out his nephews with spooky tales as they lay in their beds by an open window. While still in high school, Wagner meets a charming young woman, Barbara Mott, on a double date. He later marries her. His career enters high gear in the 1970s as he churns out stories, but not novels, and he stays busy writing and editing through the 1980s and 1990s, almost right up to his death.
“The Fourth Seal” is about a scientist looking to cure cancer. Wagner became the victim of something comparable its destructiveness. The Last Wolf doesn’t skirt around the plunge into alcoholism that drew growing concern on the part of Wagner’s peers in the weird field and led to the end of his marriage. Some of the recollections are hard to take.
Our Author of the Month for February is the American Science Fiction writer Octavia E. Butler.
In her many sometimes interlocking works Butler asks questions about race, gender and, pre-eminently, hierarchy in startling ways, and to offer equally startling versions of possible futures, often dystopian, that are uncannily like the present. This is extraordinary writing, written against the grain of gender and race prejudice and against the grain of Butler’s own persistent writer’s block.
Start with her masterpiece Kindred. We’re next to certain you won’t stop there.
(17) A GLIMPSE OF SF HISTORY. Samuel R. Delany reminisced about Judith Merril in a Facebook post.
Judith Merrill [sic] (Boston, 21 Jan 1923—Toronto, 12 Sept 1997), was—for the last years of her life, one of my best friends in the science fiction world, and thus, like all of her friends, to me she was “Judy” and I—to her—was “Chip.” We could never quite agree about where we met. During the time I was sharing a room with my friend, Bob Aarenberg, at the St. Marks Arms, on West 113th St., in NYC, and in our upstairs neighbor Randy Garrett took me to a party in Greenwich Village, where I met her and talked with her quite a while. But a few years later, she had no memory of that meeting. But as a kid I’d read her collaborations with C. M. [K]ornbluth (the Gunner Cade books), and thoroughly enjoyed them; I’d read a handful full of her stories—”Only a Mother,” which I felt was okay, but also “Dead Center” which I felt was much stronger (and still do after several rereadings of both and others)—but the writings of hers that meant most to me was her critical work….
…The Simultaneous Times Newsletter started when the pandemic lockdowns started. Usually I’m at my bookstore six days a week, and since we specialize in science fiction, most of my conversations center around the genre. Immediately I began to miss the conversations and my customers, so I started the newsletter as a way to stay connected with science fiction fans. Since then it has just grown. But we still give free subscriptions. I thought people would prefer to get a letter in the mail over receiving an email.
What format do you use for your site or zine (blog, e-mail newsletter, PDF zine, paper zine) and why did you choose this format?
Several members of my team, including myself, have a background in radio. When we all started talking about starting a podcast we decided that we wanted to produce the program the way that radio shows were produced in the past. Really take the radio arts approach instead of going with modern trends in podcasting. Since then we’ve even teamed up with the radio station KZZH 96.7 in Northern California, so our program did end up on the air.
The Newsletter is print because I wanted to put something physical in people’s hands, especially during this time of not being able to see each other. That being said, I have started to put the back issues on our website, so the archive is available to everyone
(20) IT’S PEOPLE! Shiv Ramdas comments on a trending topic. Thread starts here.
(21) THE SINS OF STARSHIP TROOPERS. [Item by Dann.] The guys at Cinema Sins have “Everything Wrong With Starship Troopers in 19 Minutes or Less”. (Parenthetically, I’m not looking for the 5,681st iteration of “The book is better than the movie” or the 12,259th iteration of “Verhoeven never read the book!”. I like ’em both for different reasons. And the Cinema Sins guys are great.)
…In recent years, Amazon’s e-books market has nurtured a flourishing cottage industry of self-published romance and erotic literature –and the Trump years have inspired many to put pen to paper. The most successful authors (most write under pseudonyms) are known for their prolific publication, thesaurus-aided descriptions of the human anatomy, and responsiveness to current events.
The surreality of the past four years was particularly generative of their creative juices. With the Trump era now drawn to a chaotic close, we decided to review four of the most memorable entries in this niche literary genre.
I’m strangely drawn to the title “My Antifa Lover”, although slightly disappointed that Conroy opted to review Chuck Tingle’s Pounded In The Butt By The Handsome Physical Manifestation Of Tromp’s [sic] Twitter Ban That Should’ve Come Years Sooner But Fine Now That It’s Here High Five rather than the frankly superior Domald Tromp [sic] Pounded In The Butt By The Handsome Russian T-Rex Who Also Peed On His Butt And Then Blackmailed Him With The Videos Of His Butt Getting Peed On. No, I have no idea how the internet got us here either, really.
I feel compelled to note that the reviewer gave Tingle’s work 5/5.
(23) VIDEO OF THE DAY. In the 1780s, a charismatic healer caused a stir in Paris. An amusing video about the history of Mesmer’s methods and how he influenced medicine in the late 18th Century. Vox recalls The phony health craze that inspired hypnotism”.
Scientific progress in the 18th century in Europe, a period known as the “Age of Enlightenment,” was demystifying the universe with breakthroughs in chemistry, physics, and philosophy. But medical practices were still relying on centuries-old treatments, like leeching and bloodletting, which were painful and often ineffective. So when Franz Anton Mesmer, a charismatic physician from Vienna, began “healing” people in Paris using an alternative therapeutic practice he called “animal magnetism,” it got a lot of attention. Mesmer claimed that an invisible magnetic fluid was the life force that connected all things and that he had the power to regulate it to restore health in his patients. He was a celebrity figure until the King of France, Louis XVI, commissioned a group of leading scientists to investigate his methods in 1784. Benjamin Franklin headed the commission, and they debunked the existence of the magnetic fluid in the first-known blind experiment. Mesmer was ruined, but “mesmerism” didn’t end there. The report also acknowledged that Mesmer’s methods were making his patients feel better, which they attributed to the power of the human imagination. This experiment ultimately laid the groundwork for our understanding of the placebo effect and inspired an evolution of Mesmer’s practice into something more recognizable today: hypnotism.
[Thanks to JJ, Martin Morse Wooster, Dann, Andrew Porter, Cora Buhlert, Cat Eldridge, Michael Toman, John Hertz, Mike Kennedy, Mlex, Joey Eschrich, Rob Thornton, Michael J. Walsh, PhilRM, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Peer, who has ridden the fourth horse once before.]