Many creators were
honored at Comic-Con International 2019 with Inkpot Awards for their
contributions to the worlds of comics, science fiction/fantasy, film,
television, animation, and fandom services.
The convention has
not yet updated its list of winners, but all of the following artists, writers,
and media figures were reported by social media as 2019 award recipients.
Jon B. Cooke
Here are links, and where possible photos, documenting the award
Facebook: I was on a panel called “Bringing Films to Comic-Con” with Jeff Walker and Steve Sansweet and Gary Sassaman. Gary was head of programming for Comic-Con for many years. And Jeff, Steve, and I were three people who brought many films and film companies to the convention. (There were others too. Most notably Charley Lippincott, who started it all.)
Anyway, during the panel, the convention presented me with an Ink Pot Award. Definitely unexpected and I was very pleased to receive it.
Con or Bust so generously sent me funds to pay for accommodations and airfare–two large chunks of expenses that make me hopeful that I will be able to attend. In fact, I have already booked the tickets and my AirBnB stay. I need only save up for food, transportation, and other smaller travel expenses.
However, I hit several snags recently. Sudden health issues required medicines and physical therapy. As a freelancer, my biggest contract was recently ended, and so I have been searching for part-time gigs and full-time jobs to not only help me fund this trip and pay GoGetFunding, but to help pay for my daily and medical needs. Your contribution will greatly help toward lessening the amount I need.
And when Brandon O’Brien was trying to round up the last $700 he needed to get to Dublin, look what happened! Jeff VanderMeer put up 7 of the Sub Press Borne signed special editions for $100 each to the first 7 takers. And just like that, he was funded.
Here’s who you won’t see as Phase 4 unfolds between May 2020 and November 2021: Spider-Man, Star-Lord and a new Iron Man. But you will meet what’s easily the most diverse superhero line-up in comic book movie history, including a master of kung fu and a group of eternals. You’ll also welcome back a strange sorcerer, a sharpshooting archer and a sword-swinging Valkyrie. Based on the crowd reaction, the most anticipated reunions are with Natalie Portman’s Jane Foster, who will be returning as a thunder goddess, and that vampire hunter Blade, now played by two-time Oscar winner, Mahershala Ali.
Most major achievements, be they personal or collective, arrive after rehearsals. Some unfold as flights of the imagination. The 50th anniversary of the Apollo 11 moon landing provides a great opportunity to examine how an entire branch of speculative fiction — novels, short stories and also feature films — lies behind the first human footprints on another world.
Works of fiction aren’t particularly known for having influenced historical events. Yet some foundational early rocket science, embedded deep within the developmental history of the Saturn 5 — the towering, five-stage rocket that took Neil Armstrong, Buzz Aldrin and Michael Collins to the moon 50 years ago this week — was paid for by the budget of the first science fiction film to envision just such a voyage in realistic terms.
Spaceflight as we know it today wouldn’t exist if it wasn’t for three extraordinary figures: the borderline-crazy Russian spaceflight visionary Konstantin Tsiolkovsky, the hard-right nationalist German-Transylvanian rocketry pioneer Hermann Oberth and the idiosyncratic American rocketeer Robert Goddard. All devised their distinctive strains of rocket science in response to speculative novels, specifically the stories of Jules Verne and H.G. Wells — founders of a nascent genre later to be known asscience fiction. Tsiolkovsky and Oberth also had important roles to play in early 20th century film projects depicting trips to the Moon.
… Of the three, only Tsiolkovsky actually wrote science fiction, which he used as a scratch pad for his revolutionary ideas. Living in near-poverty 100 miles southwest of Moscow, he also issued a stream of theoretical papers. In articles published in 1911-12, he came up with the great utopian credo of the space age: “Earth is the cradle of the mind, but humanity can’t live in its cradle forever.”
Fifty years ago, a bunch of comics fans in San Diego decided they wanted a way to meet other fans. They were mostly teenagers — okay, and two adults — but what they created became the pop culture phenomenon we know as San Diego Comic-Con.
Today, Roger Freedman is a physics professor, but in 1969 he was 17 years old — and he had no idea what he was about to get himself into. “I think it’s fair to say that if you had come to us and said how Comic-Con was going to evolve, we would have said A) what are you smoking, and B) where can we buy some?”
It all started with a guy named Shel Dorf — one of only two adults involved with that first convention. Dorf had some experience attending and planning conventions, and more importantly, he had connections. He knew Jack Kirby, the legendary co-creator of characters like the X-Men and the Fantastic Four. And Kirby was willing to talk to a bunch of kids.
“I think we thought comic creators lived on some comic book Mount Olympus and couldn’t be approached by normal mortals like us,” says Mike Towry, who was 14 when he got involved with the convention committee. “And then to find out that we could actually meet them and talk to them one on one, and then have a convention where they would come and we would get to hang out with them was just kind of mind-blowing.”
…It’s not hyperbole to say that without Ken Liu and his Herculean efforts in translation, Chinese SF would not exist — or at least it would not exist in its current state. When Ken Liu’s 2014 translation of Liu Cixin’s The Three-Body Problem (2008) won the Hugo Award in 2015, not only was it the first Chinese work awarded the honor, it was the first work in translation from any language to be lauded so. At some point in the past decade, Chinese SF went from “having a moment” to “enjoying its golden age,” and if 2015 wasn’t the exact moment that shift happened, it was certainly when the translation heard round the world was sounded. The Three-Body Problem’s award signaled the significance of Chinese SF to many Anglophone readers for the first time, but equally important was its reaffirmation of Chinese SF for local readers. Liu’s translation has in turn been the source for the novel’s translations into other languages, putting Liu at the vanguard of Chinese SF’s march toward the world. Within hours of the award announcement, domestic internet searches and sales of both the first book and of Liu Cixin’s whole 2008–2010 trilogy increased more than tenfold. Publishing houses and state institutions like the Chinese Ministry of Culture and Tourism and the Publicity Department of the Communist Party of China redoubled their efforts using SF as a vehicle for promoting China’s “peaceful rise,” and have identified SF as a key aspect of their propaganda and publicity campaigns.
Just as, when pressed, Calvino’s Marco Polo claims that “[e]very time I describe a city I am saying something about Venice,” every story in Invisible Planets is saying something about the author’s own position — but that may or may not be the China we know (or think we know). Invisible Planets is not only the spiritual successor to Calvino’s Invisible Cities: it evinces the same magic without following the same formula, creating a panoply of possible worlds that may or may not be our worlds, and which may or may not be true.
(6) BRAZILIAN INVITATION. Canadian sff author Craig Russell
received multiple items of good news recently.
First, “an incredibly kind” review
of his novel Fragment written by Brazilian
literature professor, Dr. Zélia M. Bora and published in The
Interdisciplinary Journal of Literature and Ecocritics.
Some of the comments, translated from Portuguese:
Russell’s clever and captivating novel captures the sensitive reader’s
attention from the beginning to the end of the narrative, in a balanced
way between the real and the imagined.”
undoubtedly one of the most important ecocritical fiction works written in
Russell has also received an invitation to speak about the novel at the 2020 Association for the Study
of Literature and Environment (Brazil) conference in the
city of Curitiba, Brazil (pending travel grant funding approvals.)
The man suspected of carrying out a deadly arson attack on a Japanese animation studio may have visited the area before, local media reported.
Neighbours spotted a man resembling Shinji Aoba near the Kyoto Animation (KyoAni) office before Thursday’s fire.
Mr Aoba, 41, who suffered severe burns, is in police custody and has been transferred to a hospital in Osaka.
On Saturday, a man died in hospital from his injuries, bringing the death toll from the attack to 34.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 21, 1911 — Marshall McLuhan. He coined the expressions the medium is the message and global village, and predicted the World Wide Web almost thirty years before it was invented. I read The Medium Is the Massage: An Inventory of Effects a long time ago. Somehow it seemed quaint. (Died 1980.)
Born July 21, 1921 — James Cooke Brown. He’s the creator of Loglan. Oh, and he did write SF. The Troika Incident written in 1970 features a global data net. That, and two short pieces of fiction, are the sum total of his of genre writings. The Troika Incident is available from Kindle but not from iBooks. (Died 2000.)
Born July 21, 1933 — John Gardner. Grendel, the retelling of Beowulf from the monster’s viewpoint, is likely the only work he’s remembered for. Gudgekin The Thistle Girl (and Other Tales) are genre fairy tales as are The King of the Hummingbirds (and Other Tales); A Child’s Bestiary is, well, guess what it says it is. Mickelsson’s Ghosts, his final novel written before his untimely death, is a ghost story. (Died 1982.)
Born July 21, 1939 — John Woodvine, 80. First role in our realm is as Macbeth at Mermaid Theatre back in the early Sixties. Shortly thereafter, he’s Badger in Toad of Toad Hall at the Comedy Theatre before being The Marshal in the Fourth Doctor story, “The Armageddon Factor”. He’s in An American Werewolf in London as Dr. J. S. Hirsch, and he had a recurring role in The Tripods as Master West. He did show up on The Avengers several times, each time as a different character, and he was Singri Rhamin for the episodes of Danger Man.
Born July 21, 1948 — G. B. Trudeau, 71. Not precisely genre or even genre adjacent, but he did an amazing series on the Apple Newton when it came out.
Born July 21, 1951 — Robin Williams. Suicides depress me. I remember a bootleg tape of a performance of him and Carlin in their cocaine fueled days. Such manic energy. Genre wise, he was brilliant in most everything he did, be it Mork & Mindy, Hook, The Fisher King, Bicentennial Man or Jumanji. (Died 2014.)
Born July 21, 1960 — Lance Guest, 59. An American film and television actor, best known for his lead role in The Last Starfighter. He also shows up in Jaws: The Revenge as Michael Brody, as Jimmy in Halloween II, as Kyle Lane in the “Fearful Symmetry” episode of The X-Files and as The Burning Zone in “The Critical Mass” episode.
Born July 21, 1976 — Jaime Murray, 43. If you watch genre television, you’ve most likely seen her as she’s been Helena G. Wells in the Warehouse 13, Stahma Tarr in Defiance, Fiona/the Black Fairy In Once Upon a Time, Antoinette in The Originals, and Nyssa al Ghul in Gotham. Film wise, she was Livinia in The Devil’s Playground and Gerri Dandridge in Fright Night 2: New Blood.
(9) DRIVE AROUND THE BLOCK AGAIN. Referring to the second tweet below — You never know who you’re going to wish you’d run into at Comic-Con.
(10) YEAR 6 IS IN THE BANK. The Uncanny Magazine Kickstarter
is clicking along, too. Year 6 is funded, and they’re in hot pursuit of their
second stretch goal already, with 24 days remaining.
(11) ON THE HORIZON. The “Strange
Horizons 2020” Kickstarter has also passed its $13,000 goal with 9
days to go in the campaign.
This was the Big Superhero Showdown Marvel’s been aiming towards for ten years, but when I saw it, it felt a bit….underwhelming. With so many characters tossed into the mix and so much to do, there wasn’t time for any of them to make much of an impression, with the possible exception of Thor and Rocket. Also, if I’d been Chris Pratt, I would have been ticked off by the way my character was forced to wield the Starlord Stupid Stick, not once but twice. If Peter Quill had only killed Gamora in the beginning, like she asked him to do and he agreed, Thanos would never have found the Soul Stone. Of course, then we wouldn’t have had a $2 billion-plus grossing movie…..
(13) WIDENING GYRE OF HUGO COVERAGE. Steve J. Wright has completed his Campbell
Best New Writer reviews + Pro Artist Hugo and Retro Hugo reviews.
Former NASA intern Gary George sold off three of the agency’s videotapes of the Apollo 11 moon landing for $1.82 million at auction house Sotheby’s on Saturday, the 50th anniversary of the event, CNN reported.
Sotheby’s claims the videos have not been enhanced, restored, or otherwise altered and are the “earliest, sharpest, and most accurate surviving video images of man’s first steps on the moon,” CNN wrote. George paid $217.77 in 1976 (approximately $980 in today’s dollars) for 1,150 reels of NASA magnetic tape at a government auction while he was a Lamar University student interning at Johnson Space Center in Houston.
…For discerning pet owners who treat their cats and dogs like family — in some cases better than family — designers are creating stylish, even glamorous, furniture. Witness the new $5,000 Crystal Clear Lotus Cat Tower by the Refined Feline, with three platforms for lounging and a hideaway cubby at the bottom lined in white faux fur. (You can see one at the trendy Los Angeles cat cafe Crumbs & Whiskers.) And now you and Buddy can catnap or watch DOGTV on matching tufted Chesterfield-style Wayfair Archie & Oscar sofas; his is a $399 miniaturized version of yours in faux-leather scaled with similar nailhead trim and turned legs.
FX’s Archer has some huge changes coming for season 11. The first piece of news is that there is going to be a season 11 (creator Adam Reed has previously suggested the show might end after the current 10th season). The second revelation is — as Archer producers just revealed at Comic-Con in San Diego on Friday — that Sterling Archer is going to wake from his three-year coma in the upcoming finale as the show plans a return to its spy agency roots next season. But there’s a lot more to it than just that.
EW exclusively spoke to executive producers Matt Thompson and Casey Willis about their season 11 shakeup. We got the scoop on the show’s major story line for next season, how long Archer has been in a coma, the future involvement of Reed on the show, and more.
A little over three months after Paris’ Notre Dame caught fire, French officials say the cathedral is still in a precarious state and needs to be stabilized. Ultimately, they aim to restore the monument, a process that will take years.
When that work begins, there will be a new demand for experts who have the same skills required to build Notre Dame 900 years ago. In the workshops of the Hector Guimard high school, less than three miles from the cathedral, young stone carvers are training for that task.
In an airy and light-filled workshop in the north of Paris, a handful of students chip and chisel away at heavy slabs of stone. Each works on his or her own piece, but all are sculpting the same project: the base of a Corinthian column. The students are earning a professional degree to hew the stone pieces needed to maintain and restore France’s historical monuments.
…”In the beginning, it was my own parents who were surprised when I left my architecture studies to do this,” says Marjorie Lebegue. “But most everyone who finds out I’m studying to be a stone carver says, ‘Wow, what a beautiful profession.'”
Luc Leblond instructs the aspiring stone carvers.
“There’s no reason this should be a masculine profession,” he says. “Men have more physical force, but as a professor, I see the women have a sharpened sensitivity for the more detailed work. So it’s complementary.”
Los Angeles Times correspondent Benjamin Crutcher wound up going viral at this year’s San Diego Comic-Con by cosplaying as the infamous coffee cup that appeared during an episode of the final season of Game of Thrones.
(20) VIDEO OF THE DAY. “The Simpsons: Russian Art Film Version” on YouTube is what the opening of “The Simpsons” would be like in a gloomy Soviet apartment complex.
[Thanks to Martin Morse Wooster, JJ, Mike Kennedy, Cat Eldridge,
Chip Hitchcock, John King Tarpinian, Michael Toman, Daniel Dern, Carl
Slaughter, and Andrew Porter for some of these stories. Title credit goes to
File 770 contributing editor of the day Jack Lint.]
Actor Mark Hamill received Comic-Con International’s Icon Award in Hall H on July 19. The award is given to “individuals or organizations who have been instrumental in bringing comics and/or the popular arts to a wider audience.”
The two most recent winners prior to Hamill were artist Sergio Aragones (2016) and Ray Bradbury (2010).
Mark Hamill celebrated the award as one item in a busy day
The Team Coco event video is on YouTube, “Mark Hamill, aka
Luke F***ing Skywalker, administers Conan’s Comic-Con® Citizenship Test.”
Taylor Swift, whose cat Bombalurina is shown reclining and enjoying Catnip in the footage, announced the trailer had dropped Thursday — a day before it was scheduled to be released.
“I’m a cat now and somehow that was everything #Catsmovie” Swift tweeted.
Directed by Tom Hooper, the first trailer introduces a major cast which includes Jennifer Hudson as Grizabella, Judi Dench as Old Deuteronomy, Idris Elba as Macavity and James Corden as Bustopher Jones.
The ceremony inducting Batman into the Comic-Con Museum Hall of Fame — the first fictional character to be awarded the honor — was the crowning moment of “The Gathering,” a special celebration that doubled as a preview of The Batman Experience, a pop-up exhibit in the Balboa Park location that will eventually become the physical home of the Comic-Con Museum running during this year’s San Diego Comic-Con, and a fundraiser for the Museum.
Both “The Gathering” and The Batman Experience are part of DC and Warner Bros.’ wider celebration of the 80th anniversary of the release of Detective Comics No. 27, which introduced Batman to the world, a yearlong event that has already included events at South by Southwest and a USO tour featuring DC’s Lee and Batman comic book writer Tom King.
(6) PITTING HIMSELF AGAINST THE CHALLENGE. The second Ad
Astra trailer has dropped. Comes to theaters September 20.
Astronaut Roy McBride (Brad Pitt) travels to the outer edges of the solar system to find his missing father and unravel a mystery that threatens the survival of our planet. His journey will uncover secrets that challenge the nature of human existence and our place in the cosmos.
What other authors wrote books with thematic similarities to the books of Andre Norton? Too bad that no one has ever asked me that question. Let’s pretend that someone has asked. Here are five suggestions.
“One of the main things that stands out about Kyoto Animation is the quality of the animation itself,” said Ian Wolf, an anime critic for Anime UK News. “It’s very viewer-friendly.”
The distinctive visual style and level of polish leads to a look that is instantly recognisable, Wolf said.
“The studio makes very little in the way that is controversial… little that is violent or sexual. I can’t imagine why anyone would want to attack it.”
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 18, 1911 — Hume Cronyn. Way back in the Forties, his first genre role was as Gerard in The Phantom of The Opera. Since then he’s appeared in such well-known films as Cocoon, Cocoon Returns and BatteriesNot Included along with the more obscure outing of Richard Burton’s Hamlet. (Died 2003.)
Born July 18, 1933 — Sydney Jay Mead. Industrial designer and concept artist, best known for his designs for Aliens, Blade Runner and Tron. Mead once said in Borrowing an idea from Los Angeles (NYT 20 July 2011) that “I’ve called science fiction ‘reality ahead of schedule.’” An eight-minute film on him, “2019: A Future Imagined” can be seen here.
Born July 18, 1938 — Paul Verhoeven, 81. Direction, screenwriter and producer. Responsible for RoboCop , Total Recall, Starship Troopers and the creepy Hollow Man. Mind this is the man who also did Basic Instinct and Showgirls.
Born July 18, 1943 — Charles Waugh,76. Anthologist and author, whose anthology work up to 2013 numbered over two hundred titles (!), mostly done with Martin H. Greenberg but a handful done with other co-editors as Greenberg died in 2011. Name a subject and there’s likely an anthology on that subject that he had a hand in. I have not read, nor do I have the very least desire, to read his two novels with Deepak Chopra.
Born July 18, 1952 — Deborah Teramis Christian, 67. She’s an author and game designer. has designed and edited role-playing game materials for Dungeons & Dragons such as Tales of the Outer Planes, Bestiary of Dragons and Giants, Dragon Dawn, and Kara-Tur: The Eastern Realms. She also writes fiction under the name Deborah Teramis Christian with genre novel such as The Truthsayer’s Apprentice and her latest, Splintegrate.
Born July 18, 1967 — Paul Cornell, 52. Author of the Shadow Police series which is quite excellent as well as writing a lot of television scripts for Doctor Who, Primieval and Robin Hood. He was part of the regular panel of the SF Squeecast podcast which won two Hugo Awards for best fancast.
Born July 18, 1967 — Vin Diesel, 52. His first genre role was as the delightful voice of The Iron Giant. He next shows playing Riddick in Pitch Black, the first in The Chronicles of Riddick franchise. He’s Hugo Cornelius Toorop in Babylon A.D. and he’s the fascinating if enigmatic voice of Groot in Guardians of the Galaxy and other MCU films. He’s apparently in the next two Avatar films but I don’t see his role determined.
Born July 18, 1980 — Kristen Bell, 39. Veronica Mars. Genre, well not really, but a lot of y’all watch it. She also voiced Jade Wilson in Teen Titans Go! To the Movies which I highly recommend as it’s highly meta.
Born July 18, 1982 — Priyanka Chopra, 37. As Alex Parrish in Quantico, becoming the first South Asian to headline an American network drama series. Is it genre? Maybe, maybe not, though it could fit into a Strossian Dark State. Some of her work in her native India such as The Legend of Drona and Love Story 2050 is genre.
(10) COMICS SECTION.
Non Sequitur gets a good laugh by combining a UFO and a cave painter.
The audience got an early look at the new trailer, which debuted online Thursday morning. The presentation, taking place on Comic-Con’s preview night, is dubbed ScareDiego and is held off the San Diego Convention Center grounds, and unofficially kicks off the Con in terms of movie panels. The event, now in its third year, is growing and this year was held at the Spreckels Theatre with comedian and late night show host Conan O’Brien serving as moderator.
…Collins was the Command Module Pilot. While the Lunar Lander descended to the Moon’s surface, it was Collins’ task to remain with the Command Module in Lunar orbit….
Rather than making any attempt at a dispassionate, neutral history of the Apollo Program, Collins provides a very personal account, a Collins-eye view of the American path to the moon. It’s not a short process, which is why it takes 360 pages before Collins and his more well-known companions find themselves strapped into the largest, most powerful man-rated rocket to have been launched as of that date. Before that…
Starting on July 24, Oscar Mayer’s iconic 27-foot-long Wienermobile is available to book overnight on Airbnb. Seriously. This is not a drill.
True hot dog fans know that the Wienermobile has pretty much travelled all across the country, spreading positive vibes and love for, well, wieners. And until now, no one has been able to spend more than a few hours in the famous Oscar Mayer vehicle, which makes this overnight camp-out option kind of a big deal.
Per their press release, the hot dog distributer has confirmed that its Wienermobile will be available to those staying in the Chicago area between August 1-4. Just in time for Lollapalooza!
As if drones weren’t frightening enough, now they can be equipped with fire-spitting flamethrowers? Oh gawd.
Throwflame’s TF-19 WASP drone attachment is capable of shooting targets with flames from 25 feet away. Every gallon of fuel capacity will get you 100 seconds of firing time.
According to Throwflame, the TF-19 WASP is made from carbon fiber and designed for drones with a five-pound payload capacity or more. In the video above, the flamethrower is shown mounted to a DJI S1000 drone.
[Thanks to James Davis Nicoll, Cat Eldridge, John King Tarpinian, JJ, Lis Riba, Martin Morse Wooster, Mike Kennedy, Chip Hitchcock, Daniel Dern, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]
(1) CALL FOR SUBMISSIONS. Christopher
J. Garcia and Chuck Serface are co-editing an issue of The Drink Tank
dedicated to science-fiction comics of the 1950s and 1960s! Any critical
articles, fanfic, personal remembrances, artwork, and any media we can publish
in a fanzine are welcome.
Chuck Serface says, “Consideration of materials from any comic publisher of the time is fair game: Atlas/Marvel, DC, Gold Key, Charlton, Warren, EC, ones I’m forgetting at the moment — all of them.”
The deadline’s October 14, 2019. They’ll have it out
by the end of the calendar year. Send submissions to firstname.lastname@example.org.
(2) COLSON WHITEHEAD Q&A. His new book is not sff, but some of his answers are about genre in “Powell’s Interview: Colson Whitehead, Author of ‘The Nickel Boys’”.
Rhianna: You’ve mentioned in other interviews being an avid reader of horror, and your novel Zone One is a zombie horror story. You’re very skilled at depicting violence. I was wondering if the horror genre has stylistically influenced the way that you depict historical atrocities, like those in The Underground Railroad and The Nickel Boys.
Whitehead: Again, I think the story determines how you tell it. The violence in Zone One is gorier. It’s more flamboyant than some of the stuff in The Underground Railroad and The Nickel Boys. In those two books, I think the horrific brutality that they experience speaks for itself. They don’t have to be dramatized.
This kind of language, I borrowed from reading the slave narratives. You don’t have to dramatize or sell to the listener or the reader how terrible everything is that is happening because it speaks for itself. If the violence is speaking for itself, I can concentrate more on the characters and what they’re feeling.
San Diego’s Comic-Con International starts Wednesday night, which makes this the perfect time to talk about Bad Weekend, a noir set against the backdrop of a fictionalized version of the now famous comics convention.
Writer Ed Brubaker described the graphic novel — with art by Brubaker’s longtime collaborator Sean Phillips and colors by Phillips’ son Jacob — as a weird love letter to comics, being a fan, and the strangeness of the comic book industry.
…Bad Weekend is the product of filing away stories he’s heard around the comic book industry for the past 20 to 30 years, according to Brubaker — stories of who screwed over whom, of success not bringing happiness, and of comic companies getting rich off their work with movies and TV shows without the creators sharing in that wealth.
(4) OP-EDS. [Item by Olav Rokne.] If, like me, you’ve been enjoying the New
York Times’ series of science fictional op-eds, they’ve just created a landing
page with all the articles in the series now organized in one place: “Op-Eds
From the Future”
It’s worth checking back every second Monday to
see the latest installment, as they’ve been excellent so far.
(5) FILER NAMED FGOH. Chris Barkley shared on
Facebook: “I am pleased to
report that I was asked and accepted to be the Fan GoH at the 2021 Astronomicon
in Rochester, NY along with my good friend (and Identical twin) Robert
I have taken this past week to ponder a response to Neil Clarke and Taiyo Fujii’s objections to the viability of a Hugo Award category for Best Translated Novel. And frankly, their objections puzzle me.
I ask this of Mr. Fujii and to Mr. Clarke; if the three Hugos awarded to translated works are the awakening of fandom to translated literature, why haven’t more of those works been nominated in their wake? In the past three years of nominations; only 2017’s Death’s End, by Cixin Liu, translated by Ken Liu, has been included in the Best Novel category, all of the other nominees in the category have all been decidedly anglocentric.
The truth of the matter we think that the Worldcon and the Hugo Awards have been overwhelmingly perceived for quite a while as an English speakers only party since a majority of the conventions have been held in the United States, Canada, the United Kingdom and Australia.
Mr. Clarke and Mr. Fujii may see the proposed award as either unnecessary, pandering or condescending to authors and fans but all Ms. Cordasco, my co-sponsors and I only want to do is shine a spotlight to fervently call attention to and honor authors and their translators. Speaking for myself, had there been three, four or five nominees on the final ballot since those historic awards, I would not have contemplated initiating and offering this proposal for an open debate…
Horizon still could have gotten the case to trial, but it then needed to show an inference of copying through the similarity of the works. Specifically, Horizon argued the two works were “strikingly similar,” with reliance on an expert report discussing anatomical structures, faces and heads, and camera views.
The judge responds that the expert report is “equivocating” on some of the noteworthy similarities by addressing features on careful viewing and not going quite so far to rule out any reasonable possibility of independent creation. Plus, the judge adds, “there remain enough differences between the two works,” nodding to Marvel’s pointing out differences in pose, differing placement of blue lights, and significantly different overall coloring.
(8) SEE READERCON 30. Ellen Datlow has posted 89 photos
taken at ReaderCon 30 in a Flickr
A nationally representative sample of 2,200 adults carried out between July 8 and 10 revealed that, when it comes to genre properties, Marvel is far and away the most successful, with 63 percent of those surveyed considering themselves fans. The next most popular property was Marvel’s Disney sibling, Star Wars, with a 60 percent fandom, and DC followed with 59 percent.
(10) TODAY IN HISTORY.
July 17, 1955 — Disneyland Park opened in Anaheim, California.
July 17, 1987 — Robocop premiered on this day.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 17, 1858 — Florence Balcombe Stoker. She was the wife and literary executor of Bram Stoker. She’s best remembered for her extended legal dispute with the makers of Nosferatu, an unauthorized film blatantly based on her husband’s novel Dracula. (Died 1937.)
Born July 17, 1889 — Erle Stanley Gardner. Though best known for the Perry Mason series of detective stories, he did write a handful of SF stories, all of which are collected in The Human Zero: The Science Fiction Stories of Erle Stanley Gardner. (Died 1970.)
Born July 17, 1944 — Thomas A. Easton, 75. SF critic and author who wrote the book review column in Analog from 1979 – 2009. His Organic Future series is quite entertaining and I’m reasonably certain I read Sparrowhawk when it was serialized in Analog.
Born July 17, 1952 — Robert R. McCammon, 67. Horror writer whose Michael Gallatin books, The Wolf’s Hour and The Hunter from the Woods, Alllied WWII werewolf agent and his adventures, I strongly recommend. His “Nightcrawlers” short story was adapted into an episode of the Twilight Zone.
Born July 17, 1954 — J. Michael Straczynski, 65. Best known rather obviously for creating and writing most of Babylon 5 and its short-lived sequel Crusade. He’s also responsible for as well as the Jeremiah and Sense8 series. On the commit sides, he’s written The Amazing Spider-Man, Thor and Fantastic Four. Over at DC, he did the Superman: Earth One trilogy of graphic novels, and has also written Superman, Wonder Woman, and Before Watchmen titles.
Born July 17, 1967 — Kelly Robson, 52. I just got done reading her brilliant “Gods, Monsters and the Lucky Peach”. Right now, it appears only this plus “A Human Stain” and “Waters of Versailles” are available on iBooks and Kindle for reading as she has no collection out yet. And no novel as far as I can tell.
Born July 17, 1971 — Cory Doctorow, 48. I’ll admit that I’ve mixed feelings about his work. I enjoyed Down and Out in the Magic Kingdom, his first novel, and thought The Rapture of the Nerds had potential but really failed to live to that potential to great. Everything else is ‘Meh’. His activism is oft times that of an overeager puppy trying to get attention for himself.
Born July 17, 1976 — Brian K. Vaughan, 43. Wow. Author of Ex Machina, Pride of Baghdad, Runaways, Saga, Y: The Last Man, and his newest affair, Paper Girls. And yes, he’s won Hugo Awards. You could spend an entire summer just reading those series. In his spare time, he was a writer, story editor and producer of the television series Lost during seasons three through five. And was the showrunner and executive producer of the Under the Dome series.
From its inception, Comic-Con had intergalactic ambitions.
The initial show, then called San Diego’ Golden State Comic Con, featured science fiction writers Ray Bradbury and A.E. Van Vogt; Jack Kirby, creator of Captain America, X-Men and other iconic superheroes; vintage films; an art auction; and dozens of dealers peddling mountains of new and used comics.
An unforgettable event — for the 300 attendees. Few others noticed and even they dismissed this as a juvenile jamboree. For instance:
On the show’s first day, Aug. 1, 1970, the author of “Fahrenheit 451″ and “The Martian Chronicles” granted an interview to The San Diego Union. Yet Bradbury’s spirited defense of comics was buried on page B-11, under articles about a flower show, the repainting of the White House East Room and a medical brief with the headline “Fat Men More Tipsy.”
… Neil Kendricks is a writer, filmmaker and teacher who recently led a San Diego State course on comics and sequential art. In the early 1980s, though, he was a high school student at his first Comic-Con. In the dealer’s room, he bumped into a white-haired gentleman flipping through the cardboard boxes full of used comics.
“Mr. Bradbury,” he stammered, “will you be here for awhile?”
When Ray Bradbury nodded yes, Kendricks dashed out of Golden Hall and ran the half-mile to Wahrenbrock’s Book House.
“I went upstairs to the science fiction section and bought as many of his books and I could find. Then I ran all the way back and he signed them. That,” Kendricks said, “could never happen now.”
…At a presentation at the California Academy of Sciences, hastily announced via Twitter and beginning a half hour late, Musk presented the first product from his company Neuralink. It’s a tiny computer chip attached to ultrafine, electrode-studded wires, stitched into living brains by a clever robot. And depending on which part of the two-hour presentation you caught, it’s either a state-of-the-art tool for understanding the brain, a clinical advance for people with neurological disorders, or the next step in human evolution.
The chip is custom-built to receive and process the electrical action potentials—“spikes”—that signal activity in the interconnected neurons that make up the brain. The wires embed into brain tissue and receive those spikes. And the robotic sewing machine places those wires with enviable precision, a “neural lace” straight out of science fiction that dodges the delicate blood vessels spreading across the brain’s surface like ivy.
…And, sure, there’s more. A public records request from WIRED in April 2019 found that Neuralink is licensed to have hundreds of rats and mice in its research facilities. In a seemingly unplanned moment at the Cal Academy, Musk also acknowledged that Neuralink’s research had progressed beyond rodents to non-human primates. It’s only because of a records request filed by Gizmodo that Neuralink’s affiliation with the primate research center at UC Davis is public knowledge. That affiliation has apparently progressed: “A monkey has been able to control a computer with its brain, just FYI,” Musk said during the Q and A after the presentation.
His team seemed as surprised and discombobulated by the announcement as the audience. “I didn’t know we were running that result today, but there it goes,” said Max Hodak, president of the company, on stage next to Musk. (Monkeys have controlled computers via BCIs before, though presumably this would be the first time one used Neuralink.)
One small holograph for man, one giant holograph for the Washington Monument.
The Smithsonian National Air and Space Museum will celebrate the 50th anniversary of the Apollo 11 moon landing with a life-size projection of the Saturn V rocket on the Washington Monument on Tuesday, Wednesday and Thursday.
The Saturn V rocket is now iconic for carrying the Apollo 11 crew to the moon in 1969. The projection-mapping artwork will occupy 363 of the monument’s 555 vertical feet.
As the 17th century’s most famous Italian astronomer surveyed the heavens, he likely never dreamed a rocket shooting fire would one day power people up among the stars he eyed through his telescope, or that his work would help guide a ship to the moon.
But Galileo Galilei’s observations would become a key link in the chain of scientific research and discovery fundamental to our understanding of the universe and our drive to explore it.
That scientific continuum is at the heart of a new Houghton Library exhibit connecting early celestial calculations to the Apollo 11 mission that put two American astronauts on the lunar surface 50 years ago this July. “Small Steps, Giant Leaps: Apollo 11 at Fifty” features gems from Harvard’s collection of rare books and manuscripts as well as NASA artifacts from an anonymous lender and Harvard alumnus, many of which were aboard the spaceship that left Earth’s orbit in 1969.
Not all of the equipment carried into space was cutting edge and expensive. Some of the more humble odds and ends even prevented disaster.
…25: Length of duct tape rolls carried to the Moon, in feet
If there’s one saviour time and again of American space missions over the past 50 years, it’s a roll of duct tape. During Apollo missions, it was used for everything from taping down switches and attaching equipment inside the spacecraft, to fixing a tear on a spacesuit and, during Apollo 17, a fender on the lunar rover.
…Esquire was not expecting much from Neil Armstrong.
“While the space program is poised on the brink of a truly epoch-making triumph of engineering, it is also headed for a rhetorical train wreck,” the story said.
“The principal danger is not that we will lose the life of an astronaut on the Moon, but that the astronauts will murder English up there . . . . That they are likely to litter the intergalactic void with gibberish and twaddle.”
The smugness is rather remarkable, because despite the talent of the people it enlisted, Esquire got not a single decent line from any of them.
It got, in fact, a lot of gibberish and twaddle.
…With that as your benchmark, here’s a sampling of what Esquire’s best and brightest came up with:
John Kenneth Galbraith, the Harvard economist: “We will hafta pave the damn thing.”
Ayn Rand, libertarian thinker and novelist: “What hath man wrought!”
…Leonard Nimoy, the actor, then in his third season as Spock on the new TV series Star Trek: “I’d say to Earth, from here you are a peaceful, beautiful ball and I only wish everyone could see it with that perspective and unity.”
(17) A KING WILL BE CROWNED. Looper fills us in
about The Most Anticipated Sci
Fi Movies Of 2020.
2020 might feel far away, but Hollywood’s major studios are already planning ahead with some legit super hits on the horizon. And if you’re a fan of sci-fi flicks, then 2020’s looking like an especially good year for you. These are just a few of the most anticipated sci-fi blockbusters on their way to a big screen near you. Film fans will finally get the answer to an age-old question in 2020, when Godzilla and King Kong face off on the big screen. Director Adam Wingard has already assured fans that his take on the two monsters will crown a definitive winner, unlike the 1962 film that first pit the two characters against each other. This will be the fourth entry in Legendary’s MonsterVerse, first established in 2014’s Godzilla and further explored in Kong: Skull Island.
[Thanks to Olav Rokne, Mike Kennedy, Cat Eldridge, JJ, Chip
Hitchcock, Martin Morse Wooster, Michael Toman, John King Tarpinian, Carl
Slaughter, and Andrew Porter for some of these stories. Title credit goes to
File 770 contributing editor of the day Jack Lint.]
The following excerpt is taken from an email conversation with friends about some online reactions to a screed someone had posted about how kids these days should get off of their lawn with their “fandoms” with an s and their fanwriters who are not oldphart fans, among other things. I was trying to explain to my friends how one particular misunderstanding involving the usage of “fandom” versus the usage of “fandoms” was making things so much worse, and how I had had very little luck explaining the particular connotations involved to either group of the fans involved.
Please note that the following has been edited for clarity, but I’m not guaranteeing I actually reached that destination….
(2) DIVE INTO WORLDBUILDING. Juliette Wade’s new Diving
Into Worldbuilding introduces readers to Cadwell Turnbull and interviews him
about how he devised the background for his novel: “Cadwell
Turnbull and The Lesson“. Read the synopsis at the link, and/or watch the video:
We were all really excited to meet Cadwell Turnbull and talk to him about his new novel, The Lesson. This is a first contact novel featuring aliens in the Virgin Islands. It takes place five years after the alien Ynaa integrated with humans, and examines the tensions and conflicts between humans and Ynaa. Cadwell told us it deals with the murky relationship between the two groups, and the social, personal, and cultural effects of having highly advanced aliens living here.
Cadwell explained that the Ynaa have one basic technology. “Reefs” are intelligent cells that manage body health and also change the Ynaa’s physiology so they can fit in. They can also be used for technology, ships, cities, and other things. The reefs can build themselves. This technology can also be used to kill people.
This list sprung from a short question: What is a song you feel best represents Afrofuturism? From that starting point, a number of artists, academics, authors, curators and creative minds contributed selections that reflect both canon and alternate cuts. This list is necessarily limited: The expansive applications of Afrofuturist thought means anything definitive remains out of reach. But wherever and however Afrofuturism travels, it remains a space of utmost creative freedom and expressive possibility.
The titles on the home page are linked to short articles about
I gave my fans a chance to “buy” a novel via Kickstarter I would ordinarily have backburnered and they decided they wanted it. The Kickstarter is still running but they’ve already hit my 10K goal (and in less than five days).
I continue to think it’s cool that we live in an age where fans can fund the books they want that authors would otherwise not have been able to afford. 🙂
The fundraising is not just about the book as a whole
— Hogarth has set up an interesting menu of almost 20 different scenarios or
character interactions that people can contribute toward having included in the
(6) SPACEWAR. MIT
Technology Review news editor Nial Firth penned an article warning that
war in space isn’t just a concern for science fiction writers, suggesting that
the first skirmishes may already be occurring — “How to fight a war in space (and get away with it)”
– behind a paywall at Technology Review. As Firth writes:
“The major spacefaring nations ratified the treaty [against militarization
of space] long ago, but the ambitions of the treaty to codify peaceful uses of
space seem increasingly distant, as hawkish rhetoric and actions grow more
In March, India became only the fourth country in the world—after Russia, the US, and China—to successfully destroy a satellite in orbit. Mission Shakti, as it was called, was a demonstration of a direct-ascent anti-satellite weapon (ASAT)—or in plain English, a missile launched from the ground. Typically this type of ASAT has a “kill vehicle,” essentially a chunk of metal with its own guidance system, mounted on top of a ballistic missile. Shortly after the missile leaves the atmosphere, the kill vehicle detaches from it and makes small course corrections as it approaches the target. No explosives are needed; at orbital speeds, kinetic energy does the damage.
…In a Yang presidency, election results would be verified through blockchain (an encryption system best known for shoring up cryptocurrencies like Bitcoin), quantum computing research would be better funded, and a Legion of Builders and Destroyers would have the power to overrule local zoning and land-use decisions for the greater infrastructure good. He is definitely the only presidential candidate talking seriously about fighting climate change with giant space mirrors….
Greg Hullender opines, “In point of fact, his platform
is pretty long. I’m not so sure it’s a good candidate for Best Related Work,
although it does have its moments.” – “Yang 2020 – Our Policies”
– “And how can you not like a guy whose response to pink MAGA caps is blue MATH
(8) A NICK LARTER UPDATE: Nick Larter, quoted in yesterday’s
Scroll as opposed
to a U.S Worldcon (immigration policies, difficulties), has been getting a crash
course in site selection rules and today added this statement to his post:
Yesterday I sent an email to the address provided for the Dublin Worldcon Business Meeting, enquiring how I should proceed. I have so far heard nothing back. But others have kindly informed me online that the Business Meeting has no control over the voting process. I have now looked at the relevant ballot paper. It seems that if a majority of voters select the None of the Above option for the 2021 Worldcon location, then the Business Meeting is supposed to decide where it should be located. On this basis, I’ll be voting None of the Above in Dublin.
(9) JACOB OBIT. Charlee Jacob (1952-2019) died July
14. The native Texan specializing in horror fiction,
dark fantasy, and poetry won the Bram
Stoker Award twice. Her novel Dread in the Beast
tied for the Bram Stoker Award for Best Novel of 2005, and her poetry
collection Sineater won the Bram Stoker Award for Best Poetry Collection
in 2005 as well. Her first novel This Symbiotic Fascination (Necro
Publications, 1997) was nominated for the International Horror Guild Award.
(10) TODAY IN HISTORY.
July 16, 1952 — Zombies of the Stratosphere premiered.
July 16, 1969 — Apollo 11 launched.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 16, 1882 — Felix Locher. He is considered the oldest Star Trek actor of all time by birth year, appearing in “The Deadly Years” episode. 0ther genre appearances included Curse of the Faceless Man, The Twilight Zone, Frankenstein’s Daughter, The Munsters, House of the Damned, The Man from U.N.C.L.E. and Mission Impossible. His entire acting career was from 1957 to 1969. (Died 1969.)
Born July 16, 1928 — Robert Sheckley. I knew that his short story “Seventh Victim” was the basis of The 10th Victim film but I hadn’t known ‘til now that Freejack was sort of based of his Immortality, Inc. novel. I’ve read a lot by him with Bring Me the Head of Prince Charming (written with Zelazny) and Babylon 5: A Call to Arms being my favorite works by him. Sheckley is very well stocked on the Kindle store but not in the iBook store. H’h. (Died 2005.)
Born July 16, 1929 — Sheri Tepper. I think I’m going to single out her Marianne Trilogy (Marianne, the Magus and the Manticore; Marianne, the Madam and the Momentary Gods; Marianne, the Matchbox and the Malachite Mouse) as her best work. Both the setting and the characters are unique, the story fascinating. (Died 2016.)
Born July 16, 1951 — Esther Friesner, 68. She’s won the Nebula Awards for Best Short Story, both “Death and the Librarian” and “A Birthday”. I’m particularly fond of The Sherwood Game and E.Godz which she did with Robert Asprin. She’s better better stocked in the Kindle store than in the iBooks Store.
Born July 16, 1956 — Jerry Doyle. Now this one was depressing. Dead of acute alcoholism at sixty, his character Michael Garibaldi was portrayed as an alcoholic, sometimes recovering and sometimes not on Babylon 5. Damn. (Died 2016.)
Born July 16, 1963 — Phoebe Cates, 56. Ok, her entire genre appearance credit is as Kate Beringer in Gremlins and Gremlins 2: The New Batch. It’s two films that I have an inordinate fondness for that the Suck Fairy cannot have any effect upon.
Born July 16, 1967 — Will Ferrell, 52. His last film was Holmes & Watson in which he played Holmes. It won Worst Picture, Worst Director, Worst Screen Combo and, my absolute favorite Award, Worst Prequel, Remake, Rip-off or Sequel. Wow. He was also in Land of the Lost which, errrr, also got negative reviews. Elf however got a great response from viewers and critics alike.
I write to you from the past—knowing you’re presently asleep while I’m awake, three hours’ worth of time zone between us—to talk about ideas. It’s tricky to know where to begin; when the most succinct description we can manage of our book clocks in at “epistolary spy vs. spy novella across time and space,” the ideas crowd and clutter.
But I think it all ultimately begins and ends with us. The two of us, becoming friends, and writing each other letters.
Do you remember when we first decided to write something together? I know the fact of it, but I don’t remember the hour, the words—only that we loved each other’s work, wanted to work together, wanted to set a sensible boundary of how and when and for how long to work together….
Thanks to the exploits of 19th-century archaeologists (many of them no better than Indiana Jones, digging for statues and jewelry while ignoring evidence of daily life), lost civilizations were common features of 19th-century adventure stories. The trope was imported wholesale into early SFF. Do you remember your first SFF lost civilization? I remember mine, which was thanks to Scholastic Books: the enthusiastically pulp-ish Stranger from the Depths, by Gerry Turner.
A mysterious relic reveals to humanity that there was an ancient civilization that arose before modern humans evolved in Africa. “Was”…or “is”? Ancient does not always mean vanished. These ancient aliens have, in fact, survived(!!!) in well-concealed refugia. Humans have now stumbled across them. Will humans survive the discovery?
It’s that rare time of year when the Life Plan presentation comes through the Los Angeles Habitable Zone! Tired of struggling in underground shelters and fleeing from mutated dumpster dogs? Life Plan is the answer! You can live out your dream life and you can experience true fulfillment, but only if you come to one of our five Life Plan Presentations this June. This is your last chance of 2068, so don’t miss out!
Life Plan is immersive satirical sci-fi — you’re live at a timeshare sales pitch from our dystopian future. Fulfillment is the offer. Salvation is the opportunity. Will you cash out? Will you buy in?
The play is written by Matthew Latkiewicz of You Can Do Better on truTV and former The Onion managing editor Brian Janosch. There are more details here.
The Parks and Recreation actor Alison Becker raves about the play on her Instagram wall, “I’ve seen A LOT of theater. And this was one of the best shows I’ve seen in my entire life. Wow. It’s like a weird mind fuck that stays in your head for weeks afterwards. It’s been extended for one night only (July 20th) so don’t say I didn’t tell you. I am NOT involved in this play. I am just telling you as a public service announcement — GO SEE THE BEST PIECE OF THEATER OF THE YEAR.”
You’ve worked as a video game journalist. How has gaming influenced your prose? What do you think writers could learn from successful video games?
I think analyzing video games actually helped me understand world-building a bit better. I try to treat every character, no matter how small their role, as an NPC (non-playable character). Every NPC in a video game should have a clear purpose, not just to propel the main characters on their quest, but to better flesh out the world around them. NPCs in games offer advice and opinions, sometimes drop hints that, if missed, can really screw over the player, or at least make their quest more difficult. In that way, they can make the story interactive. NPCs basically can reward a player for exploration. If you remove them, maybe the overall story won’t be affected, per se, but it will feel less rich.
CBS has so many Star Trek projects going on, it chose to dump them all into one panel! “Enter the Star Trek Universe” will share news about several Star Trek projects—including the animated show Lower Decks, from the guys behind Rick and Morty, and Sir Patrick Stewart’s highly anticipated return as Jean-Luc Picard. We can’t wait, especially for the dog.
When and where: Hall H on Saturday, July 20 at 11:30 a.m.
Who will be there:
Star Trek: Discovery—Sonequa Martin-Green, Tig Notaro, and executive producers Alex Kurtzman, Michelle Paradise, and Heather Kadin.
Star Trek: Lower Decks—co-creator Mike McMahan
Star Trek: Picard—Sir Patrick Stewart, Alison Pill, Michelle Hurd, Evan Evagora, Isa Biones, Santiago Cabrera, Harry Treadaway, showrunner Michael Chabon, and executive producers Alex Kurtzman, Akiva Goldsman, and Heather Kadin.
[Thanks to Martin Morse Wooster, Andrew Porter, rcade, Carl
Slaughter, Mike Kennedy, Cat Eldridge, Alan Baumler, JJ, John King Tarpinian, Greg
Hullender, Olav Rokne, and Chip Hitchcock for some of these stories. Title
credit goes to File 770 contributing editor of the day Rob Thornton.]
(1) THE LAST DAY. Macmillan Publishers is moving from the
Flatiron to the Equitable Building
and taking Tor.com with it. Seanan McGuire commemorates the departure in her
Way the Wind Blows”.
I turn. Our navigator is looking over his shoulder at me. Well. One of his heads is. The other is still watching the curved window that makes up the front of our airship, crystal clear and apparently fragile. Most people who attack us aim for that window first, not asking themselves how many protections we’d put on a sheet of glass that size. The fact that it’s not a solid mass of bugs doesn’t seem to be the clue it should.
“What is it?”
He smiles uncertainly. “I think I see the Flatiron.”
Tor Books also posted a group shot taken outside the building here.
(2) PITT THE YOUNGER SEEKS PITT THE ELDER.Ad Astra comes
to theaters in September 2019.
Astronaut Roy McBride (Brad Pitt) travels to the outer edges of the solar system when he finds his missing father, played by Tommy Lee Jones, has been doing threatening experiments in space. He must unravel a mystery that threatens the survival of our planet. His journey will uncover secrets that challenge the nature of human existence and our place in the cosmos.
(3) FROM DEEP IN THE FILES. Baen Ebooks is distributing
the English translation of a nonfiction work Judgment in Moscow by Vladimir Bukovsky on its retail ebook site, as well as
offering a selection of other ebooks from Judgment in Moscow publisher,
Ninth of November Press.
Bukovsky spent years in the Soviet gulag, finally being released to the West in 1976. In 1991, Boris Yeltsin’s government asked Bukovsky to serve as an expert witness at a possible trial of the Communist Party. Bukovsky combed through the archives, scanning and copying much of the material there, and, after the trial became a dud, smuggled the material out of Russia. Judgment in Moscow is a behind the scenes look at these original documents which detail how the Soviet leadership and the Communist Party kept the Russian nation enslaved, accompanied by Bukovsky’s commentary elucidating the extent of the evil recorded therein.
Judgment in Moscow is based on the trove of Communist Party archives that Bukovsky spirited away before access was shut down. These contain elaborate details of Soviet meddling in Western politics, and it also details Western complicity in Soviet Russia’s program of totalitarian oppression. Originally written in Russian, Judgment in Moscow was seen as a major indictment of political treachery both inside and outside the USSR.
Western publishers, including Random House in America, backed down from publishing an English translation out of what appears in hindsight cowardice and fear of offending the emerging new Russian oligarchy. Now after years with no translation available, a new English version has finally been created with Bukovsky’s wholehearted participation.
…Wallace villains are never just ordinary criminals, but run improbably large and secretive organisations with dozens of henchmen. At least one of the henchmen is deformed or flat out insane, played either by former wrestler Ady Berber or a charismatic young actor named Klaus Kinski, who gave the performance of his life as a mute and insane animal handler in last year’s The Squeaker.
The crimes are extremely convoluted, usually involve robberies, blackmail or inheritance schemes and are always motivated by greed. Murder methods are never ordinary and victims are dispatched via harpoons, poison blow guns, guillotines or wild animals. The villains inevitably have strange monikers such as the Frog, the Shark, the Squeaker, the Avenger, the Green Archer or the Black Abbot and often wear a costume to match. Their identity is always a mystery and pretty much every character comes under suspicion until the big reveal at the end. And once the mask comes off, the villain is inevitably revealed to be a staunch pillar of society and often a member of Sir John’s club.
(5) GLORIOUS COVER. Alex Shvartsman posted a cover reveal for his debut novel, Eridani’s Crown. It’s a beauty.
The full wraparound
cover was drawn and designed by Tomasz Maronski.
Holy Hall of Fame, Batman! The Caped Crusader is robbin’ all the other comic book superheroes to seize the illustrious distinction of becoming the very first inductee into the new Comic-Con Museum’s inaugural class of honored comics characters.
The Dark Knight will hold the door for all the rest of the museum’s first, still-unannounced heroic batch, DC revealed in a press release announcing “The Gathering,” a July fundraising event for the new museum. Located near the site of San Diego Comic-Con in the city’s Balboa Park, the Comic-Con Museum (or CCM) will be a 68,000-square-foot shrine to all things heroic and villainous, drawing on decades of rich history from the pages of comics, graphic novels, and more.
“On the occasion of Batman’s 80th anniversary, a ceremony honoring DC’s most popular super hero will be the centerpiece” of the July 17 event, which is timed to help kick off this year’s San Diego Comic-Con.
(7) DARK PHOENIX. On Jimmy Kimmel Live, Sophie Turner, James McAvoy, Jennifer Lawrence,
Michael Fassbender, Jessica Chastain, Nicholas Hoult and Tye Sheridan talk
about making Dark Phoenix together and reveal some of their on-set
(8) FINANCIAL OMENS. Our Designated Financial Times Reader
Martin Morse Wooster peered behind the paywall at Dan Einav’s
interview with Michael Sheen and David Tennant about Good Omens.
Stars are usually personally held accountable when a series fails to meet the expectations of the fans–and lovers of fantasy and sci-fi are often notoriously implacable, To say that a screen adaptation of “Good Omens” has been hotly anticipated is to understate the extent of the fervour Gaiman’s devotees have for his work.
Do the actors feel anxious about a potential backlash? ‘I read the book when it first came outm so I’m one of those fans and I’ve felt the weight of expectation,’ says Sheen. “But Neil has said all the way through that he’s not making it for the fans, he’s making it for Terry.”
Tennant, who is no stranger to opinionated fans from his days as Doctor Who, is a little more blunt, ‘You can’t make TV which pleases what people’s preconceived notions might be. You just have to make something you feel proud of and works for people who haven’t read the book.
(9) WHERE IS EVERYBODY? Likewise behind a paywall, at Commentary,
astrophysicist Ethan Siegel
argues in “Are
We Alone In The Universe?” that
the likelihood there is life elsewhere in the universe is vanishingly small.
When we ask the big question–where is everybody?–it’s worth keeping a great many possibilities in mind. Aliens might be plentiful, but perhaps we’re not listening properly. Aliens might be plentiful, but they might self-destruct too quickly to maintain a technologically advanced state. Aliens might be plentiful, but they may choose to remain isolated. Aliens might be plentiful, but they might purposely choose to exclude Earth and their inhabitants from their communications. Aliens might be plentiful, but the problems of interstellar travel might be too difficult to overcome.
But there’s another valid possibility that we must keep in mind, as well: Aliens may not be there at all. The probability of the three vital leaps, as described above, is enormously uncertain. If even one of these three steps is too cosmically impossible, it may well be that in all the universe, there’s only us.
(10) BRADBURY REMEMBERED. [Item by Robert
Kerr.] “Ray died 7 years ago today. I know
he’d like to be remembered, but he’d like to be remembered with joy. Among
Ray’s many accomplishments was writing the script for the Epcot attraction
Spaceship Earth. This picture was taken in 1982 at the opening of Epcot. Ray
took a bus or train to get to Florida, but he had to get back to L.A. faster
than a bus or train could get there. Ray was a self-proclaimed coward who
didn’t conquer fears very well. He never drove a car his entire life, and at 62
he was going to get on a plane for the first time. He said they put a bunch of
martinis in him and loaded him onto the plane. To commemorate the occasion of
Ray’s first time on a plane, some Disney animators drew a piece showing Ray on
a plane, martini in hand, with Mickey Mouse sitting next to him. Ray kept that
piece on display in his study for the rest of his life.”
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born June 5, 1908 — John Russell Fearn. British author and one of the first British writers to appear in American pulp magazines. A prolific author, he also published novels as Vargo Statten and with various pseudonyms such as Thornton Ayre, Polton Cross, Geoffrey Armstrong and others. As himself, I see his first story as being The Intelligence Gigantic published in Amazing Stories in 1933. His Golden Amazon series of novels ran to over to two dozen titles, and the Clayton Drew Mars Adventure series that only ran to four novels. (Died 1960.)
Born June 5, 1928 — Robert Lansing. He was secret agent Gary Seven in the “Assignment: Earth” on StarTrek. The episode was a backdoor pilot for a series that would have starred Lansing and Teri Garr, but the series never happened. He of course appeared on other genre series such as The Twilight Zone, Journey to the Unknown, Thriller and Alfred Hitchcock Presents. (Died 1994.)
Born June 5, 1946 — John Bach, 73. Einstein on Farscape, the Gondorian Ranger Madril in the second and third movies of The Lord of the Rings film trilogy. Also a British body guard on The Chronicles of Narnia: Prince Caspian. And he was the body double for shooting for Saruman in place of Christopher Lee, who was unable to fly to New Zealand for principal photography on The Hobbit film series
Born June 5, 1960 — Margo Lanagan, 59. Tender Morsels won a World Fantasy Award for best novel, and Sea-Hearts won the same for Best Novella. She’s an alumna of the Clarion West Writers Workshop In 1999 and returned as a teacher in 2011 and 2013.
Born June 5, 1976 — Lauren Beukes, 43. South African writer who’s the author of a number of SF novels. Zoo City won the 2011 Arthur C. Clarke Award, The Shining City, about a time travel serial killer and the woman who catches him, is being adapted as a series in South Africa, and Moxyland is a cyberpunk novel set in a future Cape Town. Very impressive!
(12) WHO WRITER OUSTED FROM ANTHOLOGY. Gareth Roberts has been “dropped from an upcoming Doctor Who
anthology over ‘offensive’ transphobic tweets” BBC Books has
Parent company Ebury confirmed that Roberts’ contribution to Doctor Who: The Target Storybook, will not feature….
Ebury’s decision to drop Roberts over his tweets, which it says conflicts with its “values as a publisher”, has sparked debate on social media.
For nearly three decades, Stephenson’s novels have displayed an obsessive, technically astute fascination with cryptography, digital currency, the social and technological infrastructure of a post-government world, and Asian culture. His novel Anathem is, among other things, an elaborate investigation into the philosophy of knowledge. His new book, Fall; or, Dodge in Hell, pursues these themes literally beyond the grave, into the complications of estate planning and cryogenics.
(14) CALLING LONG DISTANCE. Drop by the Richard M. Nixon
Presidential Library and Museum between now and January 12, 2020 to see the phone
he used to call the Moon in the interactive exhibit Apollo 11: One Giant Leap for
Artifacts and objects featured in the exhibit include:
Buzz Aldrin’s penlight used in the Lunar Module and Apollo 11 patch worn on the surface of the moon
NASA X-15 silver-gleaming pressure suit used to train Neil Armstrong and America’s first astronauts in the 1950s
Moon rocks from the lunar surface, acquired during the Apollo 15 and Apollo 17 missions
Oval Office telephone that President Nixon used to call Neil Armstrong and Buzz Aldrin as they explored on the lunar surface
Presidential Medal of Freedom Award presented to astronaut Michael Collins by President Nixon
Original of President Nixon’s draft speech prepared in the event of a “moon disaster”
A 3-D printed, life-sized statue of Neil Armstrong in his space suit, as he climbed down the ladder of the Lunar Module on the moon
A giant, exact recreation of an Apollo mission command module
Thoughts: This story won the Nebula Award, and I don’t think it’s a bad pick for the award, which is a testament to the strength of this ballot. It’s a fantasy story about nine slaves’ lives and hopes, with the teeth taken from them as the gateway to their stories (and the effects of those teeth on George Washington) – with those slaves’ lives having various degrees of fantasy elements, all fitting the themes of those realistic slave-lives. Still, I think it probably works the least of these six as a cohesive whole, even if the individual parts of this story are excellently done (with the final part reclaiming the supposedly noble action of Washington to free his slaves on his deathbed, in a really nice touch).
A scientist walks up to a cottonwood tree, sticks a hollow tube in the middle and then takes a lighter and flicks it. A jet of flame shoots out from the tube.
It seems like a magician’s trick. Turns out, there’s methane trapped in certain cottonwood trees. Methane is the gas in natural gas. It’s also a powerful greenhouse gas.
So how does it get inside towering trees like the ones on the campus of the Oak Ridge National Laboratory in Tennessee?
“The wood in this particular species naturally has this condition called wetwood, where it’s saturated within the trunk of the tree,” says the lighter-flicking scientist, Oak Ridge environmental microbiologist Christopher Schadt.
This wetwood makes for a welcoming home for all sorts of microorganisms.
…Some of those organisms turned out to be species of archaea that are known methane producers. So it’s not the trees themselves that are making the methane, it’s the microbes living in the trees.
…Because methane is such a potent greenhouse gas, Cregger says, it’s important to see how much of it the trees are actually producing.
This raises the surprising notion that trees could actually be contributing to global warming. Yes, these trees remove carbon dioxide from the atmosphere, but could the methane be making things worse?
The Ásatrú faith, one of Iceland’s fastest growing religions, combines Norse mythology with ecological awareness – and it’s open to all.
…The ‘blót’, as the changing-of-the-season ceremony is known, began with the lighting of a small fire, which flickered in the breeze as the congregation listened to Old Norse poetry and raised the beer-filled horn to honour the Norse gods. Elsewhere on the island, similar ceremonies, I was told, were taking place.
The blót had been organised by the Ásatrú Association of Iceland, a pagan faith group that is currently one of the country’s fastest growing religions, having almost quadrupled its membership in a decade, albeit from a low base of 1,275 people in 2009 to 4,473 in 2018.
The congregation, which comprised a few dozen souls, including a Buddhist and a Hindu guest, had gathered near a sandy beach on the outskirts of Reykjavik, next to the city’s domestic airport, to celebrate the first day of the Icelandic summer. It was 25 April, slightly chilly and mostly overcast. Rain looked likely….
(19) WITH WINTER COMES ICE. The whole Game of Thrones cast raps in A Song of Vanilla Ice and Fire – Game of Thrones x Ice Ice Baby.
[Thanks to Lenore Jean Jones, John King Tarpinian, Mike Kennedy,
Cat Eldridge, JJ, Chip Hitchcock, Carl Slaughter, Martin Morse Wooter, and
Andrew Porter for some of these stories, Title credit goes to File 770
contributing editor of the day Jayn.]
As our longest serving president, first elected in 1986 and re-elected every year since, John’s tenure saw Comic-Con grow from a select gathering of fans to the largest and most prestigious convention of its kind in the world.
He enjoyed the esteem of large numbers of fans. Oakland News Note Now said it this way:
John Rogers was incredible. Not only did he guide San Diego Comic Con through its years of dramatic growth, he never lost his sense of duty to the people of SDCC. He took every complaint and question and comment with true interest and really handled himself like the mayor of a town. He was the Mayor of Comic Con. A really wonderful man.
Bryan Brandenburg of FanX, formerly the Salt Lake Comic Con, told Facebook followers on October 16, “Today the Ninth Circuit Court of Appeals granted a stay pending appeal for the nearly $4 million judgment and a broad injunction” in connection with a District Court judge’s award of attorney fees to San Diego Comic-Con following his decision in SDCC’s trademark infringement suit against Dan Farr Productions (DFP).
SDCC’s enforcement efforts would likely foreclose appellate review of the questionable verdict and the erroneous determination that this case is “exceptional,” purportedly justifying $3.9 million in fees on a $20,000 judgment. And if SDCC enforces the judgment, DFP’s destruction will cost Salt Lake City’s economy millions of dollars. But a stay likely wouldn’t harm SDCC: its likelihood of collecting the judgment increases if DFP is not driven into bankruptcy, and DFP has already changed the name of its future conventions.
In addition to appealing the costly judgment, FanX is challenging the verdict that brought it about, including claiming attorneys representing the Utah company were wrongly barred from arguing at trial that the term “comic con” was being used generically long before San Diego secured rights to the phrase.
Brandenburg also said on FanX Facebook page the litigation will be going on for several more years:
We’re encouraged by the Ninth Circuit’s ruling and looking
forward to proceeding with our appeal. Based on the typical time for the appeal process in the Ninth Circuit, this stay will be in place for at least 2-3 more conventions before the final decision is reached (which we are hopeful will
bring a positive outcome).
This gives us the time, energy, and financial resources to
focus on producing events for the best fans in the world. Our events next year will take place on April 19-20, 2019, and September 5-7, 2019.
An incensed federal judge has done his best to make up what San Diego Comic-Con couldn’t get from a jury after winning its trademark infringement lawsuit against Salt Lake Comic Con, hammering the defendants with a trademark ban and an order to pay nearly $4 million of SDCC’s attorney fees and costs.
Last December, the federal jury ruled that Salt Lake Comic Con infringed on a trademark held by San Diego Comic-Con by using the words “comic con” in their name without permission. However, the jury did not award the $12 million in damages sought by San Diego Comic-Con, only $20,000, finding no willful infringement of the copyright by SLCC.
The Salt Lake Convention has since changed its name to FanX Salt Lake Comic Convention.
Battaglia chided DFP for ignoring court rulings, including making items marked “confidential” public, including on Twitter.
Part of what made the case exceptional in the judge’s decision was press releases and interviews DFP gave after getting a cease and desist letter from SDCC. Battaglia wrote:
“The Court’s analysis under this factor is best explained by quoting to Defendant Brandenburg himself. In a news article, Mr. Brandenburg explained his reaction to receiving SDCC’s cease and desist letter:
Our knee jerk reaction was that [SDCC was] trying to intimidate us” . . . “We were not going to cease and desist using the name. We decided to go public about it.” After consulting with their lawyers, the team behind the Salt Lake Comic Con knew they had strong legal ground to stand on, but they didn’t want to go to court, they wanted to win in the court of public opinion . . . “Everyone said that San Diego had no leg to stand on, but the only way to win this would be to outspend them on legal fees” … “Our strategy was, if we are going to spend legal fees vs. legal fees, we wanted to be creative. We put it out to the public, challenging the cease and desist letter publically.
“Refusing to cease and desist and turning to the media to litigate a trademark infringement case in the court of “public opinion” is objectively irrational,” the judge wrote while also explaining it didn’t seek to limit free speech.
“The Court finds that this case is not a dime a dozen. Instead, it is a trademark infringement lawsuit that stands out from others based on the unreasonable manner it was litigated and thus an award of attorneys’ fees and costs to SDCC is justified.”
San Diego wanted about $5 million in attorney’s fees and it will end up with 80 percent of the request.
The Hollywood Reporter’s article “Judge Issues ‘Comic-Con’ Injunction” says the court also put teeth in the jury verdict by forbidding the defendants from using “comic con” or anything that sounds like it:
Battaglia, in his order on an injunction, has enjoined Salt Lake from “Comic Con” and “Comic-Con” and any phonetic equivalents (i.e. ComiKon). Additionally, Farr and Brandenburg can’t operate any social media site that incorporates the trademark, nor can they even advertise how the festival they run was “formerly known as Salt Lake Comic Con.”
On the other hand, the judge rules it would go too far to prevent the phrase “comic convention” and won’t require defendants to destroy all of their already-made merchandise and marketing materials bearing the banned phrases.
The Hollywood Reporter opined that this “may be the beginning of the end of the road for any self-described ‘Comic-Con’ that doesn’t take place in San Diego.”
It’s important to note that San Diego has sued or asserted claims against others who operated “Comic-Cons” around the nation — and most of those cases were put on hold for this one. San Diego vs. Salt Lake was a test case.
Both sides in the SDCC/SLCC case had asked for a new trial, victor San Diego because they disputed the jury’s finding of non-willfulness and wanted more money. That, at least, the judge refused to grant, pointing to evidence that Brandenburg thought it was okay to use “Comic Con” because so many others were also doing it.
The defendants’ past statements indicated a desire to appeal the original verdict. Meanwhile Farr and company will be busy running FanX from September 6-8.