Pixel Scroll 12/12/18 I Can’t Compile ‘Cause I Owe My Scroll To The Company File!

(1) FREQUENT FLYER. For me, it’s either Field of Dreams or Patton.

(2) FIXING A HOLE WHERE THE SPACE GETS IN. “Cosmonauts Slice Spacecraft For Clues To Cause Of Mysterious Hole” — a Giphy clip of them at work accompanies the NPR post.

It was all part of an attempt Tuesday to solve the mystery of the leaking International Space Station.

“The cosmonauts spent hours using knives and what looked like garden shears to cut away at the insulation around the spacecraft’s orbital module, to peek at the damaged area,” NPR’s Geoff Brumfiel reported. “All along, mission control in Moscow pleaded with them to take it slow so they wouldn’t make the situation worse.”

(3) ABOUT THAT SPACE SUIT. What if the ISS damage is sabotage? Matthew Reardon explains “The Space Law of Sabotage on the ISS” to readers of the SFWA Blog. (Why would the law in space be any clearer than the law on earth?) 

…The first thing we can hope is that there haven’t been criminal acts, sabotage or other, committed on the ISS. Because the relevant space law is a bit of a mess currently, and without any precedent, it could turn into a muddle that would hinder our expansion into space for a long time.

The first thing to point out is that the ISS isn’t a single legal entity. Under the Intergovernmental Agreement signed by the fourteen countries participating in the ISS, each State’s laws remain applicable in the elements it registers. Therefore, in criminal matters, even though the Agreement clearly states that each State’s laws regulate the activities of its nationals on the ISS, each individual piece of the ISS is ruled by different penal law depending on the country that provided that piece.

Theoretically, U.S. criminal law is applicable inside the Destiny lab module (which still raises the question of which U.S. States’ criminal law, but at least that’s a question that can be resolved internally to the U.S.), Russian criminal law in the Zvezda module, Japanese law in the Kibomodule, and so on.

(4) THE KITE FLYERS. David Rooney finds plenty to praise — “‘Mary Poppins Returns’: Film Review” at The Hollywood Reporter.

Belated Hollywood sequels have sunk more often than soared in recent years, but Disney shrugs off those odds with Mary Poppins Returns, an enchanting movie musical that picks up the threads of the studio’s cherished original more than half a century after its 1964 release. Sticking close to the enduring classic’s template while injecting plenty of freshness to give the follow-up its own distinct repro vitality, this lovingly crafted production delivers both nostalgia and novelty. Ideally cast from top to toe, and graced by tuneful songs from Marc Shaiman and Scott Wittman that genuflect to the invaluable contributions of the Sherman Brothers on Mary Poppins, this is a charmer only cynics could resist.

(5) ACROSS THE CON SPECTRUM. Michael Lee answers the question at TwinCities Geek: “Just What Is This Convention, Anyway? A Guide to Different Types of Cons”.

What follows is an explanation of some of the terms used among convention attendees and convention runners to describe the most common types of conventions. One of the goals I have in this article is to focus on terms that don’t also have value judgments. In my experience, there are good and bad examples of almost every type of convention, and everyone’s taste in conventions is slightly different. Hopefully, this will help you narrow down what types of conventions you might like to attend!

Here are the first couple entries in his catalog —

Anime Con

Anime conventions are centered around Japanese animation and related subjects. One of the big things to keep in mind with anime conventionsis that they come in a variety of sizes and shapes, and some are organized by nonprofits while others are for profit. In the Twin Cities, we have fan-run anime conventions like Anime Detour and Anime Fusion. There are a number of large ones around the country, like A Cen (Anime Central) and Anime Expo.

Bidded Convention

Less often seen in the Twin Cities, bidded conventions move around a region, country, or all over the world. Either a previous convention’s membership or a board of directors chooses the location and committee leadership of an upcoming con. The premier example of a bidded convention is the World Science Fiction Convention (Worldcon), but other examples include the World Fantasy Convention, the NASFIC (the North American Science Fiction Convention), Gaylaxicon, and Costume-Con.

(6) MILES MORALES SWINGSBA CK INTO FRAME. Marvel reintroduces the character:

Just as he is making his big-screen debut in Spider-Man: Into the Spider-Verse, Miles Morales is swinging back into the pages of Marvel Comics in an all-new debut with MILES MORALES: SPIDER-MAN #1! Written by Eisner Award winner Saladin Ahmed (Exiles) with art by celebrated Marvel Young Gun Javier Garrón (Ant-Man & The Wasp) and a cover by Brian Stelfreeze (Black Panther), Miles’ latest adventure brings Miles back to Brooklyn basics… but things definitely aren’t simple when a simple robbery is complicated with a big Spidey-Villain and an even bigger mystery!

“It’s very much intended for folks who might not know the character or might not even have read a Spider-Man comic, and for them to be able to access what’s universal and what’s immediately appealing about this character and about the Marvel Universe,” said Ahmed.

(7) GERNSBACK VIDEO. A Twitter video clip of Sam Moskowitz and Hugo Gernsback from a 1965 BBC Horizon documentary about the relationship between SF and science. First time I’ve seen any video of Gernsback.

(8) CURIOSITY TO EXPLORE STRANGE NEW WORLDS. rcade calls this “Some of the best File 770 reader microtargeting I’ve ever seen.” — “2019 StarTrek TNG Cats Wall Calendar” — “…the Enterprise-D’s adventures (only with cats) …”

When there’s a Red Alert on this bridge, everybody lands on their feet. If you’re a fan of the Star Trek Cats series by Jenny Parks, you need this 2019 calendar. If you’re not, allow us to explain. Parks has created a hilarious new take on ST:TNG characters and scenes by illustrating the characters as cats. Star Trek plus cats. What could be better?

(9) FOR SOMEONE ON YOUR GIFT LIST. Just what message you’ll be sending is up to you! Here’s an alarming concept — “Fiji Mermaid Tiny Skeleton Deluxe Miniature Model Kit With Glass Display Dome and Assembly Tools Box Set – Paper Sculpture”.

The Fiji Mermaid Deluxe Kit includes everything you need to successfully assemble the tiny skeleton model for display. Each kit comes with the pre-cut Fiji Mermaid bones, 59mm borosilicate glass display dome, exhibit base, glue, tweezers, and a magnifier.

Tinysaur Kits assemble into tiny skeletons from a postage stamp sized laser cut pattern. Assembly generally takes 20-30 minutes and the completed Fiji Mermaid models stand roughly 1 inch tall.

(10) TODAY’S BIRTHDAYS

[Compiled by Cat Eldridge.]

  • Born December 12, 1946Josepha Sherman. Writer and folklorist who was a Compton Crook Award winner for The Shining Falcon which was based on the Russian fairy tale The Feather of Finist the Falcon. She was a prolific writer both on her own and with other writers such as Mercedes Lackey with whom she wrote A Cast of Corbies, and two Buffyverse novels with Laura Anne Gilman. 
  • I knew her personally as a folklorist first and that is she was without peer writing such works as Rachel the Clever: And Other Jewish Folktales and Greasy Grimy Gopher Guts: The Subversive Folklore of Childhood  that she wrote with T K F Weisskopf.  Neat lady who died far too soon. Let me leave you with an essay she wrote on Winter for Green Man twenty years ago, “Josepha Sherman’s Winter Queen Speech” (Died 2012.)
  • Born December 12, 1949 Bill Nighy, 69. He’s got a very, very long genre association staring with being an unnamed ENT physician in Curse of the Pink Panther. He was Martin Barton in The Phantom of the Opera, Edward Gardner in Fairy Tale: A True Story, Viktor In Underworld and Underworld: Rise of the Lycans, Philip in Shaun of the Dead, an hilarious Slartibartfast in The Hitchhiker’s Guide to the Galaxy, a quite unrecognisable as him Davy Jones in Pirates of the Caribbean: At World’s End, Rufus Scrimgeour In Harry Potter and the Deathly Hallows – Part 1… I’m stopping right before this get really long. Fortunately his television genre credits may be limited to an uncredited appearance in the “Vincent and the Doctor” episode of Dr. Who as Dr. Black.
  • Born December 12, 1965 Toni Weisskopf, 53. Editor and the publisher of Baen Books In 2015, Weisskopf was nominated for a Hugo Award.
  • Born December 12, 1970Mädchen Amick, 48. TwinPeaks: Fire Walk with Me was not actually her first genre role as she played a Young Anya on Star Trek:The Next Generation a year or a so earlier. She’s shapeshifter on the rebooted Fantasy Island and yet another shapeshifter, a black cat this time, on Witches of East End. Typecasting I think. 
  • Born December 12, 1970Jennifer Connelly, 48. First genre was as Sarah Williams in Labyrinth. Later appearances in our community include as Jenny Blake in The Rocketeer a film I love, Emma Murdoch / Annan in  Dark City, Betsy Ross in the 2003 Hulk, Helen Benson in the 2008 remake of the 1951 The Day the Earth Stood Still and no, it’s not anywhere as good as the original, Roxane in Inkheart, Virginia Gamely in Winter’s Tales based on the novel of the same name that I never finished, and a voice-only appearance only as Karen in Spider-Man: Homecoming
  • Born December 12, 1975 Mayim Bialik, 43. Dr. Amy Farrah Fowler, PhD on the Big Bang Theory series which I’m not sure is genre but is certainly genre friendly. Appearance in other genre undertakings as the Pumpkinhead horror film, The Real Adventures of Jonny QuestStan Lee’s Mighty 7 and The Adventures of Hyperman
  • Born December 12, 1976 Tim Pratt, 42. I think his best work was his very first novel which was The Strange Adventures of Rangergirl but there’s no doubt that later work such as The Constantine AfflictionBone Shop and The Stormglass Protocol are equally superb. That’s not to overlook his short fiction which you’ve not tried it you should and I’d recommend Little Gods as a good place to start. 

(11) THE WHAT-DID-THEY-DO-TO-THAT-FOOD CHANNEL. I’d watch this. (Maybe I shouldn’t admit it.)

(12) 2001. On December 20, Chicago’s Adler Planetarium will be showing 2001: A Space Odyssey followed by a discussion of the film by astronomer Mark Hammergren and SF critic Gary Wolfe: “Adler After Dark: Space Odyssey”.

  • Join astronomer Mark Hammergren and sci-fi editor, critic, and biographer Gary Wolfe in a spirited discussion on the impact 2001 had on film-making and its role in “blowing our minds” during the Apollo era
  • Try your hand at stopping the devious HAL 9000 from taking over the event in a museum-wide scavenger hunt
  • Learn more about film-making techniques, ranging from sound design to stop-motion animation
  • Checkout rarely-seen items from the museum’s collection—like paintings from renowned space artist Chesley Bonestell—whose work directly influenced Kubrick’s vision of the Moon in 1968
  • And don’t miss a special improv show where we’ll explore the future as imagined inyour fav sci-fi films!

(13) EDUCATIONAL POP-UPS. “Before they were relegated to the domain of children, books with movable mechanisms explained anatomy, astronomy, and more to adults.” — “When Pop-Up Books Taught Popular Science” in The Atlantic.

One of the most successful popular astronomy books of the 16th century was Peter Apian’s Cosmographia, a work that went through almost 40 editions in Latin, Dutch, French, and Spanish. Apian included five different volvelles in the book. One of these volvelles demonstrates the relationship between the moon and the sun and the phases of the moon.

The volvelle consists of two paper wheels connected with a small piece of string to a printed circle. The topmost wheel has a circular hole, revealing the lower wheel beneath. Both wheels can be rotated freely in either direction. The top wheel of the volvelle has an indicator with the moon on it. Spinning this wheel represents the moon’s west-to-east monthly circuit around the Earth. The lower wheel has an indicator with the sun on it. Spinning this wheel represents the sun’s yearly west-to-east motion. When the reader moves the two wheels, the phases of the moon appear in the hole cut out of the top wheel.

(14) VISIT FROM THE CREATOR. William F. Nolan posed beside the poster for the Logan’s Run movie while visiting the Pasadena Museum’s sff exhibit earlier this year.

(15) CHAIRMAN OF THE BOARD.Print’s Don Vaughan interviews storyboard artist Mark Bristol in “Storyboarding: Drawing from Script to Screen”.

“Every production is different,” Bristol says. “The process is usually the same, but how the storyboards are utilized depends on the director and their own process.” Chris McQuarrie, the director of Mission: Impossible–Fallout, tends to rely heavily on storyboards, Bristol notes, whereas Terrence Malick, with whom Bristol worked on The Thin Red Line and Tree of Life, is more of an “in the moment” director for whom storyboards are merely a suggestion.

(16) BEREZIN OBIT. “Word processor pioneer Evelyn Berezin dies aged 93” – BBC has the story.

The woman who created and sold what many recognise as the world’s first word processor has died aged 93.

Evelyn Berezin called the device the Data Secretary when, in 1971, her company Redactron launched the product.

She grew Redactron from nine employees to close to 500 and was named one of theUS’s top leaders by BusinessWeek magazine in the year she sold it, 1976.

(17) NAMING CONVENTIONS. Poul Anderson loved alien names with apostrophes stuck in the middle – and he may have used up the genre’s quota in the process. At least, I think that’s what Sarah A. Hoyt is warning against in “Words and the Lonely Writer, part 5 – Made Up Languages” at Mad Genius Club.

….Why do apostrophes make the baby Jesus cry? Because while perfectly acceptable as a marking they were a) overused by early sf/f writers so those of us who’ve read deeply into the field roll our eyes to the back of our heads when we see them.  b)because they’re not THAT common in English, particularly not mid-word.  So when I see R’neker’vir I pause for a couple of seconds.  This can be enough to break the spell.  Sure, your writing can overcome it, but why make it more difficult?  Do you have so many readers you need to cut down some?

Okay, so you aren’t a linguist, and you’re not as weird as the rest of us, and you’ve never made up a language.  BUT your new world absolutely needs it.

Start small. First, if you’re doing weird names, decide what the parts of the name mean and whether they bear on the society or the hierarchy or just on your species.

For instance, a species born from eggs (external, laid eggs, smarty pants) might have a lot of names with egg or shell or whatever.  One that’s incredibly hierarchical might build in things that mean “second son of the lowest sweeper.”

After that consider your society.  Is there some feature so weird, so outlandish you feel the need to emphasize it with a made up word?

(18) WHAT ABOUT THE REST OFTHE STORY? ScreenRant did not end the season a fully satisfied customer: “Elseworlds:7 Unanswered Questions After This Year’s Arrowverse Crossover”.

While Elseworlds ended in a suitably epic fashion, this final chapter did raise a number of issues. Along with some continuity problems and questions about the science involved in the final battle, there are a few Easter Eggs to consider along with some major questions of events to come in the Arrowverse. Here are six questions to consider in the wake of Elseworlds‘ conclusion….

(19) BENNU NEWS. This asteroid was rode hard and put away wet: “NASAmakes amazing discovery on asteroid Bennu”. It sometimes seems like every astronomical body we study closely ends up having more water than expected. Bennu is the latest to join that crowd: (“OSIRIS-REx Discovers Water on Asteroid Bennu”).

Scientists have made a fascinating discovery on asteroid Bennu thanks to NASA’s OSIRIS-REx spacecraft.

Recently analyzed data from the probe has identified water locked inside the asteroid’s clay, the space agency has announced. The spacecraft’s two spectrometers revealed the presence of “hydroxyls,” which are molecules containing oxygen and hydrogen atoms bonded together.

(20) CRISIS FOR SANTA’S SLEIGH? It’s looking bad: “Climate change: Arctic reindeer numbers crash by half”.

The population of wild reindeer, or caribou, in the Arctic has crashed by more than half in the last two decades.

A new report on the impact of climate change in the Arctic revealed that numbers fell from almost 5 million to around 2.1 million animals.

The report was released at the American Geophysical Research Union meeting.

It revealed how weather patterns and vegetation changes are making the Arctic tundra a much less hospitable place for reindeer.

(21) SOME LIKE IT HOT. On the other hand, chickens find the climate quite salubrious: “‘Planet of the chickens’: How the bird took over the world”.

A study of chicken bones dug up at London archaeological sites shows how the bird we know today has altered beyond recognition from its ancestors.

With around 23 billion chickens on the planet at any one time, the bird is a symbol of the way we are shaping the environment, say scientists.

Evolution usually takes place over a timescale of millions of years, but the chicken has changed much more rapidly.

The rise of the supermarket chicken mirrors the decline in wild birds.

“The sheer number of chickens is an order of magnitude higher than any other bird species that’s alive today,” said Dr Carys Bennett, a geologist at the University of Leicester, who led the study

“You could say we are living in the planet of the chickens.”

(22) FAILURE TO COMMUNICATE. You would have predicted this — “Why emojis mean different things in different cultures” — but some of the variations are surprising.

…Equally, in China, the angel emoji, which int he West can denote innocence or having performed a good deed, is used a sign for death, and may be perceived as threatening.

Similarly, the applause emojis are used in the West to show praise or offer congratulations. In China, however, this is a symbol for making love, perhaps due to its resemblance to the sounds “pah pah pah”…

(23) SIR-PRISE. Meanwhie, back at the patriarchy — “Films with female stars earn more at the box office”.

If you liked Wonder Woman and Moana in part because they were films led by strong female characters, then it looks like you weren’t alone.

Conventional wisdom in Hollywood is that male stars are a bigger box office draw, often the reason given for their higher salaries.

But that may have been a miscalculation according to new analysis, showing films with female leads earn more.

Researchers looked at the top 350 grossing films between 2014 and 2017.

The correlation was true irrespective of how big the production budget was: films where female stars had top billing, made more money than those with male stars.

[Thanks to Cat Eldridge, Michael O’Donnell, Mike Kennedy, Martin Morse Wooster, John King Tarpinian, JJ, Chip Hitchcock, Carl Slaughter, John A Arkansawyer, Steven H Silver, and Andrew Porter for some of these stories. Title credit goes to File770 contributing editor of the day Kip Williams.]

Pixel Scroll 11/7/18 Neil Gaiman On A Mountain Of Books Holding a Kitten

(1) THE CRIMES OF VISACARD. BBC takes note as “JK Rowling sues former employee for £24,000”.

Harry Potter author JK Rowling has launched a £24,000 legal claim against a former employee for allegedly using her money to go on shopping sprees.

Ms Rowling, 53, claims Amanda Donaldson broke strict working rules by using her funds to buy cosmetics and gifts.

Ms Donaldson worked as a personal assistant for the writer between February 2014 and April 2017, before being sacked for gross misconduct.

The 35-year-old from Coatbridge, Lanarkshire, has denied the claims.

Legal papers lodged at Airdrie Sheriff Court allege Ms Donaldson wrongly benefited to a value of £23,696.32 by spending on a business credit card and taking Harry Potter merchandise.

(2) BLEEPIN’ RIGHT. Let K.M. Alexander expand your word power — “Raunch Review: Mork & Mindy/Starsiege: Tribes”.

Raunch Reviews is a series about profanity. Not real profanity, but speculative swearing. Authors often try to incorporate original, innovative forms of profanity into our own fantastical works as a way to expand the worlds we build. Sometimes we’re successful. Often we’re not. In this series, I examine the faux-profanity from various works of sci-fi and fantasy, judge their effectiveness, and rate them on an unscientific and purely subjective scale. This is Raunch Reviews, welcome.

The Author: Garry Marshall and Dynamix

Work in Question: Mork & Mindy/Starsiege: Tribes

The Profanity: “Shazbot”

It’s rare for a fictional profanity to transcend its original source material and find new life in other properties. But that’s what we find with 1978’s Mork & Mindy’s “shazbot.” …

(3) MOVING UP AT TOM DOHERTY ASSOCIATES. Publishers Lunch reports:

In promotions at Tom Doherty Associates: Alexis Saarela moves up to senior associate director of publicity focusing on Forge; Laura Etzkorn is now publicist; Desirae Friesen becomes senior publicist with a focus on Tor; Saraciea Fennell is senior publicist overseeing publicity for Tor Teen and Starscape; and Lauren Levite is now associate publicist.

(4) DYSTOPIC DYNAMIC. In “How Technology Grows (a restatement of definite optimism)” blogger Dan Wang says that economic stagnation and limited growth leads to depressing sf:

Much of the science fiction published in the last few decades veer towards cyberpunk dystopia.  (The Three Body Problem is an exception.)  We don’t see much change in the physical landscape of our cities, and instead we get a proliferation of sensors, information, and screens.  By contrast, the science fiction of the 50s and 60s were much more optimistic.  That was the space age, a time when we were busy reshaping our physical world, and by which point the industrial acheivements of the ‘30s had made themselves obvious.  Industrial deepening leads to science fiction that is optimistic, while digital proliferation pushes it towards dystopia.

(5) BOPPING AROUND THE GALAXY. Steve Carper helps Black Gate readers remember the “Space Conquerers!” comic strip. (Or in my case, provides a first-time introduction….)

Space Conquerors! ran for a full twenty years, from 1952, when a simple rocket trip to Mars was nearly unimaginable, to 1972, when their flying saucer casually strolled alien star systems. The science was an odd mix of realism and convenience. That first rocket to Mars could go faster than the speed of light but a later space ship, built in 2054, was deemed a marvel because it could travel at half the speed of light. It needed a proper eight years to get to get to Alpha Centauri from the moon. Or perhaps the marvel was that a 1957 sequence strives for an educationally accurate first trip to the moon, but somehow is set in 2057, three years after the star ship set sail.

(6) YOU BETTER NOT POUT. Laura Anne Gilman’s post “A Meerkat Rants: The War on Christmas Retailers” solves the angst shortage for readers of Book View Café.

…Because, yes Virginia, there is a war against Christmas holiday retailers.  And it begins with the first stores loading up Christmas decorations and candies the day after Halloween (Rite Aid and such, we’re looking at you, and you were already on our shitlist for not discounting Halloween candy the day after, what the hell is wrong with you?)

Look, anyone who is that into Christmas that they need it two months ahead of time?  Has the ever-increasing option to go to a 365-days-a-year Christmas Store.  Or buy things online.  They don’t need that in their local drugstore.  The rest of us walk in, take one look, and say “oh hell no,” and walk out again, often without searching for the thing we went in for.  Or if we do, we curtail any further impulse shopping, in order to escape as quickly as possible.

You jump the gun by a month or more, and shove your retail Christmas agenda in my face the first week of NOVEMBER?  I’m going to walk past your door, and go somewhere else.  And I know I’m not alone in this….

(7) SPACEX BEATS RUSSIAN PRICE. The Republic of Kazakhstan—ex of the Soviet Union and still the home of Russia’s primary spaceport—has chosen SpaceX over Russia for launch services (Ars Technica: “Kazakhstan chooses SpaceX over a Russian rocket for satellite launch”). Unsurprisingly, it boils down to money. The launch in question will place small satellites from a few dozen customers in orbit on the same launch.

The first satellite launched into orbit, Sputnik, launched from a spaceport in Baikonur, Kazakhstan. The Central Asian country was then a Soviet republic. Later, the first human to fly into space, Yuri Gagarin, also launched from Kazakhstan. Today, despite its independence, this spaceport remains the primary launch site for the Russian space program.

However, when Kazakhstan wanted to get a small scientific satellite named KazSaySat and a technology satellite called KazistiSat into space, the country didn’t select a Russian rocket. Instead, it chose the US-based launch company SpaceX to reach orbit.

[…][T]he press secretary of the Ministry of Defense and Aerospace Industry, Aset Nurkenov, explained why. “The reason for using a Falcon 9 for this launch is that it will be less expensive,” he said. “The total cost is a commercial confidentiality we can not reveal at the request of the American launch provider.”

(8) THE MONSTER. Adri Joy finally gets to read Seth Dickinson’s anticipated sequel: “Microreview [Book]: The Monster Baru Cormorant by Seth Dickinson” at Nerds of a Feather.

It’s been three long, interesting years between the release of Seth Dickinson’s The Traitor Baru Cormorant and its fair to say this long-awaited sequel, in which the Traitor becomes the Monster, has been one of my most anticipated releases of the year. The Traitor Baru Cormorant blew me away when I read it in 2015: I was still relatively new to modern adult SFF, and at the time I didn’t realise that it was possible to capture this type of political and economic intrigue in fantasy. Baru’s journey from island prodigy to rebel leader was immensely satisfying, as was the fact she was doing it all as a civil servant. Then, like all books, it ended, and as anyone who has read it will sympathise, it ended like that. I lost hours of sleep. If you haven’t read the book and don’t know what I’m referring to, let me warn you not to look for queer happy endings in this otherwise magnificent book and send you away to do what you will.

(9) SALMONSON ANTHOLOGY. Adri Joy also adds an entry to Nerds of a Feather’s series with “Feminist Futures: Amazons!”

Legacy: I read Amazons! in 2018, sandwiched between the Deed of Paksenarrion by Elizabeth Moon, a trilogy about a sheepfarmer’s daughter who finds her calling as a warrior, and Redemption’s Blade by Adrian Tchaikovsky, in which a woman veteran seeks restoration after killing the renegade demigod who took her entire world to war. In that context, the legacy of Amazons! – and, perhaps more importantly, the writers in it and the movement it represents – is one that has made a huge difference to the range and depth of well-crafted woman-centred fantasy narratives out there to discover. Reading the anthology has definitely piqued my interest in the stories that prefaced full novels, namely “The Dreamstone” – which started the Ealdwold series – and “Bones for Dulath” by Megan Lindholm, which was the first appearance of Ki and Vandrien (although neither is a work that the authors are primarily known for now). …

(10) O’NEIL OBIT. From the BBC — “Kitty O’Neil: Wonder Woman stuntwoman dies at 72”.

Kitty O’Neil, a stuntwoman who was Lynda Carter’s stunt double on 1970s TV series Wonder Woman, has died in South Dakota at the age of 72.

O’Neil, who lost her hearing when she was five months old, also doubled for Lindsay Wagner on The Bionic Woman.

Her other credits included Smokey and the Bandit II and The Blues Brothers.

O’Neil’s success as a stuntwoman led her into the world of speed racing and she set a land-speed record for women in 1976 – which still stands today.

The New York Times version adds –

On a dry lake in Oregon in December 1976, Kitty O’Neil wedged herself into a three-wheeled rocket-powered vehicle called the SMI Motivator. She gave the throttle two taps to awaken the engine and then watched an assistant count down from 10 with hand signals. At zero, she pushed the throttle down.

The Motivator accelerated rapidly, though silently for Ms. O’Neil; she was deaf. Her speed peaked briefly at 618 miles per hour, and with a second explosive run measured over one kilometer, she attained an average speed of 512.7 m.p.h., shattering the land-speed record for women by about 200 m.p.h.

For Ms. O’Neil, her record — which still stands — was the highlight of a career in daredevilry. She also set speed records on water skis and in boats. And, working as a stuntwoman, she crashed cars and survived immolation.

(11) TODAY IN HISTORY

  • November 7, 1954 – Giant robots attack Chicago in Target Earth.
  • November 7, 1997 — A version of Robert Heinlein’s Starship Troopers premiered in theatres.

(12) TRIVIAL TRIVIA

As long as we are examining number theory, the house number for Wil Wheaton’s fictional home on The Big Bang Theory is 1701.

(13) TODAY’S BIRTHDAYS

[Compiled by Cat Eldridge and JJ]

  • Born November 7, 1914 – R.A. Lafferty. Writer known for somewhat eccentric usage of language. His first novel Past Master would set a lifelong pattern of seeing his works nominated for Hugo and Nebula Awards as novels but not winning either though he won a Hugo short story for “Eurema’s Dam”. He had received a World Fantasy Lifetime Achievement Award, he received the Cordwainer Smith Foundation’s Rediscovery award. I’m going to confess that I’ve not read him so I’m leaving up to y’all to tell me which works of his that I should read. (Died 2002.)
  • Born November 7, 1954 – Guy Gavriel Kay. So the story goes that when Christopher Tolkien needed an assistant to edit his father J.R.R. Tolkien’s unpublished work, he chose Kay who was at the time a student of philosophy at the University of Manitoba. And Kay moved to Oxford in 1974 to assist Tolkien in editing The Silmarillion. Cool, eh? The Finovar trilogy is the retelling of the legends of King Arthur, Lancelot and Guinevere, which is why much of his fiction is considered historical fantasy. Tigana likewise somewhat resembles renaissance Italy. My favorite work by him is Ysabel, which strangely enough is called am urban fantasy when it really isn’t. It won a World Fantasy Award.
  • Born November 7, 1960 – Linda Nagata. Her novella “Goddesses” was the first online publication to win the Nebula Award. She writes largely in the Nanopunk genre, which is not be confused with the Biopunk genre. To date, she has three series out: The Nanotech SuccessionStories of the Puzzle Lands (as Trey Shiels), and The Red. She has won a Locus Award for Best First Novel for The Bohr Maker which the first novel in The Nanotech Succession. Her 2013 story “Nahiku West” was runner-up for the Theodore Sturgeon Memorial Award, and The Red: First Light was nominated for both the Nebula Award and the John W. Campbell Memorial Award. Her website is here.

(14) COMICS SECTION.

(15) A NAME TO CONJURE WITH. Conjure, as in, his events disappear before happening. Trae Dorn at Nerd & Tie asks “Is Ray Jelley Running a Roman Themed Event Called ‘Like Caesar?’”

Some of you may remember that last year we ran a number of stories covering Angry Goat Productions and it’s owner Ray Jelley. If you don’t feel like trodding through half a dozen stories today, the short version is pretty simple — over the years a man named Raymond Francis Jelley has announced a series of events which then all ended up being cancelled prior to taking place.

There are a number of other details, including a lawsuit filed by a member of The Hobbit films, but that’s really the important bit.

In any case, after a string of announcements under the Angry Goat moniker, and a Harry Potter themed train under a different name, Mr. Jelley seemed to drop off my radar for a while. He seemed to go silent, and that was just fine as far as I was concerned.

Well, at least until recently.

Over the last couple of weeks, Nerd & Tie has received messages from multiple sources pointing us to an event called “Like Caesar.” …

(16) SHORT FICTION REVIEWED. Charles Payseur needs to be quick when the subject is Lightspeed — “Quick Sips – Lightspeed #102”.

It’s an issue of return in this November issue of Lightspeed Magazine. Two short stories and two novelettes make the issue a bit heavy, and for me a big theme running through the pieces is the idea of cycles and returns. Returns to childhood dreams, to classic books, and to familiar settings. There’s a look at childhood and how children are often confronted by some very upsetting things that they can’t quite handle, that they certainly shouldn’t have to deal with. And it’s a rather dark issue, centering death and abuse and trauma and a shift of the familiar for the strange, for the new and dangerous. Even so, there’s a beauty and a light that shines through a lot of these stories, where children can find their way through the darkness to someplace safer and free. Where even if there is loss, that loss can be honored, and remembered. And yeah, let’s just get to the reviews!

(17) SUBLIMINAL SHINTO. In “The Philosophy of Miyazaki” on YouTube, Wisecrack discusses how the Japanese religion of Shinto ensures that the characters in Miyazaki’s films learn to respect nature.

(18) THOSE DARN LEFTIES. No strawman is safe when it’s Sarah A. Hoyt’s day to write for Mad Genius Club: “Reading Authors”.

Besides all this, what IS the obsession with “male” in “don’t read white males.”  No, seriously.  I’m 56 years old an my early influences as were almost exclusively female: Enid Blyton, (who was the one that made me want to be a writer) the Countess of Segur and Agatha Christie.  Dumas and Shakespeare fell in there somewhere along the way, but so did Austen.

And in science fiction Anne McCaffrey was a major influence in my teen years.

So…. really?  What is this exclusively male voice that we need a break from.  Hell, given that I read a lot of cozy mysteries and most of those are women, reading a male now and then IS a break.

(19) PLONK YOUR NONMAGICAL TWANGER. Victoria Lucas heard something in 1963 – it may have been music. “[November 7, 1963] This Performance Not Wholly Silence (John Cage and his art)” at Galactic Journey.

I really don’t know how to describe it.  I realized that I was trapped, because I didn’t know where my host or driver was.  I didn’t even know—with my poor sense of direction—if I could find the car and house again in the dark, but it wouldn’t help even if I could, with no keys.  I contemplated going out and sitting in the lobby (rather than outside in the snow), because the noise from the piano harp, legs, sounding board, and everything else Tudor wired was so loud.  That was how and why I experienced the breakthrough I did.  I couldn’t leave.  I decided to stay and started to resent the people who were leaving, although I soon didn’t care.  They couldn’t help leaving any more than I could help staying.  The music was loud and had no melody, no rhythm, nothing definable to get a handle on it.  It sounded like nothing I had ever heard before.

Exactly.  That was exactly it: I had never heard anything like it before, and eventually that was why I stayed in the concert hall rather than sitting in the lobby.  At some point early on it was obvious that the music and dance were on separate tracks, had nothing to do with each other.

(20) WORD OF THE YEAR. “Words, words, words: ‘Single-Use’ Is The 2018 Word Of The Year, Collins Dictionary Says” – NPR has the story.

The English-speaking world’s growing concern for the environment and the ubiquity of disposable items that are used only once has pushed the word “single-use” to the top of Collins Dictionary’s list of “Word of the Year.”

Collins says there’s been a fourfold increase in the usage of the word since 2013, in part thanks to news coverage of environmental issues.

Single-use “encompasses a global movement to kick our addiction to disposable products. From plastic bags, bottles and straws to washable nappies, we have become more conscious of how our habits and behaviours can impact the environment,” Collins says.

(21) GOING APE. Jeff Lunden’s NPR article “‘King Kong’ On Broadway Is The 2,400-Pound Gorilla In The Room” discusses the fascinating live effects – but since this is a musical, it’s strange to see not a word about the songs, etc.

…Let’s start with the old school. Ten puppeteers are onstage moving the beast.

“They’ve got ropes down there which are connected to the wrist and the elbows, so they can move it,” Williams says. “It’s basically the oldest style of puppet — a marionette.”

Khadija Tariyan is one of the puppeteers who operate Kong’s legs, arms and torso on the stage.

“To be Kong, we are one with Kong,” she says. “We wear these black hoodies, and we’re all in black outfits, and we’re for the most part quite hidden. And we — we’re in a crouch position, so you don’t necessarily always see us — we’re almost like his shadows. And then there also moments in the show where we are able to come out and almost express his feelings, like when he’s curious about something, we do have a little appearance.”

(22) UNLEVEL PLAYING FIELD. Still need the Equal Rights Amendment they tried to pass 40+ years ago — “League of Legends firm sued over workers’ sexism claims”.

League of Legends’s developer is facing legal action over allegations it paid female employees less than men because of their gender and tolerated sexual harassment.

The action against Riot Games is being pursued by one of its former workers as well as a current staff member.

It follows investigations by the Los Angeles Times and the news website Kotaku, which made related claims.

Riot has not said if it will challenge the accusations.

(23) THE BLAME GAME. Forbes’ Erik Kain lists “The 5 Biggest Problems With This ‘Diablo Immortal’ Fiasco”.

It doesn’t help that early reports from players of the Diablo Immortal demo are largely tepid at best. It doesn’t help that we PC and console players are not only aware of the mobile game industry’s bad monetization practices, but also of the limits of mobile gaming’s inputs and controls. We know for a fact that Immortal won’t be as good as a PC Diablo title. It’s not possible.

So we’re left clueless as ever, still wondering when and what the next real Diablo game will be.

With a bungled announcement, one might expect that fingers would be pointed at Blizzard and its surprising incompetence on this front, but sadly that was largely brushed under the table as everyone began focusing their ire on the usual suspects: Gamers.

And ReviewTechUSA did a YouTube commentary:

Yesterday, Activision’s stock fell by a staggering 7.2 percent. This put the stock on track for having the lowest close it had since January 2018. Fans are still outraged over Diablo Immortal and there is even a petition with over 35,000 signatures asking for Blizzard Entertainment to cancel the game. However, on the other side of the coin analysts are excited for the mobile title and predict it will bring Activision and Blizzard over 300 million dollars of revenue annually.

 

[Thanks to Cat Eldridge, Andrew Porter, John King Tarpinian, Carl Slaughter, Mike Kennedy, JJ, Martin Morse Wooster, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Sheila Strickland.]

Pixel Scroll 4/20/18 A Fool And His Pixels Are Soon Parted

(1) SF IN NYT. Amal El-Mohtar’s latest Otherworldly book review column for the New York Times covers “Princesses, Priestesses and Time Travel: What’s New in Science Fiction and Fantasy”

What does it mean to retell a story? Does it mean dressing up a familiar tale in different clothes? Reading it against its grain? Replacing parts of a story like boards in a ship, until an old story’s shape is built of entirely new wood? This month, I’m looking at recent books that are all retellings of one sort or another.

(2) EDITORS YOU RECOGNIZE. Amber Troska pays tribute to two editors in “Shaping the Speculative Fiction World: Ellen Datlow and Terri Windling”.

It is difficult to overestimate the tremendous value of editors. The contributions that authors make to their respective fields, and their impact on the readers that encounter their work, can’t be overstated either, of course—but it is equally important to remember that no truly great author goes it alone; there are always strong editors behind the scenes, shaping the individual stories themselves as well as the publishing world at large. The Hugo Awards are named for an editor, after all.

Yet I can count most of the editors I recognize by name on one hand. Even with such a limited group to choose from, only two have had an extremely significant, identifiable impact on me as a reader: Terri Windling and Ellen Datlow. I could never hope to cover everything the two have contributed to the publishing world—their careers have stretched too far and are too varied and far-reaching for me to do them full justice. However, there are several projects that are worth looking at in order to appreciate their impact and get a sense of how influential their work has been, and continues to be.

(3) AFRICAN SF EDITORS. From The Minnesota Review: “Editor Interview: Mazi Chiagozie Fred Nwonwu and Chinelo Onwualu of Omenana”.

Mazi Chiagozie Fred Nwonwu and Chinelo Onwualu are co-founders and editors of Omenana, a web-based literary magazine dedicated to publishing speculative/sci-fi/fantasy fiction by African writers. In this interview with Uche Okonkwo, Mazi Chiagozie and Chinelo talk African speculative fiction, life lessons, and writing and publishing as a labour of love.

UCHE OKONKWO: This idea that Africans don’t write sci-fi/fantasy/speculative fiction is, I believe, part of the reason you started Omenana. Where do you suppose this idea comes/came from and why did/does it persist?

MAZI CHIAGOZIE: I think it comes from that general misconception that Africa is a backward place that hasn’t played any notable role in man’s journey to the stars. So even Africans look at Africa as this place whose people only concern themselves with war, famine, dancing, and procreation. It’s a view that has been propagated for a long time and has now come to offer a copout for people who don’t want to do the work needed to unravel the complexity that is Africa and her varied nations and peoples. We are doing our bit to change the perception, but it continues to persist. And with Wakanda being a fictional place, will continue to persist.

CHINELO ONWUALU: I think the idea that Africans don’t write speculative fiction is born out of the rather racist definitions that limit what speculative fiction is to the sorts of things written by white men in North America and Europe. Thus, when Africans write speculatively, it’s often dismissed as folklore or fable telling.

I feel many of us have adopted this same attitude as part of the deep-seeded practicality that is common with a lot of oppressed groups. Because our systems are so broken – often by colonialist design – we don’t see a lot of value in imaginative endeavours that might divert our energies from the struggle for daily survival. Combined with the devaluation of cultural artefacts like our stories, traditions and beliefs, many of us end up dismissing creative pursuits as wastes of time.

(4) ONCE LESS IN THE BREACH DEAR FRIENDS. David Langford tells about a program Terry Pratchett asked him to write in “The Silicon Critic” at the Milford SF Writers blog

Milford participants often have distinctive personal crotchets when commenting on stories, and John Brunner’s (as I remember from the 1980s) was a particular sensitivity to repetition. Sometimes it seemed that the unintended re-use of a significant word too soon after its last appearance pained him more than a gaping plot hole. The “deliberate repetition for effect” card could be played only so often, especially if you hadn’t noticed the repetition of “repetition” and the fact that it’s now appeared four times in one paragraph.

Terry Pratchett was another author who worried about such things. In 1998 he invited me to write a little Windows application to monitor his own use of favourite words. This, he stipulated, was to be named Bicarb because the idea was to stop you repeating….

(5) ANOTHER ONE BITES THE DUST. The Hollywood Reporter picked up the con’s Twitter announcements: “Universal FanCon Suddenly Postponed a Week Before Event”

The Baltimore convention created to celebrate diversity has not been rescheduled.

A week out from its announced debut, organizers have confirmed that Universal Fan Con, the new convention created to celebrate diversity and inclusivity in fandom, will not take place and has been postponed to an as-yet unspecified date.

In a series of tweets, organizers said that they were “devastated to make this postponement decision,” and shared that there is a “contingency plan” for those whose travel to Baltimore next week was already booked and are unable to reschedule their trip.

Although no official reason has yet been given for the sudden postponement — social media accounts for the event were promoting the show as recently as yesterday — a source told Heat Vision that the event “has a financial deficit.” In January, Heat Vision talked to Universal FanCon executive director Robert Butler, who said that the Kickstarter campaign to fund the show had been “a greater success than we could have imagined,” raising twice the amount initially asked for….

One committee member announced her resignation:

One dealer publicized how the cancellation is affecting him financially – start the thread here.

The con committee now has posted a FAQ on their website: http://www.universalfancon.com/. They claim the con will be held at a later date.

Why are you postponing FanCon?

Currently we are in a financial deficit that will not allow us to operate the convention within budget. Accordingly, we have made the decision to postpone and reschedule FanCon so we can put forward the type of event our fans deserve.

Why did you wait so long to postpone the event?

The FanCon team worked really hard up to the last minute to put forward an amazing event. However, it became clear in our last team meeting that we would not be able to deliver the event the fans deserved without more time.

How long will the event be postponed?

Once we are able to fully assess our options, we will make an announcement.

(6) ANDERSON OBIT. Harry Anderson (1952-2018): US actor and writer, died April 16, aged 65. Genre roles include Tales from the Darkside (one episode, 1985), Mother Goose Rock ‘n’ Rhyme (1990), Tales from the Crypt (one episode, 1990), It (1990), Harvey (1996), Lois & Clark (one episode, 1997), Nightmare Ned (voice for video game, 1997), Noddy (one episode, 1998). He also wrote one 1992 episode of Tales from the Crypt.

(7) TODAY’S BIRTHDAY BOYS

  • Born April 20, 1937 – George Takei
  • Born April 20, 1939 – Peter S. Beagle
  • Born April 20, 1964 – Andy Serkis

(8) COMICS SECTION.

  • Lise Andreasen discovered it’s not all play time when you’re a werewolf.

(9) EATING THE FANTASTIC. Scott Edelman hopes you will “Share spring rolls with Stoker Award-winning author Elizabeth Massie” in Episode 64 of his Eating the Fantastic podcast.

Elisabeth Massie

It’s time to head to Providence, Rhode Island for the final episode of Eating the Fantastic recorded during this year’s StokerCon, following my Italian lunch with Paul Di Filippo and a Portuguese dinner with Victor LaValle.

This episode I wandered off with one of the con’s Guests of Honor, Elizabeth Massie, for lunch at Apsara, a restaurant which serves up Cambodian, Thai, Vietnamese, and Chinese cuisine. Massie made her first professional fiction sale 35 years ago, and since then has won two Bram Stoker Awards for the critically acclaimed novels and short stories which followed.

We discussed why Bionic Woman Lindsay Wagner is the one to thank for her Stoker Award-winning first novel Sineater, how reading Robert Bloch’s Psycho at a young age was like a knife to her heart, which episode of Twilight Zone scared the crap out of her, why you’ll probably never get to read her Millennium and Law & Order novels, her nearly impossible task of writing one spooky book for each of the 50 states in the U.S, why Kolchak: The Night Stalker was her favorite franchise to play in, the great-great grandfather who cut off his own head with a homemade guillotine, which Dark Shadows secret was only revealed in her tie-in novel, and much more.

(10) NO B5. “J. Michael Straczynski Says With Current Warner Bros. Execs, Babylon 5 Never Going to Happen”Bleeding Cool has the story:

During an extended series of tweets on Thursday evening, Babylon 5 creator J. Michael Straczynski expressed at length that the award winning science fiction series’ current television rights holder Warner Bros. has no intention of either doing anything with the license themselves, or of letting anyone else do anything with it….

(11) HELP WANTED. Hugo nominee nerds of a feather has put out a call: “New Contributors Wanted: 2018”.

Who we’re looking for: we are looking for people who (1) write well and don’t need extensive copyediting, (b) appreciate our brand of humor, (c) understand and are ready to abide by our established format and scoring system and (d) are otherwise good fits with our voice and style. We are not, however, looking for automatons who agree with the rest of us on anything and everything.

We would also like to note that one of our goals is to feature a diverse range of voices on the topics that matter to us. As such, we encourage writers of all backgrounds to apply.

Caveat: we know lots of you have awesome projects you want everyone to know about, but since these are regular contributor positions, we would like to emphasize that this would not be an appropriate forum to use for promoting that awesomeness (aside from your blogging awesomeness, of course).

(12) WHAT’S THAT SMELL? Here’s a no good very bad article for everyone to disagree with: Olivia Ovenden asks “What’s Going Wrong With Sci-Fi?” at Esquire.

“One of the problems with science fiction,” said Ridley Scott back in 2012 ahead of the release of Prometheus, “is the fact that everything is used up. Every type of spacesuit, every type of spacecraft is vaguely familiar. The corridors are similar, the planets are similar. So what you try to do is lean more heavily on the story and the characters.”

Great science fiction has always done just that. So why have a recent string of releases shown less interest in the story than the spaceships? Is sci-fi a genre in trouble?

(13) PUNCH BROTHERS, PUNCH WITH CARE. Declan Finn says his personal solution would be what Asimov described as “the last resort of the incompetent” — “The John Ringo and ConCarolinas issue”.

I’ve been scratching my head for a while about whether or not I was going to do a blog post for the whole ConCarolinas debacle.

You know, how they told John Ringo that they couldn’t guarantee his safety, etc. THEN the announcement they released about his not attending seemed … poorly managed.

To be honest, I’d never heard of them until this fashla happened. So they made a great first impression on me.

So much so that they convinced to never attend their convention, as a guest or even as just an attendee.

And no, it’s not necessarily “Oh, look what they did to Ringo.”

I am doing something radical. I will take them ENTIRELY AT THEIR WORD that they can’t guarantee the safety of one of their own guests against the angry hordes of Social Justice Zombies.

On THEIR OWN TERMS, I should be concerned to even walk the halls as a regular attendee carrying a John Ringo book. While I have no problem defending myself, I to go conventions to have a good time. I don’t want to spend the majority of the con in cuffs because some dickheads decide “You’re a Ringo fan, therefore you’re [insert cliche lefty insults here]” and therefore I have to beat them senseless.

(14) ERASURE. Sarah A. Hoyt rehashed Sad Puppy history in “Of Conservatives And Conventions” [Internet Archive link] at PJ Media.

…I went over to John Ringo’s page and read about it.  As far as I could tell, a bunch of people on Twitter had been badgering both the con-committee and the other (very leftist) guest about inviting someone who was… what the heck was he?  I don’t know.

In the beginning, the accusation against him was that he was “Puppy Adjacent.”

For those of you wanting to follow this at home, the score card is this: Five years ago, my friend Larry Correia started a movement called Sad Puppies, which was a half joking attempt to get books not of solid leftist bent (not even right wing, just not preachy left) nominated for the Hugo, which used to be one of the most prestigious fan awards in science fiction.

When Larry tired of the game after two years, my friend Brad Torgersen took it over…

Vox Day was a little offended to find that he and the Rabid Puppies have been erased from Hoyt’s version of history — “SJWs in SF: Sad Puppy version” [Internet Archive link.]

I find this rather fascinating for what it omits. The Baen cum Sad Puppies crowd is in an uncomfortable position not terribly different from that of Never Trump and the cuckservatives. They are accustomed to being the sole opposition to the SJWs in science fiction, and viewing themselves as the proper and respectable opposition, so they really don’t know what to do about the Rabid Puppies or the considerably less accommodating opposition that is now represented by Castalia House, Arkhaven, and Dark Legion. Nor do they understand how various trends favor the growth of our influence, in part at their expense.

So, they push a narrative to the public in which we don’t exist, even though without us, Sad Puppies would have remained what it was prior to our involvement, a minor bump in the road that didn’t even require any suppression outside of the usual routine. This is not to say that what they did was not admirable, and indeed, their construction of the Dragon Awards will likely prove to be more significant in the long run than our demolition of the Hugo Awards. I merely observe that their efforts would have been insufficient in our absence.

But unlike the SJW narrative, the Sad Puppy narrative does not harm us at all. I am content to let them push it in peace; after all, they are not the enemy. Right now, we are marshaling our forces and preparing to engage in offensives on multiple fronts, some of which are known and others which will prove to be unexpected….

Let the others trail in our wake at their own pace. As long as they refrain from either attacking us or getting in our way, they are not part of the problem. They are trying to be part of the solution, even if they go about it in different and suboptimal ways.

[Hat tip to Camestros Felapton.]

(15) VIDEO OF THE DAY. in Stems, Scottish animator Ainslie Henderson shows how he takes found objects and turns them into stop-motion animation.

[Thanks to John King Tarpinian, ULTRAGOTHA, Steve Green, JJ, Cat Eldridge, Martin Morse Wooster, Chip Hitchcock, Mark Hepworth, Andrew Porter, Lise Andreasen, and Carl Slaughter for some of these stories. Title credit belongs to File 770 contributing editor of the day Ky.]

John Ringo’s Selection as ConCarolinas Guest Sparks Controversy

ConCarolinas, happening in Charlotte, NC from June 1-3, has become another battleground in sff’s culture wars since announcing John Ringo as an Author Special Guest on April 9. Ringo is well-known for sharing his social and political views in a frank and provocative way. His selection as a special guest has caused other writers in ConCarolina’s orbit to rethink their participation, whether by actually dropping out, or publicly explaining their reasons for remaining on the program.

John Ringo

John Ringo defined the controversy from his viewpoint in a response on Facebook on April 12.

ConCarolinas:

An ‘issue’ has been raised at ConCarolinas, not by members of the con but by some of the other invited guests and attendees. It is the usual SJW sort of thing. I am a bad person with bad opinions and I need to shunned from society.

(Though they appear to have missed various of the usual ad hominems. They hit the regular ‘racist’, ‘misogynist’, ‘homophobic’ etc but seemed to have overlooked ‘xenophobic’, ‘transphobic’ and ‘Islamophobic.’ Just an oversight I’m sure they will correct.)

I am discussing this with the ConCommittee. However. It is currently between myself and the concom and I would prefer to keep it there for the time being. While I appreciate shows of support, try not to respond to this in kind. Just let me work the issue.

Were ConCarolinas the usual and standard ‘SJWCon’ I would not have accepted their invitation. But they’ve never had to deal with something like this so it’s a learning curve. Let them find their path, please.

Afrofuturist author Gerald L. Coleman provided the most thorough explanation for opposing Ringo’s appearance in an April 12 Facebook post:

Gerald L. Coleman

Seeing as people are beginning to draw lines and to share what they think is an appropriate response to the current situation at ConCarolinas, I think it would be illuminating, especially to the demographic of people who are not the target of the Special Guest in question, to understand why a person who would be a target (and often is) would decide not to go in response. I had not planned on sharing this but I think it’s important. Here is my letter withdrawing from ConCarolinas:

[Redacted],

I heard a lot of good things about ConCarolinas from the same people, but the decision to have someone like Ringo as a Special Guest has forced me to reconsider that assessment. ([Redacted] was in one of the fraught discussions online where she was attacked by people trying to defend both Ringo and the invitation. I’m not sure [redacted] will be attending either). Here’s a link to one of his vile diatribes, which includes this passage:

“The first point that has to be recognized as historically valid: White males have dominated the planet’s art, music, culture, politics and wars for centuries and often deliberately at the expense of non-European, non-white, etcetera. This is historically unquestionable and unassailable.”

http://crimeandtheforcesofevil.com/…/oh-puppies-when-will-…/

Now, is what follows a right and just evisceration of that behavior? No. He’s defending the agenda of the Sad Puppies and their toxic ilk. And using the pejorative term “SJW” or Social Justice Warrior as a derogatory insult as he attempts to attack the efforts to diversify publishing and fandom and make them more inclusive.

This is the guy you, and by you I mean the Con, have invited to be a Special Guest.

People of color in general and black folks in particular, who are members of the geek/nerd fandom community, including authors, often have difficulty finding conventions that are safe places for us to revel in our shared love of all things geek. Often we are given the impression, sometimes unconsciously, many times consciously, that we are not welcome – that it is not our space, and we don’t belong. So, it becomes vitally important for our sanity, our safety, and our well-being to be very selective in choosing which Cons we will attend.

To spend time, energy, and a not insignificant amount of money to attend a Con that doesn’t take our sanity, safety, and well-being seriously, by inviting a toxic voice who rails against our inclusion – and who is defended by members of the Con, it’s guests, and perspective attendees, is not only a bad investment but a bad idea in general.

I have been to Cons (Boskone, recently) where I was welcomed warmly and felt accepted and included. I’ve also been to Cons where a fellow Panelist told me discrimination against black authors was a figment of my imagination. I’ll be returning to one and not the other.

Who we give a platform to is incredibly important. Given the times we live in, the current state of our political affairs, and the general climate for people of color in general and black folks in particular, it says a lot that ConCarolinas is giving a platform to someone like Ringo. I can’t support that and am unwilling to subject myself to him or his fans who are in agreement with his toxic beliefs.

When I was a kid I knew how unwelcoming the world in general was going to be to me. But I always thought that fellow geeks/nerds who loved the same things I did like Star Trek, Star Wars, Doctor Who, comic books, and science fiction and fantasy would be different. That because they consumed content that talked about justice, equality, exploration, tolerance, acceptance, being kind and never cowardly, that I wouldn’t have to face that same toxicity in the ranks of the fandom. Sadly, that wasn’t and isn’t true. The same prejudices, biases, and toxicity exists in fandom and I have to navigate it.

I was excited to be accepted as a Guest for ConCarolinas. Imagine my disappointment when Ringo was invited as a special guest.

I won’t be attending. Please remove me as a Guest for the Con.

Coleman later posted a screencap of the ConCarolinas committee answer —

— which he described in these terms:

Here is ConCarolinas response to legitimate criticism and concern from black folks and women over their invitation to a “Special Guest” author whom we find deeply problematic (he’d start by calling me an “SJW” and go on to rant about the supremacy of white men in all things: see comments for attribution) and whom women in particular see as deeply misogynist (just Google John Ringo misogyny). Somehow they’ve managed to confuse resisting bias and toxicity with hatred. Several of us guests have withdrawn from our invitation over it. ConCarolinas? They apparently think we are engaging in hatred and they have no obligation to curate their guest list. So anyone can be a Guest? Anyone? And if “their passion for Science Fiction and Fantasy” happens to mean that people of color and women aren’t welcome? What then? The mind boggles …

It’s no longer possible to trace the full extent of the protests, as ConCarolinas has deleted some entries from their Facebook page which contained relevant comments, and at least one fan has restricted her FB remarks after being attacked by trolls.

[A woman’s quote from Facebook dated April 10 has been removed at her request.]

 

The next day, Stuart Jaffe wrote on FB:

I will not be at ConCarolinas this year. Y’all probably know why. If you don’t, I’m not getting into it on FB. That kind of conversation only goes in one direction on FB.

By April 12, the discussion had gone viral.

Jason Graves of Prospective Press wrote:

Choosing division over community isn’t a choice I expected from ConCarolinas. Prospective Press supports and welcomes diverse voices—voices of color, voices of gender, voices of inclusion, and voices of identity—and always has. When people CHOOSE to be hateful, they are no longer welcome at our table—inclusivity is based on mutual respect.

Madison Metricula Roberts said she was pulling out of the con:

I regret that I am no longer attending or performing at ConCarolinas. I wish the event, guests, attendees, and volunteers well!

While I have confidence in ConCarolina’s commitment to safety at the event, I still have concerns about comfort, safety, and response of the con in light of recent events.

And in a further comment on the same post Roberts said:

I want to be clear that I understand CC is in a difficult position, and it’s run by people I like. That said, I feel like they were unprepared for the backlash in booking a controversial guest who is known for cultivating or emboldening a subset of fandom that is not just politically conservative (that’s not the issue) but anti-inclusion. I am confident in CC’s harassment policy and security, but my gamergate-style anxiety is through the roof in spite of my rational assessment of the thing.

Other authors have felt pressured to drop out, or justify why they are not.

David B. Coe is still going:

Why I will be attending ConCarolinas:

  1. I made a commitment to the convention. Indeed, I signed an agreement saying I would attend. That agreement gives me no veto power over the people they may or may not invite. In short, I feel that I have a professional obligation to go. Others feel differently, and that is their right. But I have to do what feels right to me.
  2. I don’t believe in ceding ground to racism, misogyny, or bullying in any form. I don’t live in the Carolinas, but I have considered ConCarolinas my “home” con for years now. It is just about my favorite con to attend. Many of my closest friends in the business are usually there. I love it. And I will be damned if I will allow that convention and that community to be ruined for me by the presence of one guest.
  3. I believe (ME — this does not mean that I condemn any of my colleagues for thinking differently) that we on the Left have a responsibility to be tolerant, and I believe tolerance cuts many ways. If I saw that a con had invited a progressive author to attend, and that in response to this the attending conservative writers withdrew from the con, I would be appalled by their actions. I cannot in good conscience do what I would fault others for doing.
  4. I believe that for every voice at a convention that is inclined to attack those who would advocate for social justice and for the most vulnerable in our society and in fandom, there should be ten voices present who will defend those people and those principles. I wish to be one of that latter group of voices.

I understand that people I consider friends will see my intention to attend the convention as a betrayal. I am deeply, deeply sorry for that. To those who have withdrawn, I respect your decisions. I hope that you can bring yourselves to respect mine.

S.H. Roddy was far more emphatic in “Bad Decisions, Social Justice, and the ConCarolinas Kerfluffle” at Creepy Author Girl, explaining “Why my attendance at ConCarolinas is more important than my absence.”

Yeah, so everyone has heard the nonsense going down over ConCarolinas, right? If not, let me catch you up in three sentences:

  1. The ConComm invited John Ringo to be a special guest and he accepted.
  2. THE WORLD EXPLODED – meaning the mostly-liberal, mostly-welcoming regular ConCarolinas crowd freaked the absolute fuck out over this guy’s historical behavior and some not-so-far-fetched hypotheticals stemming from it.
  3. Some people got pissed and others withdrew from the con.

…Keeping this in mind, I’ll be going into ConCarolinas weekend wary, but professional. This is my career, damn it, and I refuse to give anyone enough power over me to make me walk away from a chance to further myself professionally and spend time with my friends. Neither this man nor his followers have any sort of pull or control over me. So what if there’s a chance there could be an altercation? I’m willing to take that chance, because to me, my presence and my ability to stand up for myself and the people I care about will be more effective than walking away. Why? Because I don’t have the same social pull as the man the con world is currently rallying against. Because my actual VOICE and my ACTIONS will speak louder than my absence.

Which brings me to my next point:

A very dear friend of mine felt so emotionally threatened over this announcement that she has withdrawn her attendance. I completely understand her decision, because this wouldn’t be her first racism rodeo, were it to happen.

Her action was based on previous personal experiences with this person. It’s not arbitrary or unjustified.

I support her decision, because she’s doing what she feels is best for her. I will always be there to support her, no matter what, because I love her. Do I wish the situation were different and she was still going to be there with me? Yes. Absolutely. I would love for any resolution which would guarantee her a seat beside me. But that isn’t the case, and it’s her decision to make.

Which brings me to my third point:

Someone else made the statement yesterday that basically amounted to “you can’t be everybody’s friend and if you’re not resigning in solidarity, then you’re not an ally.”

That pissed me right the hell off.

See, I’m usually pretty quiet on political and social issues. I’m not a political creature. If I were, I’d be in politics. I’m a freaking writer. I use words to entertain people. Well, mostly myself, but anyone else who happens to come along can enjoy them, too. I’m also not the type to use my books as a sociopolitical platform. That isn’t what I do.

Do I have opinions? Oh, yeah. Loads of ‘em. But I choose to conduct myself in a more or less professional manner because my opinions should have absolutely no bearing on my book sales.

So a fellow author piping up and telling me I’m suddenly not good enough because I’m not pissed off enough? Yeah, no. Bullshit.

Gail Z. Martin made a similar statement:

Please do not presume to tell me that I am not an ally or not genuine in support of a cause just because I do not hop-to every time someone gets upset about something.

I will decide which battles I fight and how I fight them. I will not be ally-shamed and manipulated into actions that violate my own judgment. Telling me I dare not make my own decisions or I’m somehow not pure enough by someone else’s arbitrary standards is bullshit.

I have been an ally and fighting some of these battles since before some of you were born, in times and places where there were serious consequences like losing a job, getting expelled or cutting ties with communities and family.

Working within the system for change is just as valid (and usually a whole lot more effective, albeit requiring patience) as just saying ‘f***-it, let’s burn the whole thing down’. You have no idea what conversations happen behind the scenes in private to advance causes, conversations that often yield results because of friendships built between people who don’t always agree on everything or walk in lockstep.

So do what your conscience demands. But don’t you dare attempt to shame others or judge the sincerity of their convictions because they didn’t make the same choice.

This is a manifesto, not a debate. Civil comments are welcome, but I’m in no mood to be f***ed around with, and if you piss me off I’ll block your ass.

Two other writers who posted justifications for why they still are going to ConCarolinas are Michael G. Williams and Faith Hunter:

Michael G. Williams wrote:

ConCarolinas’ choice to invite John Ringo is an affront to many people of color and women who were planning to attend. Ringo writes works containing unabashed aggression towards marginalized populations(1), then says in interviews he largely does not see what his characters do or say as “particularly controversial, crazy, evil, or illogical,”(2) though he does say in that same interview that he excludes “some of the stuff” in his novel “Ghost” from that.

I’ve seen a lot of conflicting opinions between other guests who feel the only right choice for themselves is to withdraw and those who say they want to go as a voice for the opposition rather than cede the platform to Ringo. I sympathize with both sides.

ConCarolinas had to know the situation they would create when they made this choice. No matter how apolitical they may declare an event to be, inviting an overtly political writer whose statements about writing and conventions are overtly political to attend a convention to discuss their writing is to create a political event. Speculative fiction in general is inherently and fundamentally political to begin with. Ringo’s is quite explicitly so.

As people have spoken out, Ringo’s fans have shown up to harass them.(3) The convention has remained silent on this obvious, observable behavior. I am forced to wonder what it will be like to be surrounded by these same fans, people who clearly are willing to go looking for a fight, who clearly are searching (of their own volition or at another’s direction) for any mention of Ringo so they can harass those who object.

All these – the invitation, the trolls, the silence – have made it impossible to feel good about participating, but at the moment I still plan to participate for two reasons:

– If I can use the privilege I enjoy as a white man to attend in greater safety and comfort than others in order to be a voice for a more humane view, to some degree I feel I should try. I’m the smallest of the small-fries. If I withdraw, no one notices. If I go, maybe I get a word in edge-wise.

– There are very few loudly queer guests at ConCarolinas. If there’s no presence by the two or three of us who always lobby for a Queer Fandom panel, who put ourselves out there as queer people who can be approached safely by attendees, and who make sure there is an unmistakeable queer voice in the proceedings, then queer fans may be left out to dry. I feel I have some degree of responsibility to be there for them, with them.

But as I say, this has made it VERY difficult to do so without tremendous reservation and regret. I am ready to walk into a tense situation on behalf of friends who no longer feel welcome. I am ready to be there to make sure my own community’s members do not feel targeted or harassed. But I can’t necessarily recommend anyone else do the same. I think already-marginalized people who are going should do some research into Ringo, observe the behavior of his fans, and carefully consider their choices. A number of guests have withdrawn. More may do so. I share their concerns and objections. We should not all lay down our dignity and our sense of safety because another guest has “Special” in their announcement, and the way the convention treats those who withdraw or feel threatened will certainly be remembered.

References:

(1) https://www.kirkusreviews.com/book-revi…/john-ringo/ghost-3/

(2) https://michaelaventrella.com/…/interview-with-new-york-ti…/

(3) See, for instance, Faith Naff’s experience of having to lock a post because trolls showed up within minutes.

Faith Hunter said:

I have spent the last three days in a quandary over the ConCarolinas controversy and how to address it. I am keeping it simple. I have this to say.

ConCarolinas is my local convention.
I’ve attended it for over a decade.
I’ve met many friends and fans through the con.
I’ve signed a contract to attend the convention.
I will honor this commitment.
I will be attending the convention, where I plan to make my voice and views heard on panels. That’s how I’m choosing to deal with this. I understand there are others who feel they cannot attend, and I respect that decision. The convention has an explicit anti-harassment policy which all attendees must adhere to, and while I am there I will do my best to make sure that no one feels insulted, afraid, put down, or abused.
Edited to add — Y’all, I am asking you to please not call names or bring confrontation into the comments. I have been as non confrontational as possible. I’d like you to let it lie.

Seanan McGuire is one of 2018 ConCarolina’s Guests of Honor, therefore one of the faces of this year’s con, more so than any of the special guests. Attempts have been made to embroil her in the controversy, however, she has yet to make any comment.

Then, if you haven’t had enough, Fail. Fandom. Anon. is devoting a thread to arguments about the issue.

But things are by no means one-sided. John Ringo has received hundreds of expressions of support on his posts, and from his friends and colleagues.

One of them, Sarah A. Hoyt, even took the opportunity to relitigate the Sad Puppies controversy:

Sarah A. Hoyt You know, John Ringo is being stigmatized for a very distant correlation with Sad Puppies. A movement led by a man the state dept classifies as Latin, and which included a female ditto.
BUT minorities are offended that John supported this “racist” (Yep, we only supported writers who belonged to the human race. That’s how racist we are) movement, and feel they have to leave cons where he’s invited.
You know what, these aren’t the crazy years. The crazy years were semi-understandable. These are the running-down-the-street-with-underwear-on-head-singing-I’m-a-little-teapot years.

Stephanie Souders argues that Ringo’s conduct at Dragon Con should allay any fears:

John Ringo subsequently wrote a second response:

Here’s pretty much my take on the whole thing:

I spent four years ready 24 hours a day, seven days a week, 365 days a year, to go wheels up anywhere in the world in 18 hours for the purposes of going head to head with Soviet tanks in a war sure to end with nuclear fire.

I was willing to do so to support a simple word: Liberty.

A major part of that liberty was the right to freedom of expression. That ten thousand voices may be heard.

There was no such freedom in the Soviet Union. Freedom of expression is anathema to Marxism.

In this day and age, the SJWs, thought children of that evil empire, attack the right to freedom of expression at every turn.

I shall not be silent. I shall not be quelled. If facing down T-72s did not quell me, my current detractors (just the latest of many) stand little chance.

They have their right to free speech. They can say what they will, even if the attacks are petty, false and irrelevent. That is part and parcel of the freedom of speech.

They have that right due, in great part, to myself and my brothers and sisters in arms going back not just to our revolution, but to the battles at Marathon, Salamis and Thermopylae. This is a war that has gone on for two thousand years and will not end in victory to either side any time soon.

Let ten thousand voices be heard.

Let freedom ring.

In a comment on the same post he also said:

I do not bow to the social justice mobs? I speak my own truth? I judge a person not by the color of their skin but by the content of their character? And by that judgement, I find most SJWs (not your type, the type that ‘bans’ authors for their words) to be contemptible?

Meanwhile, ConCarolinas con chair Jada Hope has pulled the Ringo announcement from their FaceBook page, taking all comments with it. Hope also has gone to the FB walls of some people who’ve made negative posts saying “You’ve made yourself quite clear. If you have further concerns they may be sent to concarolinas@concarolinas.org” in an attempt to stem the flow of public complaints.

And the committee’s latest social media (April 13) was a tweet linking to the con’s anti-harassment policy which says in part —

…ConCarolinas reserves the right to deny membership to any individual who has practiced harassment or bullying either at other conventions or on social media sites.

ConCarolinas is an apolitical, non-religious organization. Discussions in panels and on our social media are to remain polite. Trolling will not be tolerated….

— in effect, brandishing the antiharassment policy at con members who criticize the Ringo choice in social media, implying their memberships are at risk.

Update 05/01/2018: A woman’s quote was removed at her request.

Pixel Scroll 3/21/18 Where In The Scroll Is Pixel Sandiego?

(1) WHAT FILERS LOVE. Rocket Stack Rank’s Eric Wong put together a page summarizing the Filers’ Hugo nominations for the three short-fiction categories: “Annotated 2017 File 770 List for Short Fiction”. Here are some highlights:

In the Annotated 2017 File 770 List for Short Fiction, there were 34 stories with a tally of three or more nominations. Here are a few interesting findings from the 14 novellas, 10 novelettes, and 10 short stories:

  • 21 stories are free online(62%), including all novelettes and short stories. [Highlight free stories]
  • 4 stories are by Campbell-eligible writers. [Group by Campbell Year]
  • None are translated stories.
  • 14 publications are represented (including standalone novellas) with the top three being Tor novellas (9), Tor.com (5) and Uncanny (6). [Group by Publication]
  • RSR recommended 18, recommended against 4, and did not review 2. [Group by RSR Rating]
  • 25 of the 33 stories had a score > 1, meaning many were highly recommended by prolific reviewers, inclusion in “year’s best” anthologies, and award finalists. [Group by Score]

Greg Hullender adds, “Note how well we predicted the actual results last year” —

Last year, the top 55 novellas, novelettes and short stories nominated by Filers resulted in the following matches:

(2) DUBLIN 2019 FAMILY SAVINGS. The Irish Worldcon has a plan: “If you are bringing your family, a family plan might save you a bit of money”.

Dublin 2019: An Irish Worldcon has announced a new family plan for those members who are attending with members of their family. If you sign up for a family plan you will receive 10% off the total costs for the included memberships. This new plan can be used in conjunction with the recently announced Instalment Plan as long as the Family Plan is set up first.

The Dublin 2019 Family Plan enables fans to bring their whole family with them and save 10% on the total costs of memberships. A family plan will consist of  2 “Major” and at least 2 “Minor” Individuals.  A “Major” membership is an individual born on or before 15 August 2001 (18+ on the first day of the convention).  “Minor” memberships are individuals born between 16 August 2001 and 15 August 2013 (ages 6-17 on the first day of the convention). There is also a single parent variation. Details can be found on the website.

Under the Plan, you first buy a Supporting Membership and then fill in the Dublin 2019 Family Plan Request form. The registration team will then be in touch with your membership invoice. The charge for your family plan will be frozen at the time your application is received, accepted, and calculated.  If you have not chosen to apply for the instalment plan we will issue an invoice for the balance which you will have 30 days to pay. If that lapses without payment, then you will need to start the process over again, and costs will be calculated from the date of new application.

With the Attending Membership rates rising at 00:01 hours Dublin time on April 3, 2018, this is an ideal time to consider a Family Membership Plan and ensure that you and your family can attend Dublin 2019 at the current cost.

Full terms and conditions for the Dublin 2019 Family Plan can be found at www.dublin2019.com/family-plan/.

(3) JEOPARDY STRIKES AGAIN. Andrew Porter watched the first Jeopardy! contestant make a miss-take.

Wrong question: “What is Mars?”

Rich Lynch says a second contestant got it right.

(Thanks to Rich for the image.)

(4) AND ANOTHER GAME SHOW REFERENCES SF. Did I mention, The Chase is my mother’s favorite TV show?

(5) DON’T BITE WIZARDS. Middle-Earth Reflections continues its series with “Reading Roverandom /// Chapter 1”.

Rover’s adventures begin one day when he plays with his yellow ball outside and bites a wizard for taking the ball, which is not to the dog’s liking. The animal’s misfortune is that he has not got the slightest idea that the man is a wizard because “if Rover had not been so busy barking at the ball, he might have noticed the blue feather stuck in the back of the green hat, and then he would have suspected that the man was a wizard, as any other sensible little dog would; but he never saw the feather at all” (Roverandom, p. 41-42). Being really annoyed, the wizard turns Rover into a toy dog and his life turns upside down.

It is because of such poor control of emotions that Rover is bound to embark on an adventure of some kind in a rather uncomfortable form. There also seems to be a lack of knowledge on his behalf. It is not the only time when Tolkien uses the “if they knew something, they would understand a situation better” pattern in Roverandom, as well as in some other of his stories. These references can be either to existing in our world myths, legends and folktales, or to Tolkien’s own stories. In his mythology the character wearing a hat with a blue feather is none other than Tom Bombadil, who is a very powerful being indeed, so a blue feather seems to be a very telling sign to those in the know.

(6) ACCESSIBILITY ADVICE. Kate Heartfield tells “What I’ve Learned about Convention Accessibility” at the SFWA Blog.

Can*Con is in Ottawa, Canada in October. My job is pretty minor: I wrote our accessibility policy and revise it every year, and I advise the committee about how to implement it when we have particular problems or concerns. Most importantly, I’m there as the dedicated person to field questions or concerns.

Here are a few of the things I’ve learned…

The whole convention committee has to be on board. Programming policies affect accessibility. So do registration procedures, party plans, restaurant guides. If anyone involved shrugs it off, accessibility will suffer. From the beginning, every person on the committee of Can-Con, and every volunteer, has been entirely supportive of me and the policy. When I bring a concern to the committee, the response is always constructive and never defensive. There are limits to what we can do, as a small but growing convention, and so much depends on the physical accessibility of the venue itself. But I’m learning that the limits are actually a lot farther away than they might appear, and with good people working together, a lot is possible….

Accessibility is about inclusion, and it’s a broader topic than you might think. Mobility barriers are probably the first thing that comes to mind, and they’re hugely important, but they’re not the whole picture. Accessibility is also about making sure that everyone is called by the correct pronouns and has access to a washroom where they’ll be safe and comfortable. It’s about trying not to trigger allergies and sensitivities. It’s about making sure that people have the supports they need. One of the most frequent requests we’ve had is simply for quiet recovery space.

(7) IN THE BEGINNING. Sarah A. Hoyt, having finished her Mad Genius Club series defining various genres and subgenres thoroughly and accurately, has embarked on a specialized tour of different ways to start a story. Today it’s “The Atmospheric”. Very interesting, and besides, there’s a Bradbury quote!

…“In the year A.D. 400, the Emperor Yuan held his throne by the Great Wall of China, and the land was green with rain, readying itself towards the harvest, at peace, the people in his dominion neither too happy nor too sad.” – Ray Bradbury, The Flying Machine.

Look at those openings above. They’re obviously not “these people” because except for the first — and it’s not exactly people — there are no people to be “these”.

Is there action?  Well, sort of.  I mean things are happening.  But if those are the main characters of your novel they’re kind of weird, consisting of a hole in the ground, a light in the sky, noise and apparently the Emperor Yuan.

Of course these are atmospheric beginnings.

Atmospheric beginnings are hard to do.  It’s easy to get lost in writing about things in general, but will they capture the reader?  And while you — well, okay, I — can go on forever about the beautiful landscape, the wretched times, the strange events in the neighborhood, what good is that if your reader yawns and gently closes the book and goes to sleep?

To carry off an atmospheric beginning, too, you need impeccable wording, coherent, clear, and well… intriguing.  If that’s what your book calls for, a touch of the poetic doesn’t hurt either….

(8) THE BIT AND THE BATTEN. So much for security: “Teenager hacks crypto-currency wallet”.

A hardware wallet designed to store crypto-currencies, and touted by its manufacturer as tamper-proof, has been hacked by a British 15-year-old.

Writing on his blog, Saleem Rashid said he had written code that gave him a back door into the Ledger Nano S, a $100 (£70) device that has sold millions around the world.

It would allow a malicious attacker to drain the wallet of funds, he said.

The firm behind the wallet said that it had issued a security fix.

It is believed the flaw also affects another model – the Nano Blue – and a fix for that will not be available “for several weeks”, the firm’s chief security officer, Charles Guillemet told Quartz magazine.

(9) FINAL HONOR. BBC reports “Stephen Hawking’s ashes to be interred near Sir Isaac Newton’s grave”.

The ashes of Professor Stephen Hawking will be interred next to the grave of Sir Isaac Newton at Westminster Abbey, it has been revealed.

The renowned theoretical physicist’s final resting place will also be near that of Charles Darwin, who was buried there in 1882.

(10) SKY CEILING. In the Netherlands, “The world’s oldest working planetarium”, over two centuries old.

There was a beat of silence as the room’s atmosphere shifted from inward reflection to jittery disbelief. “How is that even possible?” said one visitor, waving a pointed finger at the living-room ceiling. “Is it still accurate?” asked another. “Why have I never heard of this before?” came the outburst from her companion. Craning my neck, I too could hardly believe it.

On the timber roof above our heads was a scale model of the universe, painted in sparkling gold and shimmering royal blue. There was the Earth, a golden orb dangling by a near-invisible, hand-wound wire. Next to it, the sun, presented as a flaming star, glinting like a Christmas bauble. Then Mercury, Venus, Mars, and their moons in succession, hung from a series of elliptical curves sawn into the ceiling. All were gilded on one side to represent the sun’s illumination, while beyond, on the outer rim, were the most-outlying of the planets, Jupiter and Saturn. Lunar dials, used to derive the position of the zodiac, completed the equation.

The medieval science behind the Royal Eise Eisinga Planetarium is staggering, no matter how one views it….

(11) NIGHTLIGHT. The Independent tells readers: “Mysterious purple aurora dubbed ‘Steve’ by amateur stargazers spotted in Scotland”.

Stargazers were treated to a rare and mysterious sight named “Steve” as it lit up the night skies.

The unusual purple aurora was first discovered by a group of amateur scientists and astrophotographers who gave it the nickname, Nasa said.

Its striking purple colour and appearance closer than normal to the equator sparked interest in Scotland where it was visible from the isles of Lewis and Skye this week,

(12) NIGHTFLYERS. Here’s a teaser from the Syfy adaptation: “‘Nightflyers’: Syfy Unveils First Footage of George R.R. Martin Space Drama”.

A day after replacing showrunners, Syfy has unveiled the first look at its upcoming George R.R. Martin space drama Nightflyers.

Nightflyers is, without question, a big swing for Syfy. The drama, based on Game of Thrones creator Martin’s 1980 novella and the 1987 film of the same name, follows eight maverick scientists and a powerful telepath who embark on an expedition to the edge of the solar system aboard The Nightflyer — a ship with a small, tight-knit crew and a reclusive captain — in hopes of making contact with alien life. But when terrifying and violent events begin to take place, they start to question each other, and surviving the journey proves harder than anyone thought.

 

(13) JOB APPLICATION. A video of Shatner and Nimoy at Dragon Con is touted as “the funniest Star Trek convention of all time” by the poster.

William Shatner repeatedly asked Leonard Nimoy, “Why am I not in the movie?!”

 

(14) IMITATION IS THE SINCEREST FORM OF FLATTERY: Jason sends word that Featured Futures has added a couple of items regarding markets receiving accolades and magazines receiving coverage by prolific review sites.

Noted Short SF Markets: 2017 is the first variation on a theme:

The following is a list of short fiction markets which had 2017 short stories, novelettes, or novellas selected for a Clarke, Dozois, Horton, or Strahan annual or which appeared on the final ballot of the Hugos or Nebulas. They are sorted by number of selections (not individual stories, which sometimes have multiple selections).

This is a variant of “The Splintered Mind: Top Science Fiction and Fantasy Magazines 2017.” This only tabulates six factors over one year rather than the many factors over many years of the original. That version helps flatten out fluky peaks and valleys but this provides an instant snapshot of major accolades. (This version also includes whatever venue the stories come from while that version focuses on magazines.) I’d thought about doing this before but stumbling over that finally got me to do it.

The second variation on a theme is Magazines and Their Reviewers

This page presents a table of the science fiction, fantasy, and horror magazines covered by five “prolific review sites.” Its primary purposes are to help people find the coverage of the zines they want to read about and/or to help them see which zines are covered from multiple viewpoints.

This is a variant of Rocket Stack Rank‘s “Magazine Coverage by Reviewers.” There are two significant differences and a minor one. First, this lists all the magazines regularly covered by the reviewers. Second, the list of reviewers includes Tangent Online but not the editors of annuals who presumably read most everything but don’t maintain review sites (though Dozois, Horton and others do review recommended stories for Locus). The minor difference is just that there’s no number column because this isn’t being done for “stack ranking” purposes.

(15) UP TO SNUFF? Zhaoyun covers a feature available on Netflix in “Microreview [film]: Mute, directed by Duncan Jones” at Nerds of a Feather.

The name ‘Duncan Jones’ will immediately evoke, in the minds of the small but powerful(ly voiced) group of cine-nerds, the masterful 2009 film Moon, and/or the respectable cerebral (get it?!) thriller Source Code of 2011. Garden-variety meathead non-nerds, on the other hand, might recall him as the director of the 2016 video game-to-film adaptation of Warcraft—you know, the movie that absolutely no one was eagerly awaiting. No matter your nerd credentials, then, you probably associate Duncan Jones with a certain cinematographic pizzazz, and like me, your expectations were probably quite high for his latest brainchild, the only-on-Netflix 2018 futuristic neo-noir Mute. The question is, were those expectations met?

Nah. But before we get to the bad news, I’ll give the good news. The film is breathtakingly beautiful, leaving no rock of the delectably dirty futuristic Berlin unturned, and what’s more, it is full of quirky little visual predictions of what the world will be like in twenty years (you know, mini-drones delivering food through the drone-only doggy door on windows, etc.). Plus, Paul Rudd was, in my opinion, an excellent casting choice, as his snarky-but-harmless star persona helps mask the darkness lurking deep within his character here.

(16) PASSING THROUGH. Renay praises a book: “Let’s Get Literate! In Other Lands by Sarah Rees Brennan” at Lady Business.

Portal fantasies feel like a staple of childhood. I missed most of the literary ones. I loved In Other Lands, but as much as it is a portal fantasy it’s also a critique of them, a loving celebration and deconstruction of their tropes and politics, and I probably missed 95% of everything this book does. Does it do what it set out to do well? Yes, says the portal fantasy newbie, whose experience with portal fantasy as a Youngster comes in the form of the following:

  • Through the Ice by Piers Anthony and Robert Kornwise
  • Labyrinth, starring David Bowie
  • The Neverending Story; too bad about those racial politics
  • Cool World starring Brad Pitt, which I watched when too young
  • Space Jam, the best sports movie after Cool Runnings

(17) X FOR EXCELLENT. Also at Lady Business, Charles Payseur returns with a new installment of “X Marks the Story: March 2018”, which includes a review of —

“The Secret Lives of the Nine Negro Teeth of George Washington”, Phenderson Djèlí Clark (published at Fireside Magazine, February 2018)

What It Is: As the title of this short story implies, it is a history of sorts of the people behind the teeth that George Washington bought to use for his dentures. Structured into nine sections, the story builds up a wonderfully imagined alternate past full of magic, monsters, and war—even as it uncovers the exploitation and abuse lurking at the heart of the very real history of the United States of America. Each story explores a different aspect of the past through a fantasy lens, and yet the truth of what is explored—the pain and atrocities that people faced under the rule of early America—rings with a power that echoes forward through time, reminding us of the origins, and continued injustices, of this country….

(18) RUSS TO JUDGMENT. Ian Sales takes a close look at “The Two of Them, Joanna Russ” (1978) at SF Mistressworks.

…The depiction of Islam in The Two of Them would only play today on Fox News. It is ignorant and Islamophobic. Russ may have been writing a feminist sf novel about the role of women, but she has cherrypicked common misconceptions about women in Islamic societies as part of her argument, and ignored everything else. This is not an Islamic society, it’s a made-up society based on anti-Islamic myths and clichés….

There’s a good story in The Two of Them, and the prose shows Russ at her best. Toward the end, Russ even begins breaking the fourth wall and directly addressing the reader. The narrative also discusses alternative outcomes of Irene’s story, probabilistic worlds and events that would naturally arise out of the premise of the Trans-Temporal Authority. Her depiction of Irene, contrasting both her lack of agency in 1950s USA and her agency in the Trans-Temporal Authority, makes an effective argument. But the attempt to contrast it with Islam is a definite mis-step….

(19) AUDIENCES LOVE NEXT DEADPOOL. The Hollywood Reporter learned “‘Deadpool 2’ Outscores Original in Test Screenings”.

The Ryan Reynolds-fronted sequel has been tested three times, with the scores for the first two screenings coming in at 91 and 97. The final test, which occurred in Dallas, tested two separate cuts simultaneously, which scored a 98 and a 94. The 98-scoring cut is the version the team is using, a source with direct knowledge told THR.

The crew attended the final screenings in Dallas, and a source in the audience of the 98 screening describing the environment to THR as being electric and akin to watching the Super Bowl.

It’s worth noting the highest test screening the original Deadpool received was a 91, according to insiders. The film went on to gross $783 million worldwide and stands as the highest-grossing X-Men movie of all time.

(20) VIDEO OF THE DAY. Isle of Dogs: Making of: The Animators” is a look at how 27 animators and ten assistants used state-of-the-art animation to make – you guessed it — Isle of Dogs..

[Thanks  to John King Tarpinian, JJ, Rich Lynch, Chip Hitchcock, Carl Slaughter, Cat Eldridge, Andrew Porter, Greg Hullender, Jason, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor Peer.]

Pixel Scroll 11/8/17 If You Can Scroll This Pixel, You Are Driving Too Close

(1) VISIT A BRADBURY HOME. The house Ray Bradbury lived in when he was 11 years old will be included in Tucson’s Armory Park home tour, which will be happening November 12.

From the outside, Dolores and Jerry Cannon’s house looks like an antique dollhouse with a white picket fence — not the kind of place one would think the author of such celebrated books as “Farenheit 451” or the “Martian Chronicles” once lived.

But it is — Ray Bradbury called the Armory Park home in 1931, when he was just 11. You can imagine where he might have gotten some of his early inspiration on the Nov. 12th Armory Park Home Tour which will include 15 homes.

The Bradbury family lived in Tucson, Arizona at two different times during his boyhood while his father pursued employment, each time returning to Waukegan.

(2) NO ENVELOPE, PLEASE. Adrian Tchaikovsky’s guest post for SFFWorld, “Mad Science and Modern Warfare”, describes the tech in his MilSF novel Ironclads.

Ironclads is set in the near future. There’s a lot in the geopolitics and social elements of the book that is a direct, albeit very negative extrapolation from the way things are now. The technology, though, goes to some odd places, and I was conscious of not just pushing the envelope but ripping through it a few times. I like my science fiction, after all, and some of what Ted Regan and his squad face up against has more fiction than science to it.

“Designed for deep insertion.”

Most of Ted’s own kit, and that of his squadmates Sturgeon and Franken, is not much different to a modern military payload, but then the chief lesson Ted’s learnt about the army is that they get yesterday’s gear compared to the corporate soldiers. Hence their vehicle, the abysmally named ‘Trojan’, is not so far off a modern armoured car – resilient and rugged but, as the Englishman, Lawes, says, “what soldiers get into just before they get ****ed”. Most of the rest of their kit is drawn direct from cutting edge current tech. Their robotic pack-mule is a six-legged version of the “Big Dog” robots currently being developed, and the translation software in Ted’s helmet isn’t much beyond what advanced phone apps these days are being designed to do.

(3) BREAKTHROUGH ARCHEOLOGY. “Unearthing a masterpiece” explains how a University of Cincinnati team’s discovery of a rare Minoan sealstone in the treasure-laden tomb of a Bronze Age Greek warrior promises to rewrite the history of ancient Greek art.

[Jack Davis, the University of Cincinnati’s Carl W. Blegen professor of Greek archaeology and department head] and Stocker say the Pylos Combat Agate’s craftsmanship and exquisite detail make it the finest discovered work of glyptic art produced in the Aegean Bronze Age.

“What is fascinating is that the representation of the human body is at a level of detail and musculature that one doesn’t find again until the classical period of Greek art 1,000 years later,” explained Davis. “It’s a spectacular find.”

Even more extraordinary, the husband-and-wife team point out, is that the meticulously carved combat scene was painstakingly etched on a piece of hard stone measuring just 3.6 centimeters, or just over 1.4 inches, in length. Indeed, many of the seal’s details, such as the intricate weaponry ornamentation and jewelry decoration, become clear only when viewed with a powerful camera lens and photomicroscopy.

“Some of the details on this are only a half-millimeter big,” said Davis. “They’re incomprehensibly small.”

…“It seems that the Minoans were producing art of the sort that no one ever imagined they were capable of producing,” explained Davis. “It shows that their ability and interest in representational art, particularly movement and human anatomy, is beyond what it was imagined to be. Combined with the stylized features, that itself is just extraordinary.”

The revelation, he and Stocker say, prompts a reconsideration of the evolution and development of Greek art.

(4) GRRM’S ROOTS. George R.R. Martin will make an appearance on a PBS series:

Day before last, I spent the afternoon with Dr. Henry Louis Gates Jr, taping a segment for his television series, FINDING YOUR ROOTS.

I thought I had a pretty good idea of my roots, but Dr. Gates and his crack team of DNA researchers had some revelations in store for me… and one huge shock.

PBS is currently airing Season 4 of Finding Your Roots, with episodes featuring guests Carmelo Anthony, Ava DuVernay, Téa Leoni, Ana Navarro, Bernie Sanders, Questlove, and Christopher Walken.

(5) PKD: STORY VS TUBE. Counterfeit Worlds, a blog devoted to exploring the cinematic universes of Philip K. Dick, has published a series of weekly essays comparing and contrasting each episode of Philip K. Dick’s Electric Dreams (which has been airing in the UK) with the original Philip K. Dick short story. The series will soon be available in the U.S. on Amazon.

Here’s a sample: “Electric Dreams Episode 1 The Hood Maker”.

The Short Story: Published in 1955, ‘The Hood Maker’ was—like the majority of Philip K. Dick’s work—incredibly prescient of the world we now live in. It opens with a scene of an old man attacked on the street by a crowd. The reason? He’s wearing a hood that blocks his mind from telepathic probe. One of the crowd cries out: “Nobody’s got a right to hide!” In today’s world where we seem happy to ‘give away’ our privacy to Facebook or Google in return for access, the world of Philip K. Dick’s hood maker is not all that alien….

The Television Episode: In bringing ‘The Hood Maker’ to television, screenwriter Matthew Graham faced a challenge. The material would obviously have to be expanded to fill an entire 50-60 minute episode of television, but exactly how that expansion was realized could make or break the show. The television version of ‘The Hood Maker’ is, as a result of that expansion, a mixed success.

Richard Madden stars as Clearance Agent Ross (using his natural Scottish accent, for a welcome change), while Holliday Grainger is the teep, Honor, assigned to him as a partner with special skills. This is a world, visually and conceptually, that is reminiscent of Blade Runner. Madden is dressed and acts like a cut-rate Rick Deckard, while the shanty towns, marketplaces, and urban environments (some shot in the Thamesmead estate made famous by Kubrick’s A Clockwork Orange—instantly recognizable, despite an attempt to hide it through all the murky cinematography and constant rain) all recall scenes from the first ever Philip K. Dick big screen adaptation. It seems, as ever, that any take on Dick’s work has to somehow pay homage to the foundation text of Blade Runner….

(6) BETANCOURT NEWS. John Betancourt has launched a membership ebook site at bcmystery.com (to go with their new Black Cat Mystery Magazine).

The model is subscription-based: for $3.99/month or $11.97/year, you get 7 new crime and mystery ebooks every week. We’re going through the Wildside Press backlist (currently about 15,000 titles) and digitizing new books from estates I’ve purchased. Wildside owns or manages the copyrights to 3,500+ mysteries. For example, this year I purchased Mary Adrian’s and Zenith Brown’s copyrights (Zenith Brown published as Leslie Ford and David Frome — she was a huge name in the mystery field in the 1950s and 1960s.)

(7) HE DIDN’T GO THERE. Did John W. Campbell kill his darlings? Betancourt reports discovering a new segment of a famous old science fiction classic:

Of SFnal interest, an early draft of John W. Campbell’s “Who Goes There?” has turned up amidst his papers. It’s 45 pages longer (!) with 99% of the new material taking place before the events in the classic story. I’m discussing what best to do with it with my subrights agents. I’m thinking of publishing it myself as a 200-copy limited hardcover edition.

(8) TODAY IN HISTORY

  • November 8, 1895 – X-rays discovered
  • November 8, 1969 Rod Serling’s Night Gallery aired its pilot episode.

(9) TODAY’S BIRTHDAY BOY

  • Born November 8, 1847 – Bram Stoker

(10) THE VIEW FROM INSIDE THE GLASS HOUSE. S.T. Joshi devoted 5,600 words to ripping the work of Brian Keene, as reported here the other day, leading to this priceless observation by Nick Mamatas:

(11) LTUE BENEFIT ANTHOLOGY. The annual Life, the Universe, & Everything (LTUE) academic symposium has been a staple of the Utah author community for decades. LTUE helps students of all ages by providing them with greatly discounted memberships. So that practice may continue, Jodan Press—in conjunction with LTUE Press—is creating a series of memorial benefit anthologies.

The first will be Trace the Stars, A Benefit Anthology in Honor of Marion K. “Doc” Smith. It will be edited by Joe Monson and Jaleta Clegg, and they have put out a call for submissions.

Trace the Stars, is a hard science fiction and space opera anthology created in honor of Marion K. “Doc” Smith. Doc was the faculty advisor to the symposium for many years before his passing in 2002. He had an especially soft spot for hard science fiction and space opera. From his nicknamesake, E.E. “Doc” Smith to Orson Scott Card, and Isaac Asimov to Arthur C. Clarke, these tales inspired him. This anthology will contain stories Doc would have loved.

We invite you to submit your new or reprint hard science fiction or space opera short stories to this anthology. Stories may be up to 17,500 words in length. Those wishing to participate should submit their stories to joe.monson.editor@gmail.com by July 31, 2018. Contracts will be sent to those whose stories are accepted by September 30, 2018. Stories not accepted for this anthology may be considered for future benefit anthologies for LTUE. The anthology is projected to be released during the LTUE symposium in February 2019 in electronic and printed form.

As this is a benefit anthology, all proceeds beyond the basic production costs (such as ISBN and any fees to set up distribution) will go toward supporting the symposium in its goals to inspire and educate authors, artists, and editors in producing the next generation of amazing speculative fiction works.

(12) MONSTROUS BAD NEWS. Dangerous games: “Caught Up In Anti-Putin Arrests, Pokemon Go Players Sent To Pokey”.

To be sure, Sunday’s arrests at Manzeh Square near the Kremlin are serious business: Authorities say 376 people described as anti-government protesters linked to the outlawed Artpodgotovka group were rounded up. The group’s exiled leader, Vyacheslav Maltsev, called the protest a part of an effort to force President Vladimir Putin to resign.

“We showed them that we’re all really trying to catch Pokémons. Police asked us why we all gathered together. One of us answered. ‘Try catching it on your own,'” one player, identified as a 24-year-old history studies graduate named Polina, told The Moscow Times.

What we might call the “Pokémon 18” now faces court hearings next week on charges of violating public assembly rules. The infraction carries a fine of 20,000 rubles ($340), according to the newspaper.

(13) A STITCH IN TIME. The BBC profiles another set of women who make significant contributions to the space program in “The women who sew for Nasa”

Without its seamstresses, many of Nasa’s key missions would never have left the ground.

From the Apollo spacesuits to the Mars rovers, women behind the scenes have stitched vital spaceflight components.

One of them is Lien Pham, a literal tailor to the stars – working in the Jet Propulsion Laboratory’s shield shop to create thermal blankets, essential for any spacecraft leaving Earth.

It may not sound glamorous, but Lien does work with couture materials.

The Cassini mission, her first project at Nasa, went to Saturn cloaked in a fine gold plate for durability over its 19-year journey.

(14) RECOGNIZABLE TRAITS. Sarah A. Hoyt’s survey of the characteristics of various subgenres of science fiction is interesting and entertaining — “Don’t Reinvent The Wheel”. Here are a few of her notes:

Hard SF comes next.  It’s usually — but not always — got some element of space.  Even if we’re not in it, this change whatever it is, relates to space.  Again, not always, but the ones that sell well seem to have this.  I’ve talked a bunch about the genre above, so no more on it need be said.

Next up is Time Travel science fiction.  This differs from time travel fantasy in that the mechanism is usually explained in science terms, and from time travel romance in that there are usually (but not necessarily) a lot fewer hot guys in kilts.  Either the dislocated come to the present, or we go to the past.  Your principal care should be that there should be a semi-plausible mechanism for time travel, even if it’s just “we discovered how to fold time” and if you’re taking your character into historic times, for the love of heaven, make sure you have those correct.  My favorite — to no one’s surprise — of these is The Door Into Summer which does not take you to past times.  Of those that do, the favorite is The Doomsday Book by Connie Willis.  My one caveate, re: putting it on Amazon is for the love of heaven, I don’t care if you have a couple who fall in love, do not put this under time travel romance.  Do not, do not, do not.  You know not what you do.

Next up is Space Opera — my definition, which is apparently not universal — Earth is there (usually) and the humans are recognizably humans, but they have marvels of tech we can’t even guess at.  The tech or another sfnal problem (aliens!) usually provides the conflict, and there’s usually adventure, conflict, etc.  My favorite is The Moon Is A Harsh Mistress.  (And by the knowledge of his time I think it was hard SF except for the sentient computer which we STILL don’t have.  Yes, I cry when Mycroft “dies” What of it?)

(15) POPPYCOCK. Shaun Duke is touchy about the notion that there is such a thing: “On the “Right” Kind of Reviews”.

One of the things that often bothers me about the reviewing process is the idea that some reviews are inherently more valuable than others. By this, I don’t mean in the sense of the quality of the writing itself; after all, some reviews really are nothing more than a quick “I liked it” or are borderline unreadable. Rather, I mean “more valuable” in the sense that different styles of reviewing are worth more than others. While I think most of us would agree that this is poppycock, there are some in the sf/f community who would honestly claim that the critical/analytical review is simply better than the others (namely, the self-reflective review).

Where this often rears its head is in the artificial divide between academia and fandom-at-large (or “serious fandom” vs. “gee-golly-joyfestival fandom”). I don’t know if this is the result of one side of fandom trying desperately to make sf/f a “serious genre” or the result of the way academics sometimes enter sf/f fandom1. But there are some who seem hell bent on treating genre and the reviews that fill up its thought chambers as though some things should be ignored in favor of more “worthy” entries. I sometimes call these folks the Grumble Crowd2 since they are also the small group of individuals who appear to hate pretty much everything in the genre anyway — which explains why so much of what they do is write the infamous 5,000-word “critical review” with nose turned up to the Super Serious Lit God, McOrwell (or McWells or McShelley or whatever).

(16) ICE (ON) NINE. Amazing Stories shared NASA’s explanation about “Giant Ice Blades Found on Pluto”, our (former) ninth planet.

NASA’s New Horizons mission revolutionized our knowledge of Pluto when it flew past that distant world in July 2015. Among its many discoveries were images of strange formations resembling giant blades of ice, whose origin had remained a mystery.

 

(17) MARVEL’S LOCKJAW. Call me suspicious, but I’m inclined to be skeptical when I see that the author of a comic book about a dog is named “Kibblesmith.”

He’s been a breakout star since he could bark, a faithful sidekick to his Inhuman masters, and has helped protect an empire. Now, he’s got his own mission to take on — Marvel is excited to announce LOCKJAW #1, a new four-part mini written by Daniel Kibblesmith with art by Carlos Villa.

When Lockjaw finds out his long-lost siblings are in danger, he’ll embark on a journey which will result in a teleporting, mind-bending adventure. “We’re super excited about this book. Daniel Kibblesmith—a hilarious writer who works on The Late Show and recently published a book called Santa’s Husband—has cooked up an incredibly fun, heart-filled romp around the Marvel Universe,” said series editor Wil Moss. “Back in BLACK BOLT #5, writer Saladin Ahmed and artist Frazer Irving finally settled the mystery of Lockjaw’s origin: He’s definitely a dog, birthed by a dog, who happens to have the power of teleportation. But now we’re going even further: How did Lockjaw obtain that power? And is he really the only Inhuman dog in the universe? So in issue #1, we find out that Lockjaw’s got brothers and sisters. From there, we’ll be following everybody’s best friend around the universe as he tracks down his siblings—along with a surprising companion, D-Man! It’s gonna be a fantastic ride, all beautifully illustrated by up-and-comer Carlos Villa! So grab on to the leash and come with!”

You heard us: Grab a leash, prepare your mind, and teleport along with Lockjaw when LOCKJAW #1 hits comic shops this February!

(19) ANOTHER OLD NEIGHBORHOOD. See photos of “The birth, life, and death of old Penn Station” at NY Curbed. Andrew Porter recalls that the hotel across the street from the station was the site of numerous comics and SF conventions, including the 1967 Worldcon and SFWA banquets, etc. Porter says:

The Pennsylvania Hotel was built directly across the street, to capture the trade of those using the Pennsylvania Railroad to get to NYC. At one time, the hotel had ballrooms (replaced with TV studios), swimming pools, etc. Renamed the Statler-Hilton in the 1960s, re-renamed the Pennsylvania Hotel in recent decades. The hotel’s phone number remains PEnnsylvania 6-5000, also a famous swing tune written by Glenn Miller, whose band played there before World War Two.

The current owners of the hotel planned to tear it down, replace it with an 80-story office building (shades of Penn Station!) but those plans fell through a couple of years ago.

[Thanks to John King Tarpinian, JJ, Cat Eldridge, Martin Morse Wooster, Chip Hitchcock, Carl Slaughter, and Andrew Porter for some of these stories, Title credit goes to File 770 contributing editor of the day Peer.]

Pixel Scroll 7/26/17 Fifth File At Scrollory Towers

(1) CAPTAIN’S LOG. Actor John Barrowman had his appendix out the other day.

(2) MARCH. After a Saturday panel about the March comics, fans followed the history-making co-author in a re-enactment: io9 has the story — “Rep. John Lewis Leads March for Civil Rights Through Comic-Con”.

Congressman John Lewis (D-Ga.) was at San Diego Comic-Con on Saturday discussing his award-winning graphic novel, March, which resulted in a real march for civil rights awareness.

After Lewis’ panel ended, he led a group of over 1,000 people through the San Diego Convention Center, with some shouting “No justice, no peace” as they marched past cosplayers and attendees. According to the Associated Press, Lewis made sure to stop and shake hands with people who recognized him as he passed.

(3) HELSINKI DINING TIPS. Worldcon 75 has posted its Restaurant Guide [PDF file].

Helsinki is currently undergoing a “fun dining” wave. It seems not a day goes by without a new street food restaurant being opened on one corner or another, from Mexican burrito shops to a boom of high-quality burger joints. At the same time, many Helsinki restaurateurs are opening casual fine dining restaurants, where the food is top-notch but the atmosphere is laid-back. Helsinki also has many restaurants with long histories and traditions…

(4) 2017 NASFiC REPORT. Evelyn Leeper’s NorthAmeriCon ’17 / NASFIC 2017 con report is online at Fanac.org.

This is a convention report for NorthAmeriCon ’17 (NASFIC 2017, and henceforth referred to as just NASFIC), held in San Juan, Puerto Rico, July 6-9, 2017, with a little bit of sightseeing thrown in (because a separate report would not be worthwhile).

It is with some trepidation I start this report. We had never attended a NASFIC before. For a long time we always went to Worldcon, and for the recent years where we skipped the overseas Worldcon, the NASFIC seemed like a misguided attempt to be a substitute. But a NASFIC in Puerto Rico was very appealing for a couple of reasons: I am half Puerto Rican, and we could take a tour of the Arecibo Telescope. And of course, I figured it was a chance to connect with authors and old friends and all that….

(5) THE GOOD, THE WEIRD, AND THE SCROLLY: Over at Featured Futures, Jason comments on the month in webzine fiction with a list of links to remarkable tales — “Summation of Online Fiction: July 2017”.

Aside from a two-part novella from Beneath Ceaseless Skies (which was just a flash away from counting as a novel), July was a relatively light month in the webzine world. The number of noteworthy stories is also light, but Clarkesworld continued its resurgence with a July issue that was probably even better overall than the June (though each had a standout story), Ellen Datlow picked another for Tor.com, and some other zines also contributed particularly good work.

(6) HITTING THE TARGET. Having seen some make the wrong choice, Sarah A. Hoyt advises indie authors to find “The Right Slot” – to be sure they’re marketing their work in its proper genre. In her latest column for Mad Genius Club she takes a cut at defining several genres, beginning with fantasy.

The SUBJECT determines genre.  A non exhaustive list of genres and subgenres and subjects (this is off the top of my head and I’ll miss some.  If you guys want an exhaustive list it will take a long time.)

Fantasy – Anything that is technically impossible in our reality, by our physical rules, including but not limited to supernatural beings, all the creatures of Tolkien, etc.  Often draws on the myths and legends of mankind.

Has subgenres: High Fantasy – Tolkien-like.  Also often known as heroic fantasy.

Alternate history – usually where magic works, but still related to our world.

Urban fantasy, which might of might not be a subgenre of alternate history.  It’s not just “fantasy in a city.”  Although both F. Paul Wilson’s Repairman Jack and Larry Correia’s monster hunters are technically urban fantasy, as is my Shifter series, it would be more honest to call it “contemporary fantasy.”

Urban fantasy has a structure added to the theme and location, and that often involves a young woman with powers, a love interest on the dark side, etc.  Think Buffy the Vampire Slayer.

Paranormal Romance – Like Urban Fantasy but way more in the romance and sex side.  In fact, it’s more a subgenre of romance, really.

(7) SF WORTH WAITING FOR. T.W. O’Brien declares “The Future Library Is a Vote of Confidence Humanity Will Make It to 2114” at B&N Sci-Fi & Fantasy Blog.

The work of Scottish artist Katie Paterson is nothing as mundane as oil on canvas or carved marble. Her works includes  Timepieces—nine clocks showing the time on the planets of our solar system, plus the Earth’s moon (Pluto still loses out); Fossil Necklace—170 beads carved from fossils, each representing a major event in the 3 billion year history of life on Earth; and Campo del Cielo, Field of Sky—a 4.5 billion year old meteorite, melted then recast into a replica of its original form, and finally returned to space by the European Space Agency.

In May 2014, Paterson planted 1000 Norwegian spruce trees in a forest north of Oslo, Norway. The plan is to harvest them in 2114 for paper to print a limited edition anthology of books. Each year, starting in 2014, an author was to be invited to write a book for Paterson’s project, Future Library; he or she will have one year to complete the work, which then won’t be read  until well after the turn of the next century. 

The completed manuscripts will be kept in a specially designed room on the fifth floor of the New Deichmanske Library in Oslo. The authors’ names and the book titles will be on display, but the manuscripts themselves will be unread until the anthology is published in 2114.

(8) THE ELVISH SPECTRUM.

Key: First row vertical: Hugo Weaving, Lee Pace, Cate Blanchett from The Hobbit as Elrond, Thranduil, and Galadriel. Second row vertical: Marvel: Red Skull (Captain America: The First Avenger), Ronan the Accuser (Guardians of the Galaxy), Hela (Thor: Ragnarok)

(9) JORDIN KARE. Paul Gilster mourns the astrophysicist and filker in two excellent posts at Centauri Dreams, “Remembering Jordin Kare (1956-2017)”, and “SailBeam: A Conversation with Jordin Kare”.

Looking around on the Net for background information about Jordin Kare, who died last week at age 60 (see yesterday’s post), I realized how little is available on his SailBeam concept, described yesterday. SailBeam accelerates myriads of micro-sails and turns them into a plasma when they reach a departing starship, giving it the propulsion to reach one-tenth of lightspeed. Think of it as a cross between the ‘pellet propulsion’ ideas of Cliff Singer and the MagOrion concept explored by Dana Andrews.

(10) TODAY’S BIRTHDAY BOYS

  • Born July 26, 1894 – Aldous Huxley
  • Born July 26, 1928 – Stanley Kubrick

(11) A LIST TOP DC MOVIES. Io9 gives you “All 28 DC Animated Original Movies, Ranked”. Why isn’t the new Wonder Woman movie #1? Because, like the title says, this is a list of their animated movies. Cancel the heart attacks…

This list contains the 28 DC Animated Original movies released so far, ranked from worst to best on the quality of their story, characters, and adaptation of the source material….

(12) STEAL LIKE AN ARTIST. Wil Wheaton heartily endorses

Steal Like an Artist, by Austin Kleon, is essential reading for all artists.

It’s a quick read that you can finish in one sitting, but the ideas and advice it contains will stay with you long after you’ve put it down. Some of Austin’s suggestions will validate what you’re already doing, some will challenge you to fundamentally change a creative practice, others will inspire you to grab a notebook and get to work immediately.

Because it’s such a small and accessible book, you’ll want to go back to it from time to time. Just like Stephen King’s On Writing, as you change and grow as an artist, it reveals new ideas and inspirations to you that you may have missed on a previous read.

This is a fantastic addition to your library, and a wonderful gift for any creative person in your life.

(13) WIELD THE POWER. I can’t possibly resist reading an item headlined “Wow, the Iron Throne Makes an Excellent Phone Charger!” – at Tor.com.

YouTube crafters Natural Nerd have a new video up showing viewers how to make their own custom Iron Throne phone charger. It’s marvelously simple, and could make for a good starter project if you’re interested in exploring nerd crafts. Basically, make a throne out of blocks of wood, glue on a ton of cocktail swords, coat in metallic paint, and thread in the charger cord, and you’re there!

(14) SUPERMAN WITH A ‘STACHE. Henry Cavill’s upper lip is a story: “Justice League’s telling reshoots involve Joss Whedon, more banter, absolutely no mustaches”.

Superman can do anything, it seems, but have a mustache. Or to be more accurate, it’s Henry Cavill’s mustache that’s reportedly causing some problems for Warner Bros.’ upcoming Justice League movie, which is due to be released on November 17 but is nonetheless currently undergoing extensive reshoots (which are generally filmed to fix or replace scenes that aren’t working). After initial filming on Justice League was complete, it seems that Cavill reasonably assumed he was done playing the smooth-jawed Man of Steel for a minute and grew out his facial hair for a part in the next Mission: Impossible movie. According to a new Variety report, however, Justice League is being retooled so much — with an assist from The Avengers’ Joss Whedon, no less, now that director Zack Snyder has stepped away from the project to cope with his daughter’s recent death — that Warner Bros. has agreed to just digitally remove Cavill’s mustache from any reshot Justice League scenes rather than lose any more time.

But Jon Bogdanove thinks it would make a great addition.

(15) MARVEL VALUE STAMPS. The publisher is bringing them back:

Who saved them? Who clipped them? Who collected them? This fall, the Marvel Universe returns to an untapped corner of its expansive history for MARVEL LEGACY with the return of the Marvel Value Stamps. Just as Marvel Legacy is bridging the past and the future of Marvel’s iconic universe, this nostalgia-based program is designed to excite new readers. Comic fans may remember these fondly, while new fans and the uninitiated will be able to enjoy them without destroying their prized possessions!

Inspired by the classic 1970’s program where different stamps could be clipped from the letters page of Marvel books, fans will be able to collect stamps featuring all their favorite Marvel characters. These stamps will be on inserts within the regular cover editions for all first issue Marvel Legacy titles, beginning with titles debuting in October. And a proper homage to these collectible stamps wouldn’t be complete without a collectible stamp album – to be revealed!

(16) THE OLDS. At Galactic Journey, Victoria Silverwolf leads into her review of the latest (August 1962) issue of Fantastic with a survey of the news — “[July 26, 1962] The Long and Short of It (August 1962 Fantastic)”.

…AT&T launched Telstar, the first commercial communications satellite (which we’ll be covering in the next article!)

The world of literature suffered a major loss with the death of Nobel Prize winning author William Faulkner.

In Los Angeles, young artist Andy Warhol exhibited a work consisting of thirty-two paintings of cans of Campbell’s Soup….

(17) GAZE INTO THE FUTURE. And don’t forget to sign up for Galactic Journey Tele-Conference #2, happening Saturday, July 29, where they’ll present their predictions for the 1962 Hugo Science Fiction Awards.

(18) THE PLAY’S THE THING. A local community theater in Urbana, IL is staging Jordan Harrison’s 2014 play Marjorie Prime, recently produced as a movie. It runs July 27-August 12. An interview with the director is here. Get tickets here.

Marjorie Prime, written by Jordan Harrison and directed for the Station by Mathew Green, is a near-future play where technology has gone just a little farther than today. In the show, Tess is caring for her elderly mother, and Tess’ husband Jon advocates for the use of an artificial intelligence companion called a “Prime”. Primes are designed to help a particular person, in this case Marjorie, record and retain their memories, often taking the form of someone close to the subject.

(19) LIFE UNPLUGGED. Gareth D. Jones discusses “The Real Town Murders by Adam Roberts (book review)” at SF Crowsnest.

….One of the consequences of Alma’s divorce from the on-line Real Town is that she can no longer check references and definitions and she quickly realises that everyone’s speech is littered with literary and historical references. This makes an interesting game for the reader, too, attempting to parse and divine all of the little jokes and quotes that Adam Roberts has thrown in along the way. To add to the interest, characters who spend much of their time on-line find real-life speech difficult so that several conversations consist of stammering and stuttering and the breaking of words into individual syllables replaced with homophonous single-syllable words. It’s quite fun to follow the convoluted and sometimes rambling speech.

The basic plot of the book follows Alma’s investigations into the miraculously-appearing dead body, with a secondary investigation into a mysteriously skinny man…..

(20) A BOY CALLED PERCY. At Black Gate, Derek Kunsken tells when he learned the true theme of a famous YA series: “Crappy Parents All Around: A Look At Rick Riordan’s Percy Jackson Series”

…Eventually, I recommended it to a friend for his kids, who were complaining about their road-tripping. When my friend got back, he thanked me for the rec and said “It’s all about shitty parents.”

For some reason, I hadn’t clued into this as the theme. Perhaps I’d taken it as straight-on adventure. Maybe I hadn’t considered how lucky I am to have the parents and extended family I did. Then it occurred to me what a giant strategic advantage it was to Riordan to have linked crappy parents to the Greek myths.

Percy is of course pretty miffed at times about having Poseidon essentially be a dead-beat dad whom he doesn’t meet until he’s twelve and who really doesn’t meaningfully interact with him even after that. He has a crappy step-dad to boot, but he’s not the only one with parental issues….

(21) IN VINO. Martin Morse Wooster has sent File 770 lots of beer label stories. Now he tries to even the score by reporting that Australian wine lovers can enjoy Some Young Punks‘ vintage “Monsters Monsters Attack!”

A full 750ml of Monster Mayhem bottled up for far too long breaks and takes over the unsuspecting city. Trixie and Tessa’s middle names are danger and adventure but is the maelstrom released by the raging beast too fierce to be calmed by their charms? Will they arrive in time or will a deadly rage be realised.

Variety / Vintage     2015 Clare Valley Riesling

Vineyards     We sourced fruit from two sites in the Clare Valley; Mocundunda and Milburn. All the fruit was whole bunch pressed before fermentation in a mixture of stainless and neutral oak by a mixture of cultured and indigenous yeast. Post ferment the wine is merely stabbed and filtered prior to bottling.

(22) ONCE TOO OFTEN. Adam-Troy Castro files a grievance: “’What if I Told You’ There Was Another Way to Impart Exposition?”

Thing that I am getting awfully sick of, in dramatic presentations of sf/fantasy works.

Honestly, if I ever see this again, it will be too soon.

The exposition-sentence that begins with, “What if I told you–”

Usually followed by something that sounds batshit insane to the person who’s been living a normal life until that moment.

I first became aware of this with Laurence Fishburne in THE MATRIX, but it has become the go-to form, and I just saw it with the trailer for the new TV series, THE INHUMANS. I think but cannot be sure that it was in DOCTOR STRANGE too. But it’s certainly all over the place….

(23) YOU COULD ALWAYS TRY THE AUTOGRAPH LINE. Here are the places George R.R. Martin will not be signing at Worldcon 75:

For those of you who want books signed, please, bring them to one of my two listed autograph sessions. I will NOT be signing before or after panels, at parties, during lunch or breakfast or dinner, at the urinal, in the elevator, on the street, in the hall. ONLY at the autograph table. If the lines are as long as they usually are, I’ll only be signing one book per person.

You can also find his programming schedule at the link.

(24) LAUGH WARS. Martin Morse Wooster says Star Wars Supercuts:  Parodies of The Trench Run is “a really funny four-minute mashup from IMDB of lots of parodies of the Death Star Trench Run. I particularly liked the Family Guy bit where Red Leader is followed by Redd Foxx, Red Buttons, and Big Red chewing gum…”

[Thanks to John King Tarpinian, Jason, Evelyn Leeper, Cat Eldridge, JJ, Jim Meadows, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Nigel.]

Pixel Scroll 6/26/17 Tyme Scrollfari, Inc. Scrollfaris Tu Any Pixel En The Fyle

(1) OFF THE TOP OF HER HEAD. In “Nattering Social Justice Cook: Celebrating Rainbow Hair”, Cat Rambo delves into the history and symbolism of the hairstyle.

A common adjective in many of the more conservative, alt-right, and other theater-of-outrage rants I’ve seen in the past couple of years is “rainbow-haired,” never in a positive sense. It’s usually paired with some form of “social justice warrior,” and often accompanied by an emotional catch-phrase or verbiage like “feels” or “drinking the tears.” There’s a lot of interesting stuff built into that particular fixation. So let’s dig around to find what’s contained in the phrase and its use in this pejorative sense….

Rainbow hair is grounded in a counter-cultural movement. It celebrates individuality and a certain DIY spirit (there is no shame in going to the salon for it, but I find it much more fun to do my own). It celebrates one’s appearance, draws the eye rather than shrinking away from it. It is something beautiful that those who don’t fit inside normal standards of beauty can have. It is playful, joyful, delightful at times.

Very recently it has spread like wildfire, and many of the people adopting it are millennials. This gives the anti-rainbow hair sentiment a double-whammy, providing an “oh these kids nowadays” moment while slamming anyone older for acting overly young. (Which implies that’s a bad thing, which isn’t a notion I agree with).

Here’s something that I think often makes conservative minds bristle: it confuses gender norms. In traditional thinking, men aren’t supposed to care about or celebrate their appearance in the way women are. But rainbow hair appears all over the gender spectrum. Pull in the strand of meaning associated with gay pride, and the objectionability quotient increases.

There’s a reason alt-right and other manifestations of conservative trollish rhetoric so often focuses on appearance, on fat-shaming or fuckability or even how a new Ken-doll wears their hair. It’s a reversion to the schoolyard insult, the way insecure children will be cruel to others in order to try to build their internal self-worth, a behavior many, but sadly not all, outgrow. Worthy of an essay in itself is the fact that it’s also behavior advantageous to advertisers: anxious consumers who want to fit in are willing to spend money in the effort.

(2) TURNOVER AT MAD. ComicsBeat knows the name of the next bullgoose loony: “Dept. of Funny Business: Bill Morrison is named new Executive Editor of Mad Magazine” .

Ending a suspenseful watch that lasted a few months, the white smoke has finally risen from DC Entertainment, signaling the election of a new pope of humor: Bill Morrison will be the new executive editor of Mad Magazine when it moves westward later this year.

…Well, every irreplaceable person seems irreplaceable until you find someone who will do the job differently but as well, and so it is with Morrison, an animation and comic veteran who has worked with the Bongo Comics line of Simpson Comics and many other hilarious things for years. He’s a great cartoonist himself and knows the score up and down and inside out.

(3) DORTMUND DOCKET. Detailed panel notes are the highlight of Tomas Cronholm’s report about “U-Con, Eurocon 2017”.

This was a fairly small Eurocon, with 375 attending members. The venue was some kind of school, with a big hall suitable for the main programme and some smaller rooms, a bar and a dealers’ area. Perfect for the size of the convention. Here are some reports from the programme items

(4) SPACE RELIC CONSERVATION. The Apollo XI spacecraft goes on the road: “Moonwalkers’ Apollo 11 Capsule Gets Needed Primping For Its Star Turn On Earth”

Until recently, the capsule sat in the main lobby of the National Air and Space Museum, where it had been since the museum opened in 1976. Conservator Lisa Young says that occasionally workers would open up its Plexiglas case to look it over or put in new lighting.

“But it never really went under a full examination or investigative analysis as to all of the certain materials on there, how stable they are,” says Young, who is working on the spacecraft now in a restoration hangar at the Smithsonian’s Steven F. Udvar-Hazy Center in Chantilly, Va., outside of Washington, D.C.

“Our big job as conservators right now is to figure out, if we are going to put it back on display permanently, what could be happening to it in 50 years,” says Young, who wants to prevent future deterioration.

(5) SKYFULL. SpaceX non-fiction double feature: “SpaceX completes launch and landing double bill”

Late on Friday, [SpaceX] used one of its refurbished Falcon 9 vehicles to put up a Bulgarian satellite from Florida.

Then on Sunday, SpaceX lofted another 10 spacecraft for telecommunications company Iridium. This time, the rocket flew out of California.

Both missions saw the Falcon first-stages come back to Earth under control to drone ships that had been positioned out on the ocean.

(6) AUTHORIAL PALETTE. There’s an overview of Ben Blatt’s research in this PRI article: “A journalist uses statistics to uncover authors’ ‘cinnamon words'”.

In the book, Blatt refers to these patterns as an author’s “stylistic fingerprint.” In one line of inquiry, he dusts for prints by calculating famous authors’ favorite words — the terms they use “at an extreme ratio” compared to other writers. He calls them “cinnamon words,” after an anecdote about the novelist Ray Bradbury.

“The motivation for looking at this was, I had read this book that just asked authors their favorite words, and Ray Bradbury said, ‘My favorite word is cinnamon because it reminds me of my grandmother’s pantry,’” Blatt says.

Sure enough, Bradbury’s fans can find the word cinnamon sprinkled throughout his writing, from descriptions of dusty roads and red-brown hills to the dark Egyptian tomb that “breathed out a sick exhalation of paprika, cinnamon and powdered camel dung.”

“So, he’s using it all the time,” Blatt says. “And building on that, I wanted to look at hundreds of other authors to see, were there other similar words that were jumping out of a writer’s inner voice.”

(7) FLUXBUN WARNING. The new PhotonFlux bar in Wellington, New Zealand will celebrate World UFO Day on July 2.

Years in the making Anton and Nina imaged what the future would be like. Will it be a post-apocalyptic survival or, a future where everybody wears the same thing and live in peace with robots in a bubble city.

Either way we want to take photos of it, gather evidence and travel there.

Photonflux is the place where possible future will be planned, discussed and changed.

The headquarters offers the revolutionary fluxbun, a fried dough filled with various flavours in a casual setting. For World UFO Day your filling will be in the hands of our creative chef.

However if you do not wish to be pleasantly surprised you can pick from our menu.

Chris Barlow gave it a thumbs up review on Google Plus.

One of a kind, a sci-fi themed bar in Wellington! Like stepping into another dimension – as you enter you’re immediately surrounded by eye-popping visuals straight out of the film set. Delicious “Flux buns” are teleported care of the in-house “galactic food truck”, complemented by an eclectic range of tap beer. A must see in Wellington.

(8) TRIVIAL TRIVIA

Theoretical physicist Stephen Hawking once hosted a reception for time travelers — but only advertised the event after it had ended. [Source: Huffington Post.]

(9) TODAY’S ANNIVERSARY BOOK

(10) LATE ADOPTER. In honor of the anniversary, John Scalzi tells how he found his way to Platform 9-3/4: “Harry Potter and the Initially Dismissive But Ultimately Appreciative Fan”.

But as it turns out neither Harry Potter nor J.K. Rowling were done with me. First, of course, it turned out that Harry Potter, Hermione Granger and Ron Weasley (and Rowling) weren’t Tears for Fears; they were the Beatles. And like the Beatles they weren’t just popular. They materially changed common culture — for a start, because they also changed the industry that they came out of, and the work of everyone in their field, who either responded to them or were influenced by them. Now, one may, like me, decide a phenomenon like that isn’t for you, but when literally(!) the world is changing to deal with and make room for that phenomenon, you still have to acknowledge that it’s there and work with it, or at least around it. Particularly when and if, like me, it comes out of the fields (in this case publishing and writing) you hope to be in, and in my case were eventually part of.

Second, I found another way in to Rowling’s wizarding world: through the movies, which were for me in a way that I, from that snippet of the second book, assumed the books were not. In retrospect this is not at all surprising — I was a professional film critic for several years, and I’ve written two books on film, and, as anyone who has ever read my novels can tell you, the storytelling structure of film is a huge influence on my storytelling in prose. My professional and creative interest in film helped that version of Harry Potter’s story speak to me.

(11) CIRCULAR REASONING SQUAD. In a post densely filled with animated GIFs, Sarah A. Hoyt responds to her critics on the right and what they had to say about her recent Sad Puppies-themed post for Mad Genius Club.

I did not feel guilty about a) not turning over Sad Puppies to someone else. Sad Puppies was Larry’s, then Brad’s, then Kate’s, and is now mine and next year will be mostly Amanda’s. We were in it from the beginning, and we have decided long ago that it would stay within the cabal, because none of us — all of us public figures to a degree or another — can afford to have something associated with our name taken down a crazy road without us having control over it. b) Not putting up a list for the Hugos — I was never going to put up a list. And I feel queasy about encouraging people to vote for an award that has been so thoroughly tainted. c) Not putting up a list for the Dragon. The Dragon is bigger than any of us. Some small names got in last year, but they were just because it was the first time. Right now I’m not big enough for the dragons, and I doubt any who covet it are either. d) I thought it was time to get out from between the fight of the Volksdeutshe expatriate and the guardians of chorfdom…

And she addresses specific criticisms about her latest Mad Genius Club post by saying she doesn’t understand why they’re down on her.

So, imagine my surprise when my post immediately attracted two commenters yelling at me for… well… actually I have no idea because most of it makes no sense. You guys can see the comments yourselves. There’s something about me looking down on people who don’t use the right oyster fork. You guys know my background and my question on this is… there’s a FORK? FOR OYSTERS? Why?

The other one apparently had something about me slandering other puppy-descended movements, which frankly… was news to me. First slander doesn’t mean what they think it means. Second, I’m fairly sure to slander them I’d have to mention them, and I don’t recall I have, except for Superversive, for whose anthology, Forbidden thoughts I wrote a short story. (It was as a press of that name needs to make it a rather more on-the-nose anthology than I’d have made it, but the point is I wasn’t the editor, the stories weren’t mine to choose, and it would be a funny world if my aesthetics were the only ones that counted, right? So, saying they have different tastes from me doesn’t count as a slander, right? particularly when I still wrote for them. Either that or I don’t know what slander means. Maybe I slandered them BY writing for them? I’m SOOOOOOO confused.)

(12) UNFRIENDLY FIRE. In addition to the comments there, Hoyt’s Mad Genius Club post about Sad Puppies also attracted some large bore artillery fire from Russell Newquist, “This Is What A Complete Leadership Failure Looks Like”, for the inactivity of SP5 in general, and her chastising Declan Finn for trying to jumpstart it last January.

Sarah Hoyt’s leadership of the Sad Puppies V campaign is a classic case study in leadership failure. If you ever want the absolute pitch perfect example of what not to do in a leadership position, look no further. This tale has everything: incompetence, insanity, bullying, harassment, technical difficulties, lack of vision, and just plain bitchiness. If I tried to create an example of bad leadership from scratch, I couldn’t make one this complete. If she were trying to destroy the Sad Puppies campaign and help the other side, she couldn’t have done a better job of it.

This, my friends, is a tail of abject, utter fail.

Sad Puppies V (SPV from here out) failed in literally every conceivable way, so this may take a bit. Bear with me….

(13) POLITICAL AUTOPSY. I spotted the Hoyt and Newquist links above in Camestros Felapton’s post “Sad Popcorn” where he tries to make sense of it all. If that’s possible.

(14) D&D HISTORY. Cecilia D’Anastasio tells Kotaku readers “Dungeons & Dragons Wouldn’t Be What It Is Today Without These Women”, though her very first illustration seems strangely out of synch with the rest of her case:

Almost every copy of the first Dungeons & Dragons adventure written by a woman is buried in a landfill in Lake Geneva, Wisconsin.

Those copies, published in 1980, were the masterwork of a game designer named Jean Wells, who worked for D&D’s first publisher, TSR. Wells designed Palace of the Silver Princess to her tastes, and with no regard for TSR’s mandate to make the game more kid-friendly. At one point in the module, players encounter a beautiful young woman hanging from the ceiling, naked, by her own hair. “Nine ugly men can be seen poking their swords lightly into her flesh, all the while taunting her in an unknown language,” the module reads. In-game, this scene turns out to be a simple magical illusion—but the accompanying illustration included in the module that TSR shipped to hobby shops nationally was not.

“A little bit of bondage here, a little torture there, worked its way into the Palace of the Silver Princess module,” Stephen Sullivan, a close friend of Wells and the adventure’s editor, told me. After it was properly reviewed—post-production—TSR’s executives went ballistic. Seventy-two hours after Palace of the Silver Princess was released, it was retracted.

“It was what Jean wanted it to be,” Sullivan said of the module. (Wells passed away in 2012.) “It was her baby. And for another place and another time, it probably would have been just perfect,” Sullivan said. Those retracted modules, now dubbed the “orange versions,” are buried somewhere under Lake Geneva’s flat, Midwestern landscape. It was soon rewritten by D&D designer Tom Moldvay and redistributed with Wells’ name relegated to the second credit.

(15) TOP NOVELS. Edmonton’s Hugo Award Book Club has been burning the midnight oil: here’s their discussion of two more nominees.

Second-Book Syndrome

Perhaps the book suffers from being the second in a trilogy. As such, it can’t have the originality and vigor of a first book and also can’t have as epic a conclusion as a third book.

Jemisin’s strength as a writer and deft social commentary make this a worthwhile read. Questions of race, class and gender are explored thoughtfully and with nuance. The characters speak with their own voices, and grow.

Alabaster’s slow decline as he tries to pass along knowledge to Essun, and Essun’s growing control of her magic could have been nothing more than a Hero’s Journey ™ like that of Obi-Wan and Luke. But Jemisin’s more nuanced character building elevates this relationship to something more touching and poignant.  Again, she raises the readers’ expectations as they progress through the book.

 The End Is Nigh Again

One of the recurring themes in “big” science fiction is the impending end of the world. In Death’s End, the end of the world is nigh on no fewer than six occasions, only to be averted suddenly through deux et machina each time.  The frequency of these calamities within the book, and how precipitously they are forgotten devalues them, and left our book group struggling to care.

The character of Cheng Xin is one of the weakest parts of the book, as none of us were really able to understand her motivations or her personality. She’s faced with conflict after conflict throughout the book, and presented with a wide variety of moral dilemmas, but through it all she remains a cypher.

In the previous two books the author wrote from several points of view other than the main character.

Death’s End focuses almost solely on Cheng Xin, with just a brief portion from Tianming’s perspective. This leaves other interesting characters — like Luo Ji and Wade — on the sidelines. The omission of their perspectives is a missed opportunity that points to the lack of depth in the book.

(16) HUGO QUIP. No reviews in this post this post by Camestros Felapton, but there’s a lively bon mot:

Best Series – the category that somehow manages to combine elements of both the protestant work ethic and Catholic guilt in one package.

(17) DARK TOWER. A new featurette from The Dark Tower – The Legacy of the Gunslinger.

There are other worlds than these. Stephen King’s The Dark Tower, the ambitious and expansive story from one of the world’s most celebrated authors, makes its launch to the big screen. The last Gunslinger, Roland Deschain (Idris Elba), has been locked in an eternal battle with Walter O’Dim, also known as the Man in Black (Matthew McConaughey), determined to prevent him from toppling the Dark Tower, which holds the universe together. With the fate of the worlds at stake, good and evil will collide in the ultimate battle as only Roland can defend the Tower from the Man in Black.

 

[Thanks to Chip Hitchcock, Cat Eldridge, JJ, Greg Hullender, Nigel, Cat Rambo, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

Pixel Scroll 6/20/17 Hugos And Dragons And Campbells Oh My!

(1) HAN SOLO DIRECTORS AXED. The untitled Star Wars Han Solo spinoff started principal photography on February 20 at London’s Pinewood Studios, but progress has come to an ass-grinding stop with the departure of directors Phil Lord and Christopher Miller, who cited “creative differences” for the split.

Variety’s article puts it a bit differently — “’Star Wars’ Han Solo Spinoff: Lord & Miller Fired After Clashing With Kathleen Kennedy”.

Phil Lord and Chris Miller’s reputation for writing irreverent, poppy films such as “21 Jump Street” and “The Lego Movie” helped the white-hot writing and directing duo land one of the most coveted gigs in Hollywood — a chance to call the shots on a “Star Wars” film.

But their chance to put their stamp on a galaxy far, far away collapsed on Tuesday with the stunning announcement that the pair would be departing the still untitled Han Solo spin-off movie in the midst of production. Their exit comes after months of conflict with producer Kathleen Kennedy, others from her LucasFilm team, and co-writer and executive producer Lawrence Kasdan, and the two directors hired to infuse the “Star Wars” universe with a tongue-in-cheek sensibility.

Miller and Lord were stunned to find that they were not being granted freedom to run the production in the manner that they were accustomed to. They balked at Kennedy’s tight control on the set.

(2) SAY IT OUT LOUD. Madeleine E. Robins has some advice about dialect in “’Ow’s that, Guv’nor?: The Art of Reading to an Audience”.

So maybe, even if you hear the words you’ve written with a perfect what-ever-it-is accent, you’ll want to think carefully before giving voice to their accents. This is a time when enlisting the assistance of a friend can be useful. Read aloud to them and ask them to tell tell you if it works. If your listener says you’re more [Dick Van Dyke’s Bert the chimney sweep] than Sir Ben Kingsley, rethink.

But my dialogue is written in dialect! Okay, but you don’t have to read inflections that are not in the page. If you’ve got a character saying “I don’t know ‘ow!” you can soften the presumed “Oi” in I; if you aren’t good at the vowels, don’t hit ’em hard. And remember, it’s more important that your listeners follow the sense and meaning of the words than that they get a full theatrical performance.

(3) RED PLANET INTERIOR DECORATORS. Jeremy White in WIRED (“IKEA designers are living in a Mars simulator to get inspiration for future collections. Really”) says that IKEA sent an in-house design team to spend seven days at the Mars Desert Research Station in Utah, who then decided how to make a Mars mission “more homey” and then use that knowledge to aid in IKEA’s product development.

At its annual Democratic Design Day event in Älmhult, Sweden, IKEA has revealed its latest collaborations and products, with a focus on millennials and space travel. Yes, space travel.

To this end, IKEA has done something rather drastic. It’s banished a delegation of its in-house design team to live in a simulated Mars habitat at the Mars Desert Research Station in Utah, America, to learn what it’s like to live in the inhospitable and cramped environs of off-world settlements.

When the company learned that Nasa and students from Sweden’s Lund University School of Industrial Design were working on what would be needed for a three-year space mission to Mars, IKEA requested to join the project.

The home furnishings giant wants to tap in to what scientists and engineers learn from spaceflight to Mars, and apply these discoveries to products and methods for everyday life at home. Marcus Engman, head of design at IKEA, said the company wants to find out what could make space travel “homey” and to identify the boundaries and restraints needed to work in that environment, and then port that knowledge into IKEA’s own product development and “use space knowledge for a better everyday life on Earth”.

(4) TENTACLE TIME. Camestros Felapton reviews a science fictional-themed brew, complete with photos of its exotic label, in “Tuesday Beer: Galactopus @LittleBangBrew”.

…I know my readers would WANT me to drink a beer called “Galactopus”, which features a planet devouring octopus on the label.

The sacrifices I make for you all.

The label has some very clever copy. I wonder how many beer labels a person has to author to qualify for SFWA?

(5) RHETORICAL QUESTION. Having seen the Wonder Woman movie Daniel Dern wants to know, “Why no kangas on Paradise Island?”

(6) HOWARD. The duck’s cameos in Guardians of the Galaxy give his leading lady a new excuse to brag: “Lea Thompson Talks ‘Howard the Duck,’ Claims Her Crown as First Queen of Marvel”.

Lea Thompson couldn’t give a quack about what you think of Howard the Duck, the puntastic 1986 Marvel Comics-based action-comedy that ran afowl of movie critics and has lived in film infamy ever since. The George Lucas-produced movie has a fan base out there, and that’s good enough for her.

“People love that movie!” Thompson said of “HTD,” as she likes to call it, during a Facebook Live interview with Yahoo Movies (watch the full interview below). “They’re releasing it again in Blu-ray or something… They don’t just do that because they’re nice.” (The film was made available on Blu-ray for the first time last May.) “It’s a hilariously bizarre movie,” Thompson continued. “The only thing that I can say that I don’t like about it is that I thought it was a little long.”

The film, which featured the Back to the Future breakout as a Cleveland singer who helps the anthropomorphic duck acclimate to life on Earth, runs 110 minutes, which is still well short of the average runtime of today’s Marvel movies, including the two Guardians of the Galaxy films that have briefly resuscitated Mr. HTD

(7) FIVE STARS. Marion Deeds and Kat Hooper each take a cut at Daryl Gregory’s Spoonbenders at Fantastic Literature. Here’s Marion’s first paragraph:

Spoonbenders (2017) by Daryl Gregory, is multi-generational family saga. It’s a coming-of-age story. It’s a psychic adventure story and a weird conspiracy tale for lovers of shadowy CIA projects like MKULTRA. It’s a gangster story. There’s a heist. There is a long con, and a madcap comedy along the lines of classic Marx Brothers routines. There are a couple of romances, a direct-distribution scheme, a medallion, a cow and a puppy. If we’re talking genre, I don’t know what Spoonbenders is. I know I loved it. I know it was fun and made me laugh, I know it was scary at times and I know I closed the book feeling happy and sad. And I know it’s a five-star book.

(8) COMIC SECTION. John King Tarpinian notes an amusing sf reference today in Bliss.

(9) SAD PUPPIES PROGRESS REPORT. Sarah A. Hoyt returned to tell Mad Genius Club readers what happened to Sad Puppies 5 in “About Those Lost Puppies”. After a lengthy recap of her version of history, she reaches the tentative present:

…Our intention was always to just create a page, in which those who register can post reading recommendations, not just of recent years, but of anything that struck their fancy.  There will be a place where you can say when the book was published and if it’s eligible for an award — and not just a science fiction award — and a link to the award page for people to follow, if so minded.  Yeah, we’ll include the Hugo, but probably with a note saying the award is in the process of self-destructing.

Thing is, I meant to have this up before nominations for the Dragon Award opened.  But on top of the comedy of errors above, our website provider either crashed or was hacked, so while trying to survive auto-immune and meeting more deliveries than UPS, I’ve been trying to get it up and running again.  (My author site is down also.)

So, that’s where we are.  We’ll put it up sometime in the next couple of months, and then Amanda and I will run it, and then Amanda will take over  Or Amanda, Kate and I will continue shepherding it.

When we said this before and pointed out that PARTICULARLY indie books need some place to mention them, we were linked to/lectured by someone one the rabid side, because apparently they already have a site, so we don’t need one of our own.

Tips hat to the right.  Thank you kindly.  But you guys are aware your aesthetics and goals aren’t ours, right?

You just turned Marxist aesthetics on their head, and are judging books by being anti-Marxist and how much they don’t support the neo Marxist idea of justice.  That’s cool and all.  To each his own.  And since, so far, your crazy isn’t being taught in schools, it’s slightly less annoying than the Marxist crazy.

It is still annoying, though, because you’re still judging literary value by whether it fits your (at least as crazy-cakes’ as the Marxists) narrative and your precepts….

(10) I ATE THE WHOLE THING. It’s been reliably reported that Whole Foods was not long for existence if Bezos or the like hadn’t bought them. “Amazon Eats Up Whole Foods as the New Masters of the Universe Plunder America” japes The Daily Beast’s Joel Kotkin.

Unlike our old moguls, the new Masters don’t promise greater prosperity but a world where most people are to be satiated by a state-provided basic income and occasional ‘gig’ work.

 

(11) PLAY BALL The Washington Post’s Scott Allen, in a piece called “Nationals will hide ‘dragon eggs’ ahead of ‘Game of Thrones’ Night”,  says the Washington Nationals have hidden 10 “dragon eggs” in the D.C. area, and if you find one fabulous prizes can be yours at the Nationals’ Game of Thrones night.

Nationals Park will look and feel a bit more like Westeros, the fictional continent from the popular HBO series based on George R.R. Martin’s novels, when the Nationals host the Reds on “Game of Thrones” Night on Friday.

Ahead of the event, the Nationals will hide 10 prize-filled “dragon eggs” in D.C., Maryland and Virginia. A Westeros-themed map posted on the team’s social channels and in The Washington Post Express on Tuesday morning will guide fans to the eggs, which contain a Nationals and “Game of Thrones” co-branded T-shirt, two tickets to Friday’s game and a fast-pass to pose for a photo on the 800-pound Iron Throne that will be located in the Right Field Plaza.

…The Racing Presidents will wear different-colored cloaks with faux fur designed by Ingrid Crepeau, the same woman behind the elaborate costumes that the Racing Presidents have worn on “Star Wars Day” since 2015. Teddy and George showed off their costumes at AwesomeCon in D.C. over the weekend. Screech will be dressed as his favorite “Game of Thrones” character, the three-eyed Raven.

 

(12) SEUSS MUSEUM. The Washington Post’s Andrea Sachs asks, “Will the Dr. Seuss museum be one of the places you’ll go?” Her article reports on the Amazing World of Dr. Seuss museum in Springfield, Massachusetts, where museumgoers can make small books or “a Lorax mustache on a wooden stick, look at his art, and see the rooms where he wrote and drew his books, including hats given him from fans of The 500 Hats of Bartholomew Cubbins.

The ground floor brings to life several of his 40-plus children’s books. The front door opens up to “And to Think That I Saw It on Mulberry Street,” the first children’s book Seuss published. A statue of a police officer patrols a zany parade painted on the wall. Around the bend, step into McGrew’s Zoo, a riot of animals, most not found in the wild. A diagram shows some of the pretend creatures from “If I Ran the Zoo.” There is a preep, a proo, a nerkle and a nerd. Yes, a nerd — a word Seuss made up. Continue onward to make the acquaintance of Thing One and Thing Two, the Cat in the Hat, the Lorax and the tower of turtles from — burp — “Yertle the Turtle.”

Here’s the direct link to “The Amazing World of Dr. Seuss Museum”.

The Amazing World of Dr. Seuss is a permanent, bilingual museum designed to introduce children and their families to the stories of Ted Geisel, promote joy in reading, and nurture specific literacy skills. The 3,200-square-foot first floor exhibition will provide opportunities to explore new sounds and vocabulary, play rhyming games, invent stories, and engage in activities that encourage teamwork and creative thinking.

The second floor will be filled with personal memorabilia belonging to Ted Geisel, including original oil paintings, a collection of zany hats and bowties, the original Geisel Grove sign which used to hang in Forest Park, and furniture from Ted’s sitting room and studio, including his drawing board, breakfast table, sofa, and armchair.

(13) NAZI RELICS. Matt Novak of Gizmodo covers the “Huge Collection of Nazi Artifacts Discovered Inside Secret Room in Argentina”.

Federal police in Argentina recently discovered a time capsule of evil, hidden inside a house near Buenos Aires. Roughly 75 Nazi artifacts, including everything from a large knife to Nazi medical devices to a photo negative of Adolph Hitler, were uncovered in a secret room. Police are investigating when and how the items entered the South American country….

One reason that authorities in Buenos Aires has some degree of certainty that they are originals is that some items from the collection are pictured in photographs with Nazi leaders. For example, one item in the collection is a magnifying glass. The same magnifying glass is seen in a photo negative from the collection showing Hitler himself. Investigators showed the photo to the Associated Press on the condition that the photo not be published.

“This is a way to commercialize them, showing that they were used by the horror, by the Fuhrer. There are photos of him with the objects,” said Bullrich.

 [Thanks to JJ, Daniel Dern, Cat Eldridge, Martin Morse Wooster, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Peer Sylvester.]

Pixel Scroll 6/14/17 Will the Pixel Be Unbroken

As I was about to say yesterday, before I was interrupted…

(1) THE SOUND OF MONEY. Kristine Kathryn Rusch pointed her readers to bestselling writer Michael J. Sullivan’s a post on Reddit titled “Why Del Rey and I Will Be Parting Ways” and gave a complimentary analysis on the way Sullivan handled his audiobook rights.

Here, I want to applaud Michael and his wife Robin for their negotiating skills and for their attitude.

To summarize the highlights of the blog about Del Rey, for those of you who haven’t jumped over to read it, Michael and Robin learned from their first major contract with a traditional publisher to retain audio rights. Michael and Robin didn’t do so on that first big contract, and then the audio rights sold for $400,000, of which Michael and Robin saw only $200,000 (subsidiary rights in a standard publishing contract are split 50/50 with a publisher).

So — and here’s a nice bit of brilliance — Michael and Robin didn’t want to lose audio rights again. When the time to negotiate a new Del Rey contract came around, Michael and Robin had already sold audio rights to those books, taking those rights off the table entirely.

They thought through what they wanted, and rather than argue over the rights, or get the print publisher to bump an advance, or go through all of the little tricks that people on the other side of the table do when negotiating, Michael and Robin were proactive. They made sure they got what they wanted with audio first.

And there’s a lot more good information in Rusch’s post.

(2) THE FLUID PAST. Guy Gavriel Kay tweeted a link to this article, one in which he is cited and discussed. “‘Facts are not truth’: Hilary Mantel goes on the record about historical fiction”.

In Mantel’s view, the past is not something we passively consume, either, but that which we actively “create” in each act of remembrance. That’s not to say, of course, that Mantel is arguing that there are no historical “facts” or that the past didn’t happen. Rather, she reminds us that the evidence we use to give narrative shape to the past is “always partial” , and often “incomplete” . “Facts are not truth” , Mantel argues, but “the record of what’s left on the record.” It is up to the living to interpret, or, indeed, misinterpret, those accounts.

In this respect the writer of historical fiction is not working in direct opposition to the professional historian: both must think creatively about what remains, deploying — especially when faced with gaps and silences in the archive — “selection, elision, artful arrangement” , literary manoeuvres more closely associated with novelist Philippa Gregory than with [John] Guy the historian. However, exceptional examples from both fields should, claims Mantel, be “self-questioning” and always willing to undermine their own claims to authenticity.

(3) WEBCOMICS AT LOC. The Library of Congress now has a webcomics archive, collecting 39 strips including the multi-Hugo winning Girl Genius.

This collection focuses on comics created specifically for the web and supplements the Library of Congress’ extensive holdings in both comic books, graphic novels, and original comic art. Webcomics are an increasingly popular format utilized by contemporary creators in the field and often includes material by artists not available elsewhere. Webcomics selected for this collection include award-winning comics (Eisner Awards, Harvey Awards, Eagle Awards, and Shuster Awards) as well as webcomics that have significance in the field due to longevity, reputation, and subject matter. This collection includes work by artists and subjects not traditionally represented in mainstream comics, including women artists and characters, artists and characters of color, LGBTQ+ artists and characters, as well as subjects such as politics, health and human sexuality, and autobiography. The content of these websites is captured as it was originally produced and may include content that is not suitable for all ages.

(4) EARLY DAYS. Kalimac reminisces about “ Dark Carnival” bookstore.

But I remember Dark Carnival from its earliest days. It was the first sf specialty store in the Bay Area, long before Borderlands or Future Fantasy and even a bit before The Other Change of Hobbit or Fantasy Etc. (Of these, only Borderlands is still with us, and it had a scare not long ago.) I found it down on the south stretch of Telegraph, the first of its three locations, when I returned to UC in the fall of 1976. It was very small then, mostly a large semicircle of paperbacks, but there wasn’t a lot to stock in those days. Jack Rems, owner ever since, was usually there, as was his first clerk, a young woman named Lisa Goldstein, who’d occasionally mention she was working on a novel. It was published several years later and led her on the path to becoming the renowned fantasy author she is today, but then she was a bookstore clerk. D. and I would hang out down there and indulge in a lot of chatter with Jack and Lisa, but we’d also buy books.

(5) LA’S SHINING WEST TRIBUTE. NOTE: WE MISSED THIS ONE. On Thursday Los Angeles city officials will turn on the Bat-SIgnal.

Los Angeles Mayor Eric Garcetti will light the Bat-Signal over Los Angeles in a special ceremony honoring the late Adam West, who starred in the 60s Batman TV series as the Caped Crusader himself.

The ceremony will be conducted on Thursday, June 15 at 7:30 p.m. PST at Los Angeles City Hall. Garcetti will be joined by unnamed special guests for the tribute, along with Los Angeles Police Department Chief Charlie Beck.

Once lit, the Bat-Signal will be projected on Los Angeles City Hall for an undisclosed period of time.

(6) TRACING BATMAN’S BAT BUCKS. In “How Does Batman make All His Money?” on looper.com, Chris Sims looks at the roots of the Wayne fortune, including how Bruce Wayne’s wealth began with Revolutionary War hero “Mad Anthony” Wayne and how Thomas Wayne’s marriage to Martha Kane united a financial empire with one based on chemicals.

All of this still leaves the question of where Batman gets his fortune in the world of Gotham City, but if you’ve read enough comics, it shouldn’t come as a surprise that Bruce Wayne’s infinite pile of money has an origin story just like everything else. The short version? The Waynes have always been rich.

As it turns out, they’re about as old as Old Money gets in America, with a merchant fortune that came over from Europe in colonial times, growing as Gotham City expanded to form the cornerstone of an industrial empire. In 2011’s Batman: Gates of Gotham, Scott Snyder, Kyle Higgins, and Trevor McCarthy put the spotlight on Alan Wayne, a turn-of-the-century ancestor for Batman who helped to shape the city itself by funding the design and construction of bridges, tunnels, and key buildings — including Wayne Tower.

(7) ALT REVIEWING. Jon Mollison reviewed Sarah A. Hoyt’s story “Freeman’s Stand” in Rocket’s Red Glare for the Castalia House blog. He has a particular view of immigrants, as reflected in this excerpt —

I didn’t recognize the tonally inconsistent version of America presented. Perhaps the good old USA had fallen so long ago that the Sons of Liberty had cobbled together an approximation through scraps of history and lost lore. If so, this was never presented, and so instead of enjoying the action, I found myself wondering where this weird America came from.

Normally, I’d be loathe to resort to the petty tactic of mentioning the “About The Author” section of a collection, but in this case it provides an important clue towards understanding why Freeman’s Stand feels like such an alien version of America. The very first thing mentioned in Hoyt’s bio is that she was born and raised in Portugal. That’s the lead-off. It’s important that you know Hoyt is Portuguese before all else. And it’s only now, after the story is concluded, that the pieces fall into place. This is a story of “Nation of Immigrants” America written by an author with a very different perspective of America than one held by a reader born and bred within her borders. That is the source of the disconnect, and I found myself wishing that I’d known from the outset that Molly’s story was that an American outsider fighting for an outsider’s vision of America. It would have resolved a number of discordant passages within the tale.

This prompted Greg Hullender to observe, “Although Sarah Hoyt imagines herself to be a fellow-traveler, given her involvement with the Sad Puppies, it’s pretty clear from this post on the Castalia House Blog that, as an immigrant from Portugal, she can never be a “real American.” Not in any sense the alt-right recognizes, anyway.”

(8) WALKING DEAD. Carl Slaughter would like to tell you about it:

The Walking Dead is a tale of sheriff Rick Grimes and his small band of survivors as they’re transformed from coddled complainers into battle tested, zombie murdering badasses. The zombie subgenre has a rich history of social commentary. Whether they be the slow walking, brain craving type or of the fast running, shrieking persuasion, the figure of the zombie has been a metaphor for all sorts of things that keep us up at night. Zombies have represented everything from mindless consumers under Capitalism in Dawn of the Dead, to fears about public health crisis in 28 Days Later, immigration in World War Z, or mega corporations in Resident Evil. And then there’s the fact that zombies originated in Haiti, where many argue it was a metaphor for slavery. Zombies are projections of our own societal fears. The Walking Dead isn’t quite any of these. Instead, The Walking Dead explores a multitude of issues, like politics, psychology, and our relationship to death. Also, the joys of cosplay. The Walking Dead is, above all else, a show about philosophical bounderies. And three in particular: (1) What constitutes life (2) What constitutes living (3) What constitutes being human.

For homework, Carl recommends The Philosophy of The Walking Dead — Wisecrack Edition.

[Thanks to JJ, Martin Morse Wooster, Stephen Burridge, Tom Galloway, John King Tarpinian, Gregory N. Hullender, and Dann for some of these stories. Title credit goes to File 770 contributing editor of the day rcade.]