Pixel Scroll 8/26/20 Down To Starseeds And STEM Again

(1) ROFCON 2020. Eric Flint and Ring of Fire Press will host the inaugural Ring of Fire Con (RoFCon I), a virtual convention, from September 11-13, with panels, guests, and signing opportunities. Attendance is free – register at the link.

Among the guests attending will be: Steven Barnes, David Brin, DJ Butler, Eric Flint, Charles Gannon, Cecelia Holland, Tom Kidd, Mercedes Lackey, Jody Lynn Nye, Christopher Ruocchio, Tom Smith, David Weber, and Toni Weisskopf.

Walt Boyes, Editor, Grantville Gazette and Ring of Fire Press adds:

Not only do we have a great guest list, but we are also teaching marketing for authors, how to get published, and recruiting new authors. We have dealt with issues of race, sex, gender, and nationality and prejudice around the world. We are looking for authors to write in the 1632 Universe who are non-traditional. We encourage women, LGBTQ+, and Persons of Color to look at writing for us. We publish bimonthly, The Grantville Gazette, which is a SFWA approved venue that pays SFWA professional rates.

(2) BRADBURY CENTENNIAL RECORDING STILL PLAYING. You can hear last Saturday’s Ray Bradbury Read-A-Thon of Fahrenheit 451 anytime through September 5.

Readers from across the United States will join William Shatner (actor), Neil Gaiman (author), Marlon James (author), Marjorie Liu (author), P. Djèlí Clark (author), Dr. Brenda Greene (author), Alley Mills Bean (actress), James Reynolds (actor), Tananarive Due (author), and Steven Barnes (author) to bring this relevant work to social media. Susan Orlean (author) provides an afterword. 

(3) ONLINE BRADBURY EXHIBIT. The South Pasadena Public Library provides a virtual tour of its Bradbury holdings in “Ray Bradbury: Celebrating 100 Years”.

…Bradbury, in his later years, was a frequent visitor to South Pasadena. In fact, Bradbury chose the South Pasadena Public Library as the location of his 90th Birthday Celebration. In 2010 South Pasadena City Council declared August 22nd Ray Bradbury Day….

In 2013 the South Pasadena Public Library named the conference room in honor of the late Ray Bradbury, for his work as lifelong advocate for public libraries. The Ray Bradbury Conference Room currently hosts a collection of Bradbury books and artifacts, including ephemera, photographs, artwork, and first edition prints. On the walls of the Conference Room hang a brick from Ray Bradbury’s home in Los Angeles (now demolished) and a portion of drywall from Bradbury’s home office, where much of his writing was conducted….

(4) 2020 HINDSIGHT. Few fans really expect science fiction writers to predict the future. But what about mainstream authors who can’t even predict the present? Consider this Amazon customer review of Honeysuckle Season by Mary Ellen Taylor.

This novel is set in Virginia during two time periods: the early 1940’s, and the summer of 2020. Chapters alternate between the two time periods. The story was enjoyable, but every time I came to a chapter set in 2020, I asked myself, “when is the author going to say something about Covid-19?” The answer is — never. I found that very disturbing and distracting. The author apparently wrote the book before the pandemic, and made the assumption that summer 2020 would be just like other summers, with large wedding parties, no social distancing, etc. Bad assumption.

(5) WORLDCON PUBLICATION ARCHIVE. Fanac.org is making the move to a different interface for accessing Worldcon Publications. (And it looks very good!)

If you’ve been paying attention to recent newsletters and flashes, Mark Olson has put together a new, easier-to-love format for Worldcon pubs. All the worldcon pubs are searchable PDFs and you’ll also find bidding material, and even ephemera. You can find it all at http://fanac.org/conpubs/Worldcon/.

The format and the link for photos and audio stay the same for now, and over the next few days (or maybe weeks) we will migrate completely to the new approach. For a little while, worldcon pubs may be available the old way as well, but one by one those will be cleared out. If you have any worldcon pubs bookmarked, then please be aware that those bookmarks will not be valid for too much longer. All hail Mark Olson, king of the Worldcon pubs! And most seriously, a heartfelt thanks to Mark from a webmaster who really didn’t want to start coding again. (Aug 22)

(6) EVERMORE ASKS FOR HELP. Yesterday’s Scroll reported Utah’s Evermore Park is in financial straits. The owners have launched a GoFundMe appeal: “Helping Evermore Park Through COVID-19”. It’s raised $13,693 of the $100,000 goal in the first 24 hours.

Evermore Park is small business in Pleasant Grove, Utah that creates an immersive experience that exists purely to allow everyone who enters to discover their own imagination. We aim to tell unique stories that inspire, educate, and allow guests to escape–even just for a little while–to a world that allows you to be the hero. We need your help to keep this project going during COVID-19.

We opened our doors in September of 2018. From the moment the doors were officially opened, we have been creating magic and allowing guests to interact with our characters and park in ways that few other businesses have even come close to attempting…. 

(7) POST-APOCALYPTIC HOLLYWOOD. “A World Like This Deserves Contempt: Adapting Harlan Ellison’s A Boy and His Dog in Bright Lights Film Journal is Stephen Harris’ fine-grained and thoroughly disturbing study of the story’s evolution to a film by L.Q. Jones.

…Alternately humorous, disturbing, satiric, violent, tender, vicious, somber, fantastic, and familiar, A Boy and His Dog and its adaptations have become the most referenced and influential landmarks of a sub-genre that has often been disregarded as escapist, clichéd, and one-dimensional. In order to understand how the text became so important, the history of Ellison’s original story and its film adaptation must be traced and explicated. In this article, I will compare and contrast Ellison’s definitive novella, L. Q. Jones’s early screenplay draft, and his final film adaptation and its promotional campaign to show how content is transformed, often radically, once it leaves the hands of its creator, and how certain differences in these texts come to exist. 

(8) MEDIA BIRTHDAY.

  • August 26, 1953 War of The Worlds premiered. It was produced by George Pal, and directed by Byron Haskin. It starred Gene Barry and Ann Robinson with narration by Sir Cedric Hardwicke. The Martian war machines were designed by Al Nozaki, and the sizzling sound effect would be used again as the first Trek phaser sound. (You know what novel it was adapted from.) The film was both a critical and box office success with its earnings making it the top SF film of the year. Audience reviewers at Rotten Tomatoes currently give it a 71% rating.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born August 26, 1901 – Earle Bergey.  A hundred sixty covers for us, a handful of interiors; much more, thousands all told, adventure, aviation, detective, sports, Western.  He was a prominent – hmm – “pin-up” artist; but look at this cover for Zane Grey’s Spirit of the Border.  This famous cover for Gentlemen Prefer Blondes may arouse – ahem – indignation now, but is very funny if you’ve actually read the book, and if I may, suggests – sorry – the question “Who’s exploiting whom?” and the realization that we heterosexual men have more to be ashamed of than we thought.  He could also do this.  (Died 1952) [JH]
  • Born August 26, 1904 Christopher Isherwood. I’ll first note, though not genre, that he wrote Goodbye to Berlin, the semi-autobiographical novel which was the inspiration for Cabaret. Genre wise, he co-wrote Frankenstein: The True Story with Don Bachardy, The Mortmere Stories with Edward Upward, and one short story in the Thirties, “I am Waiting”. (Died 1986.) (CE) 
  • Born August 26, 1904 Peter Lorre. I think his first foray into genre was in the Voyage to the Bottom of the Sea film as Comm. Lucius Emery though he was in Americanized version of Casino Royale which an early Fifties episode of the Climax! series as Le Chiffre. (James Bond was called Jimmy. Shudder!) Other genre roles were in Tales of Terror as Montresor in “The Black Cat” story, The Raven as Dr. Adolphus Bedlo and The Comedy of Terrors as Felix Grille. (Died 1964.) (CE)
  • Born August 26, 1911 Otto Oscar Binder. He’s  best remembered as the co-creator with Al Plastino of Supergirl and for his many scripts for Captain Marvel Adventures and other stories involving the entire Marvel Family. He was extremely prolific in the comic book industry and is credited with writing over four thousand stories across a variety of publishers under his own name. He also wrote novels, one of which was The Avengers Battle the Earth Wrecker, one of the series created by writer-editor Stan Lee and artist and co-plotter Jack Kirby. (Died 1974.) (CE)
  • Born August 26, 1911 – Gerald Kersh.  He has been described as “hammering out twenty novels, twenty collections of short stories and thousands of articles”.  Harlan Ellison wrote, “you will find yourself in the presence of a talent so immense and compelling, that you will understand how grateful and humble I felt merely to have been permitted to associate myself with his name as editor.”  The Secret Masters is ours, as are a hundred seventy shorter stories.  (Died 1968) [JH]
  • Born August 26, 1926 – Thomas Clareson, Ph.D.  Edited Extrapolation 1960-1987; essayist, correspondent, there and elsewhere, AnalogThe Magazine of Fantasy & Science FictionNY Rev SFRiverside Quarterly.  Bibliographic studies, critical anthologies.  First President of the SF Research Ass’n; its Clareson Award, named for him, began 1995.  Pilgrim Award.  Robert Silverberg’s Many Trapdoors may be the title of the year for 1992.  (Died 1993) [JH]
  • Born August 26, 1949 – Fred Levy Haskell, 71.  Involved at the start, therefore a Floundering Father of Minn-stf (stf from Hugo Gernsback’s word scientifiction, pronounced “stef” or “stiff”, the latter funnier since false) though he later said he was out getting a sandwich at the time.  Fanziner, chaired Corflu 6 (fanziners’ con; corflu = mimeograph correction fluid, once indispensable).  Fan Guest of Honor at LepreCon 4, Archon7 (which for years I’ve been saying should be pronounced Arch on, but what do I know?), Minicon 22.  Note his two-part unhyphenated surname.  Recently, see here.  [JH]
  • Born August 26, 1949 Sheila E Gilbert, 71. Co-editor-in-chief and publisher of DAW Books with Elizabeth R (Betsy) Wollheim. For her work there, she has also shared the Chesley Awards for best art director with Wollheim twice, and has received Hugos by herself for Best Professional Editor (Long Form). (CE)
  • Born August 26, 1958 Wanda De Jesus, 62. She’s Estevez in Robocop 2, a film that had its moments but rarely, and she has two other film genre roles, Lexie Moore in Captain Nuke and the Bomber Boys, and Akooshay in Ghosts of Mars. Series wise, she has a number of one-offs including Babylon 5Tales from The DarksideSeaQuest DSVHappily Ever After: Fairy Tales for Every Child and voicing a character on one of the Spider-Man series. (CE) 
  • Born August 26, 1965 – Elizabeth Isaacs, 55.  Four novels for us.  Runs an authors’ group Writers, Etc. going between writers and motion pictures.  Master’s degree magna cum laude (and Phi Beta Kappa) from Austin Peay State U., studied classical opera.  Ranks Great Expectations about the same as The Time Machine, both below Nineteen Eighty-Four; fear not, all three below Blueberries for Sal.  [JH]
  • Born August 26, 1970 Melissa McCarthy, 50. Yes, I know she was in the rebooted Ghostbusters. Fanboys across the net are still wetting their pants about that film. I’m much more interested in Super Intelligence in which she is playing a character that has an AI who has decided to take over her life. It reminds me somewhat of Naomi Kritzer’s Hugo Award winning “Cat Pictures Please” premise.  (And we are not talking about The Happytime Murders in which she was involved.) (CE) 
  • Born August 26, 1993 – Nancy Yi Fan, 27.  First novel at age 12, NY Times Best Seller.  Oprah Winfrey said this showed NYF was smart, which misses the point, but Errors in the direction of the enemy are to be lightly judged.  A prequel and sequel followed.  Her pets, suitably, are birds.  [JH]

(10) COMICS SECTION.

(11) MUSIC FOR THE SPHERES. Pitchfork invites readers to “Meet the Man Who Used Kraftwerk, Fela Kuti, and Other Fascinating Music to Try to Lure Aliens to Earth”.

When NASA launched the Voyager spacecrafts to explore the cosmos in 1977, they sent along the Golden Record—and with it, music from around the world—as a snapshot of humanity, should intelligent lifeforms ever find it. But what if the aliens tuned in to the radio instead?

From 1971 to 1998, a man named John Shepherd probed that hypothetical question with astonishing dedication. Aiming for interstellar contact, he beamed everything from reggae to Steve Reich straight from his grandparents’ living room in rural Michigan, broadcasting between six to eight hours every day. He then expanded his operation—called Project STRAT—into a separate building on his grandparents’ property, complete with scientific equipment of his own design. Though Shepherd eventually ended the radio arm of Project STRAT due to the high cost of maintenance, he is now the subject of a touching new short film, John Was Trying to Contact Aliens, which recently arrived on Netflix

(12) CANON CAN NOT. Aidan Moher seeks to obliterate the very idea — “Personal Canons: There Is No Universal Canon”.

I am not the same person I was yesterday, and tomorrow I will be a new me.

Over time, my personal SFF canon has changed and evolved as I’ve grown older, discovered new writers, and pushed myself into corners of the genre that I would never have experienced if not for my involvement in the broad and diverse SFF community. As time flows, we’re changed by our experiences, our values adapt to encompass new thoughts and emotions, and so canon is always evolving to envelop who we are becoming….

Even canon lists generally accepted at the time they’re published become defunct just a few years later, and, as the genre adapts, new works draw on new influences. Just go look at some old lists of “SFF canon” from earlier decades, or even 11 years ago on the web. I haven’t even heard of half those books, let alone read them. If SFF canon looks like a reading list for a History of Science Fiction 101 course, it’s missing the point of how the genre is a conversation with itself and the outside world of politics, sociology, and humanity.

As DongWon Song said, “The idea of the canon is outdated, colonialist, racist, sexist, and anti-queer. It’s easy to say that this is only true because old stuff is colonialist, racist, sexist, and anti-queer, but that’s a bullshit cop out.”

There is no universal SFF canon.

(13) SOUTH ASIAN SFF. “What South Asian sci-fi can tell us about our world” is an unsigned 2019 article attributed to the Asian News Network.

My first encounter with a work of desi science fiction was very much by accident.

During my undergraduate studies at the English department at Karachi University, while idly browsing through a professor’s personal collection on her desk, I came across Rokeya Sakhawat Hossain’s Sultana’s Dream, a English-language short story set in a feminist utopian world written by a Bengali Muslim woman in 20th century colonial India.

Up until then, my study of literature had been mostly white, mostly male authors, an unsurprising fact when we take into account the (Western) literary canon’s inherent whiteness and maleness, as well as the institutional history of English departments as tools of the colonial project — teaching works of English literature in the British Empire’s overseas colonies was originally part of the overarching goal of “civilising the natives.” In the words of 19th century British politician Thomas Macaulay, “a single shelf of a good European library is worth the whole native literature of India and Arabia” (gotta love that British sense of entitlement and arrogance).

… This dismissal of the genres of science fiction and fantasy (SFF) as low-brow, trashy or pulp or, at the very least, unimportant, is not just a desi stance, although it might be a bit more pronounced here. The snobbish attitude towards SFF has historically been prevalent in academic and literary circles (although things seem to be changing in the West now), even as popular culture is filled with beloved works of science fiction and fantasy films and television shows.

But the dismissal of the SFF genre, or the broader umbrella of speculative fiction, has excluded from the South Asian literary discourse a rich tradition of desi works of science fiction and fantasy, as well as the fascinating speculative fiction words being written by contemporary South Asian writers today. This makes conversations about South Asian literature woefully homogenous and, frankly, much more uninteresting than they might otherwise be.

(14) LUCRATIVE FAILURES. Sarah A. Hoyt, who often has bad things to say about traditional publishing, added some more today in “Docking Author’s Tails” at Mad Genius Club.

…But why would publishers want properties that aren’t selling that well? Why not just give the IP back, after they set the book up to fail? Why set the book up to fail at all?

Ah.  Because of the long tail.  In the era of ebooks, which you don’t need to store in warehouses, and which you can have out in unlimited numbers with no additional cost, the more books you have in your catalogue, no matter how little each of them sells, the more money you make.

Say you have 50k books in your catalogue, some of them so old you’re interpreting ebook rights from penumbras and emanations, and each sells two copies a month, and makes you $4 apiece….  You’re getting a very healthy income.

Heck, it’s better than having a mega bestseller.  Because a mega bestseller might get uppity and sue. But if each of those books is making under $5 a month, chances are you don’t even need to send out a statement.

Honestly, ponzi scheme architects go in awe of traditional publishers in the era of ebooks.

And, you know, when I realized that, everything fell into place: why careers keep getting shorter and shorter. Why, even with indie competition, writers are treated worse and worse.  Why some publishers are buying the things they are (well, you know, if you don’t mean each book to make a lot of money, you might as well promote your comrades. Besides, they need publishing credits, so they can get teaching jobs.)

Is my insight necessarily true?  I don’t know. It fits my experience and that of other midlisters. And — if the older authors I heard are right — it explains why bother setting books up to fail.

(15) THIS SCOTTISH DINOSAUR DID NOT HAVE A KILT. “Dinosaur fossil dating back 166 million years found by academic on remote Scottish island”Yahoo! News has the story.

A stegosaurian fossil dating back 166 million years was stumbled upon by an academic as she ran along a remote island beach, proving dinosaurs roamed further in Scotland than first thought.

Scientists say the 19-inch fossil found on the Isle of Eigg is “hugely significant” as it is the first unearthed outside the Isle of Skye, a neighbouring island in the Inner Hebrides.

The object is believed to be the limb bone of a stegosaurian dinosaur, such as a stegosaurus, which are known for their plate-backed appearance and herbivore diet…

(16) WON’T WALK AWAY FROM THIS ONE. “Tenet:  Behind The Scenes” on YouTube is a promotional feature that lets people know that when a 747 crashes into a building in the film, it’s an actual 747.

John David Washington is the new Protagonist in Christopher Nolan’s original sci-fi action spectacle “Tenet.”

Armed with only one word—Tenet—and fighting for the survival of the entire world, the Protagonist journeys through a twilight world of international espionage on a mission that will unfold in something beyond real time. Not time travel. Inversion.

[Thank to Cat Eldridge, JJ, John Hertz, John King Tarpinian, Martin Morse Wooster, Dan’l Danehy-Oakes, Michael Toman, Mike Kennedy, Lise Andreasen, Walt Boyes, rcade, David Doering, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

RWA Las Vegas Chapter Disbands in Aftermath of Courtney Milan Censure, RWA Appoints Interim Executive Director

[This is the sixth update in a series which includes “Courtney Milan Suspended by RWA, Banned from Leadership”, “Courtney Milan Controversy Decimates RWA Leadership”, “As Criticism Snowballs, RWA Keeps Trying to Justify Treatment of Courtney Milan”, “Kathryn Davis Says RWA Encouraged Her To File Ethics Complaint Against Courtney Milan”, and “As More Issues Raised, RWA President Resigns, RITA Awards Postponed, and Many Publishers Withdraw Sponsorship of RWA Conference”.]

EXECUTIVE SUMMARY. Romance Writers of America, currently operating without a President, says they will determine a process for appointing an interim President to serve until the next election. Meantime, they have identified a replacement for Executive Director Carol Ritter. RWA announced on January 21: “Leslie Scantlebury Appointed Interim Executive Director”.

…As of February 1, Leslie Scantlebury will assume the role of Interim Executive Director of RWA. As announced earlier this month, the Board accepted the resignation of Executive Director Carol Ritter, and she will remain on staff until January 31 to ensure a smooth transition. In the meantime, she has recused herself from all duties pertaining to the audit, and Leslie is serving as RWA staff liaison to the independent law firm conducting the audit.

Leslie has nearly 20 years of association management experience. During her career, she has worked with volunteer leadership at both the national and local levels. Her background includes governance, member retention, education, and volunteer management for large nonprofit membership associations. Leslie also has served on the board of directors of several local organizations, including the Houston Society of Association Executives. Leslie holds an undergraduate degree from the University of South Carolina and a master’s degree from the University of Phoenix.

Leslie has been an integral part of the RWA team cumulatively for more than a decade, serving most recently as Chapter and Professional Relations Manager. The Board is grateful to have Leslie’s leadership at this important moment for RWA.  

Leslie will be working with the Board and a DEI consultant to determine a process for appointing an interim President that will allow our members to have input in the decision. We understand the importance of this decision, and we know it’s a priority for our members. 

In August, every Board seat and officer position – including the office of President – will be up for election by the membership. Once the newly elected Board is installed, it will then form a search committee to identify and select a new, permanent Executive Director, in consultation with a DEI consultant….

RWA CHAPTER DISBANDS. The Las Vegas Romance Writers will disband. The chapter president explained why in a public letter to RWA:

It is with a profound sense of regret that, as the President of Las Vegas Romance Writers, I write to inform you that the Las Vegas chapter has voted to disband. The circumstances leading up to the closure of our chapter can be directly attributed to the censure of Courtney Milan and the chaos that ensued.

In the wake of her censure, a member of the chapter board resigned immediately. Other chapter board members expressed their unwillingness to support an organization that was so clearly in violation of its stated purpose and its own bylaws. They indicated that they would be letting their membership in National lapse, leaving the board without the officers necessary, by law, to run the chapter.

As a result of the positions of the individual board members, a meeting was called of the general membership to discuss the circumstances with national and see if there was a way forward for our chapter. We had no volunteers to serve on the board, to replace the members who were letting their national membership lapse. In addition, over half of the members of our chapter have expressed that they will not be continuing their membership with RWA.

Given these circumstances, the board voted to disband the chapter. Subsequently, a majority of the general members also voted to disband.…

CHAPTER PRESIDENTS’ LETTER. Other chapters have not yet given up trying to reform RWA.  Adriana Herrera tweeted the text of a letter from 29 RWA chapter presidents demanding that the organization take a list of specified actions. Thread starts here.

Some of their demands are:

Give serious consideration and respond to Courtney Milan’s settlement offer dated 01/14/2020. Remove Carol Ritter immediately and with cause. Begin the process of hiring an independent firm to conduct a full forensic audit.

Expand the current independent audit to incorporate a review of all ethics cases handled (or not) by RWA since 2017. In addition, we request: A review of how Damon Suede’s eligibility to run for President-elect was determined and qualified.

A review of the Executive Director’s duties and apparent overreaching control of the running of RWA as opposed to the RWA Board of Directors. A review of the retirement of the previous Executive Director and her temporary (and possible continued) reappearance as Controller.

A review of the current Board of Director’s questionable execution of their fiduciary duty. A review of Damon Suede and Carolyn Jewel’s questionable execution of their fiduciary duty in the matter of the complaint against Courtney Milan.

COURTNEY MILAN’S SETTLEMENT PROPOSAL. Courtney Milan, on January 14, tweeted a copy of her letter to the RWA proposing a basis for both sides to dispose of some – but not all – of the potential grounds for litigation between them. For one thing, it sheds light on just how many there are. Thread begins here.

PROGRESS ON RWA INTERNAL AUDIT. Courtney Milan shared more of her communications with the RWA leadership. Thread starts here.

CAN RWA SURVIVE? Courtney Milan lists a few key questions. Thread starts here.

RESOURCES. Shari Heinrich steamed into MLK Day with a list of reading she’s doing, and a list of questions she’ll be posing to future conference organizers about diversity and antiharassment policies, Thread starts here.

LOOKING TO THE FUTURE. Sarah at Smart Bitches, Trashy Books tells why it’s hard to answer the question “Where Does RWA Go From Here?” (January 10)

…Setting aside the question of leadership for a moment (and again, the current RWA board should be removed and re-elected in its entirety) it’s important to ask over and over: whom does this organization serve?

Who is the priority?

Because it cannot be both.

If RWA serves the current membership of RWA, well, that membership contains a substantial number of people who:

  • openly embrace and promote racist ideologies
  • post on RWA Facebook pages and in internal message boards about their homophobia and racist views on people of color
  • write transphobic and racist articles for and letters to the Romance Writers Report
  • …and I could keep going but it’s depressing.

A substantial part of the current membership of RWA is a substantial part of the problem with RWA.

If the organization wants to serve any marginalized writers, it can’t also serve that portion of the current membership. It’s impossible. One side has demonstrated in PAN forums, email messages, and social media posts that it refuses to recognize the humanity of the other, and refuses to recognize their culpability in maintaining a White supremacist, classist, heteronormative, racist culture inside RWA. Nor can it commit to changing that culture.

The organization also can’t serve marginalized writers if the leadership has a documented history of not acknowledging ethics complaints from marginalized individuals, and of publishing and allowing screeds against those individuals in print and online. RWA can’t serve anyone if the organization doesn’t fully reveal what happened in the specific case of the ethics complaint and process against Courtney Milan, and what happened to the complaints from every writer who has reported a problem.

RWA can’t maintain its current membership nor its leadership and at the same time say it’s going to rebuild. Rebuilding requires people in leadership positions who are trusted by current and prospective members. And it requires trust in fellow members of the community.

IMPACT ON OTHER ORGANIZATIONS. Alyssa Day has resigned as President of Novelists, Inc: The International Organization of Multi-Published Novelists, which she says suffers the same failures of diversity a RWA. Thread starts here.

SKEPTICAL APPROACH.

In “RWA the Sequel,” YouTuber KirkpattieCake spends an hour challenging the criteria used to assert racism, looks forward to the results of RWA’s independent audit, and also takes a moment to scorn the cancel culture that fell on Vince Vaughn for shaking President Trump’s hand. (January 20)

And Sarah A. Hoyt scoffs at the issues in her blog post “De-Worse It Gets” (January 15.)

So, what was the last writer of color you read?

Hint, the answer is “whatever writer you read last, since I’ve still to find a single transparent writer.” Which is good, since it would be disturbing. And I hope one of the last you read is this chick Sarah A. Hoyt and her novel Deep Pink(which is profoundly weird, yes, but come on you guys, if you didn’t like weird, you wouldn’t hang out around here, would you?)

Anyvay….. I swear there are people who never read a book trying to dictate not just what the rest of us MUST write, but also what the rest of us must read.

I thought the “challenge to read writers of color” was stupid enough when I first heard of it 10 years ago, but it’s only gotten stupider. Now entire writers’ organizations (puts hat to chest and holds a minute of silence for RWA. I’d do it for SFWA but RWA was once far more useful including teaching and mentoring stuff SFWA never had. Besides SFWA is long dead and rotting, so I’m going to edge away from the coffin.) are falling into this insanity.  We’re hearing that BLIND-JUDGED-CONTESTS, where you can’t even guess at the name of the writer (and these days, honestly, it won’t help. I swear my kids, now mid to late twenties are the last properly spelled names in their generation.) are “racist.”…

MAINSTREAM MEDIA COVERAGE. These are some of the articles that have appeared since the previous roundup.

CNN – “A romance novelist accused another writer of racism. The scandal is tearing the billion-dollar industry apart” by AJ Willingham (January 13)

…The RWA also needs to fill several vacant seats and choose a new leader, a Herculean task made even more difficult by the erosion of trust and conflicts of interest the scandal has created. The RWA declined to comment when contacted, but directed CNN to the statement mentioning Suede’s resignation. In the statement, the RWA says the association has hired an external firm to conduct an audit of the events leading to the controversy and has brought on a diversity, equity and inclusion consultant to “assist RWA with diversifying Board and staff recruitment” as well as future programming and events….

Jezebel – “Inside the Spectacular Implosion at the Romance Writers of America” by Kelly Faircloth (January 15)

…RWA, an organization founded almost 40 years ago by a black woman, has frequently been an unfriendly place for marginalized writers, and attempts to change that have been met with pushback that now threatens to destroy the institution itself. Romance novels, at their most fundamental level, are about protagonists being seen clearly and loved—and this is a story about who gets to be seen and valued in the romance genre, and whose pain matters.

As an author of historical romances who served four years on the RWA’s elected board of directors, Milan has been one of the most prominent voices in the struggle to make RWA a more equitable environment. (In fact, she just won a service award.) She’s also known for her vocal Twitter presence, where she doesn’t shy from calling out injustice in very blunt terms, whether it’s around racism in romance or the strange plagiarism saga of #CopyPasteKris. The efforts of Milan and many others had put the RWA on a path to helping create a more inclusive organization, genre, and publishing industry more broadly. As 2019 drew to a close, it looked like years of dedicated effort and activism by many people, particularly by women of color, to build a more inclusive genre and an RWA equipped to fight on behalf of its marginalized members, were bearing fruit.

But that hope is collapsing. After Milan’s censure, board members resigned en masse; two presidents left under a cloud of controversy. Major publishers, including Harlequin, have pulled out of RWA’s annual national conference. Members are furious, and the work it will take to restore their trust in the organization is so enormous it’s potentially insurmountable.

…But since its inception, there has always been a certain amount of tension over RWA’s priorities. Was it a social club? A professional networking group? What constituted “professional,” anyway? (See: the great swan hat controversy of 2007.) Was it for published authors, or unpublished authors? Was it a conduit between writers and publishers? Or was it potentially a body for collective action, including against publishers? Equally important but less tangible was the question of the right way for a woman to act, even in an organization composed largely of women, and just how important it was to be nice and conciliatory, not to raise a big, disruptive fuss—even, or perhaps especially, over issues of racial and queer representation.

…The internet, too, has challenged RWA’s position within the romance ecosystem. RWA conferences are full of panels on various aspects of self-publishing, but nobody needs RWA to put their book on Amazon. They’re not a collective bargaining agent; they can’t, say, negotiate better self-publishing terms with Amazon. But romance authors need a fierce advocate more than ever, because they’re increasingly at the mercy of powerful tech platforms, as major channels for mass-market paperbacks like B. Dalton, Waldenbooks, and Borders have vanished. RWA’s presence at least means there’s somebody authors can call if they need an institutional voice to advocate for them. “If you are the member who calls in, who says, ‘Facebook for some reason shut down my author site, and I had 40,000 followers,’ we have contacts at Facebook and at Amazon and at Barnes and Noble that we can get in touch with at a micro level to help our members immediately,” former president HelenKay Dimon told me.

But in recent years, perhaps the central dispute within the industry has been about inclusion and intersectionality. While there’s always been a feminist thread in romance, the genre has also been dominated by straight white women for much of its history. Despite Stephens’s central role in shaping the modern romance, she was frustrated by bosses’ foot-dragging, even as she acquired diversely. Plantations abounded in historical romance well into the 1990s, as did books featuring appalling depictions of Native Americans with the word “savage” thrown around. Black authors have frequently been relegated to “ethnic” imprints and even shelved elsewhere in bookstores. And often, that “be nice” culture has suppressed attempts to fight any of it.

The article concludes:

…In the midst of the tumult, Bowling Green State University’s Popular Culture Library, which has an impressive collection of archival material related to the history of romance, tweeted out a picture of the first board of RWA. That board included two black women (Vivian Stephens and her sister) as well as a Latina author, Celina Rios Mullan. “The issue in RWA is not, per se, that we didn’t have diversity. Because we have diversity. Our issue was inclusion and access,” C. Chilove told me. That has been the case for a very, very long time. The photo testifies to a long history of missed opportunities to do better, in RWA and in the genre more broadly. For a while, it looked like the organization was finally getting it right, after years of chances that were thrown away. Then they blew it all up.

Kirkus – “Is Romance Writers of America a Sinking Ship?” by Jennifer Prokop (January 15.)

RWA’s handling of these complaints has brought the entire organization to the brink of collapse: Citing a gap between policy and process, the board voted to rescind the penalty against Milan; eight women of color on the board collectively resigned, saying they lacked faith in RWA’s leadership; the 2020 RITA awards were cancelled after hundreds of authors and judges resigned from the contest; and publishers, including giants Harlequin and Avon, announced they would not attend the national conference. Many predict that RWA will have no choice but to cancel the national conference entirely—a staggering financial blow to an already crippled organization.

As More Issues Raised, RWA President Resigns, RITA Awards Postponed, and Many Publishers Withdraw Sponsorship of RWA Conference

[This is the fifth update in a series which includes “Courtney Milan Suspended by RWA, Banned from Leadership”, “Courtney Milan Controversy Decimates RWA Leadership”, “As Criticism Snowballs, RWA Keeps Trying to Justify Treatment of Courtney Milan”, and “Kathryn Davis Says RWA Encouraged Her To File Ethics Complaint Against Courtney Milan”.]

Amid the continuing social media backlash galvanized by RWA’s decision to impose penalties on Courtney Milan, Damon Suede is out as President of Romance Writers of America and staff member Carolyn Ritter has tendered her resignation, the RITA Awards have been set aside for this year, and a host of publishers have pulled their sponsorship of RWA’s annual conference.

TURNOVER. Damon Suede, then RWA President Elect, succeeded Carolyn Jewel in December when she resigned as President.

Citing its “disagreement with the malicious actions, which lacked due process that were taken against RWA member Ms. Courtney Milan,” the Cultural, Interracial, and Multicultural Chapter of Romance Writers of America (CIMRWA) on December 26 called for the resignation of Suede and RWA staff member Executive Director Carol Ritter. And by December 31 they had gathered over 1000 signatures and submitted a petition to recall Suede from office.

Courtney Milan also listed experiences with Suede she believed showed his unfitness for office.  

Carol Ritter joined RWA in 2008, first as RWA’s professional relations manager, and then as deputy executive director. In November she moved up to Executive Director.

Today RWA announced that Suede and Ritter have resigned.

Damon has offered his resignation, effective immediately, and the Board has accepted it.  Damon, who has served on the RWA Board of Directors since 2015, as President-Elect from September 2019 through late December 2019, and then as President for the past two weeks, has been a passionate advocate for diversity, equity and inclusion issues for his entire life.  We thank Damon for his service and wish him all the best in the future.  

The Board of Directors has made a decision to not immediately fill the office of President while the Board – working transparently with its membership – determines an appropriate recruitment and selection process. 

The Board also has accepted the resignation of RWA Executive Director Carol Ritter, who has decided to step down from the role she assumed in November.  Carol, who has been a steady senior member of RWA management for well over a decade, has offered to stay on over the coming months to support a smooth transition to new staff leadership; the Board has accepted this offer.  Carol has been instrumental in keeping the operations of RWA running and we are deeply grateful to her for the commitment and leadership she has brought to our association.  The Board will appoint an interim Executive Director upon Carol’s departure and will form a search committee to identify Carol’s permanent replacement.

STUD PLANET PROBE. One of the most unexpected issues to surface before Suede resigned was the challenge to his basic eligibility for office. Did he really have the five published books he needed to be eligible to become President-Elect? One researcher said it looked like he only had four books —  

Did Stud Planet exist? Was it a qualifying book? Courtney Milan asked:

The research has suggested Suede’s qualifications were unconvincing. Courtney Milan tweeted some information here and  here, and wrote another thread here. Adrienne also dug into Dreamspinner’s publication announcements on the Wayback Machine and did not find evidence for the book at the time it supposedly came out (see here).  

Chuck Tingle was happy to get in the last word.

Speaking of Chuck Tingle, he noticed that the RWA apparently didn’t buy up the obvious alternate URLs. So he bought https://www.romancewritersofamerica.com and has created a parody site there. The test for applicants to the Board is brutally funny.

OTHER RESIGNATIONS. The RWA announced that Secretary Donna Alward and Director at Large Barbara Wallace and Director at Large Renee Ryan, all resigned from the Board effective January 8.

PUBLISHERS PULL SUPPORT FROM RWA CONFERENCE. RWA2020 is scheduled to be held in San Francisco from July 29 – August 1. However, many sponsors have been pulling out.

Publishers Weekly reported as of January 9 these publishers and imprints have announced they won’t support the conferece:

As of this morning, publishers including Avon, Berkley Romance, Entangled, HarperCollins Canada and Harlequin, Kensington, St. Martin’s, Gallery Books, and Tule Publishing have all pulled support from the RWA and the national conference, and a tweet citing an email allegedly sent by Sourcebooks says that that house will also not support the conference. The statements all cite increasing diversity and/or inclusion in publishing as a priority, as well as condemning recent events at the RWA.

Harlequin’s statement, released January 8, is representative of the reasons being given: “Letter to RWA Board of Directors”.

…As a leading global publisher of romance fiction that is committed to diversity and inclusion, we at Harlequin believe it is important that all authors feel included, respected and heard. Recently reported actions by RWA leadership have therefore led us to decide not to sponsor or attend the RWA2020 national conference. We will reevaluate our participation in 2021 as the organization works with its members to address concerns that have been raised.

Courtney Milan takes it all with a grain of salt:

The New York Times’ January 8 roundup of RWA developments notes —  

The event, held annually in the summer since the 1980s, typically attracts about 2,000 attendees. It is a major source of revenue for the R.W.A. as well as a key networking opportunity for romance writers, agents and editors looking for new talent.

…According to HelenKay Dimon, a former R.W.A. president, the departure of so many major romance publishers is a major blow to the organization. “RWA plans conferences years in advance,” she said in an email, adding that both Avon and Harlequin are major sponsors — “tens of thousands of dollars worth” — and that losing them will likely have a “cascading effect” in terms of the authors and editors who attend.

RWA CANCELS RITA AWARDS. The “Status of the 2020 RITA Contest” announces the RITA awards have also become casualties of the organization’s internecine strife. Reminiscent of how the Nobel Prize for Literature was handled, the RWA says two years’ awards will be given in 2021.

Due to recent events in RWA, many in the romance community have lost faith in RWA’s ability to administer the 2020 RITA contest fairly, causing numerous judges and entrants to cancel their participation. The contest will not reflect the breadth and diversity of 2019 romance novels/novellas and thus will not be able to fulfill its purpose of recognizing excellence in the genre. For this reason, the Board has voted to cancel the contest for the current year. The plan is for next year’s contest to celebrate 2019 and 2020 romances.

Members who entered the 2020 contest will be refunded their full entry fee by January 22, 2020. We extend our deep appreciation to the judges who volunteered their time this year.

JOURNALISTIC STANDARDS. The controversy has gained a lot of attention from mainstream news, prompting Linda Holmes to offer advice to anyone covering it. Thread starts here.

RWA FORUMS. People are recommending standards for the RWA forums, too – aimed at a different set of problems.

Beverly Jenkins

Alyssa Day and Carrie Lomax

DISSENTING VOICE. Meanwhile, in an alternate universe that nevertheless has the same zip code as our own, Sarah A. Hoyt warns about “Letting the Wokescolds Win” at Mad Genius Club.

If you take away the right of people who write to amuse other people — and as far as I can tell, Romance still has the largest audience of people wanting to be amused — without bothering to police their every word lest literature majors and mean girls throw a fit, you might as well shutter the whole enterprise.

All you’ll have at the end of the day is mean — but exceedingly privileged and well educated — young women trying to force the “natives” of the fun regions of writing and reading into their version of propriety and utility.  All the colonialist Victorian women who forced natives of tropical regions to wear pants stand arrayed behind those missionaries of woke scolding and power to truth nodding in approval. Which is fine since many of the current wokescolds are descended from these women. I just wish the current missionaries would return to their great great grandmother’s fervor. I can always wear pants — possibly on my head — but I refuse to give them an inch on what I can write, what I can read, or what I can think.

ALTERNATIVE ORGANIZATION. According to Publishers Weekly, Romance Alliance seeks members among those disenchanted with RWA.

As a result of the turmoil, a number of RWA members have joined the Romance Alliance, a group formed in an effort to create an alternative to the RWA. In a newsletter sent to members and subscribers, the group wrote: “We WANT the people who write what RWA’s practices ignored. We WANT diverse personalities and perspectives. We WELCOME the chance to succeed where RWA has systematically failed so many. And we WELCOME any input or suggestions as to how we can achieve our mission better and more meaningfully to YOU.”

The Romance Alliance is careful, however, not to imply that it hopes to replace the RWA. “From the beginning we focused on ‘can there be an alternative organization for those who feel excluded from RWA?,” author Sue London said. “Because there are a lot of us who joined and left RWA for various reasons.”

OBLIGATION OWED. Courtney Milan today described the work of black women in founding RWA and through the current controversy as creating a debt, and what she plans to do to help repay it. Thread starts here.

Pixel Scroll 11/28/19 I Cannot Tell A Lie, Officer Opie, I Put That Envelope At The Bottom of The Death Star Trash Compactor

(1) TOP 30. Yesterday Ellen Datlow did a cover reveal for Edited By:

(2) OWL AIR BNB. Real Simple is excited — “You Can Stay in Harry Potter’s Childhood Home on Airbnb—and We’re Heading for the Floo Network Right Now”.

Other than the Hogwarts acceptance letter we’ve been stubbornly awaiting for the past 20-something years, this is the best possible news a grown-up Harry Potter fan could hope for. The cottage where Harry Potter was born is now available to rent on Airbnb.

De Vere House appeared in the film adaptation of Harry Potter and the Deathly Hallows as the home where Lily and James Potter raised baby Harry, until (obvious spoiler alert) Lord Voldemort killed Harry’s parents and left him with the badass scar (which Prince William also has). After the attack, he was forced to live in a closet under the stairs at the Dursleys’ house.

The village of Lavenham in Suffolk, in which De Vere House is located, also appeared in the movie as the fictional town of Godric’s Hollow.

(3) FORTRESS UNHIDDEN. The Guardian reports that the inevitable adaptation will be performed November 28: “Japanese theatre to stage kabuki version of Star Wars”.

The classical Japanese theatre, which combines highly stylised movement and unusual vocalisation, will swap samurai swords for lightsabers and replace feudal warriors with the forces of light and darkness.

Star Wars Kabuki-Rennosuke and the Three Light Sabers, which are being staged in Tokyo, will combine plots from each of the franchise’s latest trilogy, substituting plots drawn from the days of feudal clan rivalry with drama from a galaxy far, far away.

Ichikawa Ebizo XI, Japan’s pre-eminent kabuki actor, will take to the stage as Kylo Ren, the conflicted son of Han Solo and Princess Leia, in front of 50 winners of an online lottery.

A livestream will be accessible on YouTube:

(4) LIVE, FROM 1964! Galactic Journey’s Gideon Marcus will be all over the Southern California map in December.

  • Loscon, Los Angeles, Dec. 1, 1:00 PM

Crest of a New Wave“, discussing 1964 in science fact and fiction

Talking about “What Science Fiction got wrong…and right!

The First Moon Race“, talking about the troubles and ultimate triumph of Project Ranger.

Once more, talking about the Women Pioneers of Space Science at another great dark sky site.

(5) DRAFT OF EMPIRE. “See an original Star Wars script and more at ‘Fahrenheit 451’ author’s IUPUI center” — the IndyStar tells the unexpected reason why Ray Bradbury had a copy.

The second movie in the original trilogy is the one Bradbury almost co-wrote. 

In the early 1940s, the writer studied with Leigh Brackett, a pioneer for women and the melodramatic space opera in science fiction. That gave way to a collaboration with “Lorelei of the Red Mist,” a novella about a powerful, siren-like woman who controls the strong, barbarian body that a convict has recently been transplanted in.

Brackett went on to become a screenwriter and was a co-writer with Larry Kasdan on the “Empire” script. But she was in failing health, so the producer asked Bradbury whether he was familiar enough with her work to finish it if she couldn’t.

“Ray Bradbury said, ‘Yes, I do. But I want her to have credit,’ ” center director Jon Eller said.

As it turned out, Brackett completed her draft before she died in 1978, so Bradbury never had to work on it.

But the script — a fourth revision that doesn’t even contain Darth Vader’s big reveal to Luke because that detail was so secretive — remains part of Bradbury’s collection

(6) IN THE MOMENT. Barbara Ashford tells five ways to “Make Your Big Moments Sing!” on the Odyssey Writing Workshop blog.

3) Use your own experiences to help you create emotional resonance on the page.

This is another acting technique that can help you get closer to a character. If you’re writing a scene of grief, go back to a moment where you lost someone or when you first learned of this person’s passing. Write down as many specific details as you can recall.

* Your physiological responses (e.g., shaking, goose bumps, pulse racing, face/skin flushing);

* Your physical responses (e.g., recoiling, fleeing, turning your face away);

* Your emotional reactions (which could be conveyed via action, dialogue or inner monologue);

* The small details that intruded on the moment, like the laughter of children playing a game or the scent of your mother’s gardenia bush outside her bedroom window. Choose details that will show readers what the POV character is feeling. Does the laughter make the character angry because it reminds her of her loss? Or comfort her because she realizes life goes on?

(7) DEVELOPMENT HEAVEN AND HELL. Tor.com’s own Stubby the Rocket has compiled a vast list of “(Almost) Every Sci-Fi/Fantasy TV or Movie Adaptation in the Works Right Now”. For example —

Adapted from: The Eternals by Jack Kirby / Eternals by Neil Gaiman (writer) and John Romita (artist)
Originally published:
1976, Marvel Comics / 2006, Marvel Comics
Optioned for: Film (Marvel Studios)
What it’s about: The Eternals are a race of humans created through experimentation by the alien Celestials, intended to be defenders of Earth against the unstable Deviants (also experiments). Plot details for the film are unclear, but there is some suggestion it may follow the Gaiman miniseries.
Status: Chloe Zhao (The Rider) will direct a cast including Angelina Jolie, Kumail Nanjiani, Richard Madden, Salma Hayek, Lia McHugh, Lauren Ridloff, Brian Tyree Henry, Don Lee, Barry Keoghan, Gemma Chan and Kit Harington.

(8) TODAY IN HISTORY.

  • November 28, 1987 — Next Generation’s “Haven” aired in which Deanna Troi’s mother Lwaxana Troi was performed by Majel Barrett. She would go on to have a role in every Trek series produced up to her death. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 28, 1911 Carmen D’Antonio. In the Flash Gordon Conquers the Universe Thirties reel, she was Ming’s Dancing Girl, she’ll show up in the soon to be released Arabian Nights as a harem girl. And her last genre performance was in The Twilight Zone. (Died 1986.)
  • Born November 28, 1946 Joe Dante, 73. Warning, this is a personal list of Dante’s works that I’ve really, really enjoyed starting off with The Howling then adding in Innnerspace, both of the Gremlins films though I think only the first is a masterpiece, Small Soldiers and The Hole. For television work, the only one I can say I recall and was impressed by was his Legends of Tomorrow “Night of the Hawk” episode.  That’s his work as Director. As Producer, I see he’s responsible for The Phantom proving everyone has a horrible day. 
  • Born November 28, 1952 S. Epatha Merkerson, 67. Both of her major SF roles involve Robos. The first was in Terminator 2: Judgment Day as Tarissa Dyson; a year later, she had a recurring role as Capt. Margaret Claghorn in Mann & Machine. And she had a recurring role as Reba on Pee-wee’s Playhouse which I can’t remember if the consensus here was that it was genre or genre adjacent.
  • Born November 28, 1962 Mark Hodder, 57. Best known for his Burton & Swinburne Alternate Victorian steampunk novels starting off with The Strange Affair of Spring-Heeled Jack that deservedly garnered a Philip K. Dick Award. He also wrote A Red Sun Also Rises which recreates sort of Victorian London on a far distant alien world. Emphasis on sort of. And then there’s Consulting Detective Macalister Fogg which appears to be his riff off of Sherlock Holmes only decidedly weirder.
  • Born November 28, 1981 Louise Bourgoin, 38. Her main SFF film is as the title character in The Extraordinary Adventures of Adèle Blanc-Sec, directed by Luc Besson. Anybody know if it got released in a subtitled English version? She also played Audrey in Black Heaven (L’Autre monde), and she’s the voice heard in the Angélique’s Day for Night animation short.
  • Born November 28, 1984 Mary Elizabeth Winstead, 35. She was in the 2011 version of The Thing. She was in Sky High which is a lot of fun followed by a series of horror films such as the cheerful holiday charmer Black Christmas that earned her a rep as a Scream Queen. And she’s Huntress (Helena Bertinelli) in the forthcoming Birds of Prey film.
  • Born November 28, 1987 Karen Gillan, 32. Amy Pond, companion to the Eleventh Doctor. Nebula in the Guardians of The Galaxy and in later MCU films, Ruby Roundhouse in Jumanji: Welcome to the Jungle. Two episodes of Who she was in did win Hugos, “The Pandorica Opens/The Big Bang” and “The Doctor’s Wife”. 
  • Born November 28, 1988 Scarlett Pomers, 31. The young Naomi Wildman on Voyager, a role she played an amazing seventeen times. Retired from acting, one of her last roles was in A Ring of Endless Light which at least genre adjacent as it’s written by Madeleine L’Engle. 

(10) COMICS SECTION.

Grant Snider (Incidental Comics) did this for a magazine with stories and comics for kids.

(11) THAT’S COZY, NOT CRAZY. Sarah A. Hoyt continues her Mad Genius Club series about writing cozy mysteries with “Meet Interesting Strangers”. Tons of advice here about the need for colorful supporting characters.

REMEMBER — this is important — eccentricities in fiction must be larger than in real life to be perceived as such.  In real life Stephanie Plum and half the cozy heroines, including my own Dyce Dare would be locked up in the madhouse. (So would half the characters in sitcoms) BUT on paper there is a tendency to see things as less extreme than in real life. So exaggerate all the interesting bits, or your character will come across as very very boring.

(12) VAST MACHINERY. “How a cake company pioneered the first office computer” – a BBC video takes you back.

In the early 1950s the British catering firm J Lyons & Co, pioneered the world’s first automated office system.

It was called LEO – Lyons Electronic Office – and was used in stock-taking, food ordering and payrolls for the company.

Soon it was being hired out to UK government ministries and other British businesses.

Mary Coombs worked on the first LEO computer and was the first woman to become a commercial computer programmer.

(13) IS YOUR FAVORITE THERE? Entertainment Weekly brings you “The droids of the Star Wars universe, ranked”. The one I went looking for isn’t ranked – could be those Roomba-style things that dodge underfoot don’t have enough IQ to qualify as droids.

In honor of the upcoming Star Wars: The Rise of Skywalker, which will introduce a tiny wheeled green droid named D-O, EW has put together an extremely serious and extremely scientific ranking of the best droids in the galaxy. From tiny cameos to starring roles, these are the finest and most memorable droids depicted on the big screen. (A note: We’re limiting this list to the Star Wars films, so our apologies to Chopper from Star Wars Rebels and IG-11 from The Mandalorian.)

(14) WATCH YOUR WALLET. Over the summer, SYFY Wire ranked “The 12 biggest genre box office bombs of all time”.

The movies are ranked by their estimated loss (per BoxOfficeMojo). Where that is given as a range, SYFY Wire has generously used the lower end of the range as the ranking criterion.

Aaaaaand the winner among losers is Mortal Engines, with an estimated loss of $175 million.

(15) SECURITY BREACH. Whose side is Poe on, really? “Star Wars: How did John Boyega’s script end up on eBay?”

It’s one of the most hotly anticipated films of the year, shrouded in secrecy. Yet that didn’t stop the script for the new Star Wars sequel ending up on eBay.

And it was all because Britain’s John Boyega left it under his bed.

Speaking on US TV, Boyega said his Rise of Skywalker script had been found by a cleaner and that it was subsequently offered for sale online “for £65”.

“So the person didn’t know the true value,” he continued, admitting the situation had been “scary”.

“Even Mickey Mouse called me up [saying] ‘what did you do?'” the actor joked – a reference to the Walt Disney Company which now owns the Star Wars franchise.

(16) TIKTOK ACCOUNT RESTORED. BBC reports “TikTok apologises and reinstates banned US teen”.

Chinese-owned social network TikTok has apologised to a US teenager who was blocked from the service after she posted a viral clip criticising China’s treatment of the Uighur Muslims.

The firm said it had now lifted the ban, maintaining it was due to 17-year-old Feroza Aziz’s prior conduct on the app – and unrelated to Chinese politics.

Additionally, the firm said “human moderation error” was to blame for the video being taken down on Thursday for almost an hour.

TIkTok, owned by Beijing-based ByteDance, has insisted it does not apply Chinese moderation principles to its product outside of mainland China.

Ms Aziz posted on Twitter that she did not accept the firm’s explanation.

“Do I believe they took it away because of a unrelated satirical video that was deleted on a previous deleted account of mine? Right after I finished posting a three-part video about the Uighurs? No.”

(17) DOG YEARS. “Siberia: 18,000-year-old frozen ‘dog’ stumps scientists” – BBC has the story.

Researchers are trying to determine whether an 18,000-year-old puppy found in Siberia is a dog or a wolf.

The canine – which was two months old when it died – has been remarkably preserved in the permafrost of the Russian region, with its fur, nose and teeth all intact.

DNA sequencing has been unable to determine the species.

Scientists say that could mean the specimen represents an evolutionary link between wolves and modern dogs.

(18) VIDEO OF THE DAY. Let’s revisit this 2015 video of a Sasquan GoH showing his musical range.

NASA astronaut Kjell Lindgren plays Amazing Grace on the bagpipes from the International Space Station.

[Thanks to John King Tarpinian, JJ, Chip Hitchcock, Cat Eldridge, Martin Morse Wooster, Mlex, Contrarius, Mike Kennedy, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of Turkey Day, Daniel Dern.]

Pixel Scroll 11/6/19 The Bulleted, Bolded People

(1) SFF MAGAZINE SURVEY. Jason Sanford is working on a report about science fiction and fantasy magazines for which he’s already interviewed a number of publishers and editors. Sanford also wants feedback from the larger genre community – that means you! Readers are welcome to respond to his short survey hosted on Google Docs.

Sanford aims to release his report after Thanksgiving.

(2) ELIGIBILITY POSTS. Cat Rambo has started her “Round-up of Awards Posts by F&SF Writers, Editors, and Publishers for 2019”.

Once again I have created this post for consolidating fantasy and science fiction award eligibility round-ups. Here are the rules.

I prefer to link to, in order of preference:

  1. Your blog post listing what you published that is eligible
  2. Your social media post listing what you published that is eligible
  3. A single link to the material that is available online

(3) CIVIL WAR. It won’t take you long to figure out what inspired James Davis Nicoll’s latest Tor.com post “Science Fiction vs. Fantasy: The Choice Is Clear”. Which side will you choose?

…Science fiction provides its readers with iron-hard, fact-based possibility. For example, Frank Herbert’s Dune played with the possibility that the right combination of eugenics and hallucinogenic drugs (taken from enormous alien worms) might allow messianic figures to draw on the memories of their ancestors. Well, how else would it work?

(4) LOOKING BACKWARD. At Quillette, Craig DeLancey analyzes the removal of Tiptree, Campbell and Lovecraft from sff award iconography in “Science Fiction Purges its Problematic Past” to lay the foundation for his own unique proposal.

…If we must be concerned with the author and not just the work, then Houellebecq’s book is an example of the balance that our criticism should achieve: we must recognize that the work is one thing, the author another. Literary criticism should not be a struggle session.

But this is not the spirit of our moment. Instead, as speculative fiction becomes more diverse, the sense that it must be corrected grows, and author and art are evaluated together. There is a notable asymmetry in this evaluation. Most fiction readers are women, and many fiction genres are dominated by women. Men who write romance novels or cozy mysteries must write under female pseudonyms, because the audiences for these genres will largely avoid books by men. In publishing, this is considered merely a demographic fact, and not an ethical failure of some kind. The attitude is very different towards science fiction. That for decades science fiction was mostly written, read, and published by white men is seen, at best, as something that must be denounced and aggressively corrected, and at worst as evidence that racism and sexism were the driving engines of this creative explosion. We do not single out other genres of fiction, or other art forms, for this kind of invective. We do not hear admirers of the golden age of jazz, for example, denounce the great composers of that era because they were nearly all African-American men. Louise Armstrong, Duke Ellington, Billy Strayhorn, Charlie Parker, John Coltrane, Thelonius Monk, Miles Davis, Wayne Shorter, and many other such men are honored for their genius, and we recognize their creations as a gift to humankind. Why not consider American science fiction in the twentieth century as a gift, instead of dismissing it as “Sterile. Male. White.”?

(5) EXPLORING SPACE – ON BOOKSTORE SHELVES. Sarah A. Hoyt treats Fonda Lee as someone who deserves mockery for “A Fundamental Misunderstanding of Supply and Demand”. Hoyt addresses Lee’s March 2019 tweets:

…Sigh.  We won’t get into the idiocy of traditional publishing and their artificial restrictions on market, but still…

This poor woman has everything backward in her head.  It makes it very difficult for me to believe that she can create any kind of sane or believable world. Why? Because she doesn’t understand the laws of supply and demand, which means she doesn’t understand reality….

…The dead great shall always be with us. You want to outsell them: write a lot and write well.  Or find another job.

Economics in the end — regardless of what prizes you get for being a good little girl, or how much your professors praised you — is cold equations. Cold equations ALL THE WAY DOWN.

Is it fair? No. Well…. Not fair in the sense that it doesn’t matter how good you are if people don’t know you exist.  But it is fair in the sense that if you write well and a lot and figure out how to advertise you’ll be rewarded.

(6) TODAY IN HISTORY.

  • November 6, 1981 Time Bandits premiered. Co-written, produced, and directed by Terry Gilliam and starring Kenny Baker, Sean Connery, John Cleese, Shelley Duvall, Ralph Richardson, Ian Holm, Michael Palin, and David Warner. It received critical acclaim with a current 89% rating at Rotten Tomatoes and was a financial success as well.  Apple has gained the rights for a Time Bandits television series to distribute on Apple TV+ with Gilliam on board in a non-writing production role and Taika Waititi as the director of the pilot. 

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 6, 1907 Catherine Crook de Camp. Author and editor. Most of her work was done in collaboration with her husband L. Sprague de Camp, to whom she was married for sixty years. Her solo work was largely non-fiction. Heinlein in part dedicated Friday to her. (Died 2000.)
  • Born November 6, 1914 Jonathan Harris. Doctor Zachary Smith, of course, on Lost in Space. He was somewhat typecast as a villain showing up such Mr. Piper on Land of the Giants, The Ambassador on Get Smart and the voice of Lucifer on Battlestar Galactica. (Died 2002.)
  • Born November 6, 1951 Nigel Havers, 68. The bridegroom Peter Dalton in “The Wedding of Sarah Jane Smith” on The Sarah Jane Adventures. He’s done a lot of children’s genre theatre: Jack in the Beanstalk twice, Robin Hood, Cinderella, Peter Pan and Aladdin. He’s been in one Doctor Who audiobook and narrated Watership Down once upon a time. He was Mark Ingram in An Englishman’s Castle, an alternate telling of WWII. 
  • Born November 6, 1953 Ron Underwood, 66. His first directing effort was Tremors starring Kevin Bacon, Fred Ward and Reba McEntire in her acting debut. Later genre efforts include Mighty Joe Young, The Adventures of Pluto Nash, episodes of Once Upon A Time, Fear the Walking Dead and Agents of S.H.I.E.L.D. 
  • Born November 6, 1955 Catherine Ann Asaro, 64. She is best known for her books about the Ruby Dynasty, called the Saga of the Skolian Empire. I don’t think I’ve read them, so if you’ve read them, please do tell me about them. 
  • Born November 6, 1960 Michael Cerveris, 59. Remembered best as the Primary Observer on Fringe. He’s played Puck and been in Macbeth way off Broadway so his creds there are covered too. He was Mr. Tiny in Cirque du Freak: The Vampire’s Assistant, and Elihas Starr, the original Egghead, in Ant-Man and the Wasp.
  • Born November 6, 1964 Kerry Scott Conran, 55. A director and screenwriter, best known for creating and directing Sky Captain and the World of Tomorrow, a film I absolutely adore. And that’s it. That’s all he done. 
  • Born November 6, 1968 Kelly Rutherford, 51. She’s here for having the recurring role of Dixie Cousins on The Adventures of Brisco County, Jr. and that’s in addition to managing to get herself involved in more bad genre series that got cancelled fast such as Bill & Ted’s Excellent Adventures and Kindred: The Embraced (8 episodes each). Indeed, her very first genre gig had the dubious title of Phantom of the Mall: Eric’s Revenge.
  • Born November 6, 1972 Rebecca Romijn, 47. Played Mystique in the X-Men film franchise but my favorite role for her is as Eve Baird, The Guardian of the Library that cross all realities in The Librarians series.  She also was a regular playing Roxie Torcoletti in Eastwick, yet another riff the John Updike novel. She is now Number One on Discovery

(8) LEARN ABOUT STAN LEE. In LA at the Skirball Cultural Center on November 10, there will be a conversation between Danny Fingeroth, author of “A Marvelous Life: The Amazing Story of Stan Lee”, and comics historian Jerry Beck.

Discover how Stan Lee became known as the voice and face of comics at this conversation between Lee’s colleague and author Danny Fingeroth and animation historian Jerry Beck.

As editor, publisher, and co-creator of Marvel, Lee worked with creative partners, like Jack Kirby and Steve Ditko, to create world-famous characters including Spider-Man, the X-Men, and the Avengers. But Lee’s career was haunted by conflict and controversy. Be amazed by Lee’s complex and accomplished life at this illuminating discussion.

(9) MARY YES, HERMAN NO. A word sticks out prominently in this Guardian interview: “Tade Thompson: ‘Quite frankly Victor Frankenstein was a dick’ “.

The book that influenced my writing
Mary Shelley’s Frankenstein. I read it as a teenager and the seething mess of nested narratives and charnel houses lodged itself in my imagination. I’ve read it more than any other book and hardly a day goes by when I don’t think of making corpses walk. Quite frankly Victor Frankenstein was a dick.

The book I think is most overrated
Moby-Dick by Herman Melville. With apologies to my US friends and my English teacher. This book didn’t just leave me cold. When I finished I wanted to make a list of everybody who had recommended it and make them eat it.

(10) GENRE WORK NOTED. BBC’s panelists invite everyone to “Explore the list of 100 Novels That Shaped Our World”. Chip Hitchcock says, “I count 17 of the 100 (and there’s probably a few I’m missing through not knowing the works), although I’d be happier if the Twilight series wasn’t one of them.”

(11) NOT A TWELVE-STEP PROGRAM. “Boeing aims for Moon landing in ‘fewer steps'”.

Aerospace giant Boeing has unveiled its proposal for a lander that could take humans to the Moon’s surface.

Under a programme called Artemis, the White House wants to return humans to the Moon by 2024.

Its approach, named “Fewest Steps to the Moon”, would use the huge Space Launch System (SLS) rocket.

The company says its plan reduces the complexity involved in sending several different bits of hardware into space on multiple launches.

For most robotic space missions, all the hardware needed for the mission is launched on one rocket. Likewise, the crewed Apollo missions to the Moon in the 1960s and 70s required only one lift-off.

However, the Artemis missions are expected to involve several flights to loft all the hardware needed. For example, the lander elements are likely to be launched separately from the Orion capsule carrying crew.

Boeing says it can land astronauts on the Moon with only five “mission critical events” – such as launch, orbit insertion and others – instead of the 11 or more required by alternative strategies.

…The company says its lander would be ready for the 2024 mission, called Artemis-3. But Boeing’s plan would depend on a more powerful variant of the SLS rocket called Block 1B.

Under current Nasa plans, the Block 1B version of the rocket wouldn’t be ready until 2025.

(12) VARIATION ON FLORIDA MAN. UPI says be on the lookout — “Florida police seek return of 300-pound Bigfoot”.

Police in Florida are seeking information on the disappearance of an unusual piece of property — a 300-pound Bigfoot statue.

The Boynton Beach Police Department said the 8-foot-tall Sasquatch statue was stolen from in front of a store called Mattress Monsterz in October.

(13) HPL. SYFY Wire opines: “Nic Cage goes full Lovecraft in first trailer for cosmic horror tale Color Out of Space”. Tell me if you don’t think the kid doesn’t look like he just walked out of A Christmas Story. (Not the one framed below, the one in the beginning of the trailer,)

[Thanks to John King Tarpinian, Mike Kennedy, Nina Shepardson, Martin Morse Wooster, JJ, Cat Eldridge, Chip Hitchcock, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Anna Nimmhaus.]

Pixel Scroll 7/24/19 Credentials Asleep On The Shoulder Of John Scalzi

(1) RUTGER HAUER DIES. Variety pays tribute: “Rutger Hauer, ‘Blade Runner’ Co-Star, Dies at 75”.

Rutger Hauer, the versatile Dutch leading man of the ’70s who went on star in the 1982 “Blade Runner” as Roy Batty, died July 19 at his home in the Netherlands after a short illness. He was 75.

Hauer’s agent, Steve Kenis, confirmed the news and said that Hauer’s funeral was held Wednesday.

His most cherished performance came in a film that was a resounding flop on its original release. In 1982, he portrayed the murderous yet soulful Roy Batty, leader of a gang of outlaw replicants, opposite Harrison Ford in Ridley Scott’s sci-fi noir opus “Blade Runner.” The picture became a widely influential cult favorite, and Batty proved to be Hauer’s most indelible role.

More recently, he appeared in a pair of 2005 films: as Cardinal Roark in “Sin City,” and as the corporate villain who Bruce Wayne discovers is running the Wayne Corp. in Christopher Nolan’s “Batman Begins.”

… Hauer increasingly turned to action-oriented parts in the ‘80s: He toplined the big-budget fantasy “Ladyhawke” (1985), reteamed with fellow Hollywood transplant Verhoeven in the sword-and-armor epic “Flesh & Blood” (1985), starred as a psychotic killer in “The Hitcher” (1986), and took Steve McQueen’s shotgun-toting bounty hunter role in a modern reboot of the TV Western “Wanted: Dead or Alive” (1986).

WIRED kicks off its collection of memories with the iconic speech: “Remembering Rutger Hauer, Black-Armored Knight of the Genre”.

Let’s get the monologue on the table, first thing, because he wrote it himself, and it’s brilliant:

“I’ve seen things you people wouldn’t believe. Attack ships on fire off the shoulder of Orion. I’ve watched C-beams glitter in the dark near the Tannhauser Gate. All those moments will be lost in time, like tears in rain.”

That’s Rutger Hauer in Blade Runner, playing the artificial person Roy Batty in his death scene…

(2) ACCESSIBLE GAMING. The Mary Sue has discovered “The Surprising Ways Blind Players Have Made Games Like Dungeons & Dragons Accessible”.

… Then, in 2017, a friend introduced me to Roll20, an online platform that serves as a digital tabletop, and everything changed. On a computer, I have the power to alter my settings—I can zoom in, change colors, and make whatever tweaks I need in order to make things accessible for my specific visual impairment. And things I lacked the power to change, my DM could: giving tokens borders with higher contrast, adjusting the lighting on a map, or—if I got lost looking for something—shifting my view in the direction I needed to be focusing.

I could roll dice directly on the platform and see my result easily, and best of all, I had a digital character sheet I could alter easily and at will, rather than a few pieces of paper I’d require another player to edit for me. And then I discovered other websites, like DnDBeyond, which made it easy to look up stats and spells online—again, in a medium far more accessible for me.

I still required a dungeon master willing to take the time to describe certain things to me and to make whatever color and contrast adjustments I needed, but even playing with strangers via Roll20’s Looking For Game system, my experience has been positive. Thanks to the websites I used, the things I needed didn’t require all that much work on their end, and now I was able to fully immerse myself in a hobby I’d once believed would be impossible for me because of my disability.

(3) ABLEGAMERS. And in the Washington Post Magazine, Christine Sturdivant Sani has a profile of AbleGamers, a nonprofit that helps people with disabilities enjoy video games: “How a West Virginia group helped make video games accessible to the disabled”.

In 2018, when Sony Interactive Entertainment unveiled the latest versions of two of its top-grossing video game titles — “God of War” and “Marvel’s Spider-Man” — they included new features that meant a lot to a specific subset of players: those with disabilities. To aid people with motor skill impairments, for instance, “God of War” introduced an option to press and hold a single button instead of tapping it repeatedly; it also let players with hearing disabilities adjust individual audio settings such as volume, dialogue and sound effects. For players with visual impairments, the subtitles in “Spider-Man” are now resizable and include tags that always indicate who is speaking.

Five years ago, according to Sam Thompson, a managing senior producer at Sony Interactive, it was possible to count on one hand the number of video games that had features catering to people with disabilities. Today, there are hundreds of such games. The shift, says Thompson, is “kind of amazing” — and he gives credit to a small nonprofit in Harpers Ferry, W.Va.

The group, called AbleGamers, was the brainchild of Mark Barlet, a 45-year-old disabled Air Force veteran and entrepreneur…

 (4) GAIMAN AUDIOBOOKS. AudioFile editorJenn Dowellsays – lend Neil Gaiman an ear! “Good Omens and Good Audiobooks: The Best of Neil Gaiman”.

… Where to start? Whether you’re a longtime fan of GOOD OMENS, Gaiman’s funny book about the apocalypse co-written with the late Terry Pratchett almost 30 years ago, or a new convert thanks to the sparkling new Amazon/BBC series, now is the perfect time to hear (or revisit) the audiobook.

… For something darker that’s perfect for an extended road trip, Gaiman’s 2001 epic novel AMERICAN GODS, in which old gods clash with new ones, also comes in two unabridged versions: one narrated by Golden Voice George Guidall, and a Tenth Anniversary Edition performed by a full cast. Can’t get enough gods? Follow up with ANANSI BOYS, about trickster god Anansi, read by Lenny Henry, and NORSE MYTHOLOGY, read by Gaiman.

… In the mood for nonfiction? THE VIEW FROM THE CHEAP SEATS and ART MATTERS collect Gaiman’s essays and speeches and will give listeners insights into Gaiman’s wide-ranging interests and his writing process—and maybe even inspire you to make your own art.

… P.S. If you fell in love with Michael Sheen and David Tennant’s performances in the Good Omens series, don’t miss their own star turns on audio: Sheen gives a wonderfully immersive, Earphones Award-winning narration of Philip Pullman’s THE BOOK OF DUST: La Belle Sauvage, and Tennant brings his acting chops and Scottish charm to The Wizards of Once and How to Train Your Dragon series by just-named UK Children’s Laureate Cressida Cowell.

(5) INKLINGS. Bruce Charlton revisits “Humphrey Carpenter’s The Inklings – 1978″ at The Notion Club Papers blog.

…Yet, in the end, Humphrey Carpenter failed in his attempt to throw the Inklings into the dustbin of irrelevance; because overall the book had the opposite effect of its intent – awakening for many, such as myself, a long-term and intense fascination with a ‘group of friends’ who were also, in reality, so much more than merely that.

(6) FROM THE BEEB. [Item by SF Concatenation’s Jonathan Cowie.] BBC Radio 4 has aired the second in the science and SF series Stranger Than Sci-Fi where astro-physicist Dr Jen Gupta and comedian Alice Fraser travel the parallel worlds of science and sci-fi.

Last week’s was on artificial wombs.  Today’s is on black holes (or frozen stars if you are of Russian persuasion and wish to avoid the rude connotation) — “Black Hole Jacuzzis”.

The program will be downloadable from BBC for a month once it is broadcast

(7) MINORITY REPORT? Atwood’s novel is not in bookstores but it’s already up for the Booker. BBC has the story — “Booker Prize 2019: Margaret Atwood’s Handmaid’s Tale sequel on longlist”.

Margaret Atwood’s follow-up to The Handmaid’s Tale is one of 13 novels on the Booker Prize longlist, despite not being published for several weeks.

The Testaments is out on 10 September and comes 33 years after the original book was nominated for the same award.

(8) KRASSNER OBIT. Pop culture figure Paul Krassner died July 21: the New York Times has a profile — “Paul Krassner, Anarchist, Prankster and a Yippies Founder, Dies at 87”.

Paul Krassner being interviewed in the men’s room during the 1978 ABA convention. (photo: Andrew Porter)

Mr. Krassner was writing freelance pieces for Mad magazine in 1958 when he realized that there was no equivalent satirical publication for adults; Mad, he could see, was largely targeted at teenagers. So he started The Realist out of the Mad offices, and it began regular monthly publication. By 1967 its circulation had peaked at 100,000.

“I had no role models and no competition, just an open field mined with taboos waiting to be exploded,” Mr. Krassner wrote in his autobiography.

The magazine’s most famous cartoon was one, drawn in 1967 by the Mad artist Wally Wood, of an orgy featuring Snow White, Donald Duck and a bevy of Disney characters enjoying a variety of sexual positions. (Mickey Mouse is shown shooting heroin.) Later, digitally colored by a former Disney artist, it became a hot-selling poster that supplied Mr. Krassner with modest royalties into old age.

(9) TODAY IN HISTORY.

  • July 24, 1948 — Debut of Marvin the Martian in Bugs Bunny’s “Haredevil Hare.”

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 24, 1802 Alexandre Dumas. The Three Musketeers and Twenty Years After. Are they genre? Good question. (Died 1870.)
  • Born July 24, 1878 Lord Dunsany whose full name and title was a jaw dropping Edward John Moreton Drax Plunkett, 18th Baron of Dunsany. So ISFDB lists him as genre for the Jorkens body of work among works. H’h. Gary Turner, who some of you will recognize from Golden Gryphon Press and elsewhere, reviewed The Collected Jorkens: Volumes One, Two, and Three, for Green Man, so I’ve linked to the review here. They also list The King of Elfland’s Daughter which I’m going to link to another review on Green Man as it’s an audio recording with a very special guest appearance by Christopher Lee. (Died 1957.)
  • Born July 24, 1895 Robert Graves. Poet, historical novelist, critic. Author of, among other works, The White Goddess (a very strange book), two volumes called the Greek MythsSeven Days in New Crete which Pringle has on his Best Hundred Fantasy Novels list and more short fiction that bears thinking about. (Died 1985.)
  • Born July 24, 1916 John D. MacDonald. Primarily a mystery writer whose Travis McGee series I enjoyed immensely, he wrote a handful of genre works including the sublime The Girl, the Gold Watch & Everything.  ISFDB lists a collection, End of the Tiger and Other Short Stories, which I presume is genre. (Died 1986.)
  • Born July 24, 1936 Mark Goddard, 83. Major Don West, the adversary of Dr. Zachary Smith, on Lost in Space. Other genre appearances were scant. He played an unnamed Detective in the early Eighties Strange Invaders and he showed up on an episode of The Next Step Beyond which investigated supposed hauntings as Larry Hollis in “Sins of Omission”. Oh, and he was an unnamed General in the Lost in Space film. 
  • Born July 24, 1945 Gordon Eklund, 74. He won the Nebula for Best Novelette for “If the Stars Are Gods”, co-written with Gregory Benford. They expanded it into a novel which was quite good if I remember correctly. So would anyone care to tell the story of how he came to write the Lord Tedric series which was inspired by an E.E. Doc Smith novelette? 
  • Born July 24, 1951 Lynda Carter, 68. Wonder Woman of course. But also Principal Powers, the headmistress of a school for superheroes in Sky High; Colonel Jessica Weaver in the vampire film Slayer;  Moira Sullivan, Chloe Sullivan’s Kryptonite-empowered mother in the “Prodigy” episode of Smallville; and President Olivia Marsdin In Supergirl. 
  • Born July 24, 1964 Colleen Doran, 55.  Comics artist and writer. work worth particularly  worth noting she’s done includes Warren Ellis’ Orbiter graphic novel, Wonder Woman, Legion of Superheroes, Teen Titans, “Troll Bridge” by Neil Gaiman and her space opera series, A Distant Soil. She also did portions of The Sandman, in the “Dream Country” and “A Game of You”. She’s tuckerised Into Sandman as the character Thessaly is based on Doran.
  • Born July 24, 1981 Summer Glau, 38.  An impressive run in genre roles as she’s was. River Tam in Firefly and of course Serenity, followed by these performances: Tess Doerner in The 4400, as Cameron in Terminator: The Sarah Connor Chronicles, Bennett Halverson in Dollhouse (Is this worth seeing seeing?), Skylar Adams in Alphas and lastly Isabel Rochev who is The Ravager in Arrow.
  • Born July 24, 1982  — Anna Paquin, 37. Sookie Stackhouse in the True Blood series. Rogue in the X-Men franchise. She also shows up in Philip K. Dick’s Electric Dreams as Sarah in the “Real Life” episode. 

(11) COMICS SECTION.

  • Poorly Drawn Lines has a funny entry that actually references the phrase “sense of wonder.”
  • A well-known nanny visits the seashore in Rhymes With Orange.
  • Bizarro shows how to bring the full social media experience to live book signings.

(12) STRONG KEEP. John Scalzi tells what he thinks about “A Couple of Bits on Hugo Award Proposals and Attempted Wikipedia Deletions” which we have been covering here. When it comes to the Wikipedia —

… You might think that I, who was the target of much Sad Puppy whining and mewling, would be sitting here happily munching on popcorn while this bit of Wikidrama unfolds. But in fact I think the deletion attempt is a problem. Neither Williamson nor Hoyt are exactly on my Christmas card list at the moment, but you know what? Both of them are solid genre writers who for years have been putting out work through a major genre publisher, and who are both actively publishing today. They are genuinely of note in the field of science fiction and fantasy. One may think their politics, in and out of the genre, are revanchist as all fuck, or that their tenure and association with the Puppy bullshit didn’t do them any favors, or that one just doesn’t care for them on a day-to-day basis for whatever reason. But none of that is here or there regarding whether, on the basis of their genre output, they are notable enough to be the subject of a damn Wikipedia article. They are! Wikipedia notability is kind of a middlin’-height bar, and they get themselves over it pretty well.

Or to flip it around, if neither Williamson nor Hoyt is notable enough for inclusion in Wikipedia, there’s gonna be some bloodletting in the site’s category of science fiction and fantasy writers, because there are a fair number of Wikipedia-article-bearing genre authors who are no more notable than Hoyt or Williamson. If they go, there are legitimately many others on the chopping block as well.

According to Camestros Felapton, “John Scalzi is wading into the Wiki-fuss”, Scalzi also made entries to the Wikipedia deletion discussion itself. He probably did, and although the links aren’t working for me Camestros has the full quotes anyway.

(13) FUTURE SHOCK. [Item by Olav Rokne.] Writing in The New Yorker, Emily Nussbaum takes a look at the BBC/HBO co-produced near-future science fiction series Years And Years.  The series, which is built around the conceit of moving through years at a rapid pace — often three years in a one-hour episode, provides a mostly-realistic future that won’t fill many viewers with hope. ““Years and Years” Forces Us Into the Future”.  

“Years and Years” keeps leaping forward, forcing us into the future, as the economy crumbles, the ice caps melt, authoritarianism rises, and teen-agers implant phones into their hands. It’s an alarmist series, in a literal sense: it’s meant to serve as an alarm, an alert to what’s going on in front of our eyes, and where that might lead, if we don’t wake up.”

In the wake of Boris Johnson’s elevation to the post of Prime Minister, I’d say that the series might seem overly optimistic about the future of the United Kingdom. But I’d heartily recommend seeking out the series. 

(14) MORE URGENT. “Climate change: 12 years to save the planet? Make that 18 months”

Do you remember the good old days when we had “12 years to save the planet”?

Now it seems, there’s a growing consensus that the next 18 months will be critical in dealing with the global heating crisis, among other environmental challenges.

Last year, the Intergovernmental Panel on Climate Change (IPCC) reported that to keep the rise in global temperatures below 1.5C this century, emissions of carbon dioxide would have to be cut by 45% by 2030.

But today, observers recognise that the decisive, political steps to enable the cuts in carbon to take place will have to happen before the end of next year.

The idea that 2020 is a firm deadline was eloquently addressed by one of the world’s top climate scientists, speaking back in 2017.

“The climate math is brutally clear: While the world can’t be healed within the next few years, it may be fatally wounded by negligence until 2020,” said Hans Joachim Schellnhuber, founder and now director emeritus of the Potsdam Climate Institute.

The sense that the end of next year is the last chance saloon for climate change is becoming clearer all the time.

(15) CLOSING THEIR EARS. Meanwhile, the \outpatients\troglodytes were out in force: “Greta Thunberg speech: French MPs boycott teen ‘apocalypse guru’”.

Teen activist Greta Thunberg has lashed out at French lawmakers for mocking her in a speech to parliament that was boycotted by far-right politicians.

The 16-year-old addressed legislators on Tuesday, telling them to “unite behind the science” of climate change.

She and other children were invited to France’s parliament by a cross-party group of politicians.

“You don’t have to listen to us, but you do have to listen to the science,” she said.

Ms Thunberg, whose solo protest outside the Swedish Parliament inspired the school climate strike movement, has been lauded for her emotive speeches to politicians.

But lawmakers from French parties, including the conservative Republicans and far-right National Rally, said they would shun her speech in the National Assembly.

Urging his colleagues to boycott Ms Thunberg’s speech, leadership candidate for The Republicans, Guillaume Larrive, wrote on Twitter: “We do not need gurus of the apocalypse.”

Other French legislators hurled insults at Ms Thunberg ahead of her speech, calling her a “prophetess in shorts” and the “Justin Bieber of ecology”.

Republicans MP Julien Aubert, who is also contending for his party’s leadership, suggested Ms Thunberg should win a “Nobel Prize for Fear”.

Speaking to France 2 television, Jordan Bardella, an MEP for the National Rally, equated Ms Thunberg’s campaigning efforts to a “dictatorship of perpetual emotion”.

(16) TO SIR WITH LOVE. BBC reports “Sir Michael Palin to have heart surgery”.

Comedian and broadcaster Sir Michael Palin is to have surgery to fix a “leaky valve” in his heart.

The Monty Python member discovered a problem with his mitral valve – a small flap that stops blood flowing the wrong way around the heart – five years ago.

It had not affected his general fitness until earlier this year, he said.

“Recently, though, I have felt my heart having to work harder and have been advised it’s time to have the valve repaired,” he wrote on his website.

“I shall be undergoing surgery in September and should be back to normal, or rather better than normal, within three months.”

(17) PICARD & COMPANY. TV Line did a mass interview — “’Star Trek: Picard’ Cast on the Return of Patrick Stewart’s Iconic Captain.”

The cast of ‘Star Trek: Picard’ previews the CBS All Access series with TVLine’s Kim Roots at San Diego Comic-Con 2019.

[Thanks to John A Arkansawyer, John King Tarpinian, JJ, Mike Kennedy, Hampus Eckerman, SF Concatenation’s Jonathan Cowie, Martin Morse Wooster, Chip Hitchcock, Cat Eldridge, Olav Rokne, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]

Pixel Scroll 7/23/19 The Ballad Of Lost C’Redential

(1) PRESENT AT THE CREATION. Craig Miller distributed flyers for his forthcoming Star Wars memoir at San Diego Comic-Con. The four-page fold-over can be seen at his Facebook page. Here’s the placeholder cover:

(2) HOYT ON THE BUBBLE? A call to delete Wikipedia’s entry for Sarah A. Hoyt is also under consideration: “Wikipedia:Articles for deletion/Sarah Hoyt”. Some of the supporting arguments are:

  • Of eleven sources on the page, all but one source back to either Archive.org remnants of her old personal website or to her husband’s website.
  • The final source on the page is a podcast.
  • Some of the content appears plagiarized from other websites or promotional materials from the publisher such as book jacket author bio text. The text of the Writing section appears copied verbatim from fan site https://www.risingshadow.net/library/author/567-sarah-a-hoyt.

(3) LAUGHTER ON THE RIGHT. Meanwhile, today’s post at According To Hoyt comes from guest blogger Frank J. Fleming who offers “Frank Tips for Writing Satire”.

…Just make sure you’re making fun of someone your audience doesn’t like, because if you make fun of someone they do like, that’s what you call “bad satire.” And then you’re going to get mobbed and probably doxxed. A good strategy for that is to own multiple houses.

Ha, you idiots; I wasn’t even at that house you doxxed! That was a burner home!

(4) THE ROCKET RETURNS. The Mysterious Bookshop is offering a new edition of Anthony Boucher’s legendary 1942 novel Rocket to the Morgue, which features characters based on his science fiction writing contemporaries. New introduction by F. Paul Wilson.

Legendary science fiction author Fowler Faulkes may be dead, but his creation, the iconic Dr. Derringer, lives on in popular culture. Or, at least, the character would live on if not for Faulkes’s predatory and greedy heir Hilary, who, during his time as the inflexible guardian of the estate, has created countless enemies in the relatively small community of writers of the genre. So when he is stabbed nearly to death in a room with only one door, which nobody was seen entering or exiting, Foulkes suspects a writer. Fearing that the assailant will return, he asks for police protection, and when more potentially-fatal encounters follow, it becomes clear to Detective Terry Marshall and his assistant, the inquisitive nun, Sister Ursula, that death awaits Mr. Foulkes around every corner. Now, they’ll have to work overtime to thwart the would-be murderer?a task that requires a deep dive into the strange, idiosyncratic world of science fiction in its early days.

With characters based heavily on Anthony Boucher’s friends at the Manana Literary Society, including Robert Heinlein, L. Ron Hubbard, and Jack Parsons, Rocket to the Morgue is both a classic locked room mystery and an enduring portrait of a real-life writing community. Reprinted for the first time in over thirty years, the book is a must-read for fans of mysteries and science fiction alike.

(5) ALIEN ARRIVAL. “Nnedi Okorafor Tells an Immigrant Story in ‘LaGuardia,’ the Most Subversive Graphic Novel at Comic-Con”The Daily Beast has a Q&A with the author.

“Issues of immigration, issues of identity, all these things, they’re not new, and they’ve been there for a long time,” she says. 

Okorafor talks and writes from experience. The graphic novel introduces Future through an extended scene at LaGuardia, where she queues up for screening along with aliens of all shapes and sizes, as well as a little white girl who yanks on her locks. At the checkpoint, she is pulled aside for a second screening by a security guard who asks invasive questions about whether the baby in her belly is human. The confrontation is ripped straight from an incident in 2009, when a TSA officer at LaGuardia took Okorafor to a private room to squeeze each of her four-and-a-half-foot locks for hidden contraband. Preoccupied with her hair, the officer missed the bottle of pepper spray that Okorafor had forgotten to remove from her bag. In LaGuardia, that misdirection allows the character to carry the alien through, undetected.

As an author, Okorafor travels a lot, and it’s become clear to her that airport and border crossings are more about control than safety. 

“It’s the space between, a place of contention, a place of displacement, a place of fear, a place of identity,” she says. “It’s where you become very aware of all the things that you are and what they mean, in the context of where you are. And depending on who you are, that place can feel very hot or it can feel very chill.”

(6) SPEAKING UP. Terry Brooks breaks his silence on Trump.

As you know, I do not use my connection to you on the web page or Facebook/Twitter to move outside the subjects of books, reading and writing.  I am going to break that rule now.

For three years, I have kept quiet about Donald Trump and his effort to be President of the U.S.  I am not a political activist.  I am a  writer of fantasy adventure books, and while I have opinions about politics and people involved in politics, I pretty much keep them to myself.  My writing speaks for me.  My writing is my voice to the larger world.  But a few weeks back I listened to a young journalist speak about the importance of standing up for what you believe if you love your country.  He said that if you had a platform, you had an obligation to use it.  He said if you have a voice, you needed to use it.  He said, finally, that writers need to write about what matters – in some form, in some way, at some time…

Brooks speaks out at length.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 23, 1888 Raymond Chandler. He of the hard boiled detective genre is listed by ISFDB as doing some stories of a genre nature, to be exact ”The Bronze Door”, “The King In Yellow”, “Professor Bingo’s Snuff” and “English Summer: A Gothic Romance”. I’ve neither heard it nor read these. So who here has? “The King In Yellow” is in the Raymond Chandler megapack I just downloaded from iBooks so I will read it soon. (Died 1959.)
  • Born July 23, 1910 Kendell Foster Crossen. He was the creator and writer of stories in the Forties about the Green Lama and the Milo March detective and spy novels. Though the latter is not genre, the former is as the Green Lama had supernatural powers.  In the Fifties he began writing SF for Thrilling Wonder Stories, including the Manning Draco stories about an intergalactic insurance investigator, four of which are collected in Once Upon a Star: A Novel of the Future. None of his SF is on iBooks or Kindle alas. (Died 1981.)
  • Born July 23, 1914 Virgil Finlay. Castle of Frankenstein calls him “part of the pulp magazine history … one of the foremost contributors of original and imaginative art work for the most memorable science fiction and fantasy publications of our time.”  His best-known covers are for Amazing Stories  and Weird Tales. “Roads,” a novella by Seabury Quinn, published in the January 1938 Weird Tales, and featuring a cover and interior illustrations by him, was originally published in a extremely limited numbers by Arkham House in 1948. It’s now available on iBooks though not Kindle. (Died 1971.)
  • Born July 23, 1923 Cyril M. Kornbluth. I certainly read and liked The Space Merchants and The Syndic which are the two I remember reading these years on. Given his very early death, he wrote an impressive amount of fiction, particularly short fiction. Wildside Press has all of his fiction available on iBooks and Kindle in a single publication. (Died 1958.)
  • Born July 23, 1947 Gardner Dozois. He was the founding editor of The Year’s Best Science Fiction anthologies (and was editor of Asimov’s Science Fiction for twenty years, getting multiple Hugo and Locus Awards for those works. His writing won the Nebula Award for best short story twice, once for “The Peacemaker”, and again for “Morning Child”. Being Gardner Dozois: An Interview by Michael Swanwick covers everything he wrote to that date. (Died 2018.)
  • Born July 23, 1956 Kate Thompson, 63. Author of the New Policeman trilogy which I highly recommend. Though written for children, you’ll find it quite readable. And her Down Among the Gods is a unique take on a Greek myths made intimate. 
  • Born July 23, 1970 Charisma Carpenter, 49. She’s best remembered as Cordelia Chase on Buffy the Vampire Slayer and Angel. She was also Kyra on Charmed and Kendall Casablancas on Veronica Mars.  She was Sydney Hart in Mail Order Monster and Beth Sullivan in the direct to video Josh Kirby… Time Warrior! Franchise. 
  • Born July 23, 1982 Tom Mison, 37. Ichabod Crane, the lead on Sleepy Hollow. Ok did anyone here actually watch it?  I had the best of intentions but never caught it. The only time I saw him was he showed up on Bones in a cross-over episode. He’s The Mime in the forthcoming Watchmen series
  • Born July 23, 1989 Daniel Radcliffe, 30. Harry Potter of course. (Loved the films, didn’t read the novels.) Also, Victor Frankenstein’s assistant Igor in Victor Frankenstein, Ignatius Perrish in Horns, a horror film, and Rosencrantz in Rosencrantz and Guildenstern Are Dead at the Old Vic in London.  

(8) COMICS SECTION.

  • The Argyle Sweater has a novel idea – at least, Rich Horton says, “I’d read the novel in which the Salem witches did this!”

(9) COVER ARTIST. SYFY Wire says the Cats movie trailer is Taylor-made for this: “The Cats trailer gets a jellicle upgrade when set to RuPaul’s Kitty Girl”.

(10) GOBLIN UP PUBLICITY. [Item by Mike Kennedy.] Futurism: “Inventor Set to Fly Across the English Channel on His Hoverboard”.

Exactly 110 years ago this Thursday, French inventor Louis Blériot became the first person to fly an airplane across the English Channel, the body of water separating the United Kingdom and France.

To honor the achievement, another French inventor plans to make his own cross-Channel trip this week — but he’ll attempt to do so while riding a flying hoverboard that looks strangely similar to the one used by Spider-Man villain the Green Goblin.

The trip will require a mid-Channel refueling, though inventor Franky Zapata is said to be considering doing this while hovering above a ship rather than landing on one so he can claim a non-stop flight. In an interview with The Guardian, Zapata (who recently overflew this year’s Bastille Day parade) laid out his plans to make the attempt to cross from Calais to Dover. Contrasting the Bastille Day flight to the Channel crossing, he is quoted as saying, “I used 3% of the machine’s capabilities [on Bastille Day] and I’ll need 99% for the Channel. It won’t be easy at all and I reckon I’ve a 30% chance of succeeding.”

(11) AT LONG LAST. Charon Dunn has a great blog post about “Meeting My Brother For The First Time”. They discovered each other last year after submitting DNA to the 23andMe testing service.

Things I have in common with my biological half-brother Rick that I don’t share with my adopted family:

Candy. We stopped by the store and I grabbed an Almond Joy, because I like to keep an emergency snack around my hotel room in case of sudden hunger. Apparently this is also Rick’s preferred candy bar.

Tattoos. My adopted family did not approve of them. Everyone in my biological family has them; I personally have six. At one point Rick and I were cruising around Hollywood looking for a tattoo parlor to give us matching brother-sister ink, but we couldn’t find anybody good so abandoned that idea for now.

Fearlessness. I flew down on one of those small commuter jets, and Katrina asked if it was scary, and I didn’t know what to say. I have a twisted scariness threshold and so does Rick. We both enjoy terrifying experiences like horror films and we both confessed we’d love to see a ghost or monster or alien or sasquatch or chupacabra or other similar frightening thing. He’s more outdoorsy and used to do crazy things involving motorcycles and championship fights. I’m the inside type and get my kicks from litigation deadlines and murdering my fellow video game players (and writing action-adventure stories, that too). We are a clan of warriors and although we occasionally ripple with anxiety, we also tend to have rock steady nerves….

(12) BUT FRESH IS BEST. Science says “Canned laughter ‘makes jokes funnier'”.

Adding canned laughter to the punchline of jokes – even “dad jokes” – makes them funnier, according to a study.

The effect was even bigger if real, spontaneous giggles accompanied a gag, the University College London scientists said.

They tried out 40 different jokes, ranging from the groan-worthy to the hilarious, on 72 volunteers.

The findings, in Current Biology, suggest laughter might be contagious or give others permission to also laugh.

Jokes from the study included:

…Why can’t you give Elsa a balloon? Because she will “Let It Go”.

(13) DEVELOPING ARTEMIS. “Nasa Moon lander vision takes shape” – BBC has the story.

Nasa has outlined more details of its plans for a landing craft that will take humans to the lunar surface.

The plans call for an initial version of the lander to be built for landing on the Moon by 2024; it would then be followed by an enhanced version.

The news comes as work was completed on the Orion spacecraft that will fly around the Moon in 2021.

This mission, called Artemis-1, will pave the way for the first attempt to land since 1972.

The presolicitation notice to industry calls for proposals on an initial lander design capable of carrying two people down to the Moon’s South Pole in 2024.

Companies will then be given the option to develop an enhanced lander capable of carrying four astronauts to the lunar surface. It would also be able to stay for longer, including through the two-week lunar night.

This lander would support Nasa’s plans for a “sustainable” return to the Moon that would eventually involve the construction of an outpost on the surface.

(14) WITHDRAWING THE DEPOSITS. BBC reports “‘Important’ Iron Age settlement found at Warboys dig”.

Iron Age roundhouses, Roman burials and Saxon pottery have been discovered in a “hugely important and hitherto unknown settlement”.

The seven month-long dig in Warboys in Cambridgeshire also uncovered “a rare example” of “early Saxon occupation mingled with the latest Roman remains”.

Archaeologist Stephen Macaulay said: “We almost never find actual physical evidence of this.”

The settlement reverted to agricultural use after the 7th Century.

(15) SUPERMAN’S BREAKFAST. Here’s a 3-minute video with “uncut footage of George Reeves directing test of Kellogg’s Corn Flakes commercial at his home”

(16) MORE SPIES. It’s not our Tor — “Russian intelligence ‘targets Tor anonymous browser'”.

Hackers who breached a Russian intelligence contractor found that it had been trying to crack the Tor browser and been working on other secret projects, the BBC has learned.

Tor is an anonymous web browser, used by those wishing to access the dark web and avoid government surveillance.

It is very popular in Russia.

The hackers stole some 7.5 terabytes of data from SyTech, a contractor for Russia’s Federal Security Service FSB, and included details of its projects.

It is not clear how successful the attempt to crack the anonymous browser was, as the method relied heavily on luck to match Tor users to their activity.

Hackers from a group known as 0v1ru$ gained access to the company on 13 July, and replaced its internet homepage with a smug smiley face often used by internet trolls.

(17) HISTORIC AIRCRAFT. The Space Review remembers “The big white bird: the flights of Helo 66”.

…On the Midway’s deck sits a white Sea King helicopter painted with the famous 66 squadron number and painted on the nose of the helicopter are the silhouettes of five Apollo capsules. But walk around to the other side of the helicopter and you’ll see the number “68” painted on the other side.

If you head about 800 kilometers to the northwest, to Pier Three at the former Alameda Naval Air Station and go aboard the USS Hornet Museum, on her aft flight deck you will see another Sea King, also painted with a large “66” on the side of her fuselage. The Sea King on display on the Hornet was used in the movie Apollo 13, which is why it retains its markings from the helicopter carrier Iwo Jima, which was the recovery ship for that mission. The helicopter was obtained from the Navy and restored off-site before being hoisted aboard the Hornet. The museum has several other helicopters that are painted like the recovery aircraft for the American space program, including a Piesecki HUP-25 Retriever of the type used to ferry John Glenn from the USS Noa to the carrier USS Randolph following his Friendship 7 orbital flight in 1962, and a UH-34 Seahorse of the type used for the Gemini and Apollo recoveries.

The real Helo 66, the one in the Apollo 11 documentary and all of those famous Apollo era photographs, crashed into the ocean off the coast of San Diego in 1975. That helicopter, BuNo 152711, was lost in a tragic accident during training to hunt Soviet submarines.

(18) A LITTLE MISTAKE. I have Irish ancestors – can you tell? “Irish moon landing stamp spells ‘moon’ wrong” reports the BBC.

The Republic of Ireland’s postal service has apologised for spelling “the moon” wrong in Irish on its new commemorative stamps celebrating the 50th anniversary of the Apollo landing.

The postal service, known as An Post, launched the stamps last week.

Four astronauts are featured on the stamps with Irish ancestry.

The Irish word for moon is “gealach”. But the stamp accidently spelled it “gaelach”, which means being Gaelic, Irish or relating to the Scottish Highlands.

Instead of reading “The 50th Anniversary of the First Moon Landing”, it now reads “50th Anniversary of the First Landing on the Irish”.

[Thanks to JJ, Chip Hitchcock, John King Tarpinian, Cat Eldridge, Martin Morse Wooster, rcade, Mike Kennedy, Rich Horton, Carl Slaughter, Contrarius, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 12/12/18 I Can’t Compile ‘Cause I Owe My Scroll To The Company File!

(1) FREQUENT FLYER. For me, it’s either Field of Dreams or Patton.

(2) FIXING A HOLE WHERE THE SPACE GETS IN. “Cosmonauts Slice Spacecraft For Clues To Cause Of Mysterious Hole” — a Giphy clip of them at work accompanies the NPR post.

It was all part of an attempt Tuesday to solve the mystery of the leaking International Space Station.

“The cosmonauts spent hours using knives and what looked like garden shears to cut away at the insulation around the spacecraft’s orbital module, to peek at the damaged area,” NPR’s Geoff Brumfiel reported. “All along, mission control in Moscow pleaded with them to take it slow so they wouldn’t make the situation worse.”

(3) ABOUT THAT SPACE SUIT. What if the ISS damage is sabotage? Matthew Reardon explains “The Space Law of Sabotage on the ISS” to readers of the SFWA Blog. (Why would the law in space be any clearer than the law on earth?) 

…The first thing we can hope is that there haven’t been criminal acts, sabotage or other, committed on the ISS. Because the relevant space law is a bit of a mess currently, and without any precedent, it could turn into a muddle that would hinder our expansion into space for a long time.

The first thing to point out is that the ISS isn’t a single legal entity. Under the Intergovernmental Agreement signed by the fourteen countries participating in the ISS, each State’s laws remain applicable in the elements it registers. Therefore, in criminal matters, even though the Agreement clearly states that each State’s laws regulate the activities of its nationals on the ISS, each individual piece of the ISS is ruled by different penal law depending on the country that provided that piece.

Theoretically, U.S. criminal law is applicable inside the Destiny lab module (which still raises the question of which U.S. States’ criminal law, but at least that’s a question that can be resolved internally to the U.S.), Russian criminal law in the Zvezda module, Japanese law in the Kibomodule, and so on.

(4) THE KITE FLYERS. David Rooney finds plenty to praise — “‘Mary Poppins Returns’: Film Review” at The Hollywood Reporter.

Belated Hollywood sequels have sunk more often than soared in recent years, but Disney shrugs off those odds with Mary Poppins Returns, an enchanting movie musical that picks up the threads of the studio’s cherished original more than half a century after its 1964 release. Sticking close to the enduring classic’s template while injecting plenty of freshness to give the follow-up its own distinct repro vitality, this lovingly crafted production delivers both nostalgia and novelty. Ideally cast from top to toe, and graced by tuneful songs from Marc Shaiman and Scott Wittman that genuflect to the invaluable contributions of the Sherman Brothers on Mary Poppins, this is a charmer only cynics could resist.

(5) ACROSS THE CON SPECTRUM. Michael Lee answers the question at TwinCities Geek: “Just What Is This Convention, Anyway? A Guide to Different Types of Cons”.

What follows is an explanation of some of the terms used among convention attendees and convention runners to describe the most common types of conventions. One of the goals I have in this article is to focus on terms that don’t also have value judgments. In my experience, there are good and bad examples of almost every type of convention, and everyone’s taste in conventions is slightly different. Hopefully, this will help you narrow down what types of conventions you might like to attend!

Here are the first couple entries in his catalog —

Anime Con

Anime conventions are centered around Japanese animation and related subjects. One of the big things to keep in mind with anime conventionsis that they come in a variety of sizes and shapes, and some are organized by nonprofits while others are for profit. In the Twin Cities, we have fan-run anime conventions like Anime Detour and Anime Fusion. There are a number of large ones around the country, like A Cen (Anime Central) and Anime Expo.

Bidded Convention

Less often seen in the Twin Cities, bidded conventions move around a region, country, or all over the world. Either a previous convention’s membership or a board of directors chooses the location and committee leadership of an upcoming con. The premier example of a bidded convention is the World Science Fiction Convention (Worldcon), but other examples include the World Fantasy Convention, the NASFIC (the North American Science Fiction Convention), Gaylaxicon, and Costume-Con.

(6) MILES MORALES SWINGSBA CK INTO FRAME. Marvel reintroduces the character:

Just as he is making his big-screen debut in Spider-Man: Into the Spider-Verse, Miles Morales is swinging back into the pages of Marvel Comics in an all-new debut with MILES MORALES: SPIDER-MAN #1! Written by Eisner Award winner Saladin Ahmed (Exiles) with art by celebrated Marvel Young Gun Javier Garrón (Ant-Man & The Wasp) and a cover by Brian Stelfreeze (Black Panther), Miles’ latest adventure brings Miles back to Brooklyn basics… but things definitely aren’t simple when a simple robbery is complicated with a big Spidey-Villain and an even bigger mystery!

“It’s very much intended for folks who might not know the character or might not even have read a Spider-Man comic, and for them to be able to access what’s universal and what’s immediately appealing about this character and about the Marvel Universe,” said Ahmed.

(7) GERNSBACK VIDEO. A Twitter video clip of Sam Moskowitz and Hugo Gernsback from a 1965 BBC Horizon documentary about the relationship between SF and science. First time I’ve seen any video of Gernsback.

(8) CURIOSITY TO EXPLORE STRANGE NEW WORLDS. rcade calls this “Some of the best File 770 reader microtargeting I’ve ever seen.” — “2019 StarTrek TNG Cats Wall Calendar” — “…the Enterprise-D’s adventures (only with cats) …”

When there’s a Red Alert on this bridge, everybody lands on their feet. If you’re a fan of the Star Trek Cats series by Jenny Parks, you need this 2019 calendar. If you’re not, allow us to explain. Parks has created a hilarious new take on ST:TNG characters and scenes by illustrating the characters as cats. Star Trek plus cats. What could be better?

(9) FOR SOMEONE ON YOUR GIFT LIST. Just what message you’ll be sending is up to you! Here’s an alarming concept — “Fiji Mermaid Tiny Skeleton Deluxe Miniature Model Kit With Glass Display Dome and Assembly Tools Box Set – Paper Sculpture”.

The Fiji Mermaid Deluxe Kit includes everything you need to successfully assemble the tiny skeleton model for display. Each kit comes with the pre-cut Fiji Mermaid bones, 59mm borosilicate glass display dome, exhibit base, glue, tweezers, and a magnifier.

Tinysaur Kits assemble into tiny skeletons from a postage stamp sized laser cut pattern. Assembly generally takes 20-30 minutes and the completed Fiji Mermaid models stand roughly 1 inch tall.

(10) TODAY’S BIRTHDAYS

[Compiled by Cat Eldridge.]

  • Born December 12, 1946Josepha Sherman. Writer and folklorist who was a Compton Crook Award winner for The Shining Falcon which was based on the Russian fairy tale The Feather of Finist the Falcon. She was a prolific writer both on her own and with other writers such as Mercedes Lackey with whom she wrote A Cast of Corbies, and two Buffyverse novels with Laura Anne Gilman. 
  • I knew her personally as a folklorist first and that is she was without peer writing such works as Rachel the Clever: And Other Jewish Folktales and Greasy Grimy Gopher Guts: The Subversive Folklore of Childhood  that she wrote with T K F Weisskopf.  Neat lady who died far too soon. Let me leave you with an essay she wrote on Winter for Green Man twenty years ago, “Josepha Sherman’s Winter Queen Speech” (Died 2012.)
  • Born December 12, 1949 Bill Nighy, 69. He’s got a very, very long genre association staring with being an unnamed ENT physician in Curse of the Pink Panther. He was Martin Barton in The Phantom of the Opera, Edward Gardner in Fairy Tale: A True Story, Viktor In Underworld and Underworld: Rise of the Lycans, Philip in Shaun of the Dead, an hilarious Slartibartfast in The Hitchhiker’s Guide to the Galaxy, a quite unrecognisable as him Davy Jones in Pirates of the Caribbean: At World’s End, Rufus Scrimgeour In Harry Potter and the Deathly Hallows – Part 1… I’m stopping right before this get really long. Fortunately his television genre credits may be limited to an uncredited appearance in the “Vincent and the Doctor” episode of Dr. Who as Dr. Black.
  • Born December 12, 1965 Toni Weisskopf, 53. Editor and the publisher of Baen Books In 2015, Weisskopf was nominated for a Hugo Award.
  • Born December 12, 1970Mädchen Amick, 48. TwinPeaks: Fire Walk with Me was not actually her first genre role as she played a Young Anya on Star Trek:The Next Generation a year or a so earlier. She’s shapeshifter on the rebooted Fantasy Island and yet another shapeshifter, a black cat this time, on Witches of East End. Typecasting I think. 
  • Born December 12, 1970Jennifer Connelly, 48. First genre was as Sarah Williams in Labyrinth. Later appearances in our community include as Jenny Blake in The Rocketeer a film I love, Emma Murdoch / Annan in  Dark City, Betsy Ross in the 2003 Hulk, Helen Benson in the 2008 remake of the 1951 The Day the Earth Stood Still and no, it’s not anywhere as good as the original, Roxane in Inkheart, Virginia Gamely in Winter’s Tales based on the novel of the same name that I never finished, and a voice-only appearance only as Karen in Spider-Man: Homecoming
  • Born December 12, 1975 Mayim Bialik, 43. Dr. Amy Farrah Fowler, PhD on the Big Bang Theory series which I’m not sure is genre but is certainly genre friendly. Appearance in other genre undertakings as the Pumpkinhead horror film, The Real Adventures of Jonny QuestStan Lee’s Mighty 7 and The Adventures of Hyperman
  • Born December 12, 1976 Tim Pratt, 42. I think his best work was his very first novel which was The Strange Adventures of Rangergirl but there’s no doubt that later work such as The Constantine AfflictionBone Shop and The Stormglass Protocol are equally superb. That’s not to overlook his short fiction which you’ve not tried it you should and I’d recommend Little Gods as a good place to start. 

(11) THE WHAT-DID-THEY-DO-TO-THAT-FOOD CHANNEL. I’d watch this. (Maybe I shouldn’t admit it.)

(12) 2001. On December 20, Chicago’s Adler Planetarium will be showing 2001: A Space Odyssey followed by a discussion of the film by astronomer Mark Hammergren and SF critic Gary Wolfe: “Adler After Dark: Space Odyssey”.

  • Join astronomer Mark Hammergren and sci-fi editor, critic, and biographer Gary Wolfe in a spirited discussion on the impact 2001 had on film-making and its role in “blowing our minds” during the Apollo era
  • Try your hand at stopping the devious HAL 9000 from taking over the event in a museum-wide scavenger hunt
  • Learn more about film-making techniques, ranging from sound design to stop-motion animation
  • Checkout rarely-seen items from the museum’s collection—like paintings from renowned space artist Chesley Bonestell—whose work directly influenced Kubrick’s vision of the Moon in 1968
  • And don’t miss a special improv show where we’ll explore the future as imagined inyour fav sci-fi films!

(13) EDUCATIONAL POP-UPS. “Before they were relegated to the domain of children, books with movable mechanisms explained anatomy, astronomy, and more to adults.” — “When Pop-Up Books Taught Popular Science” in The Atlantic.

One of the most successful popular astronomy books of the 16th century was Peter Apian’s Cosmographia, a work that went through almost 40 editions in Latin, Dutch, French, and Spanish. Apian included five different volvelles in the book. One of these volvelles demonstrates the relationship between the moon and the sun and the phases of the moon.

The volvelle consists of two paper wheels connected with a small piece of string to a printed circle. The topmost wheel has a circular hole, revealing the lower wheel beneath. Both wheels can be rotated freely in either direction. The top wheel of the volvelle has an indicator with the moon on it. Spinning this wheel represents the moon’s west-to-east monthly circuit around the Earth. The lower wheel has an indicator with the sun on it. Spinning this wheel represents the sun’s yearly west-to-east motion. When the reader moves the two wheels, the phases of the moon appear in the hole cut out of the top wheel.

(14) VISIT FROM THE CREATOR. William F. Nolan posed beside the poster for the Logan’s Run movie while visiting the Pasadena Museum’s sff exhibit earlier this year.

(15) CHAIRMAN OF THE BOARD.Print’s Don Vaughan interviews storyboard artist Mark Bristol in “Storyboarding: Drawing from Script to Screen”.

“Every production is different,” Bristol says. “The process is usually the same, but how the storyboards are utilized depends on the director and their own process.” Chris McQuarrie, the director of Mission: Impossible–Fallout, tends to rely heavily on storyboards, Bristol notes, whereas Terrence Malick, with whom Bristol worked on The Thin Red Line and Tree of Life, is more of an “in the moment” director for whom storyboards are merely a suggestion.

(16) BEREZIN OBIT. “Word processor pioneer Evelyn Berezin dies aged 93” – BBC has the story.

The woman who created and sold what many recognise as the world’s first word processor has died aged 93.

Evelyn Berezin called the device the Data Secretary when, in 1971, her company Redactron launched the product.

She grew Redactron from nine employees to close to 500 and was named one of theUS’s top leaders by BusinessWeek magazine in the year she sold it, 1976.

(17) NAMING CONVENTIONS. Poul Anderson loved alien names with apostrophes stuck in the middle – and he may have used up the genre’s quota in the process. At least, I think that’s what Sarah A. Hoyt is warning against in “Words and the Lonely Writer, part 5 – Made Up Languages” at Mad Genius Club.

….Why do apostrophes make the baby Jesus cry? Because while perfectly acceptable as a marking they were a) overused by early sf/f writers so those of us who’ve read deeply into the field roll our eyes to the back of our heads when we see them.  b)because they’re not THAT common in English, particularly not mid-word.  So when I see R’neker’vir I pause for a couple of seconds.  This can be enough to break the spell.  Sure, your writing can overcome it, but why make it more difficult?  Do you have so many readers you need to cut down some?

Okay, so you aren’t a linguist, and you’re not as weird as the rest of us, and you’ve never made up a language.  BUT your new world absolutely needs it.

Start small. First, if you’re doing weird names, decide what the parts of the name mean and whether they bear on the society or the hierarchy or just on your species.

For instance, a species born from eggs (external, laid eggs, smarty pants) might have a lot of names with egg or shell or whatever.  One that’s incredibly hierarchical might build in things that mean “second son of the lowest sweeper.”

After that consider your society.  Is there some feature so weird, so outlandish you feel the need to emphasize it with a made up word?

(18) WHAT ABOUT THE REST OFTHE STORY? ScreenRant did not end the season a fully satisfied customer: “Elseworlds:7 Unanswered Questions After This Year’s Arrowverse Crossover”.

While Elseworlds ended in a suitably epic fashion, this final chapter did raise a number of issues. Along with some continuity problems and questions about the science involved in the final battle, there are a few Easter Eggs to consider along with some major questions of events to come in the Arrowverse. Here are six questions to consider in the wake of Elseworlds‘ conclusion….

(19) BENNU NEWS. This asteroid was rode hard and put away wet: “NASAmakes amazing discovery on asteroid Bennu”. It sometimes seems like every astronomical body we study closely ends up having more water than expected. Bennu is the latest to join that crowd: (“OSIRIS-REx Discovers Water on Asteroid Bennu”).

Scientists have made a fascinating discovery on asteroid Bennu thanks to NASA’s OSIRIS-REx spacecraft.

Recently analyzed data from the probe has identified water locked inside the asteroid’s clay, the space agency has announced. The spacecraft’s two spectrometers revealed the presence of “hydroxyls,” which are molecules containing oxygen and hydrogen atoms bonded together.

(20) CRISIS FOR SANTA’S SLEIGH? It’s looking bad: “Climate change: Arctic reindeer numbers crash by half”.

The population of wild reindeer, or caribou, in the Arctic has crashed by more than half in the last two decades.

A new report on the impact of climate change in the Arctic revealed that numbers fell from almost 5 million to around 2.1 million animals.

The report was released at the American Geophysical Research Union meeting.

It revealed how weather patterns and vegetation changes are making the Arctic tundra a much less hospitable place for reindeer.

(21) SOME LIKE IT HOT. On the other hand, chickens find the climate quite salubrious: “‘Planet of the chickens’: How the bird took over the world”.

A study of chicken bones dug up at London archaeological sites shows how the bird we know today has altered beyond recognition from its ancestors.

With around 23 billion chickens on the planet at any one time, the bird is a symbol of the way we are shaping the environment, say scientists.

Evolution usually takes place over a timescale of millions of years, but the chicken has changed much more rapidly.

The rise of the supermarket chicken mirrors the decline in wild birds.

“The sheer number of chickens is an order of magnitude higher than any other bird species that’s alive today,” said Dr Carys Bennett, a geologist at the University of Leicester, who led the study

“You could say we are living in the planet of the chickens.”

(22) FAILURE TO COMMUNICATE. You would have predicted this — “Why emojis mean different things in different cultures” — but some of the variations are surprising.

…Equally, in China, the angel emoji, which int he West can denote innocence or having performed a good deed, is used a sign for death, and may be perceived as threatening.

Similarly, the applause emojis are used in the West to show praise or offer congratulations. In China, however, this is a symbol for making love, perhaps due to its resemblance to the sounds “pah pah pah”…

(23) SIR-PRISE. Meanwhie, back at the patriarchy — “Films with female stars earn more at the box office”.

If you liked Wonder Woman and Moana in part because they were films led by strong female characters, then it looks like you weren’t alone.

Conventional wisdom in Hollywood is that male stars are a bigger box office draw, often the reason given for their higher salaries.

But that may have been a miscalculation according to new analysis, showing films with female leads earn more.

Researchers looked at the top 350 grossing films between 2014 and 2017.

The correlation was true irrespective of how big the production budget was: films where female stars had top billing, made more money than those with male stars.

[Thanks to Cat Eldridge, Michael O’Donnell, Mike Kennedy, Martin Morse Wooster, John King Tarpinian, JJ, Chip Hitchcock, Carl Slaughter, John A Arkansawyer, Steven H Silver, and Andrew Porter for some of these stories. Title credit goes to File770 contributing editor of the day Kip Williams.]

Pixel Scroll 11/7/18 Neil Gaiman On A Mountain Of Books Holding a Kitten

(1) THE CRIMES OF VISACARD. BBC takes note as “JK Rowling sues former employee for £24,000”.

Harry Potter author JK Rowling has launched a £24,000 legal claim against a former employee for allegedly using her money to go on shopping sprees.

Ms Rowling, 53, claims Amanda Donaldson broke strict working rules by using her funds to buy cosmetics and gifts.

Ms Donaldson worked as a personal assistant for the writer between February 2014 and April 2017, before being sacked for gross misconduct.

The 35-year-old from Coatbridge, Lanarkshire, has denied the claims.

Legal papers lodged at Airdrie Sheriff Court allege Ms Donaldson wrongly benefited to a value of £23,696.32 by spending on a business credit card and taking Harry Potter merchandise.

(2) BLEEPIN’ RIGHT. Let K.M. Alexander expand your word power — “Raunch Review: Mork & Mindy/Starsiege: Tribes”.

Raunch Reviews is a series about profanity. Not real profanity, but speculative swearing. Authors often try to incorporate original, innovative forms of profanity into our own fantastical works as a way to expand the worlds we build. Sometimes we’re successful. Often we’re not. In this series, I examine the faux-profanity from various works of sci-fi and fantasy, judge their effectiveness, and rate them on an unscientific and purely subjective scale. This is Raunch Reviews, welcome.

The Author: Garry Marshall and Dynamix

Work in Question: Mork & Mindy/Starsiege: Tribes

The Profanity: “Shazbot”

It’s rare for a fictional profanity to transcend its original source material and find new life in other properties. But that’s what we find with 1978’s Mork & Mindy’s “shazbot.” …

(3) MOVING UP AT TOM DOHERTY ASSOCIATES. Publishers Lunch reports:

In promotions at Tom Doherty Associates: Alexis Saarela moves up to senior associate director of publicity focusing on Forge; Laura Etzkorn is now publicist; Desirae Friesen becomes senior publicist with a focus on Tor; Saraciea Fennell is senior publicist overseeing publicity for Tor Teen and Starscape; and Lauren Levite is now associate publicist.

(4) DYSTOPIC DYNAMIC. In “How Technology Grows (a restatement of definite optimism)” blogger Dan Wang says that economic stagnation and limited growth leads to depressing sf:

Much of the science fiction published in the last few decades veer towards cyberpunk dystopia.  (The Three Body Problem is an exception.)  We don’t see much change in the physical landscape of our cities, and instead we get a proliferation of sensors, information, and screens.  By contrast, the science fiction of the 50s and 60s were much more optimistic.  That was the space age, a time when we were busy reshaping our physical world, and by which point the industrial acheivements of the ‘30s had made themselves obvious.  Industrial deepening leads to science fiction that is optimistic, while digital proliferation pushes it towards dystopia.

(5) BOPPING AROUND THE GALAXY. Steve Carper helps Black Gate readers remember the “Space Conquerers!” comic strip. (Or in my case, provides a first-time introduction….)

Space Conquerors! ran for a full twenty years, from 1952, when a simple rocket trip to Mars was nearly unimaginable, to 1972, when their flying saucer casually strolled alien star systems. The science was an odd mix of realism and convenience. That first rocket to Mars could go faster than the speed of light but a later space ship, built in 2054, was deemed a marvel because it could travel at half the speed of light. It needed a proper eight years to get to get to Alpha Centauri from the moon. Or perhaps the marvel was that a 1957 sequence strives for an educationally accurate first trip to the moon, but somehow is set in 2057, three years after the star ship set sail.

(6) YOU BETTER NOT POUT. Laura Anne Gilman’s post “A Meerkat Rants: The War on Christmas Retailers” solves the angst shortage for readers of Book View Café.

…Because, yes Virginia, there is a war against Christmas holiday retailers.  And it begins with the first stores loading up Christmas decorations and candies the day after Halloween (Rite Aid and such, we’re looking at you, and you were already on our shitlist for not discounting Halloween candy the day after, what the hell is wrong with you?)

Look, anyone who is that into Christmas that they need it two months ahead of time?  Has the ever-increasing option to go to a 365-days-a-year Christmas Store.  Or buy things online.  They don’t need that in their local drugstore.  The rest of us walk in, take one look, and say “oh hell no,” and walk out again, often without searching for the thing we went in for.  Or if we do, we curtail any further impulse shopping, in order to escape as quickly as possible.

You jump the gun by a month or more, and shove your retail Christmas agenda in my face the first week of NOVEMBER?  I’m going to walk past your door, and go somewhere else.  And I know I’m not alone in this….

(7) SPACEX BEATS RUSSIAN PRICE. The Republic of Kazakhstan—ex of the Soviet Union and still the home of Russia’s primary spaceport—has chosen SpaceX over Russia for launch services (Ars Technica: “Kazakhstan chooses SpaceX over a Russian rocket for satellite launch”). Unsurprisingly, it boils down to money. The launch in question will place small satellites from a few dozen customers in orbit on the same launch.

The first satellite launched into orbit, Sputnik, launched from a spaceport in Baikonur, Kazakhstan. The Central Asian country was then a Soviet republic. Later, the first human to fly into space, Yuri Gagarin, also launched from Kazakhstan. Today, despite its independence, this spaceport remains the primary launch site for the Russian space program.

However, when Kazakhstan wanted to get a small scientific satellite named KazSaySat and a technology satellite called KazistiSat into space, the country didn’t select a Russian rocket. Instead, it chose the US-based launch company SpaceX to reach orbit.

[…][T]he press secretary of the Ministry of Defense and Aerospace Industry, Aset Nurkenov, explained why. “The reason for using a Falcon 9 for this launch is that it will be less expensive,” he said. “The total cost is a commercial confidentiality we can not reveal at the request of the American launch provider.”

(8) THE MONSTER. Adri Joy finally gets to read Seth Dickinson’s anticipated sequel: “Microreview [Book]: The Monster Baru Cormorant by Seth Dickinson” at Nerds of a Feather.

It’s been three long, interesting years between the release of Seth Dickinson’s The Traitor Baru Cormorant and its fair to say this long-awaited sequel, in which the Traitor becomes the Monster, has been one of my most anticipated releases of the year. The Traitor Baru Cormorant blew me away when I read it in 2015: I was still relatively new to modern adult SFF, and at the time I didn’t realise that it was possible to capture this type of political and economic intrigue in fantasy. Baru’s journey from island prodigy to rebel leader was immensely satisfying, as was the fact she was doing it all as a civil servant. Then, like all books, it ended, and as anyone who has read it will sympathise, it ended like that. I lost hours of sleep. If you haven’t read the book and don’t know what I’m referring to, let me warn you not to look for queer happy endings in this otherwise magnificent book and send you away to do what you will.

(9) SALMONSON ANTHOLOGY. Adri Joy also adds an entry to Nerds of a Feather’s series with “Feminist Futures: Amazons!”

Legacy: I read Amazons! in 2018, sandwiched between the Deed of Paksenarrion by Elizabeth Moon, a trilogy about a sheepfarmer’s daughter who finds her calling as a warrior, and Redemption’s Blade by Adrian Tchaikovsky, in which a woman veteran seeks restoration after killing the renegade demigod who took her entire world to war. In that context, the legacy of Amazons! – and, perhaps more importantly, the writers in it and the movement it represents – is one that has made a huge difference to the range and depth of well-crafted woman-centred fantasy narratives out there to discover. Reading the anthology has definitely piqued my interest in the stories that prefaced full novels, namely “The Dreamstone” – which started the Ealdwold series – and “Bones for Dulath” by Megan Lindholm, which was the first appearance of Ki and Vandrien (although neither is a work that the authors are primarily known for now). …

(10) O’NEIL OBIT. From the BBC — “Kitty O’Neil: Wonder Woman stuntwoman dies at 72”.

Kitty O’Neil, a stuntwoman who was Lynda Carter’s stunt double on 1970s TV series Wonder Woman, has died in South Dakota at the age of 72.

O’Neil, who lost her hearing when she was five months old, also doubled for Lindsay Wagner on The Bionic Woman.

Her other credits included Smokey and the Bandit II and The Blues Brothers.

O’Neil’s success as a stuntwoman led her into the world of speed racing and she set a land-speed record for women in 1976 – which still stands today.

The New York Times version adds –

On a dry lake in Oregon in December 1976, Kitty O’Neil wedged herself into a three-wheeled rocket-powered vehicle called the SMI Motivator. She gave the throttle two taps to awaken the engine and then watched an assistant count down from 10 with hand signals. At zero, she pushed the throttle down.

The Motivator accelerated rapidly, though silently for Ms. O’Neil; she was deaf. Her speed peaked briefly at 618 miles per hour, and with a second explosive run measured over one kilometer, she attained an average speed of 512.7 m.p.h., shattering the land-speed record for women by about 200 m.p.h.

For Ms. O’Neil, her record — which still stands — was the highlight of a career in daredevilry. She also set speed records on water skis and in boats. And, working as a stuntwoman, she crashed cars and survived immolation.

(11) TODAY IN HISTORY

  • November 7, 1954 – Giant robots attack Chicago in Target Earth.
  • November 7, 1997 — A version of Robert Heinlein’s Starship Troopers premiered in theatres.

(12) TRIVIAL TRIVIA

As long as we are examining number theory, the house number for Wil Wheaton’s fictional home on The Big Bang Theory is 1701.

(13) TODAY’S BIRTHDAYS

[Compiled by Cat Eldridge and JJ]

  • Born November 7, 1914 – R.A. Lafferty. Writer known for somewhat eccentric usage of language. His first novel Past Master would set a lifelong pattern of seeing his works nominated for Hugo and Nebula Awards as novels but not winning either though he won a Hugo short story for “Eurema’s Dam”. He had received a World Fantasy Lifetime Achievement Award, he received the Cordwainer Smith Foundation’s Rediscovery award. I’m going to confess that I’ve not read him so I’m leaving up to y’all to tell me which works of his that I should read. (Died 2002.)
  • Born November 7, 1954 – Guy Gavriel Kay. So the story goes that when Christopher Tolkien needed an assistant to edit his father J.R.R. Tolkien’s unpublished work, he chose Kay who was at the time a student of philosophy at the University of Manitoba. And Kay moved to Oxford in 1974 to assist Tolkien in editing The Silmarillion. Cool, eh? The Finovar trilogy is the retelling of the legends of King Arthur, Lancelot and Guinevere, which is why much of his fiction is considered historical fantasy. Tigana likewise somewhat resembles renaissance Italy. My favorite work by him is Ysabel, which strangely enough is called am urban fantasy when it really isn’t. It won a World Fantasy Award.
  • Born November 7, 1960 – Linda Nagata. Her novella “Goddesses” was the first online publication to win the Nebula Award. She writes largely in the Nanopunk genre, which is not be confused with the Biopunk genre. To date, she has three series out: The Nanotech SuccessionStories of the Puzzle Lands (as Trey Shiels), and The Red. She has won a Locus Award for Best First Novel for The Bohr Maker which the first novel in The Nanotech Succession. Her 2013 story “Nahiku West” was runner-up for the Theodore Sturgeon Memorial Award, and The Red: First Light was nominated for both the Nebula Award and the John W. Campbell Memorial Award. Her website is here.

(14) COMICS SECTION.

(15) A NAME TO CONJURE WITH. Conjure, as in, his events disappear before happening. Trae Dorn at Nerd & Tie asks “Is Ray Jelley Running a Roman Themed Event Called ‘Like Caesar?’”

Some of you may remember that last year we ran a number of stories covering Angry Goat Productions and it’s owner Ray Jelley. If you don’t feel like trodding through half a dozen stories today, the short version is pretty simple — over the years a man named Raymond Francis Jelley has announced a series of events which then all ended up being cancelled prior to taking place.

There are a number of other details, including a lawsuit filed by a member of The Hobbit films, but that’s really the important bit.

In any case, after a string of announcements under the Angry Goat moniker, and a Harry Potter themed train under a different name, Mr. Jelley seemed to drop off my radar for a while. He seemed to go silent, and that was just fine as far as I was concerned.

Well, at least until recently.

Over the last couple of weeks, Nerd & Tie has received messages from multiple sources pointing us to an event called “Like Caesar.” …

(16) SHORT FICTION REVIEWED. Charles Payseur needs to be quick when the subject is Lightspeed — “Quick Sips – Lightspeed #102”.

It’s an issue of return in this November issue of Lightspeed Magazine. Two short stories and two novelettes make the issue a bit heavy, and for me a big theme running through the pieces is the idea of cycles and returns. Returns to childhood dreams, to classic books, and to familiar settings. There’s a look at childhood and how children are often confronted by some very upsetting things that they can’t quite handle, that they certainly shouldn’t have to deal with. And it’s a rather dark issue, centering death and abuse and trauma and a shift of the familiar for the strange, for the new and dangerous. Even so, there’s a beauty and a light that shines through a lot of these stories, where children can find their way through the darkness to someplace safer and free. Where even if there is loss, that loss can be honored, and remembered. And yeah, let’s just get to the reviews!

(17) SUBLIMINAL SHINTO. In “The Philosophy of Miyazaki” on YouTube, Wisecrack discusses how the Japanese religion of Shinto ensures that the characters in Miyazaki’s films learn to respect nature.

(18) THOSE DARN LEFTIES. No strawman is safe when it’s Sarah A. Hoyt’s day to write for Mad Genius Club: “Reading Authors”.

Besides all this, what IS the obsession with “male” in “don’t read white males.”  No, seriously.  I’m 56 years old an my early influences as were almost exclusively female: Enid Blyton, (who was the one that made me want to be a writer) the Countess of Segur and Agatha Christie.  Dumas and Shakespeare fell in there somewhere along the way, but so did Austen.

And in science fiction Anne McCaffrey was a major influence in my teen years.

So…. really?  What is this exclusively male voice that we need a break from.  Hell, given that I read a lot of cozy mysteries and most of those are women, reading a male now and then IS a break.

(19) PLONK YOUR NONMAGICAL TWANGER. Victoria Lucas heard something in 1963 – it may have been music. “[November 7, 1963] This Performance Not Wholly Silence (John Cage and his art)” at Galactic Journey.

I really don’t know how to describe it.  I realized that I was trapped, because I didn’t know where my host or driver was.  I didn’t even know—with my poor sense of direction—if I could find the car and house again in the dark, but it wouldn’t help even if I could, with no keys.  I contemplated going out and sitting in the lobby (rather than outside in the snow), because the noise from the piano harp, legs, sounding board, and everything else Tudor wired was so loud.  That was how and why I experienced the breakthrough I did.  I couldn’t leave.  I decided to stay and started to resent the people who were leaving, although I soon didn’t care.  They couldn’t help leaving any more than I could help staying.  The music was loud and had no melody, no rhythm, nothing definable to get a handle on it.  It sounded like nothing I had ever heard before.

Exactly.  That was exactly it: I had never heard anything like it before, and eventually that was why I stayed in the concert hall rather than sitting in the lobby.  At some point early on it was obvious that the music and dance were on separate tracks, had nothing to do with each other.

(20) WORD OF THE YEAR. “Words, words, words: ‘Single-Use’ Is The 2018 Word Of The Year, Collins Dictionary Says” – NPR has the story.

The English-speaking world’s growing concern for the environment and the ubiquity of disposable items that are used only once has pushed the word “single-use” to the top of Collins Dictionary’s list of “Word of the Year.”

Collins says there’s been a fourfold increase in the usage of the word since 2013, in part thanks to news coverage of environmental issues.

Single-use “encompasses a global movement to kick our addiction to disposable products. From plastic bags, bottles and straws to washable nappies, we have become more conscious of how our habits and behaviours can impact the environment,” Collins says.

(21) GOING APE. Jeff Lunden’s NPR article “‘King Kong’ On Broadway Is The 2,400-Pound Gorilla In The Room” discusses the fascinating live effects – but since this is a musical, it’s strange to see not a word about the songs, etc.

…Let’s start with the old school. Ten puppeteers are onstage moving the beast.

“They’ve got ropes down there which are connected to the wrist and the elbows, so they can move it,” Williams says. “It’s basically the oldest style of puppet — a marionette.”

Khadija Tariyan is one of the puppeteers who operate Kong’s legs, arms and torso on the stage.

“To be Kong, we are one with Kong,” she says. “We wear these black hoodies, and we’re all in black outfits, and we’re for the most part quite hidden. And we — we’re in a crouch position, so you don’t necessarily always see us — we’re almost like his shadows. And then there also moments in the show where we are able to come out and almost express his feelings, like when he’s curious about something, we do have a little appearance.”

(22) UNLEVEL PLAYING FIELD. Still need the Equal Rights Amendment they tried to pass 40+ years ago — “League of Legends firm sued over workers’ sexism claims”.

League of Legends’s developer is facing legal action over allegations it paid female employees less than men because of their gender and tolerated sexual harassment.

The action against Riot Games is being pursued by one of its former workers as well as a current staff member.

It follows investigations by the Los Angeles Times and the news website Kotaku, which made related claims.

Riot has not said if it will challenge the accusations.

(23) THE BLAME GAME. Forbes’ Erik Kain lists “The 5 Biggest Problems With This ‘Diablo Immortal’ Fiasco”.

It doesn’t help that early reports from players of the Diablo Immortal demo are largely tepid at best. It doesn’t help that we PC and console players are not only aware of the mobile game industry’s bad monetization practices, but also of the limits of mobile gaming’s inputs and controls. We know for a fact that Immortal won’t be as good as a PC Diablo title. It’s not possible.

So we’re left clueless as ever, still wondering when and what the next real Diablo game will be.

With a bungled announcement, one might expect that fingers would be pointed at Blizzard and its surprising incompetence on this front, but sadly that was largely brushed under the table as everyone began focusing their ire on the usual suspects: Gamers.

And ReviewTechUSA did a YouTube commentary:

Yesterday, Activision’s stock fell by a staggering 7.2 percent. This put the stock on track for having the lowest close it had since January 2018. Fans are still outraged over Diablo Immortal and there is even a petition with over 35,000 signatures asking for Blizzard Entertainment to cancel the game. However, on the other side of the coin analysts are excited for the mobile title and predict it will bring Activision and Blizzard over 300 million dollars of revenue annually.

 

[Thanks to Cat Eldridge, Andrew Porter, John King Tarpinian, Carl Slaughter, Mike Kennedy, JJ, Martin Morse Wooster, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Sheila Strickland.]

Pixel Scroll 4/20/18 A Fool And His Pixels Are Soon Parted

(1) SF IN NYT. Amal El-Mohtar’s latest Otherworldly book review column for the New York Times covers “Princesses, Priestesses and Time Travel: What’s New in Science Fiction and Fantasy”

What does it mean to retell a story? Does it mean dressing up a familiar tale in different clothes? Reading it against its grain? Replacing parts of a story like boards in a ship, until an old story’s shape is built of entirely new wood? This month, I’m looking at recent books that are all retellings of one sort or another.

(2) EDITORS YOU RECOGNIZE. Amber Troska pays tribute to two editors in “Shaping the Speculative Fiction World: Ellen Datlow and Terri Windling”.

It is difficult to overestimate the tremendous value of editors. The contributions that authors make to their respective fields, and their impact on the readers that encounter their work, can’t be overstated either, of course—but it is equally important to remember that no truly great author goes it alone; there are always strong editors behind the scenes, shaping the individual stories themselves as well as the publishing world at large. The Hugo Awards are named for an editor, after all.

Yet I can count most of the editors I recognize by name on one hand. Even with such a limited group to choose from, only two have had an extremely significant, identifiable impact on me as a reader: Terri Windling and Ellen Datlow. I could never hope to cover everything the two have contributed to the publishing world—their careers have stretched too far and are too varied and far-reaching for me to do them full justice. However, there are several projects that are worth looking at in order to appreciate their impact and get a sense of how influential their work has been, and continues to be.

(3) AFRICAN SF EDITORS. From The Minnesota Review: “Editor Interview: Mazi Chiagozie Fred Nwonwu and Chinelo Onwualu of Omenana”.

Mazi Chiagozie Fred Nwonwu and Chinelo Onwualu are co-founders and editors of Omenana, a web-based literary magazine dedicated to publishing speculative/sci-fi/fantasy fiction by African writers. In this interview with Uche Okonkwo, Mazi Chiagozie and Chinelo talk African speculative fiction, life lessons, and writing and publishing as a labour of love.

UCHE OKONKWO: This idea that Africans don’t write sci-fi/fantasy/speculative fiction is, I believe, part of the reason you started Omenana. Where do you suppose this idea comes/came from and why did/does it persist?

MAZI CHIAGOZIE: I think it comes from that general misconception that Africa is a backward place that hasn’t played any notable role in man’s journey to the stars. So even Africans look at Africa as this place whose people only concern themselves with war, famine, dancing, and procreation. It’s a view that has been propagated for a long time and has now come to offer a copout for people who don’t want to do the work needed to unravel the complexity that is Africa and her varied nations and peoples. We are doing our bit to change the perception, but it continues to persist. And with Wakanda being a fictional place, will continue to persist.

CHINELO ONWUALU: I think the idea that Africans don’t write speculative fiction is born out of the rather racist definitions that limit what speculative fiction is to the sorts of things written by white men in North America and Europe. Thus, when Africans write speculatively, it’s often dismissed as folklore or fable telling.

I feel many of us have adopted this same attitude as part of the deep-seeded practicality that is common with a lot of oppressed groups. Because our systems are so broken – often by colonialist design – we don’t see a lot of value in imaginative endeavours that might divert our energies from the struggle for daily survival. Combined with the devaluation of cultural artefacts like our stories, traditions and beliefs, many of us end up dismissing creative pursuits as wastes of time.

(4) ONCE LESS IN THE BREACH DEAR FRIENDS. David Langford tells about a program Terry Pratchett asked him to write in “The Silicon Critic” at the Milford SF Writers blog

Milford participants often have distinctive personal crotchets when commenting on stories, and John Brunner’s (as I remember from the 1980s) was a particular sensitivity to repetition. Sometimes it seemed that the unintended re-use of a significant word too soon after its last appearance pained him more than a gaping plot hole. The “deliberate repetition for effect” card could be played only so often, especially if you hadn’t noticed the repetition of “repetition” and the fact that it’s now appeared four times in one paragraph.

Terry Pratchett was another author who worried about such things. In 1998 he invited me to write a little Windows application to monitor his own use of favourite words. This, he stipulated, was to be named Bicarb because the idea was to stop you repeating….

(5) ANOTHER ONE BITES THE DUST. The Hollywood Reporter picked up the con’s Twitter announcements: “Universal FanCon Suddenly Postponed a Week Before Event”

The Baltimore convention created to celebrate diversity has not been rescheduled.

A week out from its announced debut, organizers have confirmed that Universal Fan Con, the new convention created to celebrate diversity and inclusivity in fandom, will not take place and has been postponed to an as-yet unspecified date.

In a series of tweets, organizers said that they were “devastated to make this postponement decision,” and shared that there is a “contingency plan” for those whose travel to Baltimore next week was already booked and are unable to reschedule their trip.

Although no official reason has yet been given for the sudden postponement — social media accounts for the event were promoting the show as recently as yesterday — a source told Heat Vision that the event “has a financial deficit.” In January, Heat Vision talked to Universal FanCon executive director Robert Butler, who said that the Kickstarter campaign to fund the show had been “a greater success than we could have imagined,” raising twice the amount initially asked for….

One committee member announced her resignation:

One dealer publicized how the cancellation is affecting him financially – start the thread here.

The con committee now has posted a FAQ on their website: http://www.universalfancon.com/. They claim the con will be held at a later date.

Why are you postponing FanCon?

Currently we are in a financial deficit that will not allow us to operate the convention within budget. Accordingly, we have made the decision to postpone and reschedule FanCon so we can put forward the type of event our fans deserve.

Why did you wait so long to postpone the event?

The FanCon team worked really hard up to the last minute to put forward an amazing event. However, it became clear in our last team meeting that we would not be able to deliver the event the fans deserved without more time.

How long will the event be postponed?

Once we are able to fully assess our options, we will make an announcement.

(6) ANDERSON OBIT. Harry Anderson (1952-2018): US actor and writer, died April 16, aged 65. Genre roles include Tales from the Darkside (one episode, 1985), Mother Goose Rock ‘n’ Rhyme (1990), Tales from the Crypt (one episode, 1990), It (1990), Harvey (1996), Lois & Clark (one episode, 1997), Nightmare Ned (voice for video game, 1997), Noddy (one episode, 1998). He also wrote one 1992 episode of Tales from the Crypt.

(7) TODAY’S BIRTHDAY BOYS

  • Born April 20, 1937 – George Takei
  • Born April 20, 1939 – Peter S. Beagle
  • Born April 20, 1964 – Andy Serkis

(8) COMICS SECTION.

  • Lise Andreasen discovered it’s not all play time when you’re a werewolf.

(9) EATING THE FANTASTIC. Scott Edelman hopes you will “Share spring rolls with Stoker Award-winning author Elizabeth Massie” in Episode 64 of his Eating the Fantastic podcast.

Elisabeth Massie

It’s time to head to Providence, Rhode Island for the final episode of Eating the Fantastic recorded during this year’s StokerCon, following my Italian lunch with Paul Di Filippo and a Portuguese dinner with Victor LaValle.

This episode I wandered off with one of the con’s Guests of Honor, Elizabeth Massie, for lunch at Apsara, a restaurant which serves up Cambodian, Thai, Vietnamese, and Chinese cuisine. Massie made her first professional fiction sale 35 years ago, and since then has won two Bram Stoker Awards for the critically acclaimed novels and short stories which followed.

We discussed why Bionic Woman Lindsay Wagner is the one to thank for her Stoker Award-winning first novel Sineater, how reading Robert Bloch’s Psycho at a young age was like a knife to her heart, which episode of Twilight Zone scared the crap out of her, why you’ll probably never get to read her Millennium and Law & Order novels, her nearly impossible task of writing one spooky book for each of the 50 states in the U.S, why Kolchak: The Night Stalker was her favorite franchise to play in, the great-great grandfather who cut off his own head with a homemade guillotine, which Dark Shadows secret was only revealed in her tie-in novel, and much more.

(10) NO B5. “J. Michael Straczynski Says With Current Warner Bros. Execs, Babylon 5 Never Going to Happen”Bleeding Cool has the story:

During an extended series of tweets on Thursday evening, Babylon 5 creator J. Michael Straczynski expressed at length that the award winning science fiction series’ current television rights holder Warner Bros. has no intention of either doing anything with the license themselves, or of letting anyone else do anything with it….

(11) HELP WANTED. Hugo nominee nerds of a feather has put out a call: “New Contributors Wanted: 2018”.

Who we’re looking for: we are looking for people who (1) write well and don’t need extensive copyediting, (b) appreciate our brand of humor, (c) understand and are ready to abide by our established format and scoring system and (d) are otherwise good fits with our voice and style. We are not, however, looking for automatons who agree with the rest of us on anything and everything.

We would also like to note that one of our goals is to feature a diverse range of voices on the topics that matter to us. As such, we encourage writers of all backgrounds to apply.

Caveat: we know lots of you have awesome projects you want everyone to know about, but since these are regular contributor positions, we would like to emphasize that this would not be an appropriate forum to use for promoting that awesomeness (aside from your blogging awesomeness, of course).

(12) WHAT’S THAT SMELL? Here’s a no good very bad article for everyone to disagree with: Olivia Ovenden asks “What’s Going Wrong With Sci-Fi?” at Esquire.

“One of the problems with science fiction,” said Ridley Scott back in 2012 ahead of the release of Prometheus, “is the fact that everything is used up. Every type of spacesuit, every type of spacecraft is vaguely familiar. The corridors are similar, the planets are similar. So what you try to do is lean more heavily on the story and the characters.”

Great science fiction has always done just that. So why have a recent string of releases shown less interest in the story than the spaceships? Is sci-fi a genre in trouble?

(13) PUNCH BROTHERS, PUNCH WITH CARE. Declan Finn says his personal solution would be what Asimov described as “the last resort of the incompetent” — “The John Ringo and ConCarolinas issue”.

I’ve been scratching my head for a while about whether or not I was going to do a blog post for the whole ConCarolinas debacle.

You know, how they told John Ringo that they couldn’t guarantee his safety, etc. THEN the announcement they released about his not attending seemed … poorly managed.

To be honest, I’d never heard of them until this fashla happened. So they made a great first impression on me.

So much so that they convinced to never attend their convention, as a guest or even as just an attendee.

And no, it’s not necessarily “Oh, look what they did to Ringo.”

I am doing something radical. I will take them ENTIRELY AT THEIR WORD that they can’t guarantee the safety of one of their own guests against the angry hordes of Social Justice Zombies.

On THEIR OWN TERMS, I should be concerned to even walk the halls as a regular attendee carrying a John Ringo book. While I have no problem defending myself, I to go conventions to have a good time. I don’t want to spend the majority of the con in cuffs because some dickheads decide “You’re a Ringo fan, therefore you’re [insert cliche lefty insults here]” and therefore I have to beat them senseless.

(14) ERASURE. Sarah A. Hoyt rehashed Sad Puppy history in “Of Conservatives And Conventions” [Internet Archive link] at PJ Media.

…I went over to John Ringo’s page and read about it.  As far as I could tell, a bunch of people on Twitter had been badgering both the con-committee and the other (very leftist) guest about inviting someone who was… what the heck was he?  I don’t know.

In the beginning, the accusation against him was that he was “Puppy Adjacent.”

For those of you wanting to follow this at home, the score card is this: Five years ago, my friend Larry Correia started a movement called Sad Puppies, which was a half joking attempt to get books not of solid leftist bent (not even right wing, just not preachy left) nominated for the Hugo, which used to be one of the most prestigious fan awards in science fiction.

When Larry tired of the game after two years, my friend Brad Torgersen took it over…

Vox Day was a little offended to find that he and the Rabid Puppies have been erased from Hoyt’s version of history — “SJWs in SF: Sad Puppy version” [Internet Archive link.]

I find this rather fascinating for what it omits. The Baen cum Sad Puppies crowd is in an uncomfortable position not terribly different from that of Never Trump and the cuckservatives. They are accustomed to being the sole opposition to the SJWs in science fiction, and viewing themselves as the proper and respectable opposition, so they really don’t know what to do about the Rabid Puppies or the considerably less accommodating opposition that is now represented by Castalia House, Arkhaven, and Dark Legion. Nor do they understand how various trends favor the growth of our influence, in part at their expense.

So, they push a narrative to the public in which we don’t exist, even though without us, Sad Puppies would have remained what it was prior to our involvement, a minor bump in the road that didn’t even require any suppression outside of the usual routine. This is not to say that what they did was not admirable, and indeed, their construction of the Dragon Awards will likely prove to be more significant in the long run than our demolition of the Hugo Awards. I merely observe that their efforts would have been insufficient in our absence.

But unlike the SJW narrative, the Sad Puppy narrative does not harm us at all. I am content to let them push it in peace; after all, they are not the enemy. Right now, we are marshaling our forces and preparing to engage in offensives on multiple fronts, some of which are known and others which will prove to be unexpected….

Let the others trail in our wake at their own pace. As long as they refrain from either attacking us or getting in our way, they are not part of the problem. They are trying to be part of the solution, even if they go about it in different and suboptimal ways.

[Hat tip to Camestros Felapton.]

(15) VIDEO OF THE DAY. in Stems, Scottish animator Ainslie Henderson shows how he takes found objects and turns them into stop-motion animation.

[Thanks to John King Tarpinian, ULTRAGOTHA, Steve Green, JJ, Cat Eldridge, Martin Morse Wooster, Chip Hitchcock, Mark Hepworth, Andrew Porter, Lise Andreasen, and Carl Slaughter for some of these stories. Title credit belongs to File 770 contributing editor of the day Ky.]